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+*** START OF THE PROJECT GUTENBERG EBOOK 43442 ***
+
+Transcriber's Note: Minor typographical errors have been corrected
+without note. Irregularities and inconsistencies in the text have
+been retained as printed. Words printed in italics are noted with
+underscores: _italics_. The Table of Contents was not present in
+the original text and has been produced for the reader's convenience.
+
+
+
+
+THE GOLDEN BUTTERFLY
+
+
+BY
+
+WALTER BESANT AND JAMES RICE
+
+
+NEW YORK
+R. F. FENNO & COMPANY
+9 AND 11 EAST 16TH STREET
+
+
+
+
+TO
+
+_EDMUND YATES_,
+
+EDITOR OF "THE WORLD,"
+IN WHICH PAPER "THE GOLDEN BUTTERFLY"
+WAS FIRST PUBLISHED,
+
+This Story
+
+IS INSCRIBED BY THE AUTHORS.
+
+
+
+
+PREFACE.
+
+
+The Golden Butterfly, which gives a name to this novel, was seen by an
+English traveller, two years ago, preserved as a curiosity in a mining
+city near Sacramento, where it probably still remains. This curious
+freak of Nature is not therefore an invention of our own. To the same
+traveller--Mr. Edgar Besant--we are indebted for the description on
+which is based our account of Empire City.
+
+The striking of oil in Canada in the manner described by Gilead P.
+Beck was accomplished--with the waste of millions of gallons of the
+oil, for want of casks and buckets to receive it, and with the result
+of a promise of almost boundless wealth--by a man named Shaw, some ten
+years ago. Shaw speculated, we believe; lost his money, and died in
+poverty.
+
+Names of great living poets and writers have been used in this book in
+connection with a supposed literary banquet. A critic has expressed
+surprise that we have allowed Gilead Beck's failure to appreciate
+Browning to stand as if it were our own. Is a writer of fiction to
+stop the action of his story in order to explain that it is his
+character's opinion and not his own, that he states? And it surely is
+not asking too much to demand of a critic that he should consider
+first of all the consistency of a character's actions or speeches.
+Gilead Beck, a man of no education and little reading, but of
+considerable shrewdness, finds Browning unintelligible and harsh. What
+other verdict could be expected if the whole of Empire City in its
+palmiest days had been canvassed?
+
+Moreover, we have never, even from that great writer's most ardent
+admirers, heard an opinion that he is either easy to read, or musical.
+The compliments which Mr. Beck paid to the guests who honoured his
+banquet are of course worded just as he delivered them.
+
+Gilead Beck's experiences as an editor are taken--with a little
+dressing--from the actual experiences of a living Canadian journalist.
+
+From their Virginian home Jack Dunquerque and Phillis his wife send
+greetings to those who have already followed their fortunes. She only
+wishes us to add that Mr. Abraham Dyson was right, and that the Coping
+Stone of every woman's education is Love. Most people know this, she
+says, from reading: but she never did read; and the real happiness is
+to find it out for yourself.
+
+ W. B.
+ J. R.
+
+ _March, 1877._
+
+
+
+
+ PROLOGUE
+ CHAPTER I.
+ CHAPTER II.
+ CHAPTER III.
+ CHAPTER IV.
+ CHAPTER V.
+ CHAPTER VI.
+ CHAPTER VII.
+ CHAPTER VIII.
+ CHAPTER IX.
+ CHAPTER X.
+ CHAPTER XI.
+ CHAPTER XII.
+ CHAPTER XIII.
+ CHAPTER XIV.
+ CHAPTER XV.
+ CHAPTER XVI.
+ CHAPTER XVII.
+ CHAPTER XVIII.
+ CHAPTER XIX.
+ CHAPTER XX.
+ CHAPTER XXI.
+ CHAPTER XXII.
+ CHAPTER XXIII.
+ CHAPTER XXIV.
+ CHAPTER XXV.
+ CHAPTER XXVI.
+ CHAPTER XXVII.
+ CHAPTER XXVIII.
+ CHAPTER XXIX.
+ CHAPTER XXX.
+ CHAPTER XXXI.
+ CHAPTER XXXII.
+ CHAPTER XXXIII.
+ CHAPTER XXXIV.
+ CHAPTER XXXV.
+ CHAPTER XXXVI.
+ CHAPTER XXXVII.
+ CHAPTER XXXVIII.
+ CHAPTER XXXIX.
+ CHAPTER XL.
+ CHAPTER XLI.
+ CHAPTER XLII.
+ CHAPTER XLIII.
+ CHAPTER XLIV.
+ CHAPTER XLV.
+ CHAPTER THE LAST.
+
+
+
+
+THE GOLDEN BUTTERFLY.
+
+
+
+
+PROLOGUE.
+
+
+I.
+
+"What do you think, chief?"
+
+The speaker, who was leading by a half a length, turned in his saddle
+and looked at his companion.
+
+"Push on," growled the chief, who was a man of few words.
+
+"If you were not so intolerably conceited about the value of your
+words--hang it, man, you are not the Poet Laureate!--you might give
+your reasons why we should not camp where we are. The sun will be down
+in two hours; the way is long, the wind is cold, or will be soon. This
+pilgrim has tightened his belt to stave off the gnawing at his
+stomach; here is running water, here is wood, here is everything
+calculated to charm the poetic mind even of Captain Ladds----"
+
+"Road!" interrupted his fellow-traveller, pointing along the track
+marked more by deep old wheel-ruts, grown over with grass, than by any
+evidences of engineering skill. "Roads lead to places; places have
+beds; beds are warmer than grass--no rattlesnakes in beds; miners in
+hotels--amusing fellows, miners."
+
+"If ever I go out again after buffaloes, or bear, or mountain-deer, or
+any other game whatever which this great continent offers, with a
+monosyllabic man, may I be condemned to another two months of buffalo
+steak without Worcester sauce, such as I have had already; may I be
+poisoned with bad Bourbon whisky; may I never again see the sweet
+shady side of Pall Mall; may I----"
+
+Here he stopped suddenly, for want of imagination to complete the
+curse.
+
+The first speaker was a young man of four and twenty--the age which is
+to my sex what eighteen is to the other, because at four and twenty
+youth and manhood meet. He of four and twenty is yet a youth, inasmuch
+as women are still angels; every dinner is a feast, every man of
+higher rank is a demigod, and every book is true. He is a man,
+inasmuch as he has the firm step of manhood, he has passed through his
+calf-love, he knows what claret means, and his heart is set upon the
+things for which boys care nothing. He is a youth, because he can
+still play a game of football and rejoice amazingly in a boat-race; he
+is a man, because he knows that these things belong to the past, and
+that to concern one's self seriously with athletics, when you can no
+longer be an athlete in the games, is to put yourself on the level of
+a rowing coach or the athletic critic of a sporting paper.
+
+Being only four and twenty, the speaker was in high spirits. He was
+also hungry. He was always both. What has life better to offer than a
+continual flow of animal spirits and a perpetual appetite? He was a
+tall, slight, and perhaps rather a weedy youth, a little too long of
+leg, a little too narrow in the beam, a little spare about the
+shoulders; but a youth of a ruddy and a cheerful countenance. To say
+that the lines of his face were never set to gravity would be too
+much, because I defy any man to laugh when he is sleeping, eating, or
+drinking. At all other times this young man was ready to laugh without
+stopping. Not a foolish cackle of idiotic vacuity such as may be heard
+in Earlswood asylum or at a tea-party to meet the curate, but a
+cheerful bubble of mirth and good-humour, proof that the spirit within
+took everything joyously, seeing in every misadventure its humorous
+side, and in every privation its absurdity.
+
+The other who rode beside him was some years older at least. A man of
+thirty-five, or perhaps more; a man with a hatchet-face--nose and
+forehead in one straight line; long chin and long upper lip in
+another; face red with health as well as bronzed with the sun--a good
+honest face, supernaturally grave, grave beyond all understanding;
+lips that were always tightly closed; eyes which sometimes sparkled in
+response to some genial thought, or bubbled over at some joke of his
+companion, but which, as a rule, were like gimlets for sternness, so
+that strangers, especially stranger servants--the nigger of Jamaica,
+the guileless Hindoo of his Indian station, and other members of the
+inferior human brotherhood--trembled exceedingly when they met those
+eyes. Captain Ladds was accordingly well served, as cold, reserved men
+generally are. Mankind takes everything unknown _pro terribili_, for
+something dreadful, and until we learn to know a man, and think we
+know him, he is to be treated with the respect due to a possible
+enemy. _Hostis_ means a stranger, and it is for strangers that we keep
+our brickbats.
+
+People who knew Ladds laughed at this reputation. They said the
+gallant captain was a humbug; they pretended that he was as gentle as
+a turtle-dove; beneath those keen eyes, they said, and behind that
+sharp hatchet-face, lurked the most amiable of dispositions. At any
+rate, Ladds was never known to thrash a native servant, or to swear
+more than is becoming and needful at a syce, while his hatchet-face
+had been more than once detected in the very act of looking as soft
+and tender as a young mother's over her first-born. The name of this
+cavalier was short and simple. It was Thomas Ladds. His intimate
+friends called him Tommy.
+
+They were in California, and were not buffalo-hunting now, because
+there is not a buffalo within five hundred miles of Sacramento. Their
+buffalo-hunting was over, having been accompanied by such small
+hardships as have been already alluded to. They rode along a track
+which was as much like a road as Richmond Park is like the Forest of
+Arden. They were mounted on a pair of small nervous mustangs; their
+saddles were the Mexican saddles used in the country, in front of
+which was the never-failing horn. Round this was wound the horsehair
+lariat, which serves the Western Nimrod for lassoing by day, and for
+keeping off snakes at night, no snake having ever been known to cross
+this barrier of bristly horsehair. You might as well expect a burgling
+coolie, smeared with oil, and naked, to effect his escape by crawling
+through a hedge of prickly pear. Also, because they were in a foreign
+land, and wished to be in harmony with its institutions, they wore
+immense steel spurs, inlaid with silver filigree, and furnished with
+"lobs" attached to them, which jangled and danced to make melody, just
+as if they formed part of an illustration to a Christmas book. Boots
+of course, they wore, and the artistic instinct which, a year before,
+had converted the younger man into a thing of beauty and a joy for the
+whole Park in the afternoon, now impelled him to assume a _cummerbund_
+of scarlet silk, with white-tasselled fringes, the like of which,
+perhaps, had never before been seen on the back of a Californian
+mustang. His companion was less ornate in his personal appearance.
+Both men carried guns, and if a search had been made, a revolver would
+have been found either hidden in the belt of each or carried _perdu_
+in the trousers-pocket. In these days of Pacific Railways and
+scampering Globe Trotters, one does not want to parade the revolver;
+but there are dark places on the earth, from the traveller's as well
+as from the missionary's point of view, where it would be well to have
+both bowie and Derringer ready to hand. On the American continent the
+wandering lamb sometimes has to lie down with the leopard, the
+harmless gazelle to journey side by side with the cheetah, and the asp
+may here and there pretend to play innocently over the hole of the
+cockatrice.
+
+Behind the leaders followed a little troop of three, consisting of one
+English servant and two "greasers." The latter were dressed in plain
+unpretending costume of flannel shirt, boots, and rough trousers.
+Behind each hung his rifle. The English servant was dressed like his
+master, but more so, his spurs being heavier, the pattern of his
+check-shirt being larger, his saddle bigger; only for the silk
+cummerbund he wore a leather strap, the last symbol of the honourable
+condition of dependence. He rode in advance of the greasers, whom he
+held in contempt, and some thirty yards behind the leaders. The
+Mexicans rode in silence; smoking cigarettes perpetually. Sometimes
+they looked to their guns, or they told a story, or one would sing a
+snatch of a song in a low voice; mostly they were grave and
+thoughtful, though what a greaser thinks about has never yet been
+ascertained.
+
+The country was so far in the Far West that the Sierra Nevada lay to
+the east. It was a rich and beautiful country: there were park-like
+tracts--supposing the park to be of a primitive and early
+settlement-kind--stretching out to the left. These were dotted with
+white oaks. To the right rose the sloping sides of a hill, which were
+covered with the brush-wood called the chaparelle, in which grew the
+manzanita and the scrub-oak, with an occasional cedar pine, not in the
+least like the cedars of Lebanon and Clapham Common. Hanging about in
+the jungle or stretching its arms along the side of the dry water
+course which ran at the traveller's feet beside the road was the wild
+vine loaded with its small and pretty grapes now ripe. Nature, in
+inventing the wild grape, has been as generous as in her gift of the
+sloe. It is a fruit of which an American once observed that it was
+calculated to develop the generosity of a man's nature, "because," he
+explained, "you would rather give it to your neighbour than eat it
+yourself."
+
+The travellers were low down on the western slopes of the Sierra; they
+were in the midst of dales and glades--cañons and gulches, of perfect
+loveliness, shut in by mountains which rose over and behind them like
+friendly giants guarding a troop of sleeping maidens. Pelion was piled
+on Ossa as peak after peak rose higher, all clad with pine and cedar,
+receding farther and farther, till peaks became points, and ridges
+became sharp edges.
+
+It was autumn, and there were dry beds, which had in the spring been
+rivulets flowing full and clear from the snowy sides of the higher
+slopes; yet among them lingered the flowers of April upon the shrubs,
+and the colours of the fading leaves mingled with the hues of the
+autumn berries.
+
+A sudden turn in the winding road brought the foremost riders upon a
+change in the appearance of the country. Below them to the left
+stretched a broad open space, where the ground had been not only
+cleared of whatever jungle once grew upon it, but also turned over.
+They looked upon the site of one of the earliest surface-mining
+grounds. The shingle and gravel stood about in heaps; the gullies and
+ditches formed by the miners ran up and down the face of the country
+like the wrinkles in the cheek of a baby monkey; old pits, not deep
+enough to kill, but warranted to maim and disable, lurked like
+man-traps in the open; the old wooden aqueducts, run up by the miners
+in the year '52, were still standing where they were abandoned by the
+"pioneers;" here and there lay about old washing-pans, rusty and
+broken, old cradles, and bits of rusty metal which had once belonged
+to shovels. These relics and signs of bygone gatherings of men were
+sufficiently dreary in themselves, but at intervals there stood the
+ruins of a log-house, or a heap which had once been a cottage built of
+mud. Palestine itself has no more striking picture of desolation and
+wreck than a deserted surface-mine.
+
+They drew rein and looked in silence. Presently they became aware of
+the presence of life. Right in the foreground, about two hundred yards
+before them, there advanced a procession of two. The leader of the
+show, so to speak, was a man. He was running. He was running so hard,
+that anybody could see his primary object was speed. After him, with
+heavy stride, seeming to be in no kind of hurry, and yet covering the
+ground at a much greater rate than the man, there came a bear--a real
+old grisly. A bear who was "shadowing" the man and meant claws. A bear
+who had an insult to avenge, and was resolved to go on with the affair
+until he had avenged it. A bear, too, who had his enemy in the open,
+where there was nothing to stop him, and no refuge for his victim but
+the planks of a ruined log-house, could he find one.
+
+Both men, without a word, got their rifles ready. The younger threw
+the reins of his horse to his companion and dismounted.
+
+Then he stood still and watched.
+
+The most exhilarating thing in the whole world is allowed to be a
+hunt. No greater pleasure in life than that of the Shekarry,
+especially if he be after big game. On this occasion the keenness of
+the sport was perhaps intensified to him who ran, by the reflection
+that the customary position of things was reversed. No longer did he
+hunt the bear; the bear hunted _him_. No longer did he warily follow
+up the game; the game boldly followed _him_. No joyous sound of horns
+cheered on the hunter: no shout, such as those which inspirit the fox
+and put fresh vigour into the hare--not even the short eager bark of
+the hounds, at the sound of which Reynard begins to think how many of
+his hundred turns are left. It was a silent chase. The bear, who
+represented in himself the field--men in scarlet, ladies, master,
+pack, and everything--set to work in a cold unsympathetic way,
+infinitely more distressing to a nervous creature than the cheerful
+ringing of a whole field. To hunt in silence would be hard for any
+man; to be hunted in silence is intolerable.
+
+Grisly held his head down and wagged it from side to side, while his
+great silent paws rapidly cleared the ground and lessened the
+distance.
+
+"Tommy," whispered the young fellow, "I can cover him now."
+
+"Wait, Jack. Don't miss. Give Grisly two minutes more. Gad! how the
+fellow scuds!"
+
+Tommy, you see, obeyed the instinct of nature. He loved the hunt:
+if not to hunt actively, to witness a hunt. It is the same feeling
+which crowds the benches at a bullfight in Spain. It was the same
+feeling which lit up the faces in the Coliseum when Hermann, formerly
+of the Danube, prisoner, taken red-handed in revolt, and therefore
+_moriturus_, performed with vigour, sympathy, and spirit the _rôle_ of
+Actæon, ending, as we all know, in a splendid chase by bloodhounds;
+after which the poor Teuton, maddened by his long flight and exhausted
+by his desperate resistance, was torn to pieces, fighting to the end
+with a rage past all acting. It is our modern pleasure to read of pain
+and suffering. Those were the really pleasant days to the Roman ladies
+when they actually witnessed living agony.
+
+"Give Grisly two minutes," said Captain Ladds.
+
+By this time the rest of the party had come up, and were watching the
+movements of man and bear. In the plain stood the framework of a
+ruined wooden house. Man made for log-house. Bear, without any
+apparent effort, but just to show that he saw the dodge, and meant
+that it should not succeed, put on a spurt, and the distance between
+them lessened every moment. Fifty yards; forty yards. Man looked round
+over his shoulder. The log-house was a good two hundred yards ahead.
+He hesitated; seemed to stop for a moment. Bear diminished the space
+by a good dozen yards--and then man doubled.
+
+"Getting pumped," said Ladds the critical. Then he too dismounted, and
+stood beside the younger man, giving the reins of both horses to one
+of the Mexicans. "Mustn't let Grisly claw the poor devil," he
+murmured.
+
+"Let me bring him down, Tommy."
+
+"Bring him down, young un."
+
+The greasers looked on and laughed. It would have been to them a
+pleasant termination to the "play" had Bruin clawed the man. Neither
+hunter nor quarry saw the party clustered together on the rising
+ground on which the track ran. Man saw nothing but the ground over
+which he flew; bear saw nothing but man before him. The doubling
+manoeuvre was, however, the one thing needed to bring Grisly within
+easy reach. Faster flew the man, but it was the last flight of
+despair; had the others been near enough they would have seen the cold
+drops of agony standing on his forehead; they would have caught his
+panting breath, they would have heard his muttered prayer.
+
+"Let him have it!" growled Ladds.
+
+It was time. Grisly, swinging along with leisurely step, rolling his
+great head from side to side in time with the cadence of his
+footfall--one roll to every half-dozen strides, like a fat German over
+a _trois-temps_ waltz, suddenly lifted his face, and roared. Then
+the man shrieked: then the bear stopped, and raised himself for a
+moment, pawing in the air; then he dropped again, and rushed with
+quickened step upon his foe; then--but then--ping! one shot. It has
+struck Grisly in the shoulder; he stops with a roar.
+
+"Good, young un!" said Ladds, bringing piece to shoulder. This time
+Grisly roars no more. He rolls over. He is shot to the heart, and is
+dead.
+
+The other participator in this _chasse_ of two heard the crack of the
+rifles. His senses were growing dazed with fear; he did not stop, he
+ran on still, but with trembling knees and outstretched hands; and
+when he came to a heap of shingle and sand--one of those left over
+from the old surface-mines--he fell headlong on the pile with a cry,
+and could not rise. The two who shot the bear ran across the
+ground--he lay almost at their feet--to secure their prey. After them,
+at a leisurely pace, strode John, the servant. The greasers stayed
+behind and laughed.
+
+"Grisly's dead," said Tommy, pulling out his knife. "Steak?"
+
+"No; skin," cried the younger. "Let me take his skin. John, we will
+have the beast skinned. You can get some steaks cut. Where is the
+man?"
+
+They found him lying on his face, unable to move.
+
+"Now, old man," said the young fellow cheerfully, "might as well sit
+up, you know, if you can't stand. Bruin's gone to the happy
+hunting-grounds."
+
+The man sat up, as desired, and tried to take a comprehensive view of
+the position.
+
+Jack handed him a flask, from which he took a long pull. Then he got
+up, and somewhat ostentatiously began to smooth down the legs of his
+trousers.
+
+He was a thin man, about five and forty years of age; he wore an
+irregular and patchy kind of beard, which flourished exceedingly on
+certain square half-inches of chin and cheek, and was as thin as grass
+at Aden on the intervening spaces. He had no boots; but a sort of
+moccasins, the lightness of which enabled him to show his heels to the
+bear for so long a time. His trousers might have been of a rough
+tweed, or they might have been black cloth, because grease, many
+drenchings, the buffeting of years, and the holes into which they were
+worn, had long deprived them of their original colour and brilliancy.
+Above the trousers he wore a tattered flannel shirt, the right arm of
+which, nearly torn to pieces, revealed a tattooed limb, which was
+strong although thin; the buttons had long ago vanished from the front
+of the garment; thorns picturesquely replaced them. He wore a
+red-cotton handkerchief round his neck, a round felt hat was on his
+head; this, like the trousers, had lost its pristine colour, and by
+dint of years and weather, its stiffness too. To prevent the hat from
+flapping in his eyes, its possessor had pinned it up with thorns in
+the front.
+
+Necessity is the mother of invention: there is nothing morally wrong
+in the use of thorns where other men use studs, diamond pins, and such
+gauds; and the effect is picturesque. The stranger, in fact, was a law
+unto himself. He had no coat; the rifle of Californian civilisation
+was missing; there was no sign of knife or revolver; and the only
+encumbrance, if that was any, to the lightness of his flight was a
+small wooden box strapped round tightly, and hanging at his back by
+means of a steel chain, grown a little rusty where it did not rub
+against his neck and shoulders.
+
+He sat up and winked involuntarily with both eyes. This was the effect
+of present bewilderment and late fear.
+
+Then he looked round him, after, as before explained, a few moments of
+assiduous leg-smoothing, which, as stated above, looked ostentatious,
+but was really only nervous agitation. Then he rose, and saw Grisly
+lying in a heap a few yards off. He walked over with a grave face, and
+looked at him.
+
+When Henri Balafré, Duc de Guise, saw Coligny lying dead at his feet,
+he is said--only it is a wicked lie--to have kicked the body of his
+murdered father's enemy. When Henri III. of France, ten years later,
+saw Balafré dead at his feet, he did kick the lifeless body, with a
+wretched joke. The king was a cur. My American was not. He stood over
+Bruin with a look in his eyes which betokened respect for fallen
+greatness and sympathy with bad luck. Grisly would have been his
+victor, but for the chance which brought him within reach of a
+friendly rifle.
+
+"A near thing," he said. "Since I've been in this doggoned country
+I've had one or two near things, but this was the nearest."
+
+The greasers stood round the body of the bear, and the English servant
+was giving directions for skinning the beast.
+
+"And which of you gentlemen," he went on with a nasal twang more
+pronounced than before--perhaps with more emphasis on the word
+"gentlemen" than was altogether required--"which of you gentlemen was
+good enough to shoot the critter?"
+
+The English servant, who was, like his master, Captain Ladds, a man of
+few words, pointed to the young man, who stood close by with the other
+leader of the expedition.
+
+The man snatched from the jaws of death took off his shaky thorn-beset
+felt, and solemnly held out his hand.
+
+"Sir," he said, "I do not know your name, and you do not know mine. If
+you did you would not be much happier, because it is not a striking
+name. If you'll oblige me, sir, by touching that"--he meant his right
+hand--"we shall be brothers. All that's mine shall be yours. I do not
+ask you, sir, to reciprocate. All that's mine, sir, when I get
+anything, shall be yours. At present, sir, there is nothing; but I've
+Luck behind me. Shake hands, sir. Once a mouse helped a lion, sir.
+It's in a book. I am the mouse, sir, and you are the lion. Sir, my
+name is Gilead P. Beck."
+
+The young man laughed and shook hands with him.
+
+"I only fired the first shot," he explained. "My friend here----"
+
+"No; first shot disabled--hunt finished then--Grisly out of the
+running. Glad you're not clawed--unpleasant to be clawed. Young un did
+it. No thanks. Tell us where we are."
+
+Mr. Gilead P. Beck, catching the spirit of the situation, told them
+where they were, approximately. "This," he said, "is Patrick's Camp;
+at least, it was. The Pioneers of '49 could tell you a good deal about
+Patrick's Camp. It was here that Patrick kept his store. In those old
+days--they're gone now--if a man wanted to buy a blanket, that
+article, sir, was put into one scale, and weighed down with gold-dust
+in the other. Same with a pair of boots; same with a pound of raisins.
+Patrick might have died rich, sir, but he didn't--none of the pioneers
+did--so he died poor; and died in his boots, too, like most of the
+lot."
+
+"Not much left of the camp."
+
+"No, sir, not much. The mine gave out. Then they moved up the hills,
+where, I conclude, you gentlemen are on your way. Prospecting likely.
+The new town, called Empire City, ought to be an hour or so up the
+track. I was trying to find my way there when I met with old Grisly.
+Perhaps if I had let him alone he would have let me alone. But I
+blazed at him, and, sir, I missed him; then he shadowed me. And the
+old rifle's gone at last."
+
+"How long did the chase last?"
+
+"I should say, sir, forty days and forty nights, or near about. And
+you gentlemen air going to Empire City?"
+
+"We are going anywhere. Perhaps, for the present, you had better join
+us."
+
+
+II.
+
+Mr. Gilead P. Beck, partly recovered from the shock caused to his
+nerves by the revengeful spirit of the bear, and in no way discomfited
+by any sense of false shame as to his ragged appearance, marched
+beside the two Englishmen. It was characteristic of his nationality
+that he regarded the greasers with contempt, and that he joined the
+two gentlemen as if he belonged to their grade and social rank. An
+Englishman picked up in such rags and duds would have shrunk abashed
+to the rear, or he would have apologised for his tattered condition,
+or he would have begged for some garments--any garments--to replace
+his own. Mr. Beck had no such feeling. He strode along with a swinging
+slouch, which covered the ground as rapidly as the step of the horses.
+The wind blew his rags about his long and lean figure as picturesquely
+as if he were another Autolycus. He was as full of talk as that
+worthy, and as lightsome of spirit, despite the solemn gravity of his
+face. I once saw a poem--I think in the _Spectator_--on Artemus Ward,
+in which the bard apostrophised the light-hearted merriment of the
+Western American; a very fortunate thing to say, because the Western
+American is externally a most serious person, never merry, never
+witty, but always humorous. Mr. Beck was quite grave, though at the
+moment as happy as that other grave and thoughtful person who has made
+a name in the literature of humour--Panurge--when he escaped
+half-roasted from the Turk's Serai.
+
+"I ought," he said, "to sit down and cry, like the girl on the
+prairie."
+
+"Why ought you to cry?"
+
+"I guess I ought to cry because I've lost my rifle and everything
+except my Luck"--here he pulled at the steel chain--"in that darned
+long stern chase."
+
+"You can easily get a new rifle," said Jack.
+
+"With dollars," interrupted Mr. Beck. "As for them, there's not a
+dollar left--nary a red cent; only my Luck."
+
+"And what is your Luck?"
+
+"That," said Mr. Beck, "I will tell you by-and-by. Perhaps it's your
+Luck, too, young boss," he added, thinking of a shot as fortunate to
+himself as William Tell's was to his son.
+
+He pulled the box attached to the steel chain round to the front, and
+looked at it tenderly. It was safe, and he heaved a sigh.
+
+The way wound up a valley--a road marked only, as has been said, by
+deep ruts along its course. Behind the travellers the evening sun was
+slowly sinking in the west; before them the peaks of the Sierra lifted
+their heads, coloured purple in the evening light; and on either hand
+rose the hill-sides, with their dark foliage in alternate "splashes"
+of golden light and deepest shade.
+
+It wanted but a quarter of an hour to sunset when Mr. Gilead P. Beck
+pointed to a township which suddenly appeared, lying at their very
+feet.
+
+"Empire City, I reckon."
+
+A good-sized town of wooden houses. They were all alike and of the
+same build as that affected by the architects of doll's houses; that
+is to say, they were of one story only, had a door in the middle, and
+a window on either side. They were so small, also, that they looked
+veritable dolls' houses.
+
+There were one or two among them of more pretentious appearance, and
+of several stories. These were the hotels, billiard-saloons, bars, and
+gambling-houses.
+
+"It's a place bound to advance, sir," said Mr. Beck proudly. "Empire
+City, when I first saw it, which is two years ago, was only two years
+old. It is only in our country that a great city springs up in a day.
+Empire City will be the Chicago of the West."
+
+"I see a city," said Captain Ladds; "can't see the people."
+
+It was certainly curious. There was not a soul in the streets; there
+was no smoke from the chimneys; there was neither carts nor horses;
+there was not the least sign of occupation.
+
+Mr. Gilead P. Beck whistled.
+
+"All gone," he said. "Guess the city's busted up."
+
+He pushed aside the brambles which grew over what had been a path
+leading to the place, and hurried down. The others followed him, and
+rode into the town.
+
+It was deserted. The doors of the houses were open, and if you looked
+in you might see the rough furniture which the late occupants
+disdained to carry away with them. The two Englishmen dismounted, gave
+their reins to the servants, and began to look about them.
+
+The descendants of Og, king of Bashan, have left their houses in black
+basalt, dotted about the lava-fields of the Hauran, to witness how
+they lived. In the outposts of desert stations of the East, the Roman
+soldiers have left their barracks and their baths, their jokes written
+on the wall, and their names, to show how they passed away the weary
+hours of garrison duty. So the miners who founded Empire City, and
+deserted it _en masse_ when the gold gave out, left behind them marks
+by which future explorers of the ruins should know what manner of men
+once dwelt there. The billiard saloon stood open with swinging doors;
+the table was still there, the balls lay about on the table and the
+floor; the cues stood in the rack; the green cloth, mildewed, covered
+the table.
+
+"Tommy," said the younger, "we will have a game to-night."
+
+The largest building in the place had been an hotel. It had two
+stories, and was, like the rest of the houses, built of wood, with a
+verandah along the front. The upper story looked as if it had been
+recently inhabited; that is, the shutters were not dropping off the
+hinges, nor were they flapping to and fro in the breeze.
+
+But the town was deserted; the evening breeze blew chilly up its
+vacant streets; life and sound had gone out of the place.
+
+"I feel cold," said Jack, looking about him.
+
+They went round to the back of the hotel. Old iron cog-wheels lay
+rusting on the ground with remains of pumps. In the heart of the town
+behind the hotel stretched an open space of ground covered with piles
+of shingle and intersected with ditches.
+
+Mr. Beck sat down and adjusted one of the thorns which served as a
+temporary shirt-stud.
+
+"Two years ago," he said, "there were ten thousand miners here; now
+there isn't one. I thought we should find a choice hotel, with a
+little monty or poker afterwards. Now no one left; nothing but a
+Chinaman or two."
+
+"How do you know there are Chinamen?"
+
+"See those stones?"
+
+He pointed to some great boulders, from three to six feet in diameter.
+Some operation of a mystical kind had been performed upon them, for
+they were jagged and chipped as if they had been filed and cut into
+shape by a sculptor who had been once a dentist and still loved the
+profession.
+
+"The miners picked the bones of those rocks, but they never pick quite
+clean. Then the Chinamen come and finish off. Gentlemen, it's a
+special Providence that you picked me up. I don't altogether admire
+the way in which that special Providence was played up to in the
+matter of the bar; but a Christian without a revolver alone among
+twenty Chinamen----"
+
+He stopped and shrugged his shoulders.
+
+"They'd have got my Luck," he concluded.
+
+"Chief, I don't like it;" said the younger man. "It's ghostly. It's a
+town of dead men. As soon as it is dark the ghosts will rise and walk
+about--play billiards, I expect. What shall we do?"
+
+"Hotel," growled the chief. "Sleep on floor--sit on chairs--eat off a
+table."
+
+They entered the hotel.
+
+A most orderly bar: the glasses there; the bright-coloured bottles:
+two or three casks of Bourbon whisky; the counter; the very dice on
+the counter with which the bar-keeper used to "go" the miners for
+drinks. How things at once so necessary to civilised life and so
+portable as dice were left behind, it is impossible to explain.
+
+Everything was there except the drink. The greasers tried the casks
+and examined the bottles. Emptiness. A miner may leave behind him the
+impedimenta, but the real necessaries of life--rifle, revolver, bowie,
+and cards--he takes with him. And as for the drink, he carries that
+away too for greater safety, inside himself.
+
+The English servant looked round him and smiled superior.
+
+"No tap for beer, as usual, sir," he said. "These poor Californians
+has much to learn."
+
+Mr. Gilead P. Beck looked round mournfully.
+
+"Everything gone but the fixin's," he sighed. "There used to be good
+beds, where there wasn't more'n two at once in them; and there used to
+be such a crowd around this bar as you would not find nearer'n St.
+Louis City."
+
+"Hush!" said Jack, holding up his hand. There were steps.
+
+Mr. Beck pricked up his ears.
+
+"Chinamen, likely. If there's a row, gentlemen, give me something, if
+it's only a toothpick, to chime in with. But that's not a Chinese
+step; that's an Englishman's. He wears boots, but they are not miner's
+boots; he walks firm and slow, like all Englishmen; he is not in a
+hurry, like our folk. And who but an Englishman would be found staying
+behind in the Empire City when it's gone to pot?"
+
+The footsteps came down the stairs.
+
+"Most unhandsome of a ghost," said the younger man, "to walk before
+midnight."
+
+The producer of the footsteps appeared.
+
+"Told you he was an Englishman!" cried Mr. Beck.
+
+Indeed, there was no mistaking the nationality of the man, in spite of
+his dress, which was cosmopolitan. He wore boots, but not, as the
+quick ear of the American told him, the great boots of the miner; he
+had on a flannel shirt with a red silk belt; he wore a sort of blanket
+thrown back from his shoulders; and he had a broad felt hat. Of course
+he carried arms, but they were not visible.
+
+He was a man of middle height, with clear blue eyes; the perfect
+complexion of an Englishman of good stock and in complete health; a
+brown beard, long and rather curly, streaked with here and there a
+grey hair; square and clear-cut nostrils; and a mouth which, though
+not much of it was visible, looked as if it would easily smile, might
+readily become tender, and would certainly find it difficult to be
+stern. He might be any age, from five and thirty to five and forty.
+
+The greasers fell back and grouped about the door. The questions which
+might be raised had no interest for them. The two leaders stood
+together; and Mr. Gilead P. Beck, rolling an empty keg to their side,
+turned it up and sat down with the air of a judge, looking from one
+party to the other.
+
+"Englishmen, I see," said the stranger.
+
+"Ye-yes," said Ladds, not, as Mr. Beck expected, immediately holding
+out his hand for the stranger to grasp.
+
+"You have probably lost your way?"
+
+"Been hunting. Working round--San Francisco. Followed track; accident;
+got here. Your hotel, perhaps? Fine situation, but lonely."
+
+"Not a ghost, then," murmured the other, with a look of temporary
+disappointment.
+
+"If you will come upstairs to my quarters, I may be able to make you
+comfortable for the night. Your party will accommodate themselves
+without our help."
+
+He referred to the greasers, who had already begun their preparations
+for spending a happy night. When he led the way up the stairs, he was
+followed, not only by the two gentlemen he had invited, but also by
+the ragamuffin hunter, miner, or adventurer, and by the valet, who
+conceived it his duty to follow his master.
+
+He lived, this hermit, in one of the small bed-rooms of the hotel,
+which he had converted into a sitting-room. It contained a single
+rocking-chair and a table. There was also a shelf, which served for a
+sideboard, and a curtain under the shelf, which acted as a cupboard.
+
+"You see my den," he said. "I came here a year or so ago by accident,
+like yourselves. I found the place deserted. I liked the solitude, the
+scenery, whatever you like, and I stayed here. You are the only
+visitors I have had in a year."
+
+"Chinamen?" said Mr. Gilead P. Beck.
+
+"Well, Chinamen, of course. But only two of them. They take turns, at
+forty dollars a month, to cook my dinners. And there is a half-caste,
+who does not mind running down to Sacramento when I want anything. And
+so, you see, I make out pretty well."
+
+He opened the window, and blew a whistle.
+
+In two minutes a Chinaman came tumbling up the stairs. His inscrutable
+face expressed all the conflicting passions of humanity at
+once--ambition, vanity, self respect, humour, satire, avarice,
+resignation, patience, revenge, meekness, long-suffering, remembrance,
+and a thousand others. No Aryan comes within a hundred miles of it.
+
+"Dinner as soon as you can," said his master.
+
+"Ayah! can do," replied the Celestial. "What time you wantchee?
+
+"As soon as you can. Half an hour."
+
+"Can do. My no have got cully-powder. Have makee finish. Have got?"
+
+"Look for some; make Achow help."
+
+"How can? No, b'long his pidgin. He no helpee. B'long my pidgin makee
+cook chow-chow. Ayah! Achow have go makee cheat over Mexican man.
+Makee play cards all same euchre."
+
+In fact, on looking out of the window, the other Celestial was clearly
+visible, manipulating a pack of cards and apparently inviting the
+Mexicans to a friendly game, in which there could be no deception.
+
+Then Ladds' conscience smote him.
+
+"Beg pardon. Should have seen. Make remark about hotel. Apologise."
+
+"He means," said the other, "that he was a terrible great fool not to
+see that you are a gentleman."
+
+Ladds nodded.
+
+"Let me introduce our party," the speaker went on. "This is our
+esteemed friend Mr. Gilead P. Beck, whom we caught in a bear-hunt----"
+
+"Bar behind," said Mr. Beck.
+
+"This is Captain Ladds, of the 35th Dragoons."
+
+"Ladds," said Ladds. "Nibs, cocoa-nibs--pure aroma--best
+breakfast-digester--blessing to mothers--perfect fragrance."
+
+"His name is Ladds; and he wishes to communicate to you the fact that
+he is the son of the man who made an immense fortune--immense, Tommy?"
+
+Ladds nodded.
+
+"By a crafty compound known as 'Ladds' Patent Anti-Dyspeptic Cocoa.'
+This is Ladd's servant, John Boimer, the best servant who ever put his
+leg across pig-skin; and my name is Roland Dunquerque. People
+generally call me Jack; I don't know why, but they do."
+
+Their host bowed to each, including the servant, who coloured with
+pleasure at Jack's description of him; but he shook hands with Ladds.
+
+"One of ours," he said. "My name is Lawrence Colquhoun. I sold out
+before you joined. I came here as you see. And--now, gentlemen, I
+think I hear the first sounds of dinner. Boimer--you will allow me,
+Ladds?--you will find claret and champagne behind that curtain. Pardon
+a hermit's fare. I think they have laid out such a table as the
+wilderness can boast in the next room."
+
+The dinner was not altogether what a man might order at the Junior
+United, but it was good. There was venison, there was a curry, there
+was some mountain quail, there was claret, and there was
+champagne--both good, especially the claret. Then there was coffee.
+
+The Honourable Roland Dunquerque, whom we will call in future, what
+everybody always called him, Jack, ate and drank like Friar John. The
+keen mountain air multiplied his normal twist by ten. Mr. Gilead P.
+Beck, who sat down to dinner perfectly unabashed by his rags, was good
+as a trencherman, but many plates behind the young Englishman. Mr.
+Lawrence Colquhoun, their host, went on talking almost as if they were
+in London, only now and then he found himself behind the world. It was
+his ignorance of the last Derby, the allusion to an old and
+half-forgotten story, perhaps his use of little phrases--not slang
+phrases, but those delicately-shaded terms which imply knowledge of
+current things--which showed him to have been out of London and Paris
+for more than one season.
+
+"Four years," he said, "since I left England."
+
+"But you will come back to it again?"
+
+"I think not."
+
+"Better," said Jack, whose face was a little flushed with the wine.
+"Much better. Robinson Crusoe always wanted to get home again. So did
+Selkirk. So did Philip Quarles."
+
+Then the host produced cigars. Later on, brandy-and-water.
+
+The brandy and water made Mr. Gilead P. Beck, who found himself a good
+deal crowded out of the conversation, insist on having his share. He
+placed his square box on the table, and loosed the straps.
+
+"Let me tell you," he said, "the story of my Luck. I was in Sonora
+City," he began, patting his box affectionately, "after the worst
+three months I ever had; and I went around trying to borrow a few
+dollars. I got no dollars, but I got free drinks--so many free drinks,
+that at last I lay down in the street and went to sleep. Wal,
+gentlemen, I suppose I walked in that slumber of mine, for when I woke
+up I was lying a mile outside the town.
+
+"I also entertained angels unawares, for at my head there sat an
+Indian woman. She was as wrinkled an old squaw as ever shrieked at a
+buryin'. But she took an interest in me. She took that amount of
+interest in me that she told me she knew of gold. And then she led me
+by the hand, gentlemen, that aged and affectionate old squaw, to a
+place not far from the roadside; and there, lying between two rocks,
+and hidden in the chaparelle, glittering in the light, was this
+bauble." He tapped his box. "I did not want to be told to take it. I
+wrapped it in my handkerchief and carried it in my hand. Then she led
+me back to the road again. 'Bad luck you will have,' she said; 'but it
+will lead to good luck so long as that is not broken, sold, given
+away, or lost.' Then she left me, and here it is."
+
+He opened the little box. There was nothing to be seen but a mass of
+white wool.
+
+"Bad luck I _have_ had. Look at me, gentlemen. Adam was not more
+destitute when the garden-gates were shut on him. But the good will
+come, somehow."
+
+He removed the wool, and, behold, a miracle of nature! Two thin plates
+of gold delicately wrought in lines and curious chasing, like the
+pattern of a butterfly's wing, and of the exact shape, but twice as
+large. They were poised at the angle, always the same, at which the
+insect balances itself about a flower. They were set in a small piece
+of quaintly marked quartz, which represented the body.
+
+"A golden butterfly!"
+
+"A golden butterfly," said Mr. Beck. "No goldsmith made this
+butterfly. It came from Nature's workshop. It is my Luck."
+
+ "And If the butterfly fall and break,
+ Farewell the Luck of Gilead Beck,"
+
+said Jack.
+
+"Thank you, sir. That's very neat. I'll take that, sir, if you will
+allow me, for my motto, unless you want it for yourself."
+
+"No," said Jack; "I have one already."
+
+ "If this golden butterfly fall and break,
+ Farewell the Luck of Gilead P. Beck,"
+
+repeated the owner of the insect. "If you are going on, gentlemen, to
+San Francisco, I hope you will take me with you."
+
+"Colquhoun," said Ladds, "you do not mean to stay by yourself? Much
+better come with us, unless, of course----"
+
+Lying on the table was a piece of an old newspaper in which Jack had
+wrapped something. Ladds saw Colquhoun mechanically take up the paper,
+read it, and change color. Then he looked straight before him, seeing
+nothing, and Ladds stopped speaking. Then he smiled in a strange
+far-off way.
+
+"I think I will go with you," he said.
+
+"Hear, hear!" cried Jack. "Selkirk returns to the sound of the
+church-going bell."
+
+Ladds refrained from looking at the paper in search of things which
+did not concern himself, but he perceived that Colquhoun had, like
+Hamlet, seen something. There _was_, in fact, an announcement in
+the fragment which greatly interested Lawrence Colquhoun:
+
+ "On April 3, by the Right Rev. the Lord Bishop of Turk's Island,
+ at St. George's Hanover Square, Gabriel Cassilis, of etc., to
+ Victoria, daughter of the Late Admiral Sir Benbow Pengelley,
+ K.C.B."
+
+In the morning they started, Mr. Beck being provided with a new
+rig-out of a rough and useful kind.
+
+At the last moment one of the Chinamen, Leeching, the cook, besought
+from his late master, as a parting favour and for the purpose of
+self-protection, the gift of a pistol, powder, and ball.
+
+Mr. Colquhoun gave them to him, thinking it a small thing after two
+years of faithful service. Then Leeching, after loading his pistol,
+went to work with his comrade for an hour or so.
+
+Presently, Achow being on his knees in the shingle, the perfidious
+Leeching suddenly cocked his pistol, and fired it into Achow's right
+ear, so that he fell dead.
+
+By this lucky accident Leeching became sole possessor of the little
+pile of gold which he and the defunct Achow had scraped together and
+placed in a _cache_.
+
+He proceeded to unearth this treasure, put together his little
+belongings, and started on the road to San Francisco with a smile of
+satisfaction.
+
+There was a place in the windings of the road where there was a steep
+bank. By the worst luck in the world a stone slipped and fell as
+Leeching passed by. The stone by itself, would not have mattered much,
+as it did not fall on Leeching's head; but with it fell a rattlesnake,
+who was sleeping in the warmth of the sun.
+
+Nothing annoys a rattlesnake more than to be disturbed in his sleep.
+With angry mind he awoke, looked around, and saw the Chinaman.
+Illogically connecting him with the fall of the stone, he made for
+him, and, before Leeching knew there was a rattlesnake anywhere near
+him, bit him in the calf.
+
+Leeching sat down on the bank and realized the position. Being a
+fatalist, he did not murmur; having no conscience, he did not fear;
+having no faith, he did not hope; having very little time, he made no
+testamentary dispositions. In point of fact, he speedily curled up his
+legs and died.
+
+Then the deserted Empire City was deserted indeed, for there was not
+even a Chinaman left in it.
+
+
+
+
+CHAPTER I.
+
+Joseph and His Brethren.
+
+
+The largest and most solid of all the substantial houses in Carnarvon
+Square, Bloomsbury, is Number Fifteen, which, by reason of its corner
+position (Mulgrave Street intersecting it at right angles at this
+point), has been enabled to stretch itself out at the back. It is a
+house which a man who wanted to convey the idea of a solid income
+without ostentation or attempt at fashion would find the very thing to
+assist his purpose. The ladies of such a house would not desire to
+belong to the world farther west; they would respect the Church, law,
+and medicine; they would look on the City with favourable eyes when it
+was represented by a partner in an old firm; they would have sound
+notions of material comfort; they would read solid books, and would
+take their pleasure calmly. One always, somehow, in looking at a house
+wonders first of what sort its women are. There were, however, no
+women at Number Fifteen at all, except the maids. Its occupants
+consisted of three brothers, all unmarried. They were named
+respectively Cornelius, Humphrey, and Joseph Jagenal. Cornelius and
+Humphrey were twins. Joseph was their junior by ten years. Cornelius
+and Humphrey were fifty--Joseph was forty. People who did not know
+this thought that Joseph was fifty and his brethren forty.
+
+When the Venerable the Archdeacon of Market Basing, the well-known
+author of _Sermons on the Duty of Tithe-Offerings_, the _Lesbia of
+Catullus_, and a _Treatise on the Right Use of the Anapæst in Greek
+Iambic Verse_, died, it was found that he had bequeathed his little
+savings, worth altogether about £500 a year, to his three sons in the
+following proportions: the twins, he said, possessed genius; they
+would make their mark in the world, but they must be protected. They
+received the yearly sum of £200 apiece, and it was placed in the hands
+of trustees to prevent their losing it; the younger was to have the
+rest, without trustees, because, his father said, "Joseph is a dull
+boy and will keep it." It was a wise distribution of the money.
+Cornelius, then nineteen, left Oxford immediately, and went to
+Heidelberg, where he called himself a poet, studied metaphysics, drank
+beer, and learned to fence. Humphrey, for his part, deserted
+Cambridge--their father having chosen that they should not be
+rivals--and announced his intention of devoting his life to Art. He
+took up his residence in Rome. Joseph stayed at school, having no
+other choice. When the boy was sixteen, his guardians articled him to
+a solicitor. Joseph was dull, but he was methodical, exact, and
+endowed with a retentive memory. He had also an excellent manner, and
+the "appearance of age," as port wine advertisers say, before he was
+out of his articles. At twenty-five, Joseph Jagenal was a partner; at
+thirty-five, he was the working partner; at forty, he was the senior
+partner in the great Lincoln's-Inn firm of Shaw, Fairlight, and
+Jagenal, the confidential advisers of as many respectable county
+people as any firm in London.
+
+When he was twenty-five, and became a partner, the brethren returned
+to England simultaneously, and were good enough to live with him and
+upon him. They had their £200 a year each, and expensive tastes.
+Joseph, who had made a thousand for his share the first year of his
+admission to the firm, had no expensive tastes, and a profound respect
+for genius. He took in the twins joyfully, and they stayed with him.
+When his senior partner died, and Mr. Fairlight retired, so that
+Joseph's income was largely increased, they made him move from
+Torrington Square, where the houses are small, to Carnarvon Square,
+and regulated his household for him on the broadest and most liberal
+scale. Needless to say, no part of the little income, which barely
+served the twins with pocket-money and their _menus plaisirs_,
+went towards the housekeeping. Cornelius, poet and philosopher,
+superintended the dinner and daily interviewed the cook. Humphrey,
+he devotee of art, who furnished the rooms according to the latest
+designs of the most correct taste, was in command of the cellar.
+Cornelius took the best sitting-room for himself, provided it with
+books, easy-chairs, and an immense study-table with countless drawers.
+He called it carelessly his Workshop. The room on the first floor
+overlooking Mulgrave Street, and consequently with a north aspect, was
+appropriated by Humphrey. He called it his Studio, and furnished it in
+character, not forgetting the easy-chairs. Joseph had the back room
+behind the dining-room for himself; it was not called a study or a
+library, but Mr. Joseph's room. He sat in it alone every evening, at
+work. There was also a drawing-room, but it was never used. They dined
+together at half-past six: Cornelius sat at the head, and Humphrey at
+the foot, Joseph at one side. Art and Intellect, thus happily met
+together and housed under one roof, talked to each other. Joseph ate
+his dinner in silence. Art held his glass to the light, and flashed
+into enthusiasm over the matchless sparkle, the divine hues, the
+incomparable radiance, of the wine. Intellect, with a sigh, as one who
+regrets the loss of a sense, congratulated his brother on his vivid
+passion for colour, and, taking another glass, discoursed on the
+æsthetic aspects of a vintage wine. Joseph drank one glass of claret,
+after which he retired to his den, and left the brethren to finish the
+bottle. After dinner the twins sometimes went to the theatre, or they
+repaired arm-in-arm to their club--the Renaissance, now past its prime
+and a little fogyish; mostly they sat in the Studio or in the
+Workshop, in two arm-chairs, with a table between them, smoked pipes,
+and drank brandy and potash-water. They went to bed at any time they
+felt sleepy--perhaps at twelve, and perhaps at three. Joseph went to
+bed at half-past ten. The brethren generally breakfasted at eleven,
+Joseph at eight. After breakfast, unless on rainy days, a uniform
+custom was observed. Cornelius, poet and philosopher, went to the
+window and looked out.
+
+Humphrey, artist, and therefore a man of intuitive sympathies,
+followed him. Then he patted Cornelius on the shoulder, and shook his
+head.
+
+"Brother, I know your thought. You want to drag me from my work; you
+think it has been too much for me lately. You are too anxious about
+me."
+
+Cornelius smiled.
+
+"Not on my own account too, Humphrey?"
+
+"True--on your account. Let us go out at once, brother. Ah, why did
+you choose so vast a subject?"
+
+Cornelius was engaged--had been engaged for twenty years--upon an epic
+poem, entitled the _Upheaving of Ælfred_. The school he belonged to
+would not, of course, demean themselves by speaking of Alfred. To them
+Edward was Eadward, Edgar was Eadgar, and old Canute was Knut. In the
+same way Cicero became Kikero, Virgil was Vergil, and Socrates was
+spelt, as by the illiterate bargee, with a _k_. So the French prigs of
+the ante-Boileau period sought to make their trumpery pedantries pass
+for current coin. So, too, Chapelain was in labour with the _Pucelle_
+for thirty years; and when it came--But Cornelius Jagenal could not be
+compared with Chapelain, because he had as yet brought forth nothing.
+He sat with what he and his called "English" books all round him; in
+other words, he had all the Anglo-Saxon literature on his shelves, and
+was amassing, as he said, material.
+
+Humphrey, on the other hand, was engaged on a painting, the
+composition of which offered difficulties which, for nearly twenty
+years, had proved insuperable. He was painting, he said, the "Birth of
+the Renaissance." It was a subject which required a great outlay in
+properties, Venetian glass, Italian jewelry, mediæval furniture,
+copies of paintings--everything necessary to make this work a
+masterpiece--he bought at Joseph's expense. Up to the present no one
+had been allowed to see the first rough drawings.
+
+"Where's Cæsar?" Humphrey would say, leading the way to the hall.
+"Cæsar! Why, here he is. Cæsar must actually have heard us proposing
+to go out."
+
+Cornelius called the dog Kaysar, and he refused to answer to it; so
+that conversation between him and Cornelius was impossible.
+
+There never was a pair more attached to each other than these twin
+brethren. They sallied forth each morning at twelve, arm-in-arm, with
+an open and undisguised admiration for each other which was touching.
+Before them marched Cæsar, who was of mastiff breed, leading the way.
+Cornelius, the poet, was dressed with as much care as if he were still
+a young man of five-and-twenty, in a semi-youthful and wholly-æsthetic
+costume, in which only the general air, and not the colour, revealed
+the man of delicate perceptions. Humphrey, the artist, greatly daring,
+affected a warm brown velvet with a crimson-purple ribbon. Both
+carried flowers. Cornelius had gloves; Humphrey a cigar. Cornelius was
+smooth-faced, save for a light fringe on the upper lip. Humphrey wore
+a heavy moustache and a full long silky beard of a delicately-shaded
+brown, inclining when the sun shone upon it to a suspicion of auburn.
+Both were of the same height, rather below the middle; they had
+features so much alike that, but for the hair on the face of one, it
+would have been difficult to distinguish between them. Both were thin,
+pale of face, and both had, by some fatality, the end of their
+delicately-carved noses slightly tipped with red. Perhaps this was due
+to the daily and nightly brandy-and-water. And in the airy careless
+carriage of the two men, their sunny faces and elastic tread, it was
+impossible to suppose that they were fifty and Joseph only forty.
+
+To be sure, Joseph was a heavy man, stout of build, broad in frame,
+sturdy in the under-jaw; while his brothers were slight shadowy men.
+And, to be sure, Joseph had worked all his life, while his brothers
+never did a stroke. They were born to consume the fruits which Joseph
+was born to cultivate.
+
+Outside the house the poet heaved a heavy sigh, as if the weight of
+the epic was for the moment off his mind. The artist looked round with
+a critical eye on the lights and shadows of the great commonplace
+square.
+
+"Even in London," he murmured, "Nature is too strong for man. Did you
+ever, my dear Cornelius, catch a more brilliant effect of sunshine
+than that upon the lilac yonder?"
+
+Time, end of April; season forward, lilacs on the point of bursting
+into flower; sky dotted with swift-flying clouds, alternate
+withdrawals and bursts of sunshine.
+
+"I really must," said Humphrey, "try to fix that effect."
+
+His brother took the arm of the artist and drew him gently away.
+
+In front marched Cæsar.
+
+Presently the poet looked round. They were out of the square by this
+time.
+
+"Where is Kaysar?" he said, with an air of surprise. "Surely, brother
+Humphrey, the dog can't be in the Carnarvon Arms?"
+
+"I'll go and see," said Humphrey, with alacrity.
+
+He entered the bar of the tavern, and his brother waited outside.
+After two or three minutes, the poet, as if tired of waiting, followed
+the artist into the bar. He found him with a glass of brandy-and-water
+cold.
+
+"I had," he explained, "a feeling of faintness. Perhaps this spring
+air is chilly. One cannot be too careful."
+
+"Quite right," said the poet. "I almost think--yes, I really do
+feel--ah! Thank you, my dear."
+
+The girl, as if anticipating his wants, set before him a "four" of
+brandy and the cold water. Perhaps she had seen the face before. As
+for the dog, he was lying down with his head on his paws. Perhaps he
+knew there would be no immediate necessity for moving.
+
+They walked in the direction of the Park, arm-in-arm, affectionately.
+
+It might have been a quarter of an hour after leaving the Carnarvon
+Arms when the poet stopped and gasped--
+
+"Humphrey, my dear brother, advise me. What would you do if you had a
+sharp and sudden pain like a knife inside you?"
+
+Humphrey replied promptly:
+
+"If I had a sharp and sudden pain like a knife inside me, I should
+take a small glass of brandy neat. Mind, no spoiling the effect with
+water."
+
+Cornelius looked at his brother with admiration.
+
+"Such readiness of resource!" he murmured, pressing his arm.
+
+"I think I see--ah, yes--Kaysar--he's gone in before us. The sagacity
+of that dog is more remarkable than anything I ever read." He took his
+small glass of brandy neat.
+
+The artist, looking on, said he might as well have one at the same
+time. Not, he added, that he felt any immediate want of the stimulant,
+but he might; and at all times prevention is better than cure.
+
+It was two o'clock when they returned to Carnarvon Square. They walked
+arm-in-arm, with perhaps even a greater show of confiding affection
+than had appeared at starting. There was the slightest possible lurch
+in their walk, and both looked solemn and heavy with thought.
+
+In the hall the artist looked at his watch.
+
+"Pa--pasht two. Corneliush, Work----"
+
+He marched to the Studio with a resolute air, and, arrived there, drew
+an easy-chair before the fire, sat himself in it, and went fast
+asleep.
+
+The poet sought the workshop. On the table lay the portfolio of
+papers, outside which was emblazoned on parchment, with dainty
+scroll-work by the hands of his brother the artist, the title of his
+poem:
+
+ The Upheaving of Ælfred:
+
+ AN EPIC IN TWENTY-FOUR CANTOS.
+
+ BY CORNELIUS JAGENAL.
+
+He gazed at it fondly for a few minutes; vaguely took up a pen, as if
+he intended to finish the work on the spot; and then with a sigh,
+thought being to much for brain, he slipped into his arm-chair, put up
+his feet, and was asleep in two minutes. At half-past five, one of the
+maids--they kept no footman in Carnarvon Square--brought him tea.
+
+"I have been dozing, have I, Jane?" he asked. "Very singular thing for
+me to do."
+
+We are but the creatures of habit. The brethren took the same walk
+every day, made the same remarks, with an occasional variation, and
+took the same morning drams; they spent the middle of the day in
+sleep, they woke up for the afternoon tea, and they never failed to
+call Jane's attention to the singularity of the fact that they had
+been asleep. This day Jane lingered instead of going away when the tea
+was finished.
+
+"Did master tell you, sir," she asked, "that Miss Fleming was coming
+to-day?"
+
+It was an irritating thing that, although Cornelius ordered the dinner
+and sat at the head of the table, although Humphrey was in sole
+command of the wine-cellar, the servants always called Joseph the
+master. Great is the authority of him who keeps the bag; the power of
+the penniless twins was a shadowy and visionary thing.
+
+The master had told his brothers that Miss Fleming would probably have
+to come to the house, but no date was fixed.
+
+"Miss Fleming came this afternoon, sir," said Jane, "with a French
+maid. She's in Mr. Joseph's room now."
+
+"Oh, tell Mr. Humphrey, Jane, and we will dress for dinner. Tell Mr.
+Humphrey, also, that perhaps Miss Fleming would like a glass of
+champagne to-day."
+
+Jane told the artist.
+
+"Always thoughtful," said Humphrey, with enthusiasm. "Cornelius is for
+ever thinking of others' comfort. To be sure Miss Fleming shall have a
+glass of champagne."
+
+He brought up two bottles, such was his anxiety to give full
+expression to his brother's wishes.
+
+When the dinner-bell rang, the brethren emerged simultaneously from
+their rooms, and descended the stairs together, arm-in-arm. Perhaps in
+expectation of dinner, perhaps in anticipation of the champagne,
+perhaps with pleasure at the prospect of meeting with Joseph's ward,
+the faces of both were lit with a sunny smile, and their eyes with a
+radiant light, which looked like the real and genuine enthusiasm of
+humanity. It was a pity that Humphrey wore a beard, or that Cornelius
+did not; otherwise it would have been difficult to distinguish between
+this pair so much alike--these youthful twins of fifty, who almost
+looked like five-and-twenty.
+
+
+
+
+CHAPTER II.
+
+"Phillis is my only joy."
+
+
+"My brothers, Miss Fleming!"
+
+Joseph introduced the twins with a pride impossible to dissemble. They
+were so youthful-looking, so airy, so handsome, besides being so nobly
+endowed with genius, that his pride may be excused. Castor and Pollux
+the wrong side of forty, but slim still and well preserved--these
+Greek figures do not run tall--might have looked like Cornelius and
+Humphrey.
+
+They parted company for a moment to welcome the young lady, large-eyed
+as Hêrê, who rose to greet them, and then took up a position on the
+hearthrug, one with his hand on the other's shoulder, like the Siamese
+twins, and smiled pleasantly, as if, being accustomed to admiration
+and even awe, they wished to reassure Miss Fleming and put her at
+ease.
+
+Dinner being announced, Cornelius, the elder by a few moments, gave
+his arm to the young lady. Humphrey, the younger, hovered close
+behind, as if he too was taking his part in the chivalrous act. Joseph
+followed alone, of course, not counting in the little procession.
+
+Phillis Fleming's arrival at No. 15 Carnarvon Square was in a manner
+legal. She belonged to the office, not to the shrine of intellect,
+poesy, and art created by the twin brethren. She was an orphan and a
+ward. She had two guardians: one of them, Mr. Lawrence Colquhoun,
+being away from England; and the other, Mr. Abraham Dyson, with whom
+she had lived since her sixth birthday, having finished his earthly
+career just before this history begins, that is to say, in the spring
+of last year. Shaw, Fairlight, and Jagenal were solicitors to both
+gentlemen. Therefore Joseph found himself obliged to act for this
+young lady when, Mr. Abraham Dyson buried and done with, it became a
+question what was to be done with her. There were offers from several
+disinterested persons on Miss Fleming's bereaved condition being
+known. Miss Skimpit, of the Highgate Collegiate Establishment for
+Young Ladies, proposed by letter to receive her as a parlour-boarder,
+and hinted at the advantages of a year's discipline, tempered by
+Christian kindness, for a young lady educated in so extraordinary and
+godless a manner. The clergyman of the new district church at Finchley
+called personally upon Mr. Jagenal. He said that he did not know the
+young lady except by name, but that, feeling the dreadful condition of
+a girl brought up without any of the gracious influences of Anglican
+Ritual and Dogma, he was impelled to offer her a home with his
+Sisterhood. Here she would receive clear dogmatic teaching and learn
+what the Church meant by submission, fasting, penance, and
+humiliation. Mr. Jagenal thought she might also learn how to bestow
+her fortune on Anglo Catholic objects when she came of age, and
+dismissed his reverence with scant courtesy. Two or three widows who
+had known better days offered their services, which were declined with
+thanks. Joseph even refused to let Miss Fleming stay with Mrs.
+Cassilis, the wife of Abraham Dyson's second cousin. He thought that
+perhaps this lady would not be unwilling to enliven her house by the
+attraction of an heiress and a _débutante_. And it occurred to him
+that, for a short time at least, she might, without offending a
+censorious world, and until her remaining guardian's wishes could be
+learned, take up her abode at the house of the three bachelors.
+
+"I am old, Miss Fleming," he said, "Forty years old; a great age
+to you, and my brothers, Cornelius and Humphrey, who live with me,
+are older still. Cornelius is a great poet; he is engaged on a
+work--_The Upheaving of Ælfred_--which will immortalise his name.
+Humphrey is an artist; he is working at a group the mere conception of
+which, Cornelius says, would make even the brain of Michel Angelo
+stagger. You will be proud, I think, in after years, to have made the
+acquaintance of my brothers."
+
+She came, having no choice or any other wish, accompanied by her
+French maid and the usual impedimenta of travel.
+
+Phillis Fleming--her father called her Phillis because she was his
+only joy--was nineteen. She is twenty now, because the events of this
+story only happened last year. Her mother died in giving her birth;
+she had neither brothers nor sisters, nor many cousins, and those far
+away. When she was six her father died too--not of an interesting
+consumption or of a broken heart, or any ailment of that kind. He was
+a jovial fox-hunting ex-captain of cavalry, with a fair income and a
+carefully cultivated taste for enjoyment. He died from an accident in
+the field. By his will he left all his money to his one child and
+appointed as her trustees his father's old friend, Abraham Dyson of
+Twickenham and the City, and with him his own friend, Lawrence
+Colquhoun, a man some ten years younger than himself, with tastes and
+pursuits very much like his own. Of course, the child was taken to the
+elder guardian's house, and Colquhoun, going his way in the world,
+never gave his trust or its responsibilities a moment's thought.
+
+Phillis Fleming had the advantage of a training quite different from
+that which is usually accorded to young ladies. She went to Mr.
+Abraham Dyson at a time when that old gentlemen, always full of
+crotchety ideas, was developing a plan of his own for female
+education. His theory of woman's training having just then grown in
+his mind to finished proportions, he welcomed the child as a subject
+sent quite providentially to his hand, and proceeded to put his views
+into practice upon little Phillis. That he did so showed a healthy
+belief in his own judgment. Some men would have hastened into print
+with a mere theory. Mr. Dyson intended to wait for twelve years or so,
+and to write his work on woman's education when Phillis's example
+might be the triumphant proof of his own soundness. The education
+conducted on Mr. Dyson's principles and rigidly carried out was
+approaching completion when it suddenly came to an abrupt termination.
+Few things in this world quite turn out as we hope and expect. It was
+on the cards that Abraham Dyson might die before the proof of his
+theory. This, in fact, happened; and his chief regret at leaving a
+world where he had been supremely comfortable, and able to enjoy his
+glass of port to his eightieth and last year, was that he was leaving
+the girl, the creation of his theory, in an unfinished state.
+
+"Phillis," he said, on his deathbed, "the edifice is now
+complete,--all but the Coping-stone. Alas, that I could not live to
+put it on!"
+
+And what the Coping-stone was no man could guess. Great would be the
+cleverness of him, who seeing a cathedral finished save for roof and
+upper courses, would undertake to put on these, with all the
+ornaments, spires, lanterns, gargoyles, pinnacles, flying buttresses,
+turrets, belfries, and crosses drawn in the dead designer's lost
+plans.
+
+Abraham Dyson was a wealthy man. Therefore he was greatly respected by
+all his relations, in spite of certain eccentricities, notably those
+which forbade him to ask any of them to his house. If the nephews,
+nieces and cousins wept bitterly on learning their bereavement, deeper
+and more bitter were their lamentations when they found that Mr. Dyson
+had left none of them any money.
+
+Not one penny; not a mourning ring; not a single sign or token of
+affection to one of them. It was a cruel throwing of cold water on the
+tenderest affections of the heart, and Mr. Dyson's relations were
+deeply pained. Some of them swore; others felt that in this case it
+was needless to give sorrow words, and bore their suffering in
+silence.
+
+Nor did he leave any money to Phillis.
+
+This obstinate old theorist left it all to found a college for girls,
+who were to be educated in the same manner as Phillis Fleming, and in
+accordance with the scheme stated to be fully drawn up and among his
+papers.
+
+Up to the present, Joseph Jagenal had not succeeded in finding the
+scheme. There were several rolls of paper, forming portions of the
+great work, but none were finished, and all pointed to the last
+chapter, that entitled the "Coping-stone," in which, it was stated,
+would be found the whole scheme with complete fulness of detail. But
+this last chapter could not be found anywhere. If it never was found,
+what would become of the will? Then each one of Mr. Dyson's relations
+began to calculate what might fall to himself out of the inheritance.
+That was only natural, and perhaps it was not every one who, like Mr.
+Gabriel Cassilis, openly lamented the number of Mr. Dyson's collateral
+heirs.
+
+Not to be found. Joseph Jagenal's clerks now engaged in searching
+everywhere for it, and all the relations praying--all fervently and
+some with faith--that it might never turn up.
+
+So that poor Phillis is sitting down to dinner with her education
+unfinished--where is that Coping-stone? Every young lady who has had a
+finishing year at Brighton may look down upon her. Perhaps, however,
+as her education has been of a kind quite unknown in polite circles,
+and she has never heard of a finishing year, she may be calm even in
+the presence of other young ladies.
+
+What sort of a girl is she?
+
+To begin with, she has fifty thousand pounds. Not the largest kind of
+fortune, but still something. More than most girls have, more than the
+average heiress has. Enough to make young Fortunio Hunter prick up his
+ears, smooth down his moustache, and begin to inquire about guardians;
+enough to purchase a roomy cottage where Love may be comfortable;
+enough to enable the neediest wooer, if he be successful, to hang up
+his hat on the peg behind the door and sit down for the rest of his
+years. Fifty thousand pounds is a sum which means possibilities. It
+was her mother's, and, very luckily for her, it was so tied up that
+Captain Fleming, her father, could not touch more than the interest,
+which, at three per cent., amounts, as may be calculated, to fifteen
+hundred a year. Really, after explaining that a young lady has fifty
+thousand, what further praise is wanted, what additional description
+is necessary? By contemplation of fifty thousand pounds, ardent youth
+is inflamed as by a living likeness of Helen. Be she lovely or be she
+loathly, be she young or old, be she sweet or shrewish--she has fifty
+thousand pounds.
+
+With her fifty thousand pounds the gods have given Phillis Fleming a
+tall figure, the lines of which are as delicately curved as those of
+any yacht in the Solent or of any statue from Greek studio. She is
+slight, perhaps too slight; she has hair of a common dark brown, but
+it is fine hair, there is a great wealth of it, it has a gleam and
+glimmer of its own as the sunlight falls upon it, as if there were a
+hidden colour lying somewhere in it waiting to be discovered; her
+eyes, like her hair, are brown--they are also large and lustrous; her
+lips are full; her features are not straight and regular, like those
+of women's beauties, for her chin is perhaps a little short, though
+square and determined; she has a forehead which is broad and rather
+low; she wears an expression in which good temper, intelligence, and
+activity are more marked than beauty. She is quick to mark the things
+that she sees, and she sees everything. Her hands are curious, because
+they are so small, so delicate, and so sympathetic; while her face is
+in repose you may watch a passing emotion by the quivering of her
+fingers, just as you may catch, if you have the luck, the laughter or
+tears of most girls first in the brightness or the clouding of their
+eyes.
+
+There are girls who, when we meet them in the street, pass us like the
+passing of sunshine on an April day; who, if we spend the evening in a
+room where they are, make us understand something of the warmth which
+Nature intended to be universal, but has somehow only made special;
+whom it is a pleasure to serve, whom it is a duty to reverence, who
+can bring purity back to the brain of a rake, and make a young man's
+heart blossom like a rose in June.
+
+Of such is Phillis Fleming.
+
+
+
+
+CHAPTER III.
+
+Phillis's Education.
+
+
+The dinner began without much conversation; partly because the twins
+were hungry, and partly because they were a little awed by the
+presence of an unwonted guest in white draperies.
+
+Phillis noted that, so far as she had learned as yet, things of a
+domestic kind in the outer world were much like things at Mr. Dyson's,
+that is to say, the furniture of the dining-room was similar, and the
+dinner was the same. I do not know why she expected it, but she had
+some vague notion that she might be called upon to eat strange dishes.
+
+"The Böllinger, brother Cornelius," said the artist.
+
+"Thoughtful of you, brother Humphrey," the poet answered. "Miss
+Fleming, the Böllinger is in your honour."
+
+Phillis looked puzzled. She did not understand where the honour came
+in. But she tasted her glass.
+
+"It is a little too dry for me," she said with admirable candour. "If
+you have any Veuve Clicquot, Mr. Jagenal"--she addressed the younger
+brother--"I should prefer that."
+
+All three perceptibly winced. Jane, the maid, presently returned with
+a bottle of the sweeter wine. Miss Fleming tasted it critically and
+pronounced in its favor.
+
+"Mr. Dyson, my guardian," she said, "always used to say the ladies
+like their wine sweet. At least I do. So he used to drink Perier Jout
+très sec, and I had Veuve Clicquot."
+
+The poet laid his forefinger upon his brow and looked meditatively at
+his glass. Then he filled it again. Then he drank it off helplessly.
+This was a remarkable young lady.
+
+"You have lived a very quiet life," said Joseph, with a note of
+interrogation in his voice, "with your guardian at Highgate."
+
+"Yes, very quiet. Only two or three gentlemen ever came to the house,
+and I never went out."
+
+"A fair prisoner, indeed," murmured the poet. "Danae in her tower
+waiting for the shower of gold."
+
+"Danae must have wished," said Phillis, "when she was put in the box
+and sent to sea, that the shower of gold had never come."
+
+Cornelius began to regret his allusion to the mythological maid for
+his classical memory failed, and he could not at the moment recollect
+what box the young lady referred to. This no doubt came of much poring
+over Anglo-Saxon Chronicles. But he remembered other circumstances
+connected with Danae's history, and was silent.
+
+"At least you went out," said Humphrey, "to see the Academy and the
+Water-colours."
+
+She shook her head.
+
+"I have never seen a picture-gallery at all. I have not once been
+outside Mr. Dyson's grounds until to-day, since I was six years old."
+
+Humphrey supported his nervous system, like his brother, with another
+glass of the Böllinger.
+
+"You found your pleasure in reading divine Poetry," said the Maker
+softly; "perhaps in writing Poetry yourself."
+
+"Oh dear no!" said Phillis. "I have not yet learned to read. Mr. Dyson
+said that ladies ought not to learn reading till they are of an age
+when acquiring that mischievous art cannot hurt themselves or their
+fellow-creatures."
+
+Phillis said this with an air of superior wisdom, as if there could be
+no disputing the axiom.
+
+Humphrey looked oceans of sympathy at Cornelius, who took out his
+handkerchief as if to wipe away a tear, but as none was in readiness
+he only sighed.
+
+"You were taught other things, however?" Joseph asked.
+
+"Yes; I learned to play. My master came twice a week, and I can play
+pretty well; I play either by ear or by memory. You see," she added
+simply, "I never forget anything that I am told."
+
+Compensation of civilised nature. We read, and memory suffers. Those
+who do not read remember. Before wandering minstrels learned to read
+and write, the whole Iliad was handed down on men's tongues; there are
+Brahmins who repeat all their Sacred Books word for word without slip
+or error, and have never learned to read; there are men at Oxford who
+can tell you the winners of Events for a fabulous period, and yet get
+plucked for Greats because, as they will tell you themselves, they
+really cannot read. Phillis did not know how to read. But she
+remembered--remembered everything; could repeat a poem dictated twice
+if it were a hundred lines long, and never forgot it; caught up an air
+and learned how to play it at a sitting.
+
+She could not read. All the world of fiction was lost to her. All the
+fancies of poets were lost to her; all the records of folly and crime
+which we call history were unknown to her.
+
+Try to think what, and of what sort, would be the mind of a person,
+otherwise cultivated, unable to read. In the first place, he would be
+clear and dogmatic in his views, not having the means of comparison;
+next, he would be dependent on oral teaching and rumor for his
+information; he would have to store everything as soon as learned,
+away in his mind to be lost altogether, unless he knew where to lay
+his hand upon it; he would hear little of the outer world, and very
+little would interest him beyond his own circle; he would be in the
+enjoyment of all the luxuries of civilisation without understanding
+how they got there; he would be like the Mohammedans when they came
+into possession of Byzantium, in the midst of things unintelligible,
+useful, and delightful.
+
+"You will play to us after dinner, if you will be so kind," said
+Joseph.
+
+"Can it be, Miss Fleming," asked Humphrey, "that you never went
+outside the house at all?"
+
+"Oh no; I could ride in the paddock. It was a good large field and my
+pony was clever at jumping; so I got on pretty well."
+
+"Would it be too much to ask you how you managed to get through the
+day?"
+
+"Not at all," she replied; "it was very easy. I had a ride before
+breakfast; gave Mr. Dyson his tea at ten; talked with him till twelve;
+we always talked 'subjects,' you know, and had a regular course. When
+we had done talking, he asked me questions. Then I probably had
+another ride before luncheon. In the afternoon I played, looked after
+my dress, and drew."
+
+"You are, then, an Artist!" cried Humphrey enthusiastically.
+"Cornelius, I saw from the first that Miss Fleming had the eye of an
+Artist."
+
+"I do not know about that; I can draw people. I will show you some of
+my sketches, if you like, to-morrow. They are all heads and figures; I
+shall draw all of you to-night before going to bed."
+
+"And in the evening?"
+
+"Mr. Dyson dined at seven. Sometimes he had one or two gentlemen to
+dine with him; never any lady. When there was no one, we talked
+'subjects' again."
+
+Never any lady! Here was a young woman, rich, of good family,
+handsome, and in her way accomplished, who had never seen or talked
+with a lady, nor gone out of the house save into its gardens, since
+she was a child.
+
+Yet, in spite of all these disadvantages and the strangeness of her
+position, she was perfectly self-possessed. When she left the table,
+the two elder brethren addressed themselves to the bottle of Château
+Mouton with more rapidity than was becoming the dignity of the wine.
+Joseph almost immediately joined his ward. When the twins left the
+dining-room with its empty decanters, and returned arm-in-arm to the
+drawing-room, they found their younger brother in animated
+conversation with the girl. Strange that Joseph should so far forget
+his usual habits as not to go straight to his own room. The two bosoms
+which heaved in a continual harmony with each other felt a
+simultaneous pang of jealousy for which there was no occasion. Joseph
+was only thinking of the Coping stone.
+
+"Did I not feel it strange driving through the streets?" Phillis was
+saying. "It is all so strange that I am bewildered--so strange and so
+wonderful. I used to dream of what it was like; my maid told me
+something about it; but I never guessed the reality. There are a
+hundred things more than I can ever draw."
+
+It was, as hinted above, the custom of this young person, as it was
+that of the Mexicans, to make drawings of everything which occurred.
+She was thus enabled to preserve a tolerably faithful record of her
+life.
+
+"Show me," said Joseph--"show me the heads of my brothers and myself,
+that you promised to do, as soon as they are finished."
+
+The brethren sat together on a sofa, the Poet in his favorite attitude
+of meditation, forefinger on brow; the Artist with his eyes fixed on
+the fire, catching the effects of colour. Their faces were just a
+little flushed with the wine they had taken.
+
+One after the other crossed the room and spoke to their guest.
+
+Said Cornelius:
+
+"You are watching my brother Humphrey. Study him, Miss Fleming; it
+will repay you well to know that childlike and simple nature, innocent
+of the world, and aglow with the flame of genius."
+
+"I think I can draw him now," said Phillis, looking at the Artist as
+hard as a turnkey taking Mr. Pickwick's portrait.
+
+Then came Humphrey:
+
+"I see your eyes turned upon my brother Cornelius. He is a great, a
+noble fellow, Miss Fleming. Cultivate him, talk to him, learn from
+him. You will be very glad some day to be able to boast that you have
+met my brother Cornelius. To know him is a Privilege; to converse with
+him is an Education."
+
+"Come," said Joseph cheerfully, "where is the piano? This is a
+bachelor's house, but there is a piano somewhere. Have you got it,
+Cornelius?"
+
+The Poet shook his head, with a soft sad smile.
+
+"Nay," he said, "is a Workshop the place for music? Let us rather
+search for it in the Realms of Art."
+
+In fact it was in Mr. Humphrey's Studio, whither they repaired. The
+girl sat down, and as she touched the keys her eyes lit up and her
+whole look changed. Joseph was the only one of the three who really
+cared for music. He stood by the fire and said nothing. The brethren
+on either side of the performer displayed wonders of enthusiastic
+admiration, each in his own way--the Poet sad and reflective, as if
+music softened his soul; the Artist with an effervescing gaiety
+delightful to behold. Joseph was thinking. "Can we"--had his thoughts
+taken form of speech--"can we reconstruct from the girl's own account
+the old man's scheme anew, provided the chapter on the Coping-stone be
+never found? Problem given. A girl brought up in seclusion, without
+intercourse with any of her sex except illiterate servants, yet bred
+to be a lady: not allowed even to learn reading, but taught orally, so
+as to hold her own in talk: required, to discover what the old man
+meant by it, and what was wanted to finish the structure. Could it be
+reading and writing? Could Abraham Dyson have intended to finish where
+all other people begin?"
+
+This solution mightily commended itself to Joseph, and he went to bed
+in great good spirits at his own cleverness.
+
+In the dead of night he awoke in fear and trembling.
+
+"They will go into Chancery," he thought. "What if the Court refuses
+to take my view?"
+
+At three in the morning the brethren, long left alone with their
+pipes, rose to go to bed.
+
+Brandy-and-soda sometimes makes men truthful after the third tumbler,
+and beguiles them with illusory hopes after the fourth. The twins were
+at the end of their fourth.
+
+"Cornelius," said the Artist, "she has £50,000."
+
+"She has, brother Humphrey."
+
+"It is a pity, Cornelius, that we, who have only £200 a year each, are
+already fifty years of age."
+
+"Humphrey, what age do we feel?"
+
+"Thirty. Not a month more," replied the Artist, striking out with both
+fists at an imaginary foe--probably old Time.
+
+"Right. Not an hour above the thirty," said the Bard, smiting his
+chest gently. "As for Joseph, he is too old----"
+
+"Very much too old----"
+
+"To think of marrying such a young----"
+
+"Fresh and innocent----"
+
+"Engaging and clever girl as Miss Phillis Fleming."
+
+Did they, then, both intend to marry the young lady?
+
+
+
+
+CHAPTER IV.
+
+"To taste the freshness of the morning air."
+
+
+Phillis retreated to her own room at her accustomed hour of ten. Her
+nerves were excited; her brain was troubled with the events of this
+day of emancipation. She was actually in the world, the great world of
+which her guardian had told her, the world where history was made,
+where wicked kings, as Mr. Dyson perpetually impressed upon her, made
+war their play and the people their playthings. She was in the world
+where all those things were done of which she had only heard as yet.
+She had seen the streets of London, or some of them--those streets
+along which had ridden the knights whose pictures she loved to draw,
+the princesses and queens whose stories Mr. Dyson had taught her;
+where the business of the world was carried on, and where there flowed
+up and down the ceaseless stream of those whom necessity spurs to
+action. As a matter of narrow fact, she had seen nothing but that part
+of London which lies between Highgate Hill and Carnarvon Square; but
+to her it seemed the City, the centre of all life, the heart of
+civilisation. She regretted only that she had not been able to discern
+the Tower of London. That might be, however, close to Mr. Jagenal's
+house, and she would look for it in the morning.
+
+What a day! She sat before her fire and tried to picture it all over
+again. Horses, carriages, carts, and people rushing to and fro; shops
+filled with the most wonderful exhibition of precious things;
+eccentric people with pipes, who trundled carts piled with yellow
+oranges; gentlemen in blue with helmets, who lounged negligently along
+the streets; boys who ran and whistled; boys who ran and shouted; boys
+who ran and sold papers; always boys--where were all the girls? Where
+were they all going? and what were they all wishing to do?
+
+In the evening the world appeared to narrow itself. It consisted of
+dinner with three elderly gentlemen; one of whom was thoughtful about
+herself, spoke kindly to her, and asked her about her past life; while
+the other two--and here she laughed--talked unintelligently about Art
+and themselves, and sometimes praised each other.
+
+Then she opened her sketch-book and began to draw the portraits of her
+new friends. And first she produced a faithful _effigies_ of the
+twins. This took her nearly an hour to draw, but when finished it made
+a pretty picture. The brethren stood with arms intertwined like two
+children, with eyes gazing fondly into each other's and heads thrown
+back, in the attitude of poetic and artistic meditation which they
+mostly affected. A clever sketch, and she was more than satisfied when
+she held it up to the light and looked at it, before placing it in her
+portfolio.
+
+"Mr. Humphrey said I had the eye of an artist," she murmured. "I
+wonder what he will say when he sees this."
+
+Then she drew the portrait of Joseph. This was easy. She drew him
+sitting a little forward, playing with his watch-chain, looking at her
+with deep grave eyes.
+
+Then she closed her eyes and began to recall the endless moving
+panorama of the London streets. But this she could not draw. There
+came no image to her mind, only a series of blurred pictures running
+into each other.
+
+Then she closed her sketch-book, put up her pencils, and went to bed.
+It was twelve o'clock. Joseph was still thinking over the terms of Mr.
+Dyson's will and the chapter on the Coping-stone. The twins were
+taking their third split soda--it was brotherly to divide a bottle,
+and the mixture was less likely to be unfairly diluted.
+
+Phillis went to bed, but she could not sleep. The steps of the
+passers-by, the strange room, the excitement of the day kept her
+awake. She was like some fair yacht suddenly launched from the dock
+where she had grown slowly to her perfect shape, upon the waters of
+the harbour, which she takes for the waters of the great ocean.
+
+She looked round her bedroom in Carnarvon Square, and because it was
+not Highgate, thought it must be the vast, shelterless and unpitying
+world of which she had so often heard, and at thought of which, brave
+as she was, she had so often shuddered.
+
+It was nearly three when she fairly slept, and then she had a strange
+dream. She thought that she was part of the great procession which
+never ended all day long in the streets, only sometimes a little more
+crowded and sometimes a little thinner. She pushed and hastened with
+the rest. She would have liked to stay and examine the glittering
+things exhibited--the gold and jewelry, the dainty cakes and delicate
+fruits, the gorgeous dresses in the windows--but she could not. All
+pushed on, and she with them; there had been no beginning of the rush,
+and there seemed to be no end. Faces turned round and glared at
+her--faces which she marked for a moment--they were the same which she
+had seen in the morning; faces hard and faces hungry; faces cruel and
+faces forbidding; faces that were bent on doing something
+desperate--every kind of face except a sweet face. That is a rare
+thing for a stranger to find in a London street. The soft sweet faces
+belong to the country. She wondered why they all looked at her so
+curiously. Perhaps because she was a stranger.
+
+Presently there was a sort of hue and cry and everybody began running,
+she with them. Oddly enough, they all ran after her. Why? Was that
+also because she was a stranger? Only the younger men ran, but the
+rest looked on. The twins, however were both running among the
+pursuers. The women pointed and flouted at her; the older men nodded,
+wagged their heads, and laughed. Faster they ran and faster she fled;
+they distanced, she and her pursuers the crowd behind; they passed
+beyond the streets and into country fields, where hedges took the
+place of the brilliant windows; they were somehow back in the old
+Highgate paddock which had been so long her only outer world. The
+pursuers were reduced to three or four, among them, by some odd
+chance, the twin brethren and as one, but who she could not tell,
+caught up with her and laid his hand upon hers, and she could run no
+longer and could resist no more, but fell, not with terror at all, but
+rather a sense of relief and gladness, into a clutch which was like an
+embrace of a lover for softness and strength, she saw in front of her
+dead old Abraham Dyson, who clapped his hands and cried, "Well run,
+well won! The Coping-stone, my Phillis, of your education!"
+
+She woke with a start, and sat up looking round the room. Her dream
+was so vivid that she saw the group before her very eyes in the
+twilight--herself, with a figure, dim and undistinguishable in the
+twilight, leaning over her; and a little distance off old Abraham
+Dyson himself, standing, as she best remembered him, upright, and with
+his hands upon his stick. He laughed and wagged his head and nodded it
+as he said: "Well run, well won, my Phillis; it is the Coping-stone!"
+
+This was a very remarkable dream for a young lady of nineteen. Had she
+told it to Joseph Jagenal it might have led his thoughts into a new
+channel.
+
+She rubbed her eyes, and the vision disappeared. Then she laid her
+head again upon the pillow, just a little frightened at her ghosts,
+and presently dropped off to sleep.
+
+This time she had no more dreams; but she awoke soon after it was
+daybreak, being still unquiet in her new surroundings.
+
+And now she remembered everything with a rush. She had left Highgate;
+she was in Carnarvon Square; she was in Mr. Joseph Jagenal's house;
+she had been introduced to two gentlemen, one of whom was said to have
+a child-like nature all aglow with the flame of genius, while the
+other was described as a great, a noble fellow, to know whom was a
+Privilege and to converse with whom was an Education.
+
+She laughed when she thought of the pair. Like Nebuchadnezzar, she had
+forgotten her dream. Unlike that king, she did not care to recall it.
+
+The past was gone. A new life was about to begin. And the April sun
+was shining full upon her window-blinds.
+
+Phillis sprang from her bed and tore open the curtains with eager
+hand. Perhaps facing her might be the Tower of London. Perhaps the
+Thames, the silver Thames, with London Bridge. Perhaps St. Paul's
+Cathedral, "which Christopher Wren built in place of the old one
+destroyed by the Great Fire." Phillis's facts in history were short
+and decisive like the above.
+
+No Tower of London at all. No St. Paul's Cathedral. No silver Thames.
+Only a great square with houses all round. Carnarvon Square at dawn.
+Not, perhaps, a fairy piece, but wonderful in its novelty to this
+newly emancipated cloistered nun, with whom a vivid sense of the
+beautiful had grown up by degrees in her mind, fed only in the
+pictures supplied by the imagination. She knew the trees that grew in
+Lord Manfield's park, beyond the paddock; she could catch in fine days
+a glimpse of the vast city that stretches itself out from the feet of
+breezy Highgate; she knew the flowers of her own garden; and for the
+rest--she imagined it. River, lake, mountain, forest, and field, she
+knew them only by talk with her guardian. And the mighty ocean she
+knew because her French maid had crossed it when she quitted fair
+Normandy, and told her again and again of the horrors encountered by
+those who go down to the sea in ships.
+
+So that a second garden was a new revelation. Besides it was bright
+and pretty. There were the first flowers of spring, gay tulips and
+pretty things, whose name she did not know or could not make out from
+the window. The shrubs and trees were green with the first sweet
+chlorine foliage of April, clear and fresh from the broken buds which
+lay thick upon the ground, the tender leaflets as yet all unsullied by
+the London smoke.
+
+The pavement was deserted, because it was as yet too early for any
+one, even a milk-boy, to be out. The only living person to be seen was
+a gardener, already at work among the plants.
+
+A great yearning came over her to be out in the open air and among the
+flowers. At Highgate she rose at all hours; worked in the garden;
+saddled and rode her pony in the field; and amused herself in a
+thousand ways before the household rose, subject to no restraint or
+law but one--that she was not to open the front-door, or venture
+herself in the outer world.
+
+"Mr. Jagenal said I was to do as I liked," she said, hesitating. "It
+cannot be wrong to go out of the front-door now. Besides," reasoning
+here like a casuist, "perhaps it is the back-door which leads to that
+garden."
+
+In a quarter of an hour she was ready. She was not one of those young
+ladies who, because no one is looking at them, neglect their personal
+appearance. On the contrary, she always dressed for herself;
+therefore, she always dressed well.
+
+This morning she wore a morning costume, all one colour, and I think
+it was gray, but am not quite certain. It was in the graceful fashion
+of last year, lying in long curved lines, and fitting closely to her
+slender and tall figure. A black ribbon was tied round her neck, and
+in her hat--the hats of last year did not suit every kind of face, but
+they suited the face of Phillis Fleming--she wore one of those bright
+little birds whose destruction for the purposes of fashion we all
+deplore. In her hand she carried, as if she were still at Highgate and
+going to saddle her pony, a small riding-whip. And thus she opened the
+door, and slid down the stairs of the great silent house as stealthily
+and almost as fearfully as the Lady Godiva on a certain memorable day.
+It was a ghostly feeling which came over her when she ran across the
+broad hall, and listened to the pattering of her own feet upon the
+oilcloth. The broad daylight streamed through the _réverbère_; but yet
+the place seemed only half lit up. The closed doors on either hand
+looked as if dreadful things lurked behind them. With something like a
+shudder she let down the door-chain, unbarred the bolts, and opened
+the door. As she passed through she was aware of a great rush across
+the hall behind her. It was Cæsar, the mastiff. Awakened by a noise as
+of one burgling, he crept swiftly and silently up the kitchen-stairs,
+with intent to do a desperate deed of valour, and found to his
+rapturous joy that it was only the young lady, she who came the night
+before, and that she was going out for an early morning walk--a thing
+he, for his part, had not been permitted to do for many, many moons,
+not since he had been brought--a puppy yet, and innocent--to the heart
+of London.
+
+No one out at all except themselves. What joy! Phillis shut the door
+very carefully behind her, looked up and down the street, and then
+running down the steps, seized the happy Cæsar by the paws and danced
+round and round with him upon the pavement. Then they both ran a race.
+She ran like Atalanta, but Cæsar led till the finish, when out of a
+courtesy more than Castilian, he allowed himself to be beaten, and
+Phillis won by a neck. This result pleased them both, and Phillis
+discovered that her race had brought her quite to the end of one side
+of the square. And then, looking about her, she perceived that a gate
+of the garden was open, and went in, followed by Cæsar, now in the
+seventh heaven. This was better, better, than leading a pair of twins
+who sometimes tied knots with their legs. The gate was left open by
+the under-gardener, who had arisen thus early in the morning with a
+view to carrying off some of the finer tulips for himself. They raced
+and chased each other up and down the gravel walks between the lilacs
+and laburnums bursting into blossom. Presently they came to the
+under-gardener himself, who was busy potting a selection of the
+tulips. He stared as if at a ghost. Half-past five in the morning, and
+a young lady, with a dog, looking at him!
+
+He stiffened his upper lip, and put the spade before the flower-pots.
+
+"Beg pardon, miss. No dogs allowed. On the rules, miss."
+
+"William," she replied--for she was experienced in undergardeners,
+knew that they always answer to the name of William, also that they
+are exposed to peculiar temptations in the way of bulb--"William, for
+whom you are potting those tulips?"
+
+Then, because the poor youth's face was suffused and his countenance
+was "unto himself for a betrayal," she whistled--actually whistled--to
+Cæsar, and ran on laughing.
+
+"Here's a rum start," said William. "A young lady as knows my name,
+what I'm up to and all, coming here at five o clock in the blessed
+morning when all young ladies as I ever heard of has got their noses
+in their pillowses--else 'tain't no good being a young lady. Ketches
+me a disposin' of the toolups. With a dawg, and whistles like a young
+nobleman."
+
+He began putting back the flowers.
+
+"No knowin' who she mayn't tell, nor what she mayn't say. It's
+dangerous, William."
+
+By different roads, Montaigne wrote, we arrive at the same end.
+William's choice of the path of virtue was in this case due to
+Phillis's early visit.
+
+
+
+
+CHAPTER V.
+
+"Te duce Cæsar."
+
+
+Tired of running, the girl began to walk. It was an April morning,
+when the east wind for once had forgotten to blow. Walking, she
+whistled one of the ditties that she knew. She had a very superior
+mode of performing on that natural piccolo-flute, the human mouth; it
+was a way of her own, not at all like the full round whistle of the
+street-boy, with as much volume as in a bottle of '51 port, as full of
+unmeaning sound as a later poem of Robert Browning's, and as
+unmelodious as the instrument on which that poet has always played.
+Quite the contrary. Phillis's whistle was of a curious delicacy and of
+a bullfinch-like note, only more flexible. She trilled out an old
+English ditty, "When Love was young," first simply, and then with
+variations. Presently, forgetting that she was not in the old paddock,
+she began to sing it in her fresh young voice, William the
+under-gardener and Cæsar the dog her only audience. They were
+differently affected. William grew sad, thinking of his sins. The dog
+wagged his tail and rushed round and round the singer by way of
+appreciation. Music saddens the guilty, but maketh glad those who are
+clear of conscience.
+
+It was half past six when she became aware that she was getting
+hungry. In the old times it was easy to descend to the kitchen and
+make what Indian people call a _chota hazri_, a little breakfast
+for herself. Now she was not certain whether, supposing the servants
+were about, her visit would be well received; or, supposing they were
+not yet up, she should know where to find the kettle, the tea, and the
+firewood.
+
+She left the garden, followed by Cæsar, who was also growing hungry
+after his morning walk, and resolved on going straight home.
+
+There were two objections to this.
+
+First, she did not know one house from another, and they were all
+alike. Second, she did not know the number, and could not have read it
+had she known it.
+
+Mr. Jagenal's door was painted a dark brown; so were they all. Mr.
+Jagenal's door had a knocker; so had they all. Could she go all round
+the square knocking at every door, and waking up the people to ask if
+Mr. Jagenal lived there? She knew little of the world, but it did
+occur to her that it would seem unconventional for a young lady to
+"knock in" at six in the morning. She did not, most unfortunately,
+think of asking William the under-gardener.
+
+She turned to the dog.
+
+"Now, Cæsar," she said, "take me home."
+
+Cæsar wagged his tail, nodded his head, and started off before her at
+a smart walk, looking round now and then to see that his charge was
+following.
+
+"Lucky," said Phillis, "that I thought of the dog."
+
+Cæsar proceeded with great solemnity to cross the road, and began to
+march down the side of the square, Phillis expecting him to stop at
+every house. But he did not. Arrived at the corner where Carnarvon
+Street strikes off the square he turned aside, and looking round to
+see that his convoy was steering the same course, he trudged sturdily
+down that thoroughfare.
+
+"This cannot be right," thought Phillis. But she was loath to leave
+the dog, for to lose him would be to lose everything, and she
+followed. Perhaps he knew of a back way. Perhaps he would take her for
+a little walk, and show her the Tower of London.
+
+Cæsar, no longer running and bounding around her, walked on with the
+air of one who has an important business on hand, and means to carry
+it through. Carnarvon Street is long, and of the half-dismal,
+half-genteel order of Bloomsbury, Cæsar walked halfway down the
+street. Then he suddenly came to a dead stop. It was in front of a
+tavern, the Carnarvon Arms, the door of which, for it was an early
+house, was already open, and the potboy was taking down the shutters.
+The fact that the shutters were only half down made the dog at first
+suspect that there was something wrong. The house, as he knew it,
+always had the shutters down and the portals open. As, however, there
+seemed no unlawfulness of licensed hours to consider, the dog marched
+into the bar without so much as looking to see if Phillis was
+following, and immediately lay down with his head on his paws.
+
+"Why does he go in there?" said Phillis. "And what is the place?"
+
+She pushed the door, which, as usual in such establishments, hung half
+open by means of a leathern strap, and looked in. Nobody in the place
+but Cæsar. She entered, and tried to understand where she was. A smell
+of stale beer and stale tobacco hanging about the room smote her
+senses, and made her sick and faint. She saw the bottles and glasses,
+the taps and the counters, and she understood--she was in a
+drinking-place, one of the wicked dens of which her guardian sometimes
+spoke. She was in a tavern, that is, a place where workmen spend their
+earnings and leave their families to starve. She looked round her with
+curiosity and a little fear.
+
+Presently she became aware of the early-risen potboy, who, having
+taken down the shutters, was proceeding about his usual work behind
+the bar, when his eyes fell upon the astonishing sight of a young
+lady, a real young lady, as he saw at once, standing in the Bottle and
+Jug department. He then observed the dog, and comprehended that she
+was come there after Cæsar, and not for purposes of refreshment.
+
+"Why, miss," he said, "Cæsar thinks he's out with the two gentlemen.
+He brings them here regular, you see, every morning, and they takes
+their little glass, don't they, Cæsar?"
+
+Probably--thought watchful Phillis, anxious to learn,--probably a
+custom of polite life which Mr. Dyson had neglected to teach her. And
+yet he always spoke with such bitterness of public-houses.
+
+"Will you take a drop of somethink, miss?" asked the polite assistant,
+tapping the handles hospitably. "What shall it be?"
+
+"I should like----" said Phillis.
+
+"To be sure, it's full early," the man went on, "for a young lady and
+all. But Lor' bless your 'art, it's never none too early for most,
+when they've got the coin. Give it a name, miss, and there, the guvnor
+he isn't hup, and we won't chalk it down to you, nor never ask you for
+the money. On'y give it a name."
+
+"Thank you very much," said Phillis. "I _should_ like to have a cup of
+tea, if I could take it outside."
+
+He shook his head, a gesture of disappointment.
+
+"It can't be had here. Tea!"--as if he had thought better things of so
+much beauty--"Tea! Swipes! After all, miss, it's your way, and no
+doubt you don't know no better. There's a Early Caufy-'ouse a little
+way up the street. You must find it for yourself, because the dawg he
+don't know it; knows nothink about Tea, that dawg. You go out, miss,
+and Cæsar he'll go to."
+
+Phillis thanked him again for his attention, and followed his advice.
+Cæsar instantly got up and sallied forth with her. Instead, however,
+of returning to the square, he went straight on down Carnarvon Street,
+still leading the way. Turning first to the right and then to the
+left, he conducted Phillis through what seemed a labyrinth of streets.
+These were mostly streets of private houses, not of the best, but
+rather of the seediest. It was now nearly seven o'clock, and the signs
+of life were apparent. The paper-boy was beginning, with the milk-man,
+his rounds; the postman's foot was preparing for the first turn on his
+daily treadmill of doorsteps and double knocks. The workmen, paid by
+time, were strolling to their hours of idleness with bags of tools;
+windows were thrown open here and there; and an early servant might be
+seen rejoicing to bang her mats at the street-door. Phillis tried to
+retain her faith in Cæsar, and followed obediently. It was easy to see
+that the dog knew where he was going, and had a distinct purpose in
+his mind. It was to be hoped, she thought, that his purpose included a
+return home as soon as possible, because she was getting a little
+tired.
+
+Streets--always streets. Who were the people who lived in them all?
+Could there be in every house the family life of which Mr. Dyson used
+to tell her--the life she had never seen, but which he promised she
+should one day see--the sweet life where father and mother and
+children live together and share their joys and sorrows? She began to
+look into the windows as she walked along, in the hope of catching a
+hasty glance at so much of the family life as might be seen so early
+in the morning.
+
+She passed one house where the family were distinctly visible gathered
+together in the front kitchen. She stopped and looked down through the
+iron railings. The children were seated at the table. The mother was
+engaged in some cooking operations at the fire. Were they about to
+sing a hymn and to have family prayers before their breakfast? Not at
+this house apparently, for the woman suddenly turned from her
+occupation at the fire and, without any adequate motive that Phillis
+could discern, began boxing the children's ears all round. Instantly
+there arose a mighty cry from those alike who had already been boxed
+and those who sat expectant of their turn. Evidently this was one of
+the houses where the family life was not a complete success. The scene
+jarred on Phillis, upsetting her pretty little Arcadian castle of
+domestic happiness. She felt disappointed, and hurried on after her
+conductor.
+
+It is sad to relate that Cæsar presently entered another public-house.
+This time Phillis went in after him with no hesitation at all. She
+encountered the landlord in person, who greeted the dog, asked him
+what he was doing so early, and then explained to Miss Fleming that he
+was accustomed to call at the house every day about noon, accompanied
+by two gentlemen, who had their little whack and then went away; and
+that she only had to go through the form of coming and departing in
+order to get Cæsar out too.
+
+"Little whack," thought Phillis. "Little glass! What a lot of customs
+and expressions I have to learn!"
+
+For those interested in the sagacity of dogs, or in comparative
+psychology, it may be noted as a remarkable thing that when Cæsar came
+out of that second public-house he hesitated, as one struck suddenly
+with a grievous doubt. Had he been doing right? He took a few steps in
+advance, then he looked round and stopped, then he looked up and down
+the street. Finally he came back to Phillis, and asked for
+instructions with a wistful gaze.
+
+Phillis turned round and said, "Home, Cæsar." Then, after barking
+twice, Cæsar led the way back again with alacrity and renewed
+confidence.
+
+He not only led the way home, but he chose a short cut known only to
+himself. Perhaps he thought his charge might be tired; perhaps he
+wished to show her some further varieties of English life.
+
+In the districts surrounding Bloomsbury are courts which few know
+except the policeman; even that dauntless functionary is chary of
+venturing himself into them, except in couples, and then he would
+rather stay outside, if only out of respect to a playful custom, of
+old standing, prevalent among the inhabitants. They keep flower-pots
+on their first and second floors, and when a policeman passes through
+the court they drop them over. If no one is hurt, there is no need of
+an apology; if a constable receives the projectile on his head or
+shoulder, it is a deplorable accident which those who have caused it
+are the first to publicly lament. It was through a succession of these
+courts that the dog led Phillis.
+
+Those of the men who had work to do were by this time gone to do it.
+Those who had none, together with those who felt strongly on the
+subject of Adam's curse and therefore wished for none, stayed at home
+and smoked pipes, leaning against the doorposts. The ideal heaven of
+these noble Englishmen is for ever to lean against doorposts and for
+ever to smoke pipes in a land where it is always balmy morning, and
+where there are "houses" handy into which they can slouch from time to
+time for a drink.
+
+The ladies, their consorts, were mostly engaged in such household
+occupations as could be carried on out of doors and within
+conversation reach of each other. The court was therefore musical with
+sweet feminine voices.
+
+The children played together--no officer of the London School Board
+having yet ventured to face those awful flower-pots--in a continuous
+stream along the central line of the courts. Phillis observed that the
+same game was universal, and that the players were apparently all of
+the same age.
+
+She also remarked a few things which struck her as worth noting. The
+language of the men differed considerably from that used by Mr. Dyson,
+and their pronunciation seemed to her to lack delicacy. The difference
+most prominent at first was the employment of a single adjective to
+qualify everything--an observance so universal as to arrest at once
+the attention of a stranger. The women, it was also apparent, were all
+engaged in singing together a kind of chorus of lamentation, in
+irregular strophe and antistrophe, on the wicked ways of their men.
+
+Rough as were the natives of this place, no one molested Phillis. The
+men stared at her and exchanged criticisms on her personal appearance.
+These were complimentary, although not poetically expressed. The women
+stared harder, but said nothing until she had passed by. Then they
+made remarks which would have been unpleasant had they been audible.
+The children alone took no notice of her. The immunity from insult
+which belongs to young ladies in English thoroughfares depends, I
+fear, more upon force of public opinion than upon individual chivalry.
+Una could trust herself alone with her lion: she can only trust
+herself among the roughs of London when they are congregated in
+numbers. Nor, I think, the spectacle of goodness and purity, combined
+with beauty, produce in their rude breasts, by comparison with
+themselves, those feelings of shame, opening up the way to repentance,
+which are expected by self-conscious maidens ministering in the paths
+of Dorcas.
+
+Phillis walked along with steadfast eyes, watching everything and
+afraid of nothing, because she knew of no cause for fear. The dog,
+decreasing the distance between them, marched a few feet in advance,
+right through the middle of the children, who fell back and formed a
+lane for them to pass. Once Phillis stopped to look at a child--a
+great-eyed, soft-faced, curly-haired, beautiful boy. She spoke to him,
+asked him his name, held out her hand to him. The fathers and the
+mothers looked on and watched for the result, which would probably
+take the form of coin.
+
+The boy prefaced his reply with an oath of great fulness and rich
+flavour. Phillis had never heard the phrase before, but it sounded
+unmusically on her ear. Then he held out his hand and demanded a
+copper. The watchful parents and guardians on the door-steps murmured
+approval, and all the children shouted together like the men of
+Ephesus.
+
+At this juncture Cæsar looked round. He mastered the situation in a
+moment, surrounded and isolated his convoy by a rapid movement almost
+simultaneous in flank and rear; barked angrily at the children, who
+threatened to close in _en masse_ and make short work of poor Phillis;
+and gave her clearly to understand once for all that she was to follow
+him with silent and unquestioning docility.
+
+She obeyed, and they came out of the courts and into the squares.
+Phillis began to hope that the Tower of London would presently heave
+in sight, or at least the silver Thames with London Bridge; but they
+did not.
+
+She was very tired by this time. It was nearly eight, and she had been
+up and out since five. Even her vigorous young limbs were beginning to
+feel dragged by her three hours' ramble. Quite suddenly Cæsar turned a
+corner, as it seemed, and she found herself once more in Carnarvon
+Square. The dog, feeling that he had done enough for reputation,
+walked soberly along the pavement, until he came to No. 15, when he
+ascended the steps and sat down.
+
+The door was open, Jane the housemaid assiduously polishing the
+bell-handles.
+
+"Lor' a mercy, miss!" she cried, "I thought you was a-bed and asleep.
+Wherever have you a-bin--with Cæsar too?"
+
+"We went for a walk and lost ourselves," Phillis replied. "Jane, I am
+very hungry; what time is breakfast?"
+
+"The master has his at eight, miss. But Mr. Cornelius he told me
+yesterday that you would breakfast with him and Mr. Humphrey--about
+eleven, he said. And Mr. Humphrey thought you'd like a little fresh
+fish and a prawn curry, perhaps."
+
+"I shall breakfast with Mr. Joseph," said Phillis.
+
+She went to her room in a little temper. It was too bad to be treated
+like a child wanting nice things for breakfast. A little more
+experience taught her that any culinary forethought on the part of the
+Twins was quite sure to be so directed as to secure their own
+favourite dishes.
+
+She did breakfast with Joseph: made tea for him, told him all about
+her morning adventures, received his admonitions in good part, and
+sent him to his office half an hour later than usual. One of his
+letters bore an American stamp. This he opened, putting the rest in a
+leather pocket-book.
+
+"This letter concerns you, Miss Fleming," he apologised, in an
+old-fashioned way; "that is why I opened it before you. It comes from
+your remaining guardian, Mr. Lawrence Colquhoun. Listen to what he
+says. He writes from New York; 'I am sorry to hear that my old friend
+Abraham Dyson is gone. I shall be ready to assume my new
+responsibilities in a fortnight after you receive this letter, as I
+hope to land in that time at Liverpool. Meantime give my kindest
+regards to my ward.' So--Lawrence Colquhoun home again!"
+
+"Tell me about him: is he grave and old, like Mr. Dyson? Will he want
+me to go back to the old life and talk 'subjects'? Mr. Jagenal, much
+as I loved my dear old guardian, I _could_ not consent to be shut
+up any more."
+
+"You will not be asked, my dear young lady. Mr. Colquhoun is a man
+under forty. He is neither old nor grave. He was in the army with your
+father. He sold out seven or eight years ago, spent a year or two
+about London, and then disappeared. I am his lawyer, and from time to
+time he used to send me his address and draw on me for money. That is
+all I can tell you of his travels. Lawrence Colquhoun, Miss Fleming,
+was a popular man. Everybody liked him; especially the--the fair sex."
+
+"Was he very clever?"
+
+"N-no; I should say _not_ very clever. Not stupid. And, now one
+thinks of it, it is remarkable that he never was known to excel in
+anything, though he hunted, rode, shot, and did, I suppose, all the
+other things that young men in the army are fond of. He was fond of
+reading too, and had a considerable fund of information; but he never
+excelled in anything."
+
+Phillis shook her head.
+
+"Mr. Dyson used to say that the people we like best are the people who
+are in our own line and have acknowledged their own inferiority to
+ourselves. Perhaps the reason why Mr. Colquhoun was liked was that he
+did not compete with the men who wished to excel, but contentedly took
+a second place."
+
+This was one of the bits of Dysonian philosophy with which Phillis
+occasionally graced her conversation, quoting it as reverently as if
+it had been a line from Shakespeare, sometimes with startling effect.
+
+"I shall try to like him. I am past nineteen, and at twenty-one I
+shall be my own mistress. If I do not like him, I shall not live with
+him any longer after that."
+
+"I think you will not, in any case, live at Mr. Colquhoun's
+residence," said Joseph; "but I am sure you will like him."
+
+"A fortnight to wait."
+
+"You must not be shy of him," Joseph went on; "you have nothing to be
+afraid of. Think highly of yourself, to begin with."
+
+"I do," said Phillis; "Mr. Dyson always tried to make me think highly
+of myself. He told me my education was better than that of any girl he
+knew. Of course that was partly his kind way of encouraging me. Mr.
+Dyson said that shyness was a kind of cowardice, or else a kind of
+vanity. People who are afraid of other people, he said, either
+mistrust themselves or think they are not rated at their true value.
+But I think I am not at all afraid of strangers. Do I look like being
+afraid?" She drew herself up to her full height and smiled a conscious
+superiority. "Perhaps you will think that I rate myself too highly."
+
+"That," said Joseph, with a compliment really creditable for a
+beginner,--"that would be difficult, Miss. Fleming."
+
+When the Twins prepared to take their morning walk at twelve an
+unexpected event happened. Cæsar, for the first time on record, and
+for no reason apparent or assigned, refused to accompany them. They
+went out without him, feeling lonely, unhappy, and a little
+unprotected. They passed the Carnarvon Arms without a word. At the
+next halting-place they entered the bar in silence, glancing guiltily
+at each other. Could it be that the passion for drink, divested of its
+usual trappings of pretence, presented itself suddenly to the brethren
+in its horrid ugliness? They came out with shame-faced looks, and
+returned home earlier than usual. They were perfectly sober, and
+separated without the usual cheery allusions to Work. Perhaps the
+conscience was touched, for when Jane took up their tea she found the
+Poet in his Workshop sitting at the table, and the Artist in his
+Studio standing at his easel. Before the one was a blank sheet of
+paper; before the other was a blank canvas. Both were fractious, and
+both found fault with the tea. After dinner they took a bottle of
+port, which Humphrey said, they really felt to want.
+
+
+
+
+CHAPTER VI.
+
+ "I do not know
+ One of my sex; no woman's face remember
+ Save, from my glass, mine own."
+
+
+In the afternoon Phillis, who was "writing up" her diary after the
+manner of the ancient Aztec, received a visitor. For the first time in
+her life the girl found herself face to face with--a lady. Men she
+knew--chiefly men of advanced age; they came to dine with Abraham
+Dyson. Women-servants she knew, for she had a French maid--imported
+too young to be mischievous; and there had been a cook at Highgate,
+with two or three maids. Not one of these virgins possessed the art of
+reading, or they would never have been engaged by Mr. Dyson. Nor was
+she encouraged by her guardian to talk with them. Also she knew that
+in the fulness of time she was to be somehow transferred from the
+exclusive society of men to that in which the leading part would be
+taken by ladies--women brought up delicately like herself, but not
+all, unhappily, on the same sound fundamental principle of oral
+teaching.
+
+Among the loose odds and ends which remained in Mr. Dyson's
+portfolios, and where lay all that Joseph Jagenal could ever find to
+help in completing his great system of education, was the following
+scrap:--
+
+"Women brought up with women are hindered in their perfect
+development. Let the girls be separated from the society of their sex,
+and be educated mostly among men. In this way the receptivity of the
+feminine mind may be turned to best account in the acquirement of
+robust masculine ideas. Every girl may become a mother; let her
+therefore sit among men and listen."
+
+Perhaps this deprivation of the society of her own sex was a greater
+loss to Phillis than her ignorance of reading. Consider what it
+entailed. She grew up without the most rudimentary notions of the
+great art of flirtation; she had never even heard of looking out for
+an establishment; she had no idea of considering every young man as a
+possible husband; she had, indeed, no glimmerings, not the faintest
+streak of dawning twilight in the matter of love; while as for
+angling, hooking a big fish and landing him, she was no better than a
+heathen Hottentot. This was the most important loss, but there were
+others; she knew how to dress, partly by instinct, partly by looking
+at pictures; but she knew nothing about Making-up. Nature, which gave
+her the figure of Hebe, made this loss insignificant to her, though it
+is perhaps the opinion of Mr. Worth that there is no figure so good
+but Art can improve it. But not to _know_ about Making-up is, for
+a woman, to lose a large part of useful sympathy for other women.
+
+Again, she knew nothing of the way in which girls pour little
+confidences, all about trifles, into each other's ears; she had not
+cultivated that intelligence which girls can only learn from each
+other, and which enables them to communicate volumes with a
+half-lifted eyelid; she had a man's way of saying out what she
+thought, and even, so far as her dogmatic training permitted, of
+thinking for herself. She did not understand the mystery with which
+women enwrap themselves, partly working on the imagination of youth,
+and partly through their love of secluded talk--a remnant of barbaric
+times, and a proof of the subjection of the sex, the _frou-frou_
+of life was lost to her. And being without mystery, with the art of
+flirtation, with nothing to hide and no object to gain, Phillis was
+entirely free from the great vice into which women of the weaker
+nature are apt to fall--she was perfectly and wholly truthful.
+
+And now she was about to make acquaintance for the first time with a
+lady--one of her own sex and of her own station.
+
+I suppose Phillis must have preserved the characteristic instincts of
+her womanhood, despite her extraordinary training, because the first
+thing she observed was that her visitor was dressed in a style quite
+beyond her power of conception and imperfect taste. So she generalised
+from an individual case, and jumped at the notion that here was a very
+superior woman indeed.
+
+The superiority was in the "young person" at Melton and Mowbray's, who
+designed the dress; but that Phillis did not know.
+
+A more remarkable point with Mrs. Cassilis, Phillis's visitor, than
+her dress was her face. It was so regular as to be faultless. It might
+have been modelled, and so have served for a statue. It was also as
+cold as a face of marble. Men have prayed--men who have fallen into
+feminine traps--to be delivered from every species of woman except the
+cold woman; even King Solomon, who had great opportunities, including
+long life, of studying the sex, mentions her not; and yet I think that
+she is the worst of all. Lord, give us tender-hearted wives! When we
+carve our ideal woman in marble, we do not generally choose the wise
+Minerva nor the chaste Diana, but Venus, soft-eyed, lissom,
+tender--and generally true.
+
+Mrs. Cassilis called. As she entered the room she saw a tall and
+beautiful girl, with eyes of a deep brown, who rose to greet her with
+a little timidity. She was taken by surprise. She expected to find a
+rough and rather vulgar young woman, of no style and unformed manners.
+She saw before her a girl whose attitude spoke unmistakably of
+delicacy and culture. Whatever else Miss Fleming might be, she was
+clearly a lady. That was immediately apparent, and Mrs. Cassilis was
+not likely to make a mistake on a point of such vital importance. A
+young lady of graceful figure, most attractive face, and, which was
+all the more astonishing, considering her education, perfectly
+dressed. Phillis, in fact, was attired in the same simple morning
+costume in which she had taken her early morning walk. On the table
+before her were her sketch-book and her pencils.
+
+Mrs. Cassilis was dressed, for her part, in robes which it had taken
+the highest talent of Regent Street to produce. Her age was about
+thirty. Her cold face shone for a moment with the wintery light of a
+forced smile, but her eyes did not soften, as she took Phillis's hand.
+
+Phillis's pulse beat a little faster, in spite of her courage.
+
+Art face to face with Nature. The girl just as she left her nunnery,
+ignorant of mankind, before the perfect woman of the world. They
+looked curiously in each other's eyes. Now the first lesson taught by
+the world is the way to dissemble. Mrs. Cassilis said to herself,
+"Here is a splendid girl. She is not what I expected to see. This is a
+girl to cultivate and bring out--a girl to do one credit." But she
+said aloud--
+
+"Miss Fleming? I am sure it is. You are _exactly_ the sort of a girl I
+expected."
+
+Then she sat down and looked at her comfortably.
+
+"I am the wife of your late guardian's nephew--Mr. Gabriel Cassilis.
+You have never met him yet; but I hope you will very soon make his
+acquaintance."
+
+"Thank you," said Phillis simply.
+
+"We used to think, until Mr. Dyson died and his preposterous will was
+read, that his eccentric behaviour was partly your fault. But when we
+found that he had left you nothing, of course we felt that we had done
+you an involuntary wrong. And the will was made when you were a mere
+child, and could have no voice or wish in the matter."
+
+"I had plenty of money," said Phillis; "why should poor Mr. Dyson want
+to leave me any more?"
+
+Quite untaught. As if any one could have too much money!
+
+"Forty thousand pounds a year! and all going to Female education. Not
+respectable Female education. If it had been left to Girton College,
+or even to finding bread-and-butter, with the Catechism and
+Contentment, for charity girls in poke bonnets, it would have been
+less dreadful. But to bring up young ladies as you were brought up, my
+poor Miss Fleming----"
+
+"Am I not respectable?" asked Phillis, as humbly as a West Indian
+nigger before emancipation asking if he was not a man and a brother.
+
+"My dear child, I hear you cannot even read and write."
+
+"That is quite true."
+
+"But everybody learns to read and write. All the Sunday school
+children even know how to read and write."
+
+"Perhaps that is a misfortune for the Sunday school children," Phillis
+calmly observed; "it would very likely be better for the Sunday school
+children were they taught more useful things." Here Phillis was
+plagiarising--using Mr. Dyson's own words.
+
+"At least every one in society knows them. Miss Fleming, I am ten
+years older than you, and, if you will only trust me, I will give you
+such advice and assistance as I can."
+
+"You are very kind," said Phillis, with a little distrust, of which
+she was ashamed. "I know that I must be very ignorant, because I have
+already seen so much, that I never suspected before. If you will only
+tell me of my deficiencies I will try to repair them. And I can learn
+reading and writing any time, you know, if it is at all necessary."
+
+"Then let us consider. My poor girl, I fear you have to learn the very
+rudiments of society. Of course you are quite ignorant of things that
+people talk about. Books are out of the question. Music and concerts;
+art and pictures; china--perhaps Mr. Dyson collected?"
+
+"No."
+
+"A pity. China would be a great help; the opera and theatres; balls
+and dancing; the rink----"
+
+"What is the rink?" asked Phillis.
+
+"The latest addition to the arts of flirtation and killing time.
+Perhaps you can fall back upon Church matters. Are you a Ritualist?"
+
+"What is that?"
+
+"My dear girl"--Mrs. Cassilis looked unutterable horror as a thought
+struck her--"did you actually never go to church?"
+
+"No. Mr. Dyson used to read prayers every day. Why should people go to
+church when they pray?"
+
+"Why? why? Because people in society all go; because you must set an
+example to the lower orders. Dear me! It is very shocking! and girls
+are all expected to take such an interest in religion. But the first
+thing is to learn reading."
+
+She had been carrying a little box in her hands all this time, which
+she now placed on the table and opened. It contained small wooden
+squares, with gaudy pictures pasted on them.
+
+"This is a Pictorial Alphabet: an introduction to all education. Let
+me show you how to use it. What is this?"
+
+She held up one square.
+
+"It is a very bad picture, abominably coloured, of a hatchet or a
+kitchen chopper."
+
+"An axe, my dear--A, x, e. The initial letter A is below in its two
+forms. And this?"
+
+"That is worse. I suppose it is meant for a cow. What a cow!"
+
+"Bull, my dear--B, u, l, l, bull. The initial B is below."
+
+"And is this," asked Phillis, with great contempt, "the way to learn
+reading? A kitchen chopper stands for A, and a cow with her legs out
+of drawing stands for B. Unless I can draw my cows for myself, Mrs.
+Cassilis, I shall not try to learn reading."
+
+"You can draw, then?"
+
+"I draw a little," said Phillis. "Not so well, of course, as girls
+brought up respectably."
+
+"Pardon me, my dear Miss Fleming, if I say that sarcasm is not
+considered good style. It fails to attract."
+
+Good style, thought Phillis, means talking so as to attract.
+
+"Do let me draw you," said Phillis. Her temper was not faultless, and
+it was rising by degrees, so that she wanted the relief of silence.
+"Do let me draw you as you sit there."
+
+She did not wait for permission, but sketched in a few moments a
+profile portrait of her visitor, in which somehow the face, perfectly
+rendered in its coldness and strength, was without the look which its
+owner always thought was there--the look which invites sympathy. The
+real unsympathetic nature, caught in a moment by some subtle artist's
+touch, was there instead. Mrs. Cassilis looked at it, and an angry
+flush crossed her face, which Phillis, wondering why, noted.
+
+"You caricature extremely well. I congratulate you on that power, but
+it is a dangerous accomplishment--even more dangerous than the
+practice of sarcasm. The girl who indulges in the latter at most fails
+to attract; but the caricaturist repels."
+
+"Oh!" said Phillis, innocent of any attempt to caricature, but trying
+to assimilate this strange dogmatic teaching.
+
+"We must always remember that the most useful weapons in a girl's
+hands are those of submission, faith and reverence. Men hate--they
+hate and detest--women who think for themselves. They positively
+loathe the woman who dares turn them into ridicule."
+
+She looked as if she could be one of the few who possess that daring.
+
+"Fortunately," she went on, "such women are rare. Even among the
+strong-minded crew, the shrieking sisterhood, most of them are obliged
+to worship some man or other of their own school."
+
+"I don't understand. Pardon me, Mrs. Cassilis, that I am so stupid. I
+say what I think, and you tell me I am sarcastic."
+
+"Girls in society never say what they think. They assent, or at best
+ask a question timidly."
+
+"And I make a little pencil sketch of you, and you tell me I am a
+caricaturist."
+
+"Girls who can draw must draw in the conventional manner recognised by
+society. They do not draw likenesses; they copy flowers, and sometimes
+draw angels and crosses. To please men they draw soldiers and horses."
+
+"But why cannot girls draw what they please? And why must they try to
+attract?"
+
+Mrs. Cassilis looked at this most innocent of girls with misgiving.
+_Could_ she be so ignorant as she seemed, or was she pretending.
+
+"Why? Phillis Fleming, only ask me that question again in six months'
+time if you dare."
+
+Phillis shook her head; she was clearly out of her depth.
+
+"Have you any other accomplishments?"
+
+"I am afraid not. I can play a little. Mr. Dyson liked my playing; but
+it is all from memory and from ear."
+
+"Will you, if you do not mind, play something to me?"
+
+Victoria Cassilis cared no more for music than the deaf adder which
+hath no understanding. By dint of much teaching, however, she had
+learned to execute creditably. The playing of Phillis, sweet,
+spontaneous, and full of feeling, had no power to touch her heart.
+
+"Ye-yes," she said, "that is the sort of playing which some young men
+like: not those young men from Oxford who 'follow' Art, and pretend to
+understand good music. You may see them asleep at afternoon recitals.
+You must play at small parties only, Phillis. Can you sing?"
+
+"I sing as I play," said Phillis, rising and shutting the piano. "That
+is only, I suppose, for small parties." The colour came into her
+cheeks, and her brown eyes brightened. She was accustomed to think
+that her playing gave pleasure. Then she reproached herself for
+ingratitude, and she asked pardon. "I am cross with myself for being
+so deficient. Pray forgive me, Mrs. Cassilis. It is very kind of you
+to take all this trouble."
+
+"My dear, you are a hundred times better than I expected."
+
+Phillis remembered what she had said ten minutes before, but was
+silent.
+
+"A hundred times better. Can you dance, my dear?"
+
+"No. Antoinette tells me how she used to dance with the villagers when
+she was a little girl at Yport."
+
+"That can be easily learned. Do you ride?"
+
+At any other time Phillis would have replied in the affirmative. Now
+she only asserted a certain power of sticking on, acquired on
+pony-back and in a paddock. Mrs. Cassilis sighed.
+
+"After all, a few lessons will give you a becoming seat. Nothing so
+useful as clever horsemanship. But how shall we disguise the fact that
+you cannot read or write?"
+
+"I shall not try to disguise it," Phillis cried, jealous of Mr.
+Dyson's good name.
+
+"Well, my dear, we come now to the most important question of all.
+Where do you get your dresses?"
+
+"O Mrs. Cassilis! do not say that my dresses are calculated to repel!"
+cried poor Phillis, her spirit quite broken by this time. "Antoinette
+and I made this one between us. Sometimes I ordered them at Highgate,
+but I like my own best."
+
+Mrs. Cassilis put up a pair of double eye-glasses, because they were
+now arrived at a really critical stage of the catechism. There was
+something in the simple dress which forced her admiration. It was
+quite plain, and, compared with her own, as a daisy is to a dahlia.
+
+"It is a very nice dress," she said critically. "Whether it is your
+figure, or your own taste, or material, I do not know; but you are
+dressed _perfectly_, Miss Fleming. No young lady could dress better."
+
+Women meet on the common ground of dress. Phillis blushed with
+pleasure. At all events, she and her critic had something on which
+they could agree.
+
+"I will come to-morrow morning, and we will examine your wardrobe
+together, if you will allow me; and then we will go to Melton &
+Mowbray's. And I will write to Mr. Jagenal, asking him to bring you to
+dinner in the evening, if you will come."
+
+"I should like it very much," said Phillis. "But you have made me a
+little afraid."
+
+"You need not be afraid at all. And it will be a very small party. Two
+or three friends of my husband's, and two men who have just come home
+and published a book, which is said to be clever. One is a brother of
+Lord Isleworth, Mr. Ronald Dunquerque, and the other is a Captain
+Ladds. You have only to listen and look interested."
+
+"Then I will come. And it is very kind of you, Mrs. Cassilis,
+especially since you do not like me."
+
+That was quite true, but not a customary thing to be said. Phillis
+perceived dislike in the tones of her visitor's voice, in her eyes, in
+her manner. Did Mrs. Cassilis dislike her for her fresh and
+unsophisticated nature, or for her beauty, or for the attractiveness
+which breathed from every untaught look and gesture of the girl?
+Swedenborg taught that the lower nature cannot love the nobler; that
+the highest heavens are open to all who like to go there, but the
+atmosphere is found congenial to very few.
+
+"Not like you!" Mrs. Cassilis, hardly conscious of any dislike,
+answered after her kind. "My dear, I hope we shall like each other
+very much. Do not let fancies get into your pretty head. I shall try
+to be your friend, if you will let me."
+
+Again the wintry smile upon the lips, and the lifting of the cold
+eyes, which smiled not.
+
+But Phillis was deceived by the warmth of the words. She took her
+visitor's hand and kissed it. The act was a homage to the woman of
+superior knowledge.
+
+"Oh yes," she murmured, "if you only will."
+
+"I shall call you Phillis. My name is Victoria."
+
+"And you will tell me more about girls in society."
+
+"I will show you girls in society, which is a great deal better for
+you," said Mrs. Cassilis.
+
+"I looked at the girls I saw yesterday as we drove through the
+streets. Some of them were walking like this." She had been standing
+during most of this conversation, and now she began walking across the
+room in that ungraceful pose of the body which was more affected last
+year than at present. Ladies do occasionally have intervals of lunacy
+in the matter of taste, but if you give them time they come round
+again. Even crinolines went out at last, after the beauty of a whole
+generation had been spoiled by them. "Then there were others, who
+walked like this." She laid her head on one side, and affected a
+languid air, which I have myself remarked as being prevalent in the
+High Street of Islington. Now the way from Highgate to Carnarvon
+Square lies through that thoroughfare. "Then there were the boys. I
+never dreamed of such a lot of boys. And they were all whistling. This
+was the tune."
+
+She threw her head back, and began to whistle the popular song of last
+spring. You know what it was. It came between the favourite air from
+the _Fille de Madame Angot_ and that other sweet melody, "Tommy, make
+room for your Uncle," and was called "Hold the Fort." It refreshed the
+souls of Revivalists in Her Majesty's Theatre, and of all the
+street-boys in this great Babylon.
+
+Mrs. Cassilis positively shrieked:
+
+"My dear, _dear_ DEAR girl," she cried, "you MUST not whistle!"
+
+"Is it wrong to whistle?"
+
+"Not morally wrong, I suppose. Girls never do anything morally wrong.
+But it is far worse, Phillis, far worse; it is unspeakably vulgar."
+
+"Oh," said Phillis, "I am so sorry!"
+
+"And, my dear, one thing more. Do not cultivate the power of mimicry,
+which you undoubtedly possess. Men are afraid of young ladies who can
+imitate them. For actresses, authors, artists, and common people of
+that sort, of course it does not matter. But for us it is different.
+And now, Phillis, I must leave you till to-morrow. I have great hopes
+of you. You have an excellent figure, a very pretty and attractive
+face, winning eyes, and a taste in dress which only wants cultivation.
+And that we will begin to-morrow at Melton and Mowbray's."
+
+"Oh yes," said Phillis, clapping her hands, "that will be delightful!
+I have never seen a shop yet."
+
+"She has--never--seen--a Shop!" cried Mrs. Cassilis. "Child, it is
+hard indeed to realise your Awful condition of mind. That a girl of
+nineteen should be able to say that she has never seen a Shop! My
+dear, your education has been absolutely unchristian. And poor Mr.
+Dyson, I fear, cut off suddenly in his sins, without the chance of
+repentance."
+
+
+
+
+CHAPTER VII.
+
+"Bid me discourse, I will enchant thine ear."
+
+
+Joseph Jagenal and his charge were the last arrivals at Mrs.
+Cassilis's dinner. It was not a large party. There were two ladies of
+the conventional type, well dressed, well looking, and not
+particularly interesting; with them their two husbands, young men of
+an almost preternatural solemnity--such solemnity as sometimes results
+from a too concentrated attention to the Money Market. They were there
+as friends of Mr. Cassilis, whom they regarded with the reverence
+justly due to success. They longed to speak to him privately on
+investments, but did not dare. There were also two lions, newly
+captured. Ladds, the "Dragoon" of the joint literary venture--"THE
+LITTLE SPHERE, by the Dragoon and the Younger Son"--is standing
+in that contemplative attitude by which hungry men, awaiting the
+announcement of dinner, veil an indecent eagerness to begin. The
+other, the "Younger Son," is talking to Mr. Cassilis.
+
+Phillis remarked that the room was furnished in a manner quite beyond
+anything she knew. Where would be the dingy old chairs, sofas, and
+tables of Mr. Dyson's, or the solid splendour of Joseph Jagenal's
+drawing-room, compared with the glories of decorative art which Mrs.
+Cassilis had called to her aid? She had no time to make more than a
+general survey as she went to greet her hostess.
+
+Mrs. Cassilis, for her part, observed that Phillis was dressed
+carefully, and was looking her best. She had on a simple white dress
+of that soft stuff called, I think, Indian muslin, which falls in
+graceful folds. A pale lavender sash relieved the monotony of the
+white, and set off her shapely figure. Her hair, done up in the
+simplest fashion, was adorned with a single white rose. Her cheeks
+were a little flushed with excitement, but her eyes were steady.
+
+Phillis stole a glance at the other ladies. They were dressed, she was
+glad to observe, in the same style as herself, but not better. That
+naturally raised her spirits.
+
+Then Mrs. Cassilis introduced her husband.
+
+When Phillis next day attempted to reproduce her impressions of the
+evening, she had no difficulty in recording the likeness of Mr.
+Gabriel Cassilis with great fidelity. He was exactly like old Time.
+
+The long lean limbs, the pronounced features, the stooping figure, the
+forelock which our enemy will _not_ allow us to take, the head, bald
+save for that single ornamental curl and a fringe of gray hair over
+the ears--all the attributes of Time were there except the scythe.
+Perhaps he kept that at his office.
+
+He was a very rich man. His house was in Kensington Palace Gardens, a
+fact which speaks volumes; its furnishing was a miracle of modern art;
+his paintings were undoubted; his portfolios of water-colours were
+worth many thousands; and his horses were perfect.
+
+He was a director of many companies--but you cannot live in Kensington
+Palace Garden by directing companies and he had an office in the City
+which consisted of three rooms. In the first were four or five clerks,
+always writing; in the second was the secretary, always writing; in
+the third was Mr. Gabriel Cassilis himself, always giving audience.
+
+He married at sixty-three, because he wanted an establishment in his
+old age. He was too old to expect love from a woman, and too young to
+fall in love with a girl. He did not marry in order to make a pet of
+his wife--indeed, he might as well have tried stroking a statue of
+Minerva as petting Victoria Pengelley; and he made no secret of his
+motive in proposing for the young lady. As delicately as possible he
+urged that, though her family was good, her income was small; that it
+is better to be rich and married than poor and single; and he offered,
+if she consented to become his wife, to give her all that she could
+wish for or ask on the material and artistic side of life.
+
+Victoria Pengelley, on receipt of the offer, which was communicated by
+a third person, her cousin, behaved very strangely. She first refused
+absolutely; then she declared that she would have taken the man, but
+that it was now impossible; then she retracted the last statement,
+and, after a week of agitation, accepted the offer.
+
+"And I must say, Victoria," said her cousin, "that you have made a
+strange fuss about accepting an offer from one of the richest men in
+London. He is elderly, it is true; but the difference between eight
+and twenty and sixty lies mostly in the imagination. I will write to
+Mr. Cassilis to-night."
+
+Which she did, and they were married.
+
+She trembled a great deal during the marriage ceremony. Mr. Cassilis
+was pleased at this appearance of emotion, which he attributed to
+causes quite remote from any thought in the lady's mind. "Calm to all
+outward seeming," he said to himself, "Victoria is capable of the
+deepest passion."
+
+They had now been married between two and three years. They had one
+child--a boy.
+
+It is only to be added that Mr. Cassilis settled the sum of fifteen
+thousand pounds upon the wedding-day on his wife, and that they lived
+together in that perfect happiness which is to be expected from
+well-bred people who marry without pretending to love each other.
+
+Their dinners were beyond praise; the wine was incomparable; but their
+evenings were a little frigid. A sense of cold splendour filled the
+house--the child which belongs to new things and to new men.
+
+The new man thirty years ago was loud, ostentatious, and vulgar. The
+new man now--there are a great many more of them--is very often quiet,
+unpretending, and well-bred. He understands art, and is a patron; he
+enjoys the advantages which his wealth affords him; he knows how to
+bear his riches with dignity and with reserve. The only objection to
+him is that he wants to go where other men, who were new in the last
+generation, go, and do what they do.
+
+Mr. Cassilis welcomed Miss Fleming and Joseph Jagenal, and resumed his
+conversation with Jack Dunquerque. That young man looked much the same
+as when we saw him last on the slopes of the Sierra Nevada. His tall
+figure had not filled out, but his slight moustache had just a little
+increased in size. And now he looked a good deal bored.
+
+"I have never, I confess," his host was saying, wielding a double
+eye-glass instead of his scythe,--"I have never been attracted by the
+manners and customs of uncivilised people. My sympathies cease, I
+fear, where Banks end."
+
+"You are only interested in the country of Lombardy?"
+
+"Yes; very good: precisely so."
+
+"Outside the pale of Banks men certainly carry their money about with
+them----"
+
+"Which prevents the accumulation of wealth, my dear sir. Civilisation
+was born when men learned to confide in each other. Modern history
+begins with the Fuggers, of whom you may have read."
+
+"I assure you I never did," said Jack truthfully.
+
+Then dinner was announced.
+
+Phillis found herself on the right of Mr. Cassilis. Next to her sat
+Captain Ladds. Mr. Dunquerque was at the opposite corner of the
+table--he had given his arm to Mrs. Cassilis.
+
+Mrs. Cassilis, Phillis saw, was watching her by occasional glances.
+The girl felt a little anxious, but she was not awkward. After all,
+she thought, the customs of society at a dinner-table cannot be very
+different from those observed and taught her by Mr. Dyson. Perhaps her
+manner of adjusting things was a little wanting in finish and
+delicacy--too downright. Also, Mrs. Cassilis observed she made no
+attempt to talk with Captain Ladds, her neighbour, but was, curiously
+enough, deeply interested in the conversation of Mr. Cassilis.
+
+Ladds was too young for Phillis, despite his five and thirty years.
+Old men and greybeards she knew. Young men she did not know. She could
+form no guess what line of talk would be adopted by a young man--one
+who had a deep bass voice when he spoke, and attacked his dinner with
+a vigour past understanding. Phillis was interested in him, and a
+little afraid lest he should talk to her.
+
+Others watched her too. Jack Dunquerque, his view a little intercepted
+by the _épergne_, lifted furtive glances at the bright and pretty
+girl at the other end of the table. Joseph Jagenal looked at her with
+honest pride in the beauty of his ward.
+
+They talked politics, but not in the way to which she was accustomed.
+Mr. Dyson and his brother greybeards were like Cassandra, Elijah,
+Jeremiah, and a good many prophets of the present day, inasmuch as the
+more they discussed affairs the more they prophesied disaster. So that
+Phillis had learned from them to regard the dreadful future with
+terror. Every day seemed to make these sages more dismal. Phillis had
+not yet learned that the older we get the wiser we grow, and the wiser
+we grow the more we tremble; that those are most light-hearted who
+know the least. At this table, politics were talked in a very
+different manner; they laughed where the sages wagged their heads and
+groaned; they even discussed, with a familiarity which seemed to drive
+out anxiety, the favorite bugbear of her old politicians, the
+continental supremacy of Germany.
+
+The two young City men, who were as solemn as a pair of Home
+Secretaries, listened to their host with an eager interest and
+deference which the other two, who were not careful about investments,
+did not imitate. Phillis observed the difference, and wondered what it
+meant. Then Mr. Cassilis, as if he had communicated as many ideas
+about Russia as he thought desirable, turned the conversation upon
+travelling, in the interests of the Dragoon and the younger son.
+
+"I suppose," he said, addressing Jack, "that in your travels among the
+islanders you practised the primitive mode of Barter."
+
+"We did; and they cheated us when they could. Which shows that they
+have improved upon the primitive man. I suppose he was honest."
+
+"I should think not," said the host. "The most honest classes in the
+world are the richest. People who want to get things always have a
+tendency to be dishonest. England is the most honest nation, because
+it is the richest. France is the next. Germany, you see, which is a
+poor country, yielded to the temptations of poverty and took
+Sleswick-Holstein, Alsace and Lorraine. I believe that men began with
+dishonesty."
+
+"Adam, for example," said Ladds, "took what he ought not to have
+taken."
+
+"O Captain Ladds!" this was one of two ladies, she who had read up
+the new book before coming to the dinner, and had so far an advantage
+over the other--"that is just like one of the wicked things, the
+delightfully wicked things, in the _Little Sphere_. Now we know which
+of the two did the wicked things."
+
+"It was the other man," said Ladds.
+
+"Is it fair to ask," the lady went on, "how you wrote the book?"
+
+She was one of those who, could she get the chance, would ask
+Messieurs Erckmann and Chatrian themselves to furnish her with a list
+of the paragraphs and the ideas due to each in their last novel.
+
+Ladds looked as if the question was beyond his comprehension.
+
+At last he answered slowly--
+
+"Steel pen. The other man had a gold pen."
+
+"No--no; I mean did you write one chapter and your collaborateur the
+next, or how?"
+
+"Let me think it over," replied Ladds, as if it were a conundrum.
+
+Mrs. Cassilis came to the rescue.
+
+"At all events," she said, "the great thing is that the book is a
+success. I have not read it, but I hear there are many clever and
+witty things in it. Also some wicked things. Of course, if you write
+wickedness you are sure of an audience. I don't think, Mr.
+Dunquerque," she added, with a smile, "that it is the business of
+gentlemen to attack existing institutions."
+
+Jack shook his head.
+
+"It was not my writing. It was the other man. I did what I could to
+tone him down."
+
+"Have you read the immortal work?" Ladds asked his neighbour. He had
+not spoken to her yet, but he had eyes in his head, and he was
+gradually getting interested in the silent girl who sat beside him,
+and listened with such rapt interest to the conversation.
+
+This great and manifest interest was the only sign to show that
+Phillis was not accustomed to dinners in society.
+
+Ladds thought that she must be some shy maiden from the country--a
+little "rustical" perhaps. He noticed now that her eyes were large and
+bright, that her features were clear and delicate, that she was
+looking at himself with a curious pity, as if, which was indeed the
+case, she believed the statement about his having written the wicked
+things. And then he wondered how so bright a girl had been able to
+listen to the prosy dogmatics of Mr. Cassilis. Yet she had listened,
+and with pleasure.
+
+Phillis was at that stage in her worldly education when she would have
+listened with pleasure to anybody--Mr. Moody, a lecture on astronomy,
+a penny-reading, an amateur dramatic performance, or an essay in the
+_Edinburgh_. For everything was new. She was like the blind man who
+received his sight and saw men, like trees, walking. Every new face
+was a new world; every fresh speaker was a new revelation. No one to
+her was stupid, was a bore, was insincere, was spiteful, was envious,
+or a humbug, because no one was known. To him who does not know, the
+inflated india-rubber toy is as solid as a cannon-ball.
+
+"I never read anything," said Phillis, with a half blush. Not that she
+was ashamed of the fact, but she felt that it would have pleased
+Captain Ladds had she read his book. "You see, I have never learned to
+read."
+
+"Oh!"
+
+It was rather a facer to Ladds. Here was a young lady, not being a
+Spaniard, or a Sicilian, or a Levantine, or a Mexican, or a
+Paraguayan, or a Brazilian, or belonging to any country where such
+things are possible, who boldly confessed that she could not read.
+This in England; this in the year 1875; this in a country positively
+rendered unpleasant by reason of its multitudinous School Boards and
+the echoes of their wrangling!
+
+Jack Dunquerque, in his place, heard the statement and looked up
+involuntarily as if to see what manner of young lady this could be--a
+gesture of surprise into which the incongruity of the thing startled
+him. He caught her full face as she leaned a little forward, and his
+glance rested for a moment on a cheek so fair that his spirits fell.
+Beauty disarms the youthful squire, and arms him who has won his
+spurs. I speak in an allegory.
+
+Mrs. Cassilis heard it and was half amused, half angry.
+
+Mr. Cassilis heard it, opened his mouth, as if to make some remark
+about Mr. Dyson's method of education, but thought better of it.
+
+The two ladies heard it and glanced at her curiously. Then they looked
+at each other with the slightest uplifting of the eyebrow, which
+meant, "Who on earth can she be?"
+
+Mrs. Cassilis noted that too, and rejoiced, because she was going to
+bring forward a girl who would make everybody jealous.
+
+Ladds was the only one who spoke.
+
+"That," he said feebly, "must be very jolly."
+
+He began to wonder what could be the reason of this singular
+educational omission. Perhaps she had a crooked back; could not sit up
+to a desk, could not hold a book in her hand; but no, she was like
+Petruchio's Kate:
+
+ "Like the hazel twig.
+ As straight and slender."
+
+Perhaps her eyes were weak; but no, her eyes were sparkling with the
+"right Promethean fire." Perhaps she was of weak intellect; but that
+was ridiculous.
+
+Then the lady who had read the book began to ask more questions. I do
+not know anything more irritating than to be asked questions about
+your own book.
+
+"Will you tell us, Mr. Dunquerque, if the story of the bear-hunt is a
+true one, or did you make it up?"
+
+"We made up nothing. That story is perfectly true. And the man's name
+was Beck."
+
+"Curious," said Mr. Cassilis. "An American named Beck, Mr. Gilead P.
+Beck, is in London now, and has been recommended to me. He is
+extremely rich. I think, my dear, that you invited him to dinner
+to-day?'
+
+"Yes. He found he could not come at the last moment. He will be here
+in the evening."
+
+"Then you will see the very man," said Jack, "unless there is more
+than one Gilead P. Beck, which is hardly likely."
+
+"This man has practically an unlimited credit," said the host.
+
+"And talks, I suppose, like, well, like the stage Americans, I
+suppose," said his wife.
+
+"You know," Jack explained, "that the stage American is all nonsense.
+The educated American talks a great deal better than we do. He can
+string his sentences together; we can only bark."
+
+"Perhaps our bark is better than their bite," Ladds remarked.
+
+"A man who has unlimited credit may talk as he pleases," said Mr.
+Cassilis dogmatically.
+
+The two solemn young men murmured assent.
+
+"And he always did say that he was going to have luck. He carried
+about a Golden Butterfly in a box."
+
+"How deeply interesting!" replied the lady who had read the book. "And
+is that other story true, that you found an English traveller living
+all alone in a deserted city?"
+
+"Quite true."
+
+"Really. And who was it? Anybody one has met?"
+
+"I do not know whether you have ever met him. His name is Lawrence
+Colquhoun."
+
+Mrs. Cassilis flushed suddenly, and then her pale face became paler.
+
+"Lawrence Colquhoun, formerly of ours," said Ladds, looking at her.
+
+Mrs. Cassilis read the look to ask what business it was of hers, and
+why she changed colour at his name.
+
+"Colquhoun!" she said softly. Then she raised her voice and addressed
+her husband: "My dear, it is an old friend of mine of whom we are
+speaking, Mr. Lawrence Colquhoun."
+
+"Yes!" he had forgotten the name. "What did he do? I think I
+remember----" He stopped, for he remembered to have heard his wife's
+name in connection with this man. He felt a sudden pang of jealousy, a
+quite new and rather curious sensation. It passed, but yet he rejoiced
+that the man was out of England.
+
+"He is my guardian," Phillis said to Ladds. "And you actually know
+him? Will you tell me something about him presently?"
+
+When the men followed, half an hour later, they found the four ladies
+sitting in a large semi-circle round the fire. The centre of the space
+so formed was occupied by a gentleman who held a cup of tea in one
+hand and declaimed with the other. That is to say, he was speaking in
+measured tones, and as if he were addressing a large room instead of
+four ladies: and his right hand and arm performed a pump-handle
+movement to assist and grace his delivery. He had a face so grave that
+it seemed as if smiles were impossible; he was apparently about forty
+years of age. Mrs. Cassilis was not listening much. She was
+considering, as she looked at her visitor, how far he might be useful
+to her evenings. Phillis was catching every word that fell from the
+stranger's lips. Here was an experience quite new and startling. She
+knew of America; Mr. Dyson, born not so very many years after the War
+of Independence, and while the memory of its humiliations was fresh in
+the mind of the nation, always thought and spoke of Americans as
+England's hereditary and implacable enemies. Yet here was one of the
+race talking amicably, and making no hostile demonstrations whatever.
+So that another of her collection of early impressions evidently
+needed reconsideration.
+
+When he saw the group at the door, Mr. Gilead Beck--for it was
+he--strode hastily across the room, and putting aside Mr. Cassilis,
+seized Jack Dunquerque by the hand and wrung it for several moments.
+
+"You have not forgotten me!" he said. "You remember that lucky shot?
+You still think of that Grisly?"
+
+"Of course I do," said Jack; "I shall never forget him."
+
+"Nor shall I, sir; never." And then he went through the friendly
+ceremony with Ladds.
+
+"You are the other man, sir?"
+
+"I always am the other man," said Ladds, for the second time that
+evening. "How are you, Mr. Beck, and how is the Golden Butterfly?"
+
+"That Inseck, captain, is a special instrument working under
+Providence for my welfare. He slumbers at my hotel, the Langham, in a
+fire-proof safe."
+
+Then he seized Jack Dunquerque's arm, and led him to the circle round
+the fire.
+
+"Ladies, this young gentleman is my preserver. He saved my life. It is
+owing to Mr. Dunquerque that Gilead P. Beck has the pleasure of being
+in this drawing-room."
+
+"O Mr. Dunquerque," said the lady who had read the book, "that is not
+in the volume!"
+
+"Clawed I should have been, mauled I should have been, rubbed out I
+should have been, on that green and grassy spot, but for the crack of
+Mr. Dunquerque's rifle. You will not believe me, ladies, but I thought
+it was the crack of doom."
+
+"It was a most charming, picturesque spot in which to be clawed," said
+Jack, laughing. "You could not have selected a more delightful place
+for the purpose."
+
+"There air moments," said Mr. Beck, looking round the room solemnly,
+and letting his eyes rest on Phillis, who gazed at him with an
+excitement and interest she could hardly control--"there air moments
+when the soul is dead to poetry. One of those moments is when you feel
+the breath of a Grisly on your cheek. Even you, young lady, would, at
+such a moment, lose your interest in the beauty of Nature."
+
+Phillis started when he addressed her.
+
+"Did he save your life?" she asked, with flashing eyes.
+
+Jack Dunquerque blushed as this fair creature turned to him with looks
+of such admiration and respect as the queen of the tournament bestowed
+upon the victor of the fight. So Desdemona gazed upon the Moor when he
+spake
+
+ "Of most disastrous chances,
+ Of moving accidents by flood and field."
+
+Mrs. Cassilis affected a diversion by introducing her husband to Mr.
+Beck.
+
+"Mr. Cassilis, sir," he said, "I have a letter for you from one of our
+most prominent bankers. And I called in the City this afternoon to
+give it you. But I was unfortunate. Sir, I hope that we shall become
+better acquainted. And I am proud, sir, I am proud of making the
+acquaintance of a man who has the privilege of life partnership with
+Mrs. Cassilis. That is a great privilege, sir, and I hope you value
+it."
+
+"Hum--yes; thank you, Mr. Beck," replied Mr. Cassilis, in a tone which
+conveyed to the sharp-eared Phillis the idea that he thought
+considerable value ought to be attached to the fact of having a life
+partnership with _him_. "And how do you like our country?"
+
+The worst of going to America, if you are an Englishman, or of
+crossing to England, if you are an American is that you can never
+escape that most searching and comprehensive question.
+
+Said Mr. Gilead Beck:
+
+"Well, sir, a dollar goes a long way in this country--especially in
+cigars and drinks."
+
+"In drinks!" Phillis listened. The other ladies shot glances at each
+other.
+
+"Phillis, my dear"--Mrs. Cassilis crossed the room and interrupted her
+rapt attention--"let me introduce Mr. Ronald Dunquerque. Do you think
+you could play something?"
+
+She bowed to the young hero with sparkling eyes and rose to comply
+with the invitation. He followed her to the piano. She played in that
+sweet spontaneous manner which the women who have only been
+_taught_ hear with despair; she touched the keys as if she loved
+them and as if they understood her; she played one or two of the
+"Songs without Words;" and then, starting a simple melody, she began
+to sing, without being asked, a simple old ballad. Her tone was low at
+first, because she did not know the room, not because she was afraid;
+but it gradually rose as she felt her power, till the room filled with
+the volumes of her rich contralto voice. Jack Dunquerque stood beside
+her. She looked up in his face with eyes that smiled a welcome while
+she went on singing.
+
+"You told us you could not read," said the young man when she
+finished.
+
+"It is quite true, Mr. Dunquerque. I cannot."
+
+"How, then, can you play and sing?"
+
+"Oh, I play by ear and by memory. That is nothing wonderful."
+
+"Won't you go on playing?"
+
+She obeyed, talking in low, measured tones, in time with the air.
+
+"I think you know my guardian, Mr. Lawrence Colquhoun. Will you tell
+me all about him? I have never seen him yet."
+
+This unprincipled young man saw his chance, and promptly seized the
+opportunity.
+
+"I should like to very much, but one cannot talk here before all these
+people. If you will allow me to call to-morrow, I will gladly tell you
+all I know about him."
+
+"You had better come at luncheon-time," she replied, "and then I shall
+be very glad to see you."
+
+Mr. Abraham Dyson usually told his friends to come at luncheon-time,
+so she could not be wrong. Also, she knew by this time that the Twins
+were always asleep at two o'clock, so that she would be alone; and
+it was pleasant to think of a talk, _sola cum solo_, with this
+interesting specimen of newly-discovered humanity--a young man who had
+actually saved another man's life.
+
+"Is she an outrageous flirt?" thought Jack, "or is she deliciously and
+wonderfully simple?"
+
+On the way home he discussed the problem with Ladds.
+
+"I don't care which it is," he concluded, "I must see her again.
+Ladds, old man, I believe I could fall in love with that girl. 'Ask me
+no more, for at a touch I yield.' Did you notice her, Tommy? Did you
+see her sweet eyes--I must say she has the sweetest eyes in all the
+world--looking with a pretty wonder at our quaint Yankee friend? Did
+you see her trying to take an interest in the twaddle of old Cassilis?
+Did you----"
+
+"Have we eyes?" Ladds growled. "Is the heart at five and thirty a
+log?"
+
+"And her figure, tall and slender, lissom and _gracieuse_. And
+her face, 'the silent war of lilies and of roses.' How I love the
+brunette faces! They are never insipid."
+
+"Do you remember the half-caste Spanish girl in Manilla?"
+
+"Ladds, don't dare to mention that girl beside this adorable angel of
+purity. I have found out her Christian name--it is Phillis--rhymes to
+lilies; and am going to call at her house to-morrow--Carnarvon
+Square."
+
+"And I am going to have half an hour in the smoking-room," said Ladds,
+as they arrived at the portals of the club.
+
+"So am I," said Jack. "You know what Othello says of Desdemona:
+
+ "'O thou weed,
+ Who art so lovely fair, and smell'st so sweet
+ That the sense aches at thee!'
+
+"I mean Phillis Fleming, of course, not your confounded tobacco."
+
+
+
+
+CHAPTER VIII.
+
+"They say if money goes before, all ways do lie open."
+
+
+"I call this kind, boys," said Mr. Gilead P. Beck, welcoming his
+visitors, Captain Ladds and Jack Dunquerque; "I call this friendly. I
+asked myself last night, 'Will those boys come to see me, or will they
+let the ragged Yankee slide?' And here you are."
+
+"Change," said Ladds the monosyllabic, looking round. "Gold looking
+up?"
+
+There is a certain suite of rooms in the Langham Hotel--there may be a
+hundred such suites known to the travellers who have explored that
+mighty hostelry--originally designed for foreign princes, ambassadors,
+or those wandering kings whom our hospitality sends to an inn. The
+suite occupied by Mr. Beck consisted of a large reception-room, a
+smaller apartment occupied by himself, and a bedroom. The rooms were
+furnished in supposed accordance with the tastes of their princely
+occupants, that is to say, with solid magnificence. Mr. Beck had been
+in England no more than a week, and as he had not yet begun to buy
+anything, the rooms were without those splendid decorations of
+pictures, plate, and objects of art generally, with which he
+subsequently adorned them. They looked heavy and rather cheerless. A
+fire was burning on the hearth, and Mr. Beck was standing before it
+with an unlighted cigar in his lips. Apparently he had already
+presented some letters of introduction, for there were a few cards of
+invitation on the mantelshelf. He was dressed in a black frock-coat,
+as a gentleman should be, and he wore it buttoned up, so that his tall
+stature and thin figure were shown off to full advantage. He wore a
+plain black ribbon by way of necktie, and was modest in the way of
+studs. Jack Dunquerque noticed that he wore no jewelry of any kind,
+which he thought unusual in a man of unlimited credit, a new man whose
+fortune was not two years old. He was an unmistakable American. His
+chin was now close shaven, and without the traditional tuft; but he
+had the bright restless eye, the long spare form, the obstinately
+straight hair, the thin flexible mouth with mobile lips, the
+delicately shaped chin, and the long neck which seem points
+characteristic with our Transatlantic brethren. His grave face lit up
+with a smile of pleasure when he saw Jack Dunquerque. It was a
+thoughtful face; it had lines in it, such as might have been caused by
+the buffets of Fate; but his eyes were kindly. As for his speech, it
+preserved the nasal drawl of his New England birthplace; he spoke
+slowly, as if feeling for the right words, and his pronunciation was
+that of a man sprung from the ranks. Let us say at once that we do not
+attempt to reproduce by an affected spelling, save occasionally, the
+Doric of the New England speech. He was a typical man of the Eastern
+Estate--self-reliant, courageous, independent, somewhat prejudiced,
+roughly educated, ready for any employment and ashamed of none, and
+withal brave as an Elizabethan buccaneer, sensitive as a Victorian
+lady, sympathetic as--as Henry Longfellow.
+
+"There is change, sir"--he addressed himself to Ladds--"in most things
+human. The high tides and the low tides keep us fresh. Else we should
+be as stagnant as a Connecticut gospel-grinder in his village
+location."
+
+"This is high tide, I see," said Jack, laughing. "I hope that American
+high tides last longer than ours."
+
+"I am hopeful, Mr. Dunquerque, that they air of a more abiding
+disposition. If you should be curious, gentlemen, to know my history
+since I left you in San Francisco, I will tell you it from the
+beginning. You remember that blessed inseck, the Golden Butterfly?"
+
+"In the little box," said Ladds. "I asked you after his welfare last
+night."
+
+Jack began to blush.
+
+"Before you begin," he interposed, "we ought to tell you that since we
+came home we have written a book, we two, about our travels."
+
+"Is that so?" asked Mr. Beck, with some natural reverence for the
+author of a book.
+
+"And we have put you into it, with an account of Empire City."
+
+"Me--as I was--in rags and without even a gun?"
+
+"Yes; not a flattering likeness, but a true one."
+
+"And the lucky shot, is that there too?"
+
+"Some of it is there," said Ladds. "Jack would not have the whole
+story published. Looked ostentatious."
+
+"Gentlemen, I shall buy that book. I shall take five hundred copies of
+that book for my people in the Dominion. Just as I was, you say--no
+boots but moccasins; not a dollar nor a cent; running for bare life
+before a Grisly. Gentlemen, that book will raise me in the estimation
+of my fellow-countrymen. And if you will allow me the privilege, I
+shall say it was written by two friends of mine."
+
+Jack breathed freely. He was afraid Mr. Beck might have resented the
+intrusion of his ragged personality. An Englishman certainly would.
+Mr. Beck seemed to think that the contrast between present broadcloth
+and past rags reflected the highest credit on himself.
+
+This part of the work, indeed, which the critics declared to be wildly
+improbable, was the only portion read by Mr. Beck. And just as he
+persisted in giving Jack the sole credit of his rescue--perhaps
+because in his mental confusion he never even heard the second shot
+which finished the bear--so he steadfastly regarded Jack as the sole
+author of this stirring chapter, which was Ladd's masterpiece, and was
+grateful accordingly.
+
+"And now," he went on, "I must show you the critter himself, the
+Golden Bug."
+
+There was standing in a corner, where it would be least likely to
+receive any rude shocks or collisions, a small heavy iron safe. This
+he unlocked, and brought forth with great care a glass case which
+exactly fitted the safe. The frame of the case was made of golden
+rods; along the lower part of the front pane, in letters of gold, was
+the legend:
+
+ "If this Golden Butterfly fall and break,
+ Farewell the Luck of Gilead P. Beck."
+
+"Your poetry, Mr. Dunquerque," said Mr. Beck, pointing to the distich
+with pride. "Your own composition, sir, and my motto."
+
+Within the case was the Butterfly itself, but glorified. The bottom of
+the glass box was a thick sheet of pure gold, on which was fixed a
+rose, the leaves, flower, and stalk worked in dull gold. Not a fine
+work of art, perhaps, but a reasonably good rose, as good as that
+Papal rose they show in the Cluny Hotel. The Butterfly was poised upon
+the rose by means of thin gold wire, which passed round the strip of
+quartz which formed the body. The ends were firmly welded into the
+leaves of the flower, and when the case was moved the insect vibrated
+as if he was in reality alive.
+
+"There! Look at it, gentlemen. That is the inseck which has made the
+fortune of Gilead P. Beck."
+
+He addressed himself to both, but his eye rested on Jack with a look
+which showed that he regarded the young man with something more than
+friendliness. The man who fired that shot, the young fellow who saved
+him from a cruel death, was his David, the beloved of his soul.
+
+Ladds looked at it curiously, as if expecting some manifestation of
+the supernatural.
+
+"Is it a medium?" he asked. "Does it rap, or answer questions, or tell
+the card you are thinking of? Shall you exhibit the thing in the
+Egyptian Hall as a freak of Nature?"
+
+"No, sir, I shall not. But I will tell you what I did, if you will let
+me replace him in his box, where he sits and works for Me. No harm
+will come to him there, unless an airthquake happens. Sit down,
+general, and you too, Mr. Dunquerque. Here is a box of cigars, which
+ought to be good, and you will call for your own drink."
+
+It was but twelve o'clock, and therefore early for revivers of any
+sort. Finally, Mr. Beck ordered champagne.
+
+"That drink," he said, "as you get it here, is a compound calculated
+to inspirit Job in the thick of his misfortunes. But if there is any
+other single thing you prefer, and it is to be had in this almighty
+city, name that thing and you shall have it."
+
+Then he began:
+
+"I went off, after I left you, by the Pacific Railway--not the first
+time I travelled up and down that line--and I landed in New York. Mr.
+Colquhoun gave me a rig out, and you, sir,"--he nodded to Jack--"you,
+sir, gave me the stamps to pay the ticket."
+
+Jack, accused of this act of benevolence, naturally blushed a guilty
+acknowledgment.
+
+Mr. Gilead P. Beck made no reference to the gift either then or at any
+subsequent period. Nor did he ever offer to repay it, even when he
+discovered the slenderness of Jack's resources. That showed that he
+was a sensitive and sympathetic man. To offer a small sum of money in
+repayment of a free gift from an extraordinarily rich man to a very
+poor one is not a delicate thing to do. Therefore this gentleman of
+the backwoods abstained from doing it.
+
+"New York City," he continued, "is not the village I should recommend
+to a man without dollars in his pocket. London, where there is an
+institootion, or a charity, or a hospital, or a workhouse, or a
+hot-soup boiler in every street, is the city for that gentleman. Fiji,
+p'r'aps, for one who has a yearning after bananas and black
+civilisation. But not New York. No, gentlemen; if you go to New York,
+let it be when you've made your pile, and not before. Then you will
+find out that there air thirty theatres in the city, with lovely and
+accomplished actresses in each, and you can walk into Delmonico's as
+if the place belonged to you. But for men down on their luck, New York
+is a cruel place.
+
+"I left that city, and I made my way North. I wanted to see the old
+folks I left behind long ago in Lexington; I found them dead, and I
+was sorry. Then I went farther North. P'r'aps I was driven by the
+yellow toy hanging at my back. Anyhow, it was only six weeks after I
+left you that I found myself in the city of Limerick on Lake Ontario.
+
+"You do not know the city of Limerick, I dare say. It was not famous,
+nor was it pretty. In fact, gentlemen, it was the durndest misbegotten
+location built around a swamp that ever called itself a city. There
+were a few delooded farmers trying to persuade themselves that things
+would look up; there were a few down-hearted settlers wondering why
+they ever came there, and how they would get out again; and there were
+a few log-houses in a row which called themselves a street.
+
+"I got there, and I stayed there. Their carpenter was dead, and I am a
+handy man; so I took his place. Then I made a few dollars doing chores
+around."
+
+"What are chores?"
+
+"All sorts. The clocks were out of repair; the handles were coming off
+the pails; the chairs were without legs; the pump-handle crank; the
+very bell-rope in the meetin' house was broken. You never saw such a
+helpless lot. I did not stay among them because I loved them, but
+because I saw things."
+
+"Ghosts?" asked Ladds, with an eye to the supernatural.
+
+"No, sir. That was what they thought I saw when I went prowling around
+by myself of an evening. They thought too that I was mad when I began
+to buy the land. You could buy it for nothing; a dollar an acre; half
+a dollar an acre; anything an acre. I've mended a cart-wheel for a
+five-acre lot of swamp. They laughed at me. The children used to cry
+out when I passed along, 'There goes mad Beck.' But I bought all I
+could, and my only regret was that I couldn't buy up the hull
+township--clear off men, women, and children, and start fresh. Some
+more champagne, Mr. Dunquerque."
+
+"What was the Golden Butterfly doing all this time?" asked Ladds.
+
+"That faithful inseck, sir, was hanging around my neck, as when you
+were first introduced to him. He was whisperin' and eggin' me on,
+because he was bound to fulfil the old squaw's prophecy. Without my
+knowing it, sir, that prodigy of the world, who is as alive as you are
+at this moment, will go on whisperin' till such time as the rope's
+played out and the smash comes. Then he'll be silent again."
+
+He spoke with a solemn earnestness which impressed his hearers. They
+looked at the fire-proof safe with a feeling that at any moment the
+metallic insect might open the door, fly forth, and, after hovering
+round the room, light at Mr. Beck's ear, and begin to whisper words of
+counsel. Did not Mohammed have a pigeon? and did not Louis Napoleon at
+Boulogne have an eagle? Why should not Mr. Beck have a butterfly.
+
+"The citizens of Limerick, gentlemen, in that dismal part of Canada
+where they bewail their miserable lives, air not a people who have
+eyes to see, ears to hear, or brains to understand. I saw that they
+were walking--no, sleeping--over fields of incalculable wealth, and
+they never suspected. They smoked their pipes and ate their pork. But
+they never saw and they never suspected. Between whiles they praised
+the Lord for sending them a fool like me, something to talk about, and
+somebody to laugh at. They wanted to know what was in the little box;
+they sent children to peep in at my window of an evening and report
+what I was doing. They reported that I was always doing the same
+thing; always with a map of Limerick City and its picturesque and
+interestin' suburbs, staking out the ground and reckoning up my acres.
+That's what I did at night. And in the morning I looked about me, and
+wondered where I should begin."
+
+"What did you see when you looked about?"
+
+"I saw, sir, a barren bog. If it had been a land as fertile as the
+land of Canaan, that would not have made my heart to bound as it did
+bound when I looked across that swamp; for I never was a tiller or a
+lover of the soil. A barren bog it was. The barrenest, boggiest part
+of it all was my claim; when the natives spoke of it they called it
+Beck's Farm, and then the poor critturs squirmed in their chairs and
+laughed. Yes, they laughed. Beck's Farm, they said. It was the only
+thing they had to laugh about. Wal, up and down the face of that
+almighty bog there ran creeks, and after rainy weather the water stood
+about on the morasses. Plenty of water, but a curious thing, none of
+it fit to drink. No living thing except man would set his lips to that
+brackish, bad-smelling water. And that wasn't all; sometimes a thick
+black slime rose to the surface of the marsh and lay there an inch
+thick; sometimes you came upon patches of 'gum-beds,' as they called
+them, where the ground was like tar, and smelt strong. That is what I
+saw when I looked around, sir. And to think that those poor mean pork
+raisers saw it all the same as I did and never suspected! Only cursed
+the gifts of the Lord when they weren't laughing at Beck's Farm."
+
+"And you found--what? Gold?"
+
+"No. I found what I expected. And that was better than gold. Mind, I
+say nothing against gold. Gold has made many a pretty little
+fortune----"
+
+"Little!"
+
+"Little, sir. There's no big fortunes made out of gold. Though many a
+pretty villa-location, with a tidy flower-garden up and down the
+States, is built out of the gold-mines. Diamonds again. One or two men
+likes the name of diamonds; but not many. There's the disadvantage
+about gold and diamonds that you have to dig for them, and to dig
+durned hard, and to dig by yourself mostly. Americans do not love
+digging. Like the young gentleman in the parable, they cannot dig, and
+to beg they air ashamed. It is the only occupation that they air
+ashamed of. Then there's iron, and there's coals; but you've got to
+dig for them. Lord! Lord! This great airth holds a hundred things
+covered up for them who know how to look and do not mind digging. But,
+gentlemen, the greatest gift the airth has to bestow she gave to
+me--abundant, spontaneous, etarnal, without bottom, and free."
+
+"And that is----"
+
+"It is ILE."
+
+Mr. Beck paused a moment. His face was lit with a real and genuine
+enthusiasm, a pious appreciation of the choicer blessings of life;
+those, namely, which enable a man to sit down and enjoy the proceeds
+of other men's labour. No provision has been made in the prayer-book
+of any Church for the expression of this kind of thankfulness. Yet
+surely there ought to be somewhere a clause for the rich. No more
+blissful repose can fall upon the soul than, after long years of
+labour and failure, to sit down and enjoy the fruits of other men's
+labour. A Form of Thanksgiving for publishers, managers of theatres,
+owners of coal-mines, and such gentlemen as Mr. Gilead P. Beck, might
+surely be introduced into our Ritual with advantage. It would
+naturally be accompanied by incense.
+
+"It is Ile, sir."
+
+He opened another bottle of champagne and took a glass.
+
+"Ile. Gold you have to dig, to pick, to wash. Gold means rheumatism
+and a bent back. Ile flows, and you become suddenly rich. You make all
+the loafers around fill your pails for you. And then your bankers tell
+you how many millions of dollars you are worth."
+
+"Millions!" repeated Jack. "The word sounds very rich and luxurious."
+
+"It is so, sir. There's nothing like it in the Old Country. England is
+a beautiful place, and London is a beautiful city. You've got many
+blessin's in this beautiful city. If you haven't got Joe Tweed, you've
+got----"
+
+"Hush!" said Jack; "it's libellous to give names."
+
+"And if you haven't got Erie stock and your whiskey-rings, you've got
+your foreign bonds to take your surplus cash. No, gentlemen; London is
+not, in some respects, much behind New York. But one thing this
+country has not got, and that is--Ile.
+
+"It is nearly a year since I made up my mind to begin my well. I
+_knew_ it was there, because I'd been in Pennsylvania and learned
+the signs; it was only the question whether I should strike it, and
+where. The neighbours thought I was digging for water, and figured
+around with their superior intellecks, because they were certain the
+water would be brackish. Then they got tired of watching, and I worked
+on. Boring a well is not quite the sort of work a man would select for
+a pleasant and variegated occupation. I reckon it's monotonous; but I
+worked on. I knew what was coming; I thought o' that Indian squaw, and
+I always had my Golden Butterfly tied in a box at my back. I bored and
+I bored. Day after day I bored. In that lonely miasmatic bog I bored
+all day and best part of the night. For nothing came, and sometimes
+qualms crossed my mind that perhaps there would never be anything. But
+always there was the gummy mud, smelling of what I knew was below, to
+lead me on.
+
+"It was the ninth day, and noon. I had a shanty called the farmhouse,
+about a hundred yards from my well. And there I was taking my dinner.
+To you two young English aristocrats----"
+
+"Ladds' Cocoa, the only perfect fragrance."
+
+"Shut up, Ladds," growled Jack; "don't interrupt."
+
+"I say, to you two young aristocrats a farmer's dinner in that
+township would not sound luxurious. Mine consisted, on that day and
+all days, of cold boiled pork and bread."
+
+"Ah, yah!" said Jack Dunquerque, who had a proud stomach.
+
+"Yes, sir, my own remark every day when I sat down to that simple
+banquet. But when you are hungry you must eat, murmur though you will
+for Egyptian flesh-pots. Cold pork was my dinner, with bread. And the
+watter to wash it down with was brackish. In those days, gentlemen, I
+said no grace. It didn't seem to me that the most straight-walking
+Christian was expected to be more than tolerably thankful for cold
+pork. My gratitude was so moderate that it wasn't worth offering."
+
+"And while you were eating the pork," said Ladds, "the Golden
+Butterfly flew down the shaft by himself, and struck oil of his own
+accord."
+
+"No, sir; for once you are wrong. That most beautiful creation of
+Nature in her sweetest mood--she must have got up with the sun on a
+fine summer morning--was reposing in his box round my neck as usual.
+He did not go down the shaft at all. Nobody went down. But something
+came up--up like a fountain, up like the bubbling over of the airth's
+eternal teapot; a black muddy jet of stuff. Great sun! I think I see
+it now."
+
+He paused and sighed.
+
+"It was nearly all Ile, pure and unadulterated, from the world's
+workshop. Would you believe it, gentlemen? There were not enough
+bar'ls, not by hundreds, in the neighbourhood all round Limerick City,
+to catch that Ile. It flowed in a stream three feet down the creek; it
+was carried away into the lake and lost; it ran free and uninterrupted
+for three days and three nights. We saved what we could. The
+neighbours brought their pails, their buckets, their basins, their
+kettles; there was not a utensil of any kind that was not filled with
+Ile, from the pig's trough to the child's pap-bowl. Not one. It ran
+and it ran. When the first flow subsided we calculated that seven
+million bar'ls had been wasted and lost. Seven millions! I am a
+Christian man, and grateful to the Butterfly, but I sometimes repine
+when I think of that wasted Ile. Every bar'l worth nine dollars at
+least, and most likely ten. Sixty-three millions of dollars. Twelve
+millions of pounds sterling lost in three days for want of a few
+coopers. Did you ever think, Mr. Dunquerque, what you could do with
+twelve millions sterling?"
+
+"I never did," said Jack. "My imagination never got beyond thousands."
+
+"With twelve millions I might have bought up the daily press of
+England, and made you all republicans in a month. I might have made
+the Panama Canal; I might have bought Palesteen and sent the Jews
+back; I might have given America fifty ironclads; I might have put Don
+Carlos on the throne of Spain. But it warn't to be. Providence wants
+no rivals, meddling and messing. That was why the Ile ran away and was
+lost while I ate the cold boiled pork. Perhaps it's an interestin'
+fact that I never liked cold boiled pork before, and I have hated it
+ever since.
+
+"The great spurt subsided, and we went to work in earnest. That well
+has continued to yield five hundred bar'ls daily. That is four
+thousand five hundred dollars in my pocket every four and twenty
+hours."
+
+"Do you mean that your income is nine hundred pounds a day?" asked
+Jack.
+
+"I do, sir. You go your pile on that. It is more, but I do not know
+how much more. Perhaps it's twice as much. There are wells of mine
+sunk all over the place; the swamp is covered with Gilead P. Beck's
+derricks. The township of Limerick has become the city of
+Rockoleaville--my name, that was--and a virtuous and industrious
+population are all engaged morning, noon, and night in fillin' my
+pails. There's twenty-five bars, I believe, at this moment. There are
+three meetin'-houses and two daily papers, and there air fifteen
+lawyers."
+
+"It seems better than Cocoa Nibs," said Ladds.
+
+"But the oil may run dry."
+
+"It _has_ run dry in Pennsylvania. That is so, and I do not deny
+it. But Ile will not run dry in Rockoleaville. I have been thinking
+over the geological problem, and I have solved it, all by myself."
+
+"What is this world, gentlemen?"
+
+"A round ball," said Jack, with the promptitude of a Board schoolboy
+and the profundity of a Woolwich cadet.
+
+"Sir, it is like a great orange. It has its outer rind, what they call
+the crust. Get through that crust and what do you find?"
+
+"More crust," replied Ladds, who was not a competition-wallah.
+
+"Did you ever eat pumpkin-pie, sir?" Mr. Beck replied, _more
+Socratico_, by asking another question. "And if you did, was your
+pie all crust? Inside that pie, sir, was pumpkin, apple, and juice. So
+inside the rind of the earth there may be all sorts of things: gold
+and iron, lava, diamonds, coals; but the juice, the pie-juice, is Ile.
+You tap the rind and you get the Ile. This Ile will run, I calculate,
+for five thousand and fifty-two years, if they don't sinfully waste
+it, at an annual consumption of eighteen million bar'ls. Now that's a
+low estimate when you consider the progress of civilisation. When it
+is all gone, perhaps before, this poor old airth will crack up like an
+empty egg."
+
+This was an entirely new view of geology, and it required time for Mr.
+Beck's hearers to grasp the truth thus presented to their minds. They
+were silent.
+
+"At Rockoleaville," he went on, "I've got the pipe straight into the
+middle of the pie, and right through the crust. There's no mistake
+about that main shaft. Other mines may give out, but my Ile will run
+for ever."
+
+"Then we may congratulate you," said Jack, "on the possession of a
+boundless fortune."
+
+"You may, sir."
+
+"And what do you intend to do?"
+
+"For the present I shall stay in London. I like your great city. Here
+I get invited to dinner and dancin', because I am an American and
+rich. There they won't have a man who is not thoroughbred. Your friend
+Mrs. Cassilis asks me to her house--a first-rater. A New York lady
+turns up her pretty nose at a man who's struck Ile. 'Shoddy,' she
+says, and then she takes no more notice. Shoddy it may be. Rough my
+manners may be. But I don't pretend to anything, and the stamps air
+real."
+
+"We always thought ourselves exclusive," said Jack.
+
+"Did you, sir? Wall----" He stopped, as if he had intended to say
+something unpleasantly true. "I shall live in London for the present.
+I've got a big income, and I don't rightly know what to do with it.
+But I shall find out some time.
+
+"That was a lovely young thing with Mrs. Cassilis the other night," he
+went on meditatively. "A young thing that a man can worship for her
+beauty while she is young, and her goodness all her life. Not like an
+American gal. Ours are prettier, but they look as if they would blow
+away. And their voices are not so full. Miss Fleming is flesh and
+blood. Don't blush, Mr. Dunquerque, because it does you credit."
+
+Jack did blush, and they took their departure.
+
+"Mr. Dunquerque," whispered Gilead P. Beck when Ladds was through the
+door, "think of what I told you; what is mine is yours. Remember that.
+If I can do anything for you, let me know. And come to see me. It does
+me good to look at your face. Come here as often as you can."
+
+Jack laughed and escaped.
+
+
+
+
+CHAPTER IX.
+
+ "By my modesty,
+The jewel in my dower, I would not wish
+Any companion in the world but you."
+
+
+Jack Dunquerque was no more remarkable for shrinking modesty than any
+other British youth of his era; but he felt some little qualms as he
+walked towards Bloomsbury the day after Mrs. Cassilis's dinner to
+avail himself of Phillis's invitation.
+
+Was it coquetry, or was it simplicity?
+
+She said she would be glad to see him at luncheon. Who else would be
+there?
+
+Probably a Mrs. Jagenal--doubtless the wife of the heavy man who
+brought Miss Fleming to the party; herself a solid person in black
+silk and a big gold chain; motherly with the illiterate Dryad.
+
+"Houses mighty respectable," he thought, penetrating into Carnarvon
+Square. "Large incomes; comfortable quarters; admirable port, most
+likely, in most of them; claret certainly good, too--none of your
+Gladstone tap; sherry probably rather coarse. Must ask for Mrs.
+Jagenal, I suppose."
+
+He did ask for Mrs. Jagenal, and was informed by Jane that there was
+no such person, and that, as she presently explained with warmth, no
+such person was desired by the household. Jack Dunquerque thereupon
+asked for Mr. Jagenal. The maid asked which Mr. Jagenal. Jack replied
+in the most irritating manner possible--the Socratic--by asking
+another question. The fact that Socrates went about perpetually asking
+questions is quite enough to account for the joy with which an
+exasperated mob witnessed his judicial murder. The Athenians bore for
+a good many years with his maddening questions--as to whether this way
+or that way or how--and finally lost patience. Hence the little bowl
+of drink.
+
+Quoth Jack, "How many are there of them?"
+
+Jane looked at the caller with suspicion. He seemed a gentleman, but
+appearances are deceptive. Suppose he came for what he could pick up?
+The twins' umbrellas were in the hall, and their great-coats. He
+laughed, and showed an honest front; but who can trust a London
+stranger? Jane remembered the silver spoons now on the luncheon-table,
+and began to think of shutting the door in his face.
+
+"You can't be a friend of the family," she said, "else you'd know the
+three Mr. Jagenals by name, and not come here showing your ignorance
+by asking for Mrs. Jagenal. Mrs. Jagenal indeed! Perhaps you'd better
+call in the evening and see Mr. Joseph."
+
+"I am not a friend of the family," he replied meekly. "I wish I was.
+But Miss Fleming expects me at this hour. Will you take in my card?"
+
+He stepped into the hall, and felt as if the fortress was won. Phillis
+was waiting for him in the dining-room, where, he observed, luncheon
+was laid for two. Was he, then, about to be entertained by the young
+lady alone?
+
+If she looked dainty in her white evening dress, she was far daintier
+in her half-mourning grey frock, which fitted so tightly to her
+slender figure, and was set off by the narrow black ribbon round her
+neck which was her only ornament; for she carried neither watch nor
+chain, and wore neither ear-rings nor finger-rings. This heiress was
+as innocent of jewelry as any little milliner girl of Bond Street, and
+far more happy, because she did not wish to wear any.
+
+"I thought you would come about this time," she said, with the
+kindliest welcome in her eyes; "and I waited for you here. Let us sit
+down and take luncheon."
+
+Mr. Abraham Dyson never had any visitors except for dinner or
+luncheon; so that Phillis naturally associated an early call with
+eating.
+
+"I always have luncheon by myself," explained the young hostess; "so
+that it is delightful to have some one who can talk."
+
+She sat at the head of the table, Jack taking his seat at the side.
+She looked fresh, bright, and animated. The sight of her beauty even
+affected Jack's appetite, although it was an excellent luncheon.
+
+"This curried fowl," she went on. "It was made for Mr. Jagenal's
+brothers; but they came down late, and were rather cross. We could not
+persuade them to eat anything this morning."
+
+"Are they home for the holidays?"
+
+Phillis burst out laughing--such a fresh, bright, spontaneous laugh.
+Jack laughed too, and then wondered why he did it.
+
+"Home for the holidays! They are always home, and it is always a
+holiday with them."
+
+"Do you not allow them to lunch with you?"
+
+She laughed again.
+
+"They do not breakfast till ten or eleven."
+
+Jack felt a little fogged, and waited for further information.
+
+"Will you take beer or claret? No, thank you; no curry for me. Jane,
+Mr. Dunquerque will take a glass of beer. How beautiful!" she went on,
+looking steadily in the young man's face, to his confusion--"how
+beautiful it must be to meet a man whose life you have saved! I should
+like--once--just once--to do a single great action, and dream of it
+ever after."
+
+"But mine was not a great action. I shot a bear which was following
+Mr. Beck and meant mischief; that is all."
+
+"But you might have missed," said Phillis, with justice. "And then Mr.
+Beck would have been killed."
+
+Might have missed! How many V.C.'s we should have but for that simple
+possibility! Might have missed! And then Gilead Beck would have been
+clawed, and the Golden Butterfly destroyed, and this history never
+have reached beyond its first chapter. Above all, Phillis might never
+have known Jack Dunquerque.
+
+"And you are always alone in this great house?" he asked, to change
+the subject.
+
+"Only in the day-time. Mr. Joseph and I breakfast at eight. Then I
+walk with him as far as his office in Lincoln's Inn-Fields, now that I
+know the way. At first he used to send one of his clerks back with me,
+for fear of my being lost. But I felt sorry for the poor young man
+having to walk all the way with a girl like me, and so I told him,
+after the second day, that I was sure he longed to be at his writing,
+and I would go home by myself."
+
+"No doubt," said Jack, "he was rejoiced to go back to his pleasant and
+exciting work. All lawyers' clerks are so well paid, and so happy in
+their occupation, that they prefer it even to walking with a--a--a
+Dryad."
+
+Phillis was dimly conscious that there was more in these words than a
+literal statement. She was as yet unacquainted with the figures of
+speech which consist of saying one thing and meaning another, and she
+made a mental note of the fact that lawyers' clerks are a happy and
+contented race. It adds something to one's happiness to know that
+others are also happy.
+
+"And the boys--Mr. Jagenal's brothers?"
+
+"They are always asleep from two to six. Then they come down to
+dinner, and talk of the work they have done. Don't you know them? Oh,
+they are not boys at all! One is Cornelius. He is a great poet. He is
+writing a long epic poem called the _Upheaving of Ælfred_. Humphrey,
+his brother, says it will be the greatest work of this century. But I
+do not think very much is done. Humphrey is a great artist, you know.
+He is engaged on a splendid picture--at least it will be splendid when
+it is finished. At present nothing is on the canvas. He says he is
+studying the groups. Cornelius says it will be the finest artistic
+achievement of the age. Will you have some more beer? Jane, give Mr.
+Dunquerque a glass of sherry. And now let us go into the drawing-room,
+and you shall tell me all about my guardian, Lawrence Colquhoun."
+
+In the hall a thought struck the girl.
+
+"Come with me," she said; "I will introduce you to the Poet and the
+Painter. You shall see them at work."
+
+Her eyes danced with delight as she ran up the stairs, turning to see
+if her guest followed. She stopped at a door, the handle of which she
+turned with great care. Jack mounted the stairs after her.
+
+It was a large and well-furnished room. Rows of books stood in order
+on the shelves. A bright fire burned on the hearth. A portfolio was on
+the table, with a clean inkstand and an unsullied blotting-pad. By the
+fire sat, in a deep and very comfortable easy-chair, the poet, sound
+asleep.
+
+"There!" she whispered. "In the portfolio is the great poem. Look at
+it."
+
+"We ought not to look at manuscripts, ought we?"
+
+"Not if there is anything written. But there isn't. Of course, I may
+always turn over any pages, because I cannot read."
+
+She turned them over. Nothing but blank sheets, white in virgin
+purity.
+
+Cornelius sat with his head a little forward, breathing rather
+noisily.
+
+"Isn't it hard work?" laughed the girl. "Poor fellow, isn't it
+exhaustive work? Let me introduce you. Mr. Cornelius Jagenal, Mr.
+Ronald Dunquerque." Jack bowed to the sleeping bard. "Now you know
+each other. That is what Mr. Dyson used always to say. Hush! we might
+wake him up and interrupt--the Work. Come away, and I will show you
+the Artist."
+
+Another room equally well furnished, but in a different manner. There
+were "properties": drinking-glasses of a deep ruby red, luminous and
+splendid, standing on the shelves; flasks of a dull rich green; a
+model in armour; a lay figure, with a shawl thrown over the head and
+looped up under the arm; a few swords hanging upon the walls; curtains
+that caught the light and spread it over the room in softened
+colouring; and by the fire a couch, on which lay, sleeping, Humphrey
+with the wealth of silky beard.
+
+There was an easel, and on it a canvas. This was as blank as
+Cornelius's sheets of paper.
+
+"Permit me again," said the girl. "Mr. Humphrey Jagenal, Mr. Ronald
+Dunquerque. Now you know each other."
+
+Jack bowed low to the genius.
+
+Phillis, her eyes afloat with fun, beckoned the young man to the
+table. Pencil and paper lay there. She sat down and drew the sleeping
+painter in a dozen swift strokes. Then she looked up, laughing:
+
+"Is that like him?"
+
+Jack could hardly repress a cry of admiration.
+
+"I am glad you think it good. Please write underneath, 'The Artist at
+work.' Thank you. Is that it? We will now pin it on the canvas. Think
+what he will say when he wakes up and sees it."
+
+They stole out again as softly as a pair of burglars.
+
+"Now you have seen the Twins. They are really very nice, but they
+drink too much wine, and sit up late. In the morning they are
+sometimes troublesome, when they won't take their breakfast; but in
+the evening, after dinner, they are quite tractable. And you see how
+they spend their day."
+
+"Do they never do any work at all?"
+
+"I will tell you what I think," she replied gravely. "Mr. Dyson used
+to tell me of men who are so vain that they are ashamed to give the
+world anything but what they know to be the best. And the best only
+comes by successive effort. So they wait and wait, till the time goes
+by, and they cannot even produce second-rate work. I think the Twins
+belong to that class of people."
+
+By this time they were in the drawing-room.
+
+"And now," said Phillis, "you are going to tell me all about my
+guardian."
+
+"Tell me something more about yourself first," said Jack, not caring
+to bring Mr. Lawrence Colquhoun into the conversation just yet. "You
+said last night that you would show me your drawings."
+
+"They are only pencil and pen-and-ink sketches." Phillis put a small
+portfolio on the table and opened it. "This morning Mr. Joseph took me
+to see an exhibition of paintings. Most of the artists in that
+exhibition cannot draw, but some can--and then--Oh!"
+
+"They cannot draw better than you, Miss Fleming, I am quite sure."
+
+She shook her head as Jack spoke, turning over the sketches.
+
+"It seems so strange to be called Miss Fleming. Everybody used to call
+me Phillis."
+
+"Was--was everybody young?" Jack asked, with an impertinence beyond
+his years.
+
+"No; everybody was old. I suppose young people always call each other
+by their christian names. Yours seems to be rather stiff. Ronald,
+Ronald--I am afraid I do not like it very much."
+
+"My brothers and sisters, uncles and aunts, cousins and kinsfolk--the
+people who pay my debts and therefore love me most--call me Ronald.
+But everybody else calls me Jack."
+
+"Jack!" she murmured. "What a pretty name Jack is! May I call you
+Jack?"
+
+"If you only would!" he cried, with a quick flushing of his cheek. "If
+you only would! Not when other people are present, but all to
+ourselves, when we are together like this. That is, if you do not
+mind."
+
+Could the Serpent, when he cajoled Eve, have begun in a more subtle
+and artful manner? One is ashamed for Jack Dunquerque.
+
+"I shall always call you Jack, then, unless when people like Mrs.
+Cassilis are present."
+
+"And what am I to call you?"
+
+"My name is Phillis, you know." But she knew, because her French maid
+had told her, that some girls have names of endearment, and she
+hesitated a little, in hope that Jack would find one for her.
+
+He did. She looked him so frankly and freely in the face that he took
+courage, and said with a bold heart:
+
+"Phillis is a very sweet name. You know the song, 'Phillis is my only
+joy?' I ought to call you Miranda, the Princess of the Enchanted
+Island. But it would be prettier to call you Phil."
+
+"Phil!" Her lips parted in a smile of themselves as she shaped the
+name. It is a name which admits of expression. You may lengthen it out
+if you like; you may shorten it you like. "Phil! That is very pretty.
+No one ever called me Phil before."
+
+"And we will be great friends, shall we not?"
+
+"Yes, great friends. I have never had a friend at all."
+
+"Let us shake hands over our promise. Phil, say, 'Jack Dunquerque, I
+will try to like you, and I will be your friend.'"
+
+"Jack Dunquerque," she placed her hands, both of them, in his and
+began to repeat, looking in his face quite earnestly and solemnly, "I
+will try--that is nonsense, because I _do_ like you very much
+already; and I will always be your friend, if you will be mine and
+will let me."
+
+Then he, with a voice that shook a little, because he knew that this
+was very irregular and even wrong, but that the girl was altogether
+lovable, and a maiden to be desired, and a queen among girls, and too
+beautiful to be resisted, said his say:
+
+"Phil, I think you are the most charming girl I have ever seen in all
+my life. Let me be your friend always, Phil. Let me"--here he stopped,
+with a guilty tremor in his voice--"I hope--I hope--that you will
+always go on liking me more and more."
+
+He held both her pretty shapely hands in his own. She was standing a
+little back, with her face turned up to his, and a bright fearless
+smile upon her lips and in her eyes. Oh, the eyes that smile before
+the lips!
+
+"Some people seal a bargain," he went on, hesitating and stammering,
+"after the manner of the--the--early Christians--with a kiss. Shall
+we, Phil?"
+
+Before she caught the meaning of his words he stooped and drew her
+gently towards him. Then he suddenly released her. For all in a moment
+the woman within her, unknown till that instant, was roused into life,
+and she shrank back--without the kiss.
+
+Jack hung his head in silence. Phil, in silence, too, stood opposite
+him, her eyes upon the ground.
+
+She looked up stealthily and trembled.
+
+Jack Dunquerque was troubled as he met her look.
+
+"Forgive me, Phil," he said humbly. "It was wrong--I ought not. Only
+forgive me, and tell me we shall be friends all the same."
+
+"Yes," she replied, not quite knowing what she said; "I forgive you.
+But, Jack, please don't do it again."
+
+Then he returned to the drawings, sitting at the table, while she
+stood over him and told him what they were.
+
+There was no diffidence or mock-modesty at all about her. The drawings
+were her life, and represented her inmost thoughts. She had never
+shown them all together to a single person, and now she was laying
+them all open before the young man whom yesterday she had met for the
+first time.
+
+It seemed to him as if she were baring her very soul for him to read.
+
+"I like to do them," she said, "because then I can recall everything
+that I have done or seen. Look! Here is the dear old house at
+Highgate, where I stayed for thirteen years without once going beyond
+its walls. Ah, how long ago it seems, and yet it is only a week since
+I came away! And everything is so different to me now."
+
+"You were happy there, Phil?"
+
+"Yes; but not so happy as I am now. I did not know you then, Jack."
+
+He beat down the temptation to take her in his arms and kiss her a
+thousand times. He tried to sit calmly critical over the drawings. But
+his hand shook.
+
+"Tell me about it all," he said softly.
+
+"These are the sketches of my Highgate life. Stay; this one does not
+belong to this set. It is a likeness of you, which I drew last night
+when I came home."
+
+"Did you really draw one of me? Let me have it. Do let me have it."
+
+"It was meant for your face. But I could do a better one now. See,
+this is Mr. Beck, the American gentleman; and this is Captain Ladds.
+This is Mr. Cassilis."
+
+They were the roughest unfinished things, but she had seized the
+likeness in every one.
+
+Jack kept his own portrait in his hand.
+
+"Let me keep it."
+
+"Please, no; I want that one for myself."
+
+Once more, and for the last time in his life, a little distrust
+crossed Jack Dunquerque's mind. Could this girl, after all, be only
+the most accomplished of all coquettes? He looked up at her face as
+she stood beside him, and then abused himself for treachery to love.
+
+"It is like me," he said, looking at the pencil portrait; "but you
+have made me too handsome."
+
+She shook her head.
+
+"You _are_ very handsome, I think," she said gravely.
+
+He was not, strictly speaking, handsome at all. He was rather an ugly
+youth, having no regularity of features. And it was a difficult face
+to draw, because he wore no beard--nothing but a light moustache to
+help it out.
+
+"Phil, if you begin to flatter me you will spoil me; and I shall not
+be half so good a friend when I am spoiled. Won't you give this to
+me?"
+
+"No; I keep my portfolio all to myself. But I will draw a better one,
+if you like, of you, and finish it up properly, like this."
+
+She showed him a pencil-drawing of a face which Rembrandt himself
+would have loved to paint. It was the face of an old man, wrinkled and
+crows-footed.
+
+"That is my guardian, Mr. Dyson. I will draw you in the same style.
+Poor dear guardian! I think he was very fond of me."
+
+Another thought struck the young man.
+
+"Phil, will you instead make me a drawing--of your own face?"
+
+"But can you not do it for yourself?"
+
+"I? Phil, I could not even draw a haystack."
+
+"What a misfortune! It seems worse than not being able to read."
+
+"Draw me a picture of yourself, Phil."
+
+She considered.
+
+"Nobody ever asked me to do that yet. And I never drew my own face. It
+would be nice, too, to think that you had a likeness of me,
+particularly as you cannot draw yourself. Jack, would you mind if it
+were not much like me?"
+
+"I should prefer it like you. Please try. Give me yourself as you are
+now. Do not be afraid of making it too pretty."
+
+"I will try to make it like. Here is Mrs. Cassilis. She did not think
+it was very good."
+
+"Phil, you are a genius. Do you know that? I hold you to your promise.
+You will draw a portrait of yourself, and I will frame it and hang it
+up--no, I won't do that; I will keep it myself, and look at it when no
+one is with me."
+
+"That seems very pleasant," said Phil, reflecting. "I should like to
+think that you are looking at me sometimes. Jack, I only met you
+yesterday, and we are old friends already."
+
+"Yes; quite old familiar friends, are we not? Now tell all about
+yourself."
+
+She obeyed. It was remarkable how readily she obeyed the orders of
+this new friend, and told him all about her life with Mr. Dyson--the
+garden and paddock, out of which she never went, even to church; the
+pony, the quiet house, and the quiet life with the old man who taught
+her by talking; her drawing and her music; and her simple wonder what
+life was like outside the gates.
+
+"Did you never go to church, Phil?"
+
+"No; we had prayers at home; and on Sunday evenings I sang hymns."
+
+Clearly her religions education had been grossly neglected. "Never
+heard of a Ritualist," thought Jack, with a feeling of gladness.
+"Doesn't know anything about vestments; isn't learned in school
+feasts; and never attended a tea-meeting. This girl is a Phoenix."
+Why--why was he a Younger Son?
+
+"And is Mr. Cassilis a relation of yours?"
+
+"No; Mr. Cassilis is Mr. Dyson's nephew. All Mr. Dyson's fortune is
+left to found an institution for educating girls as I was
+educated----"
+
+"Without reading or writing?"
+
+"I suppose so. Only, you see, it is most unfortunate that my own
+education is incomplete, and they cannot carry out the testator's
+wishes, Mr. Jagenal tells me, because they have not been able to find
+the concluding chapters of his book. Mr. Dyson wrote a book on it, and
+the last chapter was called the 'Coping-stone.' I do not know what
+they will do about it. Mr. Cassilis wants to have the money divided
+among the relations, I know. Isn't it odd? And he has so much
+already."
+
+"And I have got none."
+
+"O Jack! take some of mine--do! I know I have such a lot somewhere;
+and I never spend anything."
+
+"You are very good, Phil; but that will hardly be right. But do you
+know it is five o'clock? We have been talking for three hours. I must
+go--alas, I must go!"
+
+"And you have told me nothing at all yet about Mr. Colquhoun."
+
+"When I see you next I will tell you what I know of him. Good-bye,
+Phil."
+
+"Jack, come and see me again soon."
+
+"When may I come? Not to-morrow--that would be too soon. The day
+after. Phil, make me the likeness, and send it to me by post. I forgot
+you cannot write."
+
+He wrote his address on a sheet of foolscap.
+
+"Fold it in that, with this address outside, and post it to me. Come
+again, Phil? I should like to come every day, and stay all day." He
+pressed her hand and was gone.
+
+Phillis remained standing where he left her. What had happened to her?
+Why did she feel so oppressed? Why did the tears crowd her eyes? Five
+o'clock. It wanted an hour of dinner, when she would have to talk to
+the Twin brethren. She gathered up her drawings and retreated to her
+own room. As she passed Humphrey's door, she heard him saying to Jane:
+
+"The tea, Jane? Have I really been asleep? A most extraordinary thing
+for me."
+
+"Now he will see the drawing of the 'Artist at Work,'" thought
+Phillis. But she did not laugh at the idea, as she had done when she
+perpetrated the joke. She had suddenly grown graver.
+
+She began her own likeness at once. But she could not satisfy herself.
+She tore up half a dozen beginnings. Then she changed her mind. She
+drew a little group of two. One was a young man, tall, shapely,
+gallant, with a queer attractive face, who held the hands of a girl in
+his, and was bending over her. Somehow a look of love, a strange and
+new expression, which she had never seen before in human eyes, lay in
+his. She blushed while she drew her own face looking up in that other,
+and yet she drew it faithfully, and was only half conscious how sweet
+a face she drew and how like it was to her own. Nor could she
+understand why she felt ashamed.
+
+"Come again soon, Jack."
+
+The words rang in the young man's ears, but they rang like bells of
+accusation and reproach. This girl, so sweet, so fresh, so
+unconventional, what would she think when she learned, as she must
+learn some day, how great was his sin against her? And what would
+Lawrence Colquhoun say! And what would the lawyer say? And what would
+the world say?
+
+The worst was that his repentance would not take the proper course. He
+did not repent of taking her hands--he trembled and thrilled when he
+thought of it--he only repented of the swiftness with which the thing
+was done, and was afraid of the consequences.
+
+"And I am only a Younger Son, Tommy"--he made his plaint to Ladds, who
+received a full confession of the whole--"only a Younger Son, with
+four hundred a year. And she's got fifty thousand. They will say I
+wanted her money. I wish she had nothing but the sweet grey dress----"
+
+"Jack, don't blaspheme. Goodness sometimes palls; beauty always fades;
+grey dresses certainly wear out; figures alter for the worse; the
+funds remain. I am always thankful for the thought which inspired
+Ladds' Perfect Cocoa. The only true Fragrance. Aroma and Nutrition."
+
+Humphrey did not discover the little sketch before dinner, so that his
+conversation was as animated and as artistic as usual. At two o'clock
+in the morning he discovered it. And at three o'clock the Twins, after
+discussing the picture with its scoffing legend in all its bearings,
+went to bed sorrowful.
+
+
+
+
+CHAPTER X.
+
+ "I have in these rough words shaped out a man
+ Whom this beneath world doth embrace and hug
+ With amplest entertainment."
+
+
+Mr. Gabriel Cassilis, who, like Julius Cæsar and other illustrious
+men, was always spoken of by both his names, stepped from his carriage
+at the door of the Langham Hotel and slowly walked up the stairs to
+Mr. Beck's room. He looked older, longer, and thinner in the morning
+than in the evening. He carried his hands behind him and bore a look
+of pre-occupation and care. The man of unlimited credit was waiting
+for him, and, with his first cigar, pacing the room with his hands in
+his pockets.
+
+"I got your letter," said Mr. Cassilis, "and telegraphed to you
+because I was anxious not to miss you. My time is valuable--not so
+valuable as yours, but still worth something."
+
+He spread his hands palm downwards, and at right angles to the
+perpendicular line of his body, had that been erect. But it was
+curved, like the figure of the man with the forelock.
+
+"Still worth something," he repeated. "But I am here, Mr. Beck, and
+ready to be of any service that I can."
+
+"My time is worth nothing," said the American, "because my work is
+done for me. When I was paid by the hour, it was worth the hour's
+pay."
+
+"But now," Mr. Cassilis interposed, "it is worth at the rate
+of your yearly income. And I observe that you have unlimited
+credit--un-lim-it-ed credit. That is what we should hardly give
+to a Rothschild."
+
+He wanted to know what unlimited credit really meant. It was a thing
+hitherto beyond his experience.
+
+"It is my Luck," said Mr. Beck. "Ile, as everybody knows, is not to be
+approached. You may grub for money like a Chinee, and you may scheme
+for it like a Boss in a whisky-ring. But for a steady certain flow
+there is nothing like Ile. And I, sir, have struck Ile as it never was
+struck before, because my well goes down to the almighty reservoir of
+this great world."
+
+"I congratulate you, Mr. Beck."
+
+"And I have ventured, sir, on the strength of that introductory
+letter, to ask you for advice. 'Mr. Cassilis,' I was told, 'has the
+biggest head in all London for knowledge of money.' And, as I am going
+to be the biggest man in all the States for income, I come to you."
+
+"I am not a professional adviser, Mr. Beck. What I could do for you
+would not be a matter of business. It is true that, as a friend only,
+I might advise you as to investments. I could show you where to place
+money and how to use it."
+
+"Sir, you double the obligation. In America we do nothing without an
+equivalent. Here men seem to work as hard without being paid as those
+who get wages. Why, sir, I hear that young barristers do the work of
+others and get nothing for it; doctors work for nothing in hospitals;
+and authors write for publishers and get nothing from them. This is a
+wonderful country."
+
+Mr. Cassilis, at any rate, had never worked for nothing. Nor did he
+propose to begin now. But he did not say so.
+
+He sat nursing his leg, looking up at the tall American who stood over
+him. They were two remarkable faces, that thus looked into each other.
+The American's was grave and even stern. But his eyes were soft. The
+Englishman's was grave also. But his eyes were hard. They were not
+stealthy, as of one contemplating a fraud, but they were curious and
+watchful, as of one who is about to strike and is looking for the
+fittest place--that is, the weakest.
+
+"Will you take a drink, Mr. Cassilis?"
+
+"A--a--a drink?" The invitation took him aback altogether, and
+disturbed the current of his thoughts. "Thank you, thank you.
+Nothing."
+
+"In the silver-mines I've seen a man threatened with a bowie for
+refusing a drink. And I've known temperate men anxious for peace take
+drinks, when they were offered, till their back teeth were under
+whisky. But I know your English custom, Mr. Cassilis. When you don't
+feel thirsty you say so. Now let us go on, sir."
+
+"Our New York friend tells me, Mr. Beck, that you would find it
+difficult to spend your income."
+
+Mr. Beck brightened. He sat down and assumed a confidential manner.
+
+"That's the hitch. That's what I am here for. In America you may chuck
+a handsome pile on yourself. But when you get out of yourself, unless
+you were to buy a park for the people in the centre of New York City,
+I guess you would find it difficult to get rid of your money."
+
+"It depends mainly on the amount of that money."
+
+"We'll come to figures, sir, and you shall judge as my friendly
+adviser. My bar'ls bring me in, out of my first well, 2,500 dollars,
+and that's £500 a day, without counting Sundays. And there's a dozen
+wells of mine around, not so good, that are worth between them another
+£800 a day."
+
+Mr. Cassilis gasped.
+
+"Do you mean, Mr. Beck, do you actually mean that you are drawing a
+profit, a clear profit, of more than £1,300 a day from your rock-oil
+shafts?"
+
+"That is it, sir--that is the lowest figure. Say £1,500 a day."
+
+"And how long has this been going on?"
+
+"Close upon ten months."
+
+Mr. Cassilis produced a pencil and made a little calculation.
+
+"Then you are worth at this moment, allowing for Sundays, at least a
+quarter of a million sterling."
+
+"Wall, I think it is near that figure. We can telegraph to New York,
+if you like, to find out. I don't quite know within a hundred
+thousand."
+
+"And a yearly income of £500,000, Mr. Beck!" said Mr. Cassilis, rising
+solemnly. "Let me--allow me to shake hands with you again. I had no
+idea, not the slightest idea, in asking you to my house the other day,
+that I was entertaining a man of so much weight and such enormous
+power."
+
+He shook hands with a mixture of deference and friendship. Then he
+looked again, with a watchful glance, at the tall and wiry American
+with the stern face, the grave eyes, the mobile lips, and the muscular
+frame, and sat down and began to soliloquise.
+
+"We are accustomed to think that nothing can compare with the great
+landholders of this country and Austria. There are two or three
+incomes perhaps in Europe, not counting crowned heads, which approach
+your own, Mr. Beck, but they are saddled. Their owners have great
+houses to keep up; armies of servants to maintain; estates to nurse;
+dilapidations to make good; farmers to satisfy; younger sons to
+provide for; poor people to help by hundreds; and local charities to
+assist. Why, I do not believe, when all has been provided for, that a
+great man, say the Duke of Berkshire, with coal-mines and quarries,
+Scotch, Irish, Welsh, and English estates, has more to put by at the
+end of the year than many a London merchant."
+
+"That is quite right," said Mr. Beck; "a merchant must save, because
+he may crack up; but the land don't run away. When you want stability,
+you must go to the Airth. Outside there's the fields, the rivers, the
+hills. Inside there's the mines, and there's Ile for those who can
+strike it."
+
+"What an income!" Mr. Cassilis went on. "Nothing to squander it on. No
+duties and no responsibilities. No tenants; no philanthropy; no
+frittering away of capital. You _can't_ spend a tenth part of it
+on yourself. And the rest accumulates and grows--grows--spreads and
+grows." He spread out his hands, and a flush of envy came into his
+cheeks. "Mr. Beck, I congratulate you again."
+
+"Thank you, sir."
+
+"I see, Mr. Beck--you are yet an unmarried man, I believe, and without
+children--I foresee boundless possibilities. You may marry and found a
+great family; you may lay yourself out for making a fortune so great
+that it may prove a sensible influence on the course of events. You
+may bequeath to your race the tradition of good fortune and the habit
+of making money."
+
+"My sons may take care of themselves," said Mr. Beck; "I want to spend
+money, not to save it."
+
+It was remarkable that during all this generous outburst of vicarious
+enthusiasm Mr. Beck's face showed no interest whatever. He had his
+purpose, but it was not the purpose of Mr. Cassilis. To found a
+family, to become a Rothschild, to contract loans--what were these
+things to a man who felt strongly that he had but one life, that he
+wished to make the most of it, and that the world after him might get
+on as it could without his posthumous interference?
+
+"Listen Mr. Beck, for one moment. Your income is £500,000 a year. You
+may spend on your own simple wants £5,000. Bah! a trifle--not a
+quarter of the interest. You save the whole; in ten years you have
+three millions. You are still under fifty?"
+
+"Forty-five, sir."
+
+"I wish I was forty-five. You may live and work for another quarter of
+a century. In that time you ought to be worth twelve millions at
+least. Twelve millions!"
+
+"Nearly as much as ran away and was lost when the Ile was struck,"
+said Mr. Beck. "Hardly worth while to work for five-and-twenty years
+in order to save what Nature spent in three days, is it?"
+
+What, says the proverb, is easily got is lightly regarded. This man
+made money so easily that he despised the slow, gradual building up of
+an immense fortune.
+
+"There is nothing beyond the reach of a man with twelve millions," Mr.
+Cassilis went on. "He may rule the world, so long as there are poor
+states with vast armies who want to borrow. Why, at the present moment
+a man with twelve millions at his command could undertake a loan with
+Russia, Austria, Turkey, Italy, or Egypt. He could absolutely govern
+the share market; he could rule the bank rate----"
+
+Mr. Beck interrupted, quite unmoved by these visions of greatness:
+
+"Wal, sir, I am not ambitious, and I leave Providence to manage the
+nations her own way. I might meddle and muss till I busted up the
+whole concern; play, after all, into the hands of the devil, and have
+the people praying to get back to their old original Providence."
+
+"Or suppose," Mr. Cassilis went on, his imagination fired with the
+contemplation of possibilities so far beyond his own reach--"suppose
+you were to buy up land--to buy all that comes into the market.
+Suppose you were to hand down to your sons a traditional policy of
+buying land with the established principle of primogeniture. In twenty
+years you might have great estates in twenty counties----"
+
+"I could have half a state," said Mr. Beck, "if I went out West."
+
+"In your own lifetime you could control an election, make yourself
+President, carry your own principles, force your opinions on the
+country, and become the greatest man in it."
+
+"The greatest country in the world is the United States of
+America--that is a fact," said Mr. Beck, laughing; "so the greatest
+man in it must be the greatest man in the world. I calculate that's a
+bitter reflection for Prince Bismarck when he goes to bed at night;
+also for the Emperor of all the Russias. And perhaps your Mr.
+Gladstone would like to feel himself on the same level with General
+Ulysses Grant."
+
+"Mr. Beck," cried Mr. Cassilis, rising to his feet in an irrepressible
+burst of genuine enthusiasm, and working his right hand round exactly
+as if he was really Father Time, whom he so much resembled--"Mr. Beck,
+I consider you the most fortunate man in the world. We slowly amass
+money--for our sons to dissipate. Save when a title or an ancient name
+entails a conservative tradition which keeps the property together,
+the process in this country and in yours is always the same. The
+strong men climb, and the weak men fall. And even to great houses like
+the Grosvenors, which have been carried upwards by a steady tide of
+fortune, there will surely one day come a fool, and then the tide will
+turn. But for you and yours, Mr. Beck, Nature pours out her
+inexhaustible treasures----"
+
+"She does, sir--in Ile."
+
+"You may spend, but your income will always go on increasing."
+
+"To a certain limit, sir--to five thousand and fifty-three years. I
+have had it reckoned by one of our most distinguished mathematicians,
+Professor Hercules Willemott, of Cyprus University, Wisconsin. He made
+the calculations for me."
+
+"Limit or not, Mr. Beck, you are now a most fortunate man. And I shall
+be entirely at your service. I believe," he added modestly, "that I
+have some little reputation in financial circles."
+
+"That is so, sir. And now let me put my case." Mr. Beck became once
+more animated and interested. "Suppose, sir, I was to say to you, 'I
+have more than enough money. I will take the Luck of the Golden
+Butterfly and make it the Luck of other people.'"
+
+"I do not understand," said Mr. Cassilis.
+
+"Sir, what do you do with your own money? You do not spend it all on
+yourself?"
+
+"I use it to make more."
+
+"And when you have enough?"
+
+"We look at things from a different point of view, Mr. Beck. _You_
+have enough; but I, whatever be my success, can never approach the
+fourth part of your income. However, let me understand what you want
+to do, and I will give such advice as I can offer."
+
+"That's kind, sir, and what I expected of you. It is a foolish fancy,
+and perhaps you'll laugh; but I have heard day and night, ever since
+the Ile began to run, a voice which says to me always the same
+thing--I think it is the voice of my Golden Butterfly: 'What you can't
+spend, give.' 'What you can't spend, give.' That's my duty, Mr.
+Cassilis; that's the path marked out before me, plain and shinin' as
+the way to heaven. What I can't spend, I must give. I've given nothing
+as yet. And I am here in this country of giving to find out how to do
+it."
+
+"We--I mean the--the----" Mr. Cassilis was on the point of saying "the
+Idiots," but refrained in time. "The people who give money send it to
+charities and institutions."
+
+"I know that way, sir. It is like paying a priest to say your prayers
+for you."
+
+"When the secretaries get the money they pay themselves their own
+salaries first; then they pay for the rent, the clerks, and the
+advertising. What remains goes to the charity."
+
+"That is so, sir; and I do not like that method. I want to go right
+ahead; find out what to do, and then do it. But I must feel like
+giving, whatever I do."
+
+"Your countryman, Mr. Peabody, gave his money in trust for the London
+poor. Would you like to do the same?"
+
+"No, sir; I should not like to imitate that example. Mr. Peabody was a
+great man, and he meant well; but I want to work for myself. Let a man
+do all the good and evil he has to do in his lifetime, not leave his
+work dragging on after he is dead. 'They that go down into the pit
+cannot hope for the truth.' Do you remember that text, Mr. Cassilis?
+It means that you must not wait till you are dead to do what you have
+to do."
+
+Mr. Cassilis altered his expression, which was before of a puzzled
+cheerfulness, as if he failed to see his way, into one of unnatural
+solemnity. It is the custom of certain Englishmen if the Bible is
+quoted. He knew no more than Adam what part of the Bible it came from.
+But he bowed, and pulled out his handkerchief as if he was at a
+funeral. In fact, this unexpected hurling of a text at his head
+floored him for the moment.
+
+Mr. Beck was quite grave and in much earnestness.
+
+"There is another thing. If I leave this money in trust, how do I know
+that my purpose will be carried out? In a hundred years things will
+get mixed. My bequests may be worth millions, or they may be worth
+nothing. The lawyers may fight over the letter of the will, and the
+spirit may be neglected."
+
+"It is the Dead Hand that you dread."
+
+"That may be so, sir. You air in the inside track, and you ought to
+know what to call it. But no Hand, dead or alive, shall ever get hold
+of my stamps."
+
+"Your stamps?"
+
+"My stamps, sir; my greenbacks, my dollars. For I've got them, and I
+mean to spend them. 'Spend what you can, and give what you cannot
+spend,' says the Voice to Gilead P. Beck."
+
+"But, my dear sir, if you mean to give away a quarter of a million a
+year, you will have every improvident and extravagant rogue in the
+country about you. You will have to answer hundreds of letters a day.
+You will be deluged with prospectuses, forms, and appeals. You will be
+called names unless you give to this institution or to that----"
+
+"I shall give nothing to any society."
+
+"And what about the widows of clergymen, the daughters of officers,
+the nieces of Church dignitaries, the governess who is starving, the
+tradesman who wants a hundred pounds for a fortnight, and will repay
+you with blessings and 25 per cent. after depositing in your hand as
+security all his pawn-tickets."
+
+"Every boat wants steering, but I was not born last Sunday, and the
+ways of big cities, though they may be crooked, air pretty well known
+to me. There are not many lines of life in which Gilead P. Beck has
+not tried to walk."
+
+"My dear sir, do you propose to act the part of Universal
+Philanthropist and Distributor at large?"
+
+"No, sir, I do not. And that puzzles me too. I should like to be quiet
+over it. There was a man down to Lexington, when I was a boy, who said
+he liked his religion unostentatious. So he took a pipe on a Sunday
+morning and sat in the churchyard listening to the bummin' and the
+singin' within. Perhaps, sir, that man knew his own business. Perhaps
+thoughts came over his soul when they gave out the Psalm that he
+wouldn't have had if he'd gone inside, to sit with his back upright
+against a plank, his legs curled up below the seat, and his eyes
+wandering around among the gells. Maybe that is my case, too, Mr.
+Cassilis. I should like my giving to be unostentatious."
+
+"Give what you cannot spend," said Mr. Cassilis. "There are at any
+rate plenty of ways of spending. Let us attend to them first."
+
+"And there's another thing, sir," Mr. Beck went on, shifting his feet
+and looking uneasy and distressed. "It's on my mind since I met the
+young gentleman at your house. I want to do something big, something
+almighty big, for Mr. Ronald Dunquerque."
+
+"Because he killed the bear?"
+
+"Yes, sir, because he saved my life. Without that shot the Luck of
+Gilead P. Beck would have been locked up for ever in that little box
+where the Golden Butterfly used to live. What can I do for him? Is the
+young gentleman rich?"
+
+"On the contrary, I do not suppose--his brother is one of the poorest
+peers in the house--that the Honorable Mr. Ronald Dunquerque is worth
+£500 a year. Really, I should say that £300 would be nearer the mark."
+
+"Then he is a gentleman, and I am--well, sir, I hope I am learning
+what a gentleman should do and think in such a position as the Golden
+Butterfly has brought me into. But the short of it is that I can't say
+to him: 'Mr. Dunquerque, I owe you a life, and here is a cheque for so
+many thousand dollars.' I can't do it, sir."
+
+"I suppose not. But there are ways of helping a young man forward
+without giving him money. You can only give money to poets and
+clergymen."
+
+"That is so, sir."
+
+"Wait a little till your position is known and assured. You will then
+be able to assist Mr. Ronald Dunquerque, as much as you please." He
+rose and took up his gloves. "And now, Mr. Beck, I think I understand
+you. You wish to do something great with your money. Very good. Do not
+be in a hurry. I will think things over. Meantime, you are going to
+let it lie idle in the bank?"
+
+"Wal, yes; I was thinking of that."
+
+"It would be much better for me to place it for you in good shares,
+such as I could recommend to you. You would then be able to--to--give
+away"--he pronounced the words with manifest reluctance--"the interest
+as well as the principal. Why should the bankers have the use of it?"
+
+"That seems reasonable," said Mr. Beck.
+
+Mr. Cassilis straightened himself and looked him full in the face. He
+was about to strike his blow.
+
+"You will place your money," he said quietly, as if there could be no
+doubt of Mr. Beck's immediate assent, "in my hands for investment. I
+shall recommend you safe things. For instance, as regards the shares
+of the George Washington Silver Mine----"
+
+He opened his pocket-book.
+
+"No, sir," said Mr. Beck with great decision.
+
+"I was about to observe that I should not recommend such an
+investment. I think, however, I could place immediately £20,000 in the
+Isle of Man Internal Navigation Company."
+
+"An English company?" said Mr. Beck.
+
+"Certainly. I propose, Mr. Beck, to devote this morning to a
+consideration of investments for you. I shall advise you from day to
+day. I have no philanthropic aims, and financing is my profession. But
+your affairs shall be treated together with mine, and I shall bring to
+bear upon them the same--may I say insight?--that has carried my own
+ventures to success. For this morning I shall only secure you the Isle
+of Man shares."
+
+They presently parted, with many expressions of gratitude from Mr.
+Gilead Beck.
+
+A country where men work for nothing? Perhaps, when men are young. Not
+a country where elderly men in the City work for nothing. Mr. Cassilis
+had no intention whatever of devoting his time and experience to the
+furtherance of Mr. Beck's affairs. Not at all: if the thoughts in his
+mind had been written down, they would have shown a joy almost boyish
+in the success of his morning's visit.
+
+"The Isle of Man Company," we should have read, "is floated. That
+£20,000 was a lucky _coup_. I nearly missed my chances with the
+silver mine; I ought to have known that he was not likely to jump at
+such a bait. A quarter of a million of money to dispose of, and five
+hundred thousand pounds a year. And mine the handling of the whole.
+Never before was such a chance known in the City."
+
+A thought struck him. He turned, and went back hastily to Gilead
+Beck's rooms.
+
+"One word more. Mr. Beck, I need hardly say that I do not wish to be
+known as your adviser at all. Perhaps it would be well to keep our
+engagements a secret between ourselves."
+
+That of course was readily promised.
+
+"Half a million a year!" The words jangled in his brain like the
+chimes of St. Clement's. "Half a million a year! And mine the
+handling."
+
+He spent the day locked up in his inner office. He saw no one, except
+the secretary, and he covered an acre or so of paper with
+calculations. His clerks went away at five; his secretary left him at
+six; at ten he was still at work, feverishly at work, making
+combinations and calculating results.
+
+"What a chance!" he murmured prayerfully, putting down his pen at
+length. "What a blessed chance!"
+
+Mr. Gilead Beck would have congratulated himself on the disinterested
+assistance of his unprofessional adviser had he known that the whole
+day was devoted to himself. He might have congratulated himself less
+had he known the thoughts that filled the financier's brains.
+
+Disinterested? How could Mr. Cassilis regard any one with money in his
+hand but as a subject for his skill. And here was a man coming to him,
+not with his little fortune of a few thousand pounds, not with the
+paltry savings of a lifetime, not for an investment for widows and
+orphans, but with a purse immeasurable and bottomless, a purse which
+he was going to place unreservedly in his hands.
+
+"Mine the handling," he murmured as he got into bed. It was his
+evening hymn of praise and joy.
+
+
+
+
+CHAPTER XI.
+
+ "Higher she climbed, and far below her stretch'd
+ Hill beyond hill, with lightening slopes and glades,
+ And a world widening still."
+
+
+Phillis's world widened daily, like a landscape, which stretches ever
+farther the higher you mount. Every morning brought her fresh
+delights, something more wonderful than she had seen the day before.
+Her portfolio of drawings swelled daily; but with riches came
+discontent, because the range of subjects grew too vast for her pencil
+to draw, and her groups became every day more difficult and more
+complicated. Life was a joy beyond all that she had ever hoped for or
+expected. How should it be otherwise to her? She had no anxieties for
+the future; she had no past sins to repent; she had no knowledge of
+evil; she was young and in perfect health; the weight of her mortality
+was as yet unfelt.
+
+During these early days of emancipation she was mostly silent, looking
+about and making observations. She sat alone and thought; she forgot
+to sing; if she played, it was as if she was communing confidentially
+with a friend, and seeking counsel. She had so much to think of:
+herself, and the new current of thoughts into which her mind had been
+suddenly diverted; the connection between the world of Mr. Dyson's
+teachings and the world of reality--this was a very hard thing; Mrs.
+Cassilis, with her hard, cold manner, her kind words, and her eternal
+teaching that the spring of feminine action is the desire to attract;
+finally, Jack Dunquerque. And of him she thought a good deal.
+
+All the people she met were interesting. She tried to give each one
+his own individuality, rounded and complete. But she could not. Her
+experience was too small, and each figure in her mind was blurred.
+Now, if you listen to the conversation of people, as I do
+perpetually--in trains especially--you will find that they are always
+talking about other people. The reason of that I take to be the
+natural desire to have in your brain a clear idea of every man, what
+he is, and how he is likely to be acted upon. Those people are called
+interesting who are the most difficult to describe or imagine, and
+who, perpetually breaking out in new places, disturb the image which
+their friends have formed.
+
+None of Phillis's new friends would photograph clear and distinct in
+her brain. She thought she missed the focus. It was not so, however;
+it was the fault of the lens. But it troubled her, because if she
+tried to draw them there was always a sense of something wanting. Even
+Jack Dunquerque--and here her eyes brightened--had points about him
+which she could not understand. She was quiet, therefore, and watched.
+
+It was pleasant only to watch and observe. She had made out clearly by
+this time that the Twins were as vain and self-conscious as the old
+peacock she used to feed at Highgate. She found herself bringing out
+their little vanities by leading questions. She knew that Joseph
+Jagenal, whom in their souls the Twins despised, was worth them both
+ten times over; and she found that Joseph rated himself far beneath
+his brothers. Then she gradually learned that their æsthetic talk was
+soon exhausted, but that they loved to enunciate the same old maxims
+over and over again, as children repeat a story. And it became one of
+her chief pleasures to listen to them at dinner, to mark their
+shallowness, and to amuse herself with their foibles. The Twins
+thought the young lady was fascinated by their personal excellences.
+
+"Genius, brother Cornelius," said Humphrey, "always makes its way. I
+see Phillis Fleming every night waiting upon your words."
+
+"I think the fascinations of Art are as great, brother Humphrey. At
+dinner Phillis Fleming watches your every gesture."
+
+This was in the evening. In the morning every walk was a new delight
+in itself; every fresh street was different. Brought up for thirteen
+years within the same four walls, the keenest joy which the girl could
+imagine was variety. She loved to see something new, even a new
+disposition of London houses, even a minute difference in the aspect
+of a London square. But of all the pleasures which she had yet
+experienced--even a greater pleasure than the single picture-gallery
+which she had visited--was the one afternoon of shopping she had had
+with Mrs. Cassilis at Melton and Mowbray's in Regent Street.
+
+Mrs. Cassilis took her there first on the morning of her dinner-party.
+It was her second drive through the streets of London, but an
+incomparable superior journey to the first. The thoroughfares were
+more crowded; the shops were grander; if there were fewer boys running
+and whistling, there were picturesque beggars, Punch-and-Judy shows,
+Italian noblemen with organs, and the other humours and diversions of
+the great main arteries of London. Phillis looked at all with the
+keenest delight, calling the attention of her companion to the common
+things which escape our notice because we see them every day--the
+ragged broken down old man without a hat, who has long grey locks, who
+sells oranges from a basket, and betrays by his bibulous trembling
+lips the secret history of his downfall; the omnibus full inside and
+out; the tall Guardsman swaggering down the street; the ladies looking
+in at the windows; the endless rows of that great and wonderful
+exhibition which benevolent tradesmen show gratuitously to all; the
+shopman rubbing his hands at the door; the foreigners and pilgrims in
+a strange land--he with a cigarette in his mouth, lately from the Army
+of Don Carlos; he with a bad cigar, a blue-black shaven chin and
+cheek, and a seedy coat, who once adorned the ranks of Delescluze,
+Ferrè, Flourens & Company; he with the pale face and hard cynical
+smile, who hails from free and happy Prussia; the man, our brother,
+from Sierra Leone, coal-black of hue, with snowy linen and a
+conviction not to be shaken that all the world takes him for an
+Englishman; the booted Belgian, cross between the Dutchman and the
+Gaul; the young gentleman sent from Japan to study our country and its
+laws--he has a cigar in his mouth, and a young lady with yellow hair
+upon his arm; the Syrian, with a red cap and almond eyes; the Parsee,
+with lofty superstructure, a reminiscence of the Tower of Babel, which
+his ancestors were partly instrumental in building; Cretes, Arabians,
+men of Cappadocia and Pontus, with all the other mingled nationalities
+which make up the strollers along a London street,--Phillis marked
+them every one, and only longed for a brief ten minutes with each in
+order to transfer his likeness to her portfolio.
+
+"Phillis," said her companion, touching her hand, "can you practise
+looking at people without turning your head or seeming to notice?"
+
+Phillis laughed, and tried to sit in the attitude of unobservant
+carelessness which was the custom in other carriages. Like all first
+attempts it was a failure. Then the great and crowded street reminded
+her of her dream. Should she presently--for it all seemed unreal
+together--begin to run, while the young men, among whom were the
+Twins, ran after her? And should she at the finish of the race see the
+form of dead old Abraham Dyson, clapping his hands and wagging his
+head, and crying, "Well run! well won! Phillis, it is the
+Coping-stone?"
+
+"This is Melton & Mowbray's," said Mrs. Cassilis, as the carriage drew
+up in front of a shop which contained greater treasures then were ever
+collected for the harem of an Assyrian king.
+
+She followed Mrs. Cassilis to some show rooms, in which lay about
+carelessly things more beautiful than she had ever conceived; hues
+more brilliant, textures more delicate then she ever knew.
+
+Phillis's first shopping was an event to be remembered in all her
+after life. What she chose, what Mrs. Cassilis chose for her, what
+Joseph Jagenal thought when the bill came in, it boots not here to
+tell. Imagine only the delight of a girl of deep and artistic feeling,
+which has hitherto chiefly found vent in the study of form--such form
+as she could get from engravings and her own limited powers of
+observation--in being let loose suddenly in a wilderness of beautiful
+things. Every lady knows Messrs. Melton & Mowbray's great shop. Does
+anybody ever think what it would seem were they to enter it for the
+first time at the mature age of nineteen?
+
+In one thing only did Phillis disgrace herself. There was a young
+person in attendance for the purpose of showing off all sorts of
+draperies upon her own back and shoulders. Phillis watched her for
+some time. She had a singularly graceful figure and a patient face,
+which struck Phillis with pity. Mrs. Cassilis sat studying the effect
+through her double eye-glasses. The saleswoman put on and took off the
+things as if the girl were really a lay-figure, which she was,
+excepting that she turned herself about, a thing not yet achieved by
+any lay-figure. A patient face, but it looked pale and tired. The
+"Duchess"--living lay-figures receive that title, in addition to a
+whole pound a week which Messrs. Melton & Mowbray generously give
+them--stood about the rooms all day, and went to bed late at night.
+Some of the other girls envied her. This shows that there is no
+position in life which has not something beneath it.
+
+Presently Phillis rose suddenly, and taking the opera-cloak which the
+Duchess was about to put on, said:
+
+"You are tired. I will try it on myself. Pray sit down and rest."
+
+And she actually placed a chair for the shop-girl.
+
+Mrs. Cassilis gave a little jump of surprise. It had never occurred to
+her that a shopwoman could be entitled to any consideration at all.
+She belonged to the establishment; the shop and all that it contained
+were at the service of those who bought; the _personnel_ was a matter
+for Messrs. Melton & Mowbray to manage.
+
+But she recovered her presence of mind in a moment.
+
+"Perhaps it will be as well," she said, "to see how it suits you by
+trying it on yourself."
+
+When their purchases were completed and they were coming away, Phillis
+turned to the poor Duchess, and asked her if she was not very tired of
+trying on dresses, and whether she would not like to take a rest, and
+if she was happy, with one or two other questions; at which the
+saleswoman looked a little indignant and the Duchess a little inclined
+to cry.
+
+And then they came away.
+
+"It is not usual, Phillis," said Mrs. Cassilis, directly they were in
+the carriage, "for ladies to speak to shop-people."
+
+"Is it not? The poor girl looked pale and tired."
+
+"Very likely she was. She is paid to work, and work is fatiguing. But
+it was no concern of ours. You see, my dear, we cannot alter things;
+and if you once commence to pitying people and talking to them, there
+is an end of all distinctions of class."
+
+"Mr. Dyson used to say that the difficulty of abolishing class
+distinctions was one of the most lamentable facts in human history. I
+did not understand then what he meant. But I think I do now. It is a
+dreadful thing, he meant, that one cannot speak or relieve a poor girl
+who is ready to drop with fatigue, because she is a shop-girl. How sad
+you must feel, Mrs. Cassilis, you, who have seen so much of
+shop-assistants, if they are all like that poor girl!"
+
+Mrs. Cassilis had not felt sad, but Phillis's remark made her feel for
+the moment uncomfortable. Her complacency was disturbed. But how could
+she help herself? She was what her surroundings had made her. As
+riches increase, particularly the riches which are unaccompanied by
+territorial obligations, men and women separate themselves more and
+more; the lines of demarcation become deeper and broader; English
+castes are divided by ditches constantly widening; the circles into
+which outsiders may enter as guests, but not as members, become more
+numerous; poor people herd more together; rich people live more apart;
+the latter become more like gods in their seclusion, and they grow to
+hate more and more the sight and rumor of suffering. And the first
+step back to the unpitying cruelty of the old civilizations is the
+habit of looking on the unwashed as creatures of another world. If the
+gods of Olympus had known sympathy they might have lived till now.
+
+This expedition occurred on the day of Phillis's first dinner-party,
+and on their way home a singular thing happened.
+
+Mrs. Cassilis asked Phillis how long she was to stay with Mr. Jagenal.
+
+"Until," said Phillis, "my guardian comes home; and that will be in a
+fortnight."
+
+"Your guardian, child? But he is dead."
+
+"I had two, you know. The other is Mr. Lawrence Colquhoun---- What is
+the matter, Mrs. Cassilis?"
+
+For she became suddenly pallid, and stared blankly before her, with no
+expression in her eyes, unless perhaps, a look of terror. It was the
+second time that Phillis had noted a change in this cold and
+passionless face. Before, the face had grown suddenly soft and tender
+at a recollection; now, it was white and rigid.
+
+"Lawrence Colquhoun!" she turned to Phillis, and hardly seemed to know
+what she was saying. "Lawrence Colquhoun! He is coming home--and he
+promised me--no--he would not promise--and what will he say to me."
+
+Then she recovered herself with an effort. The name, or the
+intelligence of Lawrence Colquhoun's return, gave her a great shock.
+
+"Mr. Colquhoun your guardian! I did not know. And is he coming home?"
+
+"You will come and see me when I am staying--if I am to stay--at his
+house?"
+
+"I shall certainly," said Mrs. Cassilis, setting her lips together--"I
+shall certainly make a point of seeing Mr. Colquhoun on his return,
+whether you are staying with him or not. Here is Carnarvon Square. No,
+thank you, I will not get down, even to have a cup of tea with you.
+Good-bye, Phillis, till this evening. My dear, I think the white dress
+that you showed me will do admirably. Home at once."
+
+A woman of steel? Rubbish! There is no man or woman of steel, save he
+who has brooded too long over his own perfections. A metallic statue,
+the enemies of Mrs. Cassilis called her. They knew nothing. A woman
+who had always perfect control over herself, said her husband. He knew
+nothing. A woman who turned pale at the mention of a name, and longed,
+yet feared, to meet a man, thought Phillis. And she knew something,
+because she knew the weak point in this woman's armour. Being neither
+curious, nor malignant, nor a disciple in the school for scandal,
+Phillis drew her little conclusion, kept it to herself, and thought no
+more about it.
+
+As for the reasons which prompted Mrs. Cassilis to "take up" Phillis
+Fleming, they were multiplex, like all the springs of action which
+move us to act. She wanted to find out for her husband of what sort
+was this system of education which Joseph Jagenal could not discover
+anywhere. She was interested in, although not attracted by, the
+character of the girl, unlike any she had ever seen. And she wanted to
+use Phillis--an heiress, young, beautiful, piquante, strange--as an
+attraction to her house. For Mrs. Cassilis was ambitious. She wished
+to attract men to her evenings. She pictured herself--it is the dream
+of so many cultured women--as another Madame Récamier, Madame du
+Deffand, or Madame de Rambouillet. All the intellect in London was to
+be gathered in her _salon_. She caught lions; she got hold of young
+authors; she made beginnings with third-rate people who had written
+books. They were not amusing; they were not witty; they were devoured
+by envy and hatred. She let them drop, and now she wanted to begin
+again. An idle and a futile game. She had not the quick sympathies,
+the capacity for hero-worship, the lovableness of the Récamier. She
+had no tears for others. She did not know that the woman who aspires
+to lead men must first be able to be led.
+
+There was another fatal objection, not fully understood by ladies who
+have "evenings" and sigh over their empty rooms. In these days of
+clubs, what man is going to get up after dinner and find his
+melancholy way from Pall Mall to Kensington Palace Gardens, in order
+to stand about a drawing-room for two hours and listen to "general"
+talk? It wants a Phillis, and a personal, if hopeless, devotion to a
+Phillis, to tear the freshest lion from his club, after dinner, even
+if it be to an altar of adulation. The evening begins properly with
+dinner: and where men dine they love to stay.
+
+"Jack Dunquerque came to see me to-day," Phillis told Joseph. "You
+remember Mr. Dunquerque. He was at Mrs. Cassilis's last night. He came
+at two, to have luncheon and to tell me about Mr. Colquhoun; but he
+did not tell me anything about him. We talked about ourselves."
+
+"Is Mr. Dunquerque a friend of yours?"
+
+"Yes; Jack and I are friends," Phillis replied readily. There was not
+the least intention to deceive; but Joseph was deceived. He thought
+they had been old friends. Somehow, perhaps, Phillis did not like to
+talk very much about her friendship for Jack.
+
+"I want you to ask him to dinner, if you will."
+
+"Certainly, whenever you please. I shall be glad to make Mr.
+Dunquerque's acquaintance. He is the brother of Lord Isleworth," said
+Joseph, with a little satisfaction at seeing a live member of the
+aristocracy at his own table.
+
+Jack came to dinner. He behaved extremely well; made no allusion to
+that previous occasion when he had been introduced to the Twins;
+listened to their conversation as if it interested him above all
+things; and not once called Phillis by her Christian name. This
+omission made her reflect; they were therefore, it was apparent, only
+Jack and Phil when they were alone. It was her first secret, and the
+possession of it became a joy.
+
+She had not a single word with him all the evening. Only before he
+went he asked her if he might call the next day at luncheon-time. She
+said to him yes.
+
+"After all these Bloomsbury people," said Cornelius, lighting his
+first pipe, "it does one good, brother Humphrey, to come across a
+gentleman. Mr. Ronald Dunquerque took the keenest interest in your Art
+criticisms at dinner."
+
+"They were general principles only, Cornelius," said Humphrey. "He is
+really a superior young man. A little modest in your presence,
+brother. To be sure, it is not every day that he finds himself dining
+with a Poet."
+
+"And an Artist, Humphrey."
+
+"Thank you, Cornelius. Miss Fleming had no charms for him, I think."
+
+"Phillis Fleming, brother, is a girl who is drawn more towards, and
+more attracts, men of a maturer age--men no longer perhaps within the
+_premiére jeunesse_, but still capable of love."
+
+"Men of our age, Cornelius. Shall we split this potash, or will you
+take some Apollinaris water?"
+
+
+Jack called, and they took luncheon together as before. Phillis,
+brighter and happier, told him what things she had seen and what
+remarks she had made since last they met, a week ago. Then she told
+him of the things she most wished to see.
+
+"Jack," she said, "I want to see the Tower of London and Westminster
+Abbey most."
+
+"And then, Phil?"
+
+"Then I should like to see a play."
+
+"Would Mr. Jagenal allow me to take you to the Tower of London? Now,
+Phil--this afternoon?"
+
+Phillis's worldly education was as yet so incomplete that she clapped
+her hands with delight.
+
+"Shall we go now, Jack? How delightful! Of course Mr. Jagenal will
+allow me. I will be five minutes putting on my hat."
+
+"Now, that's wrong too," said Jack to himself. "It is as wrong as
+calling her Phil. It's worse than wanting to kiss her, because the
+kiss never came off. I can't help it--it's pleasant. What will
+Colquhoun say when he comes home? Phil is sure to tell him everything.
+Jack Dunquerque, my boy, there will be a day of reckoning for you.
+Already, Phil? By Jove! how nice you look!"
+
+"Do I, Jack? Do you like my hat? I bought it with Mrs. Cassilis the
+other day."
+
+"Look at yourself in the glass, Phil. What do you see?"
+
+She looked and laughed. It was not for her to say what she saw.
+
+"There was a little maid of Arcadia once, Phil, and she grew up so
+beautiful that all the birds fell in love with her. There were no
+other creatures except birds to fall in love with her, because her
+sheep were too busy fattening themselves for the Corinthian
+cattle-market to pay any attention to her. They were conscientious
+sheep, you see, and wished to do credit to the Arcadian pastures."
+Jack Dunquerque began to feel great freedom in the allegorical method.
+
+"Well, Jack?"
+
+"Well Phil, the birds flew about in the woods, singing to each other
+how lovely she was, how prettily she played, and how sweetly she sang.
+Nobody understood what they said, but it pleased this little maid.
+Presently she grew a tall maid, like yourself, Phil. And then she came
+out into the world. She was just like you, Phil; she had the same
+bright eyes, and the same laugh, and the same identical sunlit face;
+and O Phil, she had your very same charming ways!"
+
+"Jack, do you really mean it? Do you like my face, and are my ways
+really and truly not rough and awkward?"
+
+Jack shook his head.
+
+"Your face is entrancing, Phil; and your ways are more charming than I
+can tell you. Well, she came into the world and looked about her. It
+was a pleasant world, she thought. And then--I think I will tell you
+the rest of the story another time, Phil.
+
+"Jack, did other people besides birds love your maid of Arcadia?"
+
+"I'm afraid they did," he groaned. "A good many other people--confound
+them!"
+
+Phil looked puzzled. Why did he groan? Why should not all the world
+love the Arcadian maid if they pleased?
+
+Then they went out, Jack being rather silent.
+
+"This is a great deal better than driving with Mrs. Cassilis, Jack,"
+said the girl, as she made her first acquaintance with a hansom cab.
+"It is like sitting in a chair, while all the people move past. Look
+at the faces, Jack; how they stare straight before them! Is work so
+dear to them that they cannot find time to look at each other."
+
+"Work is not dear to them at all, I think," said Jack. "If I were a
+clergyman I should talk nonsense and say that it is the race for gold.
+As a matter of fact, I believe it is a race for bread. Those hard
+faces have got wives and children at home, and life is difficult, that
+is all."
+
+Phillis was silent again.
+
+They drove through the crowded City, where the roll of the vehicles
+thundered on the girl's astonished ears, and the hard-faced crowd sped
+swiftly past her. Life was too multitudinous, too complex, for her
+brain to take it in. The shops did not interest her now, nor the press
+of business; it was the never-ending rush of the anxious crowd. She
+tried to realise, if ever so faintly, that every one of their faces
+meant a distinct and important personality. It was too much for her,
+and, as it did to the Persian monarch, the multitudes brought tears
+into her eyes.
+
+"Where are all the women?" she asked Jack at length.
+
+"At home. These men are working for them. They are spending the money
+which their husbands and fathers fight for."
+
+She was silent again.
+
+The crowd diminished, but not much; the street grew narrower.
+Presently they came to an open space, and beyond--oh, joy of
+joys!--the Tower of London, which she knew from the pictures.
+
+Only country people go to the Tower of London. It would almost seem a
+kindness to London readers were I to describe this national
+gaudy-show. But it is better, perhaps, that its splendours should
+remain unknown, like those of the National Gallery and the British
+Museum. The solitudes of London are not too many, and its convenient
+trysting places are few. The beef-eater who conducted the flock
+attached himself specially to Phillis, thereby showing that good taste
+has found a home among beef-eaters. Phillis asked him a thousand
+questions. She was eager to see everything. She begged him to take
+them slowly down the long line of armoured warriors; she did not care
+for the arms, except for such as she had heard about, as bows and
+arrows, pikes, battle-axes, and spears. She lingered in the room where
+Sir Walter Raleigh was confined; she studied the construction of the
+headsman's axe and the block; she glowed with delight at finding
+herself in the old chapel of the White Tower. Jack did not understand
+her enthusiasm. It was his own first visit also to the Tower, but he
+was unaffected by its historical associations. Nor did he greatly care
+for the arms and armour.
+
+Think of Phillis. Her guardian's favourite lessons to her had been in
+history. He would read her passages at which her pulse would quicken
+and her eyes light up. Somehow these seemed all connected with the
+Tower. She constructed an imaginary Tower in her own mind, and peopled
+it with the ghosts of martyred lords and suffering ladies. But the
+palace of her soul was as nothing compared with the grim grey fortress
+that she saw. The knights of her imagination were poor creatures
+compared with these solid heroes of steel and iron on their wooden
+charges; the dungeon in which Raleigh pined was far more gloomy than
+any she had pictured; the ghosts of slain rebels and murdered princes
+gained in her imagination a place and surroundings worthy of their
+haunts. The first sight of London which an American visits is the
+Tower; the first place which the boy associates with the past, and
+longs to see, is that old pile beside the Thames.
+
+Phillis came away at length, with a sigh of infinite satisfaction. On
+the way home she said nothing; but Jack saw, by her absorbed look,
+that the girl was happy. She was adjusting, bit by bit, her memories
+and her fancies with the reality. She was trying to fit the stories
+her guardian had read her so often with the chambers and the courts
+she had just seen.
+
+Jack watched her stealthily. A great wave of passion roiled over the
+heart of this young man whenever he looked at this girl. He loved her:
+there was no longer any possible doubt of that: and she only liked
+him. What a difference! And to think that the French have only one
+word for both emotions! She liked to be with him, to talk to him,
+because he was young and she could talk to him. But love? Cold Dian
+was not more free from love.
+
+"I can make most of it out," the girl said, turning to Jack. "All
+except Lady Jane Grey. I cannot understand at all about her. You must
+take me again. We will get that dear old beef-eater all by himself,
+and we will spend the whole day there, you and I together, shall we
+not?"
+
+Then, after her wont, she put the Tower out of her mind and began to
+talk about what she saw. They passed a printseller's. She wanted to
+look at a picture in the window, and Jack stopped the cab and took her
+into the shop.
+
+He observed, not without dismay, that she had not the most rudimentary
+ideas on the subject of purchase. She had only once been in a shop,
+and then, if I remember rightly, the bill was sent to Mr. Joseph
+Jagenal. Phillis turned over the engravings and photographs, and
+selected half a dozen.
+
+Jack paid the bill next day. It was not much over fifteen pounds--a
+mere trifle to a Younger Son with four hundred a year. And then he had
+the pleasure of seeing the warm glow of pleasure in her eyes as she
+took the "Light of the World" from the portfolio. Pictures were her
+books, and she took them home to read.
+
+At last, and all too soon, they came back to Carnarvon Square.
+
+"Good-bye, Phil," said Jack, before he knocked at the door. "You have
+had a pleasant day?"
+
+"Very pleasant, Jack; and all through you," she replied. "Oh, what a
+good thing for me that we became friends!"
+
+He thought it might in the end be a bad thing for himself, but he did
+not say so. For every hour plunged the unhappy young man deeper in the
+ocean of love, and he grew more than ever conscious that the part he
+at present played would not be regarded with favour by her guardian.
+
+"Jack," she said, while her hand rested in his, and her frank eyes
+looked straight in his face with an expression in which there was no
+love at all--he saw that clearly--but only free and childlike
+affection,--"Jack--why do you look at me so sadly?--Jack, if I were
+like--if I were meant for that maiden of Arcadia you told me of----"
+
+"Yes, Phil?"
+
+"If other people in the world loved me, you would love me a little,
+wouldn't you?"
+
+
+
+
+CHAPTER XII.
+
+ "Hearken what the Inner spirit sings,
+ 'There is no joy but calm.'
+ Why should we only toil, the roof and crown of things?"
+
+
+Lawrence Colquhoun was coming home. Phillis, counting the days,
+remembered, with a little prick of conscience, that Jack Dunquerque
+had never told her a single word concerning her second guardian. He
+was about forty years of age, as old as Joseph Jagenal. She pictured a
+grave heavy man, with massive forehead, thick black hair, and a
+responsible manner. She knew too that there was to be a change in her
+life, but of what kind she could not tell. The present mode of living
+was happiness enough for her: a drive with Mrs. Cassilis--odd that
+Phillis could never remove from herself the impression that Mrs.
+Cassilis disliked her; a walk with Joseph to his office and back in
+the morning; a day of occasional delight with her best friend, Jack
+the unscrupulous; her drawing for amusement and occupation; and a
+widely increased area, so to speak, of dress discussion with her maid.
+
+Antoinette, once her fellow-prisoner, now emancipated like herself,
+informed her young mistress that should the new guardian insist on a
+return to captivity, she, Antoinette, would immediately resign. Her
+devotion to Phillis, she explained, was unalterable; but, contrary to
+the experience of the bard, stone walls, in her own case, did make a
+prison. Was Mademoiselle going to resign all these pleasures?--she
+pointed to the evening-dresses, the walking-dresses, the riding
+habits--was Mademoiselle about to give up taking walks when and where
+she pleased? was Mademoiselle ready to let the young gentleman,
+Monsieur Dunquerque, waste his life in regrets--and he so brave, so
+good? Antoinette, it may be observed, had, in the agreeable society of
+Jane the housemaid, Clarissa the cook, and Victoria Pamela, assistant
+in either department, already received enlightenment in the usages of
+London courtship. She herself, a little flirt with the Norman blue
+eyes and light-brown hair, was already the object of a devouring
+passion on the part of a young gentleman who cut other gentlemen's
+hair in a neighboring street. Further, did Mademoiselle reflect on the
+wickedness of burying herself and her beautiful eyes out of
+everybody's sight?
+
+A change was inevitable. Phillis would willingly have stayed on at
+Carnarvon Square, where the Twins amused her, and the lawyer Joseph
+was kind to her. But Mrs. Cassilis explained that this was impossible;
+that steps would have to be taken with regard to her future; and that
+the wishes of her guardian must be consulted till she was of age.
+
+"You are now nineteen, my dear. You have two years to wait. Then you
+will come into possession of your fortune, and you will be your own
+mistress, at liberty to live where and how you please."
+
+Phillis listened, but made no reply. It was a new thought to her that
+in two years she would be personally responsible for the conduct and
+management of her own life, obliged to think and decide for herself,
+and undertaking all the responsibilities and consequences of her own
+actions. Then she remembered Abraham Dyson's warning and maxims. They
+once fell unheeded on her brain, which was under strict ward and
+tutelage, just like exhortations to avoid the sins of the world on the
+ears of convent girls. Now she remembered them.
+
+"Life is made up of meeting bills drawn on the future by the
+improvidence of youth."
+
+This was a very mysterious maxim, and one which had often puzzled her.
+Now she began to understand what was meant.
+
+"The consequences of our own actions are what men call fate. They
+accompany us like our shadows."
+
+Hitherto, she thought, she had had no chance of performing any action
+of her own at all. She forgot how she asked Jack Dunquerque to
+luncheon and went to the Tower with him.
+
+"Every moment of a working life may be a decisive victory."
+
+That would begin in two years' time.
+
+"Brave men act; philosophers discuss; cowards run away. The brave are
+often killed: the talkers are always left behind; the cowards are
+caught and cashiered."
+
+Better to act and be killed than to run away and be disgraced, thought
+Phillis. That was a thing to be remembered in two years' time.
+
+"Women see things through the haze of a foolish education. They manage
+their affairs badly because they are unable to reason. You, Phillis,
+who have never learned to read, are the mistress of your own mind.
+Keep it clear. Get information and remember it. Learn by hearing and
+watching."
+
+She was still learning--learning something new every day.
+
+"It is not in my power to complete your education, Phillis. That must
+be done by somebody else. When it is finished you will understand the
+whole. But do not be in a hurry."
+
+When would the finisher of her education come? Was it Lawrence
+Colquhoun? And how would it be finished? Surely some time in the next
+two years would complete the edifice, and she would step out into the
+world at twenty-one, her own mistress, responsible for her actions,
+equipped at all points to meet the chances and dangers of her life.
+
+So she waited, argued with herself, and counted the days.
+
+Meantime her conduct towards the Twins inspired these young men with
+mingled feelings of uncertainty and pleasure. She made their
+breakfast, was considerate in the morning, and did not ask them to
+talk. When the little dialogue mentioned in an early chapter was
+finished, she would herself pick out a flower--there were always
+flowers on the table, in deference to their artistic tastes--or their
+buttonholes, and despatch them with a smile.
+
+That was very satisfactory.
+
+At dinner, too, she would turn from one to the other while they
+discoursed sublimely on Art in its higher aspects. They took it for
+admiration. It was in reality curiosity to know what they meant.
+
+After dinner she would too often confine her conversation to Joseph.
+On these occasions the brethren would moodily disappear, and retire to
+their own den, where they lit pipes and smoked in silence.
+
+In point of fact they were as vain as a brace of peacocks, and as
+jealous as a domestic pet, if attention were shown by the young lady
+to any but themselves.
+
+Cæsar, it may be observed, quickly learned to distinguish between the
+habits of Phillis and those of his masters. He never now offered to
+take the former into a public-house, while he ostentatiously, so to
+speak, paraded his knowledge of the adjacent bars when conveying the
+Twins.
+
+One afternoon Phillis took it into her head to carry up tea to the
+Twins herself.
+
+Cornelius was, as usual, sound asleep in an easy-chair, his head half
+resting upon one hand, and his pale cheek lit up with a sweet and
+childlike smile--he was dreaming of vintage wines. He looked sweetly
+poetical, and it was a thousand pities that his nose was so red. On
+the table lay his blotting-pad, and on it, clean and spotless, was the
+book destined to receive his epic poem.
+
+Phillis touched the Divine Bard lightly on the shoulder.
+
+He thought it was Jane; stretched, yawned, relapsed, and then awoke,
+fretful, like a child of five months.
+
+"Give me the tea," he grumbled. "Too sweet again, I dare say, like
+yesterday."
+
+"No sugar at all in it, Mr. Cornelius."
+
+He sprang into consciousness at the voice.
+
+"My dear Miss Fleming! Is it really you? You have condescended to
+visit the Workshop, and you find the Laborer asleep. I feel like a
+sentinel found slumbering at his post. Pray do not think--it is an
+accident quite novel to me--the exhaustion of continuous effort, I
+suppose."
+
+She looked about the room.
+
+"I see books; I see a table; I see a blotting-pad: and----" She
+actually, to the Poet's horror, turned over the leaves of the stitched
+book, with Humphrey's ornamental title-page. "Not a word written.
+Where is your work, Mr. Cornelius?"
+
+"I work at Poesy. That book, Miss Fleming, is for the reception of my
+great epic when it is completed. _Non omnis moriar._ There will be
+found in that blank book the structure of a lifetime. I shall live by
+a single work, like Homer."
+
+"What is it all about?" asked Phillis. She set the tea on the table
+and sat down, looking up at the Poet, who rose from his easy chair and
+made answer, walking up and down the room:
+
+"It is called the _Upheaving of Ælfred_. In the darkest moments of
+Ælfred's life, while he is hiding amid the Somersetshire morasses,
+comes the Spirit of his Career, and guides him in a vision, step by
+step, to his crowning triumphs. Episodes are introduced. That of the
+swineherd and the milkmaid is a delicate pastoral, which I hope will
+stand side by side with the Daphnis and Chloe. When it is finished,
+would you like me to read you a few cantos?"
+
+"No thank you very much," said Phillis. "I think I know all that I
+want to know about Alfred. Disguised as a neatherd, he took refuge in
+Athelney, where one day, being set to bake some cakes by the woman of
+the cottage, he became so absorbed in his own meditations that---- I
+never thought it a very interesting story."
+
+"The loves of the swineherd and the milkmaid----" the Poet began.
+
+"Yes," Phillis interrupted, unfeelingly. "But I hardly think I care
+much for swineherds. And if I had been Alfred I should have liked the
+stupid story about the cakes forgotten. Can't you write me some words
+for music, Mr. Cornelius? Do, and I will sing them to something or
+other. Or write some verses on subjects that people care to hear
+about, as Wordsworth did. My guardian used to read Wordsworth to me."
+
+"Wordsworth could not write a real epic," said Cornelius.
+
+"Could he not? Perhaps he preferred writing other things. Now I must
+carry Mr. Humphrey his tea. Good-by, Mr. Cornelius; and do not go to
+sleep again."
+
+Humphrey, too, was asleep on his sofa. Raffaelle himself could not
+have seemed a more ideal painter. The very lights of the afternoon
+harmonised with the purple hue of his velvet coat, the soft brown
+silkiness of his beard, and his high pale forehead. Like his brother,
+Humphrey spoiled the artistic effect by that unlucky redness of the
+nose.
+
+The same awakening was performed.
+
+"I have just found your brother," said Phillis, "at work on Poetry."
+
+"Noble fellow, Cornelius!" murmured the Artist. "Always at it. Always
+with nose to the grindstone. He will overdo it some day."
+
+"I hope not," said Phillis, with a gleam in her eye. "I sincerely hope
+not. Perhaps he is stronger than he looks. And what are you doing, Mr.
+Humphrey?"
+
+"You found me asleep. The bow stretched too long must snap or be
+unbent."
+
+"Yes," said Phillis; "you were exhausted with work."
+
+"My great picture--no, it is not on the canvas," for Phillis was
+looking at the bare easel.
+
+"Where is it, then? Do show it to me."
+
+"When the groups are complete I will let you criticise them. It may be
+that I shall learn something from an artless and unconventional nature
+like your own."
+
+"Thank you," said Phillis. "That is a compliment, I am sure. What is
+the subject of the picture?"
+
+"It is the 'Birth of the Renaissance.' An allegorical picture. There
+will be two hundred and twenty-three figures in the composition."
+
+"The 'Birth of the Renaissance,'" Phillis mused. "I think I know all
+about that. 'On the taking of Constantinople in the year 1433, the
+dispersed Greeks made their way to the kingdoms of the West, carrying
+with them Byzantine learning and culture. Italy became the chosen home
+of these exiles. The almost simultaneous invention of printing,
+coupled with an outburst of genius in painting and poetry, and a
+new-born thirst for classical knowledge, made up what is known by the
+name of the Renaissance.' That is what my guardian told me one night.
+I think that I do not want to see any picture on that subject. Sit
+down now and draw me a girl's face."
+
+He shook his head.
+
+"Art cannot be forced," he replied.
+
+"Mr. Humphrey,"--her eyes began to twinkle,--"when you have time--I
+should not like to force your Art, but when you have time--paint me a
+little group: yourself, Mr. Cornelius, and Cæsar, in the morning walk.
+You may choose for the moment of illustration either your going into
+or coming out of the Carnarvon Arms; when you intend to have or when
+you have had your little whack."
+
+She laughed and ran away.
+
+Humphrey sat upright, and gazed at the door through which she fled.
+Then he looked round helplessly for his brother, who was not there.
+
+"Little whack!" he murmured. "Where did she learn the phrase? And how
+does she know that--Cæsar could not have told her."
+
+He was very sad all the evening, and opened his heart to his brother
+when they sought the Studio at nine, an hour earlier than usual.
+
+"I wish she had not come," he said; "she makes unpleasant remarks."
+
+"She does; she laughed at my epic to-day." The Poet, who sat in a
+dressing-gown, drew the cord tighter round his waist, and tossed up
+his head with a gesture of indignation.
+
+"And she laughed at my picture."
+
+"She is dangerous, Humphrey."
+
+"She watches people when they go for a morning walk, Cornelius, and
+makes allusion to the Carnarvon Arms and to afternoon naps."
+
+"If, Humphrey, we have once or twice been obliged to go to the
+Carnarvon Arms----"
+
+"Or have been surprised into an afternoon nap, Cornelius----"
+
+"That is no reason why we should be ashamed to have the subjects
+mentioned. I should hope that this young lady would not speak of
+Us--of You, brother Humphrey, and of Myself--save with reverence."
+
+"She has no reverence, brother Cornelius."
+
+"Jane certainly tells me," said the Poet, "that a short time ago she
+brought Mr. Ronald Dunquerque, then a complete stranger, to my room,
+when I happened by the rarest accident to be asleep, and showed me to
+him."
+
+"If one could hope that she was actuated only by respect! But no, I
+hardly dare to think that. Then, I suppose, she brought her visitor to
+the Studio."
+
+"Brother Humphrey, we always do the same thing at the same time."
+
+"_Mutatis mutandis_, my dear Cornelius. I design, you write; I group,
+you clothe your conceptions in undying words. Perhaps we both shall
+live. It was on the same day that she drew the sketch of me asleep."
+Humphrey's mind was still running on the want of respect. "Here it
+is."
+
+"_Forsitan hoc nomen nostrum miscebitur illis_," resumed the Poet,
+looking at the sketch. "The child has a wonderful gift at catching a
+likeness. If it were not for the annoyance one might feel pleased. The
+girl is young and pretty. If our years are double what they should be,
+our hearts are half our years."
+
+"They are. We cannot be angry with her."
+
+"Impossible."
+
+"Dear little Phillis!"--she was a good inch taller than either of the
+Twins, who, indeed, were exactly the same height, and it was five feet
+four--"she is charming in spite, perhaps on account, of her faults.
+Her property is in the Funds, you said Cornelius?"
+
+"Three-per-cents. Fifty thousand pounds--fifteen hundred a year; which
+is about half what Joseph pays income tax upon. A pleasant income,
+brother Humphrey."
+
+"Yes, I dare say." Humphrey tossed the question of money aside. "You
+and I, Cornelius, are among the few who care nothing about
+three-per-cents. What is money to us? what have we to do with incomes?
+Art, glorious Art, brother, is our mistress. She pays us, not in
+sordid gold, but in smiles, in gleams of a haven not to be reached by
+the common herd, in skies of a radiance visible only to the votary's
+eye."
+
+Cornelius sighed response. It was thus that the brothers kept up the
+sacred flame of artistic enthusiasm. Pity that they were compelled to
+spend their working hours in subjection to sleep, instead of Art. Our
+actions and our principles are so often at variance that their case is
+not uncommon.
+
+Then they had their first split soda; then they lit their pipes; for
+it was ten o'clock. Phillis was gone to bed; Joseph was in his own
+room; the fire was bright and the hearth clean. The Twins sat at
+opposite sides, with the "materials" on a chess-table between them,
+and prepared to make the usual night of it.
+
+"Cornelius," said Humphrey, "Joseph is greatly changed since she
+came."
+
+The Poet sat up and leaned forward, with a nod signifying concurrence.
+
+"He is, Humphrey; now you mention it, he is. And you think----"
+
+"I am afraid, Cornelius, that Joseph, a most thoughtful man in
+general, and quite awake to the responsibilities of his position----"
+
+"It is not every younger son, brother Humphrey, who has thought of
+changing his condition in life."
+
+Cornelius turned pale.
+
+"He has her to breakfast with him; she walks to the office with him;
+she makes him talk at dinner; Joseph never used to talk with us. He
+sits in the drawing-room after dinner. He used to go straight to his
+own room."
+
+"This is grave," said the Poet. "You must not, my dear Humphrey, have
+the gorgeous colouring and noble execution of your groups spoiled by
+the sordid cares of life. If Joseph marries, you and I would be thrown
+upon the streets, so to speak. What is two hundred a year?"
+
+"Nor must you, my dear brother, have the delicate fancies of your
+brain shaken up and clouded by mean and petty anxieties."
+
+"Humphrey," said the Poet, "come to me in half an hour in the
+Workshop. This is a time for action."
+
+It was only half-past ten, and the night was but just begun. He
+buttoned his dressing-gown across his chest, tightened the cord, and
+strode solemnly out of the room. The Painter heard his foot descend
+the stairs.
+
+"Excellent Cornelius," he murmured, lighting his second pipe; "he
+lives but for others."
+
+Joseph was sitting as usual before a pile of papers. It was quite true
+that Phillis was brightening up the life of this hard-working lawyer.
+His early breakfast was a time of pleasure; his walk to the office was
+not a solitary one; he looked forward to dinner; and he found the
+evenings tolerable. Somehow, Joseph Jagenal had never known any of the
+little _agrèmens_ of life. From bed to desk, from desk to bed, save
+when a dinner-party became a necessity, had been his life from the day
+his articles were signed.
+
+"You, Cornelius!" He looked up from his work, and laid down his pen.
+"This is unexpected."
+
+"I am glad to find you, as usual, at work, Joseph. We are a
+hard-working family. You with law-books; poor Humphrey, and I with----
+But never mind."
+
+He sighed and sat down.
+
+"Why poor Humphrey?"
+
+"Joseph, we were happy before this young lady came."
+
+"What has Phillis done? Why, we were then old fogies, with our
+bachelor ways; and she has roused us up a little. And again, why poor
+Humphrey?"
+
+"We were settled down in a quiet stream of labour, thinking that there
+would be no change. I see a great change coming over us now."
+
+"What change?"
+
+"Joseph, if it were not for Humphrey I should rejoice. I should say,
+'Take her; be happy in your own way.' For me, I only sing of love. I
+might perhaps sing as well in a garret and on a crust of bread,
+therefore it matters nothing. It is for Humphrey that I feel. How can
+that delicately-organised creature, to whom warmth, comfort and ease
+are as necessary as sunshine to the flower, face the outer world? For
+his sake, I ask you, Joseph, to reconsider your project, and pause
+before you commit yourself."
+
+Joseph was accustomed to this kind of estimate which one Twin
+invariably made of the other, but the reason for making it staggered
+him. He actually blushed. Being forty years of age, a bachelor, and a
+lawyer--on all these grounds presumably acquainted with the world and
+with the sex--he blushed on being accused of nothing more than a mere
+tendency in the direction of marriage.
+
+"This is the strangest whim!" he said. "Why, Cornelius, I am as likely
+to marry Phillis Fleming as I am to send Humphrey into the cold.
+Dismiss the thought at once, and let the matter be mentioned no more.
+Good-night, Cornelius."
+
+He turned to his papers again with the look of one who wishes to be
+alone. These Twins were a great pride to him, but he could not help
+sometimes feeling the slightest possible annoyance that they were not
+as other men. Still they were his charge, and in their future glory
+his own name would play an honourable part.
+
+"Good-night, Cornelius. It is good of you to think of Humphrey first.
+I shall not marry--either the child Phillis Fleming or any other
+woman."
+
+"Good-night, my dear Joseph. You have relieved my mind of a great
+anxiety. Good-night."
+
+Five minutes afterwards the door opened again.
+
+Joseph looked around impatiently.
+
+This time it was Humphrey. The light shone picturesquely on his great
+brown beard, so carefully trimmed and brushed; on the velvet jacket,
+in the pockets of which were his hands; and on his soft, large, limpid
+eyes, so full of unutterable artistic perception, such lustrous
+passion for colour and for form.
+
+"Well, Humphrey!" Joseph exclaimed, with more sharpness than he was
+wont to display to his brothers. "Are you come here on the same wise
+errand as Cornelius?"
+
+"Has Cornelius been with you?" asked the Painter artlessly. "What did
+Cornelius come to you for? Poor fellow! he is not ill, I trust, I
+thought he took very little dinner to-day."
+
+"Tut, tut! Don't you know why he came here?"
+
+"Certainly not, brother Joseph." This was of course strictly true,
+because Cornelius had not told him. Guesses are not evidence. "And it
+hardly matters, does it?" he asked, with a sweet smile. "For myself, I
+come because I have a thing to say."
+
+"Well? Come, Humphrey, don't beat about the bush."
+
+"It is about Miss--Fleming."
+
+"Ah!"
+
+"You guess already what I have to say, my dear Joseph. It is this: I
+have watched the birth and growth of your passion for this young lady.
+In some respects I am not surprised. She is certainly piquante as well
+as pretty. But, my dear brother Joseph, there is Cornelius."
+
+Joseph beat the tattoo on his chair.
+
+"Humphrey," he groaned, "I know all Cornelius's virtues."
+
+"But not the fragile nature of his beautifully subtle brain. That,
+Joseph, I alone know. I tremble to think what would become of
+that--that _deliciæ musurum_, were he to be deprived of the little
+luxuries which are to him necessities. A poet's brain, Joseph, is not
+a thing to be lightly dealt with."
+
+Joseph was touched at this appeal.
+
+"You are really, Humphrey, the most tender-hearted pair of creatures I
+ever saw. Would that all the world were like you! Take my assurance,
+if that will comfort you, that I have no thought whatever of marrying
+Phillis Fleming."
+
+"Joseph,"--Humphrey grasped his hand,--"this is, indeed, a sacrifice."
+
+"Not at all," returned Joseph sharply. "Sacrifice? Nonsense. And
+please remember, Humphrey, that I am acting as the young lady's
+guardian; that she is an heiress; that she is intrusted to me; and
+that it would be an unworthy breach of trust if I were even to think
+of such a thing. Besides which, I have a letter from Mr. Lawrence
+Colquhoun, who is coming home immediately. It is not at all likely
+that the young lady will remain longer under my charge. Good-night,
+Humphrey."
+
+"I had a thing to say to Joseph," said Humphrey, going up to the
+Workshop, "and I said it."
+
+"I too had a thing to say," said the Poet, "and I said it."
+
+"Cornelius, you are the most unselfish creature in the world."
+
+"Humphrey, you are--I have always maintained it--too thoughtful, much
+too thoughtful, for others. Joseph will not marry."
+
+"I know it; and my mind is relieved. Brother, shall we split another
+soda? It is only eleven."
+
+
+Joseph took up his paper. He neither smoked nor drank brandy-and-soda,
+finding in his work occupation which left him no time for either.
+To-night, however, he could not bring his mind to bear upon the words
+before him.
+
+He to marry? And to marry Phillis? The thought was new and startling.
+He put it from him; but it came back. And why not? he asked himself.
+Why should not he, as well as the rest of mankind, have his share of
+love and beauty? To be sure, it would be a breach of confidence as he
+told Humphrey. But Colquhoun was coming; he was a young man--his own
+age--only forty; he would not care to have a girl to look after; he
+would--again he thought behind him.
+
+But all night long Joseph Jagenal dreamed a strange dream, in which
+soft voices whispered things in his ears, and he thrilled in his sleep
+at the rustle of a woman's dress. He could not see her face,--dreams
+are always so absurdly imperfect--but he recognised her figure, and it
+was that of Phillis Fleming.
+
+
+
+
+CHAPTER XIII.
+
+"She never yet was foolish that was fair."
+
+
+The days sped on; but each day, as it vanished, made Phillis's heart
+sadder, because it brought her guardian nearer, and the second great
+change in her life, she thought, was inevitable. Think of a girl,
+brought up a cloistered nun, finding her liberty for a few short
+weeks, and then ordered back to her whitewashed cell. Phillis's
+feelings as regards Lawrence Colquhoun's return were coloured by this
+fear. It seemed as if, argument and probability notwithstanding, she
+might be suddenly and peremptorily carried back to prison, without the
+consolations of a maid, because Antoinette, as we know, would refuse
+to accompany her, or the kindly society of the poor old Abraham Dyson,
+now lying in a synonymous bosom.
+
+A short three weeks since her departure from Highgate; a short six
+weeks since Mr. Dyson's death; and the world was all so different. She
+looked back on herself, with her old ideas, contemptuously. "Poor
+Phillis!" she thought, "she knew so little." And as happens to every
+one of us, in every successive stage of life, she seemed to herself
+now to know everything. Life without the sublime conceit of being
+uplifted, by reason of superior inward light and greater outward
+experience, above other men, would be but a poor thing. Phillis
+thought she had the Key to Universal Knowledge, and that she was on
+the high-road to make that part of her life which should begin in two
+years' time easy, happy, and clear of pitfalls. From the Archbishop of
+Canterbury to Joe the crossing-sweeper, we all think in exactly the
+same way. And when the ages bring experience, and experience does not
+blot out memory, we recall our old selves with a kind of shame--wonder
+that we did not drop into the snare, and perish miserably; and
+presently fall to thanking God that we are rid of a Fool.
+
+A fortnight. Phillis counted the days, and drew a historical record of
+every one. Jack came three times: once after Mrs. Cassilis's dinner;
+once when he took her to the Tower of London; and once--I have been
+obliged to omit this third visit--when he sat for his portrait, and
+Phillis drew him full length, leaning against the mantelshelf, with
+his hands in his pockets--not a graceful attitude, but an easy one,
+and new to Phillis, who thought it characteristic. She caught Jack's
+cheerful spirit too, and fixed it by a touch in the gleam of his eye.
+Mrs. Cassilis came four times, and on each occasion took the girl for
+a drive, bought something for her, and sent the bill to Joseph
+Jagenal. On each occasion, also, she asked particularly for Lawrence
+Colquhoun. There were the little events with the Twins which we have
+recorded; and there were walks with Cæsar about the square. Once
+Joseph Jagenal took her to a picture-gallery, where she wanted to stay
+and copy everything; it was her first introduction to the higher Art,
+and she was half delighted, half confused. If Art critics were not
+such humbugs, and did not pretend to feel what they do not, they might
+help the world to a better understanding of the glories of painters.
+As it is, they are the only people, except preachers, to whom unreal
+gush is allowed by gods and men. After all, as no Art critic of the
+modern unintelligible gush-and-conceit school can paint or draw,
+perhaps if they were not to gush and pile up Alpine heaps of words
+they would be found out for shallow-bags. The ideal critic in Art is
+the great Master who sits above the fear of rivalry or the imputation
+of envy; in Literature it is the great writer from whom praise is
+honoured and dispraise the admonition of a teacher; in the Drama, a
+man who himself has moved the House with his words, and can afford to
+look on a new rising playwright with kindliness.
+
+Phillis in the Art Gallery was the next best critic to the calm and
+impartial Master. She was herself artist enough to understand the
+difficulties of art; she had that intense and real feeling for form
+and colour which Humphrey Jagenal affected; and her taste in Art was
+good enough to overmaster her sympathy with the subject. Some people
+are ready to weep at a tragical subject, however coarse the daub, just
+as they weep at the fustian of an Adelphi melodrama; Phillis was ready
+to weep when the treatment and the subject together were worthy of her
+tears. It seems as if she must have had her nature chilled; but it is
+not so.
+
+Time, which ought to be represented as a locomotive engine, moved on,
+and brought Lawrence Colquhoun at length to London. He went first to
+Joseph Jagenal's office, and heard that his ward was in safe-keeping
+with that very safe solicitor.
+
+"It was difficult," Joseph explained, "to know what to do. After the
+funeral of Mr. Dyson she was left alone in the place, with no more
+responsible person than a house-keeper. So, as soon as the arrangement
+could be made, I brought her to my own house. Three old bachelors
+might safely, I thought, be trusted with the protection of a young
+lady."
+
+"I am much obliged to you," said Colquhoun. "You have removed a great
+weight off my mind. What sort of a girl is she?"
+
+Joseph began to describe her. As he proceeded he warmed with his
+subject, and delineated a young lady of such passing charms of person
+and mind that Colquhoun was terrified.
+
+"My dear Jagenal, if you were not such a steady old file I should
+think you were in love with her."
+
+"My love days are over," said the man of conveyances. "That is, I
+never had any. But you will find Phillis Fleming everything that you
+can desire. Except, of course," he added, "in respect to her
+education. It certainly _is_ awkward that she does not know how
+to read."
+
+"Not know how to read?"
+
+
+"And so, you see," said the lawyer, completing the story we know
+already, "Mr. Dyson's property will go into Chancery, because Phillis
+Fleming has never learnt to read, and because we cannot find that
+chapter on the Coping-stone."
+
+"Hang the Coping-stone!" ejaculated Colquhoun. "I think I will go and
+see her at once. Will you let me dine with you to-night? And will you
+add to my obligations by letting her stay on with you till I can
+arrange something for her?"
+
+"What do you think of doing!"
+
+"I hardly know. I thought on the voyage, that I would do something in
+the very-superior-lady-companion way for her. To tell the truth, I
+thought it was a considerable bore--the whole thing. But she seems
+very different from what I expected, and perhaps I could ask my
+cousin, Mrs. L'Estrange, to take her into her own house for a time.
+Poor old Dyson! It is twelve years ago since I saw him last, soon
+after he took over the child. I remember her then, a solemn little
+thing, with big eyes, who behaved prettily. She held up her mouth to
+be kissed when she went to bed, but I suppose she won't do that now."
+
+"You can hardly expect it, I think," said Joseph.
+
+"Abraham Dyson talked all the evening about his grand principles of
+Female education. I was not interested, except that I felt sorry for
+the poor child who was to be an experiment. Perhaps I ought to have
+interfered as one of her trustees. I left the whole thing to him, you
+see, and did not even inquire after her welfare."
+
+"You two were, by some curious error of judgment, as I take it, left
+discretionary trustees. As he is dead, you have now the care of Miss
+Fleming's fifty thousand pounds. Mr. Dyson left it in the funds, where
+he found it. As your legal adviser, Mr. Colquhoun, I strongly
+recommend you to do the same. She will be entitled to the control and
+management of it on coming of age, but it is to be settled on herself
+when she marries. There is no stipulation as to trustees' consent. So
+that you only have the responsibility of the young lady and her
+fortune for two years."
+
+It was twelve o'clock in the day. Colquhoun left the office, and made
+his way in the direction of Carnarvon Square.
+
+As he ascended the steps of Number Fifteen, the door opened and two
+young men appeared. One was dressed in a short frock, with a flower in
+his buttonhole: the other had on a velvet coat, and also had a flower;
+one was shaven; the other wore a long and silky beard. Both had pale
+faces and red noses. As they looked at the stranger and passed him
+down the steps, Colquhoun saw that they were not so young and
+beautiful as they seemed to be: there were crowsfeet round the eyes,
+and their step had lost a little of its youthful buoyancy. He wondered
+who they were, and sent in his card to Miss Fleming.
+
+He was come, then, this new guardian. Phillis could not read the card,
+but Jane, the maid, told her his name.
+
+He was come; and the second revolution was about to begin.
+
+Instinctively Phillis's first thought was that there would be no more
+walks with Jack Dunquerque. Why she felt so it would be hard to
+explain, but she did.
+
+She stood up to welcome him.
+
+She saw a handsome young-looking man, with blue eyes, clear red and
+white complexion, regular features, a brown beard, and a curious look
+of laziness in his eyes. They were eyes which showed a repressed power
+of animation. They lit up at sight of his ward, but not much.
+
+He saw a girl of nineteen, tall, slight, shapely; a girl of fine
+physique; a girl whose eyes, like her hair, were brown; the former
+were large and full, but not with the fulness of short-sight; the
+latter was abundant, and was tossed up in the simplest fashion, which
+is also the most graceful. Lawrence the lazy felt his pulse quicken a
+little as this fair creature advanced, with perfect grace and
+self-possession, to greet him. He noticed that her dress was perfect,
+that her hands were small and delicate, and that her head was shaped,
+save for the forehead, which was low and broad, like that of some
+Greek statue. The Greeks knew the perfect shape of the head, but they
+made the forehead too narrow. If you think of it, you will find that
+the Venus of Milo would have been more divine still had her brows been
+but a little broader.
+
+"My ward?" he said. "Let us make acquaintance, and try to like each
+other. I am your new guardian."
+
+Phillis looked at him frankly and curiously, letting her hand rest in
+his.
+
+"When I saw you last--it was twelve years ago--you were a little maid
+of seven. Do you remember?"
+
+"I think I do; but I am not quite sure. Are you really my guardian?"
+
+"I am indeed. Do I not look like one? To be sure, it is my first
+appearance in the character."
+
+She shook her head.
+
+"Mr. Dyson was so old," she said, "that I suppose I grew to think all
+guardians old men."
+
+"I am only getting old," he sighed. "It is not nice to feel yourself
+going to get old. Wait twenty years, and you will begin to feel the
+same perhaps. But though I am thirty years younger than Mr. Dyson, I
+will try to treat you exactly as he did."
+
+Phillis's face fell, and she drew away her hand sharply.
+
+"Oh!" she cried. "But I am afraid that will not do any more."
+
+"Why, Phillis--I may call you Phillis since I am your guardian, may I
+not?--did he treat you badly? Why did you not write to me?"
+
+"I did not write, Mr. Colquhoun--if you call me Phillis, I ought to
+call you Lawrence, ought I not, because you are not old?--I did not
+write, because dear old Mr. Dyson treated me very kindly, and because
+you were away and never came to see me, and because I--I never learned
+to write."
+
+By this time Phillis had learned to feel a little shame at not being
+able to write.
+
+"Besides," she went on, "he was a dear old man, and I loved him. But
+you see, Lawrence, he had his views--Jagenal calls them crotchets--and
+he never let me go outside the house. Now I am free I do not like to
+think of being a prisoner again. If you try to lock me up, I am afraid
+I shall break the bars and run away."
+
+"You shall not be a prisoner, Phillis. That is quite certain. We shall
+find something better than that for you. But it cannot be very lively,
+in this big house, all by yourself."
+
+"Not very lively; but I am quite happy here."
+
+"Most young ladies read novels to pass away the time."
+
+"I know, poor things." Phillis looked with unutterable sympathy. "Mr.
+Dyson used to say that the sympathies which could not be quickened by
+history were so dull that fiction was thrown away upon them."
+
+"Did you never--I mean, did he never read you novels?"
+
+She shook her head.
+
+"He said that my imagination was quite powerful enough to be a good
+servant, and he did not wish it to become my master. And then there
+was something else, about wanting the experience of life necessary to
+appreciate fiction."
+
+"Abraham Dyson was a wise man, Phillis. But what do you do all day?"
+
+"I draw; I talk to my maid, Antoinette; I give the Twins their
+breakfast----"
+
+"Those were the Twins--Mr. Jagenal's elder brothers--whom I met on the
+steps, I suppose? I have heard of them. _Après_, Phillis?"
+
+"I play and sing to myself; I go out for a walk in the garden of the
+square; I go to Mr. Jagenal's office, and walk home with him; and I
+look after my wardrobe. Then I sit and think of what I have seen and
+heard--put it all away in my memory, or I repeat to my self over again
+some of the poetry which I learned at Highgate."
+
+"And you know no young ladies?"
+
+"No; I wish I did. I am curious to talk to young ladies--quite young
+ladies, you know, of my own age. I want to compare myself with them,
+and find out my faults. You will tell me my faults, Lawrence, will
+you?"
+
+"I don't quite think I can promise that, Phillis. You see, you might
+retaliate; and if you once begin telling me my faults, there would be
+no end."
+
+"Oh, I am sorry!" Phillis looked curiously at her guardian for some
+outward sign or token of the old Adam. But she saw none. "Perhaps I
+shall find them out some time, and then I will tell you."
+
+"Heaven forbid!" he said, laughing. "Now, Phillis, I have been asked
+to dine here, and I am going to be at your service all day. It is only
+one o'clock. What shall we do, and where shall we go?"
+
+"Anywhere," she replied, "anywhere. Take me into the crowded streets,
+and let me look at the people and the shops. I like that best of
+anything. But stay and have luncheon here first."
+
+They had luncheon. Colquhoun confessed to himself that this was a
+young lady calculated to do him the greatest credit. She acted hostess
+with a certain dignity which sat curiously on so young a girl, and
+which she had learned from presiding at many a luncheon in Mr. Dyson's
+old age among his old friends, when her guardian had become too infirm
+to take the head of his own table. There was, it is true, something
+wanting. Colquhoun's practised eye detected that at once. Phillis was
+easy, graceful, and natural. But she had not--the man of the world
+noticed what Jack Dunquerque failed to observe--she had not the
+unmistakable stamp of social tone which can only come by practice and
+time. The elements, however, were there before him; his ward was a
+diamond which wanted but a little polish to make her a gem of the
+first water.
+
+After luncheon they talked again; this time with a little more
+freedom. Colquhoun told her all he knew of the father who was but a
+dim and distant memory to her. "You have his eyes," he said, "and you
+have his mouth. I should know you for his daughter." He told her how
+fond this straight rider, this Nimrod of the hunting-field, had been
+of his little Phillis! how one evening after mess he told Colquhoun
+that he had made a will, and appointed him, Lawrence, with Abraham
+Dyson, the trustees of his little girl.
+
+"I have been a poor trustee, Phillis," Lawrence concluded. "But I was
+certain you were in good hands, and I let things alone. Now that I
+have to act in earnest, you must regard me as your friend and
+adviser."
+
+They had such a long talk that it was past four when they went out for
+their walk. Phillis was thoughtful and serious, thinking of the
+father, whom she lost so early. Somehow she had forgotten, at
+Highgate, that she once had a father. And the word mother had no
+meaning for her.
+
+Outside the house Lawrence looked at his companion critically.
+
+"Am I poorly dressed?" she asked, with a smile, because she knew that
+she was perfectly dressed.
+
+At all events, Lawrence thought he would have no occasion to be
+ashamed of his companion.
+
+"Let me look again, Phillis. I should like to give you a little better
+brooch than the one you have put on."
+
+"My poor old brooch! I cannot give up my old friend, Lawrence."
+
+She dropped quite easily into his Christian name, and hesitated no
+more over it than she did with Jack Dunquerque.
+
+He took her into a jeweler's shop and bought her a few trinkets.
+
+"There, Phillis, you can add those to your jewel-box."
+
+"I have no jewels."
+
+"No jewels! Where are your mother's?"
+
+"I believe they are all in the Bank, locked up. Perhaps they are with
+my money."
+
+Phillis's idea of her fifty thousand pounds was that the money was all
+in sovereigns, packed away in a box and put into a bank.
+
+"Well, I think you ought to have your jewels out, at any rate. Did Mr.
+Dyson give you any money to spend?"
+
+"No; and if he had I could not spend it, because I never went outside
+the house. Lawrence, give me some money, and let me buy something all
+by myself."
+
+He bought her a purse, and filled it with two or three sovereigns and
+a handful of silver.
+
+"Now you are rich, Phillis. What will you buy?"
+
+"Pictures, I think."
+
+In all this great exhibition of glorious and beautiful objects there
+was only one thing which Phillis wished to buy--pictures.
+
+"Well, let us buy some photographs."
+
+They were walking down Oxford Street, and presently they came to a
+photograph shop. Proud of her newly-acquired wealth, Phillis selected
+about twenty of the largest and most expensive. Colquhoun observed
+that her taste was good, and that she chose the best subjects. When
+she had all that she liked, together with one or two which she bought
+for Jack, with a secret joy surpassing that of buying for herself, she
+opened her purse and began to wonder how she was to pay.
+
+"Do you think your slender purse will buy all these views?" Colquhoun
+asked. "Put it up, Phillis, and keep it for another time. Let me give
+you these photographs."
+
+"But you said I should buy something." Her words and action were so
+childish that Lawrence felt a sort of pity for her. Not to know how to
+spend money seemed to lazy Lawrence, who had done nothing else all his
+life, a state of mind really deplorable. It would mean in his own case
+absolute deprivation of the power of procuring pleasure, either for
+himself or for any one else.
+
+"Poor little nun! Not to know even the value of money."
+
+"But I do. A sovereign is twenty shillings, and a shilling is twelve
+pence."
+
+"That is certainly true. Now you shall know the value of money. There
+is a beggar. He is going to tell us that he is hungry; he will
+probably add that he has a wife and twelve children, all under the age
+of three, in his humble home, and that none of them have tasted food
+for a week. What will you give him?"
+
+Phillis paused. How should she relieve so much distress? By this time
+they were close to the beggar. He was a picturesque rogue in rags and
+tatters and bare feet. Though it was a warm day he shivered. In his
+hand he held a single box of lights. But the fellow was young, well
+fed, and lusty. Lawrence Colquhoun halted on the pavement, and looked
+at him attentively.
+
+"This man," he explained to Phillis, "can get for a penny a small
+loaf; twopence will buy him a glass of ale; sixpence a dinner; for ten
+shillings he could get a suit of working clothes--which he does not
+want because he has no intention of doing any work at all; a sovereign
+would lodge and feed him for a fortnight, if he did not drink."
+
+"I should give him a sovereign," said Phillis. "Then he would be happy
+for a week."
+
+"Bless your ladyship," murmured the beggar. "I would get work, Gawd
+knows, if I could."
+
+"I remember this fellow," said Colquhoun, "for six years. He is a
+sturdy rogue. Best give nothing to him at all. Come on Phillis. We
+must look for a more promising subject."
+
+"Poor fellow!" said Phillis, closing her purse.
+
+They passed on, and the beggar-man cursed audibly. I believe it is Mr.
+Tupper, in his _Proverbial Philosophy_, who explains that what a
+beggar most wants, to make him feel happier, is sympathy. Now that was
+just what Phillis gave, and the beggar-man only swore.
+
+Colquhoun laughed.
+
+"You may keep your pity, Phillis, for some one who deserves it better.
+Now let us take a cab and go to the Park. It is four years since I saw
+the Park."
+
+It was five o'clock. The Park was fuller than when he saw it last. It
+grows more crowded year after year, as the upward pressure of an
+enriched multitude makes itself felt more and more. There was the
+usual throng about the gates, of those who come to look for great
+people, and like to tell whom they recognised, and who were pointed
+out to them. There were the pedestrians on either side the road;
+civilians after office hours; bankers and brokers from the City; men
+up from Aldershot; busy men hastening home; loungers leaning on the
+rails; curious colonials gazing at the carriages; Frenchmen trying to
+think that Hyde Park cannot compare with the Bois de Boulogne; Germans
+mindful of their mighty army, their great sprawling Berlin, the gap of
+a century between English prosperity and Teutonic militarism, and as
+envious as philosophy permits; Americans owning that New York, though
+its women are lovelier, has nothing to show beside the Park at five on
+a spring afternoon,--all the bright familiar scene which Colquhoun
+remembered so well.
+
+"Four years since I saw it last," he repeated to the girl. "I suppose
+there will be none of the faces that I used to know."
+
+He was wrong. The first man who greeted him was his old Colonel. Then
+he came across a man he had known in India. Then one whom he had last
+seen, a war correspondent, inside Metz. He shook hands with one,
+nodded to another, and made appointments with all at his club. And as
+each passed, he told something about him to his ward.
+
+"That is my old Colonel--your father's brother officer. The most
+gallant fellow who ever commanded a regiment. As soon as you are
+settled, I should like to bring him to see you. That is Macnamara of
+the _London Herald_--a man you can't get except in England. That
+is Lord Blandish; we were together up-country in India. He wrote a
+book about his adventures in Cashmere. I did not."
+
+It was a new world to Phillis. All these carriages? these people: this
+crowd--who were they?
+
+"They are not like the faces I see in the streets," she said.
+
+"No. Those are faces of men who work for bread. These are mostly of
+men who work not at all, or they work for honour. There are two or
+three classes of mankind, you know, Phillis."
+
+"Servants and masters?"
+
+"Not quite. You belong to the class of those who need not work--this
+class. Your father knew all these people. It is a happy world in its
+way--in its way," he repeated, thinking of certain shipwrecks he had
+known. "Perhaps it is better to _have_ to work. I do not know.
+Phillis, who----" He was going to ask her who was bowing to her, when
+he turned pale, and stopped suddenly. In the carriage which was
+passing within a foot of where they stood was a lady whom he
+knew--Mrs. Cassilis. He took off his hat, and Mrs. Cassilis stopped
+the carriage and held out her hand.
+
+"How do you do, Phillis dear? Mr. Colquhoun, I am glad to see you back
+again. Come as soon as you can and see me. If you can spare an
+afternoon as soon as you are settled, give it to me--for auld lang
+syne."
+
+The last words were whispered. Her lips trembled, and her hand shook
+as she spoke. And Lawrence's face was hard. He took off his hat and
+drew back, Phillis did not hear what he said. But Mrs. Cassilis drove
+on, and left the Park immediately.
+
+"Mrs. Cassilis trembled when she spoke to you, Lawrence." It was
+exactly what a girl of six would have said.
+
+"Did she, Phillis? She was cold perhaps. Or perhaps she was pleased to
+see old friends again. So you know her?"
+
+"Yes. I have dined at her house; and I have been shopping with her.
+She does not like me, I know; but she is kind. She has spoken to me
+about you."
+
+"So you know Mrs. Cassilis?" he repeated. "She does not look as if she
+had any trouble on her mind, does she? The smooth brow of a clear
+conscience--Phillis, if you have had enough of the Park, I think it is
+almost time to drive you home."
+
+Lawrence Colquhoun dined at Carnarvon Square. The Twins dined at their
+club; so that they had the evening to themselves and could talk.
+
+"I have made up my mind," Lawrence said, "to ask my cousin to take
+charge of you, Phillis. Agatha L'Estrange is the kindest creature in
+the world. Will you try to like her if she consents!"
+
+"Yes, I will try. But suppose she does not like me?"
+
+"Everybody likes you, Miss Fleming," said Joseph.
+
+"She is sure to like you," said Lawrence. "And I will come over often
+and see you; we will ride together, if you like. And if you would like
+to have any masters or lessons in anything----"
+
+"I think I should like to learn reading," Phillis remarked
+meditatively. "Mr. Abraham Dyson used to say"--she held up her finger,
+and imitated the manner and fidgety dogmatism of an old man--"'Reading
+breeds a restless curiosity, and engenders an irreverent spirit of
+carping criticism. Any jackanapes who can read thinks himself
+qualified to judge the affairs of the nation. Reading, indeed!' But I
+think I _should_ like, after all, to do what everybody else can do."
+
+
+
+
+CHAPTER XIV.
+
+ "You bear a gentle mind, and heavenly blessings
+ Follow such creatures."
+
+
+Half a mile or so above Teddington Lock--where you are quite above the
+low tides, which leave the mud-banks in long stretches and spoil the
+beauty of the splendid river; where the stream flows on evenly between
+its banks, only sometimes swifter and stronger, sometimes slower and
+more sluggish; where you may lie and listen a whole summer's day to
+the murmurous wash of the current among the lilies and the
+reeds,--there stands a house, noticeable among other houses by reason
+of its warm red brick, its many gables, and its wealth of creepers.
+Its gardens and lawns slope gently down to the river's edge; the
+willows hang over it, letting their long leaves, like maidens'
+fingers, lie lightly on the cool surface of the water; there is a
+boat-house, where a boat used to lie, but it is empty now--ivy covers
+it over, dark ivy that contrasts with the lighter greens of the sweet
+May foliage; the lilacs and laburnums are exulting in the transient
+glory of foliage and flower; the wisteria hangs its purple clusters
+like grapes upon the wall; there are greenhouses and vineries; there
+are flower-beds bright with the glories of modern gardening; and there
+are old-fashioned round plots of ground innocent of bedding-out, where
+flourish the good old-fashioned flowers, stocks, pansies, boy's-love,
+sweet-william, and the rest, which used to be cultivated for their
+perfume and colour long before bedding-out was thought of; an old
+brick wall runs down to the river's edge as a boundary on either side,
+thick and warm, with peaches, plums, and apricots trained in formal
+lines, and crowned with wall-flowers and long grasses, like the walls
+of some old castle. Behind are rooms which open upon the lawn; round
+the windows clamber the roses waiting for the suns of June; and if you
+step into the house from the garden, you will enter a dainty
+drawing-room, light and sunny, adorned with all manner of feminine
+things, and you will find, besides, boudoirs, studies, all sorts of
+pretty rooms into which the occupants of the house may retire, the
+time they feel disposed to taste the joys of solitude.
+
+The house of a lady. Does any one ever consider what thousands of
+these dainty homes exist in England? All about the country they
+stand--houses where women live away their innocent and restful lives,
+lapped from birth to death in an atmosphere of peace and warmth. Such
+luxury as they desire is theirs, for they are wealthy enough to
+purchase all they wish. Chiefly they love the luxury of Art, and fill
+their portfolios with water-colours. But their passions even for Art
+are apt to be languid, and they mostly desire to continue in the warm
+air, perfumed like the wind that cometh from the sweet south, which
+they have created round themselves. The echoes of the outer world fall
+upon their ears like the breaking of the rough sea upon a shore so far
+off that the wild dragging of the shingle, with its long-drawn cry,
+sounds like a distant song. These ladies know nothing of the fiercer
+joys of life, and nothing of its pains. The miseries of the world they
+understand not, save that they have been made picturesque in novels.
+They have no ambition, and take no part in any battles. They have not
+spent their strength in action, and therefore feel no weariness.
+Society is understood to mean a few dinners, with an occasional visit
+to the wilder dissipations of town; and their most loved
+entertainments are those gatherings known as garden parties. Duty
+means following up in a steady but purposeless way some line of study
+which will never be mastered. Good works mean subscription to
+societies. Many a kind lady thinks in her heart of hearts that the
+annual guinea to a missionary society will be of far more avail to her
+future welfare than a life of purity and innocence. The Christian
+virtues naturally find their home in such a house. They grow of their
+own accord, like the daisies, the buttercups, and the field
+convolvulus: Love, Joy, Peace, Gentleness, Goodness, Faith, Meekness,
+Temperance, all the things against which there is no law--which of
+them is not to be seen abundantly blossoming and luxuriant in the
+cottages and homes of these English ladies?
+
+In this house by the river lived Mrs. L'Estrange. Her name was Agatha,
+and everybody who knew her called her Agatha L'Estrange. When a woman
+is always called by her Christian name, it is a sign that she is loved
+and lovable. If a man, on the other hand, gets to be known, without
+any reason for the distinction, by _his_ Christian name, it is
+generally a sure sign that he is sympathetic, but blind to his own
+interests. She was a widow, and childless. She had been a widow so
+long, her husband had been so much older than herself, her married
+life had been so short, and the current of her life so little
+disturbed by it, that she had almost forgotten that she was once a
+wife. She had an ample income; she lived in the way that she loved;
+she gathered her friends about her; she sometimes, but at rare
+intervals, revisited society; mostly she preferred her quiet life in
+the country. Girls came from London to stay with her, and wondered how
+Agatha managed to exist. When the season was over, leaving its regrets
+and its fatigues, with the usual share of hollowness and Dead-Sea
+fruit they came again, and envied her tranquil home.
+
+She was first cousin to Lawrence Colquhoun, whom she still, from force
+of habit, regarded as a boy. He was very nearly the same age as
+herself, and they had been brought up together. There was nothing
+about his life that she did not know, except one thing--the reason of
+his abrupt disappearance four years before. She was his confidante: as
+a boy he told her all his dreams of greatness; as a young man all his
+dreams of love and pleasure. She knew the soft and generous nature,
+out of which great men cannot be formed, which was his. She saw the
+lofty dreams die away; and she hoped for him that he would keep
+something of the young ideal. He did. Lawrence Colquhoun was a man
+about town; but he retained his good-nature. It is not usual among the
+young gentlemen who pursue pleasure as a profession; it is not
+expected of them, after a few years of idleness, gambling, and the
+rest, to have any good-nature surviving, or any thought left at all,
+except for themselves; therefore Lawrence Colquhoun's case was
+unusual, and popularity proportional. He tired of garrison life; he
+sold out; he remained about town; the years ran on, and he neither
+married nor talked of marrying. But he used to go down to his cousin
+once a week, and talk to her about his idle life. There came a day
+when he left off coming, or if he came at all, his manner to his
+cousin was altered. He became gloomy; and one day she heard, in a
+brief and unsatisfactory letter, that he was going to travel for a
+lengthened period. The letter came from Scotland, and was as brief as
+a dinner invitation.
+
+He went; he was away for four years; during that time he never once
+wrote to her; she heard nothing of him or from him.
+
+One day, without any notice, he appeared again.
+
+He was very much the same as when he left England--men alter little
+between thirty and fifty--only a little graver; his beard a little
+touched with the grey hairs which belong to the eighth lustrum; his
+eyes a little crows-footed; his form a little filled out. The gloom
+was gone, however; he was again the kindly Lawrence, the genial
+Lawrence, Lawrence the sympathetic, Lawrence the lazy.
+
+He walked in as if he had been away a week. Agatha heard a step upon
+the gravel-walk, and knew it. Her heart beat a little--although a
+woman may be past forty she may have a heart still--and her eyes
+sparkled. She was sitting at work--some little useless prettiness. On
+the work-table lay a novel, which she read in the intervals of
+stitching; the morning was bright and sunny, with only a suspicion of
+east wind, and her windows were open; flowers stood upon her table;
+flowers in pots and vases stood in her windows; such flowers as bloom
+in May were bright in her garden, and the glass doors of her
+conservatory showed a wealth of flowers within. A house full of
+flowers, and herself a flower too--call her a rose fully blown, or
+call her a glory of early autumn--a handsome woman still, sweet and to
+be loved, with the softness of her tranquil life in every line of her
+face, and her warmth of heart in every passing expression.
+
+She started when she heard his step, because she recognised it. Then
+she sat up and smiled to herself. She knew how her cousin would come
+back.
+
+In fact he walked in at her open window, and held out his hand without
+saying a word. Then he sat down, and took a single glance at his
+cousin first and the room afterwards.
+
+"I have not seen you lately, Lawrence," said Agatha, as if he had been
+away for a month or so.
+
+"No; I have been in America."
+
+"Really! You like America?" She waited for him to tell her what he
+would.
+
+"Yes. I came back yesterday. You are looking well, Agatha."
+
+"I am very well."
+
+"And you have got a new picture on the wall. Where did you buy this?"
+
+"At Agnew's, three years ago. It was in the Exhibition. Now I think of
+it, you have been away for four years, Lawrence."
+
+"I like it. Have you anything to tell me, Agatha?"
+
+"Nothing that will interest you. The house is the same. We have had
+several dreadful winters, and I have been in constant fear that my
+shrubs would be killed. Some of them were. My dog Pheenie is dead, and
+I never intend to have another. The cat that you used to tease is
+well. My aviary has increased; my horses are the same you knew four
+years ago; my servants are the same; and my habits, I am thankful to
+say, have not deteriorated to my knowledge, although I am four years
+older."
+
+"And your young ladies--the traps you used to set for me when I was
+four years younger, Agatha--where are they?"
+
+"Married, Lawrence, all of them. What a pity that you could not fix
+yourself! But it is never too late to mend. At one time I feared you
+would be attracted by Victoria Pengelley."
+
+Lawrence Colquhoun visibly changed colour, but Agatha was not looking
+at him.
+
+"That would have been a mistake. I thought so then, and I know it now.
+She is a cold and bloodless woman, Lawrence. Besides, she is married,
+thank goodness. We must find you some one else."
+
+"My love days are over," he said, with a harsh and grating voice. "I
+buried them before I went abroad."
+
+"You will tell me all about that some day, when you feel
+communicative. Meantime, stay to dinner, and enliven me with all your
+adventures. You may have some tea if you like, but I do not invite
+you, because you will want to go away again directly afterwards.
+Lawrence, what do you intend to do, now you are home again? Are you
+going to take up the old aimless life, or shall you be serious?"
+
+"I think the aimless life suits me best. And it certainly is the
+slowest. Don't you think, Agatha, that as we have got to get old and
+presently to die, we may as well go in for making the time go slow?
+That is the reason why I have never done anything."
+
+"I never do anything myself, except listen to what other people tell
+me. But I find the days slip away all too quickly."
+
+"Agatha, I am in a difficulty. That is one of the reasons why I have
+come to see you to day."
+
+"Poor Lawrence! You always are in a difficulty."
+
+"This time it is not my fault; but it is serious. Agatha, I have
+got--a----"
+
+I do not know why he hesitated, but his cousin caught him up with a
+little cry.
+
+"Not a wife, Lawrence; not a wife without telling me!"
+
+"No, Agatha," he flushed crimson, "not a wife. That would have been a
+great deal worse. What I have got is a ward."
+
+"A ward?"
+
+"Do you remember Dick Fleming, who was killed in the hunting-field
+about fifteen years ago?"
+
+"Yes, perfectly. He was one of my swains ever so long ago, before I
+married my poor dear husband."
+
+Agatha had used the formula of her "poor dear husband" for more than
+twenty years; so long, in fact, that it was become a mere collocation
+of words, and had no longer any meaning, certainly no sadness.
+
+"He left a daughter, then a child of four or five. And he made me one
+of that child's guardians. The other was a Mr. Dyson, who took her and
+brought her up. He is dead, and the young lady, now nineteen years of
+age, comes to me."
+
+"But, Lawrence, what on earth are you going to do with a girl of
+nineteen?"
+
+"I don't know, Agatha. I cannot have her with me in the Albany, can
+I?"
+
+"Not very well, I think."
+
+"I cannot take a small house in Chester Square, and give
+evening-parties for my ward and myself, can I?"
+
+"Not very well, Lawrence."
+
+"She is staying with my lawyer, Jagenal; a capital fellow, but his
+house is hardly the right place for a young lady."
+
+"Lawrence, what will you do? This is a very serious responsibility."
+
+"Very."
+
+"What sort of a girl is she?"
+
+"Phillis Fleming is what you would call, I think, a beautiful girl.
+She is tall, and has a good figure. Her eyes are brown, and her hair
+is brown, with lots of it. Her features are small, and not too
+regular. She has got a very sweet smile, and I should say a good
+temper, so long as she has her own way."
+
+"No, doubt," said Agatha. "Pray, go on; you seem to have studied her
+appearance with a really fatherly care."
+
+"She has a very agreeable voice; a _naivete_ in manner that you
+should like; she is clever and well informed."
+
+"Is she strong-minded, Lawrence?"
+
+"NO," said Lawrence, with emphasis, "she is not. She has excellent
+ideas on the subject of her sex."
+
+"Always in extremes, of course, though I am not certain what."
+
+"She wants, so far as I can see, nothing but the society of some
+amiable accomplished gentlewoman----"
+
+"Lawrence, you are exactly the same as you always were. You begin by
+flattery. Now I know what you came here for."
+
+"An amiable accomplished gentlewoman, who would exercise a gradual and
+steady influence upon her."
+
+"You want her to stay with me, Lawrence. And you are keeping something
+back. Tell me instantly. You say she is beautiful. It must be
+something else. Are her manners in any way unusual? Does she drop
+_h's_, and eat with her knife?"
+
+"No, her manners are, I should say, perfect.'
+
+"Temper good, you say; manner perfect; appearance graceful. What can
+be the reserved objection? My dear cousin, you pique my curiosity. She
+is sometimes, probably insane?"
+
+"No, Agatha, not that I know of. It is only that her guardian brought
+her up in entire seclusion from the world, and would not have her
+taught to read and write."
+
+"How very remarkable!"
+
+"On the other hand, she can draw. She draws everything and everybody.
+She has got a book full of drawings which she calls her diary. They
+are the record of her life. She will show them to you, and tell you
+all her story. You will take her for a little while, Agatha, will
+you?"
+
+Of course she said "Yes." She had never refused Lawrence Colquhoun
+anything in her life. Had he been a needy man he would have been
+dangerous. But Lawrence Colquhoun wanted nothing for himself.
+
+"My dear Agatha, it is very good of you. You will find the most
+splendid material to work upon, better than you ever had. The girl is
+different from any other girl you have ever known. She talks and
+thinks like a boy. She is as strong and active as a young athlete. I
+believe she would outrun Atalanta; and yet I think she is a thorough
+woman at heart."
+
+"I should not at all wonder at her being a thorough woman at heart.
+Most of us are. But, Lawrence, you must not fall in love with your own
+ward."
+
+He laughed a little uneasily.
+
+"I am too old for a girl of nineteen," he replied.
+
+"At any rate, you have excited my curiosity. Let her come, Lawrence,
+as soon as you please. I want to see this paragon of girls, who is
+more ignorant than a charity school girl."
+
+"On the contrary, Agatha, she is better informed than most girls of
+her age. If she is not well read she is well told."
+
+"But really, Lawrence, think. She cannot read, even."
+
+"Not if you gave her a basketful of tracts. But that is rather a
+distinction now. At least she will never want to go in for what they
+call the Higher Education, will she?"
+
+"She must learn to read; but will she ever master Spelling?"
+
+"Very few people do; they only pretend. I am weak myself in spelling.
+Phillis does not want to be a certificated Mistress, Agatha."
+
+"And Arithmetic, too."
+
+"Well, my cousin, of course the Rule of Three is as necessary to life
+as the Use of the Globes, over which the schoolmistresses used to keep
+such a coil. And it has been about as accessible to poor Phillis as an
+easy seat to a tombstone cherub. But she can count and multiply and
+add, and tell you how much things ought to come to; and really when
+you think of it, a woman does not want much more, does she?"
+
+"It is the mental training, Lawrence. Think of the loss of mental
+training."
+
+"I feel that, too," he said, with a smile of sympathy. "Think of
+growing up without the discipline of Vulgar Fractions or Genteel
+Decimals. One is appalled at imagining what our young ladies would be
+without it. But you shall teach her what you like, Agatha."
+
+"I am half afraid of her, Lawrence."
+
+"Nonsense, my cousin; she is sweetness itself. Let me bring her
+to-morrow."
+
+"Yes; she can have the room next to mine." Agatha sighed a little.
+"Suppose we don't get on together after all. It would be such a
+disappointment, and such a pain to part."
+
+"Get on, Agatha?--and with you? Well, all the world gets on with you.
+Was there ever a girl in the world that you did not get on with?"
+
+"Yes, there was. I never got on with Victoria Pengelley--Mrs.
+Cassilis. Shall you call upon her, Lawrence?"
+
+"No--yes--I don't know, Agatha," he replied, hurriedly; and went away
+with scant leave-taking. He neither took any tea nor stayed to dinner.
+
+Then Agatha remembered.
+
+"Of course," she said. "How stupid of me! They used to talk about
+Lawrence and Victoria. Can he think of her still? Why, the woman is as
+cold as ice and as hard as steel, besides being married. A man who
+would fall in love with Victoria Pengelley would be capable of falling
+in love with a marble statue."
+
+"My cousin, Lawrence Colquhoun," she told her friends in her
+letters--Agatha spent as much time letter-writing as Madame du
+Deffand--"has come back from his travels. He is not at all changed,
+except that he has a few grey hairs in his beard. He laughs in the
+same pleasant way; has the same soft voice; thinks as little seriously
+about life; and is as perfectly charming as he has always been. He has
+a ward, a young lady, daughter of an old friend of mine. She is named
+Phillis Fleming. I am going to have her with me for a while, and I
+hope you will come and make her acquaintance, but not just yet, not
+until we are used to each other. I hear nothing but good of her."
+
+Thus did this artful woman gloss over the drawbacks of poor Phillis's
+education. Her friends were to keep away till such time as Phillis had
+been drilled, inspected, reviewed, manoeuvred, and taught the social
+tone. No word, you see, of the little deficiencies which time alone
+could be expected to fill up. Agatha L'Estrange, in her way, was a
+woman of the world. She expected, in spite of her cousin's favourable
+report, to find an awkward, rather pretty, wholly unpresentable
+hoyden. And she half repented that she had so easily acceded to
+Lawrence Colquhoun's request.
+
+
+It was nearly six next day when Phillis arrived. Her guardian drove
+her out in a dog-cart, her maid following behind with the luggage.
+This mode of conveyance being rapid, open, and especially adapted for
+purposes of observation, pleased Phillis mightily; she even preferred
+it to a hansom cab. She said little on the road, being too busy in the
+contemplation of men and manners. Also she was yet hardly at home with
+her new guardian. He was pleasant; he was thoughtful of her; but she
+had not yet found out how to talk with him. Now, with Jack
+Dunquerque--and then she began to think how Jack would look driving a
+dog-cart, and how she should look beside him.
+
+Lawrence Colquhoun looked at his charge with eyes of admiration. Many
+a prettier girl, he thought, might be seen in a London ballroom or in
+the Park, but not one brighter or fresher. Where did it come from,
+this piquant way?
+
+Phillis asked no more questions about Mrs. L'Estrange. Having once
+made up her mind that she should rebel and return to Mr. Jagenal in
+case she did not approve of Mr. Colquhoun's cousin, she rested
+tranquil. To be sure she was perfectly prepared to like her, being
+still in the stage of credulous curiosity in which every fresh
+acquaintance seemed to possess all possible virtues. Up to the present
+she had made one exception; I am sorry to say it was that of the only
+woman she knew--Mrs. Cassilis. Phillis could not help feeling as if
+life with Mrs. Cassilis would after a time become tedious. Rather, she
+thought, life with the Twins.
+
+They arrived at the house by the river. Agatha was in the garden. She
+looked at her visitor with a little curiosity, and welcomed her with
+both hands and a kiss. Mrs. Cassilis did not kiss Phillis. In fact,
+nobody ever had kissed her at all since the day when she entered
+Abraham Dyson's house. Jack, she remembered, had proposed to commence
+their friendship with an imitation of the early Christians, but the
+proposal, somehow, came to nothing. So when Agatha drew her gently
+towards herself and kissed her softly on the forehead, poor Phillis
+changed colour and was confused. Agatha thought it was shyness, but
+Phillis was never shy.
+
+"You are in good time, Lawrence. We shall have time for talk before
+dinner. You may lie about in the garden, if you please, till we come
+to look for you. Come, my dear, and I will show you your room."
+
+At Highgate Phillis's room was furnished with a massive four post
+bedstead and adorned with dusky hangings. Solidity, comfort, and that
+touch of gloom which our grandfathers always lent to their bedrooms,
+marked the Highgate apartment. At Carnarvon Square she had the "spare
+room," and it was furnished in much the same manner, only that it was
+larger, and the curtains were of lighter colour.
+
+She saw now a small room, still with the afternoon sun upon it, with a
+little iron bedstead in green and gold, and white curtains. There was
+a sofa, an easy-chair, a table at one of the windows, and one in the
+centre of the room; there were bookshelves; and there were pictures.
+
+Phillis turned her bright face with a grateful cry of surprise.
+
+"Oh, what a beautiful room!"
+
+"I am glad you like it, my dear. I hope you will be comfortable in
+it."
+
+Phillis began to look at the pictures on the wall.
+
+She was critical about pictures, and these did not seem very good.
+
+"Do you like the pictures?"
+
+"This one is out of drawing," she said, standing before a
+water-colour. "I like this better," moving on to the next; "but the
+painting is not clear."
+
+Agatha remembered what she had paid for these pictures, and hoped the
+fair critic was wrong. But she was not; she was right.
+
+And then, in her journey round the room, Phillis came to the open
+window, and cried aloud with surprise and astonishment.
+
+"O Mrs. L'Estrange! is it--it----" she asked, in an awestruck voice,
+turning grave eyes upon her hostess, as if imploring that no mistake
+should be made on a matter of such importance. "Is it--really--the
+Thames?"
+
+"Why, my dear, of course it is."
+
+"I have never seen a river. I have so longed to see a river, and
+especially the Thames. Do you know--
+
+ "'Sweet Thames, run softly till I end my song!'
+
+"And again--Oh, there are swans!
+
+ "'With that I saw two swans of goodly hue
+ Come softly swimming down along the lee;
+ Two fairer birds I never yet did see.'"
+
+"I am glad you read poetry, my dear."
+
+"But I do not. I cannot read; I only remember. Mrs. L'Estrange, can we
+get close to it, quite close to the water? I want to see it flowing."
+
+They went back into the garden, where Lawrence was lying in the shade,
+doing nothing. Phillis looked not at the flowers or the spring
+blossoms; she hurried Agatha across the lawn, and stood at the edge,
+gazing at the water.
+
+"I should like," she murmured presently, after a silence--"I should
+like to be in a boat and drift slowly down between the banks, seeing
+everything as we passed, until we came to the place where all the
+ships come up. Jack said he would take me to see the great ships
+sailing home laden with their precious things. Perhaps he will. But, O
+Mrs. L'Estrange, how sweet it is! There is the reflection of the tree;
+see how the swans sail up and down; there are the water-lilies; and
+look, there are the light and shade chasing each other up the river
+before the wind."
+
+Agatha let her stay a little longer, and then led her away to show her
+the flowers and hothouses. Phillis knew all about these and discoursed
+learnedly. But her thoughts were with the river.
+
+Lawrence went away soon after dinner. It was a full moon, and the
+night was warm. Agatha and Phillis went into the garden again when
+Lawrence left them. It was still and silent, and as they stood upon
+the walk, the girl heard the low murmurous wash of the current singing
+an invitation among the grasses and reeds of the bank.
+
+"Let us go and look at the river again," she said.
+
+If it was beautiful in the day, with the evening sun upon it, it was
+ten times as beautiful by night, when the shadows made great
+blacknesses, and the bright moon silvered all the outlines and threw a
+long way of light upon the rippling water.
+
+Presently they came in and went to bed.
+
+Agatha, half an hour later, heard Phillis's window open. The girl was
+looking at the river again in the moonlight. She saw the water glimmer
+in the moonlight; she heard the whisper of the waves. Her
+thoughts--they were the long thoughts of a child--went up the stream,
+and wondered through what meadows and by what hills the stream had
+flowed; then she followed the current down, and had to picture it
+among the ships before it was lost in the mighty ocean.
+
+As she looked there passed a boat full of people. They were probably
+rough and common people, but among them was a woman, and she was
+singing. Phillis wondered who they were. The woman had a sweet voice.
+As they rowed by the house one of the men lit a lantern, and the light
+fell upon their faces, making them clear and distinct for a moment,
+and then was reflected in the black water below. Two of them were
+rowing, and the boat sped swiftly on its way down the stream. Phillis
+longed to be with them on the river.
+
+When they were gone there was silence for a space, and then the night
+became suddenly musical.
+
+"Jug, jug, jug!" It was the nightingale; but Phillis's brain was
+excited, and to her it was a song with words. "Come, come, come!" sang
+the bird. "Stay with us here and rest--and rest. This is better than
+the town. Here are sweetness and peace; this is the home of love and
+gentleness; here you shall find the Coping-stone."
+
+
+
+
+CHAPTER XV.
+
+ "But if ye saw that which no eyes can see,
+ The inward beauty of her lively spright
+ Garnished with heavenly gifts of high degree,
+ Much more, then, would you wonder at the sight."
+
+
+"I like her, my dear Lawrence," Agatha wrote, a fortnight after
+Phillis's arrival. "I like her not only a great deal better than I
+expected, but more than any girl I have ever learned to know. She is
+innocent, but then innocence is very easily lost; she is fresh, but
+freshness is very often a kind of electro-plating, which rubs off and
+shows the base metal beneath. Still Phillis's nature is pure gold; of
+that I am quite certain; and with sincere people one always feels at
+ease.
+
+"We were a little awkward at first, though perhaps the awkwardness was
+chiefly mine, because I hardly knew what to talk about. It seemed as
+if, between myself and a girl who cannot read or write, there must be
+such a great gulf that there would be nothing in common. How conceited
+we are over our education! Lawrence, she is quite the best-informed
+girl that I know; she has a perfectly wonderful memory; repeats pages
+of verse which her guardian taught her by reading it to her; talks
+French very well, because she has always had a French maid; plays and
+sings by ear; and draws like a Royal Academician. The curious thing,
+however, is the effect which her knowledge has had upon her mind. She
+knows what she has been told, and nothing more. Consequently her mind
+is all light and shade, like a moonlight landscape. She wants
+_atmosphere_; there is no haze about her. I did not at all understand,
+until I knew Phillis, what a very important part haze plays in our
+everyday life. I thought we were all governed by clear and definite
+views of duty, religion, and politics. My poor Lawrence, we are all in
+a fog. It is only Phillis who lives in the cloudless realms of pure
+conviction. In politics she is a Tory, with distinct ideas on the
+necessity of hanging all Radicals. As for her religion---- But that
+does not concern you, my cousin. Or, perhaps, like most of your class,
+you never think about religion at all, in which case you would not be
+interested in Phillis's doctrines.
+
+"I took her to church on Sunday. Before the service I read her the
+hymns which we were to sing, and after she had criticised the words in
+a manner peculiarly her own, I read them again, and she knew those
+hymns. I also told her to do exactly as I did in the matter of
+uprising and downsitting.
+
+"One or two things I forgot, and in other one or two she made little
+mistakes. It is usual, Lawrence, as you may remember, for worshippers
+to pray in silence before sitting down. Phillis was looking about the
+church, and therefore did not notice my performance of this duty. Also
+I had forgotten to tell her that loud speech is forbidden by custom
+within the walls of a church. Therefore it came upon me with a shock
+when Phillis, after looking round in her quick eager way, turned to me
+and said quite aloud, 'This is a curious place! Some of it is pretty,
+but some is hideous.'
+
+"It was very true, because the church has a half-a-dozen styles, but
+the speech caused a little consternation in the place. I think the
+beadle would have turned us out had he recovered his presence of mind
+in time. This he did not, fortunately, and the service began.
+
+"No one could have behaved better during prayers than Phillis. She
+knelt, listening to every word. I could have wished that her intensity
+of attitude had not betrayed a perfect absence of familiarity with
+church customs. During the psalms she began by listening with a little
+pleasure in her face. Then she looked a little bored; and presently
+she whispered to me, 'Dear Agatha, I really must go out if this tune
+is not changed.' Fortunately the psalms were not long.
+
+"She liked the hymns, and made no remark upon them, except that one of
+the choir-boys was singing false, and that she should like to take him
+out of the choir herself, there and then. It was quite true, and I
+really feared that her sense of duty might actually impel her to take
+the child by the ear and lead him solemnly out of the church.
+
+"During the sermon, I regret to say that she burst out laughing. You
+know Phillis's laugh--a pretty rippling laugh, without any malice in
+it. Oh, how rare a sweet laugh is! The curate, who was in the
+pulpit--a very nice young man, and a gentleman, but not, I must own,
+intellectual; and I hear he was plucked repeatedly for his
+degree--stopped, puzzled and indignant, and then went on with his
+discourse. I looked, I suppose, so horrified that Phillis saw she had
+done wrong, and blushed. There were no more _contretemps_ in the
+church.
+
+"'My dear Agatha,' she explained, when we came out, 'I suppose I ought
+not to have laughed. But I really could not help it. Did you notice
+the young gentleman in the box? He was trying to act, but he spoke the
+words so badly, just as if he did not understand them. And I laughed
+without thinking. I am afraid it was very rude of me.'
+
+"I tried to explain things to her, but it is difficult, because
+sometimes you do not quite know her point of view.
+
+"Next day the curate called. To my vexation Phillis apologised.
+Without any blushes she went straight to the point.
+
+"'Forgive me,' she said. 'I laughed at you yesterday in church; I am
+very sorry for it.'
+
+"He was covered with confusion, and stammered something about the
+sacred building.
+
+"'But I never was in a church before,' she went on.
+
+"'That is very dreadful!' he replied. 'Mrs. L'Estrange, do you not
+think it is a very dreadful state for a young lady?'
+
+"Then she laughed again, but without apologising.
+
+"'Mr. Dyson used to say,' she explained to me, 'that everybody's
+church is in his own heart. He never went to church, and he did not
+consider himself in a dreadful state at all, poor dear old man.'
+
+"If she can fall back on an axiom of Mr. Abraham Dyson's, there is no
+further argument possible.
+
+"The curate went away. He has been here several times since, and I am
+sure that I am not the attraction. We have had one or two little
+afternoons on the lawn, and it is pretty to see Phillis trying to take
+an interest in this young man. She listens to his remarks, but they
+fail to strike her; she answers his questions, but they seem to bore
+her. In fact, he is much too feeble for her; she has no respect for
+the cloth at all; and I very much fear that what is sport to her is
+going to be death to him. Of course, Lawrence, you may be quite sure
+that I shall not allow Phillis to be compromised by the attentions of
+any young man--yet. Later on we shall ask your views.
+
+"Her guardian must have been a man of great culture. He has taught her
+very well, and everything. She astonished the curate yesterday by
+giving him a little historical essay on his favourite Laud. He
+understood very little of it, but he went away sorrowful. I could read
+in his face a determination to get up the whole subject, come back,
+and have it out with Phillis. But she shall not be dragged into an
+argument, if I can prevent it, with any young man. Nothing more easily
+leads to entanglements, and we must be ambitious for our Phillis.
+
+"'It is a beautiful thing!' she said the other day, after I had been
+talking about the theory of public worship--'a beautiful thing for the
+people to come together every week and pray. And the hymns are sweet,
+though I cannot understand why they keep on singing the same tune, and
+that such a simple thing of a few notes.'
+
+"The next Sunday I had a headache, and Phillis refused to go to church
+without me. She spent the day drawing on the bank of the river.
+
+"Mrs. Cassilis has been to call upon us. Victoria was never a great
+friend of mine when she was young, and I really like her less now. She
+was kind to Phillis, and proposed all sorts of hospitalities, which we
+escaped for the present. I quite think that Phillis should be kept out
+of the social whirl for a few months longer.
+
+"Victoria looked pale and anxious. She asked after you in her iciest
+manner; wished to know where you were; said that you were once one of
+her friends; and hoped to see you before long. She is cold by nature,
+but her coldness was assumed here, because she suddenly lost it. I am
+quite sure, Lawrence, that Victoria Pengelley was once touched, and by
+you. There must have been something in the rumours about you two, four
+years ago. Lazy Lawrence! It is a good thing for you that there was
+nothing more than rumour.
+
+"We were talking of other things--important things, such as Phillis's
+wardrobe, which wants a great many additions--when Victoria _a
+propos_ of nothing, asked me if you were changed at all. I said no,
+except that you were more confirmed in laziness. Then Phillis opened
+her portfolio, where she keeps her diary after her own fashion, and
+showed the pencil sketch she has made of your countenance. It is a
+good deal better than any photograph, because it has caught your
+disgraceful indolence, and you stand confessed for what you are. How
+the girl contrives to put the _real_ person into her portraits, I
+cannot tell. Victoria took it, and her face suddenly softened. I have
+seen the look on many a woman's face. I look for it when I suspect
+that one of my young friends has dropped head over ears in love; it
+comes into her eyes when young Orlando enters the room, and then I
+know and act accordingly. Poor Victoria! I ought not to have told you,
+Lawrence, but you will forget what I said. She glanced at the portrait
+and changed colour. Then she asked Phillis to give it to her. 'You can
+easily make another,' she said, 'and I will keep this, as a specimen
+of your skill and a likeness of an old friend.'
+
+"She kept it, and carried it away with her.
+
+"I have heard all about the Coping-stone. What a curious story it is!
+Phillis talks quite gravely of the irreparable injury to the science
+of Female Education involved in the loss of that precious chapter. Mr.
+Jagenal is of opinion that without it the Will cannot be carried out,
+in which case Mr. Cassilis will get the money. I sincerely hope he
+will. I am one of those who dislike, above all things, notoriety for
+women, and I should not like our Phillis's education and its results
+made the subject of lawyers' wit and rhetoric in the Court of
+Chancery. Do you know Mr. Gabriel Cassilis? He is said to be the
+cleverest man in London, and has made an immense fortune. I hope
+Victoria is happy with him. She has a child, but does not talk much
+about it.
+
+"I have been trying to teach Phillis to read. It is a slow process,
+but the poor girl is very patient. How we ever managed to 'worry
+through,' as the Americans say, with such a troublesome acquirement, I
+cannot understand. We spend two hours a day over the task, and are
+still in words of one syllable. Needless to tell you that the
+lesson-book--'First Steps in Reading'--is regarded with the most
+profound contempt, and is already covered with innumerable drawings in
+pencil.
+
+"Notes in music are easier. Phillis can already read a little, but the
+difficulty here is, that if she learns the air from the notes, she
+knows it once for all, and further reading is superfluous. Now, little
+girls have as much difficulty in playing notes as in spelling them
+out, so that they have to be perpetually practising the art of
+reading. I now understand why people who teach are so immeasurably
+conceited. I am already so proud of my superiority to Phillis in being
+able to read, that I feel my moral nature deteriorating. At least, I
+can sympathise with all school-masters, from the young man who holds
+his certificated nose high in the air, to Dr. Butler of Harrow, who
+sews up the pockets of his young gentlemen's trousers.
+
+"Are you tired of my long letter? Only a few words more.
+
+"I have got a music and a singing master for Phillis. They are both
+delighted with her taste and musical powers. Her voice is very sweet,
+though not strong. She will never be tempted to rival professional
+people, and will always be sure to please when she sings.
+
+"I have also got an artist to give her a few lessons in the management
+of her colours. He is an elderly artist, with a wife and bairns of his
+own, not one of the young gentlemen who wear velvet coats and want to
+smoke all day.
+
+"You must yourself get a horse for her, and then you can come over and
+ride with her. At present she is happy in the contemplation of the
+river, which exercises an extraordinary power over her imagination.
+She is now, while I write, sitting in the shade, singing to herself in
+solitude. Beside her is the sketch-book, but she is full of thought
+and happy to be alone. Lawrence, she is a great responsibility, and it
+is sad to think that the Lesson she most requires to learn is the
+Lesson of distrust. She trusts everybody, and when anything is done or
+said which would arouse distrust in ourselves, she only gets puzzled
+and thinks of her own ignorance. Why cannot we leave her in the
+Paradise of the Innocent, and never let her learn that every stranger
+is a possible villain? Alas, that I must teach her this lesson; and
+yet one would not leave her to find it out by painful experience! My
+dear Lawrence, I once read that it was the custom in savage times to
+salute the stranger with clubs and stones, because he was sure to be
+an enemy. How far have we advanced in all these years? You sent
+Phillis to me for teaching, but it is I who learned from her. I am a
+worldly woman, cousin Lawrence, and my life is full of hollow shams.
+Sometimes I think that the world would be more tolerable were all the
+women as illiterate as dear Phillis.
+
+"Do not come to see her for a few days yet, and you will find her
+changed in those few things which wanted change."
+
+
+Sitting in solitude? Gazing on the river? Singing to herself? Phillis
+was quite otherwise occupied, and much more pleasantly.
+
+She had been doing all these things, with much contentment of soul,
+while Agatha was writing her letters. She sat under the trees upon the
+grass, a little straw hat upon her head, letting the beauty of the
+season fill her soul with happiness. The sunlit river rippled at her
+feet; on its broad surface the white swans lazily floated! the soft
+air of early summer fanned her cheek: the birds darted across the
+water as if in ecstasy of joy at the return of the sun--as a matter of
+fact they had their mouths wide open and were catching flies; a lark
+was singing in the sky; there were a blackbird and a thrush somewhere
+in the wood across the river: away up the stream there was a fat old
+gentleman sitting in a punt; he held an umbrella over his head,
+because the sun was hot, and he supported a fishing-rod in his other
+hand. Presently he had a nibble, and in his anxiety he stood up the
+better to manoeuvre his float; it was only a nibble, and he sat down
+again. Unfortunately he miscalculated the position of the chair, and
+sat upon space, so that he fell backwards all along the punt. Phillis
+heard the bump against the bottom of the boat, and saw a pair of fat
+little legs sticking up in the most comical manner; she laughed, and
+resolved upon drawing the fat old gentleman's accident as soon as she
+could find time.
+
+The afternoon was very still; the blackbird carolled in the trees, and
+the "wise thrush" repeated his cheerful philosophy; the river ran with
+soft whispers along the bank; and Phillis began to look before her
+with eyes that saw not, and from eyelids that, in a little, would
+close in sleep.
+
+Then something else happened.
+
+A boat came suddenly up the river, close to her own bank. She saw the
+bows first, naturally; and then she saw the back of the man in it.
+Then the boat revealed itself in full, and Phillis saw that the crew
+consisted of Jack Dunquerque. Her heart gave a great leap, and she
+started from the Sleepy Hollow of her thoughts into life.
+
+Jack Dunquerque was not an ideal oar, such as one dreams of and reads
+about. He did not "grasp his sculls with the precision of a machine,
+and row with a grand long sweep which made the boat spring under his
+arms like a thing of life"--I quote from an author whose name I have
+forgotten. Quite the contrary; Jack was rather unskilful than
+otherwise; the ship in which he was embarked was one of those crank
+craft consisting of a cedar lath with crossbars of iron; it was a boat
+without outriggers, and he had hired it at Richmond. He was not so
+straight in the back as an Oxford stroke! and he bucketed about a good
+deal, but he got along.
+
+Just as he was nearing Phillis he fell into difficulties, in
+consequence of one oar catching tight in the weeds. The effect of this
+was, as may be imagined, to bring her bows on straight into the bank.
+In fact, Jack ran the ship ashore, and sat with the bows high on the
+grass just a few inches off Phillis's feet. Then he drew himself
+upright, tried to disentangle the oar, and began to think what he
+should do next.
+
+"I wish I hadn't come," he said aloud.
+
+Phillis laughed silently.
+
+Then she noticed the painter in the bows though she did not know it by
+that name. Painters in London boats are sometimes longish ropes, for
+convenience of mooring. Phillis noiselessly lifted the cord and tied
+it fast round the trunk of a small elder-tree beside her. Then she sat
+down again and waited. This was much better fun than watching an
+elderly gentleman tumbling backwards in a punt.
+
+Jack, having extricated the scull and rested a little, looked at his
+palms, which were blistering under the rough exercise of rowing, and
+muttered something inaudible. Then he seized the oars again and began
+to back out vigorously.
+
+The boat's bows descended a few inches, and then, the painter being
+taut, moved no more.
+
+Phillis leaned forward, watching Jack with a look of rapturous
+delight.
+
+"Damn the ship!" said Jack softly, after three or four minutes'
+strenuous backing.
+
+"Don't swear at the boat, Jack," Phillis broke in, with her low laugh
+and musical voice.
+
+Jack looked round. There was his goddess standing on the bank,
+clapping her hands with delight. He gave a vigorous pull, which drove
+the boat half-way up to shore and sprang out.
+
+"Jack, you must not use words that sound bad. Oh, how glad I am to see
+you! I think you look best in flannels, Jack."
+
+"You here, Phil? I thought it was a mile higher up."
+
+"Did you know where I was gone to?"
+
+"Yes, I found out. I asked Colquhoun, and he told me. But he did not
+offer to introduce me to Mrs. L'Estrange; and so I thought I would--I
+thought that perhaps if I rowed up the river, you know, I might
+perhaps see you."
+
+"O Jack," she replied, touched by this act of friendship, "did you
+really row up in the hope of seeing me? I am so glad. Will you come in
+and be introduced to Agatha,--that is, Mrs. L'Estrange? I have not yet
+told her about you, because we had so many things to say."
+
+"Let us sit down and talk a little first. Phil, you look even better
+than when you were at Carnarvon Square. Tell me what you are doing."
+
+"I am learning to read for one thing; and, Jack, a much more important
+thing, I am taking lessons in water-colour drawing. I have learned a
+great deal already, quite enough to show me how ignorant I have been.
+But, Jack, Mr. Stencil cannot draw so well as I can, and I am glad to
+think so."
+
+"When shall we be able to go out again for another visit somewhere,
+Phil?"
+
+"Ah, I do not know. We shall stay here all the summer, I am sure; and
+Agatha talks of going to the seaside in the autumn. I do not think I
+shall like the sea so much as I like the river, but I want to see it.
+Jack, how is Mr. Gilead Beck? have you seen him lately?"
+
+"Yes, I very often see him. We are great friends. But never mind him,
+Phil; go on telling me about yourself. It is a whole fortnight since I
+saw you."
+
+"Is it really? O Jack! and we two promised to be friends. There is
+pretty friendship for you! I am very happy, Jack. Agatha L'Estrange is
+so kind that I cannot tell you how I love her. Lawrence Colquhoun is
+her first cousin. I like my guardian, too, very much; but I have not
+yet found out how to talk to him. I am to have a horse as soon as he
+can find me one; and then we shall be able to ride together, Jack, if
+it is not too far for you to come out here."
+
+"Too far, Phil?"
+
+"Agatha is writing letters. Certainly it must be pleasant to talk to
+your friends when they are away from you. I shall learn to write as
+fast as I can, and then we will send letters to each other. I wonder
+if she would mind being disturbed. Perhaps I had better not take you
+in just yet."
+
+"Will you come for a row with me, Phil?"
+
+"In the boat, Jack? on the river? Oh, if you will only take me!"
+
+Jack untied the painter, pulled the ship's head round, and laid her
+alongside the bank.
+
+"You will promise to sit perfectly still, and not move?"
+
+"Yes, I will not move. Are you afraid for me Jack?"
+
+"A little, Phil. You see, if we were to upset, perhaps you would not
+trust yourself entirely to me."
+
+"Yes, I would, Jack. I am sure you would bring me safe to the bank."
+
+"But we must not upset. Now, Phil."
+
+He rowed her upstream. She sat in the stern, and enjoyed the
+situation. As in every fresh experience, she was silent, drinking in
+the details. She watched the transparent water beneath her, and saw
+the yellow-green weeds sloping gently downwards with the current; she
+noticed the swans, which looked so tranquil from the bank, and which
+now followed the boat, gobbling angrily. They passed the old gentleman
+in the punt. He had recovered his chair by this time, and was sitting
+in it, still fishing. But Phillis could not see that he had caught
+many fish. He looked from under his umbrella and saw them. "Youth and
+beauty!" he sighed.
+
+"I like to _feel_ the river," said Phillis, softly. "It is pleasant on
+the bank, but it is so much sweeter here. Can there be anything in the
+world," she murmured half to herself, "more pleasant than to be rowed
+along the river on such a day as this?"
+
+There was no one on the river except themselves and the old angler.
+Jack rowed up stream for half a mile or so, and then turned her head
+and let her drift gently down with the current, occasionally dipping
+the oars to keep way on. But he left the girl to her own thoughts.
+
+"It is all like a dream to me, this river," said Phillis, in a low
+voice. "It comes from some unknown place, and goes to some unknown
+place."
+
+"It is like life, Phil."
+
+"Yes; we come like the river, trailing long glories behind us--you
+know what Wordsworth says--but we do not go to be swallowed up in the
+ocean, and we are not alone. We have those that love us to be with us,
+and prevent us from getting sad with thought. I have you, Jack."
+
+"Yes, Phil." He could not meet her face, which was so full of
+unselfish and passionless affection, because his own eyes were
+brimming over with passion.
+
+"Take me in, Jack," she said, when they reached Agatha's lawn. "It is
+enough for one day."
+
+She led him to the morning-room, cool and sheltered, where Agatha was
+writing the letter we have already read. And she introduced him as
+Jack Dunquerque, her friend.
+
+Jack explained that he was rowing up the river, that he saw Miss
+Fleming by accident, that he had taken her for a row up the stream,
+and so on--all in due form.
+
+"Jack and I are old friends," said Phillis.
+
+Agatha did not ask how old, which was fortunate. But she put aside her
+letters and sent for tea into the garden. Jack became more amiable and
+more sympathetic than any young man Mrs. L'Estrange had ever known. So
+much did he win upon her that, having ascertained that he was a friend
+of Lawrence Colquhoun, she asked him to dinner.
+
+Jack's voyage homeward was a joyful one. Many is the journey begun in
+joy that ends in sorrow; few are those which begin, as Jack's
+bucketing up the river, in uncertainty, and end in unexpected
+happiness.
+
+
+
+
+CHAPTER XVI.
+
+ "Souvent femme varie,
+ Bien foi qui s'y fie."
+
+
+Lawrence Colquhoun was not, in point of fact, devoting much time to
+his ward at this time. She was pretty; she was fresh; she was
+unconventional; but then he was forty. For twenty years he had been
+moving through a panorama of pretty girls. It was hardly to be
+expected that a girl whom he had seen but once or twice should move a
+tough old heart of forty. Phillis pleased him, but lazy Lawrence
+wanted girls, if that could be managed, to come to him, and she
+necessarily stayed at Twickenham. Anyhow, she was in good and safe
+hands. It was enough to know that Agatha had her in safe charge and
+custody, and when he could find time he would go down and see her
+again. As he had been thirteen years trying to find time to visit
+Phillis at Highgate, it was possible that he might be in the same way
+prevented by adverse circumstances from going to Twickenham.
+
+He was troubled also by other and graver matters.
+
+Victoria Cassilis asked him in the Park to call upon her--for auld
+lang syne. What he replied is not on record, because, if anybody
+heard, it could only have been the lady. But he did not call upon her.
+After a day or two there came a letter from her. Of this he took no
+notice. It is not usual for a man to ignore the receipt from a lady,
+but Lawrence Colquhoun did do so. Then there came another. This also
+he tore in small pieces. And then another. "Hang the woman," said
+Lawrence; "I believe she wants to have a row. I begin to be sorry I
+came home at all."
+
+His chambers were on the second floor in the Albany, and any one
+who knows Lawrence Colquhoun will understand that they were furnished
+in considerable comfort, and even luxury. He did not pretend to a
+knowledge of Art, but his pictures were good; nor was he a dilettante
+about furniture, but his was in good style. China he abhorred,
+like many other persons of sound and healthy taste. Let us leave a
+loophole of escape; there may be some occult reason, unknown to the
+uninitiated, for finding beauty, loveliness, and desirability in
+hideous china monsters and porcelain. After all we are but a flock,
+and follow the leader. Why should we not go mad for china? It is
+as sensible as going mad over rinking. Why should we not buy
+water-colours at fabulous prices? At least these can be sold again
+for something, whereas books--an extinct form of madness--cannot;
+and besides, present their backs in a mute appeal to be read.
+
+The rooms of a man with whom comfort is the first thing aimed at. The
+chairs are low, deep, and comfortable; there are brackets, tiny
+tables, and all sorts of appliances for saving trouble and exertion;
+the curtains are of the right shade for softening the light; the
+pictures are of subjects which soothe the mind; the books, if you look
+at them, are books of travel and novels. The place is exactly such a
+home as lazy Lawrence would choose.
+
+And yet when we saw his laziness in the Prologue, he was living alone
+in a deserted city, among the bare wooden walls of a half-ruined
+hotel. But Lawrence was not then at home. He took what comfort he
+could get, even there; and while he indulged his whim for solitude,
+impressed into his own service for his own comfort the two Chinamen
+who constituted with him the population of Empire City.
+
+But at Empire City he was all day shooting. That makes a difference to
+the laziest of men. And he would not have stayed there so long had he
+not been too lazy to go away. If a man does not mind lonely evenings,
+the air on the lower slope of the Sierra Nevada is pleasant and the
+game is abundant. Now, however, he was back in London, where the
+laziest men live beside the busiest. The sun streamed in at his
+windows, which were bright with flowers; and he sat in the shade doing
+nothing. Restless men take cigars; men who find their own thoughts
+insufficient for the passing hour take books; men who cannot sit still
+walk about, Lawrence Colquhoun simply lay back in an easy-chair,
+watching the sunlight upon the flowers with lazy eyes. He had the gift
+of passive and happy idleness.
+
+To him there came a visitor--a woman whom he did not know.
+
+She was a woman about thirty years of age, a hard-featured,
+sallow-faced woman. She looked in Lawrence's face with a grim
+curiosity as she walked across the room and handed him a letter.
+
+"From Mrs. Cassilis, sir."
+
+"Oh!" said Lawrence. "And you are----"
+
+"I am her maid, sir."
+
+"Where is Janet, then?"
+
+"Janet is dead. She died three years ago, before Mrs. Cassilis
+married."
+
+"Oh, Janet is dead, is she? Ah, that accounts--I mean, where did Janet
+die?"
+
+"In lodgings at Ventnor, sir. Mrs. Cassilis--Miss Pengelley she was
+then, as you know, sir,"--Lawrence looked up sharply, but there was no
+change in the woman's impassive face as she spoke,--"Miss Pengelley
+sent me with her, and Janet died in my arms, sir, of consumption."
+
+"Ah, I am sorry! And so Mrs. Cassilis has sent you to me with this
+letter, has she?" He did not open it. "Will you tell Mrs. Cassilis
+that I will send an answer by post, if there is any answer required?"
+
+"I beg your pardon, sir; but Mrs. Cassilis told me expressly that if
+you were in town I was to wait for an answer, if I had to wait all
+day."
+
+"In that case I suppose I had better read the letter."
+
+He opened it, and it seemed as if the contents were not pleasant,
+because he rose from his chair and began to walk about. The
+sallow-faced woman watched him all the time, as one who has fired a
+shot, and wishes to know whether it has struck, and where.
+
+He held the letter in his left hand, and with his right moved and
+altered the position of things on the mantel-shelf, a sign of mental
+agitation. Then he turned round brusquely and said:
+
+"Tell your mistress that I will call upon her in the afternoon."
+
+"Will you write that, sir?"
+
+"No, I will not," he replied fiercely. "Take your answer and begone."
+
+She went without a word.
+
+"There will be trouble," she said to herself. "Janet said it would all
+come up again some day. He's a handsome chap, and missus is a fool.
+She's worse than a fool; she's a hard-hearted creature, with no more
+blood than a stone statue. If there's to be trouble, it won't fall on
+_his_ head, but on hern. And if I was him, I'd go away again quiet,
+and then maybe no one wouldn't find it out. As for her, she'll blow on
+it herself."
+
+Lawrence's thoughts assumed a form something like the following:
+
+"Three notes from her in rapid succession, each one more vehement than
+the first. She must see me; she insists on my calling on her; she will
+see me; she has something important to tell me. It's a marvellous
+thing, and great proof of the absence of the inventive faculty in all
+of them, that when they want to see you they invariably pretend that
+they have something important to tell you. From the duchess to the
+nursemaid, by Jove, they are all alike! And now she is coming here
+unless I call upon her to-day.
+
+"It won't do to let her come here. I might go down to the seaside, go
+into the country, go anywhere, back to America; but what would be the
+good of that? Besides, I have not done anything to be afraid of or
+ashamed of, unless a knowledge of a thing is guilt. I have nothing to
+fear for myself. Remains the question, Ought I not to screen her?
+
+"But screen her from whom? No one knows except Janet, and Janet is
+dead. Perhaps that woman with a face like a horse knows; that would be
+awkward for Victoria if she were to offend her, for a more damned
+unforgiving countenance I never set eyes upon. But Janet was faithful;
+I am sure Janet would not split even when she was dying. And then
+there was very little to split about when she died. Victoria hadn't
+married Mr. Cassilis.
+
+"What the deuce does she want to rake up old things for? Why can't she
+let things be? It's the way of women. They can't forget; and hang me
+if I don't think she can't forgive me because she has done me a wrong!
+Why did I come back from Empire City! There, at all events, one could
+be safe from annoyance.
+
+"On a day like this, too, the first really fine day of the season; and
+it's spoiled. I might have dined with cousin Agatha and talked to
+Phillis--the pretty little Phillis! I might have mooned away the
+afternoon in the Park and dined at the Club. I might have gone to
+half-a-dozen places in the evening. I might have gone to Greenwich and
+renewed my youth at the Ship. I might have gone to Richmond with old
+Evergreen and his party. But Phillis for choice. But now I must have
+it out with Victoria Cassilis. There's a fate in it: We can't be
+allowed to rest and be happy. Like the schoolboy's scrag-end of the
+rolly-polly pudding, it is helped, and must be eaten."
+
+Philosophy brings resignation, but it does not bring ease of mind.
+Those unfortunate gentlemen who used to be laid upon the wheel and
+have their limbs broken might have contemplated the approach of
+inevitable suffering with resignation, but never with happiness. In
+Colquhoun's mind, Victoria Cassilis was associated with a disagreeable
+and painful chapter in his life. He saw her marriage in the fragment
+of Ladds's paper, and thought the chapter closed. He came home and
+found her waiting for him ready to open it again.
+
+"I _did_ think," he said, turning over her letter in his fingers,
+"that for her own sake, she would have let things be forgotten. It's
+ruin for her if the truth comes out, and not pleasant for me, A pretty
+fool I should look explaining matters in a witness-box. But I must see
+her, if only to bring her to reason. Reason? When was a woman
+reasonable?"
+
+"I am here," he said, standing before Mrs. Cassilis at her own house a
+few hours later. "I am here."
+
+Athos, Parthos, Arimis, and D'Artagnan would have said exactly the
+same thing.
+
+"_Me voici!_"
+
+And they would have folded their arms and thrown back their heads with
+a preliminary tap at the sword-hilt, to make sure that the trusty
+blade was loose in the scabbard and easy to draw, in case M. le
+Mari--whom the old French allegorists called _Danger_--should suddenly
+appear.
+
+But Lawrence Colquhoun said it quite meekly, to a woman who neither
+held out her hand nor rose to meet him, nor looked him in the face,
+but sat in her chair with bowed head and weeping eyes.
+
+A woman of steel? There are no women of steel.
+
+It was in Mrs. Cassilis's morning-room, an apartment sacred to
+herself; she used it for letter-writing, for interviews with
+dressmakers, for tea with ladies, for all sorts of things. And now she
+received her old friend in it. But why was she crying, and why did she
+not look up?
+
+"I _did_ want to see you, Lawrence," she murmured. "Can you not
+understand why?"
+
+"My name is Colquhoun, Mrs. Cassilis. And I cannot understand why----"
+
+"My name, Lawrence, is Victoria. Have you forgotten that?"
+
+"I have forgotten everything, Mrs. Cassilis. It is best to forget
+everything."
+
+"But if you cannot! O Lawrence!" she looked up in his face--"O
+Lawrence, if you cannot!"
+
+Her weeping eyes, her tear-clouded face, her piteous gesture, moved
+the man not one whit. The power which she might once have had over him
+was gone.
+
+"This is mere foolishness, Mrs. Cassilis. As a stranger, a perfect
+stranger, may I ask why you call me by my Christian name, and why
+these tears?"
+
+"Strangers! it is ridiculous!" she cried, starting up and standing
+before him. "It is ridiculous, when all the world knows that we were
+once friends, and half the world thought that we were going to be
+something--nearer."
+
+"Nearer--and dearer, Mrs. Cassilis? What a foolish world it was!
+Suppose we had become nearer, and therefore very much less dear."
+
+"Be kind to me, Lawrence."
+
+"I will be whatever you like, Mrs. Cassilis--except what I
+was--provided you do not call me Lawrence any more. Come, let us be
+reasonable. The past is gone; in deference to your wishes I removed
+myself from the scene; I went abroad; I transported myself for four
+years; then I saw the announcement of your marriage in the paper by
+accident. And I came home again, because of your own free will and
+accord you had given me my release. Is this true?"
+
+"Yes," she replied.
+
+"Then, in the name of Heaven, why seek to revive the past? Believe me,
+I have forgotten the few days of madness and repentance. They are
+gone. Some ghosts of the past come to me, but they do not take the
+shape of Victoria Pengelley."
+
+"Suppose we cannot forget?"
+
+"Then we _must_ forget. Victoria--Mrs. Cassilis, rouse yourself. Think
+of what you are--what you have made yourself."
+
+"I do think. I think every day."
+
+"You have a husband and a child; you have your position in the world.
+Mrs. Cassilis, you have your honour."
+
+"My honour!" she echoed. "What honour? And if all were known!
+Lawrence, don't you even pity me?"
+
+"What is the good of pity?" he asked rudely. "Pity cannot alter
+things. Pity cannot make things which are as if they are not. You seem
+to me to have done what you have done knowing well what you were
+doing, and knowing what you were going to get by it. You have got one
+of the very best houses in London; you have got a rich husband; you
+have got an excellent position; and you have got--Mrs. Cassilis, you
+have got a child, whose future happiness depends upon your reticence."
+
+"I will tell you what I have besides," she burst in, with passion. "I
+have the most intolerable husband, the most maddening and exasperating
+man in all the world!"
+
+"Is he cruel to you?"
+
+"No; he is kind to me. If he were cruel I should know how to treat
+him. But he is kind."
+
+"Heroics, Mrs. Cassilis. Most women could very well endure a kind
+husband. Are you not overdoing it? You almost make me remember a
+scene--call it a dream--which took place in a certain Glasgow hotel
+about four years and a half ago."
+
+"In the City he is the greatest financier living, I am told. In the
+house he is the King of Littleness."
+
+"I think there was--or is--a bishop," said Lawrence meditatively, "who
+gave his gigantic intellect to a Treatise on the Sinfulness of Little
+Sins. Perhaps you had better buy that work and study it. Or present it
+to your husband."
+
+"Very well, Lawrence. I suppose you think you have a right to laugh at
+me?"
+
+"Right! Good God, Mrs. Cassilis," he cried, in the greatest alarm, "do
+you think I claim any right--the smallest--over you? If I ever had a
+right it is gone now--gone, by your own act, and my silence."
+
+"Yes, Lawrence," she repeated, with a hard smile on her lips, "your
+silence."
+
+He understood what she meant. He turned from her and leaned against
+the window, looking into the shrubs and laurels. She had dealt him a
+blow which took effect.
+
+"My silence!" he murmured; "my silence! What have I to do with your
+life since that day--that day which even you would find it difficult
+to forget? Do what you like, marry if you like, be as happy as you
+like, or as miserable--what does it matter to me? My silence! Am I,
+then, going to proclaim to the world my folly and your shame?"
+
+"Let us not quarrel," she went on, pleased with the effect of her
+words. There are women who would rather stab a man in the heart, and
+so make some impression on him, than to see him cold and callous to
+what they say or think. "It is foolish to quarrel after four years and
+more of absence."
+
+"Absence makes the heart grow fonder," said Lawrence. "Yes, Mrs.
+Cassilis, it is foolish to quarrel. Still I suppose it is old habit.
+And besides----"
+
+"When a man has nothing else to say, he sneers."
+
+"When a woman has nothing else to say, she makes a general statement."
+
+"At all events, Lawrence, you are unchanged since I left you at that
+hotel to which you refer so often. Are its memories pleasing to you?"
+
+"No; they are not. Are they to you? Come, Mrs. Cassilis, this is
+foolish. You told me you had something to say to me. What is it?"
+
+"I wanted to say this. When we parted----"
+
+"Oh, hang it!" cried the man, "why go back to that?"
+
+"When we two parted"--she set her thin lips together as if she was
+determined to let him off no single word--"you used bitter words. You
+told me that I was heartless, cold, and bad-tempered. Those were the
+words you used."
+
+"By Gad, I believe they were!" said Lawrence. "We had a blazing row;
+and Janet stood by with her calm Scotch face, and, 'Eh, sir! Eh,
+madam!' I remember."
+
+"I might retaliate on you."
+
+"You did then, Mrs. Cassilis. You let me have it in a very superior
+style. No need to retaliate any more."
+
+"I might tell you now that you are heartless and cold. I might tell
+you----"
+
+"It seems that you are telling me all this without any use of the
+potential mood."
+
+"That if you have any lingering kindness for me, even if you have any
+resentment for my conduct, you would pity the lonely and companionless
+life I lead."
+
+"Your son is nearly a year old, I believe?"
+
+"What is a baby?"
+
+Lawrence thought the remark wanting in maternal feeling; but he said
+nothing.
+
+"Come, Mrs. Cassilis, it is all no use. I cannot help you. I would not
+if I could. Hang it! it would be too ridiculous for me to interfere.
+Think of the situation. Here we are, we three; I first, you in the
+middle, and Mr. Cassilis third. You and I know, and he does not
+suspect. On the stage, the man who does not suspect always looks a
+fool. No French novel comes anywhere near this position of things.
+Make yourself miserable if you like, and make me uncomfortable; but
+for Heaven's sake, don't make us all ridiculous! As things are, so you
+made them. Tell me--what did you do it for?"
+
+"Speak to me kindly, Lawrence, and I will tell you all. After that
+dreadful day I went back to the old life. Janet and I made up
+something--never mind what. Janet was as secret as the grave. The old
+life--Oh, how stupid and dull it was! Two years passed away. You were
+gone, never to return, as you said. Janet died. And Mr. Cassilis
+came."
+
+"Well?"
+
+"Well, I was poor. With my little income I had to live with friends,
+and be polite to people I detested. I saw a chance for freedom; Mr.
+Cassilis offered me that, at least. And I accepted him. Say you
+forgive me, Lawrence."
+
+"Forgive! What a thing to ask or to say!"
+
+"It was a grievous mistake. I wanted a man who could feel with me and
+appreciate me."
+
+"Yes," he said. "I know. Appreciation--appreciation. Perhaps you got
+it, and at a truer estimate than you thought. I have sometimes found,
+Mrs. Cassilis, in the course of my travels, people who make themselves
+miserable because others do not understand their own ideals. If these
+people could only label themselves with a few simple descriptive
+sentences,--such as 'I am good; I am great; I am full of lofty
+thoughts; I am noble; I am wise; I am too holy for this world;' and so
+on,--a good deal of unhappiness might be saved. Perhaps you might even
+now try on this method with Mr. Cassilis."
+
+"Cold and sneering," she said to herself, folding her hands, and
+laying her arms straight out before her in her lap. If you think of
+it, this is a most effective attitude, provided that the head be held
+well back and a little to the side.
+
+"What astonishes me," he said, taking no notice of her remark, "is
+that you do not at all seem to realise the Thing you have done. Do
+you?"
+
+"It is no use realising what cannot be found out. Janet is in her
+grave. Lawrence Colquhoun, the most selfish and heartless of men, is
+quite certain to hold his tongue."
+
+He laughed good-naturedly.
+
+"Very well, Mrs. Cassilis, very well. If you are satisfied, of course
+no one has the right to say a word. After all, no one has any cause to
+fear except yourself. For me, I certainly hold my tongue. It would be
+all so beautifully explained by Serjeant Smoothtongue: 'Six years ago,
+gentlemen of the jury, a man no longer in the bloom of early youth was
+angled for and hooked by a lady who employed a kind of tackle
+comparatively rare in English society. She was a _femme incomprise_.
+She despised the little ways of women; she was full of infinite
+possibilities; she was going to lead the world if only she could get
+the chance. And then, gentlemen of the jury'----"
+
+Here the door opened, and Mr. Gabriel Cassilis appeared. His wife was
+sitting in the window, cold, calm, and impassive. Some four or five
+feet from her stood Lawrence Colquhoun; he was performing his
+imaginary speech with great rhetorical power, but stopped short at
+sight of M. le Mari, whom he knew instinctively. This would have been
+a little awkward, had not Mrs. Cassilis proved herself equal to the
+occasion.
+
+"My dear!" She rose and greeted her husband with the tips of her
+fingers. "You are early to-day. Let me introduce Mr. Colquhoun, a very
+old friend of mine."
+
+"I am very glad, Mr. Colquhoun, to know you. I have heard of you."
+
+"Pray sit down, Mr. Colquhoun, unless you will go on with your
+description. Mr. Colquhoun, who has just arrived from America, my
+dear, was giving me a vivid account of some American trial-scene which
+he witnessed."
+
+Her manner was perfectly cold, clear, and calm. She was an admirable
+actress, and there was not a trace left of the weeping, shamefaced
+woman who received Lawrence Colquhoun.
+
+Gabriel Cassilis looked at his visitor with a little pang of jealousy.
+This, then, was the man with whom his wife's name had been coupled. To
+be sure, it was a censorious world; but then he was a handsome fellow,
+and a quarter of a century younger than himself. However, he put away
+the thought, and tapped his knuckles with his double glasses while he
+talked.
+
+To-day, whether from fatigue or from care, he was not quite himself;
+not the self-possessed man of clear business mind that he wished to
+appear. Perhaps something had gone wrong.
+
+Lawrence and Mrs. Cassilis, or rather the latter, began talking about
+days of very long ago, so that her husband found himself out of the
+conversation. This made him uneasy, and less useful when the talk came
+within his reach. But his wife was considerate--made allowances, so to
+speak, for age and fatigue; and Lawrence noted that he was fond and
+proud of her.
+
+He came away in a melancholy mood.
+
+"I can't help it," he said. "I wish I couldn't feel anything about it,
+one way or the other. Victoria has gone off, and I wonder how in the
+world---- And now she has made a fool of herself. It is not my fault.
+Some day it will all come out. And I am an accessory after the fact.
+If it were not for that Phillis girl--I must see after her--and she is
+pretty enough to keep any man in town--I would go back to America
+again, if it were to Empire City."
+
+
+
+
+CHAPTER XVII.
+
+ "Now you set your foot on shore
+ In Novo Orbe; here's the rich Peru;
+ And there, within, sir, are the golden mines,
+ Great Solomon's Ophir."
+
+
+Unlimited credit! Wealth without bound! Power to gratify any
+desire--all desires! That was the luck of the Golden Butterfly. No
+wish within the reach of man that Gilead Beck could not gratify. No
+project or plan within limits far, far beyond what are generally
+supposed reasonable, that he could not carry out. Take your own case,
+brother of mine, struggling to realise the modest ambitions common to
+cultured humanity, and to force them within the bounds of a slender
+income. Think of the thousand and one things you want; think of the
+conditions of your life you would wished changed; think of the
+generous aspirations you would gratify: think of the revenges,
+malices, envies, hatreds, which you would be able to satiate--_had
+you the wealth which gives the power_. Then suppose yourself suddenly
+possessed of that wealth, and think what you would do with it.
+
+Your brain is feeble; it falters at a few thousands; a hundred
+thousand a year is too much for it--it was as much, if I remember
+rightly, as even the imagination of the elder Dumas attained to.
+Beyond a paltry twenty thousand or so, one feels oppressed in
+imagination with a weight of income. Let us suppose you stick at
+twenty thousand. What would you do with it? What could you not do with
+it? Your ideal Society--the one thing wanting, only rich men cannot be
+brought to see it, to regenerate the world--that could instantly be
+put on a sound footing. Your works--those works which you keep locked
+up in a desk at home--you could publish, and at once step into your
+right position as a leader of thought, an [Greek: hanax andrôn]. Your
+projects, educational, moral, theatrical, literary, musical, could all
+together, for they are modest, be launched upon the ocean of public
+opinion. You could gratify your taste for travel. Like Charles
+Kingsley, you could stand in the shadow of a tropical forest (it would
+not be one quarter so beautiful as a hundred glades ten miles from
+Southampton) and exclaim, "At last!" You are an archæologist, and have
+as yet seen little. You could make that long-desired trip to Naples
+and see Pompeii; you could visit the cities of the Midi, and explore
+the Roman remains you have as yet only read of; you could take that
+journey to Asia Minor, your dream of twenty years, and sketch the
+temples still standing, roofed and perfect, unvisited since the last
+stragglers of the last crusading army died of famine on the steps,
+scoffing with their latest breath at the desecrated altar. Their bones
+lay mouldering in front of the marble columns--silent monuments of a
+wasted enthusiasm--while the fleshless fingers pointed as if in scorn
+in the direction of Jerusalem. They have been dust this many a year.
+Dust blown about the fields; manure for the crops which the peasant
+raises in luxuriance by scratching the soil. But the temples stand
+still, sacred yet to the memory of Mother Earth, the many-breasted
+goddess of the Ephesians. Why, if you had that £20,000 a year, you
+would go there, sketch, photograph, and dig.
+
+What could not one do if one had money? And then one takes to thinking
+what is done by those who actually have it. Well, they subscribe--they
+give to hospitals and institutions--and they save the rest. Happy for
+this country that Honduras, Turkey, and a few other places exist to
+plunder the British capitalists, or we should indeed perish of
+wealth-plethora. Thousands of things all round us wait to be done;
+things which must be done by rich men, and cannot be done by trading
+men, because they would not pay.
+
+_Exempli gratia_; here are a few out of the many.
+
+1. They are always talking of endowment of research; all the men who
+think they ought to be endowed are clamouring for it. But think of the
+luxury of giving a man a thousand a year, and telling him to work for
+the rest of his days with no necessity for doing pot-boilers. Yet no
+rich man does it. There was a man in Scotland, the other day, gave
+half a million to the Kirk. For all the luxury to be got out of that
+impersonal gift, one might just as well drop a threepenny-bit into the
+crimson bag.
+
+2. This is a country in which the dramatic instinct is so strong as to
+be second only to that of France. We want a National Theatre, where
+such a thing as a 300 nights' run would be possible, and which should
+be a school for dramatists as well as actors. A paltry £10,000 a year
+would pay the annual deficit in such a theatre. Perhaps, taking year
+with year, less than half that sum would do. No rich man has yet
+proposed to found, endow, or subsidise such a theatre.
+
+3. In this City of London thousands of boys run about the streets
+ragged and hungry. Presently they become habitual criminals. Then they
+cost the country huge sums in goals, policemen, and the like.
+Philanthropic people catch a few of these boys and send them to places
+where they are made excellent sailors. Yet the number does not
+diminish. A small £15 a year pays for a single boy. A rich man might
+support a thousand of them. Yet no rich man does.
+
+4. In this country millions of women have to work for their living.
+Everybody who employs those women under-pays them and cheats them.
+Women cannot form trade-unions--they are without the organ of
+government; therefore they are downtrodden in the race. They do men's
+work at a quarter of men's wages. No trade so flourishing as that
+which is worked by women--witness the prosperity of dress-making
+masters. The workwomen have longer hours, as well as lower pay, than
+the men. At the best, they get enough to keep body and soul together;
+not enough for self-respect; not enough, if they are young and
+good-looking, to keep them out of mischief. To give them a central
+office and a central protecting power might cost a thousand pounds a
+year No rich man, so far as I know, has yet come forward with any such
+scheme for the improvement of women's labour.
+
+5. This is a country where people read a great deal. More books are
+printed in England than in any other country in the world. Reading
+forms the amusement of half our hours, the delight of our leisure
+time. For the whole of its reading Society agrees to pay Mundie &
+Smith from three to ten guineas a house. Here is a sum in arithmetic:
+house-bills, £1,500 a year; wine-bill, £300; horses, £500; rent, £400;
+travelling, £400; dress--Lord knows what; reading--say £5; also, spent
+at Smith's stalls in two-shilling novels, say thirty shillings. That
+is the patronage of Literature. Successful authors make a few hundreds
+a year--successful grocers make a few thousands--and people say, "How
+well is Literature rewarded!"
+
+Mr. Gilead Beck once told me of a party gathered together in Virginia
+City to mourn the decease of a dear friend cut off prematurely. The
+gentleman intrusted with the conduct of the evening's entertainment
+had one-and-forty dollars put into his hands to be laid out to the
+best advantage. He expended it as follows:--
+
+ Whisky Forty dollars, (40$)
+ Bread One dollar, ( 1$)
+ ------------------------
+ Total Forty-one dollars. (41$)
+
+"What, in thunder," asked the chairman, "made you waste all that money
+in bread?"
+
+Note.--He had never read _Henry IV_.
+
+The modern patronage of Literature is exactly like the proportion of
+bread observed by the gentleman of Virginia City.
+
+Five pounds a year for the mental food of all the household.
+
+Enough; social reform is a troublesome and an expensive thing. Let it
+be done by the societies; there are plenty of people anxious to be
+seen on platforms, and plenty of men who are rejoiced to take the
+salary of secretary.
+
+Think again of Mr. Gilead Beck's Luck and what it meant. The wildest
+flights of your fancy never reach to a fourth part of his income. The
+yearly revenues of a Grosvenor fall far short of this amazing good
+fortune, Out of the bowels of the earth was flowing for him a
+continuous stream of wealth that seemed inexhaustible. Not one well,
+but fifty, were his, and all yielding. When he told Jack Dunquerque
+that his income was a thousand pounds a day, he was far within the
+limit. In these weeks he was clearing fifteen hundred pounds in every
+twenty-four hours. That makes forty-five thousand pounds a month; five
+hundred and forty thousand pounds a year. Can a Grosvenor or a Dudley
+reach to that?
+
+The first well was still the best, and it showed no signs of giving
+out; and as Mr. Beck attributed its finding to the direct personal
+instigation of the Golden Butterfly, he firmly believed that it never
+would give out. Other shafts had been sunk round it, but with varying
+success; the ground covered with derricks and machinery erected for
+boring fresh wells and working the old, an army of men were engaged in
+these operations; a new town had sprung up in the place of Limerick
+City; and Gilead P. Beck, its King, was in London, trying to learn how
+his money might best be spent.
+
+It weighed heavily upon his mind; the fact that he was by no effort of
+his own, through no merit of his own, earning a small fortune every
+week made him thoughtful. In his rough way he took the wealth as so
+much trust-money. He was entitled, he thought, to live upon it
+according to his inclination; he was to have what his soul craved for
+he was to use it first for his own purposes; but he was to devote what
+he could not spend--that is, the great bulk of it--somehow to the
+general good. Such was the will of the Golden Butterfly.
+
+I do not know how the idea came into Gilead Beck's head that he was to
+regard himself a trustee. The man's antecedents would seem against
+such a conception of Fortune and her responsibilities. Born in a New
+England village, educated till the age of twelve in a village school,
+he had been turned upon the world to make his livelihood in it as best
+he could. He was everything by turns; there was hardly a trade that he
+did not attempt, not a calling which he did not for a while follow.
+Ill luck attended him for thirty years; yet his courage did not flag.
+Every fresh attempt to escape from poverty only seemed to throw him
+back deeper in the slough. Yet he never despaired. His time would
+surely come. He preserved his independence of soul, and he preserved
+his hope.
+
+But all the time he longed for wealth. The desire for riches is an
+instinct with the Englishman, a despairing dream with the German, a
+stimulus for hoarding with the Frenchman, but it is a consuming fire
+with the American. Gilead P. Beck breathed an atmosphere charged with
+the contagion of restless ambition. How many great men--presidents,
+vice-presidents, judges, orators, merchants--have sprung from the
+obscure villages of the older States? Gilead Beck started on his
+career with a vague idea that he was going to be something great. As
+the years went on he retained the belief, but it ceased to take a
+concrete form. He did not see himself in the chair of Ulysses Grant;
+he did not dream of becoming a statesman or an orator But he was going
+to be a man of mark. Somehow he was bound to be great.
+
+And then came the Golden Butterfly.
+
+See Mr. Beck now. It is ten in the morning. He has left the pile of
+letters, most of them begging letters, unopened opened at his elbow.
+He has got the case of glass and gold containing the Butterfly on the
+table. The sunlight pouring in at the opened window strikes upon the
+yellow metal, and lights up the delicately chased wings of this freak
+of Nature. Poised on the wire, the Golden Butterfly seems to hover of
+its own accord upon the petals of the rose. It is alive. As its owner
+sits before it, the creature seems endowed with life and motion. This
+is nonsense, but Mr. Beck thinks so at the moment.
+
+On the table is a map of his Canadian oil-fields.
+
+He sits like this nearly every morning, the gilded box before him. It
+is his way of consulting the oracle. After his interview with the
+Butterfly he rises refreshed and clear of vision. This morning, if his
+thoughts could be written down, they might take this form:
+
+"I am rich beyond the dreams of avarice. I have more than I can spend
+upon the indulgence of every whim that ever entered the head of sane
+man. When I have bought all the luxuries that the world has to sell,
+there still remains to be saved more than any other living man has to
+spend.
+
+"What am I to do with it?
+
+"Shall I lay it up in the Bank? The Bank might break. That is
+possible. Or the well might stop. No; that is impossible. Other wells
+have stopped, but no well has run like mine, or will again; for I have
+struck through the crust of the earth into the almighty reservoir.
+
+"How to work out this trust? Who will help me to spend the money
+aright? How is such a mighty pile to be spent?
+
+"Even if the Butterfly were to fall and break, who can deprive me of
+my wealth?"
+
+His servant threw open the door: "Mr. Cassilis, sir."
+
+
+
+
+CHAPTER XVIII.
+
+ "Doubtfully it stood,
+ As two spent swimmers that do cling together
+ And choke their art."
+
+
+One of Gilead Beck's difficulties--perhaps his greatest--was his want
+of an adviser. People in England who have large incomes pay private
+secretaries to advise them. The post is onerous, but carries with it
+considerable influence. To be a Great Man's whisperer is a position
+coveted by many. At present the only confidential adviser of the
+American Croesus was Jack Dunquerque, and he was unsalaried and
+therefore careless. Ladds and Colquhoun were less ready to listen, and
+Gabriel Cassilis showed a want of sympathy with Mr. Beck's Trusteeship
+which was disheartening. As for Jack, he treated the sacred Voice,
+which was to Gilead Beck what his demon was to Socrates, with profound
+contempt. But he enjoyed the prospect of boundless spending in which
+he was likely to have a disinterested share. Next to unlimited
+"chucking" of his own money, the youthful Englishman would like--what
+he never gets--the unlimited chucking of other people's. So Jack
+brought ideas, and communicated them as they occurred.
+
+"Here is one," he said. "It will get rid of thousands; it will be a
+Blessing and a Boon for you; it will make a real hole in the Pile; and
+it's Philanthropy itself. Start a new daily."
+
+Mr. Beck was looking straight before him with his hands in his
+pockets. His face was clouded with the anxiety of his wealth. Who
+would wish to be a rich man?
+
+"I have been already thinking of it, Mr. Dunquerque," he said. "Let us
+talk it over."
+
+He sat down in his largest easy-chair, and chewed the end of an
+unlighted cigar.
+
+"I have thought of it," he went on. "I want a paper that shall have no
+advertisements and no leading articles. If a man can't say what he
+wants to say in half a column, that man may go to some other paper. I
+shall get only live men to write for me. I will have no long reports
+of speeches, and the bunkum of life shall be cut out of the paper."
+
+"Then it will be a very little paper."
+
+"No, sir. There is a great deal to say, once you get the right man to
+say it. I've been an editor myself, and I know."
+
+"You will not expect the paper to pay you?"
+
+"No, sir; I shall pay for that paper. And there shall be no cutting up
+of bad books to show smart writing. I shall teach some of your reviews
+good manners."
+
+"But we pride ourselves on the tone of our reviews."
+
+"Perhaps you do, sir. I have remarked, that Englishmen pride
+themselves on a good many things. I will back a first-class British
+subject for bubbling around against all humanity. See, Mr. Dunquerque,
+last week I read one of your high-toned reviews. There was an article
+in it on a novel. The novel was a young lady's novel. When I was
+editing the _Clearville Roarer_ I couldn't have laid it on in finer
+style for the rough back of a Ward Politician. And a young lady!"
+
+"People like it, I suppose," said Jack.
+
+"I dare say they do, sir. They used to like to see a woman flogged at
+the cart-tail. I am not much of a company man, Mr. Dunquerque, but I
+believe that when a young lady sings out of tune it is not considered
+good manners to get up and say so. And it isn't thought polite to
+snigger and grin. And in my country, if a man was to invite the
+company to make game of that young lady he would perhaps be requested
+to take a header through the window. Let things alone, and presently
+that young lady discovers that she is not likely to get cracked up as
+a vocaller. I shall conduct my paper on the same polite principles. If
+a man thinks he can sing and can't sing, let him be for a bit. Perhaps
+he will find out his mistake. If he doesn't, tell him gently. And if
+that won't do, get your liveliest writer to lay it on once for all.
+But to go sneakin' and pryin' around, pickin' out the poor trash, and
+cutting it up to make the people grin--it's mean, Mr. Dunquerque, it's
+mean. The cart-tail and the cat-o'-nine was no worse than this
+exhibition. I'm told it's done regularly, and paid for handsomely."
+
+"Shall you be your own editor?"
+
+"I don't know, sir. Perhaps if I stay long enough in this city to get
+to the core of things, I shall scatter my own observations around. But
+that's uncertain."
+
+He rose slowly--it took him a long time to rise--and extended his long
+arms, bringing them together in a comprehensive way, as if he was
+embracing the universe.
+
+"I shall have central offices in New York and London. But I shall
+drive the English team first. I shall have correspondents all over the
+world, and I shall have information of every dodge goin,' from an
+emperor's ambition to a tin-pot company bubble."
+
+He brought his fingers together with a clasp. Jack noticed how strong
+and bony those fingers were, with hands whose muscles seemed of steel.
+
+The countenance of the man was earnest and solemn. Suddenly it changed
+expression, and that curious smile of his, unlike the smile of any
+other man, crossed his face.
+
+"Did I ever tell you my press experiences?" he asked. "Let us have
+some champagne, and you shall hear them."
+
+The champagne having been brought he told his story, walking slowly up
+and down with his hands in his pockets, and jerking out the sentences
+as if he was feeling for the most telling way of putting them.
+
+Mr. Gilead Beck had two distinct styles of conversation. Generally,
+but for his American tone, the length of his sentences, and a certain
+florid wealth of illustration, you might take him for an Englishman of
+eccentric habits of thought. When he went back to his old experiences
+he employed the vernacular--rich, metaphoric, and full--which belongs
+to the Western States in the rougher period of their development. And
+this he used now.
+
+"I was in Chicago. Fifteen years ago. I wanted employment. Nobody
+wanted me. I spent most of the dollars, and thought I had better dig
+out for a new location, when I met one day an old schoolfellow named
+Rayner. He told me he was part proprietor of a morning paper. I asked
+him to take me on. He said he was only publisher, but he would take me
+to see the Editor, Mr. John B. Van Cott, and perhaps he would set me
+grinding at the locals. We found the Editor. He was a short active man
+of fifty, and he looked as cute as he was. Because, you see, Mr.
+Dunquerque, unless you are pretty sharp on a Western paper, you won't
+earn your mush. He was keeled back, I remember, in a strong chair,
+with his feet on the front of the table, and a clip full of paper on
+his knee. And in this position he used to write his leading articles.
+Squelchers, some of them; made gentlemen of opposite politics cry, and
+drove rival editors to polishing shooting-irons. The floor was covered
+with exchanges. And there was nothing else in the place but a cracked
+stove, half a dozen chairs standing around loose, and a spittoon.
+
+"I mention these facts, Mr. Dunquerque, to show that there was good
+standing-room for a free fight of not more than two.
+
+"Mr. Van Cott shook hands, and passed me the tobacco pouch, while
+Rayner chanted my praises. When he wound up and went away, the Editor
+began.
+
+"'Wal, sir,' he said, 'you look as if you knew enough to go indoors
+when it rains, and Rayner seems powerful anxious to get you on the
+paper. A good fellow is Rayner; as white a man as I ever knew; and he
+has as many old friends as would make a good-sized city. He brings
+them all here, Mr. Beck, and wants to put every one on the paper. To
+hear him hold forth would make a camp-meeting exhorter feel small. But
+he's disinterested, is Rayner. It's all pure goodness.'
+
+"I tried to feel as if I wasn't down-hearted. But I was.
+
+"'Any way,' I said, 'if I can't get on here, I must dig out for a
+place nearer sundown. Once let me get a fair chance on a paper, and I
+can keep my end of the stick.'
+
+"The Editor went on to tell me what I knew already, that they wanted
+live men on the paper, fellows that would do a murder right up to the
+handle. Then he came to business; offered me a triple execution just
+to show my style; and got up to introduce me to the other boys.
+
+"Just then there was a knock at the door.
+
+"'That's Poulter, our local Editor,' he said. 'Come in, Poulter. He
+will take you down for me.'
+
+"The door opened, but it wasn't Poulter. I knew that by instinct. It
+was a rough-looking customer, with a black-dyed moustache, a diamond
+pin in his shirt front, and a great gold chain across his vest; and he
+carried a heavy stick in his hand.
+
+"'Which is the one of you two that runs this machine?' he asked,
+looking from one to the other.
+
+"'I am the Editor,' said Mr. Van Cott, 'if you mean that.'
+
+"'Then you air the Rooster I'm after,' he went on. 'I am John Halkett
+of Tenth Ward. I want to know what in thunder you mean by printing
+infernal lies about me and my party in your miserable one-hoss paper.'
+
+"He drew a copy of the paper from his pocket, and held it before the
+Editor's eyes.
+
+"'You know your remedy, sir,' said Mr. Van Cott, quietly edging in the
+direction of the table, where there was a drawer.
+
+"'That's what I do know. That's what I'm here for. There's two
+remedies. One is that you retract all the lies you have printed, the
+other'----
+
+"'You need not tell me what the other is, Mr. Halkett.' As he spoke he
+drew open the drawer; but he hadn't time to take the pistol from it
+when the ward politician sprang upon him, and in a flash of lightning
+they were rolling over each other among the exchanges on the floor.
+
+"If they had been evenly matched, I should have stood around to see
+fair. But it wasn't equal. Van Cott, you could see at first snap, was
+grit all through, and as full of fight as a game-rooster. But it was
+bulldog and terrier. So I hitched on to the stranger, and pulled him
+off by main force.
+
+"'You will allow me, Mr. Van Cott,' I said, 'to take this contract off
+your hands. Choose a back seat sir, and see fair.'
+
+"'Sail in,' cried Mr. Halkett, as cheerful as a coot, 'and send for
+the coroner, because he'll be wanted. I don't care which it is.'
+
+"That was the toughest job I ever had. The strength of ward
+politicians' opinions lies in their powers of bruising, and John
+Halkett, as I learned afterwards, could light his weight in wild cats.
+Fortunately I was no slouch in those days.
+
+"He met my advances halfway. In ten minutes you couldn't tell Halkett
+from me, nor me from Halkett. The furniture moved around cheerfully,
+and there was a lovely racket. The sub-editors, printers, and
+reporters came running in. It was a new scene for them, poor fellows,
+and they enjoyed it accordingly. The Editor they had often watched in
+a fight before, but here were two strangers worrying each other on the
+floor, with Mr. Van Cott out of it himself, dodging around cheering us
+on. That gave novelty.
+
+"The sharpest of the reporters had his flimsy up in a minute, and took
+notes of the proceedings.
+
+"We fought that worry through. It lasted fifteen minutes. We fought
+out of the office; we fought down the stairs; and we fought on the
+pavement.
+
+"When it was over, I found myself arrayed in the tattered remnants of
+my grey coat, and nothing else. John Halkett hadn't so much as that.
+He was bruised and bleeding, and he was deeply moved. Tears stood in
+his eyes as he grasped me by the hand.
+
+"'Stranger,' he said, 'will you tell me where you hail from?'
+
+"'Air you satisfied, Mr. Halkett,' I replied, 'with the editorial
+management of this newspaper?'
+
+"'I am,' he answered. 'You bet. This is the very best edited paper
+that ever ran. Good morning, sir. You have took the starch out of John
+Halkett in a way that no starch ever was took out of that man before.
+And if ever you get into a tight place, you come to me.'
+
+"They put him in a cab, and sent him home for repairs. I went back to
+the Editor's room. He was going on again with his usual occupation of
+manufacturing squelchers. The fragments of the chairs lay around him,
+but he wrote on unmoved.
+
+"'Consider yourself permanently engaged,' he said. 'The firm will pay
+for a new suit of clothes. Why couldn't you say at once that you were
+fond of fighting? I never saw a visitor tackled in a more lovable
+style. Why, you must have been brought up to it. And just to think
+that one might never have discovered your points if it hadn't been for
+the fortunate accident of John Halkett's call!'
+
+"I said I was too modest to mention my tastes.
+
+"'Most fortunate it is. Blevins, who used to do our fighting--a whole
+team he was at it--was killed three months ago on this very floor;
+there's the mark of his fluid still on the wall. We gave Blevins a
+first-class funeral, and ordered a two-hundred-dollar monument to
+commemorate his virtues. We were not ungrateful to Blevins.
+
+"'Birkett came next,' he went on, making corrections with a pencil
+stump. 'But he was licked like a cur three times in a fortnight.
+People used to step in on purpose to wallop Birkett, it was such an
+easy amusement. The paper was falling into disgrace, so we shunted
+him. He drives a cab now, which suits him better, because he was
+always gentlemanly in his ways.
+
+"'Carter, who followed, was very good in some respects, but he wanted
+judgment. He's in hospital with a bullet in the shoulder, which comes
+of his own carelessness. We can't take him on again any more, even if
+he was our style, which he never was.'
+
+"'And who does the work now?' I ventured to ask.
+
+"'We have had no regular man since Carter was carried off on a
+shutter. Each one does a little, just as it happens to turn up. But I
+don't like the irregular system. It's quite unprofessional.'
+
+"I asked if there was much of that sort of thing.
+
+"'Depends on the time of year. It is the dull season just now, but we
+are lively enough when the fall elections come on. We sometimes have a
+couple a day then. You won't find yourself rusting. And if you want
+work, we can stir up a few editors by judicious writing. I'm powerful
+glad we made your acquaintance, Mr. Beck.'
+
+"That, Mr. Dunquerque, is how I became connected with the press."
+
+"And did you like the position?"
+
+"It had its good points. It was a situation of great responsibility.
+People were continually turning up who disliked our method of
+depicting character, and so the credit of the paper mainly rested on
+my shoulders. No, sir; I got to like it, except when I had to go into
+hospital for repairs. And even that had its charms, for I went there
+so often that it became a sort of home, and the surgeons and nurses
+were like brothers and sisters."
+
+"But you gave up the post?" said Jack.
+
+"Well, sir, I did. The occupation, after all, wasn't healthy, and was
+a little too lively. The staff took a pride in me too, and delighted
+to promote freedom of discussion. If things grew dull for a week or
+two, they would scarify some ward ruffian just to bring on a fight.
+They would hang around there to see that ward ruffian approach the
+office, and they would struggle who should be the man to point me out
+as the gentleman he wished to interview. They were fond of me to such
+an extent that they could not bear to see a week pass without a fight.
+And I will say this of them, that they were as level a lot of boys as
+ever destroyed a man's character.
+
+"Most of the business was easy. They came to see Mr. Van Cott, and
+they were shown up to me. What there is of me, takes up a good deal of
+the room. And when they'd put their case I used to open the door and
+point. 'Git,' I would say. 'You bet,' was the general reply; and they
+would go away quite satisfied with the Editorial reception. But one a
+week or so there would be a put-up thing, and I knew by the look of my
+men which would take their persuasion fighting.
+
+"It gradually became clear to me that if I remained much longer there
+would be a first class funeral, with me taking a prominent part in the
+procesh; and I began to think of digging out while I still had my hair
+on.
+
+"One morning I read an advertisement of a paper to be sold. It was in
+the city of Clearville, Illinois, and it seemed to suit. I resolved to
+go and look at it, and apprised Mr. Van Cott of my intention.
+
+"'I'm powerful sorry,' he said; 'but of course we can't keep you if
+you will go. You've hoed your row like a square man ever since you
+came, and I had hoped to have your valuable services till the end.'
+
+"I attempted to thank him, but he held up his hand, and went on
+thoughtfully.
+
+"'There's room in our plat at Rose Hill Cemetery for one or two more;
+and I had made up my mind to let you have one side of the monument all
+to yourself. The sunny side, too--quite the nicest nest in the plat.
+And we'd have given you eight lines of poetry--Blevins only got four,
+and none of the other fellows any. I assure you, Beck, though you may
+not think it, I have often turned this over in my mind when you have
+been in hospital, and I got to look on it as a settled thing. And now
+this is how it ends. Life is made up of disappointments.'
+
+"I said it was very good of him to take such an interest in my
+funeral, but that I had no yearning at present for Rose Hill Cemetery,
+and I thought it would be a pity to disturb Blevins. As I had never
+known him and the other boys, they mightn't be pleased if a total
+stranger were sent to join their little circle.
+
+"Mr. Van Cott was good enough to say that they wouldn't mind it for
+the sake of the paper: but I had my prejudices, and I resigned.
+
+"I don't know whether you visited Illinois when you were in America,
+Mr. Dunquerque; but if you did, perhaps you went to Clearville. It is
+in that part of the State which goes by the name of Egypt, and is so
+named on account of the benighted condition of the natives. It wasn't
+a lively place to go to, but still----
+
+"The _Clearville Roarer_ was the property of a Mrs. Scrimmager,
+widow of the lately defunct editor. She was a fresh buxom widow of
+thirty-five, with a flow of language that would down a town council or
+a vestry. I inferred from this that the late Mr. Scrimmager was not
+probably very sorry when the time came for him to pass in his checks.
+
+"She occupied the upper flats of a large square building, in the lower
+part of which were the offices of the paper. I inspected the premises,
+and having found that the books and plant were pretty well what the
+advertisement pretended, I closed the bargain at once, and entered
+into possession.
+
+"The first evening I took tea with Mrs. Scrimmager.
+
+"'It must be more than a mite lonely for you,' she said, as we sat
+over her dough-nuts and flipflaps, 'up at the tavern. But you'll soon
+get to know all the leading people. They're a two-cent lot, the best
+of them. Scrimmy (we always called him Scrimmy for short) never
+cottoned to them. He used to say they were too low and common, mean
+enough to shoot a man without giving him a chance--a thing which
+Scrimmy, who was honourable from his boots up, would have scorned to
+do.'
+
+"I asked if it was long since her husband had taken his departure.
+
+"'He started,' she said, 'for kingdom come two months ago, if that's
+what you mean.'
+
+"'Long ill?'
+
+"'Ill?' she replied, as if surprised at the question. 'Scrimmy never
+was ill in his life. He was quite the wrong man for that. Scrimmy was
+killed.'
+
+"'Was he,' I asked. 'Railway accident, I suppose?'
+
+"Mrs. Scrimmager looked at me resentfully, as if she thought I really
+ought to have known better. Then she curved her upper lip in disdain.
+
+"'Railway accident! Not much. Scrimmy was shot.'
+
+"'Terrible!' I ejaculated, with a nervous sensation, because I guessed
+what was coming.
+
+"'Well, it was rough on him,' she said. 'Scrimmy and Huggins of the
+_Scalper_--do you know Huggins? Well, you'll meet him soon enough
+for your health. They hadn't been friends for a long while, and each
+man was waiting to draw a bead on the other. How they did go for one
+another! As an ink-slinger, Huggins wasn't a patch on my husband; but
+Huggins was a trifle handier with his irons. In fact, Huggins has shot
+enough men to make a small graveyard of his own; and his special
+weakness is editors of your paper.'
+
+"'I began to think that Clearville was not altogether the place for
+peace and rest. But it was too late now.
+
+"The lady went on:
+
+"'Finally, Scrimmy wrote something that riled Huggins awful. So he
+sent him a civil note, saying that he'd bore a hole in him first
+chance. I've got the note in my desk there. That was gentlemanlike, so
+far; but he spoiled it all by the mean sneaking way he carried it
+through. Scrimmy, who was wonderful careless and never would take my
+advice, was writing in his office when Huggins crept in quiet, and
+dropped a bullet through his neck before he had time to turn. Scrimmy
+knew it was all up; but he was game to the last, and finished his
+article, giving the _Scalper_ thunder. When he'd done it he came
+upstairs and died.'
+
+"'And Mr. Huggins?'
+
+"'They tried him; but, Lord, the jury were all his friends, and they
+brought it in justifiable homicide. After the funeral Huggins behaved
+handsome; he put the _Scalper_ into deep mourning, and wrote a
+beautiful send-off notice, saying what a loss the community had
+suffered in Scrimmy's untimely end. I've got the article in my desk,
+and I'll show it to you; but somehow I never could bring myself to be
+friends with Huggins after it.'
+
+"'Mr. Scrimmager was perhaps not the only editor who has fallen a
+victim in Clearville.'
+
+"'The only one? Not by a long chalk,' she replied. 'The _Roarer_
+has had six editors in five years; they've all been shot except one,
+and he died of consumption. His was a very sad case. A deputation of
+leading citizens called to interview him one evening; he took refuge
+on the roof of the office, and they kept him there all night in a
+storm. He died in two months after it. But he was a poor nervous
+critter, quite unfit for his position.'
+
+"'And this,' I thought, 'this is the place I have chosen for a quiet
+life.'
+
+"I debated that night with myself whether it would be better to blow
+the roof off my head at once, instead of waiting for Huggins or some
+other citizen to do it for me. But I resolved on waiting a little.
+
+"Next day I examined the files of the _Roarer_, and found that it
+had been edited with great vigor and force; there was gunpowder in
+every article, fire and brimstone in every paragraph. No wonder, I
+thought, that the men who wrote those things were chopped up into
+sausage-meat. I read more, and it seemed as if they might as well have
+set themselves up as targets at once. I determined on changing the
+tone of the paper; I would no longer call people midnight assassins
+and highway robbers, nor would I hint that political opponents were
+all related to suspended criminals. I would make the _Roarer_
+something pure, noble, and good; I would take Washington Irving for my
+model; it should be my mission to elevate the people.
+
+"Wal, sir, I begun. I wrote for my first number articles as elevating
+as Kentucky whisky. Every sentence was richly turned; every paragraph
+was as gentle as if from the pen of Goldsmith. There was a mutiny
+among the compositors; they were unaccustomed to such language, and it
+made them feel small. One man, after swearing till the atmosphere was
+blue, laid down his stick in despair and went and got drunk. And the
+two apprentices fought over the meaning of a sentence in the backyard.
+One of those boys is now a cripple for life.
+
+"It would have been better for me, a thousand times better, if I had
+stuck to the old lines of writing. The people were accustomed to that.
+They looked for it, and they didn't want any elevating. If you think
+of it, Mr. Dunquerque, people never do. The Clearville roughs liked to
+be abused, too, because it gave them prominence and importance. But my
+pure style didn't suit them, and as it turned out, didn't suit me
+either.
+
+"The City Marshal was the earliest visitor after the issue of my first
+number. He came to say that, as the chief executive officer of the
+town, he would not be responsible for the public peace if I persevered
+in that inflammatory style. I told him I wouldn't change it for him or
+anybody else. Then he said it would cause a riot, and he washed his
+hands of it, and he'd done his duty.
+
+"Next came the Mayor with two town-councillors.
+
+"'What in thunder, do you think you mean, young man,' his honour
+began, pointing to my last editorial, 'by bringing everlasting
+disgrace on our town with such mush as that?'
+
+"He called it mush.
+
+"I asked him what was wrong in it.
+
+"'Wrong? It is all wrong. Of all the mean and miserable twaddle'----
+
+"He called it miserable twaddle.
+
+"'Hold on, Mr. Mayor,' I said; 'we must discuss this article in a
+different way. Which member of your august body does the heavy
+business?'
+
+"'We all take a hand when it's serious,' he replied; 'but in ordinary
+cases it's generally understood that I do the municipal fighting
+myself.'
+
+"'We'll consider this an ordinary case, Mr. Mayor,' I said; and I went
+for that chief magistrate. He presently passed through the window--the
+fight had no details of interest--and then the town-councillors shook
+hands with me, congratulated me on my editorial, and walked out quiet
+through the door.
+
+"Nearly a dozen Egyptians dropped in during the afternoon to
+remonstrate. I disposed of them in as gentlemanlike a manner as
+possible. Towards evening I was growing a little tired, and thinking
+of shutting up for the day, when my foreman, whom the day's
+proceedings had made young again--such is the effect of joy--informed
+me that Mr. Huggins of the _Scalper_ was coming down the street.
+A moment later Mr. Huggins entered. He was a medium-sized man, with
+sharp, piercing eyes and a well-bronzed face, active as a terrier and
+tough as a hickory knot. I was sitting in the wreck of the
+office-desk, but I rose as he came in.
+
+"'Don't stir,' he said pleasantly. 'My name is Huggins; but I am not
+going to kill you to-day.'
+
+"I said I was much obliged to him.
+
+"'I see you've been receiving visitors,' he went on, looking at the
+fragments of the chairs. 'Ours, Mr. Beck, is an active and a
+responsible profession.'
+
+"I said I thought it was.
+
+"'These people have been pressing their arguments home with unseemly
+haste,' he said. 'It is unkind to treat a stranger thus. Now as for
+me, I wouldn't draw on you for your first article, not to be made
+Governor of Illinois. It would be most unprofessional. Give a man a
+fair show, I say.'
+
+"'Very good, Mr. Huggins.'
+
+"'At the same time, Mr. Beck, I _do_ think you've laid yourself open.
+You are reckless, not to say insulting. Take my case. You never saw me
+before, and you've had the weakness to speak of me as the gentlemanly
+editor of the _Scalper_.'
+
+"'I'm sure, Mr. Huggins, if the term is offensive'----
+
+"'Offensive? Of course it is offensive. But as this is our first
+interview, I must not let my dander rise.'
+
+"'Let it rise by all means, and stay as high as it likes. We may find
+a way of bringing it down again.'
+
+"'No, no,' he answered, smiling; 'it would be unprofessional. Still, I
+must say that your sneaking, snivelling city way of speaking will not
+go down, and I have looked in to tell you that it must not be
+repeated.'
+
+"'It shall not be repeated, Mr. Huggins. I shall never again make the
+mistake of calling you a gentleman.'
+
+"He started up like a flash, and moved his hand to his breast-pocket.
+
+"'What do mean by that?'
+
+"I was just in time, as I sprang upon and seized him by both arms
+before he could draw his pistol.
+
+"'I mean this,' I said; 'you've waked up the wrong passenger this
+time, Mr. Huggins. You needn't wriggle. I've been chucking people
+through the window all day, and you shall end the lot. But first I
+want that shooting-iron; it might go off by accident and hurt some one
+badly.'
+
+"It was a long and mighty heavy contract, for he was as supple as an
+eel and as wicked as a cat. But I got the best holt at last, relieved
+him of his pistol, and tossed him through the window.
+
+"'Jim,' I said to the foreman, as I stretched myself in a corner,
+panting and bleeding, 'You can shut up. We shan't do any more business
+to-day.'
+
+"I issued two more numbers of the _Roarer_ on the same refined and
+gentlemanly principle, and I fought half the county. But all to no
+purpose. Neither fighting nor writing could reform those Egyptians.
+
+"Huggins shot me through the arm one evening as I was going home from
+the office. I shall carry his mark to the grave. Three nights later I
+was waited on by about thirty leading citizens, headed by the Mayor.
+They said they thought Clearville wasn't agreeing with me, and they
+were come to remove me. I was removed on a plank, escorted by a
+torch-light procesh of the local fire brigade. On the platform of the
+railway station the Mayor delivered a short address. He said, with
+tears, that the interests of party were above those of individuals,
+and that a change of residence was necessary for me. Then he put into
+my hands a purse of two hundred dollars, and we parted with every
+expression of mutual esteem.
+
+"That is how I came out of the land of Egypt, Mr. Dunquerque; and that
+is the whole history of my connection with the press."
+
+
+
+
+CHAPTER XIX.
+
+ "We do not know
+ How she may soften at the sight o' the child."
+
+
+If life was pleasant at Carnarvon Square, it was far more pleasant by
+the banks of the river. Phillis expanded like a rose in June under the
+sweet and gracious influences with which Agatha L'Estrange surrounded
+her. Her straightforward way of speaking remained--the way that
+reminded one of a very superior schoolboy who had _not_ been made
+a prig at Rugby--but it was rounded off by something more of what we
+call maidenly reserve. It should not be called reserve at all; it is
+an atmosphere with which women have learned to surround themselves, so
+that they show to the outward world like unto the haloed moon. Its
+presence was manifested in a hundred little ways--she did not answer
+quite so readily; she did not look into the face of a stranger quite
+so frankly; she seemed to be putting herself more upon her
+guard--strange that the chief charm of women should be a relic of
+barbarous times, when the stronger sex were to be feared for their
+strength and the way in which they often used it. Only with Jack
+Dunquerque there was no change. With him she was still the frank,
+free-hearted girl, the friend who opened all her heart, the maiden
+who, alone of womankind, knew not the meaning of love.
+
+Phillis was perfectly at home with Agatha L'Estrange. She carolled
+about the house like a bird; she played and sang at her sweet will;
+she made sketches by thousands; and she worked hard at the elements of
+all knowledge. Heavens, by what arid and thirsty slopes do we climb
+the hills of Learning! Other young ladies had made the house by the
+river their temporary home, but none so clever, none so bright, none
+so entirely lovable as this emancipated cloister-child. She was not
+subdued, as most young women somehow contrive to become; she dared to
+have an opinion and to assert it; she did not tremble and hesitate
+about acting before it had been ascertained that action was correct;
+she had not the least fear of compromising herself; she hardly knew
+the meaning of proper and improper; and she who had been a close
+prisoner all her life was suddenly transformed into a girl as free as
+any of Diana's nymphs. Her freedom was the result of her ignorance;
+her courage was the result of her special training, which had not
+taught her the subjection of the sex; her liberty was not license,
+because she did not, and could not, use it for those purposes which
+schoolgirls learn in religious boarding-houses. She could walk with a
+curate, and often did, without flirting with the holy young man; she
+could make Jack Dunquerque take her for a row upon the river, and
+think of nothing but the beauty of the scene, her own exceeding
+pleasure, and the amiable qualities of her companion.
+
+Of course, Agatha's friends called upon her. Among them were several
+specimens of the British young lady. Phillis watched them with much
+curiosity, but she could not get on with them. They seemed mostly to
+be suffering from feeble circulation of the pulse; they spoke as if
+they enjoyed nothing; those who were very young kindled into
+enthusiasm in talking over things which Phillis knew nothing about,
+such as dancing--Phillis was learning to dance, but did not yet
+comprehend its fiercer joys--and sports in which the other sex took an
+equal part. Their interest was small in painting; they cared for
+nothing very strongly; their minds seemed for the most part as languid
+as their bodies. This life at low ebb seemed to the girl whose blood
+coursed freely, and tingled in her veins as it ran, a poor thing; and
+she mentally rejoiced that her own education was not such as theirs.
+On the other hand, there were points in which these ladies were
+clearly in advance of herself. Phillis felt the cold ease of their
+manner; that was beyond her efforts; a formal and mannered calm was
+all she could assume to veil the intensity of her interest in things
+and persons.
+
+"But what do they like, Agatha?" she asked one day, after the
+departure of two young ladies of the highest type.
+
+"Well, dear, I hardly know. I should say that they have no strong
+likings in any direction. After all, Phillis dear, those who have the
+fewest desires enjoy the greatest happiness."
+
+"No, Agatha, I cannot think that. Those who want most things can enjoy
+the most. Oh, that level line! What can shake them off it?"
+
+"They are happier as they are, dear. You have been brought up so
+differently that you cannot understand. Some day they will marry. Then
+the equable temperament in which they have been educated will stand
+them in good stead with their husbands and their sons."
+
+Phillis was silent, but she was not defeated.
+
+Of course the young ladies did not like her at all.
+
+They were unequal to the exertion of talking to a girl who thought
+differently from all other girls. Phil to them, as to all people who
+are weak in the imaginative faculty, was _impossible_.
+
+But bit by bit the social education was being filled in, and Phillis
+was rapidly becoming ready for the _début_ to which Agatha looked
+forward with so much interest and pride.
+
+There remained another kind of education.
+
+Brought up alone, with only her maid of her own age, and only an old
+man on whom to pour out her wealth of affection, this girl would, but
+for her generous nature, have grown up cold and unsympathetic. She did
+not. The first touch of womanly love which met her in her escape from
+prison was the kiss which Agatha L'Estrange dropped unthinkingly upon
+her cheek. It was the first of many kisses, not formal and unmeaning,
+which were interchanged between these two. It is difficult to explain
+the great and rapid change the simple caresses of another woman worked
+in Phillis's mind. She became softer, more careful of what she said,
+more thoughtful of others. She tried harder to understand people; she
+wanted to be to them all what Agatha L'Estrange was to her.
+
+One day, Agatha, returning from early church, whither Phillis would
+not accompany her, heard her voice in the kitchen. She was singing and
+laughing. Agatha opened the door and looked in.
+
+Phillis was standing in the middle of a group. Her eyes were bright
+with a sort of rapture; her lips were parted; her long hair was
+tossing behind her; she was singing, talking, and laughing, all in a
+breath.
+
+In her arms she held the most wonderful thing to a woman which can be
+seen on this earth.
+
+A BABY.
+
+The child of the butter-woman. The mother stood before Phillis, her
+pleased red face beaming with an honest pride. Phillis's maid,
+Antoinette, and Agatha's three servants, surrounded these two, the
+principal figures. In the corner, grinning, stood the coachman. And
+the baby crowed and laughed.
+
+"Oh, the pretty thing! Oh, the pretty thing!" cried Phillis, tossing
+the little one-year-old, who kicked and laughed and pulled at her
+hair. "Was there ever such a lovely child? Agatha, come and see, come
+and see! He talks, he laughs, he dances!"
+
+"Ah, madame!" said Antoinette, wiping away a sympathetic tear. "Dire
+que ma'amsell n'en a jamais vu? Mais non, mais non--pas memes des
+poupees!"
+
+
+
+
+CHAPTER XX.
+
+ "Go seek your fortune farther than at home."
+
+
+Lawrence Colquhoun returned home to find himself famous. Do you
+remember a certain book of travels written four or five years ago by
+Lord Milton and Dr. Cheadle, in which frequent mention was made of
+_un nomme_ Harris, an inquiring and doubting Christian, who wore
+a pair of one-eyed spectacles and carried a volume of Paley? If that
+Harris, thus made illustrious, had suddenly presented himself in a
+London drawing-room while the book was enjoying his first run, he
+would have met with much the same success which awaited Lawrence
+Colquhoun. Harris let his opportunity go, and never showed up; perhaps
+he is still wandering in the Rocky Mountains and pondering over Paley.
+But Colquhoun appeared while the work of the Dragoon and the Younger
+Son was still in the mouths of men and women. The liveliest thing in
+that book is the account of Empire City and its Solitary. Everybody
+whose memory can carry him back to last year's reading will remember
+so much. And everybody who knew Colquhoun knew also that he was the
+Solitary.
+
+The Hermit; the man with the Golden Butterfly, now a millionaire; the
+Golden Butterfly, now in a golden cage--all these actually present, so
+to speak, in the flesh, and ready to witness if the authors lied. Why,
+each was an advertisement of the book, and if the two Chinamen had
+been added, probably people might be reading the work still. But they,
+poor fellows, were defunct.
+
+It annoyed Lawrence at first to find himself, like Cambuscan, with his
+tale half told; and it was monotonous to be always asked whether it
+was really true, and if he was the original Hermit. But everything
+wears off; people in a week or two began to talk of something else,
+and when Colquhoun met a man for the first time after his return he
+would startle and confuse that man by anticipating his question. He
+knew the outward signs of its approach. He would watch for the smile,
+the look of curiosity, and the parting of the lips before they framed
+the usual words:
+
+"By the way, Colquhoun, is it actually true that you are the Hermit in
+Jack Dunquerque's book?"
+
+And while the questioner was forming the sentence, thinking it a
+perfectly original one, never asked before, Lawrence would answer it
+for him.
+
+"It is perfectly true that I was the Hermit. Now talk of something
+else."
+
+For the rest he dropped into his old place. Time, matrimony, good and
+evil hap, had made havoc among his set; but there was still some left.
+Club-men come and club-men go; but the club goes on for ever.
+
+Colquhoun had the character of being at once the laziest and the most
+good-natured of men. A dangerous reputation, because gratitude is a
+heavy burden to bear. If you do a man a good turn he generally finds
+it too irksome to be grateful, and so becomes your enemy. But
+Colquhoun cared little about his reputation.
+
+When he disappeared, his friends for a day or two wondered where he
+was. Then they ceased to talk of him. Now he was come back they were
+glad to have him among them again. He was a pleasant addition. He was
+not altered in the least--his eyes as clear from crows-feet, his beard
+as silky, and his face as cheerful as ever. Some men's faces have got
+no sun in them; they only light up with secret joy at a friend's
+misfortunes; but this is an artificial fire, so to speak; it burns
+with a baleful and lurid light. There are others whose faces are like
+the weather in May, being uncertain and generally disagreeable. But
+Lawrence Colquhoun's face always had a cheerful brightness. It came
+from an easy temper, a good digestion, a comfortable income, and a
+kindly heart.
+
+Of course he made haste to find Gilead P. Beck. Jack Dunquerque, who
+forgot at the time to make any mention of Phillis Fleming, informed
+him of the Golden Butterfly's wonderful Luck. And they all dined
+together--the Hermit, the Miner, the Dragoon, and the Younger Son.
+
+They ran the Bear Hunt over again; they talked of Empire City, and
+speculated on the two Chinamen; had they known the fate of the two,
+their speculations might have taken a wider range.
+
+"It was rough on me that time," said Gilead. "It had never been so
+rough before, since I began bumming around."
+
+They waited for more, and presently he began to tell them more. It was
+the way of the man. He never intruded his personal experiences, being
+for the most part a humble and even a retiring man; but when he was
+among men he knew, he delighted in his recollections.
+
+"Thirty-three years ago since I began. Twelve years old; the youngest
+of the lot. And I wonder where the rest are. Hiram, I know, sat down
+beside a rattle one morning. He remembered he had an appointment
+somewhere else, and got up in a hurry. But too late, and his
+constitution broke up suddenly. But for the rest I never did know what
+became of them. When I go back with that almighty Pile of mine, they
+will find me out, I dare say. Then they will bring along all their
+friends and the rest of the poor relations. The poorer the relations
+in our country, the more affectionate and self-denying they are."
+
+"What did you do first?" asked Ladds.
+
+"Ran messages; swept out stores; picked up trades; went handy boy to a
+railway engineer; read what I could and when I could. When I was
+twenty I kept a village school at a dollar a day. That was in Ohio.
+I've been many things in my pilgrimage and tried to like them all, but
+that was most too much for me. Boys _was_ gells, Captain Ladds. Boys
+themselves are bad; but boys and gells mixed, they air--wal, it's a
+curious and interestin' thing that, ever since that time, when I see
+the gells snoopin' around with their eyes as soft as velvet, and their
+sweet cheeks the colour of peach, I say to myself, 'Shoddy. It is
+shoddy. I've seen you at school, and I know you better than you
+think.' As the poet says, 'Let gells delight to bark and bite, for
+'tis their nature to.' You believe, Mr. Dunquerque, because you are
+young and inexperienced, that gells air soft. Air they? Soft as the
+shell of a clam. And tender? Tender as hickory-nut. Air they gentle,
+unselfish, and yieldin'? As rattlesnakes. The child is mother to the
+woman, as the poet says; and school-gells grow up mostly into women.
+They're sweet to look at; but when you've tended school, you feel to
+know them. And then you don't yearn after them so much.
+
+"There was once a boy I liked. He was eighteen, stood six foot high in
+his stocking-boots, and his name was Pete Conkling. The lessons that
+boy taught me were useful in my after life. We began it every morning
+at five minutes past nine. Any little thing set us off. He might heave
+a desk, or a row of books, or the slates of the whole class at my
+head. I might go for him first. It was uncertain how it began, but the
+fight was bound to be fought. The boys expected it, and it pleased the
+gells. Sometimes it took me half an hour, and sometimes the whole
+morning, to wallop that boy. When it was done, Pete would take his
+place among the little gells, for he never could learn anything, and
+school would begin. To see him after it was over sitting alongside of
+little Hepzibah and Keziah, as meek as if he'd never heard of a black
+eye, and never seen the human fist, was one of my few joys. I was fond
+of Pete, and he was fond of me. Ways like his, gentlemen, kinder creep
+round the heart of the lonely teacher. Very fond of him I grew. But I
+got restless and dug out for another place; it was when I went on the
+boards and became an actor, I think; and it was close on fifteen years
+afterwards that I met him. Then he was lying on the slopes of
+Gettysburg--it was after the last battle--and his eyes were turned up
+to the sky; one of them, I noticed, was black; so that he had kept up
+his fighting to the end. For he was stark dead, with a Confed. bullet
+in his heart. Poor Pete!"
+
+"You fought for the North?" asked one of his audience.
+
+"I _was_ a Northerner," he replied simply. How could he help taking
+his part in maintaining undivided that fair realm of America, which
+every one of his countrymen love as Queen Elizabeth's yeoman loved the
+realm of England? We have no yeomen now, which is perhaps one of the
+reasons why we could not understand the cause of the North.
+
+"I worried through that war without a scratch. We got wary towards the
+end, and let the bullets drop into trunks of trees for choice. And
+when it was over, I was five-and-thirty, and had to begin the world
+again. But I was used to it."
+
+"And you enjoyed a wandering life?"
+
+"Yes, I believe I did enjoy barking up a new tree. There's a breed of
+Americans who can't keep still. I belong to that breed. We do not like
+to sit by a river and watch the water flow; we get tired livin' in the
+village lookin' in each other's faces while the seasons come round
+like the hands of a clock. There's a mixture among us of Dutch and
+German and English to sit quiet and till the ground. They get their
+heels well grounded in the clay, and there they stick."
+
+"Where do you get it from, the wandering blood?" asked Colquhoun.
+
+Gilead P. Beck became solemn.
+
+"There air folk among us," he whispered, "Who hold that we are
+descended from the Ten Tribes. I don't say those folk are right, but I
+do say that it sometimes looks powerful like as if they were.
+Descended from the Ten Tribes, they say, and miraculously kept
+separate from the English among whom they lived. Lost their own
+language--which, if it was Hebrew, I take it was rather a good thing
+to be quit of--and speakin' English, like the rest. What were the
+tribes? Wanderers, mostly. Father Abraham went drivin' his cows and
+his camels up and down the country. Isaac went around on the rove, and
+Jacob couldn't sit still. Very well, then. Didn't their children walk
+about, tryin' one location after another, for forty years, and always
+feelin' after a bit as if there must be a softer plank farther on? And
+when they'd be settled down for a few hundred years, didn't they get
+up and disappear altogether? Mark you, they _didn't want_ to settle.
+And where are the Ten Tribes now? For they never went back; you may
+look Palesteen through and through, and nary a tribe."
+
+He looked round asking the question generally, but no one ventured to
+answer it.
+
+"Our folk, who have mostly gut religion, point to themselves. They
+say; 'Look at us; we air the real original Wanderers.' Look at us all
+over the world. What are the hotels full of? Full of Americans. We are
+everywhere. We eat up the milk and the honey, and we tramp off on
+ramble again. But there's more points of gen'ral resemblance. We like
+bounce and bunkum; so did those people down in Syria; we like to pile
+up the dollars; so did the Jews; they liked to set up their kings and
+pull them down again; we pursue the same generous and confiding policy
+with our presidents; and if they were stiff-necked and backsliding, we
+are as stiff-necked and backsliding as any generation among all the
+lot."
+
+"A very good case, indeed," said Colquhoun.
+
+"I did not think so, sir, till lately. But it's been borne in upon me
+with the weight and force that can't be resisted, and I believe it
+now. The lost Ten Tribes, gentlemen, air now located in the United
+States. I am certain of it from my own case. Do any of you think--I
+put it to you seriously--that such an inseck as the Golden Butterfly
+would have been thrown away upon an outsider? It is likely that such
+all-fired Luck as mine would have been wasted on a man who didn't
+belong to the Chosen People? No, sir; I am of the children of Israel;
+and I freeze to that."
+
+
+
+
+CHAPTER XXI.
+
+ "Animum pictura pascit inani."
+
+
+When Panurge was in that dreadful difficulty of his about marrying he
+took counsel of all his friends. Pantagruel, as we know, advised him
+alternately for and against, according to the view taken at the moment
+by his versatile dependent. Gilead Beck was so far in Panurge's
+position that he asked advice of all his friends. Mr. Cassilis
+recommended him to wait and look about him; meantime, he took his
+money for investment; and, as practice makes perfect, and twice or
+thrice makes a habit, he found now no difficulty in making Mr. Beck
+give him cheques without asking their amount or their object, while
+the American Fortunatus easily fell into the habit of signing them
+without question. He was a Fool? No doubt. The race is a common one;
+especially common is that kind of Fool which is suspicious from long
+experience, but which, having found, as he thinks, a fellow-creature
+worthy of trust, places entire and perfect trust in him, and so, like
+a ship riding at anchor with a single stout cable, laughs at danger
+even while the wind is blowing, beam on, to a lee shore. Perfect faith
+is so beautiful a thing that neither religionists who love to
+contemplate it, nor sharpers who profit by it, would willingly let it
+die out.
+
+Lawrence Colquhoun recommended pictures.
+
+"You may as well spend your money on Artists as on any other people.
+They are on the whole a pampered folk, and get much too well paid. But
+a good picture is generally a good investment. And then you will
+become a patron and form a gallery of your own, the Beck collection,
+to hand down to posterity."
+
+"I can't say, Colonel--not with truth--that I know a good picture from
+a bad one. I once tried sign painting. But the figures didn't come out
+right, somehow. Looked easy to do, too. Seems I didn't know about
+Perspective, and besides, the colours got mixed. Sign-painting is not
+a walk in life that I should recommend from personal experience."
+
+But the idea took root in his brain.
+
+Jack Dunquerque encouraged it.
+
+"You see, Beck," he said, "you may as well form a gallery of paintings
+as anything else. Buy modern pictures; don't buy Old Masters, because
+you will be cheated. The modern pictures will be old in a hundred
+years, and then your collection will be famous."
+
+"I want to do my work in my own lifetime," said the millionaire. He
+was a man of many ideas but few convictions, the strongest being that
+man ought to do what he has to do in his own lifetime, and not to
+devise and bequeath for posthumous reputation.
+
+"Why, and so you would. You buy the pictures while you are living;
+when you go off, the pictures remain."
+
+A patron of Art. The very name flattered his vanity, being a thing he
+had read of, and his imagination leaped up to the possibilities of the
+thing. Why should he not collect for his own country? He saw himself,
+like Stewart, returning to New York with a shipload of precious Art
+treasures bought in London; he saw his agent ransacking the studios
+and shops of Florence, Naples, Rome, Dresden--wherever painters
+congregate and pictures are sold; he imagined rich argosies coming to
+him across the ocean--the American looks across the ocean for the
+luxuries and graces of life, his wines, his Art, and his literature.
+Then he saw a great building, grander than the Capitol at Washington,
+erected by a grateful nation for the reception of the Gilead P. Beck
+Collection of Ancient and Modern Paintings.
+
+Now one of the earliest callers upon Mr. Beck was a certain
+picture-dealer named Burls. Mr. Burls and his fraternity regard rich
+Americans with peculiar favour. It is said to have been Bartholomew
+Burls who invented especially for American use the now well-known
+"multiplication" dodge. The method is this. You buy a work by a rising
+artist, one whose pictures may be at some future time, but are not
+yet, sufficiently known to make their early wanderings matter of
+notoriety. One of your young men--he must be a safe hand and a
+secret--make two, three, or four copies, the number depending on the
+area, rather than the number, of your _clientele_. You keep the
+Artist's receipt, a proof of the genuineness of the picture. The
+copies, name and all, are so well done that even the painter himself
+would be puzzled to know his own. You then proceed to place your
+pictures at good distances from each other, representing each as
+genuine. It is a simple, beautiful, and lucrative method. Not so
+profitable, perhaps, as cleaning oil-paintings, which takes half an
+hour apiece and is charged from ten shillings to ten pounds, according
+to the dealer's belief in your power to pay. Nor is it more profitable
+than the manufacture of a Correggio or a Cuyp for a guileless cotton
+manufacturer, and there is certainly a glow of pride to be obtained by
+the successful conversion of a new into an old picture by the aid of
+mastic varnish, mixed with red and yellow lake to tone it down, and
+the simple shaking of a door-mat over it. But then people have grown
+wary, and it is difficult to catch a purchaser of a Correggio, for
+which a large sum has to be asked. The multiplication dodge is the
+simpler and the safer.
+
+Mr. Beck, as has been already shown, was by no means deficient in a
+certain kind of culture. He had read such books as fell in his way
+during his wandering and adventurous life. His reading was thus
+miscellaneous. He had been for a short time an actor, and thus
+acquired a little information concerning dramatic literature. He had
+been on a newspaper, one of the rank and file as well as an editor. He
+knew a good deal about many things, arts, customs, and trades. But of
+one thing he was profoundly ignorant, and that was of painting.
+
+He looked at Burls' card, however--"Bartholomew Burls and Co., Church
+Street, City, Inventors of the only safe and perfect Method of
+Cleaning Oil Paintings"--and, accompanied by Jack Dunquerque, who knew
+about as much of pictures as himself, hunted up the shop, and entered
+it with the meekness of a pigeon about to be plucked.
+
+They stood amid a mass of pictures, the like of which Gilead Beck had
+never before conceived. They were hanging on the walls; they were
+piled on the floor; they were stretched across the ceiling; they
+climbed the stairs; they were hiding away in dark corners; a gaping
+doorway lit with gas showed a cellar below where they were stacked in
+hundreds. Pictures of all kinds. The shop was rather dark, though the
+sun of May was pouring a flood of light even upon the narrow City
+streets. But you could make out something. There were portraits in
+hundreds. The effigies of dead men and women stared at you from every
+second frame. Your ancestor--Mr. Burls was very particular in
+ascertaining beyond a doubt that it was your own ancestor, and nobody
+else's--frowned at you in bright steel armour with a Vandyke beard; or
+he presented a shaven face with full cheeks and a Ramillies wig; or he
+smirked upon you from a voluminous white scarf and a coat-collar which
+rose to the top of his head. The ladies of your family--Mr. Burls was
+very particular, before selling you one, in ascertaining beyond a
+doubt that she belonged to your own branch of the house, and none
+other--smiled upon you with half-closed lids, like the consort of
+Potiphar, the Egyptian, or they frisked as shepherdesses in airy
+robes, conscious of their charms; or they brandished full-blown
+petticoats, compared with which crinolines were graceful, or they
+blushed in robes which fell tightly about the figure, and left the
+waist beneath the arms. Name any knight, or mayor, or court beauty, or
+famous toast among your ancestry whose portrait is wanting to your
+gallery, and Burls, the great genealogical collector, will find you
+before many weeks that missing link in the family history. Besides the
+portraits, there were landscapes, nymphs bathing, Venuses asleep,
+Venuses with a looking-glass, Venuses of all sorts; scenes from _Don
+Quixote_; Actæons surprising Dianas; battle-pieces, sea-pieces,
+river-pieces; "bits" of Hampstead Heath, and boats on the Thames.
+
+Mr. Beck looked round him, stroked his chin, and addressed the
+guardian of this treasure-house:
+
+"I am going to buy pictures," he began comprehensively. "You air the
+Boss?"
+
+"This gentleman means," Jack explained, "that he wants to look at your
+pictures with a view to buying some if he approves of them."
+
+The man in the shop was used to people who would buy one picture after
+a whole mornings haggling, but he was not accustomed to people who
+wanted to buy pictures generally. He looked astonished, and then, with
+a circular sweep of his right hand, indicated that here were pictures,
+and all Mr. Beck had to do was to go in and buy them.
+
+"Look round you, gentlemen," he said; "pray look round you; and the
+more you buy, the better we shall like it."
+
+Then he became aware that the elder speaker was an American, and he
+suddenly changed his front.
+
+"Our chicer pictures," he explained, "are up stairs. I should like you
+to look at them first. Will you step up, gentlemen?"
+
+On the stairs, more pictures. On the landing, more pictures. On the
+stairs mounting higher, more pictures. But they stopped on the first
+floor. Mr. Burls and his assistants never invited any visitors to the
+second and third floors, because these rooms were sacred to the
+manufacture of old pictures, the multiplication of new, and the sacred
+processes of cleaning, lining, and restoring. In the first-floor rooms
+were fewer pictures but more light.
+
+One large composition immediately caught Mr. Beck's eye. A noble
+picture; a grand picture; a picture whose greatness of conception was
+equalled by its boldness of treatment. It occupied the whole of one
+side of the wall, and might have measured twenty feet in length by
+fourteen in height. The subject was scriptural--the slaying of Sisera
+by Jael, Heber the Kenite's wife. The defeated general lay stretched
+on the couch, occupying a good ten feet of the available space. Beside
+him stood the woman, a majestic figure, with a tent-peg and a mallet,
+about to commit that famous breach of hospitality. The handle of the
+mallet was rendered most conscientiously, and had evidently been
+copied from a model. Through the open hangings of the tent were
+visible portions of the army chasing the fugitives and lopping off
+their heads.
+
+"That seems a striking picture," said Mr. Beck. "I take that picture,
+sir, to represent George Washington after the news of the surrender at
+Saratoga, or General Jackson after the battle of New Orleans."
+
+"Grant after Gettysburg," suggested Jack.
+
+"No, sir. I was at Gettysburg myself; and the hero asleep on the bed,
+making every allowance for his fancy dress, which I take to be
+allegorical, is not at all like General Ulysses Grant, nor is he like
+General Sherman. The young female, I s'pose, is Liberty, with a hammer
+in one hand, and a dagger in the other. Too much limb for an American
+gell, and the flesh is redder than one could wish. But on the hull a
+striking picture. What may be the value of this composition, mister?"
+
+"I beg your pardon, sir. Not Washington, sir, nor General Jackson,
+though we can procure you in a very short time fine portraits of both
+these 'eroes. This, gentlemen, is a biblical subject. Cicero,
+overtaken, by sleep while in jail, about to be slain by 'Eber the wife
+of the Kenite. That is 'Eber, with the 'eavy 'ammer in 'er 'and. The
+Kenite belonged, as I have always understood--for I don't remember the
+incident myself--to the opposite faction. That splendid masterpiece,
+gentlemen, has been valued at five 'undred. For a town'all, or for an
+altar-piece, it would be priceless. To let it go at anything under
+five 'undred would be a sin and a shame, besides a-throwing away of
+money. Look at the light and shade. Look at 'Eber's arm and Cicero's
+leg. That leg alone has been judged by connisseers worth all the
+money."
+
+Mr. Beck was greatly disappointed in the subject and in the price;
+even had it been the allegorical picture which he thought, he was not
+yet sufficiently educated in the prices of pictures to offer five
+hundred for it; and when Mr. Burls's assistant spoke of pounds, Mr.
+Beck thought dollars. So he replied:
+
+"Five hundred dollars? I will give you five-and-twenty."
+
+"That," interposed Jack Dunquerque, "is a five-pound note."
+
+"Then, by gad, sir," said the man, with alacrity, "it's yours! It's
+been hangin' there for ten years, and never an offer yet. It's yours!"
+
+This splendid painting, thus purchased at the rate of rather more than
+threepence a square foot, was the acquisition made by Mr. Beck towards
+his great Gallery of Ancient and Modern Masters.
+
+He paid for it on the spot calling Jack to witness the transaction.
+
+"We will send it up to the hotel to-morrow," said the man.
+
+"I shall have it fixed right away along the side of my room," said Mr.
+Beck. "Should it be framed?"
+
+"I should certainly have it framed," said Jack.
+
+"Yes, sir; we shall be happy to frame it for you."
+
+"I dare say you would," Jack went on. "This is a job for a
+house-carpenter, Mr. Beck. You will have to build the frame for this
+gigantic picture. Have it sent over, and consider the frame
+afterwards."
+
+This course was approved; but, for reasons which will subsequently
+appear, the picture never was framed.
+
+The dealer proceeded to show other pictures.
+
+"A beautiful Nicolas Pushing--'Nymphs and Satyrs in a Bacchanalian
+Dance'--a genuine thing."
+
+"I don't think much of that, Mr. Dunquerque; do you? The Nymphs
+haven't finished dressing; and the gentlemen with the goats' legs may
+be satires on human nature, but they are not pretty. Let us go on to
+the next show in the caravan, mister."
+
+"This is Hetty. In the master's best style. 'Graces surprised while
+Bathing in the River.' Much admired by connisseers."
+
+"No, sir; not at all," said Mr. Beck severely. "_My_ gallery is
+going to elevate the morals of our gells and boys. It's a pretty
+thing, too, Mr. Dunquerque, and I sometimes think it's a pity morality
+was ever invented. Now, Boss."
+
+"Quite so, sir. Hetty is, as you say--rayther--What do you think of
+this, now--a lovely Grooze?"
+
+"Grooze," said Mr. Beck, "is French, I suppose, for gell. Yes, now
+that's a real pretty picture; I call that a picture you ain't ashamed
+to admire; there's lips you can kiss; there's a chin you can
+chuck----"
+
+"How about the morals?" asked Jack.
+
+"Wal, Mr. Dunquerque, we'll buy the picture first, and we'll see how
+it rhymes with morals afterwards. There's eyes to look into a man's.
+Any more heads of pretty Groozes, mister? I'll buy the lot."
+
+"This is a Courage-oh!" the exhibitor went on, after expressing his
+sorrow that he had no more Groozes, and bringing out a Madonna.
+"Thought to be genuine by the best judges. History of the picture
+unknown redooces the value."
+
+"I can't go fooling around with copies in _my_ gallery," said Mr.
+Beck. "I must have genuine pictures, or none."
+
+"Then we will not offer you that Madonna, sir. I think I have
+something here to suit you. Come this way. A Teniers, gentlemen--a
+real undoubted gem of Teniers. This is a picture now for any
+gentleman's collection. It came from the gallery of a nobleman lately
+deceased, and was bought at the sale by Mr. Burls himself, who knows a
+picture when he sees one. Mr. Bartholomew Burls, our senior partner,
+gentlemen. 'The Bagpipe-player.'"
+
+It was an excellent imitation, but of a well-known picture, and it
+required consummate impudence to pretend that it was original.
+
+"Oh," said Jack, "but I have seen this somewhere else. In the Louvre,
+I believe."
+
+"Very likely, sir," replied the unabashed vendor. "Teniers painted six
+hundred pictures. There was a good many 'Bagpipe-players' among them.
+One is in the Louvre. This is another."
+
+On the advice of Jack Dunquerque Mr. Beck refrained from buying, and
+contented himself with selecting, with the option of purchase. When
+they left the shop, some twenty pictures were thus selected.
+
+The seller, who had a small interest or commission on sales, as soon
+as their steps were fairly out of the shop, executed a short dance
+indicative of joy. Then he called up the stairs, and a man came slowly
+down.
+
+A red-nosed bibulous person, by name Critchett. He was manufacturer of
+old masters in ordinary to Bartholomew Burls and Co.; cleaned and
+restored pictures when other orders were slack, and was excellent at
+"multiplication." He had worked for Burls for a quarter of a century,
+save for a few weeks, when one Frank Melliship, a young gentleman then
+down on his luck, worked in his stead. A trustworthy and faithful
+creature, though given to drink; he could lie like an echo; was as
+incapable of blushing as the rock on which the echo plays; and bore
+cross-examination like a Claimant.
+
+"Come down, Critchett--come down. We've sold 'Cicero and 'Eber.'"
+
+"'Sisera and Jael.'"
+
+"Well, it don't matter--and I said 'Cicero in Jail.' They've gone for
+five pounds. The governor he always said I could take whatever was
+offered, and keep it for myself. Five pounds in my pocket! Your last
+Teniers--that old bagpipe-party--I tried him, but it was no go. But
+I've sold the only one left of your Groozes, and you had better make a
+few more, out of hand. Look here, Critchett: it isn't right to drink
+in hours, and the guv'nor out and all; but this is an occasion. This
+ain't a common day, because I've sold the Cicero. I won't ask you to
+torse, nor yet to pay; but I says, 'Critchett, come across the way, my
+boy, and put your lips to what you like best.' Lord, Lord! on'y give
+me an American, and give him to me green! Never mind your hat,
+Critchett. 'It's limp in the brim and it's gone in the rim,' as the
+poet says; and you look more respectable without it, Critchett."
+
+"That's a good beginning," Beck observed, after luncheon. They were in
+Jack Dunquerque's club, in the smoking room. "That's a first-rate
+beginning. How many pictures go to a gallery?"
+
+"It depends on the size of it. About five hundred for a moderate sized
+one."
+
+Mr. Beck whistled.
+
+"Never mind. The Ile pays for all. A Patron of Art. Yes, sir, that
+seems the right end of the stick for a rich man to keep up. But I've
+been thinking it over. It isn't enough to go to shops and buy
+pictures. We must go in for sculpting too, and a Patron ought to get
+hold of a struggling artist, and lend him a helping hand; he should
+advance unknown talent. That's my idea."
+
+"I think I can help you there," said Jack, his eyes twinkling. "I know
+just such a man; an artist unknown, without friends, with slender
+means, of great genius, who has long languished in obscurity."
+
+"Bring him to me, Mr. Dunquerque. Bring that young man to me. Let me
+be the means of pushing the young gentleman. Holy thunder! What is
+money if it isn't used. Tell me his name."
+
+"I think I ought to have spoken to him first," said Jack, in some
+confusion, and a little taken aback by Mr. Beck's determination. "But,
+however, you can only try. His name is Humphrey Jagenal. I will, if
+you please, go and see him to-day. And I will ask him to call upon you
+to-morrow morning."
+
+"I would rather call upon _him_," said Mr. Beck. "It might look like
+the pride of patronage asking him to call at the Langham. I don't want
+him to start with a feeling of shame."
+
+"Not at all; at least, of course, it will be patronage, and I believe
+he will prefer it. There is no shame in taking a commission to execute
+a picture."
+
+"Mr. Dunquerque, every day you confer fresh obligations upon me. And I
+can do nothing for you--nothing at all."
+
+At this time it was Gilead Beck's worst misfortune that he was not
+taken seriously by any one except Gabriel Cassilis, who literally and
+liberally interpreted his permission to receive all his money for safe
+investment. But as for his schemes, vague and shadowy as they were,
+for using his vast income for some practically philanthropic and
+benevolent objects, none of his friends sympathised with him, because
+none of them understood him. Yet the man was deeply in earnest. He
+meant what he said, and more, when he told Gabriel Cassilis that a
+voice urged him by day and by night not to save his money, but to use
+for others what he could not use himself. He had been two months in
+England on purpose to learn a way, but saw no way yet. And every way
+seemed barred. He would not give money to societies, because they were
+societies; he wanted to strike out something new for himself. Nor
+would he elaborate a scheme to be carried out after his death. Let
+every man, he repeated every day, do what he has to do in his
+lifetime. How was he to spend his great revenues? A Patron of Art? It
+was the first tangible method that he had struck upon. He would be
+that to begin with. Art has the great advantage, too, of swallowing up
+any conceivable quantity of money.
+
+And on the way from the Burls's Depot of Real and Genuine Art, he hit
+upon the idea of advancing artists as well as Art. He was in thorough
+earnest when he raised his grave and now solemn eyes to Jack
+Dunquerque, and thanked him for his kindness. And Jack's conscience
+smote him.
+
+"I must tell you," Jack explained, "that I have never seen any of Mr.
+Humphrey Jagenal's pictures. Miss Fleming, the young lady whom you met
+at Mrs. Cassilis's, told me once that he was a great artist."
+
+"Bring him to me, bring him to me, and we will talk. I hope that I may
+be able to speak clearly to him without hurting his feelin's. If I
+brag about my Pile, Mr. Dunquerque, you just whisper 'Shoddy,' and
+I'll sing small."
+
+"There will be no hurting of feelings. When you come to a question of
+buying and selling, an artist is about the same as everybody else.
+Give him a big commission; let him have time to work it out; and send
+him a cheque in advance. I believe that would be the method employed
+by patrons whom artists love. At least, I should love such a patron.
+
+"Beck," he went on after a pause: both were seated in the long deep
+easy-chairs of the club smoking-room, with the chairs pretty close
+together, so that they could talk in low tones,--"Beck, if you talk
+about artists, there's Phil--I mean Miss Fleming. By Jove! she only
+wants a little training to knock the heads off half the R.A.s. Come
+out with me and call upon her. She will show us her sketches."
+
+"I remember her," said Gilead Beck slowly; "a tall young lady; a
+lovely Grooze, as the man who grinds that picture-mill would say; she
+had large brown eyes that looked as if they could be nothing but
+tender and true, and a rosebud mouth all sweetness and smiles, and
+lips that trembled when she thought. I remember her--a head like a
+queen's piled up with her own brown hair and flowers, an' a figure
+like--like a Mexican half-caste at fourteen."
+
+"You talk of her as if you were in love with her," said Jack
+jealously.
+
+"No, Mr. Dunquerque; no, sir. That is, I may be. But it won't come
+between you and her, what I feel. You air a most fortunate man. Go
+down on your knees when you get home, and say so. For or'nary
+blessin's you may use the plan of Joshua Mixer, the man who had the
+biggest claim in Empire City before it busted up. He got his Petitions
+and his Thanksgivin's printed out neat on a card together, and then he
+hung that card over his bed. 'My sentiments,' he used to say, jerkin'
+his thumb to the card when he got in at night. Never omitted his
+prayers; never forgot that jerk, drunk or sober. Joshua Mixer was the
+most religious man in all that camp. But for special Providences; for
+Ile; for a lucky shot; for a sweet, pure, heavenly, gracious creature
+like Miss Fleming,--I say, go on your knees and own to it, as a man
+should. Well, Mr. Dunquerque," he continued, "I wish you success; and
+if there's anything I can do to promote your success, let me know. Now
+there's another thing. What I want to do is to unlock the door which
+keeps me from the society of men of genius. I can get into good
+houses; they all seem open to me because I've got money. London is the
+most hospitable city in this wide world for those who have the stamps.
+Republican? Republican ain't the word for it. Do they ask who a man
+is? Not they. They ask about his dollars, and they welcome him with
+smiles. It's a beautiful thing to look at, and it makes an Amer'can
+sigh when he thinks of his own country, where they inquire into a
+stranger's antecedents. But there's exceptions, and artists and
+authors I cannot get to. And I want to meet your great men. Not to
+interview them, sir. Not at all. They may talk a donkey's hind leg
+off, and I wouldn't send a single line to the New York papers to tell
+them what was said nor what they wore. But I should like, just for one
+evening, to meet and talk with the great writers whom we respect
+across the water."
+
+Again Jack Dunquerque's eyes began to twinkle. He _could_ not enter
+into the earnestness of this man. And an idea occurred to him at which
+his face lit up with smiles.
+
+"It requires thinking over. Suppose I was to be able to get
+half-a-dozen or so of our greatest writers, how should we manage to
+entertain them?"
+
+"I should like, if they would only come--I should like to give them a
+dinner at the Langham. A square meal; the very best dinner that the
+hotel can serve. I should like to make them feel like being at the
+Guildhall."
+
+"I will think about it," said Jack, "and let you know in a day or two
+what I can do for you."
+
+
+
+
+CHAPTER XXII.
+
+ "Ambition should be made of sterner stuff."
+
+
+"A patron at last, Cornelius," said Humphrey Jagenal, partly
+recovering from the shock of Jack Dunquerque's communication. "A
+Patron. Patronage is, after all, the breath of life in Art. Let others
+pander to the vitiated public taste and cater for a gaping crowd round
+the walls of the Royal Academy. I would paint for a Lorenzo only, and
+so work for the highest interests of Art. We will call, brother, upon
+this Mr. Beck to-morrow."
+
+"We will!" said Cornelius, with enthusiasm.
+
+It was in the Studio. Both brothers, simultaneously fired with ardour,
+started to their feet and threw back their heads with a gesture of
+confidence and determination. The light of high resolve flashed from
+their eyes, which were exactly alike. The half-opened lips expressed
+their delight in the contemplation of immortal fame. Their chance had
+arrived; their youth was come back to them.
+
+True, that Gilead Beck at present only proposed to become a Patron to
+the Artist; but while it did not enter into Humphrey's head for one
+moment that he could make that visit unsupported by his brother, so
+the thought lay in either's brain that a Poet wanted patronage as much
+as an Artist.
+
+They were both excited. To Humphrey it was clear that the
+contemplation of his great work, in which he had basked so many years,
+was to be changed for days of active labour. No longer could he
+resolve to carry it into execution the "day after to-morrow," as the
+Arabs say. This was difficult to realise, but as yet the thought was
+like the first shock of ice-cold water, for it set his veins tingling
+and braced his nerves. He felt within him once more the strength felt
+by every young man at first, which is the strength of Michael Angelo.
+He saw in imagination his great work, the first of many great works,
+finished, a glorious canvas glowing with the realization of a
+painter's dream of colour, crowded with graceful figures, warm with
+the thought of genius, and rich with the fancy of an Artist-scholar--a
+work for all time. And he gasped. But for his beard he might have been
+a boy waiting for the morrow, when he should receive the highest prize
+in the school; or an undergraduate, the favourite of his year, after
+the examination, looking confidently to the Senior Wranglership.
+
+In the morning they took no walk, but retired silently each to his own
+room. In the Studio the Artist opened his portfolios, and spread out
+the drawings made years ago when he was studying in Rome. They were
+good drawings; there was feeling in every line; but they were copies.
+There was not one scrap of original work, and his Conscience began to
+whisper--only he refused at first to listen--that the skill of hand
+and touch was gone. Then Conscience, which gets angry if disregarded,
+took to whispering more loudly, and presently he heard. He took crayon
+and paper, and began, feverishly and in haste, to copy one of his old
+drawings. He worked for a quarter of an hour, and then, looking at the
+thing he had once done beside the thing he was then doing, he dashed
+the pencil from him, and tore up the miserable replica in disgust. His
+spirit, which had flown so high, sank dull and heavy as lead; he threw
+himself back in his chair and began to think, gazing hopelessly into
+space.
+
+It was the opportunity of Conscience, who presently began to sing as
+loudly as any skylark, but not so cheerfully. "You are fifty," said
+that voice which seldom lies, "you have wasted the last twenty years
+of your life; you have become a wind-bag and a shallow humbug; you
+cannot now paint or draw at all; what little power was in you has
+departed. Your brother, the Poet, has been steadily working while you
+have slept"--and it will be perceived that Conscience spoke from
+imperfect information. "He will produce a great book, and live. You
+will die. The grave will close over you, and you will be forgotten."
+
+It was a hard saying, and the Artist groaned as he listened to it.
+
+In the workshop, Cornelius also, startled into action, spread out upon
+the table a bundle of papers which had been lying undisturbed in his
+desk for a dozen years or more. They were poems he had written in his
+youth, unpublished verses, thoughts in rhyme such as an imaginative
+young man easily pours forth, reproducing the fashion of the time and
+the thoughts of others. He began to read these over again with mingled
+pleasure and pain. For the thoughts seemed strange to him. He felt
+that they were good and lofty thoughts, but the conviction forced
+itself upon him that the brain which had produced them was changed. No
+more of such good matter was left within it. The lines of thought were
+changed. The poetic faculty, a delicate plant, which droops unless it
+is watered and carefully tended, was dead within him.
+
+And the whole of the Epic to be written.
+
+Not a line done, not a single episode on paper, though to Phillis he
+claimed to have done so much.
+
+He seized a pen, and with trembling fingers and agitated brain forced
+himself to write.
+
+In half an hour he tore the paper into shreds, and, with a groan,
+threw down the pen. The result was too feeble.
+
+Then he too began to meditate, like his brother in the Studio.
+Presently his guardian angel, who very seldom got such a chance, began
+to admonish him, even as the dean admonishes an erring undergraduate.
+
+"You are fifty," said the invisible Censor. "What have you done with
+yourself for twenty years and more. Your best thoughts have passed
+away; the poetical eye is dim; you will write no more. Your brother,
+the Artist, is busy with pencil and brain. He will produce a great
+work, and live for ever. You will do nothing; you will go down into
+the pit and be forgotten."
+
+It was too much for the Poet. His lips trembled, his hand shook. He
+could no more rest in his chair.
+
+He walked backwards and forwards, the voice pursuing him.
+
+"Wasted years; wasted energies; wasted gifts; your chance is gone. You
+cannot write now."
+
+Poets are more susceptible than artists. That is the reason why
+Cornelius rushed out of the Workshop to escape this torture and sought
+his brother Humphrey.
+
+Humphrey started like a guilty person. His face was pale, his eye was
+restless.
+
+"Cornelius?"
+
+"Do not me disturb you, my dear brother. You are happy; you are at
+work; your soul is at peace."
+
+"And you, Cornelius?"
+
+"I am not at peace. I am restless this morning. I am nervous and
+agitated."
+
+"So am I, Cornelius. I cannot work. My pencil refuses to obey my
+brain."
+
+"My own case. My pen will not write what I wish. The link between the
+brain and the nerves is for the moment severed."
+
+"Let us go out, brother. It is now three. We will walk slowly in the
+direction of the Langham Hotel."
+
+As they put on their hats Cornelius stopped, and said reflectively--
+
+"The nervous system is a little shaken with both of us. Can you
+suggest anything, brother Humphrey?"
+
+"The best thing for a shaken nervous system," replied Humphrey
+promptly, "is a glass of champagne. I will get some champagne for you,
+brother Cornelius."
+
+He returned presently with a modest pint bottle, which they drank
+together, Humphrey remarking (in italics) that in such a case it is
+not a question of what a man _wants_, so much as of what he _needs_.
+
+A pint of champagne is not much between two men, but it produced an
+excellent effect upon the Twins. Before it they were downcast; they
+looked around with the furtive eyes of conscious imposture; their
+hands trembled. After it they raised their heads, laughed, and looked
+boldly in each other's eyes, assumed a gay and confident air, and
+presently marched off arm-in-arm to call upon the Patron.
+
+Gilead Beck, unprepared to see both brethren, welcomed them with a
+respect almost overwhelming. It was his first interview with Genius.
+
+They introduced each other.
+
+"Mr. Beck," said Cornelius, "allow me to introduce my brother,
+Humphrey Jagenal. In his case the world is satisfied with the
+Christian name alone, without the ceremonial prefix. He is, as you
+know, the Artist."
+
+If his brother had been Titian or Correggio he could not have said
+more.
+
+"Sir," said Mr. Beck, shaking Humphrey's hand warmly, "I am proud
+indeed to make your acquaintance. I am but a rough man myself, sir,
+but I respect genius."
+
+"Then," said Humphrey, with admirable presence of mind, "allow me to
+introduce my brother. Cornelius Jagenal, as you doubtless know, Mr.
+Beck, is the Poet."
+
+Mr. Beck did not know it, and said so. But he shook hands with
+Cornelius none the less cordially.
+
+"Sir, I have been knocking about the world, and have not read any
+poetry since I was a boy. Then I read Alexander Pope. You know Pope,
+Mr. Jagenal?"
+
+Cornelius smiled, as if he might allow some merit to Pope, though
+small in comparison with his own.
+
+"I have never met with your poem, Mr. Cornelius Jagenal or your
+pictures, Mr. Humphrey, but I hope you will now enable me to do so."
+
+"My brother is engaged"--said Cornelius.
+
+"My brother is engaged"--began Humphrey. "Pardon, brother."
+
+"Sit down, gentlemen. Will you take anything? In California, up
+country, we always begin with a drink. Call for what you please,
+gentlemen. Sail in, as we say."
+
+They took champagne, for the second time that day, and then their eyes
+began to glisten.
+
+Mr. Beck observed that they were both alike--small and fragile-looking
+men, with bright eyes and delicate features; he made a mental note to
+the effect that they would never advance their own fortunes. He also
+concluded from their red noses, and from the way in which they
+straightened their backs after placing themselves outside the
+champagne, that they loved the goblet, and habitually handled it too
+often.
+
+"Now, gentlemen," he began, after making these observations, "may I be
+allowed to talk business?"
+
+They both bowed.
+
+"Genius, gentlemen, is apt to be careless of the main chance. It don't
+care for the almighty dollar; it lets fellows like me heap up the
+stamps. What can we do but ask Genius to dig into our Pile?"
+
+Humphrey poured out another glass of champagne for his brother, and
+one for himself. Then he turned to Cornelius and nodded gravely.
+
+"Cornelius, so far as I understand him, Mr. Beck speaks the strongest
+common sense."
+
+"We agree with you so far, Mr. Beck," said Cornelius critically,
+because he was there to give moral support to his brother.
+
+"Why should I have any delicacy in saying to a young man, or a man of
+any age," he added doubtfully, for the years of the Twins seemed
+uncertain, "'You, sir, are an Artist and a Genius. Take a cheque, and
+carry out your ideas.'?"
+
+"What reason indeed?" asked Cornelius. "The offer does honour to
+both."
+
+"Or to another man, 'You, sir, are a Poet. Why should the cares of the
+world interfere with your thoughts? Take a cheque, and make the world
+rejoice'!"
+
+Humphrey clapped his hands.
+
+"The world lies in travail for such a patron of poetry," he said.
+
+"Why, then, we are agreed," said Mr. Beck. "Gentlemen, I say to you
+both, collectively, let me usher into the world those works of genius
+which you are bound to produce. You, sir, are painting a picture. When
+can you finish me that picture?"
+
+"In six months," said Humphrey, his brain suffused with a rosy warmth
+of colour which made him see things in an impossibly favourable light.
+
+"I buy that picture, sir, at your own price," said the patron. "I
+shall exhibit it in London, and it shall then go to New York with me.
+And you, Mr. Cornelius Jagenal, are engaged upon poems. When would you
+wish to publish your verses?"
+
+"My Epic, the _Upheaval of Ælfred_, will be ready for publication
+about the end of November," said Cornelius.
+
+Humphrey felt a passing pang of jealousy as he perceived that his
+brother would be before the world a month in advance of himself. But
+what is a month compared with immortality?
+
+"I charge myself, sir, if you will allow me," said the American, "with
+the production of that work. It shall be printed in the best style
+possible, on the thickest paper made, and illustrated by the best
+artist that can be found--you, perhaps, Mr. Humphrey Jagenal. It shall
+be bound in Russian leather; its exterior shall be worthy of its
+contents. And as for business arrangements, gentlemen, you will please
+consider them at your leisure, and let me know what you think. We
+shall be sure to agree, because, if you will not think it shoddy in me
+to say so, I have my Pile to dig into. And I shall send you, if you
+will allow me, gentlemen, a small cheque each in advance."
+
+They murmured assent and rose to go.
+
+"If you would favor me further, gentlemen, by dining with me--say this
+day week--I should take it as a great distinction. I hope, with the
+assistance of Mr. Dunquerque, to have a few prominent men of letters
+to meet you. I want to have my table full of genius."
+
+"Can we, brother Humphrey, accept Mr. Beck's invitation?"
+
+Cornelius asked as if they were weeks deep in engagements. As it was,
+nobody ever asked them anywhere, and they had no engagements at all.
+
+Humphrey consulted a pocket-book with grave face.
+
+"We can, Mr. Beck."
+
+"And if you know any one else, gentlemen, any men of Literature and
+Art who will come too, bring them along with you, and I shall feel it
+an honour."
+
+They knew no one connected with Literature and Art, not even a
+printer's devil, but they did not say so.
+
+
+At twelve o'clock, toward the close of this fatiguing day, Cornelius
+asked Humphrey, with a little hesitation, if he really thought he
+should have finished his great work in six months.
+
+"Art cannot be forced, Cornelius," said the Painter airily. "If I am
+not ready, I shall not hesitate to consider the pledge conditional. My
+work must be perfect ere it leaves my hands."
+
+"And mine, too," said the Poet. "I will never consent to let a poem of
+mine go forth unfinished to the world. The work must be polished _ad
+unguem_."
+
+"This is a memorable day, brother. The tumblers are empty. Allow me.
+And, Cornelius, I really do think that, considering the way in which
+we have been treated by Phillis Fleming, and her remarks about
+afternoon work, we ought to call and let her understand the reality of
+our reputation."
+
+"We will, Humphrey. But it is not enough to recover lost ground; we
+must advance farther. The fortress shall be made to surrender."
+
+"Let us drink to your success, brother, and couple with the toast the
+name of Phillis--Phillis--Phillis Jagenal, brother?"
+
+They drank that toast, smiling unutterable things.
+
+
+
+
+CHAPTER XXIII.
+
+ "Call me not fool till Heaven hath sent me fortune."
+
+
+When Jack Dunquerque communicated to Lawrence Colquhoun the fact of
+having made the acquaintance of Miss Fleming, and subsequently that of
+Mrs. L'Estrange, Lawrence expressed no surprise and felt no
+suspicions. Probably, had he felt any, they would have been at once
+set aside, because Colquhoun was not a man given to calculate the
+future chances, and to disquiet himself about possible events. Also at
+this time he was taking little interest in Phillis. A pretty piquante
+girl; he devoted a whole day to her; drove her to Twickenham, and
+placed her in perfect safety under the charge of his cousin. What more
+was wanted? Agatha wrote to him twice a week or so, and when he had
+time he read the letters. They were all about Phillis, and most of
+them contained the assurance that he had no entanglements to fear.
+
+"Entanglements!" he murmured impatiently. "As if a man cannot dine
+with a girl without falling in love with her. Women are always
+thinking that men want to be married."
+
+He was forgetting, after the fashion of men who have gone through the
+battle, how hot is the fight for those who are just beginning it. Jack
+Dunquerque was four-and-twenty; he was therefore, so to speak, in the
+thick of it. Phillis's eyes were like two quivers filled with darts,
+and when she turned them innocently upon her friend the enemy, the
+darts flew straight at him, and transfixed him as if he were another
+Sebastian. Colquhoun's time was past; he was clothed in the armour of
+indifference which comes with the years, and he was forgetting the
+past.
+
+Still, had he known of the visit to the Tower of London, the rowing on
+the river, the luncheons in Carnarvon Square, it is possible that even
+he might have seen the propriety of requesting Jack Dunquerque to keep
+out of danger for the future.
+
+He had no plans for Phillis, except of the simplest kind. She was to
+remain in charge of Agatha for a year, and then she would come out. He
+hoped that she would marry well, because her father, had he lived,
+would have wished it. And that was all he hoped about her.
+
+He had his private worries at this time--those already
+indicated--connected with Victoria Cassilis. The ice once broken, that
+lady allowed him no rest. She wrote to him on some pretence nearly
+every day; she sent her maid, the unlovely one, with three-cornered
+notes all about nothing; she made him meet her in society, she made
+him dine with her; it seemed as if she was spreading a sort of net
+about him, through the meshes of which he could not escape.
+
+With the knowledge of what had been, it was an unrighteous thing for
+Colquhoun to go to the house of Gabriel Cassilis; he ought not to be
+there, he felt, it was the one house in all London in which he had no
+business. And yet--how to avoid it?
+
+And Gabriel Cassilis seemed to like him; evidently liked to talk to
+him; singled him out, this great financier, and talked with him as if
+Colquhoun too was interested in stock; called upon him at his
+chambers, and told him, in a dry but convincing way, something of his
+successes and his projects.
+
+It was after many talks of this kind that Lawrence Colquhoun,
+forgetful of the past, and not remembering that of all men in the
+world Gabriel Cassilis was the last who should have charge of his
+money, put it all in his hands, with power-of-attorney to sell out and
+reinvest for him. But that was nothing. Colquhoun was not the man to
+trouble about money. He was safe in the hands of this great and
+successful capitalist: he gave no thought to any risk; he
+congratulated himself on his cleverness in persuading the financier to
+take the money for him; and he continued to see Victoria Cassilis
+nearly every day.
+
+They quarrelled when they did meet; there was not a conversation
+between them in which she did not say something bitter, and he
+something savage. And yet he did not have the courage to refuse the
+invitations which were almost commands. Nor could she resign the sweet
+joys of making him feel her power.
+
+A secret, you see, has a fatal fascination about it. Schoolgirls, I am
+told, are given to invent little secrets which mean nothing, and to
+whisper them in the ears of their dearest friends to the exclusion of
+the rest. The possession of this unknown and invaluable fact brings
+them together, whispering and conspiring, at every possible moment.
+Freemasons again--how are they kept together; except by the possession
+of secrets which are said to have been published over and over again?
+And when two people have a secret which means--all that the secret
+between Colquhoun and Mrs. Cassilis meant, they can no more help being
+drawn together than the waters can cease to find their own level. To
+be together, to feel that the only other person in the world who knows
+that secret is with you, is a kind of safety. Yet what did it matter
+to Colquhoun? Simply nothing. The secret was his as well as hers, but
+the reasons for keeping it a secret were not his at all, but hers
+entirely.
+
+So Phillis was neglected by her guardian and left to Agatha and Jack
+Dunquerque, with such results as we shall see.
+
+So Lawrence Colquhoun fell into the power of this man of stocks, about
+the mouth of whose City den the footsteps pointed all one way. He
+congratulated himself; he found out Gilead Beck, and they
+congratulated each other.
+
+"I don't see," said Colquhoun, who had already enough for four
+bachelors, "why one's income should not be doubled."
+
+"With Mr. Cassilis," said Gilead Beck, "you sign cheques, and he gives
+you dividends. It's like Ile, because you can go on pumping."
+
+"He understands more than any other living man," said Lawrence.
+
+"He is in the inner track, sir," said Mr. Beck.
+
+"And a man," said Lawrence, "ready to take in his friends with
+himself."
+
+"A high-toned and a whole-souled man," said Gilead Beck, with
+enthusiasm. "That man, sir, I do believe would take in the hull
+world."
+
+
+
+
+CHAPTER XXIV.
+
+ "I had rather hear a brazen candlestick turn'd,
+ Or a dry wheel grate on an axle-tree;
+ And that would set my teeth nothing on edge.
+ Nothing so much as mincing poetry."
+
+
+Jack Dunquerque repaired to the Langham, the day after the call on the
+Twins, with a face in which cheerful anticipation and anxiety were
+curiously blended. He was serious with his lips, but he laughed with
+his eyes. And he spoke with a little hesitation not often observed in
+him.
+
+"I think your dinner will come off next Wednesday," he said. "And I
+have been getting together your party for you."
+
+"That is so, Mr. Dunquerque?" asked Gilead Beck, with a solemnity
+which hardly disguised his pride and joy. "That is so? And those great
+men, your friends, are actually coming?"
+
+"I have seen them all, personally. And I put the case before each of
+them. I said, 'Here is an American gentleman most anxious to make your
+acquaintance; he has no letters of introduction to you, but he is a
+sincere admirer of your genius; he appreciates you better than any
+other living man.'"
+
+"Heap it up, Mr. Dunquerque," said the Man of Oil. "Heap it up. Tell
+them I am Death on appreciation."
+
+"That is in substance what I did tell them. Then I explained that you
+deputed me, or gave me permission to ask them to dinner. 'The honour,'
+I said, 'is mutual. On the one hand, my friend, Mr. Gilead P. Beck'--I
+ventured to say, 'my friend, Mr. Gilead P. Beck'----"
+
+"If you hadn't said that you should have been scalped and gouged. Go
+on, Mr. Dunquerque; go on, sir."
+
+"'On the one hand, my friend, Mr. Gilead P. Beck'----"
+
+"That is so--that is so."
+
+"'Will feel himself honoured by your company; on the other hand, it
+will be a genuine source of pleasure for you to know that you are as
+well known and as thoroughly appreciated on the other side of the
+water as you are here.' I am not much of a speechmaker, and I assure
+you that little effort cost me a good deal of thought. However, the
+end of it is all you care about. Most of the writing swells will come,
+either on Wednesday next or on any other day you please."
+
+"Mr. Dunquerque, not a day passes but you load me with obligations.
+Tell me, if you please, who they are."
+
+"Well, you will say I have done pretty well, I think." Jack pulled out
+a paper. "And you will know most of the names. First of all, you would
+like to see the old Philosopher of Cheyne Walk, Thomas Carlyle, as
+your guest?"
+
+"Carlyle, sir, is a name to conjure with in the States. When I was
+Editor of the _Clearville Roarer_ I had an odd volume of Carlyle, and
+I used to quote him as long as the book lasted. It perished in a
+fight. And to think that I shall meet the man who wrote that work! An
+account of the dinner must be written for the _Rockoleaville Gazette_.
+We'll have a special reporter, Mr. Dunquerque. We'll get a man who'll
+do it up to the handle."
+
+Jack looked at his list again.
+
+"What do you say of Professor Huxley and Mr. Darwin?"
+
+Mr. Beck shook his head. These two writers began to flourish--that is,
+to be read--in the States after his editorial days, and he knew them
+not.
+
+"I should say they were prominent citizens, likely, if I knew what
+they'd written. Is Professor Huxley a professing Christian? There was
+a Professor Habukkuk Huckster once down Empire City way in the Moody
+and Sankey business, with an interest in the organs and a percentage
+on the hymn-books; but they're not relations, I suppose? Not probable.
+And the other genius--what is his name--Darwin? Grinds novels
+perhaps?"
+
+"Historical works of fiction. Great in genealogy is Darwin."
+
+"Never mind my ignorance, Mr. Dunquerque. And go on, sir. I'm powerful
+interested."
+
+"Ruskin is coming; and I had thought of Robert Browning, the poet, but
+I am afraid he may not be able to be present. You see, Browning is so
+much sought after by the younger men of the day. They used to play
+polo and billiards and other frivolous things till he came into
+fashion with his light and graceful verse, so simple that all may
+understand it. His last poem, I believe, is now sung about the
+streets. However, there are Tennyson and Swinburne--they are both
+coming. Buchanan I would ask, if I knew him, but I don't. George
+Eliot, of course, I could not invite to a stag party. Trollope we
+might get, perhaps----"
+
+"Give me Charles Reade, sir," said Gilead Beck. "He is the novelist
+they like on our side."
+
+"I am afraid I could not persuade him to come; though he might be
+pleased to see you if you would call at his house, perhaps. However,
+Beck, the great thing is"--he folded up his list and placed it in his
+pocket-book--"that you shall have a dinner of authors as good as any
+that sat down to the Lord Mayor's spread last year. Authors of all
+sorts, and the very best. None of your unknown little hungry anonymous
+beggars who write novels in instalments for weekly papers. Big men,
+sir, with big names. Men you'll be proud to know. And they shall be
+asked for next Wednesday."
+
+"That gives only four days. It's terrible sudden," said Gilead Beck.
+He shook his head with as much gravity as if he was going to be hanged
+in four days. Then he sat down and began to write the names of his
+guests.
+
+"Professor Huxley," he said, looking up. "I suppose I can buy that
+clergyman's sermons? And the Universal Genius who reels out the
+historical romances, Mr. Darwin? I shall get his works, too. And
+there's Mr. Ruskin, Mr. Robert Browning----"
+
+"What are you going to do?"
+
+"Well, Mr. Dunquerque, I am going to devote the next four days, from
+morning till night, to solid preparation for that evening. I shall go
+out right away, and I shall buy every darned book those great men have
+written; and if I sit up every night over the job, I'm bound to read
+every word."
+
+"Oh!" said Jack. "Then I advise you to begin with Robert Browning."
+
+"The light and graceful verse that everybody can understand? I will,"
+said Gilead Beck. "They shall not find me unacquainted with their
+poems. Mr. Dunquerque, for the Lord's sake don't tell them it was all
+crammed up in four days."
+
+"Not I. But--I say--you know, authors don't like to talk about their
+own books."
+
+"That's the modesty of real genius," said the American, with
+admiration.
+
+It will be perceived that Jack spoke with a certain rashness. Most
+authors I have myself known do love very much to talk about their own
+books.
+
+"That is their modesty. But they will talk about each other's books.
+And it is as well to be prepared. What I'm bound to make them feel,
+somehow, is that they have a man before them who has gone in for the
+hull lot and survived. A tough contract, Mr. Dunquerque, but you trust
+me."
+
+"Very well," said Jack, putting on his hat, "only don't ask them
+questions. Authors don't like being questioned. Why, I shouldn't
+wonder if next Wednesday some of them pretended not to know the names
+of their own books. Don't you know that Shakespeare, when he went down
+to Stratford, to live like a retired grocer at Leytonstone, used to
+pretend not to know what a play meant? And when a strolling company
+came round, and the manager asked permission to play _Hamlet_, he
+was the first to sign a petition to the mayor not to allow immoral
+exhibitions in the borough."
+
+"Is that so, sir?"
+
+"It may be so," said Jack, "because I never heard it contradicted."
+
+As soon he was gone, Gilead Beck sought the nearest bookseller's shop
+and gave an extensive order. He requested to be furnished with all the
+works of Carlyle, Ruskin, Tennyson, Swinburne, Browning, Buchanan,
+Huxley, Darwin, and a few more. Then he returned to the Langham, gave
+orders that he was at home to no one except Mr. Dunquerque, took off
+his coat, lit a cigar, ordered more champagne, and began the first of
+the three most awful days he ever spent in all his life.
+
+The books presently came in a great box, and he spread them on the
+table with a heart that sank at the mere contemplation of their
+numbers. About three hundred volumes in all. And only four days to get
+through them. Seventy-five volumes a day, say, at the rate of fifteen
+hours' daily work; five an hour, one every twelve minutes. He laid his
+watch upon the table, took the first volume of Robert Browning that
+was uppermost, sat down in his long chair with his feet up, and began.
+
+The book was _Fifine at the Fair_. Gilead Beck read cheerfully and
+with great ease the first eight or ten pages. Then he discovered with
+a little annoyance that he understood nothing whatever of the author's
+meaning. "That comes of too rapid reading," he said. So he turned back
+to the beginning and began with more deliberation. Ten minutes clean
+wasted, and not even half a volume got through. When he had got to
+tenth page for the second time, he questioned himself once more, and
+found that he understood less than ever. Were things right? Could it
+be Browning, or some impostor? Yes, the name of Robert Browning was on
+the title-page; also, it was English. And the words held together, and
+were not sprinkled out of a pepper-pot. He began a third time. Same
+result. He threw away his cigar and wiped his brow, on which the cold
+dews of trouble were gathering thickly.
+
+"This is the beginning of the end, Gilead P. Beck," he murmured. "The
+Lord, to try you, sent His blessed Ile, and you've received it with a
+proud stomach. Now you air going off your head. Plain English, and you
+can't take in a single sentence."
+
+It was in grievous distress of mind that he sprang to his feet and
+began to walk about the room.
+
+"There was no softenin' yesterday," he murmured, trying to reassure
+himself. "Why should there be to-day? Softenin' comes by degrees. Let
+us try again. Great Jehoshaphat!"
+
+He stood up to his work, leaning against a window-post, and took two
+pages first, which he read very slowly. And then he dropped the volume
+in dismay, because he understood less than nothing.
+
+It was the most disheartening thing he had ever attempted.
+
+"I'd rather fight John Halkett over again," he said. "I'd rather sit
+with my finger on a trigger for a week, expecting Mr. Huggins to call
+upon me."
+
+Then he began to construe it line by line, thinking every now and then
+that he saw daylight.
+
+It is considered rather a mark of distinction, a separating seal upon
+the brow, by that poet's admirers, to reverence his later works. Their
+creed is that because a poem is rough, harsh, ungrammatical, and dark,
+it must have a meaning as deep as its black obscurity.
+
+"It's like the texts of a copybook," said Gilead. "Pretty things, all
+of them, separate. Put them together and where are they? I guess this
+book would read better upsy down."
+
+He poured cold water on his head for a quarter of an hour or so, and
+then tried reading it aloud.
+
+This was worse than any previous method, because he comprehended no
+more of the poet's meaning, and the rough hard words made his front
+teeth crack and fly about the room in splinters.
+
+"Cæsar's ghost!" he exclaimed, thinking what he should do if Robert
+Browning talked as he wrote. "The human jaw isn't built that could
+stand it."
+
+Two hours were gone. There ought to have been ten volumes got through,
+and not ten pages finished of a single one.
+
+He hurled _Fifine_ to the other end of the room, and took another
+work by the same poet. It was _Red Cotton Nightcap Country_, and
+the title looked promising. No doubt a light and pretty fairy story.
+Also the beginning reeled itself off with a fatal facility which
+allured the reader onwards.
+
+
+When the clock struck six he was sitting among the volumes on the
+table, with _Red Cotton Nightcap Country_ still in his hand. His
+eyes were bloodshot, his hair was pushed in disorder about his head,
+his cheeks were flushed, his hands were trembling, the nerves in his
+face were twitching.
+
+He looked about him wildly, and tried to collect his faculties. Then
+he arose and cursed Robert Browning. He cursed him eating, drinking,
+and sleeping. And then he took all his volumes, and disposing them
+carefully in the fire-place, he set light to them.
+
+"I wish," he said, "that I could put the Poet there, too." I think he
+would have done it, this mild and gentle-hearted stranger, so strongly
+was his spirit moved to wrath.
+
+He could not stay any longer in the room. It seemed to be haunted with
+ghosts of unintelligible sentences; things in familiar garb, which
+floated before his eyes and presented faces of inscrutable mystery. He
+seized his hat and fled.
+
+He went straight to Jack Dunquerque's club, and found that hero in the
+reading-room.
+
+"I have a favour to ask you," he began in a hurried and nervous
+manner. "If you have not yet asked Mr. Robert Browning to the little
+spread next week, don't."
+
+"Certainly not, if you wish it. Why?"
+
+"Because, sir, I have spent eight hours over his works."
+
+Jack laughed.
+
+"And you think you have gone off your head? I'll tell you a secret.
+Everybody does at first; and then we all fall into the dodge, and go
+about pretending to understand him."
+
+"But the meaning, Mr. Dunquerque, the meaning?"
+
+"Hush! he _hasn't got any_. Only no one dares to say so, and it's
+intellectual to admire him."
+
+"Well, Mr. Dunquerque, I guess I don't want to see that writer at my
+dinner, anyhow."
+
+"Very well, then. He shall not be asked."
+
+"Another day like this, and you may bury me with my boots on. Come
+with me somewhere, and have dinner as far away from those volumes of
+Mr. Browning as we can get in the time."
+
+They dined at Greenwich. In the course of the next three days Gilead
+Beck read diligently. He did not master the three hundred volumes, but
+he got through some of the works of every writer, taking them in turn.
+
+The result was a glorious and inextricable mess. Carlyle, Swinburne,
+Huxley, Darwin, Tennyson, and all of them, were hopelessly jumbled in
+his brains. He mixed up the _Sartor Resartus_ with the _Missing Link_,
+confounded the history of _Frederick the Great_ with that of _Queen
+Elizabeth_, and thought that _Maud_ and _Atalanta in Calydon_ were
+written by the same poet. But time went on, and the Wednesday evening,
+to which he looked forward with so much anxiety and pride, rapidly
+drew near.
+
+
+
+
+CHAPTER XXV.
+
+ "Why, she is cold to all the world."
+
+
+And while Gilead Beck was setting himself to repair in a week the
+defects of his early education, Jack Dunquerque was spending his days
+hovering round the light of Phillis's eyes. The infatuated youth
+frequented the house as if it was his own. He liked it, Mrs.
+L'Estrange liked it, and Phillis liked it. Agatha looked with matronly
+suspicion for indications and proofs of love in her ward's face. She
+saw none, because Phillis was not in love at all. Jack to her was the
+first friend she made on coming out of her shell. Very far, indeed,
+from being in love. Jack looked too for any of those signs of mental
+agitation which accompany, or are supposed to accompany, the birth of
+love. There were none. Her face lit up when she saw him; she treated
+him with the frankness of a girl who tells her brother everything; but
+she did not blush when she saw him, nor was she ever otherwise than
+the sweetest and lightest-hearted of sisters. He knew it, and he
+groaned to think of it. The slightest sign would have encouraged him
+to speak; the smallest indication that Phillis felt something for him
+of what he felt for her would have been to him a command to tell what
+was in his heart. But she made no sign. It was Jack's experience,
+perhaps, which taught him that he is a fool who gives his happiness to
+a woman before he has learned to divine her heart. Those ever make the
+most foolish marriages who are most ignorant of the sex. Hooker, the
+Judicious is a case in point, and many a ghostly man could, from his
+country parsonage, tell the same tale.
+
+Jack was not like the Judicious Divine; he was wary, though
+susceptible; he had his share of craft and subtlety; and yet he was in
+love, in spite of all that craft, with a girl who only liked him in
+return.
+
+Had he possessed greater power of imagination he would have understood
+that he was expecting what was impossible. You cannot get wine out of
+an empty bottle, nor reap corn without first sowing the seed; and he
+forgot that Phillis, who was unable to read novels, knew nothing,
+positively nothing, of that great passion of Love which makes its
+victims half divine. It was always necessary, in thinking of this
+girl, to remember her thirteen years of captivity. Jack, more than any
+other person, not excepting Agatha L'Estrange, knew what she would say
+and think on most things. Only in this matter of love he was at fault.
+Here he did not know because here he was selfish. To all the world
+except Jack and Agatha she was an _impossible_ girl; she said things
+that no other girl would have said; she thought as no one else
+thought. To all those who live in a tight little island of their own,
+fortified by triple batteries of dogma, she was impossible. But to
+those who accepted and comprehended the conditions of Phillis's
+education she was possible, real, charming, and full of interest.
+
+Jack continually thought what Phillis would say and what she would
+think. For her sake he noticed the little things around him, the
+things among which we grow up unobservant. We see so little for the
+most part. Things to eat and drink interest us; things that please the
+eye; fair women and rare wine. We are like cattle grazing on the
+slopes of the Alps. Around us rise the mountains, with their
+ever-changing marvels of light and colour; the sunlight flashes from
+their peaks; the snow-slopes stretch away and upwards to the deep
+blues beyond in curves as graceful as the line of woman's beauty; at
+our feet is the belt of pines perfumed and warmed by the summer air;
+the mountain stream leaps, bubbles, and laughs, rushing from the
+prison of its glacier cave; high overhead soars the Alpine eagle; the
+shepherds yodel in the valleys; the rapid echoes roll the song up into
+the immeasurable silence of the hills,--and amid all this we browse
+and feed, eyes downward turned.
+
+So this young man, awakened by the quick sympathies of the girl he
+loved, lifted his head, taught by her, and tried to catch, he too,
+something of the childlike wonder, the appreciative admiration, the
+curious enthusiasm, with which she saw everything. Most men's thoughts
+are bound by the limits of their club at night, and their chambers or
+their offices by day; the suns rise and set, and the outward world is
+unregarded. Jack learned from Phillis to look at these unregarded
+things. Such simple pleasures as a sunset, the light upon the river,
+the wild flowers on the bank, he actually tasted with delight,
+provided that she was beside him. And after a day of such Arcadian
+joys he would return to town, and find the club a thirsty desert.
+
+If Phillis had known anything about love, she would have fallen in
+love with Jack long before; but she did not. Yet he made headway with
+her, because he became almost necessary to her life. She looked for
+his coming; he brought her things he had collected in his "globe
+trotting;" he told her stories of adventure; he ruined himself in
+pictures; and then he looked for the love softening of her eyes, and
+it came not at all.
+
+Yet Jack was a lovable sort of young man in maidens' eyes. Everybody
+liked him to begin with. He was, like David, a youth of a cheerful, if
+not of a ruddy countenance. Agatha L'Estrange remarked of him that it
+did her good to meet cheerful young men--they were so scarce. "I know
+quantities of young men, Phillis my dear; and I assure you that most
+of them are enough to break a woman's heart even to think of. There is
+the athletic young man--he is dreadful indeed, only his time soon goes
+by; and there is the young man who talks about getting more brain
+power. To be sure, he generally looks as if he wants it. There is the
+young man who ought to turn red and hot when the word Prig is used.
+There is the bad young man who keeps betting-books; and the miserable
+young man who grovels and flops in a Ritualist church. I know young
+men who are envious and backbite their friends; and young men who
+aspire to be somebody else; and young men who pose as infidels, and
+would rather be held up to execration in a paper than not to be
+mentioned at all. But, my dear, I don't know anybody who is so
+cheerful and contented as Jack. He isn't clever and learned, but he
+doesn't want to be; he isn't sharp, and will never make money, but he
+is better without it; and he is true, I am sure."
+
+Agatha unconsciously used the word in the sense which most women mean
+when they speak of a man's truth. Phillis understood it to mean that
+Jack Dunquerque did not habitually tell fibs, and thought the remark
+superfluous, But it will be observed that Agatha was fighting Jack's
+battle for him.
+
+After all, Jack might have taken heart had he thought that all these
+visits and all this interest in himself were but the laying of the
+seed, which might grow into a goodly tree.
+
+"If only she would look as if she cared for me, Tommy," he bemoaned to
+Ladds.
+
+"Hang it! can't expect a girl to begin making eyes at you."
+
+"Eyes! Phillis make eyes! Tommy, as you grow older you grow coarser.
+It's a great pity. That comes of this club life. Always smoking and
+playing cards."
+
+Tommy grinned. Virtue was as yet a flower new to Jack Dunquerque's
+buttonhole, and he wore it with a pride difficult to dissemble.
+
+"Better go and have it out with Colquhoun," Tommy advised. "He won't
+care. He's taken up with his old flame, Mrs. Cassilis, again. Always
+dangling at her heels, I'm told. Got no time to think of Miss Fleming.
+Great fool, Colquhoun. Always was a fool, I believe. Might have gone
+after flesh and blood instead of a marble statue. Wonder how Cassilis
+likes it."
+
+"There you go," cried Jack impatiently. "Men are worse than women. At
+Twickenham one never hears this foolish sort of gossip."
+
+"Suppose not. Flowers and music, muffins, tea, and spoons. Well, the
+girl's worth it, Jack; the more flowers and music you get the better
+it will be for you. But go on and square it with Colquhoun."
+
+
+
+
+CHAPTER XXVI.
+
+ "A right royal banquet."
+
+
+At seven o'clock on the great Wednesday Gilead Beck was pacing
+restlessly in his inner room, the small apartment which formed his
+sanctum, waiting to receive his guests. All the preparations were
+complete: a quartette of singers was in readiness, with a piano, to
+discourse sweet music after the dinner; the noblest bouquet ever
+ordered at the Langham was timed for a quarter to eight punctually;
+the wine was in ice; the waiters were adding the last touches to the
+artistic decorations of a table which, laid for thirteen only, might
+have been prepared for the Prince of Wales. In fact, when the bill
+came up a few days later, even Gilead Beck, man of millions, quailed
+for a moment before its total. Think of the biggest bill you ever had
+at Vèfour's--for francs read pounds, and then multiply by ten; think
+of the famous Lord Warden bill for the Emperor Napoleon when he landed
+in all his glory, and then consider that the management of the Langham
+is in no way behind that of the Dover hostelry. But this was to come,
+and when it did come, was received lightly.
+
+Gilead Beck took a last look at the dinner-table. The few special
+injunctions he had given were carried out; they were not many, only
+that the shutters should be partly closed and the curtains drawn, so
+that they might dine by artificial light; that the table and the room
+should be entirely illuminated by wax-candles, save for one central
+light, in which should be burning, like the sacred flame of Vesta, his
+own rock-oil. He also stipulated that the flowers on the table should
+be disposed in shallow vessels, so as to lie low, and not interfere
+with the freedom of the eyes across the table. Thus there was no
+central tower of flowers and fruit. To compensate for this he allowed
+a whole bower of exotics to be erected round the room.
+
+The long wall opposite the window was decorated with his famous piece
+by an unknown master, bought of Bartholomew Burls, known as "Sisera
+and Jael." As the frame had not yet been made it was wreathed about
+for its whole length and breadth with flowers. The other pictures,
+also wreathed with flowers, were genuine originals, bought of the same
+famous collector. For the end of the room Gilead Beck had himself
+designed, and partly erected with his own hands, an allegorical
+trophy. From a pile of books neatly worked in cork, there sprang a jet
+of water illuminated on either side by a hidden lamp burning rock-oil.
+He had wished to have the fountain itself of oil, but was overruled by
+Jack Dunquerque. Above, by an invisible wire, hovered a golden
+butterfly in gilded paper. And on either side hung a flag--that on the
+right displaying the Stars and Stripes, that on the left the equally
+illustrious Union Jack.
+
+At every man's place lay a copy of the _menu_, in green and gold,
+elaborately decorated, a masterpiece of illumination. Gilead Beck,
+after making quite sure that nothing was neglected, took his own, and,
+retiring to the inner room, read it for the fiftieth time with a
+pleasure as intense as that of the young author who reads his first
+proof-sheet. It consisted of a large double card. On the top of the
+left-hand side was painted in colours and gold a butterfly. And that
+side read as follows (I regret that the splendours of the original
+cannot be here reproduced):
+
+ +-----------------------------------------------------+
+ | _LANGHAM HOTEL_, |
+ | MAY 20, 1875. |
+ | |
+ | _Dinner in Honour of Literature, Science, and Art_, |
+ | |
+ | GIVEN BY |
+ | |
+ | GILEAD P. BECK, |
+ | |
+ | AN OBSCURE AMERICAN CITIZEN RAISED AT LEXINGTON, |
+ | WHO STRUCK ILE IN A MOST SURPRISING MANNER |
+ | BY THE HELP OF |
+ | |
+ | THE GOLDEN BUTTERFLY, |
+ | |
+ | BUT WHO DESPISES SHODDY AND RESPECTS GENIUS. |
+ | |
+ | |
+ | _Representatives of Literature, Art, and Science._ |
+ | |
+ | THOMAS CARLYLE, |
+ | ALFRED TENNYSON, |
+ | JOHN RUSKIN, |
+ | ALGERNON SWINBURNE, |
+ | GEORGE AUGUSTUS SALA, |
+ | CHARLES DARWIN, |
+ | PROFESSOR HUXLEY, |
+ | FREDERICK LEIGHTON, R.A., |
+ | CORNELIUS JAGENAL, AND |
+ | HUMPHREY JAGENAL, |
+ | |
+ | WITH CAPTAIN LADDS, THE HON. RONALD DUNQUERQUE, |
+ | AND GILEAD P. BECK. |
+ +-----------------------------------------------------+
+
+After this preamble, which occupied a whole side of the double card,
+followed the _menu_ itself.
+
+I unwillingly suppress this. There are weaker brethren who might on
+reading it feel dissatisfied with the plain lamb and rhubarb-tart of
+the sweet spring season. As a present dignitary of the Church, now a
+colonial bishop, once a curate, observed to me many years ago, _à
+propos_ of thirst, university reminiscences, a neighbouring
+public-house, a craving for tobacco, and the fear of being observed,
+"These weaker brethren are a great nuisance."
+
+Let it suffice that at the Langham they still speak of Gilead Beck's
+great dinner with tears in their eyes. I believe a copy of the green
+and gold card is framed, and hung in the office so as to catch the eye
+of poorer men when they are ordering dinners. It makes those of lower
+nature feel envious, and even takes the conceit out of the nobler
+kind.
+
+Gilead Beck, dressed for the banquet, was nervous and restless. It
+seemed as if, for the first time, his wealth was about to bring him
+something worth having. His face, always grave, was as solemn as if he
+were fixing it for his own funeral. From time to time he drew a paper
+from his pocket and read it over. Then he replaced it, and with lips
+and arms went through the action of speaking. It was his speech of the
+evening, which he had carefully written and imperfectly committed to
+memory. Like a famous American lawyer, the attitude he assumed was to
+stand bent a little forward, the feet together, the left hand hanging
+loosely at his side, while he brandished the right above his head.
+
+In this attitude he was surprised by the Twins, who came a quarter of
+an hour before the time. They were dressed with great care, having
+each the sweetest little eighteenpenny bouquet, bought from the little
+shop at the right hand of the Market as you go in, where the young
+lady makes it up before your eyes, sticks the wire into it, and pins
+it at your buttonhole with her own fair hands. Each brother in turn
+winked at her during the operation. A harmless wink, but it suggested
+no end of possible devilries should these two young gentlemen of fifty
+find themselves loose upon the town. Those who saw it thought of
+Mohocks, and praised the Lord for the new police.
+
+They both looked very nice; they entered with a jaunty step, a
+careless backward toss of the head, parted lips, and bright eyes which
+faced fearlessly a critical but reverent world. Nothing but the
+crow's-feet showed that the first glow of youth was over; nothing but
+a few streaks of grey in Humphrey's beard and in Cornelius's hair
+showed that they were nearing the Indian summer of life. Mr. Beck,
+seeing them enter so fresh, so bright, and so beaming, was more than
+ever puzzled at their age. He was waiting for them in a nervous and
+rather excitable state of mind, as becomes one who is about to find
+himself face to face with the greatest men of his time.
+
+"You, gentlemen," he said, "will sit near me, one each side, if you
+will be so kind, just to lend a helping-hand to the talk when it
+flags. Phew! it will be a rasper, the talk of to-day. I've read all
+their works, if I can only remember them, and I bought the _History
+of English Literature_ yesterday to get a grip of the hull subject.
+No use. I haven't got farther than Chaucer. Do you think they can talk
+about Chaucer? He wrote the _Canterbury Tales_."
+
+"Cornelius," said Humphrey, "you will be able to lead the conversation
+to the Anglo-Saxon period."
+
+"That period is too early, brother Humphrey," said Cornelius. "We
+shall trust to you to turn the steam in the direction of the
+Renaissance."
+
+Humphrey shifted in his seat uneasily. Why this unwillingness in
+either Twin to assume the lead on a topic which had engaged his
+attention for twenty years?
+
+Mr. Beck shook his head.
+
+"I most wish now," he said, "that I hadn't asked them. But it's a
+thundering great honour. Mr. Dunquerque did it all for me. That young
+gentleman met these great writers, I suppose, in the baronial halls of
+his brother, the Earl of Isleworth."
+
+"Do we know Lord Isleworth?" asked Cornelius of Humphrey.
+
+"Lord Isleworth, Cornelius? No; I rather think we have never met him,"
+said Humphrey to Cornelius.
+
+"None of your small names to-night," said Gilead Beck, with serious
+and even pious joy. "The Lord Mayor may have them at Guildhall. Mine
+are the big guns. I did want to get a special report for my own
+_Gazette_, but Mr. Dunquerque thought it better not to have it.
+P'r'aps 'twould have seemed kind o' shoddy. I ought to be satisfied
+with the private honour, and not want the public glory of it. What
+would they say in Boston if they knew, or even in New York?"
+
+"You should have a dinner for poets alone," said Humphrey, anxious for
+his brother.
+
+"Or for Artists only," said Cornelius.
+
+"Wal, gentlemen, we shall get on. As there's five minutes to spare,
+would you like to give an opinion on the wine-list, and oblige me by
+your advice?"
+
+The Twins perused the latter document with sparkling eyes. It was a
+noble list. Gilead Beck's plan was simple. He just ordered the best of
+everything. For Sauterne, he read Château Iquem: for Burgundy, he took
+Chambertin; for Claret, Château Lafite; for Champagne, Heidsieck; for
+Sherry, Montilla; a Box Boutel wine for Hock; and for Port the '34.
+Never before, in all its experiences of Americans, Russians, and
+returned colonials, had the management of the Langham so "thorough" a
+wine-bill to make out as for this dinner.
+
+"Is that satisfactory, gentlemen?"
+
+"Cornelius, what do you think?"
+
+"Humphrey, I think as you do; and that is, that this princely
+selection shows Mr. Beck's true appreciation of Literature and Art."
+
+"It is kind of you, gentlemen, to say so. I talked over the dinner
+with the _chef_, and I have had the menou printed, as you see it,
+in gilt and colours, which I am given to understand is the correct
+thing at the Guildhall. Would you like to look at that?"
+
+They showed the greatest desire to look at it. Humphrey read it aloud
+with emphasis. While he read and while his brother listened, Mr. Beck
+thought they seemed a good deal older than before. Perhaps that was
+before their faces were turned to the light, and the reflection
+through an open window of the sinking sun showed up the crow's-feet
+round their eyes.
+
+"Humph! Plovers' eggs. Clear mulligatawny; clear, Cornelius.
+Turtle-fins. Salmon--I translate the French. Turbot. Lochleven
+trout----"
+
+"Very good indeed, so far," said Cornelius, with a palpable smack of
+his lips.
+
+"Lamb-cutlets with peas--a simple but excellent dish; aspic of _foie
+gras_--ah, two or three things which I cannot translate; a preparation
+of pigeon; haunch of venison; yes----"
+
+"An excellent dinner, indeed," said Cornelius. "Pray go on, Humphrey."
+
+He began to feel like Sancho in Barataria. So good a dinner seemed
+really impossible.
+
+"Duckling; cabob curry of chicken-liver with Bombay ducks--really, Mr.
+Beck, this dinner is worth a dukedom."
+
+"It is indeed," said Cornelius feelingly.
+
+"Canvas-back--ah!--from Baltimore--Cornelius, this is almost too much;
+apricots in jelly, ice-pudding, grated Parmesan, strawberries, melons,
+peaches, nectarines, (and only May, Cornelius!), pines, West India
+bananas, custard apples from Jamaica, and dried litchis from China,
+Cornelius."
+
+Humphrey handed the document to his brother with a look of appeal
+which said volumes. One sentence in the volumes was clearly, "Say
+something appropriate."
+
+Quoth Cornelius deeply moved--
+
+"This new Mæcenas ransacks the corners of the earth to find a fitting
+entertainment for men of genius. Humphrey, you shall paint him."
+
+"Cornelius, you shall sing his praises."
+
+By a simultaneous impulse the Twins turned to their patron, and
+presented each a right hand. Gilead Beck had only one right hand to
+give. He gave that to Cornelius, and the left to Humphrey.
+
+While this sacrament of friendship was proceeding was heard a sound as
+of many men simultaneously stifling much laughter. The door opened,
+and the other guests arrived in a body. They were preceded by Jack
+Dunquerque, and on entering the room dropped, as if by word of
+command, into line, like soldiers on parade. Eight of them were
+strangers, but Captain Ladds brought up the rear.
+
+They were, as might be expected of such great men, a remarkable
+assemblage. At the extreme right stood a tall well-set-up old man,
+with tangled grey locks, long grey eye-brows, and an immense grey
+beard. His vigorous bearing belied the look of age, and what part of
+his face could be seen had a remarkably youthful appearance.
+
+Next to him were other two aged men, one of whom was bent and bowed by
+the weight of years. They also had large eyebrows and long grey
+beards; and Mr. Beck remarked at once that so far as could be judged
+from the brightness of their eyes they had wonderfully preserved their
+mental strength. The others were younger men, one of them being
+apparently a boy of eighteen or so.
+
+Then followed a ceremony like a _levée_. Gilead Beck stood in the
+centre of the room, the table having been pushed back into the corner.
+He was supported, right and left, by the Twins, who formed a kind of
+Court, and above whom he towered grandly with his height of
+six-feet-two. He held himself as erect, and looked as solemn as if he
+were the President of the United States. The Twins, for their part,
+looked a little as if they were his sons.
+
+Jack Dunquerque acted as Lord Chamberlain or Master of the Ceremonies.
+He wore an anxious face, and looked round among the great men whom he
+preceded, as soon as they had all filed in, with a glance which might
+have meant admonition, had that been possible. And, indeed, a broad
+smile, which was hovering like the sunlight upon their venerable
+faces, disappeared at the frown of this young gentleman. It was very
+curious.
+
+It was in the Grand Manner--that peculiar to Courts--in which Jack
+Dunquerque presented the first of the distinguished guests to Mr.
+Beck.
+
+"Sir," he said, with low and awe-struck voice, "before you stands
+Thomas Carlyle."
+
+A thrill ran through the American's veins as he grasped the hand which
+had written so many splendid things, and looked into the eyes which
+harboured such splendid thought. Then he said, in softened tones,
+because his soul was moved; "This is a proud moment, sir, for Gilead
+P. Beck. I never thought to have shaken by the hand the author of the
+_French Revolution_ and the _Stones of Venice_."
+
+(It really was unfortunate that his reading had been so miscellaneous
+during the four days preceding the dinner.)
+
+The venerable Philosopher opened his mouth and spake. His tones were
+deep and his utterance slow.
+
+"You are proud, Mr. Beck? The only Pride should be the pride of work.
+Beautiful the meanest thing that works; even the rusty and unmusical
+Meatjack. All else belongs to the outlook of him whom men call
+Beelzebub. The brief Day passes with its poor paper crowns in tinsel
+gilt; Night is at hand with her silences and her veracities. What hast
+thou done? All the rest is phantasmal. Work only remains. Say,
+brother, what is thy work?"
+
+"I have struck Ile," replied Gilead proudly, feeling that his Work
+(with a capital W) had been well and thoroughly done.
+
+The Philosopher stepped aside.
+
+Jack Dunquerque brought up the next.
+
+"Mr. Beck, Alfred Tennyson, the Poet Laureate."
+
+This time it was a man with robust frame and strongly-marked features.
+He wore a long black beard, streaked with grey and rather ragged, with
+a ragged mass of black hair, looking as he did at Oxford when they
+made him an honorary D.C.L., and an undergraduate from the gallery
+asked him politely, "_Did_ they wake and call you early?"
+
+"Mr. Tennyson," said Mr. Beck, "I do assure you, sir, that this is the
+kindest thing that has been done to me since I came to England. I hope
+I see you well, sir. I read your _Fifine at the Fair_, sir--no, that
+was the other man's--I mean, sir, your _Songs before Sunrise_; and I
+congratulate you. We've got some poets on our side of the water, sir.
+I've written poetry myself for the papers. We've got Longfellow and
+Lowell, and take out you and Mr. Swinburne, with them we'll meet your
+lot."
+
+Mr. Tennyson opened his mouth to speak, but shut it again in silence,
+and looking at Jack mournfully as if he had forgotten something, he
+stepped aside.
+
+Jack presented another.
+
+"Mr. John Ruskin."
+
+A sharp-featured, clever-looking man, with grey locks and shaven face.
+He seized Mr. Beck by the hand and spoke first, not giving his host
+time to utter his little set speech.
+
+"I welcome," he said, "one of our fellow-workers from the other side of
+the Atlantic. I cannot utter to you what I would. We all see too dimly
+as yet what are our great world-duties, for we try and outline their
+enlarging shadows. You in America do not seek peace as Menahem sought
+it, when he gave the King of Assyria a thousand pieces of silver. You
+fight for your peace and have it. You do not buy what you want; you
+take it. That is strength; that is harmony. You do not sit at home
+lisping comfortable prayers; you go out and work. For many a year to
+come, sir, the sword of your nation shall be whetted to save and to
+subdue."
+
+He stopped suddenly, and closed his lips with a snap.
+
+Mr. Beck turned rather helplessly to the Twins. He wanted a diversion
+to this utterly unintelligible harangue. They stared straight before
+them, and pretended to be absorbed in meditation.
+
+"Mr. Beck, Mr. Swinburne. Deaf people think Mr. Browning is musical,
+sir; but all people allow Mr. Swinburne to be the most musical of
+poets."
+
+It was the very young man. He stood before his host and laughed aloud.
+
+"Sir," said Mr. Beck, "I have read some of your verses. I can't say
+what they were about, but I took to singin' them softly as I read
+them, and I seemed to be in a green field, lyin' out among the
+flowers, while the bees were bummin' around, and the larks were
+liftin' their hymns in the sky."
+
+Mr. Swinburne laughed again and made way for the next comer.
+
+"Mr. Beck, let me introduce Mr. George Augustus Sala."
+
+"This," said the Man of Oil, "is indeed a pleasure. Mr. Sala, when I
+say that I am an old and personal friend of Colonel Quagg, you will be
+glad to meet me."
+
+Contrary to reasonable expectation, the face of Mr. Sala showed no
+sign of joy at the reminiscence. He only looked rather helplessly at
+Jack Dunquerque, who turned red, and brought up the rest of his men
+together, as if to get the introductions over quickly.
+
+"Mr. Beck, these gentlemen are Mr. Darwin, Professor Huxley, and Mr.
+Frederick Leighton. Ladds you know well enough already. Step up,
+Tommy."
+
+Gilead Beck shook hands with each, and then, drawing himself up to his
+full height, laid his left hand within his waistcoat, brandished his
+right above his head with a preliminary flourish, and began his
+speech.
+
+"Gentlemen all," he said, "I am more than proud to make your
+acquaintance. Across the foaming waves of the mighty Atlantic there is
+a land whose institootions--known to Mr. Sala--air not unlike your
+own, whose literature is your own up to a hundred years ago ["Hear,
+hear!" from Cornelius], whose language is the same as yours. We say
+hard things of each other, gentlemen; but the hard things are said on
+the low levels, not on the heights where you and your kindred spirits
+dwell. No, gentlemen,"--here he raised both arms and prepared for a
+rhetorical burst,--"when the American eagle, proudly bearing the stars
+and stripes----"
+
+"Dinner on the table, sir!" bawled the head waiter, throwing open the
+doors with the grandest flourish and standing in the open doorway.
+
+"Hear, hear!" cried Humphrey a little late, because he meant the cheer
+for the speech, and it sounded like a joy bell ringing for the
+announcement of dinner. Mr. Beck thought it rather rude, but he did
+not say so, and vented his wrath upon the waiter.
+
+"Great Jehoshaphat!" he cried, "can't you see when a gentleman is on
+the stump? Who the devil asked you to shove in?"
+
+"Never mind," said Jack irreverently. "Spout the rest after dinner."
+
+A sigh of relief escaped the lips of all, and the party, headed, after
+some demur, by the host, who was escorted, one on each side, like a
+great man with his private secretary, by the Twins, passed into the
+dining-room.
+
+Oddly enough, when their host passed on before them, the guests turned
+to each other, and the same extraordinary smile which Jack Dunquerque
+checked on their first appearance passed from one to the other. Why
+should Alfred Tennyson look in the face of Thomas Carlyle and laugh?
+What secret relationship is there between John Ruskin, Swinburne, and
+George Augustus Sala, that they should snigger and grin on catching
+each other's eyes? And, if one is to go on asking questions, why did
+Jack Dunquerque whisper in an agitated tone, "For Heaven's sake, Tom,
+and you fellows, keep it up?"
+
+There was some little difficulty in seating the guests, because they
+all showed a bashful reluctance to sitting near their host, and
+crowded together to the lower end. At last, however, they were settled
+down. Mr. Carlyle, who, with a modesty worthy of his great name,
+seized the lowest chair of all--on the left of Jack Dunquerque, who
+was to occupy the end of the table--was promptly dragged out and
+forcibly led to the right of the host. Facing him was Alfred Tennyson.
+The Twins, one on each side, came next. Mr. Sala faced John Ruskin.
+The others disposed themselves as they pleased.
+
+A little awkwardness was caused at the outset by the host, who, firm
+in the belief that Professor Huxley was in the Moody and Sankey line,
+called upon him to say Grace. The invitation was warmly seconded by
+all the rest, but the Professor, greatly confused, blushed, and after
+a few moments of reflection was fain to own that he knew no Grace. It
+was a strange confession, Gilead Beck thought, for a clergyman. The
+singers, however--Miss Claribelle, Signors Altotenoro, Bassoprofondo,
+and Mr. Plantagenet Simpkins--performed _Non nobis_ with great
+feeling and power, and dinner began.
+
+It was then that Gilead Beck first conceived, against his will,
+suspicion of the Twins. So far from being the backbone and stay of the
+whole party, so far from giving a lead to the conversation, and
+leading up to the topics loved by the guests, they gave themselves
+unreservedly and from the very first to "tucking in." They went at the
+dinner with the go of a Rugby boy--a young gentleman of Eton very soon
+teaches himself that the stomach is not to be trifled with. So did the
+rest. Considering the overwhelming amount of genius at the table, and
+the number of years represented by the guests collectively, it was
+really wonderful to contemplate the vigour with which all, including
+the octogenarian, attacked the courses, sparing none. Could it have
+been believed by an outsider that the author of _Maud_ was so
+passionately critical over the wine? It is sad to be disillusioned,
+but pleasant, on the other hand, to think that you are no longer an
+outsider. Individually the party would have disappointed their host,
+but he did not allow himself to be disappointed. Mr. Beck expected a
+battery of wit. He heard nothing but laudation of the wine and remarks
+upon the cookery. No anecdotes, no criticism, no literary talk, no
+poetical enthusiasm.
+
+"In my country, sir," he began, glancing reproachfully at the Twins,
+whose noses were over their plates, and feeling his way feebly to a
+conversation with Carlyle,--"in my country, sir, I hope we know how to
+appreciate what we cannot do ourselves."
+
+Mr. Carlyle stared for a moment. Then he replied--
+
+"Hope you do, Mr. Beck, I'm sure. Didn't know you'd got so good a
+_chef_ at the Langham."
+
+This was disheartening, and for a space no one spoke.
+
+Presently Mr. Carlyle looked round the table as if he was about to
+make an utterance.
+
+Humphrey Jagenal, who happened at the moment to have nothing before
+him, raised his hand and said solemnly, "Hush!" Cornelius bent forward
+in an attitude of respectful attention.
+
+Said the Teacher--
+
+"Clear mulligatawny's about the best thing I know to begin a dinner
+upon. Some fellows like Palestine soup. That's a mistake."
+
+"The greatest minds," said Cornelius to the Poet Laureate, "condescend
+to the meanest things----"
+
+"'Gad!" said Tennyson, "if you call such a dinner as this mean, I
+wonder what you'd call respectable."
+
+Cornelius felt snubbed. But he presently rallied and went on again. It
+was between the courses.
+
+"Pray, Mr. Carlyle," he asked, with the sweetest smile, "what was the
+favourite soup of Herr Teufelsdröckh?"
+
+"Who?" asked the Philosopher. "Beg your pardon, Herr how much?"
+
+"From your own work, Mr. Carlyle," Jack sang out from his end. It was
+remarkable to notice how anxiously he followed the conversation.
+
+"Oh, ah! quite so," said Mr. Carlyle. "Well, you see, the fact is
+that--Jack Dunquerque knows."
+
+This was disconcerting too, and the more because everybody began to
+laugh. What did they laugh at?
+
+The dinner went on. Gilead Beck, silent and grave, sat at the head of
+the table, watching his guests. He ought, he said to himself, to be a
+proud man that day. But there were one or two crumpled rose-leaves in
+his bed. One thing was that he could not for the life of him remember
+each man's works, so as to address him in honeyed tones of adulation.
+And he also rightly judged that the higher a man's position in the
+world of letters, the more you must pile up the praise. No doubt the
+lamented George the Fourth, the Fourteenth Louis, and John Stuart
+Mill, grew at last to believe in the worth of the praise-painting
+which surrounded their names.
+
+And then the Twins were provoking. Only one attempt on the part of
+Cornelius, at which everybody laughed. And nothing at all from
+Humphrey.
+
+Carlyle and Tennyson, for their part, sat perfectly silent. Lower
+down--below the Twins, that is--Sala, Huxley, and the others were
+conversing freely, but in a low tone. And when Gilead Beck caught a
+few words it seemed to him as if they talked of horse-racing.
+
+Presently, to his relief, John Ruskin leaned forward and spoke to him.
+
+"I have been studying lately, Mr. Beck, the Art growth of America."
+
+"Is that so, sir? And perhaps you have got something to tell my
+countrymen?"
+
+"Perhaps, Mr. Beck. You doubtless know my principle, that Art should
+interpret, not create. You also know that I have preached all my life
+the doctrine that where Art is followed for Art's own sake, there
+infallibly ensues a distinction of intellectual and moral principles,
+while, devoted honestly and self-forgetfully to the clear statement
+and record of the facts of the universe, Art is always helpful and
+beneficial to mankind. So much you know, Mr. Beck, I'm sure."
+
+"Well, sir, if you would not mind saying that over again--slow--I
+might be able to say I know it."
+
+"I have sometimes gone on to say," pursued Mr. Ruskin, "that a time
+has always hitherto come when, having reached a singular perfection,
+Art begins to contemplate that perfection and to deduce rules from it.
+Now all this has nothing to do with the relations between Art and
+mental development in the United States of America."
+
+"I am glad to hear that, sir," said Gilead Beck, a little relieved.
+
+He looked for help to the Twins, but he leaned upon a slender reed,
+for they were both engaged upon the duckling, and proffered no help at
+all. They did not even seem to listen. The dinner was far advanced,
+their cheeks were red, and their eyes were sparkling.
+
+"What is it all about?" Mr. Carlyle murmured across the table to
+Tennyson.
+
+"Don't know," replied the Maker. "Didn't think he had it in him."
+
+Could these two great men be jealous of Mr. Ruskin's fame?
+
+"Your remarks, Mr. Ruskin," said the host, "sound very pretty. But I
+should like to have them before me in black and white, so I could
+tackle them quietly for an hour. Then I'd tell you what I think. I was
+reading, last week, all your works."
+
+"All my works in a week!" cried Ruskin. "Sir, my works require loving
+thought and lingering tender care. You must get up early in the
+morning with them, you must watch the drapery of the clouds at sunrise
+when you read them, you must take them into the fields at spring-time
+and mark, as you meditate on the words of the printed page, the young
+leaflets breathing low in the sunshine. Then, as the thoughts grow and
+glow in the pure ether of your mind--hock, if you please--you will
+rise above the things of the earth, your wings will expand, you will
+care for nothing of the mean and practical--I will take a little more
+duckling--your faculties will be woven into a cunning subordination
+with the wondrous works of Nature, and all will be beautiful alike,
+from a blade of grass to a South American forest."
+
+"There are very good forests in the Sierra Nevada," said Mr. Beck, who
+had just understood the last words; "we needn't go to South America
+for forests, I guess."
+
+"That, Mr. Beck, is what you will get from a study of my works. But a
+week--a week, Mr. Beck!"
+
+He shook his head with a whole library of reproach.
+
+"My time was limited, Mr. Ruskin, and I hope to go through your books
+with more study, now I have had the pleasure of meeting you. What I
+was going to say was, that I am sorry not to be able to talk with you
+gentlemen on the subjects you like best, because things have got
+mixed, and I find I can't rightly remember who wrote what."
+
+"Thank goodness!" murmured Mr. Tennyson, under his breath.
+
+Presently the diners began to thaw, and something like general
+conversation set in.
+
+About the grated Parmesan period, Mr. Beck observed with satisfaction
+that they were all talking together. The Twins were the loudest. With
+flushed faces and bright eyes they were laying down the law to their
+neighbours in Poetry and Art. Cornelius gave Mr. Tennyson some home
+truths on his later style, which the Poet Laureate received without so
+much as an attempt to defend himself. Humphrey, from the depth of his
+Roman experiences, treated Mr. Ruskin to a brief treatise on his
+imperfections as a critic, and Mr. Leighton to some remarks on his
+paintings, which those great men heard with a polite stare. Gilead
+Beck observed also that Jack Dunquerque was trying hard to keep the
+talk in literary grooves, though with small measure of success. For as
+the dinner went on the conversation resolved itself into a general
+discussion on horses, events, Aldershot, Prince's, polo, the drama
+from its lightest point of view, and such topics as might perhaps be
+looked for at a regimental mess, but hardly at a dinner of Literature.
+It was strange that the two greatest men among them all, Carlyle and
+Tennyson, appeared as interested as any in this light talk.
+
+The Twins were out of it altogether. If there was one thing about
+which they were absolutely ignorant, it was the Turf. Probably they
+had never seen a race in their lives. They talked fast and a little at
+random, but chiefly to each other, because no one, Mr. Beck observed,
+took any notice of what they said. Also, they drank continuously, and
+their host remarked that to the flushed cheeks and the bright eyes was
+rapidly being added thickness of speech.
+
+Mr. Beck rose solemnly, at the right moment, and asked his guests to
+allow him two or three toasts only. The first, he said, was England
+and America. Ile, he said briefly, had not yet been found in the old
+country, and so far she was behind America. But she did her best; she
+bought what she could not dig.
+
+By special request of the host Mademoiselle Claribelle sang "Old John
+Brown lies a-mouldering in his grave."
+
+The next toast, Mr. Beck said, was one due to the peculiar position of
+himself. He would not waste their time in telling his own story, but
+he would only say that until the Golden Butterfly brought him to
+Limerick City and showed him Ile, he was but a poor galoot. Therefore,
+he asked them to join him in a sentiment. He would give them, "More
+Ile."
+
+Signor Altotenoro, an Englishman who had adopted an Italian name, sang
+"The Light of other Days."
+
+Then Mr. Beck rose for the third time and begged the indulgence of his
+friends. He spoke slowly and with a certain sadness.
+
+"I am not," he said, "going to orate. You did not come here, I guess,
+to hear me pay out chin music. Not at all. You came to do honour to an
+American. Gentlemen, I am an obscure American; I am half educated; I
+am a man lifted out of the ranks. In our country--and I think in yours
+as well, though some of you have got handles to your names--that is
+not a thing to apologise for. No, gentlemen. I only mention it because
+it does me the greater honour to have received you. But I can read and
+I can think. I see here to-night some of the most honoured names in
+England and I can tell you all what I was goin' to say before dinner,
+only the misbegotten cuss of a waiter took the words out of my mouth:
+that I feel this kindness greatly, and I shall never forget it. I did
+think, gentlemen, that you would have been too many for me in the
+matter of tall talk, but exceptin' Mr. Ruskin, to whom I am grateful
+for his beautiful language, though it didn't all get in, not one of
+you has made me feel my own uneducated ignorance. That is kind of you,
+and I thank you for it. It was true feeling, Mr. Carlyle, which
+prompted you, sir, to give the conversation such a turn that I might
+join in without bein' ashamed or makin' myself feel or'nary.
+Gentlemen, what a man like me has to guard against is shoddy. If I
+talk Literature, it's shoddy. If I talk Art, it's shoddy. Because I
+know neither Literature nor Art. If I pretend to be what I am not,
+it's shoddy. Therefore, gentlemen, I thank you for leavin' the tall
+talk at home, and tellin' me about your races and your amusements. And
+I'll not ask you, either, to make any speeches; but if you'll allow
+me, I will drink your healths. Mr. Carlyle, sir, the English-speaking
+race is proud of you. Mr. Tennyson, our gells, I'm told, love your
+poems more than any others in this wide world. What an American gell
+loves is generally worth lovin', because she's no fool. Mr. Ruskin, if
+you'd come across the water you might learn a wrinkle yet in the
+matter of plain speech. Mr. Sala, we know you already over thar, and I
+shall be glad to tell the Reverend Colonel Quagg of your welfare when
+I see him. Mr. Swinburne, you air young, but you air getting on.
+Professor Huxley and Mr. Darwin, I shall read your sermons and your
+novels, and I shall be proud to have seen you at my table. Mr.
+Cornelius and Mr. Humphrey Jagenal, I would drink your healths, too,
+if you were not sound asleep." This was unfortunately the case; the
+Twins, having succumbed to the mixture and quantity of the drinks
+almost before the wine went round once, were now leaning back in their
+chairs, slumbering with the sweetest of smiles. "Captain Ladds, you
+know, sir, that you are always welcome. Mr. Dunquerque, you have done
+me another favour. Gentlemen all, I drink your health."
+
+"Jack," whispered Mr. Swinburne, "I call this a burning shame. He's a
+rattling good fellow, this, and you must tell him."
+
+"I will, some time; not now," said Jack, looking remorseful. "I
+haven't the heart. I thought he would have found us out long ago. I
+wonder how he'll take it."
+
+They had coffee and cigars, and presently Gilead Beck began telling
+about American trotting matches, which was interesting to everybody.
+
+It was nearly twelve when Mr. Beck's guests departed.
+
+Mr. Carlyle, in right of his seniority, solemnly "up and spake."
+
+"Mr. Beck," he said, "you are a trump. Come down to the Derby with me,
+and we will show you a race worth twenty of your trotting. Good night,
+sir, you've treated us like a prince."
+
+He grasped his hand with a grip which had all its youthful vigour, and
+strode out of the room with the step of early manhood.
+
+"A wonderful man!" said Mr. Beck. "Who would have thought it?"
+
+The rest shook hands in silence, except Mr. Ruskin.
+
+"I am sorry, Mr. Beck," he said meekly, "that the nonsense I talked at
+dinner annoyed you. It's always the way if a fellow tries to be
+clever; he overdoes it, and makes himself an ass. Good night, sir, and
+I hope we shall meet on the racecourse next Wednesday."
+
+Mr. Beck was left alone with Jack Dunquerque, the waiter, and the
+Twins still sleeping.
+
+"What am I to do with these gentlemen, sir?" asked the waiter.
+
+Mr. Beck looked at them with a little disdain.
+
+"Get John, and yank them both to bed, and leave a brandy-and-soda at
+their elbows in case they're thirsty in the night. Mr. Dunquerque and
+Captain Ladds, don't go yet. Let us have a cigar together in the
+little room."
+
+They sat in silence for a while. Then Jack said, with a good deal of
+hesitation:
+
+"I've got something to tell you, Beck."
+
+"Then don't tell it to-night," replied the American. "I'm thinking
+over the evening, and I can't get out of my mind that I might have
+made a better speech. Seems as if I wasn't nigh grateful enough. Wal,
+it's done. Mr. Dunquerque, there is one thing which pleases me. Great
+authors are like the rest of us. They are powerful fond of racing;
+they shoot, they ride, and they hunt; they know how to tackle a
+dinner; and all of 'em, from Carlyle to young Mr. Swinburne, seem to
+love the gells alike. That's a healthy sign, sir. It shows that their
+hearts air in the right place. The world's bound to go on well,
+somehow, so long as its leaders like to talk of a pretty woman's eyes;
+because it's human. And then for me to hear these great men actually
+doing it! Why, Captain Ladds, it adds six inches to my stature to feel
+sure that they like what I like, and that, after all said and done,
+Alfred Tennyson and Gilead P. Beck are men and brothers."
+
+
+
+
+CHAPTER XXVII.
+
+ "Greater humanity."
+
+
+The world, largely as it had unfolded itself to Phillis, consisted as
+yet to her wholly of the easy classes. That there were poor people in
+the country was a matter of hearsay. That is, she had caught a glimpse
+during a certain walk with Cæsar of a class whose ways were clearly
+not her ways, nor their manner of thought hers. She had now to
+learn--as a step to that wider sympathy first awakened by the
+butter-woman's baby--that there is a kind of folk who are more
+dangerous than picturesque, to be pitied rather than to be painted, to
+be schooled and disciplined rather than to be looked at.
+
+She learned this lesson through Mrs. L'Estrange, whose laudable custom
+it was to pay periodical visits to a certain row of cottages. They
+were not nice cottages, but nasty. They faced an unrelenting ditch,
+noisome, green, and putrid. They were slatternly and out at elbows.
+The people who lived in them were unpleasant to look at or to think
+of; the men belonged to the riverside--they were boat-cads and touts;
+and if there is any one pursuit more demoralising than another, it is
+that of launching boats into the river, handing the oars, and helping
+out the crew.
+
+In the daytime the cottages were in the hands of the wives. Towards
+nightfall the men returned: those who had money enough were drunk;
+those who were sober envied those who were drunk. Both drunk and sober
+found scolding wives, squalid homes, and crying children. Both drunk
+and sober lay down with curses, and slept till the morning, when they
+awoke, and went forth again with the jocund curse of dawn.
+
+Nothing so beautiful as the civilisation of the period. Half a mile
+from Agatha L'Estrange and Phillis Fleming were these cottages. Almost
+within earshot of a house where vice was unknown, or only dimly seen
+like a ghost at twilight, stood the hovels where virtue was
+impossible, and goodness a dream of an unknown land. What notion do
+they have of the gentle life, these dwellers in misery and squalor?
+What fond ideas of wealth's power to procure unlimited gratification
+for the throat do they conceive, these men and women whose only
+pleasure is to drink beer till they drop?
+
+One day Phillis went there with Agatha.
+
+It was such a bright warm morning, the river was so sparkling, the
+skies were so blue, the gardens were so sunny, the song of the birds
+so loud, the laburnums so golden, and the lilacs so glorious to
+behold, that the girl's heart was full of all the sweet thoughts which
+she had learned of others or framed for herself--thoughts of poets,
+which echoed in her brain and flowed down the current of her thoughts
+like the swans upon the river; happy thoughts of youth and innocence.
+
+She walked beside her companion with light and elastic tread; she
+looked about her with the fresh unconscious grace that belongs to
+childhood; it was her greatest charm. But the contentment of her soul
+was rudely shaken--the beauty went out of the day--when Mrs.
+L'Estrange only led her away from the leafy road and took her into her
+"Row." There the long arms of the green trees were changed into
+protruding sticks, on which linen was hanging out to dry; the songs of
+the birds became the cry of children and the scolding of women; for
+flowers there was the iridescence on the puddles of soap-suds; for
+greenhouse were dirty windows and open doors which looked into squalid
+interiors.
+
+"I am going to see old Mr. Medlicott," said Mrs. L'Estrange
+cheerfully, picking her accustomed way among the cabbage-stalks,
+wash-tubs, and other evidences of human habitation.
+
+The women looked out of their houses and retired hastily. Presently
+they came out again, and stood every one at her door with a clean
+apron on, each prepared to lie like an ambassador for the good of the
+family.
+
+In a great chair by a fire there sat an old woman--a malignant old
+woman. She looked up and scowled at the ladies; then she looked at the
+fire and scowled; then she pointed to the corner and scowled again.
+
+"Look at him," she growled in a hoarse crescendo. "Look at him, lying
+like a pig--like a pig. Do you hear?"
+
+"I hear."
+
+The voice came from what Phillis took at first to be a heap of rags.
+She was right, because she could not see beneath the rags the supine
+form of a man.
+
+Mrs. L'Estrange took no notice of the old woman's introduction to the
+human pig. That phenomenon repeated his answer:
+
+"I hear. I'm her beloved grandson, ladies. I'm Jack-in-the-Water."
+
+"Get up and work. Go down to your river. Comes home and lies down, he
+does--yah! ye lazy pig; says he's goin' to have the horrors, he
+does--yah! ye drunken pig; prigs my money for drink--yah! ye thievin'
+pig. Get up and go out of the place. Leave me and the ladies to talk.
+Go, I say!"
+
+Jack-in-the-Water arose slowly. He was a long-legged creature with
+shaky limbs, and when he stood upright his head nearly touched the
+rafters of the low unceiled room. And he had a face at sight of which
+Phillis shuddered--an animal face with no forehead; a cruel, bad,
+selfish face, all jowl and no front. His eyes were bloodshot and his
+lips were thick. He twitched and trembled all over--his legs trembled;
+his hands trembled; his cheeks twitched.
+
+"'Orrors!" he said in a husky voice. "And should ha' had the 'orrors
+if I hadn't a took the money. Two-and-tuppence."
+
+He pushed past Phillis, who shrank in alarm, and disappeared.
+
+"Well, Mrs. Medlicott, and how are we?" asked Mrs. L'Estrange in a
+cheerful voice--she took no manner of notice of the man.
+
+"Worse. What have you got for me? Money? I want money. Flannel? I want
+flannel. Physic? I want physic. Brandy? I want brandy very bad; I
+never wanted it so bad. What have you got? Gimme brandy and you shall
+read me a tract."
+
+"You forget," said Agatha, "that I never read to you."
+
+"Let the young lady read, then. Come here, missy. Lord, Lord! Don'tee
+be afraid of an old woman as has got no teeth. Come now. Gimme your
+hand. Ay, ay, ay! Eh, eh, eh! Here's a pretty little hand."
+
+"Now, Mrs. Medlicott, you said you would not do that any more. You
+know it is all foolish wickedness.
+
+"Foolish wickedness," echoed the Witch of Endor. "Never after to-day,
+my lady. Come, my pretty lass, take off the glove and gimme the hand."
+
+Without knowing what she did, Phillis drew off the glove from her left
+hand. The old woman leaned forward in her chair and looked at the
+lines. She was a fierce and eager old woman. Life was strong in her
+yet, despite her fourscore years; her eyes were bright and fiery; her
+toothless gums chattered without speaking; her long lean fingers shook
+as they seized on the girl's dainty palm.
+
+"Ay, ah! Eh, eh! The line of life is long. A silent childhood! a
+love-knot hindered; go, on, girl--go on, wife and mother; happy life
+and happy age, but far away--not here--far away; a lucky lot with him
+you love; to sleep by his side for fifty years and more; to see your
+children and your grandchildren; to watch the sun rise and set from
+your door--a happy life, but far away."
+
+She dropped the girl's hand as quickly as she had seized it, and fell
+back in her chair mumbling and moaning.
+
+"Gimme brandy, Mrs. L'Estrange--you are a charitable woman--gimme
+brandy. And port-wine!--ah! lemme have some port-wine. Tea? Don't
+forget the tea. And Jack-in-the-Water drinks awful, he does. Worse
+than his father; worse than his grandfather--and they all went off at
+five-and-thirty."
+
+"I will send you up a basket, Mrs. Medlicott. Come, Phillis, I have
+got to go to the next cottage."
+
+But Phillis stayed behind a moment.
+
+She touched the old woman on the forehead with her fingers and said
+softly--
+
+"Tell me, are you happy? Do you suffer?"
+
+"Happy? only the rich are happy. Suffer? of course I suffer. All the
+pore suffers."
+
+"Poor thing! May I come and see you and bring you things?"
+
+"Of course you may."
+
+"And you will tell me about yourself?"
+
+"Child, child!" cried the old woman impatiently. "Tell you about
+myself? There, there, you're one of them the Lord loves--wife and
+mother; happy life and happy death; childer and grandchilder; but far
+away, far away."
+
+Mrs. Medlicott gave Phillis her first insight into that life so near
+and yet so distant from us. She should have been introduced to the
+ideal cottage, where the stalwart husband supports the smiling wife,
+and both do honour to the intellectual curate with the long coat and
+the lofty brow. Where are they--lofty brow of priest and stalwart form
+of virtuous peasant? Remark that Phillis was a child; the first effect
+of the years upon a child is to sadden it. Philemon and Baucis in
+their cot would have rejoiced her; that of old Mrs. Medlicott set her
+thinking.
+
+And while she drew from memory the old fortune-teller in her cottage,
+certain words of Abraham Dyson's came back to her:
+
+"Life is a joy to one and a burden to ninety-nine. Remember in your
+joy as many as you can of the ninety-nine.
+
+"Learn that you cannot be entirely happy, because of the ninety-nine
+who are entirely wretched.
+
+"When you reach this knowledge, Phillis, be sure that the Coping-stone
+is not far-off."
+
+
+
+
+CHAPTER XXVIII.
+
+ "Non possidentem multa vocaveris
+ Recte beatum."
+
+
+The manner in which Mr. Cassilis conveyed his advice, or rather
+instructions, to Gilead Beck inspired the American with a blind
+confidence. He spoke slowly, grimly, and with deliberation. He spoke
+as one who knew. Most men speak as those who only half know, like the
+Frenchman who said, "Ce que je sais, je le sais mal; ce que j'ignore,
+je l'ignore parfaitement."
+
+Mr. Cassilis weighed each word. While he spoke his eyes sought those
+of his friend, and looked straight in them, not defiantly, but
+meditatively. He brought Mr. Beck bills, which he made him accept; and
+he brought prospectuses, in which the American, finding they were
+English schemes, invested money at his adviser's suggestion.
+
+"You have now," said Mr. Cassilis, "a very large sum invested in
+different companies; you must consider now how long to hold the
+shares--when to sell out in fact."
+
+"Can't I sell my shares at once, if I please?"
+
+"You certainly can, and so ruin the companies. Consider my undertaking
+to my friends on the allotment committees."
+
+"Yes, sir."
+
+"You forget, Mr. Beck, that you are a wealthy man. We do not manage
+matters in a hole and corner. The bears have sold on expectation of an
+allotment. Now as they have not got an allotment, and we have, they
+must buy. When such men as you buy largely, the effect is to run
+shares up; when you sell largely, you run them down."
+
+Mr. Cassilis did not explain that he had himself greatly profited by
+this tidal influence, and proposed to profit still more.
+
+"Many companies, perfectly sound in principle, may be ruined by a
+sudden decrease in the price of shares; a panic sets in, and in a few
+hours the shareholders may lose all. And if you bring this about by
+selling without concert with the other favoured allottees, you'll be
+called a black sheep."
+
+Mr. Beck hesitated. "It's a hard thing----" he began.
+
+His adviser went on:
+
+"You have thus two things to think of--not to lose your own profit,
+and not to spread disaster over a number of other people by the very
+magnitude of your transactions."
+
+This was a new light to Gilead.
+
+"Then why sell at all? Why not keep the shares and secure the
+dividend? It's a hard hank, all this money."
+
+And this was a new light for the financier.
+
+Hold the shares? When they were, scores of them, at 16 premium? "You
+can certainly do that, if you please," he said slowly. "That, however,
+puts you in the simple position of investor."
+
+"I thought I was that, Mr. Cassilis?"
+
+"Not at all, Mr. Beck. The wise man distrusts all companies, but puts
+his hope in a rise or fall. You are not conversant with the way
+business is done. A company is formed--the A B C let us say. Before
+any allotment of shares is made, influential brokers, acting in the
+interest of the promoters, go on to the Stock Exchange, and make a
+market."
+
+"How is that, sir?"
+
+"They purchase as many shares as they can get. Persons technically
+called 'bears' in London or in New York sell these shares on the
+chance of allotment."
+
+"Well?"
+
+"To their astonishment they don't get any shares allotted. Millions of
+money in a year are allotted to clerks, Mr. Beck--to anybody, in
+fact--a market is established, and our shares figure at a pretty
+premium. Then begins the game of backing and filling--to and fro,
+backward and forward--and all this time we are gradually unloading the
+shares on the public, the real holders of every thing."
+
+"I begin to see," said Mr. Beck slowly.
+
+"By this time you will perceive," Mr. Cassilis continued, "the bears
+are at the mercy of the favoured allottees. Then up go the shares; the
+public have come in. I recollect an old friend of mine who made a
+fortune on 'Change--small compared with yours, Mr. Beck, but a great
+fortune--used to say, talking of shares in his rather homely style,
+'When they rise, the people buys; when they fa's, they lets 'em goes.'
+Ha, ha! it's so true. I have but a very poor opinion of the Isle of
+Holyhead Inland Navigation Company; but I thought their shares would
+go up, and I bought for you. You hold twenty out of fifty thousand.
+Wait till 'the people buys,' and then unload cautiously."
+
+"And leave the rest in the lurch? No, sir, I can't do that."
+
+"Then, Mr. Beck, I can advise you no more."
+
+"I hold twenty thousand shares; and if I sell out, that company will
+bust up."
+
+"I do not say so much. I say that if you sell out gradually you take
+advantage of the premium, and the company is left exactly where it was
+before you joined, to stand or fall upon its merits. But if you will
+sell your shares without concert with our colleagues in these
+companies you are in, we shall be very properly called black sheep."
+
+"Then, Mr. Cassilis," said Gilead, "in God's name, let us have done
+with companies."
+
+"Very well; as you please. You have only to give me a power of
+attorney, and I will dispose of all your shares in the best way
+possible for your interests. Will you give me that power of attorney?"
+
+"Sir, I am deeply obliged to you for all the trouble you are taking."
+
+"A power of attorney conveys large powers. It will put into my hands
+the management of your great revenues. This is not a thing to be done
+in a moment. Think well, Mr. Beck, before you sign such a document."
+
+"I have thought, sir," said Gilead, "and I will sign it with
+gratitude."
+
+"In that case, I will have the document--it is only a printed form,
+filled up and sent on to you for signature immediately."
+
+"Thank you, Mr. Cassilis."
+
+"And as for the shares in the various companies which you have
+acquired by my advice, I will, if you please, take them all over one
+with another at the price you gave for them, without considering which
+have gone up and which down."
+
+They had all gone up, a fact which Mr. Cassilis might have remembered
+had he given the thing a moment's thought. The companies on paper were
+doing extremely well.
+
+"Sir," said Mr. Beck, starting to his feet "you heap coals of fire on
+my head. When a gentleman like you advises me, I ought to be thankful,
+and not go worrying around like a hen in a farmyard. The English
+nation are the only people who can raise a man like you, sir. Honour is
+your birthright. Duty is your instinct. Truth is your nature. We,
+Americans, sir, come next to you English in that respect. The rest of
+the world are nowhere." He was walking backwards and forwards, with
+his hands in his pockets, while Mr. Cassilis looked at him through his
+gold eyeglasses as if he was a little amused at the outburst.
+"Nowhere, sir. Truth lives only among us. The French lie to please
+you. The Germans lie to get something for themselves. The Russians lie
+because they imitate the French and have caught the bad tricks of the
+Germans. Sir, no one but an Englishman would have made me the generous
+offer you have just made, and I respect you for it, Mr. Cassilis, I
+respect you, sir."
+
+Gabriel Cassilis looked a little, a very little, confused at all these
+compliments. Then he held out his hand.
+
+"My dear friend, the respect is mutual," he said, with a forced smile.
+"Do not, however, act always upon your belief in the honesty of
+Englishmen. It may lead you into mischief."
+
+"As for the shares," said Beck, "they will stay as they are, if you
+please, or they will be sold, as you will. And no more companies, Mr.
+Cassilis, for me."
+
+"You shall have no more," said his adviser.
+
+In his pocket was a beautiful prospectus, brand new, of a company
+about to be formed for the purpose of lighting the town of La
+Concepcion Immaculata on the Amazon River in Brazil with gas. A
+concession of land had been obtained, engineers had been out to survey
+the place, and their prospects were most bright.
+
+Now, he felt, that project must be released. He turned the paper in
+his fingers nervously round and round, and the muscles of his cheek
+twitched. Then he looked up and smiled, but in a joyless way. Mr. Beck
+did not smile. He was growing more serious.
+
+"You shall have no more shares," said the adviser. "Those that you
+have already shall be disposed of as soon as possible. Remains the
+question, what am I to do with the money?"
+
+"You have placed yourself," he went on, "in my hands by means of that
+promised power of attorney. I advised, first of all, certain shares my
+influence enabled me to get allotted to you. You have scruples about
+selling shares at a profit. Let us respect your scruples, Mr. Beck.
+Instead of shares, you will invest your money in Government stocks."
+
+"That, sir," said Mr. Beck, "would meet my wishes."
+
+"I am glad of it. There are two or three ways of investing money in
+stocks. The first, your way, is to buy in and take the interest. The
+next, my way, is to buy in when they are low and sell out when they go
+up."
+
+"You may buy in low and sell out lower," said the astute Beck.
+
+"Not if you can afford to wait. This game, Mr. Beck, as played by the
+few who understand it, is one which calls into play all the really
+valuable qualities of the human intellect."
+
+Mr. Cassilis rose as he spoke and drew himself up to his full height.
+Then he began to walk backwards and forwards, turning occasionally to
+jerk a word straight in the face of his client, who was now leaning
+against the window with an unlighted cigar between his lips, listening
+gravely.
+
+"Foolish people think it a game of gambling. So it is--for them. What
+is it to us? It is the forecasting of events. It is the pitting of our
+experience, our sagacity, against what some outsiders call chance and
+some Providence. We anticipate events; we read the future by the light
+of the present."
+
+"Then it isn't true about Malachi," said Mr. Beck. "And he wasn't the
+last prophet."
+
+Mr. Cassilis went on without regarding this observation:
+
+"There is no game in the world so well worth playing. Politics? You
+stake your reputation on the breath of the mob. War? You throw away
+your life at the stockade of savages before you can learn it. Trade?
+It is the lower branch of the game of speculation. In this game those
+who have cool heads and iron nerve win. To lose your head for a moment
+is to lose the results of a lifetime--unless," he murmured, as if to
+himself--"unless you can wait."
+
+"Well, sir," said Gilead, "I am a scholar, and I learn something new
+every day. Do you wish me to learn this game? It seems to me----"
+
+"You?" Contempt that could not be repressed flashed for a moment
+across the thin features of the speculator. "You? No. Perhaps, Mr.
+Beck, I do not interest you." He resumed his habitually cold manner,
+and went on: "I propose, however, to give you my assistance in
+investing your money, to such advantage as I can, in English and
+foreign stocks, including railway companies, but not in the shares of
+newly-formed trading companies."
+
+"Sir, that is very kind."
+
+"You trust me, then, Mr. Beck?"
+
+Again the joyless smile, which gleamed for a moment on his lips and
+disappeared.
+
+"That is satisfactory to both of us," he said. "And I will send up the
+power of attorney to-day."
+
+Mr. Cassilis departed. By the morning's work he had acquired absolute
+control over a quarter of a million of money. Before this he had
+influence, but he required persuasion for each separate transaction.
+Now he had this great fortune entirely in his own control. It was to
+be the same as his own. And by its means he had the power which every
+financier wants--that of waiting. He could wait. And Gilead Beck, this
+man of unparalleled sharpness and unequalled experience, was a Fool.
+We have been Christians for nearly two thousand years, and yet he who
+trusts another man is a Fool. It seems odd.
+
+Mr. Cassilis felt young again. He held his head erect as he walked
+down the steps of the Langham Hotel. He lost his likeness to old
+Father Time, or at least resembled that potentate in his younger days,
+when he used to accommodate himself to people, moving slowly for the
+happy, sometimes sitting down for a few weeks in the case of young
+lovers, and galloping for the miserable. He strode across the hall
+with the gait of a Field-Marshal Commanding-in-Chief, and drove off to
+the City with the courage of five-and-twenty and the wisdom of sixty.
+
+Before him stretched an endless row of successes, bigger than anything
+he had ever yet tried. For him the glory of the _coup_ and the profit;
+for Gilead Beck the interest on his money.
+
+In his inner room, after glancing at the pile of letters and
+telegrams, noting instructions, and reserving a few for private reply,
+he rang his bell.
+
+The private secretary of Mr. Gabriel Cassilis did not disdain
+personally to answer that bell. He was a middle-aged man, with a sleek
+appearance, and a face which, being fat, shiny, and graced only with a
+slight fringe of whisker lying well behind, somehow conveyed the
+impression of a Particular Baptist who was also in the oil-trade. That
+was not the case, because Mr. Mowll was a member of the Church of
+England and a sidesman. He lived at Tulse Hill, and was a
+highly-respectable man. Mr. Cassilis gave him a fair salary, and a
+small amount--a very small amount--of his confidence. He also, when
+anything good in a humble way offered, tossed the information to his
+secretary, who was thus enabled to add materially to his salary.
+
+In the outer world Mr. Mowll was the right-hand man of Gabriel
+Cassilis, his factotum, and the man, according to some, by whose
+advice he walked. Gabriel Cassilis walked by no man's advice save his
+own.
+
+"For you, Mowll," said his employer briefly. "These I will attend to.
+Telegraph to--wherever his address is--to the man Wylie--the writing
+man"--newspaper people and writers of articles were "writing men" to
+Gabriel Cassilis--"I want him at once."
+
+Then he absorbed himself again in his papers.
+
+When he was left alone he pulled some printed documents out of a
+drawer, and compared them with letters which had the New York
+post-mark upon them. He read carefully, and made notes at various
+points with a stump of a blue crayon pencil. And he was still engaged
+on them when, half an hour later, his secretary asked him through a
+tube whether he would see Mr. Wylie.
+
+Mr. Wylie was an elderly man--a man of sixty--and he was a man on
+whose face many years of rum-and-water were beginning to tell. He was
+a man of letters, as he said himself; he had some kind of name, in
+virtue of certain good things he had written, in his early manhood,
+before the rum-and-water period set in. Now he went up and down, doing
+odd jobs of literary work, such as are always wanting some one to do
+them in this great city. He was a kind of literary cab.
+
+"You are free to-day, Mr. Wylie?"
+
+"I am, Mr. Cassilis."
+
+"Good. Do you remember last year writing a short political pamphlet--I
+think at my suggestion--on the prospects of Patagonian bond-holders?"
+
+"You gave me all the information, you know."
+
+"That is, you found the papers in my outer office, to which all the
+world has access, and on them you based your opinion."
+
+"Quite so," said the pamphleteer. "I also found five-and-twenty pounds
+in gold on your secretary's table the day after the pamphlet
+appeared."
+
+"Ah! Possibly--perhaps my secretary had private reasons of his own
+for----"
+
+"Let us talk business, Mr. Cassilis," said the author a little
+roughly. "You want me to do something. What is it?"
+
+"Do you know the affairs of Eldorado?"
+
+"I have heard of Eldorado bonds. Of course, I have no bonds either of
+Eldorado or any other stock."
+
+"I have here certain papers--published papers--on the resources of the
+country," said Mr. Cassilis. "I think it might pay a clever man to
+read them. He would probably arrive at the conclusion that the
+Republic, with its present income, cannot hope to pay its
+dividends----"
+
+"Must smash up, in short."
+
+"Do not interrupt. But with any assurance of activity and honesty in
+the application of its borrowed money, there seems, if this paper is
+correct--it is published in New York--no doubt that the internal
+resources would be more than sufficient to carry the State
+triumphantly through any difficulty."
+
+"Is it a quick job, or a job that may wait?"
+
+"I dislike calling things jobs, Mr. Wylie. I give you a suggestion
+which may or may not be useful. If it is useful--it is now half-past
+twelve o'clock--the pamphlet should be advertised in to-morrow's
+papers, in the printer's hand by four, and ready on every counter by
+ten o'clock in the morning. Make your own arrangements with printers,
+and call on me to-morrow with the pamphlet. On me, mind, not Mr.
+Mowll."
+
+"Yes--and--and----"
+
+"And, perhaps, if the pamphlet is clever, and expresses a just view of
+Eldorado and its obligations, there may be double the sum that you
+once found on my secretary's table."
+
+Mr. Wylie grasped the papers and departed.
+
+The country of Eldorado is one of the many free, happy, virtuous, and
+enlightened republics of Central America. It was constituted in the
+year 1839, after the Confederation broke up. During the thirty years
+which form its history, it has enjoyed the rule of fifteen Presidents.
+Don Rufiano Grechyto, its present able administrator, a half-blood
+Indian by birth, has sat upon the chair of state for nearly a year and
+a half, and approaches the period of two years, beyond which no
+previous President has reigned. He is accordingly ill at ease. Those
+who survive of his fourteen predecessors await his deposition, and
+expect him shortly in their own happy circle, where they sit like
+Richard II., and talk of royal misfortunes. Eldorado is a
+richly-endowed country to look at. It has mountains where a few inches
+of soil separate the feet of the rare wayfarer from rich lodes of
+silver; forests of mahogany cover its plains; indigo and tobacco
+flourish in its valleys; everywhere roam cattle waiting to be caught
+and sent to the London market. Palms and giant tree-ferns rise in its
+woods; creepers of surpassing beauty hang from tree to tree; in its
+silent recesses stand, covered with inscriptions which no man can
+read, the ruins of a perished civilization. Among these ruins roam the
+half-savage Indians who form nine-tenths of the population. And in the
+hot seaboard towns loll and lie the languid whites and half-castes who
+form the governing class. They never do govern at all; they never
+improve; they never work; they are a worthless hopeless race; they
+hoard their energies for the excitement of a pronunciamiento; their
+favourite occupation is a game of monte; they consider thought a
+wicked waste of energy, save for purposes of cheating. They ought all,
+and without exception, to be rubbed out. And it is most unfortunate,
+in the interests of humanity, that their only strong feeling is an
+objection to be rubbed out. Otherwise we could plant in Eldorado a
+colony of Germans; kill the pythons, alligators, jaguars, and other
+impediments to free civilisation; open up the mines, and make it a
+country green with sugar-canes and as sweet as Rimmel's shop by reason
+of its spicy breezes. There are about five thousand of the dominant
+class; they possess altogether a revenue of about £60,000 a year, a
+good deal less than a first-class fortune in England. As every man of
+the five thousand likes to have his share of the £60,000 there is not
+much saved in the year. Consequently, when one reads that the Republic
+of Eldorado owes the people of Great Britain and France, the only two
+European States which have money to lend, the sum of six millions, one
+feels sorry for the people of Eldorado. It must be a dreadful thing
+for a high-minded republican to have so little and to owe so much.
+Fancy a man with £600 a year in debt to the tune of £60,000.
+
+It all grew by degrees. Formerly the Eldoradians owed nothing. In
+those days champagne was unknown, claret never seen, and the native
+drink was rum. Nothing can be better for the natives than their rum,
+because it kills them quickly, and so rids the earth of a pestilent
+race. In an evil moment it came into the head of an enterprising
+Eldoradian President to get up a loan. He asked for a million, which
+is, of course, a trifle to a nation which has nothing, does nothing,
+and saves nothing. They got so much of their million as enabled them
+to raise everybody's salary and the pay of the standing army, also to
+make the dividend certain for a few years. After this satisfactory
+transaction, somebody boldly ordered the importation of a few cases of
+brandy. The descent of Avernus is easy and pleasant. Next year they
+asked for two millions and a half. They got this small trifle conceded
+to them on advantageous terms--10 per cent., which is nothing to a
+Republic with £60,000 a year, and the stock at 60. The pay of every
+official was doubled, the army had new shirts issued, and there were
+fireworks at San Mercurio, the principal town. They promised to build
+railways leading from nowhere into continental space, to carry
+passengers who did not exist, and goods not yet invented. The same
+innovator who had introduced the brandy now went farther, and sent for
+claret and champagne. Then they asked for more loans, and went ahead
+quite like a First-class Power.
+
+When there was no more money to pay the dividends with, and no more
+loans to be raised, Eldorado busted up.
+
+The gallant officers who commanded the standing army are now shirtless
+and bootless; the men of the standing army have disappeared; grass
+grows around the house of the importer of European luxuries; but
+content has not returned to San Mercurio. The empty bottles remain to
+remind the populace of lost luxuries; the national taste in drink is
+hopelessly perverted; San Mercurio is ill at ease; and Don Rufiano
+trembles in his marble palace.
+
+But a year ago the country was not quite played out. There seemed a
+chance yet to those who had not the materials at hand for a simple sum
+in Arithmetic.
+
+The next morning saw the appearance of the pamphlet--a short but
+telling pamphlet of thirty-two pages--called "Eldorado and her
+Resources. Addressed to the Holders of Eldorado Stock, by Oliver St.
+George Wylie."
+
+The author took a gloomy but not a despairing view. He mentioned that
+where there was no revenue there could be no dividends. Therefore, he
+said, it behooved Eldorado stock-holders to be sure that something was
+being done with their money. Then he gave pages of facts and figures
+which proved the utter insolvency of the State unless something could
+be done. And he then proceeded to point out the amazing resources of
+the country, could only a little energy be introduced into the
+Council. He drew a lively picture of millions of acres, the finest
+ground in the world, planted with sugar-cane; forests of mahogany;
+silver mines worked by contented and laborious Indians; ports crowded
+with merchant fleets, each returning home with rich argosies; and a
+luxurious capital of marble made beautiful by countless palaces.
+
+At eleven Mr. Wylie called on Gabriel Cassilis again. He brought with
+him his pamphlet.
+
+"I have read it already," said Mr. Cassilis. "It is on the whole well
+done, and expresses my own view, in part. But I think you have piled
+it up too much towards the end."
+
+"Why did you not give me clearer instructions, then?"
+
+"I dare say it will have a success. Meantime," said the financier,
+pushing over a little bag, "you can count that. There ought to be
+fifty sovereigns. Good-morning, Mr. Wylie."
+
+"Good-morning, Mr. Cassilis. I don't know"--he turned the bag of gold
+over in his hands--"I don't know; thirty years ago I should have
+looked with suspicion on such a job as this; thirty years ago----"
+
+"Good-morning, Mr. Wylie."
+
+"Thirty years ago I should have thought that a man who could afford
+fifty pounds for a pamphlet----"
+
+"Well?"
+
+"Well--that he had his little game. And I should have left that man to
+play it by himself. Good-morning again, Mr. Cassilis. You know my
+address, I believe, in case of any other little job turning up."
+
+That afternoon Eldorado stock went down. It was lucky for Mr. Gabriel
+Cassilis, because he wished to buy--and did--largely.
+
+
+
+
+CHAPTER XXIX.
+
+ "It is my lady! Oh, it is my love--
+ Would that she knew she were!"
+
+
+"Jack is late," said Phillis.
+
+She was making the prettiest picture that painter ever drew, standing
+in the sunlight, with the laburnums and lilacs behind her in their
+fresh spring glory. Her slender and shapely figure, clad in its black
+riding habit, stood out in relief against the light and shade of the
+newly-born foliage; she wore one of the pretty hats of last year's
+fashion, and in her hand she carried the flowers she had just been
+gathering. Her face was in repose, and in its clear straight lines
+might have served for a model Diana, chaste and fair. It was
+habitually rather a grave face; that came of much solitude and long
+companionship with an old man. And the contrast was all the greater
+when she lit up with a smile that was like a touch of tender sunshine
+upon her face and gave the statue a soul. But now she stood waiting,
+and her eyes were grave.
+
+Agatha L'Estrange watched her from her shady garden seat. The girl's
+mind was full of the hidden possibilities of things--for herself; the
+elder lady--to whom life had given, as she thought, all it had to
+give--was thinking of these possibilities too--for her charge. Only
+they approached the subject from different points of view. To the
+girl, an eager looking forward to new joys which were yet not the
+ordinary joys of London maidenhood. Each successive day was to reveal
+to her more secrets of life; she was born for happiness and sunshine;
+the future was brighter in some dim and misty fashion, far brighter
+than the present; it was like a picture by Claude, where the untrained
+eye sees nothing but mist and vapour, rich with gorgeous colour,
+blurring the outlines which lie behind. But the elder lady saw the
+present and feared the future. Every man thinks he will succeed till
+he finds out his own weakness; every woman thinks she is born for the
+best of this world's gifts--to happiness, to be lapped in warmth and
+comfort, to be clothed with the love of husband and children as with a
+garment. Some women get it. Agatha had not received this great
+happiness. A short two years of colourless wedded life with a man old
+enough to be her father, and twenty years of widowhood. It was not the
+lot she might have chosen; not the lot she wished for Phillis. And
+then she thought of Jack Dunquerque. Oddly enough, the future, in
+whatever shape it was present to the brain of Phillis, was never
+without the figure of Jack Dunquerque.
+
+"Jack is late," said Phillis.
+
+"Come here, dear, out of the sun; we must take a little care of our
+complexion. Sit down and let us talk."
+
+Agatha took Phillis's hand in hers, as the girl sat upon the grass at
+her feet.
+
+"Let us talk. Tell me, dear Phillis, don't you think a little too much
+about Mr. Dunquerque?"
+
+"About Jack? How can I, Agatha? Is he not my first friend?"
+
+She did not blush; she did not hesitate; she looked frankly in
+Agatha's face. The light of love which the elder lady expected was not
+there yet.
+
+"Changed as you are, my dear, in some things, you are only a child
+still," said Agatha.
+
+"Am I only a child?" asked Phillis. "Tell me why you say so now, dear
+Agatha. Is it because I am fond of Jack?"
+
+"No, dear," Mrs. L'Estrange laughed. What was to be said to this
+_jeune ingénue_? "Not quite that."
+
+"I have learned a great deal--oh, a great deal--since I came here. How
+ignorant I was! How foolish!"
+
+"What have you learned, Phillis?"
+
+"Well, about people. They are not all so interesting as they seemed at
+first. Agatha, it seems like a loss not to think so much of people as
+I did. Some are foolish, like the poor curate--are all curates
+foolish, I wonder?--some seem to say one thing and mean another, like
+Mr. Cassilis; some do not seem to care for anything in the world
+except dancing; some talk as if china was the only thing worth living
+for; but some are altogether lovely and charming, like yourself, my
+dear."
+
+"Go on, Phillis, and tell me more."
+
+"Shall I? I am foolish, perhaps, but most of our visitors have
+disappointed me. How _can_ people talk about china as if the thing
+could be _felt_, like a picture? What is it they like so much in
+dancing and skating-rinks, and they prefer them to music and painting,
+and--and--the beautiful river?"
+
+"Wait till you come out, dear Phillis," said Agatha.
+
+For all the things in which young ladies do most delight were to her a
+vanity and foolishness. She heard them talk and she could not
+understand. She was to wait till she came out. And was her coming out
+to be the putting on of the Coping-stone?
+
+"Jack is late," said Phillis.
+
+It was a little expedition. Mrs. L'Estrange and Gilead Beck were to
+drive to Hampton Court, while Jack and Phillis rode. It was the first
+of such expeditions. In late May and early June the Greater London, as
+the Registrar calls it, is a marvel and a miracle of loveliness; in
+all the world there are no such meadows of buttercups, with fragrant
+hedges of thorn; there are no such generous and luxuriant growths
+of wisteria, with purple clusters; there are no such woods of
+horse-chestnuts, with massive pyramids of white blossom; there are no
+such apple-orchards and snow-clad forests of white blossomed
+plum-trees as are to be seen around this great city of ours. Colonials
+returned from exile shed tears when they see them, and think of arid
+Aden and thirsty Indian plains; the American owns that though Lake
+George with its hundred islets is lovely, and the Hudson River a thing
+to dream of, there is nothing in the States to place beside the
+incomparable result of wealth and loving care which the outlying
+suburbs of south and western London show.
+
+If it was new to Phillis--if every new journey made her pulses bound,
+and every new place seen was another revelation--it was also new to
+the American, who looked so grave and smiled so kindly, and sometimes
+made such funny observations.
+
+Gilead Beck was more silent with the ladies than with Jack, which was
+natural, because his only experience of the sex was that uncomfortable
+episode in his life when he taught school and fought poor Pete
+Conkling. And to this adventurer, this man who had been at all
+trades--who had roamed about the world for thirty years; who had
+habitually consorted with miners and adventurers, whom the comic
+American books have taught us to regard as a compound of drunkard,
+gambler, buccaneer, blasphemer, and weeping sentimentalist--his manner
+of life had not been able to destroy the chivalrous respect for women
+with which an American begins life. Only he had never known a lady at
+all until now; never any lady in America.
+
+In spite of his life, this man was neither coarse nor vulgar. He was
+modest, knowing his defects, and he was humble. Nevertheless, he had
+the self-respect which none of his countrymen are without. He was an
+undeniable "ranker," a fact of which he was proud, because, if he had
+a weakness, it was to regard himself as another Cromwell, singled out
+and chosen. He had two languages, of one of which he made sparing use,
+save when he narrated his American experiences. This, as we have seen,
+was a highly ornamental tongue, a gallery of imagery, a painted
+chamber of decorated metaphor--the language of wild California, an
+_argot_ which, on occasions, he handled with astounding vigour. The
+other was the tongue of the cultivated American. In England we bark;
+in the States they speak. We fling out our conversation in jerks; the
+man of the States shapes his carefully in his brain before he speaks.
+Gilead Beck spoke like a gentleman of Boston, save that his defective
+education did not allow him to speak so well.
+
+His great terror was the word Shoddy. He looked at Shoddy full in the
+face; he made up his mind what Shoddy was--the thing which pretends to
+be what it is not, a branch of the great family which has the Prig at
+one end and the Snob at the other--and he was resolute in avoiding the
+slightest suspicion of Shoddy.
+
+If he was of obscure birth, with antecedents which left him nothing to
+boast of but honesty, he was also soft-hearted as a girl, quick in
+sympathy, which Adam Smith teaches us is the groundwork of all morals,
+and refined in thought. After many years, a man's habitual thoughts
+are stamped upon his face. The face of Gilead Beck was a record of
+purity and integrity. Such a man in England would, by the power of
+circumstances, have been forced into taprooms, and slowly dragged
+downwards into that beery morass in which, as in another Malebolge,
+the British workman lies stupefied and helpless. Some wicked
+cynic--was it Thackeray?--said that below a certain class no English
+woman knows the meaning of virtue. He might have said, with greater
+truth, that below a certain class no Englishman knows the meaning of
+self-respect.
+
+To go into that orderly house at Twickenham, where the higher uses of
+wealth were practically illustrated by a refinement new to the good
+ex-miner, was to this American in itself an education, and none the
+less useful because it came late in life. To be with the ladies, to
+see the tender graces of the elder and the sweetness of the younger,
+filled his heart with emotion.
+
+"The Luck of the Golden Butterfly, Mrs. L'Estrange," he said, "is more
+than what the old squaw thought. It began in dollars, but it has
+brought me--this."
+
+They were sitting in the garden, Agatha and Gilead Beck, while Jack
+Dunquerque and Phillis were watering flowers, or gathering them, or
+always doing something which would keep Jack close to the girl.
+
+"If by 'this' you mean friendship, Mr. Beck," said Agatha, "I am very
+glad of it. Dollars, as you call money, may take to themselves wings
+and fly away, but friends do not."
+
+It will be observed that Agatha L'Estrange had never seen reason to
+abandon the old-fashioned rules invented by those philosophers who
+lived before Rochefoucauld.
+
+"I sometimes think I should like to try," said Gilead Beck. "Poor men
+have no friends; they have mates on our side of the water, and pals on
+yours."
+
+"Mates and pals?" cried Phillis, laughing. "Jack, do you know mates
+and pals?"
+
+"I ought to," said Jack, "because I'm poor enough."
+
+"Friends come to rich folk naturally, like the fruit to the tree,
+or--or--the flower to the rose," Gilead added poetically.
+
+"Or the mud to the wheel," said Jack.
+
+"Suppose all my dollars were suddenly to vamose--I mean, to vanish
+away," Gilead Beck went on solemnly; "would the friends vanish away
+too?"
+
+"Jack would not," said Phillis promptly, "and Agatha would not. Nor
+should I."
+
+She held out her hand in the free frank manner which was her greatest
+charm. Gilead Beck took the little fingers in his big rough hand the
+bones of which seemed to stick out all over it, so rugged and hard it
+was, and looked in her face with the solemn smile which made Phillis
+trust in him, and raised her fingers to his lips.
+
+Then she blushed with a pretty confusion which drove poor Jack to the
+verge of madness. Indeed, the ardour of his passion and the necessity
+for keeping silence were together making the young man thin and pale.
+
+They were gradually exploring, this party of four, the outside
+gardens, parks, castles, and views of London. Of course, they were as
+new to Jack and Mrs. L'Estrange as they were to Phillis and the
+American. Jack knew Greenwich, where he had dined; and Richmond, where
+he had dined; and the Crystal Palace, where he had also dined,
+revealed to him one summer evening an unknown stretch of fair country;
+more than that he knew not.
+
+Perhaps more exciting pleasures might have been found, but this simple
+party found their own unsophisticated delight in driving and riding
+through green lanes.
+
+"Phillis will have to come out next year," said Agatha, half
+apologising to herself for enjoying such things. "We must amuse her
+while we can."
+
+They went to Virginia Water, where Mr. Beck made some excellent
+observations on the ruins and on the flight of time, insomuch that it
+was really sad to discover that they were only, so to speak, new
+ruins.
+
+They went to Hampton Court, where they strolled through the picture
+galleries and looked at the Lely beauties; walked up the long avenues,
+and saw that quaint old mediæval garden which lies hidden away at the
+side of the Palace, marked by few. Gilead Beck said that if he was the
+Queen and had such a place he should sometimes live in it, if only for
+the sake of giving a dinner in the great Hall. But Phillis liked best
+the gardens, with their old-fashioned flowers, and the peace which
+reigns perpetually in the quaint old courts. And Gilead Beck asked
+Jack privately if he thought the Palace might be bought, and if so,
+for how much.
+
+They visited Windsor. Mr. Beck said that if he had such a location he
+should always live there; he speculated on the probable cost of
+erecting such a fortress on the banks of the Hudson River; and then he
+cast his imagination backwards up the stream of time and plunged into
+history.
+
+Phillis allowed him to go on, while he jumbled kings, mixed up
+cardinals, and tried, by the recovery of old associations, to connect
+the venerable pile with the past.
+
+"From one of those windows, I guess," he said, pointing his long arm
+vaguely round the narrow lattices, "Charles came out to be beheaded,
+while Oliver Cromwell spurted ink in his face. It was rough on the
+poor king. Seems to me, kings very often do have a rough time. And
+perhaps, too, that Cardinal Thomas à Beckett, when he told Henry IV.
+that he wished he'd served his country as well as he'd loved his God,
+it was on this very terrace. Perhaps----"
+
+"O Mr. Beck! when _did_ you learn English history," cried Phillis.
+
+Then, like a little pedant as she was, she began to unfold all that
+she knew about the old fortress and its history. Its history is not so
+grim as that of the Tower of London, which she had once narrated to
+Jack Dunquerque; but it has a picturesque story of its own, which the
+girl somehow made out from the bare facts of English history--all she
+knew. But these her imagination converted into living and indisputable
+truths, pictures whose only fault was that the lights were too bright
+and the shadows too intense.
+
+Alas, this is the way with posterity! The dead are to be judged as
+they seem from such acts as have remained on record. The force of
+circumstances, the mixture of motives, the general muddle of good and
+bad together, are lost in the summing-up; and history, which after all
+only does what Phillis did, but takes longer to do it, paints Nero
+black and Titus white, with the clear and hard outline of an etching.
+
+Gilead Beck, after the lecture, looked round the place with renewed
+interest.
+
+"I am more ignorant than I thought," he said humbly. "But I am trying
+to read, Miss Fleming."
+
+"Are you!" she cried, with a real delight in finding, as she thought,
+one other person in the world as ignorant of that art as herself. "And
+how far have you got?"
+
+"I've got so far," he said, "that I've lost my way, and shall have to
+go back again. It was all through Robert Browning. My dear young
+lady,--" he said this in his most impressive tones,--"if you should
+chance upon one of his books with a pretty title, such as _Red
+Cotton Nightcap Country_, or _Fifine at the Fair_, don't read it,
+don't try it. It isn't a fairy story, nor a love story. It's a story
+without an end, it's a story told upsy-down; it's like wandering in a
+forest without a path. It gets into your brain and makes it go round;
+it gets into your eyes and makes you see ghosts. Don't you look at
+that book.
+
+"Reading in a general way, and if you don't take too much of it, is a
+fine thing," he continued. "The difficulty is to keep the volumes
+separate in your head. Anybody can write a book. I've written columns
+enough in the _Clearville Roarer_ for a dozen books; but it takes
+a man to read one."
+
+"Ah, but it is different with you," said Phillis. "I am only in words
+of two syllables. I've just got through the first reading-book. 'The
+cat has drunk up all the milk.' I suppose I must go on with it, but I
+think it is better to have some one to read for you. I am sure Jack
+would read for me whenever I asked him."
+
+"I never thought of that," said Gilead Beck. "Why not keep a clerk to
+read for you, and pay out the information in small chunks? I should
+like to tackle Mr. Carlyle that way."
+
+"Agatha is reading a novel to me now," Phillis went on. "There is a
+girl in it; but somehow I think my own life is more interesting than
+hers. She belongs to a part of the country where the common people say
+clever things!--Oh, very clever things!--and she herself says all
+sorts of clever things."
+
+"Mr. Dunquerque," interrupted Gilead Beck, who was not listening,
+"would read to you all the days of his life, I think, if you would let
+him."
+
+Phillis made no reply. As she neither blushed, nor smiled, nor gave
+any of the ordinary signs of apprehension with which most young ladies
+would have received this speech, it is to be presumed that she did not
+take in the full meaning of it.
+
+"There is one thing about Mr. Dunquerque," Gilead Beck went on, "that
+belongs, I reckon, to you English people only. He is not a young
+man----"
+
+"Jack not a young man? Why, Mr. Beck----"
+
+"Not what we call a young man. Our young men are sixteen and
+seventeen. Mr. Dunquerque is five-and-twenty. Our men of
+five-and-twenty are grave and full of care. Mr. Dunquerque is
+light-hearted and laughs. That is what I like him for."
+
+"Yes; Jack laughs. I should not like to see Jack grave."
+
+She spoke of him as if he were her own property. To be sure, he was
+her first and principal friend. She could talk to him as she could
+talk to no one else. And she loved him with the deep and passionless
+love, as yet, of a sister.
+
+"Yes," said Gilead Beck, looking round him, "England is a great
+country. Its young men are not all mad for dollars; they can laugh and
+be happy; and the land is one great garden. Miss Fleming, that is the
+happiest country, I guess, whose people the longest keep their youth."
+
+She only half understood him, but she looked in his face with her
+sweet smile.
+
+"It is like a dream. That I should be walking here with you, such as
+you, in this grand place--I, Gilead P. Beck. To be with you and Mr.
+Dunquerque is like getting back the youth I never had: youth that
+isn't always thinkin' about the next day; youth that isn't always
+plannin' for the future; youth that has time to enjoy the sunshine, to
+look into a sweet gell's eyes and fall in love--like you, my pretty,
+and Mr. Dunquerque--who saved my life."
+
+He added these last words as an after-thought, and as if he was
+reminded of some duty forgotten.
+
+Phillis was silent, because his words fell upon her heart and made her
+think. It was not her youth that was prolonged; it was her childhood.
+And that was dropping from her now like the shell of the chrysalis.
+She thought how, somewhere in the world, there were people born to be
+unhappy, and she felt humiliated when she was selfishly enjoying what
+they could not. Somewhere in the world--and where? Close to her, in
+the cottages where Mrs. L'Estrange had taken her.
+
+For until then the poor, who are always with us, were not unhappy, to
+Phillis, nor hungry, nor deserving of pity and sympathy; they were
+only picturesque.
+
+They went to St. George's Chapel, after over-ruling Gilead Beck's
+objections to attending divine service--for he said he hadn't been to
+meetin' for more than thirty years; also, that he had not yet "got
+religion"--and when he stood in the stall under the banner of its
+rightful owner he looked on from an outsider's point of view.
+
+The ceremonial of the ancient Church of England was to him a pageant
+and a scenic display. The picture, however, was very fine; the grand
+chapel with its splendor of ornamentation; the banners and heraldry;
+the surpliced sweet-voiced boys; the dignified white-robed clergy-men;
+the roll of the organ; the sunlight through the painted glass; even
+the young subaltern who came clanking into the chapel as the service
+began,--there was nothing, he said, in America which could be reckoned
+a patch upon it. Church in avenue 39, New York, was painted and gilded
+in imitation of the Alhambra; that was considered fine, but could not
+be compared with St. George's, Windsor. And the performance of the
+service, he said, was so good as to have merited a larger audience.
+
+Jack Dunquerque, I grieve to say, did not attend to the service. He
+was standing beside Phillis, and he watched her with hungry eyes. For
+she was looking before her in a sort of trance. The beauty of the
+place intoxicated her. She listened with soft eyes and parted lips.
+All was artistic and beautiful. The chapel was peopled again with
+mailed knights; the voices of the anthem sang the greatness and the
+glory of England; the sunshine through the painted glass gave colour
+to the picture in her brain; and when the service was over she came
+out with dazed look, as one who is snatched too suddenly from a dream
+of heaven.
+
+This too, like everything else, was part of her education. She had
+learned the beauty of the world and its splendours. She was to see the
+things she had only dreamed of, but by dreaming had wrapped in a cloud
+of coloured mist.
+
+When was it to be completed, her education? Phillis waited for that
+Coping-stone for which Joseph Jagenal was vainly searching. She
+laughed when she thought of it, the mysterious completion of Abraham
+Dyson's great fabric. What was it?
+
+She had not long to wait.
+
+"I love her, Mrs. L'Estrange," said Jack Dunquerque passionately, on
+the evening of the last of their expeditions: "I love her!"
+
+"I have seen it for some time," Agatha replied. "And I wanted to speak
+to you before, but I did not like to. I am afraid I have been very
+wrong in encouraging you to come here so often."
+
+"Who could help loving her?" he cried "Tell me, Mrs. L'Estrange, you
+who have known so many, was there ever a girl like Phillis--so sweet,
+so fresh, so pretty, and so good?"
+
+"Indeed, she is all that you say," Agatha acknowledged.
+
+"And will you be my friend with Colquhoun? I am going to see him
+to-morrow about it, because I cannot stand it any longer."
+
+"He knows that you visit me; he will be prepared in a way. And--Oh,
+Mr. Dunquerque, why are you in such a hurry? Phillis is so nice and
+you are so young."
+
+"I am five-and-twenty, and Phillis is nineteen."
+
+"Then Phillis is so inexperienced."
+
+"Yes; she is inexperienced," Jack repeated. "And if experience comes,
+she may learn to love another man."
+
+"That is what all the men say. Why, you silly boy, if Phillis were to
+love you first, do you think a thousand men could make her give you
+up?"
+
+"You are right: but she does not love me; she only likes me; she does
+not know what love means. That is bad enough to think of. But even
+that isn't the worst."
+
+"What more is there?"
+
+"I am so horribly, so abominably poor. My brother Isleworth is the
+poorest peer in the kingdom, and I am about the poorest younger son.
+And Colquhoun will think I am coming after Phillis's money."
+
+"As you are poor, it will be a great comfort for everybody concerned,"
+said Agatha, with good sense, "to think that, should you marry
+Phillis, she has some money to help you with. Go and see Lawrence
+Colquhoun, Mr. Dunquerque, and--and if I can help your cause, I will.
+There! Now let us have no more."
+
+"They will make a pretty pair," said Mr. Gilead Beck presently to Mrs.
+L'Estrange.
+
+"O Mr. Beck, you are all in a plot! And perhaps after all--and Mr.
+Dunquerque is so poor."
+
+"Is that so?" Mr. Beck asked eagerly. "Will the young lady's guardian
+refuse the best man in the world because he is poor? No, Mrs.
+L'Estrange, there's only one way out of this muss, and perhaps you
+will take that way for me."
+
+"What is it, Mr. Beck?"
+
+"I can't say myself to Mr. Dunquerque, 'What is mine is yours.' And I
+can't say to Mr. Colquhoun--not with the delicacy that you would put
+into it--that Mr. Dunquerque shall have all I've got to make him
+happy. I want you to say that for me. Tell him there is no two ways
+about it--that Jack Dunquerque _must_ marry Miss Fleming. Lord, Lord!
+why, they are made for each other! Look at him now, Mrs. L'Estrange,
+leanin' towards her, with a look half respectful and half hungry. And
+look at her, with her sweet innocent eyes; she doesn't understand it,
+she doesn't know what he's beatin' down with all his might: the strong
+honest love of a man--the best thing he's got to give. Wait till you
+give the word, and she feels his arms about her waist, and his lips
+close to hers. It's a beautiful thing, love. I've never been in love
+myself, but I've watched those that were; and I venture to tell you,
+Mrs. L'Estrange, that from the Queen down to the kitchen-maid, there
+isn't a woman among them all that isn't the better for being loved.
+And they know it, too, all of them, except that pretty creature."
+
+
+
+
+CHAPTER XXX.
+
+ "Pictoribus atque Poetis
+ Quidlibet audendi semper fuit æqua potestas."
+
+
+"With commissions"--Cornelius Jagenal spoke as if Gilead Beck was a
+man of multitude, signifying many, and as if one commission was a
+thousand--"with commissions pouring in as they should, Brother
+Humphrey----"
+
+"And the great Epic, the masterpiece of the century about to be
+published in the Grand Style, brother Cornelius, the only style which
+is worthy of its merits----"
+
+"Something definite should be attempted, Humphrey----"
+
+"You mean, brother----"
+
+"With regard to----"
+
+"With regard to Phillis Fleming."
+
+They looked at each other meaningly and firmly. The little table was
+between them; it was past twelve o'clock; already two or three
+soda-water bottles were lying on it empty; and the world looked rosy
+to the poetic pair.
+
+Humphrey was the first to speak after the young lady's name was
+mentioned. He removed the pipe from his mouth, threw back his head,
+stroked his long brown beard, and addressed the ceiling.
+
+"She is," he said, "she is indeed a charming girl. Her outlines finely
+but firmly drawn; her colouring delicate, but strongly accentuated;
+the grouping to which she lends herself always differentiated
+artistically; her single attitudes designed naturally and with
+freedom; her flesh-tints remarkably pure and sweet; her draperies
+falling in artistic folds; her atmosphere softened as by the perfumed
+mists of morning; her hair tied in the simple knot which is the
+admiration and despair of many painters;--you agree with my rendering,
+brother Cornelius"--he turned his reflective gaze from the ceiling,
+and fixed his lustrous eyes, perhaps with the least little look of
+triumph, upon his brother--"my rendering of this incomparable Work?"
+
+He spoke of the young lady as if she were a picture. This was because,
+immediately after receiving his commission, he bethought him of
+reading a little modern criticism, and so bought the _Academy_ for a
+few weeks. In that clear bubbling fount of modern English undefiled,
+the Art criticisms are done with such entire freedom from cant and
+affectation that they are a pleasure to read; and from its pages every
+Prig is so jealously kept out, that the paper is as widely circulated
+and as popular as _Punch_; thus Humphrey Jagenal acquired a new
+jargon of Art criticism, which he developed and made his own.
+
+Cornelius had been profiting by the same delightful and genial enemy
+to Mutual Admiration Societies. He was a little taken aback for a
+moment by the eloquence and fidelity of his brother's word-picture,
+but stimulated to rivalry. He made answer, gazing into the black and
+hollow depths of the empty fireplace, and speaking slowly as if he
+enjoyed his words too much to let them slip out too fast--
+
+"She is all that you say, Humphrey. From your standpoint nothing could
+be better. I judge her, however, from my own platform. I look on her
+as one of Nature's sweetest poems; such a poem as defies the highest
+effort of the greatest creative genius; where the cadenced lines are
+sunlit, and as they ripple on make music in your soul. You are rapt
+with their beauty; you are saddened with the unapproachable magic of
+their charm; you feel the deepest emotions of the heart awakened and
+beating in responsive harmony. And when, after long and patient
+watching, the Searcher after the Truth of Beauty feels each verse sink
+deeper and deeper within him, till it becomes a part of his own
+nature, there arises before him, clad in mystic and transparent Coan
+robe, the spirit of subtle wisdom, long lying perdu in those magic
+utterances. She is a lyric; she is a sonnet; she is an epigram----"
+
+"At least," interrupted Humphrey unkindly, cutting short his brother's
+freest flow, "at least she doesn't carry a sting."
+
+"Then let us say an Idyl----"
+
+"Cornelius, make an Idyl yourself for her," Humphrey interrupted
+again, because really his brother was taking an unfair advantage of a
+paltry verbal superiority. "Now that we have both described her--and I
+am sure, brother," he added out of the kindness of his heart, "no
+description could be more poetically true than your own--it would make
+even a stranger see Phillis standing in a vision before his eyes. But
+let us see what had better be done."
+
+"We must act at once, Humphrey. We must call upon her at her
+guardian's, Mrs. L'Estrange, at Twickenham. Perhaps that lady does not
+know so many men of genius as to render the accession of two more to
+her circle anything but a pleasure and an honour. And as for our next
+steps, they must be guided by our finesse, by our knowledge of the
+world, our insight into a woman's heart, our--shall I say our power of
+intrigue, Humphrey?"
+
+Then the Artist positively winked. It is not a gesture to be commended
+from an artistic point of view, but he did it. Then he chuckled and
+wagged his head.
+
+Then the Poet in his turn also winked, chuckled, and wagged his head
+too.
+
+"We understand each other, Humphrey. We always do."
+
+"We must make our own opportunity," said the Artist thoughtfully. "Not
+together, but separately."
+
+"Surely separately. Together would never do."
+
+"We will go to bed early to-night, in order to be fresh to-morrow.
+Have you--did you--can you give me any of your own experiences in this
+way, Cornelius?"
+
+The Poet shook his head.
+
+"I may have been wooed," he said. "Men of genius are always run after.
+But as I am a bachelor, you see it is clear that I never proposed."
+
+Humphrey had much the same idea in his own mind, and felt as if the
+wind was a little taken out of his sails. This often happens when two
+sister craft cruise so very close alongside of each other.
+
+"Do not let us be nervous, Humphrey," the elder brother went on
+kindly. "It is the simplest thing in the world, I dare say, when you
+come to do it. Love finds out a way."
+
+"When I was in Rome----" Humphrey said, casting his thoughts backwards
+thirty years.
+
+"When I was in Heidelberg----" said Cornelius, in the same mood of
+retrospective meditation.
+
+"There was a model--a young artist's model----"
+
+"There was a little country girl----"
+
+"With the darkest eyes, and hair of a deep blue-black, the kind of
+colour one seems only to read of or to see in a picture."
+
+"With blue eyes as limpid as the waters of the Neckar, and light-brown
+hair which caught the sunshine in a way that one seldom seems to see,
+but which we poets sometimes sing of."
+
+Then they both started and looked at each other guiltily.
+
+"Cornelius," said Humphrey, "I think that Phillis would not like these
+reminiscences. We must offer virgin hearts."
+
+"True, brother," said Cornelius with a sigh, "We must. Yet the
+recollection is not unpleasant."
+
+They went to bed early, only concentrating into two hours the
+brandy-and-soda of four. It was a wonderful thing that neither gave
+the other the least hint of a separate and individual preference for
+Phillis. They were running together, as usual, in double harness, and
+so far as might be gathered from their conversation they were
+proposing to themselves that both should marry Phillis.
+
+They dressed with more than usual care in the morning, and, without
+taking their customary walk, sat each in his own room till two
+o'clock, when Humphrey sought Cornelius in the Workshop.
+
+They surveyed each other with admiration. They were certainly a
+remarkable pair, and, save for that little redness of the nose already
+alluded to, they were more youthful than one could conceive possible
+at the age of fifty. Their step was elastic; their eyes were bright;
+Humphrey's beard was as brown and silky, Cornelius's cheek as smooth,
+as twenty years before. This it is to lead a life unclouded and
+devoted to contemplation of Art. This it is to have a younger brother,
+successful, and never tired of working for his seniors.
+
+"We are not nervous, brother?" asked Cornelius with a little
+hesitation.
+
+"Not at all," said Humphrey sturdily, "not at all. Still, to steady
+the system, perhaps----"
+
+"Yes," said Cornelius; "you are quite right, brother. We will."
+
+There was no need of words. The reader knows already what was implied.
+
+Humphrey led the way to the dining-room, where he speedily found a
+pint of champagne. With this modest pick-me-up, which no one surely
+will grudge the brethren, they started on their way.
+
+"What we need, Cornelius," said Humphrey, putting himself outside the
+last drop--"What we need. Not what we wish for."
+
+Then he straightened his back, smote his chest, stamped lustily with
+his right foot, and looked like a war-horse before the battle.
+
+Unconscious of the approaching attack of these two conquering heroes,
+Phillis and Agatha L'Estrange were sitting in the shade and on the
+grass: the elder lady with some work, the younger doing nothing. It
+was a special characteristic with her that she could sit for hours
+doing nothing. So the modern Arabs, the gipsies, niggerdom in general,
+and all that large section of humanity which has never learned to read
+and write, are contented to fold their hands, lie down, and think away
+the golden hours. What they think about, these untutored tribes, the
+Lord only knows. Whether by degrees, and as they grow old, some faint
+intelligence of the divine order sinks into their souls, or whether
+they become slowly enwrapped in the beauty of the world, or whether
+their thoughts, always turned in the bacon-and-cabbage direction, are
+wholly gross and earthly, I cannot tell. Phillis's thoughts were still
+as the thoughts of a child, but as those of a child passing into
+womanhood: partly selfish, inasmuch as she consciously placed her own
+individuality, as every child does, in the centre of the universe, and
+made the sun, the moon, the planets, and all the minor stars revolve
+around her; partly unselfish, because they hovered about the forms of
+two or three people she loved, and took the shape of devising means of
+pleasing these people; partly artistic, because the beauty of the June
+afternoon cried aloud for admiration, while the sunshine lay on the
+lawns and the flower-beds, threw up the light leaves and blossoms of
+the passion-flower on the house-side, and made darker shadows in the
+gables, while the glorious river ran swiftly at her feet. The river of
+which she never tired. Other things lost their novelty, but the river
+never.
+
+"I wish Jack Dunquerque were here," she said at last.
+
+"I wish so, too," said Agatha. "Why did we not invite him, Phillis?"
+
+Then they were silent again.
+
+"I wish Mr. Beck would call," remarked Phillis.
+
+"My dear, we do nothing but wish. But here is somebody--two young
+gentlemen. Who are they, I wonder?"
+
+"O Agatha, they are the Twins!"
+
+Phillis sprang from her seat, and ran to meet them with a most
+unaffected pleasure.
+
+"This is Mr. Cornelius Jagenal," she said, introducing them to Agatha.
+"The Poet, you know." And here she laughed, because Agatha did not
+know, and Cornelius perked up his head and tried to look unconscious
+of his fame. "And this is Mr. Humphrey, the Artist." And then she
+laughed again, because Humphrey did exactly the same as Cornelius,
+only with an air of deprecation, as one who would say, "Never mind my
+fame for the present."
+
+It was embarrassing for Mrs. L'Estrange, because she could not for her
+life recollect any Poet or Artist named Jagenal. The men and their
+work were alike unknown to her. And why did Phillis laugh? And what
+did the pair before her look so solemn about?
+
+They were solemn partly from vanity, which is the cause of most of the
+grave solemnity we so much admire in the world, and partly because,
+finding themselves face to face with Phillis, they became suddenly and
+painfully aware that they had come on a delicate errand. Cornelius
+looked furtively at Humphrey, and the Artist glanced at the Poet, but
+neither found any help from his brother. Their courage, as evanescent
+as that of Mr. Robert Acres, was rapidly oozing out at their boots.
+
+Phillis noted their embarrassment, and tried to put them at their
+ease. This was difficult; they were so inordinately vain, so
+self-conscious, so unused to anything beyond their daily experience,
+that they were as awkward as a pair of fantoccini. People who live
+alone get into the habit of thinking and talking about themselves; the
+Twins were literally unable to think or speak on any other subject.
+
+Phillis, they saw, to begin with, was altered. Somehow she looked
+older. Certainly more formidable. And it was awkward to feel that she
+was taking them in a manner under her own protection before a
+stranger. And why did she laugh? The task which they discussed with
+such an airy confidence over the brandy-and-soda assumed, in the
+presence of the young lady herself, dimensions quite out of proportion
+to their midnight estimate. All these considerations made them feel
+and look ill at ease.
+
+Also it was vexatious that neither of the ladies turned the
+conversation upon the subject nearest to each man's heart--his own
+Work. On the contrary, Phillis asked after Joseph, and sent him an
+invitation to come and see her; Mrs. L'Estrange talked timidly about
+the weather, and tried them on the Opera, on the Academy, and on the
+last volume of Browning. It was odd in so great an Artist as Humphrey
+that he had not yet seen the Academy, and in so great a Poet as
+Cornelius that he had not read any recent poetry. Then they tried to
+talk about flowers. The two city-bred artists knew a wall-flower from
+a cabbage and a rose from a sprig of asparagus, and that was all.
+
+Phillis would not help either the Twins or Agatha, so that the former
+grew more helpless every moment. In fact, the girl was staring at
+them, and wondering to feel how differently she regarded men and
+manners since that first evening in Carnarvon Square, when they
+produced champagne in her honour, and drank it all up themselves.
+
+She remembered how she had looked at them with awe; how, after a day
+or two, this reverence vanished; how she found them to be mere shallow
+wind-bags and humbugs, and regarded them with contempt; how she made
+fun of them with Jack Dunquerque; and how she drew their portraits.
+
+And now--it was a mark of her advanced education--she looked at them
+with pity. They were so dependent on each other for admiration; they
+were so childishly vain; they were so full of themselves; and their
+daily life of sleep, drink, and boastful pretension showed itself to
+her experienced head as so mean and sordid a thing.
+
+She came to the help of the whole party, and took the Twins for a walk
+among the flowers, flattering them, asking how Work got on,
+congratulating them on their good looks, and generally making things
+comfortable for them.
+
+Presently she found herself on the sloping bank of the river, where
+she was wont to sit with Jack. Cornelius Jagenal alone was by her
+side. She looked round, and saw Humphrey standing before Mrs.
+L'Estrange, and occasionally glancing over his shoulder. And she
+noticed, then, a curiously nervous motion of her companion's hand;
+also that his cheek was twitching with some secret emotion. He looked
+older, too, she thought; perhaps that was the bright sunlight, which
+brought out the dells and valleys and the crow's-feet round his eyes.
+
+He cleared his voice with an effort, and opened his mouth to speak,
+but shut it again, silent.
+
+"You were going to say, Mr. Cornelius?"
+
+"Yes. Will you sit down, Miss Fleming?"
+
+"He is going to tell me about the _Upheaving of Ælfred_" thought
+Phillis. "And how does the Workshop get on?" she asked.
+
+"Fairly well," he replied modestly. "We publish in the autumn. The
+work is to be brought out, you will be glad to learn, with all the
+luxury of the best illustrations, paper, print, and binding that money
+can procure."
+
+"So that all you want is the poem itself," said Phillis, with a
+mischievous light in her eyes.
+
+"Ye-es----" he winced a little. "As you say, the Epic itself alone is
+wanting, and that advances with mighty strides. My brother Humphrey--a
+noble creature is Humphrey, Miss Fleming----"
+
+She bowed and smiled.
+
+"Is he still hard at work? Always hard at work?" She laughed as she
+asked the question.
+
+"His work is crushing him, Miss Fleming--may I call you Phillis?" He
+spoke very solemnly--"His work is crushing him."
+
+"Of course you may, Mr. Cornelius. We are quite old friends. But I am
+sorry to hear that your brother is being crushed."
+
+"Yesterday, Phillis--I feel to you already like a brother," pursued
+the Poet--"yesterday I discovered the secret of Humphrey's life. May I
+tell it to you?"
+
+"If you please." She began to be a little bored. Also she noticed that
+Agatha wore a look of mute suffering, as if the Artist was getting
+altogether too much for her. "If you please; but be quick, because I
+think Mrs. L'Estrange wants me."
+
+"I will tell you the secret in a few words. My brother Humphrey adores
+you with all the simplicity and strength of a noble artistic nature."
+
+"Does he? You mean he likes me very much. How good he his! I am glad
+to hear it, Mr. Cornelius, though why it need be a secret I do not
+know."
+
+"Then my poor brother--he is all loyalty, and brings you a virgin
+heart," (O Cornelius! and the model with the blue black hair!) "an
+unsullied name, and the bright prospects of requited genius--my
+brother may hope?"
+
+Phillis did not understand one word.
+
+"Certainly," she said; "I am sure I would like to see him hoping."
+
+"I will tell him, sister Phillis," said Cornelius, nodding with a
+sunny smile. "You have made two men happy, and one at least grateful."
+
+His mission was accomplished, his task done. It will hardly be
+believed that this treacherous bard, growing more and more nervous as
+he reflected on the uncertainty of the wedded life, actually came to a
+sudden resolution to plead his brother's cause. Humphrey was the
+younger. Let him bear off the winsome bride.
+
+"It will be a change in our lives," he said. "You will allow me to
+have my share in his happiness?"
+
+Phillis made no reply. Decidedly the Poet was gone distraught with
+overmuch reading and thought.
+
+Cornelius, smiling, crowing, and laughing almost like a child, pressed
+her hand and left her, stepping with a youthful elasticity across the
+lawn. Humphrey, sitting beside Mrs. L'Estrange, was bewildering that
+good lady with a dissertation on colour _à propos_ of a flower which
+he held in his hand. Agatha could not understand this strange pair,
+who looked so youthful until you came to see them closely, and then
+they seemed to be of any age you pleased to name. Nor could she
+understand their talk, which was pedantic, affected, and continually
+involved the theory that the speaker was, next to his brother, the
+greatest of living men.
+
+If it was awkward and stupid sitting with Humphrey on a bench while he
+discoursed on Colour, it was still more awkward when the other one
+appeared with a countenance wreathed with smiles, and sat on the other
+side. Nor did there appear any reason why the one with the beard
+should suddenly break off his oration, turn very red in the face, get
+up, and walk slowly across the lawn to take his brother's place. But
+that is what he did, and Cornelius took up the running.
+
+Humphrey sat down beside Phillis without speaking. She noticed in him
+the same characteristics of nervousness as in his brother. Twice he
+attempted to speak, and twice his tongue clave to the roof of his
+mouth.
+
+"He is going to tell me that Cornelius adores me," she thought.
+
+It was instinct. That was exactly what Humphrey--the treacherous
+Humphrey--had determined on doing. Matrimony, contemplated at close
+quarters and in the presence of the enemy, so to speak, lost all its
+charms. Humphrey thought of the pleasant life in Carnarvon Square, and
+determined, at the very last moment, that if either of them was to
+marry it should not be himself. Cornelius was the elder. Let him be
+married first.
+
+"You are peaceful and happy here, Miss Fleming--may I call you
+Phillis?"
+
+"Certainly, Mr. Humphrey. We are old friends, you know. And I am very
+happy here."
+
+"I am glad"--he sighed heavily--"I am very glad indeed to hear that."
+
+"Are you not happy, Mr. Humphrey? Why do you look so gloomy? And how
+is the Great Picture getting on?"
+
+"The 'Birth of the Renaissance' is advancing rapidly--rapidly," he
+said. "It will occupy a canvas fourteen feet long by six high."
+
+"If you have got the canvas, and the frame, and the purchaser, all you
+want now is the Picture."
+
+"True, as you say, the Picture. It is all that I want. And that is
+striding--literally striding, _I_ am happy, dear Miss Fleming, dear
+Phillis, since I may call you by your pretty Christian name. It is of
+my brother that I think. It is on his account that I feel unhappy."
+
+"What is the matter with him?"
+
+She tried very hard not to laugh, but would not trust herself to look
+in his face. So that he thought she was modestly guessing his secret.
+
+"He is a great, a noble fellow, His life is made up of sacrifices and
+devoted to hard work. No one works so conscientiously as Cornelius.
+Now, at length the prospect opens up, and he will take immediately his
+true position among English poets."
+
+"Indeed, I am glad of it."
+
+"Thank you. Yet he is not happy. There is a secret sorrow in his
+life."
+
+"Oh, dear!" Phillis cried impatiently, "do let me know it, and at
+once. Was there ever such a pair of devoted brothers?"
+
+Humphrey was disconcerted for the moment, but went on again:
+
+"A secret which no one has guessed but myself."
+
+"I know what it is." She laughed and clapped her hands.
+
+"Has he told you, Phillis? The secret of his life is that my brother
+Cornelius is attached to you with all the devotion of his grand poetic
+soul."
+
+"Why, that was what I thought you were going to say!"
+
+"You knew it?" Humphrey was as solemn as an eight-day clock, while
+Phillis's eyes danced with mirth. "And you feel the response of a
+passionate nature? He shall be your Petrarch. You shall read his very
+soul. But Cornelius brings you a virgin heart, a virgin heart,
+Phillis" (O Humphrey! and after what you know about Gretchen!). "May
+he hope that----"
+
+"Certainly he may hope, and so may you. And now we have had quite
+enough of devotion and secrets and great poetic souls. Come, Mr.
+Humphrey."
+
+She rose from the grass and looked him in the face, laughing. For a
+moment the thought crossed the Artist's brain that he had made a mess
+of it somehow.
+
+"Now," she said, joining the other two, "let us have some tea, and be
+real."
+
+Neither of them understood her desire to be real, and the Twins
+declined tea. That beverage they considered worthy only of late
+breakfast, and to be taken as a morning pick-me-up. So they departed,
+taking leave with a multitudinous smile and many tender
+hand-pressures. As they left the garden together arm-in-arm they
+straightened their backs, held up their heads, and stuck out their
+legs like the Knave of Spades. And they looked so exactly like a pair
+of triumphant cocks that Phillis almost expected them to crow.
+
+"_Au revoir_," said Cornelius, taking off his hat, with a whole wreath
+of smiles, for a final parting at the gate.
+
+"_Sans dire adieu_," said Humphrey, doing the same, with a light in
+his eyes which played upon his beard like sunshine.
+
+"Phillis, my dear," said Agatha, "they really are the most wonderful
+pair I ever saw."
+
+"They _are_ so funny," said Phillis, laughing. "They sleep all day,
+and when they wake up they pretend to have been working. And they sit
+up all night. And, O Agatha! each one came to me just now, and told me
+he had a secret to impart to me."
+
+"What was that, my dear?"
+
+"That the other one adored me, and might he hope?"
+
+"But, Phillis, this is beyond a joke. And actually here, before my
+very eyes!"
+
+"I said they might both hope. Though I don't know what they are to
+hope. It seems to me that if those two lazy men, who never do anything
+but pretend to be exhausted with work, were only to hope for anything
+at all it might wake them up a little. And they each said that the
+other would bring me a virgin heart, Agatha. What did they mean?"
+
+Agatha laughed.
+
+"Well, my dear, it is a most uncommon thing to find in a man of fifty,
+and I should say, if it were true, which I don't believe, that it
+argued extreme insensibility. Such an offering is desirable at
+five-and-twenty, but very, very rare, my dear at any age. And at their
+time of life I should think that it was like an apple in May--kept too
+long, Phillis, and tasting of the straw. But then you don't
+understand."
+
+Phillis thought that a virgin heart might be one of the things to be
+understood when the Coping-stone was achieved, and asked no more.
+
+At the Richmond railway-station the brothers, who had not spoken a
+word to each other since leaving the house, turned into the
+refreshment-room by common consent and without consultation. They had,
+as usual, a brandy-and-soda, and on taking the glasses in their hands
+they looked at each other and smiled.
+
+"Cornelius."
+
+"Humphrey."
+
+"Shall we"--the Artist dropped his voice, so that the attendant damsel
+might not hear--"shall we drink the health and happiness of Phillis?"
+
+"We will, Humphrey," replied the Poet, with enthusiasm.
+
+When they got into the train and found themselves alone in the
+carriage they dug each other in the ribs once, with great meaning.
+
+"She knows," said the Poet, with a grin worthy of Mephistopheles,
+"that she has found a virgin heart."
+
+"She does," said Humphrey. "O Cornelius, and the little Gretchen and
+the milkpails? Byronic Rover!"
+
+"Ah, Humphrey, shall I tell her of the contadina, the black-eyed
+model, and the old wild days in Rome, eh? Don Giovanni!"
+
+Then they both laughed, and then they fell asleep in the carriage,
+because it was long past their regular hour for the afternoon nap, and
+slept till the guard took their tickets at Vauxhall.
+
+
+
+
+CHAPTER XXXI.
+
+ "This fellow's of exceeding honesty,
+ And knows all qualities."
+
+
+It was the night of the Derby of 1875. The great race had been run,
+and the partisans of Galopin were triumphant. Those who had set their
+affections on other names had finished their weeping, because by this
+time lamentation, especially among those of the baser sort was changed
+for a cheerful resignation begotten of much beer. The busy road was
+deserted, save for the tramps who plodded their weary way homeward;
+the moon, now in its third quarter, looked with sympathetic eye upon
+the sleeping forms which dotted the silent downs. These lay strewn
+like unto the bodies on a battle-field--they lay in rows, they lay
+singly; they were protected from the night-dews by canvas tents, or
+they were exposed to the moon-light and the wind. All day long these
+people had plied the weary trade of amusing a mob; the Derby, when
+most hearts are open, is the harvest-day of those who play
+instruments, those who dance, those who tumble, those who tell
+fortunes. Among these honest artists sleeps the 'prentice who is going
+to rob the till to pay his debt of honour; the seedy betting-man in a
+drunken stupor; the boy who has tramped all the way from town to pick
+up a sixpence somehow; the rustic who loves a race; and the
+sharp-fingered lad with the restless eye and a pocketful of
+handkerchiefs. The holiday is over, and few are the heads which will
+awake in the morning clear and untroubled with regrets, remorse, or
+hot coppers. It is two in the morning, and most of the revellers are
+asleep. A few, still awake, are at the Burleigh Club; and among these
+are Gilead Beck, Ladds, and Jack Dunquerque.
+
+They have been to Epsom. On the course the two Englishmen seemed, not
+unnaturally, to know a good many men. Some, whose voices were, oddly
+enough, familiar to Gilead Beck, shook hands with him and laughed. One
+voice--it belonged to a man in a light coat and a white hat--reminded
+him of Thomas Carlyle. The owner of the voice laughed cheerfully when
+Beck told him so. Another made him mindful of John Ruskin. And the
+owner of that voice, too, laughed and changed the subject. They were
+all cheerful, these friends of Jack Dunquerque; they partook with
+affability of the luncheon and drank freely of the champagne. Also
+there was a good deal of quiet betting. Jack Dunquerque, Gilead Beck
+observed, was the least adventurous. Betting and gambling were
+luxuries which Jack's income would not allow him. Most other things he
+could share in, but betting was beyond him. Gilead Beck plunged and
+won. It was a part of his Luck that he should win; but, nevertheless,
+when Galopin carried his owner's colours past the winning-post, Gilead
+gave a great shout of triumph, and felt for once the pleasures of the
+Turf.
+
+Now it was all over. Jack and he were together in the smoking-room,
+where half a dozen lingered. Ladds was somewhere in the club, but not
+with them.
+
+"It was a fine sight," said Gilead Beck, on the subject of the race
+generally; "a fine sight. In the matter of crowds you beat us: that I
+allow. And the horses were good: that I allow too. But let me show you
+a trotting-race, where the sweet little winner goes his measured mile
+in two minutes and a half. That seems to me better sport. But the
+Derby is a fine race, and I admit it. When I go back to America," he
+went on, "I shall institute races of my own--with a great National
+Dunquerque Cup--and we will have an American Derby, with trotting
+thrown in. There's room for both sports. What do you think, Mr.
+Dunquerque, of having sports from all countries?"
+
+"Seems a bright idea. Take your bull-fights from Spain; your fencing
+from France; your racing from England--what will you have from
+Germany?"
+
+"Playing at soldiers, I guess. They don't seem to care for any other
+game."
+
+"And Russia?"
+
+"A great green table with a pack of cards and a roulette. We can get a
+few Egyptian bonds for the Greeks to exhibit their favourite game
+with. We may import a band of brigands for the Italian sports.
+Imitation murder will represent Turkish Delights, and the performers
+shall camp in Central Park. It wouldn't be bad fun to go out at night
+and hunt them. Say, Mr. Dunquerque, we'll do it. A permanent
+Exhibition of the Amusements of all Nations. You shall come over if
+you like, and show them English fox-hunting. Where is Captain Ladds?"
+
+"I left him hovering round the card-tables. I will bring him up."
+
+Presently Jack returned.
+
+"Ladds is hard at work at _écarté_ with a villainous-looking stranger.
+And I should think, from the way Tommy is sticking at it, that Tommy
+is dropping pretty heavily."
+
+"It's an American he's playing with," said one of the other men in the
+room. "Don't know who brought him; not a member; a Major Hamilton
+Ruggles--don't know what service."
+
+Mr. Beck looked up quietly, and reflected a moment. Then he said
+softly to Jack--
+
+"Mr. Dunquerque, I think we can have a little amusement out of this.
+If you were to go now to Captain Ladds, and if you were to bring him
+up to this same identical room with Major Hamilton Ruggles, I think,
+sir,--I do think you would see something pleasant."
+
+There was a sweet and winning smile on the face of Mr. Beck when he
+spoke these words. Jack immediately understood that there was going to
+be a row, and went at once on his errand, in order to promote it to
+the best of his power.
+
+"You know Major Ruggles?" asked the first speaker.
+
+"No, sir, no--I can hardly say that I know Major Ruggles. But I think
+he knows me."
+
+In ten minutes Ladds and his adversary at _écarté_ came upstairs.
+Ladds wore the heavy impenetrable look in which, as in a mask, he
+always played; the other, who had a limp in one leg and a heavy scar
+across his face, came with him. He was laughing in a high-pitched
+voice. After them came Jack.
+
+At sight of Mr. Beck, Major Ruggles stopped suddenly.
+
+"I beg your pardon, Captain Ladds," he said. "I find I have forgotten
+my handkerchief."
+
+He turned to go. But, Jack, the awkward, was in his way.
+
+"Handkerchief sticking out of your pocket," said Ladds.
+
+"So it is, so it is!"
+
+By a sort of instinct the half-dozen men in the smoking-room seemed to
+draw their chairs and to close in together. There was evidently
+something going to happen.
+
+Mr. Beck rose solemnly--surely nobody ever had so grave a face as
+Gilead P. Beck--and advanced to Major Ruggles.
+
+"Major Ruggles," he said, "I gave you to understand, two days ago,
+that I didn't remember you. I found out afterwards that I was wrong. I
+remember you perfectly well."
+
+"You used words, Mr. Beck, which----"
+
+"Ay, ay--I know. You want satisfaction, Major. You shall have it. Sit
+down now, sit down, sir. We are all among gentlemen here, and this is
+a happy meeting for both of us. What will you drink?--I beg your
+pardon, Mr. Dunquerque, but I thought we were at the Langham. Perhaps
+you would yourself ask Major Ruggles what he will put himself outside
+of?"
+
+The Major, who did not seem quite at his ease, took a
+seltzer-and-brandy and a cigarette. Then he looked furtively at Gilead
+Beck. He understood what the man was going to say and why he was going
+to say it.
+
+"Satisfaction, Major? Wal, these gentlemen shall be witnesses.
+Yesterday mornin', as I was walkin' down the steps of the Langham
+Hotel, this gentleman, this high-toned, whole-souled pride of the
+American army, met me and offered his hand. 'Hope you are well, Mr.
+Beck,' were his affable words. 'Hope you are quite well. Met you last
+at Delmonico's, in with Boss Calderon.' Now, gentlemen, you'll hardly
+believe me when I tell you I answered this politeness by askin' the
+Major if he had ever heard of a Banco Steerer, and if he knew the
+meanin' of a Roper. He did not reply, doubtless because he was wounded
+in his feelin's--being above all things a man of honour _and_ the
+boast of his native country. I then left him with a Scriptural
+reference, which p'r'aps he's overhauled since, and now understands
+what I meant when I said that, if I was to meet him goin' around
+arm-in-arm with Ananias and Sapphira, I'd say he was in good company."
+
+Here the Major jumped in his chair, and put his right hand to his
+shirt-front.
+
+"No, sir," said Beck, unmoved. "I can tackle more'n one wild cat at
+once, if you mean fightin,' which you do not. And it's no use, no
+manner o' use, feelin' in that breast-pocket of yours, because the
+shootin' irons in this country are always left at home. You sit still,
+Major, and take it quiet. I'm goin' to be more improvin' presently."
+
+"Perhaps, Beck," said Jack, "you would explain what a Banco Steerer
+and a Roper are."
+
+"I was comin' to that, sir. They air one and the same animal. The
+Roper or the Banco Steerer, gentlemen, will find you out the morning
+after you land in Chicago or Saint Louis. He will accost you--very
+friendly, wonderful friendly--when you come out of your hotel, by your
+name, and he will remind you--which is most surprising, considerin'
+you never set eyes on his face before--how you have dined together in
+Cincinnati, or it may be Orleans, or perhaps Francisco, because he
+finds out where you came from last. And he will shake hands with you:
+and he will propose a drink; and he will pay for that drink. And
+presently he will take you somewhere else, among his pals, and he will
+strip you so clean that there won't be left the price of a four cent
+paper to throw around your face and hide your blushes. In London,
+gentlemen, they do, I believe, the confidence trick. Perhaps Major
+Ruggles will explain his own method presently."
+
+But Major Ruggles preserved silence.
+
+"So, gentlemen, after I'd shown my familiarity with the Ax of the
+Apostles, I went down town, thinkin' how mighty clever I was--that's a
+way of mine, gentlemen, which generally takes me after I've made a
+durned fool of myself. All of a sudden I recollected the face of Major
+Ruggles, and where I'd seen him last. Yes, Major, you _did_ know
+me--you were quite right, and I ought to have kept Ananias out of the
+muss--you _did_ know me, and I'd forgotten it. Those words of mine,
+Major, required explanation, as you said just now."
+
+"Satisfaction, I said," objected the Major, trying to recover himself
+a little.
+
+"Sir, you air a whole-souled gentleman; and your sense of honour is as
+keen as a quarter-dollar razor. Satisfaction you shall have; and if
+you are not satisfied when I have done with you, ask these gentlemen
+around what an American nobleman--one of the noblemen like yourself
+that we do sometimes show the world--wants more, and the more you
+shall git.
+
+"You did know me, Major; but you made a little mistake. It was not
+with Boss Calderon that you met me, because I do not know Boss
+Calderon; nor was it at Delmonico's. And where it was I am about to
+tell this company."
+
+He hesitated a moment.
+
+"Gentlemen, I believe it is a rule that strangers in your clubs must
+be introduced by members. I was introduced by my friend Mr.
+Dunquerque, and I hope I shall not disgrace that introduction. May I
+ask who introduced Major Ruggles?"
+
+Nobody knew. In fact, he had passed in with an acquaintance picked up
+somehow, and stayed there.
+
+The Major tried again to get away. "This is fooling," he said.
+"Captain Ladds, do you wish me to be insulted? If you do, sir, say so.
+You will find that an American officer----"
+
+"Silence, sir!" said Mr. Beck. "An American officer! Say that again,
+and I will teach you to respect the name of an American officer. I've
+been a private soldier myself in that army," he added, by way of
+explanation. "Now, Major Ruggles, I am going to invite you to remain
+while I tell these gentlemen a little story--a very little story--but
+it concerns you. And if Captain Ladds likes when that story is
+finished, I will apologise to you, and to him, and to all this
+honourable company."
+
+"Let us hear the story," said Jack. "Nothing could be fairer."
+
+"Nothing!" echoed the little circle of listeners.
+
+Beck addressed the room in general, occasionally pointing the finger
+of emphasis at the unfortunate Major. His victim showed every sign of
+bodily discomfort and mental agitation. First he fidgeted in the
+chair; then he threw away his cigarette; then he folded his arms and
+stared defiantly at the speaker. Then he got up again.
+
+"What have I to do with you and your story? Let me go. Captain Ladds,
+you have my address. And as for you, sir, you shall hear from me
+to-morrow."
+
+"Sit down, Major." Gilead Beck invited him to resume his chair with a
+sweet smile. "Sit down. The night's young. May be Captain Ladds wants
+his revenge."
+
+"Not I," said Ladds. "Had enough. Go to bed. Not a revengeful man."
+
+"Then," said Gilead Beck, his face darkening and his manner suddenly
+changing, "I will take your revenge for you. Sit down, sir!"
+
+It was an order he gave this time, not an invitation, and the stranger
+obeyed with an uneasy smile.
+
+"It is not gambling, Major Ruggles," Beck went on. "Captain Ladds'
+revenge is going to be of another sort, I reckon."
+
+He drew close to Major Ruggles, and sitting on the table, placed one
+foot on a chair which was between the stranger and the door.
+
+"Delmonico's, was it, where we met last? And with Joe Calderon--Boss
+Calderon? Really, Major Ruggles, I was a great fool not to remember
+that at once. But I always am weak over faces, even such a striking
+face as yours. So we met last when you were dining with Boss Calderon,
+eh?"
+
+Then Mr. Beck began his little story.
+
+"Six years ago, gentlemen,--long before I found my Butterfly, of which
+you may have heard,--I ran up and down the Great Pacific Railway
+between Chicago and Francisco for close upon six months. I did not
+choose that way of spendin' the golden hours, because, if one had a
+choice at all, a Pullman's sleeping-car on the Pacific Railway would
+be just one of the last places you would choose to pass your life in.
+I should class it, as a permanent home, with a first-class saloon in a
+Cunard steamer. No, gentlemen, I was on board those cars in an
+official capacity. I was conductor. It is not a proud position, not an
+office which you care to magnify; it doesn't lift your chin in the air
+and stick out your toes like the proud title of Major does for our
+friend squirmin' in the chair before us. Squirm on, Major; but listen,
+because this is interestin'. On those cars and on that railway there
+is a deal of time to be got through. I am bound to say that time kind
+of hangs heavy on the hands. You can't be always outside smokin'; you
+can't sleep more'n a certain time, because the nigger turns you out
+and folds up the beds; and you oughtn't to drink more'n your proper
+whack. Also, you get tired watchin' the scenery. You may make notes if
+you like, but you get tired o' that. And you get mortal tired of
+settin' on end. Mostly, therefore, you stand around the conductor, and
+you listen to his talk.
+
+"But six years ago the dullness of that long journey was enlivened by
+the presence of a few sportsmen like our friend the Major here. They
+were so fond of the beauties of Nature, they were so wrapped up in the
+pride of bein' American citizens and ownin' the biggest railway in the
+world, that they would travel all the way from New York to San
+Francisco, stay there a day, and then travel all the way back again.
+And the most remarkable thing was, that when they got to New York
+again they would take a through ticket all the way back to San Fran.
+This attachment to the line pleased the company at first. It did seem
+as if good deeds was going to meet their recompense at last, even in
+this world, and the spirited conduct of the gentlemen, when it first
+became known, filled everybody with admiration.--You remember, Major,
+the very handsome remarks made by you yourself on the New York
+platform.
+
+"Lord, is it six years ago? Why, it seems to me but yesterday, Major
+Ruggles, that I saw you standin' erect and bold--lookin' like a
+senator in a stove pipe hat, store boots, and go-to-meetin'
+coat--shakin' hands with the chairman. 'Sir,' you said, with tears in
+your eyes, 'you represent the advance of civilisation. We air now,
+indeed, ahead of the hull creation. You have united the Pacific and
+the Atlantic. And, sir, by the iron road the West and the East may
+jine hands and defy the tyranny of Europe.' Those, gentlemen, were the
+noble sentiments of Major Hamilton Ruggles.--Did I say, Major, that I
+would give you satisfaction? Wait till I have done, and you shall bust
+with satisfaction."
+
+The Major did not look, at all events, like being satisfied so far.
+
+"One day an ugly rumor got about--you know how rumours spread--that
+the Great Pacific Railroad was a big gamblin' shop. The enthusiastic
+travellers up and down that line were one mighty confederated gang.
+They were up to every dodge: they travelled together, and they
+travelled separate; they had dice, and those dice were loaded; they
+had cards, and those cards were marked; they played on the square, but
+behind every man's hand was a confederate, and he gave signs, so that
+the honest sportsman knew how to play. And by these simple
+contrivances, gentlemen, they always won. So much did they win, that I
+have conducted a through train in which, when we got to Chicago, there
+wasn't a five-dollar piece left among the lot. And all the time
+strangers to each other. The gang never, by so much as a wink, let out
+that they had met before. And no one could tell them from ordinary
+passengers. But I knew; and I had a long conversation with the
+Directors one day, the result of which--Major Ruggles, perhaps you can
+tell these gentlemen what was the result of that conversation."
+
+The man was sallow. His sharp eyes gleamed with an angry light as
+he looked from one to the other, as if in the hope of finding an
+associate. There was none. Only Ladds, his adversary, moved quietly
+around the room and sat near to Gilead Beck, on the table, but _nearer
+the door_. The Major saw this manoeuvre with a sinking heart, because
+his pockets were heavy with the proceeds of the evening game.
+
+"Well, gentlemen, a general order came for all the conductors. It was
+'No play.' We were to stop that. And another general order was--an
+imperative order, Major, so that I am sure you will not bear
+malice--'If they won't leave off, chuck 'em out.' That was the order,
+Major, 'Chuck 'em out.'
+
+"It was on the journey back from San Francisco that the first trouble
+began. You were an upright man to look at then, Major; you hadn't got
+the limp you've got now, and you hadn't received that unfort'nate scar
+across your handsome face. You were a most charmin' companion for a
+long railway journey, but you had that little weakness--that you
+_would_ play. I warned you at the time. I said, 'Cap'en, this must
+stop.' You were only a Cap'en then. But you would go on. 'Cap'en,' I
+said, 'if you will not stop, you will be chucked out.' You will
+acknowledge, Major, that I gave you fair warnin'. You laughed. That
+was all you did. You laughed and you shuffled the cards. But the man
+who was playing with you got up. He saw reason. Then you drew out a
+revolver and used bad language. So I made for you.
+
+"Gentlemen, it was not a fair fight. But orders had to be observed. In
+half a minute I had his pistol from him, and in two minutes more he
+was flyin' from the end of the train. We were goin' twenty miles an
+hour, and we hadn't time to stop to see if he was likely to get along
+somehow. And the last I saw of Captain Ruggles--I beg your pardon,
+Major--was his two heels in the air as he left the end of the train. I
+s'pose, Major, it was stoppin' so sudden gave you that limp and
+ornamented your face with that beautiful scar. The ground was gritty,
+I believe?"
+
+Everybody's eyes were turned on the Major, whose face was livid.
+
+"Gentlemen," Mr. Beck continued, "that ærial flight of Captain Ruggles
+improved the moral tone of the Pacific Railroad to a degree that you
+would hardly believe. I don't think there has been a single sportsman
+chucked out since. Major Ruggles, sir, you were the blessed means,
+under Providence and Gilead P. Beck conjointly, of commencing a new
+and moral era for the Great Pacific Railroad.
+
+"And now, Major, that my little story is told, may I ask if you are
+satisfied? Because if there is any other satisfaction in my power you
+shall have that too. Have I done enough for honour, gentlemen all?"
+
+The men laughed.
+
+"Now for a word with me," Ladds began.
+
+"Cap'en," said Gilead Beck, "let me work through this contract, if you
+have no objection--Major Ruggles, you will clear out all your
+pockets."
+
+The miserable man made no reply.
+
+"Clear out every one, and turn them inside out, right away."
+
+He neither moved nor spoke.
+
+"Gentlemen," Mr. Beck said calmly, "you will be kind enough not to
+interfere."
+
+He pulled a penknife out of his pocket and laid it on a chair open. He
+then seized Major Ruggles by the collar and arm. The man fought like a
+wild cat, but Beck's grasp was like a vice. It seemed incredible to
+the bystanders that a man should be so strong, so active, and so
+skilled. He tossed, rather than laid, his victim on the table, and
+then, holding both his hands in one grip of his own enormous fist, he
+deliberately ripped open the Major's trousers, waistcoat, and coat
+pockets, and took out the contents. When he was satisfied that nothing
+more was left in them he dragged him to the ground.
+
+On the table lay the things which he had taken possession of.
+
+"Take up those dice," he said to Ladds; "Try them; if they are not
+loaded, I will ask the Major's pardon."
+
+They were loaded.
+
+"Look at these cards," he went on. "They are the cards you have been
+playing with, when you thought you had a new pack of club-cards. If
+they are not marked, I will ask the Major to change places with me."
+
+They were marked.
+
+"And now, gentlemen, I think I may ask Captain Ladds what he has lost,
+and invite him to take it out of that heap."
+
+There was a murmur of assent.
+
+"I lost twenty pounds in notes and gold," said Ladds. "And I gave an I
+O U for sixty more."
+
+There were other I O U's in the heap, and more gold when Ladds had
+recovered his own. The paper was solemnly torn up, but the coin
+restored to the Major, who now stood, abject, white, and trembling,
+but with the look of a devil in his eyes.
+
+"Such men as you, Major," said Gilead the Moralist, "are the curse of
+our country. You see, gentlemen, we travel about, we make money fast;
+we are sometimes a reckless lot; the miners have got pockets full;
+there's everything to encourage such a crew as Major Ruggles belonged
+to. And when we find them out, we lynch them.--Lynch is the word,
+isn't it, Major?--do you want to know the end of this man, gentlemen?
+I am not much in the prophetic line, but I think I see a crowd of men
+in a minin' city, and I see a thick branch with a rope over it. And at
+the end of that rope is Major Ruggles's neck, tightened in a most
+unpleasant and ungentlemanly manner.--It's inhospitable, but what can
+you expect, Major? We like play, but we like playin' on the square.
+Now, Major, you may go. And you may thank the Lord on your knees
+before you go to sleep that this providential interference has taken
+place in London instead of the States. For had I told my interestin'
+anecdote at a bar in any city of the Western States, run up you would
+have been. You may go, Major Ruggles; and I daresay Cap'en Ladds, in
+consideration of the damage done to those bright and shinin' store
+clothes of yours, will forego the British kicking which I see
+tremblin' at the point of his toes."
+
+Ladds did forego that revenge, and the Major slunk away.
+
+
+
+
+CHAPTER XXXII.
+
+ "Nulla fere causa est in qua non femina litem
+ Moverit."
+
+
+When Mr. Wylie, the pamphleteer, left Gabriel Cassilis, the latter
+resumed with undisturbed countenance his previous occupation of
+reading the letters and telegrams he had laid aside. Among them was
+one which he took up gingerly, as if it were a torpedo.
+
+"Pshaw!" he cried impatiently, tossing it from him. "Another of those
+anonymous letters. The third." He looked at it with disgust, and then
+half involuntarily his hand reached out and took it up again. "The
+third, and all in the same handwriting. 'I have written you two
+letters, and you have taken no notice. This is the third. Beware! Your
+wife was with Mr. Colquhoun yesterday; she will be with him again
+to-day and to-morrow. Ask her, if you dare, what is her secret with
+him. Ask him what hold he has over her. Watch her, and caution her
+lest something evil befall you.--Your well-wisher.'
+
+"I am a fool," he said, "to be disquieted about an anonymous slander.
+What does it matter to me? As if Victoria--she did know Colquhoun
+before her marriage--their names were mentioned--I remember hearing
+that there had been flirtation--flirtation! As if Victoria could ever
+flirt! She was no frivolous silly girl. No one who knows Victoria
+could for a moment suspect--suspect! The word is intolerable. One
+would say I was jealous."
+
+He pushed forward his papers and leaned back in his chair, casting his
+thoughts behind him to the days of his stiff and formal wooing. He
+remembered how he said, sitting opposite to her in her cousin's
+drawing-room--there was no wandering by the river-bank or in pleasant
+gardens on summer evenings for those two lovers--
+
+"You bring me fewer springs than I can offer you, Victoria;" which was
+his pretty poetical way of telling her that he was nearly forty years
+older than herself: "but we shall begin life with no trammels of
+previous attachments on either hand."
+
+He called it--and thought it--at sixty-five, beginning life; and it
+was quite true that he had never before conceived an attachment for
+any woman.
+
+"No, Mr. Cassilis," she replied; "we are both free, quite free; and
+the disparity of age is only a disadvantage on my side, which a few
+years will remedy."
+
+This cold stately woman conducting a flirtation before her marriage?
+This Juno among young matrons causing a scandal after her marriage? It
+was ridiculous.
+
+He said to himself that it was ridiculous so often, that he succeeded
+at last in persuading himself that it really was. And when he had
+quite done that, he folded up the anonymous document, docketed it, and
+placed it in one of the numerous pigeon-holes of his desk, which was
+one of those which shut up completely, covering over papers,
+pigeon-holes, and everything.
+
+Then he addressed himself again to business, and, but for an
+occasional twinge of uneasiness, like the first throb which presages
+the coming gout, he got through an important day's work with his
+accustomed ease and power.
+
+
+The situation, as Lawrence Colquhoun told Victoria, was strained.
+There they were, as he put it, all three--himself, for some reason of
+his own, put first; the lady; and Gabriel Cassilis. The last was the
+one who did not know. There was no reason, none in the world, why
+things should not remain as they were, only that the lady would not
+let sleeping dangers sleep, and Lawrence was too indolent to resist.
+In other words, Victoria Cassilis, having once succeeded in making him
+visit her, spared no pains to bring him constantly to her house, and
+to make it seem as if he was that innocent sort of _cicisbeo_ whom
+English society allows.
+
+Why?
+
+The investigation of motives is a delicate thing at the best, and apt
+to lead the analyst into strange paths. It may be discovered that the
+philanthropist acts for love of notoriety; that the preacher does not
+believe in the truths he proclaims; that the woman of self-sacrifice
+and good works is consciously posing before an admiring world. This is
+disheartening, because it makes the cynic and the worldly-minded man
+to chuckle and chortle with an open joy. St. Paul, who was versed in
+the ways of the world, knew this perfectly when he proclaimed the
+insufficiency of good works. It is at all times best to accept the
+deed, and never ask the motive. And, after all, good deeds are
+something practical. And as for a foolish or a bad deed, the
+difficulty of ascertaining an adequate motive only becomes more
+complicated with its folly or its villainy. Mrs. Cassilis had
+everything to gain by keeping her old friend on the respectful level
+of a former acquaintance; she had everything to lose by treating him
+as a friend. And yet she forced her friendship upon him.
+
+Kindly people who find in the affairs of other people sufficient
+occupation for themselves, and whose activity of intellect obtains a
+useful vent in observation and comment, watched them. The man was
+always the same; indolent, careless, unmoved by any kind of passion
+for any other man's wife or for any maid. That was a just conclusion.
+Lawrence Colquhoun was not in love with this lady. And yet he suffered
+himself to obey orders; dropped easily in the position; allowed
+himself to be led by her invitations; went where she told him to go;
+and all the time half laughed at himself and was half angry to think
+that he was thus enthralled by a siren who charmed him not. To have
+once loved a woman; to love her no longer; to go about the town
+behaving as if you did: this, it was evident to him, was not a
+position to be envied or desired. Few false positions are. Perhaps he
+did not know that Mrs. Grundy talked; perhaps he was only amused when
+he heard of remarks that had been made by Sir Benjamin Backbite; and
+although the brief sunshine of passion which he only felt for this
+woman was long since past and gone, nipped in its very bud by the lady
+herself perhaps, he still liked her cold and cynical talk. Colquhoun
+habitually chose the most pleasant paths for his lounge through life.
+From eighteen to forty there had been but one disagreeable episode,
+which he would fain have forgotten. Mrs. Cassilis revived it; but, in
+her presence, the memory was robbed somehow of half its sting.
+
+Sir Benjamin Backbite remarked that though the gentleman was languid,
+the lady was shaken out of her habitual coldness. She was changed.
+What could change her, asked the Baronet, but passion for this old
+friend of her youth? Why, it was only four years since he had followed
+her, after a London season, down to Scotland, and everybody said it
+would be a match. She received his attentions coldly then, as she
+received the attentions of every man. Now the tables were turned; it
+was the man who was cold.
+
+These social observers are always right. But they never rise out of
+themselves; therefore their conclusions are generally wrong. Victoria
+Cassilis was not, as they charitably thought, running after Colquhoun
+through the fancy of a wayward heart. Not at all. She was simply
+wondering where it had gone--that old power of hers, by which she once
+twisted him round her finger--and why it was gone. A woman cannot
+believe that she has lost her power over a man. It is an intolerable
+thought. Her power is born of her beauty and her grace; these may
+vanish, but the old attractiveness remains, she thinks, if only as a
+tradition. When she is no longer beautiful she loves to believe that
+her lovers are faithful still. Now Victoria Cassilis remembered this
+man as a lover and a slave; his was the only pleading she had ever
+heard which could make her understand the meaning of man's passion; he
+was the only suitor whom a word could make wretched or a look happy.
+For he had once loved her with all his power and all his might.
+Between them there was the knowledge of a thing which, if any
+knowledge could, should have crushed out and beaten down the memory of
+this love. She had made it, by her own act and deed, a crime to
+remember it. And yet, in spite of all, she could not bring herself to
+remember that the old power was dead. She tried to bring him again
+under influence. She failed, but she succeeded in making him come back
+to her as if nothing had ever happened. And then she said to herself
+that there must be another woman, and she set herself to find out who
+that woman was.
+
+Formerly many men had hovered--marriageable men, excellent
+_partis_--round the cold and statuesque beauty of Victoria Pengelley.
+She was an acknowledged beauty; she brought an atmosphere of perfect
+taste and grace into a room with her; men looked at her and wondered;
+foolish girls, who knew no better, envied her. Presently the foolish
+girls, who had soft faces and eyes, which could melt in love or
+sorrow, envied her no longer, because they got engaged and married.
+And of all the men who came and went, there was but one who loved her
+so that his pulse beat quicker when she came; who trembled when he
+took her hand; whose nerves tingled and whose blood ran swifter
+through his veins when he asked her, down in that quiet Scotch
+village, with no one to know it but her maid, to be his wife.
+
+The man was Lawrence Colquhoun. The passion had been his. Now love and
+passion were buried in the ashes of the past. The man was impassable,
+and the woman, madly kicking against the fetters which she had bound
+around herself, was angry and jealous.
+
+It is by some mistake of Nature that women who cannot love can yet be
+jealous. Victoria Pengelley's pulse never once moved the faster for
+all the impetuosity of her lover. She liked to watch it, this curious
+yearning after her beauty, this eminently masculine weakness, because
+it was a tribute to her power; it is always pleasant for a woman to
+feel that she is loved as women are loved in novels--men's novels, not
+the pseudo-passionate school-girls' novels, or the calmly respectable
+feminine tales where the young gentlemen and the young ladies are
+superior to the instincts of common humanity. Victoria played with
+this giant as an engineer will play with the wheels of a mighty
+engine. She could do what she liked with it. Samson was not more
+pliable to Delilah; and Delilah was not more unresponsive to that
+guileless strong man. She soon got tired of her toy, however. Scarcely
+were the morning and the evening of the fifth day, when by pressing
+some unknown spring she smashed it altogether.
+
+Now, when it was quite too late, when the thing was utterly smashed,
+when she had a husband and child, she was actually trying to
+reconstruct it. Some philosopher, probing more deeply than usual the
+mysteries of mankind, once discovered that it was at all times
+impossible to know what a woman wants. He laid that down as a general
+axiom, and presented it as an irrefragable truth for the universal use
+of humanity. One may sometimes, however, guess what a woman does not
+want. Victoria Cassilis, one may be sure, did not want to sacrifice
+her honour, her social standing, or her future. She was not intending
+to go off, for instance, with her old lover, even if he should propose
+the step, which seemed unlikely. And yet she would have liked him to
+propose it, because then she would have felt the recovery of her
+power. Now her sex, as Chaucer and others before him pointed out, love
+power beyond all other earthly things. And the history of queens, from
+Semiramis to Isabella, shows what a mess they always make of it when
+they do get power.
+
+A curious problem. Given a woman, no longer in the first bloom of
+youth, married well, and clinging with the instincts of her class to
+her reputation and social position. She has everything to lose and
+nothing to gain. She cannot hope even for the love of the man for whom
+she is incurring the suspicions of the world, and exciting the
+jealousy of her husband. Yet it is true, in her case, what the race of
+evil-speakers, liars, and slanderers say of her. She is running after
+Lawrence Colquhoun. He is too much with her. She has given the enemy
+occasion to blaspheme.
+
+As for Colquhoun, when he thought seriously over the situation, he
+laughed when it was a fine day, and swore if it was raining. The
+English generally take a sombre view of things because it is so
+constantly raining. We proclaim our impotence, the lack of national
+spirit, and our poverty, until other nations actually begin to believe
+us. But Colquhoun, though he might swear, made no effort to release
+himself, when a word would have done it.
+
+"You may use harsh language to me, Lawrence," said Mrs. Cassilis--he
+never had used harsh language to any woman--"you may sneer at me, and
+laugh in your cold and cruelly impassive manner. But one thing I can
+say for you, that you understand me."
+
+"I have seen all your moods, Mrs. Cassilis, and I have a good memory.
+If you will show your husband that the surface of the ocean may be
+stormy sometimes, he will understand you a good deal better. Get up a
+little breeze for him."
+
+"I am certainly not going to have a vulgar quarrel with Mr. Cassilis."
+
+"A vulgar quarrel? Vulgar? Ah, vulgarity changes every five years or
+so. What a pity that vulgar quarrels were in fashion six years ago,
+Mrs. Cassilis!"
+
+"Some men are not worth losing your temper about."
+
+"Thank you. I was, I suppose. It was very kind of you, indeed, to
+remind me of it, as you then did, in a manner at once forcible and not
+to be forgotten. Mr. Cassilis gets nothing, I suppose, but east wind,
+with a cloudless sky which has the sun in it, but only the semblance
+of warmth. I got a good sou'-wester. But take care, take care, Mrs.
+Cassilis! You have wantonly thrown away once what most women would
+have kept--kept, Mrs. Cassilis! I remember when I was kneeling at your
+feet years ago, talking the usual nonsense about being unworthy of
+you. Rubbish! I was more than worthy of you, because I could give
+myself to you loyally, and you--you could only pretend!"
+
+"Go on, Lawrence. It is something that you regret the past, and
+something to see that you _can_ feel, after all."
+
+She stopped and laughed carelessly.
+
+"Prick me and I sing out. That is natural. But we will have no
+heroics. What I mean is, that I am well out of it; and that you,
+Victoria Cassilis, are--forgive the plain speaking--a foolish woman."
+
+"Lawrence Colquhoun has the right to insult me as he pleases, and I
+must bear it."
+
+It was in her own room. Colquhoun was leaning on the window; she was
+sitting on a chair before him. She was agitated and excited. He, save
+for the brief moments when he spoke as if with emotion, was languid
+and calm.
+
+"I have no right," he replied, "and you know it. Let us finish. Mrs.
+Cassilis, keep what you have, and be thankful."
+
+"What I have! What have I?"
+
+"One of the best houses in London. An excellent social position. A
+husband said to be the ablest man in the City. An income which gives
+you all that a woman can ask for. The confidence and esteem of your
+husband--and a child. Do these things mean nothing?"
+
+"My husband--Oh, my husband! He is insufferable sometimes, when I
+remember, Lawrence."
+
+"He is a man who gives his trust after a great deal of doubt and
+hesitation. Then he gives it wholly. To take it back would be a
+greater blow, a far greater blow, than it would ever be to a younger
+man--to such a man as myself."
+
+"Gabriel Cassilis only suffers when he loses money."
+
+"That is not the case. You cannot afford to make another great
+mistake. Success isn't on the cards after two such blunders, Mrs.
+Cassilis."
+
+"What do I want with success? Let me have happiness."
+
+"Take it; it is at your feet," said Lawrence. "It is in this house. It
+is the commonest secret. Every simple country woman knows it."
+
+"No one will ever understand me," she sighed. "No one."
+
+"It is simply to give up for ever thinking about yourself. Go and look
+after your baby, and find happiness there."
+
+Why superior women are always so angry if they are asked to look after
+their babies, I cannot understand. There is no blinking the fact that
+they have them. The maternal instinct makes women who cannot write or
+talk fine language about the domestic affections, take to the tiny
+creatures with a passion of devotion which is the loveliest thing to
+look upon in all this earth. The _femme incomprise_ alone feels no
+anguish if her baby cries, no joy if he laughs, and flies into a
+divine rage if you remind her that she is a mother.
+
+"My baby!" cried Victoria, springing to her feet. "You see me yearning
+for sympathy, looking to you as my oldest--once my dearest--friend,
+for a little--only a little--interest and pity, and you send me to my
+baby! The world is all selfish and cold-hearted, but the most selfish
+man in it is Lawrence Colquhoun!"
+
+He laughed again. After all, he had said his say.
+
+"I am glad you think so, because it simplifies matters. Now, Mrs.
+Cassilis, we have had our little confidential talk, and I think, under
+the circumstances, that it had better be the last. So, for a time, we
+will not meet, if you please. I do take a certain amount of interest
+in you--that is, I am always curious to see what line you will take
+next. And if you are at all concerned to have my opinion and counsel,
+it is this: that you've got your chance; and if you give that man who
+loves you and trusts you any unhappiness through your folly, you will
+be a much more heartless and wicked woman than even I have ever
+thought you. And, by Gad! I ought to know."
+
+He left her. Mrs. Cassilis heard his step in the hall and the door
+close behind him. Then she ran to the window, and watched him
+strolling in his leisurely, careless way down the road. It made her
+mad to think that she could not make him unhappy, and made her jealous
+to think that she could no longer touch his heart. Not in love with
+him at all--she never had been; but jealous because her old power was
+gone.
+
+Jealous! There must be another girl. Doubtless Phillis Fleming. She
+ordered her carriage and drove straight to Twickenham. Agatha was
+having one of her little garden-parties. Jack Dunquerque was there
+with Gilead Beck. Also Captain Ladds. But Lawrence Colquhoun was not.
+She stayed an hour; she ascertained from Phillis that her guardian
+seldom came to see her, and went home again in a worse temper than
+before, because she felt herself on the wrong track.
+
+Tomlinson, her maid, had a very bad time of it while she was dressing
+her mistress for dinner. Nothing went right, somehow. Tomlinson, the
+hard-featured, was long suffering and patient. She made no reply to
+the torrent which flowed from her superior's angry lips. But when
+respite came with the dinner-bell, and her mistress was safely
+downstairs, the maid sat down to the table and wrote a letter very
+carefully. This she read and re-read, and, being finally satisfied
+with it, she took it out to the post herself. After that, as she would
+not be wanted till midnight at least, she took a cab and went to the
+Marylebone Theatre, where she wept over the distresses of a lady,
+ruined by the secret voice of calumny.
+
+It was at the end of May, and the season was at its height. Mrs.
+Cassilis had two or three engagements, but she came home early, and
+was even sharper with the unfortunate Tomlinson than before dinner.
+But Tomlinson was very good, and bore all in patience. It is Christian
+to endure.
+
+Next morning Gabriel Cassilis found among his letters another in the
+same handwriting as that of the three anonymous communications he had
+already received.
+
+He tore it open with a groan.
+
+"This is the fourth letter. You will have to take notice of my
+communications, and to act upon them, sooner or later. All this
+morning Mr. Colquhoun was locked up with your wife in her boudoir. He
+came at eleven and went away at half-past one. No one was admitted.
+They talked of many things--of their Scotch secret especially, and how
+to hide it from you. I shall keep you informed of what they do. At
+half past two Mrs. Cassilis ordered the carriage and drove to
+Twickenham. Mr. Colquhoun has got his ward there, Miss Fleming. So
+that doubtless she went to meet him again. In the evening she came
+home in a very bad temper, because she had failed to meet him. She had
+hoped to see him three times at least this very day. Surely, surely
+even your blind confidence cannot stand a continuation of this kind of
+thing. All the world knows it except yourself. You may be rich and
+generous to her, but she doesn't love you. And she doesn't care for
+her child. She hasn't asked to see it for three days--think of that!
+There is a pretty mother for you! She ill-treats her maid, who is _a
+most faithful person, and devoted to your interests_. She is hated
+by every servant in the house. She is a cold-hearted, cruel woman. And
+even if she loves Mr. Colquhoun, it can only be through jealousy, and
+because she won't let him marry anybody else, even if he wanted to.
+But things are coming to a crisis. Wait!"
+
+Mr. Mowll came in with a packet of papers, and found his master
+staring straight before him into space. He spoke to him but received
+no answer. Then he touched him gently on the arm. Mr. Cassilis
+started, and looked round hastily. His first movement was to lay his
+hand upon a letter on the desk.
+
+"What is it, Mowll--what is it? I was thinking--I was thinking. I am
+not very well to-day, Mowll."
+
+"You have been working too hard, sir," said his secretary.
+
+"Yes--yes. It is nothing. Now, then, let us look at what you have
+brought."
+
+For two hours Mr. Cassilis worked with his secretary. He had the
+faculty of rapid and decisive work. And he had the eye of a hawk. They
+were two hours of good work, and the secretary's notes were
+voluminous. Suddenly the financier stopped--the work half done. It was
+as if the machinery of a clock were to go wrong without warning.
+
+"So," he said, with an effort, "I think we will stop for to-day. Put
+all these matters at work, Mowll. I shall go home and rest."
+
+A thing he had never done before in all his life.
+
+He went back to his house. His wife was at home and alone. They had
+luncheon together, and drove out in the afternoon. Her calm and
+stately pride drove the jealous doubts from his troubled mind as the
+sun chases away the mists of morning.
+
+
+
+
+CHAPTER XXXIII.
+
+ "An excellent play."
+
+
+Such things as dinners to Literature were the relaxations of Gilead
+Beck's serious life. His real business was to find an object worthy of
+that enormous income of which he found himself the trustee. The most
+sympathetic man of his acquaintance, although it was difficult to make
+him regard any subject seriously, was Jack Dunquerque, and to him he
+confided his anxieties and difficulties.
+
+"I can't fix it," he groaned. "I can't fix it anyhow."
+
+Jack knew what he meant, but waited for further light, like him who
+readeth an acrostic.
+
+"The more I look at that growin' pile--there's enough now to build the
+White House over again--the more I misdoubt myself."
+
+"Where have you got it all?"
+
+"In Government Stocks--by the help of Mr. Cassilis. No more of the
+unholy traffic in shares which you buy to sell again. No, sir. That
+means makin' the widow weep and the minister swear; an' I don't know
+which spectacle of those two is the more melancholy for a Christian
+man. All in stocks--Government Stocks, safe and easy to draw out, with
+the interest comin' in regular as the chant of the cuckoo-clock."
+
+"Well, can't you let it stay there?"
+
+"No, Mr. Dunquerque, I can't. There's the voice of that blessed Inseck
+in the box there, night and day in my ears. And it says, plain as
+speech can make it, 'Do something with the money.'"
+
+"You have bought a few pictures."
+
+"Yes, sir: I have begun the great Gilead P. Beck collection. And when
+that is finished, I guess there'll be no collection on this airth to
+show a candle to it. But that's personal vanity. That's not what the
+Golden Butterfly wants."
+
+"Would he like you to have a yacht? A good deal may be chucked over a
+yacht. That is, a good deal for what we Englishmen call a rich man."
+
+"When I go home again I mean to build a yacht, and sail her over here
+and race you people at Cowes--all the same as the America, twenty
+years ago. But not yet."
+
+"There are a few trifles going about which run away with money. Polo,
+now. If you play polo hard enough, you may knock up a pony every game.
+But I suppose that would not be expensive enough for you. You couldn't
+ride two ponies at once, I suppose, like a circus fellow."
+
+"Selfish luxury, Mr. Dunquerque," said Gilead, with an almost
+prayerful twang, "is not the platform of the Golden Butterfly. I
+should like to ride two ponies at once, but it's not to be thought of.
+And my legs are too long for any but a Kentucky pony."
+
+"Is the Turf selfish luxury, I wonder?" asked Jack. "A good deal of
+money can be got through on the Turf. Nothing, of course, compared
+with your pile; but still, you might make a sensible hole in it by
+judicious backing."
+
+Gilead Beck was as free from ostentation, vanity, and the desire to
+have his ears tickled as any man. But still he did like to feel that
+by the act of Providence, he was separated from other men. An income
+of fifteen hundred pounds a day, which does not depend upon harvests,
+or on coal, or on iron, or anything to eat and drink, but only on the
+demand for rock-oil, which increases, as he often said, with the march
+of civilisation, does certainly separate a man from his fellows. This
+feeling of division saddened him; it imparted something of the
+greatness of soul which belongs even to the most unworthy emperors; he
+felt himself bound to do something for the good of mankind while life
+and strength were in him. And it was not unpleasant to know that
+others recognised the vastness of his Luck. Therefore, when Jack
+Dunquerque spoke as if the Turf were a gulf which might be filled up
+with his fortune, while it swallowed, without growing sensibly more
+shallow, all the smaller fortunes yearly shot into it like the rubbish
+on the future site of a suburban villa, Gilead Beck smiled. Such
+recognition from this young man was doubly pleasant to him on account
+of his unbounded affection for him. Jack Dunquerque had saved his
+life. Jack Dunquerque treated him as an equal and a friend. Jack
+Dunquerque wanted nothing of him, and, poor as he was, would accept
+nothing of him. Jack Dunquerque was the first, as he was also the most
+favourable, specimen he had met of the class which may be poor, but
+does not seem to care for more money; the class which no longer works
+for increase of fortune.
+
+"No, sir," said Gilead. "I do not understand the Turf. When I go home
+I shall rear horses and improve the breed. Maybe I may run a horse in
+a trotting-match at Saratoga."
+
+In the mornings this American, in search of a Worthy Object, devoted
+his time to making the round of hospitals, London societies, and
+charities of all kinds. He asked what they did, and why they did it.
+He made remarks which were generally unpleasant to the employés of the
+societies; he went away without offering the smallest donation; and he
+returned moodily to the Langham Hotel.
+
+"The English," he said, after a fortnight of these investigations,
+"air the most kind-hearted people in the hull world. We are
+charitable, and I believe the Germans, when they are not officers in
+their own army, are a well-disposed folk. But in America, when a man
+tumbles down the ladder, he falls hard. Here there's every contrivance
+for makin' him fall soft. A man don't feel handsome when he's on the
+broad of his back, but it must be a comfort for him to feel that his
+backbone isn't broke. Lord, Mr. Dunquerque! to look at the hospitals
+and refuges, one would think the hull Bible had got nothin' but the
+story of the Prodigal Son, and that every other Englishman was that
+misbehaved boy. I reckon if the young man had lived in London, he'd
+have gone home very slow--most as slow as ever he could travel.
+There'd be the hospitals, comfortable and warm, when his constitootion
+had broke down with too many drinks: there'd have been the
+convalescent home for him to enjoy six months of happy meditation by
+the seaside when he was pickin' up again; and when he got well, would
+he take to the swine-herdin', or would he tramp it home to the old
+man? Not he, sir; he would go back to the old courses and become a
+Roper. Then more hospitals. P'r'aps when he'd got quite tired, and
+seen the inside of a State prison, and been without his little
+comforts for a spell, he'd have gone home at last--just as I did, for
+I was the prodigal son without the riotous livin'--and found the old
+man gone, leavin' him his blessin'. The elder one would hand him the
+blessin' cheerfully, and stick to the old man's farm. Then the poor
+broken down sportsman--he'd tramp it back to London, get into an
+almshouse, with an allowance from a City charity, and die happy.
+
+"There's another kind o' prodigal," Mr. Beck went on, being in a mood
+for moralising. "She's of the other sex. Formerly she used to repent
+when she thought of what was before her. There's a refuge before her
+now, and kind women to take her by the hand and cry over her. She
+isn't in any hurry for the cryin' to begin, but it's comfortable to
+look forward to; and so she goes on until she's ready. Twenty years
+fling, maybe, with nothing to do for her daily bread; and then to
+start fair on the same level as the woman who has kept her
+self-respect and worked.
+
+"I can't see my way clear, Mr. Dunquerque; I can't. It wouldn't do any
+kind of honour to the Golden Butterfly to lay out all of these dollars
+in helpin' up them who are bound to fall--bound to fall. There's only
+two classes of people in this world--those who are goin' up, and those
+who are goin' down. It's no use tryin' to stop those who are on their
+way down. Let them go; let them slide; give them a shove down, if you
+like, and all the better, because they will the sooner get to the
+bottom, and then go up again till they find their own level."
+
+It was in the evening, at nine o'clock, when Gilead Beck made the
+oration. He was in his smaller room, which was lit only by the
+twilight of the May evening and by the gas-lamp in the street below.
+He walked up and down, talking with his hands in his pockets, and
+silencing Jack Dunquerque, who had never thought seriously about these
+or any other things, by his earnestness. Every now and then he went to
+the window and looked into the street below. The cabs rattled up and
+down, and on the pavement the customary sight of a West-end street
+after dark perhaps gave him inspiration.
+
+"Their own level," he repeated it. "Yes, sir, there's a proper level
+for every one of us somewhere, if only we can find it. At the lowest
+depth of all, there's the airth to be ploughed, the hogs to be drove,
+and the corn to be reaped. I read the other day, when I was studying
+for the great dinner, that formerly, if a man took refuge in a town,
+he might stay there for a year and a day. If then he could not keep
+himself, they opened the gates and they ran him out on a plank; same
+way as I left Clearville City. Back to the soil he went--back to the
+plough. Let those who are going down hill get down as fast as they
+can, and go back to the soil.
+
+"I've sometimes thought," he went on, "that there's a kind of work
+lower than agriculture. It is to wear a black coat and do copying. You
+take a boy and you make him a machine; tell him to copy, that is all.
+Why, sir, the rustic who feeds the pigs is a Solomon beside that poor
+critter. Make your poor helpless paupers into clerks, and make the men
+who've got arms and legs and no brains into farm labourers. Perhaps I
+shall build a city and conduct it on those principles."
+
+Then he stopped because he had run himself down, and they began to
+talk of Phillis.
+
+But it seemed to Jack a new and singular idea. The weak must go to the
+wall; but they might be helped to find their level. He was glad for
+once that he had that small four hundred a year of his own, because,
+as he reflected, his own level might be somewhere on the stage where
+the manufacture by hand, say, of upper leathers, represents the proper
+occupation of the class. A good many other fellows, he thought, among
+his own acquaintance, might find themselves accommodated with boards
+for the cobbling business near himself. And he looked at Gilead Beck
+with increased admiration as a man who had struck all this, as well as
+Ile, out of his own head.
+
+Jack Dunquerque suggested educational endowments. Mr. Beck made
+deliberate inquiries into the endowments of Oxford and Cambridge, with
+a view of founding a grand National American University on the old
+lines, to be endowed in perpetuity with the proceeds of his perennial
+oil-fountains. But there were things about these ancient seats of
+learning which did not commend themselves to him. In his unscholastic
+ignorance he asked what was the good of pitting young men against each
+other, like the gladiators in the arena, to fight, like them, with
+weapons of no earthly modern use. And when he was told of fellowships
+given to men for life as a prize for a single battle, he laughed
+aloud.
+
+He went down to Eton. He was mean enough to say of the masters that
+they made their incomes by over-charging the butchers' and the
+grocers' bills, and he said that ministers, as he called them, ought
+not to be grocers; and of the boys he said that he thought it
+unwholesome for them that some should have unlimited pocket-money, and
+all should have unlimited tick. Also some one told him that Eton boys
+no longer fight, because they funk one another. So that he came home
+sorrowful and scornful.
+
+"In my country," he said, "we have got no scholarships, and if the
+young men can't pay their professors they do without them and educate
+themselves. And in my country the boys fight. Yes, Mr. Dunquerque, you
+bet they do fight."
+
+It was after an evening at the Lyceum that Gilead Beck hit upon the
+grand idea of his life.
+
+The idea struck him as they walked home. It fell upon him like an
+inspiration, and for the moment stunned him. He was silent until he
+reached the hotel. Then he called a waiter.
+
+"Get Mr. Dunquerque a key," he said. "He will sleep here. That means,
+Mr. Dunquerque, that we can talk all night if you please. I want
+advice."
+
+Jack laughed. He always did laugh.
+
+"It is a great privilege," he said, "advising Fortunatus."
+
+"It is a great privilege, Mr. Dunquerque," returned Fortunatus,
+"having an adviser who wants nothing for himself. See that pile of
+letters. Every one a begging-letter, except that blue one on the top,
+which is from a clergyman. He's a powerful generous man, sir. He
+offers to conduct my charities at a salary of three hundred pounds a
+year."
+
+Mr. Beck then proceeded to unfold the great idea which had sprung up,
+full grown, in his brain.
+
+"That man, sir," he said, meaning Henry Irving, "is a grand actor. And
+they are using him up. He wants rest."
+
+"I was an actor myself once, and I've loved the boards ever since. I
+was not a great actor. I am bound to say that I did not act like Mr.
+Henry Irving. Quite the contrary. Once I was the hind legs of an
+elephant. Perhaps Mr. Irving himself, when he was a 'prentice, was the
+fore legs. I was on the boards for a month, when the company busted
+up. Most things did bust up that I had to do with in those days. I was
+the lawyer in _Flowers of the Forest_. I was the demon with the keg to
+Mr. Jefferson's Rip Van Winkle. Once I played Horatio. That was when
+the Mayor of Constantinople City inaugurated his year of office by
+playin' Hamlet. He'd always been fond of the stage, that Mayor, but
+through bein' in the soft-goods line never could find time to go on.
+So when he got the chance, bein' then a matter of four-and-fifty, of
+course he took it. And he elected to play Hamlet, just to show the
+citizens what a whole-souled Mayor they'd got, and the people in
+general what good play-actin' meant. The corporation attended in a
+body, and sat in the front row of what you would call the dress
+circle. All in store clothes and go-to-meetin' gloves. It was a
+majestic and an imposing spectacle. Behind them was the fire brigade
+in uniform. The citizens of Constantinople and their wives and
+daughters crowded out the house.
+
+"Wal, sir, we began. Whether it was they felt jealous or whether they
+felt envious, that corporation laughed. They laughed at the sentinels,
+and they laughed at the moon. They laughed at the Ghost, and they
+laughed at me--Horatio. And then they laughed at Hamlet.
+
+"I watched the Mayor gettin' gradually riz. Any man's dander would.
+Presently he rose to that height that he went to the footlights, and
+stood there facin' his own town council like a bull behind a gate.
+
+"They left off laughing for a minute, and then they began again. We
+are a grave people, Mr. Dunquerque, I am told, and the sight of those
+town councillors all laughin' together like so many free niggers
+before the war was most too much for any one.
+
+"The Mayor made a speech that wasn't in the play.
+
+"'Hyar,' he said, lookin' solemn. 'You jest gether up your traps and
+skin out of this. I've got the say about this house, and I arn't a
+goin' to have the folks incited to make game of their Mayor.
+So--you--kin--jist--light.'
+
+"They hesitated.
+
+"The Mayor pointed to the back of the theatre.
+
+"'Git,' he said again.
+
+"One of the town councillors rose and spoke.
+
+"'Mr. Mayor,' he began, 'or Hamlet, Prince of Denmark'----
+
+"'Wal, sir,' said the Mayor, 'didn't Nero play in his own theaytre?'
+
+"'Mr. Mayor, or Hamlet, or Nero,' e went on, 'we came here on the
+presumption that we were paying for our places, and bound to laugh if
+we were amused at the performance. Now, sir, this performance does
+amuse us considerable.'
+
+"'You may presump,' said the Mayor, 'what you dam please. But git. Git
+at once, or I'll turn on the pumps.'
+
+"It was the Ghost who came to the front with the hose in his hands
+ready to begin.
+
+"The town council disappeared before he had time to play on them and
+we went on with the tragedy.
+
+"But it was spoiled, sir, completely spoiled. And I have never acted
+since then.
+
+"So you see Mr. Dunquerque, I know somethin' about actin. 'Tisn't as
+if I was a raw youngster starting a theatrical idea all at once. I
+thought of it to-night, while I saw a man actin who has the real stuff
+in him, and only wants rest. I mean to try an experiment in London,
+and if it succeeds I shall take it to New York, and make the American
+Drama the greatest in all the world."
+
+"What will you do?"
+
+"I said to myself in that theatre: 'We want a place where we can have
+a different piece acted every week; we want to give time for
+rehearsals and for alteration; we want to bring up the level of the
+second-rate actors; we want more intelligence; and we want more care.'
+Now, Mr. Dunquerque, how would you tackle that problem?"
+
+"I cannot say."
+
+"Then I will tell you, sir. You must have three full companies. You
+must give up expecting that Theatre to pay its expenses; you must find
+a rich man to pay for that Theatre; and he must pay up pretty
+handsome."
+
+"Lord de Molleteste took the Royal Hemisphere last year."
+
+"Had he three companies, sir?"
+
+"No; he only had one; and that was a bad one. Wanted to bring out a
+new actress, and no one went to see her. Cost him a hundred pounds a
+week till he shut it up."
+
+"Well, we will bring along new actresses too, but in a different
+fashion. They will have to work their way up from the bottom of the
+ladder. My Theatre will cost me a good deal more than a hundred pounds
+a week, I expect. But I am bound to run it. The idea's in my head
+strong. It's the thing to do. A year or two in London, and then for
+the States. We shall have a Grand National Drama, and the Ile shall
+pay for it."
+
+He took paper and pen, and began to write.
+
+"Three companies, all complete, for tragedy and comedy. I've been to
+every theatre in London, and I'm ready with my list. Now, Mr.
+Dunquerque, you listen while I write them down.
+
+"I say first company; not that there's any better or worse, but
+because one must begin with something.
+
+"In the first I will have Mr. Irving, Mr. Henry Neville, Mr. William
+Farren, Mr. Toole, Mr. Emery, Miss Bateman, and Miss Nelly Farren.
+
+"In the second, Mr. George Rignold--I saw him in _Henry V._ last
+winter in the States--Mr. Hare, Mr. Kendal, Mr. Lionel Brough, Mrs.
+Kendal, and that clever little lady, Miss Angelina Claude.
+
+"In the third I will have Mr. Phelps, Mr. Charles Matthews, Mr. W. J.
+Hill, Mr. Arthur Cecil, Mr. Kelly, Mr. and Mrs. Bancroft, and Mrs.
+Scott-Siddons, if you could only get her.
+
+"I should ask Mr. Alfred Wigan to be a stage-manager and general
+director, and I would give him absolute power.
+
+"Every company will play for a week and rehearse for a fortnight. The
+principal parts shall not always be played by the best actors. And I
+will not have any piece run for more than a week at a time."
+
+"And how do you think your teams would run together?"
+
+"Sir, it would be a distinction to belong to that Theatre. And they
+would be well paid. They will run together just for the very same
+reason as everybody runs together--for their own interest."
+
+"I believe," said Jack, "that you have at last hit upon a plan for
+getting rid even of your superfluous cash."
+
+"It will cost a powerful lot, I believe. But Lord, Mr. Dunquerque!
+what better object can there be than to improve the Stage? Think what
+it would mean. The House properly managed; no loafin' around behind
+the scenes; every actor doing his darn best, and taking time for study
+and rehearsal; people comin' down to a quiet evening, with the best
+artists to entertain them, and the best pieces to play. The Stage
+would revive, sir. We should hear no more about the decay of the
+Drama. The Drama decay! That's bunkum, sir. That's the invention of
+the priests and the ministers, who go about down-cryin' what they
+can't have their own fingers in."
+
+"But I don't see how your scheme will encourage authors."
+
+"I shall pay them too, sir. I should say to Mr. Byron: 'Sir, you air a
+clever and a witty man. Go right away, sir. Sit down for a
+twelvemonth, and do nothin' at all. Then write me a play; put your own
+situations in it, not old jokes; put your own situations in it, not
+old ones. Give me somethin' better.' Then I should say to Mr. Gilbert:
+'Your pieces have got the real grit, young gentleman; but you write
+too fast. Go away too for six months and do nothin'. Then sit down for
+six months more, and write a piece that will be pretty and sweet, and
+won't be thin.' And there's more dramatists behind--only give them a
+chance. They shall have it at my house."
+
+"And what will the other houses do?"
+
+"The other houses, sir, may go on playing pieces for four hundred
+nights if they like. I leave them plenty of men to stump their boards,
+and my Theatre won't hold more than a certain number. I shall only
+take a small house to begin with, such a house as the Lyceum, and we
+shall gradually get along. But no profit can be made by such a Stage,
+and I am ready to give half my Ile to keep it goin'. Of course," he
+added, "when it is a success in London I shall carry it away, company
+and all, to New York."
+
+He rose in a burst of enthusiasm.
+
+"Gilead P. Beck shall be known for his collection of pictures. He
+shall be known for his Golden Butterfly, and the Luck it brought him.
+But he shall be best known, Mr. Dunquerque, because he will be the
+first man to take the Stage out of the mud of commercial enterprise,
+and raise it to be the great educator of the people. He shall be known
+as the founder of the Grand National American Drama. And his bust
+shall be planted on the top of every American stage."
+
+
+
+
+CHAPTER XXXIV.
+
+ "In such a cause who would not give? What heart
+ But leaps at such a name?"
+
+
+People of rank and position are apt to complain of begging-letters.
+Surely England must be a happy country since its rich people complain
+mostly of begging-letters; for they are so easily dropped into the
+waste-paper basket. A country squire--any man with a handle to his
+name and place for a permanent address--is the natural prey and victim
+of the beggars. The lithographed letter comes with every post, trying
+in vain to look like a written letter. And though in fervid sentences
+it shows the danger to your immortal soul if you refuse the pleading,
+most men have the courage to resist. The fact is that the letter is
+not a nuisance at all, because it is never read. On the other hand, a
+new and very tangible nuisance is springing up. It is that of the
+people who go round and call. Sir Roger de Coverly in his secluded
+village is free from the women who give you the alternative of a day
+with Moody and Sankey or an eternity of repentance; he never sees the
+pair of Sisters got up like Roman Catholic nuns, who stand meekly
+before you, arms crossed, mutely refusing to go without five shillings
+at least for their Ritualist hot-house. But he who lives in chambers,
+he who puts up at a great hotel and becomes known, he who has a house
+in any address from Chester Square to Notting Hill, understands this
+trouble.
+
+In some mysterious way Gilead Beck had become known. Perhaps this was
+partly in consequence of his habit of going to institutions,
+charities, and the like, and wanting to find out everything. In some
+vague and misty way it became known that there was at the Langham
+Hotel an American named Gilead P. Beck, who was asking questions
+philanthropically. Then all the people who live on philanthropists,
+with all those who work for their pleasure among philanthropists,
+began to tackle Gilead P. Beck. Letters came in the morning, which he
+read but did not answer. Circulars were sent to him, of which he
+perhaps made a note. Telegrams were even delivered to him--people
+somehow _must_ read telegrams--asking him for money. Those wonderful
+people who address the Affluent in the _Times_ and ask for £300 on the
+security of an honest man's word; those unhappy ladies whose father
+was a gentleman and an officer, on the strength of which fact they ask
+the Benevolent to help them in their undeserved distress, poor things;
+those disinterested advertisers who want a few hundreds, and who will
+give fifteen per cent. on the security of a splendid piano, a small
+gallery of undoubted pictures, and some unique china; those tradesmen
+who try to stave off bankruptcy by asking the world generally for a
+loan on the strength of a simple reference to the clergyman of St.
+Tinpot, Hammersmith; those artful dodgers, Mr. Ally Sloper and his
+friends, when they have devised a new and ingenious method of screwing
+money out of the rich,--all these people got hold of our Gilead, and
+pelted him with letters. Did they know, the ingenious and the needy,
+how the business is overdone, they would change their tactics and go
+round calling.
+
+It requires a front of brass, entire absence of self-respect, and an
+epidermis like that of the rhinoceros for toughness, to undertake this
+work. Yet ladies do it. You want a temperament off which insults,
+gibes, sneers, and blank refusals fall like water off a
+nasturtium-leaf to go the begging-round. Yet women do it. They do it
+not only for themselves, but also for their cause. From Ritualism down
+to Atheism, from the fashionable enthusiasm to the nihilism which the
+British workman is being taught to regard as the hidden knowledge,
+there are women who will brave anything, dare anything, say anything,
+and endure anything. They love to be martyred, so long especially as
+it does not hurt; they are angry with the lukewarm zeal of their male
+supporters, forgetting that a man sees the two sides of a question,
+while a woman never sees more than one; they mistake notoriety for
+fame, and contempt for jealous admiration.
+
+And here, in the very heart of London, was a man who seemed simply
+born for the Polite Beggar. A man restless because he could not part
+with his money. Not seeking profitable investments, not asking for ten
+and twenty per cent.; but anxious to use his money for the best
+purposes; a man who was a philanthropist in the abstract, who
+considered himself the trustee of a gigantic gift to the human race,
+and was desirous of exercising that trust to the best advantage.
+
+In London; and at the same time, in the same city, thousands of people
+not only representing their individual distresses or their society's
+wants, but also plans, schemes, and ideas for the promotion of
+civilisation in the abstract. Do we not all know the projectors? I
+myself know at this moment six men who want each to establish a daily
+paper; at least a dozen who would like a weekly; fifty who see a way,
+by the formation of a new society, to check immorality, kill
+infidelity once for all, make men sober and women clean, prevent
+strikes and destroy Republicanism. There is one man who would "save"
+the Church of England by establishing the preaching order; one who
+knows how to restore England to her place among the nations without a
+single additional soldier; one who burns to abolish bishops' aprons,
+and would make it penal to preach in a black gown. The land teems with
+idea'd men. They yearn, pray, and sigh daily for the capitalist who
+will reduce their idea to practice.
+
+And besides the projectors, there are the inventors. I once knew a man
+who claimed to have invented a means for embarking and setting down
+passengers and goods on a railway without stopping the trains. Think
+of the convenience. Why no railways have taken up the invention, I
+cannot explain. Then there are men who have inventions which will
+reform the whole system of domestic appliances; there are others who
+are prepared on encouragement to reform the whole conduct of life by
+new inventions. There are men by thousands brooding over experiments
+which they have no money to carry out; there are men longing to carry
+on experiments whose previous failure they can now account for. All
+these men are looking for a capitalist as for a Messiah. Had they
+known--had they but dimly suspected--that such a capitalist was in
+June of last year staying at the Langham Hotel, they would have sought
+that hotel with one consent, and besieged its portals. The world in
+general did not know Mr. Beck's resources. But they were beginning to
+find him out. The voice of rumour was spreading abroad his reputation.
+And the people wrote letters, sent circulars, and called.
+
+"Twenty-three of them came yesterday morning," Gilead Beck complained
+to Jack Dunquerque. "Three-and-twenty, and all with a tale to tell.
+No, sir,"--his voice rose in indignation--"I did not give one of them
+so much as a quarter-dollar. The Luck of the Golden Butterfly is not
+to be squandered among the well-dressed beggars of Great Britain.
+Three-and-twenty, counting one little boy, who came by himself. His
+mother was a widow, he said, and he sat on the chair and sniffed. And
+they all wanted money. There was one man in a white choker who had
+found out a new channel for doing good--and one man who wished to
+recommend a list of orphans. The rest were women. And talk? There's no
+name for it. With little books, and pencils, and bundles of tracts."
+
+While he spoke there was a gentle tap at the door.
+
+"There's another of them," he groaned. "Stand by me, Mr. Dunquerque.
+See me through with it. Come in, come in! Good Lord!" he whispered, "a
+brace this time. Will you tackle the young one, Mr. Dunquerque?"
+
+A pair of ladies. One of them a lady tall and thin, stern of aspect,
+sharp of feature, eager of expression. She wore spectacles: she was
+apparently careless of her dress, which was of black silk a little
+rusty. With her was a girl of about eighteen, perhaps her daughter,
+perhaps her niece; a girl of rather sharp but pretty features, marked
+by a look of determination, as if she meant to see the bottom of this
+business, or know the reason why.
+
+"You are Mr. Beck, sir?" the elder lady began.
+
+"I am Gilead P. Beck, madam," he replied.
+
+He was standing before the fireplace, with his long hands thrust into
+his pocket, one foot on an adjacent chair, and his head thrown a
+little back--defiantly.
+
+"You have received two letters from me, Mr. Beck, written by my own
+hand, and--how many circulars, child?'
+
+"Twenty," said the girl.
+
+"And I have had no answer. I am come for your answer, Mr. Beck. We
+will sit down, if you please, while you consider your answer."
+
+Mr. Beck took up a waste paper basket which stood at his feet, and
+tossed out the whole contents upon the table.
+
+"Those are the letters of yesterday and to-day," he said. "What was
+yours, madam? Was it a letter asking for money?"
+
+"It was."
+
+"Yesterday there were seventy-four letters asking for money. To-day
+there are only fifty-two. May I ask, madam, if you air the widow who
+wants money to run a mangle?"
+
+"Sir, I am unmarried. A mangle!"
+
+He dug his hand into the pile, and took out one at random.
+
+"You air, perhaps, the young lady who writes to know if I want a
+housekeeper, and encloses her carte-de-visite? No; that won't do. Is
+it possible you are the daughter of the Confederate general who lost
+his life in the cause?"
+
+"Really, sir!"
+
+"Then, madam, we come to the lady who"--here he read from another
+letter--"who was once a governess, and now is reduced to sell her last
+remaining garments."
+
+"Sir!"
+
+There was a withering scorn on the lady's lips.
+
+"I represent a Cause, Mr. Beck. I am not a beggar for myself. My cause
+is the sacred one of Womanhood. You, sir, in your free and happy
+Republic----"
+
+Mr. Beck bowed.
+
+"Have seen woman partially restored to her proper place--on a level
+with man."
+
+"A higher level," murmured the girl, who had far-off eyes and a sweet
+voice. "The higher level reached by the purer heart."
+
+"Only partially restored at present. But the good work goes on. Here
+we are only beginning. Mr. Beck, the Cause wants help--your help."
+
+He said nothing and she went on.
+
+"We want our rights; we want suffrage; we want to be elected for the
+Houses of Parliament; we insist on equality in following the
+professions and in enjoying the endowments of Education. We shall
+prove that we are no whit inferior to men. We want no privileges. Let
+us stand by ourselves."
+
+"Wal, madam, their air helpers who shove up, and I guess there air
+helpers who shove down."
+
+She did not understand him, and went on with increasing volubility.
+
+"The subjection of the Sex is the most monstrous injustice of all
+those which blot the fair fame of manhood. What is there in man's
+physical strength that he should use it to lord over the weaker half
+of humanity? Why has not our sex produced a Shakespeare?"
+
+"It has, madam," said Mr. Beck gravely. "It has produced all our
+greatest men."
+
+She was staggered.
+
+"Your answer, if you please, Mr. Beck."
+
+"I have no answer, madam."
+
+"I have written you two letters, and sent you twenty circulars, urging
+upon you the claims of the Woman's Rights Association. I have the
+right to ask for a reply. I expect one. You will be kind enough sir,
+to give categorically your answer to the several heads. This you will
+do of your courtesy to a lady. We can wait here while you write it. I
+shall probably, I ought to tell you, publish it."
+
+"We can wait," said the young lady.
+
+They sat with folded hands in silence.
+
+Mr. Beck shifted his foot from the chair to the carpet. Then he took
+his hands out of his pockets and stroked his chin. Then he gazed at
+the ladies steadily.
+
+Jack Dunquerque sat in the background, and rendered no help whatever.
+
+"Did you ever, ladies," asked Mr. Beck, after a few moments of
+reflection, "hear of Paul Deroon of Memphis? He was the wickedest man
+in that city. Which was allowed. He kept a bar where the whisky was
+straight and the language was free, and where Paul would tell stories,
+once you set him on, calculated to raise on end the hair of your best
+sofa. When the Crusade began--I mean the Whisky Crusade--the ladies
+naturally began with Paul Deroon's saloon."
+
+"This is very tedious, my dear," said the elder lady in a loud
+whisper.
+
+"How did Paul Deroon behave? Some barkeepers came out and cursed while
+the Whisky War went on; some gave in and poured away the Bourbon: some
+shut up shop and took to preachin.' Paul just did nothing. You
+couldn't tell from Paul's face that he even knew of the forty women
+around him prayin' all together. If he stepped outside he walked
+through as if they weren't there, and they made a lane for him. If
+he'd been blind and deaf and dumb, Paul Deroon couldn't have taken
+less notice."
+
+"We shall not keep our appointment, I fear," the younger lady
+remarked.
+
+"They prayed, preached, and sang hymns for a whole week. On Sunday
+they sang eighty strong. And on the seventh day Paul took no more
+notice than on the first. Once they asked him if he heard the singin.'
+He said he did: and it was very soothin' and pleasant. Said, too, that
+he liked music to his drink. Then they asked him if he heard the
+prayers. He said he did; said, too, that it was cool work sittin' in
+the shade and listenin'; also that it kinder seemed as if it was bound
+to do somebody or other good some day. Then they told him that the
+ladies were waitin' to see him converted. He said it was very kind of
+them, and, for his own part, he didn't mind meetin' their wishes half
+way, and would wait as long as they did."
+
+The ladies rose. Said the elder lady viciously: "You are unworthy,
+sir, to represent your great country. You are a common scoffer."
+
+"General Schenck represents my country, madam."
+
+"You are unworthy of being associated with a great Cause. We have
+wasted our time upon you."
+
+Their departure was less dignified than their entry.
+
+As they left the room another visitor arrived. It was a tall and
+handsome man, with a full flowing beard and a genial presence.
+
+He had a loud voice and a commanding manner.
+
+"Mr. Beck? I thought so. I wrote to you yesterday, Mr. Beck. And I am
+come in person--in person, sir--for your reply."
+
+"You air the gentleman, sir, interested in the orphan children of a
+colonial bishop?"
+
+"No, sir, I am not. Nothing of the kind."
+
+"Then you air perhaps the gentleman who wrote to say that unless I
+sent him a ten-pound note by return of post he would blow out his
+brains?"
+
+"I am Major Borington. I wrote to you, sir, on behalf of the Grand
+National Movement for erecting International Statues."
+
+"What is that movement, sir?"
+
+"A series of monuments to all our great men, Mr. Beck. America and
+England, have ancestors in common. We have our Shakespeare, sir, our
+Milton."
+
+"Yes, sir, so I have heard. I did not know those ancestors myself,
+having been born too late, and therefore I do not take that interest
+in their stone figures you do."
+
+"Positively, Mr. Beck, you must join us."
+
+"It is your idea, Colonel, is it?"
+
+"Mine, Mr. Beck. I am proud to say it is my own."
+
+"I knew a man once, Colonel, in my country, who wanted to be a great
+man. He had that ambition, sir. He wasn't particular how he got his
+greatness. But he scorned to die and be forgotten, and he yearned to
+go down to posterity. His name, sir, was Hiram Turtle. First of all,
+he ambitioned military greatness. We went into Bull's Run together.
+And we came out of it together. We came away from that field side by
+side. We left our guns there, too. If we had had shields, we should
+have left them as well. Hiram concluded, sir, after that experience,
+to leave military greatness to others."
+
+Major Borington interposed a gesture.
+
+"One moment, Brigadier. The connection is coming. Hiram Turtle thought
+the ministry opened up a field. So he became a preacher. Yes; he
+preached once. But he forgot that a preacher must have something to
+say, and so the elders concluded not to ask Hiram Turtle any more.
+Then he became clerk in a store while he looked about him. For a year
+or two he wrote poetry. But the papers in America, he found, were in a
+league against genius. So he gave up that lay. Politics was his next
+move; and he went for stump-orating with the Presidency in his eye.
+Stumpin' offers amusement as well as gentle exercise, but it doesn't
+pay unless you get more than one brace of niggers and a bubbly-jock to
+listen. Wal, sir, how do you think Hiram Turtle made his greatness? He
+figured around, sir, with a List, and his own name a-top, for a Grand
+National Monument to the memory of the great men who fell in the Civil
+War. They air still subscribing, and Hiram Turtle is the great
+Patriot. Now, General, you see the connection."
+
+"If you mean, sir," cried Major Borington, "to imply that my motives
+are interested----"
+
+"Not at all, sir," said Mr. Beck; "I have told you a little story.
+Hiram Turtle's was a remarkable case. Perhaps you might ponder on it."
+
+"Your language is insulting, sir!"
+
+"Colonel, this is not a country where men have to take care what they
+say. But if you should ever pay a visit out West, and if you should
+happen to be about where tar and feathers are cheap, you would really
+be astonished at the consideration you would receive. No, sir, I shall
+not subscribe to your Grand National Association. But go on, Captain,
+go on. This is a charitable country, and the people haven't all heard
+the story of Hiram Turtle. And what'll you take, Major?"
+
+But Major Borington, clapping on his hat, stalked out of the room.
+
+The visits of the strong-minded female and Major Borington which were
+typical, took place on the day which was the first and only occasion
+on which Phillis went to the theatre. Gilead Beck took the box, and
+they went--Jack Dunquerque being himself the fourth, as they say in
+Greek exercise-books--to the Lyceum, and saw Henry Irving play Hamlet.
+
+Phillis brought to the play none of the reverence with which English
+people habitually approach Shakespeare, insomuch that while we make
+superhuman efforts to understand him we have lost the power of
+criticism. To her, George III.'s remark that there was a great deal of
+rubbish in Shakspeare would have seemed a perfectly legitimate
+conclusion. But she knew nothing about the great dramatist.
+
+The house, with its decorations, lights, and crowd, pleased her. She
+liked the overture, and she waited with patience for the first scene.
+She was going to see a representation of life done in show. So much
+she understood. Instead of telling a story the players would act the
+story.
+
+The Ghost--perhaps because the Lyceum Ghost was so palpably flesh and
+blood--inspired her with no terror at all. But gradually the story
+grew into her, and she watched the unfortunate Prince of Denmark torn
+by his conflicting emotions, distraught with the horror of the deed
+that had been done and the deed that was to do, with a beating heart
+and trembling lip. When Hamlet with that wild cry threw himself upon
+his uncle's throne, she gasped and caught Agatha by the hand. When the
+play upon the stage showed the King how much of the truth was known,
+she trembled, and looked to see him immediately confess his crime and
+go out to be hanged. She was indignant with Hamlet for the slaughter
+of Polonius; she was contemptuous of Ophelia, whom she did not
+understand; and she was impatient when the two Gravediggers came to
+the front, resolute to spare the audience none of their somewhat musty
+old jokes and to abate nothing of the stage-business.
+
+When they left the theatre Phillis moved and spoke as in a dream. War,
+battle, conspiracy, murder, crime--all these things, of which her
+guardian had told her, she saw presented before her on the stage. She
+had too much to think of; she had to fit all these new surroundings in
+her mind with the stories of the past. As for the actors, she had no
+power whatever of distinguishing between them and the parts they
+played. Irving was Hamlet; Miss Bateman was Ophelia; and they were all
+like the figures of a dream, because she did not understand how they
+could be anything but Hamlet, Ophelia, and the Court of Denmark.
+
+And this, too, was part of her education.
+
+
+
+
+CHAPTER XXXV.
+
+ "Love in her eyes lay hiding,
+ His time in patience biding."
+
+
+"Square it with Colquhoun before you go any farther," said Ladds.
+
+Square it with the guardian--speak to the young lady's father--make it
+all right with the authorities; what excellent advice to give, and how
+easy to follow it up! Who does not look forward with pleasure, or
+backward as to an agreeable reminiscence, to that half hour spent in a
+confidential talk with dear papa? How calmly critical, how severely
+judicial, was his summing up! With what a determined air did he follow
+up the trail, elicited in cross-examination, of former sins! With how
+keen a scent did he disinter forgotten follies, call attention to
+bygone extravagances, or place the finger of censure upon debts which
+never ought to have been incurred, and economies which ought to have
+been made!
+
+Remember his "finally"--a word which from childhood has been
+associated with sweet memories, because it brings the sermon to an
+end, but which henceforth will awake in your brain the ghost of that
+_mauvais quart d'heure_. In that brief peroration he tore the veil
+from the last cherished morsel of self-illusion; he showed you that
+the furnishing of a house was a costly business, that he was not going
+to do it for you, that servants require an annual income of
+considerable extent, that his daughter had been brought up a lady,
+that lady's dress is a serious affair, that wedlock in due season
+brings babies, and that he was not so rich as he seemed.
+
+Well, perhaps he said "Yes" reluctantly, in spite of drawbacks. Then
+you felt that you were regarded by the rest of the family as the means
+of preventing dear Annabella from making a brilliant match. That
+humbled you for life. Or perhaps he said "No." In that case you went
+away sadly and meditated suicide. And whether you got over the fit, or
+whether you didn't--though of course you did--the chances were that
+Annabella never married at all, and you are still regarded by the
+family as the cause of that sweet creature not making the
+exceptionally splendid alliance which, but for you, the disturbing
+influence, would have been her lot.
+
+However, the thing is necessary, unless people run away, a good old
+fashion by which such interviews, together with wedding-breakfasts,
+wedding-garments, and wedding-presents were avoided.
+
+Running away is out of fashion. It would have been the worst form
+possible in Jack Dunquerque even to propose such a thing to Phillis,
+and I am not at all certain that he would ever have made her
+understand either the necessity or the romance of the thing. And I am
+quite sure that she would never understand that Jack Dunquerque was
+asking her to do a wrong thing.
+
+Certainly it was not likely that this young man would proceed further
+in the path of irregularity--which leads to repentance--than he had
+hitherto done. He had now to confess before the young lady's guardian
+something of the part he played.
+
+Looked at dispassionately, and unsoftened by the haze of illusion,
+this part had, as he acknowledged with groans, an appearance far from
+pleasing to the Christian moralist.
+
+He had taken advantage of the girl's total ignorance to introduce
+himself at the house where she was practically alone for the whole
+day; he found her like a child in the absence of the reserve which
+girls are trained to; he stepped at once into the position of a
+confidential friend; he took her about for walks and drives, a thing
+which might have compromised her seriously; he allowed Joseph Jagenal,
+without, it is true, stating it in so many words, to believe him an
+old friend of Phillis's; he followed her to Twickenham and installed
+himself at Mrs. L'Estrange's as an _ami de famille_; he had done
+so much to make the girl's life bright and happy, he was so dear to
+her, that he felt there was but one step to be taken to pass from a
+brother to a lover.
+
+It was a black record to look at, and it was poor consolation to think
+that any other man would have done the same.
+
+Jack Dunquerque, like Phillis herself, was changed within a month.
+Somehow the fun and carelessness which struck Gilead Beck as so
+remarkable in a man of five-and-twenty were a good deal damped. For
+the first time in his life he was serious; for the first time he had a
+serious and definite object before him. He was perfectly serious in an
+unbounded love for Phillis. Day by day the sweet beauty of the girl,
+her grace, her simple faith, her child-like affection, sank into his
+heart and softened him. Day after day, as he rowed along the meadows
+of the Thames, or lazied under the hanging willows by the shore, or
+sat with her in the garden, or rode along the leafy roads by her side,
+the sincerity of her nature, as clear and cloudless as the blue depths
+of heaven; its purity, like the bright water that leaps and bubbles
+and flows beneath the shade of Lebanon; its perfect truthfulness, like
+the midday sunshine in June; the innocence with which, even as another
+Eve, she bared her very soul for him to read--these things, when he
+thought of them, brought the unaccustomed tears to his eyes, and made
+his spirit rise and bound within him as to unheard of heights. For
+love, to an honest man, is like Nature to a poet or colour to an
+artist--it makes him see great depths, and gives him, if only for once
+in his life, a Pisgah view of a Land far, far holier, a life far, far
+higher, a condition far, far sweeter and nobler than anything in this
+world can give us--except the love of a good woman. In such a vision
+the ordinary course of our life is suspended; we move on air; we see
+men as trees walking, and regard them not. Happy the man who once in
+his life has been so lifted out of the present, and knows not
+afterwards whether he was in the flesh or out of the flesh.
+
+Jack, with the influence of this great passion upon him, was
+transformed. Fortunately for us this emotion had its ebb and flow.
+Else that great dinner to Literature had never come off. But at all
+times he was under its sobering influence. And it was in a penitent
+and humble mood that he sought Lawrence Colquhoun, in the hope of
+"squaring it" with him as Ladds advised. Good fellow, Tommy; none
+better; but wanting in the higher delicacy. Somehow the common words
+and phrases of every-day use applied to Phillis jarred upon him. After
+all, one feels a difficulty in offering a princess the change for a
+shilling in coppers. If I had to do it, I should fall back on a
+draught upon the Cheque Bank.
+
+Lawrence was full of his own annoyances--most of us always are, and it
+is one of the less understood ills of life that one can never get,
+even for five minutes, a Monopoly of Complaint. But he listened
+patiently while Jack--Jack of the Rueful Countenance--poured out his
+tale of repentance, woe, and prayer.
+
+"You see," he said, winding up, "I never thought what it would come
+to. I dropped into it by accident and then--then----"
+
+"When people come to flirt they stay to spoon," said Lawrence. "In
+other words, my dear fellow, you are in love. Ah!"
+
+Jack wondered what was meant by the interjection. In all the list of
+interjections given by Lindley Murray, or the new light Dr. Morris,
+such as Pish! Phaw! Alas! Humph! and the rest which are in everybody's
+mouth, there is none which blows with such an uncertain sound as this.
+Impossible to tell whether it means encouragement, sympathy, or cold
+distrust.
+
+"Ah!" said Lawrence. "Sit down and be comfortable, Jack. When one is
+really worried, nothing like a perfect chair. Take my own. Now, then,
+let us talk it over."
+
+"It doesn't look well," thought Jack.
+
+"Always face the situation," said Lawrence (he had got an uncommonly
+awkward situation of his own to face, and it was a little relief to
+turn to some one else's). "Nothing done by blinking facts. Here we
+are. Young lady of eighteen or so--just released from a convent;
+ignorant of the world; pretty; attractive ways; rich, as girls go--on
+the one hand. On the other, you: good-looking, as my cousin Agatha
+L'Estrange says, though I can't see it; of a cheerful disposition--_aptus
+ludere_, fit to play, _cum puellâ_, all the day----"
+
+"Don't chaff, Colquhoun; it's too serious."
+
+But Colquhoun went on:
+
+"An inflammable young man. Well, with any other girl the danger would
+have been seen at once; poor Phillis is so innocent that she is
+supposed to be quite safe. So you go on calling. My cousin Agatha
+writes me word that she has been looking for the light of love, as she
+calls it, in Phillis's eyes; and it isn't there. She is a
+sentimentalist, and therefore silly. Why didn't she look in your eyes,
+Jack? That would have been very much more to the purpose."
+
+"She has, now. I told her yesterday that I--I--loved Phillis."
+
+"Did she ask you to take the young lady's hand and a blessing at once?
+Come, Jack, look at the thing sensibly. There are two or three very
+strong reasons why it can't be."
+
+"Why it can't be!" echoed Jack dolefully.
+
+"First, the girl hasn't come out. Now, I ask you, would it not be
+simply sinful not to give her a fair run? In any case you could not be
+engaged till after she has had one season. Then her father, who did
+not forget that he was grandson of a Peer, wanted his daughter to make
+a good match, and always spoke of the fortune he was to leave her as a
+guarantee that she would marry well. He never thought he was going to
+die, of course; but all events I know so much of his wishes. Lastly,
+my dear Jack Dunquerque, you are the best fellow in the world, but,
+you know--but----"
+
+"But I am not Lord Isleworth."
+
+"That is just it. You are his lordship's younger brother, with one or
+two between you and the title. Now don't you see? Need we talk about
+it any more?"
+
+"I suppose Phil--I mean Miss Fleming--will be allowed to choose for
+herself. You are not going to make her marry a man because he happens
+to have a title and an estate, and offers himself?"
+
+"I suppose," said Lawrence, laughing, "that I am going to lock Phillis
+up in a tower until the right man comes. No, no, Jack; there shall be
+no compulsion. If she sets her heart upon marrying you--she is a
+downright young lady--why, she must do it; but after she has had her
+run among the ball-rooms, not before. Let her take a look round first;
+there will be other Jack Dunquerques ready to look at, be sure of
+that. Perhaps she will think them fairer to outward view than you. If
+she does, you will have to give her up in the end, you know."
+
+"I have said no word of love to her, Colquhoun, I give you my honour,"
+said Jack hotly, "I don't think she would understand it if I did."
+
+"I am glad of that at least."
+
+"If I am to give her up and go away, I dare say," the poor youth went
+on, with a little choking in his throat, "that she will regret me at
+first and for a day or two. But she will get over that; and--as you
+say, there are plenty of fellows in the world better than
+myself--and----"
+
+"My dear Jack, there will be no going away. You tell me you have not
+told her all the effect that her _beaux yeux_ have produced upon
+you. Well, then--and there has been nothing to compromise her at all?"
+
+"Nothing; that is, once we went to the Tower in a hansom cab."
+
+"Oh, that is all, is it? Jack Dunquerque--Jack Dunquerque!"
+
+"And we have been up the river a good many times in a boat."
+
+"I see. The river is pleasant at this time of the year."
+
+"And we have been riding together a good deal. Phil rides very well,
+you know."
+
+"Does she? It seems to me, Jack, that my cousin Agatha is a fool, and
+that you have been having rather a high time in consequence. Surely
+you can't complain if I ask you to consider the innings over for the
+present?"
+
+"No; I can't complain, if one may hope----"
+
+"Let us hope nothing. Sufficient for the day. He who hopes nothing
+gets everything. Come out of it at once, Jack, before you get hit too
+hard."
+
+"I think no one was ever hit so hard before," said Jack. "Colquhoun,
+you don't know your ward. It is impossible for any one to be with her
+without falling in love with her. She is----" Here he stopped, because
+he could not go any farther. Anybody who did not know the manly nature
+of Jack Dunquerque might have thought he was stopped by emotion.
+
+"We all get the fever some time or other. But we worry through. Look
+at me, Jack. I am forty, and, as you see, a comparatively hale and
+hearty man, despite my years. It doesn't shorten life, that kind of
+fever; it doesn't take away appetite; it doesn't interfere with your
+powers of enjoyment. There is even a luxury about it. You can't
+remember Geraldine Arundale, now Lady Newladegge, when she came out,
+of course. You were getting ready for Eton about that time. Well, she
+and I carried on for a whole season. People talked. Then she got
+engaged to her present husband, after seeing him twice. She wanted a
+Title, you see. I was very bad, that journey; and I remember that
+Agatha, who was in my confidence, had a hot time of it over the
+faithlessness of shallow hearts. But I got over the attack, and I have
+not been dangerously ill, so to speak since. That is, I have made a
+contemptible ass of myself on several occasions, and I dare say I
+shall go on making an ass of myself as long as I live. Because the
+older you grow, somehow, the sweeter do the flowers smell."
+
+Jack only groaned. It really is no kind of consolation to tell a
+suffering man that you have gone through it yourself. Gilead Beck told
+me once of a man who lived in one of the Southern States of America:
+he was a mild, and placid creature, inoffensive as a canary bird,
+quiet as a mongoose, and much esteemed for his unusual meekness. This
+harmless being once got ear-ache--very bad ear-ache. Boyhood's
+ear-aches are awful things to remember; but those of manhood, when
+they do come, which is seldom, are the Devil. To him in agony came a
+friend, who sat down beside him, like Eliphaz the Temanite, and
+sighed. This the harmless being who had the ear-ache put up with,
+though it was irritating. Presently the friend began to relate how he
+once had the ear-ache himself. Then the harmless creature rose up
+suddenly, and, seizing an adjacent chunk of wood, gave that friend a
+token of friendship on the head with such effect that he ceased the
+telling of that and all other stories, and has remained quite dumb
+ever since. The jury acquitted that inoffensive and meek creature, who
+wept when the ear-ache was gone, and often laid flowers on the grave
+of his departed friend.
+
+Jack did not heave chunks of wood at Colquhoun. He only looked at him
+with ineffable contempt.
+
+"Lady Newladegge! why, she's five-and-thirty! and she's fat!"
+
+"She wasn't always five-and-thirty, nor was she always fat. On the
+contrary, when she was twenty, and I was in love with her, she was
+slender, and, if one may so speak of a Peeress, she was cuddlesome!"
+
+"Cuddlesome!" Jack cried, his deepest feelings outraged. "Good
+Heavens! to think of comparing Phil with a woman who was once
+cuddlesome!"
+
+Lawrence Colquhoun laughed.
+
+"In fifteen years, or thereabouts, perhaps you will take much the same
+view of things as I do. Meantime Jack, let things remain as they are.
+You shall have a fair chance with the rest; and you must remember that
+you have had a much better chance than anybody else, because you have
+had the first running. Leave off going to Twickenham quite so much;
+but don't stop going altogether, or Phillis may be led to suspect.
+Can't you contrive to slack off by degrees?"
+
+Jack breathed a little more freely. The house, then, was not shut to
+him.
+
+"The young lady will have her first season next year. I don't say I
+hope she will marry anybody else, Jack, but I am bound to give her the
+chance. As soon as she really understands a little more of life she
+will find out for herself what is best for her, perhaps. Now we've
+talked enough about it."
+
+Jack Dunquerque went away sorrowful. He expected some such result of
+this endeavour to "square" it with Colquhoun, but yet he was
+disappointed.
+
+"Hang it all, Jack," said Ladds, "what can you want more? You are told
+to wait a year. No one will step in between you and the young lady
+till she comes out. You are not told to discontinue your visits--only
+not to go too often, and not to compromise her. What more does the man
+want?"
+
+"You are a very good fellow, Tommy," sighed the lover; "a very good
+fellow in the main. But you see, you don't know Phil. Let me call her
+Phil to you, old man. There's not another man in the world that I
+_could_ talk about her to--not one, by Jove; it would seem a
+desecration."
+
+"Go on, Jack--talk away; and I'll give you good advice."
+
+He did talk away! What says Solomon? "Ointment and perfume rejoice the
+soul; so doth the sweetness of a man's friend by hearty counsel." The
+Wise Man might have expressed himself more clearly, but his meaning
+can be made out.
+
+Meantime Lawrence Colquhoun, pulling himself together after Jack went
+away, remembered that he had not once gone near his ward since he
+drove her to Twickenham.
+
+"It is too bad," said Conscience; "a whole month."
+
+"It is all that woman's fault," he pleaded. "I have been dangling
+about, in obedience to her, like a fool."
+
+"Like a fool!" echoed Conscience.
+
+He went that very day, and was easily persuaded to stay and dine with
+the two ladies.
+
+He said very little, but Agatha observed him watching his ward
+closely.
+
+After dinner she got a chance.
+
+It was a pleasant evening, early in June. They had strawberries on a
+garden table. Phillis presently grew tired of sitting under the shade,
+and strolled down to the river-side, where she sat on the grass and
+threw biscuits to the swans.
+
+"What do you think, Lawrence?"
+
+He was watching her in silence.
+
+"I don't understand it, Agatha. What have you done to her?"
+
+"Nothing. Are you pleased?"
+
+"You are a witch; I believe you must have a familiar somewhere. She is
+wonderful--wonderful!"
+
+"Is she a ward to be proud of and to love, Lawrence? Is she the
+sweetest and prettiest girl you ever saw? My dear cousin, I declare to
+you that I think her faultless. At least, her very faults are
+attractive. She is impetuous and self-willed, but she is full of
+sympathy. And that seems to have grown up in her altogether in the
+last few months."
+
+"Her manner appears to be more perfect than anything I have ever
+seen."
+
+"It is because she has no self-consciousness. She is like a child
+still, my dear Phillis, so far."
+
+"I wonder if it is because she cannot read? Why should we not prohibit
+the whole sex from learning to read?"
+
+"Nonsense, Lawrence. What would the novelists do? Besides, she is
+learning to read fast. I put her this morning into the Third Lesson
+Book--two syllables. And it is not as if she were ignorant, because
+she knows a great deal."
+
+"Then why is it?"
+
+"I think her sweet nature has something to do with it; and, besides,
+she has been shielded from many bad influences. We send girls to
+school, and--and--well, Lawrence, we cannot all be angels, any more
+than men. If girls learn about love, and establishments, and
+flirtations, and the rest of it, why, they naturally want their share
+of these good things. Then they get self-conscious."
+
+"What about Jack Dunquerque?" asked Lawrence abruptly. "He has been to
+me about her."
+
+Agatha blushed as prettily as any self-conscious young girl.
+
+"He loves Phillis," she said; "but Phillis only regards him as a
+brother."
+
+"Agatha, you are no wiser than little Red Riding Hood. Jack Dunquerque
+is a wolf."
+
+"I am sure he is a most honourable, good young man."
+
+"As for good, goodness knows. Honourable no doubt, and a wolf. You are
+a matchmaker, you bad, bad woman. I believe you want him to marry that
+young Princess over there."
+
+"And what did you tell poor Jack?"
+
+"Told him to wait. Acted the stern guardian. Won't have an engagement.
+Must let Phillis have her run. Mustn't come here perpetually trying to
+gobble up my dainty heiress. Think upon that now, Cousin Agatha."
+
+"She could not marry into a better family."
+
+"Very true. The Dunquerques had an Ark of their own, I believe, at the
+Deluge. But then Jack is not Lord Isleworth; and he isn't ambitious,
+and he isn't clever, and he isn't rich."
+
+"Go on, Lawrence; it is charming to see you in a new
+character--Lawrence the Prudent!"
+
+"Charmed to charm _la belle cousine_. He is in love, and he is hit as
+hard as any man I ever saw. But Phillis shall not be snapped up in
+this hasty and inconsiderate manner. There are lots of better _partis_
+in the field."
+
+Then Phillis came back, dangling her hat by its ribbons. The setting
+sun made a glory of her hair, lit up the splendour of her eyes, and
+made a clear outline of her delicate features and tall shapely figure.
+
+"Come and sit by me, Phillis," said her guardian. "I have neglected
+you. Agatha will tell you that I am a worthless youth of forty, who
+neglects all his duties. You are so much improved, my child, that I
+hardly knew you. Prettier and--and--everything. How goes on the
+education?"
+
+"Reading and writing," said Phillis, "do not make education. Really,
+Lawrence, you ought to know better. A year or two with Mr. Dyson would
+have done you much good. I am in words of two syllables; and Agatha
+thinks I am getting on very nicely. I am in despair about my painting
+since we have been to picture-galleries. And to think how conceited I
+was once over it! But I _can_ draw, Lawrence; I shall not give up my
+drawing."
+
+"And you liked your galleries?"
+
+"Some of them. The Academy was tiring. Why don't they put all the
+portraits in one room together, so that we need not waste time over
+them?"
+
+"What did you look at?"
+
+"I looked at what all the other people pressed to see, first of all.
+There was a picture of Waterloo, with the French and English crowded
+together so that they could shake hands. It was drawn beautifully; but
+somehow it made me feel as if War was a little thing. Mr. Dyson used
+to say that women take the grandeur and strength out of Art. Then
+there was a brown man with a sling on a platform. The platform rested
+on stalks of corn; and if the man were to throw the stone he would
+topple over, and tumble off his platform. And there was another one,
+of a row of women going to be sold for slaves; a curious picture, and
+beautifully painted, but I did not like it."
+
+"What did you like?"
+
+"I liked some that told their own story, and made me think. There was
+a picture of a moor--take me to see a moor, Lawrence--with a windy
+sky, and a wooden fence, and a light upon. Oh, I liked all the
+landscapes. I think our artists feel trees and sunshine. But what is
+my opinion worth?"
+
+"Come with me to-morrow, Phillis; we will go through the pictures
+together, and you shall teach me what to like. Your opinion worth?
+Why, child, all the opinions of all the critics together are not worth
+yours."
+
+
+
+
+CHAPTER XXXVI.
+
+ "What is it that has been done?"
+
+
+These anonymous letters and this fit of jealousy, the more dangerous
+because it was a new thing, came at an awkward time for Gabriel
+Cassilis. He had got "big" things in hand, and the eyes of the City,
+he felt, were on him. It was all-important that he should keep his
+clearness of vision and unclouded activity of brain. For the first
+time in his life his operations equalled, or nearly approached, his
+ambition. For the first time he had what he called a considerable sum
+in his hands. That is to say, there was his own money--he was reported
+to be worth three hundred thousand pounds--Gilead Beck's little pile,
+with his unlimited credit, and smaller sums placed in his hands for
+investment by private friends, such as Colquhoun, Ladds, and others. A
+total which enabled him to wait. And the share-market oscillating. And
+telegrams in cipher reaching him from all quarters. And Gabriel
+Cassilis unable to work, tormented by the one thought, like Io by her
+gad-fly, attacked by fits of giddiness which made him cling to the
+arms of his chair, and relying on a brain which was active, indeed,
+because it was filled with a never-ending succession of pictures, in
+which his wife and Colquhoun always formed the principal figures, but
+which refused steady work.
+
+Gabriel Cassilis was a gamester who played to win. His game was not
+the roulette-table, where the bank holds one chance out of thirty, and
+must win in the long run; it was a game in which he staked his
+foresight, knowledge of events, financial connections, and calm
+judgment against greed, panic, enthusiasm, and ignorance. It was his
+business to be prepared against any turn of the tide. He would have
+stood calmly in the Rue Quincampoix, buying in and selling out up to
+an hour before the smash. And that would have found him without a
+single share in Law's great scheme. A great game, but a difficult one.
+It requires many qualities, and when you have got these, it requires a
+steady watchfulness and attention to the smallest cloud appearing on
+the horizon.
+
+There were many clouds on the horizon. His grand _coup_ was to be in
+Eldorado Stock. Thanks to Mr. Wylie's pamphlet they went down, and
+Gabriel Cassilis bought in--bought all he could; and the Stock went
+up. There was a fortnight before settling day.
+
+They went up higher, and yet higher. El Señor Don Bellaco de la
+Carambola, Minister of the Eldorado Republic at St. James's, wrote a
+strong letter to the daily papers in reply to Mr. Wylie's pamphlet. He
+called attention to the rapid--the enormous--advance made in the
+State. As no one had seen the place, it was quite safe to speak of
+buildings, banks, commercial prosperity, and "openings up." It
+appeared, indeed from his letter that the time of universal wealth,
+long looked for by mankind, was actually arrived for Eldorado.
+
+The Stock went higher. Half the country clergy who had a few hundreds
+in the bank wanted to put them in Eldorado Stock. Still Gabriel
+Cassilis made no move, but held on.
+
+And every day to get another of those accursed letters, with some new
+fact; every day to groan under fresh torture of suspicion; every day
+to go home and dine with the calm cold creature whose beauty had been
+his pride, and try to think that this impassive woman could be
+faithless.
+
+This torture lasted for weeks; it began when Colquhoun first went to
+his house, and continued through May into June. His mental sufferings
+were so great that his speech became affected. He found himself saying
+wrong words, or not being able to hit upon the right word at all. So
+he grew silent. When he returned home, which was now early, he hovered
+about the house. Or he crept up to his nursery, and played with his
+year-old child. And the nurses noticed how, while he laughed and
+crowed to please the baby, the tears came into his eyes.
+
+The letters grew more savage.
+
+He would take them out and look at them. Some of the sentences burned
+into his brain like fire.
+
+"As Mr. Lawrence Colquhoun is the only man she ever loved. Ask her for
+the secret. They think no one knows it.
+
+"Does she care for the child--your child? Ask Tomlinson how often she
+sees it.
+
+"When you go to your office, Mr. Colquhoun comes to your house. When
+you come home, he goes out of it. Then they meet somewhere else.
+
+"Ask him for the secret. Then ask her, and compare what they say.
+
+"Five years ago Mr. Lawrence Colquhoun and Miss Pengelley were going
+to be married. Everybody said so. She went to Scotland. He went after
+her. Ask him why.
+
+"You are an old fool with a young wife. She loves your money, not you;
+she despises you because you are a City man; and she loves Mr.
+Colquhoun."
+
+He sat alone in his study after dinner, reading these wretched things,
+in misery of soul. And a thought came across him.
+
+"I will go and see Colquhoun," he said. "I will talk to him, and ask
+him what is this secret."
+
+It was about ten o'clock. He put on his hat and took a cab to
+Colquhoun's chambers.
+
+On that day Lawrence Colquhoun was ill at ease. It was borne in upon
+him with especial force--probably because it was one of the sultry and
+thunderous days when Conscience has it all her own disagreeable
+way--that he was and had been an enormous Ass. By some accident he was
+acquainted with the fact that he had given rise to talk by his
+frequent visits to Victoria Cassilis.
+
+"And to think," he said to himself, "that I only went there at her own
+special request, and because she likes quarrelling!"
+
+He began to think of possible dangers, not to himself, but to her and
+to her husband, even old stories revived and things forgotten and
+brought to light. And the thing which she had done came before him in
+its real shape and ghastliness--a bad and ugly thing; a thing for
+whose sake he should have fled from her presence and avoided her; a
+thing which he was guilty in hiding. No possible danger to himself?
+Well, in some sense none; in every other sense all dangers. He had
+known of this thing, and yet he sat at her table; he was conscious of
+the crime, and yet he was seen with her in public places; he was
+almost _particeps criminis_, because he did not tell what he knew; and
+yet he went day after day to her house--for the pleasure of
+quarrelling with her.
+
+He sat down and wrote to her. He told her that perhaps she did not
+wholly understand him when he told her that the renewed acquaintance
+between them must cease; that, considering the past and with an eye to
+the future, he was going to put it out of her power to compromise
+herself by seeing her no more. He reminded her that she had a great
+secret to keep unknown, and a great position to lose; and then he
+begged her to give up her wild attempts at renewing the old ties of
+friendship.
+
+The letter, considering what the secret really was, seemed a wretched
+mockery to the writer, but he signed it and sent it by his servant.
+
+Then he strolled to his club, and read the papers before dinner. But
+he was not easy. There was upon him the weight of impending
+misfortune. He dined, and tried to drown care in claret, but with poor
+success, Then he issued forth--it was nine o'clock and still
+light--and walked gently homewards.
+
+He walked so slowly that it was half-past nine when he let himself
+into his chambers in the Albany. His servant was out, and the rooms
+looked dismal and lonely. They were not dismal, being on the second
+floor, where it is light and airy, and being furnished as mediæval
+bachelorhood with plenty of money alone understands furniture. But he
+was nervous to-night, and grim stories came into his mind of spectres
+and strange visitors to lonely men in chambers. Such things happen
+mostly, he remembered, on twilight evenings in midsummer. He was quite
+right. The only ghost I ever saw myself was in one of the Inns of
+Court, in chambers, at nine o'clock on a June evening.
+
+He made haste to light a lamp--no such abomination as gas was
+permitted in Lawrence Colquhoun's chambers: it was one of the silver
+reading-lamps, good for small tables, and provided with a green shade,
+so that the light might fall in a bright circle, which was Cimmertian
+blackness shading off into the sepia of twilight. It was his habit,
+too, to have lighted candles on the mantelshelf and on a table; but
+to-night he forgot them, so that, except for the light cast upwards by
+the gas in the court and an opposite window illuminated, and for the
+half-darkness of the June evening, the room was dark. It was very
+quiet, too. There was no footsteps in the court below, and no voices
+or steps in the room near him. His nearest neighbour, young Lord
+Orlebar, would certainly not be home, much before one or two, when he
+might return with a few friends connected with the twin services of
+the army and the ballet for a little cheerful supper. Below him was
+old Sir Richard de Counterpane, who was by this time certainly in bed,
+and perhaps sound asleep. Very quiet--he had never known it more
+quiet; and he began to feel as if it would be a relief to his nerves
+were something or somebody to make a little noise.
+
+He took a novel, one that he had begun a week ago. Whether the novel
+of the day is inferior to the novel of Colquhoun's youth, or whether
+he was a bad reader of fiction, certainly he had been more than a week
+over the first volume alone.
+
+Now it interested him less than ever.
+
+He threw it away and lit a cigar. And then his thoughts went back to
+Victoria. What was the devil which possessed the woman that she could
+not rest quiet? What was the meaning of this madness upon her?
+
+"A cold--an Arctic woman," Lawrence murmured. "Cold when I told her
+how much I loved her; cold when she engaged herself to me; cold in her
+crime; and yet she follows me about as if she was devoured by the
+ardour of love, like another Sappho."
+
+It was not that, Lawrence Colquhoun; it was the _spretæ injuria
+formæ_, the jealousy and hatred caused by the lost power.
+
+"I wish," he said, starting to his feet, and walking like the Polar
+bear across his den and back again, "I wish to heaven I had gone on
+living in the Empire City with my pair of villainous Chinamen. At
+least I was free from her over there. And when I saw her marriage, by
+Gad! I thought it was a finisher. Then I came home again."
+
+He stopped in his retrospection, because he heard a foot upon the
+stairs.
+
+A woman's foot; a light step and a quick step.
+
+"May be De Counterpane's nurse. Too early for one of young Orlebar's
+friends. Can't be anybody for me."
+
+But it was; and a woman stopped at his doorway, and seeing him alone,
+stepped in.
+
+She had a hooded cloak thrown about an evening-dress; the hood was
+drawn completely over her face, so that you could see nothing of it in
+the dim light. And she came in without a word.
+
+Then Colquhoun, who was no coward, felt his blood run cold, because he
+knew by her figure and by her step that it was Victoria Cassilis.
+
+She threw back the hood with a gesture almost theatrical, and stood
+before him with parted lips and flashing eyes.
+
+His spirits rallied a little then, because he saw that her face was
+white, and that she was in a royal rage. Lawrence Colquhoun could
+tackle a woman in a rage. That is indeed elementary, and nothing at
+all to be proud of. The really difficult thing is to tackle a woman in
+tears and distress. The stoutest heart quails before such an
+enterprise.
+
+"What is this?" she began, with a rush as of the liberated whirlwind.
+"What does this letter mean, Lawrence?"
+
+"Exactly what it says, Mrs. Cassilis. May I ask, is it customary for
+married ladies to visit single gentlemen in their chambers, and at
+night?"
+
+"It is not usual for--married--ladies--to visit--single--gentlemen,
+Lawrence. Do not ask foolish questions. Tell me what this means, I
+say."
+
+"It means that my visits to your house have been too frequent, and
+that they will be discontinued. In other words, Mrs. Cassilis, the
+thing has gone too far, and I shall cease to be seen with you. I
+suppose you know that people will talk."
+
+"Let them talk. What do I care how people talk? Lawrence, if you think
+that I am going to let you go like this, you are mistaken."
+
+"I believe this poor lady has gone mad," said Lawrence quietly. It was
+not the best way to quiet and soothe her, but he could not help
+himself.
+
+"You think you are going to play fast and loose with me twice in my
+life, and you are mistaken. You shall not. Years ago you showed me
+what you are--cold, treacherous, and crafty----"
+
+"Go on, Victoria; I like that kind of thing, because now I know that
+you are not mad. Quite in your best style."
+
+"And I forgave you when you returned, and allowed you once more to
+visit me. What other woman would have acted so to such a man?"
+
+"Yet she must be mad," said Lawrence. "How else could she talk such
+frightful rubbish?"
+
+"Once more we have been friends. Again you have drawn me on, until I
+have learned to look to you, for the second time, for the appreciation
+denied to me by my--Mr. Cassilis. No, sir; this second desertion must
+not and shall not be."
+
+"One would think," said Lawrence helplessly, "that we had not
+quarrelled every time we met. Now, Mrs. Cassilis, you have my
+resolution. What you please, in your sweet romantic way, to call
+second desertion must be and shall be."
+
+"Then I will know the reason why?"
+
+"I have told you the reason why. Don't be a fool, Mrs. Cassilis. Ask
+yourself what you want. Do you want me to run away with you? I am a
+lazy man, I know, and I generally do what people ask me to do; but as
+for that thing, I am damned if I do it!"
+
+"Insult me, Lawrence!" she cried, sinking into a chair. "Swear at me,
+as you will."
+
+"Do you wish me to philander about your house like a ridiculous tame
+cat, till all the world cries out?"
+
+She started to her feet.
+
+"No!" she cried. "I care nothing about your coming and going. But I
+know why--Oh, I know why!--you make up this lame excuse about my good
+name--_my_ good name! As if you cared about that!"
+
+"More than you cared about it yourself," he retorted, "But pray go
+on."
+
+"It is Phillis Fleming; I saw it from the very first. You began by
+taking her away from me and placing her with your cousin, where you
+could have her completely under your own influence. You let Jack
+Dunquerque hang about her at first, just to show the ignorant creature
+what was meant by flirtation, and then you send him about his
+business. Lawrence, you are more wicked than I thought you."
+
+"Jealousy, by Gad!" he cried. "Did ever mortal man hear of such a
+thing? Jealousy! And after all that she has done----"
+
+"I warn you. You may do a good many things. You may deceive and insult
+me in any way except one. But you shall never, never marry Phillis
+Fleming!"
+
+Colquhoun was about to reply that he never thought of marrying Phillis
+Fleming, but it occurred to him that there was no reason for making
+that assertion. So he replied nothing.
+
+"I escaped," she said, "under pretence of being ill. And I made them
+fetch me a cab to come away in. My cab is at the Burlington Gardens
+end of the court now. Before I go you shall make me a promise,
+Lawrence--you used to keep your promises--to act as if this miserable
+letter had not been written."
+
+"I shall promise nothing of the kind."
+
+"Then remember, Lawrence--you _shall never marry Phillis Fleming_! Not
+if I have to stop it by proclaiming my own disgrace--you shall not
+marry that girl, or any other girl. I have that power over you, at any
+rate. Now I shall go."
+
+"There is some one on the stairs," said Lawrence quietly.
+
+"Perhaps he is coming here. You had better not be seen. Best go into
+the other room and wait."
+
+There was only one objection to her waiting in the other room, and
+that was that the door was on the opposite side; that the outer oak
+was wide open; that the step upon the stairs was already the step upon
+the landing; and that the owner of the step was already entering the
+room.
+
+Mrs. Cassilis instinctively shrank back into the darkest corner--that
+near the window. The curtains were of some light-coloured stuff. She
+drew them closely round her and cowered down, covering her head with
+the hood, like Guinevere before her injured lord. For the late caller
+was no other than her own husband, Gabriel Cassilis.
+
+As he stood in the doorway the light of the reading-lamp--Mrs.
+Cassilis in one of her gestures had tilted up the shade--fell upon his
+pale face and stooping form. Colquhoun noticed that he stooped more
+than usual, and that his grave face bore an anxious look--such a look
+as one sees sometimes in the faces of men who have long suffered
+grievous bodily pain. He hesitated for a moment, tapping his knuckles
+with his double eyeglasses, his habitual gesture.
+
+"I came up this evening, Colquhoun. Are you quite alone?"
+
+"As you see, Mr. Cassilis," said Colquhoun. He looked hastily round
+the room. In the corner he saw the dim outline of the crouching form.
+He adjusted the shade, and turned the lamp a little lower. The gas in
+the chambers on the other side of the narrow court was put out, and
+the room was almost dark. "As you see, Mr. Cassilis. And what gives me
+the pleasure of this late call from you?"
+
+"I thought I would come--I came to say----" he stopped helplessly, and
+threw himself into a chair. It was a chair standing near the corner in
+which his wife was crouching; and he pushed it back until he might
+have heard her breathing close to his ear, and, if he had put forth
+his hand, might have touched her.
+
+"Glad to see you always, Mr. Cassilis. You came to speak about some
+money matters? I have an engagement in five minutes; but we shall have
+time, I dare say."
+
+"An engagement? Ah! a lady, perhaps." This with a forced laugh,
+because he was thinking of his wife.
+
+"A lady? Yes--yes, a lady."
+
+"Young men--young men----" said Gabriel Cassilis. "Well, I will not
+keep you. I came here to speak to you about--about my wife."
+
+"O Lord!" cried Lawrence. "I beg your pardon--about Mrs. Cassilis?"
+
+"Yes; it is a very stupid business. You have known her for a long
+time."
+
+"I have, Mr. Cassilis; for nearly eight years."
+
+"Ah, old friends; and once, I believe, people thought----"
+
+"Once, Mr. Cassilis, I myself thought--I cannot tell you what I
+thought Victoria Pengelley might be to me. But that is over long
+since."
+
+"One for her," thought Lawrence, whose nerves were steady in danger.
+His two listeners trembled and shook, but from different causes.
+
+"Over long since," repeated Gabriel Cassilis. "There was nothing in
+it, then?"
+
+"We were two persons entirely dissimilar in disposition, Mr.
+Cassilis," Lawrence replied evasively. "Perhaps I was not worthy of
+her--her calm, clear judgment."
+
+"Another for her," he thought, with a chuckle. The situation would
+have pleased him but that he felt sorry for the poor man.
+
+"Victoria is outwardly cold, yet capable of the deepest emotions. It
+is on her account, Colquhoun, that I come here. Foolish gossip has
+been at work, connecting your names. I think it the best thing,
+without saying anything to Victoria, who must never suspect----"
+
+"Never suspect," echoed Colquhoun.
+
+"That I ever heard this absurdity. But we must guard her from calumny,
+Colquhoun. Cæsar's wife, you know; and--and--I think that, perhaps, if
+you were to be a little less frequent in your calls--and----"
+
+"I quite understand, Mr. Cassilis; and I am not in the least offended.
+I assure you most sincerely--I wish Mrs. Cassilis were here to
+listen--that I am deeply sorry for having innocently put you to the
+pain of saying this. However, the world shall have no further cause of
+gossip."
+
+No motion or sign from the dark corner where the hiding woman
+crouched.
+
+Mr. Cassilis rose and tapped his knuckles with his glasses. "Thank
+you, Colquhoun. It is good of you to take this most unusual request so
+kindly. With such a wife as mine jealousy would be absurd. But I have
+to keep her name from even a breath--even a breath."
+
+"Quite right, Mr. Cassilis."
+
+He looked round the room.
+
+"Snug quarters for a bachelor--ah! I lived in lodgings always myself.
+I thought I heard a woman's voice as I came up-stairs."
+
+"From Sir Richard de Counterpane's rooms down stairs, perhaps. His
+nurses, I suppose. The poor old man is getting infirm."
+
+"Ay--ay; and your bedroom is there, I suppose?"
+
+Lawrence took the lamp and opened the door. It was a bare, badly
+furnished room, with a little camp-bedstead, and nothing else hardly.
+For Lawrence kept his luxurious habits for the day.
+
+Was it pure curiosity that made Gabriel Cassilis look all round the
+room?
+
+"Ah, hermit-like. Now, I like a large bed. However, I am very glad I
+came. One word, Colquhoun, is better than a thousand letters; and you
+are sure you do not misunderstand me?"
+
+"Quite," said Lawrence, taking his hat. "I am going out, too."
+
+"No jealousy at all," said Gabriel Cassilis, going down the stairs.
+
+"Certainly not."
+
+"Nothing but a desire to--to----"
+
+"I understand perfectly," said Lawrence.
+
+As they descended, Lawrence heard steps on the stairs behind them.
+They were not yet, then, out of danger.
+
+"Very odd," said Mr. Cassilis. "Coming up I heard a woman's voice. Now
+it seems as if there were a woman's feet."
+
+"Nerves, perhaps," said Colquhoun. The steps above them stopped. "I
+hear nothing."
+
+"Nor do I. Nerves--ah, yes--nerves."
+
+Mr. Cassilis turned to the left, Colquhoun with him. Behind them he
+saw the cloaked and hooded figure of Victoria Cassilis. At the
+Burlington Gardens end a cab was waiting. Near the horse's head stood
+a woman's figure which Lawrence thought he knew. As they passed her
+this woman, whoever she was, covered her face with a handkerchief. And
+at the same moment the cab drove by rapidly. Gabriel Cassilis saw
+neither woman nor cab. He was too happy to notice anything. There was
+nothing in it; nothing at all except mischievous gossip. And he had
+laid the Ghost.
+
+"Dear me!" he said to himself presently, "I forgot to ask about the
+Secret. But of course there is none. How should there be?"
+
+Next morning there came another letter.
+
+ "You have been fooled worse than ever," it said. "Your wife was in
+ Mr. Colquhoun's chambers the whole time that you were there. She
+ came down the stairs after you; she passed through the gate,
+ almost touching you, and she drove past you in a hansom cab. _I
+ know the number_, and will give it to you when the time comes.
+ Mr. Colquhoun lied to you. How long? How long?"
+
+It should have been a busy day in the City. To begin with, it only
+wanted four days to settling-day. Telegrams and letters poured in, and
+they lay unopened on the desk at which Gabriel Cassilis sat, with this
+letter before him, mad with jealousy and rage.
+
+
+
+
+CHAPTER XXXVII.
+
+ "'Come now,' the Master Builder cried,
+ 'The twenty years of work are done;
+ Flaunt forth the Flag, and crown with pride
+ The Glory of the Coping-Stone.'"
+
+
+Jack Dunquerque was to "slack off" his visits to Twickenham. That is
+to say, as he interpreted the injunction, he was not wholly to
+discontinue them, in order not to excite suspicion. But he was not to
+haunt the house; he was to make less frequent voyages up the silver
+Thames; he was not to ride in leafy lanes side by side with
+Phillis--without having Phillis by his side he cared little about
+leafy lanes, and would rather be at the club; further, by these
+absences he was to leave off being necessary to the brightness of her
+life.
+
+It was a hard saying. Nevertheless, the young man felt that he had
+little reason for complaint. Other fellows he knew, going after other
+heiresses, had been quite peremptorily sent about their business for
+good, particularly needy young men like himself. All that Colquhoun
+extorted of him was that he should "slack off." He felt, in a manner,
+grateful, although had he been a youth of quicker perception, he would
+have remembered that the lover who "slacks off" can be no other than
+the lover who wishes he had not begun. But nobody ever called Jack a
+clever young man.
+
+He was not to give her up altogether. He was not even to give up
+hoping. He was to have his chance with the rest. But he was warned
+that no chance was to be open to him until the young lady should enter
+upon her first season.
+
+Not to give up seeing her. That was everything. Jack Dunquerque had
+hitherto lived the life of all young men, careless and _insouciant_,
+with its little round of daily pleasures. He was only different from
+other young men that he had learned, partly from a sympathetic nature
+and partly by travel, not to put all his pleasure in that life about
+town and in country houses which seems to so many the one thing which
+the world has to offer. He who has lived out on the Prairies for weeks
+has found that there are other pleasures besides the gas-light joys of
+Town. But his life had been without thought and purposeless--a very
+chaos of a life. And now he felt vaguely that his whole being was
+changed. To be with Phillis day after day, to listen to the
+outpourings of her freshness and innocence, brought to him the same
+sort of refreshment as sitting under the little cataract of a mountain
+stream brings to one who rambles in a hot West Indian island. Things
+for which he once cared greatly he now cared for no more; the
+club-life, the cards, and the billiards ceased to interest him; he
+took no delight in them. Perhaps it was a proof of a certain weakness
+of nature in Jack Dunquerque that he could not at the same time love
+things in which Phillis took no part and the things which made the
+simple pleasures of her every-day life.
+
+He might have been weak, and yet, whether he was weak or strong, he
+knew that she leaned upon him. He was so sympathetic; he seemed to
+know so much; he decided so quickly; he was in his way so masterful,
+that the girl looked up to him as a paragon of wisdom and strength.
+
+I think she will always so regard him, because the knowledge of her
+respect raises Jack daily in moral and spiritual strength, and so her
+hero approaches daily to her ideal. What is the highest love worth if
+it have not the power of lifting man and woman together up to the
+higher levels, where the air is purer, the sunshine brighter, the
+vision clearer?
+
+But Colquhoun's commands had wrought a further change in him; that
+ugly good-looking face of his, which Agatha L'Estrange admired so
+much, and which was wont to be wreathed with a multitudinous smile,
+was now doleful. To the world of mankind--male mankind--the chief
+charm of Jack Dunquerque, the main cause of his popularity--his
+unvarying cheerfulness--was vanished.
+
+"You ought to be called Doleful Jack," said Ladds. "Jack of Rueful
+Countenance."
+
+"You don't know, Tommy," replied the lover, sorrowfully wagging his
+head. "I've seen Colquhoun; and he won't have it. Says I must wait."
+
+"He's waited till forty. I've waited to five and thirty, and we're
+both pretty jolly. Come, young un, you may take courage by our
+examples."
+
+"You never met Phil when you were five and twenty," said Jack. "Nobody
+ever saw a girl like Phillis."
+
+Five and thirty seems so great an age to five and twenty. And at five
+and thirty one feels so young, that it comes upon the possessor of so
+many years like a shock of cold water to be reminded that he is really
+no longer young.
+
+One good thing--Lawrence Colquhoun did not reproach him. Partly
+perhaps because, as a guardian, he did not thoroughly realize Jack's
+flagitious conduct; partly because he was an easy-going man, with a
+notion in his head that he had nothing to do with the work of Duennas
+and Keepers of the Gynæceum. He treated the confessions of the
+remorseful lover with a cheery contempt--passed them by; no great harm
+had been done; and the girl was but a child.
+
+His own conscience it was which bullied Jack so tremendously. One day
+he rounded on his accuser like the poor worm in the proverb, who might
+perhaps have got safe back to its hole but for that ill-advised
+turning. He met the charges like a man. He pleaded that, criminal as
+he had been, nefarious and inexcusable as his action was, this action
+had given him a very high time; and that, if it was all to do over
+again, he should probably alter his conduct only in degree, but not in
+kind; that is to say, he would see Phillis oftener and stay with her
+longer. Conscience knocked him out of time in a couple of rounds; but
+still he did have the satisfaction of showing fight.
+
+Of course he would do the same thing again. There has never been found
+by duenna, by guardian, by despotic parent, or by interested relation,
+any law of restraint strong enough to keep apart two young people of
+the opposite sex and like age, after they have once become attracted
+towards each other. Prudence and prudery, jealousy and interest, never
+have much chance. The ancient dames of duennadom may purse their
+withered lips and wrinkle their crow's-footed eyes; Love, the
+unconquered, laughs and conquers again.
+
+It is of no use to repeat long explanations about Phillis. Such as she
+was, we know her--a law unto herself; careless of prohibitions and
+unsuspicious of danger. Like Una, she wandered unprotected and
+fearless among whatever two-legged wolves, bears, eagles, lions,
+vultures and other beasts and birds of prey might be anxiously waiting
+to snap her up. Jack was the great-hearted lion who was to bear her
+safely through the wistful growls of the meaner beasts. The lion is
+not clever like the fox or the beaver, but one always conceives of him
+as a gentleman, and therefore fit to be entrusted with such a
+beautiful maiden as Una or Phillis. And if Jack was quietly allowed to
+carry off his treasure it was Agatha L'Estrange who was chiefly to
+blame; and she, falling in love with Jack herself, quite in a motherly
+way, allowed the wooing to go on under her very nose. "A bad, bad
+woman," as Lawrence Colquhoun called her.
+
+But such a wooing! Miss Ethel Citybredde, when she sees Amandus making
+a steady but not an eagerly impetuous advance in her direction at a
+ball, feels her languid pulses beat a little faster. "He is coming
+after Me," she says to herself, with pride. They snatch a few moments
+to sit together in a conservatory. He offers no remark worthy of
+repetition, nor does she; yet she thinks to herself, "He is going to
+ask me to marry him; he will kiss me; there will be a grand wedding;
+everybody will be pleased; other girls will be envious; and I shall be
+delighted. Papa knows that he is well off and well connected. How
+charming!"
+
+Now Phillis allowed her lover to woo her without one thought of love
+or marriage, of which, indeed, she knew nothing. But if the passion
+was all on one side, the affection was equally divided. And when Jack
+truly said that Phillis did not love him, he forgot that she had given
+him already all that she knew of love; in that her thoughts, which on
+her first emancipation leaped forth, bounding and running in all
+directions with a wild yearning to behold the Great Unknown, were now
+returning to herself, and mostly flowed steadily, like streams of
+electric influence, in the direction of Jack; inasmuch as she referred
+unconsciously everything to Jack, as she dressed for him, drew for
+him, pored diligently over hated reading-books for him, and told him
+all her thoughts.
+
+I have not told, nor can I tell, of the many walks and talks these two
+young people had together. Day after day Jack's boat--that comfortable
+old tub, in which he could, and often did, cut a crab without spilling
+the contents into the river--lay moored off Agatha's lawn, or rolled
+slowly up and down the river, Jack rowing, while Phillis steered,
+sang, talked, and laughed. This was pleasant in the morning; but it
+was far more pleasant in the evening, when the river was so quiet, so
+still and so black, and when thoughts crowded into the girl's brain,
+which fled like spirits when she tried to put them into words.
+
+Or they rode together along the leafy roads through Richmond Park, and
+down by that unknown region, far away from the world, where heron rise
+up from the water's edge, where the wild fowl fly above the lake in
+figures which remind one of Euclid's definitions, and the deer collect
+in herds among great ferns half as high as themselves. There they
+would let the horses walk, while Phillis, with the slender curving
+lines of her figure, her dainty dress which fitted it so well, and her
+sweet face, made the heart of her lover hungry; and when she turned to
+speak to him, and he saw in the clear depths of her eyes his own face
+reflected, his passion grew almost too much for him to bear.
+
+A delicate dainty maiden, who was yet of strong and healthy
+_physique_; one who did not disdain to own a love for cake and
+strawberries, cream and ices, and other pleasant things; who had no
+young-ladyish affectations; who took life eagerly, not languidly. And
+not a coward, as many maidens boast to be; she ruled her horse with a
+rein as firm as Jack Dunquerque, and sat him as steadily; she clinched
+her little fingers and set her lips hard when she heard a tale of
+wrong; her eyes lit up and her bosom heaved when she heard of heroic
+gest; she was strong to endure and to do. Not every girl would, as
+Phillis did, rise in the morning at five to train her untaught eyes
+and hand over those little symbols by which we read and write; not
+every girl would patiently begin at nineteen the mechanical drudgery
+of the music-lesson. And she did this in confidence, because Jack
+asked her every day about her lessons, and Agatha L'Estrange was
+pleased.
+
+The emotion which is the next after, and worse than that of love, is
+sympathy. Phillis passed through the stages of curiosity and knowledge
+before she arrived at the stage of sympathy. Perhaps she was not far
+from the highest stage of all.
+
+She learned something every day, and told Jack what it was. Sometimes
+it was an increase in her knowledge of evil. Jack, who was by no means
+so clever as his biographer, thought that a pity. His idea was the
+common one--that a maiden should be kept innocent of the knowledge of
+evil. I think Jack took a prejudiced, even a Philistine, view of the
+case. He put himself on the same level as the Frenchman who keeps his
+daughter out of mischief by locking her up in a convent. It is not the
+knowledge of evil that hurts, any more than the knowledge of
+black-beetles, earwigs, slugs, and other crawling things; the pure in
+spirit cast it off, just as the gardener who digs and delves among his
+plants washes his hands and is clean. The thing that hurts is the
+suspicion and constant thought of evil; the loveliest and most divine
+creature in the world is she who neither commits any ill, nor thinks
+any, nor suspects others of ill--who has a perfect pity for
+backsliders, and a perfect trust in the people around her. Unfortunate
+it is that experience of life turns pity to anger, and trust into
+hesitation.
+
+Or they would be out upon Agatha's lawn, playing croquet, to which
+that good lady still adhered, or lawn-tennis, which she tolerated.
+There would be the curate--he had abandoned that design of getting up
+_all_ about Laud, but was madly, ecclesiastically madly, in love
+with Phillis; there would be occasionally Ladds, who, in his heavy,
+kindly way, pleased this young May Queen. Besides, Ladds was fond of
+Jack. There would be Gilead Beck in the straightest of frock coats,
+and on the most careful behaviour; there would be also two or three
+young ladies, compared with whom Phillis was as Rosalind at the court
+of her uncle, or as Esther among the damsels of the Persian king's
+seraglio, so fresh and so incomparably fair.
+
+"Mrs. L'Estrange," Jack whispered one day, "I am going to say a rude
+thing. Did you pick out the other girls on purpose to set off
+Phillis?"
+
+"What a shame, Jack!" said Agatha, who like the rest of the world
+called him by what was not his Christian name. "The girls are very
+nice--not so pretty as Phillis, but good-looking, all of them. I call
+them as pretty a set of girls as you would be likely to see on any
+lawn this season."
+
+"Yes," said Jack; "only you see they are all alike, and Phillis is
+different."
+
+That was it--Phillis was different. The girls were graceful, pleasant,
+and well bred. But Phillis was all this, and more. The others followed
+the beaten track, in which the strength of life is subdued and its
+intensity forbidden. Phillis was in earnest about everything, quietly
+in earnest; not openly bent on enjoyment, like the young ladies who
+run down Greenwich Hill, for instance, but in her way making others
+feel something of what she felt herself. Her intensity was visible in
+the eager face, the mobile flashes of her sensitive lips, and her
+brightening eyes. And, most unlike her neighbours, she even forgot her
+own dress, much as she loved the theory and practice of dress, when
+once she was interested, and was careless about theirs.
+
+It was not pleasant for the minor stars. They felt in a vague
+uncomfortable way that Phillis was far more attractive; they said to
+each other that she was strange; one who pretended to know more French
+than the others said that she was _farouche_.
+
+She was not in the least _farouche_, and the young lady her
+calumniator did not understand the adjective; but _farouche_ she
+continued to be among the maidens of Twickenham and Richmond.
+
+Jack Dunquerque heard the epithet applied on one occasion, and burst
+out laughing.
+
+Phillis _farouche_! Phillis, without fear and without suspicion!
+
+But then they do teach French so badly at girls' schools. And so poor
+Phillis remained ticketed with the adjective which least of any
+belonged to her.
+
+A pleasant six weeks from April to June, while the late spring
+blossomed and flowered into summer; a time to remember all his life
+afterwards with the saddened joy which, despite Dante's observation,
+does still belong to the memory of past pleasures.
+
+But every pleasant time passes, and the six weeks were over.
+
+Jack was to "slack off." The phrase struck him, applied to himself and
+Phillis, as simply in bad taste; but the meaning was plain. He was to
+present himself at Twickenham with less frequency.
+
+Accordingly he began well by going there the very next day. The new
+_régime_ has to be commenced somehow, and Jack began his at once.
+He pulled up in his tub. It was a cloudy and windy day; drops of rain
+fell from time to time; the river was swept by sudden gusts which came
+driving down the stream, marked by broad black patches; there were no
+other boats out, and Jack struggled upwards against the current; the
+exercise at least was a relief to the oppression of his thoughts.
+
+What was he to do with himself after the "slacking off" had
+begun--after that day, in fact? The visits might drop to twice a week,
+then once a week, and then? But surely Colquhoun would be satisfied
+with such a measure of self-denial. In the intervals--say from
+Saturday to Saturday--he could occupy himself in thinking about her.
+He might write to her--would that be against the letter of the law? It
+was clearly against the spirit. And--another consideration--it was no
+use writing unless he wrote in printed characters, and in words of not
+more than two syllables. He thought of such a love-letter, and of
+Phillis gravely spelling it out word by word to Mrs. L'Estrange. For
+poor Phillis had not as yet accustomed herself to look on the printed
+page as a vehicle for thought, although Agatha read to her every day.
+She regarded it as the means of conveying to the reader facts such as
+the elementary reading-book delights to set forth; so dry that the
+adult reader, if a woman, presently feels the dust in her eyes, and if
+a man, is fain to get up and call wildly for quarts of bitter beer.
+No; Phillis was not educated up to the reception of a letter.
+
+He would, he thought, sit in the least-frequented room of his
+club--the drawing-room--and with a book of some kind before him, just
+for a pretence, would pass the leaden hours in thinking of Phillis's
+perfections. Heavens! when was there a moment, by day or by night,
+that he did not think of them?
+
+Bump! It was the bow of the ship, which knew by experience very well
+when to stop, and grounded herself without any conscious volition on
+his part at the accustomed spot.
+
+Jack jumped out, and fastened the painter to the tree to which Phillis
+had once tied him. Then he strode across the lawns and flower-beds,
+and made for the little morning-room, where he hoped to find the
+ladies.
+
+He found one of them. Fortune sometimes favors lovers. It was the
+younger one--Phillis herself.
+
+She was bending over her work with brush and colour-box, looking as
+serious as if all her future depended on the success of that
+particular picture; beside her, tossed contemptuously aside, lay the
+much-despised Lesson-Book in Reading; for she had done her daily task.
+She did not hear Jack step in at the open window, and went on with her
+painting.
+
+She wore a dress made of that stuff which looks like brown holland
+till you come close to it, and then you think it is silk, but are not
+quite certain, and I believe they call it Indian tussore. Round her
+dainty waist was a leathern belt set in silver with a châtelaine, like
+a small armoury of deadly weapons; and for colour she had a crimson
+ribbon about her neck. To show that the ribbon was not entirely meant
+for vanity, but had its uses, Phillis had slung upon it a cross of
+Maltese silver-work, which I fear Jack had given her himself. And
+below the cross, where her rounded figure showed it off, she had
+placed a little bunch of sweet peas. Such a dainty damsel! Not content
+with the flower in her dress, she had stuck a white jasamine-blossom
+in her hair. All these things Jack noted with speechless admiration.
+
+Then she began to sing in a low voice, all to herself, a little French
+ballad which Mrs. L'Estrange had taught her--one of the sweet old
+French songs.
+
+She was painting in the other window, at a table drawn up to face it.
+The curtains were partly pulled together, and the blind was half drawn
+down, so that she sat in a subdued light, in which only her face was
+lit up, like the faces in a certain kind of photograph, while her hair
+and figure lay in shadow. The hangings were of some light-rose hue,
+which tinted the whole room, and threw a warm colouring over the
+old-fashioned furniture, the pictures, the books, the flowers on the
+tables, and the ferns in their glasses. Mrs. L'Estrange was no
+follower after the new school. Neutral tints had small charms for her;
+she liked the warmth and glow of the older fashion in which she had
+been brought up.
+
+It looked to Jack Dunquerque like some shrine dedicated to peace and
+love, with Phillis for its priestess--or even its goddess. Outside the
+skies were grey; the wind swept down the river with driving rain; here
+was warmth, colour, and brightness. So he stood still and watched.
+
+And as he waited an overwhelming passion of love seized him. If the
+world was well lost for Antony when he threw it all away for a queen
+no longer young, and the mother of one son at least almost grown up,
+what would it have been had his Cleopatra welcomed him in all the
+splendour of her white Greek beauty at sweet seventeen? There was no
+world to be lost for this obscure cadet of a noble house, but all the
+world to be won. His world was before his eyes; it was an unconscious
+maid, ignorant of her own surpassing worth, and of the power of her
+beauty. To win her was to be the lord of all the world he cared for.
+
+Presently she laid down her brush, and raised her head. Then she
+pushed aside the curtains, and looked out upon the gardens. The rain
+drove against the windows, and the wind beat about the branches of the
+lilacs on the lawn. She shivered, and pulled the curtains together
+again.
+
+"I wish Jack were here," she said to herself.
+
+"He is here, Phil," Jack replied.
+
+She looked round, and darted across the room, catching him by both
+hands.
+
+"Jack! Oh, I am glad! There is nobody at home. Agatha has gone up to
+town, and I am quite alone. What shall we do this afternoon?"
+
+Clearly the right thing for him to propose was that he should
+instantly leave the young lady, and row himself back to Richmond.
+This, however, was not what he did propose. On the contrary, he kept
+Phillis's hands in his, and held them tight, looking in her upturned
+face, where he saw nothing but undisguised joy at his appearance.
+
+"Shall we talk? Shall I play to you? Shall I draw you a picture? What
+shall we do, Jack?"
+
+"Well, Phil, I think--perhaps--we had better talk."
+
+Something in his voice struck her; she looked at him sharply.
+
+"What has happened, Jack? You do not look happy."
+
+"Nothing, Phil--nothing but what I might have expected." But he looked
+so dismal that it was quite certain he had not expected it.
+
+"Tell me, Jack."
+
+He shook his head.
+
+"Jack, what _is_ the good of being friends if you won't tell me
+what makes you unhappy?"
+
+"I don't know how to tell you, Phil. I don't see a way to begin."
+
+"Sit down, and begin somehow." She placed him comfortably in the
+largest chair in the room, and then she stood in front of him, and
+looked in his face with compassionate eyes. The sight of those
+deep-brown orbs, so full of light and pity, smote her lover with a
+kind of madness. "What is it makes people unhappy? Are you ill?"
+
+He shook his head, and laughed.
+
+"No, Phil; I am never ill. You see, I am not exactly unhappy----"
+
+"But Jack, you look so dismal."
+
+"Yes, that is it; I am a little dismal. No. Phil--no. I am really
+unhappy, and you are the cause."
+
+"I the cause? But, Jack, why?"
+
+"I had a talk with your guardian, Lawrence Colquhoun, yesterday. It
+was all about you. And he wants me--not to come here so often, in
+fact. And I musn't come."
+
+"But why not? What does Lawrence mean?"
+
+"That is just what I cannot explain to you. You must try to forgive
+me."
+
+"Forgive you, Jack?"
+
+"You see, Phil, I have behaved badly from the beginning. I ought not
+to have called upon you as I did in Carnarvon Square; I ought not to
+have let you call me Jack, nor should I have called you Phil. It is
+altogether improper in the eyes of the world."
+
+She was silent for a while.
+
+"Perhaps I have known, Jack, that it was a little unusual. Other girls
+haven't got a Jack Dunquerque, have they? Poor things! That is all you
+mean, isn't it, Jack?"
+
+"Phil, don't look at me like that! You don't know--you can't
+understand--No; it is more than unusual; it is quite wrong."
+
+"I have done nothing wrong," the girl said proudly. "If I had, my
+conscience would make me unhappy. But I do begin to understand what
+you mean. Last week Agatha asked me if I was not thinking too much
+about you. And the curate made me laugh because he said, quite by
+himself in a corner, you know, that Mr. Dunquerque was a happy man;
+and when I asked him, why he turned very red, and said it was because
+I had given to him what all the world would long to have. He meant,
+Jack----"
+
+"I wish he was here," Jack cried hotly, "for me to wring his neck!"
+
+"And one day Laura Herries----"
+
+"That's the girl who said you were _farouche_, Phil. Go on."
+
+"Was talking to Agatha about some young lady who had got compromised
+by a gentleman's attentions. I asked why, and she replied quite
+sharply that if I did not know, no one could know. Then she got up and
+went away. Agatha was angry about it, I could see; but she only said
+something about understanding when I come out."
+
+"Miss Herries ought to have her neck wrung, too, as well as the
+curate," said Jack.
+
+"Compromise--improper." Phil beat her little foot on the floor. "What
+does it all mean? Jack, tell me--what is this wrong thing that you and
+I have done?"
+
+"Not you, Phil; a thousand times not you."
+
+"Then I do not care much what other people say," she replied simply.
+"Do you know, Jack, it seems to me as if we never ought to care for
+what people, besides people we love, say about us."
+
+"But it is I who have done wrong," said Jack.
+
+"Have you, Jack? Oh, then I forgive you. I think I know you. You
+should have come to me with an unreal smile on your face, and
+pretended the greatest deference to my opinion, even when you knew it
+wasn't worth having. That is what the curate does to young ladies. I
+saw him yesterday taking Miss Herries's opinion on Holman Hunt's
+picture. She said it was 'sweetly pretty.' He said, 'Do you really
+think so?' in such a solemn voice, as if he wasn't quite sure that the
+phrase summed up the whole picture, but was going to think it over
+quietly. Don't laugh, Jack, because I cannot read like other people,
+and all I have to go by is what Mr. Dyson told me, and Agatha tells
+me, and what I see--and--and what you tell me, Jack, which is worth
+all the rest to me."
+
+The tears came into her eyes, but only for a moment, and she brushed
+them aside.
+
+"And I forgive you, Jack, all the more because you did not treat me as
+you would have treated the girls who seem to me so lifeless and
+languid, and--Jack, it may be wrong to say it, but Oh, so small! What
+compliment could you have paid me better than to single me out for
+your friend--you who have seen so much and done so much--my
+friend--mine? We were friends from the first, were we not? And I have
+never since hidden anything from you, Jack, and never will."
+
+He kept it down still, this mighty yearning that filled his heart, but
+he could not bear to look her in the face. Every word that she said
+stabbed him like a knife, because it showed her childish innocence and
+her utter unconsciousness of what her words might mean.
+
+And then she laid her little hand in his.
+
+"And now you have compromised me, as they would say? What does it
+matter Jack? We can go on always just the same as we have been doing,
+can we not?"
+
+He shook his head and answered huskily, "No, Phil. Your guardian will
+not allow it. You must obey him. He says that I am to come here less
+frequently; that I must not do you--he is quite right, Phil--any more
+mischief; and that you are to have your first season in London without
+any ties or entanglements."
+
+"My guardian leaves me alone here with Agatha. It is you who have been
+my real guardian, Jack. I shall do what you tell me to do."
+
+"I want to do what is best for you, Phil--but--Child"--he caught her
+by the hands, and she half fell, half knelt at his feet, and looked up
+in his eyes with her face full of trouble and emotion--"child, must I
+tell you? Could not Agatha L'Estrange tell you that there is something
+in the world very different from friendship? Is it left for me to
+teach you? They call it Love, Phil."
+
+He whispered the last words.
+
+"Love? But I know all about it, Jack."
+
+"No, Phil, you know nothing. It isn't the love that you bear to Agatha
+that I mean."
+
+"Is it the love I have for you, Jack?" she asked in all innocence.
+
+"It may be, Phil. Tell me only"--he was reckless now, and spoke fast
+and fiercely--"tell me if you love me as I love you. Try to tell me. I
+love you so much that I cannot sleep for thinking of you; and I think
+of you all day long. It seems as if my life must have been a long
+blank before I saw you; all my happiness is to be with you; to think
+of going on without you maddens me."
+
+"Poor Jack!" she said softly. She did not offer to withdraw her hands,
+but let them lie in his warm and tender grasp.
+
+"My dear, my darling--my queen and pearl of girls--who can help loving
+you? And even to be with you, to have you close to me, to hold your
+hands in mine, that isn't enough."
+
+"What more--O Jack, Jack! what more?"
+
+She began to tremble, and she tried to take back her hands. He let
+them go, but before she could change her position he bent down, threw
+his arms about her, and held her face close to his while he kissed it
+a thousand times.
+
+"What more? My darling, my angel, this--and this! Phil, Phil! wake at
+last from your long childhood; leave the Garden of Eden where you have
+wandered so many years, and come out into the other world--the world
+of love. My dear, my dear! can you love me a little, only a little, in
+return? We are all so different from what you thought us; you will
+find out some day that I am not clever and good at all; that I have
+only one thing to give you--my love. Phil, Phil, answer me--speak to
+me--forgive me!"
+
+He let her go, for she tore herself from him and sprang to her feet,
+burying her face in her hands and sobbing aloud.
+
+"Forgive me--forgive me!" It was all that he could say.
+
+"Jack, what is it? what does it mean? O Jack!"--she lifted her face
+and looked about her, with hands outstretched as one who feels in the
+darkness; her cheeks were white and her eyes wild--"what does it mean?
+what is it you have said? what is it you have done?"
+
+"Phil!"
+
+"Yes! Hush! don't speak to me--not yet, Jack. Wait a moment. My brain
+is full of strange thoughts"--she put out trembling hands before her,
+like one who wakes suddenly in a dream, and spoke with short, quick
+breath. "Something seems to have come upon me. Help me, Jack! Oh, help
+me! I am frightened."
+
+He took her in his arms and soothed and caressed her like a child,
+while she sobbed and cried.
+
+"Look at me, Jack," she said presently. "Tell me, am I the same? Is
+there any change in me?"
+
+"Yes, Phil; yes, my darling. You are changed. Your sweet eyes are full
+of tears, like the skies in April; and your cheeks are pale and white.
+Let me kiss them till they get their own colour again."
+
+He did kiss them, and she stood unresisting. But she trembled.
+
+"I know, Jack, now," she said softly. "It all came upon me in a
+moment, when your lips touched mine. O Jack, Jack! it was as if
+something snapped; as if a veil fell from my eyes. I know now what you
+meant when you said just now that you loved me."
+
+"Do you, Phil? And can you love me, too?"
+
+"Yes, Jack. I will tell you when I am able to talk again. Let me sit
+down. Sit with me, Jack."
+
+She drew him beside her on the sofa and murmured low, while he held
+her hands.
+
+"Do you like to sit just so, holding my hands? Are you better now,
+Jack?
+
+"Do you think, Jack, that I can have always loved you--without knowing
+it all--just as you love me? O my poor Jack!
+
+"My heart beats so fast. And I am so happy. What have you said to me,
+Jack, that I should be so happy?
+
+"See, the sun has come out--and the showers are over and gone--and the
+birds are singing--all the sweet birds--they are singing for me, Jack,
+for you and me--Oh, for you and me!"
+
+Her voice broke down again, and she hid her face upon her lover's
+shoulder, crying happy tears.
+
+He called her a thousand endearing names; he told her that they would
+be always together; that she had made him the happiest man in all the
+world; that he loved her more than any girl ever had been loved in the
+history of mankind; that she was the crown and pearl and queen of all
+the women who ever lived; and then she looked up, smiling through her
+tears.
+
+Ah, happy, happy day! Ah, day for ever to be remembered even when, if
+ever, the years shall bring its fiftieth anniversary to an aged pair,
+whose children and grandchildren stand around their trembling feet?
+Ah, moments that live for ever in the memory of a life! They die, but
+are immortal. They perish all too quickly, but they bring forth the
+precious fruits of love and constancy, of trust, affection, good
+works, peace, and joy, which never perish.
+
+"Take me on the river, Jack," she said presently. "I want to think it
+all over again, and try to understand it better."
+
+He fetched cushion and wrapper, for the boat was wet, and placed her
+tenderly in the boat. And then he began to pull gently up the stream.
+
+The day had suddenly changed. The morning had been gloomy and dull,
+but the afternoon was bright; the strong wind was dropped for a light
+cool breeze; the swans were cruising about with their lordly pretence
+of not caring for things external; and the river ran clear and bright.
+
+They were very silent now; the girl sat in her place, looking with
+full soft eyes on the wet and dripping branches or in the cool depths
+of the stream.
+
+Presently they passed an old gentleman fishing in a punt; he was the
+same old gentleman whom Phillis saw one morning--now so long ago--when
+he had that little misfortune we have narrated, and tumbled backwards
+in his ark. He saw them coming, and adjusted his spectacles.
+
+"Youth and Beauty again," he murmured. "And she's been crying. That
+young fellow has said something cruel to her. Wish I could break his
+head for him. The pretty creature! He'll come to a bad end, that young
+man." Then he impaled an immense worm savagely and went on fishing.
+
+A very foolish old gentleman this.
+
+"I am trying to make it all out quite clearly, Jack," Phillis
+presently began. "And it is so difficult." Her eyes were still bright
+with tears, but she did not tremble now, and the smile was back upon
+her lips.
+
+"My darling, let it remain difficult. Only tell me now, if you can,
+that you love me."
+
+"Yes, Jack," she said, not in the frank and childish unconsciousness
+of yesterday, but with the soft blush of a woman who is wooed. "Yes,
+Jack, I know now that I do love you, as you love me, because my heart
+beat when you kissed me, and I felt all of a sudden that you were all
+the world to me."
+
+"Phil, I don't deserve it. I don't deserve you."
+
+"Not deserve me? O Jack, you make me feel humble when you say that!
+And I am so proud.
+
+"So proud and so happy," she went on, after a pause. "And the girls
+who know all along--how do they find it out?--want every one for
+herself this great happiness, too. I have heard them talk and never
+understood till now. Poor girls! I wish they had their--their own
+Jack, not my Jack."
+
+Her lover had no words to reply.
+
+"Poor boy! And you went about with your secret so long. Tell me how
+long, Jack?"
+
+"Since the very first day I saw you in Carnarvon Square, Phil."
+
+"All that time? Did you love me on that day--not the first day of all,
+Jack? Oh, surely not the very first day?"
+
+"Yes; not as I love you now--now that I know you so well, my
+Phillis--mine--but only then because you were so pretty."
+
+"Do men always fall in love with a girl because she is pretty?"
+
+"Yes, Phil. They begin because she is pretty, and they love her more
+every day when she is so sweet and so good as my darling Phil."
+
+All this time Jack had been leaning on his oars, and the boat was
+drifting slowly down the current. It was now close to the punt where
+the old gentleman sat watching them.
+
+"They have made it up," he said. "That's right." And he chuckled.
+
+She looked dreamy and contented; the tears were gone out of her eyes,
+and a sweet softness lay there, like the sunshine on a field of grass.
+
+"She is a rose of Sharon and a lily of the valley," said this old
+gentleman. "That young fellow ought to be banished from the State for
+making other people envious of his luck. Looks a good-tempered rogue,
+too."
+
+He observed with delight that they were thinking of each other while
+the boat drifted nearer to his punt. Presently--bump--bump!
+
+Jack seized his sculls and looked up guiltily. The old gentleman was
+nodding and smiling to Phillis.
+
+"Made it up?" he asked most impertinently. "That is right, that is
+right. Give you joy, sir, give you joy. Wish you both happiness. Wish
+I had it to do all over again. God bless you, my dear!"
+
+His jolly red face beamed like the setting sun under his big straw
+hat, and he wagged his head and laughed.
+
+Jack laughed too; at other times he would have thought the old angler
+an extremely impertinent person. Now he only laughed.
+
+Then he turned the boat's head, and rowed his bride swiftly homewards.
+
+"Phil, I am like Jason bringing home Medea," he said, with a faint
+reminiscence of classical tradition. I have explained that Jack was
+not clever.
+
+"I hope not," said Phil; "Medea was a dreadful person."
+
+"Then Paris bringing home Helen--No, Phil; only your lover bringing
+home the sweetest girl that ever was. And worth five and thirty
+Helens."
+
+When they landed, Agatha L'Estrange was on the lawn waiting for them.
+To her surprise, Phillis, on disembarking, took Jack by the arm, and
+his hand closed over hers. Mrs. L'Estrange gasped. And in Phillis's
+tear-bright eyes, she saw at last the light and glow of love; and in
+Phillis's blushing face she saw the happy pride of the celestial Venus
+who has met her only love.
+
+"Children--children!" she said, "what is this?"
+
+Phillis made answer, in words which Abraham Dyson used to read to her
+from a certain Book, but which she never understood till now--made
+answer with her face upturned to her lover--
+
+"I am my beloved's, and his desire is toward me."
+
+
+They were a quiet party that evening. Jack did not want to talk. He
+asked Phillis to sing; he sat by in a sort of rapture while her voice,
+in the songs she most affected, whispered and sang to his soul not
+words, but suggestions of every innocent delight. She recovered
+something of her gaiety, but their usual laughter was hushed as if by
+some unexpressed thought. It will never come back to her again, that
+old mirth and light heart of childhood. She felt while she played as
+if she was in some great cathedral; the fancies of her brain built
+over her head a pile more mystic and wonderful than any she had seen.
+Its arches towered to the sky; its aisles led far away into dim space.
+She was walking slowly up the church hand-in-hand with Jack, towards a
+great rose light in the east. An anthem of praise and thanksgiving
+echoed along the corridors, and pealed like thunder among the million
+rafters of the roof. Round them floated faces which looked and smiled.
+And she heard the voice of Abraham Dyson in her ear--
+
+"Life should be two-fold, not single. That, Phillis, is the great
+secret of the world. Every man is a priest; every woman is a
+priestess; it is a sacrament which you have learned of Jack this day.
+Go on with him in faith and hope. Love is the Universal Church and
+Heaven is everywhere. Live in it; die in it; and dying begin your life
+of love again."
+
+"Phil," cried Jack, "what is it? You look as if you had seen a
+vision."
+
+"I have heard the voice of Abraham Dyson," she said solemnly. "He is
+satisfied and pleased with us, Jack."
+
+That was nothing to what followed, for presently there occurred a
+really wonderful thing.
+
+On Phillis's table--they were all three sitting in the pleasant
+morning-room--lay among her lesson-books and drawing materials a
+portfolio. Jack turned it over carelessly. There was nothing at all in
+it except a single sheet of white paper, partly written over. But
+there had been other sheets, and these were torn off.
+
+"It is an old book full of writing," said Phillis carelessly. "I have
+torn out all the leaves to make rough sketches at the back. There is
+only one left now."
+
+Jack took it up and read the scanty remnant.
+
+"Good heavens!" he cried. "Have you really destroyed all these pages,
+Phil?"
+
+Then he laughed.
+
+"What is it, Jack? Yes I have torn them all out, drawn rough things on
+them, and then burnt them, every one."
+
+"Is it anything important?" asked Mrs. L'Estrange.
+
+"I should think it was important!" said Jack. "Ho, ho! Phillis has
+destroyed the whole of Mr. Dyson's lost chapter on the Coping-stone.
+And now his will is not worth the paper it is written on."
+
+It was actually so. Bit by bit, while Joseph Jagenal was leaving no
+corner unturned in the old house at Highgate in search of the precious
+document, without which Mr. Dyson's will was so much waste paper, this
+young lady was contentedly cutting out the sheets one by one and using
+them up for her first unfinished groups. Of course she could not read
+one word of what was written. It was a fitting Nemesis to the old
+man's plans that they were frustrated through the very means by which
+he wished to regenerate the world.
+
+And now nothing at all left but a tag end, a bit of the peroration,
+the last words of the final summing-up. And this was what Jack read
+aloud--
+
+"... these provisions and no other. Thus will I have my College for
+the better Education of Women founded and maintained. Thus shall it
+grow and develop till the land is full of the gracious influence of
+womankind at her best and noblest. The Coping-stone of a girl's
+Education should be, and must be, Love. When Phillis Fleming, my ward,
+whose example shall be taken as the model for my college, feels the
+passion of Love, her education is finally completed. She will have
+much afterwards to learn. But self-denial, sympathy, and faith come
+best through Love. Woman is born to be loved; that woman only
+approaches the higher state who has been wooed and who has loved. When
+Phillis loves, she will give herself without distrust and wholly to
+the man who wins her. It is my prayer, my last prayer for her, that he
+may be worthy of her." Here Jack's voice faltered for a moment. "Her
+education has occupied my whole thoughts for thirteen years. It has
+been the business of my later years. Now I send her out into the world
+prepared for all, except treachery, neglect, and ill treatment.
+Perhaps her character would pass through these and come out the
+brighter. But we do not know; we cannot tell beforehand. Lord, lead
+her not into temptation; and so deal with her lover as he shall deal
+with her."
+
+"Amen," said Agatha L'Estrange.
+
+But Phillis sprang to her feet and threw up her arms.
+
+"I have found it!" she cried. "Oh, how often did he talk to me about
+the Coping-stone. Now I have nothing more to learn. O Jack, Jack!" she
+fell into his arms, and lay there as if it was her proper place. "We
+have found the Coping-stone--you and I between us--and it is here, it
+is here!"
+
+
+
+
+CHAPTER XXXVIII.
+
+ "'Tis well to be off with the old love,
+ Though you never get on with a new."
+
+
+During the two of three weeks following their success with Gilead Beck
+the Twins were conspicuous, had any one noticed them, for a
+recklessness of expenditure quite without parallel in their previous
+history. They plunged as regarded hansoms, paying whatever was asked
+with an airy prodigality; they dined at the club every day, and drank
+champagne at all hours; they took half-guinea stalls at theatres: they
+went down to Greenwich and had fish-dinners; they appeared with new
+chains and rings; they even changed their regular hours of sleep, and
+sometimes passed the whole day broad awake, in the pursuit of youthful
+pleasures. They winked and nodded at each other in a way which
+suggested all kinds of delirious delights; and Cornelius even talked
+of adding an episode to the Epic, based on his own later experiences,
+which he would call, he said, the Jubilee of Joy.
+
+The funds for this fling, all too short, were provided by their
+American patron. Gilead Beck had no objection to advance them
+something on account; the young gentlemen found it so pleasant to
+spend money, that they quickly overcame scruples about asking for
+more; perhaps they would have gone on getting more, but for a word of
+caution spoken by Jack Dunquerque. In consequence of this unkindness
+they met each other one evening in the Studio with melancholy faces.
+
+"I had a letter to-day from Mr. Gilead Beck," said Cornelius to
+Humphrey.
+
+"So had I," said Humphrey to Cornelius.
+
+"In answer to a note from me," said Cornelius.
+
+"In reply to a letter of mine," said Humphrey.
+
+"It is sometimes a little awkward, brother Humphrey," Cornelius
+remarked with a little temper, "that our inclinations so often prompt
+us to do the same thing at the same time."
+
+Said Humphrey, "I suppose then, Cornelius, that you asked him for
+money?"
+
+"I did, Humphrey. How much has the Patron advanced you already on the
+great Picture?"
+
+"Two hundred only. A mere trifle. And now he refuses to advance any
+more until the Picture is completed. Some enemy, some jealous brother
+artist, must have corrupted his mind."
+
+"My case, too. I asked for a simple fifty pounds. It is the end of
+May, and the country would be delightful if one could go there. I have
+already drawn four or five cheques of fifty each, on account of the
+Epic. He says, this mercenary and mechanical patron, that he will not
+lend me any more until the Poem is brought to him finished. Some
+carping critic has been talking to him."
+
+"How much of the Poem is finished?"
+
+"How much of the Picture is done?"
+
+The questions were asked simultaneously, but no answer was returned by
+either.
+
+Then each sat for a few moments in gloomy silence.
+
+"The end of May," murmured Humphrey. "We have to be ready by the
+beginning of October. June--July--only four months. My painting is
+designed for many hundreds of figures. Your poem for--how many lines,
+brother?"
+
+"Twenty cantos of about five hundred lines each."
+
+"Twenty times five hundred is ten thousand."
+
+Then they relapsed into silence again.
+
+"Brother Cornelius," the Artist went on, "this has been a most
+eventful year for us. We have been rudely disturbed from the artistic
+life of contemplation and patient work into which we had gradually
+dropped. We have been hurried--hurried, I say, brother--into Action,
+perhaps prematurely----"
+
+Cornelius grasped his brother's hand, but said nothing.
+
+"You, Cornelius, have engaged yourself to be married."
+
+Cornelius dropped his brother's hand. "Pardon me, Humphrey; it is you
+that is engaged to Phillis Fleming."
+
+"I am nothing of the sort, Cornelius," the other returned sharply. "I
+am astonished that you should make such a statement."
+
+"One of us certainly is engaged to the young lady. And as certainly it
+is not I. 'Let your brother Humphrey hope,' she said. Those were her
+very words. I do think, brother, that it is a little ungenerous, a
+little ungenerous of you, after all the trouble I took on your behalf,
+to try to force this young lady on me."
+
+Humphrey's cheek turned pallid. He plunged his hands into his silky
+beard, and walked up and down the room gesticulating.
+
+"I went down on purpose to tell Phillis about him. I spoke to her of
+his ardour. She said she appreciated--said she appreciated it,
+Cornelius. I even went so far as to say that you offered her a virgin
+heart--perilling my own soul by those very words--a virgin heart"--he
+laughed melodramatically. "And after that German milkmaid! Ha, ha! The
+Poet and the milkmaid!"
+
+Cornelius by this time was red with anger. The brothers, alike in so
+many things, differed in this, that, when roused to passion, while
+Humphrey grew white Cornelius grew crimson.
+
+"And what did I do for you?" he cried out. The brothers were now on
+opposite sides of the table, walking backwards and forwards with
+agitated strides. "I told her that you brought her a heart which had
+never beat for another--that, after your miserable little Roman model!
+An artist not able to resist the charms of his own model!"
+
+"Cornelius!" cried Humphrey, suddenly stopping and bringing his fist
+with a bang upon the table.
+
+"Humphrey!" cried his brother, exactly imitating his gesture.
+
+Their faces glared into each other's; Cornelius, as usual, wrapped in
+his long dressing-gown, his shaven cheeks purple with passion;
+Humphrey in his loose velvet jacket, his white lips and cheeks, and
+his long silken beard trembling to every hair.
+
+It was the first time the brothers had ever quarrelled in all their
+lives. And like a tempest on Lake Windermere, it sprang up without the
+slightest warning.
+
+They glared in a steady way for a few minutes, and then drew back and
+renewed their quick and angry walk side by side, with the table
+between them.
+
+"To bring up the old German business!" said Cornelius.
+
+"To taunt me with the Roman girl!" said Humphrey.
+
+"Will you keep your engagement like a gentleman, and marry the girl?"
+cried the Poet.
+
+"Will you behave as a man of honour, and go to the Altar with Phillis
+Fleming?" asked the Artist.
+
+"I will not," said Cornelius. "Nothing shall induce me to get
+married."
+
+"Nor will I," said Humphrey. "I will see myself drawn and quartered
+first."
+
+"Then," said Cornelius, "go and break it to her yourself, for I will
+not."
+
+"Break what?" asked Humphrey passionately. "Break her heart, when I
+tell her, if I must, that my brother repudiates his most sacred
+promises?"
+
+Cornelius was touched. He relented. He softened.
+
+"Can it be that she loves us both?"
+
+They were at the end of the table, near the chairs, which as usual
+were side by side.
+
+"Can that be so, Cornelius?"
+
+They drew nearer the chairs; they sat down; they turned, by force of
+habit, lovingly towards each other; and their faces cleared.
+
+"Brother Humphrey," said Cornelius, "I see that we have mismanaged
+this affair. It will be a wrench to the poor girl, but it will have to
+be done. I thought you _wanted_ to marry her."
+
+"I thought _you_ did."
+
+"And so we each pleaded the other's cause. And the poor girl loves us
+both. Good heavens! What a dreadful thing for her."
+
+"I remember nothing in fiction so startling. To be sure, there is some
+excuse for her."
+
+"But she can't marry us both?"
+
+"N--n--no. I suppose not. No--certainly not. Heaven forbid! And as you
+will not marry her----"
+
+Humphrey shook his head in a decided manner.
+
+"And I will not----"
+
+"Marry?" interrupted Humphrey. "What! And give up this? Have to get up
+early; to take breakfast at nine; to be chained to work; to be
+inspected and interfered with while at work--Phillis drew me once, and
+pinned the portrait on my easel; to be restricted in the matter of
+port; to have to go to bed at eleven; perhaps, Cornelius, to have
+babies; and beside, if they should be Twins! Fancy being shaken out of
+your poetic dream by the cries of Twins!"
+
+"No sitting up at night with pipes and brandy-and-water," echoed the
+Poet. "And, Humphrey"--here he chuckled, and his face quite returned
+to its brotherly form--"should we go abroad, no flirting with Roman
+models--eh, eh, eh?"
+
+"Ho, ho, ho!" laughed the Artist melodiously. "And no carrying
+milk-pails up the Heidelberg hills--eh, eh, eh?"
+
+"Marriage be hanged!" cried the Poet, starting up again. "We will
+preserve our independence, Humphrey. We will be free to woo, but not
+to wed."
+
+Was there ever a more unprincipled Bard? It is sad to relate that the
+Artist echoed his brother.
+
+"We will, Cornelius--we will. _Vive la liberté!_" He snapped his
+fingers, and began to sing:
+
+ "Quand on est a Paris
+ On ecrit a son pere,
+ Qui fait reponse, 'Brigand,
+ Tu n'en as----'"
+
+He broke short off, and clapped his hands like a school-boy. "We will
+go to Paris next week, brother."
+
+"We will, Humphrey, if we can get any more money. And now--how to get
+out of the mess?"
+
+"Do you think Mrs. L'Estrange will interfere?"
+
+"Or Colquhoun?"
+
+"Or Joseph?"
+
+"The best way would be to pretend it was all a mistake. Let us go
+to-morrow, and cry off as well as we can."
+
+"We will, Cornelius."
+
+The quarrel and its settlement made them thirsty, and they drank a
+whole potash-and-brandy each before proceeding with the interrupted
+conversation.
+
+"Poor little Phillis!" said the Artist, filling his pipe. "I hope she
+won't pine much."
+
+"Ariadne, you know," said the Poet; and then he forgot what Ariadne
+did, and broke off short.
+
+"It isn't our fault, after all. Men of genius are always run after.
+Women are made to love men, and men are made to break their hearts.
+Law of nature, dear Cornelius--law of Nature. Perhaps the man is a fool
+who binds himself to one. Art alone should be our mistress--glorious
+Art!"
+
+"Yes," said Cornelius; "you are quite right. And what about Mr. Gilead
+Beck?"
+
+This was a delicate question, and the Artist's face grew grave.
+
+"What are we to do, Cornelius?"
+
+"I don't know, Humphrey."
+
+"Will the Poem be finished?"
+
+"No. Will the Picture?"
+
+"Not a chance."
+
+"Had we not better, Humphrey, considering all the circumstances, make
+up our minds to throw over the engagement?"
+
+"Tell me, Cornelius--how much of your Poem remains to be done?"
+
+"Well, you see, there is not much actually written."
+
+"Will you show it to me--what there is of it?"
+
+"It is all in my head, Humphrey. Nothing is written."
+
+He blushed prettily as he made the confession. But the Artist met him
+half-way with a frank smile.
+
+"It is curious, Cornelius, that up to the present I have not actually
+drawn any of the groups. My figures are still in my head."
+
+Both were surprised. Each, spending his own afternoons in sleep, had
+given the other credit for working during that part of the day. But
+they were too much accustomed to keep up appearances to make any
+remark upon this curious coincidence.
+
+"Then, brother," said the Poet, with a sigh of relief, "there really
+is not the slightest use in leading Mr. Beck to believe that the works
+will be finished by October, and we had better ask for a longer term.
+A year longer would do for me."
+
+"A year longer would, I think, do for me," said Humphrey, stroking his
+beard, as if he was calculating how long each figure would take to put
+in. "We will go and see Mr. Beck to-morrow."
+
+"Better not," said the sagacious Poet.
+
+"Why not?"
+
+"He might ask for the money back."
+
+"True, brother. He must be capable of that meanness, or he would have
+given us that cheque we asked for. Very true. We will write."
+
+"What excuse shall we make?"
+
+"We will state the exact truth, Brother. No excuse need be invented.
+We will tell our Patron that Art cannot--must not--be forced."
+
+This settled, Cornelius declared that a weight was off his mind, which
+had oppressed him since the engagement with Mr. Beck was first entered
+into. Nothing, he said, so much obstructed the avenues of fancy,
+checked the flow of ideas, and destroyed grasp of language, as a
+slavish time-engagement. Now, he went on to explain, he felt free;
+already his mind, like a garden in May, was blossoming in a thousand
+sweet flowers. Now he was at peace with mankind. Before this relief he
+had been--Humphrey would bear him out--inclined to lose his temper
+over trifles; and the feeling of thraldom caused him only that very
+evening to use harsh words even to his twin brother. Here he held out
+his hand, which Humphrey grasped with effusion.
+
+They wrote their letters next day--not early in the day, because they
+prolonged their evening parliament till late, and it was one o'clock
+when they took breakfast But they wrote the letters after breakfast,
+and at two they took the train to Twickenham.
+
+Phillis received them in her morning-room. They appeared almost as
+nervous and agitated as when they called a week before. So shaky were
+their hands that Phillis began by prescribing for them a glass of wine
+each, which they took, and said they felt better.
+
+"We come for a few words of serious explanation," said the Poet.
+
+"Yes," said Phillis. "Will Mrs. L'Estrange do?"
+
+"On the contrary, it is with you that we would speak."
+
+"Very well," she replied. "Pray go on."
+
+They were sitting side by side on the sofa, looking as grave as a pair
+of owls. There was something Gog and Magogish, too, in their
+proximity.
+
+Phillis found herself smiling when she looked at them. So, to prevent
+laughing in their very faces, she changed her place, and went to the
+open window.
+
+"Now," she said.
+
+Cornelius, with the gravest face in the world, began again.
+
+"It is a delicate and, I fear, a painful business," he said. "Miss
+Fleming, you doubtless remember a conversation I had with you last
+week on your lawn?"
+
+"Certainly. You told me that your brother, Mr. Humphrey, adored me.
+You also said that he brought me a virgin heart. I remember perfectly.
+I did not understand your meaning then. But I do now. I understand it
+now." She spoke the last words with softened voice, because she was
+thinking of the Coping-stone and Jack Dunquerque.
+
+Humphrey looked indignantly at his brother. Here was a position to be
+placed in! But Cornelius lifted his hand, with a gesture which meant,
+"Patience; I will see you through this affair," and went on--
+
+"You see, Miss Fleming, I was under a mistake. My brother, who has the
+highest respect, in the abstract, for womanhood, which is the
+incarnation and embodiment of all that is graceful and beautiful in
+this fair world of ours, does not--does not--after all----"
+
+Phillis looked at Humphrey. He sat by his brother, trembling with a
+mixture of shame and terror. They were not brave men, these Twins, and
+they certainly drank habitually more than is good for the nervous
+system.
+
+She began to laugh, not loudly, but with a little ripple of mirth
+which terrified them both, because in their vanity they thought it the
+first symptoms of hysterical grief. Then she stepped to the sofa, and
+placed both her hands on the unfortunate Artist's shoulder.
+
+He thought that she was going to shake him, and his soul sank into his
+boots.
+
+"You mean that he does not, after all, adore me. O Mr. Humphrey, Mr.
+Humphrey! was it for this that you offered me a virgin heart? Is this
+your gratitude to me for drawing your likeness when you were hard at
+work in the Studio? What shall I say to your brother Joseph, and what
+will he say to you?"
+
+"My dear young lady," Cornelius interposed hastily, "there is not the
+slightest reason to bring Joseph into the business at all. He must not
+be told of this unfortunate mistake. Humphrey does adore you--speak,
+brother--do you not adore Miss Fleming?"
+
+Humphrey was gasping and panting.
+
+"I do," he ejaculated, "I do--Oh, most certainly."
+
+Then Phillis left him and turned to his brother.
+
+"But there is yourself, Mr. Cornelius. You are not an artist; you are
+a poet; you spend your days in the Workshop, where Jack Dunquerque and
+I found you rapt in so poetic a dream that your eyes were closed and
+your mouth open. If you made a mistake about Humphrey, it is
+impossible that he could have made a mistake about you."
+
+"This is terrible," said Cornelius. "Explain, brother Humphrey. Miss
+Fleming, we--no, you as well--are victims of a dreadful error."
+
+He wiped his brow and appealed to his brother.
+
+Released from the terror of Phillis's hands upon his shoulder, the
+Artist recovered some of his courage and spoke. But his voice was
+faltering. "I, too," he said, "mistook the respectful admiration of my
+brother for something dearer. Miss Fleming, he is already wedded."
+
+"Wedded? Are you a married man, Mr. Cornelius? Oh, and where is the
+virgin heart?"
+
+"Wedded to his art," Humphrey explained. Then he went a little off his
+head, I suppose, in the excitement of this crisis, because he
+continued in broken words, "Wedded--long ago--object of his life's
+love--with milk-pails on the hills of Heidelberg, and light blue
+eyes--the Muse of Song. But he regards you with respectful
+admiration."
+
+"Most respectful," said Cornelius. "As Petrarch regarded the wife of
+the Count de Sade. Will you forgive us, Miss Fleming, and--and--try to
+forget us?"
+
+"So, gentlemen," the young lady said, with sparkling eyes, "you come
+to say that you would rather not marry me. I wonder if that is usual
+with men?"
+
+"No, no!" they both cried together. "Happy is the man----"
+
+"You may be the happy man, Humphrey," said Cornelius.
+
+"No; you, brother--you."
+
+Never had wedlock seemed so dreadful a thing as it did now, with a
+possible bride standing before them, apparently only waiting for the
+groom to make up his mind.
+
+"I will forgive you both," she said; "so go away happy. But I am
+afraid I shall never, never be able to forget you. And if I send you a
+sketch of yourselves just as you look now, so ashamed and so foolish,
+perhaps you will hang it up in the Workshop or the Studio, to be
+looked at when you are awake; that is, when you are not at work."
+
+They looked guiltily at each other and drew a little apart. It was the
+most cruel speech that Phillis had ever made; but she was a little
+angry with this vain and conceited pair of windbags.
+
+"I shall not tell Mr. Joseph Jagenal, because he is a sensible man and
+would take it ill, I am sure. And I shall not tell my guardian,
+Lawrence Colquhoun, because I do not know what he might say or do. And
+I shall not tell Mrs. L'Estrange; that is, I shall not tell her the
+whole of it, for your sakes. But I must tell Jack Dunquerque, because
+I am engaged to be married to Jack, and because I love him and must
+tell him everything."
+
+They cowered before her as they thought of the possible consequences
+of this information.
+
+"You need not be frightened," she went on; "Jack will not call to see
+you and disturb you at your work."
+
+Her eyes, that began by dancing with fun, now flashed indignation. It
+was not that she felt angry at what most girls would have regarded as
+a deliberate insult, but the unmanliness of the two filled her with
+contempt. They looked so small and so mean.
+
+"Go," she said, pointing to the door. "I forgive you. But never again
+dare to offer a girl each other's virgin heart."
+
+They literally slunk away like a pair of beaten hounds. Then Phillis
+suddenly felt sorry for them as they crept out of the door, one after
+the other. She ran after them and called them back.
+
+"Stop," she cried; "we must not part like that. Shake hands,
+Cornelius. Shake hands, Humphrey. Come back and take another glass of
+wine. Indeed you want it; you are shaking all over; come."
+
+She led them back, one in each hand, and poured out a glass of sherry
+for each.
+
+"You could not have married me, you know," she said, laughing,
+"because I am going to marry Jack. There--forgive me for speaking
+unkindly, and we will remain friends."
+
+They took her hand, but they did not speak, and something like a tear
+stood in their eyes. When they left her Phillis observed that they did
+not take each other's arm as usual, but walked separate. And they
+looked older.
+
+
+
+
+CHAPTER XXXIX.
+
+ "What is it you see?
+ A nameless thing--a creeping snake in the grass."
+
+
+Who was the writer of the letters? They were all in one hand, and that
+a feigned hand. Gabriel Cassilis sat with these anonymous accusations
+against his wife spread out upon the table before him. He compared one
+with another; he held them up to the light; he looked for chance
+indications which a careless moment might leave behind; there were
+none--not a stroke of the pen; not even the name of the shop where the
+paper was sold. They were all posted at the same place; but that was
+nothing.
+
+The handwriting was large, upright, and perhaps designedly ill-formed;
+it appeared to be the writing of a woman, but of this Mr. Cassilis was
+not sure.
+
+Always the same tale; always reference to a secret between Colquhoun
+and his wife. What was that secret?
+
+In Colquhoun's room--alone with him--almost under his hand. But where?
+He went into the bedroom, which was lighted by the gas of the court;
+an open room, furnished without curtains; there was certainly no one
+concealed, because concealment was impossible. And in the
+sitting-room--then he remembered that the room was dimly lighted;
+curtains kept out the gas-light of the court; Colquhoun had on his
+entrance lowered the silver lamp; there was a heavy green shade on
+this; it was possible that she might have been in the room while he
+was there, and listening to every word.
+
+The thought was maddening. He tried to put it all before himself in
+logical sequence, but could not; he tried to fence with the question,
+but it would not be evaded; he tried to persuade himself that
+suspicions resting on an anonymous slander were baseless, but every
+time his mind fell back upon the voice which proclaimed his wife's
+dishonour.
+
+A man on the rack might as well try to dream of soft beds and
+luxurious dreamless sleep; a man being flogged at the cart-tail might
+as well try to transport his thoughts to boyhood's games upon a
+village green; a man at the stake might as well try to think of deep
+delicious draughts of ice-cold water from a shady brook. The agony and
+shame of the present are too much for any imagination.
+
+It was so to Gabriel Cassilis. The one thing which he trusted in,
+after all the villainies and rogueries he had learned during
+sixty-five years mostly spent among men trying to make money, was his
+wife's fidelity. It was like the Gospel--a thing to be accepted and
+acted upon with unquestioning belief. Good heavens! if a man cannot
+believe in his wife's honesty, in what is he to believe?
+
+Gabriel Cassilis was not a violent man; he could not find relief in
+angry words and desperate deeds like a Moor of Venice; his jealousy
+was a smouldering fire; a flame which burned with a dull fierce heat;
+a disease which crept over body and mind alike, crushing energy,
+vitality, and life out of both.
+
+Everything might go to ruin round him; he was no longer capable of
+thought and action. Telegrams and letters lay piled before him on the
+table, and he left them unopened.
+
+Outside, his secretary was in dismay. His employer would receive no
+one, and would attend to nothing. He signed mechanically such papers
+as were brought him to sign, and then he motioned the secretary to the
+door.
+
+This apathy lasted for four days--the four days most important of any
+in the lives of himself, of Gilead Beck, and of Lawrence Colquhoun.
+For the fortunes of all hung upon his shaking it off, and he did not
+shake it off.
+
+On the second day, the day when he got the letter telling him that his
+wife had been in Colquhoun's chambers while he was there, he sent for
+a private detective.
+
+He put into his hands all the letters.
+
+"Written by a woman," said the officer. "Have you any clue, sir?"
+
+"None--none whatever. I want you to watch. You will watch my wife and
+you will watch Mr. Colquhoun. Get every movement watched, and report
+to me every morning. Can you do this? Good. Then go, and spare neither
+pains nor money."
+
+The next morning's report was unsatisfactory. Colquhoun had gone to
+the Park in the afternoon, dined at his club, and gone home to his
+chambers at eleven. Mrs. Cassilis, after dining at home, went out at
+ten, and returned early--at half-past eleven.
+
+But there came a letter from the anonymous correspondent.
+
+"You are having a watch set on them. Good. But that won't find out the
+Scotch secret. She _was_ in his room while you were there--hidden
+somewhere, but I do not know where."
+
+He went home to watch his wife with his own eyes. He might as well
+have watched a marble statue. She met his eyes with the calm cold look
+to which he was accustomed. There was nothing in her manner to show
+that she was other than she had always been. He tried in her presence
+to realise the fact, if it was a fact. "This woman," he said to
+himself, "has been lying hidden in Colquhoun's chambers listening
+while I talked to him. She was there before I went; she was there when
+I came away. What is her secret?"
+
+What, indeed! She seemed a woman who could have no secrets, a woman
+whose life from her cradle might have been exposed to the whole world,
+who would have found nothing but cause of admiration and respect.
+
+In her presence, under her influence, his jealousy lost something of
+its fierceness. He feared her too much to suspect her while in his
+sight. It was at night, in his office, away from her, that he gave
+full swing to the bitterness of his thoughts. In the hours when he
+should have been sleeping he paced his room, wrapped in his
+dressing-gown--a long lean figure, with eyes aflame, and thoughts that
+tore him asunder; and in the hours when he should have been waking he
+sat with bent shoulders, glowering at the letters of her accuser,
+gazing into a future which seemed as black as ink.
+
+His life, he knew, was drawing to its close. Yet a few more brief
+years, and the summons would come for him to cross the River. Of that
+he had no fear; but it was dreadful to think that his age was to be
+dishonoured. Success was his; the respect which men give to success
+was his; no one inquired very curiously into the means by which
+success was commanded; he was a name and a power. Now that name was to
+be tarnished; by no act of his own, by no fault of his; by the
+treachery of the only creature in the world, except his infant child,
+in whom he trusted.
+
+He would have, perhaps, to face the publicity of an open court; to
+hear his wrongs set forth to a jury; to read his "case" in the daily
+papers.
+
+And he would have to alter his will.
+
+Oddly enough, of all the evil things which seemed about to fall on
+him, not one troubled him more than the last.
+
+His detective brought him no news on the next day. But his unknown
+correspondent did.
+
+"She is tired," the letter said, "of not seeing Mr. Colquhoun for
+three whole days. She will see him to-morrow. There is to be a
+garden-party at Mrs. L'Estrange's Twickenham villa. Mr. Colquhoun will
+be there, and she is going, too, to meet him. If you dared, if you had
+the heart of a mouse, you would be there too. You would arrive late;
+you would watch and see for yourself, unseen, if possible, how they
+meet, and what they say to each other. An invitation lies for you, as
+well as your wife upon the table. Go!"
+
+While he was reading this document his secretary came in, uncalled.
+
+"The Eldorado Stock," he said, in his usual whisper. "Have you decided
+what to do? Settling day on Friday. Have you forgotten what you hold,
+sir?"
+
+"I have forgotten nothing," Gabriel Cassilis replied. "Eldorado stock?
+I never forget anything. Leave me. I shall see no one to-day; no one
+is to be admitted. I am very busy."
+
+"I don't understand it," the secretary said to himself. "Has he got
+information that he keeps to himself? Has he got a deeper game on than
+I ever gave him credit for? What does it mean? Is he going off his
+head?"
+
+More letters and more telegrams came. They were sent in to the inner
+office; but nothing came out of it.
+
+That night Gabriel Cassilis left his chair at ten o'clock. He had
+eaten nothing all day. He was faint and weak; he took something at a
+City railway station, and drove home in a cab. His wife was out.
+
+In the hall he saw her woman, the tall woman with the unprepossessing
+face.
+
+"You are Mrs. Cassilis's maid?" he asked.
+
+"I am, sir."
+
+"Come with me."
+
+He took her to his own study, and sat down. Now he had the woman with
+him he did not know what to ask her.
+
+"You called me, sir," she said. "Do you want to know anything?"
+
+"How long have you been with your mistress?"
+
+"I came to her when her former maid, Janet, died, sir. Janet was with
+her for many years before she married."
+
+"Janet--Janet--a Scotch name."
+
+"Janet was with my mistress in Scotland."
+
+"Yes--Mrs. Cassilis was in Scotland--yes. And--and--Janet was in your
+confidence?"
+
+"We had no secrets from each other, sir. Janet told me everything.
+
+"What was there to tell?"
+
+"Nothing, sir. What should there be?"
+
+This was idle fencing.
+
+"You may go," he said. "Stay. Let them send me up something--a cup of
+tea, a slice of meat--anything."
+
+Then he recommenced his dreary walk up and down the room.
+
+Later on a curious feeling came over him--quite a strange and novel
+feeling. It was as if, while he thought, or rather while his fancies
+like so many devils played riot in his brain, he could not find the
+right words in which to clothe his thoughts. He struggled against the
+feeling. He tried to talk. But the wrong words came from his lips.
+Then he took a book; yes--he could read. It was nonsense; he shook off
+the feeling. But he shrank from speaking to any servant, and went to
+bed.
+
+That night he slept better, and in the morning was less agitated. He
+breakfasted in his study, and then he went down to his office.
+
+It was the fourth day since he had opened no letters and attended to
+no business. He remembered this, and tried to shake off the gloomy
+fit. And then he thought of the coming _coup_, and tried to bring
+his thoughts back to their usual channel. How much did he hold of
+Eldorado Stock? Rising higher day by day. But three days, three short
+days, before settling-day.
+
+The largest stake he had ever ventured; a stake so large that when he
+thought of it his spirit and nerve came back to him.
+
+For once--for the last time--he entered his office, holding himself
+erect, and looking brighter than he had done for days; and he sat down
+to his letters with an air of resolution.
+
+Unfortunately, the first letter was from the anonymous correspondent.
+
+"She wrote to him to-day; she told him that she could bear her life no
+longer; she threatened to tell the secret right out; she will have an
+explanation with him to-morrow at Mrs. L'Estrange's. Do you go down
+and you will hear the explanation. Be quiet, and the secret."
+
+He started from his chair, the letter in his hand, and looked straight
+before him. Was it, then, all true? Would that very day give him a
+chance of finding out the secret between Lawrence Colquhoun and his
+wife?
+
+He put up his glasses and read the letter--the last of a long series,
+every one of which had been a fresh arrow in his heart--again and
+again.
+
+Then he sat down and burst into tears.
+
+A young man's tears may be forced from him by many a passing sorrow,
+but an old man's only by the reality of a sorrow which cannot be put
+aside. The deaths of those who are dear to the old man fall on him as
+so many reminders that his own time will soon arrive; but it is not
+for such things as death that he laments.
+
+"I loved her," moaned Gabriel Cassilis. "I loved her, and I trusted
+her; and this the end!"
+
+He did not curse her, nor Colquhoun, nor himself. It was all the hand
+of Fate. It was hard upon him, harder than he expected or knew, but he
+bore it in silence.
+
+He sat so, still and quiet, a long while.
+
+Then he put together all the letters, which the detective had brought
+back, and placed them in his pocket. Then he dallied and played with
+the paper and pencils before him, just as one who is restless and
+uncertain in his mind. Then he looked at his watch--it was past three;
+the garden party was for four; and then he rose suddenly, put on his
+hat, and passed out. His secretary asked him as he went through his
+office, if he would return, and at what time.
+
+Mr. Cassilis made a motion with his hand, as if to put the matter off
+for a few moments, and replied nothing. When he got into the street it
+occurred to him that he could not answer the secretary because that
+same curious feeling was upon him again, and he had lost the power of
+speech. It was strange, and he laughed. Then the power of speech as
+suddenly returned to him. He called a cab and told the driver where to
+go. It is a long drive to Twickenham. He was absorbed in his thoughts,
+and as he sat back, gazing straight before him, the sensation of not
+being able to speak kept coming and going in his brain. This made him
+uneasy, but not much, because he had graver things to think about.
+
+At half-past four he arrived within a few yards of Mrs. L'Estrange's
+house, where he alighted and dismissed his cab. The cabman touched his
+hat and said it was a fine day, and seasonable weather for the time of
+the year.
+
+"Ay," replied Gabriel Cassilis mechanically. "A fine day, and
+seasonable weather for the time of the year."
+
+And as he walked along under the lime-trees he found himself saying
+over again, as if it was the burden of a song:
+
+"A fine day, and seasonable weather for the time of the year."
+
+
+
+
+CHAPTER XL.
+
+ "How green are you and fresh in this old world!"
+
+
+On the morning of the garden party Joseph Jagenal called on Lawrence
+Colquhoun.
+
+"I have two or three things to say," he began, "if you can give me
+five minutes."
+
+"Twenty," said Lawrence. "Now then."
+
+He threw himself back in his easiest chair and prepared to listen.
+
+"I am in the way of hearing things sometimes," Joseph said. "And I
+heard a good deal yesterday about Mr. Gabriel Cassilis."
+
+"What?" said Lawrence, aghast, "he surely has not been telling all the
+world about it!"
+
+"I think we are talking of different things," Joseph answered after a
+pause. "Don't tell me what you mean, but what I mean is that there is
+an uneasy feeling about Gabriel Cassilis."
+
+"Ay? In what way?"
+
+"Well, they say he is strange; does not see people; does not open
+letters; and is evidently suffering from some mental distress."
+
+"Yes."
+
+"And when such a man as Gabriel Cassilis is in mental distress, money
+is at the bottom of it."
+
+"Generally. Not always."
+
+"It was against my advice that you invested any of your money by his
+direction."
+
+"I invested the whole of it; and all Phillis's too. Mr. Cassilis has
+the investment of our little all," Lawrence added, laughing.
+
+But the lawyer looked grave.
+
+"Don't do it," he said; "get it in your own hands again; let it lie
+safely in the three per cents. What has a pigeon like you to do among
+the City hawks? And Miss Fleming's money, too. Let it be put away
+safely, and give her what she wants, a modest and sufficient income
+without risk."
+
+"I believe you are right, Jagenal. In fact, I am sure you are right.
+But Cassilis would have it. He talked me into an ambition for good
+investments which I never felt before. I will ask him to sell out for
+me, and go back to the old three per cents. and railway shares--which
+is what I have been brought up to. On the other hand, you are quite
+wrong about his mental distress. That is--I happen to know--you are a
+lawyer and will not talk--it is not due to money matters; and Gabriel
+Cassilis is, for what I know, as keen a hand as ever at piling up the
+dollars. The money is all safe; of that I am quite certain."
+
+"Well, if you think so--But don't let him keep it," said Joseph the
+Doubter.
+
+"After all, why not get eight and nine per cent. if you can?"
+
+"Because it isn't safe, and because you ought not to expect it. What
+do you want with more money than you have got? However, I have told
+you what men say. There is another thing. I am sorry to say that my
+brothers have made fools of themselves, and I am come to apologise for
+them."
+
+"Don't if it is disagreeable, my dear fellow."
+
+"It is not very disagreeable, and I would rather. They are fifty, but
+they are not wise. In fact, they have lived so much out of the world
+that they do not understand things. And so they went down and proposed
+for the hand of your ward, Phillis Fleming."
+
+"Oh! Both of them? And did she accept?"
+
+"The absurd thing is that I cannot discover which of them wished to be
+the bridegroom, nor which Phillis thought it was. She is quite
+confused about the whole matter. However, they went away and thought
+one of them was accepted, which explains a great deal of innuendo and
+reference to some unknown subject of mirth which I have observed
+lately. I say one of them, because I find it impossible to ascertain
+which of them was the man. Well, whether they were conscience-stricken
+or whether they repented, I do not know, but they went back to
+Twickenham and solemnly repudiated the engagement."
+
+"And Phillis?"
+
+"She laughed at them, of course. Do not fear; she wasn't in the least
+annoyed. I shall speak to my brothers this evening."
+
+Colquhoun thought of the small, fragile-looking pair, and inwardly
+hoped that their brother would be gentle with them.
+
+"And there is another thing, Colquhoun. Do you want to see your ward
+married?"
+
+"To Jack Dunquerque?"
+
+"Yes."
+
+"Not yet. I want her to have her little fling first. Why the poor
+child is only just out of the nursery, and he wants to marry her
+off-hand--it's cruel. Let her see the world for a year, and then we
+will consider it. Jagenal, I wish I could marry the girl myself."
+
+"So do I," said Joseph, with a sigh.
+
+"I fell in love with her," said Lawrence, "at first sight. That is
+why," he added, in his laziest tones, "I suppose that is why I told
+Jack Dunquerque not to go there any more. But he has gone there again,
+and he has proposed to her, I hear, and she has accepted him. So that
+I can't marry her, and you can't, and we are a brace of fogies."
+
+"And what have you said to Mr. Dunquerque?"
+
+"I acted the jealous guardian, and I ordered him not to call on my
+ward any more for the present. I shall see how Phillis takes it, and
+give in, of course, if she makes a fuss. Then Beck has been here
+offering to hand over all his money to Jack, because he loves the
+young man."
+
+"Quixotic," said the lawyer.
+
+"Yes. The end of it will be a wedding, of course. You and I may shake
+a leg at it if we like. As for me, I never can marry any one; and as
+for you----"
+
+"As for me, I never thought of marrying her. I only remarked that I
+had fallen in love, as you say, with her. That's no matter to
+anybody."
+
+"Well, things go on as they like, not as we like. What nonsense it is
+to say that man is master of his fate! Now, what I should like would
+be to get rid of the reason that prevents my marrying; to put Jack
+Dunquerque into the water-butt and sit on the lid; and then for
+Phillis to fall in love with me. After that, strawberries and cream
+with a little champagne for the rest of my Methuselah-like career. And
+I can't get any of these things. Master of his fate?"
+
+"Have you heard of the Coping-stone chapter? It is found."
+
+"Agatha told me something, in a disjointed way. What is the effect of
+it?"
+
+Joseph laughed.
+
+"It is all torn up but the last page. A righteous retribution, because
+if Phillis had been taught to read this would not have happened. Now,
+I suspect the will must be set aside, and the money will mostly go to
+Gabriel Cassilis, the nearest of kin, who doesn't want it."
+
+
+
+
+CHAPTER XLI.
+
+ "La langue des femmes est leur epee,
+ et elles ne la laissent pas rouiller."
+
+
+The grounds of the house formed a parallelogram, of which the longer
+sides were parallel with the river. In the north-east corner stood the
+house itself, its front facing west. It was not a large house, as has
+been explained. A conservatory was built against nearly the whole
+length of the front. The lawns and flower-beds spread to west and
+south, sloping down to the river's edge. The opposite angle was
+occupied by stables, kitchen-garden, and boat-house. Gabriel Cassilis
+approached it from the east. An iron railing and a low hedge, along
+which were planted limes, laburnums, and lilacs, separated the place
+from the road. But before reaching the gate--in fact, at the corner of
+the kitchen-garden--he could, himself, unseen, look through the trees
+and observe the party. They were all there. He saw Mrs. L'Estrange,
+Phillis, his own wife--Heavens! how calm and cold she looked, and how
+beautiful he thought her!--with half a dozen other ladies. The men
+were few. There was the curate. He was dangling round Phillis, and
+wore an expression of holiness-out-for-a-holiday, which is always so
+charming in these young men. Gabriel Cassilis also noticed that he was
+casting eyes of longing at the young lady. There was Lawrence
+Colquhoun. Gabriel Cassilis looked everywhere for him, till he saw
+him, lying beneath a tree, his head on his hand. He was not talking to
+Victoria, nor was he looking at her. On the contrary, he was watching
+Phillis. There was Captain Ladds. He was talking to one of the young
+ladies, and he was looking at Phillis. The young lady evidently did
+not like this. And there was Gilead Beck. He was standing apart,
+talking to Mrs. L'Estrange, with his hands in his pockets, leaning
+against a tree. But he, too, was casting furtive glances at Phillis.
+
+They all seemed, somehow, looking at the girl. There was no special
+reason why they should look at her, except that she was so bright, so
+fresh, and so charming for the eye to rest upon. The other girls were
+as well dressed, but they were nowhere compared with Phillis. The
+lines of their figures, perhaps, were not so fine; the shape of their
+heads more commonplace; their features not so delicate; their pose
+less graceful. There are some girls who go well together. Helena and
+Hermia are a foil to each other; but when Desdemona shows all other
+beauties pale like lesser lights. And the other beauties do not like
+it.
+
+Said one of the fair guests to another--
+
+"What do they see in her?"
+
+"I cannot tell," replied her friend. "She seems to me more
+_farouche_ than ever."
+
+For, having decided that _farouche_ was the word to express poor
+Phillis's distinguishing quality, there was no longer any room for
+question, and _farouche_ she continued to be. If there is anything
+that Phillis never was, it is that quality of fierce shy wildness
+which requires the adjective _farouche_. But the word stuck, because
+it sounded well. To this day--to be sure, it is only a twelvemonth
+since--the girls say still, "Oh, yes! Phillis Fleming. She was pretty,
+but extremely _farouche_."
+
+
+Gabriel Cassilis stood by the hedge and looked through the trees. He
+has come all the way from town to attend this party, and now he
+hesitated at the very gates. For he became conscious of two things:
+first, that the old feeling of not finding his words was upon him
+again; and secondly, that he was not exactly dressed for a festive
+occasion. Like most City men who have long remained bachelors, Gabriel
+Cassilis was careful of his personal appearance. He considered a
+garden-party as an occasion demanding something special. Now he not
+only wore his habitual pepper-and-salt suit, but the coat in which he
+wrote at his office--a comfortable easy old frock, a little baggy at
+the elbows. His mind was strung to such an intense pitch, that such a
+trifling objection as his dress--because Gabriel Cassilis never looked
+other than a gentleman--appeared to him insuperable. He withdrew from
+the hedge, and retraced his steps. Presently he came to a lane. He
+left the road, and turned down the path. He found himself by the
+river. He sat down under a tree, and began to think.
+
+He thought of the time when his lonely life was wearisome to him, when
+he longed for a wife and a house of his own. He remembered how he
+pictured a girl who would be his darling, who would return his
+caresses and love him for his own sake. And how, when he met Victoria
+Pengelley, his thoughts changed, and he pictured that girl, stately
+and statuesque, at the head of the table. There would be no pettings
+and caressings from her, that was quite certain. On the other hand,
+there would be a woman of whom he would be proud--one who would wear
+his wealth properly. And a woman of good family, well connected all
+round. There were no caresses, he remembered now; there was the
+coldest acceptance of him; and there had been no caresses since. But
+he had been proud of her; and as for her honour--how was it possible
+that the doubt should arise? That man must be himself distinctly of
+the lower order of men who would begin by doubting or suspecting his
+wife.
+
+To end in this: doubt so strong as to be almost certainty: suspicion
+like a knife cutting at his heart; his brain clouded; and he himself
+driven to creep down clandestinely to watch his wife.
+
+He sat there till the June sun began to sink in the west. The river
+was covered with the evening craft. They were manned by the young City
+men but just beginning the worship of Mammon, who would have looked
+with envy upon the figure sitting motionless in the shade by the
+river's edge had they known who he was. Presently he roused himself,
+and looked at his watch. It was past seven. Perhaps the party would be
+over by this time; he could go home with his wife; it would be
+something, at least, to be with her, to keep her from that other man.
+He rose,--his brain in a tumult--and repaired once more to his point
+of vantage at the hedge. The lawn was empty; there was no one there.
+But he saw his own carriage in the yard, and therefore his wife was
+not yet gone.
+
+In the garden, no one. He crept in softly, and looked round him. No
+one saw him enter the place; and he felt something like a burglar as
+he walked, with a stealthy step which he vainly tried to make
+confident, across the lawn.
+
+Two ways of entrance stood open before him. One was the porch of the
+house, covered with creepers and hung with flowers. The door stood
+open, and beyond it was the hall, looking dark from the bright light
+outside. He heard voices within. Another way was by the conservatory,
+the door of which was also open. He looked in. Among the flowers and
+vines there stood a figure he knew--his wife's. But she was alone. And
+she was listening. On her face was an expression which he had never
+seen there, and never dreamed of. Her features were distorted; her
+hands were closed in a tight clutch; her arms were stiffened--but she
+was trembling. What was she doing. To whom was she listening?
+
+He hesitated a moment, and then he stepped through the porch into the
+hall. The voices came from the right, in fact, from the morning
+room,--Phillis's room,--which opened by its single window upon the
+lawn, and by its two doors into the hall on one side and the
+conservatory on the other.
+
+And Gabriel Cassilis, like his wife, listened. He put off his hat,
+placed his umbrella in the stand, and stood in attitude, in case he
+should be observed, to push open the door and step in. He was so
+abject in his jealousy that he actually did not feel the disgrace and
+degradation of the act. He was so keen and eager to lose no word, that
+he leaned his head to the half-open door, and stood, his long thin
+figure trembling with excitement, like some listener in a melodrama of
+the transpontine stage.
+
+There were two persons in the room, and one was a woman; and they were
+talking together. One was Lawrence Colquhoun and the other was Phillis
+Fleming.
+
+Colquhoun was not, according to his wont, lying on a sofa, nor sitting
+in the easiest of the chairs. He was standing, and he was speaking in
+an earnest voice.
+
+"When I saw you first," he said, "you were little Phillis--a wee
+toddler of six or seven. I went away and forgot all about you--almost
+forgot your very existence, Phillis,--till the news of Mr. Dyson's
+death met me on my way home again. I fear that I have neglected you
+since I came home; but I have been worried."
+
+"What has worried you, Lawrence?" asked the girl.
+
+She was sitting on the music-stool before the piano; and as she spoke
+she turned from the piano, her fingers resting silently on the notes.
+She was dressed for the party,--which was over now, and the guests
+departed,--in a simple muslin costume, light and airy, which became
+her well. And in her hair she had placed a flower. There were flowers
+all about the room, flowers at the open window, flowers in the
+conservatory beyond, flowers on the bright green lawns beyond.
+
+"How pretty you are, Phillis!" answered her guardian.
+
+He touched her cheek with his finger as she sat.
+
+"I am your guardian," he said, as if in apology.
+
+"And you have been worried about things?" she persisted. "Agatha says
+you never care what happens."
+
+"Agatha is right, as a rule. In one case, of which she knows nothing,
+she is wrong. Tell me, Phillis, is there anything you want in the
+world that I can get for you?"
+
+"I think I have everything," she said, laughing. "And what you will
+not give me I shall wait for till I am twenty-one."
+
+"You mean----"
+
+"I mean--Jack Dunquerque, Lawrence."
+
+Only a short month ago, and Jack Dunquerque was her friend. She could
+speak of him openly and friendly, without change of voice or face. Now
+she blushed, and her voice trembled as she uttered his name. That is
+one of the outward and visible signs of an inward and spiritual state
+known to the most elementary observers.
+
+"I wanted to speak about him. Phillis, you are very young, you have
+seen nothing of the world; you know no other men. All I ask you is to
+wait. Do not give your promise to this man till you have at least had
+an opportunity of--of comparing--of learning your own mind."
+
+She shook her head.
+
+"I have already given my promise," she said.
+
+"But it is a promise that may be recalled," he urged. "Dunquerque is a
+gentleman; he will not hold you to your word when he feels that he
+ought not to have taken it from you. Phillis, you do not know
+yourself. You have no idea of what it is that you have given, or its
+value. How can I tell you the truth?"
+
+"I think you mean the best for me, Lawrence," she said. "But the best
+is--Jack."
+
+Then she began to speak quite low, so that the listeners heard
+nothing.
+
+"See, Lawrence, you are kind, and I can tell you all without being
+ashamed. I think of Jack all day long and all night. I pray for him in
+the morning and in the evening. When he comes near me I tremble; I
+feel that I must obey him if he were to order me in anything. I have
+no more command of myself when he is with me----"
+
+"Stop, Phillis," Lawrence interposed; "you must not tell me any more.
+I was trying to act for the best; but I will make no further
+opposition. See, my dear"--he took her hand in his in a tender and
+kindly way--"if I write to Jack Dunquerque to-day, and tell the
+villain he may come and see you whenever he likes, and that he shall
+marry you whenever you like, will that do for you?"
+
+She started to her feet, and threw her left hand--Lawrence still
+holding the right--upon his shoulder, looking him full in the face.
+
+"Will it do? O Lawrence! Agatha always said you were the kindest man
+in the world; and I--forgive me!--I did not believe it, I could not
+understand it. O Jack, Jack, we shall be so happy, so happy! He loves
+me, Lawrence, as much as I love him."
+
+The listeners in the greenhouse and the hall craned their necks, but
+they could hear little, because the girl spoke low.
+
+"Does he love you as much as you love him, Phillis? Does he love you a
+thousand times better than you can understand? Why, child, you do not
+know what love means. Perhaps women never do quite realise what it
+means. Only go on believing that he loves you, and love him in return,
+and all will be well with you."
+
+"I do believe it, Lawrence! and I love him, too."
+
+Looking through the flowers and the leaves of the conservatory glared
+a face upon the pair strangely out of harmony with the peace which
+breathed in the atmosphere of the place--a face violently distorted by
+passion, a face in which every evil feeling was at work, a face dark
+with rage. Phillis might have seen the face had she looked in that
+direction, but she did not; she held Lawrence's hand, and she was
+shyly pressing it in gratitude.
+
+"Phillis," said Lawrence hoarsely, "Jack Dunquerque is a lucky man. We
+all love you, my dear; and I almost as much as Jack. But I am too old
+for you; and besides, besides----" He cleared his throat, and spoke
+more distinctly. "I do love you, however, Phillis; a man could not be
+long beside you without loving you."
+
+There was a movement and a rustle in the leaves.
+
+The man at the door stood bewildered. What was it all about? Colquhoun
+and a woman--not his wife--talking of love. What love? what woman? And
+his wife in the conservatory, looking as he never saw her look before,
+and listening. What did it all mean? what thing was coming over him?
+He pressed his hand to his forehead, trying to make out what it all
+meant, for he seemed to be in a dream; and, as before, while he tried
+to shape the words in his mind for some sort of an excuse, or a
+reassurance to himself, he found that no words came, or, if any, then
+the wrong words.
+
+The house was very quiet; no sounds came from any part of it,--the
+servants were resting in the kitchen, the mistress of the house was
+resting in her room, after the party,--no voices but the gentle talk
+of the girl and her guardian.
+
+"Kiss me, Phillis," said Lawrence. "Then let me hold you in my arms
+for once, because you are so sweet, and--and I am your guardian, you
+know, and we all love you."
+
+He drew her gently by the hands. She made no resistance; it seemed to
+her right that her guardian should kiss her if he wished. She did not
+know how the touch of her hand, the light in her eyes, the sound of
+her voice, were stirring in the man before her depths that he thought
+long ago buried and put away, awakening once more the possibilities,
+at forty, of a youthful love.
+
+His lips were touching her forehead, her face was close to his, he
+held her two hands tight, when the crash of a falling flower-pot
+startled him, and Victoria Cassilis stood before him.
+
+Panting, gasping for breath, with hands clenched and eyes distended--a
+living statue of the _femina demens_. For a moment she paused to take
+breath, and then, with a wave of her hand which was grand because it
+was natural and worthy of Rachel--because you may see it any day among
+the untutored beauties of Whitechapel, among the gipsy camps, or in
+the villages where Hindoo women live and quarrel--Victoria Cassilis
+for once in her life was herself, and acted superbly, because she did
+not act at all.
+
+"Victoria!" The word came from Lawrence.
+
+Phillis, with a little cry of terror, clung tightly to her guardian's
+arm.
+
+"Leave him!" cried the angry woman. "Do you hear?--leave him!"
+
+"Better go, Phillis," said Lawrence.
+
+At the prospect of battle the real nature of the man asserted itself.
+He drew himself erect, and met her wild eyes with a steady gaze, which
+had neither terror nor surprise in it--a gaze such as a mad doctor
+might practise upon his patients, a look which calms the wildest
+outbreaks, because it sees in them nothing but what it expected to
+find, and is only sorry.
+
+"No! she shall not go," said Victoria, sweeping her skirts behind her
+with a splendid movement from her feet; "she shall not go until she
+has heard me first. You dare to make love to this girl, this
+schoolgirl, before my very eyes. She shall know, she shall know our
+secret!"
+
+"Victoria," said Lawrence calmly, "you do not understand what you are
+saying. _Our_ secret? Say your secret, and be careful."
+
+The door moved an inch or two; the man standing behind it was shaking
+in every limb. "Their secret? her secret?" He was going to learn at
+last; he was going to find the truth; he was going---- And here a
+sudden thought struck him that he had neglected his affairs of late,
+and that, this business once got through, he must look into things
+again; a thought without words, because, somehow, just then he had no
+words--he had forgotten them all.
+
+The writer of the anonymous letters had done much mischief, as she
+hoped to do. People who write anonymous letters generally contrive so
+much. Unhappily, the beginning of mischief is like the boring of a
+hole in a dam or dyke, because very soon, instead of a trickling
+rivulet of water, you get a gigantic inundation. Nothing is easier
+than to have your revenge; only it is so very difficult to calculate
+the after consequences of revenge. If the writer of the letters had
+known what was going to happen in consequence, most likely they would
+never have been written.
+
+"Their secret? her secret?" He listened with all his might. But
+Victoria, his wife Victoria, spoke out clearly; he could hear without
+straining his ears.
+
+"Be careful," repeated Lawrence.
+
+"I shall not be careful; the time is past for care. You have sneered
+and scoffed at me; you have insulted me; you have refused almost to
+know me,--all that I have borne, but this I will not bear."
+
+"Phillis Fleming." She turned to the girl. Phillis did not shrink or
+cower before her; on the contrary, she stood like Lawrence, calm and
+quiet, to face the storm, whatever storm might be brewing. "This man
+takes you in his arms and kisses you. He says he loves you; he dares
+to tell you he loves you. No doubt you are flattered. You have had the
+men round you all day long, and now you have the best of them at your
+feet, alone, when they are gone. Well, the man you want to catch, the
+excellent _parti_ you and Agatha would like to trap, the man who
+stands there----"
+
+"Victoria, there is still time to stop," said Lawrence calmly.
+
+"That man is my husband!"
+
+Phillis looked from one to the other, understanding nothing. The man
+stood quietly stroking his great beard with his fingers, and looking
+straight at Mrs. Cassilis.
+
+"My husband. We were married six years ago and more. We were married
+in Scotland, privately; but he is my husband, and five days after our
+wedding he left me. Is that true?"
+
+"Perfectly. You have forgotten nothing, except the reason of my
+departure. If you think it worth while troubling Phillis with that,
+why----"
+
+"We quarrelled; that was the reason. He used cruel and bitter
+language. He gave me back my liberty."
+
+"We separated, Phillis, after a row, the like of which you may
+conceive by remembering that Mrs. Cassilis was then six years younger,
+and even more ready for such encounters than at present. We separated;
+we agreed that things should go on as if the marriage, which was no
+marriage, had never taken place. Janet, the maid, was to be trusted.
+She stayed with her mistress; I went abroad. And then I heard by
+accident that my wife had taken the liberty I gave her, in its fullest
+sense, by marrying again. Then I came home, because I thought that
+chapter was closed; but it was not, you see; and for her sake I wish I
+had stayed in America."
+
+Mrs. Cassilis listened as if she did not hear a word; then she went
+on--
+
+"He is my husband still. I can claim him when I want him; and I claim
+him now. I say, Lawrence, so long as I live you shall marry no other
+woman. You are mine; whatever happens, you are mine."
+
+The sight of the man, callous, immovable, suddenly seemed to terrify
+her. She sank weeping at his knees.
+
+"Lawrence, forgive me, forgive me! Take me away. I never loved any one
+but you. Forgive me!"
+
+He made no answer or any sign.
+
+"Let me go with you, somewhere, out of this place; let us go away
+together, we two. I have never loved any one but you--never any one
+but you, but you!"
+
+She broke into a passion of sobs. When she looked up, it was to meet
+the white face of Gabriel Cassilis. He was stooping over her, his
+hands spread out helplessly, his form quivering, his lips trying to
+utter something; but no sound came through them. Beyond stood
+Lawrence, still with the look of watchful determination which had
+broken down her rage. Then she sprang to her feet.
+
+"You here? Then you know all. It is true; that is my legal husband.
+For two years and more my life has been a lie. Stand back, and let me
+go to my husband!"
+
+But he stood between Colquhoun and herself. Lawrence saw with a sudden
+terror that something had happened to the man. He expected an outburst
+of wrath, but no wrath came. Gabriel Cassilis turned his head from one
+to the other, and presently said, in a trembling voice--
+
+"A fine day, and seasonable weather for the time of year."
+
+"Good God!" cried Lawrence, "you have destroyed his reason!"
+
+Gabriel Cassilis shook his head, and began again--
+
+"A fine day, and seasonable----"
+
+Here he threw himself upon the nearest chair, and buried his face in
+his hands.
+
+
+
+
+CHAPTER XLII.
+
+ "Then a babbled of green fields."
+
+
+And then there was silence. Which of them was to speak! Not the woman
+who had wrought this mischief; not the man who knew of the wickedness
+but had not spoken; not the innocent girl who only perceived that
+something dreadful--something beyond the ordinary run of dreadful
+events--had happened, and that Victoria Cassilis looked out of her
+senses. Lawrence Colquhoun stood unmoved by her tears; his face was
+hardened; it bore a look beneath which the guilty woman cowered. Yet
+she looked at him and not at her husband.
+
+Presently Colquhoun spoke. His voice was harsh, and his words were a
+command.
+
+"Go home!" he said to Victoria. "There is no more mischief for you to
+do--go!"
+
+She obeyed without a word. She threw the light wrapper which she
+carried on her arm round her slender neck, and walked away, restored,
+to outward seeming, to all her calm and stately coldness. The coachman
+and the footman noticed nothing. If any of her acquaintances passed
+her on the road, they saw no change in her. The woman was impassive
+and impenetrable.
+
+Did she love Colquhoun? No one knows. She loved to feel that she had
+him in her power; she was driven to a mad jealousy when that power
+slipped quite away; and although she had broken the vows which both
+once swore to keep, she could not bear even to think that he should do
+the same. And she did despise her husband, the man of shares,
+companies, and stocks. But could she love Colquhoun? Such a woman may
+feel the passion of jealousy; she may rejoice in the admiration which
+gratifies her vanity; but she is far too cold and selfish for love. It
+is an artful fable of the ancients which makes Narcissus pine away and
+die for the loss of his own image, for thereby they teach the great
+lesson that he who loves himself destroys himself.
+
+The carriage wheels crunched over the gravel, and Gabriel Cassilis
+raised a pale and trembling face--a face with so much desolation and
+horror, such a piteous gaze of questioning reproach at Colquhoun, that
+the man's heart melted within him. He seemed to have grown old
+suddenly; his hair looked whiter; he trembled as one who has the
+palsy; and his eyes mutely asked the question, "Is this thing true?"
+
+Lawrence Colquhoun made answer. His voice was low and gentle; his eyes
+were filled with tears.
+
+"It is true, Mr. Cassilis. God knows I would have spared you the
+knowledge. But it is true."
+
+Gabriel Cassilis opened his lips as if to speak. But he refrained,
+stopping suddenly, because he recollected that he could no longer
+utter what he wished to say. Then he touched his mouth with his
+fingers like a dumb man. He was worse than a dumb man, who cannot
+speak at all, because his tongue, if he allowed it, uttered words
+which had no connection with his thoughts. Men that have been called
+possessed of the devil have knelt at altars, uttering blasphemous
+impieties when their souls were full of prayer.
+
+"Do you understand me, Mr. Cassilis? Do you comprehend what I am
+saying?"
+
+He nodded his head.
+
+Colquhoun took a piece of notepaper from the writing-table, and laid
+it before him with a pencil. Mr. Cassilis grasped the pencil eagerly,
+and began to write. From his fingers, as from his tongue, came the
+sentence which he did _not_ wish to write--
+
+"A fine day, and seasonable weather for the time of year."
+
+He looked at this result with sorrowful heart, and showed it to
+Colquhoun, shaking his head.
+
+"Good heavens?" cried Colquhoun, "his mind is gone."
+
+Gabriel Cassilis touched him on the arm and shook his head.
+
+"He understands you, Lawrence," said Phillis; "but he cannot explain
+himself. Something has gone wrong with him which we do not know."
+
+Gabriel Cassilis nodded gratefully to Phillis.
+
+"Then Mr. Cassilis," Colquhoun began, "it is right that you should
+know all. Six years ago I followed Victoria Pengelley into Scotland.
+We were married privately at a registrar's office under assumed names.
+If you ever want to know where and by what names, you have only to ask
+me, and I will tell you. There were reasons, she said,--I never quite
+understood what they were, but she chose to be a _fille romanesque_ at
+the time,--why the marriage should be kept secret. After the wedding
+ceremony--such as it was--she left the office with her maid, who was
+the only witness, and returned to the friends with whom she was
+staying. I met her every day; but always in that house and among other
+people. A few days passed. She would not, for some whim of her own,
+allow the marriage to be disclosed. We quarrelled for that, and other
+reasons--my fault, possibly. Good God! what a honeymoon! To meet the
+woman you love--your bride--in society; if for half an hour alone,
+then in the solitude of open observation; to quarrel like people who
+have been married for forty years---- Well, perhaps it was my fault.
+On the fifth day we agreed to let things be as if they had never been.
+I left my bride, who was not my wife, in anger. We used bitter
+words--perhaps I the bitterest. And when we parted, I bade her go back
+to her old life as if nothing had been promised on either side. I said
+she should be free; that I would never claim the power and the rights
+given me by a form of words; that she might marry again; that, to
+leave her the more free, I would go away and never return till she was
+married, or till she gave me leave. I was away for four years; and
+then I saw the announcement of her marriage in the paper, and I
+returned. That is the bare history, Mr. Cassilis. Since my return, on
+my honour as a gentleman, you have had no cause for jealousy in my own
+behaviour towards--your wife, not mine. Remember, Mr. Cassilis,
+whatever else may be said, she never was my wife. And yet, in the eye
+of the law, I suppose she is my wife still. And with all my heart I
+pity you."
+
+He stopped, and looked at the victim of the crime. Gabriel Cassilis
+was staring helplessly from him to Phillis. Did he understand? Not
+entirely, I think. Yet the words which he had heard fell upon his
+heart softly, and soothed him in his trouble. At last his eyes rested
+on Phillis, as if asking, as men do in times of trouble, for the quick
+comprehension of a woman.
+
+"What can I do, Mr. Cassilis?" asked the girl. "If you cannot speak,
+will you make some sign? Any little sign that I can understand?"
+
+She remembered that among her lesson-books was a dictionary. She put
+that into his hand, and asked him to show her in the dictionary what
+he wished to say.
+
+He took the book in his trembling hands, turned over the leaves, and
+presently, finding the page he wanted, ran his fingers down the lines
+till they rested on a word.
+
+Phillis read it, spelling it out in her pretty little school-girl
+fashion.
+
+"S, I, si; L, E, N, C, LAME DUCK, lence--silence. Is that what you
+wish to say, Mr. Cassilis?"
+
+He nodded.
+
+"Silence," repeated Lawrence. "For all our sakes it is the best--the
+only thing. Phillis, tell no one what you have heard; not even Agatha;
+not even Jack Dunquerque. Or, if you tell Jack Dunquerque, send him to
+me directly afterwards. Do you promise, child?"
+
+"I promise, Lawrence. I will tell no one but Jack; and I shall ask him
+first if he thinks I ought to tell him another person's secret."
+
+"Thank you, Phillis. Mr. Cassilis, there are only we three and--and
+one more. You may trust Phillis when she promises a thing; you may
+trust me, for my own sake; you may, I hope, trust that other person.
+And as for me, it is my intention to leave England in a week. I deeply
+regret that I ever came back to this country."
+
+A week was too far ahead for Mr. Cassilis to look forward to in his
+agitation. Clearly the one thing in his mind at the moment--the one
+possible thing--was concealment. He took the dictionary again, and
+found the word "Home."
+
+"Will you let me take you home, sir?" Lawrence asked.
+
+He nodded again. There was no resentment in his face, and none in his
+feeble confiding manner when he took Lawrence's arm and leaned upon it
+as he crawled out to the carriage.
+
+Only one sign of feeling. He took Phillis by the hand and kissed her.
+When he had kissed her, he laid his finger on her lips. And she
+understood his wish that no one should learn this thing.
+
+"Not even Agatha, Phillis," said Lawrence. "Forget, if you can. And if
+you cannot, keep silence."
+
+They drove into town together, these men with a secret between them.
+Lawrence made no further explanations. What was there to explain? The
+one who suffered the most sat upright, looking straight before him in
+mute suffering.
+
+It is a long drive from Twickenham to Kensington Palace Gardens. When
+they arrived, Mr. Cassilis was too weak to step out of the carriage.
+They helped him--Lawrence Colquhoun and a footman--into the hall. He
+was feeble with long fasting as much as from the effects of this
+dreadful shock.
+
+They carried him to his study. Among the servants who looked on was
+Tomlinson, the middle-aged maid with the harsh face. She knew that her
+bolt had fallen at last; and she saw, too, that it had fallen upon the
+wrong person, for up-stairs sat her mistress, calm, cold and
+collected. She came home looking pale and a little worn; fatigued,
+perhaps, with the constant round of engagements, though the season was
+little more than half over. She dressed in gentle silence, which
+Tomlinson could not understand. She went down to dinner alone, and
+presently went to her drawing-room, where she sat in a window, and
+thought.
+
+There Colquhoun found her.
+
+"I have told him all," he said. "Your words told him only half, and
+yet too much. You were never my wife, as you know, and never will be,
+though the Law may make you take my name. Cruel and heartless woman!
+to gratify an insensate jealousy you have destroyed your husband."
+
+"Is he--is he--dead?" she cried, almost as if she wished he were.
+
+"No; he is not dead; he is struck with some fit. He cannot speak.
+Learn, now, that your jealousy was without foundation. Phillis will
+marry Dunquerque. As for me, I can never marry, as you know."
+
+"He is not dead!" she echoed, taking no notice of the last words.
+Indeed, Phillis was quite out of her thoughts now. "Does he wish to
+see me?"
+
+"No; you must not, at present, attempt to see him."
+
+"What will they do to me, Lawrence?" she asked again. "What can they
+do? I did not mean him to hear. It was all to frighten you."
+
+"To frighten me! What they can do, Mrs. Cassilis, is to put you in the
+prisoner's box and me in the witness box. What he wants to do, so far
+as we can yet understand, is to keep silence."
+
+"What is the good of that? He will cry his wrongs all over the town,
+and Phillis will tell everybody."
+
+"Phillis will tell no one, no one--not even Agatha. It was lucky that
+Agatha heard nothing; she was upstairs, lying down after her party.
+Will you keep silence?"
+
+"Of course I shall. What else is there for me to do?"
+
+"For the sake of your husband; for the sake of your boy----"
+
+"It is for my own sake, Lawrence," she interrupted coldly.
+
+"I beg your pardon. I ought to have known by this time that you would
+have acted for your own sake only. Victoria, it was an evil day for me
+when I met you; it was a worse day when I consented to a secret
+marriage, which was no marriage, when there was no reason for any
+secrecy; it was the worst day of all when I answered your letter, and
+came here to see you. Every day we have met has produced more
+recrimination. That would not have mattered, but for the mischief our
+meeting has wrought upon your husband. I pray that we may never in
+this world meet again."
+
+He was gone, and Victoria Cassilis has not met him since, nor do I
+think now that she ever will meet him again.
+
+The summer night closed in; the moonlight came up and shone upon the
+Park before her, laying silvery patches of light in ten of thousands
+upon the young leaves of the trees, and darkening the shadows a deeper
+black by way of contrast. They brought her tea and lights; then they
+came for orders. There were none; she would not go out that night. At
+eleven Tomlinson came.
+
+"I want nothing, Tomlinson. You need not wait up; I shall not want you
+this evening."
+
+"Yes, madam; no, madam. Mr. Cassilis is asleep, madam."
+
+"Let some one sit up with him. See to that, Tomlinson; and don't let
+him be disturbed."
+
+"I will sit up with him myself, madam." Tomlinson was anxious to get
+to the bottom of the thing. What mischief had been done, and how far
+was it her own doing? To persons who want revenge these are very
+important questions, when mischief has actually been perpetrated.
+
+Then Victoria was left alone. In that great house, with its troop of
+servants and nurses, with her husband and child, there was no one who
+cared to know what she was doing. The master was not popular, because
+he simply regarded every servant as a machine; but at least he was
+just, and he paid well, and the house, from the point of view likely
+to be taken by Mr. Plush and Miss Hairpin, was a comfortable one. The
+mistress of the house was unpopular. Her temper at times was
+intolerable, her treatment of servants showed no consideration; and
+the women-folk regarded the neglect of her own child with the horror
+of such neglect in which the Englishwoman of all ranks is trained. So
+she was alone, and remained alone. The hands of the clock went round
+and round; the moon went down, and over the garden lay the soft sepia
+twilight of June; the lamp on the little table at her elbow went out;
+but she sat still, hands crossed in her lap, looking out of window,
+and thinking.
+
+She saw, but she did not feel the wickedness of it, a cold and selfish
+girl ripening into a cold and selfish woman--one to whom the outer
+world was as a panorama of moving objects, meaning nothing, and having
+no connection with herself. Like one blind, deaf, and dumb, she moved
+among the mobs who danced and sang, or who grovelled and wept. She had
+no tears to help the sufferers, and no smiles to encourage the happy;
+she had never been able to sympathise with the acting of a theatre or
+the puppets of a novel; she was so cold that she was not even
+critical. It seems odd, but it is really true, that a critic may be
+actually too cold. She saw a mind that, like the Indian devotee, was
+occupied for ever in contemplating itself; she saw beauty which would
+have been irresistible had there been one gleam, just one gleam of
+womanly tenderness; she saw one man after the other first attracted
+and then repelled; and then she came to the one man who was not
+repelled. There was once an unfortunate creature who dared to make
+love to Diana. His fate is recorded in Lempriére's Dictionary; also in
+Dr. Smith's later and more expensive work. Lawrence Colquhoun
+resembled that swain, and his fate was not unlike the classical
+punishment. She went through the form of marriage with him, and then
+she drove him from her by the cold wind of her own intense
+selfishness--a very Mistral. When he was gone she began to regret a
+slave of such uncomplaining slavishness. Well, no one knew except
+Janet. Janet did not talk. It was rather a struggle, she remembered,
+to take Gabriel Cassilis--rather a struggle, because Lawrence
+Colquhoun might come home and tell the story, not because there was
+anything morally wrong. She was most anxious to see him when he did
+come home--out of curiosity, out of jealousy, out of a desire to know
+whether her old power was gone; out of fear, out of that reason which
+makes a criminal seek out from time to time the scene and accomplices
+of his crime, and for the thousand reasons which make up a selfish
+woman's code of conduct. It was three o'clock and daylight when she
+discovered that she had really thought the whole thing over from the
+beginning, and that there was nothing more to think about, except the
+future--a distasteful subject to all sinners.
+
+"After all," she summed up, as she rose to go to bed, "it is as well.
+Lawrence and I should never have got along. He is too selfish, much
+too selfish."
+
+Down-stairs they were watching over the stricken man. The doctor came
+and felt his pulse; he also looked wise, and wrote things in Latin on
+a paper, which he gave to a servant. Then he went away, and said he
+would come in the morning again. He was a great doctor, with a title,
+and quite believed to know everything; but he did not know what had
+befallen this patient.
+
+When Gabriel Cassilis awoke there was some confusion in his mind, and
+his brain was wandering--at least it appeared so, because what he said
+had nothing to do with any possible wish or thought. He rambled at
+large and at length; and then he grew angry, and then he became
+suddenly sorrowful, and sighed; then he became perfectly silent. The
+confused babble of speech ceased as suddenly as it had come; and since
+that morning Gabriel Cassilis has not spoken.
+
+It was at half-past nine that his secretary called, simultaneously
+with the doctor.
+
+He heard something from the servants, and pushed into the room where
+his chief was lying. The eyes of the sick man opened languidly and
+fell upon his first officer, but they expressed no interest and asked
+no question.
+
+"Ah!" sighed Mr. Mowll, in the impatience of a sympathy which has but
+little time to spare. "Will he recover, doctor?"
+
+"No doubt, no doubt. This way, my dear sir." He led the secretary out
+of the room. "Hush! he understands what is said. This is no ordinary
+seizure. Has he received any shock?"
+
+"Shock enough to kill thirty men," said the secretary. "Where was he
+yesterday? Why did he not say something--do something--to avert the
+disaster?"
+
+"Oh! Then the shock has been of a financial kind? I gathered from Mr.
+Colquhoun that it was of a family nature--something sudden and
+distressing."
+
+"Family nature!" echoed the secretary. "Who ever heard of Mr. Cassilis
+worrying himself about family matters? No, sir; when a man is ruined
+he has no time to bother about family matters."
+
+"Ruined? The great Mr. Gabriel Cassilis ruined?"
+
+"I should say so, and I ought to know. They say so in the City; they
+will say so to-night in the papers. If he were well, and able to face
+things, there might be--no, even then there could be no hope.
+Settling-day this very morning; and a pretty settling it is."
+
+"Whatever day it is," said the doctor, "I cannot have him disturbed.
+You may return in three or four hours, if you like, and then perhaps
+he may be able to speak to you. Just now, leave him in peace."
+
+What had happened was this:
+
+When Mr. Cassilis caused to be circulated a certain pamphlet which we
+have heard of, impugning the resources of the Republic of Eldorado, he
+wished the stock to go down. It did go down, and he bought in--bought
+in so largely that he held two millions of the stock. Men in his
+position do not buy large quantities of stock without affecting the
+price--Stock Exchange transactions are not secret--and Eldorado Stock
+went up. This was what Gabriel Cassilis naturally desired. Also the
+letter of El Señor Don Bellaco de la Carambola to the _Times_,
+showing the admirable way in which Eldorado loans were received and
+administered, helped. The stock went up from 64, at which price
+Gabriel Cassilis bought in, to 75, at which he should have sold. Had
+he done so at the right moment, he would have realised the very
+handsome sum of two hundred and sixty thousand pounds; but the trouble
+of the letters came, and prevented him from acting.
+
+While his mind was agitated by these--agitated, as we have seen, to
+such an extent that he could no longer think or work, or attend to any
+kind of business--there arrived for him telegram after telegram, in
+his own cipher, from America. These lay unopened. It was disastrous,
+because they announced beforehand the fact which only his
+correspondent knew--the Eldorado bonds were no longer to be paid.
+
+That fact was now public. It was made known by all the papers that
+Eldorado, having paid the interest out of the money borrowed, had no
+further resources whatever, and could pay no more. It was stated in
+leading articles that England should have known all along what a
+miserable country Eldorado is. The British public were warned too late
+not to trust in Eldorado promises any more; and the unfortunates who
+held Eldorado Stock were actuated by one common impulse to sell, and
+no one would buy. It was absurd to quote Eldorado bonds at anything;
+and the great financier had to meet his engagements by finding the
+difference between stock at 64 and stock at next to nothing for two
+millions.
+
+Gabriel Cassilis was consequently ruined. When it became known that he
+had some sort of stroke, people said that it was the shock of the
+fatal news. He made the one mistake of an otherwise faultless career,
+they said to each other, in trusting Eldorado, and his brain could not
+stand the blow. When the secretary, who understood the cipher, came to
+open the letters and telegrams, he left off talking about the fatal
+shock of the news. It must have been something else--something he knew
+nothing of, because he saw the blow might have been averted; and the
+man's mind, clear enough when he went in for a great coup, had become
+unhinged during the few days before the smash.
+
+Ruined! Gabriel Cassilis knew nothing about the wreck of his life, as
+he lay upon his bed afraid to speak because he would only babble
+incoherently. All was gone from him--money, reputation, wife. He had
+no longer anything. The anonymous correspondent had taken all away.
+
+
+
+
+CHAPTER XLIII.
+
+ "This comes of airy visions and the whispers
+ Of demons like to angels. Brother, weep."
+
+
+Gilead Beck, returning from the Twickenham party before the explosion,
+found Jack Dunquerque waiting for him. As we have seen, he was not
+invited.
+
+"Tell me how she was looking!" he cried. "Did she ask after me?"
+
+"Wal, Mr. Dunquerque, I reckon you the most fortunate individual in
+the hull world. She looked like an angel, and she talked like a--like
+a woman, with pretty blushes; and yet she wasn't ashamed neither.
+Seems as if bein' ashamed isn't her strong point. And what has she got
+to be ashamed of?"
+
+"Did Colquhoun say anything?"
+
+"We had already got upon the subject, and I had ventured to make him a
+proposition. You see, Mr. Dunquerque"--he grew confused, and
+hesitated--"fact is, I want you to look at things just exactly as I
+do. I'm rich. I have struck Ile; that Ile is the mightiest Special
+Providence ever given to a single man. But it's given for purposes.
+And one of those purposes is that some of it's got to go to you."
+
+"To me?"
+
+"To you, Mr. Dunquerque. Who fired that shot? Who delivered me from
+the Grisly?"
+
+"Why, Ladds did as much as I."
+
+Mr. Beck shook his head.
+
+"Captain Ladds is a fine fellow," he said. "Steady as a rock is
+Captain Ladds. There's nobody I'd rather march under if we'd the war
+to do all over again. But the Ile isn't for Captain Ladds. It isn't
+for him that the Golden Butterfly fills me with yearnin's. No sir. I
+owe it all to you. You've saved my life; you've sought me out, and
+gone about this city with me; you've put me up to ropes; you've taken
+me to that sweet creature's house and made her my friend. And Mrs.
+L'Estrange my friend, too. If I was to turn away and forget you, I
+should deserve to lose that precious Inseck."
+
+He paused for a minute.
+
+"I said to Mr. Colquhoun, 'Mr. Dunquerque shall have half of my pile,
+and more if he wants it. Only you let him come back again to Miss
+Fleming.' And he laughed in his easy way; there's no kind of man in
+the States like that Mr. Colquhoun--seems as if he never wants to get
+anything. He laughed and lay back on the grass. And then he said, 'My
+dear fellow, let Jack come back if he likes; there's no fighting
+against fate; only let him have the decency not to announce his
+engagement till Phillis has had her first season.' Then he drank some
+cider-cup, and lay back again. Mrs. Cassilis--she's a very superior
+woman that, but a trifle cold, I should say--watched him whenever he
+spoke. She's got a game of her own, unless I am mistaken."
+
+"But, Beck," Jack gasped, "I can't do this thing; I can't take your
+money."
+
+"I guess, sir, you can, and I guess you will. Come, Mr. Dunquerque,
+say you won't go against Providence. There's a sweet young lady
+waiting for you, and a little mountain of dollars."
+
+But Jack shook his head.
+
+"I thank you all the same," he said. "I shall never forget your
+generosity--never. But that cannot be."
+
+"We will leave it to Miss Fleming," said Gilead. "What Miss Fleming
+says is to be, shall be----"
+
+He was interrupted by the arrival of two letters.
+
+The first was from Joseph Jagenal. It informed him that he had learned
+from his brothers that they had received money from him on account of
+work which he thought would never be done. He enclosed a cheque for
+the full amount, with many thanks for his kindness, and the earnest
+hope that he would advance nothing more.
+
+In the letter was his cheque for £400, the amount which the Twins had
+borrowed during the four weeks of their acquaintance.
+
+Mr. Beck put the cheque in his pocket and opened the other letter. It
+was from Cornelius, and informed him that the Poem could not possibly
+be finished in the time; that it was rapidly advancing; but that he
+could not pledge himself to completing the work by October. Also, that
+his brother Humphrey found himself in the same position as regarded
+the Picture. He ended by the original statement that Art cannot be
+forced.
+
+Mr. Beck laughed.
+
+"Not straight men, Mr. Dunquerque. I suspected it first when they
+backed out at the dinner, and left me to do the talk. Wal, they may be
+high-toned, whole-souled, and talented; but give me the man who works.
+Now Mr. Dunquerque, if you please, we'll go and have some dinner, and
+you shall talk about Miss Fleming. And the day after to-morrow--you
+note that down--I've asked Mrs. L'Estrange and Miss Phillis to
+breakfast. Captain Ladds is coming, and Mr. Colquhoun. And you shall
+sit next to her. Mrs. Cassilis is coming too. When I asked her she
+wanted to know if Mr. Colquhoun was to be there. I said yes. Then she
+wanted to know if Phillis was to be there. I said yes. Then she set
+her lips hard, and said, 'I will come, Mr. Beck.' She isn't happy,
+that lady; she's got somethin' on her mind."
+
+
+That evening Joseph Jagenal had an unpleasant duty to perform. It was
+at dinner that he spoke. The Twins were just taking their first glass
+of port. He had been quite silent through dinner, eating little. Now
+he looked from one to the other without a word.
+
+They changed colour. Instinctively they knew what was coming. He said
+with a gulp:
+
+"I am sorry to find that my brothers have not been acting honourably."
+
+"What is this, brother Humphrey," asked Cornelius.
+
+"I do not know, brother Cornelius," said the Artist.
+
+"I will tell you," said Joseph, "what they have done. They made a
+disingenuous attempt to engage the affections of a rich young lady for
+the sake of her money."
+
+"If Humphrey loved the girl----" began Cornelius.
+
+"If Cornelius was devoted to Phillis Fleming----" began Humphrey.
+
+"I was not, Humphrey," said Cornelius. "No such thing. And I told you
+so."
+
+"I never did love her," said Humphrey. "I always said it was you."
+
+This was undignified.
+
+"I do not care which it was. It belongs to both. Then you went down to
+her again, under the belief that she was engaged to--to--the Lord
+knows which of you--and solemnly broke it off."
+
+Neither spoke this time.
+
+"Another thing. I regret to find that my brothers, having made a
+contract for certain work with Mr. Gilead Beck, and having been partly
+paid in advance, are not executing the work."
+
+"There, Joseph," said Humphrey, waving his hand as if this was a
+matter on quite another footing, "you must excuse us. We know what is
+right in Art, if we know nothing else. Art, Joseph, cannot be forced."
+
+Cornelius murmured assent.
+
+"We have our dignity to stand upon; we retreat with dignity. We say,
+'We will not be forced; we will give the world our best.'"
+
+"Good," said Joseph. "That is very well; but where is the money?"
+
+Neither answered.
+
+"I have returned that money; but it is a large sum, and you must repay
+me in part. Understand me, brothers. You may stay here as long as I
+live: I shall never ask more of you than to respect the family name.
+There was a time when you promised great things, and I believed in
+you. It is only quite lately that I have learned to my sorrow that all
+this promise has been for years a pretence. You sleep all day--you
+call it work. You habitually drink too much at night. You,
+Cornelius"--the Poet started--"have not put pen to paper for years.
+You, Humphrey"--the Artist hung his head--"have neither drawn nor
+painted anything since you came to live with me. I cannot make either
+of you work. I cannot retrieve the past. I cannot restore lost habits
+of industry. I cannot even make you feel your fall from the promise of
+your youth, or remember the hopes of our father. What I can do is to
+check your intemperate habits by such means as are in my power."
+
+He stopped; they were trembling violently.
+
+"Half of the £400 which you have drawn from Mr. Beck will be paid by
+household saving. Wine will disappear from my table; brandy-and-soda
+will have to be bought at your own expense. I shall order the dinners,
+and I shall keep the key of the wine-cellar."
+
+
+A year has passed. The Twins have had a sad time; they look forward
+with undisguised eagerness to the return of the years of fatness; they
+have exhausted their own little income in purchasing the means for
+their midnight _séances_; and they have run up a frightful score
+at the Carnarvon Arms.
+
+But they still keep up bravely the pretence about their work.
+
+
+
+
+CHAPTER XLIV.
+
+ "So, on the ruins he himself had made.
+ Sat Marius reft of all his former glory."
+
+
+"Can you understand me, sir?"
+
+Gabriel Cassilis sat in his own study. It was the day after the
+garden-party. He slept through the night, and in the morning rose
+and dressed as usual. Then he took his seat in his customary chair
+at his table. Before him lay papers, but he did not read them. He
+sat upright, his frock-coat tightly buttoned across his chest, and
+rapped his knuckles with his gold eyeglasses as if he was thinking.
+
+They brought him breakfast, and he took a cup of tea. Then he motioned
+them to take the things away. They gave him the _Times_, and he laid
+it mechanically at his elbow. But he did not speak, nor did he seem to
+attend to what was done around him. And his eyes had a far-off look in
+them.
+
+"Can you understand me, sir?"
+
+The speaker was his secretary. He came in a cab, panting, eager to see
+if there was still any hope. Somehow or other it was whispered already
+in the City that Gabriel Cassilis had had some sort of stroke. And
+there was terrible news besides.
+
+Mr. Mowll asked because there was something in his patron's face which
+frightened him. His eyes were changed. They had lost the keen sharp
+look which in a soldier means victory; in a scholar, clearness of
+purpose; in a priest, knowledge of human nature and ability to use
+that knowledge in a financier, the power and the intuition of success.
+That was gone. In its place an expression almost of childish softness.
+And another thing--the lips, once set firm and close, were parted now
+and mobile.
+
+The other things were nothing. That a man of sixty-five should in a
+single night become a man of eighty; that the iron grey hair should
+become white; that a steady hand should shake, and straight shoulders
+be bent. It was the look in his face, the far-off look, which made the
+secretary ask that question before he went on.
+
+Mr. Cassilis nodded his head gently. He could understand.
+
+"You left the telegrams unopened for a week and more!" cried the
+impatient clerk. "Why--Oh, why!--did you not let me open them?"
+
+There was no reply.
+
+"If I had known, I could have acted. Even the day before yesterday I
+could have acted. The news came yesterday morning. It was all over the
+City by three. And Eldorado's down to nothing in a moment."
+
+Mr. Cassilis looked a mild inquiry. No anxiety in that look at all.
+
+"Eldorado won't pay up her interest. It's due next week. Nothing to
+pay it with. Your agent in New York telegraphed this a week ago. He's
+been confirming the secret every day since. O Lord! O Lord! And you
+the only man who had the knowledge, and all that stake in it! Can you
+speak, sir?"
+
+For his master's silence was terrible to him.
+
+"Listen, then. Ten days ago Eldorados went down after Wylie's
+pamphlet. You told him what to write and you paid him, just as you did
+last year. But you tried to hide it from me. That was wrong, sir. I've
+served you faithfully for twenty years. But never mind that. You
+bought in at 64. Then the Eldorado minister wrote to the paper. Stock
+went up to 75. You stood to win, only the day before yesterday,
+£260,000; more than a quarter of a million. Yesterday, by three, they
+were down to 16. This morning they are down to 8. And it's
+settling-day, and you lose--you lose--your all. Oh, what a day, what a
+day!"
+
+Still no complaint, not even a sigh from the patient man in the
+Windsor chair. Only that gentle tapping of the knuckles, and that
+far-off look.
+
+"The great name of Gabriel Cassilis dragged in the dust! All your
+reputation gone--the whole work of your life--O sir! can't you feel
+even that? Can't you feel the dreadful end of it all--Gabriel
+Cassilis, the great Gabriel Cassilis, a LAME DUCK!"
+
+Not even that. The work of his life was forgotten with all its hopes,
+and the great financier, listening to his clerk with the polite
+impatience of one who listens to a wearisome sermon, was trying to
+understand what was the meaning of that black shadow which lay upon
+his mind and made him uneasy. For the rest a perfect calm in his
+brain.
+
+"People will say it was the shock of the Eldorado smash. Well, sir, it
+wasn't that; I know so much; but it's best to let people think so. If
+you haven't a penny left in the world you have your character, and
+that's as high as ever.
+
+"Fortunately," Mr. Mowll went on, "my own little savings were not in
+Eldorado Stock. But my employment is gone, I suppose. You will
+recommend me, I hope, sir. And I do think that I've got some little
+reputation in the City."
+
+It was not for want of asserting himself that this worthy man failed,
+at any rate, of achieving his reputation. For twenty years he had
+magnified his office as confidential adviser of a great City light;
+among his friends and in his usual haunts he successfully posed as one
+burdened with the weight of affairs, laden with responsibility, and at
+all times oppressed by the importance of his thoughts. He carried a
+pocket-book which shut with a clasp; in the midst of a conversation he
+would stop, become abstracted, rush at the pocket-book, so to speak,
+confide a jotting to its care, shut it with a snap, and then go on
+with a smile and an excuse. Some said that he stood in with Gabriel
+Cassilis; all thought that he shared his secrets, and gave advice when
+asked for it.
+
+As a matter of fact, he was a clerk, and had always been a clerk; but
+he was a clerk who knew a few things which might have been awkward if
+told generally. He had a fair salary, but no confidence, no advice,
+and not much more real knowledge of what his chief was doing than any
+outsider. And in this tremendous smash it was a great consolation to
+him to reflect that the liabilities represented an amount for which it
+was really a credit to fail.
+
+Mr. Mowll has since got another place where the transactions are not
+so large, but perhaps his personal emoluments greater. In the evenings
+he will talk of the great failure.
+
+"We stood to win," he will say, leaning back with a superior
+smile,--"we stood to win £260,000. We lost a million and a quarter. I
+told him not to hang on too long. Against my advice he did. I
+remember--ah, only four days before it happened--he said to me,
+'Mowll, my boy,' he said, 'I've never known you wrong yet. But for
+once I fancy my own opinion. We've worked together for twenty years,'
+he said, 'and you've the clearest head of any man I ever saw,' he
+said. 'But here I think you're wrong. And I shall hold on for another
+day or two,' he said. Ah, little he knew what a day or two would bring
+forth! And he hasn't spoken since. Plays with his little boy, and goes
+about in a Bath-chair. What a man he was! and what a pair--if I may
+say so--we made between us among the bulls and the bears! Dear me,
+dear me!"
+
+It may be mentioned here that everything was at once given up; the
+house in Kensington Palace Gardens, with its costly furniture, its
+carriages, plate, library, and pictures. Mr. Cassilis signed whatever
+documents were brought for signature without hesitation, provided a
+copy of his own signature was placed before him. Otherwise he could
+not write his name.
+
+And never a single word of lamentation, reproach, or sorrow. The past
+was, and is still, dead to him; all the past except one thing, and
+that is ever with him.
+
+For sixty years of his life, this man of the City, whose whole desire
+was to make money, to win in the game which he played with rare
+success and skill, regarded bankruptcy as the one thing to be dreaded,
+or at least to be looked upon, because it was absurd to dread it, as a
+thing bringing with it the whole of dishonour. Not to meet your
+engagements was to be in some sort a criminal. And now he was
+proclaimed as one who could not meet his engagements.
+
+If he understood what had befallen him he did not care about it. The
+trouble was slight indeed in comparison with the other disaster. The
+honour of his wife and the legitimacy of his child--these were gone;
+and the man felt what it is that is greater than money gained or money
+lost.
+
+The blow which fell upon him left his brain clear while it changed the
+whole course of his thoughts and deprived him partially of memory. But
+it destroyed his power of speech. That rare and wonderful disease
+which seems to attack none but the strongest, which separates the
+brain from the tongue, takes away the knowledge and the sense of
+language, and kills the power of connecting words with things, while
+it leaves that of understanding what is said--the disease which
+doctors call Aphasia--was upon Mr. Gabriel Cassilis.
+
+In old men this is an incurable disease. Gabriel Cassilis will never
+speak again. He can read, listen, and understand, but he can frame no
+words with his lips nor write them with his hand. He is a prisoner who
+has free use of his limbs. He is separated from the world by a greater
+gulf than that which divides the blind and the deaf from the rest of
+us, because he cannot make known his thoughts, his wants, or his
+wishes.
+
+It took some time to discover what was the matter with him. Patients
+are not often found suffering from aphasia, and paralysis was the
+first name given to his disease.
+
+But it was very early found out that Mr. Cassilis understood all that
+was said to him, and by degrees they learned what he liked and what he
+disliked.
+
+Victoria Cassilis sat up-stairs, waiting for something--she knew not
+what--to happen. Her maid told her that Mr. Cassilis was ill; she made
+no reply; she did not ask to see him; she did not ask for any further
+news of him. She sat in her own room for two days, waiting.
+
+Then Joseph Jagenal asked if he might see her.
+
+She refused at first; but on hearing that he proposed to stay in the
+house till she could receive him, she gave way.
+
+He came from Lawrence, perhaps. He would bring her a message of some
+kind; probably a menace.
+
+"You have something to say to me, Mr. Jagenal?" Her face was set hard,
+but her eyes were wistful. He saw that she was afraid. When a woman is
+afraid, you may make her do pretty well what you please.
+
+"I have a good deal to tell you, Mrs. Cassilis; and I am sorry to say
+it is of an unpleasant nature.
+
+"I have heard," he went on, "from Mr. Colquhoun that you made a
+remarkable statement in the presence of Miss Fleming, and in the
+hearing of Mr. Cassilis."
+
+"Lawrence informed you correctly, I have no doubt," she replied
+coldly.
+
+"That statement of course was untrue," said Joseph, knowing that no
+record ever was more true. "And therefore I venture to advise----"
+
+"On the part of Lawrence?"
+
+"In the name of Mr. Colquhoun, partly; partly in your own
+interest----"
+
+"Go on, if you please, Mr. Jagenal."
+
+"Believing that statement to be untrue," he repeated, "for
+otherwise I could not give this advice, I recommend to all parties
+concerned--silence. Your husband's paralysis is attributed to the
+shock of his bankruptcy----"
+
+"His what?" cried Victoria, who had heard as yet nothing of the City
+disaster.
+
+"His bankruptcy. Mr. Cassilis is ruined."
+
+"Ruined! Mr. Cassilis!"
+
+She was startled out of herself.
+
+Ruined! The thought of such disaster had never once crossed her
+brains. Ruined! That Colossus of wealth--the man whom she married for
+his money, while secretly she despised his power of accumulating
+money!
+
+"He is ruined, Mrs. Cassilis, and hopelessly. I have read certain
+papers which he put into my hands this morning. It is clear to me that
+his mind has been for some weeks agitated by certain anonymous letters
+which came to him every day, and accused you--pardon me, Mrs.
+Cassilis--accused you of--infidelity. The letters state that there is
+a secret of some kind connected with your former acquaintance with Mr.
+Colquhoun; that you have been lately in the habit of receiving him or
+meeting him every day; that you were in his chambers one evening when
+Mr. Cassilis called; with other particulars extremely calculated to
+excite jealousy and suspicion. Lastly, he was sent by the writer to
+Twickenham. The rest, I believe you know."
+
+She made no reply.
+
+"There can be no doubt, not the least doubt, that had your husband's
+mind been untroubled, this would never have happened. The disaster is
+due to his jealousy."
+
+"I could kill her!" said Mrs. Cassilis, clenching her fist. "I could
+kill her!"
+
+"Kill whom?"
+
+"The woman who wrote those letters. It was a woman. No man could have
+done such a thing. A woman's trick. Go on."
+
+"There is nothing more to say. How far other people are involved with
+your husband, I cannot tell. I am going now into the City to find out
+if I can. Your wild words, Mrs. Cassilis, and your unguarded conduct,
+have brought about misfortunes on which you little calculated. But I
+am not here to reproach you."
+
+"You are my husband's man of business, I suppose," she replied
+coldly--"a paid servant of his. What you say has no importance, nor
+what you think. What did Lawrence bid you tell me?"
+
+Joseph Jagenal's face clouded for a moment. But what was the good of
+feeling resentment with such a woman, and in such a miserable
+business?
+
+"You have two courses open to you," he went on. "You may, by repeating
+the confession you made in the hearing of Mr. Cassilis, draw upon
+yourself such punishment as the Law, provided the confession be true,
+can inflict. That will be a grievous thing to you. It will drive you
+out of society, and brand you as a criminal; it will lock you up for
+two years in prison; it will leave a stigma never to be forgotten or
+obliterated; it means ruin far, far worse than what you have brought
+on Mr. Cassilis. On the other hand, you may keep silence. This at
+least will secure the legitimacy of your boy, and will keep for you
+the amount settled on you at your marriage. But you may choose. If the
+statement you made is true, of course I can be no party to compounding
+a felony----"
+
+"And Lawrence?" she interposed. "What does Lawrence say?"
+
+"In any case Mr. Colquhoun will leave England at once."
+
+"He will marry that Phillis girl? You may tell him," she hissed out,
+"that I will do anything and suffer anything rather than consent to
+his marrying her, or any one else."
+
+"Mr. Colquhoun informs me further," pursued the crafty lawyer, "that,
+for some reason only known to himself, he will never marry during the
+life of a certain person. Phillis Fleming will probably marry the
+Honourable Mr. Ronald Dunquerque."
+
+She buried her head in her hands, not to hide any emotion, for there
+was none to hide, but to think. Presently she rose, and said, "Take me
+to--my husband, if you please."
+
+Joseph Jagenal, as a lawyer, is tolerably well versed in such
+wickedness and deceptions as the human heart is capable of. At the
+same time, he acknowledges to himself that the speech made by Victoria
+Cassilis to her husband, and the manner in which it was delivered,
+surpassed anything he had ever experienced or conceived.
+
+Gabriel Cassilis was sitting in an arm-chair near his table. In his
+arms was his infant son, a child of a year old, for whose amusement he
+was dangling a bunch of keys. The nurse was standing beside him.
+
+When his wife opened the door he looked up, and there crossed his face
+a sudden expression of such repulsion, indignation, and horror, that
+the lawyer fairly expected the lady to give way altogether. But she
+did not. Then Mrs. Cassilis motioned the nurse to leave them, and
+Victoria said what she had come to say. She stood at the table, in the
+attitude of one who commands respect rather than one who entreats
+pardon. Her accentuation was precise, and her words as carefully
+chosen as if she had written them down first. But her husband held his
+eyes down, as if afraid of meeting her gaze. You would have called him
+a culprit waiting for reproof and punishment.
+
+"I learn to-day for the first time that you have suffered from certain
+attacks made upon me by an anonymous writer; I learn also for the
+first time, and to my great regret, that you have suffered in fortune
+as well as in health. I have myself been too ill in mind and body to
+be told anything. I am come to say at once that I am sorry if any rash
+words of mine have given you pain, or any foolish actions of mine have
+given you reason for jealousy. The exact truth is that Lawrence
+Colquhoun and I were once engaged. The breaking off of that engagement
+caused me at the time the greatest unhappiness. I resolved then that
+he should never be engaged to any other girl if I could prevent it by
+any means in my power. My whole action of late, which appeared to you
+as if I was running after an old lover, was the prevention of his
+engagement, which I determined to break off, with Phillis Fleming. In
+the heat of my passion I used words which were not true. They occurred
+to me at the moment. I said he was my husband. I meant to have said my
+promised husband. You now know, Mr. Cassilis, the whole secret. I am
+deeply humiliated in having to confess my revengeful spirit. I am
+punished in your affliction."
+
+Always herself; always her own punishment.
+
+"We can henceforth, I presume, Mr. Cassilis, resume our old manner of
+life."
+
+Mr. Cassilis made no answer, but he patted the head of his child, and
+Joseph Jagenal saw the tears running down his cheeks. For he knew that
+the woman lied to him.
+
+"For the sake of the boy, Mr. Cassilis," the lawyer pleaded, "let
+things go on as before."
+
+He made no sign.
+
+"Will you let me say something for you in the interests of the child?"
+
+He nodded.
+
+"Then, Mrs. Cassilis, your husband consents that there shall be no
+separation and no scandal. But it will be advisable for you both that
+there shall be as little intercourse as possible. Your husband will
+breakfast and dine by himself, and occupy his own apartments. You are
+free, provided you live in the same house, and keep up appearances, to
+do whatever you please. But you will not obtrude your presence upon
+your husband."
+
+Mr. Cassilis nodded again. Then he sought his dictionary, and hunted
+for a word. It was the word he had first found, and was "Silence."
+
+"Yes; you will also observe strict silence on what has passed at
+Twickenham, here or elsewhere. Should that silence not be observed,
+the advisers of Mr. Cassilis will recommend such legal measures as may
+be necessary."
+
+Again Gabriel Cassilis nodded. He had not once looked up at his wife
+since that first gaze, in which he concentrated the hatred and
+loathing of his speechless soul.
+
+"Is that all?" asked Victoria Cassilis. "Or have we more
+arrangements?"
+
+"That is all, madam," said Joseph, opening the door with great
+ceremony.
+
+She went away as she had come, with cold haughtiness. Nothing seemed
+to touch her; not her husband's misery; not his ruin; not the sight of
+her child. One thing only pleased her. Lawrence Colquhoun would not
+marry during her lifetime. Bah! she would live a hundred years, and he
+should never marry at all.
+
+In her own room was her maid.
+
+"Tomlinson," said Mrs. Cassilis--in spite of her outward calm, her
+nerves were strung to the utmost, and she felt that she must speak to
+some one--"Tomlinson, if a woman wrote anonymous letters about you, if
+those letters brought misery and misfortune, what would you do to that
+woman?"
+
+"I do not know, ma'am," said Tomlinson, whose cheeks grew white.
+
+"I will kill her, Tomlinson! I will kill her! I will get those letters
+and prove the handwriting, and find that woman out. I will devote my
+life to it, and I will have no mercy on her when I have found her. I
+will kill her--somehow--by poison--by stabbing--somehow. Don't
+tremble, woman; I don't mean you. And Tomlinson, forget what I have
+said."
+
+Tomlinson could not forget. She tottered from the room, trembling in
+every limb.
+
+The wretched maid had her revenge. In full and overflowing measure.
+And yet she was not satisfied. The exasperating thing about revenge is
+that it never does satisfy, but leaves you at the end as angry as at
+the beginning. Your enemy is crushed; you have seen him tied to a
+stake, as is the pleasant wont of the Red Indian, and stick arrows,
+knives, and red-hot things into him. These hurt so much that he is
+glad to die. But he is dead, and you can do no more to him. And it
+seems a pity, because if you had kept him alive, you might have
+thought of other and more dreadful ways of revenge. These doubts will
+occur to the most revenge-satiated Christian, and they lead to
+self-reproach. After all, one might just as well forgive a fellow at
+once.
+
+Mrs. Cassilis was a selfish and heartless woman. All the harm that was
+done to her was the loss of her great wealth. And what had her husband
+done to Tomlinson that he should be stricken? And what had others done
+who were involved with him in the great disaster?
+
+Tomlinson was so terrified, however, by the look which crossed her
+mistress's face, that she went away that very evening; pretended to
+have received a telegram from Liverpool; when she got there wrote for
+boxes and wages, with a letter in somebody else's writing, _for a
+reason_, to her mistress, and then went to America, where she had
+relations. She lives now in a city of the Western States, where her
+brother keeps a store. She is a leader in her religious circle; and I
+think that if she were to see Victoria Cassilis by any accident in the
+streets of that city, she would fly again, and to the farthest corners
+of the earth.
+
+So much for revenge; and I do hope that Tomlinson's example will be
+laid to heart, and pondered by other ladies'-maids whose mistresses
+are selfish and sharp-tempered.
+
+
+
+
+CHAPTER XLV.
+
+ "Farewell to all my greatness."
+
+
+The last day of Gilead Beck's wealth. He rose as unconscious of his
+doom as that frolicsome kid whose destiny brought the tear to Delia's
+eye. Had he looked at the papers he would at least have ascertained
+that Gabriel Cassilis was ruined. But he had a rooted dislike to
+newspapers, and never looked at them. He classed the editor of the
+_Times_ with Mr. Huggins of Clearville or Mr. Van Cott of Chicago, but
+supposed that he had a larger influence. Politics he despised;
+criticism was beyond him; with social matters he had no concern; and
+it would wound the national self-respect were he to explain how
+carelessly he regarded matters which to Londoners seem of world-wide
+importance.
+
+On this day Gilead rose early because there was a good deal to look
+after. His breakfast was fixed for eleven--a real breakfast. At six he
+was dressed, and making, in his mind's eye, the arrangements for
+seating his guests. Mr. and Mrs. Cassilis, Mrs. L'Estrange and
+Phillis, Lawrence Colquhoun, Ladds, and Jack Dunquerque--all his most
+intimate friends were coming. He had also invited the Twins, but a
+guilty conscience made them send an excuse. They were now sitting at
+home, sober by compulsion and in great wretchedness, as has been seen.
+
+The breakfast was to be held in the same room in which he once
+entertained the men of genius, but the appointments were different.
+Gilead Beck now went in for flowers, to please the ladies: flowers in
+June do not savour of ostentation. Also for fruit: strawberries,
+apricots, cherries and grapes in early June are not things quite
+beyond precedent, and his conscience acquitted him of display which
+might seem shoddy. And when the table was laid, with its flowers and
+fruit and dainty cold dishes garnished with all sorts of pretty
+things, it was, he felt, a work of art which reflected the highest
+credit on himself and everybody concerned.
+
+Gilead Beck was at great peace with himself that morning. He was
+resolved on putting into practice at once some of those schemes which
+the Golden Butterfly demanded as loudly as it could whisper. He would
+start that daily paper which should be independent of commercial
+success; have no advertisements; boil down the news; do without long
+leaders; and always speak the truth, without evasion, equivocation,
+suppression, or exaggeration. A miracle in journalism. He would run
+the great National Drama which should revive the ancient glories of
+the stage. And for the rest he would be guided by circumstances, and
+when a big thing had to be done he would step in with his Pile, and do
+that big thing by himself.
+
+There was in all this perhaps a little over-rating the power of the
+Pile; but Gilead Beck was, after all, only human. Think what an
+inflation of dignity, brother De Pauper-et-egens, would follow in your
+own case on the acquisition of fifteen hundred pounds a day.
+
+Another thing pleased our Gilead. He knew that in his own country the
+difficulty of getting into what he felt to be the best society would
+be insuperable. The society of shoddy, the companionship with the
+quickly grown rich, and the friendship of the gilded bladder are in
+the reach of every wealthy man. But Gilead was a man of finer
+feelings; he wanted more than this; he wanted the friendship of those
+who were born in the purple of good breeding. In New York he could not
+have got this. In London he did get it. His friends were ladies and
+gentlemen; they not only tolerated him, but they liked him; they were
+people to whom he could give nothing, but they courted his society,
+and this pleased him more than any other part of his grand Luck. There
+was no great merit in their liking the man. Rude as his life had been,
+he was gifted with the tenderest and kindest heart; lowly born and
+roughly bred, he was yet a man of boundless sympathies. And because he
+had kept his self-respect throughout, and was ashamed of nothing, he
+slipt easily and naturally into the new circle, picking up without
+difficulty what was lacking of external things. Yet he was just the
+same as when he landed in England; with the same earnest, almost
+solemn, way of looking at things; the same gravity; the same twang
+which marked his nationality. He affected nothing and pretended
+nothing; he hid nothing and was ashamed of nothing; he paraded nothing
+and wanted to be thought no other than the man he was--the ex-miner,
+ex-adventurer, ex-everything, who by a lucky stroke hit upon Ile, and
+was living on the profits. And perhaps in all the world there was no
+happier man than Gilead Beck on that bright June morning, which was to
+be the last day of his grandeur. A purling stream of content murmured
+and babbled hymns of praise in his heart. He had no fears; his nerves
+were strong; he expected nothing but a continuous flow of prosperity
+and happiness.
+
+The first to arrive was Jack Dunquerque. Now, if this youth had read
+the papers he would have been able to communicate some of the fatal
+news. But he had not, because he was full of Phillis. And if any
+rumour of the Eldorado collapse smote his ears, it smote them
+unnoticed, because he did not connect Eldorado with Gilead Beck. What
+did it matter to this intolerably selfish young man how many British
+speculators lost their money by the Eldorado smash when he was going
+to meet Phillis. After all, the round world and all that is therein do
+really rotate about a pole--of course invisible--which goes through
+every man's own centre of gravity, and sticks out in a manner which
+may be felt by him. And the reason why men have so many different
+opinions is, I am persuaded, this extraordinary, miraculous,
+multitudinous, simultaneous revolution of the earth upon her million
+axes. Enough for Jack that Phillis was coming--Phillis, whom he had
+not seen since the discovery--more memorable to him than any made by
+Traveller or Physicist--of the Coping-stone.
+
+Jack came smiling and bounding up the stairs with agile spring--a
+good-half hour before the time. Perhaps Phillis might be before him.
+But she was not.
+
+Then came Ladds. Gilead Beck saw that there was some trouble upon him,
+but forbore to ask him what it was. He bore his heavy inscrutable
+look, such as that with which he had been wont to meet gambling
+losses, untoward telegrams from Newmarket, and other buffetings of
+Fate.
+
+Then came a letter from Mrs. Cassilis. Her husband was ill, and
+therefore she could not come.
+
+Then came a letter from Lawrence Colquhoun. He had most important
+business in the City, and therefore he could not come.
+
+"Seems like the Wedding-feast," said Gilead irreverently. He was a
+little disconcerted by the defection of so many guests; but he had a
+leaf taken out of the table, and cheerfully waited for the remaining
+two.
+
+They came at last, and I think the hearts of all three leaped within
+them at sight of Phillis's happy face. If it was sweet before, when
+Jack first met her, with the mysterious look of childhood on it, it
+was far sweeter now with the bloom and blush of conscious womanhood,
+the modest light of maidenly joy with which she met her lover. Jack
+rushed, so to speak, at her hand, and held it with a ridiculous
+shamelessness only excusable on the ground that they were almost in a
+family circle. Then Phillis shook hands with Gilead Beck, with a smile
+of gratitude which meant a good deal more than preliminary thanks for
+the coming breakfast. Then it came to Ladds's turn. He turned very
+red--I do not know why--and whispered in his deepest bass--
+
+"Know all about it. Lucky beggar, Jack! Wish you happiness!"
+
+"Thank you, Captain Ladds," Phillis replied, in her fearless fashion.
+"I am very happy already. And so is Jack."
+
+"Wanted yesterday," Ladds went on, in the same deep whisper--"wanted
+yesterday to offer some slight token of regard--found I couldn't--no
+more money--Eldorado smash--all gone--locked in boxes--found
+ring--once my mother's. Will you accept it?"
+
+Phillis understood the ring, but she did not understand the rest of
+the speech. It was one of those old-fashioned rings set in pearls and
+brilliants. She was not by any means above admiring rings, and she
+accepted it with a cheerful alacrity.
+
+"Sell up," Ladds growled,--"go away--do something--earn the daily
+crust----"
+
+"But I don't understand----" she interrupted.
+
+"Never mind. Tell you after breakfast. Tell you all presently."
+
+And then they went to breakfast.
+
+It was rather a silent party. Ladds was, as might have been expected
+of a man who had lost his all, disposed to taciturnity. Jack and
+Phillis were too happy to talk much. Agatha L'Estrange and the host
+had all the conversation to themselves.
+
+Agatha asked him if the dainty spread before them was the usual method
+of breakfast in America. Gilead Beck replied that of late years he had
+been accustomed to call a chunk of cold pork with a piece of bread a
+substantial breakfast, and that the same luxuries furnished him, as a
+rule, with dinner.
+
+"The old life," he said, "had its points, I confess. For those who
+love cold pork it was one long round of delirious joy. And there was
+always the future to look forward to. Now the future has come I like
+it better. My experience, Mrs. L'Estrange, is that you may divide men
+into two classes--those who've got a future, and those who haven't. I
+belonged to the class who had a future. Sometimes we miss it. And I
+feel like to cry whenever I think of the boys with a bright future
+before them, who fell in the War at my side, not in tens, but in
+hundreds. Sometimes we find it. I found it when I struck Ile. And
+always, for those men, whether the future come early or whether it
+come late, it lies bright and shinin' before them, and so they never
+lose hope."
+
+"And have women no future as well as men, Mr. Beck?" asked Phillis.
+
+"I don't know, Miss Fleming. But I hope you have. Before my Golden
+Butterfly came to me I was lookin' forward for my future, and I knew
+it was bound to come in some form or other. I looked forward for
+thirty years; my youth was gone when it came, and half my manhood. But
+it is here."
+
+"Perhaps, Mr. Beck," said Mrs. L'Estrange, who was a little _rococo_
+in her morality, "it is well that this great fortune did not come to
+you when you were younger."
+
+"You think that, madam? Perhaps it is so. To fool around New York
+would be a poor return for the Luck of the Butterfly. Yes; better as
+it is. Providence knows very well what to be about; it don't need
+promptin' from us. And impatience is no manner of use, not the least
+use in the world. At the right time the Luck comes; at the right time
+the Luck will go. Yes,"--he looked solemnly round the table,--"some
+day the Luck is bound to go. When it goes, I hope I shall be prepared
+for the change. But if it goes to-morrow, it cannot take away, Mrs.
+L'Estrange, the memory of these few months, your friendship, and
+yours, Miss Fleming. There's things which do not depend upon Ile; more
+things than I thought formerly; things which money cannot do. More
+than once I thought my pile ought to find it easy to do somethin'
+useful before the time comes. But the world is a more tangled web than
+I used to think."
+
+"There are always the poor among us," said the good Agatha.
+
+"Yes, madam, that is true. And there always will be. More you give to
+the poor, more you make them poor. There's folks goin' up and folks
+goin' down. You in England help the folks goin' down. You make them
+fall easy. I want to help the folks goin' up."
+
+At this moment a telegram was brought for him.
+
+It was from his London bankers. They informed him that a cheque for a
+small sum had been presented, but that his balance was already
+overdrawn; and that they had received a telegram from New York on
+which they would be glad to see him.
+
+Gilead Beck read it, and could not understand it. The cheque was for
+his own weekly account at the hotel.
+
+He laid the letter aside, and went on with his exposition of the
+duties and responsibilities of wealth. He pointed out to Mrs.
+L'Estrange, who alone listened to him--Jack was whispering to Phillis,
+and Ladds was absorbed in thoughts of his own--that when he arrived in
+London he was possessed with the idea that all he had to do, in order
+to protect, benefit, and advance humanity, was to found a series of
+institutions; that, in the pursuit of this idea, he had visited and
+examined all the British institutions he could hear of; and that his
+conclusions were that they were all a failure.
+
+"For," he concluded, "what have you done? Your citizens need not save
+money, because a hospital, a church, an almshouse, a dispensary, and a
+workhouse stand in every parish; they need not be moral, because
+there's homes for the repentant in every other street. All around they
+are protected by charity and the State. Even if they get knocked down
+in the street, they need not fight, because there's a policeman within
+easy hail. You breed your poor, Mrs. L'Estrange, and you take almighty
+care to keep them always with you. In my country he who can work and
+won't work goes to the wall; he starves, and a good thing too. Here he
+gets fat.
+
+"Every way," he went on, "you encourage your people to do nothing.
+Your clever young men get a handsome income for life, I am told, at
+Oxford and Cambridge, if they pass one good examination. For us the
+examination is only the beginning. Your clergymen get a handsome
+income for life, whether they do their work or not. Ours have got to
+go on preachin' well and livin' well; else we want to know the reason
+why. You give your subalterns as much as other nations give their
+colonels; you set them down to a grand mess every day as if they were
+all born lords. You keep four times as many naval officers as you
+want, and ten times as many generals. It's all waste and lavishin'
+from end to end. And as for your Royal Family, I reckon that I'd find
+a dozen families in Massachusetts alone who'd run the Royal Mill for a
+tenth of the money. I own they wouldn't have the same gracious
+manners," he added. "And your Princess is--wal, if Miss Fleming were
+Princess, she couldn't do the part better. Perhaps gracious manners
+are worth paying for."
+
+Here another telegram was brought him.
+
+It was from New York. It informed him in plain and intelligible terms
+that his wells had all run dry, that his credit was exhausted, and
+that no more bills would be honoured.
+
+He read this aloud with a firm voice and unfaltering eye. Then he
+looked round him, and said solemnly----
+
+"The time has come. It's come a little sooner than I expected. But it
+has come at last."
+
+He was staggered, but he remembered something which consoled him.
+
+"At least," he said, "if the income is gone, the Pile remains. That's
+close upon half a million of English money. We can do something with
+that. Mr. Cassilis has got it all for me."
+
+"Who?" cried Ladds eagerly.
+
+"Mr. Gabriel Cassilis, the great English financier."
+
+"He is ruined," said Ladds. "He has failed for two millions sterling.
+If your money is in his hands----"
+
+"Part of it, I believe, was in Eldorado Stock."
+
+"The Eldoradians cannot pay their interest. And the stock has sunk to
+nothing. Gabriel Cassilis has lost all my money in it--at least, I
+have lost it on his recommendation."
+
+"Your money all gone, Tommy?" cried Jack.
+
+"All, Jack--Ladds' Aromatic Cocoa--Fragrant--Nutritious--no use
+now--business sold twenty years ago. Proceeds sunk in Eldorado Stock.
+Nothing but the smell left."
+
+And while they were gazing in each other's face with mute
+bewilderment, a third messenger arrived with a letter.
+
+It was from Mr. Mowll the secretary. It informed poor Gilead that Mr.
+Gabriel Cassilis had drawn, in accordance with his power of attorney,
+upon him to the following extent. A bewildering mass of figures
+followed, at the bottom of which was the total--Gilead Beck's two
+million dollars. That, further, Gabriel Cassilis, always, it appeared,
+acting on the wishes of Mr. Beck, had invested the whole sum in
+Eldorado Stock. That, &c. He threw the letter on the table half
+unread. Then, after a moment's hesitation, he rose solemnly, and
+sought the corner of the room in which stood the safe containing the
+Emblem of his Luck. He opened it, and took out the box of glass and
+gold which held it. This was covered with a case of green leather. He
+carried it to the table. They all crowded round while he raised the
+leathern cover and displayed the Butterfly.
+
+"Has any one," he lifted his head and looked helplessly round,--"has
+any one felt an airthquake?"
+
+For a strange thing had happened The wings of the insect were lying
+on the floor of the box; the white quartz which formed its body had
+slipped from the gold wire which held it up, and the Golden Butterfly
+was in pieces.
+
+He opened the box with a little gold key and took out the fragments of
+the two wings and the body.
+
+"Gone!" he said. "Broken!
+
+ "'If this golden Butterfly fall and break,
+ Farewell the Luck of Gilead P. Beck.'
+
+"Your own lines, Mr. Dunquerque. Broken into little bits it is. The
+Ile run dry, the credit exhausted, and the Pile fooled away."
+
+No one spoke.
+
+"I am sorry for you most, Mr. Dunquerque. I am powerful sorry, sir. I
+had hoped, with the assistance of Miss Fleming, to divide that Pile
+with you. Now, sir, I've got nothing. Not a red cent left to divide
+with a beggar.
+
+"Mrs. L'Estrange," he went on, "those last words of mine were
+prophetic. When I am gone back to America--I suppose the odds and ends
+here will pay my passage--you'll remember that I said the Luck would
+some day go."
+
+It was all so sudden, so incomprehensible, that no one present had a
+word to say, either of sympathy or of sorrow.
+
+Gilead Beck proceeded with his soliloquy:
+
+"I've had a real high time for three months; the best three months of
+my life. Whatever happens more can't touch the memory of the last
+three months. I've met English ladies and made friends of English
+gentlemen. There's Amer'can ladies and Amer'can gentlemen, but I can't
+speak of them, because I never went into their society You don't find
+ladies and gentlemen in Empire City. And in all the trades I've turned
+my attention to, from school-keepin' to editing, there's not been one
+where Amer'can ladies cared to show their hand. That means that the
+Stars and Stripes may be as good as the Union Jack--come to know
+them."
+
+He stopped and pulled himself together with a laugh.
+
+"I can't make it out,--somehow. Seems as if I'm in a dream. Is it
+real? Is the story of the Golden Butterfly a true story, or is it made
+up out of some man's brain?"
+
+"It is real, Mr. Beck," said Phillis, softly putting her hand in his.
+"It is real. No one could have invented such a story. See, dear Mr.
+Beck, you that we all love so much, there is you in it, and I am in
+it--and--and the Twins. Why, if people saw us all in a book they would
+say it was impossible. I am the only girl in all the civilised world
+who can neither read nor write--and Jack doesn't mind it--and you are
+the only man who ever found the Golden Butterfly. Indeed it is all
+real."
+
+"It is all real, Beck," Jack echoed. "You have had the high time, and
+sorry indeed we are that it is over. But perhaps it is not all over.
+Surely something out of the two million dollars must have remained."
+
+Mr. Beck pointed sorrowfully to the three pieces which were the
+fragments of the Butterfly.
+
+"Nothing is left," he said. "Nothing except the solid gold that made
+his cage. And that will go to pay the hotel-bill."
+
+Mrs. L'Estrange looked on in silence. What was this quiet lady, this
+woman of even and uneventful life, to say in the presence of such
+misfortune?
+
+Ladds held out his hand.
+
+"Worth twenty of any of us," he said. "We are in the same boat."
+
+"And you, too, Captain Ladds!" Gilead cried. "It is worse than my own
+misfortune, because I am a rough man and can go back to the rough
+life. No, Mrs. L'Estrange--no, my dear young lady--I can't--not with
+the same light heart as before--you've spoiled me. I must strike out
+something new--away from Empire City and Ile and gold. I'm spoiled.
+It's not the cold chunk of pork that I am afraid of; it is the
+beautiful life and the sweetness that I'm going to lose. I said I
+hoped I should be prepared to meet the fall of my Luck--when it came.
+But I never thought it would come like this."
+
+"Stay with us, Mr. Beck," said Phillis. "Don't go back to the old
+life."
+
+"Stay with us," said Jack. "We will all live together."
+
+"Do not leave us, Mr. Beck," said Mrs. L'Estrange. (Women can blush,
+although they may be past forty.) "Stay here with your friends."
+
+He looked from one to the other, and something like a tear glittered
+in his eye. But he shook his head.
+
+Then he took up the wings of the Butterfly, the pretty golden
+_laminæ_ cut in the perfect shape of a wing, marked and veined by
+Nature as if, for once she was determined to show that she too could
+be an Artist and imitate her self. They lay in her hands, and he
+looked fondly at them.
+
+"What shall I do with these?" he said softly. "They have been very
+good to me. They have given me the pleasantest hours of my life. They
+have made me dream of power as if I was Autocrat of All the Russians.
+Say, Mrs. L'Estrange--since my chief pleasure has come through Mr.
+Dunquerque--may I offer the broken Butterfly to Miss Fleming?"
+
+He laid the wings before her with a sweet sad smile. Jack took them up
+and looked at them. In the white quartz were the little holes where
+the wings had fitted. He put them back in their old place--the wings
+in the quartz. They fitted exactly, and in a moment the butterfly was
+as it had always been.
+
+Jack deftly bent round it again the golden wire which held it to the
+golden flower. Singular to relate, the wire fitted like the wings just
+the same as before, and the Butterfly vibrated on its perch again.
+
+"It's wonderful!" cried Gilead Beck. "It's the Luck I've given away.
+It's gone to you, Miss Fleming. But it won't take the form of Ile."
+
+"Then take it back, Mr. Beck," cried Phillis.
+
+"No, young lady. The Luck left me of its own accord. That was shown
+when the Butterfly fell off the wires. It is yours now, yours; and you
+will make a better use of it.
+
+"I think," he went on, with his hand upon the golden case,--"I think
+there's a Luck in the world which I never dreamed of, a better Luck
+than Ile. Mrs. L'Estrange, you know what sort of Luck I mean?"
+
+"Yes, Mr. Beck, I know," she replied.
+
+Phillis laid her hands on Jack's shoulder, while his arm stole round
+her waist.
+
+"It is Love. Mr. Beck," said the girl. "Yes; that is the best Luck in
+all the world, and I am sure of it."
+
+Jack stooped and kissed her. The simplicity and innocence of this
+maiden went to Gilead Beck's heart. They were a religion to him, an
+education. In the presence of that guileless heart all earthly
+thoughts dropped from his soul, and he was, like the girl before him,
+pure in heart and clean in memory. That is indeed the sweet
+enchantment of innocence; a bewitchment out of which we need never
+awake unless we like.
+
+"Take the case and all, Miss Fleming," said Gilead Beck.
+
+But she would not have the splendid case with its thick plate glass
+and solid gold pillars.
+
+Then Gilead Beck brought out the little wooden box, the same in which
+the Golden Butterfly lay when he ran from the Bear on the slopes of
+the Sierra Nevada. And Phillis laid her new treasure in the
+cotton-wool and slung the box by its steel chain round his neck,
+laughing in a solemn fashion.
+
+While they talked thus sadly, the door opened, and Lawrence Colquhoun
+stood before them.
+
+Agatha cried out when she saw him, because he was transformed. The
+lazy insouciant look was gone; a troubled look was in its place. Worse
+than a troubled look--a look of misery; a look of self-reproach; a
+look as of a criminal brought to the bar and convicted.
+
+"Lawrence!" cried Mrs. L'Estrange.
+
+He came into the room in a helpless sort of way, his hands shaking
+before him like those of some half-blind old man.
+
+"Phillis," he said, in hoarse voice, "forgive me!"
+
+"What have I to forgive, Lawrence?"
+
+"Forgive me!" he repeated humbly. "Nay, you do not understand.
+Dunquerque, it is for you to speak--for all of you--you all love
+Phillis. Agatha--you love her--you used to love me too. How shall I
+tell you?"
+
+"I think we guess," said Gilead.
+
+"I did it for the best, Phillis. I thought to double your fortune.
+Cassilis said I should double it. I thought to double my own. I put
+all your money, child, every farthing of your money, in Eldorado Stock
+by his advice, and all my own too. And it is all gone--every penny of
+it gone."
+
+Jack Dunquerque clasped Phillis tighter by the hand.
+
+She only laughed.
+
+"Why, Lawrence," she said, "what if you have lost all my money? Jack
+doesn't care. Do you Jack?"
+
+"No, darling, no," said Jack. And at the moment--such was the
+infatuation of this young man--he really did not care.
+
+"Lawrence," said Agatha, "you acted for the best. Don't dear Lawrence,
+don't trouble too much. Captain Ladds has lost all his fortune,
+too--and Mr. Beck has lost all his--and we are all ruined together."
+
+"All ruined together!" echoed Gilead Beck, looking at Mrs. L'Estrange.
+"Gabriel Cassilis is a wonderful man. I always said he was a wonderful
+man."
+
+
+In the evening the three ruined men sat together in Gilead's room.
+
+"Nothing saved, Colquhoun?" asked Ladds, after a long pause.
+
+"Nothing, The stock was 70 when I bought in: 70 at 10 percent. It is
+now anything you like--4, 6, 8, 16--what you please--because no one
+will buy it."
+
+"Wal," said Gilead Beck, "it does seem rough on us all, and perhaps
+it's rougher on you two than it is on me. But to think, only to think,
+that such an almighty Pile should be fooled away on a darned
+half-caste State like Eldorado! And for all of us to believe Mr.
+Gabriel Cassilis a whole-souled, high toned speculator.
+
+"Once I thought," he continued, "that we Amer'cans must be the Ten
+Tribes; because, I said, nobody but one out of the Ten Tribes would
+get such a providential lift as the Golden Butterfly. Gentlemen, my
+opinions are changed since this morning. I believe we're nothing
+better, not a single cent better, than one of the kicked-out Tribes. I
+may be an Amalekite, or I may be a Hivite; but I'm darned if I ever
+call myself again one of the children of Abraham."
+
+
+
+
+CHAPTER THE LAST.
+
+ "Whisper Love, ye breezes; sigh
+ In Love's content, soft air of morn;
+ Let eve in brighter sunsets die,
+ And day with brighter dawn be born."
+
+
+It is a week since the disastrous day. Gilead Beck has sold the works
+of art with which he intended to found his Grand National Collection;
+he has torn up his great schemes for a National Theatre, a Grand
+National Paper; he has ceased to think, for the delectation of the
+Golden Butterfly, about improving the human race. His gratitude to
+that prodigy of Nature has so far cooled that he now considers it more
+in the light of a capricious sprite, a sort of Robin Good-fellow, than
+as a benefactor. He has also changed his views as to the construction
+of the round earth, and all that is therein. Ile, he says, may be
+found by other lucky adventures; but Ile is not to be depended on for
+a permanence. He would now recommend those who strike Ile to make
+their Pile as quickly as may be, and devote all their energies to the
+safety of that pile. And as to the human race, it may slide.
+
+"What's the good," he says to Jack Dunquerque, "of helpin' up those
+that are bound to climb? Let them climb. And what's the good of tryin'
+to save those that are bound to fall? Let them fall. I'm down myself;
+but I mean to get up again."
+
+It is sad to record that Mr. Burls, the picture-dealer, refused to buy
+back again the great picture of "Sisera and Jael." No one would
+purchase the work at all. Mr. Beck offered it to the Langham Hotel as
+a gift. The directors firmly declined to accept it. When it was
+evident that this remarkable effort of genius was appreciated by no
+one, Gilead Beck resolved on leaving it where it was. It is rumoured
+that the manager of the hotel bribed the owner of a certain Regent
+Street restaurant to take it away; and I have heard that it now hangs,
+having been greatly cut down, on the wall of that establishment,
+getting its tones mellowed day by day with the steam of roast and
+boiled. As for the other pictures, Mr. Burls expressed his extreme
+sorrow that temporary embarrassment prevented him purchasing them back
+at the price given for them. He afterwards told Mr. Beck that the
+unprincipled picture-dealer who did ultimately buy them, at the price
+of so much a square foot, and as second-rate copies, was a disgrace to
+his honourable profession. He, he said, stood high in public
+estimation for truth, generosity, and fair dealing. None but genuine
+works came from his own establishment; and what he called a Grooze was
+a Grooze, and nothing but a Grooze.
+
+As for the Pile, Gilead's power of attorney had effectually destroyed
+that. There was not a cent left; not one single coin to rub against
+another. All was gone in that great crash.
+
+He called upon Gabriel Cassilis. The financier smiled upon him with
+his newly-born air of sweetness and trust; but, as we have seen, he
+could no longer speak, and there was nothing in his face to express
+sorrow or repentance.
+
+Gilead found himself, when all was wound up, the possessor of that
+single cheque which Joseph Jagenal had placed in his hands, and which,
+most fortunately for himself, he had not paid into the bank.
+
+Four hundred pounds. With that, at forty-five, he was to begin the
+world again. After all, the majority of mankind at forty five have
+much less than four hundred pounds.
+
+He heard from Canada that the town he had built, the whole of which
+belonged to him, was deserted again. There was a quicker rush out of
+it than into it. It stands there now, more lonely than Empire
+City--its derricks and machinery rusting and dropping to pieces, the
+houses empty and neglected, the land relapsing into its old condition
+of bog and marsh. But Gilead Beck will never see it again.
+
+He kept away from Twickenham during this winding-up and settlement of
+affairs. It was a week later when, his mind at rest and his conscience
+clear of bills and doubts, because now there was nothing more to lose,
+he called at the house where he had spent so many pleasant hours.
+
+Mrs. L'Estrange received him. She was troubled in look, and the traces
+of tears were on her face.
+
+"It is a most onfortunate time," Gilead said sympathetically; "a most
+onfortunate time."
+
+"Blow after blow, Mr. Beck," Agatha sobbed. "Stroke upon stroke."
+
+"That is so, madam. They've got the knife well in, this time, and when
+they give it a twist we're bound to cry out. You've thought me
+selfish, I know, not to inquire before."
+
+"No, Mr. Beck; no. It is only too kind of you to think of us in your
+overwhelming disaster. I have never spent so wretched a week. Poor
+Lawrence has literally not a penny left, except what he gets from the
+sale of his horses, pictures and things. Captain Ladds is the same;
+Phillis has no longer a farthing; and now, Oh dear, Oh dear. I am
+going to lose her altogether!"
+
+"But when she marries Mr. Dunquerque you will see her often."
+
+"No, no. Haven't they told you? Jack has got almost nothing--only ten
+thousand pounds altogether; and they have made up their minds to
+emigrate. They are going to Virginia, where Jack will buy a small
+estate."
+
+"Is that so?" asked Gilead meditatively.
+
+"Lawrence says that he and Captain Ladds will go away together
+somewhere; perhaps back to Empire City."
+
+"And you will be left alone--you, Mrs. L'Estrange--all alone in this
+country, and ruined. It mustn't be." He straightened himself up, and
+looked round the room. "It must not be, Mrs. L'Estrange. You know me
+partly--that is you know the manner of man I wish to seem and try to
+be; you know what I have been. You do not know, because you cannot
+guess, the things which you have put into my head."
+
+Mrs. L'Estrange blushed and began to tremble. Could it be possible
+that he was actually going to--
+
+He was.
+
+"You and I together, Mrs. L'Estrange, are gone to wreck in this
+almighty hurricane. I've got one or two thousand dollars left; perhaps
+you will have as much, perhaps _not_. Mrs. L'Estrange, you will think
+it presumptuous in a rough American--not an American gentleman by
+birth and raising--to offer you such protection and care as he can
+give to the best of women? We, too, will go to Virginia with Mr.
+Dunquerque and his wife; we will settle near them, and watch their
+happiness. The Virginians are a kindly folk, and love the English
+people, especially if they are of gentle birth. Say, Mrs. L'Estrange."
+
+"O Mr. Beck! I am forty years of age!"
+
+"And I am five and forty."
+
+Just then Phillis and Jack burst into the room. They did not look at
+all like being ruined; they were wild with joy and good spirits.
+
+"And you are going to Virginia, Mr. Dunquerque?" said Gilead. "I am
+thinking of going, too, if I can persuade this lady to go with me."
+
+"O Agatha! come with us!"
+
+"Come with me," corrected Gilead.
+
+Then Phillis saw how things lay--what a change in Phillis, to see so
+much?--and half laughing, but more in seriousness than in mirth, threw
+her arms round Agatha's neck.
+
+"Will you come, dear Agatha? He is a good man, and he loves you; and
+we will all live near together and be happy."
+
+
+Three short scenes to conclude my story.
+
+It is little more than a year since Agatha L'Estrange, as shy and
+blushing as any maiden--much more shy than Phillis--laid her hand in
+Gilead's, with the confession, half sobbed out, "And it isn't a
+mistake you are making, because I am not ruined at all. It is only you
+and these poor children and Lawrence."
+
+We are back again to Empire City. It is the early fall, September. The
+yellow leaves clothe all the forests with brown and gold; the sunlight
+strikes upon the peaks and ridges of the great Sierra, lights up the
+broad belt of wood making shadows blacker than night, and lies along
+the grass grown streets of the deserted Empire City. Two men in
+hunting-dress are making their way slowly through the grass and weeds
+that choke the pathway.
+
+"Don't like it, Colquhoun," says one; "more ghostly than ever."
+
+They push on, and presently the foremost, Ladds, starts back with a
+cry.
+
+"What is it?" asks Colquhoun.
+
+They push aside the brambles, and behold a skeleton. The body has been
+on its knees, but now only the bones are left. They are clothed in the
+garb of the celestial, and one side of the skull is broken in, as if
+with a shot.
+
+"It must be my old friend Achow," said Colquhoun calmly. "See, he's
+been murdered."
+
+In the dead of night Ladds awakened Colquhoun.
+
+"Can't help it," he said; "very sorry. Ghosts walking about the
+stairs. Says the ghost of Achow to the shade Leeching, 'No your piecy
+pidgin makee shootee me.' Don't like ghosts, Colquhoun."
+
+Next morning they left Empire City. Ladds was firm in the conviction
+that he had heard and seen a Chinaman's ghost, and was resolute
+against stopping another night in the place.
+
+Just outside the town they made another discovery.
+
+"Good Lord!" cried Ladds, frightened out of sobriety of speech. "It
+rains skeletons. Look there; he's beckoning!"
+
+And, to be sure, before them was raised, with finger as of invitation,
+a skeleton hand.
+
+This, too, belonged to a complete assortment of human bones clad in
+Chinese dress. By its side lay a rusty pistol. Lawrence picked it up.
+
+"By Gad!" he said, "it's the same pistol I gave to Leeching. How do
+you read this story, Ladds?"
+
+Ladds sat down and replied slowly. He said that he never did like
+reading ghost stories, and since the apparition of the murdered Achow,
+the night before, he should like them still less. Ghost stories, he
+said, are all very well until you come to see and hear a ghost. Now
+that he had a ghost story of his own--an original one in pigeon
+English--he did not intend ever to read another. Therefore Colquhoun
+must excuse him if he gave up the story of Leeching's skeleton
+entirely to his own reading. He then went on to say that he never had
+liked skeletons, and that he believed Empire City was nothing but a
+mouldy old churchyard without the church, while, as a cemetery, it
+wasn't a patch upon Highgate. And the mention of Highgate, he said,
+reminded him of Phillis; and he proposed they should both get to
+Virginia, and call upon Jack and his wife.
+
+All this took time to explain; and meanwhile Lawrence was poking the
+butt end of his gun about in the grass to see if there was anything
+more. There was something more. It was a bag of coarse yellow canvas,
+tied by a string round what had been the waist of a man. Lawrence cut
+the string, and opened the bag.
+
+"We're in luck, Tommy. Look at this."
+
+It was the gold so laboriously scraped together by the two Chinamen,
+which had caused, in a manner, the death of both.
+
+"Lift it, Tommy." Colquhoun grew excited at his find. "Lift it--there
+must be a hundred and fifty ounces, I should think. It will be worth
+four or five hundred pounds. Here's a find!"
+
+To this pair, who had only a year ago chucked away their thousands,
+the luck of picking up a bag of gold appeared something wonderful.
+
+"Tommy," said Colquhoun, "I tell you what we will do. We will add this
+little windfall to what Beck would call your little pile and my little
+pile. And we'll go and buy a little farm in Virginia, too; and we will
+live there close to Jack and Phillis. Agatha will like it too. And
+there's capital shooting."
+
+
+Gabriel Cassilis and his wife reside at Brighton. The whole of the
+great fortune being lost, they have nothing but Victoria's settlement.
+That gives them a small income. "Enough to subsist upon," Victoria
+tells her friends. The old man--he looks very old and fragile now--is
+wheeled about in a chair on sunny days. When he is not being wheeled
+about he plays with his child, to whom he talks; that is, pours out a
+stream of meaningless words, because he will never again talk
+coherently. Victoria is exactly the same as ever--cold, calm, and
+proud. Nor is there anything whatever in her manner to her husband, if
+she accidentally meets him, to show that she has the slightest sorrow,
+shame, or repentance for the catastrophe she brought about. Joseph
+Jagenal is working the great Dyson will case for them, and is
+confident that he will get the testator's intentions, which can now be
+only imperfectly understood, set aside, when Gabriel Cassilis will
+once more become comparatively wealthy.
+
+
+On a verandah in sunny Virginia, Agatha Beck sits quietly working, and
+crooning some old song in sheer content and peace of heart. Presently
+she lifts her head as she hears a step. That smile with which she
+greets her husband shows that she is happy in her new life. Gilead
+Beck is in white, with a broad straw hat, because it is in hot
+September. In his hand he has a letter.
+
+"Good news, wife; good news," he says. "Jack and Phillis are coming
+here to-day, and will stay till Monday. Will be here almost as soon as
+the note. Baby coming, too."
+
+"Of course, Gilead," says Agatha, smiling superior. "As if the dear
+girl would go anywhere without her little Philip. And six weeks old
+to-morrow."
+
+(Everybody who has appreciated how very far from clever Jack
+Dunquerque was will be prepared to hear that he committed an enormous
+etymological blunder in the baptism of his boy, whom he named Philip,
+in the firm belief that Philip was the masculine form of Phillis.)
+
+"Here they come! Here they are!"
+
+Jack comes rattling up to the house in his American trap, jumps out,
+throws the reins to the boy, and hands out his wife with the child.
+Kisses and greetings.
+
+Phillis seems at first, unchanged, except perhaps that the air of
+Virginia has made her sweet delicacy of features more delicate. Yet
+look again, and you find that she is changed. She was a child when we
+saw her first; then we saw her grow into a maiden; she is a wife and a
+mother now.
+
+She whispers her husband.
+
+"All right, Phil, dear.--Beck, you've got to shut your eyes for just
+one minute. No, turn your back so. Now you may look."
+
+Phillis has hung round the neck of her unconscious baby, by a golden
+chain, the Golden Butterfly. It seems as strong and vigorous as ever;
+and as it lies upon the child's white dress, it looks as if it were
+poised for a moment's rest, but ready for flight.
+
+"That Inseck!" said Gilead sentimentally. "Wal, it's given me the best
+thing that a man can get"--he took the hand of his wife--"love and
+friendship. You are welcome, Phillis, to all the rest, provided that
+all the rest does not take away these."
+
+"Nay," she said, her eyes filling with the gentle dew of happiness and
+content; "I have all that I want for myself. I have my husband and my
+boy--my little, little Philip! I am more than happy; and so I give to
+tiny Phil all the remaining Luck of the Golden Butterfly."
+
+
+THE END.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Golden Butterfly, by
+Walter Besant and James Rice
+
+*** END OF THE PROJECT GUTENBERG EBOOK 43442 ***