summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/snppm10.txt2253
-rw-r--r--old/snppm10.zipbin0 -> 25630 bytes
2 files changed, 2253 insertions, 0 deletions
diff --git a/old/snppm10.txt b/old/snppm10.txt
new file mode 100644
index 0000000..5dddaf5
--- /dev/null
+++ b/old/snppm10.txt
@@ -0,0 +1,2253 @@
+The Project Gutenberg Etext of Sun-Up and Other Poems, by Lola Ridge
+#1 in our series by Lola Ridge
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before distributing this or any other
+Project Gutenberg file.
+
+We encourage you to keep this file, exactly as it is, on your
+own disk, thereby keeping an electronic path open for future
+readers. Please do not remove this.
+
+This header should be the first thing seen when anyone starts to
+view the etext. Do not change or edit it without written permission.
+The words are carefully chosen to provide users with the
+information they need to understand what they may and may not
+do with the etext.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*****These Etexts Are Prepared By Thousands of Volunteers!*****
+
+Information on contacting Project Gutenberg to get etexts, and
+further information, is included below. We need your donations.
+
+The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
+organization with EIN [Employee Identification Number] 64-6221541
+
+
+
+Title: Sun-Up and Other Poems
+
+Author: Lola Ridge
+
+Release Date: August, 2003 [Etext# 4331]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on January 8, 2002]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+The Project Gutenberg Etext of Sun-Up and Other Poems, by Lola Ridge
+********This file should be named snppm10.txt or snppm10.zip********
+
+Corrected EDITIONS of our etexts get a new NUMBER, snppm11.txt
+VERSIONS based on separate sources get new LETTER, snppm10a.txt
+
+This etext was produced by Catherine Daly.
+
+
+Project Gutenberg Etexts are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep etexts in compliance with any particular paper edition.
+
+We are now trying to release all our etexts one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+etexts, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any Etext before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2001 as we release over 50 new Etext
+files per month, or 500 more Etexts in 2000 for a total of 4000+
+If they reach just 1-2% of the world's population then the total
+should reach over 300 billion Etexts given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 4,000 Etexts. We need
+funding, as well as continued efforts by volunteers, to maintain
+or increase our production and reach our goals.
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of November, 2001, contributions are being solicited from people
+and organizations in: Alabama, Arkansas, Connecticut, Delaware,
+Florida, Georgia, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky,
+Louisiana, Maine, Michigan, Missouri, Montana, Nebraska, Nevada, New
+Jersey, New Mexico, New York, North Carolina, Oklahoma, Oregon,
+Pennsylvania, Rhode Island, South Carolina, South Dakota, Tennessee,
+Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin,
+and Wyoming.
+
+*In Progress
+
+We have filed in about 45 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+All donations should be made to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fundraising
+requirements for other states are met, additions to this list will be
+made and fundraising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this etext,
+[2] alteration, modification, or addition to the etext,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this header are copyright (C) 2001 by Michael S. Hart
+and may be reprinted only when these Etexts are free of all fees.]
+[Project Gutenberg is a TradeMark and may not be used in any sales
+of Project Gutenberg Etexts or other materials be they hardware or
+software or any other related product without express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END*
+
+
+
+
+
+
+This etext was produced by Catherine Daly.
+
+
+
+
+This etext was produced by Catherine Daly.
+
+
+
+
+
+Sun-Up and Other Poems
+By Lola Ridge
+
+
+
+DEDICATION
+(To my Mother)
+
+Let me cradle myself back
+Into the darkness
+Of the half shapes...
+Of the cauled beginnings...
+Let me stir the attar of unused air,
+Elusive... ironically fragrant
+As a dead queen's kerchief...
+Let me blow the dust from off you...
+Resurrect your breath
+Lying limp as a fan
+In a dead queen's hand.
+
+Thanks is due to THE NEW REPUBLIC, POETRY, A MAGAZINE OF VERSE, PLAY-BOY, and
+OTHERS for permission to reprint some of these poems.
+
+CONTENTS
+
+I
+SUN UP
+
+SUN-UP
+
+II
+MONOLOGUES
+
+JAGUAR
+WILD DUCK
+THE DREAM
+ALTITUDE
+COMRADES
+NOCTURNE
+CACTUS SEED
+
+III
+WINDOWS
+
+TIME-STONE
+TRAIN WINDOW
+SCANDAL
+ELECTRICITY
+SKYSCRAPERS
+WALL STREET AT NIGHT
+EAST RIVER
+
+IV
+SECRETS
+
+INTERIM
+AFTER STORM
+SECRETS
+POTPOURRI
+THAW
+
+V
+PORTRAITS
+
+MOTHER
+E.S.
+H.
+O.F.T.
+E.A.R.
+
+VI
+SONS OF BELIAL
+
+SONS OF BELIAL
+
+VII
+REVEILLE
+
+IN HARNESS
+REVEILLE
+TO ALEXANDER BERKMAN
+EMMA GOLDMAN
+AN OLD WORKMAN
+TO LARKIN
+WIND RISING IN THE ALLEYS
+
+SUN-UP
+
+(Shadows over a cradle...
+fire-light craning....
+A hand
+throws something in the fire
+and a smaller hand
+runs into the flame and out again,
+singed and empty....
+Shadows
+settling over a cradle...
+two hands
+and a fire.)
+
+I
+
+CELIA
+
+Cherry, cherry,
+glowing on the hearth,
+bright red cherry....
+When you try to pick up cherry
+Celia's shriek
+sticks in you like a pin.
+
+ : :
+
+When God throws hailstones
+you cuddle in Celia's shawl
+and press your feet on her belly
+high up like a stool.
+When Celia makes umbrella of her hand.
+Rain falls through
+big pink spokes of her fingers.
+When wind blows Celia's gown up off her legs
+she runs under pillars of the bank--
+great round pillars of the bank
+have on white stockings too.
+
+ : :
+
+Celia says my father
+will bring me a golden bowl.
+When I think of my father
+I cannot see him
+for the big yellow bowl
+like the moon with two handles
+he carries in front of him.
+
+ : :
+
+Grandpa, grandpa...
+(Light all about you...
+ginger... pouring out of green jars...)
+You don't believe he has gone away and left his great coat...
+so you pretend... you see his face up in the ceiling.
+When you clap your hands and cry, grandpa, grandpa, grandpa,
+Celia crosses herself.
+
+ : :
+
+It isn't a dream....
+It comes again and again....
+You hear ivy crying on steeples
+the flames haven't caught yet
+and images screaming
+when they see red light on the lilies
+on the stained glass window of St. Joseph.
+The girl with the black eyes holds you tight,
+and you run... and run
+past the wild, wild towers...
+and trees in the gardens tugging at their feet
+and little frightened dolls
+shut up in the shops
+crying... and crying... because no one stops...
+you spin like a penny thrown out in the street.
+Then the man clutches her by the hair....
+He always clutches her by the hair....
+His eyes stick out like spears.
+You see her pulled-back face
+and her black, black eyes
+lit up by the glare....
+Then everything goes out.
+Please God, don't let me dream any more
+of the girl with the black, black eyes.
+
+ : :
+
+Celia's shadow rocks and rocks...
+and mama's eyes stare out of the pillow
+as though she had gone away
+and the night had come in her place
+as it comes in empty rooms...
+you can't bear it--
+the night threshing about
+and lashing its tail on its sides
+as bold as a wolf that isn't afraid--
+and you scream at her face, that is white as a stone on a grave
+and pull it around to the light,
+till the night draws backward... the night that walks alone
+and goes away without end.
+Mama says, I am cold, Betty, and shivers.
+Celia tucks the quilt about her feet,
+but I run for my little red cloak
+because red is hot like fire.
+
+ : :
+
+I wish Celia
+could see the sea climb up on the sky
+and slide off again...
+...Celia saying
+I'd beg the world with you....
+Celia... holding on to the cab...
+hands wrenched away...
+wind in the masts... like Celia crying....
+Celia never minded if you slapped her
+when the comb made your hairs ache,
+but though you rub your cheek against mama's hand
+she has not said darling since....
+Now I will slap her again....
+I will bite her hand till it bleeds.
+
+It is cool by the port hole.
+The wet rags of the wind
+flap in your face.
+
+II
+
+THE ALLEY
+
+Because you are four years old
+the candle is all dressed up in a new frill.
+And stars nod to you through the hole in the curtain,
+(except the big stiff planets
+too fat to move about much,)
+and you curtsey back to the stars
+when no one is looking.
+You feel sorry for the poor wooden chair
+that knows it isn't nice to sit on,
+and no one is sad but mama.
+You don't like mama to be sad
+when you are four years old,
+so you pretend
+you like the bitter gold-pale tea--
+you pretend
+if you don't drink it up pretty quick
+a little gold-fish
+will think it is a pond
+and come and get born in it.
+
+ : :
+
+It's hot in our street
+and the breeze is a dirty little broom
+that sweeps dust into our room
+and bits of paper out of the alley.
+You are not let to play
+with the children in the alley
+But you must be very polite--
+so you pass them and say good day
+and when they fling banana skins
+you fling them back again.
+
+ : :
+
+There is no one to play with
+and the flies on the window
+buzz and buzz...
+...you can pull out their legs
+and stick pins in their bodies
+but still they buzz...
+and mama says:
+When Nero was a little boy
+he caught flies on his mama's window
+and pulled out their legs
+and stuck pins in their bodies
+and nobody loved him.
+Buzz, blue-bellied flies--
+buzz, nasty black wheel
+of mama's machine--
+you are the biggest fly of all--
+you have the loudest buzz.
+I hear you at dawn before the locusts.
+But I like the picture of the Flood
+and the little babies getting drowned....
+If I were there I would save them,
+but as I can't save them
+I like to watch them
+getting drowned.
+
+ : :
+
+When mama buys of Ling Ho,
+he smiles very wide
+and picks her the largest loquots.
+The greens-man gave her a cabbage
+and she held it against her black bodice
+and said what a beautiful green it was
+and put it on the table
+as though it had been a flower.
+But next day we boiled and ate it with salt.
+It was our dinner.
+
+ : :
+
+Christmas day
+I found Janie on my pillow.
+Janie is made of rubber.
+Her red and blue jacket won't come off.
+Christmas dinner was green and white
+chicken and lettuce and peas
+and drops of oil on the salad
+smiley and full of light
+like the gold on the lady's teeth.
+
+But mama said politely
+Thank you, we are dining out.
+She wouldn't let you take one pea
+to put in the hole where the whistle was
+at the back of Janie's head,
+so Janie should have some dinner
+So you went to the park with biscuits
+and black tea in a bottle.
+
+ : :
+
+You feel very sad
+when you climb on the fence
+to watch mama out of sight.
+The women in the alley
+poke their heads out of doorways
+and watch her too.
+You know her
+by the way she holds her shoulders
+till she is only a speck
+in a chain of specks--
+till she is swallowed up.
+But suppose
+that day after day
+you were to watch for her face
+and it didn't come back?
+Suppose
+it were to drop out of the string of white faces
+like the pearl out of my chain
+I never found again?
+
+ : :
+
+Mabel minds you while mama is out,
+she washes while she sings
+Three blind mice!
+they all run away from the farmer's wife
+who cut off their tails
+with a carving knife--
+Wind blows out Mabel's sheets,
+way you blow in a bag before you burst it.
+Wind has a soapy smell.
+It's heavier'n sun
+that lies all over you without any weight
+and makes you feel happy
+and crinkly like bubbling water.
+There's no sun on the empty house--
+sly-looking house--
+you can't see in its windows
+that watch you out of their corners.
+Perhaps there's a big spider there
+spinning gray threads over the windows
+till they look like dead people's faces....
+Jimmie says:
+Jimmie's hair is white as a white mouse.
+His lashes are gold as mama's wedding ring
+and his mouth feels cool and smooth
+like a flower wet with rain.
+You wouldn't believe Jimmie was different...
+ till he showed you....
+
+ : :
+
+Blind wet sheets
+flapping on the lines...
+sun in your eyes,
+dark gold sun
+full of little black spots,
+you have to blink and blink...
+round eyes of Jimmie....
+Jimmie's blue jumper...
+blue shadow of wall...
+all the world holding still
+as when a clock stops...
+streets still... people still...
+no streets... no people...
+only sky and wall...
+sun glaring bright as God
+down at you and Jimmie...
+shadow like a purple cloth
+trailing off the wall...
+
+Wild wet sheets
+flapping in the wind...
+big slippered feet flapping too...
+big-balloon-face
+rushing up the alley...
+houses closing up again...
+windows looking round...
+... Mabel pulls you in the gate and shakes you
+and tells you not to tell your mama...
+And you wonder
+if God has spoiled Jimmie.
+
+III
+
+MAMA
+
+Mama's face
+is smooth and pale as tea-rose leaves.
+That ivory oval of aunt Gem
+you sucked the miniature off
+had black black hair like mama.
+
+ : :
+
+Pit-it-ty-pat,
+Mama walks so fast,
+street lamps jig
+without bending a leg...
+lights in the windows
+play twinkling tunes
+on crimson and blue
+bottles like bubbles
+big as balloons...
+Faster and faster...
+and pink light spurts
+over cakes doing polkas
+in little white shirts,
+with cake-princesses
+in flounced white skirts.
+
+Pit-pat--
+mama walks slower...
+slower and... slower...
+Eyes... lamps... stars...
+acres and acres of stars...
+bells... and sleepily
+flapping feet....
+You're glad mama walks slow.
+It's nice to be carried along
+up high near the stars
+that look at you with a grave, great look.
+
+ : :
+
+Every night
+mama sings you to sleep.
+When she sings, O for the light of thine eyes Dolores,
+there's a castle on a cliff
+and the sea roars like lions.
+It leaps at the castle
+and the cliff knocks it down
+but always the sea
+shakes its flattened head
+and gets up again.
+The castle has no roof
+so the rain spins silvery webs in it,
+and Dolores' face
+floats dim and beautiful
+the way flowers do when they are drowned.
+Step by white step
+she goes up the castle stairs,
+but the stair goes up into the sky
+and the sky keeps going up too,
+and none of them ever get there.
+
+When mama sings Ba ba black sheep,
+the stars seem to shine through her voice
+so everything has to be still,
+and when she has finished singing
+her song goes up off the earth,
+higher and higher...
+till it is only as big as a tiny silver bird
+with nothing but moonlight around it.
+
+IV
+
+BETTY
+
+You can see the sandhills from our new room.
+Butterflies
+live in the sandhills
+and lizards
+and centipedes.
+If you keep very still
+lizards will think you a stone
+and run over your lap.
+Butterflies' liveries
+are scarlet and black.
+They drive chariots in air.
+People in the chariots
+are pale as dew--
+you can see right through them--
+but the chariots
+are made of gold of the sun.
+They go up to heaven
+and never catch fire.
+There are green centipedes
+and brown centipedes
+and black centipedes,
+because green and brown and black
+are the colors in hell's flag.
+Centipedes
+have hundreds of feet
+because it is so far from hell
+to come up for air.
+Centipedes
+do not hurry.
+They are waiting for the last day
+when they will creep over the false prophets
+who will have their hands tied.
+
+ : :
+
+Night calls to the sandhills
+and gathers them under her.
+she pushes away cities
+because their sharp lights
+hurt her soft breast.
+Even candles make a sore place
+when they stick in the night.
+
+There are things in the sandhills
+that no one knows about...
+they come out at dark when the young snakes play
+and tell each other secrets
+in the deaf logs.
+
+Sometimes... before rain...
+when the stars have gone inside...
+the night comes close to your window
+and sniffs at the light....
+But you must not run away--
+you must keep your face to the night
+and walk backward.
+
+ : :
+
+When it rains
+and you are pulling off flies' legs...
+mama lets you play houses
+with Lizzie and Clara.
+Because you are the Only One--
+and because Only Ones have to live alone
+while sisters stay together,
+Lizzie and Clara
+give you the dry house
+and take the one with the leaking roof.
+
+Rain like curly hairpins
+blows on Lizzie and Clara's two heads
+turned like one head--
+two mouths
+spread into one laugh.
+Lizzie is saying:
+why don't you want to play--
+when you feel you'd like to braid
+the crinkled-silver rain
+into a shining rope
+to climb up... and up... and up... into the wet sky
+and never see any one again.
+
+Our gate doesn't hang right.
+It must have pawed at the wind
+and gotten a kick
+as the wind passed over.
+The sitting sky
+puffs out a gray smoke
+and the wind makes a red-striped sound
+blowing out straight,
+but our gate drags its foot
+and whines to itself on one hinge.
+
+ : :
+
+What do you think I've found--
+two wee knickers of fairy brass,
+or two gold sovereigns folded up
+in a bit of green silk,
+or two gold bugs
+in little green shirts?
+If you want to know,
+you must walk tip-toe
+so your feet just whisper in the grass--
+you must carry them careful
+and very proud,
+for their stems bleed drops of milk--
+but Lizzie and Clara shout in glee:
+Pee-a-bed, pee-a-bed--
+dandelions!
+You look in the eyes of grown-up people
+to see if they feel
+the way you feel...
+but they hide inside of themselves,
+and so you do not find out.
+Grown-up people say:
+The stars are bright to-night,
+but they do not say
+what you are thinking about stars--
+not even mama says what you are thinking about stars.
+This makes you feel very lonely.
+
+ : :
+
+It's strange about stars....
+You have to be still when they look at you.
+They push your song inside of you with their song.
+Their long silvery rays
+sink into you and do not hurt.
+It is good to feel them resting on you
+like great white birds...
+and their shining whiteness
+doesn't burn like the sun--
+it washes all over you
+and makes you feel cleaner'n water.
+
+ : :
+
+My doll Janie has no waist
+and her body is like a tub with feet on it.
+Sometimes I beat her
+but I always kiss her afterwards.
+When I have kissed all the paint off her body
+I shall tie a ribbon about it
+so she shan't look shabby.
+But it must be blue--
+it mustn't be pink--
+pink shows the dirt on her face
+that won't wash off.
+
+ : :
+
+I beat Janie
+and beat her...
+but still she smiled...
+so I scratched her between the eyes with a pin.
+Now she doesn't love me anymore...
+she scowls... and scowls...
+though I've begged her to forgive me
+and poured sugar in the hole at the back of her head.
+
+ : :
+
+Mama says Janie is a fairy doll
+and she has forgiven me--
+that she's gone to the market
+to buy me some sweets.
+--Now she's at the door
+and a little bag tied to her neck--
+I run to Janie
+and kiss her all over....
+Ah... she is still frowning.
+I let the sweets drop on the floor--
+mama
+has told you a lie.
+
+ : :
+
+Chinaman
+singing in street:
+gleen ledd-ish-es, gleen ledd-ish-es--
+hot sun
+shining on your face--
+it must be a new day.
+But why aren't you happy
+if it's a new day?
+Because something has happened...
+something sad and terrible....
+Now I remember... it's Janie.
+Yesterday
+I took Janie out
+and tied my handkerchief over her face
+and put sand in it
+and threw her into the ditch
+down in the black water
+under the dock leaves...
+and when mama asked me where Janie was
+I said I had lost her.
+
+ : :
+
+I'm glad it is night-time
+so I'll be able to go to sleep
+and forget all about it....
+But mama looks at my tongue
+and says she will give me senna tea.
+When you smell the tea
+you shut your eyes tight
+and pretend not to hear
+the soft, cool voice of mama
+that goes over your forehead
+like a little wind.
+And then you lie in the dark
+and stare... and stare...
+till the faces come...
+yellow faces with leering eyes
+drifting in a greeny mist....
+I wonder
+if Janie sees faces
+out there... alone in the dark....
+I wonder
+if she has got the handkerchief off
+or if the water has gone in the hole
+where the whistle was
+at the back of her head
+and drowned her...
+or if the stars
+can see her under the dock leaves?
+
+ : :
+
+It's smoky-blue and still
+over the red road.
+Wind must be lying down with its tail under it--
+doesn't even flick off the flies.
+And you can hear the silence
+buzzing in the gum trees,
+the way the angels buzzed
+when they flew through the cedars of Lebanon
+with thin gauze wings
+you could see through.
+Nice to hear the silence buzzing--
+till it comes too close
+and booms in your ears
+and presses all over you
+till you scream....
+When you scream at the silence
+it goes to jingling pieces
+like a silver mirror
+broken into tiny bits.
+Perhaps its wings are made of glass--
+perhaps it lives down in a dark, dark cave
+and only comes up
+to warm its wings in the sun....
+It's cold in the cave--
+no matter how you cover yourself up.
+Little girls sit there
+dressed in white
+and the dolls in their arms
+all have white handkerchiefs
+over their faces.
+Their shadows cannot play with them...
+their shadows lie down at their feet...
+for the little girls sit stiff as stones
+with their backs to the mouth of the cave
+where a little light falls off
+the wings of the silence
+when it comes down out of the sun.
+
+ : :
+
+Moon catches the flying fish
+as they dive in the bay.
+Flying fish
+spin over and over
+slippity-silver
+into the water.
+Mom bends over jungles
+and touches the foreheads of tigers
+as they pass under openings made by dropped leaves.
+Tigers stop on the trail of the deer
+while the moon is on their foreheads--
+they let the stags go by.
+
+Moon is shining strangely
+on the white palings of the fence.
+Fence keeps very still...
+most times it moves a little...
+everything moves a little
+though you mayn't know it...
+but now the little fence
+wouldn't change places with the great cross
+that stands so stiff and high
+with its back to the moon.
+Moon shining strangely
+on the white palings of the fence,
+I am shining too
+but my light is shut inside of me
+and can't get out.
+
+ : :
+
+Old house with black windows--
+blind house begging moonlight
+to put out the shadows--
+why do you want so much light?
+You creak when the wind steps on you--
+you cough up dust
+and your beams ache--
+you know you will soon fall,
+the moon just pities you!
+Don't waste yourself moon--
+come on my bed and play with me.
+Wrap me up in blue light,
+you who are cool.
+I am too hot,
+I am all alive
+and the shadows are outside of me.
+
+ : :
+
+There are different kinds of shadows.
+The blind ones
+are the shadows of things.
+These are the tame shadows--
+they love to play on the wall with you
+and follow you about like cats and dogs.
+Sometimes
+they hiss at you softly
+like snakes that do not bite,
+or swish like women's dresses,
+but if you poke a candle at them
+they pull in their heads and disappear.
+
+But there is a shadow
+that is not the shadow of a thing...
+it is a thing itself.
+When you meet this shadow
+you must not look at it too long...
+it grows with your looking at it...
+till you are all alone
+with nothing around you...
+nothing... nothing... nothing...
+but a shadow
+with its eyes full of black light.
+
+ : :
+
+There's a shadow in the corner of the shed,
+crouching, lying in wait...
+a black coiled shadow,
+watching... ready to strike...
+but I mustn't be afraid of it--
+I mustn't be afraid of anything.
+Poor evil shadow,
+the candle would chase it away
+only she can't get at it.
+Do you think that every one hates you,
+shadow with your back to the wall,
+afraid to lie down and sleep?
+But I don't hate you.
+Even the moon means to be kind.
+She just treads on you
+as I'd tread on a worm that I didn't see.
+Don't be afraid of me, shadow.
+See--I've no light in my hand--
+nothing to save myself with--
+yet I walk right up to you--
+if you'll let me
+I'll put my arms around you
+and stroke you softly.
+Are you surprised I'd put my arms around you?
+Is it your black black sorrow
+that nobody loves you?
+
+V
+
+JUDE
+
+When you tell mama
+you are going to do something great
+she looks at you
+as though you were a window
+she were trying to see through,
+and says she hopes you will be good
+instead of great.
+
+ : :
+
+When you are five years old
+you spend the day in the Gardens.
+The grass is greener than cabbages,
+and orange lilies
+stand up very straight
+and will not curtsey to the sun
+when the wind tells them.
+Only pansies bow down very low.
+Pansies make little purple cushions
+for queen bees to stand on.
+Bees
+have brown silk hair on their bodies.
+If you are careful
+they will let you stroke them.
+
+The trees over the marble man
+catch up all the sunbeams
+so the shadows have it their way--
+the shadows swallow him up
+like a blue shark.
+When you scoop a sunbeam up on your palm
+and offer it to the marble man,
+he does not notice...
+he looks into his stone beard.
+... When you do something great
+people give you a stone face,
+so you do not care any more
+when the sun throws gold on you
+through leaf-holes the wind makes
+in green bushes....
+This thought makes me very sad.
+
+ : :
+
+Jude has eyes like tobacco
+with yellow specks on it
+and his hair is red as a red orange.
+Jude and I
+have made a garden in the field
+that no one knows about.
+We creep in and out
+through a little place
+where the barbed wire is down.
+We lie in the long grass
+and crush dandelions
+between our two cheeks
+till the milk comes out on our faces.
+We hold each other tight
+and the wind tip-toes all over us
+and pelts us with thistle-down.
+
+ : :
+
+Jude isn't afraid of shadows--
+not even of the ones that have eyes in them.
+And he can look in the face of the sun
+without blinking at all.
+Hush! don't say sun so loud.
+The sun gets angry when you stare at him.
+If you peek in his glory-windows
+he spreads into a great white flame
+like God out of his Burning Bush...
+till you put your hands up on your face
+and tremble like a drop of rain upon a flower
+that some one throws into the fire...
+and then
+the sun makes himself small,
+the sun swings down out of the sky--
+littler'n a star,
+little as a spark
+little as a fierce red spider
+on a burning thread...
+and then
+the light goes out...
+shivers into blackened bits....
+You hold on to a wall that whirls around
+and the gate is a black hole.
+You grope your way in like a toad
+that's blinded by a stone...
+and mama puts on cold wet rags
+that get hot soon....
+Hush! don't let's talk about the sun.
+
+ : :
+
+When you pass by the ditch where Janie is
+You run very fast
+and look at the other side.
+Jude says Janie did love me
+only she couldn't forgive me,
+and that you can love people very much
+and never, never, never forgive them....
+so we poked a stick in the bottle-green water.
+But only weeds came up
+and an old top with the paint washed off.
+
+ : :
+
+Jude and I
+wave to the new moon
+curled right up like one gold hair
+on the bald-head sandhill.
+Mama peeps out the window and smiles.
+She thinks
+I am playing with myself...
+Run, Jude, run with the wind--
+but hold my hand tight
+or the wind,
+looking for some one to play with,
+will take me away from you!
+Wind with no one to play with
+cooees the orange-trees--
+stay-at-home orange trees,
+have to nurse oranges,
+greeny-gold.
+Wind shouts to the grass--
+run-away-grass
+tugs at its roots,
+but the earth holds tight
+and the grass falls down
+and wind boos over it.
+Wind whistles the bees--
+bees too busy
+with taking home stuff out of flowers
+won't look back--
+bees always going somewhere.
+Only Jude and I--
+heads over shoulders
+watching all roads at one time--
+run with the wind,
+going to nowhere.
+
+ : :
+
+Jude and I
+were weeding our garden
+when we heard his whip--
+must have been a new whip
+to cut off dandelion-heads at one swing....
+He was the kind of boy you knew when you had Celia....
+with nice clothes on and curls
+crawling about his collar
+like little golden slugs,
+and his man was leading his horse.
+I wish I hadn't run to meet him....
+If you hadn't run to meet him
+he mightn't have trod on your garden and said:
+Get out of my field you dirty little beggar...
+he mightn't have struck you with his whip....
+How the daisies stared....
+I hate daisies--
+stupid white faces--
+skinny necks
+craning over the grass!
+I said It is not your field,
+and he struck me again.
+But he didn't make me run.
+His hand
+smelled of sweet soap...
+he couldn't shake me off,
+but his man did....
+Funny--how the sky fell down
+and turned over and over
+like a blue carpet rolling you up,
+and the grass caught at your face--
+it couldn't have been spiteful--
+it must have been saving itself.
+Hot road... silly wind playing with your hair....
+The road smelled of horses.
+I only got up
+when I heard a dray.
+
+ : :
+
+Mama has sung ba ba black sheep,
+and put a chair with a cloth on it
+between me and the light.
+But the clock keeps saying:
+Dirty little beggar,
+dirty little beggar....
+Some day
+I will get that boy.
+I will pull off his arms and legs
+and put him in a box
+and hide the box
+under the bed....
+I wonder
+will he buzz
+when I take him out to look at his body
+that will have no arms to whip me?
+
+Mama drew my cot to the window
+so I can look at the stars.
+I will not look at the stars.
+There is a black chimney
+throwing up sparks
+and one tall flame
+like gold hair in a blaze....
+I know now
+what I shall do....
+I will set fire to him
+and he will burn up into a tall flame--
+he will scream into the sky
+and sparks will fly out of him--
+he will burn and burn...
+and his blazing hair
+shall light up the world.
+
+ : :
+
+Before he hit me--
+I knew he was going to--
+I thought about Jude....
+I thought if he'd fight...
+but he shriveled all up...
+he lay down like a fear.
+
+Mama never knew about Jude.
+You always wanted to tell her,
+but somehow you never did.
+You were afraid she'd smile
+and say he wasn't real--
+that he was only a little dream-boy,
+because the grass didn't fall down under his feet....
+He is fading now....
+He is just lines... like a drawing....
+You can see mama in between.
+When she moves
+she rubs some of him out.
+
+
+MONOLOGUES
+
+JAGUAR
+
+Nasal intonations of light
+and clicking tongues...
+publicity of windows
+stoning me with pent-up cries...
+smells of abattoirs...
+smells of long-dead meat.
+
+Some day-end--
+while the sand is yet cozy as a blanket
+off the warm body of a squaw,
+and the jaguars are out to kill...
+with a blue-black night coming on
+and a painted cloud
+stalking the first star--
+I shall go alone into the Silence...
+the coiled Silence...
+where a cry can run only a little way
+and waver and dwindle
+and be lost.
+
+And there...
+where tiny antlers clinch and strain
+as life grapples in a million avid points,
+and threshing things
+strike and die,
+letting their hate live on
+in the spreading purple of a wound...
+I too
+will make covert of a crevice in the night,
+and turn and watch...
+nose at the cleft's edge.
+
+WILD DUCK
+
+I
+
+That was a great night we spied upon
+See-sawing home,
+Singing a hot sweet song to the super-stars
+Shuffling off behind the smoke-haze...
+Fog-horns sentimentalizing on the river...
+Lights dwindling to shining slits
+In the wet asphalt...
+Purring lights... red and green and golden-whiskered...
+Digging daintily pointed claws in the soft mud...
+... But you did not know...
+As the trains made golden augers
+Boring in the darkness...
+How my heart kept racing out along the rails,
+As a spider runs along a thread
+And hauls him in again
+To some drawing point...
+You did not know
+How wild ducks' wings
+Itch at dawn...
+How at dawn the necks of wild ducks
+Arch to the sun
+And new-mown air
+Trickles sweet in their gullets.
+
+II
+
+As water, cleared of the reflection of a bird
+That has lately flown across it,
+Yet trembles with the beating of its wings,
+So my soul... emptied of the known you... utterly...
+Is yet vibrant with the cadence of the song
+You might have been....
+'Twas a great night...
+With never a waste look over a shoulder
+Curved to the crook of the wind...
+And a great word we threw
+For memory to play knuckles with...
+A word the waters of the world have washed,
+Leaving it stark and without smell...
+A world that rattles well in emptiness: Good-by.
+
+THE DREAM
+
+I have a dream
+to fill the golden sheath
+of a remembered day....
+(Air
+heavy and massed and blue
+as the vapor of opium...
+domes
+fired in sulphurous mist...
+sea
+quiescent as a gray seal...
+and the emerging sun
+spurting up gold
+over Sydney, smoke-pale, rising out of the bay....)
+But the day is an up-turned cup
+and its sun a junk of red iron
+guttering in sluggish-green water--
+where shall I pour my dream?
+
+ALTITUDE
+
+I wonder
+how it would be here with you,
+where the wind
+that has shaken off its dust in low valleys
+touches one cleanly,
+as with a new-washed hand,
+and pain
+is as the remote hunger of droning things,
+and anger
+but a little silence
+sinking into the great silence.
+
+COMRADES
+
+Life
+You have been good to me....
+You have not made yourself too dear
+to juggle with.
+
+NOCTURNE
+
+Indigo bulb of darkness
+Punctured by needle lights
+Through a fissure of brick canyon shutting out stars,
+And a sliver of moon
+Spigoting two high windows over the West river....
+
+Boy, I met to-night,
+Your eyes are two red-glowing arcs shifting with my vision....
+They reflect as in a fading proof
+The deadened eyes of a woman,
+And your shed virginity,
+Light as the withered pod of a sweet pea,
+Moist and fragrant
+Blows against my soul.
+What are you to me, boy,
+That I, who have passed so many lights,
+Should carry your eyes
+Like swinging lanterns?
+
+CACTUS SEED
+
+Radiant notes
+piercing my narrow-chested room,
+beating down through my ceiling--
+smeared with unshapen
+belly-prints of dreams
+drifted out of old smokes--
+trillions of icily
+peltering notes
+out of just one canary,
+all grown to song
+as a plant to its stalk,
+from too long craning at a sky-light
+and a square of second-hand blue.
+
+Silvery-strident throat--
+so assiduously serenading my brain,
+flinching under
+the glittering hail of your notes--
+were you not safe behind... rats know what thickness of... plastered wall...
+I might fathom
+your golden delirium
+with throttle of finger and thumb
+shutting valve of bright song.
+
+II
+
+But if... away off... on a fork of grassed earth
+socketing an inlet reach of blue water...
+if canaries (do they sing out of cages?)
+flung such luminous notes,
+they would sink in the spirit...
+lie germinal...
+housed in the soul as a seed in the earth...
+to break forth at spring with the crocuses into young smiles
+ on the mouth.
+Or glancing off buoyantly,
+radiate notes in one key
+with the sparkle of rain-drops
+on the petal of a cactus flower
+focusing the just-out sun.
+
+Cactus... why cactus?
+God... God...
+somewhere... away off...
+cactus flowers, star-yellow
+ray out of spiked green,
+and empties of sky
+roll you over and over
+like a mother her baby in long grass.
+And only the wind scandal-mongers with gum trees,
+pricking multiple leaves
+at his amazing story.
+
+
+WINDOWS
+
+TIME-STONE
+
+Hallo, Metropolitan--
+Ubiquitous windows staring all ways,
+Red eye notching the darkness.
+No use to ogle that slip of a moon.
+This midnight the moon,
+Playing virgin after all her encounters,
+Will break another date with you.
+You fuss an awful lot,
+You flight of ledger books,
+Overrun with multiple ant-black figures
+Dancing on spindle legs
+An interminable can-can.
+But I'd rather... like the cats in the alley... count time
+By the silver whistle of a moonbeam
+Falling between my stoop-shouldered walls,
+Than all your tally of the sunsets,
+Metropolitan, ticking among stars.
+
+TRAIN WINDOW
+
+Small towns
+Crawling out of their green shirts...
+Tubercular towns
+Coughing a little in the dawn...
+And the church...
+There is always a church
+With its natty spire
+And the vestibule--
+That's where they whisper:
+Tzz-tzz... tzz-tzz... tzz-tzz...
+How many codes for a wireless whisper--
+And corn flatter than it should be
+And those chits of leaves
+Gadding with every wind?
+Small towns
+From Connecticut to Maine:
+Tzz-tzz... tzz-tzz...tzz-tzz...
+
+SCANDAL
+
+Aren't there bigger things to talk about
+Than a window in Greenwich Village
+And hyacinths sprouting
+Like little puce poems out of a sick soul?
+Some cosmic hearsay--
+As to whom--it can't be Mars! put the moon--that way....
+Or what winds do to canyons
+Under the tall stars...
+Or even
+How that old roué, Neptune,
+Cranes over his bald-head moons
+At the twinkling heel of a sky-scraper.
+
+ELECTRICITY
+
+Out of fiery contacts...
+Rushing auras of steel
+Touching and whirled apart...
+Out of the charged phallases
+Of iron leaping
+Female and male,
+Complete, indivisible, one,
+Fused into light.
+
+SKYSCRAPERS
+
+Skyscrapers... remote, unpartisan...
+Turning neither to the right nor left
+Your imperturbable fronts....
+Austerely greeting the sun
+With one chilly finger of stone....
+I know your secrets... better than all the policemen
+ like fat blue mullet along the avenues.
+
+WALL STREET AT NIGHT
+
+Long vast shapes... cooled and flushed through with darkness....
+Lidless windows
+Glazed with a flashy luster
+From some little pert cafe chirping up like a sparrow.
+And down among iron guts
+Piled silver
+Throwing gray spatter of light... pale without heat...
+Like the pallor of dead bodies.
+
+EAST RIVER
+
+Dour river
+Jaded with monotony of lights
+Diving off mast heads....
+Lights mad with creating in a river... turning its sullen back...
+Heave up, river...
+Vomit back into the darkness your spawn of light....
+The night will gut what you give her.
+
+
+SECRETS
+
+INTERIM
+
+The earth is motionless
+And poised in space...
+A great bird resting in its flight
+Between the alleys of the stars.
+It is the wind's hour off....
+The wind has nestled down among the corn....
+The two speak privately together,
+Awaiting the whirr of wings.
+
+AFTER STORM
+
+Was there a wind?
+Tap... tap...
+Night pads upon the snow
+with moccasined feet...
+and it is still... so still...
+an eagle's feather
+might fall like a stone.
+Could there have been a storm...
+mad-tossing golden mane on the neck of the wind...
+tearing up the sky...
+loose-flapping like a tent
+about the ice-capped stars?
+
+Cool, sheer and motionless
+the frosted pines
+are jeweled with a million flaming points
+that fling their beauty up in long white sheaves
+till they catch hands with stars.
+Could there have been a wind
+that haled them by the hair....
+and blinding
+blue-forked
+flowers of the lightning
+in their leaves?
+Tap... tap...
+slow-ticking centuries...
+Soft as bare feet upon the snow...
+faint... lulling as heard rain
+upon heaped leaves....
+Silence
+builds her wall
+about a dream impaled.
+
+SECRETS
+
+Secrets
+infesting my half-sleep...
+did you enter my wound from another wound
+brushing mine in a crowd...
+or did I snare you on my sharper edges
+as a bird flying through cobwebbed trees at sun-up
+carries off spiders on its wings?
+
+Secrets,
+running over my soul without sound,
+only when dawn comes tip-toeing
+ushered by a suave wind,
+and dreams disintegrate
+like breath shapes in frosty air,
+I shall overhear you, bare-foot,
+scatting off into the darkness....
+I shall know you, secrets
+by the litter you have left
+and by your bloody foot-prints.
+
+POTPOURRI
+
+Do you remember
+Honey-melon moon
+Dripping thick sweet light
+Where Canal Street saunters off by herself among quiet trees?
+And the faint decayed patchouli--
+Fragrance of New Orleans
+Like a dead tube rose
+Upheld in the warm air...
+Miraculously whole.
+
+THAW
+
+Blow through me wind
+As you blow through apple blossoms....
+Scatter me in shining petals over the passers-by....
+Joyously I reunite... sway and gather to myself....
+Sedately I walk by the dancing feet of children--
+Not knowing I too dance over the cobbled spring.
+O, but they laugh back at me,
+(Eyes like daisies smiling wide open),
+And we both look askance at the snowed-in people
+Thinking me one of them.
+
+
+PORTRAITS
+
+I
+
+MOTHER
+
+I
+
+Your love was like moonlight
+turning harsh things to beauty,
+so that little wry souls
+reflecting each other obliquely
+as in cracked mirrors...
+beheld in your luminous spirit
+their own reflection,
+transfigured as in a shining stream,
+and loved you for what they are not.
+
+You are less an image in my mind
+than a luster
+I see you in gleams
+pale as star-light on a gray wall...
+evanescent as the reflection of a white swan
+shimmering in broken water.
+
+II
+
+(To E. S.)
+
+You inevitable,
+Unwieldy with enormous births,
+Lying on your back, eyes open, sucking down stars,
+Or you kissing and picking over fresh deaths...
+Filth... worms... flowers...
+Green and succulent pods...
+Tremulous gestation
+Of dark water germinal with lilies...
+All in you from the beginning...
+Nothing buried or thrown away...
+Only the moon like a white sheet
+Spread over the dead you carry.
+
+III
+
+(To H.)
+
+Speeding gull
+Passing under a cloud
+Caught on his white back
+You... drop of crystal rain.
+Now you gleam softly triumphant
+Folding immensities of light.
+
+IV
+
+(To O. F. T.)
+
+You have always gotten up after blows
+And smiled... and shaken off the dust...
+Only you could not shake the darkness
+From off the bruised brown of your eyes.
+
+V
+
+(To E. A. R.)
+
+Centuries shall not deflect
+nor many suns
+absorb your stream,
+flowing immune and cold
+between the banks of snow.
+Nor any wind
+carry the dust of cities
+to your high waters
+that arise out of the peaks
+and return again into the mountain
+and never descend.
+
+SONS OF BELIAL
+
+I
+
+We are old,
+Old as song.
+Before Rome was
+Or Cyrene.
+Mad nights knew us
+And old men's wives.
+We knew who spilled the sacred oil
+For young-gold harlots of the town....
+We knew where the peacocks went
+And the white doe for sacrifice.
+
+II
+
+We were the Sons of Belial.
+One black night
+Centuries ago
+We beat at a door
+In Gilead....
+We took the Levite's concubine
+We plucked her hands from off the door....
+We choked the cry into her throat
+And stuck the stars among her hair....
+We glimpsed the madly swaying stars
+Between the rhythms of her hair
+And all our mute and separate strings
+Swelled in a raging symphony....
+Our blood sang paeans
+All that night
+Till dawn fell like a wounded swan
+Upon the fields of Gilead.
+
+III
+
+We are old....
+Old as song....
+We are dumb song.
+(Epics tingled
+In our blood
+When we haled Hypatia
+Over the stones
+In Alexandria.)
+
+Could we loose
+The wild rhythms clinched in us....
+March in bands of troubadours....
+We would be of gentle mood.
+When Christ healed us
+Who were dumb--
+When he freed our shut-in song--
+We strewed green palms
+At his pale feet...
+We sang hosannas
+In Jerusalem.
+And all our fumbling voices blent
+In a brief white harmony.
+(But a mightier song
+Was in us pent
+When we nailed Christ
+To a four-armed tree.)
+
+IV
+
+We are young.
+When we rise up with singing roots,
+(Warm rains washing
+Gutters of Berlin
+Where we stamped Rosa... Luxemburg
+On a night in spring.)
+Rhythms skurry in our blood.
+Little nimble rats of song
+In our feet run crazily
+And all is dust... we trample... on.
+
+Mad nights when we make ritual
+(Feet running before the sleuth-light...
+And the smell of burnt flesh
+By a flame-ringed hut
+In Missouri,
+Sweet as on Rome's pyre....)
+We make ropes do rigadoons
+With copper feet that jig on air....
+We are the Mob....
+Old as song.
+Tyre knew us
+And Israel.
+
+
+REVEILLE
+
+IN HARNESS
+
+I
+
+The foreman's head
+slowly circling...
+White rims
+under yellow disks of eyes....
+Gold hairs
+starting out of a blond scowl...
+Hovering... disappearing... recurring...
+the foreman's head.
+
+Droning of power-machines...
+droning of girl with adenoids...
+Arms flapping with a fin-like motion
+under sun burning down through a sky-light like a glass lid.
+Light skating on the rims of wheels...
+boring in gimlet points.
+Needles flickering
+fierce white threads of light
+fine as a wasp's sting.
+Light in sweat-drops brighter than eyes
+and calico-pallid faces
+and bodies throwing off smells--
+and the air a bloated presence pressing on the walls
+and the silence a compressed scream.
+
+Allons enfants de la patrie--
+Electric... piercing... shrill as a fife
+the voice of a little Russian
+breaks out of the shivered circle.
+Another voice rises... another and another
+leaps like flame to flame.
+And life--surging, clamorous, swarming like a rabble
+ crazily fluttering ragged petticoats--
+comes rushing back into torpid eyes
+like suddenly yielded gates.
+
+The girl with adenoids
+rocks on her hams.
+A torrent of song
+strains at her throat,
+gurgles, rushes, gouges her blocked pipes.
+Her feet beat a wild tattoo--
+head flung back and pelvis lifting
+to the white body of the sun.
+Mates now, these two--
+goddess and god....
+Marchons!
+
+Only the power machines drone
+with metallic docility
+under the flaxen head of the foreman
+poised like an amazed gull.
+
+II
+
+To-day
+little French merchant men
+with pointed beards
+and fat American merchant men
+without any beards
+drive to a feast of buttered squabs.
+The band... accoutered and neatly caparisoned...
+ plays the Marseillaise....
+And I think of a wild stallion... newly caught...
+flanks yet taut and nostrils spread
+to the smell of a racing mare,
+hitched to a grocer's cart.
+
+REVEILLE
+
+Come forth, you workers!
+Let the fires go cold--
+Let the iron spill out, out of the troughs--
+Let the iron run wild
+Like a red bramble on the floors--
+Leave the mill and the foundry and the mine
+And the shrapnel lying on the wharves--
+Leave the desk and the shuttle and the loom--
+Come,
+With your ashen lives,
+Your lives like dust in your hands.
+
+I call upon you, workers.
+It is not yet light
+But I beat upon your doors.
+You say you await the Dawn
+But I say you are the Dawn.
+Come, in your irresistible unspent force
+And make new light upon the mountains.
+
+You have turned deaf ears to others--
+Me you shall hear.
+Out of the mouths of turbines,
+Out of the turgid throats of engines,
+Over the whistling steam,
+You shall hear me shrilly piping.
+Your mills I shall enter like the wind,
+And blow upon your hearts,
+Kindling the slow fire.
+
+They think they have tamed you, workers--
+Beaten you to a tool
+To scoop up hot honor
+Till it be cool--
+But out of the passion of the red frontiers
+A great flower trembles and burns and glows
+And each of its petals is a people.
+
+Come forth, you workers--
+Clinging to your stable
+And your wisp of warm straw--
+Let the fires grow cold,
+Let the iron spill out of the troughs,
+Let the iron run wild
+Like a red bramble on the floors....
+
+As our forefathers stood on the prairies
+So let us stand in a ring,
+Let us tear up their prisons like grass
+And beat them to barricades--
+Let us meet the fire of their guns
+With a greater fire,
+Till the birds shall fly to the mountains
+For one safe bough.
+
+TO ALEXANDER BERKMAN
+
+Can you see me, Sasha?
+I can see you....
+A tentacle of the vast dawn is resting on your face
+that floats as though detached
+in a sultry and greenish vapor.
+I cannot reach my hands to you...
+would not if I could,
+though I know how warmly yours would close about them.
+Why?
+I do not know...
+I have a sense of shame.
+Your eyes hurt me... mysterious openings in the gray stone of your face
+through which your spirit streams out taut as a flag
+bearing strange symbols to the new dawn.
+
+If I stay... projected, trembling against these bars filtering
+ emaciated light...
+will your eyes... that bore their lonely way through mine...
+stop as at a friendly gate...
+grow warm... and luminous?
+... but I cannot stay... for the smell...
+I know... how the days pass...
+The prison squats
+with granite haunches
+on the young spring,
+battened under with its twisting green...
+and you... socket for every bolt
+piercing like a driven nail.
+Eyes stare you through the bars...
+eyes blank as a graveled yard...
+and the silence shuffles heavy dice of feet in iron corridors...
+until the day... that has soiled herself in this black hole
+to caress the pale mask of your face...
+withdraws the last wizened ray
+to wash in the infinite
+her discolored hands.
+Can you hear me, Sasha,
+in your surrounded darkness?
+
+EMMA GOLDMAN
+
+How should they appraise you,
+who walk up close to you
+as to a mountain,
+each proclaiming his own eyeful
+against the other's eyeful.
+
+Only time
+standing well off
+shall measure your circumference and height.
+
+AN OLD WORKMAN
+
+Warped... gland-dry...
+With spine askew
+And body shrunken into half its space...
+Well-used as some cracked paving-stone...
+Bearing on his grimed and pitted front
+A stamp... as of innumerable feet.
+
+TO LARKIN
+
+Is it you I see go by the window, Jim Larkin--you not looking
+ at me nor any one,
+And your shadow swaying from East to West?
+Strange that you should be walking free--you shut down without light,
+And your legs tied up with a knot of iron.
+
+One hundred million men and women go inevitably about their affairs,
+In the somnolent way
+Of men before a great drunkenness....
+They do not see you go by their windows, Jim Larkin,
+With your eyes bloody as the sunset
+And your shadow gaunt upon the sky...
+You, and the like of you, that life
+Is crushing for their frantic wines.
+
+WIND RISING IN THE ALLEYS
+
+Wind rising in the alleys
+My spirit lifts in you like a banner streaming free of hot walls.
+You are full of unspent dreams....
+You are laden with beginnings....
+There is hope in you... not sweet... acrid as blood in the mouth.
+Come into my tossing dust
+Scattering the peace of old deaths,
+Wind rising in the alleys,
+Carrying stuff of flame.
+
+
+
+
+End of the Project Gutenberg Etext of Sun-Up and Other Poems, by Lola Ridge
+
diff --git a/old/snppm10.zip b/old/snppm10.zip
new file mode 100644
index 0000000..40d8555
--- /dev/null
+++ b/old/snppm10.zip
Binary files differ