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diff --git a/43224-h/43224-h.htm b/43224-h/43224-h.htm index af91042..86c0443 100644 --- a/43224-h/43224-h.htm +++ b/43224-h/43224-h.htm @@ -2,7 +2,7 @@ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of Poetry: A Magazine Of Verse, @@ -184,47 +184,7 @@ div.tnotes {background-color: #eeeeee; border: 1px solid black; } </head> <body> - - -<pre> - -Project Gutenberg's Poetry: A Magazine of Verse, Volume I, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Poetry: A Magazine of Verse, Volume I - October-March, 1912-13 - -Author: Various - -Editor: Harriet Monroe - -Release Date: July 15, 2013 [EBook #43224] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK POETRY: A MAGAZINE OF VERSE, VOL I *** - - - - -Produced by David Starner, Paul Marshall and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -book was produced from images made available by the -HathiTrust Digital Library.) - - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 43224 ***</div> <div class="tnotes covernote"> <p class="center">The cover image was created by the transcriber and is placed in the public domain.</p> @@ -337,7 +297,7 @@ of the original publisher.</i></p> <span class="i0">And he answered not, for doubt; till he saw me crawl</span> <span class="i0">And whisper down to the secret worm, "O mother,</span> <span class="i0">Be not wroth in the ancient house; thy daughter forgets not at all!"</span> -<span class="i0">I am the Woman, fleër away,</span> +<span class="i0">I am the Woman, fleër away,</span> <span class="i0">Soft withdrawer back from the maddened mate,</span> <span class="i0">Lurer inward and down to the gates of day</span> <span class="i0">And crier there in the gate,</span> @@ -432,7 +392,7 @@ of the original publisher.</i></p> </div><div class="stanza"> <span class="i0">Here is a part that's slight, and part gone wrong,</span> <span class="i0">And much of little moment, and some few</span> -<span class="i0">Perfect as Dürer!</span> +<span class="i0">Perfect as Dürer!</span> </div><div class="stanza"> <span class="i0">"In the Studio" and these two portraits, <a name="FNanchor_A_1" id="FNanchor_A_1"></a> @@ -495,7 +455,7 @@ of the original publisher.</i></p> <div class="poem"><div class="stanza"> <span class="i6"><b>FISH OF THE FLOOD</b></span> </div><div class="stanza"> -<span class="i0">Fish of the flood, on the bankèd billow</span> +<span class="i0">Fish of the flood, on the bankèd billow</span> <span class="i4">Thou layest thy head in dreams;</span> <span class="i0">Sliding as slides thy shifting pillow,</span> <span class="i4">One with the streams</span> @@ -508,7 +468,7 @@ of the original publisher.</i></p> <span class="i8">Happy, its moving.</span> </div><div class="stanza"> <span class="i0">So, God, thy love it not needeth me,</span> -<span class="i0">Only thy life, that I blessèd be.</span> +<span class="i0">Only thy life, that I blessèd be.</span> </div><div class="stanza"> <span class="i18"><i>Emilia Stuart Lorimer</i></span> </div></div> @@ -670,7 +630,7 @@ of the original publisher.</i></p> <span class="i10">Can hear the darkness go.</span> <span class="i10">But does the morning play</span> <span class="i10">Whatever they demand—</span> -<span class="i10">Or amber-barred bourrée</span> +<span class="i10">Or amber-barred bourrée</span> <span class="i10">Or silver saraband?</span> </div></div> @@ -943,7 +903,7 @@ beauty of them for the joy of men forever."</p> <h3>ON THE READING OF POETRY</h3> -<p class="indent">In the brilliant pages of his essay on Jean François +<p class="indent">In the brilliant pages of his essay on Jean François Millet, Romain Rolland says that Millet, as a boy, used to read the Bucolics and the Georgics "with enchantment" and was "seized by emotion—when he came to the @@ -1281,7 +1241,7 @@ editors would express their grateful appreciation.</p> <td class="tdl"> Mr. A. G. Becker</td> </tr><tr> <td class="tdl"> Mr. Edward P. Russell</td> - <td class="tdl"> Mr. Honoré Palmer</td> + <td class="tdl"> Mr. Honoré Palmer</td> </tr><tr> <td class="tdl"> Mrs. Frank O. Lowden</td> <td class="tdl"> Mr. John J. Mitchell</td> @@ -1361,7 +1321,7 @@ Mr. Elkin Mathews, "discovered" this young poet from over seas, and published "Personae," "Exultations" and "Canzoniere," three small volumes of verse from which a selection has been reprinted by the Houghton-Mifflin -Co. under the title "Provença." Mr. Pound's +Co. under the title "Provença." Mr. Pound's latest work is a translation from the Italian of "Sonnets and Ballate," by Guido Cavalcanti.</p> @@ -1481,7 +1441,7 @@ THE RALPH FLETCHER SEYMOUR COMPANY<br />PRINTERS  CHICAGO</p> <span class="i1">I see him now, a little man</span> <span class="i1">In proper black, whey-bearded, wan,</span> <span class="i1">With eyes that scan the eastern hills</span> -<span class="i1">Thro' thick, gold-rimmèd spectacles.</span> +<span class="i1">Thro' thick, gold-rimmèd spectacles.</span> <span class="i1">His hand is on the chanter. Lo,</span> <span class="i1">The hidden spring begins to flow</span> <span class="i1">In waves of magic. (He is dead</span> @@ -1542,7 +1502,7 @@ THE RALPH FLETCHER SEYMOUR COMPANY<br />PRINTERS  CHICAGO</p> <span class="i5">With green inscriptions of the old delight."</span> </div><div class="stanza"> <span class="i5">I heard them whisper in the quiet room.</span> -<span class="i5">I longed to open then my sealèd eyes,</span> +<span class="i5">I longed to open then my sealèd eyes,</span> <span class="i5">And tell them of the glory that was mine.</span> <span class="i5">There was no darkness where my spirit flew,</span> <span class="i5">There was no night beyond the teeming world.</span> @@ -2044,7 +2004,7 @@ his own angel he is</p> also of <i>Gloucester Moors</i>, <i>The Daguerreotype</i>, <i>Old Pourquoi</i>—those three noblest, perhaps, of the present-day poems—also of <i>The Brute</i> and <i>The Menagerie</i>, and of that -fine poem manqué, the <i>Ode in Time of Hesitation</i>. <i>The +fine poem manqué, the <i>Ode in Time of Hesitation</i>. <i>The Fie-Bringer</i> is an effort at another theme—redemption, light after darkness. But it is not so spontaneous as the <i>Masque</i>; though simpler, clearer, more dramatic in @@ -2390,7 +2350,7 @@ two composers.</p> of the "Imagistes," a group of ardent Hellenists who are pursuing interesting experiments in <i>vers libre</i>; trying to attain in English certain subtleties of cadence of the kind -which Mallarmé and his followers have studied in French. +which Mallarmé and his followers have studied in French. Mr. Aldington has published little as yet, and nothing in America.</p> @@ -2415,7 +2375,7 @@ Small, Maynard & Co. are Mr. Pound's American publishers. <span class="i0"><i>Lyrical Poems</i>, by Lucy Lyttelton. Thomas B. Mosher.</span> <span class="i0"><i>The Silence of Amor</i>, by Fiona Macleod, Thomas B. Mosher.</span> <span class="i0"><i>Spring in Tuscany and Other Lyrics.</i> Thomas B. Mosher.</span> -<span class="i0"><i>Interpretations: A Book of First Poems</i>, by Zoë Akins. Mitchell Kennerley.</span> +<span class="i0"><i>Interpretations: A Book of First Poems</i>, by Zoë Akins. Mitchell Kennerley.</span> <span class="i0"><i>A Round of Rimes</i>, by Denis A. MacCarthy. Little, Brown & Co.</span> <span class="i0"><i>Voices from Erin and Other Poems</i>, by Denis A. MacCarthy. Little, Brown & Co.</span> <span class="i0"><i>Love and The Year and Other Poems</i>, by Grace Griswold. Duffield & Co.</span> @@ -2697,7 +2657,7 @@ Small, Maynard & Co. are Mr. Pound's American publishers. <p class="space-above"><span class="pagenum"><a name="Page_76" id="Page_76">[Pg 76]</a></span></p> <div class="poem"><div class="stanza"> -<span class="i6"><b>AT THE GRAND CAÑON</b></span> +<span class="i6"><b>AT THE GRAND CAÑON</b></span> </div><div class="stanza"> <span class="i0">Thou settest splendors in my sight, O Lord!</span> <span class="i2">It seems as tho' a deep-hued sunset falls</span> @@ -3018,7 +2978,7 @@ never a word.</p> <img class="drop-cap" src="images/letter_i.jpg" alt="I" width="50" height="55" /> </div> <p class="drop-cap">I t is curious that the influence of Poe upon -Baudelaire, Verlaine, and Mallarmé, and +Baudelaire, Verlaine, and Mallarmé, and through them upon English poets, and then through these last upon Americans, comes back to us in this round-about and indirect @@ -3050,7 +3010,7 @@ literary cliques of London."</p> <p><span class="pagenum"><a name="Page_88" id="Page_88">[Pg 88]</a></span></p> <p class="indent">The other, the following "news note" from Mr. Paul -Scott Mowrer in Paris. The date of Léon Bazalgette's +Scott Mowrer in Paris. The date of Léon Bazalgette's translation, however, is hardly so epochal as it would seem, since Whitman has been known for many years in France, having been partly translated during the nineties.</p> @@ -3065,7 +3025,7 @@ since France discovered Poe has literary Europe been so moved by anything American. The suggestion has even been made that 'Whitmanism' is rapidly to supersede 'Nietzscheism' as the dominant factor in modern -thought. Léon Bazalgette translated <i>Leaves of Grass</i> +thought. Léon Bazalgette translated <i>Leaves of Grass</i> into French in 1908. A school of followers of the Whitman philosophy and style was an almost immediate consequence. Such of the leading reviews as sympathize @@ -3076,7 +3036,7 @@ are publishing not only articles on 'Whitmanism' as a movement, but numbers of poems in the new flexible chanting rhythms. In this regard <i>La Nouvelle Revue Francaise</i>, <i>La Renaissance Contemporaine</i>, and -<i>L'Effort Libre</i> have been preëminently hospitable.</p> +<i>L'Effort Libre</i> have been preëminently hospitable.</p> <p><span class="pagenum"><a name="Page_89" id="Page_89">[Pg 89]</a></span></p> @@ -3084,12 +3044,12 @@ Revue Francaise</i>, <i>La Renaissance Contemporaine</i>, and as inspirations from him. Those who have achieved most success in the mode thus far are perhaps Georges Duhamel, a leader of the 'Jeunes,' whose plays are at -present attracting national notice; André Spire, who +present attracting national notice; André Spire, who writes with something of the apostolic fervor of his Jewish ancestry; Henri Franck, who died recently, shortly after the publication of his volume, <i>La Danse Devant l'Arche</i>; Charles Vildrac, with <i>Le Livre d'Amour</i>; -Philéas Lebesgue, the appearance in collected form of +Philéas Lebesgue, the appearance in collected form of whose <i>Les Servitudes</i> is awaited with keen interest; and finally, Jean Richard Bloch, editor of <i>L'Effort Libre</i>, whose prose, for example in his book of tales entitled @@ -3357,7 +3317,7 @@ is accurately measured and sufficiently sonorous.</p> <p class="author"><br /><i>H. M.</i></p> <p class="space-above"><span class="pagenum"><a name="Page_97" id="Page_97">[Pg 97]</a></span></p> -<p class="center"><i>Interpretations: A Book of First Poems</i>, by Zoë Akins (Mitchell Kennerley).</p> +<p class="center"><i>Interpretations: A Book of First Poems</i>, by Zoë Akins (Mitchell Kennerley).</p> <p class="indent">The poems in this volume are creditable in texture, revealing a conscious sense of artistic workmanship which @@ -3795,7 +3755,7 @@ introduced by Mr. Pound's article.</p> <span class="i2">The buttercups are nodding in the sunlight;</span> <span class="i6">The winds are whispering, whispering to the pine;</span> <span class="i2">The joy of June has found me; as an aureole it's crowned me</span> -<span class="i6">Because, oh best belovèd, you are mine!</span> +<span class="i6">Because, oh best belovèd, you are mine!</span> </div><div class="stanza"> <span class="pagenum"><a name="Page_111" id="Page_111">[Pg 111]</a></span> <span class="i18"><b><small>NIGHT</small></b></span> @@ -4384,7 +4344,7 @@ Wright; <i>Comrades</i> by Fannie Stearns Davis, or Nicholas Vachel Lindsay's tribute to O. Henry, a more vital elegy than Mr. Sterling's? These are all simple and <span style="margin-left: 0.5em;">sincere—straight modern talk which rises into song without the aid</span> -of worn-out phrases. <i>Paternity</i>, by William Rose Benét, +of worn-out phrases. <i>Paternity</i>, by William Rose Benét, <i>To My Vagrant Love</i>, by Elouise Briton, and <i>Dedication</i>, by Pauline Florence Brower, are delicate expressions of intimate emotion; and <i>Martin</i>, by Joyce Kilmer, touches @@ -4742,7 +4702,7 @@ and Witter Bynner.</p> <span class="i0">Burns as the Autumn kindles on its quest—</span> <span class="i0">These rapt diviners gather close to thee:—</span> <span class="i0">Whom now the Winter holds in dateless fee</span> -<span class="i0">Sealèd of rest.</span> +<span class="i0">Sealèd of rest.</span> </div><div class="stanza"> <span class="i15"><b>IX</b></span> </div><div class="stanza"> @@ -4985,7 +4945,7 @@ and Witter Bynner.</p> <span class="i0">Entice the shy birds of delight.</span> </div><div class="stanza"> <span class="pagenum"><a name="Page_148" id="Page_148">[Pg 148]</a></span> -<span class="i4">Of motley dress and maskèd face,</span> +<span class="i4">Of motley dress and maskèd face,</span> <span class="i0">Of sparkling unrevealing eyes,</span> <span class="i0">They track in gentle aimless chase</span> <span class="i0">The moment as it flies.</span> @@ -5226,7 +5186,7 @@ and Witter Bynner.</p> <p class="space-above"><span class="pagenum"><a name="Page_156" id="Page_156">[Pg 156]</a></span></p> <div class="poem"><div class="stanza"> -<span class="i6"><b>THE HILLS OF SAN JOSÉ</b></span> +<span class="i6"><b>THE HILLS OF SAN JOSÉ</b></span> </div><div class="stanza"> <span class="i0">I look at the long low hills of golden brown</span> <span class="i0">With their little wooded canyons</span> @@ -5276,7 +5236,7 @@ and Witter Bynner.</p> <span class="i0">For as summer leaves are bent and shake</span> <span class="i4">With singers passing through,</span> <span class="i0">So moves in me continually</span> -<span class="i4">The wingèd breath of you.</span> +<span class="i4">The wingèd breath of you.</span> </div><div class="stanza"> <span class="i0">You tasted from a single vine</span> <span class="i4">And took from that your fill—</span> @@ -5562,7 +5522,7 @@ quality than <i>Truth</i>.</p> <span class="i17"><b><i>Edith Wyatt</i></b></span> </div></div> -<p><i>Présences</i>, par P. J. Jouve: Georges Crès, Paris.</p> +<p><i>Présences</i>, par P. J. Jouve: Georges Crès, Paris.</p> <p class="indent">I take pleasure in welcoming, in Monsieur Jouve, a contemporary. He writes the new jargon and I have @@ -5580,7 +5540,7 @@ of the next couplet. There is no doubt that M. Jouve sees with his own eyes and feels with his own nerves. Nothing is more boresome than an author who pretends to know less about things than he really does know. It -is this silly sort of false naïveté that rots the weaker productions +is this silly sort of false naïveté that rots the weaker productions of Maeterlinck. Thank heaven the advance guard is in process of escaping it.</p> @@ -5865,7 +5825,7 @@ Meynell, Alfred Noyes, Fannie Stearns Davis and others. <span class="i0">Shall one of us one day the other hail,</span> <span class="i0">And no reply be borne upon the air?</span> <span class="i0">Corinna, come to light my heart's dim place!</span> -<span class="i0">O come to me, Belovèd and Besought,</span> +<span class="i0">O come to me, Belovèd and Besought,</span> <span class="i0">O'er grief, o'er gladness,—even o'er death apace,—</span> <span class="i0">For I could greet your phantom, so it brought</span> <span class="i0">Love's own reality!...</span> @@ -6069,7 +6029,7 @@ Meynell, Alfred Noyes, Fannie Stearns Davis and others. <span class="i0">Yes, stars were with me formerly.</span> <span class="i0">(I also knew the wind and sea;</span> <span class="i0">And hill-tops had my feet by heart.</span> -<span class="i0">Their shaggéd heights would sting and start</span> +<span class="i0">Their shaggéd heights would sting and start</span> <span class="i0">When I came leaping on their backs.</span> <span class="i0">I knew the earth's queer crooked cracks,</span> <span class="i0">Where hidden waters weave a low</span> @@ -6935,13 +6895,13 @@ Carlos Williams, Allen Upward, and others. <span class="i0"><i>A Book of Verse</i>, by Alice Hathaway Cunningham. Cochrane Publishing Co.</span> <span class="i0"><i>Chilhowee, A Legend of the Great Smoky Mountains</i>, by Henry V. Maxwell. Knoxville Printing Co.</span> <span class="i0"><i>Sappho, And the Island of Lesbos</i>, by Mary Mills Patrick. Houghton Mifflin Co.</span> -<span class="i0"><i>Harp of Milan</i>, by Sister M. Fidés Shepperson. J. H. Yewdale & Sons.</span> +<span class="i0"><i>Harp of Milan</i>, by Sister M. Fidés Shepperson. J. H. Yewdale & Sons.</span> <span class="i0"><i>Two Legends, A Souvenir of Sodus Bay</i>, by Mrs. B. C. Rude. Privately Printed.</span> <span class="i0"><i>Moods</i>, by David M. Cory. The Poet Lore Co.</span> <span class="i0"><i>Poems</i>, by Charles D. Platt. Charles D. Platt, Dover. New Jersey.</span> <span class="i0"><i>Poems, Old and New</i>, by A. H. Beesly. Longmans, Green & Co.</span> -<span class="i0"><i>Paroles devant la Vie</i>, par Alexandre Mercereau. E. Figuière</span> -<span class="i0"><i>Alexandre Mercereau</i>, par Jean Metzinger. E. Figuiére, Paris.</span> +<span class="i0"><i>Paroles devant la Vie</i>, par Alexandre Mercereau. E. Figuière</span> +<span class="i0"><i>Alexandre Mercereau</i>, par Jean Metzinger. E. Figuiére, Paris.</span> <span class="i0"><i>Anthologie-Critique</i>, par Florian-Parmentier. Gastien-Serge, Paris.</span> </div></div> @@ -6963,9 +6923,9 @@ Carlos Williams, Allen Upward, and others. <span class="i0"><i>The Survey</i>, New York City.</span> <span class="i0"><i>The Nation</i>, New York City.</span> <span class="i0"><i>The Music News</i>, Chicago.</span> -<span class="i0"><i>Mercure de France</i>, 26 Rue de Condé, Paris.</span> +<span class="i0"><i>Mercure de France</i>, 26 Rue de Condé, Paris.</span> <span class="i0"><i>L'Effort Libre</i>, Galerie Vildrac, 11 Rue de Seine, Paris.</span> -<span class="i0"><i>Les Poétes</i>, E. Basset, 3 Rue Dante, Paris.</span> +<span class="i0"><i>Les Poétes</i>, E. Basset, 3 Rue Dante, Paris.</span> <span class="i3">(This number devoted to poems selected from the work of Nicolas Beauduin, <i>Paroxyste</i>.)</span> <span class="i0"><i>L'Ile Sonnante</i>, 21 Rue Rousselet, Paris.</span> </div></div> @@ -7024,7 +6984,7 @@ Carlos Williams, Allen Upward, and others. <td class="tdl">  Neighbors</td> <td class="tdr"><a href="#Page_155">155</a></td> </tr><tr> - <td class="tdl">  The Hills of San José</td> + <td class="tdl">  The Hills of San José</td> <td class="tdr"><a href="#Page_156">156</a></td> </tr><tr> <td class="tdl">  Grieve Not for Beauty</td> @@ -7237,7 +7197,7 @@ Carlos Williams, Allen Upward, and others. <td class="tdl">  A Legend of the Dove</td> <td class="tdr"><a href="#Page_75"> 75</a></td> </tr><tr> - <td class="tdl">  At the Grand Cañon</td> + <td class="tdl">  At the Grand Cañon</td> <td class="tdr"><a href="#Page_76"> 76</a></td> </tr><tr> <td class="tdl">  Kindred</td> @@ -7345,7 +7305,7 @@ Carlos Williams, Allen Upward, and others. <td class="tdl">  <i>The Iscariot</i>, by Eden Phillpotts</td> <td class="tdr"><a href="#Page_96"> 96</a></td> </tr><tr> - <td class="tdl">  <i>Interpretations</i>, by Zoë Akins</td> + <td class="tdl">  <i>Interpretations</i>, by Zoë Akins</td> <td class="tdr"><a href="#Page_97"> 97</a></td> </tr><tr> <td class="tdl">  <i>Lyrical Poems</i>, by Lucy Lyttelton</td> @@ -7387,7 +7347,7 @@ Carlos Williams, Allen Upward, and others. <td class="tdl">    by John Masefield</td> <td class="tdr"><a href="#Page_160">160</a></td> </tr><tr> - <td class="tdl">  <i>Présences</i>, by P. J. Jouve</td> + <td class="tdl">  <i>Présences</i>, by P. J. Jouve</td> <td class="tdr"><a href="#Page_165">165</a></td> </tr><tr> <td class="tdl">The Poetry Society of America, <i>Jessie B. Rittenhouse</i></td> @@ -7479,382 +7439,6 @@ or with <i>vers libre</i> as a prescribed form. <span class="label">[D]</span></a> <p>Noted by Mr. Flint.</p></div> - - - - - - - -<pre> - - - - - -End of Project Gutenberg's Poetry: A Magazine of Verse, Volume I, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK POETRY: A MAGAZINE OF VERSE, VOL I *** - -***** This file should be named 43224-h.htm or 43224-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/3/2/2/43224/ - -Produced by David Starner, Paul Marshall and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -book was produced from images made available by the -HathiTrust Digital Library.) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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