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diff --git a/43186-h/43186-h.htm b/43186-h/43186-h.htm index 1bcc131..35fae89 100644 --- a/43186-h/43186-h.htm +++ b/43186-h/43186-h.htm @@ -4,7 +4,7 @@ <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of Walking Shadows, by Alfred Noyes. @@ -175,46 +175,7 @@ table { </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Walking Shadows, by Alfred Noyes - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Walking Shadows - -Author: Alfred Noyes - -Release Date: July 10, 2013 [EBook #43186] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK WALKING SHADOWS *** - - - - -Produced by Robert Cicconetti, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -book was produced from scanned images of public domain -material from the Google Print project.) - - - - - - -</pre> - - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 43186 ***</div> <div class="figcenter"> <img src="images/cover.jpg" alt=""/> @@ -2059,7 +2020,7 @@ moon through the thin mist that began to drift between them.</p> frantically.</p> <p>"Good-by, Herr Krauss!" said Miss Depew; and the dainty malice in her -voice pierced Mr. Neilsen like a Röntgen ray.</p> +voice pierced Mr. Neilsen like a Röntgen ray.</p> <p>But he recovered quickly, for he was of an elastic disposition. He was already looking forward to the home comforts which he knew would be @@ -2208,7 +2169,7 @@ to Mimika, but quite ready, he feared, to sacrifice Mimika to himself.</p> one of those not uncommon Americans who combine an extraordinary knowledge of the world with the unworldliness and sometimes the gullibility of an Eastern sage. He knew more about the cathedrals of -England than almost any Englishman; more about the châteaux of France +England than almost any Englishman; more about the châteaux of France than most Frenchmen. He could have dictated an encyclopedia of useful knowledge about Italy and Egypt. He had been a war correspondent in four quarters of the globe, and he had acquired a sense of the larger @@ -2516,7 +2477,7 @@ with every one in Germany not one man would be a pfennig the better.</p> <p>"'But see what a difference this would make to you and me! We are in a state of necessity, Otto; and above that state there is no power, as the Chancellor told the Reichstag. Very well, in this case I quote Louis the -Fourteenth: "<i>L'état, c'est moi</i>!" and Frederick the Great, also. Have I +Fourteenth: "<i>L'état, c'est moi</i>!" and Frederick the Great, also. Have I the might to do it, Otto? Very well, then, according to the spokesman of the Fatherland I have also the right.'</p> @@ -2570,7 +2531,7 @@ betray the secret.</p> <p>"There is only one way for him to get out, and it is not a pleasant way. But in his nightmares he has often rehearsed it, and he has always made sure that it could be done before he went to sea. There must always be -a way out for one man at least, if not for more. '<i>L'état, c'est moi!</i>'</p> +a way out for one man at least, if not for more. '<i>L'état, c'est moi!</i>'</p> <p>"He beckons to the little Bavarian. 'I have all the diamonds in my pocket,' he says. 'The time is come for you to help me, Otto.'</p> @@ -2665,7 +2626,7 @@ drowned."</p> <p>"Oh, but not the poor little Bavarian!" said Mimika.</p> -<p>"<i>L'état, c'est moi</i>," said Vandermeer with a smile.</p> +<p>"<i>L'état, c'est moi</i>," said Vandermeer with a smile.</p> <p>Roy was looking at him still with the same pensive expression as of a youthful Buddha.</p> @@ -5035,14 +4996,14 @@ it seemed to her that she recognized the face for which she was looking, in some momentary glimmer of starlight.</p> <p>At last they reached the village where the guests of G. H. Q. were to be -quartered. The foreigners were assigned to the château which was used as +quartered. The foreigners were assigned to the château which was used as a guest-house; but there had been one or two unexpected arrivals, and Captain Crump asked the American correspondent if he would mind -occupying a room in the house of the curé, a hundred yards away up the +occupying a room in the house of the curé, a hundred yards away up the village street. The American correspondent was exceedingly glad to do so, and was soon engaged in attempts at conversation with the friendly old man in the black cassock who did his best to make her welcome. There -were no more difficulties for her that night, except that the curé had +were no more difficulties for her that night, except that the curé had very limited notions as to the amount of water she required for washing.</p> <p>They set out early the next morning on their way to that part of the @@ -5245,7 +5206,7 @@ to the trenches, with a song that she had heard Brian humming:</p> <p>Soon afterwards, with all these themes interchanging in her bewildered mind, May Margaret heard Julian Sinclair calling through the dark from the car ahead: "Take a good look at the next village; it's called -Crécy." The stars that watched the ancient bowmen had nothing new to +Crécy." The stars that watched the ancient bowmen had nothing new to tell her; but a few minutes later, as another body of troops came tramping through the dark to another stanza of their song, there seemed to be an ancient and unconquerable mass of marching harmonies within the @@ -5259,8 +5220,8 @@ wave:</p> <span class="i2"><i>For months, and months, and months.</i>"<br /></span> </div></div> -<p>They dined at the château, and she slipped away early to the house of -the curé. Before she slept, she took out Brian's last letter and read +<p>They dined at the château, and she slipped away early to the house of +the curé. Before she slept, she took out Brian's last letter and read it. She sat on the narrow bed, under the little black crucifix with the ivory Christ looking down at her from the bare wall. She was glad that it was there; for it embodied the master-thought of that day's @@ -6587,8 +6548,8 @@ pavement with a rough stick, cut out of some country hedgerow. He was carrying, in his left hand, a four-foot pole, at the top of which there was nailed a board, banner-wise, about three feet long and two feet wide. On the back of the board, as we overtook him, I read the French -text in big red letters: '<span class="smcap">Venez a moi, vous tous qui etes travaillés et -chargés, et je vous soulagerai</span>.'</p> +text in big red letters: '<span class="smcap">Venez a moi, vous tous qui etes travaillés et +chargés, et je vous soulagerai</span>.'</p> <p>"On the other side of the board, as we halted by the curb a little in front of him, there was the English version of the same text, in big @@ -6751,7 +6712,7 @@ crowd like the banner of a mighty host, nay, like the banner of all humanity, there was a placard on a pole. The sunset-light caught it and made it blaze like a star. It bore, in blood-red letters, the solemn inscription that I had seen in the earlier part of the day: '<span class="smcap">Venez a -moi, vous tous qui etes travaillés et chargés, et je vous soulagerai</span>.'</p> +moi, vous tous qui etes travaillés et chargés, et je vous soulagerai</span>.'</p> <p>"My blind man had found his niche in the universe. It was hardly possible that he was even conscious of what he was doing; hardly @@ -6799,383 +6760,6 @@ into my head as I went home:</p> <span class="smcap">The Enchanted Island and Other Poems</span><br /> <span class="smcap">Drake: An English Epic</span></p> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Walking Shadows, by Alfred Noyes - -*** END OF THIS PROJECT GUTENBERG EBOOK WALKING SHADOWS *** - -***** This file should be named 43186-h.htm or 43186-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/3/1/8/43186/ - -Produced by Robert Cicconetti, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -book was produced from scanned images of public domain -material from the Google Print project.) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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