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diff --git a/43063-h/43063-h.htm b/43063-h/43063-h.htm index 814546f..833bb80 100644 --- a/43063-h/43063-h.htm +++ b/43063-h/43063-h.htm @@ -2,7 +2,7 @@ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml"> <head> -<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" /> +<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title>The Project Gutenberg eBook of A Case in Camera, by Oliver Onions</title> <link rel="coverpage" href="images/i_title.png" /> <style type="text/css"> @@ -199,25 +199,9 @@ em.gesperrt </style> </head> <body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 43063 ***</div> <h1>The Project Gutenberg eBook, A Case in Camera, by Oliver Onions</h1> -<p>This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at <a -href="http://www.gutenberg.org">www.gutenberg.org</a></p> -<p>Title: A Case in Camera</p> -<p>Author: Oliver Onions</p> -<p>Release Date: June 29, 2013 [eBook #43063]</p> -<p>Language: English</p> -<p>Character set encoding: ISO-8859-1</p> -<p>***START OF THE PROJECT GUTENBERG EBOOK A CASE IN CAMERA***</p> <p> </p> -<h4>E-text prepared by Caitlin Hesser, Suzanne Shell,<br /> - and the Online Distributed Proofreading Team<br /> - (<a href="http://www.pgdp.net">http://www.pgdp.net</a>)<br /> - from page images generously made available by<br /> - the Google Books Library Project<br /> - (<a href="http://books.google.com">http://books.google.com</a>)</h4> <p> </p> <table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10"> <tr> @@ -408,7 +392,7 @@ doubt you remember Esdaile's paintings of that period—the gay white and gray of his tumultuous skies, the splash and glitter of his pools and fountains, the<span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span> crumbling wallflowered masonry of his twentieth-century -<i>fêtes-champêtre</i>. There is nothing psychical +<i>fêtes-champêtre</i>. There is nothing psychical or philosophic about them. He simply has that far rarer possession, an eye in his head to see straight with.</p> @@ -599,14 +583,14 @@ flag and all," he added with professional satisfaction.</p> <p>Philip Esdaile gave a quick exclamation.</p> <p>"By Jove, that just reminds me! The orange<span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span> -curaçao, of course! The very thing after all that +curaçao, of course! The very thing after all that fruit—corrects the acidity, as the doctors say. We'll have some."</p> <p>The Commander gave him a sharp look. On the face of it there was no very evident reason why the torpedoing of a German ship flying the Norwegian -flag should remind Esdaile of orange curaçao, but no +flag should remind Esdaile of orange curaçao, but no doubt there was a story behind that we others knew nothing of. If ships have to be put down there is no sense in sending bottles of delectable liqueur to the @@ -837,7 +821,7 @@ towards the door that led to the cellar.</p> <p>But he did not reach the door. A footstep was heard behind it and the turning of a key, and Esdaile entered. -In one hand he carried a stone jar of Dutch curaçao. +In one hand he carried a stone jar of Dutch curaçao. In the other, arrestively out of place in the spring sunshine, its flame a dingy orange and its little spiral of greasy smoke fouling the air, he held a lighted @@ -1329,7 +1313,7 @@ dare say his living in rooms and studios hardly big enough to turn around in has made him methodical in his habits. It was Monty, for example, who had looked out the train in the Time Table; it was Monty -who had picked up the jar of curaçao when Esdaile +who had picked up the jar of curaçao when Esdaile had let it fall to the floor; and it was Monty who, just as the rest of us were leaving, wandered off towards the studio, presently returned again, sought @@ -1618,7 +1602,7 @@ temporarily forgotten, came back into my mind. This was the curious way in which Esdaile had snapped—it had been a snap—when Rooke had wanted to sweep up the broken picture-glass, to draw the studio -blinds back again, and to return the bottle of curaçao<span class="pagenum"><a name="Page_45" id="Page_45">[Pg 45]</a></span> +blinds back again, and to return the bottle of curaçao<span class="pagenum"><a name="Page_45" id="Page_45">[Pg 45]</a></span> to its place in the cellar. "You've done enough for one morning," Esdaile had said. What had Monty done that was "enough"?</p> @@ -2142,7 +2126,7 @@ evening must on no account be read before one that is dashed off at tea-time), and they were constantly on the wing.</p> -<p>Nor did these protégés of Mollie's choose tea-shops +<p>Nor did these protégés of Mollie's choose tea-shops that Philip was known to frequent, nor cinemas the kindly gloom of which might by any chance have concealed him. Philip never noticed that his monthly @@ -2960,7 +2944,7 @@ us; and then had come the pistol and Monty. These things were all very well, but they brought us no nearer to the solution of the first puzzle of all. Why had Esdaile behaved as he had behaved when he -had rejoined us with a jar of curaçao in one hand and +had rejoined us with a jar of curaçao in one hand and a lighted candle in the other?</p> <p>But for all this we had to wait. My speculations @@ -3554,7 +3538,7 @@ garden—he was there when Mr. Rooke went up on the roof——"</p> <p>And that (to pass on) was the gist of the discussion -on the framing of Esdaile's <i>fêtes-champêtre</i>.</p> +on the framing of Esdaile's <i>fêtes-champêtre</i>.</p> @@ -3604,7 +3588,7 @@ would look rather like obstinacy, yielded.</p> <p>He confesses that he felt awkward about the whole situation. Either he had lent his house or he had not. -If the former, Monty and his fiancée should have had +If the former, Monty and his fiancée should have had the complete freedom of it; if the latter, or if for any reason he regretted his generosity, the position was even more obscure. To say that until the marriage @@ -3744,9 +3728,9 @@ Philip, if you remember, had forbidden him pretty gruffly to say one word about all this to Audrey Cunningham; it is no light matter to dictate to another man what he shall say and what he shall not say to -his fiancée; and this it was that saved the situation.<span class="pagenum"><a name="Page_100" id="Page_100">[Pg 100]</a></span> +his fiancée; and this it was that saved the situation.<span class="pagenum"><a name="Page_100" id="Page_100">[Pg 100]</a></span> If Monty was to be ordered to keep his mouth shut before -his fiancée he was jolly well not going to be +his fiancée he was jolly well not going to be pumped by an outsider, Police Inspector or no Police Inspector. On such hairs do our actions hang sometimes.</p> @@ -3907,7 +3891,7 @@ candle for us."</p> <p>And he lighted and put into Audrey's hand the same candle he had himself used when he had gone -down into the cellar to fetch the orange curaçao.</p> +down into the cellar to fetch the orange curaçao.</p> <p>He was still kicking himself that he had made such a fuss. Now at last he saw that, although only a trifle @@ -3961,7 +3945,7 @@ number of packing-cases, and in fact the usual miscellaneous collection of household lumber that one day seems hardly worth keeping and the next looks just too good to throw away. Nearest to hand on the wine-rack -stood the bottle of curaçao, just where Esdaile +stood the bottle of curaçao, just where Esdaile himself had replaced it. And that was all.</p> <p>"Well, where will you have it, Audrey?" said Philip. @@ -3990,7 +3974,7 @@ she said.</p> <p>But the "why not" hardly needed saying, with that same candlestick in her hand and, as she once more -moved it, that same jar of curaçao seeming to advance +moved it, that same jar of curaçao seeming to advance a little out of the shadows. These things brought the shock and dread of that other morning all too plainly before her again. It was within these chill sweating @@ -4246,7 +4230,7 @@ and refuse to budge. Whatever Philip's tremendous reason for remaining in Chelsea might be, Mollie brushed it aside as a trifle compared with Audrey's marriage. For a moment she almost forgot Joan's<span class="pagenum"><a name="Page_112" id="Page_112">[Pg 112]</a></span> -distress. Philip, with his curaçao and candle-sticks, +distress. Philip, with his curaçao and candle-sticks, postpone Audrey's wedding? It was nonsense—not to be thought of. Mollie wouldn't hear of it. All this mystification should be put a stop to if she had to do @@ -5809,7 +5793,7 @@ pleasant roofs at all.</p> <p>"H.W. does not claim that he personally suffered damage from the crash we reported last Friday. But he is a respected House and Estate Agent residing in the district and speaks -feelingly. <i>C'est son métier</i>, as our gallant and Gallic Allies +feelingly. <i>C'est son métier</i>, as our gallant and Gallic Allies say. He means, we take it, that if civil aviation is to develop, corresponding safeguards must be developed side by side with it. Here we are with Harry all the way. Our Olympians may @@ -6556,7 +6540,7 @@ The presence of the trap did not mean that Chummy could not walk yet, for with the help of a stick he got about quite well, though the cliff-path down to the shore was still too much for him. And I -may here mention, quite incidentally, the rôle I was +may here mention, quite incidentally, the rôle I was apparently cast for in advance. "Auntie Joan" was supposed to take the children down to the shore every day. Charles Valentine Smith could not yet manage @@ -6630,7 +6614,7 @@ the young fellows of his day; but I admit there was something about him that grew on you. After watching him for a while I decided that this ascendancy was principally in his eyes. I do not wish to overwork the -popular clichés of fire and flash and smolder; Smith's +popular clichés of fire and flash and smolder; Smith's eyes certainly had something of this quality; but it was combined with an expression that, until I can define it better, I will risk calling discontent. I don't mean @@ -6728,7 +6712,7 @@ am afraid that our mouths generally communicate the most.</p> <p>I knew, at the time of this our peep forward, that -Philip had had his <i>éclaircissement</i> with him, but had +Philip had had his <i>éclaircissement</i> with him, but had no idea of what had passed between them. Calling at Lennox Street one midday on my way to the office I had found the house shut up and even Rooke @@ -6806,7 +6790,7 @@ serenity just a little perplexing.</p> <p>But look at the charm of the situation for me as a novelist! Few of us have the opportunity of studying what I think I may call the amenities of murder at<span class="pagenum"><a name="Page_179" id="Page_179">[Pg 179]</a></span> -first hand. I dare say that grim mutterings à la +first hand. I dare say that grim mutterings à la Specter of Hangman Hollow would have bored me, writhings and agonies made me uncomfortable; but this new view of murder I found full of pleasing interest. @@ -7036,7 +7020,7 @@ death of one is likely to be the death of all, you may yet like one man more than another. But two men in an aeroplane are twins in a womb. The very pulse of one must be the pulse of both, their senses, glances, -thoughts, such a unison of coöperation as the former +thoughts, such a unison of coöperation as the former world never saw. For one to harm the other is not assault, but semi-suicide. Rarely need you even "look for the woman." Gloriana both serve, but they @@ -7562,7 +7546,7 @@ and seeing, not the thing in my hand, but Joan Merrow running in with the children from the garden again; at home my page of manuscript would blur and there in a doorway Philip Esdaile would stand, his eyes -dancing with a stilly excitement, the curaçao and the +dancing with a stilly excitement, the curaçao and the candle once more in his hands. And this, in my curious trade, is a serious matter. Out of precisely these insubstantialities I have to contrive to pay my @@ -7924,8 +7908,8 @@ at my time of life.</p> <p>"Of course, I know rents have gone up," she continued, "but Chummy thinks there ought to be -plenty of quite nice little places for about £70, but you -could go up to £75 for a really nice house with a garden, +plenty of quite nice little places for about £70, but you +could go up to £75 for a really nice house with a garden, rates and taxes included, of course. There are some sweet little houses right on the edge of the Heath at Hampstead with trees all round them and dear little @@ -10263,7 +10247,7 @@ wasn't he?"</p> him quite deliberately. Now that the failure of the sparking-plug had put this opportunity into my hands I was determined at all costs to know more of him. -Hence my—well <i>grossièreté</i>. But he noticed nothing. +Hence my—well <i>grossièreté</i>. But he noticed nothing. Instead he broke out with a feigned enthusiasm.</p> <p>"I say, these pipes are turning out jolly well! @@ -10653,7 +10637,7 @@ ditches were yellow with hawkweed and the copses pink with campion, and no man living could have told you what the intentions of the Air Ministry were. Smith was lying there brooding, not on the carriage of -a few pounds' weight of letters nor on prizes of £10,000, +a few pounds' weight of letters nor on prizes of £10,000, but on the problems of man's unchanged and warring heart. He dreamed of Imperial Defense. He was "keen" on making India and Egypt secure. He @@ -10787,7 +10771,7 @@ path that dropped steeply to the beach.</p> <p>Since that impetuous dash of hers to London she had shown herself from time to time—I will not say brooding (that is too strong a word), but frequently -withdrawn, pensive, <i>rêveuse</i>. She was as brisk and +withdrawn, pensive, <i>rêveuse</i>. She was as brisk and practical as ever about the house or in the arranging of picnics and excursions, but somehow the routine of her daily life struck me as a series of detached and @@ -11120,7 +11104,7 @@ also something of that sex-antagonism—perhaps I had better modify that and say sex-difference—for which her personal story had given her such bitter reason. Here now was Mollie, suddenly and in the -middle of our <i>tête-à-tête</i>, abolishing me as an individual +middle of our <i>tête-à -tête</i>, abolishing me as an individual and saddling me with the collective qualities of<span class="pagenum"><a name="Page_290" id="Page_290">[Pg 290]</a></span> men in general. And I must remind you once more that as a matter of mere historical sequence I was still @@ -11145,7 +11129,7 @@ her down here?"</p> <p>"Of course I'm going to have her down here if she can come," said Mollie in her most matter-of-fact tones. "How slowly you think! She must come immediately. -I shall see about it this afternoon <i>même</i>."</p> +I shall see about it this afternoon <i>même</i>."</p> <p>"And Rooke too?"</p> @@ -11420,7 +11404,7 @@ course I didn't give it him."</p> <p>"Might have wanted to shoot himself," Monty replied.</p> -<p>I pondered deeply, my eyes on the passing façade of +<p>I pondered deeply, my eyes on the passing façade of the Ritz. Certainly Monty, as the first on the scene that morning that now seemed such ages ago, had the right to collate his original observations with anything @@ -11761,7 +11745,7 @@ the permission of Philip Esdaile, A.R.A., and the others, I bid you to yet another breakfast. This time it<span class="pagenum"><a name="Page_309" id="Page_309">[Pg 309]</a></span> is a wedding breakfast, and a double one. Hardly an hour ago Joan Merrow, spinster, became Mrs. Charles -Valentine Smith, and Audrey Cunningham (<i>née</i> Herbert) +Valentine Smith, and Audrey Cunningham (<i>née</i> Herbert) Mrs. Montagu Rooke. Joan was married at Holy Trinity, Sloane Street, and wears her full bridal attire; but Audrey Rooke wears the gray costume and the @@ -12060,7 +12044,7 @@ and so still were the others that I had no difficulty in doing what in fact I was already doing—putting myself months back, alone down there, as Esdaile had been alone when he had descended for the jar of -orange curaçao that morning. I seemed to myself to +orange curaçao that morning. I seemed to myself to be standing there waiting for a sound of splintering glass, the muffled thud of two falling bodies, the faint murmur of half Chelsea running out of @@ -12204,7 +12188,7 @@ Smith was back already.</p> <p>He had a taxi waiting, and the driver was getting the boxes on as we reached the annexe again. Philip carried -in his hand the jar of orange curaçao.</p> +in his hand the jar of orange curaçao.</p> <p>"Get the liqueur-glasses out, Monty," he said, and the words sounded remotely familiar.</p> @@ -12217,7 +12201,7 @@ to pack them off to a preparatory school, and for a month past Joan had been impressing on them the dignity of this promotion.</p> -<p>As Philip busied himself with the jar of curaçao I +<p>As Philip busied himself with the jar of curaçao I found myself by Audrey Rooke's side. It was a little on my mind that she had the impression I didn't like her. Very charming and graceful indeed she looked in @@ -12295,360 +12279,6 @@ in police uniform who had been standing behind it.</p> <p> </p> <p> </p> -<hr class="pg" /> -<p>***END OF THE PROJECT GUTENBERG EBOOK A CASE IN CAMERA***</p> -<p>******* This file should be named 43063-h.txt or 43063-h.zip *******</p> -<p>This and all associated files of various formats will be found in:<br /> -<a href="http://www.gutenberg.org/dirs/4/3/0/6/43063">http://www.gutenberg.org/4/3/0/6/43063</a></p> -<p> -Updated editions will replace the previous one--the old editions -will be renamed.</p> - -<p> -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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