summaryrefslogtreecommitdiff
path: root/42989-0.txt
diff options
context:
space:
mode:
Diffstat (limited to '42989-0.txt')
-rw-r--r--42989-0.txt8311
1 files changed, 8311 insertions, 0 deletions
diff --git a/42989-0.txt b/42989-0.txt
new file mode 100644
index 0000000..bda4b34
--- /dev/null
+++ b/42989-0.txt
@@ -0,0 +1,8311 @@
+*** START OF THE PROJECT GUTENBERG EBOOK 42989 ***
+
+ THE
+ PLATTNER STORY
+
+ AND OTHERS
+
+
+
+
+ BY THE SAME AUTHOR
+
+
+ THE STOLEN BACILLUS
+ THE WONDERFUL VISIT
+ THE WHEELS OF CHANCE
+ THE ISLAND OF DOCTOR MOREAU
+ THE TIME MACHINE
+
+
+
+
+ THE
+ PLATTNER STORY
+
+ AND OTHERS
+
+ BY
+ H. G. WELLS
+
+ METHUEN & CO.
+ 36 ESSEX STREET, W.C.
+ LONDON
+ 1897
+
+
+
+
+ TO
+ MY FATHER
+
+
+
+
+CONTENTS
+
+
+ PAGE
+ THE PLATTNER STORY 2
+ THE ARGONAUTS OF THE AIR 29
+ THE STORY OF THE LATE MR. ELVESHAM 47
+ IN THE ABYSS 71
+ THE APPLE 94
+ UNDER THE KNIFE 106
+ THE SEA-RAIDERS 126
+ POLLOCK AND THE PORROH MAN 142
+ THE RED ROOM 165
+ THE CONE 179
+ THE PURPLE PILEUS 196
+ THE JILTING OF JANE 213
+ IN THE MODERN VEIN 224
+ A CATASTROPHE 239
+ THE LOST INHERITANCE 252
+ THE SAD STORY OF A DRAMATIC CRITIC 262
+ A SLIP UNDER THE MICROSCOPE 274
+
+
+
+
+THE PLATTNER STORY
+
+
+Whether the story of Gottfried Plattner is to be credited or not, is
+a pretty question in the value of evidence. On the one hand, we have
+seven witnesses--to be perfectly exact, we have six and a half pairs
+of eyes, and one undeniable fact; and on the other we have--what is
+it?--prejudice, common sense, the inertia of opinion. Never were there
+seven more honest-seeming witnesses; never was there a more undeniable
+fact than the inversion of Gottfried Plattner's anatomical structure,
+and--never was there a more preposterous story than the one they
+have to tell! The most preposterous part of the story is the worthy
+Gottfried's contribution (for I count him as one of the seven). Heaven
+forbid that I should be led into giving countenance to superstition by
+a passion for impartiality, and so come to share the fate of Eusapia's
+patrons! Frankly, I believe there is something crooked about this
+business of Gottfried Plattner; but what that crooked factor is, I
+will admit as frankly, I do not know. I have been surprised at the
+credit accorded to the story in the most unexpected and authoritative
+quarters. The fairest way to the reader, however, will be for me to
+tell it without further comment.
+
+Gottfried Plattner is, in spite of his name, a free-born Englishman.
+His father was an Alsatian who came to England in the Sixties, married
+a respectable English girl of unexceptionable antecedents, and died,
+after a wholesome and uneventful life (devoted, I understand, chiefly
+to the laying of parquet flooring), in 1887. Gottfried's age is
+seven-and-twenty. He is, by virtue of his heritage of three languages,
+Modern Languages Master in a small private school in the South of
+England. To the casual observer he is singularly like any other Modern
+Languages Master in any other small private school. His costume is
+neither very costly nor very fashionable, but, on the other hand, it
+is not markedly cheap or shabby; his complexion, like his height and
+his bearing, is inconspicuous. You would notice, perhaps, that, like
+the majority of people, his face was not absolutely symmetrical, his
+right eye a little larger than the left, and his jaw a trifle heavier
+on the right side. If you, as an ordinary careless person, were to bare
+his chest and feel his heart beating, you would probably find it quite
+like the heart of anyone else. But here you and the trained observer
+would part company. If you found his heart quite ordinary, the trained
+observer would find it quite otherwise. And once the thing was pointed
+out to you, you too would perceive the peculiarity easily enough. It is
+that Gottfried's heart beats on the right side of his body.
+
+Now, that is not the only singularity of Gottfried's structure,
+although it is the only one that would appeal to the untrained mind.
+Careful sounding of Gottfried's internal arrangements, by a well-known
+surgeon, seems to point to the fact that all the other unsymmetrical
+parts of his body are similarly misplaced. The right lobe of his liver
+is on the left side, the left on his right; while his lungs, too, are
+similarly contraposed. What is still more singular, unless Gottfried is
+a consummate actor, we must believe that his right hand has recently
+become his left. Since the occurrences we are about to consider (as
+impartially as possible), he has found the utmost difficulty in
+writing, except from right to left across the paper with his left hand.
+He cannot throw with his right hand, he is perplexed at meal times
+between knife and fork, and his ideas of the rule of the road--he is
+a cyclist--are still a dangerous confusion. And there is not a scrap
+of evidence to show that before these occurrences Gottfried was at all
+left-handed.
+
+There is yet another wonderful fact in this preposterous business.
+Gottfried produces three photographs of himself. You have him at the
+age of five or six, thrusting fat legs at you from under a plaid frock,
+and scowling. In that photograph his left eye is a little larger than
+his right, and his jaw is a trifle heavier on the left side. This
+is the reverse of his present living conditions. The photograph of
+Gottfried at fourteen seems to contradict these facts, but that is
+because it is one of those cheap "Gem" photographs that were then in
+vogue, taken direct upon metal, and therefore reversing things just
+as a looking-glass would. The third photograph represents him at
+one-and-twenty, and confirms the record of the others. There seems here
+evidence of the strongest confirmatory character that Gottfried has
+exchanged his left side for his right. Yet how a human being can be so
+changed, short of a fantastic and pointless miracle, it is exceedingly
+hard to suggest.
+
+In one way, of course, these facts might be explicable on the
+supposition that Plattner has undertaken an elaborate mystification,
+on the strength of his heart's displacement. Photographs may be
+fudged, and left-handedness imitated. But the character of the man
+does not lend itself to any such theory. He is quiet, practical,
+unobtrusive, and thoroughly sane, from the Nordau standpoint. He
+likes beer, and smokes moderately, takes walking exercise daily, and
+has a healthily high estimate of the value of his teaching. He has a
+good but untrained tenor voice, and takes a pleasure in singing airs
+of a popular and cheerful character. He is fond, but not morbidly
+fond, of reading,--chiefly fiction pervaded with a vaguely pious
+optimism,--sleeps well, and rarely dreams. He is, in fact, the very
+last person to evolve a fantastic fable. Indeed, so far from forcing
+this story upon the world, he has been singularly reticent on the
+matter. He meets inquirers with a certain engaging--bashfulness is
+almost the word, that disarms the most suspicious. He seems genuinely
+ashamed that anything so unusual has occurred to him.
+
+It is to be regretted that Plattner's aversion to the idea of
+post-mortem dissection may postpone, perhaps for ever, the positive
+proof that his entire body has had its left and right sides
+transposed. Upon that fact mainly the credibility of his story hangs.
+There is no way of taking a man and moving him about _in space_, as
+ordinary people understand space, that will result in our changing
+his sides. Whatever you do, his right is still his right, his left
+his left. You can do that with a perfectly thin and flat thing, of
+course. If you were to cut a figure out of paper, any figure with a
+right and left side, you could change its sides simply by lifting it
+up and turning it over. But with a solid it is different. Mathematical
+theorists tell us that the only way in which the right and left sides
+of a solid body can be changed is by taking that body clean out of
+space as we know it,--taking it out of ordinary existence, that is,
+and turning it somewhere outside space. This is a little abstruse,
+no doubt, but anyone with any knowledge of mathematical theory will
+assure the reader of its truth. To put the thing in technical language,
+the curious inversion of Plattner's right and left sides is proof
+that he has moved out of our space into what is called the Fourth
+Dimension, and that he has returned again to our world. Unless we
+choose to consider ourselves the victims of an elaborate and motiveless
+fabrication, we are almost bound to believe that this has occurred.
+
+So much for the tangible facts. We come now to the account of the
+phenomena that attended his temporary disappearance from the world.
+It appears that in the Sussexville Proprietary School, Plattner not
+only discharged the duties of Modern Languages Master, but also taught
+chemistry, commercial geography, book-keeping, shorthand, drawing, and
+any other additional subject to which the changing fancies of the
+boys' parents might direct attention. He knew little or nothing of
+these various subjects, but in secondary as distinguished from Board
+or elementary schools, knowledge in the teacher is, very properly, by
+no means so necessary as high moral character and gentlemanly tone.
+In chemistry he was particularly deficient, knowing, he says, nothing
+beyond the Three Gases (whatever the three gases may be). As, however,
+his pupils began by knowing nothing, and derived all their information
+from him, this caused him (or anyone) but little inconvenience for
+several terms. Then a little boy named Whibble joined the school, who
+had been educated (it seems) by some mischievous relative into an
+inquiring habit of mind. This little boy followed Plattner's lessons
+with marked and sustained interest, and in order to exhibit his zeal
+on the subject, brought, at various times, substances for Plattner to
+analyse. Plattner, flattered by this evidence of his power of awakening
+interest, and trusting to the boy's ignorance, analysed these, and even
+made general statements as to their composition. Indeed, he was so far
+stimulated by his pupil as to obtain a work upon analytical chemistry,
+and study it during his supervision of the evening's preparation. He
+was surprised to find chemistry quite an interesting subject.
+
+So far the story is absolutely commonplace. But now the greenish
+powder comes upon the scene. The source of that greenish powder seems,
+unfortunately, lost. Master Whibble tells a tortuous story of finding
+it done up in a packet in a disused limekiln near the Downs. It would
+have been an excellent thing for Plattner, and possibly for Master
+Whibble's family, if a match could have been applied to that powder
+there and then. The young gentleman certainly did not bring it to
+school in a packet, but in a common eight-ounce graduated medicine
+bottle, plugged with masticated newspaper. He gave it to Plattner at
+the end of the afternoon school. Four boys had been detained after
+school prayers in order to complete some neglected tasks, and Plattner
+was supervising these in the small classroom in which the chemical
+teaching was conducted. The appliances for the practical teaching of
+chemistry in the Sussexville Proprietary School, as in most small
+schools in this country, are characterised by a severe simplicity. They
+are kept in a small cupboard standing in a recess, and having about the
+same capacity as a common travelling trunk. Plattner, being bored with
+his passive superintendence, seems to have welcomed the intervention of
+Whibble with his green powder as an agreeable diversion, and, unlocking
+this cupboard, proceeded at once with his analytical experiments.
+Whibble sat, luckily for himself, at a safe distance, regarding him.
+The four malefactors, feigning a profound absorption in their work,
+watched him furtively with the keenest interest. For even within the
+limits of the Three Gases, Plattner's practical chemistry was, I
+understand, temerarious.
+
+They are practically unanimous in their account of Plattner's
+proceedings. He poured a little of the green powder into a test-tube,
+and tried the substance with water, hydrochloric acid, nitric acid,
+and sulphuric acid in succession. Getting no result, he emptied out a
+little heap--nearly half the bottleful, in fact--upon a slate and tried
+a match. He held the medicine bottle in his left hand. The stuff began
+to smoke and melt, and then--exploded with deafening violence and a
+blinding flash.
+
+The five boys, seeing the flash and being prepared for catastrophes,
+ducked below their desks, and were none of them seriously hurt. The
+window was blown out into the playground, and the blackboard on its
+easel was upset. The slate was smashed to atoms. Some plaster fell
+from the ceiling. No other damage was done to the school edifice or
+appliances, and the boys at first, seeing nothing of Plattner, fancied
+he was knocked down and lying out of their sight below the desks. They
+jumped out of their places to go to his assistance, and were amazed to
+find the space empty. Being still confused by the sudden violence of
+the report, they hurried to the open door, under the impression that
+he must have been hurt, and have rushed out of the room. But Carson,
+the foremost, nearly collided in the doorway with the principal, Mr.
+Lidgett.
+
+Mr. Lidgett is a corpulent, excitable man with one eye. The boys
+describe him as stumbling into the room mouthing some of those tempered
+expletives irritable schoolmasters accustom themselves to use--lest
+worse befall. "Wretched mumchancer!" he said. "Where's Mr. Plattner?"
+The boys are agreed on the very words. ("Wobbler," "snivelling puppy,"
+and "mumchancer" are, it seems, among the ordinary small change of Mr.
+Lidgett's scholastic commerce.)
+
+Where's Mr. Plattner? That was a question that was to be repeated many
+times in the next few days. It really seemed as though that frantic
+hyperbole, "blown to atoms," had for once realised itself. There was
+not a visible particle of Plattner to be seen; not a drop of blood nor
+a stitch of clothing to be found. Apparently he had been blown clean
+out of existence and left not a wrack behind. Not so much as would
+cover a sixpenny piece, to quote a proverbial expression! The evidence
+of his absolute disappearance, as a consequence of that explosion, is
+indubitable.
+
+It is not necessary to enlarge here upon the commotion excited in the
+Sussexville Proprietary School, and in Sussexville and elsewhere, by
+this event. It is quite possible, indeed, that some of the readers of
+these pages may recall the hearing of some remote and dying version
+of that excitement during the last summer holidays. Lidgett, it would
+seem, did everything in his power to suppress and minimise the story.
+He instituted a penalty of twenty-five lines for any mention of
+Plattner's name among the boys, and stated in the schoolroom that he
+was clearly aware of his assistant's whereabouts. He was afraid, he
+explains, that the possibility of an explosion happening, in spite of
+the elaborate precautions taken to minimise the practical teaching of
+chemistry, might injure the reputation of the school; and so might any
+mysterious quality in Plattner's departure. Indeed, he did everything
+in his power to make the occurrence seem as ordinary as possible. In
+particular, he cross-examined the five eye-witnesses of the occurrence
+so searchingly that they began to doubt the plain evidence of their
+senses. But, in spite of these efforts, the tale, in a magnified
+and distorted state, made a nine days' wonder in the district, and
+several parents withdrew their sons on colourable pretexts. Not the
+least remarkable point in the matter is the fact that a large number
+of people in the neighbourhood dreamed singularly vivid dreams of
+Plattner during the period of excitement before his return, and that
+these dreams had a curious uniformity. In almost all of them Plattner
+was seen, sometimes singly, sometimes in company, wandering about
+through a coruscating iridescence. In all cases his face was pale and
+distressed, and in some he gesticulated towards the dreamer. One or
+two of the boys, evidently under the influence of nightmare, fancied
+that Plattner approached them with remarkable swiftness, and seemed to
+look closely into their very eyes. Others fled with Plattner from the
+pursuit of vague and extraordinary creatures of a globular shape. But
+all these fancies were forgotten in inquiries and speculations when, on
+the Wednesday next but one after the Monday of the explosion, Plattner
+returned.
+
+The circumstances of his return were as singular as those of his
+departure. So far as Mr. Lidgett's somewhat choleric outline can be
+filled in from Plattner's hesitating statements, it would appear that
+on Wednesday evening, towards the hour of sunset, the former gentleman,
+having dismissed evening preparation, was engaged in his garden,
+picking and eating strawberries, a fruit of which he is inordinately
+fond. It is a large old-fashioned garden, secured from observation,
+fortunately, by a high and ivy-covered red-brick wall. Just as he was
+stooping over a particularly prolific plant, there was a flash in the
+air and a heavy thud, and before he could look round, some heavy body
+struck him violently from behind. He was pitched forward, crushing the
+strawberries he held in his hand, and that so roughly, that his silk
+hat--Mr. Lidgett adheres to the older ideas of scholastic costume--was
+driven violently down upon his forehead, and almost over one eye.
+This heavy missile, which slid over him sideways and collapsed into a
+sitting posture among the strawberry plants, proved to be our long-lost
+Mr. Gottfried Plattner, in an extremely dishevelled condition. He
+was collarless and hatless, his linen was dirty, and there was blood
+upon his hands. Mr. Lidgett was so indignant and surprised that he
+remained on all-fours, and with his hat jammed down on his eye, while
+he expostulated vehemently with Plattner for his disrespectful and
+unaccountable conduct.
+
+This scarcely idyllic scene completes what I may call the exterior
+version of the Plattner story--its exoteric aspect. It is quite
+unnecessary to enter here into all the details of his dismissal by Mr.
+Lidgett. Such details, with the full names and dates and references,
+will be found in the larger report of these occurrences that was laid
+before the Society for the Investigation of Abnormal Phenomena. The
+singular transposition of Plattner's right and left sides was scarcely
+observed for the first day or so, and then first in connection with
+his disposition to write from right to left across the blackboard. He
+concealed rather than ostended this curious confirmatory circumstance,
+as he considered it would unfavourably affect his prospects in a new
+situation. The displacement of his heart was discovered some months
+after, when he was having a tooth extracted under anæsthetics. He then,
+very unwillingly, allowed a cursory surgical examination to be made of
+himself, with a view to a brief account in the _Journal of Anatomy_.
+That exhausts the statement of the material facts; and we may now go on
+to consider Plattner's account of the matter.
+
+But first let us clearly differentiate between the preceding portion
+of this story and what is to follow. All I have told thus far is
+established by such evidence as even a criminal lawyer would approve.
+Every one of the witnesses is still alive; the reader, if he have the
+leisure, may hunt the lads out tomorrow, or even brave the terrors of
+the redoubtable Lidgett, and cross-examine and trap and test to his
+heart's content; Gottfried Plattner, himself, and his twisted heart and
+his three photographs are producible. It may be taken as proved that he
+did disappear for nine days as the consequence of an explosion; that
+he returned almost as violently, under circumstances in their nature
+annoying to Mr. Lidgett, whatever the details of those circumstances
+may be; and that he returned inverted, just as a reflection returns
+from a mirror. From the last fact, as I have already stated, it
+follows almost inevitably that Plattner, during those nine days, must
+have been in some state of existence altogether out of space. The
+evidence to these statements is, indeed, far stronger than that upon
+which most murderers are hanged. But for his own particular account
+of where he had been, with its confused explanations and well-nigh
+self-contradictory details, we have only Mr. Gottfried Plattner's word.
+I do not wish to discredit that, but I must point out--what so many
+writers upon obscure psychic phenomena fail to do--that we are passing
+here from the practically undeniable to that kind of matter which any
+reasonable man is entitled to believe or reject as he thinks proper.
+The previous statements render it plausible; its discordance with
+common experience tilts it towards the incredible. I would prefer not
+to sway the beam of the reader's judgment either way, but simply to
+tell the story as Plattner told it me.
+
+He gave me his narrative, I may state, at my house at Chislehurst, and
+so soon as he had left me that evening, I went into my study and wrote
+down everything as I remembered it. Subsequently he was good enough to
+read over a type-written copy, so that its substantial correctness is
+undeniable.
+
+He states that at the moment of the explosion he distinctly thought he
+was killed. He felt lifted off his feet and driven forcibly backward.
+It is a curious fact for psychologists that he thought clearly during
+his backward flight, and wondered whether he should hit the chemistry
+cupboard or the blackboard easel. His heels struck ground, and he
+staggered and fell heavily into a sitting position on something soft
+and firm. For a moment the concussion stunned him. He became aware at
+once of a vivid scent of singed hair, and he seemed to hear the voice
+of Lidgett asking for him. You will understand that for a time his
+mind was greatly confused.
+
+At first he was distinctly under the impression that he was still in
+the classroom. He perceived quite distinctly the surprise of the boys
+and the entry of Mr. Lidgett. He is quite positive upon that score.
+He did not hear their remarks; but that he ascribed to the deafening
+effect of the experiment. Things about him seemed curiously dark and
+faint, but his mind explained that on the obvious but mistaken idea
+that the explosion had engendered a huge volume of dark smoke. Through
+the dimness the figures of Lidgett and the boys moved, as faint and
+silent as ghosts. Plattner's face still tingled with the stinging
+heat of the flash. He was, he says, "all muddled." His first definite
+thoughts seem to have been of his personal safety. He thought he was
+perhaps blinded and deafened. He felt his limbs and face in a gingerly
+manner. Then his perceptions grew clearer, and he was astonished to
+miss the old familiar desks and other schoolroom furniture about him.
+Only dim, uncertain, grey shapes stood in the place of these. Then came
+a thing that made him shout aloud, and awoke his stunned faculties
+to instant activity. _Two of the boys, gesticulating, walked one
+after the other clean through him!_ Neither manifested the slightest
+consciousness of his presence. It is difficult to imagine the sensation
+he felt. They came against him, he says, with no more force than a wisp
+of mist.
+
+Plattner's first thought after that was that he was dead. Having been
+brought up with thoroughly sound views in these matters, however, he
+was a little surprised to find his body still about him. His second
+conclusion was that he was not dead, but that the others were: that the
+explosion had destroyed the Sussexville Proprietary School and every
+soul in it except himself. But that, too, was scarcely satisfactory. He
+was thrown back upon astonished observation.
+
+Everything about him was extraordinarily dark: at first it seemed to
+have an altogether ebony blackness. Overhead was a black firmament.
+The only touch of light in the scene was a faint greenish glow at the
+edge of the sky in one direction, which threw into prominence a horizon
+of undulating black hills. This, I say, was his impression at first.
+As his eye grew accustomed to the darkness, he began to distinguish a
+faint quality of differentiating greenish colour in the circumambient
+night. Against this background the furniture and occupants of the
+classroom, it seems, stood out like phosphorescent spectres, faint
+and impalpable. He extended his hand, and thrust it without an effort
+through the wall of the room by the fireplace.
+
+He describes himself as making a strenuous effort to attract attention.
+He shouted to Lidgett, and tried to seize the boys as they went to
+and fro. He only desisted from these attempts when Mrs. Lidgett, whom
+he (as an Assistant Master) naturally disliked, entered the room. He
+says the sensation of being in the world, and yet not a part of it,
+was an extraordinarily disagreeable one. He compared his feelings,
+not inaptly, to those of a cat watching a mouse through a window.
+Whenever he made a motion to communicate with the dim, familiar world
+about him, he found an invisible, incomprehensible barrier preventing
+intercourse.
+
+He then turned his attention to his solid environment. He found the
+medicine bottle still unbroken in his hand, with the remainder of the
+green powder therein. He put this in his pocket, and began to feel
+about him. Apparently, he was sitting on a boulder of rock covered with
+a velvety moss. The dark country about him he was unable to see, the
+faint, misty picture of the schoolroom blotting it out, but he had a
+feeling (due perhaps to a cold wind) that he was near the crest of a
+hill, and that a steep valley fell away beneath his feet. The green
+glow along the edge of the sky seemed to be growing in extent and
+intensity. He stood up, rubbing his eyes.
+
+It would seem that he made a few steps, going steeply down hill, and
+then stumbled, nearly fell, and sat down again upon a jagged mass of
+rock to watch the dawn. He became aware that the world about him was
+absolutely silent. It was as still as it was dark, and though there was
+a cold wind blowing up the hill-face, the rustle of grass, the soughing
+of the boughs that should have accompanied it, were absent. He could
+hear, therefore, if he could not see, that the hillside upon which he
+stood was rocky and desolate. The green grew brighter every moment, and
+as it did so a faint, transparent blood-red mingled with, but did not
+mitigate, the blackness of the sky overhead and the rocky desolations
+about him. Having regard to what follows, I am inclined to think that
+that redness may have been an optical effect due to contrast. Something
+black fluttered momentarily against the livid yellow-green of the
+lower sky, and then the thin and penetrating voice of a bell rose out
+of the black gulf below him. An oppressive expectation grew with the
+growing light.
+
+It is probable that an hour or more elapsed while he sat there, the
+strange green light growing brighter every moment, and spreading
+slowly, in flamboyant fingers, upward towards the zenith. As it grew,
+the spectral vision of _our_ world became relatively or absolutely
+fainter. Probably both, for the time must have been about that of our
+earthly sunset. So far as his vision of our world went, Plattner, by
+his few steps downhill, had passed through the floor of the classroom,
+and was now, it seemed, sitting in mid-air in the larger schoolroom
+downstairs. He saw the boarders distinctly, but much more faintly
+than he had seen Lidgett. They were preparing their evening tasks,
+and he noticed with interest that several were cheating with their
+Euclid riders by means of a crib, a compilation whose existence he had
+hitherto never suspected. As the time passed, they faded steadily, as
+steadily as the light of the green dawn increased.
+
+Looking down into the valley, he saw that the light had crept far
+down its rocky sides, and that the profound blackness of the abyss
+was now broken by a minute green glow, like the light of a glow-worm.
+And almost immediately the limb of a huge heavenly body of blazing
+green rose over the basaltic undulations of the distant hills, and
+the monstrous hill-masses about him came out gaunt and desolate, in
+green light and deep, ruddy black shadows. He became aware of a vast
+number of ball-shaped objects drifting as thistledown drifts over
+the high ground. There were none of these nearer to him than the
+opposite side of the gorge. The bell below twanged quicker and quicker,
+with something like impatient insistence, and several lights moved
+hither and thither. The boys at work at their desks were now almost
+imperceptibly faint.
+
+This extinction of our world, when the green sun of this other universe
+rose, is a curious point upon which Plattner insists. During the
+Other-World night it is difficult to move about, on account of the
+vividness with which the things of this world are visible. It becomes a
+riddle to explain why, if this is the case, we in this world catch no
+glimpse of the Other-World. It is due, perhaps, to the comparatively
+vivid illumination of this world of ours. Plattner describes the
+midday of the Other-World, at its brightest, as not being nearly so
+bright as this world at full moon, while its night is profoundly
+black. Consequently, the amount of light, even in an ordinary dark
+room, is sufficient to render the things of the Other-World invisible,
+on the same principle that faint phosphorescence is only visible in
+the profoundest darkness. I have tried, since he told me his story,
+to see something of the Other-World by sitting for a long space in a
+photographer's dark room at night. I have certainly seen indistinctly
+the form of greenish slopes and rocks, but only, I must admit, very
+indistinctly indeed. The reader may possibly be more successful.
+Plattner tells me that since his return he has dreamt and seen and
+recognised places in the Other-World, but this is probably due to his
+memory of these scenes. It seems quite possible that people with
+unusually keen eyesight may occasionally catch a glimpse of this
+strange Other-World about us.
+
+However, this is a digression. As the green sun rose, a long street
+of black buildings became perceptible, though only darkly and
+indistinctly, in the gorge, and, after some hesitation, Plattner began
+to clamber down the precipitous descent towards them. The descent was
+long and exceedingly tedious, being so not only by the extraordinary
+steepness, but also by reason of the looseness of the boulders
+with which the whole face of the hill was strewn. The noise of his
+descent--now and then his heels struck fire from the rocks--seemed
+now the only sound in the universe, for the beating of the bell had
+ceased. As he drew nearer, he perceived that the various edifices had
+a singular resemblance to tombs and mausoleums and monuments, saving
+only that they were all uniformly black instead of being white, as
+most sepulchres are. And then he saw, crowding out of the largest
+building, very much as people disperse from church, a number of pallid,
+rounded, pale-green figures. These dispersed in several directions
+about the broad street of the place, some going through side alleys and
+reappearing upon the steepness of the hill, others entering some of the
+small black buildings which lined the way.
+
+At the sight of these things drifting up towards him, Plattner stopped,
+staring. They were not walking, they were indeed limbless, and they
+had the appearance of human heads, beneath which a tadpole-like body
+swung. He was too astonished at their strangeness, too full, indeed,
+of strangeness, to be seriously alarmed by them. They drove towards
+him, in front of the chill wind that was blowing uphill, much as
+soap-bubbles drive before a draught. And as he looked at the nearest
+of those approaching, he saw it was indeed a human head, albeit with
+singularly large eyes, and wearing such an expression of distress and
+anguish as he had never seen before upon mortal countenance. He was
+surprised to find that it did not turn to regard him, but seemed to be
+watching and following some unseen moving thing. For a moment he was
+puzzled, and then it occurred to him that this creature was watching
+with its enormous eyes something that was happening in the world he had
+just left. Nearer it came, and nearer, and he was too astonished to
+cry out. It made a very faint fretting sound as it came close to him.
+Then it struck his face with a gentle pat--its touch was very cold--and
+drove past him, and upward towards the crest of the hill.
+
+An extraordinary conviction flashed across Plattner's mind that this
+head had a strong likeness to Lidgett. Then he turned his attention
+to the other heads that were now swarming thickly up the hillside.
+None made the slightest sign of recognition. One or two, indeed, came
+close to his head and almost followed the example of the first, but
+he dodged convulsively out of the way. Upon most of them he saw the
+same expression of unavailing regret he had seen upon the first, and
+heard the same faint sounds of wretchedness from them. One or two wept,
+and one rolling swiftly uphill wore an expression of diabolical rage.
+But others were cold, and several had a look of gratified interest in
+their eyes. One, at least, was almost in an ecstasy of happiness.
+Plattner does not remember that he recognised any more likenesses in
+those he saw at this time.
+
+For several hours, perhaps, Plattner watched these strange things
+dispersing themselves over the hills, and not till long after they
+had ceased to issue from the clustering black buildings in the gorge,
+did he resume his downward climb. The darkness about him increased so
+much that he had a difficulty in stepping true. Overhead the sky was
+now a bright, pale green. He felt neither hunger nor thirst. Later,
+when he did, he found a chilly stream running down the centre of the
+gorge, and the rare moss upon the boulders, when he tried it at last in
+desperation, was good to eat.
+
+He groped about among the tombs that ran down the gorge, seeking
+vaguely for some clue to these inexplicable things. After a long
+time he came to the entrance of the big mausoleum-like building from
+which the heads had issued. In this he found a group of green lights
+burning upon a kind of basaltic altar, and a bell-rope from a belfry
+overhead hanging down into the centre of the place. Round the wall
+ran a lettering of fire in a character unknown to him. While he was
+still wondering at the purport of these things, he heard the receding
+tramp of heavy feet echoing far down the street. He ran out into the
+darkness again, but he could see nothing. He had a mind to pull the
+bell-rope, and finally decided to follow the footsteps. But, although
+he ran far, he never overtook them; and his shouting was of no avail.
+The gorge seemed to extend an interminable distance. It was as dark
+as earthly starlight throughout its length, while the ghastly green
+day lay along the upper edge of its precipices. There were none of the
+heads, now, below. They were all, it seemed, busily occupied along the
+upper slopes. Looking up, he saw them drifting hither and thither, some
+hovering stationary, some flying swiftly through the air. It reminded
+him, he said, of "big snowflakes"; only these were black and pale green.
+
+In pursuing the firm, undeviating footsteps that he never overtook, in
+groping into new regions of this endless devil's dyke, in clambering up
+and down the pitiless heights, in wandering about the summits, and in
+watching the drifting faces, Plattner states that he spent the better
+part of seven or eight days. He did not keep count, he says. Though
+once or twice he found eyes watching him, he had word with no living
+soul. He slept among the rocks on the hillside. In the gorge things
+earthly were invisible, because, from the earthly standpoint, it was
+far underground. On the altitudes, so soon as the earthly day began,
+the world became visible to him. He found himself sometimes stumbling
+over the dark green rocks, or arresting himself on a precipitous brink,
+while all about him the green branches of the Sussexville lanes were
+swaying; or, again, he seemed to be walking through the Sussexville
+streets, or watching unseen the private business of some household.
+And then it was he discovered, that to almost every human being in our
+world there pertained some of these drifting heads: that everyone in
+the world is watched intermittently by these helpless disembodiments.
+
+What are they--these Watchers of the Living? Plattner never learned.
+But two, that presently found and followed him, were like his
+childhood's memory of his father and mother. Now and then other faces
+turned their eyes upon him: eyes like those of dead people who had
+swayed him, or injured him, or helped him in his youth and manhood.
+Whenever they looked at him, Plattner was overcome with a strange
+sense of responsibility. To his mother he ventured to speak; but she
+made no answer. She looked sadly, steadfastly, and tenderly--a little
+reproachfully, too, it seemed--into his eyes.
+
+He simply tells this story: he does not endeavour to explain. We are
+left to surmise who these Watchers of the Living may be, or if they are
+indeed the Dead, why they should so closely and passionately watch a
+world they have left for ever. It may be--indeed to my mind it seems
+just--that, when our life has closed, when evil or good is no longer
+a choice for us, we may still have to witness the working out of the
+train of consequences we have laid. If human souls continue after
+death, then surely human interests continue after death. But that is
+merely my own guess at the meaning of the things seen. Plattner offers
+no interpretation, for none was given him. It is well the reader should
+understand this clearly. Day after day, with his head reeling, he
+wandered about this strange-lit world outside the world, weary and,
+towards the end, weak and hungry. By day--by our earthly day, that
+is--the ghostly vision of the old familiar scenery of Sussexville, all
+about him, irked and worried him. He could not see where to put his
+feet, and ever and again with a chilly touch one of these Watching
+Souls would come against his face. And after dark the multitude of
+these Watchers about him, and their intent distress, confused his mind
+beyond describing. A great longing to return to the earthly life that
+was so near and yet so remote consumed him. The unearthliness of things
+about him produced a positively painful mental distress. He was worried
+beyond describing by his own particular followers. He would shout at
+them to desist from staring at him, scold at them, hurry away from
+them. They were always mute and intent. Run as he might over the uneven
+ground, they followed his destinies.
+
+On the ninth day, towards evening, Plattner heard the invisible
+footsteps approaching, far away down the gorge. He was then wandering
+over the broad crest of the same hill upon which he had fallen in his
+entry into this strange Other-World of his. He turned to hurry down
+into the gorge, feeling his way hastily, and was arrested by the sight
+of the thing that was happening in a room in a back street near the
+school. Both of the people in the room he knew by sight. The windows
+were open, the blinds up, and the setting sun shone clearly into it, so
+that it came out quite brightly at first, a vivid oblong of room, lying
+like a magic-lantern picture upon the black landscape and the livid
+green dawn. In addition to the sunlight, a candle had just been lit in
+the room.
+
+On the bed lay a lank man, his ghastly white face terrible upon the
+tumbled pillow. His clenched hands were raised above his head. A little
+table beside the bed carried a few medicine bottles, some toast and
+water, and an empty glass. Every now and then the lank man's lips
+fell apart, to indicate a word he could not articulate. But the woman
+did not notice that he wanted anything, because she was busy turning
+out papers from an old-fashioned bureau in the opposite corner of the
+room. At first the picture was very vivid indeed, but as the green dawn
+behind it grew brighter and brighter, so it became fainter and more and
+more transparent.
+
+As the echoing footsteps paced nearer and nearer, those footsteps
+that sound so loud in that Other-World and come so silently in this,
+Plattner perceived about him a great multitude of dim faces gathering
+together out of the darkness and watching the two people in the room.
+Never before had he seen so many of the Watchers of the Living.
+A multitude had eyes only for the sufferer in the room, another
+multitude, in infinite anguish, watched the woman as she hunted with
+greedy eyes for something she could not find. They crowded about
+Plattner, they came across his sight and buffeted his face, the noise
+of their unavailing regrets was all about him. He saw clearly only
+now and then. At other times the picture quivered dimly, through the
+veil of green reflections upon their movements. In the room it must
+have been very still, and Plattner says the candle flame streamed
+up into a perfectly vertical line of smoke, but in his ears each
+footfall and its echoes beat like a clap of thunder. And the faces!
+Two, more particularly near the woman's: one a woman's also, white
+and clear-featured, a face which might have once been cold and hard,
+but which was now softened by the touch of a wisdom strange to earth.
+The other might have been the woman's father. Both were evidently
+absorbed in the contemplation of some act of hateful meanness, so it
+seemed, which they could no longer guard against and prevent. Behind
+were others, teachers, it may be, who had taught ill, friends whose
+influence had failed. And over the man, too--a multitude, but none
+that seemed to be parents or teachers! Faces that might once have
+been coarse, now purged to strength by sorrow! And in the forefront
+one face, a girlish one, neither angry nor remorseful, but merely
+patient and weary, and, as it seemed to Plattner, waiting for relief.
+His powers of description fail him at the memory of this multitude of
+ghastly countenances. They gathered on the stroke of the bell. He saw
+them all in the space of a second. It would seem that he was so worked
+on by his excitement that, quite involuntarily, his restless fingers
+took the bottle of green powder out of his pocket and held it before
+him. But he does not remember that.
+
+Abruptly the footsteps ceased. He waited for the next, and there was
+silence, and then suddenly, cutting through the unexpected stillness
+like a keen, thin blade, came the first stroke of the bell. At that the
+multitudinous faces swayed to and fro, and a louder crying began all
+about him. The woman did not hear; she was burning something now in the
+candle flame. At the second stroke everything grew dim, and a breath of
+wind, icy cold, blew through the host of watchers. They swirled about
+him like an eddy of dead leaves in the spring, and at the third stroke
+something was extended through them to the bed. You have heard of a
+beam of light. This was like a beam of darkness, and looking again at
+it, Plattner saw that it was a shadowy arm and hand.
+
+The green sun was now topping the black desolations of the horizon,
+and the vision of the room was very faint. Plattner could see that
+the white of the bed struggled, and was convulsed; and that the woman
+looked round over her shoulder at it, startled.
+
+The cloud of watchers lifted high like a puff of green dust before the
+wind, and swept swiftly downward towards the temple in the gorge. Then
+suddenly Plattner understood the meaning of the shadowy black arm that
+stretched across his shoulder and clutched its prey. He did not dare
+turn his head to see the Shadow behind the arm. With a violent effort,
+and covering his eyes, he set himself to run, made, perhaps, twenty
+strides, then slipped on a boulder, and fell. He fell forward on his
+hands; and the bottle smashed and exploded as he touched the ground.
+
+In another moment he found himself, stunned and bleeding, sitting face
+to face with Lidgett in the old walled garden behind the school.
+
+ * * * * *
+
+There the story of Plattner's experiences ends. I have resisted, I
+believe successfully, the natural disposition of a writer of fiction
+to dress up incidents of this sort. I have told the thing as far as
+possible in the order in which Plattner told it to me. I have carefully
+avoided any attempt at style, effect, or construction. It would have
+been easy, for instance, to have worked the scene of the death-bed
+into a kind of plot in which Plattner might have been involved.
+But, quite apart from the objectionableness of falsifying a most
+extraordinary true story, any such trite devices would spoil, to my
+mind, the peculiar effect of this dark world, with its livid green
+illumination and its drifting Watchers of the Living, which, unseen and
+unapproachable to us, is yet lying all about us.
+
+It remains to add, that a death did actually occur in Vincent Terrace,
+just beyond the school garden, and, so far as can be proved, at
+the moment of Plattner's return. Deceased was a rate-collector and
+insurance agent. His widow, who was much younger than himself, married
+last month a Mr. Whymper, a veterinary surgeon of Allbeeding. As the
+portion of this story given here has in various forms circulated orally
+in Sussexville, she has consented to my use of her name, on condition
+that I make it distinctly known that she emphatically contradicts every
+detail of Plattner's account of her husband's last moments. She burnt
+no will, she says, although Plattner never accused her of doing so:
+her husband made but one will, and that just after their marriage.
+Certainly, from a man who had never seen it, Plattner's account of the
+furniture of the room was curiously accurate.
+
+One other thing, even at the risk of an irksome repetition, I must
+insist upon, lest I seem to favour the credulous superstitious view.
+Plattner's absence from the world for nine days is, I think, proved.
+But that does not prove his story. It is quite conceivable that even
+outside space hallucinations may be possible. That, at least, the
+reader must bear distinctly in mind.
+
+
+
+
+THE ARGONAUTS OF THE AIR
+
+
+One saw Monson's Flying Machine from the windows of the trains passing
+either along the South-Western main line or along the line between
+Wimbledon and Worcester Park,--to be more exact, one saw the huge
+scaffoldings which limited the flight of the apparatus. They rose over
+the tree-tops, a massive alley of interlacing iron and timber, and an
+enormous web of ropes and tackle, extending the best part of two miles.
+From the Leatherhead branch this alley was foreshortened and in part
+hidden by a hill with villas; but from the main line one had it in
+profile, a complex tangle of girders and curving bars, very impressive
+to the excursionists from Portsmouth and Southampton and the West.
+Monson had taken up the work where Maxim had left it, had gone on at
+first with an utter contempt for the journalistic wit and ignorance
+that had irritated and hampered his predecessor, and had spent (it was
+said) rather more than half his immense fortune upon his experiments.
+The results, to an impatient generation, seemed inconsiderable. When
+some five years had passed after the growth of the colossal iron groves
+at Worcester Park, and Monson still failed to put in a fluttering
+appearance over Trafalgar Square, even the Isle of Wight trippers felt
+their liberty to smile. And such intelligent people as did not consider
+Monson a fool stricken with the mania for invention, denounced him as
+being (for no particular reason) a self-advertising quack.
+
+Yet now and again a morning trainload of season-ticket holders would
+see a white monster rush headlong through the airy tracery of guides
+and bars, and hear the further stays, nettings, and buffers snap,
+creak, and groan with the impact of the blow. Then there would be
+an efflorescence of black-set white-rimmed faces along the sides of
+the train, and the morning papers would be neglected for a vigorous
+discussion of the possibility of flying (in which nothing new was ever
+said by any chance), until the train reached Waterloo, and its cargo
+of season-ticket holders dispersed themselves over London. Or the
+fathers and mothers in some multitudinous train of weary excursionists
+returning exhausted from a day of rest by the sea, would find the dark
+fabric, standing out against the evening sky, useful in diverting some
+bilious child from its introspection, and be suddenly startled by the
+swift transit of a huge black flapping shape that strained upward
+against the guides. It was a great and forcible thing beyond dispute,
+and excellent for conversation; yet, all the same, it was but flying in
+leading-strings, and most of those who witnessed it scarcely counted
+its flight as flying. More of a switchback it seemed to the run of the
+folk.
+
+Monson, I say, did not trouble himself very keenly about the opinions
+of the press at first. But possibly he, even, had formed but a poor
+idea of the time it would take before the tactics of flying were
+mastered, the swift assured adjustment of the big soaring shape to
+every gust and chance movement of the air; nor had he clearly reckoned
+the money this prolonged struggle against gravitation would cost
+him. And he was not so pachydermatous as he seemed. Secretly he had
+his periodical bundles of cuttings sent him by Romeike, he had his
+periodical reminders from his banker; and if he did not mind the
+initial ridicule and scepticism, he felt the growing neglect as the
+months went by and the money dribbled away. Time was when Monson had
+sent the enterprising journalist, keen after readable matter, empty
+from his gates. But when the enterprising journalist ceased from
+troubling, Monson was anything but satisfied in his heart of hearts.
+Still day by day the work went on, and the multitudinous subtle
+difficulties of the steering diminished in number. Day by day, too,
+the money trickled away, until his balance was no longer a matter of
+hundreds of thousands, but of tens. And at last came an anniversary.
+
+Monson, sitting in the little drawing-shed, suddenly noticed the date
+on Woodhouse's calendar.
+
+"It was five years ago to-day that we began," he said to Woodhouse
+suddenly.
+
+"Is it?" said Woodhouse.
+
+"It's the alterations play the devil with us," said Monson, biting a
+paper-fastener.
+
+The drawings for the new vans to the hinder screw lay on the table
+before him as he spoke. He pitched the mutilated brass paper-fastener
+into the waste-paper basket and drummed with his fingers. "These
+alterations! Will the mathematicians ever be clever enough to save us
+all this patching and experimenting? Five years--learning by rule of
+thumb, when one might think that it was possible to calculate the whole
+thing out beforehand. The cost of it! I might have hired three senior
+wranglers for life. But they'd only have developed some beautifully
+useless theorems in pneumatics. What a time it has been, Woodhouse!"
+
+"These mouldings will take three weeks," said Woodhouse. "At special
+prices."
+
+"Three weeks!" said Monson, and sat drumming.
+
+"Three weeks certain," said Woodhouse, an excellent engineer, but no
+good as a comforter. He drew the sheets towards him and began shading a
+bar.
+
+Monson stopped drumming, and began to bite his finger-nails, staring
+the while at Woodhouse's head.
+
+"How long have they been calling this Monson's Folly?" he said suddenly.
+
+"_Oh!_ Year or so," said Woodhouse carelessly, without looking up.
+
+Monson sucked the air in between his teeth, and went to the window. The
+stout iron columns carrying the elevated rails upon which the start of
+the machine was made rose up close by, and the machine was hidden by
+the upper edge of the window. Through the grove of iron pillars, red
+painted and ornate with rows of bolts, one had a glimpse of the pretty
+scenery towards Esher. A train went gliding noiselessly across the
+middle distance, its rattle drowned by the hammering of the workmen
+overhead. Monson could imagine the grinning faces at the windows of the
+carriages. He swore savagely under his breath, and dabbed viciously at
+a blowfly that suddenly became noisy on the window-pane.
+
+"What's up?" said Woodhouse, staring in surprise at his employer.
+
+"I'm about sick of this."
+
+Woodhouse scratched his cheek. "Oh!" he said, after an assimilating
+pause. He pushed the drawing away from him.
+
+"Here these fools ... I'm trying to conquer a new element--trying to
+do a thing that will revolutionise life. And instead of taking an
+intelligent interest, they grin and make their stupid jokes, and call
+me and my appliances names."
+
+"Asses!" said Woodhouse, letting his eye fall again on the drawing.
+
+The epithet, curiously enough, made Monson wince. "I'm about sick of
+it, Woodhouse, anyhow," he said, after a pause.
+
+Woodhouse shrugged his shoulders.
+
+"There's nothing for it but patience, I suppose," said Monson, sticking
+his hands in his pockets. "I've started. I've made my bed, and I've got
+to lie on it. I can't go back. I'll see it through, and spend every
+penny I have and every penny I can borrow. But I tell you, Woodhouse,
+I'm infernally sick of it, all the same. If I'd paid a tenth part of
+the money towards some political greaser's expenses--I'd have been a
+baronet before this."
+
+Monson paused. Woodhouse stared in front of him with a blank expression
+he always employed to indicate sympathy, and tapped his pencil-case on
+the table. Monson stared at him for a minute.
+
+"Oh, _damn_!" said Monson suddenly, and abruptly rushed out of the room.
+
+Woodhouse continued his sympathetic rigour for perhaps half a minute.
+Then he sighed and resumed the shading of the drawings. Something had
+evidently upset Monson. Nice chap, and generous, but difficult to get
+on with. It was the way with every amateur who had anything to do with
+engineering--wanted everything finished at once. But Monson had usually
+the patience of the expert. Odd he was so irritable. Nice and round
+that aluminium rod did look now! Woodhouse threw back his head, and put
+it, first this side and then that, to appreciate his bit of shading
+better.
+
+"Mr. Woodhouse," said Hooper, the foreman of the labourers, putting his
+head in at the door.
+
+"Hullo!" said Woodhouse, without turning round.
+
+"Nothing happened, sir?" said Hooper.
+
+"Happened?" said Woodhouse.
+
+"The governor just been up the rails swearing like a tornader."
+
+"_Oh!_" said Woodhouse.
+
+"It ain't like him, sir."
+
+"No?"
+
+"And I was thinking perhaps"--
+
+"Don't think," said Woodhouse, still admiring the drawings.
+
+Hooper knew Woodhouse, and he shut the door suddenly with a vicious
+slam. Woodhouse stared stonily before him for some further minutes,
+and then made an ineffectual effort to pick his teeth with his pencil.
+Abruptly he desisted, pitched that old, tried, and stumpy servitor
+across the room, got up, stretched himself, and followed Hooper.
+
+He looked ruffled--it was visible to every workman he met. When a
+millionaire who has been spending thousands on experiments that employ
+quite a little army of people suddenly indicates that he is sick of
+the undertaking, there is almost invariably a certain amount of mental
+friction in the ranks of the little army he employs. And even before he
+indicates his intentions there are speculations and murmurs, a watching
+of faces and a study of straws. Hundreds of people knew before the day
+was out that Monson was ruffled, Woodhouse ruffled, Hooper ruffled. A
+workman's wife, for instance (whom Monson had never seen), decided to
+keep her money in the savings-bank instead of buying a velveteen dress.
+So far-reaching are even the casual curses of a millionaire.
+
+Monson found a certain satisfaction in going on the works and behaving
+disagreeably to as many people as possible. After a time even
+that palled upon him, and he rode off the grounds, to every one's
+relief there, and through the lanes south-eastward, to the infinite
+tribulation of his house steward at Cheam.
+
+And the immediate cause of it all, the little grain of annoyance that
+had suddenly precipitated all this discontent with his life-work
+was--these trivial things that direct all our great decisions!--half
+a dozen ill-considered remarks made by a pretty girl, prettily
+dressed, with a beautiful voice and something more than prettiness
+in her soft grey eyes. And of these half-dozen remarks, two words
+especially--"Monson's Folly." She had felt she was behaving charmingly
+to Monson; she reflected the next day how exceptionally effective she
+had been, and no one would have been more amazed than she, had she
+learned the effect she had left on Monson's mind. I hope, considering
+everything, that she never knew.
+
+"How are you getting on with your flying-machine?" she asked. ("I
+wonder if I shall ever meet any one with the sense not to ask that,"
+thought Monson.) "It will be very dangerous at first, will it not?"
+("Thinks I'm afraid.") "Jorgon is going to play presently; have you
+heard him before?" ("My mania being attended to, we turn to rational
+conversation.") Gush about Jorgon; gradual decline of conversation,
+ending with--"You must let me know when your flying-machine is
+finished, Mr. Monson, and then I will consider the advisability of
+taking a ticket." ("One would think I was still playing inventions
+in the nursery.") But the bitterest thing she said was not meant for
+Monson's ears. To Phlox, the novelist, she was always conscientiously
+brilliant. "I have been talking to Mr. Monson, and he can think of
+nothing, positively nothing, but that flying-machine of his. Do you
+know, all his workmen call that place of his 'Monson's Folly'? He is
+quite impossible. It is really very, very sad. I always regard him
+myself in the light of sunken treasure--the Lost Millionaire, you know."
+
+She was pretty and well educated,--indeed, she had written an
+epigrammatic novelette; but the bitterness was that she was typical.
+She summarised what the world thought of the man who was working
+sanely, steadily, and surely towards a more tremendous revolution in
+the appliances of civilisation, a more far-reaching alteration in the
+ways of humanity than has ever been effected since history began.
+They did not even take him seriously. In a little while he would be
+proverbial. "I _must_ fly now," he said on his way home, smarting with
+a sense of absolute social failure. "I must fly soon. If it doesn't
+come off soon, by God! I shall run amuck."
+
+He said that before he had gone through his pass-book and his litter of
+papers. Inadequate as the cause seems, it was that girl's voice and the
+expression of her eyes that precipitated his discontent. But certainly
+the discovery that he had no longer even one hundred thousand pounds'
+worth of realisable property behind him was the poison that made the
+wound deadly.
+
+It was the next day after this that he exploded upon Woodhouse and
+his workmen, and thereafter his bearing was consistently grim for
+three weeks, and anxiety dwelt in Cheam and Ewell, Malden, Morden, and
+Worcester Park, places that had thriven mightily on his experiments.
+
+Four weeks after that first swearing of his, he stood with Woodhouse
+by the reconstructed machine as it lay across the elevated railway,
+by means of which it gained its initial impetus. The new propeller
+glittered a brighter white than the rest of the machine, and a gilder,
+obedient to a whim of Monson's, was picking out the aluminium bars
+with gold. And looking down the long avenue between the ropes (gilded
+now with the sunset), one saw red signals, and two miles away an
+ant-hill of workmen busy altering the last falls of the run into a
+rising slope.
+
+"I'll _come_," said Woodhouse. "I'll come right enough. But I tell you
+it's infernally foolhardy. If only you would give another year"--
+
+"I tell you I won't. I tell you the thing works. I've given years
+enough"--
+
+"It's not that," said Woodhouse. "We're all right with the machine. But
+it's the steering"--
+
+"Haven't I been rushing, night and morning, backwards and forwards,
+through this squirrel's cage? If the thing steers true here, it will
+steer true all across England. It's just funk, I tell you, Woodhouse.
+We could have gone a year ago. And besides"--
+
+"Well?" said Woodhouse.
+
+"The money!" snapped Monson over his shoulder.
+
+"Hang it! I never thought of the money," said Woodhouse, and then,
+speaking now in a very different tone to that with which he had said
+the words before, he repeated, "I'll come. Trust me."
+
+Monson turned suddenly, and saw all that Woodhouse had not the
+dexterity to say, shining on his sunset-lit face. He looked for a
+moment, then impulsively extended his hand. "Thanks," he said.
+
+"All right," said Woodhouse, gripping the hand, and with a queer
+softening of his features. "Trust me."
+
+Then both men turned to the big apparatus that lay with its flat wings
+extended upon the carrier, and stared at it meditatively. Monson,
+guided perhaps by a photographic study of the flight of birds, and by
+Lilienthal's methods, had gradually drifted from Maxim's shapes towards
+the bird form again. The thing, however, was driven by a huge screw
+behind in the place of the tail; and so hovering, which needs an almost
+vertical adjustment of a flat tail, was rendered impossible. The body
+of the machine was small, almost cylindrical, and pointed. Forward and
+aft on the pointed ends were two small petroleum engines for the screw,
+and the navigators sat deep in a canoe-like recess, the foremost one
+steering, and being protected by a low screen, with two plate-glass
+windows, from the blinding rush of air. On either side a monstrous flat
+framework with a curved front border could be adjusted so as either to
+lie horizontally, or to be tilted upward or down. These wings worked
+rigidly together, or, by releasing a pin, one could be tilted through
+a small angle independently of its fellow. The front edge of either
+wing could also be shifted back so as to diminish the wing-area about
+one-sixth. The machine was not only not designed to hover, but it was
+also incapable of fluttering. Monson's idea was to get into the air
+with the initial rush of the apparatus, and then to skim, much as a
+playing-card may be skimmed, keeping up the rush by means of the screw
+at the stern. Rooks and gulls fly enormous distances in that way with
+scarcely a perceptible movement of the wings. The bird really drives
+along on an aërial switchback. It glides slanting downward for a
+space, until it has gained considerable momentum, and then altering
+the inclination of its wings, glides up again almost to its original
+altitude. Even a Londoner who has watched the birds in the aviary in
+Regent's Park knows that.
+
+But the bird is practising this art from the moment it leaves its nest.
+It has not only the perfect apparatus, but the perfect instinct to
+use it. A man off his feet has the poorest skill in balancing. Even
+the simple trick of the bicycle costs him some hours of labour. The
+instantaneous adjustments of the wings, the quick response to a passing
+breeze, the swift recovery of equilibrium, the giddy, eddying movements
+that require such absolute precision--all that he must learn, learn
+with infinite labour and infinite danger, if ever he is to conquer
+flying. The flying-machine that will start off some fine day, driven
+by neat "little levers," with a nice open deck like a liner, and all
+loaded up with bombshells and guns, is the easy dreaming of a literary
+man. In lives and in treasure the cost of the conquest of the empire of
+the air may even exceed all that has been spent in man's great conquest
+of the sea. Certainly it will be costlier than the greatest war that
+has ever devastated the world.
+
+No one knew these things better than these two practical men. And they
+knew they were in the front rank of the coming army. Yet there is
+hope even in a forlorn hope. Men are killed outright in the reserves
+sometimes, while others who have been left for dead in the thickest
+corner crawl out and survive.
+
+"If we miss these meadows"--said Woodhouse presently in his slow way.
+
+"My dear chap," said Monson, whose spirits had been rising fitfully
+during the last few days, "we mustn't miss these meadows. There's
+a quarter of a square mile for us to hit, fences removed, ditches
+levelled. We shall come down all right--rest assured. And if we don't"--
+
+"Ah!" said Woodhouse. "If we don't!"
+
+Before the day of the start, the newspaper people got wind of the
+alterations at the northward end of the framework, and Monson was
+cheered by a decided change in the comments Romeike forwarded him. "He
+will be off some day," said the papers. "He will be off some day,"
+said the South-Western season-ticket holders one to another; the
+seaside excursionists, the Saturday-to-Monday trippers from Sussex
+and Hampshire and Dorset and Devon, the eminent literary people from
+Hazlemere, all remarked eagerly one to another, "He will be off
+some day," as the familiar scaffolding came in sight. And actually,
+one bright morning, in full view of the ten-past-ten train from
+Basingstoke, Monson's flying-machine started on its journey.
+
+They saw the carrier running swiftly along its rail, and the white and
+gold screw spinning in the air. They heard the rapid rumble of wheels,
+and a thud as the carrier reached the buffers at the end of its run.
+Then a whirr as the Flying-Machine was shot forward into the networks.
+All that the majority of them had seen and heard before. The thing went
+with a drooping flight through the framework and rose again, and then
+every beholder shouted, or screamed, or yelled, or shrieked after his
+kind. For instead of the customary concussion and stoppage, the Flying
+Machine flew out of its five years' cage like a bolt from a crossbow,
+and drove slantingly upward into the air, curved round a little, so as
+to cross the line, and soared in the direction of Wimbledon Common.
+
+It seemed to hang momentarily in the air and grow smaller, then it
+ducked and vanished over the clustering blue tree-tops to the east of
+Coombe Hill, and no one stopped staring and gasping until long after it
+had disappeared.
+
+That was what the people in the train from Basingstoke saw. If you had
+drawn a line down the middle of that train, from engine to guard's
+van, you would not have found a living soul on the opposite side to
+the flying-machine. It was a mad rush from window to window as the
+thing crossed the line. And the engine-driver and stoker never took
+their eyes off the low hills about Wimbledon, and never noticed that
+they had run clean through Coombe and Maiden and Raynes Park, until,
+with returning animation, they found themselves pelting, at the most
+indecent pace, into Wimbledon station.
+
+From the moment when Monson had started the carrier with a "_Now!_"
+neither he nor Woodhouse said a word. Both men sat with clenched
+teeth. Monson had crossed the line with a curve that was too sharp,
+and Woodhouse had opened and shut his white lips; but neither spoke.
+Woodhouse simply gripped his seat, and breathed sharply through his
+teeth, watching the blue country to the west rushing past, and down,
+and away from him. Monson knelt at his post forward, and his hands
+trembled on the spoked wheel that moved the wings. He could see
+nothing before him but a mass of white clouds in the sky.
+
+The machine went slanting upward, travelling with an enormous speed
+still, but losing momentum every moment. The land ran away underneath
+with diminishing speed.
+
+"_Now!_" said Woodhouse at last, and with a violent effort Monson
+wrenched over the wheel and altered the angle of the wings. The machine
+seemed to hang for half a minute motionless in mid-air, and then he
+saw the hazy blue house-covered hills of Kilburn and Hampstead jump
+up before his eyes and rise steadily, until the little sunlit dome of
+the Albert Hall appeared through his windows. For a moment he scarcely
+understood the meaning of this upward rush of the horizon, but as the
+nearer and nearer houses came into view, he realised what he had done.
+He had turned the wings over too far, and they were swooping steeply
+downward towards the Thames.
+
+The thought, the question, the realisation were all the business of a
+second of time. "Too much!" gasped Woodhouse. Monson brought the wheel
+half-way back with a jerk, and forthwith the Kilburn and Hampstead
+ridge dropped again to the lower edge of his windows. They had been
+a thousand feet above Coombe and Maiden station; fifty seconds after
+they whizzed, at a frightful pace, not eighty feet above the East
+Putney station, on the Metropolitan District line, to the screaming
+astonishment of a platformful of people. Monson flung up the vans
+against the air, and over Fulham they rushed up their atmospheric
+switchback again, steeply--too steeply. The 'buses went floundering
+across the Fulham Road, the people yelled.
+
+Then down again, too steeply still, and the distant trees and houses
+about Primrose Hill leapt up across Monson's window, and then suddenly
+he saw straight before him the greenery of Kensington Gardens and the
+towers of the Imperial Institute. They were driving straight down upon
+South Kensington. The pinnacles of the Natural History Museum rushed up
+into view. There came one fatal second of swift thought, a moment of
+hesitation. Should he try and clear the towers, or swerve eastward?
+
+He made a hesitating attempt to release the right wing, left the catch
+half released, and gave a frantic clutch at the wheel.
+
+The nose of the machine seemed to leap up before him. The wheel pressed
+his hand with irresistible force, and jerked itself out of his control.
+
+Woodhouse, sitting crouched together, gave a hoarse cry, and sprang up
+towards Monson. "Too far!" he cried, and then he was clinging to the
+gunwale for dear life, and Monson had been jerked clean overhead, and
+was falling backwards upon him.
+
+So swiftly had the thing happened that barely a quarter of the people
+going to and fro in Hyde Park, and Brompton Road, and the Exhibition
+Road saw anything of the aërial catastrophe. A distant winged shape
+had appeared above the clustering houses to the south, had fallen
+and risen, growing larger as it did so; had swooped swiftly down
+towards the Imperial Institute, a broad spread of flying wings, had
+swept round in a quarter circle, dashed eastward, and then suddenly
+sprang vertically into the air. A black object shot out of it, and
+came spinning downward. A man! Two men clutching each other! They came
+whirling down, separated as they struck the roof of the Students' Club,
+and bounded off into the green bushes on its southward side.
+
+For perhaps half a minute, the pointed stem of the big machine still
+pierced vertically upward, the screw spinning desperately. For one
+brief instant, that yet seemed an age to all who watched, it had hung
+motionless in mid-air. Then a spout of yellow flame licked up its
+length from the stern engine, and swift, swifter, swifter, and flaring
+like a rocket, it rushed down upon the solid mass of masonry which was
+formerly the Royal College of Science. The big screw of white and gold
+touched the parapet, and crumpled up like wet linen. Then the blazing
+spindle-shaped body smashed and splintered, smashing and splintering in
+its fall, upon the north-westward angle of the building.
+
+But the crash, the flame of blazing paraffin that shot heavenward from
+the shattered engines of the machine, the crushed horrors that were
+found in the garden beyond the Students' Club, the masses of yellow
+parapet and red brick that fell headlong into the roadway, the running
+to and fro of people like ants in a broken ant-hill, the galloping of
+fire-engines, the gathering of crowds--all these things do not belong
+to this story, which was written only to tell how the first of all
+successful flying-machines was launched and flew. Though he failed, and
+failed disastrously, the record of Monson's work remains--a sufficient
+monument--to guide the next of that band of gallant experimentalists
+who will sooner or later master this great problem of flying. And
+between Worcester Park and Malden there still stands that portentous
+avenue of iron-work, rusting now, and dangerous here and there, to
+witness to the first desperate struggle for man's right of way through
+the air.
+
+
+
+
+THE STORY OF THE LATE MR. ELVESHAM
+
+
+I set this story down, not expecting it will be believed, but, if
+possible, to prepare a way of escape for the next victim. He, perhaps,
+may profit by my misfortune. My own case, I know, is hopeless, and I am
+now in some measure prepared to meet my fate.
+
+My name is Edward George Eden. I was born at Trentham, in Staffordshire,
+my father being employed in the gardens there. I lost my mother when
+I was three years old, and my father when I was five, my uncle,
+George Eden, then adopting me as his own son. He was a single man,
+self-educated, and well-known in Birmingham as an enterprising
+journalist; he educated me generously, fired my ambition to succeed
+in the world, and at his death, which happened four years ago, left
+me his entire fortune, a matter of about five hundred pounds after
+all outgoing charges were paid. I was then eighteen. He advised me
+in his will to expend the money in completing my education. I had
+already chosen the profession of medicine, and through his posthumous
+generosity, and my good fortune in a scholarship competition, I became
+a medical student at University College, London. At the time of the
+beginning of my story I lodged at 11A University Street, in a little
+upper room, very shabbily furnished, and draughty, overlooking the back
+of Shoolbred's premises. I used this little room both to live in and
+sleep in, because I was anxious to eke out my means to the very last
+shillingsworth.
+
+I was taking a pair of shoes to be mended at a shop in the Tottenham
+Court Road when I first encountered the little old man with the yellow
+face, with whom my life has now become so inextricably entangled. He
+was standing on the kerb, and staring at the number on the door in
+a doubtful way, as I opened it. His eyes--they were dull grey eyes,
+and reddish under the rims--fell to my face, and his countenance
+immediately assumed an expression of corrugated amiability.
+
+"You come," he said, "apt to the moment. I had forgotten the number of
+your house. How do you do, Mr. Eden?"
+
+I was a little astonished at his familiar address, for I had never set
+eyes on the man before. I was a little annoyed, too, at his catching me
+with my boots under my arm. He noticed my lack of cordiality.
+
+"Wonder who the deuce I am, eh? A friend, let me assure you. I have
+seen you before, though you haven't seen me. Is there anywhere where I
+can talk to you?"
+
+I hesitated. The shabbiness of my room upstairs was not a matter for
+every stranger. "Perhaps," said I, "we might walk down the street. I'm
+unfortunately prevented"--My gesture explained the sentence before I
+had spoken it.
+
+"The very thing," he said, and faced this way and then that. "The
+street? Which way shall we go?" I slipped my boots down in the passage.
+"Look here!" he said abruptly; "this business of mine is a rigmarole.
+Come and lunch with me, Mr. Eden. I'm an old man, a very old man, and
+not good at explanations, and what with my piping voice and the clatter
+of the traffic"--
+
+He laid a persuasive skinny hand that trembled a little upon my arm.
+
+I was not so old that an old man might not treat me to a lunch. Yet at
+the same time I was not altogether pleased by this abrupt invitation.
+"I had rather"--I began. "But _I_ had rather," he said, catching me
+up, "and a certain civility is surely due to my grey hairs." And so I
+consented, and went with him.
+
+He took me to Blavitski's; I had to walk slowly to accommodate myself
+to his paces; and over such a lunch as I had never tasted before,
+he fended off my leading questions, and I took a better note of his
+appearance. His clean-shaven face was lean and wrinkled, his shrivelled
+lips fell over a set of false teeth, and his white hair was thin and
+rather long; he seemed small to me,--though, indeed, most people seemed
+small to me,--and his shoulders were rounded and bent. And watching
+him, I could not help but observe that he too was taking note of me,
+running his eyes, with a curious touch of greed in them, over me, from
+my broad shoulders to my sun-tanned hands, and up to my freckled face
+again. "And now," said he, as we lit our cigarettes, "I must tell you
+of the business in hand.
+
+"I must tell you, then, that I am an old man, a very old man." He
+paused momentarily. "And it happens that I have money that I must
+presently be leaving, and never a child have I to leave it to." I
+thought of the confidence trick, and resolved I would be on the alert
+for the vestiges of my five hundred pounds. He proceeded to enlarge on
+his loneliness, and the trouble he had to find a proper disposition
+of his money. "I have weighed this plan and that plan, charities,
+institutions, and scholarships, and libraries, and I have come to this
+conclusion at last,"--he fixed his eyes on my face,--"that I will find
+some young fellow, ambitious, pure-minded, and poor, healthy in body
+and healthy in mind, and, in short, make him my heir, give him all
+that I have." He repeated, "Give him all that I have. So that he will
+suddenly be lifted out of all the trouble and struggle in which his
+sympathies have been educated, to freedom and influence."
+
+I tried to seem disinterested. With a transparent hypocrisy, I said,
+"And you want my help, my professional services, maybe, to find that
+person."
+
+He smiled, and looked at me over his cigarette, and I laughed at his
+quiet exposure of my modest pretence.
+
+"What a career such a man might have!" he said. "It fills me with envy
+to think how I have accumulated that another man may spend--
+
+"But there are conditions, of course, burdens to be imposed. He must,
+for instance, take my name. You cannot expect everything without some
+return. And I must go into all the circumstances of his life before I
+can accept him. He _must_ be sound. I must know his heredity, how his
+parents and grandparents died, have the strictest inquiries made into
+his private morals"--
+
+This modified my secret congratulations a little. "And do I understand,"
+said I, "that I--?"
+
+"Yes," he said, almost fiercely. "You. _You._"
+
+I answered never a word. My imagination was dancing wildly, my innate
+scepticism was useless to modify its transports. There was not a
+particle of gratitude in my mind--I did not know what to say nor how to
+say it. "But why me in particular?" I said at last.
+
+He had chanced to hear of me from Professor Haslar, he said, as a
+typically sound and sane young man, and he wished, as far as possible,
+to leave his money where health and integrity were assured.
+
+That was my first meeting with the little old man. He was mysterious
+about himself; he would not give his name yet, he said, and after I had
+answered some questions of his, he left me at the Blavitski portal.
+I noticed that he drew a handful of gold coins from his pocket when
+it came to paying for the lunch. His insistence upon bodily health
+was curious. In accordance with an arrangement we had made I applied
+that day for a life policy in the Loyal Insurance Company for a large
+sum, and I was exhaustively overhauled by the medical advisers of that
+company in the subsequent week. Even that did not satisfy him, and he
+insisted I must be re-examined by the great Doctor Henderson. It was
+Friday in Whitsun week before he came to a decision. He called me
+down, quite late in the evening,--nearly nine it was,--from cramming
+chemical equations for my Preliminary Scientific examination. He was
+standing in the passage under the feeble gas-lamp, and his face was a
+grotesque interplay of shadows. He seemed more bowed than when I had
+first seen him, and his cheeks had sunk in a little.
+
+His voice shook with emotion. "Everything is satisfactory, Mr. Eden,"
+he said. "Everything is quite, quite satisfactory. And this night of
+all nights, you must dine with me and celebrate your--accession." He
+was interrupted by a cough. "You won't have long to wait, either," he
+said, wiping his handkerchief across his lips, and gripping my hand
+with his long bony claw that was disengaged. "Certainly not very long
+to wait."
+
+We went into the street and called a cab. I remember every incident of
+that drive vividly, the swift, easy motion, the vivid contrast of gas
+and oil and electric light, the crowds of people in the streets, the
+place in Regent Street to which we went, and the sumptuous dinner we
+were served with there. I was disconcerted at first by the well-dressed
+waiter's glances at my rough clothes, bothered by the stones of the
+olives, but as the champagne warmed my blood, my confidence revived. At
+first the old man talked of himself. He had already told me his name in
+the cab; he was Egbert Elvesham, the great philosopher, whose name I
+had known since I was a lad at school. It seemed incredible to me that
+this man, whose intelligence had so early dominated mine, this great
+abstraction, should suddenly realise itself as this decrepit, familiar
+figure. I daresay every young fellow who has suddenly fallen among
+celebrities has felt something of my disappointment. He told me now of
+the future that the feeble streams of his life would presently leave
+dry for me, houses, copyrights, investments; I had never suspected that
+philosophers were so rich. He watched me drink and eat with a touch of
+envy. "What a capacity for living you have!" he said; and then, with a
+sigh, a sigh of relief I could have thought it, "It will not be long."
+
+"Ay," said I, my head swimming now with champagne; "I have a future
+perhaps--of a passing agreeable sort, thanks to you. I shall now have
+the honour of your name. But you have a past. Such a past as is worth
+all my future."
+
+He shook his head and smiled, as I thought, with half-sad appreciation
+of my flattering admiration. "That future," he said, "would you
+in truth change it?" The waiter came with liqueurs. "You will not
+perhaps mind taking my name, taking my position, but would you
+indeed--willingly--take my years?"
+
+"With your achievements," said I gallantly.
+
+He smiled again. "Kummel--both," he said to the waiter, and turned
+his attention to a little paper packet he had taken from his pocket.
+"This hour," said he, "this after-dinner hour is the hour of small
+things. Here is a scrap of my unpublished wisdom." He opened the packet
+with his shaking yellow fingers, and showed a little pinkish powder
+on the paper. "This," said he--"well, you must guess what it is. But
+Kummel--put but a dash of this powder in it--is Himmel." His large
+greyish eyes watched mine with an inscrutable expression.
+
+It was a bit of a shock to me to find this great teacher gave his mind
+to the flavour of liqueurs. However, I feigned a great interest in his
+weakness, for I was drunk enough for such small sycophancy.
+
+He parted the powder between the little glasses, and, rising suddenly,
+with a strange unexpected dignity, held out his hand towards me. I
+imitated his action, and the glasses rang. "To a quick succession,"
+said he, and raised his glass towards his lips.
+
+"Not that," I said hastily. "Not that."
+
+He paused, with the liqueur at the level of his chin, and his eyes
+blazing into mine.
+
+"To a long life," said I.
+
+He hesitated. "To a long life," said he, with a sudden bark of
+laughter, and with eyes fixed on one another we tilted the little
+glasses. His eyes looked straight into mine, and as I drained the stuff
+off, I felt a curiously intense sensation. The first touch of it set my
+brain in a furious tumult; I seemed to feel an actual physical stirring
+in my skull, and a seething humming filled my ears. I did not notice
+the flavour in my mouth, the aroma that filled my throat; I saw only
+the grey intensity of his gaze that burnt into mine. The draught, the
+mental confusion, the noise and stirring in my head, seemed to last an
+interminable time. Curious vague impressions of half-forgotten things
+danced and vanished on the edge of my consciousness. At last he broke
+the spell. With a sudden explosive sigh he put down his glass.
+
+"Well?" he said.
+
+"It's glorious," said I, though I had not tasted the stuff.
+
+My head was spinning. I sat down. My brain was chaos. Then my
+perception grew clear and minute as though I saw things in a concave
+mirror. His manner seemed to have changed into something nervous and
+hasty. He pulled out his watch and grimaced at it. "Eleven-seven! And
+to-night I must--Seven--twenty-five. Waterloo! I must go at once." He
+called for the bill, and struggled with his coat. Officious waiters
+came to our assistance. In another moment I was wishing him good-bye,
+over the apron of a cab, and still with an absurd feeling of minute
+distinctness, as though--how can I express it?--I not only saw but
+_felt_ through an inverted opera-glass.
+
+"That stuff," he said. He put his hand to his forehead. "I ought not
+to have given it to you. It will make your head split to-morrow.
+Wait a minute. Here." He handed me out a little flat thing like a
+seidlitz-powder. "Take that in water as you are going to bed. The other
+thing was a drug. Not till you're ready to go to bed, mind. It will
+clear your head. That's all. One more shake--Futurus!"
+
+I gripped his shrivelled claw. "Good-bye," he said, and by the droop of
+his eyelids I judged he too was a little under the influence of that
+brain-twisting cordial.
+
+He recollected something else with a start, felt in his breast-pocket,
+and produced another packet, this time a cylinder the size and shape of
+a shaving-stick. "Here," said he. "I'd almost forgotten. Don't open
+this until I come to-morrow--but take it now."
+
+It was so heavy that I well-nigh dropped it. "All ri'!" said I, and he
+grinned at me through the cab window as the cabman flicked his horse
+into wakefulness. It was a white packet he had given me, with red seals
+at either end and along its edge. "If this isn't money," said I, "it's
+platinum or lead."
+
+I stuck it with elaborate care into my pocket, and with a whirling
+brain walked home through the Regent Street loiterers and the dark
+back streets beyond Portland Road. I remember the sensations of that
+walk very vividly, strange as they were. I was still so far myself
+that I could notice my strange mental state, and wonder whether this
+stuff I had had was opium--a drug beyond my experience. It is hard now
+to describe the peculiarity of my mental strangeness--mental doubling
+vaguely expresses it. As I was walking up Regent Street I found in my
+mind a queer persuasion that it was Waterloo station, and had an odd
+impulse to get into the Polytechnic as a man might get into a train. I
+put a knuckle in my eye, and it was Regent Street. How can I express
+it? You see a skilful actor looking quietly at you, he pulls a grimace,
+and lo!--another person. Is it too extravagant if I tell you that it
+seemed to me as if Regent Street had, for the moment, done that? Then,
+being persuaded it was Regent Street again, I was oddly muddled about
+some fantastic reminiscences that cropped up. "Thirty years ago,"
+thought I, "it was here that I quarrelled with my brother." Then I
+burst out laughing, to the astonishment and encouragement of a group of
+night prowlers. Thirty years ago I did not exist, and never in my life
+had I boasted a brother. The stuff was surely liquid folly, for the
+poignant regret for that lost brother still clung to me. Along Portland
+Road the madness took another turn. I began to recall vanished shops,
+and to compare the street with what it used to be. Confused, troubled
+thinking is comprehensible enough after the drink I had taken, but what
+puzzled me were these curiously vivid phantasm memories that had crept
+into my mind, and not only the memories that had crept in, but also
+the memories that had slipped out. I stopped opposite Stevens', the
+natural history dealer's, and cudgelled my brains to think what he had
+to do with me. A 'bus went by, and sounded exactly like the rumbling
+of a train. I seemed to be dipped into some dark, remote pit for the
+recollection. "Of course," said I, at last, "he has promised me three
+frogs to-morrow. Odd I should have forgotten."
+
+Do they still show children dissolving views? In those I remember one
+view would begin like a faint ghost, and grow and oust another. In
+just that way it seemed to me that a ghostly set of new sensations was
+struggling with those of my ordinary self.
+
+I went on through Euston Road to Tottenham Court Road, puzzled, and a
+little frightened, and scarcely noticed the unusual way I was taking,
+for commonly I used to cut through the intervening network of back
+streets. I turned into University Street, to discover that I had
+forgotten my number. Only by a strong effort did I recall 11A, and
+even then it seemed to me that it was a thing some forgotten person
+had told me. I tried to steady my mind by recalling the incidents of
+the dinner, and for the life of me I could conjure up no picture of
+my host's face; I saw him only as a shadowy outline, as one might see
+oneself reflected in a window through which one was looking. In his
+place, however, I had a curious exterior vision of myself sitting at a
+table, flushed, bright-eyed, and talkative.
+
+"I must take this other powder," said I. "This is getting impossible."
+
+I tried the wrong side of the hall for my candle and the matches, and
+had a doubt of which landing my room might be on. "I'm drunk," I said,
+"that's certain," and blundered needlessly on the staircase to sustain
+the proposition.
+
+At the first glance my room seemed unfamiliar. "What rot!" I said, and
+stared about me. I seemed to bring myself back by the effort, and the
+odd phantasmal quality passed into the concrete familiar. There was the
+old glass still, with my notes on the albumens stuck in the corner of
+the frame, my old everyday suit of clothes pitched about the floor. And
+yet it was not so real after all. I felt an idiotic persuasion trying
+to creep into my mind, as it were, that I was in a railway carriage in
+a train just stopping, that I was peering out of the window at some
+unknown station. I gripped the bed-rail firmly to reassure myself.
+"It's clairvoyance, perhaps," I said. "I must write to the Psychical
+Research Society."
+
+I put the rouleau on my dressing-table, sat on my bed and began to
+take off my boots. It was as if the picture of my present sensations
+was painted over some other picture that was trying to show through.
+"Curse it!" said I; "my wits are going, or am I in two places at once?"
+Half-undressed, I tossed the powder into a glass and drank it off. It
+effervesced, and became a fluorescent amber colour. Before I was in bed
+my mind was already tranquillised. I felt the pillow at my cheek, and
+thereupon I must have fallen asleep.
+
+ * * * * *
+
+I awoke abruptly out of a dream of strange beasts, and found myself
+lying on my back. Probably everyone knows that dismal, emotional dream
+from which one escapes, awake indeed, but strangely cowed. There was
+a curious taste in my mouth, a tired feeling in my limbs, a sense of
+cutaneous discomfort. I lay with my head motionless on my pillow,
+expecting that my feeling of strangeness and terror would probably
+pass away, and that I should then doze off again to sleep. But instead
+of that, my uncanny sensations increased. At first I could perceive
+nothing wrong about me. There was a faint light in the room, so faint
+that it was the very next thing to darkness, and the furniture stood
+out in it as vague blots of absolute darkness. I stared with my eyes
+just over the bedclothes.
+
+It came into my mind that someone had entered the room to rob me of my
+rouleau of money, but after lying for some moments, breathing regularly
+to simulate sleep, I realised this was mere fancy. Nevertheless, the
+uneasy assurance of something wrong kept fast hold of me. With an
+effort I raised my head from the pillow, and peered about me at the
+dark. What it was I could not conceive. I looked at the dim shapes
+around me, the greater and lesser darknesses that indicated curtains,
+table, fireplace, bookshelves, and so forth. Then I began to perceive
+something unfamiliar in the forms of the darkness. Had the bed turned
+round? Yonder should be the bookshelves, and something shrouded and
+pallid rose there, something that would not answer to the bookshelves,
+however I looked at it. It was far too big to be my shirt thrown on a
+chair.
+
+Overcoming a childish terror, I threw back the bedclothes and thrust my
+leg out of bed. Instead of coming out of my truckle-bed upon the floor,
+I found my foot scarcely reached the edge of the mattress. I made
+another step, as it were, and sat up on the edge of the bed. By the
+side of my bed should be the candle, and the matches upon the broken
+chair. I put out my hand and touched--nothing. I waved my hand in the
+darkness, and it came against some heavy hanging, soft and thick in
+texture, which gave a rustling noise at my touch. I grasped this and
+pulled it; it appeared to be a curtain suspended over the head of my
+bed.
+
+I was now thoroughly awake, and beginning to realise that I was
+in a strange room. I was puzzled. I tried to recall the overnight
+circumstances, and I found them now, curiously enough, vivid in my
+memory: the supper, my reception of the little packages, my wonder
+whether I was intoxicated, my slow undressing, the coolness to my
+flushed face of my pillow. I felt a sudden distrust. Was that last
+night, or the night before? At anyrate, this room was strange to
+me, and I could not imagine how I had got into it. The dim, pallid
+outline was growing paler, and I perceived it was a window, with the
+dark shape of an oval toilet-glass against the weak intimation of the
+dawn that filtered through the blind. I stood up, and was surprised
+by a curious feeling of weakness and unsteadiness. With trembling
+hands outstretched, I walked slowly towards the window, getting,
+nevertheless, a bruise on the knee from a chair by the way. I fumbled
+round the glass, which was large, with handsome brass sconces, to find
+the blind-cord. I could not find any. By chance I took hold of the
+tassel, and with the click of a spring the blind ran up.
+
+I found myself looking out upon a scene that was altogether strange
+to me. The night was overcast, and through the flocculent grey of
+the heaped clouds there filtered a faint half-light of dawn. Just at
+the edge of the sky, the cloud-canopy had a blood-red rim. Below,
+everything was dark and indistinct, dim hills in the distance, a vague
+mass of buildings running up into pinnacles, trees like spilt ink, and
+below the window a tracery of black bushes and pale grey paths. It was
+so unfamiliar that for the moment I thought myself still dreaming. I
+felt the toilet-table; it appeared to be made of some polished wood,
+and was rather elaborately furnished--there were little cut-glass
+bottles and a brush upon it. There was also a queer little object,
+horse-shoe-shaped it felt, with smooth, hard projections, lying in a
+saucer. I could find no matches nor candlestick.
+
+I turned my eyes to the room again. Now the blind was up, faint
+spectres of its furnishing came out of the darkness. There was a huge
+curtained bed, and the fireplace at its foot had a large white mantel
+with something of the shimmer of marble.
+
+I leant against the toilet-table, shut my eyes and opened them again,
+and tried to think. The whole thing was far too real for dreaming. I
+was inclined to imagine there was still some hiatus in my memory, as a
+consequence of my draught of that strange liqueur; that I had come into
+my inheritance perhaps, and suddenly lost my recollection of everything
+since my good fortune had been announced. Perhaps if I waited a little,
+things would be clearer to me again. Yet my dinner with old Elvesham
+was now singularly vivid and recent. The champagne, the observant
+waiters, the powder, and the liqueurs--I could have staked my soul it
+all happened a few hours ago.
+
+And then occurred a thing so trivial and yet so terrible to me that I
+shiver now to think of that moment. I spoke aloud. I said, "How the
+devil did I get here?" ... _And the voice was not my own._
+
+It was not my own, it was thin, the articulation was slurred, the
+resonance of my facial bones was different. Then, to reassure myself
+I ran one hand over the other, and felt loose folds of skin, the
+bony laxity of age. "Surely," I said, in that horrible voice that
+had somehow established itself in my throat, "surely this thing is a
+dream!" Almost as quickly as if I did it involuntarily, I thrust my
+fingers into my mouth. My teeth had gone. My finger-tips ran on the
+flaccid surface of an even row of shrivelled gums. I was sick with
+dismay and disgust.
+
+I felt then a passionate desire to see myself, to realise at once in
+its full horror the ghastly change that had come upon me. I tottered to
+the mantel, and felt along it for matches. As I did so, a barking cough
+sprang up in my throat, and I clutched the thick flannel nightdress I
+found about me. There were no matches there, and I suddenly realised
+that my extremities were cold. Sniffing and coughing, whimpering a
+little, perhaps, I fumbled back to bed. "It is surely a dream," I
+whimpered to myself as I clambered back, "surely a dream." It was a
+senile repetition. I pulled the bedclothes over my shoulders, over my
+ears, I thrust my withered hand under the pillow, and determined to
+compose myself to sleep. Of course it was a dream. In the morning the
+dream would be over, and I should wake up strong and vigorous again to
+my youth and studies. I shut my eyes, breathed regularly, and, finding
+myself wakeful, began to count slowly through the powers of three.
+
+But the thing I desired would not come. I could not get to sleep.
+And the persuasion of the inexorable reality of the change that had
+happened to me grew steadily. Presently I found myself with my eyes
+wide open, the powers of three forgotten, and my skinny fingers upon
+my shrivelled gums. I was, indeed, suddenly and abruptly, an old man.
+I had in some unaccountable manner fallen through my life and come to
+old age, in some way I had been cheated of all the best of my life, of
+love, of struggle, of strength, and hope. I grovelled into the pillow
+and tried to persuade myself that such hallucination was possible.
+Imperceptibly, steadily, the dawn grew clearer.
+
+At last, despairing of further sleep, I sat up in bed and looked
+about me. A chill twilight rendered the whole chamber visible. It
+was spacious and well-furnished, better furnished than any room I
+had ever slept in before. A candle and matches became dimly visible
+upon a little pedestal in a recess. I threw back the bedclothes,
+and, shivering with the rawness of the early morning, albeit it was
+summer-time, I got out and lit the candle. Then, trembling horribly,
+so that the extinguisher rattled on its spike, I tottered to the glass
+and saw--_Elvesham's face!_ It was none the less horrible because I
+had already dimly feared as much. He had already seemed physically
+weak and pitiful to me, but seen now, dressed only in a coarse flannel
+nightdress that fell apart and showed the stringy neck, seen now as
+my own body, I cannot describe its desolate decrepitude. The hollow
+cheeks, the straggling tail of dirty grey hair, the rheumy bleared
+eyes, the quivering, shrivelled lips, the lower displaying a gleam of
+the pink interior lining, and those horrible dark gums showing. You
+who are mind and body together, at your natural years, cannot imagine
+what this fiendish imprisonment meant to me. To be young and full of
+the desire and energy of youth, and to be caught, and presently to be
+crushed in this tottering ruin of a body....
+
+But I wander from the course of my story. For some time I must have
+been stunned at this change that had come upon me. It was daylight when
+I did so far gather myself together as to think. In some inexplicable
+way I had been changed, though how, short of magic, the thing had been
+done, I could not say. And as I thought, the diabolical ingenuity of
+Elvesham came home to me. It seemed plain to me that as I found myself
+in his, so he must be in possession of _my_ body, of my strength, that
+is, and my future. But how to prove it? Then, as I thought, the thing
+became so incredible, even to me, that my mind reeled, and I had to
+pinch myself, to feel my toothless gums, to see myself in the glass,
+and touch the things about me, before I could steady myself to face the
+facts again. Was all life hallucination? Was I indeed Elvesham, and he
+me? Had I been dreaming of Eden overnight? Was there any Eden? But if
+I was Elvesham, I should remember where I was on the previous morning,
+the name of the town in which I lived, what happened before the dream
+began. I struggled with my thoughts. I recalled the queer doubleness of
+my memories overnight. But now my mind was clear. Not the ghost of any
+memories but those proper to Eden could I raise.
+
+"This way lies insanity!" I cried in my piping voice. I staggered to my
+feet, dragged my feeble, heavy limbs to the washhand-stand, and plunged
+my grey head into a basin of cold water. Then, towelling myself, I
+tried again. It was no good. I felt beyond all question that I was
+indeed Eden, not Elvesham. But Eden in Elvesham's body!
+
+Had I been a man of any other age, I might have given myself up to my
+fate as one enchanted. But in these sceptical days miracles do not pass
+current. Here was some trick of psychology. What a drug and a steady
+stare could do, a drug and a steady stare, or some similar treatment,
+could surely undo. Men have lost their memories before. But to exchange
+memories as one does umbrellas! I laughed. Alas! not a healthy laugh,
+but a wheezing, senile titter. I could have fancied old Elvesham
+laughing at my plight, and a gust of petulant anger, unusual to me,
+swept across my feelings. I began dressing eagerly in the clothes I
+found lying about on the floor, and only realised when I was dressed
+that it was an evening suit I had assumed. I opened the wardrobe
+and found some more ordinary clothes, a pair of plaid trousers, and
+an old-fashioned dressing-gown. I put a venerable smoking-cap on my
+venerable head, and, coughing a little from my exertions, tottered out
+upon the landing.
+
+It was then, perhaps, a quarter to six, and the blinds were closely
+drawn and the house quite silent. The landing was a spacious one, a
+broad, richly-carpeted staircase went down into the darkness of the
+hall below, and before me a door ajar showed me a writing-desk, a
+revolving bookcase, the back of a study chair, and a fine array of
+bound books, shelf upon shelf.
+
+"My study," I mumbled, and walked across the landing. Then at the sound
+of my voice a thought struck me, and I went back to the bedroom and put
+in the set of false teeth. They slipped in with the ease of old habit.
+"That's better," said I, gnashing them, and so returned to the study.
+
+The drawers of the writing-desk were locked. Its revolving top was also
+locked. I could see no indications of the keys, and there were none in
+the pockets of my trousers. I shuffled back at once to the bedroom,
+and went through the dress suit, and afterwards the pockets of all the
+garments I could find. I was very eager, and one might have imagined
+that burglars had been at work, to see my room when I had done. Not
+only were there no keys to be found, but not a coin, nor a scrap of
+paper--save only the receipted bill of the overnight dinner.
+
+A curious weariness asserted itself. I sat down and stared at the
+garments flung here and there, their pockets turned inside out. My
+first frenzy had already flickered out. Every moment I was beginning
+to realise the immense intelligence of the plans of my enemy, to see
+more and more clearly the hopelessness of my position. With an effort I
+rose and hurried hobbling into the study again. On the staircase was a
+housemaid pulling up the blinds. She stared, I think, at the expression
+of my face. I shut the door of the study behind me, and, seizing a
+poker, began an attack upon the desk. That is how they found me. The
+cover of the desk was split, the lock smashed, the letters torn out of
+the pigeon-holes and tossed about the room. In my senile rage I had
+flung about the pens and other such light stationery, and overturned
+the ink. Moreover, a large vase upon the mantel had got broken--I do
+not know how. I could find no cheque-book, no money, no indications of
+the slightest use for the recovery of my body. I was battering madly at
+the drawers, when the butler, backed by two women-servants, intruded
+upon me.
+
+ * * * * *
+
+That simply is the story of my change. No one will believe my frantic
+assertions. I am treated as one demented, and even at this moment I
+am under restraint. But I am sane, absolutely sane, and to prove it I
+have sat down to write this story minutely as the things happened to
+me. I appeal to the reader, whether there is any trace of insanity in
+the style or method of the story he has been reading. I am a young man
+locked away in an old man's body. But the clear fact is incredible to
+everyone. Naturally I appear demented to those who will not believe
+this, naturally I do not know the names of my secretaries, of the
+doctors who come to see me, of my servants and neighbours, of this
+town (wherever it is) where I find myself. Naturally I lose myself in
+my own house, and suffer inconveniences of every sort. Naturally I ask
+the oddest questions. Naturally I weep and cry out, and have paroxysms
+of despair. I have no money and no cheque-book. The bank will not
+recognise my signature, for I suppose that, allowing for the feeble
+muscles I now have, my handwriting is still Eden's. These people about
+me will not let me go to the bank personally. It seems, indeed, that
+there is no bank in this town, and that I have an account in some part
+of London. It seems that Elvesham kept the name of his solicitor secret
+from all his household--I can ascertain nothing. Elvesham was, of
+course, a profound student of mental science, and all my declarations
+of the facts of the case merely confirm the theory that my insanity
+is the outcome of overmuch brooding upon psychology. Dreams of the
+personal identity indeed! Two days ago I was a healthy youngster,
+with all life before me; now I am a furious old man, unkempt, and
+desperate, and miserable, prowling about a great luxurious strange
+house, watched, feared, and avoided as a lunatic by everyone about me.
+And in London is Elvesham beginning life again in a vigorous body, and
+with all the accumulated knowledge and wisdom of threescore and ten. He
+has stolen my life.
+
+What has happened I do not clearly know. In the study are volumes
+of manuscript notes referring chiefly to the psychology of memory,
+and parts of what may be either calculations or ciphers in symbols
+absolutely strange to me. In some passages there are indications that
+he was also occupied with the philosophy of mathematics. I take it he
+has transferred the whole of his memories, the accumulation that makes
+up his personality, from this old withered brain of his to mine, and,
+similarly, that he has transferred mine to his discarded tenement.
+Practically, that is, he has changed bodies. But how such a change
+may be possible is without the range of my philosophy. I have been a
+materialist for all my thinking life, but here, suddenly, is a clear
+case of man's detachability from matter.
+
+One desperate experiment I am about to try. I sit writing here
+before putting the matter to issue. This morning, with the help of a
+table-knife that I had secreted at breakfast, I succeeded in breaking
+open a fairly obvious secret drawer in this wrecked writing-desk. I
+discovered nothing save a little green glass phial containing a white
+powder. Round the neck of the phial was a label, and thereon was
+written this one word, "_Release_." This may be--is most probably,
+poison. I can understand Elvesham placing poison in my way, and I
+should be sure that it was his intention so to get rid of the only
+living witness against him, were it not for this careful concealment.
+The man has practically solved the problem of immortality. Save for the
+spite of chance, he will live in my body until it has aged, and then,
+again, throwing that aside, he will assume some other victim's youth
+and strength. When one remembers his heartlessness, it is terrible to
+think of the ever-growing experience, that.... How long has he been
+leaping from body to body?... But I tire of writing. The powder appears
+to be soluble in water. The taste is not unpleasant.
+
+ * * * * *
+
+There the narrative found upon Mr. Elvesham's desk ends. His dead body
+lay between the desk and the chair. The latter had been pushed back,
+probably by his last convulsions. The story was written in pencil,
+and in a crazy hand, quite unlike his usual minute characters. There
+remain only two curious facts to record. Indisputably there was some
+connection between Eden and Elvesham, since the whole of Elvesham's
+property was bequeathed to the young man. But he never inherited. When
+Elvesham committed suicide, Eden was, strangely enough, already dead.
+Twenty-four hours before, he had been knocked down by a cab and killed
+instantly, at the crowded crossing at the intersection of Gower Street
+and Euston Road. So that the only human being who could have thrown
+light upon this fantastic narrative is beyond the reach of questions.
+Without further comment I leave this extraordinary matter to the
+reader's individual judgment.
+
+
+
+
+IN THE ABYSS
+
+
+The lieutenant stood in front of the steel sphere and gnawed a piece of
+pine splinter. "What do you think of it, Steevens?" he asked.
+
+"It's an idea," said Steevens, in the tone of one who keeps an open
+mind.
+
+"I believe it will smash--flat," said the lieutenant.
+
+"He seems to have calculated it all out pretty well," said Steevens,
+still impartial.
+
+"But think of the pressure," said the lieutenant. "At the surface
+of the water it's fourteen pounds to the inch, thirty feet down
+it's double that; sixty, treble; ninety, four times; nine hundred,
+forty times; five thousand, three hundred--that's a mile--it's two
+hundred and forty times fourteen pounds; that's--let's see--thirty
+hundredweight--a ton and a half, Steevens; _a ton and a half_ to the
+square inch. And the ocean where he's going is five miles deep. That's
+seven and a half"--
+
+"Sounds a lot," said Steevens, "but it's jolly thick steel."
+
+The lieutenant made no answer, but resumed his pine splinter. The
+object of their conversation was a huge ball of steel, having an
+exterior diameter of perhaps nine feet. It looked like the shot
+for some Titanic piece of artillery. It was elaborately nested in a
+monstrous scaffolding built into the framework of the vessel, and
+the gigantic spars that were presently to sling it overboard gave
+the stern of the ship an appearance that had raised the curiosity
+of every decent sailor who had sighted it, from the Pool of London
+to the Tropic of Capricorn. In two places, one above the other, the
+steel gave place to a couple of circular windows of enormously thick
+glass, and one of these, set in a steel frame of great solidity, was
+now partially unscrewed. Both the men had seen the interior of this
+globe for the first time that morning. It was elaborately padded with
+air cushions, with little studs sunk between bulging pillows to work
+the simple mechanism of the affair. Everything was elaborately padded,
+even the Myers apparatus which was to absorb carbonic acid and replace
+the oxygen inspired by its tenant, when he had crept in by the glass
+manhole, and had been screwed in. It was so elaborately padded that a
+man might have been fired from a gun in it with perfect safety. And it
+had need to be, for presently a man was to crawl in through that glass
+manhole, to be screwed up tightly, and to be flung overboard, and to
+sink down--down--down, for five miles, even as the lieutenant said. It
+had taken the strongest hold of his imagination; it made him a bore at
+mess; and he found Steevens, the new arrival aboard, a godsend to talk
+to about it, over and over again.
+
+"It's my opinion," said the lieutenant, "that that glass will simply
+bend in and bulge and smash, under a pressure of that sort. Daubrée
+has made rocks run like water under big pressures--and, you mark my
+words"--
+
+"If the glass did break in," said Steevens, "what then?"
+
+"The water would shoot in like a jet of iron. Have you ever felt a
+straight jet of high pressure water? It would hit as hard as a bullet.
+It would simply smash him and flatten him. It would tear down his
+throat, and into his lungs; it would blow in his ears"--
+
+"What a detailed imagination you have!" protested Steevens, who saw
+things vividly.
+
+"It's a simple statement of the inevitable," said the lieutenant.
+
+"And the globe?"
+
+"Would just give out a few little bubbles, and it would settle down
+comfortably against the day of judgment, among the oozes and the bottom
+clay--with poor Elstead spread over his own smashed cushions like
+butter over bread."
+
+He repeated this sentence as though he liked it very much. "Like butter
+over bread," he said.
+
+"Having a look at the jigger?" said a voice, and Elstead stood behind
+them, spick and span in white, with a cigarette between his teeth,
+and his eyes smiling out of the shadow of his ample hat-brim. "What's
+that about bread and butter, Weybridge? Grumbling as usual about the
+insufficient pay of naval officers? It won't be more than a day now
+before I start. We are to get the slings ready to-day. This clean sky
+and gentle swell is just the kind of thing for swinging off a dozen
+tons of lead and iron; isn't it?"
+
+"It won't affect you much," said Weybridge.
+
+"No. Seventy or eighty feet down, and I shall be there in a dozen
+seconds, there's not a particle moving, though the wind shriek itself
+hoarse up above, and the water lifts halfway to the clouds. No. Down
+there"-- He moved to the side of the ship and the other two followed
+him. All three leant forward on their elbows and stared down into the
+yellow-green water.
+
+"_Peace_," said Elstead, finishing his thought aloud.
+
+"Are you dead certain that clockwork will act?" asked Weybridge
+presently.
+
+"It has worked thirty-five times," said Elstead. "It's bound to work."
+
+"But if it doesn't?"
+
+"Why shouldn't it?"
+
+"I wouldn't go down in that confounded thing," said Weybridge, "for
+twenty thousand pounds."
+
+"Cheerful chap you are," said Elstead, and spat sociably at a bubble
+below.
+
+"I don't understand yet how you mean to work the thing," said Steevens.
+
+"In the first place, I'm screwed into the sphere," said Elstead, "and
+when I've turned the electric light off and on three times to show I'm
+cheerful, I'm swung out over the stern by that crane, with all those
+big lead sinkers slung below me. The top lead weight has a roller
+carrying a hundred fathoms of strong cord rolled up, and that's all
+that joins the sinkers to the sphere, except the slings that will be
+cut when the affair is dropped. We use cord rather than wire rope
+because it's easier to cut and more buoyant--necessary points, as you
+will see.
+
+"Through each of these lead weights you notice there is a hole, and
+an iron rod will be run through that and will project six feet on the
+lower side. If that rod is rammed up from below, it knocks up a lever
+and sets the clockwork in motion at the side of the cylinder on which
+the cord winds.
+
+"Very well. The whole affair is lowered gently into the water, and the
+slings are cut. The sphere floats,--with the air in it, it's lighter
+than water,--but the lead weights go down straight and the cord runs
+out. When the cord is all paid out, the sphere will go down too, pulled
+down by the cord."
+
+"But why the cord?" asked Steevens. "Why not fasten the weights
+directly to the sphere?"
+
+"Because of the smash down below. The whole affair will go rushing
+down, mile after mile, at a headlong pace at last. It would be knocked
+to pieces on the bottom if it wasn't for that cord. But the weights
+will hit the bottom, and directly they do, the buoyancy of the sphere
+will come into play. It will go on sinking slower and slower; come to a
+stop at last, and then begin to float upward again.
+
+"That's where the clockwork comes in. Directly the weights smash
+against the sea bottom, the rod will be knocked through and will kick
+up the clockwork, and the cord will be rewound on the reel. I shall be
+lugged down to the sea bottom. There I shall stay for half an hour,
+with the electric light on, looking about me. Then the clockwork
+will release a spring knife, the cord will be cut, and up I shall
+rush again, like a soda-water bubble. The cord itself will help the
+flotation."
+
+"And if you should chance to hit a ship?" said Weybridge.
+
+"I should come up at such a pace, I should go clean through it," said
+Elstead, "like a cannon ball. You needn't worry about that."
+
+"And suppose some nimble crustacean should wriggle into your
+clockwork"--
+
+"It would be a pressing sort of invitation for me to stop," said
+Elstead, turning his back on the water and staring at the sphere.
+
+ * * * * *
+
+They had swung Elstead overboard by eleven o'clock. The day was
+serenely bright and calm, with the horizon lost in haze. The electric
+glare in the little upper compartment beamed cheerfully three times.
+Then they let him down slowly to the surface of the water, and a sailor
+in the stern chains hung ready to cut the tackle that held the lead
+weights and the sphere together. The globe, which had looked so large
+on deck, looked the smallest thing conceivable under the stern of the
+ship. It rolled a little, and its two dark windows, which floated
+uppermost, seemed like eyes turned up in round wonderment at the people
+who crowded the rail. A voice wondered how Elstead liked the rolling.
+"Are you ready?" sang out the commander. "Ay, ay, sir!" "Then let her
+go!"
+
+The rope of the tackle tightened against the blade and was cut, and an
+eddy rolled over the globe in a grotesquely helpless fashion. Someone
+waved a handkerchief, someone else tried an ineffectual cheer, a middy
+was counting slowly, "Eight, nine, ten!" Another roll, then with a jerk
+and a splash the thing righted itself.
+
+It seemed to be stationary for a moment, to grow rapidly smaller, and
+then the water closed over it, and it became visible, enlarged by
+refraction and dimmer, below the surface. Before one could count three
+it had disappeared. There was a flicker of white light far down in the
+water, that diminished to a speck and vanished. Then there was nothing
+but a depth of water going down into blackness, through which a shark
+was swimming.
+
+Then suddenly the screw of the cruiser began to rotate, the water was
+crickled, the shark disappeared in a wrinkled confusion, and a torrent
+of foam rushed across the crystalline clearness that had swallowed up
+Elstead. "What's the idee?" said one A.B. to another.
+
+"We're going to lay off about a couple of miles, 'fear he should hit us
+when he comes up," said his mate.
+
+The ship steamed slowly to her new position. Aboard her almost everyone
+who was unoccupied remained watching the breathing swell into which
+the sphere had sunk. For the next half-hour it is doubtful if a word
+was spoken that did not bear directly or indirectly on Elstead. The
+December sun was now high in the sky, and the heat very considerable.
+
+"He'll be cold enough down there," said Weybridge. "They say that below
+a certain depth sea water's always just about freezing."
+
+"Where'll he come up?" asked Steevens. "I've lost my bearings."
+
+"That's the spot," said the commander, who prided himself on his
+omniscience. He extended a precise finger south-eastward. "And this, I
+reckon, is pretty nearly the moment," he said. "He's been thirty-five
+minutes."
+
+"How long does it take to reach the bottom of the ocean?" asked
+Steevens.
+
+"For a depth of five miles, and reckoning--as we did--an acceleration
+of two feet per second, both ways, is just about three-quarters of a
+minute."
+
+"Then he's overdue," said Weybridge.
+
+"Pretty nearly," said the commander. "I suppose it takes a few minutes
+for that cord of his to wind in."
+
+"I forgot that," said Weybridge, evidently relieved.
+
+And then began the suspense. A minute slowly dragged itself out, and no
+sphere shot out of the water. Another followed, and nothing broke the
+low oily swell. The sailors explained to one another that little point
+about the winding-in of the cord. The rigging was dotted with expectant
+faces. "Come up, Elstead!" called one hairy-chested salt impatiently,
+and the others caught it up, and shouted as though they were waiting
+for the curtain of a theatre to rise.
+
+The commander glanced irritably at them.
+
+"Of course, if the acceleration's less than two," he said, "he'll
+be all the longer. We aren't absolutely certain that was the proper
+figure. I'm no slavish believer in calculations."
+
+Steevens agreed concisely. No one on the quarter-deck spoke for a
+couple of minutes. Then Steevens' watchcase clicked.
+
+When, twenty-one minutes after, the sun reached the zenith, they were
+still waiting for the globe to reappear, and not a man aboard had
+dared to whisper that hope was dead. It was Weybridge who first gave
+expression to that realisation. He spoke while the sound of eight bells
+still hung in the air. "I always distrusted that window," he said quite
+suddenly to Steevens.
+
+"Good God!" said Steevens; "you don't think--?"
+
+"Well!" said Weybridge, and left the rest to his imagination.
+
+"I'm no great believer in calculations myself," said the commander
+dubiously, "so that I'm not altogether hopeless yet." And at midnight
+the gunboat was steaming slowly in a spiral round the spot where
+the globe had sunk, and the white beam of the electric light fled
+and halted and swept discontentedly onward again over the waste of
+phosphorescent waters under the little stars.
+
+"If his window hasn't burst and smashed him," said Weybridge, "then
+it's a cursed sight worse, for his clockwork has gone wrong, and he's
+alive now, five miles under our feet, down there in the cold and dark,
+anchored in that little bubble of his, where never a ray of light has
+shone or a human being lived, since the waters were gathered together.
+He's there without food, feeling hungry and thirsty and scared,
+wondering whether he'll starve or stifle. Which will it be? The Myers
+apparatus is running out, I suppose. How long do they last?"
+
+"Good heavens!" he exclaimed; "what little things we are! What daring
+little devils! Down there, miles and miles of water--all water, and
+all this empty water about us and this sky. Gulfs!" He threw his hands
+out, and as he did so, a little white streak swept noiselessly up the
+sky, travelled more slowly, stopped, became a motionless dot, as though
+a new star had fallen up into the sky. Then it went sliding back again
+and lost itself amidst the reflections of the stars and the white haze
+of the sea's phosphorescence.
+
+At the sight he stopped, arm extended and mouth open. He shut his
+mouth, opened it again, and waved his arms with an impatient gesture.
+Then he turned, shouted "El-stead ahoy!" to the first watch, and
+went at a run to Lindley and the search-light. "I saw him," he said.
+"Starboard there! His light's on, and he's just shot out of the water.
+Bring the light round. We ought to see him drifting, when he lifts on
+the swell."
+
+But they never picked up the explorer until dawn. Then they almost ran
+him down. The crane was swung out and a boat's crew hooked the chain
+to the sphere. When they had shipped the sphere, they unscrewed the
+manhole and peered into the darkness of the interior (for the electric
+light chamber was intended to illuminate the water about the sphere,
+and was shut off entirely from its general cavity).
+
+The air was very hot within the cavity, and the indiarubber at the lip
+of the manhole was soft. There was no answer to their eager questions
+and no sound of movement within. Elstead seemed to be lying motionless,
+crumpled up in the bottom of the globe. The ship's doctor crawled in
+and lifted him out to the men outside. For a moment or so they did not
+know whether Elstead was alive or dead. His face, in the yellow light
+of the ship's lamps, glistened with perspiration. They carried him down
+to his own cabin.
+
+He was not dead, they found, but in a state of absolute nervous
+collapse, and besides cruelly bruised. For some days he had to lie
+perfectly still. It was a week before he could tell his experiences.
+
+Almost his first words were that he was going down again. The sphere
+would have to be altered, he said, in order to allow him to throw off
+the cord if need be, and that was all. He had had the most marvellous
+experience. "You thought I should find nothing but ooze," he said. "You
+laughed at my explorations, and I've discovered a new world!" He told
+his story in disconnected fragments, and chiefly from the wrong end, so
+that it is impossible to re-tell it in his words. But what follows is
+the narrative of his experience.
+
+It began atrociously, he said. Before the cord ran out, the thing kept
+rolling over. He felt like a frog in a football. He could see nothing
+but the crane and the sky overhead, with an occasional glimpse of the
+people on the ship's rail. He couldn't tell a bit which way the thing
+would roll next. Suddenly he would find his feet going up, and try to
+step, and over he went rolling, head over heels, and just anyhow, on
+the padding. Any other shape would have been more comfortable, but
+no other shape was to be relied upon under the huge pressure of the
+nethermost abyss.
+
+Suddenly the swaying ceased; the globe righted, and when he had
+picked himself up, he saw the water all about him greeny-blue, with
+an attenuated light filtering down from above, and a shoal of little
+floating things went rushing up past him, as it seemed to him, towards
+the light. And even as he looked, it grew darker and darker, until
+the water above was as dark as the midnight sky, albeit of a greener
+shade, and the water below black. And little transparent things in the
+water developed a faint glint of luminosity, and shot past him in faint
+greenish streaks.
+
+And the feeling of falling! It was just like the start of a lift, he
+said, only it kept on. One has to imagine what that means, that keeping
+on. It was then of all times that Elstead repented of his adventure. He
+saw the chances against him in an altogether new light. He thought of
+the big cuttlefish people knew to exist in the middle waters, the kind
+of things they find half digested in whales at times, or floating dead
+and rotten and half eaten by fish. Suppose one caught hold and wouldn't
+let go. And had the clockwork really been sufficiently tested? But
+whether he wanted to go on or to go back mattered not the slightest now.
+
+In fifty seconds everything was as black as night outside, except where
+the beam from his light struck through the waters, and picked out every
+now and then some fish or scrap of sinking matter. They flashed by too
+fast for him to see what they were. Once he thinks he passed a shark.
+And then the sphere began to get hot by friction against the water.
+They had underestimated this, it seems.
+
+The first thing he noticed was that he was perspiring, and then he
+heard a hissing growing louder under his feet, and saw a lot of little
+bubbles--very little bubbles they were--rushing upward like a fan
+through the water outside. Steam! He felt the window, and it was hot.
+He turned on the minute glow-lamp that lit his own cavity, looked at
+the padded watch by the studs, and saw he had been travelling now for
+two minutes. It came into his head that the window would crack through
+the conflict of temperatures, for he knew the bottom water is very near
+freezing.
+
+Then suddenly the floor of the sphere seemed to press against his feet,
+the rush of bubbles outside grew slower and slower, and the hissing
+diminished. The sphere rolled a little. The window had not cracked,
+nothing had given, and he knew that the dangers of sinking, at anyrate,
+were over.
+
+In another minute or so he would be on the floor of the abyss. He
+thought, he said, of Steevens and Weybridge and the rest of them five
+miles overhead, higher to him than the very highest clouds that ever
+floated over land are to us, steaming slowly and staring down and
+wondering what had happened to him.
+
+He peered out of the window. There were no more bubbles now, and the
+hissing had stopped. Outside there was a heavy blackness--as black as
+black velvet--except where the electric light pierced the empty water
+and showed the colour of it--a yellow-green. Then three things like
+shapes of fire swam into sight, following each other through the water.
+Whether they were little and near or big and far off he could not tell.
+
+Each was outlined in a bluish light almost as bright as the lights of
+a fishing smack, a light which seemed to be smoking greatly, and all
+along the sides of them were specks of this, like the lighter portholes
+of a ship. Their phosphorescence seemed to go out as they came into
+the radiance of his lamp, and he saw then that they were little fish
+of some strange sort, with huge heads, vast eyes, and dwindling bodies
+and tails. Their eyes were turned towards him, and he judged they were
+following him down. He supposed they were attracted by his glare.
+
+Presently others of the same sort joined them. As he went on down,
+he noticed that the water became of a pallid colour, and that little
+specks twinkled in his ray like motes in a sunbeam. This was probably
+due to the clouds of ooze and mud that the impact of his leaden sinkers
+had disturbed.
+
+By the time he was drawn down to the lead weights he was in a dense fog
+of white that his electric light failed altogether to pierce for more
+than a few yards, and many minutes elapsed before the hanging sheets
+of sediment subsided to any extent. Then, lit by his light and by the
+transient phosphorescence of a distant shoal of fishes, he was able to
+see under the huge blackness of the super-incumbent water an undulating
+expanse of greyish-white ooze, broken here and there by tangled
+thickets of a growth of sea lilies, waving hungry tentacles in the air.
+
+Farther away were the graceful, translucent outlines of a group of
+gigantic sponges. About this floor there were scattered a number of
+bristling flattish tufts of rich purple and black, which he decided
+must be some sort of sea-urchin, and small, large-eyed or blind things
+having a curious resemblance, some to woodlice, and others to lobsters,
+crawled sluggishly across the track of the light and vanished into the
+obscurity again, leaving furrowed trails behind them.
+
+Then suddenly the hovering swarm of little fishes veered about and came
+towards him as a flight of starlings might do. They passed over him
+like a phosphorescent snow, and then he saw behind them some larger
+creature advancing towards the sphere.
+
+At first he could see it only dimly, a faintly moving figure remotely
+suggestive of a walking man, and then it came into the spray of light
+that the lamp shot out. As the glare struck it, it shut its eyes,
+dazzled. He stared in rigid astonishment.
+
+It was a strange vertebrated animal. Its dark purple head was dimly
+suggestive of a chameleon, but it had such a high forehead and such a
+braincase as no reptile ever displayed before; the vertical pitch of
+its face gave it a most extraordinary resemblance to a human being.
+
+Two large and protruding eyes projected from sockets in chameleon
+fashion, and it had a broad reptilian mouth with horny lips beneath its
+little nostrils. In the position of the ears were two huge gill-covers,
+and out of these floated a branching tree of coralline filaments,
+almost like the tree-like gills that very young rays and sharks possess.
+
+But the humanity of the face was not the most extraordinary thing about
+the creature. It was a biped; its almost globular body was poised on a
+tripod of two frog-like legs and a long thick tail, and its fore limbs,
+which grotesquely caricatured the human hand, much as a frog's do,
+carried a long shaft of bone, tipped with copper. The colour of the
+creature was variegated; its head, hands, and legs were purple; but
+its skin, which hung loosely upon it, even as clothes might do, was a
+phosphorescent grey. And it stood there blinded by the light.
+
+At last this unknown creature of the abyss blinked its eyes open,
+and, shading them with its disengaged hand, opened its mouth and gave
+vent to a shouting noise, articulate almost as speech might be, that
+penetrated even the steel case and padded jacket of the sphere. How a
+shouting may be accomplished without lungs Elstead does not profess to
+explain. It then moved sideways out of the glare into the mystery of
+shadow that bordered it on either side, and Elstead felt rather than
+saw that it was coming towards him. Fancying the light had attracted
+it, he turned the switch that cut off the current. In another moment
+something soft dabbed upon the steel, and the globe swayed.
+
+Then the shouting was repeated, and it seemed to him that a distant
+echo answered it. The dabbing recurred, and the globe swayed and ground
+against the spindle over which the wire was rolled. He stood in the
+blackness and peered out into the everlasting night of the abyss.
+And presently he saw, very faint and remote, other phosphorescent
+quasi-human forms hurrying towards him.
+
+Hardly knowing what he did, he felt about in his swaying prison for
+the stud of the exterior electric light, and came by accident against
+his own small glow-lamp in its padded recess. The sphere twisted, and
+then threw him down; he heard shouts like shouts of surprise, and when
+he rose to his feet, he saw two pairs of stalked eyes peering into the
+lower window and reflecting his light.
+
+In another moment hands were dabbing vigorously at his steel casing,
+and there was a sound, horrible enough in his position, of the metal
+protection of the clockwork being vigorously hammered. That, indeed,
+sent his heart into his mouth, for if these strange creatures succeeded
+in stopping that, his release would never occur. Scarcely had he
+thought as much when he felt the sphere sway violently, and the floor
+of it press hard against his feet. He turned off the small glow-lamp
+that lit the interior, and sent the ray of the large light in the
+separate compartment out into the water. The sea-floor and the man-like
+creatures had disappeared, and a couple of fish chasing each other
+dropped suddenly by the window.
+
+He thought at once that these strange denizens of the deep sea had
+broken the rope, and that he had escaped. He drove up faster and
+faster, and then stopped with a jerk that sent him flying against the
+padded roof of his prison. For half a minute, perhaps, he was too
+astonished to think.
+
+Then he felt that the sphere was spinning slowly, and rocking, and
+it seemed to him that it was also being drawn through the water. By
+crouching close to the window, he managed to make his weight effective
+and roll that part of the sphere downward, but he could see nothing
+save the pale ray of his light striking down ineffectively into the
+darkness. It occurred to him that he would see more if he turned the
+lamp off, and allowed his eyes to grow accustomed to the profound
+obscurity.
+
+In this he was wise. After some minutes the velvety blackness became a
+translucent blackness, and then, far away, and as faint as the zodiacal
+light of an English summer evening, he saw shapes moving below. He
+judged these creatures had detached his cable, and were towing him
+along the sea bottom.
+
+And then he saw something faint and remote across the undulations of
+the submarine plain, a broad horizon of pale luminosity that extended
+this way and that way as far as the range of his little window
+permitted him to see. To this he was being towed, as a balloon might be
+towed by men out of the open country into a town. He approached it very
+slowly, and very slowly the dim irradiation was gathered together into
+more definite shapes.
+
+It was nearly five o'clock before he came over this luminous area, and
+by that time he could make out an arrangement suggestive of streets
+and houses grouped about a vast roofless erection that was grotesquely
+suggestive of a ruined abbey. It was spread out like a map below him.
+The houses were all roofless enclosures of walls, and their substance
+being, as he afterwards saw, of phosphorescent bones, gave the place an
+appearance as if it were built of drowned moonshine.
+
+Among the inner caves of the place waving trees of crinoid stretched
+their tentacles, and tall, slender, glassy sponges shot like shining
+minarets and lilies of filmy light out of the general glow of the
+city. In the open spaces of the place he could see a stirring movement
+as of crowds of people, but he was too many fathoms above them to
+distinguish the individuals in those crowds.
+
+Then slowly they pulled him down, and as they did so, the details of
+the place crept slowly upon his apprehension. He saw that the courses
+of the cloudy buildings were marked out with beaded lines of round
+objects, and then he perceived that at several points below him, in
+broad open spaces, were forms like the encrusted shapes of ships.
+
+Slowly and surely he was drawn down, and the forms below him became
+brighter, clearer, more distinct. He was being pulled down, he
+perceived, towards the large building in the centre of the town, and he
+could catch a glimpse ever and again of the multitudinous forms that
+were lugging at his cord. He was astonished to see that the rigging of
+one of the ships, which formed such a prominent feature of the place,
+was crowded with a host of gesticulating figures regarding him, and
+then the walls of the great building rose about him silently, and hid
+the city from his eyes.
+
+And such walls they were, of water-logged wood, and twisted wire-rope,
+and iron spars, and copper, and the bones and skulls of dead men. The
+skulls ran in zigzag lines and spirals and fantastic curves over the
+building; and in and out of their eye-sockets, and over the whole
+surface of the place, lurked and played a multitude of silvery little
+fishes.
+
+Suddenly his ears were filled with a low shouting and a noise like the
+violent blowing of horns, and this gave place to a fantastic chant.
+Down the sphere sank, past the huge pointed windows, through which he
+saw vaguely a great number of these strange, ghostlike people regarding
+him, and at last he came to rest, as it seemed, on a kind of altar that
+stood in the centre of the place.
+
+And now he was at such a level that he could see these strange people
+of the abyss plainly once more. To his astonishment, he perceived that
+they were prostrating themselves before him, all save one, dressed as
+it seemed in a robe of placoid scales, and crowned with a luminous
+diadem, who stood with his reptilian mouth opening and shutting, as
+though he led the chanting of the worshippers.
+
+A curious impulse made Elstead turn on his small glow-lamp again, so
+that he became visible to these creatures of the abyss, albeit the
+glare made them disappear forthwith into night. At this sudden sight
+of him, the chanting gave place to a tumult of exultant shouts; and
+Elstead, being anxious to watch them, turned his light off again, and
+vanished from before their eyes. But for a time he was too blind to
+make out what they were doing, and when at last he could distinguish
+them, they were kneeling again. And thus they continued worshipping
+him, without rest or intermission, for the space of three hours.
+
+Most circumstantial was Elstead's account of this astounding city and
+its people, these people of perpetual night, who have never seen sun
+or moon or stars, green vegetation, nor any living, air-breathing
+creatures, who know nothing of fire, nor any light but the
+phosphorescent light of living things.
+
+Startling as is his story, it is yet more startling to find that
+scientific men, of such eminence as Adams and Jenkins, find nothing
+incredible in it. They tell me they see no reason why intelligent,
+water-breathing, vertebrated creatures, inured to a low temperature and
+enormous pressure, and of such a heavy structure, that neither alive
+nor dead would they float, might not live upon the bottom of the deep
+sea, and quite unsuspected by us, descendants like ourselves of the
+great Theriomorpha of the New Red Sandstone age.
+
+We should be known to them, however, as strange, meteoric creatures,
+wont to fall catastrophically dead out of the mysterious blackness of
+their watery sky. And not only we ourselves, but our ships, our metals,
+our appliances, would come raining down out of the night. Sometimes
+sinking things would smite down and crush them, as if it were the
+judgment of some unseen power above, and sometimes would come things of
+the utmost rarity or utility, or shapes of inspiring suggestion. One
+can understand, perhaps, something of their behaviour at the descent of
+a living man, if one thinks what a barbaric people might do, to whom an
+enhaloed, shining creature came suddenly out of the sky.
+
+At one time or another Elstead probably told the officers of the
+_Ptarmigan_ every detail of his strange twelve hours in the abyss. That
+he also intended to write them down is certain, but he never did, and
+so unhappily we have to piece together the discrepant fragments of his
+story from the reminiscences of Commander Simmons, Weybridge, Steevens,
+Lindley, and the others.
+
+We see the thing darkly in fragmentary glimpses--the huge ghostly
+building, the bowing, chanting people, with their dark chameleon-like
+heads and faintly luminous clothing, and Elstead, with his light turned
+on again, vainly trying to convey to their minds that the cord by which
+the sphere was held was to be severed. Minute after minute slipped
+away, and Elstead, looking at his watch, was horrified to find that he
+had oxygen only for four hours more. But the chant in his honour kept
+on as remorselessly as if it was the marching song of his approaching
+death.
+
+The manner of his release he does not understand, but to judge by the
+end of cord that hung from the sphere, it had been cut through by
+rubbing against the edge of the altar. Abruptly the sphere rolled over,
+and he swept up, out of their world, as an ethereal creature clothed
+in a vacuum would sweep through our own atmosphere back to its native
+ether again. He must have torn out of their sight as a hydrogen bubble
+hastens upward from our air. A strange ascension it must have seemed to
+them.
+
+The sphere rushed up with even greater velocity than, when weighted
+with the lead sinkers, it had rushed down. It became exceedingly hot.
+It drove up with the windows uppermost, and he remembers the torrent of
+bubbles frothing against the glass. Every moment he expected this to
+fly. Then suddenly something like a huge wheel seemed to be released
+in his head, the padded compartment began spinning about him, and he
+fainted. His next recollection was of his cabin, and of the doctor's
+voice.
+
+But that is the substance of the extraordinary story that Elstead
+related in fragments to the officers of the _Ptarmigan_. He promised to
+write it all down at a later date. His mind was chiefly occupied with
+the improvement of his apparatus, which was effected at Rio.
+
+It remains only to tell that on February 2, 1896, he made his second
+descent into the ocean abyss, with the improvements his first
+experience suggested. What happened we shall probably never know.
+He never returned. The _Ptarmigan_ beat about over the point of his
+submersion, seeking him in vain for thirteen days. Then she returned to
+Rio, and the news was telegraphed to his friends. So the matter remains
+for the present. But it is hardly probable that no further attempt
+will be made to verify his strange story of these hitherto unsuspected
+cities of the deep sea.
+
+
+
+
+THE APPLE
+
+
+"I must get rid of it," said the man in the corner of the carriage,
+abruptly breaking the silence.
+
+Mr. Hinchcliff looked up, hearing imperfectly. He had been lost in
+the rapt contemplation of the college cap tied by a string to his
+portmanteau handles--the outward and visible sign of his newly-gained
+pedagogic position--in the rapt appreciation of the college cap and
+the pleasant anticipations it excited. For Mr. Hinchcliff had just
+matriculated at London University, and was going to be junior assistant
+at the Holmwood Grammar School--a very enviable position. He stared
+across the carriage at his fellow-traveller.
+
+"Why not give it away?" said this person. "Give it away! Why not?"
+
+He was a tall, dark, sunburnt man with a pale face. His arms were
+folded tightly, and his feet were on the seat in front of him. He was
+pulling at a lank black moustache. He stared hard at his toes.
+
+"Why not?" he said.
+
+Mr. Hinchcliff coughed.
+
+The stranger lifted his eyes--they were curious, dark-grey eyes--and
+stared blankly at Mr. Hinchcliff for the best part of a minute,
+perhaps. His expression grew to interest.
+
+"Yes," he said slowly. "Why not? And end it."
+
+"I don't quite follow you, I'm afraid," said Mr. Hinchcliff, with
+another cough.
+
+"You don't quite follow me?" said the stranger quite mechanically,
+his singular eyes wandering from Mr. Hinchcliff to the bag with its
+ostentatiously displayed cap, and back to Mr. Hinchcliff's downy face.
+
+"You're so abrupt, you know," apologised Mr Hinchcliff.
+
+"Why shouldn't I?" said the stranger, following his thoughts. "You are
+a student?" he said, addressing Mr. Hinchcliff.
+
+"I am--by Correspondence--of the London University," said Mr.
+Hinchcliff, with irrepressible pride, and feeling nervously at his tie.
+
+"In pursuit of knowledge," said the stranger, and suddenly took his
+feet off the seat, put his fist on his knees, and stared at Mr.
+Hinchcliff as though he had never seen a student before. "Yes," he
+said, and flung out an index finger. Then he rose, took a bag from
+the hat-rack, and unlocked it. Quite silently he drew out something
+round and wrapped in a quantity of silver-paper, and unfolded this
+carefully. He held it out towards Mr. Hinchcliff--a small, very smooth,
+golden-yellow fruit.
+
+Mr. Hinchcliff's eyes and mouth were open. He did not offer to take
+this object--if he was intended to take it.
+
+"That," said this fantastic stranger, speaking very slowly, "is the
+Apple of the Tree of Knowledge. Look at it--small, and bright, and
+wonderful--Knowledge--and I am going to give it to you."
+
+Mr. Hinchcliff's mind worked painfully for a minute, and then
+the sufficient explanation, "Mad!" flashed across his brain, and
+illuminated the whole situation. One humoured madmen. He put his head a
+little on one side.
+
+"The Apple of the Tree of Knowledge, eigh!" said Mr. Hinchcliff,
+regarding it with a finely assumed air of interest, and then looking
+at the interlocutor. "But don't you want to eat it yourself? And
+besides--how did you come by it?"
+
+"It never fades. I have had it now three months. And it is ever bright
+and smooth and ripe and desirable, as you see it." He laid his hand
+on his knee and regarded the fruit musingly. Then he began to wrap it
+again in the papers, as though he had abandoned his intention of giving
+it away.
+
+"But how did you come by it?" said Mr. Hinchcliff, who had his
+argumentative side. "And how do you know that it _is_ the Fruit of the
+Tree?"
+
+"I bought this fruit," said the stranger, "three months ago--for a
+drink of water and a crust of bread. The man who gave it to me--because
+I kept the life in him--was an Armenian. Armenia! that wonderful
+country, the first of all countries, where the ark of the Flood
+remains to this day, buried in the glaciers of Mount Ararat. This man,
+I say, fleeing with others from the Kurds who had come upon them,
+went up into desolate places among the mountains--places beyond the
+common knowledge of men. And fleeing from imminent pursuit, they
+came to a slope high among the mountain-peaks, green with a grass
+like knife-blades, that cut and slashed most pitilessly at anyone
+who went into it. The Kurds were close behind, and there was nothing
+for it but to plunge in, and the worst of it was that the paths they
+made through it at the price of their blood served for the Kurds to
+follow. Every one of the fugitives was killed save this Armenian and
+another. He heard the screams and cries of his friends, and the swish
+of the grass about those who were pursuing them--it was tall grass
+rising overhead. And then a shouting and answers, and when presently he
+paused, everything was still. He pushed out again, not understanding,
+cut and bleeding, until he came out on a steep slope of rocks below a
+precipice, and then he saw the grass was all on fire, and the smoke of
+it rose like a veil between him and his enemies."
+
+The stranger paused. "Yes?" said Mr. Hinchcliff. "Yes?"
+
+"There he was, all torn and bloody from the knife-blades of the grass,
+the rocks blazing under the afternoon sun--the sky molten brass--and
+the smoke of the fire driving towards him. He dared not stay there.
+Death he did not mind, but torture! Far away beyond the smoke he heard
+shouts and cries. Women screaming. So he went clambering up a gorge in
+the rocks--everywhere were bushes with dry branches that stuck out like
+thorns among the leaves--until he clambered over the brow of a ridge
+that hid him. And then he met his companion, a shepherd, who had also
+escaped. And, counting cold and famine and thirst as nothing against
+the Kurds, they went on into the heights, and among the snow and ice.
+They wandered three whole days.
+
+"The third day came the vision. I suppose hungry men often do see
+visions, but then there is this fruit." He lifted the wrapped globe in
+his hand. "And I have heard it, too, from other mountaineers who have
+known something of the legend. It was in the evening time, when the
+stars were increasing, that they came down a slope of polished rock
+into a huge dark valley all set about with strange, contorted trees,
+and in these trees hung little globes like glow-worm spheres, strange
+round yellow lights.
+
+"Suddenly this valley was lit far away, many miles away, far down it,
+with a golden flame marching slowly athwart it, that made the stunted
+trees against it black as night, and turned the slopes all about them
+and their figures to the likeness of fiery gold. And at the vision
+they, knowing the legends of the mountains, instantly knew that it was
+Eden they saw, or the sentinel of Eden, and they fell upon their faces
+like men struck dead.
+
+"When they dared to look again the valley was dark for a space, and
+then the light came again--returning, a burning amber.
+
+"At that the shepherd sprang to his feet, and with a shout began to run
+down towards the light, but the other man was too fearful to follow
+him. He stood stunned, amazed, and terrified, watching his companion
+recede towards the marching glare. And hardly had the shepherd set out
+when there came a noise like thunder, the beating of invisible wings
+hurrying up the valley, and a great and terrible fear; and at that
+the man who gave me the fruit turned--if he might still escape. And
+hurrying headlong up the slope again, with that tumult sweeping after
+him, he stumbled against one of these stunted bushes, and a ripe fruit
+came off it into his hand. This fruit. Forthwith, the wings and the
+thunder rolled all about him. He fell and fainted, and when he came to
+his senses, he was back among the blackened ruins of his own village,
+and I and the others were attending to the wounded. A vision? But the
+golden fruit of the tree was still clutched in his hand. There were
+others there who knew the legend, knew what that strange fruit might
+be." He paused. "And this is it," he said.
+
+It was a most extraordinary story to be told in a third-class carriage
+on a Sussex railway. It was as if the real was a mere veil to the
+fantastic, and here was the fantastic poking through. "Is it?" was all
+Mr. Hinchcliff could say.
+
+"The legend," said the stranger, "tells that those thickets of dwarfed
+trees growing about the garden sprang from the apple that Adam carried
+in his hand when he and Eve were driven forth. He felt something in
+his hand, saw the half-eaten apple, and flung it petulantly aside.
+And there they grow, in that desolate valley, girdled round with the
+everlasting snows, and there the fiery swords keep ward against the
+Judgment Day."
+
+"But I thought these things were"--Mr. Hinchcliff
+paused--"fables--parables rather. Do you mean to tell me that there in
+Armenia"--
+
+The stranger answered the unfinished question with the fruit in his
+open hand.
+
+"But you don't know," said Mr. Hinchcliff, "that that _is_ the fruit
+of the Tree of Knowledge. The man may have had--a sort of mirage, say.
+Suppose"--
+
+"Look at it," said the stranger.
+
+It was certainly a strange-looking globe, not really an apple, Mr.
+Hinchcliff saw, and a curious glowing golden colour, almost as though
+light itself was wrought into its substance. As he looked at it, he
+began to see more vividly the desolate valley among the mountains, the
+guarding swords of fire, the strange antiquities of the story he had
+just heard. He rubbed a knuckle into his eye. "But"--said he.
+
+"It has kept like that, smooth and full, three months. Longer than that
+it is now by some days. No drying, no withering, no decay."
+
+"And you yourself," said Mr. Hinchcliff, "really believe that"--
+
+"Is the Forbidden Fruit."
+
+There was no mistaking the earnestness of the man's manner and his
+perfect sanity. "The Fruit of Knowledge," he said.
+
+"Suppose it was?" said Mr. Hinchcliff, after a pause, still staring
+at it. "But after all," said Mr. Hinchcliff, "it's not my kind of
+knowledge--not the sort of knowledge. I mean, Adam and Eve have eaten
+it already."
+
+"We inherit their sins--not their knowledge," said the stranger.
+"That would make it all clear and bright again. We should see
+into everything, through everything, into the deepest meaning of
+everything"--
+
+"Why don't you eat it, then?" said Mr. Hinchcliff, with an inspiration.
+
+"I took it intending to eat it," said the stranger. "Man has fallen.
+Merely to eat again could scarcely"--
+
+"Knowledge is power," said Mr. Hinchcliff.
+
+"But is it happiness? I am older than you--more than twice as old.
+Time after time I have held this in my hand, and my heart has
+failed me at the thought of all that one might know, that terrible
+lucidity-- Suppose suddenly all the world became pitilessly clear?"
+
+"That, I think, would be a great advantage," said Mr. Hinchcliff, "on
+the whole."
+
+"Suppose you saw into the hearts and minds of everyone about you, into
+their most secret recesses--people you loved, whose love you valued?"
+
+"You'd soon find out the humbugs," said Mr. Hinchcliff, greatly struck
+by the idea.
+
+"And worse--to know yourself, bare of your most intimate illusions.
+To see yourself in your place. All that your lusts and weaknesses
+prevented your doing. No merciful perspective."
+
+"That might be an excellent thing too. 'Know thyself,' you know."
+
+"You are young," said the stranger.
+
+"If you don't care to eat it, and it bothers you, why don't you throw
+it away?"
+
+"There again, perhaps, you will not understand me. To me, how could one
+throw away a thing like that, glowing, wonderful? Once one has it, one
+is bound. But, on the other hand, to _give_ it away! To give it away
+to someone who thirsted after knowledge, who found no terror in the
+thought of that clear perception"--
+
+"Of course," said Mr. Hinchcliff thoughtfully, "it might be some sort
+of poisonous fruit."
+
+And then his eye caught something motionless, the end of a white board
+black-lettered outside the carriage window. "--MWOOD," he saw. He
+started convulsively. "Gracious!" said Mr. Hinchcliff. "Holmwood!"--and
+the practical present blotted out the mystic realisations that had been
+stealing upon him.
+
+In another moment he was opening the carriage-door, portmanteau in
+hand. The guard was already fluttering his green flag. Mr. Hinchcliff
+jumped out. "Here!" said a voice behind him, and he saw the dark eyes
+of the stranger shining and the golden fruit, bright and bare, held
+out of the open carriage-door. He took it instinctively, the train was
+already moving.
+
+"_No!_" shouted the stranger, and made a snatch at it as if to take it
+back.
+
+"Stand away," cried a country porter, thrusting forward to close the
+door. The stranger shouted something Mr. Hinchcliff did not catch, head
+and arm thrust excitedly out of the window, and then the shadow of the
+bridge fell on him, and in a trice he was hidden. Mr. Hinchcliff stood
+astonished, staring at the end of the last waggon receding round the
+bend, and with the wonderful fruit in his hand. For the fraction of
+a minute his mind was confused, and then he became aware that two or
+three people on the platform were regarding him with interest. Was he
+not the new Grammar School master making his début? It occurred to him
+that, so far as they could tell, the fruit might very well be the naïve
+refreshment of an orange. He flushed at the thought, and thrust the
+fruit into his side pocket, where it bulged undesirably. But there was
+no help for it, so he went towards them, awkwardly concealing his sense
+of awkwardness, to ask the way to the Grammar School, and the means of
+getting his portmanteau and the two tin boxes which lay up the platform
+thither. Of all the odd and fantastic yarns to tell a fellow!
+
+His luggage could be taken on a truck for sixpence, he found, and he
+could precede it on foot. He fancied an ironical note in the voices. He
+was painfully aware of his contour.
+
+The curious earnestness of the man in the train, and the glamour
+of the story he told, had, for a time, diverted the current of Mr.
+Hinchcliff's thoughts. It drove like a mist before his immediate
+concerns. Fires that went to and fro! But the preoccupation of his
+new position, and the impression he was to produce upon Holmwood
+generally, and the school people in particular, returned upon him with
+reinvigorating power before he left the station and cleared his mental
+atmosphere. But it is extraordinary what an inconvenient thing the
+addition of a soft and rather brightly-golden fruit, not three inches
+in diameter, may prove to a sensitive youth on his best appearance.
+In the pocket of his black jacket it bulged dreadfully, spoilt the
+lines altogether. He passed a little old lady in black, and he felt
+her eye drop upon the excrescence at once. He was wearing one glove
+and carrying the other, together with his stick, so that to bear the
+fruit openly was impossible. In one place, where the road into the
+town seemed suitably secluded, he took his encumbrance out of his
+pocket and tried it in his hat. It was just too large, the hat wobbled
+ludicrously, and just as he was taking it out again, a butcher's boy
+came driving round the corner.
+
+"Confound it!" said Mr. Hinchcliff.
+
+He would have eaten the thing, and attained omniscience there and
+then, but it would seem so silly to go into the town sucking a juicy
+fruit--and it certainly felt juicy. If one of the boys should come by,
+it might do him a serious injury with his discipline so to be seen.
+And the juice might make his face sticky and get upon his cuffs--or it
+might be an acid juice as potent as lemon, and take all the colour out
+of his clothes.
+
+Then round a bend in the lane came two pleasant sunlit girlish figures.
+They were walking slowly towards the town and chattering--at any
+moment they might look round and see a hot-faced young man behind them
+carrying a kind of phosphorescent yellow tomato! They would be sure to
+laugh.
+
+"_Hang!_" said Mr. Hinchcliff, and with a swift jerk sent the
+encumbrance flying over the stone wall of an orchard that there abutted
+on the road. As it vanished, he felt a faint twinge of loss that lasted
+scarcely a moment. He adjusted the stick and glove in his hand, and
+walked on, erect and self-conscious, to pass the girls.
+
+ * * * * *
+
+But in the darkness of the night Mr. Hinchcliff had a dream, and saw
+the valley, and the flaming swords, and the contorted trees, and knew
+that it really was the Apple of the Tree of Knowledge that he had
+thrown regardlessly away. And he awoke very unhappy.
+
+In the morning his regret had passed, but afterwards it returned and
+troubled him; never, however, when he was happy or busily occupied. At
+last, one moonlight night about eleven, when all Holmwood was quiet,
+his regrets returned with redoubled force, and therewith an impulse to
+adventure. He slipped out of the house and over the playground wall,
+went through the silent town to Station Lane, and climbed into the
+orchard where he had thrown the fruit. But nothing was to be found
+of it there among the dewy grass and the faint intangible globes of
+dandelion down.
+
+
+
+
+UNDER THE KNIFE
+
+
+"What if I die under it?" The thought recurred again and again, as I
+walked home from Haddon's. It was a purely personal question. I was
+spared the deep anxieties of a married man, and I knew there were few
+of my intimate friends but would find my death troublesome chiefly on
+account of their duty of regret. I was surprised indeed, and perhaps
+a little humiliated, as I turned the matter over, to think how few
+could possibly exceed the conventional requirement. Things came
+before me stripped of glamour, in a clear dry light, during that walk
+from Haddon's house over Primrose Hill. There were the friends of my
+youth: I perceived now that our affection was a tradition, which we
+foregathered rather laboriously to maintain. There were the rivals
+and helpers of my later career: I suppose I had been cold-blooded or
+undemonstrative--one perhaps implies the other. It may be that even the
+capacity for friendship is a question of physique. There had been a
+time in my own life when I had grieved bitterly enough at the loss of
+a friend; but as I walked home that afternoon the emotional side of my
+imagination was dormant. I could not pity myself, nor feel sorry for
+my friends, nor conceive of them as grieving for me.
+
+I was interested in this deadness of my emotional nature--no doubt
+a concomitant of my stagnating physiology; and my thoughts wandered
+off along the line it suggested. Once before, in my hot youth, I
+had suffered a sudden loss of blood, and had been within an ace of
+death. I remembered now that my affections as well as my passions had
+drained out of me, leaving scarce anything but a tranquil resignation,
+a dreg of self-pity. It had been weeks before the old ambitions,
+and tendernesses, and all the complex moral interplay of a man, had
+reasserted themselves. It occurred to me that the real meaning of
+this numbness might be a gradual slipping away from the pleasure-pain
+guidance of the animal man. It has been proven, I take it, as
+thoroughly as anything can be proven in this world, that the higher
+emotions, the moral feelings, even the subtle tendernesses of love, are
+evolved from the elemental desires and fears of the simple animal: they
+are the harness in which man's mental freedom goes. And it may be that,
+as death overshadows us, as our possibility of acting diminishes, this
+complex growth of balanced impulse, propensity, and aversion, whose
+interplay inspires our acts, goes with it. Leaving what?
+
+I was suddenly brought back to reality by an imminent collision with
+a butcher-boy's tray. I found that I was crossing the bridge over the
+Regent's Park Canal, which runs parallel with that in the Zoological
+Gardens. The boy in blue had been looking over his shoulder at a black
+barge advancing slowly, towed by a gaunt white horse. In the Gardens
+a nurse was leading three happy little children over the bridge. The
+trees were bright green; the spring hopefulness was still unstained by
+the dusts of summer; the sky in the water was bright and clear, but
+broken by long waves, by quivering bands of black, as the barge drove
+through. The breeze was stirring; but it did not stir me as the spring
+breeze used to do.
+
+Was this dulness of feeling in itself an anticipation? It was curious
+that I could reason and follow out a network of suggestion as clearly
+as ever: so, at least, it seemed to me. It was calmness rather than
+dulness that was coming upon me. Was there any ground for the belief in
+the presentiment of death? Did a man near to death begin instinctively
+to withdraw himself from the meshes of matter and sense, even before
+the cold hand was laid upon his? I felt strangely isolated--isolated
+without regret--from the life and existence about me. The children
+playing in the sun and gathering strength and experience for the
+business of life, the park-keeper gossiping with a nursemaid, the
+nursing mother, the young couple intent upon each other as they passed
+me, the trees by the wayside spreading new pleading leaves to the
+sunlight, the stir in their branches--I had been part of it all, but I
+had nearly done with it now.
+
+Some way down the Broad Walk I perceived that I was tired, and that my
+feet were heavy. It was hot that afternoon, and I turned aside and sat
+down on one of the green chairs that line the way. In a minute I had
+dozed into a dream, and the tide of my thoughts washed up a vision
+of the resurrection. I was still sitting in the chair, but I thought
+myself actually dead, withered, tattered, dried, one eye (I saw) pecked
+out by birds. "Awake!" cried a voice; and incontinently the dust of the
+path and the mould under the grass became insurgent. I had never before
+thought of Regent's Park as a cemetery, but now, through the trees,
+stretching as far as eye could see, I beheld a flat plain of writhing
+graves and heeling tombstones. There seemed to be some trouble: the
+rising dead appeared to stifle as they struggled upward, they bled in
+their struggles, the red flesh was tattered away from the white bones.
+"Awake!" cried a voice; but I determined I would not rise to such
+horrors. "Awake!" They would not let me alone. "Wike up!" said an angry
+voice. A cockney angel! The man who sells the tickets was shaking me,
+demanding my penny.
+
+I paid my penny, pocketed my ticket, yawned, stretched my legs, and,
+feeling now rather less torpid, got up and walked on towards Langham
+Place. I speedily lost myself again in a shifting maze of thoughts
+about death. Going across Marylebone Road into that crescent at the end
+of Langham Place, I had the narrowest escape from the shaft of a cab,
+and went on my way with a palpitating heart and a bruised shoulder. It
+struck me that it would have been curious if my meditations on my death
+on the morrow had led to my death that day.
+
+But I will not weary you with more of my experiences that day and
+the next. I knew more and more certainly that I should die under the
+operation; at times I think I was inclined to pose to myself. The
+doctors were coming at eleven, and I did not get up. It seemed scarce
+worth while to trouble about washing and dressing, and though I read
+my newspapers and the letters that came by the first post, I did not
+find them very interesting. There was a friendly note from Addison,
+my old school friend, calling my attention to two discrepancies and
+a printer's error in my new book, with one from Langridge venting
+some vexation over Minton. The rest were business communications. I
+breakfasted in bed. The glow of pain at my side seemed more massive.
+I knew it was pain, and yet, if you can understand, I did not find it
+very painful. I had been awake and hot and thirsty in the night, but in
+the morning bed felt comfortable. In the night-time I had lain thinking
+of things that were past; in the morning I dozed over the question of
+immortality. Haddon came, punctual to the minute, with a neat black
+bag; and Mowbray soon followed. Their arrival stirred me up a little. I
+began to take a more personal interest in the proceedings. Haddon moved
+the little octagonal table close to the bedside, and, with his broad
+black back to me, began taking things out of his bag. I heard the light
+click of steel upon steel. My imagination, I found, was not altogether
+stagnant. "Will you hurt me much?" I said in an off-hand tone.
+
+"Not a bit," Haddon answered over his shoulder. "We shall chloroform
+you. Your heart's as sound as a bell." And as he spoke, I had a whiff
+of the pungent sweetness of the anæsthetic.
+
+They stretched me out, with a convenient exposure of my side, and,
+almost before I realised what was happening, the chloroform was being
+administered. It stings the nostrils, and there is a suffocating
+sensation, at first. I knew I should die--that this was the end of
+consciousness for me. And suddenly I felt that I was not prepared for
+death: I had a vague sense of a duty overlooked--I knew not what. What
+was it I had not done? I could think of nothing more to do, nothing
+desirable left in life; and yet I had the strangest disinclination
+to death. And the physical sensation was painfully oppressive. Of
+course the doctors did not know they were going to kill me. Possibly
+I struggled. Then I fell motionless, and a great silence, a monstrous
+silence, and an impenetrable blackness came upon me.
+
+There must have been an interval of absolute unconsciousness,
+seconds or minutes. Then, with a chilly, unemotional clearness, I
+perceived that I was not yet dead. I was still in my body; but all the
+multitudinous sensations that come sweeping from it to make up the
+background of consciousness had gone, leaving me free of it all. No,
+not free of it all; for as yet something still held me to the poor
+stark flesh upon the bed--held me, yet not so closely that I did not
+feel myself external to it, independent of it, straining away from it.
+I do not think I saw, I do not think I heard; but I perceived all that
+was going on, and it was as if I both heard and saw. Haddon was bending
+over me, Mowbray behind me; the scalpel--it was a large scalpel--was
+cutting my flesh at the side under the flying ribs. It was interesting
+to see myself cut like cheese, without a pang, without even a qualm.
+The interest was much of a quality with that one might feel in a game
+of chess between strangers. Haddon's face was firm and his hand steady;
+but I was surprised to perceive (_how_ I know not) that he was feeling
+the gravest doubt as to his own wisdom in the conduct of the operation.
+
+Mowbray's thoughts, too, I could see. He was thinking that Haddon's
+manner showed too much of the specialist. New suggestions came up like
+bubbles through a stream of frothing meditation, and burst one after
+another in the little bright spot of his consciousness. He could not
+help noticing and admiring Haddon's swift dexterity, in spite of his
+envious quality and his disposition to detract. I saw my liver exposed.
+I was puzzled at my own condition. I did not feel that I was dead, but
+I was different in some way from my living self. The grey depression,
+that had weighed on me for a year or more and coloured all my thoughts,
+was gone. I perceived and thought without any emotional tint at all.
+I wondered if everyone perceived things in this way under chloroform,
+and forgot it again when he came out of it. It would be inconvenient to
+look into some heads, and not forget.
+
+Although I did not think that I was dead, I still perceived quite
+clearly that I was soon to die. This brought me back to the
+consideration of Haddon's proceedings. I looked into his mind, and
+saw that he was afraid of cutting a branch of the portal vein. My
+attention was distracted from details by the curious changes going on
+in his mind. His consciousness was like the quivering little spot of
+light which is thrown by the mirror of a galvanometer. His thoughts
+ran under it like a stream, some through the focus bright and distinct,
+some shadowy in the half-light of the edge. Just now the little glow
+was steady; but the least movement on Mowbray's part, the slightest
+sound from outside, even a faint difference in the slow movement of
+the living flesh he was cutting, set the light-spot shivering and
+spinning. A new sense-impression came rushing up through the flow of
+thoughts; and lo! the light-spot jerked away towards it, swifter than
+a frightened fish. It was wonderful to think that upon that unstable,
+fitful thing depended all the complex motions of the man; that for
+the next five minutes, therefore, my life hung upon its movements.
+And he was growing more and more nervous in his work. It was as if a
+little picture of a cut vein grew brighter, and struggled to oust from
+his brain another picture of a cut falling short of the mark. He was
+afraid: his dread of cutting too little was battling with his dread of
+cutting too far.
+
+Then, suddenly, like an escape of water from under a lock-gate, a
+great uprush of horrible realisation set all his thoughts swirling,
+and simultaneously I perceived that the vein was cut. He started back
+with a hoarse exclamation, and I saw the brown-purple blood gather
+in a swift bead, and run trickling. He was horrified. He pitched the
+red-stained scalpel on to the octagonal table; and instantly both
+doctors flung themselves upon me, making hasty and ill-conceived
+efforts to remedy the disaster. "Ice!" said Mowbray, gasping. But I
+knew that I was killed, though my body still clung to me.
+
+I will not describe their belated endeavours to save me, though I
+perceived every detail. My perceptions were sharper and swifter
+than they had ever been in life; my thoughts rushed through my mind
+with incredible swiftness, but with perfect definition. I can only
+compare their crowded clarity to the effects of a reasonable dose
+of opium. In a moment it would all be over, and I should be free. I
+knew I was immortal, but what would happen I did not know. Should I
+drift off presently, like a puff of smoke from a gun, in some kind of
+half-material body, an attenuated version of my material self? Should
+I find myself suddenly among the innumerable hosts of the dead, and
+know the world about me for the phantasmagoria it had always seemed?
+Should I drift to some spiritualistic _séance_, and there make foolish,
+incomprehensible attempts to affect a purblind medium? It was a
+state of unemotional curiosity, of colourless expectation. And then
+I realised a growing stress upon me, a feeling as though some huge
+human magnet was drawing me upward out of my body. The stress grew and
+grew. I seemed an atom for which monstrous forces were fighting. For
+one brief, terrible moment sensation came back to me. That feeling of
+falling headlong which comes in nightmares, that feeling a thousand
+times intensified, that and a black horror swept across my thoughts in
+a torrent. Then the two doctors, the naked body with its cut side, the
+little room, swept away from under me and vanished, as a speck of foam
+vanishes down an eddy.
+
+I was in mid-air. Far below was the West End of London, receding
+rapidly,--for I seemed to be flying swiftly upward,--and, as it
+receded, passing westward, like a panorama. I could see, through the
+faint haze of smoke, the innumerable roofs chimney-set, the narrow
+roadways, stippled with people and conveyances, the little specks
+of squares, and the church steeples like thorns sticking out of the
+fabric. But it spun away as the earth rotated on its axis, and in a
+few seconds (as it seemed) I was over the scattered clumps of town
+about Ealing, the little Thames a thread of blue to the south, and the
+Chiltern Hills and the North Downs coming up like the rim of a basin,
+far away and faint with haze. Up I rushed. And at first I had not the
+faintest conception what this headlong rush upward could mean.
+
+Every moment the circle of scenery beneath me grew wider and wider,
+and the details of town and field, of hill and valley, got more and
+more hazy and pale and indistinct, a luminous grey was mingled more
+and more with the blue of the hills and the green of the open meadows;
+and a little patch of cloud, low and far to the west, shone ever more
+dazzlingly white. Above, as the veil of atmosphere between myself and
+outer space grew thinner, the sky, which had been a fair springtime
+blue at first, grew deeper and richer in colour, passing steadily
+through the intervening shades, until presently it was as dark as
+the blue sky of midnight, and presently as black as the blackness of
+a frosty starlight, and at last as black as no blackness I had ever
+beheld. And first one star, and then many, and at last an innumerable
+host broke out upon the sky: more stars than anyone has ever seen from
+the face of the earth. For the blueness of the sky is the light of the
+sun and stars sifted and spread abroad blindingly: there is diffused
+light even in the darkest skies of winter, and we do not see the stars
+by day only because of the dazzling irradiation of the sun. But now I
+saw things--I know not how; assuredly with no mortal eyes--and that
+defect of bedazzlement blinded me no longer. The sun was incredibly
+strange and wonderful. The body of it was a disc of blinding white
+light: not yellowish, as it seems to those who live upon the earth, but
+livid white, all streaked with scarlet streaks and rimmed about with a
+fringe of writhing tongues of red fire. And, shooting half-way across
+the heavens from either side of it, and brighter than the Milky Way,
+were two pinions of silver-white, making it look more like those winged
+globes I have seen in Egyptian sculpture, than anything else I can
+remember upon earth. These I knew for the solar corona, though I had
+never seen anything of it but a picture during the days of my earthly
+life.
+
+When my attention came back to the earth again, I saw that it
+had fallen very far away from me. Field and town were long since
+indistinguishable, and all the varied hues of the country were merging
+into a uniform bright grey, broken only by the brilliant white of the
+clouds that lay scattered in flocculent masses over Ireland and the
+west of England. For now I could see the outlines of the north of
+France and Ireland, and all this island of Britain, save where Scotland
+passed over the horizon to the north, or where the coast was blurred
+or obliterated by cloud. The sea was a dull grey, and darker than the
+land; and the whole panorama was rotating slowly towards the east.
+
+All this had happened so swiftly that, until I was some thousand miles
+or so from the earth, I had no thought for myself. But now I perceived
+I had neither hands nor feet, neither parts nor organs, and that I felt
+neither alarm nor pain. All about me I perceived that the vacancy (for
+I had already left the air behind) was cold beyond the imagination of
+man; but it troubled me not. The sun's rays shot through the void,
+powerless to light or heat until they should strike on matter in their
+course. I saw things with a serene self-forgetfulness, even as if I
+were God. And down below there, rushing away from me,--countless miles
+in a second,--where a little dark spot on the grey marked the position
+of London, two doctors were struggling to restore life to the poor
+hacked and outworn shell I had abandoned. I felt then such release,
+such serenity as I can compare to no mortal delight I have ever known.
+
+It was only after I had perceived all these things that the meaning of
+that headlong rush of the earth grew into comprehension. Yet it was
+so simple, so obvious, that I was amazed at my never anticipating the
+thing that was happening to me. I had suddenly been cut adrift from
+matter: all that was material of me was there upon earth, whirling
+away through space, held to the earth by gravitation, partaking of the
+earth-inertia, moving in its wreath of epicycles round the sun, and
+with the sun and the planets on their vast march through space. But
+the immaterial has no inertia, feels nothing of the pull of matter
+for matter: where it parts from its garment of flesh, there it remains
+(so far as space concerns it any longer) immovable in space. I was not
+leaving the earth: the earth was leaving _me_, and not only the earth,
+but the whole solar system was streaming past. And about me in space,
+invisible to me, scattered in the wake of the earth upon its journey,
+there must be an innumerable multitude of souls, stripped like myself
+of the material, stripped like myself of the passions of the individual
+and the generous emotions of the gregarious brute, naked intelligences,
+things of newborn wonder and thought, marvelling at the strange release
+that had suddenly come on them!
+
+As I receded faster and faster from the strange white sun in the black
+heavens, and from the broad and shining earth upon which my being had
+begun, I seemed to grow, in some incredible manner, vast: vast as
+regards this world I had left, vast as regards the moments and periods
+of a human life. Very soon I saw the full circle of the earth, slightly
+gibbous, like the moon when she nears her full, but very large; and
+the silvery shape of America was now in the noonday blaze wherein (as
+it seemed) little England had been basking but a few minutes ago. At
+first the earth was large, and shone in the heavens, filling a great
+part of them; but every moment she grew smaller and more distant. As
+she shrunk, the broad moon in its third quarter crept into view over
+the rim of her disc. I looked for the constellations. Only that part of
+Aries directly behind the sun and the Lion, which the earth covered,
+were hidden. I recognised the tortuous, tattered band of the Milky
+Way, with Vega very bright between sun and earth; and Sirius and Orion
+shone splendid against the unfathomable blackness in the opposite
+quarter of the heavens. The Pole Star was overhead, and the Great Bear
+hung over the circle of the earth. And away beneath and beyond the
+shining corona of the sun were strange groupings of stars I had never
+seen in my life--notably, a dagger-shaped group that I knew for the
+Southern Cross. All these were no larger than when they had shone on
+earth; but the little stars that one scarce sees shone now against the
+setting of black vacancy as brightly as the first-magnitudes had done,
+while the larger worlds were points of indescribable glory and colour.
+Aldebaran was a spot of blood-red fire, and Sirius condensed to one
+point the light of a world of sapphires. And they shone steadily: they
+did not scintillate, they were calmly glorious. My impressions had an
+adamantine hardness and brightness: there was no blurring softness,
+no atmosphere, nothing but infinite darkness set with the myriads of
+these acute and brilliant points and specks of light. Presently, when
+I looked again, the little earth seemed no bigger than the sun, and
+it dwindled and turned as I looked, until, in a second's space (as it
+seemed to me), it was halved; and so it went on swiftly dwindling. Far
+away in the opposite direction, a little pinkish pin's head of light,
+shining steadily, was the planet Mars. I swam motionless in vacancy,
+and, without a trace of terror or astonishment, watched the speck of
+cosmic dust we call the world fall away from me.
+
+Presently it dawned upon me that my sense of duration had changed: that
+my mind was moving not faster but infinitely slower, that between each
+separate impression there was a period of many days. The moon spun once
+round the earth as I noted this; and I perceived clearly the motion of
+Mars in his orbit. Moreover, it appeared as if the time between thought
+and thought grew steadily greater, until at last a thousand years was
+but a moment in my perception.
+
+At first the constellations had shone motionless against the black
+background of infinite space; but presently it seemed as though the
+group of stars about Hercules and the Scorpion was contracting, while
+Orion and Aldebaran and their neighbours were scattering apart.
+Flashing suddenly out of the darkness there came a flying multitude
+of particles of rock, glittering like dust-specks in a sunbeam, and
+encompassed in a faintly luminous haze. They swirled all about me,
+and vanished again in a twinkling far behind. And then I saw that a
+bright spot of light, that shone a little to one side of my path, was
+growing very rapidly larger, and perceived that it was the planet
+Saturn rushing towards me. Larger and larger it grew, swallowing up the
+heavens behind it, and hiding every moment a fresh multitude of stars.
+I perceived its flattened, whirling body, its disc-like belt, and seven
+of its little satellites. It grew and grew, till it towered enormous;
+and then I plunged amid a streaming multitude of clashing stones and
+dancing dust-particles and gas-eddies, and saw for a moment the mighty
+triple belt like three concentric arches of moonlight above me, its
+shadow black on the boiling tumult below. These things happened in
+one-tenth of the time it takes to tell of them. The planet went by like
+a flash of lightning; for a few seconds it blotted out the sun, and
+there and then became a mere black, dwindling, winged patch against the
+light. The earth, the mother mote of my being, I could no longer see.
+
+So, with a stately swiftness, in the profoundest silence, the solar
+system fell from me, as it had been a garment, until the sun was a mere
+star amid the multitude of stars, with its eddy of planet-specks, lost
+in the confused glittering of the remoter light. I was no longer a
+denizen of the solar system: I had come to the Outer Universe, I seemed
+to grasp and comprehend the whole world of matter. Ever more swiftly
+the stars closed in about the spot where Antares and Vega had vanished
+in a luminous haze, until that part of the sky had the semblance of
+a whirling mass of nebulæ, and ever before me yawned vaster gaps of
+vacant blackness, and the stars shone fewer and fewer. It seemed as if
+I moved towards a point between Orion's belt and sword; and the void
+about that region opened vaster and vaster every second, an incredible
+gulf of nothingness, into which I was falling. Faster and ever faster
+the universe rushed by, a hurry of whirling motes at last, speeding
+silently into the void. Stars glowing brighter and brighter, with
+their circling planets catching the light in a ghostly fashion as I
+neared them, shone out and vanished again into inexistence; faint
+comets, clusters of meteorites, winking specks of matter, eddying light
+points, whizzed past, some perhaps a hundred millions of miles or so
+from me at most, few nearer, travelling with unimaginable rapidity,
+shooting constellations, momentary darts of fire, through that black,
+enormous night. More than anything else it was like a dusty draught,
+sunbeam-lit. Broader, and wider, and deeper grew the starless space,
+the vacant Beyond, into which I was being drawn. At last a quarter of
+the heavens was black and blank, and the whole headlong rush of stellar
+universe closed in behind me like a veil of light that is gathered
+together. It drove away from me like a monstrous jack-o'-lantern driven
+by the wind. I had come out into the wilderness of space. Ever the
+vacant blackness grew broader, until the hosts of the stars seemed
+only like a swarm of fiery specks hurrying away from me, inconceivably
+remote, and the darkness, the nothingness and emptiness, was about me
+on every side. Soon the little universe of matter, the cage of points
+in which I had begun to be, was dwindling, now to a whirling disc of
+luminous glittering, and now to one minute disc of hazy light. In a
+little while it would shrink to a point, and at last would vanish
+altogether.
+
+Suddenly feeling came back to me--feeling in the shape of overwhelming
+terror: such a dread of those dark vastitudes as no words can describe,
+a passionate resurgence of sympathy and social desire. Were there
+other souls, invisible to me as I to them, about me in the blackness?
+or was I indeed, even as I felt, alone? Had I passed out of being
+into something that was neither being nor not-being? The covering
+of the body, the covering of matter, had been torn from me, and the
+hallucinations of companionship and security. Everything was black and
+silent. I had ceased to be. I was nothing. There was nothing, save only
+that infinitesimal dot of light that dwindled in the gulf. I strained
+myself to hear and see, and for a while there was naught but infinite
+silence, intolerable darkness, horror, and despair.
+
+Then I saw that about the spot of light into which the whole world of
+matter had shrunk there was a faint glow. And in a band on either side
+of that the darkness was not absolute. I watched it for ages, as it
+seemed to me, and through the long waiting the haze grew imperceptibly
+more distinct. And then about the band appeared an irregular cloud
+of the faintest, palest brown. I felt a passionate impatience; but
+the things grew brighter so slowly that they scarce seemed to change.
+What was unfolding itself? What was this strange reddish dawn in the
+interminable night of space?
+
+The cloud's shape was grotesque. It seemed to be looped along its lower
+side into four projecting masses, and, above, it ended in a straight
+line. What phantom was it? I felt assured I had seen that figure
+before; but I could not think what, nor where, nor when it was. Then
+the realisation rushed upon me. _It was a clenched Hand._ I was alone
+in space, alone with this huge, shadowy Hand, upon which the whole
+Universe of Matter lay like an unconsidered speck of dust. It seemed
+as though I watched it through vast periods of time. On the forefinger
+glittered a ring; and the universe from which I had come was but a spot
+of light upon the ring's curvature. And the thing that the hand gripped
+had the likeness of a black rod. Through a long eternity I watched
+this Hand, with the ring and the rod, marvelling and fearing and
+waiting helplessly on what might follow. It seemed as though nothing
+could follow: that I should watch for ever, seeing only the Hand and
+the thing it held, and understanding nothing of its import. Was the
+whole universe but a refracting speck upon some greater Being? Were our
+worlds but the atoms of another universe, and those again of another,
+and so on through an endless progression? And what was I? Was I indeed
+immaterial? A vague persuasion of a body gathering about me came into
+my suspense. The abysmal darkness about the Hand filled with impalpable
+suggestions, with uncertain, fluctuating shapes.
+
+Then, suddenly, came a sound, like the sound of a tolling bell: faint,
+as if infinitely far; muffled, as though heard through thick swathings
+of darkness: a deep, vibrating resonance, with vast gulfs of silence
+between each stroke. And the Hand appeared to tighten on the rod. And
+I saw far above the Hand, towards the apex of the darkness, a circle
+of dim phosphorescence, a ghostly sphere whence these sounds came
+throbbing; and at the last stroke the Hand vanished, for the hour had
+come, and I heard a noise of many waters. But the black rod remained
+as a great band across the sky. And then a voice, which seemed to run
+to the uttermost parts of space, spoke, saying, "There will be no more
+pain."
+
+At that an almost intolerable gladness and radiance rushed in upon
+me, and I saw the circle shining white and bright, and the rod black
+and shining, and many things else distinct and clear. And the circle
+was the face of the clock, and the rod the rail of my bed. Haddon was
+standing at the foot, against the rail, with a small pair of scissors
+on his fingers; and the hands of my clock on the mantel over his
+shoulder were clasped together over the hour of twelve. Mowbray was
+washing something in a basin at the octagonal table, and at my side I
+felt a subdued feeling that could scarce be spoken of as pain.
+
+The operation had not killed me. And I perceived, suddenly, that the
+dull melancholy of half a year was lifted from my mind.
+
+
+
+
+THE SEA RAIDERS
+
+I
+
+
+Until the extraordinary affair at Sidmouth, the peculiar species
+_Haploteuthis ferox_ was known to science only generically, on the
+strength of a half-digested tentacle obtained near the Azores, and a
+decaying body pecked by birds and nibbled by fish, found early in 1896
+by Mr. Jennings, near Land's End.
+
+In no department of zoological science, indeed, are we quite so much in
+the dark as with regard to the deep-sea cephalopods. A mere accident,
+for instance, it was that led to the Prince of Monaco's discovery
+of nearly a dozen new forms in the summer of 1895, a discovery in
+which the before-mentioned tentacle was included. It chanced that
+a cachalot was killed off Terceira by some sperm whalers, and in
+its last struggles charged almost to the Prince's yacht, missed it,
+rolled under, and died within twenty yards of his rudder. And in its
+agony it threw up a number of large objects, which the Prince, dimly
+perceiving they were strange and important, was, by a happy expedient,
+able to secure before they sank. He set his screws in motion, and
+kept them circling in the vortices thus created until a boat could
+be lowered. And these specimens were whole cephalopods and fragments
+of cephalopods, some of gigantic proportions, and almost all of them
+unknown to science!
+
+It would seem, indeed, that these large and agile creatures, living
+in the middle depths of the sea, must, to a large extent, for ever
+remain unknown to us, since under water they are too nimble for nets,
+and it is only by such rare unlooked-for accidents that specimens
+can be obtained. In the case of _Haploteuthis ferox_, for instance,
+we are still altogether ignorant of its habitat, as ignorant as we
+are of the breeding-ground of the herring or the sea-ways of the
+salmon. And zoologists are altogether at a loss to account for its
+sudden appearance on our coast. Possibly it was the stress of a hunger
+migration that drove it hither out of the deep. But it will be,
+perhaps, better to avoid necessarily inconclusive discussion, and to
+proceed at once with our narrative.
+
+The first human being to set eyes upon a living _Haploteuthis_--the
+first human being to survive, that is, for there can be little doubt
+now that the wave of bathing fatalities and boating accidents that
+travelled along the coast of Cornwall and Devon in early May was due
+to this cause--was a retired tea-dealer of the name of Fison, who was
+stopping at a Sidmouth boarding-house. It was in the afternoon, and he
+was walking along the cliff path between Sidmouth and Ladram Bay. The
+cliffs in this direction are very high, but down the red face of them
+in one place a kind of ladder staircase has been made. He was near
+this when his attention was attracted by what at first he thought to
+be a cluster of birds struggling over a fragment of food that caught
+the sunlight, and glistened pinkish-white. The tide was right out, and
+this object was not only far below him, but remote across a broad waste
+of rock reefs covered with dark seaweed and interspersed with silvery
+shining tidal pools. And he was, moreover, dazzled by the brightness of
+the further water.
+
+In a minute, regarding this again, he perceived that his judgment was
+in fault, for over this struggle circled a number of birds, jackdaws
+and gulls for the most part, the latter gleaming blindingly when the
+sunlight smote their wings, and they seemed minute in comparison with
+it. And his curiosity was, perhaps, aroused all the more strongly
+because of his first insufficient explanations.
+
+As he had nothing better to do than amuse himself, he decided to make
+this object, whatever it was, the goal of his afternoon walk, instead
+of Ladram Bay, conceiving it might perhaps be a great fish of some
+sort, stranded by some chance, and flapping about in its distress. And
+so he hurried down the long steep ladder, stopping at intervals of
+thirty feet or so to take breath and scan the mysterious movement.
+
+At the foot of the cliff he was, of course, nearer his object than
+he had been; but, on the other hand, it now came up against the
+incandescent sky, beneath the sun, so as to seem dark and indistinct.
+Whatever was pinkish of it was now hidden by a skerry of weedy
+boulders. But he perceived that it was made up of seven rounded bodies,
+distinct or connected, and that the birds kept up a constant croaking
+and screaming, but seemed afraid to approach it too closely.
+
+Mr. Fison, torn by curiosity, began picking his way across the
+wave-worn rocks, and, finding the wet seaweed that covered them thickly
+rendered them extremely slippery, he stopped, removed his shoes and
+socks, and coiled his trousers above his knees. His object was, of
+course, merely to avoid stumbling into the rocky pools about him, and
+perhaps he was rather glad, as all men are, of an excuse to resume,
+even for a moment, the sensations of his boyhood. At anyrate, it is to
+this, no doubt, that he owes his life.
+
+He approached his mark with all the assurance which the absolute
+security of this country against all forms of animal life gives its
+inhabitants. The round bodies moved to and fro, but it was only when he
+surmounted the skerry of boulders I have mentioned that he realised the
+horrible nature of the discovery. It came upon him with some suddenness.
+
+The rounded bodies fell apart as he came into sight over the ridge,
+and displayed the pinkish object to be the partially devoured body of
+a human being, but whether of a man or woman he was unable to say.
+And the rounded bodies were new and ghastly-looking creatures, in
+shape somewhat resembling an octopus, and with huge and very long and
+flexible tentacles, coiled copiously on the ground. The skin had a
+glistening texture, unpleasant to see, like shiny leather. The downward
+bend of the tentacle-surrounded mouth, the curious excrescence at the
+bend, the tentacles, and the large intelligent eyes, gave the creatures
+a grotesque suggestion of a face. They were the size of a fair-sized
+swine about the body, and the tentacles seemed to him to be many feet
+in length. There were, he thinks, seven or eight at least of the
+creatures. Twenty yards beyond them, amid the surf of the now returning
+tide, two others were emerging from the sea.
+
+Their bodies lay flatly on the rocks, and their eyes regarded him with
+evil interest; but it does not appear that Mr. Fison was afraid, or
+that he realised that he was in any danger. Possibly his confidence
+is to be ascribed to the limpness of their attitudes. But he was
+horrified, of course, and intensely excited and indignant at such
+revolting creatures preying upon human flesh. He thought they had
+chanced upon a drowned body. He shouted to them, with the idea of
+driving them off, and, finding they did not budge, cast about him,
+picked up a big rounded lump of rock, and flung it at one.
+
+And then, slowly uncoiling their tentacles, they all began moving
+towards him--creeping at first deliberately, and making a soft purring
+sound to each other.
+
+In a moment Mr. Fison realised that he was in danger. He shouted again,
+threw both his boots, and started off, with a leap, forthwith. Twenty
+yards off he stopped and faced about, judging them slow, and behold!
+the tentacles of their leader were already pouring over the rocky
+ridge on which he had just been standing!
+
+At that he shouted again, but this time not threatening, but a cry
+of dismay, and began jumping, striding, slipping, wading across the
+uneven expanse between him and the beach. The tall red cliffs seemed
+suddenly at a vast distance, and he saw, as though they were creatures
+in another world, two minute workmen engaged in the repair of the
+ladder-way, and little suspecting the race for life that was beginning
+below them. At one time he could hear the creatures splashing in the
+pools not a dozen feet behind him, and once he slipped and almost fell.
+
+They chased him to the very foot of the cliffs, and desisted only when
+he had been joined by the workmen at the foot of the ladder-way up the
+cliff. All three of the men pelted them with stones for a time, and
+then hurried to the cliff top and along the path towards Sidmouth, to
+secure assistance and a boat, and to rescue the desecrated body from
+the clutches of these abominable creatures.
+
+
+II
+
+And, as if he had not already been in sufficient peril that day, Mr.
+Fison went with the boat to point out the exact spot of his adventure.
+
+As the tide was down, it required a considerable detour to reach the
+spot, and when at last they came off the ladder-way, the mangled body
+had disappeared. The water was now running in, submerging first one
+slab of slimy rock and then another, and the four men in the boat--the
+workmen, that is, the boatman, and Mr. Fison--now turned their
+attention from the bearings off shore to the water beneath the keel.
+
+At first they could see little below them, save a dark jungle of
+laminaria, with an occasional darting fish. Their minds were set
+on adventure, and they expressed their disappointment freely. But
+presently they saw one of the monsters swimming through the water
+seaward, with a curious rolling motion that suggested to Mr. Fison
+the spinning roll of a captive balloon. Almost immediately after,
+the waving streamers of laminaria were extraordinarily perturbed,
+parted for a moment, and three of these beasts became darkly visible,
+struggling for what was probably some fragment of the drowned man. In
+a moment the copious olive-green ribbons had poured again over this
+writhing group.
+
+At that all four men, greatly excited, began beating the water with
+oars and shouting, and immediately they saw a tumultuous movement among
+the weeds. They desisted to see more clearly, and as soon as the water
+was smooth, they saw, as it seemed to them, the whole sea bottom among
+the weeds set with eyes.
+
+"Ugly swine!" cried one of the men. "Why, there's dozens!"
+
+And forthwith the things began to rise through the water about them.
+Mr. Fison has since described to the writer this startling eruption
+out of the waving laminaria meadows. To him it seemed to occupy a
+considerable time, but it is probable that really it was an affair of
+a few seconds only. For a time nothing but eyes, and then he speaks of
+tentacles streaming out and parting the weed fronds this way and that.
+Then these things, growing larger, until at last the bottom was hidden
+by their intercoiling forms, and the tips of tentacles rose darkly here
+and there into the air above the swell of the waters.
+
+One came up boldly to the side of the boat, and, clinging to this with
+three of its sucker-set tentacles, threw four others over the gunwale,
+as if with an intention either of oversetting the boat or of clambering
+into it. Mr. Fison at once caught up the boathook, and, jabbing
+furiously at the soft tentacles, forced it to desist. He was struck in
+the back and almost pitched overboard by the boatman, who was using his
+oar to resist a similar attack on the other side of the boat. But the
+tentacles on either side at once relaxed their hold at this, slid out
+of sight, and splashed into the water.
+
+"We'd better get out of this," said Mr. Fison, who was trembling
+violently. He went to the tiller, while the boatman and one of the
+workmen seated themselves and began rowing. The other workman stood
+up in the fore part of the boat, with the boathook, ready to strike
+any more tentacles that might appear. Nothing else seems to have been
+said. Mr. Fison had expressed the common feeling beyond amendment.
+In a hushed, scared mood, with faces white and drawn, they set about
+escaping from the position into which they had so recklessly blundered.
+
+But the oars had scarcely dropped into the water before dark, tapering,
+serpentine ropes had bound them, and were about the rudder; and
+creeping up the sides of the boat with a looping motion came the
+suckers again. The men gripped their oars and pulled, but it was like
+trying to move a boat in a floating raft of weeds. "Help here!" cried
+the boatman, and Mr. Fison and the second workman rushed to help lug at
+the oar.
+
+Then the man with the boathook--his name was Ewan, or Ewen--sprang up
+with a curse, and began striking downward over the side, as far as he
+could reach, at the bank of tentacles that now clustered along the
+boat's bottom. And, at the same time, the two rowers stood up to get
+a better purchase for the recovery of their oars. The boatman handed
+his to Mr. Fison, who lugged desperately, and, meanwhile, the boatman
+opened a big clasp-knife, and, leaning over the side of the boat, began
+hacking at the spiring arms upon the oar shaft.
+
+Mr. Fison, staggering with the quivering rocking of the boat, his teeth
+set, his breath coming short, and the veins starting on his hands as
+he pulled at his oar, suddenly cast his eyes seaward. And there, not
+fifty yards off, across the long rollers of the incoming tide, was a
+large boat standing in towards them, with three women and a little
+child in it. A boatman was rowing, and a little man in a pink-ribboned
+straw hat and whites stood in the stern, hailing them. For a moment, of
+course, Mr. Fison thought of help, and then he thought of the child.
+He abandoned his oar forthwith, threw up his arms in a frantic gesture,
+and screamed to the party in the boat to keep away "for God's sake!"
+It says much for the modesty and courage of Mr. Fison that he does not
+seem to be aware that there was any quality of heroism in his action at
+this juncture. The oar he had abandoned was at once drawn under, and
+presently reappeared floating about twenty yards away.
+
+At the same moment Mr. Fison felt the boat under him lurch violently,
+and a hoarse scream, a prolonged cry of terror from Hill, the boatman,
+caused him to forget the party of excursionists altogether. He turned,
+and saw Hill crouching by the forward rowlock, his face convulsed with
+terror, and his right arm over the side and drawn tightly down. He gave
+now a succession of short, sharp cries, "Oh! oh! oh!--oh!" Mr. Fison
+believes that he must have been hacking at the tentacles below the
+water-line, and have been grasped by them, but, of course, it is quite
+impossible to say now certainly what had happened. The boat was heeling
+over, so that the gunwale was within ten inches of the water, and both
+Ewan and the other labourer were striking down into the water, with oar
+and boathook, on either side of Hill's arm. Mr. Fison instinctively
+placed himself to counterpoise them.
+
+Then Hill, who was a burly, powerful man, made a strenuous effort, and
+rose almost to a standing position. He lifted his arm, indeed, clean
+out of the water. Hanging to it was a complicated tangle of brown
+ropes; and the eyes of one of the brutes that had hold of him, glaring
+straight and resolute, showed momentarily above the surface. The boat
+heeled more and more, and the green-brown water came pouring in a
+cascade over the side. Then Hill slipped and fell with his ribs across
+the side, and his arm and the mass of tentacles about it splashed back
+into the water. He rolled over; his boot kicked Mr. Fison's knee as
+that gentleman rushed forward to seize him, and in another moment fresh
+tentacles had whipped about his waist and neck, and after a brief,
+convulsive struggle, in which the boat was nearly capsized, Hill was
+lugged overboard. The boat righted with a violent jerk that all but
+sent Mr. Fison over the other side, and hid the struggle in the water
+from his eyes.
+
+He stood staggering to recover his balance for a moment, and as he
+did so, he became aware that the struggle and the inflowing tide had
+carried them close upon the weedy rocks again. Not four yards off a
+table of rock still rose in rhythmic movements above the in-wash of the
+tide. In a moment Mr. Fison seized the oar from Ewan, gave one vigorous
+stroke, then, dropping it, ran to the bows and leapt. He felt his feet
+slide over the rock, and, by a frantic effort, leapt again towards a
+further mass. He stumbled over this, came to his knees, and rose again.
+
+"Look out!" cried someone, and a large drab body struck him. He was
+knocked flat into a tidal pool by one of the workmen, and as he went
+down he heard smothered, choking cries, that he believed at the time
+came from Hill. Then he found himself marvelling at the shrillness and
+variety of Hill's voice. Someone jumped over him, and a curving rush
+of foamy water poured over him, and passed. He scrambled to his feet
+dripping, and, without looking seaward, ran as fast as his terror would
+let him shoreward. Before him, over the flat space of scattered rocks,
+stumbled the two workmen--one a dozen yards in front of the other.
+
+He looked over his shoulder at last, and, seeing that he was not
+pursued, faced about. He was astonished. From the moment of the rising
+of the cephalopods out of the water, he had been acting too swiftly
+to fully comprehend his actions. Now it seemed to him as if he had
+suddenly jumped out of an evil dream.
+
+For there were the sky, cloudless and blazing with the afternoon sun,
+the sea weltering under its pitiless brightness, the soft creamy foam
+of the breaking water, and the low, long, dark ridges of rock. The
+righted boat floated, rising and falling gently on the swell about
+a dozen yards from shore. Hill and the monsters, all the stress and
+tumult of that fierce fight for life, had vanished as though they had
+never been.
+
+Mr. Fison's heart was beating violently; he was throbbing to the
+finger-tips, and his breath came deep.
+
+There was something missing. For some seconds he could not think
+clearly enough what this might be. Sun, sky, sea, rocks--what was it?
+Then he remembered the boatload of excursionists. It had vanished.
+He wondered whether he had imagined it. He turned, and saw the two
+workmen standing side by side under the projecting masses of the tall
+pink cliffs. He hesitated whether he should make one last attempt
+to save the man Hill. His physical excitement seemed to desert him
+suddenly, and leave him aimless and helpless. He turned shoreward,
+stumbling and wading towards his two companions.
+
+He looked back again, and there were now two boats floating, and the
+one farthest out at sea pitched clumsily, bottom upward.
+
+
+III
+
+So it was _Haploteuthis ferox_ made its appearance upon the Devonshire
+coast. So far, this has been its most serious aggression. Mr. Fison's
+account, taken together with the wave of boating and bathing casualties
+to which I have already alluded, and the absence of fish from the
+Cornish coasts that year, points clearly to a shoal of these voracious
+deep-sea monsters prowling slowly along the sub-tidal coastline.
+Hunger migration has, I know, been suggested as the force that drove
+them hither; but, for my own part, I prefer to believe the alternative
+theory of Hemsley. Hemsley holds that a pack or shoal of these
+creatures may have become enamoured of human flesh by the accident of
+a foundered ship sinking among them, and have wandered in search of it
+out of their accustomed zone; first waylaying and following ships, and
+so coming to our shores in the wake of the Atlantic traffic. But to
+discuss Hemsley's cogent and admirably-stated arguments would be out
+of place here.
+
+It would seem that the appetites of the shoal were satisfied by the
+catch of eleven people--for so far as can be ascertained, there were
+ten people in the second boat, and certainly these creatures gave
+no further signs of their presence off Sidmouth that day. The coast
+between Seaton and Budleigh Salterton was patrolled all that evening
+and night by four Preventive Service boats, the men in which were armed
+with harpoons and cutlasses, and as the evening advanced, a number
+of more or less similarly equipped expeditions, organised by private
+individuals, joined them. Mr. Fison took no part in any of these
+expeditions.
+
+About midnight excited hails were heard from a boat about a couple of
+miles out at sea to the south-east of Sidmouth, and a lantern was seen
+waving in a strange manner to and fro and up and down. The nearer boats
+at once hurried towards the alarm. The venturesome occupants of the
+boat, a seaman, a curate, and two schoolboys, had actually seen the
+monsters passing under their boat. The creatures, it seems, like most
+deep-sea organisms, were phosphorescent, and they had been floating,
+five fathoms deep or so, like creatures of moonshine through the
+blackness of the water, their tentacles retracted and as if asleep,
+rolling over and over, and moving slowly in a wedge-like formation
+towards the south-east.
+
+These people told their story in gesticulated fragments, as first one
+boat drew alongside and then another. At last there was a little fleet
+of eight or nine boats collected together, and from them a tumult,
+like the chatter of a marketplace, rose into the stillness of the
+night. There was little or no disposition to pursue the shoal, the
+people had neither weapons nor experience for such a dubious chase,
+and presently--even with a certain relief, it may be--the boats turned
+shoreward.
+
+And now to tell what is perhaps the most astonishing fact in this whole
+astonishing raid. We have not the slightest knowledge of the subsequent
+movements of the shoal, although the whole south-west coast was now
+alert for it. But it may, perhaps, be significant that a cachalot
+was stranded off Sark on June 3. Two weeks and three days after this
+Sidmouth affair, a living _Haploteuthis_ came ashore on Calais sands.
+It was alive, because several witnesses saw its tentacles moving in a
+convulsive way. But it is probable that it was dying. A gentleman named
+Pouchet obtained a rifle and shot it.
+
+That was the last appearance of a living _Haploteuthis_. No others
+were seen on the French coast. On the 15th of June a dead body, almost
+complete, was washed ashore near Torquay, and a few days later a boat
+from the Marine Biological station, engaged in dredging off Plymouth,
+picked up a rotting specimen, slashed deeply with a cutlass wound. How
+the former specimen had come by its death it is impossible to say. And
+on the last day of June, Mr. Egbert Caine, an artist, bathing near
+Newlyn, threw up his arms, shrieked, and was drawn under. A friend
+bathing with him made no attempt to save him, but swam at once for
+the shore. This is the last fact to tell of this extraordinary raid
+from the deeper sea. Whether it is really the last of these horrible
+creatures it is, as yet, premature to say. But it is believed, and
+certainly it is to be hoped, that they have returned now, and returned
+for good, to the sunless depths of the middle seas, out of which they
+have so strangely and so mysteriously arisen.
+
+
+
+
+POLLOCK AND THE PORROH MAN
+
+
+It was in a swampy village on the lagoon river behind the Turner
+Peninsula that Pollock's first encounter with the Porroh man occurred.
+The women of that country are famous for their good looks--they are
+Gallinas with a dash of European blood that dates from the days of
+Vasco de Gama and the English slave-traders, and the Porroh man, too,
+was possibly inspired by a faint Caucasian taint in his composition.
+(It's a curious thing to think that some of us may have distant cousins
+eating men on Sherboro Island or raiding with the Sofas.) At anyrate,
+the Porroh man stabbed the woman to the heart as though he had been a
+mere low-class Italian, and very narrowly missed Pollock. But Pollock,
+using his revolver to parry the lightning stab which was aimed at his
+deltoid muscle, sent the iron dagger flying, and, firing, hit the man
+in the hand.
+
+He fired again and missed, knocking a sudden window out of the wall
+of the hut. The Porroh man stooped in the doorway, glancing under his
+arm at Pollock. Pollock caught a glimpse of his inverted face in the
+sunlight, and then the Englishman was alone, sick and trembling with
+the excitement of the affair, in the twilight of the place. It had all
+happened in less time than it takes to read about it.
+
+The woman was quite dead, and having ascertained this, Pollock went to
+the entrance of the hut and looked out. Things outside were dazzling
+bright. Half a dozen of the porters of the expedition were standing up
+in a group near the green huts they occupied, and staring towards him,
+wondering what the shots might signify. Behind the little group of men
+was the broad stretch of black fetid mud by the river, a green carpet
+of rafts of papyrus and water-grass, and then the leaden water. The
+mangroves beyond the stream loomed indistinctly through the blue haze.
+There were no signs of excitement in the squat village, whose fence was
+just visible above the cane-grass.
+
+Pollock came out of the hut cautiously and walked towards the river,
+looking over his shoulder at intervals. But the Porroh man had
+vanished. Pollock clutched his revolver nervously in his hand.
+
+One of his men came to meet him, and as he came, pointed to the bushes
+behind the hut in which the Porroh man had disappeared. Pollock had
+an irritating persuasion of having made an absolute fool of himself;
+he felt bitter, savage, at the turn things had taken. At the same
+time, he would have to tell Waterhouse--the moral, exemplary, cautious
+Waterhouse--who would inevitably take the matter seriously. Pollock
+cursed bitterly at his luck, at Waterhouse, and especially at the West
+Coast of Africa. He felt consummately sick of the expedition. And
+in the back of his mind all the time was a speculative doubt where
+precisely within the visible horizon the Porroh man might be.
+
+It is perhaps rather shocking, but he was not at all upset by the
+murder that had just happened. He had seen so much brutality during the
+last three months, so many dead women, burnt huts, drying skeletons, up
+the Kittam River in the wake of the Sofa cavalry, that his senses were
+blunted. What disturbed him was the persuasion that this business was
+only beginning.
+
+He swore savagely at the black, who ventured to ask a question, and
+went on into the tent under the orange-trees where Waterhouse was
+lying, feeling exasperatingly like a boy going into the headmaster's
+study.
+
+Waterhouse was still sleeping off the effects of his last dose of
+chlorodyne, and Pollock sat down on a packing-case beside him, and,
+lighting his pipe, waited for him to awake. About him were scattered
+the pots and weapons Waterhouse had collected from the Mendi people,
+and which he had been repacking for the canoe voyage to Sulyma.
+
+Presently Waterhouse woke up, and after judicial stretching, decided
+he was all right again. Pollock got him some tea. Over the tea the
+incidents of the afternoon were described by Pollock, after some
+preliminary beating about the bush. Waterhouse took the matter even
+more seriously than Pollock had anticipated. He did not simply
+disapprove, he scolded, he insulted.
+
+"You're one of those infernal fools who think a black man isn't a human
+being," he said. "I can't be ill a day without you must get into some
+dirty scrape or other. This is the third time in a month that you have
+come crossways-on with a native, and this time you're in for it with a
+vengeance. Porroh, too! They're down upon you enough as it is, about
+that idol you wrote your silly name on. And they're the most vindictive
+devils on earth! You make a man ashamed of civilisation. To think you
+come of a decent family! If ever I cumber myself up with a vicious,
+stupid young lout like you again"--
+
+"Steady on, now," snarled Pollock, in the tone that always exasperated
+Waterhouse; "steady on."
+
+At that Waterhouse became speechless. He jumped to his feet.
+
+"Look here, Pollock," he said, after a struggle to control his breath.
+"You must go home. I won't have you any longer. I'm ill enough as it is
+through you"--
+
+"Keep your hair on," said Pollock, staring in front of him. "I'm ready
+enough to go."
+
+Waterhouse became calmer again. He sat down on the camp-stool. "Very
+well," he said. "I don't want a row, Pollock, you know, but it's
+confoundedly annoying to have one's plans put out by this kind of
+thing. I'll come to Sulyma with you, and see you safe aboard"--
+
+"You needn't," said Pollock. "I can go alone. From here."
+
+"Not far," said Waterhouse. "You don't understand this Porroh
+business."
+
+"How should _I_ know she belonged to a Porroh man?" said Pollock
+bitterly.
+
+"Well, she did," said Waterhouse; "and you can't undo the thing. Go
+alone, indeed! I wonder what they'd do to you. You don't seem to
+understand that this Porroh hokey-pokey rules this country, is its law,
+religion, constitution, medicine, magic.... They appoint the chiefs.
+The Inquisition, at its best, couldn't hold a candle to these chaps.
+He will probably set Awajale, the chief here, on to us. It's lucky our
+porters are Mendis. We shall have to shift this little settlement of
+ours.... Confound you, Pollock! And, of course, you must go and miss
+him."
+
+He thought, and his thoughts seemed disagreeable. Presently he stood up
+and took his rifle. "I'd keep close for a bit, if I were you," he said,
+over his shoulder, as he went out. "I'm going out to see what I can
+find out about it."
+
+Pollock remained sitting in the tent, meditating. "I was meant for a
+civilised life," he said to himself, regretfully, as he filled his
+pipe. "The sooner I get back to London or Paris the better for me."
+
+His eye fell on the sealed case in which Waterhouse had put the
+featherless poisoned arrows they had bought in the Mendi country. "I
+wish I had hit the beggar somewhere vital," said Pollock viciously.
+
+Waterhouse came back after a long interval. He was not communicative,
+though Pollock asked him questions enough. The Porroh man, it seems,
+was a prominent member of that mystical society. The village was
+interested, but not threatening. No doubt the witch-doctor had gone
+into the bush. He was a great witch-doctor. "Of course, he's up to
+something," said Waterhouse, and became silent.
+
+"But what can he do?" asked Pollock, unheeded.
+
+"I must get you out of this. There's something brewing, or things would
+not be so quiet," said Waterhouse, after a gap of silence. Pollock
+wanted to know what the brew might be. "Dancing in a circle of skulls,"
+said Waterhouse; "brewing a stink in a copper pot." Pollock wanted
+particulars. Waterhouse was vague, Pollock pressing. At last Waterhouse
+lost his temper. "How the devil should _I_ know?" he said to Pollock's
+twentieth inquiry what the Porroh man would do. "He tried to kill
+you off-hand in the hut. _Now_, I fancy he will try something more
+elaborate. But you'll see fast enough. I don't want to help unnerve
+you. It's probably all nonsense."
+
+That night, as they were sitting at their fire, Pollock again tried to
+draw Waterhouse out on the subject of Porroh methods. "Better get to
+sleep," said Waterhouse, when Pollock's bent became apparent; "we start
+early to-morrow. You may want all your nerve about you."
+
+"But what line will he take?"
+
+"Can't say. They're versatile people. They know a lot of rum dodges.
+You'd better get that copper-devil, Shakespear, to talk."
+
+There was a flash and a heavy bang out of the darkness behind the
+huts, and a clay bullet came whistling close to Pollock's head. This,
+at least, was crude enough. The blacks and half-breeds sitting and
+yarning round their own fire jumped up, and someone fired into the dark.
+
+"Better go into one of the huts," said Waterhouse quietly, still
+sitting unmoved.
+
+Pollock stood up by the fire and drew his revolver. Fighting, at least,
+he was not afraid of. But a man in the dark is in the best of armour.
+Realising the wisdom of Waterhouse's advice, Pollock went into the tent
+and lay down there.
+
+What little sleep he had was disturbed by dreams, variegated dreams,
+but chiefly of the Porroh man's face, upside down, as he went out of
+the hut, and looked up under his arm. It was odd that this transitory
+impression should have stuck so firmly in Pollock's memory. Moreover,
+he was troubled by queer pains in his limbs.
+
+In the white haze of the early morning, as they were loading the
+canoes, a barbed arrow suddenly appeared quivering in the ground close
+to Pollock's foot. The boys made a perfunctory effort to clear out the
+thicket, but it led to no capture.
+
+After these two occurrences, there was a disposition on the part of
+the expedition to leave Pollock to himself, and Pollock became, for
+the first time in his life, anxious to mingle with blacks. Waterhouse
+took one canoe, and Pollock, in spite of a friendly desire to chat
+with Waterhouse, had to take the other. He was left all alone in the
+front part of the canoe, and he had the greatest trouble to make the
+men--who did not love him--keep to the middle of the river, a clear
+hundred yards or more from either shore. However, he made Shakespear,
+the Freetown half-breed, come up to his own end of the canoe and tell
+him about Porroh, which Shakespear, failing in his attempts to leave
+Pollock alone, presently did with considerable freedom and gusto.
+
+The day passed. The canoe glided swiftly along the ribbon of lagoon
+water, between the drift of water-figs, fallen trees, papyrus, and
+palm-wine palms, and with the dark mangrove swamp to the left, through
+which one could hear now and then the roar of the Atlantic surf.
+Shakespear told in his soft, blurred English of how the Porroh could
+cast spells; how men withered up under their malice; how they could
+send dreams and devils; how they tormented and killed the sons of
+Ijibu; how they kidnapped a white trader from Sulyma who had maltreated
+one of the sect, and how his body looked when it was found. And Pollock
+after each narrative cursed under his breath at the want of missionary
+enterprise that allowed such things to be, and at the inert British
+Government that ruled over this dark heathendom of Sierra Leone. In
+the evening they came to the Kasi Lake, and sent a score of crocodiles
+lumbering off the island on which the expedition camped for the night.
+
+The next day they reached Sulyma, and smelt the sea breeze, but Pollock
+had to put up there for five days before he could get on to Freetown.
+Waterhouse, considering him to be comparatively safe here, and within
+the pale of Freetown influence, left him and went back with the
+expedition to Gbemma, and Pollock became very friendly with Perera,
+the only resident white trader at Sulyma--so friendly, indeed, that he
+went about with him everywhere. Perera was a little Portuguese Jew, who
+had lived in England, and he appreciated the Englishman's friendliness
+as a great compliment.
+
+For two days nothing happened out of the ordinary; for the most part
+Pollock and Perera played Nap--the only game they had in common--and
+Pollock got into debt. Then, on the second evening, Pollock had a
+disagreeable intimation of the arrival of the Porroh man in Sulyma by
+getting a flesh-wound in the shoulder from a lump of filed iron. It
+was a long shot, and the missile had nearly spent its force when it
+hit him. Still it conveyed its message plainly enough. Pollock sat up
+in his hammock, revolver in hand, all that night, and next morning
+confided, to some extent, in the Anglo-Portuguese.
+
+Perera took the matter seriously. He knew the local customs pretty
+thoroughly. "It is a personal question, you must know. It is revenge.
+And of course he is hurried by your leaving de country. None of de
+natives or half-breeds will interfere wid him very much--unless you
+make it wort deir while. If you come upon him suddenly, you might shoot
+him. But den he might shoot you.
+
+"Den dere's dis--infernal magic," said Perera. "Of course, I don't
+believe in it--superstition--but still it's not nice to tink dat
+wherever you are, dere is a black man, who spends a moonlight night now
+and den a-dancing about a fire to send you bad dreams.... Had any bad
+dreams?"
+
+"Rather," said Pollock. "I keep on seeing the beggar's head upside down
+grinning at me and showing all his teeth as he did in the hut, and
+coming close up to me, and then going ever so far off, and coming back.
+It's nothing to be afraid of, but somehow it simply paralyses me with
+terror in my sleep. Queer things--dreams. I know it's a dream all the
+time, and I can't wake up from it."
+
+"It's probably only fancy," said Perera. "Den my niggers say Porroh men
+can send snakes. Seen any snakes lately?"
+
+"Only one. I killed him this morning, on the floor near my hammock.
+Almost trod on him as I got up."
+
+"_Ah!_" said Perera, and then, reassuringly, "Of course it is
+a--coincidence. Still I would keep my eyes open. Den dere's pains in de
+bones."
+
+"I thought they were due to miasma," said Pollock.
+
+"Probably dey are. When did dey begin?"
+
+Then Pollock remembered that he first noticed them the night after the
+fight in the hut. "It's my opinion he don't want to kill you," said
+Perera--"at least not yet. I've heard deir idea is to scare and worry
+a man wid deir spells, and narrow misses, and rheumatic pains, and bad
+dreams, and all dat, until he's sick of life. Of course, it's all talk,
+you know. You mustn't worry about it.... But I wonder what he'll be up
+to next."
+
+"_I_ shall have to be up to something first," said Pollock, staring
+gloomily at the greasy cards that Perera was putting on the table. "It
+don't suit my dignity to be followed about, and shot at, and blighted
+in this way. I wonder if Porroh hokey-pokey upsets your luck at cards."
+
+He looked at Perera suspiciously.
+
+"Very likely it does," said Perera warmly, shuffling. "Dey are
+wonderful people."
+
+That afternoon Pollock killed two snakes in his hammock, and there
+was also an extraordinary increase in the number of red ants that
+swarmed over the place; and these annoyances put him in a fit temper
+to talk over business with a certain Mendi rough he had interviewed
+before. The Mendi rough showed Pollock a little iron dagger, and
+demonstrated where one struck in the neck, in a way that made Pollock
+shiver, and in return for certain considerations Pollock promised him a
+double-barrelled gun with an ornamental lock.
+
+In the evening, as Pollock and Perera were playing cards, the Mendi
+rough came in through the doorway, carrying something in a blood-soaked
+piece of native cloth.
+
+"Not here!" said Pollock very hurriedly. "Not here!"
+
+But he was not quick enough to prevent the man, who was anxious to get
+to Pollock's side of the bargain, from opening the cloth and throwing
+the head of the Porroh man upon the table. It bounded from there on to
+the floor, leaving a red trail on the cards, and rolled into a corner,
+where it came to rest upside down, but glaring hard at Pollock.
+
+Perera jumped up as the thing fell among the cards, and began in his
+excitement to gabble in Portuguese. The Mendi was bowing, with the red
+cloth in his hand. "De gun!" he said. Pollock stared back at the head
+in the corner. It bore exactly the expression it had in his dreams.
+Something seemed to snap in his own brain as he looked at it.
+
+Then Perera found his English again.
+
+"You got him killed?" he said. "You did not kill him yourself?"
+
+"Why should I?" said Pollock.
+
+"But he will not be able to take it off now!"
+
+"Take _what_ off?" said Pollock.
+
+"And all dese cards are spoiled!"
+
+"_What_ do you mean by taking off?" said Pollock.
+
+"You must send me a new pack from Freetown. You can buy dem dere."
+
+"But--'take it off'?"
+
+"It is only superstition. I forgot. De niggers say dat if de
+witches--he was a witch-- But it is rubbish.... You must make de Porroh
+man take it off, or kill him yourself.... It is very silly."
+
+Pollock swore under his breath, still staring hard at the head in the
+corner.
+
+"I can't stand that glare," he said. Then suddenly he rushed at the
+thing and kicked it. It rolled some yards or so, and came to rest in
+the same position as before, upside down, and looking at him.
+
+"He is ugly," said the Anglo-Portuguese. "Very ugly. Dey do it on deir
+faces with little knives."
+
+Pollock would have kicked the head again, but the Mendi man touched
+him on the arm. "De gun?" he said, looking nervously at the head.
+
+"Two--if you will take that beastly thing away," said Pollock.
+
+The Mendi shook his head, and intimated that he only wanted one gun now
+due to him, and for which he would be obliged. Pollock found neither
+cajolery nor bullying any good with him. Perera had a gun to sell (at
+a profit of three hundred per cent.), and with that the man presently
+departed. Then Pollock's eyes, against his will, were recalled to the
+thing on the floor.
+
+"It is funny dat his head keeps upside down," said Perera, with an
+uneasy laugh. "His brains must be heavy, like de weight in de little
+images one sees dat keep always upright wid lead in dem. You will take
+him wiv you when you go presently. You might take him now. De cards are
+all spoilt. Dere is a man sell dem in Freetown. De room is in a filty
+mess as it is. You should have killed him yourself."
+
+Pollock pulled himself together, and went and picked up the head. He
+would hang it up by the lamp-hook in the middle of the ceiling of his
+room, and dig a grave for it at once. He was under the impression that
+he hung it up by the hair, but that must have been wrong, for when he
+returned for it, it was hanging by the neck upside down.
+
+He buried it before sunset on the north side of the shed he occupied,
+so that he should not have to pass the grave after dark when he was
+returning from Perera's. He killed two snakes before he went to
+sleep. In the darkest part of the night he awoke with a start, and
+heard a pattering sound and something scraping on the floor. He sat up
+noiselessly, and felt under his pillow for his revolver. A mumbling
+growl followed, and Pollock fired at the sound. There was a yelp, and
+something dark passed for a moment across the hazy blue of the doorway.
+"A dog!" said Pollock, lying down again.
+
+In the early dawn he awoke again with a peculiar sense of unrest. The
+vague pain in his bones had returned. For some time he lay watching the
+red ants that were swarming over the ceiling, and then, as the light
+grew brighter, he looked over the edge of his hammock and saw something
+dark on the floor. He gave such a violent start that the hammock
+overset and flung him out.
+
+He found himself lying, perhaps, a yard away from the head of the
+Porroh man. It had been disinterred by the dog, and the nose was
+grievously battered. Ants and flies swarmed over it. By an odd
+coincidence, it was still upside down, and with the same diabolical
+expression in the inverted eyes.
+
+Pollock sat paralysed, and stared at the horror for some time. Then
+he got up and walked round it--giving it a wide berth--and out of the
+shed. The clear light of the sunrise, the living stir of vegetation
+before the breath of the dying land-breeze, and the empty grave with
+the marks of the dog's paws, lightened the weight upon his mind a
+little.
+
+He told Perera of the business as though it was a jest--a jest to be
+told with white lips. "You should not have frighten de dog," said
+Perera, with poorly simulated hilarity.
+
+The next two days, until the steamer came, were spent by Pollock in
+making a more effectual disposition of his possession. Overcoming
+his aversion to handling the thing, he went down to the river mouth
+and threw it into the sea-water, but by some miracle it escaped the
+crocodiles, and was cast up by the tide on the mud a little way up
+the river, to be found by an intelligent Arab half-breed, and offered
+for sale to Pollock and Perera as a curiosity, just on the edge of
+night. The native hung about in the brief twilight, making lower and
+lower offers, and at last, getting scared in some way by the evident
+dread these wise white men had for the thing, went off, and, passing
+Pollock's shed, threw his burden in there for Pollock to discover in
+the morning.
+
+At this Pollock got into a kind of frenzy. He would burn the thing. He
+went out straightway into the dawn, and had constructed a big pyre of
+brushwood before the heat of the day. He was interrupted by the hooter
+of the little paddle steamer from Monrovia to Bathurst, which was
+coming through the gap in the bar. "Thank Heaven!" said Pollock, with
+infinite piety, when the meaning of the sound dawned upon him. With
+trembling hands he lit his pile of wood hastily, threw the head upon
+it, and went away to pack his portmanteau and make his adieux to Perera.
+
+That afternoon, with a sense of infinite relief, Pollock watched the
+flat swampy foreshore of Sulyma grow small in the distance. The gap in
+the long line of white surge became narrower and narrower. It seemed
+to be closing in and cutting him off from his trouble. The feeling of
+dread and worry began to slip from him bit by bit. At Sulyma belief in
+Porroh malignity and Porroh magic had been in the air, his sense of
+Porroh had been vast, pervading, threatening, dreadful. Now manifestly
+the domain of Porroh was only a little place, a little black band
+between the sea and the blue cloudy Mendi uplands.
+
+"Good-bye, Porroh!" said Pollock. "Good-bye--certainly not _au revoir_."
+
+The captain of the steamer came and leant over the rail beside him, and
+wished him good-evening, and spat at the froth of the wake in token of
+friendly ease.
+
+"I picked up a rummy curio on the beach this go," said the captain.
+"It's a thing I never saw done this side of Indy before."
+
+"What might that be?" said Pollock.
+
+"Pickled 'ed," said the captain.
+
+"_What?_" said Pollock.
+
+"'Ed--smoked. 'Ed of one of these Porroh chaps, all ornamented with
+knife-cuts. Why! What's up? Nothing? I shouldn't have took you for a
+nervous chap. Green in the face. By gosh! you're a bad sailor. All
+right, eh? Lord, how funny you went!... Well, this 'ed I was telling
+you of is a bit rum in a way. I've got it, along with some snakes, in a
+jar of spirit in my cabin what I keeps for such curios, and I'm hanged
+if it don't float upsy down. Hullo!"
+
+Pollock had given an incoherent cry, and had his hands in his hair. He
+ran towards the paddle-boxes with a half-formed idea of jumping into
+the sea, and then he realised his position and turned back towards the
+captain.
+
+"Here!" said the captain. "Jack Philips, just keep him off me! Stand
+off! No nearer, mister! What's the matter with you? Are you mad?"
+
+Pollock put his hand to his head. It was no good explaining. "I believe
+I am pretty nearly mad at times," he said. "It's a pain I have here.
+Comes suddenly. You'll excuse me, I hope."
+
+He was white and in a perspiration. He saw suddenly very clearly all
+the danger he ran of having his sanity doubted. He forced himself
+to restore the captain's confidence, by answering his sympathetic
+inquiries, noting his suggestions, even trying a spoonful of neat
+brandy in his cheek, and, that matter settled, asking a number of
+questions about the captain's private trade in curiosities. The captain
+described the head in detail. All the while Pollock was struggling to
+keep under a preposterous persuasion that the ship was as transparent
+as glass, and that he could distinctly see the inverted face looking at
+him from the cabin beneath his feet.
+
+Pollock had a worse time almost on the steamer than he had at Sulyma.
+All day he had to control himself in spite of his intense perception
+of the imminent presence of that horrible head that was overshadowing
+his mind. At night his old nightmare returned, until, with a violent
+effort, he would force himself awake, rigid with the horror of it, and
+with the ghost of a hoarse scream in his throat.
+
+He left the actual head behind at Bathurst, where he changed ship
+for Teneriffe, but not his dreams nor the dull ache in his bones.
+At Teneriffe Pollock transferred to a Cape liner, but the head
+followed him. He gambled, he tried chess, he even read books, but
+he knew the danger of drink. Yet whenever a round black shadow, a
+round black object came into his range, there he looked for the head,
+and--saw it. He knew clearly enough that his imagination was growing
+traitor to him, and yet at times it seemed the ship he sailed in,
+his fellow-passengers, the sailors, the wide sea, was all part of a
+filmy phantasmagoria that hung, scarcely veiling it, between him and a
+horrible real world. Then the Porroh man, thrusting his diabolical face
+through that curtain, was the one real and undeniable thing. At that he
+would get up and touch things, taste something, gnaw something, burn
+his hand with a match, or run a needle into himself.
+
+So, struggling grimly and silently with his excited imagination,
+Pollock reached England. He landed at Southampton, and went on straight
+from Waterloo to his banker's in Cornhill in a cab. There he transacted
+some business with the manager in a private room, and all the while the
+head hung like an ornament under the black marble mantel and dripped
+upon the fender. He could hear the drops fall, and see the red on the
+fender.
+
+"A pretty fern," said the manager, following his eyes. "But it makes
+the fender rusty."
+
+"Very," said Pollock; "a _very_ pretty fern. And that reminds me.
+Can you recommend me a physician for mind troubles? I've got a
+little--what is it?--hallucination."
+
+The head laughed savagely, wildly. Pollock was surprised the manager
+did not notice it. But the manager only stared at his face.
+
+With the address of a doctor, Pollock presently emerged in Cornhill.
+There was no cab in sight, and so he went on down to the western end
+of the street, and essayed the crossing opposite the Mansion House.
+The crossing is hardly easy even for the expert Londoner; cabs, vans,
+carriages, mail-carts, omnibuses go by in one incessant stream; to
+anyone fresh from the malarious solitudes of Sierra Leone it is a
+boiling, maddening confusion. But when an inverted head suddenly comes
+bouncing, like an indiarubber ball, between your legs, leaving distinct
+smears of blood every time it touches the ground, you can scarcely hope
+to avoid an accident. Pollock lifted his feet convulsively to avoid
+it, and then kicked at the thing furiously. Then something hit him
+violently in the back, and a hot pain ran up his arm.
+
+He had been hit by the pole of an omnibus, and three of the fingers
+of his left hand smashed by the hoof of one of the horses--the very
+fingers, as it happened, that he shot from the Porroh man. They pulled
+him out from between the horses' legs, and found the address of the
+physician in his crushed hand.
+
+For a couple of days Pollock's sensations were full of the sweet,
+pungent smell of chloroform, of painful operations that caused him no
+pain, of lying still and being given food and drink. Then he had a
+slight fever, and was very thirsty, and his old nightmare came back. It
+was only when it returned that he noticed it had left him for a day.
+
+"If my skull had been smashed instead of my fingers, it might have gone
+altogether," said Pollock, staring thoughtfully at the dark cushion
+that had taken on for the time the shape of the head.
+
+Pollock at the first opportunity told the physician of his mind
+trouble. He knew clearly that he must go mad unless something
+should intervene to save him. He explained that he had witnessed
+a decapitation in Dahomey, and was haunted by one of the heads.
+Naturally, he did not care to state the actual facts. The physician
+looked grave.
+
+Presently he spoke hesitatingly. "As a child, did you get very much
+religious training?"
+
+"Very little," said Pollock.
+
+A shade passed over the physician's face. "I don't know if you have
+heard of the miraculous cures--it may be, of course, they are not
+miraculous--at Lourdes."
+
+"Faith-healing will hardly suit me, I am afraid," said Pollock, with
+his eye on the dark cushion.
+
+The head distorted its scarred features in an abominable grimace. The
+physician went upon a new track. "It's all imagination," he said,
+speaking with sudden briskness. "A fair case for faith-healing, anyhow.
+Your nervous system has run down, you're in that twilight state of
+health when the bogles come easiest. The strong impression was too
+much for you. I must make you up a little mixture that will strengthen
+your nervous system--especially your brain. And you must take exercise."
+
+"I'm no good for faith-healing," said Pollock.
+
+"And therefore we must restore tone. Go in search of stimulating
+air--Scotland, Norway, the Alps"--
+
+"Jericho, if you like," said Pollock--"where Naaman went."
+
+However, so soon as his fingers would let him, Pollock made a gallant
+attempt to follow out the doctor's suggestion. It was now November.
+He tried football, but to Pollock the game consisted in kicking a
+furious inverted head about a field. He was no good at the game. He
+kicked blindly, with a kind of horror, and when they put him back into
+goal, and the ball came swooping down upon him, he suddenly yelled
+and got out of its way. The discreditable stories that had driven him
+from England to wander in the tropics shut him off from any but men's
+society, and now his increasingly strange behaviour made even his man
+friends avoid him. The thing was no longer a thing of the eye merely;
+it gibbered at him, spoke to him. A horrible fear came upon him that
+presently, when he took hold of the apparition, it would no longer
+become some mere article of furniture, but would _feel_ like a real
+dissevered head. Alone, he would curse at the thing, defy it, entreat
+it; once or twice, in spite of his grim self-control, he addressed it
+in the presence of others. He felt the growing suspicion in the eyes of
+the people that watched him--his landlady, the servant, his man.
+
+One day early in December his cousin Arnold--his next of kin--came to
+see him and draw him out, and watch his sunken yellow face with narrow
+eager eyes. And it seemed to Pollock that the hat his cousin carried
+in his hand was no hat at all, but a Gorgon head that glared at him
+upside down, and fought with its eyes against his reason. However,
+he was still resolute to see the matter out. He got a bicycle, and,
+riding over the frosty road from Wandsworth to Kingston, found the
+thing rolling along at his side, and leaving a dark trail behind it. He
+set his teeth and rode faster. Then suddenly, as he came down the hill
+towards Richmond Park, the apparition rolled in front of him and under
+his wheel, so quickly that he had no time for thought, and, turning
+quickly to avoid it, was flung violently against a heap of stones and
+broke his left wrist.
+
+The end came on Christmas morning. All night he had been in a fever,
+the bandages encircling his wrist like a band of fire, his dreams more
+vivid and terrible than ever. In the cold, colourless, uncertain light
+that came before the sunrise, he sat up in his bed, and saw the head
+upon the bracket in the place of the bronze jar that had stood there
+overnight.
+
+"I know that is a bronze jar," he said, with a chill doubt at his
+heart. Presently the doubt was irresistible. He got out of bed slowly,
+shivering, and advanced to the jar with his hand raised. Surely
+he would see now his imagination had deceived him, recognise the
+distinctive sheen of bronze. At last, after an age of hesitation,
+his fingers came down on the patterned cheek of the head. He withdrew
+them spasmodically. The last stage was reached. His sense of touch had
+betrayed him.
+
+Trembling, stumbling against the bed, kicking against his shoes with
+his bare feet, a dark confusion eddying round him, he groped his way to
+the dressing-table, took his razor from the drawer, and sat down on the
+bed with this in his hand. In the looking-glass he saw his own face,
+colourless, haggard, full of the ultimate bitterness of despair.
+
+He beheld in swift succession the incidents in the brief tale of his
+experience. His wretched home, his still more wretched schooldays,
+the years of vicious life he had led since then, one act of selfish
+dishonour leading to another; it was all clear and pitiless now, all
+its squalid folly, in the cold light of the dawn. He came to the
+hut, to the fight with the Porroh man, to the retreat down the river
+to Sulyma, to the Mendi assassin and his red parcel, to his frantic
+endeavours to destroy the head, to the growth of his hallucination. It
+was a hallucination! He _knew_ it was. A hallucination merely. For a
+moment he snatched at hope. He looked away from the glass, and on the
+bracket, the inverted head grinned and grimaced at him.... With the
+stiff fingers of his bandaged hand he felt at his neck for the throb of
+his arteries. The morning was very cold, the steel blade felt like ice.
+
+
+
+
+THE RED ROOM
+
+
+"I can assure you," said I, "that it will take a very tangible ghost to
+frighten me." And I stood up before the fire with my glass in my hand.
+
+"It is your own choosing," said the man with the withered arm, and
+glanced at me askance.
+
+"Eight-and-twenty years," said I, "I have lived, and never a ghost have
+I seen as yet."
+
+The old woman sat staring hard into the fire, her pale eyes wide open.
+"Ay," she broke in; "and eight-and-twenty years you have lived and
+never seen the likes of this house, I reckon. There's a many things to
+see, when one's still but eight-and-twenty." She swayed her head slowly
+from side to side. "A many things to see and sorrow for."
+
+I half suspected the old people were trying to enhance the spiritual
+terrors of their house by their droning insistence. I put down my empty
+glass on the table and looked about the room, and caught a glimpse of
+myself, abbreviated and broadened to an impossible sturdiness, in the
+queer old mirror at the end of the room. "Well," I said, "if I see
+anything to-night, I shall be so much the wiser. For I come to the
+business with an open mind."
+
+"It's your own choosing," said the man with the withered arm once more.
+
+I heard the sound of a stick and a shambling step on the flags in the
+passage outside, and the door creaked on its hinges as a second old man
+entered, more bent, more wrinkled, more aged even than the first. He
+supported himself by a single crutch, his eyes were covered by a shade,
+and his lower lip, half-averted, hung pale and pink from his decaying
+yellow teeth. He made straight for an arm-chair on the opposite side
+of the table, sat down clumsily, and began to cough. The man with the
+withered arm gave this new-comer a short glance of positive dislike;
+the old woman took no notice of his arrival, but remained with her eyes
+fixed steadily on the fire.
+
+"I said--it's your own choosing," said the man with the withered arm,
+when the coughing had ceased for a while.
+
+"It's my own choosing," I answered.
+
+The man with the shade became aware of my presence for the first time,
+and threw his head back for a moment and sideways, to see me. I caught
+a momentary glimpse of his eyes, small and bright and inflamed. Then he
+began to cough and splutter again.
+
+"Why don't you drink?" said the man with the withered arm, pushing
+the beer towards him. The man with the shade poured out a glassful
+with a shaky arm that splashed half as much again on the deal table.
+A monstrous shadow of him crouched upon the wall and mocked his
+action as he poured and drank. I must confess I had scarce expected
+these grotesque custodians. There is to my mind something inhuman in
+senility, something crouching and atavistic; the human qualities seem
+to drop from old people insensibly day by day. The three of them made
+me feel uncomfortable, with their gaunt silences, their bent carriage,
+their evident unfriendliness to me and to one another.
+
+"If," said I, "you will show me to this haunted room of yours, I will
+make myself comfortable there."
+
+The old man with the cough jerked his head back so suddenly that it
+startled me, and shot another glance of his red eyes at me from under
+the shade; but no one answered me. I waited a minute, glancing from one
+to the other.
+
+"If," I said a little louder, "if you will show me to this haunted room
+of yours, I will relieve you from the task of entertaining me."
+
+"There's a candle on the slab outside the door," said the man with the
+withered arm, looking at my feet as he addressed me. "But if you go to
+the red room to-night"--
+
+("This night of all nights!" said the old woman.)
+
+"You go alone."
+
+"Very well," I answered. "And which way do I go?"
+
+"You go along the passage for a bit," said he, "until you come to a
+door, and through that is a spiral staircase, and half-way up that is a
+landing and another door covered with baize. Go through that and down
+the long corridor to the end, and the red room is on your left up the
+steps."
+
+"Have I got that right?" I said, and repeated his directions. He
+corrected me in one particular.
+
+"And are you really going?" said the man with the shade, looking at me
+again for the third time, with that queer, unnatural tilting of the
+face.
+
+("This night of all nights!" said the old woman.)
+
+"It is what I came for," I said, and moved towards the door. As I did
+so, the old man with the shade rose and staggered round the table, so
+as to be closer to the others and to the fire. At the door I turned
+and looked at them, and saw they were all close together, dark against
+the firelight, staring at me over their shoulders, with an intent
+expression on their ancient faces.
+
+"Good-night," I said, setting the door open.
+
+"It's your own choosing," said the man with the withered arm.
+
+I left the door wide open until the candle was well alight, and then I
+shut them in and walked down the chilly, echoing passage.
+
+I must confess that the oddness of these three old pensioners in
+whose charge her ladyship had left the castle, and the deep-toned,
+old-fashioned furniture of the housekeeper's room in which they
+foregathered, affected me in spite of my efforts to keep myself at a
+matter-of-fact phase. They seemed to belong to another age, an older
+age, an age when things spiritual were different from this of ours,
+less certain; an age when omens and witches were credible, and ghosts
+beyond denying. Their very existence was spectral; the cut of their
+clothing, fashions born in dead brains. The ornaments and conveniences
+of the room about them were ghostly--the thoughts of vanished men,
+which still haunted rather than participated in the world of to-day.
+But with an effort I sent such thoughts to the right-about. The long,
+draughty subterranean passage was chilly and dusty, and my candle
+flared and made the shadows cower and quiver. The echoes rang up and
+down the spiral staircase, and a shadow came sweeping up after me, and
+one fled before me into the darkness overhead. I came to the landing
+and stopped there for a moment, listening to a rustling that I fancied
+I heard; then, satisfied of the absolute silence, I pushed open the
+baize-covered door and stood in the corridor.
+
+The effect was scarcely what I expected, for the moonlight, coming
+in by the great window on the grand staircase, picked out everything
+in vivid black shadow or silvery illumination. Everything was in its
+place: the house might have been deserted on the yesterday instead of
+eighteen months ago. There were candles in the sockets of the sconces,
+and whatever dust had gathered on the carpets or upon the polished
+flooring was distributed so evenly as to be invisible in the moonlight.
+I was about to advance, and stopped abruptly. A bronze group stood upon
+the landing, hidden from me by the corner of the wall, but its shadow
+fell with marvellous distinctness upon the white panelling, and gave
+me the impression of someone crouching to waylay me. I stood rigid for
+half a minute perhaps. Then, with my hand in the pocket that held my
+revolver, I advanced, only to discover a Ganymede and Eagle glistening
+in the moonlight. That incident for a time restored my nerve, and a
+porcelain Chinaman on a buhl table, whose head rocked silently as I
+passed him, scarcely startled me.
+
+The door to the red room and the steps up to it were in a shadowy
+corner. I moved my candle from side to side, in order to see clearly
+the nature of the recess in which I stood before opening the door. Here
+it was, thought I, that my predecessor was found, and the memory of
+that story gave me a sudden twinge of apprehension. I glanced over my
+shoulder at the Ganymede in the moonlight, and opened the door of the
+red room rather hastily, with my face half turned to the pallid silence
+of the landing.
+
+I entered, closed the door behind me at once, turned the key I found in
+the lock within, and stood with the candle held aloft, surveying the
+scene of my vigil, the great red room of Lorraine Castle, in which the
+young duke had died. Or, rather, in which he had begun his dying, for
+he had opened the door and fallen headlong down the steps I had just
+ascended. That had been the end of his vigil, of his gallant attempt to
+conquer the ghostly tradition of the place, and never, I thought, had
+apoplexy better served the ends of superstition. And there were other
+and older stories that clung to the room, back to the half-credible
+beginning of it all, the tale of a timid wife and the tragic end that
+came to her husband's jest of frightening her. And looking around that
+large shadowy room, with its shadowy window bays, its recesses and
+alcoves, one could well understand the legends that had sprouted in its
+black corners, its germinating darkness. My candle was a little tongue
+of light in its vastness, that failed to pierce the opposite end of the
+room, and left an ocean of mystery and suggestion beyond its island of
+light.
+
+I resolved to make a systematic examination of the place at once, and
+dispel the fanciful suggestions of its obscurity before they obtained a
+hold upon me. After satisfying myself of the fastening of the door, I
+began to walk about the room, peering round each article of furniture,
+tucking up the valances of the bed, and opening its curtains wide. I
+pulled up the blinds and examined the fastenings of the several windows
+before closing the shutters, leant forward and looked up the blackness
+of the wide chimney, and tapped the dark oak panelling for any secret
+opening. There were two big mirrors in the room, each with a pair of
+sconces bearing candles, and on the mantelshelf, too, were more candles
+in china candlesticks. All these I lit one after the other. The fire
+was laid,--an unexpected consideration from the old housekeeper,--and I
+lit it, to keep down any disposition to shiver, and when it was burning
+well, I stood round with my back to it and regarded the room again. I
+had pulled up a chintz-covered arm-chair and a table, to form a kind
+of barricade before me, and on this lay my revolver ready to hand. My
+precise examination had done me good, but I still found the remoter
+darkness of the place, and its perfect stillness, too stimulating for
+the imagination. The echoing of the stir and crackling of the fire
+was no sort of comfort to me. The shadow in the alcove, at the end
+in particular, had that undefinable quality of a presence, that odd
+suggestion of a lurking living thing, that comes so easily in silence
+and solitude. At last, to reassure myself, I walked with a candle into
+it, and satisfied myself that there was nothing tangible there. I stood
+that candle upon the floor of the alcove, and left it in that position.
+
+By this time I was in a state of considerable nervous tension, although
+to my reason there was no adequate cause for the condition. My mind,
+however, was perfectly clear. I postulated quite unreservedly that
+nothing supernatural could happen, and to pass the time I began to
+string some rhymes together, Ingoldsby fashion, of the original legend
+of the place. A few I spoke aloud, but the echoes were not pleasant.
+For the same reason I also abandoned, after a time, a conversation with
+myself upon the impossibility of ghosts and haunting. My mind reverted
+to the three old and distorted people downstairs, and I tried to keep
+it upon that topic. The sombre reds and blacks of the room troubled me;
+even with seven candles the place was merely dim. The one in the alcove
+flared in a draught, and the fire-flickering kept the shadows and
+penumbra perpetually shifting and stirring. Casting about for a remedy,
+I recalled the candles I had seen in the passage, and, with a slight
+effort, walked out into the moonlight, carrying a candle and leaving
+the door open, and presently returned with as many as ten. These I put
+in various knick-knacks of china with which the room was sparsely
+adorned, lit and placed where the shadows had lain deepest, some on the
+floor, some in the window recesses, until at last my seventeen candles
+were so arranged that not an inch of the room but had the direct light
+of at least one of them. It occurred to me that when the ghost came, I
+could warn him not to trip over them. The room was now quite brightly
+illuminated. There was something very cheery and reassuring in these
+little streaming flames, and snuffing them gave me an occupation, and
+afforded a reassuring sense of the passage of time.
+
+Even with that, however, the brooding expectation of the vigil weighed
+heavily upon me. It was after midnight that the candle in the alcove
+suddenly went out, and the black shadow sprang back to its place there.
+I did not see the candle go out; I simply turned and saw that the
+darkness was there, as one might start and see the unexpected presence
+of a stranger. "By Jove!" said I aloud; "that draught's a strong one!"
+and, taking the matches from the table, I walked across the room in a
+leisurely manner to relight the corner again. My first match would not
+strike, and as I succeeded with the second, something seemed to blink
+on the wall before me. I turned my head involuntarily, and saw that the
+two candles on the little table by the fireplace were extinguished. I
+rose at once to my feet.
+
+"Odd!" I said. "Did I do that myself in a flash of absent-mindedness?"
+
+I walked back, relit one, and as I did so, I saw the candle in the
+right sconce of one of the mirrors wink and go right out, and almost
+immediately its companion followed it. There was no mistake about it.
+The flame vanished, as if the wicks had been suddenly nipped between a
+finger and a thumb, leaving the wick neither glowing nor smoking, but
+black. While I stood gaping, the candle at the foot of the bed went
+out, and the shadows seemed to take another step towards me.
+
+"This won't do!" said I, and first one and then another candle on the
+mantelshelf followed.
+
+"What's up?" I cried, with a queer high note getting into my voice
+somehow. At that the candle on the wardrobe went out, and the one I had
+relit in the alcove followed.
+
+"Steady on!" I said. "These candles are wanted," speaking with a
+half-hysterical facetiousness, and scratching away at a match the
+while for the mantel candlesticks. My hands trembled so much that
+twice I missed the rough paper of the matchbox. As the mantel emerged
+from darkness again, two candles in the remoter end of the window
+were eclipsed. But with the same match I also relit the larger mirror
+candles, and those on the floor near the doorway, so that for the
+moment I seemed to gain on the extinctions. But then in a volley there
+vanished four lights at once in different corners of the room, and I
+struck another match in quivering haste, and stood hesitating whither
+to take it.
+
+As I stood undecided, an invisible hand seemed to sweep out the two
+candles on the table. With a cry of terror, I dashed at the alcove,
+then into the corner, and then into the window, relighting three, as
+two more vanished by the fireplace; then, perceiving a better way,
+I dropped the matches on the iron-bound deed-box in the corner, and
+caught up the bedroom candlestick. With this I avoided the delay of
+striking matches; but for all that the steady process of extinction
+went on, and the shadows I feared and fought against returned, and
+crept in upon me, first a step gained on this side of me and then on
+that. It was like a ragged storm-cloud sweeping out the stars. Now and
+then one returned for a minute, and was lost again. I was now almost
+frantic with the horror of the coming darkness, and my self-possession
+deserted me. I leaped panting and dishevelled from candle to candle, in
+a vain struggle against that remorseless advance.
+
+I bruised myself on the thigh against the table, I sent a chair
+headlong, I stumbled and fell and whisked the cloth from the table in
+my fall. My candle rolled away from me, and I snatched another as I
+rose. Abruptly this was blown out, as I swung it off the table, by the
+wind of my sudden movement, and immediately the two remaining candles
+followed. But there was light still in the room, a red light that
+staved off the shadows from me. The fire! Of course, I could still
+thrust my candle between the bars and relight it!
+
+I turned to where the flames were still dancing between the glowing
+coals, and splashing red reflections upon the furniture, made two steps
+towards the grate, and incontinently the flames dwindled and vanished,
+the glow vanished, the reflections rushed together and vanished, and
+as I thrust the candle between the bars, darkness closed upon me like
+the shutting of an eye, wrapped about me in a stifling embrace, sealed
+my vision, and crushed the last vestiges of reason from my brain. The
+candle fell from my hand. I flung out my arms in a vain effort to
+thrust that ponderous blackness away from me, and, lifting up my voice,
+screamed with all my might--once, twice, thrice. Then I think I must
+have staggered to my feet. I know I thought suddenly of the moonlit
+corridor, and, with my head bowed and my arms over my face, made a run
+for the door.
+
+But I had forgotten the exact position of the door, and struck myself
+heavily against the corner of the bed. I staggered back, turned, and
+was either struck or struck myself against some other bulky furniture.
+I have a vague memory of battering myself thus, to and fro in the
+darkness, of a cramped struggle, and of my own wild crying as I darted
+to and fro, of a heavy blow at last upon my forehead, a horrible
+sensation of falling that lasted an age, of my last frantic effort to
+keep my footing, and then I remember no more.
+
+ * * * * *
+
+I opened my eyes in daylight. My head was roughly bandaged, and the man
+with the withered arm was watching my face. I looked about me, trying
+to remember what had happened, and for a space I could not recollect.
+I rolled my eyes into the corner, and saw the old woman, no longer
+abstracted, pouring out some drops of medicine from a little blue
+phial into a glass. "Where am I?" I asked. "I seem to remember you, and
+yet I cannot remember who you are."
+
+They told me then, and I heard of the haunted Red Room as one who hears
+a tale. "We found you at dawn," said he, "and there was blood on your
+forehead and lips."
+
+It was very slowly I recovered my memory of my experience. "You believe
+now," said the old man, "that the room is haunted?" He spoke no longer
+as one who greets an intruder, but as one who grieves for a broken
+friend.
+
+"Yes," said I; "the room is haunted."
+
+"And you have seen it. And we, who have lived here all our lives, have
+never set eyes upon it. Because we have never dared.... Tell us, is it
+truly the old earl who"--
+
+"No," said I; "it is not."
+
+"I told you so," said the old lady, with the glass in her hand. "It is
+his poor young countess who was frightened"--
+
+"It is not," I said. "There is neither ghost of earl nor ghost of
+countess in that room, there is no ghost there at all; but worse, far
+worse"--
+
+"Well?" they said.
+
+"The worst of all the things that haunt poor mortal man," said I; "and
+that is, in all its nakedness--_Fear!_ Fear that will not have light
+nor sound, that will not bear with reason, that deafens and darkens and
+overwhelms. It followed me through the corridor, it fought against me
+in the room"--
+
+I stopped abruptly. There was an interval of silence. My hand went up
+to my bandages.
+
+Then the man with the shade sighed and spoke. "That is it," said he.
+"I knew that was it. A Power of Darkness. To put such a curse upon a
+woman! It lurks there always. You can feel it even in the daytime, even
+of a bright summer's day, in the hangings, in the curtains, keeping
+behind you however you face about. In the dusk it creeps along the
+corridor and follows you, so that you dare not turn. There is Fear in
+that room of hers--black Fear, and there will be--so long as this house
+of sin endures."
+
+
+
+
+THE CONE
+
+
+The night was hot and overcast, the sky red-rimmed with the lingering
+sunset of midsummer. They sat at the open window, trying to fancy the
+air was fresher there. The trees and shrubs of the garden stood stiff
+and dark; beyond in the roadway a gas-lamp burnt, bright orange against
+the hazy blue of the evening. Farther were the three lights of the
+railway signal against the lowering sky. The man and woman spoke to one
+another in low tones.
+
+"He does not suspect?" said the man, a little nervously.
+
+"Not he," she said peevishly, as though that too irritated her. "He
+thinks of nothing but the works and the prices of fuel. He has no
+imagination, no poetry."
+
+"None of these men of iron have," he said sententiously. "They have no
+hearts."
+
+"_He_ has not," she said. She turned her discontented face towards the
+window. The distant sound of a roaring and rushing drew nearer and
+grew in volume; the house quivered; one heard the metallic rattle of
+the tender. As the train passed, there was a glare of light above the
+cutting and a driving tumult of smoke; one, two, three, four, five,
+six, seven, eight black oblongs--eight trucks--passed across the dim
+grey of the embankment, and were suddenly extinguished one by one in
+the throat of the tunnel, which, with the last, seemed to swallow down
+train, smoke, and sound in one abrupt gulp.
+
+"This country was all fresh and beautiful once," he said; "and now--it
+is Gehenna. Down that way--nothing but pot-banks and chimneys belching
+fire and dust into the face of heaven.... But what does it matter? An
+end comes, an end to all this cruelty.... _To-morrow._" He spoke the
+last word in a whisper.
+
+"_To-morrow_," she said, speaking in a whisper too, and still staring
+out of the window.
+
+"Dear!" he said, putting his hand on hers.
+
+She turned with a start, and their eyes searched one another's. Hers
+softened to his gaze. "My dear one!" she said, and then: "It seems
+so strange--that you should have come into my life like this--to
+open"-- She paused.
+
+"To open?" he said.
+
+"All this wonderful world"--she hesitated, and spoke still more
+softly--"this world of _love_ to me."
+
+Then suddenly the door clicked and closed. They turned their heads,
+and he started violently back. In the shadow of the room stood a great
+shadowy figure--silent. They saw the face dimly in the half-light, with
+unexpressive dark patches under the penthouse brows. Every muscle in
+Raut's body suddenly became tense. When could the door have opened?
+What had he heard? Had he heard all? What had he seen? A tumult of
+questions.
+
+The new-comer's voice came at last, after a pause that seemed
+interminable. "Well?" he said.
+
+"I was afraid I had missed you, Horrocks," said the man at the window,
+gripping the window-ledge with his hand. His voice was unsteady.
+
+The clumsy figure of Horrocks came forward out of the shadow. He made
+no answer to Raut's remark. For a moment he stood above them.
+
+The woman's heart was cold within her. "I told Mr. Raut it was just
+possible you might come back," she said, in a voice that never quivered.
+
+Horrocks, still silent, sat down abruptly in the chair by her little
+work-table. His big hands were clenched; one saw now the fire of his
+eyes under the shadow of his brows. He was trying to get his breath.
+His eyes went from the woman he had trusted to the friend he had
+trusted, and then back to the woman.
+
+By this time and for the moment all three half understood one another.
+Yet none dared say a word to ease the pent-up things that choked them.
+
+It was the husband's voice that broke the silence at last.
+
+"You wanted to see me?" he said to Raut.
+
+Raut started as he spoke. "I came to see you," he said, resolved to lie
+to the last.
+
+"Yes," said Horrocks.
+
+"You promised," said Raut, "to show me some fine effects of moonlight
+and smoke."
+
+"I promised to show you some fine effects of moonlight and smoke,"
+repeated Horrocks in a colourless voice.
+
+"And I thought I might catch you to-night before you went down to the
+works," proceeded Raut, "and come with you."
+
+There was another pause. Did the man mean to take the thing coolly? Did
+he after all know? How long had he been in the room? Yet even at the
+moment when they heard the door, their attitudes.... Horrocks glanced
+at the profile of the woman, shadowy pallid in the half-light. Then he
+glanced at Raut, and seemed to recover himself suddenly. "Of course,"
+he said, "I promised to show you the works under their proper dramatic
+conditions. It's odd how I could have forgotten."
+
+"If I am troubling you"--began Raut.
+
+Horrocks started again. A new light had suddenly come into the sultry
+gloom of his eyes. "Not in the least," he said.
+
+"Have you been telling Mr. Raut of all these contrasts of flame and
+shadow you think so splendid?" said the woman, turning now to her
+husband for the first time, her confidence creeping back again, her
+voice just one half-note too high. "That dreadful theory of yours
+that machinery is beautiful, and everything else in the world ugly. I
+thought he would not spare you, Mr. Raut. It's his great theory, his
+one discovery in art."
+
+"I am slow to make discoveries," said Horrocks grimly, damping her
+suddenly. "But what I discover...." He stopped.
+
+"Well?" she said.
+
+"Nothing;" and suddenly he rose to his feet.
+
+"I promised to show you the works," he said to Raut, and put his big,
+clumsy hand on his friend's shoulder. "And you are ready to go?"
+
+"Quite," said Raut, and stood up also.
+
+There was another pause. Each of them peered through the indistinctness
+of the dusk at the other two. Horrock's hand still rested on Raut's
+shoulder. Raut half fancied still that the incident was trivial after
+all. But Mrs. Horrocks knew her husband better, knew that grim quiet in
+his voice, and the confusion in her mind took a vague shape of physical
+evil. "Very well," said Horrocks, and, dropping his hand, turned
+towards the door.
+
+"My hat?" Raut looked round in the half-light.
+
+"That's my work-basket," said Mrs. Horrocks, with a gust of hysterical
+laughter. Their hands came together on the back of the chair. "Here it
+is!" he said. She had an impulse to warn him in an undertone, but she
+could not frame a word. "Don't go!" and "Beware of him!" struggled in
+her mind, and the swift moment passed.
+
+"Got it?" said Horrocks, standing with the door half open.
+
+Raut stepped towards him. "Better say good-bye to Mrs. Horrocks," said
+the ironmaster, even more grimly quiet in his tone than before.
+
+Raut started and turned. "Good-evening, Mrs. Horrocks," he said, and
+their hands touched.
+
+Horrocks held the door open with a ceremonial politeness unusual in
+him towards men. Raut went out, and then, after a wordless look at
+her, her husband followed. She stood motionless while Raut's light
+footfall and her husband's heavy tread, like bass and treble, passed
+down the passage together. The front door slammed heavily. She went to
+the window, moving slowly, and stood watching--leaning forward. The two
+men appeared for a moment at the gateway in the road, passed under the
+street lamp, and were hidden by the black masses of the shrubbery. The
+lamplight fell for a moment on their faces, showing only unmeaning pale
+patches, telling nothing of what she still feared, and doubted, and
+craved vainly to know. Then she sank down into a crouching attitude in
+the big arm-chair, her eyes wide open and staring out at the red lights
+from the furnaces that flickered in the sky. An hour after she was
+still there, her attitude scarcely changed.
+
+The oppressive stillness of the evening weighed heavily upon Raut. They
+went side by side down the road in silence, and in silence turned into
+the cinder-made by-way that presently opened out the prospect of the
+valley.
+
+A blue haze, half dust, half mist, touched the long valley with
+mystery. Beyond were Hanley and Etruria, grey and dark masses,
+outlined thinly by the rare golden dots of the street lamps, and here
+and there a gaslit window, or the yellow glare of some late-working
+factory or crowded public-house. Out of the masses, clear and slender
+against the evening sky, rose a multitude of tall chimneys, many of
+them reeking, a few smokeless during a season of "play." Here and
+there a pallid patch and ghostly stunted beehive shapes showed the
+position of a pot-bank, or a wheel, black and sharp against the hot
+lower sky, marked some colliery where they raise the iridescent coal
+of the place. Nearer at hand was the broad stretch of railway, and
+half invisible trains shunted--a steady puffing and rumbling, with
+every run a ringing concussion and a rhythmic series of impacts, and a
+passage of intermittent puffs of white steam across the further view.
+And to the left, between the railway and the dark mass of the low hill
+beyond, dominating the whole view, colossal, inky-black, and crowned
+with smoke and fitful flames, stood the great cylinders of the Jeddah
+Company Blast Furnaces, the central edifices of the big ironworks of
+which Horrocks was the manager. They stood heavy and threatening, full
+of an incessant turmoil of flames and seething molten iron, and about
+the feet of them rattled the rolling-mills, and the steam-hammer beat
+heavily and splashed the white iron sparks hither and thither. Even as
+they looked, a truckful of fuel was shot into one of the giants, and
+the red flames gleamed out, and a confusion of smoke and black dust
+came boiling upwards towards the sky.
+
+"Certainly you get some fine effects of colour with your furnaces,"
+said Raut, breaking a silence that had become apprehensive.
+
+Horrocks grunted. He stood with his hands in his pockets, frowning down
+at the dim steaming railway and the busy ironworks beyond, frowning as
+if he were thinking out some knotty problem.
+
+Raut glanced at him and away again. "At present your moonlight effect
+is hardly ripe," he continued, looking upward; "the moon is still
+smothered by the vestiges of daylight."
+
+Horrocks stared at him with the expression of a man who has suddenly
+awakened. "Vestiges of daylight?... Of course, of course." He too
+looked up at the moon, pale still in the midsummer sky. "Come along,"
+he said suddenly, and, gripping Raut's arm in his hand, made a move
+towards the path that dropped from them to the railway.
+
+Raut hung back. Their eyes met and saw a thousand things in a moment
+that their lips came near to say. Horrocks's hand tightened and then
+relaxed. He let go, and before Raut was aware of it, they were arm in
+arm, and walking, one unwillingly enough, down the path.
+
+"You see the fine effect of the railway signals towards Burslem,"
+said Horrocks, suddenly breaking into loquacity, striding fast and
+tightening the grip of his elbow the while. "Little green lights
+and red and white lights, all against the haze. You have an eye for
+effect, Raut. It's a fine effect. And look at those furnaces of mine,
+how they rise upon us as we come down the hill. That to the right is
+my pet--seventy feet of him. I packed him myself, and he's boiled
+away cheerfully with iron in his guts for five long years. I've a
+particular fancy for _him_. That line of red there--a lovely bit of
+warm orange you'd call it, Raut--that's the puddlers' furnaces, and
+there, in the hot light, three black figures--did you see the white
+splash of the steam-hammer then?--that's the rolling-mills. Come along!
+Clang, clatter, how it goes rattling across the floor! Sheet tin,
+Raut,--amazing stuff. Glass mirrors are not in it when that stuff comes
+from the mill. And, squelch!--there goes the hammer again. Come along!"
+
+He had to stop talking to catch at his breath. His arm twisted into
+Raut's with benumbing tightness. He had come striding down the black
+path towards the railway as though he was possessed. Raut had not
+spoken a word, had simply hung back against Horrocks's pull with all
+his strength.
+
+"I say," he said now, laughing nervously, but with an undernote of
+snarl in his voice, "why on earth are you nipping my arm off, Horrocks,
+and dragging me along like this?"
+
+At length Horrocks released him. His manner changed again. "Nipping
+your arm off?" he said. "Sorry. But it's you taught me the trick of
+walking in that friendly way."
+
+"You haven't learnt the refinements of it yet then," said Raut,
+laughing artificially again. "By Jove! I'm black and blue." Horrocks
+offered no apology. They stood now near the bottom of the hill, close
+to the fence that bordered the railway. The ironworks had grown larger
+and spread out with their approach. They looked up to the blast
+furnaces now instead of down; the further view of Etruria and Hanley
+had dropped out of sight with their descent. Before them, by the stile,
+rose a notice-board, bearing, still dimly visible, the words, "BEWARE
+OF THE TRAINS," half hidden by splashes of coaly mud.
+
+"Fine effects," said Horrocks, waving his arm. "Here comes a train. The
+puffs of smoke, the orange glare, the round eye of light in front of
+it, the melodious rattle. Fine effects! But these furnaces of mine used
+to be finer, before we shoved cones in their throats, and saved the
+gas."
+
+"How?" said Raut. "Cones?"
+
+"Cones, my man, cones. I'll show you one nearer. The flames used to
+flare out of the open throats, great--what is it?--pillars of cloud by
+day, red and black smoke, and pillars of fire by night. Now we run it
+off in pipes, and burn it to heat the blast, and the top is shut by a
+cone. You'll be interested in that cone."
+
+"But every now and then," said Raut, "you get a burst of fire and smoke
+up there."
+
+"The cone's not fixed, it's hung by a chain from a lever, and balanced
+by an equipoise. You shall see it nearer. Else, of course, there'd be
+no way of getting fuel into the thing. Every now and then the cone
+dips, and out comes the flare."
+
+"I see," said Raut. He looked over his shoulder. "The moon gets
+brighter," he said.
+
+"Come along," said Horrocks abruptly, gripping his shoulder again, and
+moving him suddenly towards the railway crossing. And then came one of
+those swift incidents, vivid, but so rapid that they leave one doubtful
+and reeling. Halfway across, Horrocks's hand suddenly clenched upon him
+like a vice and swung him backward and through a half-turn, so that
+he looked up the line. And there a chain of lamp-lit carriage-windows
+telescoped swiftly as it came towards them, and the red and yellow
+lights of an engine grew larger and larger, rushing down upon them.
+As he grasped what this meant, he turned his face to Horrocks, and
+pushed with all his strength against the arm that held him back between
+the rails. The struggle did not last a moment. Just as certain as it
+was that Horrocks held him there, so certain was it that he had been
+violently lugged out of danger.
+
+"Out of the way," said Horrocks, with a gasp, as the train came
+rattling by, and they stood panting by the gate into the ironworks.
+
+"I did not see it coming," said Raut, still, even in spite of his own
+apprehensions, trying to keep up an appearance of ordinary intercourse.
+
+Horrocks answered with a grunt. "The cone," he said, and then, as one
+who recovers himself, "I thought you did not hear."
+
+"I didn't," said Raut.
+
+"I wouldn't have had you run over then for the world," said Horrocks.
+
+"For a moment I lost my nerve," said Raut.
+
+Horrocks stood for half a minute, then turned abruptly towards the
+ironworks again. "See how fine these great mounds of mine, these
+clinker-heaps, look in the night! That truck yonder, up above there!
+Up it goes, and out-tilts the slag. See the palpitating red stuff go
+sliding down the slope. As we get nearer, the heap rises up and cuts
+the blast furnaces. See the quiver up above the big one. Not that
+way! This way, between the heaps. That goes to the puddling furnaces,
+but I want to show you the canal first." He came and took Raut by the
+elbow, and so they went along side by side. Raut answered Horrocks
+vaguely. What, he asked himself, had really happened on the line? Was
+he deluding himself with his own fancies, or had Horrocks actually held
+him back in the way of the train? Had he just been within an ace of
+being murdered?
+
+Suppose this slouching, scowling monster _did_ know anything? For a
+minute or two then Raut was really afraid for his life, but the mood
+passed as he reasoned with himself. After all, Horrocks might have
+heard nothing. At anyrate, he had pulled him out of the way in time.
+His odd manner might be due to the mere vague jealousy he had shown
+once before. He was talking now of the ash-heaps and the canal. "Eigh?"
+said Horrocks.
+
+"What?" said Raut. "Rather! The haze in the moonlight. Fine!"
+
+"Our canal," said Horrocks, stopping suddenly. "Our canal by moonlight
+and firelight is an immense effect. You've never seen it? Fancy that!
+You've spent too many of your evenings philandering up in Newcastle
+there. I tell you, for real florid effects-- But you shall see. Boiling
+water...."
+
+As they came out of the labyrinth of clinker-heaps and mounds of coal
+and ore, the noises of the rolling-mill sprang upon them suddenly,
+loud, near, and distinct. Three shadowy workmen went by and touched
+their caps to Horrocks. Their faces were vague in the darkness. Raut
+felt a futile impulse to address them, and before he could frame
+his words, they passed into the shadows. Horrocks pointed to the
+canal close before them now: a weird-looking place it seemed, in the
+blood-red reflections of the furnaces. The hot water that cooled the
+tuyères came into it, some fifty yards up--a tumultuous, almost boiling
+affluent, and the steam rose up from the water in silent white wisps
+and streaks, wrapping damply about them, an incessant succession of
+ghosts coming up from the black and red eddies, a white uprising that
+made the head swim. The shining black tower of the larger blast-furnace
+rose overhead out of the mist, and its tumultuous riot filled their
+ears. Raut kept away from the edge of the water, and watched Horrocks.
+
+"Here it is red," said Horrocks, "blood-red vapour as red and hot as
+sin; but yonder there, where the moonlight falls on it, and it drives
+across the clinker-heaps, it is as white as death."
+
+Raut turned his head for a moment, and then came back hastily to his
+watch on Horrocks. "Come along to the rolling-mills," said Horrocks.
+The threatening hold was not so evident that time, and Raut felt a
+little reassured. But all the same, what on earth did Horrocks mean
+about "white as death" and "red as sin"? Coincidence, perhaps?
+
+They went and stood behind the puddlers for a little while, and then
+through the rolling-mills, where amidst an incessant din the deliberate
+steam-hammer beat the juice out of the succulent iron, and black,
+half-naked Titans rushed the plastic bars, like hot sealing-wax,
+between the wheels. "Come on," said Horrocks in Raut's ear, and they
+went and peeped through the little glass hole behind the tuyères, and
+saw the tumbled fire writhing in the pit of the blast-furnace. It left
+one eye blinded for a while. Then, with green and blue patches dancing
+across the dark, they went to the lift by which the trucks of ore and
+fuel and lime were raised to the top of the big cylinder.
+
+And out upon the narrow rail that overhung the furnace, Raut's
+doubts came upon him again. Was it wise to be here? If Horrocks did
+know--everything! Do what he would, he could not resist a violent
+trembling. Right under foot was a sheer depth of seventy feet. It was a
+dangerous place. They pushed by a truck of fuel to get to the railing
+that crowned the place. The reek of the furnace, a sulphurous vapour
+streaked with pungent bitterness, seemed to make the distant hillside
+of Hanley quiver. The moon was riding out now from among a drift of
+clouds, half-way up the sky above the undulating wooded outlines
+of Newcastle. The steaming canal ran away from below them under an
+indistinct bridge, and vanished into the dim haze of the flat fields
+towards Burslem.
+
+"That's the cone I've been telling you of," shouted Horrocks; "and,
+below that, sixty feet of fire and molten metal, with the air of the
+blast frothing through it like gas in soda-water."
+
+Raut gripped the hand-rail tightly, and stared down at the cone. The
+heat was intense. The boiling of the iron and the tumult of the blast
+made a thunderous accompaniment to Horrocks's voice. But the thing had
+to be gone through now. Perhaps, after all....
+
+"In the middle," bawled Horrocks, "temperature near a thousand degrees.
+If _you_ were dropped into it ... flash into flame like a pinch of
+gunpowder in a candle. Put your hand out and feel the heat of his
+breath. Why, even up here I've seen the rain-water boiling off the
+trucks. And that cone there. It's a damned sight too hot for roasting
+cakes. The top side of it's three hundred degrees."
+
+"Three hundred degrees!" said Raut.
+
+"Three hundred centigrade, mind!" said Horrocks. "It will boil the
+blood out of you in no time."
+
+"Eigh?" said Raut, and turned.
+
+"Boil the blood out of you in.... No, you don't!"
+
+"Let me go!" screamed Raut. "Let go my arm!"
+
+With one hand he clutched at the hand-rail, then with both. For a
+moment the two men stood swaying. Then suddenly, with a violent jerk,
+Horrocks had twisted him from his hold. He clutched at Horrocks and
+missed, his foot went back into empty air; in mid-air he twisted
+himself, and then cheek and shoulder and knee struck the hot cone
+together.
+
+He clutched the chain by which the cone hung, and the thing sank an
+infinitesimal amount as he struck it. A circle of glowing red appeared
+about him, and a tongue of flame, released from the chaos within,
+flickered up towards him. An intense pain assailed him at the knees,
+and he could smell the singeing of his hands. He raised himself to his
+feet, and tried to climb up the chain, and then something struck his
+head. Black and shining with the moonlight, the throat of the furnace
+rose about him.
+
+Horrocks, he saw, stood above him by one of the trucks of fuel on the
+rail. The gesticulating figure was bright and white in the moonlight,
+and shouting, "Fizzle, you fool! Fizzle, you hunter of women! You
+hot-blooded hound! Boil! boil! boil!"
+
+Suddenly he caught up a handful of coal out of the truck, and flung it
+deliberately, lump after lump, at Raut.
+
+"Horrocks!" cried Raut. "Horrocks!"
+
+He clung crying to the chain, pulling himself up from the burning of
+the cone. Each missile Horrocks flung hit him. His clothes charred
+and glowed, and as he struggled the cone dropped, and a rush of hot
+suffocating gas whooped out and burned round him in a swift breath of
+flame.
+
+His human likeness departed from him. When the momentary red had
+passed, Horrocks saw a charred, blackened figure, its head streaked
+with blood, still clutching and fumbling with the chain, and writhing
+in agony--a cindery animal, an inhuman, monstrous creature that began a
+sobbing intermittent shriek.
+
+Abruptly, at the sight, the ironmaster's anger passed. A deadly
+sickness came upon him. The heavy odour of burning flesh came drifting
+up to his nostrils. His sanity returned to him.
+
+"God have mercy upon me!" he cried. "O God! what have I done?"
+
+He knew the thing below him, save that it still moved and felt, was
+already a dead man--that the blood of the poor wretch must be boiling
+in his veins. An intense realisation of that agony came to his mind,
+and overcame every other feeling. For a moment he stood irresolute, and
+then, turning to the truck, he hastily tilted its contents upon the
+struggling thing that had once been a man. The mass fell with a thud,
+and went radiating over the cone. With the thud the shriek ended, and
+a boiling confusion of smoke, dust, and flame came rushing up towards
+him. As it passed, he saw the cone clear again.
+
+Then he staggered back, and stood trembling, clinging to the rail with
+both hands. His lips moved, but no words came to them.
+
+Down below was the sound of voices and running steps. The clangour of
+rolling in the shed ceased abruptly.
+
+
+
+
+THE PURPLE PILEUS
+
+
+Mr. Coombes was sick of life. He walked away from his unhappy home,
+and, sick not only of his own existence, but of everybody else's,
+turned aside down Gaswork Lane to avoid the town, and, crossing the
+wooden bridge that goes over the canal to Starling's Cottages, was
+presently alone in the damp pinewoods and out of sight and sound of
+human habitation. He would stand it no longer. He repeated aloud with
+blasphemies unusual to him that he would stand it no longer.
+
+He was a pale-faced little man, with dark eyes and a fine and very
+black moustache. He had a very stiff, upright collar slightly frayed,
+that gave him an illusory double chin, and his overcoat (albeit
+shabby) was trimmed with astrachan. His gloves were a bright brown
+with black stripes over the knuckles, and split at the finger ends.
+His appearance, his wife had said once in the dear, dead days beyond
+recall,--before he married her, that is,--was military. But now she
+called him-- It seems a dreadful thing to tell of between husband and
+wife, but she called him "a little grub." It wasn't the only thing she
+had called him, either.
+
+The row had arisen about that beastly Jennie again. Jennie was his
+wife's friend, and, by no invitation of Mr. Coombes, she came in every
+blessed Sunday to dinner, and made a shindy all the afternoon. She was
+a big, noisy girl, with a taste for loud colours and a strident laugh;
+and this Sunday she had outdone all her previous intrusions by bringing
+in a fellow with her, a chap as showy as herself. And Mr. Coombes,
+in a starchy, clean collar and his Sunday frock-coat, had sat dumb
+and wrathful at his own table, while his wife and her guests talked
+foolishly and undesirably, and laughed aloud. Well, he stood that, and
+after dinner (which, "as usual," was late), what must Miss Jennie do
+but go to the piano and play banjo tunes, for all the world as if it
+were a week-day! Flesh and blood could not endure such goings on. They
+would hear next door, they would hear in the road, it was a public
+announcement of their disrepute. He had to speak.
+
+He had felt himself go pale, and a kind of rigour had affected his
+respiration as he delivered himself. He had been sitting on one of
+the chairs by the window--the new guest had taken possession of the
+arm-chair. He turned his head. "Sun Day!" he said over the collar, in
+the voice of one who warns. "Sun Day!" What people call a "nasty" tone
+it was.
+
+Jennie had kept on playing, but his wife, who was looking through
+some music that was piled on the top of the piano, had stared at him.
+"What's wrong now?" she said; "can't people enjoy themselves?"
+
+"I don't mind rational 'njoyment, at all," said little Coombes, "but I
+ain't a-going to have week-day tunes playing on a Sunday in this house."
+
+"What's wrong with my playing now?" said Jennie, stopping and twirling
+round on the music-stool with a monstrous rustle of flounces.
+
+Coombes saw it was going to be a row, and opened too vigorously, as is
+common with your timid, nervous men all the world over. "Steady on with
+that music-stool!" said he; "it ain't made for 'eavy weights."
+
+"Never you mind about weights," said Jennie, incensed. "What was you
+saying behind my back about my playing?"
+
+"Surely you don't 'old with not having a bit of music on a Sunday, Mr.
+Coombes?" said the new guest, leaning back in the arm-chair, blowing
+a cloud of cigarette smoke and smiling in a kind of pitying way. And
+simultaneously his wife said something to Jennie about "Never mind 'im.
+You go on, Jinny."
+
+"I do," said Mr. Coombes, addressing the new guest.
+
+"May I arst why?" said the new guest, evidently enjoying both his
+cigarette and the prospect of an argument. He was, by the bye, a lank
+young man, very stylishly dressed in bright drab, with a white cravat
+and a pearl and silver pin. It had been better taste to come in a black
+coat, Mr. Coombes thought.
+
+"Because," began Mr. Coombes, "it don't suit me. I'm a business man. I
+'ave to study my connection. Rational 'njoyment"--
+
+"His connection!" said Mrs. Coombes scornfully. "That's what he's
+always a-saying. We got to do this, and we got to do that"--
+
+"If you don't mean to study my connection," said Mr. Coombes, "what did
+you marry me for?"
+
+"I wonder," said Jennie, and turned back to the piano.
+
+"I never saw such a man as you," said Mrs. Coombes. "You've altered all
+round since we were married. Before"--
+
+Then Jennie began at the tum, tum, tum again.
+
+"Look here!" said Mr. Coombes, driven at last to revolt, standing up
+and raising his voice. "I tell you I won't have that." The frock-coat
+heaved with his indignation.
+
+"No vi'lence, now," said the long young man in drab, sitting up.
+
+"Who the juice are you?" said Mr. Coombes fiercely.
+
+Whereupon they all began talking at once. The new guest said he was
+Jennie's "intended," and meant to protect her, and Mr. Coombes said he
+was welcome to do so anywhere but in his (Mr. Coombes') house; and Mrs.
+Coombes said he ought to be ashamed of insulting his guests, and (as I
+have already mentioned) that he was getting a regular little grub; and
+the end was, that Mr. Coombes ordered his visitors out of the house,
+and they wouldn't go, and so he said he would go himself. With his face
+burning and tears of excitement in his eyes, he went into the passage,
+and as he struggled with his overcoat--his frock-coat sleeves got
+concertinaed up his arm--and gave a brush at his silk hat, Jennie began
+again at the piano, and strummed him insultingly out of the house.
+Tum, tum, tum. He slammed the shop door so that the house quivered.
+That, briefly, was the immediate making of his mood. You will perhaps
+begin to understand his disgust with existence.
+
+As he walked along the muddy path under the firs,--it was late October,
+and the ditches and heaps of fir needles were gorgeous with clumps of
+fungi,--he recapitulated the melancholy history of his marriage. It
+was brief and commonplace enough. He now perceived with sufficient
+clearness that his wife had married him out of a natural curiosity
+and in order to escape from her worrying, laborious, and uncertain
+life in the workroom; and, like the majority of her class, she was
+far too stupid to realise that it was her duty to co-operate with
+him in his business. She was greedy of enjoyment, loquacious, and
+socially-minded, and evidently disappointed to find the restraints of
+poverty still hanging about her. His worries exasperated her, and the
+slightest attempt to control her proceedings resulted in a charge of
+"grumbling." Why couldn't he be nice--as he used to be? And Coombes was
+such a harmless little man, too, nourished mentally on _Self-Help_, and
+with a meagre ambition of self-denial and competition, that was to end
+in a "sufficiency." Then Jennie came in as a female Mephistopheles,
+a gabbling chronicle of "fellers," and was always wanting his wife
+to go to theatres, and "all that." And in addition were aunts of his
+wife, and cousins (male and female), to eat up capital, insult him
+personally, upset business arrangements, annoy good customers, and
+generally blight his life. It was not the first occasion by many
+that Mr. Coombes had fled his home in wrath and indignation, and
+something like fear, vowing furiously and even aloud that he wouldn't
+stand it, and so frothing away his energy along the line of least
+resistance. But never before had he been quite so sick of life as on
+this particular Sunday afternoon. The Sunday dinner may have had its
+share in his despair--and the greyness of the sky. Perhaps, too, he
+was beginning to realise his unendurable frustration as a business man
+as the consequence of his marriage. Presently bankruptcy, and after
+that-- Perhaps she might have reason to repent when it was too late.
+And destiny, as I have already intimated, had planted the path through
+the wood with evil-smelling fungi, thickly and variously planted it,
+not only on the right side, but on the left.
+
+A small shopman is in such a melancholy position, if his wife turns out
+a disloyal partner. His capital is all tied up in his business, and to
+leave her, means to join the unemployed in some strange part of the
+earth. The luxuries of divorce are beyond him altogether. So that the
+good old tradition of marriage for better or worse holds inexorably for
+him, and things work up to tragic culminations. Bricklayers kick their
+wives to death, and dukes betray theirs; but it is among the small
+clerks and shopkeepers nowadays that it comes most often to a cutting
+of throats. Under the circumstances it is not so very remarkable--and
+you must take it as charitably as you can--that the mind of Mr. Coombes
+ran for a while on some such glorious close to his disappointed hopes,
+and that he thought of razors, pistols, bread-knives, and touching
+letters to the coroner denouncing his enemies by name, and praying
+piously for forgiveness. After a time his fierceness gave way to
+melancholia. He had been married in this very overcoat, in his first
+and only frock-coat that was buttoned up beneath it. He began to recall
+their courting along this very walk, his years of penurious saving to
+get capital, and the bright hopefulness of his marrying days. For it
+all to work out like this! Was there no sympathetic ruler anywhere in
+the world? He reverted to death as a topic.
+
+He thought of the canal he had just crossed, and doubted whether he
+shouldn't stand with his head out, even in the middle, and it was
+while drowning was in his mind that the purple pileus caught his eye.
+He looked at it mechanically for a moment, and stopped and stooped
+towards it to pick it up, under the impression that it was some such
+small leather object as a purse. Then he saw that it was the purple top
+of a fungus, a peculiarly poisonous-looking purple: slimy, shiny, and
+emitting a sour odour. He hesitated with his hand an inch or so from
+it, and the thought of poison crossed his mind. With that he picked the
+thing, and stood up again with it in his hand.
+
+The odour was certainly strong--acrid, but by no means disgusting.
+He broke off a piece, and the fresh surface was a creamy white, that
+changed like magic in the space of ten seconds to a yellowish-green
+colour. It was even an inviting-looking change. He broke off two other
+pieces to see it repeated. They were wonderful things these fungi,
+thought Mr. Coombes, and all of them the deadliest poisons, as his
+father had often told him. Deadly poisons!
+
+There is no time like the present for a rash resolve. Why not here
+and now? thought Mr. Coombes. He tasted a little piece, a very little
+piece indeed--a mere crumb. It was so pungent that he almost spat
+it out again, then merely hot and full-flavoured. A kind of German
+mustard with a touch of horse-radish and--well, mushroom. He swallowed
+it in the excitement of the moment. Did he like it or did he not?
+His mind was curiously careless. He would try another bit. It really
+wasn't bad--it was good. He forgot his troubles in the interest of
+the immediate moment. Playing with death it was. He took another
+bite, and then deliberately finished a mouthful. A curious tingling
+sensation began in his finger-tips and toes. His pulse began to move
+faster. The blood in his ears sounded like a mill-race. "Try bi' more,"
+said Mr. Coombes. He turned and looked about him, and found his feet
+unsteady. He saw and struggled towards a little patch of purple a dozen
+yards away. "Jol' goo' stuff," said Mr. Coombes. "E--lomore ye'." He
+pitched forward and fell on his face, his hands outstretched towards
+the cluster of pilei. But he did not eat any more of them. He forgot
+forthwith.
+
+He rolled over and sat up with a look of astonishment on his face.
+His carefully brushed silk hat had rolled away towards the ditch. He
+pressed his hand to his brow. Something had happened, but he could
+not rightly determine what it was. Anyhow, he was no longer dull--he
+felt bright, cheerful. And his throat was afire. He laughed in the
+sudden gaiety of his heart. Had he been dull? He did not know; but at
+anyrate he would be dull no longer. He got up and stood unsteadily,
+regarding the universe with an agreeable smile. He began to remember.
+He could not remember very well, because of a steam roundabout that
+was beginning in his head. And he knew he had been disagreeable at
+home, just because they wanted to be happy. They were quite right; life
+should be as gay as possible. He would go home and make it up, and
+reassure them. And why not take some of this delightful toadstool with
+him, for them to eat? A hatful, no less. Some of those red ones with
+white spots as well, and a few yellow. He had been a dull dog, an enemy
+to merriment; he would make up for it. It would be gay to turn his
+coat-sleeves inside out, and stick some yellow gorse into his waistcoat
+pockets. Then home--singing--for a jolly evening.
+
+ * * * * *
+
+After the departure of Mr. Coombes, Jennie discontinued playing, and
+turned round on the music-stool again. "What a fuss about nothing,"
+said Jennie.
+
+"You see, Mr. Clarence, what I've got to put up with," said Mrs.
+Coombes.
+
+"He is a bit hasty," said Mr. Clarence judicially.
+
+"He ain't got the slightest sense of our position," said Mrs. Coombes;
+"that's what I complain of. He cares for nothing but his old shop; and
+if I have a bit of company, or buy anything to keep myself decent,
+or get any little thing I want out of the housekeeping money, there's
+disagreeables. 'Economy,' he says; 'struggle for life,' and all that.
+He lies awake of nights about it, worrying how he can screw me out of a
+shilling. He wanted us to eat Dorset butter once. If once I was to give
+in to him--there!"
+
+"Of course," said Jennie.
+
+"If a man values a woman," said Mr. Clarence lounging back in the
+arm-chair, "he must be prepared to make sacrifices for her. For my own
+part," said Mr. Clarence, with his eye on Jennie, "I shouldn't think
+of marrying till I was in a position to do the thing in style. It's
+downright selfishness. A man ought to go through the rough-and-tumble
+by himself, and not drag her"--
+
+"I don't agree altogether with that," said Jennie. "I don't see why
+a man shouldn't have a woman's help, provided he doesn't treat her
+meanly, you know. It's meanness"--
+
+"You wouldn't believe," said Mrs. Coombes. "But I was a fool to 'ave
+'im. I might 'ave known. If it 'adn't been for my father, we shouldn't
+have had not a carriage to our wedding."
+
+"Lord! he didn't stick out at that?" said Mr. Clarence, quite shocked.
+
+"Said he wanted the money for his stock, or some such rubbish. Why, he
+wouldn't have a woman in to help me once a week if it wasn't for my
+standing out plucky. And the fusses he makes about money--comes to me,
+well, pretty near crying, with sheets of paper and figgers. 'If only we
+can tide over this year,' he says, 'the business is bound to go.' 'If
+only we can tide over this year,' I says; 'then it'll be, if only we
+can tide over next year. I know you,' I says. 'And you don't catch me
+screwing myself lean and ugly. Why didn't you marry a slavey?' I says,
+'if you wanted one--instead of a respectable girl,' I says."
+
+So Mrs. Coombes. But we will not follow this unedifying conversation
+further. Suffice it that Mr. Coombes was very satisfactorily disposed
+of, and they had a snug little time round the fire. Then Mrs. Coombes
+went to get the tea, and Jennie sat coquettishly on the arm of Mr.
+Clarence's chair until the tea-things clattered outside. "What was
+that I heard?" asked Mrs. Coombes playfully, as she entered, and there
+was badinage about kissing. They were just sitting down to the little
+circular table when the first intimation of Mr. Coombes' return was
+heard.
+
+This was a fumbling at the latch of the front door.
+
+"'Ere's my lord," said Mrs. Coombes. "Went out like a lion and comes
+back like a lamb, I'll lay."
+
+Something fell over in the shop: a chair, it sounded like. Then there
+was a sound as of some complicated step exercise in the passage. Then
+the door opened and Coombes appeared. But it was Coombes transfigured.
+The immaculate collar had been torn carelessly from his throat. His
+carefully-brushed silk hat, half-full of a crush of fungi, was under
+one arm; his coat was inside out, and his waistcoat adorned with
+bunches of yellow-blossomed furze. These little eccentricities of
+Sunday costume, however, were quite overshadowed by the change in his
+face; it was livid white, his eyes were unnaturally large and bright,
+and his pale blue lips were drawn back in a cheerless grin. "Merry!"
+he said. He had stopped dancing to open the door. "Rational 'njoyment.
+Dance." He made three fantastic steps into the room, and stood bowing.
+
+"Jim!" shrieked Mrs. Coombes, and Mr. Clarence sat petrified, with a
+dropping lower jaw.
+
+"Tea," said Mr. Coombes. "Jol' thing, tea. Tose-stools, too. Brosher."
+
+"He's drunk," said Jennie in a weak voice. Never before had she seen
+this intense pallor in a drunken man, or such shining, dilated eyes.
+
+Mr. Coombes held out a handful of scarlet agaric to Mr. Clarence. "Jo'
+stuff," said he; "ta' some."
+
+At that moment he was genial. Then at the sight of their startled faces
+he changed, with the swift transition of insanity, into overbearing
+fury. And it seemed as if he had suddenly recalled the quarrel of his
+departure. In such a huge voice as Mrs. Coombes had never heard before,
+he shouted, "My house. I'm master 'ere. Eat what I give yer!" He bawled
+this, as it seemed, without an effort, without a violent gesture,
+standing there as motionless as one who whispers, holding out a handful
+of fungus.
+
+Clarence approved himself a coward. He could not meet the mad fury in
+Coombes' eyes; he rose to his feet, pushing back his chair, and turned,
+stooping. At that Coombes rushed at him. Jennie saw her opportunity,
+and, with the ghost of a shriek, made for the door. Mrs. Coombes
+followed her. Clarence tried to dodge. Over went the tea-table with a
+smash as Coombes clutched him by the collar and tried to thrust the
+fungus into his mouth. Clarence was content to leave his collar behind
+him, and shot out into the passage with red patches of fly agaric still
+adherent to his face. "Shut 'im in!" cried Mrs. Coombes, and would have
+closed the door, but her supports deserted her; Jennie saw the shop
+door open, and vanished thereby, locking it behind her, while Clarence
+went on hastily into the kitchen. Mr. Coombes came heavily against the
+door, and Mrs. Coombes, finding the key was inside, fled upstairs and
+locked herself in the spare bedroom.
+
+So the new convert to _joie de vivre_ emerged upon the passage, his
+decorations a little scattered, but that respectable hatful of fungi
+still under his arm. He hesitated at the three ways, and decided on the
+kitchen. Whereupon Clarence, who was fumbling with the key, gave up
+the attempt to imprison his host, and fled into the scullery, only to
+be captured before he could open the door into the yard. Mr. Clarence
+is singularly reticent of the details of what occurred. It seems that
+Mr. Coombes' transitory irritation had vanished again, and he was once
+more a genial playfellow. And as there were knives and meat choppers
+about, Clarence very generously resolved to humour him and so avoid
+anything tragic. It is beyond dispute that Mr. Coombes played with Mr.
+Clarence to his heart's content; they could not have been more playful
+and familiar if they had known each other for years. He insisted gaily
+on Clarence trying the fungi, and after a friendly tussle, was smitten
+with remorse at the mess he was making of his guest's face. It also
+appears that Clarence was dragged under the sink and his face scrubbed
+with the blacking brush,--he being still resolved to humour the lunatic
+at any cost,--and that finally, in a somewhat dishevelled, chipped, and
+discoloured condition, he was assisted to his coat and shown out by the
+back door, the shopway being barred by Jennie. Mr. Coombes' wandering
+thoughts then turned to Jennie. Jennie had been unable to unfasten the
+shop door, but she shot the bolts against Mr. Coombes' latch-key, and
+remained in possession of the shop for the rest of the evening.
+
+It would appear that Mr. Coombes then returned to the kitchen, still
+in pursuit of gaiety, and, albeit a strict Good Templar, drank (or
+spilt down the front of the first and only frock-coat) no less than
+five bottles of the stout Mrs. Coombes insisted upon having for her
+health's sake. He made cheerful noises by breaking off the necks of
+the bottles with several of his wife's wedding-present dinner-plates,
+and during the earlier part of this great drunk he sang divers merry
+ballads. He cut his finger rather badly with one of the bottles,--the
+only bloodshed in this story,--and what with that, and the systematic
+convulsion of his inexperienced physiology by the liquorish brand
+of Mrs. Coombes' stout, it may be the evil of the fungus poison was
+somehow allayed. But we prefer to draw a veil over the concluding
+incidents of this Sunday afternoon. They ended in the coal cellar, in a
+deep and healing sleep.
+
+ * * * * *
+
+An interval of five years elapsed. Again it was a Sunday afternoon
+in October, and again Mr. Coombes walked through the pinewood beyond
+the canal. He was still the same dark-eyed, black-moustached little
+man that he was at the outset of the story, but his double chin was
+now scarcely so illusory as it had been. His overcoat was new, with a
+velvet lapel, and a stylish collar with turn-down corners, free of any
+coarse starchiness, had replaced the original all-round article. His
+hat was glossy, his gloves newish--though one finger had split and been
+carefully mended. And a casual observer would have noticed about him a
+certain rectitude of bearing, a certain erectness of head that marks
+the man who thinks well of himself. He was a master now, with three
+assistants. Beside him walked a larger sunburnt parody of himself, his
+brother Tom, just back from Australia. They were recapitulating their
+early struggles, and Mr. Coombes had just been making a financial
+statement.
+
+"It's a very nice little business, Jim," said brother Tom. "In these
+days of competition you're jolly lucky to have worked it up so. And
+you're jolly lucky, too, to have a wife who's willing to help like
+yours does."
+
+"Between ourselves," said Mr. Coombes, "it wasn't always so. It wasn't
+always like this. To begin with, the missus was a bit giddy. Girls are
+funny creatures."
+
+"Dear me!"
+
+"Yes. You'd hardly think it, but she was downright extravagant, and
+always having slaps at me. I was a bit too easy and loving, and all
+that, and she thought the whole blessed show was run for her. Turned
+the 'ouse into a regular caravansery, always having her relations and
+girls from business in, and their chaps. Comic songs a' Sunday, it was
+getting to, and driving trade away. And she was making eyes at the
+chaps, too! I tell you, Tom, the place wasn't my own."
+
+"Shouldn't 'a' thought it."
+
+"It was so. Well--I reasoned with her. I said, 'I ain't a duke, to keep
+a wife like a pet animal. I married you for 'elp and company.' I said,
+'You got to 'elp and pull the business through.' She wouldn't 'ear of
+it. 'Very well,' I says; 'I'm a mild man till I'm roused,' I says, 'and
+it's getting to that.' But she wouldn't 'ear of no warnings."
+
+"Well?"
+
+"It's the way with women. She didn't think I 'ad it in me to be roused.
+Women of her sort (between ourselves, Tom) don't respect a man until
+they're a bit afraid of him. So I just broke out to show her. In comes
+a girl named Jennie, that used to work with her, and her chap. We 'ad
+a bit of a row, and I came out 'ere--it was just such another day as
+this--and I thought it all out. Then I went back and pitched into them."
+
+"You did?"
+
+"I did. I was mad, I can tell you. I wasn't going to 'it 'er, if I
+could 'elp it, so I went back and licked into this chap, just to show
+'er what I could do. 'E was a big chap, too. Well, I chucked him, and
+smashed things about, and gave 'er a scaring, and she ran up and locked
+'erself into the spare room."
+
+"Well?"
+
+"That's all. I says to 'er the next morning, 'Now you know,' I says,
+'what I'm like when I'm roused.' And I didn't 'ave to say anything
+more."
+
+"And you've been happy ever after, eh?"
+
+"So to speak. There's nothing like putting your foot down with them. If
+it 'adn't been for that afternoon I should 'a' been tramping the roads
+now, and she'd 'a' been grumbling at me, and all her family grumbling
+for bringing her to poverty--I know their little ways. But we're all
+right now. And it's a very decent little business, as you say."
+
+They proceed on their way meditatively. "Women are funny creatures,"
+said brother Tom.
+
+"They want a firm hand," says Coombes.
+
+"What a lot of these funguses there are about here!" remarked brother
+Tom presently. "I can't see what use they are in the world."
+
+Mr. Coombes looked. "I dessay they're sent for some wise purpose," said
+Mr. Coombes.
+
+And that was as much thanks as the purple pileus ever got for maddening
+this absurd little man to the pitch of decisive action, and so altering
+the whole course of his life.
+
+
+
+
+THE JILTING OF JANE
+
+
+As I sit writing in my study, I can hear our Jane bumping her way
+downstairs with a brush and dustpan. She used in the old days to sing
+hymn tunes, or the British national song for the time being, to these
+instruments, but latterly she has been silent and even careful over
+her work. Time was when I prayed with fervour for such silence, and
+my wife with sighs for such care, but now they have come we are not
+so glad as we might have anticipated we should be. Indeed, I would
+rejoice secretly, though it may be unmanly weakness to admit it, even
+to hear Jane sing "Daisy," or by the fracture of any plate but one of
+Euphemia's best green ones, to learn that the period of brooding has
+come to an end.
+
+Yet how we longed to hear the last of Jane's young man before we heard
+the last of him! Jane was always very free with her conversation to
+my wife, and discoursed admirably in the kitchen on a variety of
+topics--so well, indeed, that I sometimes left my study door open--our
+house is a small one--to partake of it. But after William came, it was
+always William, nothing but William; William this and William that;
+and when we thought William was worked out and exhausted altogether,
+then William all over again. The engagement lasted altogether three
+years; yet how she got introduced to William, and so became thus
+saturated with him, was always a secret. For my part, I believe it
+was at the street corner where the Rev. Barnabas Baux used to hold an
+open-air service after evensong on Sundays. Young Cupids were wont to
+flit like moths round the paraffin flare of that centre of High Church
+hymn-singing. I fancy she stood singing hymns there, out of memory and
+her imagination, instead of coming home to get supper, and William
+came up beside her and said, "Hello!" "Hello yourself!" she said; and,
+etiquette being satisfied, they proceeded to talk together.
+
+As Euphemia has a reprehensible way of letting her servants talk to
+her, she soon heard of him. "He is _such_ a respectable young man,
+ma'am," said Jane, "you don't know." Ignoring the slur cast on her
+acquaintance, my wife inquired further about this William.
+
+"He is second porter at Maynard's, the draper's," said Jane, "and
+gets eighteen shillings--nearly a pound--a week, m'm; and when the
+head porter leaves he will be head porter. His relatives are quite
+superior people, m'm. Not labouring people at all. His father was a
+greengrosher, m'm, and had a chumor, and he was bankrup' twice. And one
+of his sisters is in a Home for the Dying. It will be a very good match
+for me, m'm," said Jane, "me being an orphan girl."
+
+"Then you are engaged to him?" asked my wife.
+
+"Not engaged, ma'am; but he is saving money to buy a ring--hammyfist."
+
+"Well, Jane, when you are properly engaged to him you may ask him round
+here on Sunday afternoons, and have tea with him in the kitchen."
+For my Euphemia has a motherly conception of her duty towards her
+maid-servants. And presently the amethystine ring was being worn about
+the house, even with ostentation, and Jane developed a new way of
+bringing in the joint, so that this gage was evident. The elder Miss
+Maitland was aggrieved by it, and told my wife that servants ought not
+to wear rings. But my wife looked it up in _Enquire Within_ and _Mrs.
+Motherly's Book of Household Management_, and found no prohibition. So
+Jane remained with this happiness added to her love.
+
+The treasure of Jane's heart appeared to me to be what respectable
+people call a very deserving young man. "William, ma'am," said Jane one
+day suddenly, with ill-concealed complacency, as she counted out the
+beer bottles, "William, ma'am, is a teetotaller. Yes, m'm; and he don't
+smoke. Smoking, ma'am," said Jane, as one who reads the heart, "_do_
+make such a dust about. Beside the waste of money. _And_ the smell.
+However, I suppose it's necessary to some."
+
+Possibly it dawned on Jane that she was reflecting a little severely
+upon Euphemia's comparative ill-fortune, and she added kindly, "I'm
+sure the master is a hangel when his pipe's alight. Compared to other
+times."
+
+William was at first a rather shabby young man of the ready-made black
+coat school of costume. He had watery grey eyes, and a complexion
+appropriate to the brother of one in a Home for the Dying. Euphemia
+did not fancy him very much, even at the beginning. His eminent
+respectability was vouched for by an alpaca umbrella, from which he
+never allowed himself to be parted.
+
+"He goes to chapel," said Jane. "His papa, ma'am"--
+
+"His _what_, Jane?"
+
+"His papa, ma'am, was Church; but Mr. Maynard is a Plymouth Brother,
+and William thinks it Policy, ma'am, to go there too. Mr. Maynard comes
+and talks to him quite friendly, when they ain't busy, about using up
+all the ends of string, and about his soul. He takes a lot of notice,
+do Mr. Maynard, of William, and the way he saves string and his soul,
+ma'am."
+
+Presently we heard that the head porter at Maynard's had left, and that
+William was head porter at twenty-three shillings a week. "He is really
+kind of over the man who drives the van," said Jane, "and him married
+with three children." And she promised in the pride of her heart to
+make interest for us with William to favour us so that we might get our
+parcels of drapery from Maynard's with exceptional promptitude.
+
+After this promotion a rapidly increasing prosperity came upon Jane's
+young man. One day, we learned that Mr. Maynard had given William a
+book. "Smiles' Elp Yourself, it's called," said Jane; "but it ain't
+comic. It tells you how to get on in the world, and some what William
+read to me was _lovely_, ma'am."
+
+Euphemia told me of this laughing, and then she became suddenly grave.
+"Do you know, dear," she said, "Jane said one thing I did not like. She
+had been quiet for a minute, and then she suddenly remarked, 'William
+is a lot above me, ma'am, ain't he?'"
+
+"I don't see anything in that," I said, though later my eyes were to be
+opened.
+
+One Sunday afternoon about that time I was sitting at my
+writing-desk--possibly I was reading a good book--when a something
+went by the window. I heard a startled exclamation behind me, and
+saw Euphemia with her hands clasped together and her eyes dilated.
+"George," she said in an awestricken whisper, "did you see?"
+
+Then we both spoke to one another at the same moment, slowly and
+solemnly: "_A silk hat! Yellow gloves! A new umbrella!_"
+
+"It may be my fancy, dear," said Euphemia; "but his tie was very like
+yours. I believe Jane keeps him in ties. She told me a little while
+ago in a way that implied volumes about the rest of your costume, 'The
+master _do_ wear pretty ties, ma'am.' And he echoes all your novelties."
+
+The young couple passed our window again on their way to their
+customary walk. They were arm in arm. Jane looked exquisitely proud,
+happy, and uncomfortable, with new white cotton gloves, and William, in
+the silk hat, singularly genteel!
+
+That was the culmination of Jane's happiness. When she returned, "Mr.
+Maynard has been talking to William, ma'am," she said, "and he is to
+serve customers, just like the young shop gentlemen, during the next
+sale. And if he gets on, he is to be made an assistant, ma'am, at the
+first opportunity. He has got to be as gentlemanly as he can, ma'am;
+and if he ain't, ma'am, he says it won't be for want of trying. Mr.
+Maynard has took a great fancy to him."
+
+"He _is_ getting on, Jane," said my wife.
+
+"Yes, ma'am," said Jane thoughtfully, "he _is_ getting on."
+
+And she sighed.
+
+That next Sunday, as I drank my tea, I interrogated my wife. "How is
+this Sunday different from all other Sundays, little woman? What has
+happened? Have you altered the curtains, or rearranged the furniture,
+or where is the indefinable difference of it? Are you wearing your hair
+in a new way without warning me? I clearly perceive a change in my
+environment, and I cannot for the life of me say what it is."
+
+Then my wife answered in her most tragic voice: "George," she said,
+"that--that William has not come near the place to-day! And Jane is
+crying her heart out upstairs."
+
+There followed a period of silence. Jane, as I have said, stopped
+singing about the house, and began to care for our brittle possessions,
+which struck my wife as being a very sad sign indeed. The next Sunday,
+and the next, Jane asked to go out, "to walk with William," and my
+wife, who never attempts to extort confidences, gave her permission,
+and asked no questions. On each occasion Jane came back looking
+flushed and very determined. At last one day she became communicative.
+
+"William is being led away," she remarked abruptly, with a catching of
+the breath, apropos of tablecloths. "Yes, m'm. She is a milliner, and
+she can play on the piano."
+
+"I thought," said my wife, "that you went out with him on Sunday."
+
+"Not out with him, m'm--after him. I walked along by the side of them,
+and told her he was engaged to me."
+
+"Dear me, Jane, did you? What did they do?"
+
+"Took no more notice of me than if I was dirt. So I told her she should
+suffer for it."
+
+"It could not have been a very agreeable walk, Jane."
+
+"Not for no parties, ma'am.
+
+"I wish," said Jane, "I could play the piano, ma'am. But anyhow, I
+don't mean to let _her_ get him away from me. She's older than him, and
+her hair ain't gold to the roots, ma'am."
+
+It was on the August Bank Holiday that the crisis came. We do not
+clearly know the details of the fray, but only such fragments as poor
+Jane let fall. She came home dusty, excited, and with her heart hot
+within her.
+
+The milliner's mother, the milliner, and William had made a party to
+the Art Museum at South Kensington, I think. Anyhow, Jane had calmly
+but firmly accosted them somewhere in the streets, and asserted her
+right to what, in spite of the consensus of literature, she held to
+be her inalienable property. She did, I think, go so far as to lay
+hands on him. They dealt with her in a crushingly superior way. They
+"called a cab." There was a "scene," William being pulled away into the
+four-wheeler by his future wife and mother-in-law from the reluctant
+hands of our discarded Jane. There were threats of giving her "in
+charge."
+
+"My poor Jane!" said my wife, mincing veal as though she was mincing
+William. "It's a shame of them. I would think no more of him. He is not
+worthy of you."
+
+"No, m'm," said Jane. "He _is_ weak."
+
+"But it's that woman has done it," said Jane. She was never known
+to bring herself to pronounce "that woman's" name or to admit her
+girlishness. "I can't think what minds some women must have--to try and
+get a girl's young man away from her. But there, it only hurts to talk
+about it," said Jane.
+
+Thereafter our house rested from William. But there was something in
+the manner of Jane's scrubbing the front doorstep or sweeping out the
+rooms, a certain viciousness, that persuaded me that the story had not
+yet ended.
+
+"Please, m'm, may I go and see a wedding to-morrow?" said Jane one day.
+
+My wife knew by instinct whose wedding. "Do you think it is wise,
+Jane?" she said.
+
+"I would like to see the last of him," said Jane.
+
+"My dear," said my wife, fluttering into my room about twenty minutes
+after Jane had started, "Jane has been to the boot-hole and taken all
+the left-off boots and shoes, and gone off to the wedding with them in
+a bag. Surely she cannot mean"--
+
+"Jane," I said, "is developing character. Let us hope for the best."
+
+Jane came back with a pale, hard face. All the boots seemed to be still
+in her bag, at which my wife heaved a premature sigh of relief. We
+heard her go upstairs and replace the boots with considerable emphasis.
+
+"Quite a crowd at the wedding, ma'am," she said presently, in a purely
+conversational style, sitting in our little kitchen, and scrubbing the
+potatoes; "and such a lovely day for them." She proceeded to numerous
+other details, clearly avoiding some cardinal incident.
+
+"It was all extremely respectable and nice, ma'am; but _her_ father
+didn't wear a black coat, and looked quite out of place, ma'am. Mr.
+Piddingquirk"--
+
+"_Who?_"
+
+"Mr. Piddingquirk--William that _was_, ma'am--had white gloves, and
+a coat like a clergyman, and a lovely chrysanthemum. He looked so
+nice, ma'am. And there was red carpet down, just like for gentlefolks.
+And they say he gave the clerk four shillings, ma'am. It was a real
+kerridge they had--not a fly. When they came out of church there was
+rice-throwing, and her two little sisters dropping dead flowers. And
+someone threw a slipper, and then I threw a boot"--
+
+"Threw a _boot_, Jane!"
+
+"Yes, ma'am. Aimed at _her_. But it hit _him_. Yes, ma'am, hard. Gev
+him a black eye, I should think. I only threw that one. I hadn't the
+heart to try again. All the little boys cheered when it hit him."
+
+After an interval--"I am sorry the boot hit _him_."
+
+Another pause. The potatoes were being scrubbed violently. "He always
+_was_ a bit above me, you know, ma'am. And he was led away."
+
+The potatoes were more than finished. Jane rose sharply, with a sigh,
+and rapped the basin down on the table.
+
+"I don't care," she said. "I don't care a rap. He will find out his
+mistake yet. It serves me right. I was stuck up about him. I ought not
+to have looked so high. And I am glad things are as things are."
+
+My wife was in the kitchen, seeing to the higher cookery. After the
+confession of the boot-throwing, she must have watched poor Jane fuming
+with a certain dismay in those brown eyes of hers. But I imagine they
+softened again very quickly, and then Jane's must have met them.
+
+"Oh, ma'am," said Jane, with an astonishing change of note, "think
+of all that _might_ have been! Oh, ma'am, I _could_ have been so
+happy! I ought to have known, but I didn't know.... You're very kind
+to let me talk to you, ma'am ... for it's hard on me, ma'am ... it's
+har-r-r-r-d"--
+
+And I gather that Euphemia so far forgot herself as to let Jane sob
+out some of the fulness of her heart on a sympathetic shoulder. My
+Euphemia, thank Heaven, has never properly grasped the importance of
+"keeping up her position." And since that fit of weeping, much of the
+accent of bitterness has gone out of Jane's scrubbing and brush work.
+
+Indeed, something passed the other day with the butcher-boy--but that
+scarcely belongs to this story. However, Jane is young still, and time
+and change are at work with her. We all have our sorrows, but I do not
+believe very much in the existence of sorrows that never heal.
+
+
+
+
+IN THE MODERN VEIN
+
+AN UNSYMPATHETIC LOVE STORY
+
+
+Of course the cultivated reader has heard of Aubrey Vair. He has
+published on three several occasions volumes of delicate verses,--some,
+indeed, border on indelicacy,--and his column "Of Things Literary" in
+the _Climax_ is well known. His Byronic visage and an interview have
+appeared in the _Perfect Lady_. It was Aubrey Vair, I believe, who
+demonstrated that the humour of Dickens was worse than his sentiment,
+and who detected "a subtle bourgeois flavour" in Shakespeare. However,
+it is not generally known that Aubrey Vair has had erotic experiences
+as well as erotic inspirations. He adopted Goethe some little time
+since as his literary prototype, and that may have had something to do
+with his temporary lapse from sexual integrity.
+
+For it is one of the commonest things that undermine literary men,
+giving us landslips and picturesque effects along the otherwise even
+cliff of their respectable life, ranking next to avarice, and certainly
+above drink, this instability called genius, or, more fully, the
+consciousness of genius, such as Aubrey Vair possessed. Since Shelley
+set the fashion, your man of gifts has been assured that his duty to
+himself and his duty to his wife are incompatible, and his renunciation
+of the Philistine has been marked by such infidelity as his means and
+courage warranted. Most virtue is lack of imagination. At anyrate,
+a minor genius without his affections twisted into an inextricable
+muddle, and who did not occasionally shed sonnets over his troubles, I
+have never met.
+
+Even Aubrey Vair did this, weeping the sonnets overnight into his
+blotting-book, and pretending to write literary _causerie_ when his
+wife came down in her bath slippers to see what kept him up. She did
+not understand him, of course. He did this even before the other woman
+appeared, so ingrained is conjugal treachery in the talented mind.
+Indeed, he wrote more sonnets before the other woman came than after
+that event, because thereafter he spent much of his leisure in cutting
+down the old productions, retrimming them, and generally altering this
+readymade clothing of his passion to suit her particular height and
+complexion.
+
+Aubrey Vair lived in a little red villa with a lawn at the back and a
+view of the Downs behind Reigate. He lived upon discreet investment
+eked out by literary work. His wife was handsome, sweet, and gentle,
+and--such is the tender humility of good married women--she found her
+life's happiness in seeing that little Aubrey Vair had well-cooked
+variety for dinner, and that their house was the neatest and brightest
+of all the houses they entered. Aubrey Vair enjoyed the dinners, and
+was proud of the house, yet nevertheless he mourned because his genius
+dwindled. Moreover, he grew plump, and corpulence threatened him.
+
+We learn in suffering what we teach in song, and Aubrey Vair knew
+certainly that his soul could give no creditable crops unless his
+affections were harrowed. And how to harrow them was the trouble, for
+Reigate is a moral neighbourhood.
+
+So Aubrey Vair's romantic longings blew loose for a time, much as a
+seedling creeper might, planted in the midst of a flower-bed. But at
+last, in the fulness of time, the other woman came to the embrace
+of Aubrey Vair's yearning heart-tendrils, and his romantic episode
+proceeded as is here faithfully written down.
+
+The other woman was really a girl, and Aubrey Vair met her first at
+a tennis party at Redhill. Aubrey Vair did not play tennis after the
+accident to Miss Morton's eye, and because latterly it made him pant
+and get warmer and moister than even a poet should be; and this young
+lady had only recently arrived in England, and could not play. So they
+gravitated into the two vacant basket chairs beside Mrs. Bayne's deaf
+aunt, in front of the hollyhocks, and were presently talking at their
+ease together.
+
+The other woman's name was unpropitious,--Miss Smith,--but you would
+never have suspected it from her face and costume. Her parentage
+was promising, she was an orphan, her mother was a Hindoo, and her
+father an Indian civil servant; and Aubrey Vair--himself a happy
+mixture of Kelt and Teuton, as, indeed, all literary men have to be
+nowadays--naturally believed in the literary consequences of a mixture
+of races. She was dressed in white. She had finely moulded pale
+features, great depth of expression, and a cloud of delicately _frisé_
+black hair over her dark eyes, and she looked at Aubrey Vair with a
+look half curious and half shy, that contrasted admirably with the
+stereotyped frankness of your common Reigate girl.
+
+"This is a splendid lawn--the best in Redhill," said Aubrey Vair in the
+course of the conversation; "and I like it all the better because the
+daisies are spared." He indicated the daisies with a graceful sweep of
+his rather elegant hand.
+
+"They are sweet little flowers," said the lady in white, "and I have
+always associated them with England, chiefly, perhaps, through a
+picture I saw 'over there' when I was very little, of children making
+daisy chains. I promised myself that pleasure when I came home. But,
+alas! I feel now rather too large for such delights."
+
+"I do not see why we should not be able to enjoy these simple pleasures
+as we grow older--why our growth should have in it so much forgetting.
+For my own part"--
+
+"Has your wife got Jane's recipe for stuffing trout?" asked Mrs.
+Bayne's deaf aunt abruptly.
+
+"I really don't know," said Aubrey Vair.
+
+"That's all right," said Mrs. Bayne's deaf aunt. "It ought to please
+even you."
+
+"Anything will please me," said Aubrey Vair; "I care very little"--
+
+"Oh, it's a lovely dish," said Mrs. Bayne's deaf aunt, and relapsed
+into contemplation.
+
+"I was saying," said Aubrey Vair, "that I think I still find my keenest
+pleasures in childish pastimes. I have a little nephew that I see a
+great deal of, and when we fly kites together, I am sure it would be
+hard to tell which of us is the happier. By the bye, you should get at
+your daisy chains in that way. Beguile some little girl."
+
+"But I did. I took that Morton mite for a walk in the meadows, and
+timidly broached the subject. And she reproached me for suggesting
+'frivolous pursuits.' It was a horrible disappointment."
+
+"The governess here," said Aubrey Vair, "is robbing that child of its
+youth in a terrible way. What will a life be that has no childhood at
+the beginning?"
+
+"Some human beings are never young," he continued, "and they never
+grow up. They lead absolutely colourless lives. They are--they are
+etiolated. They never love, and never feel the loss of it. They
+are--for the moment I can think of no better image--they are human
+flower-pots, in which no soul has been planted. But a human soul
+properly growing must begin in a fresh childishness."
+
+"Yes," said the dark lady thoughtfully, "a careless childhood, running
+wild almost. That should be the beginning."
+
+"Then we pass through the wonder and diffidence of youth."
+
+"To strength and action," said the dark lady. Her dreamy eyes were
+fixed on the Downs, and her fingers tightened on her knees as she
+spoke. "Ah, it is a grand thing to live--as a man does--self-reliant
+and free."
+
+"And so at last," said Aubrey Vair, "come to the culmination and crown
+of life." He paused and glanced hastily at her. Then he dropped his
+voice almost to a whisper--"And the culmination of life is love."
+
+Their eyes met for a moment, but she looked away at once. Aubrey Vair
+felt a peculiar thrill and a catching in his breath, but his emotions
+were too complex for analysis. He had a certain sense of surprise,
+also, at the way his conversation had developed.
+
+Mrs. Bayne's deaf aunt suddenly dug him in the chest with her
+ear-trumpet, and someone at tennis bawled, "Love all!"
+
+"Did I tell you Jane's girls have had scarlet fever?" asked Mrs.
+Bayne's deaf aunt.
+
+"No," said Aubrey Vair.
+
+"Yes; and they are peeling now," said Mrs. Bayne's deaf aunt, shutting
+her lips tightly, and nodding in a slow, significant manner at both of
+them.
+
+There was a pause. All three seemed lost in thought, too deep for words.
+
+"Love," began Aubrey Vair presently, in a severely philosophical tone,
+leaning back in his chair, holding his hands like a praying saint's
+in front of him, and staring at the toe of his shoe,--"love is, I
+believe, the one true and real thing in life. It rises above reason,
+interest, or explanation. Yet I never read of an age when it was so
+much forgotten as it is now. Never was love expected to run so much in
+appointed channels, never was it so despised, checked, ordered, and
+obstructed. Policemen say, 'This way, Eros!' As a result, we relieve
+our emotional possibilities in the hunt for gold and notoriety. And
+after all, with the best fortune in these, we only hold up the gilded
+images of our success, and are weary slaves, with unsatisfied hearts,
+in the pageant of life."
+
+Aubrey Vair sighed, and there was a pause. The girl looked at him out
+of the mysterious darkness of her eyes. She had read many books, but
+Aubrey Vair was her first literary man, and she took this kind of thing
+for genius--as girls have done before.
+
+"We are," continued Aubrey Vair, conscious of a favourable
+impression,--"we are like fireworks, mere dead, inert things until the
+appointed spark comes; and then--if it is not damp--the dormant soul
+blazes forth in all its warmth and beauty. That is living. I sometimes
+think, do you know, that we should be happier if we could die soon
+after that golden time, like the Ephemerides. There is a decay sets in."
+
+"Eigh?" said Mrs. Bayne's deaf aunt startlingly. "I didn't hear you."
+
+"I was on the point of remarking," shouted Aubrey Vair, wheeling the
+array of his thoughts,--"I was on the point of remarking that few
+people in Redhill could match Mrs. Morton's fine broad green."
+
+"Others have noticed it," Mrs. Bayne's deaf aunt shouted back. "It is
+since she has had in her new false teeth."
+
+This interruption dislocated the conversation a little. However--
+
+"I must thank you, Mr. Vair," said the dark girl, when they parted that
+afternoon, "for having given me very much to think about."
+
+And from her manner, Aubrey Vair perceived clearly he had not wasted
+his time.
+
+ * * * * *
+
+It would require a subtler pen than mine to tell how from that day a
+passion for Miss Smith grew like Jonah's gourd in the heart of Aubrey
+Vair. He became pensive, and in the prolonged absence of Miss Smith,
+irritable. Mrs. Aubrey Vair felt the change in him, and put it down
+to a vitriolic Saturday Reviewer. Indisputably the _Saturday_ does at
+times go a little far. He re-read _Elective Affinities_; and lent it
+to Miss Smith. Incredible as it may appear to members of the Areopagus
+Club, where we know Aubrey Vair, he did also beyond all question
+inspire a sort of passion in that sombre-eyed, rather clever, and
+really very beautiful girl.
+
+He talked to her a lot about love and destiny, and all that bric-à-brac
+of the minor poet. And they talked together about his genius. He
+elaborately, though discreetly, sought her society, and presented
+and read to her the milder of his unpublished sonnets. We consider
+his Byronic features pasty, but the feminine mind has its own laws.
+I suppose, also, where a girl is not a fool, a literary man has an
+enormous advantage over anyone but a preacher, in the show he can make
+of his heart's wares.
+
+At last a day in that summer came when he met her alone, possibly by
+chance, in a quiet lane towards Horley. There were ample hedges on
+either side, rich with honeysuckle, vetch, and mullein.
+
+They conversed intimately of his poetic ambitions, and then he read
+her those verses of his subsequently published in _Hobson's Magazine_:
+"Tenderly ever, since I have met thee." He had written these the day
+before; and though I think the sentiment is uncommonly trite, there is
+a redeeming note of sincerity about the lines not conspicuous in all
+Aubrey Vair's poetry.
+
+He read rather well, and a swell of genuine emotion crept into his
+voice as he read, with one white hand thrown out to point the rhythm of
+the lines. "Ever, my sweet, for thee," he concluded, looking up into
+her face.
+
+Before he looked up, he had been thinking chiefly of his poem and its
+effect. Straightway he forgot it. Her arms hung limply before her, and
+her hands were clasped together. Her eyes were very tender.
+
+"Your verses go to the heart," she said softly.
+
+Her mobile features were capable of wonderful shades of expression. He
+suddenly forgot his wife and his position as a minor poet as he looked
+at her. It is possible that his classical features may themselves have
+undergone a certain transfiguration. For one brief moment--and it was
+always to linger in his memory--destiny lifted him out of his vain
+little self to a nobler level of simplicity. The copy of "Tenderly
+ever" fluttered from his hand. Considerations vanished. Only one thing
+seemed of importance.
+
+"I love you," he said abruptly.
+
+An expression of fear came into her eyes. The grip of her hands upon
+one another tightened convulsively. She became very pale.
+
+Then she moved her lips as if to speak, bringing her face slightly
+nearer to his. There was nothing in the world at that moment for either
+of them but one another. They were both trembling exceedingly. In a
+whisper she said, "You love me?"
+
+Aubrey Vair stood quivering and speechless, looking into her eyes. He
+had never seen such a light as he saw there before. He was in a wild
+tumult of emotion. He was dreadfully scared at what he had done. He
+could not say another word. He nodded.
+
+"And this has come to me?" she said presently, in the same awe-stricken
+whisper, and then, "Oh, my love, my love!"
+
+And thereupon Aubrey Vair had her clasped to himself, her cheek upon
+his shoulder and his lips to hers.
+
+Thus it was that Aubrey Vair came by the cardinal memory of his life.
+To this day it recurs in his works.
+
+A little boy clambering in the hedge some way down the lane saw this
+group with surprise, and then with scorn and contempt. Recking nothing
+of his destiny, he turned away, feeling that he at least could never
+come to the unspeakable unmanliness of hugging girls. Unhappily for
+Reigate scandal, his shame for his sex was altogether too deep for
+words.
+
+ * * * * *
+
+An hour after, Aubrey Vair returned home in a hushed mood. There were
+muffins after his own heart for his tea--Mrs. Aubrey Vair had had
+hers. And there were chrysanthemums, chiefly white ones,--flowers he
+loved,--set out in the china bowl he was wont to praise. And his wife
+came behind him to kiss him as he sat eating.
+
+"De lill Jummuns," she remarked, kissing him under the ear.
+
+Then it came into the mind of Aubrey Vair with startling clearness,
+while his ear was being kissed, and with his mouth full of muffin, that
+life is a singularly complex thing.
+
+ * * * * *
+
+The summer passed at last into the harvest-time, and the leaves began
+falling. It was evening, the warm sunset light still touched the Downs,
+but up the valley a blue haze was creeping. One or two lamps in Reigate
+were already alight.
+
+About half-way up the slanting road that scales the Downs, there is
+a wooden seat where one may obtain a fine view of the red villas
+scattered below, and of the succession of blue hills beyond. Here the
+girl with the shadowy face was sitting.
+
+She had a book on her knees, but it lay neglected. She was leaning
+forward, her chin resting upon her hand. She was looking across the
+valley into the darkening sky, with troubled eyes.
+
+Aubrey Vair appeared through the hazel-bushes, and sat down beside her.
+He held half a dozen dead leaves in his hand.
+
+She did not alter her attitude. "Well?" she said.
+
+"Is it to be flight?" he asked.
+
+Aubrey Vair was rather pale. He had been having bad nights latterly,
+with dreams of the Continental Express, Mrs. Aubrey Vair possibly even
+in pursuit,--he always fancied her making the tragedy ridiculous by
+tearfully bringing additional pairs of socks, and any such trifles he
+had forgotten, with her,--all Reigate and Redhill in commotion. He had
+never eloped before, and he had visions of difficulties with hotel
+proprietors. Mrs. Aubrey Vair might telegraph ahead. Even he had had a
+prophetic vision of a headline in a halfpenny evening newspaper: "Young
+Lady abducts a Minor Poet." So there was a quaver in his voice as he
+asked, "Is it to be flight?"
+
+"As you will," she answered, still not looking at him.
+
+"I want you to consider particularly how this will affect you. A man,"
+said Aubrey Vair, slowly, and staring hard at the leaves in his hand,
+"even gains a certain éclat in these affairs. But to a woman it is
+ruin--social, moral."
+
+"This is not love," said the girl in white.
+
+"Ah, my dearest! Think of yourself."
+
+"Stupid!" she said, under her breath.
+
+"You spoke?"
+
+"Nothing."
+
+"But cannot we go on, meeting one another, loving one another, without
+any great scandal or misery? Could we not"--
+
+"That," interrupted Miss Smith, "would be unspeakably horrible."
+
+"This is a dreadful conversation to me. Life is so intricate, such a
+web of subtle strands binds us this way and that. I cannot tell what is
+right. You must consider"--
+
+"A man would break such strands."
+
+"There is no manliness," said Aubrey Vair, with a sudden glow of moral
+exaltation, "in doing wrong. My love"--
+
+"We could at least die together, dearest," she said.
+
+"Good Lord!" said Aubrey Vair. "I mean--consider my wife."
+
+"You have not considered her hitherto."
+
+"There is a flavour--of cowardice, of desertion, about suicide," said
+Aubrey Vair. "Frankly, I have the English prejudice, and do not like
+any kind of running away."
+
+Miss Smith smiled very faintly. "I see clearly now what I did not see.
+My love and yours are very different things."
+
+"Possibly it is a sexual difference," said Aubrey Vair; and then,
+feeling the remark inadequate, he relapsed into silence.
+
+They sat for some time without a word. The two lights in Reigate below
+multiplied to a score of bright points, and, above, one star had become
+visible. She began laughing, an almost noiseless, hysterical laugh that
+jarred unaccountably upon Aubrey Vair.
+
+Presently she stood up. "They will wonder where I am," she said. "I
+think I must be going."
+
+He followed her to the road. "Then this is the end?" he said, with a
+curious mixture of relief and poignant regret.
+
+"Yes, this is the end," she answered, and turned away.
+
+There straightway dropped into the soul of Aubrey Vair a sense of
+infinite loss. It was an altogether new sensation. She was perhaps
+twenty yards away, when he groaned aloud with the weight of it, and
+suddenly began running after her with his arms extended.
+
+"Annie," he cried,--"Annie! I have been talking _rot_. Annie, now
+I know I love you! I cannot spare you. This must not be. I did not
+understand."
+
+The weight was horrible.
+
+"Oh, stop, Annie!" he cried, with a breaking voice, and there were
+tears on his face.
+
+She turned upon him suddenly, and his arms fell by his side. His
+expression changed at the sight of her pale face.
+
+"You do not understand," she said. "I have said good-bye."
+
+She looked at him; he was evidently greatly distressed, a little out of
+breath, and he had just stopped blubbering. His contemptible quality
+reached the pathetic. She came up close to him, and, taking his damp
+Byronic visage between her hands, she kissed him again and again.
+"Good-bye, little man that I loved," she said; "and good-bye to this
+folly of love."
+
+Then, with something that may have been a laugh or a sob,--she herself,
+when she came to write it all in her novel, did not know which,--she
+turned and hurried away again, and went out of the path that Aubrey
+Vair must pursue, at the cross-roads.
+
+Aubrey Vair stood, where she had kissed him, with a mind as inactive
+as his body, until her white dress had disappeared. Then he gave an
+involuntary sigh, a large exhaustive expiration, and so awoke himself,
+and began walking, pensively dragging his feet through the dead leaves,
+home. Emotions are terrible things.
+
+ * * * * *
+
+"Do you like the potatoes, dear?" asked Mrs. Aubrey Vair at dinner. "I
+cooked them myself."
+
+Aubrey Vair descended slowly from cloudy, impalpable meditations to the
+level of fried potatoes. "These potatoes"--he remarked, after a pause
+during which he was struggling with recollection. "Yes. These potatoes
+have exactly the tints of the dead leaves of the hazel."
+
+"What a fanciful poet it is!" said Mrs. Aubrey Vair. "Taste them. They
+are very nice potatoes indeed."
+
+
+
+
+A CATASTROPHE
+
+
+The little shop was not paying. The realisation came insensibly.
+Winslow was not the man for definite addition and subtraction
+and sudden discovery. He became aware of the truth in his mind
+gradually, as though it had always been there. A lot of facts had
+converged and led him there. There was that line of cretonnes--four
+half-pieces--untouched, save for half a yard sold to cover a stool.
+There were those shirtings at 4¾d.--Bandersnatch, in the Broadway,
+was selling them at 2¾d.--under cost, in fact. (Surely Bandersnatch
+might let a man live!) Those servants' caps, a selling line, needed
+replenishing, and that brought back the memory of Winslow's sole
+wholesale dealers, Helter, Skelter, & Grab. Why! how about their
+account?
+
+Winslow stood with a big green box open on the counter before him
+when he thought of it. His pale grey eyes grew a little rounder; his
+pale, straggling moustache twitched. He had been drifting along, day
+after day. He went round to the ramshackle cash-desk in the corner--it
+was Winslow's weakness to sell his goods over the counter, give his
+customers a duplicate bill, and then dodge into the desk to receive
+the money, as though he doubted his own honesty. His lank forefinger,
+with the prominent joints, ran down the bright little calendar
+("Clack's Cottons last for All Time"). "One--two--three; three weeks
+an' a day!" said Winslow, staring. "March! Only three weeks and a day.
+It _can't_ be."
+
+"Tea, dear," said Mrs. Winslow, opening the door with the glass window
+and the white blind that communicated with the parlour.
+
+"One minute," said Winslow, and began unlocking the desk.
+
+An irritable old gentleman, very hot and red about the face, and in a
+heavy fur-lined cloak, came in noisily. Mrs. Winslow vanished.
+
+"Ugh!" said the old gentleman. "Pocket-handkerchief."
+
+"Yes, sir," said Winslow. "About what price"--
+
+"Ugh!" said the old gentleman. "Poggit-handkerchief, quig!"
+
+Winslow began to feel flustered. He produced two boxes.
+
+"These, sir"--began Winslow.
+
+"Sheed tin!" said the old gentleman, clutching the stiffness of the
+linen. "Wad to blow my nose--not haggit about."
+
+"A cotton one, p'raps, sir?" said Winslow.
+
+"How much?" said the old gentleman over the handkerchief.
+
+"Sevenpence, sir. There's nothing more I can show you? No ties,
+braces--?"
+
+"Damn!" said the old gentleman, fumbling in his ticket-pocket, and
+finally producing half a crown. Winslow looked round for his little
+metallic duplicate-book which he kept in various fixtures, according
+to circumstances, and then he caught the old gentleman's eye. He
+went straight to the desk at once and got the change, with an entire
+disregard of the routine of the shop.
+
+Winslow was always more or less excited by a customer. But the open
+desk reminded him of his trouble. It did not come back to him all at
+once. He heard a finger-nail softly tapping on the glass, and, looking
+up, saw Minnie's eyes over the blind. It seemed like retreat opening.
+He shut and locked the desk, and went into the little room to tea.
+
+But he was preoccupied. Three weeks and a day! He took unusually large
+bites of his bread and butter, and stared hard at the little pot of
+jam. He answered Minnie's conversational advances distractedly. The
+shadow of Helter, Skelter, & Grab lay upon the tea-table. He was
+struggling with this new idea of failure, the tangible realisation,
+that was taking shape and substance, condensing, as it were, out
+of the misty uneasiness of many days. At present it was simply one
+concrete fact; there were thirty-nine pounds left in the bank, and that
+day three weeks Messrs. Helter, Skelter, & Grab, those enterprising
+outfitters of young men, would demand their eighty pounds.
+
+After tea there was a customer or so--little purchases: some muslin
+and buckram, dress-protectors, tape, and a pair of Lisle hose. Then,
+knowing that Black Care was lurking in the dusky corners of the shop,
+he lit the three lamps early and set to, refolding his cotton prints,
+the most vigorous and least meditative proceeding of which he could
+think. He could see Minnie's shadow in the other room as she moved
+about the table. She was busy turning an old dress. He had a walk after
+supper, looked in at the Y.M.C.A., but found no one to talk to, and
+finally went to bed. Minnie was already there. And there, too, waiting
+for him, nudging him gently, until about midnight he was hopelessly
+awake, sat Black Care.
+
+He had had one or two nights lately in that company, but this was
+much worse. First came Messrs. Helter, Skelter, & Grab, and their
+demand for eighty pounds--an enormous sum when your original capital
+was only a hundred and seventy. They camped, as it were, before him,
+sat down and beleaguered him. He clutched feebly at the circumambient
+darkness for expedients. Suppose he had a sale, sold things for almost
+anything? He tried to imagine a sale miraculously successful in some
+unexpected manner, and mildly profitable, in spite of reductions below
+cost. Then Bandersnatch Limited, 101, 102, 103, 105, 106, 107 Broadway,
+joined the siege, a long caterpillar of frontage, a battery of shop
+fronts, wherein things were sold at a farthing above cost. How could
+he fight such an establishment? Besides, what had he to sell? He began
+to review his resources. What taking line was there to bait the sale?
+Then straightway came those pieces of cretonne, yellow and black, with
+a bluish-green flower; those discredited skirtings, prints without
+buoyancy, skirmishing haberdashery, some despairful four-button gloves
+by an inferior maker--a hopeless crew. And that was his force against
+Bandersnatch, Helter, Skelter, & Grab, and the pitiless world behind
+them. Whatever had made him think a mortal would buy such things?
+Why had he bought this and neglected that? He suddenly realised the
+intensity of his hatred for Helter, Skelter, & Grab's salesman. Then
+he drove towards an agony of self-reproach. He had spent too much
+on that cash-desk. What real need was there of a desk? He saw his
+vanity of that desk in a lurid glow of self-discovery. And the lamps?
+Five pounds! Then suddenly, with what was almost physical pain, he
+remembered the rent.
+
+He groaned and turned over. And there, dim in the darkness, was the
+hummock of Mrs. Winslow's shoulders. That set him off in another
+direction. He became acutely sensible of Minnie's want of feeling. Here
+he was, worried to death about business, and she sleeping like a little
+child. He regretted having married, with that infinite bitterness that
+only comes to the human heart in the small hours of the morning. That
+hummock of white seemed absolutely without helpfulness, a burden, a
+responsibility. What fools men were to marry! Minnie's inert repose
+irritated him so much that he was almost provoked to wake her up and
+tell her that they were "Ruined." She would have to go back to her
+uncle; her uncle had always been against him: and as for his own
+future, Winslow was exceedingly uncertain. A shop assistant who has
+once set up for himself finds the utmost difficulty in getting into a
+situation again. He began to figure himself "crib-hunting" again, going
+from this wholesale house to that, writing innumerable letters. How
+he hated writing letters! "Sir,--Referring to your advertisement in
+the _Christian World_." He beheld an infinite vista of discomfort and
+disappointment, ending--in a gulf.
+
+He dressed, yawning, and went down to open the shop. He felt tired
+before the day began. As he carried the shutters in, he kept asking
+himself what good he was doing. The end was inevitable, whether he
+bothered or not. The clear daylight smote into the place, and showed
+how old and rough and splintered was the floor, how shabby the
+second-hand counter, how hopeless the whole enterprise. He had been
+dreaming these past six months of a bright little shop, of a happy
+couple, of a modest but comely profit flowing in. He had suddenly
+awakened from his dream. The braid that bound his decent black coat--it
+was a little loose--caught against the catch of the shop door, and was
+torn loose. This suddenly turned his wretchedness to wrath. He stood
+quivering for a moment, then, with a spiteful clutch, tore the braid
+looser, and went in to Minnie.
+
+"Here," he said, with infinite reproach; "look here! You might look
+after a chap a bit."
+
+"I didn't see it was torn," said Minnie.
+
+"You never do," said Winslow, with gross injustice, "until things are
+too late."
+
+Minnie looked suddenly at his face. "I'll sew it now, Sid, if you like."
+
+"Let's have breakfast first," said Winslow, "and do things at their
+proper time."
+
+He was preoccupied at breakfast, and Minnie watched him anxiously.
+His only remark was to declare his egg a bad one. It wasn't; it was a
+little flavoury,--being one of those at fifteen a shilling,--but quite
+nice. He pushed it away from him, and then, having eaten a slice of
+bread and butter, admitted himself in the wrong by resuming the egg.
+
+"Sid," said Minnie, as he stood up to go into the shop again, "you're
+not well."
+
+"I'm _well_ enough." He looked at her as though he hated her.
+
+"Then there's something else the matter. You aren't angry with me, Sid,
+are you, about that braid? _Do_ tell me what's the matter. You were
+just like this at tea yesterday, and at supper-time. It wasn't the
+braid then."
+
+"And I'm likely to be."
+
+She looked interrogation. "Oh, what _is_ the matter?" she said.
+
+It was too good a chance to miss, and he brought the evil news out with
+dramatic force. "Matter?" he said. "I done my best, and here we are.
+That's the matter! If I can't pay Helter, Skelter & Grab eighty pounds,
+this day three week"--Pause. "We shall be sold up! Sold up! That's the
+matter, Min! SOLD UP!"
+
+"Oh, Sid!" began Minnie.
+
+He slammed the door. For the moment he felt relieved of at least half
+his misery. He began dusting boxes that did not require dusting,
+and then reblocked a cretonne already faultlessly blocked. He was
+in a state of grim wretchedness; a martyr under the harrow of fate.
+At anyrate, it should not be said he failed for want of industry.
+And how he had planned and contrived and worked! All to this end!
+He felt horrible doubts. Providence and Bandersnatch--surely they
+were incompatible! Perhaps he was being "tried"? That sent him
+off upon a new tack, a very comforting one. That martyr pose, the
+gold-in-the-furnace attitude, lasted all the morning.
+
+At dinner--"potato pie"--he looked up suddenly, and saw Minnie's face
+regarding him. Pale she looked, and a little red about the eyes.
+Something caught him suddenly with a queer effect upon his throat. All
+his thoughts seemed to wheel round into quite a new direction.
+
+He pushed back his plate and stared at her blankly. Then he got up,
+went round the table to her--she staring at him. He dropped on his
+knees beside her without a word. "Oh, Minnie!" he said, and suddenly
+she knew it was peace, and put her arms about him, as he began to sob
+and weep.
+
+He cried like a little boy, slobbering on her shoulder that he was a
+knave to have married her and brought her to this, that he hadn't the
+wits to be trusted with a penny, that it was all his fault, that he
+"_had_ hoped _so_"--ending in a howl. And she, crying gently herself,
+patting his shoulders, said "_Ssh!_" softly to his noisy weeping, and
+so soothed the outbreak. Then suddenly the crazy little bell upon the
+shop door began, and Winslow had to jump to his feet, and be a man
+again.
+
+After that scene they "talked it over" at tea, at supper, in
+bed, at every possible interval in between, solemnly--quite
+inconclusively--with set faces and eyes for the most part staring in
+front of them--and yet with a certain mutual comfort. "What to do I
+don't know," was Winslow's main proposition. Minnie tried to take a
+cheerful view of service--with a probable baby. But she found she
+needed all her courage. And her uncle would help her again, perhaps,
+just at the critical time. It didn't do for folks to be too proud.
+Besides, "something might happen," a favourite formula with her.
+
+One hopeful line was to anticipate a sudden afflux of customers.
+"Perhaps," said Minnie, "you might get together fifty. They know you
+well enough to trust you a bit." They debated that point. Once the
+possibility of Helter, Skelter and Grab giving credit was admitted,
+it was pleasant to begin sweating the acceptable minimum. For some
+half-hour over tea the second day after Winslow's discoveries they
+were quite cheerful again, laughing even at their terrific fears. Even
+twenty pounds to go on with might be considered enough. Then in some
+mysterious way the pleasant prospect of Messrs. Helter, Skelter, & Grab
+tempering the wind to the shorn retailer vanished--vanished absolutely,
+and Winslow found himself again in the pit of despair.
+
+He began looking about at the furniture, and wondering idly what
+it would fetch. The chiffonier was good, anyhow, and there were
+Minnie's old plates that her mother used to have. Then he began to
+think of desperate expedients for putting off the evil day. He had
+heard somewhere of Bills of Sale--there was to his ears something
+comfortingly substantial in the phrase. Then, why not "Go to the
+Money-Lenders"?
+
+One cheering thing happened on Thursday afternoon; a little girl came
+in with a pattern of "print," and he was able to match it. He had not
+been able to match anything out of his meagre stock before. He went
+in and told Minnie. The incident is mentioned lest the reader should
+imagine it was uniform despair with him.
+
+The next morning, and the next, after the discovery, Winslow opened
+shop late. When one has been awake most of the night, and has no hope,
+what _is_ the good of getting up punctually? But as he went into the
+dark shop on Friday he saw something lying on the floor, something
+lit by the bright light that came under the ill-fitting door--a black
+oblong. He stooped and picked up an envelope with a deep mourning edge.
+It was addressed to his wife. Clearly a death in her family--perhaps
+her uncle. He knew the man too well to have expectations. And they
+would have to get mourning and go to the funeral. The brutal cruelty
+of people dying! He saw it all in a flash--he always visualised his
+thoughts. Black trousers to get, black crape, black gloves--none in
+stock--the railway fares, the shop closed for the day.
+
+"I'm afraid there's bad news, Minnie," he said.
+
+She was kneeling before the fireplace, blowing the fire. She had her
+housemaid's gloves on and the old country sun-bonnet she wore of
+a morning, to keep the dust out of her hair. She turned, saw the
+envelope, gave a gasp, and pressed two bloodless lips together.
+
+"I'm afraid it's uncle," she said, holding the letter and staring with
+eyes wide open into Winslow's face. "_It's a strange hand!_"
+
+"The postmark's Hull," said Winslow.
+
+"The postmark's Hull."
+
+Minnie opened the letter slowly, drew it out, hesitated, turned it
+over, saw the signature. "It's Mr. Speight!"
+
+"What does he say?" said Winslow.
+
+Minnie began to read. "_Oh!_" she screamed. She dropped the letter,
+collapsed into a crouching heap, her hands covering her eyes. Winslow
+snatched at it. "A most terrible accident has occurred," he read;
+"Melchior's chimney fell down yesterday evening right on the top of
+your uncle's house, and every living soul was killed--your uncle,
+your cousin Mary, Will and Ned, and the girl--every one of them, and
+smashed--you would hardly know them. I'm writing to you to break the
+news before you see it in the papers"--The letter fluttered from
+Winslow's fingers. He put out his hand against the mantel to steady
+himself.
+
+All of them dead! Then he saw, as in a vision, a row of seven cottages,
+each let at seven shillings a week, a timber yard, two villas, and the
+ruins--still marketable--of the avuncular residence. He tried to feel
+a sense of loss and could not. They were sure to have been left to
+Minnie's aunt. All dead! 7×7×52÷20 began insensibly to work itself out
+in his mind, but discipline was ever weak in his mental arithmetic;
+figures kept moving from one line to another, like children playing
+at Widdy, Widdy Way. Was it two hundred pounds about--or one hundred
+pounds? Presently he picked up the letter again, and finishing reading
+it. "You being the next of kin," said Mr. Speight.
+
+"How _awful_!" said Minnie in a horror-struck whisper, and looking up
+at last. Winslow stared back at her, shaking his head solemnly. There
+were a thousand things running through his mind, but none that, even
+to his dull sense, seemed appropriate as a remark. "It was the Lord's
+will," he said at last.
+
+"It seems so very, very terrible," said Minnie; "auntie, dear
+auntie--Ted--poor, dear uncle"--
+
+"It was the Lord's will, Minnie," said Winslow, with infinite feeling.
+A long silence.
+
+"Yes," said Minnie, very slowly, staring thoughtfully at the crackling
+black paper in the grate. The fire had gone out. "Yes, perhaps it was
+the Lord's will."
+
+They looked gravely at one another. Each would have been terribly
+shocked at any mention of the property by the other. She turned to the
+dark fireplace and began tearing up an old newspaper slowly. Whatever
+our losses may be, the world's work still waits for us. Winslow gave a
+deep sigh and walked in a hushed manner towards the front door. As he
+opened it, a flood of sunlight came streaming into the dark shadows of
+the closed shop. Bandersnatch, Helter, Skelter, & Grab, had vanished
+out of his mind like the mists before the rising sun.
+
+Presently he was carrying in the shutters, and in the briskest way,
+the fire in the kitchen was crackling exhilaratingly, with a little
+saucepan walloping above it, for Minnie was boiling two eggs,--one for
+herself this morning, as well as one for him,--and Minnie herself was
+audible, laying breakfast with the greatest _éclat_. The blow was a
+sudden and terrible one--but it behoves us to face such things bravely
+in this sad, unaccountable world. It was quite midday before either of
+them mentioned the cottages.
+
+
+
+
+THE LOST INHERITANCE
+
+
+"My uncle," said the man with the glass eye, "was what you might call
+a hemi-semi-demi millionaire. He was worth about a hundred and twenty
+thousand. Quite. And he left me all his money."
+
+I glanced at the shiny sleeve of his coat, and my eye travelled up to
+the frayed collar.
+
+"Every penny," said the man with the glass eye, and I caught the active
+pupil looking at me with a touch of offence.
+
+"I've never had any windfalls like that," I said, trying to speak
+enviously and propitiate him.
+
+"Even a legacy isn't always a blessing," he remarked with a sigh, and
+with an air of philosophical resignation he put the red nose and the
+wiry moustache into his tankard for a space.
+
+"Perhaps not," I said.
+
+"He was an author, you see, and he wrote a lot of books."
+
+"Indeed!"
+
+"That was the trouble of it all." He stared at me with the available
+eye to see if I grasped his statement, then averted his face a little
+and produced a toothpick.
+
+"You see," he said, smacking his lips after a pause, "it was like this.
+He was my uncle--my maternal uncle. And he had--what shall I call
+it?--a weakness for writing edifying literature. Weakness is hardly
+the word--downright mania is nearer the mark. He'd been librarian in a
+Polytechnic, and as soon as the money came to him he began to indulge
+his ambition. It's a simply extraordinary and incomprehensible thing
+to me. Here was a man of thirty-seven suddenly dropped into a perfect
+pile of gold, and he didn't go--not a day's bust on it. One would think
+a chap would go and get himself dressed a bit decent--say a couple of
+dozen pairs of trousers at a West End tailor's; but he never did. You'd
+hardly believe it, but when he died he hadn't even a gold watch. It
+seems wrong for people like that to have money. All he did was just to
+take a house, and order in pretty nearly five tons of books and ink and
+paper, and set to writing edifying literature as hard as ever he could
+write. I _can't_ understand it! But he did. The money came to him,
+curiously enough, through a maternal uncle of _his_, unexpected like,
+when he was seven-and-thirty. My mother, it happened, was his only
+relation in the wide, wide world, except some second cousins of his.
+And I was her only son. You follow all that? The second cousins had one
+only son, too, but they brought him to see the old man too soon. He was
+rather a spoilt youngster, was this son of theirs, and directly he set
+eyes on my uncle, he began bawling out as hard as he could. 'Take 'im
+away--er,' he says, 'take 'im away,' and so did for himself entirely.
+It was pretty straight sailing, you'd think, for me, eh? And my mother,
+being a sensible, careful woman, settled the business in her own mind
+long before he did.
+
+"He was a curious little chap, was my uncle, as I remember him. I
+don't wonder at the kid being scared. Hair, just like these Japanese
+dolls they sell, black and straight and stiff all round the brim and
+none in the middle, and below, a whitish kind of face and rather
+large dark grey eyes moving about behind his spectacles. He used to
+attach a great deal of importance to dress, and always wore a flapping
+overcoat and a big-brimmed felt hat of a most extraordinary size. He
+looked a rummy little beggar, I can tell you. Indoors it was, as a
+rule, a dirty red flannel dressing-gown and a black skull-cap he had.
+That black skull-cap made him look like the portraits of all kinds of
+celebrated people. He was always moving about from house to house,
+was my uncle, with his chair which had belonged to Savage Landor, and
+his two writing-tables, one of Carlyle's and the other of Shelley's,
+so the dealer told him, and the completest portable reference library
+in England, he said he had--and he lugged the whole caravan, now to a
+house at Down, near Darwin's old place, then to Reigate, near Meredith,
+then off to Haslemere, then back to Chelsea for a bit, and then up to
+Hampstead. He knew there was something wrong with his stuff, but he
+never knew there was anything wrong with his brains. It was always the
+air, or the water, or the altitude, or some tommy-rot like that. 'So
+much depends on environment,' he used to say, and stare at you hard, as
+if he half suspected you were hiding a grin at him somewhere under your
+face. 'So much depends on environment to a sensitive mind like mine.'
+
+"What was his name? You wouldn't know it if I told you. He wrote
+nothing that anyone has ever read--nothing. No one _could_ read it.
+He wanted to be a great teacher, he said, and he didn't know what he
+wanted to teach any more than a child. So he just blethered at large
+about Truth and Righteousness, and the Spirit of History, and all
+that. Book after book he wrote and published at his own expense. He
+wasn't quite right in his head, you know, really; and to hear him go
+on at the critics--not because they slated him, mind you--he liked
+that--but because they didn't take any notice of him at all. 'What
+do the nations want?' he would ask, holding out his brown old claw.
+'Why, teaching--guidance! They are scattered upon the hills like sheep
+without a shepherd. There is War and Rumours of War, the unlaid Spirit
+of Discord abroad in the land, Nihilism, Vivisection, Vaccination,
+Drunkenness, Penury, Want, Socialistic Error, Selfish Capital! Do
+you see the clouds, Ted?'--My name, you know--'Do you see the clouds
+lowering over the land? and behind it all--the Mongol waits!' He
+was always very great on Mongols and the Spectre of Socialism, and
+such-like things.
+
+"Then out would come his finger at me, and with his eyes all afire and
+his skull-cap askew, he would whisper: 'And here am I. What do I want?
+Nations to teach. Nations! I say it with all modesty, Ted, I _could_. I
+would guide them; nay! but I _will_ guide them to a safe haven, to the
+land of Righteousness, flowing with milk and honey.'
+
+"That's how he used to go on. Ramble, rave about the nations, and
+righteousness, and that kind of thing. Kind of mincemeat of Bible and
+blethers. From fourteen up to three-and-twenty, when I might have
+been improving my mind, my mother used to wash me and brush my hair
+(at least in the earlier years of it), with a nice parting down the
+middle, and take me, once or twice a week, to hear this old lunatic
+jabber about things he had read of in the morning papers, trying to do
+it as much like Carlyle as he could, and I used to sit according to
+instructions, and look intelligent and nice, and pretend to be taking
+it all in. Afterwards I used to go of my own free will, out of a regard
+for the legacy. I was the only person that used to go and see him.
+He wrote, I believe, to every man who made the slightest stir in the
+world, sending him a copy or so of his books, and inviting him to come
+and talk about the nations to him; but half of them didn't answer,
+and none ever came. And when the girl let you in--she was an artful
+bit of goods, that girl--there were heaps of letters on the hall-seat
+waiting to go off, addressed to Prince Bismark, the President of the
+United States, and such-like people. And one went up the staircase
+and along the cobwebby passage,--the housekeeper drank like fury, and
+his passages were always cobwebby,--and found him at last, with books
+turned down all over the room, and heaps of torn paper on the floor,
+and telegrams and newspapers littered about, and empty coffee-cups and
+half-eaten bits of toast on the desk and the mantel. You'd see his back
+humped up, and his hair would be sticking out quite straight between
+the collar of that dressing-gown thing and the edge of the skull-cap.
+
+"'A moment!' he would say. 'A moment!' over his shoulder. 'The _mot
+juste_, you know, Ted, _le mot juste_. Righteous thought righteously
+expressed--Aah!--concatenation. And now, Ted,' he'd say, spinning round
+in his study chair, 'how's Young England?' That was his silly name for
+me.
+
+"Well, that was my uncle, and that was how he talked--to me, at
+anyrate. With others about he seemed a bit shy. And he not only talked
+to me, but he gave me his books, books of six hundred pages or so,
+with cock-eyed headings, 'The Shrieking Sisterhood,' 'The Behemoth of
+Bigotry,' 'Crucibles and Cullenders,' and so on. All very strong, and
+none of them original. The very last time but one that I saw him he
+gave me a book. He was feeling ill even then, and his hand shook and he
+was despondent. I noticed it because I was naturally on the look-out
+for those little symptoms. 'My last book, Ted,' he said. 'My last book,
+my boy; my last word to the deaf and hardened nations;' and I'm hanged
+if a tear didn't go rolling down his yellow old cheek. He was regular
+crying because it was so nearly over, and he hadn't only written about
+fifty-three books of rubbish. 'I've sometimes thought, Ted'--he said,
+and stopped.
+
+"'Perhaps I've been a bit hasty and angry with this stiff-necked
+generation. A little more sweetness, perhaps, and a little less
+blinding light. I've sometimes thought--I might have swayed them. But
+I've done my best, Ted.'
+
+"And then, with a burst, for the first and last time in his life
+he owned himself a failure. It showed he was really ill. He seemed
+to think for a minute, and then he spoke quietly and low, as sane
+and sober as I am now. 'I've been a fool, Ted,' he said. 'I've been
+flapping nonsense all my life. Only He who readeth the heart knows
+whether this is anything more than vanity. Ted, I don't. But He knows,
+He knows, and if I have done foolishly and vainly, in my heart--in my
+heart'--
+
+"Just like that he spoke, repeating himself, and he stopped quite short
+and handed the book to me, trembling. Then the old shine came back into
+his eye. I remember it all fairly well, because I repeated it and acted
+it to my old mother when I got home, to cheer her up a bit. 'Take this
+book and read it,' he said. 'It's my last word, my very last word. I've
+left all my property to you, Ted, and may you use it better than I have
+done.' And then he fell a-coughing.
+
+"I remember that quite well even now, and how I went home cock-a-hoop,
+and how he was in bed the next time I called. The housekeeper was
+downstairs drunk, and I fooled about--as a young man will--with the
+girl in the passage before I went to him. He was sinking fast. But even
+then his vanity clung to him.
+
+"'Have you read it?' he whispered.
+
+"'Sat up all night reading it,' I said in his ear to cheer him. 'It's
+the last,' said I, and then, with a memory of some poetry or other in
+my head, 'but it's the bravest and best.'
+
+"He smiled a little and tried to squeeze my hand as a woman might do,
+and left off squeezing in the middle, and lay still. 'The bravest and
+the best,' said I again, seeing it pleased him. But he didn't answer.
+I heard the girl giggle outside the door, for occasionally we'd had
+just a bit of innocent laughter, you know, at his ways. I looked at
+his face, and his eyes were closed, and it was just as if somebody had
+punched in his nose on either side. But he was still smiling. It's
+queer to think of--he lay dead, lay dead there, an utter failure, with
+the smile of success on his face.
+
+"That was the end of my uncle. You can imagine me and my mother saw
+that he had a decent funeral. Then, of course, came the hunt for the
+will. We began decent and respectful at first, and before the day was
+out we were ripping chairs, and smashing bureau panels, and sounding
+walls. Every hour we expected those others to come in. We asked the
+housekeeper, and found she'd actually witnessed a will--on an ordinary
+half-sheet of notepaper it was written, and very short, she said--not
+a month ago. The other witness was the gardener, and he bore her out
+word for word. But I'm hanged if there was that or any other will to
+be found. The way my mother talked must have made him turn in his
+grave. At last a lawyer at Reigate sprang one on us that had been made
+years ago during some temporary quarrel with my mother. I'm blest if
+that wasn't the only will to be discovered anywhere, and it left every
+penny he possessed to that 'Take 'im away' youngster of his second
+cousin's--a chap who'd never had to stand his talking not for one
+afternoon of his life."
+
+The man with the glass eye stopped.
+
+"I thought you said"--I began.
+
+"Half a minute," said the man with the glass eye. "_I_ had to wait
+for the end of the story till this very morning, and I was a blessed
+sight more interested than you are. You just wait a bit too. They
+executed the will, and the other chap inherited, and directly he was
+one-and-twenty he began to blew it. How he did blew it, to be sure! He
+bet, he drank, he got in the papers for this and that. I tell you, it
+makes me wriggle to think of the times he had. He blewed every ha'penny
+of it before he was thirty, and the last I heard of him was--Holloway!
+Three years ago.
+
+"Well, I naturally fell on hard times, because, as you see, the only
+trade I knew was legacy-cadging. All my plans were waiting over to
+begin, so to speak, when the old chap died. I've had my ups and downs
+since then. Just now it's a period of depression. I tell you frankly,
+I'm on the look-out for help. I was hunting round my room to find
+something to raise a bit on for immediate necessities, and the sight
+of all those presentation volumes--no one will buy them, not to wrap
+butter in, even--well, they annoyed me. I'd promised him not to part
+with them, and I never kept a promise easier. I let out at them with my
+boot, and sent them shooting across the room. One lifted at the kick,
+and spun through the air. And out of it flapped--You guess?
+
+"It was the will. He'd given it me himself in that very last volume of
+all."
+
+He folded his arms on the table, and looked sadly with the active eye
+at his empty tankard. He shook his head slowly, and said softly, "I'd
+never _opened_ the book, much more cut a page!" Then he looked up, with
+a bitter laugh, for my sympathy. "Fancy hiding it there! Eigh? Of all
+places."
+
+He began to fish absently for a dead fly with his finger. "It just
+shows you the vanity of authors," he said, looking up at me. "It wasn't
+no trick of his. He'd meant perfectly fair. He'd really thought I was
+really going home to read that blessed book of his through. But it
+shows you, don't it?"--his eye went down to the tankard again,--"It
+shows you, too, how we poor human beings fail to understand one
+another."
+
+But there was no misunderstanding the eloquent thirst of his eye.
+He accepted with ill-feigned surprise. He said, in the usual subtle
+formula, that he didn't mind if he did.
+
+
+
+
+THE SAD STORY OF A DRAMATIC CRITIC
+
+
+I was--you shall hear immediately why I am not now--Egbert Craddock
+Cummins. The name remains. I am still (Heaven help me!) Dramatic Critic
+to the _Fiery Cross_. What I shall be in a little while I do not know.
+I write in great trouble and confusion of mind. I will do what I can
+to make myself clear in the face of terrible difficulties. You must
+bear with me a little. When a man is rapidly losing his own identity,
+he naturally finds a difficulty in expressing himself. I will make it
+perfectly plain in a minute, when once I get my grip upon the story.
+Let me see--where _am_ I? I wish I knew. Ah, I have it! Dead self!
+Egbert Craddock Cummins!
+
+In the past I should have disliked writing anything quite so full of
+"I" as this story must be. It is full of "I's" before and behind, like
+the beast in Revelation--the one with a head like a calf, I am afraid.
+But my tastes have changed since I became a Dramatic Critic and studied
+the masters--G.R.S., G.B.S., G.A.S., and the others. Everything has
+changed since then. At least the story is about myself--so that there
+is some excuse for me. And it is really not egotism, because, as I
+say, since those days my identity has undergone an entire alteration.
+
+That past!... I was--in those days--rather a nice fellow, rather
+shy--taste for grey in my clothes, weedy little moustache, face
+"interesting," slight stutter which I had caught in early life from
+a schoolfellow. Engaged to a very nice girl, named Delia. Fairly
+new, she was--cigarettes--liked me because I was human and original.
+Considered I was like Lamb--on the strength of the stutter, I believe.
+Father, an eminent authority on postage stamps. She read a great
+deal in the British Museum. (A perfect pairing ground for literary
+people, that British Museum--you should read George Egerton and Justin
+Huntly M'Carthy and Gissing and the rest of them.) We loved in our
+intellectual way, and shared the brightest hopes. (All gone now.) And
+her father liked me because I seemed honestly eager to hear about
+stamps. She had no mother. Indeed, I had the happiest prospects a
+young man could have. I never went to theatres in those days. My Aunt
+Charlotte before she died had told me not to.
+
+Then Barnaby, the editor of the _Fiery Cross_, made me--in spite
+of my spasmodic efforts to escape--Dramatic Critic. He is a fine,
+healthy man, Barnaby, with an enormous head of frizzy black hair and
+a convincing manner, and he caught me on the staircase going to see
+Wembly. He had been dining, and was more than usually buoyant. "Hullo,
+Cummins!" he said. "The very man I want!" He caught me by the shoulder
+or the collar or something, ran me up the little passage, and flung me
+over the waste-paper basket into the arm-chair in his office. "Pray be
+seated," he said, as he did so. Then he ran across the room and came
+back with some pink and yellow tickets and pushed them into my hand.
+"Opera Comique," he said, "Thursday; Friday, the Surrey; Saturday, the
+Frivolity. That's all, I think."
+
+"But"--I began.
+
+"Glad you're free," he said, snatching some proofs off the desk and
+beginning to read.
+
+"I don't quite understand," I said.
+
+"_Eigh?_" he said, at the top of his voice, as though he thought I had
+gone, and was startled at my remark.
+
+"Do you want me to criticise these plays?"
+
+"Do something with 'em.... Did you think it was a treat?"
+
+"But I can't."
+
+"Did you call me a fool?"
+
+"Well, I've never been to a theatre in my life."
+
+"Virgin soil."
+
+"But I don't know anything about it, you know."
+
+"That's just it. New view. No habits. No _clichés_ in stock. Ours is a
+live paper, not a bag of tricks. None of your clockwork professional
+journalism in this office. And I can rely on your integrity"--
+
+"But I've conscientious scruples"--
+
+He caught me up suddenly and put me outside his door. "Go and talk to
+Wembly about that," he said. "He'll explain."
+
+As I stood perplexed, he opened the door again, said, "I forgot this,"
+thrust a fourth ticket into my hand (it was for that night--in twenty
+minutes' time), and slammed the door upon me. His expression was quite
+calm, but I caught his eye.
+
+I hate arguments. I decided that I would take his hint and become (to
+my own destruction) a Dramatic Critic. I walked slowly down the passage
+to Wembly. That Barnaby has a remarkably persuasive way. He has made
+few suggestions during our very pleasant intercourse of four years
+that he has not ultimately won me round to adopting. It may be, of
+course, that I am of a yielding disposition; certainly I am too apt to
+take my colour from my circumstances. It is, indeed, to my unfortunate
+susceptibility to vivid impressions that all my misfortunes are due.
+I have already alluded to the slight stammer I had acquired from a
+schoolfellow in my youth. However, this is a digression.... I went home
+in a cab to dress.
+
+I will not trouble the reader with my thoughts about the first-night
+audience, strange assembly as it is,--those I reserve for my
+Memoirs,--nor the humiliating story of how I got lost during the
+_entr'acte_ in a lot of red plush passages, and saw the third act from
+the gallery. The only point upon which I wish to lay stress was the
+remarkable effect of the acting upon me. You must remember I had lived
+a quiet and retired life, and had never been to the theatre before,
+and that I am extremely sensitive to vivid impressions. At the risk of
+repetition I must insist upon these points.
+
+The first effect was a profound amazement, not untinctured by alarm.
+The phenomenal unnaturalness of acting is a thing discounted in the
+minds of most people by early visits to the theatre. They get used to
+the fantastic gestures, the flamboyant emotions, the weird mouthings,
+melodious snortings, agonising yelps, lip-gnawings, glaring horrors,
+and other emotional symbolism of the stage. It becomes at last a mere
+deaf-and-dumb language to them, which they read intelligently _pari
+passu_ with the hearing of the dialogue. But all this was new to me.
+The thing was called a modern comedy, the people were supposed to be
+English and were dressed like fashionable Americans of the current
+epoch, and I fell into the natural error of supposing that the actors
+were trying to represent human beings. I looked round on my first-night
+audience with a kind of wonder, discovered--as all new Dramatic Critics
+do--that it rested with me to reform the Drama, and, after a supper
+choked with emotion, went off to the office to write a column, piebald
+with "new paragraphs" (as all my stuff is--it fills out so) and purple
+with indignation. Barnaby was delighted.
+
+But I could not sleep that night. I dreamt of actors--actors glaring,
+actors smiting their chests, actors flinging out a handful of extended
+fingers, actors smiling bitterly, laughing despairingly, falling
+hopelessly, dying idiotically. I got up at eleven with a slight
+headache, read my notice in the _Fiery Cross_, breakfasted, and went
+back to my room to shave. (It's my habit to do so.) Then an odd thing
+happened. I could not find my razor. Suddenly it occurred to me that I
+had not unpacked it the day before.
+
+"Ah!" said I, in front of the looking-glass. Then "Hullo!"
+
+Quite involuntarily, when I had thought of my portmanteau, I had flung
+up the left arm (fingers fully extended) and clutched at my diaphragm
+with my right hand. I am an acutely self-conscious man at all times.
+The gesture struck me as absolutely novel for me. I repeated it, for
+my own satisfaction. "Odd!" Then (rather puzzled) I turned to my
+portmanteau.
+
+After shaving, my mind reverted to the acting I had seen, and I
+entertained myself before the cheval glass with some imitations of
+Jafferay's more exaggerated gestures. "Really, one might think it a
+disease," I said--"Stage-Walkitis!" (There's many a truth spoken in
+jest.) Then, if I remember rightly, I went off to see Wembly, and
+afterwards lunched at the British Museum with Delia. We actually spoke
+about our prospects, in the light of my new appointment.
+
+But that appointment was the beginning of my downfall. From that day
+I necessarily became a persistent theatre-goer, and almost insensibly
+I began to change. The next thing I noticed after the gesture about
+the razor, was to catch myself bowing ineffably when I met Delia, and
+stooping in an old-fashioned, courtly way over her hand. Directly I
+caught myself, I straightened myself up and became very uncomfortable.
+I remember she looked at me curiously. Then, in the office, I found
+myself doing "nervous business," fingers on teeth, when Barnaby asked
+me a question I could not very well answer. Then, in some trifling
+difference with Delia, I clasped my hand to my brow. And I pranced
+through my social transactions at times singularly like an actor! I
+tried not to--no one could be more keenly alive to the arrant absurdity
+of the histrionic bearing. And I did!
+
+It began to dawn on me what it all meant. The acting, I saw, was too
+much for my delicately-strung nervous system. I have always, I know,
+been too amenable to the suggestions of my circumstances. Night after
+night of concentrated attention to the conventional attitudes and
+intonation of the English stage was gradually affecting my speech and
+carriage. I was giving way to the infection of sympathetic imitation.
+Night after night my plastic nervous system took the print of some new
+amazing gesture, some new emotional exaggeration--and retained it. A
+kind of theatrical veneer threatened to plate over and obliterate my
+private individuality altogether. I saw myself in a kind of vision.
+Sitting by myself one night, my new self seemed to me to glide,
+posing and gesticulating, across the room. He clutched his throat, he
+opened his fingers, he opened his legs in walking like a high-class
+marionette. He went from attitude to attitude. He might have been
+clockwork. Directly after this I made an ineffectual attempt to
+resign my theatrical work. But Barnaby persisted in talking about the
+Polywhiddle Divorce all the time I was with him, and I could get no
+opportunity of saying what I wished.
+
+And then Delia's manner began to change towards me. The ease of our
+intercourse vanished. I felt she was learning to dislike me. I
+grinned, and capered, and scowled, and posed at her in a thousand ways,
+and knew--with what a voiceless agony!--that I did it all the time. I
+tried to resign again, and Barnaby talked about "X" and "Z" and "Y" in
+the _New Review_, and gave me a strong cigar to smoke, and so routed
+me. And then I walked up the Assyrian Gallery in the manner of Irving
+to meet Delia, and so precipitated the crisis.
+
+"Ah!--_Dear!_" I said, with more sprightliness and emotion in my voice
+than had ever been in all my life before I became (to my own undoing) a
+Dramatic Critic.
+
+She held out her hand rather coldly, scrutinising my face as she did
+so. I prepared, with a new-won grace, to walk by her side.
+
+"Egbert," she said, standing still, and thought. Then she looked at me.
+
+I said nothing. I felt what was coming. I tried to be the old Egbert
+Craddock Cummins of shambling gait and stammering sincerity, whom she
+loved, but I felt even as I did so that I was a new thing, a thing
+of surging emotions and mysterious fixity--like no human being that
+ever lived, except upon the stage. "Egbert," she said, "you are not
+yourself."
+
+"Ah!" Involuntarily I clutched my diaphragm and averted my head (as is
+the way with them).
+
+"There!" she said.
+
+"_What do you mean?_" I said, whispering in vocal italics--you know
+how they do it--turning on her, perplexity on face, right hand down,
+left on brow. I knew quite well what she meant. I knew quite well the
+dramatic unreality of my behaviour. But I struggled against it in vain.
+"What do you mean?" I said, and, in a kind of hoarse whisper, "I don't
+understand!"
+
+She really looked as though she disliked me. "What do you keep on
+posing for?" she said. "I don't like it. You didn't use to."
+
+"Didn't use to!" I said slowly, repeating this twice. I glared up and
+down the gallery, with short, sharp glances. "We are alone," I said
+swiftly. "_Listen!_" I poked my forefinger towards her, and glared at
+her. "I am under a curse."
+
+I saw her hand tighten upon her sunshade. "You are under some bad
+influence or other," said Delia. "You should give it up. I never knew
+anyone change as you have done."
+
+"Delia!" I said, lapsing into the pathetic. "Pity me. Augh! Delia!
+_Pit_--y me!"
+
+She eyed me critically. "_Why_ you keep playing the fool like this I
+don't know," she said. "Anyhow, I really cannot go about with a man who
+behaves as you do. You made us both ridiculous on Wednesday. Frankly,
+I dislike you, as you are now. I met you here to tell you so--as it's
+about the only place where we can be sure of being alone together"--
+
+"Delia!" said I, with intensity, knuckles of clenched hands white. "You
+don't mean"--
+
+"I do," said Delia. "A woman's lot is sad enough at the best of times.
+But with you"--
+
+I clapped my hand on my brow.
+
+"So, good-bye," said Delia, without emotion.
+
+"Oh, Delia!" I said. "Not _this_?"
+
+"Good-bye, Mr. Cummins," she said.
+
+By a violent effort I controlled myself and touched her hand. I tried
+to say some word of explanation to her. She looked into my working face
+and winced. "I _must_ do it," she said hopelessly. Then she turned from
+me and began walking rapidly down the gallery.
+
+Heavens! How the human agony cried within me! I loved Delia. But
+nothing found expression--I was already too deeply crusted with my
+acquired self.
+
+"Good-baye!" I said at last, watching her retreating figure. How I
+hated myself for doing it! After she had vanished, I repeated in a
+dreamy way, "Good-baye!" looking hopelessly round me. Then, with a kind
+of heart-broken cry, I shook my clenched fists in the air, staggered to
+the pedestal of a winged figure, buried my face in my arms, and made my
+shoulders heave. Something within me said "Ass!" as I did so. (I had
+the greatest difficulty in persuading the Museum policeman, who was
+attracted by my cry of agony, that I was not intoxicated, but merely
+suffering from a transient indisposition.)
+
+But even this great sorrow has not availed to save me from my fate.
+I see it, everyone sees it; I grow more "theatrical" every day.
+And no one could be more painfully aware of the pungent silliness
+of theatrical ways. The quiet, nervous, but pleasing E. C. Cummins
+vanishes. I cannot save him. I am driven like a dead leaf before the
+winds of March. My tailor even enters into the spirit of my disorder.
+He has a peculiar sense of what is fitting. I tried to get a dull grey
+suit from him this spring, and he foisted a brilliant blue upon me,
+and I see he has put braid down the sides of my new dress trousers. My
+hairdresser insists upon giving me a "wave."
+
+I am beginning to associate with actors. I detest them, but it is only
+in their company that I can feel I am not glaringly conspicuous. Their
+talk infects me. I notice a growing tendency to dramatic brevity, to
+dashes and pauses in my style, to a punctuation of bows and attitudes.
+Barnaby has remarked it too. I offended Wembly by calling him "Dear
+Boy" yesterday. I dread the end, but I cannot escape from it.
+
+The fact is, I am being obliterated. Living a grey, retired life all
+my youth, I came to the theatre a delicate sketch of a man, a thing
+of tints and faint lines. Their gorgeous colouring has effaced me
+altogether. People forget how much mode of expression, method of
+movement, are a matter of contagion. I have heard of stage-struck
+people before, and thought it a figure of speech. I spoke of it
+jestingly, as a disease. It is no jest. It _is_ a disease. And I have
+got it bad! Deep down within me I protest against the wrong done to my
+personality--unavailingly. For three hours or more a week I have to go
+and concentrate my attention on some fresh play, and the suggestions
+of the drama strengthen their awful hold upon me. My manners grow so
+flamboyant, my passions so professional, that I doubt, as I said at the
+outset, whether it is really myself that behaves in such a manner. I
+feel merely the core to this dramatic casing, that grows thicker and
+presses upon me--me and mine. I feel like King John's abbot in his cope
+of lead.
+
+I doubt, indeed, whether I should not abandon the struggle
+altogether--leave this sad world of ordinary life for which I am
+so ill-fitted, abandon the name of Cummins for some professional
+pseudonym, complete my self-effacement, and--a thing of tricks and
+tatters, of posing and pretence--go upon the stage. It seems my only
+resort--"to hold the mirror up to Nature." For in the ordinary life,
+I will confess, no one now seems to regard me as both sane and sober.
+Only upon the stage, I feel convinced, will people take me seriously.
+That will be the end of it. I _know_ that will be the end of it. And
+yet ... I will frankly confess ... all that marks off your actor
+from your common man ... I _detest_. I am still largely of my Aunt
+Charlotte's opinion, that playacting is unworthy of a pure-minded man's
+attention, much more participation. Even now I would resign my dramatic
+criticism and try a rest. Only I can't get hold of Barnaby. Letters
+of resignation he never notices. He says it is against the etiquette
+of journalism to write to your Editor. And when I go to see him, he
+gives me another big cigar and some strong whisky and soda, and then
+something always turns up to prevent my explanation.
+
+
+
+
+A SLIP UNDER THE MICROSCOPE
+
+
+Outside the laboratory windows was a watery-grey fog, and within
+a close warmth and the yellow light of the green-shaded gas lamps
+that stood two to each table down its narrow length. On each table
+stood a couple of glass jars containing the mangled vestiges of the
+crayfish, mussels, frogs, and guineapigs, upon which the students had
+been working, and down the side of the room, facing the windows, were
+shelves bearing bleached dissections in spirits, surmounted by a row
+of beautifully executed anatomical drawings in whitewood frames and
+overhanging a row of cubical lockers. All the doors of the laboratory
+were panelled with blackboard, and on these were the half-erased
+diagrams of the previous day's work. The laboratory was empty, save for
+the demonstrator, who sat near the preparation-room door, and silent,
+save for a low, continuous murmur, and the clicking of the rocker
+microtome at which he was working. But scattered about the room were
+traces of numerous students: hand-bags, polished boxes of instruments,
+in one place a large drawing covered by newspaper, and in another a
+prettily bound copy of _News from Nowhere_, a book oddly at variance
+with its surroundings. These things had been put down hastily as the
+students had arrived and hurried at once to secure their seats in the
+adjacent lecture theatre. Deadened by the closed door, the measured
+accents of the professor sounded as a featureless muttering.
+
+Presently, faint through the closed windows came the sound of the
+Oratory clock striking the hour of eleven. The clicking of the
+microtome ceased, and the demonstrator looked at his watch, rose,
+thrust his hands into his pockets, and walked slowly down the
+laboratory towards the lecture theatre door. He stood listening for a
+moment, and then his eye fell on the little volume by William Morris.
+He picked it up, glanced at the title, smiled, opened it, looked at the
+name on the fly-leaf, ran the leaves through with his hand, and put
+it down. Almost immediately the even murmur of the lecturer ceased,
+there was a sudden burst of pencils rattling on the desks in the
+lecture theatre, a stirring, a scraping of feet, and a number of voices
+speaking together. Then a firm footfall approached the door, which
+began to open, and stood ajar, as some indistinctly heard question
+arrested the new-comer.
+
+The demonstrator turned, walked slowly back past the microtome, and
+left the laboratory by the preparation-room door. As he did so,
+first one, and then several students carrying notebooks entered the
+laboratory from the lecture theatre, and distributed themselves among
+the little tables, or stood in a group about the doorway. They were an
+exceptionally heterogeneous assembly, for while Oxford and Cambridge
+still recoil from the blushing prospect of mixed classes, the College
+of Science anticipated America in the matter years ago--mixed socially,
+too, for the prestige of the College is high, and its scholarships,
+free of any age limit, dredge deeper even than do those of the Scotch
+universities. The class numbered one-and-twenty, but some remained in
+the theatre questioning the professor, copying the blackboard diagrams
+before they were washed off, or examining the special specimens he had
+produced to illustrate the day's teaching. Of the nine who had come
+into the laboratory three were girls, one of whom, a little fair woman,
+wearing spectacles and dressed in greyish-green, was peering out of
+the window at the fog, while the other two, both wholesome-looking,
+plain-faced schoolgirls, unrolled and put on the brown holland aprons
+they wore while dissecting. Of the men, two went down the laboratory
+to their places, one a pallid, dark-bearded man, who had once been
+a tailor; the other a pleasant-featured, ruddy young man of twenty,
+dressed in a well-fitting brown suit; young Wedderburn, the son of
+Wedderburn the eye specialist. The others formed a little knot near
+the theatre door. One of these, a dwarfed, spectacled figure, with
+a hunch back, sat on a bent wood stool; two others, one a short,
+dark youngster, and the other a flaxen-haired, reddish-complexioned
+young man, stood leaning side by side against the slate sink, while
+the fourth stood facing them, and maintained the larger share of the
+conversation.
+
+This last person was named Hill. He was a sturdily built young fellow,
+of the same age as Wedderburn; he had a white face, dark grey eyes,
+hair of an indeterminate colour, and prominent, irregular features.
+He talked rather louder than was needful, and thrust his hands deeply
+into his pockets. His collar was frayed and blue with the starch of a
+careless laundress, his clothes were evidently readymade, and there
+was a patch on the side of his boot near the toe. And as he talked
+or listened to the others, he glanced now and again towards the
+lecture theatre door. They were discussing the depressing peroration
+of the lecture they had just heard, the last lecture it was in the
+introductory course in zoology. "From ovum to ovum is the goal of the
+higher vertebrata," the lecturer had said in his melancholy tones,
+and so had neatly rounded off the sketch of comparative anatomy he
+had been developing. The spectacled hunchback had repeated it, with
+noisy appreciation, had tossed it towards the fair-haired student with
+an evident provocation, and had started one of those vague, rambling
+discussions on generalities, so unaccountably dear to the student mind
+all the world over.
+
+"That is our goal, perhaps--I admit it--as far as science goes," said
+the fair-haired student, rising to the challenge. "But there are things
+above science."
+
+"Science," said Hill confidently, "is systematic knowledge. Ideas that
+don't come into the system--must anyhow--be loose ideas." He was not
+quite sure whether that was a clever saying or a fatuity until his
+hearers took it seriously.
+
+"The thing I cannot understand," said the hunchback, at large, "is
+whether Hill is a materialist or not."
+
+"There is one thing above matter," said Hill promptly, feeling he had
+a better thing this time, aware, too, of someone in the doorway behind
+him, and raising his voice a trifle for her benefit, "and that is, the
+delusion that there is something above matter."
+
+"So we have your gospel at last," said the fair student. "It's all
+a delusion, is it? All our aspirations to lead something more than
+dogs' lives, all our work for anything beyond ourselves. But see how
+inconsistent you are. Your socialism, for instance. Why do you trouble
+about the interests of the race? Why do you concern yourself about
+the beggar in the gutter? Why are you bothering yourself to lend that
+book"--he indicated William Morris by a movement of the head--"to
+everyone in the lab.?"
+
+"Girl," said the hunchback indistinctly, and glanced guiltily over his
+shoulder.
+
+The girl in brown, with the brown eyes, had come into the laboratory,
+and stood on the other side of the table behind him, with her rolled-up
+apron in one hand, looking over her shoulder, listening to the
+discussion. She did not notice the hunchback, because she was glancing
+from Hill to his interlocutor. Hill's consciousness of her presence
+betrayed itself to her only in his studious ignorance of the fact; but
+she understood that, and it pleased her. "I see no reason," said he,
+"why a man should live like a brute because he knows of nothing beyond
+matter, and does not expect to exist a hundred years hence."
+
+"Why shouldn't he?" said the fair-haired student.
+
+"Why _should_ he?" said Hill.
+
+"What inducement has he?"
+
+"That's the way with all you religious people. It's all a business of
+inducements. Cannot a man seek after righteousness for righteousness'
+sake?"
+
+There was a pause. The fair man answered, with a kind of vocal padding,
+"But--you see--inducement--when I said inducement," to gain time. And
+then the hunchback came to his rescue and inserted a question. He was
+a terrible person in the debating society with his questions, and they
+invariably took one form--a demand for a definition. "What's your
+definition of righteousness?" said the hunchback at this stage.
+
+Hill experienced a sudden loss of complacency at this question,
+but even as it was asked, relief came in the person of Brooks, the
+laboratory attendant, who entered by the preparation-room door,
+carrying a number of freshly killed guineapigs by their hind legs.
+"This is the last batch of material this session," said the youngster,
+who had not previously spoken. Brooks advanced up the laboratory,
+smacking down a couple of guineapigs at each table. The rest of the
+class, scenting the prey from afar, came crowding in by the lecture
+theatre door, and the discussion perished abruptly as the students who
+were not already in their places hurried to them to secure the choice
+of a specimen. There was a noise of keys rattling on split rings as
+lockers were opened and dissecting instruments taken out. Hill was
+already standing by his table, and his box of scalpels was sticking out
+of his pocket. The girl in brown came a step towards him, and, leaning
+over his table, said softly, "Did you see that I returned your book,
+Mr. Hill?"
+
+During the whole scene she and the book had been vividly present in his
+consciousness; but he made a clumsy pretence of looking at the book and
+seeing it for the first time. "Oh yes," he said, taking it up. "I see.
+Did you like it?"
+
+"I want to ask you some questions about it--some time."
+
+"Certainly," said Hill. "I shall be glad." He stopped awkwardly. "You
+liked it?" he said.
+
+"It's a wonderful book. Only some things I don't understand."
+
+Then suddenly the laboratory was hushed by a curious braying noise. It
+was the demonstrator. He was at the blackboard ready to begin the day's
+instruction, and it was his custom to demand silence by a sound midway
+between the "Er" of common intercourse and the blast of a trumpet. The
+girl in brown slipped back to her place: it was immediately in front
+of Hill's, and Hill, forgetting her forthwith, took a notebook out of
+the drawer of his table, turned over its leaves hastily, drew a stumpy
+pencil from his pocket, and prepared to make a copious note of the
+coming demonstration. For demonstrations and lectures are the sacred
+text of the College students. Books, saving only the Professor's own,
+you may--it is even expedient to--ignore.
+
+ * * * * *
+
+Hill was the son of a Landport cobbler, and had been hooked by a chance
+blue paper the authorities had thrown out to the Landport Technical
+College. He kept himself in London on his allowance of a guinea a
+week, and found that, with proper care, this also covered his clothing
+allowance, an occasional waterproof collar, that is; and ink and
+needles and cotton, and such-like necessaries for a man about town.
+This was his first year and his first session, but the brown old man
+in Landport had already got himself detested in many public-houses by
+boasting of his son, "the Professor." Hill was a vigorous youngster,
+with a serene contempt for the clergy of all denominations, and a
+fine ambition to reconstruct the world. He regarded his scholarship
+as a brilliant opportunity. He had begun to read at seven, and had
+read steadily whatever came in his way, good or bad, since then. His
+worldly experience had been limited to the island of Portsea, and
+acquired chiefly in the wholesale boot factory in which he had worked
+by day, after passing the seventh standard of the Board school. He had
+a considerable gift of speech, as the College Debating Society, which
+met amidst the crushing machines and mine models in the metallurgical
+theatre downstairs, already recognised--recognised by a violent
+battering of desks whenever he rose. And he was just at that fine
+emotional age when life opens at the end of a narrow pass like a broad
+valley at one's feet, full of the promise of wonderful discoveries and
+tremendous achievements. And his own limitations, save that he knew
+that he knew neither Latin nor French, were all unknown to him.
+
+At first his interest had been divided pretty equally between his
+biological work at the College and social and theological theorising,
+an employment which he took in deadly earnest. Of a night, when the
+big museum library was not open, he would sit on the bed of his room
+in Chelsea with his coat and a muffler on, and write out the lecture
+notes and revise his dissection memoranda, until Thorpe called him
+out by a whistle,--the landlady objected to open the door to attic
+visitors,--and then the two would go prowling about the shadowy, shiny,
+gas-lit streets, talking, very much in the fashion of the sample
+just given, of the God Idea, and Righteousness, and Carlyle, and the
+Reorganisation of Society. And, in the midst of it all, Hill, arguing
+not only for Thorpe, but for the casual passer-by, would lose the
+thread of his argument glancing at some pretty painted face that looked
+meaningly at him as he passed. Science and Righteousness! But once or
+twice lately there had been signs that a third interest was creeping
+into his life, and he had found his attention wandering from the fate
+of the mesoblastic somites or the probable meaning of the blastopore,
+to the thought of the girl with the brown eyes who sat at the table
+before him.
+
+She was a paying student; she descended inconceivable social altitudes
+to speak to him. At the thought of the education she must have had,
+and the accomplishments she must possess, the soul of Hill became
+abject within him. She had spoken to him first over a difficulty about
+the alisphenoid of a rabbit's skull, and he had found that, in biology
+at least, he had no reason for self-abasement. And from that, after
+the manner of young people starting from any starting-point, they got
+to generalities, and while Hill attacked her upon the question of
+socialism,--some instinct told him to spare her a direct assault upon
+her religion,--she was gathering resolution to undertake what she told
+herself was his æsthetic education. She was a year or two older than
+he, though the thought never occurred to him. The loan of _News from
+Nowhere_ was the beginning of a series of cross loans. Upon some absurd
+first principle of his, Hill had never "wasted time" upon poetry,
+and it seemed an appalling deficiency to her. One day in the lunch
+hour, when she chanced upon him alone in the little museum where the
+skeletons were arranged, shamefully eating the bun that constituted
+his midday meal, she retreated, and returned to lend him, with a
+slightly furtive air, a volume of Browning. He stood sideways towards
+her and took the book rather clumsily, because he was holding the bun
+in the other hand. And in the retrospect his voice lacked the cheerful
+clearness he could have wished.
+
+That occurred after the examination in comparative anatomy, on the
+day before the College turned out its students, and was carefully
+locked up by the officials, for the Christmas holidays. The excitement
+of cramming for the first trial of strength had for a little while
+dominated Hill, to the exclusion of his other interests. In the
+forecasts of the result in which everyone indulged, he was surprised
+to find that no one regarded him as a possible competitor for the
+Harvey Commemoration Medal, of which this and the two subsequent
+examinations disposed. It was about this time that Wedderburn, who
+so far had lived inconspicuously on the uttermost margin of Hill's
+perceptions, began to take on the appearance of an obstacle. By a
+mutual agreement, the nocturnal prowlings with Thorpe ceased for the
+three weeks before the examination, and his landlady pointed out that
+she really could not supply so much lamp oil at the price. He walked to
+and fro from the College with little slips of mnemonics in his hand,
+lists of crayfish appendages, rabbits' skull-bones, and vertebrate
+nerves, for example, and became a positive nuisance to foot passengers
+in the opposite direction.
+
+But, by a natural reaction, Poetry and the girl with the brown eyes
+ruled the Christmas holiday. The pending results of the examination
+became such a secondary consideration that Hill marvelled at his
+father's excitement. Even had he wished it, there was no comparative
+anatomy to read in Landport, and he was too poor to buy books, but the
+stock of poets in the library was extensive, and Hill's attack was
+magnificently sustained. He saturated himself with the fluent numbers
+of Longfellow and Tennyson, and fortified himself with Shakespeare;
+found a kindred soul in Pope, and a master in Shelley, and heard and
+fled the siren voices of Eliza Cook and Mrs. Hemans. But he read no
+more Browning, because he hoped for the loan of other volumes from Miss
+Haysman when he returned to London.
+
+He walked from his lodgings to the College with that volume of Browning
+in his shiny black bag, and his mind teeming with the finest general
+propositions about poetry. Indeed, he framed first this little speech
+and then that with which to grace the return. The morning was an
+exceptionally pleasant one for London; there was a clear, hard frost
+and undeniable blue in the sky, a thin haze softened every outline, and
+warm shafts of sunlight struck between the house blocks and turned the
+sunny side of the street to amber and gold. In the hall of the College
+he pulled off his glove and signed his name with fingers so stiff with
+cold that the characteristic dash under the signature he cultivated
+became a quivering line. He imagined Miss Haysman about him everywhere.
+He turned at the staircase, and there, below, he saw a crowd struggling
+at the foot of the notice-board. This, possibly, was the biology list.
+He forgot Browning and Miss Haysman for the moment, and joined the
+scrimmage. And at last, with his cheek flattened against the sleeve of
+the man on the step above him, he read the list--
+
+ CLASS I
+
+ H. J. Somers Wedderburn
+ William Hill
+
+and thereafter followed a second class that is outside our present
+sympathies. It was characteristic that he did not trouble to look for
+Thorpe on the physics list, but backed out of the struggle at once, and
+in a curious emotional state between pride over common second-class
+humanity and acute disappointment at Wedderburn's success, went on his
+way upstairs. At the top, as he was hanging up his coat in the passage,
+the zoological demonstrator, a young man from Oxford, who secretly
+regarded him as a blatant "mugger" of the very worst type, offered his
+heartiest congratulations.
+
+At the laboratory door Hill stopped for a second to get his breath,
+and then entered. He looked straight up the laboratory and saw all
+five girl students grouped in their places, and Wedderburn, the once
+retiring Wedderburn, leaning rather gracefully against the window,
+playing with the blind tassel and talking, apparently, to the five
+of them. Now, Hill could talk bravely enough and even overbearingly
+to one girl, and he could have made a speech to a roomful of girls,
+but this business of standing at ease and appreciating, fencing, and
+returning quick remarks round a group was, he knew, altogether beyond
+him. Coming up the staircase his feelings for Wedderburn had been
+generous, a certain admiration perhaps, a willingness to shake his hand
+conspicuously and heartily as one who had fought but the first round.
+But before Christmas Wedderburn had never gone up to that end of the
+room to talk. In a flash Hill's mist of vague excitement condensed
+abruptly to a vivid dislike of Wedderburn. Possibly his expression
+changed. As he came up to his place, Wedderburn nodded carelessly to
+him, and the others glanced round. Miss Haysman looked at him and away
+again, the faintest touch of her eyes. "I can't agree with you, Mr.
+Wedderburn," she said.
+
+"I must congratulate you on your first class, Mr. Hill," said the
+spectacled girl in green, turning round and beaming at him.
+
+"It's nothing," said Hill, staring at Wedderburn and Miss Haysman
+talking together, and eager to hear what they talked about.
+
+"We poor folks in the second class don't think so," said the girl in
+spectacles.
+
+What was it Wedderburn was saying? Something about William Morris!
+Hill did not answer the girl in spectacles, and the smile died out of
+his face. He could not hear, and failed to see how he could "cut in."
+Confound Wedderburn! He sat down, opened his bag, hesitated whether
+to return the volume of Browning forthwith, in the sight of all, and
+instead drew out his new notebooks for the short course in elementary
+botany that was now beginning, and which would terminate in February.
+As he did so, a fat, heavy man, with a white face and pale grey eyes,
+Bindon, the professor of botany, who came up from Kew for January and
+February, came in by the lecture theatre door, and passed, rubbing his
+hands together and smiling, in silent affability down the laboratory.
+
+ * * * * *
+
+In the subsequent six weeks Hill experienced some very rapid and
+curiously complex emotional developments. For the most part he had
+Wedderburn in focus--a fact that Miss Haysman never suspected. She told
+Hill (for in the comparative privacy of the museum she talked a good
+deal to him of socialism and Browning and general propositions) that
+she had met Wedderburn at the house of some people she knew, and "he's
+inherited his cleverness; for his father, you know, is the great eye
+specialist."
+
+"_My_ father is a cobbler," said Hill, quite irrelevantly, and
+perceived the want of dignity even as he said it. But the gleam of
+jealousy did not offend her. She conceived herself the fundamental
+source of it. He suffered bitterly from a sense of Wedderburn's
+unfairness, and a realisation of his own handicap. Here was this
+Wedderburn had picked up a prominent man for a father, and instead
+of his losing so many marks on the score of that advantage, it was
+counted to him for righteousness! And while Hill had to introduce
+himself and talk to Miss Haysman clumsily over mangled guineapigs in
+the laboratory, this Wedderburn, in some backstairs way, had access to
+her social altitudes, and could converse in a polished argot that Hill
+understood perhaps, but felt incapable of speaking. Not, of course,
+that he wanted to. Then it seemed to Hill that for Wedderburn to come
+there day after day with cuffs unfrayed, neatly tailored, precisely
+barbered, quietly perfect, was in itself an ill-bred, sneering sort
+of proceeding. Moreover, it was a stealthy thing for Wedderburn to
+behave insignificantly for a space, to mock modesty, to lead Hill to
+fancy that he himself was beyond dispute the man of the year, and
+then suddenly to dart in front of him, and incontinently to swell up
+in this fashion. In addition to these things, Wedderburn displayed an
+increasing disposition to join in any conversational grouping that
+included Miss Haysman, and would venture, and indeed seek occasion, to
+pass opinions derogatory to socialism and atheism. He goaded Hill to
+incivilities by neat, shallow, and exceedingly effective personalities
+about the socialist leaders, until Hill hated Bernard Shaw's graceful
+egotisms, William Morris's limited editions and luxurious wall-papers,
+and Walter Crane's charmingly absurd ideal working men, about as much
+as he hated Wedderburn. The dissertations in the laboratory, that had
+been his glory in the previous term, became a danger, degenerated into
+inglorious tussles with Wedderburn, and Hill kept to them only out of
+an obscure perception that his honour was involved. In the debating
+society Hill knew quite clearly that, to a thunderous accompaniment
+of banged desks, he could have pulverised Wedderburn. Only Wedderburn
+never attended the debating society to be pulverised, because--nauseous
+affectation!--he "dined late."
+
+You must not imagine that these things presented themselves in quite
+such a crude form to Hill's perception. Hill was a born generaliser.
+Wedderburn to him was not so much an individual obstacle as a type,
+the salient angle of a class. The economic theories that, after
+infinite ferment, had shaped themselves in Hill's mind, became abruptly
+concrete at the contact. The world became full of easy-mannered,
+graceful, gracefully-dressed, conversationally dexterous, finally
+shallow Wedderburns, Bishops Wedderburn, Wedderburn M.P.'s, Professors
+Wedderburn, Wedderburn landlords, all with finger-bowl shibboleths and
+epigrammatic cities of refuge from a sturdy debater. And everyone
+ill-clothed or ill-dressed, from the cobbler to the cab-runner, was a
+man and a brother, a fellow-sufferer, to Hill's imagination. So that
+he became, as it were, a champion of the fallen and oppressed, albeit
+to outward seeming only a self-assertive, ill-mannered young man, and
+an unsuccessful champion at that. Again and again a skirmish over the
+afternoon tea that the girl students had inaugurated, left Hill with
+flushed cheeks and a tattered temper, and the debating society noticed
+a new quality of sarcastic bitterness in his speeches.
+
+You will understand now how it was necessary, if only in the interests
+of humanity, that Hill should demolish Wedderburn in the forthcoming
+examination and outshine him in the eyes of Miss Haysman; and you
+will perceive, too, how Miss Haysman fell into some common feminine
+misconceptions. The Hill-Wedderburn quarrel, for in his unostentatious
+way Wedderburn reciprocated Hill's ill-veiled rivalry, became a tribute
+to her indefinable charm; she was the Queen of Beauty in a tournament
+of scalpels and stumpy pencils. To her confidential friend's secret
+annoyance, it even troubled her conscience, for she was a good girl,
+and painfully aware, from Ruskin and contemporary fiction, how entirely
+men's activities are determined by women's attitudes. And if Hill never
+by any chance mentioned the topic of love to her, she only credited him
+with the finer modesty for that omission.
+
+So the time came on for the second examination, and Hill's increasing
+pallor confirmed the general rumour that he was working hard. In the
+aërated bread shop near South Kensington Station you would see him,
+breaking his bun and sipping his milk, with his eyes intent upon a
+paper of closely written notes. In his bedroom there were propositions
+about buds and stems round his looking-glass, a diagram to catch his
+eye, if soap should chance to spare it, above his washing basin.
+He missed several meetings of the debating society, but he found
+the chance encounters with Miss Haysman in the spacious ways of the
+adjacent art museum, or in the little museum at the top of the College,
+or in the College corridors, more frequent and very restful. In
+particular, they used to meet in a little gallery full of wrought-iron
+chests and gates, near the art library, and there Hill used to talk,
+under the gentle stimulus of her flattering attention, of Browning and
+his personal ambitions. A characteristic she found remarkable in him
+was his freedom from avarice. He contemplated quite calmly the prospect
+of living all his life on an income below a hundred pounds a year. But
+he was determined to be famous, to make, recognisably in his own proper
+person, the world a better place to live in. He took Bradlaugh and John
+Burns for his leaders and models, poor, even impecunious, great men.
+But Miss Haysman thought that such lives were deficient on the æsthetic
+side, by which, though she did not know it, she meant good wall-paper
+and upholstery, pretty books, tasteful clothes, concerts, and meals
+nicely cooked and respectfully served.
+
+At last came the day of the second examination, and the professor of
+botany, a fussy, conscientious man, rearranged all the tables in a long
+narrow laboratory to prevent copying, and put his demonstrator on a
+chair on a table (where he felt, he said, like a Hindoo god), to see
+all the cheating, and stuck a notice outside the door, "Door closed,"
+for no earthly reason that any human being could discover. And all the
+morning from ten till one the quill of Wedderburn shrieked defiance
+at Hill's, and the quills of the others chased their leaders in a
+tireless pack, and so also it was in the afternoon. Wedderburn was a
+little quieter than usual, and Hill's face was hot all day, and his
+overcoat bulged with textbooks and notebooks against the last moment's
+revision. And the next day, in the morning and in the afternoon, was
+the practical examination, when sections had to be cut and slides
+identified. In the morning Hill was depressed because he knew he had
+cut a thick section, and in the afternoon came the mysterious slip.
+
+It was just the kind of thing that the botanical professor was always
+doing. Like the income tax, it offered a premium to the cheat. It was
+a preparation under the microscope, a little glass slip, held in its
+place on the stage of the instrument by light steel clips, and the
+inscription set forth that the slip was not to be moved. Each student
+was to go in turn to it, sketch it, write in his book of answers what
+he considered it to be, and return to his place. Now, to move such a
+slip is a thing one can do by a chance movement of the finger, and in
+a fraction of a second. The professor's reason for decreeing that the
+slip should not be moved depended on the fact that the object he wanted
+identified was characteristic of a certain tree stem. In the position
+in which it was placed it was a difficult thing to recognise, but once
+the slip was moved so as to bring other parts of the preparation into
+view, its nature was obvious enough.
+
+Hill came to this, flushed from a contest with staining re-agents, sat
+down on the little stool before the microscope, turned the mirror to
+get the best light, and then, out of sheer habit, shifted the slip.
+At once he remembered the prohibition, and, with an almost continuous
+motion of his hands, moved it back, and sat paralysed with astonishment
+at his action.
+
+Then, slowly, he turned his head. The professor was out of the room;
+the demonstrator sat aloft on his impromptu rostrum, reading the
+_Q. Jour. Mi. Sci._; the rest of the examinees were busy, and with
+their backs to him. Should he own up to the accident now? He knew
+quite clearly what the thing was. It was a lenticel, a characteristic
+preparation from the elder-tree. His eyes roved over his intent
+fellow-students, and Wedderburn suddenly glanced over his shoulder at
+him with a queer expression in his eyes. The mental excitement that had
+kept Hill at an abnormal pitch of vigour these two days gave way to a
+curious nervous tension. His book of answers was beside him. He did not
+write down what the thing was, but with one eye at the microscope he
+began making a hasty sketch of it. His mind was full of this grotesque
+puzzle in ethics that had suddenly been sprung upon him. Should he
+identify it? or should he leave this question unanswered? In that
+case Wedderburn would probably come out first in the second result.
+How could he tell now whether he might not have identified the thing
+without shifting it? It was possible that Wedderburn had failed to
+recognise it, of course. Suppose Wedderburn too had shifted the slide?
+He looked up at the clock. There were fifteen minutes in which to
+make up his mind. He gathered up his book of answers and the coloured
+pencils he used in illustrating his replies, and walked back to his
+seat.
+
+He read through his manuscript, and then sat thinking and gnawing
+his knuckle. It would look queer now if he owned up. He _must_ beat
+Wedderburn. He forgot the examples of those starry gentlemen, John
+Burns and Bradlaugh. Besides, he reflected, the glimpse of the rest
+of the slip he had had was, after all, quite accidental, forced upon
+him by chance, a kind of providential revelation rather than an unfair
+advantage. It was not nearly so dishonest to avail himself of that as
+it was of Broome, who believed in the efficacy of prayer, to pray daily
+for a first-class. "Five minutes more," said the demonstrator, folding
+up his paper and becoming observant. Hill watched the clock hands until
+two minutes remained; then he opened the book of answers, and, with hot
+ears and an affectation of ease, gave his drawing of the lenticel its
+name.
+
+When the second pass list appeared, the previous positions of
+Wedderburn and Hill were reversed, and the spectacled girl in green,
+who knew the demonstrator in private life (where he was practically
+human), said that in the result of the two examinations taken together
+Hill had the advantage of a mark--167 to 166 out of a possible 200.
+Everyone admired Hill in a way, though the suspicion of "mugging"
+clung to him. But Hill was to find congratulations and Miss Haysman's
+enhanced opinion of him, and even the decided decline in the crest
+of Wedderburn, tainted by an unhappy memory. He felt a remarkable
+access of energy at first, and the note of a democracy marching to
+triumph returned to his debating society speeches; he worked at his
+comparative anatomy with tremendous zeal and effect, and he went on
+with his æsthetic education. But through it all, a vivid little picture
+was continually coming before his mind's eye--of a sneakish person
+manipulating a slide.
+
+No human being had witnessed the act, and he was cocksure that no
+higher power existed to see it; but for all that it worried him.
+Memories are not dead things, but alive; they dwindle in disuse,
+but they harden and develop in all sorts of queer ways if they are
+being continually fretted. Curiously enough, though at the time he
+perceived clearly that the shifting was accidental, as the days wore
+on, his memory became confused about it, until at last he was not
+sure--although he assured himself that he _was_ sure--whether the
+movement had been absolutely involuntary. Then it is possible that
+Hill's dietary was conducive to morbid conscientiousness; a breakfast
+frequently eaten in a hurry, a midday bun, and, at such hours after
+five as chanced to be convenient, such meat as his means determined,
+usually in a chophouse in a back street off the Brompton Road.
+Occasionally he treated himself to threepenny or ninepenny classics,
+and they usually represented a suppression of potatoes or chops. It is
+indisputable that outbreaks of self-abasement and emotional revival
+have a distinct relation to periods of scarcity. But apart from this
+influence on the feelings, there was in Hill a distinct aversion
+to falsity that the blasphemous Landport cobbler had inculcated by
+strap and tongue from his earliest years. Of one fact about professed
+atheists I am convinced; they may be--they usually are--fools, void
+of subtlety, revilers of holy institutions, brutal speakers, and
+mischievous knaves, but they lie with difficulty. If it were not so,
+if they had the faintest grasp of the idea of compromise, they would
+simply be liberal churchmen. And, moreover, this memory poisoned his
+regard for Miss Haysman. For she now so evidently preferred him to
+Wedderburn that he felt sure he cared for her, and began reciprocating
+her attentions by timid marks of personal regard; at one time he even
+bought a bunch of violets, carried it about in his pocket, and produced
+it, with a stumbling explanation, withered and dead, in the gallery of
+old iron. It poisoned, too, the denunciation of capitalist dishonesty
+that had been one of his life's pleasures. And, lastly, it poisoned his
+triumph in Wedderburn. Previously he had been Wedderburn's superior
+in his own eyes, and had raged simply at a want of recognition. Now
+he began to fret at the darker suspicion of positive inferiority. He
+fancied he found justifications for his position in Browning, but they
+vanished on analysis. At last--moved, curiously enough, by exactly the
+same motive forces that had resulted in his dishonesty--he went to
+Professor Bindon, and made a clean breast of the whole affair. As Hill
+was a paid student, Professor Bindon did not ask him to sit down, and
+he stood before the professor's desk as he made his confession.
+
+"It's a curious story," said Professor Bindon, slowly realising how
+the thing reflected on himself, and then letting his anger rise,--"A
+most remarkable story. I can't understand your doing it, and I can't
+understand this avowal. You're a type of student--Cambridge men would
+never dream--I suppose I ought to have thought--Why _did_ you cheat?"
+
+"I didn't--cheat," said Hill.
+
+"But you have just been telling me you did."
+
+"I thought I explained"--
+
+"Either you cheated or you did not cheat."
+
+"I said my motion was involuntary."
+
+"I am not a metaphysician, I am a servant of science--of fact. You
+were told not to move the slip. You did move the slip. If that is not
+cheating"--
+
+"If I was a cheat," said Hill, with the note of hysterics in his voice,
+"should I come here and tell you?"
+
+"Your repentance, of course, does you credit," said Professor Bindon,
+"but it does not alter the original facts."
+
+"No, sir," said Hill, giving in in utter self-abasement.
+
+"Even now you cause an enormous amount of trouble. The examination list
+will have to be revised."
+
+"I suppose so, sir."
+
+"Suppose so? Of course it must be revised. And I don't see how I can
+conscientiously pass you."
+
+"Not pass me?" said Hill. "Fail me?"
+
+"It's the rule in all examinations. Or where should we be? What else
+did you expect? You don't want to shirk the consequences of your own
+acts?"
+
+"I thought, perhaps"--said Hill. And then, "Fail me? I thought, as I
+told you, you would simply deduct the marks given for that slip."
+
+"Impossible!" said Bindon. "Besides, it would still leave you above
+Wedderburn. Deduct only the marks--Preposterous! The Departmental
+Regulations distinctly say"--
+
+"But it's my own admission, sir."
+
+"The Regulations say nothing whatever of the manner in which the matter
+comes to light. They simply provide"--
+
+"It will ruin me. If I fail this examination, they won't renew my
+scholarship."
+
+"You should have thought of that before."
+
+"But, sir, consider all my circumstances"--
+
+"I cannot consider anything. Professors in this College are machines.
+The Regulations will not even let us recommend our students for
+appointments. I am a machine, and you have worked me. I have to do"--
+
+"It's very hard, sir."
+
+"Possibly it is."
+
+"If I am to be failed this examination, I might as well go home at
+once."
+
+"That is as you think proper." Bindon's voice softened a little; he
+perceived he had been unjust, and, provided he did not contradict
+himself, he was disposed to amelioration, "As a private person," he
+said, "I think this confession of yours goes far to mitigate your
+offence. But you have set the machinery in motion, and now it must take
+its course. I--I am really sorry you gave way."
+
+A wave of emotion prevented Hill from answering. Suddenly, very
+vividly, he saw the heavily-lined face of the old Landport cobbler, his
+father. "Good God! What a fool I have been!" he said hotly and abruptly.
+
+"I hope," said Bindon, "that it will be a lesson to you."
+
+But, curiously enough, they were not thinking of quite the same
+indiscretion.
+
+There was a pause.
+
+"I would like a day to think, sir, and then I will let you know--about
+going home, I mean," said Hill, moving towards the door.
+
+ * * * * *
+
+The next day Hill's place was vacant. The spectacled girl in green was,
+as usual, first with the news. Wedderburn and Miss Haysman were talking
+of a performance of _The Meistersingers_ when she came up to them.
+
+"Have you heard?" she said.
+
+"Heard what?"
+
+"There was cheating in the examination."
+
+"Cheating!" said Wedderburn, with his face suddenly hot. "How?"
+
+"That slide"--
+
+"Moved? Never!"
+
+"It was. That slide that we weren't to move"--
+
+"Nonsense!" said Wedderburn. "Why! How could they find out? Who do they
+say--?"
+
+"It was Mr. Hill."
+
+"_Hill!_"
+
+"Mr. Hill!"
+
+"Not--surely not the immaculate Hill?" said Wedderburn, recovering.
+
+"I don't believe it," said Miss Haysman. "How do you know?"
+
+"I _didn't_," said the girl in spectacles. "But I know it now for a
+fact. Mr. Hill went and confessed to Professor Bindon himself."
+
+"By Jove!" said Wedderburn. "Hill of all people. But I am always
+inclined to distrust these philanthropists-on-principle"--
+
+"Are you quite sure?" said Miss Haysman, with a catch in her breath.
+
+"Quite. It's dreadful, isn't it? But, you know, what can you expect?
+His father is a cobbler."
+
+Then Miss Haysman astonished the girl in spectacles.
+
+"I don't care. I will not believe it," she said, flushing darkly under
+her warm-tinted skin. "I will not believe it until he has told me so
+himself--face to face. I would scarcely believe it then," and abruptly
+she turned her back on the girl in spectacles, and walked to her own
+place.
+
+"It's true, all the same," said the girl in spectacles, peering and
+smiling at Wedderburn.
+
+But Wedderburn did not answer her. She was indeed one of those people
+who seem destined to make unanswered remarks.
+
+
+THE END
+
+
+
+
+ PRINTED BY
+ MORRISON AND GIBB LIMITED, EDINBURGH
+
+
+
+
+Transcriber's note
+
+
+Words in italics were surrounded with _underscores_ and small capitals
+changed to all capitals.
+
+The original has been preserved, except for the following corrections,
+on page
+
+ 11 "contion" changed to "condition" (in an extremely dishevelled
+ condition.)
+ 99 , changed to . (parables rather. Do you mean)
+ 221 . added (but it hit _him_. Yes, ma'am)
+ 257 " removed (was his silly name for me.)
+ 259 beginning double quotes added and nested double quotes changed to
+ single quotes ("'Have you read it?' ... 'The bravest and the best,'
+ said I again).
+
+Additional: the book mentioned on page 216 "Smiles' Elp Yourself"
+is an existing book "Self help; with illustrations of conduct and
+perseverance" by Samuel Smiles, to be found on Project Gutenberg as
+Ebook number 935.
+
+
+
+
+
+End of Project Gutenberg's The Plattner Story and Others, by H. G. Wells
+
+*** END OF THE PROJECT GUTENBERG EBOOK 42989 ***