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 <title>The Project Gutenberg eBook of Brittany, by Mortimer Menpes and Dorothy Menpes</title>
     <style type="text/css">
 
@@ -160,26 +160,10 @@ td { padding-right: .5em;
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+<div>*** START OF THE PROJECT GUTENBERG EBOOK 42954 ***</div>
 <h1 class="pg">The Project Gutenberg eBook, Brittany, by Mortimer Menpes and Dorothy
 Menpes, Illustrated by Mortimer Menpes</h1>
-<p>This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever.  You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at <a
-href="http://www.gutenberg.org">www.gutenberg.org</a></p>
-<p>Title: Brittany</p>
-<p>Author: Mortimer Menpes and Dorothy Menpes</p>
-<p>Release Date: June 15, 2013  [eBook #42954]</p>
-<p>Language: English</p>
-<p>Character set encoding: ISO-8859-1</p>
-<p>***START OF THE PROJECT GUTENBERG EBOOK BRITTANY***</p>
 <p>&nbsp;</p>
-<h4 class="center">E-text prepared by Greg Bergquist, Melissa McDaniel,<br />
-    and the Online Distributed Proofreading Team<br />
-    (<a href="http://www.pgdp.net">http://www.pgdp.net</a>)<br />
-    from page images generously made available by<br />
-    Internet Archive/American Libraries<br />
-    (<a href="http://archive.org/details/americana">http://archive.org/details/americana</a>)</h4>
 <p>&nbsp;</p>
 <table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10">
   <tr>
@@ -242,13 +226,13 @@ ADAM AND CHARLES BLACK<br />
 </div>
 
 <div class="title_page p6">
-<p><span class="b13">BRITTANY � BY</span><br />
+<p><span class="b13">BRITTANY · BY</span><br />
 MORTIMER MENPES<br />
 TEXT BY DOROTHY<br />
-MENPES � PUBLISHED<br />
+MENPES · PUBLISHED<br />
 BY ADAM &amp; CHARLES<br />
-BLACK � SOHO SQUARE<br />
-LONDON � W � MCMXII.</p>
+BLACK · SOHO SQUARE<br />
+LONDON · W · MCMXII.</p>
 </div>
 <div class="figcenter p2">
 <img src="images/illo_007.jpg" width="59" height="56" alt="Logo" />
@@ -269,7 +253,7 @@ LONDON � W � MCMXII.</p>
 </tr>
 <tr>
 <td class="tdr">I.</td>
-<td><span class="smcap">Douarn�nez</span></td>
+<td><span class="smcap">Douarnénez</span></td>
 <td class="tdr"><a href="#Page_3">3</a></td>
 </tr>
 <tr>
@@ -279,7 +263,7 @@ LONDON � W � MCMXII.</p>
 </tr>
 <tr>
 <td class="tdr">III.</td>
-<td><span class="smcap">Vitr�</span></td>
+<td><span class="smcap">Vitré</span></td>
 <td class="tdr"><a href="#Page_29">29</a></td>
 </tr>
 <tr>
@@ -329,7 +313,7 @@ LONDON � W � MCMXII.</p>
 </tr>
 <tr>
 <td class="tdr">XIII.</td>
-<td><span class="smcap">Quimperl�</span></td>
+<td><span class="smcap">Quimperlé</span></td>
 <td class="tdr"><a href="#Page_165">165</a></td>
 </tr>
 <tr>
@@ -359,7 +343,7 @@ LONDON � W � MCMXII.</p>
 </tr>
 <tr>
 <td class="tdr">XIX.</td>
-<td><span class="smcap">Ch�teau des Rochers</span></td>
+<td><span class="smcap">Château des Rochers</span></td>
 <td class="tdr"><a href="#Page_225">225</a></td>
 </tr>
 <tr>
@@ -395,7 +379,7 @@ LONDON � W � MCMXII.</p>
 </tr>
 <tr>
 <td class="tdr">3.</td>
-<td>Grandm�re</td>
+<td>Grandmère</td>
 <td class="tdr"><a href="#illo_027">6</a></td>
 </tr>
 <tr>
@@ -430,7 +414,7 @@ LONDON � W � MCMXII.</p>
 </tr>
 <tr>
 <td class="tdr">10.</td>
-<td>Medi�val Houses, Vitr�</td>
+<td>Mediæval Houses, Vitré</td>
 <td class="tdr"><a href="#illo_077">28</a></td>
 </tr>
 <tr>
@@ -445,7 +429,7 @@ LONDON � W � MCMXII.</p>
 </tr>
 <tr>
 <td class="tdr">13.</td>
-<td>P�re Louis</td>
+<td>Père Louis</td>
 <td class="tdr"><a href="#illo_097">36</a></td>
 </tr>
 <tr>
@@ -455,7 +439,7 @@ LONDON � W � MCMXII.</p>
 </tr>
 <tr>
 <td class="tdr">15.</td>
-<td>La Vieille M�re Perot</td>
+<td>La Vieille Mère Perot</td>
 <td class="tdr"><a href="#illo_113">44</a></td>
 </tr>
 <tr>
@@ -521,7 +505,7 @@ LONDON � W � MCMXII.</p>
 </tr>
 <tr>
 <td class="tdr">28.</td>
-<td>D�bit de Boissons</td>
+<td>Débit de Boissons</td>
 <td class="tdr"><a href="#illo_215">94</a></td>
 </tr>
 <tr>
@@ -581,7 +565,7 @@ LONDON � W � MCMXII.</p>
 </tr>
 <tr>
 <td class="tdr">40.</td>
-<td>Medi�val House at Morlaix</td>
+<td>Mediæval House at Morlaix</td>
 <td class="tdr"><a href="#illo_301">132</a></td>
 </tr>
 <tr>
@@ -692,7 +676,7 @@ LONDON � W � MCMXII.</p>
 </tr>
 <tr>
 <td class="tdr">62.</td>
-<td>D�jeuner</td>
+<td>Déjeuner</td>
 <td class="tdr"><a href="#illo_473">216</a></td>
 </tr>
 <tr>
@@ -766,24 +750,24 @@ LONDON � W � MCMXII.</p>
 <p class="center p6 b20">BRITTANY</p>
 
 <h2 class="chap1"><span class="b12">CHAPTER I</span><br />
-DOUARN�NEZ</h2>
+DOUARNÉNEZ</h2>
 
 <p>The gray and somewhat uninteresting village of
-Douarn�nez undergoes a change when the fishing-boats
+Douarnénez undergoes a change when the fishing-boats
 come home. Even with your eyes shut,
 you would soon know of the advent of the fishermen
 by the downward clatter of myriads of sabots
 through the badly-paved steep streets, gathering in
 volume and rapidity with each succeeding minute.
 The village has been thoroughly wakened up.
-Douarn�nez is the headquarters of the sardine
+Douarnénez is the headquarters of the sardine
 fishery, and the home-coming of the sardine boats
 is a matter of no little importance. The 9,000
 inhabitants of the place are all given up to this industry.
 Prosperity, or adversity, depends upon the
 faithfulness, or the fickleness, of the little silver fish
 in visiting their shores. Not long ago the sardines
-forsook Douarn�nez, and great was the desolation
+forsook Douarnénez, and great was the desolation
 <span class="pagenum"><a name="Page_4" id="Page_4">4</a></span>
 and despair which settled upon the people. However,
 the season this year is good, and the people
@@ -836,7 +820,7 @@ London or Parisian dressmaker inspiration for a
 dozen gowns, which, if properly adapted, would
 take the whole of the fashionable world by storm!
 You see blue woollen jerseys faded into greens
-and yellows, red <i>b�rets</i> wondrously shaded in tones
+and yellows, red <i>bérets</i> wondrously shaded in tones
 of vermilion and salmon. From almost every
 window tarpaulin and yellow oilskin trousers hang
 drying; every woman in the place is busily
@@ -846,7 +830,7 @@ employed.</p>
 doorways when passing, subjects worthy of Peter
 de Hooch&mdash;a young girl in the white-winged cap
 <span class="pagenum"><a name="Page_6" id="Page_6">6</a></span>
-and red crossway shawl of Douarn�nez cutting up
+and red crossway shawl of Douarnénez cutting up
 squares of cork against the rich dark background
 of her home, in which glistening brass, polished
 oak, blue-and-white china, and a redly burning
@@ -864,7 +848,7 @@ themselves about their work.</p>
 
 <p>It is impossible to describe one's feelings when,
 after descending the steep cobbled street, one first
-catches sight of the sea at Douarn�nez. One can
+catches sight of the sea at Douarnénez. One can
 only stand stock-still for a moment and draw in a
 deep breath of astonishment and fulfilment of hopes.</p>
 
@@ -881,7 +865,7 @@ delicacy of the background.</p>
 
 <div class="figcenter"><a name="illo_027" id="illo_027"></a>
 <img src="images/illo_027.jpg" width="438" height="550" alt="" />
-<p class="caption">GRANDM�RE</p>
+<p class="caption">GRANDMÈRE</p>
 </div>
 <p>Over the gray-blue sea are scudding myriads of
 brown, double-winged boats, all making for the
@@ -892,7 +876,7 @@ yellow-green that it almost sets your teeth on
 edge.</p>
 
 <p>Set down in mere words, this description can
-convey no impression of the Bay of Douarn�nez
+convey no impression of the Bay of Douarnénez
 as I saw it that balmy autumn afternoon. My pen
 is clogged; it refuses to interpret my thoughts. It
 was a scene that I shall never forget. As the
@@ -923,7 +907,7 @@ shape of their heads. Many a time when the cornflower-blue
 sea has turned to sullen black, and the
 balmy air is alive with flying foam and roaring
 winds, such women must wait in vain on the quay
-at Douarn�nez for their men-folk.</p>
+at Douarnénez for their men-folk.</p>
 
 <p>The sailor's life is a hard one in Brittany, exposed
 as he is in his small boat to the fearful storms of the
@@ -963,7 +947,7 @@ their places before dropping anchor and remaining
 stationary. Others are scudding rapidly over the
 smooth blue sea, ruffling it up in white foam at
 their bows. Scores of men in rich brown wallflower-hued
-clothes and dark-blue <i>b�rets</i> are as busy as
+clothes and dark-blue <i>bérets</i> are as busy as
 <span class="pagenum"><a name="Page_10" id="Page_10">10</a></span>
 bees among the sails and cordage; others are walking
 rapidly to and fro, with round brown baskets,
@@ -980,7 +964,7 @@ for in instalments.</p>
 <p>Above the quay, leaning over the stone parapet,
 are scores of girls, come from their homes just as
 they were, some with their work and some with
-their <i>go�t�</i> (bread and chocolate or an apple).
+their <i>goûté</i> (bread and chocolate or an apple).
 They have come to watch the entrance of the
 fishing fleet: comely, fresh-complexioned women,
 in shawls and aprons of every colour&mdash;some blue,
@@ -1035,7 +1019,7 @@ Two by two the children were tramping through
 the steep gray streets on their way to school&mdash;small
 dirty-faced cherubs, under tangled mops of
 fair hair (one sees the loveliest red-gold and yellow-gold
-hair in Douarn�nez), busily munching their
+hair in Douarnénez), busily munching their
 breakfasts of bread and apples, many of them just
 able to toddle. 'Donne la main a ta s&oelig;ur,
 George,' I heard a shrill voice exclaim from a
@@ -1102,7 +1086,7 @@ proprietors of the hotel, who made us exceedingly
 comfortable. To our surprise, we discovered that
 the colony of painters had been reduced to one
 lady artist; but it was evident, from the pictures
-on the panels of the <i>salle-�-manger</i>, that many
+on the panels of the <i>salle-à-manger</i>, that many
 artists had stayed in the hotel during the summer.</p>
 
 <p>Rochefort by morning light was quite a surprise.
@@ -1149,7 +1133,7 @@ terra-cotta pitcher full of water poised on her head,
 is toiling up the steps, the shortest way to the
 town, which, save for the singing of the birds in
 <span class="pagenum"><a name="Page_18" id="Page_18">18</a></span>
-the old ch�teau garden, the bleating of lambs on
+the old château garden, the bleating of lambs on
 the hillside, and the chopping of a wood-cutter,
 is absolutely silent. One descends into a valley
 shut in by rugged blue-gray mountains, for all the
@@ -1214,10 +1198,10 @@ It is market day, and everyone is light-hearted and
 happy. The men whistle gaily on their way; the
 women's tongues wag briskly over their purchases;
 even the birds, forgetful of the coming winter, are
-bursting their throats with song. In the ch�teau
+bursting their throats with song. In the château
 garden the birds sing loudest of all, and the flowers
 bloom their best. It is a beautiful old place, the
-ch�teau of Rochefort. Very little of the ruin is
+château of Rochefort. Very little of the ruin is
 left standing; but the grounds occupy an immense
 area, and are enclosed by great high walls. Where
 the old kitchen once stood an American has built a
@@ -1228,7 +1212,7 @@ one cannot but feel that a modern house is somewhat
 incongruous amid such historic surroundings.
 The old avenue leading to the front door
 still exists; also there are some apple-trees and
-ancient farm-buildings. The ch�teau has been
+ancient farm-buildings. The château has been
 built in the most beautiful situation possible, high
 above the town, on a kind of tableland, from which
 one can look down to the valley and the encircling
@@ -1285,7 +1269,7 @@ reality, taking active part in their daily lives. For
 older children, boys especially, there is St. Antoine
 to admire and imitate&mdash;St. Antoine the hermit,
 with his staff and his book, the man with the
-strong, good face. Fran�oise d'Amboise, a pure,
+strong, good face. Françoise d'Amboise, a pure,
 sweet saint in the habit of a nun, her arms full of
 lilies, appeals to the hearts and imaginations of all
 young girls. I believe in the efficacy of these figures
@@ -1380,7 +1364,7 @@ polished tables for the evening meal, and the bright
 pewter plates have been brought down from the
 dresser. Lulu has been sent out to bring home
 bread for supper. 'Va, ma petite Lulu,' says
-her mother, 'd�p�che toi.' And the small fat
+her mother, 'dépêche toi.' And the small fat
 bundle in the check pinafore toddles hastily down
 the stone steps on chubby legs.
 <span class="pagenum"><a name="Page_26" id="Page_26">26</a></span></p>
@@ -1404,27 +1388,27 @@ like sentinels.
 
 <div class="figcenter"><a name="illo_077" id="illo_077"></a>
 <img src="images/illo_077.jpg" width="438" height="550" alt="" />
-<p class="caption">MEDI�VAL HOUSES, VITR�</p>
+<p class="caption">MEDIÆVAL HOUSES, VITRÉ</p>
 </div>
 
 <h2><span class="b12">CHAPTER III</span><br />
-VITR�</h2>
+VITRÉ</h2>
 
-<p>For the etcher, the painter, the arch�ologist, and
-the sculptor, Vitr� is an ideal town. To the
-arch�ologist it is an ever-open page from the
+<p>For the etcher, the painter, the archæologist, and
+the sculptor, Vitré is an ideal town. To the
+archæologist it is an ever-open page from the
 Middle Ages, an almost complete relic of that
 period, taking one back with a strange force and
 realism three hundred years and more. Time has
-dealt tenderly with Vitr�. The slanting, irregular
+dealt tenderly with Vitré. The slanting, irregular
 houses, leaning one against the other, as if for
 mutual support, stand as by a miracle.</p>
 
-<p>Wandering through Vitr�, one seems to be
+<p>Wandering through Vitré, one seems to be
 visiting a wonderful and perfect museum, such as
-must needs please even the exacting, the blas�,
+must needs please even the exacting, the blasé,
 and the indifferent. You are met at every turn
-by the works of the ancients in all their na�ve
+by the works of the ancients in all their naïve
 purity and simplicity, many of the houses having
 been built in the first half of the seventeenth
 century.</p>
@@ -1447,16 +1431,16 @@ marvels of carpentry and stone-work, such as
 have withstood the onslaught of time and held
 their own.</p>
 
-<p>When you first arrive at Vitr�, at the
+<p>When you first arrive at Vitré, at the
 crowded, bustling station, surrounded by the most
 modern of houses and hotels, and faced by the
 newest of fountains, disappointment is acute.
-If you were to leave Vitr� next morning, never
+If you were to leave Vitré next morning, never
 having penetrated into the town, you would carry
 away a very feeble and uninteresting impression;
 but, having entered the town, and discovered
 those grand old streets&mdash;the Baudrarie, the
-Poterie, and the N�tre Dame, among many
+Poterie, and the Nôtre Dame, among many
 others&mdash;poet, painter, sculptor, man of business
 or of letters, whoever you may be, you cannot
 <span class="pagenum"><a name="Page_31" id="Page_31">31</a></span>
@@ -1479,7 +1463,7 @@ over the other; houses so old that paint and
 plaster will stay on them no longer; houses with
 pointed roofs; houses with square roofs thrust
 forward into the street, spotted by yellow moss;
-houses the fa�ades of which are covered with scaly
+houses the façades of which are covered with scaly
 gray tiles, glistening in the sun like a knight's
 armour. These are placed in various patterns
 according to the taste and fantasy of the architect:
@@ -1560,8 +1544,8 @@ doorways are of heaviest oak, crowned with coats
 of arms sculptured in stone. Large families of
 dirty children now live in these lordly domains.</p>
 
-<p>One longs in Vitr�, above all other places, to
-paint, or, rather, to etch. Vitr� is made for the
+<p>One longs in Vitré, above all other places, to
+paint, or, rather, to etch. Vitré is made for the
 etcher; endless and wondrous are the subjects for
 his needle. Here, in a markedly time-worn street,
 are a dozen or more pictures awaiting him&mdash;a doorway
@@ -1607,18 +1591,18 @@ modernity to destroy.</p>
 
 <p>Madonnas, crucifixes, pictures of saints in glass
 cases, and statuettes of the Virgin, meet you at
-every turn in Vitr�, for the inhabitants are proverbially
+every turn in Vitré, for the inhabitants are proverbially
 a religious people. A superstitious yet
 guilty conscience would have a trying time in
-Vitr�. In entering a shop, St. Joseph peers down
+Vitré. In entering a shop, St. Joseph peers down
 upon you from a niche above the portal; at every
 <span class="pagenum"><a name="Page_36" id="Page_36">36</a></span>
 street corner, in every market, and in all kinds
 of quaint and unexpected places, saints and angels
 look out at you.</p>
 
-<p>The beautiful old cathedral, N�tre Dame de
-Vitr�, is one of the purest remaining productions
+<p>The beautiful old cathedral, Nôtre Dame de
+Vitré, is one of the purest remaining productions
 of the decadent Gothic art in Brittany, and one of
 the finest. Several times the grand old edifice
 has been enlarged and altered, and the changes
@@ -1642,11 +1626,11 @@ pulpit, ornamented with graceful points, approached
 from the church by a slit in the wall. It was
 <span class="pagenum"><a name="Page_37" id="Page_37">37</a></span>
 constructed to combat the Calvinistic party, so
-powerful in Vitr� at one time. One can easily
+powerful in Vitré at one time. One can easily
 imagine the seething crowd in the square below&mdash;the
 sea of pale, passionate, upturned faces. It must
 have presented much the same picture then as it
-does now, this cathedral square in Vitr�&mdash;save for
+does now, this cathedral square in Vitré&mdash;save for
 the people;&mdash;for there are still standing, facing the
 pulpit, and not a hundred paces from it, a row of
 ancient houses that existed in those very riotous
@@ -1665,7 +1649,7 @@ it could speak!</p>
 
 <div class="figcenter"><a name="illo_097" id="illo_097"></a>
 <img src="images/illo_097.jpg" width="486" height="550" alt="" />
-<p class="caption">P�RE LOUIS</p>
+<p class="caption">PÈRE LOUIS</p>
 </div>
 <p>Convent-bred girls in a long line are filing into
 church through the western door&mdash;meek-faced little
@@ -1704,34 +1688,34 @@ the glare and glamour of the outside world, cannot
 but bring peace and rest and a soothing influence
 to even the most unquiet soul.</p>
 
-<p>The ch�teau of Vitr� is an even older building
+<p>The château of Vitré is an even older building
 than the cathedral. It has lived bravely through
 the ages, suffering little from the march of time:
 a noble edifice, huge and massive, with its high
-towers, its ch�telet, and its slate roofs. Just out of
+towers, its châtelet, and its slate roofs. Just out of
 the dark, narrow, cramped old streets, you are
 astonished to emerge suddenly on a large open
 space, and to be confronted by this massive
-ch�teau, well preserved and looking almost new.
+château, well preserved and looking almost new.
 As a matter of fact, its foundation dates back as
 far as the eleventh century, although four hundred
 years ago it was almost entirely reconstructed.
-Parts of the ch�teau are crumbling to decay; but
+Parts of the château are crumbling to decay; but
 the principal mass, consisting of the towers and
-ch�telet, is marvellously preserved. It still keeps
+châtelet, is marvellously preserved. It still keeps
 a brave front, though the walls and many of the
 castle keeps and fortresses are tottering to ruin.
-Many a shock and many a siege has the old ch�teau
+Many a shock and many a siege has the old château
 withstood; but now its fighting days are over. The
 frogs sing no longer in the moat through the beautiful
 summer nights; the sentinel's box is empty;
 and in the courtyards, instead of clanking swords
 and spurred heels, the peaceful step of the tourist
-alone resounds. The ch�teau has rendered a long
+alone resounds. The château has rendered a long
 <span class="pagenum"><a name="Page_40" id="Page_40">40</a></span>
 and loyal service, and to-day as a reward enjoys
 a glorious repose. To visit the castle, you pass
-over a draw-bridge giving entrance to the ch�telet,
+over a draw-bridge giving entrance to the châtelet,
 and no sooner have you set foot on it than the
 concierge emerges from a little room in the tower
 dedicated to the service of the lodge-holder.</p>
@@ -1802,7 +1786,7 @@ his coat,&mdash;his lady's colour&mdash;set out to fight and
 conquer. But, alas! no chronicle has been left of
 the deeds of the castle prisoners. Any romantic
 stories that one may conjure to one's mind in
-the atmosphere of the ch�teau can be but the
+the atmosphere of the château can be but the
 airiest fabrics of a dream.</p>
 
 <p>At the top of the spiral staircase is a rounded
@@ -1812,7 +1796,7 @@ dizzy, view over town and country. It was
 from this that the archers shot their arrows upon
 the enemy; and very deadly their aim must have
 been, for nothing could be more commanding as
-regards position than the ch�teau of Vitr�. Also,
+regards position than the château of Vitré. Also,
 in the floor of the gallery, round the outer edge, are
 large holes, down which the besieged threw great
 blocks of stone, boiling tar, and projectiles of all
@@ -1820,13 +1804,13 @@ kinds, which must have fallen with tremendous
 violence on the assailants.
 <span class="pagenum"><a name="Page_43" id="Page_43">43</a></span></p>
 
-<p>Wherever one goes in Vitr� one sees the fine old
-ch�teau, forming a magnificent background to every
+<p>Wherever one goes in Vitré one sees the fine old
+château, forming a magnificent background to every
 picture, with its grand ivy-mantled towers and its
 huge battlemented walls, belittling everything
-round it. Unlike most French ch�teaus, more or
+round it. Unlike most French châteaus, more or
 less showy and toy-like in design, the castle of
-Vitr� is built on solid rock, and lifted high above
+Vitré is built on solid rock, and lifted high above
 the town in a noble, irresistible style, with walls of
 immense thickness, and lofty beyond compare.
 All that is grandest and most beautiful in Nature
@@ -1870,7 +1854,7 @@ fine old sculptured doorway!</p>
 
 <div class="figcenter"><a name="illo_113" id="illo_113"></a>
 <img src="images/illo_113.jpg" width="390" height="550" alt="" />
-<p class="caption">LA VIEILLE M�RE PEROT</p>
+<p class="caption">LA VIEILLE MÈRE PEROT</p>
 </div>
 <p>There are in certain parts of the town remains
 of the ancient moat. Sometimes it is a mere
@@ -1893,7 +1877,7 @@ into the water seems imminent.</p>
 steeply. This is a very poor quarter indeed. The
 houses are old, blackened, decayed, much-patched
 and renovated. Yet the place is extremely picturesque;
-in fact, I know no part of Vitr� that
+in fact, I know no part of Vitré that
 is not.</p>
 
 <p>At any moment, in any street, you can stop
@@ -1927,7 +1911,7 @@ By the sound one might fancy one's self for the
 moment in an African jungle rather than in a
 Breton village.</p>
 
-<p>The streets of Vitr� are remarkable for their
+<p>The streets of Vitré are remarkable for their
 flowers. Wherever you may look you will see pots
 of flowers and trailing greenery, relieving with their
 bright fresh colouring the time-worn houses of
@@ -1939,11 +1923,11 @@ pots of geranium and convolvulus.</p>
 
 <p>It is impossible in mere words to convey any
 <span class="pagenum"><a name="Page_47" id="Page_47">47</a></span>
-real impression of the fine old town of Vitr�: only
+real impression of the fine old town of Vitré: only
 the etcher and the painter can adequately depict
 it. The grand old town will soon be of the past.
 Every day, every hour, its walls are decaying,
-crumbling; and before long Vitr� will be no more
+crumbling; and before long Vitré will be no more
 than a memory.
 <span class="pagenum"><a name="Page_48" id="Page_48"></a></span>
 <span class="pagenum"><a name="Page_49" id="Page_49"></a></span></p>
@@ -1979,7 +1963,7 @@ as at Vannes. At one corner the houses leant
 forward across the street, and literally rested one
 on the top of the other. These were only the upper
 stories; below were up-to-date jewellers and
-<i>p�tisseries</i>, with newly-painted signs in black and
+<i>pâtisseries</i>, with newly-painted signs in black and
 <span class="pagenum"><a name="Page_52" id="Page_52">52</a></span>
 gold. In the middle of these houses, cramped and
 crowded and hustled by them, stood the cathedral.
@@ -2111,7 +2095,7 @@ solide!' cried the merchant, until you would think
 he must grow hoarse. 'This is the chance of a
 lifetime,' he declared: 'a beautiful half-dozen like
 this. C'est tout ce qu'il y a de plus joli et solide.
-Voyez la beaut� et la qualit� de cette merchandise.
+Voyez la beauté et la qualité de cette merchandise.
 C'est une occasion que vous ne verrez pas tous les
 jours.'</p>
 
@@ -2186,11 +2170,11 @@ voice. He called the people to him; he
 called them by name&mdash;whether it was the right
 one or not did not matter: it was sufficient to
 <span class="pagenum"><a name="Page_59" id="Page_59">59</a></span>
-arrest their attention. 'D�p�chons nous. Here,
+arrest their attention. 'Dépêchons nous. Here,
 Lucien; here, Jeanne; here, Babette; here, my
-pigeon. D�p�chons nous, d�p�chons nous!' he cried.
+pigeon. Dépêchons nous, dépêchons nous!' he cried.
 'Que est ce qu'il y a? personne en veux plus?
-Mais c'est �patant. Je suis honteux de vous en dire
+Mais c'est épatant. Je suis honteux de vous en dire
 le prix. Flannel! the very thing for your head,
 madam,&mdash;nothing softer, nothing finer. How many
 yards?&mdash;one, two, three? There we are!' and, with
@@ -2209,7 +2193,7 @@ at once was simply marvellous.</p>
 to a young Breton woman. 'Pink flannel? Here
 you are&mdash;a superb article, the very thing for
 nightgowns.' Then to a man: 'Trousering, my
-lord? Certainly. Touchez moi �a. Isn't that
+lord? Certainly. Touchez moi ça. Isn't that
 marvellous? Isn't that quality if you like? Ah!
 but I am ashamed to tell you the price. You will
 be indeed beautiful in this to-morrow.'</p>
@@ -2250,7 +2234,7 @@ barrows.</p>
 <img src="images/illo_145.jpg" width="550" height="438" alt="" />
 <p class="caption">A CATTLE-MARKET</p>
 </div>
-<p>Outside almost every drinking-house, or Caf�
+<p>Outside almost every drinking-house, or Café
 <span class="pagenum"><a name="Page_61" id="Page_61">61</a></span>
 Breton, lay a fat pig sleeping contentedly on the
 pavement, and tied to a string in the wall, built
@@ -2319,7 +2303,7 @@ carved buttresses.</p>
 so ancient as Vannes. These walls speak for themselves.
 They speak of the time when Vannes was
 the capital of the rude Venetes who made great
-C�sar hesitate, and retarded him in his conquest of
+Cæsar hesitate, and retarded him in his conquest of
 the Gauls. They speak of the twenty-one emigrants,
 escaped from the Battle of Quiberon, who were shot
 on the promenade of the Garenne, under the great
@@ -2412,7 +2396,7 @@ conceivable was for sale. At certain stalls there
 were sweets of all colours, yet all tasting the same
 and made of the worst sugar. I saw the same man
 still selling his spoons and umbrellas; but he was
-fat and comfortable now. He had had his <i>d�jeuner</i>,
+fat and comfortable now. He had had his <i>déjeuner</i>,
 and was not nearly so excited and amusing.
 Fried sardines were sold with long rolls of bread;
 also sausages. They cook the sardines on iron
@@ -2531,7 +2515,7 @@ looked tired and bored with the endless bargains,
 as they leant their heads against one another. Now
 and then one was taken out and trotted up and
 down the square; then two men clasped hands
-once, and went off to a caf� to drink. If they
+once, and went off to a café to drink. If they
 clasp hands a third time the bargain will be closed.</p>
 
 <p>Market-day in Vannes is an excuse for frivolity.
@@ -2568,7 +2552,7 @@ sew quickly, for they have more work than they
 can possibly accomplish during the day. It is
 amusing to watch the customers. I sat on the
 stone balustrade which runs round the open
-square of the H�tel de Ville, whither all the
+square of the Hôtel de Ville, whither all the
 townswomen come as to a circus, bringing their
 <span class="pagenum"><a name="Page_72" id="Page_72">72</a></span>
 families, and eating their meals in the open air,
@@ -2664,12 +2648,12 @@ QUIMPER</h2>
 
 <div class="poetry-container">
 <div class="poem">
-<p class="o1">'C'�tait � la campagne</p>
-<p>Pr�s d'un certain canton de la basse Bretagne</p>
-<p>Appel� Quimper Corentin.</p>
+<p class="o1">'C'était à la campagne</p>
+<p>Près d'un certain canton de la basse Bretagne</p>
+<p>Appelé Quimper Corentin.</p>
 <p>On sait assez que le Destin</p>
-<p>Adresse l� les gens quand il veut qu'on enrage.</p>
-<p>Dieu nous pr�serve du voyage.'</p>
+<p>Adresse là les gens quand il veut qu'on enrage.</p>
+<p>Dieu nous préserve du voyage.'</p>
 </div></div>
 
 <p>So says La Fontaine. The capital of Cornouailles
@@ -2733,7 +2717,7 @@ Act rankles, and ever will rankle, in the hearts of
 the Breton people!</p>
 
 <p>'On dit que la France est un pays libre,' said my
-hostess; 'c'est une dr�le de libert�!'</p>
+hostess; 'c'est une drôle de liberté!'</p>
 
 <p>The inhabitants of Quimper were more bitter,
 more rebellious, than those of any other town,
@@ -2744,7 +2728,7 @@ people of Quimper. I remember well in the old
 days what a large amount of food and clothing
 went forth into the town from those hospitable
 <span class="pagenum"><a name="Page_80" id="Page_80">80</a></span>
-doors, for the Retraite du Sacr� C&oelig;ur was a rich
+doors, for the Retraite du Sacré C&oelig;ur was a rich
 Order.</p>
 
 <p>It was with a beating heart and eager anticipation
@@ -2769,10 +2753,10 @@ Sister asked. Who was I?</p>
 
 <p>I gave my name, and instantly her face lit up.</p>
 
-<p>'Why, it is Mademoiselle Doroth�!' she exclaimed,
+<p>'Why, it is Mademoiselle Dorothé!' she exclaimed,
 raising her hands above her head in
-astonishment. 'Entr�z, mademoiselle et madame,
-entr�z!'</p>
+astonishment. 'Entréz, mademoiselle et madame,
+entréz!'</p>
 
 <div class="figcenter"><a name="illo_185" id="illo_185"></a>
 <img src="images/illo_185.jpg" width="443" height="550" alt="" />
@@ -2791,7 +2775,7 @@ in my childish imagination had been a charmed
 and magic place, for it was here that I came always
 to see my mother on visiting days. We had not
 long to wait before, with a rustle and clinking of
-her cross and rosary, M�re B. appeared, a sweet
+her cross and rosary, Mère B. appeared, a sweet
 woman in the black dress and pointed white coif
 that I knew so well. She had always been beautiful
 in my eyes, and she was so still, with the
@@ -2801,8 +2785,8 @@ pink as ever, and her hands, which I used to watch
 in admiration by the hour, were stretched out with
 joy to greet me.</p>
 
-<p>'O la petite Doroth�!' she cried,'quel bonheur
-de vous revoir! Est-ce vraiment la petite Doroth�?'</p>
+<p>'O la petite Dorothé!' she cried,'quel bonheur
+de vous revoir! Est-ce vraiment la petite Dorothé?'</p>
 
 <p>As I sat watching her while she talked to my
 mother, all the old thoughts and feelings came
@@ -2811,12 +2795,12 @@ her: I could not treat her as if she were an ordinary
 person. All the old respectful tricks and turns of
 <span class="pagenum"><a name="Page_82" id="Page_82">82</a></span>
 speech came back to me, though I imagined I had
-forgotten them. My mother was telling M�re B. of
+forgotten them. My mother was telling Mère B. of
 how busy I had been since I had left the convent&mdash;of
 the books I had written and all about them;&mdash;but
 I felt as small and insignificant as the child
 of ten, and could only answer in monosyllables&mdash;'Oui,
-ma m�re,' or 'Non, ma m�re.'</p>
+ma mère,' or 'Non, ma mère.'</p>
 
 <p>At our request, we were shown over the convent.
 Many memories it brought back&mdash;some pleasant,
@@ -2834,7 +2818,7 @@ ate all my fat and pieces of gristle. She remembered
 me perfectly. Many were the tussles, poor
 woman, she had had with me.</p>
 
-<p>M�re B. showed us the chapel, where we used to
+<p>Mère B. showed us the chapel, where we used to
 assemble at half-past six every morning, cold and
 half-asleep, to say our prayers before going into the
 big church. Many were the beautiful addresses
@@ -2846,7 +2830,7 @@ forbearing during the day&mdash;vows and resolves only
 to be broken soon.</p>
 
 <p>We wandered through the garden between the
-beds of thyme and mint and late roses, and M�re B.
+beds of thyme and mint and late roses, and Mère B.
 spoke with tears in her eyes of the time when
 they would have to leave their happy convent home
 and migrate to some more hospitable land. 'It is
@@ -2892,7 +2876,7 @@ to the fore, teasing you, tormenting you back into
 the toils once more! It was with a feeling of
 sorrow and a sensation that something was being
 wrenched from me that I bade good-bye to sweet
-M�re B. at the garden gate, with many embraces
+Mère B. at the garden gate, with many embraces
 and parting injunctions not to forget the convent
 and my old friends.</p>
 
@@ -3070,7 +3054,7 @@ prattling all the while. The man took not the
 slightest notice of the child. He was glancing
 sharply about him. By-and-by he bent down
 towards his son, and I heard him whisper,
-'Allez � ses messieurs la.' Without a word the
+'Allez à ses messieurs la.' Without a word the
 boy trotted off towards the men, his hands in his
 pockets, and began talking to them, the father
 watching attentively. He returned, but was immediately
@@ -3106,7 +3090,7 @@ a bleak, unsympathetic place. I felt an impulse to
 run after the diligence and beg the driver to take
 us away. This was 'the picturesque little fishing
 village'! We dived into the most respectable-looking
-<i>d�bit de boissons</i> we could find, and
+<i>débit de boissons</i> we could find, and
 asked for tea. An old lady sitting before the
 fire dropped her knitting, and her spectacles flew
 off. The sudden appearance of strangers in Binic,
@@ -3125,7 +3109,7 @@ flavourless. We lengthened out the meal until
 the carrier's cart arrived, with a full complement
 of passengers. It had begun to rain and hail, and
 the driver cheerfully assured us his was the last
-diligence that day. The proprietress of the <i>d�bit</i>
+diligence that day. The proprietress of the <i>débit</i>
 had begun to rub her hands with glee at the
 thought of having us as customers; but I was
 determined that, even if I had to sit on the top
@@ -3145,7 +3129,7 @@ hurled at the heads of 'ses affreuses Anglaises.'
 
 <div class="figcenter"><a name="illo_215" id="illo_215"></a>
 <img src="images/illo_215.jpg" width="550" height="442" alt="" />
-<p class="caption">D�BIT DE BOISSONS</p>
+<p class="caption">DÉBIT DE BOISSONS</p>
 </div>
 
 <div class="figcenter"><a name="illo_221" id="illo_221"></a>
@@ -3173,10 +3157,10 @@ had been a lordly reception-room, flourished round
 with his duster over mantelpiece and table and
 straight-backed chairs, and motioned us to be seated.</p>
 
-<p>'Voil� tout ce qu'il y a de plus joli et confortable,'
+<p>'Voilà tout ce qu'il y a de plus joli et confortable,'
 he said, with a smile. Perceiving that we
 were not impressed, he drew aside the curtains and
-pointed with a dirty forefinger. 'Voil� un joli
+pointed with a dirty forefinger. 'Voilà un joli
 petit jardin,' he exclaimed triumphantly. There,
 he added, we might sit if we chose. Also, he
 said there was a buffet close at hand. As this did
@@ -3206,7 +3190,7 @@ in abundance, pinky-brown and russet.</p>
 by artists, attracted by the fishing-boats
 with their vermilion sails, who never tire of depicting
 the gray stone quay, with its jumble of masts
-and riggings. In the <i>salle � manger</i> of the little
+and riggings. In the <i>salle à manger</i> of the little
 hotel where we had luncheon the walls were
 literally panelled with pictures of fishing-boats
 <span class="pagenum"><a name="Page_101" id="Page_101">101</a></span>
@@ -3287,7 +3271,7 @@ will be good and lives happy; on those who are
 destined never to return. At the opening of the
 fishing season there is a ceremonial procession,
 attended by the fathers, mothers, sisters, and
-<i>fianc�es</i> of the fisher folk. Each man as he embarks
+<i>fiancées</i> of the fisher folk. Each man as he embarks
 is blessed by the priest and given a few last
 words of advice. Then the boats move away, a big
 flotilla of red-sailed fishing craft, the men singing
@@ -3379,12 +3363,12 @@ towards which we were going rapidly over the
 cobbled stones of the town&mdash;it was all one to me.</p>
 
 <p>By great good luck we happened to chance on
-the H�tel de France, where we were greeted by
-the <i>ma�tresse d'h�tel</i>, a kindly woman, and without
+the Hôtel de France, where we were greeted by
+the <i>maîtresse d'hôtel</i>, a kindly woman, and without
 further delay, although it sounds somewhat <i>gourmande</i>
 to say so, sat down to one of the best
 dinners it has ever been my lot to eat. The
-kitchen was exactly opposite the <i>salle � manger</i>,
+kitchen was exactly opposite the <i>salle à manger</i>,
 the door of which was open for all to see within.
 There we could observe the chef, rotund and rosy-cheeked,
 in spotless white cap and apron, busy
@@ -3416,8 +3400,8 @@ and all the men retired tradesmen.</p>
 <p>Guingamp, by the light of day, is a pretty town,
 with nothing particularly imposing or attractive,
 although at one time it was an important city of
-the Duchy of Penthi�vre. Its only remnant of
-ancient glory consists in the church of N�tre
+the Duchy of Penthièvre. Its only remnant of
+ancient glory consists in the church of Nôtre
 <span class="pagenum"><a name="Page_111" id="Page_111">111</a></span>
 Dame de Bon Secours, a bizarre and irregular
 monument, dating from the fifteenth century. In
@@ -3456,8 +3440,8 @@ road, a large heavy basket suspended between them,
 singing a pretty Breton ballad in shrill trebles:</p>
 <div class="poetry-container">
 <div class="poem">
-<p class="o1">'J'ai mang� des cerises avec mon petit cousin,</p>
-<p>J'ai mang� des cerises, des cerises du voisin.'</p>
+<p class="o1">'J'ai mangé des cerises avec mon petit cousin,</p>
+<p>J'ai mangé des cerises, des cerises du voisin.'</p>
 </div></div>
 
 <p>I caught the words as they passed, and remembered
@@ -3496,7 +3480,7 @@ and miniature waterfalls, and hills covered by
 bracken and heather. The air is bracing.</p>
 
 <p>At the top of one of the hills the carriage was
-stopped, and a chubby boy in a red ber� and sabots
+stopped, and a chubby boy in a red beré and sabots
 presented himself at the door, with the request
 that we should descend and see the 'goffre.' Not
 knowing what the 'goffre' might be, we followed
@@ -3550,7 +3534,7 @@ purple stems, the bracken, the golden path, and,
 looking up, the vivid green of the trees and the
 blue of the sky. The child led us on through the
 wood, never deigning to address a word to us, his
-hands in his pockets, and his ber� pulled over his
+hands in his pockets, and his beré pulled over his
 eyes. Sometimes the path descended steeply;
 sometimes it was a hard pull uphill, and we were
 forced to stop for breath. Always the merciless
@@ -3633,7 +3617,7 @@ which are very thick, are pierced by three gates,
 doubled by bastions and flanked by machicolated
 towers. At each high tide the sea surrounds the
 fortress. Tradition tells us that on one occasion
-at the F�te Dieu the floods retired to make way
+at the Fête Dieu the floods retired to make way
 for a religious procession of children and clergy,
 with golden banners and crosses, in order that they
 might make the complete tour of the ramparts.
@@ -3659,7 +3643,7 @@ through the Straits of Gibraltar, skirting Spain
 and Portugal; they reach France in May. In
 June they are to be found on the coast of
 Morbihan and Concarneau, in August in the Bay
-of Douarn�nez, in September by the Isle de Batz,
+of Douarnénez, in September by the Isle de Batz,
 and later in England or in Scotland.</p>
 
 <div class="figcenter"><a name="illo_281" id="illo_281"></a>
@@ -3802,12 +3786,12 @@ a sombre obstinacy. At the angles you often see
 grotesque figures of biniou-players, arabesques,
 and leaves, varied in the most bizarre manner,
 and so delicately and beautifully executed that
-they would form material for six 'Mus�es de Cluny.'
+they would form material for six 'Musées de Cluny.'
 These vast high houses are very dirty, crumbling
 like old cheeses, and almost as multitudinously
 alive. Each story is separated by massive beams,
 carved in a profusion of ornaments; each window
-has small leaded panes. The rest of the fa�ade is
+has small leaded panes. The rest of the façade is
 carved with lozenge-shaped slates.</p>
 
 <p>Morlaix, of course, has her Maison de la Reine
@@ -3854,12 +3838,12 @@ town seems to have everlasting youth. This is
 principally owing to the great love of the people
 for art and the picturesque, which has led them to
 renovate and rebuild constantly. For this reason,
-some of the structures are of great arch�ological
+some of the structures are of great archæological
 value.</p>
 
 <div class="figcenter"><a name="illo_301" id="illo_301"></a>
 <img src="images/illo_301.jpg" width="550" height="440" alt="" />
-<p class="caption">MEDI�VAL HOUSE AT MORLAIX</p>
+<p class="caption">MEDIÆVAL HOUSE AT MORLAIX</p>
 </div>
 <p>The religious edifices are few. Indeed, I saw
 only the little church of St. Milaine, its belfry
@@ -3903,7 +3887,7 @@ in Brittany as it is in Morlaix.
 PONT-AVEN</h2>
 
 <p>Pont-Aven is associated with agreeable memories.
-This village in the South of Finist�re draws men
+This village in the South of Finistère draws men
 and women from all over Europe, summer after
 summer. Many of them stay there throughout the
 winter, content to be shut off from the world, allowing
@@ -4026,8 +4010,8 @@ coarse wooden sabots stuffed with straw.</p>
 
 <p>Mother, who was very young at the time, has
 often told me that she will never forget their
-arrival at the little H�tel Gleanec. They were
-shown into a <i>salle � manger</i>, where rough men
+arrival at the little Hôtel Gleanec. They were
+shown into a <i>salle à manger</i>, where rough men
 sat on either side of a long table, serving themselves
 out of a common dish, and dipping great slices of
 bread into their plates.</p>
@@ -4044,7 +4028,7 @@ words; others have sunk into oblivion, and are still
 amateurs.
 <span class="pagenum"><a name="Page_142" id="Page_142">142</a></span></p>
 
-<p>The chief hotel in the village was the H�tel des
+<p>The chief hotel in the village was the Hôtel des
 Voyageurs, to which Mother and Father soon
 migrated. It was kept by a wonderful woman, called
 Julia. Originally a peasant girl, she had by untiring
@@ -4055,7 +4039,7 @@ know of Julia, and year after year artists and their
 families came back regularly to stay with her. She
 is a woman with a strong individuality. She
 gathered a large custom among artists, who flocked
-to the H�tel des Voyageurs as much because of
+to the Hôtel des Voyageurs as much because of
 the charm of Mdlle. Julia, and the comfort of her
 house, as for the beauty of the scenery.</p>
 
@@ -4111,7 +4095,7 @@ ask Batiste,' she was wont to say.</p>
 
 <p>All the artists worshipped the ground she trod
 upon; and well they might, for they would never
-have a better friend than she. Her <i>salle �
+have a better friend than she. Her <i>salle à
 manger</i> and <i>grand salon</i> were panelled with
 pictures, some of which are very valuable to-day.
 Tender-hearted she was, and strong-minded, with
@@ -4213,14 +4197,14 @@ and comfort alone.</p>
 <p>Batiste, the butcher, was a great friend of ours.
 With morbid fascination we witnessed his slaughter
 of pigs and cows. Then, soon we knew where to
-get the best <i>cr�pes</i>. These are pancakes of a kind,
+get the best <i>crêpes</i>. These are pancakes of a kind,
 so thin that you can see through them, made
 on a round piece of metal over a blazing fire.
 Eaten hot, with plenty of butter and sugar, they
 are equal to anything in our English cookery.
 There was one particular old lady living down by
 <span class="pagenum"><a name="Page_148" id="Page_148">148</a></span>
-the bridge who made <i>cr�pes</i>. We saw her mixing
+the bridge who made <i>crêpes</i>. We saw her mixing
 the ingredients, mostly flour and water, and spreading
 the dough over the round piece of metal. It
 became hard in an instant, and curled up brown
@@ -4242,7 +4226,7 @@ The Concarneau and Pont-Aven diligence is quaint
 and primitive, devoid of springs, and fitted with
 extremely narrow and hard seats. We passed
 through villages in which every house seemed to
-be either a <i>buvette</i> or a <i>d�bit de boisson</i>. At these
+be either a <i>buvette</i> or a <i>débit de boisson</i>. At these
 our driver&mdash;a man in a blue blouse and a black
 felt hat&mdash;had to deliver endless parcels, for which
 he dived continually under the seat on which we
@@ -4344,7 +4328,7 @@ it was a Swiss village in miniature. By the time
 we arrived it was night. We could only discern
 clean white houses on either side, and water rushing
 under a bridge over which we passed. The
-H�tel des Voyageurs looked much the same as
+Hôtel des Voyageurs looked much the same as
 ever, except that over the way a large building
 had been added to the <i>annexe</i>. To our great
 disappointment, we discovered that Mdlle. Julia
@@ -4460,7 +4444,7 @@ traveller talking of Pont-Aven.</p>
 
 <p>'Pshaw!' he said, 'they are all English and
 Americans there. Everything is done for the
-English. At the H�tel des Voyageurs even the
+English. At the Hôtel des Voyageurs even the
 cuisine is English. It is unbearable! At the table
 <span class="pagenum"><a name="Page_156" id="Page_156">156</a></span>
 the men wear clothes of inconceivable colour and
@@ -4552,7 +4536,7 @@ happy little people who have no history.</p>
 <p class="caption">THE BRIDGE, PONT-AVEN</p>
 </div>
 
-<p>Not far from Pont-Aven is the ruined ch�teau of
+<p>Not far from Pont-Aven is the ruined château of
 <span class="pagenum"><a name="Page_159" id="Page_159">159</a></span>
 Rustephan. One approaches it through a wood of
 silver birches, under great old trees; cherry-trees
@@ -4577,7 +4561,7 @@ washing dishes in.</p>
 the back of the neck; and as one sits on a mound
 of earth in the middle of what was once the dining-hall,
 one cannot resist dreaming of the romantic
-history of Genevi�ve de Rustephan, the beautiful
+history of Geneviève de Rustephan, the beautiful
 lady who lived here long ago. Up in one of the
 great rounded towers spotted with orange lichen
 and encircled with ivy is a room which must have
@@ -4593,7 +4577,7 @@ mounds of earth, covered with straggling grass,
 bracken, and blackberry-bushes, and loose typical
 Breton stone walls enclosing fields. Horrible to
 relate, in the lordly dining-hall, where once the
-dainty Genevi�ve sat, is a fat pig, nozzling in the
+dainty Geneviève sat, is a fat pig, nozzling in the
 earth.</p>
 
 <p>Naturally, Rustephan is haunted. If anyone
@@ -4641,14 +4625,14 @@ in the world.
 </div>
 
 <h2><span class="b12">CHAPTER XIII</span><br />
-QUIMPERL�</h2>
+QUIMPERLÉ</h2>
 
-<p>Quimperl� is known as the Arcadia of Basse
+<p>Quimperlé is known as the Arcadia of Basse
 Bretagne, and certainly the name is well deserved.
 I have never seen a town so full of trees and
 trailing plants and gardens. Every wall is green
 with moss and gay with masses of convolvulus and
-nasturtium. Flowers grow rampant in Quimperl�,
+nasturtium. Flowers grow rampant in Quimperlé,
 and overrun their boundaries. Every window-sill
 has its row of pink ivy-leafed geraniums, climbing
 down and over the gray stone wall beneath; every
@@ -4667,7 +4651,7 @@ of the Middle Ages, and some of the Renaissance
 period, with sculptured porches and panes of
 bottle-glass; a few have terraces at the end of the
 gardens, over which clematis climbs. Here and
-there the sun lights up a corner of a fa�ade, or
+there the sun lights up a corner of a façade, or
 shines on the emerald leaves, making them scintillate.
 Down the steps a girl in white-winged cap
 and snowy apron, with pink ribbon at her neck,
@@ -4722,10 +4706,10 @@ arranged carrots and onions, coloured sweets in
 bottles, and packets of tobacco. This shop evidently
 <span class="pagenum"><a name="Page_168" id="Page_168">168</a></span>
 supplies everything that a human being can
-desire. Above it you read: 'Caf� on sert a boire
+desire. Above it you read: 'Café on sert a boire
 et a manger.'</p>
 
-<p>While we were in Quimperl� there were two
+<p>While we were in Quimperlé there were two
 musicians making a round of the town. One, with a
 swarthy face, was blind, and sang a weird song in a
 minor key, beating a triangle. The other, who
@@ -4740,7 +4724,7 @@ we went we heard it, sometimes so near that we
 could catch the tune, sometimes at a distance,
 when only the dull boom of the drum was distinguishable.</p>
 
-<p>Whenever I think of Quimperl� this strange
+<p>Whenever I think of Quimperlé this strange
 music and the spectacle of those two picturesque
 figures come back to memory. The men are
 well known in Brittany. They spend their lives
@@ -4755,7 +4739,7 @@ outside the convent walls.
 <p class="caption">THE BLIND PIPER</p>
 </div>
 
-<p>Quimperl� is a sleepy place, changing very little
+<p>Quimperlé is a sleepy place, changing very little
 with the years. In spite of the up-to-date railway-station,
 moss still grows between the pavings of the
 streets. The houses have still their picturesque
@@ -4772,7 +4756,7 @@ boulevards, the never-ending rattle of the fiacres,
 and the rasping cries of the camelot, you forget the
 seething world outside.</p>
 
-<p>In the Rue du Ch�teau, the aristocratic quarter,
+<p>In the Rue du Château, the aristocratic quarter,
 are many spacious domains with doorways surmounted
 by coats of arms and coronets. Most of
 them have closed shutters, their masters having disappeared,
@@ -4784,12 +4768,12 @@ God, the saints, and the priests, as to the only
 living souvenirs of better times.
 <span class="pagenum"><a name="Page_170" id="Page_170">170</a></span></p>
 
-<p>In no other place in Finist�re was the Revolution
+<p>In no other place in Finistère was the Revolution
 so sudden and so terrible as in this little town, and
 nowhere were the nobility so many and powerful.
-This old Rue du Ch�teau must have rung with
+This old Rue du Château must have rung with
 furious cries on the day when the federators returned
-from the f�te of the Champs de Mars after
+from the fête of the Champs de Mars after
 the abolition of all titles and the people took the
 law into their own hands. The Bretons are slow
 to anger; but when roused they are extremely
@@ -4798,7 +4782,7 @@ nobles in their seignorial hotels&mdash;but also they
 went to the tombs and mutilated the dead with
 sabre cuts.</p>
 
-<p>In Quimperl� the painter finds pictures at every
+<p>In Quimperlé the painter finds pictures at every
 turn. For example, there are clear sinuous streams
 crossed by many bridges, not unlike by-canals in
 Venice. As you look up the river the bank is
@@ -4906,7 +4890,7 @@ valley, into which you descend by a sloping green
 path. We sat on a stone bench above, and watched
 the people as they passed before us. There were
 bare-legged school-children in their black pinafores
-and red ber�s, hurrying home to <i>d�jeuner</i>, swinging
+and red berés, hurrying home to <i>déjeuner</i>, swinging
 their satchels; and beggars, ragged and dirty, holding
 towards us tin cups and greasy caps, with many
 groans and whines. One man held a baby on his
@@ -4951,7 +4935,7 @@ leap.</p>
 along the quay arm in arm, singing some rollicking
 <span class="pagenum"><a name="Page_179" id="Page_179">179</a></span>
 Breton chanson, and all rather affected by their
-visits to the various <i>d�bits de boissons</i>. There were
+visits to the various <i>débits de boissons</i>. There were
 two men and two women&mdash;the men fair and
 bearded, wearing peaked caps; the women in their
 best lace coifs and smartest aprons. As they
@@ -5194,7 +5178,7 @@ moored to the quay, their nets and sails hauled
 down on this great day of the week, the Sabbath.
 As there was no hotel in the place, we entered a
 clean-looking <i>auberge</i> and asked for luncheon.
-The kitchen led out of the little <i>salle � manger</i>,
+The kitchen led out of the little <i>salle à manger</i>,
 and, as the door was left wide open, we could watch
 the preparation of our food. We were to have a
 very good soup; we saw the master of the house
@@ -5215,7 +5199,7 @@ time. Between three and four people go down to
 the quay, clattering over the cobble stones in their
 best black sabots, to watch the steamers come in
 from Quiberon. You see girls in fresh white caps
-and neat black dresses, spruce soldiers, ladies <i>� la
+and neat black dresses, spruce soldiers, ladies <i>à la
 mode</i> in extravagant headgear and loud plaid or
 check dresses. On the quay they buy hot chestnuts.
 From our hotel we could watch the people
@@ -5449,7 +5433,7 @@ flowers.</p>
 
 <p>For one reason at least St. Malo is unique. It
 is a town of some thousand inhabitants; yet it is
-still surrounded by medi�val walls. Of all the
+still surrounded by mediæval walls. Of all the
 towns in Brittany, St. Malo is the only one which
 still remains narrowly enclosed within walls. It
 is surrounded by the sea except for a narrow neck
@@ -5497,7 +5481,7 @@ features and a powerful look.</p>
 with their throngs of people and their gay little
 shops where the wares are always hung outside&mdash;worsted
 <span class="pagenum"><a name="Page_206" id="Page_206">206</a></span>
-shawls, scarlet and blue ber�s, Breton
+shawls, scarlet and blue berés, Breton
 china (decorated by stubby figures of men and
 women and heraldic devices), chaplets, shrines to
 the Virgin Mary, many-coloured cards, religious
@@ -5520,7 +5504,7 @@ travelled during the whole of her reign, for she felt
 that to rule well and wisely she must be ever in
 close touch with her people. No woman was more
 beloved by the populace. Everywhere she went
-she was f�ted and adored. She ruled her province
+she was fêted and adored. She ruled her province
 with a rod of iron; yet she showed herself to be in
 many ways wonderfully feminine. Nothing could
 have been finer than the act of uniting Brittany
@@ -5571,7 +5555,7 @@ to see.</p>
 
 <p>What a revelation it is, after winding up the
 narrow, steep streets of St. Malo, suddenly to
-behold, framed in an archway of the old medi�val
+behold, framed in an archway of the old mediæval
 walls, the sea! There is a greeny-blue haze so
 vast that it is difficult to trace where the sea ends
 and the sky begins. The beach is of a pale yellow-brown
@@ -5618,7 +5602,7 @@ to the hand of the magician. It is uncanny.</p>
 <span class="pagenum"><a name="Page_212" id="Page_212">212</a></span>
 midst of an immense moving plain, on which three
 rivers twist, like narrow threads intersecting it&mdash;Le
-Conesnon, La S�e, and La Seline. Several
+Conesnon, La Sée, and La Seline. Several
 dark islands lie here and there uncovered, and
 groups of small boats are left high and dry. It is
 fascinating to watch the sea coming up, appearing
@@ -5634,7 +5618,7 @@ Mount.</p>
 Mont St. Michel by poets and artists, by historians
 and architects. She has been called 'A
 poem in stone,' 'Le palais des angles,' 'An
-inspiration of the Divine,' 'La cit� des livres,'
+inspiration of the Divine,' 'La cité des livres,'
 'Le boulevard de la France,' 'The sacred mount,'
 etc. Normandy and Brittany dispute her. She is
 in the possession of either, as you will.</p>
@@ -5668,12 +5652,12 @@ a footbridge and beneath a solid stone archway,
 from which the figure of the Virgin in a niche
 looks down. You find yourself in a narrow, steep
 street, black and dark with age, and crowded with
-shops and bazaars and caf�s. The town appears to
+shops and bazaars and cafés. The town appears to
 be given up to the amusement and entertainment
 of visitors; and, as St. Michael is the guardian
 saint of all strangers and pilgrims, I suppose this is
 appropriate. Tourists fill the streets and overflow
-the hotels and caf�s; the town seems to live,
+the hotels and cafés; the town seems to live,
 thrive, and have its being entirely for the tourists.
 Outside every house hangs a sign advertising
 coffee or china or curios, as the case may be, and
@@ -5721,12 +5705,12 @@ greets you everywhere, written in large black letters
 on a white ground.</p>
 
 <p>If you mount some steps and turn a corner
-suddenly, Poulard <i>fr�re</i> greets you; if you go for
+suddenly, Poulard <i>frère</i> greets you; if you go for
 a harmless walk on the ramparts, the renowned
 coffee of Poulard <i>veuve</i> hits you in the face. Each
 one strives to be the right and only Poulard. You
 struggle to detach yourselves from these Poulards.
-You go through a fine medi�val archway, past
+You go through a fine mediæval archway, past
 shops where valueless, foolish curios are for sale;
 you scramble up picturesque steps, only to be told
 once more in glaring letters that <span class="smcap">POULARD</span> spells
@@ -5775,7 +5759,7 @@ livelihood in the forbidding waste.</p>
 
 <div class="figcenter"><a name="illo_473" id="illo_473"></a>
 <img src="images/illo_473.jpg" width="550" height="443" alt="" />
-<p class="caption">D�JEUNER</p>
+<p class="caption">DÉJEUNER</p>
 </div>
 
 <p>The melancholy of the place is terrible. I
@@ -5805,7 +5789,7 @@ legend I had heard of the sculptor Gautier, a man
 of genius, who was shut up in the Abbey of Mont
 St. Michel and carved stones to keep himself from
 going mad&mdash;you can see these in the abbey to this
-day. For some slight reason Fran�ois I. threw the
+day. For some slight reason François I. threw the
 unfortunate sculptor into the black cachot of the
 Mount, and there he was left in solitude, to die by
 degrees. His hair became quite white, and hung
@@ -5817,7 +5801,7 @@ became almost insane. One day, by a miracle,
 Mass was held, not in the little dark chapel under
 the crypts, but in the church on high, on the
 topmost pinnacle of the Mount. It was a Sunday,
-a f�te-day. The sun shone, not feebly, as I saw it
+a fête-day. The sun shone, not feebly, as I saw it
 that day, but radiantly, the windows of the church
 glistening. It was blindingly beautiful. The joy
 of life surrounded him; the sweetness and freshness
@@ -5843,7 +5827,7 @@ nothing but sea and sandy wastes.</p>
 
 <p>I was disturbed in my reverie by a loud nasal
 voice shouting, 'Par ici, messieurs et dames, s'il
-vous pla�t.' It was the guide, and willy-nilly we
+vous plaît.' It was the guide, and willy-nilly we
 must go and make the rounds of the abbey among
 a crowd of other sightseers. An old blind woman
 on the abbey steps, evidently knowing that we were
@@ -5944,18 +5928,18 @@ beautiful, and making it forget the misery beneath.
 </div>
 
 <h2><span class="b12">CHAPTER XIX</span><br />
-CH�TEAU DES ROCHERS</h2>
+CHÂTEAU DES ROCHERS</h2>
 
-<p>The name of Mme. S�vign� rings through the ages.
-Vitr� is full of it. Inhabitants will point out, close
+<p>The name of Mme. Sévigné rings through the ages.
+Vitré is full of it. Inhabitants will point out, close
 to the ruined ramparts, the winter palace where the
 <i>spirituelle Marquise</i> received the Breton nobility
 and sometimes the Kings of Brittany. To the
-south they will show you the Ch�teau des Rochers,
+south they will show you the Château des Rochers,
 the princely country residence maintained by this
 famous woman. She was a Breton of the Bretons,
 building and planting, often working in the fields
-with her farm hands. She loved her Ch�teau des
+with her farm hands. She loved her Château des
 Rochers. It was a joy to leave the town and the
 gaieties of Court for the freshness of the fields and
 the woods. She especially liked to be there for
@@ -5971,12 +5955,12 @@ became morose. She never wearied of her garden.
 She had always some new idea with regard to it&mdash;some
 new plan to lure her from a letter begun or
 a book opened. Before reading the memoirs of
-Mme. S�vign� it is almost impossible to realize this
+Mme. Sévigné it is almost impossible to realize this
 side of her nature. Who would have imagined that
-this woman of the salons, f�ted in Paris, and known
+this woman of the salons, fêted in Paris, and known
 everywhere, would be always longing for her country
 home? It is only when you visit the famous
-Ch�teau des Rochers that you realize to the full
+Château des Rochers that you realize to the full
 that she was a lover of nature and country habits.
 Wandering through the old-world garden, you find
 individual touches which bring back the dainty
@@ -5984,14 +5968,14 @@ Marquise vividly to mind. There are the venerable
 trees, under which you may wander and imagine
 yourself back in the time of Louis XIV. There
 are the deep and shady avenues planted by Mme.
-S�vign�, and beautiful to this day. The names
+Sévigné, and beautiful to this day. The names
 come back to you as you walk&mdash;'La Solitaire,'
 'L'Infini,' 'L'honneur de ma fille'&mdash;avenues in
 which madame sat to see the sun setting behind
 the trees. Very quiet is this garden, with its broad
 shady paths, its wide spaces of green, its huge
 cedars growing in the grass, and its stiff flower-beds.
-There is Mme. S�vign�'s sundial, on which she
+There is Mme. Sévigné's sundial, on which she
 <span class="pagenum"><a name="Page_227" id="Page_227">227</a></span>
 inscribed with her own hand a Latin verse. There
 are the stiff rows of poplars, like Noah's Ark trees,
@@ -5999,14 +5983,14 @@ symmetrical, interlacing one with the other, unnatural
 but dainty in design. There is her rose
 garden, a rounded and terraced walk planted with
 roses. There, too, are the sunny 'Place Madame,'
-the 'Place Coulanges,' and 'L'�cho,' where two
+the 'Place Coulanges,' and 'L'Écho,' where two
 people, standing on stones placed a certain distance
 apart, can hear the echo plainly. This garden, with
 its stiff little rows of trees, its sunny open squares
 surrounded by low walls, and its stone vases overgrown
 with flowers, brings back the past so vividly
 that one asks one's self whether indeed Mme.
-S�vign� is there no longer, and glances involuntarily
+Sévigné is there no longer, and glances involuntarily
 down the avenues and the by-ways, half expecting
 to distinguish the rapid passage of a majestic skirt.
 What a splendid life this woman of the seventeenth
@@ -6090,7 +6074,7 @@ daughter, saying, 'My purpose to spend the winter
 at Les Rochers frightens you. Alas! my daughter,
 it is the sweetest thing in the world.'</p>
 
-<p>Mme. S�vign� was always thinking of her
+<p>Mme. Sévigné was always thinking of her
 daughter, and of Provence, where she lived. Her
 heart went out to her daughter. Everything about
 Les Rochers helped her to remember her beloved
@@ -6098,12 +6082,12 @@ child. Even the country itself seemed to bring
 back memories, for the nights of July were so
 perfumed with orange-blossoms that one might
 imagine one's self to be really in Provence.
-Mme. S�vign� wrote in a letter to one of her
+Mme. Sévigné wrote in a letter to one of her
 friends:</p>
 
 <p>'I have established a home in the most beautiful
 place in the world, where no one keeps me company,
-because they would die of cold. The abb�
+because they would die of cold. The abbé
 goes backwards and forwards over his affairs. I am
 there thinking of Provence, for that thought never
 leaves me.'</p>
@@ -6113,7 +6097,7 @@ leaves me.'</p>
 <p class="caption">WEARY</p>
 </div>
 
-<p>The ch�teau in which this wonderful woman
+<p>The château in which this wonderful woman
 lived, whence started so many couriers to Provence,
 is an important building, gray, a little heavy with
 <span class="pagenum"><a name="Page_231" id="Page_231">231</a></span>
@@ -6127,7 +6111,7 @@ with old rose and gold. One can imagine the
 gentle Marquise kneeling here at her devotions.</p>
 
 <p>Visitors are shown the bedroom of Mme.
-S�vign�, now transformed into a historical little
+Sévigné, now transformed into a historical little
 sanctuary. The furniture consists of a large four-post
 bed, with a covering of gold and blue, embroidered,
 it is said, by the Countess of Grignan.
@@ -6140,14 +6124,14 @@ handwriting of the Marquise herself.</p>
 
 <p>The walls are hung with pictures of the family
 and intimate friends, some of which are very remarkable.
-This room was called by Mme. S�vign�
+This room was called by Mme. Sévigné
 the 'green room.' It still has a dainty atmosphere.
-Here Mme. S�vign� passed a great part of her life.
+Here Mme. Sévigné passed a great part of her life.
 Under a large window is a marble table where she
 is supposed to have written those letters which one
 <span class="pagenum"><a name="Page_232" id="Page_232">232</a></span>
 knows almost as well as the fables of Lafontaine.
-Mme. S�vign� coloured the somewhat cold though
+Mme. Sévigné coloured the somewhat cold though
 pure language of the seventeenth century, but
 not artificially. She animated it, conveyed warmth
 into it, by putting into her writings much that was
@@ -6222,7 +6206,7 @@ of one line they were placed in a semicircle. This
 did not seem to lead me on the road to discovery.
 Of what avail is it to attempt to read the
 mystery of these silent Celtic giants? Historians
-and arch�ologists have sought in vain to find a
+and archæologists have sought in vain to find a
 solution to the problem. Some say that the stones
 planted in the fields are temples dedicated to the
 cult of the serpent; others maintain that this is
@@ -6345,12 +6329,12 @@ very ancient, the alphabet of the bards.</p>
 <p>Mendicity is protected in Brittany. One meets
 beggars at all the fairs, and often on the high-roads.
 They earn their living by songs and ballads.
-They attend family f�tes, and, above all, marriage
+They attend family fêtes, and, above all, marriage
 ceremonies, composing songs in celebration. No
 Breton will refuse a bard the best of his hospitality.
 Bards are honoured guests. 'Dieu vous
 <span class="pagenum"><a name="Page_243" id="Page_243">243</a></span>
-b�nisse, gens de cette maison,' says one, announcing
+bénisse, gens de cette maison,' says one, announcing
 himself. He is installed in the ingle-nook, the
 cosiest corner of a Breton kitchen; and after having
 refreshed the inner man he rewards his host with
@@ -6394,7 +6378,7 @@ child died we attended the funeral, all dressed in
 white, holding lighted tapers in our hands, and feeling
 important and impressive. If one was born, we
 graciously condescended to be present at the
-baptismal service and receive the boxes of drag�es
+baptismal service and receive the boxes of dragées
 always presented to guests on such occasions. At
 all village processions we figured prominently.</p>
 
@@ -6411,7 +6395,7 @@ hour after hour, dressed in the beautiful costume
 of the country&mdash;black broadcloth skirts, white
 winged caps, and sabots. Often we would go
 with our <i>bonne</i> and our respective partners into
-some neighbouring <i>d�bits de boissons</i> and drink
+some neighbouring <i>débits de boissons</i> and drink
 <i>syrops</i> in true Breton fashion. At one <i>pardon</i> we
 won the <i>ruban d'honneur</i>&mdash;a broad bright-blue
 ribbon with silver tassels worn across the shoulder,
@@ -6439,7 +6423,7 @@ apart; it resembles neither the Flemish <i>kermesse</i>
 nor the Parisian <i>foire</i>. Unlike the <i>foires</i> of Paris,
 created for the gay world, for the men and women
 who delight in turning night into day, the <i>pardon</i>
-has inspiration from high sources: it is the f�te of
+has inspiration from high sources: it is the fête of
 the soul. The people gather together from far and
 near, not only to amuse themselves, but also to
 pray. They pass long hours before the images of
@@ -6452,13 +6436,13 @@ Quimper, at the Feast of the Assumption, the
 Place St. Corentin is crowded. People have come
 from the surrounding towns, all dressed in the
 characteristic costume of their vicinities. Pont-Aven,
-Pont L'Abb�, Concarmeau, Fouesnant, Quimperl�&mdash;all
+Pont L'Abbé, Concarmeau, Fouesnant, Quimperlé&mdash;all
 are represented. You see the tight lace
-wide-winged cap of the Douarn�nez women, hats
+wide-winged cap of the Douarnénez women, hats
 bound with coloured chenile of the men of Carhaix,
 white flannel coats bordered with black velvet of
-the peasants of Gu�m�n�, the flowered waistcoats
-of Pleav�; the women of Quimper have pyramidical
+the peasants of Guéméné, the flowered waistcoats
+of Pleavé; the women of Quimper have pyramidical
 coifs of transparent lace, showing the pink
 or blue ribbon beneath, with two long floating
 ends.</p>
@@ -6511,7 +6495,7 @@ strange bumps they formed in the animal's smooth
 and shiny coils. How bloodthirsty children are at
 heart!</p>
 
-<p>It is not always in large towns like Quimperl�
+<p>It is not always in large towns like Quimperlé
 that <i>pardons</i> are held. More often they are to be
 witnessed in the country, perhaps miles away from
 any town, whence the people flock on foot. There
@@ -6588,7 +6572,7 @@ sounds die away in the distance.</p>
 
 <p>The Saturday before the first Sunday in July is
 <span class="pagenum"><a name="Page_251" id="Page_251">251</a></span>
-a f�te-day in most towns. Pilgrims fill the towns,
+a fête-day in most towns. Pilgrims fill the towns,
 which are packed with stalls for the fair. There
 are sellers of cider and cakes, amulets, and rosaries.
 A statue of the Madonna surrounded by archangels
@@ -6666,7 +6650,7 @@ In Brittany everything seems to have
 been designed long ago. Wherever one goes one
 comes across a strange and ancient Druidical monument,
 menhirs, and dolmens of fabulous antiquity,
-an exquisite legend, a ruined ch�teau, ancient stone
+an exquisite legend, a ruined château, ancient stone
 crosses, <i>calvaires</i>, and carvings. It is a country
 full of signs and meanings. The poetical superstitions
 and legends have been left intact in their
@@ -6708,360 +6692,6 @@ the country.</p>
 document have been preserved.</p>
 </div>
 
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diff --git a/42954-h/images/illo_281.jpg b/42954-h/images/illo_281.jpg
index 3ac79ac..3ac79ac 100755..100644
--- a/42954-h/images/illo_281.jpg
+++ b/42954-h/images/illo_281.jpg
diff --git a/42954-h/images/illo_287.jpg b/42954-h/images/illo_287.jpg
index c376653..c376653 100755..100644
--- a/42954-h/images/illo_287.jpg
+++ b/42954-h/images/illo_287.jpg
diff --git a/42954-h/images/illo_293.jpg b/42954-h/images/illo_293.jpg
index a9c8b75..a9c8b75 100755..100644
--- a/42954-h/images/illo_293.jpg
+++ b/42954-h/images/illo_293.jpg
diff --git a/42954-h/images/illo_301.jpg b/42954-h/images/illo_301.jpg
index 64cd7ae..64cd7ae 100755..100644
--- a/42954-h/images/illo_301.jpg
+++ b/42954-h/images/illo_301.jpg
diff --git a/42954-h/images/illo_309.jpg b/42954-h/images/illo_309.jpg
index eac8080..eac8080 100755..100644
--- a/42954-h/images/illo_309.jpg
+++ b/42954-h/images/illo_309.jpg
diff --git a/42954-h/images/illo_317.jpg b/42954-h/images/illo_317.jpg
index 6e3ad5b..6e3ad5b 100755..100644
--- a/42954-h/images/illo_317.jpg
+++ b/42954-h/images/illo_317.jpg
diff --git a/42954-h/images/illo_325.jpg b/42954-h/images/illo_325.jpg
index f2445d4..f2445d4 100755..100644
--- a/42954-h/images/illo_325.jpg
+++ b/42954-h/images/illo_325.jpg
diff --git a/42954-h/images/illo_333.jpg b/42954-h/images/illo_333.jpg
index 2ad6afc..2ad6afc 100755..100644
--- a/42954-h/images/illo_333.jpg
+++ b/42954-h/images/illo_333.jpg
diff --git a/42954-h/images/illo_341.jpg b/42954-h/images/illo_341.jpg
index ee04e43..ee04e43 100755..100644
--- a/42954-h/images/illo_341.jpg
+++ b/42954-h/images/illo_341.jpg
diff --git a/42954-h/images/illo_347.jpg b/42954-h/images/illo_347.jpg
index 53bc3f7..53bc3f7 100755..100644
--- a/42954-h/images/illo_347.jpg
+++ b/42954-h/images/illo_347.jpg
diff --git a/42954-h/images/illo_355.jpg b/42954-h/images/illo_355.jpg
index 217dbfb..217dbfb 100755..100644
--- a/42954-h/images/illo_355.jpg
+++ b/42954-h/images/illo_355.jpg
diff --git a/42954-h/images/illo_361.jpg b/42954-h/images/illo_361.jpg
index 6f1750a..6f1750a 100755..100644
--- a/42954-h/images/illo_361.jpg
+++ b/42954-h/images/illo_361.jpg
diff --git a/42954-h/images/illo_369.jpg b/42954-h/images/illo_369.jpg
index 8aeddf4..8aeddf4 100755..100644
--- a/42954-h/images/illo_369.jpg
+++ b/42954-h/images/illo_369.jpg
diff --git a/42954-h/images/illo_377.jpg b/42954-h/images/illo_377.jpg
index 96f5eab..96f5eab 100755..100644
--- a/42954-h/images/illo_377.jpg
+++ b/42954-h/images/illo_377.jpg
diff --git a/42954-h/images/illo_387.jpg b/42954-h/images/illo_387.jpg
index ac205e9..ac205e9 100755..100644
--- a/42954-h/images/illo_387.jpg
+++ b/42954-h/images/illo_387.jpg
diff --git a/42954-h/images/illo_393.jpg b/42954-h/images/illo_393.jpg
index ff9d327..ff9d327 100755..100644
--- a/42954-h/images/illo_393.jpg
+++ b/42954-h/images/illo_393.jpg
diff --git a/42954-h/images/illo_401.jpg b/42954-h/images/illo_401.jpg
index 1d7b690..1d7b690 100755..100644
--- a/42954-h/images/illo_401.jpg
+++ b/42954-h/images/illo_401.jpg
diff --git a/42954-h/images/illo_409.jpg b/42954-h/images/illo_409.jpg
index e877166..e877166 100755..100644
--- a/42954-h/images/illo_409.jpg
+++ b/42954-h/images/illo_409.jpg
diff --git a/42954-h/images/illo_417.jpg b/42954-h/images/illo_417.jpg
index 2b71747..2b71747 100755..100644
--- a/42954-h/images/illo_417.jpg
+++ b/42954-h/images/illo_417.jpg
diff --git a/42954-h/images/illo_425.jpg b/42954-h/images/illo_425.jpg
index b61d8d3..b61d8d3 100755..100644
--- a/42954-h/images/illo_425.jpg
+++ b/42954-h/images/illo_425.jpg
diff --git a/42954-h/images/illo_435.jpg b/42954-h/images/illo_435.jpg
index 1b68395..1b68395 100755..100644
--- a/42954-h/images/illo_435.jpg
+++ b/42954-h/images/illo_435.jpg
diff --git a/42954-h/images/illo_445.jpg b/42954-h/images/illo_445.jpg
index 4bf03a9..4bf03a9 100755..100644
--- a/42954-h/images/illo_445.jpg
+++ b/42954-h/images/illo_445.jpg
diff --git a/42954-h/images/illo_451.jpg b/42954-h/images/illo_451.jpg
index 1692d73..1692d73 100755..100644
--- a/42954-h/images/illo_451.jpg
+++ b/42954-h/images/illo_451.jpg
diff --git a/42954-h/images/illo_459.jpg b/42954-h/images/illo_459.jpg
index 2a44df3..2a44df3 100755..100644
--- a/42954-h/images/illo_459.jpg
+++ b/42954-h/images/illo_459.jpg
diff --git a/42954-h/images/illo_465.jpg b/42954-h/images/illo_465.jpg
index 8bc40eb..8bc40eb 100755..100644
--- a/42954-h/images/illo_465.jpg
+++ b/42954-h/images/illo_465.jpg
diff --git a/42954-h/images/illo_473.jpg b/42954-h/images/illo_473.jpg
index e99b7ca..e99b7ca 100755..100644
--- a/42954-h/images/illo_473.jpg
+++ b/42954-h/images/illo_473.jpg
diff --git a/42954-h/images/illo_479.jpg b/42954-h/images/illo_479.jpg
index 8addea5..8addea5 100755..100644
--- a/42954-h/images/illo_479.jpg
+++ b/42954-h/images/illo_479.jpg
diff --git a/42954-h/images/illo_487.jpg b/42954-h/images/illo_487.jpg
index b2f614d..b2f614d 100755..100644
--- a/42954-h/images/illo_487.jpg
+++ b/42954-h/images/illo_487.jpg
diff --git a/42954-h/images/illo_493.jpg b/42954-h/images/illo_493.jpg
index bd82fca..bd82fca 100755..100644
--- a/42954-h/images/illo_493.jpg
+++ b/42954-h/images/illo_493.jpg
diff --git a/42954-h/images/illo_499.jpg b/42954-h/images/illo_499.jpg
index b0052b1..b0052b1 100755..100644
--- a/42954-h/images/illo_499.jpg
+++ b/42954-h/images/illo_499.jpg
diff --git a/42954-h/images/illo_507.jpg b/42954-h/images/illo_507.jpg
index 1dca668..1dca668 100755..100644
--- a/42954-h/images/illo_507.jpg
+++ b/42954-h/images/illo_507.jpg
diff --git a/42954-h/images/illo_513.jpg b/42954-h/images/illo_513.jpg
index f5e482c..f5e482c 100755..100644
--- a/42954-h/images/illo_513.jpg
+++ b/42954-h/images/illo_513.jpg
diff --git a/42954-h/images/illo_519.jpg b/42954-h/images/illo_519.jpg
index 2192fc8..2192fc8 100755..100644
--- a/42954-h/images/illo_519.jpg
+++ b/42954-h/images/illo_519.jpg
diff --git a/42954-h/images/illo_525.jpg b/42954-h/images/illo_525.jpg
index e04b729..e04b729 100755..100644
--- a/42954-h/images/illo_525.jpg
+++ b/42954-h/images/illo_525.jpg
diff --git a/42954-h/images/illo_533.jpg b/42954-h/images/illo_533.jpg
index 04301ee..04301ee 100755..100644
--- a/42954-h/images/illo_533.jpg
+++ b/42954-h/images/illo_533.jpg
diff --git a/42954-h/images/illo_539.jpg b/42954-h/images/illo_539.jpg
index 6925196..6925196 100755..100644
--- a/42954-h/images/illo_539.jpg
+++ b/42954-h/images/illo_539.jpg
diff --git a/42954-h/images/illo_547.jpg b/42954-h/images/illo_547.jpg
index c056a12..c056a12 100755..100644
--- a/42954-h/images/illo_547.jpg
+++ b/42954-h/images/illo_547.jpg
diff --git a/42954-h/images/illo_553.jpg b/42954-h/images/illo_553.jpg
index 2e2d6e3..2e2d6e3 100755..100644
--- a/42954-h/images/illo_553.jpg
+++ b/42954-h/images/illo_553.jpg
diff --git a/42954-h/images/illo_561.jpg b/42954-h/images/illo_561.jpg
index 35fb5ef..35fb5ef 100755..100644
--- a/42954-h/images/illo_561.jpg
+++ b/42954-h/images/illo_561.jpg
author	nfenwick <nfenwick@pglaf.org>	2025-03-07 20:45:31 -0800
committer	nfenwick <nfenwick@pglaf.org>	2025-03-07 20:45:31 -0800
commit	92670203a822c45365edc9fa0d9a71095c412399 (patch)
tree	23e60e9cdbf39809c47dc34219b5e580c696ac27 /42954-h
parent	35715cf4527648f664eab5f0a6fca94f9a723807 (diff)