summaryrefslogtreecommitdiff
path: root/42889-8.txt
diff options
context:
space:
mode:
Diffstat (limited to '42889-8.txt')
-rw-r--r--42889-8.txt6099
1 files changed, 0 insertions, 6099 deletions
diff --git a/42889-8.txt b/42889-8.txt
deleted file mode 100644
index 0eb22ed..0000000
--- a/42889-8.txt
+++ /dev/null
@@ -1,6099 +0,0 @@
-The Project Gutenberg EBook of The Influence of the Stars, by Rosa Baughan
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: The Influence of the Stars
- A book of old world lore
-
-Author: Rosa Baughan
-
-Release Date: June 7, 2013 [EBook #42889]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE INFLUENCE OF THE STARS ***
-
-
-
-
-Produced by Charlene Taylor, Delphine Lettau and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-THE INFLUENCE OF THE STARS
-
-PLYMOUTH
-WILLIAM BRENDON AND SON
-PRINTERS
-
-
- [Illustration: WHEEL OF PYTHAGORAS. FACSIMILE FROM AN OLD WOODCUT
- DATE. 1657.
-
- _Frontispiece and Cover._]
-
-
-
-
-THE INFLUENCE OF THE STARS
-
-A Book of Old World Lore
-
-
-BY
-
-_ROSA BAUGHAN_
-
-AUTHOR OF "THE HANDBOOK OF PALMISTRY"; "CHARACTER IN HANDWRITING";
-ETC., ETC.
-
-
-_IN THREE PARTS_
-
-PART I. ASTROLOGY.
-PART II. CHIROMANCY
-PART III. PHYSIOGNOMY
-
-TO WHICH ARE ADDED
-
-CHAPTERS ON THE SIGNIFICANCE OF THE MOLES OF THE BODY ASTROLOGICALLY
-CONSIDERED,
-
-THE MYSTICAL WHEEL OF PYTHAGORAS AND THE METHODS OF WORKING IT
-
-
-FOURTH EDITION,
-REVISED AND ENLARGED BY THE AUTHOR
-
-_ILLUSTRATED WITH TEN PLATES_
-
-LONDON
-KEGAN PAUL, TRENCH, TRÜBNER & CO., LTD.
-DRYDEN HOUSE, GERRARD STREET, SOHO
-1904
-
-
-
-
-Transcriber's Note: Minor typographical errors have been corrected
-without note. Dialect spellings, contractions and inconsistencies in
-the text have been retained as printed. Words enclosed by square
-brackets replace the symbol, as it is not possible to represent the
-symbol itself in plain text.
-
-
-
-
- "Ye stars which are the poetry of Heaven!
- If, in your bright leaves we read the fate
- Of men and empires--'tis to be forgiven,
- That in our aspirations to be great,
- Our destinies o'erleap this mortal state
- And claim a kindred with you; for ye are
- A beauty and a mystery and create
- In us such love and reverence from afar,
- That Life, Fame, Power, and Fortune have named themselves a star."
-
- Byron.
-
-
-
-
-CONTENTS
-
-
-Part I.
-
-ASTROLOGY
-
-CHAPTER PAGE
-
-
- I. ASTROLOGY 4
-
- II. THE ALPHABET OF ASTROLOGY 12
-
- III. CONCERNING THE SIGNS OF THE ZODIAC 17
-
- IV. OF THE NATURES OF THE SEVEN PLANETS AND OF THEIR
-ESSENTIAL AND ACCIDENTAL DIGNITIES 23
-
- V. OF THE INFLUENCES OF THE SEVEN PLANETS 34
-
- VI. CONCERNING THE TWELVE HOUSES OF HEAVEN AND THEIR POWERS 50
-
- VII. AN EXPLANATION OF VARIOUS TERMS USED IN ASTROLOGY 54
-
- VIII. OF THE FIGURE OF THE HEAVENS 59
-
- IX. OF THE INFLUENCES OF THE FIXED STARS 65
-
- X. OF THE EFFECT OF EACH PLANET IN EACH OF THE TWELVE
-HOUSES 70
-
- XI. ON FORMING A GENERAL JUDGMENT ON A NATIVITY 76
-
- XII. CONCERNING DIRECTIONS AND HORARY QUESTIONS 92
-
- XIII. SOLAR HOROSCOPES 103
-
- XIV. APHORISMS CULLED FROM THE WORKS OF PTOLEMY AND OTHER
-ANCIENT ASTROLOGERS 120
-
-
-PART II.
-
-CHIROMANCY
-
- XV. CHIROMANCY AND ITS ORIGIN 125
-
- XVI. CONCERNING THE PRINCIPAL LINES IN THE HAND AND THE
-MOUNTS 129
-
- XVII. THE LINE OF LIFE 137
-
- XVIII. THE LINE OF HEART AND LINE OF HEAD 143
-
- XIX. THE SATURNIAN LINE 150
-
- XX. THE LINE OF THE SUN AND LINE OF HEALTH 155
-
- XXI. ON THE RING OF VENUS, THE WRIST LINES AND THE LETTER
-M TO BE SEEN IN MOST HANDS 160
-
- XXII. CONCERNING CHANCE LINES; THAT IS, LINES WHICH ARE
-SOMETIMES--BUT ONLY RARELY--SEEN ON ANY HAND 166
-
- XXIII. CONCERNING THE FINGERS AND THUMB AND NAILS 169
-
- XXIV. OF THE VARIOUS MARKS TO BE SEEN ON THE HAND 177
-
- XXV. THE TRIANGLE, THE QUADRANGLE AND THE HAPPY HAND 182
-
-
-Part III.
-
-PHYSIOGNOMY
-
- XXVI. PHYSIOGNOMY 185
-
- XXVII. THE FOREHEAD AND EYEBROWS 194
-
-XXVIII. THE EYES AND EYELASHES 201
-
- XXIX. THE NOSE 211
-
- XXX. THE MOUTH, TEETH, JAW AND CHIN 221
-
- XXXI. THE HAIR AND EARS 231
-
- XXXII. THE SIGNATURES OF THE PLANETS 237
-
-XXXIII. THE MOLES ON THE FACE 246
-
- XXXIV. MOLES HAVING NO CORRESPONDING MOLES ON THE FACE 254
-
- XXXV. THE ZODIACAL MARKS 258
-
- XXXVI. CONCERNING ALFRIDARIES 263
-
-XXXVII. CONCERNING THE WHEEL OF PYTHAGORAS AND THE METHOD
-OF WORKING IT 267
-
-
-
-
-LIST OF ILLUSTRATIONS
-
-
-WHEEL OF PYTHAGORAS _Frontispiece and Cover_
-
-THE EARTH _To face Chapter VI._
-
-NATUS. 9TH JANUARY, 1889 " " _VIII._
-
-FACSIMILE OF A MAP OF A HORARY QUESTION FROM LILLY'S
-"ASTROLOGY" " " _XII._
-
-PRINCIPAL LINES ON THE PALM OF THE HAND " " _XVI._
-
-THE LINE OF LIFE " " _XVII._
-
-CHANCE LINES ON THE HAND " " _XXII._
-
-VARIOUS MARKS ON THE HAND " " _XXIV._
-
-THE HAPPY HAND " " _XXV._
-
-THE PLANETS' PLACES ON THE FACE " " _XXVII._
-
-ALFRIDARY TABLE " " _XXXVI._
-
-
-
-
-FOREWORD
-
-
-Of all subjects that have at any time engaged the attention of the
-world, there is none more ancient than astrology. In the East--where it
-first arose at a period of very remote antiquity--it still holds sway
-and in every part of the world (especially among the learned) it
-reigned supreme until the middle of the seventeenth century. That it
-not only ruled the daily actions of individuals but swayed the councils
-of princes, is shown by the records of every nation that has a history
-(and by none more fully than by that of England); yet the present
-generation seems never, until quite lately, to have cared to inquire on
-what basis this belief could have been for so many ages supported.
-During the past ten years, however--possibly from a reaction growing
-out of the realism by which we have been so long oppressed--a new
-interest in these old-world beliefs has sprung up and it is to satisfy
-that interest that this book (containing the results of many years'
-study) was written.
-
-Chiromancy and Physiognomy are both based on astrology and are,
-therefore, quite in place as the second and third parts of a work
-treating of the influence of the stars. Many of the modern writers on
-Chiromancy seem disposed to deny its affinity to astrology, with which
-it is, however, inseparably connected. Dr. Saunders, in the preface to
-his exhaustive work on Chiromancy and Physiognomy, published in 1671,
-and dedicated to his friend Lilly, the great astrologer, says: "For our
-more orderly proceeding with the body of this work, it is in the first
-place necessary to be observed that there are seven planets, named
-_Stellæ Errantes_--wandering stars--which have each of them its
-separate character as they are used in astrologie; the which stars have
-great power over inferior bodies and do, each of them, govern some part
-or other of man's body and they _especially have their material
-existence in the hand_ and without astrology Chiromancy could not
-subsist and be subservient to true wisdom."
-
-Now, why, in the face of this and many other equally forcible words
-among the old-world authorities, do the modern writers try to force
-their own crude theories upon us? To drag the time-honoured study of
-Chiromancy into the turmoil of nineteenth-century existence and--by
-robbing it of its mysticism--to strain it into unison with the realism
-of modern thought, strikes the earnest student with the same sense of
-incongruity as would the hanging of a carnival mask over the mystically
-calm features of an antique statue.
-
-ROSA BAUGHAN.
-
-_November, 1904._
-
-
-
-
-THE INFLUENCE OF THE STARS
-
-
-
-
-ASTROLOGY
-
- "To doubt the influence of the stars is to doubt the wisdom and
- providence of God."--TYCHO BRAHE.
-
-
-
-
-CHAPTER I.
-
-That a certain power, derived from æthereal nature, pervades the whole
-earth, is clearly evident to all. Fire and air are altered by the
-motions of the æther, and these elements, in their turn, encompassing
-all inferior matter, vary it, as they themselves are varied, acting
-equally on earth and water, on plants and animals. The Sun, not only by
-the change of the seasons, brings to perfection the embryo of animals,
-the buds of plants and the springs of water, but also, by his daily
-movement, brings light, heat, moisture, dryness and cold.
-
-The Moon, being of all the heavenly bodies the nearest to earth, has
-also much influence, and things animate and inanimate sympathise and
-vary with her. By her changes rivers swell or are reduced, the tides of
-the sea are ruled by her risings and settings, and animals and plants
-are influenced as she waxes or wanes. The stars also produce in the
-ambient[1] many impressions, causing heats, winds and storms, to the
-influence of which earthly things are subjected. The force of the Sun,
-however, predominates, because it is more generally distributed; the
-others either co-operate with his power or diminish its effects. The
-Moon more frequently does this at her first and last quarter; the stars
-act also in the same way, but at longer intervals and more obscurely
-than the Moon. From this it follows that not only all bodies which may
-be already in existence are subjected to the motion of the stars, but
-also that the impregnation and growth of the seeds from which all
-bodies proceed are moulded by the quality in the ambient at the time of
-such impregnation and growth. When, therefore, a person has acquired a
-thorough knowledge of the stars (not of what they are composed, but of
-the _influences_ they possess), he will be able to predict the mental
-and physical qualities and the future events in the existence of any
-one whose actual moment of birth is accurately given to him. But the
-science of astrology demands great study, a good memory, constant
-attention to a multitude of different points and much power of
-deductive judgment; and those persons who undertake to cast horoscopes
-without possessing these qualities, must necessarily make frequent
-mistakes in their judgments, which, perhaps, accounts for much of the
-disbelief which exists as regards the power of astrology; but it is
-unfair to blame the science for inaccuracies which are only the result
-of the ignorance of its exponents. No one should attempt to pronounce
-judgments on the influence of the stars without having first given
-years of study to the subject; and even then, unless he should have
-been born under certain influences,[2] he will never become a
-proficient astrologer.
-
- [1] The ambient means the heavens when spoken of in a general
- manner.
-
- [2] Saturn, Mercury and the Moon.
-
-The practice of observing the stars began in Egypt in the reign of
-Ammon (about a thousand years before the Christian era), and was spread
-by conquest in the reign of his successor into the other parts of
-Africa, Asia, and Europe; but it appears to have been taught in the
-earliest ages by oral tradition only, for there is no good evidence of
-its having been reduced to written rules before some years after the
-first century of the Christian era, when Claudius Ptolemy (who was born
-and educated in Alexandria) produced a work called _Tetra-biblos_,
-or _Quadripartite_, being four books of the influences of the stars. In
-this treatise (translated into English by John Whalley--Professor of
-Astrology--in the year of 1786) Ptolemy seems to have collected all
-that which appeared to him of importance in the science. Another
-translation of the _Tetra-biblos_, rendered into English from the Greek
-paraphrase of that work by Proclus, was made in 1822 by J. M. Ashmand
-and this is, by most people, preferred to the translation made by
-Whalley. Somewhere between 1647 and 1657, Placidus di Titus, a Spanish
-monk, published a system of astrology, founded, to a great extent, upon
-Ptolemy's calculations. This work was printed in Latin and is called
-the _Primum Mobile_, or _First Mover_, and was translated by John
-Cooper in 1816; other translations have appeared, but his is the best
-among them.
-
-The planetary orbs, which the ancients recognised as having the most
-powerful influence, were seven in number (now known under the Latin
-names of the principal deities of the heathen mythology), viz.:
-Jupiter, Saturn, the Sun, Mercury, Venus, Mars and the Moon.
-
-It may be objected that science has long since revealed to us many more
-planets than the seven known to the ancients; but, in considering a
-study so mystical as that of astrology, it is better to adhere to the
-theories of the old-world writers. In the earliest ages almost all the
-inhabitants of the earth led pastoral lives--were, in fact, merely
-shepherds--but amongst these shepherds there naturally arose, from time
-to time, men of superior intelligence, whose imaginations (purified and
-strengthened by solitude and the constant communion with Nature which
-grew out of that solitude) led them to the study of those distant
-lights which they saw, night after night, appear and disappear in the
-wide expanse of the heavens above them. Of purer lives and more
-impressionable than we moderns, they were necessarily more open to the
-influences of nature; and all their thoughts being given to the study
-of the mysteries by which they felt themselves surrounded, their
-intuitive perception is likely to be a safer guide on mystical subjects
-than the scientific conjectures of our day. Besides, as the results
-produced by their methods were astoundingly correct, why should we
-imagine ourselves capable of bettering their theories? Jupiter, Saturn,
-Mars and Mercury are _still_ the most important planets, whilst the
-Moon (though so small) has a more subtle influence in consequence of
-her nearness to us; whilst of the Sun's power over us and the whole
-creation there can, of course, be no question. Each of these seven
-planets is in the ascendant once during the space of the twenty-four
-hours forming the day and night; and according to the junction of two
-or more planets under which a person is born, his outward appearance,
-character and fate, will be influenced. The sign of the zodiac, too,
-under which a child comes into the world, possesses a power to produce
-a particular form of body and mental inclination, always, however,
-_subject to the influence_ of the seven planets.
-
-It must also be borne in mind that the planets dominating the lives of
-both parents would, to a certain extent, have an influence not only
-during the pre-natal period of our existence, but also in arresting or
-hurrying forward the moment of our advent into life. The father's
-influence is strong at the moment of conception; the mother's during
-the whole period of pre-natal existence. In this way we can account for
-the resemblance between parents and children, and also for the physical
-and mental qualities which we see constantly reproduced through a long
-line of ancestry. It is rarely that one planet is the sole influence of
-a life, for the child at birth may, and more generally does, receive
-influences from several planets, and some not those of the father or
-mother; and thus we can account for the innumerable differences of mind
-and body to be found among members of the same family.
-
-For the benefit of those who object that there is too great a leaning
-to what they would call "the dangerous doctrine of fatalism" in these
-old-world beliefs, it may be well to quote a few reassuring words from
-a very able and voluminous writer on these subjects, Dr. Richard
-Saunders, who modestly styles himself on the title-page of his learned
-work (published in 1671) student in astrology and physic. "The stars,"
-he says, "have such an influential power over us that we act by them
-and, though _they are but second causes_, their influences do so
-necessitate us that we cannot avoid their fatality, _unless_ we have
-recourse to the First Cause which governs this all." In other words,
-though the stars influence us, God rules the stars.
-
-
-
-
-CHAPTER II.
-
-THE ALPHABET OF ASTROLOGY
-
-
-The Science of Astrology consists of four branches, namely, _Mundane
-Astrology_, which is the art of foreseeing, by the aspect of the stars,
-at certain periods, the events likely to happen to nations, such as
-pestilences, wars, inundations and earthquakes; _Atmospherical
-Astrology_, which is the art of foreseeing, by the positions of the
-heavenly bodies, the quality of the weather at any particular time or
-place; _the Casting of Nativities_, or the art of foretelling, from the
-position of the stars at the moment of birth, the fate and character of
-the native; and _Horary Astrology_, or the art of foreseeing, by the
-positions of the heavens at the moment, the result of any business or
-circumstance.
-
-As the two former branches are treated in the astrological almanacks
-issued every year by Zadkiel, Raphael, Orion, and others, it is
-needless to go into them; but as the casting of nativities and the
-answering of horary questions require individual treatment, the working
-of these two branches of astrology (_after the ancient methods_) shall
-be described as clearly as possible.
-
-Before the student can do anything in astrology he must master its
-alphabet--that is, he must make himself thoroughly acquainted with the
-symbols used to represent the planets, the signs of the zodiac and the
-aspects.
-
-The planets recognised by the ancient astrologers are, as we have seen,
-seven in number, and are as follows, with their symbols:--Saturn,
-[symbol]; Jupiter, [symbol]; Mars, [symbol]; Sol, [symbol]; Venus,
-[symbol]; Mercury, [symbol]; Luna, [symbol].
-
-There are also the Dragon's Head, thus symbolised, [symbol]; and the
-Dragon's Tail, [symbol]. These are neither planets nor signs of the
-zodiac, nor constellations, but are only the nodes or points where the
-ecliptic is crossed by the Moon. One of these points looks northward,
-where the Moon begins her northern latitude, and the other points
-southward, where she commences her south latitude. The head of the
-Dragon is considered of a benevolent nature; the tail of the Dragon is
-of evil tendency.
-
-There are also the twelve signs of the zodiac, which are as follows,
-with their symbols:--
-
- NORTHERN. SOUTHERN.
-
- [symbol] Aries [symbol] Libra
-
- [symbol] Taurus [symbol] Scorpio
-
- [symbol] Gemini [symbol] Sagittarius
-
- [symbol] Cancer [symbol] Capricorn
-
- [symbol] Leo [symbol] Aquarius
-
- [symbol] Virgo [symbol] Pisces
-
-Through these twelve signs the planets continually move, and are ever
-in one or other of them.
-
-They are divided into _north_ and _south_. The first six, from Aries
-to Virgo, are _northern_; the latter six, from Libra to Pisces, are
-_southern_; this is because the Sun and planets when in the first six
-are north of the equator, and when in the last six they are south of
-that line.
-
-Each point of the zodiac rises and sets once every twenty-four hours,
-occasioned by the earth's revolution on its axis once every day;
-therefore, when any given point is _rising_, the opposite point must be
-_setting_.[3]
-
- [3] Aries is always opposite to Libra; Taurus to Scorpio; and
- so on of all the rest, as shown by the table given (p. 11).
-
-As the zodiac consists of 360 degrees from the first point of Aries
-until we come to that point again, and as these are divided into twelve
-portions or signs, they must consist of 30 degrees each.
-
-The aspects are five in number; they represent certain positions which
-the planets bear to each other as they move through the signs of the
-zodiac; they are as follows, with their symbols:--
-
- [Symbol] Conjunction], when two planets are in the same place, viz.,
- in same degree of the same sign.
-
- [Symbol] Sextile, when they are 60 degrees or two signs apart.
-
- [Symbol] Square, when they are 90 degrees or three signs apart.
-
- [Symbol] Trine, when they are 120 degrees or four signs apart.
-
- [Symbol] Opposition, when they are 180 degrees or six signs
- asunder.
-
-The conjunction ([symbol]) is rather a position than an aspect, as
-planets can hardly be said to aspect each other when they are in the
-same place. When Saturn is in the first degree of Aries, and any planet
-in the same degree of that sign, they are said to be in conjunction;
-this is good or evil, according to the nature of the planets thus
-posited.
-
-The Trine ([symbol]) is the most powerful of all the good aspects.
-
-The Sextile ([symbol]) is favourable.
-
-The Square ([symbol]) is evil.
-
-The Opposition ([symbol]) is also very evil.
-
-There are several other aspects (sometimes called the "modern aspects")
-invented by Kepler; but as they only appear to complicate what is at
-best a very intricate study, it is best to ignore them and adhere in
-this, as in the matter of the planets, to the old methods.
-
-
-
-
-CHAPTER III.
-
-CONCERNING THE SIGNS OF THE ZODIAC
-
-
-The zodiac is a band or belt, measuring about 14 degrees in breadth,
-but, as Venus sometimes appears to have more than her real latitude,
-it is more correctly considered to be 18 degrees in breadth. The
-_ecliptic_, or path of the Sun, passes exactly through the centre of
-the zodiac, longitudinally.
-
-The ancients divided the zodiac into _ten signs_--Libra being
-omitted altogether, Virgo and Scorpio being merged into one, thus:
-Virgo-Scorpio. This accounts for the similarity of their symbols,
-[Virgo] [Scorpio].
-
-Ptolemy divides the zodiac into twelve equal parts, of 30 degrees each.
-He says: "The beginning of the whole zodiacal circle (which in its
-nature as a circle can have no other beginning or end capable of being
-determined) is, therefore, assumed to be the sign Aries, which
-commences at the vernal equinox in March."
-
-One of the many objections urged against Ptolemy's system of astrology
-is that the signs are continually moving from their positions; but
-Ptolemy seems to have been aware of this motion of the signs, and has
-met this objection by what he says in the twenty-fifth chapter of the
-first book of the _Tetra-biblos_, where he makes it clear that the
-respective influences he ascribes to the twelve signs were considered
-by him to belong rather to the _places_ they occupied in the ambient
-than to the stars of which they are composed; and he especially speaks
-of the _ambient_ as producing the effects attributed to the respective
-signs of the zodiac when in the ascendant in a nativity; thus his
-astrology is just as applicable to modern astronomy as it was to his
-own.
-
-The signs have been divided into four _triplicities_, thus: _fiery_
-[Aries], [Leo ], [Sagittarius]; _earthy_, [Taurus], [Virgo],
-[Capricorn]; _airy_, [Gemini], [Libra], [Aquarius]; and _watery_,
-[Cancer], [Scorpio], [Pisces].
-
-The _bicorporal_, or double-bodied, signs are [Gemini], [Pisces], and
-the first half of [Sagittarius]. The _fruitful_ signs are [Cancer],
-[Scorpio], [Pisces]; the barren signs are [Gemini], [Leo], and
-[Capricorn].
-
-These descriptions are useful in showing the modifications brought to
-bear (by the sign ascending) on the planet's influence. But, when no
-planets are in or near the ascendant at birth, the following
-descriptions of the temperament and form of body produced by each sign
-ascending at birth should be used.
-
-Aries ([symbol]) is a hot and fiery sign and produces a lean body,
-spare and strong, large bones, grey eyes, with a quick glance and sandy
-or red-coloured hair. The temper is violent. It governs the head and
-face; its colour is white.
-
-Taurus ([symbol]) differs greatly, in its effects, from the preceding
-sign; it is cold and dry, and gives a broad brow and thick lips. A
-person born under it is melancholy and slow to anger but, when roused,
-furious and difficult to be appeased. It governs the neck and throat;
-its colour is red.
-
-Gemini ([symbol]) is in nature hot and moist and produces a person of
-straight, tall body, sanguine complexion, brilliant eyes and light
-brown hair. The temperament of those born under Gemini is lively and
-the understanding good. This sign governs the arms and shoulders; its
-colours are red and white.
-
-Cancer ([symbol]) is by nature cold and moist; it produces a native
-fair and pale, short in stature, with a round face, sand-coloured brown
-hair and grey eyes. Those born under it are phlegmatic, indolent and
-gentle tempered. Women born under this sign generally have many
-children. It governs the breast and stomach; its colours are green and
-russet-brown.
-
-Leo ([symbol]) is a fiery, hot and dry sign. When it rises at birth
-without any planet being near the ascendant, the native will be of tall
-stature, with yellow hair, ruddy complexion and oval face, and he will
-have a quick glance and a strong voice. It governs the heart, the back
-and the neck; its colours are red and green.
-
-Virgo ([symbol]) is an earthy, cold, barren, feminine sign. When it
-ascends, it shows a well-formed body, slender and tall, straight,
-dark-brown hair and a round face. The mind of the native is ingenious,
-but rather inconstant. It governs the belly; its colour is black
-speckled with blue.
-
-Libra ([symbol]) is an aërial, sanguine, masculine, hot and moist sign.
-Rising at birth it produces a well-made body, with long limbs, an oval
-and beautiful face, sanguine complexion, straight flaxen hair and grey
-eyes. Those born under it are courteous, just and honourable. It
-governs the loins; and the colours under its rule are black, crimson
-and tawny.
-
-Scorpio ([symbol]) is a moist, phlegmatic, feminine sign. It gives a
-strong, corpulent body, low stature, thick legs, hair growing low on
-the forehead and heavy eyebrows. Those born under this sign are
-reserved, thoughtful, subtle and malicious. It governs the lower parts
-of the body; the colour under its rule is brown.
-
-Sagittarius ([symbol]) is a fiery, masculine sign. The person born
-under its rule is handsome, with a rather long face and features,
-chestnut hair, inclined to baldness and ruddy complexion; the body
-strong and active. Those born under this sign are fond of field sports,
-are good riders, and are lovers of animals. They are kindly, generous
-and careless of danger. This sign governs the thighs and hips, and
-rules yellow and green.
-
-Capricorn ([symbol]) is an earthy, cold, dry, feminine sign. It
-produces a person of slender stature, with a long neck, narrow chest
-and dark hair. The mind is quick, witty and subtle. It governs the
-knees and hams and, in colours, it rules black or dark brown.
-
-Aquarius ([symbol]) is an airy, moist, masculine sign. In a nativity
-where no planets are in or near the ascendant, it would produce a
-person of a well-set, strong body, long face and delicate complexion,
-with brown hair. It governs the legs and ankles and rules the
-sky-colour or blue.
-
-Pisces ([symbol]) is a watery, cold and feminine sign. It produces a
-person of short stature and fleshy body, with a rather stooping gait.
-Those born under its influence are indolent and phlegmatic. It governs
-the feet and toes and presides over the pure white colour. It is
-needful to remember the colours belonging to the signs, as they are
-especially useful in horary questions.
-
-
-
-
-CHAPTER IV.
-
-OF THE NATURES OF THE SEVEN PLANETS AND OF THEIR ESSENTIAL AND
-ACCIDENTAL DIGNITIES
-
-
-Of the seven planets Jupiter and Venus, because of the heat and
-moisture predominant in them, are considered by the ancients as
-benefics or causers of good. The Moon is so considered for the same
-reasons, though in a less degree.
-
-Saturn and Mars are causers of evil or malefic; the first from his
-excess of cold, and the other from his excess of heat. The Sun and
-Mercury are deemed of common influence--that is, either of good or
-evil, according to the planets with which they are connected.
-
-The planets have particular familiarity with certain places in the
-zodiac by means of parts designated as their houses, and also by their
-_triplicities_, _exaltations_ and _terms_.
-
-The nature of their familiarity by _houses_ is as follows:--
-
-Cancer and Leo are the most northerly of all the twelve signs; they
-approach nearer than the other signs to the zenith of this part of the
-earth, and thereby cause warmth and heat; they are consequently
-appropriated as houses for the two principal and greater luminaries;
-Leo for the Sun, as being masculine; and Cancer for the Moon, as being
-feminine.
-
-Saturn, since he is cold and inimical to heat, moving also in a
-superior orbit most remote from the luminaries, occupies the signs
-opposite to Cancer and Leo; these are Aquarius and Capricorn, and they
-are assigned to him in consideration of their cold and wintry nature.
-
-Jupiter has a favourable temperament, and is situated beneath the
-sphere of Saturn; he, therefore, occupies the next two signs,
-Sagittarius and Pisces.
-
-Mars is dry in nature and beneath the sphere of Jupiter; he takes the
-next two signs, of a nature similar to his own, viz., Aries and
-Scorpio, whose relative distances from the houses of the luminaries are
-injurious and discordant.
-
-Venus, possessing a favourable temperament, and, placed beneath the
-sphere of Mars, takes the next two signs, Taurus and Libra. These are
-of a fruitful nature and preserve harmony by the sextile distance; this
-planet is never more than two signs distant from the Sun.
-
-Mercury never has greater distance from the Sun than the space of one
-sign, and is beneath all the other planets; hence he is nearest to both
-luminaries, and the remaining two signs, Gemini and Virgo, are allotted
-to him.
-
-The "houses" of the planets are readily shown by the following table.
-It is exactly the same as that found in the mummy-case of the Archon of
-Thebes, in ancient Egypt, as may be seen at the British Museum:
-
- [Leo] [Sun] [Moon] [Cancer]
- [Virgo] [Taurus] [Gemini]
- [Libra] [Venus] [Taurus]
- [Scorpio] [Mars] [Aries]
- [Sagittarius] [Jupiter] [Pisces]
- [Capricorn] [Saturn] [Aquarius]
-
-It will be seen, at once, from this table that the Sun and Moon have
-each only one house assigned them. All planets are most powerful in
-that sign which constitutes one of their houses. Planets receive
-detriment in the signs opposite to those of their houses. Thus, Saturn
-would receive detriment in Cancer and Leo, which are the signs opposite
-to his houses, Capricornus and Aquarius. There are some signs in which
-the planets are found to be very powerful, though not to the same
-extent as when in their own houses; these are called the "exaltations"
-of the planets, and the signs opposite to these are those in which they
-receive their "fall" when they are considered to be weak in power.
-Saturn has his exaltation in Libra; his "fall" would therefore be in
-Aries. He governs the airy triplicity, which is composed of the signs
-Gemini, Libra and Aquarius by day, and in all the twelve signs he has
-these degrees (zodiacal signs) allotted him by Ptolemy for his Terms:
-
- In Aries 27, 28, 29, 30.
- In Taurus 23, 24, 25, 26.
- In Gemini 22, 23, 24, 25.
- In Cancer 28, 29, 30.
- In Leo 1, 2, 3, 4, 5, 6.
- In Virgo 19, 20, 21, 22, 23, 24.
- In Libra 1, 2, 3, 4, 5, 6.
- In Scorpio 28, 29, 30.
- In Sagittarius 21, 22, 23, 24, 25.
- In Capricornus 26, 27, 28, 29, 30.
- In Aquarius 1, 2, 3, 4, 5, 6.
- In Pisces 27, 28, 29, 30.
-
-The meaning of which is that if Saturn should rise in any of these
-degrees it is a sign that he is not void of essential dignities; or, if
-he is posited in any of the following degrees (which he is allowed for
-his Face or Decanate) he is still not devoid of dignities. This is to
-be understood of all the planets.
-
-Saturn is allotted for his Face these degrees:
-
- In Taurus 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
- In Leo 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
- In Libra 11, 12, 13, 14, 15, 16, 17, 18, 19, 20.
- In Sagittarius 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
- In Pisces 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
-
-Jupiter has his exaltation in Cancer and his fall in Capricornus. He
-rules the fiery triplicity, Aries, Leo and Sagittarius, by night.
-
-He has these degrees allotted for his Terms:
-
- In Aries 1, 2, 3, 4, 5, 6.
- In Taurus 16, 17, 18, 19, 20, 21, 22.
- In Gemini 8, 9, 10, 11, 12, 13, 14.
- In Cancer 7, 8, 9, 10, 11, 12, 13.
- In Leo 20, 21, 22, 23, 24, 25.
- In Virgo 14, 15, 16, 17, 18.
- In Libra 12, 13, 14, 15, 16, 17, 18, 19.
- In Scorpio 7, 8, 9, 10, 11, 12, 13, 14.
- In Sagittarius 1, 2, 3, 4, 5, 6, 7, 8.
- In Capricornus 13, 14, 15, 16, 17, 18, 19.
- In Aquarius 21, 22, 23, 24, 25.
- In Pisces 9, 10, 11, 12, 13, 14.
-
-He has for his Face, or Decanate:
-
- Of Gemini 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
- Of Leo 11, 12, 13, 14, 15, 16, 17, 18, 19, 20.
- Of Libra 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
- Of Capricornus 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
- Of Pisces 11, 12, 13, 14, 15, 16, 17, 18, 19, 20.
-
-Mars has Aries for his day-house and Scorpio for his night-house. He is
-exalted in Capricornus, and has his fall in Cancer.
-
-He governs the watery Triplicity, viz., Cancer, Scorpio and Pisces, and
-he has these degrees in each sign for his Terms:
-
- In Aries 22, 23, 24, 25, 26.
- In Taurus 27, 28, 29, 30.
- In Gemini 26, 27, 28, 29, 30.
- In Cancer 1, 2, 3, 4, 5, 6.
- In Leo 26, 27, 28, 29, 30.
- In Virgo 25, 26, 27, 28, 29, 30.
- In Scorpio 1, 2, 3, 4, 5, 6.
- In Aquarius 26, 27, 28, 29, 30.
- In Pisces 21, 22, 23, 24, 25, 26.
-
-He has allotted to him for his Face these degrees:
-
- In Aries 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
- In Gemini 11, 12, 13, 14, 15, 16, 17, 18, 19, 20.
- In Leo 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
- In Virgo 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
- In Pisces 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
-
-The Sun rules the fiery Triplicity--Aries, Leo and Sagittarius--by day.
-He is exalted in the sign of Aries, and receives his fall in Libra.
-
-He has no degrees admitted him for his Terms, but in the twelve signs
-he has the following degrees for his Face:
-
- In Aries 11, 12, 13, 14, 15, 16, 17, 18, 19, 20.
- In Gemini 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
- In Virgo 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
- In Scorpio 11, 12, 13, 14, 15, 16, 17, 18, 19, 20.
- In Capricornus 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
-
-Venus governs the earthy Triplicity--Taurus, Virgo and Capricornus--by
-day. She is exalted in Pisces, and has her fall in Virgo. She has the
-following degrees for her Terms:
-
- In Aries 7, 8, 9, 10, 11, 12, 13, 14.
- In Taurus 1, 2, 3, 4, 5, 6, 7, 8.
- In Gemini 15, 16, 17, 18, 19. 20.
- In Cancer 21, 22, 23, 24, 25, 26, 27.
- In Leo 14, 15, 16, 17, 18, 19.
- In Virgo 8, 9, 10, 11, 12, 13.
- In Libra 7, 8, 9, 10, 11.
- In Scorpio 15, 16, 17, 18, 19, 20, 21.
- In Sagittarius 9, 10, 11, 12, 13, 14.
- In Capricornus 1, 2, 3, 4, 5, 6.
- In Aquarius 13, 14, 15, 16, 17, 18, 19, 20.
- In Pisces 1, 2, 3, 4, 5, 6, 7, 8.
-
-The following degrees are allowed for her Face:
-
- In Aries 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
- In Cancer 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
- In Virgo 11, 12, 13, 14, 15, 16, 17, 18, 19, 20.
- In Scorpio 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
- In Pisces 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
-
-Mercury governs the airy Triplicity, viz., Gemini, Libra and Aquarius,
-by night. He has his exaltation in Virgo, and his fall in Pisces. He
-has the following degrees for his Terms:
-
- In Aries 15, 16, 17, 18, 19, 20, 21.
- In Taurus 9, 10, 11, 12, 13, 14, 15.
- In Gemini 1, 2, 3, 4, 5, 6, 7.
- In Cancer 14, 15, 16, 17, 18, 19, 20.
- In Leo 7, 8, 9, 10, 11, 12, 13.
- In Virgo 1, 2, 3, 4, 5, 6, 7.
- In Libra 20, 21, 22, 23, 24.
- In Scorpio 22, 23, 24, 25, 26, 27.
- In Sagittarius 15, 16, 17, 18, 19, 20.
- In Capricornus 7, 8, 9, 10, 11, 12.
- In Pisces 15, 16, 17, 18, 19, 20.
-
-These degrees are assigned him for his Face:
-
- In Taurus 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
- In Cancer 11, 12, 13, 14, 15, 16, 17, 18, 19, 20.
- In Virgo 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
- In Sagittarius 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
- In Aquarius 11, 12, 13, 14, 15, 16, 17, 18, 19, 20.
-
-The Moon governs the earthy Triplicity, viz., Taurus, Virgo and
-Capricornus, by night.
-
-She is exalted in Taurus, and has her fall in Scorpio. The Sun and the
-Moon have no terms assigned them.
-
-In the twelve signs she has these degrees assigned her for her Face:
-
- In Taurus 11, 12, 13, 14, 15, 16, 17, 18, 19, 20.
- In Cancer 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
- In Libra 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.
- In Sagittarius 11, 12, 13, 14, 15, 16, 17, 18, 19, 20.
- In Aquarius 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
-
-A planet in his fall is very weak in his influence. The Houses count
-first in dignity, then the Exaltation; afterwards the Triplicity, the
-Terms, and the Faces.
-
-The meaning of this is, if a planet is in any of the signs we call his
-house or houses, he is essentially strong, and he is allowed five
-dignities.
-
-If he is in the sign in which he is said to be exalted, he is allowed
-four dignities.
-
-If he should be placed in any of the signs allowed him for his
-Triplicity, he is allowed three dignities.
-
-If in any of the degrees in the signs which are given as his Terms, he
-has two dignities.
-
-If in any of the degrees of the sign given to him as his Face, he is
-allowed one essential dignity. Accidental dignities are when a planet
-is swift in motion, angular or in sextile aspect with Jupiter or Venus.
-
-There was a great difference between the Arabian, Indian, and Greek
-methods in the disposing of the degrees of the sign to each planet
-until the time of Ptolemy. Since then almost all astrologers followed
-the method he left, which is that which has been given in this chapter.
-
-
-
-
-CHAPTER V.
-
-OF THE INFLUENCES OF THE SEVEN PLANETS
-
-
-The planet Saturn is the most remote of the seven planetary orbs
-recognised by the ancient writers on astrology. He is of a pale ash
-colour, slow in motion, only finishing his course through the twelve
-signs of the zodiac in 29 years and about 157 days. His greatest north
-latitude from the ecliptic is 2 degrees 48 minutes; his south latitude
-is 2 degrees 49 minutes.
-
-Those born with this planet well-dignified[4] are studious, grave,
-economical, prudent, patient and in all their actions sober and
-somewhat austere. They are not much given to the love of women, but
-they are persons of much depth of feeling, and, when they do love, they
-are very constant. They are given to the study of occult matters,[5]
-and are of a melancholic, suspicious and jealous temperament. In person
-_when well-dignified_ Saturn gives a rather tall stature and long
-limbs. The hair is dark, the eyebrows much marked and generally meeting
-between the eyes, which are dark brown, deep set and close together.
-The nose is long and generally somewhat bent over the lips and the
-under jaw slightly protrudes. The complexion is sallow, the ears large
-and the hands and feet are generally long, but not fleshy.
-
- [4] The foregoing chapter explains this term.
-
- [5] The Chaldees averred that when Saturn was powerful in a
- nativity the person then born was "mystical and confederate
- in secrecy."
-
-Those born under the potent aspect of Saturn are generally slow of
-speech and their voices are harsh; when Saturn rises in a horoscope
-_devoid of dignities_, the native is envious, covetous, malicious,
-subtle, untruthful and of a discontented disposition. In person
-frequently deformed, with long and irregular features, the eyes and
-hair dark and the skin yellow and harsh.
-
-In man's body this planet rules the spleen, the right ear, the lips and
-the teeth. In illness he gives ague, palsy, ruptures (especially should
-he rule in the sign of Scorpio), jaundice, toothache and all affections
-of the sight, of the ear, of the teeth and jaws and of the legs.
-
-The herbs he governs are the hemlock, hellebore, burdock, sage,
-henbane, rue, nightshade and mandrake.
-
-The trees under his rule are the willow, the yew, the cypress, the
-box-tree and the pine.
-
-The beasts he governs are the elephant, the wolf, the bear, the dog,[6]
-the basilisk, the crocodile, the scorpion, the serpent, the rat, the
-mouse and all manner of creeping things; among birds, the crow, the
-cuckoo, the raven, the owl and the bat.
-
- [6] This animal has been probably assigned to him by reason
- of its sagacity and extreme fidelity--constancy in feeling
- being one of the attributes given by the planet Saturn when
- well-dignified.
-
-Of fish he rules the eel, the tortoise and all shell fish.
-
-The minerals he governs are lead and the dross of all metals.
-
-His stones are jet, onyx and all dark stones which are incapable of
-polish. The colour he rules is black.
-
-He rules Saturday--the first hour after sunrise, and the eighth hour of
-the same day. His number is 55. In gathering the herbs under his rule
-the ancients were particular to do so in his hours, as this rendered
-the medicament more powerful. This is to be observed regarding the
-herbs ruled by all the planets.
-
-Saturn's orb is nine degrees before and after any aspect; that is, his
-influence begins to operate when either he applies to any planet or it
-applies to him within nine degrees of his perfect aspect, and his
-influence continues in force until he is separated nine degrees from
-the aspect. His angel is Cassiel. His friends are Jupiter, Venus,
-Mercury and the Moon; his enemies are Mars and the Sun.
-
-Jupiter is the next planet below Saturn and is of a bright, clear,
-azure colour. He much exceeds Saturn in motion, as he finishes his
-course through the twelve signs in twelve years. His greatest north
-latitude is 1 degree 38 minutes, and his greatest south latitude 1
-degree 40 minutes. When he rises at birth well-dignified he gives an
-erect, tall stature, sanguine complexion, oval face, large grey eyes,
-thick brown hair, full lips and good teeth. In temperament those born
-under the good influence of this planet are honourable, generous and
-hospitable, but loving material pleasures, kind and affectionate to
-wife and family, charitable, desiring to be well thought of and hating
-all mean and sordid actions. The voices of those born under Jupiter are
-clear and sonorous. When this planet rises _devoid of dignities_ the
-native will be gluttonous, profligate, vain, and boastful, of mean
-abilities and shallow understanding, easily seduced to extravagance and
-a tyrant to those of his family and household.
-
-In man's body he rules the lungs and the blood, and of diseases he
-gives apoplexy, gout, inflammation of the lungs, pleurisy and all
-illnesses proceeding from corruption of the blood.
-
-The herbs he governs are cloves, mace, nutmeg, gilliflower, marjoram,
-mint, borage and saffron.
-
-Of trees, he rules the mulberry, the olive, the vine, the fig, the
-beech and the pear-tree.
-
-Of beasts, the sheep, the hart, the ox and all those animals that are
-useful to man.
-
-Of birds, the stork, the snipe, the lark, the eagle, the pheasant, the
-partridge and the peacock.
-
-Of fishes, the whale, the dolphin and the sword-fish.
-
-His metal is tin.
-
-His stones are the sapphire, the amethyst and the emerald.
-
-Of colours he rules red mixed with green.
-
-His day is Thursday and he rules the first hour after sunrise and the
-eighth hour. His number is 78.
-
-His orb is 9 degrees before and after any aspect.
-
-All the planets except Mars are his friends.
-
-His angel is Zadkiel.
-
-Mars in order succeeds Jupiter. He appears of a red colour, and
-finishes his course through the zodiac in 1 year 321 days. His greatest
-north latitude is 4 degrees 31 minutes. His south latitude is 6 degrees
-47 minutes. When he is well-dignified in a horoscope, the native is
-courageous, confident, loving war and all that belongs to it, jealous
-of honour, hot-tempered and a great lover of field-sports. In person he
-will be of middle stature, broad-shouldered and with big bones; the
-complexion of a red fairness; the hair is crisp or curly and also red,
-but this varies slightly according to the sign rising at birth; in
-watery signs the hair is not so red, and in earthy signs it is more
-chestnut; the eyes are grey and have a bold, fixed glance like that of
-a hawk.
-
-When he is ill-dignified at birth, the native is turbulent, cruel,
-boastful, a promoter of sedition, ungracious in manners and
-unscrupulous in his actions, with no fear of either God or man. He
-rules the head and face, the gall, the throat and intestines; and the
-diseases he gives are fevers, carbuncles, smallpox, all throat
-affections, all hurts to the head and face (especially by iron), and
-all diseases which arise from too much heat of blood; also accidents
-from four-footed beasts.
-
-The herbs over which he rules are the nettle, the thistle, onions,
-scammony, garlic, horehound, cardamons, mustard and all herbs giving
-heat.
-
-Of trees, all those which are of a prickly nature, such as the holly,
-the thorn and the chestnut.
-
-Of beasts, all fierce animals--the tiger, the panther, the wolf, the
-horse, the leopard, the wild ass and the bear.
-
-The dog is sometimes assigned to Mars on account of its courage and
-combativeness. This delightful animal is probably ruled by both Saturn
-and Mars; the former giving it the quality of fidelity which it
-possesses in a degree beyond all other creatures.
-
-Of fish, the pike, the barbel and the sword-fish.
-
-Of birds, the hawk, the vulture, the kite, the eagle, the magpie and
-the cock, all of which are combative.
-
-The metal he rules is iron. The colour he rules is red.
-
-The stones, the carbuncle, the ruby and the blood-stone.
-
-His orb is 7 degrees before and after any aspect.
-
-He governs Tuesday--the first hour after sunrise, and the eighth. His
-number is 39.
-
-His friend among the planets is Venus, all the others are his enemies.
-
-His angel is Samael.
-
-The Sun passes through all the twelve signs of the zodiac in one year
-and a few hours over the 365 days which constitute the year. He has no
-latitude.
-
-When the Sun rises at a birth well-dignified, the native is of an
-honourable disposition, but always desiring to rule, loving pomp, yet
-affable, speaking with gravity and without too many words and
-possessing much self-reliance and dignity of manner. In person he will
-be tall, well made, with golden hair, yellowish skin, large and
-piercing eyes and long, straight and well-formed features.
-
-When ill-aspected the native is arrogant, boastful, a spendthrift,
-proud, yet in poverty hanging on other men's charity, very loquacious,
-restless and without judgment.
-
-He governs the heart, the brain, the right eye and the arms; and the
-diseases he causes are all illnesses of the heart, such as swoons,
-palpitations, cramps, also diseases of the mouth, the brain, and the
-eyes.
-
-Of colours he rules the yellow and orange colour.
-
-The plants subject to the Sun are all those of pungent odours, such as
-the marigold, heliotrope, rosemary, balsam, peony, spikenard, musk, St.
-John's wort, and ginger.
-
-Of trees he rules the palm, the laurel, the cedar, the orange-tree and
-the citron-tree.
-
-Of beasts, the lion, the ram, the goat.
-
-Of birds, the eagle, the cock, the buzzard.
-
-Of fish, the star-fish, the crab-fish and the sea-fox.
-
-He governs Sunday. His number is 34.
-
-Of metals, gold.
-
-Of colours he rules the yellow.
-
-Of stones, the topaz, amber, chrysolite and all yellow stones.
-
-His orb is 15 degrees before any aspect, and as many after separation.
-
-His friends are all the planets except Saturn and Mars.
-
-His angel is Michael.
-
-After the Sun the planet Venus succeeds in order; she is of a bright
-shining colour. Her greatest north or south latitude is 2 degrees and 2
-minutes. When she rises well-dignified in a nativity the person born
-will be of middle stature, rather inclining to shortness, with a
-beautiful complexion, light brown hair, the eyes large, of a blue or
-grey colour and with a slow and rather languishing movement, red lips,
-and dimples in the cheeks, chin and about the mouth. In disposition,
-gracious, very tender, inclined to love-making; easy of belief and not
-given to labour about anything; fond of music, plays, and all sorts of
-merry-makings.
-
-When ill-dignified at birth Venus causes the native to be over-fat,
-with thick lips, and much flesh about the chin and cheeks. In
-disposition, sensual, riotous and immoral.
-
-Venus governs the lower parts of the body, and the illnesses she gives
-are cancer and all affections of the womb.
-
-All the herbs she governs have a sweet smell and, generally, have
-smooth leaves and white flowers, such as the lily, both white and
-yellow, and the lily of the valley, also the water lily, the myrtle,
-maidenhair, violets and roses.
-
-The trees she rules are the walnut, the almond, the apple-tree, the
-box-tree, the sycamore, the ash and myrtle.
-
-Of beasts, the hart, the rabbit, the calf and all small cattle.
-
-Of birds, the dove, the sparrow, the nightingale, the swan, the pelican
-and the swallow.
-
-Her metal is copper.
-
-Her stones, white and red coral, rubies, the beryl, turquoise and lapis
-lazuli, because it expels melancholy.
-
-Her colours are white and purple.
-
-Her orb is 7 degrees before and after any aspect.
-
-Her day of the week is Friday, of which she rules the first and eighth
-hour after sunrise. Her number is 45.
-
-Her friends are all the planets, but Saturn is the least sympathetic to
-her.
-
-Her angel is Anael.
-
-Mercury is of a soft silver colour. His greatest north latitude is 3
-degrees 33 minutes. His greatest south latitude is 3 degrees 33
-minutes.
-
-When he rises well-dignified at a birth the native is a person of
-subtle intellect, an excellent logician, and possessing much eloquence
-in his speech; sharp and witty, of admirable memory, curious in occult
-knowledge, given to divination, and, if he should turn his attention to
-trade, no man would exceed him in the invention of new ways to gain
-wealth.
-
-In person, when Mercury rises well-dignified, the native is of rather
-small stature, but elegantly formed, very active and supple in his
-limbs, and with long arms; he will have a long, narrow face, a high
-forehead, rather swelling at the temples, grey eyes with brown spots in
-them, delicate mouth, straight eyebrows, a skin of a pale yellow or
-olive colour, the hair of a red-brown, commonly called auburn.
-
-When ill-dignified at birth Mercury gives a person of very small
-stature, with small, insignificant features and very small and
-quickly-moving eyes; and in character he is shifty, a boaster,
-foolishly loquacious and a great liar.
-
-He rules the liver, the tongue and the nerves, and the illnesses he
-gives are epilepsy, giddiness, dry cough, any affection of the tongue,
-and all nervous affections.
-
-The herbs attributed to him are generally those having a subtle smell,
-and having effect on the tongue, brain, lungs, or memory; they are
-vervain, adder's-tongue, aniseed, dragon-wort, and the reed.
-
-The trees are the elder and the filbert-tree.
-
-The animals are the squirrel, the weasel, the spider, the greyhound,
-the fox, the ape and all cunning and quickly-moving creatures.
-
-The birds, the parrot, the magpie, the crane, the linnet and the
-swallow.
-
-Of fish, the jack-fish and the mullet.
-
-His metal is quicksilver.
-
-His stones all those of divers colours, white and red carnelian and
-marcasite, or fire-stone.
-
-In colours he rules azure, and all light blue colours.
-
-His orb is 7 degrees before and after any aspect.
-
-He governs Wednesday--the first hour and the eighth after sunrise. His
-number is 114. The Moon, Venus, Jupiter, the Sun and Saturn are his
-friends; Mars is his enemy.
-
-His angel is Raphael.
-
-The Moon is the nearest to the earth of all the seven planets. She
-finishes her course through the whole twelve signs in 27 days 7 hours
-and 36 seconds. Her greatest north latitude is 5 degrees and about 17
-minutes, her greatest south latitude 5 degrees and 12 minutes.
-
-When she rises well-placed in a horoscope, she signifies a person of
-soft and gentle manners, timid, imaginative, loving pleasure and ease,
-yet fond of moving from place to place, rather capricious, but of a
-poetic and romantic turn of mind. In person, those born under good
-aspects of the Moon are of middle height, with a round head and face,
-pale, soft skin, large light eyes, usually one a little larger than the
-other. The whole body inclined to be fleshy, the lips full, and the
-hair of a dull, light colour, but not at all inclined to gold.
-
-When the Moon is ill-aspected at birth the native is indolent,
-sometimes a drunkard and vagabond, generally a liar, and, as Lilly puts
-it, "a muddling creature."
-
-The Moon governs the left side and the bladder. She gives dropsy, all
-cold and rheumatic diseases, colds or hurts in the eyes, convulsive
-fits, hysteria, and feminine weaknesses.
-
-The plants she governs are all those which have soft, juicy leaves,
-such as the lettuce, the melon, the gourd, the poppy, mushroom, cabbage
-and colewort. Of trees, all those which have round, spreading leaves,
-such as the lime-tree and the sycamore.
-
-The beasts she rules are those which love the water, as the otter and
-the seal.
-
-She rules all sea fowl and also the goose, the duck and the night owl.
-
-Of fish, the oyster, the cockle and the lobster.
-
-Her colours are light greenish-blue mixed with white.
-
-Her metal is silver.
-
-Her stones, pearls, diamonds, opals, crystals and selenite.
-
-Her orb is 12 degrees before and after any aspect.
-
-Her day is Monday; the first hour and the eighth after sunrise are
-hers. Her number is 45.
-
-Her friends are Venus, Jupiter, the Sun, Saturn and Mercury.
-
-Her enemy among the planets is Mars.
-
-Her angel is Gabriel.
-
- [Illustration: _To face Chapter VI._]
-
-
-
-
-CHAPTER VI.
-
-CONCERNING THE TWELVE HOUSES OF HEAVEN AND THEIR POWERS
-
-
-The ancient astrologers divided the heavens into twelve houses.
-
-_The First House._--This is called the _Ascendant_, and the planet
-rising therein--whether well or ill-dignified--will materially affect
-the mind, bodily appearance and fate of the native through his whole
-existence. This house is masculine, and governs the head and face of
-man and, if the planet Mars be in this house at the time of birth,
-there will always be some blemish or mole in the face of the native; if
-a few out of the degrees have ascended the scar or blemish is, without
-fail, on the upper part of the head; if the middle part of the sign
-ascends the mark is in the middle of the face; if the latter part of
-the sign is ascending the mark is near the chin. This house represents
-the head, the tongue and the memory, and it governs in colours white.
-
-_The Second House._--This house has signification of the native's
-wealth and worldly goods. The house is feminine, ruling the neck, and
-the colour is green.
-
-_The Third House._--This governs brothers and sisters, short journeys,
-neighbours, letters and writings. It is masculine and governs the
-hands, arms and shoulders; its colours are red and yellow mixed.
-
-_The Fourth House._--This rules the father, inheritances or property of
-the native, and shows his condition at the close of life. It is
-feminine, and rules the stomach, breast and lungs; its colour is red.
-
-_The Fifth House._--This signifies the children of the native, also his
-success in speculation and hazardous games, the pleasures he enjoys and
-the wealth of the father. It rules the heart, back and liver, is
-masculine, and represents in colour black and white mixed.
-
-_The Sixth House._--This concerns the native's servants, sheep, goats
-and small cattle. It also signifies the father's kindred. This house is
-feminine. It rules the belly and intestines and its colour is black.
-
-_The Seventh House_ gives judgment of marriage and describes the man or
-woman in all love questions. It is masculine, it rules the haunches,
-and its colour is black.
-
-_The Eighth House_ argues of death, of legacies and wills, also of the
-kind of death a man shall die; it is a feminine house. It rules the
-lower parts of the trunk of the body; its colours are green and black.
-
-_The Ninth House_ gives judgment on voyages and long journeys, and also
-on events happening to the wife's kindred. It rules the hips and
-thighs. It is a masculine house; its colours are green and white.
-
-_The Tenth House_ is called the _Mid-heaven_, and is feminine. This
-concerns the native's mother, and also his calling. It rules the knees
-and hams, and its colours are red and white.
-
-_The Eleventh House_ represents friends and friendship. It is masculine
-and rules the legs.
-
-_The Twelfth House._--This house is often called the _Evil Dæmon_, for
-it is the house of sorrow, self-undoing, enemies and imprisonment. It
-governs great cattle. It is feminine, and rules the feet and toes, and
-in colour it governs green.
-
-The strongest houses are the first (the _Ascendant_) and the tenth (the
-_Mid-heaven_). The first, fourth, seventh, and tenth are called Angular
-Houses, and represent the four cardinal points of the compass; thus the
-first is east, the seventh west, the fourth is north, and the tenth
-south. The second, fifth, eighth, and eleventh houses are called
-Succedent Houses; the third, sixth, ninth, and twelfth houses are
-termed Cadent Houses (see plate 1). Any planet posited in a Cadent
-House is regarded as weak in its effects on the native. It is necessary
-to have thoroughly mastered the influences of the twelve houses, as
-well as those of the seven planets, and of the signs of the zodiac,
-before attempting to cast a nativity or to work a horary question.
-
-
-
-
-CHAPTER VII.
-
-AN EXPLANATION OF VARIOUS TERMS USED IN ASTROLOGY
-
-
-_Ascension, Right._--The distance any body or point in the heavens is
-from the beginning of the ecliptic or first point of Aries. It is
-measured in degrees and minutes of a degree. It is thus abbreviated, A.
-R.
-
-_Ascension, Oblique._--If a star be not on the equator, it will, when
-it rises, form an angle with that part of the equator which is rising
-at the same time, and this is called its
-
-_Ascensional Difference._--This, added to its right ascension (A. R.)
-if it have _south_ declination, but subtracted from it if it have
-_north_ declination, gives its oblique ascension.
-
-_Application_ signifies the approach of two planets and is of three
-kinds: first, when a planet, swift of motion, applies to one of slower
-progress: for example, we will suppose Mercury posited in 16 degrees of
-the sign Gemini, and Mars in 21 degrees of the same sign (_both being
-in direct motion_), Mercury being swifter would overtake and form a
-conjunction with Mars, which is termed a _direct application_. The
-second kind of application is formed by two retrograde planets: thus we
-will suppose Mercury in 16 degrees of Gemini and Saturn in 15 degrees
-of the same sign, both retrograde. Mercury being the swiftest planet,
-applies to Saturn, a more ponderous planet, by retrogradation, and this
-is called a _retrograde application_. The third kind of application is
-when one planet, being direct in motion, meets another which is
-retrograde: for instance, we will suppose Mercury retrograde in 16
-degrees of Gemini, and Saturn _direct_ in motion in 12 degrees of the
-same sign; here Mercury, being the higher planet, _applies to a
-conjunction_ of Saturn by a retrograde motion. These two last are
-considered _evil_ applications. It should also be remembered that the
-superior planets, Saturn, Jupiter and Mars, never apply to the inferior
-planets, Venus, Mercury and the Moon, except by retrograde motion; but
-the inferior planets apply in both ways.
-
-_Besieging_ signifies a planet situated between the two malevolent
-planets, Saturn and Mars: thus, if Saturn were in the 12th degree of
-Aries, Jupiter in the 14th, and Mars in the 16th, Jupiter would then be
-_besieged_ by the two malefic planets, Saturn and Mars. This is, of
-course, an evil position.
-
-_Cazimi._--A planet is said to be in _cazimi_ when it is in the heart
-of the Sun: that is, only 17 minutes before or after the Sun. All
-astrologers agree that a planet is fortified by this position, but a
-planet when _combust_ is very evil in its influences.
-
-_Direct motion_ signifies that a planet is moving on its natural
-course, according to the succession of the signs of the zodiac: thus a
-planet is _direct in motion_ when it moves from Aries to Taurus, or
-from Taurus to Gemini.
-
-_Frustration_ means the approach of a swift planet to an aspect with
-one of slower motion; but before it can approach near enough to join
-that aspect the more weighty planet is joined to some other, by which
-the first aspect is frustrated.
-
-_Hayz_ is when a masculine diurnal planet is situated above the horizon
-in the daytime, or when a feminine nocturnal planet is placed below the
-horizon in the night-time; this is fortunate in its influence.
-
-_Node._--That part of the ecliptic where a planet passes out of north
-into south latitude is its south node; that where it goes into north
-latitude is its north node.
-
-_Oriental and Occidental._--A planet, when oriental, rises before the
-Sun; when occidental sets after him and is seen above the horizon when
-the Sun is down; consequently, when a planet is oriental it is posited
-in the east, and when occidental, in the west.
-
-From the fourth house eastward to the tenth is oriental and from the
-tenth westward to the fourth is occidental. But [Sun] or [Moon] are
-_oriental_ between the first and tenth and its opposite quarter and are
-_occidental_ between the tenth and seventh and its opposite quarter.
-
-_Void of course_ is when a planet is separated from another planet, and
-does not, during its continuance in the same sign, form any aspect with
-any other planet. This most usually happens with the Moon. The effect
-of this is
-
- [Illustration: _To face Chapter VIII._]
-
-
-
-
-CHAPTER VIII.
-
-OF THE FIGURE OF THE HEAVENS
-
-
-This was formerly termed a _horoscope_, but is now more generally
-called a _figure of the heavens_. It is simply a scheme, or plan,
-representing an accurate picture of the heavens--that is, of the
-positions of the Sun, Moon, and planets, and, in some instances, of the
-fixed stars also, for the moment at which a child is born. In horary
-questions the figure is drawn for the required time, which may be the
-moment of the propounding of a question to an astrologer, or of the
-occurrence of any event of the result of which astrological information
-is desired.
-
-This map, which contains the twelve divisions already described as the
-twelve houses of heaven, may be drawn in either a square or circular
-form. Lilly and other mediæval writers use both forms indiscriminately;
-but as the latter is more easily understood, the diagram (plate 2) is
-drawn up in that manner. It will be seen that it is formed of three
-circles. In the centre space the date, time and place of the event of a
-horary question are entered, and in a nativity the name, sex and moment
-of birth of the native. The next space (divided into twelve equal parts
-for the houses) is reserved for the planets and in the outer space are
-placed the signs of the zodiac, with the number of their degrees, on
-the cusp of each house. The cusps of the Houses are represented by that
-line between each house. Having obtained an Ephemeris, or astrological
-almanack[7] for the year required, we must find the Sidereal Time for
-the day and month of the birth, or question; then, if the time of the
-event be _before_ noon we must _deduct_ the difference between the
-given time and noon from the Sidereal Time of the day; for example, on
-the day of the event (the 9th January, 1889), the Sidereal Time at noon
-is shown by the Ephemeris to be 19 hours 16 minutes 51 seconds, if the
-birth had been at 9 a.m. The difference between 9 a.m. and noon is 3
-hours. We should, therefore, have to _deduct_ 3 hours from 19 hours 16
-minutes 51 seconds, which gives 16 hours 16 minutes 51 seconds, the
-Sidereal Time required.
-
- [7] Zadkiel's and Raphael's are both good; the following
- figure is worked after the Ephemeris of the latter.
-
-As the event is supposed to happen at 3 in the _afternoon_, we must
-_add_ the difference between noon and the time given to the Sidereal
-Time of the day. The difference between noon and 3 p.m. is 3 hours,
-and, as the Sidereal Time on the 9th January, 1889, is 19 hours 16
-minutes 51 seconds, we _add_ 3 hours to this amount, which gives 22
-hours 16 minutes 51 seconds, the Sidereal Time required.
-
-We must now proceed to place the signs for 3 p.m. on the 9th January,
-1889, which is thus done: We turn to the "Table of Houses" (which will
-be found at the end of the Ephemeris), and having found (under the
-column headed "Sidereal Time") the nearest time to 22 hours 16 minutes
-51 seconds, which in this case is 22 hours 16 minutes 48 seconds for
-the latitude of London, we see in the next column (headed 10) the sign
-(Pisces), and the number 3° opposite our Sidereal Time, showing that
-the third degree of Pisces is on the cusp of the 10th house, In the
-next column (headed 11) we see [Aries], and the number 7°; we therefore
-place 7° [Aries] on the cusp of the 11th house, next 24° [Taurus] on
-the 12th; then 7° 5' [Cancer] on the Ascendant (or first house), 23°
-[Cancer] on the 2nd and 10° [Leo] on the 3rd; for the remaining houses
-we place the signs _in order_ opposite to those already given, keeping
-the same number of degrees to each corresponding house and sign. The
-opposite house to the 10th is the 4th, and the opposite sign to
-[Pisces] is [Virgo]; we therefore place 3° [Virgo] on the cusp of the
-4th house, and so on of the rest. It will, however, now be seen that
-the two signs [Gemini] and [Sagittarius] are missing; these signs are
-"intercepted," which means that they lie between two houses without
-occupying the cusp of either; they must, therefore, be placed in their
-order _between_ the cusps of the houses. This is, of course, not always
-the case, and some horoscopes will have no intercepted signs.
-
-
-HOW TO PLACE THE PLANETS.
-
-In the Ephemeris the longitudes of the planets are given daily for mean
-noon; so, to find the _exact_ place of a planet for a given time, we
-must note the difference of longitude between the previous noon and
-noon of the day for drawing the map for a.m. and for p.m., the
-difference between noon of the day and noon of the day after. This
-_difference_ is the motion of the planet in 24 hours, which we must
-work thus: As 24 hours are to--hours (_i.e._, the difference between
-the given time and noon), so is the daily motion to the motion
-required. For example, the [Sun] at noon on the 6th January is
-(omitting seconds) in 19° 29' [Capricorn], and on the 10th January at
-noon he is in 20° 30' [Capricorn], which gives a daily motion of 59
-minutes. We must find his place for 3 p.m. on the 9th January. As 24
-hours are to 3 hours, so are 59 minutes to the time required; this
-equals about 7 minutes, which we add to the [Sun]'s longitude at noon
-on the 9th. If the event had been for a.m. this amount would have been
-_deducted_ from the [Sun]'s longitude at noon on the day of the event.
-We must proceed in the same way for the other planets and place them in
-the map according to their positions in respect to the degrees on the
-cusps of the houses. The [Sun] will be in 19° 36' [Capricorn], or about
-the middle of the 7th house. And note that the number of degrees of a
-sign on the cusp of any house shows that that sign commenced _in_ the
-previous house. Supposing the [Sun] had been 1° of [Capricorn], we
-should then have placed it in the 6th house, a little below the cusp of
-the 7th. When a planet is _Retrograde_ (shown in the Ephemeris thus,
-_R._), we _add_ the amount to the longitude when the event is before
-noon or a.m., and _deduct_ it from the longitude when the event is
-after noon or p.m. The mode of giving the judgment on a horoscope will
-be shown farther on.
-
-
-
-
-CHAPTER IX.
-
-OF THE INFLUENCES OF THE FIXED STARS
-
-
-The fixed stars are so called because they appear to keep at the same
-distance from one another in the heavens. All of these stars have their
-respective influences analogous to those of the planets. The following
-table of the principal fixed stars, with their several magnitudes and
-natures, will be found useful. It is only those of the first and second
-magnitude which much affect us; the influence of those stars marked as
-of fourth magnitude is very slight. The time of the rising and setting
-of the fixed stars varies according to the latitudes of the places of
-observation. Their longitudes increase at the annual rate of 50
-seconds, but their latitudes vary very little. The right ascension and
-declinations of the numerous fixed stars are given every year in the
-Nautical Almanack.
-
-
- TABLE OF THE PRINCIPAL FIXED STARS, WITH THEIR MAGNITUDES AND
- NATURES.
-
- _Stars._ _Magnitudes._ _Natures._
-
- South End of the Tail of the Whale 2 Of the nature of Saturn.
- The Star in the Wing of Pegasus 2 Mars and Mercury.
- The Head of Andromeda 2 Jupiter and Venus.
- The Whale's Belly 4 Saturn.
- The Girdle of Andromeda 2 Venus.
- The Bright Star in the Head of Aries 3 Saturn and Mars.
- The Left Foot of Andromeda 2 Venus.
- The Bright Star in the Jaw of the Whale 2 Saturn.
- Caput Algol 2 Saturn and Jupiter.
- The Pleiades or Seven Stars 5 Mars and the Moon.
- The Middle Star in the Pleiades 3 Mars and the Moon.
- Oculus Taurus 3 Venus.
- Aldebaran 1 Mars.
- Rigel 1 Jupiter and Venus.
- The Foremost Shoulder of Orion 2 Mars and Mercury.
- The She-Goat 1 Mercury and Mars.
- The Middle Star in Orion's Belt 2 Jupiter and Saturn.
- The Highest Star in the Head of Orion 4 Jupiter and Saturn.
- The Star in the Horn of the Bull 3 Mars.
- Propus 4 Mars.
- The Right Shoulder of Auriga 2 Mars and Mercury.
- The Foot of Gemini 2 Mercury and Venus.
- Castor 2 Mars, Venus and Saturn.
- Pollux 2 Mars.
- The Smaller Dog Star 2 Mercury and Mars.
- Præsepe[8] 1 Mars and the Moon.
- North Asellus 4 Mars and the Sun.
- South Asellus 4 Mars and the Sun.
- Cor Leonis or Regulus 1 Mars.
- Heart of Hydra 1 Saturn and Venus.
- Vindemiatrix 3 Saturn, Venus and Mercury.
- The Back of the Lion 2 Saturn and Venus.
- The Tail of the Lion 1 Saturn, Venus and Mercury.
- Crater 4 Venus and Mercury.
- Arcturus 1 Jupiter and Mars.
- The Virgin's Spike or Arista 1 Venus and Mars.
- The South Balance 2 Saturn and Venus.
- The North Balance 2 Jupiter and Mars.
- The Left Hand of Ophiucus 3 Mars and Saturn.
- The Highest Star in Head of Scorpio 2 Saturn and Venus.
- The Left Knee of Ophiucus 3 Saturn and Venus.
- Cor Scorpio 2 Mars and Jupiter.
- Antares 1 Mars.
- The Right Knee of Ophiucus 3 Saturn and Venus.
- The Bright Star of the Vulture 2 Saturn and Mercury.
- The Mouth of Pegasus 3 Venus and Mercury.
- The Tail of the Goat 3 Saturn.
- Marchab 2 Mars and Mercury.
- Fomalhaut 1 Venus and Mercury.
- Scheat-Pegasi 2 Saturn.
-
- [8] The nebulous mass in the body of the Crab.
-
-To know when any of these fixed stars will affect the horoscope we must
-note the sign and degree on the cusps of the houses, and if (on
-consulting the Ephemeris) any of these stars should be found to be
-ascending or descending within five degrees of the signs upon the cusps
-of the several houses, they must be entered in the same manner as the
-planets, and their qualities weighed according to the nature of the
-planet or planets with which they correspond, as shown by the table
-given.
-
-The influences of the fixed stars are not much considered by the modern
-astrologers, yet in certain positions their power is undeniable. The
-conjunction and opposition are the only aspects to be considered in
-regard to them, as they do not operate on the planets by sextile,
-square, or trine aspects. When a fixed star happens to be in
-conjunction with the Sun at birth, certain effects are distinctly
-traceable. For example, the Sun conjoined with Aldebaran, Hercules,
-Antares, or any fixed star having the nature of Mars, threatens a
-violent death, or, at best, constant illness to the native. The Sun,
-with the Pleiades, Castor, Pollux, or Præsepe, shows a cruel and
-headstrong disposition in the native and the _probability_ of violent
-death. The star Arista, with the Sun, gives great and lasting good
-fortune. All the stars of the nature of Saturn, conjoined with the Sun,
-bring calamity and disgrace. When a fixed star, whose latitude does not
-differ much from that of the Moon, is in conjunction with her, certain
-effects are produced; for instance, when she is conjoined with
-Aldebaran or Pollux violent death is indicated; when with the Pleiades
-injury to the eyes or blindness. The Moon with Antares and in
-opposition to Saturn with Aldebaran, shows death by strangulation. The
-Moon, with Aldebaran or Antares either in the ascendant or in the
-mid-heaven, gives brilliant honours, but not without many attendant
-dangers and hair-breadth escapes. Fixed stars of the _first_ magnitude,
-near the cusp of the seventh house, show a rich wife, but her
-disposition will sympathise with the planetary qualities of the star.
-Fomalhaut and Rigel, in either the ascendant or mid-heaven, give fame
-after death. Sirius, the Dog Star, in conjunction with the Sun, either
-in the ascendant or mid-heaven, gives preferment and honours from
-royalty. Caput Algol, in conjunction with the Sun in the eighth house
-and in square to Mars, shows decapitation.
-
-
-
-
-CHAPTER X.
-
-OF THE EFFECT OF EACH PLANET IN EACH OF THE TWELVE HOUSES
-
-
-Saturn in the first house, or ascendant, shows melancholy and many
-sorrows, and if near the ascendant probability of early death; in the
-second house pecuniary troubles; in the third quarrels with brothers
-and sisters, and dangers and losses in travelling; in the fourth house
-death of father or mother, and loss of friends; in the fifth barrenness
-or death of children; in the sixth illness, worries with servants and
-losses from cattle; in the seventh an ungovernable wife and unhappy
-marriage; in the eighth violent death and loss of legacies; in the
-ninth losses by sea; in the tenth dishonour and imprisonment; in the
-eleventh deep depression and false friends; in the twelfth sorrow,
-trouble and persecution from secret enemies. If the planet is
-strong--that is, well-dignified--these evils are much lessened.
-
-Jupiter in the first house gives a good, happy and long life; in the
-second riches; in the third family affection and fortunate short
-journeys; in the fourth lands and inheritance with an honourable life
-and end; in the fifth many children who are good and affectionate; in
-the sixth faithful servants and fortunate dealings respecting cattle;
-in the seventh honourable marriage; in the eighth long life and natural
-death; in the ninth profitable sea voyages; in the tenth preferment and
-honours; in the eleventh faithful friends; in the twelfth victory over
-secret enemies. This, of course, means when the planet is strong in
-dignities; if weak the good will be somewhat abated.
-
-Mars in the first house shows shortness of life and scars on the head
-or face; in the second poverty and troubles; in the third quarrels with
-kindred and dangers in travelling; in the fourth short life to the
-fathers; in the fifth disobedient children; in the sixth fevers, bad
-servants, and loss of cattle; in the seventh sensuality and unhappiness
-in marriage; in the eighth a violent death; in the ninth irreligion and
-losses at sea; in the tenth military preferment, but troubles from
-great dignitaries; in the eleventh false friends and loss of money; in
-the twelfth imprisonment. This is when Mars is afflicted, but if
-well-aspected these evils are somewhat abated.
-
-The Sun in the first house gives honour, glory, and long life; in the
-second much riches, but great extravagance; in the third good brethren
-and fortunate journeys; in the fourth a noble inheritance and honours
-in old age; in the fifth few children, yet such as will be a comfort;
-in the sixth diseases of the mind; in the seventh a good wife,
-honourable adversaries, and sickness; in the eighth good dowry with the
-wife, but danger of a violent death; in the ninth gain by the sea, and
-ecclesiastical dignities; in the tenth gain from princes and noble
-women; in the eleventh distinguished friendships; in the twelfth
-powerful adversaries. This is if the Sun is well-dignified; if weak the
-good fortune is not so pronounced.
-
-Venus in the first house gives good health, but sensuality as regards
-the opposite sex; in the second riches by means of women; in the third,
-in a woman's horoscope, by means of lovers above her in rank; in the
-fourth inheritance; in the fifth many children; in the sixth illness
-from excesses; in the seventh a good and beautiful wife and very few
-enemies; in the eighth a good dowry with the wife and a natural death;
-in the ninth good fortune by sea; in the tenth honour and preferment
-through the means of some one of the opposite sex; in the eleventh
-sympathetic friends; in the twelfth freedom from the power of private
-enemies. This if Venus be strong; if weak the good fortune is less
-pronounced.
-
-Mercury in the first house gives noble thoughts, graceful elocution,
-and love of art and science; in the second profit by intellectual work;
-in the third mathematical skill, swift and prosperous journeys; in the
-fourth the gain of an inheritance by craftiness; in the fifth clever
-children; in the sixth thieving servants and diseases of the brain; in
-the seventh a fomenter of quarrels, but a discreet wife; in the eighth
-death by consumption; in the ninth wonderful ability, especially in
-occult matters; in the tenth much preferment for ability; in the
-eleventh inconstant friends; in the twelfth secret enemies, but they
-will not much affect the destiny. This is when Mercury is
-well-dignified. If weak the good fortune is much lessened.
-
-The Moon in the ascendant, or first house, shows the native will travel
-and will gain the favour of noble persons; in the second she sometimes
-gives unstable fortune, riches, and poverty alternately; in the third
-long journeys; in the fourth profit by travelling; in the fifth many
-children; in the sixth diseases of the brain, but good servants; in the
-seventh honourable marriage; in the eighth danger by drowning, but
-otherwise a long and healthy life; in the ninth many long sea voyages,
-inconstancy in religion, and love of art; in the tenth great honours;
-in the eleventh the friendship of noble personages; in the twelfth the
-common people will be the native's enemies and do him much wrong.
-
-The Dragon's Head when posited in the first house shows poverty; in the
-second a good estate; in the third honest kindred and fortunate
-journeys; in the fourth gain by travels; in the fifth long life and
-good children; in the sixth health and good servants; in the seventh a
-virtuous wife; in the eighth many legacies and a natural death; in the
-ninth prosperity at sea; in the tenth honour; in the eleventh faithful
-friends; in the twelfth open enemies.
-
-The Dragon's Tail in the same places signifies the contrary in all
-things.
-
-
-
-
-CHAPTER XI.
-
-ON FORMING A GENERAL JUDGMENT ON A NATIVITY
-
-
-Respecting the distribution of the doctrine of nativities, we are to
-consider first the _parents_, then the duration of life; the shape and
-figure of the body; after these the quality of the mind; then as to
-fortune in regard to honours as well as wealth. In succession to these
-the character of the employment; the questions relative to marriage,
-children, and friendships; then that concerning travel; and lastly,
-that concerning the _kind_ of death which awaits the native from the
-configuration of the heavens at his birth.
-
-_The Parents._--In conformity with nature, says Ptolemy, the Sun and
-Saturn are allotted to the person of the father, and the Moon and Venus
-to that of the mother; and the mode in which these luminaries and
-planets may be found posited, with reference to each other as well as
-to other planets and stars, will intimate the situation of affairs
-affecting the parents.
-
-If Mars should be in bad aspect to the Sun, the father will receive
-some injury to the face or die suddenly; but a long life is presaged if
-Jupiter or Venus be in any mode whatever configurated with either the
-Sun or Saturn.
-
-If Mars be succedent to the Moon or Venus, or in quartile or opposition
-to them, or if Saturn be similarly aspected to the Moon only, and both
-of them be void of course or retrograde, or cadent, adverse accidents
-and disease will attend the mother; should they, on the other hand, be
-swift in motion and placed in angles, they portend that her life will
-be short or grievously afflicted.
-
-Should the Sun be configurated, in any mode whatever, with the Moon or
-Venus, or should Venus herself be harmoniously configurated with the
-Moon, either by the sextile, the trine, or the conjunction, the mother
-will live long.
-
-Concerning the duration of the native's own life, the Hylegliacal[9]
-places are, according to Ptolemy, the sign on the angle of the
-ascendant from the fifth degree above the horizon to the twenty-fifth
-degree below it; the thirty degrees in dexter sextile thereto
-constituting the eleventh house; also the thirty degrees in dexter
-quartile forming the Mid-heaven above the earth; those in dexter trine
-making the ninth house; and, lastly, those in opposition belonging to
-the angle of the west.
-
- [9] Hyleg is the word used for that body or point which is
- the giver of life.
-
-Among these places, the degrees which constitute the Mid-heaven are
-entitled to preference, as being of a more potent influence; the
-degrees in the Ascendant are next in virtue; then the degrees in the
-eleventh house, succedent to the Mid-heaven; then those in the angle of
-the west; and, lastly, those in the ninth house, which precedes the
-Mid-heaven.
-
-He also holds that "the Sun, the Moon, and the Ascendant to be
-considered as the four principally liable to be elected to the office
-of prorogator"--or HYLEG.
-
-These views are not adopted by the modern astrologers, but as this is a
-book _setting forth the ancient methods_ it is needless to discuss
-the various objections made by them to this, as to some other of the
-theories laid down by Ptolemy.
-
-Among the four prorogators already given, the Sun by day is to be
-preferred, provided he is placed in one of the Hylegliacal places, and
-if not, the Moon; but if the Moon also should not be so posited that
-planet is to be elected as Hyleg which may have most claims to dominion
-in reference to the Sun, the Moon and the Ascendant, which means that
-the planet should have dominion, in any one of the places where these
-are situated, by at least three dignities. If, however, no planet
-should be so circumstanced the Ascendant is then to be taken as Hyleg.
-
-By night the Moon is to be elected as prorogator, provided, in like
-manner, she should be in some prorogatory place; and if she be not, the
-Sun; if he also be not in any prorogatory place, then that planet which
-may have most right of dominion in reference to the Moon, and the
-antecedent full Moon, and the Part of Fortune. But if there be no
-planet claiming dominion in the mode prescribed the Ascendant must be
-taken; in case a new Moon had last preceded the birth; but if a full
-Moon, the Part of Fortune.
-
-If the two luminaries and also some ruling planet of appropriate
-condition should be each posited in a prorogatory place, then, provided
-one luminary may be found to occupy some place more important and
-influential than the others, that luminary must be chosen; but should
-the ruling planet occupy the stronger place, and have prerogatives of
-dominion suitable to the conditions of both luminaries, the planet must
-then be preferred to either of them.
-
-When the Hyleg has been determined by the foregoing rules, then note
-whether it is supported by benevolent planets in good aspects towards
-it and free from affliction--that is, from evil aspects from evil
-planets--if so, the life is likely to continue and the constitution to
-be strong; but if the Hyleg, whether it be the Sun, the Moon, or the
-Ascendant, be afflicted with evil planets and there be no assistance
-from good planets, the child will die in infancy: if there be some
-assistance from good planets, but yet the evil aspects exceed the good,
-the constitution will be weak and the first train of evil directions
-will destroy the life.
-
-Concerning the disposition and quality of the mind, we must look
-principally to the planets in the Ascendant, the influences of which
-over mind and body have already been given in the chapter on the seven
-planets. We must, however, always bear in mind that Mercury has chief
-dominion over the mental faculties, whilst the sentient passions are
-governed by the Moon and the planet in the ascendant. The Moon
-well-aspected, that is, in trine, sextile, or conjunction to Mercury at
-birth, will give to the native excellent abilities, ingenuity,
-versatility and wit. Even the evil aspects of the square and opposition
-are better than no aspects at all, though these sometimes produce a
-cynical and obstinate nature.
-
-The abilities of those born when Mercury is in "cazimi" (that is,
-within seventeen minutes of the Sun's centre) are of the highest order.
-
-Mercury in conjunction with Saturn at birth gives clear judgment and a
-love of occult subjects.
-
-Venus in good aspect with Mercury gives love of music and an artistic
-nature.
-
-If Mercury and the Moon throw no aspect to each other and are afflicted
-by Mars and Saturn, the native will be liable to become insane.[10]
-
- [10] This was the case at the birth of George the Third of
- England; at that of the Emperor Paul of Russia; Maria, Queen
- of Portugal; Charles the Second, King of Spain; and Murad the
- Fifth, Sultan of Turkey; and all these sovereigns, as is well
- known, became insane.
-
-The fortune of wealth is determined by the Sun and the Moon; if they
-are in good position, that is, angular and well-aspected by the two
-luminaries, the native will be rich. If the Sun and the Moon are well
-placed, and if there be benefic stars in the Mid-heaven, the native
-will rank high in the world. If the contrary, the native never rises
-above mediocrity; and if Saturn afflicts the Mid-heaven, he meets
-disgrace. If Mars is strong and in good aspect to the Sun and Moon, he
-will gain military glory. Jupiter on the Mid-heaven and the Sun and
-Moon in trine to each other, the Moon, having the trine of Jupiter, is
-one of the best positions for rising in the world. Jupiter in the tenth
-house will cause the native to do fairly well in the world; but Saturn
-in that house, if not extremely well-aspected, will bring him to shame
-and beggary.
-
-Concerning the nature of employment, the dominion of the employment is
-claimed by the Sun and by the planet on the Mid-heaven. If Mercury
-should rule alone he produces writers, teachers of science, merchants
-and bankers; also, if well-aspected to Saturn and the Moon, astrologers
-and students of all occult matters; if Jupiter is in conjunction, then
-the native will be an orator, actor, or painter and his pursuits will
-lead him into the society of persons of rank.
-
-Venus ruling makes wine-merchants, dealers in colours, dyes, perfumes,
-drugs, garments or apparel, &c.; if connected with Saturn, she makes
-persons have to do with amusement, players, jugglers, &c.; if with
-Jupiter, persons attending exhibitions and priests who have much
-personal decoration such as Catholic priests, bishops, &c. and they
-will gain by women. Mars ruling alone makes martial men and, if in
-Scorpio, Cancer, or Pisces, naval men.[11] The Sun joined with him,
-being near the Mid-heaven, or in aspect, makes persons dealing with
-fire or metals, the latter especially if in Taurus or Leo. If Mars be
-separated from the Sun, he makes shipwrights, smiths, agriculturists,
-stonemasons and carpenters.
-
- [11] At Admiral Nelson's birth Mars was rising in the sign
- Scorpio.
-
-If Saturn bear testimony in addition to Mars, persons become mariners,
-workers in mines, wells, vaults, &c., underground, keepers of cattle,
-cooks, butchers. If Jupiter join with Mars, they will be soldiers,
-innkeepers, tax-gatherers, mechanics. If Mercury and Venus become joint
-arbiters of employment, they produce musicians, dancers, poets, weavers
-and painters, &c. Jupiter in connection with them makes magistrates and
-senators and also teachers of youth. Mercury with Mars makes surgeons,
-statuaries, boxers. If Mercury be more powerful, they will be
-scientific; and if Mars be stronger, they will be more violent and
-cruel in their practices.[12] If Saturn join these two, they will be
-thieves (especially if the Moon be in ill aspect to Mercury); if [Moon]
-be in ill aspect to [Mars], they will be robbers or assassins. If
-Jupiter join [Mercury] and [Mars], they engage in honourable warfare
-and are industrious. If Venus and Mars rule together, persons will be
-dyers, workers in tin, lead, gold, silver and medical drugs.
-
- [12] Probably vivisectionists.
-
-The Moon regulating the employment and, separating from the Sun and
-forming an aspect with Mercury, inclines to the pursuit of astrology,
-spiritualism and magic.
-
-_Concerning Marriage_, Ptolemy has laid down some very clear
-rules. He advises persons about to marry to have a care that the
-luminaries--that is, the Sun and Moon in their respective
-nativities--are in concord. It is of happy augury if the Moon in the
-bridegroom's nativity is in good aspect--that is, in trine or sextile
-to the Sun in the bride's nativity. The Square or Opposition aspects
-formed between the luminaries in the two nativities indicate discord
-and separation, and very evil effects follow if the malefic planets,
-Saturn and Mars, have a bad aspect to the Sun and Moon in both
-nativities. If Venus be with them the separation will be caused by
-adultery. Good planets, such as Jupiter and Venus, placed between the
-luminaries in both nativities, show much happiness.
-
-In men's nativities the Moon must be chiefly considered in regard to
-marriage. Should she be in her first or third quarter at birth, the man
-will marry under thirty, or if older his wife will be a very young
-woman.
-
-If the Moon be configurated with Saturn, she entirely denies marriage.
-If she should be in a sign of single form, such as Libra or Taurus, the
-native will marry only once, but if she should be placed in a
-double-bodied sign, such as Pisces or Sagittarius, the man will marry
-more than once.
-
-If the Moon make application to the benefics, the wives will be good
-and true; but if she make application to evil planets, the wives will
-prove either bad or of a quarrelsome disposition. For example: If
-Saturn receives the Moon's application the wife will prove troublesome
-and morose, yet constant and industrious; if Jupiter receive it, the
-wife will be decorous, good and economical; if Mars, bold and
-refractory; if Venus, cheerful, handsome and agreeable; if Mercury,
-sensible, prudent and clever.
-
-Women in whose nativities Venus is configurated with Jupiter or Mercury
-are virtuous and well-conducted; but, when Venus is with Mars and no
-other planet is there, women born under such aspects are liable to
-become licentious. Mars in square to Venus shows adultery.
-
-For women the Sun is to be chiefly regarded in estimating their chances
-of marriage and happiness. If the Sun be oriental (_i.e._, between
-the Ascendant and Mid-heaven, or between the Descendant and Nadir) the
-native will marry in her youth; or when old, to a young man. If the Sun
-be occidental, the native will marry late in life; or when young, to an
-old man. If the Sun be in a sign of single form, she will marry but
-once; if in a double-bodied sign, or configurated with several oriental
-planets (in one sign) she will marry more than once. If Saturn be
-configurated with the Sun, the husband will be steadfast, prosperous
-and industrious.
-
-Jupiter configurated with the Sun gives a good, benevolent and
-honourable husband. "Mars," says Ptolemy, "gives a severe husband, void
-of affection and intractable." Venus gives an amiable husband of
-handsome appearance. Mercury gives one who is provident and expert in
-business and of a lively and cheerful temperament.
-
-If Mars be separated from Venus and Saturn, yet have the assistance of
-Jupiter, men will lead virtuous lives. If Mars be configurated with
-Venus _only_ men are of a licentious temperament.
-
-Saturn, when in the 7th house of a nativity, brings either unhappiness
-in marriage or early death of one or other of the married people. The
-Sun badly aspected by Saturn in the nativity of a woman and the Moon
-afflicted by the same planet in the nativity of a man, will bring
-trouble in love and marriage.
-
-_Description of the wife or husband._--The planet with the sign in
-which it is placed, which is posited near the cusp of the 7th house,
-must be taken to describe the person. If no planet should happen to be
-so placed, then we must go by the sign alone. Benefic planets in the
-8th house show that the wife or husband will be rich; unfortunate
-planets show the reverse.
-
-_Children._--As regards the probability of having children, the 10th
-and 11th houses must be consulted and, should there be no planets in
-them, then the opposite, the 4th and 5th houses, must be considered.
-The Moon, Jupiter and Venus are said to be givers of children; the Sun,
-Mars and Saturn deny children, or give very few and those either die
-early, or are a source of trouble to their parents. Mercury either
-gives or denies according to the planets with which he may happen to be
-posited.
-
-If the Sun and malefics be in barren signs or in masculine signs and in
-the before-named houses, there will be no children; but if they be in
-fruitful or feminine, or common signs, there may be children, but they
-will be delicate and short-lived.
-
-If Jupiter, the Moon and Venus, are well-dignified in the 10th and 11th
-houses, the children born will attain rank and distinction in the
-world.
-
-_Friends and Enemies._--Persons born under the same sign of the
-zodiac are likely to be sympathetic; so also if the planet in the
-ascendant of one person's nativity is one which is friendly to that
-which rises in the ascendant in the other's. Thus, a person whose
-ruling planet is Venus would be attracted by one in whose ascendant
-Mars is dominant and a person whose ruling planet is the Moon rarely
-contracts a warm friendship with one who has Mars in the ascendant of
-his nativity and _vice versâ_. The friendships and enmities of the
-planets have already been given in the chapter on the influences of the
-seven planets.
-
-Mars in bad aspect to the Sun or Moon in the 7th house causes quarrels
-in married life.
-
-_Travelling._--The position of the Moon and Mars are here to be
-considered. If they should be in a cadent position the native will
-travel a great deal. The Moon in a watery sign causes much travelling
-by water. Ptolemy tells us that Mars in square or opposition to the Sun
-or Moon will cause much travelling in foreign countries. If the
-benefics are conjoined with the Moon, the journeys will be safe and
-pleasant; if with the malefics they will produce mischances and
-ill-health in travelling. Mercury ascending at birth, in a
-double-bodied or moveable sign, shows a great disposition to travel. If
-a malefic affecting the Moon should be in the watery signs of Cancer,
-Scorpio, or Pisces, shipwreck and even death by drowning may ensue
-during travelling.
-
-_Of the Manner of Death._--If the Hyleg and Ascendant should be
-well-aspected and if either Jupiter, Venus, Mercury or the Moon
-well-dignified should appear in the eighth house the native will die a
-natural death. If either the Sun or Moon should be badly aspected by
-Mars or Saturn in the eighth house it is significant of a violent or
-remarkable death. Saturn causes lingering deaths and Mars those which
-are sudden.
-
-_Saturn_ indicates death by chronic diseases, rheumatism, ague and
-paralysis.
-
-_Jupiter_ (when not well-aspected at birth) may become a
-promittor, or cause of death, by apoplexy, inflammation of the lungs,
-spasms, or gout.
-
-_Mars_ indicates death by acute or eruptive fevers, small-pox, all
-kinds of hæmorrhage, burns, suicides and wounds from iron, over which
-metal he presides.
-
-_Venus_ produces death by cancer, scurvy, dysentery, or wasting
-away and putrid diseases. If violence attends she causes death by
-poisoning.
-
-_Mercury_ kills by madness, epilepsy, coughs and obstructions. If
-violence concur he brings death by accident in sport or by robbers.
-
-_The Moon._--When the Ascendant or [Sun] be Hyleg, the
-Moon will assist in causing death by cold phlegmatic diseases and if
-she be placed in [Cancer], [Scorpio], or [Pisces], by drowning.
-
-_The Sun_ will assist to cause death by his ill aspects to the
-Ascendant or [Moon] if they be Hyleg and then he acts like Mars,
-and if in _Leo_, will produce death by fire, if other testimonies
-agree.
-
-The benefics cannot cause death of _themselves_; and even their
-[Opposition] aspects will frequently save life when they fall
-amidst a train of evil directions. But if the malefic influence is too
-powerful for them to avert, then they cause death in the various
-manners above described.
-
- [Illustration: _A Dogge Missing--where?_
-
- _FACSIMILE OF A MAP OF A HORARY QUESTION FROM LILLY'S ASTROLOGY._
-
- _To face Chapter XII._]
-
-
-
-
-
-CHAPTER XII.
-
-CONCERNING DIRECTIONS AND HORARY QUESTIONS
-
-
-We have seen in the chapter on the judgment of a nativity that by the
-consideration of the position of the planets and of the Sun and Moon in
-the twelve houses, what the _general_ fortune of the native will be in
-the whole course of his life; but the art of Direction measures out the
-time into years, months, weeks and days and thus informs us when we may
-expect in _particular_ what is _generally_ promised us in the nativity.
-
-Directions are of two kinds, _primary_ and _secondary_, and are based
-upon arithmetical calculations of the time of the events caused by the
-aspects of the significators (that is, of the Sun or the Moon), with
-the places of the planets. They are founded upon the familiarities of
-the stars amongst each other in the zodiac (_after the nativity_), and
-show, by calculations, the distance of the place of a significator at
-the moment of the nativity from the place it must reach before it can
-join the aspect, which distance is called _the Arc of Direction_. Some
-astrologers consider what are called "_Mundane Directions_," which are
-distances in the world measured by the semi-arc, and are wholly
-independent of the zodiac. These were invented by Placidus, but as
-Ptolemy does not treat of them they will not be considered here.
-
-It must always be remembered that--in directions--the place of a
-planet, at the time of the nativity, is called the planet itself,
-although it may not be there when the significator arrives; thus, if we
-wish to direct the Sun to the conjunction of Jupiter, we must do so to
-the position which that planet occupied _at the moment_ of the
-nativity. When the Arc of Direction is found the Sun's right ascension
-must be added to it, and the Sun will be the right ascension (without
-latitude) of that place in the zodiac at which, when the Sun arrives,
-the direction will be completed. For every day of the Sun's approach to
-this point a year must be added, and thus the time when the event is
-likely to happen is pointed out: these primary directions, however,
-cannot be depended upon to produce an event of great importance unless
-the secondary directions agree; but where the nativity is weak the
-primary direction alone is powerful enough to kill (especially if it
-should be opposed to the Hyleg), and misfortune will always happen if
-the positions of the planets, at the moment of birth, are unfortunate,
-_without_ the coincidence of any secondary direction.
-
-_Secondary Directions_ are those daily aspects to the luminaries which
-happen after birth, every day of which is reckoned for a year, two
-hours for a month, thirty minutes for a week, and four minutes for a
-day.[13] Thus, whatever aspects take place in the _first day_ of the
-native's life will develop their effects in the first year and those of
-the second day in the second year, so that, should the native live
-fifty years, his secondary direction for his fiftieth year will arise
-from the aspects which took place on the fiftieth day after his birth.
-The ancient astrologers--particularly the Egyptians--used to predict
-the events of a nativity _wholly_ from these secondary directions,[14]
-in which the Moon should be chiefly considered; for in those days on
-which she comes to an evil aspect with the malefics, Saturn or Mars,
-the years corresponding to those days will be peculiarly unfortunate
-and dangerous to the native; and where, on the contrary, the Moon is
-well-aspected to the benefics, the years corresponding to those days
-will be very fortunate: a good direction gives prosperity in that
-matter which the significator indicates; thus we direct the Sun to
-signify the native's preferment or disgrace, his good or bad health,
-and the favour or disesteem of great personages.
-
- [13] These aspects can all be judged from the Ephemeris of
- the year of birth.
-
- [14] And these secondary directions being so much easier to
- calculate, students are advised to follow the ancient methods
- in this as in all else relating to this old-world study.
-
-The direction of the Moon refers to the nature of the native's
-journeys, whether prosperous or the reverse, his marriage, his wife,
-his women friends and kinsfolk.
-
-The direction of Saturn signifies the native's inheritance, buildings,
-possessions, and also his fears, jealousies and mistrusts.
-
-Jupiter is directed as regards glory, renown, riches, children and
-religion.
-
-Mars is directed for the native's law-suits, animosities and victories;
-he also shows the estates of brethren.
-
-Venus is directed for marriage, love and pleasure and all matters in
-connection with women.
-
-Mercury is directed for a knowledge of the amount of wit,
-understanding, trade, industry, and journeys of the native; also for
-distinction in scholarship and all intellectual pursuits.
-
-The Horoscope or Ascendant is directed to signify the life, affections
-and manners of the native.
-
-The Mid-heaven's direction affects the position and career of the
-native.
-
-If the directions are to good aspects of benevolent planets, they
-signify prosperity both of mind and body, cheerfulness and all manner
-of earthly happiness; but if the horoscope should have directions to
-the ill aspects of the malefics, Mars or Saturn, then evil is to be
-expected of the nature given by the malevolent star. If directed to the
-good aspects, such as the trine or sextile of these evil planets, the
-misfortune is not so great, and even in some instances good may be
-predicted. As, for example, the horoscope directed to the trine or
-sextile of Mars gives preferment by arms; the same aspects towards
-Saturn would indicate success in building or in mines, or some calling
-connected with metals.
-
-The occasional differences in the life, tastes, health, marriage and
-pecuniary affairs of twins, born within ten or twenty minutes of each
-other, are accounted for by the fact that at the birth of the first
-child the last degree of a sign may ascend with planets therein, or a
-planet in the 2nd house at 5 p.m. may be in the 1st at 5.15 p.m. and
-the early degrees of another sign may be exactly on the ascendant at
-the birth of the second child.
-
-A planet may reach the M.C., or any other of the four cardinal points
-at, say, 10 p.m. and ten minutes later have passed off, when its powers
-would have greatly diminished. Though the signs rise and set at the
-rate of 15° per hour, in our latitude from 50° to 60° North, it often
-happens that 30° will ascend in fifty-two minutes.
-
-Horary questions are questions asked at a certain time when a person
-feels anxious concerning any undertaking or impending event. A figure
-or map of the heavens, like that erected for a nativity, is drawn out
-for the minute in which the question is asked; and, if the astrologer
-be skilful, and the querist sincere--that is, not putting the question
-from frivolous motives--the answer will, in general, be true, for the
-whole is the effect of that sympathy which pervades all nature and
-which is the keynote of all divination under whatsoever form it is
-practised.
-
-In horary questions the sign ascending and its lord represent the
-querent, and to these the Moon is added and must be considered with the
-lord of the ascendant.
-
-The house to which the thing belongs--about which enquiry is made--is
-the significator of that person and thing, and every other house and
-its lord are to be considered according to their respective
-significations, so as to indicate the means and persons by which the
-event, about which the enquiries are made, will be accelerated or
-retarded.
-
-The dates of events are regulated by the signs and angles. For example,
-should the significator of the event be in a movable sign and an angle
-the event will come to pass in the same number of days as there are
-degrees between the significator's aspect and the star to which it is
-directed if the aspect be by _application_; if by _separation_, the
-thing will _not_ take place at all. In one of the succedent houses
-movable signs give months, common signs years and fixed signs bring
-about the event, after much delay, and when all hopes of it are past.
-
-Significators in any of the cadent houses seldom do anything and,
-should they bring about an event at all, they do so after much waiting
-and with much trouble and vexation.
-
-The matter of horary questions is very well treated in Lilly's _Grammar
-of Astrology_, published in 1647, and, by way of explaining the manner
-in which this branch of astrology is worked, we give a _fac-simile_ of
-a map of a horary question to be found in this book, with (verbatim)
-Lilly's method of dealing with that particular question.
-
-_Judgment of the Figure given in Plate._--"Living in London, where
-we have few or no small cattle as in the country, I cannot give example
-of such creatures, but I once set the figure preceding concerning a
-Dogge (which is in the nature of small beasts), which dogge was
-missing. The question to me was what part of the city they should
-search and if he should ever be recovered.
-
-"The querent was signified by the sign ascending and the lord thereof,
-for, in his person, he was Saturnine and vitiated (according to the
-Dragon's Tail in the ascendant) in his nature, mind and
-understanding--that is, he was deformed in body and of a covetous
-disposition. The sign of the sixth house and his lord signifies the
-dogge, for that sign stands for sheep, hogs and small cattle.
-
-"The sign of Gemini is west, and by south the quarter of the heaven is
-west; Mercury (the significator of the dogge) is in Libra, a western
-sign, but southern quarter of heaven, tending towards the west; the
-Moon is in Virgo, a south-west sign, and verging towards the western
-angle. The strength of the testimonies being thus examined I found the
-plurality to signify the west, and therefore I judged that the dogge
-ought to be westward from the place where the owner lived, which was at
-Temple Bar, wherefore I judged that the dogge was about Long Acre, or
-the upper part of Drury Lane. In regard that Mercury (the significator
-of the beast) was in a sign of the same triplicity as Gemini the
-ascendant, which signifies London, and applied to a trine aspect of the
-cusp of the sixth house, I judged that the dogge was not out of the
-lines of communication, but was in the same quarter, of which I was
-more confirmed by the trine of the Sun and Saturn. The sign in which
-Mercury appeared was Libra--an airy sign; therefore I judged that the
-dogge was in some chamber or upper room, and kept privately, or in
-great secrecy, because the Moon was under the beams of the Sun; and
-Mercury, the Moon and the Sun were in the eighth house: and because the
-Sun on the Monday following would apply by trine to Saturn, the lord of
-the ascendant, and the Moon to trine of Mars having exaltation in the
-ascendant, I intimated to the owner of the beast that, in my opinion,
-he should have his dogge again, or news of his dogge or small beast,
-upon the Monday following, or near that time, which was true; for a
-gentleman of the querent's acquaintance sent home the dogge the very
-same day, about ten in the morning, who, by accident, coming to see a
-friend in Long Acre, found the dogge chained up under a table, and,
-knowing the dogge to be the querent's, sent him home as above said, to
-my very great credit," and no doubt also to the great satisfaction of
-"the dogge" himself.
-
-
-
-
-CHAPTER XIII.
-
-SOLAR HOROSCOPES[15]
-
-
-JANUARY.--AQUARIUS
-
- [15] Translated from a Hebrew manuscript found near Cairo in
- 1836 at the time of the removal of the obelisk to France.
-
-_The influences of this sign last from the Twenty-second of January
-to the Twenty-first of February._
-
-The man born under this influence will be of medium stature, good
-genius and a great speaker. He will achieve what he desires and will
-become famous in his own country.
-
-He will be subject to melancholy, very religious and of a highly
-conscientious nature. The stars, however, destine him to pass through
-much poverty in his youth and he will have other troubles in the matter
-of deaths of relations and friends before he is thirty. He will travel
-much and, in his early youth, he will suffer from illness. He will be
-much influenced by women to his own detriment. He will lose his first
-wife and will marry twice, but the second marriage will not be very
-fortunate. At thirty he will be very seriously ill, but will recover
-and live on to about sixty-four years.
-
-The woman who is born at the above-mentioned dates will have a charming
-and expressive face; her eyes will be soft and beautiful in shape and
-her hair of a medium brown colour, neither very dark nor very fair. In
-character she will be slightly melancholy and of a romantic turn of
-mind. She will be happy in her marriage. She will have a serious
-illness at fifty, but will recover from it through the affectionate
-care of her husband, and will live to a good old age, surrounded by her
-children's children.
-
-
-FEBRUARY.--PISCES
-
-_The influences of this sign last from the Twenty-second of February
-to the Twentieth of March._
-
-The man who is born under the influence of this sign will be above
-middle height, his chin will be fleshy, his eyes blue and his
-complexion rather colourless. His forehead will be low and broad and
-his eyes will express much kindness and goodness of disposition. He
-will be very fond of aquatic pursuits and take great delight in
-angling. He will not be studious, for he has not much perseverance, but
-he will take delight in conversation of an instructive order. He will
-not be much of a talker and will be slow to give his opinions on any
-subject. He will be of a luxurious temperament and will be much
-influenced by women. He will be economical in his household expenses,
-but will spend money freely on his own pleasures out of his family
-circle. He will be fond of travelling and will be more fortunate in
-other places than in his own country. He will be ingenious and of good
-counsel, yet wiser for others than for himself. He will lose his wife
-early in life, but will not marry again, yet this more from indolence
-than constancy of feeling.
-
-The woman born at this time will be fairly good looking; her eyes will
-be light blue and she will have a fair complexion and a dimple in the
-right cheek. She will be of a good disposition and kind to the poor;
-but yet she will be self-indulgent and much given to luxury of all
-sorts. She will marry twice and have many children, but the stars do
-not promise her much happiness. She will die at sixty-eight.
-
-
-MARCH.--ARIES
-
-_The qualities given by this sign of the Zodiac last from the
-Twentieth of March to the Twentieth of April._
-
-The man born under this sign will be of medium stature, of fierce
-countenance, with an aquiline nose, quickly moving eyes and a strongly
-marked dimple in the chin. His hair will be of a reddish tint, his
-forehead broad and his complexion florid. He will be a loud talker and
-have much inclination for women and also for the pleasures of the
-table. He will be fond of field sports and very courageous. He will be
-subject to accidents, both from fire and from four-footed beasts. He
-will be capricious in his affections and will suffer much from his
-affairs with women in his youth, but will grow wiser towards middle
-age. He will not marry. At fifty he will lose much money and will fall
-into poverty, and thus become alienated from the friends of his youth.
-His life will not be prolonged much beyond fifty-five years.
-
-The woman born at this time will have a florid complexion, large
-round-shaped eyes and a square chin. She will be of middle height and
-rather strongly made. She will be quick-tempered, strong-willed, very
-courageous and rather selfish. She will marry at twenty-three, but will
-not have many children. She will be a widow in middle life and will
-marry again within a year of her first husband's death. She will die
-suddenly by an accident in her fifty-sixth year.
-
-
-APRIL.--TAURUS
-
-_The influences of this sign last from the Twenty-first of April to the
-Twenty-first of May._
-
-The man born under this sign will have full lips, a short throat, and a
-mole at the back of his neck. He will be subject to sudden fits of
-anger and will be fierce and cruel. He will be fond of women, but will
-not be much liked by them and will suffer much in consequence. He will
-be ambitious, fortunate in business and energetic. He will not be very
-prudent in speech and will often get himself in trouble by
-over-communicativeness. He will marry a rich wife and will acquire much
-money by legacies from her relations. He will be very ill at forty, but
-he will survive it and come into much riches soon after it. His life
-will go on to about sixty-two, when he will die of much the same
-illness which he had at forty.
-
-The woman born at this time will be graceful and well formed, with
-luxuriant hair and a full and well-formed mouth. She will have a good
-complexion and will have fascinating manners, so that she will much
-attract men. She will run great risks both from fire and water, and she
-will be subject to weakness of the eyes to such excess that towards the
-end of her life she will have reason to fear blindness, but she will
-escape this calamity. Although she will have many lovers she will only
-marry once, for her husband will survive her. She will have many
-children and they will all live. She herself will die before sixty.
-
-
-MAY.--GEMINI
-
-_The influences of this sign will last from the Twenty-second of May
-till the Twenty-first of June._
-
-The man born under the influence of this sign will be subject to ulcers
-and all skin diseases. He will be tall, well formed and of florid
-complexion. He will be much liked for his amiable qualities and will
-govern his family well. He will travel much in foreign countries and
-will acquire many beautiful things in the course of his travels. He
-will be attentive to women, very conscientious, gracious and valiant.
-He will not be at all given up to luxury, but will be of a pious and
-self-denying temperament. He will be bitten by some venomous reptile,
-yet will not die of the wound, but will recover entirely from it in a
-short time. He will be falsely accused of some sin and will be
-imprisoned for it; but he will come out victorious and his innocence
-will be acknowledged by all. His marriage is uncertain.
-
-The woman who is born at this time will be fluent of speech, gracious
-in manners, witty and intelligent, but rather sensitive in temper. She
-will be small of stature, slight in figure and of a fair complexion.
-She will have well marked yet delicate eyebrows, brilliant eyes and
-small white teeth; her hands will be slender, with pointed fingers. By
-reason of her grace and wit she will be much loved, but she will not
-marry until she is twenty-five. She will be passionately loved by her
-husband, but she will not return his affection. She will have very few
-children who will not live beyond childhood. She herself will die at
-sixty-seven.
-
-
-JUNE.--CANCER
-
-_The influences of this sign last from the Twenty-first of June to
-the Twenty-first of July._
-
-The man born under this sign will be of medium height and will have
-light hair and eyebrows. He will be given to deceit in his manners with
-women and will be very inconsistent, yet always with such gracious
-manners towards them that he will be much beloved by them. He will
-travel much, and will suffer many misfortunes in the way of accidents.
-He will in middle age lose much money through the misconduct of his
-brothers, who will, by their extravagance, spend all the father's money
-and thus leave only a poor inheritance. He will occupy himself with
-agriculture and be successful with it. At forty he will suffer from a
-very serious illness and his life will probably end at forty-eight.
-
-The woman born at this time will have large grey eyes, full lips and an
-abundance of soft, rather colourless hair. She will be fond of luxury
-and ease, and will be much given to the pleasures of the table, and
-will eat much and drink more. She will marry early, but will not agree
-with her husband by reason of her own inconstancy. She will be married
-three times, and will get on better with her last husband than with the
-two others. She will have several children, but they will all be of a
-sickly constitution. She herself will have a very serious illness at
-seventy which will cure her of all her troubles.
-
-
-JULY.--LEO
-
-_The influences of this sign extend from the Twenty-first of July to
-the Twenty-first of August._
-
-The man born under this sign will be of middle height, but more
-inclined to be tall than short; his hair will be of a red colour, and
-his eyebrows will be well marked and much arched in their form. He will
-be valiant, hot tempered, very talkative, somewhat boastful, but
-pleasant and jovial in his manners. He will be a great admirer of
-women, but not constant in his affection. He will marry once, but not
-the woman he so much loves.
-
-The woman born at this time will be tall, with bright hair of a reddish
-gold colour, grey eyes, with a bold fierce glance, and long features.
-Her nose will be aquiline and the face a long oval. The lips will be
-full but firmly closed and the teeth good and large. She will be quick
-of temper and difficult to please, fond of pleasure and very ambitious
-of shining in society. Her great desire for admiration will cause her
-to be much talked about--not always in a manner pleasing to her
-husband. She will marry early. She will lose her husband in early youth
-and will marry again soon after her widowhood. She will be much subject
-to illnesses through the blood, and at forty-eight she will have a very
-serious illness; but she will recover and live another fifteen years,
-but her life will always be full of anxieties and troubles.
-
-
-AUGUST.--VIRGO
-
-_The influences of this sign last from the Twenty-second of August to
-the Twenty-third of September._
-
-The man born under this influence will have an abundance of hair and
-will have a large chin and a good complexion. He will be ambitious,
-enterprising, and very valiant, but a little capricious. He will suffer
-much illness and, when he is about thirty years of age, he will be
-menaced by death or imprisonment, yet he shall escape both evils. He
-will be of a sympathetic and benevolent disposition and will give good
-counsel to his friends. He will have a beautiful wife whom he will
-tenderly love, although she will not return his affections.
-
-A woman born at this time will be graceful and charming, with a
-well-formed face, an agreeable expression, small mouth and
-well-proportioned figure. Her voice will be one of her charms, and will
-be clear and soft and singularly harmonious. She will be much loved and
-admired for her wit, and will show much taste for music and dancing.
-She will have fairly good health, and her beauty and charm of manner
-will make her much sought after in marriage, but she will not accept
-any of her numerous lovers until after her twenty-second birthday. She
-will be much loved by her husband, and being inclined to be devout, she
-will educate her children in the fear of God. She will die at
-sixty-nine.
-
-
-SEPTEMBER.--LIBRA
-
-_The influences of this sign last from the Twenty-third of September
-to the Twenty-third of October._
-
-The man born under this sign will be fluent of speech and his voice
-will be sonorous and will sound angry even when he is not so. He will
-be wise and prudent and will be much esteemed by good men. He will be
-just and honourable in all his dealings and will acquire the respect of
-all who know him for his conscientious dealings with his fellow-men. He
-will marry twice. His second wife, whom he will marry when he is turned
-forty, will be extravagant, and will so worry him by spending all his
-substance, that she will bring on his death before he is fifty.
-
-The woman born at this period will be, say the astrologers, cheerful
-and of a kindly disposition. She will be of a lively temperament and
-will easily learn both music and dancing and will excel in both. She
-will be amiable, very caressing in manner and much loved by all who
-know her. She will marry twice. Her first husband will be rich and of
-mature age and very prudent. The second will be young and will soon
-spend the greater part of the money left her by her first husband. She
-will be gay, fond of pleasure and rather a coquette, which will much
-displease the second husband. She will be rather given to gambling and
-will lose money in this way, which will cause her much discomfort and
-anxiety in her latter years.
-
-
-OCTOBER.--SCORPIO
-
-_The influences of this sign will last from the Twenty-second of
-October to the Twenty-first of November._
-
-A man born under this sign will be short and broad in figure and
-ungraceful in his movements. He will be dark in complexion; but the
-hair will be of a red-brown colour, the eyebrows thick and meeting over
-the nose. He will be prompt in judgment, but very wily and inconstant,
-promising one thing and doing another, so much so, that those who have
-once had dealings with him will never again have confidence in him,
-knowing how likely he is to deceive them. He will be of a perverse and
-irritable temper, which will cause him to have many enemies; and
-notwithstanding all his acuteness, he will always be poor. He will
-travel much and will lead a somewhat vagabond life. He is very unlikely
-to marry, and he will probably die a violent death.
-
-The woman who is born under the influence of the Scorpion will be of a
-reddish colouring and of middle height and strongly built. As regards
-her character, she will be affable, much beloved by her relations, fond
-of pleasure, yet very energetic in the discharge of her household
-duties, sensitive in temper, a little revengeful and very ingenious and
-of quick judgment. In her youth she will have much trouble from
-lawsuits, but she need not fear the result, for as she is pious God
-will always protect her. She will only marry once, at about her
-twenty-sixth year, and will die at sixty-eight. She will have no
-children.
-
-
-NOVEMBER.--SAGITTARIUS
-
-_The influences of this sign continue from the Twenty-second of
-November till the Twenty-first of December._
-
-The man born under this sign will be of pale complexion and he will
-have long features and dark hair and eyes. He will be prudent, studious
-and economical. He will see many foreign countries and will gain much
-money in his youth, by reason of which he will excite the envy of his
-friends. He will receive much injury from a relative, who will
-endeavour to prejudice people against him, but he will always be well
-received and much liked in society. He will be generous to his friends,
-but he will be badly recompensed for his kindness. He will be
-persevering in his profession and will attain a good position in it. He
-will be subject to internal complaints, but will live long. He will be
-untrue to his wife, but he will be careful that she does not know it.
-He will have several children, but they will be no comfort to him, as
-they will be always ungrateful to him.
-
-The woman who is born at this time will be well formed, with luxuriant
-hair and well-marked and rather arched eyebrows; her forehead will be
-broad and her intellect good, but her temper easily irritated and over
-sensitive, especially where her affections are concerned. She will be
-timid, very constant both in love and friendship, generous in her
-affections, yet very ill-requited in this respect. She will marry at
-twenty-six and will have many children. She will suffer much from the
-evil tongues of false friends, who will malign her to her husband, but
-her innocence will be made known and in the end she will be fully
-justified. She will live to sixty-eight.
-
-
-DECEMBER.--CAPRICORNUS
-
-_The influences of this sign last from the Twenty-first of December
-to the Twenty-second of January._
-
-The man born under this influence will be of good complexion, his voice
-will be clear and bright and he will be fluent of speech. He will have
-a mole on his chin or on his right arm. He will be very much influenced
-by women and will be a great lover of luxury. He is likely to be bitten
-by some mad animal and he is also menaced by many illnesses of the eyes
-and eyesight. He will be much deceived by a woman who will cause him
-much injury.
-
-The woman born under this sign will be amiable, with an agreeable
-countenance, a clear voice and a well-formed body. She will be twice
-married. Her first husband will much love her. He will be a poor man,
-but of a very conscientious nature and much respected for his
-straightforwardness of character. Her second husband will be much
-richer and of a gay and pleasure-loving nature, but he will not be so
-affectionate as the first. She will suffer much from melancholia, and
-when she is thirty she will have a very serious mental illness; but, by
-the grace of God, she will recover from it and live until she is
-forty-seven.
-
-
-
-
-CHAPTER XIV.
-
-APHORISMS CULLED FROM THE WORKS OF PTOLEMY AND OTHER ANCIENT
-ASTROLOGERS
-
-
-Whosoever may be adapted to any particular event or pursuit will
-assuredly have the star indicative thereof very potent in his nativity.
-
-If Virgo or Pisces be on the ascendant the native will create his own
-dignity; but if Aries or Libra be there he will cause his own death.
-
-Venus gives pleasure to the native in that part of the body which may
-be ruled by the sign she occupies. It is the same with other stars.
-
-Should a disease begin when the Moon may be in a sign occupied at the
-birth by some malefic, or in quartile or opposition to any such sign,
-such disease will be most severe; and if the malefic also behold the
-said sign, it will be dangerous. On the other hand, there will be no
-danger if the Moon be in a place held at the time of birth by some
-benefic.
-
-In all horary questions remember that there is no affliction to the
-Moon so great as when she is in conjunction with the Sun; the ill
-aspects for the malefics must affect her, but no evil aspect is so
-powerful as her conjunction.
-
-Mercury in trine or sextile to the Moon gives the capacity for
-acquiring foreign languages. In bad aspect to the Moon makes the native
-envious, sarcastic, ill-natured, given to lying and thieving.
-
-Saturn in trine or sextile to Venus shows much power of attachment to
-wife and family. In a woman's nativity this is very good, as it
-indicates purity.
-
-Those born near noon are generally successful in life, owing to the
-Sun's influence being then most powerful. Those born near midnight are
-by no means so fortunate as those born at midday, and it is a singular
-peculiarity in such nativities that the most remarkable events of their
-lives take place _after_ their thirtieth year, and they are also
-certain of some kind of a name after death, meritorious or otherwise,
-according to what their horoscope declares. Persons born near midnight
-are very imaginative, and subject to see visions, dream dreams, and to
-be believers in the unseen world.
-
-In all travels the Moon is to be considered, for she is a general
-signifier of journeys, whether by sea or land.
-
-When the moon is besieged between Mars and the Sun in a nativity, it
-argues a short life to the native.
-
-Mercury, if posited in one of the houses of Saturn, in trine or sextile
-to that planet, gives excellent understanding; and if the moon be also
-well-dignified, the native is much given to the study of occult
-science, and will have much renown in that particular.
-
-Those born with the Moon powerful in their horoscopes would do well to
-be guided by her aspects in their daily avocations. If she should be in
-trine or sextile to Jupiter, it is a good day to seek favours of the
-great, or to make arrangements with employers. When she is in trine or
-sextile to Mercury, all intellectual matters taken in hand will be
-likely to prosper. When she is so aspected to Venus, matters undertaken
-with reference to love, marriage, or friendship will have a happy
-issue. When she is in square or opposition she would have, of course,
-the contrary effects.
-
-The Sun and Moon in conjunction with Mercury give to the native great
-intellectual abilities.
-
-Those who have the benevolent planets, Jupiter and Venus, well posited
-in either the ascendant or the mid-heaven at birth will always be much
-beloved during the whole course of their lives.
-
-He who is born with the sun in trine to Jupiter is fond of rule, and
-very famous in his generation.
-
-Venus in square to Saturn at a birth causes the native to be sensual
-and given to unnatural vices.
-
-All the planets, or most of them above the earth, make the native
-eminent and famous, and if all should be well-dignified, he will--like
-a comet--outshine all others in the world's esteem. If, on the
-contrary, all the planets are under the earth at a birth, the native
-will be of a falling fame and fortune, or if they promise by their
-natures honour, dignity and fortune (that is, if they appear
-essentially dignified in nocturnal genitures), these good things will
-only come in the latter part of the native's life.
-
-Jupiter in conjunction with the Moon in a watery sign gives
-drunkenness.
-
-Venus in conjunction, trine or sextile to the Moon, gives happy
-marriage, but in square to the Moon, prodigality, indolence and
-drunkenness.
-
-Saturn in square to Mars means a malicious and murderous temperament,
-and liability to imprisonment.
-
-It is advantageous to make choice of days and hours at a time well
-constituted by the nativity. Should the time be adverse, the choice
-will in no respect avail, however favourable an issue it may chance to
-promise.
-
-A sagacious mind improves the operation of the heavens, as a skilful
-farmer by cultivation improves nature.
-
-
-
-
-Part II.
-
-CHIROMANCY
-
- "God has placed signs in the hands of all men, that every man may
- know his work."--Job xxxvii. 7 (_St. Hierom's Translation_).
-
-
-
-
-CHAPTER XV.
-
-CHIROMANCY AND ITS ORIGIN
-
-
-Chiromancy is a science which teaches us to read not only the character
-but the whole destiny--for good or evil, the length of life and often
-the manner of death of a man by the lines and marks to be seen in his
-hand. This study is sometimes called Palmistry, in which case, however,
-it properly refers _only_ to a judgment formed from what appears in the
-palm of the hand, whilst Chiromancy (taken from the word _Cheir_, a
-hand, and _Manteia_, divination) signifies the revelations made by the
-hand, taken as a whole. Chiromancy is nearly as ancient as astrology,
-with which it is _indissolubly_ connected, for the hand represents, as
-has been before said, a natural horoscope, which is placed upon it at
-the time both of the conception and the birth by the influence of the
-stars. The seven planets are all represented in the hand and also the
-twelve signs of the zodiac, so that the casting of a nativity is
-needless, as by simply examining a hand by the light of Chiromancy we
-can indicate what planets have been powerful at the time of birth, and
-what, therefore, will be their effect for good or evil over the
-existence; and we can also find the dates of the principal events of
-the life. We find many allusions to this subject in the Bible, and
-still more in the ancient Kabbala.
-
-The Holy Kabbala, as it was called by the Magi, must not be confounded
-with what is called "The Black Art"; it is, on the contrary, the
-quintessence of reason and morality as they were understood by the
-ancients and contains that traditional science of the secrets of nature
-which, from age to age, is borne towards us as the wave is carried by
-the tide to the shore; but it has been transmitted obscurely, because
-the doctrines of the Kabbala were known only, in those early ages, to
-the adept and the initiation, later on, of neophytes was only yielded
-after a series of severe and terrible ordeals, whilst the revelation of
-its mysteries to the uninitiated was punished by death.
-
-The necessity of silence was, in fact, one of the principal tenets of
-the Kabbala and is represented, in the figure of Adda-Nari,[16] by the
-position of the fingers of the hand holding the flowering branch of
-Abundance; the thumb and the first two fingers, which in Chiromancy
-represent _will_, _power_ and _fatality_, are held open; whilst the
-third and fourth fingers, representing light and science, are closed.
-This was meant to indicate to the good--the initiated--that they would
-have, when united, strength and will to direct Fate; but that they must
-keep hidden from the wicked and ignorant both light and science. It
-must, however, in justice to the ancient Kabbalists, be suggested that
-their inculcation of silence probably arose, not so much from a desire
-of domination, but rather from the fact that, feeling themselves
-superior in knowledge, they thought they were obeying a divine law in
-refusing to the wicked those lights which, when possessed by them, led,
-as perhaps they had sometimes found, to error. We, seeing things in a
-wider light, give, or try to give, equal knowledge to all, without
-submitting the ignorant to the ordeal of initiation to prove their
-worthiness as recipients; but, after all, it amounts to much the same
-thing--give to all men truth and light in abundance, but all will not
-profit by it. We see this every day in our college system; the lesson
-is the same for all, but it is only the few who profit by it; and
-although we appear to be obeying a divine law in opening the way of
-light and life--the life of knowledge--to all, as God makes His sun to
-shine on good and bad equally, still we can, in some sort, understand
-the feeling of the ancient Magi, whose motto was: "Know, Dare, Will,
-but _keep Silence_."
-
- [16] Adda-Nari, Nature--that is, the deity known under the
- name of Isis by the Egyptians.
-
- [Illustration: _To face Chapter XVI._]
-
-
-
-
-CHAPTER XVI.
-
-THE PRINCIPAL LINES IN THE HAND AND THE MOUNTS
-
-
-In the plate belonging to this chapter we give a hand on which are
-marked the principal lines seen on the palm; three of which, viz., the
-Line of Life, the Line of Head and the Line of Heart, are found in a
-clearer or fainter degree on all hands, but which vary, as regards
-their relative position, in every hand. The first and largest, that
-which encircles the thumb, is called the Line of Life; by the length,
-colour and evenness, or the reverse, of this line the length of life is
-indicated, and also the illnesses and accidents by which the life is
-menaced in running its course. The line immediately above it, crossing
-the palm of the hand, is the Line of Head; by it we are to judge of the
-intellectual powers. Above it is the Line of Heart, from which we form
-an opinion of the strength of affection, or the want of it, in the
-native.
-
-The lines which are not always to be found are the lines going from the
-wrist to the finger of Saturn, which is called the Saturnian line, and
-which shows the events of the life; the Line of the Sun, which goes
-towards the finger of the Sun and which indicates success in art,
-literature, or the pursuit of riches; and the Line of Health, which
-goes from the wrist to the finger of Mercury: this line is often absent
-in a hand.
-
-All these lines will be more fully discussed further on; at present it
-is only necessary to name them in order to explain the plate belonging
-to this chapter.
-
-At the base of each figure there is a mount, more or less developed, on
-every hand. Now, each of these mounts corresponds with one of the
-planets from which it has received more or less influence, according to
-its development, and the signs or marks to be found upon it.
-
-It will be seen also, from the plate, that the ancients gave to each
-finger the name of one of the planets, thus:--
-
-The first finger represented Jupiter, the mount at its base being
-called the Mount of Jupiter.
-
-The second, Saturn, the mount at its root being the Mount of Saturn.
-
-The third, the Sun, the mount below being the Mount of the Sun.
-
-The fourth, Mercury, the mount at its base being called the Mount of
-Mercury.
-
-The thumb is sacred to Venus, and the root of the thumb is called the
-Mount of Venus.
-
-It will also be seen that the planet Mars (although no finger is
-dedicated to it) is twice represented in the hand, along the side of
-the palm by the Mount of Mars, and in the palm, between the Line of
-Life and the Line of the Head, which is called the Plain of Mars.
-
-The Moon is only represented by the Mount of the Moon, at the lower
-part of the palm on the opposite side of the hand to the thumb.
-
-When these mounts are well in their places, and clearly but not too
-strongly defined, they give the qualities of the planet they represent;
-but when any mount is not well marked, or even, as frequently happens,
-is quite deficient, there is a want of the qualities shown to exist
-where the mount is clearly defined. If the mounts are not only
-ill-defined, but represented by a cavity, that cavity would indicate
-the existence of qualities which are the reverse of those indicated by
-the mount; whereas an exceeding development would denote an excess of
-the qualities given by the mount.
-
-Thus the Mount of Jupiter, which is immediately under the index finger,
-when fairly developed, indicates noble ambition, will-power, love of
-nature, kindliness, generosity, religion and happy marriage. When in
-excess--that is, when the mount is so large as to invade that next
-it--the Mount of Saturn--it gives superstition, exaggerated pride and
-domineering self-assertion. The total absence of this mount (which is
-sometimes, but rarely, seen) indicates coldness, selfishness,
-irreligion and that want of dignity which is produced by the utter
-absence of self-respect.
-
-The Mount of Saturn is found immediately beneath the second finger,
-which the ancients assigned to Saturn, the planet of Fatality. Saturn
-gives extreme misfortune, or extreme good fortune, according to the
-development of the mount and the signs and lines to be seen upon it,
-and the course of the Saturnian Line, or Line of Fate (of which we will
-speak further on), in the palm of the hand. This mount also denotes a
-tendency to occult science. Those born specially under the influence of
-Saturn are timid, lovers of solitude, and very seldom marry, but are
-very persistent in their affections when they do love.
-
-Saturn, when well developed, gives prudence, wisdom and, to a certain
-extent, success; when in excess it gives sadness, taciturnity,
-asceticism, dread of the after-life and yet, sometimes, a
-predisposition to suicide. The total absence of the mount indicates an
-insignificant existence.
-
-The Mount of the Sun is placed at the root of the third finger, which
-was sacred to the Sun; when this mount is well developed it indicates
-love of art and literature, which shows itself (according to
-temperament) in poetry, painting, sculpture, or music; it gives also
-religion of the æsthetic, tolerant sort, grace, riches and celebrity;
-in excess it gives love of show, frivolity and vaingloriousness. The
-total absence of the mount means a thoroughly material existence;
-absence of all taste for art--a life without colour, a day without
-sunlight.
-
-The Mount of Mercury is found at the base of the fourth finger, and,
-when well defined, indicates intelligence, success in science and in
-occult studies, the love of work and activity, both of mind and body
-and eloquence; in excess it gives impudence, theft and falsehood:
-absence of the mount indicates no aptitude for science, no
-intellectuality--a negative existence. Of course, should the Mount of
-the Sun be well defined, the last quality would be overridden by the
-success which that indicates.
-
-The Mount of Mars is at the side of the hand opposite the thumb, just
-below the Mount of Mercury, and, when well developed, indicates
-courage, ardour and resolution; in excess it gives cruelty, anger,
-revenge and tyranny: the absence of the mount gives cowardice and want
-of self-command.
-
-The Mount of the Moon is found immediately below that of Mars, and,
-when well developed, gives imagination of the dreamy, sentimental
-order, gentle melancholy and love of solitude; in excess it gives
-morbid melancholy, caprice and fantastic imagination: the absence of
-the mount indicates want of poetry in the nature, positivism.
-
-The Mount of Venus, which is formed by the root of the thumb,
-indicates, when fairly developed, love of the beautiful, melody in
-music, the desire of pleasing and sensuous tenderness; in excess it
-gives love of material pleasures, coquetry, inconstancy and (when other
-signs, afterwards to be explained, are also seen in the hand) extreme
-sensuality.
-
-Each planet has a special influence over certain parts of the body.
-Jupiter governs the head and lungs; Saturn, the spleen and ears; the
-Sun, heart, eyes and arms; Mercury, the liver and legs; Mars, the head
-and throat; the Moon and Venus, the lower parts of the body. Any excess
-in the length or size of the fingers or mounts argues a tendency to
-disease in the organs represented by that finger or mount. When a
-mount is--instead of being high--broad and full, it gives the same
-indications as if it were high; if much covered with lines it shows an
-overabundance of the quality of the mount, and is equal to an excess of
-height. _One_ deep perpendicular line upon a mount is a fortunate sign;
-_two_ show danger of too great force of the quality; and _three_ give
-misfortune arising from excess of the qualities of the mount. Crossway
-lines on the mount always denote obstacles. Some old Italian writers
-affirm that fine cross lines on a mount signify wounds to that part of
-the body over which the mount on which they are seen has influence.
-
-The mounts are often irregularly placed. If one should lean towards the
-other, it absorbs some of the qualities of the mount which it invades.
-
- [Illustration: _To face Chapter XVII._]
-
-
-
-
-CHAPTER XVII.
-
-THE LINE OF LIFE
-
-
-The ancient Chiromancists divided the Line of Life into ten
-compartments (see plate), each representing ten years of life, and thus
-they were enabled to prognosticate at what date in the life the
-illnesses or dangers indicated by the form or colour of the line would
-be likely to happen. This plate is copied from one in the Sieur de
-Peruchio's interesting work, _La Chiromance_, published in Paris in
-1657.
-
-It will be noticed that the mounts are here indicated by the
-astrological symbols of the various planets they represent, Mars being
-placed on the Plain of Mars, and again on the Mount of Mars, which, as
-we have already seen, lies immediately below the Mount of Mercury, It
-will also be seen that the signs of the zodiac are also represented on
-the hand: Aries (March), which begins the astrological year, is placed
-at the base of the hand, close to the Mount of Venus; Taurus (April) is
-on the Mount of Venus; Gemini (May) is at the base of the Mount of
-Jupiter. These represent the spring-tide of the year, and also of life:
-therefore they are placed on and near Venus, which planet represents
-happiness and enjoyment. The signs Cancer (June), Leo (July) and Virgo
-(August) represent the second age, which is given to the accumulation
-of riches and honours: so these signs appear on the finger of Jupiter.
-In the third age a person is supposed to enter upon the enjoyment of
-dignities, therefore Libra (September), Scorpio (October) and
-Sagittarius (November) are on the third finger, that of the Sun, which
-is supposed to accord position and reputation. The last months of the
-astrological year are thus placed: Capricornus (December) is beneath
-the Mount of the Sun; Aquarius (January) is on the upper part of the
-Mount of the Moon; and Pisces (February) will be seen at the base of
-the Mount.
-
-When the Line of Life is long, well-formed, slightly coloured and goes
-all round the thumb, it indicates a long life and free from serious
-illness; but when the line is wide and pale in colour, it indicates bad
-health; when it is short, it means early death.
-
-If the Line of Life is broken on one hand, but is marked in a
-continuous line on the other, these signs indicate an illness of a very
-serious nature; but if the broken line should appear in _both_ hands,
-it means death at the epoch corresponding with the place on the line
-where the break occurs. When the Line of Life is not clearly defined,
-but is formed by a sort of chain of small lines, it indicates
-continuous small illnesses.
-
-When the Line of Life, instead of starting from the side of the hand,
-takes its rise in the Mount of Jupiter, which is sometimes, but rarely,
-the case, it indicates a life of successful ambition, honours and
-celebrity--qualities given by the influence of Jupiter.
-
-If the Line of Life joins the Line of the Heart and the Line of the
-Head, it indicates grave misfortune or violent death, by which the
-ancients probably meant to infer that when the heart and the head are
-dominated by merely vital instincts, the life is menaced by misfortune,
-but, when the Line of Life is _very far_ from the Line of Head, it
-indicates a life that accomplishes its course without much
-intelligence; so also if the Line of Life is very far from the Line of
-Heart, it indicates a life without love.
-
-When the Line of Life is bi-forked at its termination, near the wrist,
-it means a total change in the way of life towards its close and,
-should one of the branches tend towards the Mount of the Moon, it
-indicates madness towards the end of existence. A double Line of Life
-is sometimes, but rarely, seen: this indicates excess of health and
-long life and also success in a military career. This line is sometimes
-called the Line of Mars. To a woman it indicates success in love. Three
-stars inside the line, but so close to it as to be almost on it, show
-that the subject will be much loved of men or women as the sex will
-determine, but that these signs will bring distress.
-
-A circle on the Line of Life shows loss of an eye or disease of the eye
-at the period at which it appears on the line. If two circles appear
-the person will become blind. If the Line of Life terminates with many
-small lines it means slight illnesses towards the close of life.
-
-A woman having two crosses on the upper part of the Line of Life is
-sensuous and immodest. A line going from the Line of Life and
-terminating with an island on the Mount of Jupiter shows lung disease
-or pleurisy at the time where such line starts. If at the end of the
-Line of Life, towards the wrist, there is a small triangle, it denotes
-loquacity and falsehood; but with a good Line of Head and Heart, tact
-and eloquence.
-
-When the Line of Life throws branches upwards towards the Plain of Mars
-it means that, after long struggles, riches and honours will be
-acquired in old age. A line upwards from the Line of Life to the Mount
-of Jupiter shows success by the subject's own merits. This often makes
-its appearance quite suddenly.
-
-A black spot on the Line of Life indicates an illness or some
-misfortune which affects the health. Lines going from the base of the
-thumb across the Mount of Venus and cutting the Line of Life denote
-illness from money worries if they stop at the Line of Head; and from
-heart troubles if they go direct to the Line of Heart. A line going
-from the Line of Life straight to the Mount of Saturn indicates
-accident from a four-footed beast. A line going from the Mount of Venus
-to the Line of Heart and terminating with a fork shows separation after
-marriage.[17] When this is seen, in conjunction with an island on the
-line of Fate, it has a worse indication--that of adultery and divorce.
-_One_ deep line going from the joint of the thumb across the Mount
-of Venus and just cutting the Line of Life indicates a deep heart
-sorrow from the death or faithlessness of someone much loved.
-
- [17] The date of this event would be determined by the place
- where the separation line crosses the Line of Fate.
-
-
-
-
-CHAPTER XVIII.
-
-THE LINE OF HEART AND LINE OF HEAD
-
-
-The Line of Heart is placed immediately beneath the mounts at the root
-of each finger. This line, when clear, straight and well coloured,
-rising in the Mount of Jupiter and extending to the outer edge of the
-hand, signifies that its possessor has a good heart capable of strong
-affection. If, instead of commencing on the Mount of Jupiter, it does
-not take its rise till the Mount of Saturn, then the love will, in that
-nature, be rather of a sensual character. The Line of Heart sometimes
-stretches across the whole of the hand; such a line announces a too
-great amount of tenderness--a passionate and blind devotion in
-affection.
-
-When the Line of Heart is broken in several places, it means
-inconstancy, both in love and friendship. Should the breaks be seen
-immediately beneath the Mount of Saturn, it indicates a tragic end to
-the love; if beneath the Mount of the Sun, by pride;[18] but if between
-the Mount of Saturn and the Mount of the Sun, the heart-break will be
-occasioned by folly; if between the Mounts of Apollo and Mercury, by
-cupidity--the desire to make a better marriage in a worldly point of
-view; if the break occurs immediately beneath the Mount of Mercury, the
-evil issue of the love will be from caprice.
-
- [18] If the Sun is one of the dominant planets, the Line of
- Heart broken under the Mount of the Sun shows serious
- physical affection of the heart; if this sign is on both
- hands it is fatal.
-
-When the Line of the Heart appears in the form of the links of a chain
-instead of in one clear line, it indicates inconstancy and
-indecision--a tendency towards a series of _amourettes_ rather
-than to a high and serious affection. If it goes round to the
-percussion of the hand it indicates jealousy.
-
-The Line of Heart of a deep red colour indicates a power of love ardent
-even to violence; but when, on the contrary, the Line of Heart is pale
-and wide, it is an indication of coldness of temperament.
-
-When, at its starting-point, the Line of Heart is seen to turn round
-the base of the Mount of Jupiter somewhat in the form of a circle, it
-is what the ancient Chiromancists called "Solomon's Ring," and
-indicates an aptitude for the occult sciences. If the Line of Heart
-joins the Line of Life between the thumb and forefinger, it is a sign
-(if the mark is in _both_ hands) of a violent death; if only in one, of
-a serious, but not fatal, illness connected with the heart.
-
-Should the Line of Heart droop towards the Line of Head and touch it,
-it is a sign of coldness in the affections: the instincts of the heart
-are swayed by worldly considerations. Red punctures on the Line of
-Heart mean as many wounds in the affections as there are spots. White
-spots, on the contrary, show the persons of the opposite sex who, at
-some time of the subject's life, have given him, or her, a strong love.
-Should the spot be at the beginning of the line, above the Mount of
-Venus, the person will have the appearance and qualities given by that
-planet; if under the Mount of Jupiter he would be a Jupiterian; if
-under Saturn he would have the appearance and character of a Saturnian;
-under the Sun of a Sun person; if under Mercury the appearance and
-character would be those of a Mercurian; if near the side of the hand,
-of Mars; and if quite at the percussion of the hand, the qualities and
-physical appearance given by the Moon would describe the person.
-
-If, on starting, the Line of Heart is bi-forked and one branch of the
-fork rises towards the Mount of Jupiter, it indicates great happiness
-of a glorious nature; but if the other branch stops between the finger
-of Jupiter and that of Saturn, it is merely negative happiness--a life
-passed without great misfortunes. When a hand (but this is rare) is
-entirely without the Line of Heart it indicates an iron will,
-wickedness and cruelty, unless the Ring of Venus is deep and goes
-towards the Mount of Mercury, in which case it would supply the place
-of the Line of Heart.
-
-The Line of the Head rises between the Line of Life and the Mount of
-Jupiter and, when it is long and clear, it denotes a sound judgment,
-good memory and masterly intellect; but it must not extend across the
-hand in a _straight line_, as that signifies a disposition to avarice,
-or at any rate of extreme economy, because unless corrected by a rich
-Line of Heart, it would indicate an excess of calculation in the
-character.
-
-If the Line of Head is long, but droops towards the Mountain of the
-Moon, it signifies ideality in excess. Life and its numerous duties and
-cares will be considered from an artistic and unreal point of view, for
-the Mount of the Moon, it will be remembered, represents imagination in
-excess, romanticism and superstition; and if the Line of the Head
-droops very low to the Mount of the Moon, it indicates more than
-superstition--it is then mysticism.
-
-If, instead of drooping towards the Mount of the Moon, the Line of Head
-rises towards the mounts at its close, the intellect will partake of
-the qualities of that mount towards which it rises: thus, if it rises
-beneath the Mount of Mercury, the intellect will be employed
-successfully in affairs or on the stage; if towards the Sun, in art and
-literature.
-
-The Line of the Head pale-coloured and wide indicates a want of
-intelligence; so also does a very short line, only extending half-way
-across the hand. This is often seen in persons of medium intellect.
-
-The Line of the Head broken in two immediately under the Mount of
-Saturn means, where the sign is on both hands, death on the scaffold,
-or at least, a fatal wound on the head. When this sign appears in only
-one hand (no matter which), it indicates a probability of madness from
-an unfortunate passion, or a broken limb, or a blow, but not fatal, on
-the head. When it is broken under the Mount of the Sun it shows injury
-to the right arm or, in a very artistic hand, illness from over-strain
-of the mental powers.
-
-If the Line of the Head is long, thin and not deeply marked, it shows
-infidelity and treachery. If, towards its close, it mounts suddenly to
-the Line of the Heart, it signifies early death.
-
-When the Line of Head is cut by a number of small hair lines, it
-indicates continuous nervous headaches; a cross in the middle of the
-line is a sign of approaching death, or of a mortal wound.
-
-When the Line of the Head is not joined to the Line of Life at its
-starting-point, it indicates self-confidence and impulsiveness,
-jealousy and that sort of untruth which springs from exaggeration of
-facts, from over-impressionability. With the planets of Mars and
-Jupiter in excess, the Line of Head separate from the Line of Life
-gives audacity and enthusiasm and, therefore, success.
-
-If large, round, red spots are seen on the Line of Head, they indicate
-so many wounds on the head; whilst white spots on the Line of the Head
-indicate as many successes in literature as there are spots to be seen.
-
-A star on the Line of Head means a wound on the head, or madness if the
-line droops much to the Mount of the Moon, and the star appears at its
-termination.
-
-A sister (or double line) of Head is rarely seen; but if it appears it
-is a sure sign of fortune by inheritance.
-
-
-
-
-CHAPTER XIX.
-
-THE SATURNIAN LINE
-
-
-When the Saturnian Line starts from the wrist, exactly below the finger
-of Saturn, and goes in a direct line to it, cutting through the mount,
-but stopping at the root of the finger, it is a sign of a life of
-extreme happiness. If the line goes toward the mount of Jupiter, this
-happiness is the result of a marriage bringing both riches and love. If
-the Saturnian Line stops short at the Line of Head, it is misfortune in
-affairs through a false calculation; or, taken in conjunction with a
-troubled Line of Life, it would mean a physical brain affection.
-
-If the Saturnian Line is straight and well-coloured at its
-termination--that is, as it nears the finger of Saturn--it indicates
-happiness and success in old age, however troubled the life may have
-been before. If this line only starts from the Line of Head, it denotes
-poverty and stupidity.
-
-The age, on the Saturnian Line, is counted from the wrist upwards; from
-the wrist to the Line of Head chiromancists count thirty-five years,[19]
-from the Line of Head to the Line of Heart fifteen years; and from the
-Line of Heart to the root of the finger are the remaining years of
-Life.
-
- [19] If the Head Line it placed very low, then the date where
- it crosses the Saturnian Line would be 30, and if the Heart
- Line is proportionately low the date where it crosses the
- Saturnian would be 45 years.
-
-If the Saturnian Line is broken and irregular, it means trouble and
-worry in life; and according to whether these breaks occur on the Line
-of Head or on the Line of Heart, so will the troubles be of the head or
-heart--troubles arising from affairs or from the affections. If the
-Line of Life be irregular, denoting uncertain health, these troubles
-may be physical evils to the heart or head.
-
-Short Lines crossing the Saturnian show vexations in either the affairs
-or in love-matters. A downward branch from the Saturnian going towards
-the Moon shows sorrow from the death or treachery of a woman. This is
-the same whether it be on a man's or a woman's hand.
-
-If the Saturnian Line is twisted in a sort of spiral at the
-starting-point, but yet the upper part of it goes in a clear, direct
-line to the Mount of Saturn, and cuts through it to the root of the
-finger without penetrating beyond, it indicates a troubled and anxious
-youth, followed by riches and good fortune in middle age. If the
-twisted line continues and crosses the Line of the Head and the Line of
-the Heart, the troubles will continue until old age, and the good
-fortune be only quite at the close of life. A triangle, or small
-island, at the commencement of the line, shows death of the father or
-mother in early childhood.
-
-If the Mount of Saturn is much wrinkled, and the Saturnian Line cuts
-through it, and is of a deep-red colour, and mounts as high as the
-third joint of the finger of Saturn, it indicates a violent and
-disgraceful end--death on the gallows. Upward lines from the Saturnian
-Line mean events of happy omen either in the affections or affairs at
-the age shown on the line; downward lines have the reverse
-signification.
-
-There are some hands in which the Saturnian Line is very faintly
-indicated and, when this is the case, it signifies an uneventful,
-insignificant existence. The Esquimaux, for example, who live in a
-wretched climate, and live hard, unlovely lives, have absolutely, some
-of them, _no_ Saturnian Line in their hands; and M. Serres, a
-famous French anthropologist, asserts that this line (which he calls
-the Caucasian Line) is only to be found in the hands of the white
-races; whilst M. Desbarrolles, another French writer on this subject,
-goes farther, and affirms that, among persons condemned to a dry,
-unintellectual vegetative life, even among the white races, the
-Saturnian Line is often found entirely wanting.
-
-The Saturnian Line is one of great importance, for it corrects and
-modifies the significations both of the lines and of the mounts.
-
-A double Saturnian Line, which is sometimes, but very rarely, seen,
-indicates great moral corruption and physical infirmities, brought
-about by abuse of material pleasures. A cross upon the line shows a
-change of position or a crisis in the affections at the age indicated
-by its position on the line. A star on the line shows disaster at the
-date at which it appears.
-
-Downward lines from the Line of Heart towards the Fate Line show heart
-sorrows at the period when they cross the line. Widowhood is indicated
-in this way if the Line of Fate breaks and shows a total change in the
-way of life immediately afterwards. It sometimes only means a death at
-the period when it crosses the Fate Line.
-
-
-
-
-CHAPTER XX.
-
-THE LINE OF THE SUN AND LINE OF HEALTH
-
-
-The Line of the Sun takes its rise either in the Line of Life or from
-the Mount of the Moon, and, ascending, it traces a furrow in the Mount
-of the Sun, but stops at the root of the finger; it signifies, when
-straight and well defined, and taking the course we have described,
-celebrity in literature or art, whether in poetry, painting, sculpture,
-or music. The mounts decide in some measure which branch of art is
-preferred. With Venus large it would probably be music or painting;
-with the Moon much developed, poetry--or at any rate literature of an
-elevated kind. Those having the Line of Sun thus traced, even who are
-not artists by profession and whom destiny has placed in quite
-inartistic careers, will always have artistic tastes, eye for colour,
-ear for music, or a perception of beauty in form or in language. Where
-the line only begins in the Line of Heart the artistic feeling is only
-appreciative, not productive, but when it rises as low as the Mount of
-the Moon, it signifies _creative_ power.
-
-If the Line of the Sun subdivides, in traversing the Mount of the Sun,
-into several lines, it indicates a tendency to cultivate several
-branches of art, which prevents the success which generally crowns
-excess of artistic feeling when confined in its expression to one
-especial art; it also indicates too great a struggle after effect in
-art; it is more significative of the dilettante, or patron of art
-generally, than the artist _pur et simple_. When the Line of the Sun,
-in its upward course, is barred by several transverse lines, there are
-obstacles in the career of art; but if the line continues and marks a
-single deep furrow in the mount till it reaches the root of the finger,
-these obstacles will, in the end, be conquered and success, riches,
-honours and celebrity will be attained. In a hand where the Sun Line
-begins above the Head Line, the deep line at its close only means
-riches after fifty, and has nothing to do with art.
-
-The Line of Health, or, as it is sometimes called, the Line of the
-Liver, takes its rise at the wrist, near the Line of Life, and mounts
-in the direction of the Mount of Mercury. If it is well coloured and
-the line is not broken, it denotes good health, great power of memory
-and success in business pursuits; if the line becomes broken, or is
-forked at its close, before it reaches the mount, it indicates severe
-illness in old age. If this line starts from the Line of Life it is a
-sure sign of weakness of the heart's action. If the line is unequally
-coloured and gets redder as it crosses the Line of Head, it indicates a
-predisposition to apoplexy; if it stops suddenly on the Line of the
-Heart, a serious physical heart affection is likely.
-
-The Line of Health sometimes takes a curved form on _one_ hand, forming
-a sort of half-circle, from the Mount of the Moon to the Mount of
-Mercury. In this case it is called the Line of Presentiment and
-indicates vivid intuition, especially if Mercury is strong in his
-influence. When the Line of Health on _both_ hands takes this form, it
-indicates mediumistic powers and powerful second sight. Should there be
-a long island at the starting-point, that is, near the Mount of the
-Moon in the Line of Presentiment, it indicates somnambulism.
-
-When the Line of Health forms a large and distinct cross with the Line
-of Head, it shows a disposition for the study of occult science, but
-this is not the mystical cross which will be described farther on. An
-island on this line shows some internal illness at the date on which it
-appears on the line--that is, if before it reaches the Head Line, it
-would be _before_ thirty-five; if after and between the Lines of
-Head and Heart, it would be between thirty-five and fifty; if later,
-during the remainder years of life. A twisted Liver Line is a sign of
-biliousness and indigestion; if it is of a red colour (as it frequently
-is where Mars is one of the ruling planets) it shows a tendency to
-feverish complaints.
-
-The Line of Health is sometimes, but rarely, accompanied by another
-line called the Milky Way; when this line commences side by side with
-the Line of Health and mounts with it in an unbroken line, towards the
-finger of Mercury, it signifies a long life of uninterrupted happiness.
-This line, which is sometimes called the Via Lasciva, gives ardour in
-love, because a super-abundance of health gives force to passion.
-
-
-
-
-CHAPTER XXI.
-
-ON THE RING OF VENUS, THE WRIST LINES AND THE LETTER M TO BE SEEN IN
-MOST HANDS
-
-
-The Ring of Venus seems to enclose, as in an island, the Mounts of
-Saturn and the Sun; this line is not seen in many hands and, when fully
-developed, signifies unbridled passion and debauchery of all kinds
-when, in conjunction with it, the Mount of Venus is strongly developed
-and marked with crossway lines.
-
-If, with the signs mentioned above, the Ring of Venus is strongly
-marked, yet _broken_ at its centre in _both_ hands, it is a sign of
-eccentric and depraved passion; still, there are always modifications
-of these bad signs, and a very good Line of Head would, by bringing
-reason to bear upon passion, considerably mitigate the evil indications
-of the broken ring.
-
-When the Ring of Venus is seen on a hand where both the planets Venus
-and the Moon are strongly indicated and where it is traversed by
-innumerable fine lines, it is a true sign of an hysterical temperament.
-
-Sometimes the Ring of Venus will be seen to ascend and lose itself on
-the Mount of Mercury, leaving one end of the semicircle open, which
-mitigates, in some sort, the terribly strong instincts of
-voluptuousness indicated by this mark; but if, on the contrary, the
-semicircle, after extending itself to the Mount of Mercury, closes
-itself at the root of the finger, such a mark in the hand would
-indicate a terrible and absorbing power of passion, which would not
-hesitate at any means to secure its end.
-
-A line traced on the wrist is a sign of long life and, if there are
-three of these lines, as is sometimes seen, it forms the triple
-bracelet. These lines indicate, in Chiromancy, thirty years of life
-each and the three lines form what is called the magic bracelet,
-indicating long life, health and riches. If these lines are formed
-irregularly, like the links of a chain, and more especially if the
-first one--that next the hand--is so formed, it indicates a long life
-of labour, but acquiring ease and competency at its close. If a cross
-appears in the centre of the wrist, it indicates a rich heritage at the
-close of life.
-
-When lines start upwards from the bracelet, and ascend towards the
-Mount of the Moon, they denote as many travels by land as there are
-lines. If a line starts from the wrist and, after traversing the Plain
-of Mars, goes to the Mount of the Sun, such a line presages riches and
-honours coming from royalty.
-
-When these travel lines go as high as the Line of Head and Heart, they
-denote journeys during which some person is met who influences either
-the fortunes or the affections, according to whether the line stops at
-the Line of Head or Heart.
-
-Lines lengthways on the Mount of the Moon mean sea-voyages; if these
-lines terminate with a star, it denotes shipwreck; if on both hands,
-death by drowning.
-
-The letter M, formed more or less regularly in every hand by the Line
-of Life, the Line of Head and the Line of Heart, represents the three
-worlds--the material, the natural and the divine.
-
-The first, the Line of Life, surrounds Love and Generation, as
-represented by the thumb, which is, as we have seen, sacred to
-Venus--the material world, or world of sense--but the Mount of Venus
-may either degenerate love to vice, or perfectionate it to tenderness.
-With high instincts the Mount of Venus is a good quality, since,
-_without it_, all the other passions are hard and selfish.
-
-The second line--the Line of the Head--stretches across the natural
-world; it traverses the Plain and the Mount of Mars, which represent
-the struggle of Love and Reason in existence--the natural world, life
-as it presents itself to most persons. There is in the hand the Plain
-of Mars and the Mount of Mars; both mean a struggle: the Mount is the
-struggle of resistance; the Plain of Mars (which is between the Lines
-of Head and Heart) is the struggle of aggression.
-
-The third line, that of the Heart, encloses the divine world, for it
-surrounds the mounts which represent Religion, Jupiter; Fate, Saturn;
-Art, the Sun; Science, Mercury; all of which are especially influenced
-by the astral light, or fluid, emanating from the planets.
-
-According to the proportions--the relative proportions--which these
-three lines bear to one another, so the life is influenced by the three
-different worlds represented. Thus we have a hand in which material
-(sensual) pleasure dominates: the line of the material world enclosing
-a space greatly superior to that of the two others. It is needless to
-give further examples of these differences, for, after all, this matter
-is but a _résumé_ of what has been said before about the power of
-correction which one line has over the others. Given a wide range to
-sensual pleasure in the hand, but a good and extensive Line of the
-Head, the former will be corrected by it, as reason dominates passion;
-or given the strong powers of sensuality, with a wide range to the
-divine world by the space occupied between the Line of Heart and the
-mounts, and again, religion, love of art and science, will correct and
-keep under extreme sensuality. In reading the hand, each line must be
-judged with reference to the others, and the hand must be considered in
-all its bearings, before an opinion on the tendencies it indicates can
-be arrived at with any degree of correctness.
-
- [Illustration: _To face Chapter XXII._]
-
-
-
-
-CHAPTER XXII.
-
-CONCERNING CHANCE LINES; THAT IS, LINES WHICH ARE SOMETIMES--BUT ONLY
-RARELY--SEEN ON ANY HAND
-
-
-When two lines, starting from the Mount of Venus, join with a star on
-the Plain of Mars (see Plate 3, Fig. 1) it indicates two loves carried
-on at once and both having a disastrous issue.
-
-A square with spots at all four corners placed on the Mount of the Sun
-(see Fig. 2) shows danger by fire with preservation.
-
-A line from the Mount of Mars going to the Mount of the Sun (see Fig.
-3) indicates love of glory, desire to attain distinction in life. A
-person with this mark in his hand would be stimulated rather than
-intimidated by a large audience, and would have great success in
-addressing multitudes. This line is good for soldiers, orators and
-actors, as it shows force, energy and moral as well as physical
-courage.
-
-The figure of the sign Aquarius when seen on the Mount of the Moon (see
-Fig. 4) is a certain sign of death by drowning, _even when marked on
-one hand only_.
-
-A circle on the Heart Line beneath the finger of Mercury (see Fig. 5)
-denotes the person as likely to cause--though unwittingly--the death of
-someone much loved.
-
-A star on the Mount of Venus, low down on the Mount (see Fig. 6),
-indicates a man or woman who shall fall into dishonour by reason of
-sensual indulgence or unnatural vice.
-
-A line starting from the Wrist Line, crossing the Mount of Venus and
-ending in a star on the palm of the hand (see Fig. 7), indicates that
-the person will lose some dearly-loved friend in a tragic manner.
-
-The symbol of the planet Saturn, when seen in the palm of the hand (see
-Fig. 8), denotes the person to be malicious beyond expression, and
-likely to cause the death of someone by poison.
-
-A line starting from the Head Line going through the Mount of Jupiter
-with a star (see Fig. 9), is an indication of a violent death before
-the age of thirty. Should the person be ruled by Venus, by poison; if
-under the Moon, by drowning; if under the Sun, by fire; if under Mars,
-by firearms; if under Jupiter, by horse accident; if under Mercury, by
-fits consequent on loss of money.
-
-The Saturnian Line, crossed by transverse lines on the Mount of Saturn
-(see Fig. 10), indicates dangerous, but not fatal, wounds on the head.
-
-Many rings encircling the thumb (see Fig. 11) indicate an amorous and
-very inconstant disposition in either man or woman.
-
-Two lines starting from the middle of the Mount of Venus and
-terminating in the form of an apex on the Mount of the Moon (see Fig.
-12) indicate a great tendency to hysteria and to abnormal attachments;
-the latter is more especially indicated if Saturn and the Moon should
-be the ruling planets.
-
-
-
-
-CHAPTER XXIII.
-
-CONCERNING THE FINGERS AND THUMB AND NAILS
-
-
-As the shapes and relative proportions of the fingers to the palm
-modify the indications given by the lines and mounts, it is necessary
-to consider them very attentively before giving a judgment in
-Chiromancy.
-
-Fingers longer than the palm and with pointed tips show idealism; they
-are the expression of the Moon's influence when she is well-dignified
-at a birth. The Mount of the Moon in these hands would always be large.
-People with these fingers see everything in the golden light of
-imagination and find happiness in dreams of intangible beauty; poetical
-expression (ethereal, not passionate) is their natural language. They
-always incline to the marvellous--the sublime, the spiritualistic side
-of all things. Theirs the belief in omens, in occult literature, in the
-supernatural. Without, perhaps attaching themselves to any fixed creed,
-they are, by nature, worshippers; and the mysterious moan of the sea,
-the song of the brook, the roar of the torrent, and the sighing of the
-wind, are to them but so many revelations of the Deity. They are loyal
-to old associations and are never in advance of their age. They are
-easily moved to tears and are graceful in all their gestures. They can,
-in exalted moments, do without the necessaries of life and yet, from
-their intuitive worship of the beautiful, they are lovers of the
-luxurious superfluities which make up an elegant and refined existence.
-People with these fingers do not age much; their hearts are eternally
-young, for they live a life of perpetual illusion and though often,
-alas! necessarily disappointed in both men and things, they never
-entirely lose faith in the poetry of existence.
-
-Fingers the same length as the palm, and with slightly pointed tips,
-show refinement, correct taste and love of art--these are the fingers
-of those born under the dominant influence of the Sun.
-
-Fingers the same length as the palm, but fleshy at their base and
-square at the tips, show practicality, family affection, love of
-animals, good judgment, respect for the world's opinion and much
-appreciation of material comfort. These fingers show the strong
-influence of Jupiter.
-
-Long fingers, knotty at the joints and with square tips, show reasoning
-power and taste for science. Persons with these fingers are always in
-harmony with progress and have little or no veneration and are,
-therefore, never stirred by associations; with the antiquity of
-Catholicism, its mystical and somewhat sensuous worship, its celibate
-priesthood and golden aureole of saints and martyrs, persons having
-these fingers have no sympathy. If they belong to any fixed creed (and
-their logical powers are rather against this) they prefer
-Protestantism--or its offshoot, Dissent--where their real deity,
-Reason, is permitted full sway. These people love--with all the force
-of their nature--the study of history, jurisprudence, mathematics and
-the exact sciences. They are naturally clever at calculation and have
-much sense of order. Such fingers show the influence of Saturn, but not
-when most dignified; Saturn when most exalted gives mysticism, but then
-the fingers are not knotted at the joints and the tips are always
-spatulated.
-
-Fingers that are shorter than the palm and with spatulated tips, show
-sensuality in love and materialism in all things, energy, love of field
-sports and indomitable courage. Such fingers indicate the influence of
-Mars at birth.
-
-Fingers shorter than the palm, but with very pointed tips and thick at
-the base, show self-indulgence and love of luxury. Persons with such
-fingers are very sensuous and are, therefore, ardent pursuers of
-material pleasures, but yet with a certain refinement of taste which
-prevents their becoming grossly sensual. Such fingers are often seen in
-the hands of singers of both sexes; they indicate the strong influence
-of Venus in the nativity.
-
-Fingers that are slender and longer than the palm, but with spatulate
-tips, indicate versatility, wit and intuitive perception. Such fingers
-show the dominant influence of Mercury.
-
-In the relative lengths of the three divisions of the fingers
-Chiromancy also recognises the indications of three separate
-influences--that of the soul, that of the mind, and that of the body.
-Fingers that have the first division (that containing the nail) long,
-show high aspirations and power of veneration--soul; fingers with the
-second division longer than the other two indicate intellectual
-force--mind; whilst fingers having the lowest division longest show a
-love of material pleasure: people having such fingers, unless there are
-other modifying indications in the hand, are slaves to the body.
-
-The first joint of the thumb (that which is nearest the nail)
-represents _Will_; therefore, when this is short, such a form indicates
-want of will--a character very impressionable and therefore easily led;
-when this joint is long, it indicates great power of will and therefore
-force of character. The second joint represents logic, judgment and
-reason; therefore, where this joint is long these qualities exist in
-excess and, where it is short, they are wanting in both.
-
-The third joint (that which is outside the Mount of Venus) represents
-the power which love--more especially the love between the sexes--will
-have on the character. If long and thick it implies the existence of
-strong passion; if short and flat a cold disposition--no attraction
-towards the opposite sex.
-
-Poets have frequently the first joint of the thumb short (because want
-of will gives the rein to impulse and impressionability), and whilst
-the second--the intellectual one--is fairly long, the third is almost
-always large, full and long. This combination of impressionability,
-intellectuality and warmth of passion gives us the poets full of "the
-sweet, sad music of humanity."
-
-These various types of finger-tips are often seen in the same hand,
-which shows that several planets have much the same amount of
-influence, in which case the following indications should be
-considered: The finger of Jupiter pointed gives idealistic religion and
-sense of honour; square, it would show reasoning power; spatulate,
-energy and impulse.
-
-The finger of Saturn is rarely pointed, but when it is so, it rather
-mitigates the melancholy given by the planet and shows callousness and
-(if Mercury is strong in the hand) frivolity. Square tipped, it
-indicates prudence, love of agriculture and mechanical genius;
-spatulate, which is the ordinary termination of this finger, it
-betokens sadness and superstition, and, when the finger is abnormally
-long, a tendency to suicide; especially where, with it, there is a
-small weak thumb.
-
-The third finger--that of the Sun--pointed shows idealism and artistic
-tastes; when square-tipped, realism in art and a love of wealth;
-spatulate, it gives spirit of adventure, especially when it is as long
-as the first finger; when the third finger is _longer_ than the first
-and spatulate it indicates love of gambling and of speculation.
-
-The fourth finger--that of Mercury--pointed shows occultism, intuitive
-perception, eloquence and talent for languages; square at the tip it
-denotes logic, facility of expression, science and love of research;
-spatulate, it gives movement, vivacity and, where the rest of the hand
-is bad, knavery in business and theft; a very short little finger shows
-unselfishness and, some old writers say, happiness in marriage.
-
-A pointed thumb gives impressionability; square at its tip, decided but
-not obstinate will; the thumb bending outward shows generosity and
-impulse and, when much bent inwards towards the palm of the hand,
-avarice and reticence. People with short fingers are quicker, more
-impulsive and have more intuition than those who possess long fingers.
-Those with long fingers have much love of detail--often to a worrying
-extent; they are inquisitive and somewhat distrustful.
-
-As regards the nails, short strong nails show courage, combativeness
-and critical faculties. White polished and filbert-shaped nails
-indicate sensitiveness and refinement, but no force of character.
-Short, weak, crooked and black-coloured nails show deceit and
-slothfulness. Round nails indicate a luxurious, pleasure-loving nature.
-Very thin nails--especially when the tips are bent inwardly--show
-delicacy of constitution. Red nails with little white marks on them
-indicate a choleric and cruel nature.
-
-Those who have on the root of the thumb--that is, on the Mount of
-Venus--many crossbar lines are sensual and prone to gross indulgence in
-licentiousness. They who have these marks on their hands will have in
-their nativity--Venus in the 6th or 8th house (which houses rule the
-lower parts of the body), thus showing the entire concordance of
-Chiromancy with Astrology.
-
- [Illustration: _To face Chapter XXIV._]
-
-
-
-
-CHAPTER XXIV.
-
-OF THE VARIOUS MARKS TO BE SEEN ON THE HAND
-
-
-Besides the Lines and Mounts already described there are other signs or
-marks which, as they modify the qualities given by the lines and
-mounts, should be carefully considered in giving judgment on the hand
-as a whole.
-
-A star (Fig. 1) indicates something beyond our own power of action--a
-fatality for good or evil over which we have, personally, no power. A
-star on the Mount of Jupiter indicates honours and distinction in
-marriage and great and unexpected glory, for Jupiter is always a
-favourable planet.
-
-A star on the Mount of Saturn means assassination or death on the
-scaffold; or, in an otherwise good hand, death by paralysis.
-
-A star on the Mount of the Sun (with no Line of the Sun) indicates
-fatal riches, which bring of themselves unhappiness in the affections.
-Should the Sun line be strong it would signify success in art, or
-military glory in a hand where Mars is strong.
-
-A star on the Mount of Mercury shows theft and dishonour; on the Mount
-of Mars, death in battle; but a star on the plain of Mars, military
-glory.
-
-A star on the Mount of the Moon, when on a voyage line, means death by
-drowning; when not on a voyage line, an illness connected with water,
-such as dropsy or diabetes.
-
-A star in the centre of the hand shows that some person of the opposite
-sex will influence the life in an unhappy manner.
-
-A star on the Mount of Venus means unhappiness caused by love.
-
-Two stars on the top joint of the middle finger indicate death on the
-scaffold.
-
-A square (Fig. 2) shows power and energy of the qualities of the mount
-on which it appears, except on the Mount of Venus, when it means
-imprisonment. A square announces preservation from accident when seen
-near any indication of such accident.
-
-A circle (Fig. 3) on any of the mounts, but above all on the Mount of
-the Sun, signifies success in the qualities given by the mount on which
-it appears; but a circle on the lines of the hand has always a bad
-signification. A circle on the Line of Life means loss of one eye, and
-two circles would indicate total blindness.
-
-An island (Fig. 4) is again always a bad sign; on the Line of Heart, it
-signifies adultery; on the Line of Life, illness, corresponding in time
-to its position on the line; on the Line of Head, it would mean ruin
-arising from false speculations, or if illness is shown on the Life
-Line, it might indicate brain illness or neuralgia; on the Line of
-Health, disorders of the liver and the digestion; on the Saturnian
-Line, an island indicates happiness from an adulterous liaison; but if
-the island is broken in shape, it indicates poignant grief arising from
-an illicit affection. The duration of these affections is shown by the
-size of the island. An island at the commencement of the Saturnian Line
-indicates an event of an unfortunate nature, probably death of father
-or mother, in childhood or very early youth. The lines which go
-lengthways round the side of the hand, between the Line of Heart and
-the root of the finger of Mercury, show the serious attachments. A
-horizontal line barring these, or a black spot, shows widowhood. If the
-lines take the form of islands, it shows love for cousins or near
-relatives.
-
-A triangle (Fig. 5) announces aptitudes of a favourable signification.
-On Jupiter it shows diplomatic distinction; on Saturn, mystical
-ability; on the Sun, success in art or literature; on Mars, military
-glory; on Venus, happiness in love; on Mercury, distinction in law,
-physics, or mathematics; but on the Mount of the Moon it indicates
-danger from the water.
-
-A branch (Fig. 6) shows aptitude in the qualities of the mount on which
-it appears.
-
-Chains (Fig. 8) always show obstacles and worries in connection with
-the qualities of the mount on which they appear.
-
-A spot (Fig. 9) is sometimes favourable and sometimes the reverse. Red
-spots on the Line of Heart mean physical suffering from that organ.
-White spots show love conquests, and the lover is indicated by the
-mount under which these spots appear by the physical description of the
-planet to which the mount belongs.
-
-Curved lines (Fig. 10) mean disaster wherever they appear. On the Line
-of Head, madness, especially should the line droop to the Mount of the
-Moon.
-
-Hair-lines (Fig. 11) show an excess of the quality of the line on which
-they appear.
-
-Cross-bars (Fig. 12) are always obstacles, and show excess in the
-qualities of the mounts on which they appear; on the Moon, morbid
-imagination; on Venus, lasciviousness.
-
-Two lines going from the Mount of Venus to that of Mars denote the
-pursuit of two love affairs at the same time, and a star joined to
-these lines shows that the matter has ended or will end in disaster.
-
-A long island, extending from the Mount of Venus to that of Saturn,
-shows, on a woman's hand, seduction at the age when the sign crosses
-the Line of Life. Should a square appear on the line, she escapes the
-temptation.
-
-A Line extending from a star on the Mount of Venus, and terminating
-with a fork on the Mount of Saturn, shows an unhappy marriage.
-
-A Line going from a star on the Mount of Venus straight to the Mount of
-the Sun, foretells a great inheritance from the death of a near
-relation.
-
- [Illustration: THE HAPPY HAND.
-
- _To face Chapter XXV._]
-
-
-
-
-CHAPTER XXV.
-
-THE TRIANGLE, THE QUADRANGLE, AND THE HAPPY HAND
-
-
-The Triangle is the name given to the space enclosed between the Line
-of Life, the Line of Head and the Line of Health. If the angle is an
-equal one and the lines well coloured, it signifies a good disposition
-both as regards mind and body and also much health, courage, good
-reputation and a long and happy life. When the angles of the Triangle
-are not well defined, it signifies a dull and mean person, who will not
-rise above mediocrity. When the Triangle is wide as well as clearly
-defined, it indicates liberality and nobility of mind. When it is
-narrow, it signifies avarice, cowardice and poverty. If the Triangle is
-altogether wanting in a hand, it portends much evil, a short life and
-much illness. A cross in the Triangle shows a quarrelsome disposition.
-
-The Quadrangle is the square space contained between the Lines of Heart
-and Head. When broad it signifies a liberal, courageous person with
-much sense of honour, who will attain to the highest dignities in his
-profession and position in life.
-
-Those who have the Quadrangle narrow are covetous and deceitful, and
-therefore untrustworthy in all business relations. A star in the middle
-of the Quadrangle shows honours and dignities, and a line from the
-Mount of Mercury running down to the centre of the Quadrangle indicates
-the friendship of great men, and much honour and distinction from these
-friendships.
-
-In the plate at the beginning of this chapter we have a sketch of what
-is called "The Happy Hand," which is given as showing what are the
-happiest prognostications to be shown on the hand. An explanation of
-the lines and marks of this is given below.
-
-
-_The explanation of the Happy Hand._
-
-Double Line of Life, which means good health and long life. The
-Saturnian Line straight and well-defined till it reaches its
-termination on the Mount of Saturn, which shows happiness in domestic
-life and good fortune to the end of life. Branches at beginning and end
-of the Heart Line, power of passionate tenderness. Cross on Mount of
-Jupiter, love and marriage. Ring of Venus, power of passionate
-attachment and much force of sympathy. The Line of Head long with
-branches to the Mount of the Moon, intellectual gifts and vivid
-imagination. Direct Line of the Sun, success in art and celebrity.
-Union of Venus with Mercury, love and good fortune in connection with
-the affections. Line of Health strong shows a vigorous constitution.
-Triple branches on the wrist, superabundance of vitality and long life.
-
-A Cross on the Mount of Venus. This, taken in conjunction with the
-cross on the Mount of Jupiter, shows happiness in married life.
-
-Of course it is seldom that such a conjunction of good lines is seen on
-the same hand; but still, in those born under a fortunate conjunction
-of the stars, many of these lines are seen together; but such hands are
-rare, for anxiety, grief and disappointment are the general rule and
-happiness the exception in this world.
-
-
-
-
-Part III.
-
-PHYSIOGNOMY
-
- "La fisonomia è lo specchio dell' anima."--FINETTA.
-
-
-
-
-CHAPTER XXVI.
-
-PHYSIOGNOMY
-
-
-"The face is the mirror of the soul," says Finetta, a mediæval Italian
-writer on the subject of physiognomy; and, to those who take the
-trouble to study the matter, the intelligence, the sentiments and the
-instincts of a person are all clearly manifested by the form of the
-head and features and their relative proportions, by the colouring of
-the skin, eyes and hair, by the fugitive expressions which, to an
-attentive observer, are seen to pass over even the most impassable
-faces, and "last, but certainly not least," by the lines left by the
-habitual passage of the expression of strong feeling, which, to the
-physiognomist, are visible even when the face is in repose.
-
-We are in the habit of applying the term physiognomy to the _face_
-only, but the word has really a much wider signification. All things
-animate and inanimate have their physiognomy and, when judging of the
-character by the form of the features of the face, it would be
-impossible to ignore that given by the shape of the head, for, without
-altogether believing that the brain is mapped out in the manner
-described by phrenologists, there is no doubt that a good development
-of the front of the head shows intelligence, whilst a head which is
-inordinately protuberant at the back indicates the dominance of animal
-instincts in the organisation. If the back of the head is quite flat,
-it indicates coldness--want of passion in the nature. A head which is
-large just above the ears shows a tendency to anger and if the signs of
-benevolence on the brow and lips are entirely wanting it would mean
-cruelty; but in physiognomy the signs on both the head and face must be
-considered as a _whole_, and the qualities shown by _both_ must be
-weighed one against another, before any right judgment can be arrived
-at. In this study, as in that of graphology and chiromancy, a deductive
-power of mind is required. Among twenty persons who may be sufficiently
-interested in physiognomy to study it, there will be scarcely more than
-one who will become a good physiognomist. One among the countless
-objections which have been urged against physiognomy is that many
-physiognomists make erroneous judgments; but, granted that they do so,
-it is their want of discernment, or more probably their want of
-deductivity--not the science--which fails.
-
-There is a certain sort of _instinctive_ power of judging character by
-the face, possessed by children and animals, which is in harmony with
-the theories of those who have thought and written most upon this
-interesting subject.
-
-We are all of us--women, perhaps, more than men--daily influenced by
-this sort of _instinctive_ physiognomy: for there are few people who do
-not, when they first see a stranger, form a judgment of him, in which
-they are, of course, only swayed by his outward appearance, although
-they may never have even heard the word physiognomy.
-
-The _temperament_ has an immense amount of influence over the character
-and this temperament is shown more especially by the colour and texture
-of the skin and hair. It is temperament which precipitates, or retards,
-the effects of illness and age and temperament is the result of the
-astral influence which presided at our birth.
-
-These temperaments have been classified under four heads--viz., the
-sanguine or choleric, the lymphatic, the bilious and the melancholic.
-
-The first, the sanguine or choleric, is the result of the astral
-influence of Mars and Jupiter; the lymphatic, of the Moon and Venus,
-but more especially the Moon; the bilious (which is especially the
-intellectual temperament) of the Sun and Mercury and the melancholic
-temperament is the result of the dominance of the sad planet, Saturn.
-The sanguine temperament is shown by a skin with a good deal of colour
-in it, either of a soft pinky white with a rosy peach-like colour on
-the cheeks, in which case it is Jupiter which dominates in the
-temperament, or of a deep red colour all over the face, when the
-sanguine temperament is dominated by Mars, the hair being red or brown,
-crispy or curling.
-
-The lymphatic temperament is shown by a soft, pale skin of a thick dead
-white, the lips and cheeks being only slightly coloured; the hair is
-fine and long, but not thick, and is light, not golden, but rather
-colourless, or what the French call "_un blond cendré_"--that is,
-of an ash-coloured fairness, sometimes of a soft brown, when Venus is
-the dominating planet. The bilious temperament is the result of the
-combination of the astral influences of the Sun and Mercury, the
-planets which give artistic feeling and intelligence.
-
-Those having this temperament have yellow skins of a soft, fine texture
-and when the Sun is the dominant planet they have a vivid colour in the
-cheeks; the hair of those of the bilious temperament is golden and is
-generally curly or wavy; if the melancholic temperament given by Saturn
-is in combination (and it is frequently so in the bilious temperament)
-with the yellow-tinted skin of the bilious temperament, we find also
-the straight, deep black hair peculiar to the Saturnian.
-
-The melancholic temperament is that of those born under the dominant
-influence of Saturn. People of this temperament are of a pale or livid,
-and, sometimes, of a greenish-tinted or earth-coloured skin and their
-hair is always of a dead black. It must be remembered that though one
-planet may dominate at a birth, there are always present others which
-have also their influences, though in a secondary degree, so no person
-is of _one_ temperament without any admixture of the others, although
-one may and often does dominate the others.
-
-Thus no one is _exclusively_ sanguine, bilious, lymphatic, or
-melancholic. One person could be at once bilious, melancholic and
-lymphatic. We sometimes see the apparently contradictory temperaments
-of the melancholic and sanguine in the same person, but, generally
-speaking, one temperament dominates, modified by one or more of the
-others. This makes one of the sources of the variety of character we
-see in those about us, no one person having precisely the same
-modification of temperament, to say nothing of the difference of
-intellectual gifts. Now, as the temperament produces the character and
-the character the passions, it is very necessary, in order to be a good
-physiognomist that we should be thoroughly expert in being able to
-assign to each person under judgment the exact amount of domination of
-each of these four temperaments and this is only to be done by noting
-the colour and texture of the skin and hair. Aristotle has said that
-though there is a certain physiognomy of the whole person, the
-principal signs to guide us in a knowledge of human beings are to be
-found on the face; and this is perhaps because the skin of the face is
-somewhat differently constituted to that over the other parts of the
-body. It is more transparent than that of the other parts of the body,
-and thus more readily reflects the different colours--the vivid flush
-of joy, the blush of shame, the livid hue of envy, the pallor of fear,
-the different passions by which we are agitated. The face also is the
-seat of the eyes and the lips, both of which features (being
-continually in movement) make the face, as the old Italian writer has
-said, "the mirror of the soul."
-
-Even those who habitually deny the power given by a knowledge of the
-science of physiognomy admit that _in certain moments_ they have been
-able to judge of what they could ask for from the expression they saw
-on the face of the person with whom they were dealing. Now, if this
-were so at one moment, why should it not be so always? When the soul is
-agitated, that agitation shows itself, at once, upon the face by the
-variation of its colours and by the contraction of certain muscles
-about the features. Both this changing of colour and this movement of
-the features vary according to the passions which produce the agitation
-and these different expressions most people can read at a glance. No
-one confounds the expression of happiness with unhappiness, of love
-with hatred, of hope with despair, of jealousy with trustfulness, of
-envy with sympathy. Habitual drunkards show their vice on their faces,
-even when they are perfectly sober; so also do the other vices show
-themselves by the lines left on the face by the constant recurrence of
-the contraction of the features when under the immediate and violent
-influence of the ruling passion. By dint of continually exercising the
-faculty of observation they come to see expressions and lines on the
-face which, though perhaps quite lost upon others, give them
-indications of character which are sometimes startling revelations.
-Here, again, is another objection which is often advanced against the
-study of physiognomy. Does it not, by laying bare the vices and
-weaknesses of human nature, induce a cynical opinion of human nature?
-No; for, whilst it makes us clear-sighted as to the vices, it also
-reveals to us many sweet and noble qualities in those by whom we are
-surrounded, which, perhaps, were never suspected by us. No one better
-understood his fellow-men, no one was ever more alive to "the sweet,
-sad music of humanity," than Shakespeare. His large-hearted,
-sympathetic nature gave him intuitive perception of character, and
-this, aided by his wonderful powers of observation, must have made him
-a physiognomist. He "looked quite through the thoughts of men," and
-yet, with all this wondrous knowledge of human nature, he says, "What a
-piece of work is a man! How noble in reason! How infinite in faculties!
-In form and moving how express and admirable! In action how like an
-angel! In apprehension how like a God!"
-
- [Illustration: _THE PLANETS' PLACES ON THE FACE FACSIMILE FROM AN
- OLD WOODCUT, DATE 1657_
-
- _To face Chapter XXVII._]
-
-
-
-
-CHAPTER XXVII.
-
-THE FOREHEAD AND EYEBROWS
-
-
-"One part of the forehead," says a Chinese proverb, "shows our
-faculties, the other part the use we make of them." This is, in a great
-measure, true; for the form and height of the brow show the degree of
-thought and power of intellect, whilst the skin of the forehead, its
-colour, lines and tension, denote the passions and the state of mind.
-Though the skin of the forehead may be equally wrinkled in different
-faces, the forms which these lines take vary very much. The first line
-next the hair, which is rarely seen till past middle age, is referred
-to the influence of Saturn; the second to Jupiter; the third to Mars;
-the fourth, over the right eyebrow, to the Sun; the fifth, over the
-left eyebrow, to the Moon; the sixth, between the eyebrows, to Venus,
-whilst Mercury is assigned his place on the bridge of the nose (see
-plate).
-
-When the Line of Saturn is long and well-defined, it indicates the
-prudence and sagacity which ought to come with age; when it is broken
-or curved in an oblique manner it shows peevishness and avarice.
-
-The Line of Jupiter, straight and clearly-defined, shows an honourable
-and just person; if broken or taking oblique curves it indicates a very
-voluptuous person.
-
-If the Line of Mars should be long and clear, and stretching across the
-forehead in one continuous line, it denotes courage and much warlike
-ambition; if the line be broken, such a person will be a brawler and
-quarrelsome and will experience ill fortune in war.
-
-The Line of the Sun being perfect and reaching nearly to the middle of
-the forehead, shows ambition, good judgment and success; being broken
-or oblique in its form, it shows egotism and love of money.
-
-The Line of the Moon, clear and perfect above the left eyebrow, much
-imagination and also much travelling into strange places. When this
-line is broken or much curved, it indicates caprice and want of truth.
-
-The Line of Venus, delicately marked and straight, shows tenderness and
-success in love matters; if broken and curved, the reverse.
-
-If three lines appear in the place of Mercury across the bridge of the
-nose, they denote eloquence and wit; if more than three, loquacity and
-deceit.
-
-So much for the _lines_ on the forehead. As to the _form_, Aristotle
-tells us that "a very large and prominent forehead shows stupidity"; it
-is quite true that men of the highest intelligence have foreheads of
-medium height, but exceptionally broad and full over the eyebrow.
-
-A forehead which is very full over the eyebrows and rather low than
-high, shows intuitive faculty, artistic perception and idealism; we see
-this form of brow in all the antique statues of Apollo. A very
-projecting forehead, fuller above than below, and so large as to appear
-to dominate the whole face, is generally the forehead of a slow if not
-a dull intellect. A perpendicular forehead, well rounded at the
-temples, rather high than low and having straight, well-defined
-eyebrows, shows solid power of the understanding, love of study and
-power of concentrating the attention, but it is not the forehead of the
-poet, painter, or musician.
-
-Arched foreheads, somewhat low, but full at the temples, with long,
-sweeping and mobile eyebrows, appear properly to be feminine, since
-they show sweetness and sensitiveness of nature.
-
-High, narrow and wholly unwrinkled foreheads, over which the skin seems
-tightly drawn, are indicative of weakness of the will-power, want of
-imagination and very little susceptibility. They are the foreheads of
-narrow-minded, commonplace persons. Of course other features may soften
-these indications; intelligent eyes may give intellect, or a sweet and
-tender mouth feeling enough to, at any rate, diminish the unpleasant
-indications of this type of forehead.
-
-Foreheads not altogether projecting, but having angular and knotty
-protuberances upon them, denote vigour of mind and harsh and oppressive
-activity and perseverance. To be in exact proportion, the forehead
-should be the same length as the nose. In Greek art, however, it is
-generally shorter, which gives softness and elegance to the face. It
-should be oval at the top, or somewhat square; if the latter, it gives
-more force--if the former, more sensibility of character. It should be
-smooth in repose, yet have the power of wrinkling when in deep thought,
-or when in grief or anger; for foreheads over which the skin is so
-tightly strained as never to change under these circumstances show a
-dull, unsensitive and unintellectual nature. A forehead should project
-more over the eyes than at the top, and there should be a small cavity
-in the centre, separating the brow into four divisions: but this should
-be so slightly accentuated as only to be seen when the forehead is in a
-strong light coming from above it.
-
-When the eyebrows are far from each other at their starting-point
-between the eyes, they denote warmth, frankness and impulse--a generous
-and unsuspicious nature. A woman or man having such eyebrows would
-never be causelessly jealous. Eyebrows, on the contrary, which meet
-between the eyes in the manner so much admired by the Persians denote a
-temperament ardent in love, but jealous and suspicious: all Saturnians
-have these eyebrows.
-
-Eyebrows somewhat higher at their starting-point, and which pass in a
-long sweeping line over the eyes, drooping slightly downwards at their
-termination, show artistic feeling and great sense of beauty in form.
-The Empress Eugénie's eyebrows are of this form, which gives a sweet
-and wistful expression to the face and which some old writers have
-asserted to be the sign of a violent death.
-
-Eyebrows lying very close to the eyes, forming one direct, clear line
-on strongly-defined eyebones having the same form, show strength of
-will and extreme determination of character. This sort of eyebrow
-appears on the busts of Nero; but there its indications of
-determination are deepened with cruelty by the massive jaw and the
-development of the cheekbone by the ear. This form of eyebrow, in
-conjunction with other good indications, would mean only constancy in
-affection, power of carrying out a project despite all difficulties and
-taste for science.
-
-Eyebrows that are strongly marked at the commencement and then
-terminate abruptly without sweeping past the eyes, show an irascible,
-energetic and impatient nature.
-
-Thick eyebrows, somewhat arched, show artistic perception of beauty in
-colour. Delicately marked eyebrows, slightly arched, indicate
-tenderness.
-
-Eyebrows lighter than the hair show weakness and indecision. Eyebrows
-much darker than the hair denote an ardent, passionate and constant
-temperament.
-
-Angular, strong and sharply interrupted eyebrows close to the eyes
-always show fire and productive activity. No profound thinker has
-weakly marked eyebrows, or eyebrows placed very high on the forehead.
-Want of eyebrow almost always indicates a want of mental and bodily
-force. The nearer the eyebrows are to the eyes, the more earnest, deep
-and firm the character; the more remote from the eyes, the more
-volatile and less resolute the nature.
-
-Eyebrows the same colour as the hair show firmness, resolution and
-constancy; but in judging of the eyebrows it must be remembered that if
-form and colour give different indications, the _form_ (as this also
-means that of the brow) gives the most important indication, the colour
-and texture of the eyebrow being secondary to its _position_ as regards
-the eyes and forehead.
-
-
-
-
-CHAPTER XXVIII.
-
-THE EYES AND EYELASHES
-
-
-The eye has been called "the window of the soul," and not without
-reason, for it seems more than any other organ to be capable of
-expressing all its emotions. The most tumultuous passions, the most
-delicate feelings, the most acute sensations, the eye expresses in all
-their force and in all their purity, as they arise and transmits them
-by variations so rapid as to give to the lookers-on the very image of
-that with which it is itself inspired; for the eye receives and
-reflects the intelligence of the thoughts as well as the warmth of the
-feelings.
-
-The colours most common to the eyes are brown, grey, blue, hazel and
-black, or what we _call_ black--for those eyes which appear to be
-black will generally be found to be of a deep yellowish-brown when
-looked at very narrowly; it is the distance only which makes them seem
-to be black, because the deep yellow-brown colour is in such strong
-contrast to the white of the eye that it appears black. There are also
-eyes of so bright a hazel as to seem almost yellow; lastly, there are
-eyes that are positively green. Very beautiful, too, are some of the
-eyes of this colour when they are shaded--as is very often the
-case--with long, dark eyelashes; but, though beautiful, they are not
-indicative of a _good_ disposition.
-
-Green eyes, although their praises are often sung in Spanish ballads,
-show deceit and coquetry. We sometimes see eyes which appear to be a
-combination of yellow, orange, and blue, the latter colour generally
-appearing in streaks over the whole surface of the iris, while the
-orange and yellow are set in flakes of unequal size around and at some
-distance apart; these eyes are indicative of originality, amounting, at
-times, to eccentricity. No commonplace person has this sort of eye;
-they show intellectuality, and, in most cases, literary ability.
-
-There are eyes which are remarkable for being of, what might be said to
-be, no colour. The iris has only some shades of blue or pale grey, so
-feeble as to be almost white in some parts, and the shades of orange
-which intervene are so small that they can scarcely be distinguished
-from grey or white, notwithstanding the contrast of colours. The black
-of the pupil is, in these eyes, too marked, because the colour of the
-iris around it is not deep enough, so that in looking at them we seem
-to see only the pupil. These eyes are expressionless, for their glance
-is fixed and dead; they invariably belong to persons of the lymphatic
-temperament, and they indicate a listless and feeble disposition,
-incapable of enterprise and a cold and indolently selfish nature.
-
-Blue eyes are more significant of tenderness and of a yieldingness of
-purpose than either brown, black, or grey eyes. There are occasionally
-to be met strong characters with this tint of eye, but then they will
-be found to have other indications in the rest of their physiognomy
-which correct the delicacy and yieldingness of this coloured eye.
-Blue-eyed people are not inconstant, like those of the hazel and yellow
-eyes, but they yield from affection.
-
-Angry, irritable persons have frequently eyes of a brownish tint,
-inclined to a greenish hue. Although the purely green eye of which I
-have spoken indicates deceit and coquetry, the propensity to greenish
-tints in the eyes is a sign of wisdom and courage. Very choleric
-persons, if they have blue eyes, have also certain tints of green in
-them and, when under the influence of anger, a sudden red light appears
-in them. Such eyes as these are generally found in connection with the
-sanguine, or, as it is sometimes called, choleric temperament; that is,
-in those persons who have been born under the double influence of
-Jupiter and Mars; but, when we see these red tints in the eyes, it
-would be a sign that, of the two planets presiding over this
-temperament, Mars was dominant.
-
-Clear grey-blue eyes, with a calm steadfastness in their glance, are
-indicative of cheerfulness of disposition, of a serene temper and a
-constant nature. These eyes are peculiar to the Northern nations; one
-meets with them among the Swedes, and also sometimes amongst the
-Scotch. The blue eyes we see among the rare blondes of the South--that
-is, in Italy and Spain--always have eyes in which there are some
-greenish tints; and such eyes, though often called light blue, have
-none of the qualities of serenity and constancy which belong to the
-light blue eyes of the North. Neither must the pleasant light blue eye,
-with the honest glance, be confounded with another sort of eye of a
-pale blue, almost steel-coloured hue, which has a continually shifting
-sort of motion both of the eyelids and the pupils of the eyes. People
-with such eyes as these are to be avoided, as they are indicative of a
-deceitful and selfish nature. Very dark blue eyes, with something of
-the tint of the violet, show great power of affection and purity of
-mind, but not much intellectuality.
-
-Grey eyes, of a somewhat greenish grey, with orange as well as blue in
-them, and which are of ever-varying tints, like the sea, are those
-which denote most intellectuality. They are especially indicative of
-the impulsive, impressionable temperament--a mixture of the sanguine
-and the bilious--which produces the poetic and artistic natures. The
-line--
-
- "The poet's eye, in a fine phrenzy rolling,"
-
-does not suggest a blue, or even a black, so much as the changeful,
-ever-varying tinted, grey eye; and it is a fact that in England (where
-there are more varieties of tints in eyes than in any other country)
-the poets have almost always grey eyes. A biographer of Byron speaks of
-his "beautiful, changeful grey eyes, which deepened in colour when he
-was under the influence of tenderness and passion, and which glowed
-with a red light when he was angry." Shakespeare also had, we are told,
-grey eyes, and so had Sir Walter Scott; whilst Coleridge had eyes of a
-greenish grey. Among the artists, too, eyes of this colour abound.
-
-Black eyes, or what are considered such, are indicative of passionate
-ardour in love. Brown eyes, when not of the yellowish tint, but pure
-russet brown, show an affectionate disposition; the darker the
-brown--that is, the more they verge on to that deepest tint of brown
-which is seen in eyes we are in the habit of calling black--the more
-ardent and passionate is the power of affection. The brown eyes which
-do not appear black--that is, which are not dark enough to appear
-so--are the eyes of sweet, gentle, and unselfish natures, without the
-inconstancy of the light brown or _yellow_ eyes--"golden eyes," as
-they were called by a lady novelist--and which are very little more to
-be trusted than the green eyes already spoken of. The maiden in
-Longfellow's _Hyperion_, of whom he says,
-
- "She has two eyes so soft and brown,
- She looketh up, she looketh down;
- Beware, beware, she is fooling thee,"
-
-must have had these _light_ brown eyes.
-
-Eyes which show no lines when in sorrow or laughter denote a
-passionless and unimpressionable nature. Eyes of a long almond shape,
-with thick-skinned eyelids which appear to cover half the pupil, are
-indicative of genius; if in conjunction the forehead is that which
-shows idealism, and has one deep perpendicular line between the
-eyebrows, which is indicative of originality of mind and which is
-generally to be seen in the forehead of distinguished writers and
-artists. It is very remarkable in all the portraits of Michael Angelo.
-The almond-shaped eye, however, even without this peculiar form of
-forehead, always means a susceptible, impressionable nature. Eyes which
-are large, open and very transparent and which sparkle with a rapid
-motion under well-defined eyelids, denote elegance in tastes, a
-somewhat susceptible temper and great interest in the opposite sex.
-
-Eyes with weakly-marked eyebrows above them and with thinly-growing
-eyelashes which are completely without any upward curve, denote a
-feeble constitution and a melancholy disposition. These eyelashes are
-often seen in people who combine the lymphatic and melancholic
-temperaments--that is, in persons born under the combined influence of
-the two melancholy planets, Saturn and the Moon. The eyes of these
-people are either of a pale, colourless sort of blue, or of a dull
-black without any sparkle in them.
-
-Want of eyelash, like want of eyebrows, shows a general want of force,
-both of body and intellect.
-
-Strong, dark and short eyelashes show force of character and a strong
-and obstinate will.
-
-Eyes with sharply-defined angles, sinking at the corners, show subtlety
-of mind; the sharper the angle and the more it sinks, the greater the
-delicacy of perception it denotes; but when very much developed it
-shows also craftiness amounting to deceit. Well-opened eyes with smooth
-eyelids and a steady and somewhat fixed glance denote sincerity. Lines
-running along the eyelid from side to side and passing out upon the
-temples denote habitual laughter--a cheerful temperament, or, at any
-rate, one in which the sense of humour is strong.
-
-We sometimes see (but it is rare) persons whose eyes are of different
-colours. For instance, one eye will be of a bluish-grey, whilst the
-other will be so flecked with orange or tawny yellow spots as to appear
-what might be called a brown eye. This peculiarity of having eyes of
-different colours is sometimes to be seen in dogs, and very often in
-cats of the Persian breed, or white cats, but it is very rare in human
-beings. An old Italian writer says that people having eyes of different
-colours are likely to become mad. Having, during the whole course of my
-life, only known two persons having this peculiarity, I do not feel
-qualified to pass an opinion as regards this indication. One of these
-persons certainly was mad on several points; and, when it is added that
-the other is the writer of this book, many of its readers may be
-inclined to think that the mediæval physiognomist's theory might very
-possibly be correct.
-
-
-
-
-CHAPTER XXIX.
-
-THE NOSE
-
-
-We often see fine eyes in an otherwise ugly face, but rarely is a
-thoroughly beautiful nose found in a face which could be called ugly,
-for the nose is the keynote of the face, and in it lies the chief
-characteristic of the countenance. Beautiful eyes and beautiful lips
-have, it is true, more charm--it is the expression of the eyes and lips
-of those we love which we most remember in absence--but it is the nose
-which, more than any other feature, most affects the general character
-of the face. This will be seen if we try the experiment of drawing the
-head and face of any beautiful statue--say the Venus of Milo, for
-instance--and, while giving it all its fair proportions of brow and
-cheek and chin, we substitute a small turn-up nose, or, worse still, a
-flat or snub nose, for the noble yet softly gracious line of the nose
-in this most perfect head and how much we should lower the noble type
-of beauty this Venus presents! Of course no one in real life could be
-unattractive with such a brow and beautifully shaped eyes, to say
-nothing of the perfect lips and softly rounded lines of the chin; but
-the nobility of the face would be entirely lost by this alteration of
-the lines of the nose; whilst we might alter the beautiful lines of the
-eyes, narrow the brow, and even take from the softly voluptuous contour
-of lips and chin, yet by leaving untouched the perfect form of the nose
-we should still retain the dignity of expression which is so
-characteristic of this statue.
-
-A nose to be perfect should equal the length of the forehead; it may,
-when the forehead is exceptionally low, be even longer than the
-forehead (and in most of the beautiful antique statues it is so), but
-on no account should it be shorter than the brow. Viewed in front, the
-nose should be somewhat broader at its root--that is, where it starts
-from the brow--than below. The end of it should be neither hard nor
-fleshy, but it should be well defined, though neither very pointed nor
-very broad, for all extremes of forms in any of the features are bad.
-Viewed in profile, the distance from the line of the wing of the nose
-to its tip should only be one-third of the length of the nose. Thus,
-those noses which stand very much out from the face as they near the
-end of the nose, whilst they are low on the bridge and between the
-eyes, are out of proportion. Those having such noses are vivacious, but
-wanting in dignity and force of character. They are impressionable,
-inquisitive and inconstant.
-
-The nostrils (from the different forms of which many indications are
-given) should be pointed above and rounded below. The sides of the nose
-at its root between the eyes should close well with the line of the
-eyebone (as one sees them invariably do in the antique statues), and
-should be at least half an inch in width. Perhaps a better rule of
-proportion--as regards the whole face--is that the width of the nose
-between the eyes should be exactly the length of the eye.
-
-Noses which are arched from their starting-point between the eyes show
-capability of command, energy and force of character. It will be
-remembered that the Duke of Wellington--the Iron Duke--had this sort of
-nose. Of course, this form in excess (as it certainly was in his case),
-without the characteristics of self-control and other good points in
-the face, would not have the same indication. A very prominent nose,
-like the beak of a parrot, with a narrow brow and retreating chin,
-would give stupid obstinacy; but, in an otherwise good physiognomy, a
-prominent nose gives force, command and productive energy.
-
-It cannot, however, be denied that one _sometimes_ comes upon noses
-which are rather small in proportion to the rest of the face and which
-are so devoid of arch as to be almost concave in their line when seen
-in profile, in persons of fairly good understanding; but such noses
-belong rather to those who appreciate, than to those who produce, works
-of literature and art. The people having these noses, provided the
-brows show some intellectuality, will be found to enjoy the beautiful
-influences of works of the imagination, but they themselves possess
-little or no creative power.
-
-Straight noses give indications between these two extremes; they may
-belong to persons of the creative, or simply appreciative, order of
-mind. The form of the head and brow and the line of the eyebrows would
-determine to which class they especially belong. Arched noses with
-broad backs denote force of character. Swift and Napoleon Bonaparte had
-noses of this type. This sort of nose, with an arch starting from the
-root, is seen in almost all the busts of the Roman emperors; it is, in
-fact, frequently called the "Roman nose," and is very typical of the
-race which was for so many ages dominant in Europe; whilst the
-beautiful straight nose (which we are accustomed to call Grecian,
-because it is seen in almost all the antique statues) is quite as
-indicative of the perception of beauty in art and literature and of the
-subtlety of mind which distinguished the Greeks. The creative force in
-the antique straight nose is given by its _proportion_ to the rest
-of the face, for it is always larger in proportion to the brow, cheeks
-and jaws than the strongly-arched broad-bridged nose which we call
-Roman, and thus it is indicative of quite as much productive force as
-the arched Roman nose, with infinitely more delicacy of perception; a
-small straight nose shorter than the forehead and set in a large round
-face, shows timidity and foolishness and is the nose of an
-unintelligent person.
-
-High noses that are not broad-backed are often seen in the faces of men
-of letters, but a high _thin_-backed nose, which seems to start up in a
-sharp ridge when seen in profile, is more indicative of penetration and
-acuteness than force of mind. These noses have generally fine, sharp
-tips, with a downward curve; this is an indication of wit. Voltaire and
-Sterne had such noses; they are generally seen in combination with thin
-and flexible lips and a somewhat pointed chin. A nose which is bent
-downwards is also indicative of sadness of disposition, for it is one
-of the signatures of the melancholy planet Saturn; but wit may exist
-(in fact generally does so) with a somewhat sad temperament. Voltaire's
-wit is almost always cynical, and cynicism grows out of a want of hope,
-a want of belief in one's fellow-creatures; whilst in Sterne (the
-writer of the inimitable though now little-read work, _Tristram
-Shandy_) there is always, even in his brightest sallies, an
-under-current of pathetic sadness. People with this sort of nose are
-sarcastic, somewhat hypochondriacal and very often reserved and morose.
-If, with this form of nose, the nostrils are narrow and almost closed
-and the wings of the nose pinched, the indications are still more those
-given by the melancholy planet Saturn; the more elastic and freely
-moving the nostril with this form of nose, the more bright and the less
-sardonic the wit. A person with a broad Roman nose, having this violent
-downward curve over the mouth, is one to be avoided, for this
-combination denotes a secretly voluptuous temperament--a man or woman
-of strong passions hidden beneath a cold and reserved manner.
-Broad-backed fleshy noses, round and full at the tips, with
-intellectually good brows, show a genial temperament and a sense of
-humour. Without the good indications of the brow they would only show
-love of good cheer and a certain good-humoured carelessness.
-
-Snub-noses--that is, noses short in proportion to the brow and with
-round fleshy tips--are indicative of commonplace, somewhat coarse
-natures, especially if the nostrils are round and the bridge of the
-nose very low between the eyes.
-
-What is called a turned-up nose shows vivacity of temperament,
-jealousy, talkativeness, impudence (growing out of a certain amount of
-self-esteem) and petulance.
-
-There is a sort of delicately turned-up nose which we often see in
-pretty women, and which, though it shows wilfulness and coquetry--things
-not uncommon in pretty women, since the song tells us--
-
- "For oh! these charming women,
- They all have wills of their own"--
-
-is significant of delicate perceptions and a certain intuitive
-cleverness which is thoroughly feminine and, therefore, very attractive
-to men. These noses--which are especially the noses of charming
-women--are well raised at the root; in fact, have all the delicacy of
-line of a straight nose, except that the extreme tip has an upward
-curve. It must have been of one of these delicate and thoroughly
-feminine noses that Tennyson must have been thinking when he describes
-one of his heroines as having a nose--
-
- "Tip-tilted like a flower."
-
-Flexible nostrils, which quiver under excitement, show an ardent,
-poetic, and sensitive temperament.
-
-Very open and flexible nostrils show ardour in love and if seen in
-conjunction with large, full and slowly-moving eyes and a full under
-lip, indicate a voluptuous and passionate nature.
-
-Closed nostrils show melancholy, timidity and absence of hopefulness--a
-person who habitually sees everybody and everything _en noir_.
-
-Round nostrils show animal instincts and a somewhat low type of
-individuality; they are generally seen in snub-noses, which of
-themselves give the same indication.
-
-Noses which have on both sides many wrinkles, which become visible on
-the slightest motion and never entirely disappear, even in a state of
-complete rest, show cunning and sarcasm.
-
-When the line (which, after extreme youth, is always more or less seen
-from the nose to the mouth) is very strongly marked, and descends at a
-great distance from the corners of the mouth to the chin, it evidences
-an anxious and melancholic nature.
-
-
-
-
-CHAPTER XXX.
-
-THE MOUTH, TEETH, JAW AND CHIN
-
-
-A mouth to be beautiful should be in harmony as regards proportion with
-the rest of the features of the face; that is, it should be neither
-remarkably large nor remarkably small. Neither the upper nor the lower
-lip should project beyond the other when the mouth is closed. The lips
-should shut easily over the teeth, and in doing so should fall into a
-flowing line of curves without compression. The more the lips are
-endowed with motion and the more richly they are coloured, the finer
-and more delicate are the human passions they indicate.
-
-An excess of even good form is bad; thus if the full rich lines of a
-generous mouth are exaggerated, we have the indication of sensuality,
-whilst the finer susceptibilities shown by delicately moulded lips may,
-by a little excess towards thinness, give fastidiousness and even
-avarice.
-
-The middle-sized mouth, which combines strength with warmth of feeling,
-whilst it steers clear of coarseness, is what gives the best
-indications. Such a mouth shows courage, generosity, and affection.
-
-A mild, somewhat overhanging upper lip generally signifies goodness, or
-rather kindliness of disposition; but if very much overhung it shows
-weakness of purpose and an irresolute, vacillating character and, where
-the under lip is small as well as retreating and the chin also small,
-it is an indication of imbecility.
-
-A mouth in which the lower lip projects shows prudence amounting to
-distrust and melancholy. We often see this form of mouth with the
-down-drooping nose; both are indications of the dominating influence of
-Saturn at the birth of the person possessing such a combination of
-features. If the under lip should be very full as well as projecting
-and droops in a flaccid manner without closing over the teeth when the
-lips are in repose, it is a sign of a sensual nature. Of course an
-intellectual brow and a firm and energetic form of nose would lessen
-the evil of such an indication, but there is always a tendency towards
-the grosser pleasures of the senses in a person with such a form of
-lips.
-
-A mouth with lips habitually apart denotes eloquence, if the rest of
-the face gives intellectual indications; but if none of the signs of
-mental power are there, it would only signify a chattering person
-wanting in decision and promptness of action.
-
-A firmly closed mouth shows courage, fortitude and determination; even
-an habitually open mouth will be seen to close with a sort of forced
-compression when endurance is necessary. Everyone closes the mouth
-after saying, "I am resolved."
-
-A somewhat long mouth, with an upward curve at the corners and with
-thin and very flexible lips, indicates wit. Voltaire had this sort of
-mouth.
-
-Full, flexible lips, with a hollow in the centre of the lower lip, and
-with the corners turning upwards, show a joyous, hospitable and rather
-materialistic temperament, with good spirits and sense of humour.
-
-A mouth with full lips, but in which one side of the lower lip is
-larger and fuller than the other, was said by the old writers to denote
-ardour in love and general sensuousness. It is one of the signatures of
-Venus.
-
-A wart just above the upper lip shows a coarse and cruel nature; a mole
-in the same place, love of the opposite sex.
-
-Of course, the shape and placing of the teeth are not without
-significance in the character given by the mouth. When the upper gum
-shows above the teeth directly the lips are open, it is a sign of a
-selfish and phlegmatic nature.
-
-Short, small teeth are held by the old physiognomists to denote
-weakness and short life, whilst rather long teeth, if evenly set in the
-head, denote long life.
-
-The more the teeth, in point of size, shape and arrangement, approach
-to those of the carnivorous animals, the more violent are the animal
-instincts in the person; whilst the more the human teeth in shape and
-position approach to those of the graminivorous animals, the more
-placid is the character.
-
-White, medium-sized and evenly-set teeth, which are seen as soon as the
-mouth is open, but which are never exposed--that is, which do not at
-any time show the gums--are a sign of good and honest natures.
-
-Projecting teeth show rapacity; small, retreating teeth, such as are
-rarely seen unless in laughter, show weakness and want of physical and
-moral courage. The lower teeth projecting and closing over the upper
-range are indicative of a harsh nature.
-
-In most faces the mouth or the nose is the more prominent. Where the
-nose is the dominant feature, energy, command and force of willpower,
-combined (unless the mouth and eyes show great kindness) with
-selfishness, show themselves in the character. Where the mouth, jaw and
-chin are more prominent, the appetites and passions are strong.
-
-Broad jaws, with a broad forehead, mean both force of intellect and
-force of animal passion. Byron had this combination of brow and jaw;
-but the lips, which were full and flexible and with upward-curving
-corners, redeemed the sensuality given by the jaws, and the
-intellectual qualities shown by the form of the brow were in excess of
-the indications of voluptuousness given by the lower part of the face.
-
-A person who has the jaw much broader than the brow and head has strong
-passions and a weak intellect--the very worst possible combination.
-
-When the jaws are massive and yet the head and brow are more so, we
-have a powerful character, who can exert all his intellectual powers on
-one subject--one who has the very valuable faculty of concentration.
-
-Where the jaws are much narrower than the head, we have a character
-where the sensual instincts are feeble, and where intellect is of a
-subtle and refined order. Wit is shown by this form of face, especially
-if the nose is delicately outlined, the tip pointed and somewhat
-drooping over the mouth.
-
-When the lips retreat on each side of the mouth and open into an oval
-form, it denotes a subtle intelligence, tact and refinement of nature.
-
-A sharp indentation immediately above the chin, between it and the
-lower lip, shows good understanding.
-
-A pointed chin is a sign of craftiness, wisdom, discretion and
-intuitive perception.
-
-A soft, fat, double chin shows epicurism and love of sensual pleasures
-of all sorts; it also indicates an indolent temperament. We never see
-such chins in persons of an energetic, restless nature. Charles James
-Fox, who was excessively indolent, had this chin even in youth.
-
-A flat chin shows avarice and a cold, hard nature; a small chin
-indicates weakness, want of will-power and cowardice.
-
-A retreating chin is a sign of silliness and, if the brow is shallow,
-of imbecility.
-
-Where the space between the nose and the red part of the lip is short
-and very sharply cut, it indicates refinement and delicacy of
-perception, but not much power--no _force_ of intellect; where this
-space is unusually short, it denotes silliness and weakness of purpose.
-A rather long but not flat upper lip, especially where the serpentine
-line of the middle of the mouth is much defined and the middle of the
-lip droops to the lower lip and is very flexible, denotes an eloquent
-person. We see this form of upper lip in the bust of Demosthenes, the
-greatest of Grecian orators; in Cicero, whose eloquence was unsurpassed
-in his age; in Fox, whose powers of oratory were great; in the
-demagogue Wilkes, in Edmund Burke, in Lord Palmerston and numerous
-other orators.
-
-A very long upper lip, which is flat and which belongs to a straight
-and formless or too thick-lipped mouth, is a sign of a low and vicious
-type of character. Almost all the faces of great criminals have this
-defect, combined with massive jaws and high cheek-bones, which last
-defect is, both Lavater and Perneti (a great French writer on the
-subject of physiognomy) tell us, a sign of rapacity and egotism.
-
-A round chin, with a dimple in it, denotes kindliness and benevolence,
-a tender and unselfish nature. In a very massive double chin the dimple
-increases the quality of love of sensual pleasures. A square and
-massive chin shows strong perseverance and determined will.
-
-An old Italian writer says that "women with brown, hairy moles on the
-chin, especially if these excrescences are on the under part of the
-chin, are industrious, active and are good housewives"; they are also,
-he says, "very sanguine and given to love follies. They talk much and
-whilst they are easily excited to return a love which is offered them,
-they are not so readily prevailed upon to become indifferent. For this
-reason," he goes on, evidently speaking feelingly and probably
-therefore with personal experience of the matter, "they should be
-treated with circumspect, calm friendship and kept at a distance by a
-mildly cold dignity of demeanour." He gives no directions as to how
-this effective "demeanour" is to be arrived at, but at once passes on
-to another remark on the subject of moles, and tells us that "a mole
-upon the upper lip, especially if it is bristly, will be found in no
-person who is not defective in something essential." This is rather a
-wide way of putting the matter. Are people with this blemish morally,
-mentally, or physically deficient? Wanting in kissableness such a mouth
-might be and this, perhaps, where lips are concerned, _is_ "something
-essential."
-
-
-
-
-CHAPTER XXXI.
-
-THE HAIR AND THE EARS
-
-
-Black hair which is perfectly without any wave or curl and which lies
-in lank, lifeless masses, shows a melancholic disposition; a black
-beard which grows sparsely gives the same indication.
-
-Black hair which is wavy or curling and very thick, shows force of
-affection and a certain ardour in love matters; so also does a thick
-and crisp-textured black beard and moustache.
-
-The lank, thin and uncurling black hair is one of the signatures of
-Saturn alone; the crisp, curling and thickly-growing black hair is the
-combination of Venus and Saturn. The united influence of these two
-planets on a life gives force of character, for the warmth and impulse
-given by Venus is tempered by the distrust of Saturn into prudence;
-thus people with the crisp dark hair get the ardour, combined with
-prudence, which produces success in life.
-
-Chestnut hair of a soft and silky texture and not very thick, gives
-romance of character. This is not the sort of hair which is ever seen
-on very commonplace, realistic persons. Men having this soft
-chestnut-coloured hair are somewhat effeminate in their tastes and are
-wanting in energy and decision. Both men and women having it are
-incapable of strong affection: they are attracted by the opposite sex,
-but they are more given to having a series of small interests than one
-strong love. If this hair is found in combination with the golden
-coloured eyes it is indicative of coquetry in the nature; if with pale
-blue-grey eyes we have languor and caprice--a sentimental and
-inconsistent person.
-
-Bright golden hair of a rich deep colour and of a crisp and waving
-texture growing thickly on the head and somewhat low on the brow, shows
-an ardent, poetic and artistic temperament. It is the signature of the
-Sun. Such people are generally fond of music, painting, or poetry. Both
-men and women having this sort of hair are intuitive in their
-judgments; they do not reason about things, they feel them; they are a
-little quick of temper, that is, easily ruffled, but they are quickly
-appeased; they are gay and interest themselves in art, even if they are
-not artists themselves.
-
-Persons with red hair are ardent and vivacious, especially if, with it,
-they have hazel eyes, in which case they have a bright and quick
-intelligence, for reddish hair and bright brown eyes are the signature
-of Mercury. They have a great deal of natural facility for study and
-good memories, but they are selfish and rather cruel.
-
-Red hair, with blue eyes, shows the same warmth of character, but not
-so much intelligence, and if, with blue eyes and red hair, the eyebrows
-and eyelashes are white--as is often the case--it is an indication of a
-weak and capricious nature.
-
-People with red-brown hair, which is very thick and redder over the
-ears and at the temples and on the beard than on the head, are
-courageous and hot-tempered. This coloured hair is the signature of the
-fiery planet Mars, and (unless the other indications in the face are
-widely different) shows activity and energy in all things. It augments
-the indications of force and power given by other features and in art
-gives sense of colour in painters--force of language and eloquence in
-poets--and power in musical composition.
-
-Hair of that colourless, fair colour which French writers call _blond
-cendré_, or ash-coloured, denotes persons of an indolent and dreamy
-temperament. It is the indication given by the dominant influence of
-the Moon at birth. Persons with this sort of hair, in combination with
-large blue-grey eyes, with fair, long, but straight eyelashes and very
-slightly-defined eyebrows of the same blonde colour and white, soft
-skin, are capricious, languid, imaginative and somewhat melancholic.
-The imaginative and excessively indolent Théophile Gautier, the French
-novelist, was of this type in combination with Venus, giving a
-sensuousness amounting to sensuality.
-
-Women having this sort of colouring of skin and hair are romantic and
-devoted in a resigned, but not active spirit--that is, they are more
-generous in words than deeds, for they are incapable of exertion and
-still less of perseverance.
-
-Persons with soft, wavy brown hair are affectionate, gentle and loving.
-Their first instincts are always good and kind. They like society and
-are gracious in manners and, though they are not quite as indolent as
-those having the soft ash-coloured hair--indicative of the Moon's
-influence--they are still lovers of repose and elegant comfort.
-
-People with this soft brown hair (which is one of the signatures of the
-planet Venus) are very open to the impressions of beauty and they abhor
-noise, discords and quarrels; men with this sort of hair, like those
-with _pale_ golden hair, are somewhat effeminate and are easily moved
-to tears.
-
-Large, fleshy ears (especially those which have the lobes of the ears
-red) show coarseness of nature and sensuality.
-
-If the ears stand forward so as to show their entire form when the face
-is seen from the front, it denotes rapacity and cruelty.
-
-Long-shaped but small ears indicate refinement; a very small ear, close
-to the head, shows delicacy of perception, refinement, but also
-timidity.
-
-The ears should be so placed as not to be higher than the eyebrow, or
-lower than the tip of the nose; if set in too sloping a direction they
-show timidity; if too upright, animal instincts, courage, amounting to
-cruelty, especially if they obtrude from the head.
-
-A thin ear shows delicacy and poetry of feeling; a thick ear the
-reverse.
-
-Middle-sized ears, rather close to the head, are the signature of
-Jupiter; large ears of Saturn; delicate, long-shaped ears of the Sun
-and also of Mercury, only those bearing the signature of Mercury are
-more coloured, whilst those of the Sun are pale.
-
-Very upright ears, standing forward, are the signature of Mars; small,
-round ears, delicately tinted pink and close to the head, show the
-influence of Venus; whilst middle-sized round ears, of a very pale
-colour, are indicative of persons born under the influence of the Moon.
-
-
-
-
-CHAPTER XXXII.
-
-THE SIGNATURES OF THE PLANETS ON THE FACE
-
-
-Those born under Jupiter have fresh complexions, and large blue or grey
-eyes, with thick and well-formed eyelids; and their eyelashes are long;
-their hair--which is chestnut, or, if tending towards black, is a
-brown, not _blue_, black--and is crisp or curly. They generally have
-well-marked and somewhat arched eyebrows, and their noses straight,
-with a slight rise on them, and somewhat fleshy; their mouths are
-large, but with generous, curved and full lips, the upper lip
-projecting over the lower one; their teeth are large, and the two in
-front are generally longer than the rest; their cheeks are fleshy and
-firm; the cheek-bones are well defined, without being prominent; the
-chin is large, with a dimple in the centre of it; their ears are of
-medium size and lie somewhat close to the head. The men born under
-Jupiter have thick curly brown beards, but they get bald early in life.
-
-Those born under the dominant influence of the melancholy planet Saturn
-have no colour in their cheeks and their skin is dark and of a yellow
-or leaden tint. It is seldom that anyone is born under the _sole_
-influence of one planet; the ugliness of the Saturnian type is much
-mitigated by the influence of Jupiter, and the union of Venus and
-Saturn often produces positive beauty of a serious and melancholic
-sort. Many of the strikingly beautiful Spanish faces show the combined
-influence of these two planets.
-
-Those born under the dominant influence of the Sun have regular
-features and a soft skin of a yellowish tint, but with colour in the
-cheeks and lips. Their hair is of a _red_-gold tint; and their eyebrows
-are well defined, but not dark. Their eyes are of a golden brown or
-greenish grey, and are brilliant and well shaped; the eyelashes and
-eyebrows are a little darker than the hair, but not dark, and are
-traced in a long sweeping line extending to the temples. Their cheeks
-are well covered, without being plump; their jaws are a long oval and
-neither the cheek-bones nor the jaws are at all prominent. Their teeth
-are even, but of rather yellowish white; their mouths are neither large
-nor small, but well formed, with the lips meeting evenly, that is,
-neither the upper nor the lower lip projecting. Their ears are
-medium-sized, rather long in shape, lying close to the head and the
-lobes of them are fleshy and slightly coloured of a pinkish hue. The
-chin is rather prominent, round and well shaped, like those of the
-antique statues, but not fleshy. Those born under the influence of the
-Sun have frequently weak sight, especially if their birth has taken
-place during an eclipse.
-
-Those born under the influence of Mercury have long faces and delicate,
-mobile features. Their skin is fine, soft and honey-coloured, but
-changes in tint with every passing emotion, for those born under
-Mercury are of a nervous, vividly intuitive and highly excitable
-temperament. Their hair is of a reddish, not golden, brown (what is
-called auburn), very fine and supple. Their foreheads are high and
-prominent and their eyebrows, which are long and delicately traced, lie
-very low over the eyes and are very mobile, moving up and down with
-every emotion. The eyes of those born under this planet are somewhat
-sunken, of a hazel or dark grey colour; they move quickly and have a
-restless expression; the white of the eye is (like that of those born
-under Saturn) of a yellowish tint and the lids of the eyes are thin and
-do not droop at all over the eyes. Their noses are straight and long,
-with delicate nostrils; the tip of the nose is round rather than
-pointed and frequently has a small cleft or dimple, which is, however,
-only faintly perceptible in certain lights, at the extreme tip. They
-have delicate mouths which droop a little at the corners and the lips
-are thin, mobile and often a little apart; the upper lip is thicker and
-more projecting than the lower lip; the teeth are small and even. The
-chin is long, pointed and a little projecting at the lip. The head is
-oval in shape and full at the temples.
-
-Those born under the planet Mars have short, square-shaped, but small
-heads, with high foreheads on which the hair grows far back, leaving
-the forehead much exposed. Their faces are round, sometimes square at
-the lower part and their skin is hard and dry and of a red colour,
-especially about the ears, which are long-shaped, set straight rather
-high on the head and slightly projecting from it. Their eyebrows are
-short, sometimes stopping midway over the eyes, very bushy and lying
-close to the eyes. Between the eyebrows are several short upright
-wrinkles. The hair is of a red or sandy colour, coarse and very curly.
-The beards of men born under Mars are thick, short and of the same
-fiery colour as the hair. Their eyes are grey or red-brown and are
-large, round, very wide open and have a fierce and fixed glance; the
-white of the eye in those born under this fiery planet is often
-bloodshot. Their mouths are large, but the upper lip is thin and
-compressed; the lower lip is somewhat thicker than the upper lip. Their
-noses are short and aquiline, with dilated nostrils. Their chins are
-projecting and somewhat massive, for the jaw is strongly developed; the
-cheeks are somewhat hollow, and the cheek-bones very marked.
-
-Those born under the influence of the Moon have round-shaped heads,
-broad at the temples (showing ideality--the Moon gives imagination).
-The forehead is full over the eyebrows, but retreats at the top; it is
-broad and low. The complexion is pale, almost colourless and the skin
-is soft. Their hair is fine, soft, of a colourless fairness, no golden
-tint in it and it is never very thick. The faces of those born under
-the dominant influence of the Moon are large and round; the nose is (in
-proportion to the face) small and short and its tip is round rather
-than pointed. Their eyes are of the same colour as the hair, very
-lightly marked, but joining over the nose. Their mouths are small; but
-their lips, which are of a pale colour, are full and pouting and are
-rarely quite closed. Their teeth are large and often irregular. Their
-chins are round, fleshy and retreating. Their ears are also round,
-medium size, pale coloured, set in a very sloping direction and lying
-close to the head. If born during an eclipse of the Moon, those born
-under this influence are sometimes blind.
-
-People born under the influence of Venus have a great resemblance to
-those born under Jupiter, only their beauty is more feminine. They have
-the white and delicately-tinted skin of the Jupiterians, but it is
-still softer, finer and more transparent. They have round faces, the
-cheek-bones and the jaw-bones are not at all apparent; their cheeks are
-softly rounded and generally ornamented with dimples; their foreheads
-are a delicate oval, rather low and have delicate azure veins at the
-temples. The eyebrows of persons born under the influence of this
-beautiful planet are dark and beautifully marked in long sweeping but
-very delicate lines, but not meeting over the nose. Their hair is long,
-thick, soft, undulating and of a light brown colour. Their noses, which
-are broad at the root between the eyes, are straight and delicate, not
-at all pointed, but rather rounded at the tip;[20] the nostrils are
-round, but dilated and very flexible. Their eyes are large, clear,
-humid and somewhat projecting; the pupils are large in proportion to
-the white of the eye, which is limpid and of a clear, transparent,
-bluish white; their eyelids are well formed and blue veined. Their
-mouths are small and of a beautiful red colour; the lips are full,
-especially the lower one, the right side of which is slightly larger
-than the left. This is a particular Signature of Venus, as is also a
-small dimple near the corner of the mouth. The teeth are white, small,
-evenly set in coral-tinted gums and the chin is soft and round and has,
-like the chin of Jupiterians, a dimple in it.
-
- [20] The noses of those born under Venus are frequently
- slightly upturned at the tip; they are never bent downwards
- over the lips.
-
-Although the signs just described are those given by each planet, as it
-rarely happens that anyone is born under the influence of one planet
-only, but generally of two or more, it is rarely that we see a face
-which gives the pure type of any one planet without admixture. It is
-for the physiognomist to examine and ascertain which is the dominant
-planet.
-
-The union of Saturn and Jupiter gives a pale skin without freshness,
-chestnut hair and eyes and a rather dark skin, the face a round oval
-and dark grey eyes.
-
-The union of Venus with the Sun gives brilliant beauty, a beautiful
-complexion, hair of a golden brown or rich chestnut, full, bright brown
-eyes with long eyelashes, a delicately-formed nose and a beautiful
-mouth. People born under this junction have much charm of manner, but
-they are not very constant; for, although they have much tenderness,
-they are of the ardent artistic nature, which, from its very
-susceptibility, cannot be expected to be as constant as those who are
-less impressionable; they are people of quick rather than deep
-feelings; they love readily, but as readily forget.
-
-"Women born under the double influence of Venus and the Sun," says an
-old Italian writer on the subject, are "loving, lovely and beloved."
-
-
-
-
-CHAPTER XXXIII.
-
-CONCERNING THE MOLES ON THE FACE AND THEIR REFERENCE TO THOSE ON THE
-BODY
-
-
-All moles are the result of the influences of the planets, or of the
-sign of the zodiac rising at birth. The moles which are given by Saturn
-are black; those by Jupiter are of a purple-brown colour; those by the
-Sun, yellow; by Venus, light brown; Mercury, honey-coloured; by the
-Moon, of a bluish white.
-
-A mole on the right side of the forehead, just beneath or on the line
-of Saturn (see plate) indicates another on the right side of the
-breast. This mole shows to a man, if yellow, that he will have good
-fortune in sowing, tilling the earth, or building; if red, he will have
-luck all through his life, by his courage and force of character; if
-black, his condition will be changeable; if the mole is purple, he will
-be advanced to be the head of his family. In a woman a mole in this
-position shows fortune by inheritance or legacies; but if black in
-colour she will not live long.
-
-A mole on the left side of the forehead on the Line of Saturn indicates
-another on the left side of the back and shows to a man imprisonment
-and disaster; if honey-coloured, his trouble comes from women; if red,
-from quarrels with enemies; if black, he will be unfortunate all his
-life. To a woman it foretells that she will live out of her own country
-and if black she will be a widow.
-
-A mole in the middle of the forehead on the Line of Saturn shows
-another in the middle of the stomach and foretells to a man, if it
-should be black, that he will suffer much ill-fortune for the sake of
-women; if red, he will get some pleasure out of his troubles with them;
-and if yellow, he will rejoice through women; if of a pale bluish
-colour and raised, he will be much beloved of women. To a woman, of
-whatever colour it may appear, it indicates that she is of a very
-luxurious nature and will suffer from her own folly as regards men.
-
-A mole on the right side of the forehead on the Line of Jupiter shows
-another on the right side over the liver and indicates, to a man, good
-fortune in marriage, long life and large possessions; but if black, he
-will not be quite so lucky as regards marriage. To a woman it shows,
-whatever its colour, good fortune in all that concerns her.
-
-A mole on the left side of the forehead on the Line of Jupiter shows
-another on the left side of the stomach and indicates, to a man, love
-of material enjoyments, especially if it be of a purple colour; if
-honey-coloured, he is not so sensual. To a woman such a mole shows her
-to be imprudent and quite regardless of her own honour.
-
-A mole in the middle of the Line of Jupiter shows another in the middle
-of the breast and indicates that a man is of a harsh nature; if red, he
-is furious in temper; if black, he is singularly unfortunate in all his
-undertakings; but if raised and of a bluish colour, he is less unlucky.
-To a woman it indicates that she is foolish, prattling and idle.
-
-A mole on the right side of the Line of Mars shows another on the right
-arm and indicates, if red, military distinction; if honey-coloured,
-good fortune with horses and other cattle; if black, danger from
-four-footed beasts; if much raised and somewhat red, it shows good
-fortune in all things relating to fire. To a woman this mole shows a
-rich husband, full of kindness and complacency.
-
-A mole on the left side of the Line of Mars indicates another on the
-left arm, and shows a man to be of a quarrelsome nature; if black, he
-is treacherous and loses much by four-footed beasts and by
-horse-racing; if purple or yellow, he is involved in quarrels about
-women. Such a mole, whatever its colour, shows a woman to be very
-unfortunate in her love affairs, and likely to be betrayed by her
-female friends.
-
-A mole in the middle of the Line of Mars indicates another on the left
-side of the belly; if red, the man is likely to be guilty of
-manslaughter and if any other colour he is sensual. To a woman this
-mole shows vanity and, if black, she is likely to be the cause of the
-death of some friend, but more by mischance than by design.
-
-A mole on the right side of the forehead on the Line of the Sun
-indicates another on the right breast and intimates, to a man, of
-whatever colour but black, riches and honours; if black, his good
-fortune will not be so great and will come, not from his own merits,
-but from the exertions of friends. To a woman it shows an affluence of
-the goods of fortune; but if black she will have to be very subservient
-to her husband.
-
-A mole near the right ear shows another on the right side of the belly,
-not low down and signifies, to a man, a blow on the head, some accident
-to that ear, whereby he may lose his hearing; if black, these evils are
-the more to be apprehended. To a woman it shows the loss of those
-things she most values.
-
-A mole on the left ear shows another on the left side, low down on the
-belly. This mole indicates to a man persecution from enemies. If it be
-of a red colour, that he will go near to committing murder by reason of
-women; if black, or even honey-coloured, it is still of evil indication
-and shows quarrels and violent death. To a woman, let it be of
-whatsoever colour, it shows that she will be the cause of death to
-someone; let her, therefore, shun to meddle with poison.
-
-A mole on the right cheek shows another on the right hip and indicates,
-to a man, that he will have great charm of manner towards women, and be
-much beloved by them; this, whatever its colour. To a woman also it
-shows happy marriage and that she will be vehemently beloved.
-
-A mole on the left cheek shows another on the left hip and indicates,
-to a man, a wandering existence and short life; if black, he dies by
-violence. To a woman it threatens sharp and hard fortune, especially in
-love matters.
-
-A mole on the right side or corner of the mouth shows another at the
-right side of the lower part of the spine and shows, to a man, that he
-shall much increase his wealth by reason of his own sagacity; but if
-honey-coloured, his good fortune will come by women. To a woman such a
-mole shows she will abound in wealth and be vehemently beloved; if
-black in colour, with all these advantages, she will yet suffer from
-the scandal of envious women friends.
-
-A mole on the left side of the mouth indicates another on the left side
-of the base of the spine and shows, to a man, that he will be entangled
-with a woman he cannot marry, and have illegitimate children. To a
-woman it shows a likelihood of the same disgrace.
-
-A mole in the middle of the upper lip shows another on the lowest part
-of the body and indicates, to a man, that he will be miserable from
-various perils, but above all from women. To a woman this mole shows
-sickness and weakness from internal diseases.
-
-A mole beneath the middle of the under lip shows another on the knee
-and indicates, to a man, that he will undertake long and perilous
-journeys, by reason of which he shall see many strange countries; if
-honey-coloured, he will gain wealth from strangers and marry a rich,
-foreign wife. Such a mole shows a woman to be thoughtless and likely to
-marry a foreigner and live much out of her own country.
-
-A mole upon the middle of the chin shows another upon the right foot
-and indicates, to a man, that he shall have good fortune through women.
-To a woman happy marriage, but worry for her children.
-
-A mole on the right side of the chin shows another on the right haunch
-and indicates, to the man, that he will be of great intellectual
-capacity; if black, he will be a searcher in occult matters. In a woman
-it shows good fortune, happy marriage and long life, whatsoever may be
-its colour.
-
-A mole on the left side of the chin shows another on the left haunch
-and indicates, to a man, inconstant fortune, much worry of mind and
-bodily discomfort. In a woman it shows ill-health and, if of a pale
-bluish colour, danger by water.
-
-
-
-
-CHAPTER XXXIV.
-
-CONCERNING THE MOLES WHICH HAVE NO CORRESPONDING MOLES ON THE FACE
-
-
-A mole on the right side of the throat shows to a man great wit but
-short life, whatever may be its colour. To a woman it indicates a
-reasonably happy life, but danger and pain from childbirth.
-
-A mole on the left side of the throat threatens a man with dangerous
-falls from horses or from high places. To a woman the same and, should
-the mole be of a pale colour, danger by water.
-
-A mole at the nape of the neck indicates to either man or woman great
-danger of untimely death by water.
-
-A mole in the midst of the throat--that is, on the gullet--shows to a
-man much danger of death by strangulation or hanging. To a woman peril
-in sickness and, if the mole should be black in colour, she dies.
-
-A mole immediately under the right breast shows to a man that he will
-be lucky in agriculture. To a woman that she shall receive inheritance
-from the dead; if black, her father is killed by accident.
-
-A mole under the left breast shows a man to be of a malignant nature
-and furious of temper, but strong in love. To a woman it indicates
-great constancy and suffering by reason of that constancy.
-
-A mole on the knee, whether left or right, predicts, to either man or
-woman, long and various journeys. Such persons will marry entirely for
-their own fancy, probably foreigners, and will be very fortunate in
-their marriages.
-
-A mole on the calf of the right leg shows to a man that by his own
-ingenuity and learning he shall attain a high position; if black, he
-will receive some sorrow from women; but if the mole should appear
-_raised_ he marries a lovely person--has only one wife and lives
-happily. To a woman it shows a fortunate, good and rich husband and
-that she will have many children and live long.
-
-A mole on the lowest part of the body shows to a man that he is of a
-very luxurious nature and that he shall be enriched by marriage. A
-woman having this mole is rather sensuous, but--on the whole--faithful
-to her husband.
-
-A mole on the right shoulder shows a man to be fortunate in his
-undertakings; if red, he has a large fortune with his wife. To a woman
-it indicates a marriage above her expectations; but if black, she
-buries her first husband and marries again.
-
-A mole on the right foot shows to a man that he will be clever in
-acquiring foreign languages and that he will be a great student of
-occult matters. To a woman it promises a fortunate and happy, long
-life; if black, this good fortune is somewhat chequered with troubles.
-
-A mole on the left foot denotes a man to be rash and of an evil and
-vagabond disposition. To a woman it shows much care and trouble and, if
-black, danger in travelling.
-
-If the second toe in a foot should stretch out much beyond the great
-toe, it shows, to either man or woman, riches and a happy and
-prosperous life.
-
-A mole on the left shoulder predicts to a man much worry in money
-matters. To a woman it shows a life of continual anxiety and
-humiliation by reason of her own vanity. If black in colour, she
-suffers some serious disgrace from her own conduct.
-
-A mole on the lower part of the neck on the right side near the
-shoulder shows a man to be very covetous. To a woman it indicates that
-she will be beloved of princes or great personages far above her in
-rank.
-
-A mole on the neck near the left shoulder indicates to either man or
-woman disgrace from evil practices.
-
-
-
-
-CHAPTER XXXV.
-
-CONCERNING THE MARKS GIVEN AT BIRTH BY THE SIGNS OF THE ZODIAC
-
-
-By a knowledge of the signature given by the signs of the zodiac, when
-rising at birth, we may sometimes ascertain the hour of nativity, or,
-at any rate, go near enough to it to be able to work out the horoscope
-after a fashion, supposing the exact date to be impossible of
-attainment.
-
-A person born when the first part of the sign Aries is rising will have
-a small raised mole amongst the hairs of the head; if the second part
-of the sign happened to be rising at the birth, the mark or mole would
-be raised in the form of a pea or wart and would be seen on the
-forehead; if the third part of the sign arose at birth, the mark would
-appear below the mouth, or towards the chin. Those persons having these
-marks of Aries on any of the parts described will generally be found to
-have the mark of Mars in the lowest part of the body, also in the form
-of a raised mole or wart.
-
-When Taurus is rising at a birth, the native bears a mark in the front
-of the throat, sometimes in the form of a raspberry or red-coloured
-mole, which mark is always ill in its effects. Should the second part
-of the sign Taurus have been rising at the nativity, the person will
-have the mark at the side of the throat. If the third, the same mark
-will appear on the nape of the neck, but then it will be more raised
-than the two former moles.
-
-Those born under Gemini have their marks in the arms. If the first part
-of the sign arose at birth, they bear its mark on the right arm, near
-the shoulder; if the second, on the same part of the left arm and if
-the third part of the sign arises at birth, the native bears the mark
-on the right arm, but below the elbow and generally near the wrist.
-
-When the sign Cancer is in the ascendant, the mark is on the upper part
-of the right breast in the form of a flower or a hare's foot, of a
-whitish colour, and commonly having a hair or two springing from it. In
-the older days this mark was supposed to be an evidence of witchcraft
-in a woman and many poor creatures have lost their lives for this.
-Those born under the second part of the sign Cancer have the mark lower
-down on the breast and when the third part of Cancer is rising at a
-birth, the sign is nearly under the breast.
-
-When Leo is in the ascendant at birth, the sign is on the left breast
-and, in the same manner, if the sign appears high up on the breast it
-indicates that the first part of the sign was ascending; if near the
-middle, the second; and if on one side, towards the left armpit, the
-third part of the sign must have been ascending at birth.
-
-In nativities under Virgo the mark is on the upper part of the stomach,
-that is, between the two breasts, when the first part of the sign
-ascends; those born when the second part is rising have the mark near
-the navel; and those when the third part is rising quite low down on
-the stomach. Those that are thus marked are very inconstant. The moles
-given by Virgo are flat, and of a reddish colour.
-
-When Libra is in the ascendant, the marks are raised like warts, and
-are small, soft, and hairy; when the first part of the sign is rising
-the mark is near the loins; when the second, towards the centre of the
-stomach and the third part of the sign throws the mark to quite the
-lower part of the body.
-
-Those born under Sagittarius have the mark of the sign in the thighs
-and these moles are raised like bulbs and are very big. When the first
-part of the sign is rising, the mark is on the right thigh; when the
-second part is rising, on the left thigh and those who have the third
-part of Sagittarius rising at their birth are so marked on the right
-haunch.
-
-Those born under Capricornus have the marks on the knees, which marks
-are quite flat. When the first part is rising, the mark is on the right
-knee; when the second, on the left, and when the third, the mole is
-under the knee.
-
-It will be remembered that the sign Aquarius governs the legs;
-therefore those who are born with this sign ascending have the mark of
-it (which is a long-shaped mole) on the right leg (this mark shows
-extreme inconstancy); when the sign Scorpio is rising at birth there is
-a dark mole on the belly showing ill fortune.
-
-The sign Pisces, or the Fishes, governs the feet; therefore those who
-have this sign in their ascendant are marked on the feet. Those born
-under the first part have the marks (which are ordinary flat moles) on
-the right foot; those under the second, on the left; and those on the
-third, on the soles of the feet or on the heels. These last are called
-the Royal marks; they are large moles inclining to red, and those who
-are marked in those places are assured of honours and dignities.
-
- [Illustration: ALFRIDARY FOR A DIURNAL NATIVITY.
- ALFRIDARY FOR A NOCTURNAL NATIVITY.
-
- _To face Chapter XXXVI._]
-
-
-
-
-CHAPTER XXXVI.
-
-CONCERNING ALFRIDARIES
-
-
-This word is taken from the Greek and refers to the certain time or
-number of years of the several planets which, in those years, dispense
-their benevolence or malignity according to their natures.
-
-It will be observed from the plate at the beginning of this chapter,
-that each of the planets has his Alfridary, one after the other--and in
-this table will be seen the number of years in which each planet more
-particularly governs the life.
-
-In all diurnal nativities the Sun begins the first Alfridary, and has
-seven years of government; Venus succeeds, having seven years of
-Alfridary; then Mercury, who has seven years of government. After him
-the Moon rules the existence for seven years; then Saturn for the same
-number; Jupiter succeeds him for seven years; afterwards Mars dominates
-the existence for seven years; after which the Dragon's Head and
-Dragon's Tail influence the life for three years; and then the Sun has
-five more years of government, when the life probably ends.
-
-Those that are born in the night have their first Alfridaric years from
-the Moon, which are seven, followed by those of Saturn, who has seven
-years; after him Mars is dominant for seven years; then the Sun for the
-same number of years; succeeded by Venus and Mercury, each only seven
-years.
-
-The years of an Alfridary are eighty-two--namely, the Moon, seven;
-Saturn, seven; Jupiter, seven; Mars, seven; the Sun, seven; Venus,
-seven; Mercury, seven; the Dragon's Head, three; the Dragon's Tail,
-two. These two last have their Alfridaric years separate from the
-others, and they are those which exceed the seventy years of life,
-which are weak and feeble. For these signs are not (as we have seen)
-planets, but only symbols of a place in the zodiac representing the
-Moon's north and south nodes.
-
-It will be noticed in these tables that, after the years of
-seventy-five, the Sun in a diurnal nativity, and the Moon in a
-nocturnal nativity, take up again their government, as at the beginning
-of the life. These tables are interesting, as shadowing forth the dates
-of the events of the subject's life.
-
-Those born under the Sun marry early, whilst those in whose nativity
-the Moon is powerful, generally marry rather late than early. In either
-nativity, when Saturn comes up, sorrows by death, sickness and loss of
-money may be expected; whilst, when Mars is powerful, evils of a strong
-and sudden nature appear, such as accidents, sudden deaths, quarrels
-and contentions of a vexatious character.
-
-Those born under the Moon have very often serious and passionate loves
-quite late in life; this is accounted for in some measure by the fact
-that Venus has seven years of government in a nocturnal nativity from
-the age of fifty to fifty-seven. The age of forty-four, in a diurnal
-nativity, would be likely to bring about some misfortune during that
-year of the native's life, _both the infortunes_, Saturn and Mars,
-being then powerful. The same thing occurs in a nocturnal nativity at
-the age of thirteen, from which age up to twenty there is not much good
-fortune; it will be remembered that the latter part of the life of a
-person born at night is generally much happier and altogether more
-fortunate than the earlier years of existence.
-
-
-
-
-CHAPTER XXXVII.
-
-CONCERNING THE MYSTICAL WHEEL OF PYTHAGORAS AND THE METHODS OF WORKING
-IT
-
-
-This mystical figure is copied from a work in old French on Chiromancy
-and Geomancy, compiled by the Sieur de Peruchio, and published at Paris
-in 1657.
-
-Arithmancy, or divination by numbers, on which the working of this
-figure depends, was much practised in various ways during the Middle
-Ages; and much confidence appears to have been placed in this wheel of
-Pythagoras, which resolves questions by a species of sortilegy by
-numbers, in which the result depends upon the unfettered agency of the
-mind and will, or the serious intent to know any difficult thing. The
-wheel is said by the old-world writers to be able "to resolve all
-questions on all matters upon the result of which the querent desires
-information, whether of the past, present, or future."
-
-Concerning the method of working it, the Sieur de Peruchio gives the
-following explanations:--
-
-The wheel, it will be perceived, is divided into four equal parts, the
-upper part of which contains the numbers which are _fortunate_, and the
-lower half those which are _unfortunate_. Around the wheel are seen the
-letters of the Alphabet, above which are placed certain corresponding
-numbers, which are required in the calculations.
-
-The following table gives the numbers to be chosen by chance (as will
-be explained further on) in working the questions:--
-
- --------------------------
- ¦ 1 ¦ 11 ¦ 22 ¦ 28 ¦ 29 ¦
- |----|----|----|----|----|
- ¦ 6 ¦ 2 ¦ 12 ¦ 23 ¦ 30 ¦
- |----|----|----|----|----|
- ¦ 15 ¦ 7 ¦ 3 ¦ 13 ¦ 24 ¦
- |----|----|----|----|----|
- ¦ 19 ¦ 16 ¦ 8 ¦ 4 ¦ 14 ¦
- |----|----|----|----|----|
- ¦ 25 ¦ 20 ¦ 17 ¦ 9 ¦ 5 ¦
- |----|----|----|----|----|
- ¦ 27 ¦ 26 ¦ 21 ¦ 18 ¦ 10 ¦
- --------------------------
-
-The inquirer, whilst thinking _earnestly_ upon the matter he wishes
-resolved by the wheel, must choose a number out of the above Table.
-
-This is better done with the eyes closed, and the number pricked out
-with a pin, so that there may be no premeditation in the choice. To
-this number, thus chosen, the inquirer must add the number answering to
-the first letter of his first name, which number is seen in the wheel
-itself where the numbers are above the letters of the alphabet. To this
-number must be added the number of the day of the week on which the
-question is asked and of the planet ruling that day. Then add all these
-numbers together and divide the sum by 30 as often as it can be done.
-Then look for that number which is the remainder in the inner circle of
-the wheel; observing in what part of the wheel it falls should there
-happen to be _no_ remainder, then the number 30 must be looked for. If
-the question to be propounded should be whether anything about to be
-undertaken will succeed or not, should the number fall in the _upper_
-part of the wheel the matter will have a happy issue; but if, on the
-contrary, the number appears on the _lower_ part of the wheel the thing
-in question will not be a success. In any question where time is
-concerned as, for instance, as regarding how long or how short shall be
-the matter in hand it must be borne in mind that the numbers in the
-right half of the wheel represent _long time_--that is, that the event
-about which the question is asked will be some time before it comes to
-pass; whilst those in the left half of the wheel signify _short_
-time--and so, whether for good or evil, shall the business quickly or
-slowly come to pass.
-
-All questions are thus to be asked but _one_, and that is, whether
-a sick person shall recover or die; in which case, after proceeding to
-add the numbers of the Christian name, the day of the week and the
-planet, the number representing the Moon's age on the day the question
-is asked must also be added; for example, if a person whose name is
-Veronica--asks on a Wednesday, 20th day of the Moon, if a sick friend
-should live or die, and chooses from the Table the number of 23, the
-matter would be worked thus:--
-
- Number chosen 23
- Number answering to the letter V 9
- Number answering to Wednesday 102
- Number answering to the planet Mercury 114
- Number of the age of the Moon 20
- ---
- 268
-
-This, divided by 30, leaves 28 remainder, which will be found to fall
-in the unfortunate part of the wheel, showing that her friend will
-_not_ recover.
-
-The following table of the mystical numbers representing the planets,
-and also those belonging to the days of the week which each planet
-governs, is of much importance in working the wheel:--
-
- PLANETS. ¦ DAYS OF THE WEEK.
- ¦
- [Saturn] 55 ¦ Saturday 45
- ¦
- [Jupiter] 78 ¦ Thursday 31
- ¦
- [Mars] 39 ¦ Tuesday 52
- ¦
- [Sun] 34 ¦ Sunday 106
- ¦
- [Venus] 45 ¦ Friday 68
- ¦
- [Mercury] 114 ¦ Wednesday 102
- ¦
- [Moon] 45 ¦ Monday 52
-
-These several numbers attributed to the days of the week, as well as
-those of the planet ruling the day, are of very ancient origin and are,
-probably, as well as the wheel itself, a relic of former _traditional_
-foreknowledge by lots and numbers.
-
-There are certain days, however, which are evil days, on which no
-question should be asked of the wheel of Pythagoras. These days are as
-follows:--
-
- Of January, the 3rd, 4th, 5th, 9th and 11th.
- Of February, the 7th, 13th, 17th and 19th.
- Of March, the 13th, 15th and 16th.
- Of April, the 5th and 14th.
- Of May, the 8th and 14th.
- June has but one ill day, which is the 6th.
- July has two, the 16th and the 19th.
- August has also only two, the 8th and 16th.
- September has three, the 1st, 15th and 16th.
- October has only one ill day, which is the 16th.
- November has two, the 15th and 16th.
- December has three, the 6th, 7th and 11th.
-
-This is a very old tradition, and in mediæval ages these days were
-universally shunned as "ruled by evil influences." In conclusion, those
-consulting the wheel of Pythagoras are advised not to ask more than one
-question on the same day and to refrain from all gibing, sporting, or
-jesting, and--above all--from all unbelief whilst making use of this
-mystical wheel in order to know the truth.
-
-
-ENVOY.
-
-Go--little book--and teach the present age something of the wisdom
-bequeathed us by the Past.
-
-
-
-
-
-
-End of Project Gutenberg's The Influence of the Stars, by Rosa Baughan
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE INFLUENCE OF THE STARS ***
-
-***** This file should be named 42889-8.txt or 42889-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/2/8/8/42889/
-
-Produced by Charlene Taylor, Delphine Lettau and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.