summaryrefslogtreecommitdiff
path: root/42831.txt
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-03-07 21:41:33 -0800
committernfenwick <nfenwick@pglaf.org>2025-03-07 21:41:33 -0800
commite7a50a1236e2373c2d9251dcb9adb85445138f9b (patch)
treefcaef0f4fd6686c4f6dd2a74777076bf8786ac8a /42831.txt
parentf62637cec5b9fa37957135e19bbc11d1f1bddc7c (diff)
Add files from ibiblio as of 2025-03-07 21:41:33HEADmain
Diffstat (limited to '42831.txt')
-rw-r--r--42831.txt9180
1 files changed, 0 insertions, 9180 deletions
diff --git a/42831.txt b/42831.txt
deleted file mode 100644
index b8e34f5..0000000
--- a/42831.txt
+++ /dev/null
@@ -1,9180 +0,0 @@
-The Project Gutenberg eBook, Love in a Cloud, by Arlo Bates
-
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-
-
-
-Title: Love in a Cloud
- A Comedy in Filigree
-
-
-Author: Arlo Bates
-
-
-
-Release Date: May 28, 2013 [eBook #42831]
-
-Language: English
-
-Character set encoding: ISO-646-US (US-ASCII)
-
-
-***START OF THE PROJECT GUTENBERG EBOOK LOVE IN A CLOUD***
-
-
-E-text prepared by sp1nd, Mary Meehan, and the Online Distributed
-Proofreading Team (http://www.pgdp.net) from page images generously made
-available by Internet Archive (https://archive.org)
-
-
-
-More: Images of the original pages are available through
- Internet Archive. See
- https://archive.org/details/loveincloudcomed00bate
-
-
-
-
-
-LOVE IN A CLOUD
-
-A Comedy in Filigree
-
-by
-
-ARLO BATES
-
-
-
-
-
-
-
-Boston and New York
-Houghton, Mifflin and Company
-The Riverside Press, Cambridge
-1900
-
-Copyright, 1900, by Arlo Bates
-All Rights Reserved
-
-
-
-
- TO
- MRS. E. L. HOMANS
-
-
-
-
-CONTENTS
-
-
- CHAPTER PAGE
-
- I. THE MISCHIEF OF A MAID 1
-
- II. THE MADNESS OF A MAN 11
-
- III. THE BABBLE OF A TEA 19
-
- IV. THE TICKLING OF AN AUTHOR 29
-
- V. THE BLAZING OF RANK 43
-
- VI. THE MISCHIEF OF A WIDOW 50
-
- VII. THE COUNSEL OF A MOTHER 60
-
- VIII. THE TEST OF LOVE 69
-
- IX. THE MISCHIEF OF A GENTLEMAN 79
-
- X. THE BUSINESS OF A CLUBMAN 89
-
- XI. THE GAME OF CROSS-PURPOSES 98
-
- XII. THE WASTING OF REQUESTS 108
-
- XIII. THE WILE OF A WOMAN 119
-
- XIV. THE CONCEALING OF SECRETS 130
-
- XV. THE MISCHIEF OF A LETTER 138
-
- XVI. THE DUTY OF A SON 150
-
- XVII. THE BUSINESS OF A LOVER 166
-
- XVIII. THE MISCHIEF OF MEN 180
-
- XIX. THE CRUELTY OF LOVE 191
-
- XX. THE FAITHFULNESS OF A FRIEND 198
-
- XXI. THE MISCHIEF OF A FIANCE 206
-
- XXII. THE COOING OF TURTLE-DOVES 220
-
- XXIII. THE BUSINESS OF A MUSE 227
-
- XXIV. THE MISCHIEF OF A CAD 241
-
- XXV. THE WAKING OF A SPINSTER 254
-
- XXVI. THE WOOING OF A WIDOW 266
-
- XXVII. THE CLIMAX OF COMEDY 277
-
- XXVIII. THE UNCLOUDING OF LOVE 288
-
-
-
-
-LOVE IN A CLOUD
-
-
-
-
-I
-
-THE MISCHIEF OF A MAID
-
-
-"No, my dear May, I positively will not hear another word about 'Love in
-a Cloud.' I am tired to death of the very sound of its stupid name."
-
-"Oh, Mrs. Harbinger," May Calthorpe responded, eagerly defensive, "it
-isn't a stupid name."
-
-Mrs. Harbinger settled herself back into the pile of gay cushions in the
-corner of the sofa, and went on without heeding the interruption:--
-
-"I have heard nothing but 'Love in a Cloud,' 'Love in a Cloud,' until it
-gives me a feeling of nausea. Nobody talks of anything else."
-
-May nodded her head triumphantly, a bright sparkle in her brown eyes.
-
-"That only shows what a perfectly lovely book it is," she declared.
-
-Mrs. Harbinger laughed, and bent forward to arrange a ribbon at May's
-throat.
-
-"I don't care if it is the loveliest book ever written," she responded;
-"I won't have it stuffed down my throat morning, noon, and night. Why,
-if you'll believe it, my husband, who never reads novels, not only read
-it, but actually kept awake over it, and after that feat he'll talk of
-it for months."
-
-Pretty May Calthorpe leaned forward with more animation than the mere
-discussion of an anonymous novel seemed to call for, and caught one of
-her hostess's hands in both her own.
-
-"Oh, did Mr. Harbinger like it?" she asked. "I am so interested to know
-what he thinks of it."
-
-"You never will know from me, my dear," was the cool response. "I've
-forbidden him to speak of it. I tell you that I am bored to death with
-the old thing."
-
-May started up suddenly from the sofa where she had been sitting beside
-Mrs. Harbinger. With rather an offended air she crossed to the
-fireplace, and began to arrange her hat before the mirror over the
-mantel. Mrs. Harbinger, smiling to herself, gave her attention to
-setting in order the cups on the tea-table before her. The sun of the
-April afternoon came in through the window, and from the polished floor
-of the drawing-room was reflected in bright patches on the ceiling; the
-brightness seemed to gather about the young, girlish face which looked
-out from the glass, with red lips and willful brown hair in tendrils
-over the white forehead. Yet as she faced her reflection, May pouted and
-put on the look of one aggrieved.
-
-"I am sorry I mentioned the book if you are so dreadfully against it,"
-she observed stiffly. "I was only going to tell you a secret about the
-author."
-
-Mrs. Harbinger laughed lightly, flashing a comical grimace at her
-visitor's back.
-
-"There you go again, like everybody else! Do you suppose, May, that
-there is anybody I know who hasn't told me a secret about the author?
-Why, I'm in the confidence of at least six persons who cannot deny that
-they wrote it."
-
-May whirled around swiftly, leaving her reflection so suddenly that it,
-offended, as quickly turned its back on her.
-
-"Who are they?" she demanded.
-
-"Well," the other answered quizzically, "Mrs. Croydon, for one."
-
-"Mrs. Croydon! Why, nobody could dream that she wrote it!"
-
-"But they do. It must have been written by some one that is inside the
-social ring; and there is a good deal in the style that is like her
-other books. I do wish," she went on, with a note of vexation in her
-voice, "that Graham would ever forget to mix up my two tea-services. He
-is a perfect genius for forgetting anything he ought to remember."
-
-She walked, as she spoke, to the bell, and as she passed May the girl
-sprang impulsively toward her, catching both her hands.
-
-"Oh, Mrs. Harbinger!" she cried breathlessly. "I must tell you something
-before anybody comes."
-
-"Good gracious, May, what is it now? You are as impulsive as a pair of
-bellows that could blow themselves."
-
-The butler came ponderously in, in reply to her ring as she spoke, and
-the two women for the moment suspended all sign of emotion.
-
-"Graham," Mrs. Harbinger said, with the air of one long suffering and
-well-nigh at the end of her patience, "you have mixed the teacups again.
-Take out the tray, and bring in the cups with the broad gold band."
-
-Graham took up the tray and departed, his back radiating protest until
-the portiere dropped behind him. When he was gone Mrs. Harbinger drew
-May down to a seat on the sofa, and looked at her steadily.
-
-"You evidently have really something to tell," she said; "and I have an
-idea that it's mischief. Out with it."
-
-May drew back with heightened color.
-
-"Oh, I don't dare to tell you!" she exclaimed.
-
-"Is it so bad as that?"
-
-"Oh, it isn't bad, only--Oh, I don't know what in the world you will
-think!"
-
-"No matter what I think. I shan't tell you, my dear. No woman ever does
-that."
-
-May regarded her with a mixture of curiosity and wistfulness in her
-look.
-
-"You are talking that way just to give me courage," she said.
-
-"Well, then," the other returned, laughing, "take courage, and tell me.
-What have you been doing?"
-
-"Only writing letters."
-
-"Only! Good gracious, May! writing letters may be worse than firing
-dynamite bombs. Women's letters are apt to be double-back-action
-infernal-machines; and girls' letters are a hundred times worse. Whom
-did you write to?"
-
-"To the author of 'Love in a Cloud.'"
-
-"To the author of 'Love in a Cloud'? How did you know him?"
-
-Miss Calthorpe cast down her eyes, swallowed as if she were choking, and
-then murmured faintly: "I don't know him."
-
-"What? Don't know him?" her friend demanded explosively.
-
-"Only the name he puts on his book: Christopher Calumus."
-
-"Which of course isn't his name at all. How in the world came you to
-write to him?"
-
-The air of Mrs. Harbinger became each moment more judicially moral,
-while that of May was correspondingly humble and deprecatory. In the
-interval during which the forgetful Graham returned with the teacups
-they sat silent. The culprit was twisting nervously a fold of her frock,
-creasing it in a manner which would have broken the heart of the tailor
-who made it. The judge regarded her with a look which was half
-impatient, but full, too, of disapproving sternness.
-
-"How could you write to a man you don't know," insisted Mrs.
-Harbinger,--"a man of whom you don't even know the name? How could you
-do such a thing?"
-
-"Why, you see," stammered May, "I thought--that is--Well, I read the
-book, and--Oh, you know, Mrs. Harbinger, the book is so perfectly
-lovely, and I was just wild over it, and I--I--"
-
-"You thought that being wild over it wasn't enough," interpolated the
-hostess in a pause; "but you must make a fool of yourself over it."
-
-"Why, the book was so evidently written by a gentleman, and a man that
-had fine feelings," the other responded, apparently plucking up courage,
-"that I--You see, I wanted to know some things that the book didn't
-tell, and I--"
-
-"You wrote to ask!" her friend concluded, jumping up, and standing
-before her companion. "Oh, for sheer infernal mischief commend me to one
-of you demure girls that look as if butter wouldn't melt in your mouths!
-If your father had known enough to have you educated at home instead of
-abroad, you'd have more sense."
-
-"Oh, a girl abroad never would dare to do such a thing," May put in
-naively.
-
-"But you thought that in America a girl might do what she pleases. Why,
-do you mean to tell me that you didn't understand perfectly well that
-you had no business to write to a man that you don't know? I don't
-believe any such nonsense."
-
-May blushed very much, and hung her head.
-
-"But I wanted so much to know him," she murmured almost inaudibly.
-
-Mrs. Harbinger regarded her a moment with the expression of a mother who
-has reached that stage of exasperation which is next halting-place
-before castigation. Then she turned and walked vehemently up the
-drawing-room and back, a quick sprint which seemed to have very little
-effect in cooling her indignation.
-
-"How long has this nonsense been going on?" she demanded, with a new
-sternness in her voice.
-
-"For--for six weeks," answered May tearfully. Then she lifted her
-swimming eyes in pitiful appeal, and proffered a plea for mercy. "Of
-course I didn't use my own name."
-
-"Five or six weeks!" cried Mrs. Harbinger, throwing up her hands.
-
-"But at first we didn't write more than once or twice a week."
-
-The other stared as if May were exploding a succession of torpedoes
-under her very nose.
-
-"But--but," she stammered, apparently fairly out of breath with
-amazement, "how often do you write now?"
-
-May sprang up in her turn. She faced her mentor with the truly virtuous
-indignation of a girl who has been proved to be in the wrong.
-
-"I shan't tell you another word!" she declared.
-
-Mrs. Harbinger seized her by the shoulders, and fairly pounced upon her
-in the swoop of her words.
-
-"How often do you write now?" she repeated. "Tell me before I shake
-you!"
-
-The brief defiance of May vanished like the flare of a match in a
-wind-storm.
-
-"Every day," she answered in a voice hardly audible.
-
-"Every day!" echoed the other in a tone of horror.
-
-Her look expressed that utter consternation which is beyond any
-recognition of sin, but is aroused only by the most flagrant breach of
-social propriety. Again the culprit put in what was evidently a prayer
-for pity, couched in a form suggested by instinctive feminine cunning.
-
-"Oh, Mrs. Harbinger, if you only knew what beautiful letters he writes!"
-
-"What do I care for his beautiful letters? What did you want to drag me
-into this mess for? Now I shall have to do something."
-
-"Oh, no, no, Mrs. Harbinger!" cried May, clasping her hands. "Don't do
-anything. You won't have to do anything. I had to tell you when he is
-coming here."
-
-Mrs. Harbinger stared at the girl with the mien of one who is convinced
-that somebody's wits are hopelessly gone, and is uncertain whether they
-are those of herself or of her friend.
-
-"Coming here?" she repeated helplessly. "When?"
-
-"This afternoon. I am really going to meet him!" May ran on, flashing
-instantly from depression into smiles and animation. "Oh, I am so
-excited!"
-
-Mrs. Harbinger seized the girl again by the shoulder, and this time with
-an indignation evidently personal as well as moral.
-
-"Have you dared to ask a strange man to meet you at my house, May
-Calthorpe?"
-
-The other cringed, and writhed her shoulder out of the clutch of her
-hostess.
-
-"Of course not," she responded, taking in her turn with instant
-readiness the tone of just resentment. "He wrote me that he would be
-here."
-
-The other regarded May in silence a moment, apparently studying her in
-the light of these new revelations of character. Then she turned and
-walked thoughtfully to a chair, leaving May to sit down again on the
-sofa by which they had been standing. Mrs. Harbinger was evidently going
-over in her mind the list of possible authors who might be at her
-afternoon tea that day.
-
-"Then 'Love in a Cloud' was written by some one we know," she observed
-reflectively. "When did you write to him last?"
-
-"When I was here yesterday, waiting for you to go to the matinee."
-
-"Do you expect to recognize this unknown paragon?" asked Mrs. Harbinger
-with an air perhaps a thought too dispassionate.
-
-A charming blush came over May's face, but she answered with perfect
-readiness:--
-
-"He asked me to give him a sign."
-
-"What kind of a sign?"
-
-"He said he would wear any flower I named if I would--"
-
-"Would wear one, too, you minx! That's why you have a red carnation at
-your throat, is it? Oh, you ought to be shut up on bread and water for a
-month!"
-
-May showed signs of relapsing again into tears.
-
-"I declare, I think you are just as horrid as you can be," she
-protested. "I wish I hadn't told you a word. I'm sure there was no need
-that I should. I--"
-
-The lordly form of Graham the butler appeared at the drawing-room door.
-
-"Mrs. Croydon," he announced.
-
-
-
-
-II
-
-THE MADNESS OF A MAN
-
-
-While Mrs. Harbinger was receiving from May Calthorpe the disjointed
-confession of that young woman's rashness, her husband, Tom Harbinger,
-was having a rather confused interview with a client in his down-town
-office. The client was a middle-aged man, with bushy, sandy hair, and an
-expression of invincible simplicity not unmixed with obstinacy. Tom was
-evidently puzzled how to take his client or what to do with him. He had,
-as they talked, the air of being uncertain whether Mr. Barnstable was in
-earnest, and of not knowing how far to treat him seriously.
-
-"But why do you come to me?" he asked at length, looking at his client
-as one regards a prize rebus. "Of course 'Love in a Cloud,' like any
-other book, has a publisher. Why don't you go there to find out who
-wrote it?"
-
-The other shook his head wearily. He was a chunky man, seeming to be
-made largely of oleaginous material, and appearing to be always
-over-worn with the effort of doing anything with muscles and
-determination hopelessly flabby despite his continual persistence.
-
-"I've been to them," he returned; "but they won't tell."
-
-"Then why not let the matter pass? It seems to me--"
-
-The other set his square jaw the more firmly amid its abundant folds of
-flabby flesh.
-
-"Let it pass?" he interrupted with heavy excitement. "If something isn't
-done to stop the infernal impudence of these literary scribblers there
-will be no peace in life. There is nothing sacred! They ought to be
-punished, and I'll follow this rascal if it costs me every dollar I'm
-worth. I came to you because I thought you'd sympathize with me."
-
-Mr. Harbinger moved uneasily in his chair like a worm on a hook.
-
-"Why, really, Barnstable," he said, "I feel as you do about the
-impudence of writers nowadays, and I'd like to help you if I could;
-but--"
-
-The other broke in with a solemn doggedness which might well discourage
-any hope of his being turned from his purpose by argument.
-
-"I mean to bring suit for libel, and that's the whole of it."
-
-"Perhaps then," the lawyer responded with ill concealed irritation, "you
-will be good enough to tell me whom the suit is to be against."
-
-"Who should it be against? The author of 'Love in a Cloud,' of course."
-
-"But we don't know who the author of that cursed book is."
-
-"I know we don't know; but, damme, we must find out. Get detectives;
-use decoy advertisements; do anything you like. I'll pay for it."
-
-Mr. Harbinger shrugged his shoulders, and regarded his client with an
-expression of entire hopelessness.
-
-"But I'm not in the detective business."
-
-The other gave no evidence of being in the least affected by the
-statement.
-
-"Of course a lawyer expects to find out whatever is necessary in
-conducting his clients' business," he remarked, with the air of having
-disposed of that point. "There must be a hundred ways of finding out who
-wrote the book. An author ought not to be harder to catch than a
-horse-thief, and they get those every day. When you've caught him, you
-just have him punished to the extent of the law."
-
-Harbinger rose from his chair and began to walk up and down with his
-hands in his pockets. The other watched him in silence, and for some
-moments nothing was said. At length the lawyer stopped before his
-client, and evidently collected himself for a final effort.
-
-"But consider," he said, "what your case is."
-
-"My case is a good case if there is any justice in the country. The man
-that wrote that book has insulted my wife. He has told her story in his
-confounded novel, and everybody is laughing over her divorce. It is
-infamous, Harbinger, infamous!"
-
-He so glowed and smouldered with inner wrath that the folds of his fat
-neck seemed to soften and to be in danger of melting together. His
-little eyes glowed, and his bushy hair bristled with indignation. He
-doubled his fist, and shook it at Harbinger as if he saw before him the
-novelist who had intruded upon his private affairs, and he meant to
-settle scores with him on the spot.
-
-"But nobody knew that you had a wife," Harbinger said. "You came here
-from Chicago without one, and we all thought that you were a bachelor."
-
-"I haven't a wife; that's just the trouble. She left me four years ago;
-but I don't see that that makes any difference. I'm fond of her just the
-same; and I won't have her put into an anonymous book."
-
-Harbinger sat down again, and drew his chair closer to that in which the
-other seethed, molten with impotent wrath.
-
-"Just because there's a divorced woman in 'Love in a Cloud,'" he said,
-"you propose to bring a suit for libel against the author. If you will
-pardon me, it strikes me as uncommon nonsense."
-
-Barnstable boiled up as a caldron of mush breaks into thick, spluttering
-bubbles.
-
-"Oh, it strikes you as uncommon nonsense, does it? Damme, if it was your
-wife you'd look at it differently. Isn't it your business to do what
-your clients want done?"
-
-"Oh, yes; but it's also my business to tell them when what they want is
-folly."
-
-"Then it's folly for a man to resent an insult to his wife, is it? The
-divorce court didn't make a Pawnee Indian of me. My temper may be
-incompatible, but, damme, Harbinger, I'm human."
-
-Harbinger began a laugh, but choked the bright little bantling as soon
-as it saw the light. He leaned forward, and laid his hand on the other's
-knee.
-
-"I understand your feelings, Barnstable," he said, "and I honor you for
-them; but do consider a little. In the first place, there is no
-probability that you could make a jury believe that the novelist meant
-you and your wife at all. Think how many divorce suits there are, and
-how well that story would fit half of them. What you would do would
-be to drag to light all the old story, and give your wife the
-unpleasantness of having everything talked over again. You would injure
-yourself, and you could hardly fail to give very serious pain to her."
-
-Barnstable stared at him with eyes which were full of confusion and of
-helplessness.
-
-"I don't want to hurt her," he stammered.
-
-"What do you want to do?"
-
-The client cast down his eyes, and into his sallow cheeks came a dull
-flush.
-
-"I wanted to protect her," he answered slowly; "and I wanted--I wanted
-to prove to her that--that I'd do what I could for her, if we were
-divorced."
-
-The face of the other man softened; he took the limp hand of his
-companion and shook it warmly.
-
-"There are better ways of doing it than dragging her name before the
-court," he said. "I tell you fairly that the suit you propose would be
-ridiculous. It would make you both a laughing-stock, and in the end come
-to nothing."
-
-The square jaw was still firmly set, but the small eyes were more
-wistful than ever.
-
-"But I must do something," Barnstable said. "I can't stand it not to do
-anything."
-
-Harbinger rose with the air of a man who considers the interview ended.
-
-"There is nothing that you can do now," he replied. "Just be quiet, and
-wait. Things will come round all right if you have patience; but don't
-be foolish. A lawyer learns pretty early in his professional life that
-there are a good many things that must be left to right themselves."
-
-Barnstable rose in turn. He seemed to be trying hard to adjust his mind
-to a new view of the situation, but it was evident enough that his brain
-was not of the sort to yield readily to fresh ideas of any kind. He
-examined his hat carefully, passing his thumb and forefinger round the
-rim as if to assure himself that it was all there; then he cleared his
-throat, and regarded the lawyer wistfully.
-
-"But I must do something," he repeated, with an air half apologetic. "I
-can't just let the thing go, can I?"
-
-"You can't do anything but let it go," was the answer. "Some time you
-will be glad that you did let it be. Take my word for it."
-
-Barnstable shook his head mournfully.
-
-"Then you take away my chance," he began, "of doing something--"
-
-He paused in evident confusion.
-
-"Of doing something?" repeated Harbinger.
-
-"Why, something, you know, to please--"
-
-"Oh, to please your wife? Well, just wait. Something will turn up sooner
-or later. Speaking of wives, I promised Mrs. Harbinger to come home to a
-tea or some sort of a powwow. What time is it?"
-
-"Yes, a small tea," Barnstable repeated with a queer look. "Pardon me,
-but is it too intrusive in me to ask if I may go home with you?"
-
-Harbinger regarded him in undisguised amazement; and quivers of
-embarrassment spread over Barnstable's wavelike folds of throat and
-chin.
-
-"Of course it seems to you very strange," the client went on huskily;
-"and I suppose it is etiquettsionally all wrong. Do you think your wife
-would mind much?"
-
-"Mrs. Harbinger," the lawyer responded, his voice much cooler than
-before, "will not object to anybody I bring home."
-
-The acquaintance of the two men was no more than that which comes from
-casual meetings at the same club. The club was, however, a good one, and
-membership was at least a guarantee of a man's respectability.
-
-"I happen to know," Barnstable proceeded, getting so embarrassed that
-there was reason to fear that in another moment his tongue would cleave
-to the roof of his mouth and his husky voice become extinct altogether,
-"that a person that I want very much to see will be there; and I will
-take it as very kind--if you think it don't matter,--that is, if your
-wife--"
-
-"Oh, Mrs. Harbinger won't mind. Come along. Wait till I get my hat and
-my bag. A lawyer's green bag is in Boston as much a part of his dress as
-his coat is."
-
-The lawyer stuffed some papers into his green bag, rolled down the top
-of his desk, and took up his hat. The visitor had in the meantime been
-picking from his coat imaginary specks of lint and smoothing his
-unsmoothable hair.
-
-"I hope I look all right," Barnstable said nervously. "I--I dressed
-before I came here. I thought perhaps you would be willing--"
-
-"Oh, ho," interrupted Harbinger. "Then this whole thing is a ruse, is
-it? You never really meant to bring a suit for libel?"
-
-The face of the other hardened again.
-
-"Yes, I did," was his answer; "and I'm by no means sure that I've given
-it up yet."
-
-
-
-
-III
-
-THE BABBLE OF A TEA
-
-
-The entrance of Mrs. Croydon into Mrs. Harbinger's drawing-room was
-accompanied by a rustling of stuffs, a fluttering of ribbons, and a
-nodding of plumes most wonderful to ear and eye. The lady was of a
-complexion so striking that the redness of her cheeks first impressed
-the beholder, even amid all the surrounding luxuriance of her toilet.
-Her eyes were large and round, and of a very light blue, offering to
-friend or foe the opportunity of comparing them to turquoise or blue
-china, and so prominent as to exercise on the sensitive stranger the
-fascination of a deformity from which it seems impossible to keep the
-glance. Mrs. Croydon was rather short, rather broad, extremely
-consequential, and evidently making always a supreme effort not to be
-overpowered by her overwhelming clothes. She came in now like a yacht
-decorated for a naval parade, and moving before a slow breeze.
-
-Mrs. Harbinger advanced a step to meet her guest, greeting the new-comer
-in words somewhat warmer than the tone in which they were spoken.
-
-"How do you do, Mrs. Croydon. Delighted to see you."
-
-"How d' y' do?" responded the flutterer, an arch air of youthfulness
-struggling vainly with the unwilling confession of her face that she was
-no longer on the sunny side of forty. "How d' y' do, Miss Calthorpe?
-Delighted to find you here. You can tell me all about your cousin
-Alice's engagement."
-
-Miss Calthorpe regarded the new-comer with a look certainly devoid of
-enthusiasm, and replied in a tone not without a suggestion of
-frostiness:--
-
-"On the contrary I did not know that she was engaged."
-
-"Oh, she is; to Count Shimbowski."
-
-"Count Shimbowski and Alice Endicott?" put in Mrs. Harbinger. "Is that
-the latest? Sit down, Mrs. Croydon. Really, it doesn't seem to me that
-it is likely that such a thing could be true, and the relatives not be
-notified."
-
-She reseated herself as she spoke, and busied herself with the
-tea-equipage. May rather threw herself down than resumed her seat.
-
-"Certainly it can't be true," the latter protested. "The idea of Alice's
-being engaged and we not know it!"
-
-"But it's true; I have it direct," insisted Mrs. Croydon; "Miss
-Wentstile told Mr. Bradish, and he told me."
-
-May sniffed rather inelegantly.
-
-"Oh, Miss Wentstile! She thinks because Alice is her niece she can do
-what she likes with her. It's all nonsense. Alice has always been fond
-of Jack Neligage. Everybody knows that."
-
-Mrs. Croydon managed somehow to communicate to her innumerable streamers
-and pennants a flutter which seemed to be meant to indicate violent
-inward laughter.
-
-"Oh, what a child you are, Miss Calthorpe! I declare, I really must put
-you into my next novel. I really must!"
-
-"May is still so young as to be romantic, of course," Mrs. Harbinger
-remarked, flashing at her young friend a quick sidewise glance. "Besides
-which she has been educated in a convent; and in a convent a girl must
-be either imaginative or a fool, or she'll die of ennui."
-
-"I suppose you never were romantic yourself," put in May defensively.
-
-"Oh, yes, my dear; I had my time of being a fool. Why, once I even fell
-violently in love with a man I had never seen."
-
-The swift rush of color into the face of Miss Calthorpe might have
-arrested the attention of Mrs. Croydon, but at that moment the voice of
-Graham interrupted, announcing:--
-
-"Mr. Bradish; Mr. Neligage."
-
-The two men who entered were widely different in appearance.
-
-That Mr. Bradish was considerably the elder was evident from his
-appearance, yet he came forward with an eager air which secured for him
-the first attention. He was lantern-jawed, and sanguine in color.
-Near-sight glasses unhappily gave to his eyes an appearance of having
-been boiled, and distorted his glance into an absurd likeness to a
-leer. A shadow of melancholy, vague yet palpable, softened his face, and
-was increased by the droop of his Don Quixote like yellow mustaches. The
-bald spot on his head and the stoop in his shoulders betrayed cruelly
-the fact that Harry Bradish was no longer young; and no less plainly
-upon everything about him was stamped the mark of a gentleman.
-
-Jack Neligage, on the other hand, came in with a face of irresistible
-good nature. There was a twinkle in his brown eyes, a spark of humor and
-kindliness which could evidently not be quenched even should there
-descend upon him serious misfortune. His face was still young enough
-hardly to show the marks of dissipation which yet were not entirely
-invisible to the searching eye; his hair was crisp and abundant; his
-features regular and well formed. He was a young fellow so evidently
-intended by nature for pleasure that to expect him to take life
-seriously would have seemed a sort of impropriety. An air of youth, and
-of jocund life, of zest and of mirthfulness came in with Jack,
-inevitably calling up smiles to meet him. Even disapproval smiled on
-Jack; and it was therefore not surprising if he evaded most of the
-reproofs which are apt to be the portion of an idle pleasure-seeker. He
-moved with a certain languid alertness that was never hurried and yet
-never too late. This served him well on the polo-field, where he was
-deliberately swift and swiftly deliberate in most effective fashion. He
-came into the drawing-room now with the easy mien of a favorite, yet
-with an indifference which seemed so natural as to save him from all
-appearance of conceit. He had the demeanor of the conscious but not
-quite spoiled darling of fortune.
-
-"You are just in time for the first brewing of tea," Mrs. Harbinger
-said, when greetings had been exchanged. "This tea was sent me by a
-Russian countess who charged me to let nobody drink it who takes cream.
-It is really very good if you get it fresh."
-
-"To have the tea and the hostess both fresh," Mr. Bradish responded,
-"will, I fear, be too intoxicating."
-
-"Never mind the tea," broke in Mrs. Croydon. "I am much more interested
-in what we were talking about. Mr. Bradish, you can tell us about Count
-Shimbowski and Alice Endicott."
-
-Jack Neligage turned about with a quickness unusual in him.
-
-"The Count and Miss Endicott?" he demanded. "What about them? Who's had
-the impertinence to couple their names?"
-
-Mrs. Croydon put up her hands in pretended terror, a hundred tags of
-ribbon fluttering as she did so.
-
-"Oh, don't blame me," she said. "I didn't do it. They're engaged."
-
-Neligage regarded her with a glance of vexed and startled disfavor. Then
-he gave a short, scornful laugh.
-
-"What nonsense!" he said. "Nobody could believe that."
-
-"But it's true," put in Bradish. "Miss Wentstile herself told me that
-she had arranged the match, and that I might mention it."
-
-Neligage looked at the speaker an instant with a disbelieving smile on
-his lip; and tossing his head went to lean his elbow on the mantel.
-
-"Arranged!" he echoed. "Good heavens! Is this a transaction in real
-estate?"
-
-"Marriage so often is, Mr. Neligage," observed Mrs. Harbinger, with a
-smile.
-
-Bradish began to explain with the solemn air which he had. He was often
-as obtuse and matter-of-fact as an Englishman, and now took up the
-establishment of the truth of his news with as much gravity as if he
-were setting forth a point of moral doctrine. He seemed eager to prove
-that he had at least been entirely innocent of any deception, and that
-whatever he had said must be blamelessly credible.
-
-"Of course it's extraordinary, and I said so to Miss Wentstile. She said
-that as the Count is a foreigner, it was very natural for him to follow
-foreign fashions in arranging the marriage with her instead of with
-Alice."
-
-"And she added, I've no doubt," interpolated Mrs. Harbinger, "that she
-entirely approved of the foreign fashion."
-
-"She did say something of that sort," admitted Bradish, with entire
-gravity.
-
-Mrs. Harbinger burst into a laugh, and trimmed the wick of her tea-lamp.
-Neligage grinned, but his pleasant face darkened instantly.
-
-"Miss Wentstile is an old idiot!" said he emphatically.
-
-"Oh, come, Mr. Neligage," remonstrated his hostess, "that is too strong
-language. We must observe the proprieties of abuse."
-
-"And say simply that she is Miss Wentstile," suggested Mrs. Croydon
-sweetly.
-
-The company smiled, with the exception of May, whose face had been
-growing longer and longer.
-
-"I don't care what she says," the girl burst out indignantly; "I don't
-believe Alice will listen to such a thing for one minute."
-
-"Perhaps she won't," Bradish rejoined doubtfully, "but Miss Wentstile is
-famous for having her own way. I'm sure I shouldn't feel safe if she
-undertook to marry me off."
-
-"She might take you for herself if she knew her power, Mr. Bradish,"
-responded Mrs. Croydon. "No more tea, my dear, thank you."
-
-"For Heaven's sake don't mention it then," he answered. "It's enough to
-have Jack here upset. The news is evidently too much for him."
-
-"What news has upset my son, Mr. Bradish?" demanded a crisp voice from
-the doorway. "I shall disown him if he can't hide his feelings."
-
-Past Graham, who was prepared to announce her, came a little woman,
-bright, vivacious, sparkling; with clear complexion and mischievous
-dimples. A woman trimly dressed, and in appearance hardly older than the
-son she lightly talked of disowning. The youthfulness of Mrs. Neligage
-was a constant source of irritation to her enemies, and with her
-tripping tongue and defiant independence she made enemies in plenty. Her
-gypsyish beauty and clear skin were offenses serious enough; but for a
-woman with a son of five and twenty to look no more than that age
-herself was a vexation which was not to be forgiven. Some had been
-spiteful enough to declare that she preserved her youth by being
-entirely free from feeling; but since in the same breath they were ready
-to charge the charming widow with having been by her emotions carried
-into all sorts of improprieties, the accusation was certainly to be
-received with some reservations. Certainly she was the fortunate
-possessor of unfailing spirits, of constant cleverness, and delightful
-originality. She had the courage, moreover, of daring to do what she
-wished with the smallest possible regard for conventions; and it has
-never been clearly shown how much independence of conventionality and
-freedom of life may effect toward the preservation of a woman's youth.
-
-She evidently understood the art of entering a room well. She came
-forward swiftly, yet without ungraceful hurry. She nodded brightly to
-the ladies, gave Bradish the momentary pleasure of brushing her
-finger-tips with his own as she passed him, then went forward to shake
-hands with Mrs. Harbinger. Without having done anything in particular
-she was evidently entire mistress of the situation, and the rest of the
-company became instantly her subordinates. Mrs. Croydon, almost twice
-her size and so elaborately overdressed, appeared suddenly to have
-become dowdy and ill at ease; yet nothing could have been more
-unconscious or friendly than the air with which the new-comer turned
-from the hostess to greet the other lady. There are women to whom
-superiority so evidently belongs by nature that they are not even at the
-trouble of asserting it.
-
-"Oh, Mrs. Neligage," Mrs. Croydon said, as she grasped at the little
-glove which glanced over hers as a bird dips above the water, "you have
-lived so much abroad that you should be an authority on foreign
-marriages."
-
-"Just as you, having lived in Chicago, should be an authority on
-un-marriages, I suppose. Well, I've had the fun of disturbing a lot of
-foreign marriages in my day. What marriage is this?"
-
-"We were speaking of Miss Wentstile's proposing to marry Alice to Count
-Shimbowski," explained Mrs. Harbinger.
-
-"Then," returned Mrs. Neligage lightly, "you had better speak of
-something else as quickly as possible, for Alice and her aunt are just
-behind me. Let us talk of Mrs. Croydon's anonymous novel that's made
-such a stir while I've been in Washington. What is it? 'Cloudy Love'!
-That sounds tremendously improper. My dear, if you don't wish to see me
-fall in a dead faint at your feet, do give me some tea. I'm positively
-worn out."
-
-She seated herself near Mrs. Croydon, over whose face during her remarks
-had flitted several expressions, none of them over-amiable, and watched
-the hostess fill her cup.
-
-"Come, Mrs. Neligage," protested Bradish with an air of mild
-solicitation. "You are really too bad, you know. It isn't 'Cloudy Love,'
-but 'Love in a Cloud.' I didn't know that you confessed to writing it,
-Mrs. Croydon."
-
-"Oh, I don't. I only refuse to deny it."
-
-"Oh, well, now; not to deny is equivalent to a confession," he returned.
-
-"Not in the least," Mrs. Neligage struck in. "When you are dealing with
-a woman, Mr. Bradish, it isn't safe even to take things by contraries."
-
-
-
-
-IV
-
-THE TICKLING OF AN AUTHOR
-
-
-The entrance of Miss Wentstile and her niece Alice Endicott made the
-company so numerous that it naturally broke up into groups, and the
-general conversation was suspended.
-
-Miss Wentstile was a lady of commanding presence, whose youth was with
-the snows of yester year. She had the eye of a hawk and the jaw of a
-bulldog; nor was the effect of these rather formidable features softened
-by the strong aquiline nose. Her hair was touched with gray, but her
-color was still fresh and too clear not to be natural. She was richly
-dressed in dark green and fur, her complexion making the color possible
-in spite of her years. She was a woman to arouse attention, and one,
-too, who was evidently accustomed to dominate. She cast a keen glance
-about her as she crossed the room to her hostess, sweeping her niece
-along with her not without a suggestion that she dragged the girl as a
-captive at her chariot-wheel.
-
-Jack Neligage stepped forward as she passed him, evidently with the
-intention of intercepting the pair, or perhaps of gaining a word with
-Alice Endicott.
-
-"How do you do, Miss Wentstile," he said. "I am happy to see you looking
-so well."
-
-"There is no reason why I should not look well, Mr. Neligage," she
-responded severely. "I never sit up all night to smoke and drink and
-play cards."
-
-Neligage smiled his brightest, and made her a bow of mock deference.
-
-"Indeed, Miss Wentstile," he responded, "I am delighted to know that
-your habits have become so correct."
-
-She retorted with a contemptuous sniff, and by so effectually
-interposing between him and her niece that Miss Endicott could only nod
-to him over her aunt's shoulder. Jack made a grimace more impertinent
-than courtly, and for the time turned away, while the two ladies went on
-to Mrs. Harbinger.
-
-"Well, Alice," Mrs. Harbinger said, "I am glad you have come at last. I
-began to think that I must appoint a substitute to pour in your place."
-
-"I am sorry to be so late," Miss Endicott responded, as she and her
-hostess exchanged places. "I was detained unexpectedly."
-
-"I kept her," Miss Wentstile announced with grim suddenness. "I have
-been talking to her about--"
-
-"Aunt Sarah," interposed Alice hurriedly, "may I give you some tea?"
-
-"Don't interrupt me, Alice. I was talking to her about--"
-
-Mrs. Harbinger looked at the crimsoning cheeks of Alice, and meeting
-the girl's imploring glance, gave her a slight but reassuring nod.
-
-"My dear Miss Wentstile," she said, "I know you will excuse me; but here
-are more people coming."
-
-Miss Wentstile could hardly finish her remarks to the air, and as Mrs.
-Harbinger left her to greet a new arrival the spinster turned sharply to
-May Calthorpe, who had snuggled up to Alice in true school-girl fashion.
-
-"Ah, May," Miss Wentstile observed, "what do you settle down there for?
-Don't you know that now you have been brought out in society you are
-expected to make your market?"
-
-"No, Miss Wentstile," May responded; "if my market can't make itself,
-then it may go unmade."
-
-The elder turned away with another characteristic sniff, and Alice and
-May were left to themselves. People were never tired of condemning Miss
-Wentstile for her brusque and naked remarks; but after all society is
-always secretly grateful for any mortal who has the courage to be
-individual. The lady was often frank to the verge of rudeness; she was
-so accustomed to having her own way that one felt sure she would insist
-upon it at the very Judgment Seat; she said what she pleased, and
-exacted a deference to her opinions and to her wishes such as could
-hardly under existing human conditions be accorded to any mortal. Miss
-Wentstile must have been too shrewd not to estimate reasonably well the
-effect of her peculiarities, and no human being can be persistently
-eccentric without being theatrical. It was evident enough that she
-played in some degree to the gallery; and undoubtedly from this it is to
-be argued that she was not without some petty enjoyment in the notoriety
-which her manners produced. Should mankind be destroyed, the last thing
-to disappear would probably be human vanity, which, like the grin of the
-Cheshire cat in "Alice," would linger after the race was gone. Vanity in
-the individual is nourished by the notice of others; and if Miss
-Wentstile became more and more confirmed in her impertinences, it is
-hardly to be doubted that increase of vanity was the cause most active.
-She outwardly resented the implication that she was eccentric; but as
-she contrived continually and even complacently to become steadily more
-so, society might be excused for not thinking her resentment
-particularly deep. Dislike for notoriety perhaps never cured any woman
-of a fault; and certainly in the case of Miss Wentstile it was not in
-the least corrective.
-
-The relations between Miss Wentstile and Alice Endicott were well known.
-Alice was the doubly orphaned daughter of a gallant young officer killed
-in a plucky skirmish against superior force in the Indian troubles, and
-of the wife whose heart broke at his loss. At six Alice was left, except
-for a small pension, practically penniless, and with no nearer relative
-than Miss Wentstile. That lady had undertaken the support of the child,
-but had kept her much at school until the girl was sixteen. Then the
-niece became an inmate of her aunt's house, and outwardly, at least,
-the mere slave of the older lady's caprices. Miss Wentstile was kind in
-her fashion. In all that money bought she was generous. Alice was richly
-dressed, she might have what masters she wished, be surrounded by
-whatever luxuries she chose. As if the return for these benefits was to
-be implicit obedience, Miss Wentstile was impatient of any show toward
-herself of independence. If Alice could be imagined as bearing herself
-coldly and haughtily toward the world in general,--a possibility hardly
-to be conceived of,--Miss Wentstile might be pictured glorying in such a
-display of proper spirit; but toward her aunt the girl was expected to
-be all humility and concession. As neither was without the pride which
-belonged to the Wentstile blood, it is easy to see that perfect harmony
-was not to be looked for between the pair. Alice had all the folly of
-girlhood, which is so quick to refuse to be bullied into affection;
-which is so blind as not to perceive that an elder who insists upon its
-having no will of its own is providing excellent lessons in the high
-graces of humility and meekness. Clever observers--and society remains
-vital chiefly in virtue of its clever observers--detected that Miss
-Wentstile chafed with an inward consciousness that the deference of her
-niece was accorded as a courtesy and not as a right. The spinster had
-not the tact to avoid betraying her perception that the submission of
-Alice was rather outward than inward, and the public sense of justice
-was somewhat appeased in its resentment at her domineering treatment by
-its enjoyment of her powerlessness either to break the girl's spirit or
-force her into rebellion.
-
-The fondness of Alice for Jack Neligage was the one tangible thing with
-which Miss Wentstile could find fault; and this was so intangible after
-all that it was difficult to seize upon it. Nobody doubted that the two
-were warmly attached. Jack had never made any effort to hide his
-admiration; and while Alice had been more circumspect, the instinct of
-society is seldom much at fault in a matter of this sort. For Miss
-Wentstile to be sure that her niece favored the man of all others most
-completely obnoxious, and to bring the offense home to the culprit were,
-however, matters quite different. Now that Miss Wentstile had outdone
-herself in eccentricity by boldly adopting the foreign fashion of a
-_mariage de convenance_, there was every reason to believe that the real
-power of the spinster would be brought to the test. Nobody doubted that
-behind this absurd attempt to make a match between Alice and Count
-Shimbowski lay the determination to separate the girl from Jack
-Neligage; and it was inevitable that the struggle should be watched for
-with eager interest.
-
-The first instant that there was opportunity for a confidential word,
-May Calthorpe rushed precipitately upon the subject of the reported
-engagement.
-
-"Oh, Alice," she said, in a hurried half-whisper, "do you know that Miss
-Wentstile says she has arranged an engagement between you and that
-horrid Hungarian Count."
-
-Alice turned her long gray eyes quickly to meet those of her companion.
-
-"Has she really told of it?" she demanded almost fiercely.
-
-"They were all talking of it before you came in," May responded.
-
-Her voice was deepened, apparently by a tragic sense of the gravity of
-the subject under discussion; yet she was a bud in her first season, so
-that it was impossible that there should not also be in her tone some
-faint consciousness of the delightfully romantic nature of the
-situation.
-
-An angry flush came into the cheek of Miss Endicott. She was not a girl
-of striking face, although she had beautiful eyes; but there was a
-dignity in her carriage, an air of birth and breeding, which gave her
-distinction anywhere. She possessed, moreover, a sweet sincerity of
-character which made itself subtly felt in her every tone and movement.
-Now she knit her forehead in evident perplexity and resentment.
-
-"But did they believe it?" she asked.
-
-"Oh, they would believe anything of Miss Wentstile, of course," May
-replied. "We all know Aunt Sarah too well not to know that she is
-capable of the craziest thing that could be thought of."
-
-She picked out a fat bonbon as she spoke, and nibbled it comfortably, as
-if thoroughly enjoying herself.
-
-"But what can I do?" demanded Alice pathetically. "I can't stand up here
-and say: 'Ladies and gentlemen, I really have no idea of marrying that
-foreign thing Aunt Sarah wants to buy for me.'"
-
-Whatever reply May might have made was interrupted by the arrival of a
-gentleman with an empty teacup. The new-comer was Richard Fairfield, a
-young man of not much money but of many friends, and of literary
-aspirations. As he crossed the drawing-room Mrs. Neligage carelessly
-held out to him her cup and saucer.
-
-"As you are going that way, Richard," she said without preface of
-salutation, "do you mind taking my cup to the table?"
-
-"Delighted, of course," he answered, extending his hand for it.
-
-"If Mrs. Neligage will permit me," broke in Mr. Bradish, darting
-forward. "I beg ten thousand pardons for not perceiving--"
-
-"But Mrs. Neligage will not permit you, Mr. Bradish," she responded
-brightly. "I have already commissioned Richard."
-
-Fairfield received the cup, and bore it away, while Bradish cast upon
-the widow a glance of reproach and remonstrance.
-
-"You women all pet a rising author," he said. "I suppose it's because
-you all hope to be put in his books."
-
-"Oh, no. On the contrary it is because we hope to be left out."
-
-"I don't see," he went on with little apparent relevancy, "why you need
-begrudge me the pleasure of doing you a small favor."
-
-"I don't wish you to get too much into the habit of doing small favors,"
-she responded over her shoulder, as she turned back to the group with
-which she had been chatting. "I am afraid that if you do, you'll fail
-when I ask a great one."
-
-Fairfield made his way to the table where Alice was dispensing tea. He
-was by her welcomed cordially, by May with a reserve which was evidently
-absent-minded regret that he should break in upon her confidences with
-her cousin. He exchanged with Alice the ordinary greetings, and then
-made way for a fresh arrival who wished for tea. May responded rather
-indifferently to his remarks as he took a chair at the end of the sofa
-upon which she was seated, seeming so absorbed that in a moment he
-laughed at some irrelevant reply which she gave.
-
-"You did not understand what I said," he remarked. "I didn't mean--"
-
-"I beg your pardon," she interrupted, turning toward him. "I was
-thinking of something I was talking about with Alice, and I didn't mind
-what you did say."
-
-"I am sorry that I interrupted."
-
-"Oh, everybody interrupts at an afternoon tea," she responded, smiling.
-"That is what we are here for, I suppose. I was simply in a cloud--"
-
-Fairfield returned her smile with interest.
-
-"Is that an allusion?"
-
-May flushed a little, and put her hand consciously to the carnation at
-her throat.
-
-"Oh, no," she answered, with a little too much eagerness. "I can talk of
-something beside that book. Though of course," she added, "I do think
-it is a perfectly wonderful story. There is so much heart in it. Why, I
-have read it so much that I know parts of it almost word for word."
-
-"Then you don't think it is cynical?"
-
-"Oh, not the least in the world! How can anybody say that? I am ashamed
-of you, Mr. Fairfield."
-
-"I didn't mean that I thought it cynical; but lots of folk do, you
-know."
-
-May tossed her hands in a girlish gesture of disdain.
-
-"I hate people that call everything cynical. It is a thing that they
-just say to sound wise. 'Love in a Cloud' is to me one of the truest
-books I ever read. Why, you take that scene where she tells him she
-cares for him just the same in spite of his disgrace. It brings the
-tears into my eyes every time I read it."
-
-A new light came into the young man's face as she spoke in her
-impulsive, girlish fashion. He was a handsome fellow, with well-bred
-face. He stroked his silky mustache with an air not unsuggestive of
-complacency.
-
-"It is delightful," said he, "to find somebody who really appreciates
-the book for what is best in it. Of course there are a great many people
-who say nice things about it, but they don't seem to go to the real
-heart of it as you do."
-
-"Oh, the story has so much heart," she returned. Then she regarded him
-quizzically. "You speak almost as if you had written it yourself."
-
-"Oh, I--That is--Why, you see," he answered, in evident confusion, "I
-suppose that my being an embryo literary man myself makes it natural for
-me to take the point of view of the author. Most readers of a novel, you
-know, care for nothing but the plot, and see nothing else."
-
-"Oh, it is not the plot," May cried enthusiastically. "I like that, of
-course, but what I really care for is the feeling in the book."
-
-Jack Neligage, with his eyes on Alice Endicott, had made his way over to
-the tea-table, and came up in time to hear this.
-
-"The book, Miss Calthorpe?" he repeated. "Oh, you must be talking of
-that everlasting novel. I wish I had had the good luck to write it."
-
-"Oh, I should adore you if you had, Mr. Neligage."
-
-"By Jove, then I'll swear I did write it."
-
-Fairfield regarded the girl with heightened color.
-
-"You had better be careful, Miss Calthorpe," he commented. "The real
-author might hear you."
-
-She started in pretty dismay, and covered with her hand the flower
-nestling under her chin.
-
-"Oh, he is not here!" she cried.
-
-"How do you know that?" demanded Jack laughingly.
-
-She sank back into the corner of the sofa with a blush far deeper than
-could be called for by the situation.
-
-"Oh, I just thought so," she said. "Who is there here that could have
-written it?"
-
-"Why, Dick here is always scribbling," Neligage returned, with a
-chuckle. "Perhaps you have been telling him what you thought of his
-book."
-
-The face of Fairfield grew suddenly sober.
-
-"Come, Jack," he said, rising, "that's too stupid a joke to be worthy of
-you."
-
-He was seized at that moment by Mrs. Harbinger, who presented him to
-Miss Wentstile. Fairfield had been presented to Miss Wentstile a dozen
-times in the course of the two winters since he had graduated at Harvard
-and settled in Boston; but since she never seemed to recognize him, he
-gave no sign of remembering her.
-
-"Miss Wentstile," the hostess said, "don't you know Mr. Fairfield? He is
-one of our literary lights now, you know."
-
-"A very tiny rushlight, I am afraid," the young man commented.
-
-Miss Wentstile examined him with critical impertinence through her
-lorgnette.
-
-"Are you one of the Baltimore Fairfields?" she asked.
-
-"No; my family came from Connecticut."
-
-"Indeed!" she remarked coolly. "I do not remember that I ever met a
-person from Connecticut before."
-
-The lips of the young man set themselves a little more firmly at this
-impertinence, and there came into his eyes a keen look.
-
-"I am pleased to be the humble means of increasing your experience," he
-said, with a bow.
-
-Miss Wentstile had the appearance of being anxious to quarrel with
-somebody, a fact which was perhaps due to the conversation which she had
-had with her niece as they came to the house. Alice had been ordered to
-be especially gracious to Count Shimbowski, and had respectfully but
-succinctly declared her intention to be as cold as possible. Miss
-Wentstile had all her life indulged in saying whatever she felt like
-saying, little influenced by the ordinary restraints of conventionality
-and not at all by consideration for the feelings of others. She had gone
-about the room that afternoon being as disagreeable as possible, and her
-rudeness to Fairfield was milder than certain things which were at that
-very moment being resented and quoted in the groups which she had
-passed. She glared at the young man now as if amazed that he had dared
-to reply, and unfortunately she ventured once more.
-
-"Thank you," she said. "Even the animals in the Zoo increase one's
-experience. It is always interesting to meet those that one has heard
-chattered about."
-
-He made her a deeper bow.
-
-"I know," he responded with a manner coolly polite. "I felt it myself
-the first half dozen times I had the honor to be presented to you; but
-even the choicest pleasures grow stale on too frequent repetition."
-
-Miss Wentstile glared at him for half a minute, while he seemed to grow
-pale at his own temerity. Then a humorous smile lightened her face, and
-she tapped him approvingly on the shoulder with her gold lorgnette.
-
-"Come, come," she said briskly but without any sharpness, "you must not
-be impertinent to an old woman. You will hold your own, I perceive. Come
-and see me. I am always at home on Wednesdays."
-
-Miss Wentstile moved on looking less grim, but her previous sins were
-still to be atoned for, and Mrs. Neligage, who knew nothing of the
-encounter between the spinster and Fairfield, was watching her
-opportunity. Miss Wentstile came upon the widow just as a burst of
-laughter greeted the conclusion of a story.
-
-"And his wife is entirely in the dark to this day," Mrs. Neligage ended.
-
-"That is--ha, ha!--the funniest thing I've heard this winter," declared
-Mr. Bradish, who was always in the train of Mrs. Neligage.
-
-"I think it's horrid!" protested Mrs. Croydon, with an entirely
-unsuccessful attempt to look shocked. "I declare, Miss Wentstile, they
-are gossiping in a way that positively makes me blush."
-
-"So you see that the age of miracles is not past after all," put in Mrs.
-Neligage.
-
-"Mrs. Neligage has lived abroad so much," Miss Wentstile said severely,
-"that I fear she has actually forgotten the language of civility."
-
-"Not to you, my dear Miss Wentstile," was the incorrigible retort. "My
-mother taught me to be civil to you in my earliest youth."
-
-And all that the unfortunate lady, thus cruelly attacked, could say
-was,--
-
-"I wish you remembered all your mother taught you half as well!"
-
-
-
-
-V
-
-THE BLAZING OF RANK
-
-
-The usual mass of people came and went that afternoon at Mrs.
-Harbinger's. It was not an especially large tea, but in a country where
-the five o'clock tea is the approved method of paying social grudges
-there will always be a goodly number of people to be asked and many who
-will respond. The hum of talk rose like the clatter of a factory, the
-usual number of conversations were begun only to end as soon as they
-were well started; the hostess fulfilled her duty of interrupting any
-two of her guests who seemed to be in danger of getting into real talk;
-presentations were made with the inevitable result of a perfunctory
-exchange of inanities; and in general the occasion was very like the
-dozen other similar festivities which were proceeding at the same time
-in all the more fashionable parts of the city.
-
-As time wore on the crowd lessened. Many had gone to do their wearisome
-duty of saying nothing at some other five o'clock; and the rooms were
-becoming comfortable again. The persons who had come early were
-lingering, and one expert in social craft might have detected signs that
-their remaining so long was not without some especial reason.
-
-"If he is coming," Mrs. Neligage observed to Mr. Bradish, "I wish he
-would come. It is certainly not very polite of him not to arrive earlier
-if he is really trying to pass as the slave of Alice."
-
-"Oh, he is always late," Bradish answered. "If you had not been in
-Washington you would have heard how he kept Miss Wentstile's dinner
-waiting an hour the other day because he couldn't make up his mind to
-leave the billiard table."
-
-Mrs. Neligage laughed rather mockingly.
-
-"How did dear Miss Wentstile like that?" asked she. "It is death for any
-mortal to dare to be late at her house, and she does not approve of
-billiards."
-
-"She was so taken up with berating the rest of us for his tardiness that
-when he appeared she had apparently forgotten all about his being to
-blame in anything."
-
-"She loves a title as she loves her life," Mrs. Neligage commented. "She
-would marry him herself and give him every penny she owns just to be
-called a countess for the rest of her life."
-
-A stir near the door, and the voice of Graham announcing "Count
-Shimbowski" made them both turn. A brief look of intelligence flashed
-across the face of the widow.
-
-"It is he," she murmured as if to herself.
-
-"Do you know him?" demanded Bradish.
-
-"Oh, I used to see him abroad years ago," was her answer. "Very likely
-he will have forgotten me."
-
-"That," Bradish declared, with a profound bow, "is impossible."
-
-The Count made his way across the drawing-room with a jaunty air not
-entirely in keeping with the crow's-feet at the corners of his eyes. He
-was tall and wiry, with sandy hair and big mustaches. He showed no
-consciousness that he was being stared at, but with admirable
-self-possession saluted his hostess.
-
-"How do you do, Count?" Mrs. Harbinger greeted him. "We began to think
-you were not coming."
-
-"Ah, how do, Mees Harbeenger. Not to come eet would be to me too
-desolate. _Bon jour_, my deear Mees Wentsteele. I am so above-joyed to
-encountair you'self here. My deear Mees Endeecott, I kees your
-feengair."
-
-"Beast!" muttered Jack Neligage to Fairfield. "I should like to cram a
-fistful of his twisted-up sentences down his snaky throat!"
-
-"He must open his throat with a corkscrew in the morning," was the
-reply.
-
-Miss Wentstile was smiling her most gracious.
-
-"How do you feel to-day, Count?" she asked. "Does our spring weather
-affect you unpleasantly?"
-
-The Count made a splendid gesture with both his hands, waving in the
-right the monocle which he more often carried than wore.
-
-"Oh, what ees eet de weder een one land w'ere de peoples so heavenly
-keent ees?" he demanded oratorically. "Only eet ees Mees Endeecott do
-keel me wid her so great cheelleeness."
-
-Miss Endicott looked up from her seat at the tea-table beside which the
-group stood. Her air was certainly sufficiently cold to excuse the Count
-for feeling her chilliness; and she answered without a glimmer of a
-smile.
-
-"I'm not cruel," she said. "I wouldn't hurt a worm."
-
-"But," the Count responded, shaking his head archly, "eet ees dat I be
-not a worm."
-
-"I thought that all men were worms of the dust," Mrs. Harbinger
-observed.
-
-The Count bowed his tall figure with finished grace.
-
-"And all de weemens," he declared, "aire angles!"
-
-"It is our sharpness, then, that is to be admired," Alice commented.
-
-"Of course, Alice," Miss Wentstile corrected vixenishly, "the Count
-means angels."
-
-"So many men," Alice went on without showing other sign of feeling than
-a slight flush, "have turned a woman from an angel into an angle."
-
-"I do comprehend not," the Count said.
-
-"It is no matter, Count," put in the hostess. "She is only teasing you,
-and being rude into the bargain. You will take tea? Alice, pour the
-Count some tea."
-
-Alice took up a cup.
-
-"How many lumps?" she asked.
-
-"Loomps? Loomps? Oh, eet weel be sugaire een de tea. Tree, eef you weel
-be so goot weedeen eet."
-
-Just as the Count, with profuse expressions of overwhelming gratitude
-to have been permitted so great an honor, had received his tea from the
-hand of Miss Endicott, and Miss Wentstile was clearing her throat with
-the evident intention of directing toward him some profound observation,
-Mrs. Neligage came briskly forward with outstretched hand.
-
-"It would be generous of you, Count," she said, "to recognize an old
-friend."
-
-He stared at her with evident astonishment.
-
-"_Ciel!_" he exclaimed. "Ah, but eet weel be de _belle_ Madame
-Neleegaze!"
-
-She laughed as she shook hands, her dark eyes sparkling with fun.
-
-"As gallant as ever, Count. It is good of you to remember me after so
-many years."
-
-The Count regarded her with a look so earnest that he might easily be
-supposed to remember from the past, whatever and whenever it had been,
-many things of interest. Miss Wentstile surveyed the pair with an
-expression of keen suspicion.
-
-"Louisa," she demanded, "where did you know the Count?"
-
-The Count tried to speak, but Mrs. Neligage was too quick for him.
-
-"It was at--Where was it, Count? My memory for places is so bad," she
-returned mischievously.
-
-"Yees," he said eagerly. "Eet weel have been Paris _certainement_, ees
-eet not?"
-
-She laughed more teasingly yet, and glanced swiftly from him to Miss
-Wentstile. She was evidently amusing herself, though the simple
-question of the place of a former meeting might not seem to give much
-opportunity.
-
-"That doesn't seem to me to have been the place," she remarked. "Paris?
-Let me see. I should have said that it was--"
-
-The remark was not concluded, for down went the Count's teacup with a
-splash and a crash, with startings and cries from the ladies, and a
-hasty drawing away of gowns. Miss Endicott, who had listened carefully
-to the talk, took the catastrophe coolly enough, but with a darkening of
-the face which seemed to show that she regarded the accident as
-intentional. The Count whipped out his handkerchief, and went down on
-his knee instantly to wipe the hem of Miss Wentstile's spattered frock;
-while Mrs. Neligage seemed more amused than ever.
-
-"Oh, I am deesconsolate forever!" the Count exclaimed, in tones which
-were pathetic enough to have made the reputation of an actor. "I am
-broken een de heart, Mees Wentsteele."
-
-"It is no matter," Miss Wentstile said stiffly.
-
-A ring of the bell brought Graham to repair the damage as far as might
-be, and in the confusion the Count moved aside with the widow.
-
-"That was not done with your usual skill, Count," she said mockingly.
-"It was much too violent for the occasion."
-
-"But for what you speak of Monaco here?" he demanded fiercely. "De old
-Mees Wentsteele say dat to play de card for money ees villain. She say
-eet is murderous. She say she weel not to endure de man dat have
-gamboled."
-
-"And you have gamboled in a lively manner in your time, Count. It's an
-old pun, but it would be new to you if you could understand it."
-
-"I don't understand," he said savagely in French.
-
-"No matter. It wasn't worth understanding," she answered, in the same
-tongue. "But you needn't have been afraid. I'm no spoil-sport. I
-shouldn't have told."
-
-"She is an old prude," he went on, smiling, and showing his white teeth.
-"If she knew I had been in a duel, she would know me no more."
-
-"She will not know from me."
-
-"As lovely and as kind as ever," he responded. "Ah, when I remember
-those days, when I was young, and you were just as you are now--"
-
-"Old, that is."
-
-"Oh, no; young, always young as when I knew you first. When I was at
-your feet with love, and your countryman was my rival--"
-
-Mrs. Neligage began to look as if she found the tables being turned, and
-that she had no more wish to have the past brought up than had the
-Count. She turned away from her companion. Then she looked back over her
-shoulder to observe, still in French, as she left him:--
-
-"I make it a point never to remember those days, my friend."
-
-
-
-
-VI
-
-THE MISCHIEF OF A WIDOW
-
-
-There were now but ten guests left, the persons who have been named, and
-who seemed for the most part to be lingering to observe the Count or
-Alice Endicott. May Calthorpe had all the afternoon kept near Alice, and
-only left her place when the sopping up of the Count's tea made it
-necessary for her to move. Mrs. Harbinger took her by the arm, and
-looked into her face scrutinizingly.
-
-"Well," she asked, "did your unknown author come?"
-
-"Nobody has come with a carnation. Oh, I am so disappointed!"
-
-"I am glad of it, my dear."
-
-"But he said he would come if I'd give him a sign, and I wrote to him
-while I was waiting for you yesterday."
-
-"So you told me."
-
-"Well," May echoed dolefully; "I think you might be more sympathetic."
-
-"What did you do with the letter?" asked Mrs. Harbinger.
-
-"I gave it to Graham to post."
-
-"Then very likely no harm is done. Graham never in his life posted a
-letter under two days."
-
-"Oh, do you think so?" May asked, brightening visibly at the suggestion.
-"You don't think he despised me, and wouldn't come?"
-
-Mrs. Harbinger gave her a little shake.
-
-"You hussy!" she exclaimed, with too evident an enjoyment of the
-situation to be properly severe. "How was it addressed?"
-
-"Just to Christopher Calumus, in care of the publishers."
-
-"Well, my dear," the hostess declared, "your precious epistle is
-probably in the butler's pantry now; or one of the maids has picked it
-up from the kitchen floor. I warn you that if I can find it I shall read
-it."
-
-"Oh, you wouldn't!" exclaimed May in evident distress.
-
-"Um! Wouldn't I, though? The way you take the suggestion shows that it's
-time somebody looked into your correspondence with this stranger."
-
-May opened her lips to protest again, but the voice of Graham was heard
-announcing Mr. Barnstable, and Mrs. Harbinger turned to greet the
-late-coming stranger. The gentleman's hair had apparently been scrubbed
-into sleekness, but had here and there broken through the smooth outer
-surface as the stuffing of an old cushion breaks through slits in the
-covering. His face was red, and his air full of self-consciousness. When
-he entered the drawing-room Mr. Harbinger was close behind him, but the
-latter stopped to speak with Bradish and Mrs. Neligage, and Barnstable
-advanced alone to where Mrs. Harbinger stood with May just behind her.
-
-"Heavens, May," the hostess said over her shoulder. "Here is your
-carnation. I hope you are pleased with the bearer."
-
-Barnstable stood hesitating, looking around as if to discover the
-hostess. On the face of Mrs. Croydon only was there sign of recognition.
-She bowed at him rather than to him, with an air so distant that no man
-could have spoken to her after such a frigid salutation. The stranger
-turned redder and redder, made a half step toward Mrs. Croydon, and then
-stopped. Fortunately Mr. Harbinger hastened up, and presented him to the
-hostess. That lady greeted him politely, but she had hardly exchanged
-the necessary commonplaces, before she put out her hand to where May
-stood watching in dazed surprise.
-
-"Let me present you to Miss Calthorpe," she said. "Mr. Barnstable, May."
-
-She glided away with a twinkle in her eye which must have implied that
-she had no fear in leaving the romantic girl with a lover that looked
-like that. May and Barnstable stood confronting each other a moment in
-awkward silence, and then the girl tossed her head with the air of a
-young colt that catches the bit between his teeth.
-
-"I had quite given you up," she said in a voice low, but distinct.
-
-"Eh?" he responded, with a startled look. "Given me up?"
-
-"I have been watching for the carnation all the afternoon."
-
-"Carnation?" he echoed, trying over his abundant chins to get a glimpse
-of the flower in his buttonhole. "Oh, yes; I generally wear a carnation.
-They keep, don't you know; and it was always the favorite flower of my
-wife."
-
-"Your wife?" demanded Miss Calthorpe.
-
-Her cheeks grew crimson, and she drew herself up haughtily.
-
-"Yes," Barnstable replied, looking confused. "That is, of course, she
-that was my wife."
-
-"I should never have believed," May observed distantly, "that 'Love in a
-Cloud' could have been written by a widower."
-
-Barnstable began to regard her as if he were in doubt whether she or he
-himself had lost all trace of reason.
-
-"'Love in a Cloud,'" he repeated, "'Love in a Cloud'? Do you know who
-wrote that beastly book?"
-
-Her color shot up, and the angry young goddess declared itself in every
-line of her face. Her pose became instantly a protest.
-
-"How dare you speak of that lovely book in that way?" she demanded. "It
-is perfectly exquisite!"
-
-"But who wrote it?" he demanded in his turn, growing so red as to
-suggest awful possibilities of apoplexy.
-
-"Didn't you?" she stammered. "Are you running it down just for
-modesty?"
-
-"I! I! I write 'Love in a Cloud'?" cried Barnstable, speaking so loud
-that he could be heard all over the room. "You insult me, Miss--Miss
-Calthump! You--"
-
-His feelings were evidently too much for him. He turned with rude
-abruptness, and looking about him, seemed to become aware that the eyes
-of almost everybody in the room were fixed on him. He cast a despairing
-glance to where Mrs. Harbinger and Mrs. Croydon were for the moment
-standing together, and then started in miserable flight toward the door.
-At the threshold he encountered Graham the butler, who presented him
-with a handful of letters.
-
-"Will you please give the letters to Mrs. Harbinger?" Graham said, and
-vanished.
-
-Barnstable looked after the butler, looked at the letters, looked around
-as if his head were swimming, and then turned back into the
-drawing-room. He walked up to the hostess, and held out the letters in
-silence, his fluffy face a pathetic spectacle of embarrassed woe.
-
-"What are these?" Mrs. Harbinger asked.
-
-He shook his head, as if he had given up all hope of understanding
-anything.
-
-"The butler put them in my hands," he murmured.
-
-"Upon my word, Mrs. Harbinger," spoke up Mrs. Croydon, seeming more
-offended than there was any apparent reason for her to be, "you have the
-most extraordinary butler that ever existed."
-
-Mrs. Harbinger threw out her hands in a gesture by which she evidently
-disclaimed all responsibility for Graham and his doings.
-
-"Extraordinary! Why, he makes my life a burden. There is no mistake he
-cannot make, and he invents fresh ones every day. Really, I know of no
-reason why the creature is tolerated in the house except that he makes a
-cocktail to suit Tom."
-
-"Dat ees ver' greet veertue," Count Shimbowski commented genially.
-
-"I do not agree with you, Count," Miss Wentstile responded stiffly.
-
-The spinster had been hovering about the Count ever since his accident
-with the teacup, apparently seeking an opportunity of snubbing him.
-
-"Oh, but I die but eef Mees Wentsteele agree of me!" the Count declared
-with his hand on his heart.
-
-Mrs. Croydon in the meanwhile had taken the letters from the hand of
-Barnstable, and was looking at them with a scrutiny perhaps closer than
-was exactly compatible with strict good-breeding.
-
-"Why, here is a letter that has never been posted," she said.
-
-Mr. Harbinger took the whole bundle from her hand.
-
-"I dare say," was his remark, "that any letter that's been given to
-Graham to mail in the last week is there. Why, this letter is addressed
-to Christopher Calumus."
-
-May Calthorpe moved forward so quickly that Mrs. Harbinger, who had
-extended her hand to take the letters from her husband, turned to
-restrain the girl. Mrs. Croydon swayed forward a little.
-
-"That is the author of 'Love in a Cloud,'" she said with a simper of
-self-consciousness.
-
-Mrs. Neligage, who was standing with Bradish and Alice at the moment,
-made a grimace.
-
-"She'll really have the impudence to take it," she said to them aside.
-"Now see me give that woman a lesson."
-
-She swept forward in a flash, and deftly took the letter out of Tom
-Harbinger's hand before he knew her intention. Flourishing it over her
-head, she looked them all over with eyes full of fun and mischief.
-
-"Honor to whom honor is due," she cried. "Ladies and gentlemen, be it my
-high privilege to deliver this to its real and only owner. Count," she
-went on, sweeping him a profound courtesy, "let your light shine. Behold
-in Count Shimbowski the too, too modest author of 'Love in a Cloud.'"
-
-There was a general outburst of amazement. The Count looked at the
-letter which had been thrust into his hand, and stammered something
-unintelligible.
-
-"_Vraiment_, Madame Neleegaze," he began, "eet ees too mooch of you--"
-
-"Oh, don't say anything," she interrupted him. "I have no other pleasure
-in life than doing mischief."
-
-Mrs. Croydon looked from the Count to Mrs. Neligage with an expression
-of mingled doubt and bewilderment. Her attitude of expecting to be
-received as the anonymous author vanished in an instant, and vexation
-began to predominate over the other emotions visible in her face.
-
-"Well," she said spitefully, "it is certainly a day of wonders; but if
-the letter belongs to the Count, it would be interesting to know who
-writes to him as Christopher Calumus."
-
-Mrs. Harbinger answered her in a tone so cold that Mrs. Croydon colored
-under it.
-
-"Really, Mrs. Croydon," she said, "the question is a little pointed."
-
-"Why, it is only a question about a person who doesn't exist. There
-isn't any such person as Christopher Calumus. I'm sure I'd like to know
-who writes to literary men under their assumed names."
-
-May was so pale that only the fact that everybody was looking at Mrs.
-Harbinger could shield her from discovery. The hostess drew herself up
-with a haughty lifting of the head.
-
-"If it is of so great importance to you," she said, "it is I who wrote
-the letter. Who else should write letters in this house?"
-
-She extended her hand to the Count as she spoke, as if to recover the
-harmless-looking little white missive which was causing so much
-commotion, but the Count did not offer to return it. Tom Harbinger stood
-a second as if amazement had struck him dumb. Then with the air of a
-puppet pronouncing words by machinery he ejaculated:--
-
-"You wrote to the Count?"
-
-His wife turned to him with a start, and opened her lips, but before she
-could speak a fresh interruption prevented. Barnstable in the few
-moments during which he had been in the room had met with so many
-strange experiences that he might well be bewildered. He had been
-greeted by May as one for whom she was waiting, and then had been hailed
-as the author of the book which he hated; the eccentric Graham had made
-of him a sort of involuntary penny-post; he had been in the midst of a
-group whisking a letter about like folk in the last act of a comedy; and
-now here was the announcement that the Count was the anonymous libeler
-for whom he had been seeking. He dashed forward, every fold of his chins
-quivering, his hair bristling, his little eyes red with excitement. He
-shook his fist in the face of the Count in a manner not often seen in a
-polite drawing-room.
-
-"You are a villain," he cried. "You have insulted my wife!"
-
-Bradish and Mr. Harbinger at once seized him, and between them he was
-drawn back gesticulating and struggling. The ladies looked frightened,
-but with the exception of Mrs. Croydon they behaved with admirable
-propriety. Mrs. Croydon gave a little yapping screech, and fell back in
-her chair in hysterics. More complete confusion could hardly have been
-imagined, and Mrs. Neligage, who looked on with eyes full of laughter,
-had certainly reason to congratulate herself that if she loved making
-mischief she had for once at least been most instantly and triumphantly
-successful.
-
-
-
-
-VII
-
-THE COUNSEL OF A MOTHER
-
-
-If an earthquake shook down the house in which was being held a Boston
-function, the persons there assembled would crawl from the ruins in a
-manner decorous and dignified, or if too badly injured for this would
-compose with decency their mangled limbs and furnish the addresses of
-their respective family physicians. The violent and ill-considered farce
-which had been played in Mrs. Harbinger's drawing-room might elsewhere
-have produced a long-continued disturbance; but here it left no trace
-after five minutes. Mr. Barnstable, babbling and protesting like a
-lunatic, was promptly hurried into confinement in the library, where Mr.
-Harbinger and Bradish stood guard over him as if he were a dangerous
-beast; while the other guests made haste to retire. They went, however,
-with entire decorum. Mrs. Croydon was, it is true, a disturbing element
-in the quickly restored serenity of the party, and was with difficulty
-made to assume some semblance of self-control. Graham, being sent to
-call a carriage, first caught a forlorn herdic, which was prowling about
-like a deserted tomcat, and when the lady would none of this managed to
-produce a hack which must have been the most shabby in the entire town.
-The Count was taken away by Miss Wentstile, who in the hour of his peril
-dropped the stiffness she had assumed at his recognition of Mrs.
-Neligage. She dragged Alice along with them, but Alice in turn held on
-to May, so that the Count was given no opportunity to press his suit.
-They all retired in good order, and however they talked, they at least
-behaved beautifully.
-
-As Neligage took his hat in the hall Fairfield caught him by the arm.
-
-"Jack," he said under his breath, "do you believe Mrs. Harbinger wrote
-me those letters?"
-
-"Of course not," Jack responded instantly. "Not if they are the sort of
-letters you said. Letty Harbinger is as square as a brick."
-
-"Then why did she say she did?"
-
-Jack rubbed his chin thoughtfully.
-
-"The letter was evidently written here," he said. "She must know who did
-write it."
-
-"Ah, I see!" exclaimed the other. "She was shielding somebody."
-
-Jack regarded him with sudden sternness.
-
-"There was nobody that it could be except--"
-
-He broke off abruptly, a black look in his face, and before another word
-could be exchanged Mrs. Neligage called him. He went off with his
-mother, hastily telling his friend he would see him before bedtime.
-
-Mrs. Neligage was hardly up to her son's shoulder, but so well preserved
-was she that she might easily have been mistaken for a sister not so
-much his senior. She was admirably dressed, exquisitely gloved and
-booted, to the last fold of her tailor-made frock entirely correct, and
-in her manner provokingly and piquantly animated.
-
-"Who in the world was that horror that made the exhibition of himself?"
-she asked. "I never saw anything like that at the Harbingers' before."
-
-"I know nothing about him except that his name is Barnstable, and that
-he came from the West somewhere. He's joined the Calif Club lately. How
-he got in I don't understand; but he seems to have loads of money."
-
-"He is a beast," Mrs. Neligage pronounced by way of dismissing the
-subject. "What did Mrs. Harbinger mean by thanking you for arranging
-something with the Count? What have you to do with him?"
-
-"Oh, that is a secret."
-
-"Then if it is a secret tell it at once."
-
-"I'll tell you just to disappoint you," Jack returned with a grin. "It
-is only about some etchings that the Count brought over. Mrs. Harbinger
-has bought a couple as a present for Tom."
-
-"She had better be careful," Mrs. Neligage observed. "Tom thinks more of
-the collection now than he does of anything else in the world. But what
-are you mixed up in the Count's transactions for?"
-
-"She asked me to fix it, and besides the poor devil needed to sell them
-to raise the wind. I'm too used to being hard up myself not to feel for
-him."
-
-"But you wrote me that you detested the Count."
-
-"So I do, but you can't help doing a fellow a good turn, can you, just
-because you don't happen to like him?"
-
-She laughed lightly.
-
-"You are a model of good nature. I wish you'd show it to May Calthorpe."
-
-Her son looked down at her with a questioning glance.
-
-"She is always at liberty to admire my virtues, of course; but she can't
-expect me to put myself out to make special exhibitions for her
-benefit."
-
-The faces of both mother and son hardened a little, as if the subject
-touched upon was one concerning which they had disagreed before. The
-change of expression brought out a subtle likeness which had not before
-been visible. Jack Neligage was usually said to resemble his father, who
-had died just as the boy was entering his teens, but when he was in a
-passion--a thing which happened but seldom--his face oddly took on the
-look of his mother. The change, moreover, was not entirely to his
-disadvantage, for as a rule Jack showed too plainly the easy-going,
-self-indulgent character which had been the misfortune of the late John
-Neligage, and which made friends of the family declare with a sigh that
-Jack would never amount to anything worth while.
-
-Mother and son walked on in silence a moment, and then the lady
-observed, in a voice as dispassionate as ever:--
-
-"She is a silly little thing. I believe even you could wind her round
-your finger."
-
-"I haven't any intention of trying."
-
-"So you have given me to understand before; but now that I am going away
-you might at least let me go with the consolation of knowing you'd
-provided for yourself. You must marry somebody with money, and she has
-no end of it."
-
-He braced back his shoulders as if he found it not altogether easy not
-to reply impatiently.
-
-"Where are you going?" he asked.
-
-"Oh, to Europe. Anywhere out of the arctic zone of the New England
-conscience. I've had as long a spell of respectability as I can stand,
-my boy."
-
-Something in her manner evidently irritated him more and more. She spoke
-with a little indefinable defiant swagger, as if she intended to anger
-him. He looked at her no longer, but fixed his gaze on the distance.
-
-"When you talk of giving up respectability," he remarked in an aggrieved
-tone, "I should think you might consider me."
-
-Her eyes danced, as if she were delighted to see him becoming angry.
-
-"Oh, I do, Jack, I assure you; but I really cannot afford to be
-respectable any longer. Respectability is the most expensive luxury of
-civilization; and how can I keep it up when I'm in debt to everybody
-that'll trust me."
-
-"Then you might economize."
-
-"Economize! Ye gods! This from you, Jack! Where did you hear the word?
-I'm sure you know nothing of the thing."
-
-He laughed in evident self-despite.
-
-"We are a nice pair of ruffianly adventurers," he responded; "a regular
-pair of genteel paupers. But we've both got to pull up, I tell you."
-
-"Oh, heavens!" was his mother's reply. "Don't talk to me of pulling up.
-What fun do I have as it is but quarreling with Miss Wentstile and
-snubbing Harry Bradish? I've got to keep up my authority in our set, or
-I should lose even these amusements."
-
-Jack flashed her a swift, questioning look, and with a new note in his
-voice, a note of doubt at once and desperation, blurted out a fresh
-question.
-
-"How about flirting with Sibley Langdon?"
-
-Mrs. Neligage flushed slightly and for a brief second contracted her
-well-arched eyebrows, but in an instant she was herself again.
-
-"Oh, well," she returned, with a pretty little shrug, "that of course is
-a trifle better, but not much. Sibley really cares for himself so
-entirely that there's very little to be got out of him."
-
-"But you know how you make folks talk."
-
-"Oh, folks always talk. There is always as much gossip about nothing as
-about something."
-
-"But he puts on such a damnable air of proprietorship," Jack burst out,
-with much more feeling than he had thus far shown. "I know I shall kick
-him some time."
-
-"That is the sort of thing you had better leave to the Barnstable man,"
-she responded dryly. "Sibley only has the air of owning everything.
-That's just his nature. He's really less fun than good old Harry
-Bradish. But such as he is, he is the best I can do. If that stuffy old
-invalid wife of his would only die, I think I'd marry him out of hand
-for his money."
-
-Jack threw out his arm with an angry gesture.
-
-"For Heaven's sake, mother," he said, "what are you after that you are
-going on so? You know you drive me wild when you get into this sort of a
-talk."
-
-"Or I might elope with him as it is, you know," she continued in her
-most teasing manner; but watching him intently.
-
-"What in the deuce do you talk to me like that for!" he cried, shaking
-himself savagely. "You're my mother!"
-
-Mrs. Neligage grew suddenly grave. She drew closer to her son, and
-slipped her hand through his arm.
-
-"So much the worse for us both, isn't it, Jack? Come, we may as well
-behave like rational beings. Of course I was teasing you; but that isn't
-the trouble. It's yourself you are angry with."
-
-"What have I to be angry with myself about?"
-
-"You are trying to make up your mind that you're willing to be poor for
-the sake of marrying Alice Endicott; but you know you wouldn't be equal
-to it. If I thought you would, I'd say go ahead. Do you think you'd be
-happy in a South End apartment house with the washing on a line between
-the chimneys, and a dry-goods box outside the window for a
-refrigerator?"
-
-Jack mingled a groan and a laugh.
-
-"You can't pay your debts as it is," she went on remorselessly. "We are
-a pair of paupers who have to live as if we were rich. You see what your
-father made of it, starting with a fortune. You can't suppose you'd do
-much better when you've nothing but debts."
-
-"I think I'll enlist, or run away to sea," Jack declared, tugging
-viciously at his mustache.
-
-"No, you'll accept your destiny. You'll like it better than you think,
-when you're settled down to it. You'll stay here and marry May
-Calthorpe."
-
-"You must think I'm a whelp to marry a girl just for her money."
-
-"Oh, you must fall in love with her. Any man is a wretch who'd marry a
-girl just for her money, but a man's a fool that can't fall in love with
-a pretty girl worth half a million."
-
-Jack dropped his mother's hand from his arm with more emphasis than
-politeness, and stopped to face her on the corner of the street.
-
-"The very Old Boy is in you to-day, mother," he said. "I won't listen to
-another word."
-
-She regarded him with a saucy, laughing face, and put out her hand.
-
-"Well, good-night then," she said. "Come in and see me as soon as you
-can. I have a lot of things to tell you about Washington. By the way,
-what do you think of my going there, and setting up as a lobbyist? They
-say women make no end of money that way."
-
-He swung hastily round, and left her without a word. She went on her
-way, but her face turned suddenly careworn and haggard as she walked in
-the gathering twilight toward the little apartment where she lived in
-fashionable poverty.
-
-
-
-
-VIII
-
-THE TEST OF LOVE
-
-
-One of the distinctive features of "good society" is that its talk is
-chiefly of persons. Less distinguished circles may waste precious time
-on the discussion of ideas, but in company really select such
-conversation is looked upon as dull and pedantic. One of the first
-requisites for entrance into the world of fashion is a thorough
-knowledge of the concerns of those who are included in its alluring
-round; and not to be informed in this branch of wisdom marks at once the
-outsider. It follows that concealment of personal affairs is pretty
-nearly impossible. Humanity being frail, it frequently happens that
-fashionable folk delude themselves by the fond belief that they have
-escaped the universal law of their surroundings; but the minute
-familiarity which each might boast of all that relates to his neighbors
-should undeceive them. That of which all the world talks is not to be
-concealed.
-
-Everybody in their set knew perfectly well that Jack Neligage had been
-in love with Alice Endicott from the days when they had paddled in the
-sand on the walks of the Public Garden. The smart nursery maids whose
-occupation it was to convey their charges thither and keep them out of
-the fountains, between whiles exchanging gossip about the parents of the
-babies, had begun the talk. The opinions of fashionable society are
-generally first formed by servants, and then served up with a garnish of
-fancifully distorted facts for the edification of their mistresses; and
-in due time the loves of the Public Garden, reported and decorated by
-the nursery maids, serve as topics for afternoon calls. Master Jack was
-known to be in love with Miss Alice before either of them could have
-written the word, and in this case the passion had been so lasting that
-it excited remark not only for itself as an ordinary attachment, but as
-an extraordinary case of unusual constancy.
-
-Society knew, of course, the impossibility of the situation. It was
-common knowledge that neither of the lovers had anything to marry on.
-Jack's handsome and spendthrift father had effectually dissipated the
-property which he inherited, only his timely death preserving to Mrs.
-Neligage and her son the small remnant which kept them from actual
-destitution. Alice was dependent upon the bounty of her aunt, Miss
-Wentstile. Miss Wentstile, it is true, was abundantly able to provide
-for Alice, but the old lady seriously disapproved of Jack Neligage, and
-of his mother she disapproved more strongly yet. Everybody said--and
-despite all the sarcastic observations of that most objectionable class,
-the satirists, what everybody says nobody likes to disregard--that if
-Jack and Alice were so rash as to marry they would never touch a penny
-of the aunt's money. Jack, moreover, was in debt. Nobody blamed him much
-for this, because he was a general favorite, and all his acquaintance
-recognized how impossible it was for a young man to live within an
-income so small as from any rational point of view to be regarded as
-much the same thing as no income at all; but of course it was recognized
-also that it is not well in the present day to marry nothing upon a
-capital of less than nothing. It has been successfully done, it is true;
-but it calls for more energy and ingenuity than was possessed by
-easy-going Jack Neligage. In view of all these facts, frequently
-discussed, society was unanimously agreed that Jack and Alice could
-never marry.
-
-This impossibility excited a faint sort of romantic sympathy for the
-young couple. They were invited to the same houses and thrown together,
-apparently with the idea that they should play with fire as steadily and
-as long as possible. The unphrased feeling probably was that since the
-culmination of their hopes in matrimony was out of the question, it was
-only common humanity to afford them opportunities for getting from the
-ill-starred attachment all the pleasure that was to be had. Society
-approves strongly of romance so long as it stops short of disastrous
-marriages; and since Jack and Alice were not to be united, to see them
-dallying with the temptation of making an imprudent match was a
-spectacle at once piquant and diverting.
-
-On the evening of the day when the news of Alice's pseudo-engagement
-had been discussed at Mrs. Harbinger's tea, Jack called on her. She
-received him with composure, coming into the room a little pale,
-perhaps, but entirely free from self-consciousness. Alice was not
-considered handsome by her friends, but no one could fail to recognize
-that her face was an unusual one. The Count, in his distorted English,
-had declared that Miss Endicott "have een her face one Madonna," and the
-description was hardly to be bettered. The serene oval countenance, the
-dark, clear skin, the smooth hair of a deep chestnut, the level brows
-and long lashes, the high, pure forehead, all belonged to the Madonna
-type; although the sparkle of humor which now and then gleamed in the
-full, gray eyes imparted a bewitching flavor of humanity. To-night she
-was very grave, but she smiled properly, the smile a well-instructed
-girl learns as she learns to courtesy. She shook hands in a way perhaps
-a little formal, since she was greeting so old an acquaintance.
-
-"Sit down, please," she said. "It is kind of you to come in. I hardly
-had a chance to say a word to you this afternoon."
-
-Jack did not return her greeting, nor did he accept her invitation to be
-seated. He stooped above the low chair into which she sank as she spoke.
-
-"What is this amazing story that you are engaged to Count Shimbowski?"
-he demanded abruptly.
-
-She looked up to him with a smile which was more conventional than
-ever.
-
-"What right have you to ask me a question like that?" she returned.
-
-He waved his hand as if to put aside formalities.
-
-"But is it true?" he insisted.
-
-"What is it to you, Jack, if it were?"
-
-She grew visibly paler, and her fingers knit themselves together. He, on
-the contrary, flushed and became more commanding in his manner.
-
-"Do you suppose," he answered, "that I should be willing to see a friend
-of mine throw herself away on that old roue? He is old enough to be your
-father."
-
-"But you know," said she, assuming an air of raillery which did not seem
-to be entirely genuine, "that the proverb says it's better to be an old
-man's darling than a young man's slave."
-
-Jack flung himself into a chair with an impatient exclamation, and
-immediately got up again to walk the floor.
-
-"I wouldn't have believed it of you, Alice. How can you joke about a
-thing like that!"
-
-"Why, Jack; you've told me a hundred times that the only way to get
-through life comfortably is to take everything in jest."
-
-"Oh, confound what I've told you! That's good enough philosophy for me,
-but it's beneath you to talk so."
-
-"What is sauce for the goose--"
-
-"Keep still," he interrupted. "If you can't be serious--"
-
-"You are so fond of being serious," she murmured, interrupting in her
-turn.
-
-"But I am serious now. Haven't we always been good friends enough for me
-to speak to you in earnest without your treating me as if I was either
-impertinent or a fool?"
-
-He stopped his restless walk to stand before her again. She was silent a
-moment with her glance fixed on the rug. Then she raised her eyes to
-his, and her manner became suddenly grave.
-
-"Yes, Jack," she said, "we have always been friends; but has any man,
-simply because he is a friend, a right to ask a girl a question like
-that?"
-
-"You mean--"
-
-"I mean no more than I say. There are other men with whom I've been
-friends all my life. Is there any one of them that you'd think had a
-right to come here to-night and question me about my engagement?"
-
-"I'd break his head if he did!" Jack retorted savagely.
-
-"Then why shouldn't he--whoever he might be--break yours?"
-
-He flung himself into his chair again, his sunny face clouded, and his
-brows drawn down. He met her glance with a look which seemed to be
-trying to fathom the purpose of her mood.
-
-"Why, hang it," he said; "with me it's different. You know I've always
-been more than a common friend."
-
-"You have been a good friend," she answered with resolute
-self-composure; "but only a friend after all."
-
-"Then you mean that I cannot be more than a friend?"
-
-She dropped her eyes, a faint flush stealing up into her pale cheeks.
-
-"You do not wish to be; and therefore you have no right--"
-
-He sprang up impulsively and seized both her hands in his.
-
-"Good God, Alice," he exclaimed, "you drive me wild! You know that if I
-were not so cursedly poor--"
-
-She released herself gently, and with perfect calmness.
-
-"I know," she responded, "that you have weighed me in the balance
-against the trouble of earning a living, and you haven't found me worth
-the price. In the face of a fact like that what is the use of words?"
-
-He thrust his empty hands into his pockets, and glowered down on her.
-
-"You know I love you, Alice. You know I've been in love with you ever
-since I began to walk; and you--you--"
-
-She rose and faced him proudly.
-
-"Well, say it!" she cried. "Say that I was foolish enough to love you!
-That I knew no better than to believe in you, and that I half broke my
-heart when you forced me to see that you weren't what I thought. Say it,
-if you like. You can't make me more ashamed of it than I am already!"
-
-"Ashamed--Alice?"
-
-"Yes, ashamed! It humiliates me that I should set my heart on a man that
-cared so little for me that he set me below his polo-ponies, his
-bachelor ease, his miserable little self-indulgences! Oh, Jack," she
-went on, her manner suddenly changing to one of appeal, and the tears
-starting into her eyes, "why can't you be a man?"
-
-She put her hand on his arm, and he covered it affectionately with one
-of his while she hurried on.
-
-"Do break away from the life you are living, and do something worthy of
-you. You are good to everybody else; there's nothing you won't do for
-others; do this for yourself. Do it for me. You are throwing yourself
-away, and I have to hear them talk of your debts, and your racing and
-gambling, and how reckless you are! It almost kills me!"
-
-The full sunniness of his smile came back as he looked down into her
-earnest face, caressing her hand.
-
-"Dear little woman," he said; "are you sure you have got entirely over
-being fond of me?"
-
-"I couldn't get over being fond of you. You know it. That's what makes
-it hurt so."
-
-He raised her hand tenderly, and kissed it. Then he dropped it abruptly,
-and turned away.
-
-"You must get over it," he said, so brusquely that she started almost as
-if from a blow.
-
-She sank back into her seat, and pressed her handkerchief to her eyes,
-while he walked back to his chair and sat down with an air of bravado.
-
-"It's no use, Alice," he said, "I'm not worth a thought, and it isn't in
-me to--Well, the fact is that I know myself too well. I know that if I
-promised you to-night that to-morrow I'd begin better fashions, I'm not
-man enough to live up to it. I couldn't involve you in--Oh, don't,
-don't!"
-
-He broke off to turn to toy with some of the ornaments on the table. In
-a moment Alice had suppressed her sobs, and he spoke again, but without
-meeting her look. His voice was hard and flippant.
-
-"You see I have such a good time that I wouldn't give it up for the
-world. I think I'd better keep on as I'm going. The time makes us, and
-we have to abide by the fashion of the time."
-
-"If that is the way you feel," she said coldly, "it is I who have
-presumed on old friendship."
-
-He shrugged his shoulders, and laughed harshly.
-
-"We have both been a little unnecessarily tragic, it seems to me," was
-his rejoinder. "Love isn't for a poor man unless he'll take it on the
-half-shell without dressing; and I fancy neither of us would much care
-for it that way. My bank-account is a standing reason why I shouldn't
-marry anybody."
-
-"The sentiment does credit to Mr. Neligage's head if not to his heart,"
-commented the sneering voice of Miss Wentstile, who at that moment came
-through the portieres from the library. "I hope I don't intrude?"
-
-"Certainly not," Alice answered with spirit. "Mr. Neligage was giving
-me a lesson in the social economics of matrimony; but I knew before all
-he has to tell."
-
-"Then, my dear," her aunt said, "I trust he will excuse you. It is time
-we went to Mrs. Wilson's. I promised the Count that we would be there
-early."
-
-
-
-
-IX
-
-THE MISCHIEF OF A GENTLEMAN
-
-
-The Goddess of Misfortune sometimes capriciously takes a spite against
-an entire family, so that all of its members are at the same time
-involved in one misadventure or another. She shows a malicious impulse
-to wreak her disfavor on all of a connection at once, apparently from a
-knowledge that misery begets misery, and that nothing so completely
-fills to overflowing the cup of vexation as the finding that those from
-whom sympathy would naturally be expected are themselves in a condition
-to demand rather than to give it. She apparently amuses herself in mere
-wantonness of enjoyment of the sufferings of her victims when no one of
-them is in a condition to cheer the others. She illustrated this
-unamiable trait of her celestial character next day in her dealing with
-the Neligages, mother and son.
-
-It was a beautiful spring day, not too warm in the unseasonable fashion
-which often makes a New England April so detestable, but with a fresh
-air full of exhilaration. Even in the city the cool, invigorating
-morning was refreshing. It provoked thoughts of springing grass and
-swelling buds, it suggested the marsh-marigolds preparing their gold
-down amid the roots of rushes, it teased the sense with vague yet
-disquieting desires to be in the open. The sun called to mind the
-amethystine foliage, half mist and half leaves, which was beginning to
-appear in the woods, as if trailing clouds had become entangled among
-the twig-set branches. The wind brought a spirit of daring, as if to-day
-one could do and not count the cost; as if adventures were the normal
-experience of man, and dreams might become tangible with the foliage
-which was condensing out of the spring air. It was one of those rare
-days which put the ideal to shame.
-
-The windows of Mrs. Neligage's little parlor were open, and the morning
-air with all its provoking suggestions was floating in softly, as she
-rose to welcome a caller. He was not in the first springtime of life,
-yet suggested a season which was to spring what Indian summer is to
-autumn. A certain brisk jauntiness in face, dress, and manner might mean
-that he had by sheer determination remained far younger than his years.
-He had a hard, handsome face, with cleanly cut features, and side
-whiskers which were perhaps too long and flowing. His hair was somewhat
-touched with gray, but it was abundant, and curled attractively about
-his high, white forehead. His dress was perfection, and gave the
-impression that if he had moral scruples--about which his hard, bright
-eyes might raise a doubt--it would be in the direction of being always
-perfectly attired. His manner as he greeted Mrs. Neligage was carefully
-genial, yet the spring which was in the air seemed in his presence to be
-chilled by an untimely frost.
-
-"How bright you are looking this morning, Louise," Mr. Sibley Langdon
-said, kissing her hand with an elaborate air of gallantry. "You are
-really the incarnation of the spring that is upon us."
-
-She smiled languidly, drawing away her hand and moving to a seat.
-
-"You know I am getting old enough to like to be told I am young,
-Sibley," was her answer. "Sit down, and tell me what has happened in the
-month that I've been in Washington."
-
-"Nothing can happen while you are away," he responded, with a smile. "We
-only vegetate, and wait for your return. You don't mind if I smoke?"
-
-"Certainly not. How is Mrs. Langdon?"
-
-He drew out a cigarette-case of tortoise-shell and gold, helped himself
-to a cigarette, and lighted it before he answered.
-
-"Mrs. Langdon is as usual," he replied. "She is as ill and as pious as
-ever."
-
-"For which is she to be pitied the more?"
-
-"Oh, I don't know that she is to be pitied for either," Langdon
-responded, in his crisp, well-bred voice. "Both her illness and her
-piety are in the nature of occupations to her. One must do something,
-you know."
-
-Mrs. Neligage offered no reply to this, and for half a moment the caller
-smoked in silence.
-
-"Tell me about yourself," he said. "You cruelly refuse to write to me,
-so that when you are away I am always in the dark as to what you are
-doing. I've no doubt you had all Washington at your feet."
-
-"Oh, there were a few unimportant exceptions," Mrs. Neligage returned,
-her voice a little hard. "I don't think that if you went on now you'd
-find the capital draped in mourning over my departure."
-
-Langdon knocked the ashes from his cigarette with the deliberation which
-marked all his movements. Then he looked at his hostess curiously.
-
-"You don't seem to be in the best of spirits this morning, Louise," he
-said. "Has anything gone wrong?"
-
-She looked at him with contracting brows, and ignored his question as
-she demanded abruptly:--
-
-"What did you come to say to me?"
-
-"To say to you, my dear? I came as usual to say how much I admire you,
-of course."
-
-She made an impatient gesture.
-
-"What did you come to say?" she repeated. "Do you think I don't know you
-well enough to see when you have some especial purpose in mind?"
-
-Sibley Langdon laughed lightly,--a sort of inward, well-bred laugh,--and
-again with care trimmed his cigarette.
-
-"You are a person of remarkable penetration, and it is evidently of no
-use to hope to get ahead of you. I really came for the pleasure of
-seeing you, but now that I am here I may as well mention that I have
-decided to go abroad almost at once."
-
-"Ah," Mrs. Neligage commented. "Does Mrs. Langdon go with you?"
-
-He laughed outright, as if the question struck him as unusually droll.
-
-"You really cannot think me so selfish as to insist upon her risking her
-fragile health by an ocean voyage just for my pleasure."
-
-"I suspected that you meant to go alone," she said dryly.
-
-"But, my dear child," he answered with no change of manner, "I don't
-mean to go alone."
-
-She changed color, but she did not pursue the subject. She took up from
-the table a little Japanese ivory carving, and began to examine it with
-close scrutiny.
-
-"You do not ask whom I hope to take with me," Langdon said.
-
-She looked at him firmly.
-
-"I have no possible interest in knowing," she responded.
-
-"You are far too modest, Louise. On the contrary you have the greatest.
-I had hoped--"
-
-He half hesitated over the sentence, and she interrupted him by rising
-and moving to the open window.
-
-"It is so nice to have the windows open again," she said. "I feel as if
-I were less alone when there is nothing between me and the world. That
-big fat policeman over there is a great friend of mine."
-
-"We are all your slaves, you see," Langdon responded, rising languidly
-and joining her. "By the way, I had a letter from Count Marchetti the
-other day."
-
-Mrs. Neligage flushed and paled, and into her eye came a dangerous
-sparkle. She moved away from him, and went back to her seat, leaving him
-to follow again. She did not look at him, but she spoke with a
-determined manner which showed that she was not cowed.
-
-"Before I go to bed to-night, Sibley," she said, "I shall write to the
-Countess the whole story of her necklace. I was a fool not to do it
-before."
-
-He smiled indulgently.
-
-"Oh, did I call up that old unpleasantness?" he observed. "I really beg
-your pardon. But since you speak of it, what good would it do to write
-to her now? It would make no difference in facts, of course; and it
-wouldn't change things here at all."
-
-She sprang up and turned upon him in a fury.
-
-"Sibley Langdon," she cried, "you are a perfect fiend!"
-
-He laughed and looked at her with admiration so evident that her eyes
-fell.
-
-"You have told me that before, and you are so devilish handsome when you
-say it, Louise, that I can't resist the temptation sometimes of making
-you repeat it. Come, don't be cross. We are too wise if not too old to
-talk melodrama."
-
-"I shall act melodrama if you keep on tormenting me! What did you come
-here for this morning? Say it, and have done."
-
-"If you take it that way," returned he, "I came only to say
-good-morning."
-
-His coolness was unshaken, and he smiled as charmingly as ever.
-
-"Tell me," he remarked, flinging his cigarette end into the grate and
-taking out his case again, "did you see the Kanes in Washington?"
-
-He lighted a fresh cigarette, and for half an hour talked of casual
-matters, the people of their set in Washington, the new buildings there,
-the decorations, and the political scandals. His manner became almost
-deferential, and Mrs. Neligage as they chatted lost gradually all trace
-of the excitement which she had shown. At length the talk came round to
-their neighbors at home.
-
-"I met Count Shimbowski at the club the other day," Langdon remarked,
-"and he alluded to the old days at Monte Carlo almost with sentiment. It
-is certainly amusing to see him passed round among respectable Boston
-houses."
-
-"He is respectable enough according to his standards," she responded.
-"It is funny, though, to see how much afraid he is that Miss Wentstile
-should know about his past history."
-
-"I suppose there's no doubt he's to marry Alice Endicott, is there?"
-
-"There is Alice herself," Mrs. Neligage answered. "I should call her a
-pretty big doubt."
-
-"At any rate," her companion observed, "Jack can't marry her. Miss
-Wentstile would never give them a penny."
-
-"I have never heard Jack say that he wished to marry her," Mrs.
-Neligage responded coolly. "You are quite right about Miss Wentstile,
-though; she regards Jack as the blackest sheep imaginable."
-
-Langdon did not speak for a moment or two, and when he did break silence
-his manner was more decided than before.
-
-"What line do you like best to cross by?" he asked.
-
-"I have been on so many," she answered, "that I really can't tell."
-
-"It is safe to say then that you like a fast boat."
-
-She made no reply, and only played nervously with the clever carving in
-her hand, where little ivory rats were stealing grain with eternal
-motionless activity.
-
-"Of course if you were going over this spring," Langdon said, "we should
-be likely to meet somewhere on the other side; Paris, very possibly. It
-is a pity that people gossip so, or we might go on the same steamer."
-
-She looked him squarely in the face.
-
-"I am not going abroad this summer," she said distinctly.
-
-"Oh, my dear Louise," returned he half mockingly, half pleadingly, "you
-really can't mean that. Europe would be intolerably dull without you."
-
-She looked up, pale to the eyes.
-
-"My son would be dull here without me," she said.
-
-"Oh, Jack," returned the other, shrugging his shoulders, "he'll get on
-very well. If you were going, you know, you might leave him something--"
-
-She started to her feet with eyes blazing.
-
-"You had better go," she said in a low voice. "I have endured a good
-deal from you, Sibley; and I've always known that the day would come
-when you'd insult me. It will be better for us both if you go."
-
-He rose in his turn, as collected as ever.
-
-"Insult you, my dear Louise? Why, I wouldn't hurt your feelings for
-anything in the world. I give you leave to repeat every word that I have
-said to any of your friends,--to Miss Wentstile, or Letty Harbinger, or
-to Jack--"
-
-"If I repeated them to Jack," she interrupted him, "he'd break every
-bone in your body!"
-
-"Would he? I doubt it. At any rate he would have to hear me first; and
-then--"
-
-Mrs. Neligage, all her brightness quenched, her face old and miserable,
-threw out her hands in despairing supplication.
-
-"Go!" she cried. "Go! Or I shall do something we'll both be sorry for!
-Go, or I'll call that policeman over there."
-
-He laughed lightly, but he moved toward the door.
-
-"Gad!" he ejaculated. "That would make a pretty item in the evening
-papers. Well, if you really wish it, I'll go; but I hope you'll think
-over what I've said, or rather think over what I haven't said, since
-you haven't seemed pleased with my words. I shall come at one to drive
-you to the County Club."
-
-He bade her an elaborate good-morning, and went away, as collected, as
-handsome, as debonaire as ever; while Mrs. Neligage, the hard, bright
-little widow who had the reputation of being afraid of nothing and of
-having no feelings, broke down into a most unusual fit of crying.
-
-
-
-
-X
-
-THE BUSINESS OF A CLUBMAN
-
-
-The first game of polo for the season at the County Club was to be
-played that Saturday. The unusually early spring had put the turf in
-condition, and the men had had more or less practice. It was too soon,
-of course, for a match, but there was to be a friendly set-to between
-the County Club team and a team from the Oracle Club. It was not much
-more than an excuse for bringing the members out, and for having a mild
-gala, with fresh spring toilettes and spring buoyancy to add to the zest
-of the day.
-
-Amusement is a business which calls for a good deal of brains if it is
-to be carried on successfully. Of course only professionals can hope to
-succeed in a line so difficult, and in America there are few real
-professionals in the art of self-amusement. Most men spoil their chances
-of complete success by dallying more or less with work of one sort or
-another; and this is fatal. Only he who is sincere in putting amusement
-first, and to it sacrifices all other considerations, can hope for true
-preeminence in this calling. Jack Neligage was one of the few men in
-Boston entirely free from any weakness in the way of occupation beyond
-that of pleasure-seeking; and as a consequence he was one of the few
-who did it well.
-
-All forms of fashionable play came easily and naturally to Jack, and in
-them all he bore a part with tolerable grace. He was sufficiently adept
-at tennis in its day; and when that had passed, he was equally adroit in
-golf and in curling; he could lead a german better than anybody else;
-nobody so well managed assemblies and devised novel surprises in the way
-of decorations; nobody else so well arranged coaching trips or so surely
-made the life of a house party. All these things were part of his
-profession as a pleasure-seeker, and they were all done with a quick and
-merry spirit which gave to them a charm not to be resisted.
-
-It was on the polo-field, however, that Jack was at his best. No man who
-hopes to keep up with the fashions can afford to become too much
-interested in any single sport, for presently the fad will alter, and he
-must perforce abandon the old delights; but polo held its own very well,
-and it was evidently the thing in which Jack reveled most. He was the
-leading player not of his club only, but of all the clubs about. His
-stud of polo-ponies was selected with more care than has often gone to
-the making of a state constitution, for the matters that are really
-important must be attended to with zeal, while public politics may be
-expected more or less to take care of themselves. His friends wondered
-how Neligage contrived to get hold of ponies so valuable, or how he was
-able to keep so expensive an outfit after he had obtained it; but
-everybody was agreed that he had a most wonderful lot.
-
-The question of how he managed might have been better understood by any
-one who had chanced to overhear a conversation between Jack and Dr.
-Wilson, which took place just before luncheon that day. Dr. Wilson was
-chairman of the board of managers of the club. He was a man who had come
-into the club chiefly as the husband of Mrs. Chauncy Wilson, a lady
-whose stud was one of the finest in the state, and he was somewhat
-looked down upon by the men of genuine old family. He was good-humored,
-however; shrewd if a little unrefined; and he had been rich long enough
-to carry the burden of his wife's enormous fortune without undue
-self-consequence. To-day it became his duty to talk to Jack on an
-unpleasant matter of business.
-
-"Jack," he said, "I've got to pitch into you again."
-
-"The same old thing, I suppose."
-
-"Same old thing. Sometimes I've half a mind to resign from the club, so
-as to get rid of having to drub you fellows about your bills."
-
-Jack gnawed his mustache, twisting his cigar in his fingers in a way
-that threatened to demolish it altogether.
-
-"I've told you already that I can't do anything until--"
-
-"Oh, I know it," Wilson broke in. "I'm satisfied, but the committee is
-getting scared. The finances of the club are in an awful mess; there's
-no denying that. Some of the men on the committee, you see, are afraid
-of being blamed for letting the credits run on so."
-
-Jack did not take advantage of the pause which gave him an opportunity
-to speak, and the other went on again.
-
-"I'm awfully sorry, old man; but there's got to be an end somewhere, and
-nobody's been given the rope that you have."
-
-"I can resign, of course," Jack said shortly.
-
-"Oh, dry up that sort of talk! Nobody'd listen to your resigning.
-Everybody wants you here, and we couldn't spare you from the polo team."
-
-"But if I can't pay up, what else can I do?"
-
-"But you can't resign in debt, man."
-
-Jack laughed with savage amusement.
-
-"What the devil am I to do? I can't stay, and I can't leave. That seems
-to be about the size of it."
-
-Dr. Wilson looked at his companion keenly, and there was in his tone
-some hesitation as he replied.
-
-"You might sell--"
-
-"Sell my ponies!" broke in Neligage excitedly. "When I do I'll give up
-playing."
-
-"Oh, nonsense! Don't be so infernally stubborn. Harbinger'll buy one,
-and I'll buy a couple, and the others it doesn't matter about. You've
-always had twice as many as you need."
-
-"So you propose that I shouldn't have any."
-
-"You could use them just the same."
-
-Jack swore savagely.
-
-"Thank you," he returned. "I may be a beggar, but I won't be a beat."
-
-Wilson laughed with his oily, chuckling laugh.
-
-"I don't see," he observed with characteristic brusqueness, "why it is
-any worse to take a favor from a friend that offers it than to get it
-out of a club that can't help itself."
-
-Jack's cheeks flushed, and he began an angry reply. Then he restrained
-himself.
-
-"I won't quarrel with you for doing your official duty, Wilson," he said
-stiffly. "I'll fix things somehow or get out."
-
-"Oh, hang it, man," returned the doctor good-naturedly, "you mustn't
-talk of getting out. I'll lend you what you need."
-
-"Thank you, but you know I can't pay you."
-
-"That's no matter. Something will turn up, and you may pay me when you
-get ready."
-
-"No; I'm deep enough in the mire as it is. I won't make it worse by
-borrowing. That's the only virtue that I ever had,--that I didn't sponge
-on my friends. I'm just as much obliged to you; but I can't do it."
-
-They had been sitting in the smoking-room before the fireplace where a
-smouldering log or two took from the air its spring chill. Jack as he
-spoke flung the stub of his cigar into the ashes, and rose with an air
-of considering the conversation definitely ended. Wilson looked up at
-him, his golden-brown eyes more sober than usual.
-
-"Of course it is just as you say, old man," he remarked; "but if you
-change your mind, you've only to let me know."
-
-Jack moved off with a downcast air unusual to him, but by the time he
-had encountered two or three men who were about the club-house, and had
-exchanged with them a jest or a remark about the coming game, his face
-was as sunny as ever. People were now arriving rather rapidly, and soon
-the stylish trap of Sibley Langdon came bowling up the driveway in fine
-style, with Mrs. Neligage sitting beside the owner. Jack was on the
-front piazza when they drove up, and his mother waved her hand to him
-gayly.
-
-"Gad, Jack," one of the men said, "your mother is a wonder. She looks
-younger than you do this minute."
-
-"I don't think she is," Jack returned with a grin; "but you're right.
-She is a wonderfully young woman to be the mother of a great cub like
-me."
-
-Not only in her looks did Mrs. Neligage give the impression of youth,
-but her movements and her unquenchable vivacity might put to a
-disadvantage half of the young girls. She tripped up the steps as
-lightly as a leaf blown by the wind, her trim figure swaying as lithely
-as a willow-shoot. As she came to Jack she said to him in a tone loud
-enough to be heard by all who were on the piazza:--
-
-"Oh, Jack, come into the house a moment. I want to show you a letter."
-
-She dropped a gay greeting here and there as she led the way, and in a
-moment they were alone inside the house. Mrs. Neligage turned instantly,
-with a face from which all gayety had vanished as the color of a
-ballet-dancer's cheek vanishes under the pall of a green light.
-
-"Jack," she said hastily, "I am desperate. I am in the worst scrape I
-ever was in, in my life. Can you raise any money?"
-
-He looked at her a moment in amazed silence; then he laughed roughly.
-
-"Money?" he retorted. "I am all but turned out of the club to-day for
-want of it. This is probably my last game."
-
-"You are not in earnest?" she demanded, pressing closer to him, and
-putting her hand on his arm. "You are not really going to leave the
-club?"
-
-"What else can I do? The committee think it isn't possible to let things
-go any longer."
-
-She looked into his face, her own hardening. She studied him with a keen
-glance, which he met firmly, yet with evident effort.
-
-"Jack," she said at length, her voice lower, "there is only one way out
-of it. Last night you wouldn't listen to me; but you must now. You must
-marry May Calthorpe. If you were engaged to her it would be easy enough
-to raise money."
-
-"You talk as if she were only waiting for me to say the word, and she'd
-rush into my arms."
-
-"She will, she must, if you'll have her. You wouldn't take her for your
-own good, but you've got to do it for mine. You can't let me be ruined
-just through your obstinacy."
-
-"Ruined? What under the canopy do you mean, mother? You are trying to
-scare me to make me go your way."
-
-"I'm not, Jack; upon my word I'm not! I tell you I'm in an awful mess,
-and you must stand by me."
-
-Jack turned away from her and walked toward the window; then he faced
-her again with a look which evidently questioned how far she was really
-in earnest. There had been occasions when Mrs. Neligage had used her
-histrionic powers to get the better of her son in some domestic
-discussion, and the price of such success is inevitably distrust. Now
-she faced him boldly, and met his look with a nod of perfect
-comprehension.
-
-"Yes, I am telling you the truth, Jacky. There is nothing for it but for
-us both to go to smash if you won't take May."
-
-"Take May," he echoed impatiently, "how you do keep saying that! How can
-I take her? She doesn't care a straw about me anyway, and I've no doubt
-she looks on me as one of the old fellows."
-
-"She being eighteen and you twenty-five," his mother answered, smiling
-satirically. "But somebody is coming. I can't talk to you now; only this
-one thing I must say. Play into my hands as you can if you will, and
-you'll be engaged to May before the week's over."
-
-He broke into a roar of laughter which had a sound of being as much
-nerves as amusement.
-
-"Is this a comic opera?" he demanded.
-
-"Yes, dear Jacky," his mother retorted, resuming her light manner,
-"that's just what it is. Don't you miss your cue."
-
-She left him, and went gayly forward to greet the new-comers, ladies who
-had just driven up, and Jack followed her lead with a countenance from
-which disturbance and bewilderment had not entirely vanished.
-
-
-
-
-XI
-
-THE GAME OF CROSS-PURPOSES
-
-
-Mrs. Neligage escaped from her friends speedily, with that easy
-swiftness which is in the power of the socially adroit, and returned to
-the piazza by a French window which opened at the side of the house, and
-so was not in sight from the front of the club. There she came upon
-Count Shimbowski comfortably seated in a sunny corner, smoking and
-meditating.
-
-"Ah, Count," she said, as he rose to receive her, "this is unexpected
-pleasure. Are you resting from the strain of continual adulation?"
-
-"What you say?" he responded. Then he dropped into his seat with a
-despairing gesture. "Dis Eengleesh," he said; "eet ees eemposseeble eet
-to know. I have told Mees Wentsteele dat she ees very freesh, and--"
-
-He ended with a groan, and a snug little Hungarian oath under his
-breath.
-
-"Fresh!" echoed Mrs. Neligage, with a laugh like a redbird whisking
-gayly from branch to branch. "My dear Count, she is anything but fresh.
-She is as stale as a last year's love-affair. But she ought to be
-pleased to be told she is fresh."
-
-"Oh, I say: 'You be so freesh, Mees Wentsteele,' and she, she say:
-'Freesh, Count Shimbowski? You result me!' Den day teel me freesh mean
-fooleesh, _sotte_. What language ees dat?"
-
-"Oh, it isn't so bad as you think, Count. It is only _argot_ anyway, and
-it doesn't mean _sotte_, but _naive_. Besides, she wouldn't mind. She is
-enough of a woman to be pleased that you even tried to tell her she was
-young."
-
-"But no more ees she young."
-
-"No more, Count. We are all of us getting to be old enough to be our own
-grandmothers. Miss Wentstile looks as if she was at the Flood and forgot
-to go in when it rained."
-
-The Count looked more puzzled than amused at this sally, but his
-politeness came to his rescue. A compliment is always the resource of a
-man of the world when a lady puzzles him.
-
-"Eet ees only Madame Neleegaze to what belong eemortal youth," he said
-with a bow.
-
-She rose and swept him a courtesy, and then took from her dress one of
-the flowers she was wearing, which chanced to be very portly red
-carnations.
-
-"You are as gallant as ever, Count," she said, "so that your English
-doesn't matter. Besides that, you have a title; and American women love
-a title as a moth loves a candle."
-
-She stuck the carnation into his buttonhole as she spoke, and returned
-to her seat, where she settled herself with the air of one ready for a
-serious chat.
-
-"It is very odd to see you on this side of the Atlantic, Count," she
-remarked. "Tell me, what are you doing in this country,--besides taking
-the town by storm, that is?"
-
-"I weell range my own self;--say you een Eengleesh 'arrange my own
-self'?"
-
-"When it means you are going to marry, Count, it might be well to say
-that you are going to arrange yourself and derange somebody else. Is the
-lady Miss Endicott?"
-
-"Eet ees Mees Endeecott. Ees she not good for me?"
-
-"She is a thousand times too good for you, my dear fellow; but she is as
-poor as a church mouse."
-
-"Ah, but her aunt, Mees Wentsteele, she geeve her one _dot_: two
-thousand hundred dollar. Eet weell be a meellion francs, ees eet not?"
-
-"So you get a million francs for yourself, Count. It is more than I
-should have thought you worth."
-
-"But de teettle!"
-
-"Oh, the title is worth something, but I could buy one a good deal
-cheaper. If I remember correctly I might have had yours for nothing,
-Count."
-
-The Count did not look entirely pleased at this reminiscence, but he
-smiled, and again took refuge in a compliment.
-
-"To one so _ravissante_ as madame all teettles are under her feet."
-
-"I wish you would set up a school for compliments here in Boston,
-Count, and teach our men to say nice things. Really, a Boston man's
-compliments are like molasses candy, they are so home-made. But why
-don't you take the aunt instead of the niece? Miss Wentstile is worth
-half a million."
-
-"Dat weell be mouche," responded the Count with gravity; "but she have
-bones."
-
-The widow laughed lightly. The woman who after forty can laugh like a
-girl is one who has preserved her power over men, and she is generally
-one fully aware of the fact. Mrs. Neligage had no greater charm than her
-light-hearted laugh, which no care could permanently subdue. She tossed
-her head, and then shook it at the Count.
-
-"Yes," she responded, "you are unfortunately right. She has bones. By
-the way, do you happen to have with you that letter I gave you at Mrs.
-Harbinger's yesterday?"
-
-"Yes," he answered, drawing from his pocket the note addressed to
-Christopher Calumus, "I have eet."
-
-"I would like to see it," Mrs. Neligage said, extending her hand.
-
-The Count smiled, and held it up.
-
-"You can see eet," said he, "but eet ees not permeet you weedeen de hand
-to have eet."
-
-She leaned forward and examined it closely, studying the address with
-keen eyes.
-
-"It is no matter," was her remark. "I only wanted to make sure."
-
-"Do you de handwrite know?" he demanded eagerly.
-
-"And if I do?"
-
-"You do know," he broke out in French. "I can see it in your face. Tell
-me who wrote it."
-
-She shook her head, smiling teasingly. Then she rose, and moved toward
-the window by which she had come from the house.
-
-"No, Count," was her answer. "It doesn't suit my plan to tell you. I
-didn't think quickly enough yesterday, or I wouldn't have given it to
-you. It was in your hands before I thought whose writing it was."
-
-The Count, who had risen, bowed profoundly.
-
-"After all," he said, "I need not trouble you. Mrs. Harbinger
-acknowledged that she wrote it."
-
-Mrs. Neligage flashed back at him a mocking grimace as she withdrew by
-the window.
-
-"I never expected to live to see you believe a thing because a woman
-said it," she laughed. "You must have been in strange hands since I used
-to know you!"
-
-Left alone, the Count thoughtfully regarded the letter for a moment,
-then with a shrug he restored it to his pocket, and turned to go around
-the corner of the house to the front piazza. Sounds of wheels, of
-voices, of talking, and of laughter told of the gathering of
-pleasure-seekers; and scarcely had the Count passed the corner than he
-met Mr. Bradish face to face. There were groups of men and women on the
-piazza and on the lawn, with the horses and dogs in sight which are the
-natural features in such a picture at an out-of-town club. The Count
-heeded none of these things, but stepped forward eagerly.
-
-"Ah, Count, you have come out to the games like everybody else, I see,"
-Bradish said pleasantly.
-
-"Eet ees extreme glad to see me, Mr. Bradeesh," the Count returned,
-shaking him by the hand. "Do you weelleengly come wid us a leettle, for
-dat I say to you ver' particle?"
-
-Bradish, with his usual kindly courtesy, followed the Count around the
-corner of the house, out of sight of the arriving company.
-
-"Something particular to say to me, Count?" he observed. "You do me too
-much honor."
-
-"Eet weell be of honor dat I weell to you speak," the Count responded.
-"Weell you for myself de condescension to have dat you weell be one
-friend to one _affaire d'honneur_?"
-
-Bradish stared at him in undisguised amazement.
-
-"An _affaire d'honneur_?" he echoed. "Surely you don't mean that you are
-going to fight? You can't mean a duel?"
-
-"Oh, _oui, oui_; eet weell be a duel dat eet calls you."
-
-Bradish stared harder than ever, and then sat down as if overcome.
-
-"But, my dear Count, you can't fight duels in America."
-
-"For what weell not een Amereeca fight? He have result me! Me, Count
-Ernst Shimbowski! Weell I not to have hees blood?"
-
-"I'm afraid you won't," Bradish responded, shaking his head. "That isn't
-the way we do things here. But who is it has insulted you?"
-
-The Count became more and more excited as he spoke of his wrongs, and
-with wide gestures he appealed to the whole surrounding region to bear
-him out in his rage and his resolution. He stood over Bradish like an
-avenging and furious angel, swaying his body by way of accent to his
-words.
-
-"You deed see! De ladies day deed see! All de world weell have heard dat
-he result--he eensult me! De Shimbowski name have been eensult'! Deed he
-not say 'Veelaine! Veelaine!' Oh, _sacre nom de mon pere_! 'Veelaine!
-Veelaine!' Eet weell not but only blood to wash dat eensult!"
-
-How an American gentleman should behave when he is seriously asked to
-act as a second in a duel in this land and time is a question which has
-probably never been authoritatively settled, and which might be reasoned
-upon with very curious arguments from different points of view. It is
-safe to say that any person who finds himself in such a position could
-hardly manage to incur much risk of running into danger, or even of
-doing violence to any moral scruples with which he may chance to be
-encumbered. He must always feel that the chances of a duel's actually
-taking place are so ridiculously small that the whole matter can be
-regarded only as food for laughter; and that no matter how eager for
-fight one or both of the possible combatants might be, the end will be
-peace. So far from making the position of a second more easy, however,
-this fact perhaps renders it more difficult. It is harder to face the
-ridiculous than the perilous. If there were any especial chance that a
-duel would proceed to extremes, that principals would perhaps come to
-grief and seconds be with them involved in actual danger, even though
-only the ignoble danger of legal complications, a man might feel that
-honor called upon him not to fail his friend in extremity. When it is
-merely a question of becoming more or less ridiculous according to the
-notoriety of the affair, the matter is different. The demand of society
-is that a gentleman shall be ready to brave peril, but there is nothing
-in the social code which goes so far as to call upon him to run the
-chance of making himself ridiculous. Society is founded upon the deepest
-principles of human nature, and if it demanded of man the sacrifice of
-his vanity the social fabric would go to pieces like a house of cards in
-a whirlwind. Bradish might have been called upon to risk his life at the
-request of the Count, although they were in reality little more than
-acquaintances; but he certainly cannot be held to have been under any
-obligations to give the world a right to laugh at him.
-
-Bradish regarded the Count with a smile half amused and half
-sympathetic, while the Hungarian poured out his excited protest, and
-when there came a pause he said soothingly:--
-
-"Oh, sit down and talk it over, my dear Count. I see you mean that
-stupid dunce of a Barnstable. You can't fight him. Everybody would laugh
-at the very idea. Besides, he isn't your equal socially. You can't fight
-him."
-
-"You do comprehend not!" cried the Count. "De Shimbowski name weell eet
-to have blood for de eensult!"
-
-"But--"
-
-The Count drew himself up with an air of hauteur which checked the words
-on Bradish's lips.
-
-"Eet ees not for a Shimbowski to beg for favors," he said stiffly. "Eef
-eet ees you dat do not serve me--"
-
-"Oh, I assure you," interrupted Bradish hastily, "I am more than willing
-to serve you; but I wanted to warn you that in America we look at things
-so differently--"
-
-"Een Amereeca even," the Count in his turn interrupted with a superb
-gesture, "dare weell be gentlemans, ees eet not?"
-
-In the face of that gesture there was nothing more to be said in the way
-of objection. Time and the chapter of accidents must determine what
-would come of it, but no man of sensibility and patriotism, appealed to
-in that grand fashion in the name of the honor of America, could have
-held out longer. Least of all was it to be expected that Harry Bradish,
-kindest-hearted of living men, and famous for never being able to refuse
-any service that was asked of him, could resist this last touch. He rose
-as if to get out of the interview as speedily as possible.
-
-"Very well then," he said, "if you persist in going on, I'll do what I
-can for you, but I give you fair warning once more that it'll come to
-nothing more than making us both ridiculous."
-
-The Count shook hands warmly, but his response was one which might be
-said to show less consideration than might have been desired for the man
-who was making a sacrifice in his behalf.
-
-"De Shimbowski name," he declared grandiloquently, yet with evident
-sincerity, "ees never reedeeculous."
-
-There followed some settling of details, in all of which Bradish evinced
-a tendency to temporize and to postpone, but in which the ardor of the
-Count so hurried everything forward that had Barnstable been on the spot
-the duel might have been actually accomplished despite all obstacles. It
-was evident, however, that one side cannot alone arrange a meeting of
-honor, and in the end little could be done beyond the Count's receiving
-a promise from Bradish that the latter would communicate with Barnstable
-as soon as possible.
-
-This momentous and blood-curdling decision having been arrived at, the
-two gentlemen emerged from their retirement on the side piazza, and once
-more joined the gay world as represented by the now numerous gathering
-assembled to see the polo at the County Club.
-
-
-
-
-XII
-
-THE WASTING OF REQUESTS
-
-
-The exhilaration of the spring day, the pleasure of taking up once more
-the outdoor life of the warm season, the little excitement which belongs
-to the assembling of merry-makers, the chatter, the laughter, all the
-gay bustle combined to fill the County Club with a joyous atmosphere.
-Before the front of the house was a sloping lawn which merged into an
-open park, here and there dotted with groups of budding trees and
-showing vividly the red of golf flags. The driveway wound in curves of
-carefully devised carelessness from the country road beyond the park to
-the end of the piazza, and all arrivals could be properly studied as
-they approached. The piazza was wide and roomy, so that it was not
-crowded, although a considerable number of men and women were there
-assembled; and from group to group laughter answered laughter.
-
-Mrs. Harbinger in the capacity of chaperone had with her Alice Endicott
-and May Calthorpe. The three ladies stood chatting with Dick Fairfield,
-tossing words back and forth like tennis-balls for the sheer pleasure of
-the exercise.
-
-"Oh, I insist," Fairfield said, "that spring is only a season when the
-days are picked before they are ripe."
-
-"You say that simply in your capacity of a literary man, Mr. Fairfield,"
-Alice retorted; "but I doubt if it really means anything."
-
-"I am afraid it doesn't mean much," he responded laughing, "but to
-insist that an epigram must mean something would limit production
-dreadfully."
-
-"Then we are to understand," Mrs. Harbinger observed, "that what you
-literary men say is never to be taken seriously."
-
-"Oh, you should make a distinction, Mrs. Harbinger. What a literary man
-says in his professional capacity you are at liberty to believe or not,
-just as you choose; but of course in regard to what is said in his
-personal capacity it is different."
-
-"There, I suppose," she retorted, "he is simply to be classed with other
-men, and not to be believed at all."
-
-"Bless me, what cynicism! Where is Mr. Harbinger to defend his
-reputation?"
-
-"He is so absorbed in getting ready for the game that he has forgotten
-all about any reputation but that of a polo-player," Mrs. Harbinger
-returned. "And that reminds me that I haven't seen his new pony. Come,
-Alice, you appreciate a horse. We must go and examine this new wonder
-from Canada."
-
-"We are not invited apparently," May said, seating herself in a piazza
-chair. "It is evidently your duty, Mr. Fairfield, to stay here and
-entertain me while they are gone."
-
-"I remain to be entertained," he responded, following her example.
-
-Mrs. Harbinger and Alice went off to the stables, and the pair left
-behind exchanged casual comments upon the day, the carriages driving up,
-the smart spring gowns of the ladies, and that sort of verbal
-thistledown which makes up ordinary society chit-chat. A remark which
-Fairfield made on the attire of a dashing young woman was the means of
-bringing the talk around again to the subject which had been touched
-upon between them on the previous afternoon.
-
-"I suppose," Miss Calthorpe observed, "that a man who writes stories has
-to know about clothes. You do write stories, I am sure, Mr. Fairfield."
-
-He smiled, and traced a crack in the piazza floor with his stick.
-
-"Which means, of course," he said, "that you have never read any of
-them. That is so far lucky for me."
-
-"Why is it lucky?"
-
-"Because you might not have liked them."
-
-"But on the other hand I might have liked them very much."
-
-"Well, perhaps there is that chance. I don't know, however, that I
-should be willing to run the risk. What kind of a story do you like?"
-
-"I told you that yesterday, Mr. Fairfield. If you really cared for my
-opinion you would remember."
-
-"You said that you liked 'Love in a Cloud.' Is that what you mean?"
-
-"Then you do remember," she remarked with an air of satisfaction.
-"Perhaps it was only because you liked the book yourself."
-
-"Why not believe that it was because I put so much value on your
-opinion?"
-
-"Oh, I am not so vain as that, Mr. Fairfield," she cried. "If you
-remember, it was not on my account."
-
-He laughed without replying, and continued the careful tracing of the
-crack in the floor as if the occupation were the pleasantest imaginable.
-May watched him for a moment, and then with the semblance of pique she
-turned her shoulder toward him. The movement drew his eyes, and he
-suddenly stopped his occupation to straighten up apologetically.
-
-"I was thinking," he said, "what would be the result of your reading
-such stories of mine as have been published--there have been a few, you
-know, in the magazines--if you were to test them by the standard of
-'Love in a Cloud.' I'm afraid they might not stand it."
-
-She smiled reassuringly, but perhaps with a faint suggestion of
-condescension.
-
-"One doesn't expect all stories to be as good as the best," she
-observed.
-
-Fairfield turned his face away for a quick flash of a grin to the
-universe in general; then with perfect gravity he looked again at his
-companion.
-
-"I am afraid," he said, "that even the author of 'Love in a Cloud'
-wouldn't expect so much of you as that you should call his story the
-best."
-
-"I do call it the best," she returned, a little defiantly. "Don't you?"
-
-"No," he said slowly, "I couldn't go so far as that."
-
-"But you spoke yesterday as if you admired it."
-
-"But that isn't the same thing as saying that there is nothing better."
-
-Miss Calthorpe began to tap her small foot impatiently.
-
-"That is always the way with men who write," she declared. "They always
-have all sorts of fault to find with everything."
-
-"Have you known a great many literary men?" he asked.
-
-There are few things more offensive in conversation, especially in
-conversation with a lady, than an insistence upon logic. To ask of a
-woman that she shall make only exact statements is as bad as to require
-her to be always consistent, and there is small reason for wonder if at
-this inquiry Miss Calthorpe should show signs of offense.
-
-"I do not see what that has to do with the matter," she returned
-stiffly. "Of course everybody knows about literary men."
-
-The sun of the April afternoon smiled over the landscape, and the young
-man smiled under his mustache, which was too large to be entirely
-becoming. He glanced up at his companion, who did not smile in return,
-but only sat there looking extremely pretty, with her flushed cheeks,
-her dark hair in pretty willful tendrils about her temples, and her
-dark eyes alight.
-
-"Perhaps you have some personal feeling about the book," he said. "You
-know that it is claimed that a woman's opinion of literature is always
-half personal feeling."
-
-She flushed more deeply yet, and drew herself up as if he were intruding
-upon unwarrantable matters.
-
-"I don't even know who wrote the book," she replied.
-
-"Then it is only the book itself that you admire, and not the author?"
-
-"Of course it is the book. Haven't I said that I don't even know who the
-author is? I can't see," she went on somewhat irrelevantly, "why it is
-that as soon as there is anything that is worth praising you men begin
-to run it down."
-
-He looked as if he were a trifle surprised at her warmth.
-
-"Run it down?" he repeated. "Why, I am not running it down. I said that
-I admired the novel, didn't I?"
-
-"But you said that you didn't think it was one of the best," she
-insisted.
-
-"But you might allow a little for individual taste, Miss Calthorpe."
-
-"Oh, of course there is a difference in individual tastes, but that has
-to do with the parts of the story that one likes best. It's nothing at
-all to do with whether one isn't willing to confess its merits."
-
-He broke into a laugh of so much amusement that she contracted her level
-brows into a frown which made her prettier than ever.
-
-"Now you are laughing at me," she said almost pouting. "It is so
-disappointing to find that I was deceived. Of course I know that there
-is a good deal of professional jealousy among authors, but I shouldn't
-have thought--"
-
-She perhaps did not like to complete her sentence, and so left it for
-him to end with a fresh laugh.
-
-"I wish I dared tell you how funny that is!" he chuckled.
-
-She made no reply to this, but turned her attention to the landscape.
-There was a silence of a few moments, in which Fairfield had every
-appearance of being amused, while she equally showed that she was
-offended. The situation was certainly one from which a young author
-might derive a good deal of satisfaction. It is not often that it falls
-to the lot of a writer to find his work so sincerely and ardently
-admired that he is himself taken to task for being jealous of its
-success. Such pleasure as comes from writing anonymous books must be
-greatly tempered by the fact that in a world where it is so much more
-easy to blame than to praise the author is sure to hear so much more
-censure of his work than approbation. To be accused by a young and
-pretty girl of a fault which one has not committed and from which one
-may be clear at a word is in itself a pleasing pastime, and when the
-imaginary fault is that of not sufficiently admiring one's own book,
-the titillation of the vanity is as lively as it is complicated. The
-spirit which Miss Calthorpe had shown, her pretty vehemence, and her
-marked admiration for "Love in a Cloud" might have seemed charming to
-any man who had a taste for beauty and youthful enthusiasm; upon the
-author of the book she praised it was inevitable that they should work
-mightily.
-
-The pair were interrupted by the return of Mrs. Harbinger and Alice, who
-reported that there were so many men about the stables, and the ponies
-were being so examined and talked over by the players, that it was
-plainly no place for ladies.
-
-"It was evident that we weren't wanted," Mrs. Harbinger said. "I hope
-that we are here. Ah, here comes the Count."
-
-The gentleman named, fresh from his talk with Harry Bradish, came
-forward to join them, his smile as sunny as that of the day.
-
-"See," May whispered tragically to Mrs. Harbinger as the Hungarian
-advanced, "he has a red carnation in his buttonhole."
-
-"He must have read the letter then," Mrs. Harbinger returned hastily.
-"Hush!"
-
-To make the most exciting communication and to follow it by a command to
-the hearer to preserve the appearance of indifference is a
-characteristically feminine act. It gives the speaker not only the last
-word but an effective dramatic climax, and the ever-womanly is nothing
-if not dramatic. The complement of this habit is the power of obeying
-the difficult order to be silent, and only a woman could unmoved hear
-the most nerve-shattering remarks with a manner of perfect tranquillity.
-
-"Ah, eet ees so sweet loovly ladies een de landscape to see," the Count
-declared poetically, "where de birds dey twatter een de trees and things
-smell you so mooch."
-
-"Thank you. Count," Mrs. Harbinger responded. "That is very pretty, but
-I am afraid that it means nothing."
-
-"What I say to you, Madame," the Count responded, with his hand on his
-heart, "always eet mean mooch; eet ees dat eet mean everyt'ing!"
-
-"Then it is certainly time for me to go," she said lightly. "It wouldn't
-be safe for me to stay to hear everything. Come, girls: let's walk over
-to the field."
-
-The sitters rose, and they moved toward the other end of the piazza.
-
-"It is really too early to go to the field," May said, "why don't we
-walk out to the new golf-holes first? I want to see how they've changed
-the drive over the brook."
-
-"Very well," Mrs. Harbinger assented. "The shortest way is to go through
-the house."
-
-They passed in through a long window, and as they went Alice Endicott
-lingered a little with the Count. That part of the piazza was at the
-moment deserted, and so when before entering the house she dropped her
-parasol and waited for her companion to pick it up for her, they were
-practically alone.
-
-"Thank you, Count," she said, as he handed her the parasol. "I am sorry
-to trouble you."
-
-"Nodings what eet ees dat I do for Mees Endeecott ees trouble."
-
-"Is that true?" she asked, pausing with her foot on the threshold, and
-turning back to him. "If I could believe it there are two favors that I
-should like to ask."
-
-"Two favors?" he repeated. "Ah, I weell be heavenlee happee eef eet ees
-dat I do two favors."
-
-"One is for myself," she said, "and the other is for Miss Wentstile. I'm
-sure you won't refuse me."
-
-"Who could refuse one ladee so loovlaie!"
-
-"The first is," Alice went on, paying no heed to the Count's florid
-compliments, "that you give me the letter Mrs. Neligage gave you
-yesterday."
-
-"But de ladee what have wrote eet--"
-
-"The lady that wrote it," Alice interrupted, "desires to have it again."
-
-"Den weell I to her eet geeve," said the Count.
-
-"But she has empowered me to receive it."
-
-"But dat eet do not empower me eet to geeve."
-
-"Then you decline to let me have it, Count?"
-
-"Ah, I am desolation, Mees Endeecott, for dat I do not what you desaire;
-but I weell rather to do de oder t'ing what you have weesh."
-
-"I am afraid, Count, that your willingness to oblige goes no farther
-than to let you do what you wish, instead of what I wish. I only wanted
-to know where you have known Mrs. Neligage."
-
-"Ah," he exclaimed, "dat is what Mees Wentsteele have ask. My dear
-young lady, eet ees not dat you can be jealous dat once I have known
-Madame Neleegaze?"
-
-She faced him with a look of astonishment so complete that the most
-simple could not misunderstand it. Then the look changed into profound
-disdain.
-
-"Jealous!" she repeated. "I jealous, and of you, Count!"
-
-Her look ended in a smile, as if her sense of humor found the idea of
-jealousy too droll to admit of indignation, and she turned to go in
-through the window, leaving the Count hesitating behind.
-
-
-
-
-XIII
-
-THE WILE OF A WOMAN
-
-
-Before the Count had recovered himself sufficiently to go after Miss
-Endicott despite her look of contempt and her yet more significant
-amusement, Jack Neligage came toward him down the piazza, and called him
-by name.
-
-"Oh, Count Shimbowski," Jack said. "I beg your pardon, but may I speak
-with you a moment?"
-
-The Count looked after Miss Endicott, but he turned toward Neligage.
-
-"I am always at your service," he said in French.
-
-"I wanted to speak to you about that letter that my mother gave you
-yesterday. She made a mistake."
-
-"A mistake?" the Count echoed, noncommittally.
-
-"Yes. It is not for you."
-
-"Well?"
-
-"Will you give it to me, please?" Jack said.
-
-"But why should I give it to you? Are you Christopher Calumus?"
-
-"Perhaps," answered Jack, with a grin. "At least I can assure you that
-it is on the authority of the author of 'Love in a Cloud' that I ask for
-the letter."
-
-"But I've already refused that letter to a lady."
-
-"To a lady?"
-
-"To Miss Endicott."
-
-"Miss Endicott!" echoed Jack again, in evident astonishment. "Why should
-she want it?"
-
-"She said that she had the authority of the writer, as you say that you
-have the authority of the man it was written to."
-
-"Did you give it to her?"
-
-"No; but if I did not give it to her, how can I give it to you?"
-
-Neligage had grown more sober at the mention of Miss Endicott's name; he
-stood looking down, and softly beating the toe of his boot with his polo
-mallet.
-
-"May I ask," he said at length, raising his glance to the Count's face,
-"what you propose to do with the letter?"
-
-The other waved his hands in a gesture which seemed to take in all
-possible combinations of circumstances, while his shrug apparently
-expressed his inner conviction that whichever of these combinations
-presented itself Count Shimbowski would be equal to it.
-
-"At least," he returned, "as Mrs. Harbinger has acknowledged that she
-wrote it, I could not give it up without her command."
-
-Neligage laughed, and swung his mallet through the air, striking an
-imaginary ball with much deftness and precision.
-
-"She said she wrote it, I know; but I think that was only for a lark,
-like mother's part in the play. I don't believe Mrs. Harbinger wrote
-it. However, here she comes, and you may ask her. I'll see you again. I
-must have the letter."
-
-He broke into a lively whistle, and went off down the walk, as Mrs.
-Harbinger emerged through the window which a few moments before she had
-entered.
-
-"I decided that I wouldn't go down to the brook," she said. "It is too
-warm to walk. Besides, I wanted to speak to you."
-
-"Madame Harbeenger do to me too mooch of _honneur_," the Count
-protested, with his usual exuberance of gesture. "Eet ees to be me at
-her sarveece."
-
-She led the way back to the chairs where her group had been sitting
-shortly before, and took a seat which placed her back toward the only
-other persons on the piazza, a couple of men smoking at the other end.
-
-"Sit down, Count," she said, waving her hand at a chair. "Somebody will
-come, so I must say what I have to say quickly. I want that letter."
-
-The Count smiled broadly, and performed with much success the inevitable
-shrug.
-
-"You dat lettaire weesh; Madame Neleegaze dat lettaire weesh; Mr.
-Neleegaze dat lettaire weesh; everybody dat lettaire weesh. Count
-Shimbowski dat lettaire he keep, weell eet not?"
-
-"Mrs. Neligage and Jack want it?" Mrs. Harbinger exclaimed. "What in the
-world can have set them on? Did they ask you for it?"
-
-"Eet ees dat they have ask," the Count answered solemnly.
-
-"I cannot understand that," she pursued thoughtfully. "Certainly they
-can't know who wrote it."
-
-"Ees eet not dat you have said--"
-
-"Oh, yes," Mrs. Harbinger interrupted him, with a smile, "I forgot that
-they were there when I confessed to it."
-
-The Count laid his hand on his heart and rolled up his eyes,--not too
-much.
-
-"I have so weesh' to tell you how dat I have dat beauteous lettaire
-adore," he said. "I have wear de lettaire een de pocket of my heart."
-
-This somewhat startling assertion was explained by his pushing aside his
-coat so that the top of a letter appeared peeping out of the left pocket
-of his waistcoat as nearly over his heart as the exigencies of tailoring
-permitted.
-
-"I shouldn't have let you know that I wrote it," she said.
-
-"But eet have geeve to me so joyous extrodinaire eet to know!"
-
-She regarded him shrewdly, then dropping her eyes, she asked:--
-
-"Was it better than the other one?"
-
-"De oder?" he repeated, evidently taken by surprise. "Ah, dat alone also
-have I treasured too mooch."
-
-Mrs. Harbinger broke out frankly into a laugh.
-
-"Come," she said, "I have caught you. You know nothing about any other.
-We might as well be plain with each other. I didn't write that letter
-and you didn't write 'Love in a Cloud,' or you'd know about the whole
-correspondence."
-
-"Ah, from de Eden_garten_," cried the Count, "de weemens ees too mooch
-for not to fool de man. Madame ees for me greatly too clevaire."
-
-"Thank you," she said laughingly. "Then give me the letter."
-
-He bowed, and shrugged, and smiled deprecatingly; but he shook his head.
-
-"So have Mees Endeecott say. Eef to her I geeve eet not, I can geeve eet
-not to you, desolation as eet make of my heart."
-
-"Miss Endicott? Has she been after the letter too? Is there anybody
-else?"
-
-"Madame Neleegaze, Mr. Neleegaze, Mees Endeecott, Madame Harbeenger,"
-the Count enumerated, telling them off on his fingers. "Dat ees all now;
-but eef I dat lettaire have in my heart-pocket she weell come to me dat
-have eet wrote. Ees eet not so? Eet ees to she what have eet wrote dat
-eet weell be to geeve eet. I am eenterest to her behold."
-
-"Then you will not give it to me?" Mrs. Harbinger said, rising.
-
-He rose also, a mild whirlwind of apologetic shrugs and contortions,
-contortions not ungraceful, but as extraordinary as his English.
-
-"Eet make me desolation een de heart," he declared; "but for now eet
-weell be for me to keep dat lettaire."
-
-He made her a profound bow, and as if to secure himself against farther
-solicitation betook himself off. Mrs. Harbinger resumed her chair, and
-sat for a time thinking. She tapped the tip of her parasol on the
-railing before her, and the tip of her shoe on the floor, but neither
-process seemed to bring a solution of the difficulty which she was
-pondering. The arrivals at the club were about done, and although it
-still wanted some half hour to the time set for the polo game, most of
-those who had been about the club had gone over to the polo-field. The
-sound of a carriage approaching drew the attention of Mrs. Harbinger. A
-vehicle easily to be recognized as belonging to the railway station was
-advancing toward the club, and in it sat Mr. Barnstable. The gentleman
-was landed at the piazza steps, and coming up, he stood looking about
-him as if in doubt what to do next. His glance fell upon Mrs. Harbinger,
-and the light of recognition flooded his fluffy face as moonlight floods
-the dunes of a sandy shore. He came forward abruptly and awkwardly.
-
-"Beg pardon, Mrs. Harbinger," he said. "I came out to find your husband.
-Do you know where I can see him?"
-
-"He is all ready to play polo now, Mr. Barnstable," she returned. "I
-don't think you can see him until after the game."
-
-She spoke rather dryly and without any cordiality. He stood with his hat
-in his two hands, pulling nervously at the brim.
-
-"You are very likely angry with me, Mrs. Harbinger," he blurted out
-abruptly. "I ought to apologize for what I did at your house yesterday.
-I made a fool of myself."
-
-Mrs. Harbinger regarded him curiously, as if she could hardly make up
-her mind how such a person was to be treated.
-
-"It is not customary to have scenes of that kind in our parlors," she
-answered, smiling.
-
-"I know it," he said, with an accent of deep despair. "It was all my
-unfortunate temper that ran away with me. But you don't appreciate, Mrs.
-Harbinger, how a man feels when his wife has been made the subject of an
-infamous libel."
-
-"But if you'll let me say so, Mr. Barnstable, I think you are going out
-of your way to find trouble. You are not the only man who has been
-separated from his wife, and the chances are that the author of 'Love in
-a Cloud' never heard of your domestic affairs at all."
-
-"But he must have," protested Barnstable with growing excitement,
-"why--"
-
-"Pardon me," she interrupted, "I wasn't done. I say that the chance of
-the author of that book knowing anything about your affairs is so small
-as to be almost impossible."
-
-"But there were circumstances so exact! Why, all that scene--"
-
-"Really, Mr. Barnstable," Mrs. Harbinger again interrupted, "you must
-not go about telling what scenes are true. That is more of a publishing
-of your affairs than any putting them in a novel could be."
-
-His eyes stared at her from the folds and undulations of his face like
-two remarkably large jellyfish cast by the waves among sand heaps.
-
-"But--but," he stammered, "what am I to do? How would you feel if it
-were your wife?"
-
-She regarded him with a glance which gave him up as incorrigible, and
-half turned away her head.
-
-"I'm sure I can't say," she responded. "I never had a wife."
-
-Barnstable was too much excited to be restrained by the mild jest, and
-dashed on, beginning to gesticulate in his earnestness.
-
-"And by such a man!" he ran on. "Why, Mrs. Harbinger, just look at this.
-Isn't this obliquitous!"
-
-He pulled from one pocket a handful of letters, dashed through them at a
-mad speed, thrust them back and drew another handful from a second
-pocket, scrabbled through them, discarded them for the contents of a
-third pocket, and in the end came back to the first batch of papers,
-where he at last hit upon the letter he was in search of.
-
-"Only this morning I got this letter from a friend in New York that knew
-the Count in Europe. He's been a perfect rake. He's a gambler and a
-duelist. There, you take it, Mrs. Harbinger, and read it. You'll see,
-then, how I felt when that sort of a man scandaled my wife."
-
-"But I thought that you received the letter only this morning,"
-suggested Mrs. Harbinger, with a smile.
-
-Her companion was too thoroughly excited to be interrupted, and dashed
-on.
-
-"You take the letter, Mrs. Harbinger, and read it for yourself. Then
-you show it to your friends. Let people know what sort of a man they are
-entertaining and making much of. Damme--I beg your pardon; my temper's
-completely roused up!--it makes me sick to see people going on so over
-anything that has a title on it. Why, damme--I beg your pardon, Mrs.
-Harbinger; I really beg your pardon!--in America if a man has a title he
-can rob henroosts for a living, and be the rage in society."
-
-Mrs. Harbinger reached out her hand deliberately, and took the letter
-which was thus thrust at her. She had it safe in her possession before
-she spoke again.
-
-"I shall be glad to see the letter," she said, "because I am curious to
-know about Count Shimbowski. That he is what he pretends to be in the
-way of family I am sure, for I have seen his people in Rome."
-
-"Oh, he is a Count all right," Barnstable responded; "but that doesn't
-make him any better."
-
-"As for the book," she pursued calmly, "you are entirely off the track.
-The Count cannot possibly have written it. Just think of his English."
-
-"I've known men that could write English that couldn't speak it
-decently."
-
-"Besides, he hasn't been in the country long enough to have written it.
-If he did write it, Mr. Barnstable, how in the world could he know
-anything about your affairs? It seems to me, if I may say so, that you
-might apply a little common sense to the question before you get into a
-rage over things that cannot be so."
-
-"I was hasty," admitted Barnstable, an expression of mingled penitence
-and woe in his face. "I'm afraid I was all wrong about the Count. But
-the book has so many things in it that fit, things that were particular,
-why, of course when Mrs.--that lady yesterday--"
-
-"Mrs. Neligage."
-
-"When she said the Count wrote it, I didn't stop to think."
-
-"That was only mischief on her part. You might much better say her son
-wrote it than the Count."
-
-"Her son?" repeated Barnstable, starting to his feet. "That's who it is!
-Why, of course it was to turn suspicion away from him that his mother--"
-
-"Good heavens!" Mrs. Harbinger broke in, "don't make another blunder.
-Jack Neligage couldn't--"
-
-"I see it all!" Barnstable cried, not heeding her. "Mr. Neligage was in
-Chicago just after my divorce. I heard him say he was there that winter.
-Oh, of course he's the man."
-
-"But he isn't a writer," Mrs. Harbinger protested.
-
-She rose to face Barnstable, whose inflammable temper had evidently
-blazed up again with a suddenness entirely absurd.
-
-"That's why he wrote anonymously," declared the other; "and that's why
-he had to put in real things instead of making them up! Oh, of course
-it was Mr. Neligage."
-
-"Mr. Barnstable," she said with seriousness, "be reasonable, and stop
-this nonsense. I tell you Mr. Neligage couldn't have written that book."
-
-He glared at her with eyes which were wells of obstinacy undiluted.
-
-"I'll see about that," he said.
-
-Without other salutation than a nod he walked away, and left her.
-
-She gazed after him with the look which studies a strange animal.
-
-"Well," she said softly, aloud, "of all the fools--"
-
-
-
-
-XIV
-
-THE CONCEALING OF SECRETS
-
-
-Where a number of persons are in the same place, all interested in the
-same matter, yet convinced that affairs must be arranged not by open
-discussion but by adroit management, the result is inevitable. Each will
-be seeking to speak to some other alone; there will be a constant
-shifting and rearranging of groups as characters are moved on and off
-the stage in the theatre. Life for the time being, indeed, takes on an
-artificial air not unlike that which results from the studied devices of
-the playwright. The most simple and accurate account of what takes place
-must read like the arbitrary conventions of the boards; and the reader
-is likely to receive an impression of unreality from the very closeness
-with which the truth has been followed.
-
-At the County Club that April afternoon there were so many who were in
-one way or another interested in the fate of the letter which in a
-moment of wild fun Mrs. Neligage had handed over to the Count, that it
-was natural that the movements of the company should have much the
-appearance of a contrived comedy. No sooner, for instance, had
-Barnstable hastened away with a new bee in his bonnet, than Mrs.
-Harbinger was joined by Fairfield. He had come on in advance of the
-girls, and now at once took advantage of the situation to speak about
-the matter of which the air was full.
-
-"I beg your pardon," he said, "but I left the young ladies chatting with
-Mrs. Staggchase, and they'll be here in a minute. I wanted to speak to
-you."
-
-She bestowed the letter which she had received from Barnstable in some
-mysterious recess of her gown, some hiding-place which had been devised
-as an attempted evasion of the immutable law that in a woman's frock
-shall be no real pocket.
-
-"Go on," she said. "I am prepared for anything now. After Mr. Barnstable
-anything will be tame, though; I warn you of that."
-
-"Mr. Barnstable? I didn't know you knew him till his circus last night."
-
-"I didn't. He came to me here, and I thought he was going to apologize;
-but he ended with a performance crazier than the other."
-
-"What did he do?" asked Fairfield, dropping into the chair which
-Barnstable had recently occupied. "He must be ingenious to have thought
-of anything madder than that. He might at least have apologized first."
-
-"I wasn't fair to him," Mrs. Harbinger said. "He really did apologize;
-but now he's rushing off after Jack Neligage to accuse him of having
-written that diabolical book that's made all the trouble."
-
-"Jack Neligage? Why in the world should he pitch upon him?"
-
-"Apparently because I mentioned Jack as the least likely person I could
-think of to have written it. That was all that was needed to convince
-Mr. Barnstable."
-
-"The man must be mad."
-
-"We none of us seem to be very sane," Mrs. Harbinger returned, laughing.
-"I wonder what this particular madman will do."
-
-"I'm sure I can't tell," answered Fairfield absently. Then he added
-quickly: "I wanted to ask you about that letter. Of course it isn't you
-that's been writing to me, but you must know who it is."
-
-She stared at him in evident amazement, and then burst into a peal of
-laughter.
-
-"Well," she said, "we have been mad, and no mistake. Why, we ought to
-have known in the first place that you were Christopher Calumus. How in
-the world could we miss it? It just shows how we are likely to overlook
-the most obvious things."
-
-Fairfield smiled, and beat his fist on the arm of his chair.
-
-"There," he laughed, "I've let it out! I didn't mean to tell it."
-
-"What nonsense!" she said, as if not heeding. "To think that it was you
-that May wrote to after all!"
-
-"May!" cried Fairfield. "Do you mean that Miss Calthorpe wrote those
-letters?"
-
-The face of Mrs. Harbinger changed color, and a look of dismay came over
-it.
-
-"Oh, you didn't know it, of course!" she said. "I forgot that, and now
-I've told you. She will never forgive me."
-
-He leaned back in his chair, laughing gayly.
-
-"A Roland for an Oliver!" he cried. "Good! It is only secret for
-secret."
-
-"But what will she say to me?"
-
-"Say? Why should she say anything? You needn't tell her till she's told
-me. She would have told me sometime."
-
-"She did tell you in that wretched letter; or rather she gave you a sign
-to know her by. How did you dare to write to any young girl like that?"
-
-The red flushed into his cheeks and his laughter died.
-
-"You don't mean that she showed you my letters?"
-
-"Oh, no; she didn't show them to me. But I know well enough what they
-were like. You are a pair of young dunces."
-
-Fairfield cast down his eyes and studied his finger-nails in silence a
-moment. When he looked up again he spoke gravely and with a new
-firmness.
-
-"Mrs. Harbinger," he said, "I hope you don't think that I meant anything
-wrong in answering her letters. I didn't know who wrote them."
-
-"You must have known that they were written by a girl that was young and
-foolish."
-
-"I'm afraid I didn't think much about that. I had a letter, and it
-interested me, and I answered it. It never occurred to me that--"
-
-"It never occurs to a man that he is bound to protect a girl against
-herself," Mrs. Harbinger responded quickly. "At least now that you do
-know, I hope that there'll be no more of this nonsense."
-
-Fairfield did not reply for a moment. Then he looked out over the
-landscape instead of meeting her eyes.
-
-"What do you expect me to say to that?" he asked.
-
-"I don't know that I expect anything," she returned dryly. "Hush! They
-are coming."
-
-He leaned forward, and spoke in a hurried whisper.
-
-"Does she know?" he demanded.
-
-"Of course not. She thinks it's the Count, for all I can tell."
-
-The arrival of Alice and May put an end to any further confidential
-discourse. Fairfield rose hastily, looking dreadfully conscious, but as
-the two girls had some interesting information or other to impart to
-Mrs. Harbinger, he had an opportunity to recover himself, and in a few
-moments the party was on its way to the polo-field.
-
-With the game this story has nothing in particular to do. It was not
-unlike polo games in general. The playing was neither especially good
-nor especially bad. Jack Neligage easily carried off the honors, and the
-men pronounced his playing to be in remarkable form for so early in the
-season. Fairfield sat next to Miss Calthorpe, but he was inclined to be
-quiet, and to glance at Mrs. Harbinger when he spoke, as if he expected
-her to be listening to his conversation. Now and then he fixed his
-attention on the field, but when the game was over, and the clever plays
-were discussed, he showed no signs of knowing anything about them. To
-him the game had evidently been only an accident, and in no way a vital
-part of the real business of the day.
-
-There was afternoon tea at the club-house,--groups chatted and laughed
-on the piazza and the lawn; red coats became more abundant on the golf
-links despite the lateness of the hour; carriages were brought round,
-one by one took their freights of pleasure-seekers, and departed.
-Fairfield still kept in the neighborhood of Miss Calthorpe, and although
-he said little he looked a great deal. Mrs. Harbinger did not interfere,
-although for the most part she was within ear-shot. Fairfield was of
-good old family, well spoken of as a rising literary man, and May had
-money enough for two, so that there were no good grounds upon which a
-chaperone could have made herself disagreeable, and Mrs. Harbinger was
-not in the least of the interfering sort.
-
-Before leaving the County Club Mrs. Harbinger had a brief talk with Mrs.
-Neligage.
-
-"I wish you'd tell me something about the Count's past," she said. "You
-knew him in Europe, didn't you?"
-
-"Yes, I met him in Rome one winter; and after that I saw a good deal of
-him for a couple of seasons."
-
-"Was he received?"
-
-"Oh, bless you, yes. He's real. His family tree goes back to the tree in
-the Garden of Eden."
-
-"Perhaps his ancestor then was the third person there."
-
-Mrs. Neligage laughed, and shook her head.
-
-"Come, Letty," she said, "that is taking an unfair advantage. But
-really, the Count is all right. He's as poor as a church mouse, and I've
-no doubt he came over here expressly to marry money. That is a foreign
-nobleman's idea of being driven to honest toil,--to come to America and
-hunt up an heiress."
-
-Mrs. Harbinger produced the letter which she had received from
-Barnstable earlier in the afternoon.
-
-"That crazy Mr. Barnstable that made an exhibition of himself at my
-house yesterday has given me a letter about the Count. I haven't read
-much of it; but it's evidently an attack on the man's morals."
-
-"Oh, his morals," Mrs. Neligage returned with a pretty shrug; "nobody
-can find fault with the Count's morals, my dear, for he hasn't any."
-
-"Is he so bad then?" inquired Mrs. Harbinger with a sort of
-dispassionate interest.
-
-"Bad, bless you, no. He's neither good nor bad. He's what all his kind
-are; squeamishly particular on a point of honor, and with not a moral
-scruple to his name."
-
-Mrs. Harbinger held the letter by the corner, regarding it with little
-favor.
-
-"I'm sure I don't want his old letter," she observed. "I'm not a
-purveyor of gossip."
-
-"Why did he give it to you?"
-
-"He wanted me to read it, and then to show it to my friends. He
-telegraphed to New York last night, Tom said, to find out about the
-Count, and the letter must have come on the midnight."
-
-"Characters by telegraph," laughed Mrs. Neligage. "The times are getting
-hard for adventurers and impostors. But really the Count isn't an
-impostor. He'd say frankly that he brought over his title to sell."
-
-"That doesn't decide what I am to do with this letter," Mrs. Harbinger
-remarked. "You'd better take it."
-
-"I'm sure I don't see what I should do with it," Mrs. Neligage returned;
-but at the same time she took the epistle. "Perhaps I may be able to
-make as much mischief with this as I did with that letter yesterday."
-
-The other looked at her with serious disfavor expressed in her face.
-
-"For heaven's sake," she said, "don't try that. You made mischief enough
-there to last for some time."
-
-
-
-
-XV
-
-THE MISCHIEF OF A LETTER
-
-
-The meditations of Mrs. Neligage in the watches of the night which
-followed the polo game must have been interesting, and could they be
-known might afford matter for amusement and study. It must be one of the
-chief sources of diversion to the Father of Evil to watch the growth in
-human minds and hearts of schemes for mischief. He has the satisfaction
-of seeing his own ends served, the entertainment of observing a curious
-and fascinating mental process, and all the while his vanity may be
-tickled by the reflection that it is he who will receive the credit for
-each cunningly developed plot of iniquity. That the fiend had been
-agreeably entertained on this occasion was to be inferred from the
-proceedings of Mrs. Neligage next morning, when the plans of the night
-were being carried into effect.
-
-As early in the day as calling was reasonably possible, Mrs. Neligage,
-although it was Sunday, betook herself to see May Calthorpe. May, who
-had neither father nor mother living, occupied the family house on
-Beacon street, opposite the Common, having as companion a colorless
-cousin who played propriety, and for the most part played it unseen.
-The dwelling was rather a gloomy nest for so bright a bird as May.
-Respectability of the most austere New England type pervaded the big
-drawing-room where Mrs. Neligage was received. The heavy old furniture
-was as ugly as original sin, and the pictures might have ministered to
-the Puritan hatred for art. Little was changed from the days when May's
-grandparents had furnished their abode according to the most approved
-repulsiveness of their time. Only the brightness of the warm April sun
-shining in at the windows, and a big bunch of dark red roses in a
-crystal jug, lightened the formality of the stately apartment.
-
-When May came into the room, however, it might have seemed that she had
-cunningly retained the old appointments as a setting to make more
-apparent by contrast her youthful fresh beauty. With her clear color,
-her dark hair, and sparkling eyes, she was the more bewitching amid this
-stately, sombre furniture, and in this gloomy old lofty room.
-
-"My dear," Mrs. Neligage said, kissing her affectionately, "how well you
-look. I was dreadfully afraid I should find you worried and unhappy."
-
-May returned her greeting less effusively, and seemed somewhat puzzled
-at this address.
-
-"But why in the world should I look worried?" she asked.
-
-Mrs. Neligage sat down, and regarded the other impressively in silence a
-moment before replying.
-
-"Oh, my dear child," she said dramatically, "how could you be so
-imprudent?"
-
-May became visibly paler, and in her turn sank into a chair.
-
-"I don't know what you mean," she faltered.
-
-"If you had lived in society abroad as much as I have, May," was the
-answer, delivered with an expressive shake of the head, "you would know
-how dreadfully a girl compromises herself by writing to a strange
-gentleman."
-
-May started up, her eyes dilating.
-
-"Oh, how did you know?" she demanded.
-
-"The Count thinks the most horrible things," the widow went on
-mercilessly. "You know what foreigners are. It wouldn't have been so bad
-if it were an American."
-
-Poor May put her hands together with a woeful gesture as if she were
-imploring mercy.
-
-"Oh, is it the Count really?" she cried. "I saw that he had a red
-carnation in his buttonhole yesterday, but I hoped that it was an
-accident."
-
-"A red carnation?" repeated Mrs. Neligage.
-
-"Yes; that was the sign by which I was to know him. I said so in that
-letter."
-
-It is to be doubted if the Recording Angel at that moment wrote down to
-the credit of Mrs. Neligage that she regretted having by chance stuck
-that flower in the Count's coat at the County Club.
-
-"You poor child!" she murmured with a world of sympathy in her voice.
-
-The touch was too much for May, who melted into tears. She was a
-simple-hearted little thing or she would never have written the unlucky
-letters to Christopher Calumus, and in her simplicity she had evidently
-fallen instantly into the trap set for her. She dabbed resolutely at her
-eyes with her handkerchief, but the fountain was too free to be so
-easily stanched.
-
-"It will make a horrid scandal," Mrs. Neligage went on by way of
-comfort. "Oh, I do hate those dreadful foreign ways of talking about
-women. It used to make me so furious abroad that I wanted to kill the
-men."
-
-May was well on the way to sobs now.
-
-"Such things are so hard to kill, too," pursued the widow. "Everybody
-here will say there is nothing in it, but it will be repeated, and
-laughed about, and it will never be forgotten. That's the worst of it.
-The truth makes no difference, and it is almost impossible to live a
-thing of that sort down. You've seen Laura Seaton, haven't you? Well,
-that's just what ruined her life. She wrote some foolish letters, and it
-was found out. It always is found out; and she's always been in a
-cloud."
-
-Mrs. Neligage did not mention that the letters which the beclouded Miss
-Seaton had written had been to a married man and with a full knowledge
-on her part who her correspondent was.
-
-"Oh, Mrs. Neligage," sobbed May. "Do you suppose the Count will tell?"
-
-"My dear, he showed me the letter."
-
-"Oh, did he?" moaned the girl, crimson to the eyes. "Did you read it?"
-
-"Read it, May? Of course not!" was the answer, delivered with admirable
-appearance of indignation; "but I knew the handwriting."
-
-May was by this time so shaken by sobs and so miserable that her
-condition was pitiful. Mrs. Neligage glided to a seat beside her, and
-took the girl in her arms in a fashion truly motherly.
-
-"There, there, May," said she soothingly. "Don't give way so. We must do
-something to straighten things out."
-
-"Oh, do you think we could?" demanded May, looking up through her tears.
-"Can't you get that letter away from him?"
-
-"I tried to make him give it to me, but he refused."
-
-It really seemed a pity that the widow was not upon the stage, so
-admirably did she show sympathy in voice and manner. She caressed the
-tearful maiden, and every tone was like an endearment.
-
-"Somebody must get that letter," she went on. "It would be fatal to
-leave it in the Count's possession. He is an old hand at this sort of
-thing. I knew about him abroad."
-
-She might have added with truth that she had herself come near marrying
-him, supposing that he had a fortune to match his title, but that she
-had luckily discovered his poverty in time.
-
-"But who can get it?" asked May, checking her tears as well as was
-possible under the circumstances.
-
-"It must be somebody who has the right to represent you," Mrs. Neligage
-responded with an air of much impressiveness.
-
-"Anybody may represent me," declared May. "Couldn't you do it, Mrs.
-Neligage?"
-
-"My dear," the other answered in a voice of remonstrance, "a lady could
-hardly go to a man on an errand like that. It must be a man."
-
-May dashed her hands together in a burst of impatience and despair.
-
-"Oh, I don't see what you gave it to him for," she cried in a lamentable
-voice. "You might have known that I wouldn't have written it if I'd any
-idea that that old thing was Christopher Calumus."
-
-"And I wouldn't have given it to him," returned Mrs. Neligage quietly,
-"if I'd had any idea that you were capable of writing to men you didn't
-know."
-
-May looked as if the tone in which this was said or the words themselves
-had completed her demoralization. She was bewitching in her misery, her
-eyes swimming divinely in tears, large and pathetic and browner than
-ever, her hair ruffled in her agitation into tiny rings and pliant wisps
-all about her temples, her cheeks flushed and moist. Her mouth, with its
-trembling little lips, might have moved the sternest heart of man to
-compassion and to the desire at least of consoling it with kisses. The
-more firm and logical feminine mind of Mrs. Neligage was not, however,
-by all this loveliness of woe turned away from her purpose.
-
-"At any rate," she went on, "the thing that can't be altered is that you
-have written the letter, and that the Count has it. I do pity you
-terribly, May; and I know Count Shimbowski, so I know what I'm saying. I
-came in this morning to say something to you, to propose something, that
-is; but I don't know how you'll take it. It is a way out of the
-trouble."
-
-"If there's any way out," returned May fervently, "I'm sure I don't care
-what it is; I'm ready for it, if it's to chop off my fingers."
-
-"It isn't that, my dear," Mrs. Neligage assured her with a suggestion of
-a laugh, the faint suggestion of a laugh, such as was appropriate to the
-direful situation only alleviated by the possibility which was to be
-spoken. "The fact is there's but one thing to do. You must let Jack act
-for you."
-
-"Oh, will he, Mrs. Neligage?" cried May, brightening at once.
-
-It has been noted by more than one observer of life that in times of
-trouble the mere mention of a man is likely to produce upon the feminine
-mind an effect notably cheering. Whether this be true, or a mere
-fanciful calumny of those heartless male writers who have never been
-willing to recognize that the real glory of woman lies in her being able
-entirely to ignore the existence of man, need not be here discussed. It
-is enough to record that at the sound of Jack's name May did undoubtedly
-rouse herself from the abject and limp despair into which she was
-completely collapsing. She caught at the suggestion as a trout snaps at
-the fisherman's fly.
-
-"He will be only too glad to," said Mrs. Neligage, "if he has the
-right."
-
-She paused and looked down, playing with the cardcase in her hands. She
-made a pretty show of being puzzled how to go on, so that the most
-stupid observer could not have failed to understand that there was
-something of importance behind her words. May began to knit her white
-forehead in an evident attempt to comprehend what further complication
-there might be in the affair under discussion.
-
-"I must be plain," the widow said, after a slight, hesitating pause.
-"What I have to say is as awkward as possible, and of course it's
-unusual; but under the circumstances there's no help for it. I hope
-you'll understand, May, that it's only out of care for you that I'm
-willing to come here this morning and make a fool of myself."
-
-"I don't see how you could make a fool of yourself by helping me," May
-said naively.
-
-The visitor smiled, and put out a trimly gloved hand to pat the fingers
-of the girl as they lay on the chair-arm.
-
-"No, that's the truth, May. I am trying to help you, and so I needn't
-mind how it sounds. Well, then; the fact is that there's one thing that
-makes this all very delicate. Whoever goes to the Count must have
-authority."
-
-"Well, I'm ready to give Jack authority."
-
-"But it must be the authority of a betrothed, my dear."
-
-"What! Oh, Mrs. Neligage!"
-
-May sat bolt upright and stiffened in her chair as if a wave of liquid
-air had suddenly gone over her.
-
-"To send a man for the letters under any other circumstances would be as
-compromising as the letters in the first place. Besides, the Count
-wouldn't be bound to give them up except to your _fiance_."
-
-"That horrid Count!" broke out May with vindictive irrelevancy. "I wish
-it was just a man we had to deal with!"
-
-"Now Jack has been in love with you for a long time, my dear," pursued
-Jack's mother.
-
-"Jack! In love with me? Why, he's fond of Alice."
-
-"Oh, in a boy and girl way they've always been the best of friends. It's
-nothing more. He's in love with you, I tell you. What do you young
-things know about love anyway, or how to recognize it? I shouldn't tell
-you this if it weren't for the circumstances; but Jack is too delicate
-to speak when it might look as if he were taking advantages. He is
-furious about the letter."
-
-"Oh, does he know too?" cried poor May. "Does everybody know?"
-
-Her tears began again, and now Mrs. Neligage dried them with her own
-soft handkerchief, faintly scented with the especial eastern scent which
-she particularly affected. Doubtless a mother may be held to know
-something of the heart and the opinions of her only son, but as Jack had
-not, so far as his mother had any means of knowing, in the least
-connected May Calthorpe with the letter given to Count Shimbowski, it is
-perhaps not unfair to conclude that her maternal eagerness and affection
-had in this particular instance led her somewhat far. It is never the
-way of a clever person to tell more untruths than are actually needed by
-the situation, and it was perhaps by way of not increasing too rapidly
-her debit account on the books of the Recording Angel that Mrs. Neligage
-replied to this question of May's with an evasion,--an evasion, it is
-true, which was more effective than a simple, direct falsehood would
-have been.
-
-"Oh, May dear, you don't know the horrid way in which those foreign
-rakes boast of what they call their conquests!"
-
-The idea of being transformed from a human, self-respecting being into a
-mere conquest, the simple, ignominious spoils of the chase, might well
-be too much for any girl, and May became visibly more limp under it.
-
-"The simple case is here," proceeded the widow, taking up again her
-parable with great directness. "Jack is fond of you; he is too delicate
-to speak of it, and he knows that this is a time when nobody but a
-_fiance_ has a right to meddle. If you had a brother, of course it would
-be different; but you haven't. Something must be done, and so I came
-this morning really to beg you, for Jack's sake and your own, to consent
-to an engagement."
-
-"Did Jack send you?" demanded May, looking straight into the other's
-eyes.
-
-Mrs. Neligage met the gaze fairly, yet there was a little hesitation in
-her reply. It might be that she considered whether the risk were greater
-in telling the truth or in telling a lie; but in the end it was the
-truth that she began with. Before she had got half through her sentence
-she had distorted it out of all recognition, indeed, but it is always an
-advantage to begin with what is true. It lends to any subsequent
-falsifying a moral support which is of inestimable value.
-
-"He knows nothing of it at all," she confessed. "He is too proud to let
-anybody speak for him, just as under the circumstances he is too proud
-to speak for himself. Besides, he is poor, and all your friends would
-say he was after your money. No, nothing would induce him to speak for
-himself. He is very unhappy about it all; but he feels far worse for you
-than for himself. Dear Jack! He is the most generous fellow in the
-world."
-
-"Poor Jack!" May murmured softly.
-
-"Poor Jack!" the widow echoed, with a deep-drawn sigh. "It frightens me
-so to think what might happen if he hears the Count boasting in his
-insolent way. Foreigners always boast of their conquests! Why, May,
-there's no knowing what he might do! And the scandal of it for you! And
-what should I do if anything happened to Jack?"
-
-Perhaps an appeal most surely touches the feminine heart if it be a
-little incoherent. A pedant might have objected that Mrs. Neligage in
-this brief speech altered the point of view with reckless frequency,
-but the pedant would by the effect have been proved to be wrong. The
-jumble of possibilities and of consequences, of woe to Jack, harm to
-May, and of general inconsolability on the part of the mother finished
-the conquest of the girl completely. She was henceforth only eager to do
-whatever Mrs. Neligage directed, and under the instigation of her astute
-counsellor wrote a note to the young man, accepting a proposal which he
-had never heard of, and imploring him as her accepted lover to rescue
-from the hands of Count Shimbowski the letter addressed to Christopher
-Calumus. It is not every orator, even among the greatest, who can boast
-of having achieved a triumph so speedy and so complete as that which
-gladdened the heart of Mrs. Neligage when, after consoling and cheering
-her promised daughter-in-law, she set out to find her son.
-
-
-
-
-XVI
-
-THE DUTY OF A SON
-
-
-Simple were this world if it were governed by frankness, albeit
-perchance in some slight particulars less interesting. Certainly if
-straightforwardness ruled life, Mrs. Neligage would have fared
-differently in her efforts that morning. She would have had no
-opportunity in that case of displaying her remarkable astuteness, and
-she would have left the life-threads of divers young folk to run more
-smoothly. Knots and tangles in the lives of mortals are oftener
-introduced by their fellows than by the unkindly fingers of the Fates,
-although the blame must be borne by the weird sisters. The three might
-well stand aghast that forenoon to see the deftness with which Mrs.
-Neligage wrought her mischief. A fisherman with his netting-needle and a
-kitten playing with the twine together produce less complication of the
-threads than the widow that day brought about by the unaided power of
-her wits.
-
-Jack Neligage had chambers with Fairfield in a semi-fashionable
-apartment-house. Both the young men had a certain position to maintain,
-and neither was blessed with means sufficient to do it without much
-stretching. Fairfield was industrious and Neligage was idle, which in
-the end was more favorable to the reputation of the former and to the
-enjoyment of the latter. Jack fared the better in material things,
-because the man who is willing to run into debt may generally live more
-expensively than he who strives to add to an inadequate income by the
-fruit of his toil.
-
-On this particular morning Dick had gone to church in the vain hope of
-seeing May Calthorpe, while Jack was found by his mother smoking a
-cigarette over the morning paper. He had just finished his late
-breakfast, and opened his letters. The letters lay on the uncleared
-breakfast table in various piles. The largest heap was one made of bills
-torn to bits. Jack made it a matter of principle to tear up his bills as
-soon as they came. It saved trouble, and was, he said, a business-like
-habit. The second heap was composed of invitations to be answered; while
-advertisements and personal letters made the others. Jack received his
-mother with his usual joyous manner. It had been said of him that his
-continual good nature was better than an income to him. It certainly
-made him a favorite, it procured for him many an invitation, and it had
-even the effect of softening the hard heart of many a creditor. He was
-in appearance no less cheerful this morning for his talk with Wilson at
-the County Club or for the mysterious hints of ill which his mother had
-given him. It was all confoundedly awkward, he had commented to
-Fairfield before retiring on the previous night, but hang it, what good
-would it do to fret about it?
-
-"Good-morning, mater," he greeted her. "You must have something mighty
-important on your mind to come flying round here at this time in the
-day."
-
-"I have," she said, "and I want you to try for once in your life to take
-things seriously."
-
-"Seriously!" was his answer. "Don't I always take things seriously? Or
-if I don't, it can't be in me, for I'm sure I have enough to make me
-serious. Look at that pile of bills there."
-
-Mrs. Neligage walked to the table, inspected first the invitations,
-which she looked over with truly feminine attention, and then began to
-pick up pieces of the torn-up bills.
-
-"How in the world, Jack, do you ever know what you owe?" she asked.
-
-"Know what I owe? Gad! I wouldn't know that for the world. Sit down, and
-tell me what disagreeable thing brought you here."
-
-"Why is it necessarily disagreeable?" she demanded, seating herself
-beside the table, and playing with the torn paper.
-
-"You said yesterday that you were in a mess."
-
-"Yes," she replied slowly; "but that was yesterday."
-
-"Does that mean that you are out of it? So much the better."
-
-Mrs. Neligage clasped her hands in her lap, and regarded her son with a
-strong and eager look.
-
-"Jack," she began, "I want you to listen to me, and not interrupt. You
-must hear the whole thing before you begin to put in your word. In the
-first place, you are engaged to May Calthorpe."
-
-The exclamation and the laugh which greeted this piece of information
-were so nearly simultaneous that Jack might be given the benefit of the
-doubt and so evade the charge of swearing before a lady.
-
-"Why in the world, mother," he said, "must you come harping on that
-string again? You know it's of no use."
-
-"You are engaged now, Jack, and of course that makes a difference."
-
-"Oh, bother! Do speak sensibly. What are you driving at?"
-
-The widow regarded him with a serene face, and settled herself more
-comfortably in her chair.
-
-"I came to congratulate you on your engagement to Miss May Calthorpe,"
-she said, with all possible coolness and distinctness.
-
-"Indeed? Then I am sorry to tell you that you have wasted your labor. I
-haven't even seen May since we left the County Club yesterday."
-
-"Oh, I knew that."
-
-"What in the world are you driving at, mother? Perhaps you don't mind
-telling me who told you of the engagement."
-
-"Oh, not in the least. May told me."
-
-"May Calthorpe!"
-
-It was not strange that Jack should receive the announcement with
-surprise, but it was evident that there was in his mind more
-bewilderment. He stared at his mother without further word, while she
-pulled off her gloves and loosened her coat as if to prepare herself for
-the explanation which it was evident must follow.
-
-"Come, Jack," she remarked, when she had adjusted these preliminaries,
-"we may as well be clear about this. I made an offer in your name to
-May, and she has accepted it."
-
-Jack rose from his seat, and stood over her, his sunny face growing
-pale.
-
-"You made an offer in my name?" he demanded.
-
-"Sit down," she commanded, waving her hand toward his chair. "There is a
-good deal to be said, and you'll be tired of standing before I tell it
-all. Is there any danger that Mr. Fairfield may come in?"
-
-Jack walked over to the door and slipped the catch.
-
-"He is not likely to come," he said, "but it's sure now. Fire away."
-
-He spoke with a seriousness which he used seldom. There were times when
-lazy, good-tempered Jack Neligage took a stubborn fit, and those who
-knew him well did not often venture to cross him in those moods. The
-proverb about the wrath of a patient man had sometimes been applied to
-him. When these rare occasions came on which his temper gave way he
-became unusually calm and self-possessed, as he was now. It could not
-but have been evident to his mother that she had to do with her son in
-one of the worst of his rare rages. Perhaps the vexations of the
-previous days, the pile of torn bills on the table, the icy greeting
-Alice Endicott had given him yesterday, all had to do with the sudden
-outbreak of his anger, but any man might have been excused for being
-displeased by such an announcement as had just been made to Jack.
-
-"I'm not going into your financial affairs, Jack," Mrs. Neligage
-remarked, with entire self-possession, "only that they count, of
-course."
-
-"I know enough about them," he said curtly. "We'll take them for
-granted."
-
-"Very well then--we will talk about mine. You've hinted once or twice
-that you didn't like the way I flirted with Sibley Langdon. I owe him
-six thousand dollars."
-
-If the widow had been planning a theatrical effect in her coolly
-pronounced words, she had no reason to be disappointed at the result.
-Jack started to his feet with an oath, and glared at her with angry
-eyes.
-
-"More than that," she went on boldly, though she cast down her glance
-before his, "the money was to save me from the consequences of--"
-
-Her voice faltered and the word died on her lips. Jack stood as if
-frozen, staring with a hard face and lips tightly shut.
-
-"Oh, Jack," she burst out, "why do you make me shame myself! Why can't
-you understand? I'm no good, Jack; but I'm your mother."
-
-Actual tears were in her eyes, and her breath was coming quickly. It is
-always peculiarly hard to see a self-contained, worldly woman lose
-control of herself. The strength of emotion which is needed to shake
-such a nature is instinctively appreciated by the spectator, and affects
-him with a pain that is almost too cruel to be borne. Jack Neligage,
-however, showed no sign of softening.
-
-"You must tell me the whole now," he said in a hard voice.
-
-The masculine instinct of asserting the right to judge a woman was in
-his tone. She wiped away her tears, and choked back her sobs. A little
-tremor ran over her, and then she began again, speaking in a voice lower
-than before, but firmly held in restraint.
-
-"It was at Monte Carlo five years ago," she said. "I was there alone,
-and the Countess Marchetti came. I'd known her a little for years, and
-we got to be very intimate. You know how it is with two women at a
-hotel. I'd been playing a little, just to keep myself from dying of
-dullness. Count Shimbowski was there, and he made love to me as long as
-he thought I had money, but he fled when I told him I hadn't. Well, one
-day the countess had a telegram that her husband had been hurt in
-hunting. She had just half an hour to get to the train, and she took her
-maid and went. Of course she hadn't time to have things packed, and she
-left everything in my care. Just at the last minute she came rushing in
-with a jewel-case. Her maid had contrived to leave it out, and she
-wouldn't take it. The devil planned it, of course. I told her to take
-it, but she wouldn't, and she didn't; and I played, and I lost, and I
-was desperate, and I pawned her diamond necklace for thirty thousand
-francs."
-
-"And of course you lost that," Jack said in a hard voice, as she paused.
-
-"Oh, Jack, don't speak to me like that! I was mad! I know it! The worst
-thing about the whole devilish business was the way I lost my head. I
-look back at it now, and wonder if I'm ever safe. It makes me afraid;
-and I never was afraid of anything else in my life. I'm not a 'fraid-cat
-woman!"
-
-He gave no sign of softening, none of sympathy, but still sat with the
-air of a judge, cold and inexorable.
-
-"What has all this to do with Sibley Langdon?" he asked.
-
-"He came there just when the countess sent for her things. I was wild,
-and I went all to pieces at the sight of a home face. It was like a
-plank to a shipwrecked fool, I suppose. I broke down and told him the
-whole thing, and he gave me the money to redeem the necklace. He was
-awfully kind, Jack. I hate him--but he was kind. I really think I should
-have killed myself if he hadn't helped me."
-
-"And you have never paid him?"
-
-"How could I pay him? I've been on the ragged edge of the poorhouse ever
-since. I don't know if the poorhouse has a ragged edge," she added, with
-something desperately akin to a smile, "but if it has edges of course
-they must be ragged."
-
-Few persons have ever made a confession, no matter how woeful the
-circumstances, without some sense of relief at having spoken out the
-thing which was festering in the secret heart. Shame and bitter
-contrition may overwhelm this feeling, but they do not entirely destroy
-it. Mrs. Neligage would hardly have been likely ever to tell her story
-save under stress of bitter necessity, but there was an air which showed
-that the revelation had given her comfort.
-
-"Has he ever spoken of it?" asked Jack, unmoved by her attempted
-lightness.
-
-"Never directly, and never until recently has he hinted. Jack," she
-said, her color rising, "he is a bad man!"
-
-He did not speak, but his eyes plainly demanded more.
-
-"The other day,--Jack, I've known for a long time that it was coming.
-I've hated him for it, but I didn't know what to do. It was partly for
-that that I went to Washington."
-
-"Well?"
-
-Mrs. Neligage was not that day playing a part which was entirely to be
-commended by the strict moralist. Certainly in her interview with May
-she had left much to be desired on the score of truthfulness and
-consideration for others. Hard must be the heart, however, which might
-not have been touched by the severity of the ordeal which she was now
-undergoing. Jack's clear brown eyes dominated hers with all the force of
-the man and the judge, while hers in vain sought to soften them; and the
-pathos of it was that it was the son judging the mother.
-
-"I give you my word, Jack," she said, leaning toward him and speaking
-with deep earnestness, "that he has never said a word to me that you
-might not have heard. Silly compliments, of course, and fool things
-about his wife's not being to his taste; but nothing worse. Only now--"
-
-Ruthless is man toward woman who may have violated the proprieties, but
-cruel is the son toward his mother if she may have dimmed the honor
-which is his as well as hers.
-
-"Now?" he repeated inflexibly.
-
-"Now he has hinted, he has hardly said it, Jack, but he means for me to
-join him in Europe this summer."
-
-The red leaped into Jack's face and the blaze into his eyes. He rose
-deliberately from his chair, and stood tall before her.
-
-"Are you sure he meant it?" he asked.
-
-"He put in nasty allusions to the countess, and--Oh, he did mean it,
-Jack; and it frightened me as I have never been frightened in my life."
-
-"I will horsewhip him in the street!"
-
-She sprang up, and caught him by the arm.
-
-"For heaven's sake, Jack, think of the scandal! I'd have told you long
-ago, but I was afraid you'd make a row that would be talked about. When
-I came home from Europe, and realized that all my property is in the
-hands of trustees so that I couldn't pay, I wanted to tell you; but I
-didn't know what you'd do. I'm afraid of you when your temper's really
-up."
-
-He freed himself from her clasp and began to pace up and down, while
-she watched him in silence. Suddenly he turned to her.
-
-"But this was only part of it," he said. "What was that stuff you were
-talking about my being engaged?"
-
-She held out to him the note that May had written, and when he had read
-it explained as well as she could the scene which had taken place
-between her and May. She did not, it is true, present an account which
-was without variations from the literal facts, but no mortal could be
-expected to do that. She at least made it clear that she had bargained
-with the girl that the letter should be the price of an engagement. Jack
-heard her through, now and then putting in a curt question. When he had
-heard it all, he laughed angrily, and threw the letter on the floor.
-
-"You have brought me into it too," he said. "We are a pair of
-unprincipled adventurers together. I've been more or less of a beat, but
-I've never before been a good, thorough-paced blackguard!"
-
-She flashed upon him in an outburst of anger in her turn.
-
-"Do you mean that for me?" she demanded. "The word isn't so badly
-applied to a man that can talk so to his mother! Haven't I been saving
-you as well as myself? As to May, any girl will love a husband that has
-character enough to manage her and be kind to her."
-
-He was silent a moment, and when he spoke he waived the point.
-
-"Do I understand," he said, "that you expect me to go to Count
-Shimbowski and announce myself as May's representative, and demand her
-letter?"
-
-"Not at all," she answered, a droll expression of craftiness coming over
-her face. "Sit down, and let me tell you."
-
-She resumed her own seat, and Jack, after whirling his chair around
-angrily, sat down astride of it, with his arms crossed on the back.
-
-"There are letters and letters," Mrs. Neligage observed with a smile.
-"When Mrs. Harbinger gave me this one last night I began to see that it
-might be good for something. You are to exchange this with the Count.
-You needn't mention May's name."
-
-Jack took the letter, and looked at it.
-
-"This is to Barnstable," he said.
-
-"Yes; he gave it to Letty to be shown to people. Barnstable is the
-silliest fool that there is about."
-
-"And you think the Count would give up that letter for this?"
-
-"I am sure he would if he thought there was any possibility that this
-might fall into the hands of Miss Wentstile."
-
-"If it would send the damned adventurer about his business," growled
-Jack, "I'd give it to Miss Wentstile myself."
-
-"Oh, don't bother about that. I can stop that affair any time," his
-mother responded lightly. "I've only to tell Sarah Wentstile what I've
-seen myself, and that ends his business with her."
-
-"Then you'd better do it, and stop his tormenting Alice."
-
-"I'll do anything you like, Jack, if you'll be nice about May."
-
-He got up from his seat and walked back and forth a few turns, his head
-bowed, and his manner that of deep thought. Then he went to his desk and
-wrote a couple of notes. He read them over carefully, and filled out a
-check. He lit a cigarette, and sat pondering over the notes for some
-moments. At last he brought them both to his mother, who had sat
-watching him intently, although she had turned her face half away from
-him. Jack put the letters into her hand without a word.
-
-The first note was as follows:--
-
- DEAR MAY,--My mother has just brought me your note, and I am going
- out at once to find the Count. I hope to bring you the letter
- before night. I need not tell you that I am very proud of the
- confidence you have shown in me and of the honor you do me. Until I
- see you it will, it seems to me, be better that you do not speak of
- our engagement.
-
- Very sincerely yours,
-
- JOHN T. NELIGAGE.
-
-The second note was this:--
-
- SIBLEY LANGDON, ESQ.
-
- _Sir_,--I have just heard from my mother that she is indebted to
- you for a loan of $6000. I inclose check for that amount with
- interest at four per cent. As Mrs. Neligage has doubtless expressed
- her gratitude for your kindness I do not know that it is necessary
- for me to add anything.
-
- JOHN T. NELIGAGE.
-
-"You are right, of course," he said. "I can't show him that I know his
-beastly scheme without a scandal that would hurt you. He'll understand,
-though. But why in the world you've let him browbeat you into receiving
-his attentions I cannot see."
-
-"I felt so helpless, Jack. I didn't know what he would do; and he could
-tell about the necklace, you see. He's been a millstone round my neck.
-He's never willing I should do anything with anybody but himself."
-
-Jack ground his teeth, and held out his hand for the letters.
-
-"But, Jack," Mrs. Neligage cried, as if the thought had just struck her.
-"You can't have $6000 in the bank."
-
-"I shall have when he gets that check," Jack returned grimly. "If father
-hadn't put all our money into the hands of trustees--"
-
-"We should neither of us have anything whatever," his mother
-interrupted, laughing. "It is bad enough as it is, but it would have
-been worse if we'd had our hands free."
-
-Her spirits were evidently once more high; she seemed to have cast off
-fear and care alike.
-
-"Well," she said, rising, "I must go home. You want to go and find the
-Count, of course."
-
-She went up to her son, and put her hands on his shoulders.
-
-"Dear boy," she said, "I'm not really so bad as I seem. I was a fool to
-gamble, but I never did anything else that was very bad. Oh, you don't
-know what a weight it is off my shoulders to have that note paid. Of
-course it will be hard on you just now, but we must hurry on the
-marriage with May, and then you'll have money enough."
-
-He smiled down on her with a look in which despite its scrutiny there
-was a good deal of fondness. Worldly as the Neligages were, there was
-still a strong bond of affection between them.
-
-"All right, old lady," he said, stooping forward to kiss her forehead.
-"I'm awfully sorry you've had such a hard time, but you're out of it
-now. Only there's one thing I insist on. You are to tell nobody of the
-engagement till I give you leave."
-
-She studied his face keenly.
-
-"If I don't announce it," she said frankly, "I'm afraid you'll squirm
-out of it."
-
-He laughed buoyantly.
-
-"You are a born diplomat," he told her. "What sort of a concession do
-you want to make you hold your tongue?"
-
-"Jack," she said pleadingly, changing her voice into earnestness, "won't
-you marry May? If you only knew how I want you to be rich and taken care
-of."
-
-"Mr. Frostwinch has offered me a place in the bank, mater, with a salary
-that's about as much as I've paid for the board of one of my ponies."
-
-"What could you do on a salary like that? You won't break the engagement
-when you see May this afternoon, will you? Promise me that."
-
-"She may break it herself."
-
-"She won't unless you make her. Promise me, Jack."
-
-He smiled down into her face as if a sudden thought had come to him, and
-a gleam of mischief lighted his brown eyes.
-
-"The engagement, such as it is," he returned, "may stand at present as
-you've fixed it, if you'll give me your word not to mention it or to
-meddle with it."
-
-"I promise," she said rapturously, and pulled him down to kiss him
-fervently before departing.
-
-Then in the conscious virtue of having achieved great things Mrs.
-Neligage betook herself home to dress for a luncheon.
-
-
-
-
-XVII
-
-THE BUSINESS OF A LOVER
-
-
-Jack's first care, after his mother had left him, was to dispatch a
-messenger to May with his note.
-
-Then he set out in search of Dr. Wilson. After a little hunting he
-discovered the latter lunching at the club. Jack came straight to his
-business without any beating about the bush.
-
-"Wilson," he said, "I've come on an extraordinary errand. I want you to
-lend me $6000 on the spot."
-
-The other whistled, and then chuckled as was his good-humored wont.
-
-"That's a good round sum," he answered.
-
-"I know that a deuced sight better than you do," Neligage returned.
-"I've had more experience in wanting money. I'm in a hole, and I ask you
-to help me out of it. Of course I'm taking a deal of advantage of your
-good nature yesterday; and you may do as you like about letting me have
-the money. All the security I can give is to turn over to you the income
-of the few stocks I have. They 're all in the hands of trustees. My
-father left'em so."
-
-"Gad, he knew his son," was the characteristic comment.
-
-"You are right. He did. Can you let me have the money?"
-
-The other considered a moment, and then said with his usual bluntness:--
-
-"I suppose it's none of my business what you want of it?"
-
-Jack flushed.
-
-"It may be your business, Wilson, but I can't tell you."
-
-The other laughed.
-
-"Oh, well," he said, "if you've been so big a fool that you can't bear
-to tell of it, I'm not going to insist. I can't do anything better than
-to send you a check to-morrow. I haven't that amount in the bank."
-
-Jack held out his hand.
-
-"You're a trump, Wilson," he said. "I'd tell you the whole thing if it
-was my secret, but it isn't. Of course if you lose anything by moving
-the money, I'll be responsible for it. Besides that I want you to buy
-Starbright, if you care for him. Of course if you don't I can sell him
-easily enough. He's the best of the ponies."
-
-"Then you're going to sell?"
-
-"Clean out the whole thing; pay my debts, and leave the club."
-
-"Oh, you mustn't do that."
-
-"I'm going into a bank, and of course I shan't have any time to play."
-
-Wilson regarded him with an amused and curious smile, playing with his
-fork meanwhile. Wilson was not by birth of Jack's world, having come
-into social position in Boston by his marriage with Elsie Dimmont, the
-richest young woman of the town. He and Jack had never been especially
-intimate, but Jack had always maintained that despite traces of
-coarseness in manner Wilson was sound at heart and essentially a good
-fellow. Perhaps the fact that in times past Neligage had not used his
-opportunities to patronize Wilson had something to do with the absence
-of anything patronizing in the Doctor's manner now.
-
-"Well," Wilson said at length, "don't do anything rash. Your dues for
-the whole year are paid,--or will be when you square up, and you might
-as well get the worth of them. We need you on the team, so you mustn't
-go back on us if you can help it."
-
-Matters being satisfactorily arranged both in relation to the loan and
-to the sale of the pony, Jack left Wilson, and departed in search of
-Count Shimbowski. Him he ultimately found at another club, and at once
-asked to speak with him alone on business.
-
-"Count," he began when they were in one of the card-rooms, "I want to
-add a word to what I said to you yesterday."
-
-"Each one word of Mr. Neleegaze eet ees treasured," the Count responded
-with a polite flourish of his cigarette.
-
-"Since you wouldn't give me that letter," pursued Jack, acknowledging
-the compliment with a grin and a bow, "perhaps you'll be willing to
-exchange it."
-
-"Exchange eet?" repeated the Hungarian. "For what weell eet be
-exchange'?"
-
-Jack produced Barnstable's letter.
-
-"I thought that you'd perhaps be willing to exchange it for this letter
-that's otherwise to be read and passed about. I fancy that the person
-who got it had Miss Wentstile particularly in mind as likely to be
-interested in it."
-
-The touch showed Jack to be not without some of the astuteness of his
-mother.
-
-"What weell eet be?" inquired the Count.
-
-"I haven't read it," answered Jack, slowly drawing it from the envelope.
-"It is said to contain a full account of the life of Count Shimbowski."
-
-"_Sacre!_"
-
-"Exactly," acquiesced Jack. "It's a devilish shame that things can't be
-forgotten when they're done. I've found that out myself."
-
-"But what weell be weetheen dat lettaire?"
-
-Jack ran his eye down a page.
-
-"This seems to be an account of a duel at Monaco," he returned. "On the
-next page--"
-
-The Count stretched out his hand in protest.
-
-"Eet ees not needed dat you eet to read," he said. "Eet ees leeklie
-lees."
-
-"Oh, very likely it is lies. No story about a fellow is ever told right;
-but the worst things always get believed; and Miss Wentstile is very
-particular. She's deucedly down on me for a lot of things that never
-happened."
-
-"Oh, but she ees extr'ordeenaire particle!" exclaimed the Count, with a
-shrug and a profane expletive. "She does not allow dat money be play
-for de card, she have say eet to me. She ees most extr'ordeenaire
-particle!"
-
-"Then I am probably right, Count, in thinking you wouldn't care to have
-her read this letter?"
-
-The Count twisted his silky mustache, looking both angry and rather
-foolish.
-
-"Eet ees not dat eet ees mooch dat I have done," he explained. "You know
-what eet ees de leefe. A man leeves one way. But she, she ees so
-particle damned!"
-
-Jack burst into a laugh that for the moment threatened to destroy the
-gravity with which he was conducting the interview; but he controlled
-his face, and went on.
-
-"Since she is so damned particular," said he, "don't you think you'd
-better let me have the other letter for this? Of course I hate to drive
-you to a bargain, but I must have that other letter. I don't mind
-telling you that I'm sent after it by the one who wrote it."
-
-"Den you weell know who have wrote eet?"
-
-"Yes, of course I know, but I'm not going to tell."
-
-The Count considered for a moment, and then slowly drew out the letter
-addressed to Christopher Calumus. He looked at it wistfully, with the
-air of a man who is reluctantly abandoning the clue to an adventure
-which might have proved enchanting.
-
-"But eet weell look what I was one great villaine dat fear," he said.
-
-"Nonsense," returned Neligage, holding out the letter of Barnstable for
-exchange. "We know both sides of the business. All there is to it is
-that we both understand what a crochety old maid Miss Wentstile is."
-
-Count Shimbowski smiled, and the exchange was effected. Jack turned
-May's letter over in his hand, and found it unopened.
-
-"You're a gentleman, Count," he said, offering his hand.
-
-"Of de course," the other replied, with an air of some surprise. "I am
-one Shimbowski."
-
-"Well, I'm obliged to you," observed Jack, putting the letter in his
-pocket. "I'll try to keep gossip still."
-
-"Oh, eet ees very leek," Shimbowski returned, waving his hand airily,
-"dat when I have read heem I geeve eet to Mees Wentsteele for one's
-self. Eet ees very leekly."
-
-"All right," Jack laughed. "I'd like to see her read it. So long."
-
-With the vigor which belongs to an indolent man thoroughly aroused, Jack
-hunted up Tom Harbinger before the day was done, and sold to him his
-second best pony. Then he went for a drive, and afterward dined at the
-club with an appetite which spoke a conscience at ease or not allowed to
-make itself heard. He did not take the time for reflection which might
-have been felt necessary by many men in preparation for the interview
-with May Calthorpe which must come before bedtime. Indeed he was more
-than usually lively and busy, and as he had a playful wit, he had some
-difficulty in getting the men at the club to let him go when soon after
-eight in the evening he set out for May's. He had kept busy from the
-moment his mother had left him in the morning, and on his way along
-Beacon street, he hummed to himself as if still resolved to do anything
-rather than to meditate.
-
-May came into the sombre drawing-room looking more bewitchingly pretty
-and shy than can be told in sober prose. She was evidently frightened,
-and as she came forward to give her hand to Neligage the color came and
-went in her cheeks as if she were tremblingly afraid of the
-possibilities of his greeting. Jack's smile was as sunny as ever when he
-stepped forward to take her hand. He simply grasped it and let it go, a
-consideration at which she was visibly relieved.
-
-"Well, May," Jack said laughingly, "I understand that we are engaged."
-
-"Yes," she returned faintly. "Won't you sit down?"
-
-She indicated a chair not very near to that upon which she took her own
-seat, and Jack coolly accepted the invitation, improving on it somewhat
-by drawing his chair closer to hers.
-
-"I got the letter from the Count," he went on.
-
-She held out her hand for it in silence. He took the letter from his
-pocket, and held it as he spoke again, tapping it on his knee by way of
-emphasis.
-
-"Before I give it to you, May," he remarked in a voice more serious than
-he was accustomed to use, "I want you to promise me that you will never
-do such a thing again as to write to a stranger. You are well out of
-this--"
-
-She lifted her eyes with a quick look of fear in them, as if it had
-flashed into her mind that if she were out of the trouble over the
-letter she had escaped this peril only to be ensnared into an engagement
-with him. The thought was so plain that Jack burst into a laugh.
-
-"You think that being engaged to me isn't being well out of anything, I
-see," he observed merrily and mercilessly; "but there might be worse
-things than that even. We shall see. You'll be awfully fond of me before
-we are through with this."
-
-The poor girl turned crimson at this plain reading of her thought. She
-was but half a dozen years younger than Jack, but he had belonged to an
-older set than hers, and under thirty half a dozen years seems more of a
-difference in ages than appears a score later in life. It was not to be
-expected that she would be talkative in this strange predicament in
-which she found herself, but what little command she had of her tongue
-might well vanish if Jack was to read her thoughts in her face. She
-rallied her forces to answer him.
-
-"I know that for doing so foolish a thing," she said, "I deserved
-whatever I get."
-
-"Even if it's being engaged to me," responded he with a roar. "Well, to
-be honest, I think you do. I don't know what the Count might have done
-if he had read the letter, but--"
-
-"Oh," cried May, clasping her hands with a burst of sunshine in her
-face, "didn't he read it? Oh, I'm so glad!"
-
-"No," Jack answered, "the Count's too much of a gentleman to read
-another man's letters when he hasn't been given leave. But what have you
-to say about my reading this letter?"
-
-"Oh, you can't have read it!" May cried breathlessly.
-
-"Not yet; but as we are engaged of course you give me leave to read it
-now."
-
-She looked for a moment into his laughing eyes, and then sprang up from
-her chair with a sudden burst of excitement.
-
-"Oh, you are too cruel!" she cried. "I hate you!"
-
-"Come," he said, not rising, but settling himself back in his chair with
-a pose of admiring interest, "now we are getting down to nature. Have
-you ever played in amateur theatricals, May?"
-
-She stood struck silent by the laughing banter of his tone, but she made
-no answer.
-
-"Because, if you ever do," he continued in the same voice, "you'll do
-well to remember the way you spoke then. It'll be very fetching in a
-play."
-
-The color faded in her cheeks, and her whole manner changed from
-defiance to humiliation; her lip quivered with quick emotion, and an
-almost childish expression of woe made pathetic her mobile face. She
-dropped back into her chair, and the tears started in her eyes.
-
-"Oh, I don't think you've any right to tease me," she quavered in a
-voice that had almost escaped from control. "I'm sure I feel bad enough
-about it."
-
-Jack's face sobered a little, although the mocking light of humor did
-not entirely vanish from his eyes.
-
-"There, there," he said in a soothing voice; "don't cry, May, whatever
-you do. The modern husband hates tears, but instead of giving in to
-them, he gets cross and clears out. Don't cry before the man you marry,
-or," he added, a fresh smile lighting his face, "even before the man you
-are engaged to."
-
-"I didn't mean to be so foolish," May responded, choking down her
-rebellious emotions. "I'm all upset."
-
-"I don't wonder. Now to go back to this letter. Of course I shouldn't
-think of reading it without your leave, but I supposed you'd think it
-proper under the circumstances to tell me to read it. I thought you'd
-say: 'Dearest, I have no secrets from thee! Read!' or something of that
-sort, you know."
-
-He was perhaps playing now to cheer May up, for he delivered this in a
-mock-heroic style, with an absurd gesture. At least the effect was to
-evoke a laugh which came tear-sparkling as a lark flies dew-besprent
-from a hawthorn bush at morn.
-
-She rallied a little, and spoke with more self-command.
-
-"Oh, that was the secret of a girl that wasn't engaged to you," she
-said, "and had no idea of being; no more," she added, dimpling, "than I
-had."
-
-Jack showed his white teeth in what his friends called his "appreciative
-grin."
-
-"Perhaps you're right," he returned. "By the way, do you know who
-Christopher Calumus really is?"
-
-She colored again, and hung her head.
-
-"Yes," she murmured, in a voice absurdly low. "Mrs. Harbinger told me
-last night. He told her yesterday at the County Club."
-
-"Does he know who wrote to him?"
-
-Her cheeks became deeper in hue, and her voice even lower yet.
-
-"Yes, he found out from Mrs. Harbinger."
-
-"Well, I must say I thought that Letty Harbinger had more sense!"
-
-"She didn't mean to tell him."
-
-"No woman ever meant to tell anything," he retorted in good-humored
-sarcasm; "but they always do tell everything. Then if you and Dick both
-know all about it, perhaps I had better give the letter to him."
-
-He offered to put the letter into his pocket, but she held out her hand
-for it beseechingly.
-
-"Oh, don't give it to anybody else," she begged. "Let me put it into the
-fire, and be through with it. It's done mischief enough!"
-
-"It may have done some good too," he said enigmatically. "I hope nothing
-worse will ever happen to you, May, than to be engaged to me. I give you
-my word that, as little as you imagine it, it's your interest and not my
-own I'm looking after. However, that's neither here nor there."
-
-He put the letter into his pocket without farther comment, disregarding
-her imploring look. Then he rose, and held out his hand.
-
-"Good-night," he said. "Some accepted lovers would ask for a kiss, but
-I'll wait till you want to kiss me. You will some time. Good-night.
-You'll remember what I wrote you about mentioning our engagement."
-
-She had at the mention of kisses become more celestial rosy red than in
-the whole course of that blushful interview, but at his last word her
-color faded as quickly as it had come.
-
-"Oh, I am so sorry," she said, "I had told one person before your note
-came. She won't tell though."
-
-"Being a 'she,'" he retorted mockingly.
-
-"Oh, it was only Alice," May explained, "and of course she can be
-trusted."
-
-It was his turn to become serious, and in the cloud on his sunny face
-there was not a little vexation.
-
-"Good heavens!" he exclaimed. "Of all the women in Boston why must you
-pick out the one that I was most particular shouldn't know! You girls
-have an instinct for mischief."
-
-"But I wrote to her as soon as your note came; besides, she has promised
-not to say anything. She won't tell."
-
-"No; she won't tell," he echoed moodily. "What did she say?"
-
-May cast down her eyes in evident embarrassment.
-
-"Oh, it's no matter," Jack went on. "She wouldn't say half as hard
-things as she must think. However, it's all one in the end. Good-night."
-
-With this abrupt farewell he left his betrothed, and went hastily out
-into the spring night, with its velvety darkness and abundant stars. The
-mention of Alice Endicott had robbed him of the gay spirits in which he
-had carried on his odd interview with May. The teasing jollity of manner
-was gone as he walked thoughtfully back to his chambers.
-
-He found Fairfield in their common parlor.
-
-"Dick," he said without preface, "congratulate me. I'm engaged."
-
-"Engaged!" exclaimed the other, jumping up and extending his hand.
-"Congratulations, old fellow. Of course it's Alice Endicott."
-
-"No," his friend responded coolly; "it's May Calthorpe."
-
-"What!" cried Fairfield, starting back and dropping his hand before
-Neligage had time to take it. "Miss Calthorpe? What do you mean?"
-
-"Just as I say, my boy. The engagement is a secret at present, you
-understand. I thought you'd like to know it, though; and by the way,
-it'll show that I've perfect confidence in you if I turn over to you the
-letter that May wrote to you before we were engaged. That one to
-Christopher Calumus, you know."
-
-"But," stammered his chum, apparently trying to collect his wits,
-scattered by the unexpected news and this strange proposition, "how can
-you tell what's in it?"
-
-"Tell what's in it, my boy? It isn't any of my business. That has to do
-with a part of her life that doesn't belong to me, you know. It's enough
-for me that she wrote the letter for you to have, and so here it is."
-
-He put the envelope into the hands of Dick, who received it as if he
-were a post-box on the corner, having no choice but to take any missive
-thrust at him.
-
-"Good-night," Jack said. "I'm played out, and mean to turn in. Thanks
-for your good wishes."
-
-And he ended that eventful day, so far as the world of men could have
-cognizance, by retiring to his own room.
-
-
-
-
-XVIII
-
-THE MISCHIEF OF MEN
-
-
-Barnstable seemed bound to behave like a bee in a bottle, which goes
-bumping its idiotic head without reason or cessation. On Monday morning
-after the polo game he was ushered into the chambers of Jack and Dick,
-both of whom were at home. He looked more excited than on the previous
-day, and moved with more alacrity. The alteration was not entirely to
-his advantage, for Mr. Barnstable was one of those unfortunates who
-appear worse with every possible change of manner.
-
-"Good-morning, Mr. Fairfield," was the visitor's greeting. "Damme if
-I'll say good-morning to you, Mr. Neligage."
-
-Jack regarded him with languid astonishment.
-
-"Well," he said, "that relieves me of the trouble of saying it to you."
-
-Barnstable puffed and swelled with anger.
-
-"Damme, sir," he cried, "you may try to carry it off that way, but--"
-
-"Good heavens, Mr. Barnstable," interrupted Fairfield, "what in the
-world do you mean?"
-
-"Is it your general custom," drawled Jack, between puffs of his
-cigarette, "to give a Wild West show at every house you go into?"
-
-Dick flashed a smile at his chum, but shook his head.
-
-"Come, Mr. Barnstable," he said soothingly, "you can't go about making
-scenes in this way. Sit down, and if you've anything to say, say it
-quietly."
-
-Mr. Barnstable, however, was not to be beguiled with words. He had
-evidently been brooding over wrongs, real or fancied, until his temper
-had got beyond control.
-
-"Anything to say?" he repeated angrily,--"I've this to say: that he has
-insulted my wife. I'll sue you for libel, damme! I've a great mind to
-thrash you!"
-
-Jack grinned down on the truculent Barnstable from his superior height.
-Barnstable stood with his short legs well apart, as if he had to brace
-them to bear up the enormous weight of his anger; Jack, careless,
-laughing, and elegant, leaned his elbow on the mantle and smoked.
-
-"There, Mr. Barnstable," Fairfield said, coming to him and taking him by
-the arm; "you evidently don't know what you're saying. Of course there's
-some mistake. Mr. Neligage never insulted a lady."
-
-"But he has done it," persisted Barnstable. "He has done it, Mr.
-Fairfield. Have you read 'Love in a Cloud'?"
-
-"'Love in a Cloud'?" repeated Dick in manifest astonishment.
-
-"You must know the book, Dick," put in Jack wickedly. "It's that
-rubbishy anonymous novel that's made so much talk lately. It's about a
-woman whose husband's temper was incompatible."
-
-"It's about my wife!" cried Barnstable. "What right had you to put my
-wife in a book?"
-
-"Pardon me," Neligage asked with the utmost suavity, "but is it proper
-to ask if it was your temper that was incompatible?"
-
-"Shut up, Jack," said Dick hastily. "You are entirely off the track, Mr.
-Barnstable. Neligage didn't write 'Love in a Cloud.'"
-
-"Didn't write it?" stammered the visitor.
-
-"I give you my word he didn't."
-
-Barnstable looked about with an air of helplessness which was as funny
-as his anger had been.
-
-"Then who did?" he demanded.
-
-"If Mr. Barnstable had only mentioned sooner that he wished me to write
-it," Jack observed graciously, "I'd have been glad to do my best."
-
-"Shut up, Jack," commanded Dick once more. "Really, Mr. Barnstable, it
-does seem a little remarkable that you should go rushing about in this
-extraordinary way without knowing what you are doing. You'll get into
-some most unpleasant mess if you keep on."
-
-"Or bring up in a lunatic asylum," suggested Jack with the most
-unblushing candor.
-
-Barnstable looked from one to the other with a bewildered expression as
-if he were just recovering his senses. He walked to the table and took
-up a glass of water, looked around as if for permission, and swallowed
-it by uncouth gulps.
-
-"Perhaps I'd better go," he said, and turned toward the door.
-
-"Oh, by the way, Mr. Barnstable," Jack observed as the visitor laid his
-hand on the door-knob, "does it seem to you that it would be in good
-form to apologize before you go? If it doesn't, don't let me detain
-you."
-
-The strange creature turned on the rug by the door, an abject expression
-of misery from head to feet.
-
-"Of course I'd apologize," he said, "if it was any use. When my temper's
-up I don't seem to have any control of what I do, and what I do is
-always awful foolish. This thing's got hold of me so I don't sleep, and
-that's made me worse. Of course you think I'm a lunatic, gentlemen; and
-I suppose I am; but my wife--"
-
-The redness of his face gave signs that he was not far from choking, and
-out of his fishy eyes there rolled genuine tears. Jack stepped forward
-swiftly, and took him by the hand.
-
-"I beg your pardon, Mr. Barnstable," he said. "Of course I'd no idea
-what you were driving at. Will you believe me when I tell you something?
-I had nothing to do with writing 'Love in a Cloud,' but I do know who
-wrote it. I can give you my word that the author didn't have your story
-in mind at all."
-
-"Are you sure?" stammered Barnstable.
-
-"Of course I'm sure."
-
-"Then there is nothing I can do," Barnstable said, shaking his head
-plaintively. "I've just made a fool of myself, and done nothing for
-her."
-
-The door closed behind Barnstable, and the two young men looked at each
-other a moment. Neither laughed, the foolish tragedy of the visitor's
-last words not being mirth-provoking.
-
-"Well, of all the fools I've seen in my life," Jack commented slowly,
-"this is the most unique specimen."
-
-"I'm afraid I can't blame the divorced Mrs. Barnstable," responded Dick;
-"but there's something pathetic about the ass."
-
-It seemed the fate of Barnstable that day to afford amusement for Jack
-Neligage. In the latter part of the afternoon Jack sauntered into the
-Calif Club to see if there were anything in the evening papers or any
-fresh gossip afloat, and there he encountered the irascible gentleman
-once more. Scarcely had he nodded to him than Tom Harbinger and Harry
-Bradish came up to them.
-
-"Hallo, Jack," the lawyer said cordially. "Anything new?"
-
-"Not that I know of," was the response. "How are you, Bradish?"
-
-"How are you?" replied Bradish. "Mr. Barnstable, I've called twice
-to-day at your rooms."
-
-"I am sorry that I was out," Barnstable answered with awkward
-politeness. "I have been here since luncheon."
-
-"I'm half sorry to find you now," Bradish proceeded, while Harbinger and
-Jack looked on with some surprise at the gravity of his manner. "I've
-got to do an errand to you that I'm afraid you'll laugh at."
-
-"An errand to me?" Barnstable returned.
-
-Bradish drew out his pocket-book, and with deliberation produced a note.
-He examined it closely, as if to assure himself that there was no
-mistake about what he was doing, and then held out the missive to
-Barnstable.
-
-"Yes," he said, "I have the honor to be the bearer of a challenge from
-the Count Shimbowski, who claims that you have grossly insulted him.
-Will you kindly name a friend? There," he concluded, looking at
-Harbinger and Neligage with a grin, "I think I did that right, didn't
-I?"
-
-"Gad!" cried Jack. "Has the Count challenged him? What a lark!"
-
-"Nonsense!" Harbinger said. "You can't be serious, Bradish?"
-
-"No, I'm not very serious about it, but I assure you the Count is."
-
-"Challenged me?" demanded Barnstable, tearing open the epistle. "What
-does the dago mean? He says--what's that word?--he says his honor
-ex--expostulates my blood. Of course I shan't fight."
-
-Bradish shook his head, although he could not banish the laughter from
-his face.
-
-"Blood is what he wants. He says he shall have to run you through in the
-street if you won't fight."
-
-"Oh, you'll have to fight!" put in Jack.
-
-"The Count's a regular fire-eater," declared Tom. "You wouldn't like to
-be run through in the street, Barnstable."
-
-Barnstable looked from one to another as if he were unable to understand
-what was going on around him.
-
-"Curse it!" he broke out, his face assuming its apoplectic redness.
-"Curse those fellows that write novels! Here I've got to be assassinated
-just because some confounded scribbler couldn't keep from putting my
-private affairs in his infernal book! It's downright murder!"
-
-"And the comic papers afterward," murmured Jack.
-
-"But what are you going to do about it?" asked Tom.
-
-"You might have the Count arrested and bound over to keep the peace,"
-suggested Bradish.
-
-"That's a nice speech for the Count's second!" cried Jack with a roar.
-
-"What am I going to do?" repeated Barnstable. "I'll fight him!"
-
-He struck himself on the chest, and glared around him, while they all
-stood in astonished silence.
-
-"My wife has been insulted," he went on with fresh vehemence, "and I had
-a right to call the man that did it a villain or anything else! I owe it
-to her to fight him if he won't take it back!"
-
-"Gad!" said Jack, advancing and holding out his hand, "that's melodrama
-and no mistake; but I like your pluck! I'll back you up, Barnstable!"
-
-"Does that mean that you'll be his second, Jack?" asked Harbinger,
-laughing.
-
-"There, Tom," was the retort, "don't run a joke into the ground. When a
-man shows the genuine stuff, he isn't to be fooled any longer."
-
-Bradish followed suit, and shook hands with Barnstable, and Harbinger
-after him.
-
-"You're all right, Barnstable," Bradish observed; "but what are we to do
-with the Count?"
-
-"Oh, that ass!" Jack responded. "I'd like to help duck him in a
-horse-pond; but of course as he didn't write the book, Mr. Barnstable
-won't mind apologizing for a hasty word said by mistake. Any gentleman
-would do that."
-
-"Of course if you think it's all right," Barnstable said, "I'd rather
-apologize; but I'd rather fight than have any doubt about the way I feel
-toward the whelp that libelized my wife."
-
-Jack took him by the shoulder, and spoke to him with a certain slow
-distinctness such as one might use in addressing a child.
-
-"Do have some common sense about this, Barnstable," he said. "Do get it
-out of your head that the man who wrote that book knew anything about
-your affairs. I've told you that already."
-
-"I told him too," put in Harbinger.
-
-"I suppose you know," Barnstable replied, shaking his head; "but it is
-strange how near it fits!"
-
-Bradish took Barnstable off to the writing room to pen a suitable
-apology to the Count, and Jack and Harbinger remained behind.
-
-"Extraordinary beggar," observed Jack, when they had departed.
-
-"Yes," answered the other absently. "Jack, of course you didn't write
-'Love in a Cloud'?"
-
-"Of course not. What an idiotic idea!"
-
-"Fairfield said Barnstable had been accusing you of it, but I knew it
-couldn't be anything but his crazy nonsense. Of course the Count didn't
-write it either?"
-
-Jack eyed his companion inquiringly.
-
-"Look here, Tom," he said, "What are you driving at? Of course the Count
-didn't write it. You are about as crazy as Barnstable."
-
-"Oh, I never thought he was the man; but who the deuce is it?"
-
-"Why should you care?"
-
-Harbinger leaned forward to the grate, and began to pound the coal with
-the poker in a way that bespoke embarrassment. Suddenly he turned, and
-broke out explosively.
-
-"I should think I ought to care to know what man my wife is writing
-letters to! You heard her say she wrote that letter to Christopher
-Calumus."
-
-Jack gave a snort of mingled contempt and amusement.
-
-"You old mutton-head," he said. "Your wife didn't write that letter. I
-know all about it, and I got it back from the Count."
-
-"You did?" questioned Harbinger with animation. "Then why did Letty say
-she wrote it?"
-
-"She wanted to shield somebody else. Now that's all I shall tell you.
-See here, are you coming the Othello dodge?"
-
-Tom gave a vicious whack at a big lump which split into a dozen pieces,
-all of which guzzled and sputtered after the unpleasant fashion of soft
-coal.
-
-"There's something here I don't understand," he persisted.
-
-Jack regarded him curiously a moment. Then he lighted a fresh cigarette,
-and lay back in his chair, stretching out his legs luxuriously.
-
-"It's really too bad that your wife's gone back on you," he observed
-dispassionately.
-
-"What?" cried Tom, turning violently.
-
-"Such a nice little woman as Letty always was too," went on Jack
-mercilessly. "I wouldn't have believed it."
-
-"What in the deuce do you mean?" Tom demanded furiously, grasping the
-poker as if he were about to strike with it. "Do you dare to
-insinuate--"
-
-Jack sat up suddenly and looked at him, his sunny face full of
-earnestness.
-
-"What the deuce do you mean?" he echoed. "What can a man mean when he
-begins to distrust his wife? Heavens! I'm beastly ashamed of you, Tom
-Harbinger! To think of your coming to the club and talking to a man
-about that little trump of a woman! You ought to be kicked! There, old
-man," he went on with a complete change of manner, "I beg your pardon. I
-only wanted to show you how you might look to an unfriendly eye. You
-know you can't be seriously jealous of Letty."
-
-The other changed color, and looked shame-facedly into the coals.
-
-"No, of course not, Jack," he answered slowly. "I'm as big an idiot as
-Barnstable. I do hate to see men dangling about her, though. I can't
-help my disposition, can I?"
-
-"You've got to help it if it makes a fool of you."
-
-"And that infernal Count with his slimy manners," Tom went on. "If he
-isn't a rascal there never was one. I'm not really jealous, I'm
-only--only--"
-
-"Only an idiot," concluded Jack. "If I were Letty I'd really flirt with
-somebody just to teach you the difference between these fool ideas of
-yours and the real thing."
-
-"Don't, Jack," Tom said; "the very thought of it knocks me all out."
-
-
-
-
-XIX
-
-THE CRUELTY OF LOVE
-
-
-What might be the result of such a match as that of May Calthorpe and
-Jack Neligage must inevitably depend largely upon the feelings of one or
-the other to another love. If either were constant to a former flame,
-only disaster could come of the _mariage de convenance_ which Mrs.
-Neligage had adroitly patched up. If both left behind forgotten the
-foolish flares of youthful passion, the married pair might arrange their
-feelings upon a basis of mutual liking comfortable if not inspiring.
-What happened to Jack in regard to Alice and to May's silly attraction
-toward the unknown Christopher Calumus was therefore of much importance
-in influencing the future.
-
-Since Alice Endicott knew of the engagement of May and Jack it was not
-to be supposed that the malicious fates would fail to bring her face to
-face with her former lover. The meeting happened a couple of days after.
-Jack was walking down Beacon street, and Alice came out of May's just in
-front of him. He quickened his steps and overtook her.
-
-"Good-morning," he said; "you've been in to May's, I see. How is she
-to-day?"
-
-The tone was careless and full of good-nature, and his face as sunny as
-the bright sky overhead. Alice did not look up at him, but kept her eyes
-fixed on the distance. To one given to minute observation it might have
-occurred that as she did not glance at him when he spoke she must have
-been aware of his approach, and must have seen him when she came out
-from the house. That she had not shown her knowledge of his nearness was
-to be looked upon as an indication of something which was not
-indifference.
-
-"Good-morning," she answered. "May didn't seem to be in particularly
-good spirits."
-
-"Didn't she? I must try to find time to run in and cheer her up. I'm not
-used to being engaged, you see, and I'm not up in my part."
-
-He spoke with a sort of swagger which was obviously intended to tease
-her, and the heightened color in her cheeks told that it had not missed
-the mark.
-
-"I have no doubt that you will soon learn it," she returned. "You were
-always so good in amateur theatricals."
-
-He laughed boisterously, perhaps a little nervously.
-
-"'Praise from Sir Hubert,'" he quoted. "And speaking of engagements, is
-it proper to offer congratulations on yours?"
-
-She turned to him with a look of indignant severity.
-
-"You know I am not engaged, and that I don't mean to be."
-
-"Oh, that's nothing. I didn't mean to be the other day."
-
-"I am not in the market," she said cuttingly.
-
-"Neither am I any more," Jack retorted coolly. "I've sold myself. That's
-what they mean, I suppose, by saying a girl has made her market."
-
-Alice had grown more and more stern in her carriage as this talk
-proceeded. Jack's tone was as flippant as ever, and he carried his
-handsome head as jauntily as if they were talking of the merriest
-themes. His brown eyes were full of a saucy light, and he switched his
-walking-stick as if he were light-heartedly snapping off the heads of
-daisies in a country lane. The more severe Alice became the more his
-spirits seemed to rise.
-
-As they halted at a corner to let a carriage pass Alice turned and
-looked at her companion, the hot blood flushing into her smooth cheek.
-
-"There is nothing in the world more despicable than a fortune-hunter!"
-she declared with emphasis.
-
-"Oh, quite so," Jack returned, apparently full of inward laughter.
-"Theoretically I agree with you entirely. Practically of course there
-are allowances to be made. The Count has been brought up so, and you
-mustn't be too hard on him."
-
-"You know what I mean," she said, unmoved by the cunning of his speech.
-
-"Yes, of course I can make allowances for you. You mean, I suppose, that
-as long as you know he's really after you and not your money you can
-despise public opinion; but naturally it must vex you to have the Count
-misjudged. Everybody will think Miss Wentstile hired him to marry you."
-
-She parted her lips to speak, then restrained herself, and altered her
-manner. She turned at bay, but she adopted Jack's own tactics.
-
-"You are right," she said. "I understand that the Count is only acting
-according to the standards he's been brought up to. May hasn't that
-consolation. I'm sure I don't see, if you don't mind my saying so, on
-what ground she is going to contrive any sort of an excuse for her
-husband."
-
-"She'll undoubtedly be so fond of him," Jack retorted with unabashed
-good-nature, "that it won't occur to her that he needs an excuse. May
-hasn't your Puritanical notions, you know. Really, I might be afraid of
-her if she had."
-
-It was a game in which the man is always the superior of the woman.
-Women will more cleverly and readily dissemble to the world, but to the
-loved one they are less easily mocking and insincere than men. Alice,
-however, was plucky, and she made one attempt more.
-
-"Of course May might admire you on the score of filial obedience. It
-isn't every son who would allow his mother to arrange his marriage for
-him."
-
-"No," Jack responded with a chuckle, "you're right there. I am a model
-son."
-
-She stopped suddenly, and turned on the sidewalk in quick vehemence.
-
-"Oh, stop talking to me!" she cried. "I will go into the first house I
-know if you keep on this way! You've no right to torment me so!"
-
-The angry tears were in her eyes, and her face was drawn with her effort
-to sustain the self-control which had so nearly broken down. His
-expression lost its roguishness, and in his turn he became grave.
-
-"No," he said half-bitterly, "perhaps not. Of course I haven't; but it
-is something of a temptation when you are so determined to believe the
-worst of me."
-
-She regarded him in bewilderment.
-
-"Determined to believe the worst?" she echoed. "Aren't you engaged to
-May Calthorpe?"
-
-He took off his hat, and made her a profound and mocking bow.
-
-"I apparently have that honor," he said.
-
-"Then why am I not to believe it?"
-
-He looked at her a moment as if about to explain, then with the air of
-finding it hopeless he set his lips together.
-
-"If you will tell me what you mean," Alice went on, "I may understand.
-As it is I have your own word that you are engaged; you certainly do not
-pretend that you care for May; and you know that your mother made the
-match. You may be sure, Jack," she added, her voice softening a little
-only to harden again, "that if there were any way of excusing you I
-should have found it out. I'm still foolish enough to cling to old
-friendship."
-
-His glance softened, and he regarded her with a look under which she
-changed color and drew away from him.
-
-"Dear Alice," he said, "you always were a brick."
-
-She answered only by a startled look. Then before he could be aware of
-her intention she had run lightly up the steps of a house and rung the
-bell. He looked after her in amazement, then followed.
-
-"Alice," he said, "what are you darting off in that way for?"
-
-"I have talked with you as long as I care to," she responded, the color
-in her cheeks, and her head held high. "I am going in here to see Mrs.
-West. You had better go and cheer up May."
-
-Before he could reply a servant had opened the door. Jack lifted his
-hat.
-
-"Good-by," said he. "Remember what I said about believing the worst."
-
-Then the door closed behind her, and he went on his way down the street.
-
-That the course of true love never ran smooth has been said on such a
-multitude of occasions that it is time for some expert in the affections
-to declare whether all love which runs roughly is necessarily genuine.
-The supreme prerogative of young folk who are fond is of course to tease
-and torment each other. Alice and Jack had that morning been a spectacle
-of much significance to any student in the characteristics of
-love-making. Youth indulges in the bitter of disagreement as a piquant
-contrast to the sweets of the springtime of life. True love does not
-run smooth because love cannot really take deep hold upon youth unless
-it fixes attention by its disappointments and woes. Smooth and sweet
-drink quickly cloys; while the cup in which is judiciously mingled an
-apt proportion of acid stimulates the thirst it gratifies. If Jack was
-to marry May it was a pity that he and Alice should continue thus to
-hurt each other.
-
-
-
-
-XX
-
-THE FAITHFULNESS OF A FRIEND
-
-
-The friendship between Jack Neligage and Dick Fairfield was close and
-sincere. For a man to say that the friendships of men are more true and
-sure than those of women would savor of cynicism, and might be objected
-to on the ground that no man is in a position to judge on both sides of
-the matter. It might on the other hand be remarked that even women
-themselves give the impression of regarding masculine comradeship as a
-finer product of humanity than feminine, but comparisons of this sort
-have little value. It is surely enough to keep in mind how gracious a
-gift of the gods is a genuine affection between two right-hearted men.
-The man who has one fellow whom he loves, of whose love he is assured;
-one to whom he may talk as freely as he would think, one who understands
-not only what is said but the things which are intended; a friend with
-whom it is possible to be silent without offense or coldness, against
-whom there need be no safeguards, and to whom one may turn alike in
-trouble and in joy--the man who has found a friend like this has a gift
-only to be outweighed by the love of her whose price is far above rubies
-and whose works praise her in the gates. Such a friendship is all but
-the most precious gift of the gods.
-
-To evoke and to share such a friendship, moreover, marks the possession
-of possibilities ethically fine. A man may love a woman in pure
-selfishness; but really to love his male friend he must possess
-capabilities of self-sacrifice and of manliness. It is one of the charms
-of comradeship that it frankly accepts and frankly gives without
-weighing or accounting. In the garden of such a friendship may walk the
-soul of man as his body went in Eden before the Fall, "naked and not
-ashamed." He cannot be willing to show himself as he is if his true self
-have not its moral beauties. It may be set down to the credit both of
-Dick and of Jack that between them there existed a friendship so close
-and so trustful.
-
-Even in the closest friendships, however, there may be times of
-suspension. Perhaps in a perfect comradeship there would be no room for
-the faintest cloud; but since men are human and there is nothing perfect
-in human relations, even friendship may sometimes seem to suffer. For
-some days after the announcement of Jack's engagement there was a marked
-shade between the friends. Jack, indeed, was the same as ever, jolly,
-careless, indolent, and apparently without a trouble in the world. Dick,
-on the other hand, was at times absent, constrained, or confused. To
-have his friend walk in and coolly announce an engagement with the girl
-whose correspondence had fired Dick's heart was naturally trying and
-astonishing. Dick might have written a bitter chapter about the way in
-which women spoiled the friendships of men; and certain cynical remarks
-which appeared in his next novel may be conceived of as having been set
-down at this time.
-
-More than a week went by without striking developments. The engagement
-had not been announced, nor had it, after the first evening, been
-mentioned between the two friends. That there should be a subject upon
-which both must of necessity reflect much, yet of which they did not
-speak, was in itself a sufficient reason for a change in the mental
-atmosphere of their bachelor quarters, which from being the cheeriest
-possible were fast becoming the most gloomy.
-
-One morning as Dick sat writing at his desk, Jack, who since breakfast
-had been engaged in his own chamber, came strolling in, in leisurely
-fashion, smoking the usual cigarette.
-
-"I hope I don't disturb you, old man," he said, "but there's something
-I'd like to ask you, if you don't mind."
-
-Dick, whose back was toward the other, did not turn. He merely held his
-pen suspended, and said coldly:--
-
-"Well?"
-
-Jack composed himself in a comfortable position by leaning against the
-mantel, an attitude he much affected, and regarded his cigarette as if
-it had some close connection with the thing he wished to say.
-
-"You remember perhaps that letter that I gave you from May?"
-
-Dick laid his pen down suddenly, and sat up, but he did not turn.
-
-"Well?" he said again.
-
-"And the other letters before it?"
-
-"Well?"
-
-"It has occurred to me that perhaps I ought to ask for them,--demand
-them, don't you know, the way they do on the stage."
-
-Dick said nothing. By keeping his back to his chum he missed sight of a
-face full of fun and mischief.
-
-"Of course I don't want to seem too bumptious, but now I'm engaged to
-Miss Calthorpe--"
-
-He paused as if to give Fairfield an opportunity of speaking; but still
-Dick remained silent.
-
-"Well," observed Jack after a moment, "why the dickens don't you say
-something? I can't be expected to carry on this conversation all alone."
-
-"What do you want me to say?" Fairfield asked, in a tone so solemn that
-it was no wonder his friend grinned more than ever.
-
-"Oh, nothing, if that's the way you take it."
-
-"You knew about those letters when I got them," Fairfield went on. "I
-read them to you before I knew where they came from."
-
-"Oh, my dear fellow, hold on. You never read me any but the first one."
-
-"At any rate," rejoined Dick, obviously disturbed by this thrust, "I
-told you about them."
-
-"Oh, you did? You told me very little about the second, and nothing
-about the third. I didn't even know how many you had."
-
-Fairfield rose from his seat, thrust his hands into his pockets, and
-began to pace up and down the room. Jack smoked and watched.
-
-"Look here, Jack," Dick said, "we've been fencing round this thing for a
-week, and it's got to be talked out."
-
-"All right; heave ahead, old man."
-
-Fairfield stopped in his walk and confronted his friend.
-
-"Are you really fond of Miss Calthorpe, Jack?"
-
-"Oh, I don't object to her; but of course the marriage is for purely
-business reasons."
-
-"You're not in love with her?"
-
-"Not the least in the world, old man," Jack responded cheerfully,
-blowing a ring of smoke and watching it intently as it sailed toward the
-ceiling. "But then she doesn't love me, so there's no bother of
-pretending on either side."
-
-The color mounted in Dick's cheeks.
-
-"Do you think it's the square thing to marry a young girl like that, and
-tie her up for life when she doesn't know what she's doing?"
-
-"Oh, girls never know what they are doing. How should they know about
-marriage in any case? The man has to think for both, of course."
-
-"But suppose she shouldn't be happy."
-
-"Oh, I'll be good to any girl I marry. I'm awfully easy to live with.
-You ought to know that."
-
-"But suppose," Dick urged again, "suppose she--"
-
-"Suppose she what?"
-
-"Why, suppose she--suppose she--she liked somebody else?"
-
-Jack looked shrewdly at Dick's confused face, and burst into a laugh.
-
-"I guessed those letters were pretty fair," he burst out, "but they must
-have been much worse than I even suspected!"
-
-"What do you mean?" stammered Dick.
-
-"Mean? Oh, nothing,--nothing in the world. By the way, as the matter
-relates to my _fiancee_, I hope you won't mind my asking if she's
-written to you since our engagement."
-
-"Why--"
-
-"Then she has written," pronounced Jack, smiling more than ever at the
-confusion of his friend. "You haven't the cheek to bluff a baby, Dick. I
-should hate to see you try to run a kelter through."
-
-"She only wrote to say that she was glad the Count didn't write 'Love in
-a Cloud,' and a few things, you know, that she wanted to say."
-
-Jack flung the end of his cigarette away and stepped swiftly forward to
-catch his chum by the shoulders behind. He whirled Dick about like a
-teetotum.
-
-"Oh, Dick, you old fool," he cried, "what an ass you are! Do you suppose
-I'm such a cad as really to propose to marry May when she's fond of you
-and you're fond of her? It doesn't speak very well of your opinion of
-me."
-
-Dick stared at him in half-stupefied amazement for an instant; then the
-blood came rushing into his cheeks.
-
-"You don't mean to marry her?" he cried amazedly.
-
-"Never did for a minute," responded Jack cheerfully. "Don't you know,
-old man, that I've sold my polo ponies, and taken a place in the bank?"
-
-"Taken a place in the bank!" exclaimed Dick, evidently more and more
-bewildered. "Then what did you pretend to be engaged to her for?"
-
-"Confound your impudence!" laughed Jack, "I was engaged to her, you
-beast! I am engaged to her now, and if you're n't civil I'll keep on
-being. You can't be engaged to her till I break my engagement!"
-
-"But, Jack, I don't understand what in the deuce you mean."
-
-"Mean? I don't know that I meant anything. I was engaged to her without
-asking to be, and when a lady says she is engaged to you you really
-can't say you're not. Besides, I thought it might help you."
-
-"Help me?"
-
-"Of course, my boy. There is nothing to set a girl in the way of wishing
-to be engaged to the right man like getting engaged to the wrong one."
-
-Dick wrung his friend's hand.
-
-"Jack," he said, "I beg your pardon. You're a trump!"
-
-"Oh, I knew that all the time," responded Jack. "It may comfort you a
-little to know that it hasn't been much of an engagement. I've been
-shamefully neglectful of my position. Now of course an engaged man is
-supposed to show his ardor, to take little liberties, and be generally
-loving, you know."
-
-Dick grew fiery red, and shrank back. Jack laughed explosively.
-
-"Jealous, old man?" he demanded provokingly. "Well, I won't tease you
-any more. I haven't so much as kissed her hand."
-
-Dick's rather combative look changed instantly into shamefacedness, and
-he shook hands again. He turned away quickly, but as quickly turned back
-again once more to grasp the hand of his chum.
-
-"Jack Neligage," he declared, "you're worth more than a dozen of my best
-heroes, and a novelist can't say more than that!"
-
-"Gad! You'd better put me in a novel then," was Jack's response. "They
-won't believe I'm real though; I'm too infernally virtuous."
-
-A knock at the door interrupted them, and proved to be the summons of
-the janitor, who announced that a lady wished to see Mr. Fairfield.
-
-"Don't let her stay long," Jack said, retreating to his room. "I can't
-get out till she is gone, and I want to go down town. I've got to order
-the horses to take my _fiancee_ out for a last ride. It's to break my
-engagement, so you ought to want it to come off."
-
-
-
-
-XXI
-
-THE MISCHIEF OF A FIANCE
-
-
-The lady proved to be Alice Endicott. She came in without shyness or
-embarrassment, with her usual air of quiet refinement, and although she
-must have seen the surprise in Dick's face, she took no notice of it.
-Alice was one of those women so free from self-consciousness, so
-entirely without affectations, yet so rare in her simple dignity, that
-it was hard to conceive her as ever seeming to be out of place. She was
-so superior to surroundings that her environment did not matter.
-
-"Good-morning, Mr. Fairfield," she said. "I should apologize for
-intruding. I hope I am not disturbing your work."
-
-"Good-morning," he responded. "I am not at work just now. Sit down,
-please."
-
-She took the chair he offered, and came at once to her errand.
-
-"I came from Miss Calthorpe," she said.
-
-"Miss Calthorpe?" he repeated.
-
-"Yes. She thought she ought not to write to you again; and she asked me
-to come for her letters; those she wrote before she knew who you were."
-
-"But why shouldn't she write to me for them?"
-
-"You forget that she is engaged, Mr. Fairfield."
-
-"I--Of course, I did forget for the minute; but even if she is, I don't
-see why so simple a thing as a note asking for her letters--"
-
-Alice rose.
-
-"I don't think that there is any need of my explaining," she said. "If I
-tell you that she didn't find it easy to write, will that be sufficient?
-Of course you will give me the letters."
-
-"I must give them if she wishes it; but may I ask one question first?
-Doesn't she send for them because she's engaged?"
-
-"Isn't that reason enough?"
-
-"It is reason enough," Dick answered, smiling; "but it isn't a reason
-here. She isn't engaged any more. That is, she won't be by night."
-
-Alice stared at him in astonishment.
-
-"What do you mean?" she demanded.
-
-"I mean that Jack never meant to marry her, and that he is going to
-release her from her engagement."
-
-"How do you know that?"
-
-"He told me himself."
-
-They stood in silence a brief interval looking each other in the face.
-Fairfield was radiant, but Miss Endicott was very pale.
-
-"I beg your pardon," she said presently. "Is Mr. Neligage in the house?"
-
-"Yes; he's in his room."
-
-"Will you call him, please?"
-
-Fairfield hesitated a little, but went to call his chum.
-
-"Miss Endicott wants to speak to you," he said abruptly.
-
-"What does she want?"
-
-"I haven't any idea."
-
-"What have you been telling her?"
-
-The necessity of answering this question Dick escaped by returning to
-the other room; and his friend followed.
-
-"Jack," Alice cried, as soon as he appeared, "tell me this moment if
-it's true that you're not to marry May!"
-
-He faced her stiff and formal in his politeness.
-
-"Pardon me if I do not see that you have any right to ask me such a
-question."
-
-"Why, I came to ask Mr. Fairfield for May's letters because she is
-engaged to you, and he told me--"
-
-She broke off, her habitual self-control being evidently tried almost
-beyond its limit.
-
-"I took the liberty, Jack," spoke up Fairfield, "of saying--"
-
-"Don't apologize," Neligage said. "It is true, Miss Endicott, that
-circumstances have arisen which make it best for May to break the
-engagement. I shall be obliged to you, however, if you don't mention the
-matter to her until she brings it up."
-
-Alice looked at him appealingly.
-
-"But I thought--"
-
-"We are none of us accountable for our thoughts, Miss Endicott, nor
-perhaps for a want of faith in our friends."
-
-She moved toward him with a look of so much appeal that Dick discreetly
-turned his back under pretense of looking for something on his
-writing-table.
-
-"At least," she said, her voice lower than usual, "you will let me
-apologize for the way in which I spoke to you the other morning."
-
-"Oh, don't mention it," he returned carelessly. "You were quite
-justified."
-
-He turned away with easy nonchalance, as if the matter were one in which
-he had no possible interest.
-
-"At least," she begged, "you'll pardon me, and shake hands."
-
-"Oh, certainly, if you like," answered he; "but it doesn't seem
-necessary."
-
-Her manner changed in the twinkling of an eye. Indignation shone in her
-face and her head was carried more proudly.
-
-"Then it isn't," she said. "Good-morning, Mr. Fairfield."
-
-She went from the room as quickly as a shadow flits before sunlight. The
-two young men were so taken by surprise that by the time Dick reached
-the door to open it for his departing caller, it had already closed
-behind her. The friends stared a moment. Then Jack made a swift stride
-to the door; but when he flung it open the hall without was empty.
-
-"Damn it, Dick," he ejaculated, coming back with a face of anger, "what
-did you let her go off like that for?"
-
-"How in the world could I help it?" was all that his friend could
-answer.
-
-Jack regarded Dick blackly for the fraction of a second; then he burst
-into a laugh, and clapped him on the shoulder.
-
-"I beg your pardon, old man," he said, as cheerily as ever. "I'm going
-off my nerve with all these carryings on. If you hadn't written that
-rotten old novel of yours, we shouldn't have had these continual
-circuses."
-
-He went for his hat as he spoke, and without farther adieu took his way
-down town. Men in this peculiar world are to be envied or pitied not so
-much for their fortunes as for their dispositions; and if outward
-indications were to be trusted, Jack Neligage was one of those enviable
-creatures who will be cheerful despite the blackest frowns of fate. From
-indifference or from pluck, from caring little for the favors of fortune
-or from despising her spite, Jack took his way through life merrily,
-smiling and sunny; up hill or down dale as it chanced he followed the
-path, with a laugh on his lip and always a kindly greeting for his
-fellow travelers. This morning, as he walked out into the sunlight,
-handsome, well-groomed, debonaire, and jocund, certainly no one who saw
-him was likely to suspect that the world did not go smoothly with him.
-Least of all could one suppose that his heart or his thought was
-troubled concerning the favor or disfavor of any woman whatsoever.
-
-Jack in the afternoon took May for a drive. The engagement had thus far
-been a somewhat singular one. Jack had been to see May nearly every
-day, it is true, but either by the whimsical contrivance of fate or by
-his own cunning he had seldom seen her alone. She either had callers or
-was out herself; and as no one but Mrs. Neligage and Alice knew of the
-engagement there was no chance for that sentiment which makes callers
-upon a lady feel it necessary to retreat as speedily as possible upon
-the appearance of her acknowledged lover. So well settled in the public
-mind was the conviction that Jack was in love with Alice Endicott, that
-nobody took the trouble to notice that he was calling on May Calthorpe
-or to get out of his way that he might be alone with her. This
-afternoon, in the face of all the world, in a stylish trap, on the open
-highway, they were at last together without other company.
-
-Had not the mind of May been provided with an object of regret and
-longing in the person of Fairfield, there might have been danger that
-Jack would engage her fancy by sheer indifference. Any girl must be
-puzzled, interested, piqued, and either exasperated or hurt according to
-her nature, when the man to whom she is newly betrothed treats her as
-the most casual of acquaintances. If nothing else moved her there would
-be the bite of unsatisfied curiosity. To be engaged without even being
-able to learn by experience what being engaged consists in may well wear
-on the least inquisitive feminine disposition. The _fiance_ who does not
-even make pretense of playing the lover is an object so curious that he
-cannot fail to attract attention, to awake interest, and the chances
-are largely in favor of his developing in the breast of his fair the
-determination to see him really aroused and enslaved. Many a woman has
-succumbed to indifference who would have been proof against the most
-ardent wooing.
-
-"Well, May," Jack said, smiling upon her as they drove over the Mill
-Dam, "how do you like being engaged?"
-
-She looked at him with a sparkle in her eyes which made her bewitching.
-
-"I don't see that it's very different from not being engaged," she said.
-
-"It will be if you keep on looking so pretty," he declared. "I shall
-kiss you right here in the street, and that would make folks talk."
-
-The color came into her cheeks in a way that made her more charming
-still.
-
-"Now you color," Jack went on, regarding her with a teasing coolness,
-"you are prettier yet. Gad! I shall have to kiss you!"
-
-His horses shied at something at that instant, and he was forced to
-attend to them, so that May had a moment's respite in which to gather up
-her wits. When he looked back, she took the aggressive.
-
-"It is horrid in you to talk that way," she remarked. "Besides, you said
-that I needn't kiss you until I wanted to."
-
-"Well, I didn't promise not to kiss you, did I?"
-
-"How silly you are to-day!" she exclaimed. "Isn't there anything better
-to talk about than kissing?"
-
-Jack regarded her with a grin; a grin in which, it must be confessed,
-there was something of the look with which a boy watches a kitten he is
-teasing.
-
-"Anything better?" repeated he. "When you've had more experience, May,
-perhaps you won't think there is anything better."
-
-May began to look sober, and even to have the appearance of feeling that
-the conversation was becoming positively improper.
-
-"I think you are just horrid!" she declared. "I do wish you'd behave."
-
-He gave her a respite for some moments, and they drove along through the
-sunlight of the April afternoon. The trees as they came into the country
-were beautiful with the buds and promise of nearing summer; the air soft
-with that cool smoothness which is a reminder that afar the breeze has
-swept fragments of old snowdrifts yet unmelted; the sky moist with the
-mists of snow-fields that have wasted away. All the landscape was
-exquisite with delicate hues.
-
-The supreme color-season of New England begins about the middle of
-March, and lasts--at the very latest--until the middle of May. Its
-climax comes in late April, when pearly mists hover among the branches
-that are soon to be hidden by foliage. Glowing tints of amethyst,
-luminous gray, tender green, coral, and yellow white, make the woods a
-dream of poetic loveliness beside which the gorgeous and less varied
-hues of autumn are crude. Something dreamlike, veiled, mysterious, is
-felt in these tints, this iridesence of the woods in spring; as if one
-were looking at the luminous, rosy mists within which, as Venus amid the
-rainbow-dyed foam of the sea, is being shaped to immortal youth and
-divine comeliness the very goddess of spring. The red of the maple-buds
-shows from afar; the russet leaflets of the ash, the vivid green, the
-amber, the pearl, and the tawny of the clustering hardwood trees, set
-against the heavy masses of the evergreens, are far more lovely than all
-the broad coloring of summer or the hot tints of autumn.
-
-Under the afternoon sun the woods that day were at their best, and
-presently May spoke of the colors which spread down the gentle slopes of
-the low hills not far away.
-
-"Isn't it just too lovely for anything!" she said. "Just look at that
-hill over there. It is perfectly lovely."
-
-Jack glanced at the hill, and then looked at her teasingly.
-
-"That's right," he remarked. "Of course spoony people ought to talk
-about spring, and how perfectly lovely everything is."
-
-"I didn't say that because we're engaged," returned May, rather
-explosively. "I really meant it."
-
-"Of course you did. That shows that you are in the proper frame of mind.
-Now I'm not. I don't care a rap to talk about the whole holy show. It's
-pretty, of course; but I'm not going in for doing the sentimental that
-way."
-
-She looked up with mingled indignation and entreaty.
-
-"Now you are going to be horrid again," she protested. "Why can't you
-stop talking about our being engaged?"
-
-"Stop talking about it? Why, good heavens, we're expected to talk about
-it. I never was engaged before, but I hope I know my business."
-
-"But I don't want to talk about it!"
-
-"Oh, you really do, only you are shy about owning it."
-
-"But I won't talk about it!"
-
-"Oh, yes, you will, my dear; for if I say things you can't help
-answering 'em."
-
-"I won't say another word!"
-
-"I'll bet you a pair of gloves that the next thing I say about our being
-engaged you'll not only answer, but you'll answer in a hurry."
-
-"I'll take your bet!" cried May with animation. "I won't answer a word."
-
-Jack gave a wicked chuckle, and flicked his horses into a brisk run. In
-a moment or two he drew them down to an easy trot, and turned to May
-with a matter-of-fact air.
-
-"Of course now we have been engaged a week," he said, "I am at liberty
-to read that letter you wrote to Christopher Calumus?"
-
-"Read it!" she cried. "Oh, I had forgotten that you kept it! Oh, you
-mustn't read it! I wouldn't have you read it for the world."
-
-"Would you have me read it for a pair of gloves?" inquired Jack
-wickedly. "You've lost your bet."
-
-"I don't care anything about my bet," she retorted, with an earnestness
-so great as to suggest that tears were not so far behind. "I want that
-letter."
-
-"I'm sorry you can't have it," was his reply; "but the truth is, I
-haven't got it."
-
-"Haven't got it? What have you done with it?"
-
-"Delivered it to the one it was addressed to,--Christopher Calumus."
-
-"Delivered it? Do you mean you gave it to Mr. Fairfield?"
-
-"Just that. You wrote it to him, didn't you?"
-
-Poor May was now so pale and miserable that a woman would have taken her
-in her arms to be kissed and comforted, but Jack, the unfeeling wretch,
-continued his teasing.
-
-"I didn't want you to think I was a tyrant," he went on. "Of course I'm
-willing you should write to anybody that you think best."
-
-"But--but I wrote that letter to Mr. Fairfield before I knew who he
-was!" gasped May.
-
-"Well, what of it? Anything that you could say to a stranger, of course
-you could say to a man you knew."
-
-For reply May put up one hand to her eyes, and with the other began a
-distressing and complicated search for a handkerchief. Jack bent forward
-to peer into her face and instantly assumed a look of deep contrition.
-
-"Oh, I say," he remonstrated, "it's no fair to cry. Besides, you'll
-spoil your gloves, and now you've got to pay me a pair you can't afford
-to be so extravagant."
-
-The effect of this appeal was to draw from May a sort of hysterical
-gurgle, a sound indescribably funny, and which might pass for either a
-cry of joy or of woe.
-
-"I think you are too bad," she protested chokingly. "You know I didn't
-want Mr. Fairfield to have that letter when I was engaged to you!"
-
-"Oh, is that all?" he returned lightly. "Then that's easily fixed. Let's
-not be engaged any more, and then there'll be no harm in his having it."
-
-Apparently astonishment dried her tears. She looked at him in a sort of
-petrified wonder.
-
-"I really mean it, my dear," he went on with a paternal air which was
-exceedingly droll in Jack Neligage. "I'll say more. I never meant for a
-minute to marry you. I knew you didn't want to have me, and I'd no
-notion of being tied to a dragooned wife."
-
-"A dragooned wife?" May repeated.
-
-She was evidently so stupefied by the turn things had taken that she
-could not follow him.
-
-"A woman dragooned into marrying me," Jack explained, with a jovial
-grin; "one that was thinking all the time how much happier she would be
-with somebody else."
-
-"And you never meant to marry me? Then what did you get engaged to me
-for?"
-
-"I didn't. You wrote me that you were engaged to me, and of course as a
-gentleman I couldn't contradict a lady, especially on a point so
-delicate as that."
-
-May flushed as red as the fingers of dawn.
-
-"Your mother--" she began; but he interrupted her.
-
-"Isn't it best that we don't go into that?" he said in a graver voice.
-"I confess that I amused myself a little, and I thought that you needed
-a lesson. There were other things, but no matter. I never was the whelp
-you and Alice thought me."
-
-"Oh, Alice!" cried May, with an air of sudden enlightenment.
-
-"Well, what about her?" Jack demanded.
-
-"Nothing," replied May, smiling demurely to herself, "only she will be
-glad that the engagement is broken. She said awfully hard things about
-you."
-
-"I am obliged to her," he answered grimly.
-
-"Oh, not really awful," May corrected herself quickly, "and anyway it
-was only because she was so fond of you."
-
-To this he made no reply, and for some time they drove on in silence.
-Then Jack shook off his brief depression, and apparently set himself to
-be as amusing as he could. He aroused May to a condition of mirth almost
-wildly joyous. They laughed and jested, told each other stories, and the
-girl's eyes shone, her dimples danced in and out like sun-flecks
-flashing on the water, the color in her cheeks was warm and delightful.
-Not a word more was said on personal matters until Jack deposited her at
-her own door once more.
-
-"I never had such a perfectly lovely ride in my life!" she exclaimed,
-looking at him with eyes full of animation and gratitude.
-
-"Then you see what you are losing in throwing me over," he returned.
-"Oh, you've had your chance and lost it!"
-
-She laughed brightly, and held out her hand.
-
-"But you see," she said mischievously, "the trouble is that the best
-thing about the ride was just that loss!"
-
-"I like your impudence!" he chuckled. "Well, you're welcome. Good-by.
-I'll send Fairfield round to talk with you about the letter."
-
-And before she could reply he was away.
-
-
-
-
-XXII
-
-THE COOING OF TURTLE-DOVES
-
-
-There is nothing like the possibility of loss to bring a man to his
-bearings in regard to a woman. Dick Fairfield had told Jack that of
-course he was not a marrying man, that he could not afford to marry a
-poor woman, and that nothing would induce him to marry a rich one; he
-had even set down in his diary on the announcement of Jack's engagement
-that he could never have offered his hand to a girl with so much money;
-what his secret thought may have been no sage may say, but he had all
-the outward signs of a man who has convinced himself that he has no idea
-of trying to secure the girl he loves. Now that the affair had shaped
-itself so that May was again free, he hurried to her with a
-precipitation which had in it a choice flavor of comedy.
-
-May always told him afterward that he did not even do her the honor to
-ask her for her hand, but that he coolly walked in and took up the
-engagement of Jack Neligage where it had been dropped. It was at least
-true that by nine o'clock that very evening they were sitting side by
-side as cosy and as idiotically blissful as a young couple newly
-betrothed should be. However informally the preliminaries had been
-conducted, the conclusion seemed to be eminently satisfactory.
-
-"To think that this is the result of that little letter that I found on
-my table one rainy night last February," Dick observed rapturously. "I
-remember just how it looked."
-
-"It was horrid of me to write it," May returned, with a demure look
-which almost as plainly as words added: "Contradict me!"
-
-"It was heavenly of you," Dick declared, rising to the occasion most
-nobly. "It was the nicest valentine that ever was."
-
-Some moments of endearments interesting to the participants but not
-edifying in narration followed upon this assertion, and then the little
-stream of lover-talk purled on again.
-
-"Oh, Mr. Fairfield," May began with utter irrelevancy, "I--"
-
-"You promised not to call me that," he interrupted.
-
-"But it's so strange to say Dick. Well, Dick, then--"
-
-The slight interruption of a caress having been got over, she went on
-with her shattered observation.
-
-"What was I going to say? You put me all out, with your 'Dick'--I do
-think it's the dearest name!--Stop! I know what I was going to say. I
-was frightened almost to death when Mrs. Neligage said the Count wrote
-'Love in a Cloud.' Oh, I wanted to get under the tea-table!"
-
-"But you didn't really think he wrote my letters?"
-
-"I couldn't believe it; but I didn't know what to think. Then when he
-wore a red carnation the next day, I thought I should die. I thought
-anyway he'd read the letter; and that's what made me so meek when Mrs.
-Neligage took hold of me."
-
-"But you never suspected that I wrote the book?" Fairfield asked.
-
-"Oh, I don't know. Sometimes it seems to me as if I really did know all
-the time. Don't you remember how we talked about the book at Mrs.
-Harbinger's tea?"
-
-"That's just your intuition," Dick returned. "I know I didn't suspect
-you, for it troubled me tremendously that I cared so much for you when I
-thought I was in love with my unknown correspondent. It didn't seem
-loyal."
-
-"But of course it was, you know, because there was only one of us."
-
-Dick laughed, and bestowed upon her an ecstatic little hug.
-
-"You dear little Paddy! That's a perfect bull!"
-
-She drew herself away, and pretended to frown with great dignity.
-
-"I don't care if it is a bull!" protested she. "I won't be called a
-Paddy!"
-
-Dick's face expressed a consternation and a penitence so marked that she
-burst into a trill of laughter and flung herself back into his arms.
-
-"I was just teasing," she said. "The truth is that Jack Neligage has
-teased me so awfully that I've caught it like the measles."
-
-The tender follies which make up the talk of lovers are not very
-edifying reading when set down in the unsympathetic blackness of print.
-They are to be interpreted, moreover, with the help of many signs,
-trifling in themselves but essential to a correct understanding. Looks,
-caresses, sighs, chuckles, giggles, pressures and claspings, intonations
-which alter or deny the word spoken, a thousand silly becks, and nods,
-and wreathed smiles, all go to make up the conversation between the
-pair, so that what may be put into print is but a small portion of the
-ecstatic whole. May Calthorpe and Dick Fairfield were not behind in all
-the enchanting idiocy which belongs to a wooing, where each lover,
-secure in being regarded as perfection, ventures for once in a lifetime
-to be frankly childish, to show self without any mask of convention.
-
-"Oh, I knew you were a man of genius the very first time I saw you," May
-cried, in an entirely honest defiance of all facts and all evidence.
-
-"I wish I were for your sake," Dick replied, with an adoring glance, and
-a kiss on the hand which he held. "And to think that this absurdly small
-hand wrote those beautiful letters."
-
-"You didn't suppose I had an amanuensis, did you?" laughed May.
-
-Then Dick laughed, and together they both laughed, overpowered by the
-exquisite wit of this fine jest.
-
-"Really, though," Dick said, "they came to me like a revelation. I never
-had such letters before!"
-
-May drew away her hand, and sat upright with an air of offended
-surprise.
-
-"Well, I should hope you never did!" she cried. "The idea of any other
-woman's daring to write to you!"
-
-"But you were writing to a stranger; some other woman--"
-
-"Now, Richard," declared May resolutely, "this has got to be settled
-right here. If you are going to twit me all my life with having written
-to you--"
-
-He effectually stopped her speech.
-
-"I'll never speak of it again," he said; "or at least only just often
-enough so that it shan't be entirely forgotten."
-
-"You are horrid!" declared she with a pout. "You mean to tease me
-with--"
-
-"Tease you, May? Heavens, how you mistake! I only want all my life to be
-kept your slave by remembering--"
-
-The reader is at liberty from experience to supply as many hours of this
-sort of talk as his taste calls for. There were, however, some points of
-real interest touched upon in the course of the evening. Dick confided
-to May the fact that Jack Neligage had sold his ponies, was paying his
-debts, and had accepted a place in a bank. Mr. Frostwinch, a college
-friend of Jack's father, had offered the situation, and although the
-salary was of course not large it gave Neligage something to live on.
-
-"Oh, I'll tell that to Alice to-morrow," May said. "She will be
-delighted to know that Jack is going to do something. Alice is awfully
-fond of him."
-
-The conversation had to be interrupted by speculations upon the relative
-force of the attachment between Alice and Jack and the love which May
-and Dick were at that moment confirming; and from this the talk drifted
-away to considerations of the proper manner of disclosing the
-engagement. May's guardian, Mr. Frostwinch, Dick knew well, and there
-was no reason to expect opposition from him unless on the possible
-ground of a difference of fortune. It was decided that Dick should see
-him on the morrow, and that there should be no delay in announcing the
-important news.
-
-"It will take us two or three days to write our notes, of course," May
-said, with a pretty air of being very practical in the midst of her
-sentiment. "We'll say next Wednesday."
-
-Dick professed great ignorance of the social demands of the situation,
-and of course the explanation had to be given with many ornamental
-flourishes in the way of oscular demonstrations. May insisted that
-everything should be done duly and in order; told him upon whom of her
-relatives he would have to call, to whom write, and so many other
-details that Dick accused her of having been engaged before.
-
-"You horrid thing!" she pouted. "I've a great mind to break the
-engagement now. I have been engaged, though," she added, bursting into
-a laugh of pure glee. "You forget that I woke up this morning engaged
-to one man and shall go to sleep engaged to another."
-
-"Dear old Jack!" Fairfield said fervently. "Well, I must go home and
-find him. I want to tell him the news. Heavens! I had no idea it was so
-late!"
-
-"It isn't late," May protested, after the fashion of all girls in her
-situation, both before and since; but when Dick would go, she laughingly
-said: "You tell Jack if he were here I'd kiss him. He said I'd want to
-some time."
-
-And after half an hour of adieus and a brisk walk home, Dick delivered
-the message.
-
-
-
-
-XXIII
-
-THE BUSINESS OF A MUSE
-
-
-The decadence of literature began insensibly with the invention of
-printing, and has been proceeding ever since. How far it has proceeded
-and whether literature yet exists at all are questions difficult if not
-impossible to answer at the present time, because of the multitude of
-books. No living man can have more than a most superficial knowledge of
-what is being done in what was formerly the royalty and is now the
-communism of letters. A symphony played in the midst of a battle would
-stand much the same chance of being properly appreciated as would to-day
-a work of fine literary worth sent forth in the midst of the innumerous
-publications of the age.
-
-Men write, however, more than ever. There is perhaps a difference, in
-that where men of the elder day deluded themselves or hoped to delude
-others with impressive talk about art and fame and other now obsolete
-antiquities, the modern author sets before him definite and desirable
-prizes in the shape of money and of notoriety which has money's worth.
-The muse of these days is confronted on the door of the author with a
-stern "No admittance except on business," and she is not allowed to
-enter unless she bring her check-book with her. The ideal of art is
-to-day set down in figures and posted by bankers' clerks. Men once
-foolishly tried to live to write; now they write to live. If men seek
-for Pegasus it is with a view to getting a patent on him as a
-flying-machine; and the really progressive modern author has much the
-same view of life as the rag-picker, that of collecting any sort of
-scraps that may be sold in the market.
-
-Dick Fairfield had much the attitude of other writers of his day and
-generation. He had set out to make a living by writing, because he liked
-it, and because, in provincial Boston at least, there is still a certain
-sense of distinction attached to the profession of letters, a legacy
-from the time when the public still respected art. Fairfield had been
-for years struggling to get a foothold of reputation sufficiently secure
-to enable him to stretch more vigorously after the prizes of modern
-literary life, where notoriety commands a price higher than genius could
-hope for. He had done a good deal of hack work, of which that which he
-liked least, yet which had perhaps as a matter of training been best for
-him, had been the rewriting of manuscripts for ambitious authors. A
-bureau which undertakes for a compensation to mend crude work, to infuse
-into the products of undisciplined imagination or incompetency that
-popular element which shall make a work sell, had employed Fairfield to
-reconstruct novels which dealt with society. In this capacity he had
-made over a couple of flimsy stories of which Mrs. Croydon claimed the
-credit, on the strength of having set down the first draught from
-events which had happened within her own knowledge. So little of the
-original remained in the published version, it may be noted in passing,
-that she might have been puzzled to recognize her own bantlings. The
-success of these books had given Dick courage to attempt a society novel
-for himself; and by one of those lucky and inexplicable flukes of
-fortune, "Love in a Cloud" had gained at least the success of immediate
-popularity.
-
-Fairfield had published the novel anonymously partly from modesty,
-partly from a business sense that it was better to have his name clear
-than associated with a failure. He had been deterred from acknowledging
-the book after its success by the eagerness with which the public had
-set upon his characters and identified each with some well known person.
-If the scene of a novel be laid in a provincial city its characters must
-all be identified. That is the first intellectual duty of the readers of
-fiction. To look at a novel from a critical point of view is no longer
-in the least a thing about which any reader need concern himself; but it
-would be an omission unpardonably stupid were he to remain unacquainted
-with some original under the disguise of every character. A single
-detail is sufficient for identification. If a man in a tale have a wart
-on his nose, the intelligent reader should not rest until he think of a
-dweller in the town whose countenance is thus adorned. That single
-particular must thenceforth be held to decide the matter. If the man in
-the novel and the man in the flesh differ in every other particular,
-physical and mental, that is to be held as the cunning effort of the
-writer to disguise his real model. The wart decides it, and the more
-widely the copy departs in other characteristics from the chosen person
-the more evident is it that the novelist did not wish his original to be
-known. The more striking therefore is the shrewdness which has
-penetrated the mystery. The reader soddens in the consciousness of his
-own penetration as the sardine, equally headless, soaks in oil.
-Fairfield was now waiting for this folly of identification to pass
-before he gave his name to the novel, and in the mean time he was
-tasting the delight of a first literary success where the pecuniary
-returns allowed his vanity to glow without rebuke from his conscience.
-
-Fairfield was surprised, one morning not long after the polo game, by
-receiving a call from Mrs. Croydon. He knew her slightly, having met her
-now and then in society, and his belief that she was entirely ignorant
-of his share in her books might naturally invest her with a peculiar
-interest. She was a Western woman who had lived in the East but a few
-years, and her blunders in regard to Eastern society as they appeared in
-her original manuscripts had given him a good deal of quiet amusement.
-Why she should now have taken it upon herself to come to his chambers
-could only become evident by her own explanation.
-
-"You are probably surprised to see me here, Mr. Fairfield," she
-began, settling herself in a chair with the usual ruffling of
-rag-tag-and-bobbery without which she never seemed able to move.
-
-"I naturally should not have been vain enough to foresee that I should
-have such an honor," he responded, with his most elaborate society
-manner.
-
-She smirked, and nodded.
-
-"That is very pretty," she said. "Well, I'll tell you at once, not to
-keep you in suspense. I came on business."
-
-"Business?" repeated he.
-
-"Yes, business. You see, I have just come from the Cosmopolitan Literary
-Bureau."
-
-Fairfield did not look pleased. He had kept his connection with that
-factory of hack-work a secret, and no man likes to be reminded of
-unpleasant necessities.
-
-"They have told me," she went on, "that you revised the manuscript of my
-novels. I must say that you have done it very satisfactorily. We women
-of society are so occupied that it is impossible for us to attend to all
-that mere detail work, and it is a great relief to have it so well
-done."
-
-Fairfield bowed stiffly.
-
-"I am glad that you were satisfied," he replied; "but it is a violation
-of confidence on the part of the bureau."
-
-"Oh, you are one of us now," Mrs. Croydon observed with gracious
-condescension. "It isn't as if they had told anybody else. They told me,
-you see, that you wrote 'Love in a Cloud.'"
-
-"That is a greater violation of confidence still," Fairfield responded.
-"Indeed, it was a most un-gentlemanly thing of Mr. Cutliff. He only
-knew it because a stupid errand boy carried him the manuscript by
-mistake. He had no right to tell that. I shall give him my opinion of
-his conduct."
-
-Mrs. Croydon accomplished a small whirlwind of ribbon ends, and waved
-her plump hand in remonstrance.
-
-"Oh, I beg you won't," she protested. "It will get me into trouble if
-you do. He especially told me not to let you know."
-
-Fairfield smiled rather sardonically.
-
-"The man who betrays a confidence is always foolish enough to suppose
-his confidence will be sacred. I think this is an outrageous breach of
-good faith on Mr. Cutliff's part."
-
-Mrs. Croydon gave a hitch forward as if she were trying to bring her
-chair closer to that of Fairfield.
-
-"As I was saying," she remarked, "we society women have really so little
-time to give to literature, and literature needs just our touch so much,
-that it has been especially gratifying to find one that could carry out
-my ideas so well."
-
-The young man began to regard her with a new expression in his face. As
-a literary woman she should have recognized the look, the expression
-which tells of the author on the scent of material. Whether Fairfield
-ever tried his hand at painting Mrs. Croydon or not, that look would
-have made it plain to any well-trained fellow worker that her
-peculiarities tempted his literary sense. Any professional writer who
-listens with that gleam in his eyes is inevitably examining what is
-said, the manner of its saying, the person who is speaking, in the hope
-that here he has a subject for his pen; he is asking himself if the
-reality is too absurd to be credible; how much short of the extravagance
-of the original he must come to keep within the bounds of seeming
-probability. Fairfield was confronted with a subject which could not be
-handled frankly and truthfully. Nobody would believe the tone of the
-woman or her remarks to be anything but a foolish exaggeration; if she
-had had the genuine creative instinct, the power of analysis, the
-recognition of human peculiarities, Mrs. Croydon must have seen in his
-evident preoccupation the indication that he was deliberating how far
-toward the truth it would in fiction be possible to go.
-
-"It is very kind of you," he murmured vaguely.
-
-"Oh, don't mention it," responded she, more graciously than ever. "You
-are really one of us now, as I said; and I always feel strongly the ties
-of the literary guild."
-
-"The guild owes you a great deal," Fairfield observed blandly.
-
-Mrs. Croydon waved her hand engagingly in return for this compliment,
-incidentally with a waving of various adornments of her raiment which
-gave her the appearance in little of an army with banners.
-
-"I didn't come just for compliments," she observed with much sweetness.
-"I am a business woman, and I know how to come to the point. My father
-left me to manage my own property, and so I've had a good deal of
-experience. When I see how women wander round a thing without being able
-to get at it, it makes me ashamed of them all. I don't wonder that men
-make fun of them."
-
-"You are hard on your sex."
-
-"Oh, no harder than they deserve. Why, in Chicago there are a lot of
-women that do business in one way or another, and I never could abide
-'em. I never could get on with them, it was so hard to pin them down."
-
-"I readily understand how annoying it must have been," Fairfield
-observed with entire gravity. "Did you say that you had business with
-me?"
-
-"Yes," she answered. "I suppose that I might have written, but there are
-some things that are so much better arranged by word of mouth. Don't you
-think so?"
-
-"Oh, there's no doubt of it."
-
-"Besides," she went on, "I wanted to tell you how much I like your work,
-and it isn't easy to express those things on paper."
-
-It would be interesting to know whether to Fairfield at that moment
-occurred the almost inevitable reflection that for Mrs. Croydon it was
-hard, if her manuscripts were the test, to express anything on paper.
-
-"You are entirely right," he said politely. "It is easy enough to put
-facts into words, but when it comes to feelings such as you express, it
-is different, of course."
-
-He confided to Jack Neligage later that he wondered if this were not
-too bold a flout, but Mrs. Croydon received it as graciously as
-possible.
-
-"There is so complete a difference," she observed with an irrelevance
-rather startling, "between the mental atmosphere in Boston and that I
-was accustomed to in Chicago. Here there is a sort of--I don't know that
-I can express it exactly; it's part of an older civilization, I suppose;
-but I don't think it pays so well as what we have in Chicago."
-
-"Pays so well?" he repeated. "I don't think I understand."
-
-"It doesn't sell so well in a book," she explained. "I thought that it
-would be better business to write stories of the East for the West to
-buy; but I've about made up my mind that it'll be money in my pocket to
-write of the West for the eastern market."
-
-Fairfield smiled under his big mustache, playing with a paper-knife.
-
-"Pardon my mentioning it," he said, "but I thought you wrote for fame,
-and not for money."
-
-"Oh, I don't write for money, I assure you; but I was brought up to be a
-business woman, and if I'm going to write books somebody ought to pay
-for them. Now I wanted to ask you what you will sell me your part in
-'Love in a Cloud' for."
-
-Whether this sudden introduction of her business or the nature of it
-when introduced were the more startling it might have been hard to
-determine. Certain it is that Fairfield started, and stared at his
-visitor as if he doubted his ears.
-
-"My part of it?" he exclaimed. "Why, I wrote it."
-
-"Yes," she returned easily, "but so many persons have supposed it to be
-mine, that it is extremely awkward to deny it; and you have become my
-collaborateur, of course, by writing on the other novels."
-
-"I hadn't realized that," Dick returned with a smile.
-
-"You've put so much of your style into my other books," she pursued,
-"that it's made people attribute 'Love in a Cloud' to me, and I think
-you are bound now not to go back on me. I don't know as you see it as I
-do, but it seems to me that since you took the liberty of changing so
-much in my other stories you ought to be willing to bear the
-consequences of it, especially as I'm willing to pay you well."
-
-"But as long as you didn't write the book," Dick observed, "I should
-think you'd feel rather queer to have it said you did."
-
-"I've thought of that," Mrs. Croydon said, nodding, with a flutter of
-silken tags, "but I reason that the ideas are so much my own, and the
-book is so exactly what I would have written if social duties hadn't
-prevented, that that ought not to count. The fact that so many folks
-think I wrote it shows that I might have written it."
-
-"But after all you didn't write it," Fairfield objected. "That seems to
-make it awkward."
-
-"Why, of course it would have been better if I had given you a sketch of
-it," Mrs. Croydon returned, apparently entirely unmoved; "but then of
-course you got so much of the spirit of 'Love in a Cloud' out of my
-other books--"
-
-This was perhaps more than any author could be expected to endure, and
-least of all a young author in the discussion of his first novel.
-
-"Why, how can you say that?" he demanded indignantly.
-
-"Do you suppose," she questioned with a benign and patronizing smile,
-"that so many persons would have taken your book for mine in the first
-place if you hadn't imitated me or taken ideas from my other books?"
-
-Dick sprang to his feet, and then sat down, controlling himself.
-
-"Well," he said coldly, "it makes no difference. It is too late to do
-anything about it now. An edition of 'Love in a Cloud' with my name on
-the title-page comes out next Wednesday. If folks say too much about the
-resemblance to your books, I can confess, I suppose, my part in the
-others."
-
-She turned upon him with a burst of surprise and indignation which set
-all her ribbon-ends waving in protest.
-
-"That," she said, "is a professional secret. No man of honor would tell
-it."
-
-She rose as she spoke, her face full of indignation.
-
-"You have not treated me fairly," she said bitterly. "You must have seen
-that the book was attributed to me, and you knew the connection between
-'Love in a Cloud' and my other books--"
-
-"Other books!" exclaimed Dick.
-
-Mrs. Croydon waved him into silence with a magnificent gesture, but
-beyond that took no notice of his words.
-
-"You saw how everybody looked at me that day at Mrs. Harbinger's," she
-went on. "If you were going to give your name to the book why didn't you
-do it then?"
-
-"I didn't think of you at all," was his answer. "I was too much amused
-in seeing that absurd Barnstable make a fool of himself with Count
-Shimbowski. Did you know that the Count actually challenged him?"
-
-Wrath of celestial goddesses darkened the face of Mrs. Croydon as a
-white squall blackens the face of the sky. Her eyes glared with an
-expression as fierce if not as bright as the lightning.
-
-"What do you say?" she screamed. "Challenge my husband?"
-
-"Your husband!" ejaculated Dick, a staring statue of surprise.
-
-"Yes, my husband," she repeated vehemently. "He didn't make a fool of
-himself that day! A man can't come to the defense of a woman but you men
-sneer at him. Do you mean that that beastly foreign ape dared to
-challenge him for that? I'd like to give him my opinion of him!"
-
-When a man finds himself entertaining a wildcat unawares he should
-either expel the beast or himself take safety in flight. Dick could
-apparently do neither. He stood speechless, gazing at the woman before
-him, who seemed to be waxing in fury with every moment and every word.
-She swept across the short space between them in a perfect hurricane of
-streamers, and almost shook her fists in his face.
-
-"I understand it all now," she said. "You were in it from the beginning!
-I suppose that when you worked on my books you took the trouble to find
-out about me, and that's where your material came from for your precious
-'Love in a Cloud.' Oh, my husband will deal with you!"
-
-Fairfield looked disconcerted enough, as well he might, confronted with
-a woman who was apparently so carried away by anger as to have lost all
-control of herself.
-
-"Mrs. Croydon," he said, with a coldness and a dignity which could not
-but impress her, "I give you my word that I never knew anything about
-your history. That was none of my business."
-
-"Of course it was none of your business!" she cried. "That's just what
-makes it so impertinent of you to be meddling with my affairs!"
-
-Fairfield regarded her rather wildly.
-
-"Sit down, please," he said beseechingly. "You mustn't talk so, Mrs.
-Croydon. Of course I haven't been meddling with your affairs, and--"
-
-"And not to have the courage to say a word to prevent my husband's being
-dragged into a duel with that foreigner! Oh, it does seem as if I
-couldn't express my opinion of you, Mr. Fairfield!"
-
-"My dear Mrs. Croydon--"
-
-"And as for Erastus Barnstable," she rushed on to say, "he's
-quick-tempered, and eccentric, and obstinate, and as dull as a post; he
-never understood me, but he always meant well; and I won't have him
-abused."
-
-"I hadn't any idea of abusing him," Dick pleaded humbly. "Really, you
-are talking in an extraordinary fashion."
-
-She stopped and glared at him as if with some gleam of returning reason.
-Her face was crimson, and her breath came quickly. Women of society
-outside of their own homes so seldom indulge in the luxury of an
-unbecoming rage that Dick had perhaps never before seen such a display.
-Any well-bred lady knows how to restrain herself within the bounds of
-personal decorum, and to be the more effective by preserving some
-appearance of calmness. Mrs. Croydon had evidently lacked in her youth
-the elevating influence of society where good manners are morals. It was
-interesting for Dick, but too extravagantly out of the common to be of
-use to him professionally.
-
-"I hope you are proud of your politeness this morning," Mrs. Croydon
-ended by saying; and without more adieu she fluttered tumultuously to
-the door.
-
-
-
-
-XXIV
-
-THE MISCHIEF OF A CAD
-
-
-The fierce light of publicity which nowadays beats upon society has
-greatly lessened the picturesqueness of life. There is no longer the
-dusk favorable to crime, and the man who wishes to be wicked, if careful
-of his social standing, is constantly obliged to be content with mere
-folly, or, if desperate, with meanness. It is true that from time to
-time there are still those, even in the most exclusive circles, who are
-guilty of acts genuinely criminal, but these are not, as a rule,
-regarded as being in good form. The days when the Borgias invited their
-enemies to dinner for the express purpose of poisoning them, or visited
-nobles rich in money or in beautiful wives and daughters with the
-amiable intent to rob them of these treasures, are over, apparently
-forever. In the sixteenth century--to name a time typical--success made
-an excuse more than adequate for any moral obliquity; and the result is
-that the age still serves thrillingly the romantic dramatist or
-novel-writer. To-day success is held more than to justify iniquity in
-politics or commerce, but the social world still keeps up some pretext
-of not approving. There is in the best society really a good deal of
-hesitation about inviting to dinner a man who has murdered his
-grandmother or run away with the wife of his friend. Society is of
-course not too austere in this respect; it strives to be reasonable, and
-it recognizes the principle that every transaction is to be judged by
-the laws of its own class. In the financial world, for instance,
-conscience is regulated by the stock market, and society assumes that if
-a crime has been committed for the sake of money its culpability depends
-chiefly upon the smallness of the amount actually secured. Conservative
-minds, however, still object to the social recognition of a man who has
-notoriously and scandalously broken the commandments. He who has not the
-skill or the good taste to display the fruits of his wickedness without
-allowing the process by which they were obtained to be known, is looked
-at askance by these prudish souls. In all this state of things is great
-loss to the romancer, and not a little disadvantage to bold and
-adventurous spirits. Were the latter but allowed the freedom which was
-enjoyed by their forerunners of the sixteenth century, they would do
-much to relieve the tedium under which to-day the best society
-languishes.
-
-This tendency of the age toward the suppression of violent and romantic
-transgressions in good society was undoubtedly largely responsible for
-the course taken by Sibley Langdon. Foiled in his plan of blackmailing
-Mrs. Neligage into being his companion on a European tour, he attempted
-revenge in a way so petty that even the modern novelist, who stops at
-nothing, would have regarded the thing as beneath invention.
-
-Mr. Langdon had sent Mrs. Neligage her canceled note, with a floridly
-worded epistle declaring that its real value, though paid, was lost to
-him, since it lay in her signature and not in the money which the
-document represented. This being done, he had called once or twice, but
-the ignominy of living at the top of a speaking-tube carries with it the
-advantage of power to escape unwelcome callers, and he never found Mrs.
-Neligage at home. When they met in society Mrs. Neligage treated him
-with exactly the right shade of coolness. She did not give rise to any
-gossip. The infallible intuition of her fellow women easily discovered,
-of course, that there was an end of the old intimacy between the widow
-and Mr. Langdon, but nobody had the satisfaction of being able to
-perceive anything of the nature of a quarrel.
-
-They met one evening at a dinner given by Mrs. Chauncy Wilson. The
-dinner was not large. There were Mr. and Mrs. Frostwinch, Mrs. Neligage,
-Alice Endicott, Count Shimbowski, and Mr. Langdon. The company was
-somewhat oddly assorted, but everybody understood that Mrs. Wilson did
-as she pleased, leaving social considerations to take care of
-themselves. She had promised Miss Wentstile, who still clung to the idea
-of marrying Alice to the Count, that she would ask the pair to dinner;
-and having done so, she selected her other guests by some principle of
-choice known only to herself.
-
-The dinner passed off without especial incident. The Count took in
-Alice, and was by her treated with a cool ease which showed that she
-had come to regard him as of no consequence whatever. She chatted with
-him pleasantly enough at the proper intervals, but more of her attention
-was given to Mr. Frostwinch, her neighbor on the other side. She would
-never talk with the Count in French, although she spoke that tongue with
-ease, and his wooing, such as it was, had to be carried on in his
-joint-broken English. The engagement of May Calthorpe and Dick
-Fairfield, just announced, and the appearance of "Love in a Cloud" with
-the author's name on the title-page, were the chief subjects of
-conversation. The company were seated at a round table, so that the talk
-was for the most part general, and each person had something to add to
-the little ball of silken-fibred gossip as it rolled about. Mr.
-Frostwinch was May's guardian, and a man of ideas too old-fashioned to
-discuss his ward or her affairs in any but the most general way; yet
-even he did now and then add a word or a hint.
-
-"They say," Mrs. Wilson observed, "that there's some kind of a romantic
-story behind the engagement. Mrs. Neligage, you ought to know--is it
-true that Richard Fairfield got Jack to go and propose for him?"
-
-"If he did," was the answer, "neither you nor I will ever know it from
-Jack. He's the worst to get anything out of that I ever knew. I think he
-has some sort of a trap-door in his memory to drop things through when
-he doesn't want to tell them. I believe he contrives to forget them
-himself."
-
-"You can't conceive of his holding them if he did remember them, I
-suppose," chuckled Dr. Wilson.
-
-"Of course he couldn't. No mortal could."
-
-"That's as bad as my husband," observed Mrs. Frostwinch, with a billowy
-motion of her neck, a movement characteristic and perhaps the result of
-unconscious cerebration induced by a secret knowledge that her neck was
-too long. "I tried to get out of him what Mr. Fairfield said when he
-came to see him about May; and I give you my word that after I'd worn
-myself to shreds trying to beguile him, I was no wiser than before."
-
-"I tell you so entirely all my own secrets, Anna," her husband answered,
-"that you might let me keep those of other people."
-
-"Indeed, I can't help your keeping them," was her reply. "That's what I
-complain of. If I only had a choice in the matter, I shouldn't mind."
-
-"If Jack Neligage is in the way of proposing," Langdon observed in his
-deliberate manner, "I should think he'd do it for himself."
-
-"Oh, bless you," Mrs. Neligage responded quickly, "Jack can't afford to
-marry. I've brought him up better than to suppose he could."
-
-"Happy the man that has so wise a mother," was Langdon's comment.
-
-"If you don't believe in marriages without money, Mrs. Neligage," asked
-Mrs. Wilson, "what do you think of Ethel Mott and Thayer Kent?"
-
-"Just think of their marrying on nothing, and going out to live on a
-cattle ranch," put in Mrs. Frostwinch. "I wonder if Ethel will have to
-milk?"
-
-Dr. Wilson gave a laugh full of amusement.
-
-"They don't milk on cattle ranches," he corrected. "She may have to
-mount a horse and help at a round-up, though."
-
-"Well, if she likes that kind of a burial," Mrs. Neligage said, "it's
-her own affair, I suppose. I'd rather be cremated."
-
-"Oh, it isn't as bad as that," Mr. Frostwinch observed genially.
-"They'll have a piano, and that means some sort of civilization."
-
-"I suppose she'll play the _ranz des vaches_ on the piano," Mrs. Wilson
-laughed.
-
-"Of course it's madness," Langdon observed, "but they'll like it for a
-while. I can't understand, though, how Miss Mott can be so foolish. I
-always supposed she was rather a sensible girl."
-
-"Does this prove that she isn't?" asked Alice.
-
-"Don't you think a girl that leaves civilization, and goes to live in
-the wilderness just to follow a man, shows a lack of cleverness?"
-
-The seriousness of the tone in which Alice had asked her question had
-drawn all eyes in her direction, and it might easily be that the
-knowledge of the interest which she was supposed to have in penniless
-Jack Neligage would in any case have given to her words especial mark.
-
-"That depends on what life is for," Alice answered now, in her low, even
-voice. "If she is happier with Thayer Kent on a cattle ranch than she
-would be anywhere else without him, I think she shows the best kind of
-sense."
-
-"But think what a stupid life she'll lead," Langdon persisted. "She
-doesn't know what she's giving up."
-
-"Eet ees _tres romanesque_," declared the Count, "but eet weel to
-be _triste_. Weell she truthfully ride de cow?"
-
-Politely veiled laughter greeted this sally, except from Dr. Wilson, who
-burst into an open guffaw.
-
-"She'll be worth seeing if she does!" he ejaculated.
-
-Mrs. Frostwinch bent toward Alice with undulating neck.
-
-"You are romantic, of course, Alice," she remarked, "and you look at it
-like a girl. It's very charming to be above matter-of-fact
-considerations; but when the edge is worn off--"
-
-She sighed, and shook her head as if she were deeply versed in all the
-misfortunes resulting from an impecunious match; her manner being, of
-course, the more effective from the fact that everybody knew that she
-had never been able to spend her income.
-
-"But what is life for?" Alice said with heightened color. "If people are
-happy together, I don't believe that other things matter so much."
-
-"For my part," Mrs. Wilson declared, "I think it will be stunning! I
-wish I were going out to live on a ranch myself, and ride a cow, as the
-Count says. Chauncy, why don't we buy a ranch? Think how I'd look on
-cow-back!"
-
-She gave the signal to rise, and the ladies departed to the
-drawing-room, where they talked of many things and of nothing until the
-gentlemen appeared. Mr. Langdon placed himself so that he faced Mrs.
-Neligage across the little circle in which the company chanced to
-arrange itself.
-
-"We've been talking of adventures," he said, "and Mr. Frostwinch says
-that nobody has any nowadays."
-
-"I only said that they were uncommon," corrected Mr. Frostwinch. "Of
-course men do have them now and then, but not very often."
-
-"Men! Yes, they have them," Mrs. Wilson declared; "but there's no chance
-nowadays for us poor women. We never get within sight of anything out of
-the common."
-
-"You're enough out of the common to do without it, Elsie," laughed her
-husband.
-
-"Madame Weelson ees an adventure eetself," the Count put in gallantly.
-
-Mr. Langdon raised his head deliberately, and looked over to Mrs.
-Neligage.
-
-"You could tell them differently, Mrs. Neligage," he said. "Your
-experience at Monte Carlo, now; that was far enough out of the common."
-
-Her color went suddenly, but she met his eyes firmly enough.
-
-"My adventures?" she returned. "I never had an adventure. I'm too
-commonplace a person for that."
-
-"You don't do yourself justice," Langdon rejoined. "You haven't any
-idea how picturesque you were that night."
-
-Telepathy may or may not be established on a scientific basis, but it is
-certain that there exists some occult power in virtue of which
-intelligence spreads without tangible means of communication. There was
-nothing in the light, even tones of Langdon to convey more intimation
-than did his words that mischief was afoot, yet over the group in Mrs.
-Wilson's drawing-room came an air of intentness, of alert suspense. No
-observer could have failed to perceive the general feeling, the
-perception that Langdon was preparing for some unusual stroke. The
-atmosphere grew electric. Mr. Frostwinch and his wife became a shade
-more grave than was their wont. They were both rather proper folk, and
-proper people are obliged to be continually watching for indecorums,
-lest before they are aware their propriety have its fine bloom brushed
-away. The Count moved uneasily in his chair. The unpleasant doubts to
-which he had been exposed as to how his own past would affect a Boston
-public might have made him the more sympathetic with Mrs. Neligage, and
-the fact that he had seen her at the tables at Monte Carlo could hardly
-fail to add for him a peculiar vividness to Langdon's words. Doctor and
-Mrs. Wilson were both openly eager. Alice watched Mrs. Neligage
-intently, while the widow faced Langdon with growing pallor.
-
-"Madame Neleegaze ees all teemes de peecture," declared Count Shimbowski
-gallantly. "When more one teeme eet ees de oder?"
-
-"She was more picturesque that time than another," laughed Langdon, by
-some amazing perception getting at the Count's meaning. "I'm going to
-tell it, Mrs. Neligage, just to show what you are capable of. I never
-admired anything more than I did your pluck that night. It's nonsense to
-say that women have less grit than men."
-
-"Less grit!" cried Mrs. Wilson. "They have a hundred times more. If men
-had the spunk of women or women had the strength of men--"
-
-"Then amen to the world!" broke in her husband. "Don't interrupt. I want
-to hear Langdon's story."
-
-Alice Endicott had thus far said nothing, but as Langdon smiled as if to
-himself, and parted his lips to begin, she stopped him.
-
-"No," she said, "he shan't tell it. If it is Mrs. Neligage's adventure,
-she shall tell it herself."
-
-Mrs. Neligage flashed a look of instant comprehension, of gratitude, to
-Alice, and the color came back into her cheeks. She had been half
-cowering before the possibility of what Langdon might be intending to
-say, but this chance of taking matters into her own hands recalled all
-her self-command. Her eyes brightened, and she lifted her head.
-
-"It isn't much to tell," she began, "and it isn't at all to my credit."
-
-"I protest," interpolated Langdon. "Of course she won't tell a story
-about herself for half its worth."
-
-"Be quiet," Alice commanded.
-
-The eyes of all had been turned toward Mrs. Neligage at her last words,
-but now everybody looked at Alice. It was not common to see her take
-this air of really meaning to dominate. In her manner was a faint hint
-of the commanding manner of her aunt, although without any trace of Miss
-Wentstile's arrogance. She was entirely cool and self-possessed,
-although her color was somewhat brighter than usual. The words that had
-been spoken were little, yet the hearer heard behind them the conflict
-between herself and Langdon.
-
-"I am not to be put down so," he persisted. "I don't care much about
-telling that particular story, but I can't allow you to bully me so,
-Miss Endicott."
-
-"Go on, Mrs. Neligage, please," Alice said, quite as if she were
-mistress of ceremonies, and entirely ignoring Langdon's words except for
-a faint smile toward him.
-
-"My adventure, as Mr. Langdon is pleased to call it," Mrs. Neligage
-said, "is only a thing I'm ashamed of. He is trying to make me confess
-my sins in public, apparently. He came on me one night playing at Monte
-Carlo when I lost a lot of money. He declares he watched me an hour
-before I saw him, but as I didn't play more than half that time--"
-
-"I told you she would spoil the story," interrupted Langdon, "I--"
-
-"You shall not interrupt, Mr. Langdon," Alice said, as evenly and as
-commandingly as before.
-
-"Oh, everybody he play at Monte Carlo," put in the Count. "Not to play,
-one have not been dere."
-
-"I've played," Mrs. Wilson responded. "I think it's the greatest fun in
-the world. Did you win, Mrs. Neligage?"
-
-"Win, my dear," returned the widow, who had recovered perfectly her
-self-command; "I lost all that I possessed and most that I didn't. I
-wonder I ever got out of the place. The truth is that I had to borrow
-from Mr. Langdon to tide me over till I could raise funds. Was that what
-you wanted to tell, Mr. Langdon? You were the real hero to lend it to
-me, for I might have gone to playing again, and lost that too."
-
-Langdon was visibly disconcerted. To have the tables so turned that it
-seemed as if he were seeking a chance to exploit his own good deeds left
-him at the mercy of the widow. Mrs. Neligage had told in a way
-everything except the matter of the necklace, and no man with any
-pretense of being a gentleman could drag that in now. It might have been
-slid picturesquely into the original story, whether that were or were
-not Mr. Langdon's intention; but now it was too late.
-
-"I don't see where the pluck came in," pronounced Dr. Wilson.
-
-"Oh, I suppose that was the stupid way in which I kept on losing," Mrs.
-Neligage explained. "I call it perfect folly."
-
-"Again I say that I knew she'd spoil the story," Langdon said with a
-smile.
-
-The announcement of carriages, and the departure of the Frostwinches
-brought the talk to an end. When Mrs. Neligage had said good-night and
-was leaving the drawing-room, Langdon stood at the door.
-
-"You got out of that well," he said.
-
-She gave him a look which should have withered him.
-
-"It is a brave man that tries to blacken a woman's name," she answered;
-and went on her way.
-
-In the dressing-room was Alice, who had gone a moment before. Mrs.
-Neligage went up to her and took her by the arms.
-
-"How did you know that I needed to have a plank thrown to me?" she
-demanded. "Did I show it so much?"
-
-Alice flushed and smiled.
-
-"If I must tell the truth," she answered, "you looked just as I saw Jack
-look once in a hard place."
-
-Mrs. Neligage laughed, and kissed her.
-
-"Then it was Jack's mother you wanted to help. You are an angel anyhow.
-I had really lost my head. The story was horrid, and I knew he'd tell it
-or hint it. It wasn't so bad," she added, as Alice half shrank back,
-"but that I'll tell it to you some time. Jack knows it."
-
-
-
-
-XXV
-
-THE WAKING OF A SPINSTER
-
-
-Miss Wentstile was as accustomed to having her way as the sun is to
-rising. She had made up her mind that Alice was to marry Count
-Shimbowski, and what was more, she had made her intention perfectly
-plain to her friends. It is easily to be understood that her temper was
-a good deal tried when it became evident that she could not force her
-niece to yield. Miss Wentstile commanded, she remonstrated, she tried to
-carry her will with a high hand by assuming that Alice was betrothed,
-and she found herself in the end utterly foiled.
-
-"Then you mean to disobey me entirely," she said to Alice one day.
-
-"I have tried all my life to do what you wanted, Aunt Sarah," was the
-answer, "but this I can't do."
-
-"You could do it if you chose."
-
-Alice was silent; and to remain silent when one should offer some sort
-of a remark that may be disputed or found fault with or turned into
-ridicule is one of the most odious forms of insubordination.
-
-"Why don't you speak?" demanded Miss Wentstile sharply. "Haven't I done
-enough for you to be able to get a civil answer out of you?"
-
-"What is there for me to say more, Aunt Sarah?"
-
-"You ought to say that you would not vex and disobey me any more,"
-declared her Aunt. "Here I have told everybody that I should pass next
-summer at the Count's ancestral castle in Hungary, and how can I if you
-won't marry him?"
-
-"You might marry him yourself."
-
-Her aunt glared at her angrily, and emitted a most unladylike snort of
-contempt.
-
-"You say that to be nasty," she retorted; "but I tell you, miss, that
-I've thought of that myself. I'm not sure I shan't marry him."
-
-Alice regarded her in a silence which drew forth a fresh volley.
-
-"I suppose you think that's absurd, do you? Why don't you say that I'm
-too old, and too ugly, and too ridiculous? Why don't you say it? I can
-see that you think it; and a nice thing it is to think, too."
-
-"If you think it, Aunt Sarah," was the demure reply, "there's no need of
-my saying it."
-
-"I think it? I don't think it! I'm pleased to know at last what you
-think of me, with your meek ways."
-
-The scene was more violent than usually happened between aunt and niece,
-as it was the habit of Alice to bear in silence whatever rudeness it
-pleased Miss Wentstile to inflict. Not that the spinster was accustomed
-to be unkind to the girl. So long as there was no opposition to her
-will, Miss Wentstile was in her brusque way generous and not
-ill-natured. Now that her temper was tried to the extreme, her worst
-side made itself evident; and Alice was wise in attempting to escape.
-She rose from the place where she had been sewing, and prepared to leave
-the room.
-
-"Go to your room by all means," the spinster said bitterly, regarding
-her with looks of marked disfavor. "All I have to say is this: if I do
-marry the Count, and you find yourself without a home, you'll have
-nobody but yourself to thank for it. I'm sure you've had your chance."
-
-Whether the antique heart of the spinster had cherished the design of
-attempting to glide into the place in the Count's life left vacant by
-the refusal of her niece is a fact known only to her attendant angels,
-if she had any. Certain it is that within twenty-four hours she had
-summoned that nobleman to her august presence.
-
-"Count," she said to him, "I can't express to you how distressed I am
-that my niece has put such a slight on you. She is absolutely determined
-not to marry."
-
-The Count as usual shrugged his shoulders, and remarked in mangled
-English that in America there was no authority; and that in his country
-the girl would not have been asked whether she was determined to marry
-or not. Her determination would have made no difference.
-
-"That is the way it should be here," Miss Wentstile observed with
-feeling; "but it isn't. The young people are brought up to have their
-own way, no matter what their elders wish."
-
-"Then she weell not to marry wid me?" he asked.
-
-"No, there's no hope of it. She is as obstinate as a rock."
-
-There was a brief interval of silence in which the Count looked at Miss
-Wentstile and Miss Wentstile looked at the floor.
-
-"Count Shimbowski," she said at last, raising her eyes, "of course it
-doesn't make much difference to you who it is you marry if you get the
-money."
-
-He gave a smile half of deprecation, and spread out his hands.
-
-"One Shimbowski for de _dot_ marries," he acknowledged, "but eet ees not
-wid all weemeens. Dat ees not honor."
-
-"Oh, of course I mean if your wife was a lady."
-
-"Eet ees for de _dot_ only one Shimbowski would wid all Amereecans
-marry," he returned with simple pride.
-
-Miss Wentstile regarded him with a questioning look.
-
-"I am older than my niece," she went on, "but my _dot_ would be half a
-million."
-
-The whole thing was so entirely a matter of business that perhaps it was
-not strange that she spoke with so little sign of emotion. Most women,
-it is true, would hardly come so near to proposing to a man without some
-frivolous airs of coquetry; but Miss Wentstile was a remarkable and
-exceptional woman, and her air was much that in which she might have
-talked of building a new house.
-
-"Ees eet dat de wonderful Mees Wentsteele would marry wid me for all dat
-_dot_?"
-
-Miss Wentstile took him up somewhat quickly.
-
-"I don't say that I would, Count," she returned; "but since you've been
-treated so badly by my niece, I thought I would talk with you to see how
-the idea struck you."
-
-"Oh, eet weell be heavenly sweet to know what we weell be mine for all
-dat _dot_," the Count asserted, bowing with his hand on his heart.
-
-She smiled somewhat acidly, and yet not so forbiddingly as to daunt him.
-
-"If we are yours what is there left for me?" she asked.
-
-"Ah," the Count sighed, with a shake of his head, "dat Engleesh--"
-
-"Never mind," she interrupted, "I understand that if I do marry you I
-get the name and not much else."
-
-"But de name!" he cried with fervor. "De Shimbowski name! Oh, eet ees
-dat de name weell be older dan dere was any mans een dees country."
-
-"I dare say that is true," she responded, smiling more pleasantly. "My
-sentiments for the name are warm enough."
-
-"De _sentiments_ of de esteemfully Mees Wentsteele ees proud for me," he
-declared, rising to bow. "Ees eet dat we weell marry wid me? Mees
-Wentsteele ees more detracteeve for me wid her _dot_ dan Mees Endeecott.
-Eet ees mooch more detracteeve."
-
-"Well," Miss Wentstile said, rising also, "I thought I would see how the
-idea struck you. I haven't made up my mind. My friends would say I was
-an old fool, but I can please myself, thank heaven."
-
-The Count took her hand and bowed over it with all his courtly grace,
-kissing it respectfully.
-
-"Ah," he told her, echoing her words with unfortunate precision, "one
-old fool ees so heavenly keend!"
-
-Miss Wentstile started, but the innocence of his intention was evident,
-and she offered no correction. She bade him good-by with a beaming
-kindness, and for the rest of the day carried herself with the conscious
-pride of a woman who could be married if she would.
-
-For the next few days there was about Miss Wentstile a new atmosphere.
-She snubbed her niece with an air of pride entirely different from her
-old manner. She dropped hints about there being likely to be a title in
-the family after all, and as there could be no mystery what she must
-mean she attempted mystification by seeming to know things about the
-Count and his family more magnificent than her niece had ever dreamed
-of. She sent to a school of languages for an instructor in Hungarian,
-and when none was to be found at once, she purchased a grammar, and
-ostentatiously studied it before Alice. Altogether she behaved as
-idiotically as possible, and whether she really intended to go to the
-extreme of marrying Count Shimbowski and endowing him with her fortune
-or not, she at least contrived to make her friends believe that she was
-prepared to go to any length in her absurdity.
-
-The announcement of the engagement of Dick Fairfield and May Calthorpe,
-which was made at once, of course produced the usual round of
-congratulatory festivities. May, as it is the moral duty of every
-self-respecting Bostonian to be, was related to everybody who was
-socially anybody, and great were the number of dinners which celebrated
-her decision to marry. It was too late in the season for balls, but that
-was of little consequence when she and her betrothed could have dined in
-half a dozen places on the same night had the thing been physically
-possible.
-
-The real purpose of offering multitudinous dinners to a couple newly
-engaged has never been fully made clear. On first thought it might seem
-as if kindness to young folk newly come to a knowledge of mutual love
-were best shown by letting them alone to enjoy the transports inevitable
-to their condition. Society has decided otherwise, and keeps them during
-the early days of their betrothal as constantly as possible in the
-public eye. Whether this custom is the result of a fear lest the lovers,
-if left to themselves, might too quickly exhaust their store of
-fondness, or of a desire to enhance for each the value of the other by a
-display of general appreciation, were not easy to decide. A cynic might
-suggest that older persons feel the wisdom of preventing the possibility
-of too much reflection, or that they give all publicity to the
-engagement as a means of lessening the chances of any failure of
-contract. More kindly disposed reasoners might maintain that these
-abundant festivities are but testimony to the truth of Emerson's
-declaration that "all the world loves a lover." Philosophy, in the mean
-time, leaning neither to cynicism on the one hand nor to over-optimism
-on the other, can see in these social functions at least the visible
-sign that society instinctively recognizes in the proposed union a
-contract really public, since while men and women love for themselves
-they marry for the state.
-
-Alice Endicott and Jack Neligage were naturally asked to many of these
-dinners, and so it came about that they saw a good deal of each other
-during the next few weeks. Their recent disagreement at first bred a
-faint coolness between them, but Jack was too good-natured long to keep
-up even the pretense of malice, and Alice too forgiving to cherish
-anger. The need, too, of hiding from the public all unpleasantness would
-in any case have made it necessary for them to behave as usual, and it
-is one of the virtues of social conventions that the need of being
-outwardly civil is apt to blunt the edge of secret resentments. Of
-course a healthy and genuine hate may be nourished by the irksomeness of
-enforced suavity, but trifling pique dies a natural death under outward
-politeness. Alice and Jack were not only soon as friendly as ever, but
-either from the reaction following their slight misunderstanding or from
-the effect of the sentimental atmosphere which always surrounds an
-engaged couple, their attitude became more confidential and friendly
-than ever.
-
-They sat side by side at a dinner in which the Harbingers were
-officially testifying their satisfaction in the newly announced
-engagement. Jack had been doing his duty to the lady on the other side,
-and turned his face to Alice.
-
-"What is worrying you?" he asked, his voice a little lowered.
-
-She looked at him with a smile.
-
-"What do you mean by that?" she asked. "I was flattering myself that I'd
-been particularly frolicsome all the evening."
-
-"You have; that's just it."
-
-"What do you mean by that?"
-
-"I mean that you've had to try."
-
-"You must have watched me pretty closely," she remarked, flushing a
-little, and lowering her glance.
-
-"Oh, I know you so well that I don't need to; but to be sure I have kept
-my eyes on you."
-
-She played with her fork as if thinking, while his look was fixed on her
-face.
-
-"I didn't think I was so transparent," she said. "Do you suppose other
-people noticed me?"
-
-"Oh, no," he responded. "You don't give me credit for my keenness of
-perception. But what's the row?"
-
-"Nothing," was her answer, "only--Well, the truth is that I've had a
-talk with Aunt Sarah that wasn't very pleasant. Jack, I believe she's
-going to marry the Count."
-
-"I'm glad of it," was his laughing response. "He'll make her pay for all
-the nasty things she has done. He'll be a sort of public avenger."
-
-Alice became graver. She shook her head, smiling, but with evident
-disapproval.
-
-"You promised me long ago that you wouldn't say things against Aunt
-Sarah."
-
-"No, I never did," he declared impenitently. "I only said that I'd try
-not to say things to you about her that would hurt your feelings."
-
-"Well, weren't you saying them then?"
-
-"That depends entirely upon your feelings; but if they are so sensitive,
-I'll say I am delighted that the 'venerated Mees Wentsteele,' as the
-Count calls her, is at last to be benefited by the discipline of having
-a master."
-
-Alice laughed in spite of herself.
-
-"She won't enjoy that," she declared. "Poor Aunt Sarah, she's been very
-kind to me, Jack. She's really good-hearted."
-
-"You can't tell from the outside of a chestnut burr what kind of a nut
-is inside of it," retorted he; "but if you say she is sound, it goes.
-She's got the outside of the burr all right."
-
-The servant with a fresh course briefly interrupted, and when they had
-successfully dodged his platter Jack went back to the subject.
-
-"Is it proper to ask what there was in your talk that was especially
-unpleasant,--not meaning that she was unpleasant, of course, but only
-that with your readiness to take offense you might have found something
-out of the way."
-
-Alice smiled faintly as if the question was too closely allied to
-painful thoughts to allow of her being amused.
-
-"She is still angry with me," she said.
-
-"For giving her a husband? She's grateful."
-
-"No, it isn't that. She can't get over my not doing what she wanted."
-
-"You've done what she wanted too long. She's spoiled. She thinks she
-owns you."
-
-"Of course it's hard for her," Alice murmured.
-
-"Hard for her? It's just what she needed. What is she going to do about
-it I'd like to know?"
-
-Alice looked at him with a wistful gravity.
-
-"If I tell you a secret," she said in a low tone, "can I trust you?"
-
-"Of course you can," was the answer. "I should think that by this time,
-after May's engagement, you'd know I can keep still when I've a mind
-to."
-
-Jack's chuckle did not call a smile to her face now. She had evidently
-forgotten for the moment the need of keeping up a smiling appearance in
-public; her long lashes drooped over cheeks that had little color in
-them, and her mouth was grave.
-
-"She was very severe to-night," Alice confided to her companion. "She
-said--Oh, Jack, what am I to do if she goes away and leaves me without a
-home? She said that as of course I shouldn't want to go with her to
-Hungary, she didn't know what would become of me. She wanted to know if
-I could earn my living."
-
-"The infernal old--" began Jack; then he checked himself in time, and
-added: "You shall never want a home while--" but an interruption stopped
-him.
-
-"Jack," called Tom Harbinger from the other end of the table, "didn't
-the Count say: 'Stones of a feather gather no rolls'?"
-
-The society mask slipped in a flash over the faces of Alice and Jack.
-The latter had ready instantly a breezy laugh which might have disarmed
-suspicion if any of the company had seen his recent gravity.
-
-"Oh, Tom," he returned, "it wasn't so bad as that. He said: 'Birds of
-one feder flock to get eet.' I wish I had a short-hand report of all his
-sayings."
-
-"He told me at the club," put in Mrs. Harbinger, improving on the fact
-by the insertion of an article, "that Miss Wentstile was 'an
-ext'rdeenaire particle.' I hope you don't mind, Alice?"
-
-"Nothing that the Count says could affect me," was the answer.
-
-Having the eyes of the ladies in her direction, Mrs. Harbinger improved
-the opportunity to give the signal to rise, and the talk between Alice
-and Jack was for that evening broken off.
-
-
-
-
-XXVI
-
-THE WOOING OF A WIDOW
-
-
-"Jack," Mrs. Neligage observed one morning when her son had dropped in,
-"I hope you won't mind, but I've decided to marry Harry Bradish."
-
-Jack frowned slightly, then smiled. Probably no man is ever greatly
-pleased by the idea that his mother is to remarry; but Jack was of
-accommodating temper, and moreover was not without the common sense
-necessary for the acceptance of the unpalatable. He trimmed the ashes
-from the cigarette he was smoking, took a whiff, and sent out into the
-air an unusually neat smoke-ring. He sat with his eyes fixed upon the
-involving wreath until it was shattered upon the ceiling and its frail
-substance dissolved in air.
-
-"Does Bradish know it?" he inquired.
-
-"Oh, he doesn't suspect it," answered she. "He'll never have an idea of
-such a thing till I tell him, and then he won't believe it."
-
-Jack laughed, blew another most satisfactory smoke-ring, and again with
-much deliberation watched it ascend to its destruction.
-
-"Then you don't expect him to ask you?" he propounded at length.
-
-"Ask me, Jack? He never could get up the courage. He'd lie down and die
-for me, but as for proposing--No, if there is to be any proposing I'm
-afraid I should have to do it; so we shall have to get on without."
-
-"It wouldn't be decorous for me to ask how you mean to manage, I
-suppose."
-
-"Oh, ask by all means if you want to, Jacky dear; but never a word shall
-I tell you. All I want of you is to say you aren't too much cut up at
-the idea."
-
-"I've brought you up so much to have your own way," Jack returned in a
-leisurely fashion, "that I'm afraid it's too late to begin now to try to
-control you. I wish you luck."
-
-They were silent for some minutes. Mrs. Neligage had been mending a
-glove for her son, and when she had finished it, she rose and brought it
-to him. She stood a minute regarding him with an unwonted softness in
-her glance.
-
-"Dear boy," she said, with a tender note in her voice, "I haven't
-thanked you for the money you sent Langdon."
-
-He threw his cigarette away, half turning his face from her as he did
-so.
-
-"It's no use to bring that up again," he said. "I'm only sorry I
-couldn't have the satisfaction of kicking him."
-
-She shook her head.
-
-"I've wanted you to a good many times," returned she, "but that's a
-luxury that we couldn't afford. It would cost too much." She hesitated a
-moment, and added: "It must have left you awfully hard up, Jack."
-
-"Oh, I'm going into the bank. I'm a reformed man, you know, so that
-doesn't matter. If I can't play polo what good is money?"
-
-His mother sighed.
-
-"I do wish Providence would take my advice about giving the money
-round," she remarked impatiently. "Things would be a great deal better
-arranged."
-
-"For us they would, I've no doubt," he assented with a grin.
-
-"When do you go into that beastly old bank?" she asked.
-
-"First of the month. After all it won't be so much worse than being
-married."
-
-"You must be awfully hard up," she said once more regretfully.
-
-"Oh, I'm always hard up. Don't bother about that."
-
-She stooped forward and kissed him lightly, an unusual demonstration on
-her part, and stood brushing the crisp locks back from his forehead. He
-took her hand and pulled her down to kiss her in turn.
-
-"Really, mater," he observed, still holding her hand, "we're getting
-quite spoony. Does the idea of marrying Harry Bradish make you
-sentimental?"
-
-She smiled and did not answer, but withdrew her hand and returned to her
-seat by the window. She took up a bit of sewing, and folded down on the
-edge of the lawn a tiny hem.
-
-"When I am married," she observed, the faint suspicion of a blush
-coming into her cheek, "I can pay that money back to you. Harry is rich
-enough, and generous enough."
-
-Jack stopped in the lighting of a fresh cigarette, and regarded her
-keenly.
-
-"Mother," he said in a voice of new seriousness, "are you marrying him
-to get that money for me?"
-
-"I mean to get it for you," she returned, without looking up.
-
-Again he began to send rings of smoke to break on the ceiling above, and
-meanwhile she fixed her attention on her sewing. The noise of the
-carriages outside, the profanity of the English sparrows quarreling on
-the trees, and the sound of a distant street-organ playing "Cavalleria"
-came in through the open window.
-
-"Mother," he said, "I won't have it."
-
-"Won't have what?"
-
-"I won't have you marry Harry Bradish."
-
-"Why not?"
-
-"Do you think," he urged, with some heat, "that I don't see through the
-whole thing? You are bound to help me out, and I won't have you do it."
-
-The widow let her sewing fall into her lap, and turned her face to the
-window.
-
-"How will you help it?" she asked softly.
-
-"I'll stop it in one way or another. I tell you--"
-
-But she turned toward him a face full of confusion and laughter.
-
-"Oh, Jack, you old goose, I've been fond of Harry Bradish for years,
-only I didn't dare show it because--"
-
-"Because what?"
-
-"Because Sibley Langdon was so nasty if I did," she returned, her tone
-hardening. "You don't know," she went on, the tone changing again like a
-flute-note, "what a perfect dear Harry is. I've teased him, and snubbed
-him, and bullied him, and treated him generally like a fiend, and he's
-been as patient, and as sweet--Why, Jack, he's a saint beside me! He's
-awkward, and as stupid as a frog, but he's as good as gold."
-
-Jack's face had darkened at the mention of Langdon, but it cleared
-again, and his sunny smile came back once more. He sent out a great
-cloud of smoke with an entire disregard of the possibilities of artistic
-ring-making which he sacrificed, and chuckled gleefully.
-
-"All right, mater," he said, "if that's the state of things I've nothing
-more to say. You may even fleece him for my benefit if you want to."
-
-He rose as he spoke, and went over to where his mother was sitting. With
-heightened color, she had picked up her sewing, and bent over it so that
-her face was half hidden.
-
-"Who supposed there was so much sentiment in the family," he remarked.
-"Well, I must go down town. Good-by. I wish you joy."
-
-They kissed each other with a tenderness not customary, for neither was
-much given to sentimental demonstrations; and Jack went his way.
-
-It has been remarked by writers tinged with cynicism that a widow who
-wishes to remarry is generally able to do a large part of whatever
-wooing is necessary. In the present case, where the lady had frankly
-avowed her intention of doing the whole, there was no reason why the
-culmination should be long delayed. One day soon after the interview
-between Mrs. Neligage and her son, the widow and Harry Bradish were at
-the County Club when they chanced to come into the parlor just in time
-to discover May Calthorpe and Dick Fairfield, when the lover was kissing
-his lady's hand. Mrs. Neligage was entirely equal to the situation.
-
-"Yes, Mr. Bradish," she observed, looking upward, "you were right, this
-ceiling is very ugly."
-
-"I didn't say anything about the ceiling," he returned, gazing up in
-amazement, while Dick and May slipped out at another door.
-
-She turned to him with a countenance of mischief.
-
-"Then you should have said it, stupid!" she exclaimed. "Didn't you see
-Dick and May?"
-
-"I saw them go out. What of it?"
-
-"Really, Harry," she said, falling into the name which she had called
-him in her girlhood, "you should have your wits about you when you
-stumble on young lovers in a sentimental attitude."
-
-"I didn't see what they were doing. I was behind you."
-
-"Oh, he had her hand," explained she, extending hers.
-
-Bradish took it shyly, looking confused and mystified. The widow laughed
-in his face.
-
-"What are you laughing at?" he asked.
-
-"What do you suppose he was doing?" Mrs. Neligage demanded. "Now you
-have my hand, what are you going to do with it?"
-
-He dropped her hand in confusion.
-
-"I--I just took it because you gave it to me," he stammered. "I was only
-going--I was going to--"
-
-"Then why in the world didn't you?" she laughed, moving quickly away
-toward the window which opened upon the piazza.
-
-"But I will now," he exclaimed, striding after.
-
-"Oh, now it is too late," she declared teasingly. "A woman is like time.
-She must be taken by the forelock."
-
-"But, Mrs. Neligage, Louisa, I was afraid of offending you!"
-
-"Nothing offends a woman so much as to be afraid of offending her," was
-her oracular reply, as she flitted over the sill.
-
-All the way into town that sunny April afternoon Harry Bradish was
-unusually silent. While Mrs. Neligage, in the highest spirits, rattled
-on with jest, or chat, or story, he replied in monosyllables or in the
-briefest phrases compatible with politeness. He was evidently thinking
-deeply. The very droop of his yellow mustaches showed that. The presence
-of the trig little groom at the back of the trap was a sufficient reason
-why Bradish should not then deliver up any confidential disclosures in
-regard to the nature of his cogitations, but from time to time he
-glanced at the widow with the air of having her constantly in his
-thoughts.
-
-Bradish was the most kindly of creatures, and withal one of the most
-self-distrustful. He was so transparent that there was nothing
-surprising in the ease with which one so astute as Mrs. Neligage might
-read his mood if she were so disposed. He cast upon her looks of inquiry
-or doubt which she gave no sign of perceiving, or now and then of
-bewilderment as if he had come in his thought to a question which
-puzzled him completely. During the entire drive he was obviously
-struggling after some mental adjustment or endeavoring to solve some
-deep and complicated problem.
-
-The day was enchanting, and in the air was the exciting stir of spring
-which turns lightly the young man's fancy to thoughts of love. Whether
-Bradish felt its influence or not, he had at least the air of a man
-emotionally much stirred. Mrs. Neligage looked more alert, more
-provoking, more piquant, than ever. She had, it is true, an aspect less
-sentimental than that of her companion, but nature had given to Harry
-Bradish a likeness to Don Quixote which made it impossible for him ever
-to appear mischievous or sportive, and if he showed feeling it must be
-of the kindly or the melancholy sort. The widow might be reflecting on
-the effectiveness of the turnout, the fineness of the horses, the
-general air of style and completeness which belonged to the equipage, or
-she might be ruminating on the character of the driver. She might on
-the other hand have been thinking of nothing in particular except the
-light things she was saying,--if indeed it is possible to suppose that a
-clever woman ever confines her thoughts to what is indicated by her
-words. Bradish, however, was evidently meditating of her.
-
-When he had brought the horses with a proper flourish to Mrs. Neligage's
-door, Bradish descended and helped her out with all his careful
-politeness of manner. He was a man to whom courtesy was instinctive. At
-the stake he would have apologized to the executioner for being a
-trouble. He might to-day be absorbed and perplexed, but he was not for
-that less punctiliously attentive.
-
-"May I come in?" he asked, hat in hand.
-
-"By all means," Mrs. Neligage responded. "Come in, and I'll give you a
-cup of tea."
-
-Bradish sent the trap away with the satisfactory groom, and then
-accompanied his companion upstairs. They were no sooner inside the door
-of her apartment than he turned to the widow with an air of sudden
-determination.
-
-"Louisa," he said with awkward abruptness, "what did you mean this
-afternoon?"
-
-He grasped her hands with both his; his hat, which he had half tossed
-upon the table, went bowling merrily over the floor, but he gave it no
-heed.
-
-"Good gracious, Harry," she cried, laughing up into his face, "how
-tragic you are! Pick up your hat."
-
-He glanced at the hat, but he did not release her hands. He let her
-remark pass, and went on with increasing intensity which was not unmixed
-with wistfulness.
-
-"I've been thinking about it all the way home," he declared. "You've
-always teased me, Louisa, from the days we were babies, and of course
-I'm an old fool; but--Were you willing I should kiss your hand?"
-
-He stopped in speechless confusion, the color coming into his cheeks,
-and looked pathetically into her laughing face.
-
-"Lots of men have," she responded.
-
-He dropped her hands, and grew paler.
-
-"But to-day--" he stammered.
-
-"But what to-day?" she cried, moving near to him.
-
-"I thought that to-day--Louisa, for heaven's sake, do you care for me?"
-
-"Not for heaven's sake," she murmured, looking younger and more
-bewitching than ever.
-
-Some women at forty-five are by Providence allowed still to look as
-young as their children, and Mrs. Neligage was one of them. Her airs
-would perhaps have been ridiculous in one less youthful in appearance,
-but she carried them off perfectly. Bradish was evidently too completely
-and tragically in earnest to see the point of her quip. He looked so
-disappointed and abashed that it was not strange for her to burst into a
-peal of laughter.
-
-"Oh, Harry," she cried, "you are such a dear old goose! Must I say it in
-words? Well, then; here goes, despite modesty! Take me!"
-
-He stared at her as if in doubt of his senses.
-
-"Do you mean it?" he stammered.
-
-"I do at this minute, but if you're not quick I may change my mind!"
-
-Then Harry Bradish experienced a tremendous reaction from the excessive
-shyness of nearly half a century, and gathered her into his arms.
-
-
-
-
-XXVII
-
-THE CLIMAX OF COMEDY
-
-
-Society has always a kindly feeling toward any person who furnishes
-material for talk. Even in those unhappy cases where the matter provided
-to the gossips is of an iniquitous sort, it is not easy utterly to
-condemn evil which has added a pleasant spice to conversation. It is
-true that in word the sinner may be entirely disapproved, but the
-disapproval is apt to be tempered by an evident feeling of gratitude for
-the excitement which the sin has provided to talkers. In lighter
-matters, where there is no reason to regard with reprobation the course
-discussed, the friendliness of the gossips is often covered with a sauce
-piquant of doubtful insinuation, of sneer, or of ridicule, but in
-reality it is evident that those who abuse do so, like Lady Teazle, in
-pure good nature. To be talked about in society is really to be awarded
-for the time being such interest as society is able to feel; and the
-interest of society is its only regard.
-
-The engagement of Mrs. Neligage to Harry Bradish naturally set the
-tongues of all their acquaintances wagging, and many pretty things were
-said of the couple which were not entirely complimentary. The loves of
-elderly folk always present to the eyes of the younger generation an
-aspect somewhat ludicrous, and the buds giggled at the idea of nuptials
-which to their infantine minds seemed so venerable. The women pitied
-Bradish, who had been captured by the wiles of the widow, and the men
-thought it a pity that so gifted and dashing a woman as Mrs. Neligage
-should be united to a man so dull as her prospective husband. The widow
-did not wear her heart on her sleeve, so that daws who wished to peck at
-it found it well concealed behind an armor of raillery, cleverness, and
-adroitness. Bradish, on the other hand, was so openly adoring that it
-was impossible not to be touched by his beaming happiness. On the whole
-the match was felt to be a suitable one, although Mrs. Neligage had no
-money; and from the mingled pleasure of gossiping about the pair, and
-nominally condemning the whole business on one ground or another,
-society came to be positively enthusiastic over the marriage.
-
-The affairs of Jack Neligage might in time be influenced by his mother's
-alliance with a man of wealth, but they were little changed at first. It
-is true that by some subtile softening of the general heart at the
-thought of matrimony in the concrete, as presented by the spectacle of
-the loves of Mrs. Neligage and Bradish, his social world was moved to a
-sort of toleration of the idea of his marrying Alice Endicott in spite
-of his poverty. People not in the least responsible, who could not be
-personally affected by such a match, began to wonder after all whether
-there were not some way in which it might be arranged, and to condemn
-Miss Wentstile for not making possible the union of two lovers so long
-and so faithfully attached. Society delights in the romantic in other
-people's families, and would have rolled as a sweet morsel under its
-tongue an elopement on the part of Jack and Alice, or any other sort of
-extravagant outcome. The marriage of his mother gave him a new
-consequence both by keeping his affairs in the public mind and by
-bringing about for him a connection with a man of money.
-
-Miss Wentstile was not of a character which was likely sensitively to
-feel or easily to receive these beneficent public sentiments. She was a
-woman who was entirely capable of originating her own emotions, a fact
-which in itself distinguished her as a rarity among her sex. No human
-being, however, can live in the world without being affected by the
-opinions of the world; and it is probable that Miss Wentstile, with all
-her independence, was more influenced by the thought of those about her
-than could be at all apparent.
-
-Mrs. Neligage declared to Jack that she meant to be very civil to the
-spinster.
-
-"She's a sort of cousin of Harry's, you know," she remarked; "and it
-isn't good form not to be on good terms with the family till after
-you're married."
-
-"But after the wedding," he responded with a lazy smile, "I suppose she
-must look out."
-
-Mrs. Neligage looked at him, laughing, with half closed eyes.
-
-"I should think that after the marriage she would do well to remember
-her place," was her reply. "I shall have saved her from the Count by
-that time, too; and that will give her a lesson."
-
-But Providence spared Mrs. Neligage the task of taking the initiative in
-the matter of the Count. One day in the latter part of April, just
-before the annual flitting by which all truly patriotic Bostonians elude
-the first of May and the assessors, the widow went to call on her
-prospective relative. Miss Wentstile was at home in the drawing-room
-with Alice and the Count. Tea had been brought in, and Alice was pouring
-it.
-
-"I knew I should be just in time for tea," Mrs. Neligage declared
-affably; "and your tea is always so delicious, Miss Wentstile."
-
-"How do you do, Louisa," was Miss Wentstile's greeting. "I wish you'd
-let me know when you are at home. I wouldn't have called yesterday if
-I'd supposed you didn't know enough to stay in to be congratulated."
-
-"I had to go out," Mrs. Neligage responded. "I was sorry not to see
-you."
-
-"There was a horrid dog in the hall that barked at me," Miss Wentstile
-continued. "You ought not to let your visitors be annoyed so."
-
-"It isn't my dog," the widow replied with unusual conciliation in her
-manner. "It belongs to those Stearnses who have the apartment opposite."
-
-"I can't bear other people's dogs," Miss Wentstile declared with superb
-frankness. "Fido was the only dog I ever loved."
-
-"Where is Fido?" asked the widow. "I haven't heard his voice yet."
-
-Miss Wentstile drew herself up stiffly.
-
-"I have met with a misfortune. I had to send dear Fido away. He would
-bark at the Count."
-
-Whatever the intentions of Mrs. Neligage to conciliate, Providence had
-not made her capable of resisting a temptation like this.
-
-"How interesting the instinct of animals is," she observed with an air
-of the most perfect ingenuousness. "They seem to know doubtful
-characters by intuition."
-
-"Doubtful characters?" echoed Miss Wentstile sharply. "Didn't Fido
-always bark at you, Louisa?"
-
-"Yes," returned the caller as innocently as ever. "That is an
-illustration of what I was saying."
-
-"Oh, Madame Neleegaze ees so continuously to be _drole_!" commented the
-Count, with a display of his excellent teeth. "So she have to marry, ees
-eet not?"
-
-"Do you mean those two sentences to go together, Count?" Alice asked,
-with a twinkle of fun.
-
-He stood apparently trying to recall what he had said, in order to get
-the full meaning of the question, when the servant announced Mrs.
-Croydon, who came forward with a clashing of bead fringes and a rustling
-of stiff silk. She was ornamented, hung, spangled, covered, cased in jet
-until she might not inappropriately have been set bodily into a relief
-map to represent Whitby. She advanced halfway across the space to where
-Miss Wentstile sat near the hearth, and then stopped with a dramatic
-air. She fixed her eyes on the Count, who, with his feet well apart,
-stood near Miss Wentstile, stirring his tea, and diffusing abroad a
-patronizing manner of ownership.
-
-"I beg your pardon, Miss Wentstile," Mrs. Croydon said in a voice a
-little higher than common, "I will come to see you again when you
-haven't an assassin in your house."
-
-There was an instant of utter silence. The remark was one well
-calculated to produce a sensation, and had Mrs. Croydon been an actress
-she might at that instant have congratulated herself that she held her
-audience spellbound. It was but for a flash, however, that Miss
-Wentstile was paralyzed.
-
-"What do you mean?" exclaimed the spinster, recovering the use of her
-tongue.
-
-"I mean," retorted Mrs. Croydon, extending her bugle-dripping arm
-theatrically, and pointing to the Count, "that man there."
-
-"Me!" cried the Count.
-
-"The Count?" cried Miss Wentstile an octave higher.
-
-"Ah!" murmured Mrs. Neligage very softly, settling herself more
-comfortably in her chair.
-
-"He tried to murder my husband," went on Mrs. Croydon, every moment with
-more of the air of a stage-struck amateur. "He challenged him!"
-
-"Your husband?" the Count returned. "Eet ees to me thees teeme first
-know what you have one husband, madame."
-
-"I thought your husband was dead, Mrs. Croydon," Miss Wentstile
-observed, in a voice which was like the opening of an outside door with
-the mercury below zero.
-
-Mrs. Croydon was visibly confused. Her full cheeks reddened; even the
-tip of her nose showed signs of a tendency to blush. Her trimmings
-rattled and scratched on the silk of her gown.
-
-"I should have said Mr. Barnstable," she corrected. "He was my husband
-once when I lived in Chicago."
-
-The Count, perfectly self-possessed, smiled and stirred his tea.
-
-"Ees eet dat de amiable Mrs. Croydon she do have a deeferent husband
-leek a sailor mans een all de harbors?" he asked with much deference.
-
-Mrs. Neligage laughed softly, leaning back as if at a comedy. Alice
-looked a little frightened. Miss Wentstile became each moment more
-stern.
-
-"Mr. Barnstable and I are to be remarried immediately," Mrs. Croydon
-observed with dignity. "It was for protecting me from the abuse of an
-anonymous novel that he offended you. You would have killed him for
-defending me."
-
-The Count waved his teaspoon airily.
-
-"He have eensult me," he remarked, as if disposing of the whole subject.
-"Then he was one great cowherd. He have epilogued me most abject."
-
-Mrs. Neligage elevated her eyebrows, and turned her glance to Mrs.
-Croydon, who stood, a much overdressed goddess of discord, still in the
-middle of the floor.
-
-"That is nonsense, Mrs. Croydon," she observed honeyedly. "Mr.
-Barnstable behaved with plenty of pluck. The apology was Jack's doing,
-and wasn't at all to your--your _fiance's_ discredit."
-
-Miss Wentstile turned with sudden severity to Mrs. Neligage.
-
-"Louisa," she demanded, "do you know anything about this affair?"
-
-"Of course," was the easy answer. "Everybody in Boston knew it but you."
-
-The Count put his teacup on the mantelpiece. He had lost the jauntiness
-of his air, but he was still dignified.
-
-"Eet was one _affaire d'honneur_," he said.
-
-"But why was I not told of this?" Miss Wentstile asked sharply.
-
-"You?" Mrs. Croydon retorted with excitement. "Everybody supposed--"
-
-Mrs. Neligage rose quickly.
-
-"Really," she said, interrupting the speaker, "I must have another cup
-of tea."
-
-The interruption stopped Mrs. Croydon's remark, and Miss Wentstile did
-not press for its conclusion.
-
-"Count," the spinster asked, turning to that gentleman, who towered
-above her tall and lowering, "have you ever fought a duel?"
-
-The Count shrugged his shoulders.
-
-"All Shimbowski ees _hommes d'honneur_."
-
-She made him a frigid bow.
-
-"I have the honor to bid you good day," she said, with a manner so
-perfect that the absurdity of the situation vanished.
-
-The Count drew himself up proudly. Then he in his turn bowed profoundly.
-
-"You do eet too much to me honor," he said, with a dignity which was
-worthy of his family. "Ladies, _votre serviteur_."
-
-He made his exit in a manner to be admired. Mrs. Croydon feigned to
-shrink aside as he passed her, but Mrs. Neligage looked at her with so
-open a laugh at this performance that confusion overcame the dame of
-bugles, and she moved forward disconcerted. She had not yet gained a
-seat, when Miss Wentstile faced her with all her most unrestrained
-fashion.
-
-"I shouldn't think, Mrs. Croydon, that you, with the stain of a divorce
-court on you, were in position to throw stones at Count Shimbowski. He
-has done nothing but follow the customs to which he's been brought up."
-
-"Perhaps that's true of Mrs. Croydon too," murmured Mrs. Neligage to
-Alice.
-
-"If you wanted to tell me," Miss Wentstile went on, "why didn't you tell
-me when he was not here? No wonder foreigners think we are barbarians
-when a nobleman is insulted like that."
-
-"I didn't mean to tell you," Mrs. Croydon stammered humbly. "It just
-came out."
-
-"Why didn't you mean to tell me?" demanded Miss Wentstile, whose anger
-had evidently deprived her for the time being of all coolness.
-
-"Why, I thought you were engaged to him!" blurted out Mrs. Croydon,
-fairly crimson from brow to chin.
-
-"Engaged!" echoed Miss Wentstile, half breathless with indignation.
-
-Mrs. Neligage came to the rescue, cool and collected, entirely mistress
-of herself and of the situation.
-
-"Really, Mrs. Croydon," she suggested, smiling, "don't you think that is
-bringing Western brusqueness home to us in rather a startling way? We
-don't speak of engagements until they are announced, you know."
-
-"But Miss Wentstile told me the other day that she might announce one
-soon," persisted Mrs. Croydon, into whose flushed face had come a look
-of baffled obstinacy.
-
-Mrs. Neligage threw up her hands in a graceful little gesture. She
-played private theatricals infinitely better than Mrs. Croydon. There
-was in their art all the difference between the work of the most clumsy
-amateur and a polished professional.
-
-"There is nothing to do but to tell it," she said, as if appealing to
-Miss Wentstile and Alice. "The engagement was that of Miss Endicott and
-my son. Miss Wentstile never for a moment thought of marrying the Count.
-She knew from me that he gambled and was a famous duelist."
-
-Alice put out her hand suddenly, and caught that of the widow.
-
-"Oh, Mrs. Neligage!" she cried.
-
-The widow patted the girl's fingers. The face of Miss Wentstile was a
-study for a novelist who identifies art with psychology.
-
-"Of course I ought not to have told, Alice," Mrs. Neligage went on; "but
-I'm sure Mrs. Croydon is to be trusted. It isn't fair to your aunt that
-this nonsensical notion should be abroad that she meant to marry the
-Count."
-
-Mrs. Croydon was evidently too bewildered to understand what had taken
-place. She awkwardly congratulated Alice, apologized to Miss Wentstile
-for having made a scene, and somehow got herself out of the way.
-
-"What an absolutely incredible woman! With the talent both she and Mr.
-Barnstable show for kicking up rows in society," observed Mrs. Neligage,
-as soon as the caller had departed, "I should think they would prevent
-any city from being dull. I trust they will pass the time till their
-next divorce somewhere else than here."
-
-
-
-
-XXVIII
-
-THE UNCLOUDING OF LOVE
-
-
-Miss Wentstile sat grimly silent until they heard the outer door
-downstairs close behind the departing guest. Then she straightened
-herself up.
-
-"I thank you, Louisa," she said gravely; "you meant well, but how dared
-you?"
-
-"Oh, I had to dare," returned Mrs. Neligage lightly. "I'm coming into
-the family, you know, and must help keep up its credit."
-
-"Humph!" was the not entirely complimentary rejoinder. "If you cared for
-the credit of the family why didn't you tell me about the Count sooner?
-Is he really a fast man?"
-
-"He's been one of the best known sports in Europe, my dear Miss
-Wentstile."
-
-"Why didn't you tell me then?"
-
-"Why should I? I wasn't engaged to Harry then, and if the Count wanted
-to reform and settle down, you wouldn't have had me thwart so virtuous
-an inclination, would you?"
-
-"I thought you wanted him to marry Alice!"
-
-"I only wanted Alice out of the way of Jack," the widow confessed
-candidly.
-
-"Why?" Miss Wentstile asked.
-
-The spinster was fond of frankness, and appreciated it when it came in
-her way.
-
-"Because I hated to have Jack poor, and I knew that if Alice married him
-you'd never give them a cent to live on."
-
-Alice, her face full of confusion and pain, moved uneasily, and put her
-hand on the arm of Mrs. Neligage once more, as if to stop her. The widow
-again patted the small hand reassuringly, but kept her eyes fixed full
-on those of the aunt.
-
-"You took a different turn to-day," the spinster observed suspiciously.
-
-"I had to save you to-day," was the ready answer; "and besides I can't
-do anything with Jack. He's bound to marry Alice whether you and I like
-it or not, and he's going to work in a bank in the most stupid manner."
-
-To hear the careless tone in which this was said nobody could have
-suspected that this speech was exactly the one which could most surely
-move the spinster, and that the astute widow must have been fully aware
-of it.
-
-"So you are sure I won't give Alice anything if she marries Jack, are
-you?" Miss Wentstile said. "Well, Alice, you are to marry Jack Neligage
-to save me from the gossips."
-
-"It seems to me," Alice said, blushing very much, "that if I can't have
-any voice in the matter, Jack might be considered."
-
-"Oh, my dear," returned Mrs. Neligage quickly, "do you suppose that if I
-made an alliance for Jack, he would be so undutiful as to object?"
-
-Alice burst into a laugh, but Miss Wentstile, upon whom, in her
-ignorance of the engagement between Jack and May, the point was lost,
-let it pass unheeded.
-
-"Well," she said, "I think I'll surprise you for once, Louisa. If Jack
-will stick faithfully to his place in the bank for a year, I'll give him
-and Alice the _dot_ I promised the Count."
-
-Mrs. Neligage got away from Miss Wentstile's as soon as possible,
-leaving Alice to settle things with her aunt, and taking a carriage at
-the next corner, drove to Jack's lodgings. She burst into his room
-tumultuously, fortunately finding him at home, and alone.
-
-"Oh, Jack," she cried, "I didn't mean to, but I've engaged you again!"
-
-He regarded her with a quizzical smile.
-
-"Matchmaking seems to be a vice which develops with your age," he
-observed. "I got out of the other scrape easily enough, and I won't deny
-that it was rather good fun. I hope that this isn't any worse."
-
-"But, Jack, dear, this time it's Alice!"
-
-"Alice!" he exclaimed, jumping up quickly.
-
-"Yes, it's Alice, and you ought to be grateful to me, for she's going to
-have a fortune, too."
-
-With some incoherency, for she was less self-contained than usual, Mrs.
-Neligage told him what had happened.
-
-"See what it is to have a mother devoted to your interests," she
-concluded. "You'd never have brought Miss Wentstile to terms. You ought
-to adore me for this."
-
-"I do," he answered, laughing, but kissing her with genuine affection.
-"I hope you'll be as happy as Alice and I shall be."
-
-"I only live for my child," returned she in gay mockery. "For your sake
-I'm going to be respectable for the rest of my life. What sacrifices we
-parents do make for our children!"
-
- * * * * *
-
-Late that evening Jack was taking his somewhat extended adieus of Alice.
-
-"After all, Jack," she said, "the whole thing has come out of the novel.
-We'll have a gorgeously bound copy of 'Love in a Cloud' always on the
-table to remind us--"
-
-"To remind us," he finished, taking the words out of her mouth with a
-laugh, "that our love has got out of the clouds."
-
- * * * * *
-
- The Riverside Press
- PRINTED BY H. O. HOUGHTON & CO.
- CAMBRIDGE, MASS.
- U.S.A.
-
- * * * * *
-
-Books by Arlo Bates.
-
-
-LOVE IN A CLOUD. A Novel.
-
-THE PURITANS. A Novel.
-
-THE PHILISTINES. A Novel.
-
-THE PAGANS. A Novel.
-
-PATTY'S PERVERSITIES. A Novel.
-
-PRINCE VANCE. The Story of a Prince with a Court in his Box. By ARLO
-BATES and ELEANOR PUTNAM.
-
-A LAD'S LOVE.
-
-UNDER THE BEECH-TREE. Poems.
-
-TALKS ON WRITING ENGLISH.
-
-TALKS ON THE STUDY OF LITERATURE.
-
-
- HOUGHTON, MIFFLIN & CO.
- BOSTON AND NEW YORK.
-
-
-
-***END OF THE PROJECT GUTENBERG EBOOK LOVE IN A CLOUD***
-
-
-******* This file should be named 42831.txt or 42831.zip *******
-
-
-This and all associated files of various formats will be found in:
-http://www.gutenberg.org/dirs/4/2/8/3/42831
-
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.