summaryrefslogtreecommitdiff
path: root/42722-8.txt
diff options
context:
space:
mode:
Diffstat (limited to '42722-8.txt')
-rw-r--r--42722-8.txt11878
1 files changed, 0 insertions, 11878 deletions
diff --git a/42722-8.txt b/42722-8.txt
deleted file mode 100644
index a6cedb7..0000000
--- a/42722-8.txt
+++ /dev/null
@@ -1,11878 +0,0 @@
-The Project Gutenberg EBook of Historic Paris, by Jetta S. Wolff
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Historic Paris
-
-Author: Jetta S. Wolff
-
-Release Date: May 16, 2013 [EBook #42722]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK HISTORIC PARIS ***
-
-
-
-
-Produced by Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images available at The Internet Archive)
-
-
-
-
-
-
-
-Every attempt has been made to replicate the original book as printed.
-Some typographical errors have been corrected. (a list follows the
-text.) No attempt has been made to correct or normalize all of the
-printed accentuation of names or words in French. (etext transcriber's
-note)
-
-
-
-
- HISTORIC PARIS
-
- BY THE SAME AUTHOR
-
- THE STORY OF THE CHURCHES OF PARIS
-
-[Illustration: LA TOUR DE L'HORLOGE, LES "TOURS POINTUES" DE LA
-CONCIERGERIE ET LE MARCHÉ AUX FLEURS
-
-_Frontispiece_]
-
-
-
-
- HISTORIC PARIS
-
- BY JETTA S. WOLFF
-
- WITH FIFTY-NINE ILLUSTRATIONS
-
- LONDON
-
- JOHN LANE THE BODLEY HEAD LIMITED
- NEW YORK: JOHN LANE COMPANY MCMXXI
-
- _The Mayflower Press, Plymouth, England._ William Brendon & Son, Ltd.
-
-
- TO
-
- LA FRANCE
-
- THE BEAUTIFUL--THE VALOROUS
-
-
-
-
-PREFACE
-
-
-This book, begun many years ago, was laid aside under the stress of
-other work, which did not, however, hinder the sedulous amassing of
-notes during my long and continuous residence in Paris. The appearance
-of the Marquis de Rochegude's exhaustive work, on somewhat the same
-lines in a more extensive compass, took me by surprise, and I thought
-for a moment that it would render my book superfluous. The vast
-concourse of English-speaking people brought hither by the great war,
-people keen to learn the history of the beautiful old buildings they
-find here on every side, made me understand that an English book of
-relatively small compass was needed, and I set to work to finish the
-volume planned and begun so long ago.
-
-I had made the personal acquaintance and consequent notes of most of the
-ancient "Stones of Paris" before looking up published notes concerning
-them. When such notes were looked up, I can only say their sources were
-far too numerous and too scattered to be recorded here. I must beg every
-one who may have published anything worth while on Old Paris to receive
-my thanks, for I have doubtless read their writings with interest and
-benefit. But I must offer special thanks to M. de Rochegude,
-for--writing under pressure to get the book ready for press--his work
-as a reference book, while pursuing my own investigations, has been
-invaluable.
-
-To my readers I would say peruse what I have written, but use your own
-eyes, your own keen observation for learning much more than could be
-noted here. Look into every courtyard in the ancient quarters, look
-attentively at every dwelling along the old winding streets, and fail
-not to look up to their roofs. The roofs are never alike. They are
-strikingly picturesque. Old world builders did not work mechanically,
-did not raise streets in machine-like style, each structure exactly like
-its neighbour, one street barely distinguishable from the street running
-parallel or crossing it, according to the habit of to-day. The builders
-of _les jours d'antan_ loved their craft; every single house gave scope
-for some artistic trait. The roofs offered a fine field for
-architectural ingenuity: wonderfully planned windows, chimneys,
-balconies, gables are to be seen on the roofs often in most unexpected
-corners, in every part of the _Vieux Paris_. Look up!--I cannot urge
-this too strongly. And within every old _hôtel_--the French term for
-private house or mansion--examine each staircase. In the erection of a
-staircase the architect of past ages found grand scope for graceful
-lines, and exquisite workmanship. Thus walks even through the dimmest
-corners of _la Ville Lumière_ will be for lovers of old-time vestiges a
-joy for ever.
-
-This was an iconoclastic age even before the destructiveness of the
-awful war just over. Precious architectural and historical relics were
-swept away to make room for brand-new buildings. As it has been
-impossible during the past months to verify in every instance the
-up-to-date accuracy of notes made previously, it is probable that some
-old structures referred to in these pages as still standing may no
-longer be found on the spot indicated. But whether in such cases their
-site be now an empty space, or occupied by newly built walls, it cannot
-fail to be interesting as the site where a vanished historic structure
-stood erewhile.
-
-JETTA SOPHIA WOLFF.
-
-
-
-
-CONTENTS
-
-
- CHAPTER PAGE
-
- I. THREE PALACES 1
- II. AMONG OLD STREETS 22
- III. THE NEIGHBOURHOOD OF THE GREAT MARKETS 35
- IV. THE PALAIS DE JUSTICE 45
- V. THE NEIGHBOURHOOD OF THE BIBLIOTHÈQUE NATIONALE 51
- VI. ROUND ABOUT ARTS ET MÉTIERS (THE ARTS AND CRAFTS INSTITUTION) 62
- VII. THE TEMPLE 70
- VIII. THE HOME OF MADAME DE SÉVIGNÉ 81
- IX. NOTRE-DAME 86
- X. L'ÎLE ST-LOUIS 92
- XI. L'HÔTEL DE VILLE AND ITS SURROUNDINGS 94
- XII. THE OLD QUARTIER ST-POL 112
- XIII. La Place des Vosges 119
- XIV. The Bastille 123
- XV. In the Vicinity of Two Ancient Churches 126
- XVI. In the Region of the Schools 137
- XVII. La Montagne Ste-Geneviève 144
- XVIII. IN THE VALLEY OF THE BIÈVRE 149
- XIX. RUE ST-JACQUES 152
- XX. LE JARDIN DES PLANTES 155
- XXI. THE LUXEMBOURG 162
- XXII. LES CARMES 168
- XXIII. ON ANCIENT ABBEY GROUND 170
- XXIV. IN THE VICINITY OF PLACE ST-MICHEL 181
- XXV. L'ODÉON 184
- XXVI. ROUND ABOUT THE CARREFOUR DE LA CROIX-ROUGE 186
- XXVII. HÔTEL DES INVALIDES 190
- XXVIII. OLD-TIME MANSIONS OF THE RIVE GAUCHE 194
- XXIX. ANCIENT STREETS OF THE FAUBOURG SAINT-GERMAIN 203
- XXX. THE MADELEINE AND ITS NEIGHBOURHOOD 208
- XXXI. LES CHAMPS-ÉLYSÉES 213
- XXXII. FAUBOURG ST-HONORÉ 216
- XXXIII. PARC MONCEAU 221
- XXXIV. IN THE VICINITY OF THE OPERA 223
- XXXV. ON THE WAY TO MONTMARTRE 227
- XXXVI. ON THE SLOPES OF THE _BUTTE_ 232
- XXXVII. THREE ANCIENT FAUBOURGS 236
- XXXVIII. IN THE PARIS "EAST END" 243
- XXXIX. ON TRAGIC GROUND 246
- XL. LES GOBELINS 251
- XLI. THE NEIGHBOURHOOD OF PORT-ROYAL 256
- XLII. IN THE SOUTH-WEST 260
- XLIII. IN NEWER PARIS 263
- XLIV. TOWARDS THE WESTERN BOUNDARY 269
- XLV. LES TERNES 276
- XLVI. ON THE _BUTTE_ 278
- XLVII. AMONG THE COALYARDS AND THE MEAT-MARKETS 290
- XLVIII. PÈRE-LACHAISE 292
- XLIX. BOULEVARDS--QUAYS--BRIDGES 297
- L. LES BOULEVARDS EXTÉRIEURS 309
- LI. THE QUAYS 320
- LII. LES PONTS 337
-
-
-
-
-ILLUSTRATIONS
-
-
- La Tour de L'Horloge, les "Tour pointues" de la
- Conciergerie et le Marché aux Fleurs _Frontispiece_
-
- PAGE
- Le Vieux Louvre 3
- The Louvre of To-day 5
- Palais des Tuileries 9
- Palais-Royal 15
- L'Église St-Germain-l'Auxerrois 20
- Place et Colonne Vendôme 31
- Portail de St-Eustache 37
- La Tour de L'Horloge, les "Tours Pointues" de
- la Conciergerie et le Marché aux Fleurs 46
- La Sainte-Chapelle 48
- Rue Quincampoix 63
- St-Nicolas-des-Champs 65
- Rue Beaubourg 67
- La Porte du Temple 71
- Porte de Clisson 75
- Ruelle de Sourdis 77
- Hôtel Vendôme, Rue Béranger 79
- Notre-Dame 87
- Rue Massillon 89
- Place de Grève 95
- La Tour St-Jacques 97
- View across the Seine from Place du Châtelet 99
- Rue Brisemiche 101
- L'Église St-Gervais 103
- Hôtel de Beauvais, Rue François-Miron 105
- Rue Vieille-du-Temple 109
- Rue Éginhard 113
- Rue du Prévôt 115
- Hôtel de Sens 117
- Rue de Birague, Place des Vosges 121
- La Bastille 124
- Rue St-Séverin 127
- Église St-Séverin 129
- Hôtel Louis XV, Rue de la Parcheminerie 131
- St-Julien-le-Pauvre 133
- Bas-relief, Rue Galande 134
- Le Musée de Cluny 139
- St-Étienne-du-Mont 145
- Interior of St-Étienne-du-Mont 147
- Rue Mouffetard et St-Médard 150
- Jardin et Palais du Luxembourg 163
- L'Abbaye St-Germain-des-Prés 171
- Cour de Rohan 179
- Rue Hautefeuille 183
- Castel de la Reine Blanche 253
- La Salpétrière 255
- Rue des Eaux, Passy 271
- St-Pierre de Montmartre 281
- Vieux Montmartre, Rue St-Vincent 282
- Rue Mont-Cenis: Chapelle de la Trinité 283
- Vieux Montmartre: Cabaret du Lapin-Agile 284
- Moulin de la Galette 287
- Le Mur des Fédérés 295
- Old Well at Salpétrière 311
- Cloître de l'Abbaye de Port-Royal 315
- Remains of the Convent des Capucins 317
- Hôtel de Fieubet, Quai des Célestins 325
- Quai des Grands-Augustins 333
- Le Pont des Arts et l'Institut 338
- Pont-Neuf 339
-
-
-
-
-
-
-HISTORIC PARIS
-
-
-
-
-CHAPTER I
-
-THREE PALACES
-
-
-THE LOUVRE
-
-The Louvre has existed on the selfsame site from the earliest days of
-the history of Paris and of France. It began as a rough hunting-lodge,
-erected in the time of the _rois fainéants_--the "do-nothing" kings: a
-primitive hut-like construction in the dark wolf-haunted forest to the
-north of the settlement on the islets of the Seine, called Leutekia, the
-city of mud, on account of its marshy situation, or Loutouchezi, the
-watery city, by its Gallic settlers, by the Romans Lutetia
-Parisiorum--the Paris of that long-gone age. The name Louvre, therefore,
-may possibly be derived from the Latin Word _lupus_, a wolf. More
-probably its origin is the old word _leouare_, whence lower, louvre: a
-habitation.
-
-Lutetia grew in importance, and the royal hunting-lodge in its vicinity
-was made into a fortress. The city of mud was soon known by the tribe
-name only, Parisii-Paris, and the Louvre, freed from surrounding forest
-trees, came within the city bounds. It was gradually enlarged and
-strengthened. A white circle in the big court shows the site of the
-famous gate between two Grosses Tours built in the time of the
-warrior-king Philippe-Auguste. Twelve towers of smaller dimensions were
-added by Charles V. Each tower had its own special battalion of
-soldiers. The inner chambers of each had their special use. In the Tour
-du Trésor, the King kept his money and portable objects of great value.
-In the Tour de la Bibliothèque were stored the books of those days,
-first collected by King Charles V, and which formed the nucleus of the
-National Library. Charles V made many other additions and adornments,
-and the first clocks known in France were placed in the Louvre in the
-year 1370. About the same time a primitive stove--a _chauffe-poële_--was
-first put up there. The grounds surrounding the fortress were laid out
-with care, the chief garden stretching towards the north. A menagerie
-was built and peopled; nightingales sang in the groves. The palace
-became a sumptuous residence. Sovereigns from foreign lands were
-received by the Kings of France with great pomp in "_Notre Chastel du
-Louvre, où nous nous tenons le plus souvent quand nous sommes en notre
-ville de Paris_."
-
-The Louvre was the scene of two of the most important political events
-of the fourteenth century. In the year 1303, when Philippe-le-Bel was
-King, the second meeting of that imposing assembly of barons, prelates
-and lesser magnates of the realm which formed, as a matter of fact, the
-first _états généraux_ took place there. In 1358, at the time of the
-rising known as the Jacquerie, Étienne Marcel, Prévôt des Marchands,
-made the Louvre his headquarters. In the fourteenth century a King of
-England held his court there: Henry V, victorious after Agincourt, kept
-Christmas in great state in Paris at the Louvre.
-
-[Illustration: LE VIEUX LOUVRE]
-
-The royal palaces of those days, like great abbeys, were fitted with
-everything that was needed for their upkeep and the sustenance of their
-staff. Workmen, materials, provisions were at hand, all on the premises.
-A farm, a Court of Justice, a prison were among the most essential
-elements of palace buildings and domains. Yet the Louvre with its
-prestige and its immense accommodation was never inhabited continuously
-by the Kings of France, and in the sixteenth century the Palace was so
-completely abandoned as to be on the verge of ruin. Then François I,
-looking forward to the state visit of the Emperor Charles-Quint, sent
-workmen in haste and in vast numbers to the Louvre, to repair and
-enlarge. Pierre Lescot, the most distinguished architect of the day,
-took the great task in hand. The Grosse Tour had already been razed to
-the ground. The ancient walls to the south and west were now knocked
-down. One wall of the Salle des Cariatides, and the steps leading from
-the underground parts of the palace to the ground floor, are all that
-remain of the Louvre of Philippe-Auguste.
-
-It is from this sixteenth-century restoration that the Old Louvre as we
-know it dates in its chief lines. Much of the work of decoration was
-done by Jean Goujon and by Paul Pouce, a pupil of Michael Angelo. But
-the Louvre nevermore stood still. Thenceforward each successive
-sovereign, at some period of his reign, took the palace in hand to
-beautify, rebuild or enlarge--sometimes, however, getting little beyond
-the designing of plans. Richelieu, that arch-conceiver of plans,
-architectural as well as political, would fain have enlarged the old
-palace on a very vast scale. His King, Louis XIII, laid the first stone
-of the Tour de l'Horloge. As soon as the wars of the Fronde were over,
-Louis XIV, the greatest builder of that and succeeding ages, determined
-to enlarge in his own grand way. An Italian architect of repute was
-summoned from Italy; but he and Louis did not agree, and the Italian
-went back to his own land.
-
-[Illustration: THE LOUVRE OF TO-DAY]
-
-The grand Colonnade, on the side facing the old church,
-St-Germain-l'Auxerrois, was built between the years 1667-80 by Claude
-Perrault. The façade facing the quay to the south was then added. After
-the death of the King's active statesman, Colbert, work at the Louvre
-stopped. The fine palace fell from its high estate. It may almost be
-said to have been let out in tenements. Artists, savants, men of
-letters, took rooms there--_logements!_ The Louvre was, as a matter of
-fact, no longer a royal palace. Its "decease" as a king's residence
-dates from the death of Colbert. The Colonnade was restored in 1755 by
-the renowned architect, Gabriel, and King Louis XVI first put forward
-the proposition of using the palace as a great National Museum. It was
-the King's wish that all the best-known, most highly valued works of art
-in France should be collected, added to the treasures of the _Cabinet du
-Roi_, and placed there. The Revolutionary Government put into effect the
-guillotined King's idea. The names of its members may be read inscribed
-on two black marble slabs up against the wall of the circular
-ante-chamber leading to the Galerie d'Apollon, where are preserved and
-shown the ancient crown jewels of France, the beautiful enamels of
-Limoges and many other precious treasures once the possession of
-royalty. This grand gallery, planned and begun by Lebrun in the
-seventeenth century, is modern, built in the nineteenth century by
-Duban.
-
-The First Empire saw the completion of the work begun by the
-Revolutionists. In the time of Napoléon I the marvellous collection of
-pictures, statuary, art treasures of every description, was duly
-arranged and classified. The building of the interior court was finished
-in 1813.
-
-On the establishment of the Second Empire, Napoléon III set himself the
-task of completely restoring the Louvre and extending it. The Pavillon
-de Flore was then rebuilt, joining the ancient palace with the
-Tuileries, which for two previous centuries had been the habitation of
-French monarchs.
-
-After the disasters of 1870-71 restoration was again undertaken, but
-though the Tuileries had been burnt to the ground the Louvre had
-suffered comparatively little damage.
-
-Within its walls the Louvre has undergone drastic changes since its
-conversion from a royal palace to a National Museum. The Salle des Fêtes
-of bygone ages has become the Salle Lacaze with its fine collection of
-masterpieces. What was once the King's Cabinet, communicating with the
-south wing, where in her time Marie de' Medici had her private rooms, is
-known as the Salle des Sept Cheminées, filled with examples of early
-nineteenth-century French art.
-
-In the Salle Carrée, where Henri IV was married, and where the murderers
-of President Brisson met their fate by hanging--swung from the beams of
-the ceiling now finely vaulted--masterpieces of all the grandest epochs
-in art are brought together; from among them disappeared in 1911 the now
-regained Mona Lisa. Painting, sculpture, works of art of every kind,
-every age and every nation fill the great halls and galleries of the
-Louvre. We cannot attempt a description of its treasures here. Let all
-who love things of beauty, all who take pleasure in learning the
-wonderful results of patient work, go and see[A].
-
-Nor can I recount here the numberless incidents, the historic happenings
-of which the Louvre was the scene. It is customary to point out the
-gilded balcony from which Charles IX is popularly supposed to have fired
-upon the Huguenots, or to have given the signal to fire, on that fatal
-night of St-Bartholemew, 1572. But the balcony was not yet there. Nor is
-it probable the young King fired from any other balcony or window. Shots
-were fired maybe from the palace by men less timorous.
-
-On the Seine side of the big court is the site of the ancient Gothic
-Porte Bourbon, where Admiral Coligny was first struck and Concini shot
-through the heart. In our own time we have the startling theft of the
-Joconde from the Salle Carrée, its astonishing return, and the hiding
-away of the treasures in the days of war, of air-raids and long-range
-guns and threatened invasion, to strike our imagination. "The great
-black mass," which the enemy aviator saw on approaching Paris, and knew
-it must be the Louvre, grand, majestic, undisturbed, is the most notable
-monument of Paris and of France.
-
-
-THE TUILERIES
-
-The Palace has gone, burnt to the ground in the war year 1870-71. The
-gardens alone remain, those beautiful Tuileries gardens, the brightest
-spot on the right bank of the Seine. Several moss-grown pillars, some
-remnants of broken arches, the pillars and frontal of the present Jeu de
-Paume and of the Orangery, are all that is left to-day of the royal
-dwelling that erewhile stood there. The palace was built at the end of
-the sixteenth century by Catherine de' Medici to replace the ancient
-palace Les Tournelles, in the Place Royale, now Place des Vosges, where
-King Henri II had died at a festive tournament, his eye and brain
-pierced by the sword of his great general, Comte de Montmorency. Queen
-Catherine hated the sight of the palace where her husband had died thus
-tragically. Its destruction was decreed; and the Queen commanded the
-erection in its stead of the _magnifique bâtiment de l'Hôtel royal, dit
-des Tuileries des Parisiens, parcequ'il y avait autrefois une Tuilerie
-au dit lieu_.
-
-The site of that big tile-yard was in those days outside the city
-boundary. The architect, Philibert Delorme, set to work with great
-ardour. A rough road was made leading from the _bac_, i.e. the ford
-across the Seine, now spanned near the spot by the Pont Royal, to the
-quarries in the neighbourhood of Notre-Dame-des-Champs and Vaugirard,
-whence stone was brought. Thus was born the well-known Rue du Bac. The
-palace was from the first surrounded by a fine garden, separated until
-the time of Louis XIV from the Seine on the one side, from the palace on
-the other, by a _ruelle_; i.e. a narrow street, a lane.
-
-[Illustration: PALAIS DES TUILERIES]
-
-Catherine took up her abode at the new palace as soon as it was
-habitable; but the Queen-Mother was restless and oppressed, haunted by
-presentiments of evil. An astrologer had told her she would meet her
-death beneath the ruins of a mansion in the vicinity of the church,
-St-Germain-l'Auxerrois. She left her new palace, therefore, bought the
-site of several houses, appropriated the ground and buildings of an old
-convent in the neighbourhood of St-Eustache, had erected on the spot a
-fine dwelling: l'hôtel de la Reine, known later as l'hôtel de Soissons,
-where we see to-day the Bourse de Commerce. One column of the Queen's
-palace still stands there, within it a narrow staircase up which she
-was wont to climb with her Italian astrologer.
-
-Meanwhile, the Tuileries palace showed no signs of ruin--quite the
-reverse. Catherine's son, Charles IX, had a bastion erected in the
-garden on the Seine side; a small dwelling-house, a pond, an aviary, a
-theatre, an echo, a labyrinth, an orangery, a shrubbery were soon added.
-Henri IV began a gallery to join the new palace to the Louvre, a work
-accomplished only under Louis XIV. Under Henri's son, Louis XIII, the
-Tuileries was the centre of the smart life of the day; visitors of
-distinction, but not of royal rank, were often entertained in royal
-style in the pavilion in the garden. Under Louis XIV the King's renowned
-garden-planner, Le Nôtre, took in hand the spacious grounds and made of
-them the Jardin des Tuileries, so famous ever since. The fine statues by
-Coustou, Perrault, Bosi, etc., were soon set up there. The _manège_ was
-built--a club and riding-school stretching from what is now the Rue de
-Rivoli from the then Rue Dauphine, now Rue St-Roch, to Rue Castiglione.
-There the _jeunesse dorée_ of the day learned to hold in hand their
-fiery thoroughbreds. The cost of subscription was 4000 francs--£160--a
-year, a vast sum then. Each member was bound to have his personal
-servant, duly paid and fed. A swing-bridge was set across the moat on
-the side of the waste land, soon to become Place Louis XV, now Place de
-la Concorde.
-
-The Garden was not accessible to the public in those days. Until the
-outbreak of the Revolution, the _noblesse_ or their privileged
-associates alone had the right to pace its alleys. Soldiers were never
-permitted to walk there. Once a year only, a great occasion, its gates
-were thrown open to the _peuple_.
-
-A period of neglect followed upon the fine work done under Louis XIV.
-His successor cared nothing for the Tuileries palace and grounds. They
-fell into a most lamentable state; and, when in the troublous days of
-the year 1789, Louis XVI, Marie-Antoinette and their little son took up
-their abode at the Tuileries, the Dauphin looked round in disgust.
-"Everything is very ugly here, _maman_," he said. It was the Paris home
-of the unhappy royal family thenceforth until they were led from the
-shelter of its walls to the Temple prison. It was from the Tuileries
-they made the unfortunate attempt to fly from France. Stopped at
-Varennes, the would-be fugitives were led back to the palace across the
-swing-bridge on the south-western side. Beneath the stately trees of the
-garden the Swiss Guards were massacred soon afterwards. The
-Revolutionary authorities had taken possession of the Riding-School, a
-band of tricolour ribbon was stretched along its frontage and the
-Assemblée Nationale, which had sat first in the old church, St-Pol, then
-at the _archevêché_, installed itself there. There, under successive
-governments, were decreed the division of France into departments, the
-suppression of monastic orders, the suspension of the King's royal power
-after his flight. And there, in 1792, Louis XVI was tried, and after a
-sitting lasting thirty-seven hours condemned to death. The Terrace was
-nicknamed the Jardin National; sometimes it was called the Terre de
-Coblentz, a sarcastic reference to emigrated nobles who erewhile had
-disported there. In 1793, potatoes and other vegetables--food for the
-population of Paris--grew on Le Nôtre's flower-beds, replacing the gay
-blossoms of happier times, even as in our own dire war days beans, etc.,
-are grown in the park at Versailles, and the government of the day sat
-in the Salle des Machines within the Palace walls.
-
-On June 7th, 1794, the Tuileries palace and gardens were the scene of a
-great Revolutionary fête. A few months later the body of Jean-Jacques
-Rousseau was laid out in state in the dry _bassin_ before being carried
-to the Panthéon. Revolutionary fêtes were a great feature of the day,
-and Robespierre, in the intervals of directing the deadly work of the
-Guillotine, devised the semi-circular flower-beds surrounded by stone
-benches for the benefit of the weak and aged who gathered at those
-merry-makings.
-
-Then it was Napoléon's turn. The Tuileries became an Imperial palace.
-For Marie Louise awaiting the birth of the son it was her mission to
-bear, a subterranean passage was made in order that the Empress might
-pass unnoticed from the palace to the terrace-walk on the banks of the
-Seine. The birth took place at the Tuileries, and a year or two later a
-pavilion was built for the special use of the young "Roi de Rome." At
-the Tuileries, in the decisive year 1815, the chiefs of the Armies
-allied against the Emperor met and camped.
-
-Louis XVIII died there in 1824. In 1848, Louis-Philippe, flying before
-the people in revolt, made his escape along the hidden passage cut in
-1811 for Marie-Louise. The palace was then used as an ambulance for the
-wounded and for persons who fell fainting in the Paris streets during
-the tumults of that year. Its last royal master was Napoléon III. The
-new Emperor set himself at once to restore, beautify and enlarge. The
-great iron railing and the gates on the side of the Orangery were put up
-in 1853. A _buvette_ for officers was built in the garden. The Prince
-Imperial was born at the Tuileries in 1854. During the twenty years of
-Napoléon's reign, the Tuileries was the scene of gay, smart life. The
-crash of 1870 was its doom. The Empress Eugénie fled from its shelter
-after Sedan. The Commune set fire to its walls. Crumbling arches,
-blackened pillars remained on the site of the palace until 1883. Then
-they were razed, cleared away and flower-beds laid out, where grand
-halls erewhile had stood. The big clock had been saved from destruction.
-It was placed among the historic souvenirs of the Musée Carnavalet. The
-Pavillon de Marsan of the Louvre, built by Louis XIV, and the Pavillon
-de Flore joining the Tuileries, were rebuilt in 1874.
-
-
-THE PALAIS-ROYAL
-
-Crossing the Rue de Rivoli in the vicinity of the Louvre, we come to
-another palace--the Palais-Royal--of less ancient origin than the Louvre
-or the Tuileries, and never, strictly speaking, a royal palace. Built in
-the earlier years of the seventeenth century by Louis XIII's powerful
-statesman, Cardinal Richelieu, it was known until 1643 as the
-Palais-Cardinal. Richelieu had lived at 20 and 23 of the Place-Royale,
-now Place des Vosges, and at the mansion known as the Petit Luxembourg,
-Rue de Vaugirard. The great man determined to erect for himself a more
-splendid residence, and made choice of the triangular site formed by the
-Rue des Bons-Enfants, Rue St-Honoré and the city wall of Charles V,
-whereon to build. Several big mansions encumbered the spot. Richelieu
-bought them all, had their walls razed, gave the work of construction
-into the hands of Jacques de Merrier. That was in the year 1629. The
-central mansion was ready for habitation four years later; additions
-were made, more _hôtels_ bought and razed during succeeding years. Not
-content with mere courts and gardens around his palace, the Cardinal
-acquired yet another mansion, the hôtel Sillery, in order to make upon
-its site a fine square in front of his sumptuous dwelling. He did not
-live to see its walls knocked down. A few days after the completion of
-this purchase the famous statesman lay dead. It was then--a month or two
-later--that the Palais-Cardinal became the Palais-Royal. By his will,
-Richelieu bequeathed his palace to his King, Louis XIII, who died a few
-months later. Anne d'Autriche, mother of the young Louis XIV, was living
-at the Louvre which, in a continual state of reparation and enlargement,
-was not a comfortable home. Richelieu's fine new mansion tempted her. It
-was truly of royal aspect and dimensions, and was fitted with all "the
-modern conveniences and comforts" of that day. To quote the words of a
-versifier of the time:
-
- "Non, l'Univers ne peut rien voir d'égal.
- Aux superbes dehors du Palais Cardinal.
- Toute une ville entière avec pompe bâtie;
- Semble d'un vieux fossé par miracle sortie.
- Et nous fait présumer à ses superbes toits
- Que tous ses habitants sont des Dieux ou des Rois."
-
-[Illustration: PALAIS-ROYAL]
-
-In 1643 the Queen moved across to it with her family. When the King left
-it in 1652, Henriette of England, widow of Charles I, lived there for a
-time. In 1672 Louis XIV made it over to his brother the duc d'Orléans,
-who did some rebuilding, but the most drastic changes were made in the
-vast construction close upon Revolutionary days. Then, in 1784,
-Philippe-Égalité, finding himself in an impecunious condition,
-conceived a fine plan for making money. Round three sides of the
-extensive garden of his palace he built galleries lined with premises to
-let--shops, etc.--and opened out around them three public thoroughfares:
-Rue de Valois, Rue Beaujolais, Rue Montpensier. The garden thus
-truncated is the Jardin du Palais-Royal as we know it to-day. It was
-even in those days semi-public. Parisians from all time have loved a
-fine garden, and the population of the city resented this curtailment.
-They resented more especially the mercantile spirit which had prompted
-it.
-
-It was in the year 1787 that the theatre known subsequently as the
-Comédie Française, more familiarly the "Français," was built. The
-artistes of the _Variétés_ _Amusantes_ played there then, and for
-several succeeding years. The theatre Palais-Royal had already been
-built, bore many successive different names and became for a time the
-Théâtre Montansier, later Théâtre de la Montagne. The fourth side of the
-palace had been left unfinished. The duc d'Orléans had planned its
-completion in magnificent style. The outbreak of the Revolution put a
-stop to all such plans. Temporary wooden galleries had been built in
-1784. They were burnt down in 1828 and replaced by the Galerie
-d'Orléans, now let out in flats.
-
-Richelieu was titular Superintendent-General of the Marine: some of the
-friezes and bas-reliefs illustrative of this office, decorating the
-Galerie des Proues, are still to be seen there. But of the great
-statesman's original palace comparatively little remains. The duc
-d'Orléans, Regent for Louis XV, razed a great part of Richelieu's
-construction; many of the walls of the palace as we know it date from
-his time--1702-23. Disastrous fires wrought havoc in 1763 and 1781. The
-financially inspired transformations of Philippe-Égalité made in 1786,
-and finally the incendiary work of the Commune in 1871, changed the
-whole aspect of the palace. It went through many phases also during the
-Revolution. Seized as national property, it was known for a time as
-Palais-Égalité. Revolutionary meetings took place in its gardens.
-Revolutionary clubs were organized in its galleries. The statue of
-Camille Desmoulins, set up in recent years--1905--records that decisive
-day, July 12th, 1789, when Desmoulins, haranguing the crowd, hoisted a
-green cocarde in sign of hope. That garden was thenceforth through many
-years the meeting-place of successive political agitators. In our own
-day the Camelots du Roi met and agitated there.
-
-Under Napoléon as Premier Consul, the Tribunat was established there in
-a hall since razed. The Bourse de Commerce succeeded the Tribunat. Then
-the Orléans regained possession of the palace and Prince Louis-Philippe
-went thence to the hôtel de Ville, to return Roi des Français.
-
-The galleries and the façade of the portico of the second court date
-from the first half of the nineteenth century. The upheaval of 1848 and
-the reign of Napoléon III resulted in further changes for the
-Palais-Royal. It became for a time Palais-National, and was subsequently
-put to military uses. Then King Jérôme took up his abode there, and was
-succeeded by his son Prince Napoléon. The little Gothic Chapel where
-Princess Clothilde was wont to pray serves now as a lumberroom. Prince
-Victor, the husband of Princess Clémentine of Belgium, was born at the
-Palais-Royal in 1862.
-
-The galleries surrounding the garden are brimful of historic
-associations. Besides the clubs, noted Revolutionary clubs which met in
-the cafés, notorious gambling-houses existed there.
-
-Galerie Montpensier, Nos. 7-12, is the ancient Café Corazza, the famous
-rendezvous of the Jacobins, frequented later by Buonaparte, Talma, etc.;
-36, once Café des Mille Colonnes, was so named from the multiple
-reflection in surrounding mirrors of its twenty pillars. At 50 we see
-the former Café Hollandais, which had as its sign a guillotine; at 57-60
-the Café Foy, before the doors of which Desmoulins harangued the people
-crowding there.
-
-Galerie Beaujolais, No. 103--now a bar and dancing-hall--is the ancient
-Café des Aveugles, where in the sous-sol an orchestra played, formed
-entirely of blind men from the Quinze-Vingts, the hospital at first
-close by then removed to Rue Charenton, while the Sans-Culottes met and
-plotted. The mural portraits of notable Revolutionists seen there is
-modern work.
-
-Galerie de Valois, Nos. 119, 120, 121, Ombres Chinoises de Séraphin
-(1784-1855) and Café Mécanique formed practically the first Express-Bar.
-At 177, was formerly the cutler's shop where Charlotte Corday bought the
-knife to slay Marat.
-
-Of the three streets made by the mercantile-minded duc d'Orléans the
-walls of two still stand undisturbed. In Rue de Valois we see, at No. 1,
-the ancient pavilion and passage leading from the Place de Valois,
-formerly the Cour des Fontaines, where the inhabitants of Palais-Royal
-drew their water; at 6-8 the restaurant, Boeuf à la mode, built by
-Richelieu as hôtel Mélusine; at 10, the façade of hôtel de la
-Chancellerie d'Orléans; at 20, hôtel de la Fontaine-Martel, inhabited
-for a year by Voltaire, 1732-33. In Rue de Beaujolais we find the
-theatre which began as Théâtre des Beaujolais, was for several years
-towards the close of the eighteenth century a theatre of Marionnettes,
-and is now Théâtre Palais-Royal. Then Rue de Montpensier--1784--shows us
-interesting old windows, ironwork, etc.; Rue Montesquieu--1802--runs
-where the Collège des Bons-Enfants once stood. The Mother-house of the
-Restaurants Duval, so well known in every quarter of Paris, at No. 6, is
-on the site of the ancient Salle Montesquieu, once a popular dancing
-saloon, then a draper's shop with the sign of "Le Pauvre Diable" where
-the founder of the world-known Bon Marché was in his youth a salesman.
-
-Three notable churches stand in the immediate vicinity of these three
-palaces. The ancient St-Germain-l'Auxerrois, St-Roch, erewhile its
-chapel of ease, and the Oratoire. St-Germain opposite the Louvre was the
-Chapel Royal of past ages. Its bells pealed for royal weddings,
-announced the birth of princes, tolled for royal deaths, rang on every
-other occasion of great national importance. Its biggest bell sounded
-the death-knell of the Protestants on the fatal eve of St-Bartholomew's
-Day, 1572. No part of the fine old church as its stands to-day dates
-back as a whole beyond the fifteenth century, but a chapel stood on the
-site as early as the year 560. A baptistery and a school were built
-close to the chapel about a century later, and this early foundation was
-the eldest daughter of Notre-Dame--the Paris Cathedral. After its
-destruction by the invading Normans, it was rebuilt as a fine church by
-Robert le Pieux, in the first years of the eleventh century, and no
-doubt many of its ancient stones found a place in the walls of
-successive rebuildings and restorations. The beautiful Gothic edifice is
-rich in ancient glass, marvellous woodwork, pictures, statuary and
-historic memorials.
-
-[Illustration: L'ÉGLISE ST-GERMAIN-L'AUXERROIS]
-
-The first stone of St-Roch, in the Rue St-Honoré, was laid by Louis XIV,
-in 1653, but the church was not finished till nearly a century later. In
-the walls of its Renaissance façade we see marks of the grape-shot--the
-first ever used--that poured from the guns of the soldiers of the young
-Corsican officer, Napoléon Buonaparte, in the year 1795. Buonaparte had
-taken up his position opposite the church, facing the insurgent
-_sectionnaires_ grouped on its broad steps. The fight that followed was
-the turning-point in the early career of the young officer fated to
-become for a time master of the city and of France. St-Roch is
-especially interesting on account of its many monuments of notable
-persons of the seventeenth and eighteenth centuries and its groups of
-statuary. The Calvary of the Catechists' Chapel, as seen through the
-opened shutters over the altar in the Chapel of the Adoration, is of
-striking effect.
-
-The Oratory, Rue de Rivoli and Rue St-Honoré, was built during the early
-years of the seventeenth century as the mother-church of the Society of
-the Oratorians, founded in 1611, and served at times as the Chapel
-Royal. The Revolution broke up the Society of the Oratorians, their
-church was desecrated, secularized. In 1810, it was given to the
-Protestants and has been ever since the principal French Protestant
-Church of Paris. The statue of Coligny on the Rue de Rivoli side is
-modern--1889.
-
-
-
-
-CHAPTER II
-
-AMONG OLD STREETS
-
-
-Round about these old palaces and churches some ancient streets still
-remain and many old houses, relics of bygone ages. Others have been
-swept away to make room for up-to-date thoroughfares, shops and
-dwellings. Place de l'École and Rue de l'École record the existence of
-the famous school at St-Germain-l'Auxerrois, a catechists' school in the
-first instance, of more varied scope in Charlemagne's time, where the
-pupils took their lessons in the open air when fine or climbed into the
-font of the baptistery when the font was dry. Rue de l'Arbre-Sec, once
-Rue de l'Arbre-Sel, from an old sign, a thoroughfare since the twelfth
-century, was in past days the site of the gallows. There it is said
-Queen Brunehaut was hacked to death. Part of this ancient street was
-knocked down to make way for the big shop "la Samaritaine"; but some
-ancient houses still stand. No. 4, recently razed, is believed to have
-been the hôtel des Mousquetaires, the home of d'Artagnan,
-lieutenant-captain of that famous band.
-
-Rue Perrault runs where in bygone times Rue d'Auxerre, dating from 1005,
-and Rue des Fossés St-Germain-l'Auxerrois stretched away to the
-Monnaie--the Mint. No. 4, hôtel de Sourdis, rebuilt in the eighteenth
-century, was the home in her childhood of Gabrielle d'Estrées. No. 2, is
-the entrance to the _presbytère_ St-Germain-l'Auxerrois. Rue de la
-Monnaie, a thirteenth-century street known at first by other names,
-recalls the existence of the ancient Mint on the site of Rue Boucher
-close by. In Rue du Roule, eighteenth century, we see old ironwork
-balconies. Rue du Pont-Neuf is modern, on the line of ancient streets of
-which all traces have gone. Most of the houses in Rue des Bourdonnais
-are ancient: In the walls of No. 31 we see two or three ancient stones
-of the famous La Trémouille Mansion once there occupied by the English
-under Charles VI. No. 34 dates from 1615. From the door of 39 the
-Tête-Noire with its _barbe d'Or_, which gave the house its name, still
-looks down. The sixth-century cabaret of l'Enfant-Jesus, the monogram
-I.H.S. in wrought iron on its frontage, has been razed. No. 14 is
-believed to have been the home of Greuze. The impasse at 37, in olden
-times Fosse aux chiens, was a pig-market where in the fourteenth century
-heretics were burnt. Rue Bertin-Poirée dates from the early years of the
-thirteenth century, recording the name of a worthy citizen of those long
-past days. At No. 5 we see a curious old sign "La Tour d'Argent"; out of
-this old street we turn into the Rue Jean-Lantier recording the name of
-a thirteenth-century Parisian, much of it and the ancient place du
-Chevalier-du-Guet which was here, swept away in 1854. Rue des
-Lavandières-Ste-Opportune, thirteenth century, reminds us of the
-existence of an old church, Ste-Opportune, in the neighbourhood. Rue des
-Deux-Boules existed under another name in the twelfth century. And here
-in the seventeenth century was l'École du Modèle, nucleus of l'Académie
-des Beaux-Arts.
-
-Rue des Orfèvres began in 1300 as Rue des Deux-portes. An old chapel,
-St-Eloi, stood till 1786 by the side of No. 8. Rue St-Germain-l'Auxerrois
-was a thoroughfare so far back as the year 820. No. 19 is the site of a
-famous episcopal prison: For-l'Evêque. 38, at l'Arche Marion, duels were
-wont to be fought in olden days. Rue des Bons-Enfants, aforetime Rue
-des Echoliers St-Honoré, was so-called from the College founded in 1202
-for "les Bons-Enfants" on the site of the neighbouring Rue Montesquieu,
-suppressed in 1602. Many of the old houses we see there were the
-possession and abode of the dignitaries of St-Honoré. A tiny church
-dedicated to Ste-Claire was in past days close up against the walls of
-No. 12. A vaulted arch and roof and staircase, lately razed, formed
-the entrance to the ancient cloister. Beneath a coat-of-arms over the
-doorway of No. 11, where is the Passage de la Vérité, an old inscription
-told of a reading-room once there, where both morning and evening papers
-were to be found. 19, hôtel de la Chancellerie d'Orléans, is on the
-site of a more ancient mansion. All the houses of this and neighbouring
-streets show some trace of their former state. Rue Radziwill was once
-Rue Neuve des Bons-Enfants, the name still to be seen on an old wall
-near the Banque de France. Nearly all the houses there have now become
-dependencies and offices of the Banque de France, one side of which
-gives upon the even number side of the street. At No. 33 is a wonderful
-twin staircase. At its starting it divides in two and winds up with
-old-time grace to the top story. Two persons can mount at once without
-meeting. Rue la Vrillière dates from 1652, named after the Secrétaire
-d'État of Louis XIV, whose mansion, remodelled, is the Banque de France
-with added to it the Salle Dorée des Fêtes and some other remains of the
-hôtel de Toulouse.
-
-Rue Croix des Petits-Champs dates from 1600, its name referring to a
-cross which stood on the site of No. 12. No. 7, entrance of the old
-Cloître St-Honoré. In the courtyard of No. 21 we see traces of the
-habitation of the abbés. No. 23, hôtel des Gesvres, was the home of the
-parents of Mme de Pompadour.
-
- * * * * *
-
-Two long and important streets, one ancient the other modern, stretch
-through the entire length of this first arrondissement from east to
-west: Rue de Rivoli and Rue St-Honoré.
-
-Rue de Rivoli, dating from the first half of the nineteenth century, was
-begun at its western end in the year 1811, across the site of ancient
-royal stables, along the line of the famous riding-school of the
-Tuileries gardens, and on through grounds erewhile the property of the
-three great convents: les Feuillants, les Capucins, l'Assomption. It
-swept away ancient streets and houses, picturesque courts and corners--a
-fine new thoroughfare built over the ruins of historic walls and
-pavements. There is little to say, therefore, about the buildings one
-sees there now. The hôtel Continental is on the site of one of the first
-of the constructions then erected--the Ministère des Finances, built
-during the second decade of the nineteenth century, burnt to the ground
-by the Commune in 1871. The famous Salle des Manèges, where the
-Revolutionary governments sat and King Louis XVI's trial took place, was
-on the site of the houses numbered 230-226: l'hôtel Meurice, restaurant
-Rumpelmayer, etc., No. 186, a popular tearoom run by a British firm, is
-near the site of the Grande Écurie of vanished royalty, and of a
-well-known passage built there in the early years of the nineteenth
-century.
-
-Admiral Coligny fell assassinated on the spot occupied by the house
-number 144. Passing on into the fourth arrondissement, we come to the
-Square St-Jacques, formed in 1854, where had stood the ancient church
-St-Jacques-la-Boucherie, of which the tower alone remains, a beautiful
-sixteenth-century tower, restored in the nineteenth century by the
-architect Ballu. Nos. 18-16 are on the site of the ancient convent of
-the Petit St-Antoine. In its chapel the Committee of the section "des
-droits de l'Homme" sat in Revolution days.
-
-Rue St-Honoré is full of historic houses and historic associations. Its
-present name dates only from the year 1540, recalling the existence of
-the collegiate church of the district. Like most other long, old
-thoroughfares, Rue St-Honoré is made up of several past-time streets
-lying in a direct line, united under a single name. Almost every
-building along its course bears interesting traces of past grandeur or
-of commercial importance. Many have quaint, odd sign-boards: No. 96 is
-on the site of the Pavillon des Singes, where, in 1622, Molière was
-born. At No. 115 we see inscriptions dating from 1715. No. 108 is
-l'hôtel de l'Ecouvette, formerly part of hôtel Brissac. No. 145 is on a
-site where passed the boundary wall of Phillippe-Auguste and where was
-built subsequently a mansion inhabited by the far-famed duc de Joyeuse,
-then by Gabrielle d'Estrées, and wherein one Jean Châtel made an attempt
-upon the life of Henri IV. Nos. 180, 182, 184 were connected with the
-Cloître St-Honoré. No. 202 bore an inscription recording the erection
-here of the Royal Academy of Music by Pierre Moreau--1760-70--burnt down
-ten years later. No. 161, the Café de la Régence, replaced the famous
-café founded at the corner of the Palais-Royal in 1681, the
-meeting-place of chess-players. A chessboard was lent at so much the
-hour, the rate higher after sunset to pay for the two candles placed
-near. Voltaire, Robespierre, Buonaparte, Diderot, etc., and in later
-days Alfred de Musset and his contemporaries, met here. The city wall of
-Charles V passed across the site with its gateway, Porte St-Honoré. At
-this spot Jeanne d'Arc was wounded in 1429 and carried thence to the
-maison des Genêts on the site of No. 4, Place du Théâtre-Français. A bit
-of the ancient wall was found beneath the pavement there some ten years
-ago. No. 167, Arms of England. No. 280: Jeanne Vanbernier is said to
-have been saleswoman in a milliner's shop here. No. 201 shows the
-old-world sign "Au chien de St-Roch." At No. 211, hôtel St-James, are
-traces of the ancient hôtel de Noailles, which included several distinct
-buildings and extensive grounds. Part of it became, at the Revolution,
-the Café de Vénus; part the meeting-place of the Committees of
-Revolutionary governments. At 320 we see another old sign-board: "A la
-Tour d'Argent." No. 334 was inhabited by Maréchal de Noailles, brother
-of the Archbishop of Paris, in 1700. Nos. 340-338 show traces of the
-ancient convent of the Jacobins. At No. 350, hôtel Pontalba, with its
-fine eighteenth-century staircase, lived Savalette de Langes, keeper of
-the Royal Treasure, who lent seven million francs to the brothers of
-Louis XVI, money never repaid, the home in Revolution days of Barrère,
-where Napoléon signed his marriage contract. Nos. 235, 231, 229, were
-built by the Feuillants 1782 as sources of revenue, and are the last
-remaining vestiges of the old convent. At 249 we see the Arms and
-portrait of Queen Victoria dating from the time of Louis-Philippe. No.
-374 was the hôtel of Madame Géoffrin, whose salon was the meeting-place
-of the most noted politicians, _littérateurs_ and artistes of the day,
-among them Châteaubriand, who made the house his home for a time. At No.
-263 stands the chapel of the ancient convent des Dames de l'Assomption
-(_see_ p. 29).
-
-No. 398 is perhaps in part the very house, more probably the house
-entirely rebuilt, inhabited for a time by Robespierre and some of his
-family and by Couthon. No. 400 was the Imperial bakery in the time of
-Napoléon III. No. 271, now a modern erection, was till quite recently
-the famous cabaret du St-Esprit, dating from the seventeenth century,
-where during the Terreur sightseers gathered to watch the tragic
-chariots pass laden with victims for the guillotine. Marie-Antoinette
-passed that way and was subjected to that cruel scrutiny.
-
-The greater number of the streets of this arrondissement running
-northwards start from Rue de Rivoli, and cross Rue St-Honoré, or start
-from the latter. Beginning at the western end of Rue Rivoli, we see Rue
-St-Florentin dating from 1640, so named more than a century later when
-the comte de St-Florentin deputed the celebrated architects Chalgrin and
-Gabriel to build the mansion we see at No. 2. It was a splendid mansion
-then, with surrounding galleries, fine gardens, a big fountain, and was
-the home of successive families of the _noblesse_. In 1792, it was the
-Venetian Embassy, under the Terreur a saltpeter factory. At No. 12 was
-an inn where people gathered to watch the condemned pass to the
-scaffold.
-
-Rue Cambon, so named after the Conventional author of the Grand Livre de
-La Dette Publique, dates in its lower part, when it was Rue de
-Luxembourg, from 1719, prolonged a century later. Some of the older
-houses still stand, and have interesting vestiges of past days; others,
-razed in recent years, have been replaced by modern constructions. The
-new building, "Cour des Comptes," built to replace the Palais du Quai
-d'Orsay burnt by the Communards in 1871, is on the site of the ancient
-convent of the Haudriettes, suppressed in 1793, when it became the
-garrison of the Cent Suisses, later a financial depot. The convent
-chapel, left untouched, serves as the catechists' chapel for the
-Madeleine, and has services attended especially by Poles.
-
-In Rue Duphot, opened in 1807 across the old garden of the Convent of
-the Conception, we see at No. 12 an ancient convent arch and courtyard.
-
-Rue Castiglione (1811) stretches across the site of the convents Les
-Feuillants and Les Capucins.
-
-In Rue du Mont-Thabor, stretching where was once a convent garden, a
-vaulted roof and chapel-like building at No. 24, at one time an artist's
-studio, remains of the convent once there, is about to be razed. Orsini
-died at No. 10; Alfred de Musset at No. 6 (1857).
-
-
-PLACE VENDÔME
-
-In the year 1685 Louis XIV set about the erection of a grand _place_
-intended as a monument in his own honour. The site chosen was that of
-the hôtel Vendôme which had recently been razed, and of the neighbouring
-convent of the Capucins. The death of Louvois--1691--interrupted this
-work. It was taken in hand a year or two later by Mansart and Boffrand,
-who designed in octagonal form the vast _place_ called at first Place
-des Conquêtes, then Place Louis-le-Grand. A statue of Louis XIV was set
-up there in 1699. The land behind the grand façades and houses erected
-by the State was sold for building purposes to private persons, and the
-notorious banker Law and his associates finished the Place in 1720.
-Royal fêtes were held there and popular fairs. Soon it was the scene of
-financial agitations, then of Revolutionary tumults. On August 10, 1792,
-heads of the guillotined were set up there on spikes and the square was
-named Place des Piques. A bonfire was made of volumes referring to the
-title-deeds of the French _noblesse_ and the archives of the St-Esprit;
-and in 1796 the machines which had been used to make _assignats_ were
-solemnly burnt there. In 1810 the Colonne d'Austerlitz was set up where
-erewhile had stood the statue of Louis XIV, made of cannons taken from
-the enemy, its bas-reliefs illustrative of the chief events of the
-momentous year 1805. It was surmounted by a statue of Napoléon, which,
-in 1814, the Royalists vainly attempted to pull down by means of ropes.
-It was taken away later, the _drapeau blanc_ put up in its stead.
-Napoléon's statue, melted down, was transformed into the statue of Henri
-IV on the Pont-Neuf, replacing the original statue set up there (_see_
-p. 340). In 1833, Napoléon went up again, a newly designed statue,
-replaced in its turn by a reproduction of the first one in 1865. In
-1871, the Column was overturned by the Communards, but set up anew by
-the French Government under MacMahon.
-
-Every mansion on the Place, most of them now commercial hotels or
-business-houses, was at one time or another the habitation of noted men
-and women, and recalls historic events. The façades of Nos. 9 and 7 are
-classed as historic monuments; their preservation cared for by the
-State. No. 23 was the scene of Law's speculations after his forced move
-from his quarters in the old Rue Quincampoix. At No. 6 Chopin died.
-
-[Illustration: PLACE ET COLONNE VENDÔME]
-
-The Rue and Marché St-Honoré are on the site of the ancient convent and
-chapel of the Jacobins, suppressed at the Revolution, and where the
-famous club des Jacobins was established. The market dates from 1810.
-Rue Gomboust dates from the thirteenth century, when it was Rue de la
-Corderie St-Honoré. Rue de Ste-Hyacinthe dates from 1650. Rue de la
-Sourdière from the seventeenth century shows us many old-time walls and
-vestiges and much interesting old ironwork.
-
-On the wall of the church St-Roch we still see the inscription "Rue
-Neuve-St-Roch," the ancient name of the street at its western end. The
-street has existed from the close of the fifteenth century bearing
-different names in the different parts of its course. The part nearest
-the Tuileries was known in the eighteenth century as Rue du Dauphin, in
-Revolution days as Rue de la Convention. Many of its houses are ancient
-and of curious aspect.
-
-In Rue d'Argenteuil, leading out of Rue St-Roch, once a country road,
-stood until recent years the house where Corneille died.
-
-Rue des Pyramides dates only from 1806, but No. 2 of the street is noted
-as the meeting-place, in the rooms of a friend, of Béranger, Alexandre
-Dumas, _père_, Victor Hugo and other famous writers of the day. In the
-fourth story of a house in the corner of the Place dwelt Émile Augier.
-
-From the Place du Théâtre-Français where the fountain has played since
-the middle of the nineteenth century, the Avenue de l'Opéra opened out
-about 1855 as Avenue Napoléon, cut through a conglomeration of ancient
-streets and dwellings. Leading out of the Avenue there still remains in
-this arrondissement Rue Molière, known in the seventeenth century as Rue
-du Bâton-Royal, then as Rue Traversière, and always intimately
-associated with actors and men of letters. Rue Ste-Anne was known in its
-early days as Rue du Sang and Rue de la Basse Voirie, then an unsavoury
-alley-like thoroughfare. Its present name, after Anne d'Autriche, was
-given in 1633. Then for a time it was known as Rue Helvetius, in memory
-of a man of letters born there in 1715. Nearly all its houses are
-ancient and were the habitation in past days of noted persons, artists
-and others. Nos. 43 and 47 were the property of the composer Lulli. The
-street runs on into arrondissement II, where at No. 49, hôtel Thévenin,
-we see an old statue of John the Baptist holding the Paschal Lamb. At
-No. 46 Bossuet lived and died. No. 63 was part of the New Catholic's
-convent. Nos. 64, 66, 68, mansions owned by Louvois.
-
-Rue Thérèse (Marie-Thérèse of Austria) was in 1880 joined on to Rue du
-Hazard, a short street so called from a famous gambling-house; No. 6 has
-interesting old-time vestiges. At No. 23 we see two inscriptions
-honouring the memory of Abbé de l'Epée, inventor of the deaf and dumb
-alphabet, who died at a house, no longer there, in Rue des Moulins. Rue
-Villedo records the name of a famous master-mason of olden time. Rue
-Ventadour existed in its older part in 1640. Rue de Richelieu, starting
-from the Place du Théâtre-Français, goes on to arrondissement II in the
-vicinity of the Bourse. It dates from the time when the Cardinal was
-building his palace. Most of its constructions show interesting
-architectural features, vestiges of past days, many have historic
-associations. Some of the original houses were rebuilt in the eighteenth
-century, some have quite recently been razed and replaced by modern
-erections. Much of the fine woodwork once at No. 21 was bought and
-carried away by the Marquis de Breteuil; the rest by Americans. In a
-house where No. 40 now stands Molière died in 1763. No. 50, hôtel de
-Strasbourg, was rebuilt in 1738 by the mother of Madame de Pompadour. In
-1780 the musician Grétry lived in the fourth story of No. 52.
-
-Rue du Louvre is a modern street where ancient streets once ran,
-demolished to make way for it. At No. 13 we find traces of a tower of
-the city wall of Philippe-Auguste, as also at No. 7 of the adjacent Rue
-Coquillère, a thirteenth-century street with, at No. 31, vestiges of an
-ancient Carmelite convent. At No. 15 we find ourselves before an arched
-entrance and spacious courtyard surrounded by imposing buildings and in
-its centre an immense fountain. This structure is a modern re-erection
-of the ancient Cour des Fermes; the institution of the "Fermiers
-Généraux" was suppressed in 1783 and definitely abolished by law in the
-first year of the Revolution--1789. The members, however, continued to
-meet; many were arrested and shut up as prisoners in their own old
-mansion on this spot, used thenceforth, until the Revolution was over,
-as a State prison.
-
-
-
-
-CHAPTER III
-
-THE NEIGHBOURHOOD OF THE GREAT MARKETS
-
-
-LES HALLES CENTRALES
-
-The legend telling us the great Paris Market was first called "les
-Alles"--no "H"--because everybody _y allait_, i.e. went there, need not
-be taken seriously. Even in remote mediæval times the markets had some
-covered premises or "Halles." The earliest Paris market of which we have
-record takes us back to the year 1000, that momentous year predicted by
-sooth-sayers for the end of the world; few sowings, therefore, had been
-made the preceding season. The market stalls of that year were but
-scantily furnished. That ancient market lying along the banks of the
-Seine in the vicinity of the present Place St-Michel, and its successor
-on what was then Place de Grève (_see_ p. 95) went by the curious name
-Palu. In ancient days, under Louis-le-Gros, the site of the immense
-erection and market-square we see now was known of old as _le terrain
-des champeaux_--the territory of little fields--land owned in part by
-the King, in part by ecclesiastical authorities, and bought for the
-great market in the twelfth century. The sale of herrings, wholesale and
-retail, goes on to-day on the very site set apart for fishmongers in the
-time of St. Louis. Rue Baltard, running through the centre of the
-pavilions, records the name of the architect of the present structure,
-which dates from 1856. Rue Antoine-Carême records the name of Napoléon
-I's cook. Ancient streets surround us here on every side, old houses,
-curious old signs. Rue Berger is made up of several ancient streets
-united. The part of Rue Rambuteau bordering les Halles lies along the
-line of four thirteenth-century streets known of yore by old-world
-names. Rue des Halles, leading up to the Markets from the Rue Rivoli, a
-modern thoroughfare (1854), made along the course of ancient streets,
-has curious old streets leading into it: Rue des Déchargeurs, a
-characteristic name, was opened in 1310. The short Rue du Plat d'Étain
-opening out of it dates from 1300, when it was Rue Raoul Tavernier. Rue
-de la Ferronnerie, extremely narrow at that period, is noted as the
-scene of the assassination of Henri IV in front of a house on the site
-of No. 11 (14 May, 1610). From the days of Louis IX the street was, as
-its name implies, the resort of ironmongers. Good old ironwork is still
-seen on several of the houses. Rue Courtalon (thirteenth century) is
-entirely made up of ancient houses. Rue de la Lingerie, formerly Rue des
-Gantiers, was a well-built street in the time of Henri II, but most of
-the houses seen there now are modern. Rue Prouvaires--from _provoire_,
-old French for _prêtres_--thirteenth century, is referred to in the time
-of Louis IX as one of the finest streets of Paris. It extended formerly
-to the church St-Eustache. Of the old streets once along the course of
-the modern Rue du Pont-Neuf all traces have been swept away.
-
-[Illustration: PORTAIL DE ST-EUSTACHE]
-
-To the north side of Les Halles, we find Rue Mondétour, dating from
-1292, but many of its ancient houses have been razed; modern ones
-occupy their site. A dancing-hall in this old street was the
-meeting-place of French Protestants before the passing of the Edict of
-Nantes. No. 14 has cellars in two stories.
-
-The church St-Eustache is often familiarly referred to by the market
-women as Notre-Dame des Halles. The crypt, once the chapel Ste-Agnes,
-the nucleus of the grand old church, dating from 1200, secularized but
-still forming one with the sacred building, is a fruiterer's shop--truly
-St-Eustache is the church of the Markets. The edifice as it stands dates
-as a whole from the seventeenth century. Gothic in its grand lines, very
-strikingly impressive, it has a Jesuit frontage, substituted for the
-Gothic façade originally planned, and Renaissance ornamentation within.
-The church was mercilessly truncated in the eighteenth century to allow
-for the making and widening of surrounding streets.
-
-Rue du Jour under other names has existed from the early years of the
-thirteenth century, but was then close up against the city wall of
-Philippe-Auguste. Nos. 3, 4, 5, 7, 11 are ancient, and No. 25, with its
-traces of bygone ages, is believed to be on the site of the house where
-Charles V made from time to time a _séjour_, hence the name, truncated,
-of the street.
-
-Rue Vauvilliers, until 1864 Rue du Four St-Honoré, dates from the
-thirteenth century. Here, at No. 33, lodged young Buonaparte, the future
-Emperor, at the ancient hôtel de Cherbourg, in 1787. To-day it is a
-butcher's shop. Several of the houses have curious signs and other
-vestiges of past days. The circular colonnaded street we come to now,
-Rue de Viarmes, was built in 1768 by the Prévôt des Marchands whose name
-it bears. It surrounds the Bourse de Commerce built in 1889 on the site
-of the Halles aux Blés erected in the first instance in 1767, twice
-burnt to the ground and twice subsequently rebuilt on the site of the
-famous hôtel de Nesle where la Reine Blanche, mother of St. Louis, is
-said to have died in 1252. L'hôtel de Nesle was inhabited later by the
-blind King of Bohemia, killed at Crécy, and subsequently by other
-persons of note, then was taken to form part of the Couvent des Filles
-Pénitentes, appropriated with several adjoining hôtels in after years by
-Catherine de' Medici (_see_ p. 9). After the Queen's death, as the
-possession of the comte de Bourbon, it was known as l'hôtel de Soissons;
-in 1749 it was razed to the ground. One ancient pillar, la Colonne de
-l'Horoscope, with its interior flight of steps still stands.
-
-Rue Jean-Jacques Rousseau, in the days when its upper part was the
-ancient Rue Platrière, the lower Rue Grenelle-St-Honoré, counted among
-its inhabitants Rousseau, Bossuet, Marat, Fragonard, Boucher, the
-duchesse de Valentinois, and other noted personages. Most of the ancient
-dwellings have been replaced by modern constructions. Where the General
-Post Office now stands, extending down Rue du Louvre, the comte de
-Flandre had a fine mansion in the thirteenth century. Destroyed in 1543,
-it was replaced by another fine hôtel, which became the Paris post
-office in 1757, rebuilt in 1880. We see interesting architectural traces
-of past days at Nos. 15, 18, 19, 20, 33, 56, 64, 68. This brings us to
-Rue Étienne-Marcel, its name recalling the stirring and tragic history
-of the Prévôt de Paris at the time of the Jacquerie-Marcel, in revolt
-against the Dauphin; Charles V had the two great nobles, Jean de
-Conflans and Robert de Clermont, killed in the King's presence, and was
-himself struck down dead when on the point of giving Paris over to
-Charles-le-Mauvais in 1358. But the name only is ancient, the street is
-entirely modern, cut across the line where ancient streets once ran.
-Some few old-time vestiges remain here and there, notably the Tour de
-Jean Sans Peur at No. 20, all that is left of the hôtel de Bourgoyne,
-built in the thirteenth century, to which the tower was added in 1405;
-it was partially destroyed in the sixteenth century, while what still
-stood became a theatre, the chief Paris play-house, the cradle of the
-Comédie Française.
-
-Rue Montmartre, crossing Rue Étienne-Marcel and going on into the
-arrondissement II, dates at this end--its commencement--from the close
-of the eleventh century. In Revolution days it was known as Rue
-Mont-Marat! As long as Paris had fortified boundary walls there was
-always a Porte Montmartre, moved northward three times, as the city
-bounds extended. The Porte of Philippe-Auguste was where the house No.
-30 now stands, and this part of the street was known then as Rue
-Porte-Montmartre. The Passage de la Reine de Hongrie memorizes a certain
-_dame de la Halle_ in whom Marie-Antoinette saw a remarkable likeness to
-her mother, the Queen of Hungary. The woman became for her generation
-"la Reine de Hongrie"--the alley where she dwelt was called by this
-name. She shared not only the title but the fate of royalty: was
-beheaded by the guillotine.
-
-Rue Montorgueil, beginning here and leading to the higher ground called
-when the Romans ruled in Gaul "Mons Superbus," now the levelled
-boulevard Bonne-Nouvelle and its surrounding streets, was known in the
-thirteenth century as Mont Orgueilleux. In bygone days, the Parisians
-strolled out to the Mont Orgueilleux to eat oysters. There was a famous
-oyster-bed on the site of the house now razed where, in 1780, was born
-that exquisite song and ballad writer, Béranger. The ancient house, No.
-32, is said to have been the home of the architect, Jean Goujon. The
-little side-street Rue Mauconseil dates from 1250, and tradition says
-its name is due to the _mauvais conseil_ given within the walls of the
-hôtel de Bourgoyne, close by, which led to the assassination of the duc
-d'Orléans by Jean Sans Peur. In Revolution days, therefore, it was
-promptly renamed for the nonce Rue du Bon Conseil! At No. 48 we find a
-famous tripe-eating house. No. 47 was once the Central Sedan Chair
-Office. At No. 51 we see interesting signs over the door, and painted
-panels signed by Paul Baudry within (1864). Nos. 64, 72 is the old
-sixteenth-century inn, the "Compas d'Or," and the famous restaurant
-Philippe. The coachyard of the inn is little changed from the days when
-coaches plied between that starting-place and Dreux. The restaurant du
-Rocher de Cancale, at No. 78, dating from 1820, where the most
-celebrated men of letters and art of the nineteenth century met and
-dined, was at first "Le Petit Rocher," then the successor of the ancient
-restaurant at No. 59 dating from the eighteenth century, where the
-_dîners du Caveau_ and the _dîners du Vaudeville_ were eaten by gay
-literary and artistic _dîneurs_ of olden time.
-
-Rue Turbigo is modern and makes us think regretfully of ancient streets
-and of the apse of the church St-Elisabeth demolished to make way for
-it. Turning down Rue St-Denis, the famous "Grande Chaussée de Monsieur
-St-Denis" of ancient days, the road along which legend tells us the
-saint, coming from the heights above, walked carrying his head after
-decapitation, we find it, from this point to the vicinity of the
-Châtelet, rich in historic buildings and vestiges of a past age. Kings
-on their way to Notre-Dame entered Paris in state along this old road;
-it was connected more or less closely with every political event of
-bygone times, with Parisian pleasures too, for there of old the mystery
-plays went on. Curious old streets and passages open out of it: at 279
-the quaint Rue Ste-Foy. In the court of No. 222 we see the hôtel St.
-Chaumont, its façade on boulevard Sebastopol, dating from 1630.
-
-The church we come to at No. 92 dedicated to St. Leu and St. Gilles was
-built in the early years of the thirteenth century on the site of an
-earlier church, a dependent of the Abbaye St-Magloire close by,
-suppressed at the Revolution. Subsequent restorations, and the building
-in the eighteenth century of a subterranean chapel for the knights of
-the Holy Sépulcre, have resulted in an interesting old church of mingled
-Gothic and Renaissance style; its apse was lopped off to make way for
-the modern boulevard Sébastopol. The would-be assassin Cadoudal hid for
-three days crouched up against the figure of Christ in the chapel
-beneath the chancel (1804). Rue des Lombards dates from the thirteenth
-century, and at one or two of its houses, notably No. 62, we find an
-underground hall with vaulted roof and Gothic windows. At No. 56 we see
-an open corner. It is "ground accurst." The house of two Protestant
-merchants who in 1579 were put to death for their "evil practices!" once
-stood there. Their dwelling was razed and a pyramid and crucifix were
-set up on the spot, soon afterwards removed to the cemetery des
-Innocents hard by.
-
-The chemist's shop at No. 44, "Au Mortier d'Or," united now to its
-neighbour "A la Barbe d'Or," dates, as regards its foundation, from the
-sixteenth and seventeenth centuries. In the window we see an open volume
-printed in 1595 with the engraved portrait of the founder.
-
-Rue des Innocents was opened in 1786 across the site of the graveyard of
-the church des Saints-Innocents, founded in 1150 and which stood till
-1790. More than a million bodies are said to have been buried in that
-churchyard. In 1780 the cemetery was turned into a market-place. But it
-was again used as a burial ground for victims of the Revolution of 1830.
-Their bones lie now beneath the Colonne de Juillet on the Place de la
-Bastille. The market-place became a square: "Le Square des Innocents."
-The fine old fountain dating from 1550, the work of the famous sculptors
-Pierre Lescot and Jean Goujon, was taken from its site in the Rue
-St-Denis, restored by the best sculptors of the day, and set up there in
-1850. The beautiful portal of the ancient bureau des Marchandes-lingères
-was placed there in more recent times. The ground floor of most of the
-old houses of this street are ancient _charniers_, many of them built by
-one Nicolas Flamel. Therein were laid in past days the bones
-periodically gathered from the graveyard. The name "Cabaret du Caveau"
-at No. 15 tells its own tale. In Rue Berger, formed along the line of
-several demolished streets of old, we see some ancient signs, but little
-else of interest. Old signs too, in Rue de la Cossonnerie, so named from
-the _cossonniers_, i.e. poultry-merchants, whose market was here and
-which was known as early as 1182 as Via Cochonerie. Rue des Prêcheurs is
-another twelfth-century street and there we see many ancient houses:
-Nos. 6-8, etc. Rue Pirouette, one of the most ancient of Paris streets,
-recalls the days of the _pilori des Halles_, when its victims, forced to
-turn from side to side, made _la pirouette_. Here the duc d'Angoulême
-had his head cut off under Louis XI, and the duc de Nemours in 1477. At
-No. 5 we see the ancient doorway of the demolished hôtellerie du Haume
-(fourteenth century), at No. 9 was the cabaret de l'Ange Gabriel (now
-razed), at No. 13 vestiges of an ancient mansion. A few old houses still
-stand in the Rue de la Grande Truanderie (thirteenth century). Rue de la
-Petite Truanderie, of the same date, was once noted for its old well,
-"le Puits d'Amour," in the small square half-way down the street, of old
-the _truands'_ quarter (_see_ p. 56).
-
-
-
-
-CHAPTER IV
-
-THE PALAIS DE JUSTICE
-
-
-The history of Paris and of France, from the earliest days of their
-story, is connected with the Palais de Justice on the western point of
-the island on the Seine. The palace stands on the site of the habitation
-of the rulers of Lutetia in the days of the Romans, of the first
-Merovingian and of the first Capetian kings. The present building, often
-reconstructed, restored, enlarged, dates in its foundations and some
-other parts from the time of Robert le Pieux. King Robert built the
-Conciergerie. Under Louis IX the palace was again considerably enlarged;
-the kitchens of St. Louis are an interesting feature in the palace as we
-know it. In 1434, Charles VII gave up the palace to the Parliament. It
-met in the great hall above St. Louis' kitchens, and round an immense
-table there law tribunals assembled. For the French Parliament of those
-times was in some sort a great law-court. Guizot describes it as: "la
-cour souveraine du roi, la cour suprême du royaume." Known in its
-earliest days as "Le Conseil du Roi," its members were the grandees of
-the kingdom: vassals, prelates, officers of State, and it was supposed
-to follow the King wherever he went, though as a matter of fact it
-rarely moved from Paris. When, in course of time, it was considered
-desirable that its members should all be able not only to read but to
-write, the great nobles of that age declared they were not going to
-change their swords for a writing-desk and many withdrew, to be replaced
-by men of lesser rank but greater skill in other directions than that of
-arms, and who came to be regarded as the _noblesse de la robe_--distinct
-from _la noblesse de l'épee_.
-
-[Illustration: LA TOUR DE L'HORLOGE, LES "TOURS POINTUES" DE LA
-CONCIERGERIE ET LE MARCHÉ AUX FLEURS]
-
-The big hall of that day and other adjacent halls and passages were
-burnt down more than once in olden times, and burnt down again in 1871,
-when the Communards wrought havoc on so many fine old buildings of their
-city. The most thrilling incidents, the most stirring events in the
-history of the Nation had some point of connection with that ancient
-palace--often a culminating point. And within those grim walls where the
-destinies of men and women of all conditions and ranks were determined,
-where tragedy held its own, scenes in lighter vein were not unknown in
-ancient days. Mystery plays were often given there, and every year in
-the month of May, reputed a "merry month," even in the Palais de
-Justice, the company of men of law known as the "basoche," planted a
-May-tree in the courtyard before the great entrance doors--hence the
-name "la Cour de Mai." It is a tragic courtyard despite its name, for
-the Conciergerie prison opened into it; through the door of what is now
-the Buvette du Palais--a refreshment-room--men and women condemned to
-death passed, in Revolution days, while other men and women, women
-chiefly, crowded on the broad steps above to see the laden _charrettes_
-start off for the place of execution.
-
-[Illustration: LA SAINTE-CHAPELLE]
-
-The Sainte-Chapelle, that wondrous piece of purest Gothic architecture,
-the work of Pierre de Montereau (1245-48) built for the preservation of
-sacred relics brought by Louis IX on his return from the Holy Land,
-vividly recalls the days when the palace was a royal habitation. Its
-upper story was in direct communication with the royal dwelling-rooms;
-the lower story was for the palace servants and officials. During the
-Revolution the chapel was devastated and used as a club and a
-flour-store. The Chambre des Comptes, a beautiful old building in the
-courtyard of the Sainte-Chapelle, was destroyed by fire in 1737. Its big
-arch was saved and forms part of the Musée Carnavalet (_see_ p. 81). A
-chief feature of the _chapelle_ is its exquisite stained glass.
-
-The enlarging of the Palais in recent times (1908) swept away
-surrounding relics of bygone ages. Some vestiges of past days still
-remain in Rue de Harlay opposite the Palais, to the west--Nos. 20, 54,
-52, 68, 74. The buildings of the boulevard du Palais and Rue de Lutèce,
-on its eastern side, arrondissement IV, are all modern on ancient
-historic sites.
-
-Place Dauphine dates from 1607. It was built as a triangular _place_,
-its name referring to the son of Henri IV. In earlier ages, the site
-formed two islets, on one of which, l'îlot des Juifs, Jacques de Morlay,
-Grand Master of the Templars, suffered death by burning in 1314. A
-fountain stood on the Place to the memory of General Desaix, erected by
-public subscription, carted away in the time of the first Republic, and
-set up at Riom. Painters excluded from the Salon used to exhibit their
-work here each year, in the open air, on Corpus Christi day. Some of the
-houses still show seventeenth-and eighteenth-century vestiges. No. 28,
-now much restored, was Madame Roland's early home. The writer Halévy
-died at 26 (1908).
-
-The Quays of the island bordering the Palais north and south both date
-from the sixteenth century. Both have been curtailed by the enlargement
-of the Palais. On Quai des Orfèvres, the goldsmith's quay, from the
-first the jewellers' quarter, still stands the shop once owned by the
-jewellers implicated in the affair of the "_Collier de la Reine_." The
-Quai de l'Horloge is still the optician's quarter and was known in olden
-days as Quai des Morfondus, on account of the blasting winds which swept
-along it--and do so still in winter-time. The palace clock in the fine
-old tower built in the thirteenth century, restored after the ravages of
-the Revolution in the nineteenth, from which the quay takes its present
-name, is a successor of the first clock seen in France, set up there
-about the year 1370. There, too, hung in olden days a great bell rung as
-a signal on official occasions, and which perhaps rang out the
-death-knell of the Huguenots even before the sounding of the bell at
-St-Germain l'Auxerrois, on the eve of St. Bartholomew's Day, 1572.
-
-
-
-
-CHAPTER V
-
-THE NEIGHBOURHOOD OF THE BIBLIOTHÈQUE NATIONALE
-
-
-ARRONDISSEMENT II. (BOURSE)
-
-Rue des Petits-Champs marks the boundary between the arrondissements I
-and II--the odd numbers in arrondissement I, the even ones in
-arrondissement II. The street was opened in 1634. Many of its old houses
-still stand and show us, without and within, some interesting
-architectural features of past days. The hôtel Tubeuf, No. 8, destined
-with adjoining mansions to become the Bibliothèque Nationale, was,
-tradition tells us, staked at the gambling table and won by the
-statesman Mazarin. The Cardinal bought two adjoining _hôtels_ and
-surrounding land as far as the Rue Colbert and built thereon his own
-fine mansion, using the two _hôtels_ as wings. The first books placed
-there were those of his own library, a fine collection, taken at his
-death, according to the directions of his will, to the Collège des
-Quatre Nations, known to-day as the Institut Mazarin. The Cardinal's
-vast mansion was divided among his heirs and in its different parts was
-put to various uses during following years till, in 1721, it was bought
-by the Crown. The King's library was then taken there from Rue Vivienne,
-where it had been placed in 1666, and soon afterwards opened to the
-public. The greater part of the building has been reconstructed in
-modern times and enlarged. The blackened walls of a part of Mazarin's
-mansion, that formed l'hôtel de Nivers, still stand at the corner of Rue
-Colbert. The chief entrance to the Library is in Rue de Richelieu.
-Engravings, medals, works of art of many descriptions connected with
-letters may be seen at what has been successively Bibliothèque Royale,
-Bibliothèque Impériale and is now Bibliothèque Nationale. The ceiling of
-the Galerie Mazarin is covered with splendid frescoes by Romanelli. The
-heart of Voltaire is said to be encased in the statue we see there.
-Madame de Récamier died at the Library in 1849; she had taken refuge
-there in the rooms of her niece, whose husband was one of the officials
-when the cholera broke out in l'Abbaye-aux-Bois. Opposite the Library,
-on the Rue Richelieu side, is the Square Louvois dating from 1839, on
-the site of two old _hôtels_ once there. There, in 1793, Citoyenne
-Montansier set up a theatre, known successively as Théâtre des Arts,
-Théâtre de la Loi and the Opéra.
-
-After the assassination of the duc de Berri in front of No. 3 Rue du
-Rameau (February 13, 1820) as he was about to re-enter the Opera-House,
-Louis XVIII intended to build there a _chapelle expiatoire_. The
-Revolution of 1830 put an end to that project. The big poplar-tree, seen
-until recent years overlooking Rue Rameau, was planted as a tree of
-Liberty in 1848. It suddenly died in 1912. The fountain is the work of
-Visconti and Klagman (1844). In Rue Chabanais (1777) at No. 11,
-Pichegru, betrayed by Leblanc, was arrested (1804). Proceeding down Rue
-de Richelieu we see grand old mansions throughout its entire length. No.
-71 formed part of the hôtel Louvois, given some four years before her
-tragic death to princesse de Lamballe who built roomy stables there. On
-the site of No. 62, quite recently demolished, was the hôtel de Talaru,
-built in 1652, which became one of the most noted prisons of the
-Terreur, and where its owner, the marquis de Talaru, was himself
-imprisoned. No. 75 was l'hôtel de Louis de Mornay, one of the most noted
-lovers of Ninon de Lenclos. No. 78, in the past a famous lace-shop, was
-owned by the East India Company. No. 93, once the immense hôtel Crozet,
-property of the ducs de Choiseul, cut through in 1780 by the making of
-two neighbouring streets, was inhabited in 1715 by Watteau. No. 102
-stands on the site of a house owned by Voltaire, inhabited at one time
-by his niece. No. 104, at first a private mansion, became successively
-Taverne Britannique (1845-52), Restaurant Richelieu, Union Club du
-Billard et du Sport. No. 101 was at one time the restaurant du Grand U,
-so called in 1883 from an article in "Le National" apropos of the _Union
-Republicaine_.
-
-Leading out of Rue Richelieu, in the vicinity of the Bibliothèque
-Nationale, we see old houses in Rue St-Augustin, and Rue des Filles de
-St-Thomas, the latter cut short in more recent days by the Place de la
-Bourse and the Rue du Quatre-Septembre. The busts on No. 7 of the latter
-street recall a theatrical costume store of past days. No. 21 Rue
-Feydeau was the site of the Théâtre des Nouveautés, which became the
-Opéra-Comique, demolished in 1830. Rue des Colonnes was in former days
-closed at each end by gates. At No. 14 Rue St-Marc, Ernest Logouvé was
-born, lived, died (1807-1903). La Malibran was born at No. 31.
-
-The Bourse stands on the site of the convent of les Filles St-Thomas.
-Its cellars still exist beneath what was before 1914 the Restaurant
-Champeaux, Rue du 4 Septembre. The chapel stood till 1802 and was during
-the Revolution the meeting-place of the reactionary section Le Peletier;
-the insurgent troops defeated by Buonaparte on the steps of St-Roch had
-assembled there (1795) (_see_ p. 20).
-
-The first stone of the present Bourse was laid in 1808. The building was
-enlarged in the early years of this century. The Paris Exchange
-stockbrokers had in early times met at the Pont-au-Change; during the
-Revolution they gathered in the chapelle des Petits-Pères; later at the
-Palais-Royal.
-
-The fine old door of the hôtel Montmorency-Luxembourg still stands at
-the entrance to the Passage des Panoramas, leading to the old galleries:
-Galerie Montmartre and Galerie des Variétés--opening out on Rue
-Montmartre and Rue Vivienne. Until after the Revolution there were no
-shops in Rue Vivienne, so full to-day of shops and business houses. It
-records the name of a certain sire Vivien, King's secretary, owner of a
-_hôtel_ in the newly opened thoroughfare. Thierry lived there in 1834,
-Alphonse Karr in 1835. The great gates of the Bibliothèque Nationale on
-this side are those which in bygone days closed the Place-Royale, now
-Place des Vosges. No. 49 is the most ancient Frascati Dining Saloon with
-the old ballroom candelabras. Many of the houses have interesting
-old-time vestiges.
-
-Rue Notre-Dame-des-Victoires was until after 1633 le "Chemin-Herbu," the
-grass-grown road; Nos. 30, 28, 14, 13, 10, 4, 2 are ancient: other old
-houses have been demolished. The Place-des-Victoires from which it
-starts was the site of the fine hôtel de Pomponne, which later served as
-the Banque de France. Most of the houses are ancient with interesting
-architectural features.
-
-Place des Petits-Pères close by is best known for the church there,
-Notre-Dame-des-Victoires, a name given to record the taking of La
-Rochelle from the Protestants in 1627. Its first stone was laid by Louis
-XIII in 1629, but the church was not finished till more than a century
-later. It was for long the convent chapel of the Augustins Déchaussés,
-commonly known as the Petits-Pères, from the remarkably short stature of
-the two monks, its founders. The Lady-chapel is a place of special
-pilgrimage and is brimful of votive offerings. The church is never
-empty. Passers-by rarely fail to go in to say a prayer, or spend a quiet
-moment there; work-girls from the shops and offices and workrooms of the
-neighbourhood go there in their dinner-hour for rest and shelter from
-the streets. Services of thanksgiving after victory are naturally a
-special feature there. The choir has fine pictures by Van Loo. Rue des
-Petits-Pères dates from 1615 and shows interesting traces of past ages.
-Rue d'Aboukir lies along the line of three seventeenth-century streets,
-in one of which Buonaparte lived for a time. Many old houses still stand
-there; others of historical association have been demolished, modern
-buildings erected on their site. Half-way down the street is Place du
-Caire, once the site of that most truly Parisian industry: carding and
-mattress-making and cleaning. French mattresses are, in normal times,
-turned inside out, cleaned or refilled very frequently.
-
-A hospital and a convent stretched along part of the _place_ and across
-Passage du Caire in past days. Several houses there are ancient, as also
-in Rue Alexandrie.
-
-In Rue du Mail, at what is now hôtel de Metz, Buonaparte lodged in 1790.
-We see many old houses. Spontini lived here, and No. 12 was inhabited by
-Madame Récamier and also by Talma. The modern Rue du Quatre-Septembre
-has swept away many an interesting old thoroughfare. At No. 100 the
-Passage de la Cour des Miracles recalls the ancient _cour_ of the name,
-done away with in 1656, of which some traces still remain--the scene in
-olden days of feats of apparent healing and of physical transformation
-whereby the _truands_, persons of no avowed or avowable occupation,
-gained precarious _deniers_. Out of this long modern street we may turn
-into many shorter ancient ones. Rue du Sentier, recalling by its name a
-pathway through a wood--_sentier_, a corruption of _chantier_--has fine
-old houses and knew in its time many inhabitants of mark. At No. 8 lived
-Monsieur Lebrun, a famous picture dealer, husband of Madame Vigée
-Lebrun. At No. 2 dwelt Madame de Staël, at Nos. 22-24, in rooms erewhile
-decorated by Fragonard, Le Normand d'Étioles, husband of La Pompadour,
-after his separation from her. No. 33 was the home of his wife in her
-girlhood and at the time of her marriage. At No. 30 lived Sophie Gay.
-
-Rue St-Joseph, so named from a seventeenth-century chapel knocked down
-in 1800, of which we find some traces, was previously Rue du
-Temps-Perdu; in the graveyard attached to St-Eustache--later a
-market--La Fontaine and Molière were buried, their ashes transferred in
-1818 to Père-Lachaise. At No. 10 Zola was born (1840). Rue du Croissant
-(seventeenth century) is a street of ancient houses and the chief
-newspaper street of the city. Paper hawkers crowd there at certain
-hours each day, then rush away, vying with one another to call attention
-to their stock-in-trade. At No. 22, Café du Croissant, at the corner
-where this street meets the Rue Montmartre, journalists assemble, and
-there the notable Socialist, Jaurès, was shot dead on the eve of the
-outbreak of war, July 31st, 1914. The sign at No. 18 is said to date
-from 1612. In Rue des Jeûneurs (1643)--the name a corruption from _des
-Jeux-Neufs_--we see more ancient houses and leading out of it the old
-Rue St-Fiacre, once Rue du Figuier. No. 19 was inhabited in recent years
-by a lady left a widow after one year's married life, who, owner of the
-building, dismissed the tenants of its six large flats and shut herself
-up in absolute solitude till her death at the age of eighty-nine. No. 23
-was designed by Soufflot le Romain (1775). Rue Montmartre in its course
-continued from arrondissement I, which it leaves at Rue Étienne-Marcel,
-shows many interesting vestiges. At No. 178 we see a bas-relief of the
-Porte Montmartre of past days. Within the modern _Brasserie du Coq_, a
-copy of the automatic cock of Strasbourg Cathedral, dating from 1352. On
-the frontage of No. 121 a curious set of bells, and a quaint sign, "A la
-grâce de Dieu," dating from 1710. No. 118 was known in past days as the
-house of clocks. Thirty-two were seen on its frontage, the work of a
-Swiss clockmaker. Going up this old street in order to visit the streets
-leading out of it, we turn into Rue Tiquetonne, which recalls by its
-aspect fourteenth-century times, by its name a prosperous baker of that
-century, a certain M. Rogier de Quinquentonne. Among the ancient houses
-there, Nos. 4 and 2 have very deep cellars stretching beneath the
-street. In Rue Dussoubs, which under other names dates back to the
-fifteenth century, we see more quaint houses. At No. 26 Goldoni died.
-The short street Marie-Stuart recalls the days when for one brief year
-the beautiful Scotswoman was Queen Consort of France. The name of Rue
-Jussienne is a corruption of Marie l'Égyptienne, patron saint of a
-fourteenth-century chapel which stood there till 1791. At No. 2 lived
-Madame Dubarry after the death of Louis XV. Rue d'Argout dates as Rue
-des Vieux-Augustins from the thirteenth century. Here, at No. 28, lived
-in more modern times, Savalette de Langes, supposed for many years and
-proved at her death to be a man. In Passage du Vigan at No. 22, we find
-bas-reliefs in a courtyard. At No. 56, a small ancient _hôtel_.
-
-Rue Bachaumont is on the site of the vanished Passage du Saumur, a
-milliner's quarter, the most ancient of Paris passages, demolished in
-1899. Rue d'Uzès crosses the site of the ancient hôtel d'Uzès. Rue de
-Cléry was till 1634 an ancient roadway. Madame de Pompadour was born
-here. Pierre Corneille and Casanava, the painter, lived here; and, where
-the street meets Rue Beauregard, Baron Batz made his frantic attempt to
-save Louis XVI on his way to the scaffold. No. 97, now a humble shop
-with the sign "Au poète de 1793," was the home of André Chenier. Nos.
-21-19 belonged to Robert Poquelin, the priest-brother of Molière, later
-to Pierre Lebrun, where in pre-Revolution days theatrical performances
-were given, and the Mass said secretly during the Terror. Leading out of
-Rue Cléry, we find Rue des Degrés, six mètres in length, the smallest
-street in Paris, a mere flight of steps.
-
-Rue St-Sauveur (thirteenth century) memorizes the church once there.
-From end to end we see ancient houses, fine old balconies, curious
-signs, architectural features of interest. In Rue des Petits-Carreaux,
-running on from this end of Rue Montorgueil (_see_ p. 40) we see at No.
-16 the house where, till recent days, musicians assembled for hire each
-Sunday. Now they meet at the Café de la Chartreuse, 24, Boulevard
-St-Denis. In a house in a court where the house No. 26 now stands, lived
-Jean Dubarry. Rue Poissonnière, "Fishwives Street," once "Champ des
-Femmes" (thirteenth century), shows us many ancient houses.
-
-Rue Beauregard was so named in honour of the fine view Parisians had of
-old after mounting Rue Montorgueil. The notorious sorceress, Catherine
-Monvoisin--"la Voisin"--implicated in a thousand crimes, built for
-herself a luxurious habitation on this eminence--somewhat higher in
-those days than in later years. We find several ancient houses along
-this old street, notably No. 46. We see ancient houses also in Rue de la
-Lune (1630). No. 1 is a shop still famed for its _brioches du soleil_.
-Between these two streets stretched in olden days the graveyard of
-Notre-Dame de Bonne-Nouvelle, a church built in 1624 on the site of the
-ancient chapel Ste-Barbe. The name is said to refer to a piece of good
-news told to Anne d'Autriche one day as she passed that way. The tower
-only of the seventeenth-century church remains; the rest was rebuilt in
-1823. Four short streets of ancient date cross Rue de la Lune: Rue
-Notre-Dame de Bonne-Nouvelle (eighteenth century), Rue Thorel (sixteenth
-century), the old Rue Ste-Barbe, Rue de la Ville-Neuve, Rue Notre-Dame
-de la Recouvrance--with old houses of interest in each. At No. 8 Rue de
-la Ville-Neuve we see _médaillons_ of Jean Goujon and Philibert
-Delorme.
-
-Surrounded by old streets, just off the boulevard des Italiens, is the
-Opéra-Comique, originally a Salle de Spectacles, built on the park-lands
-of their fine mansion by the duke and duchess de Choiseul, who reserved
-for themselves and their heirs for ever the right to a _loge_ of eight
-seats next to the royal box. Its name, at first, Salle Favart, has
-changed many times. Burnt down twice, in 1838 and 1887, the present
-building dates only from 1898. Rue Favart, named after the
-eighteenth-century actor, has always been inhabited by actors and
-actresses. Rue de Grammont dates from 1726, built across the site of the
-fine old hôtel de Grammont. Rue de Choiseul, alongside the recently
-erected Crédit Lyonnais, which has replaced several ancient mansions,
-recalls the existence of another hôtel de Choiseul. At No. 21 we find
-curious old attics. Passing through the short Rue de Hanovre, we find in
-Rue de la Michodière, opened in 1778, on the grounds of hôtel Conti, the
-house (No. 8) where Gericault, the painter, lived in 1808, and at No.
-19, the home of Casabianca, member of the Convention where Buonaparte,
-at one time, lodged. At No. 3, Rue d'Antin, then a private mansion,
-Buonaparte married Joséphine (9 March, 1796). Though serving as a
-banker's office, the room where the marriage took place is kept exactly
-as it then was. In a house in Rue Louis-le-Grand, opened in 1701, known
-in Revolution days as Rue des Piques, Sophie Arnould was born. Rue
-Daunou, where at No. 1 we see an ancient escutcheon, leads us into the
-Rue de la Paix, opened in 1806 on the site of the ancient convent of the
-Capucines and called at first Rue Napoléon. All its fine houses are
-modern, as are also those of Rue Volney and Rue des Capucines, on the
-even number side. In the latter street, formed in the year 1700, the
-Crédit Foncier is the old hôtel de Castanier, director of the East India
-Company (1726), and the hôtel Devieux of the same date. Nos. 11, 9, 7, 5
-(fine vestiges at No. 5) were the stables of the duchesse d'Orléans in
-1730.
-
-
-
-
-CHAPTER VI
-
-ROUND ABOUT THE ARTS ET MÉTIERS (THE ARTS AND CRAFTS INSTITUTION)
-
-
-ARRONDISSEMENT III. (TEMPLE)
-
-A long stretch of the busy boulevard Sébastopol forms the boundary
-between arrondissements II and III. Several short old streets run
-between the Boulevard and Rue St-Martin. Rue Apolline (eighteenth
-century), Rue Blondel, Rue Notre-Dame de Nazareth, where curiously
-enough is a Jewish synagogue, show us some ancient houses. The latter,
-in the fifteenth century a roadway, in the seventeenth century a street
-along the course of a big drain, memorizes the convent once there. We
-find vestiges of an ancient _hôtel_ at No. 6, and close by old passages:
-Passage du Vertbois, Passage des Quatre-Voleurs, Passage du
-Pont-aux-Biches. In Rue Papin we find the théâtre de la Gaîté, first set
-up at the Fair St-Laurent in the seventeenth century, here since 1861,
-when it was known as théâtre du Prince Impérial. Crossing Rue Turbigo,
-we reach Rue Bourg l'Abbé, reminding us of a very ancient street of the
-name swept away by the boulevard Sébastopol, and Rue aux Ours, dating
-from 1300, originally Rue aux Oies, referring maybe to geese roasted for
-the table when this was a street of turnspits. On the odd number side
-some ancient houses still stand. Rue Quincampoix, beginning far down in
-the 4th arrondissement, runs to its end into Rue aux Ours. It is
-through its whole course a street of old-time associations. In this bit
-of it we find interesting old houses, arched doorways, sculptured doors,
-etc., at Nos. 111, 99, 98, 96, 92, 91, 90. At No. 91 the watchman's bell
-rang to bid the crowds disperse that pressed tumultuously round the
-offices of the great financier Law, who first set up his bank at the
-hôtel de Beaufort, on the site of the house No. 65. The Salle Molière
-was at No. 82, through the Passage Molière, dating from Revolution days,
-when it was known as Passage des Nourrices. The Salle began as the
-théâtre des Sans-Culottes, to become later the théâtre École. There
-Rachel made her debut. Many traces of the old theatre are still seen.
-
-[Illustration: RUE QUINCAMPOIX]
-
-The old Roman road Rue St-Martin coming northward through the 4th
-arrondissement enters the 3rd from Rue Rambuteau. Along its entire
-course it is rich in old-world vestiges: ancient mansions, old signs,
-venerable sculptures, bas-reliefs, etc. In the Passage de l'Ancre,
-opening at No. 223, the first office for cab-hiring was opened in 1637.
-At No. 254 we come to the old church St-Nicolas-des-Champs, originally a
-chapel in the fields forming part of the abbey lands of
-St-Martin-des-Champs, subsequently the parish church of the district,
-rebuilt at the beginning of the fifteenth century, enlarged towards the
-end of the sixteenth century--a beautiful edifice in Gothic style of two
-different periods and known as the church of a hundred columns. The
-sacristy, once the presbytery, and a sundial dating from 1666, front the
-old Rue Cunin-Gridaine. Crossing Rue Réaumur, we reach the fine old
-abbey buildings which since the Revolution have served as the Paris Arts
-and Crafts Institution. The Abbey was built on the spot beyond the Paris
-boundary where St. Martin, on his way to the city, is said to have
-healed a leper. The invading Normans knocked it down; it was rebuilt in
-1056 and the Abbey grounds surrounded a few years afterwards by high
-walls, rebuilt later as strong fortifications with eighteen turrets.
-Part of those walls and a restored tower are seen at No. 7 Rue Bailly.
-Within the walls were the Abbey chapel, long, beautiful cloisters, a
-prison, a market, etc. In the fourteenth century the Abbey was included
-within the city bounds and the monks held their own till 1790. In 1798,
-the disaffected Abbey buildings were chosen wherein to place the models
-collected by Vaucanson--pioneer of machinists; other collections were
-added and in the century following various changes and additions made in
-the old Abbey structure.
-
-[Illustration: ST-NICOLAS-DES-CHAMPS]
-
-The big door giving on Rue St-Martin dates only from 1850. The great
-flight of steps in the court, built first in 1786, was remodelled and
-modernized in 1860. The ancient cloisters, remodelled, have been for
-years past the scene of busy mechanical and industrial study. The
-ancient and beautiful refectory, the work of Pierre de Montereau,
-architect of the Sainte-Chapelle (_see_ p. 48) has become the Library.
-Beneath the fine vaulted roof, amid tall, slender columns of exquisite
-workmanship, students read where monks of old took their meals. The old
-Abbey chapel (twelfth and thirteenth centuries) restored in the
-nineteenth century, serves as the depot for models of steam-engines,
-etc. A small Gothic chapel is in the hands of a gas company. Other
-venerable portions of the Abbey, fallen into ruin, have quite recently
-been removed.
-
-Rue Vertbois, on the northern side of the institution, records the
-existence of a leafy wood in the old Abbey grounds. The tower dates from
-1140, the fountain from 1712; both were restored at the end of the
-nineteenth century. Going on up this old street we find numerous traces
-of what were erewhile the Abbey precincts.
-
-Porte St-Martin at the angle where the _rue_ meets the _boulevard_ is
-that last of three great _portes_ moving northward, and each in its time
-marking the city boundary.
-
-Rue Meslay, opening out of Rue St-Martin at this point, dates from the
-first years of the eighteenth century, when it was Rue du Rempart. No.
-49 was the home of the last Commandant du Guet. At No. 46 Aurore Dupin,
-known as George Sand, the famous novelist, was born in 1804. At No. 40
-we see the fine old _hôtel_, with a fountain in the court, where in
-eighteenth-century days dwelt the Commandant de la Garde de Paris, the
-_garde_ having replaced the _guet_ (the Watch) in 1771.
-
-[Illustration: RUE BEAUBOURG]
-
-Rue Beaubourg, stretching from Rue Rambuteau to Rue Turbigo, and the
-streets and passages leading out of it, show us many traces of bygone
-times. At No. 28 we find subterranean halls, with hooks where iron
-chains were once held fast--for this was an ancient prison--and a salon
-Louis XVI, with traces of ancient frescoes and sculpture. The city wall
-of Philippe-Auguste passed where the house No. 39 now stands. At No. 62,
-opposite which stretched the graveyard of St-Nicolas-des-Champs, was the
-palace of the bishops of Châlons, taken later to form part of a
-Carmelite convent suppressed in 1793. In a later revolutionary
-period--when Louis-Philippe was on the throne of France--the Paris
-insurrections centred here and horrible scenes took place on this
-spot[B].
-
-In Rue au Maire, a secular official, mayor or bailiff of the Abbey, had
-his seat of office. In the Passage des Marmites (Saucepan Street) dwelt
-none but _chaudronniers_ (coppersmiths and tinkers). We see ancient
-houses all along Rue Volta, and Rue des Vertus, so called by derision,
-having been the Rue des Vices, is made up of quaint old houses. Most of
-the houses, rather sordid, in Rue des Gravilliers, are ancient. No. 44
-is said to have been the meeting-place of the secret Society
-"l'Internationale" in the time of Napoléon III. At Nos. 69 and 70 we see
-traces of the _hôtel_ built by the grandfather of Gabrielle d'Estrées.
-At No. 88 the accomplices of Cadoudal, of the infernal machine
-conspiracy, were arrested.
-
-Rue Chapon, formerly Capon, is named from the Capo, i.e. the cape worn
-by the Jews who in thirteenth-century days were its chief inhabitants.
-Its western end, known till 1851 as Rue du Cimetière St-Nicolas-des-Champs,
-shows many vestiges of past time. No. 16 was the _hôtel_ of Madame de
-Mandeville, at first a nun-novice, to become in the time of Louis XV
-a celebrated courtesan. No. 13 was the _hôtel_ of the archbishops of
-Reims, then of the bishops of Châlons, ceded in 1619 to the Carmelites.
-A big door and other interesting vestiges remain.
-
-Rue de Montmorency is named from the fine old _hôtel_ at No. 5, where
-the Montmorency lived from 1215 to 1627, when the last descendant of the
-famous Constable Mathieu perished on the scaffold. The street is rich
-in historic houses, historic associations. The stretch between Rue
-Beaubourg and Rue du Temple was known till 1768 as Rue Courtauvillain,
-originally Cour-au-Vilains--the Vilains, not necessarily "villains,"
-were the serfs or "common people" of bygone days. There lived Madame de
-Sévigné before making hôtel Carnavalet her home. No. 51 is the Maison du
-Grand Pignon, the big gable, owned, about the year 1407, by Nicolas
-Flamel and his wife Pernelle. Nicolas was a reputed schoolmaster of the
-age who made a good thing out of his establishment and was cited as
-having discovered the philosopher's stone. On his death, he bequeathed
-his house and all his goods to the church St-Jacques-la-Boucherie, of
-which la Tour St-Jacques alone remains (_see_ pp. 95, 97).
-
-Rue Grenier-St-Lazare, in the thirteenth century Rue Garnier de
-St-Ladre, shows us interesting old houses, and at No. 4 a Louis XVI
-staircase.
-
-Rue Michel-le-Comte, another street of ancient houses, erewhile _hôtels_
-of the _noblesse_, reminds one of the popular punning phrase, "_Ça fait
-la Rue Michel_," i.e. _ça fait le compte_--Michel-le-Comte. No. 28 was
-at one time inhabited by comte Esterhazy, Hungarian Ambassador. Impasse
-de Clairvaux, Rue du Maure (fourteenth century, known at one time as
-Cour des Anglais), and Rue Brantôme make a cluster of ancient streets,
-with many vestiges of past ages.
-
-
-
-
-CHAPTER VII
-
-THE TEMPLE
-
-
-OF the renowned citadel and domain of mediæval times, from which the
-arrondissement takes its name, nothing now remains. A modern square
-(1865) has been arranged on the site of the mansion and the gardens of
-the Grand Prieur, but the surrounding streets, several stretching where
-the Temple once stood and across the site of its extensive grounds, show
-us historic houses, historic vestiges and associations along their
-entire course.
-
-The Knights-Templar settled in Paris in 1148. Their domain with its
-dungeon, built in 1212, its manor and fortified tower, and the vast
-surrounding grounds, were seized in 1307 and given over to the knights
-of St. John of Jerusalem, known later as the knights of Malta. From that
-time to the Revolution the Temple was closely connected with the life of
-the city. The primitive buildings were demolished, streets built along
-the site of some of them in the seventeenth century, and an immense
-battlemented castle with towers and a strong prison erected where the
-original stronghold had stood. The Temple, as then built, was like the
-old abbeys and royal palaces: a sort of township, having within its
-enclosures all that was needful for the daily life of its inhabitants.
-Besides Louis XVI and his family many persons of note passed weary days
-in its prison. Sidney Smith effected his escape therefrom. Its
-encircling walls were razed in the first years of the nineteenth
-century; and in 1808 Napoléon had the great tower knocked down. In 1814
-the Allies made the Grand Priory their headquarters. Louis XVIII gave
-over the mansion to an Order of Benedictine nuns. In 1848 it served as a
-barracks. Its end came in 1854, when it was razed to the ground. Then a
-big _place_ and market hall were set up on the site of the old Temple
-chapel and its adjacent buildings--a famous market, given up in great
-part to dealers in second-hand goods--the chief Paris market of
-_occasions_ (bargains). The Rotonde which had been erected in 1781 was
-allowed to stand and lasted till 1863. A new ironwork hall, built in
-1855, was not demolished till recent years--1905.
-
-[Illustration: LA PORTE DU TEMPLE]
-
-Those pretty, gay knick-knacks, that glittering cheap jewellery known
-throughout the world as "articles de Paris" had their origin among a
-special class of the inhabitants of the old Temple grounds. No one
-living there paid taxes. Impecunious persons of varying rank sought
-asylum there--a society made up in great part of artists and
-artistically-minded artisans. To gain their daily bread they set their
-wits and their fingers to work and soon found a ready sale for their
-Brummagem--not mere Brummagem, however, and all of truly Parisian
-delicacy of conception and workmanship.
-
-Starting up Rue du Temple, from Rue Rambuteau, this part of it before
-1851 Rue Ste-Avoie, we come upon the passage Ste-Avoie, and the entrance
-to the demolished _hôtel_, once that of Constable Anne de Montmorency,
-later, for a time, the Law's famous bank. At No. 71 we see l'hôtel de
-St-Aignan, built in 1660, used in 1812 as a _mairie_, with fine doors
-and Corinthian pilastres in the court. No. 79 was l'hôtel de Montmort
-(1650). No. 86 is on the site of a famous cabaret of the days of Louis
-XII. At Nos. 101-103 we see vestiges of l'hôtel de Montmorency. No. 113
-was the dependency of a Carmelite convent. At No. 122 Balzac lived in
-1882. At No. 153 was the eighteenth-century _bureau des
-Vinaigrettes_--Sedan-chairs on wheels. The great door of the Temple,
-demolished in 1810, stood opposite No. 183. Vestiges were found in
-recent years beneath the pavement. At No. 195, within the Église
-Ste-Elisabeth, originally the convent chapel of the Filles de
-Ste-Elisabeth (1614-1690), we see most beautiful woodwork. Rue Turbigo
-cut right through the ancient presbytère.
-
-Turning back down this old street to visit the streets leading out of
-it, we find Rue Dupetit-Thouars, on the site of old _hôtels_ within the
-Temple grounds. Rue de la Corderie, where the Communards met in 1871.
-Rue des Fontaines (fifteenth century), with at No. 7 the ancient
-hôtellerie du Grand Cerf: at No. 15 the _hôtel_ owned by the Superior of
-the convent of the Madelonnettes--a house of Mercy--suppressed at the
-Revolution, used as a political prison, later as a woman's prison. Rue
-Perrée, where a shadowy Temple market is still to be seen, runs through
-the ancient Temple grounds.
-
-Rue de Bretagne stretches from the Rue de Réaumur at the corner of the
-Temple Square, in old days known in its course through the Temple
-property as Rue de Bourgogne, farther on as Rue de Saintonge; leading
-out of it, at No. 62, the short Rue de Caffarelli runs along the line of
-the eastern wall of the vanished Temple fortress; at No. 45 is the Rue
-de Beauce where we come upon the ancient private passage, Rue des
-Oiseaux, with its _vacherie_ of the old hospice des Enfants-Rouges. At
-No. 48 opens the ancient Rue du Beaujolais-du-Temple, renamed Rue de
-Picardie. At No. 41 we find the Marché des Enfants-Rouges, a picturesque
-old-time market hall with an ancient well in the courtyard. Rue
-Portefoin, thirteenth century. Rue Pastourelle, of the same epoch where
-at No. 23 lived the _culottier_, Biard, who wrote the Revolutionary
-song: la Carmagnole. Rue des Haudriettes, known in past days as Rue de
-l'Échelle-du-Temple, for there at its farther end was the Temple pillory
-and a tall ladder reaching to its summit. The name _Haudriette_ is that
-of the order of nuns founded by Jean Haudri, secretary to Louis IX, who,
-given up by his wife as lost while travelling in the East, returned at
-length to find her living among a community of widows to whom she had
-made over her home. Haudri maintained the institution thus founded,
-which was removed later to a mansion, now razed, near the chapel of the
-Assumption, in Rue St-Honoré. Rue de Brague, until 1348 Rue
-Boucherie-du-Temple, the Templars meat market. The fine old _hôtel_ at
-Nos. 4 and 6 has ceilings painted by Lebrun. All these streets are rich
-in old-time houses, old-time vestiges, and they are all, as is the whole
-of this arrondissement on this side Rue du Temple as far as Rue de
-Turenne, in the Marais, a name referring to the marshy nature of the
-district in long-past days--but which was for long in pre-Revolution
-times the most aristocratic quarter of the city. We find ourselves now
-before the Archives and the Imprimerie Nationale, the latter to be
-transferred to its new quarters Rue de la Convention. The frontage of
-this fine old building and its entrance gates give on the Rue des
-Francs-Bourgeois, of which more anon (_see_ p. 84). On the western side
-we see a thick high wall and the Gothic doorway of what was, in the
-fourteenth century, the Paris dwelling of the redoubtable Constable,
-Olivier de Clisson, subsequently for nearly two hundred years in the
-hands of the Guise. In 1687 it was rebuilt for the Princess de Soubise
-by the architect, Delamair. Pillaged during the Revolution, it became
-national property, and in 1808 the Archives were placed there by
-Napoléon. Frescoes, fine old woodwork, magnificent mouldings,
-architectural work of great beauty are there to be seen. The Duke of
-Clarence is said to have made the hôtel Clisson his abode during the
-English occupation under Henry V. Going up Rue des Archives we see at
-No. 53, dating from 1705, the _hôtel_ built there by the Prince de
-Rohan, and onward up the street fine old mansions, once the homes of men
-and women of historic name and fame. No. 72 is said to have been the
-"Archives" in the time of Louis XIII. An eighteenth-century fountain is
-seen in the yard behind the stationer's shop there. No. 78 was the
-_hôtel_ of Maréchal de Tallard. No. 79 dates from Louis XIII. At No. 90
-we see traces of the old chapel of the Orphanage des Enfants-Rouges, so
-called from the colour of the children's uniform. The eastern side of
-the Imprimerie Nationale adjoining the Archives, built by Delamair, as
-the hôtel de Strasbourg, and commonly known as hôtel de Rohan, because
-four comtes de Rohan were successively bishops of Strasbourg, is
-bounded by Rue Vieille-du-Temple, that too along its whole course a
-sequence of old houses bearing witness to past grandeur. No. 54 is the
-picturesque house and turret built in 1528 by Jean de la Balue,
-secretary to the duc d'Orléans. No. 56 was once the abode of Loys de
-Villiers of the household of Isabeau de Bavière. No. 75 was the town
-house of the family de la Tour-du-Pin-Gouvernet (1720). On the walls of
-No. 80 we read the old inscription "Vieille rue du Temple." No. 102 was
-the hôtel de Caumartin, later d'Epernon. Nos. 106 and 110 were
-dependencies of the hôtel d'Epernon.
-
-[Illustration: PORTE DE CLISSON
-
-(Archives)]
-
-Rue des Quatre-Fils on the north side of the Archives and its adjoining
-buildings, known in past times as Rue de l'Échelle-du-Temple, recalls to
-mind the romantic adventures of four sons of a certain Aymon, sung by a
-thirteenth-century troubadour. Most of its houses are ancient. Leading
-out of it is the old Rue Charlot with numerous seventeenth-century and
-eighteenth-century houses or vestiges. We peep into the Ruelle Sourdis,
-a gutter running down the middle of it, once shut in by iron gates and
-boundary stones. At No. 5 we see what remains of the hôtel Sourdis,
-which in 1650 belonged to Cardinal Retz. The church St-Jean-St-François,
-opposite, is the ancient chapel of the convent St-François-des-Capucins
-du Marais. It replaced the old church St-Jean-en-Grève, destroyed at the
-Revolution, and here we see, surrounding the nave, painted copies of
-ancient tapestries telling the story of the miracle of the sacred Hostie
-which a Jew in mockery sought to destroy by burning. The fête of
-Reparation kept from the fourteenth century at the church of St-Jean and
-at the chapel les Billettes (_see_ p. 107) has since 1867 been kept
-here. Here too, piously preserved, is the chasuble used by the Abbé
-Edgeworth at the last Mass heard before his execution by Louis XVI in
-the Temple prison hard by. In the short Rue du Perche behind the church,
-lived for a time at No. 7 _bis_ Scarron's young widow, destined to
-become Madame de Maintenon. Fine frescoes cover several of its ceilings.
-In Rue de Poitou we find more interesting old houses. In Rue de
-Normandie Nos. 10, 6, 9 show interesting features, old courtyards, etc.
-Turning from Rue Charlot into Rue Béranger, known until 1864 by the name
-of the Grand Prior of the Temple de Vendôme, we find the hôtel de
-Vendôme, Nos. 5 and 3, dating from 1752 where Béranger lived and died.
-At No. 11, now a business house, lived Berthier de Sauvigny,
-Intendant-Général de Paris in 1789, hung on a lamp-post after the taking
-of the Bastille, one of the first victims of the Revolution.
-
-[Illustration: RUELLE DE SOURDIS]
-
-Running parallel to Rue Charlot, starting from the little Rue du Perche,
-Rue Saintonge, formed by joining two seventeenth-century streets, Rue
-Poitou and Rue Touraine, shows us a series of ancient dwellings. From
-October, 1789, to 15th July, 1791, Robespierre lived at No. 64. A fine
-columned entrance court at No. 5 has been supplanted by a brand-new
-edifice. The _hôtel_ at No. 4, dating originally from about 1611, was
-rebuilt in 1745.
-
-Rue de Turenne, running in this arrondissement from Rue Charlot to the
-corner of the Place des Vosges, began as Rue Louis, then in its upper
-part was Rue Boucherat, as an ancient inscription at No. 133 near the
-fountain Boucherat records. From the old street whence it starts, Rue
-St.-Antoine in the 4th arrondissement, it is a long line of ancient
-_hôtels_, the homes in bygone days of men of notable names and doings;
-one side of the convent des Filles-du-Calvaire stretched between the Rue
-des Filles-du-Calvaire and Rue Pont-au-Choux. No. 76 was the home of the
-last governor of the Bastille, Monsieur de Launay. The church of
-St-Denis-du-St-Sacrament at No. 70 was built in 1835 on the site of the
-chapel of a convent razed in 1826, previously a mansion of Maréchal de
-Turenne. At No. 56, Scarron lived and died. No. 54 was the abode of the
-comte de Montrésor, noted in the wars of the Fronde. At No. 41, fresh
-water flows from the fontaine de Joyeuse on the site of the ancient
-hôtel de Joyeuse. We find a beautiful staircase in almost every one of
-these old _hôtels_.
-
-[Illustration: HÔTEL VENDÔME, RUE BÉRANGER]
-
-Shorter interesting old streets lead out of this long one on each side.
-
-Rue du Parc-Royal, memorizes the park and palace of Les Tournelles,
-razed to the ground after the tragic death of Henri II by his widow,
-Catherine de' Medici (_see_ p. 8). No. 4, dating from 1620, was
-inhabited by successive illustrious families until the early years of
-the nineteenth century. There, till recently, was seen a wonderful
-carved wood staircase. Many of the ancient houses erewhile here have
-been demolished in recent years, and are supplanted by modern buildings
-and a garden-square.
-
-
-
-
-CHAPTER VIII
-
-THE HOME OF MADAME DE SÉVIGNÉ
-
-
-We are now in the vicinity of that most entrancing of historic museums,
-Musée Carnavalet, and its neighbouring library. On the wall of Rue de
-Sévigné is still to be read engraved in the stonework its more ancient
-name, Rue de la Culture-Ste-Catherine, so called because it ran across
-cultivated land in the vicinity of an ancient church dedicated to St.
-Catherine. It was in 1677 that Madame de Sévigné and her daughter,
-Madame de Grignan, settled in the first story of the house No. 23, built
-some hundred and thirty years before by Jacques de Ligneri under the
-direction of the renowned architect Pierre Lescot and the sculptor Jean
-Goujon. The widow of a Breton lord, Kernevenoy, or some such word by
-name, which resolved itself into Carnavalet, bought the _hôtel_ from the
-Ligneri; inhabitants and owners changed as time went on, but this name
-remained. At the Revolution, the mansion was taken possession of by the
-State, was used for a school, to become after 1871 the historical Museum
-of Paris. In 1898 the museum was taken in hand by M. Georges Cain and
-from that day to this has been continually added to, made more and more
-valuable and attractive by this eminently capable administrator. To
-study the history, and learn "from the life" the story of Paris and of
-France, go to the Musée Carnavalet. And to read about all you see
-there, turn at No. 29 into the Bibliothèque de la Ville. In olden days
-le Petit Arsenal de la Ville stood on the site. The edifice we see,
-l'hôtel St-Fargeau, was built in 1687. The city library, which had been
-re-organized by Jules Cousin, was placed there in 1898.
-
-Rue Payenne runs across the site of ancient houses and of part of two
-convents, a door of one is seen at that regrettably modern-style
-erection, so out of keeping with its surroundings, the Lycée
-Victor-Hugo. At No. 5 we see a bust of Auguste Compte, with an
-inscription, for this was the "Temple of the religion of Humanity," and
-Compte's friend and inspirer Clotilde de Vaux died here. Here souvenirs
-of the philosopher are kept in a memorial chapel. Nos. 11 and 13 formed
-the mansion of the duc de Lude, one of the most noted admirers of Madame
-de Sévigné, Grand Maître d'Artillerie in 1675, and was inhabited at one
-time by Madame Scarron. In Rue Elzévir--in the sixteenth century Rue des
-Trois-Pavillons--was born Marion Delorme (1613). Ninon de Lenclos lived
-here in 1642. We see a fine old house at No. 8, and at No. 2 l'hôtel de
-Lusignan. Leading out of Rue Elzévir, the old Rue Barbette records the
-name of a master of the Mint under Philippe-le-Bel, and a house he built
-with extensive gardens, known as the Courtille Barbette; the Courtille
-was destroyed by the populace, displeased at a change in the coinage, in
-1306; the house remained and became a rendezvous of courtiers, passed
-into the hands of the extremely light-lived Isabeau de Bavière, who
-inaugurated there her wonderful _bals masqués_. It was on leaving the
-hôtel Barbette that the duc d'Orléans, Isabeau's lover, was
-assassinated, on the threshold of a neighbouring house, by the men of
-Jean Sans Peur, 23 November, 1407 (_see_ p. 40). The mansion passed
-subsequently through many hands, and was finally in part demolished in
-1563, and this street cut across the ground where it had stood. No. 8
-was the "petit hôtel" of Maréchal d'Estrées, brother of Gabrielle,
-confiscated at the Revolution and made later the mother-house of the
-Institution "la Legion d'Honneur" for the education of officer's
-daughters. The grand old mansion has been despoiled of its splendid
-decorations, precious woodwork, etc.--all sold peacemeal for high
-prices. Almost every house in this old street is an ancient _hôtel_. No.
-14 was the hôtel Bigot de Chorelle, No. 16 the hôtel de Choisy, No. 18
-the hôtel Massu, No. 17 the hôtel de Brégis, etc. We see other ancient
-houses in Rue de la Perle. At No. 1, dating from the close of the
-seventeenth century, we find wonderfully interesting things in the
-courtyard; busts of old Romans, fine bas-reliefs, etc.
-
-Rue de Thorigny, sixteenth century, was named after Président Lambert de
-Thorigny, whose descendants built, a century or two later, the fine
-hôtel Lambert on l'Ile St-Louis. Marion died in a house in this street;
-Madame de Sévigné lived here at one time, as did Balzac in 1814. The
-fine _hôtel_ at No. 5 goes by the name hôtel Salé, because its owner,
-Aubert de Fontenay, had grown rich through the Gabelle (salt-tax). Later
-it was the abode of Monseigneur Juigné, Archbishop of Paris, who in the
-terrible winter 1788-89 gave all he possessed to assuage the misery of
-the people, yet met his death by stoning on the outbreak of the
-Revolution. Confiscated by the State, the fine old mansion was for a
-time put to various uses; then bought and its beauties reverently
-guarded by its present owners. Rue Debelleyme, made up of four short
-ancient streets, shows interesting vestiges. The nineteenth-century
-novelist, Eugène Sue, lived here.
-
-To the east of Rue de Turenne, at its junction with Rue des
-Francs-Bourgeois, we find old streets across the site of the ancient
-palace des Tournelles; of the palace no trace remains save the name of
-the old Rue des Tournelles. Rue du Foin runs where hay was once made in
-the fields of the palace park. Rue de Béarn was in olden times Rue du
-Parc-Royal. Here we find vestiges of the convent des Minimes, founded by
-Marie de' Medici in 1611, suppressed in 1790. Some of its walls form
-part of the barracks we see there, and the cloister still stands intact
-in the courtyard, while at No. 10, Rue des Minimes, may be seen the old
-convent door. The building No. 7 of this latter street, now a school,
-dates from the seventeenth century. A famous chestnut-tree, several
-hundred years old, flourished in the court at No. 14 till a few years
-ago. In Rue St-Gilles, we see among other ancient houses the Pavilion of
-the hôtel Morangis, No. 22, and at No. 12, the Cour de Venise. In Rue
-Villehardouin, when it was Rue des Douze Portes, to which Rue St-Pierre
-was joined at its change of name, lived Scarron and his young wife. Rue
-des Tournelles with its strikingly old-world aspect shows us two houses
-inhabited by Ninon de Lenclos, Nos. 56 and 26, and at No. 58, that of
-Locré, who with some other men of law drew up the famous Code Napoléon.
-
-At No. 1, Rue St-Claude, one side of the house in Rue des Arquebusiers,
-dwelt the notorious sorcerer, Joseph Balsamo, known as comte de
-Cagliostro. The iron balustrade dates from his day and the heavy
-handsome doors came from the ancient Temple buildings. Rue Pont-au-Choux
-recalls the days when the land was a stretch of market gardens. Rue
-Froissard and Rue de Commines lie on the site of the razed couvent des
-Filles-du-Calvaire, of which vestiges are to be seen on the boulevard at
-No. 13.
-
-
-
-
-CHAPTER IX
-
-NOTRE-DAME
-
-
-ARRONDISSEMENT IV. (HÔTEL-DE-VILLE)
-
-Rue Lutèce, the French form of the Roman word Lutetia, recording the
-ancient name of the city, is a modern street on ancient historic ground.
-There, on the river island, the first settlers pitched their camp,
-reared their rude dwellings, laid the foundation of the city of mud to
-become in future days the city of light, the brilliant Ville Lumière.
-When the conquering Romans took possession of the primitive city and
-built there its first palace, the island of the Seine became l'Île du
-Palais.
-
-[Illustration: NOTRE-DAME]
-
-Of the buildings erected there through succeeding centuries, few traces
-now remain. But Roman walls in perfect condition were discovered beneath
-the surface of the island so recently as 1906. Close to the site of Rue
-Lutèce ran, until the middle of last century, the ancient Rue des Fèves,
-where was the famous Taverne de la Pomme de Pin, a favourite
-meeting-place from the time of Molière of great men of letters. Crossing
-Rue de la Cité, formed in 1834 along the line of the old Rue St-Éloi
-which stretched where Degobert's great statesman had founded the abbey
-St-Martial, we come to the Parvis Notre-Dame. The Parvis, so wide and
-open to-day, was until very recent times--well into the second half of
-the nineteenth century--crowded with buildings; old shops, old streets,
-erections connected with the old Hôtel-Dieu, covered in great part the
-space before the Cathedral, now an open square. The statue of
-Charlemagne we see there is modern, set up in 1882.
-
-The Cathedral, beloved and venerated by Parisians from all time--"_Sacra
-sancta ecclesia civitatis Parisiensis_"--stands upon the site of two
-ancient churches which in early ages together formed the Episcopal
-church of the capital of France. One bore the name of the martyr, St.
-Stephen, the other was dedicated to Ste-Marie.
-
-These churches stood on the site of a pre-Christian place of worship, a
-temple of Mars or Jupiter: Roman remains of great extent were found
-beneath the pavements when clearing away the ancient buildings on the
-Parvis. Fire wrought havoc on both churches, entirely destroyed one, and
-towards the year 1162 Sully set about the erection of a church worthy of
-the capital of his country. Its first stone was laid by the Guelph
-refugee, Pope Alexander III, in 1163. The chancel, the nave and the
-façade were finished without undue delay, and in 1223 the whole of the
-beautiful Gothic building was finished; alterations were made during the
-years that followed until about 1300. From that time onward Notre-Dame
-was made a store-house of things beautiful. The finest pictures of each
-succeeding age lined its walls--at length so thickly that there was room
-for no more. Much beautiful old work, including a fine rood screen, was
-carted away under Louis XIV, when space was wanted for the immense
-statue of the Virgin set up then in fulfilment of the vow of Louis XIII,
-destroyed later. The figures on the great doors, we see to-day, are
-modern: the original statuettes were hacked to pieces at the outbreak of
-the Revolution by the mob who mistook the Kings of Israel for the Kings
-of France!
-
-[Illustration: RUE MASSILLON]
-
-The _flêche_, too, is of latter-day construction, built by Viollet le
-Duc, to replace the ancient turret bell-tower. Destruction and
-desecration of every kind fell upon the Cathedral in Revolution days.
-Priceless glass was smashed, magnificent work of every sort ruthlessly
-torn down, trampled in the dust. On the Parvis--the space before the
-Cathedral doors where in long-gone ages the mystery plays were acted--a
-great bonfire was made of all the Mass books and Bibles, etc., found
-within the sacred edifice: priceless illuminated missals, etc., perished
-then. Marvellous woodwork, glorious stained-glass windows, fine statuary
-happily still remain.
-
-From the time of its erection, the grand Cathedral was closely connected
-with the greatest historical events of France, just as the church built
-by Childebert and the older church of St-Étienne had been before. St.
-Louis was buried there in 1271. The first States-General was held there
-in 1302. There Henry VI of England was crowned King of France in 1431,
-and Marie-Stuart crowned Queen Consort in 1560. Henri IV heard his first
-Mass there in 1694. Within the sacred walls the Revolutionists set up
-the worship of reason, held sacrilegious fêtes. Napoléon I was crowned
-there and was there married to Marie Louise of Austria. Napoléon III's
-wedding took place there. These are some only singled out from a long
-list of historical associations. National Te Deums, Requiems, Services
-of Reparation all take place at this Sancta Ecclesia Parisionis.
-
-The Hôtel-Dieu on the north side of the Parvis is the modern hospital
-raised on the site of the ancient Paris House of God, the hospital for
-the Paris poor built in the thirteenth century, always in close
-connection with the Cathedral and having its _annexe_ across the little
-bridge St-Charles, a sort of covered gallery. Those blackened walls
-stood till 1909.
-
-Rue du Cloître Notre-Dame belonged in past ages to the Cathedral
-Chapter, a cloistered thoroughfare. Its fifty-one houses have almost
-entirely disappeared. Three still stand: Nos. 18, 16, 14. Pierre Lescot,
-the notable sixteenth-century architect, to whom a canonry was given,
-died there in 1578. Rue Chanoinesse is still inhabited by the Cathedral
-canons. Its houses are all ancient. At No. 10 lived Fulbert, the uncle
-of the beautiful Héloïse, who braved his anger for the sake of Abelard,
-who lived and taught hard by. Racine is said to have lived at No. 16.
-The old Tour de Dagobert, which did not, however, date back quite to
-that monarch's time, stood at No. 18 till 1908. Its wonderful staircase,
-formed of a single oak-tree, is at the Musée Cluny. Lacordaire is said
-to have lodged at No. 17. A curious old courtyard at No. 20. At No. 24,
-vestiges of the old chapel St-Aignan (twelfth century). At 26, a passage
-with old pillars and paved with old tombstones. Leading out of it runs
-the little Rue des Chantres where the choristers lived and worked to
-perfect their voices and their knowledge of music. Rue Massillon is
-entirely made of old houses with most interesting features--a marvellous
-carved oak staircase at No. 6, fine doors, curious courtyards. Another
-beautiful staircase at No. 4. In Rue des Ursins, connected with Rue
-Chanoinesse, we find many ancient houses. At No. 19 we see vestiges of
-the old chapel where Mass was said secretly during the Revolution by
-priests who went there disguised as workmen.
-
-Rue de la Colombe, where we find an inscription referring to the
-discovery there of Roman remains, dates from the early years of the
-thirteenth century.
-
-
-
-
-CHAPTER X
-
-L'ÎLE ST-LOUIS
-
-
-Crossing the bridge painted of yore bright red and known therefore as le
-Pont-Rouge, we find ourselves upon the Île St-Louis, in olden days two
-distinct islands: l'Île Notre-Dame and l'Île-aux-Vaches, both
-uninhabited until the early years of the seventeenth century. Tradition
-says the law-duels known as _jugements de Dieu_ took place there. The
-Chapter of Notre-Dame had certain rights over the island.
-
-In the seventeenth century, consent was given for the Île St-Louis to be
-built upon, and the official constructor of Ponts and Chaussées obtained
-the concession of the two islets under the stipulation that he should
-fill up the brook which separated them, and make a bridge across the arm
-of the Seine to the city quay. The brook became Rue Poulletier, where we
-see interesting vestiges of that day and two ancient _hôtels_, Nos. 3
-and 20--the latter now a school.
-
-All along Rue St-Louis-en-l'Île and in the streets connected with it,
-fine old mansions, or beautiful vestiges of the buildings then erected,
-still stand. The church we see there was begun by Le Vau in 1664, on the
-site of a chapel built at his own expense by one Nicolas-le-Jeune. The
-curious belfry dates from 1741. The church is a very store-house of
-works of art, many of them by the great masters of old, put there by its
-vicar, Abbé Bossuet, who devoted his whole fortune and his untiring
-energy to the work of restoring the church left in ruins after its
-despoliation at the Revolution, and died so poor in consequence as to be
-buried by the parish. At No. 1 of this quaint street we find a pavilion
-of l'hôtel de Bretonvilliers of which an arch is seen at No. 7, and
-other vestiges at Nos. 5 and 3. The Arbalétriers were wont to meet here
-in pre-Revolution days. No. 2, its northern front giving on Quai d'Anjou
-(_see_ p. 328), is the grand mansion of Nicolas Lambert de Thorigny,
-built by Le Vau, 1680; its splendid decorations are the work of Lebrun
-and other noted artists and sculptors of the time. In 1843 it was bought
-by the family of a Polish prince and used in part as an orphanage for
-the daughters of Polish exiles till 1899.
-
-
-
-
-CHAPTER XI
-
-L'HÔTEL DE VILLE AND ITS SURROUNDINGS
-
-
-The Hôtel de Ville, which gives its name to the arrondissement, is a
-modern erection built as closely as possible on the plan and from the
-designs of the fine Renaissance structure of the sixteenth century burnt
-to the ground by the Communards in 1871. Place de l'Hôtel de Ville,
-where it stands, was until 1830 Place de Grève, the Place du Port de
-Grève of anterior days, days going back to Roman times. Like the Paris
-Cathedral, the hôtel de Ville is closely linked with the most marked
-events of French history. The first hôtel de Ville was known as la
-Maison-aux-Piliers, previously l'hôtel des Dauphins du Viennois, bought
-in 1357 by Étienne Marcel, Prévôt des Marchands, of historic memory
-(_see_ p. 39), whose statue we see in the garden. The first stone of the
-fine building burnt in 1871 was laid by François I in 1533, its last one
-in the time of Henri IV. On the Square before it executions took place,
-for offences criminal, political, religious, by burning, strangling,
-hanging and the guillotine. In its centre stood a tall Gothic cross
-reared upon eight steps, at the foot of which the condemned said their
-last prayers. The guillotine first set up there in 1792 was soon moved
-about, as we know, to different points of the city, when used for
-political victims. Common-law criminals continued to expiate their evil
-deeds on Place de Grève. It was a comparatively small _place_ in those
-days. Its enlargement in the eighteenth and nineteenth centuries caused
-the destruction of many old streets, in one of which was the famous
-Maison de la Lanterne. Close up against the Hôtel de Ville stood in past
-days the old church St-Jean-en-Grève and a hospice; both were
-incorporated in the town hall by Napoléon I. The entire building was
-destroyed in 1871, but the present structure is remarkably fine in every
-part, both within and without, and the Salle St-Jean, memorizing the
-church once there, is splendidly decorated. The Avenue Victoria, on the
-site of ancient streets, memorizes the visit of the English Queen in
-1855. The short Rue de la Tâcherie (from _tâche_: task, work) crossing
-it, was in the thirteenth century Rue de la Juiverie, for here we are in
-the neighbourhood of what is still the Jews' quarter.
-
-[Illustration: PLACE DE GRÈVE]
-
-A modern garden-square surrounds the beautiful Tour St-Jacques, all that
-is left of the ancient church St-Jacques-la-Boucherie, built in the
-fifteenth century, on the site of a chapel of the eighth century,
-finished in the sixteenth, entirely restored in the nineteenth century
-and again recently. It is used as an observatory. Paris weather
-statistics hail from la Tour St-Jacques.
-
-On the site of the modern Place du Châtelet rose in bygone ages the
-primitive tower of the Grand Châtelet, which developed under
-Louis-le-Gros into a strongly fortified castle and prison guarding the
-bridge across the Seine to the right, while the Petit Châtelet guarded
-it on the left bank. A _chandelle_--a flaming tallow candle--set up by
-command of Philippe-le-Long near its doorway, is said to be the origin
-of the lighting, dim enough as it was for centuries, of Paris streets.
-The fortress was rebuilt by Louis XIV; part of it served as the Morgue
-until it was razed to the ground in 1802. The fountain plays where the
-prison once stood. Numerous old streets lead out of the modern Rue de
-Rivoli at this point. Rue Nicolas-Flamel, running where good Nicolas had
-a fine _hôtel_ in the early years of the fifteenth century, and Rue
-Pernelle recording the name of his wife, have existed under other names
-from the thirteenth century. Rue St-Bon recalls the chapel on the spot
-in still earlier times.
-
-Rue St-Martin beginning at Quai des Gesvres, the high road to the north
-of Roman days, after cutting through Avenue Victoria, crosses Rue de
-Rivoli at this point, and here was the first of the four Portes which in
-succession marked the city boundary on this side. The beautiful
-sixteenth-century church we see here, St-Merri, stands on the site of a
-chapel built in the seventh century. In a Gothic crypt remains of its
-patron saint who lived and died on the spot are reverently guarded, and
-the bones of Eudes the Falconer, the redoubtable warrior who dowered the
-church, discovered in perfect preservation in a stone coffin in the
-time of François I, lie in the choir. It is a wonderfully interesting
-structure, with fine glass, woodwork, mouldings, statues and statuettes.
-The statuettes we see on the walls of the porch are comparatively
-modern, replacing the ancient ones destroyed at the Revolution.
-
-[Illustration: LA TOUR ST-JACQUES]
-
-[Illustration: VIEW ACROSS THE SEINE FROM PLACE DU CHÂTELET]
-
-[Illustration: RUE BRISEMICHE]
-
-[Illustration: L'ÉGLISE ST-GERVAIS]
-
-Rue de la Verrerie bordering the southern walls of the church and
-running on almost to Rue Vieille-du-Temple, dates from the twelfth
-century and reminds us by its name of the glaziers and glass painters'
-Company, developed from the confraternity which in 1187 made the old
-street its quarter. Louis XIV, finding this a convenient road on the way
-to Vincennes, had it enlarged. There dwelt Jacquemin Gringonneur, who,
-it is said, invented playing cards for the distraction of the insane
-King Charles VI. Bossuet's father and many other persons of position or
-repute lived in the old houses which remain or in others on the site of
-the more modern ones. At No. 76 was the _hôtel_ inhabited by Suger, the
-Minister of Louis VI and Louis VII; part of its ancient walls were
-incorporated in the church in the sixteenth century. Here, too, is the
-presbytery, where in the courtyard we find a wonderful old spiral
-staircase, its summit higher than the church roof. Old streets and
-passages wind in and out around the church. Exploring them, we come upon
-interesting vestiges innumerable. The ancient clergy house is at No. 76,
-Rue St-Martin. Rue Cloître-St-Merri, Rue Taille-pain, Rue Brise-Miche,
-these two referring to the bakery once there and bread portioned out,
-cut or broken for the Clergy; Rue St-Merri and its old passage, Impasse
-du Boeuf, with its eighteenth-century grille; Rue Pierre-au-lard, a
-humorous adaptation of the name Pierre Aulard, borne by a notable
-parishioner of the eighteenth century. Passage Jabach on the site of the
-home of the rich banker of the seventeenth century whose fine collection
-of pictures were the nucleus of the treasures of the Louvre. Impasse
-St-Fiacre, the word saint cut away at the Revolution, where dwelt the
-first hirer-out of cabs; hence the term _fiacre_. Rue de la Reynie
-(thirteenth century), renamed in memory of the Lieutenant-General of
-Police who, in 1669, ordered the lighting of Paris streets, but did
-not provide lamplighters. Private citizens were bound daily to light and
-extinguish the lanterns then placed at the end and in the middle of each
-thoroughfare. Everyone of these streets, dull and grimy though they be,
-are full of interest for the explorer. Going on up Rue St-Martin, we see
-on both sides numerous features of interest. Look at Nos. 97, 100, 103,
-104; and at No. 116, called Maison des Goths, with its fine old frieze.
-At No. 120 there are two storeyed cellars and in one of them a well. The
-fontaine Maubuée at No. 122 is referred to in old documents so early as
-1320. Its name shortened from _mauvaise buée_, i.e. _mauvaise fumée_, is
-not suggestive of the purity of its waters at that remote period; the
-fountain was reconstructed in 1733--the house some sixty years later.
-The upper end of Rue Simon-le-Franc, which we turn into here, was until
-recent times Rue Maubuée. It may, perhaps, still deserve the name. Rue
-Simon-le-Franc is one of the oldest among all these old streets, for it
-was a thoroughfare in the year 1200. It records the name of a worthy
-citizen of his day, one Simon Franque. All the houses are ancient, some
-very picturesque. Next in date is that most characteristic of old-time
-streets, the Rue de Venise. The name, a misnomer, dates only from 1851,
-due to an old sign. The street was known by various appellations since
-its formation somewhere about the year 1250. Every house and court there
-is ancient, the space between those on either side so narrow that the
-tall, dark buildings seem to meet at their apex. No. 27 is the old inn
-"l'Épée de Bois," lately renovated and its name changed to "L'Arrivée de
-Venise," where from the year 1658 a company of musicians and
-dancing-masters duly licensed by Mazarin used to meet under the
-direction of "Le roi des violons," their chief. This was, in fact, the
-nucleus of the Académie National of Music and Dancing, known later as
-the Conservatoire. Great men of letters too were wont to meet in that
-old inn. Rue de Venise opens into Rue Beaubourg, a road that stretched
-through a _beau bourg_, i.e. a fine township, so far back as the
-eleventh century, with special privileges, the rights of citizenship for
-its inhabitants although lying without the boundary-wall. No. 4, now
-razed, was the "Restaurant du Bon Bourg," _tenu par_ "le Roi du Bon
-Vin." To the left is Rue des Étuves, i.e. Bath Street, with houses old
-and curious. Rue de Venise runs at its lower end into the famous Rue de
-Quincampoix, the street of Law's bank (_see_ p. 63), where every house
-is ancient or has vestiges of past ages. No. 43 was a shop let in Law's
-time at the rate of 100 francs a day. The street leads down into Rue des
-Lombards, the ancient usurers' and pawnbrokers' street, inhabited in
-these days by a very opposite class--herborists. Tradition says
-Boccaccio was born here. Rue du Temple, Rue des Archives, Rue
-Vieille-du-Temple, Rue de Sévigné, traversed in part in the 3rd
-arrondissement (_see_ p. 108) all have their lower numbers in this 4th
-arrondissement, the first three branching off from Rue de Rivoli, the
-last from Rue St-Antoine. At No. 61, Rue du Temple, on the site of the
-vanished Couvent des Filles de Ste-Avoie, we see an old gabled house. In
-the courtyard of No. 57, l'hôtel de Titon, the Bastille armourer. At No.
-41 the old tavern "l'Aigle d'Or." No. 20 is the ancient office of the
-Gabelles--the salt-tax. Here we see an old sign taken from the vicinity
-of St-Gervais, showing the famous elm-tree, of which more anon. Every
-house shows some interesting old-time feature. This brings us again
-close up to the Hôtel de Ville, where we see the venerable church
-St-Gervais-et-St-Protais, dating in its present form from the sixteenth
-century, on the site of a church built there in the sixth. That
-primitive erection grew into a beautiful church in the early years of
-the twelfth century. Some of the exquisite work of that day may still be
-seen by turning up the narrow passage to the left, where we find the
-ancient _charniers_. Rebuilding was undertaken two centuries later. A
-curious half-effaced inscription on an old wall within refers to this
-reconstruction and its dedication fête day, instituted in honour of
-"Messieurs St. Gervais et St. Protais." The last rebuilding was in 1581.
-Then in the seventeenth century, the Renaissance façade was added to the
-Gothic edifice behind it by Salomon de Brosse. The church is full of
-precious artistic work, glorious glass, frescoes, statuary and rich in
-historic associations. Madame de Sévigné was married here; Scarron was
-married to the young girl destined to become Mme de Maintenon, and was
-perhaps buried in the beautiful Chapelle-Dorée. The church has always
-suffered in time of war. At the Revolution the insurgents tried to shake
-down its fine tall pillars; the marks are still to be seen. In
-1830-48-71 cannon balls pierced its belfry walls, and now on Good Friday
-of this war-year 1918, the enemy's gun, firing at a range of
-seventy-five miles, struck its roof, laid low a great pillar, brought
-death and wounding to the assembled congregation. On the _place_ before
-the church we see a tree railed round. A shadier elm-tree stood there
-once, the famous Orme de St-Gervais, beneath which justice--or maybe at
-times injustice--was administered in the open air, in long-past ages.
-
-[Illustration: HÔTEL DE BEAUVAIS, RUE FRANÇOIS-MIRON]
-
-Rue François-Miron running east, its lower end the ancient Rue
-St-Antoine, shows us the _orme_, figured in the ironwork of all its
-balconies. This end of the street was known in olden days as Rue du
-Pourtour St-Gervais, then as Rue du Monceau St-Gervais, referring to the
-wide stretch of waste ground in the vicinity which, unbuilt upon for
-centuries, was a favourite site for festive gatherings and tournaments.
-It records the name of the Prévôt des Marchands of the sixteenth century
-to whom was due the façade of the Hôtel de Ville, burnt in 1871. Its
-houses are for the most part ancient. No. 13, quaint and gabled,
-fifteenth century. No. 82 the old mansion of President Henault. No. 68
-hôtel de Beauvais, associated with many historic personages and events,
-has Gothic cellars which of yore formed part of the monastastic house
-where Tasso wrote his great poem "Jerusalem Delivered." The walls above
-those fine cellars were knocked down in the third decade of the
-seventeenth century and replaced in 1655 by those we see there now,
-built as the hôtel de Beauvais, destined to see many changes. At the
-Revolution the grand old mansion was for a time a coach-office, then a
-house let out in flats. Mozart is said to have stayed there in 1763.
-
-Behind the church is the old Rue des Barres with an ancient inscription
-and traces of an ancient chapel. The sordid but picturesque Rue de
-l'Hôtel de Ville was known for centuries as Rue de la Mortellerie, from
-the _morteliers_, or masons who had settled there. In the dread cholera
-year 1832 the inhabitants saw in the name of their street a sinister
-reference to the word _mort_ and demanded its change. Every house has
-some feature of old-time interest. Beneath No. 56 there is a Gothic
-cellar, once, tradition says, a chapel founded by Blanche de France,
-grand-daughter of Philippe-le-Bel, who died in 1358. At No. 39 we see
-the narrowest street in Paris, Rue du Paon Blanc, erewhile known as the
-"descente à la rivière." Nos. 8-2 is the venerable hôtel de Sens (_see_
-p. 117).
-
-In Rue Geoffroy l'Asnier, between Rue de l'Hôtel de Ville and Rue
-François-Miron, thirteenth century, we find among many other vestiges of
-old times the fine seventeenth-century door of hôtel Chalons at No. 26.
-In Rue de Jouy of the same period and interest, at No. 12 and No. 14,
-dependencies of l'hôtel Beauvais; at No. 7 l'hôtel d'Aumont, built in
-1648 on the site of the house where Richelieu was born. At No. 9, the
-École Sophie-Germain, the ancient hôtel de Fourcy, previously inhabited
-by a rich bourgeois family.
-
-Rue des Archives (_see_ p. 74) is chiefly interesting in its course
-through this arrondissement for the old church des Billettes (_see_ p.
-76) on the site of the house of the Jew Jonathas, so called from the
-sign hung outside a neighbouring house--_a billot_--i.e. log of wood.
-Rebuilt in 1745, closed at the Revolution, the church was given to the
-Protestants in 1808. The beautiful cloisters of the fifteenth-century
-structure were left untouched and are enclosed in the school adjoining
-the church. Rue Ste-Croix-de-la-Bretonnerie dates from the early years
-of the thirteenth century and is rich in relics of past ages. Its name
-records the existence there of the thirteenth-century church de
-l'Exaltation de la Ste-Croix and of a convent instituted in 1258 in the
-ancient Monnaie du Roi--the Mint--suppressed at the Revolution, but of
-which traces are still seen on the square. At No. 47 we see a turret
-dating from 1610. The dispensary at No. 44 is the old hôtel Feydeau de
-Brou (1760). No. 35 belonged to the old church Chapter. The boys' school
-at No. 22 is ancient. No. 20 dates from 1696. Rue Aubriot from the
-thirteenth to the middle of the nineteenth century was Rue du
-Puits-au-Marais. Aubriot was the thirteenth-century Prévôt de Paris, an
-active builder, and who first laid drains beneath Paris streets. No. 10
-dates from the first years of the seventeenth century. Vestiges of that
-or an earlier age are seen all along the street. Rue des Blancs-Manteaux
-recalls the begging Friars, servants of Mary, wearing long white
-cloaks, who settled here in 1258. They united a few years later with the
-Guillemites, whose name is recorded in a neighbouring street of ancient
-date. Their church at No. 12 was entirely rebuilt in 1685, and in 1863
-the portal of the demolished Barnabite church added to its façade.
-Remains of the old convent buildings are incorporated in the
-Mont-de-Piété opposite. At No. 14 we see traces of the old Priory. No.
-22 and No. 25 have fine old staircases and other interesting vestiges.
-The cabaret de "l'Homme Armé" existed in the fifteenth century. We find
-ancient vestiges, often fine staircases, at most of the houses.
-
-[Illustration: RUE VIEILLE-DU-TEMPLE]
-
-Rue Vieille-du-Temple, which begins its long course opposite the Mairie,
-has lost its first numbers. This old street shows us interesting
-features at every step. No. 15, hôtel de Vibraye. No. 20, Impasse de
-l'hôtel d'Argenson. No. 24, hôtel of the Maréchal d'Effiat, father of
-Cinq Mars. The short Rue du Trésor at its side was so named in 1882 from
-the treasure-trove found beneath the _hôtel_ when cutting the street,
-gold pieces of the time of King Jean and Charles V in a copper vase, a
-sum of something like 120,000 francs in the money of to-day. At No. 42
-opens Rue des Rosiers; roses once grew in gardens there. At No. 43
-Passage des Singes, leading into Rue des Guillemites, once Rue des
-Singes. No. 45 shows a façade claiming to date back to the year 1416.
-No. 47, hôtel des Ambassadeurs de Hollande, recalling the days when
-Dutch diplomats dwelt there and took persecuted Protestants under their
-protection, is on the site of the _hôtel_ of Jean de Rieux, before which
-the duc d'Orléans met his death at the hands of Jean Sans Peur, the
-habitation of historic persons and events until Revolution days, when
-it was taken for dancing saloons. Here we see splendid vestiges of past
-grandeur: vaulted ceilings, sculptures, frescoes. The Marché des
-Blancs-Manteaux, in the street opening at No. 46, is part of an ancient
-mansion. Turning down Rue des Hospitalières-St-Gervais, recalling the
-hospital once there, we find in Rue des Francs-Bourgeois, at No. 35, an
-old _hôtel_. At No. 31, l'hôtel d'Albret, its first stone laid in 1550
-by Connétable Anne de Montmorency, restored in the eighteenth century.
-At No. 25, one side of the fine hôtel Lamoignon. Crossing Rue des
-Rosiers we turn down Rue des Écouffes, an ancient street of pawnbrokers,
-where in a house on the site of No. 20, Philippe de Champaigne, the
-great painter, lived and died (1674). Rue du Roi de Sicile records the
-existence there, and on land around, of the palace of Charles d'Anjou,
-brother of St. Louis, crowned King of Naples and Sicily in 1266. The
-mansion changed hands many times and in 1698 became the hôtel de la
-Grande Force, a noted prison. Part of it became later the Caserne des
-Pompiers in Rue Sévigné; the rest was demolished. On the site of the
-house No. 2 lived Bault and his wife, jailers of Marie-Antoinette. And
-here, at the corner of Rue Malher, Princesse de Lamballe and many of her
-compeers were slain in the "Massacres of September."
-
-Rue Ferdinand-Duval, till 1900 from about the year 1000 Rue des Juifs,
-is full of old-time relics. At No. 20 we find a courtyard and _hôtel_
-known in past days as l'hôtel des Juifs. Nos. 18 and 16, site of the
-hospital du Petit St-Antoine in pre-Revolution days, of a famous shop
-store under the Empire.
-
-Rue Pavée dates from the early years of the thirteenth century, the
-first street in Paris to be paved. Here at Nos. 11 and 13 lived the
-duke of Norfolk, British Ambassador in 1533. At No. 12 we find two old
-staircases, once those of an ancient _hôtel_ incorporated in the prison
-of La Force. At No. 24 stands the fine old hôtel de Lamoignon, rebuilt
-on the site of an older structure, by Diane de France, daughter of Henri
-II (sixteenth century), the natal house of Lamoignon de Malesherbes,
-renowned for his defence of Louis XVI. Alphonse Daudet lived here for a
-time. Close by was the prison la Petite Force, a woman's prison, too
-well known in Revolution days by numerous notable women of the time. In
-Rue de Sévigné, which begins here, we turn at No. 11 into the garden of
-a bathing establishment on the site of a smaller hôtel Lamoignon, where
-in 1790 Beaumarchais built the théâtre du Marais, otherwise l'Athénée
-des Étrangers, with materials from the demolished Bastille. Here we see
-before us one single wall of the demolished prison de la Force, and an
-indication of the spot where thirty royalist prisoners were put to
-death. Rue de Jarente, so named from the Prior of the monastic
-institution, Ste-Catherine du Val des Escholiers, erewhile here, shows
-us an old fountain in the Impasse de la Poissonnerie. Rue d'Ormesson
-stretches across the eighteenth-century priory fish market.
-
-
-
-
-CHAPTER XII
-
-THE OLD QUARTIER ST-POL
-
-
-We come now to the interesting old-world quarter behind and surrounding
-the church St-Paul and the Lycée Charlemagne, the site of the palace
-St-Pol of ancient days. The church, as we see it, dates from 1641,
-replacing a tiny Jesuit chapel built in the previous century and
-dedicated to St. Louis. Its first stone was laid by Louis XIII, and the
-chapel built from the designs of two Jesuit priests, aided by the
-architect Vignole. Hence the term _Jesuite_ used in France for the
-ornate Renaissance style of architecture we see in the façade of the
-church before us. Richelieu, newly ordained, celebrated his first Mass
-here in 1641, and defrayed the cost of completing the church by the
-erection of the great portal. The heart of Louis XIII and of Louis XIV
-were buried here beneath sumptuous monuments. At the Revolution the
-_Tiers État_, held their first assembly in the old church St-Pol, soon
-razed to the ground by the insurgents. The Jesuits' chapel was saved
-from destruction by the books from suppressed convents which had been
-piled up within it, forming thus a barricade. The dome was the second
-erected in Paris. The holy water scoops were a gift from Victor Hugo at
-the baptism of his first child born in the parish.
-
-[Illustration: RUE ÉGINHARD]
-
-Turning into Rue St-Paul we see at No. 35 the doorway of the demolished
-hôtel de Sève. In the Passage St-Paul, till 1877 Passage St-Louis, we
-find at No. 7 the _presbytère_, once, tradition says, a _pied-à-terre_
-of the _grand_ Condé, and at No. 38 an old courtyard. At No. 36 vestiges
-of the prison originally part of the convent founded by St. Éloi in the
-time of Dagobert.[C] The arched Passage St-Pierre which led in olden
-days to the cemetery St-Pol, the burial-place of so many notable
-persons: Rabelais, Mansart, etc., and of prisoners from the Bastille,
-the man in the iron mask among them, has lately been swept away, with
-some walls of the old convent close up against it. The Manège till
-recent days at No. 30 was in days past a favourite meeting place of the
-people when in disaccord with the authorities in politics or on
-industrial questions. At No. 31 we look into Rue Éginhard, the Ruelle
-St-Pol of the fourteenth century; the walls of some of its houses once
-formed part of the old church St-Pol. At No. 8 we see the square turret
-of an old-hôtel St-Maur. At No. 4, l'hôtel de Vieuville, an interesting
-fifteenth-and sixteenth-century building, condemned to demolition, which
-has been inhabited by notable personages of successive periods. Passing
-through the black-walled court we mount a fine old-time staircase to
-find halls with beautiful mouldings, a wonderful frescoed ceiling, etc.
-etc., all in the possession at present of a well-known antiquarian. No.
-5, doorway of l'hôtel de Lignerac. In Rue Ave-Maria, its site covered in
-past days by two old convents, we see at No. 15 an _hôtel_ where was
-once the tennis-court of the Croix-Noire, in its day the "Illustre
-Théâtre" with Molière as its chief and whence the great tragedian was
-led for debt to durance vile at the Châtelet. No. 2 was once "la
-Boucherie Ave-Maria."
-
-Rue Charlemagne was known by various names till this last one given in
-1844--one of its old names, Rue des Prêtres, is still seen engraved in
-the wall at No. 7. The _petit_ Lycée Charlemagne has among its walls
-part of one of the ancient towers of the boundary wall of
-Philippe-Auguste which passed in a straight line to the Seine at this
-point. It is known as Tour Montgomery and shelters a ... gas meter! The
-remains of another tower are seen behind the gymnasium. Before 1908 the
-last remaining walls of the hôtel du Prévôt still stood in Passage
-Charlemagne, a picturesque turreted Renaissance bit of "Old Paris" let
-out in tenements, the last vestiges of the historic mansion where many
-notable persons, royal and other, had sojourned. Interesting old-time
-features are seen at Nos. 18, 21, 22, 25; No. 25 underwent restoration
-in recent years.
-
-[Illustration: RUE DU PRÉVÔT]
-
-In Rue du Prévôt we see more old-time vestiges. Rue du Figuier dates
-from about 1300 when a fig-tree flourished there, cut down three
-centuries later. Nos. 19-15, now a Jewish hospice, was the abode of the
-Miron, royal physicians from 1550 to 1680. Every house shows some
-relic. At No. 5 we come upon an old well and steps in the courtyard. No.
-8 was perhaps the home of Rabelais. At No. 1 we find ourselves before
-the turreted hôtel de Sens, built between 1474 and 1519, on the site of
-a private mansion given by Charles V to the archbishops of Sens, who at
-that time had ecclesiastical jurisdiction over Paris. Ecclesiastics of
-historic fame, and at one time Marguerite de Valois, la Reine Margot,
-dwelt there during the succeeding 150 years. Then Paris became an
-archbishopric, and this fine hôtel de Sens was abandoned--let. It has
-served as a coaching house, a jam manufactory, finally became a glass
-store and factory, and in part a Jewish synagogue. In Rue du Fauconnier,
-Nos. 19, 17, 15, are ancient. Rue des Jardins, where stretched the
-gardens of the old Palais St-Pol, has none but ancient houses. At No. 5
-we see a hook which served of yore to hold the chain stretched across
-the street to close it. Molière lived there in 1645. Rabelais died
-there.
-
-[Illustration: HÔTEL DE SENS]
-
-Crossing Rue St-Paul we come to Rue des Lions, recalling the royal
-menagerie once there. Fine old mansions lie along its whole length. At
-No. 10 we find a beautiful staircase; another at No. 12, dating from the
-reign of Louis XIII, and in the courtyard at No. 3 we see an ancient
-fountain. At No. 14 there was till recent times the fountain "du regard
-des lions." No. 17 formed part of l'hôtel Vieuville. Chief among the
-ancient houses of Rue Charles V is No. 12, l'hôtel d'Antoine d'Aubray,
-father of the notorious woman-poisoner, la Brinvilliers, with its
-graceful winding staircase. Here Mme de Brinvilliers tried to bring
-about the assassination of her lover Briancourt by her other lover
-Ste-Croix. Nuns, nursing sisters, live there now. Rue Beautreillis was
-in bygone days the site of a vine-covered trellis in the gardens of the
-historic palace St-Pol made up of l'hôtel Beautreillis and other fine
-_hôtels_ confiscated from his nobles by King Charles V, and at No. 1 we
-see an ancient and truly historic vine climbing a trellis, its origin
-lost in the mist of centuries. Is it really, as some would have it, a
-relic of the vines that gave grapes for the table of Charles V? All the
-houses here are ancient. No. 10 was the mansion of the duc de
-Valentinois, prince de Monaco in 1640. We see ancient houses along Rue
-du Petit Musc, a fourteenth-century street. No. 1 is the south side of
-l'École Massillon (_see_ p. 326). We cross boulevard Henri IV to the
-Bibliothèque de l'Arsenal, its walls in part, the Arsenal built by Henri
-IV on the site of a more ancient one, restored in the first half of the
-eighteenth century, its façade entirely rebuilt under Napoléon III. The
-name of Sully given to the bridge and the street reminds us that the
-statesman lived at the Arsenal. There Mme de Brinvilliers was tried and
-condemned to death. The Arsenal was done away with by Louis XVI, streets
-cut across the site of most of its demolished walls. What remained
-became the library we see; it has counted among its librarians men of
-special distinction: Nodier, Hérédia, etc., and is now under the
-direction of the well-known man of letters Funck-Brentano. Various
-relics of past days and of old-time inhabitants are to be seen there and
-traces of the boundary wall of Charles V. Rue de la Cerisaie, hard by,
-is another street recalling the palace gardens--for cherry-trees then
-grew here. On the site of No. 10 Gabrielle d'Estrées was seized with her
-last illness while at the supper-table of its owner, the friend of her
-loyal lover. The houses here are all ancient and characteristic, as are
-also those in Rue Lesdiguières where till the first years of this
-present century the wall of a dependency of the Bastille still stood.
-
-
-
-
-CHAPTER XIII
-
-LA PLACE DES VOSGES
-
-
-Here we are on the old Place Royale--the _place_ where royalties dwelt
-and courtiers disported in the days of Louis XIII, whose statue we see
-still in the centre of the big, dreary garden square. That statue was
-put there by Napoléon to replace the original one, carted away and
-melted down in Revolutionary days when the _ci-devant_ Place Royale
-became Place des Fédérés, then Place de l'Indivisibilité. Napoléon first
-named it Place des Vosges, a name confirmed after 1870 as a tribute of
-gratitude to the department which had first paid up its share of the war
-contribution. In the early centuries of the Bourbon kings the palace of
-the Tournelles had stood here (see p. 8). After its demolition the site
-was taken for a horse market, and there the famous duel was fought
-between the _mignons_ of Henri II and the followers of the duc de Guise.
-Henri IV created the Place and had it parcelled out for building
-purposes. His idea was to make it the centre of a number of streets or
-avenues each bearing the name of one of the provinces of France. The
-King died and that project was not carried out, but the extensive site
-was soon the square of the fine mansions we see to-day, mansions fallen
-from their high estate, no longer the private abodes of the world of
-fashion, but standing unchanged in outward aspect.
-
-We see the Pavillon du Roi on the south side facing Rue de Birague, once
-Rue du Pavillon du Roi, where at No. 11 was born Mme de Sévigné (1626);
-opposite it the Pavillon de la Reine. At No. 7 the _petit_ hôtel Sully
-connected with the _grand_ hôtel Sully of the Rue St-Antoine. Each house
-of the _place_ was inhabited and known by the name of a great noble or a
-wealthy financier. Their enumeration would take too much space here. At
-No. 6 we see the house where Victor Hugo lived in more modern
-times--1833-48--now the Musée filled with souvenirs of his life and work
-and dedicated to his memory. Behind it, at the corner of Impasse
-Guénémée, is the _hôtel_ once the dwelling of Marion Delorme. Théophile
-Gautier, and later Alphonse Daudet occupied a flat at No. 8. Passing out
-of the _place_ through Rue du Pas de la Mule, in its day "petite Rue
-Royale," we turn into Rue St-Antoine, where modern buildings are almost
-unknown, and vestiges of bygone ages are seen on every side. At No. 5 an
-inscription tells us this was the site of the courtyard of the Bastille
-through which the populace rushed in attack on the 14th July, 1789. At
-No. 7 we remark an ancient sign "A la Renommée de la Friture." At No. 17
-we see what remains of the convent built by Mansart in 1632, on the site
-of the hôtel de Cossé, where for eighteen years St. Vincent de Paul was
-confessor. The chapel, left intact, was given to the Protestants in
-1802. Here Fouquet and his son, Mme de Chantal, and the Marquis de
-Sévigné were buried. No. 20 is l'hôtel de Mayenne et d'Ormesson,
-sixteenth or seventeenth century, on the site of an older _hôtel_ sold
-to Charles V to enlarge his palace St-Pol. It passed through many hands,
-royal hands for the most part, and the building as we see it, or the
-previous structure, was for a time the hôtel de Diane de Poitiers. In
-modern times it became the Pension Favart, then in 1870, l'École des
-Francs-Bourgeois under the direction of les Frères de la doctrine
-chrétienne. At No. 28 Impasse Guénémée, known in its fifteenth-century
-days as Cul-de-Sac du Ha! Ha! a passage connected with the hôtel
-Rohan-Guénémée in Place Royale. In the seventeenth century a convent
-was built here, a sort of reformatory for erring girls and women of the
-upper classes who were shut up here in consequence of _lettres de
-cachet_. At No. 62 stands the hôtel de Sully. Its first owner staked the
-mansion at the gambling table and lost. At No. 101 we are before the
-Lycée Charlemagne, built in 1804 on the site of two ancient mansions and
-of the old city wall, of which some traces still remain. At No. 133 we
-see the Maison Séguier, with its fine old door, balcony and staircase;
-another old house at No. 137; then this ancient thoroughfare becomes in
-these modern days, Rue François-Miron (_see_ p. 104).
-
-[Illustration: RUE DE BIRAGUE, PLACE DES VOSGES]
-
-Rue des Tournelles in this earlier part of its course is chiefly
-interesting for the fine _hôtel_ at No. 28, built in 1690, decorated
-with frescoes by Lebrun and Mignard, where the famous courtesan, Ninon
-de Lenclos, lived and died.
-
-
-
-
-CHAPTER XIV
-
-THE BASTILLE
-
-
-So we come to Place de la Bastille.
-
-The famous prison which stood there from the end of the fourteenth
-century to the memorable summer of 1789, was built by Hugues Aubriot,
-Prévôt du Roi, as a fortified castle to protect the palais St-Pol close
-by, and Paris in general, against hostile inroads from the country
-beyond. Its form is well known. A perfect model of it is to be seen at
-Carnavalet, in that most interesting _salle_--the Bastille-room. It had
-eight towers each 23 mètres high, each with its distinct name and use.
-White lines in the pavement of the _place_ show where some of its walls,
-some of its towers rose, houses stand upon the site of others. The great
-military citadel became a regular prison in the time of Charles VI--a
-military prison, though civilians were from the first shut up there from
-time to time. Aubriot himself was put there by the mob, to be quickly
-released by the King. Under Richelieu it became a State prison, the
-prison of _lettres de cachet_ notoriety. The Revolutionists attacked it
-in the idea that untold harshness, cruelty, injustice dominated there.
-As a matter of fact, the Bastille was for years rather a luxurious place
-of retirement for persons who themselves wished or were desired by
-others to lie low for a time, than a fort of durance vile. The last
-governor, M. de Launay, in particular, was generous and kind even to
-the humblest of those placed beneath his rule. And we know the attacking
-mob found seven prisoners only--two madmen, the others acknowledged
-criminals. M. de Launay was massacred nevertheless. The Revolutionists
-seized all the arms they could find, a goodly store; the walls were
-razed soon afterwards and a board put up with the words "Ici on dance."
-In reality the attack upon the Bastille was a milder under-taking than
-is generally supposed, and its entire destruction took place later on in
-quite a business-like way by a contractor.
-
-[Illustration: LA BASTILLE]
-
-The _place_ was finished in 1803. The Colonne de Juillet we see there
-dates from 1831. The bones of the victims of the two minor Revolutions
-(1830-48) are beneath it. Louis Philippe's throne was burnt before it in
-1848.
-
-
-
-
-CHAPTER XV
-
-IN THE VICINITY OF TWO ANCIENT CHURCHES
-
-
-ARRONDISSEMENT V. PANTHÉON. RIVE GAUCHE (LEFT BANK)
-
-Crossing the Seine by the Pont St-Michel we reach Place St-Michel, of
-which we will speak in another chapter, as it lies chiefly in
-arrondissement VI. Turning to the east, we come upon two of the oldest
-and most interesting of Paris churches and a very network of ancient
-streets, sordid enough some of them, but emphatically characteristic.
-Rue de la Huchette dates from the twelfth century; there in olden days
-two very opposite classes plied their trade:--the _rotisseurs_--turnspits,
-and the diamond cutters. The old street is still of some renown in the
-district for good cooking in the few restaurants of a humble order that
-remain. The erewhile Bouillon de la Huchette is now a _bal_. Once upon
-a time Ambassadors dined at l'hôtellerie de l'Ange in this old street.
-And the name "Le Petit Caporal" tells its own tale. There Buonaparte,
-friendless and penniless, lodged in the street's decadent days. Rue
-Zacharie, dark and narrow between its tall old houses, dates back to
-the twelfth or early thirteenth century. Rue du Chat qui Pêche, less
-ancient (sixteenth century), is a mere pathway between high walls. From
-Rue Zacharie we turn into Rue St-Séverin, one of the most ancient
-of ancient streets. Many traces of past ages still remain despite
-the demolition of old houses around the beautiful old church we see
-before us, and subterranean passages run beneath the soil. At No.
-26 and again at No. 4 we see the name of the street, the word Saint
-obliterated by the Revolutionists. The church porch gives on Rue de
-Prêtres-St-Séverin--thirteenth century. It was brought here from the
-thirteenth-century church St-Pierre-aux-Boeufs, razed in 1837. Till then
-the entrance had been the old door, Rue St-Séverin, where we see still
-the words, half effaced: "Bonne gens, qui par cy passées, priez Dieu
-pour les trepassés," and the figures of two lions, once on the church
-steps, where the Clergy of the parish were wont of yore to administer
-justice: hence the phrase "Datum inter leones." The church was built
-in the twelfth century, on the site of a chapel erected in the days
-of Childebert, over the tomb of Séverin, the hermit. Thrice restored,
-partially rebuilt, the beautiful edifice shows Gothic architecture in
-its three stages: primitive: porch, side door, three bays; rayonnant:
-the tower and part of the nave and side aisle; flamboyant: chancel and
-the splendid apse. Glorious stained glass, beautiful frescoes--modern,
-the work of Flandrin, fine statues surround us here. A striking feature
-is the host of votive offerings, some a mere slab a few inches in size
-with the simple word "Merci" and a date. Many refer to the successful
-passing of examinations, for we are in the vicinity of the University.
-The presbytery and its garden cover what was once the graveyard. Some of
-the old _charniers_ still remain.
-
-[Illustration: RUE ST-SÉVERIN]
-
-[Illustration: ÉGLISE ST-SÉVERIN]
-
-Rue de la Parcheminerie (thirteenth century), in part demolished
-recently, in its early days Rue des Escrivains, was for long the
-exclusive habitation of whoever had to do with the making and selling of
-books. The "hôtel des Pères Tranquilles" once there has gone. Two old
-houses, Nos. 6 and 7, were in the thirteenth-century dependencies of
-Norwich Cathedral for English student-monks. In Rue Boutebrie, one side
-entirely rebuilt of late, dwelt the illuminators of sixteenth-century
-scrolls and books. We see a characteristic ancient gable at No. 6.
-This house and No. 8 have ancient staircases. Crossing Rue St-Jacques we
-turn into Rue St-Julien-le-Pauvre, "le Vieux Chemin" of past times.
-Through the old arched doorway we see there, surmounted by a figure of
-Justice, was the abode of a notable eighteenth-century Governor of the
-Petit-Châtelet, whose duty was that of hearing both sides in student
-quarrels and pronouncing judgment. The church we see was the University
-church of the twelfth and several succeeding centuries. University
-meetings were held there and many a town and gown riot, or a merely gown
-riot, took place within its walls. The slab above the old door tells of
-its cession to the administrators of the hôtel-Dieu in 1655. Some of its
-stones date from the ninth or, maybe, from an even earlier century; for
-the church before us was a rebuilding in the twelfth of one erected in
-the ninth century to replace the hostel and chapel built there in the
-sixth century and overthrown by the Normans--the hostel where Gregory of
-Tours had made a stay. The ancient Gothic portal and two bays falling to
-decay were lopped off in 1560. The well we see in the courtyard was once
-within the church walls. Another well of miracle-working fame, on the
-north side, had a conduit to the altar. Passing through a door near the
-vestry we find ourselves on the site of the ancient _annexe_ of the
-hôtel-Dieu, razed a few years ago, and see on one side the chevet of the
-church with its quaint belfry and flight of steps on the roof, on the
-other a high, strong, moss-grown wall said to be a remnant of the
-boundary wall of Philippe-Auguste. In 1802 the church was given to the
-Greek Catholics of Paris--Melchites. The _iconostase_, therefore, very
-beautiful, is an important feature. We see some very ancient statues,
-and a more modern one of Montyon, founder of the Virtue-prizes
-bestowed annually by the Académie Française.
-
-[Illustration: HÔTEL LOUIS XV, RUE DE LA PARCHEMINERIE]
-
-In Rue Galande, what remains of it, we see several interesting old
-houses, and on the door of No. 42 a bas-relief showing St. Julien in a
-ship. Rue du Fouarre, one side gone save for a single house, once Rue
-des Escholiers, recalls the decree of Pope Urban V that students of the
-Schools must hear lectures humbly sitting on the ground on bundles of
-straw which they were bound themselves to provide. Benches were too
-luxurious for the students of those days. In this street of the "Écoles
-des Quatre Nations," France, Normandie, Alsace, Picardie, Dante listened
-to the instruction of Brunetto Latini. No. 8 with its old door is on the
-site of the "École de Normandie." The street close by, named in memory
-of the great Italian poet, is modern. In Rue Domat stood, till the
-nineteenth century, the walls of the suppressed convent de Cornouailles
-founded by a Breton in 1317. Rue des Anglais, the resort of English
-students from the time of Philippe-Auguste, was famous till recent days
-for the Cabaret du Père Lunette, about to be razed. The first Père
-Lunette went about his business wearing enormous spectacles. The second
-landlord of the inn, gaining possession of its founder's "specs," wore
-them as a badge, slung across his chest. Rue de l'hôtel Colbert has no
-reference to the statesman. In early times it was Rue des Rats. Rue des
-Trois-Portes recalls the thirteenth-century days when three houses only
-formed the street. No. 10, connected with No. 13 Rue de la Bûcherie, the
-log-selling street, shows us the ancient "Faculté de Médicine,"
-surrounded in past days by the garden, the first of the kind, where
-medical men and medical students cultivated the herbs necessary for
-their physic. The interesting old Gothic structure, more than once
-threatened with demolition, has been classed as an historical monument,
-under State care therefore, and reconstructed as the Maison des
-Étudiants. The students were very keen about the completion of their new
-house on its time-honoured site, and when the masons in course of
-reconstruction went on strike, the young men threw aside their books,
-donned a workman's jacket, or failing that doffed their coats and rolled
-up their shirt-sleeves and set to work with all youth's ardour as
-bricklayers. Their zeal was greater, however, than their technical
-knowledge or their physical fitness, and their work left much to be
-desired, as the French say. Then fortunately the strike ended.
-
-[Illustration: ST-JULIEN-LE-PAUVRE]
-
-[Illustration: BAS-RELIEF, RUE GALANDE]
-
-Place Maubert, named after the second vicar of Ste-Geneviève, M. Aubert,
-was the great meeting-place of students, and here Maître Albert, the
-distinguished Dominican professor, surnamed "le Grand," his name
-recorded by a neighbouring street, gave his lectures in the open air.
-Executions also took place here. In Impasse Maubert dwelt Ste-Croix, the
-lover and accomplice of the poisoner Mme de Brinvilliers, and in Rue des
-Grand Degrés Voltaire in his youth worked in a lawyer's office. The
-cellars of Rue Maître-Albert are said to have been prison cells; at No.
-13 the negro page Zamor, whose denunciation led Mme Dubarry to the
-scaffold, died in misery in 1820. No. 16 was the meeting-place of the
-Communards in 1871.
-
-Rue de la Bièvre reminds us that the tributary of the Seine, now a
-turgid drain, closely covered, once joined the mother-river here.
-Tradition says Dante made his abode here while in Paris. Over the door
-of No. 12 we see a statue of St-Michel slaying the dragon. This was
-originally a college founded in his own house in 1348 by Guillaume de
-Chanac, bishop of Paris, for twelve poor scholars of the diocese of
-Limoges.
-
-In Rue des Bernardins we see the church St-Nicolas-du-Chardonnet,
-St-Nicolas of the Thistle-field, built in the seventeenth century upon
-the site of a thirteenth-century structure erected where till then
-thistles had run riot. It was designed by a parishioner of mark, the
-painter Lebrun, enriched by his paintings and those of other artists of
-note. The tomb of his mother is within its walls and a monument to his
-memory by Coysevox. Rue St-Victor recalls the abbey, once on the site
-where now we see the Halle-aux-Vins. There Maurice de Sulli, builder of
-Notre-Dame, died and was buried in 1196. Hither, to its famous school,
-came Abelard, St. Thomas à Becket, St. Bernard. It was razed to the
-ground in 1809. At Nos. 24-26 we saw till just recently the ancient
-seminary of St-Nicolas, closed since 1906, with its long rows of
-old-world windows, seventy-two panes on one story; the college buildings
-were at the corner of Rue Pontoise, a street opened in 1772 as a
-calf-market and named from the town noted for its excellent veal. And
-here we find at No. 19 vestiges of the ancient convent of the
-Bernardins. Rue de Poissy has more important remains of the convent and
-of its college, founded in 1245 by the English Abbé de Clairvaux,
-Stephen Lexington, aided by a brother of St. Louis. The grand old walls
-now serve as the Caserne des Pompiers--the Fire Station. Within we find
-beautiful old-time Gothic work, a fine staircase, arched naves, tall,
-slender pillars--the refectory of the monks of yore; and beneath it
-vaulted cellars with some seventy pillars and ancient bays.
-
-
-
-
-CHAPTER XVI
-
-IN THE REGION OF THE SCHOOLS
-
-
-THE SORBONNE AND ITS SURROUNDINGS
-
-When St. Louis was on the throne of France the physician attendant upon
-his mother, la Reine Blanche, died bequeathing a sum of money for the
-institution of a college of theology. In consequence thereof Robert de
-Sorbon built the school for theological study, a very simple erection
-then, which developed into the great college adapted to studies of the
-most varied character, known as the Sorbonne: that was in the year 1253.
-Two hundred years later the first printing press in France was set up
-there. In another nigh upon two hundred years Richelieu, elected Grand
-Master of the college, built its church and rebuilt the surrounding
-structure. Napoléon set the college in action on a vaster scale, after
-its suppression at the Revolution, by making it the seat of the Académie
-de Paris, the "home" of the Faculties of Letters and Science, as well as
-of Theology. But the edifice was then again crumbling--in need of
-rebuilding. Time passed, ruin made headway. Plans were made, and in 1853
-the first stone of a new structure was laid. It remained a first stone
-and a last one for many years. The modern walls we see were not built
-till the close of the nineteenth century, finished in 1901. In the great
-courtyard white lines mark the site of Richelieu's edifice. The vast
-building is richly decorated with statuary and frescoes. In its church
-Richelieu seems still to hold sway. We see his coat-of-arms on every
-side; over his tomb, the work of Girardon, hangs his Cardinal's hat.
-Another handsome monument covers the tomb of his descendant, the
-minister of Louis XVIII. Many generations of Richelieu lie in the vault
-beneath the chapel floor. The church is dismantled and partially
-secularized. Grand classic concerts are held there during the Sundays of
-term each year, but the Richelieu have still the right to be baptized,
-married, buried there; the altar therefore has not been undraped.
-
-Exactly opposite the Sorbonne, on its Rue des Écoles side, is the
-beautiful Musée de Cluny, on the site of the ancient Palais des Thermes
-of which the ruins are seen in the grounds bordered by the boulevard
-St-Germain. The palace dates from Roman days. Julian was proclaimed
-Emperor there. We see an altar from the time of Tiberius. The remains of
-Roman baths--vestiges of the _frigidarium_, the _tepidarium_, the
-_hypocaustum_, traces of the pipes through which the water flowed are
-still there. In the fourteenth century Pierre de Chaslun, Abbot of
-Cluny, bought the ruins of the ancient palace, and the exquisite Gothic
-mansion we see was built close up against them. Many illustrious persons
-found shelter within the home of the Abbots during the centuries that
-followed. James V of Scotland stayed there. Men of learning were made
-welcome there. In later times its tower was used as an observatory. The
-Revolution put an end to the state and prestige of the beautiful
-mansion. It was sold, parcelled out to a number of buyers, put to all
-sorts of common and commercial uses, till, in 1833, M. de Sommerard,
-whose name is given to the street on its northern side, acquired it
-and set up there his own precious collection of things beautiful, the
-nucleus of the Museum. The whole property was taken over later by the
-Beaux-Arts under State protection for conservation. In the garden
-numerous interesting relics of ancient churches, that of St-Benoît which
-once stood near, and others, are carefully preserved.
-
-[Illustration: LE MUSÉE DE CLUNY]
-
-Rue Jean-de-Beauvais was in bygone days inhabited entirely by printers.
-The Roumanian chapel there was the chapel of the famous College
-Dormans-Beauvais, founded in 1370. Rue de Latran--modern--runs across
-the site of the ancient _commanderie_ of the Knights of St. John of
-Jerusalem.
-
-In Rue des Carmes, dating from 1250, we see at No. 15 the ancient
-College des Lombards, now the Cercle Catholique d'Ouvriers, founded
-1334, rebuilt under Louis XIV by two Irish priests. The little chapel
-there, dedicated now to "Jesus Ouvrier," is paved with the gravestones
-of the Irish clergy who came of yore to live and study there.
-
-Rue Basse des Carmes stretches across the site of the demolished
-Carmelite Convent. We are close now to the Collège de France, le Lycée
-Louis-le-Grand and l'École Polytechnique.
-
-Le Collège de France, Rue des Écoles, its beautiful west façade giving
-on Rue St-Jacques, was founded as an institution by François I (1530);
-its lectures were to be given in different colleges. The edifice before
-us replaces this "Collège Royal," built in the early years of the
-seventeenth century, destroyed in the eighteenth century. It dates from
-1778, the work of Chalgrin. Additions were made in the nineteenth
-century. The numerous finely executed busts of noted scholars and
-eminent professors are the work of the best sculptors of each period.
-
-The Lycée Louis-le-Grand, Rue St-Jacques, on the site of four colleges
-of bygone ages, dates in its foundation from 1550, rebuilt 1814-20,
-restored 1861-85. In the court we see some of the ancient walls. It has
-borne different names characteristic of the different periods of the
-history of France. It began as the Collège de Clermont, from its
-founder, the bishop; in 1682 it took the name of the King,
-Louis-le-Grand. In 1792 it became Collège de l'Égalité; in 1800, Le
-Pyrtanée; Lycée Imperial in 1802; Collège Royal-Louis-le-Grand in 1814;
-Lycée Descartes in 1848, to revert to its present designation in 1849.
-Many of the most eminent men of the eighteenth and nineteenth centuries
-were pupils there.
-
-The Collège Ste-Barbe built in the sixteenth century was added to
-Louis-le-Grand in 1764. Its tower goes by the name Tour Calvin, for this
-was the Huguenot quarter. Here many of the persecuted Protestants were
-in hiding at the Massacre of St. Bartholomew. Yet it was at Ste-Barbe
-that Ignatius Loyola was educated.
-
-Close around Lycée Louis-le-Grand and the Collège de France, we find a
-number of twelfth-and thirteenth-century streets condemned to
-demolition, some of their houses already razed, those that remain
-showing many interesting relics. Rue du Cimetière-St-Benoît, which
-bordered the cemetery erewhile there; Rue Fromantel, the name a
-corruption of _froid mantel_, or _manteau_, with its interesting
-old-world dwellings; Impasse Chartrière, where at No. 2 we see an old
-sign and a niche of the time of Henri IV, who was wont to visit his
-"belle Gabrielle" here. No. 11 was, it is said, the entrance to the
-King's stables. At the junction of Rue Lanneau four streets form the
-quadrangle where was erewhile the well "Certain," so named after the
-vicar of the old church St-Hilaire, once close by, discovered beneath
-the roadway in 1894. Roman remains of great interest were found at that
-time below the surface of all these streets. Rue Valette, eleventh
-century, was once Rue des Sept Voies, for seven thoroughfares met there.
-At No. 2, in the billiard-room of the old inn, we find vestiges of the
-church St-Hilaire, once there. No. 19 dates from the fourteenth century,
-and in the seventeenth century was a meeting-place of the Huguenots who
-hid in its Gothic two-storied cellars. In Rue Laplace lived Jean de
-Meung, author of _Le Roman de la Rose_. At No. 12 we see the entrance of
-a vanished college, next door to which was the Collège des Écossais.
-
-L'École Polytechnique stands on the site of the college founded in 1304
-by Jeanne de Navarre, wife of Philippe le Bel, for seventy poor
-scholars. It was rebuilt in the fifteenth century. The last vestiges of
-that rebuilding, a beautiful Gothic chapel, were swept away in 1875.
-Traces of a Roman cemetery were found in 1906. The present structure
-dates from the eighteenth century, the work of Gabriel. The house of the
-Général-Commandant is the ancient Collège de Boncourt, founded in 1357.
-
-In Rue Clovis, at the summit of the Montagne Ste-Geneviève stands the
-Lycée Henri IV, dating as a school from 1796, known for several
-subsequent years as Lycée-Napoléon. It recalls vividly the abbey which
-once stood there. Its tower, known as the "Tour de Clovis," rises from
-the foundations of the eleventh-century abbey tower and was for long
-used as the Paris Observatory. The college kitchen is one of the
-ancient abbey cellars--cellars in three stories. Some of the walls
-before us date from the fourteenth and fifteenth centuries. The library
-founded by Cardinal de la Rochefoucauld is the boys' dormitory. A
-cloister and seventeenth-century refectory are there intact. The pupils
-go up and down a fine eighteenth-century staircase, and study amid
-interesting frescoes and much beautiful woodwork. New buildings were
-added to the ancient ones in 1873.
-
-
-
-
-CHAPTER XVII
-
-LA MONTAGNE STE-GENEVIÈVE
-
-
-Rue de la Montagne Ste-Geneviève, leading to the hill-top from Boulevard
-St-Germain, went in twelfth-century days by the unæsthetic name Rue des
-Boucheries. Nearly every wall, every stone is ancient. In past ages
-three colleges at different positions stood on its incline. The sign at
-No. 40 dates from the time of the Directoire. A statuette of the saint
-there in Revolution days was labelled, "A la ci-devant Geneviève;
-Rendez-vous des Sans-Culottes." And now we have before us the beautiful
-old church St-Etienne-du-Mont. The _place_, in very early times a
-graveyard, was laid out as a square in the fourteenth century and the
-church burial ground was on the north-western side. The present church
-dates as a whole from the early years of the seventeenth century, built
-on the site of a thirteenth-century chapel dedicated to St-Etienne. The
-_abside_ and the choir were built in early sixteenth-century years,
-close up against the old basilic of the abbey Ste-Geneviève. Among the
-people the church is still often referred to as l'Église Ste-Geneviève,
-chiefly, no doubt, because the tomb of the patron saint of Paris is
-there. The original _châsse_--a richly jewel-studded shrine--was
-destroyed at the Revolution, melted down, its gems confiscated, the
-bones of the Saint burnt. The stone coffin cast aside as valueless was
-recovered, filled with such relics of Ste-Geneviève as could be
-collected from far and near, and is now in the sumptuous shrine to which
-pilgrimages are continually made. A smaller _châsse_ is solemnly carried
-round the aisles of the church each year during the "neuvaine" following
-January 3rd, the revered Saint's fête day, when services are held all
-day long, while on the _place_ without a religious fair goes on ...
-souvenirs of Ste-Geneviève and objects of piety of every description are
-offered for sale on the stalls set up upon the _place_ from end to end.
-The church, showing three distinct styles of architecture, Romanesque,
-Gothic, Renaissance, is especially remarkable for its rood-screen--the
-only one left in a Paris church. It is rich, too, in exquisite stained
-glass, beautiful woodwork, fine statuary. We see inscriptions and
-epitaphs referring to Pascal, Rollin and many other men of note, buried
-in the church crypt or in the graveyard of past days.
-
-[Illustration: ST-ÉTIENNE-DU-MONT]
-
-The Panthéon, the most conspicuous if not the most ancient or most
-seductive building of this hill-top, was begun as a new church
-Ste-Geneviève. Louis XV, lying dangerously ill at Metz, made a vow to
-build on his recovery a church dedicated to the patron saint of Paris.
-It was not begun till 1755, not solidly constructed then; slips followed
-the erection of its walls, threatening collapse, and Soufflot, the
-architect, died of grief thereat. The catastrophe feared did not happen;
-the building was consolidated. Instead, however, of remaining a church
-it was declared, in the Revolutionary year 1791, the Panthéon, with the
-inscription, "Aux Grands Hommes de France, la Patrie reconnaissante."
-Napoléon restored it to the ecclesiastical authorities at the Concordat.
-In 1830 it became again the Panthéon; was once more a church in
-1851--then the Panthéon for good--so far--in 1885, when the body of
-Victor Hugo was carried there in great state. Its façade is copied from
-the Panthéon of Agrippa at Rome. It is noted for its frescoes
-illustrative of the life of Ste-Geneviève, by Gros, Chavannes, Laurens
-and other nineteenth-century artists. Rodin's "Penseur" below the
-peristyle was put there in 1906.
-
-[Illustration: INTERIOR OF ST-ÉTIENNE-DU-MONT (JUBÉ)]
-
-The Faculté de Droit, No. 10, is Soufflot's work (1772-1823). The
-Bibliothèque Ste-Geneviève, quite modern (1884), covers the site of the
-demolished Collège Montaigu, founded in 1314. Ignatius Loyola, Erasmus
-and Calvin were pupils there. All the surrounding streets stretch along
-the site of ancient buildings, convents, monasteries, etc., swept away
-but leaving here and there interesting traces. In Rue Lhomond débris of
-the potteries once there have been unearthed. Michelet lived for a time
-at the ancient hôtel de Flavacourt. No. 10, incorporated later in the
-École Ste-Geneviève, of which the chief entrance door is a vestige of
-the hôtel de Juigné, was the private abode of the Archbishop of Paris in
-pre-Revolution days. Another part of the school was the home of Abbé
-Edgeworth, confessor to Louis XVI in his last days. Yet another was the
-Séminaire des Anglais, founded under Louis XIV. We find a fine façade
-and balconies in the courtyard at No. 29, once the abode of a religious
-community, now the lay "Institution Lhomond."
-
-The Séminaire des Missions des Colonies Françaises at No. 30 dates from
-the time of Louis XIV. Fine staircase and chapel. The cellars of the
-modern houses from No. 48 to No. 54 are those of the convent which
-erewhile stood above them.
-
-In Rue des Irlandais we see the college founded in 1755 for Irish,
-Scottish and English priest-students. In Rue Rataud, once Rue des
-Vignes, which led to a cemetery for persons who had died of the plague,
-is, at No. 3, the orphanage of l'Enfant Jésus, formerly "Les Cent
-Filles," where the duchesse d'Angoulême, daughter of Louis XVI, had
-fifty young orphan girls educated yearly at her own expense.
-
-
-
-
-CHAPTER XVIII
-
-IN THE VALLEY OF THE BIÈVRE
-
-
-Emphatically a street of the past is the old Rue Mouffetard, its name a
-corruption perhaps of Mont Cérarius, the name of the district under the
-Romans, or derived maybe from the old word _mouffettes_, referring to
-the exhalations of the Bièvre, flowing now below ground here, never very
-odorous since the days when, coming sweet and clear from the southern
-slopes, it was put to city uses, industrial and other, on entering
-Paris. Every house along the course of this street has some curious
-old-time feature, an ancient sign, an old well, old doors, old
-courtyards. Quaint old streets lead out of it. The market on the _place_
-by the old church St-Médard extends up its slope.
-
-In the sordid shops which flourish on the ground-floor of almost every
-house, or on stalls set on the threshold, one sees an assortment of
-foodstuffs rarely brought together in any other corner of the city, and
-articles of clothing of most varied kind and style and date.
-
-The church dating from the twelfth century, partially rebuilt and
-restored in later times, was for several centuries a dependency of the
-abbey Ste-Geneviève. Its graveyard, for long past a market-place and a
-square, was in the eighteenth century the scene of the notorious
-_scandale Médard_. Among the graves of noted Jansenists buried there
-miraculous cures were supposed to take place. Women and girls fell into
-ecstasies. The number of these convulsionists grew daily. At last the
-King, Louis XV, ordered the cemetery to be closed. A witty inhabitant of
-the district managed to get near one of the tombstones the morning after
-the King's command was made known and wrote thereon:
-
- "De par le Roi, défense à Dieu
- De faire miracle en ce lieu."
-
-[Illustration: RUE MOUFFETARD ET ST-MÉDARD]
-
-It is the parish of the Gobelins and a beautiful piece of Gobelins
-tapestry hangs over the vestry door. Fragments of ancient glass, a
-picture by Watteau, others by Philippe de Champaigne, beautiful woodwork
-and the quaintness of its architecture make the old church intensely
-interesting.
-
-At No. 81 of this old-time street we find vestiges of a
-seventeenth-century chapel. At No. 52 ancient gravestones. The fountain
-at No. 60 dates from 1671. The house No. 9 is on the site of the Porte
-Marcel of bygone days.
-
-Rue Broca, in the vicinity of St-Médard, dating from the twelfth
-century, when it was Rue de Lourcine, has many curious old houses. The
-houses of Rue du Pôt-de-fer are all ancient, as are most of those in Rue
-St-Médard. At No. 1 of Place de la Contre Scarpe close by, a modern
-_place_, an inscription marks the site of the Cabaret de la "Pomme de
-Pin," celebrated by the eulogies of Ronsard and Rabelais.
-
-
-
-
-CHAPTER XIX
-
-RUE ST-JACQUES
-
-
-Passing amid the ancient colleges and churches, streets and houses we
-have been visiting, runs the old Rue St-Jacques. It begins at the banks
-of the Seine, stretches through the whole arrondissement, to become on
-leaving it a faubourg.
-
-The line it follows was in a long-past age the Roman road from Lutetia
-to Orléans--the Via Superior--_la grande rue_--of early Paris history.
-Along its course in Roman times the Aqueduc d'Arcueil brought water from
-Rungis to the Palace of the Thermes (_see_ p. 138). It is from end to
-end a long line of old-time buildings or vestiges of those swept away.
-The famous couvent des Jacobins extended across the site of the
-Bibliothèque de l'École de Droit and adjacent structures. At No. 172
-stood the Porte St-Jacques in Philippe-Auguste's great wall.
-
-We see a fine old door at No. 5, a house with two-storied cellars. At a
-house on the site of No. 218 Jean de Meung wrote the _Roman de la Rose_.
-The famous poem was published lower down in the same street.
-
-The church St-Jacques-du-Haut-Pas stands on the high ground we reach at
-No. 252, a seventeenth-century structure on the site of a chapel built
-in the fourteenth century by the monks from Italy known as the
-_Pontifici_, makers of bridges constructed to give pilgrims the means
-of crossing a _mau pas_ or _mauvais pas_, i.e. a dangerous or difficult
-passage in rivers or roads. The beautiful woodwork within the
-church--that of the organ and pulpit--was brought here from the ancient,
-demolished church St-Benoît (_see_ p. 140). We notice several good
-pictures. The fine stained glass once here was all smashed at the
-Revolution. The hôpital Cochin memorizes in the name of its founder an
-eighteenth-century vicar there. The churchyard was where Rue de
-l'Abbé-de-l'Épée now runs, known at one time as Ruelle du
-Cimetière-St-Jacques.
-
-No. 254 _bis_, the national Deaf and Dumb Institution, is the ancient
-_commanderie_ of the Frères hospitaliers de St-Jacques-du-Haut-Pas--the
-Pontifici--given for the purpose in 1790, partly rebuilt in 1823. The
-statue of Abbé de l'Épée, inventor of the alphabet for the deaf and
-dumb, in the court is the work of a deaf and dumb sculptor. The trunk of
-the tree we see near it is said to be that of an elm planted there by
-Sully three hundred years ago. At No. 262 we see vestiges of a
-_vacherie_, once the farm St-Jacques. At No. 261 we may turn into Rue
-des Feuillantines, where at No. 10 we see vestiges of the convent that
-was at one time in part the abode of George Sand, then of Mme Hugo,
-mother of the poet, and her children; later Jules Sardou lived in the
-_impasse_, now merged in the _rue_. At No. 269 we find some walls of the
-monastery founded by English Benedictines in 1640, to which a few years
-later they added a chapel dedicated to St. Edmond. The fabric is still
-the property of English bishops. It is used as a great music school:
-"Maison de la Schola Cantorum." The door seen between two fine old
-pillars at No. 284 led in olden days to the Carmelite convent where
-Louise de la Vallière took definite refuge and acted as "sacristan"
-till her death; Rue du Val-de-Grâce runs where the convent stood.[D]
-
-The military hospital Val-de-Grâce was founded as a convent early in the
-seventeenth century. Anne d'Autriche installed there the impoverished
-Benedictines of Val Parfond, or Profond, evacuated from their quarters
-hard by owing to an inundation from the Bièvre. In their gratitude they
-changed their name: the nuns of Val Profond became sisters of
-Val-de-Grâce. In 1645 Louis XIV, the child Anne d'Autriche had so
-ardently prayed for laid the first stone of the chapel dome, built on
-the model of St. Peter's at Rome. The church is now used only for
-funerals and indispensable military services. The dependency of
-Val-de-Grâce was built by Catherine de' Medici, the catacombs lie below
-it and the surrounding houses.
-
-
-
-
-CHAPTER XX
-
-LE JARDIN DES PLANTES
-
-
-It was in the early years of the seventeenth century that the King's
-physician bought a piece of waste ground--a _butte_ formed of the refuse
-of centuries accumulated there--for the culture of the multitudinous
-herbs and plants which made up the pharmacopia of the age. Thus was born
-the "Jardin Royal de herbes médicinales" laid out in 1626. Chairs of
-botany, pharmacy, surgery were instituted and endowed, and in 1650 the
-garden was thrown open to the public. A century later Buffon was named
-superintendent of the royal garden. He set himself to reorganize and
-enlarge. The amphitheatre, the natural history galleries, the chemistry
-laboratories, the fine lime-tree avenue are all due to him.
-Distinguished naturalists succeeded one another as directors of the
-garden, and after the death of Louis XVI a museum of natural history and
-a menagerie were set up with what was left of the King's collection at
-Versailles. Additions and improvements were made in succeeding years
-till, after the outbreak of war in 1870, the Jardin was bombarded by the
-Prussians, and during the siege its live-stock largely drawn upon to
-feed the population of Paris. The garden and its buildings have been
-added to frequently. The labyrinth is on the site of the hillock bought
-by Guy de la Brosse, who first laid it out. A granite statue marks the
-spot where he and two notable travellers were buried. Surrounding
-streets record the names of great naturalists of different epochs.
-
-In Rue Geoffroy St-Hilaire, once Rue Jardin du Roi, No. 5, now the
-Police Station, was built in 1760. At No. 30 a wheel once worked turned
-by the water of the Bièvre, now a malodorous drain-stream hidden beneath
-the pavement. No. 36 was Buffon's home. Here he died in 1788. At No. 37
-lived Daubenton. At No. 38 stood in olden days the great gate, the
-Porte-Royale, of the Jardin du Roi, with to its left the hall, a narrow
-space at that time, where the great surgeon Dionis described to a
-marvelling assembly of students his wonderful discoveries (1672-73).
-That small _cabinet_ was the nucleus of the great anthropological museum
-of succeeding centuries.
-
-In Rue Cuvier, in its early days Rue Derrière-les-Murs de Ste-Victoire,
-describing accurately its situation, we see at No. 20 a modern fountain
-(1840) on the site of one put there in 1671 and traces of the abbey
-St-Victor in the courtyard. The pavilion "de l'Administration" of the
-Garden is the ancient hôtel Jean Debray (1650), inhabited subsequently
-by several men of note. At No. 47 Cuvier died in 1832. In the
-eighteenth-century _fiacres_, a recently introduced manner of getting
-about, were to be hired at No. 45. The eleventh-century Rue Linné shows
-many vestiges of the past. We see Gothic arches of the vanished abbey at
-No. 4.
-
-In Rue des Fossés St-Bernard, stretching along the line of
-Philippe-Auguste's wall, between the site of two great gates: Porte
-St-Victor, a spot desecrated by the massacres of September, and Porte
-St-Bernard, we see Halle-aux-Vins, where abbey buildings stood of yore.
-The Halle-aux-Cuirs, in Rue Censier, is on the site of the famous
-orphanage "La Miséricorde," called vulgarly "les Cent Filles" or "les
-Cent Vierges." The apprentice from the Arts and Crafts Institution, who
-should choose one of these orphan maidens for his wife, obtained as her
-dowry the privilege of becoming at once a full member of the
-Corporation.
-
-In Rue de la Clef we have at No. 56 the site of part of the notorious
-prison Ste-Pélagie. No. 26 is still owned by the Savouré, whose
-ancestors kept the school where Jerôme Bonaparte and many of his
-compeers were educated. Rue du Fer-à-Moulin, dating from the twelfth
-century, a stretch of blackened walls, has been known by many names. In
-the little Rue Scipion leading out of it we see at No. 13 the _hôtel_
-built in the sixteenth century for the Tuscan, Scipion Sardini, who came
-to France in the suite of Catherine de' Medici, a rich and rather
-scandalous financier; terra-cotta medallions ornament its walls. It
-serves now as the bakehouse of the Paris hospitals. In the square
-opposite we see the curious piece of statuary: "des Boulangers," by
-Charpentier.
-
-Rue Monge, running from boulevard St-Germain to Avenue des Gobelins, was
-cut through old streets of the district in 1859. A fountain Louis XV
-brought here from its original site, Rue Childebert, was set up in the
-square, and many other old-time relics: statues from the ancient hôtel
-de Ville, débris from the Palais de l'Industrie, burnt down in 1897; a
-copy of the statue of Voltaire by Houdin, etc.
-
-Rue d'Arras, so named from a college once there, began as Rue des Murs,
-referring to the walls of Philippe-Auguste. The concert hall we see was
-not long ago Père Loyson's church. L'École Communale, No. 19 Rue des
-Boulangers, is on the site of part of the convent des "Filles
-Anglaises," which had existed there from 1644--razed in 1861.
-
-Rue Rollin began in the sixteenth century as Rue des Moulins-à-vent. On
-the site of the house at No. 2 Pascal died in 1662. No. 4, with its fine
-staircase, its _grille_ and ancient well in the courtyard, was the home
-of Bernardine de St. Pierre, during the years he wrote his world-known
-_Paul and Virginie_. Rollin lived and died (1741) at No. 8. Descartes
-lived at No. 14. When the street was longer and known as Rue
-Neuve-St-Etienne, Manon Philipon, Madame Roland of later days, was a
-pupil in the _annexe_ of the English Augustine convent on a site crossed
-now by Rue Monge and Rue de Navarre.
-
-In Rue de Navarre we come to Les Arènes, the disinterred remains of the
-Roman Arena. They were discovered here just before the war of 1870, then
-quickly covered up to be in part restored to daylight in 1883. We see
-before us the grey stones, huge blocks and graduated step-like seats
-where the population of the city--Lutetians then--passed their hours of
-recreation watching the conflicts of wild beasts. It is not, perhaps,
-the original arena built here by the Romans, for that was attacked
-twice, first by the northern invaders, then by the Christians, many of
-its stones used to build the city walls. It was, however, soon restored
-... evidently. In the course of subsequent invasions, conquests, new
-settlements, constructions and the lapse of years, the Roman theatre
-sank beneath the surface to be unearthed in nineteenth-century days.
-Modern garden paths and a grand but inharmonious entrance in Louis XIV
-style now surround this supremely interesting vestige of a long-gone
-age. Children play where savage beasts once fought. Women knit and sew,
-old men rest, young men and maidens woo, where Roman soldiers and a
-primitive Gallic population once eagerly gathered to watch fierce
-combats.[E]
-
-Rue Lacépède: here at No. 1 stood till recently the Hôpital de la Pitié,
-founded by Marie de' Medici in 1613, now replaced by a modern building
-in the boulevard de l'Hôpital. Its primary destination was a shelter for
-beggars--a refuge--in order to free Paris from the swarms who "gained
-their living" by soliciting alms in the streets. The beggars preferred
-their liberty. By an edict of some years later, however, beggars were
-taken there and closely shut up, safely guarded. They were called in
-consequence "les Enfermés." The hospital grew in extent and importance
-and was called "Notre-Dame de la Pitié." The convent Ste-Pélagie was
-organized in a part of its buildings, in 1660, to become at the
-Revolution the notorious prison. No. 7 is a handsome eighteenth-century
-_hôtel_. Rue Gracieuse has brought down to our time the graceful name of
-a family who lived there in the thirteenth century and some ancient
-houses. In Rue du Puits de l'Ermite lived the sculptors Coysevox,
-Coustou, and the painter Bourdon. The hospice for aged poor in Rue de
-l'Épée-de-Bois was formerly an _asile_ founded by Soeur Rosalie, known
-for her self-sacrificing work among the cholera-stricken in 1832, and
-during the Revolution of 1848. The very name Rue des Patriarches bids us
-look for vestiges of past ages. The patriarchs, thus memorized, were
-two fourteenth-century ecclesiastics, one bishop of Paris and
-Alexandria, the other of Jerusalem, who dwelt in a fine old _hôtel_, the
-big courtyard of which has become a market-place, while the street named
-after them and a curious _impasse_ stretch across the site of the razed
-mansion. The district was a centre of Calvinism during the religious
-struggles. The bishop's old house, "hôtel Chanac," sheltered numerous
-Protestants, and religious services were held there.
-
-Rue de l'Arbalète carries us back to the days when archers had their
-garden and training-ground here. Later an apothecary's garden was laid
-out where now we see the extensive modern buildings of the Institut
-Agronomique. A pharmaceutical school was built in this old street and
-medicinal herbs were cultivated from the end of the fifteenth and early
-years of the sixteenth centuries. Remains of a Roman cemetery were found
-some years ago beneath the paving-stones near No. 16.
-
-In Rue Daubenton we find the presbytery and ancient side-entrance of
-St-Médard, and in the old wall distinct traces of two great gates which
-led to the churchyard. Traces of past time are seen also in Rue de la
-Pitié, where at No. 3 Robespierre's sister lived and, in 1834, died.
-
-Rue Cardinal-Lemoine begins across the site of the college founded by
-the Cardinal in 1302, suppressed at the Revolution, used subsequently as
-a barracks, then razed. The wall of Philippe-Auguste passed on the site
-of No. 26. Beneath the house a curious leaden coffin was found in 1908.
-At No. 49 we see the handsome but dilapidated façade of the house of the
-painter Lebrun, where also Watteau lived for a time. Here the Dames
-Anglaises had their well-known convent from 1644 to 1859, when they
-moved to Neuilly. At the Revolution the convent was confiscated, yet
-Mass was said daily in the chapel through the Terror (_see_ pp. 11, 28).
-
-At No. 65 we see the Collège des Écossais, founded in 1325 by David,
-bishop of Moray, to which a second foundation due to the bishop of
-Glasgow, 1639, was added, transferred here from Rue des Armendiers, by
-Robert Barclay in 1662. Suppressed in 1792, it was used as a prison
-under the Terror but restored to the Scots when Revolution days were
-over. The seventeenth-century chapel still stands and the heart of James
-II is in a casket there. The college staircase, left untouched, is
-remarkably fine. Close by, at the end of Rue Thouin, in what was
-formerly Place Fourcy, the brothers Perrault, one the famous architect,
-the other yet more universally known--the writer of fairy tales--lived
-and died. Rue de l'Estrapade recalls the days when, on the _place_ hard
-by, rebellious soldiers were punished by being hoisted to the top of a
-pole, their hands tied behind their back, then let fall to the ground.
-Old-time vestiges are seen all along the street. Rue Clotilde crosses
-what were once the grounds of the abbey Ste-Geneviève.
-
-
-
-
-CHAPTER XXI
-
-THE LUXEMBOURG
-
-
-ARRONDISSEMENT VI. (LUXEMBOURG)
-
-The palace that gives its name to the arrondissement was founded by
-Marie de' Medici and built on the model of the Pitti palace at Florence
-by Salomon de Brosse between the years 1615-20. The site chosen was in
-the neighbourhood of the vast monastery and extensive grounds of the
-Chartreux. The duc de Luxembourg had an _hôtel_ there. It was sold to
-the Queen and razed; but vainly was the new edifice on the spot called
-by its builder "Palais Médicis." The name of the razed mansion prevailed
-over that of the Queen.
-
-A garden was begun in 1613 on a space in the Abbey grounds where, in a
-previous age, a Roman camp had stretched.
-
-[Illustration: JARDIN ET PALAIS DU LUXEMBOURG]
-
-Marie left the palace to her second son, Gaston d'Orléans. It was the
-abode of various royal personages till the outbreak of the Revolution.
-Then it became a prison. Camille Desmoulins and many of his compeers
-were shut up there. The Chartreux fled and their monastery was levelled
-with the ground. The Terror over, the palace became successively Palais
-des Directeurs, Sénat Conservateur, Chambre des Pairs and, in 1852,
-Sénat Impérial. After Sedan it became the Sénat de la République. The
-gardens were extended across the property of the Chartreux. They are
-beautiful gardens. The Renaissance fountain is the work of Jacques de
-Brosse. The statues we see on every side among the lawns and the
-flower-beds, in the shady alleys, most of them the work of noted
-sculptors, show us famous men and women of every period of French
-history from Ste-Bathilde and Ste-Geneviève to our own day.
-
-The Petit Luxembourg is also due to Marie de' Medici, built a few years
-after the completion of the larger palace. From the day of its
-inauguration by Richelieu it knew many inhabitants of note: Barras,
-Buonaparte and Joséphine, etc., sojourned there. It was used at one time
-as a senate house, then as a Préfecture. We see in an adjacent wall a
-marble _mètre_--the standard measure put there under the Directoire.
-Finally the mansion was chosen as the official residence of the
-president of the Senate.
-
-Rue Vaugirard, on which the chief entrance of both these palaces open,
-is the longest street in Paris and one of the oldest. It is, like many
-another long Paris street, made up of several thoroughfares once
-distinct. The first of these, Rue du Val-Girad, led from the village
-named from its chief landowner, an abbé of St-Germain-des-Prés, Gérard
-de Meul. In close proximity to the Palace is the Odéon, the Second
-Théâtre-Français, once the "Français" itself, built in 1782, on the site
-of the hôtel de Condé, burnt down in 1799, rebuilt by Chalgrin, reopened
-in 1808 as théâtre de l'Impératrice, badly burnt a few years later,
-restored as the théâtre Français, then again restored in 1875. The
-_place_ surrounding the theatre and the streets opening out of it are
-rich in historic and literary associations. No. 1, Café Voltaire, was a
-meeting-place of eighteenth-century men of letters of every class and
-type. At No. 2 lived Camille Desmoulins and his Lucile. There he was
-arrested. In Rue Rotrou, No. 4, now a well-known bookseller's shop, was
-once the famous Café Tabourey. André Chenier lived in Rue Corneille. Rue
-Tournon was opened in 1540, across the site of a horse-market bearing
-the realistic name Pré-Crotté, on land belonging to the Chapter of
-St-Germain-des-Prés, and named after its abbé, Cardinal de Tournon. At
-No. 2, hôtel Chatillon (seventeenth century), Balzac passed three years,
-1827-30. No. 4 dates from the days of Louis XIV as hôtel Jean de
-Palaiseau, later hôtel Montmorency. Lamartine lived here in 1848. At No.
-5 lived and died the notorious _devineresse_ Mlle Lenormand, "sybille de
-l'Impératrice Joséphine." Another prophetess, Mme Moreau, lived here in
-the time of Napoléon III. No. 7, hôtel du Sénat et des Nations,
-sheltered Gambetta for a time, also Alphonse Daudet. At No. 6, hôtel de
-Brancas (1540), inhabited in its early years by the duchesse de
-Montpensier, rebuilt under the Regency, we see a very fine staircase and
-frescoed boudoir. Pacha lived for some years at No. 13. No. 8 dates from
-1713, on the site of a more recent _hôtel_. At No. 10, hôtel Concini,
-Louis XIII lived for a time to be near his mother, Marie de' Medici, at
-the Luxembourg. St. François de Sales stayed here. It served as the
-hôtel des Ambassadeurs Extraordinaires (1630-1748), was sequestered at
-the Revolution; then became a barracks as it is to-day. At No. 19 the
-Scot, Admiral Jones, famous for his help in the American War of
-Independence, died in 1791; his bones were taken to America in 1905. No.
-33, the well-known restaurant Foyot, was in old days hôtel de Tréville,
-where royalties sometimes dined incognito. At No. 19 we come to an old
-curiosity shop surmounted by a barber's pole, and on the doorpost we
-read the words, with their delicate flavour of irony:
-
- "Ici Monsieur Tussieu barbier,
- Rase le Sénat,
- Accommode la Sorbonne,
- Frise l'Académie."
-
-When the recent war was on the patriotic barber posted up in French, in
-Greek, in Latin, other words, the following:
-
- "Bulgares de Malheur,
- Turques, Austro-Hongrois, Boches,
- Ne comptez sur Tussieu
- Pour tondre vos caboches."
-
-He died a few months ago, leaving to his widow his shop full of valuable
-antiquities.
-
-Rue Garancière owes its euphonious name to a notable sixteenth-century
-firm of dyers--la Maison Garance was on the site of the present
-publishing house Plon. In the seventeenth century the Garance hôtel was
-rebuilt as a mansion for the Breton bishop, René de Rieux. After the
-Revolution it was for thirty years the Mairie of the district. The words
-"stationnement de nuit pour huit tonneaux" on the wall at No. 9 refer to
-a vanished market fountain. The Dental School at No. 5 was originally
-the home of Népomacène Lemercier. Passing through Rue Palatine
-memorizing Charlotte de Bavière, widow of Henri de Bourbon, who lived at
-one time at the Luxembourg, we turn down Rue Servandoni, so named in
-recent times in honour of the architect of the façade of the church
-St-Sulpice, who died in a house opposite No. 1 (1766). Among the
-bas-reliefs at No. 14 is one of Servandoni unrolling a plan of
-St-Sulpice. We see on every side some interesting vestiges of the past.
-Rue Canivet and Rue Férou show many old houses. Rue du Luxembourg is
-modern, built along what was once a shady alley of the garden. The Café
-at No. 1, Rue Fleurus, was erewhile the meeting-place of great artists:
-Corot, Murger and others of their time. Rue Auguste Comte is another
-modern street along an old alley of the garden.
-
-Rue d'Assas, across the garden at one point, runs through the whole of
-this arrondissement over what were once the grounds of the two old
-convents: the Carmes and Cherche-Midi; it shows a few ancient houses.
-No. 8 is eighteenth century. No. 19, l'Institut Catholique, is the
-ancient Carmelite convent. George Sand lived in a house once on the site
-of No. 28, and Foucault, a celebrated physician who made, besides, the
-notable proof of the earth's rotation by the movement of a pendulum,
-died here in 1868. Littré the great lexicographer died at No. 44.
-Michelet at No. 76.
-
-Turning again into Rue Vaugirard we find at No. 36, the house built for
-the household staff of the Princesse Palatine, its kitchen communicating
-with the Petit Luxembourg by an underground passage; at No. 19 remains
-of the couvent des Dames Benedictines du Calvaire, founded 1619, and on
-the site of the Orangery, the Musée du Luxembourg, inaugurated in 1818,
-which grew out of the exhibition in 1750 of a hundred pictures in
-possession of the King. Massenet lived and died at No. 48. No. 50, hôtel
-de Trémouille, called in Revolutionary times hôtel de la Fraternité,
-where Mme de Lafayette died in 1692. Nos. 52 and 54 are ancient, 56 was
-the hôtel Kervessan (1700). We reach at No. 70 the old convent of the
-Carmes Déchaussés.
-
-
-
-
-CHAPTER XXII
-
-LES CARMES
-
-
-The tragic story of "les Carmes" has been repeatedly told. The convent
-was founded in 1613 by Princesse de Conti and la Maréchale d'Ancre for
-the Carmes Déchaussés, who hailed from Rome. The first stone of their
-chapel here, dedicated to St. Joseph, was laid by Marie de' Medici; its
-dome was the first dome built in Paris; Italian masters painted frescoes
-on its walls. The Order became very popular among Parisians who liked
-the _eau de Mélisse_, which it was the nuns' business, in the secular
-line, to make and sell, and they were respected for their goodness to
-the poor. When the horrors of the Revolution were filling the city with
-blood, the Carmes were left unmolested, some even hidden away in secret
-corners of the convent with the connivance of Revolutionary chiefs. Then
-priests who refused to take the oath of allegiance were shut up there
-and to-day we see, in the old crypt, the bones of more than a hundred of
-them, slain by a band led by a revolutionist known as "Tape-dur"--strike-hard.
-A prison during the Terror, Mme Tallien, Joséphine de Beauharnais, and
-more than seven hundred others were shut up there, led forth thence,
-many of them, to execution. These tragic scenes overpast, the convent
-was let to a manager of public fêtes: its big hall became a ballroom,
-"le bal des Marronniers." That wonderful woman Camille de Soyecourt,
-Soeur Camille, who had previously re-organized the convent, bought it
-back in 1797. The garden-shed where the bodies of the murdered priests
-had lain was made into a memorial-chapel, razed in 1867. Then the
-priests' bones were carried to the crypt where we now see them. Every
-year in the first week of September, anniversary of the Massacre,
-the convent, the crypt and the ancient garden, little changed from
-Revolution days, are thrown open to the public, where besides the
-bones of the massacred priests many interesting tombs and relics are
-reverently cared for. It was at the Institut Catholique in the old
-Carmelite buildings that the principle of wireless telegraphy was
-discovered, in 1890.
-
-The ancient burial-ground of St-Sulpice lies beneath the buildings Nos.
-100-102 of the long Rue Vaugirard. No. 104, the Salle Montalembert, is
-the ancient convent of the Pères Maristes. At No. 85 we see an old-time
-boundary-stone and bas-reliefs.
-
-
-
-
-CHAPTER XXIII
-
-ON ANCIENT ABBEY GROUND
-
-
-Numerous ancient streets and some modern ones, on time-honoured ground,
-lead out of Rue Vaugirard. Rue Bonaparte, extending to the banks of the
-Seine, was formed in 1852 of three old streets. Most of its houses are
-ancient or show vestiges of past ages and have historic associations. At
-No. 45 Gambetta dwelt in 1866. No. 36 was the home of Auguste Comte; on
-the site of No. 35 was the kitchen of the great abbey St-Germain-des-Prés,
-which stretched across the course of many streets in this district
-(_see_ p. 201). No. 20, l'hôtel du duc de Vendôme, son of Henri IV and
-Gabrielle d'Estrées. No. 19, hôtel de Rohan-Rochefort, where the wife of
-the unfortunate due d'Enghien, shot at Vincennes, used to receive her
-exiled husband in secret when he came in disguise to Paris. No. 17 is
-noted as the office till recent years of the _Revue des Deux Mondes_,
-first issued there in 1829 as a magazine of travel!
-
-No. 14, École Nationale des Beaux-Arts, on the site of the convent des
-Petits-Augustins, founded by Margaret de Valois in 1605, of which some
-walls remain and to which in the nineteenth century were added the
-hôtels de Conti and de Bouillon, the latter known as hôtel de Chimay.
-The nucleus of the works of art here seen was a collection of sculptures
-and other precious relics saved from buildings shattered or suppressed
-in the days of the Revolution, reverently laid in what was called at
-first a _dépôt des ruines des Monuments_. The word _ruines_ was soon
-omitted and the _dépôt_ became the Musée des Monuments Français, under
-the able direction of Lenoir. But ruins are still to be seen there,
-splendid and historic ruins--the façade of the château d'Anet, built for
-Diane de Poitiers, and remains of many another superb _hôtel_ of bygone
-ages. A beautiful chapel, paintings by Delaroche, and Ingres, statuary,
-mouldings of Grecian and Roman sculpture, are among the treasures of the
-Beaux-Arts. Nos. 1 and 3, forming l'hôtel de Chevandon, was inhabited at
-one time by vicomte de Beauharnais, the Empress Joséphine's first
-husband.
-
-[Illustration: L'ABBAYE ST-GERMAIN-DES-PRÉS]
-
-Rue des Beaux-Arts, opened a century ago, has ever been the habitation
-of distinguished artists and men of letters. Rue Visconti, cut across
-the Petit Pré-aux-Clercs, the Students' Fields, in the sixteenth
-century, bore till the middle of the nineteenth century the more
-characteristic name Rue des Marais-St-Germain. The Visconti it
-memoralizes was the architect of Napoléon's tomb and of restoration work
-at the Louvre. In its early years it was a resort of Huguenots, and
-known therefore as the "Petite Genève." It is very narrow and nearly
-every house is ancient; Racine died either at No. 13 or at 21. No. 17
-was the printing-house founded by de Balzac, to whom it brought ruin.
-No. 21, hôtel de Ranes.
-
-Rue Jacob, lengthened in the nineteenth century by the Rue Colombier,
-ancient Chemin-aux-Clercs, owes its name to a chapel built by Margaret
-de Valois, la Reine Margot--dedicated to the Hebrew patriarch in
-fulfilment of a vow when the Queen was kept in durance in Auvergne. The
-street has always been the habitation of notable men of letters,
-artists, etc. Sterne lived at No. 46. No. 47, Hôpital de la Charité,
-another of Marie de' Medici's foundations, was built for the Frères de
-St-Jean-de-Dieu. The firm of chemists at No. 48--Rouelle--dates from
-1750, formerly on the opposite side of the street. At No. 19 we see in
-the courtyard vestiges of the old abbey infirmary. The abbey gardens
-stretched across the site of several houses here. No. 26, hôtel Lefèvre
-d'Ormesson (1710). At No. 22 there is an eighteenth-century structure in
-the court called "temple de l'Amitié." At No. 20 dwelt the great
-eighteenth-century actress, Adrienne Lecouvreur. In Rue Furstemburg we
-find vestiges of the abbey stables and coach-house.
-
-Rue de l'Abbaye, opened in the last year of the eighteenth century,
-stretches across a line once in the heart of the famous abbey grounds.
-The first church on the site of the fine old edifice we see there now,
-was built under the direction of Germain, bishop of Paris, in the time
-of Childebert, about the middle of the sixth century, dedicated to
-St-Vincent and known as St-Vincent et Ste-Croix, on account of its
-crucifix form. Bishop Germain added a monastery. In the ninth century
-came the devastating Normans. The church and convent were destroyed to
-be rebuilt on so grand and extensive a scale two centuries later,
-strongly fortified, surrounded by a moat, watch-towers, etc.--a
-masterpiece of thirteenth-century architecture. In the eighteenth
-century the abbey prison was taken over by the State, the Garde
-Française lodged there. In September, 1792 Mme Roland, Charlotte Corday
-and many another notable prisoner of those terrible days were shut up
-within its walls. The fine library and beautiful refectory were burnt
-and there, that fatal September, saw some three hundred victims of
-Revolutionary fury put to death, the greater number slain on the spot
-where Rue Buonaparte touches the _place_ in front of the church. The
-prison stood till 1857. The church is full within as without of
-intensely interesting architectural and historic features: its tower is
-the most ancient church tower of the city. In the little garden square
-we see the ruins of the lady-chapel built by Pierre de Montereau,
-architect of the Ste-Chapelle. The Gothic roof, the round-arched nave,
-the splendid chapel of the Sacré-Coeur, once the church choir, with
-its pillars coloured deep red, the wonderful capitals of the chancel,
-the old glass in the chapel Ste-Geneviève, the tombs and the statues,
-and Flandrin's glorious frescoes, all appeal to the lover of the
-beautiful and the historic. Of the houses in the vicinity of the church
-many are ancient, others are on the site of abbey buildings swept away.
-No. 3 Rue de l'Abbaye, the abbey palace, dates from 1586, built with a
-subterranean passage by Cardinal Charles de Bourbon. The last abbot who
-dwelt there was Casimir, King of Poland, whose tomb is in the church. In
-modern times it has served as a studio and is now a dispensary. At No.
-13 we see the last traces of the monastery with its thirteenth-century
-cloister. At No. 15 Rue St-Benoît are the remains of an old tower; at
-No. 11 vestiges of an ancient wall; at No. 2, an old house once the
-abode of Marc Orry, a famous printer of the days of Henri IV. Through
-pipes down this old street water once flowed from the Seine to the
-abbey, and it went by the name Rue de l'Égout. The painter of the last
-portrait of Marie-Antoinette lived for some time at No. 17.
-
-Rue du Four, i.e. Oven Street, the site in olden days of the abbey
-bakehouse, and one of the most important streets of the abbey precincts,
-bearing in its early days the royal name Chaussée du Roi, has been
-almost entirely rebuilt in modern times. Here and there we find traces
-of another age. Robespierre lived here.
-
-Rue du Vieux-Colombier, recalling by its name the abbey dove-cot, has
-known among its inhabitants Boileau, Lesage, the husband of Mme
-Récamier. Few ancient houses are left there now. We see bas-reliefs at
-No. 1.
-
-Rue de Mézières is so called from the hôtel Mézières given in 1610 to
-the Jesuits as their _noviciat_. No. 9 is ancient. Rue Madame, which it
-crosses, existed under different names from the sixteenth century, part
-of it as Rue du Gindre, a reference to the abbey bakehouse once near,
-for a _gindre_ is the baker's chief man. The name of Madame was given in
-1790 to the part newly opened across the Luxembourg gardens by the new
-occupant of the palace, the comte de Province, brother of Louis XVI, in
-honour of his wife. That did not hinder the count from building in the
-same street a fine mansion for his mistress, comtesse de Balbi, razed
-some years ago. Flandrin lived at No. 54. Renan at No. 55. Rue Cassette
-shows us a series of past-time houses, many of them associated with the
-memory of notable persons of the eighteenth and nineteenth centuries.
-Alfred de Musset lived there. No. 12 was in the hands of the Carmelites
-till the Revolution. No. 21 belonged to the Jesuits till their expulsion
-in 1672. In the garden of No. 24 the vicar of St-Sulpice lay hidden
-after escaping from the Carmes at the time of the Massacre. Rue
-Honoré-Chevalier, in the days of Henri IV Rue du Chevalier Honoré, shows
-in its name another link with the abbey bakehouse, for it was that of
-the master-baker who cut the street across his own property.
-
-The church St-Sulpice, with its very characteristic façade, the work of
-Servandoni, was begun in the middle of the seventeenth century on the
-site of a thirteenth-century church dedicated to St. Pierre, but was not
-finished till nearly a century later. Servandoni's towers were
-disapproved of; one was demolished and rebuilt by Chalgrin. The other
-remains as Servandoni designed it. Entering the church we see its walls
-covered with frescoes and paintings; they are all by celebrated artists.
-Those in the lady-chapel by Van Loo, the rest by Delacroix and other
-masters of modern times. The high altar is unusually large. The shells
-for holy water were a gift from the Republic of Venice to François I.
-The pulpit with its carved figures was given by Richelieu. In the
-Chapelle-des-Étudiants is an organ that belonged to Marie-Antoinette for
-the use of her young son, and has been played by Glück and Mozart. A
-sacrilegious fête was held in the church in Revolution days and a great
-banquet given in honour of Napoléon. The grand organ is very fine, its
-woodwork designed by Chalgrin. The services are noted for the beauty of
-their music. The _place_ dates from 1800, built on the site of the
-ancient seminary "des Sulpiciens," razed by Napoléon. The present
-Séminaire, no longer a seminary--forfeited to the State in 1906--was
-built in 1820-25. The immense fountain was put up there nearly half a
-century later, an old smaller one taken away.
-
-Almost parallel with Rue Bonaparte the old Rue de Seine stretches from
-the banks of the river to Rue St-Sulpice. It dates in its most ancient
-part from 1250 as the Pré-aux-Clercs road. No. 1 is a dependency of the
-Institute. No. 6 is on the site of a _palais_ built by la Reine Margot
-on leaving l'hôtel de Sens, some traces of which are seen among the
-buildings on the spot, and part of the Queen's gardens. No. 10 was
-formerly the Art School of Rosa Bonheur. At No. 12 are vestiges of
-l'hôtel de la Roche-Guyon and Turenne (1620). Nos. 41, 42, 57, 56, 101
-show interesting seventeenth-century features. Rue Mazarine is another
-parallel street--a street of ancient houses. No. 12 is notable as the
-site of the Jeu de Paume, a tennis-court, where in 1643 Molière set up
-his Illustre théâtre. No. 30, hôtel des Pompes, where died in 1723 the
-founder of the Paris Fire Brigade; a remarkable man he ... an actor in
-Molière's troup, the father of thirty-two children! On the site of No.
-42 stood once another tennis-court, which became the théâtre Guénégaud,
-where the first attempts at Opera were made.
-
-Rue de Nesle, till the middle of last century Rue d'Anjou-Dauphine,
-stretches across the site of part of the famous hôtel de Nesle; a
-subterranean passage formerly ran beneath it. The interesting house No.
-8 is one of the many said to be a palace of la Reine Blanche, the mother
-of St. Louis. There were, however, as a matter of fact, many "Reines
-Blanches" in France in olden times, for royal French widows wore white,
-not black for mourning.
-
-Rue de Nevers (thirteenth century) was in past days closed at both ends
-and called therefore Rue des Deux-Portes. In Rue Guénégaud we find at
-No. 29 a tower of Philippe-Auguste's wall. All its houses are ancient.
-At No. 1 we see the remains of a famous théâtre des Marionnettes.
-
-Rue de l'Ancienne-Comédie, in a line with Rue Mazarine, erewhile Rue des
-Fossés-St-Germain, is full of historic memories. The Café Procope at No.
-13, now a restaurant, was the first café opened in Paris (1689). Noted
-men of every succeeding century drank, talked, made merry or aired their
-grievances within its walls: modern paintings there record the features
-of some of them. No. 14 was the theatre from which the street takes its
-name, succeeded by the Odéon (_see_ p. 184). Rue Grégoire-de-Tours shows
-us several curious old houses. At No. 32 we see finely chiselled statues
-on the façade. Rue de Buci, originally Rue de Bussy from the
-_buis_--box-bush--once growing there, the ecclesiastical "Via Sancti
-Germani de Pratis," later Rue du Pilori, passed in ancient days through
-Philippe-Auguste's wall by a great gate with two towers opened for the
-purpose. For it was an all-important thoroughfare. The _carrefour_
-whence it started was the busiest spot of the whole district. Persons of
-ill-repute or evil conduct were chained there; those condemned to death
-were hung there. Sedan chairs for the peaceable were hired there.
-Thither Revolutionist volunteers flocked to be enrolled in 1792, and
-there the first of the September massacres was perpetrated. Most of the
-ancient buildings along its course have been replaced by modern
-structures. The street has been in part widened; the site of some old
-structures lately razed has not yet been built on.
-
-Rue Dauphine, named in honour of the son of Henri IV, later Louis XIII,
-dates from 1607. Most of the houses date from that century or the
-century following. Rue Mazet, opening out of it at No. 49, was famed in
-past days for the old inn and coaching station--"le Cheval Blanc." It
-existed from 1612 to 1906. Near it was the restaurant Magny, where
-literary lions of the early years of the nineteenth century--G. Sand,
-Flaubert, the Goncourts, etc.--met and dined. Some old houses still
-stand there.
-
-[Illustration: COUR DE ROHAN]
-
-Rue St-André-des-Arts, where in ancient days dwelt the makers and
-vendors of "arcs," i.e. bows, and along which the pious passed to pray
-at St-André on abbey territory for those who had suffered death by
-burning, (_les Arsis_) was in long-gone times a vine-bordered path
-reaching to the city wall. It was known at one time as Rue St-Germain,
-and was a great shoemaking street. It is rich in vestiges of the past.
-Almost every house has interesting features. The modern Lycée Fénelon at
-No. 45, the first girls' _lycée_ in Paris, stands on the site of the
-ancient _hôtel_ of the ducs d'Orléans. No. 52, hôtel du
-Tillet-de-la-Bussière. Nos. 47-49, on the site of the ancient mansion of
-the Kings of Navarre and of the Vieuville, of which some traces are
-still seen. At No. 11, a house on the site of the _place_ where stood
-the old church, Gounod was born in 1818. Opening out of it is the
-Passage du Commerce-St-André, cut in 1776, across the site of
-Philippe-Auguste's great wall of which, at No. 4, we find the base of a
-tower, and in the Cour de Rohan, more correctly perhaps Rouen, a very
-perfect fragment of the city rampart. The archbishops of Rouen had an
-_hôtel_ here, and the vestiges we see before us are those of a mansion
-built on its site by King Henri II for Diane de Poitiers. Rue des
-Grands-Augustins, in part on the site of an ancient Augustine convent,
-was, in the thirteenth century, Rue l'Abbé de St-Denis. Many of its
-houses show interesting traces of the past. The reputed restaurant
-Lapérouse at No. 1 is a Louis XV _hôtel_. At No. 5 and No. 7 remains of
-the ancient hôtel d'Hercule, noted for its mythological paintings and
-tapestries, once the Paris abode of the princess of Savoie Carignan. At
-No. 3 Rue Pont de Lodi, opening at No. 6, we see traces of the convent
-refectory. Littré was born at No. 21 (1808). In 1841 Heine lived at No.
-25. Sardou in his youth at No. 26. Augustin Thierry lived for ten years
-in a house near the quay.
-
-Almost every house in Rue Christine, named after the second daughter of
-Henri IV, dates from the seventeenth century.
-
-
-
-
-CHAPTER XXIV
-
-IN THE VICINITY OF PLACE ST-MICHEL
-
-
-An ancient _place_ and part of the old Rue de l'Hirondelle, and an
-ancient chapel stretched in bygone days where now we see the broad new
-Place St-Michel. The colossal fountain we see there was put up in 1860,
-replacing a seventeenth-century fountain on the ancient _place_, which
-lay a little more to the south. Of the boulevard--the famous "Boule
-Miche"--we will speak later (_see_ p. 306).
-
-Turning into Rue de l'Hirondelle, in the twelfth century Rue
-l'Arondale-en-Laac, then Rue Herondalle, we see remains of the ancient
-Collège d'Antin, founded in 1371, and an eighteenth-century house on the
-site of the mansion of the bishop of Chartres previously there. Rue
-Gît-le-Coeur, probably indicated in fourteenth-century days the
-dwelling-place of the King's cook ... _Gille_ his name; _coeur_, a
-misspelling for _queux_, cook. At No. 5 we see remains of hôtel Séguier.
-
-Rue Séguier was a thoroughfare, a country road in Childebert's time; in
-the fourteenth century it became a street with the name
-Pavée-St-André-des-Arts. Every house has some interesting feature. The
-famous Hostellerie St-François till the eighteenth century on the site
-of No. 3, was the starting-point of the coaches for Normandy and
-Brittany. At No. 6 we see traces of the hôtel de Nemours. The Frères
-Cordonniers de St-Crépin, founded in 1645 (Shoemakers' Confraternity),
-had its quarters where we see the Nos. 9, 11, 13. J. de Ste-Beuve, the
-Jansenist, was born and in 1677 died at No. 17. At No. 18 we see all
-that is left of a fourteenth-century hôtel de Nevers on the site of an
-older _hôtel_. The burial-ground of the church St-André stretched along
-part of Rue Suger: the presbytery was on the site of No. 13. Every house
-in this narrow old street tells of past days. At No. 3 we find traces of
-the chapel of the Collège de Boissy, founded in 1360 by a Canon of
-Chartres for seven poor students. Another old-time college stood in Rue
-de l'Éperon and till 1907, an ancient house, a dependency of the church
-St-André-des-Arts. Rue Serpente, a winding road in its earliest days, a
-street about the year 1200, was the site of the celebrated hôtel
-Serpente, and of the firm of printers where Tallien was an employé. The
-very modern Rue Danton, with its emphatically up-to-date structure in
-re-enforced concrete, has swept away a host of ancient houses. The hôtel
-des Sociétés Savantes is on the site of the hôtel de Thou, l'hôtel des
-États-de-Blois in the time of Louis XV.
-
-Rue Mignon, twelfth century, recalls yet another college founded in 1343
-by a dignitary of Chartres of this name; ancient houses at Nos. 1 and 5.
-
-The most interesting of these old streets is Rue Hautefeuille with its
-two turrets, one at No. 5, the ancient _hôtel_ of the Abbots of Fécamp,
-fourteenth century, the other octagonal, at No. 21, on the corner of
-what was once part of the Collège Damville of the same date: there in
-Roman times stood the castle Altum Folium--Hautefeuille--of which
-remains were found in the fourteenth century. This old street was no
-doubt a road leading to the citadel.
-
-[Illustration: RUE HAUTEFEUILLE]
-
-
-
-
-CHAPTER XXV
-
-L'ODÉON
-
-
-An interesting corner of Old Paris lies on the north-east side of the
-Odéon. Rue Racine, opening on the _place_ before the theatre, runs
-through the ancient territory of the Cordeliers. Vestiges of a Roman
-cemetery were found in recent years beneath the soil at No. 28, and at
-No. 11 were unearthed traces of the city wall of Philippe-Auguste.
-George Sand lived for a time at No. 3. Rue de l'École de Médecine was
-once in part Rue des Cordeliers, in part Rue des Boucheries-St-Germain,
-a name telling its own tale. No less than twenty-two butchers' shops
-flourished here. At the outbreak of the Revolution a butcher was
-president of the famous club des Cordeliers established in the ancient
-convent chapel (1791-94). The refectory, the church-like structure we
-see at No. 15, now an anatomy museum, built by Anne of Bretagne in the
-fifteenth century, is all that remains of the convent buildings dating
-in part from the early years of the twelfth century, which covered a
-great part of this district from the days of Louis IX. Many of these
-buildings were put to secular uses before the outbreak of the
-Revolution. The cloister stood till 1877, made into a prison, then was
-razed to make room for the École de Médecine built in part with the
-ancient cloister stones. The chapel stood on what is now Place de
-l'École-de-Médecine. The amphitheatre of the School of Surgery at No.
-5, an association founded by St. Louis, dates from the end of the
-seventeenth century on the site of an older structure. Above the cellars
-at No. 4 stood in olden days the College of Damville. The Faculté de
-Médecine at No. 12 is on the site of the Collège-Royal de Bourgogne,
-founded in 1331. The first stone of the present building was laid by
-Louis XVI. The edifice was enlarged in later days, restored in 1900. The
-bas-relief on its frontal, sculptured as a figure of Louis XV, was by
-order of the Commune transformed in 1793 into the woman draped we see
-there now. Skulls of famous persons, some noted criminals, may be seen
-at the Museum. Marat lived and died in Rue des Cordeliers. There
-Charlotte Corday was seized by the enraged mob. Traces of the ancient
-convent may be seen in the short Rue Antoine-Dubois. Rue Dupuytren lies
-across what was the convent graveyard. Nos. 7-9 were dependencies of the
-old convent. No. 7 was later a free school of drawing directed by Rosa
-Bonheur. Rue Monsieur-le-Prince, so named in 1806, because of the
-vicinity of the hôtel du Prince de Condé, was in olden days Chemin des
-Fossés. We see there many characteristic houses. Auguste Comte died at
-No. 10 in 1857.
-
-
-
-
-CHAPTER XXVI
-
-ROUND ABOUT THE CARREFOUR DE LA CROIX-ROUGE
-
-
-Passing to the western half of the arrondissement, we turn into the
-modern Rue de Rennes, running south from Place St-Germain-des-Prés along
-the lines of razed convent buildings or their vanished gardens. The
-short Rue Gozlin opening out of it dates from the thirteenth century,
-its present name recording that of a bishop of Paris who defended the
-city against invading Normans in the ninth century. Two only of the
-houses we see there now are ancient, Nos. 1 and 5. At No. 50 we see the
-seventeenth-century entrance of the old Cour du Dragon, with its balcony
-and huge piece of sculpture dating from 1735; the quaint houses of the
-alley, with its gutter in the middle, were in past days the habitation
-of ironmongers. It leads down into the old Rue du Dragon, which began as
-Rue du Sépulcre, being then the property of the monks of St-Sépulcre. A
-fine _hôtel_ stood once at either end. At No. 76 we see the remains of a
-mansion, taken later for a convent, where Bossuet sojourned. Nos.
-147-127 are on the site of a Roman cemetery.
-
-Rue Cherche-Midi, once Chasse-Midi, takes its name from an ancient
-sign-board illustrating the old French proverb: "Chercher midi à
-quatorze heures," i.e. to look for something wide of the mark. Many
-old-time houses still stand along its course. It starts from the
-Carrefour de la Croix-Rouge, where, before a cross in the centre of the
-Carrefour, criminals and political offenders were put to death. The name
-is probably due to a sign-board rather than to the alleged colour of
-this cross. In this quiet spot, as historians have remarked, a flaring
-red cross would hardly have been in keeping with the temper of its
-patrician inhabitants. The Revolutionists called it Carrefour du
-Bonnet-Rouge. At No. 12 we see a fine _grille_. One of the most
-interesting historically inhabited _hôtels_ of the city stood till 1907
-on the site of No. 37, in olden times the dependency of a convent,
-latterly hôtel des Conseils-de-Guerre, razed to make way for the
-brand-new boulevard Raspail. The military prison opposite is on the site
-of a convent organized in the house of an exiled Calvinist, razed in
-1851. Nos. 85, 87, 89, eighteenth century, belonged to a branch of the
-Montmorency--knew successive inhabitants of historic fame and
-illustrious name. A fine fountain is seen in the Cour des
-Vieilles-Tuileries at No. 86. Several old shorter streets lead out of
-this long one. In Rue St-Romain, named after an old-time Prior of
-St-Germain-des-Prés, we see the fine old hôtel de M. de Choiseul, now
-the headquarters of the National Savings Bank. Rue St-Placide,
-seventeenth century, recording the name of a celebrated Benedictine
-monk, shows some ancient vestiges. Huysmans died at No. 31 in 1907. In
-Rue Dupin, once Petite Rue du Bac, we see ancient houses at Nos. 19-12,
-in the latter a carved wood Louis XIII staircase. Rue du Regard, another
-"Chemin Herbu" of past days, records by its present name the existence
-of an old fountain once here, now placed near the fountain Médici of the
-Luxembourg gardens. The publishing house Didot at No. 3 is on the site
-of a handsome ancient mansion once the home of the children of Mme de
-Montespan, sacrificed to the boulevard Raspail in 1907. Nos. 5-7 date
-from the first years of the eighteenth century. The doors of the Mont de
-Pitié are all that is left of hôtel de la Guiche once on the site.
-
-Rue de Sèvres, forming in the greater part of its course the boundary
-between arrondissements VI and VII, running on into arrondissement XV,
-was known familiarly in old days as Rue de la Maladrerie, on account of
-its numerous hospitals. They are numerous still. At No. 11 and No. 13 we
-find remains of the couvent des Prémontrés Réformés founded by Anne
-d'Autriche, 1661. Rue Récamier was recently opened on the site of the
-famous Abbaye-aux-Bois, where for thirty years Mme de Récamier lived the
-"simple life," courted none the less by a crowd of ardent admirers--the
-_tout Paris_ of that day. The Abbaye, as a convent, counted notable
-women among its abbesses; at the Revolution it was suppressed and let
-out in flats till its regrettable demolition in 1908. The Square Potain
-close by, now known as Square du Bon Marché, is on the site of a
-leper-house which dated from the reign of Philippe-Auguste. A convent
-and adjoining buildings of ancient date were destroyed to allow
-boulevard Raspail to pursue its course. An old house still stands at No.
-26; vestiges at No. 31. At No. 42 we see the Hospice des Incurables,
-founded in 1634 by Cardinal de la Rochefoucauld and known since 1878 as
-l'Hospice Laennec. Here in 1819 died the woman Simon, the jailer of the
-little dauphin "Louis XVII," after a sojourn of twenty-five years. The
-minister Turgot and other persons of note lie buried in the chapel. The
-Egyptian fountain dates from 1806. At No. 84 we see very recently
-erected houses let out in flats on the site of the couvent des Oiseaux,
-dating from the early years of the eighteenth century--the prison du
-Bonnet Rouge during the Revolution, a convent school and _pension_ in
-1818 till its suppression in 1906. The "Oiseaux"--birds--were perhaps
-those of an aviary, or maybe those painted by Pigalle on the walls of
-one of the rooms. The Lazarist convent at No. 95 was previously a
-private mansion dating from the time of Louis XV. The chapel dates from
-1827 and sheltered for some years the remains of St-Vincent-de-Paul. In
-the eighteenth century, on the site of No. 125, wild beast fights took
-place. The last numbers of the street are in arrondissement XV. There we
-see the ancient Benedictine convent, suppressed in 1779--become
-l'Hôpital Necker. The hospital at No. 149 began life in 1676 as a
-community of "_gentilshommes_"; seventy years later it was the "Maison
-Royale de l'Enfant-Jésus" under the patronage of Marie Leczinska,
-enlarged by the gift of an adjoining mansion. Closed at the Revolution,
-it served for a time as a coal-store, then became a National orphanage,
-and in 1802 the "Enfants Malades"; its ancient chapel was replaced by
-the chapel we see under Napoléon III.
-
-
-
-
-CHAPTER XXVII
-
-HÔTEL DES INVALIDES
-
-
-ARRONDISSEMENT VII. (PALAIS-BOURBON)
-
-It was Henri IV, _le bon Roi_, who first planned the erection of a
-special _hôtel_ to shelter aged and wounded soldiers. Meanwhile they
-were lodged in barracks in different parts of the city. The fine _hôtel_
-we know was built by Louis XIV, opened in 1674, restored in after years
-by Napoléon I, and again by Napoléon III. The greatest military names of
-France figure in the list of its governors.
-
-On July 14th, 1789, the Paris mob rushed to the Invalides for arms
-wherewith to storm the Bastille. On the 30th of March, 1814, nearly
-fifteen hundred flags and trophies were destroyed in a great bonfire
-made in the court to prevent them from falling into the hands of the
-enemy Allies. But the chapel is still hung with flags and trophies taken
-in wars long overpast and three museums--le Musée Historique, le Musée
-d'Artillerie, le Musée des Plans-en-relief--have been important features
-at les Invalides since 1905. The ancient refectory has become la
-Salle-des-Armures, decorated with frescoes illustrative of the great
-battles of bygone days from the time of Louis XIV onward. The big
-cannons--_la batterie triomphale_--we see behind the moats are those
-captured in the Napoléonic wars. Now in these poignant days of
-unparalleled warfare, immense cannons of the most up-to-date
-construction, monstrous airships, broken zeppelins, are gathered in the
-great courtyards. In the chapel St-Louis we see the tombs of
-distinguished soldiers and memorials in honour of the heroes of old-time
-war-days. The dome-church, separated from it by the immense
-stained-glass window, was built as a special chapel for the King and
-Court, its dome decorated with paintings by the greatest artists of the
-time. The sumptuous tomb of Napoléon I, the work of Visconti, was placed
-there in the second half of the nineteenth century.
-
-The gravestone from St-Helena and other souvenirs were put in the chapel
-St-Nicolas in 1910. Of late years no new pensioners were received,
-veterans of war-days past were for long the sole inhabitants of the
-soldiers' quarters--the only "_invalides_." Now the institution is once
-more to be peopled with a crowd of disabled heroes, victims of the
-terrible war.
-
-Avenue de Tourville, planned when the hôtel des Invalides was built, was
-not opened till the century following. Of the four avenues opening out
-of it, Avenue de Ségur, Avenue de Villars, Avenue de Breteuil, opened in
-1780, record the names of distinguished generals of Napoléon's time, but
-show us no historic structures. In Avenue de Lowenthal we see the façade
-of l'École Militaire, a vast building reaching to Avenue de la
-Motte-Picquet. It dates from 1752, the work of Gabriel, and was
-originally destined for the military education of five hundred "young
-gentlemen." Under the Convention it was turned into a flour store.
-Restored as a school, the "Enfants de Mars"--military students of all
-ranks--were admitted there. Young Buonaparte, come from Corsica to study
-in Paris, spent a year here and was confirmed in its chapel, now used
-for storing clothes. When that young student had made himself Emperor,
-the Imperial Guard took up their quarters here--to be followed after
-1824 by the Royal Guard. Under Napoléon III the building was
-considerably changed.
-
-At No. 13 boulevard des Invalides we catch a glimpse of the former
-couvent du Sacré-Coeur, the old hôtel Biron: its chief entrance is Rue
-de Varennes (_see_ p. 194). No. 41 was l'hôtel de Condé. No. 50 l'hôtel
-de Richepanse. No. 52 l'hôtel de Masserano. No. 56 is the Institution
-Nationale des Jeunes Aveugles, a modern structure, its foundation dating
-from 1791, one of the last foundations of Louis XVI. The statue we see
-is that of Valentin Haüy, its original organizer.
-
-Boulevard de la Tour Maubourg is lined by fine _hôtels_, all modern,
-only the names of their owners recalling days past. Avenue de la
-Motte-Picquet is equally devoid of historic interest, save as regards
-l'École-Militaire (_see_ p. 191). But turning aside from these fine
-latter-day avenues, we find in the vicinity of the Invalides several of
-the oldest historic streets of the Rive Gauche.
-
-Rue de Babylone existed under other names from the early years of the
-fifteenth century. Its present designation is in memory of Bernard de
-Ste-Thérèse, bishop of Babylone, who owned property there whereon, at
-No. 22, was built in 1663 the Séminaire des Missions Étrangères. At No.
-20 we see the statue of Notre-Dame de la Paix with the inscription:
-"l'Original de cette image est un chef d'oeuvre si parfait que le
-Tout-Puissant qui l'a fait s'est renfermé dans son ouvrage." At No. 21
-live "sisters" of St-Vincent-de-Paul, so active always in Christian work
-and service. No. 32 is the ancient Petit hôtel Matignon. No. 33 is the
-property of the sisters of No. 21. At No. 49 we see the ancient barracks
-of les Gardes Françaises, so gallantly defended by the Suisses in July,
-1830.
-
-In the short Rue Monsieur (the Monsieur of the day was the brother of
-Louis XVI), we find at No. 12 the _hôtel_ built for Mademoiselle de
-Bourbon-Condé, aunt of the duc d'Enghien, abbesse de Remiremont, who
-lies buried beneath the pavement of the Benedictine convent at No. 20.
-No. 5 shows us remains of the _hôtel_ of duc de Saint-Simon, the famous
-diarist-historian. Passing up Rue Barbet de Jouy, cut in 1838 across the
-site of an ancient mansion, we come to Rue de Varennes, a long line of
-splendid dwellings dating from a past age.
-
-
-
-
-CHAPTER XXVIII
-
-OLD-TIME MANSIONS OF THE RIVE GAUCHE
-
-
-ARRONDISSEMENT VII. PALAIS-BOURBON
-
-The word Varennes is a corruption of Garennes: in English the Rue de
-Varennes would be Warren Street, a name leading us back in thought to
-the remote age when the district was wild, uncultivated land full of
-rabbit-warrens. Another street joined to Rue de Varennes in 1850, and
-losing thus its own name, made it the long street we enter. No. 77 is
-the handsome mansion and park built early in the eighteenth century by
-Gabriel for a parvenu wig-maker. Later it was l'hôtel de Maine, then
-hôtel Biron, to become in 1807 the well-known convent of the
-Sacré-Coeur. From its convent-days dates the chapel--now the Musée
-Rodin. Other dependencies of the same date, built to house the nuns,
-were razed after their evacuation in 1904, when educational
-congregations were suppressed. The State, in possession of the domain,
-let it out for a time in _logements_, used it for a brief period as a
-National School, then let the whole property to the great sculptor,
-Rodin, who always had his eye on fine old buildings threatened with
-degradation or destruction. "I could weep," he once said to me, "when I
-see fine historic walls ruthlessly razed to the ground." The disaffected
-chapel became his studio and he set about maturing the plan, faithfully
-carried out after his death, of organizing there a national museum. He
-offered the whole of his own works and all the precious works of art he
-had collected to the State for this purpose. A clause in the treaty
-stipulates that in the possible but unlikely event of the restitution of
-the chapel building, after a lapse of years, to religious authorities,
-it be replaced as a museum by a new structure in the grounds. No. 73 is
-hôtel de Broglie, 1775. No. 69 hôtel de Clermont, 1714. No. 80 is the
-Ministère du Commerce. No. 78 the Ministère de l'Agriculture, built in
-1712 as the habitation of an _actrice_. No. 65 began as l'hôtel de la
-Marquise de la Suze, 1787, to become l'hôtel Rochefoucauld-Doudeauville.
-No. 72 l'hôtel de Dufour, 1700. No. 64 was an eighteenth-century inn.
-No. 57, l'hôtel de Matignon, made over by the duchesse de Galliera after
-her husband's death to the Emperor of Austria, became the Austrian
-Embassy--till 1914. Numerous have been the persons of historic name and
-note who stayed or lived at this grand old mansion. It was owned at one
-time by Talleyrand, whose home was next door at No. 55; by the comte de
-Paris, who on the marriage of his daughter Amélie and Don Carlo of
-Portugal, in 1886, gave there a fête so magnificent that it led to the
-banishment of the Orléans and other princely families of France on the
-ground of royalist propaganda. Nos. 62-60 are ancient. No. 58 l'hôtel
-d'Auroy, 1750; l'hôtel Rochefoucauld in 1775. No. 56 l'hôtel de
-Gouffier, 1760. No. 55 l'hôtel d'Angennes. Nos. 52-52 _bis_ l'hôtel de
-Guébriant. No. 47 l'hôtel de Jaucourt, 1788, later de
-Rochefoucauld-Dundeauville. No. 48 the hôtel de Charles Skelton.
-Monseigneur de Ségur was born here in 1820. No. 45 is l'hôtel de
-Cossé-Brissac, 1765. No. 46 the petit hôtel de Narbonne-Pelet. Nos.
-43-41 l'hôtel d'Avrincourt. At No. 23 are vestiges of l'hôtel
-St-Gelais, 1713. No. 21 is l'hôtel de Narbonne-Pelet. No. 22 l'hôtel de
-Biron, 1775. No. 19 l'hôtel de Chanterac. In its passage here as
-elsewhere Boulevard Raspail has swept away venerable buildings.
-
-The Esplanade on the northern side of the hôtel des Invalides, once
-Plaine-des-Prés-St-Germain, stretches between three long and old-world
-streets--Rue de Grenelle, Rue St-Dominique, Rue de l'Université--all
-crossing the 7th arrondissement in almost its entire extent.
-
-Rue de Grenelle, in the fifteenth century Chemin de Garnelle, then
-Chemin des Vaches, a country road, has near its higher end where we
-start two ancient streets leading out of it, Rue de la Comète (1775),
-named to record the passage of the famous comet of 1763, where at No. 19
-we see a curious old courtyard, and Rue de Fabert with an ancient
-one-storied house at its corner. No. 127 hôtel de Charnac, abbé de
-Pompadour, was the palace Mgr. Richard was forced to give up in
-1906--now Ministère du Travail. Nos. 140-138, a fine mansion built in
-1724, inhabited till the eighteenth century by noblemen of mark, is now
-hôtel de l'État-Major de l'Armée and Service Géographique de l'Armée. At
-No. 115, formerly l'hôtel du Marquis de Saumery, the _actrice_ Adrienne
-Lecouvreur died and was secretly buried. The short Rue de Martignac,
-opening at No. 130, showing no noteworthy feature, was built in 1828 on
-the ancient grounds of the Carmelites and the Dames de Bellechasse. No.
-105 belonged to Berryer, the famous lawyer, 1766, then to Lamoignon de
-Basville. No. 122, l'hôtel d'Artagnan, to Maréchal de Montesquieu. At
-No. 101 l'hôtel d'Argenson, 1700, where Casimir Perier died of cholera
-in 1832; now Ministère de Commerce de l'Industrie. No. 118 l'hôtel de
-Villars, etc., has very beautiful woodwork. No. 116, the Mairie since
-1865, an ancient _hôtel_ transformed and enlarged in modern times. No.
-110 l'hôtel Rochechouart, built on land taken from the nuns of
-Bellechasse, inhabited at one time by Marshal Lames, duc de Montebello,
-is the Ministère de l'Instruction Publique. At No. 97 Saint Simon wrote
-his diaries and in 1755 died here. No. 106, in 1755 Temple du
-Panthémont, the abode of a community of nuns from the Benedictine abbey
-near Beauvais, was sold in lots after the Revolution; its chapel was
-taken for a Protestant church. No. 87, known in a past age as hôtel de
-Grimberghe, has a fine staircase. No. 104 formed part of the Panthémont
-convent. No. 85, l'hôtel d'Avaray 1718, abode, in 1727, of Horace
-Walpole when ambassador. No. 83 hôtel de Bonneval, 1763. No. 81, Russian
-Embassy, was built by Cotte in 1709 for the duchesse d'Estrées. No. 102
-was built by Lisle Mansart in the first years of the eighteenth century.
-At No. 90 we turn for an instant into Rue St-Simon to look at the Latin
-inscriptions on Nos. 4-2, dating, however, only from 1881. No. 77, École
-Libre, originally l'hôtel de la Motte-Houdancourt, was inhabited in
-recent times by marquis de Gallifet. No. 75, seventeenth century, built
-by Cardinal d'Estrées. No. 88 l'hôtel de Noailles. No. 73, Italian
-Embassy, built by Legrand in 1775. At No. 71, annexed to the Italian
-Embassy, the duke of Alba died in 1771.
-
-The fine Fontaine des Quatre Saisons, dating from 1737, erected by
-Bouchandon, was inaugurated by Turgot, Prévôt des Marchands in 1749.
-Here, at No. 59, Alfred de Musset lived and wrote from 1824 to 1840. No.
-36, "A la Petite Chaise," dates from 1681; No. 25, hôtel de Hérissey,
-from 1747. No. 15 is on the site of an ancient hôtel Beauvais. No. 20
-Petit hôtel de Beauvais, 1687. The modern house and garage at Nos. 16-18
-are on the site of a house owned by a nephew of La Fontaine and which
-was inhabited by the Beauharnais. At No. 11 we find vestiges of the
-_hôtel_ of Pierre de Beauvais, a fine mansion, where the Doge of Venise,
-come to Paris to make obeisance to Louis XIV, stayed in 1686; a convent
-subsequently, then the Mairie of the district till 1865, when the
-lengthening of Rue des Saints-Pères swept it away.
-
-Rue St-Dominique, like Rue de Grenelle in ancient days a country
-road--"Chemin aux Vaches," then "Chemin de la Justice"--grew into a
-thoroughfare of fine _hôtels_, some still standing, others swept away by
-the cutting of the modern boulevard St-Germain or incorporated in the
-newer _hôtels_ there. It is the district of the Gros Caillou, the great
-stone, which once marked the bounds of the abbey grounds of
-St-Germain-des-Prés. The fountain at No. 129, dating from the early
-years of the nineteenth century, is by Beauvalet. The Hygia healing a
-warrior we see sculptured there reminds us of the military hospital
-recently demolished. The church St-Pierre du Gros-Caillou dates from
-1738, on the site of a chapel built there in 1652. In the court at No.
-94 we find an old pavilion. A curious old house at No. 74, an old
-courtyard at No. 66. At No. 81 an ancient inn had once the sign "Le
-Canon ci-devant Royal." No. 67 was the "Palais des Vaches laitières."
-No. 32 l'hôtel Beaufort. No. 57 l'hôtel de Sagan, built in 1784 for the
-princesse de Monaco, _née_ Brignole-Salé, now in the hands of an
-antiquarian. No. 53 l'hôtel de la princesse de Kunsky, 1789. At No. 49
-we find an eighteenth-century _hôtel_ in the court. The fine _hôtel_ at
-No. 28, 1710, was at one time the Nunciate. No. 47 l'hôtel de
-Seiguelay, where at the beginning of the nineteenth century gas, newly
-invented, was first used. No. 45 hôtel Comminges. No. 43 hôtel de
-Ravannes. No. 41 is ancient. At Nos. 22-20 we see the name of the street
-" ... Dominique," the word saint suppressed in Revolution days. No. 35
-l'hôtel de Broglie. Nos. 16-14, built in 1730, now the War Minister's
-official dwelling (1730), in Napoléon's time the Paris home of his
-mother, "Madame Laetitia." In the first of these two _hôtels_, joined to
-make one, we see Louis XV woodwork decorations, "Empire" decorations in
-the other. No. 33 l'hôtel Panouse.
-
-The church Ste-Clotilde, 1846-56, is built on the site of a demolished
-Carmelite convent. The fine bas-reliefs by Pradier and Duret are the
-best work there. Nos. 12, 10, 8, Ministère de la Guerre since 1804, was
-once the couvent des Filles de St-Joseph, founded 1640. No. 11, site of
-the Pavillon de Bellechasse, the home of Mme de Genlis. Nos. 5-3 l'hôtel
-de Tavannes. Gustave Doré died at No. 5, in 1883. No. 1, _hôtel_ of duc
-de Mortemart, built 1695, where we see an oval court.
-
-Rue Solférino, No. 1, the chancellerie de la Légion d'Honneur (see p.
-205).
-
-Rue de l'Université, so long and interesting a thoroughfare, recalls the
-days when the Pré-aux-Clercs through which it was cut was the classic
-promenade of Paris students. It was known in its early days as Rue de la
-Petite-Seyne, then as Rue du Pré-aux-Clercs. The seventeenth century saw
-a series of lawsuits between the landowners and the University, the
-latter claiming certain rights and privileges there. The University was
-the losing party, the only right conceded to Alma Mater was that of
-giving her name to the old street. No. 182, an ancient _garde-meuble_
-and statuary _dépôt_, was in recent days Rodin's _atelier_. No. 137 was
-built about 1675 with the stones left over at the building of les
-Invalides. No. 130, Ministère des Affaires Étrangères, is modern. No.
-128 the official dwelling of the président de la Chambre. No. 126 Palais
-Bourbon (_see_ p. 304). No. 108, Turgot died here in 1781. No. 102 was
-the abode of the duc d'Harcourt in 1770. The side of the Ministère de la
-Guerre we see at No. 73, a modern erection, is on the site of several
-historic _hôtels_ demolished to make way for it and for the new
-boulevard. Lamartine lived at No. 88 in 1848, after living in 1843 at
-No. 80. No. 78 was built by Harduin-Mansart in the seventeenth century.
-No. 72 was l'hôtel de Guise (1728). Mme Atkins (_see_ p. 205) lived at
-l'hôtel Mailly, in what is now Rue de Villersexel, in 1816. The
-remarkably fine hôtel de Soyecourt at No. 51 dates from 1775. No. 43
-l'hôtel de Noailles. Alphonse Daudet died at No. 41 (1897). No. 35 was
-the home of Valdeck-Rousseau. The Magasins du Petit-St-Thomas, built on
-the site of the ancient hôtel de l'Université (seventeenth century),
-inhabited at one time by the duc de Valentinois, by Henri d'Aguesseau,
-etc., have been razed to make way for a big new bank. Montyon, the
-philanthropist, founder of the Virtue prizes given yearly by the French
-Academy, died at No. 23 in the year 1820 (_see_ p. 225). No. 15 built in
-1685 for a notable Fermier-général. No. 13 was in 1772 the site of the
-Venetian Embassy. At No. 24, in the court, we see a fine old
-eighteenth-century _hôtel_ built by Servandoni. The houses No. 18 and
-No. 20 were built upon the old gardens of la Reine Margot, which
-stretched down here from her palace, Rue de Seine. From the Place du
-Palais-Bourbon, due to Louis de Bourbon, prince de Condé, we see one
-side of the Chambre des Députés, built as the Palais-Bourbon by a
-daughter of Louis XIV (1722). It was enlarged later by the prince de
-Condé, confiscated in 1780 and renamed Maison de la Révolution, almost
-entirely rebuilt under Napoléon. Its Grecian peristyle dates from 1808.
-In 1816 a prince de Condé was again in possession. The Government bought
-it back in 1827 and built the present Salle des Séances. In Rue de
-Bourgogne, on the other side of the _place_, we find several
-eighteenth-century _hôtels_. No. 48 was hôtel Fitz-James. No. 50 has
-been the archbishop's palace since 1907. Mgr. Richard died there in
-1908.
-
-The Champ-de-Mars, wholly modern as we see it, surrounded by brand new
-streets and avenues, stretches across ancient historic ground. Not yet
-so named, the territory was a veritable _champ de Mars_ more than a
-thousand years ago when, in 888, the warrior bishop Eudes, at the head
-of his Parisians, faced the Norman invaders there and forced them to
-retreat. Towards the close of the eighteenth century the great space was
-enclosed as the exercising-ground of the École Militaire. The Fête
-Nationale de la Fédération was held there on 14th July, 1790, presided
-by Talleyrand; a year later, 17th July, 1791, La Fayette-Bailly fired
-upon the mob that gathered here, clamouring for the deposition of the
-King. At the corner where the Avenue de la Bourdonnais now passes the
-guillotine was set up for the execution of Bailly in 1793. On June 8th,
-1794, the people from far and near crowded here for the Fête de l'Être
-Suprême. In 1804 the Champ-de-Mars was called for a time Champ-de-Mai.
-But it remained, nevertheless, the site of military displays. Napoléon's
-eagles and the new decoration, la Légion d'Honneur, were first bestowed
-here, and when, in 1816, Louis XVIII mounted the throne of France, it
-was on the Champ-de-Mars that soldiers and civilians received once more
-the _drapeau blanc_.
-
-Horse-races took place here. Here, so long ago as 1783, the first
-primitive airship was sent up. Also, later, a giant balloon. The great
-exhibition of 1798 and all succeeding great exhibitions, as well as many
-smaller ones, were held on the Champ-de-Mars. The park we see was laid
-out in 1908.
-
-
-
-
-CHAPTER XXIX
-
-ANCIENT STREETS OF THE FAUBOURG SAINT-GERMAIN
-
-
-The extensive district on the left bank of the Seine, through which was
-cut in modern times the wide boulevard St-Germain, was in its remotest
-days the Villa Sancti Germani, with its "_prés-aux-clercs_" a rural
-expanse surrounding the abbey and quite distinct from the city of Paris,
-without its bounds. The inhabitants of that privileged district were
-exempt from Paris "rates and taxes," to use our latter-day expression,
-and enjoyed other legal immunities. They were subject only to the
-authority of the abbey administration and were actively employed in
-agricultural and other rustic occupations for the abbey benefit. The
-territory was a region of thatched-roofed dwellings, barns and
-granaries. When at length certain _grands seigneurs_ chose the district
-for the erection of country mansions, these newly built houses were soon
-forcibly abandoned, many of them destroyed, in the course of the Hundred
-Years' War. A century or more later more mansions were built and the
-bourg St-Germain grew into the aristocratic quarter it finally became
-after the erection of the Tuileries, Catherine de' Medeci's new palace,
-in the middle of the sixteenth century. The venerable old Rue du Bac was
-made on the left bank of the Seine in a straight line with the ford
-(_bac_) across the river in the year 1550, for the transport of
-materials needed in the construction of the palace. The rough road
-along which the carters came with their loads, stone from the southern
-quarries, etc., grew into a fashionable street in the early years of the
-century following, when, after due authorization of the abbé of
-St-Germain-des-Prés, fine new _hôtels_ were built in every direction
-across the Prè-aux-Clercs, to be within easy distance of the Tuileries
-and the Court. Thus was created, in the first years of the eighteenth
-century, the patrician Faubourg St-Germain. The old houses in Rue du Bac
-which were nearest the river were burnt by the Communards in 1871, when
-the Tuileries itself was destroyed.
-
-The headquarters of the Mousquetaires Gris was once on the site of the
-houses Nos. 18-17. Many seventeenth- and eighteenth-century houses still
-stand. At No. 37 we find an old and interesting court. No. 46, hôtel
-Bernard, was successively inhabited by men of note, much of its ancient
-interior decoration has been removed. No. 94 belonged till recently to
-the Frères Chrétiens. No. 85 was once the royal monastery known as les
-Récollettes, subsequently in turn a theatre, a dancing saloon, a concert
-hall. At No. 98 Pichegru is said to have passed his first night in
-Paris. Here the Chouans held their secret meetings and Cadoudal lay in
-hiding. We see a fine door, balcony and staircase at No. 97. No. 101
-dates from the time of Louis XIV. Nos. 120-118, hôtel de
-Clermont-Tonnerre; Chateaubriand died here in 1848. No. 128 is the
-Séminaire des Missions Étrangères, founded 1663 by Bernard de
-Ste-Thérèse, bishop of Babylone. No. 136 hôtel de Crouseilhes. No. 140
-began as a _maladrerie_, was later the abode of the King's falconer, and
-was given in 1813 to the Order of St-Vincent-de-Paul. Mme Legras,
-St-Vincent-de-Paul's ardent fellow-worker, was buried in the chapel.
-The great shops of the Bon Marché stretch where private mansions stood
-of yore.
-
-Rue de Lille, formerly Rue de Bourbon, has many ancient houses. We see
-in the wall of No. 14 an old sundial with inscriptions in Latin. At No.
-26 we find vestiges of a chapel founded by Anne d'Autriche. No. 67,
-built in 1706 for President Duret, was annexed later to the _hôtel_ of
-prince Monaco-Valentinois. No. 79, hôtel de Launion, 1758, was the house
-of Charlotte Walpole, who became Mrs. Atkins, the devoted friend of the
-Bourbons, and spent a fortune in her efforts to save the Dauphin. She
-died here in 1836. No. 64, built in 1786 for the prince de Salm-Kyrburg,
-was gained in a lottery by a wig-maker's assistant, in the first days of
-the First Empire, an adventurer who bought the pretty palace of
-Bagatelle beyond Paris, was arrested for forgery, then disappeared. Used
-as a club, then, in 1804, as the palace of the Légion d'Honneur, it was
-burnt by the Communards in 1871, rebuilt at the cost of the
-_légionnaires_ in 1878. No. 78, built by Boffrand, was the home of
-Eugène de Beauharnais; we see there the bedroom of Queen Hortense.
-German Embassy before the war.
-
-Rue de Verneuil is another seventeenth-century street built across the
-Pré-aux-Clercs. Nos. 13-15 was first a famous eighteenth-century
-riding-school, then the Académie Royale Dugier; later, till 1865, Mairie
-of the arrondissement. The inn at No. 24 was the meeting-place of
-royalists in the time of the Empire.
-
-Rue de Beaume has several interesting _hôtels_, their old-time features
-well preserved. In the seventeenth century Carnot's ancestors lived
-between the Nos. 17-25. At No. 10 we see remains of the headquarters of
-the Mousquetaires Gris, which extended across the meeting-point of the
-four streets: Beaume, Verneuil, Bac, Lille. No. 2 was l'hôtel
-Mailly-Nesle.
-
-Rue des Saints-Pères marks the boundary-line between arrondissements VI
-and VII, an old-world street of historic associations. It began at the
-close of the thirteenth century as Rue aux Vaches; cows passed there in
-those days to and from the farmyards of the abbey St-Germain-des-Prés.
-In the sixteenth century it was known, like Rue de Sèvres into which it
-runs, as Rue de la Maladrerie, to become Rue des Jacobins Réformés,
-finally Rue St-Pierre from the chapel built there, a name corrupted to
-Saints-Pères. No. 2 l'hôtel de Tessé. No. 6 (1652) once the stables of
-Marie-Thérèse de Savoie. No. 28 l'hôtel de Fleury (1768). The court of
-No. 30 covers the site of an old Protestant graveyard. A few old houses
-remain in Rue Perronet opening at No. 32, where once an abbey windmill
-worked. No. 39 Hôpital de la Charité, an Order founded by Marie de'
-Medici in 1602, its principal entrance Rue Jacob. Dislodged from their
-original quarters in Rue de la Petite-Seine, where Rue Bonaparte now
-runs, by Queen Margot, who wanted the site for the new palace she built
-for herself on quitting l'hôtel de Sens, the nuns settled here about the
-year 1608. At No. 40 we see medallions over the door, one of Charlotte
-Corday, the other not, as sometimes said, that of Marat but a Moor's
-head. In the court we see other medallions and mouldings made chiefly
-from the sculptures on the tomb of François I at St-Denis. The hôtel de
-la Force, where dwelt Saint-Simon, once stood close here. That and other
-ancient _hôtels_ were razed to make way for the boulevard St-Germain.
-No. 49, the chapel of the "frères de la Charité" on the site of the
-ancient chapel St-Pierre of which the crypt still remains, has been the
-medical Academy since 1881. The square adjoining it is an old Protestant
-burial-ground. Nos. 50-52 are ancient. No. 54 is the French Protestant
-library, Cuvier and Guizot were among its presidents. No. 56 was built
-in 1640 for la Maréchale de la Meilleraie. At No. 63 Châteaubriand lived
-from 1811 to 1814.
-
-
-
-
-CHAPTER XXX
-
-THE MADELEINE AND ITS NEIGHBOURHOOD
-
-
-ARRONDISSEMENT VIII. (ÉLYSÉE)
-
-The handsome church which forms so distinct a feature of this quarter of
-the city was begun to be built in the year 1764 to replace an older
-church, originally a convent chapel, in the district known as Ville
-l'Evêque because the bishop of Paris had a country house--a
-villa--there.
-
-The Revolution found the new church unfinished, and when Napoléon was in
-power he decided to complete the structure as a temple of military glory
-to be dedicated to the Grande Armée. Napoléon fell. The building was
-restored to the ecclesiastical authorities and its construction as a
-church, dedicated to Ste. Marie-Madeleine, completed during the years
-1828-42. Begun on the model of the Pantheon at Rome, the building was
-finished on the plan of the Maison Carrée at Nismes. It is 108 mètres in
-length, 43 m. broad. The fine Corinthian columns we see are forty-eight
-in number. The great bronze doors are the largest church doors known.
-Their splendid bas-reliefs are the work of Triquetti (1838). Specimens
-of every kind of marble found in France have been used in the grand
-interior. In the wonderful painting "l'Histoire de la France
-Chrétienne," we see in the centre Pope Pius VII and Napoléon in the act
-of making the Concordat, surrounded by King Clovis, Charlemagne, St.
-Louis, Jeanne d'Arc, Henri IV, Sully, Louis XIII, etc. The statues and
-other decorations are all modern, the work of the most distinguished
-artists of the nineteenth century. The abbé Deguerry, vicar in 1871,
-shot by the Communards, is buried there in the chapel Notre-Dame de la
-Compassion.
-
-The _place_ surrounding the church dates from 1815. At No. 7 lived
-Amédée Thierry (1820-29), Meilhac, and during fifty years Jules Simon
-who died there in 1896. We see his statue before the house. Behind the
-church we see the statue of Lavoisier, put to death at the Revolution.
-The streets opening out of Place de la Madeleine are modern, cut across
-ancient convent lands, and the old farm lands of les Mathurins. No. 5
-Rue Tronchet is said to have been at one time the home of Chopin. Rue de
-l'Arcade, of yore "Chemin d'Argenteuil"--Argenteuil Road--got its name
-from an arcade destroyed in the time of Napoléon III, which stretched
-across the gardens of the convent of Ville l'Evêque, where the houses 15
-and 18 now stand. Several of the houses we see along the street date
-from the eighteenth century, none are of special interest.
-
-Rue Pasquier brings us to the Square Louis XVI and the chapelle
-Expiatoire built on the graveyard of the Madeleine. In that graveyard,
-made in 1659 upon the convent kitchen garden, were buried many of the
-most noted men and women of the tragic latter years of the eighteenth
-century. There were laid the numerous victims of the fire on the Place
-de la Concorde, at that time Place Louis XVI, caused by fireworks at the
-festivities after the wedding of Louis XVI. The thousand Swiss Guards
-who died to defend the Tuileries, Louis XVI, Marie-Antoinette, Mme
-Roland, Charlotte Corday and hundreds more of the _guillotinés_ were
-buried there. When, in 1794, the churchyard was disaffected and put up
-for sale, the whole territory was bought by an ardent royalist and under
-Louis XVIII the chapel we see was built; an altar in the crypt marks the
-spot where some of the remains of the King and Queen were found.
-
-Rue d'Anjou, opened in 1649, formerly Rue des Morfondus, has known many
-illustrious inhabitants: Madame Récamier, the comtesse de Boigne, etc.
-La Fayette died at No. 8 (1834). No. 22 dates from 1763. The Mairie was
-originally the hôtel de Lorraine. Many of the ancient _hôtels_ have been
-replaced by modern erections.
-
-In Rue de Surène, in olden days Suresnes Road, we see at No. 23 the
-handsome hôtel de Lamarck-Arenberg, dating from 1775, and the petit
-hôtel du Marquis de l'Aigle of about the same date.
-
-Rue de la Ville l'Évêque dates from the seventeenth century, recalling
-by its name the days when, from the thirteenth century onwards, the
-bishops of Paris had a rural habitation, a villa and perhaps a farm in
-this then outlying district. Around the _villeta episcopi_ grew up a
-little township included within the city bounds in the time of Louis XV.
-The ancient thirteenth-century church, dedicated like its modern
-successor to Ste-Marie-Madeleine, stood on the site of No. 11 of the
-modern boulevard Malesherbes. The Benedictine convent close by, of later
-foundation, built like the greater number of the most noted Paris
-convents in the early years of the seventeenth century, was suppressed
-and razed at the Revolution. Many noted persons of the eighteenth and
-nineteenth centuries had their residences in the Ville l'Evêque. Guizot
-died there in 1875. No. 16, l'hôtel du Maréchal Suchet, is now an
-Institut. No. 20 the _hôtel_ of Prince Arenberg. No. 25-27 are ancient.
-
-Rue Boissy d'Anglas, opened in the eighteenth century, bearing for long
-three different names in the different parts of its course, records in
-its present name that of a famous conventional (1756-1826). In the
-well-known provision shop, Corcellet, Avenue de l'Opéra, we may see the
-portrait of the famous Gourmet, who in pre-Revolution days lived at the
-fine mansion No. 1, now the Cercle artistique "l'Épatant," and carried
-out there his luxurious and ultra-refined taste in the matter of food
-and the manner of serving it. Horses to whom a _recherché cuisine_ could
-not be offered, had their oats served to them in silver mangers.
-Sequestered at the Revolution, it still remained the abode of a gourmet
-of repute; sold later to the State, it became an Embassy, then a club.
-No. 12 dates from Louis XV and has been the abode of several families of
-historic name. Prince de Beauvau lived there in more modern days and
-baron Hausmann died there. Lulli died at No. 28 (1637). Curious old
-houses are seen in the Cité Berreyer and Cité du Retiro.
-
-Rue Royale, in its earliest days Chemin des Remparts--Rampart Road--for
-the third Porte St-Honoré in the city wall was at the point where it
-meets the Rue du Faubourg, became a street--Rue Royale-des-Tuileries--in
-the middle of the eighteenth century. In 1792 it became Rue de la
-Révolution, then, from 1800 to 1814, Rue de la Concorde. Most of the
-houses we see there date from the eighteenth century, built by the
-architect Gabriel, who lived at No. 8. Mme de Staël lived for a time at
-No. 6. This leads us to Place de la Concorde, built by Gabriel; it was
-opened in 1763 as Place Louis XV, to become a hundred and thirty years
-later Place de la Révolution, with in its centre a statue of Liberty
-replacing the overturned statue of the King. Its name was changed
-several times during the years that followed, till in 1830 the name
-given by the Convention was restored for good. In olden days it was
-surrounded by moats and had on one side a _pont-tournant_; the _place_
-was the scene of national fêtes in times past as it is in our own times.
-It was also not unfrequently the scene of tragedy and death. The
-guillotine was set up there on January 21, 1793, for the execution of
-the King. Marie-Antoinette, Charlotte Corday and many other notable
-victims of the Revolution were beheaded there ... in the end,
-Robespierre himself. In 1814 the Allies of those days gathered there for
-the celebration of a grand _Te-Deum_. The statues we see surrounding the
-vast place personify the great towns of France--that of Strasbourg the
-most remarkable. The fine "Chevaux de Marly" at the starting-point of
-the Champs-Elysées are the work of Coustou, Mercury and la Renommée, at
-the entrance of the Tuileries gardens, of Coysevox. Handsome buildings
-(eighteenth century) flank the _place_ on its northern side. The
-Ministère de la Marine was in pre-Revolution days the _garde meuble_ of
-the Kings of France. Splendid jewels, including the famous diamond known
-as le Regent, were stolen thence in 1792. What is now the Automobile
-Club was for many years the official residence of the papal Nuncio.
-L'hôtel Crillon, built as a private mansion, was for a time the Spanish
-Embassy; most of the beautiful woodwork for which it was noted has been
-sold and taken away.
-
-
-
-
-CHAPTER XXXI
-
-LES CHAMPS-ÉLYSÉES
-
-
-This wonderful avenue stretching through the whole length of the
-arrondissement reached in olden days only to the rural district of
-Chaillot, and was known as the Grande Allée-du-Roule, later as Avenue
-des Tuileries. Colbert, Louis XIV's great minister, first made it a
-tree-planted avenue. The gardens bordering it on either side between
-Place de la Concorde and Avenue d'Antin, were laid out by Le Nôtre,
-1670, as Crown land. Cafés, restaurants, toy-stalls, etc., were set up
-there from the first. The Palais de Glace is on the site of a Panorama
-which existed till its destruction by fire in 1855. The far-famed Café
-des Ambassadeurs, set up in the eighteenth century, was rebuilt in 1841.
-The no less famous cirque de l'Impératrice was razed in 1900.
-
-The Rond-Point des Champs-Élysées was first laid out in 1670, but the
-houses we see there now are all modern. Avenue d'Antin stretching on
-either side of it, old only in the part leading from Cours-la-Reine, was
-planted in 1723 by the duc d'Orléans. Marguerite Gauthier (la Dame aux
-Camélias) lived at No. 9. At No. 3 Avenue Matignon Heine died in his
-room on the fifth story (1856). Avenue Montaigne was known in 1731 as
-Allée des Veuves. It remained an alley--Allée Montaigne--till 1852. The
-thatched dwelling of Mme Tallien stood at its starting-point, near the
-Seine. There her divorced and destitute husband was forced to accept a
-shelter at the hands of his ex-wife, become princesse de Chimay; there
-the Revolutionist died in 1820. We see only modern houses along the
-Avenue of to-day. Rue Matignon was opened across the ancient Jardin
-d'hiver where fine tropical plants erewhile had flourished. No. 12 was
-the Vénerie Impériale.
-
-Avenue des Champs-Élysées is bordered on both sides by modern mansions.
-No. 25, hôtel de la Païve, of late years the Traveller's Club, during
-the war an ambulance, represents the style of the Second Empire. Avenue
-Gabriel with its grand mansions was formed in 1818 on the
-Marais-des-Gourdes--marshy land. The Rue Marbeuf was in the eighteenth
-century Ruelle des Marais, then Rue des Gourdes. Its present name
-recalls the Louis XV Folie Marboeuf once there. Few and far between
-are the ancient vestiges to be found among the modern structures we see
-on every side around us here. Rue Chaillot, in bygone days the chief
-street of the village of Chaillot, was taken within the Paris bounds in
-1860. It was a favourite street for residence in the nineteenth century.
-Rue Bassano, entirely modern now, existed in part as Ruelle des Jardins
-in the early years of the eighteenth century. Rue Galilée was Chemin des
-Bouchers in 1790, then Rue du Banquet.
-
-So we come to la Place de l'Étoile, the high ground known in long-gone
-times as "la Montagne du Roule." Till far into the eighteenth century it
-was without the city bounds and beyond the Avenue des Champs-Élysées
-which ended at Rue de Chaillot, a tree-studded, unlevelled, grass-grown
-octagonal stretch of land. Then it was made round and even, and became a
-favourite and fashionable promenade, known as l'Étoile de Chaillot, or
-the Rond-Point de Neuilly. The site had long been marked out for the
-erection of an important monument when Napoléon decreed the construction
-there of the Arc de Triomphe. The first stone of the arch was laid by
-Chalgrin in 1806, the Emperor and his new wife, on their wedding-day
-passed beneath a temporary Arc de Triomphe made of cloth, as the stone
-structure was not yet finished. Of the statuary which decorate the arch,
-the most noted group is the Départ, by Rude. The frieze shows the going
-forth to battle and the return of Napoléon's armies, with the names of
-his generals engraved beneath.[F]
-
-
-
-
-CHAPTER XXXII
-
-FAUBOURG ST-HONORÉ
-
-
-Turning down Avenue Wagram, one of the twelve broad avenues, all modern,
-branching from the Place de l'Étoile, we come to the Faubourg St-Honoré,
-originally Chaussée du Roule. The village of Le Roule was famed in the
-thirteenth century for its goose-market. The district became a faubourg
-in 1722 and in 1787 was taken within the city bounds. It has always been
-a favourite quarter among men of intellectual activity desiring to live
-beyond the turbulence of the centre of Paris. Here and there we come
-upon vestiges of bygone days. No. 222 is an old Dominican convent
-disaffected in 1906. A foundry once stood at the corner of the Rue
-Balzac, where public statues of kings and other royalties of old were in
-turn cast or melted down. The house where Balzac died once stood close
-there too, up against an ancient chapel--all long swept away. The walled
-garden remains--bordering the street to which the name of the great
-novelist has been given--a slab put up where we see, just above the
-wall, the top of a pillared summer-house, which Balzac is said to have
-built. The hospital Beaujon dates from 1784 but has no architectural or
-historical interest. The few ancient houses we see at intervals in this
-upper part of the faubourg are remains of the village du Roule. Several
-of more interesting aspect were razed a few years ago. The military
-hospital was once the site of royal stables. Mme de Genlis died at No.
-170.
-
-The church St-Philippe du Roule was built by Chalgrin in 1774 on the
-site of the seventeenth-century hôtel du Bas-Roule. No. 107 was the
-habitation of the King's Pages under Louis XV. On the site of No. 81
-comte de Fersan had his stables in the time of Louis XVI. The Home
-Office (Ministère de l'Intérieur) on Place Beauvau dates from the
-eighteenth century and has been a private mansion, a municipal _hôtel_,
-a hotel in the English sense of the word.
-
-The Palais de l'Élysée, built in 1718, was bought in 1753 by Mme de
-Pompadour. La Pompadour died at Versailles, but by her express wish her
-body was taken to Paris and laid in this her Paris home before the
-funeral. She bequeathed the _hôtel_ to the comte de Province, but Louis
-XV used it for State purposes. Then, become again a private residence,
-it was inhabited by the duchesse de Bourbon, mother of the due
-d'Enghien. She let it later to the tenant who made of it an _Élysée_, a
-pleasure-house, laid out a _parc anglais_, gave sumptuous _fêtes
-champêtres_. Sequestered at the Revolution, the mansion was sold
-subsequently to Murat and Caroline Buonaparte, then became an imperial
-possession as l'Élysée-Napoléon. Napoléon gave it to Joséphine at her
-divorce but she preferred Malmaison. There the Emperor signed his second
-abdication and there, in 1815, the Duke of Wellington and the Emperor of
-Russia made their abode. The next occupants were the duc and duchesse de
-Berry. The duchesse left it after her husband's death in 1820. It became
-l'Hôtellierie des Princes. In 1850 Napoléon as Prince-President made a
-brief abode there before the _coup d'état_. The façade dates from his
-reign as Napoléon III when, to cut it off from surrounding buildings,
-he made the Rue de l'Élysée through its gardens. The Garde Nationale
-took possession of it in 1871. It was saved from destruction under the
-Commune by its _conservateur_, who placed counterfeited _scellés_. No.
-41, hôtel Pontalba, built by Visconti on the site of an older _hôtel_,
-now owned by one of the Rothschilds, has fine ancient woodwork, once at
-hôtel St-Bernard, Rue du Bac. No. 39, the British Embassy, was built in
-1720 for the duc de Charost; given in 1803 to Pauline Buonaparte,
-princesse Borghese, given over to the English in 1815. British Embassy
-since 1825. Nos. 35, 33, 31, 29, 27 are all eighteenth-century _hôtels_.
-At No. 30 the Cité de Retiro was in past days the great Cour des Coches,
-inhabited by the "Fermier des carrosses de la Cour." Nos. 24, 16 are
-ancient. No. 14 was the Mairie till 1830.
-
-The streets opening out of the Faubourg date mostly from the eighteenth
-century and show here and there traces of a past age, but the greater
-number of the houses standing along their course to-day are of modern
-construction. Rue d'Aguesseau was cut in 1723 across the property of the
-Chancellor whose name it records. The Embassy church there is on the
-site of the ancient hôtel d'Armaille. No. 18 was at one time the Mairie
-of the 1st arrondissement. Rue Montalivet, where at No. 6 we see the
-friendly front of the British Consulate, was for some years Rue du
-Marché-d'Aguesseau. Rue des Saussaies was in the seventeenth century a
-willow-tree bordered road. Place des Saussaies is modern on the site of
-demolished eighteenth-century _hôtels_. In Rue Cambacérés we see ancient
-_hôtels_ at Nos. 14, 8, 3.
-
-The first numbers in Rue Miromesnil are old and have interesting
-decorations, Châteaubriand lived at No. 31 in 1804. Rue de Panthièvre
-was Rue des Marais in the seventeenth century, then Chemin Vert. Its
-houses were the habitation of many noted persons through the two
-centuries following. Franklin is said to have lived at No. 26, also
-Lucien Buonaparte. The barracks dates from 1780, one of those built for
-the Gardes Françaises, who had previously been billeted in private
-houses. Fersen lived in Rue Matignon; Gambetta at No. 12, Rue Montaigne
-(1874-78). The Colisée, which gave its name to the street previously
-known as Chaussée des Gourdes, was an immense hall used for festive
-gatherings from 1770 to 1780, when it was demolished. On part of the
-site it occupied, Rue Penthieu was opened at the close of the eighteenth
-century and Rue de la Bôëtie into which we now turn. That fair street
-was known in the different parts of its course by no less than eleven
-different names before its present one, given in 1879. Several
-eighteenth-century _hôtels_ still stand here; others on the odd number
-side were razed in recent years to widen the thoroughfare. No. 111 was
-inhabited for a time at the end of the eighteenth century by the then
-duc de Richelieu. When Napoléon was in power, an Italian minister lived
-there and gave splendid fêtes, at which the Emperor was a frequent
-guest. In recent days its owner was the duc de Massa, grandson of
-Napoléon's famous minister of Justice. Carnot lived for a time at No.
-122. Eugène Sue at No. 55. Comtesse de la Valette at No. 44, a _hôtel_
-known for its extensive grounds.
-
-Rue de Berri, opened 1778, across the site of the royal nursery gardens,
-went by several names before receiving that of the second son of Charles
-X, assassinated in 1820. The Belgian Legation at No. 20 was built by the
-aunt of Mme de Genlis and was in later times the home of princesse
-Mathilde who died there in 1904. Rue Washington was opened in 1789; Rue
-Galilée as chemin des Bouchers, then Rue du Banquet, in 1790. In Rue
-Daru, of the same date, opened as Rue de la Croix du Roule, we see the
-Russian church built in 1881, with its beautiful paintings and frescoes
-and rich Oriental decorations.
-
-
-
-
-CHAPTER XXXIII
-
-PARC MONCEAU
-
-
-We have already referred to Avenue Wagram. Modern buildings stretch
-along the whole course of the other eleven avenues branching from Place
-de l'Étoile. Avenue Hoche leads us to Parc Monceau, laid out on lands
-belonging in past days to the Manor of Clichy, sold to the prince
-d'Orléans in 1778, arranged as a smart _jardin anglais_ for
-Philippe-Égalité in 1785, the property of the nation in 1794, restored
-to the Orléans by Louis XVIII, bought by the State in 1852, given to the
-city authorities in 1870. The Renaissance arcade is a relic of the
-ancient hôtel de Ville, burnt down in 1871. The oval _bassin_, called
-"la Naumachie," with its Corinthian columns, came from an old church at
-St-Denis, Notre-Dame de la Rotonde, built as the burial-place of the
-Valois, razed in 1814. Avenue Friedland was opened in 1719, across the
-site of a famous eighteenth-century public garden and several demolished
-_hôtels_, and lengthened to its present extent some fifty years later.
-Avenue Marceau was of yore Avenue Joséphine.
-
-Rue de Monceau, opened in 1801, lies along the line of the old road to
-the vanished village of Monceau or Musseau. Rue du Rocher, along the
-course of a Roman road, has gone by different names in its different
-parts. Its upper end, waste ground until well into the nineteenth
-century, at the close of the eighteenth century was a Revolutionists'
-meeting-place, and there in the tragic months of 1794 many _guillotinés_
-were buried, among them the two Robespierres. In later years a dancing
-saloon was set up on the spot. It was a district of windmills. The
-Moulin de la Marmite, Moulin Boute-à-Feu, Moulin-des-Prés, stood on the
-high ground above Gare St-Lazare until a century ago. Few vestiges of
-the past remain. Rue de Laborde was known in 1788 as Rue des Grésillons,
-i.e. Flour Street (_grésillons_, the flour in its third stage of
-grinding). Then it became Chemin des Porcherons, and the district was
-known as that of la Petite-Pologne, a reference to the habitation there
-of the duc d'Anjou, who was King of Poland. In the courtyard of No. 4 we
-find an ancient boundary-stone, once in Rue de l'Arcade, where it marked
-the bounds of the city under Louis XV.
-
-Rue de la Pépinière, its name and that of the barracks there so well
-known of late to British soldiers, recording the site of the royal
-nursery grounds of a past age, was marked out as early as 1555, but
-opened only in 1782. The barracks, first built in 1763 for the Gardes
-Françaises, was rebuilt under Napoléon III. All other streets in the
-neighbourhood are modern.
-
-
-
-
-CHAPTER XXXIV
-
-IN THE VICINITY OF THE OPERA
-
-
-ARRONDISSEMENT IX. (OPÉRA)
-
-The Paris Opera-house was built between the years 1861-75 to replace the
-structure in Rue le Peletier burnt to the ground in 1873. On its ornate
-Renaissance façade we see, amid other statuary, the noted group "La
-Danse," the work of Carpeaux. Of the "Grands Boulevards," by which the
-Opera is surrounded, we shall speak later (_see_ p. 297).
-
-Most of the streets in its neighbourhood are modern, stretching across
-the site of demolished buildings, important in their day, but of which
-few traces now remain.
-
-Rue des Mathurins lies across the grounds of the vanished convent, Ville
-l'Évêque. Rue Tronchet runs where was once the Ferme des Mathurins
-(_see_ p. 224).
-
-Rue Caumartin, opened 1779, records the name of the Prévôt des Marchands
-of the day. It was a short street then, lengthened later by the old
-adjoining streets Ste-Croix and Thiroux, the site erewhile of the famed
-_porcelaine_ factory of la Reine. (Marie-Antoinette). No. 1 dates from
-1779 and was noted for its gardens arranged in Oriental style. No. 2,
-to-day the Paris Sporting Club, dates from the same period. No. 2 _bis_
-and most of the other houses have been restored or rebuilt. The butcher
-Legendre, who set the phrygian cap on the head of Louis XVI, is said to
-have lived at No. 52. No. 65 was built as a Capucine convent (1781-83).
-Sequestered at the Revolution, it became a hospital, then a _lycée_, its
-name changed and rechanged: Lycée Buonaparte, Collège Bourbon, Lycée
-Fontanes, finally Lycée Condorcet, while the convent chapel, rebuilt,
-became the church St-Louis d'Antin. Rue Vignon was, till 1881, Rue de la
-Ferme des Mathurins, as an inscription on the walls of No. 1 reminds us.
-Rue de Provence, named after the brother of Louis XVI, was opened in
-1771, built over a drain which went from Place de la République to the
-Seine near Pont de l'Alma. No. 22 is an ancient house restored. Berlioz
-lived at No. 41. Meissonier at No. 43. Nos. 45 to 65 are on the site of
-the mansion and grounds of the duc d'Orléans which extended to Rue
-Taitbout. We see a fine old _hôtel_ at No. 59. Cité d'Antin, opening at
-No. 61, was built in 1825, on the site of the ancient hôtel Montesson.
-Liszt, the pianist, lived at No. 63. The Café du Trèfle claims existence
-since the year 1555. The busy, bustling Rue de la Chaussée d'Antin was
-an important roadway in the twelfth century, as Chemin des Porcherons.
-The houses we see there are mostly of eighteenth-century date, others
-occupy the site of ancient demolished buildings. Many notable persons
-lived here. No. 1, where we see the Vaudeville theatre (there since
-1867), was of old the site of two historic mansions. No. 2, now a
-fashionable restaurant, dates from 1792, built as Dépôt des Gardes
-Françaises. Rossini lived there for one year--1857-58. Where Rue
-Meyerbeer was opened in 1860 stood, in other days, the _hôtel_ of Mme
-d'Épinay, whose walls had sheltered Grimm, and for a time Mozart. A
-neighbouring house was the home of Necker, where his daughter, Mme de
-Staël, grew up and which became later the possession of Mme Récamier.
-The graveyard of St-Roch stretched, till the end of the eighteenth
-century, across the site of Nos. 20-22. No. 42 belonged to Mme Talma.
-There Mirabeau died in 1791; his widow in 1800. Joséphine de
-Beauharnais, not yet Empress, dwelt at No. 62. Gambetta at No. 55. No.
-68, hôtel Montfermeil, was rebuilt by Fesch, Napoléon's uncle. Rue
-St-Lazare was, before 1770, Rue des Porcherons, from the name of an
-important estate of the district over which the abbesses of Montmartre
-had certain rights of jurisdiction. Passage de Tivoli, at No. 96,
-recalls the first Tivoli with its _jardins anglais_ stretching far at
-this corner. Its owner's head fell, severed by the guillotine, and his
-_folie_ became national property. Fêtes were given there by the
-Revolutionist authorities till its restoration, in 1810, to heirs of the
-man who had built it. Avenue du Coq records the existence in
-fourteenth-century days of a Château du Coq, known also as Château des
-Porcherons, the manor-house of the Porcherons' estate. The Square de la
-Trinité is on the site of a famous restaurant of past days, the
-well-known "Magny," which as a dancing-saloon--"La Grande Pinte"--was on
-the site till 1851. The church is modern (1867). No. 56 is part of the
-hôtel Bougainville where the great tragedienne, Mlle Mars, lived. At No.
-23, dating from the First Empire, we find a fine old staircase and in
-the court a pump marked with the imperial eagle. Rue de Chateaudun is
-modern. The _brasserie_ at the corner of Rue Maubeuge stands on the site
-of the ancient cemetery des Porcherons. Rue de la Victoire, in the
-seventeenth century Ruellette-au-Marais-des-Porcherons, was renamed in
-1792 Rue Chantereine, referring to the very numerous frogs (RANA = frog)
-which filled the air of that then marshy district with their croaking.
-Buonaparte lived there at one time, hence the name given in 1798, taken
-away in 1816, restored by Thiers in 1833. By a curious coincidence, an
-Order of Nuns, "de la Victoire," so called to memorize a very much
-earlier victory--Bouvines 1214--owned property here. On the site of No.
-60, now a modern house let out in flats, stood in olden days the chief
-entrance to l'hôtel de la Victoire, a remarkably handsome structure
-built in 1770, sold and razed in 1857--alas! At the end of the court at
-No. 58 we see the ancient hôtel d'Argenson, its _salon_ kept undisturbed
-from the days when great politicians of the past met and made decisive
-resolutions there. The Bains Chantereine at No. 46 has been théâtre
-Olymphique, théâtre des Victoires Nationales, théâtre des Troubadours,
-and was for a few days in 1804 l'Opéra Comique; No. 45, with its busts
-and bas-reliefs, dates from 1840. Rue Taitbout, begun in 1773,
-lengthened by the union of adjoining streets, records the name of an
-eighteenth-century municipal functionary. Isabey, Ambroise Thomas and
-Manuel Gracia lived in this old street, and at No. 1, now a smart
-_café_, two noted Englishmen, the Marquis of Hertford and Lord Seymour,
-lived at different periods. No. 2 was once the famous restaurant
-Tortoni. No. 30, as a private _hôtel_, sheltered Talleyrand and Mme
-Grand. We see interesting vestiges at No. 44. The Square d'Orléans is
-the ancient Cité des Trois Frères, in past days a nest of artists and
-men of letters: Dumas, George Sand, Lablache, etc.
-
-
-
-
-CHAPTER XXXV
-
-ON THE WAY TO MONTMARTRE
-
-
-Rue de Clichy was once upon a time the Roman road between Paris and
-Rouen, taking in its way the village Cligiacum. For long in later days
-it was known as Rue du Coq, when the old château stood near its line. It
-was in a house of Rue de Clichy, inhabited by the Englishman Crawford,
-that Marie-Antoinette and her children had a meal on the way to
-Varennes. The three successive "Tivoli" were partly on the site of No.
-27, in this old street. There too was the "Club de Clichy," whose
-members opposed the government of the Directoire. The whole district
-leading up to the heights of Montmartre was then, as now, a quarter of
-popular places of amusement, the habitation of _artistes_ of varying
-degree, but we find here few old-time vestiges. Where Rue Nouvelle was
-opened in 1879 the prison de Clichy, a debtor's prison, had previously
-stood. No. 81 is the four-footed animals' hospital founded in 1811. Zola
-died at No. 21 Rue de Bruxelles. Heine lived from 1848-57 at No. 50 Rue
-Amsterdam. Rue Blanche was Rue de la Croix-Blanche in the seventeenth
-century. Berlioz lived at No. 43. Roman remains were found beneath Nos.
-16-18. Rue Pigalle has been known by six or seven different names, at
-one time that of Rue du Champ-de-Repos, on account of the proximity of
-the cemetery St-Roch. No. 12 belonged to Scribe, who died there (1861).
-No. 67 is an ancient station for post-horses. Place Pigalle was in past
-days Place de la Barrière de Montmartre. The fountain is on the site of
-the ancient custom-house. Puvis de Chavannes and Henner had their
-studios at No. 11, now a restaurant. Rue de la Rochechouart made across
-abbey lands, the lower part dating from 1672, records the name of an
-abbess of Montmartre. Gounod lived at No. 17 in 1867. Halévy in 1841.
-The Musée Gustave Moreau at No. 14 was the great artist's own _hôtel_,
-bequeathed with its valuable collection to the State at his death in
-1898. Marshal Ney lived at No. 12. In Rue de la Tour des Dames a
-windmill tower, the property of the nuns of Montmartre, stood
-undisturbed from the fifteenth century to the early part of the
-nineteenth. The modern mansion at No. 3 (1822) is on land belonging in
-olden days to the Grimaldi. Talma died in 1826 at No. 9. Rue la Bruyère
-has always been inhabited by distinguished artists and literary men.
-Berlioz lived for a time at No. 45. Rue Henner, named after the artist
-who died at No. 5 Rue la Bruyère, is the old Rue Léonie. We see an
-ancient and interesting house at No. 13. No. 12 hôtel des Auteurs et
-Compositeurs Dramatiques, a society founded in 1791 by Beaumarchais.
-
-Rue de Douai reminds us through its whole length of noted literary men
-and artists of the nineteenth century. Halévy and also notable artists
-have lived at No. 69. Ivan Tourgueneff at No. 50. Francisque Sarcey at
-No. 59. Jules Moriac died at No. 32 (1882). Gustave Doré and also Halévy
-lived for a time at No. 22. Claretie at No. 10. Edmond About owned No.
-6.
-
-The old Rue Victor-Massé was for long Rue de Laval in memory of the last
-abbess of Montmartre. At No. 9, the abode of an antiquarian, we see
-remarkably good modern statuary on the Renaissance frontage. No. 12
-till late years was l'hôtel de Chat Noir, the first of the artistic
-_montmartrois cabarets_ due to M. Salis (1881). At No. 26 we turn into
-Avenue Frochot, where Alexandre Dumas, _père_, lived, where at No. 1 the
-musical composer Victor Massé died (1884), and of which almost every
-house is, or once was, the abode of artists. Passing down Rue
-Henri-Monnier, formerly Rue Breda, which with Place Breda was, during
-the first half of the nineteenth century, a quarter forbidden to
-respectable women, we come to Rue Notre-Dame de Lorette. It dates from
-the same period as the church built there (1823-37), and wherein we see
-excellent nineteenth-century frescoes and paintings. This street, like
-most of those around it, has been inhabited by men of distinction in art
-or letters: Isabey, Daubigny, etc. Mignet lived there in 1849. Rue
-St-Georges dates from the early years of the eighteenth century. Place
-St-Georges was opened a century later on land belonging to the Dosne
-family. Mme Dosne and her son-in-law lived at No. 27. The house was
-burnt down in 1871, rebuilt by the State, given to l'Institut by Mlle
-Dosne in 1905, and organized as a public library of contemporary
-history. Nos. 15-13, now the _Illustration_ office, date from 1788.
-Auber died at No. 22 (1871). The _hôtel_ at No. 2 was owned by Barras
-and inhabited at one time by Mme Tallien.
-
-The three busy streets, Rue Laffitte, Rue le Peletier, Rue Drouot, start
-from boulevard des Italiens, cross streets we have already looked into,
-and are connected with others of scant historic interest.
-
-Rue Laffitte, so named in 1830 in memory of the great financier who laid
-the foundation of his wealthy future when an impecunious lad, by
-stooping, under the eye of the commercial magnate waiting to interview
-him, to pick up a pin that lay in his path. Laffitte died Regent of the
-Banque de France. So popular was he that when after 1830 he found
-himself forced to sell his handsome mansion No. 19--l'hôtel de la
-Borde--a national subscription was got up enabling him to buy it back.
-Offenbach lived at No. 11. At No. 12 we find an interesting old court.
-The great art lover and collector, the Marquis of Hertford, lived at No.
-2, the old hôtel d'Aubeterre. No. 1, once known as la Maison Dorée, now
-a post office, was the old hôtel Stainville inhabited by the Communist
-Cerutti who, in his time, gave his name to the street. Mme Tallien also
-lived there. For some years before 1909 it was the much frequented
-Taverne Laffitte.
-
-In Rue Le Peletier, the Opera-house burnt down in 1783, was from the
-early years of the nineteenth century on the site of two old mansions:
-l'hôtel de Choiseul and l'hôtel de Grammont. On the site of No. 2,
-Orsini tried to assassinate Napoléon III. At No. 22 we see a Protestant
-church built in the time of Napoléon I.
-
-Rue Drouot, the Salle des Ventes, the great Paris "Auction-rooms" at No.
-9, built in 1851, is on the site of the ancient hôtel Pinon de Quincy,
-subsequently a Mairie. The present Mairie of the arrondissement at No. 6
-dates from 1750. In the Revolutionary year 1792 it was the War Office,
-then the Salon des Étrangers where masked balls were given: les bals des
-Victimes. No. 2 the _Gaulois_ office, almost wholly rebuilt at the end
-of the eighteenth century and again in 1811, was originally a fine
-mansion built in 1717, the home of Le Tellier, later of the duc de
-Talleyrand, and later still the first Paris Jockey Club (1836-57). The
-famous dancer Taglioni also lived here at one time.
-
-Rue Grange-Batelière was a farm--_la grange bataillée_--with fortified
-towers, owned in the twelfth century by the nuns of Ste-Opportune. At
-No. 10 we see the handsome _hôtel_ with fine staircase and statues,
-built in 1785 for a gallant captain of the Gardes Françaises. There in
-the days of Napoléon III was the Cercle Romantique, where Victor Hugo,
-A. de Musset and other literary celebrities were wont to meet.
-
-
-
-
-CHAPTER XXXVI
-
-ON THE SLOPES OF THE _BUTTE_
-
-
-The Rue du Faubourg Montmartre is one of the most ancient of Paris
-roadways, for it led, from the earliest days of French history, to the
-hill-top where St-Denis and his two companions had been put to death.
-Only once has the ancient name been changed--at the Revolution, when it
-was for a time Faubourg Marat. We see here a few old-time houses. The
-bathing establishment at No. 4 was a private _hôtel_ in the days of
-Louis XV. Scribe lived at No. 7. The ancient cemetery _chapelle_,
-St-Jean-Porte-Latine, stood from 1780-1836 on the site of No. 60.
-
-Rue des Martyrs, named in memory of the Christian missionaries who
-passed there to their death, so called in its whole length only since
-1868, has ever been the habitation of artists. We see few interesting
-vestiges. From 1872 it has been a market street. Costermongers' carts
-line it from end to end several days a week. The restaurant de la Biche
-at No. 37 claims to date from 1662. The once-famous restaurant du Faisan
-Doré was at No. 7. The short streets opening out of this long one date
-for the most part from the early years of the nineteenth century and
-form, with the longer ones of the district, the Paris artists' quarter.
-
-Rue de la Tour d'Auvergne records the name of an abbess of Montmartre.
-Victor Hugo lived at No. 41 at the time of the _coup d'état_, fled
-thence to exile in England. The school at No. 31 is on the site of
-gardens once hired for the children of the duc d'Orléans, the pupils of
-Mme de Genlis, to play in, then owned by Alphonse Karr. We see at No. 14
-a charming statue "Le joueur de flute."
-
-Rue Rochechouart records the name of another abbess. At No. 7, now a
-printing house, abbé Loyson gave his lectures. Rue Cadet, formerly Rue
-de la Voirie, records the name of a family of gardeners, owners of the
-Clos Cadet, from the time of Charles IX. Nos. 9, 16, 24 are
-eighteenth-century structures. Rue Richer was known in the earlier years
-of the eighteenth century as Rue de l'Égout. Augustin Thierry lived here
-for two years (1831-33). No. 18 was the office of the modern
-revolutionary paper _La Lanterne_. Marshal Ney lived at the _hôtel_
-numbered 13. The Folies Bergères at No. 32 was built in 1865 on the site
-of the _hôtel_ of comte Talleyrand-Périgord. In Rue Saulnier, recording
-the name of another famous family of gardeners, we see at No. 21 the
-house once inhabited by Rouget de Lisle, composer of the "Marseillaise."
-Rue Bergère was in seventeenth-century days an _impasse_. Casimir
-Delavigne lived at No. 5. Scribe in his youth at No. 7, in later life at
-a _hôtel_ on the site of No. 20, which was in eighteenth-century days
-the home of M. d'Étiolles, the husband of La Pompadour. The Comptoir
-d'Escompte at No. 14 was built in 1848, on the site of several old
-_hôtels_, notably hôtel St-Georges, the home of the marquis de Mirabeau,
-father of the orator.
-
-Rue du Faubourg Poissonière, its odd numbers in the 9th its even ones in
-the 10th arrondissement, shows us many interesting old houses and we
-find quaint old streets leading out of it. It dates as a thoroughfare
-from the middle of the seventeenth century, named then Chaussée de la
-Nouvelle France. Later it was Rue Ste-Anne, from an ancient chapel in
-the vicinity, yielding finally in the matter of name to the
-all-important fish-market to which it led--the poissonnerie des Halles.
-In the court at No. 2 we find a Pavillon Louis XVI. The crimson walls of
-the _Matin_ office was in past days the private _hôtel_ where colonel de
-la Bedoyère was arrested (1815). We see interesting old houses at Nos.
-9-13. No. 15, in old days hôtel des Menus Plaisirs du Roi, was with two
-adjoining houses taken at the end of the eighteenth century for the
-Conservatoire de Musique, an institution founded (1784) by the marquis
-de Breteuil, as the École Royale de Chant et de Déclamation, with the
-special aim of training _artistes_ for the court theatre. Closed at the
-Revolution, it was reopened in calmer days and, under the direction of
-Cherubini, became world-famed. Ambroise Thomas died there in 1895. In
-1911 the Conservatoire was moved away to modern quarters in Rue de
-Madrid and the old building razed.
-
-The balcony on the garden side at No. 19, an eighteenth-century house
-with many interesting vestiges, is formed of a fifteenth-century
-gravestone. Cherubini lived at No. 25. The church St-Eugène which we see
-in Rue Cecile, its interior entirely of cast iron, was so named by
-Napoléon III's express wish as a souvenir of his wedding. The fine
-_hôtel_ at No. 30 was the home of Marshal Ney. Nos. 32, 42, 42 _bis_, 52
-and 56 where Corot died in 1875, the little vaulted Rue Ambroise-Thomas,
-opening at No. 57, the fine house at No. 58, and Nos. 65 and 80, all
-show us characteristic old-time features. At No. 82 we see an infantry
-barracks, once known as la Nouvelle France, a Caserne des Gardes
-Françaises. Its canteen is said to be the old bedroom of "sergeant
-Bernadotte," destined to become King of Sweden. Here Hoche, too, was
-sergeant. The bathing establishment of Rue de Montholon, opening out of
-the faubourg at No. 89, was the home of Méhul, author of _le Chant du
-Départ_; he died here in 1817. The street records the family name of the
-General who went with Napoléon to St. Helena. Another abbess of
-Montmartre is memorized by Rue Bellefond, a seventeenth-century street
-opening at No. 107. The first Paris gasworks was set up on the site of
-No. 129. At No. 138 we see a wooden house, in Gothic style, beautifully
-made, owned and lived in by a carpenter who plies his trade there.
-Avenue Trudaine is modern (1821), named in memory of a Prévôt des
-Marchands of the seventeenth and early years of the eighteenth century.
-The Collège Rollin, at No. 12, is on the site of the ancient Montmartre
-slaughterhouses. The painter Alfred Stevens died at No. 17 in 1906.
-
-
-
-
-CHAPTER XXXVII
-
-THREE ANCIENT FAUBOURGS
-
-
-ARRONDISSEMENT X. (ENTREPÔT)
-
-The chief thoroughfares of historic interest in this arrondissement are
-the two ancient streets which stretch through its whole length: Rue du
-Faubourg St-Denis and Rue du Faubourg St-Martin, and the odd-number side
-of Rue du Faubourg du Temple.
-
-Rue du Faubourg St-Denis, the ancient road to the abbey St-Denis, known
-in earlier days in part as Faubourg St-Lazare, then as Faubourg-de-Gloire,
-has still many characteristic old-time buildings. The Passage du
-Bois-de-Boulogne was the starting-place for the St-Denis coaches. At
-No. 14 we find an interesting old court; over Nos. 21-44 and at 33 of
-the little Rue d'Enghein old signs; No. 48 was the _Fiacre_ office in
-the time of the Directoire, then the famous commercial firm Laffitte
-and Caillard. Where we see the Cour des Petites-Écuries, the courtesan
-Ninon de Lenclos had a country house. Félix Faure, Président of the
-French Republic from 1895 to 1899, was born at No. 65 in 1841. The old
-house No. 71 formed part of the convent des Filles Dieu. The houses
-Nos. 99 to 105 were dependencies of St-Lazare, now the Paris Prison for
-Women, which we come to at No. 107, originally a leper-house, founded
-in the thirteenth century by the hospitaliers de St-Lazare. It was an
-extensive foundation, possessing the right of administering justice and
-had its own prison and gallows. The Lazarists united with the priests
-of the Mission organized by St-Vincent-de-Paul, and in their day the
-area covered by the cow-houses, the stables, the various buildings
-sheltering or storing whatever was needed for the missioners, stretched
-from the Faubourg St-Denis to the Rues de Paradis, de Dunkerque and du
-Faubourg Poissonnière. At one time, when leprosy had ceased to be rife
-in Paris, the hospital was used as a prison for erring sons of good
-family. In 1793 it became one of the numerous revolutionary prisons;
-André Chenier, Marie Louise de Montmorency-Laval, the last abbess of
-Montmartre, were among the _suspects_ shut up there; and the Rue du
-Faubourg St-Denis was renamed Rue Franciade. St-Lazare was specially
-obnoxious to Revolutionists, for there the Kings of France had been wont
-to make a brief stay on each State entry into the city, and there, on
-their last journey out of it, they had halted in their coffin, on the
-way to St-Denis. The remains of an ancient crypt were discovered in 1898
-below the pavement.
-
-Rue de l'Échiquier was opened in 1772, cut through convent lands.
-Stretching behind No. 43, till far into the nineteenth century, was the
-graveyard of the parish Notre-Dame-de-Bonne-Nouvelle. No. 48 was the
-well-known dancing-hall, Pavillon de l'Échiquier, before and under the
-Directoire. Rue du Paradis, in the seventeenth century Rue St-Lazare, is
-noted for its pottery shops. At No. 58 Corot, the great landscape
-painter who lived hard by, had his studio. The capitulation of Paris in
-1814 was signed at No. 51, the abode of the duc de Raguse. Leading out
-of Rue de Chabrol at No. 7 we find the old-world Passage de la
-Ferme-St-Lazare and a courtyard, relics of the Lazarists farm. Rue
-d'Hauteville, so called from the title of a Prévôt des Marchands, comte
-d'Hauteville, was known in earlier times as Rue la Michodière, his
-family name. In the court at No. 58 we come upon a _hôtel_ which was the
-abode of Bourrienne, Napoléon's secretary; its rooms are an interesting
-example of the style of the period. The pillared pavilion at No. 6
-_bis_, Passage Violet, dates only from 1840.
-
-Rue de Strasbourg, where the courtyard of the Gare de l'Est now
-stretches, was the site in olden days of one of the great Paris fairs,
-the Foire St-Laurent, held annually, lasting two months, a privilege of
-the Lazarist monks. It was at this fair that the first café-concerts
-were opened. The Comédie-Italienne, too, first played there. Rue de la
-Fidélité, on the eastern side of the Faubourg St-Denis, records the name
-given to the church St-Laurent in Revolution days; it lies across the
-site of the couvent des Filles-de-la-Charité founded by
-St-Vincent-de-Paul and Louise de Marillac, of which we find some traces
-at No. 9.
-
-The northern end of Rue du Faubourg St-Martin was long known as Rue du
-Faubourg St-Laurent; zealously stamping out all names recording saints,
-the Revolutionists called this long thoroughfare Faubourg du Nord. We
-find ancient houses, vestiges of past ages, at every step, and the
-modern structures seen at intervals are on sites of historic interest.
-The baker's shop at No. 44, "A l'Industrie," claims to have existed from
-the year 1679. No. 59 is the site of the first Old Catholic church,
-founded in 1831 by abbé Chatel. The Mairie at No. 76 covers the site of
-an ancient barracks, and of a bridge which once spanned the brook
-Ménilmontant. An ancient arch was found beneath the soil in 1896. Rue
-des Marais, which opens at No. 86, dates from the seventeenth century.
-Here till 1860 stood the dwelling of the famous public headsman Sanson
-and of his descendants, _painted red_! At No. 119 we see the _chevet_ of
-the church St-Laurent, the only ancient part of the church as we know
-it. In the little Rue Sibour, opening at No. 121, recording the name of
-the archbishop of Paris who died in 1857, we find an ancient house, now
-a bathing establishment. No. 160 covers land once the graveyard of les
-Récollets. The short Rue Chaudron records the name of a fountain once
-there. The bulky fountains higher up are modern (1849), built by public
-subscription.
-
-Rue du Château d'Eau was formed of two old streets: Rue Neuve
-St-Nicolas-St-Martin and Rue Neuve St-Jean, joined in 1851 and named
-after a fountain formerly in the centre of the what is now Place de la
-République. At No. 39 we see the house said to be the smallest in the
-city--its breadth one mètre. In the walls of the tobacconist's shop at
-No. 55, "la Carotte Percée," we see holes made by the bullets of the
-Communards in 1871. At No. 6 of the modern Rue Pierre-Bullet, now a gimp
-factory, we find a house of remarkable interest, beautifully decorated
-by its builder and owner, the artist Gonthière, who had invented the
-process of dead-gilding. Ruin fell on the unhappy artist. His house was
-seized in 1781 and he died in great poverty in 1813.
-
-Crossing the whole northern length of the arrondissement is the busy
-commercial Rue Lafayette, its one point of interest for us the church
-St-Vincent-de-Paul, built in the form of a Roman basilica between the
-years 1824-44, on the site of a Lazariste structure known as the
-Belvédère. Within we see fine statuary; and glorious frescoes, the work
-of Flandrin, cover the walls on every side. None of the streets in the
-vicinity of the church show points of historic interest.
-
-Rue Louis-Blanc, existing in its upper part in the eighteenth century
-under another name, prolonged in the nineteenth, has one tragically
-historic spot, that where it meets Rue Grange-aux-Belles. On that spot
-from the year 1230, or thereabouts, to 1761, on land owned by comte
-Fulcon or Faulcon, stood the famous gibet de Montfaucon. It was of
-prodigious size, a great square frame with pillars and iron-chains,
-sixteen _pendus_ could hang there at one time. The most noted criminals,
-real or supposed, many bearing the noblest names of France, were hung
-there, left to swing for days in public view--the _noblesse_ from the
-Court and the _peuple_ from the sordid streets around crowding together
-to see the sight. The ghastly remains fell into a pit beneath the
-_gibet_ and so found burial. Later a more orderly place of interment was
-arranged on that hill-top. The church of St-Georges now stands on the
-site.
-
-Rue de la Grange-aux-Belles, so well known nowadays as the seat at No.
-33 of the C.G.T.--the Conféderation du Travail, where all Labour
-questions are discussed, and where in these days of great strikes, the
-Paris Opera on strike gave gala performances, was originally Rue de la
-Grange-aux-Pelles, a _pelle_ or _pellée_ being a standard measure of
-wood. The finance minister Clavière, Roland's associate, lived here and
-the authorities borrowed from him the green wooden cart which bore Louis
-XVI to the scaffold. The painter Abel de Payol lived at No. 13 (1822). A
-Protestant cemetery once stretched across the land in the centre of the
-street down to Rue des Écluses St-Martin. There, in 1905, were found the
-remains of the famous _corsaire_ Paul Jones, transported in solemn
-state to America shortly afterwards. Turning into Rue Bichat we come to
-the Hôpital St-Louis, founded by Henri IV. The King had been one of many
-sufferers from an epidemic which had raged in Paris in the year 1606. On
-his recovery the _bon Roi_ commanded the building of a hospital to be
-called by the name of the saint-king, Louis IX, who had died of the
-plague some three hundred years before. The quaint old edifice with
-red-tiled roofs, old-world windows, fine archways surrounding a court
-bright with flowers and shaded by venerable trees, carries us back in
-mind to the age of the _bon Roi_ to whom the hospital was due. No. 21
-was the hospital farm. In Rue Alibert, erewhile an _impasse_, we see one
-or two ancient houses, at the corner a pavilion of the time of Henri IV,
-the property of the hospital. Rue St-Maur runs on into the 11th
-arrondissement, a street formed in the nineteenth century by three
-seventeenth-century roads, one of which was Rue Maur or des Morts. We
-notice old houses and ancient vestiges here and there.
-
-Rue du Faubourg du Temple marks the boundary between arrondissement X
-and XI, an ancient thoroughfare climbing to the heights of Belleville
-with many old houses and courts, mostly squalid, and some curious old
-signs. On the site of No. 18 Astley's circus was set up in 1780.
-
-The Rue de la Fontaine au Roi (seventeenth century), in 1792 Rue
-Fontaine-Nationale, shows us at No. 13 a house with _porcelaine_
-decorations set up here in 1773. Beneath the pavement of Rue
-Pierre-Levée a druidical stone was unearthed in 1782. Rue de Malte
-refers by its name to the Knights Templar of Malta, across whose land it
-was cut. We see an ancient _cabaret_ at No. 57. Rue Darboy records the
-name of the archbishop of Paris, shot by the Communards in 1871; Rue
-Deguerry that of the vicar of the Madeleine who shared his fate. The
-church of St-Joseph is quite modern, 1860, despite its blackened walls.
-Avenue Parmentier running up into the 10th arrondissement is entirely
-modern, recording the name of the man who made the potato known to
-France.
-
-Rue des Trois-Bornes shows us several old-time houses and at No. 39 a
-characteristic old court. We find some characteristic vestiges also in
-Rue d'Angoulême. In Rue St-Ambroise we see the handsome modern church
-built on the site of the ancient church des Annociades. The monastery of
-the Annociades was sold in lots, and became in part by turns a barracks,
-a military hospital, a hospital for incurables, and was razed to the
-ground in 1864. At Musée Carnavalet we may see bas-reliefs taken from
-the fountain once on the space before the church. Rue Popincourt, which
-gives its name to the arrondissement, records the existence in past days
-of a sire Jean de Popincourt whose manor-house was here, and a
-sixteenth-century village, which became later part of Faubourg
-St-Antoine. Rue du Chemin-Vert dates from 1650, but has few interesting
-features. Parmentier died at No. 68 in 1813.
-
-
-
-
-CHAPTER XXXVIII
-
-IN THE PARIS "EAST END"
-
-
-We are now in the vicinity of the largest and most important of the
-Paris cemeteries--Père Lachaise. But it lies in the 20th arrondissement.
-The streets of this 10th arrondissement leading east approach its
-boundary walls--its gates. Rue de la Roquette comes to it from the
-vicinity of the Bastille. La Roquette was a country house built in the
-sixteenth century, a favourite resort of the princes of the Valois line.
-Then, towards the end of the seventeenth century, the house was given
-over to the nuns Hospitalières of Place-Royale. The convent, suppressed
-at the Revolution, became State property and in 1837 was used as the
-prison for criminals condemned to death. The guillotine was set up on
-the five stones we see at the entrance to Rue Croix-Faubin. The
-prisoners called the spot l'Abbaye des Cinq Pierres. It was there that
-Monseigneur Darboy and abbé Deguerry were put to death in 1871. On the
-day following fifty-two prisoners, chiefly monks and Paris Guards, were
-led from that prison to the heights of Belleville and shot in Rue Haxo.
-Read _à ce propos_ Coppée's striking drama _Le Pater_. La Roquette is
-now a prison for youthful offenders, a sort of House of Correction.
-
-Lower down the street we find here and there an ancient house or an old
-sign. The fountain at No. 70 is modern (1846). The curious old Cour du
-Cantal at No. 22 is inhabited mostly by Auvergnats. Rue de Charonne,
-another street stretching through the whole length of the
-arrondissement, in olden days the Charonne road, starts from the Rue du
-Faubourg St-Antoine, where at No. 1 we see a fountain dating from 1710.
-Along its whole length we find vestiges of bygone times. It is a
-district of ironmongers and workers in iron and workman's tools. A
-district, too, of popular dancing saloons. At No. 51 we see l'hôtel de
-Mortagne, built in 1711, where Vaucanson first exhibited his collection
-of mechanical instruments. Bequeathed to the State, that collection was
-the nucleus of the Conservatoire des Arts et Métiers: Arts and Crafts
-Institution (_see_ p. 64). Here the great mechanic died in 1782. No. 97,
-once a Benedictine convent, was subsequently a private mansion, then a
-factory, then in part a Protestant chapel. The École Maternelle at No.
-99 was in past days a priory of "Bon Secours" (seventeenth century). No.
-98 is on the site of a convent razed in 1906. There are remains of
-another convent at Nos. 100, 102. No. 161 was the famous "Maison de
-Santé," owned by Robespierre's friend Dr. Belhomme, to which he added
-the adjoining _hôtel_ of the marquis de Chabanais. There, during the
-Terror, he received prisoners as "paying guests." His prices were
-enormous and on a rising scale ... the guests who could not pay at the
-required rate were turned adrift on the road to the guillotine. These
-walls sheltered the duchesse d'Orléans, the mother of Louis-Philippe,
-protected by her faithful friend known as comte de Folmon, in reality
-the deputé Rouzet, and many other notable persons of those troubled
-years. On the left side of the door we see the figures 1726, relic of an
-ancient system of numbering. The Flemish church de la Sainte Famille at
-181 is modern (1862).
-
-Crossing Rue de Charonne in its earlier course, we come upon the
-sixteenth-century Rue Basfroi, a corruption of _beffroi_, referring to
-the belfry of the ancient church Ste-Marguerite in Rue St-Bernard.
-Ste-Marguerite, founded in 1624 as a convent chapel, rebuilt almost
-entirely in 1712, enlarged later, is interesting as the burial-place of
-the Dauphin, or his substitute, in 1745, and as possessing a much-prized
-relic, the body of St. Ovide, in whose honour the great annual fair was
-held on Place Vendôme. A tiny cross up against the church wall marks the
-grave where the son of Louis XVI was supposed to have been laid, but
-where on exhumation some years ago the bones of an older boy were found.
-We see some other ancient tombs up against the walls of what remains of
-that old churchyard, and on the wall of the apse of the church two very
-remarkable bas-reliefs, the work of an old-time abbé, M. Goy, a clever
-sculptor, to whom are due also many of the statues in the park at
-Versailles. Within the church we see several striking statues and a
-remarkable "Chapelle des Morts," its walls entirely frescoed in
-_grisaille_ but in great need of restoration. From the end of Rue
-Chancy, where at No. 22 we see an old carved wood balcony, we get an
-interesting view of this historic old church.
-
-Rue de Montreuil, leading to the village of the name, shows us many old
-houses, one at No. 52 with statuettes and in the courtyard an ancient
-well, and at No. 31, remains of the Folie Titon, within its walls a fine
-staircase and ceiling, the latter damaged of late owing to a fire.
-
-
-
-
-CHAPTER XXXIX
-
-ON TRAGIC GROUND
-
-
-Rue du Faubourg St-Antoine forms the boundary between the
-arrondissements XI and XII. From end to end it shows us historic
-vestiges. It has played from earliest times an all-important part in
-French history, leading, when without the city walls, to Paris and the
-Bastille from the fortress of Vincennes and lands beyond, while from the
-time of its incorporation with Paris, popular political demonstrations
-unfailingly had their _mise en scène_ in the Rue du Faubourg St-Antoine.
-In the seventeenth century it was a country road in its upper part, the
-Chaussée St-Antoine, and led to the fine Abbaye St-Antoine-des-Champs;
-the lower part was the "Chemin de Vincennes." Along this road, between
-Picpus and the Bastille, the Frondeurs played their war-games. Turenne's
-army fired from the heights of Charonne, while the Queen-Mother, her
-son, Louis XIII, and Mazarin watched from Père-la-Chaise. At No. 8 lived
-the regicide Pépin, Fieschis' accomplice. The sign, the "Pascal Lamb,"
-at No. 18 dates from the eighteenth century. We see ancient signs all
-along the street. The Square Trousseau at No. 118 is on the site of the
-first "Hospice des Enfants Trouvés," built in 1674 on abbey land. In
-1792 it became the "Hôpital des Enfants de la Patrie." The head of
-princesse de Lamballe was buried in the chapel graveyard there. What is
-supposed to be her skull was dug up here in 1904. In 1839 the hospital
-was made an _annexe_ of the hôtel-Dieu, in 1880 it was Hôpital
-Trousseau, then in the first years of this twentieth century razed to
-the ground. At No. 184 the hospital St-Antoine retains some vestiges of
-the royal abbey that stood there in long-gone days. Founded in 1198, it
-was like all the big abbeys of the age a small town in itself,
-surrounded by high fortified walls. At the Revolution it was
-sequestrated, the church demolished. Till the early years of the
-nineteenth century, one of the most popular of Paris fairs was held on
-the site of the old abbey, la Foire aux pains d'épices, which had its
-origin in an Easter week market held within the abbey precincts. The
-house No. 186 is on the site of the little chapel St-Pierre, razed in
-1797, where of old kings of France lay in state after their death. Two
-daughters of Charles V were buried there. The fountain and butcher's
-shop opposite the hospital date from the time of Louis XV, built by the
-nuns of the abbey and called la Petite Halle. The nuns alone had the
-right to sell meat to the population of the district in those old days.
-Almost every house and courtyard and passage along the whole course of
-this ancient thoroughfare dates, as we see, from days long past. In the
-courts at Nos. 245 and 253 we find old wells.
-
-So we reach Place de la Nation, of yore Place du Trône, styled in
-Revolution days Place du Trône Renversé, and the guillotine set up there
-"_en permanence_": there 1340 persons fell beneath its knife, 54 in one
-tragic day. The two pavilions on the eastern side of the _place_ were
-the custom-houses of pre-Revolution days. The monument in the centre is
-modern (1899). Of the streets and avenues leading from the _place_, that
-of supreme interest is the old Rue Picpus, a curious name explained by
-some etymologists as a corruption of Pique-Pusse, and referring to a
-sixteenth-century monk of the neighbourhood who succeeded in curing a
-number of people of an epidemic which studded their arms with spots like
-flea-bites and who was called henceforth "le Père Pique-Pusse." In
-previous days the upper part of the road--it was a road then, not yet a
-street--had been known as Chemin de la Croix-Rouge. Nos. 4 and 6 are the
-remains of an eighteenth-century pavilion, a _maison de santé_--house of
-detention--where in 1786 St. Just was shut up for petty thefts committed
-in his own family. No. 10, a present-day _maison de santé_, is on the
-site of a hunting-lodge of Henri IV. At No. 35 we see the Oratoire de
-Picpus, where is the statuette of Notre-Dame, de la Paix, once on the
-door of the Capucine convent, Rue St-Honoré; and here, behind the
-convent garden, we find the cimetière Picpus and the railed pit where
-the bodies of the 1340 persons beheaded on the Place du Trône Renversé
-were cast in 1793, André Chenier among the number. Their burial-place
-was unknown until some years later, when a poor woman, the daughter of a
-servant of the duc de Brissac, who, stealthily watching from afar, had
-seen her father and her brother fall on the scaffold, pointed it out.
-The site was bought, walled in, an iron cross set up over it. Soon
-adjoining land was bought and the relatives of many of those who lay in
-the pit were brought to be in death near to the members of their family
-cut off from them in life by the Revolutionist axe. We see their tombs
-in the carefully kept cemetery to which, from time to time, descendants
-of the different families come to be laid in their last long sleep. In
-the corner closest up against the walls surrounding the pit we see the
-Stars and Stripes of the United States, the "star-spangled banner"
-keeping guard over the grave of La Fayette. The nuns of the convent have
-charge of this pathetically interesting cemetery. At No. 42 we see more
-convent walls stretching to Rue de Reuilly, now enclosing a carriage
-factory. At No. 61 the doors of yet another, put later to various
-secular uses. No. 76 is the Jewish hospital, founded by Rothschild in
-1852. No. 73 is the Hospice des Vieillards, worked by the Petites
-Soeurs des Pauvres. On the wall at No. 88 we come upon an edict of
-Louis XV with the date 1727.
-
-Running parallel with Rue Picpus is Rue de Reuilly, in long-gone days a
-country road leading to the Château at Romiliacum, the summer habitation
-of the early Merovingian kings. We see an ancient house at No. 12 and
-No. 11 was the historic _brasserie_ owned by Santerre, commander-in-chief
-of the Paris Garde Nationale, its walls supposed to date from 1620.
-Santerre bought it in 1772. After the storming of the Bastille, two
-prisoners found within its walls, both mad, one aged, the other a noted
-criminal, were sheltered there: there the keys and chains of the broken
-fortress were deposited. The barracks at No. 20 are on the site of ruins
-of the old Merovingian castle. The church, modern, of St-Eloi at No. 36
-has no historic interest save that of its name, and no architectural
-beauty.
-
-Rue de Charenton is another ancient street. It runs through the whole of
-the arrondissement from Place de la Bastille to the Bois de Vincennes.
-From 1800-15 it went by the name Rue de Marengo, for through a gate on
-its course, at the barrier of the village of Charenton and along its
-line, Napoléon re-entered Paris after his Italian campaigns. In its
-upper part it was known in olden days as Vallée de Fécamp. Through the
-house at No. 2, with the sign "A la Tour d'Argent," Monseigneur Affre
-got on to the barricades in 1848, to be shot down by the mob a few
-moments later. No. 10 dates from the sixteenth century. The inn at No.
-12 is ancient. At No. 26 we see the chapel of the Blind Hospital, the
-"Quinze-Vingts," formerly the parish church of the district. The
-Quinze-Vingts was founded by St. Louis for three hundred
-_gentilshommes_, i.e. men of gentle birth, on their return from the
-crusades; their quarters were till 1780 on land owned by the monks of
-the Cloître St-Honoré. Then this fine old _hôtel_ and grounds, built in
-1699 for the Mousquetaires Noirs, were bought for them. In the chapel
-crypt the tombstone of the first archbishop of Paris, Mgr de Gondi, was
-found a few years ago, and bits of broken sixteenth-century sculpture of
-excellent workmanship. The little Rue Moreau, which opens at No. 40, was
-known in the seventeenth century as Rue des Filles Anglaises, for
-English nuns had a convent where now we see the Passage du Chêne-Vert.
-We find characteristic old houses in Rue d'Aligre and an interesting old
-_place_ of the same name, in Revolutionary days a hay and straw market.
-The short streets and passages of this neighbourhood date, with scarce
-an exception, from the seventeenth and eighteenth centuries. Rue de la
-Brèche-aux-loups recalls the age when, in wintry weather, hungry wolves
-came within the sight of the city. The statuette of Ste-Marguerite and
-the inscription of No. 277 date from 1745. Passage de la Grande Pinte at
-No. 295 records the days when drinking booths were a distinctive feature
-of the district. We see vestiges of an ancient cloister at No. 306, and
-at No. 312 an old farmyard.
-
-
-
-
-CHAPTER XL
-
-LES GOBELINS
-
-
-ARRONDISSEMENT XIII. (GOBELINS)
-
-The brothers Gobelin, Jehan and Philibert, famous dyers of the day,
-established their great factory on the banks of the Bièvre about the
-year 1443. Jehan had a fine private mansion in the vicinity of his
-dye-works known as Le Cygne. At a little distance, on higher ground, was
-another _hôtel_ known as la Folie Gobelin. The rich scarlet dye the
-brothers turned out was greatly prized; their business prospered, grew
-into a huge concern. But in the first year of the seventeenth century a
-Flemish firm of upholsterers came to Paris and established themselves on
-the banks of the tributary of the Seine, entirely replacing the
-Gobelins' works. This in its turn yielded to another firm, but the name
-remained unchanged. A few years later the firm and all the buildings
-connected therewith were taken over by the State, and in 1667, by the
-initiative of the minister Colbert, were organized as the royal factory
-"des meubles de la Couronne." On the ancient walls behind the modern
-façade we see two inscriptions referring to the founders of the
-world-famed factory. This hinder part of the vast building is of special
-interest to the lover of old-world vestiges. The central structure, two
-wings and the ancient chapel of the original building, still stand, and
-around on every side we see quaint old houses in tortuous streets,
-courtyards of past centuries, where twentieth-century work goes on
-apace, picturesque corners densely inhabited by a busy population. For
-this is also the great tanning district of the city. Curious old-world
-sights meet us as we wind in and out among these streets and passages
-which have stood unchanged for several hundred years. The artistic work
-of the great factory was from the first given into the hands of men of
-noted ability, beginning in 1667 with Charles le Brun; and from the
-first it was regarded as an institution of special interest and
-importance. Visitors of mark, royal and other, lay and ecclesiastical,
-were taken to see it. The Pope, when in Paris in 1805, did not fail to
-visit "les Gobelins." In 1826 the great Paris soap-works were removed
-from Chaillot and set up here in connection with the dye-works. The fine
-old building was set fire to by the Communards in 1871--much of it burnt
-to the ground, many priceless pieces of tapestry destroyed. At No. 17
-Rue des Gobelins, in its earlier days Rue de la Bièvre, crossed by the
-stream so carefully hidden beneath its surface now, we see the old
-_castel_ de la Reine Blanche. It dates from the sixteenth century, on
-the site of a more ancient _castel_, where tradition says the "_bals des
-ardents_" were given, notably that of the year 1392 when the accident
-took place which turned King Charles VI into a madman. But the "Reine
-Blanche," for whom it was first built, was probably not the mother of
-St. Louis, but the widow of Philippe de Valois, who died in 1398. In the
-sixteenth century relatives of the brothers Gobelin lived there. Then it
-was the head office of the great factory. Revolutionists met there in
-1790 to organize the attack of June 20th. In Napoléon's time it was a
-brewery, now it is a tannery.
-
-[Illustration: CASTEL DE LA REINE BLANCHE]
-
-Rue Croulebarbe, once on the banks of the Bièvre, has an old-world,
-village-like aspect. The buildings bordering the broad Avenue des
-Gobelins are devoid of interest, but beneath several of them important
-Roman remains have been found, and besides the old streets running into
-the avenue in the immediate vicinity of the Gobelins Factory, we find at
-intervals other old streets and passages with many interesting vestiges;
-at No. 37, the Cour des Rames. The city gate St-Marcel stood in past
-days across the avenue where the house No. 45 now stands. In Rue Le Brun
-we see the remains of the _hôtel_ where, in the early years of the
-eighteenth century, dwelt Jean Julienne, the master of the Gobelins. Rue
-du Banquier shows many curious old-time houses.
-
-In Rue de la Glacière on the western side of the arrondissement, so
-named in long-gone days from an ice-house furnished from the Bièvre, and
-in the short streets leading out of it, we find old houses here and
-there. Rue de la Tannerie was until quite modern times Rue des Anglaises
-from the couvent des Filles Anglaises, founded at Cambrai, established
-here in 1664--the chief duty of the nuns being to offer prayers for the
-conversion of England to Romanism! Disturbed at the Revolution, they
-returned to their own land and the convent became a prison under the
-Terror. At No. 28 of this old street we see vestiges of the chapel
-cloisters.
-
-Covering a large area in the east of this arrondissement is the hospice
-known as La Salpétrière. In long-past days a powder magazine stood on
-the site: traces of that old arsenal may still be seen in the hospital
-wash-house. The foundation of the hospice dates from Louis XIII, as a
-house for the reception of beggars. The present structure, the work of
-the architect Vau, was built in the seventeenth century, destined for
-the destitute and the mad. The fine chapel was built a few years later.
-At the close of the century a woman's prison was added, whither went
-many of the Convulsionists of St. Médard (_see_ p. 150). Mme Lamotte
-concerned in the _affaire du collier_ was shut up here. And in a scene
-of the well-known operette Manon Lescaut is shown within its walls. In
-September, 1792, the Revolutionary mob broke into the prison, slew the
-criminals, opened the doors to the light women shut up there. We see
-before us the "Cour des Massacres." Then in 1883 la Salpétrière was
-organized as the "Hospice de la Vieillesse-Femmes." There are five
-thousand beds. In 1908 the new hospital de la Pitié was built in its
-grounds.
-
-[Illustration: LA SALPÉTRIÈRE]
-
-
-
-
-CHAPTER XLI
-
-THE NEIGHBOURHOOD OF PORT-ROYAL
-
-
-ARRONDISSEMENT XIV. (OBSERVATOIRE)
-
-The boundary-line between arrondissements XIII and XIV is Rue de la
-Santé, the name of the great Paris prison which stands there. It brings
-us to the vicinity of the Paris Observatory and of the Hôpital Cochin.
-The prison is a modern structure on a site known as la Charbonnerie,
-because of coal-mines once there. The Observatory, built over ancient
-quarries, was founded by Louis XIV's minister Colbert, in 1667. A spiral
-staircase of six hundred steps leads down to the cellars that erewhile
-were mines. It was enlarged in 1730 and again in 1810, and the cupolas
-were added at a later date. A stretch of Rue du Faubourg St-Jacques
-borders its eastern side, and there on the opposite side we see
-l'Hôpital Cochin, founded in 1780 by the then vicar of
-St-Jacques-du-Haut-Pas, whose name it bears--enlarged in recent years.
-At No. 34 of Rue du Faubourg St-Jacques we turn into the
-seventeenth-century Rue Cassini, so named in 1790 to memorize the
-seventeenth-century organizer of the Observatory. Here Balzac lived in
-1829 in a house no longer standing. The great painter J. P. Laurens has
-an _hôtel_ here. We find a Louis XVI monument in a court at No. 10.
-Subterranean passages, made and used in a past age by smugglers, have
-been discovered beneath the pavement of this old street.
-
-Rue Denfert-Rochereau has its first numbers in arrondissement V. This
-was the "Via Infera," the Lower Road of the Romans. The name _Enfer_,
-given later, is said to refer, not to the place of torment, but to the
-hellish noise persistently made in a _hôtel_ there built by a son of
-Hugues Capet, the hôtel Vauvert, hence the French expression, "envoyer
-les gens au diable vert"--_vert_ shortened from _Vauvert_, i.e. send
-them off--far away--to the devil! _Enfer_ became _d'Enfert_, to which in
-1878 was added the name of the general who defended Belfort in 1870: not
-exactly a happy combination! Many persons of note have dwelt in this old
-street. No. 25 (arrondissement V) is an ancient Carmelite convent,
-built, tradition says, on the site of a pagan temple: an oratory-chapel
-dedicated to St. Michael covered part of the site in early Christian
-days and a public cemetery. An ancient crypt still exists. It was in the
-convent here that Louise de la Vallière came to work till her death, in
-1710. That first convent and church were razed in 1797. The Carmelites
-built a smaller one on the ancient grounds in 1802, and rebuilt their
-chapel in 1899. It did not serve them long. They were banished from
-France in 1901. The chapel, crypt and some vestiges of the ancient
-convent are before us here. Modern streets--Rue Val de Grâce opened in
-1881, Rue Nicole in 1864--run where the rest of the vast convent walls
-once rose. No. 57 is on the site of an ancient Roman burial-ground of
-which important traces were found in 1896. No. 68, ancient convent of
-the Visitation. No. 72 built in 1650 as an Oratorian convent, a
-maternity hospital under the Empire, now a children's hospice. No. 71,
-couvent du Bon Pasteur--House of Mercy--founded in the time of Louis
-XVI, bought by the Paris Municipality in 1891, its chapel burnt by the
-Communards in 1871, rebuilt by the authorities of the Charity, worked
-now by Sisters of St. Thomas de Villeneuve. Within its walls we see
-interesting old-time features and beneath are the walls of reservoirs
-dating from the days when water was brought here from the heights of
-Rungis. No. 75, ancient Eudiste convent and chapel; Châteaubriand once
-dwelt at No. 88 and with his wife founded at No. 92 the Infirmerie
-Marie-Thérèse, named after the duchesse d'Angoulême, daughter of Louis
-XVI, a home for poverty-stricken gentlepeople, transformed subsequently
-into an asylum for aged priests. Mme de Châteaubriand lies buried there
-beneath the high altar of the chapel.
-
-Avenue d'Orléans, in olden days Route Nationale de Paris à Orléans,
-dating from the eighteenth century, and smaller streets connected with
-it, show us many old houses, while in the Villa Adrienne, opening at No.
-17, we find a number of modern houses--pavilions--each bearing the name
-of a celebrity of past time. Rue de la Voie-Verte was so named from the
-market-gardens erewhile stretching here. Rue de la Tombe-Issoire runs
-across the site of an ancient burial-ground where was an immense tomb,
-said to have been made for the body of a giant: Isore or Isïre, who,
-according to the legend, attacked Paris at the head of a body of
-Sarazins in the time of Charlemagne. Here and there along this street,
-as in the short streets leading out of it, we come upon interesting
-vestiges of the past, notably in Rue Hallé, opening at No. 42. The
-pretty Parc Souris is quite modern. We find old houses in Avenue du
-Chatillon, an eighteenth-century thoroughfare. Rue des Plantes leads us
-to Place de Montrouge, in the thirteenth century the centre of a village
-so named either after an old-time squire, lord of the manor, Guis de
-Rouge, or because the soil is of red sandstone. The squire, maybe,
-gained his surname from the soil on which he built his château, while
-the village took its name from the squire. Rue Didot, once known as Rue
-des Terriers-aux-Lapins, memorizes the great printing-house founded in
-1713. Rue de Vanves, leading to what was in olden days the village of
-the name, crosses Rue du Château at the point where in the eighteenth
-century the duc de Maine had a hunting-lodge. In Avenue du Maine we see
-ancient houses at intervals. Rue du Moulin-Vert recalls the existence of
-one of the numerous windmills on the land around the city in former
-days. Rue de la Gaité (eighteenth century) has ever been true to its
-name or the name true to the locality--one of dancing saloons and other
-popular amusements. The Cinema des Mille Colonnes was in pre-cinema days
-the "Bal des Mille Colonnes," opened in 1833. Passing on up Avenue du
-Maine we come to arrondissement XV.
-
-
-
-
-CHAPTER XLII
-
-IN THE SOUTH-WEST
-
-
-ARRONDISSEMENT XV. (VAUGIRARD)
-
-Rue Vaugirard, originally Val Girard, which we enter here, on its course
-from arrondissement VI (_see_ p. 164), is the longest street in Paris, a
-union of several streets under one name, extending on beyond the city
-bounds. At No. 115 we find an ancient house recently restored by a man
-of artistic mind; at No. 144, ancient buildings connected with the old
-hospital l'Enfant-Jésus, its façade giving on Rue de Sèvres. At
-intervals all along the street, and in the short streets opening out of
-it, we come upon old-time houses, none, however, of special interest. In
-this section of its course Rue de la Procession, opening at No. 247,
-dates from the close of the fourteenth century, a reminiscence of the
-days when ecclesiastical processions passed along its line to the
-church. Rue Cambronne, named after the veteran of Waterloo, dates from
-the first Empire and shows us at Nos. 98, 104, 117, houses of the time
-when it was Rue de l'École--i.e. l'École Militaire.
-
-The modern church St-Lambert in Rue Gerbert replaces the ancient church
-of Vaugirard in Rue Dombasle, once Rue des Vignes, the centre of a
-vine-growing district, where till recent years stood the old orphanage
-of St-Vincent-de-Paul. Rue de la Croix-Nivert, traced in the early
-years of the eighteenth century, records the existence of one of the
-crosses to be found in old days at different points within and without
-the bounds of the city. In Rue du Hameau, important Roman remains were
-found a few years ago. In Rue Lecourbe, known in the seventeenth century
-as le Grand Chemin de Bretagne, in the nineteenth century for some years
-as Rue de Sèvres, like the old street it starts from at Square Pasteur,
-prehistoric remains were found in 1903. Rue Blomet, the old Meudon road,
-was in past days the habitation of gardeners, several old gardeners'
-cottages still stand there. The district known as Grenelle, a village
-beyond the Paris bounds till 1860, has few vestiges of interest. The
-first stone of its church, St-Jean Baptiste, was laid by the duchesse
-d'Angoulême, daughter of Louis XVI. The long modern Rue de la Convention
-is known beyond its immediate vicinity chiefly for the Hôpital Boucicaut
-built by the founder and late owner of the Bon Marché.
-
-Avenue Suffren, bounding this arrondissement on its even-number side,
-dates from 1770. Rue Desaix was once le Chemin de l'Orme de Grenelle.
-Rue de la Fédération memorizes the Fête de la Fédération held on the
-Champ de Mars in 1790. The oldest street of the district is Rue Dupleix,
-a road in the fifteenth century and known in the sixteenth century as
-Sentier de la Justice or Chemin du Gibet, a name which explains itself.
-Then it became Rue Neuve. The Château de Grenelle stood in old days on
-the site of the barracks on Place Dupleix, used in the Revolution as a
-powder factory; there in 1794 a terrific explosion took place, killing
-twelve hundred persons. Where the Grande Roue turns, on the ground now
-bright with flower-beds and grassy lawns, duels were fought erewhile.
-This is the quarter of new streets, brand-new avenues.
-
-Crossing the Seine at this point we find ourselves in arrondissement
-XVI, for to its area south of the Étoile and surrounding avenues, were
-added in 1860 the suburban villages of Passy and Auteuil.
-
-
-
-
-CHAPTER XLIII
-
-IN NEWER PARIS
-
-
-ARRONDISSEMENT XVI. (PASSY)
-
-We have left far behind us now Old Paris, the Paris of the Kings of
-France, of the upheaval of Revolution days. The 16th arrondissement,
-save in the remotest corners of Passy and Auteuil, suburban villages
-still in some respects, is the arrondissement of the "Nineteenth Century
-and After." Round about the Étoile the Napoléonic stamp is very evident.
-It is the district of the French Empire, First and Second. The Arc de
-Triomphe was Napoléon's conception. The broad thoroughfare stretching as
-Avenue des Champs-Elysées to Place de la Concorde, as Avenue de la
-Grande Armée to the boundary of Neuilly, was planned by Napoléon I, as
-were also the other eleven surrounding avenues. The erections of his day
-and following years were well designed, well built, solid, systematical,
-mathematically correct, excellent work as constructions--spacious, airy,
-hygienic, but devoid of architectural poetry. The buildings of the
-Second Empire were a little less well designed, less well built and yet
-more symmetrical, with a very marked utilitarian stamp and a marked lack
-of artistic inspiration. Those of a later date, with the exception of
-some few edifices on ancient models, are, alas! for the most part,
-utilitarian only--supremely utilitarian. Paris dwelling-houses of
-to-day are, save for a fine _hôtel_ here and there, "_maisons de
-rapport_," where _rapport_ is plainly their all-prevailing _raison
-d'être_. The new houses are one like the other, so like as to render new
-streets devoid of landmarks: "_Où sont les jours d'Antan_," when each
-street, each house had its distinctive feature? Only in the Paris of
-generations past.
-
-Of Napoléon's avenues seven, if we include the odd-number side of Avenue
-des Champs-Élysées and of the Grande Armée, are in this arrondissement.
-The beautiful Avenue du Bois-de-Boulogne is due to Napoléon III, opened
-in 1854, as Avenue de l'Impératrice. Handsome mansions line it on both
-sides. One spot remained as it had been before the erection of all these
-fine _hôtels_ until recent years--a rude cottage-dwelling stood there,
-owned by a coal merchant who refused to sell the territory at any price.
-Francs by the million were offered for the site--in vain. But it went at
-last. In 1909 a private mansion worthy of its neighbour edifices was
-built on the site.
-
-Avenue Victor-Hugo began in 1826 as Avenue Charles X. From the short Rue
-du Dôme, on high ground opening out of it, we see in the distance the
-_dôme_ of the Invalides. To No. 117 the first _crêche_ opened in or near
-Paris, at Chaillot (1844), was removed some years ago. Gambetta lived
-for several years and died at No. 57, in another adjoining street, Rue
-St-Didier. At No. 124 of the Avenue we see a bust of Victor-Hugo, who
-died in 1885 in the house this one replaces. Place Victor-Hugo began in
-1830 as Rond-Point de Charles X. The figure of the poet set up in 1902
-is by Barrias. The church St-Honoré d'Eylau dates from 1852. It was
-pillaged by the Fédérés in 1871. Lamartine passed the last year of his
-life in a simple chalet near the square named after him; his statue
-there dates from 1886.
-
-General Boulanger lived at No. 3 Rue Yvon de Villarceau, opening out of
-Rue Copernic. Rue Dosne is along the site of the extensive grounds left
-by Thiers. At No. 46 Rond-Point Bugeaud we see the foundation Thiers, a
-handsome _hôtel_ bequeathed by the widow of the statesman as an
-institution for the benefit of young students of special aptitude in
-science, philosophy, history.
-
-Avenue d'Eylau, planned to be Place du Prince Impérial, possessed till
-recently, in a courtyard at No. 11, three bells supposed to be those of
-the ancient Bastille clock.
-
-Avenue Malakoff, began in 1826 as Avenue St-Denis. At No. 66 we see the
-chapel of ease of St-Honoré d'Eylau, of original style and known as the
-Cité Paroissiale St-Honoré.
-
-Avenue Kléber began in 1804 as Avenue du Roi de Rome. Beneath the
-pavement at No. 79 there is a circular flight of steps built in 1786, to
-go down to the Passy quarries.
-
-Rue Galilée, opening out of it at No. 55, began as Rue des Chemin de
-Versailles. Rue Belloy was formed in 1886 on the site of the ancient
-Chaillot reservoirs.
-
-Avenue d'Iéna lies along the line of the ancient Rue des Batailles de
-Chaillot, where, in 1593, without the city bounds, Henri IV and
-Gabrielle d'Estrées had a house. Rue Auguste-Vaquerie is the former Rue
-des Bassins. The Anglican church there dedicated to St-George dates from
-1888 and is, like the French churches, always open--a friendly English
-church--with beautiful decorations and furnishings. The short Rue
-Keppler dates from 1772 and was at one time Rue Ste-Geneviève. Rue
-Georges-Bizet lies along the line of an ancient Ruelle des Tourniquets,
-a name reminiscent of country lanes and stiles; in its lower part it was
-of yore Rue des Blanchisseuses, where clean linen hung out freely to
-dry. The Greek church there, with its beautiful _Iconostase_ and
-paintings by Charles Lemaire, is modern (1895). Rue de Lubeck began as a
-tortuous seventeenth-century road, crossing the grounds of the ancient
-convent of the Visitation.
-
-The statue of Washington in the centre of Place d'Iéna, the scene of so
-many momentous gatherings, was given by the women of the United States
-"_en mémoire de l'amitié et de l'aide fraternelle donnée par la France à
-leurs frères pendant la lutte pour l'indépendance_." The Musée Guinet on
-the site of the hippodrome of earlier years, an oriental museum, was
-opened in 1888. Rue Boissière, in the eighteenth century in part Rue de
-la Croix-Boissière, reminds us of the wooden crosses to which in olden
-days the branches of box which replace palm were fixed on Palm Sunday.
-Along Rue de Longchamp, then a country lane, seventeenth and
-eighteenth-century Parisians passed in pilgrimage to Longchamp Abbey,
-while at an old farm on the Rond-Point, swept away of late years,
-ramblers of note, Boileau and La Fontaine among the number, stopped to
-drink milk fresh and pure. The name of the Bouquet de Longchamp recalls
-the days when green trees clustered there. Rue Lauriston, a thoroughfare
-in the eighteenth century, was long known as Chemin du Bel-air.
-
-Rue de Chaillot, which leads us to Avenue Marceau, was the High Street
-of the village known in the eleventh century by the Roman name
-Colloelum. It was Crown property, and Louis XI gave it to Philippe de
-Commines. In 1659 the district became a Paris faubourg and in 1787 was
-included within the city bounds. There on the high land now the site of
-the Trocadéro palace and gardens, the Château de Chaillot, its name
-changed later to Grammont, was built by Catherine de' Medici. Henriette,
-widow of Charles I of England, back in her own land of France, made it
-into a convent (1651). Its first Superior was Mlle de Lafayette; its
-walls sheltered many women of note and rank, Louise de la Vallière is
-said to have fled thither twice, to be twice regained by the King. The
-chapel was on the site of the pond in the Trocadéro gardens. There the
-hearts of the Catholic Stuarts were taken for preservation. Suppressed
-at the Revolution, the convent was subsequently razed to the ground by
-Napoléon, who planned the erection of a palace there for his son the
-"_Roi de Rome_." The old street has still several old houses easily
-recognized: Nos. 5, 9, 19, etc. The church, on the site of an
-eleventh-century chapel, dates from the seventeenth and eighteenth
-centuries, with a nineteenth-century chapel and presbytery.
-
-Avenue du Trocadéro, since 4th July, 1918, Avenue Wilson, was
-inaugurated as Avenue de l'Empereur, (Napoléon III). The palace, now a
-museum and concert-hall, was built on the crest of ancient quarries, for
-the Exhibition of 1878, and the Place du Roi de Rome, in previous days
-Place Ste-Marie, became Place du Trocadéro. The Musée Galliera, a museum
-of industrial art, was built in 1895 by the duchess whose maiden name
-Brignole is recorded in the short street opened across her property in
-1879. She had planned filling it with her magnificent collection of
-pictures, but changed the destination of her legacy when France laicised
-her schools.
-
-Avenue Henri-Martin began, like Avenue du Trocadéro, as Avenue de
-l'Empereur (1858). The old _tour_ we see at No. 86 Rue de le Tour is
-said to have formed part of the Manor of Philippe-le-Bel. It was once a
-prison, then served as a windmill tower, and the street, erewhile Chemin
-des Moines, Monk's Road, became Rue du Moulin de la Tour. Few other
-vestiges of the past remain along its course. We see old houses at Nos.
-1, 66, 68. Rue Vineuse, crossing it, recalls the days when convent
-vineyards stretched there. It is, like Rue Franklin, once Rue Neuve des
-Minimes, of eighteenth-century date. Franklin's statue was set up there
-in 1906, for his centenary. We see an old-time house at No. 1 Rue
-Franklin, and at No. 8 the home of Clemenceau, the capable Prime
-Minister of France of the late war. The cemetery above the reservoir was
-opened in 1803.
-
-
-
-
-CHAPTER XLIV
-
-TOWARDS THE WESTERN BOUNDARY
-
-
-Rue de Passy, the ancient Grande Rue, the village High Street before the
-district was included within the Paris boundary-line, dates from
-fifteenth-century days, when it was a fief, owned by Jeanne de Paillard,
-known as La Dame de Passy; it reverted to the Crown under Louis XI, and
-was bestowed on successive nobles. At the _carrefour_--the cross
-roads--where the tramcars now stop for Rue de la Tour, stood the
-seignorial gallows. The seignorial habitation, a château with extensive
-grounds, was built in 1678; in 1826 the whole domain was sold and cut
-up. The district was known far and wide in past days on account of its
-mineral springs. Here and there along the street we see an ancient house
-still standing. The narrow _impasse_ at No. 24 is ancient. The
-nineteenth-century poet Gustave Nadaud died at No. 63 in 1893. No. 84,
-now razed, showed, until a few years ago, an interesting Louis XV façade
-in the courtyard, once a dependency of the Château de la Muette. Rue de
-la Pompe, named from the pump which supplied the Château de la Muette
-with water, a country road in the eighteenth century, shows few vestiges
-of the past. No. 53 is part of an old Carmelite convent.
-
-Chaussée de la Muette is a nineteenth-century prolongation of Rue de
-Passy. The château from which it takes its name was originally a
-hunting-lodge, stags and birds were carefully enclosed here during the
-time of moulting (_la mue_, hence the name) in the days of Charles IX.
-Margaret de Valois, the notorious Reine Margot, was its first regular
-inhabitant. She gave the mansion to King Louis XIII when he came of age
-in 1615. It was rebuilt by the Regent in 1716 and became the favourite
-abode of his daughter the duchesse de Berri. There she died three years
-later. It was the home of Louis XV during his minority. Mme de Pompadour
-lived there and had the doors beautifully painted. It was again rebuilt
-in 1764, Marie-Antoinette and the Dauphin, soon to be Louis XVI, spent
-the first months of their married life there. It was from the Park de la
-Muette that the first balloon was sent up in 1783. The property was cut
-up in 1791, and in 1820 bought by Sebastien Érard of pianoforte fame,
-and once more rebuilt. Thus it came by the spindle-side to the comte de
-Franqueville; a big slice has been cut off in recent years for the
-making of a new street named after its present owner.[G]
-
-[Illustration: RUE DES EAUX, PASSY]
-
-Avenue du Ranelagh records the existence, in the latter years of the
-eighteenth century, of the fashionable dancing hall and grounds opened
-here in imitation of the Rotonde built in London by Lord Ranelagh.
-Marie-Antoinette was among the great ladies who danced there. The hall
-was closed at the Revolution but was reopened and again the vogue under
-the Directoire and until 1830, when it became a public dancing saloon.
-It was demolished in 1858, the lawns were left to form a promenade. The
-statue of La Fontaine dates from 1891. Rue du Ranelagh is wholly modern.
-Rue Raynouard crossing it dates from the seventeenth century, when it
-was the Grande Rue, later the Haute Rue of the quarter, to become later
-still Rue Basse. Florian, the charming fable-writer, was wont to stay
-at No. 75. We see a fine old _hôtel_ at No. 69, and an old-world street,
-Rue Guillou, close by. Rue des Vignes opening at No. 72 reminds us of
-the vineyards once on these sunny slopes. No. 66 was the site of the
-hôtel Valentinois, where Franklin lived for several years and where he
-put up the first lightning conductor in France. No. 51 is ancient, and
-No. 47 is known as la Maison de Balzac. In a pavilion in the garden
-sloping to the Seine he lived from 1842-48, lived and wrote, wrote
-incessantly there as elsewhere and always. There, carefully preserved,
-may be seen the chair he sat in, the table he wrote at, the pen he used,
-and a hundred other personal relics. Lectures about the great novelist
-and subjects connected with his life and work are given there from time
-to time. We see ancient houses on to the end of this quaint street.
-Marie-Antoinette stayed from time to time at No. 42 to be within easy
-reach of her confessor, the Vicar of Passy; so tradition says. The
-second story of this house sheltered Béranger, 1833-35. The man of
-letters who gave his name to the street died at No. 36, in 1836. At No.
-21, the warrior, la Tour d'Auvergne, passed the years 1776-1800. Jean
-Jacques Rousseau stayed with friends here and wrote his "Devin du
-Village." Mineral waters, such as made the springs of Passy renowned in
-bygone days, still bubble up in this fine park. The modern erection, No.
-19, is on the site of the ancient hôtel Lauzun, where the duc de
-Saint-Simon used to stay, and where the first steps were taken for the
-marriage of Napoléon III. At No. 11 we turn for an instant into the
-quaint old Rue des Eaux, strikingly reminiscent of a past age, when the
-tonifying waters of Passy were drunk in a pavilion on the site of No.
-20. Rue de l'Annonciation began in the early years of the eighteenth
-century as Rue des Moulins. Here we see the church Notre-Dame-de-Grâce,
-built as a chapel of ease for Auteuil by the Lord of Passy in 1660, to
-become a parish church, a few years later. It was restored and enlarged
-at subsequent dates. The ancient Passy cemetery lay across Rue Lekain.
-Rue de Boulainvilliers stretches through what were once the grounds of
-the Passy Château. Rue des Bauches, opening out of it, still narrow and
-quaint, was in olden days a lane through the _Bauches_, a word
-signifying a marshy tract or used to designate hut-like dwellings on
-waste, perhaps marshy land. Passy had within its bounds the Hautes
-Bauches, and the Basses Bauches. We of the 16th arrondissement know the
-street nowadays more especially as that of the tax-paying office.
-
-Rue de l'Assomption marking the boundary between Passy and Auteuil began
-as Rue des Tombereaux. The convent of the Assomption is a modern
-building (1858), in an ancient park. The old château there, so secluded
-on its tree-surrounded site as to go by the name of l'Invisible, rebuilt
-in 1782, was for a time the home of Talleyrand, later of the actress
-Rachel, of Thiers, the statesman, of the comtesse de Montijo, mother of
-the Empress Eugénie; the nuns came here from Rue de Chaillot in 1855.
-No. 88 is an old convent-chapel used as chapel of ease for Passy.
-
-In Avenue de Mozart we see modern structures only, but old-time streets
-open out of it at intervals. It was in a house in Rue Bois-le-Vent, near
-the château de la Muette, that André Chenier was arrested in 1794.
-Behind No. 13, of Rue Davioud we find traces of an old farmyard and a
-well. Rue de la Cure refers by its name to the iron springs once there.
-Rue de Ribéra is the ancient Rue de la Croix. Rue de la Source, was in
-old days Sente des Vignes. Benedictine nuns from St-Maur settled there
-in 1899 to be banished or laicized a few years later. Rue Raffet dates
-from the eighteenth century as Rue de la Grande Fontaine. Rue du Docteur
-Blanche, named to memorize the organizer of the well-known private
-asylum in the _hôtel_ once the dwelling of princesse de Lamballe, is the
-ancient Fontis Road. Rue Poussin, and the short streets connected with
-it, all date from the middle of the nineteenth century, opened by the
-railway company of the Ceinture line in the vicinity of their station at
-Auteuil. Rue des Perchamps, once Pares Campi, crosses the site of the
-ancient cemetery of the district. In Rue la Fontaine, in olden days
-known for its fountain of pure water, we find here and there an
-eighteenth-century building among the garden-surrounded houses. In Rue
-Théophile Gautier, a tennis-court and tall houses let in flats cover the
-ground where till 1908 stood the Château de Choiseul-Praslin, in its
-latter years, till 1904, a convent of Dominican nuns. Rue de Remusat
-runs along the course of the ancient Grande Rue; Rue Félicien-David was
-the first street flooded in the great inundation of 1910.[H] The street
-became a river three mètres deep. Rue Wilhem, of so commonplace an
-aspect to-day, dates from the eighteenth century, when it was Sentier
-des Arches, then Rue Ste-Geneviève. Place d'Auteuil, until 1867 Place
-d'Aguesseau, is on the site of the churchyard of past days. The monument
-we see there was set up to the memory of D'Aguesseau and his wife by
-command of Louis XV, in 1753. This is the highest point in the district,
-_altus locus_--the origin, maybe, of the name Auteuil, unless the name
-refers rather to the Druidical altars erected on a clearing here in the
-days when the forest of Rouvray, spreading over the whole of what is now
-the Bois de Boulogne, sheltered the venerable pagan priests. A church
-was first built on the spot in the early years of the fourteenth
-century. At the Revolution the church was profaned, the tombs violated.
-The present edifice dates from the latter years of the nineteenth
-century; its tower, in the form of a pontifical tiara, is an exact copy
-of the ancient tower. Rue d'Auteuil was in fifteenth-century days the
-single village street, la Grande Rue; the house at No. 2 is said to be
-on the site of Molière's country dwelling, but there is no authentic
-record of the exact site of the house at Auteuil, near the church, where
-the great dramatist so often went for rest and country air. Auteuil was
-the retreat for quiet and recuperation of the most noted men of letters
-and of art of the eighteenth century: Racine, Boileau, etc. No. 59 is on
-the site of the house, burnt to the ground in 1871, wherein Victor Noir
-was shot dead by Prince Pierre Napoléon. Where at the upper end of the
-street we see now houses of commonplace aspect and small shops, stood
-until the middle of the nineteenth century the Château du Coq, inhabited
-by Louis XV in his childhood, and surrounded later by a horticulturist's
-garden.
-
-Avenue de Versailles, in the south of the arrondissement, shows us along
-its line, and in the short streets leading out of it, many old-time
-vestiges. The Auteuil cemetery in Rue Chardon-Lagache dates from 1800.
-The house of retreat, Ste-Perine, transferred here from Chaillot in
-1850, is on land once part of the estate of the abbots of the old
-monastery Ste-Geneviève, away on the high ground across the Seine at the
-other end of the city. Rue Molitor has at No. 18 a group of modern
-houses named Villa Boileau, property once owned by the poet. Boileau's
-Auteuil house was on the site of No. 26, in the quaint picturesque old
-Rue Boileau, where his gardener's cottage still stands. Rue de Musset,
-opening out of the street at No. 67, reminds us that the friend of
-George Sand dwelt here with his parents in the early years of the
-nineteenth century.
-
-
-
-
-CHAPTER XLV
-
-LES TERNES
-
-
-ARRONDISSEMENT XVII. (BATIGNOLLES-MONCEAU)
-
-A number of small dwellings lying without the city bounds to the north,
-in the commune of Clichy, were known in the fifteenth century as "les
-Batignolles," i.e. the little buildings. Separated from Clichy in the
-nineteenth century, the district of les Batignolles was joined to
-Monceau. New streets were built, old erections swept away: Avenue de
-Clichy, in part the Grande Rue of the district, was first planted with
-trees in 1705. At intervals along its course, and in the short streets
-connected with it, we find eighteenth-century houses, none of special
-interest. At No. 3, the Taverne de Paris is decorated with paintings by
-modern artists. A famous restaurant, dating from 1793, stood till 1906
-at No. 7. At No. 52 of Rue Balagny, opening out of the Avenue, we see
-the sign "Aux travailleurs," and on the façade, words to the effect that
-the house was built during the war years 1870-71. At No. 154 of the
-Avenue, we find the quiet leafy Cité des Fleurs. Rue des Dames was a
-road leading to the abbey "des dames de Montmartre" in the seventeenth
-century. Rue de Lévis was in long-gone ages a road leading to what was
-then the village of Monceaux, its name derived perhaps from the Latin
-_Muxcellum_, a mossy place, more probably from _Monticellum_, a mound,
-or from Mons calvas, the bald or bare mount. The Château de Monceaux was
-on the site of Place Lévis. The official palace of the Papal Nuncio was
-in Rue Legendre, No. 11 bis. The modern church St-Charles we see here,
-built in 1907, was previously a Barnabite chapel. Rue Léon-Cosnard dates
-from the seventeenth century, when it was Rue du Bac d'Asnières. In the
-old Rue des Moines we find one of the few French protestant churches of
-Paris.
-
-Avenue de Villiers, leading of old to the village of Villiers, now
-incorporated with Levallois-Perret, was, from its formation in 1858 to
-the year 1873, Avenue de Neuilly. Puvis de Chavannes died at No. 89, in
-1898. Avenue de Wagram in its course from the Arc de Triomphe to Place
-des Ternes dates from the Revolution year 1789, known then as Avenue de
-l'Étoile. Avenue MacMahon began as Avenue du Prince Jerôme. Avenue des
-Ternes is the ancient route de St-Germain, subsequently known as the old
-Reuilly Road--Reuilly is half-way to St-Germain--later as Rue de la
-Montagne du Bon-Air, to become on the eve of its début as an Avenue,
-route des Ternes, the chief road of the _terra externa_, the territory
-beyond the city bounds on that side. The village Les Ternes was taken
-within the Paris boundary line in 1860. The barrière du Roule was
-surrounded in the past by a circular road, now Place des Ternes. We find
-important vestiges of the fine Château des Ternes in the neighbourhood
-of Rue Bayen, Rue Guersant and Rue Demours. The church St-Ferdinand
-built in 1844-47 was named in memory of the duc d'Orléans, killed near
-the spot.
-
-
-
-
-CHAPTER XLVI
-
-ON THE _BUTTE_
-
-
-ARRONDISSEMENT XVIII. (BUTTE MONTMARTRE)
-
-We are on supremely interesting ground here, ground at once sacred,
-historic and characteristic of the mundane life of the city above which
-it stands. At or near its summit, St-Denis and his two companions were
-put to death in the early days of Christianity. On the hill-side most
-memorable happenings have been lived through. In the old streets and
-houses up and down its slopes poets and artists have ever dwelt, worked
-and played, and in its theatres, its music-halls, cabarets, etc.,
-Parisians of all classes have sought amusement--good and evil. In past
-days Paris depended on Montmartre for its daily bread, for the flour
-that made it was ground by the innumerable windmills of the _Butte_. The
-sails of many of those windmills worked far into the reign of Napoléon
-III, who did not admire their aspect and even had a scheme for levelling
-the _Butte_! So it is said. Reaching the arrondissement by the Rue des
-Martyrs, which begins, as we know, in arrondissement IX, we come upon
-two buildings side by side of very opposite uses: the Comédie Mondaine,
-formerly the famous Brasserie des Martyrs and Divan Japonais, and the
-Asile Nationale de la Providence, an institution founded in 1804 as a
-retreat for aged and fallen gentlepeople.
-
-The _hôtel_ at No. 79 is on the site of the Château d'hiver, where the
-Revolutionists of Montmartre had their club. No. 88 was the
-dancing-saloon known as the Bossu. No. 76 that of the Marronniers. Rue
-Antoinette shows us points of interest of another nature. At No. 9, in
-the couvent des Dames Auxiliatrices du Purgatoire, we see the very spot
-on which there is reason to believe St. Denis and his companions
-suffered martyrdom. An ancient crypt is there, unearthed in the year
-1611, to which we are led down rough steps, beneath a chapel built on
-the site in 1887; we see a rude altar and above it words in Latin to the
-effect that St-Denis had invoked the name of the Holy Trinity on that
-spot. The crypt is no doubt a vestige of the chapel built on the site by
-Ste-Geneviève. It was in this chapel, not as is sometimes asserted
-higher up the _Butte_, that Ignatius Loyola and his six companions, on
-August 15, 1574, made the solemn vow which resulted in the institution
-of the Order of the Jesuits. The chapel was under the jurisdiction of
-the "Dames de Montmartre," and after the great fire at the abbey the
-nuns sought refuge in the old chapel here, made it a priory. Several
-persons of note were buried there. At the Revolution it was knocked to
-pieces and remained a ruin until rebuilt by the abbé Rebours in 1887.
-
-Leaving this interesting spot and passing through Rue Tardieu, we reach
-Place St-Pierre, formerly known as Place Piemontési, and go on through
-Rue Foyatier to the ancient Rue St-Eleuthère, once in part of its length
-Rue du Pressoire, a name recalling the abbey winepress on the site of
-the reservoir we see there now. Thus we come to Rue Mont-Cenis, the
-ancient Chaussée St-Denis, and in part of its course, Rue de la
-Procession, referring to the religious processions of those bygone days.
-And here we see before us the most ancient of Paris churches, St-Pierre
-de Montmartre. It dates from the first years of the ninth century, built
-on the site of an earlier chapel or several successive chapels, the
-first one erected over the ruins of a pagan temple. Four black marble
-pillars from the ruins of that temple were used for the Christian
-church: we see them there to-day, two at the west door, two in the
-chancel. We see there, too, ancient tombstones, one that of Adelaide de
-Savoie, foundress of the abbey, for the Choir des Dames was the abbey
-chapel, and there the abbesses were buried. The old church was
-threatened with destruction after the desecration of 1871, when it was
-used as a munition _dépôt_. Happily it has been saved and in recent
-years restored. The façade is eighteenth-century work, quite
-uninteresting as we see, but the view of the east end from without, the
-apse, the old tower and the simply severe Gothic interior, are
-strikingly characteristic. The cross we see in front of the church was
-brought here from an old cemetery near. The garden adjoining, with the
-Calvaire set up there in 1833, was in ancient days the nun's graveyard.
-The cemetery on the northern side dates from the time of the Merovingian
-kings.
-
-[Illustration: ST-PIERRE DE MONTMARTRE]
-
-Leaving the most ancient of Paris churches we come to the most
-remarkable among the modern churches of Paris and of France--l'Église du
-Voeu National, commonly known as the Sacré-Coeur. It is an
-impressively historic structure for it was built after the disasters of
-1870-71, by "La France humiliée et repentante," a votive church erected
-by national subscription. To make its foundations sure on the summit of
-the _Butte_, chosen as being the site of the martyrdom of St-Denis,
-patron saint of the city, the hill was probed to its base, almost to the
-level of the Seine, and a gigantic foundation of hard rock-like stone
-built upwards. The huge edifice rests upon a vast crypt, with chapels
-and passages throughout its entire extent. It has taken more than forty
-years to build; the north tower was finished just before the outbreak of
-the war, now advancing to a triumphal end, for which grand services of
-thanksgiving will ere long be held in this church built after defeat.
-The interior is still uncompleted. Looking at it from close at hand, the
-immense Byzantine structure with its numerous domes, seems to us
-æsthetically somewhat unsatisfying, but from a distance dominating
-Paris, seen as it often is through a feathery haze, or with the sun
-shining on it, the vast white edifice makes an imposing effect. Its
-great bell, la Savoyarde, given by the diocese of Chambéry, weighs more
-than 26,000 kilogrammes, and its sound reaches many miles.
-
-[Illustration: VIEUX MONTMARTRE, RUE ST-VINCENT
-
-(Maison de Henri IV)]
-
-[Illustration: RUE MONT-CENIS
-
-(Chapelle de la Trinité)]
-
-Rue Chevalier de la Barre, bordering the church on the north, was
-formerly in part of its length Rue des Rosiers, in part Rue de la
-Fontenelle, referring to a spring in the vicinity. In a wall of the Abri
-St-Joseph at No. 26, we see the bullet-holes made by the Communards who
-shot there two French Generals in March, 1871. Going up Rue Mont-Cenis
-we see interesting old houses at every step. No. 22 was the home of the
-musician Berlioz and his English wife Constance Smithson. Crossing this
-long street from east to west at this point, the winding hill-side Rue
-St-Vincent with its ancient walls, its trees, its grassy roadway,
-makes us feel very far removed from the city lying in the plain below.
-At No. 40 is the little cemetery St-Vincent. Returning to Rue Mont-Cenis
-we find at No. 53 a girls' college amid vestiges of the ancient, famous
-_porcelaine_ factory, the factory of "Monsieur" under the patronage of
-the comte de Provence, brother of Louis XV. The tower we see there was
-that of the windmill which ground the silex. At No. 61 we come upon a
-farm dating from 1782, la Vacherie de la Tourelle. At No. 67 an old inn
-once the Chapelle de la Trinité (sixteenth century).
-
-[Illustration: VIEUX MONTMARTRE
-
-(Cabaret du Lapin-Agile)]
-
-Returning to the vicinity of St-Pierre and the Sacré-Coeur, we find
-numerous short streets, generally narrow and tortuous, which retain
-their old-world aspect. Rue St-Eleuthère is one of the most ancient. Rue
-St-Rustique formerly Rue des Dames, Rue Ravignan once Rue du
-Vieux-Chemin, Rue Cortot, Rue Norvins, Rue des Saules, are all
-seventeenth-century thoroughfares. Rue Norvins was Rue des Moulins in
-bygone days. No. 23 was a far-famed _folie_, then, in 1820, the
-celebrated Dr. Blanche founded there his first asylum for the insane,
-many of whom he cured. At No. 9 we come to an old house and alley, the
-_impasse_ Trainée, a name recalling the days when Montmartre was, in
-wintry weather, a wolf-haunted district: a _trainée_ is a wolf-trap. The
-inn at No. 6 was in the past a resort of singers in search of an
-engagement: the impecunious could bring food to eat there. On the Place
-du Tertre two trees of liberty were planted in 1848, felled in 1871. No.
-3 is the site of the first Mairie of Montmartre. Passing along Rue du
-Calvaire we come to the rustic Place du Calvaire, erewhile Place
-Ste-Marie.
-
-A very chief interest at Montmartre is the view. It is best obtained
-from the Belvedere built by baron de Vaux at No. 39 Rue Gabrielle, and
-from the Moulin de la Galette reached through Rue des Trois-Frères. Rue
-de la Mire was in olden days Petite Rue des Moulins. The steps we see
-are said to have been put there for the passage of cattle.
-
-The cellars of the house at No. 7, Rue la Vieuville are vestiges of the
-ancient abbey. Place des Abbesses was erewhile Rue de l'Abbaye. On the
-ancient _place_ we find the most modern and most modern-style church in
-Paris, St-Jean l'Evangeliste, built of concrete. The Passage des
-Abbesses leads by an old flight of steps to Rue des Trois-Frères, a
-modern street. Rue Lepic, for some years after its formation Rue de
-l'Empereur (Napoléon III), was renamed in memory of the General who
-defended the district in 1814. Numerous old streets are connected with
-it. Avenue des Tilleuls recalls the days when lime-trees flourished
-there, the lime-trees memorized in Alphonse Karr's novel _Sous les
-Tilleuls_. In the Square where it ends is an eighteenth-century house
-where François Coppée dwelt as a boy. The severely wall-enclosed _hôtel_
-at No. 72 was the home of the artist Ziem. Close here is the entrance to
-the Moulin de la Galette. At the top of the house No. 100 there is an
-astronomical observatory set up under Napoléon III. The Rue Girardon, a
-rural pathway in the seventeenth century, was known later as Rue des
-Brouillards, the point no doubt from which the city lying below was to
-be seen fog-enveloped, as is not unfrequently the case. The old house
-No. 13 goes by the name le Château des Brouillards. In the _impasse_ at
-No. 5 stood in ancient days the Fontaine St-Denis. Its waters were of
-great repute, assuring, it was said, in women who drank them, the virtue
-of conjugal fidelity. And here through the short street Rue des
-Deux-Frères we reach the historic Moulin de la Galette. It dates from
-the twelfth century and has seen tragic days. Its owners defended it
-with frantic courage in 1814, whereupon one of them, taken by the
-attacking Cosaques, was roped to the whirling wheel. It was again
-assailed in 1871. The property was owned by the same family from the
-year 1640, a private property, a farm, a country inn, where dancing
-often went on as a mere private pastime till, in 1833, its landlord, an
-expert in the art of dancing, decided to turn his talent to pecuniary
-account and opened there the famous public dancing-hall. Rue
-Caulaincourt, erewhile quaint and rural, has lost of late years almost
-all its old-time characteristics. Rue Lamarck has become quite modern in
-its aspect. Rue Marcadet was known in the seventeenth century as Rue
-des Boeufs--Ox Street. At No. 71 we find a fine seventeenth-century
-_hôtel_, now a girls' school, hôtel Labat, and another good old house,
-also a girls' school, at No. 75; at No. 91 yet another. The modern
-structures at No. 101 are on the site of the ancient manor-house of
-Clignancourt. The turret at No. 103 is probably the relic of an old
-windmill. Rue de la Fontaine du But records the name of a drinking
-fountain, demolished some forty years ago, said to have been set up
-there by the Romans. Tradition has it the word _but_ was once _buc_, and
-referred to the Roman rite of the sacrifice of a buck to Mercury.
-According to another legend, "_but_," i.e. aim, referred to the English
-archers who when in France made that spot their practising-ground. Rue
-du Ruisseau owes its name to the stream of water which flowed through it
-on the demolition of the ancient fountain. The seventeenth-century Rue
-de Maistre, bordering the northern cemetery, is the ancient Chemin des
-Dames. Rue Eugène-Carrière, opening out of it, was till quite recently
-Rue des Grandes Carrières, memorizing the big quarries whence from time
-immemorial has been obtained the white stone, so marked a feature of
-Paris buildings, and the world-famed plaster of Paris.
-
-[Illustration: MOULIN DE LA GALETTE]
-
-Rue Damrémont is modern; in the little Rue des Cloys opening out of it
-at No. 102 we see vestiges of a curious old _cité_ of wooden dwellings.
-Rue Neuve de la Chardonnière recalls the days when it was a
-thistle-grown road. Rue du Poteau reminds us of the gallows of the
-St-Ouen road. The Avenue de Clichy and the Avenue St-Ouen which form the
-boundary of the arrondissement, both date back as important roads to the
-seventeenth century. Along them we find here and there traces of ancient
-buildings, none of special interest. To the east of the boulevards
-Ornano and Barbes, which run through the arrondissement from north to
-south, we find numerous ancient streets, mostly short. The street of
-chief importance is Rue des Poissonniers, its lower end merged in
-boulevard Barbes. We see several unimportant old houses along its
-course. The impasse du Cimetière and the schools we see there are on
-the site of an old graveyard. In Rue Affre, bearing the name of the
-archbishop of Paris slain on the barricades in 1848 (_see_ p. 250), we
-find the modern church St-Bernard, of pure fifteenth-century Gothic as
-to style, but far inferior in workmanship to the Gothic structures of
-ages past. Rue de la Chapelle, known in Napoléon's time as Faubourg de
-la Gloire, began as the Calais Road, then became the Grande Rue de la
-Chapelle. La Chapelle is a spot of remarkable historic memories. It
-began as the Village des Roses--in days when roses, wild and cultivated,
-grew in abundance in what is now a Paris slum. Then the population,
-remembering that Ste-Geneviève had stopped to rest and pray in the
-church on her way to St-Denis, called their village La Chapelle-Ste-Geneviève.
-Later it was named la Chapelle-St-Denis. To the church at la Chapelle
-went Jeanne d'Arc in the fateful year 1425. We find ancient houses all
-along the course of this old thoroughfare, and at No. 96 the church
-dedicated to St-Denis, built by Maurice de Sully, the chancel of that
-thirteenth-century structure still intact, after going through two
-disastrous fires and suffering damage in times of war. It has been
-enlarged in recent years. The statue of Jeanne d'Arc there dates from
-the reign of Louis XVI.
-
-A popular fair, la Foire de Lendit, instituted by Dagobert, was held
-during centuries at the extreme end of the ancient thoroughfare. No.
-122, built, tradition tells us, by Henri IV and given to his minister
-Sully, became in the seventeenth century the Cabaret de la Rose Blanche.
-At No. 1 Rue Boucry we see an ancient chapel now used as a public hall.
-
-
-
-
-CHAPTER XLVII
-
-AMONG THE COALYARDS AND THE MEAT-MARKETS
-
-
-ARRONDISSEMENT XIX. (BUTTES-CHAUMONT)
-
-In this essentially workaday district we see many houses old and quaint,
-but without architectural beauty or special historic interest. Round the
-park des Buttes-Chaumont, a large expanse of greenswards and shady
-alleys, dull, squalid streets branch out amid coal-yards and factories.
-Beneath the park are the ancient quarries which erewhile gave so much
-white stone and plaster of Paris to the city builders. The name Chaumont
-is derived, perhaps, from _mons calvus_, _mont chauve_, i.e. bald
-mountain. In Rue de Flandres, formerly Grande Rue de la Villette, we see
-a Jewish cemetery. Nos. 61 to 65 are on the site where the well-known
-institution Ste-Perine, come hither from Compiègne, was first
-established in Paris as a convent community in the seventeenth century,
-removed to Chaillot in 1742, then to Auteuil, its present site. We find
-ancient houses, some old signs, along the course of this old street, and
-at No. 152 an interesting door, pavilion and bas-relief.
-
-Rue de Belleville marks the bounds of the arrondissement. Along its
-course and in the adjacent streets we see many vestiges of the past. Rue
-des Bois shows us some fine old gardens as yet undisturbed. In Rue de
-l'Orme, Elm Road, opening out of it, we find the remains of an ancient
-park. Rue Pré-St-Gervais was a country road till 1837. From the top of
-the steps in the picturesque Rue des Lilas we have a fine view across
-the neighbouring _banlieue_. In the grounds of No. 40 we come upon three
-benches formed of gravestones. Rue Compans was in the eighteenth century
-and onwards Rue St-Denis. The church of St-Jean-Baptiste, quite modern,
-is of excellent style and workmanship. The lower end of Rue de
-Belleville leads us into arrondissement XX.
-
-
-
-
-CHAPTER XLVIII
-
-PÈRE-LACHAISE
-
-
-ARRONDISSEMENT XX. (MÉNILMONTANT)
-
-The lower end of the long Rue de Belleville, its odd-number side in
-arrondissement XIX, went in olden days by the name Rue des
-Courtilles--Inn Street. Inns, cabarets, popular places of amusement
-stood door by door all along its course. Here, as in arrondissement XIX,
-we find on every side old houses and vestiges of the past, but of no
-particular interest beyond the quaintness of their aspect. Rue Pelleport
-began in the eighteenth century as an avenue encircling the park of
-Ménilmontant. In the grounds surrounding the reservoirs we come upon a
-tomb, a modern gravestone, covering the remains of a municipal
-functionary whose dying wish was to be buried on his own estate.
-
-Rue Haxo, crossing Rue Belleville at No. 278 and running up into
-arrondissement XIX, is of tragic memory. Opening out of it at No. 85 we
-see the Villa des Otages. There the Commune sat in 1871, there the fate
-of the hostages was decided; there on the 26th May, 1871, fifty-two of
-those unhappy prisoners were slain. The Jesuits owned the property till
-its sale a few years ago. They bought and carried away the _grilles_ and
-whatever else was transportable from the cells where the victims had
-been shut up.
-
-Rue Ménilmontant, running parallel to Rue de Belleville, dates from the
-seventeenth century, when it was a country road leading to the
-thirteenth-century hamlet Mesnil Mantems, later Mesnil Montant. The land
-there belonged in great part to the abbey St-Antoine and to the priory
-of Ste-Croix de la Bretonnerie; a château de Ménilmontant was built,
-under Louis XIV, where in the wide-stretching grounds we see the
-reservoirs. At Nos. 155 and 157 we see old pavilions surrounded by
-gardens. The eighteenth-century house, No. 145, was in the nineteenth
-century taken by a society calling itself the St-Simoniens--some forty
-men who had decided to live together and have all things in common. They
-did not remain together long. No. 119 is the school directed by the
-Soeurs St-Vincent de Paul. At No. 101 we look down Rue des Cascades
-which till the middle of last century was a country lane: leading out of
-it is the old Rue de Savies, recording the ancient name of the
-district--Savies, i.e. _montagne sauvage_--wild mountain--a name changed
-later to Portronville (rather a mouthful), then to its euphonious
-present name Belleville. At its summit is an ancient fountain set there
-in long-past ages for the use of the monks of St-Martin of Cluny, and
-for the Knights-Templar; another may be seen in the grounds of No. 17.
-
-On the Place de Ménilmontant we see the well-built modern church
-Notre-Dame-de-la-Croix, on its northern side the old Rue and passage
-Eupatoria. The quaint Rue de la Mare, a country road in the seventeenth
-century, and Rue des Couronnes have interesting old passages running
-into them.
-
-Passing down Rue des Pyrénées, connected on either side with short
-old-time streets and passages, we come to the Square Gambetta, often
-called Square Père-Lachaise, and the immense Paris cemetery, the great
-point of interest of the 20th arrondissement. The site was known in
-long-past days as the Champ de l'Evêque--the bishop's field. It was
-presently put to a very unecclesiastical use, for a rich grocer bought
-the land and built thereon a _folie_, i.e. an extravagant mansion. In
-the seventeenth century the Jesuits bought the property and named it
-Mont-Louis. Louis XIV paid a visit to the Jesuits there and subsequently
-bought the estate and gave it to his confessor, Père Lachaise. When Père
-Lachaise died the Jesuits regained the property, held it till the
-Revolution, when it was seized by the State and became the possession of
-the Municipality. Passing along the avenues and alleys of this vast,
-silent city on the hill-side, we see tombs of every possible description
-and style, wonderful monuments and mortuary chapels, some very
-beautiful, others ...! and a huge crematorium. Men and women of many
-nations and of many varying creeds are gathered there. Seen on the eve
-of All Saints' Day or the day following, when fresh flowers are on every
-grave, lamps burning in almost every tombstone chapel, the relatives and
-the friends of the dead crowding in reverent attitude along its paths,
-the scene is singularly impressive.
-
-On its north-east boundary we find the tragic Mur des Fédérés, the wall
-against which the insurgents were shot after the Commune in 1871.
-Blood-red scarves, blood-red wreaths mark the graves there, and we see
-the names of many who had no graves on that spot chalked up against that
-tragic wall.
-
-[Illustration: LE MUR DES FÉDÉRÉS]
-
-On the south side of the cemetery, running eastward, we turn into the
-old Rue de Bagnolet, the road leading to the village of the name. Old
-houses line this street and the streets adjoining it, and half-way up
-its incline on the little Place St-Blaise we see the ancient church
-St-Germain de Charonne, dating from the eleventh century. An inscription
-on a wall within tells us Germain, the busy bishop of Auxerre, first met
-Geneviève of Nanterre here, and tradition says the future patron saint
-of Paris took her vows on the spot. There was an oratory on the site in
-the fifth century or little later. The eleventh-century edifice was
-rebuilt in the fifteenth century, but we still see some of the blackened
-walls of the earlier structure. The _chevet_, i.e. the chancel-end, was
-destroyed in the wars of the Fronde. We see, distinctly traced, the
-space it occupied bounded by the Mur des Soeurs, against which in
-long-gone days were no doubt stalls for the nuns of a neighbouring
-convent. Some ancient tombstones, too, are there, once within the
-chancel. Mounting the broad steps we enter the old church to find
-curious old pillars, ancient inscriptions, coats of arms, and in one
-chapel a little good old glass.
-
-Making our way to the little cemetery of Charonne behind, we find in its
-centre a grass-grown space once the _fosse commune_ of the pits into
-which the _guillotinés_ were flung in Revolution days. Beyond, near the
-boundary wall, we see a railed-in tomb, surmounted by the figure of a
-man in Louis XVIII costume--Bègue, Robespierre's private secretary. The
-Revolution over, his chief dead, the man whose hand had prepared for
-signature so many tragic documents withdrew to the rural district of
-Charonne, beyond the Paris bounds, led a secluded, peaceful life,
-cultivated his bit of land and set about preparing for his exit from
-this earth by designing his own tomb. He sat for the bronze statue we
-see here, and had the iron railing made to show all the implements of
-Revolutionary torture with which he was familiar, the wheel that worked
-the guillotine, the _tenailles_, etc....!
-
-Higher up towards Bagnolet we come to a vestige of the ancient Château,
-a pavilion Louis XV, forming part of the modern Hospice Debrousse.
-
-
-
-
-CHAPTER XLIX
-
-BOULEVARDS--QUAYS--BRIDGES
-
-
-THE BOULEVARDS
-
-The Paris boulevards are one of the most characteristic features of the
-city. The word _boulevard_ recalls the days when Paris was fortified,
-surrounded by ramparts, and the city boulevards stretch for the most
-part along the lines of ancient boundary walls, boundaries then, now
-lines in many instances cutting through the very heart of the Paris we
-know.
-
-The Grands Boulevards run from the Place de la Madeleine to the Place de
-la Bastille--gay and smart and modern, in the first kilometres of their
-course; less smart, busier, more commercial, with more abundant vestiges
-of bygone days as they stretch out beyond the boulevard des Italiens.
-
-The boulevard de la Madeleine follows the line of the ancient boundary
-wall of Louis XIII, razed during the first years of the eighteenth
-century. Its upper part on the even-number side was one side of an old
-thoroughfare reaching as far as Rue de la Chaussée d'Antin, known in its
-early years as Rue Basse du Rempart. The latter part stretching to Rue
-Caumartin is of recent date. The old Rue Basse des Remparts was bordered
-by handsome _hôtels_, the dwellings of notable persons of the day:
-vestiges of several of them were until recent years still seen in
-boulevard des Capucines--Nos. 16 to 22 razed when the new street Rue
-Édouard VII was cut. In the reception-room of a seventeenth-century
-house that stood at the corner of the boulevard and the Rue des
-Capucines known as the Colonnade, Buonaparte first met Joséphine.
-
-Boulevard des Italiens gained its name from the Italian theatre there in
-1783. This name was changed more than once in subsequent years. After
-the Revolution, when the Royalists who had taken refuge beyond the
-German Rhine returned to Paris and held meetings on this boulevard, it
-was nicknamed "Le Petit Coblentz." No. 33 (eighteenth century) is the
-Pavillon de Hanovre, forming part in past times of the hôtel d'Antin,
-which had been owned in its later days by Richelieu, then was divided
-into several dwellings, and in the time of the Merveilleuses one of
-these sub-divisions of the fine old mansion became a dancing saloon,
-_bal_ Richelieu, and the meeting-place of the Incroyables. Rue du
-Helder, which we see opening at No. 36, was in those days a cul-de-sac,
-i.e. a blind alley. The bank there (No. 7) was erewhile the famous
-cabaret "le Lion d'Or," and at No. 2 Cavaignac was arrested when
-Napoléon made his _coup d'état_. No. 22 of the boulevard was the
-far-famed "Tortoni." No. 20, rebuilt in 1839, now a post office, is the
-ancient hôtel Stainville, later Maison Dorée. No. 16, till a year or two
-ago Café Riche, dating from 1791. No. 15, hôtel de Lévis, was once the
-Jockey Club. On the site of No. 13 stood till recent years the famous
-Café Anglais. At No. 11 was the club "Salon des Italiens" in the time of
-Louis XVI, subsequently the restaurant Nicolle and Café du Grand Balcon,
-its first story commonly known as Salon des Princes. At No. 9 Grétry
-lived from 1795 till his death, which happened at Montmorency in 1813.
-No. 1 Café Cardinal founded by Dangest (eighteenth century).
-
-Boulevard Montmartre dates from the seventeenth century, lined in olden
-days on both sides by handsome private mansions; we see it now a
-thoroughly commercial thoroughfare, one of the busiest in the city. A
-modern journalist called its _carrefour_--the point where it meets the
-Rue du Faubourg Montmartre--"_carrefour des écrasés_." From the house,
-now a newspaper office, at No. 22 an underground passage ran in past
-days to the Café Cardinal opposite, leading to an orangery. On the site
-of No. 23 stood the gambling-house Frascati, built on the site of the
-old hôtel Taillepied. The Café Véron at No. 13 dates from 1818, opened
-through the gardens of the hôtel Montmorency-Luxembourg. Passage
-Jouffroy at No. 10 was cut, in 1846, across the site of an ancient
-building known as the Maison des Grands Artistes. The théâtre des
-Variétés, at No. 7, first set up at the Palais-Royal in 1770 by "la
-Montansier," was built here in 1807 on the grounds of the hôtel
-Montmorency-Luxembourg. No. 1 is the site of the Café de la Porte
-Montmartre, founded by Louis XV, a meeting-place of Parisians hailing
-from Orléans, nicknamed Guépins.
-
-Boulevard Poissonnières (seventeenth century) begins where hung till
-recent years an ancient sign at No. 1--"Aux limites de la Ville de
-Paris"--recording the inscription once on the old wall there. Most of
-the houses are those originally built along the boulevard, and many old
-streets run into it on either side. At No. 9 we see Rue St-Fiacre,
-dating from 1630, when it was Rue du Figuier, a street closed at each
-end by gates till about 1800. The restaurant Duval at No. 10 of the
-boulevard was an eighteenth-century mansion. No. 14 is known as Maison
-du Pont-de-Fer. No. 19, now l'École Pratique du Commerce, was till a few
-years ago the home of an old lady who, left a widow after one happy year
-of married life, shut herself up in the house she owned, refused to let
-any of its six large flats, and died there in utter solitude at the age
-of ninety. No. 23, designed by Soufflot le Romain in 1775 as a private
-mansion, became later the _dépôt_ of the famous Aubusson tapistry.
-
-Boulevard Bonne-Nouvelle, named from the church Notre-Dame de
-Bonne-Nouvelle in Rue de la Lune, dates from the seventeenth century
-(_see_ p. 59). No. 21 was built after the Revolution with the stones of
-the old demolished church St-Paul (_see_ p. 12). No. 11, in 1793, with
-some of the stones of the Bastille. The theatre, le Gymnase, which we
-see at No. 38, erected in 1820 on the grounds of a mansion, a barracks
-and a bit of an old graveyard, was known during some years as the
-théâtre de Madame la duchesse de Berri, who had taken it under her
-patronage. Its façade was rebuilt in 1887.
-
-The church just off the boulevard was first built in 1624 on the site of
-the old chapel Ste-Barbe, and named by Anne d'Autriche, perhaps in
-gratitude for the good news of the prospect of the birth of a son (Louis
-XIV) after twenty-three years of childless married life, or, as has been
-said, on account of a piece of good news communicated to the Queen when
-passing by the spot. The edifice was rebuilt in the nineteenth century,
-the tower alone remaining untouched. Within it we find an old painting
-of Anne d'Autriche and Henriette of England.
-
-Boulevard St-Denis (eighteenth century). The fine Porte St-Denis shows
-in bas-relief, the victories of Louis XIV in Germany and in Holland. It
-has been restored three times since its first erection in 1673. The
-Revolutions of 1830 and 1848 began around this grand old Porte.
-Paving-stones were hurled from its summit. At No. 19 we see a statue of
-St-Denis.
-
-Boulevard St-Martin (seventeenth century). Its course was marked out,
-its trees planted a few years earlier than that of boulevard St-Denis.
-On its handsome blackened Porte, built in 1674-75, we read the words: "A
-Louis-le-Grand pour avoir pris deux fois Besançon et vaincu les Armées
-allemandes, espagnoles et hollandaises." Like Porte St-Denis, it has
-been three times restored. The Allies passed beneath it on entering
-Paris in 1814. The first théâtre de la Porte St-Martin was built in the
-short period of seventy-five days to replace, with the least delay
-possible, the Opera-house near the Palais-Royal, burnt down in 1781. It
-was the Opera until 1793. The structure we see was erected in 1873,
-after the disastrous conflagration caused by the Communards two years
-previously. We see theatres and concert-halls along the whole course of
-the boulevard. The Ambigu at No. 2 dating from 1828 was founded sixty
-years earlier as a marionnette show on the site of the present Folies
-Dramatiques. This part of the boulevard was formerly on a steep incline,
-with steps up to the théâtre Porte St-Martin. Its ground was levelled in
-1850. The novelist Paul de Kock lived at No 8. No. 17 was the abode of
-the great painter Meissonnier. The théâtre de la Renaissance is modern
-(1872), built on the site of the famous restaurant Deffieux which had
-flourished there for 133 years. It was for several years Sarah
-Bernhardt's theatre.
-
-Boulevard du Temple, its trees first planted in the year 1668 when it
-was a road stretching right across the area now known as Place de la
-République, was at that particular point a centre of places of amusement
-of every description--theatres, music-halls, marionnette-shows. All
-were closed, razed to the ground, to make way for the grand new _place_
-laid out there in 1862. Of the old walls within which Parisians had for
-long years previously found so much distraction and merriment, vestiges
-remain only at Nos. 48, 46, 44, 42 of the boulevard. No. 42 is on the
-site of the house where Fieschi's infernal machine was placed in 1835.
-The restaurant at No. 29 is on the site of the once widely known Café du
-Jardin Turc. The théâtre Dejazet records the name of the famous
-_actrice_. The two short streets, Rue de Crussol and Rue du Grand
-Prieuré, were cut across the grounds of the Grand Prieuré de France in
-the latter years of the eighteenth century.
-
-Boulevard Filles-du-Calvaire, named from the ancient convent, dates only
-from 1870. The streets connected with it are older. Rue des
-Filles-du-Calvaire was a thoroughfare in the last years of the
-seventeenth century, and at No. 13 we find traces of the ancient
-convent. Rue Froissard and Rue des Commines, memorizing the two old
-French chroniclers, were opened in 1804 right across the site of the
-convent and its grounds. Rue St-Sébastien dates back to the early years
-of the seventeenth century, and we see there many interesting old
-houses. No. 19, with its Gothic vaulting, is probably the hôtel
-d'Ormesson de Noyseau, a distinguished nobleman, guillotined at the
-Revolution. Rue du Pont-aux-Choux, made in the sixteenth century across
-market gardens, got its name from an old bridge which spanned a drain
-there.
-
-Boulevard Beaumarchais began in 1670 as boulevard St-Antoine. No. 113, a
-sixteenth-century structure, was known till 1850 as the Château. The
-words we see engraved on its walls--"A la Petite Chaise"--refer to a
-tragic incident. The head of the princesse de Lamballe, carried by the
-Revolutionists on a pike, was plunged into a pail of water set on a low
-chair placed up against this wall to clear it of the dribbling blood.
-No. 99, its big doors brought here from the Temple palace, is the hôtel
-de Cagliostro, the famous sorcerer.
-
-Rue des Arquebusiers, opening at No. 91, dates from 1720, when it was
-Rue du Harlay-au-Marais. Santerre lived here for a time. No. 2 stands on
-the site of the house where Beaumarchais died in 1790.
-
-Boulevard Henri IV is modern (1866), cut across the site of two old
-convents. Rue Castex leads out of it where stood once the convent des
-Filles de Ste-Marie; its chapel, now a Protestant church, is entered at
-No. 5. The Caserne des Célestins was built in 1892 on the site of part
-of the large and celebrated convent of the Célestins, an Order founded
-in 1244 by the priest who became Pope Celestin V. The Carmelites who at
-first were established here, greatly disturbed by inundations from the
-Seine who overflowed her banks in those long-past ages, even as she does
-to-day, quitted their quarters on this site. The Célestins who came to
-Paris in 1352 and took over these abandoned dwellings were protected and
-enriched by Charles V, inhabiting the Palais St-Pol close by. The Order
-was suppressed in 1778, before the Revolution suppressed all Orders--for
-the time; and in 1785 the convent here was taken for the first deaf and
-dumb institution organized by abbé de l'Épée. The convent chapel with
-its numerous royal tombs, the bodies of some royal personages, the
-hearts of others, was razed in 1849. Some vestiges of the convent walls
-remained standing till 1904. Where the boulevard meets the Quai des
-Célestins, we see now a circular group of worn, ivy-grown stones; an
-inscription tells us these old stones once formed part of the Tour de la
-Liberté of the demolished Bastille. They were unearthed in making the
-Paris Metropolitan Railway a few years ago. The birds make the remnant
-of that old tower of liberty their own to-day and passers-by stop
-regularly to feed them.
-
-Crossing the Seine we come to the boulevard St-Germain, beginning at
-boulevard Sully in arrondissement V, stretching right through
-arrondissement VI and ending at the Quai d'Orsay near the Chambre des
-Députés in arrondissement VII. Though in name so historic and running
-across interesting ground, the boulevard is of modern formation. It has
-swept away a whole district of ancient streets. The Nos. 61 to 49 are
-ancient, all that remains of Rue des Noyers erewhile there. At No. 67
-Alfred de Musset was born (1810). The théâtre de Cluny is on the site of
-part of the vanished couvent des Mathurins. The firm Hachette stands
-where was once a Jews' cemetery. No. 160 was the restaurant now razed
-where Thackeray, when a young student at the Beaux-Arts, took his meals.
-A sign-board he painted long hung there. We see some old houses of the
-ancient Rue des Boucheries between Nos. 162 and 148. At No. 166 we turn
-for an instant into Rue de l'Échaudé, dating from the fourteenth
-century, when it was a _chemin_ along the abbey moat, a street of
-ancient houses. The word _échaudé_, a confectioner's term used for a
-certain kind of three-cornered cake, signifies in topographical language
-a triangle formed by the junction of three streets. The pavement-stones
-before Nos. 137 to 135 cover the site of the ancient abbey prison. Rue
-des Ciseaux bordered in olden days the Collège des Écossais. The statue
-of Diderot at No. 170 was set up on his centenary as close as could be
-to the house he dwelt in, in Rue de l'Égout. The hôtel Taranne records
-the name of the thirteenth-century street of which some vestiges remain
-on the odd-number side of the boulevard between No. 175 and Place
-St-Germain-des-Prés, where Saint-Simon lived and wrote. The little
-grassy square round the house at No. 186 was originally a leper's
-burial-ground, then, from 1576 to 1604, a Protestant cemetery. Looking
-into the Rue St-Thomas-d'Aquin, once passage des Jacobins, we see the
-church which began early in the years of the eighteenth century as a
-Jacobin convent. At the Revolution it was made into a Temple of Peace!
-The frescoes of the ceiling are by Lemoine.
-
-The modern boulevard Raspail opening at No. 103 brought about the
-destruction of several ancient streets; where the boulevard St-Germain
-meets Rue St-Dominique three or four fine old mansions were razed to the
-ground and that old street, previously extending to Rue des
-Saints-Pères, cut short here. A fine eighteenth-century _hôtel_ stood
-till 1861 on the site of the Bureaux du Ministère des Travaux Publics at
-No. 244. The minister's official residence at No. 246, dating from 1722,
-is on the site of one still older, at one time the abode of the dowager
-duchess of Orleans. That portion of the Ministère de la Guerre which we
-see along this boulevard is a modern construction. We see modern
-structures also at Nos. 280, 282, 284, all on the site of fine old
-_hôtels_ demolished at the making of the boulevard. At some points of
-boulevard Raspail, stretching from boulevard St-Germain to beyond the
-cemetery Montparnasse, we come upon vestiges of the ancient streets
-demolished to make way for it; here and there an old house, a fine
-doorway, and at No. 112 a lusty tree, its trunk protruding through the
-garden wall, said to be the tree beneath whose shade Victor Hugo sat and
-pondered or maybe wrote several of his best-known works, while living in
-an old house close by.
-
-Starting now from the Place de la République, we pass up the busy modern
-boulevard Magenta without finding any point of special interest. The
-Cité du Wauxhall at No. 6 was opened in 1840 on the grounds of a more
-ancient Wauxhall. The big hospital Lariboisière in the adjoining Rue
-Ambroise-Parée was built from 1839 to 1848, on the _clos_ St-Lazare and
-named at first Hôpital Louis-Philippe. Its present name is in memory of
-the countesse la Riboisière, who gave three million francs for the
-hospital. The boulevards Barbes and Ornano run on from boulevard Magenta
-to the district of Montmartre. They are of nineteenth-century formation
-and without historic interest. No. 10, boulevard Barbes, was once the
-dancing saloon "du Grand Turc."
-
-The bustling boulevard de Strasbourg which boulevard Magenta crosses, a
-continuation of the no less bustling boulevard Sébastopol, both great
-commercial thoroughfares, was formed in the middle of the nineteenth
-century across the lines of many ancient streets and courts. Ancient
-streets ran also where we now have the broad boulevard du Palais on
-l'Ile de la Cité, crossing the spot on the erewhile Place du Palais
-where of yore criminals were set out for public view and marked with a
-red-hot iron.
-
-The buildings we see there on the odd-number side opposite the Palais de
-Justice: the Tribunal du Commerce, the Préfecture de Police, the
-Firemen's barracks, are all of nineteenth-century erection. So we come
-to the boulevard St-Michel, the far-famed "Boule-Miche" of the Latin
-Quarter, forming the boundary-line between arrondissements V and VI. As
-a boulevard it is not of ancient date. It began at its northernly end in
-1855 as boulevard Sébastopol, Rive Gauche. Soon it was prolonged and
-renamed to memorize the ancient chapel erewhile in one of the streets it
-had swept away. Place St-Michel from which it starts has to-day a modern
-aspect. Almost all traces of the ancient Place du Pont St-Michel, as it
-was in bygone days, have vanished. The huge fountain we see and cannot
-admire, though perhaps we ought to, replaces the fountain of 1684. The
-arched entrance to the narrow street Rue de l'Hirondelle, once
-Irondelle, as an old inscription tells us, which began in 1179 as Rue de
-l'Arondale-en-Laas, and the glimpse at a little distance of the entrance
-to ancient streets on the boulevard St-Germain side, give the only
-old-world touch to the _place_. The high blackened walls we see in this
-Rue de l'Hirondelle are the remains of the ancient collège d'Autun
-founded in 1341. At No. 20, on the site of the ancient _hôtel_ of the
-bishops of Chartres, is an eighteenth-century _hôtel_. No. 38 of the
-boulevard is on the site of the house belonging to the Cordeliers, whose
-monastery was near by, where the royal library was kept from the days of
-Louis XIII to 1666. The Lycée St-Louis, founded in 1280 as the college
-d'Harcourt, covers the site of several ancient structures. A
-fragment--the only one known--of the boundary wall of Henri II, is
-within the college grounds, and beneath them the remains of a Roman
-theatre were found in 1861, and more remains in 1908. Where the
-boulevard meets Rue Monsieur-le-Prince, the city wall and a gate of
-Philippe-Auguste passed in olden days. And that was the site of the
-ancient _place_. No. 60, the École des Mines founded in 1783, and
-housed at the Mint, at that time an _hôtel_ Rue de l'Université, then
-transferred to Montiers in Savoie, finally settled here in 1815 in the
-hôtel Vendôme built in 1707 for the Chartreux, let in 1714 to the
-duchesse de Vendôme, who died there soon afterwards. This fine old
-structure still forms the central part of the Mining School. At No. 62
-we see the Geological Map offices. In the court of No. 64 we find a
-house built by the Chartreux, inhabited in past days by the marquis de
-Ségur, and in later times by Leconte de Lisle. The railway station Gare
-de Sceaux at No. 66 covers the site of the once well-known Café Rouge.
-In the old Rue Royer-Collard opening at No. 71, in the sixteenth century
-Rue St-Dominique d'Enfer, we see several quaint old houses. Roman pots
-were found some years ago beneath the pavement of the _impasse_. The
-house at No. 91 is on ground once within the cemetery St-Jacques. César
-Franck the composer lived and died at No. 95 (1891). No. 105 is the site
-of the ancient Noviciat des Feuillants who went by the name "_anges
-guardiens_." The famous students' dancing saloon known as bal Bullier
-was at this end of the boulevard from 1848 till a few years ago.
-
-
-
-
-CHAPTER L
-
-LES BOULEVARDS EXTÉRIEURS
-
-
-Starting at the ancient Barrière des Ternes, for some years past Place
-des Ternes, we take our way through outer boulevards forming a wide
-circle. Boulevard de Courcelles, dating from 1789, runs where quaint old
-thoroughfares ran of yore. Boulevard des Batignolles was the site of the
-barrières de Monceau. The Collège Chaptal, which we see there, was
-founded in Rue Blanche in 1844. The busy Place de Clichy is on the site
-of the ancient Clichy barrier, valiantly defended by the Garde Nationale
-in 1814. The huge monument in its centre is modern (1869). On the line
-of the boulevard de Clichy stretched in bygone days the barriers
-Blanche, Montmartre and des Martyrs, of which at first three boulevards
-were formed: Clichy, Pigalle, des Martyrs united under the name of the
-first in 1864. Just beyond the _place_, at No. 112, we turn into Avenue
-Rachel leading to the cemetery Montmartre, formed in 1804 on the site of
-the ancient graveyard of the district. Many men and women of mark lie
-buried here. We see names of historic, literary or artistic celebrity on
-the tombstones all around. The monument Cavaignac is the work of the
-great sculptor Rude. The Moulin Rouge, a music-hall, at No. 88 is on the
-site of a once famous Montmartrois dancing-hall, "la Dame Blanche." No.
-77 is an ancient convent, its garden the site of a café concert. "Les
-Quatrez-Arts" at No. 64 is one of the most widely known of Montmartrois
-cabarets and music-halls. In the Villa des Platanes, opening at No. 58,
-we find a bas-relief showing the defence made on the _place_ in 1814.
-Rue Fontaine, opening at No. 57, shows us a succession of small
-Montmartrois theatres and music-halls. In Rue Fromentin we still see the
-sign-board of the far-famed school of painting, l'Académie Julian
-formerly here. In Rue Germain-Pilon we see an ancient pavilion. No. 36
-is the Cabaret La Lune Rousse, formerly Cabaret des Arts, of a certain
-renown or notoriety. The passage and the Rue de l'Élysée-des-Beaux-Arts
-show us interesting sculptures and bas-reliefs. Nos. 8 and 6, of old a
-dancing saloon, was the scene of a tragic incident in the year 1830: the
-ground beneath it, undermined by quarries, gave way and an entire
-wedding-party were engulfed. Boulevard de Rochechouart was named in
-memory of a seventeenth-century abbess of Montmartre; it was in part of
-its length boulevard des Poissoniers until the second half of the
-nineteenth century. The music-hall "la Cigale," at No. 120, dating from
-1822, was for long the famous "bal de la Boule-Noire." At No. 106 we see
-a fresco on the bath house walls; an ancient house "Aux-deux-Marronniers"
-at No. 38, and theatres, music-halls, etc., of marked local colour all
-along the boulevard.
-
-Boulevard de la Chapelle runs along the line of the ancient boulevard
-des Vertus. Vestiges dating from the days of the struggles between
-Armagnacs and Bourguignons are still seen at No. 120, and at No. 39 of
-the short Rue Château-Landon, opening out of the boulevard at No. 1, we
-see the door of an ancient castel which was for long the country house
-of the monks of St-Lazare.
-
-Boulevard Richard-Lenoir shows us nothing of special interest. The house
-No. 140 is ancient.
-
-[Illustration: OLD WELL AT SALPÉTRIÈRE
-
-(Le puits de Manon Lescaut)]
-
-Boulevard de l'Hôpital dates from 1760. The hospital referred to is the
-immense Salpétrière built as a refuge for beggars by Louis XIV on the
-site where his predecessor had built a powder stores. A bit of the old
-arsenal still stands and serves as a wash-house. The domed church was
-erected a few years later; barrels collected from surrounding farms were
-sawed up to make its ceiling. Presently a woman's prison was built
-within the grounds--the prison we are shown in the Opera "Manon." The
-convulsionists of St-Médard were shut up there. At the Revolution it was
-invaded by the insurgents, women of ill-fame set free, many of the
-prisoners slain. The new Hôpital de la Pitié was built in adjoining
-grounds in recent years. The central Magasin des Hôpitaux at No. 87,
-where we see an ancient doorway, is on the site of the hospital
-burial-ground of former days.
-
-The fine old entrance portal of la Salpétrière, the statue of the famous
-Dr. Charcot just outside it, the various seventeenth-century buildings,
-the old woodwork within the hospital, the courtyard known as the Cour
-des Massacres, the wide extending grounds, make a visit to this old
-hospital very interesting. And the grass-grown open space before it,
-with its shady trees, and the quaint streets around give a somewhat
-rural and provincial aspect to this remote corner of Paris, making us
-feel as if we were miles away from the city. Rue de Campo-Formio,
-opening at No. 123, was known in the seventeenth century as Rue des
-Étroites Ruelles. Rue Rubens was in past days Rue des Vignes.
-
-Boulevard Auguste-Blanqui, in the eighteenth century in part of its
-length boulevard des Gobelins, shows us at No. 17 the last
-Fontaine-Marchande de Paris, now shut down. At No. 50 we see the little
-chapel Ste-Rosalie, with inscriptions recording the names of several
-victims of the fire which destroyed the bazar de la Charité in 1897. At
-No. 68 we used to see an eighteenth-century house of rustic aspect and
-pillared frontal, said to have served as a hunting-lodge for Napoléon
-I. Subsequently it was used as the Paris hospital laundry. In more
-recent times the great sculptor Rodin made the old house his studio and,
-when forced to evacuate, took away the interesting old woodwork and the
-statues of its façade.
-
-Along boulevard St-Jacques (seventeenth century) we find several
-tumbledown old houses.
-
-Boulevard Raspail is entirely modern, cut across streets of bygone ages,
-their houses of historic memory razed to make way for it. The recently
-erected No. 117 stands on the site of an old house where Victor Hugo
-dwelt and wrote for thirteen years and received the notable men of his
-day. Beneath the tree we see in the wall at No. 112 the poet loved to
-sit and read. Reaching the top of the boulevard we see the ancient
-Jesuit chapel, between Rue de Sèvres and Rue du Cherche-Midi.
-
-Boulevard Edgar-Quinet began as boulevard de Montrouge. Its chief point
-of interest is the Montparnasse cemetery dating from 1826, with its
-numerous tombs of notable persons. There we see, too, an ivy-covered
-tower dating from the seventeenth century, known as la Tour-du-Moulin,
-once the possession of a community of monks.
-
-Boulevard de Vaugirard (eighteenth century) included in past days the
-course of the modernized boulevard Pasteur. We see old houses at
-intervals here and in the Rue du Château which led formerly to the
-hunting-lodge of the duc de Maine. In Rue Dutot, leading out of
-boulevard Pasteur, we come to the great Institut Pasteur, built in 1900,
-with its wonderful laboratories, its perfect organization for its own
-special, invaluable branches of chemical study. The tomb of its founder
-is there, too, in a crypt built by his pupils, his disciples. Behind
-the central building we see a hospital for animals. The Lycée Buffon at
-No. 16 covers the site of the ancient Vaugirard cemetery. Boulevard
-Garibaldi began in 1789 as boulevard de Meudon, towards which it ran--at
-a long distance; then it took the name of Javel, its more immediate
-quarter, then of Grenelle through which it stretched. Some of the older
-houses along its course and in adjoining streets, as also along the
-course and adjoining streets of the present boulevard de Grenelle, its
-continuation, still stand, none of special interest. A famous barrier
-wall was in bygone days along the line where we see the Metropolitian
-railway. Up against its wall, just in front of the station Dupleix, many
-political prisoners of mark were shot in the years between 1797 and
-1815.
-
-The boulevards des Invalides, de Montparnasse and de Port-Royal make one
-long line. Boulevard des Invalides has its chief point of interest at
-No. 33, the old hôtel Biron, later the convent of the Sacré-Coeur,
-then Rodin's studio, and Paris home--now in part the museum he
-bequeathed to Paris (_see_ pp. 192, 194).
-
-Boulevard Montparnasse, formed in 1760, shows us many fine
-eighteenth-century _hôtels_ and some smaller structures of the same
-period. On the site of No. 25, the _hôtel_ of the duc de Vendôme,
-grandson of Henri IV, was the home of the children of Louis XIV by
-Madame de Montespan.
-
-[Illustration: CLOÎTRE DE L'ABBAYE DE PORT-ROYAL]
-
-The Gare Montparnasse at No. 66 is a modern structure on the site of an
-older railway station. Impasse Robiquet at No. 81 dates from the
-fifteenth century. No. 87 is an old hunting-lodge, inhabited in more
-modern days by Pierre Leroux, who was associated with George Sand in
-founding the _Revue Indépendante_. Rue du Montparnasse, opening out of
-the boulevard, is a seventeenth-century street cut across land
-belonging in part to the church St-Laurent de Vaugirard, in part to the
-Hôtel-Dieu. The church Notre-Dame-des-Champs is modern (1867-75). Rue
-Stanislas, opening by the church at No. 91, was cut across the grounds
-of the hôtel Terray, in the early years of the nineteenth century, where
-the Collège Stanislas, named after Louis XVIII, was first instituted. At
-No. 28 of the Rue Vavin, opening at No. 99, stood, till last year, the
-ancient Pavillon de l'Horloge, a vestige of the old hôtel Traversière.
-The short Rue de la Grande Chaumière, opened in 1830 as Rue Chamon,
-memorizes by its present name a famous Latin quarter dancing-hall close
-by. Here artists' models gather for hire at midday each Monday. Rue de
-Chevreuse, opening at No. 125, was a thoroughfare as early as the year
-1210, bordering an hôtel de Chevreuse et Rohan-Guéménée. A famous
-eighteenth-century _porcelaine_ factory stood close here.
-
-Boulevard de Port-Royal: here at No. 119 we see the abbey built during
-the first half of the seventeenth century. Hither came the good nuns of
-Port-Royal-des-Champs in the valley of the Chevreuse, a convent founded
-in the early years of the thirteenth century by Mathieu de Montmorency
-and his wife Mathilde de Garlande and given to the Order of the
-Bernardines. In the sixteenth century learned men desiring solitude
-found it in that remote convent. Pascal made frequent sojourns there.
-Quarrels between Jesuits and Jansenists brought about the destruction of
-the convent of Port-Royal-des-Champs in 1710. The Paris Port-Royal went
-on until 1790. Then the abbey became a prison, like so many other
-important buildings, religious and secular; its name was changed to
-Port-Libre, and numerous prisoners of note, Couthon among the rest, were
-shut up there. In the year IV of the Convention, it became what it is on
-a more complete scale to-day, a Maternity Hospital. Women-students sleep
-in the ancient nuns' cells. Most of the old abbey buildings are still
-intact. The tombstone of the recluse, Arnauld of Andilly, which we see
-in the sacristy, was found beneath the pavement some years ago. The
-portal is modern. The _annexe_ of the hospital Cochin at No. 111 is an
-ancient Capucine convent; its chapel serves as the hospital
-lecture-room.
-
-Rue Pierre-Nicole, opening out of the boulevard at No. 90, was cut in
-modern days across the grounds of the ancient Carmelite convent
-Val-de-Grâce. In the prolongation of the street we see some remains of
-the convent. Here in ages long gone by was a Roman cemetery, where earth
-burial as well as cremation was the rule. At No. 17 _bis_ of this
-street we see the house once the oratory of Mademoiselle de la Vallière,
-who as Soeur Louise de la Miséricorde passed the last thirty-six years
-of her life in _pénitence_ here. The Marine barracks, Caserne Lourcine,
-at No. 37 of the boulevard, are on the site of ancient barracks of the
-Gardes Françaises, and record the former name of the Rue Broca, which we
-look into here, a street of ancient dwellings. The hospital Broca, so
-named after the famous doctor, was formed of part of the old convent of
-the Cordelières, founded in 1259 by Margaret de Provence, wife of Louis
-XI. The convent was pillaged in the sixteenth century by the Béarnais
-troops, sequestrated and sold in Revolution days, to become in 1836
-Hôpital Lourcine and in 1892 Broca.
-
-[Illustration: REMAINS OF THE CONVENT DES CAPUCINES]
-
-The two great latter-day Paris boulevards are boulevard Haussmann and
-boulevard Malesherbes. The first, planned and partially built by the
-Préfet de la Seine whose name it bears, running through the 8th
-arrondissement and into the 9th, begun in 1857, is wholly modern save
-for one single house, No. 173, at the juncture of Rue du Faubourg
-St-Honoré, dating from the eighteenth century; boulevard Malesherbes
-dates from about the same period. Joining this boulevard at No. 11 is
-Avenue Velasquez, where, at No. 7, we find the hôtel Cernuschi
-bequeathed by its owner to Paris as an Oriental Museum. The handsome
-church St-Augustin is of recent erection. Besides these stately
-boulevards and some few others devoid of historic interest, there are
-boulevards encircling Paris on every side, along the boundary-lines of
-the city, with at intervals the city gates. The boulevards in the
-vicinity of the Bois de Boulogne are studded with villas and mansions,
-many of them very luxurious. There are modern mansions, modern dwellings
-of various categories along the course of all the other boulevards of
-this wide circumference bordering the fortifications, but with few
-associations of the least historic interest, beyond that of their
-nomenclature memorizing, in many instances, Napoléon's greatest
-generals.
-
-Boulevard de la Villette is formed of several ancient boulevards, and
-the name records the existence there in past days of the "_petite
-ville_," a series of small buildings, dependencies of the leper-house
-St-Lazare, first erected on a site known in the twelfth century as the
-district of Rouvray. The black-walled Rotonde we see was the Custom
-House first built in 1789, burnt down in 1871, and rebuilt on the old
-plan. The Meaux barrier was there, bounding the highway to the north, a
-point of great military interest. Louis XVI returned this way to Paris
-after the flight to Varennes. The Imperial Guard passed here in triumph
-in 1807, after their successful campaigns in Germany. Louis XVIII came
-through the barrier gate here in 1814. The inn where the armistice was
-signed in 1814 was on the Rond-Point opposite the barrier. At No. 130 of
-the boulevard we come to Place du Combat, a name referring to no
-military struggle, but to bull-fights, perhaps to cock-fights, which
-took place here till into the nineteenth century. Close by is the site
-of the great city gallows, the gibet de Maufaucon of bygone days (_see_
-p. 240). And here in its vicinity, in the little Rue Vicq d'Azir, dating
-from the early years of last century, died the former Paris public
-executioner Deibler in 1904.
-
-On the opposite side of Paris, in the boulevard Kellermann, the Porte de
-Bicêtre recalls the English occupation of long-past ages or may be an
-English colonization of later date, for Bicêtre is a corruption of the
-name Winchester. These boulevards of the 13th arrondissement are
-ragman's quarters, the district of the Paris _chiffonniers_. Here at the
-poterne des Peupliers the Bièvre enters Paris to be entirely lost to
-view nowadays in its course through the city beneath the pavements.
-
-The boulevards in the vicinity of Père Lachaise, Belleville,
-Ménilmontant, Charonne, date from 1789. The short Rue des Panoyaux,
-opening out of the boulevard Ménilmontant is said to owe its name to the
-days when vines grew here, one bearing a seedless grape: "_pas
-noyau_"--no kernel. Mention of the village of Charonne is found in
-documents dating from the first years of the eleventh century. The
-territory was church land, for the most part, owned by the old abbey
-St-Magliore and the Paris Cathedral.
-
-
-
-
-CHAPTER LI
-
-THE QUAYS
-
-
-The quays of the Seine in its course through Paris are picturesque in
-the extreme and show at almost every step points of historic interest.
-That interest is strongest, the aspect of the quays most quaint and
-entrancing, where they pass through the heart of the city.
-
-Let us start from the Point-du-Jour, the "Dawn of Day," at the point
-where the boundary-line of Paris touches the _banlieue_ to the
-south-east. The name refers to a famous duel fought here at the break of
-day on a memorable morning in 1743. Taking the Rive Droite, the right
-bank, we follow the Quai d'Auteuil which, till the closing years of the
-nineteenth century, was a mere roadway along which the river boats were
-loaded and unloaded. The fine viaduct across the river was built in
-1864-65. It was fiercely bombarded in the war of 1870. On Sundays and
-fête-days this quaint quay is gay with holiday-makers who crowd its
-popular cafés, drinking-booths and shows.
-
-Quai de Passy was made in 1842 along that part of the old high road to
-Versailles. Some quaint old houses still stand there. At No. 26 we see a
-pavilion Louis XVI. No 32 is surrounded by a fine park wherein we find
-vestiges of the home of the abbé Ragois, Madame de Maintenon's
-confessor, and ferruginous springs. Rue Berton, leading up from the
-Quai, is one of the most picturesque old streets of Paris. At No. 17 we
-find an extensive property and a Louis XV _hôtel_, once the home of
-successive families of the _noblesse_ and of the unhappy princesse de
-Lamballe, now a Maison de Santé--a private asylum. The _borne_ at No. 24
-has been there since 1731, a boundary mark between the manors of Passy
-and Auteuil.
-
-Quai de la Conférence, arrondissement VIII, dates from the latter years
-of the eighteenth century, its name referring to the middle of the
-previous century, when Spanish statesmen entered Paris by a great gate
-in its vicinity to confer concerning the marriage of Louis XIV and
-Marie-Thérèse.
-
-Cours-la-Reine, bordering the Seine along this quay, was first planted
-by Marie de' Medici in 1618, on market-garden ground. It was a favourite
-and fashionable promenade in the time of the Fronde; a moat surrounded
-it and iron gates closed it in. At No. 16 of Rue Bayard leading out of
-it, we see the Maison de François I, its sculptures the work of Jean
-Goujon, brought here, bit by bit, in 1826 from the quaint old village of
-Moret near Fontainebleau where it was first built. On its frontage we
-read an inscription in Latin.
-
-Quai des Tuileries was formed under Louis XIV along the line of Charles
-V's boundary wall razed in 1670. The walls of the Louvre bordering this
-quay, dating originally from the time of Henri IV, who wished to join
-the Louvre to the Tuileries, then without the city bounds, by a gallery,
-were rebuilt by Napoléon III (1863-68). Place du Carrousel behind this
-frontage, so named from a _carrousel_ given there by Louis XIV, in the
-garden known then as the parterre de Mademoiselle, dates from 1662. At
-the Revolution it became for the time the _soi-disant_ Place de la
-Fraternité. On this fraternal (?) _place_ political prisoners were
-beheaded, while the _conventionels_ looked on from the Tuileries
-windows. And it was the scene of the historic days June 20th and August
-10th, 1792, later of the 24th July, 1830.
-
-L'Arc de Triomphe du Carrousel dates from 1806, set up to commemorate
-the campaign of 1805. The large square, in the centre of which stands
-the colossal statue of Gambetta, known in the time of the Second Empire
-as the Cour Napoléon III, was covered in previous days by a number of
-short, narrow streets, interlacing. Several mansions, one or two
-chapels, a small burial-ground, and a theatre, were there among these
-streets and on beyond, and the grounds of the great hospital for the
-blind, the "Quinze-Vingts," stretched along the banks of the Seine at
-this point, extending from the hospital, in Rue St-Honoré, its site from
-its foundation till its removal to Rue de Charenton in 1779 (_see_ p.
-250). Alongside the Quai we see the terrace "Bord de l'Eau," of the
-Tuileries gardens. The Orangerie reconstructed in 1853 was in the
-seventeenth century a garden wherein was the famous Cabaret Regnard,
-forerunner of the modern Casino. From this terrace to the Tuileries
-Palace ran the subterranean passage made by Napoléon I for Marie Louise,
-and here was the Pont-tournant, built by a monk in 1716, across which
-Louis XVI was led back on his return from the flight to Varennes.
-
-The Quai de Louvre is a union of several stretches of quay known of old
-by different names, the most ancient stretch, that between the Pont-Neuf
-and Rue du Louvre, dating from the thirteenth century. In the jardin de
-l'Infante, bordering the palace, here the old palace of the time of
-Catherine de' Medici, we see statues of Velasquez, Raffet, Meissonnier,
-Boucher. Reaching the houses along the quay we see at No. 10 the
-ancient Café de Parnasse, now the Bouillon du Pont-Neuf, where Danton
-was wont to pass many hours of the day and ended by wedding Gabrielle
-Charpentier, its landlord's daughter. At No. 8, built by Louis XVI's
-dentist, we see a fine wrought-iron balcony. And now we come to the
-ancient Quai de la Mégisserie, dating from the time of Charles V, first
-as Quai de la Sannierie, "tools for saltmaking" quay, then as Quai de la
-Ferraille, "iron-instrument" quay. Its present name, too, denotes a
-Paris industry, the preparation of sheepskins. The cross-roads where it
-meets Quai du Louvre and the Pont-Neuf went in olden days by the name
-Carrefour des Trois-Maries, also by that of Place du Four.
-
-The "Belle Jardinière" covers the site of the Forum Episcopi, the
-episcopal prison of the Middle Ages, later a royal prison rebuilt in
-1656 by de Gondi, the first archbishop of Paris. Its prisoners were for
-the most part actors and actresses. Interesting old streets open on this
-ancient quay. At No. 12, we turn into Rue Bertin-Poirée, a thoroughfare
-in the earlier years of the thirteenth century, where at No. 5 we see a
-quaint, time-worn sign of the Tour d'Argent, and several black-walled
-houses. The thirteenth-century Rue Jean-Lantier, memorizing a Parisian
-of that long-gone age, lies, in its upper part, across what was the
-Place du Chevalier du Guet, from the _hôtel_ built there for a Knight of
-the Guet (the Watch) of Louis IX's time. Rue des Lavandières, of the
-same period, recalls the days when lavender growers and lavender dealers
-lived and plied their thriving trade here. At No. 13 we see a fine
-heraldic shield devoid of signs; at No. 6, old bas-reliefs. Rue des
-Deux-Boules dates under other names from the twelfth century. At No. 2
-of this quay the great painter David was born in 1748.
-
-Quai des Gesvres was built by the Marquis de Gesvres in 1641. The
-ancient arcades upon which it rests, hidden away with their vaulted
-roofing, still support this old quay. The shops they once sheltered were
-knocked to pieces in 1789. The Café at No. 10, built in 1855, was named
-"A la Pompe Notre-Dame," to record the existence till then on the
-bridge, Pont Notre-Dame, of the twin pumps from which the inhabitants of
-the neighbourhood drew their water. Rue de la Tâcherie (_tâche_, task,
-work) was known in thirteenth-century days as Rue de la Juiverie. This
-is still the Jews' quarter of the city.
-
-Quai de l'Hôtel de Ville was formed in its present aspect in the
-nineteenth century, of three ancient thoroughfares along the banks of
-the Seine. Corn and hay were in old days landed here. On the walls of
-the house No. 34 we see the date 1548, and find within an interesting
-old staircase. At No. 90 opens the old Rue de Brosse, named in memory of
-the architect of the fine portal of St-Gervais, before us here (_see_ p.
-103), and of the Luxembourg palace, close by the ancient _impasse_ at
-the south end of the church; and at the junction of Quai des Célestins,
-opens the twelfth-century Rue des Nonnains d'Hyères, where the nuns
-d'Yerres had of old a convent. Almost every house is ancient. In the
-court at No. 21 we see the interesting façade of the hôtel d'Aumont, now
-the Pharmacie Centrale des Hôpitaux.
-
-[Illustration: HÔTEL DE FIEUBET, QUAI DES CÉLESTINS]
-
-Quai des Célestins, in the district of the vanished convent (_see_ p.
-303) has many interesting vestiges of the past. No. 32 is on the site of
-the Tour Barbeau, where the wall of Philippe-Auguste ended, and of the
-tennis-court which served at one time as a theatre for Molière and his
-company (1645). The walls of No. 22 are one side of the fine old hôtel
-de Vieuville (_see_ p. 114). At No. 16 we find a curious old court. No.
-14, once hôtel Beaumarchais, then petit hôtel Vieuville, at one time
-used as a Jewish temple, has a splendid frescoed ceiling. We see remains
-of old _hôtels_ at No. 6 and 4. No. 2, l'École Massillon, built as a
-private mansion, l'hôtel Fieubet, the work of Mansart (seventeenth
-century), was restored in 1850, enlarged by the Oratoriens in 1877.
-
-Quai Henri IV stretches along the ancient line of the Île Louviers
-joined to the Rive Droite in 1843, the property of different families of
-the _noblesse_ till 1790. At No. 30 the Archives de la Seine.
-
-Quai de la Rapée, named from the country house of a statesman of the
-days of Louis XV., is bordered along its whole course by old, but
-generally sordid, structures, in olden days drinking booths. Passage des
-Mousquetaires at No. 18 records the vicinity of the Caserne des
-Mousquetaires, now l'Hôpital des Quinze-Vingts.
-
-Quai de Bercy, records by its name the _bergerie_, in old French
-_bercil_, here in long-gone days. Here, too, there was a castle built by
-Le Vau and extensive gardens laid out by the great seventeenth-century
-gardener Le Nôtre. Their site was given up in the latter half of the
-nineteenth century for the Entrepôts de Bercy.
-
-Picturesque old quays surround the islands on the Seine. Quai de
-l'Horloge, overlooked by the venerable clock-tower of the Palais de
-Justice (_see_ p. 50), went in past days by the name Quai des Morfondus,
-the quay of people chilled by cold river mists and blasting winds. When
-opticians made that river-bank their special quarter, it became Quai des
-Lunettes. Lesage, author of _Gil Blas_, lived here in 1715, at the
-Soleil d'Or. No. 41, where dwelt the engraver Philipon, Mme Roland's
-father, is known as the house of Madame Roland, for it was the home of
-her girlhood. No. 17 dates from Louis XIII.
-
-Quai des Orfèvres, the goldsmith's quay, dating from the end of the
-sixteenth and first years of the seventeenth centuries, lost its most
-ancient, most picturesque structures by the enlarging of the Palais de
-Justice in recent years. In ancient days a Roman wall passed here. At
-No. 20 of the Rue de Harlay, opening out of it, we see part of an
-ancient archway. At No. 2 a Louis XIII house. Nos. 52-54 on the _quai_
-date from 1603, the latter once the firm of jewellers implicated in the
-_affaire du collier_. At No. 58 lived Strass, the inventor of the
-simili-diamonds.
-
-Quai de la Cité was built in 1785, on the site of the ancient
-_port-aux-oeufs_, remains of which were unearthed in making the
-metropolitan railway, a few years ago. Along these banks we see the
-Paris bird shops; the Marché-aux-Oiseaux is held here. And close by is
-the Marché-aux-Fleurs. Merovingian remains were found beneath the
-surface on this part of the quay in 1906. Thick, strong walls believed
-to have been built by Dagobert, inscriptions, capitals, tombstones--the
-remains of oldest Paris.
-
-Quai de l'Archevêché records the existence there of the archbishop's
-palace built in 1697 by Cardinal de Noailles, pillaged and razed to the
-ground in 1831. The sacristy and presbytery we see there now are modern.
-This is the quay of the Paris Morgue, the Dead-house, brought here in
-1864 from the Marché-Neuf, which had been its site since 1804, when it
-was removed from le Grand Châtelet. For years past we have been told it
-is "soon" to be again removed, taken to a remoter corner of the city.
-
-The Square de l'Archevêché, laid out in 1837, was in olden days a
-stretch of waste land known as the "Motte aux Papelards," the playground
-of the Cathedral Staff. Boileau's Paris home was here in a street long
-swept away. His country-house, as we know, was at Auteuil (_see_ p.
-275). In 1870 the square was turned for the time into an artillery
-ground.
-
-Quai de Bourbon on the Île St. Louis dates from 1614. Every house along
-its line is interesting, of seventeenth-century date for the most part.
-At No. 3, we see a shop of the days and style Louis XV. Nos. 13-15,
-hôtel de Charron, where in modern times Meissonnier had his studio. We
-see fine doors and doorways, courts, staircases, balustrades, at every
-house. No. 29 was the home of Roualle de Boisgelon. Philippe de
-Champaigne lived for a time at No. 45.
-
-Quai d'Orléans was named after Gaston, the brother of Louis XIII. No. 18
-is the hôtel Roland. No. 6 is a Polish museum and library.
-
-Quai de Béthune, once Quai du Dauphin, named by the Revolutionists Quai
-de la Liberté, shows us seventeenth-century houses along its entire
-course. No. 32 was the home of the statesman Turgot in his youth--his
-father's house. Subterranean passages ran to the Seine from No. 30, and
-some other riverine houses. At No. 24, built by Le Vau, we find an
-interesting court, with fountain, etc.
-
-Quai d'Anjou is another Orleans quay, for Gaston was duc d'Anjou. No. 1
-is the splendid hôtel Lambert de Thorigny (_see_ p. 93). No. 5, the
-"petit hôtel Poisson de Marigny," brother of Mme de Pompadour. No. 7,
-began as part of the hôtel Lambert, and is now headquarters of the
-municipal bakery directors. Nos. 11, 13, hôtel of Louis Lambert de
-Thorigny. No. 17, hôtel Lauzun, husband of "La Grande Mademoiselle," in
-later times the habitation of several distinguished men of letters:
-Baudelaire, Théophile Gautier, etc. The society of the "Parisiens de
-Paris" bought it in 1904, a magnificent mansion, classed as "Monument
-historique," under State protection, therefore, in regard to its upkeep.
-Nos. 23 and 25 are built on staves over four old walls. No. 35 was built
-by Louis XIV's coachman.
-
-
-RIVE GAUCHE (LEFT BANK).
-
-We will start again from the south-western corner. Here in 1777, in the
-little riverside hamlet beyond Paris, a big factory was built, where was
-first made the disinfectant, of so universal use in France, known as
-_eau de Javel_. The Quai de Javel was constructed some fifty years
-later.
-
-Quai de Grenelle, a rough road from the eighteenth century, was built at
-the same period. The Allée des Cygnes owes its name to the ancient Île
-des Cygnes, known in the sixteenth century and onwards as Île
-Maquerelle, or _mal querelle_, for the secluded islet on the Seine,
-joined later to the river-bank, offered a fine spot in those days for
-fights and quarrels. In the time of Louis XIV the islet was a public
-promenade, and the King had swans put there, hence its name.
-
-Quai d'Orsay memorizing a famous parliamentary man of his day, Prévôt
-des Marchands, first constructed in the early years of the eighteenth
-century, was known from 1802 to 1815 as Quai Buonaparte. It extends far
-along the 7th arrondissement. There we see along its borders the bright
-gardens of the recently laid out park of the Champ de Mars, and numerous
-smart modern streets and avenues opening out of it. No. 105 is the State
-Garde-Meuble, its walls sheltering magnificent tapestries, and historic
-relics of the days of kings and emperors. At No. 99 were the imperial
-stables. No 97, Ministère du Travail. The Ministère des Affaires
-Étrangères (Foreign Office), at No. 37, is a modern structure. The
-Palais de la Présidence, at No. 35, dates from 1722. The Palais-Bourbon
-from the same date (_see_ p. 200).
-
-The busy Gare d'Orléans, so prominent a modern structure along the quay,
-covers the site of the old Palais d'Orsay, and an ancient barracks burnt
-to the ground in 1871. In an inner courtyard at No. 1 we find the
-remains of the ancient hôtel de Robert de Cotte, royal architect-in-chief,
-in the early years of the eighteenth century.
-
-Quai Voltaire was known in part of its course in eighteenth-century days
-as Quai des Théatins. It was constructed under Mazarin, restored in
-1751. Many names of historic note are associated with the handsome house
-at No. 27, built in or about 1712, for Nicolas de Bragelonne, Treasurer
-of France. Its chief point of interest is connected with Voltaire. Here
-he died in 1778; here his heart was kept till 1791. No. 25 was the home
-of Alfred de Musset. The ground between 25 and 15 was occupied from the
-days of Mazarin till 1791 by the convent of the Théatins. The short Rue
-de Beaume close here shows us many interesting old-time houses. No. 1
-was the hôtel of the Marquis de Villette, who became a member of the
-Convention, and called his son Voltaire. At No. 3 were his stables.
-Boissy d'Anglas lived at No. 5, in 1793, and Chateaubriand stayed here
-in 1804. No. 17, dating from about 1670, was the house of the Carnot
-family. At No. 10 we see vestiges of a house belonging to the
-Mousquetaires Gris, for this was their headquarters. No. 2 was built for
-the Marquis de Mailly-Nesle. Nos. 11 to 9, along the _quai_, formed the
-habitation of Président de Perrault, secretary to the Grand Condé. The
-duchess of Portsmouth lived here in 1690, and here the great painter,
-Ingres, died in 1867.
-
-Quai Malaquais began as Quai de la Reine Marguerite, but was nicknamed
-forthwith Quai Mal-acquet (_Mal-acquis_) because the Queen, Henri IV's
-light-lived, divorced wife, had taken the abbey grounds of the Petit
-Pré-aux-Clercs whereon to build her garden-surrounded mansion. At No. 1
-the architect Visconti died in 1818. In 1820 Humboldt lived at No. 3.
-The statue of Voltaire by Caillé was set up opposite No. 5 in 1885. The
-house at No. 9 was built about 1624 on the ground _mal-acquis_ by
-Margaret de Valois. No. 11, École des Beaux-Arts, is on the site of the
-ancient hôtel de Brienne, Louis XIV's Secretary of State. Joined later
-to the house next door it became the home of Mazarin, by and by of
-Fouché, and was made to communicate with the police offices at a little
-distance. Nos. 15 and 17, built by Mansart in 1640, restored a century
-later, after long habitation by persons of noted name, was taken over by
-the State, and in 1885 annexed to the Beaux-Arts.
-
-Quai de Conti records the name of the brother of the Grand Condé. Its
-most prominent building is the Institut de France, the Collège Mazarin,
-built in 1663-70, as the Collège des Quatre Nations Réunies. Its left
-pavilion covers the site of the ancient Tour de Nesle, washed by the
-Seine, which formed the boundary point of Philippe-Auguste's wall and
-rampart. Mazarin's will endowed the college for the benefit of sixty
-impecunious gentlemen's sons of Alsace, France, Pignerol, Roussillon.
-The Revolutionists styled it "Collège de l'Unité," then in 1793
-suppressed it, and used the building for meetings of the Salut Public,
-later as an École Normale, then as a Palais des Arts; finally, after
-undergoing restoration, it became in 1805 the Institut de France, as we
-know it. The ancient chapel has been taken for the great meeting-hall,
-the hall of the grandes "Séances." For long Mazarin's tomb, now in the
-Louvre, was there. His body is said to be there still, deep down beneath
-the chapel pavement. The Bibliothèque Mazarine is in the part of the
-building covering the spot where the petit hôtel de Nesle stood of old.
-The greater part of the statesman's valuable collection of books was
-brought here from his palace, now incorporated in the Bibliothèque
-Nationale, Rue de Richelieu, according to his will. It contains many
-precious ancient volumes and manuscripts. The house No. 15 was built by
-Louis XIV on the foundations of the ancient Tour de Nesle. No. 13, where
-we see the shop of the booksellers Pigoreau, was built by Mansard, in
-1659, one of its walls resting upon a bit of the ancient wall of
-Philippe-Auguste. Here, on the third story, we may see the room, an
-attic then, as now, where young Buonaparte, a student at the École
-Militaire, used to spend his holidays, welcomed there by old friends of
-his family. The short Rue Guénégaud, memorizing the mansion once there,
-bordering at one part the walls of the Mint, shows us along the rest of
-its course, at No. 1, remains of a once famous marionnettes theatre;
-at No. 19 an old gabled house; in the court, No. 29, a tower of
-Philippe-Auguste's wall; an ancient inscription at No. 35; a fine old
-door at No. 16, etc. The narrow old-world Rue de Nevers shows us none
-but ancient houses. This thirteenth-century street was formerly closed
-at both ends and known therefore as Rue des Deux-Portes. Beneath No. 13
-of the little Rue de Nesle runs an ancient subterranean passage blocked
-in recent years. The old house at No. 5 of the quay was for long looked
-upon as the dwelling of Buonaparte after he left Brienne. At the
-recently razed No. 3 lived Marie-Antoinette's jeweller, his shop
-surmounted by the sign "Le petit Dunkerque," referring to articles of
-curiosity in the jewellery line, much in vogue in the year 1780. A
-little café at No. 1, also razed, was till lately the humble successor
-of the first Paris "Café des Anglais," set up there in 1769, a
-gathering-place for British men of letters.
-
-[Illustration: QUAI DES GRANDS-AUGUSTINS]
-
-Quai des Grands-Augustins, the oldest of Paris quays, dates in part from
-the thirteenth century, and records the existence there of the monastery
-where in its heyday the great assemblies of the clergy were held, and
-the ecclesiastical archives kept from 1645 to 1792. The Salle des
-Archives was then given up to the making of _assignats_. In 1797 the
-convent was sold and razed to the ground. We see some traces of it at
-No. 55. The bookseller's shop there was till recent years paved with
-gravestones from the convent chapel which stood on the site of No. 53.
-The restaurant Lapérouse at No. 51 was, in the seventeenth century, the
-hôtel of the comte de Bruillevert. The Académie bookseller,
-Didier-Perrin, is established in the ancient hôtel Feydeau et Montholon.
-No. 25 was built by François I. No. 23 opened on the vanished Rue de
-Hurepoix. No. 17 was part of the hôtel d'O, subsequently hôtel de
-Luynes.
-
-Quai St-Michel was known for a time in Napoléon's day as Quai de la
-Gloriette. Its first stone was laid so far back as 1561, then no more
-stones added till 1767, an interim of two centuries. Another
-interruption deferred its completion to the year 1811. The two narrow
-sordid streets we see opening on to it, Rue Zacharie and Rue du Chat qui
-Pêche, date, the first from 1219, as in part Rue Sac-à-lie in part Rue
-des Trois-Chandeliers, from its earliest days a slum; the second, a mere
-alley, from 1540.
-
-Quai de Montebello began in 1554 as Quai des Bernardins from the
-vicinity of the convent--its walls still standing (_see_ p. 136). The
-quay bore several successive names till its entire reconstruction in
-early nineteenth-century years, when it was renamed in memory of
-Napoléon's great General, Maréchal Lannes.
-
-Quai de la Tournelle was Quai St-Bernard in the fourteenth century. The
-Porte St-Bernard was close by. La Tournelle was a stronghold where
-prisoners were kept close until deported. On the wall of Nos. 57-55, now
-a distillery, we read the words: "Hôtel cy-devant de Nesmond." It began
-as hôtel du Pain. Président de Nesmond, who owned it later, inscribed
-his name on its frontage, the first inscription of the kind known. The
-Pharmacie Centrale we see at No. 47 is the ancient convent of the
-Miramiones. The nuns were so named from Mme de Miramion who, left a
-widow at sixteen, founded this convent for the care of poor girls. The
-nuns had their own boat to convey the girls to services at Notre-Dame.
-In the chapel we find seventeenth-century decorations, and in the body
-of the building many interesting vestiges. On the walls at No. 37 we
-read the inscription, "Hôtel cy-devant du Président Rolland" (the
-anti-Jesuit). The old-time coaches for Fontainebleau had their bureau
-and starting-point at No. 21. No. 15 is the quaint and historic
-restaurant de la Tour d'Argent, which has existed since 1575 (closed
-during the war), famed for its excellent and characteristic _cuisine_
-and its picturesque, old-time menu cards, with their strong spice of
-_couleur locale_.
-
-Quai d'Austerlitz is the old Quai de l'Hôpital. The boundary-line
-between Paris and what was before its incorporation the village of
-Austerlitz passed at No. 21. The famous hôtel des Haricots, the prison
-of the Garde Nationale, where many artists and men of letters of olden
-days served a period of punishment, often left their names written in
-couplets on its walls, was till the early years of last century on the
-site where now we see the busy departure platform of the Gare d'Orléans.
-
-Quai de la Gare, bordered by ancient houses, was till 1863 route
-Nationale.
-
-
-
-
-CHAPTER LII
-
-LES PONTS (THE BRIDGES)
-
-
-Once more to the south-western corner of this "bonne ville de Paris."
-The first bridge over the Seine within the city boundary, beginning at
-this end, is the Viaduct d'Auteuil (_see_ p. 320). The second is
-Pont-Mirabeau, dating from the last decade of the nineteenth century.
-Pont de Grenelle is of earlier date (1825). The Statue of Liberty we see
-there (Bartholdi) is a replica in reduced size of that sent to New York.
-Pont de Passy first spanned the Seine as a mere footway at the time of
-the Exhibition of 1878, rebuilt in its present form in 1906. Pont d'Iéna
-has a greater historic interest. Its construction was set about in 1806.
-It had just been finished when in 1814 Blücher and the Allies proposed
-to blow it up. Royal influence prevailed to save it. It was called
-thenceforth till 1830 Pont des Invalides.
-
-Pont de l'Alma, that emphatically Second-Empire bridge with its four
-Napoléonic soldiers, a Zouave, an infantry man, an artillery man, and a
-chasseur, was built between the years 1854-57. It was still unfinished
-when on April 2nd, 1856, Napoléon III and a sumptuously accoutred
-cortège passed across it to present flags to the regiments returned from
-the Crimea. Pont-des-Invalides was built in 1855.
-
-[Illustration: LE PONT DES ARTS ET L'INSTITUT]
-
-The first stone of the very ornate Pont Alexandre III, formed of a
-single arch 107 mètres long, was laid with great ceremony by the Czar
-Nicholas II in 1896. It was opened in 1900.
-
-A truly historic bridge is the Pont de la Concorde, built between 1787
-and 1790, finished with stones off the razed Bastille, and called at
-first Pont Louis XVI. Louis' head fell, and the bridge became Pont de la
-Révolution. Twelve immense statues of famous statesmen and warriors were
-set up on it in 1828. They were considered too big, and in 1851 were
-taken away to the Cour d'Honneur de Versailles.
-
-[Illustration: PONT-NEUF]
-
-Pont de Solferino, built in 1858, records the victorious Italian
-campaigns of 1859.
-
-Pont-Royal was designed by Mansart and built in 1689 by Dominican monks
-to replace a smaller, more primitive bridge which had been known
-successively as Pont-Barlier, Pont-des-Tuileries, Pont-Rouge, and Pont
-Ste-Anne; it underwent restoration in 1841. Pont des Saints-Pères, or
-Pont du Carrousel was one of the last of Paris bridges to pay toll;
-built in 1834, restored in recent years.
-
-Pont-des-Arts, so called from its vicinity to the Louvre, leading in a
-straight line from the colonnaded archway of the Court Carrée to the
-Institut, was opened in 1804, restored 1854.
-
-Pont-Neuf, the most characteristic of Paris bridges, dates back to the
-reign of Henri III. The King himself laid its first stone in 1578, but
-it was not finished till 1603, when Henri IV was King. "Le bon Roi"
-determined to be the first to cross it on horseback, and while it was
-still unsafe spurred his thoroughbred along the unfinished bridge way.
-His lords, hastening to follow where their master led, were jolted out
-of their saddles, and falling upon the unparapeted structure, rolled
-into the river and were drowned. Louis XIII set up a statue of his
-father on horseback on the bridge; the statue of the horse was a gift
-from Cosimo de' Medici to Louis' mother. At the Revolution it was
-overturned, taken away, and melted down to make cannons for the
-insurgents. Louis XVIII replaced it by a statue made of the bronze of
-the first statue of Napoléon that had been set up on Place Vendôme and
-that of his general, Desaix, on Place des Victoires. Though set up by
-the Bourbon King, the figure we see is believed to contain within it a
-statuette of Napoléon I and Voltaire's _Henriade_. Until 1848 there were
-shops within the semicircles we see on either side of the old bridge,
-and beneath the second archway near the right bank there was one of the
-first hydraulic pumps, known as "la Samaritaine." Its water was conveyed
-to the Louvre, the Tuileries, and to houses all around, and fed the
-famous old fountain built in 1608, destroyed a century later, rebuilt in
-1715, again destroyed after another hundred years, with the figure of
-the Samaritan woman giving water to our Saviour. The bathing-house near
-the spot with its sign, and the big modern shop of hideous aspect, alone
-remain to record the name of the ancient pump and fountain. Two or three
-ancient houses still stand on the Place du Pont-Neuf in the middle of
-the bridge. At its picturesque western point we see the tree-shaded
-square Henri IV, known also as the Square du Vert-Galant. Place
-Dauphine, at its south-western side, dates from the days when Henri's
-son, later Louis XIII, was dauphin.
-
-The Pont St-Michel we see to-day was built in 1857. The first bridge
-there, joining the mainland to the island on the Seine, was constructed
-towards the close of the fourteenth century. That bridge and two
-successive ones were destroyed by fire.
-
-Pont-au-Change, the Money-changers' Bridge, was in olden days a wooden
-construction which went by the names Pont de la Marchandise and
-Pont-aux-Oiseaux. Jewellers as well as money-changers plied their trade
-along its planks, perhaps also bird merchants. It was a little higher up
-the river in its early twelfth century days and was often flooded. It
-was badly burnt, too, more than once; then in the seventeenth century
-was entirely rebuilt of stone, and bronze statues of the royal family,
-Louis XIII, Louis XIV as a child, and Anne d'Autriche, set up there. In
-the century following the houses upon it were all cleared away and in
-1858 it was again rebuilt.
-
-The Petit-Pont joins the Île to the left bank at the very same spot
-where the Romans made a bridge across the river, one of two which
-spanned the Seine in their day, and on beyond. Like all town bridges of
-the Middle Ages it was made of wood and each side thickly built upon by
-houses and shops; windmills, too, stood on this ancient bridge, grinding
-corn for the citizens around. And where we now see the Place du
-Petit-Pont there stood a wooden tower, la Tour de Bois, erected to
-protect the bridge against the invading Normans. At the Musée Carnavalet
-an ancient inscription may be seen, recording the names of twelve
-warriors who fought here to defend their city, led by Gozlin, bishop of
-Paris, in 886. In the twelfth century Maurice de Sully, the builder of
-Notre-Dame, rebuilt the bridge in stone, but flood and fire laid it in
-ruins time after time. The last destructive fire was in the spring of
-1718. It was then rebuilt minus its wooden houses. The present structure
-dates from 1853. The _place_ was built in 1782, when the Petit Châtelet,
-which had succeeded the Tour de Bois, was razed. In Rue du Petit-Pont we
-see some old houses on the odd number side. Many were demolished when
-the street was widened a few years ago.
-
-The other bridge of Roman times, succeeding no doubt a rude primitive
-bridge, stretched where the Pont Notre-Dame now spans the river. The
-Roman bridge, built on staves, was overthrown by the Normans in 861.
-Rebuilt as Pont Notre-Dame in 1413, it crashed to pieces some eighty
-years later, carrying down with it the house of a famous printer of the
-day. It was alternatively destroyed and rebuilt several times till its
-last reconstruction in 1853. Its houses were the first in France to be
-numbered (1507). There were sixty-eight of them and the numbering was
-done in gold or gilded ciphers. All these old houses were pulled down in
-1786. Pont Notre-Dame was the "bridge of honour." Sovereigns coming to
-Paris in state crossed it to enter the city. Close up to it stood for
-nearly two hundred years--1670 to 1856--the Pompe Notre-Dame, from
-which all the fountains of the district were supplied with water.
-
-Pont d'Arcole, built as we now see it in 1854, succeeded a wooden bridge
-erected in 1828 with the name Pont de la Grève, commonly called Pont de
-la Balance. It gained its present name, recalling Napoléon's victory of
-1796, in the Revolution of 1830, when a youth at the head of a band of
-insurgents rushed upon the bridge waving the tricolor and shouting: "If
-I die, remember my name is Arcole."
-
-Pont-au-Double, so called because to cross it passengers paid a double
-toll for the benefit of the Hôtel-Dieu, is a nineteenth-century
-construction, replacing the original bridge of the name built in the
-sixteenth century, a little higher up the river.
-
-Pont de l'Archevêché dates from 1828. Pont St-Louis, joining l'Île de la
-Cité to l'Île St-Louis, was built in 1614 as a wooden bridge painted red
-and called, therefore, Pont-Rouge. Like all wooden erections of the age,
-it was damaged by fire, and in the eighteenth century at the time of the
-Revolution, "icebergs" on the Seine knocked it over. An iron footbridge
-was put up in its place and remained till 1862, when the bridge we see
-was built.
-
-Pont Louis-Philippe was built in the same year to replace a suspension
-bridge paying toll.
-
-Pont de la Tournelle, built as we see it in 1851, began as a wooden
-bridge of fourteenth-century erection.[I]
-
-Pont Marie was not, as one might suppose, named in honour of the Virgin,
-nor after Marie de' Medici, who laid its first stone. It simply records
-the name of its constructor, who was "Entrepreneur-Général des Ponts de
-France" at the time. Fifty houses were built upon it. Some were
-destroyed by floods a few years later, others razed in 1788. The two
-Ponts de Sully are, except Pont de Tolbiac, the most modern of Paris
-bridges, built some years after the Franco-Prussian war, replacing two
-older bridges of slight importance. Pont d'Austerlitz dates from 1806,
-the year of the great battle. When the Emperor fell the Allies demanded
-the suppression of the name, and the French Government of the day called
-the bridge Pont du Jardin du Roi, referring to the Jardin des Plantes in
-its vicinity (_see_ p. 155). The name did not catch on. The people would
-have none of it. It has remained a reminder of Napoléon's victory. It
-has been enlarged more than once, the last time in 1885. Pont de Bercy
-was built in 1835, rebuilt 1864. Pont de Tolbiac, in 1895. Pont
-National, a footbridge, in 1853.
-
-[Illustration: PARIS
-
-_Limite des Arrondts_]
-
-
-
-
-INDEX TO HISTORIC PERSONS
-
-
-A
-
-Abelard, 91, 135
-
-About, Edmond, 228
-
-Affre, Monseigneur, Archbishop of Paris, 250, 289
-
-Agnesseau, Henri d', 200, 274 Madame de, 274
-
-Agrippa, 147
-
-Alba, Duque d', 197
-
-Albert, le Grand, Maître, 134-5
-
-Alexander I, Czar, 217
-
-Alexander III, Pope, 88
-
-Amélie, Ex-Queen Dowager of Portugal, 195
-
-Ancre, Maréchale d', 168
-
-Angoulême, Duc d', 44
-
-Angoulême, Duchesse d' (daughter of Louis XVI), 148, 258, 161
-
-Anjou, Charles d', King of Naples and Sicily, 110
-
-Anjou, Duc d', King of Poland, 222
-
-Anjou, Duc de, _see_ Orléans, Gaston d'
-
-Anne d'Autriche, Queen, 14, 32, 59, 154, 188, 205, 300, 341
-
-Anne de Bretagne, Queen, 184
-
-Arcole, 343
-
-Arc, Jeanne d', 27, 209, 289
-
-Armagnacs, the, 310
-
-Arnaud of Andilly, recluse, 316
-
-Arnould, Sophie, 60
-
-Artagnan, Lieutenant-Captain d', 22
-
-Astley's Circus, 241
-
-Atkins, Mrs. (_née_ Walpole), 200, 205
-
-Auber, 229
-
-Aubert, M., vicaire, 134
-
-Aubray, Antoine d', 116
-
-Aubriot, Prévôt de Paris (13th century), 107
-
-Aubriot, Hugues, Prévôt du Roi, 123
-
-Augier, Émile, 32
-
-Aulard, Pierre, 98
-
-Aymon, Les Quatre Fils d', 76
-
-
-B
-
-Balbi, Comtesse de, 175
-
-Ballard, 35-6
-
-Ballu, 26
-
-Balsamo, Joseph, Comte de Cagliostro, 84, 303
-
-Balue, Jean de la, 76
-
-Balzac, Honoré de, 72, 83, 165, 172, 216, 256, 271-2
-
-Barbette, 82
-
-Barclay, Robert, 161
-
-Barras, 164, 229
-
-Barrère, 27
-
-Barrias, 264
-
-Bartholdi, 337
-
-Basville, Lamoignon de, 196
-
-Batz, Baron, 58
-
-Baudelaire, 329
-
-Baudry, Paul, 41
-
-Bault, and his wife, 110
-
-Beauharnais, Eugène de, 205
-
-Beauharnais family, 198
-
-Beauharnais, Joséphine (later Empress), 60, 164, 165, 168, 171, 217,
-225, 298
-
-Beauharnais, Vicomte de, 171
-
-Beaumarchais, 111, 228, 303
-
-Beauvais, Pierre de, 198
-
-Beauvalet, 198
-
-Beauvau, Prince de, 211
-
-Bègue, 296
-
-Belhomme, Dr., 244
-
-Bellefond, Abbesse de, 235
-
-Béranger, 32, 41, 78, 272
-
-Berlioz, 224, 227, 228, 282
-
-Berlioz, Madame (_née_ Smithson), 282
-
-Bernadotte, 235
-
-Bernhardt, Sarah, 301
-
-Berri, Duc de, 52, 217, 219
-
-Berri, Duchesse de, 217, 270, 300
-
-Berryer, 196
-
-Biard, 73
-
-Blanche of Castille, Queen, 39, 137, 177, 252
-
-Blanche, Docteur, 273, 285
-
-Blanche de France, 104
-
-Blanche, Queen, widow of Philippe de Valois, 252
-
-Blücher, Marshal, 337
-
-Boffrand, 29, 205
-
-Boigne, Comtesse de, 210
-
-Boileau, 174, 275, 328
-
-Boisgelon, Roualle de, 338
-
-Boissy d'Anglas, 331
-
-Bonheur, Rosa, 176, 185
-
-Bosi, 10
-
-Bossuet, 33, 39, 98, 186
-
-Bossuet, Abbé, 92-3
-
-Bouchandon, 197
-
-Boucher, 39
-
-Boulanger, Général, 265
-
-Bourbon, Cardinal Charles de, 174
-
-Bourbon, Comte de, 39
-
-Bourbon, Duchesse de, 217
-
-Bourbon-Condé, Mlle. de, Abbesse de Remiremont, 193
-
-Bourbon, Louis de, Prince de Condé, 200-1
-
-Bourdon, 159
-
-Bourguignons, the, 310
-
-Bourrienne, 237
-
-Bragelonne, Nicolas de, 330
-
-Breteuil, Général de, 191
-
-Breteuil, Marquis de, 33, 234
-
-Briancourt, 116
-
-Brienne, de, 331
-
-Brinvilliers, Madame de, 116, 118, 135
-
-Brissac, Duc de, 248
-
-Brisson, Président, 7
-
-Brosse, Jacques de, 164
-
-Brosse, Salomon de, 104, 162
-
-Bruillevert, Comte de, 334
-
-Brunehaut, Queen, 22
-
-Buffon, 155, 156
-
-Buonaparte, Caroline (Murat), 217
-
-Buonaparte, Jérôme, 17, 157
-
-Buonaparte, Lætitia (Madame-mère), 199
-
-Buonaparte, Lucien, 219
-
-Buonaparte, Napoléon, _see_ Napoléon I
-
-Buonaparte, Napoléon, Orma, 17
-
-Buonaparte, Pauline (Princesse Borghese), 218
-
-Buonaparte, Prince Victor, 17
-
-Buonarotti, Michael Angelo, 4
-
-
-C
-
-Cadoual, 42, 68, 206
-
-Cagliostro, Comte de, 84, 303
-
-Caillé, 331
-
-Cain, Georges, 81
-
-Calvin, Jean, 148
-
-Cambon, 28
-
-Cambronne, Général, 260
-
-Camille, Soeur, 168-9
-
-Carême, Antoine, 36
-
-Carlos, King of Portugal, 195
-
-Carnot, 219
-
-Carnot family, 205, 331
-
-Carpeaux, 223
-
-Casabianca, 60
-
-Casanova, 58
-
-Casimir, King of Poland, 174
-
-Cassini, 256
-
-Castanier, de, 61
-
-Catherine de' Medici, Queen, 8, 9, 10, 39, 79, 154, 157, 203, 267, 322
-
-Caumartin, Prévôt des Marchands, 223
-
-Cavaignac, 298, 309
-
-Celestin V, Pope, 303
-
-Cernuschi, 318
-
-Certain, Vicaire, 142
-
-Cerutti, 230
-
-Chabanais, Marquis de, 244
-
-Chalgrin, 28, 140, 164, 175, 176, 215, 217
-
-Champaigne, Philippe, de, 110, 151, 328
-
-Chanac, Guillaume de, Archbishop of Paris, 135, 160
-
-Chantal, Mme de, 120
-
-Charcot, Dr., 312
-
-Charlemagne, 22, 88, 209, 258
-
-Charles I of England, 14, 267
-
-Charles-le-Mauvais, 40
-
-Charles V, Emperor, 3
-
-Charles V, King, 2, 38, 39, 108, 116, 117, 118, 120, 123, 247, 303, 321,
-323
-
-Charles VI, 23, 98, 252
-
-Charles VII, 43
-
-Charles IX, 7, 10, 270
-
-Charles X, 219
-
-Charlotte de Bavière, 166
-
-Charost, Duc de, 218
-
-Charpentier, 157
-
-Charpentier, Gabrielle, 323
-
-Chaslun, Pierre de, Abbot of Cluny, 138
-
-Châtel, Jean, 26
-
-Chavannes, Puvis de, 147, 228, 277
-
-Châteaubriand, 28, 204, 207, 218, 258, 331
-
-Châteaubriand, Madame, 258
-
-Chénier, André, 58, 165, 237, 248, 273
-
-Cherubini, 234
-
-Chevalier, Honoré, 175
-
-Childebert, King, 90, 173, 181
-
-Chimay, Princesse de (_ci-devant_ Mme Tallien), 214
-
-Choiseul, Duc and Duchesse de, 60
-
-Choiseul, Ducs de, 53
-
-Chopin, 31, 209
-
-Christine de France, 180
-
-Cinq Mars, 108
-
-Clarence, Duke of, 74
-
-Claretie, 228
-
-Clavière, 240
-
-Clemenceau, 268
-
-Clementine, Princess, of Belgium, 17
-
-Clermont, Robert de, 39
-
-Clermont, Bishop of, 141
-
-Clisson, Connétable Olivier de, 74
-
-Clothilde, Princess, 17
-
-Clovis, King, 209
-
-Cochin, Vicaire, 256
-
-Colbert, 4, 132, 213, 250, 256
-
-Coligny, Admiral, 7, 21, 26
-
-Commines, Philippe de, 266
-
-Comte, Auguste, 82, 170, 185
-
-Concini, 7
-
-Condé, le Grand, 113, 331
-
-Condé, Louis de Bourbon, Prince de, 200-1
-
-Conflans, Jean de, 39
-
-Conti, brother of Condé, 331
-
-Conti, Princesse de, 168
-
-Coppée, François, 243, 286
-
-Corday, Charlotte, 18, 173, 185, 206, 210, 212
-
-Corneille, Pierre, 32, 58
-
-Corot, 167, 234, 237
-
-Cotte, Robert de, 197, 330
-
-Cousin, Jules, 82
-
-Coustou, 10, 159, 212
-
-Couthon, 28, 316
-
-Coysevox, 135, 159, 212
-
-Crawford, 227
-
-Cuvier, 156, 207
-
-
-D
-
-Dagobert, King, 86, 91, 113, 289, 327
-
-Dangest, 299
-
-Dante, 132, 135
-
-Danton, 333
-
-Darboy, Mgr., Archbishop of Paris, 241-2, 243
-
-Daubenton, 156
-
-Daubigny, 229
-
-Daudet, Alphonse, 111, 120, 165, 200
-
-David, 324
-
-David, Bishop of Moray, 161
-
-Deguerry, Abbé, 209, 243
-
-Deibler, 319
-
-Dejazet, 302
-
-De la Bedoyère, Colonel, 234
-
-De la Brosse, Guy, 155
-
-Delacroix, 175
-
-Delamair, 74, 75
-
-De la Meilleraie, Maréchale, 207
-
-De la Rapée, 326
-
-De la Reynie, 98
-
-Delaroche, 171
-
-De la Rochefoucault, Cardinal, 145, 188
-
-De la Tour d'Auvergne, Abbesse de Montmartre, 232
-
-De la Tour-du-Pin-Gouvernet family, 76
-
-De la Vallette, Comtesse, 219
-
-De la Vallière, Louise, 153-4, 257, 267, 317
-
-Delavigne, Casimir, 233
-
-De l'Épée, Abbé, 33, 153, 303
-
-Delorme, Marion, 82, 120
-
-Delorme, Philibert, 8, 59
-
-Desaix, Général, 49, 340
-
-Descartes, 158
-
-Desmoulins, Camille, 17, 18, 162, 165
-
-Diane de France, 111
-
-Diderot, 27, 304-5
-
-Dionis, 156
-
-Doge, the (1686), 198
-
-Doré, Gustave, 199, 228
-
-Dosne, Mme, 229
-
-Dosne, Mlle, 229
-
-Duban, 6
-
-Dubarry, Jean, 59
-
-Dubarry, Mme, 58, 135
-
-Dumas, 226
-
-Dumas, Alexandre, _père_, 32, 229
-
-Dupin, Aurore (George Sand), 66
-
-Duret, 199
-
-Duret, Président, 205
-
-
-E
-
-Edgeworth, Abbé, 77, 148
-
-Effiat, Maréchal de, 108
-
-Enghien, Duc d', 170, 193, 217
-
-Enghien, Duchesse d', 170
-
-Épinay, Mme d', 224
-
-Érard, Sebastien, 270
-
-Erasmus, 148
-
-Esterhazy, Comte, 69
-
-Estrées, Cardinal d', 197
-
-Estrées, Duchesse d', 197
-
-Estrées, Gabrielle d', 22, 26, 68, 83, 118, 141, 170, 265
-
-Estrées, Maréchal d', 83
-
-Étiolles, M. d', 233
-
-Eudes the Falconer, Bishop of Paris, 96-7, 201
-
-Eugénie, Empress, 13, 273
-
-
-F
-
-Faure, Félix, Président, 236
-
-Favart, 60
-
-Fersan, Comte de, 217, 219
-
-Fesch, Cardinal, 225
-
-Fieschi, 246, 302
-
-Flamel, Nicolas, 43, 69, 96
-
-Flamel, Pernelle, 69, 96
-
-Flandrin, 128, 173, 175, 239
-
-Flaubert, 178
-
-Florian, 270-1
-
-Foucault, 167
-
-Fouché, 331
-
-Folmon, Comte de, 244
-
-Fontenay, Aubert de, 83
-
-Fouquet, père et fils, 120
-
-Fourcy, de, family, 107
-
-Fragonard, 39, 56
-
-Francis-Joseph, Emperor, 195
-
-François I, 3, 94, 97, 140, 175, 206, 334
-
-Franck, César, 308
-
-Franklin, Benjamin, 219, 268, 271-2
-
-Franque, Simon, 100
-
-Franqueville, Comte de, 270 & n.
-
-Fulbert, Chanoine, 91
-
-Fulcon, or Falcon, Comte, 240
-
-Funck-Brentano, 118
-
-G
-
-Gabriel, 4, 28, 142, 191, 194, 211
-
-Gallièra, Duchesse de, _née_ Brignole, 195, 267
-
-Gallifet, Marquis de, 197
-
-Gambetta, 165, 170, 219, 225, 264, 322
-
-Garcia, Manuel, 226
-
-Garlande, Mathilde de, 316
-
-Gaston, brother of Louis Treize, 328
-
-Gauthier, Marguerite (la Dame aux Camélias), 213
-
-Gautier, Théophile, 120, 329
-
-Gay, Sophie, 56
-
-Genlis, Mme de, 199, 217, 219, 233
-
-Géoffrin, Mme, 28
-
-Géricault, 60
-
-Germain, Bishop of Auxerre, 295
-
-Germain, Bishop of Paris, 173
-
-Gesvres, Marquis, de, 324
-
-Girardon, 138
-
-Glasgow, Bishop of, 161
-
-Glück, 176
-
-Gobelin, Jehan, 251, 252
-
-Gobelin, Philibert, 251, 252
-
-Goldoni, 58
-
-Goncourts, frères de, 178
-
-Gondi, Mgr. de, first Archbishop of Paris, 250, 323
-
-Gonthière, 239
-
-Goujon, 4, 41, 43, 59, 81, 321
-
-Gounod, 178, 228
-
-Gourmet, 211
-
-Goy, 245
-
-Gozlin, Bishop of Paris, 186, 342
-
-Gracieuse family, 159
-
-Grand, Mme, 226
-
-Gregory of Tours, 130
-
-Grétry, 33, 298-9
-
-Greuze, 23
-
-Grignan, Mme de, 81
-
-Grimaldi family, 228
-
-Grimm, 224
-
-Gringonneur, Jacquemin, 98
-
-Gros, 147
-
-Guise, Duc de, 119
-
-Guise family, 74
-
-Guizot, 45, 207, 211
-
-
-H
-
-Halévy, 49, 228
-
-Harcourt, Duc d', 200
-
-Harduin-Mansart, 200
-
-Haudri, Jean, 73
-
-Haussmann, Baron, 211
-
-Hauteville, Comte d', 238
-
-Haüy, Valentin, 192
-
-Heine, Heinrich, 180, 213, 227
-
-Héloïse, 91
-
-Helvetius, 32
-
-Henault, Président, 106
-
-Henner, 228
-
-Henri de Bourbon, 166
-
-Henri II, 8, 36, 79, 111, 119, 180, 307
-
-Henri III, 340
-
-Henri IV, 7, 10, 26, 30, 36, 49, 90, 94, 118, 119, 141, 174, 175, 178,
-180, 190, 209, 241, 248, 265, 289, 314, 321, 331, 340, 341
-
-Henriette (Henrietta Maria), Queen, 14, 267, 300
-
-Henry V of England, 2, 74
-
-Henry VI, 90
-
-Hérédia, 118
-
-Hertford, Marquis of, 226, 230
-
-Hoche, Maréchal, 235
-
-Hortense, Queen, 205
-
-Houdin, 157
-
-Hugo, Mme (mère), 153
-
-Hugo, Victor, 32, 112, 120, 147, 231, 232, 264, 306, 313
-
-Hugues Capet, 257
-
-Humboldt, 331
-
-Huysmans, 187
-
-
-I
-
-Ingres, 171, 331
-
-Isabeau de Bavière, Queen, 76, 82
-
-Isabey, 226, 229
-
-Isore or Isïre, 258
-
-
-J
-
-James II, 161
-
-James V, 138
-
-Jarente, Prior, 111
-
-Jaurès, 57
-
-Jean, King, 108
-
-Jeanne de Navarre, Queen, 142
-
-John, King of Bohemia, 39
-
-Jonathan, the Jew, 107
-
-Jones, Paul, 165, 240-1
-
-Joyeuse, Duc de, 26
-
-Juigné, Mgr., Archbishop of Paris (1788), 83, 148
-
-Julian, 310
-
-Julian, Emperor, 138
-
-Julienne, Jean, 254
-
-
-K
-
-Karr, Alphonse, 54, 233, 286
-
-Kernevenoy, 81
-
-Klagman, 52
-
-Kock, Paul de, 301
-
-
-L
-
-Lablache, 226
-
-Lachaise, Père, 294
-
-Lacordaire, 91
-
-La Fayette, 210, 249
-
-Lafayette, Mme de, 167
-
-Lafayette, Mlle, 267
-
-La Fayette-Bailly, 201
-
-Lafitte, 229-30
-
-Lafitte and Caillard, 236
-
-La Fontaine, 56, 198
-
-Lamartine, 165, 200, 264-5
-
-Lamballe, Princesse de, 53, 110, 246-7, 273, 303, 321
-
-Lamotte, Mme, 255
-
-Langes, Savalette de, 27, 58
-
-Lannes, Maréchal, Duc de Montbello, 197, 335
-
-Lantier, Jean, 323
-
-La Riboisière, Comtesse, 306
-
-Latini, Brunetto, 132
-
-Lavoisier, 209
-
-Launay, M. de, 78, 123, 124
-
-Laurens, J. P., 147, 256
-
-Lauzun, 329
-
-La Vrillière, 24
-
-Law, 30, 31, 63, 72, 102
-
-Leblanc, 52
-
-Lecouvreur, Adrienne, 172, 196
-
-Lebrun, 56
-
-Lebrun, architect, 6
-
-Le Brun, Charles, 74, 93, 122, 135, 160, 252
-
-Lebrun, Mme. (mère), 135
-
-Lebrun, Mme Vigée, 56
-
-Lebrun, Pierre, 58
-
-Legendre, 223
-
-Legrand, 197
-
-Legras, Mme, 204
-
-Lemaire, Charles, 266
-
-Lemercier, Népomacène, 166
-
-Lemoine, 305
-
-Lemoine, Cardinal, 160
-
-Lenclos, Ninon de, 53, 82, 84, 122, 236
-
-Lenoir, 171
-
-Lenormand, Mlle, 165
-
-Le Normand d'Étioles, 56
-
-Le Nôtre, 10, 11, 213, 326
-
-Lepic, Général, 285
-
-Leroux, Pierre, 314
-
-Lesage, 174, 326
-
-Lescot, Pierre, 3, 43, 81, 91
-
-Le Tellier, 230
-
-Le Vau, 92, 93, 254, 326, 328
-
-Lexington, Stephen, Abbé de Clairvaux, 136
-
-Ligneri, Jacques de, 81
-
-Lisle, Leconte de, 308
-
-Lisle, Rouget de, 233
-
-Liszt, 224
-
-Littré, 167, 180
-
-Locré, 84
-
-Louis-le-Gros, 35, 96
-
-Louis VI, 98
-
-Louis VII, 98
-
-Louis IX (St. Louis), 5, 39, 45, 47, 73, 90, 110, 112, 136, 137, 177,
-184, 185, 191, 209, 241, 250, 252, 323
-
-Louis XI, 44, 266, 317
-
-Louis XII, 72
-
-Louis XIII, 4, 10, 13, 14, 55, 74, 75, 88, 112, 116, 118, 119, 165, 178,
-209, 246, 254, 270, 307, 311, 327, 328, 340, 341
-
-Louis XIV, 4, 10, 11, 13, 14, 20, 24, 29, 30, 96, 98, 112, 140, 141,
-148, 154, 190, 198, 201, 209-10, 213, 256, 294, 300, 301, 311, 314, 321,
-329, 331, 332, 341
-
-Louis XV, 16, 25, 68, 146, 150, 157, 182, 185, 187, 210, 211, 217, 222,
-232, 247, 249, 270, 275, 284, 326, 341
-
-Louis XVI, 4-6, 11, 25, 27, 58, 70, 77, 148, 155, 157, 175, 185, 192,
-193, 201, 209, 212, 223, 224, 245, 256, 257, 270, 275, 289, 298, 319,
-322, 323, 329
-
-Louis XVII (the Dauphin), 11, 176, 188, 205, 245
-
-Louis XVIII, 12, 52, 71, 202, 210, 221, 315, 319, 340
-
-Louis-Philippe 12, 17, 27, 67, 125, 244
-
-Louvois, 29, 33
-
-Loyola, Ignatius, 141, 148, 279
-
-Loyson, Père, 157, 233
-
-Lucile, 165
-
-Lude, Duc de, 82
-
-Lulli, 32, 211
-
-Lunette, Père, 132
-
-Luxembourg, Duc de (1615), 162
-
-
-M
-
-MacMahon, Maréchal, 30
-
-"Mademoiselle, La Grande," 329
-
-Mailly-Nesle, Marquis de, 331
-
-Maine, Duc de, 259, 313
-
-Maintenon, Mme de, 77, 82, 104, 320
-
-Malesherbes, Lamoignon de, 111
-
-Malibran, 53
-
-Man in the Iron Mask, 113
-
-Mandeville, Mme de, 58
-
-"Manon Lescaut," 255, 312
-
-Mansart, 29, 113, 120, 326, 331, 332, 339
-
-Mansart, Lisle, 197
-
-Marat, 18, 39, 185, 206
-
-Marcel, Étienne, Prévôt de Paris, 39 Prévôt des Marchands, 2, 49
-
-Margot, Queen, _see_ Margaret de Valois
-
-Marguerite de Provence, Queen, 317
-
-Marguerite de Valois, Queen, 116, 170, 172, 176, 200, 206, 270, 331
-
-Maria-Theresa, Queen of Hungary, 33, 40, 221
-
-Marie (contractor), 343-4
-
-Marie-Antoinette, Queen, 11, 28, 40, 110, 174, 175, 210, 212, 223, 227,
-270, 272, 334
-
-Marie Leczinska, 189
-
-Marie l'Égyptienne, 58
-
-Marie Louise, Empress, 12, 90, 215, 322
-
-Marie de' Medici, Queen, 7, 84, 159, 162, 164, 165, 172, 206, 246, 321,
-331, 340 343
-
-Marie Stuart, Queen, 58, 90
-
-Marie-Thérèse de Savoie, 206
-
-Marigny, Poisson de, 329
-
-Marillac, Louise de, 237
-
-Marion, 83
-
-Mars, Mlle, 225
-
-Massa, 219
-
-Massa, Duc de, 219
-
-Massé, Victor, 229
-
-Massenet, 167
-
-Mathilde, Princesse, 220
-
-Mazarin, Cardinal, 51, 100, 246, 330, 331, 332
-
-Medici, Catherine de', _see_ Catherine de' Medici
-
-Medici, Cosmo de', 340
-
-Medici, Marie de'Î, _see_ Marie de' Medici
-
-Méhul, 235
-
-Meilhac, 209
-
-Meissonier, 224, 322, 328
-
-Merrier, Jacques de, 13
-
-Meul, Gérard de, Abbé, 164
-
-Meung, Jean de, 142, 152
-
-Molière, 26, 56, 58, 86, 114, 116, 176, 275, 326
-
-Monaco, Princesse de, _née_ Brignole-Salé, 198
-
-Monaco-Valentinois, Prince, 205
-
-Montansier, Citoyenne, 52, 299
-
-Montereau, Pierre de, 47, 66, 173
-
-Montespan, Mme de, 188, 314
-
-Montesquieu, Maréchal de, 196
-
-Montholon, Général, 235
-
-Montijo, Comtesse de, 273
-
-Montmorency, Comte de, 8
-
-Montmorency, Connétable Anne de, 72, 110
-
-Montmorency, Connétable Mathieu, his wife and family, 68-9, 316
-
-Montmorency family, 187
-
-Montmorency-Laval, Marie Louise de, last Abbess of Montmartre, 228, 237
-
-Montpensier, Duchesse de, 165
-
-Montrésor, Comte de, 79
-
-Montyon, 132, 200
-
-Monvoisin, Catherine, 59
-
-Moreau, Gustave, 228
-
-Moreau, Mme, 165
-
-Michelet, 148, 167
-
-Mignard, 122
-
-Mignet, 229
-
-Mirabeau, Marquis de, 225
-
-Mirabeau, Marquis de (père), 233
-
-Mirabeau, Marquise de, 225
-
-Miramion, Mme de, 335
-
-Miron, 115
-
-Miron, François, Prévôt des Marchands, 104-5
-
-Moreau, Pierre, 26
-
-Moriac, Jules, 228
-
-Morlay, Jacques de, Grand Master of the Templars, 49
-
-Mornay, Louis de, 53
-
-Mozart, 104, 176, 224
-
-Murger, 167
-
-Musset, Alfred de, 27, 29, 175, 197, 217, 231, 275, 304, 330
-
-
-N
-
-Nadaud, Gustave, 269
-
-Napoléon I, 6, 12, 17, 18, 20-1, 27, 30, 36, 38, 54, 56, 60, 71, 74, 90,
-95, 119, 126, 137, 146, 164, 172, 176, 190, 191-2, 201, 208, 215, 217,
-219, 225, 230, 235, 249, 252, 263, 267, 289, 322, 334, 335, 340, 343,
-344
-
-Napoléon III, 6, 12, 13, 17, 28, 68, 99, 118, 165, 189, 190, 192, 209,
-217-18, 222, 230, 234, 264, 267, 272, 278, 285, 286, 298, 321, 337
-
-Napoléon, Prince Pierre, 275
-
-Necker, 224
-
-Nemours, Duc de, 44
-
-Nesmond, Président de, 335
-
-Ney, Maréchal, 228, 234
-
-Nicholas II, Czar, 339
-
-Nicolas-le-Jeune, 92
-
-Noailles, Cardinal de, Archbishop of Paris, 27
-
-Noailles, Maréchal de, 27
-
-Nodier, 118
-
-Noir, Victor, 275
-
-Norfolk, Duke of (1533), 111
-
-
-O
-
-Orléans, Duc d', 244
-
-Orléans, Duc d' (1407), 41, 82-3, 108
-
-Orléans, Duc d' (_circ._ 1844), 277
-
-Orléans, Duc d' (Égalité), 14-16, 17, 81, 221, 233
-
-Orléans, Duc d' (the Regent), 14, 16, 270
-
-Orléans, Duchesse d' (1730), 61
-
-Orléans, Duchesse d', mother of Louis-Philippe, 244
-
-Orléans, Duchesse douairière d', 305
-
-Orléans family, 195
-
-Orléans, Gaston d', Duc d'Anjou, 328
-
-Orléans, Prince d', 221
-
-Ormesson de Noyseau, d', 302
-
-Orry, Marc, 174
-
-Orsay, d', Prévôt des Marchands 329
-
-Orsini, 29, 230
-
-
-P
-
-Pacha, 165
-
-Paillard, Jeanne de, 269
-
-Palatine, Princesse, 167
-
-Paris, Comte de, 195
-
-Parmentier, 242
-
-Pascal, Blaise, 146, 158, 316
-
-Pasteur, 313
-
-Pépin, 246
-
-Périer, Casimir, 196
-
-Perrault, the brothers, 161
-
-Perrault, Claude, 4, 10
-
-Perrault, Président de, 331
-
-Philipon, 327
-
-Philipon, Manon, _see_ Roland, Mme
-
-Philippe-Auguste, 2 _passim_
-
-Philippe-le-Bel, 2, 82, 106, 142, 268
-
-Philippe-le-Long, 96
-
-Pichegru, 52, 204
-
-Pigalle, 189
-
-Pius VII, Pope, 208
-
-Poilu inconnu, le, 215 _n._
-
-Poitiers, Diane de, 121, 171, 180
-
-Pompadour, Mme de, 25, 33, 56, 58, 217, 233, 270, 329
-
-Pouce, Paul, 4
-
-Popincourt, Sire Jean de, 242
-
-Poquelin, Robert, 58
-
-Portsmouth, Duchess of, 331
-
-Pradier, 199
-
-Prince Imperial, the, 12
-
-Provence, Comte de (1790), 175, 217, 224, 284
-
-Provence, Comtesse de, 175
-
-
-Q
-
-Quinquentonne, Rogier de, 57
-
-
-R
-
-Rabelais, 113, 116, 151
-
-Rachel, 63, 273
-
-Racine, 91, 172, 275
-
-Raffet, 322
-
-Ragois, Abbé, 320
-
-Raguse, Duc d', 237
-
-Ranelagh, Lord, 270
-
-Rebours, Abbé, 279
-
-Récamier, Mme de, 52, 56, 174, 188, 210, 224
-
-Récamier, M., 174
-
-"Reine de Hongrie, la," 40
-
-Renan, 175
-
-Retz, Cardinal, 76
-
-Richard, Mgr., Archbishop of Paris, 196, 201
-
-Richelieu, Cardinal, 4, 13-14, 16, 18, 33, 107, 112, 123, 135, 136, 137,
-138, 164, 175, 298
-
-Richelieu, Duc de, 138, 219
-
-Richelieu family, 138
-
-Rieux, Jean de, 108
-
-Rieux, René de, Bishop, 166
-
-Robert-le-Pieux, King, 20, 45
-
-Robespierre (brother of Maximilien), 222
-
-Robespierre, Mlle, 160
-
-Robespierre, Maximilien, 12, 27, 28, 78, 174, 212, 222, 244, 296
-
-Rochereau, Général, 257
-
-Rochechouart,--, de, Abbess of Montmartre, 228, 233
-
-Rodin, 147, 194-5, 313, 314
-
-Rohan, Comtes de, 75-6
-
-Rohan, Prince de, 74
-
-Roland, 240
-
-Roland, Mme (_née_ Philipon), 49, 158, 173, 210, 327
-
-Rolland, Président, 336
-
-Rollin, 140, 158
-
-Romanelli, 52
-
-Rome, Roi de, 12, 267
-
-Ronsard, 151
-
-Rosalie, Soeur, 159
-
-Rossini, 224
-
-Rothschild, 218
-
-Rothschild, 249
-
-Rothschild family, 218
-
-Rouge, Guis de, 259
-
-Rousseau, Jean-Jacques, 12, 39, 272
-
-Rouzet, 244
-
-Rude, 215, 309
-
-
-S
-
-St. Bernard, 135
-
-St. Denis, 232, 278, 279, 280, 301
-
-St. Edmond, 153
-
-St. Éloi, 113
-
-St. Florentin, Comte de, 28
-
-St. François de Sales, 165
-
-St. Julien, 132
-
-St. Just, 218
-
-St. Louis, _see_ Louis IX
-
-St. Martin, 64
-
-St-Michel, 135
-
-St. Ovide, 245
-
-St. Pierre, Bernardin de, 158
-
-Saint-Simon, Duc de, 193, 197, 272, 305
-
-St. Thomas à Becket, 135
-
-St. Vincent-de-Paul, 120, 189, 204, 237, 260
-
-Ste-Bathilde, 164
-
-Sainte-Beuve, J. de, 182
-
-Ste-Croix, 116, 135
-
-Ste-Geneviève, 144, 146, 147, 164, 279, 289, 295
-
-Ste-Marguerite, 250
-
-Ste-Thérèse, Bernard de, Bishop of Babylone, 192, 204
-
-Salis, M., 229
-
-Salm-Kyrburg, Prince de, 205
-
-Sand, George, 66, 153, 167, 178, 184, 226, 275, 314
-
-Sanson, 239
-
-Sans Peur, Jean, 41, 83, 108
-
-Santerre, 249
-
-Sarcey, Francisque, 228
-
-Sardini, Scipion, 157
-
-Sardou, Jules, 153, 180
-
-Sauvigny, Berthier de, 78
-
-Savoie, Adelaide de, 280
-
-Savoie-Carignan, Princesse de, 180
-
-Scarron, 77, 79, 84, 104
-
-Scarron, Mme, 77, 84, _see also_ Maintenon, Mme de
-
-Scribe, 227, 232
-
-Ségur, Général de, 191
-
-Ségur, Marquis de, 308
-
-Ségur, Mgr. de, 195
-
-Sens, Archbishops of, 116
-
-Servandoni, 166, 175
-
-Séverin, 128
-
-Sévigné, Mme de, 69, 81, 82, 83, 104, 120
-
-Sevigné, Marquis de, 120
-
-Seymour, Lord, 226
-
-Sibour, Mgr., Archbishop of Paris, 239
-
-Simon, Jules, 209
-
-Simon, Mme, 188
-
-Smith, Sidney, 70
-
-Sommerard, M. de, 138-40
-
-Sorbon, Robert de, 137
-
-Soubise, Princesse de, 74
-
-Soufflot le Romain, 57, 147, 300
-
-Soyecourt, Camille de, _see_ Camille, Soeur
-
-Spontini, 56
-
-Staël, Mme de, 56, 211, 224
-
-Stevens, Alfred, 235
-
-Strass, 327
-
-Stuart family, 267
-
-Sue, Eugène, 84, 219
-
-Suger, 98
-
-Sulli, or Sully, Maurice de, 88, 135, 289, 342
-
-Sully, 122
-
-Sully, Duc de, 118, 153, 209, 289
-
-Swiss Guards, the, 11, 29, 193, 209
-
-
-T
-
-Taglioni, 230
-
-Talaru, Marquis de, 53
-
-Tallard, Maréchal de, 75
-
-Talleyrand, 195, 201, 226, 273
-
-Talleyrand, Duc de, 230
-
-Talleyrand-Périgord, Comte, 233
-
-Tallien, 182, 213-14
-
-Tallien, Mme, 168, 213-14, 229, 230
-
-Talma, 18, 56, 228
-
-Talma, Mme, 225
-
-Thackeray, W. M., 304
-
-Thierry, Amédée, 209
-
-Thierry, Augustin, 180, 233
-
-Thiers, 226, 265, 273
-
-Thiers, Mme, 265
-
-Thomas, Ambroise, 226
-
-Thorigny, Louis Lambert de, 327
-
-Thorigny, Nicolas Lambert de, 93
-
-Thorigny, Président Lambert de, 83
-
-Tiberius Cæsar, 138
-
-Titon, 102
-
-Tourgueneff, Ivan, 228
-
-Tournon, Cardinal de, 165
-
-Triquetti, 208
-
-Trudaine, Prévôt des Marchands, 235
-
-Turenne, Maréchal de, 78-9, 246
-
-Turgot, 188, 200, 328
-
-Turgot, Prévôt des Marchands, 197
-
-Tussieu, 166
-
-
-U
-
-Urban V, Pope, 132
-
-
-V
-
-Valentinois, Duc de, Prince de Monaco (1640), 118, 200
-
-Valentinois, Duchess de, 39
-
-Valois family, 221, 243
-
-Vanbernier, Jeanne, 27
-
-Van Loo, 175
-
-Vaucanson, 64, 244
-
-Vaux, Baron de, 285
-
-Vaux, Clothilde de, 82
-
-Velasquez, 322
-
-Vendôme, Duc de, 170, 314
-
-Vendôme, Duchesse de, 308
-
-Viarmes,--, de, Prévôt des Marchands, 38
-
-Victoria, Queen of England, 27
-
-Vignole, 112
-
-Villars, Général de, 191
-
-Villedo, 33
-
-Villette, Marquis de, 330-1
-
-Villiers, Loys de, 76
-
-Viollet le Duc, 90
-
-Visconti, 52, 172, 191, 218, 331
-
-Vivien, Sire, 54
-
-Voltaire, 19, 27, 52, 330, 331, 340
-
-
-W
-
-Waldeck-Rousseau, 200
-
-Walpole, Charlotte, _see_ Atkins, Mrs.
-
-Walpole, Horace, 197
-
-Washington, George, 266
-
-Watteau, 53, 151, 160
-
-Wellington, 1st Duke of, 217
-
-
-Z
-
-Zamor, 135
-
-Ziem, 286
-
-Zola, Émile, 56, 227
-
-
-
-
-INDEX TO STREETS
-
-NOTE.--_For Names of Bridges, Historical Buildings and Quays see the
-chapters dealing with them._
-
-
-A
-
-Abbaye, Rue de l', 172-4
-
-Abbé-de-l'Epée, Rue de l', 153
-
-Aboukir, Rue d', 54, 55
-
-Affre, Rue, 289
-
-Aguesseau, Rue d', 218
-
-Alexandrie, Rue, 56
-
-Aligre, Rue d', 250
-
-Ambroise-Paré, Rue, 306
-
-Ambroise-Thomas, Rue, 234
-
-Amsterdam, Rue, 227
-
-Ancienne-Comédie, Rue de l', 177-8
-
-Anglais, Rue des, 132
-
-Angoulême, Rue d', 242
-
-Anjou, Rue d', 210
-
-Annonciation, Rue de l', 272
-
-Antin, Avenue d', 213
-
-Antoine-Carême, Rue, 36
-
-Antoine-Dubois, Rue, 185
-
-Arbalête, Rue de l', 160
-
-Arbre-Sec, Rue de l', 22
-
-Arcade, Rue de l', 209
-
-Archives, Rue des, 72, 102, 107
-
-Argenteuil, Rue d', 32
-
-Argout, Rue d', 58
-
-Armendiers, Rue des, 161
-
-Arquebusiers, Rue des, 303
-
-Arras, Rue d', 157
-
-Assas, Rue d', 167
-
-Assomption, Rue de l', 273
-
-Aubriot, Rue, 107
-
-Auguste-Blanqui, Boulevard, 312
-
-Auguste Comte, Rue, 167
-
-Auguste-Vaquerie, Rue, 265
-
-Auteuil, Rue d', 275
-
-Ave-Maria, Rue, 114
-
-
-B
-
-Babylone, Rue de, 192
-
-Bac, Rue du, 9, 203, 204, 206, 218
-
-Bachaumont, Rue, 58
-
-Bagnolet, Rue de, 294
-
-Bailly, Rue, 64
-
-Balagny, Rue, 276
-
-Baltard, Rue, 35
-
-Balzac, Rue, 216
-
-Banquier, Rue du, 254
-
-Barbet de Jouy, Rue, 193
-
-Barbes, Boulevard, 288, 306
-
-Barbette, Rue, 82
-
-Barres, Rue des, 106
-
-Basfroi, Rue, 245
-
-Bassano, Rue, 214
-
-Batignolles, Boulevard des, 309
-
-Bauches, Rue des, 272-3
-
-Bayard, Rue, 321
-
-Bayen, Rue, 277
-
-Béarn, Rue de, 84
-
-Beaubourg, Rue, 67, 68 _n._, 69, 102
-
-Beauce, Rue de, 73
-
-Beaujolais, Rue de, 16, 19
-
-Beaumarchais, Boulevard, 302-3
-
-Beaume, Rue de, 205, 206, 320-1
-
-Beauregard, Rue, 58, 59
-
-Beautreillis, Rue, 116-17
-
-Beaux-Arts, Rue des, 171
-
-Bellefond, Rue, 235
-
-Belleville, Rue de, 290, 291, 292, 293
-
-Belloy, Rue, 265
-
-Berger, Rue, 36, 43
-
-Bergère, Rue, 233
-
-Bernardins, Rue des, 135
-
-Berri, Rue de, 219
-
-Bertin-Poirée, Rue, 23, 323
-
-Berton, Rue, 320
-
-Bichat, Rue, 241
-
-Bièvre, Rue de la, 135
-
-Birague, Rue de, 120
-
-Blanche, Rue, 227, 309
-
-Blancs-Manteaux, Rue des, 107
-
-Bôëtie, Rue de la, 219
-
-Boileau, Rue, 275
-
-Bois, Rue des, 290
-
-Bois-de-Boulogne, Avenue du, 264
-
-Bois-le-Vent, Rue, 273
-
-Boissière, Rue, 266
-
-Boissy d'Anglais, Rue, 211
-
-Bonaparte, Rue, 170, 206
-
-Bonne-Nouvelle, Boulevard, 300
-
-Bons Enfants, Rue des, 13, 24
-
-Boucher, Rue, 23
-
-Boucheries, Rue des, 304
-
-Boucry, Rue, 289
-
-Boulainvilliers, Rue de, 272
-
-Boulangers, Rue des, 158
-
-Bourdonnais, Avenue de la, 201
-
-Bourdonnais, Rue des, 23
-
-Bourg d'Abbé, Rue, 62
-
-Bourgogne, Rue de, 201
-
-Boutbrie, Rue, 128
-
-Brague, Rue de, 73-4
-
-Brantôme, Rue, 69
-
-Brêche-aux-loups, Rue de la, 250
-
-Bretagne, Rue de, 73
-
-Breteuil, Avenue de, 191
-
-Brise-Miche, Rue, 98
-
-Broca, Rue, 151, 317
-
-Brosse, Rue de, 324
-
-Bûcherie, Rue de la, 132
-
-Bruxelles, Rue de, 227
-
-Bruyère, Rue la, 228
-
-
-C
-
-Cadet, Rue, 233
-
-Caffarelli, Rue de, 73
-
-Calvaire, Rue du, 285
-
-Cambacères, Rue, 218
-
-Cambon, Rue, 28
-
-Cambronne, Rue, 260
-
-Campo-Formio, Rue de, 312
-
-Canivet, Rue, 167
-
-Capucines, Boulevard des, 298
-
-Capucines, Rue des, 60, 298
-
-Cardinal-Lemoine, Rue, 160-1
-
-Carmes, Rue des, 140
-
-Carmes, Rue Basse des, 140
-
-Cascades, Rue des, 293
-
-Cassette, Rue, 175
-
-Cassini, Rue, 256
-
-Castex, Rue, 306
-
-Castiglione, Rue, 10, 29
-
-Caulaincourt, Rue, 286
-
-Caumartin, Rue, 223, 297
-
-Censier, Rue, 136
-
-Cerisaie, Rue de la, 118
-
-Chabrol, Rue de, 237
-
-Chaillot, Rue, 214, 266, 273
-
-Champs-Elysées, Avenue des, 213-15, 263, 264
-
-Chancy, Rue, 245
-
-Chanoinesse, Rue, 91
-
-Chantereine, Rue, 225
-
-Chantres, Rue des, 91
-
-Chapelle, Boulevard de la, 310
-
-Chapelle, Rue de la, 289
-
-Chapon, Rue, 68
-
-Chardon-Lagache, Rue, 275
-
-Chardonnière, La, Rue Neuve de, 288
-
-Charenton, Rue de, 249, 322
-
-Charlemagne, Rue, 114
-
-Charlot, Rue, 76, 78
-
-Charonne, Rue de, 243-4, 245
-
-Chat qui Pêche, Rue du, 126, 335
-
-Château, Rue du, 259, 313
-
-Château d'Eau, Rue du, 239
-
-Chateaudun, Rue du, 225
-
-Château-Landon, Rue, 310
-
-Chaussée d'Antin, Rue de la, 224-5, 297
-
-Cherche-Midi, Rue, 186, 313
-
-Chevalier de la Barre, Rue, 282
-
-Chevreuse, Rue de, 315-16
-
-Childebert, Rue, 157
-
-Choiseul, Rue de, 60
-
-Christine, Rue, 180
-
-Ciseaux, Rue des, 304
-
-Cité, Rue de la, 86
-
-Clef, Rue de la, 157
-
-Cléry, Rue, 58
-
-Clichy, Avenue de, 276, 288, 309
-
-Clichy, Rue de, 227
-
-Cloître-St-Merri, Rue, 98
-
-Clothilde, Rue, 161
-
-Clovis, Rue, 142-3
-
-Cloys, Rue des, 288
-
-Colbert, Rue, 51, 52
-
-Colombe, Rue de la, 91
-
-Colisée, Rue de, 219
-
-Colonnes, Rue des, 53
-
-Comète, Rue de la, 196
-
-Commines, Rue de, 85
-
-Compans, Rue, 291
-
-Convention, Rue de la, 74, 261
-
-Copernic, Rue, 265
-
-Coq, Avenue du, 225
-
-Coquillère, Rue, 33
-
-Corneille, Rue, 165
-
-Cortot, Rue, 285
-
-Cossonnerie, Rue de la, 43
-
-Courcelles, Boulevard de, 309
-
-Couronnes, Rue des, 293
-
-Courtalon, Rue, 36
-
-Croissant, Rue du, 56-7
-
-Croix-Faubin, Rue, 243
-
-Croix-Nivert, Rue de la, 260-1
-
-Croix des Petits-Champs, Rue, 25
-
-Croix du Roule, Rue de la, 220
-
-Croulebarbe, Rue, 252-4
-
-Crussol, Rue de, 302
-
-Cure, Rue de la, 273
-
-Cuvier, Rue, 156
-
-
-D
-
-Dames, Rue des, 276
-
-Damrémont, Rue, 288
-
-Dante, Rue, 132
-
-Danton, Rue, 182
-
-Darboy, Rue, 241-2
-
-Daru, Rue, 220
-
-Daubenton, Rue, 160
-
-Daunou, Rue, 60
-
-Dauphine, Rue, 178
-
-Davioud, Rue, 273
-
-Debelleyme, Rue, 83-4
-
-Deguerry, Rue, 242
-
-Demours, Rue, 277
-
-Denfert-Rochereau, Rue, 257
-
-Desaix, Rue, 261
-
-Déchargeurs, Rue des, 36
-
-Dussoubs, Rue, 57
-
-Deux-Boules, Rue des, 323
-
-Didot, Rue, 259
-
-Docteur Blanche, Rue de, 273
-
-Domat, Rue, 132
-
-Dombasle, Rue, 260
-
-Dôme, Rue du, 264
-
-Dosne, Rue, 265
-
-Douai, Rue de, 228
-
-Dragon, Rue du, 186
-
-Drouot, Rue, 229, 230
-
-Duphot, Rue, 29
-
-Dupin, Rue, 187
-
-Dupleix, Rue, 261
-
-Dupuytren, Rue, 185
-
-Dutot, Rue, 313
-
-
-E
-
-Eaux, Rue des, 272
-
-Échaudé, Rue de l', 304
-
-Échiquier, Rue de l', 237
-
-École, Rue de l', 22
-
-École de Médicine, Rue de l', 184
-
-Écoles, Rue des, 138
-
-Edgar-Quinet, Boulevard, 313
-
-Édouard VII, Rue, 298
-
-Éginhard, Rue, 114
-
-Égout, Rue de l', 305
-
-Élysée-des-Beaux-Arts, Rue de, 310
-
-Épée-de-Bois, Rue de l', 159
-
-Éperon, Rue de l', 182
-
-Estrapade, Rue de l', 161
-
-Étienne-Marcel, Rue, 39, 57
-
-Étuves, Rue des, 102
-
-Eugène-Carrière, Rue, 288
-
-Eylau, d' Avenue, 265
-
-
-F
-
-Fabert, Rue, 196
-
-Faubourg Montmartre, Rue du, 232, 299
-
-Faubourg Poissonière, Rue du, 233-4
-
-Faubourg St. Antoine, Rue du, 246 _sqq._
-
-Faubourg St-Denis, Rue du, 236-7
-
-Faubourg St-Jacques, Rue, 256, 272
-
-Faubourg St-Honoré, Rue, 318
-
-Faubourg St-Martin, Rue du, 236, 238
-
-Faubourg du Temple, Rue du, 236, 241
-
-Fauconnier, Rue du, 116
-
-Favart, Rue, 60
-
-Fédération, Rue de la, 261
-
-Félicien-David, Rue, 274
-
-Fer-à-Moulin, Rue du, 157
-
-Ferdinand-Duval, Rue, 110
-
-Férou, Rue, 167
-
-Ferronnerie, Rue de la, 36
-
-Feuillantines, Rue des, 153
-
-Feydeau, Rue, 53
-
-Figuier, Rue du, 115-16
-
-Filles-du-Calvaire, Boulevard, 302
-
-Filles de St-Thomas, Rue des, 53, 54
-
-Flandres, Rue de, 290
-
-Fleurus, Rue, 167
-
-Foin, Rue du, 84
-
-Fontaine, Rue, 310
-
-Fontaine, Rue la, 274
-
-Fontaine du But, Rue de la, 288
-
-Fontaine au Roi, Rue de la, 241
-
-Fontaines, Rue des, 72
-
-Fossés St-Bernard, Rue des, 156
-
-Fouarre, Rue du, 132
-
-Four, Rue du, 174
-
-Foyatier, Rue, 279
-
-François-Miron, Rue, 104, 106, 122
-
-Francs-Bourgeois, Rue des, 74, 84, 110
-
-Franklin, Rue, 268
-
-Friedland, Avenue, 221
-
-Frochot, Avenue, 229
-
-Froissard, Rue, 85
-
-Fromentin, Rue, 310
-
-
-G
-
-Gabriel, Avenue, 214
-
-Gabrielle, Rue, 285
-
-Gaité, Rue de la, 259
-
-Galande, Rue, 132
-
-Galilée, Rue, 214, 220, 265
-
-Garancière, Rue, 166
-
-Garibaldi, Boulevard, 314
-
-Geoffroy St-Hilaire, Rue, 156
-
-Georges-Bizet, Rue, 265-6
-
-Germain-Pilon, Rue, 310
-
-Girardon, Rue, 286
-
-Glacière, Rue de la, 254
-
-Gobelins, Avenue des, 254
-
-Gobelins, Rue des, 252
-
-Gozlin, Rue, 186
-
-Grammont, Rue de, 60
-
-Grande Armée, Avenue de la, 263, 264
-
-Grand Chaumière, Rue de la, 315
-
-Grand Prieuré, Rue du, 302
-
-Grands-Augustins, Rue de, 180
-
-Grange-Batelière, Rue, 231
-
-Grange-aux-Belles, Rue de la, 240
-
-Gravilliers, Rue des, 68
-
-Grenelle, Boulevard de, 314
-
-Grenelle, Rue de, 196, 198
-
-Grenier-St-Lazare, Rue, 69
-
-Guénégaud, Rue, 177, 332
-
-Guersant, Rue, 277
-
-Guillemites, Rue des, 108
-
-
-H
-
-Hachette, Rue de la, 126
-
-Hallé, Rue, 258
-
-Halles, Rue des, 36
-
-Hameau, Rue du, 261
-
-Hanovre, Rue de, 60
-
-Harlay, Rue de, 327
-
-Haudriettes, Rue des, 73
-
-Haussmann, Boulevard, 317-18
-
-Hautefeuille, Rue, 182
-
-Hauteville, Rue d', 238
-
-Haxo, Rue, 243, 292
-
-Hazard, Rue du, 33
-
-Helder, Rue de, 298
-
-Henner, Rue, 228
-
-Henri-Monnier, Rue, 229
-
-Henri IV, Boulevard, 303
-
-Henry-Martin, Avenue, 267
-
-Hirondelle, Rue de l', 181, 307
-
-Hoche, Avenue, 221
-
-Honoré-Chevalier, Rue, 175
-
-Hospitalières-St-Gervais, Rue des, 110
-
-Hôpital, Boulevard de l', 311-12
-
-Hôtel Colbert, Rue de l', 132
-
-Hôtel de Ville, Rue de l', 106
-
-
-I
-
-Iéna, Avenue d', 265
-
-Innocents, Rue des, 43
-
-Invalides, Boulevard des, 192, 314
-
-Irlandais, Rue des, 148
-
-Italiens, Boulevard des, 60, 298-9
-
-
-J
-
-Jacob, Rue, 172
-
-Jardins, Rue des, 116
-
-Jarente, Rue de, 111
-
-Jean-de-Beauvais, Rue, 140
-
-Jean-Jacques Rousseau, Rue, 39
-
-Jean-Lantier, Rue, 23, 323
-
-Jeûneurs, Rue des, 57
-
-Jour, Rue du, 38
-
-Jouy, Rue de, 106-7
-
-
-K
-
-Kellermann, Boulevard, 319
-
-Keppler, Rue, 265
-
-Kléber, Avenue, 265
-
-
-L
-
-Laborde, Rue de, 222
-
-Lacépède, Rue, 159
-
-Lafayette, Rue, 239
-
-Lafitte, Rue, 229-30
-
-Lamarck, Rue, 286
-
-Lanneau, Rue, 142
-
-Laplace, Rue, 142
-
-Latran, Rue de, 140
-
-Lauriston, Rue, 266
-
-Lavandières, Rue des, 323
-
-Lavandières-Ste-Opportune, Rue des, 23
-
-Le Brun, Rue, 254
-
-Lecourbe, Rue, 261
-
-Legendre, Rue, 277
-
-Lekain, Rue, 272
-
-Léon-Cosnard, Rue, 277
-
-Lepic, Rue, 285
-
-Lesdiguières, Rue, 118
-
-Lévis, Rue de, 276-7
-
-Lhomond, Rue, 148
-
-Lilas, Rue des, 291
-
-Lille, Rue de, 205, 206
-
-Lingerie, Rue de la, 36
-
-Linné, Rue, 156
-
-Lions, Rue des, 116
-
-Lombards, Rue des, 42, 102
-
-Longchamp, Rue de, 266
-
-Louis-Blanc, Rue, 240
-
-Louis-le-Grand, Rue, 60
-
-Louvre, Rue du, 33
-
-Lowenthal, Avenue de, 191
-
-Lubeck, Rue de, 266
-
-Lune, Rue de la, 59, 300
-
-Lutèce, Rue de, 49, 86
-
-Luxembourg, Rue du, 167
-
-
-M
-
-MacMahon, Avenue, 277
-
-Madame, Rue, 174
-
-Madeleine, Boulevard de la, 297
-
-Magenta, Boulevard, 306
-
-Mail, Rue du, 56
-
-Maine, Avenue du, 259
-
-Maire, Rue au, 68
-
-Maistre, Rue de, 288
-
-Maître-Albert, Rue, 135
-
-Malakoff, Avenue, 265
-
-Malesherbes, Boulevard, 317, 318
-
-Malher, Rue, 110
-
-Malte, Rue de, 281
-
-Marais, Rue des, 238-9
-
-Marboeuf, Rue, 214
-
-Marcadet, Rue, 286
-
-Marceau, Avenue, 221, 266-7
-
-Mare, Rue de la, 293
-
-Marie-Stuart, Rue, 58
-
-Martignac, Rue de, 196 _sqq._
-
-Martyrs, Rue des, 232, 278-9
-
-Massillon, Rue, 91
-
-Mathurins, Rue des, 223
-
-Matignon, Avenue, 213
-
-Matignon, Rue, 214, 219
-
-Maubeuge, Rue, 225
-
-Maure, Rue du, 69
-
-Mazarine, Rue, 176
-
-Mazet, Rue, 178
-
-Ménilmontant, Boulevard de, 319
-
-Ménilmontant, Rue, 292-3
-
-Meslay, Rue, 66
-
-Meyerbeer, Rue, 224
-
-Mézières, Rue de, 174-5
-
-Michel-le-Comte, Rue, 69
-
-Michodière, Rue de la, 60
-
-Mignon, Rue, 182
-
-Minimes, Rue des, 84
-
-Miromesnil, Rue, 218
-
-Mitre, Rue de la, 285
-
-Moines, Rue des, 277
-
-Molière, Rue, 32
-
-Molitor, Rue, 275
-
-Monceau, Rue de, 221
-
-Mondétour, Rue, 36
-
-Monge, Rue, 157
-
-Monnais, Rue de la, 22-3
-
-Monsieur, Rue, 193
-
-Monsieur-le-Prince, Rue, 185, 307
-
-Montagne Ste-Généviève, Rue de la, 144
-
-Montaigne, Avenue, 213
-
-Montaigne, Rue, 219
-
-Montalivet, Rue, 218
-
-Montesquieu, Rue de, 19, 24
-
-Montholon, Rue de, 235
-
-Montmartre, Boulevard, 299
-
-Montmartre, Rue, 40, 54, 57
-
-Montmorency, Rue de, 68-9
-
-Montorgueil, Rue, 40, 59
-
-Montparnasse, Boulevard de, 314
-
-Montparnasse, Rue du, 314-15
-
-Montpensier, Rue de, 16, 19
-
-Mont-Thabor, Rue du, 29
-
-Montreuil, Rue de, 245
-
-Moreau, Rue, 250
-
-Motte-Picquet, Avenue de la, 191, 192
-
-Mouffetard, Rue, 149-51
-
-Moulin-Vert, Rue du, 259
-
-Mozart, Avenue de, 273
-
-Muette, Chaussée de la, 269-70
-
-Muse, Petit, Rue du, 118
-
-Musset, Rue de, 275
-
-
-N
-
-Navarre, Rue de, 158
-
-Nesle, Rue de, 176-7, 334
-
-Nevers, Rue de, 177, 334
-
-Nicolas-Flamel, Rue, 96
-
-Nicole, Rue, 257
-
-Nonnains d'Hyères, Rue des, 324
-
-Normandie, Rue de, 78
-
-Norvins, Rue, 285
-
-Notre-Dame de Bonne-Nouvelle, Rue, 59
-
-Notre Dame, Rue du Cloître, 91
-
-Notre-Dame de Lorette, Rue, 229
-
-Notre-Dame de la Recouvrance, 59
-
-Notre-Dame-des-Victoires, Rue, 54
-
-Nouvelle, Rue, 227
-
-
-O
-
-Opéra, Avenue de l', 32, 211
-
-Orfèvres, Rue des, 23
-
-Orléans, Avenue d', 258
-
-Orme, Rue de l', 290
-
-Ormesson, Rue d', 111
-
-Ornano, Boulevard, 288, 306
-
-Ours, Rue aux, 62, 63
-
-P
-
-Paix, Rue de la, 60
-
-Palais, Boulevard du, 49, 306
-
-Palatine, Rue, 166
-
-Panoyaux, Rue des, 319
-
-Paon Blanc, Rue du, 106
-
-Papin, Rue, 62
-
-Paradis, Rue de, 237
-
-Parc-Royal, Rue du, 79
-
-Parcheminerie, Rue de la, 128
-
-Parmentier, Avenue, 242
-
-Pas de la Mule, Rue du, 120
-
-Pasquier, Rue, 209
-
-Passy, Rue du, 269
-
-Pasteur, Boulevard, 313
-
-Pastourelle, Rue, 73
-
-Patriarches, Rue des, 159
-
-Pavée, Rue, 110-11
-
-Payenne, Rue, 82
-
-Péletier, Rue le, 223, 229, 230
-
-Pelleport, Rue, 292
-
-Penthieu, Rue, 219
-
-Penthièvre, Rue de, 218
-
-Pepinière, Rue de la, 222
-
-Perchamps, Rue des, 274
-
-Perche, Rue du, 77, 78
-
-Perle, Rue de la, 83
-
-Pernelle, Rue, 96
-
-Perrault, Rue, 22
-
-Perrée, Rue, 73
-
-Petits-Carreaux, Rue des, 59
-
-Petit-Champs, Rue des, 51
-
-Petits-Pères, Rue des, 55
-
-Petit-Pont, Rue du, 342
-
-Picardie, Rue de, 73
-
-Picpus, Rue, 247-9
-
-Pierre-Bullet, Rue, 239
-
-Pierre-au-lard, Rue, 98
-
-Pierre-Levée, Rue, 241
-
-Pierre-Nicole, Rue, 316
-
-Pigalle, Rue, 227
-
-Pirouette, Rue, 43
-
-Pitié, Rue de la, 160
-
-Plantes, Rue des, 258
-
-Plomet, Rue, 261
-
-Poissonnière, Rue, 59
-
-Poissonières, Boulevard, 299
-
-Poissonniers, Rue des, 288
-
-Poissy, Rue de, 136
-
-Poitou, Rue de, 77-8
-
-Pompe, Rue de la, 269
-
-Pont-au-Choux, Rue, 84, 302
-
-Pont-Neuf, Rue du, 23, 36
-
-Pont de Lodi, Rue, 180
-
-Pontoise, Rue, 136
-
-Popincourt, Rue, 242
-
-Port-Royal, Boulevard de, 314, 316
-
-Pôt-de-fer, Rue, 151
-
-Poteau, Rue du, 288
-
-Poulletier, Rue, 92
-
-Poussin, Rue, 273-4
-
-Pré-St-Gervais, Rue, 291
-
-Prêcheurs, Rue des, 43
-
-Prêtres-St-Séverin, Rue de, 127
-
-Prévôt, Rue du, 115
-
-Procession, Rue de la, 260
-
-Provence, Rue de, 224
-
-Puits de l'Ermite, Rue du, 159
-
-Pyramides, Rue des, 32
-
-Pyrénées, Rue des, 293
-
-
-Q
-
-Quatre-Fils, Rue des, 76
-
-Quatre-Septembre, Rue du, 53, 54, 56
-
-Quincampoix, Rue, 62-3, 102
-
-
-R
-
-Rachel, Avenue, 309
-
-Racine, Rue, 184
-
-Radziwill, Rue, 24
-
-Raffet, Rue, 273
-
-Rambuteau, Rue, 64, 67, 72
-
-Rameau, Rue de, 52
-
-Ranelagh, Avenue du, 270
-
-Ranelagh, Rue du, 270
-
-Raspail, Boulevard, 305-6, 313
-
-Rataud, Rue, 148
-
-Ravignan, Rue, 285
-
-Raynouard, Rue, 270
-
-Réaumur, Rue, 64, 73
-
-Regard, Rue du, 187
-
-Remparts, Rue Basse des, 297
-
-Remusat, Rue de, 274
-
-Renard, Rue de, 68 n.
-
-Rennes, Rue de, 186
-
-Reuilly, Rue de, 249
-
-Reynie, Rue de la, 98
-
-Ribéra, Rue de, 273
-
-Richard Lenoir, Boulevard, 311
-
-Richelieu, Rue de, 52, 53
-
-Richer, Rue, 233
-
-Rivoli, Rue de, 10, 13, 21, 25-6, 28, 33, 96, 102
-
-Rochechouart, Boulevard de, 310
-
-Rochechouart, Rue de la, 228, 233
-
-Rocher, Rue de, 221-2
-
-Roi de Sicile, Rue du, 110
-
-Rollin, Rue, 158
-
-Roquette, Rue de la, 243
-
-Rosiers, Rue des, 108, 110
-
-Rotrou, Rue, 165
-
-Roule, Rue du, 23
-
-Royale, Rue, 211
-
-Royer-Collard, Rue, 308
-
-Rubens, Rue, 312
-
-Ruisseau, Rue du, 288
-
-
-S
-
-St-Ambroise, Rue, 242
-
-St-André-des-Arts, Rue, 178
-
-St-Antoine, Rue, 78
-
-St-Augustin, Rue, 53, 102
-
-St-Benoît, Rue, 174
-
-St-Bernard, Rue, 245
-
-St-Bon, Rue, 96
-
-St-Claude, Rue, 84
-
-St-Denis, Boulevard, 59, 300-1
-
-St-Denis, Rue, 41, 43
-
-St-Didier, Rue, 264
-
-St-Dominque, Rue, 196, 198-9, 305
-
-St-Eleuthère, Rue, 279, 284
-
-St-Fiacre], Rue, 57, 299, 300
-
-St-Florentin, Rue, 28
-
-St-Georges, Rue, 229
-
-St-Germain, Boulevard, 198, 203, 206, 304, 305
-
-St-Germain-l'Auxerrois, Rue, 24
-
-St-Gilles, Rue, 84
-
-St-Honoré, Rue, 13, 20, 21, 25 _sqq.,]_ 31, 73
-
-St-Jacques, Boulevard, 313
-
-St-Jacques, Rue, 130, 140, 141, 152 _sqq._
-
-St-Joseph, Rue, 56
-
-St-Julien-le-Pauvre, Rue, 130
-
-St-Lazare, Rue, 225
-
-St-Lazare-en-l'Isle, Rue, 92-3
-
-St-Marc, Rue, 53
-
-St-Martin, Boulevard, 301
-
-St-Martin, Rue, 63-4, 66, 96, 98, 100
-
-St-Maur, Rue, 241
-
-St-Médard, Rue, 151
-
-St-Michel, Boulevard, 306-7
-
-St-Ouen, Avenue, 288
-
-St-Paul, Rue, 112-14, 116, 187
-
-St-Placide, Rue, 187
-
-St-Roch, Rue, 10, 13, 31-2
-
-St-Romain, Rue, 187
-
-St-Rustique, Rue, 284-5
-
-St-Sauveur, Rue, 58
-
-St-Séverin, Rue, 126-8
-
-St-Sulpice, Rue, 176
-
-St-Thomas-d'Aquin, Rue, 305
-
-St-Victor, Rue, 135
-
-St-Vincent, Rue, 282
-
-Ste-Anne, Rue, 32
-
-Ste-Barbe, Rue, 59
-
-Ste-Croix-de-la-Bretonnerie, Rue, 107
-
-Ste-Hyacinthe, Rue de, 31
-
-Saintonge, Rue, 78
-
-Saints-Pères, Rue des, 198, 206, 305
-
-Santé, Rue de la, 256
-
-Saules, Rue des, 285
-
-Saulmier, Rue, 233
-
-Saussaies, Rue des, 218
-
-Savies, Rue de, 293
-
-Scipion, Rue, 157
-
-Sébastopol, Boulevard, 42, 62, 306
-
-Séguier, Rue, 181-2
-
-Ségur, Avenue de, 191
-
-Seine, Rue de, 176
-
-Sentier, Rue du, 56
-
-Serpente, Rue, 182
-
-Servandoni, Rue, 166
-
-Sevigné, Ruede, 81, 102, 110, 111
-
-Sèvres, Rue de, 188-9, 206, 260, 313
-
-Simon-le-Franc, Rue, 100
-
-Solférino, Rue, 199
-
-Source, Rue de la, 273
-
-Sourdière, Rue de la, 31
-
-Stanislas, Rue, 315
-
-Strasbourg, Boulevard de, 306
-
-Strasbourg, Rue de, 238
-
-Suffren, Avenue, 261
-
-Suger, Rue, 182
-
-Sully, Boulevard, 304
-
-Surène, Rue de, 210
-
-
-T
-
-Tâcherie, Rue de la, 95, 324
-
-Tardieu, Rue, 279
-
-Taille-pain, Rue, 98
-
-Taitbout, Rue, 226
-
-Temple, Boulevard du, 301
-
-Temple, Rue du, 69, 72, 74, 102
-
-Temple, Rue Vielle-du-, 76, 97, 102, 108-10
-
-Ternes, Avenue des, 277
-
-Théophile, Gautier, Rue, 274
-
-Thérèse, Rue, 33
-
-Thorel, Rue, 59
-
-Thorigny, Rue de, 83
-
-Thouars, Petit, Rue du, 72
-
-Thouin, Rue, 161
-
-Tilleuls, Avenue des, 286
-
-Tiquetonne, Rue, 57
-
-Tombe-Issoire, Rue de la, 258
-
-Tour, Rue de la, 267-8, 269
-
-Tour d'Auvergne, Rue de la, 232-3
-
-Tour des Dames, Rue de la, 228
-
-Tour Maubourg, Boulevard de la, 192
-
-Tournelles, Rue des, 84, 112, 122
-
-Tournon, Rue, 165
-
-Tourville, Avenue de, 191
-
-Trésor, Rue du, 108
-
-Trocadéro, Avenue du, _see_ Wilson, Avenue
-
-Trois-Bornes, Rue des, 242
-
-Trois-Portes, Rue des, 132
-
-Tronchet, Rue, 209, 223
-
-Truanderie, Grande, Rue de la, 44
-
-Trudaine, Avenue, 235
-
-Turbigo, Rue, 41, 62, 67, 72
-
-Turenne, Rue de, 74, 78, 84
-
-
-U
-
-Université, Rue de l', 196, 199 _sqq._, 308
-
-Ursins, Rue des, 91
-
-Uzès, Rue d', 58
-
-
-V
-
-Val-de-Grâce, Rue du, 154, 257
-
-Valette, Rue, 142
-
-Valois, Rue de, 16, 18
-
-Vanves, Rue de, 259
-
-Varennes, Rue de, 192, 193, 194-6
-
-Vaugirard, Boulevard de, 313
-
-Vaugirard, Rue, 13, 164, 167, 169, 170, 260
-
-Vauvilliers, Rue, 38
-
-Vauvin, Rue, 315
-
-Velasquez, Avenue, 318
-
-Venise, Rue de, 100, 102
-
-Ventadour, Rue, 33
-
-Verneuil, Rue de, 205, 206
-
-Verrerie, Rue de la, 97-8
-
-Versailles, Avenue de, 275
-
-Vertbois, Rue, 66
-
-Vertus, Rue des, 68
-
-Viarnes, Rue de, 38
-
-Victor-Massé, Rue, 228-9
-
-Vicq d'Aziz, Rue, 319
-
-Victoire, Rue de la, 225-6
-
-Victor-Hugo, Avenue, 264
-
-Vieuville, Rue la, 285
-
-Vieux-Chemin, Rue, 285
-
-Vieux-Colombier, Rue du, 174
-
-Vignes, Rue des, 271-2
-
-Vignon, Rue, 224
-
-Villars, Avenue de, 191
-
-Ville l'Évêque, Rue de la, 210-11
-
-Ville-Neuve, Rue de la, 59
-
-Villedo, Rue, 33
-
-Villette, Boulevard de la, 318-19
-
-Villehardouin, Rue, 84
-
-Villiers, Avenue de, 277
-
-Vineuse, Rue, 268
-
-Visconti, Rue, 171-2
-
-Vivienne, Rue, 51, 54
-
-Voie-Verte, Rue de la, 258
-
-Volney, Rue, 60
-
-Volta, Rue de, 68
-
-Vrillière, Rue la, 24
-
-
-W
-
-Wagram, Avenue, 216, 221, 277
-
-Washington, Rue, 220
-
-Wilhem, Rue, 274
-
-Wilson, Avenue, 267
-
-
-Y
-
-Yvon de Villarceau, Rue, 265
-
-
-Z
-
-Zacharie, Rue, 126, 335
-
-
-FOOTNOTES:
-
-[A] The pictures have been arranged on a different plan since their
-return to the palace after the war.
-
-[B] Part of Rue de Beaubourg, Rue du Renard, and other old streets here
-are soon to disappear, their area transformed into a wide new avenue.
-
-[C] Bombs worked havoc here in the last year of the Great War
-(1914-1918).
-
-[D] The carting away of these vestiges has, we hear, just been decreed.
-
-[E] On the Peace Fête, July 14th, 1919, the Arènes were arranged
-as a theatre, and the performance of a classical play, "Le Cid,"
-took place on the spot where wild beasts had fought of yore; while
-twentieth-century Frenchmen sat on the very stone seats whereon had sat
-Romans and men of primitive Gallic tribes in the earliest days of the
-history of Paris and of France.
-
-[F] On July 14th, 1919, the French Army and contingents from the armies
-of the Allies, victorious after the dread war which had raged since
-August, 1914, passed in triumphal procession beneath the Arch, and
-the chains which, since 1871, had barred its passage, were taken away
-for good. On November 11th, when the "unknown soldier" was buried in
-Westminster Abbey, the "_poilu inconnu_" was laid beneath the Arc de
-Triomphe, and is now buried there.
-
-[G] Le comte de Franqueville died in January, 1920.
-
-[H] It was flooded again in 1920.
-
-[I] It was recently demolished to be replaced by a suspension-bridge in
-order to leave the river free for navigation.
-
- * * * * *
-
-Typographical errors corrected by the etext transcriber:
-
-here in invitation of the Rotonde=> here in imitation of the Rotonde {pg
-270}
-
-Demoulins=> Desmoulins {pg 17}
-
-King Jerôme=> King Jérôme {pg 17}
-
-Sebastopol=> Sébastopol {pg 42}
-
-Sophie Arnoult=> Sophie Arnould {pg 60}
-
-Rue Jean-de-Beauvias=> Rue Jean-de-Beauvais {pg 140}
-
-Aqueduc d'Arcueil brought water from Rangis=> Aqueduc d'Arcueil brought
-water from Rungis {pg 152}
-
-Rue de l'Abbé-de-l'Epée=> Rue de l'Abbé-de-l'Épée {pg 153}
-
-restauraunt Lapérouse => restaurant Lapérouse {pg 180}
-
-days of unparalled warfare=> days of unparalleled warfare {pg 190}
-
-cut if off from surrounding buildings=> cut it off from surrounding
-buildings {pg 218}
-
-St-Marguerite=> Ste-Marguerite {pg 245}
-
-patronage of the comte de Province=> patronage of the comte de Provence
-{pg 284}
-
-its euphonius present name=> its euphonious present name {pg 293}
-
-Aubriot, Prêvot de Paris (13th century), 107=> Aubriot, Prévôt de Paris
-(13th century), 107 {index}
-
-Bourbon-Condè, Mlle. de, Abbesse de Remiremont, 193 Bourbon-Condé, Mlle.
-de, Abbesse de Remiremont, 193 {index}
-
-Enghien, Duc de, 170, 193, 217=> Enghien, Duc d', 170, 193, 217 {index}
-
-Enghien, Duchesse de, 170=> Enghien, Duchesse d', 170 {index}
-
-Estrées, Duchesse de, 197=> Estrées, Duchesse d', 197 {index}
-
-Isore or Isire, 258=> Isore or Isïre, 258 {index}
-
-Marie de' Medici, Queen=> Marie de' Medicis, Queen {index}
-
-Monvoisin, Cathérine, 59=> Monvoisin, Catherine, 59 {index}
-
-Musset, Alfred de, 27, 29, 175, 197, 217, 231, 275, 204, 330=> Musset,
-Alfred de, 27, 29, 175, 197, 217, 231, 275, 304, 330 {index}
-
-Orléans, Duc de (_circ._ 1844), 277=> Orléans, Duc d' (_circ._ 1844),
-277 {index}
-
-Paillard, Jeanne d', 269=> Paillard, Jeanne de, 269 {index}
-
-Ste-Généviève, 144, 146, 147, 164, 279, 289, 295=> Ste-Geneviève, 144,
-146, 147, 164, 279, 289, 295 {index}
-
-Sevigné=> Sévigné {index}
-
-Thierry, Amedée, 209=> Thierry, Amédée, 209 {index}
-
-Antoine, Dubois, Rue, 185=> Antoine-Dubois, Rue, 185 {index}
-
-Böêtie, Rue de la, 219=> Bôëtie, Rue de la, 219 {index}
-
-Banquier, Rue de, 254=> Banquier, Rue du, 254 {index}
-
-Buonaparte, Rue, 170, 206=> Bonaparte, Rue, 170, 206 {index}
-
-Carmes, Rue Basse de, 140=> Carmes, Rue Basse des, 140 {index}
-
-
-Napoleon=> Napoléon {numerous instances}
-
-
-
-
-
-End of the Project Gutenberg EBook of Historic Paris, by Jetta S. Wolff
-
-*** END OF THIS PROJECT GUTENBERG EBOOK HISTORIC PARIS ***
-
-***** This file should be named 42722-8.txt or 42722-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/2/7/2/42722/
-
-Produced by Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images available at The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.