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Bohn + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: A Treatise on Wood Engraving + Historical and Practical + +Author: John Jackson + William Andrew Chatto + Henry G. Bohn + +Release Date: May 16, 2013 [EBook #42719] + +Language: English + +Character set encoding: UTF-8 + +*** START OF THIS PROJECT GUTENBERG EBOOK A TREATISE ON WOOD ENGRAVING *** + + + + +Produced by Louise Hope, Charlene Taylor, +Google Books and the Online Distributed Proofreading Team +at http://www.pgdp.net (This file was produced from images +generously made available by The Internet Archive/Canadian +Libraries) + + + + + + +</pre> + +<div class = "mynote"> +<p><a name = "start" id = "start">This text</a> uses UTF-8 (Unicode) +file encoding. If the apostrophes and quotation marks in this paragraph +appear as garbage, you may have an incompatible browser or unavailable +fonts. First, make sure that your browser’s “character set” or “file +encoding” is set to Unicode (UTF-8). You may also need to change the +default font.</p> + +<p>Footnotes have been numbered continuously within each chapter. Text +printed in blackletter (“gothic”) type is shown in the e-text as +<b>sans-serif</b>.</p> + +<p>There is no table of contents, but the List of Illustrations gives +the +same information. The nine chapters of the printed book are distributed +among separate files: Chapters I-III, Chapters IV-V, and then a separate +file for each of Chapters VI-IX. Note that pages 561*-600* (most of +Chapter VIII) come <i>before</i> pages 561-600 (Chapter IX).</p> + +<p>In the printed book, lines were about this long:</p> + +<p class = "inset"><span class = "citation"> + Among the more remarkable single subjects engraved on wood +from<br> +Durer’s designs, the following are most frequently referred to: God +the<br> +Father bearing up into heaven the dead body of Christ, with the +date</span></p> + +<p>If you are reading this text in a browser, you may like to adjust +your window accordingly.</p> + +<p class = "center"> +<a href = "#notice">Notice to the Second Edition</a> (by Henry Bohn)<br> +<a href = "#pref_chatto">Mr. Jackson’s Preface</a><br> +<a href = "#pref_jackson">Mr. Chatto’s Preface</a></p> + +<p class = "center"> +<a href = "#illus">List of Illustrations</a></p> + +<p class = "center"> +<a href = "WoodEngraving1.html">Chapter I</a> (separate file)<br> +<a href = "WoodEngraving1.html#chap_II">Chapter II</a> (separate +file)<br> +<a href = "WoodEngraving1.html#chap_III">Chapter III</a> (separate +file)<br> +<a href = "WoodEngraving4.html">Chapter IV</a> (separate file)<br> +<a href = "WoodEngraving4.html#chap_V">Chapter V</a> (separate file)<br> +<a href = "WoodEngraving6.html">Chapter VI</a> (separate file)<br> +<a href = "WoodEngraving7.html">Chapter VII</a> (separate file)<br> +<a href = "WoodEngraving8.html">Chapter VIII</a> (separate file)<br> +<a href = "WoodEngraving9.html">Chapter IX</a> (separate file)</p> + +<p class = "center"> +<a href = "#index">Index</a></p> + +<p class = "center"> +<a href = "#errata">Errors and Inconsistencies</a></p> +</div> + + +<div class = "picture"> +<img src = "images/frontis.jpg" width = "342" height = "589" +alt = "see caption"> + +<p class = "leftname">William Blake.</p> +<p class = "rightname">W. J. Linton.</p> +<p class = "caption">DEATH’S DOOR.</p> + +</div> + + +<span class = "pagenum"><a name = "pagei" id = "pagei"> +i</a></span> + +<div class = "titlepage"> + +<h1><span class = "subhead">A TREATISE</span><br> +<span class = "micro">ON</span><br> +WOOD ENGRAVING</h1> + +<p class = "blackletter">Historical and Practical</p> + +<p class = "tiny">WITH UPWARDS OF THREE HUNDRED ILLUSTRATIONS<br> +ENGRAVED ON WOOD</p> + +<p class = "larger">BY JOHN JACKSON.</p> + +<p>THE HISTORICAL PORTION BY W. A. CHATTO.</p> + +<p class = "divider"> </p> + +<p class = "blackletter">Second Edition</p> + +<p class = "tiny">WITH A NEW CHAPTER ON THE ARTISTS OF THE PRESENT +DAY</p> + +<p>BY HENRY G. BOHN</p> + +<p class = "tiny">AND 145 ADDITIONAL WOOD ENGRAVINGS.</p> + +<p> </p> + +<hr class = "small"> + +<p> </p> + +<p>LONDON<br> +<span class = "small">HENRY G. BOHN, YORK STREET, COVENT +GARDEN.</span><br> +<span class = "tiny">M.DCCC.LXI.</span></p> + +</div> + +<div class = "titlepage"> + +<span class = "pagenum"><a name = "pageii" id = "pageii"> +ii</a></span> + +<p class = "illustration"> +<img src = "images/front_verso.png" width = "153" height = "117" +alt = "Richard Clay / Breads Hill / Sola Lux Mihi Laus / London" title = +"Richard Clay / Breads Hill / Sola Lux Mihi Laus / London"></p> + +</div> + +<div class = "intro"> + +<span class = "pagenum"><a name = "pageiii" id = "pageiii"> +iii</a></span> + +<h4><a name = "notice" id = "notice">NOTICE TO THE SECOND +EDITION.</a></h4> + +<p class = "divider"> </p> + +<p class = "first"><span class = "firstword">The</span> former edition +of this History of Wood Engraving having become extremely scarce and +commercially valuable, the publisher was glad to obtain the copyright +and wood-blocks from Mr. Mason Jackson, son of the late Mr. Jackson, +original proprietor of the work, with the view of reprinting it.</p> + +<p>It will be seen by the two distinct prefaces which accompanied the +former edition, and are here reprinted, that there was some existing +schism between the joint producers at the time of first publication. Mr. +Jackson, the engraver, paymaster, and proprietor, conceived that he had +a right to do what he liked with his own; while Mr. Chatto, his literary +coadjutor, very naturally felt that he was entitled to some recognition +on the title-page of what he had so successfully performed. On the book +making its appearance without Mr. Chatto’s name on the title-page, and +with certain suppressions in his preface to which he had not given +consent, a virulent controversy ensued, which was embodied in a +pamphlet termed “a third preface,” and afterwards carried on in the +<i>Athenæum</i> of August and September, 1839. As this preface has +nothing in it but the outpourings of a quarrel which can now interest no +one, I do not republish any part of it; and looking back on the +controversy after the lapse of twenty years, I cannot help feeling +that Mr. Chatto had reasonable ground for complaining that his name was +omitted, although I think Mr. Jackson had full right to determine what +the book should be called, seeing that it was his own exclusive +speculation. It is not for me to change a title now so firmly +established, but I will do Mr. Chatto the civility to introduce his name +on it, without concerning myself with the question of what he did or did +not do, or what Mr. Jackson contributed beyond his practical remarks and +anxious superintendence.</p> + +<p>Although I have the pleasure of a personal acquaintance with Mr. +Chatto, and communicated to him my intention of republishing +<span class = "pagenum"><a name = "pageiv" id = "pageiv"> +iv</a></span> +the work, I declined letting him see it through the press; +resolving to stand wholly responsible for any alterations or +improvements I might choose to make. On the other hand, I have been +quite as chary of letting even the shade of Mr. Jackson raise a new +commotion—I say the shade, because, having his own copy full of +manuscript remarks, it was at my option to use them; but I have adopted +nothing from this source save a few palpable amendments. What additions +have been made are entirely my own, and have arisen from a desire to +increase the number of illustrations where I thought them previously +deficient and had the means of supplying them. With the insertion of +these additional illustrations, which it appears amount to seventy-five, +it became necessary to describe them, and this has occasioned the +introduction of perhaps a hundred or two lines, which are distributed in +the form of notes or paragraphs throughout the volume. For the chief of +these additions the critical examiner is referred to the following +pages: 321, 322, 340, 352, 374, 428, 468, 477, 480, 493, 530, 531, 532, +539, 540, 541, 542, 543, 545, 546, 547, 548, 617, 639. The chapter on +the artists of the present day is entirely new, and was not +contemplated, as may be gathered from the remarks at pages 549 and 597, +until the book was on the eve of publication. It contains upwards of +seventy high class wood engravings, and gives a fair specimen of the +talents of some of our most distinguished artists. Getting that +supplementary matter together and into shape, was not so light and +sudden a task as I meant it to be; but now it is done I feel that it was +right to do it, and I can only hope that my unpretending labours will be +deemed a step in the right direction. Should I retain my health, +strength, and means, I purpose, at no very distant period, to +follow up the present volume with one perhaps as large, giving a more +complete series of Examples of the artists of the day, as well those of +France and Germany as of England.</p> + +<p>In conclusion, I think it due to Mr. Clay to acknowledge the +attention and skill which he has exercised in “bringing up” the numerous +and somewhat difficult cuts to the agreeable face they now present. +A good engraving without good printing is like a diamond without +its polish.</p> + +<p class = "right">HENRY G. BOHN.</p> + +<p class = "dateline">January 4th, 1861.</p> + + + + +<span class = "pagenum"><a name = "pagev" id = "pagev"> +v</a></span> + +<h4><a name = "pref_jackson" id = "pref_jackson">MR. JACKSON’S +PREFACE.</a></h4> + +<p class = "divider"> </p> + +<p class = "first"><span class = "firstword">I feel</span> it my duty to +submit to the public a few remarks, introductory to the Preface, which +bears the signature of Mr. Chatto.</p> + +<p>As my attention has been more readily directed to matters connected +with my own profession than any other, it is not surprising that I +should find almost a total absence of practical knowledge in all English +authors who have written the early history of wood engraving. From the +first occasion on which my attention was directed to the subject, to the +present time, I have had frequent occasion to regret, that the +early history and practice of the art were not to be found in any book +in the English language. In the most expensive works of this description +the process itself is not even correctly described, so that the +reader—supposing him to be unacquainted with the subject—is +obliged to follow the author in comparative darkness. It has not been +without reason I have come to the conclusion, that, if the +<i>practice</i>, as well as the <i>history</i> of wood engraving, were +<i>better understood</i>, we should not have so many speculative +opinions put forth by almost all writers on the subject, taking on trust +what has been previously written, without giving themselves the trouble +to examine and form an opinion of their own. Both with a view to amuse +and improve myself as a wood engraver, I had long been in the habit +of studying such productions of the old masters as came within my reach, +and could not help noting the simple mistakes that many authors made in +consequence of their knowing nothing of the practice. The farther I +prosecuted the inquiry, the more interesting it became; every additional +piece of information strengthening my first opinion, that, “if the +<i>practice</i>, as well as the <i>history</i> of wood engraving, were +<i>better understood</i>,” we should not have so many erroneous +statements respecting both the history and capabilities of the art. At +length, I determined upon engraving at my leisure hours a +fac-simile of anything I thought worth preserving. For some time I +continued to pursue this course, reading such English authors as have +written on the origin and early history of wood engraving, and making +memoranda, without proposing to myself any particular plan. It was not +until I had proceeded thus far that I stopped to consider whether the +information I had gleaned could not be applied to some specific purpose. +<span class = "pagenum"><a name = "pagevi" id = "pagevi"> +vi</a></span> +My plan, at this time, was to give a short introductory history to +precede the practice of the art, which I proposed should form the +principal feature in the Work. At this period, I was fortunate in +procuring the able assistance of Mr. W. A. Chatto, with whom I have +examined every work that called for the exercise of practical knowledge. +This naturally anticipated much that had been reserved for the practice, +and has, in some degree, extended the historical portion beyond what I +had originally contemplated; although, I trust, the reader will +have no occasion to regret such a deviation from the original plan, or +that it has not been <i>written</i> by myself. The number and variety of +the subjects it has been found necessary to introduce, rendered it a +task of some difficulty to preserve the characteristics of each +individual master, varying as they do in the style of execution. It only +remains for me to add, that, although I had the hardihood to venture +upon such an undertaking, it was not without a hope that the history of +the art, with an account of the practice, illustrated with numerous wood +engravings, would be looked upon with indulgence from one who only +professed to give a fac-simile of whatever appeared worthy of notice, +with opinions founded on a practical knowledge of the art.</p> + +<p class = "right">JOHN JACKSON.</p> + +<p class = "dateline"><span class = "smallcaps">London</span>, +<i>December 15th, 1838</i>.</p> + + +<hr class = "mid"> + +<h4><a name = "pref_chatto" id = "pref_chatto">MR. CHATTO’S +PREFACE.</a></h4> + + +<p class = "first"><span class = "firstword">Though</span> several +English authors have, in modern times, written on the origin and early +history of wood engraving, yet no one has hitherto given, in a distinct +work, a connected account of its progress from the earliest period +to the present time; and no one, however confidently he may have +expressed his opinion on the subject, appears to have thought it +necessary to make himself acquainted with the practice of the art. The +antiquity and early history of wood engraving appear to have been +considered as themes which allowed of great scope for speculation, and +required no practical knowledge of the art. It is from this cause that +we find so many erroneous statements in almost every modern dissertation +on wood engraving. Had the writers ever thought of appealing to a person +practically acquainted with the art, whose early productions they +professed to give some account of, their conjectures might, in many +instances, have been spared; and had they, +<span class = "pagenum"><a name = "pagevii" id = "pagevii"> +vii</a></span> +in matters requiring research, taken the pains to examine and judge for +themselves, instead of adopting the opinions of others, they would have +discovered that a considerable portion of what they thus took on trust, +was not in accordance with facts.</p> + +<p>As the antiquity and early history of wood engraving form a +considerable portion of two expensive works which profess to give some +account of the art, it has been thought that such a work as the present, +combining the history with the practice of the art, and with numerous +cuts illustrative of its progress, decline, and revival, might not be +unfavourably received.</p> + +<p>In the first chapter an attempt is made to trace the principle of +wood engraving from the earliest authentic period; and to prove, by a +continuous series of facts, that the art, when first applied to the +impression of pictorial subjects on paper, about the beginning of the +fifteenth century, was not so much an original invention, as the +extension of a principle which had long been known and practically +applied.</p> + +<p>The second chapter contains an account of the progress of the art as +exemplified in the earliest known single cuts, and in the block-books +which preceded the invention of typography. In this chapter there is +also an account of the Speculum Salvationis, which has been ascribed to +Laurence Coster by Hadrian Junius, Scriverius, Meerman, and others, and +which has frequently been described as an early block-book executed +previous to 1440. A close examination of two Latin editions of the +book has, however, convinced me, that in the earliest the text is +entirely printed from movable types, and that in the +other—supposed by Meerman to be the earliest, and to afford proofs +of the progress of Coster’s invention—those portions of the text +which are printed from wood-blocks have been copied from the +corresponding portions of the earlier edition with the text printed +entirely from movable types. Fournier was the first who discovered that +one of the Latin editions was printed partly from types, and partly from +wood-blocks; and the credit of showing, from certain imperfections in +the cuts, that this edition was subsequent to the other with the text +printed entirely from types, is due to the late Mr. Ottley.</p> + +<p>As typography, or printing from movable types, was unquestionably +suggested by the earliest block-books with the text engraved on wood, +the third chapter is devoted to an examination of the claims of +Gutemberg and Coster to the honour of this invention. In the +investigation of the evidence which has been produced in the behalf of +each, the writer has endeavoured to divest his mind of all bias, and to +decide according to facts, without reference to the opinions of either +party. He has had no theory to support; and has neither a partiality for +Mentz, nor a dislike to Harlem. It perhaps may not be unnecessary to +mention here, that +<span class = "pagenum"><a name = "pageviii" id = "pageviii"> +viii</a></span> +the cuts of arms from the History of the Virgin, given at pages 75, 76, +and 77, were engraved before the writer had seen Koning’s work on the +Invention of Printing, Harlem, 1816, where they are also copied, and +several of them assigned to Hannau, Burgundy, Brabant, Utrecht, and +Leyden, and to certain Flemish noblemen, whose names are not mentioned. +It is not improbable that, like the two rash Knights in the fable, we +may have seen the shields on opposite sides;—the bearings may be +common to states and families, both of Germany and the Netherlands.</p> + +<p>The fourth chapter contains an account of wood engraving in connexion +with the press, from the establishment of typography to the latter end +of the fifteenth century. The fifth chapter comprehends the period in +which Albert Durer flourished,—that is, from about 1498 to 1528. +The sixth contains a notice of the principal wood-cuts designed by +Holbein, with an account of the extension and improvement of the art in +the sixteenth century, and of its subsequent decline. In the seventh +chapter the history of the art is brought down from the commencement of +the eighteenth century to the present time.</p> + +<p>The eighth chapter contains an account of the practice of the art, +with remarks on metallic relief engraving, and the best mode of printing +wood-cuts. As no detailed account of the practice of wood engraving has +hitherto been published in England, it is presumed that the information +afforded by this part of the Work will not only be interesting to +amateurs of the art, but useful to those who are professionally +connected with it.</p> + +<p>It is but justice to Mr. Jackson to add, that the Work was commenced +by him at his sole risk; that most of the subjects are of his selection; +and that nearly all of them were engraved, and that a great part of the +Work was written, before he thought of applying to a publisher. The +credit of commencing the Work, and of illustrating it so profusely, +regardless of expense, is unquestionably due to him.</p> + +<p class = "right">W. A. CHATTO.</p> + +<p class = "dateline"><span class = "smallcaps">London</span>, +<i>December 5th, 1838</i>.</p> + +</div> + + +<span class = "pagenum"><a name = "pageix" id = "pageix"> +ix</a></span> + +<h3><a name = "illus" id = "illus">LIST OF ILLUSTRATIONS.</a></h3> + +<p class = "divider"> </p> + +<div class = "mynote"> +<p>Links in the List lead to the Chapter or Illustration named. The word +“ditto”—written out—was printed as shown.</p> + +<p class = "center"> +<a href = "#list_chap_I">Chapter I</a> • +<a href = "#list_chap_II">Chapter II</a> • +<a href = "#list_chap_III">Chapter III</a> • +<a href = "#list_chap_IV">Chapter IV</a> • +<a href = "#list_chap_V">Chapter V</a><br> +<a href = "#list_chap_VI">Chapter VI</a> • +<a href = "#list_chap_VII">Chapter VII</a> • +<a href = "#list_chap_VIII">Chapter VIII</a> • +<a href = "#list_chap_IX">Chapter IX</a></p> +</div> + +<table class = "toc"> +<tr> +<td class = "chapter"><a name = "list_chap_I" id = "list_chap_I" href = +"WoodEngraving1.html#chap_I">CHAPTER I</a><br> +<span class = "smaller">ANTIQUITY OF ENGRAVING, 1-39.</span></td> +<td></td> +</tr> +<tr> +<td></td> +<td class = "right micro">PAGE</td> +</tr> +<tr> +<td>Initial letter A,—an ancient Greek <i>scriving</i> on a tablet +of wood, drawn by W. Harvey</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_1">1</a></td> +</tr> +<tr> +<td>View of a rolling-press, on wood and on copper, showing the +difference between a woodcut and a copper-plate engraving when both are +printed in the same manner</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_4a">4</a></td> +</tr> +<tr> +<td>Back and front view of an ancient Egyptian brick-stamp</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_6">6</a></td> +</tr> +<tr> +<td>Copy of an impression on a Babylonian brick</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_7">7</a></td> +</tr> +<tr> +<td>Roman stamp, in relief</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_8">8</a></td> +</tr> +<tr> +<td>Roman stamps, in intaglio</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_10">10</a></td> +</tr> +<tr> +<td>Monogram of Theodoric, king of the Ostrogoths</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_13">13</a></td> +</tr> +<tr> +<td>Monogram of Charlemagne</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_14">14</a></td> +</tr> +<tr> +<td>Gothic marks and monograms</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_15">15</a></td> +</tr> +<tr> +<td>Characters on Gothic coins</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_16a">16</a></td> +</tr> +<tr> +<td>Mark of an Italian notary, 1236</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_16b">16</a></td> +</tr> +<tr> +<td>Marks of German notaries, 1345-1521</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_17">17</a></td> +</tr> +<tr> +<td>English Merchants’-marks of the fourteenth and fifteenth +centuries</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_18">18</a></td> +</tr> +<tr> +<td>Tail-piece, illustrative of the antiquity of +engraving,—Babylonian brick, Roman earthenware, Roman stamp, and a +roll with the mark of the German Emperor Otho in the corner</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_39">39</a></td> +</tr> + +<tr> +<td class = "chapter"><a name = "list_chap_II" id = "list_chap_II" href += "WoodEngraving1.html#chap_II">CHAPTER II</a><br> +<span class = "smaller">PROGRESS OF WOOD ENGRAVING, 40-117.</span></td> +<td></td> +</tr> +<tr> +<td>Initial letter F, from an old book containing an alphabet of similar +letters, engraved on wood, formerly belonging to Sir George +Beaumont</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_40">40</a></td> +</tr> +<tr> +<td>St. Christopher, with the date 1423, from a cut in the possession of +Earl Spencer</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_46">46</a></td> +</tr> +<tr> +<td>The Annunciation, from a cut probably of the same period, in the +possession of Earl Spencer</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_50">50</a></td> +</tr> +<tr> +<td>St. Bridget, from an old cut in the possession of Earl Spencer</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_52">52</a></td> +</tr> +<tr> +<td>Shields from the Apocalypse, or History of St. John, an old +block-book</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_65">65</a></td> +</tr> +<tr> +<td>St. John preaching to the infidels, and baptizing Drusiana, from the +same book</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_66">66</a></td> +</tr> +<tr> +<td>The death of the Two Witnesses, and the miracles of Antichrist, from +the same book</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_67">67</a></td> +</tr> +<tr> +<td>Group from the History of the Virgin, an old block-book</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_71">71</a></td> +</tr> +<tr> +<td>Copy of a page of the same book</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_72">72</a></td> +</tr> +<tr> +<td>Figures and a shield of arms, from the same book</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_75">75</a></td> +</tr> +<tr> +<td>Shields of arms, from the same book</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_76">76</a>-<a +href = "WoodEngraving1.html#illus_78">78</a></td> +</tr> +<tr> +<td>Copy of the first page of the Poor Preachers’ Bible, an old +block-book</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_86">86</a></td> +</tr> +<tr> +<td>Heads from the same book</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_88">88</a></td> +</tr> +<tr> +<td>Christ tempted, a fac-simile of one of the compartments in the first +page of the same book</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_89">89</a></td> +</tr> +<tr> +<td>Adam and Eve eating of the forbidden fruit, from the same book</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_90">90</a></td> +</tr> +<tr> +<td>Esau selling his birthright, ditto</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_91">91</a></td> +</tr> +<tr> +<td>Heads ditto</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_92">92</a></td> +</tr> + +<tr> +<td> +<span class = "pagenum"><a name = "pagex" id = "pagex"> +x</a></span>First cut in the Speculum Salvationis, which has generally, +but erroneously, been described as a block-book, as the text in the +first edition is printed with types</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_96">96</a></td> +</tr> +<tr> +<td>Fall of Lucifer, a fac-simile of one of the compartments of the +preceding</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_97">97</a></td> +</tr> +<tr> +<td>The Creation of Eve, a fac-simile of the second compartment of the +same</td> +<td class = "page"><a href = "WoodEngraving1.html#illus_98">98</a></td> +</tr> +<tr> +<td>Paper-mark in the Alphabet of large letters composed of figures, +formerly belonging to Sir George Beaumont</td> +<td class = "page"><a href = +"WoodEngraving1.html#illus_107">107</a></td> +</tr> +<tr> +<td>Letter K, from the same book</td> +<td class = "page"><a href = +"WoodEngraving1.html#illus_109">109</a></td> +</tr> +<tr> +<td>Letter L, ditto</td> +<td class = "page"><a href = +"WoodEngraving1.html#illus_110">110</a></td> +</tr> +<tr> +<td>Letter Z, ditto</td> +<td class = "page"><a href = +"WoodEngraving1.html#illus_111">111</a></td> +</tr> +<tr> +<td>Flowered ornament, ditto</td> +<td class = "page"><a href = +"WoodEngraving1.html#illus_112">112</a></td> +</tr> +<tr> +<td>Cuts from the Ars Memorandi, an old block-book</td> +<td class = "page"><a href = +"WoodEngraving1.html#illus_115">115</a></td> +</tr> + +<tr> +<td class = "chapter"><a name = "list_chap_III" id = "list_chap_III" +href = "WoodEngraving1.html#chap_III">CHAPTER III</a><br> +<span class = "smaller">THE INVENTION OF TYPOGRAPHY, +118-163.</span></td> +<td></td> +</tr> +<tr> +<td>Initial letter B, from a manuscript life of St. Birinus, of the <ins +class = "correction" title = "text reads ‘twelth’">twelfth</ins> +century</td> +<td class = "page"><a href = +"WoodEngraving1.html#illus_118">118</a></td> +</tr> +<tr> +<td>Tail piece-portraits of Gutemberg, Faust, and Scheffer</td> +<td class = "page"><a href = +"WoodEngraving1.html#illus_163">163</a></td> +</tr> + +<tr> +<td class = "chapter"><a name = "list_chap_IV" id = "list_chap_IV" href += "WoodEngraving4.html#chap_IV">CHAPTER IV</a><br> +<span class = "smaller">WOOD ENGRAVING IN CONNEXION WITH THE PRESS, +164-229.</span></td> +<td></td> +</tr> +<tr> +<td>Initial letter C, from Faust and Scheffer’s Psalter</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_164">164</a></td> +</tr> +<tr> +<td>Apes, from a book of Fables printed at Bamberg by Albert Pfister, +1461</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_171">171</a></td> +</tr> +<tr> +<td>Heads, from an edition of the Poor Preachers’ Bible, printed by +Pfister</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_177a">177</a></td> +</tr> +<tr> +<td>Christ and his Disciples, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_177b">177</a></td> +</tr> +<tr> +<td>Joseph making himself known to his Brethren, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_178a">178</a></td> +</tr> +<tr> +<td>The Prodigal Son’s return, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_178b">178</a></td> +</tr> +<tr> +<td>The Creation of Animals, from Meditationes Joannis de Turrecremata, +printed at Rome, 1467</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_185">185</a></td> +</tr> +<tr> +<td>A bomb-shell and a man shooting from a kind of hand-gun, from +Valturius de Re Militari, printed at Verona, 1472</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_188">188</a></td> +</tr> +<tr> +<td>A man shooting from a cross-bow, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_189">189</a></td> +</tr> +<tr> +<td>The Knight, from Caxton’s Book of Chess, about 1476</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_193">193</a></td> +</tr> +<tr> +<td>The Bishop’s pawn, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_194">194</a></td> +</tr> +<tr> +<td>Two figures—Music, from Caxton’s Mirrour of the World, +1480</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_196">196</a></td> +</tr> +<tr> +<td>Frontispiece to Breydenbach’s Travels, printed at Mentz, 1486</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_207">207</a></td> +</tr> +<tr> +<td>Syrian Christians, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_209">209</a></td> +</tr> +<tr> +<td>Old Woman with a basket of eggs on her head, from the Hortus +Sanitatis, printed at Mentz, 1491</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_211">211</a></td> +</tr> +<tr> +<td>Head of Paris, from the book usually called the Nuremberg Chronicle, +printed at Nuremberg, 1493</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_212">212</a></td> +</tr> +<tr> +<td>Creation of Eve, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_215">215</a></td> +</tr> +<tr> +<td>The same subject from the Poor Preachers’ Bible</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_216">216</a></td> +</tr> +<tr> +<td>The difficult Labour of Alcmena, from an Italian translation of +Ovid’s Metamorphoses, 1497</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_217">217</a></td> +</tr> +<tr> +<td>Mars, Venus, and Mercury, from Poliphili Hypnerotomachia, printed at +Venice, 1499</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_221">221</a></td> +</tr> +<tr> +<td>Cupid brought by Mercury before Jove, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_222a">222</a></td> +</tr> +<tr> +<td>Cupid and his Victims, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_222b">222</a></td> +</tr> +<tr> +<td>Bacchus, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_223">223</a></td> +</tr> +<tr> +<td>Cupid, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_224a">224</a></td> +</tr> +<tr> +<td>A Vase, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_224b">224</a></td> +</tr> +<tr> +<td>Cat and Mouse, from a supposed old wood-cut printed in Derschau’s +Collection, 1808-1816</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_226">226</a></td> +</tr> +<tr> +<td>Man in armour on horseback, from a wood-cut, formerly used by Mr. +George Angus of Newcastle</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_228">228</a></td> +</tr> +<tr> +<td>Tail-piece—the press of Jodocus Badius Ascensianus, from the +title-page of a book printed by him about 1498</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_229">229</a></td> +</tr> + +<tr> +<td class = "chapter"> +<span class = "pagenum"><a name = "pagexi" id = "pagexi"> +xi</a></span> +<a name = "list_chap_V" id = "list_chap_V" href = +"WoodEngraving4.html#chap_V">CHAPTER V</a><br> +<span class = "smaller">WOOD ENGRAVING IN THE TIME OF ALBERT DURER, +230-323.</span></td> +<td></td> +</tr> +<tr> +<td>Initial letter M, from an edition of Ovid’s Tristia, printed at +Venice by J. de Cireto, 1499</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_230">230</a></td> +</tr> +<tr> +<td>Peasants dancing and regaling, from Heures a l’Usaige de Chartres, +printed at Paris by Simon Vostre about 1502. The first of these cuts +occurs in a similar work—Heures a l’Usaige de Rome—printed +by Simon Vostre in 1497</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_233">233</a></td> +</tr> +<tr> +<td>The woman clothed with the sun, from Albert Durer’s illustrations of +the Apocalypse, 1498</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_240">240</a></td> +</tr> +<tr> +<td>The Virgin and Infant Christ, from Albert Durer’s illustrations of +the History of the Virgin, 1511</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_243">243</a></td> +</tr> +<tr> +<td>The Birth of the Virgin, from the same work</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_244">244</a></td> +</tr> +<tr> +<td>St. Joseph at work as a carpenter, with the Virgin rocking the +Infant Christ in a cradle, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_246">246</a></td> +</tr> +<tr> +<td>Christ mocked, from Durer’s illustrations of Christ’s Passion, about +1511</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_247">247</a></td> +</tr> +<tr> +<td>The Last Supper, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_248">248</a></td> +</tr> +<tr> +<td>Christ bearing his Cross, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_249">249</a></td> +</tr> +<tr> +<td>The Descent to Hades, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_250">250</a></td> +</tr> +<tr> +<td>Caricature, probably of Luther</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_268">268</a></td> +</tr> +<tr> +<td>Albert Durer’s Coat-of-arms</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_271">271</a></td> +</tr> +<tr> +<td>His portrait, from a cut drawn by himself, 1527, the year preceding +that of his death</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_272">272</a></td> +</tr> +<tr> +<td>Holy Family, from a cut designed by Lucas Cranach</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_277">277</a></td> +</tr> +<tr> +<td>Samson and Delilah, from a cut designed by Hans Burgmair</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_279">279</a></td> +</tr> +<tr> +<td>Aristotle and his wife, from a cut designed by Hans Burgmair</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_280">280</a></td> +</tr> +<tr> +<td>Sir Theurdank killing a bear, from the Adventures of Sir Theurdank, +1517</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_284">284</a></td> +</tr> +<tr> +<td>The punishment of Sir Theurdank’s enemies, from the same work</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_285">285</a></td> +</tr> +<tr> +<td>A figure on horseback, from the Triumphs of Maximilian</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_294">294</a></td> +</tr> +<tr> +<td>Another, from the same work</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_295">295</a></td> +</tr> +<tr> +<td>Ditto, ditto</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_296">296</a></td> +</tr> +<tr> +<td>Ditto, ditto</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_297">297</a></td> +</tr> +<tr> +<td>Ditto, ditto</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_298">298</a></td> +</tr> +<tr> +<td>Ditto, ditto</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_299">299</a></td> +</tr> +<tr> +<td>Three knights with banners, from the same work</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_301">301</a></td> +</tr> +<tr> +<td>Elephant and Indians, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_302">302</a></td> +</tr> +<tr> +<td>Camp followers, probably designed by Albert Durer, from the +same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_303">303</a></td> +</tr> +<tr> +<td>Horses and Car, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_305">305</a></td> +</tr> +<tr> +<td>Jael and Sisera, from a cut designed by Lucas van Leyden</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_309">309</a></td> +</tr> +<tr> +<td>Cut printed at Antwerp by Willem de Figursnider, probably copied +from a cut designed by Urse Graff</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_312">312</a></td> +</tr> +<tr> +<td>Three small cuts from Sigismund Fanti’s Triompho di Fortuna, printed +at Venice, 1527</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_316">316</a></td> +</tr> +<tr> +<td>Fortuna di Africo, an emblem of the South wind, from the same +work</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_316d">316</a></td> +</tr> +<tr> +<td>Michael Angelo at work on a piece of sculpture, from the same</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_317">317</a></td> +</tr> +<tr> +<td>Head of Nero, from a work on Medals, printed at Strasburg, 1525</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_320">320</a></td> +</tr> +<tr> +<td>Cut of Saint Bridget, about 1500, from Dr. Dibdin’s Bibliomania</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_321">321</a></td> +</tr> +<tr> +<td>Ditto of her Revelations</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_322">322</a></td> +</tr> +<tr> +<td>Tail-piece—a full length of Maximilian I. Emperor of Germany, +from his Triumphs</td> +<td class = "page"><a href = +"WoodEngraving4.html#illus_323">323</a></td> +</tr> + +<tr> +<td class = "chapter"><a name = "list_chap_VI" id = "list_chap_VI" href += "WoodEngraving6.html#chap_VI">CHAPTER VI</a><br> +<span class = "smaller">FURTHER PROGRESS AND DECLINE OF WOOD ENGRAVING, +324-445.</span></td> +<td></td> +</tr> +<tr> +<td>Initial letter T, from a book printed at Paris by Robert Stephens, +1537</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_324">324</a></td> +</tr> +<tr> +<td>Adam and Eve eating the forbidden fruit, from a cut designed by Hans +Holbein in the Dance of Death, first printed at Lyons in 1538</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_339">339</a></td> +</tr> +<tr> +<td>Death’s Coat of Arms, from the same work</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_340">340</a></td> +</tr> +<tr> +<td>The Old Man, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_341">341</a></td> +</tr> +<tr> +<td>The Duchess, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_342">342</a></td> +</tr> +<tr> +<td>The Child, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_343">343</a></td> +</tr> +<tr> +<td> +<span class = "pagenum"><a name = "pagexii" id = "pagexii"> +xii</a></span> +The Waggoner, from Holbein’s Dance of Death</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_344">344</a></td> +</tr> +<tr> +<td>Child with a shield and dart, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_345">345</a></td> +</tr> +<tr> +<td>Children with the emblems of a triumph, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_346">346</a></td> +</tr> +<tr> +<td>Holbein’s Alphabet of the Dance of Death</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_352">352</a></td> +</tr> +<tr> +<td>Abraham about to sacrifice Isaac, from a cut designed by Holbein in +his Bible-prints, Lyons, 1539</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_368">368</a></td> +</tr> +<tr> +<td>The Fool, from the same work</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_369">369</a></td> +</tr> +<tr> +<td>The sheath of a dagger, intended as a design for a chaser</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_374">374</a></td> +</tr> +<tr> +<td>Portrait of Sir Thomas Wyatt from a cut designed by Holbein in +Leland’s Næniæ, 1542</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_379">379</a></td> +</tr> +<tr> +<td>Prayer, from a cut designed by Holbein in Archbishop Cranmer’s +Catechism, 1548</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_380">380</a></td> +</tr> +<tr> +<td>Christ casting out Devils, from another cut by Holbein, in the same +work</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_381">381</a></td> +</tr> +<tr> +<td>The Creation, from the same work</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_382a">382</a></td> +</tr> +<tr> +<td>The Crucifixion, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_382b">382</a></td> +</tr> +<tr> +<td>Christ’s Agony, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_382c">382</a></td> +</tr> +<tr> +<td>Genealogical Tree, from an edition of the New Testament, printed at +Zurich by Froschover, 1554</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_383">383</a></td> +</tr> +<tr> +<td>St. Luke, from Tindale’s Translation of the New Testament, 1534</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_384a">384</a></td> +</tr> +<tr> +<td>St James, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_384b">384</a></td> +</tr> +<tr> +<td>Death on the Pale Horse, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_384c">384</a></td> +</tr> +<tr> +<td>Cain killing Abel, from Coverdale’s Translation of the Old and New +Testament, 1535</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_386">386</a></td> +</tr> +<tr> +<td>Abraham about to sacrifice Isaac, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_387a">387</a></td> +</tr> +<tr> +<td>The Two Spies, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_387b">387</a></td> +</tr> +<tr> +<td>St. Matthew, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_388a">388</a></td> +</tr> +<tr> +<td>St. John the Baptist, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_388b">388</a></td> +</tr> +<tr> +<td>St. Paul writing, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_388c">388</a></td> +</tr> +<tr> +<td>Frontispiece to Marcolini’s Sorti, Venice, 1540, by Joseph Porta +Garfagninus, after a Study by Raffaele for the School of Athens</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_390">390</a></td> +</tr> +<tr> +<td>Punitione, from the same work</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_392a">392</a></td> +</tr> +<tr> +<td>Matrimony, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_392b">392</a></td> +</tr> +<tr> +<td>Cards, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_393a">393</a></td> +</tr> +<tr> +<td>Truth saved by Time, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_393b">393</a></td> +</tr> +<tr> +<td>The Labour of Alcmena, from Dolce’s Transformationi, Venice, +1553</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_394">394</a></td> +</tr> +<tr> +<td>Monogram, from Palatino’s Treatise on Writing, Rome, 1561</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_396a">396</a></td> +</tr> +<tr> +<td>Hieroglyphic Sonnet, from the same work</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_396b">396</a></td> +</tr> +<tr> +<td>Portraits of Petrarch and Laura, from Petrarch’s Sonetti, Lyons, +1547</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_400">400</a></td> +</tr> +<tr> +<td>Adam and Eve driven out of Paradise, from Quadrins Historiques de la +Bible, Lyons, 1550-1560</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_401">401</a></td> +</tr> +<tr> +<td>Christ tempted by Satan, from Figures du Nouveau Testament, Lyons, +1553-1570</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_402">402</a></td> +</tr> +<tr> +<td>Briefmaler, from a book of Trades and Professions, Frankfort, +1564-1574</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_410">410</a></td> +</tr> +<tr> +<td>Formschneider, from the same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_411">411</a></td> +</tr> +<tr> +<td>The Goose Tree, from Sebastian Munster’s Cosmography, Basle, +1550-1554</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_414">414</a></td> +</tr> +<tr> +<td>William Tell about to shoot at the apple on his son’s head, from the +same</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_416">416</a></td> +</tr> +<tr> +<td>Portrait of Dr. William Cuningham, from his Cosmographical Glass, +London, 1559</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_424">424</a></td> +</tr> +<tr> +<td>Four initial letters, from the same work</td> +<td class = "page"><a href = "WoodEngraving6.html#illus_425">425</a>, +<a href = "WoodEngraving6.html#illus_426a">426</a>, +<a href = "WoodEngraving6.html#illus_427">427</a></td> +</tr> +<tr> +<td>Portrait of Queen Elizabeth, from the Books of Christian Prayers +printed by John Daye, 1569</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_428">428</a></td> +</tr> +<tr> +<td>Large initial letter, from Fox’s Acts and Monuments, 1576</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_429">429</a></td> +</tr> +<tr> +<td>Initial letter, from a work printed by Giolito at Venice, about +1550</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_430">430</a></td> +</tr> +<tr> +<td>Two Cats, from an edition of Dante, printed at Venice, 1578</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_431">431</a></td> +</tr> +<tr> +<td>Emblem of Water, from a chiaro-scuro by Henry Goltzius, about +1590</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_433">433</a></td> +</tr> +<tr> +<td>Caricature of the Laocoon, after a cut designed by Titian</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_435">435</a></td> +</tr> +<tr> +<td>The Good Householder, from a cut printed at London, 1607</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_437">437</a></td> +</tr> +<tr> +<td>Virgin and Christ, from a cut designed by Rubens, and engraved by +Christopher Jegher</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_438">438</a></td> +</tr> +<tr> +<td>The Infant Christ and John the Baptist, from a cut designed by +Rubens, and engraved by Christopher Jegher</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_439">439</a></td> +</tr> +<tr> +<td> +<span class = "pagenum"><a name = "pagexiii" id = "pagexiii"> +xiii</a></span> +Jael and Sisera, from a cut designed by Henry Goltzius, and engraved by +C. Van Sichem</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_440">440</a></td> +</tr> +<tr> +<td>Tail-piece, from an old cut on the title-page of the first known +edition of Robin Hood’s Garland, 1670</td> +<td class = "page"><a href = +"WoodEngraving6.html#illus_445">445</a></td> +</tr> + +<tr> +<td class = "chapter"><a name = "list_chap_VII" id = "list_chap_VII" +href = "WoodEngraving7.html#chap_VII">CHAPTER VII</a><br> +<span class = "smaller">REVIVAL OF WOOD ENGRAVING, 446-548.</span></td> +<td></td> +</tr> +<tr> +<td>Initial letter A, from a French book, 1698</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_446">446</a></td> +</tr> +<tr> +<td>Fox and Goat, from a copper-plate by S. Le Clerc, about 1694</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_450a">450</a></td> +</tr> +<tr> +<td>The same subject from Croxall’s Æsop’s Fables, 1722</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_450b">450</a></td> +</tr> +<tr> +<td>The same subject from Bewick’s Fables, 1818-1823</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_451">451</a></td> +</tr> +<tr> +<td>English wood-cut with the mark F. H., London, 1724</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_453">453</a></td> +</tr> +<tr> +<td>Adam naming the animals, copy of a cut by Papillon, 1734</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_460">460</a></td> +</tr> +<tr> +<td>The Pedagogue, from the Ship of Fools, Pynson, 1509</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_468">468</a></td> +</tr> +<tr> +<td>The Poet’s Fall, from Two Odes in ridicule of Gray and Mason, +London, 1760</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_470">470</a></td> +</tr> +<tr> +<td>Initial letters, T. and B., composed by J. Jackson from tail-pieces +in Bewick’s History of British Birds</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_471">471</a></td> +</tr> +<tr> +<td>The house in which Bewick was born, drawn by J. Jackson</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_472">472</a></td> +</tr> +<tr> +<td>The Parsonage at Ovingham, drawn by George Balmer</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_473">473</a></td> +</tr> +<tr> +<td>Fac-simile of a diagram engraved by Bewick in Hutton’s Mensuration, +1768-1770</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_475">475</a></td> +</tr> +<tr> +<td>The Old Hound, a fac-simile of a cut by Bewick, 1775</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_476">476</a></td> +</tr> +<tr> +<td>Original cut of the Old Hound</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_477">477</a></td> +</tr> +<tr> +<td>Cuts copied by Bewick from Der Weiss Kunig, and illustrations of +Ovid’s Metamorphoses by Virgilium Solis</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_483">483</a></td> +</tr> +<tr> +<td>Boys and Ass, after Bewick</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_485">485</a></td> +</tr> +<tr> +<td>Old Man and Horse, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_486">486</a></td> +</tr> +<tr> +<td>Child and young Horse, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_487">487</a></td> +</tr> +<tr> +<td>Ewe and Lamb</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_488a">488</a></td> +</tr> +<tr> +<td>Old Man and young Wife, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_488b">488</a></td> +</tr> +<tr> +<td>Common Duck, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_493">493</a></td> +</tr> +<tr> +<td>Partridge, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_495">495</a></td> +</tr> +<tr> +<td>Woodcock, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_496">496</a></td> +</tr> +<tr> +<td>The drunken Miller, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_499a">499</a></td> +</tr> +<tr> +<td>The Snow Man, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_499b">499</a></td> +</tr> +<tr> +<td>Old Man and Cat, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_500">500</a></td> +</tr> +<tr> +<td>Crow and Lamb, Bewick’s original cut to the Fable of the Eagle</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_503">503</a></td> +</tr> +<tr> +<td>The World turned upside down, after Bewick</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_504">504</a></td> +</tr> +<tr> +<td>Cuts commemorative of the decease of Bewick’s father and mother, +from his Fables, 1818-1823</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_506">506</a></td> +</tr> +<tr> +<td>Bewick’s Workshop, drawn by George Balmer</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_508">508</a></td> +</tr> +<tr> +<td>Portrait of Bewick</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_510">510</a></td> +</tr> +<tr> +<td>View of Bewick’s Burial-place</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_511">511</a></td> +</tr> +<tr> +<td>Funeral, View of Ovingham Church, drawn by J. Jackson</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_512">512</a></td> +</tr> +<tr> +<td>The sad Historian, from a cut by John Bewick, in Poems by Goldsmith +and Parnell, 1795</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_515">515</a></td> +</tr> +<tr> +<td>Fac-simile of a cut by John Bewick, from Blossoms of Morality</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_516">516</a></td> +</tr> +<tr> +<td>Copy of a cut engraved by C. Nesbit, from a drawing by R. +Johnson</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_518a">518</a></td> +</tr> +<tr> +<td>View of a monument erected to the memory of R. Johnson, against the +south wall of Ovingham Church</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_518b">518</a></td> +</tr> +<tr> +<td>Copy of a view of St. Nicholas Church, engraved by C. Nesbit, from a +drawing by R. Johnson</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_519">519</a></td> +</tr> +<tr> +<td>Copy of the cut for the Diploma of the Highland Society, engraved by +L. Clennell, from a drawing by Benjamin West</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_523">523</a></td> +</tr> +<tr> +<td>Bird and Flowers, engraved by L. Clennell, when insane</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_526">526</a></td> +</tr> +<tr> +<td>Seven Engravings by William Harvey, from Dr. Henderson’s History of +Wines</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_530">530</a></td> +</tr> +<tr> +<td>Milton, designed by W. Harvey, engraved by John Thompson</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_531">531</a></td> +</tr> +<tr> +<td>Three Illustrations by W. Harvey, engraved by S. Williams, Orrin +Smith, and C. Gray</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_532a">532</a></td> +</tr> +<tr> +<td> +<span class = "pagenum"><a name = "pagexiv" id = "pagexiv"> +xiv</a></span> +Cut from the Children in the Wood, drawn by W. Harvey, and engraved by +J. Thompson</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_533">533</a></td> +</tr> +<tr> +<td>Cut from the Blind Beggar of Bethnal Green, drawn by W. Harvey, and +engraved by C. Nesbit</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_534">534</a></td> +</tr> +<tr> +<td>Copy of a part of the Cave of Despair, engraved by R. Branston, from +a drawing by J. Thurston</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_535">535</a></td> +</tr> +<tr> +<td>Three cuts engraved by Robert Branston, after designs by Thurston, +for an edition of Select Fables, in rivalry of Bewick</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_537">537</a></td> +</tr> +<tr> +<td>Bird, engraved by Robert Branston</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_538">538</a></td> +</tr> +<tr> +<td>Pistill Cain, in North Wales, drawn and engraved by Hugh Hughes</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_539a">539</a></td> +</tr> +<tr> +<td>Moel Famau, ditto, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_539b">539</a></td> +</tr> +<tr> +<td>Wrexham Church, ditto, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_540a">540</a></td> +</tr> +<tr> +<td>Pwll Carodoc, ditto, ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_540b">540</a></td> +</tr> +<tr> +<td>Salmon, Group of Fish, and Chub, engraved by John Thompson</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_541">541</a></td> +</tr> +<tr> +<td>Pike, by Robert Branston</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_542a">542</a></td> +</tr> +<tr> +<td>Eel, by H. White</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_542b">542</a></td> +</tr> +<tr> +<td>Illustration from Hudibras, engraved by John Thompson</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_543">543</a></td> +</tr> +<tr> +<td>Hogarth’s Rake’s Progress, engraved by John Thompson</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_544">544</a></td> +</tr> +<tr> +<td>The Temptation, engraved by John Jackson, after John Martin</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_545a">545</a></td> +</tr> +<tr> +<td>The Judgment of Adam and Eve, engraved by F. W. Branston, after +ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_545b">545</a></td> +</tr> +<tr> +<td>The Assuaging of the Waters, engraved by E. Landells, after +ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_546a">546</a></td> +</tr> +<tr> +<td>The Deluge, engraved by W. H. Powis, after ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_546b">546</a></td> +</tr> +<tr> +<td>The Tower of Babel engraved by Thomas Williams, after ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_547a">547</a></td> +</tr> +<tr> +<td>The Angel announcing the Nativity, engraved by W. T. Green, after +ditto</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_547b">547</a></td> +</tr> +<tr> +<td>Tail piece—Vignette, engraved by W. T. Green, after W. +Harvey</td> +<td class = "page"><a href = +"WoodEngraving7.html#illus_548">548</a></td> +</tr> + +<tr> +<td class = "chapter"><a name = "list_chap_VIII" id = "list_chap_VIII" +href = "WoodEngraving8.html#chap_VIII">CHAPTER VIII</a><br> +<span class = "smaller">ARTISTS AND ENGRAVERS ON WOOD OF THE PRESENT +DAY, 549-560.</span></td> +<td></td> +</tr> +<tr> +<td>The Sierra Morena, engraved by James Cooper, after Percival +Skelton</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_550">550</a></td> +</tr> +<tr> +<td>The Banks the Nith, engraved by ditto, after Birket Foster</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_551a">551</a></td> +</tr> +<tr> +<td>The Twa Dogs, engraved by ditto, after Harrison Weir</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_551b">551</a></td> +</tr> +<tr> +<td>To Auld Mare Maggie, engraved by ditto, after ditto</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_552">552</a></td> +</tr> +<tr> +<td>The Poetry of Nature, engraved by J. Greenaway, after Harrison +Weir</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_553">553</a></td> +</tr> +<tr> +<td>From Bloomfield’s Farmer’s Boy, engraved by W. Wright, after +ditto</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_554a">554</a></td> +</tr> +<tr> +<td>From Campbell’s Pleasures of Hope, engraved by J. Greenaway, after +ditto</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_554b">554</a></td> +</tr> +<tr> +<td>From the same, by the same</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_555">555</a></td> +</tr> +<tr> +<td>Wild Flowers, engraved by E. Evans, after Birket Foster</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_556">556</a></td> +</tr> +<tr> +<td>From Lays of the Holy Land, engraved by W. J. Palmer, after Birket +Foster</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_557">557</a></td> +</tr> +<tr> +<td>From Longfellow’s Evangeline, engraved by H. Vizetelly, after +ditto</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_558">558</a></td> +</tr> +<tr> +<td>From Moore’s Lalla Rookh, engraved by Dalziel, after John +Tenniel</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_559">559</a></td> +</tr> +<tr> +<td>Death of Sforza, from Barry Cornwall, engraved by Dalziel, after +ditto</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_560a">560</a></td> +</tr> +<tr> +<td>Sforza, ditto, ditto</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_560b">560</a></td> +</tr> +<tr> +<td>Antony and Cleopatra, engraved by Dalziel Brothers, after John +Gilbert</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x561">561*</a></td> +</tr> +<tr> +<td>The Florentine Party, from Barry Cornwall, engraved by Dalziel +Brothers, after Thomas Dalziel</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x562">562*</a></td> +</tr> +<tr> +<td>Prince Arthur and Hubert de Bourg, engraved by Kirchner, after John +Gilbert</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x563a">563*</a></td> +</tr> +<tr> +<td>From Maxwell’s Life of the Duke of Wellington, designed by John +Gilbert</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x563b">563*</a></td> +</tr> +<tr> +<td>The Demon Lover, designed by John Gilbert, engraved by W. A. +Folkard</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x564">564*</a></td> +</tr> +<tr> +<td>From Longfellow’s Hiawatha, engraved by W. L. Thomas, after +G. H. Thomas</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x565">565*</a></td> +</tr> +<tr> +<td>From the same, engraved by Horace Harral, after G. H. Thomas</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x566a">566*</a></td> +</tr> +<tr> +<td>From the same, engraved by Dalziel Brothers, after ditto</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x566b">566*</a></td> +</tr> +<tr> +<td>John Anderson my Jo, from Burns’ Poems, engraved by E. Evans, after +ditto</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x567a">567*</a></td> +</tr> +<tr> +<td>Vignette from Hiawatha, engraved by E. Evans, after ditto</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x567b">567*</a></td> +</tr> +<tr> +<td>From Tennyson’s Princess, engraved by W. Thomas, after D. +Maclise</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x568">568*</a></td> +</tr> +<tr> +<td>From Bürger’s Leonora, engraved by J. Thompson, after Maclise</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x569a">569*</a></td> +</tr> +<tr> +<td>From Childe Harold, engraved by J. W. Whimper, after Percival +Skelton</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x569b">569*</a></td> +</tr> +<tr> +<td> +<span class = "pagenum"><a name = "pagexv" id = "pagexv"> +xv</a></span> +From Marryat’s Poor Jack, engraved by H. Vizetelly, after Clarkson +Stanfield</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x570">570*</a></td> +</tr> +<tr> +<td>Christmas in the olden time, engraved by H. Vizetelly, after Birket +Foster</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x571">571*</a></td> +</tr> +<tr> +<td>Two illustrations from Thomson’s Seasons, designed and engraved by +Sam Williams.</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x572a">572*</a></td> +</tr> +<tr> +<td>Eagles, Stags, and Wolves, engraved by George Pearson, after John +Wolf</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x573">573*</a></td> +</tr> +<tr> +<td>Hare Hawking, engraved by George Pearson, after John Wolf</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x574a">574*</a></td> +</tr> +<tr> +<td>Falls of Niagara, engraved by George Pearson</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x574b">574*</a></td> +</tr> +<tr> +<td>From Sandford and Merton, engraved by Measom, after H. Anelay</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x575">575*</a></td> +</tr> +<tr> +<td>From Longfellow’s Miles Standish, engraved by Thomas Bolton, after +John Absolon</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x576">576*</a></td> +</tr> +<tr> +<td>Flaxman’s ‘Deliver us from Evil,’ a specimen of Mr. Thomas Bolton’s +new process of photographing on wood</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x577">577*</a></td> +</tr> +<tr> +<td>From Montalva’s Fairy Tales, engraved by John Swain, after +R. Doyle</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x578">578*</a></td> +</tr> +<tr> +<td>From ‘Brown, Jones, and Robinson,’ engraved by John Swain, after +Doyle</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x579">579*</a></td> +</tr> +<tr> +<td>From Uncle Tom’s Cabin, engraved by Orrin Smith, after John +Leech</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x580">580*</a></td> +</tr> +<tr> +<td>From Mr. Leech’s Tour in Ireland, engraved by John Swain, after John +Leech</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x581">581*</a></td> +</tr> +<tr> +<td>From ‘Moral Emblems of all Ages,’ engraved by H. Leighton, after +John Leighton</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x582">582*</a></td> +</tr> +<tr> +<td>Two subjects from the Illustrated Southey’s Life of Nelson, engraved +by H. Harral, after E. Duncan</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x583">583*</a></td> +</tr> +<tr> +<td>North porch of St. Maria Maggiore, drawn and engraved by Orlando +Jewitt</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x584">584*</a></td> +</tr> +<tr> +<td>Shrine in Bayeux Cathedral, by Orlando Jewitt</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x585">585*</a></td> +</tr> +<tr> +<td>Hearse of Margaret Countess of Warwick and other specimens from +Regius Glossary of Ecclesiastical Ornament, by Orlando Jewitt</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x586">586*</a></td> +</tr> +<tr> +<td>Brick Tracery, St. Stephen’s Church, Tangermunde, Prussia, by +ditto</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x587">587*</a></td> +</tr> +<tr> +<td>The Nut Brown Maid, engraved by J. Williams, after T. Creswick</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x588">588*</a></td> +</tr> +<tr> +<td>Vignette from Bohn’s Illustrated Edition of Walton’s Angler, by +M. Jackson, after T. Creswick</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x589">589*</a></td> +</tr> +<tr> +<td>Paul preaching at Athens, engraved by W. J. Linton, after John +Martin</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x590a">590*</a></td> +</tr> +<tr> +<td>Vignette from the Book of British Ballads, engraved by ditto, after +R. McIan</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x590b">590*</a></td> +</tr> +<tr> +<td>From Milton’s L’Allegro, engraved by ditto, after Stonehouse</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x591a">591*</a></td> +</tr> +<tr> +<td>From the same, engraved by ditto, after J. C. Horsley</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x591b">591*</a></td> +</tr> +<tr> +<td>Ancient Gambols, drawn and engraved by F. W. Fairholt</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x592a">592*</a></td> +</tr> +<tr> +<td>Vignette from the Illustrated Edition of Robin Hood, by ditto</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x592b">592*</a></td> +</tr> +<tr> +<td>Two illustrations from Dr. Mantell’s Works, engraved by James Lee, +after Joseph Dinkel</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x593">593*</a></td> +</tr> +<tr> +<td>From Coleridge’s Ancient Mariner, engraved by H. Harral, after +E. H. Wehnert</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x594">594*</a></td> +</tr> +<tr> +<td>Three illustrations drawn and engraved by George Cruikshank, from +‘Three Courses and a Dessert’</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x595">595*</a></td> +</tr> +<tr> +<td>Two illustrations by ditto from the Universal Songster</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x596">596*</a></td> +</tr> +<tr> +<td>Three illustrations from the Pictorial Grammar, by Crowquill</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x597a">597*</a></td> +</tr> +<tr> +<td>Vignette from the Book of British Ballads by Kenny Meadows</td> +<td class = "page"><a href = +"WoodEngraving8.html#illus_x597b">597*</a></td> +</tr> + +<tr> +<td class = "chapter"><a name = "list_chap_IX" id = "list_chap_IX" href += "WoodEngraving9.html#chap_IX">CHAPTER IX</a><br> +<span class = "smaller">THE PRACTICE OF WOOD ENGRAVING, +561-652.</span></td> +<td></td> +</tr> +<tr> +<td>Initial letter P, showing a wood engraver at work, with his lamp and +globe, drawn by R. W. Buss</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_561">561</a></td> +</tr> +<tr> +<td>Diagram, showing a block warped</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_566">566</a></td> +</tr> +<tr> +<td>Cut showing the appearance of a plug-hole in the engraving, drawn by +J. Jackson</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_570a">570</a></td> +</tr> +<tr> +<td>Diagrams illustrative of the mode of repairing a block by +plugging</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_570b">570</a></td> +</tr> +<tr> +<td>Cut showing a plug re-engraved</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_571">571</a></td> +</tr> +<tr> +<td>Diagram showing the mode of pulling the string over the corner of +the block</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_572">572</a></td> +</tr> +<tr> +<td>The shade for the eyes, and screen for the mouth and nose</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_574">574</a></td> +</tr> +<tr> +<td>Engraver’s lamp, glass, globe, and sand-bag</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_575">575</a></td> +</tr> +<tr> +<td>Graver</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_576a">576</a></td> +</tr> +<tr> +<td>Diagram of gravers</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_576b">576</a></td> +</tr> +<tr> +<td>Diagrams of tint-tools, &c.</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_577">577</a></td> +</tr> +<tr> +<td>Diagrams of gouges, chisels, &c.</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_578">578</a></td> +</tr> +<tr> +<td> +<span class = "pagenum"><a name = "pagexvi" id = "pagexvi"> +xvi</a></span> +Gravers</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_579a">579</a></td> +</tr> +<tr> +<td>Cuts showing the manner of holding the graver</td> +<td class = "page"><a href = "WoodEngraving9.html#illus_579c">579</a>, +<a href = "WoodEngraving9.html#illus_580a">580</a></td> +</tr> +<tr> +<td>Examples of tints</td> +<td class = "page"><a href = "WoodEngraving9.html#illus_581a">581</a>, +<a href = "WoodEngraving9.html#illus_582a">582</a>, +<a href = "WoodEngraving9.html#illus_583a">583</a>, +<a href = "WoodEngraving9.html#illus_584">584</a></td> +</tr> +<tr> +<td>Examples of curved lines and tints</td> +<td class = "page"><a href = "WoodEngraving9.html#illus_585">585</a>, +<a href = "WoodEngraving9.html#illus_586">586</a></td> +</tr> +<tr> +<td>Cuts illustrative of the mode of cutting a white outline</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_588">588</a></td> +</tr> +<tr> +<td>Outline engraving previous to its being blocked out—the +monument to the memory of two children in Lichfield Cathedral by Sir +F. Chantrey</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_589">589</a></td> +</tr> +<tr> +<td>The same subject finished</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_590a">590</a></td> +</tr> +<tr> +<td>Outline engraving, after a design by Flaxman for a snuff-box for +George IV.</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_590b">590</a></td> +</tr> +<tr> +<td>Cut after a pen-and-ink sketch by Sir David Wilkie for his picture +of the Rabbit on the Wall</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_591">591</a></td> +</tr> +<tr> +<td>Figures from a sketch by George Morland</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_592">592</a></td> +</tr> +<tr> +<td>Group from Sir David Wilkie’s Rent Day</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_593">593</a></td> +</tr> +<tr> +<td>Figure of a boy from Hogarth’s Noon, one of the engravings of his +Four Parts of the Day</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_594">594</a></td> +</tr> +<tr> +<td>A Hog, after an etching by Rembrandt</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_595">595</a></td> +</tr> +<tr> +<td>Dray-horse, drawn by James Ward, R.A.</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_596">596</a></td> +</tr> +<tr> +<td>Jacob blessing the Children of Joseph, after Rembrandt</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_597">597</a></td> +</tr> +<tr> +<td>Two cuts—View of a Road-side Inn—showing the advantage +of cutting the tint before the other parts of a subject are +engraved</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_598">598</a></td> +</tr> +<tr> +<td>Head, from an etching by Rembrandt</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_599">599</a></td> +</tr> +<tr> +<td>Impression from a cast of part of the Death of Dentatus, engraved by +W. Harvey</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_601">601</a></td> +</tr> +<tr> +<td>Christ and the Woman at the Well, from an etching by Rembrandt</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_602">602</a></td> +</tr> +<tr> +<td>The Flight into Egypt, from an etching by Rembrandt</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_605">605</a></td> +</tr> +<tr> +<td>Sea-piece, drawn by George Balmer</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_606a">606</a></td> +</tr> +<tr> +<td>Sea-piece, moonlight, drawn by George Balmer</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_606b">606</a></td> +</tr> +<tr> +<td>Landscape, evening, drawn by George Balmer</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_607">607</a></td> +</tr> +<tr> +<td>Impression from a cast of part of the Death of Dentatus, engraved by +W. Harvey</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_609">609</a></td> +</tr> +<tr> +<td>View of Rouen Cathedral, drawn by William Prior</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_611">611</a></td> +</tr> +<tr> +<td>Map of England and Wales, with the part of the names engraved on +wood, and part inserted in type</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_612">612</a></td> +</tr> +<tr> +<td>Group from Sir David Wilkie’s Village Festival</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_614">614</a></td> +</tr> +<tr> +<td>Natural <i>Vignette</i>, and an old ornamented capital from a +manuscript of the thirteenth century</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_616">616</a></td> +</tr> +<tr> +<td>Specimens of ornamental capitals, chiefly taken from Shaw’s +Alphabets</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_617">617</a></td> +</tr> +<tr> +<td>Impressions from a surface with the figures in relief—subject, +the Crown-piece of George IV.</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_618">618</a></td> +</tr> +<tr> +<td>Impressions from a surface with the figures in intaglio—same +subject</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_619">619</a></td> +</tr> +<tr> +<td>Shepherd’s Dog, drawn by W. Harvey</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_620">620</a></td> +</tr> +<tr> +<td>Egret, drawn by W. Harvey</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_621">621</a></td> +</tr> +<tr> +<td>Winter-piece, with an ass and her foal, drawn by J. Jackson</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_622">622</a></td> +</tr> +<tr> +<td>Salmon-Trout, with a view of Bywell-Lock, drawn by J. Jackson</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_623">623</a></td> +</tr> +<tr> +<td>Boy and Pony, drawn by J. Jackson</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_624a">624</a></td> +</tr> +<tr> +<td>Heifer, drawn by W. Harvey</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_624b">624</a></td> +</tr> +<tr> +<td>Descent from the Cross, after an etching by +Rembrandt—impression when the block is merely lowered previous to +engraving the subject</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_626">626</a></td> +</tr> +<tr> +<td>Descent from the Cross—impression from the finished cut</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_627">627</a></td> +</tr> +<tr> +<td>Copies of an ancient bust in the British Museum—No. 1 printed +from a wood-cut, and No. 2 from a cast</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_637">637</a></td> +</tr> +<tr> +<td>Block reduced from a Lithograph by the new Electro-printing Block +process</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_639">639</a></td> +</tr> +<tr> +<td>Horse and Ass, drawn by J. Jackson—improperly printed</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_641">641</a></td> +</tr> +<tr> +<td>Same subject, properly printed</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_642">642</a></td> +</tr> +<tr> +<td>Landscape, drawn by George Balmer—improperly printed</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_644a">644</a></td> +</tr> +<tr> +<td>Same subject, properly printed</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_644b">644</a></td> +</tr> +<tr> +<td>Tail-piece, drawn by C. Jacques</td> +<td class = "page"><a href = +"WoodEngraving9.html#illus_652">652</a></td> +</tr> +</table> + +<div class = "correction"> +<h5>Erratum</h5> + +<p><span class = "citation"> +life of St. Birinus, of the twelfth century</span><br> +twelth</p> +</div> + + +<div class = "titlepage"> + +<span class = "pagenum"><a name = "page1" id = "page1"> +1</a></span> +<h2><span class = "smallest">ON</span><br> +WOOD ENGRAVING.</h2> + +</div> + +<span class = "pagenum"><a name = "page653" id = "page653"> +653</a></span> + +<h3><a name = "index" id = "index">INDEX.</a></h3> + +<p class = "divider"> </p> + +<div class = "mynote"> +<p>Links in the Index lead to the top of the named page. All are in +separate files.</p> + +<p class = "center screenstyle"> +<a href = "#index_A"> A </a> +<a href = "#index_B"> B </a> +<a href = "#index_C"> C </a> +<a href = "#index_D"> D </a> +<a href = "#index_E"> E </a> +<a href = "#index_F"> F </a> +<a href = "#index_G"> G </a> +<a href = "#index_H"> H </a> +<a href = "#index_I"> I </a> +<a href = "#index_J"> J </a> +<a href = "#index_K"> K </a> +<a href = "#index_L"> L </a> +<a href = "#index_M"> M </a><br> +<a href = "#index_N"> N </a> +<a href = "#index_O"> O </a> +<a href = "#index_P"> P </a> +<a href = "#index_Q"> Q </a> +<a href = "#index_R"> R </a> +<a href = "#index_S"> S </a> +<a href = "#index_T"> T </a> +<a href = "#index_U"> U </a> +<a href = "#index_V"> V </a> +<a href = "#index_W"> W </a> +<a href = "#index_Z"> Z </a></p> +</div> + +<div class = "index"> + +<p class = "letterhead"> +<a name = "index_A" id = "index_A" href = "#index">A</a></p> + +<p>Absolon, John, artist, +<a href = "WoodEngraving8.html#page576a">576*</a>.</p> + +<p>Accursius, Mariangelus, note written by, in a Donatus, +<a href = "WoodEngraving1.html#page123">123</a>.</p> + +<p>Advertisements, wood-cuts prefixed to, +<a href = "WoodEngraving7.html#noteVII1">446 <i>n</i></a>.</p> + +<p>Allegory of Death, a tract printed at Bamberg, 1462, +<a href = "WoodEngraving4.html#page171">171</a>.</p> + +<p>Almanach de Paris, with wood-cuts, by Papillon, +<a href = "WoodEngraving7.html#page459">459</a>.</p> + +<p>Almanacks, sheet, 1470, 1500, +<a href = "WoodEngraving4.html#page225">225</a>.</p> + +<p>Alphabet of figures, engraved on wood, in the British Museum, +<a href = "WoodEngraving1.html#page106">106</a>;</p> +<p class = "inset">cuts from, +<a href = "WoodEngraving1.html#page109">109</a>, +<a href = "WoodEngraving1.html#page110">110</a>, +<a href = "WoodEngraving1.html#page111">111</a>, +<a href = "WoodEngraving1.html#page112">112</a>;</p> +<p class = "inset">with figures, of a Dance of Death, preserved in the +public library at Basle, +<a href = "WoodEngraving6.html#page352">352</a>.</p> + +<p>Altdorffer, A. +<a href = "WoodEngraving4.html#page320">320</a>.</p> + +<p>Amman, Jost, cuts designed by, in a book of trades and professions, +<a href = "WoodEngraving6.html#page408">408</a>, +<a href = "WoodEngraving6.html#page409">409</a>;</p> +<p class = "inset">other cuts designed by him, +<a href = "WoodEngraving6.html#page411">411</a>.</p> + +<p>Amonoph, a name on an Egyptian brick-stamp, +<a href = "WoodEngraving1.html#noteI6">6 <i>n</i></a>.</p> + +<p>Andreani, Andrea, chiaro-scuros engraved by, +<a href = "WoodEngraving6.html#page432">432</a>.</p> + +<p>Andrews, G. H. painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Anelay, H. artist, +<a href = "WoodEngraving8.html#page575a">575*</a>.</p> + +<p>Angus, George, of Newcastle-on-Tyne, printer, wood-cuts used by, in +cheap works, +<a href = "WoodEngraving4.html#page180">180</a>, +<a href = "WoodEngraving4.html#page228">228</a>.</p> + +<p>Annunciation, old cut of the, +<a href = "WoodEngraving1.html#page50">50</a>.</p> + +<p>Ansdell, Richard, painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Ansgarius, St., supposed to have been the compiler of the Biblia +Pauperum, +<a href = "WoodEngraving1.html#page94">94</a>.</p> + +<p>Antichrist, cuts of, +<a href = "WoodEngraving1.html#page61">61</a>.</p> + +<p>Antonianus, Silvius, a cardinal, claimed by Papillon as a wood +engraver, +<a href = "WoodEngraving6.html#page337">337</a>.</p> + +<p>Antonio, Marc, his copies of the Little Passion and the Life of the +Virgin, designed by Durer, +<a href = "WoodEngraving4.html#page251">251</a>.</p> + +<p>Antwerp, painters’ company of, entertain Durer, +<a href = "WoodEngraving4.html#page261">261</a>;</p> +<p class = "inset">procession in honour of the Virgin, <i>ib.</i></p> + +<p>Apelles, the image of the life of man as painted in a table by, +<a class = "error" href = "WoodEngraving6.html#noteVI119" title = "text reads ‘432’">436 <i>n</i></a>.</p> + +<p>Apocalypse, an ancient block-book, +<a href = "WoodEngraving1.html#page61">61</a>, +<a href = "WoodEngraving1.html#page68">68</a>;</p> +<p class = "inset">cuts in illustration of, from Durer’s designs, +<a href = "WoodEngraving4.html#page239">239</a>.</p> + +<p class = "inset">Appeal to Christendom, early specimen of typography, +<a href = "WoodEngraving1.html#page138">138</a>.</p> + +<p>Arch, triumphal, of Maximilian, designed by Durer, +<a href = "WoodEngraving4.html#page255">255</a>.</p> + +<p>Archer, J. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Archer, J. W. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Aretin, J. C. von, +<a href = "WoodEngraving1.html#page114">114</a>.</p> + +<p>Armitage, Edward, painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Armstrong, T. engraver, +<a href = "WoodEngraving8.html#page592a">592*</a>.</p> + +<p>Armstrong, Wm. engraver, +<a href = "WoodEngraving8.html#page600a">600*</a>.</p> + +<p>Ars Memorandi, +<a href = "WoodEngraving1.html#page113">113</a>;</p> +<p class = "inset">cut from, +<a href = "WoodEngraving1.html#page115">115</a>.</p> + +<p>Ars Moriendi, an old block-book, +<a href = "WoodEngraving1.html#page116">116</a>.</p> + +<p>Art, early German, +<a href = "WoodEngraving1.html#page3">3</a>.</p> + +<p>Assen, J. W. van, +<a href = "WoodEngraving4.html#page318">318</a>.</p> + +<p>Astle’s Origin and Progress of Writing, +<a href = "WoodEngraving1.html#page20">20</a>.</p> + +<p>Atkinson, G. C., his Life of Bewick, +<a href = "WoodEngraving7.html#page477">477</a>, +<a href = "WoodEngraving7.html#page478">478</a>, +<a href = "WoodEngraving7.html#page480">480</a>, +<a href = "WoodEngraving7.html#page482">482</a>, +<a href = "WoodEngraving7.html#page492">492</a>, +<a href = "WoodEngraving7.html#page501">501</a>, +<a href = "WoodEngraving7.html#page503">503</a>, +<a href = "WoodEngraving7.html#page505">505</a>.</p> + +<p>Austin, an English wood-engraver, +<a href = "WoodEngraving7.html#page538">538</a>.</p> + + +<p class = "letterhead"> +<a name = "index_B" id = "index_B" href = "#index">B</a></p> + +<p>Babylonian brick, +<a href = "WoodEngraving1.html#page7">7</a>.</p> + +<p>Balls, leather, formerly used by pressmen, not so elastic as +composition rollers, +<a href = "WoodEngraving9.html#page620">620</a>.</p> + +<p>Bamberg, a book of fables printed at, in 1461, +<a href = "WoodEngraving4.html#page171">171</a>.</p> + +<p>Bämler, John, a printer of Augsburg, +<a href = "WoodEngraving4.html#page180">180</a>.</p> + +<p>Baptism of Drusiana, +<a href = "WoodEngraving1.html#page66">66</a>.</p> + +<p>Bartsch, Adam, of opinion that Albert Durer did not engrave on wood, +<a href = "WoodEngraving4.html#page237">237</a>.</p> + +<p>Battailes, La Fleur des, 1505, +<a href = "WoodEngraving4.html#page210">210</a>.</p> + +<p>Baxter, George, his improvements in printing in colours, +<a href = "WoodEngraving6.html#page406">406</a>;</p> +<p class = "inset">his chiaro-scuros and picture-prints, +<a href = "WoodEngraving9.html#page629">629</a>.</p> + +<p>Beating time with the foot mistaken for printing, +<a href = "WoodEngraving1.html#page120">120</a>.</p> + +<p>Beaumont, Sir George, curious alphabet of figures engraved on wood, +formerly belonging to, +<a href = "WoodEngraving1.html#page106">106</a>.</p> + +<p>Bechtermuntze, Henry and Nicholas, early printers, related to +Gutemberg, +<a href = "WoodEngraving1.html#page142">142</a>.</p> + +<p>Beddoes, Dr. Thomas, his poem of Alexander’s expedition down the +Hydaspes, with wood-cuts, by E. Dyas, 1792, +<a href = "WoodEngraving7.html#noteVII17">463 <i>n</i></a>.</p> + +<p>Behaim, Michael, letter to, from Albert Durer, +<a href = "WoodEngraving4.html#page235">235</a>.</p> + +<p>Behaim, H. S. +<a href = "WoodEngraving4.html#noteV29">253 <i>n</i></a>, +<a href = "WoodEngraving4.html#page320">320</a>.</p> + +<span class = "pagenum"><a name = "page654" id = "page654"> +654</a></span> +<p>Beilby, Ralph, the partner of Bewick, +<a href = "WoodEngraving7.html#page479">479</a>.</p> + +<p>Beildeck, Lawrence, his evidence in the suit of the Drytzehns against +Gutemberg, 1438, +<a href = "WoodEngraving1.html#page128">128</a>.</p> + +<p>Bekker, R. Z. editor of a collection of wood-cuts, from old blocks in +the possession of the Baron Von Derschau, +<a href = "WoodEngraving4.html#page226">226</a>.</p> + +<p>Bellini, Giovanni, his praise of Durer, +<a href = "WoodEngraving4.html#page242">242</a>.</p> + +<p>Bells, inscriptions on, +<a href = "WoodEngraving1.html#page20">20</a>.</p> + +<p>Bennett, C. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Benting, William, Lord of Rhoon and Pendraght, a fictitious +character, mentioned by T. Nieuhoff Piccard, +<a href = "WoodEngraving6.html#page360">360</a>, +<a href = "WoodEngraving6.html#noteVI36">361 <i>n</i></a>, +<a href = "WoodEngraving6.html#page363">363</a>.</p> + +<p>Bernacle or Barnacle Goose, +<a href = "WoodEngraving6.html#page414">414</a>.</p> + +<p>Bernardin, St. account of an old wood-cut of, +<a href = "WoodEngraving1.html#page56">56</a>.</p> + +<p>Beroaldus, Peter, editor of an edition of Ptolemy, +<a href = "WoodEngraving4.html#page201">201</a>.</p> + +<p>Best, Andrew, and Leloir, their metallic relief engraving, +<a href = "WoodEngraving9.html#page636">636</a>.</p> + +<p>Bethemsted, a name in an old book of wood-cuts, +<a href = "WoodEngraving1.html#page111">111</a>.</p> + +<p>Beugnet, a French wood engraver, +<a href = "WoodEngraving7.html#page547">547</a>.</p> + +<p>Bewick, Thomas, his birth, 1753, +<a href = "WoodEngraving7.html#page472">472</a>;</p> +<p class = "inset">apprenticed to Mr. R. Beilby, +<a href = "WoodEngraving7.html#page474">474</a>;</p> +<p class = "inset">engraves the diagrams in Hutton’s Mensuration, +1768-1770, +<a href = "WoodEngraving7.html#page475">475</a>;</p> +<p class = "inset">receives a premium for his cut of the Old Hound, +1775, +<a href = "WoodEngraving7.html#page476">476</a>;</p> +<p class = "inset">visits London, +<a href = "WoodEngraving7.html#page477">477</a>;</p> +<p class = "inset">cuts engraved by him in a Hieroglyphic Bible, +<a href = "WoodEngraving7.html#page478">478</a>;</p> +<p class = "inset">his love of the country, +<a href = "WoodEngraving7.html#page479">479</a>;</p> +<p class = "inset">his partnership with Beilby, <i>ib.</i>;</p> +<p class = "inset">his cuts in Gay’s Fables, +<a href = "WoodEngraving7.html#page480">480</a>;</p> +<p class = "inset">his cut of the Chillingham Bull, +<a href = "WoodEngraving7.html#page481">481</a>;</p> +<p class = "inset">his Quadrupeds, 1791, +<a href = "WoodEngraving7.html#page482">482-490</a>;</p> +<p class = "inset">his British Birds, 1797-1804, +<a href = "WoodEngraving7.html#page490">490-502</a>;</p> +<p class = "inset">his Select Fables, 1818, +<a href = "WoodEngraving7.html#page502">502-506</a>;</p> +<p class = "inset">his cut of the Old Horse waiting for Death, +<a href = "WoodEngraving7.html#page510">510</a>;</p> +<p class = "inset">his diligence, +<a href = "WoodEngraving7.html#page507">507</a>;</p> +<p class = "inset">his death, <i>ib.</i>;</p> +<p class = "inset">tribute to his merits from Blackwood’s Magazine, +<a href = "WoodEngraving7.html#page512">512</a>;</p> +<p class = "inset">list of portraits of him, +<a href = "WoodEngraving7.html#noteVII70">509 <i>n</i></a>.</p> + +<p>Bewick, John, notice of his principal works, +<a href = "WoodEngraving7.html#page513">513</a>.</p> + +<p>Bible, the Mazarine, printed prior to August, 1456, +<a href = "WoodEngraving1.html#page139">139</a>.</p> + +<p>Bible supposed to have been printed by Pfister, at Bamberg, +<a href = "WoodEngraving4.html#page181">181</a>.</p> + +<p>Bible cuts, Lyons, 1538, designed by Holbein, +<a href = "WoodEngraving6.html#page365">365-371</a>;</p> +<p class = "inset">engravings from 86, +<a href = "WoodEngraving1.html#page88">88</a>, +<a href = "WoodEngraving1.html#page89">89</a>, +<a href = "WoodEngraving1.html#page90">90</a>, +<a href = "WoodEngraving1.html#page91">91</a>, +<a href = "WoodEngraving1.html#page92">92</a>.</p> + +<p>Bible, Quadrins Historiques de la, +<a href = "WoodEngraving6.html#page402">402</a>.</p> + +<p>Biblia Pauperum, +<a href = "WoodEngraving1.html#page80">80-94</a>.</p> + +<p>Biblia Pauperum Predicatorum, +<a href = "WoodEngraving1.html#page83">83</a>.</p> + +<p>Bildhauer, +<a href = "WoodEngraving1.html#page2">2</a>.</p> + +<p>Binding, old, +<a href = "WoodEngraving1.html#page60">60</a>.</p> + +<p>Birds, engraved by Bewick’s pupils, +<a href = "WoodEngraving7.html#noteVII55">492 <i>n</i></a>.</p> + +<p>Birkman, Arnold, Dance of Death, copied from the Lyons edition, +published by his heirs, Cologne, 1555-1572, +<a href = "WoodEngraving6.html#page336">336</a>.</p> + +<p>Blake, William, his mode of engraving in metallic relief, +<a href = "WoodEngraving9.html#page632">632</a>;</p> +<p class = "inset">his drawing of Death’s Door, engraved by Linton, +<a href = "WoodEngraving9.html#page591">591</a>.</p> + +<p>Blind Beggar of Bethnal Green, cut from, +<a href = "WoodEngraving7.html#page534">534</a>.</p> + +<p>Blocking out, +<a href = "WoodEngraving9.html#page589">589</a>.</p> + +<p>Block-books claimed for Lawrence Coster, +<a href = "WoodEngraving1.html#page58">58</a>.</p> + +<p>Blocks, original, of the Triumphs of Maximilian, preserved at Vienna, +<a href = "WoodEngraving4.html#page291">291</a>.</p> + +<p>Bolton, Thomas, wood engraver, +<a href = "WoodEngraving8.html#page576a">576*</a>, +<a href = "WoodEngraving8.html#page577a">577*</a>.</p> + +<p>Bombo, the name of a dog, supposed by Papillon to be the name of a +wood-engraver, +<a href = "WoodEngraving6.html#noteVI19">337 <i>n</i></a>.</p> + +<p>Bomb shell, cut of a, from a book printed in 1472, +<a href = "WoodEngraving4.html#page187">187</a>.</p> + +<p>Borbonius, or Bourbon, Nicholas, verses by, in praise of Holbein, +<a href = "WoodEngraving6.html#page356">356</a>, +<a href = "WoodEngraving6.html#page357">357</a>, +<a href = "WoodEngraving6.html#page362">362</a>, +<a href = "WoodEngraving6.html#page367">367</a>.</p> + +<p>Borders, flowered, earliest specimens of in books, +<a href = "WoodEngraving4.html#page209">209</a>.</p> + +<p>Böttiger, C. A. +<a href = "WoodEngraving1.html#page21">21</a>.</p> + +<p>Box-wood, different qualities of, +<a href = "WoodEngraving9.html#page563">563</a>, +<a href = "WoodEngraving9.html#page566">566</a>.</p> + +<p>Brandling, H. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Brands for marking cattle, +<a href = "WoodEngraving1.html#page11">11</a>.</p> + +<p>Branston, Robert, notice of his principal wood-cuts, +<a href = "WoodEngraving7.html#page535">535-538</a>.</p> + +<p>Branston, R. the younger, wood-engraver, +<a href = "WoodEngraving7.html#page544">544</a>;</p> +<p class = "inset">his method of engraving in metallic relief, +<a href = "WoodEngraving9.html#page634">634</a>.</p> + +<p>Branston, F. W. wood-engraver, +<a href = "WoodEngraving7.html#page544">544</a>, +<a href = "WoodEngraving7.html#page545">545</a>.</p> + +<p>Brass stamps, +<a href = "WoodEngraving1.html#page10">10</a>.</p> + +<p>Brasses, monumental, +<a href = "WoodEngraving1.html#page21">21</a>.</p> + +<p>Braunche, Robert, his monument at Lynn, +<a href = "WoodEngraving1.html#page22">22</a>.</p> + +<p>Breitkopf, G. J. his attempt to print maps with separative pieces of +type-metal, 1776, +<a href = "WoodEngraving4.html#page205">205</a>.</p> + +<p>Breydenbach’s Travels, 1486, +<a href = "WoodEngraving4.html#page206">206-209</a>.</p> + +<p>Bricks, from Egypt and Babylon, +<a href = "WoodEngraving1.html#page6">6</a>, +<a href = "WoodEngraving1.html#page7">7</a>.</p> + +<p>Bridget, St., early cut of, +<a href = "WoodEngraving1.html#page52">52</a>.</p> + +<p>Brief of Indulgence, 1454, an early specimen of typography, +<a href = "WoodEngraving1.html#page137">137</a>.</p> + +<p>Briefe, cards so called in Germany, +<a href = "WoodEngraving1.html#page42">42</a>.</p> + +<p>Briefmaler and Briefdrucker, +<a href = "WoodEngraving1.html#page43">43</a>, +<a href = "WoodEngraving6.html#page410">410</a>.</p> + +<p>British Birds, History of, with cuts by Bewick, +<a href = "WoodEngraving7.html#page490">490-502</a>.</p> + +<p>Broughton, Hugh, his Concent of Scripture, with copper-plate +engravings, 1591, +<a href = "WoodEngraving6.html#page423">423</a>.</p> + +<p>Büchel, Emanuel, a Dance of Death copied by, in water-colours, +<a href = "WoodEngraving6.html#page326">326</a>.</p> + +<p>Bukinck, Arnold, printer, his edition of Ptolemy, 1478, with maps, +engraved on copper, +<a href = "WoodEngraving4.html#page200">200</a>.</p> + +<p>Bullet, J. B. his Researches on Playing Cards, +<a href = "WoodEngraving1.html#page40">40</a>.</p> + +<p>Bulwer, Sir E. Lytton, quoted, +<a href = "WoodEngraving6.html#page398">398</a>.</p> + +<p>Burgmair, Hans, painter, and designer on wood, +<a href = "WoodEngraving4.html#page277">277</a>.</p> + +<p>Burleigh, Lord, his portrait in Archbishop Parker’s edition of the +Bible, 1568, +<a href = "WoodEngraving6.html#page419">419</a>.</p> + +<p>Burnet, John, his engraving of Chelsea Pensioners, after Wilkie, +<a href = "WoodEngraving4.html#page213">213</a>.</p> + +<p>Burning in the hand, +<a href = "WoodEngraving1.html#page12">12</a>.</p> + +<p>Bury, Richard de, makes no mention of wood engraving, +<a href = "WoodEngraving1.html#page39">39</a>.</p> + +<p>Businck, chiaro-scuros engraved by, +<a href = "WoodEngraving6.html#page440">440</a>.</p> + +<p>Buttons, silver, engraved by Bewick, +<a href = "WoodEngraving7.html#page479">479</a>.</p> + +<p>Bybel, Historische School en Huis, Amsterdam, 1743, with wood-cuts, +<a href = "WoodEngraving7.html#page459">459</a>.</p> + +<p>Byfield, John, wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + + +<p class = "letterhead"> +<a name = "index_C" id = "index_C" href = "#index">C</a></p> + +<p>Calcar, John, a Flemish painter, +<a href = "WoodEngraving6.html#page434">434</a>.</p> + +<p>Calderinus, D. editor of an edition of Ptolemy, +<a href = "WoodEngraving4.html#page208">208</a>.</p> + +<p>Camus, his account of a book printed at Bamberg, 1462, +<a href = "WoodEngraving4.html#page171">171</a>.</p> + +<p>Canticles, illustrations of, +<a href = "WoodEngraving1.html#page71">71</a>, +<a href = "WoodEngraving1.html#page72">72</a>.</p> + +<span class = "pagenum"><a name = "page655" id = "page655"> +655</a></span> +<p>Capitals, ornamented, in Faust and Scheffer’s Psalter, +<a href = "WoodEngraving6.html#page426">426</a>;</p> +<p class = "inset">in English and other books, +<a href = "WoodEngraving9.html#page616">616</a>, +<a href = "WoodEngraving9.html#page617">617</a>.</p> + +<p>Car, triumphal, of Maximilian, designed by Durer, +<a href = "WoodEngraving4.html#page255">255</a>.</p> + +<p>Cards, known in 1340, +<a href = "WoodEngraving1.html#page40">40</a>.</p> + +<p>Caron, Nicholas, wood engraver, his portrait of Papillon, +<a href = "WoodEngraving7.html#noteVII22">466 <i>n</i></a>.</p> + +<p>Carpi, Ugo da, engraver of chiaro-scuros, on wood, +<a href = "WoodEngraving4.html#page230">230</a>, +<a href = "WoodEngraving4.html#page307">307</a>.</p> + +<p>Cartouch, +<a href = "WoodEngraving1.html#noteI38">28 <i>n</i></a>.</p> + +<p>Casts, stereotype, early, +<a href = "WoodEngraving6.html#page418">418</a>;</p> +<p class = "inset">modern, +<a href = "WoodEngraving9.html#page636">636</a>;</p> +<p class = "inset">clichage, +<a href = "WoodEngraving9.html#page637">637</a>.</p> + +<p>Cat edition of Dante, Venice, 1578, +<a href = "WoodEngraving6.html#page431">431</a>.</p> + +<p>Catherine, St. patroness of learned men, +<a href = "WoodEngraving4.html#page207">207</a>.</p> + +<p>Catholicon Johannis Januensis, +<a href = "WoodEngraving1.html#noteIII34">135 <i>n</i></a>.</p> + +<p>Cauteria, +<a href = "WoodEngraving1.html#page12">12</a>.</p> + +<p>Caxton, W. books printed by,—Game of Chess, +<a href = "WoodEngraving4.html#page191">191</a>;</p> +<p class = "inset">Mirror of the World, +<a href = "WoodEngraving4.html#page194">194</a>;</p> +<p class = "inset">Golden Legend, Fables of Esop, Canterbury Tales, +<a href = "WoodEngraving4.html#page195">195</a>.</p> + +<p>Caylus, Count, chiaro-scuros executed by, and N. Le Sueur, +<a href = "WoodEngraving7.html#noteVII11">456 <i>n</i></a>.</p> + +<p>Cessolis, J. de, his work on Chess, +<a href = "WoodEngraving4.html#page197">197</a>.</p> + +<p>Champollion, +<a href = "WoodEngraving1.html#noteI6">6 <i>n</i></a>.</p> + +<p>Chantrey, Sir F. monument by, in Lichfield Cathedral, +<a href = "WoodEngraving9.html#page589">589</a>, +<a href = "WoodEngraving9.html#page590">590</a>.</p> + +<p>Characters in an old Dutch Dance of Death, +<a href = "WoodEngraving4.html#page318">318</a>, +<a href = "WoodEngraving6.html#noteVI6">329 <i>n</i></a>.</p> + +<p>Charlemagne, his monogram, +<a href = "WoodEngraving1.html#page14">14</a>.</p> + +<p>Chelidonius, +<a href = "WoodEngraving4.html#page243">243</a>, +<a href = "WoodEngraving4.html#page251">251</a>.</p> + +<p>Chelsea Pensioners, engraving of, after Sir D. Wilkie, +<a href = "WoodEngraving4.html#page213">213</a>.</p> + +<p>Chaucer’s Canterbury Tales, +<a href = "WoodEngraving1.html#page48">48</a>.</p> + +<p>Chess, the Game of, printed by Caxton, +<a href = "WoodEngraving4.html#page191">191</a>.</p> + +<p>Chiaro-scuro, engraving on wood, known in Germany, in 1509, +<a href = "WoodEngraving4.html#page230">230</a>.</p> + +<p>Chiaro-scuros, +<a href = "WoodEngraving4.html#page307">307</a>, +<a href = "WoodEngraving6.html#page402">402</a>, +<a href = "WoodEngraving6.html#page432">432</a>, +<a href = "WoodEngraving6.html#page440">440</a>, +<a href = "WoodEngraving7.html#page451">451</a>, +<a href = "WoodEngraving7.html#page455">455</a>, +<a href = "WoodEngraving7.html#page467">467</a>, +<a href = "WoodEngraving9.html#page628">628</a>.</p> + +<p>Children in the Wood, cut from, +<a href = "WoodEngraving7.html#page533">533</a>.</p> + +<p>Chillingham bull, cut of, by Bewick, +<a href = "WoodEngraving7.html#page481">481</a>.</p> + +<p>Chinese engraving and printing, +<a href = "WoodEngraving1.html#page23">23</a>.</p> + +<p>Chirotipografia, or hand-printing, +<a href = "WoodEngraving1.html#noteII6">44 <i>n</i></a>.</p> + +<p>Chisels, +<a href = "WoodEngraving9.html#page578">578</a>.</p> + +<p>Christopher, St. wood-cut of, in the possession of Earl Spencer, +<a href = "WoodEngraving1.html#page45">45</a>, +<a href = "WoodEngraving1.html#page46">46</a>.</p> + +<p>Chrysographus, +<a href = "WoodEngraving1.html#page121">121</a>.</p> + +<p>Circular wood engravings in the British Museum, +<a href = "WoodEngraving1.html#noteII18">54 <i>n</i></a>.</p> + +<p>Clayton, J. R. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Cleaning wood cuts after printing, mode of, +<a href = "WoodEngraving9.html#page649">649</a>.</p> + +<p>Clennell, Luke, a pupil of Bewick, biographical notice of, +<a href = "WoodEngraving7.html#page521">521-527</a>.</p> + +<p>Clerc, Sebastian le, cuts in Croxall’s Æsop’s Fables, copied from his +engravings, +<a href = "WoodEngraving7.html#page450">450</a>.</p> + +<p>Clichage, a mode of taking a cast from a wood engraving, +<a href = "WoodEngraving9.html#page637">637</a>.</p> + +<p>Coeck, Peter, of Alost, his Costumes and Manners of the Turks, +<a href = "WoodEngraving6.html#page402">402</a>.</p> + +<p>Coining, its antiquity, +<a href = "WoodEngraving1.html#page19">19</a>.</p> + +<p>Cole, Humphrey, an English engraver, 1572, +<a href = "WoodEngraving6.html#page419">419</a>.</p> + +<p>Coleman, Wm. artist, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Collation of editions of the Speculum Salvationis, +<a href = "WoodEngraving1.html#page102">102</a>.</p> + +<p>Cologne Chronicle, unfairly quoted by the advocates of Coster, +<a href = "WoodEngraving1.html#page122">122</a>.</p> + +<p>Colonna, Francis, author of the Hypnerotomachia, +<a href = "WoodEngraving4.html#page218">218</a>.</p> + +<p>Colour, the meaning of the word when applied to engravings, +<a href = "WoodEngraving4.html#page213">213</a>.</p> + +<p>Committee of the House of Commons on Arts and their Connexion with +Manufactures, +<a href = "WoodEngraving4.html#page305">305</a>.</p> + +<p>Congreve’s, Sir Wm. mode of colour printing, +<a href = "WoodEngraving9.html#page630">630</a>.</p> + +<p>Concanen, M. wood cut in Miscellaneous Poems, published by, 1724, +<a href = "WoodEngraving7.html#page453">453</a>.</p> + +<p>Cooper, James, wood-engraver, +<a href = "WoodEngraving8.html#page550">550</a>, +<a href = "WoodEngraving8.html#page552">552</a>.</p> + +<p>Coornhert, Theodore, claims the invention of printing for Harlem, +<a href = "WoodEngraving1.html#page146">146</a>.</p> + +<p>Cope, C. W. painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Copperplate engraving, its invention ascribed to Varro, +<a href = "WoodEngraving1.html#page21">21</a>.</p> + +<p>Copperplates, earliest books containing, +<a href = "WoodEngraving4.html#page200">200</a>;</p> +<p class = "inset">the earliest engraved in England, +<a href = "WoodEngraving6.html#page419">419</a>.</p> + +<p>Corbould, E. H. painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Coriolano, Bartolomeo, chiaro-scuros engraved by, +<a href = "WoodEngraving6.html#page440">440</a>.</p> + +<p>Cornelius, a bookbinder, his account of Coster’s invention, +<a href = "WoodEngraving1.html#page150">150-152</a>.</p> + +<p>Coster, Lawrence, first mentioned by Hadrian Junius as the inventor +of printing, +<a href = "WoodEngraving1.html#page147">147</a>;</p> +<p class = "inset">account of his invention, +<a href = "WoodEngraving1.html#page149">149</a>.</p> + +<p>Cotman’s Sepulchral Brasses, +<a href = "WoodEngraving1.html#noteI30">22 <i>n</i></a>.</p> + +<p>Coverdale, Miles, cuts in his translation of the Bible, 1535, +<a href = "WoodEngraving6.html#page385">385-389</a>.</p> + +<p>Cowper, Edward, his invention for piercing wood blocks for map +engraving, +<a href = "WoodEngraving4.html#page205">205</a>.</p> + +<p>Cracherode, Rev. C. M. prints and books presented by him to the +British Museum, +<a href = "WoodEngraving1.html#page72">72</a>, +<a href = "WoodEngraving4.html#page231">231</a>, +<a href = "WoodEngraving6.html#page355">355</a>, +<a href = "WoodEngraving6.html#page385">385</a>.</p> + +<p>Cranach, Lucas, painter and designer on wood, +<a href = "WoodEngraving4.html#page275">275</a>;</p> +<p class = "inset">chiaro-scuros cut after, +<a href = "WoodEngraving4.html#page276">276</a>;</p> +<p class = "inset">figure of Christ printed in colours, supposed to be +by him, +<a href = "WoodEngraving6.html#page404">404</a>.</p> + +<p>Cranmer, Archbishop, his Catechism, 1548, with wood cuts, +<a href = "WoodEngraving6.html#page380">380-382</a>.</p> + +<p>Creswick, T. artist. +<a href = "WoodEngraving8.html#page588a">588*</a>, +<a href = "WoodEngraving8.html#page589a">589*</a>.</p> + +<p>Cropsey, Jasper, painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Crown-piece of George IV., impressions of casts from, +<a href = "WoodEngraving9.html#page618">618</a>.</p> + +<p>Crowquill, Alfred, artist, +<a href = "WoodEngraving8.html#page597a">597*</a>.</p> + +<p>Cross-hatching, +<a href = "WoodEngraving4.html#page224">224</a>, +<a href = "WoodEngraving4.html#page234">234</a>, +<a href = "WoodEngraving9.html#page562">562</a>.</p> + +<p>Croxall’s Æsop’s Fables, wood cuts in, 1722, +<a href = "WoodEngraving7.html#page448">448-451</a>.</p> + +<p>Cruikshank, George, artist, +<a href = "WoodEngraving8.html#page595a">595*</a>, +<a href = "WoodEngraving8.html#page596a">596*</a>.</p> + +<p>Cuningham’s, Dr. William, Cosmographical Glass, 1559, +<a href = "WoodEngraving6.html#page421">421</a>, +<a href = "WoodEngraving6.html#page425">425</a>;</p> +<p class = "inset">his portrait, +<a href = "WoodEngraving6.html#page424">424</a>;</p> +<p class = "inset">cuts from his book, +<a href = "WoodEngraving6.html#page425">425</a>, +<a href = "WoodEngraving6.html#page426">426</a>, +<a href = "WoodEngraving6.html#page427">427</a>.</p> + +<p>Cunio, Alberic and Isabella, pretended wood engravers, +<a href = "WoodEngraving1.html#page26">26</a>.</p> + +<p>Curved lines, the effect of, +<a href = "WoodEngraving9.html#page585">585</a>.</p> + +<p>Cutting tools, +<a href = "WoodEngraving9.html#page576">576</a>.</p> + + +<p class = "letterhead"> +<a name = "index_D" id = "index_D" href = "#index">D</a></p> + +<p>Dalziel, Bros. wood engravers, +<a href = "WoodEngraving8.html#page559">559-562*</a>, +<a href = "WoodEngraving8.html#page566a">566*</a>.</p> + +<p>Dalziel, Thomas, artist, +<a href = "WoodEngraving8.html#page562a">562*</a>.</p> + +<p>Dammetz, Lucas, called also Lucas Van Leyden, +<a href = "WoodEngraving4.html#page308">308</a>.</p> + +<p>Dampth, its effect on box-wood, +<a href = "WoodEngraving9.html#page564">564</a>.</p> + +<p>Dance of Death, in old churches, +<a href = "WoodEngraving6.html#page325">325</a>;</p> +<p class = "inset">at Basle, +<a href = "WoodEngraving6.html#page326">326</a>;</p> +<p class = "inset">in old French and other books, +<a href = "WoodEngraving6.html#page328">328</a>;</p> +<p class = "inset">the Lyons Dance of Death, 1538, with cuts, designed +by Hans Holbein, +<a href = "WoodEngraving6.html#page329">329-364</a>;</p> +<span class = "pagenum"><a name = "page656" id = "page656"> +656</a></span> +<p class = "inset">his Alphabet containing his Dance of Death, +<a href = "WoodEngraving6.html#page352">352</a>.</p> + +<p>Dante, edition of, with <ins class = "correction" title = "text reads ‘copperplates’">copper-plates</ins>, 1482;</p> +<p class = "inset">the cat edition of, Venice, 1578, +<a href = "WoodEngraving6.html#page431">431</a>.</p> + +<p>Darley, Felix, draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Dates of block books and cuts, mistake about, +<a href = "WoodEngraving1.html#page58">58</a>.</p> + +<p>Day, John, an English printer, supposed to have also engraved on +wood, +<a href = "WoodEngraving6.html#page425">425</a>.</p> + +<p>Denecker, Jobst, publisher of a Dance of Death at Augsburg, 1544, +<a href = "WoodEngraving6.html#page336">336</a>.</p> + +<p>Dentatus, the large cut of the death of, engraved by W. Harvey, +<a href = "WoodEngraving7.html#page528">528</a>;</p> +<p class = "inset">specimens of it, +<a href = "WoodEngraving9.html#page601">601</a>, +<a href = "WoodEngraving9.html#page609">609</a>.</p> + +<p>Derschau, the Baron Von, his collection of old wood blocks, +<a href = "WoodEngraving1.html#page93">93</a>, +<a href = "WoodEngraving4.html#page226">226</a>;</p> +<p class = "inset">his character, +<a href = "WoodEngraving4.html#noteV9">236 <i>n</i></a>.</p> + +<p>Desroches, M. ascribes the invention of printing to “Vedelare +Lodewyc,” <a href = "WoodEngraving1.html#page119">119</a>.</p> + +<p>Deutsch, N. E. +<a href = "WoodEngraving4.html#page314">314</a>.</p> + +<p>Dickes, W. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Dinkel, Joseph, draughtsman, +<a href = "WoodEngraving8.html#page593a">593*</a>.</p> + +<p>Doctrinale gette en mole, +<a href = "WoodEngraving1.html#page122">122</a>.</p> + +<p>Dodd, Daniel and John, wood engravers, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + +<p>Dodgson, G. painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Dolce, Ludovico, his Transformationi, a paraphrase of Ovid’s +Metamorphoses, +<a href = "WoodEngraving6.html#page394">394</a>.</p> + +<p>Dominicals, stamped on paper, +<a href = "WoodEngraving1.html#page120">120</a>.</p> + +<p>Dominotiers, +<a href = "WoodEngraving1.html#page45">45</a>.</p> + +<p>Donatus, a grammatical treatise so called, printed from wood blocks, +<a href = "WoodEngraving1.html#page117">117</a>;</p> +<p class = "inset">one supposed to have been <i>stamped</i>, 1340, +<a href = "WoodEngraving1.html#page121">121</a>;</p> +<p class = "inset">idea of typography perhaps suggested by such a work, +<a href = "WoodEngraving1.html#page123">123</a>.</p> + +<p>Douce, Francis, his opinion about the name Machabre, +<a href = "WoodEngraving6.html#page325">325</a>;</p> +<p class = "inset">his list of books containing figures of a Dance of +Death, +<a href = "WoodEngraving6.html#page328">328</a>;</p> +<p class = "inset">his edition of the Dance of Death, 1833, +<a href = "WoodEngraving6.html#page338">338</a>;</p> +<p class = "inset">denies that the cuts in the Lyons edition were +designed by Holbein, +<a href = "WoodEngraving6.html#page346">346</a>;</p> +<p class = "inset">but believes, on the authority of an unknown writer, +named Piccard, that Holbein painted a Dance of Death in the old palace +at Whitehall, +<a href = "WoodEngraving6.html#page360">360</a>.</p> + +<p>Dovaston’s account of Bewick, +<a href = "WoodEngraving7.html#noteVII38">478 <i>n</i></a>.</p> + +<p>Doyle, R. artist. <a href = "WoodEngraving8.html#page578a">578*</a>, +<a href = "WoodEngraving8.html#page579a">579*</a>.</p> + +<p>Drawings, of a Dance of Death, supposed to be originals, by Holbein, +<a href = "WoodEngraving6.html#page357">357</a>;</p> +<p class = "inset">by Robert Johnson, purchased of Beilby and Bewick, by +the Earl of Bute, +<a href = "WoodEngraving7.html#page517">517</a>;</p> +<p class = "inset">on wood, mode of preparing the block for, +<a href = "WoodEngraving9.html#page570">570</a>;</p> +<p class = "inset">for wood engraving, difficulty of obtaining good, +<a href = "WoodEngraving9.html#page592">592</a>.</p> + +<p>Drytzehn, Andrew, a partner of Gutemberg’s, +<a href = "WoodEngraving1.html#page126">126</a>.</p> + +<p>Duncan, Edward, artist, +<a href = "WoodEngraving8.html#page583a">583*</a>.</p> + +<p>Dünne, Hans, work done by him for Gutemberg, on account of printing, +previous to 1438, +<a href = "WoodEngraving1.html#page129">129</a>.</p> + +<p>Durer, Albert, placed as pupil under Michael Wolgemuth, +<a href = "WoodEngraving4.html#page239">238</a>;</p> +<p class = "inset">earliest known copper-plate of his engraving, 1494, +<a href = "WoodEngraving4.html#page239">239</a>;</p> +<p class = "inset">his illustrations of the Apocalypse, <i>ib.</i>;</p> +<p class = "inset">his visit to Venice, +<a href = "WoodEngraving4.html#page241">241</a>;</p> +<p class = "inset">his illustrations of the History of the Virgin, +<a href = "WoodEngraving4.html#page243">243-246</a>;</p> +<p class = "inset">of Christ’s Passion, +<a href = "WoodEngraving4.html#page246">246-250</a>;</p> +<p class = "inset">triumphal car, +<a href = "WoodEngraving4.html#page255">255</a>;</p> +<p class = "inset">triumphal arch, <i>ib.</i>;</p> +<p class = "inset">his earliest etchings, +<a href = "WoodEngraving4.html#page257">257</a>;</p> +<p class = "inset">specimen of his carving in the British Museum, +<a href = "WoodEngraving4.html#page258">258</a>;</p> +<p class = "inset">his poetry, +<a href = "WoodEngraving4.html#noteV37">260 <i>n</i></a>;</p> +<p class = "inset">his visit to Flanders, +<a href = "WoodEngraving4.html#page260">260-270</a>;</p> +<p class = "inset">his portrait, +<a href = "WoodEngraving4.html#page272">272</a>;</p> +<p class = "inset">lock of his hair preserved, +<a href = "WoodEngraving4.html#noteV93">321 <i>n</i></a>;</p> +<p class = "inset">his death, said to have been hastened through his +wife’s bad temper, +<a href = "WoodEngraving4.html#page239">239</a>, +<a href = "WoodEngraving4.html#page273">273</a>.</p> + +<p>Dyas, E. a self-taught wood engraver, +<a href = "WoodEngraving7.html#noteVII17">463 <i>n</i></a>.</p> + +<p>Dyers of Ovingham, +<a href = "WoodEngraving7.html#page501">501</a>.</p> + + +<p class = "letterhead"> +<a name = "index_E" id = "index_E" href = "#index">E</a></p> + +<p>Edmonston, S. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Egyptian brick stamp, +<a href = "WoodEngraving1.html#page5">5</a>, +<a href = "WoodEngraving1.html#page6">6</a>.</p> + +<p>Electro-printing block process, specimen of, +<a href = "WoodEngraving9.html#page639">639</a>.</p> + +<p>Electrotyping, +<a href = "WoodEngraving9.html#page638">638</a>.</p> + +<p>Elizabeth, Queen, portrait of, in Archbishop Parker’s Bible, 1568, +<a href = "WoodEngraving6.html#page419">419</a>;</p> +<p class = "inset">in her Prayer-Book, +<a href = "WoodEngraving6.html#page427">427</a>, +<a href = "WoodEngraving6.html#page428">428</a>.</p> + +<p>Emblems of Mortality, with cuts, engraved by John Bewick, 1789, +<a href = "WoodEngraving6.html#page329">329</a>, +<a href = "WoodEngraving7.html#page513">513</a>.</p> + +<p>Emblems, Religious, with wood-cuts, 1808, +<a href = "WoodEngraving7.html#page520">520</a>.</p> + +<p>English book, the earliest, that contains wood-cuts, +<a href = "WoodEngraving4.html#page191">191-194</a>.</p> + +<p>Engraving, the word explained, +<a href = "WoodEngraving1.html#page1">1</a>;</p> +<p class = "inset">copper-plate, +<a href = "WoodEngraving1.html#page20">20</a>, +<a href = "WoodEngraving4.html#page200">200</a>, +<a href = "WoodEngraving6.html#page419">419</a>.</p> + +<p>Enschedius, J., specimen of typography discovered by him, +<a href = "WoodEngraving1.html#page161">161</a>.</p> + +<p>Entkrist, Der, an old block-book, +<a href = "WoodEngraving1.html#page1">1</a>.</p> + +<p>Erasmus, portrait of, painted by Durer, +<a href = "WoodEngraving4.html#page263">263</a>;</p> +<p class = "inset">invoked by Durer to exert himself in behalf of the +Reformation, +<a href = "WoodEngraving4.html#page267">267</a>;</p> +<p class = "inset">his worldly wisdom displayed in his letter +introducing Holbein to Aegidius, +<a href = "WoodEngraving6.html#page375">375</a>;</p> +<p class = "inset">his Ship of Fools, with cuts by Seb. Brandt, +<a href = "WoodEngraving7.html#page468">468</a>.</p> + +<p>Etching, the process of, explained, +<a href = "WoodEngraving4.html#noteV35">258 <i>n</i></a>;</p> +<p class = "inset">in metallic relief, +<a href = "WoodEngraving9.html#page632">632</a>.</p> + +<p>Evans, Edmund, wood engraver, +<a href = "WoodEngraving8.html#page556">556</a>, +<a href = "WoodEngraving8.html#page567a">567*</a>.</p> + +<p>Eve, creation of, conventional mode of representing, +<a href = "WoodEngraving4.html#page215">215</a>, +<a href = "WoodEngraving4.html#page216">216</a>.</p> + +<p>Evelyn’s Sculptura, +<a href = "WoodEngraving1.html#page5">5</a>, +<a href = "WoodEngraving6.html#page408">408</a>.</p> + +<p>Eyck, Hubert and J. van, paintings by them, +<a href = "WoodEngraving4.html#page265">265</a>.</p> + + +<p class = "letterhead"> +<a name = "index_F" id = "index_F" href = "#index">F</a></p> + +<p>Fables, book of, printed at Bamberg, 1461, +<a href = "WoodEngraving4.html#page171">171</a>;</p> +<p class = "inset">Æsop’s, 1722, +<a href = "WoodEngraving7.html#page448">448</a>;</p> +<p class = "inset">Select, with cuts, by Bewick, 1818, +<a href = "WoodEngraving7.html#page502">502-506</a>.</p> + +<p>Fairholt, F. W. artist, +<a href = "WoodEngraving8.html#page592a">592*</a>.</p> + +<p>Falconer’s Shipwreck, 1808, with cuts by Clennell, +<a href = "WoodEngraving7.html#page522">522</a>.</p> + +<p>Fanti, Sigismond, his Triompho di Fortuna, Venice, 1527, +<a href = "WoodEngraving4.html#page315">315</a>.</p> + +<p>Fantuzzi, Antonio, called also Antonio da Trente, engraver of +chiaro-scuros, +<a href = "WoodEngraving6.html#page389">389</a>.</p> + +<p>Fasciculus Temporum, with wood-cuts, 1474, +<a href = "WoodEngraving4.html#page190">190</a>.</p> + +<p>Faust, John, becomes a partner of Gutemberg, +<a href = "WoodEngraving1.html#page131">131</a>;</p> +<p class = "inset">sues him for money advanced, +<a href = "WoodEngraving1.html#page133">133</a>;</p> +<p class = "inset">gains the cause, +<a href = "WoodEngraving1.html#page134">134</a>.</p> + +<p>Faust and Scheffer’s Psalter of 1457, +<a href = "WoodEngraving4.html#page164">164</a>.</p> + +<p>Fellowship, or Guild of St. Luke, at Antwerp, +<a href = "WoodEngraving1.html#page121">121</a>.</p> + +<p>Figures du Nouveau Testament, +<a href = "WoodEngraving6.html#page402">402</a>.</p> + +<p>Flaxman’s Lectures, print of the creation of Eve in, +<a href = "WoodEngraving4.html#page217">217</a>;</p> +<p class = "inset">cut from his relief, “Deliver us from evil,” <a href += "WoodEngraving8.html#page577a">577*</a>;</p> +<p class = "inset">his opinion of expressionand sentiment in art, +<a href = "WoodEngraving9.html#page585">585</a>;</p> +<span class = "pagenum"><a name = "page657" id = "page657"> +657</a></span> +<p class = "inset">cut from a design by, +<a href = "WoodEngraving9.html#page590">590</a>.</p> + +<p>Folkard, W. A. wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>, +<a href = "WoodEngraving8.html#page564a">564*</a>.</p> + +<p>Forma, a shape or mould, +<a href = "WoodEngraving1.html#page42">42</a>.</p> + +<p>Formschneider, +<a href = "WoodEngraving1.html#page19">19</a>, +<a href = "WoodEngraving1.html#page43">43</a>, +<a href = "WoodEngraving1.html#page44">44</a>, +<a href = "WoodEngraving6.html#page410">410</a>.</p> + +<p>Foster, Birket, artist, +<a href = "WoodEngraving8.html#page551">551</a>, +<a href = "WoodEngraving8.html#page556">556-558</a>, +<a href = "WoodEngraving8.html#page570a">570*</a>, +<a href = "WoodEngraving8.html#page571a">571*</a>.</p> + +<p>Fournier, P. S. his discoveries with respect to the Speculum +Salvationis, +<a href = "WoodEngraving1.html#page101">101</a>;</p> +<p class = "inset">his opinion of wooden types, +<a href = "WoodEngraving1.html#page136">136</a>;</p> +<p class = "inset">his works, +<a href = "WoodEngraving7.html#page467">467-469</a>.</p> + +<p>Fox’s, John, Acts and Monuments, +<a href = "WoodEngraving6.html#page428">428</a>.</p> + +<p>Fracture, +<a href = "WoodEngraving4.html#noteV66">283 <i>n</i></a>.</p> + +<p>Franklin, John, draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Frellon, John and Francis, publishers of the second edition of the +Lyons Dance of Death, +<a href = "WoodEngraving6.html#page366">366</a>.</p> + +<p>French wood-cuts, +<a href = "WoodEngraving9.html#page610">610</a>.</p> + +<p>Frey, Agnes, the wife of Durer, her avarice and ill-temper said to +have hastened her husband’s death, +<a href = "WoodEngraving4.html#page273">273</a>.</p> + +<p>Frith, W. P. painter, +<a href = "WoodEngraving1.html#page59">59</a>.</p> + + +<p class = "letterhead"> +<a name = "index_G" id = "index_G" href = "#index">G</a></p> + +<p>Gænsfleisch, a surname of the family of Gutemberg, +<a href = "WoodEngraving1.html#page124">124</a>.</p> + +<p>Galenus de Temperamentis, with a title-page, engraved on copper, +printed at Cambridge, 1521, +<a href = "WoodEngraving6.html#page421">421</a>.</p> + +<p>Galius, Nicholas, tells the story of Coster’s invention to +H. Junius, +<a href = "WoodEngraving1.html#page150">150</a>.</p> + +<p>Gamperlin, Von, cuts ascribed to, +<a href = "WoodEngraving4.html#page314">314</a>.</p> + +<p>Garfagninus, Joseph Porta, +<a href = "WoodEngraving6.html#page390">390</a>.</p> + +<p>Gebhard, L. A. his notice of the History of the Council of Constance, +with cuts of arms, +<a href = "WoodEngraving4.html#page189">189</a>.</p> + +<p>Gemini, Thomas, his Compendium of Anatomy, with copper-plate +engravings, London, 1545, +<a href = "WoodEngraving6.html#page422">422</a>.</p> + +<p>Gent, Thomas, wood-cuts in his History of Ripon, +<a href = "WoodEngraving4.html#page181">181</a>.</p> + +<p>George IV. his signature stamped, +<a href = "WoodEngraving1.html#page14">14</a>;</p> +<p class = "inset">his snuff-box, with designs by Flaxman, +<a href = "WoodEngraving9.html#page590">590</a>.</p> + +<p>Gesner, Conrad, expressly mentions the cuts in the Lyons Dance of +Death, as having been designed by Holbein, +<a href = "WoodEngraving6.html#page364">364</a>.</p> + +<p>Ghesquiere, M. his answer to M. Desroches, +<a href = "WoodEngraving1.html#page120">120</a>.</p> + +<p>Gilbert, John, artist, +<a href = "WoodEngraving8.html#page561a">561*</a>, +<a href = "WoodEngraving8.html#page563a">563*</a>, +<a href = "WoodEngraving8.html#page564a">564*</a>.</p> + +<p>Gilpin, Rev. William, his definition of tint, +<a href = "WoodEngraving4.html#page213">213</a>.</p> + +<p>Giolito, Gabriel, printer, of Venice, +<a href = "WoodEngraving6.html#page394">394</a>.</p> + +<p>Giraffe, wood-cut of a, in Breydenbach’s Travels, 1486, +<a href = "WoodEngraving4.html#page269">269</a>.</p> + +<p>Glasses, observations on the use of, +<a href = "WoodEngraving9.html#page573">573</a>.</p> + +<p>Globe, glass, the engraver’s, to concentrate the light of the lamp, +<a href = "WoodEngraving9.html#page575">575</a>.</p> + +<p>Glockendon, George, an early German wood engraver, +<a href = "WoodEngraving4.html#page227">227</a>.</p> + +<p>Glockenton, A. cuts ascribed to, +<a href = "WoodEngraving4.html#page317">317</a>.</p> + +<p>Goethe, allusion to Sir Theurdank, in his Götz Von Berlichingen, +<a href = "WoodEngraving4.html#noteV62">281 <i>n</i></a>.</p> + +<p>Golden Legend, printed by W. de Worde, 1493, large cut in, +<a href = "WoodEngraving4.html#page195">195</a>.</p> + +<p>Goldsmith and Parnell’s Poems, printed by Bulmer, +<a href = "WoodEngraving7.html#page513">513</a>.</p> + +<p>Goltzius, Henry, chiaro-scuros by, +<a href = "WoodEngraving6.html#page432">432</a>.</p> + +<p>Goltzius, Hubert, his portraits of the Roman Emperors in +chiaro-scuro, from plates of metal, 1557, +<a href = "WoodEngraving6.html#page405">405</a>.</p> + +<p>Goodall, E. painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Goodall, W. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Goose, Bernacle or Barnacle, said to be produced from a tree, +<a href = "WoodEngraving6.html#page414">414</a>.</p> + +<p>Gorway, Charles, wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>, +<a href = "WoodEngraving8.html#page600a">600*</a>.</p> + +<p>Gospels of Ulphilas, +<a href = "WoodEngraving1.html#page44">44</a>.</p> + +<p>Gothic monograms, +<a href = "WoodEngraving1.html#page15">15</a>.</p> + +<p>Graff, Rose, +<a href = "WoodEngraving4.html#page313">313</a>, +<a href = "WoodEngraving4.html#page314">314</a>.</p> + +<p>Grand-duc de l’armée céleste, +<a href = "WoodEngraving4.html#page173">173</a>.</p> + +<p>Grant, W. J. painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Gratture, the French term for the process of thickening the lines in +a wood-cut by scraping them down, +<a href = "WoodEngraving7.html#page464">464</a>.</p> + +<p>Gravers, +<a href = "WoodEngraving9.html#page574">574</a>, +<a href = "WoodEngraving9.html#page575">575</a>.</p> + +<p>Gray, Charles, wood-engraver, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + +<p>Green, W. T. wood-engraver, +<a href = "WoodEngraving7.html#page544">544</a>, +<a href = "WoodEngraving7.html#page547">547</a>, +<a href = "WoodEngraving7.html#page548">548</a>.</p> + +<p>Greenaway, J. wood-engraver, +<a href = "WoodEngraving8.html#page553">553-555</a>.</p> + +<p>Greff, Jerome, publisher of a pirated edition of Durer’s +Illustrations of the Apocalypse, +<a href = "WoodEngraving4.html#page241">241</a>.</p> + +<p>Greffier and Scrivener, +<a href = "WoodEngraving1.html#noteI2">2 <i>n</i></a>.</p> + +<p>Gregson, Mr. C., letter to, from Bewick, +<a href = "WoodEngraving7.html#page474">474</a>, +<a href = "WoodEngraving7.html#page479">479</a>.</p> + +<p>Gringonneur, Jacquemin, cards painted by, +<a href = "WoodEngraving1.html#page41">41</a>.</p> + +<p>Gritner, a French wood-engraver, +<a href = "WoodEngraving7.html#page547">547</a>.</p> + +<p>Grotesque, +<a href = "WoodEngraving1.html#noteI9">9 <i>n</i></a>.</p> + +<p>Grün, H. B. +<a href = "WoodEngraving4.html#page320">320</a>.</p> + +<p>Gubitz, a modern German wood-engraver, +<a href = "WoodEngraving7.html#page546">546</a>.</p> + +<p>Guicciardini, L. mentions the report of printing having been invented +at Harlem, +<a href = "WoodEngraving1.html#page146">146</a>.</p> + +<p>Gutemberg, John, his birth, +<a href = "WoodEngraving1.html#page124">124</a>;</p> +<p class = "inset">residing at Strasburg in 1434, +<a href = "WoodEngraving1.html#page125">125</a>;</p> +<p class = "inset">his partnership with Andrew Drytzehn, <i>ib.</i>;</p> +<p class = "inset">evidences of his having a <i>press</i> in 1438, for +the purpose of printing, +<a href = "WoodEngraving1.html#page127">127</a>;</p> +<p class = "inset">his return to Mentz and partnership with Faust, +<a href = "WoodEngraving1.html#page131">131</a>;</p> +<p class = "inset">partnership dissolved, +<a href = "WoodEngraving1.html#page133">133</a>;</p> +<p class = "inset">proofs of his having afterwards had a press of his +own, +<a href = "WoodEngraving1.html#page140">140</a>;</p> +<p class = "inset">his death and epitaph, +<a href = "WoodEngraving1.html#page144">144</a>.</p> + + +<p class = "letterhead"> +<a name = "index_H" id = "index_H" href = "#index">H</a></p> + +<p>Hahn, Ulric, Meditationes J. de Turrecremata, printed by, in 1467, +<a href = "WoodEngraving4.html#page184">184</a>.</p> + +<p>Hammond, —, wood-engraver, +<a href = "WoodEngraving8.html#page600a">600*</a>.</p> + +<p>Hancock, Charles, his patent for engraving in metallic relief, +<a href = "WoodEngraving9.html#page635">635</a>.</p> + +<p>Handgun, figure of one seen in cut in Valturius, de Re Militari, +1472, +<a href = "WoodEngraving4.html#page187">187</a>.</p> + +<p>Hans, Young, Briefmaler, +<a href = "WoodEngraving1.html#page116">116</a>, +<a href = "WoodEngraving4.html#page225">225</a>.</p> + +<p>Harral, Horace, wood-engraver, +<a href = "WoodEngraving8.html#page566a">566*</a>, +<a href = "WoodEngraving8.html#page583a">583*</a>, +<a href = "WoodEngraving8.html#page594a">594*</a>.</p> + +<p>Harrington, Sir John, his translation of Ariosto, with copper-plate +engravings, 1591, +<a href = "WoodEngraving6.html#page423">423</a>.</p> + +<p>Hartlieb, Dr. Cyromantia, +<a href = "WoodEngraving1.html#page116">116</a>.</p> + +<p>Harvey, William, a pupil of Bewick, notice of his works as an +engraver and designer, +<a href = "WoodEngraving7.html#page527">527-534</a>.</p> + +<p>Hawkins, John Sidney, editor of Emblems of Mortality, 1789, +<a href = "WoodEngraving6.html#page329">329</a>.</p> + +<p>Hawkins, Sir John, wood-cuts in his History of Music, 1776, +<a href = "WoodEngraving7.html#page471">471</a>.</p> + +<span class = "pagenum"><a name = "page658" id = "page658"> +658</a></span> +<p>Haydock, R. his translation of Lomazzo, with copper-plate engraving, +1598, +<a href = "WoodEngraving6.html#page423">423</a>.</p> + +<p>Head of Paris, the lover of Helen, serves for that of Thales, Dante, +and others, +<a href = "WoodEngraving4.html#page212">212</a>.</p> + +<p>Hegner, Ulrich, author of Life of Holbein, his notice of the Dance of +Death, at Basle, +<a href = "WoodEngraving6.html#page326">326</a>;</p> +<p class = "inset">of the German names in proof impressions of the cuts +in the Lyons Dance of Death, +<a href = "WoodEngraving6.html#page331">331</a>;</p> +<p class = "inset">of Hans Lutzelburger, +<a href = "WoodEngraving6.html#page351">351</a>;</p> +<p class = "inset">his Life of Holbein, +<a href = "WoodEngraving6.html#page372">372</a>.</p> + +<p>Heilman, Anthony, his evidence in the suit of the Drytzehns against +Gutemberg, 1438, +<a href = "WoodEngraving1.html#page128">128</a>.</p> + +<p>Heineken, Charles, Baron Von, his disbelief of Papillon’s story of +the Cunio, +<a href = "WoodEngraving1.html#page27">27</a>;</p> +<p class = "inset">his opinion that cards were invented in Germany, +<a href = "WoodEngraving1.html#page40">40</a>;</p> +<p class = "inset">his notice of the old wood-cut of St. Christopher, +<a href = "WoodEngraving1.html#page46">46</a>;</p> +<p class = "inset">of the History of the Virgin, +<a href = "WoodEngraving1.html#page68">68</a>;</p> +<p class = "inset">of the Apocalypse, +<a href = "WoodEngraving1.html#page80">80</a>;</p> +<p class = "inset">of the Poor Preacher’s Bible, +<a href = "WoodEngraving1.html#page82">82</a>, +<a href = "WoodEngraving1.html#page94">94</a>;</p> +<p class = "inset">of the Speculum Salvationis, +<a href = "WoodEngraving1.html#page100">100</a>;</p> +<p class = "inset">his erroneous account of a Dutch wood-cut, by +<i>Phillery</i> [Willem] de figuersnider, +<a href = "WoodEngraving4.html#page309">309</a>.</p> + +<p>Helgen, or Helglein, figures of Saints, +<a href = "WoodEngraving1.html#page45">45</a>.</p> + +<p>Henderson, Dr. his History of Wines, with Illustrations, by +W. Harvey, +<a href = "WoodEngraving7.html#page530">530</a>.</p> + +<p>Henry VIII. his signature stamped, +<a href = "WoodEngraving1.html#page14">14</a>.</p> + +<p>Heures a l’Usaige de Chartres, printed by S. Vostre, 1502, +<a href = "WoodEngraving4.html#page232">232</a>.</p> + +<p>Hicks, G. E. painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Hieroglyphic sonnet, +<a href = "WoodEngraving6.html#page396">396</a>;</p> +<p class = "inset">Bible, <a class = "error" href = +"WoodEngraving7.html#page478" title = "page reference missing">478</a>.</p> + +<p>Highland Society, diploma of, +<a href = "WoodEngraving7.html#page523">523</a>.</p> + +<p>Historiarum Veteris Testamenti Icones, or Bible-cuts, designed by +Holbein, +<a href = "WoodEngraving6.html#page365">365-371</a>.</p> + +<p>Histories, the Four, dated 1462, +<a href = "WoodEngraving4.html#page172">172-175</a>.</p> + +<p>History of the Virgin, an ancient block-book, +<a href = "WoodEngraving1.html#page68">68-80</a>.</p> + +<p>Hodgson, Solomon, printer of the first four editions of Bewick’s +Quadrupeds, +<a href = "WoodEngraving7.html#page488">488</a>.</p> + +<p>Hodgson, T. the engraver of a cut in Sir John Hawkins’s History of +Music, 1776, +<a href = "WoodEngraving7.html#page471">471</a>.</p> + +<p>Hogarth, cut from projected edition of, +<a href = "WoodEngraving7.html#page544">544</a>;</p> +<p class = "inset">sketch from, +<a href = "WoodEngraving9.html#page594">594</a>.</p> + +<p>Hogenberg, R. portrait of Archbishop Parker engraved by, 1572, +<a href = "WoodEngraving6.html#page422">422</a>.</p> + +<p>Holbein, Hans, the designer of the cuts in the Dance of Death printed +at Lyons, +<a href = "WoodEngraving6.html#page371">371</a>;</p> +<p class = "inset">his birth, <i>ib.</i>;</p> +<p class = "inset">his marriage, +<a href = "WoodEngraving6.html#page372">372</a>;</p> +<p class = "inset">how employed at Basle, +<a href = "WoodEngraving6.html#page373">373</a>;</p> +<p class = "inset">visits England, <i>ib.</i>;</p> +<p class = "inset">revisits Basle, +<a href = "WoodEngraving6.html#page376">376</a>;</p> +<p class = "inset">his death, +<a href = "WoodEngraving6.html#page378">378</a>;</p> +<p class = "inset">his satirical drawings, +<a href = "WoodEngraving6.html#noteVI60">378 <i>n</i></a>;</p> +<p class = "inset">his Alphabet, +<a href = "WoodEngraving6.html#page352">352</a>.</p> + +<p>Hole, Henry, a pupil of Bewick, +<a href = "WoodEngraving7.html#noteVII55">492 <i>n</i></a>.</p> + +<p>Holl, Leonard, printer of Ulm, his edition of Ptolemy, 1483, +<a href = "WoodEngraving4.html#page199">199</a>.</p> + +<p>Hollar, W. his etchings of the Dance of Death, +<a href = "WoodEngraving6.html#page337">337</a>.</p> + +<p>Holzschneider, +<a href = "WoodEngraving1.html#page2">2</a>.</p> + +<p>Horace, his well-stored wine, +<a href = "WoodEngraving1.html#page9">9</a>.</p> + +<p>Horne, Rev. T. H. probably incorrect with respect to a date, +<a href = "WoodEngraving1.html#page60">60</a>.</p> + +<p>Horsley, J. C. artist, +<a href = "WoodEngraving8.html#page591a">591*</a>, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Hortus Sanitatis, 1491, +<a href = "WoodEngraving4.html#page210">210</a>.</p> + +<p>Householder, the Good, +<a href = "WoodEngraving6.html#page438">438</a>.</p> + +<p>Howel’s Medulla Historiæ Anglicanæ, with wood-cuts, 1712, +<a href = "WoodEngraving7.html#page446">446</a>.</p> + +<p>Hughes, Hugh, his Beauties of Cambria, +<a href = "WoodEngraving7.html#page538">538-548</a>.</p> + +<p>Hughes, William, wood-engraver, +<a href = "WoodEngraving7.html#page538">538</a>.</p> + +<p>Hudibras, 1819, cut from, +<a href = "WoodEngraving7.html#page543">543</a>.</p> + +<p>Hulme, F. W. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Humanæ Vitæ Imago, +<a href = "WoodEngraving6.html#noteVI119">436 <i>n</i></a>.</p> + +<p>Humphreys, Noel, draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Hunt, W. Holman, painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Hunting and Hawking, Book of, printed at St. Alban’s, 1486, and at +Westminster in 1496, +<a href = "WoodEngraving4.html#page195">195</a>.</p> + +<p>Hutton’s Mensuration, with diagrams engraved by Bewick, 1768-1770, +<a href = "WoodEngraving7.html#page475">475</a>.</p> + +<p>Hypnerotomachia Poliphili, +<a href = "WoodEngraving4.html#page218">218</a>, +<a href = "WoodEngraving4.html#page220">220</a>, +<a href = "WoodEngraving4.html#page224">224</a>.</p> + + +<p class = "letterhead"> +<a name = "index_I" id = "index_I" href = "#index">I</a></p> + +<p>Images of the Old Testament, with cuts, designed by Holbein, +<a href = "WoodEngraving6.html#page365">365-370</a>.</p> + +<p>Impressions from wood and from copper, the difference in the mode of +taking, 4.</p> + +<p>Initial letters, flowered, +<a href = "WoodEngraving4.html#page191">191</a>, +<a href = "WoodEngraving6.html#page429">429</a>.</p> + +<p>Insanity of engravers, +<a href = "WoodEngraving7.html#noteVII14">458 <i>n</i></a>.</p> + +<p>Inscriptions on bells, +<a href = "WoodEngraving1.html#page20">20</a>.</p> + +<p>Intaglio engraving on wood, so that the outlines appear white upon +black, +<a href = "WoodEngraving4.html#page225">225</a>, +<a href = "WoodEngraving7.html#page482">482</a>, +<a href = "WoodEngraving9.html#page618">618</a>, +<a href = "WoodEngraving9.html#page619">619</a>.</p> + + +<p class = "letterhead"> +<a name = "index_J" id = "index_J" href = "#index">J</a></p> + +<p>Jackson, John, wood-engraver, +<a href = "WoodEngraving7.html#page545">545</a>.</p> + +<p>Jackson, John Baptist, an English wood engraver, perhaps a pupil of +Kirkall, +<a href = "WoodEngraving7.html#page453">453</a>;</p> +<p class = "inset">Papillon’s notice of him, +<a href = "WoodEngraving7.html#page454">454</a>;</p> +<p class = "inset">engraves several chiaro-scuros at Venice, +<a href = "WoodEngraving7.html#page455">455</a>;</p> +<p class = "inset">establishes a manufactory for paper-hangings at +Battersea, and publishes an essay on chiaro-scuro engraving, +<a href = "WoodEngraving7.html#page455">455-457</a>.</p> + +<p>Jackson, John, +<a href = "WoodEngraving7.html#page545">545</a>.</p> + +<p>Jackson, Mason, wood-engraver, +<a href = "WoodEngraving8.html#page589a">589*</a>, +<a href = "WoodEngraving8.html#page600a">600*</a>.</p> + +<p>Jacob blessing the children of Joseph, +<a href = "WoodEngraving9.html#page596">596</a>, +<a href = "WoodEngraving9.html#page597">597</a>.</p> + +<p>Janszoon, Lawrence, supposed to be the same person as Lawrence +Coster, +<a href = "WoodEngraving1.html#page162">162</a>.</p> + +<p>Javelin-headed characters, +<a href = "WoodEngraving1.html#page7">7</a>.</p> + +<p>Jean-le-Robert, his Journal, +<a href = "WoodEngraving1.html#page122">122</a>.</p> + +<p>Jegher, Christopher, wood engravings by, from drawings by Rubens, +<a href = "WoodEngraving6.html#page437">437</a>.</p> + +<p>Jettons, or counters, +<a href = "WoodEngraving1.html#page19">19</a>.</p> + +<p>Jewitt, Orlando, draughtsman and wood-engraver, +<a href = "WoodEngraving8.html#page584a">584*-587*</a>.</p> + +<p>John, St. old wood-cuts of, +<a href = "WoodEngraving1.html#page60">60</a>.</p> + +<p>Johnson, John, a pupil of Bewick, +<a href = "WoodEngraving7.html#noteVII74">517 <i>n</i></a>.</p> + +<p>Johnson, Robert, a pupil of Bewick’s, list of tail-pieces in the +British Birds designed by, +<a href = "WoodEngraving7.html#page497">497</a>;</p> +<p class = "inset">notice of his life, +<a href = "WoodEngraving7.html#page516">516</a>.</p> + +<p>Jones, Owen, draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Journal, Albert Durer’s, of his visit to Flanders, +<a href = "WoodEngraving4.html#page260">260</a>.</p> + +<p>Judith, with the head of Holofernes, +<a href = "WoodEngraving6.html#page440">440</a>.</p> + +<p>Junius, Hadrian, claims the invention of printing for Lawrence +Coster, +<a href = "WoodEngraving1.html#page147">147-150</a>.</p> + + +<p class = "letterhead"> +<a name = "index_K" id = "index_K" href = "#index">K</a></p> + +<p>Kartenmachers in Germany, in the fifteenth century, +<a href = "WoodEngraving1.html#page43">43</a>.</p> + +<p>Keene, Charles, draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<span class = "pagenum"><a name = "page659" id = "page659"> +659</a></span> +<p>Killing the black, a technical term in wood engraving, explained, +<a href = "WoodEngraving4.html#page232">232</a>.</p> + +<p>Kirchner, —, wood-engraver, +<a href = "WoodEngraving8.html#page563a">563*</a>.</p> + +<p>Kirkall, E. copper-plate frontispiece to Howel’s Medulla Historiæ +Anglicanæ, engraved by, 1712, +<a href = "WoodEngraving7.html#page447">447</a>;</p> +<p class = "inset">chiaro-scuros engraved by, +<a href = "WoodEngraving7.html#page451">451</a>;</p> +<p class = "inset">copper-plates engraved by, in Rowe’s translation of +Lucan’s Pharsalia, and other works, +<a href = "WoodEngraving7.html#page452">452</a>.</p> + +<p>Klauber, H. H., repainted the Dance of Death in the church-court of +the Dominicans, at Basle, +<a href = "WoodEngraving6.html#page327">327</a>.</p> + +<p>Knight, R. Payne, his bequest of a piece of sculpture, by A. Durer, +to the British Museum, +<a href = "WoodEngraving4.html#page258">258</a>.</p> + +<p>Knight, C. his patent illuminated prints and maps, +<a href = "WoodEngraving9.html#page630">630</a>.</p> + +<p>Koburger, Anthony, printer of the Nuremberg Chronicle, 1493, +<a href = "WoodEngraving4.html#page212">212</a>.</p> + +<p>Koning, J. a modern advocate of Coster’s invention, +<a href = "WoodEngraving1.html#page154">154</a>.</p> + +<p>Krismer, librarian of the Convent of Buxheim, +<a href = "WoodEngraving1.html#noteII14">49 <i>n</i></a>.</p> + +<p>Kunig, der Weiss, the title of a work, with wood-cuts, chiefly +written by the Emperor Maximilian, +<a href = "WoodEngraving4.html#page286">286</a>, +<a href = "WoodEngraving7.html#page483">483</a>;</p> +<p class = "inset">summary of its contents, <i>ib.</i></p> + +<p>Kupfer-stecher, +<a href = "WoodEngraving1.html#page2">2</a>.</p> + +<p>Küttner, K. G. his opinion of Sir Theurdank, +<a href = "WoodEngraving4.html#page282">282</a>.</p> + +<p>Kyloe Ox, by Bewick, +<a href = "WoodEngraving7.html#noteVII49">485 <i>n</i></a>.</p> + + +<p class = "letterhead"> +<a name = "index_L" id = "index_L" href = "#index">L</a></p> + +<p>Ladenspelder, Hans, +<a href = "WoodEngraving6.html#page355">355</a>.</p> + +<p>Laer, W. Rolewinck de, his Fasciculus Temporum, with wood-cuts, 1474, +<a href = "WoodEngraving4.html#page190">190</a>.</p> + +<p>Lamp, the engraver’s, +<a href = "WoodEngraving9.html#page575">575</a>.</p> + +<p>Landells, Ebenezer, wood-engraver, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + +<p>Landseer, Mr. Edwin, on vignettes, +<a href = "WoodEngraving9.html#page615">615</a>.</p> + +<p>Landseer, Mr. John, his theory of vegetable putties, +<a href = "WoodEngraving1.html#page72">72</a>;</p> +<p class = "inset">his observations on the term colour, as applied to +engravings, +<a href = "WoodEngraving4.html#page213">213</a>.</p> + +<p>Laocoon, burlesque of the, by Titian, +<a href = "WoodEngraving6.html#page435">435</a>.</p> + +<p>Lapis, Dominico de, printer of Bologna, his edition of Ptolemy, with +an erroneous date, +<a href = "WoodEngraving4.html#page201">201</a>.</p> + +<p>Lar, the word on a Roman stamp, +<a href = "WoodEngraving1.html#page8">8</a>.</p> + +<p>Lawless, M. J. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Lee, James, wood-engraver, +<a href = "WoodEngraving8.html#page593a">593*</a>.</p> + +<p>Lee, John, wood-engraver, +<a href = "WoodEngraving7.html#page534">534</a>.</p> + +<p>Leech, John, artist, +<a href = "WoodEngraving8.html#page580a">580*</a>, +<a href = "WoodEngraving8.html#page581a">581*</a>.</p> + +<p>Leglenweiss, the word explained, +<a href = "WoodEngraving1.html#page44">44</a>.</p> + +<p>Legrand, J. G. his translation of the Hypnerotomachia, +<a href = "WoodEngraving4.html#page219">219</a>.</p> + +<p>Lehne, F. his observations on a passage in the Cologne Chronicle, +<a href = "WoodEngraving1.html#noteIII6">122 <i>n</i></a>;</p> +<p class = "inset">his Chronology of the Harlem Fiction, +<a href = "WoodEngraving1.html#page155">155</a>;</p> +<p class = "inset">his remarks on Koning, +<a href = "WoodEngraving1.html#page157">157</a>.</p> + +<p>Leicester, Robert Earl of, his portrait in Archbishop Parker’s +edition of the Bible, 1568, +<a href = "WoodEngraving6.html#page419">419</a>.</p> + +<p>Leighton, John, artist, +<a href = "WoodEngraving8.html#page582a">582*</a>.</p> + +<p>Leighton, Henry, wood-engraver, +<a href = "WoodEngraving8.html#page582a">582*</a>.</p> + +<p>Le Jeune, H. painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Leland, John, his Næniæ, 1542, contains a portrait, engraved on wood, +of Sir Thomas Wyatt, +<a href = "WoodEngraving6.html#page379">379</a>.</p> + +<p>Le Sueurs, French wood-engravers, +<a href = "WoodEngraving6.html#page443">443</a>, +<a href = "WoodEngraving7.html#page467">467</a>.</p> + +<p>Letania Lauretana, with wood-cuts, Valencia, 1768, +<a href = "WoodEngraving7.html#page469">469</a>.</p> + +<p>Lettere Cifrate, +<a href = "WoodEngraving6.html#page395">395</a>.</p> + +<p>Leyden, Lucas van, visited by Durer, +<a href = "WoodEngraving4.html#page269">269</a>;</p> +<p class = "inset">his engravings, +<a href = "WoodEngraving4.html#page308">308</a>.</p> + +<p>Lhuyd, Humphrey, erroneously described by Walpole as an engraver, +<a href = "WoodEngraving6.html#page420">420</a>.</p> + +<p>Libripagus, a definition of the word, by Paul of Prague, +<a href = "WoodEngraving4.html#page182">182</a>.</p> + +<p>Lignamine, P. de, in his Chronicle, 1474, mentions Gutemberg and +Faust, as printers, at Mentz in 1458, +<a href = "WoodEngraving1.html#page140">140</a>.</p> + +<p>Linton, W. J. wood-engraver, +<a href = "WoodEngraving7.html#page544">544</a>, +<a href = "WoodEngraving8.html#page590a">590*</a>, +<a href = "WoodEngraving8.html#page591a">591*</a>.</p> + +<p>Lobel and Pena’s Stirpium Adversaria, with copper-plate title-page, +London, 1570, +<a href = "WoodEngraving6.html#page423">423</a>.</p> + +<p>Lodewyc von Vaelbeke, a fidler, supposed to have been the inventor of +printing, +<a href = "WoodEngraving1.html#page119">119</a>.</p> + +<p>Logography, +<a href = "WoodEngraving6.html#page417">417</a>.</p> + +<p>Lorenzo, Nicolo, books containing copper-plates printed by him, +1477-1481, +<a href = "WoodEngraving4.html#page202">202</a>.</p> + +<p>Lorich, Melchior, +<a href = "WoodEngraving6.html#page408">408</a>.</p> + +<p>Loudon’s Arboretum, with cuts printed from casts of etchings, by +Branston, +<a href = "WoodEngraving9.html#page634">634</a>.</p> + +<p>Loudon, J. wood-engraver, +<a href = "WoodEngraving8.html#page600a">600*</a>.</p> + +<p>Lowering, the practice of, no recent invention, +<a href = "WoodEngraving7.html#page465">465</a>.</p> + +<p>Lowering, concave, +<a href = "WoodEngraving9.html#page618">618</a>.</p> + +<p>Lowering, advantages of, +<a href = "WoodEngraving9.html#page624">624</a>.</p> + +<p>Lowering, complicated, +<a href = "WoodEngraving9.html#page625">625</a>.</p> + +<p>Lowering, the difference between cylindrical rollers and the common +press, so far as relates to, +<a href = "WoodEngraving9.html#noteIX34">640 <i>n</i></a>.</p> + +<p>Lucas van Leyden, +<a href = "WoodEngraving4.html#page308">308</a>.</p> + +<p>Lucchesini, an Italian wood-engraver, about 1770, +<a href = "WoodEngraving7.html#page469">469</a>.</p> + +<p>Luther, Martin, his cause espoused by Durer, +<a href = "WoodEngraving4.html#page265">265</a>;</p> +<p class = "inset">caricature portraits of, +<a href = "WoodEngraving4.html#page267">267</a>.</p> + +<p>Lutzelburger, Hans, a wood-engraver, +<a href = "WoodEngraving6.html#page351">351</a>.</p> + +<p>Lydgate, John, mentions vignettes in his Troy Book, +<a href = "WoodEngraving9.html#page616">616</a>.</p> + +<p>Lysons, Mr. Samuel, letter from, to Sir George Beaumont, +<a href = "WoodEngraving1.html#page108">108</a>.</p> + + +<p class = "letterhead"> +<a name = "index_M" id = "index_M" href = "#index">M</a></p> + +<p>Mabillon, +<a href = "WoodEngraving1.html#page14">14</a>.</p> + +<p>Machabre, The Dance of, +<a href = "WoodEngraving6.html#page325">325-329</a>.</p> + +<p>Maclise, D. artist, +<a href = "WoodEngraving8.html#page568a">568*</a>, +<a href = "WoodEngraving8.html#page569a">569*</a>.</p> + +<p>Macquoid, T. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Mair, an engraver, a supposed chiaro-scuro by, 1499, +<a href = "WoodEngraving4.html#page231">231</a>.</p> + +<p>McIan, R. R. artist, +<a href = "WoodEngraving8.html#page588a">588*</a>, +<a href = "WoodEngraving8.html#page590a">590*</a>.</p> + +<p>Maittaire’s Latin Classics, wood-cut ornaments in, 1713, +<a href = "WoodEngraving7.html#page448">448</a>.</p> + +<p>Mallinkrot, his translation of a passage in the Cologne Chronicle, +<a href = "WoodEngraving1.html#page123">123</a>.</p> + +<p>Mander, C. Van, ascribes the Lyons Dance of Death to Holbein, +<a href = "WoodEngraving6.html#page365">365</a>.</p> + +<p>Mantegna, Andrea, wood-cuts of the Hypnerotomachia ascribed to, +<a href = "WoodEngraving4.html#page219">219</a>.</p> + +<p>Manung, widder die Durken, an early specimen of typography, +<a href = "WoodEngraving1.html#page138">138</a>.</p> + +<p>Map engraved on wood, specimen of a, +<a href = "WoodEngraving9.html#page612">612</a>.</p> + +<span class = "pagenum"><a name = "page660" id = "page660"> +660</a></span> +<p>Maps engraved on wood and on copper, the earliest, +<a href = "WoodEngraving4.html#page199">199</a>;</p> +<p class = "inset">names of places in, printed in type, 1511, +<a href = "WoodEngraving4.html#page203">203</a>;</p> +<p class = "inset">printed in colours, 1538, +<a href = "WoodEngraving4.html#page204">204</a>;</p> +<p class = "inset">improvements in engraving, <i>ib.</i>;</p> +<p class = "inset">printed in separate pieces, with types, 1776, +<a href = "WoodEngraving4.html#page205">205</a>;</p> +<p class = "inset">improvements in printing, +<a href = "WoodEngraving6.html#page417">417</a>;</p> +<p class = "inset">early, on copper, published in England, +<a href = "WoodEngraving6.html#page419">419</a>;</p> +<p class = "inset">Knight’s patent illuminated, +<a href = "WoodEngraving9.html#page630">630</a>.</p> + +<p>Marcolini, F. wood-cuts in his Sorti, 1540, +<a href = "WoodEngraving6.html#page389">389</a>, +<a href = "WoodEngraving6.html#page391">391</a>.</p> + +<p>Marks, double, on wood-cuts, +<a href = "WoodEngraving6.html#page350">350</a>.</p> + +<p>Marshall, J. R. wood engraver, +<a href = "WoodEngraving8.html#page596a">596*</a>.</p> + +<p>Martin, John, artist, +<a href = "WoodEngraving7.html#page545">545</a>, +<a href = "WoodEngraving7.html#page546">546</a>, +<a href = "WoodEngraving7.html#page547">547</a>, +<a href = "WoodEngraving8.html#page590a">590*</a>.</p> + +<p>Martin, J. wood-engraver, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + +<p>Mary de Medici, her portrait mistaken by Papillon and Fournier for a +specimen of her own engraving on wood, +<a href = "WoodEngraving7.html#page461">461</a>.</p> + +<p>Masters, little, +<a href = "WoodEngraving4.html#noteV92">320 <i>n</i></a>.</p> + +<p>Matsys, Quintin, entertains Durer, +<a href = "WoodEngraving4.html#page261">261</a>.</p> + +<p>Maude, Thomas, extract from his poem of the School Boy, +<a href = "WoodEngraving7.html#page473">473</a>.</p> + +<p>Maugerard, M. copy of an early edition of the Bible discovered by, +<a href = "WoodEngraving1.html#page139">139</a>.</p> + +<p>Maximilian the First, Emperor of Germany, his triumphal car and arch, +designed by Durer, +<a href = "WoodEngraving4.html#page255">255</a>;</p> +<p class = "inset">the Adventures of Sir Theurdank, the joint +composition of himself and his secretary, +<a href = "WoodEngraving4.html#page282">282-285</a>;</p> +<p class = "inset">works celebrating his actions,—The Wise King, +<a href = "WoodEngraving4.html#page286">286</a>;</p> +<p class = "inset2">the Triumphal Procession, +<a href = "WoodEngraving4.html#page288">288</a>, +<a href = "WoodEngraving4.html#page289">289</a>.</p> + +<p>Mazarine Bible, +<a href = "WoodEngraving1.html#noteIII40">139 <i>n</i></a>.</p> + +<p>Meadows, Kenny, artist, +<a href = "WoodEngraving8.html#page597a">597*</a>.</p> + +<p>Measom, Geo. wood engraver, +<a href = "WoodEngraving8.html#page575a">575*</a>.</p> + +<p>Mechel, Christian von, of Basle, his engravings after Holbein, +<a href = "WoodEngraving6.html#page350">350</a>.</p> + +<p>Medals, +<a href = "WoodEngraving4.html#page320">320</a>.</p> + +<p>Meditationes Joannis de Turrecremata, +<a href = "WoodEngraving4.html#page184">184</a>.</p> + +<p>Meerman, G. his disbelief of the story of Coster’s invention, +<a href = "WoodEngraving1.html#page154">154</a>;</p> +<p class = "inset">and his subsequent attempts to establish its +credibility, +<a href = "WoodEngraving1.html#page155">155</a>.</p> + +<p>Mentelin, John, printer, of Strasburg, formerly an illuminator, +<a href = "WoodEngraving1.html#page121">121</a>.</p> + +<p>Mentonnière, +<a href = "WoodEngraving7.html#page465">465</a>, +<a href = "WoodEngraving9.html#page574">574</a>.</p> + +<p>Merchants’-marks, +<a href = "WoodEngraving1.html#page17">17</a>.</p> + +<p>Metallic relief engraving, erroneous statements about, +<a href = "WoodEngraving4.html#page305">305</a>;</p> +<p class = "inset">Blake’s metallic relief engraving, +<a href = "WoodEngraving9.html#page632">632</a>;</p> +<p class = "inset">portrait thus executed by Lizars, +<a href = "WoodEngraving9.html#page633">633</a>;</p> +<p class = "inset">Woone’s, +<a href = "WoodEngraving9.html#page634">634</a>;</p> +<p class = "inset">Schonberg’s, <i>ib.</i>;</p> +<p class = "inset">Branston’s, <i>ib.</i>;</p> +<p class = "inset">Hancock’s patent, +<a href = "WoodEngraving9.html#page635">635</a>;</p> +<p class = "inset">Sly’s experiments, +<a href = "WoodEngraving9.html#page636">636</a>;</p> +<p class = "inset">Messrs. Best, Andrew, and Leloir, <i>ib.</i></p> + +<p>Meydenbach, John, said to have been one of Gutemberg’s assistants, +<a href = "WoodEngraving4.html#page166">166</a>.</p> + +<p>Meydenbach, Jacobus, printer of the Hortus Sanitatis, 1491, +<a href = "WoodEngraving4.html#page210">210</a>.</p> + +<p>Millais, J. E. painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Mints, provincial, for coining money, +<a href = "WoodEngraving1.html#page19">19</a>.</p> + +<p>Mirror of Human Salvation, +<a href = "WoodEngraving1.html#page95">95</a>.</p> + +<p>Mirror of the World, printed by Caxton, +<a href = "WoodEngraving4.html#page194">194</a>.</p> + +<p>Missale Herbipolense, with a copper-plate engraving, 1481, +<a href = "WoodEngraving4.html#page201">201</a>.</p> + +<p>Moffet’s Theatre of Insects, +<a href = "WoodEngraving6.html#page442">442</a>.</p> + +<p>Monogram, +<a href = "WoodEngraving1.html#page13">13</a>, +<a href = "WoodEngraving1.html#page15">15</a>.</p> + +<p>Montagna, Benedetto, wood-cuts of the Hypnerotomachia ascribed to +him, +<a href = "WoodEngraving4.html#page220">220</a>.</p> + +<p>Monte Sancto di Dio, an early book, containing copper-plates, 1477, +<a href = "WoodEngraving4.html#page202">202</a>.</p> + +<p>Monumental brasses, +<a href = "WoodEngraving1.html#page21">21</a>.</p> + +<p>More, Sir Thomas, +<a href = "WoodEngraving6.html#page375">375</a>.</p> + +<p>Morgan, M. S. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Morland, sketch from, +<a href = "WoodEngraving9.html#page592">592</a>.</p> + +<p>Mort, les Simulachres de la, Lyons, 1538, +<a href = "WoodEngraving6.html#page328">328</a>.</p> + +<p>Mosses, Thomas, wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + +<p>Mulready, W. painter, +<a href = "WoodEngraving8.html#page598a">598*</a>.</p> + +<p>Munster, Sebastian, his Cosmography, +<a href = "WoodEngraving6.html#page413">413</a>;</p> +<p class = "inset">his letters to Joachim Vadianus about an improvement +in the mode of printing maps, +<a href = "WoodEngraving6.html#page417">417</a>.</p> + +<p>Murr, C. G. Von, references to his Journal of Art, and other works, +<a href = "WoodEngraving1.html#page2">2</a>, +<a href = "WoodEngraving1.html#page9">9</a>, +<a href = "WoodEngraving1.html#page42">42</a>, +<a href = "WoodEngraving1.html#page47">47</a>, +<a href = "WoodEngraving1.html#page49">49</a>, +<a href = "WoodEngraving1.html#page51">51</a>, +<a href = "WoodEngraving1.html#page56">56</a>, +<a href = "WoodEngraving1.html#page74">74</a>, +<a href = "WoodEngraving4.html#page227">227</a>, +<a href = "WoodEngraving4.html#page236">236</a>, +<a href = "WoodEngraving4.html#page237">237</a>, +<a href = "WoodEngraving4.html#page241">241</a>, +<a href = "WoodEngraving4.html#page242">242</a>, +<a href = "WoodEngraving4.html#page257">257</a>, +<a href = "WoodEngraving4.html#page260">260</a>, +<a href = "WoodEngraving4.html#page262">262</a>, +<a href = "WoodEngraving4.html#page264">264</a>, +<a href = "WoodEngraving4.html#page267">267</a>, +<a href = "WoodEngraving4.html#page273">273</a>, +<a href = "WoodEngraving4.html#page281">281</a>, +<a href = "WoodEngraving4.html#page283">283</a>, +<a href = "WoodEngraving4.html#page289">289</a>, +<a href = "WoodEngraving4.html#page291">291</a>.</p> + + +<p class = "letterhead"> +<a name = "index_N" id = "index_N" href = "#index">N</a></p> + +<p>Names of wood engravers at the back of the original blocks of the +Triumphs of Maximilian, +<a href = "WoodEngraving4.html#page292">292</a>.</p> + +<p>Naming of John the Baptist, a piece of sculpture by A. Durer, +<a href = "WoodEngraving4.html#page259">259</a>.</p> + +<p>Nash, J. painter, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Nesbit, Charlton, a pupil of Bewick, notice of some of his principal +cuts, +<a href = "WoodEngraving7.html#page519">519-521</a>.</p> + +<p>Neudörffer, his account of Jerome Resch, a wood engraver, +contemporary with Durer, +<a href = "WoodEngraving4.html#page236">236</a>.</p> + +<p>Nicholson, Isaac, a pupil of Bewick, +<a href = "WoodEngraving7.html#page527">527</a>.</p> + +<p>Northcote, James, his mode of composing the cuttings for his Fables, +<a href = "WoodEngraving7.html#noteVII88">529 <i>n</i></a>.</p> + +<p>Notarial stamps, +<a href = "WoodEngraving1.html#page17">17</a>.</p> + +<p>Nummi bracteati, +<a href = "WoodEngraving1.html#page16">16</a>.</p> + +<p>Nuremberg Chronicle, +<a href = "WoodEngraving4.html#page212">212</a>.</p> + + +<p class = "letterhead"> +<a name = "index_O" id = "index_O" href = "#index">O</a></p> + +<p>Oberlin, J. J. Essai d’Annales de la Vie de Gutenberg, +<a href = "WoodEngraving1.html#page125">125</a>, +<a href = "WoodEngraving1.html#page130">130</a>, +<a href = "WoodEngraving1.html#page136">136</a>, +<a href = "WoodEngraving1.html#page138">138</a>, +<a href = "WoodEngraving1.html#page140">140</a>, +<a href = "WoodEngraving1.html#page143">143</a>.</p> + +<p>Odes, two, by Lloyd and Colman, with wood-cuts, 1760, +<a href = "WoodEngraving7.html#page470">470</a>.</p> + +<p>Ortelius, Abraham, his collection of maps, engraved on copper, 1570, +<a href = "WoodEngraving6.html#page419">419</a>.</p> + +<p>Ortus Sanitatis, +<a href = "WoodEngraving4.html#page211">211</a>.</p> + +<p>Ottley, W. Y. adopts Papillon’s story of the Cunio, +<a href = "WoodEngraving6.html#page419">419</a>;</p> +<p class = "inset">his advocacy of Coster’s pretensions, +<a href = "WoodEngraving1.html#page160">160</a>;</p> +<p class = "inset">ascribes the introduction of cross-hatching to M. +Wolgemuth, +<a href = "WoodEngraving4.html#page239">239</a>;</p> +<p class = "inset">and the designs of the cuts in the Hypnerotomachia to +Benedetto Montagna, +<a href = "WoodEngraving4.html#page220">220</a>.</p> + +<p>Outline, in wood engraving, the difference between the white and the +true, +<a href = "WoodEngraving9.html#page587">587</a>;</p> +<p class = "inset">engravings in, +<a href = "WoodEngraving9.html#page590">590</a>.</p> + +<p>Overlaying wood-cuts, mode of, +<a href = "WoodEngraving9.html#page613">613</a>, +<a href = "WoodEngraving9.html#page645">645</a>.</p> + +<p>Ovid’s Metamorphoses, printed at Venice, 1497, +<a href = "WoodEngraving4.html#page217">217</a>.</p> + +<p>Ovingham, the parsonage at, +<a href = "WoodEngraving7.html#page473">473</a>;</p> +<p class = "inset">the church, +<a href = "WoodEngraving7.html#page512">512</a>.</p> + +<p>Oxford Sausage, with wood-cuts, 1764, +<a href = "WoodEngraving7.html#page470">470</a>.</p> + + +<p class = "letterhead"> +<a name = "index_P" id = "index_P" href = "#index">P</a></p> + +<p>Packhouse’s machine for tints, +<a href = "WoodEngraving9.html#noteIX15">584 <i>n</i></a>.</p> + +<p>Palatino, G. B. his work on Penmanship, +<a href = "WoodEngraving6.html#page395">395</a>.</p> + +<span class = "pagenum"><a name = "page661" id = "page661"> +661</a></span> +<p>Palmer, W. J. wood-engraver, +<a href = "WoodEngraving8.html#page557">557</a>.</p> + +<p>Paper, proper for printing wood-cuts, +<a href = "WoodEngraving9.html#page646">646</a>;</p> +<p class = "inset">India paper, injurious to wood-cuts, <i>ib.</i></p> + +<p>Paper-mark in an old book of wood-cuts, +<a href = "WoodEngraving1.html#page107">107</a>.</p> + +<p>Paper money, early, +<a href = "WoodEngraving1.html#noteI35">25 <i>n</i></a>.</p> + +<p>Papillon, John, the elder, +<a href = "WoodEngraving6.html#page443">443</a>.</p> + +<p>Papillon, John Michael, his story of the Cunio, +<a href = "WoodEngraving1.html#page26">26</a>;</p> +<p class = "inset">his character, +<a href = "WoodEngraving1.html#page35">35</a>;</p> +<p class = "inset">notice of his works, +<a href = "WoodEngraving7.html#page457">457-467</a>.</p> + +<p>Parafe, or ruche, +<a href = "WoodEngraving1.html#page14">14</a>.</p> + +<p>Parker, Archbishop, his portrait, engraved by R. Hogenberg, 1572, +<a href = "WoodEngraving6.html#page422">422</a>.</p> + +<p>Parkinson’s Paradisus Terrestris, +<a href = "WoodEngraving6.html#page442">442</a>.</p> + +<p>Parmegiano, chiaro-scuros after his designs, +<a href = "WoodEngraving6.html#page403">403</a>.</p> + +<p>Pasti, Matteo, supposed to have designed the cuts in Valturius de Re +Militari, 1472, +<a href = "WoodEngraving4.html#page186">186</a>.</p> + +<p>Patin’s Life of Holbein, +<a href = "WoodEngraving6.html#page372">372</a>.</p> + +<p>Patroner, the word explained, +<a href = "WoodEngraving6.html#noteVI9">330 <i>n</i></a>.</p> + +<p>Paul of Prague, his definition of “libripagus,” <a href = +"WoodEngraving4.html#page182">182</a>.</p> + +<p>Pearson, G. wood engraver, +<a href = "WoodEngraving8.html#page573a">573*</a>, +<a href = "WoodEngraving8.html#page574a">574*</a>.</p> + +<p>Pepyr, Edmund, his mark, +<a href = "WoodEngraving1.html#page18">18</a>.</p> + +<p>Peringskiold, +<a href = "WoodEngraving1.html#page14">14</a>.</p> + +<p>Petit-Jehan de Saintré, Chronicle of, +<a href = "WoodEngraving1.html#page41">41</a>.</p> + +<p>Petrarch’s Sonnets, Lyons, 1545, cuts in, +<a href = "WoodEngraving6.html#page400">400</a>.</p> + +<p>Petronius, +<a href = "WoodEngraving1.html#page8">8</a>, +<a href = "WoodEngraving1.html#page15">15</a>.</p> + +<p>Pfintzing, Melchior, joint author of Sir Theurdank, +<a href = "WoodEngraving4.html#page282">282</a>.</p> + +<p>Pfister, Albert, works printed by, at Bamberg in 1461 and 1462, +<a href = "WoodEngraving4.html#page170">170</a>, +<a href = "WoodEngraving4.html#page181">181</a>.</p> + +<p>Phillery, properly Willem, de figursnider, mistakes about a cut of +his engraving, +<a href = "WoodEngraving4.html#page310">310</a>.</p> + +<p>Phiz (H. K. Browne), draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Piccard, T. Nieuhoff, an unknown discoverer of a painting of the +Dance of Death, by Holbein, +<a href = "WoodEngraving6.html#page360">360</a>, +<a href = "WoodEngraving6.html#page363">363</a>.</p> + +<p>Pickersgill, F. R. painter, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Pictura, a wood-cut sometimes called, +<a href = "WoodEngraving6.html#page357">357</a>.</p> + +<p>Pilgrim, John Ulric, cuts ascribed to, +<a href = "WoodEngraving4.html#page317">317</a>.</p> + +<p>Pinkerton, John, his statement that several of the cuts in Bewick’s +Quadrupeds were drawn on the block by R. Johnson, +<a href = "WoodEngraving7.html#noteVII54">491 <i>n</i></a>.</p> + +<p>Pinx. et Scalp. not to be found on early wood-cuts, +<a href = "WoodEngraving1.html#page35">35</a>.</p> + +<p>Pirkheimer, Bilibald, letters written to him by Albert Durer, +<a href = "WoodEngraving4.html#page242">242</a>;</p> +<p class = "inset">his letter to J. Tscherte, announcing Durer’s death, +<a href = "WoodEngraving4.html#page273">273</a>.</p> + +<p>Pittacia, small labels, +<a href = "WoodEngraving1.html#noteI8">8 <i>n</i></a>.</p> + +<p>Playing cards, +<a href = "WoodEngraving1.html#page40">40</a>.</p> + +<p>Plebanus, a curate or vicar, +<a href = "WoodEngraving1.html#noteII35">61 <i>n</i></a>.</p> + +<p>Pleydenwurff, William, with M. Wolgemuth, superintends the cuts of +the Nuremberg Chronicle, 1491, +<a href = "WoodEngraving4.html#page212">212</a>.</p> + +<p>Ploughman, Pierce, his Creed, +<a href = "WoodEngraving1.html#page18">18</a>.</p> + +<p>Plug, mode of inserting in an engraved wood-block, +<a href = "WoodEngraving8.html#page549">549</a>.</p> + +<p>Poetry, specimen of Durer’s, +<a href = "WoodEngraving4.html#page260">260</a>;</p> +<p class = "inset">specimens of Clennell’s, when insane, +<a href = "WoodEngraving7.html#page526">526</a>.</p> + +<p>Poliphili Hypnerotomachia, +<a href = "WoodEngraving4.html#page218">218</a>, +<a href = "WoodEngraving4.html#page220">220</a>, +<a href = "WoodEngraving4.html#page224">224</a>.</p> + +<p>Polo, Marco, +<a href = "WoodEngraving1.html#page25">25</a>.</p> + +<p>Poor Preacher’s Bible, +<a href = "WoodEngraving1.html#page80">80-94</a>, +<a href = "WoodEngraving4.html#page175">175-179</a>.</p> + +<p>Portraits of Bewick, list of the principal, +<a href = "WoodEngraving7.html#page509">509</a>.</p> + +<p>Powis, W. H. wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + +<p>Prayer-book, Queen Elizabeth’s, 1569, +<a href = "WoodEngraving6.html#page427">427</a>.</p> + +<p>Prenters of Antwerp in 1442, +<a href = "WoodEngraving1.html#page121">121</a>.</p> + +<p>Press made for Gutemberg previous to 1438, +<a href = "WoodEngraving1.html#page127">127</a>.</p> + +<p>Press, rolling, for copper-plate printing, +<a href = "WoodEngraving1.html#page4">4</a>.</p> + +<p>Press, steam, wood-cuts printed by, +<a href = "WoodEngraving9.html#page644">644</a>.</p> + +<p>Preusch, his attempt to print maps by a typometric process, +<a href = "WoodEngraving4.html#page205">205</a>.</p> + +<p>Printing, Gutemberg occupied with the invention of, in 1436, +<a href = "WoodEngraving1.html#page127">127</a>.</p> + +<p>Printing in colours, a figure of Christ, with the date 1543, +<a href = "WoodEngraving6.html#page403">403</a>;</p> +<p class = "inset">Savage’s decorative printing, +<a href = "WoodEngraving9.html#page629">629</a>;</p> +<p class = "inset">G. Baxter’s improvements, +<a href = "WoodEngraving9.html#page629">629</a>;</p> +<p class = "inset">C. Knight’s patent illuminated prints and maps, +<a href = "WoodEngraving9.html#page630">630</a>.</p> + +<p>Printing wood-cuts, best mode of, +<a href = "WoodEngraving9.html#page640">640</a>.</p> + +<p>Priority of editions of the Speculum Salvationis, +<a href = "WoodEngraving1.html#page100">100</a>.</p> + +<p>Procession, triumphal, of Maximilian, +<a href = "WoodEngraving4.html#page288">288</a>, +<a href = "WoodEngraving4.html#page289">289</a>.</p> + +<p>Procopius, +<a href = "WoodEngraving1.html#page13">13</a>.</p> + +<p>Proofs of wood engravings, mode of unfairly taking, +<a href = "WoodEngraving7.html#page466">466</a>, +<a href = "WoodEngraving9.html#page603">603</a>.</p> + +<p>Prout, J. S. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Psalter, printed by Faust and Scheffer in 1457, +<a href = "WoodEngraving4.html#page164">164</a>.</p> + +<p>Ptolemy’s Cosmography, with maps, engraved on wood, 1483, +<a href = "WoodEngraving4.html#page199">199</a>;</p> +<p class = "inset">an edition printed by Dominico de Lapis, at Bologna, +<a href = "WoodEngraving4.html#page201">201</a>;</p> +<p class = "inset">at Venice, by J. Pentius de Leucho, 1511, +<a href = "WoodEngraving4.html#page203">203</a>.</p> + + +<p class = "letterhead"> +<a name = "index_Q" id = "index_Q" href = "#index">Q</a></p> + +<p>Quadrin’s Historiques de la Bible, +<a href = "WoodEngraving6.html#page402">402</a>.</p> + +<p>Quadrupeds, History of, with cuts, by Bewick, 1791, +<a href = "WoodEngraving7.html#page482">482-490</a>.</p> + +<p>Queen Elizabeth’s Prayer-book, +<a href = "WoodEngraving6.html#page427">427</a>.</p> + +<p>Quintilian, his notice of the manner of boys learning to write by +tracing the letters through a stencil, +<a href = "WoodEngraving1.html#page12">12</a>.</p> + + +<p class = "letterhead"> +<a name = "index_R" id = "index_R" href = "#index">R</a></p> + +<p>Raffaele, designs for the wood-cuts of the Hypnerotomachia ascribed +to him, +<a href = "WoodEngraving4.html#page219">219</a>;</p> +<p class = "inset">a wood-cut after a drawing by, in Marcolini’s Sorti, +<a href = "WoodEngraving6.html#page389">389</a>.</p> + +<p>Rahmenschneiders, or border-cutters, +<a href = "WoodEngraving4.html#page190">190</a>, +<a href = "WoodEngraving4.html#page319">319</a>.</p> + +<p>Raidel, his Dissertation on an edition of Ptolemy, +<a href = "WoodEngraving4.html#page201">201</a>;</p> +<p class = "inset">dates, erroneous in books, <i>ib.</i></p> + +<p>Raimbach, Abraham, his engraving of the Rent-day, after Sir +D. Wilkie, +<a href = "WoodEngraving4.html#page213">213</a>.</p> + +<p>Randell, a printer’s apprentice, wood-cuts by, +<a href = "WoodEngraving4.html#page180">180</a>.</p> + +<p>Raynalde’s Birth of Mankind, with three copper-plate engravings, +1540, +<a href = "WoodEngraving6.html#page421">421</a>.</p> + +<p>Read, S. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Rebus, or “name devises,” <a href = +"WoodEngraving6.html#page398">398</a>.</p> + +<p>Redgrave, R. painter, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Relief, metallic, engraving in, erroneous statements about, +<a href = "WoodEngraving4.html#page305">305</a>;</p> +<p class = "inset">practised by Blake and others, +<a href = "WoodEngraving9.html#page632">632-636</a>.</p> + +<p>Rembrandt, cuts copied from etchings by, +<a href = "WoodEngraving9.html#page595">595</a>, +<a href = "WoodEngraving9.html#page599">599</a>, +<a href = "WoodEngraving9.html#page602">602</a>, +<a href = "WoodEngraving9.html#page605">605</a>.</p> + +<p>Renaudot, l’Abbé, +<a href = "WoodEngraving1.html#page24">24</a>.</p> + +<p>Rent-day, engraving of a group from, after Sir D. Wilkie, +<a href = "WoodEngraving9.html#page593">593</a>.</p> + +<p>Repairing wood-cuts, +<a href = "WoodEngraving9.html#noteIX8">569 <i>n</i></a>.</p> + +<span class = "pagenum"><a name = "page662" id = "page662"> +662</a></span> +<p>Reperdius, George, a painter praised by Nicholas Bourbon, +<a href = "WoodEngraving6.html#page356">356</a>.</p> + +<p>Requeno’s Chirotipografia, +<a href = "WoodEngraving1.html#noteII6">44 <i>n</i></a>.</p> + +<p>Revelationes Cœlestes sanctæ Brigittæ de Suecia, +<a href = "WoodEngraving4.html#page321">321</a>.</p> + +<p>Reynolds, Nicholas, an English engraver on copper, 1575, +<a href = "WoodEngraving6.html#page420">420</a>.</p> + +<p>Reyser, George, printer of the Missale Herbipolense, 1481, +<a href = "WoodEngraving4.html#page202">202</a>.</p> + +<p>Roberts, David, painter, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Robin Hood’s Garland, with wood-cut on the title-page, 1670, +<a href = "WoodEngraving6.html#page444">444</a>, +<a href = "WoodEngraving6.html#page445">445</a>.</p> + +<p>Rocca, Angelus, mentions a Donatus on parchment, +<a href = "WoodEngraving1.html#noteIII9">123 <i>n</i></a>.</p> + +<p>Rogers, Harry, draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Rogers, William, an English copper-plate engraver, about 1600, +<a href = "WoodEngraving6.html#page423">423</a>.</p> + +<p>Rolling-press, +<a href = "WoodEngraving1.html#page4">4</a>.</p> + +<p>Rollers, composition, not so good as composition balls for inking +certain kinds of wood-cuts, +<a href = "WoodEngraving9.html#page650">650</a>.</p> + +<p>Roman stamps, +<a href = "WoodEngraving1.html#page8">8</a>, +<a href = "WoodEngraving1.html#page10">10</a>.</p> + +<p>Rotundity, how indicated by straight lines, +<a href = "WoodEngraving9.html#page584">584</a>.</p> + +<p>Rouen Cathedral, +<a href = "WoodEngraving9.html#page611">611</a>.</p> + +<p>Rubbing down, +<a href = "WoodEngraving6.html#page389">389</a>.</p> + +<p>Rubens. P. P. his praise of the cuts in the Lyons Dance of Death, +designed by Holbein, +<a href = "WoodEngraving6.html#page365">365</a>;</p> +<p class = "inset">wood engravings from his designs, +<a href = "WoodEngraving6.html#page438">438</a>, +<a href = "WoodEngraving6.html#page439">439</a>.</p> + +<p>Ruche, or parafe, +<a href = "WoodEngraving1.html#page14">14</a>.</p> + +<p>Runic cyphers and monograms, +<a href = "WoodEngraving1.html#page15">15</a>.</p> + +<p>Ryther, Augustine, an English engraver on copper, 1575, +<a href = "WoodEngraving6.html#page420">420</a>.</p> + + +<p class = "letterhead"> +<a name = "index_S" id = "index_S" href = "#index">S</a></p> + +<p>Sachs, Hans, his descriptions of cuts designed by Jost Amman, +<a href = "WoodEngraving6.html#page408">408</a>.</p> + +<p>Salmincio, Andrea, wood-cuts ascribed to, +<a href = "WoodEngraving6.html#page441">441</a>.</p> + +<p>Sandbag and block, +<a href = "WoodEngraving9.html#page575">575</a>.</p> + +<p><ins class = "correction" title = "text reads ‘Sandrant’">Sandrart</ins>, J. his notice of the Dance of Death, with +cuts designed by Holbein, +<a href = "WoodEngraving6.html#page365">365</a>.</p> + +<p>Saspach, Conrad, his evidence in the Drytzehns’ suit against +Gutemberg, 1438, +<a href = "WoodEngraving1.html#page128">128</a>.</p> + +<p>Savage, W. chiaro-scuros in his hints on Decorative Printing, +<a href = "WoodEngraving9.html#page629">629</a>;</p> +<p class = "inset">his opinion as to the best mode of working a form +containing wood-cuts, +<a href = "WoodEngraving9.html#page647">647</a>.</p> + +<p>Saxton, Christopher, his collection of English County Maps, engraved +on copper, 1573-1579, +<a href = "WoodEngraving6.html#page420">420</a>.</p> + +<p>Schapf, George, an early wood engraver, +<a href = "WoodEngraving1.html#page142">142</a>, +<a href = "WoodEngraving4.html#page228">228</a>.</p> + +<p>Schäufflein, Hans, painter, generally supposed to have engraved on +wood, +<a href = "WoodEngraving4.html#page281">281</a>, +<a href = "WoodEngraving4.html#page283">283</a>, +<a href = "WoodEngraving4.html#page284">284</a>, +<a href = "WoodEngraving4.html#page285">285</a>, +<a href = "WoodEngraving4.html#page287">287</a>.</p> + +<p>Schedel, Hartman, compiler of the Nuremberg Chronicle, 1493, +<a href = "WoodEngraving4.html#page212">212</a>.</p> + +<p>Scheffer, Peter, a partner of Gutemberg and Faust, +<a href = "WoodEngraving1.html#page132">132</a>;</p> +<p class = "inset">mentioned by Faust as his servant, +<a href = "WoodEngraving1.html#page133">133</a>;</p> +<p class = "inset">a clerk, or copyist of books, +<a href = "WoodEngraving4.html#page167">167</a>.</p> + +<p>Schelhorn’s Amœnitates, +<a href = "WoodEngraving1.html#page113">113</a>.</p> + +<p>Schœpflin, Vindiciæ Typographicæ, +<a href = "WoodEngraving1.html#page125">125</a>, +<a href = "WoodEngraving1.html#page132">132</a>.</p> + +<p>Schön, Martin, +<a href = "WoodEngraving1.html#page74">74</a>, +<a href = "WoodEngraving4.html#page238">238</a>.</p> + +<p>Schön, Erhard, +<a href = "WoodEngraving6.html#page406">406</a>.</p> + +<p>Schonberg, Mr. his attempts to engrave in metallic relief, +<a href = "WoodEngraving9.html#page634">634</a>.</p> + +<p>Schönsperger, Hans, the printer of Sir Theurdank, +<a href = "WoodEngraving4.html#page282">282</a>.</p> + +<p>Schopper, Hartman, verses by, in a book of trades and professions, +<a href = "WoodEngraving6.html#page409">409</a>.</p> + +<p>Schoting of Nuremberg, a cut thus inscribed, the date 1584, mistaken +for 1384, +<a href = "WoodEngraving1.html#page59">59</a>.</p> + +<p>Schultheis, Hans, his evidence in the Drytzehns’ suit against +Gutemberg, 1438, +<a href = "WoodEngraving1.html#page127">127</a>.</p> + +<p>Schussler, John, a printer of Augsburg, +<a href = "WoodEngraving4.html#page180">180</a>.</p> + +<p>Schwartz, J. G. Documenta de Origine Typographiæ, +<a href = "WoodEngraving1.html#page124">124</a>, +<a href = "WoodEngraving1.html#page133">133</a>, +<a href = "WoodEngraving1.html#page134">134</a>, +<a href = "WoodEngraving1.html#page142">142</a>.</p> + +<p>Scopoli, mistakes Mr. B. White’s sign for the name of his partner, +<a href = "WoodEngraving4.html#page313">313</a>.</p> + +<p>Scott, T. D. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Scrive, a tool to mark timber with, +<a href = "WoodEngraving1.html#page2">2</a>.</p> + +<p>Scrivener and Greffier, +<a href = "WoodEngraving1.html#noteI2">2 <i>n</i></a>.</p> + +<p>Scriverius, his account of Coster’s invention, +<a href = "WoodEngraving1.html#noteIII66">151 <i>n</i></a>.</p> + +<p>Seals, engraved, +<a href = "WoodEngraving1.html#page20">20</a>.</p> + +<p>Sebastian, St. account of an old wood-cut of, +<a href = "WoodEngraving1.html#page55">55</a>.</p> + +<p>Selous, H. C. painter, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Shade for the eyes, +<a href = "WoodEngraving9.html#page575">575</a>.</p> + +<p>Shaw, Henry, draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Shields of arms in the block-book called The Apocalypse, +<a href = "WoodEngraving1.html#page65">65</a>;</p> +<p class = "inset">in the History of the Virgin, +<a href = "WoodEngraving1.html#page75">75</a>, +<a href = "WoodEngraving1.html#page76">76</a>, +<a href = "WoodEngraving1.html#page77">77</a>, +<a href = "WoodEngraving1.html#page78">78</a>.</p> + +<p>Sichem, Cornelius van, wood engraver, +<a href = "WoodEngraving6.html#page439">439</a>.</p> + +<p>Silberrad, Dr. old wood-cuts in the possession of, +<a href = "WoodEngraving4.html#page227">227</a>.</p> + +<p>Simulachres et Historiées Faces de la Mort, Lyons, 1538, +<a href = "WoodEngraving6.html#page328">328</a>.</p> + +<p>Singer’s Researches on the History of Playing Cards, +<a href = "WoodEngraving1.html#page9">9</a>;</p> +<p class = "inset">his unacknowledged obligations to Breitkopf, +<a href = "WoodEngraving1.html#page10">10</a>.</p> + +<p>Skelton, Percival, +<a href = "WoodEngraving8.html#page550">550</a>, +<a href = "WoodEngraving8.html#page569a">569*</a>.</p> + +<p>Skippe, John, chiaro-scuros engraved by, +<a href = "WoodEngraving9.html#page628">628</a>.</p> + +<p>Slader, Samuel, wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + +<p>Sly, Stephen, his experiments in metallic relief, +<a href = "WoodEngraving9.html#page636">636</a>.</p> + +<p>Smith, John Orrin, wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + +<p>Smith, Orrin. wood engraver, +<a href = "WoodEngraving8.html#page580a">580*</a>.</p> + +<p>Smyth, F. G. wood-engraver, +<a href = "WoodEngraving8.html#page600a">600*</a>.</p> + +<p>Snuff-box, George the Fourth’s, with designs, by Flaxman, +<a href = "WoodEngraving9.html#page590">590</a>.</p> + +<p>Solis, Virgil, +<a href = "WoodEngraving6.html#page406">406</a>.</p> + +<p>Solomon, song of, illustrations, +<a href = "WoodEngraving1.html#page71">71</a>, +<a href = "WoodEngraving1.html#page72">72</a>.</p> + +<p>Solomon, A. painter, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Solomon, Bernard, of Lyons, +<a href = "WoodEngraving6.html#page398">398-401</a>, +<a href = "WoodEngraving6.html#page407">407</a>.</p> + +<p>Somervile’s Chase, with cuts, designed by John Bewick, +<a href = "WoodEngraving7.html#page513">513</a>.</p> + +<p>Sonetto figurato, +<a href = "WoodEngraving6.html#page395">395-397</a>.</p> + +<p>Sorg, Anthony, of Augsburg, account of the Council of Constance, with +wood-cuts, printed by him in 1483, +<a href = "WoodEngraving4.html#page189">189</a>.</p> + +<p>Sorti, Marcolini’s, a work containing wood-cuts, +<a href = "WoodEngraving6.html#page389">389-393</a>.</p> + +<p>Southey, Robert, his notice of two odes by Lloyd and Colman, with +wood-cuts, +<a href = "WoodEngraving7.html#page470">470</a>.</p> + +<p>Spanish marks, +<a href = "WoodEngraving1.html#page15">15</a>.</p> + +<p>Specklin, D. mentions wooden types, +<a href = "WoodEngraving1.html#page131">131</a>.</p> + +<p>Speculum Nostræ Salutis, +<a href = "WoodEngraving1.html#page149">149</a>.</p> + +<p>Speculum Salvationis, a misnamed block-book, +<a href = "WoodEngraving1.html#page95">95-106</a>;</p> +<p class = "inset">cuts from, +<a href = "WoodEngraving1.html#page96">96</a>, +<a href = "WoodEngraving1.html#page97">97</a>, +<a href = "WoodEngraving1.html#page98">98</a>.</p> + +<span class = "pagenum"><a name = "page663" id = "page663"> +663</a></span> +<p>Speed’s History of Britain, +<a href = "WoodEngraving6.html#page442">442</a>.</p> + +<p>Sporer, Hans, an old briefmaler, +<a href = "WoodEngraving1.html#page43">43</a>.</p> + +<p>Springinklee, Hans, +<a href = "WoodEngraving4.html#page287">287</a>, +<a href = "WoodEngraving4.html#page320">320</a>.</p> + +<p>Stabius, J. his description of the triumphal arch of Maximilian, +<a href = "WoodEngraving4.html#page256">256</a>.</p> + +<p>Stamham, Melchior de, Abbot of St. Ulric and Afra, at Augsburg, +printing-presses bought by him, +<a href = "WoodEngraving4.html#noteIV1">165 <i>n</i></a>.</p> + +<p>Stampien, to stamp with the foot as a fiddler beats time, mistaken +for printing, +<a href = "WoodEngraving1.html#page120">120</a>.</p> + +<p>Stamping of letters in manuscripts, +<a href = "WoodEngraving1.html#page44">44</a>.</p> + +<p>Stampilla, +<a href = "WoodEngraving1.html#page14">14</a>.</p> + +<p>Stamps, Roman, +<a href = "WoodEngraving1.html#page8">8</a>;</p> +<p class = "inset">notarial, +<a href = "WoodEngraving1.html#page17">17</a>.</p> + +<p>Stanfield, Clarkson, R.A. +<a href = "WoodEngraving8.html#page570a">570*</a>.</p> + +<p>Steiner, J. M. his notice of a book printed at Bamberg in 1462, +<a href = "WoodEngraving4.html#page170">170</a>.</p> + +<p>Stencilling, +<a href = "WoodEngraving1.html#page12">12</a>, +<a href = "WoodEngraving1.html#noteII1">40 <i>n</i></a>.</p> + +<p>Stephenson, James, draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Stereotype, early, +<a href = "WoodEngraving6.html#page418">418</a>;</p> +<p class = "inset">modern, +<a href = "WoodEngraving9.html#page636">636</a>.</p> + +<p>Stigmata, +<a href = "WoodEngraving1.html#page12">12</a>.</p> + +<p>Stimmer, Christopher, and Tobias, +<a href = "WoodEngraving6.html#page413">413</a>.</p> + +<p>Stocks, Lumb, draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Stoke-field, knights and bannerets created after the battle of, +<a href = "WoodEngraving4.html#page191">191</a>.</p> + +<p>Stonehouse, artist, +<a href = "WoodEngraving8.html#page591a">591*</a>.</p> + +<p>Stothard, Thomas, R.A. his Illustrations of Rogers’s Poems, 1812, +engraved on wood, +<a href = "WoodEngraving7.html#page524">524</a>.</p> + +<p>Strephon’s Revenge, 1724, copy of a tail-piece in, +<a href = "WoodEngraving7.html#page453">453</a>.</p> + +<p>Sueur, le, Peter and Vincent, +<a href = "WoodEngraving6.html#page443">443</a>;</p> +<p class = "inset">Nicholas, +<a href = "WoodEngraving7.html#page467">467</a>.</p> + +<p>Sulman, T. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Swain, John, wood engraver, +<a href = "WoodEngraving8.html#page579a">579*</a>, +<a href = "WoodEngraving8.html#page581a">581*</a>.</p> + +<p>Swain, Joseph, wood-engraver, +<a href = "WoodEngraving8.html#page600a">600*</a>.</p> + +<p>Swedish coins, +<a href = "WoodEngraving1.html#page15">15</a>.</p> + +<p>Sweynheim, Conrad, printer, the first that devised maps engraved on +copper, +<a href = "WoodEngraving4.html#page200">200</a>.</p> + +<p>Switzer, cuts engraved by, +<a href = "WoodEngraving6.html#page442">442</a>.</p> + +<p>Sylvius, Æneas, his account of the Barnacle or Tree goose, +<a href = "WoodEngraving6.html#page415">415</a>.</p> + + +<p class = "letterhead"> +<a name = "index_T" id = "index_T" href = "#index">T</a></p> + +<p>Tail-pieces in Bewick’s Quadrupeds, +<a href = "WoodEngraving7.html#page486">486</a>.</p> + +<p>Tell, William, +<a href = "WoodEngraving6.html#page416">416</a>, +<a href = "WoodEngraving6.html#page417">417</a>.</p> + +<p>Temple, W. W. a pupil of Bewick, +<a href = "WoodEngraving7.html#page527">527</a>.</p> + +<p>Tenniel, John, artist, +<a href = "WoodEngraving8.html#page559">559</a>, +<a href = "WoodEngraving8.html#page560">560</a>.</p> + +<p>Terms, abstract, derived from names expressive of tangible and +visible things, +<a href = "WoodEngraving4.html#page214">214</a>.</p> + +<p>Terra-cottas, called Typi, +<a href = "WoodEngraving1.html#page7">7</a>.</p> + +<p>Testament, Figures du Nouveau, +<a href = "WoodEngraving6.html#page402">402</a>.</p> + +<p>Theodoric, his monogram, +<a href = "WoodEngraving1.html#page13">13</a>.</p> + +<p>Ther-Hoernen, Arnold, prints at Cologne an edition of the Fasciculus +Temporum, with wood-cuts, 1474, +<a href = "WoodEngraving4.html#page190">190</a>.</p> + +<p>Theurdank, the Adventures of, an allegorical poem, by the Emperor +Maximilian and his Secretary, +<a href = "WoodEngraving4.html#page281">281</a>;</p> +<p class = "inset">the text erroneously supposed to have been engraved +on wood, +<a href = "WoodEngraving4.html#page283">283</a>.</p> + +<p>Thomas, G. H. artist, +<a href = "WoodEngraving8.html#page565a">565*-567*</a>.</p> + +<p>Thomas, W. L. wood engraver, +<a href = "WoodEngraving8.html#page565a">565*</a>, +<a href = "WoodEngraving8.html#page568a">568*</a>.</p> + +<p>Thompson, Charles, wood engraver, +<a href = "WoodEngraving7.html#noteVII89">541 <i>n</i></a>.</p> + +<p>Thompson, Eliza, wood engraver, +<a href = "WoodEngraving7.html#noteVII89">541 <i>n</i></a>.</p> + +<p>Thompson, John, wood engraver, a pupil of R. Branston, notice of some +of his principal cuts, +<a href = "WoodEngraving7.html#page541">541</a>, +<a href = "WoodEngraving8.html#page569a">569*</a>.</p> + +<p>Thurston, John, designer on wood, +<a href = "WoodEngraving7.html#noteVII76">519 <i>n</i></a>.</p> + +<p>Tindale, William, cuts in his translation of the New Testament, 1534, +<a href = "WoodEngraving6.html#page383">383-385</a>.</p> + +<p>Tinsel money, +<a href = "WoodEngraving1.html#page16">16</a>.</p> + +<p>Tints, mode of cutting, +<a href = "WoodEngraving9.html#page577">577-581</a>.</p> + +<p>Tint-tools, +<a href = "WoodEngraving9.html#page577">577</a>.</p> + +<p>Titian, wood-cuts after, +<a href = "WoodEngraving6.html#page433">433</a>, +<a href = "WoodEngraving6.html#page435">435</a>.</p> + +<p>Tools, wood engravers’, +<a href = "WoodEngraving9.html#page576">576-530</a>.</p> + +<p>Topham, F. W. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Topsell’s History of Four-footed Beasts, +<a href = "WoodEngraving6.html#page442">442</a>.</p> + +<p>Tract printed by A. Pfister, at Bamberg, 1461, 1462, +<a href = "WoodEngraving4.html#page170">170</a>, +<a href = "WoodEngraving4.html#page181">181</a>.</p> + +<p>Transferring old impressions of wood-cuts, +<a href = "WoodEngraving1.html#noteII82">104 <i>n</i></a>;</p> +<p class = "inset">old wood-cuts and copper-plates, +<a href = "WoodEngraving9.html#page637">637</a>.</p> + +<p>Travelling printers, +<a href = "WoodEngraving4.html#page184">184</a>.</p> + +<p>Tree goose, +<a href = "WoodEngraving6.html#page414">414</a>.</p> + +<p>Treitzsaurwein. M. Secretary to the Emperor Maximilian, nominal +author of the Weiss Kunig, +<a href = "WoodEngraving4.html#page286">286</a>.</p> + +<p>Treschel, Melchior and Gaspar, printers of the Lyons Dance of Death, +1538, with cuts, designed by Hans Holbein, +<a href = "WoodEngraving6.html#page330">330</a>.</p> + +<p>Trimming, +<a href = "WoodEngraving9.html#page606">606</a>.</p> + +<p>Triompho di Fortuna, +<a href = "WoodEngraving4.html#page315">315-317</a>.</p> + +<p>Trithemius, his account of the invention of printing, +<a href = "WoodEngraving1.html#page131">131</a>.</p> + +<p>Triumphal procession, usually called the Triumphs of Maximilian, +<a href = "WoodEngraving4.html#page288">288-304</a>.</p> + +<p>Trusler, Dr. his Progress of Man and Society, with cuts, by John +Bewick, +<a href = "WoodEngraving9.html#page613">613</a>.</p> + +<p>Turner, Dr. William, his account of the Tree goose, +<a href = "WoodEngraving6.html#page414">414</a>.</p> + +<p>Turner, the Rev. William, his opinion of cross-hatching, +<a href = "WoodEngraving9.html#page562">562</a>.</p> + +<p>Turrecremata, J. de, his Meditationes, +<a href = "WoodEngraving4.html#page184">184</a>.</p> + +<p>Typi, +<a href = "WoodEngraving1.html#page7">7</a>.</p> + +<p>Typography, invention of, +<a href = "WoodEngraving1.html#page118">118</a>;</p> +<p class = "inset">not a chance discovery, +<a href = "WoodEngraving1.html#page145">145</a>.</p> + + +<p class = "letterhead"> +<a name = "index_U" id = "index_U" href = "#index">U</a></p> + +<p>Ulphilas, Gospels of, +<a href = "WoodEngraving1.html#page44">44</a>.</p> + +<p>Underlaying wood-cuts, mode of, +<a href = "WoodEngraving9.html#noteIX37">645 <i>n</i></a>.</p> + +<p>Unger, father and son, German wood engravers, 1779, +<a href = "WoodEngraving6.html#page403">403</a>, +<a href = "WoodEngraving7.html#page483">483</a>, +<a href = "WoodEngraving7.html#page545">545</a>.</p> + +<p>Urse Graff, a cut designed by, probably copied by Willem de +Figuersnider, +<a href = "WoodEngraving4.html#page313">313</a>;</p> +<p class = "inset">other cuts with his mark, +<a href = "WoodEngraving4.html#page314">314</a>.</p> + + +<p class = "letterhead"> +<a name = "index_V" id = "index_V" href = "#index">V</a></p> + +<p>Vagabonds and sturdy beggars, +<a href = "WoodEngraving1.html#page12">12</a>.</p> + +<p>Valcebro, Ferrer de, his notice of the Bernacle or Tree goose, +<a href = "WoodEngraving6.html#page416">416</a>.</p> + +<p>Valturius, R. de Re Militari, +<a href = "WoodEngraving4.html#page186">186</a>.</p> + +<p>Vasari, George, claims the invention of chiaro-scuro engraving for +Ugo da Cai, +<a href = "WoodEngraving4.html#page230">230</a>.</p> + +<p>Vasey, George, wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + +<p>Vaugris, V. printer of a piracy of the Lyons Dance of Death, at +Venice, 1542, +<a href = "WoodEngraving6.html#page393">393</a>.</p> + +<p>Vecellio, Cesare, his book of Costumes, Venice, 1589, +<a href = "WoodEngraving6.html#page433">433</a>.</p> + +<p>Vegetable putties, a theory of Mr. J. Landseer, +<a href = "WoodEngraving1.html#page72">72</a>.</p> + +<p>Veldener, John, printer of an edition of the Speculum Salvationis, +1483, +<a href = "WoodEngraving1.html#page106">106</a>;</p> +<p class = "inset">one of the earliest printers who introduced +ornamental borders engraved on wood, +<a href = "WoodEngraving4.html#page191">191</a>.</p> + +<span class = "pagenum"><a name = "page664" id = "page664"> +664</a></span> +<p>Venice, foreign cards prohibited to be brought into the city of, +1441, +<a href = "WoodEngraving1.html#page43">43</a>.</p> + +<p>Verona, Johannes de, +<a href = "WoodEngraving4.html#page186">186</a>.</p> + +<p>Vesalius’s Anatomy, Basle, 1548, erroneously said to contain cuts +designed by Titian, +<a href = "WoodEngraving6.html#page433">433</a>.</p> + +<p>Vignettes, +<a href = "WoodEngraving9.html#page615">615</a>.</p> + +<p>Vincentini, J. N. engraver of chiaro-scuros, +<a href = "WoodEngraving6.html#page389">389</a>.</p> + +<p>Vizetelly, H. wood engraver, +<a href = "WoodEngraving8.html#page558">558</a>, +<a href = "WoodEngraving8.html#page570a">570*</a>, +<a href = "WoodEngraving8.html#page571a">571*</a>.</p> + +<p>Vostre, Simon, Heures printed by him, +<a href = "WoodEngraving4.html#page232">232</a>.</p> + + +<p class = "letterhead"> +<a name = "index_W" id = "index_W" href = "#index">W</a></p> + +<p>Waagen, Dr. G. F. extract from his evidence before the Committee on +Arts and Manufactures, +<a href = "WoodEngraving4.html#page322">322</a>.</p> + +<p>Walsokne, Adam de, his mark, +<a href = "WoodEngraving1.html#page18">18</a>.</p> + +<p>Walton’s Angler, cuts of fish in Major’s edition of, +<a href = "WoodEngraving7.html#page541">541</a>, +<a href = "WoodEngraving7.html#page543">543</a>.</p> + +<p>Wand-Kalendars, or sheet almanacks, 1470, 1500, +<a href = "WoodEngraving4.html#page225">225</a>.</p> + +<p>Ward, James, R.A. cut of a dray-horse from a drawing by, +<a href = "WoodEngraving9.html#page596">596</a>.</p> + +<p>Warren, H. painter, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Watson. J. D. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Watts, S. his engravings, 1703, +<a href = "WoodEngraving7.html#page471">471</a>.</p> + +<p>Waved lines, +<a href = "WoodEngraving9.html#page583">583</a>.</p> + +<p>Webster, T. painter, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +<p>Wehnert, G. H. artist, +<a href = "WoodEngraving8.html#page594a">594*</a>.</p> + +<p>Weir, Harrison, artist, +<a href = "WoodEngraving8.html#page551">551</a>, +<a href = "WoodEngraving8.html#page555">555</a>.</p> + +<p>Weiss-Kunig, +<a href = "WoodEngraving4.html#page286">286</a>.</p> + +<p>West, Benjamin, his design for the diploma of the Highland Society, +<a href = "WoodEngraving7.html#page523">523</a>.</p> + +<p>Wethemstede, John, prior of St. Albans, +<a href = "WoodEngraving1.html#page111">111</a>.</p> + +<p>White, Henry, senior and junior, wood engravers, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + +<p>White outline, +<a href = "WoodEngraving9.html#page587">587</a>, +<a href = "WoodEngraving9.html#page598">598</a>.</p> + +<p>Whitehall, fictions about a Dance of Death painted by Holbein in the +old palace at, +<a href = "WoodEngraving6.html#page360">360-363</a>.</p> + +<p>Whiting, Chas. his colour-printing, +<a href = "WoodEngraving9.html#page630">630</a>.</p> + +<p>Whymper, J. W. wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>, +<a href = "WoodEngraving8.html#page569a">569*</a>.</p> + +<p>Wilkie, Sir David, R.A. his sketch for his picture of the Rabbit on +the Wall, +<a href = "WoodEngraving9.html#page591">591</a>;</p> +<p class = "inset">group from his Rent-day, +<a href = "WoodEngraving9.html#page593">593</a>;</p> +<p class = "inset">from his Village Festival, +<a href = "WoodEngraving9.html#page614">614</a>.</p> + +<p>Willett, R. his opinion of wooden types, +<a href = "WoodEngraving1.html#page136">136</a>.</p> + +<p>Williams, J. wood engraver, +<a href = "WoodEngraving8.html#page588a">588*</a>.</p> + +<p>Williams, Samuel, artist and wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>, +<a href = "WoodEngraving8.html#page572a">572*</a>.</p> + +<p>Williams, Thomas, wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>, +<a href = "WoodEngraving7.html#page547">547</a>.</p> + +<p>Willis, Edward, a pupil of Bewick, +<a href = "WoodEngraving7.html#noteVII78">522 <i>n</i></a>.</p> + +<p>Wimperis, E. wood-engraver, +<a href = "WoodEngraving8.html#page600a">600*</a>.</p> + +<p>Wimpheling, verses by him, celebrating Gutemberg as the inventor of +printing, +<a href = "WoodEngraving1.html#page155">155</a>.</p> + +<p>Wirtemberg, Counts of, their arms, +<a href = "WoodEngraving1.html#page78">78</a>.</p> + +<p>Wolf, J. artist, +<a href = "WoodEngraving8.html#page573a">573*</a>, +<a href = "WoodEngraving8.html#page574a">574*</a>.</p> + +<p>Wolgemuth, Michael, not the first that introduced cross-hatching in +wood engravings, +<a href = "WoodEngraving4.html#page239">239</a>.</p> + +<p>Women, engravers on wood, +<a href = "WoodEngraving4.html#page235">235</a>.</p> + +<p>Wood for the purposes of engraving, several kinds mentioned by +Papillou, +<a href = "WoodEngraving7.html#page464">464</a>;</p> +<p class = "inset">mode of preparing, +<a href = "WoodEngraving9.html#page562">562-568</a>.</p> + +<p>Wood-cut, the earliest known with a date, +<a href = "WoodEngraving1.html#page45">45</a>.</p> + +<p>Wood-cuts, largest modern; directions for cleaning, +<a href = "WoodEngraving9.html#page649">649</a>.</p> + +<p>Wood engravers, early, unfriendly to the progress of typography, +<a href = "WoodEngraving4.html#page179">179</a>.</p> + +<p>Wooden types, +<a href = "WoodEngraving1.html#page131">131</a>, +<a href = "WoodEngraving1.html#page136">136</a>, +<a href = "WoodEngraving1.html#page137">137</a>.</p> + +<p>Woods, H. N. wood-engraver, +<a href = "WoodEngraving8.html#page600a">600*</a>.</p> + +<p>Wootie, Mr. his patent for engraving in metallic relief, +<a href = "WoodEngraving9.html#page634">634</a>.</p> + +<p>Worde. W. de, cuts in books printed by him, +<a href = "WoodEngraving4.html#page196">196</a>, +<a href = "WoodEngraving4.html#page198">198</a>.</p> + +<p>Wordsworth, William, his high opinion of Bewick’s talents, +<a href = "WoodEngraving7.html#page512">512</a>.</p> + +<p>Wright, John, wood engraver, +<a href = "WoodEngraving7.html#page544">544</a>.</p> + +<p>Wright, W. wood engraver, +<a href = "WoodEngraving8.html#page554">554</a>.</p> + +<p>Wyatt, Sir Thomas, a wood-cut portrait of, from a drawing, by +Holbein, +<a href = "WoodEngraving6.html#page379">379</a>.</p> + +<p>Wyburd, F. painter, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + + +<p class = "letterhead"> +<a name = "index_Z" id = "index_Z" href = "#index">Z</a></p> + +<p>Zainner, Gunther, of Augsburg, +<a href = "WoodEngraving4.html#page179">179</a>;</p> +<p class = "inset">the Legenda Aurea, with wood-cuts, printed by him, in +1471, +<a href = "WoodEngraving4.html#page188">188</a>.</p> + +<p>Zainer, John, of Reutlingen, prints at Ulm in 1473, an edition of +Boccacio de Claris Mulieribus, with wood-cuts, +<a href = "WoodEngraving4.html#page190">190</a>.</p> + +<p>Zani’s arguments in favour of Papillon’s story of the Cunio, +<a href = "WoodEngraving1.html#page36">36</a>, +<a href = "WoodEngraving1.html#page37">37</a>.</p> + +<p>Zerlegen, a word used by German printers to denote the +<i>distribution</i> of the types, occurs in connection with Gutemberg’s +press in 1438, +<a href = "WoodEngraving1.html#page128">128</a>.</p> + +<p>Zuyren, J. Van, claims the invention of printing for Harlem, +<a href = "WoodEngraving1.html#page146">146</a>.</p> + +<p>Zwecker, John B. draughtsman, +<a href = "WoodEngraving8.html#page599a">599*</a>.</p> + +</div> +<!-- end div index --> + +<div class = "correction"> +<h5>Errors in Index</h5> + +<p><span class = "citation"> +Dante, edition of, with copper-plates, 1482</span><br> +copperplates</p> + +<p><span class = "citation"> +Fracture</span><br> +<i>printed as shown, but body text has “fractur”</i></p> + +<p><span class = "citation"> +Hieroglyphic ... Bible, 478.</span><br> +<i>page reference missing</i></p> + +<p><span class = "citation"> +Packhouse’s machine for tints</span><br> +<i>printed and alphabetized as shown, but body text has +“Parkhouse”</i></p> + +<p><span class = "citation"> +Sandrart, J.</span><br> +Sandrant</p> +</div> + +<h5>THE END.</h5> + +<p> </p> + +<p class = "center smaller">LONDON:<br> +PRINTED BY R. CLAY, SON, AND TAYLOR,<br> +BREAD STREET HILL.</p> + +<div class = "endnote"> + +<h4><a name = "errata" id = "errata" href = "#start">Errors and +Inconsistencies</a> (noted by transcriber)</h4> + +<p>Inconsistent spellings were only regularized when there was a strong +preponderance; changes are individually noted. The various spellings of +the name now written “Shakespeare” are unchanged, as are the forms +“Albert Durer” and “Gutemberg”. German citations consistently omit the +period (full stop) in references such as “2 Theil”. Other unchanged +forms include:</p> + +<p class = "inset"> +cross line : cross-line<br> +figuersnider : figursnider<br> +fore-/back-ground : fore/background<br> +type-founder : typefounder<br> +wood-cut : woodcut<br> +wood-engraver : wood engraver<br> +Schaufflein : Schäufflein</p> + +<p>In the Index, missing or inconsistent punctuation was silently +regularized. All other errors are noted in two ways: with <ins class = +"correction" title = "like this">mouse-hover popups</ins> where the +error occurs, and again at the end of each chapter or section, after any +footnotes.</p> +</div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of A Treatise on Wood Engraving, by +John Jackson and William Andrew Chatto and Henry G. 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