diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-03-08 00:11:31 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-03-08 00:11:31 -0800 |
| commit | ca3fdd753f9a381b152630180a55f63bbcc26e4b (patch) | |
| tree | 49a22aeb64087975223a094cbd89d8fd738ab2c7 /42527-h | |
| parent | a44cab9a639b431c6a37704ef4e17969eafe2664 (diff) | |
Diffstat (limited to '42527-h')
| -rw-r--r-- | 42527-h/42527-h.htm | 474 |
1 files changed, 30 insertions, 444 deletions
diff --git a/42527-h/42527-h.htm b/42527-h/42527-h.htm index 7e829e4..8412736 100644 --- a/42527-h/42527-h.htm +++ b/42527-h/42527-h.htm @@ -2,7 +2,7 @@ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of Trails Through Western Woods, by Helen Fitzgerald Sanders. @@ -312,44 +312,7 @@ cite {font-style: italic;} </style> </head> <body> - - -<pre> - -Project Gutenberg's Trails Through Western Woods, by Helen Fitzgerald Sanders - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Trails Through Western Woods - -Author: Helen Fitzgerald Sanders - -Release Date: April 14, 2013 [EBook #42527] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK TRAILS THROUGH WESTERN WOODS *** - - - - -Produced by Greg Bergquist, Charlie Howard, and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive/American Libraries.) - - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 42527 ***</div> <hr /> @@ -598,7 +561,7 @@ known as the Selish family. These kindred tribes were the Selish, or Flatheads, the Pend d'Oreilles, the Cœur d'Alenes, the Colvilles, the Spokanes and the Pisquouse. -The Nez Percés of the Clearwater +The Nez Percés of the Clearwater were also counted as tribal kin through inter-marriage.</p> @@ -610,7 +573,7 @@ after a long absence East of the Rocky Mountains, bearing strange tidings of a pale-faced race whom they had met,—probably the adventurous Sieur de La -Vérendrye and his cavaliers who set out +Vérendrye and his cavaliers who set out from Montreal to find a highway to the Pacific Sea. But it was only a memory with a few, a curious legend to the many, @@ -1117,7 +1080,7 @@ the Blackfeet tribes. Westward, they wandered over the fertile valley of Sin-yal-min, where they, in common with the Pend d'Oreilles, Kootanais and Nez<span class="pagenum"><a name="Page_37" id="Page_37">37</a></span> -Percés enjoyed its fruits and fields of +Percés enjoyed its fruits and fields of grain. This valley is bounded to the north by the great Flathead Lake, a body of water vast in its sweep, winding through @@ -1190,7 +1153,7 @@ lived until the recent exodus. Therefore, the Bitter Root Valley was particularly dear to the hearts of these Indians. It was there the bond between the kindred<span class="pagenum"><a name="Page_40" id="Page_40">40</a></span> -tribes, the Nez Percés and the Selish, was +tribes, the Nez Percés and the Selish, was broken; there the pioneer Fathers came to build the first Mission and plant the first Cross among these docile children @@ -1203,10 +1166,10 @@ merely a station in their enforced retreat.</p> <p>Eastward and southward from the Bitter Root, the Jocko and the range of Sin-yal-min in the contested country, is -a cañon called the Hell Gate, because +a cañon called the Hell Gate, because within its narrow limits, the Blackfeet wreaked vengeance upon their less warlike -foes. Flowing through the cañon is +foes. Flowing through the cañon is a river, <i xml:lang="sal" lang="sal">In-mis-sou-let-ka</i>, corrupted into Missoula, which bears one of the most beautiful of the Selish legends.</p> @@ -1387,14 +1350,14 @@ of their fathers.</p> <p>Charlot was a courageous and honest man, a leader worthy of his trust. It was -he who met the Nez Percés as they descended +he who met the Nez Percés as they descended into the Bitter Root, headed by Chief Joseph, hot with the lust for the white man's scalp. There are few more dramatic incidents in western history than Charlot's visit to Chief Joseph on the LoLo trail and the ultimatum which he delivered -to the leader of the Nez Percé +to the leader of the Nez Percé hosts.</p> <p>He rode forth accompanied by Joe La @@ -1427,7 +1390,7 @@ the brave, intractable warrior who did battle with the army of the United States and kept the cleverest of our generals guessing at his strategies, bent to the iron -will of Charlot. The Nez Percés passed +will of Charlot. The Nez Percés passed peacefully through the valley and never a soul was harmed.</p> @@ -1531,7 +1494,7 @@ and pension; in other words, he was reduced from Great Chief to pauper.</p> <p>Thus Charlot, who with his braves had -defied his kinsfolk, the Nez Percés, to +defied his kinsfolk, the Nez Percés, to protect the weak colony of settlers in their Bitter Root home was driven forth by these same strangers within his gates,<span class="pagenum"><a name="Page_53" id="Page_53">53</a></span> @@ -1664,11 +1627,11 @@ He possessed the richest war dress of all,<span class="pagenum"><a name="Page_58 strung with elks' teeth and resplendent with the feathers of the war-eagle. It was he, who with Charlot, met the Nez -Percés and repudiated their bloody campaign; +Percés and repudiated their bloody campaign; he, whose valiant ancestor, Ignace La Mousse, the Iroquois, helped to make glorious the name of his adopted people. -<i>François</i> and <i xml:lang="sal" lang="sal">Kai-Kai-She</i>, the judge, +<i>François</i> and <i xml:lang="sal" lang="sal">Kai-Kai-She</i>, the judge, both honoured patriarchs, and Chief Antoine Moise, <i xml:lang="sal" lang="sal">Callup-Squal-She</i>, "Crane with a ring around his neck," who followed @@ -1676,7 +1639,7 @@ Charlot to Washington on his mission of protest, moved and mingled in the bright patchwork of groups upon the green. There was none more imbued -with the spirit of festivity than old François +with the spirit of festivity than old François with white hair falling to his bowed shoulders. These and many more there were whose prime had known happier @@ -2847,7 +2810,7 @@ of black came out of the land of the sunrise.</p> time they determined to make their appeal. Once more Ignace La Mousse led the way and in his charge were three Selish -and one Nez Percé brave. They fell in +and one Nez Percé brave. They fell in with a little party of white people near Fort Laramie, and uniting forces for greater safety, took up the march together. @@ -2857,7 +2820,7 @@ the land of the warlike Sioux. In that fateful place three hundred of the hostile tribe surrounded them. The Sioux, wishing only the scalps of the Selish and Nez -Percé, ordered the white men and Old +Percé, ordered the white men and Old Ignace who was dressed in the garb of civilization, to stand apart. The whites obeyed, but Ignace La Mousse, scorning @@ -2907,7 +2870,7 @@ braves and it was decided that the tribe should march forward to meet and welcome their missionary. Accordingly they started in good season and on their way -met groups of Kalispehlms, Nez Percés +met groups of Kalispehlms, Nez Percés and Pend d'Oreilles, who joined them, swelling their number to about sixteen hundred souls. The ever increasing cavalcade @@ -2923,7 +2886,7 @@ held in reverence by the Indians of the present generation.</p> <p>There was great rejoicing among the -Selish, the Nez Percés, the Pend d'Oreilles +Selish, the Nez Percés, the Pend d'Oreilles and the Kalispehlms. They burst into wild shouts of delight, swarming around<span class="pagenum"><a name="Page_114" id="Page_114">114</a></span> the pale priest, shaking his hand and @@ -3011,7 +2974,7 @@ Fathers, learning of this, sent a messenger<span class="pagenum"><a name="Page_1 to recall them, and they hastened back to greet their apostle and his followers. And of that little band there -were Charles and François, the sons of +were Charles and François, the sons of Old Ignace, the Iroquois, Simon, the oldest of the tribe, and Young Ignace of great fame, who, we are told, journeyed @@ -4242,7 +4205,7 @@ down from old to young through unnumbered generations. Indeed, it was necessary for them to outwit the game by strategy in the early days before the wealthy -and progressive Nez Percé Kayuses, who +and progressive Nez Percé Kayuses, who were first to break the wild horses of the western plains, brought the domesticated pony among them. In passing, it is interesting @@ -4570,7 +4533,7 @@ bold lest he be hurt by goring horns and stamping hoofs, and urged him with honeyed speech to the full fruit of his strength and cunning. And the horse, responding, -flew with wingéd stride, unguided +flew with wingéd stride, unguided by reins to the edge of the compact,<span class="pagenum"><a name="Page_186" id="Page_186">186</a></span> fleeing band, never hesitating, never halting until the shoulder of the animal @@ -4587,7 +4550,7 @@ how deep the arrow had penetrated they rode close to the infuriated brute to examine the nature of the shot, and if necessary to shoot again. And even -though in the grand <i xml:lang="fr" lang="fr">melée</i>, a single animal +though in the grand <i xml:lang="fr" lang="fr">melée</i>, a single animal was often pierced with many arrows, there were seldom quarrels as to whom the quarry belonged, so nicely could they @@ -4723,7 +4686,7 @@ the grease and oil comes to the top, when it is skimmed off and poured over the pounded beef. As soon as the mixture cools, it is sewed up into skin bags (not<span class="pagenum"><a name="Page_192" id="Page_192">192</a></span> -the ordinary painted parfléche cases) +the ordinary painted parfléche cases) and laid away until needed. It was sometimes buried or otherwise cached. Pemmican thus prepared will keep indefinitely. @@ -5283,7 +5246,7 @@ the fastnesses of the New World the buffalo was lord of the continent. Coronado on his march northward from Mexico saw hordes of these unknown beasts which -a chronicler of 1600 described naïvely as +a chronicler of 1600 described naïvely as "crooked-backed oxen." The mighty herds roamed through the blue grass of Kentucky, the Carolinas, that region now @@ -6657,7 +6620,7 @@ atom into the depths of life-absorbing space. It is the same terrible, savage joy, the magnetism of elemental force which we feel as we stand on the brink of the -Grand Cañon of the Yellowstone, with +Grand Cañon of the Yellowstone, with the glorious, brave call to death crying from the water voices, while the whisper of life sounds sweetly from the vocal @@ -6726,7 +6689,7 @@ reveal the exquisite illuminations wrought in flowing, multi-colored bands, in subtle shade and wordless rune,<span class="pagenum"><a name="Page_277" id="Page_277">277</a></span> of the record book wherein is writ the history -of æons.</p> +of æons.</p> <p>Through the dazzle of the sun the sea of mountains re-appears, a flowing tide of @@ -7036,7 +6999,7 @@ upon that rock platform, from the reality of the present we speed our souls into the ideality of Time's poles. Though the song of the water-voices that have -sung æons, rings in our ears, and the living +sung æons, rings in our ears, and the living letter of the world-book is shown in the mountain's open page, we may not know the portent of either message. And @@ -7345,7 +7308,7 @@ deepening drifts and the utmost peaks are white as carven ivory. Still we resolve to make one brave dash for the Quartz Lakes, set one above the other in a chain -among sheltering cañons and flanking +among sheltering cañons and flanking cliffs. Under the inspiration of the camp fire we discuss the morrow's journey. How splendid it will be to race with the @@ -7446,383 +7409,6 @@ the book and unchanged here.</p> this eBook, and placed into the Public Domain.</p> </div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Trails Through Western Woods, by -Helen Fitzgerald Sanders - -*** END OF THIS PROJECT GUTENBERG EBOOK TRAILS THROUGH WESTERN WOODS *** - -***** This file should be named 42527-h.htm or 42527-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/5/2/42527/ - -Produced by Greg Bergquist, Charlie Howard, and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive/American Libraries.) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -</pre> - +<div>*** END OF THE PROJECT GUTENBERG EBOOK 42527 ***</div> </body> </html> |