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diff --git a/42485-h/42485-h.htm b/42485-h/42485-h.htm index a819e7a..35a59cc 100644 --- a/42485-h/42485-h.htm +++ b/42485-h/42485-h.htm @@ -3,7 +3,7 @@ <html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title>Punch, or the London Charivari, June 1st, 1895.</title> @@ -106,46 +106,7 @@ display : none; </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 108, -June 1, 1895, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Punch, or the London Charivari, Vol. 108, June 1, 1895 - -Author: Various - -Editor: Sir Francis Burnand - -Release Date: April 8, 2013 [EBook #42485] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, JUNE 1, 1895 *** - - - - -Produced by Malcolm Farmer, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 42485 ***</div> <hr /> <p><span class="pagenum"><a name="page253" id="page253"></a>[pg 253]</span></p> @@ -818,12 +779,12 @@ at an angle, clears the Prince of <span class="sc">Wales's</span> elbow by a few and startles musical enthusiast who, seated at corner of third row of stalls, is at that moment wrapped up in the opera, and thus protected against most external dangers. A thrill went through the -house! is it a "B-o-m-b" bomb? <span class="sc">Bevignani</span>, pausing, <em>bâton</em> in +house! is it a "B-o-m-b" bomb? <span class="sc">Bevignani</span>, pausing, <em>bâton</em> in air, gives the horrorstruck singers and concealed orchestra (to whom pause is inexplicable) a few notes rest. Then corner (stall) man picks up lorgnette case, fortunately empty; whereupon the Bold -<span class="sc">Bevignani's</span> <em>bâton</em> is once more in motion, and +<span class="sc">Bevignani's</span> <em>bâton</em> is once more in motion, and everyone is "as they were." <span class="sc">Arimondi</span> and <span class="sc">Pini-Corsi</span> earn a big encore for duet and dance. Mr. <span class="sc">David Bispham</span> with Madame <span class="sc">Amadi</span>, as <em>Milor'</em> and @@ -849,16 +810,16 @@ lively <em>Mistress Ford</em>; and Signor <span class="sc">de Lucia</span> an am <p><em>Friday.</em>—House not absolutely crowded to hear <em>Carmen</em>. Is <em>Carmen</em> a bit "off"? Yet nothing better than performance of -<span class="sc">Zelie de Lussan</span> as gay and wicked heroine. Little <em>Don José de -Lucia</em> first-rate, and <span class="sc">Ancona</span> winning encore for old friend <em>Toréador</em>. +<span class="sc">Zelie de Lussan</span> as gay and wicked heroine. Little <em>Don JosĂ© de +Lucia</em> first-rate, and <span class="sc">Ancona</span> winning encore for old friend <em>TorĂ©ador</em>. <span class="sc">Marie Engle</span> excellent goody-goody contrast to bold, bad <em>Carmen</em>. -Police-constable <span class="sc">Bevignani</span>, <em>bâton</em> in hand, severe when on the beat. +Police-constable <span class="sc">Bevignani</span>, <em>bâton</em> in hand, severe when on the beat. In honour of <span class="sc">Queen's</span> Birthday, Sir <span class="sc">Druriolanus</span> troupe-ing <em>Il Trovatore's</em> operatic colours at Windsor Castle. It ought to have been, appropriately, <em>Falstaff</em>.</p> <p><em>Saturday.</em>—<em>Faust.</em> "House full." <em>The</em> Princess and Princesses -present. <span class="sc">Melba's</span> "Jewel song" a gem. <span class="sc">M. Plançon</span>, whose +present. <span class="sc">Melba's</span> "Jewel song" a gem. <span class="sc">M. Plançon</span>, whose name, Britishly pronounced, suggests "Mr. <span class="sc">Plain-song</span>," rather ecclesiastical than diabolical, a highly-coloured but generally effective <em>Mephistopheles</em>. Mdlle. <span class="sc">Brazzi</span> appears to-night as "the new @@ -901,7 +862,7 @@ French verse at sight.</p> <p><em>Int.</em> <span class="sc">M. Zola</span> has also only recently discovered us. How do your novelists find the necessary models for their English types?</p> -<p><em>D. F.</em> Nothing simpler. Tradition, <em>voilŕ tout</em>. The Englishwoman, +<p><em>D. F.</em> Nothing simpler. Tradition, <em>voilĂ tout</em>. The Englishwoman, with her large feet, projecting teeth, and execrable French—we know her because we have always known her. It is not necessary to have seen her in the flesh. Indeed, it is only a marvel to me that @@ -955,8 +916,8 @@ throws a flood of light upon our idiosyncrasies.</p> <p><em>D. F.</em> I should like a few more days in which to complete my study, and verify my anticipations, of your interesting city. Meanwhile, -let me refer you to M. <span class="sc">Gabriel Mourey's</span> new work—<em>Passé -le Détroit</em>. The Ulysses of our century, he has gained a wide knowledge +let me refer you to M. <span class="sc">Gabriel Mourey's</span> new work—<em>PassĂ© +le DĂ©troit</em>. The Ulysses of our century, he has gained a wide knowledge of your race, having been a fearless traveller in <em>L'Underground</em>, and seen some of your most typical fogs. You may learn much from him. He is read eagerly at home, where the thirst for books of @@ -1767,381 +1728,6 @@ and the occasional French word. All have been retained; it's Punch!<br /><br />< <hr class="full" /> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. -108, June 1, 1895, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, JUNE 1, 1895 *** - -***** This file should be named 42485-h.htm or 42485-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/4/8/42485/ - -Produced by Malcolm Farmer, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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