diff options
Diffstat (limited to '42481-h/42481-h.htm')
| -rw-r--r-- | 42481-h/42481-h.htm | 475 |
1 files changed, 31 insertions, 444 deletions
diff --git a/42481-h/42481-h.htm b/42481-h/42481-h.htm index b4d9044..bf1048a 100644 --- a/42481-h/42481-h.htm +++ b/42481-h/42481-h.htm @@ -3,7 +3,7 @@ <html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title>Punch, or the London Charivari, January 26th, 1895.</title> @@ -110,45 +110,7 @@ display : none; </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 108, -January 26, 1895, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Punch, or the London Charivari, Vol. 108, January 26, 1895 - -Author: Various - -Editor: Sir Francis Burnand - -Release Date: April 7, 2013 [EBook #42481] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, JANUARY 26, 1895 *** - - - - -Produced by Malcolm Farmer, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 42481 ***</div> <hr /> <p><span class="pagenum"><a name="page37" id="page37"></a>[pg 37]</span></p> @@ -161,8 +123,8 @@ Distributed Proofreading Team at http://www.pgdp.net <h2>THE COMYNS AND THE GOIN'S OF ARTHUR.</h2> -<p>It was a pleasant sight, on the <em>première</em> of <em>King Arthur</em>, to see -Mr. <span class="sc">Comyns Carr</span>, poet, <em>littérateur</em>, art-critic, theatrical +<p>It was a pleasant sight, on the <em>première</em> of <em>King Arthur</em>, to see +Mr. <span class="sc">Comyns Carr</span>, poet, <em>littérateur</em>, art-critic, theatrical manager, orator, journalist, dramatist, and not a few other things beside, gravely bowing his acknowledgments as "<em>the</em> Arthur of the piece" @@ -288,7 +250,7 @@ herself: and so the wicked wooing comes to a rather tame conclusion. In the last scene <em>Macbeth-Mordred</em> and <em>Lady Morgan-Macbeth</em> are now King and Queen, and poor <em>Rebecca-Guinny</em> is going -to be burnt <em>à la Juive</em>, +to be burnt <em>à la Juive</em>, when the herald's challenge is answered by a very Black Knight, who keeps himself awfully @@ -318,7 +280,7 @@ to <em>Arthur</em>," and then she could have drained a poisoned cup, and so obtained her "<em>coup de -grâce</em>."</p> +grâce</em>."</p> <p>But no! <span class="sc">Comyns Carr</span> would have none @@ -381,7 +343,7 @@ why, I'll be jiggered!</span>"</p></div> <h4><em>A Very Topsy-turvied Arthurian Legend Up-to-Date.</em></h4> -<h4><span class="sc">Dramatis Personæ.</span></h4> +<h4><span class="sc">Dramatis Personæ.</span></h4> <table summary="dramatis personae"> <tr> @@ -522,7 +484,7 @@ lips will be, "<span class="sc">Kato</span>, thou reasonest well."</p> <p class="title1b"><span class="sc">Part III.</span>—<em>The Apotheosis of the Picture.</em></p> <p>Those who have done me the distinguished honour of reading the -story of my find of a genuine <span class="sc">Von Böotz</span> (in my agitation last week +story of my find of a genuine <span class="sc">Von Böotz</span> (in my agitation last week I referred erroneously to the great master as Old <span class="sc">Boots</span>) will remember that I had got to the point where the picture I now so deeply prized had been removed by the handy-man to be sold, no doubt, at @@ -536,7 +498,7 @@ history the reserve forces of my nature came to my assistance, and inspired me to hurry without a moment's delay to the dwelling-place of <span class="sc">Wilkins</span>.</p> -<p>Before discovering that the <span class="sc">Von Böotz</span> had been removed I had +<p>Before discovering that the <span class="sc">Von Böotz</span> had been removed I had assumed (as it is my wont after returning from Pump-Handle Court) my slippers. Without waiting to amend my costume, without lingering to recover my umbrella (now reclining in its stand, seemingly @@ -574,7 +536,7 @@ had feared that when I had successfully tracked out Mr. <span class="sc">Wilkins his suburban nest I should find him flown. But no, the eagle had not lost the child, the handy man was still the possessor of my pictorial treasure. At least so I presumed, as he smiled when I put -to him the all-important question, "Where is my <span class="sc">Von Böotz</span>?"</p> +to him the all-important question, "Where is my <span class="sc">Von Böotz</span>?"</p> <p>"This is what I have done with him, Sir," said my house-renovator, leading me gently into what I take must have been his @@ -603,7 +565,7 @@ in Italy (the renowned dwelling-place of the Muses), had recognised the value of my picture, and had——. I paused in my train of thought, and jumped from despair to joy. There, resting on a newly-renovated perambulator, was my Old Master. I almost wept -as I recognised my nearly lost <span class="sc">Von Böotz</span>.</p> +as I recognised my nearly lost <span class="sc">Von Böotz</span>.</p> <p>"But there it is!" I hoarsely whispered, pointing to the picture.</p> @@ -619,7 +581,7 @@ sent up my card, and was immediately admitted. The celebrated critic was a perfect stranger to me.</p> <p>"This must serve as an introduction," I said, and exposed my -<span class="sc">Von Böotz</span> to view. The connoisseur inspected the canvas, the +<span class="sc">Von Böotz</span> to view. The connoisseur inspected the canvas, the leaden sky, and the villagers with languid interest. At last his gaze fell upon the presentment of the donkey. His eyes sparkled, his cheeks flushed with excitement; and although he was evidently @@ -641,7 +603,7 @@ ecstasy.</p> <p>"You see it has one fault," my conscience made me say; "it has no signature."</p> -<p>"A proof that it is a genuine <span class="sc">Von Böotz</span>. The grand old forger +<p>"A proof that it is a genuine <span class="sc">Von Böotz</span>. The grand old forger never signed anything except copies. As you know, he was scarcely ever sober, and in his drunken moods used to write his name on any kind of canvas at the rate of a tumbler of port a signature."</p> @@ -652,7 +614,7 @@ from <span class="sc">Appleblossom</span>, Q.C., "that it is not in the least li which is supposed to be a contemporaneous engraving."</p> <p>"The best possible proof that it is an original. Old <span class="sc">Von -Böotz</span>—glorious +Böotz</span>—glorious old scoundrel—never painted anything that was really reproduced. He preferred to betray his public by signing the works of subordinates. That's the reason why he is so scarce. Oh, those @@ -667,7 +629,7 @@ reasonable fellow) would call "business." I suggested that it was for sale.</p> <p>"No, my dear Sir," corrected the critic; "not for sale. The <span class="sc">Von -Böotz</span> must be mine. You will not be so cruel as to deny me. I am +Böotz</span> must be mine. You will not be so cruel as to deny me. I am the master of tens of thousands—nay, I might say without exaggeration—hundreds of thousands. If you will leave yourself in my hands, I think you will find that I am a man of honour."</p> @@ -689,8 +651,8 @@ balance at another to supply the necessary residue."</p> <p>"Not a word," said the art connoisseur as he shook me by the hand. "Although you have, I confess, half my fortune, I am richer -than I was when I met you. The <span class="sc">Von Böotz</span>—<em>my</em> <span class="sc">Von -Böotz</span>—is +than I was when I met you. The <span class="sc">Von Böotz</span>—<em>my</em> <span class="sc">Von +Böotz</span>—is simply of priceless value."</p> <p>And so the picture that had been sent to the box-room and narrowly @@ -730,7 +692,7 @@ rid of it, and are you not now pleased that you took my advice?"</p> <h3 class="sans">PAST AND PRESENT.</h3> <p><em>Serious and much-Married Man.</em> "<span class="sc">My dear Friend, I <em>was</em> -astonished to hear of <em>your</em> dining at Madame Troisétoiles!—a +astonished to hear of <em>your</em> dining at Madame Troisétoiles!—a 'Woman with a Past,' you know!</span>"</p> <p><em>The Friend</em> (<em>Bachelor "unattached"</em>). "<span class="sc">Well, you see, old Man, @@ -798,7 +760,7 @@ Father—Mother—and</span>"—(<em>pointing to himself</em>)&mdash <p>The Paduan <em>Xantippe</em>, prickly, perverse,</p> <p>Yet fascinating vixen, dons to-day</p> <p>A Gallic guise, and fumes in French, and flounces</p> -<p>In skirts <em>à la République</em>.</p> +<p>In skirts <em>à la République</em>.</p> <p class="i18"> What said <em>Gremio?</em></p> <p>"<em>Your gifts are so good</em>, <em>here's none will hold you!</em>"</p> <p>And who may hold the fair Lutetian shrew?</p> @@ -875,7 +837,7 @@ Father—Mother—and</span>"—(<em>pointing to himself</em>)&mdash <p>"<em>Think you a little din can daunt mine ears?</em></p> <p><em>Have I not in my time heard lion's roar?</em></p> <p><em>Have I not heard the sea</em>, <em>puff'd up with winds</em>,</p> -<p><em>Rage like an angry boar chafèd with sweat?</em></p> +<p><em>Rage like an angry boar chafèd with sweat?</em></p> <p><em>Have I not heard great ordnance in the field</em>,</p> <p><em>And heaven's artillery thunder in the skies?</em></p> <p><em>Have I not in a pitched battle heard</em></p> @@ -893,10 +855,10 @@ Father—Mother—and</span>"—(<em>pointing to himself</em>)&mdash <div class="poem width21"> <div class="stanza"> <p>There was a Vice-President, <span class="sc">Judge</span>,</p> -<p>Who proved a big fraud <em>à la Sludge:</em></p> +<p>Who proved a big fraud <em>à la Sludge:</em></p> <p class="i4">But good Mrs. <span class="sc">Besant</span></p> <p class="i4">Sighed "Let's keep things pleasant!"</p> -<p>And <em>Punch, à la Burchell</em>, cried "Fudge!"</p> +<p>And <em>Punch, à la Burchell</em>, cried "Fudge!"</p> <p>"My dear <span class="sc">Annie Besant</span>—or is it <span class="sc">Bes<em>ant</em></span>?—</p> <p>Theosophy's trick, superstition and cant."</p> <p>To lift Isis's veil was a difficult task,</p> @@ -935,7 +897,7 @@ wide as the Diamond City of the Ranee. There was a faint show of resistance, but after I had defeated in single combat six picked mollahs of the Royal Guard, the disheartened garrison laid down its arms, and the place surrendered at discretion. We had brought -<span class="sc">Hadju Thâr Meebhoy</span> with us, although, in his perforated condition, +<span class="sc">Hadju Thâr Meebhoy</span> with us, although, in his perforated condition, it was a matter of some difficulty to transport him. Still it would have been barbarous to leave him behind to the tender mercies of the neighbouring peasantry, and we resolved to attempt @@ -1001,7 +963,7 @@ which demands an exit. Methinks that they who hold governance here mistake me strangely. Because I am all but corpsed, they think they can neglect this <span class="sc">Johnny</span>. The Ranee has but once sent a stable-helper to inquire after me. Grammercy, but such treatment -is scurvy, and I mean to show the old witch that <span class="sc">Hadju Thâr</span> +is scurvy, and I mean to show the old witch that <span class="sc">Hadju Thâr</span> knows what's what, and, by Jingo, he's going to have it all the time. That's so." I have forgotten, I think, to mention that my friend had learnt his English in Seringapatam from such examples @@ -1134,7 +1096,7 @@ double fare!</span>"</p></div> <hr class="medium" /> -<h2>LETTER TO A DÉBUTANTE.</h2> +<h2>LETTER TO A DÉBUTANTE.</h2> <p class="ind"><span class="sc">Dearest Gladys</span>,—I have been compiling a sort of dictionary for you, with a view to your second season. I send you a few selections @@ -1267,7 +1229,7 @@ Burlington House.</p> <p>A feeble ray of glimmering light</p> <p>Strove vainly with the darkling night,</p> <p>And scarce enabled me to see</p> -<p>The features of my <em>vis-à-vis</em>.</p> +<p>The features of my <em>vis-à -vis</em>.</p> <p>Pale was his brow: no paler grow</p> <p>The snowdrops lurking in the snow;</p> <p>Hollow his cheeks, and sunk his eyes</p> @@ -1412,7 +1374,7 @@ passed, the meeting broke up.</p> <hr class="medium" /> -<p class="ind">QUEER QUERIES.—<span class="sc">War of Words.</span>—<em>À propos</em> of Mr. +<p class="ind">QUEER QUERIES.—<span class="sc">War of Words.</span>—<em>À propos</em> of Mr. <span class="sc">Plowden's</span> decision in the "Flannelette case," can that worthy magistrate have foreseen some of its effects? For instance, wanting to buy a @@ -1554,7 +1516,7 @@ his case, is the Knight of Covent Garden. a nice time of it just now with <span class="sc">Arthur Pinero</span>, <span class="sc">Arthur Jones</span>, <span class="sc">Arthur Law</span>, <span class="sc">Arthur Roberts</span>, <em>King Arthur</em>, at the -Lyceum, and <span class="sc">Arthur à Becket</span> at the +Lyceum, and <span class="sc">Arthur à Becket</span> at the Garrick Theatre, where <em>Faded Flowers</em>, revived, are once again blooming. It is a pretty piece, well played by Mr. <span class="sc">Arthur @@ -1573,8 +1535,8 @@ very happy thought on the part of the author-adapter, Mr. <span class="sc">Grundy</span>.</p> <p>The occasion of the revival, too, was also -noteworthy as being the <em>début</em> of another of -the <span class="sc">Terry</span> family, the <em>ingénue</em> of the comedy +noteworthy as being the <em>début</em> of another of +the <span class="sc">Terry</span> family, the <em>ingénue</em> of the comedy being played by Miss <span class="sc">Mabel Terry Lewis</span>, who certainly inherits no small share of the <span class="sc">Terry</span> Talent. Mr. <span class="sc">Gerald du Maurier</span>, too, @@ -1610,382 +1572,7 @@ perhaps tongue-in-cheek deliberately on the part of the contributer?</p> </div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. -108, January 26, 1895, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, JANUARY 26, 1895 *** - -***** This file should be named 42481-h.htm or 42481-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/4/8/42481/ - -Produced by Malcolm Farmer, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -</pre> - +<div>*** END OF THE PROJECT GUTENBERG EBOOK 42481 ***</div> </body> </html> |