summaryrefslogtreecommitdiff
path: root/42283.txt
diff options
context:
space:
mode:
Diffstat (limited to '42283.txt')
-rw-r--r--42283.txt9075
1 files changed, 0 insertions, 9075 deletions
diff --git a/42283.txt b/42283.txt
deleted file mode 100644
index 657219a..0000000
--- a/42283.txt
+++ /dev/null
@@ -1,9075 +0,0 @@
- THE SAN ROSARIO RANCH
-
-
-
-
-This eBook is for the use of anyone anywhere at no cost and with almost
-no restrictions whatsoever. You may copy it, give it away or re-use it
-under the terms of the Project Gutenberg License included with this
-eBook or online at http://www.gutenberg.org/license.
-
-
-
-Title: The San Rosario Ranch
-Author: Maud Howe
-Release Date: March 09, 2013 [EBook #42283]
-Language: English
-Character set encoding: US-ASCII
-
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE SAN ROSARIO RANCH ***
-
-
-
-
-Produced by Al Haines.
-
-
-
-
-[Illustration: Cover]
-
-
-
-
- THE
-
- SAN ROSARIO RANCH
-
-
- BY
- MAUD HOWE
-
-
-
- BOSTON
- ROBERTS BROTHERS
- 1884
-
-
-
-
- _Copyright, 1884_,
- BY ROBERTS BROTHERS.
-
-
-
- University Press:
- JOHN WILSON AND SON, CAMBRIDGE.
-
-
-
-
- TO
- My Beloved Sister,
- LAURA E. RICHARDS.
-
-
-
-
- SAN ROSARIO RANCH.
-
-
-
- CHAPTER I.
-
- "Welcome her, all things youthful and sweet,
- Scatter the blossoms under her feet!"
-
-
-The house was a large square building, simple and hospitable in
-appearance. A wide veranda ran about the four sides, heavily draped by
-climbing roses and clematis. There were indisputable evidences that
-visitors were expected. Old Tip, the dog, knew it as well as everybody
-else about the house. He had been routed out from his favorite spot on
-the sunny side of the piazza, by Ah Lam, who had given him a shower-bath
-of water and soap-suds, because he did not move away to make room for
-the scrubbing-brush which the white-clad Celestial plied vigorously.
-From earliest morning the inhabitants of the simple house had been
-busied in making it ready. The very kittens which played about the
-steps of the piazza had licked an extra gloss upon their shining coats
-in honor of the expected guest. Only Tip, the old hunting-dog, the
-spoiled child of the household, showed no interest in what was going on,
-and with a cynical growl trotted off to the woods behind the house,
-where he might sleep safe from all fear of interruption.
-
-From the wide doorway, which stood hospitably open, stepped a lady. At
-the first sight of Barbara Deering, strangers were always strongly
-impressed with the indisputable fact that she was above and before all
-else a lady. A second look,--and people were sure to take one,--and it
-appeared that she was a young lady and a beautiful one. She was tall,
-above the height of ordinary women, and her carriage was remarkably
-erect and commanding. She walked with a quick, light step to the edge
-of the piazza, and raising one hand to shade her eyes from the rays of
-the setting sun, stood looking out across the wide garden. Her figure
-was like that of a Greek Diana, muscular and graceful, indicating great
-strength and endurance. The limbs were rounded but not languidly, as
-one saw by the arm, from which the sleeve had slipped back: it was
-white, firm, and hard. Her hands were large and shapely, the tips of
-the fingers red, and the texture of the skin showed that they were used
-to other work than that of the broidery-frame. Her head, with its crown
-of pretty, curling flaxen hair, was habitually held rather high, and her
-face wore an expression in which a certain natural hauteur and
-imperiousness seemed at war with a gentleness which was more the result
-of education than a natural trait. The forehead was wide and unlined,
-the eyes brown and clear, the nose straight, and the mouth small and
-rosy. The soft, white woollen gown, with its breast-knot of red roses,
-suited the young woman perfectly; and as she stood in the sunset light,
-a spray of climbing rose hanging overhead from the roof of the piazza,
-she made an unconscious picture of grace and loveliness.
-
-At the sound of a wagon on the driveway a warm flush mantled her cheek
-and throat, and stepping to the door of the house she called out in a
-sweet, high voice, "Mamma, mamma! they are coming!"
-
-A moment later and a large open vehicle came into sight, drawn by two
-swift mules, which were urged forward by the driver, a young man in
-whose face the traits of the girl on the piazza were reproduced, but
-somewhat roughly. On the seat behind the driver was seen a female
-figure closely enveloped in heavy travelling wraps, her features
-concealed by a thick veil. As the mules stopped before the entrance, the
-young woman on the piazza came forward with both hands outstretched,
-saying cordially but half shyly,--
-
-"Dear Millicent, welcome to San Rosario! Are you very, very tired? Let
-me help you out."
-
-So saying, Barbara Deering almost lifted the new arrival from the wagon,
-and with her strong arm supported her to a chair.
-
-"Thank you so much!" said the new-comer, speaking with a slightly
-foreign accent, and lifting her veil; "and you are Barbara? I know you
-from your picture, only you are much prettier."
-
-"Poor child, you must be terribly tired; you shall come and speak to
-mamma, and then you must go directly to your room and lie down. Hal, you
-will go down for Millicent's luggage?"
-
-The young man nodded an assent, touched up his steeds, and the wagon
-disappeared down the red dusty road. The two young girls entered the
-house, Barbara leading the stranger to a large room on the upper story.
-In a low chair sat a small woman, with a face which must have once been
-beautiful, and which now shone with an expression of simple sincerity
-and kindliness. She held out her hand to Millicent, kissed her on both
-cheeks, and warmly bade her welcome to San Rosario. Millicent Almsford
-acknowledged the greeting with a courteous grace, and immediately after
-accepted Barbara's offer to show her to her room.
-
-When the door was shut upon her, and she was for the first time in many
-days alone, she seated herself at the window, and leaning her head upon
-her hand, remained wrapped in thought. She had travelled from the coast
-of the Adriatic Sea to the shores of the Pacific Ocean, with no
-companion save her maid and her own painful thoughts. And now the long
-journeying was at an end, and she found herself in the far West, in
-California, amidst her kindred, all strangers to her save by tradition
-and some slight correspondence. She looked about the strange room. It
-was exquisitely neat and fresh, with its clean whitewashed walls and new
-blue Kidderminster carpet, its black-walnut "bedroom set," and
-comfortable lounge, which had been newly covered in her honor. On the
-bureau were blue and white mats and cushions, a toilet-set which
-Barbara's busy fingers had stolen time to make.
-
-She marked all these little details, not one of which escaped her eyes,
-even to the embroidered towel-rack with her initials, and the worked
-motto, "Welcome home." Again she looked out from the window over a wide
-pleasant orchard, filled with heavily fruited peach and plum trees; over
-a garden gay with bright-hued flowers, and beyond to the everlasting
-hills which close about the happy valley wherein stands the house of the
-San Rosario Ranch. Numbers of oxen and cows were straying over the
-hills, with here and there groups of sheep cropping the sun-dried grass
-of the hills.
-
-The landscape was a perfect symphony in brown. The round shiny hills
-were golden in color; the warm-hued earth in the ploughed fields and the
-meadows, whose crop of grass had long since been mowed, was of a deeper
-tint. The house stood in an oasis of green. A great hedge of
-rose-trees blushing with red blossoms marked the boundary of the
-flower-garden, irrigated with great care through the long summer months.
-The sun, low-hanging over the hilltops, suddenly dropped from sight; and
-as the room grew dim, Millicent shivered slightly, and turning from the
-window threw herself on the couch and lay there quite still, too tired
-even to weep out the pain and homesickness in her heart. A tap on the
-door was followed by the entrance of one of her trunks, brought in by
-two strong Chinamen, at whose coppery faces Millicent stared curiously.
-Six large boxes were placed in a row and unstrapped by the younger
-Chinaman, who, when he had completed his task, approached the stranger
-land said in a sympathetic voice, "Me solly you sick; Ah Lam bring
-tea-cup?" The white Celestial smiled benignantly and vanished, quickly
-reappearing with the promised cup of tea, which proved most grateful to
-the girl's tired nerves. The creature's sympathy and attention brought
-tears to her eyes; and when Barbara came in a few minutes later, to help
-her in unpacking, she found the traces of these tears on Millicent's
-cheeks.
-
-"Do not try to dress for tea, dear; you are too tired. Where shall I
-find your dressing-case? You must let me take the place of your maid,
-now that she has left you so cruelly."
-
-So talking pleasantly, Barbara unpacked the guest's dressing-bag, looked
-admiringly at the silver-topped bottles with "M. A." engraven upon them,
-the ivory brushes, and all the dainty _et ceteras_ which were
-necessities to the foreign girl, with the long white hands and
-finger-nails which shone like pale pink conch-pearls.
-
-"Thank you, if you would help me a little to-night, I shall quickly
-learn to do for myself. If you will look in that largest trunk, you may
-give me whatever gown lies at the top."
-
-Barbara unfolded as she was bid a sea-green cashmere dress, in which the
-stranger quickly clad her slender figure. Manifold strings of tiny
-seed-pearls she wound about her white throat and wrists, performing all
-the details of her dressing with a careful precision which seemed part
-of her nature. The pink nails received an extra polish, though the
-tea-bell had twice summoned the inmates of the house to the evening
-repast. With a peculiarly graceful motion, like the undulation of a
-swift but quiet stream, she moved about the room and finally down the
-stairway to the dining-room below.
-
-"Millicent, will you sit here, on my right? Hal shall have the pleasure
-of occupying the place beside you."
-
-The speaker was the lady whose gentle, firm hand swayed the small realm
-of the San Rosario Ranch during the long absence of its master, Mr.
-Ralph Almsford.
-
-Mr. Almsford had been a widower for the past ten years. On the death of
-his beloved wife, her mother Mrs. Deering had continued at his earnest
-request to make his house her home. Her two younger children, Barbara
-and Henry Deering, remembered no other home, and it seemed but natural
-to them that they should continue to live with their brother-in-law.
-The family life was a particularly happy one, and the tie between Ralph
-Almsford and the Deerings was closer than that which exists between many
-blood relations.
-
-The advent of the young heiress Millicent Almsford, the half-sister of
-Ralph, was an event of great importance in the household, and had been
-eagerly anticipated by Mrs. Deering and her daughter for several weeks.
-Henry Deering--or as he was always called Hal--displayed an absolute
-indifference concerning the "strange girl" who was coming to make her
-home among them for a year. What Ralph Almsford felt about his guest no
-one of the household could divine. He was a quiet, reticent man,
-entirely absorbed in his business, which of late had often taken him
-from home for months at a time. He had written to his half-sister,
-urging her to visit the ranch; and his letter, the first one of the kind
-she had ever received, had so moved the girl that she had telegraphed
-her departure, and forthwith started on her long journey.
-
-Her brother met her in San Francisco, where they passed one day
-together,--a business engagement calling him away on the morrow, as he
-hoped for a few days only.
-
-Millicent took the place assigned her by Mrs. Deering, and supper was
-enlivened by conversation about the journey she had just achieved, which
-she described as the most terrible ordeal that it was possible for a
-human being to undergo. The guest was entirely at her ease, though her
-position might have been to many people an embarrassing one. Arriving
-alone in a household of near connections, who were as yet absolute
-strangers to her, and with whom it had been decided that the next year
-of her life should be passed, most girls in her place would have
-experienced some sensation of awkwardness; but Millicent was entirely
-mistress of the situation. She spoke principally to Hal Deering, a
-jolly-looking fellow of twenty-five, who puzzled her with the bits of
-dialect, perfectly unintelligible to her, which he introduced into his
-conversation.
-
-After supper Mrs. Deering led the way into the drawing-room, saying to
-her guest,--
-
-"Will you join us at prayers in the library, Millicent? Or would you
-prefer waiting here for us?"
-
-"I see that you already know that I am an unorthodox person, Mrs.
-Deering. Frankly, I would prefer not coming, if you will allow me.
-Being an agnostic, I should hardly be in sympathy with your service. If
-you will kindly excuse me, I will await you here."
-
-Millicent's refusal to join the family at their devotions was
-accompanied with a smile so exquisite and winning that the offence was
-forgiven, although forgiveness had not been asked. Hal, the great
-six-foot giant, more than forgave the graceful girl her ungraciousness,
-and would have a thousand times preferred remaining with her to joining
-his mother and sister.
-
-On being left to herself, Millicent moved to the piano which stood open
-near the window, and seating herself let her white fingers stray gently
-over the keys. Strange hands were Millicent's, of a whiteness that made
-her pale cheek look brown by comparison. The fingers were long and
-taper, at the tip of each a drop as of water ready to fall from the pink
-digits. The wrists were round and very slender. On the fifth finger of
-the left hand she wore a strange, small old ring of an Etruscan pattern,
-which had been stripped from the fleshless hand of a princess, whose
-sanctuary had been rifled by some nineteenth-century robber of graves.
-The setting enclosed a small green intaglio exquisitely carved,
-representing a Psyche with new-found wings.
-
-She had a strange, white luminous face whose beauty shone from within
-and lit the dark gray eyes with a rare and tender loveliness. The large
-mouth was more exquisitely refined than the mere rosebud tininess of
-Barbara Deering's. The teeth were very white and perfect, and the veil
-of soft, golden bronze hair, in which she could have clothed herself
-like Mary in the desert, was deftly massed into a great dusky knot at
-the nape of her white neck. Her arms and bosom, veiled by half
-transparent draperies, were white as marble from Carrara, and as finely
-yet generously chiselled as those of a goddess of Phidias. She was very
-tall, though her grace of movement concealed her height; her small feet
-in their velvet sandals were not disproportionate to her size. Her
-features were beautiful, and her hair and eyes the delight of every
-artist who looked upon her. And yet that which made her so remarkable
-among women had nothing to do with delicate contours or harmonious
-tints. Her body seemed like a screen through which shone a flame, at
-times white and gentle, again rosy and passionate. She was like the
-twin opals which clasped her girdle, and was as sensitive as they to
-every passing influence.
-
-As the words of the ritual, grown to be meaningless to him by their
-frequent repetition, fell upon the ears of Henry Deering he heeded them
-not, and failed to make the proper responses: other sounds had struck
-his ear, and soft, solemn strains of music made an under prayer to the
-evening service. To these strange chords his heart made answer, and his
-thoughts were raised by them far higher than was usual at that hour,
-when it was their wont to run riot over the business in hand for the
-next day.
-
-As the family re-entered the drawing-room, Millicent remained seated at
-the piano, now striking louder chords, and finally ending the long
-rhapsody with a brilliant waltz of Chopin.
-
-"Thank you, dear," said Barbara, as Millicent left the piano; "I am so
-glad that you are musical. I find very little sympathy for my music in
-the family; we will have great pleasure in practising together. I have
-some very good four-hand music."
-
-Soon after, the newly arrived guest bade good-night to the family, and
-went to her room accompanied by Barbara.
-
-"She is a little like Ralph," said Mrs. Deering, "only infinitely
-handsomer. How did she please you, my son?"
-
-"Is she handsome? I hardly noticed. It was her voice that struck me;
-it has the sound of laughing waters. And can't she play, though! I
-never heard such music in my life."
-
-"I am very glad for Barbara's sake that she is musical," answered his
-mother.
-
-"Yes; I hope that Barbara and Miss Almsford _will_ get on together. But
-I have my doubts," said Hal, dubiously pulling his straw-colored
-mustache.
-
-
-This is San Rosario to-day. Shall we go back a hundred years? It has a
-history worth a word or two. To one who is familiar with the beautiful
-country which lies about the old Mission of San Rosario, it is not a
-little strange that the place has as yet no prominence either in history
-or literature. Santa Barbara and the Mission Dolores have been
-celebrated in prose and verse. San Miguel and San Fernando Rey are not
-forgotten; while San Rafael and San Francisco, now grown to be important
-cities, will be remembered as long as Plymouth or Manhattan.
-
-The venerable President of the missions of Upper California, Father
-Junipero Serra, founded the San Rosario Mission in 1784, the last year
-of his life. It is possible that the judgment of the enthusiastic
-priest was already failing when he chose this site, for the Mission was
-never prosperous, and was abandoned early in the present century. While
-standing among the ruins of the old church, it is not difficult to see
-in fancy a picturesque scene enacted on the spot a century ago, on the
-morning of the consecration of the Mission.
-
-The little band of priests and soldiers have come to the end of their
-journey; the pleasant valley set in sheltering green hills has been
-chosen for the site of the new Mission. The tall thin figure of Father
-Junipero first strikes the eye. In spite of his great age, and the
-mortal disease with which he is afflicted, it is his hand that tugs
-lustily at the rope which swings the great bronze bell, hung in the arms
-of a gigantic redwood. It is he who shouts aloud the summons, "Hear,
-hear! all ye Gentiles! come to the holy Church!" Close to the President
-stand two priests,--one, a middle-aged man with a head which indicates
-great power and a dogged persistence; the other, a delicate looking
-youth with the face of an enthusiast, beautiful and dreamy. The handful
-of soldiers who serve the Fathers as an escort are making fast the
-slight church tent which they have just set up. From the neighboring
-thicket the cries of the startled birds mingle with the earnest tones of
-Father Junipero and the deep notes of the bronze bell. Hardly less
-timorous than the wood creatures are the Indians, who peer cautiously
-from behind the great trees at the strange spectacle before them. They
-are invited to draw near, and the bolder ones come close to the
-black-robed figures, and stare curiously at the simple ceremonials with
-which the ground is consecrated to the service of the heavenly kingdom.
-
-Through the indefatigable energy of the President and the two priests,
-the few buildings of the Mission were completed within a year. The
-adobe church was unusually large and well built, as one can see to-day.
-The tower, the base of which is strongly fortified, is still standing,
-though the roof of the church has long since fallen to the earthen
-floor. Little trace now remains of the less important buildings, for
-the Mission was abandoned thirty years after its establishment, and the
-property passed into the hands of its present owner, Mr. Ralph Almsford,
-some fifteen years before the opening of our story.
-
-A century has elapsed since that day when the Fathers planted the cross
-amidst the stately aisles of madrone trees; the Mission is now almost
-forgotten, but the San Rosario Ranch is well known for its famous breed
-of cattle, and for its fine dairy, which supplies the San Francisco
-market with choice butter and cream.
-
-The two priests--he of the hard-favored countenance, and he of the
-gentle eyes--lie side by side at the foot of the crumbling altar. The
-Indians who were reclaimed by them from barbarism have gone to their
-happy hunting-grounds, and the brilliant future prophesied by Father
-Junipero is proven to be a dream and nothing more.
-
-
-
-
- CHAPTER II.
-
- "Look to yourselves, ye polished gentlemen!
- No city airs or arts pass current here.
- Your rank is all reversed: let men of cloth
- Bow to the stalwart churls in overalls."
-
-
-Millicent Almsford awoke early on the morning after her arrival. "What
-is the matter?" she asked.
-
-No one answering her question, she put another.
-
-"Why do we not go on, what are we stopping for?" this still in a
-semi-somnolent voice. On opening her eyes and finding that she was not
-in the berth of the palace car, where she had for a week past always
-found herself, she laughed outright and then gave a deep sigh.
-
-Her long journey, from the Palazzo Fortunio in Venice to the San Rosario
-Ranch in California, was at an end; and here she was, to use her own
-phrase, "planted in the wilderness for a year to come."
-
-"Heavens! how can I bear it?" she cried, tossing restlessly to the other
-side of her wide bed; "it is all so new, so raw, so crude, so
-terrible,--just like this cotton sheet, which has chafed my chin so
-badly that I would rather have slept without one."
-
-Soon a loud bell broke the silence of the morning. Millicent did not
-heed it, but looked about the room to find a means of summoning
-assistance. Happily she found the bell quite near her, and, after twice
-ringing, a tap at her door was heard. In answer to her "Come in," Ah
-Lam opened the door cautiously.
-
-"Missie call Ah Lam?"
-
-"I want my breakfast now," said Millicent, somewhat dismayed at the
-attendant she had summoned.
-
-Soon Barbara came, carrying the breakfast tray in her strong arms.
-
-"I am so sorry you don't feel well this morning, Millicent. What can I
-do for you?"
-
-"But I feel perfectly well. Do I look so badly?"
-
-"No, dear; but we were afraid, not seeing you--"
-
-"Dear Barbara, you must excuse my strange foreign habits. You know I
-have been only a week in your country. I did not realize that you all
-came downstairs to breakfast. What time is it?"
-
-"After seven."
-
-"And you have been up since--?"
-
-"Since six o'clock only. Hal is the early riser. Half-past four sees
-him overlooking the milking."
-
-Millicent shuddered; she had indeed come to a strange land.
-
-"I will try to learn the customs of your country," she said rather
-piteously, taking up her cup of coffee.
-
-"Only learn those that please you, dear. As for our early breakfast,
-which I see shocks you, think no more about it. I will gladly bring it
-up to you every day."
-
-"I shall unpack some of my boxes this morning, Barbara; and later we
-will try some of your duets, if you like."
-
-The unpacking of her Penates gave Millicent a certain satisfaction,
-which was, however, tempered by the sad recollections they brought to
-her mind, of her own apartment with its three pretty rooms in the corner
-of the great Palazzo Fortunio.
-
-Millicent Almsford was the daughter of an American gentleman who had
-lived in Venice since before the birth of his daughter. Here the
-greater portion of her life had been spent, with the interruption only
-of one long visit made to a relative in England.
-
-A month previous to the opening of our story her father, widowed at her
-birth, had married for the third time, his wife being a young and
-uninteresting Italian woman of the middle class. The marriage, to which
-Millicent was strongly opposed, had led her to accept the invitation of
-her half-brother to make him an extended visit in his California home.
-
-From the great cases she lifted, with the help of Ah Lam, the household
-treasures which she had been unwilling to leave behind, in the home
-which knew her as its mistress no longer. A motley collection of
-articles had the great trunks enclosed: pictures, books, a large Eastern
-carpet, a parchment missal of the fifteenth century with beautiful
-illuminations, a guitar, a little majolica shrine with a figure of San
-Antonio very much the worse for the journey, a set of delicately wrought
-silken window and bed hangings of pale sea color, a pair of heavy silver
-candelabra, with a ponderous packet of wax tapers, and innumerable other
-knick-knacks.
-
-With the willing and ingenious assistance of Ah Lam, this _roba_, to
-borrow the untranslatable Italian phrase, was disposed about the large
-room. The neat Nottingham lace curtains, at which Millicent had looked
-askance, were now hidden beneath the blue-green draperies, embroidered
-by the hands of the mother whose face she had never seen. The pictures
-were hung upon the walls, and a deep-hued Egyptian scarf disguised the
-pasteboard motto, with its friendly welcome. A book-case was improvised
-by the Chinaman from some old boxes, and covered by Millicent, who
-unhesitatingly cut to pieces a heavy woollen gown whose color struck her
-as appropriate to that end. Beside the bed she hung the little shrine
-of San Antonio, with much grief that the long journey had damaged his
-saintly toes and fingers. On a table were ranged the candlesticks and
-the missal, and an old copy of Dante with a mouse-gnawed cover, and
-Lear's "Nonsense Book,"--this last because it was an old friend from
-childhood, which she, being a creature of habit, had forgotten to
-discard.
-
-The complete metamorphosis of the apartment was a work of several days;
-and only when it was entirely accomplished were Mrs. Deering and her
-daughter admitted to see the change. Poor Barbara! All the pains and
-trouble she had taken, all the careful stitches she had set, were
-unavailing. The new carpet she had bought with her own pocket money was
-entirely covered by old rugs, some of which were very faded and worn;
-none of them were as bright and clean as the Kidderminster.
-
-The warm knitted afghan had disappeared from the bed, which was covered
-by a white quilt embroidered in strange floral designs. The very toilet
-set had been replaced, and the pretty painted candles had been banished.
-
-"I have made it a little like Venice," cried Millicent excitedly, "only
-the walls in my bedroom there are hung in silk and all painted in
-water-color, and the rooms are so high,--you remember the green room in
-the Palazzo Fortunio, Mrs. Deering, with the nymphs, the sea gods, and
-the green hobgoblins painted all over it?"
-
-"Yes, indeed, Millicent. What a change you have wrought in the spare
-bedroom. Ralph would hardly recognize it. I see now what was contained
-in the boxes which so aroused Hal's curiosity. I am afraid you have
-made your room too attractive, dear, and that we shall find difficulty
-in coaxing you out of it into our more prosaic apartments."
-
-"Oh, I always live the greater part of my life between my own four
-walls: I am not a sociable person, I am afraid. At least so Barbara
-thinks."
-
-Barbara said nothing; she was hurt and disappointed. The room, with its
-strange furnishing, was unnatural to her. She felt, as she looked at
-Millicent with this new setting which suited her so perfectly, that
-neither in the room nor in the life of Millicent Almsford was there a
-place for her. She had eagerly anticipated the advent of this unknown
-girl, sisterless like herself, who should grow to be so much to her, and
-in whom she should find the sympathetic friend of whom she had greatly
-felt the need; and now that she had come, Barbara was bitterly
-disappointed. Millicent was gracious, winning, full of attractive
-qualities, intellectually sympathetic to a degree which she had never
-before known. And yet the tall daughter of the Ranch was cruelly
-disturbed.
-
-"I can be nothing to her; she is complete without me," she had said to
-her mother; and herein lay the reason for all her disappointment. Living
-among people to whom her beauty, her talent, and her warmth of heart had
-been the most poetic features of their lives, Barbara Deering had grown
-to value men and women according to the amount of good or pleasure she
-could impart to them. Her life had been one wherein the tears and sighs
-had been stifled, or hidden in the darkness of her chamber; the laughter
-and smiles, the bright cheery face, the helping hand always meeting
-those about her. Children loved her, and old people blessed her for her
-sympathy and kindness. To her mother and brother she was sun, moon, and
-stars; and to them every hour of her life was consecrated. Naturally
-endowed with certain tastes which would have somewhat interfered with
-the quiet plan of life laid out for her, she had systematically
-neglected these gifts, sacrificing herself to an imaginary duty which
-was always before her eyes. She had avoided such pursuits as might have
-led her aside from the common life of the family; and happiness for her
-was found in the happiness she could afford to others. Enjoyment to
-her, unless her dear ones were included in it, was something like a sin;
-and the pleasure she took in her music gave her pangs of conscience.
-
-One morning, about a week after her arrival, Millicent was awakened by
-the sharp sound of a horse's hoofs clattering down the stony road which
-led to the orchard from the hill behind the house. She sprang up, and
-throwing wide the shutters, looked out to see whence the sound came. It
-was still very early. The sun had not yet clambered over the tops of
-the high hills; but the sky was bright, and the shadows lay like a misty
-garment over the happy valley, locked in its circle of hills. The great
-bull Jupiter, the terror of the Ranch, stood near the house, sniffing
-the cool morning air, and giving thunderous snorts of pleasure. The
-bars had been left down, and he had gained access to the green orchard,
-forbidden ground to him. The hedge of roses was hung with a wondrous
-garlanding of dewdrops, and the dark-red lilies were just awakening to
-the draught which the night winds had distilled in their chalices. From
-every blade of grass and leaf of clover sparkled a diamond. The fair
-valley had arrayed itself in jewels and fragance for another day of
-light and love.
-
-The sound of the horse's hoofs grew nearer; and as Millicent looked
-expectantly along the bridle-path that descends from the mountain, there
-came into sight, parting the wet boughs of the fruit trees, a horseman
-mounted on a gray mustang. The rider was a strong man, who sat his
-steed with the air of one to the manner born. He was dressed in corduroy
-breeches, high top-boots, and flannel shirt. He had no hat. In his
-belt shone a long hunting knife, and over his shoulder was slung a
-rifle. Before him on the saddle lay a stag whose heavy antlers hardly
-cleared the ground.
-
-The first rays of the sun, just peeping over the hill-tops, touched his
-thick brown hair, giving it a glint of bronze, shone on the wide white
-forehead, flashed into the eyes, and showed her for an instant a stern
-profile, exceedingly beautiful. Then she lost his face as he turned the
-corner of the piazza. Here he dismounted, and lifting the deer from the
-horse laid it on the grass. Perhaps the beauty of the dead creature
-struck a chord of remorse in the breast of the hunter, for he gave a
-sigh and turned it so that a gaping wound in the neck was not visible.
-Then drawing a pencil and a bit of paper from his pocket, he wrote
-something, and fastening the billet to the horns of the deer, he mounted
-his horse, and giving him the rein returned slowly by the same road. As
-he drew near again Millicent saw that the mustache which hid the upper
-lip was golden-brown, that the throat was white and shapely, that the
-mouth smiled not untenderly, while the eyes smiled not at all. These
-details were noted with an artist's love of beauty: and as she watched
-him out of sight, she wondered with all a woman's curiosity who he might
-be.
-
-Since Millicent's arrival there had been many visitors at the Ranch.
-All the friends of the Deering family who were within calling distance
-had either come to make the acquaintance of Miss Almsford, or had
-signified their intention of shortly doing so.
-
-Calling distance in California may be said to extend not over fifty
-miles. The neighbor who lives half a hundred miles from you will make a
-call, or in other words will come to pass the day. Calling terms cease
-beyond these limits, and visits of not less than twenty-four hours are
-exchanged.
-
-In none of the people whom she had met had Millicent felt or manifested
-the least interest. She had received them graciously, but with a
-cordiality of manner only. Not one man or woman among the circle of
-friends who were on familiar terms at the Ranch awoke in her a desire
-for further acquaintance. But this one who had called at six o'clock in
-the morning, and had left his visiting card pinned to the antlers of a
-stag, piqued the curiosity of the indifferent young lady. Wrapping
-herself in a soft gray woollen dressing-gown, she ran downstairs in the
-liveliest manner.
-
-It was a splendid animal, fine as the buck described by Browning in
-"Donald." Alas, the slender legs would carry his noble body and stately
-head no further; the branching horns would never again clash against the
-antlers of a rival. Millicent touched the beautiful dead creature
-tenderly between the horns, and tried to close the dim eyes. At that
-moment she heard a step upon the piazza, and Hal Deering joined her.
-
-"Why, Miss Almsford, what does this mean? You to be up and dressed"--he
-hesitated, "well, yes, you are dressed, and very becomingly too; I like
-that loose gown--at six in the morning! sighing over the fine piece of
-venison, and performing the last kind offices of friendship too. Don't
-believe you would do as much for me."
-
-The young man looked at the deer approvingly, and perceiving the note,
-took it from the antler and deliberately read it aloud:--
-
-
-HONORED MISTRESS DEERING,--I lay myself at your feet, and with myself a
-pretty bit of game I have just killed, thinking that the fair Venetian
-might fancy a venison steak for her breakfast. I kiss your hand, dear my
-lady, and am your most unworthy but loyal servitor,
-
-JOHN GRAHAM.
-
-
-"Of course, knew it was Graham, queer creature. Wonder why he did not
-stop and take breakfast with us. He is an unaccountable fellow."
-
-"What did you call him?"
-
-"Graham; his full name is John Douglass Graham. Just like a hero's in a
-novel. But Graham never does anything very heroic, I fancy."
-
-"Shall you cut off his skin?"
-
-"Whose? Graham's?"
-
-"How foolish, Mr. Deering. I mean the deer's fur."
-
-"Oh no, certainly not; in America we always serve game with the hide or
-feathers. In fact, we usually do not remove the wool from our mutton;
-but knowing that you were accustomed to seeing it dressed after the
-super-civilized fashion of the Venetians, I have--"
-
-"Mr. Deering, that is stupid. I want his skin and horns; please arrange
-them for me."
-
-"Yes, Princess; your most humble servant will obey your mandate."
-
-He seized the creature by its slender legs, hoisted it deftly to his
-shoulders, and disappeared through the side door. Millicent picked up
-the bit of a note, smoothed it, and laid it at Mrs. Deering's plate on
-the breakfast table.
-
-Millicent asked Barbara later on in the day who and what John Graham
-might be. She was told that the man with the bronze hair and strange
-eyes was a near neighbor, and that she would without doubt soon make his
-acquaintance.
-
-With this answer Millicent was fain to be content. She thought about
-him all that day and dreamed of him that night; the next morning his
-face was not so distinctly in her mind, but her thoughts were constantly
-busy with weaving romances in which John Graham played a conspicuous
-part. The girl was indeed a creature "of the stuff which dreams are
-made of;" the web of her daily life, no matter how common-place its
-actual experience might be, was rich with her own vivid imaginings, like
-the gold thread that a weaver twists through a sad-colored fabric.
-
-"Mr. Deering, take me to the dairy. I have not yet seen it," said
-Millicent one afternoon, as they all sat together on the wide piazza,
-after the early dinner. The young man rose slowly, his great length
-unfolding itself as he left his chair; and for answer put down his pipe
-and reached up for Millicent's hat, which he had hung on a peg high
-above her reach. The two young people passed down the gravel walk
-between the broad flower beds fragrant with the wonderful roses which
-grow only upon the shores of the Pacific. A geranium tree twelve feet
-high, with its great scarlet bunches, and the vine of Marechal roses
-which climbed up the piazza and tapped with its heavy blossoms at her
-casement, aroused Millicent's enthusiasm.
-
-The dairy, Hal told her, was fully thirty years old. But her own palace
-had frowned grim and black upon the Grand Canal before the passengers on
-the good ship "Mayflower" had landed in Plymouth. The dairy was a
-plain, neat frame-building painted white, looking out upon a great
-farm-yard. Here the pretty cows all stood crowded together, waiting
-their turn to offer up their evening tribute. Two black-browed Mexicans
-were milking, and a tall Yankee was overseeing the straining of the
-milk. He stood by a large trough and received the brimming buckets from
-the milkers, pouring their contents through a strainer into the great
-receptacle. In the midst of the herd lay Jupiter, the splendid bull,
-lazily chewing his cud and switching away the sand flies with his thick
-black tail.
-
-In a cool inner room were long shelves ranged about the brick walls,
-whereon stood a shining array of pans filled with milk in different
-stages. Millicent was one of those people who are always stimulated with
-a desire to accomplish whatever other people are engaged in doing. She
-now announced her intention of learning to milk. This suggestion was
-promptly vetoed by Hal, who, to divert her attention, called to one of
-the men to bring him the skimming utensils. He placed a large stone jar
-beneath the shelf, and taking one of the milk pans which was covered
-with a rich coating of yellow cream, proceeded to skim it. His only
-tool was a little wooden wand, resembling a sculptor's modelling stick.
-With this he separated the yellow disk of cream from the sides of the
-pan, tipping it slightly so that the whole mass of cream slipped off
-unbroken, leaving the pale-blue skimmed milk in the vessel. Millicent
-was delighted with the operation which Hal accomplished with such skill,
-and after many unsuccessful attempts finally performed the feat in a
-manner very creditable to a beginner.
-
-"If you will find your way back to the house, Princess, I will help the
-men to finish the milking," said young Deering, when Millicent had
-announced her intention of returning.
-
-She nodded her assent, and walking a few steps stopped and leaned over
-the gate of the farm-yard. Presently Deering came out from the dairy,
-having donned his rough overalls and jersey, and, placing himself on a
-three-legged stool, proceeded to milk a tall white cow. Millicent looked
-at him musingly for a few minutes, and then took her way down the path
-which led to the house. It was but a short distance, and lay within
-sight of both farm and dwelling-house, and yet she was somewhat
-astonished at the young man's allowing her to return alone. To see him
-milking, too, at work with the common laborers, had greatly perplexed
-her. She cast a glance over her shoulder to reassure herself that it
-was really Hal's hatless head which was bending forward, almost touching
-the side of the white cow. "And yet he is a gentleman," she said aloud;
-and, remembering the white hands of her papa and the gentlemen whom she
-had known in the Old World, was reminded of the truth, which when it is
-spoken seems a truism, and yet which is often lost sight of, that the
-proof of gentlehood lies neither in the skin of the body, nor its
-raiment.
-
- Neither goodly clothes nor skin
- Show the gentleman within.
-
-
-
-
- CHAPTER III.
-
- "And to watch you sink by the fireside now
- Back again, as you mutely sit
- Musing by fire-light, that great brow
- And the spirit-small hand propping it."
-
-
-John Douglass Graham, by birth American, by descent Scottish, by
-profession painter, sat looking out from his tower window. It was too
-dark to paint, and not yet late enough for him to light his study lamp
-and begin his evening work; so he sat idle, a rare thing for him.
-Before his window there stretched a fair landscape; and a man, a painter
-above other men, might well be forgiven an hour's idleness in such a
-place. The sun's last rays made the little copse look more golden and
-dreamy than did the stronger morning light. The still pool with its
-warm reflection of sky and trees, the mysterious dark wood beyond, all
-shadowy and full of dreams, made a picture which his hand never wearied
-of reproducing. On his easel stood a canvas which bore a reflection of
-the scene on which he was looking, painted in a strong, masterly manner,
-but not yet completed. "Ah, Heavens! no wonder that men love to paint
-in cities, with nothing of nature's beauty before them to shame their
-work. If I dwelt face to face with a brick wall and saw no motion save
-that of horse-cars and over-laden dray horses I might be more satisfied
-with what I accomplish. This picture might then seem beautiful to me.
-It is a different thing to look into the face of the great model and
-then at one's work. Only the strongest of us can do that, only our
-Dupres and Rousseaus. Shall I ever feel that I can even dimly picture
-this one view? Can I ever send my testimony of beauty to the world?
-Can I say the one word of truth which was given me to speak?"
-
-Graham spoke to the four walls to which most of his conversation was
-addressed. The only sympathy he ever received in his bursts of
-enthusiasm or despair was from a portrait which hung where the first
-rays of light fell upon it in the morning. It was the portrait of a
-woman neither young nor beautiful with the beauty of youth. A tender,
-sad face, with those heavy lines at the mouth and nose which tell of
-grief and long weeping. The gray hair was smoothly brushed from the
-forehead, and the whole mien and costume showed that dignity of age so
-rarely seen in these days when grandmothers dress in rainbow-hued
-garments fit for their grandchildren, curl and frizzle their locks after
-the mode worn by the reigning beauty of the time, and in every possible
-way simulate a youth whose charm they have not, thus losing the real
-grace which belongs to their age. Before his mother's portrait the
-artist always kept fresh flowers, and to that dear and noble face his
-eyes were turned in a mute appeal for sympathy many times during the
-long solitary day.
-
-The fires in the western sky burned low and finally faded out before
-Graham rose from his seat near the window and touched his lamp into
-flame. The searching light of the large astral revealed clearly the
-interior of the apartment in which the artist lived and worked. It was
-a square, high room, not very large, with a miscellaneous furnishing.
-One corner, half hidden by a large canvas, was devoted to his narrow
-wooden bed and dressing-table. Near a large casement stood his easel
-with palette and brushes. On the walls hung a pair of foils and masks
-and some boxing gloves. These, and a pair of Indian clubs in the
-corner, proved that the occupant of the tower was not careless of
-developing the splendid muscles with which he was endowed. Near the
-doorway hung a string of curious Japanese _netshukes_,--masks, monkeys,
-bears, men, women, and fruit, carefully carved in wood or ivory by the
-greatest artificers the world knows to-day. The walls were covered with
-pictures and sketches; the large table littered with books and tubes of
-paint. A group of deer antlers served as clothes-pegs, and the floor
-was strewn with the skins of these and many other animals. A quaint
-apartment, in which no attempts at the picturesque had been made, which
-the careless grouping together of many objects had nevertheless
-attained.
-
-John Graham had reclaimed the old tower from utter desolation two years
-before, when he took up his residence in the ruins of the Spanish
-Mission. The adobe building had fallen to decay, a thick cloak of ivy
-and flowering vines mercifully hiding from the light of day the desolate
-ruin of what had been the religious centre of the country of San
-Rosario. The church walls had fallen to the ground; but the reredos and
-deserted altar stood swept by the winds of heaven, and decked with
-climbing roses and clinging ferns. The tower, which had been built very
-substantially, and with a view to defence in case of danger, still stood
-stanch, gray and weather-beaten. A flight of steep wooden stairs
-leading from what had been the vestibule of the church gave access to
-the room.
-
-The tower stood within the limits of the San Rosario Ranch, the property
-of Mr. Ralph Almsford, which included twenty square miles of wooded
-country and arable land.
-
-When Graham had asked permission to establish himself in the old tower,
-Mr. Almsford had readily granted the request, thinking, however, that he
-would weary of the solitary life in a few weeks. Two years had now
-passed, and the artist still inhabited his little eyrie, whose
-possession he disputed with the night owls which had been wont to sit
-blinking in the tower through the long hours of daylight. The place was
-five miles distant from the Deering house, and Graham's only neighbor
-was an old wood-cutter who lived in a cabin hard by, and who went by the
-name of French John. He prepared the artist's meals and took charge of
-his room. French John was a strange, silent old creature, whose life had
-been a varied one. He had served in the French army first as a soldier,
-then as an officer's servant. His reminiscences, when he could be
-induced to tell them, were full of interest. He had been in Paris in
-'48; his hands had helped to tear up the pavement to make the blockades
-and barriers. He had served in Algiers, whence he had come to America,
-and gone as a private to the war of the Southern Rebellion. He had
-finally drifted out to the San Rosario Ranch, where he would in all
-probability pass the remainder of his days. For some reason he had
-received no pension from either of the governments for the support of
-which he had shed his blood. In his old age this stranded bit of
-humanity was forced to support himself by the hard labor of a
-wood-cutter. His little cabin was built behind the altar, where the Lady
-Chapel had once stood, sheltered from the winds by the high screen of
-the reredos.
-
-It was to the humble dwelling of French John that Graham proceeded after
-having made a toilet with unusual care. The door of the little log hut
-was ajar; and as he approached, the interior was entirely visible,
-revealed by the uncertain light of the wood-fire. The old man was
-stooping over the blaze with a saucepan in his hand, the contents of
-which he was vigorously stirring. Three cats of preternaturally grave
-aspect sat nearby, intently watching the culinary preparations. A mangy
-old hunting dog lay snoring in the corner, gray and scarred as his
-master. A battered fowling-piece and a greasy game-bag were flung on
-the wooden bench which served as table and chair to the occupant of the
-humble dwelling. The young man paused a moment on the threshold and
-sighed. The unkempt little cot with its lonely owner only differed in
-degree from his own tower, from himself. He had not even the
-companionship of the dumb beasts. When he should grow as old and
-battered as the wrinkled wood-cutter, would he be dependent for sympathy
-on a purring cat, or an old dog? Presently he spoke, but it was in a
-loud, cheery voice which in nowise indicated the sombre thought which
-had just suggested itself to his mind.
-
-"Good-evening, John. What luck did you have to-day?"
-
-"Four quail and two rabbits," replied the old man laconically, without
-returning the greeting of his visitor.
-
-"And what have you in that old iron pot of yours? Something very good,
-I warrant."
-
-"Stewed quail with bacon."
-
-"Well, you must eat it yourself, for I do not want any supper to-night;
-I am going up to the house to pass the evening. Here is a package of
-tobacco for you. I shall be ready at the usual time for my breakfast."
-
-The old man nodded his thanks for the present; and Graham left the hut,
-and proceeded to the spot where his horse was tethered. He saddled and
-mounted the mustang, and rode swiftly down the narrow path. Old John
-watched from his doorway the movements of the young man, and when he had
-disappeared, sat down to his solitary meal. The brief glimpses of
-Graham and his many kindly acts were the only human influences which
-touched the life of poor old French John. His dealings with Hal Deering
-were rare; once in a month the young man visited his cot, overlooked the
-work he had been engaged upon, and paid him his wages. For the
-occasional gifts of tobacco and wine, the chance newspaper from Paris,
-which were the only events of importance in the dull routine of his
-life, he was indebted to Graham. He gave no expression to his
-gratitude, and would have been sorely puzzled to do so. But the artist
-was none the less aware of it; and some portion of the packages which
-occasionally came to the tower from San Francisco never failed to find
-their way to the hut of the wood-cutter.
-
-As Graham rode up the gravel path which led to the house, he caught a
-glimpse of a tall, slender figure swaying out from the gloom of the
-piazza. A white, bare arm was stretched upward to pluck a bunch of
-roses from a vine twisted about the porch. Thus much he saw and nothing
-more, as he fastened his horse and mounted to the piazza, which had
-suddenly become tenantless. The house door stood hospitably open, and
-the young man entered the hall and passed into the library. The soft
-candle-light showed him the room and its one occupant, the woman whom he
-had seen dimly amid the climbing roses an instant before. Evidently she
-had not known that the hoof-beats on the road were bringing a guest; for
-she was kneeling upon the hearth, her graceful shoulders bent, her
-strong white arms steadily working a pair of bellows. The total
-depravity of inanimate things is never more clearly seen than in the
-case of a wood-fire that refuses to burn. The girl, after several
-unavailing efforts to rouse a flame from the smouldering mass of embers,
-deliberately took the fire to pieces and rebuilt it after another
-fashion, putting a handful of pine cones atop of the logs, and setting
-them alight with a roll of paper. At last she succeeded in starting the
-blaze, and, stretching her graceful length upon the deerskin rug, she
-rested her elbows on the low bench before the fender, and lay quite
-silent, her face supported by her hands, her dark eyes looking into the
-fire.
-
-John Graham, who had watched from the doorway every movement of the
-unconscious young woman with the pleasure of an artist in all things
-which are graceful and beautiful, still stood silent, giving no sign of
-his presence. The warm, pleasant interior, with its comfortable easy
-chairs and sofas, its open piano, near which stood a work-basket, its
-shelves of books and vases of flowers, bore all the infallible
-indications which mark the inmost shrine of domestic life. This was a
-room where the members of the household lived. Here was a home, the
-centre of affection and hospitality. The shadow of the lonely old man
-and his desolate dwelling rose for a moment before his eyes, and at that
-thought he stepped forward as if irresistibly drawn toward the cheerful
-hearth and the graceful woman whose eyes were lighted by the dancing
-flames. There was a tender look about his mouth, usually so stern in
-expression, as he came forward into the firelight with an expectant
-countenance, as if he were about to meet an old friend. Hearing the
-footsteps, the girl without turning her head said,--
-
-"Well, Barbara, here you see me, making myself comfortable on Graham's
-deerskin. It has just come home; is it not a beauty?"
-
-Receiving no answer, Miss Millicent Almsford turned her face so that her
-eyes fell upon John Graham standing near her, with a smile on his lips,
-a flush on his cheek. Was it the sudden leaping of the fire from the
-heart of the great apple log, John Graham asked himself, or was it the
-shining of a flame from within that lighted Millicent's face with a
-strange radiance at the instant when her eyes met his own? For an
-instant, a space of time too short to be counted by seconds, for
-something less than one quickened heartbeat, they looked at each other,
-these two, the woman with his name still on her lips, the man drawn
-toward the warm fireside by an uncontrollable desire to take his place
-in the picture, to remain no longer an outsider, a looker-on. One
-instant, and then habit, ceremony, the second nature of both, asserted
-itself, and each shrank back from that too intimate glance; the girl
-rising slowly to her feet, the man making a ceremonious bow.
-
-"I beg your pardon for disturbing you, Miss Almsford; but I found the
-door open, and I am allowed the privilege of making myself at home at
-San Rosario. As there is no one here to introduce me, will you allow me
-to name myself as your most humble servitor, John Graham? I am vain
-enough to hope that my name is not quite unknown to you. Hal has
-perhaps spoken of me."
-
-"Indeed, yes, they have all mentioned you frequently. Mrs. Deering and
-Barbara have not yet returned from the station. When you came in I
-thought they had returned. I think the train must be late; they drove
-down to meet a friend. Will you not be seated, Mr. Graham?"
-
-Millicent had by this time quite recovered her equanimity, somewhat
-shaken by the sudden appearance of the man who had lived so persistently
-in her thoughts for the past fortnight. She seated herself near the
-fire, motioning Graham to a chair on the other side.
-
-"I suppose that this fire quite shocks you? Mr. Deering cannot bear to
-sit in the same room with it; but I have suffered so much from the
-change of climate that I am allowed to have this little blaze every
-evening. Do you see this pretty rug? It only came home to-day. Mr.
-Deering had it dressed for me. It is from the deer which you brought
-here one morning,--a beautiful, soft piece of fur."
-
-"Yes, it is well arranged too. Did I understand you, Miss Almsford, to
-say that Miss Deering had gone to meet some visitors?"
-
-"Yes, but you need not mind,"--her quick ear had caught the shade of
-annoyance in his voice,--"it is only poor Ferrara."
-
-"Poor Ferrara? Ah, I see you have already guessed his secret."
-
-"Who could help it when it was so very evident? Do you think Barbara
-will ever say yes?"
-
-"I cannot tell. I sometimes hope so, but she is over-fastidious."
-
-"Fastidious? Is that the term to use? Surely you would not have her
-marry him unless she loved him? To a woman like Barbara such a fate
-would be intolerable."
-
-"I do not quite agree with you. You know that self-sacrifice is Miss
-Deering's greatest idea of happiness."
-
-"I cannot comprehend it; truly I think I do not understand Barbara,
-though I do appreciate her and admire her. They have been expecting a
-visit from you for some time. Mr. Deering said he should ride over to
-your tower and look you up to-morrow."
-
-"I have been very much occupied of late, or I should have paid my
-respects to you before this time. If you have heard anything about me,
-you must have heard that I am an undependable person, and never do the
-things which people expect of me. Besides, I am a hard-working
-creature, and not of the butterfly genus of man like our good Ferrara.
-Tell me a little how this new country strikes you. What a change it
-must be, this sudden transplantation from Venice to California!"
-
-"I have suffered terribly. Ah! Mr. Graham, you who have known my
-Venice can feel for me. None of them here can understand it. I feel
-like a plant which has been torn suddenly from a garden beautiful with
-flowers and sunshine, gentle showers and happy birds, and placed with
-its roots all torn and bleeding on a barren mountain-side, with no
-flowers near it, only sturdy, useful herbs, which neither shrivel in the
-terrible sun, nor wither in the keen mountain winds. But _I_ fade and
-die. There is no room for me in this great New World, where all are so
-busy and have so much work to do. The few beauties which they have,
-their blue skies and grand hills, they neither understand nor love.
-They have no time to look back into the glorious past with its memories;
-they know not how to seize the present with its actualities; they live
-and toil ever for the future, which they will not live to see. I have
-nought in common with them. I belong to the land of my birth, where the
-present is beautiful with the splendors of the past. What are my books,
-my studies, to these people? Nothing. They tolerate my eccentricity;
-they listen patronizingly to the tales of what has been; but they bemoan
-my wasted time, and would fain teach me to throw away my embroidery
-needle and learn to use their horrible sewing-machines. My music is my
-saving grace, but they approve of it more than they enjoy it."
-
-Millicent spoke rapidly and with shining eyes. She had at last found a
-soul which, if not kindred to her own, was at least capable of an
-intelligent sympathy.
-
-"It is not strange that you should feel as you do; and, believe me, I
-can sympathize with you; and yet, do not be hurt if I tell you that this
-very transplanting is the thing which you needed. Do you know how the
-finest peaches are produced? To borrow another simile from nature, it is
-by taking a slip from an old tree and grafting it to the sturdy trunk of
-a young fruit tree, that the most perfect fruit is obtained. Be not
-afraid; the wound will heal; and the strong, vigorous sap of the young
-tree will make the blossom, which now droops, bloom as a rare fruit."
-
-"I do not want it. I do not belong here. I have no part, no sympathy
-with it," she said rebelliously. "I hate it, this land, where you all
-strive for money, not for art, and where fame is measured out with
-ingots for weights."
-
-"When I was in Venice," said Graham, "there was with me a fellow artist,
-a student like myself. We took our first trip through the Grand Canal
-together. I remember his first criticism. Shall I tell it to you? It
-was this: 'How terrible to see cabbage leaves floating on the Grand
-Canal!' It was the feature which first struck him. For years after he
-lived in the wonderful city, loving it better, painting it more truly,
-day by day. He has long since forgotten the cabbage leaves which at
-first annoyed his nice English taste. Believe me, you will find, above
-and beneath the things which now jar and shock your nerves, much that is
-grand in this country which you will one day be proud to call your own."
-
-"Never, never!" she cried impetuously.
-
-At this moment voices sounded in the hall, and several persons entered
-the library. These were Barbara and her mother, Hal Deering, and a
-short gentleman with a very large round head, on which the coarse black
-hair, closely cropped, stood straight in air, like the hobbed mane of a
-Mexican pony. His piercing black eyes were set too close to the
-well-shaped aquiline nose; and the black mustache curled fiercely from
-the upper lip, revealing a good mouth set with strong white teeth. His
-forehead was deeply seared with lines which betokened frequent frowns,
-but the wrinkles about the mouth looked as if it might be in the habit
-of laughing constantly. A good olive complexion made the face not
-ill-looking, while the small, well-modelled hands and feet redeemed the
-rather unwieldy little body from absolute ugliness. On seeing Graham,
-the new-comer frowned fiercely and twisted his mustache upward in an
-irritated manner. When the artist stepped forward so that the light
-from the lamp fell on his face, the irate expression died from the
-countenance of the little gentleman; and, with a fat, good-natured
-laugh, he shook him warmly by the hand, turning his mustachios downward
-so that they resembled drooping commas. This act altered the expression
-of his countenance to an extraordinary degree, half its ferocity having
-disappeared with the tight upward twist of the mustache.
-
-By some coincidence or providence this had been a red-letter day in the
-lives of several in the party. The morning mail had brought young
-Deering the welcome news that his favorite pair of oxen had taken a
-prize at a cattle-show the day before. The gentle mother had received a
-letter by the same mail from her wandering son-in-law, Ralph Almsford,
-full of affection and promising a speedy return to the Ranch. Ferrara
-was greatly elated by Barbara's having driven down to the station to
-meet him; and Millicent seemed, for the first time since her arrival at
-the Ranch, to be thoroughly alive and awake. Her pale cheek was softly
-flushed, the color shining through the luminous skin like the fire of an
-opal seen beneath its milky veil. Her eyes, usually deep and earnest,
-but without great animation, were lit by a flame which was not reflected
-from the firelight. Barbara was happy because those about her were so.
-Her musical little laugh was not mechanical to-night; she was really in
-good spirits and in no need of feigning them. Graham's rather frozen
-existence seemed to be melted by the genial company; and the evening
-passed by with that lightning rapidity unknown in social gatherings, no
-matter how magnificently they be appointed, where the spirit of
-cordiality and good-fellowship is lacking. Music was not wanting to
-complete the jollity. Ferrara sang some delightful Spanish songs with
-more animation than voice; and, to the astonishment of the company,
-Millicent, who until that moment had not sung a note, at Graham's
-request seated herself at the piano, and sang, with a voice of rare
-beauty and power, ballads tender and war-songs gay, old Italian music of
-masters long forgotten.
-
-"Sweet Mistress Deering, will you not give us some music?" asked Graham,
-as Millicent left the piano.
-
-"After such singing as Millicent's and Mr. Ferrara's, my little thread
-of a voice could hardly be heard, Graham."
-
-"Play for us then, my lady. Miss Barbara, are you not in the mood for a
-dance?"
-
-"Of course she is," said Hal, "and so is Ferrara. Come, Princess, I
-will give you your first lesson in the American waltz."
-
-The young men rolled back the huge rugs, leaving the hard-wood floor
-exposed. Mrs. Deering placed herself at the piano and struck up a
-little old-fashioned waltz which she had learned in her youth, and
-Millicent was whirled off her feet by her energetic partner. Not till
-she had danced twice with Deering and Ferrara, did Graham claim her hand
-for a waltz; and not till Mrs. Deering struck the last chords of the
-music did he loose her waist from his circling arm. Then a stroll on the
-piazza was proposed, and it was not till the last stroke of twelve
-warned them that the new day had begun that the party broke up. Barbara
-and Millicent stood together watching for Hal, who had gone to fetch
-Graham's horse, when the artist joined them on the piazza and bade them
-good-night. Millicent, with her foreign breeding, never had conformed
-to the American habit of hand-shaking, but when Graham wished her
-good-night she instinctively and unconsciously gave him her hand. He
-held it possibly a half second longer than was necessary, and then
-sprang on his horse. As he rode down the dark path, he turned in his
-saddle and took a last look at the house. Barbara had gone indoors; one
-figure alone stood beneath the rose-vine with bare white arms, the
-figure he had seen on his arrival earlier in the evening.
-
-"Good-night to you," he cried. The deep, musical tones were answered by
-a farewell greeting from the girl who stood there alone in the night
-watching his retreating form.
-
-
-
-
- CHAPTER IV.
-
- "Then, in the boyhood of the year,
- Sir Launcelot and Queen Guinevere
- Rode through the coverts of the deer
- With blissful treble ringing clear;
- She seemed a part of joyous Spring."
-
-
-Though the greater part of his time was spent in the old tower, John
-Graham was well known in San Francisco. His studio, at the top of a
-tall apartment-house in one of the unfrequented thoroughfares of the
-city, was familiar to most of its aspirants to artistic fame. In this
-large bare room, with its strong north light, there assembled every
-morning a dozen young men who were busily engaged in cast drawing and
-model painting. To the instruction of these youths two days of the week
-were devoted by the artist, whose only recompense was in the gratitude
-of his scholars. One morning not long after his meeting with Miss
-Almsford, John Graham might have been seen carefully examining his
-pupils' work, giving a word of advice here, a criticism there, and a
-hearty encouragement to all. On his return from Paris he had opened his
-studio to all those who were desirous of studying art. The first year
-he had had but three students; at the end of the second year the number
-had quadrupled. On the morning in question Graham had arrived with a
-new model,--a rough-looking fellow whom he had met in the street, and
-induced to accompany him to the studio. On a platform at the end of the
-room stood the stalwart model; while the artist, standing beside him,
-gave an off-hand lecture on anatomy, the students sketched the man or
-took notes of what their master was saying. It was not Graham's habit
-to do any work at the studio; but this morning, after he had finished
-his discourse, he placed himself at a vacant easel, and with a strong,
-bold hand made a free drawing of the superbly modelled figure. As he
-worked he forgot his class, his lecture, everything but the canvas
-before him and the subject he was studying. As the sketch grew beneath
-his hand the scholars one by one forsook their work, and stood watching
-him silently. The perfect confidence with which he worked--never
-hesitating, never altering what was already done--was fascinating to the
-younger men; and even the sculptor, Arthur Northcote, who inhabited the
-adjoining studio, stopped on his way upstairs and joined the group
-behind his chair. When the model declared himself unable longer to
-maintain the pose in which he had been placed, Graham threw down his
-brush with a sigh, saying,--
-
-"Well, Horton, you may go now if you must, but do not fail to come
-to-morrow. I have your name correctly,--Daniel Horton? Where do you
-live?"
-
-The stranger declined to give his address, and promised to come the next
-day at the appointed hour. After he had left the room the artist had
-something to say about expression, characterizing the face of the model
-as one indicative of brutal cunning and impudent daring.
-
-As Graham quitted the studio the young sculptor joined him, and they
-walked together toward the station. Northcote was a slender, delicately
-built man some years Graham's junior. His face was instinct with the
-poetry of art, but was lacking in force. By the side of Graham's
-strong, resolute countenance his delicate features appeared weak and
-effeminate. The younger man took his friend's arm, as if relying on him
-for physical as well as moral support, and said as they walked along,--
-
-"Graham, where did you pick up that model this morning?"
-
-"I found him lounging about the station. Why do you ask?"
-
-"He has such a bad face. You should be more careful about the men you
-engage to pose for you."
-
-"And why, Arthur?"
-
-"Because you lead such an unprotected life in that terrible old ruin."
-
-"What a fanciful creature you are, Northcote. As if there was anything
-to be gained in molesting a beggarly artist in an inaccessible fortress.
-You have never seen my tower, or you would not think that it would be an
-attractive spot to thieves."
-
-"Did you not hear," continued Northcote, "of that case of abduction in
-Cathgate County last week? A man was carried off by a pair of brigands,
-and kept for a week until a large sum of money was paid for his ransom."
-
-"What manner of man was he?"
-
-"The president of the county bank."
-
-"Well, my dear Arthur, when I become a bank president, or even a
-railroad treasurer, I will take better care of my worthless self. At
-present I am not a promising prize to the most sanguine kidnapper. I
-can fancy your feelings on receiving a notice that, unless five thousand
-dollars be left in the hollow of a blasted pine-tree on the high-road at
-San Rosario, a slice of my right ear would be forwarded by way of a
-reminder! When are you coming out to pass the night with me?"
-
-"When I have sold my Diana, or when Patrick Shallop gives me an order
-for a life-size statue of himself."
-
-"Come with me to-day. It will do you good to pass an afternoon in the
-woods."
-
-"Do not ask me. I will take nothing more from you, Graham,--I
-cannot,--not even a piece of bread, until--"
-
-"Well, if you are so obstinate, farewell to you. I must hurry or I shall
-miss my train."
-
-The two men shook hands the sculptor turning into a dingy restaurant,
-the artist walking rapidly in the direction of the railroad station.
-Arthur Northcote made a light repast,--for he was poorer than usual that
-day,--and soon returned to his studio, whose rental was defrayed by his
-friend's slender purse.
-
-Graham caught his train, and reached San Rosario at about three o'clock.
-He found his horse at the station, and rode toward the house. At a
-distant point he caught a glimpse of two figures on the piazza, which he
-recognized as those of Miss Almsford and Hal Deering, who were talking
-together, quite unconscious of his approach.
-
-"So you like Graham?" Henry Deering was the speaker.
-
-"Of course I like him. I told you I should, from the moment you
-described his queer tower and his solitary life to me. I always like
-people who have something to characterize them and set them apart from
-the mere dead-level rank and file of mediocrity," answered Millicent.
-
-"But may not a hermit like Graham be mediocre like everybody else?"
-
-"No, the fact of his living alone does not make him interesting; but he
-would not live alone if he were like everybody else. Ordinary people
-all herd together."
-
-"You must find all of us very ordinary people, I should think, after the
-people you have lived among,--romantic Italians and that sort?"
-
-"But Italians are by no means all interesting. The great charm about
-them is that they are usually a happy people, and that it does not take
-so much to make them contented as it does you more complex Americans."
-
-"_You_ Americans? How soon are you going to call yourself an American?
-But you do not answer my question. How can you manage to get on as well
-as you do with commonplace people like ourselves?"
-
-"_You_ are not commonplace. A man who knows how to milk cows and digs
-potatoes, who rubs down his own horse and feeds his stock, and can
-withal dance like a city beau, and keep a table full of people laughing
-from the soup to the coffee, cannot be called commonplace."
-
-"Thank you, Princess, most heartily for the compliment. I see you will
-not be pinned down by my rather personal question. Let me pay you with
-some of your own coin. I think it quite remarkable that you have so
-quickly fitted into the life here, and have accepted so quietly things
-which must be very strange to you. The difference of the way of living,
-the surroundings, the very strangeness of being waited on by these
-Chinamen, must be very uncomfortable, I fear?"
-
-"Do not suggest a word against Ah Lam; he is the most delightful servant
-I have ever seen. Our Italian domestics are like great children, who
-have to be humored and managed with the extreme of tact and care. Ah
-Lam is like nothing but one of the automata described by Bulwer in 'The
-Coming Race,' which stand motionless against the wall until roused to
-action by the vrill wand, when they promptly perform the duty in hand.
-Ah Lam is only mechanical as far as regularity goes, for he has feelings
-and deep sentiments beneath his calm exterior. Do you know that he
-brings me fresh roses every morning, and that when he returned from San
-Francisco yesterday he brought me a present?"
-
-"They all do that; they are the most generous creatures in the world.
-What did Lam bring you?"
-
-"The prettiest little China silk handkerchief, which he presented with
-these words: 'I solly got no more, I _so_ poor.' Was it not touching?"
-
-"How do your lessons get on?"
-
-"Very well. Lam learns ten or twelve new words every day. I give him
-the English word for an article, and he gives me the Chinese; and the
-following day we catechise each other; but I have never remembered a
-Chinese name, and Lam has never forgotten an English one. Then I set
-him copies, which he writes out beautifully with his queer little
-camel's-hair brush dipped in India-ink. I fear the sentiments will not
-greatly benefit him, but I try to explain them to him."
-
-"Give me an example of your copy-book maxims; I am sure they are
-something new, quite unlike those I was brought up on."
-
-"I take my verses all from Mr. Lear's 'Nonsense Book;' they will help
-him geographically, if not otherwise."
-
-"You have given him the 'Old Man of Moldavia'?"
-
-"Assuredly."
-
-"Truly, Princess, you are the most inexplicable person I have ever seen.
-I find you in the morning with a volume of Spinoza in your hand, trying
-to explain his particular dogma of philosophy to poor Barbara; and in
-the afternoon you are talking about this absurd child's book as if it
-were something serious. You snubbed that poor professor last night,
-because he presumed to give an opinion concerning Dante, never having
-read him in the original; and to-day I heard you ask my mother if
-Washington was in the State of New York. You are remarkably erudite and
-positively ignorant at the same time."
-
-"_Eh bene, cosa volete_? I--"
-
-"Now what is the use of talking Italian to me? You know I can't
-understand a word of it, and--"
-
-A third voice interrupted Deering. It was that of a man who had joined
-the pair unnoticed by either of them, the sound of his footsteps being
-muffled by the deep grass.
-
-"If Miss Almsford knew how pretty her manner of speaking English was,
-she would never have resort to the weaker language of her birthplace to
-express her thoughts."
-
-"What, Graham, with a gallant speech upon his lips! Wonder of wonders!
-Princess, he has the sharpest tongue and the keenest wit I have ever
-known. Beware of him! When did you come?"
-
-"Just now; I rode over to see if Miss Almsford was in the mood for a
-ride, and to offer my services as cavalier, knowing that your
-afternoons, my dear Deering, are too much occupied for you to play
-esquire to this fair dame."
-
-"It is the thing of all others I should enjoy," said Millicent; "I will
-be ready in ten minutes."
-
-Deering strolled off, rather disconsolately, in the direction of the
-dairy, Graham accompanying him as far as the stable, where he proceeded
-to put Barbara's saddle on the back of a sturdy cob, which from his
-immovable character had been named Sphinx.
-
-The artist had visited the house several times since his first meeting
-with Millicent, and had promised to be her guide to the high hill-top,
-whence a view of the Sierra Nevadas was to be obtained. Up the narrow
-bridle path toiled the two horses, Graham's leading the way. The road
-was a difficult one, underbrush and rolling stones making it dangerous
-for any horse which was not sure-footed. Old Sphinx set his feet firmly
-on the solid ground, avoiding all pit-falls in a wary fashion. The air
-was sweet with the spicy breath of the madrone tree, whose dark red bark
-and brilliant glossy leaves gleamed out here and there through the
-darker foliage of the great redwoods. The young man turned his head
-over his shoulder, letting his mustang find out the path, and talked to
-his companion, who was not yet at home in the saddle. One of the new
-delights which the western country held for Millicent was that of
-riding. Most of her life had been spent in Venice; and she had had
-little opportunity for indulging in that most exhilarating exercise.
-Graham assured her that she would soon make a good rider, as she quickly
-learned to assume the graceful but uncomfortable position compelled by
-the side-saddle. She was without fear, having that sort of bravery
-which is found in some children, and which comes from an ignorance of
-danger.
-
-From a point in the road whence a view of the happy valley was to be
-obtained, Graham reined in his horse. The wide, pleasant valley lay
-below them, the house, its central point of interest, standing
-surrounded by the orchard and garden. A brook wound like a silver
-ribbon through the wide fields and wooded groves, under rustic bridges,
-here and there breaking into foam over a mass of stone, or a sudden
-shelving of the land.
-
-When they again started Graham dismounted, and, passing his arm through
-the bridle of his horse, took Sphinx by the rein and led him over the
-rough bit of country. Whether from an exaggerated idea of courtesy, or
-because the head covering was irksome, Graham doffed his hat and walked
-bareheaded, the little shafts of sunshine touching his dark hair with
-points of light. The tall girl noted the sun and shadow which made this
-and all else lovely on this fair afternoon. As the ascent became
-steeper, the trees were less dense and the path grew wider. Graham still
-walked beside her horse, though there was no longer need for him to do
-so. As they emerged upon a broad plateau Millicent drew her breath and
-touched Graham lightly with her whip, laying her finger on her lip and
-pointing to a little hillside spring, which ran dancing from the rich
-dark earth. Close to the spring stood a magnificent buck and a graceful
-doe. The stag had bent his head and was drinking from the basin which
-the water had worn for itself, and which was surrounded by a ring of
-green turf, jewelled with star blue and pale rose blossoms. Of this
-tender herbage, so different from the dried grass of the hillside and
-meadow, the dainty doe was nibbling little morsels. For a moment
-neither of the animals perceived the approach of the riders, and stood
-quite still in their unconscious beauty. Graham's hand instinctively
-sought the revolver in his pocket. As he was taking aim Millicent's
-velvet fingers closed about the steel barrel, and she cried aloud, "You
-could not be so cruel!"
-
-At the sound of her voice the stag threw up his great head with a mighty
-shiver, tossing the crystal water drops from his nose. Before the last
-word was spoken the slender, dappled doe had flashed across the path and
-was out of sight, her mate with outstretched head following close upon
-her track. For an instant the flowing lines of the swift motion were
-seen on the sky background, and then the trembling leaves of the thicket
-into which they had penetrated were all that told of their flight.
-
-"You are more tender-hearted than Miss Barbara."
-
-"No, but I could not bear that those two glorious creatures should be
-put out of the warm sunlight which they love so well."
-
-"Miss Barbara is an excellent shot; she could have killed the stag from
-this point."
-
-"And yet Barbara is really much better-hearted than I, and feels other
-people's troubles as if they were her own. Everything is in habit and
-education; she has looked upon deer in the light of venison, as I have
-always considered oxen in the light of future beef. And yet, though
-Barbara is so kind and good, I do not find her _simpatica_--how shall I
-say?"
-
-"You might say sympathetic or congenial, Miss Almsford, if you could
-content yourself with the English language."
-
-"But it is not the same thing,--sympathetic and _simpatica_; indeed it
-is an untranslatable word. I cannot always express my thoughts in
-English."
-
-"Would you allow me to suggest that it may not be entirely the fault of
-the language, which did not fail to express the thoughts of Chaucer and
-Shakspeare, that you find it difficult to make yourself understood?"
-
-"Do I speak it so badly then? You are not complimentary."
-
-"It is not that you speak it badly, but that your vocabulary is limited,
-and that your mind far outruns its limits. I fancy you have never read
-or thought much in a serious vein in the simplest and the strongest of
-tongues."
-
-"No, I have read very little English, but I challenge your last
-statement. I do not find English the greatest language. It is coarse
-by the side of French; it is prosaic compared to Italian. Think of the
-fine distinctions, the delicate shades of meaning, of the Gallic tongue.
-Your English can only express the extremes."
-
-"And yet to-day it is more a lender than a borrower of words. You
-cannot take up a German or a French newspaper without finding an
-Anglicism in every column."
-
-"What does that prove? Merely that the Anglo-Saxon race is more
-restless than all others. They are the Goths of the nineteenth century,
-and invade every corner of Europe, Asia, and Africa, carrying with them
-their barbarous language. I have heard it intermingled with Arabic in
-the Syrian desert. It is small wonder they feel the need of travel;
-there is little enough to interest them at home."
-
-"And yet I, who have lived half my life in Europe, elect to pass the
-remainder of it in this country of my own free choice. How do you
-account for that?"
-
-"I cannot account for it save as an aberration of the brain. It is
-strange, too, for you Americans are not a patriotic people."
-
-"You think not?"
-
-"It does not strike me so."
-
-"You are mistaken, Miss Almsford; but your mistake is a natural one.
-These ideas, believe me, are not worthy of you, and have been derived by
-you from some perverted mind. Your own is too clear to have formed such
-opinions. They have been engrafted or inherited. How should you really
-have any idea but the most chimerical one, of America or Americans? You
-have passed your life among a race of people most unlike them, and you
-have been taught to ignore the country and the race to which you belong.
-You consider the matter of your birth as a misfortune, and you have
-learned to look down on your country, from below. I have had some
-experience of life in the various American colonies in Europe, and I
-think it a great misfortune to be one of those expatriated Americans.
-They are people without a country. They feel no responsibility toward
-any larger society than their own small household circle. Unless he is
-called by the exigencies of his profession to Europe, the American
-European is very apt to deteriorate greatly. He is in antagonism with
-the country which he has abandoned, and his foothold in foreign society
-is too much on tolerance to be fortunate in its effects on his
-character."
-
-By this time the strong horses had reached the summit of the foot-hill,
-and stood breathing heavily. The riders dropped their conversation,
-which was drawing near to a discussion, and Millicent looked with wide
-eyes out over the grand scene. Far off stretched the line of the
-Sierras, the mountain barrier which severs the land of gold from the
-surrounding country. The sky was faintly flushed with a forewarning of
-the sunset, and a soft breeze rustled the tree tops, and blew into their
-faces.
-
-"Are you rewarded for the long ascent, maiden from afar?"
-
-"Yes," answered Millicent softly.
-
-As they made the steep descent together Graham talked, in his strong,
-sweet voice, of his life in the old tower, of his work, of the pictures
-he had painted, and those which he dreamed of making some day. The
-self-dependent and contained young man was much attracted by the girl
-with the strange ideas and exquisite manners. On the night when they
-had first met, he had been drawn towards her by an attraction which
-seemed irresistible. It was not her beauty nor her intelligence which
-so much affected him, as a nameless charm like the warmth of a bright
-fire on a cool day, which seemed to wrap him about with a sense of
-comfort. When he left her this glow was still about him, but as hours
-passed it seemed to fade away and leave him strangely cold. He felt for
-the first time how desolate was his life; and he remembered her in his
-lonely tower as a traveller in the African desert recalls the green
-oasis where his last draught of water has been drained. Yet sometimes,
-when they talked together, came a strange antagonism between them like
-an impalpable mist, chilling the warmth which at meeting always kindled
-in her eyes and in his own bosom. That the discordance came from himself
-he often felt, and yet he was helpless in the face of it. The
-conversation of that afternoon was a type of their interviews, which
-were often marred by discussions not far removed from disputes. Whose
-fault was it? Wherein lay the incompatibility? Did it arise from either
-of their characters, or from the circumstances and surroundings in which
-they met? He asked himself the question a score of times and left it
-always unanswered. Graham had not been without experience of women. In
-his early youth he had had the misfortune to fall deeply in love with a
-frivolous and heartless girl. His nature was of a complex character,
-passionate to an unusual degree, yet guided by an intelligence stronger
-than passion. He had been deceived and outraged in every feeling by the
-heartless coquette, whose worst characteristic was her entire incapacity
-for affection. After breaking her faith with him, she had tried to win
-him back again, and had sued for the love which she had so lightly won
-and refused. But though he still loved her with the full force of his
-being, he had repulsed the woman whom he could no longer respect. Then
-came the long death-agony of deceived love, leaving its unmistakable
-traces on heart and brain and body. It was graven on the white brow; it
-was painted in the deep eyes, with their unfathomable look of doubt; it
-strengthened the fibres of the strong brain with the greater power which
-great suffering brings to intelligence of a high order; and alas!
-saddest of all, it chilled the hot heart-blood and left it cooler and
-more sluggish in its flow. Sorrowful was the man for the sorrow in the
-world, but pity for the grief of those about him was not so strong in
-him as it had been before. The bitterness which follows the spoiling of
-the rose-sweetness of love was happily modified by the broad
-humanitarian character of the man. It failed to make him bitter towards
-the world for its treatment of himself. He accepted manfully the
-knockdown blow which fate had dealt him; and if he mourned it was in
-secret,--he burdened no other soul with his misery. But as it was a
-woman who had darkened his life and drawn the veil of grief about his
-young soul, the whole rage of grief and bitterness which wore his heart
-went out toward her sex. As he had loved all women for her sweet sake,
-so now did he distrust them all because she had proved false. Evil to
-him appeared abstractly as a feminine element in the world; and the
-great qualities of nobility, abnegation, and heroism in his eyes were
-masculine attributes only. Too chivalrous by nature to think of himself
-as in opposition to the gentler sex, his position was in point of fact
-antagonistic to them. He was courteous in their company, but he always
-avoided it. In deed, as in word, he treated them with reverence,
-speaking no lightlier of them behind their backs than to their faces.
-The bitterness never broke the barriers of his vexed heart in noxious
-word or jest, but it lay there always embittering his life. He had
-finally ceased to remember his crushed hopes and spoiled youth; and then
-had succeeded a long time wherein he seemed to feel not at all. There
-was left him always his pious devotion to his mother, touching in its
-pathetic constancy, as to the one creature given him to love. For the
-gentle Mrs. Deering, whose face recalled that of his only living parent,
-he felt a real sentiment of friendship. Barbara, with her sweet,
-wholesome nature, he esteemed more highly than other young women; but
-since his intimacy with the family he had always emphasized his regard
-for the son and mother of the house; and Barbara had felt the difference
-in his voice when he addressed her. It grew colder, and his manner
-became formal, if by chance they were thrown together alone.
-
-The charm by which Millicent swayed him, he said to himself, was not
-love. He looked back into the black and stormy past, and compared his
-feelings for this girl with those which had once torn his breast. She
-charmed him, but he surely did not love her. He felt a sense of cold
-discomfort on leaving her, but it was very different from the passionate
-grief which he once had suffered. This was what he thought when he
-contemplated the subject at all, which was not very often. For the most
-part he let himself drift down the pleasant summer tide. Skies were
-blue and roses sweet. If Millicent made the sky seem bluer, if the
-roses took on a more perfect hue when she wore them in her bosom, it was
-because she was like the skies and roses, tender and full of warmth and
-color. Did not the buds blush into flowers for all the world as well as
-for him? Did not the white clouds dip and dance across the sky for
-other men's pleasure as well as his own? Was not the whole small world
-of the San Rosario Ranch made more blithe and happily alive by the
-advent of Millicent Almsford, the maiden from afar? Barbara had been
-stimulated by the new atmosphere to do more thinking, and had found less
-time for fancy-work and more leisure for reading. Mrs. Deering,
-gentlest of women, found a companionship in the stranger which she had
-at first thought impossible; and Hal, poor Hal, was vainly fighting
-against the witching spell which was fast making him the slave of the
-girl, who he had prophesied was too cold to interest him.
-
-Had Graham known the change which his companionship had wrought upon
-Millicent, he would have felt that if there was no danger for him in
-those swift fleeting hours passed together, there might be for her. The
-boredom which she had experienced at first was now dissipated, and every
-phase of the novel life at the Ranch had a charm for her.
-
-The loud summons of the supper-bell struck the ears of the young people
-as they drew near the house; and the family stood waiting on the piazza
-as they reined in their horses before the door.
-
-"Are you tired, Millicent?" was the anxious question of Mrs. Deering.
-
-"Did you get a clear view of the mountains?" asked Barbara.
-
-"How did Sphinx go?" said Hal.
-
-"I cannot answer you all at once," cried Millicent, breathless from the
-rapid gallop which had brought them to the house; "but it was perfectly
-delightful. Sphinx behaved beautifully, and Mr. Graham almost as well.
-The view is wonderful, and I think the country of California very fine.
-There is a compliment for you all; do not pretend I never say anything
-nice about it."
-
-"My dear, we have an invitation to go down to San Real to visit the
-Shallops. Mamma thinks we had better start to-morrow. Mr. Graham, here
-is a note for you which came enclosed in my letter. I fancy it carries
-the same invitation to you. It will be so nice at the seashore. You
-will like it, Millicent, won't you?"
-
-"I like it here," Millicent answered, as she walked slowly up the steps;
-"but if you all want to go, I am willing. Who are the Shallops? Where
-is San Real?"
-
-Graham had torn open his letter, which he quickly perused. Millicent
-looked inquiringly at him, and he answered her unspoken query:
-
-"Yes, Mrs. Shallop asks me to join your party for a week at her pleasant
-house. Very kind of her, I am sure; but I never do that sort of thing.
-I--"
-
-"Now, Graham," interrupted Mrs. Deering, "say nothing about it till I
-have talked it over with you. I have a particular reason for advising
-you to go. We will telegraph the answer in the morning, and can make up
-our minds in the course of the evening."
-
-"I am yours to command in this and all things, Madame," said Graham,
-offering his arm to his hostess; "and there stands Ah Lam ready to weep
-because the muffins are growing cold; and I am famously hungry after our
-ride."
-
-Tea being ended, Mrs. Deering and Graham paced the gravel path around
-the house for half an hour. It was evident to the group on the piazza
-that a discussion was going on between them. They spoke in low, earnest
-voices, whose tones did not escape Millicent's sensitive hearing, though
-she failed to catch the import of the words.
-
-"For my sake," she finally heard Mrs. Deering say in a pleading voice.
-
-"Dear my lady, is it just to put it on that ground?"
-
-"But if you will hear to it on no other," she argued.
-
-"Think what it is you ask of me. To leave my tower and my man Friday
-for a luxurious household with plethoric master and servants; to
-stagnate for a week among those ridiculous people who fill San Real in
-the summer; and all this not because it will do me or any one else any
-good, but to the end that I may begin the portraits I have already
-refused to paint. You know that I am not suited to that sort of hack
-work. How can I make a picture of that over-fed Shallop or his pinched,
-good little wife?"
-
-"But our work cannot all be that which is best suited to us--"
-
-"It should be--"
-
-"Remember, Graham, that in three weeks the payment for the studio is
-due--"
-
-"Ah, kindest one! you never forget me; bless you for your sweetness and
-thoughtfulness. Yes, I will go and do my best to make Shallop look like
-something other than an ex-blacksmith, but it is indeed bitter."
-
-"You will find that there will be compensations," said Mrs. Deering, her
-eyes resting on the pretty group on the piazza: Barbara sitting at
-Millicent's feet, and Hal reaching up to pluck a spray of honeysuckles
-for her hair.
-
-
-
-
- CHAPTER V.
-
- Where have we lived and loved before this, sweet?
- My will ere now hath led thy wayward feet;
- I knew thy beauties--limbs, lips, brows, and hair--
- Before these eyes beheld and found thee fair.
-
-
-Mrs. Deering's arguments carried the day, and Graham decided to
-accompany the young ladies to San Real. Ferrara was to be of the party.
-It was a bright morning which saw the departure of the three travellers
-from the Ranch. Hal drove them to the station in a very disconsolate
-frame of mind. During Ralph Almsford's long absences, it was impossible
-for him to leave the Ranch, in which his interests were all vested; and
-it seemed rather hard that Graham should enjoy the pleasure which he had
-been obliged to decline. Henry Deering was a susceptible young man, and
-he was already enthralled by the soft voice and deep eyes of the girl on
-whom he had bestowed the title of Princess. His friendship for John
-Graham was one of the strongest feelings he had ever known. He admired
-him more than any person he knew. He respected the sterling character
-of the man, on whose honor he would have staked his life; and yet it was
-hard that Graham should devote himself to the Princess, for he said to
-himself there could be no chance for him against such a rival.
-
-The country through which the railroad from San Rosario to San Real
-passes is most picturesque. Round the high hills winds the yellow line
-of the track, making horseshoe loops, so that the engine, Millicent
-said, sometimes turned round and looked the passengers in the face.
-Long, high bridges carry the shining steel threads of travel over deep
-canyons, with fierce rocky sides and stony bottoms. The scenery is very
-wild and beautiful, and the moderate pace at which the shaky little
-engine tugged along the rickety cars gave the travellers every
-opportunity for seeing and admiring the view.
-
-A great mountain, lying among the low foothills, remained in view
-through the greater part of the route; it was conical and sharp-pointed,
-like the typical mountain of the atlas. A great fire had lately raged
-for days among the spreading trees and thick undergrowth; and now that
-the smoke had cleared away, the path which the flame had taken was
-distinctly visible from certain points. A great cross lay stamped on
-the mountain-side, for all men to see. The baptism of fire had left the
-symbol which was sanctified eighteen hundred years ago. Graham
-attracted Millicent's attention to this, which, she said, would have
-been considered a miracle in Italy.
-
-"Are they not happy, those dear simple-minded Italians? A large portion
-of them do really believe in miracles to this day." Millicent was the
-speaker.
-
-"Yes, far happier than those of us who have lost all belief in anything
-beyond our own bodies, and the facts which that body's senses reveal to
-us."
-
-"And you believe--"
-
-"Ask me not, maiden, what I believe. I can only hope. But this I know,
-that there is need to you and to me, to all of us of this generation, to
-whom the old fallacious dogmas of dead creeds are meaningless, of faith.
-This is not the age of belief. The things which have been considered
-necessary draperies to religion are stripped off; but because truth is
-naked, it is none the less truth. Faith in that part of ourselves which
-is not of earth, we must hold fast to, when all else is rent from our
-feeble natures."
-
-"You should be a preacher. I think that you have got the right end of
-the truth, perhaps--"
-
-Barbara, who had sat a silent listener to this conversation between the
-two young people, now spoke for the first time.
-
-"I know little of the modern scientific theories, which Mr. Graham
-thinks have stripped religion of much that used to belong to it; but to
-me the denial of a Creator is the most illogical and ignorant act of
-which the human mind is capable. Look at that house we are just
-passing. If I should tell you that it never was built, that no architect
-or workman ever planned and executed its design, you would say that my
-talk was too idle to require contradiction. And yet you will tell me
-that the pleasant earth on which the house stands, the very trees which
-furnished its wood, the metals and stone which are wrought into it,
-exist, and yet knew no Maker."
-
-"Barbara, do not let us talk any more about it; it is impossible for you
-and me to speak understandingly to each other on these subjects. Mr.
-Graham stands midway between your conventional faith and my unbelief; he
-can understand us both. Now let us talk about love and roses."
-
-"_Apropos_ of love and roses, here comes Ferrara, laden with both of
-those fragile commodities, which he will straightway lay at Miss
-Barbara's feet. If you like, Miss Almsford, we will make the next stage
-of our journey on the engine. I spoke to the engineer, at the last
-station, of your desire to see the mechanism of his locomotive. You will
-find the man quite clean and intelligent."
-
-Ferrara joined the party at this moment, having come up to meet the
-train at this station. He carried a handful of great yellow roses, which
-he presented to Barbara with a low bow. The girl looked beseechingly at
-Millicent, who laughed rather heartlessly, and, escorted by Graham,
-proceeded to the engine. She was pleasantly received by its presiding
-genius, a hatchet-faced, sharp-voiced Yankee, who made a place for her
-on his little cushioned seat at one side of the locomotive. As soon as
-she was comfortably ensconced here, Graham sitting at her feet, the
-engineer rang the bell and allowed Millicent to pull the lever, which
-set the panting creature of iron and wood a-screaming. With a guttural
-shriek the engine pulled itself together and started off down the track
-at a good speed. Once in motion, the breeze, blowing through the
-windows, cooled the intense heat. Millicent looked straight down the
-narrowing steel rails with that keen sense of pleasure which every novel
-experience gave her. Presently she asked the small Yankee to explain the
-use of the steam gauge and of the various appliances crowded into the
-small space where she sat. The fireman, a hideous giant, black and
-grimy, occasionally opened a door and fed the furious fire with great
-lumps of coal. When it was well filled he varied his occupation by
-watering the wooden parts of the engine with a long rubber hose, lest
-they should ignite from the great heat. On a little shelf above her
-seat Millicent espied a book, toward which she instinctively stretched
-her hand. Books always acted on Millicent like magnets. The volume
-proved to be a Life of Napoleon Bonaparte, lately published in a cheap
-edition. She asked the sharp-faced engineer if he found the matter
-interesting, and was somewhat astonished by his astute remarks on the
-work and the personage of whom it treated. She looked at Graham in some
-astonishment, but he seemed in no-wise surprised at the phenomenon of a
-working-man in a blue blouse who could intelligently read and understand
-the seriously written biography of the great conqueror. The steam gauge
-rose higher and higher, while the engine tore along at a quicker speed
-in order to please the delicate visitor, who was now allowed to move the
-lever, and to pull the bell when they passed the signals requiring them
-to do so. The engineer was an interesting person, Millicent thought; he
-told her many humorous stories of his experiences, and some tragical
-ones. His wife had on one occasion accompanied him on a trip, sitting
-on the very place where Millicent now reposed. An accident had
-occurred, a broken rail throwing the cars down a high embankment, while
-the weight of the engine had saved them both from the terrible fate of
-many of the passengers. From that day his wife had refused ever to
-travel in any part of the train save in the small cabin where her
-husband sat. In a collision, Millicent learned, the dread fate of the
-engineer could only be avoided by desertion of his post; and the speaker
-bore witness to the steadfast bravery of more than one of his mates who
-had preferred death to such an act. As he talked he kept his eyes fixed
-on the two shining rails stretching before them. Sometimes, when
-interested in his own story, or their remarks, the engineer would look
-for a moment into Millicent's face; and she, with a terrified
-consciousness that her eyes were the only ones which could see any
-obstruction before the train thundering along at a great speed, would
-strain her vision to the utmost down the narrowing line of track. What
-an awful responsibility lay upon the shoulders of this cheerful little
-man, with his twinkling gimlet blue eyes, and how lightly he seemed to
-carry his burden. She grew quite white and silent at the thought; and
-when her hand, guided by the engineer, brought the panting locomotive to
-a standstill at the next station, she gladly stepped down upon the
-narrow platform, steadied by Graham's arm. They parted from the engineer
-with many expressions of pleasure for the ride they had enjoyed, and
-joined Barbara and Ferrara in the car.
-
-San Real is one of the pleasantest sea-side towns to be found on the
-coast of California. It has become quite lately a fashionable summer
-resort, and boasts two large hotels, a colony of boarding-houses, and
-half a dozen private residences. All of these are of modest dimensions,
-with the single exception of the pretentious mansion of Mr. Patrick
-Shallop, which stands at the distance of a mile from the little village
-composed of one long street of shops and saloons.
-
-At the station the party found a handsome carriage awaiting them, drawn
-by two prancing gray horses and decorated with sprawling coats-of-arms.
-The groom and driver were dressed according to the latest English
-fashion, and the tidy cart for the luggage was driven by a liveried
-menial. Millicent noted these details with surprise as she sank back on
-the satin cushions of the landau, and Graham laughingly commented upon
-her evident astonishment at the smart equipage.
-
-"It appears, O fair Venetian, that you are surprised at this grandeur.
-Did not Miss Barbara prepare you for it?"
-
-"No," answered the young woman quietly; she did not like to be laughed
-at. As the carriage rolled along the village street, Millicent gave a
-little cry of joy: "I smell the sea!" she cried.
-
-Soon after they emerged from the shadow of the houses and struck the
-road which led to the brow of the cliffs. There, for the first time
-since she had left New York, Millicent looked out over the salt waves.
-The cool sea breeze twisted the curls which clustered about her forehead
-into tighter rings, and fanned a color into her marble cheek. She
-kissed her hand toward the great gray ocean as if gladly greeting the
-Pacific. Below the cliffs stretched the white beach, with its rows of
-bathing-houses, and booths hung with gay-colored wares. They had but
-time to glance at the view when the carriage turned from the road and
-entered a long avenue bordered with good-sized trees. Marble statues
-gleamed through the dark green of the luxuriant gardens, and odorous
-flowers made the air heavy with sweetness. Before the door of an
-enormous house the horses were drawn up, and Barbara and Millicent,
-followed by Graham and Ferrara, entered the wide hall. The exterior of
-the house was far from attractive. The material used was exclusively
-wood, which in California is almost universally employed in private
-dwellings. The fear of earthquakes always lurks in the mind of the
-Californian, and houses of brick or stone are very rare. The model
-adopted by the architect was a novel one, and seemed a combination of
-the Ionic, Corinthian, and Queen Anne styles. Stucco and lath
-represented decorations and columns which would have been appropriate in
-marble or granite. The massive style and the flimsy material gave an
-incongruous appearance to the great building. The wide terrace which
-surrounded the house, with its bright parterres of flowers, and the
-pleasant piazza, with roof and pillars like a Norman cloister, were,
-however, wonderfully attractive. Beyond the close-clipped emerald lawn
-was seen the ocean, whose white curling waves danced merrily in the
-unbroken sunshine.
-
-The guests found Mrs. Shallop awaiting them in a long dim drawing-room.
-She was a skimpy pattern of feminality, with a pitiful, pinched face,
-great sad-looking eyes, colorless, sandy hair, and a thin, angular body.
-Though it was early in the afternoon, the elegance of her dress would
-have been suitable to a ball room. The heavy folds of rich blue brocade
-stood out from the poor little figure whose emaciated lines its rich
-fabric refused to indicate. She advanced toward her guests with
-something of an effort, as if the burden of dress which was laid upon
-her were greater than she could bear. Her welcome was, however, very
-cordial; and her bony little hands, with their weight of jewels, clasped
-Barbara's strong fingers affectionately.
-
-"I am real glad you have all come, Miss Deering. I was awful fidgety
-about the train's being late. Miss Almsford, I am real pleased to see
-you. Mister Graham, happy to see you, sir. I hope your health is
-better, Mister Ferrara?"
-
-Each of the guests acknowledged the kindly greeting, and some general
-conversation ensued. Millicent looked about the great drawing-room,
-noting the various beautiful articles of furniture, the Venetian
-glasses, the pictures and rich embroideries, the thousand-and-one bits
-of _bric-a-brac_ which decorated the walls and cabinets of the lofty
-apartment. It was in truth a rarely beautiful room, the prevailing
-color a deep, soft crimson, the wood-work all painted white and
-delicately carved. Below the ceiling ran a frieze, the work of John
-Graham. The subject treated was the history of Cupid and Psyche. The
-scenes were divided into panels by twining sprays of rose-vines
-charmingly treated. The first represented the meeting of the two
-lovers, their marriage being the next in order. In the third
-compartment the doubting Psyche looks for the first time on the radiant
-beauty of the sleeping God. Next the artist had portrayed the forsaken,
-love-lorn bride sitting alone, crushed with grief, repenting the fatal
-curiosity which prompted her to peer too closely into the nature of
-love,--that greatest of boons, which should be accepted joyously and
-with thanksgiving, and to which doubt means death. The hard services
-required by Cytherea from the desolate Psyche were exquisitely rendered;
-and the final scene of the reunion of the two lovers was the masterpiece
-of the whole work. Psyche, radiant with new-found love and joy, her
-face touched with a more than mortal beauty by the grief she has
-endured, stands looking reverently into the face of the strongest of
-gods. Her rainbow wings can lift her now, to soar beside her lover,
-even to Olympus.
-
-Millicent admired the beautiful frieze, which the hostess confessed
-troubled her sorely because of the scanty raiment which she said seemed
-to have been the fashion of the time it represented.
-
-"Mister Graham," she explained, had induced her to keep it in the place
-for which it had been designed. Mrs. Shallop added that the artist had
-refused to follow her suggestion of adding clothing to the half nude
-bodies; and had, moreover, extracted a promise from her husband that he
-would never allow any other painter to be intrusted with thus
-supplementing the airy rainbow draperies of the figures.
-
-Miss Almsford was much astonished at the very beautiful interior of the
-great Shallop house, and soon learned that its furnishing and decoration
-had been intrusted to Graham, who was gifted with that rarest and most
-valuable of aesthetic qualities, a perfect and original taste.
-
-"It is the only house Mr. Graham has ever arranged, and he says he will
-never do another. He was in Europe while it was being built, and mamma
-persuaded the Shallops to give him _carte blanche_ to buy all the
-beautiful things he could lay hands upon," Barbara explained.
-
-The guests were shown to their rooms by the hostess, and Millicent gave
-an exclamation of delight on entering the apartment allotted to her. It
-was indeed a unique room. The walls were panelled in ebony to a third
-of their height, a bright light pattern in flowers running to the
-ceiling, and relieving what might otherwise have been sombre. The
-glossy black wood was carved into a wide, high fireplace, where two
-brass andirons, curiously wrought with twisted dragons, supported a fire
-whose bright blaze was most welcome to Millicent. She found the season
-very cold compared to the still, hot Italian summers. Below the mantel
-the fire shone out in welcome, but above the ebony shelf, set in the
-wall, was a picture which seemed fuller of light and color than the
-leaping flames. A Venetian scene with a terrace whereon sat men and
-maidens in the warm glow of the sunset, looking out over a stretch of
-many-toned water, in which were mirrored sky and clouds, trees,
-draperies, and graceful human figures. A black gondola, partly shown in
-the foreground, might have held the painter while he sketched the
-brilliant scene.
-
-"It is my Venice!" cried Millicent, "it is my home!" Her eyes were full
-of tears. She caught Barbara by the arm and rapidly described to her
-the point from which the picture had been painted.
-
-"Mr. Graham will be very much pleased that you recognized the spot."
-
-"Is it _his_ picture? Yes, I ought to have known it."
-
-"Why, are you clairvoyant?"
-
-"Yes, Barbara, sometimes."
-
-Millicent seemed somewhat disconcerted at what she had said; and,
-without noticing anything more in the pretty room, ascended the dainty
-little ebon staircase with its fanciful rail, and, pushing back a panel
-which slid into the wall, entered her bedroom. Later, when both of the
-girls had exchanged their travelling dresses, Barbara knocked at
-Millicent's boudoir.
-
-"_Entrate_," was the response, in obedience to which she opened the
-door, and found Millicent lying on the low, crescent-shaped sofa, her
-fair head resting on a pile of cushions. Her graceful figure was clad
-in a gown soft amber in color, her only ornaments wonderful strings of
-amber beads falling over the white neck, which the fashion of the frock
-disclosed, and encircling the smooth bare arms, with their delicate
-tracery of blue veins like the lines in purest marble. Her hands were
-hidden, clasped behind her head, and the expression of her face was
-almost vacant in its look of absorbing reverie. Beside her on the floor
-lay a small parchment book, ivory-clasped,--"The Sonnets of Petrarch."
-Her eyes were fixed on the panel over the mantel shelf, but they saw
-more than the artist had pictured with brush and color: a waking day
-dream of her home as she had last seen it, and ah! how much sweeter an
-imagining of how she might next see it,--with what surroundings, with
-what companionship! O blessed dream-castles of women, in which all the
-cares and privations of life are forgotten; in which there is never a
-weariness or a pain; where lonely watching is succeeded by joyous
-reunion; where those who have lived and know too surely that they must
-die without that greatest happiness which life can hold, drink the cup
-of joy innocently, purely, fearing no bitter after-taste, finding no
-foul dregs!
-
-At Barbara's entrance Millicent slowly drew herself back from dreamland
-into the actual present. Her eyes, which had been staring widely with a
-blank look, now seemed to change color with returning consciousness. It
-was a long journey, and she gave a deep sigh when it was accomplished,
-and she realized that plump, pretty Barbara, with her best frock and
-ribbons, stood by her side looking curiously in her face.
-
-"I was reading, and I fancy I had fallen asleep, Bab, what can I do for
-you?"
-
-"Mrs. Shallop suggested our all having tea here, if you liked. They do
-not dine till eight to-night. Mr. Shallop has been detained in San
-Francisco."
-
-"Very well, dear, just as you say. You did not mean to send for the
-gentlemen?"
-
-"Oh, yes, this room is always used for a tea room, unless you object, of
-course. If you prefer to 'sport your oak,' you have a perfect right to
-do so, and we will go downstairs."
-
-"No, no, let us have it here by all means, if it is the custom."
-
-Barbara rang the bell, which was answered by a ponderous butler with a
-condescending manner, white neckcloth, bandy legs, and an apoplectic
-countenance. The individual had been imported by the Shallops along
-with the footman and driver, his two younger brothers, who, in common
-with all the other members of the household, from Mr. Shallop down to
-the boots, stood in awe of him. To this worthy Barbara somewhat timidly
-gave orders that tea should be brought, and the gentlemen warned that it
-awaited them.
-
-"Very good, miss," answered the functionary in the driest possible tone,
-his features curled into an expression of scorn toward the whole human
-race. His bow was so terrific in its icy grandeur that Barbara shivered
-as he left the room.
-
-"I hate that man, and he knows it. He always spoils my appetite by
-glaring at me all through dinner; and I think he takes an evil delight
-in handing all the most impossible dishes to me first, which I have to
-refuse, because I don't dare to attack them."
-
-The man shortly after returned and laid a low round table in the
-bow-window for tea. Barbara placed herself behind the old-fashioned
-silver urn and busied herself with tea-making, while Millicent drew up
-the blinds and let the sunset into the room. Soon Graham came in,
-begging for a cup of tea, a sure bait to him, he said, especially when
-Miss Deering poured out the delicious beverage. This last speech he
-made with an exaggeratedly deep bow, which grotesqued the compliment and
-made the girl's cheek redden. Shortly after, Ferrara joined the party,
-and a pleasant tea-drinking ensued, though the last comer refused to be
-tempted by the pretty cups of smoking Souchong.
-
-"Neither will I reproach my luncheon, nor insult the excellent dinner
-which I am sure Mrs. Shallop will give us, by the uncivilized fashion of
-drinking tea at this hour."
-
-"Miss Almsford thinks we are too civilized here, Ferrara. She almost
-fainted when she learned that I was the possessor of a dress-coat. She
-hoped to find us in eternal suits of corduroy and flannel, with
-top-boots and bowie knives."
-
-"You have exactly described the costume in which I first saw you, Mr.
-Graham; so you surely should not blame me for believing that, in wearing
-it, you followed the prevailing fashion of your country."
-
-"That alters the case; but are you not mistaken? I remember having
-taken particular care to don a black coat on that evening--do you
-remember?--when I surprised you by the fire."
-
-"But I had seen you before that, though you had never seen me."
-
-"When, fair lady? May I hope that our first encounter was in your white
-dreams?"
-
-The girl shook her head and laughed.
-
-"Was it perhaps in another existence? Did we dance together, you and I,
-in the old happy days when Pan reigned? Now I think of it, were you not
-the wood-nymph who vanished from me into the arms of a great tree? Did
-you not tread one measure with me in the merry wood-dance, and then
-leave me desolate with a tryst appointed but never kept?"
-
-"Did you not soon find another partner?"
-
-"I waited long alone."
-
-"And if I could not come sooner?"
-
-"Well, you have come at last to keep the tryst. Will you finish that
-dance which was begun so many eons ago?"
-
-"Ay me! and can we now dance the same measure, you and I? Would not our
-feet tread inharmonious steps?"
-
-"Which of us can say? Shall we try?"
-
-"If you say my word was given, I know not how to break it."
-
-The room had grown dim, and Barbara and Ferrara in the recess of the
-window were speaking together, while Millicent sat gazing dreamily into
-the glowing heart of the low-burning fire, conscious that Graham was
-looking intently on her face. She dared not lift her eyes to his, and
-veiled them with the downcast lids. Not what she might read daunted
-her, but what might be revealed to the man who sat leaning forward in
-the quaintly-carven oak chair.
-
-"It is understood then that you admit my claim to your hand,--for one
-dance at least? You acknowledge the promise made so many dim years back?
-You have come across wide, tossing seas and over broad, sun-parched
-fields to keep the tryst you made with me, a smile upon your face, a
-shadow in your eyes?"
-
-For answer the girl bowed her head.
-
-"Nay, I must hear it from your very own lips. Is it for this that you
-have come?"
-
-"Yes." The word came soft as twilight shadows, sweet as Nature's
-harmony. A long pause preceded the low-breathed monosyllable, the word
-which fond women love best to speak and which listening lovers thrill,
-half cold, half hot, at hearing. And when it was spoken and heard came
-a second silence, even longer than the first; and yet what they had said
-was begun in badinage, and was finished without serious thought by
-either man or woman. Dangerous words! dangerous silence! happy time,
-how oft remembered in later days!
-
-"Did I hear you asking Miss Almsford for a dance, Graham? What ball are
-you contemplating? I have heard of none unless you mean to invite us all
-to your tower for a frolic. Be sure you do not leave me out; I have
-long wished to visit your hermitage."
-
-"If the ladies would so highly honor a lonely dweller in the woods as to
-allow him the felicity of being their host, be sure, my dear Ferrara,
-that you shall escort them to my humble abode."
-
-"Really, are you in earnest? I have always wished to see your tower.
-When shall we come?"
-
-"That is for you to say, Miss Deering. Any day which will suit your
-convenience will be agreeable to me."
-
-"We will settle it after we return to the Ranch."
-
-Soon after this Mrs. Shallop joined the group, and they all went out and
-walked on the wide terrace till dinner was served. Here Millicent met
-Mr. Shallop for the first time. He was a heavy-featured Irishman, with
-light-blue eyes, overhanging brows, and thick, coarse brown hair. His
-badly modelled nose had a decided upward tendency, and the broad mouth
-disclosed sharp, long teeth, like those of an inferior animal. When he
-smiled he showed the whole set, which gave him a rather ferocious
-aspect. His face was clean shaven, save for a fringe of whisker
-stretching from the lobe of the ear to the lower jaw. With a pipe and a
-shillelah he would have been an excellent specimen of a patron of
-Donnybrook Fair. On this occasion he wore irreproachable evening dress.
-His linen was finer than Graham's, and the cut of his collar and pattern
-of his studs were of a later fashion than those worn by Ferrara. A
-valet's care had smoothed the rough hair and cared for the ugly hands.
-One of his peculiarities was to address all ladies as "Marm." His
-conversation was not unintelligent, and betrayed a keen, sharp mind,
-which clearly understood those things which came in close contact with
-it, but whose mental vision was bounded by the physical one. Those
-things which he had learned by experience he knew absolutely, and he
-never questioned or theorized on subjects which did not directly touch
-himself or his own interests. California had been to him a place which
-held a gold mine, nothing more or less. His history, which he made no
-effort to conceal, was not an uncommon one. He had come out in '49,
-among the fevered crowd of gold-seekers drawn from every country, from
-every station in life, by the loadstone which had been discovered on the
-banks, of the American River, by James Marshall. He had come to San
-Francisco in those early days when law and order were not, save when the
-conscience of the public, stronger and purer in its united power than in
-the individuals which compose it, was awakened, and hastened to punish a
-crime by a rude and swift justice. Shallop had built a cabin in which he
-lived, and in which he sold, when he was networking in the gulches, any
-articles of food which he was able to procure. When there were no
-potatoes or bread, he closed the door of his shanty and started off with
-pick and washing-pan for the gulches. When these staple edibles were to
-be had, he made a brisk trade in catering to the half-starved miners.
-It had been said that though Shallop's bread was heavy, it cost nearly
-its weight in gold. In those days he had wooed and married the widow of
-a brother miner, one of the few women whose sad lot brought them to the
-land of disorder and bloodshed. A few weeks only elapsed, before the
-widowed woman gladly changed her state for the protection of the strong
-arm of Patrick Shallop, to whom she became deeply attached, with a
-pathetic love resembling that of a dog for a kind master. The bread
-grew lighter then, and sometimes the potatoes fed pitiful pale youths
-who brought no store of gold-dust to pay for them. Patrick Shallop,
-living in the most magnificent dwelling in the whole length and breadth
-of California, was sometimes moved to tell of the little cabin where he
-had brought home his bride on a wet night, borrowing an umbrella to
-place over the bed to keep the rain from wetting her to the skin. There
-had been times when things had gone badly with the inmates of the little
-cabin, and days had passed when the mother's ears were torn with the
-cries of children hungry for bread. It was at this time that Barbara's
-father had known the Shallops. Mr. Deering was a delicately bred,
-handsome young man, who had come with the eager crowd of men all pushing
-ruthlessly forward to the golden goal, sometimes trampling to death the
-weaker brothers who fell by the wayside. Sick of a fever, faint and
-dying, he was plundered of his hard-earned store of gold-dust, and would
-have been murdered by his robber but for the interposition of Shallop,
-who stood by to see fair play, and carried the sick man home to his
-shanty, where the tender nursing of the busy wife saved his life a
-second time. Adversity makes strange companionships between men; and
-the friendship between the saloon-keeper and the delicately nurtured
-youth with the blood of a Puritan ancestry in his veins, was one which
-lasted through both their lives. By some mining exploits which would
-hardly bear the light of day, but which were, alas! not more uncommon at
-that time than at the present day, the Irishman had made a colossal
-fortune which placed him among the richest men in the world. There
-could be little sympathy between the two men whom the chances of that
-wild time had thrown together for the moment, but a cordiality was
-always felt; and after Mr. Deering's death frequent visits were
-exchanged between the dwellers of the San Rosario Ranch and the inmates
-of the most celebrated house on the borders of the Pacific Ocean.
-
-The dinner was a long one, served with all the tedious formalities which
-the fierce butler chose to inflict. It was not until the servants had
-withdrawn that the host and hostess, who stood in mortal dread of their
-chief functionary, their oracle on all matters of etiquette, seemed to
-feel themselves at home at their own table. The removal of this
-restraint, and the excellent wine, served to make the last quarter of an
-hour spent over the dessert the pleasantest part of the repast.
-Millicent, sitting at the right hand of her host, at last succeeded in
-making him tell some anecdotes of his early Californian experiences, to
-which she listened with breathless interest. Her feelings were
-undergoing a radical change; and if the country which she at first
-detested had not yet become dear to her, she certainly felt the greatest
-interest and curiosity to learn more of it. In the old dreamy life of
-Venice, her days had been spent in golden visions of a vanished
-grandeur. She was now awaking to the stirring reality of the present,
-and felt dimly that to be an heir to the glories of the past was but a
-part of living,--an inheritance which affects us less than the actual
-doing and striving of our own times.
-
-The party sat together in the library, with its comfortable chairs and
-rows of undisturbed books sleeping between their gilded covers, until
-late in the evening. The conversation was general, and the quick mind
-of the stranger guest learned from it much that roused her attention.
-"If I only had four ears instead of two!" she cried at last, after a
-vain endeavor to follow at the same time a discussion between Ferrara
-and Mr. Shallop on the best method of vine culture, and a conversation
-between Graham and Mrs. Shallop on the subject of the public schools.
-Soon after this, the ladies left the room; and Millicent, her pulses all
-a-tremble with the various new experiences of the day, was slow in
-falling asleep. That night her lips forgot to give their wonted
-homesick sigh for Italy, for Venice.
-
-
-
-
- CHAPTER VI.
-
- "Did young people take their pleasure when the sea was warm in
- May?
- When they made up fresh adventures for the morrow do you say?"
-
-
-The week's visit at the Shallops' slipped quickly away, each pleasant
-day passing too hastily into to-morrow, Millicent thought. The ordering
-of each day had something of a routine, beginning invariably with a
-gallop on horseback. The way sometimes led across wet, hard beaches
-where the horses' hoofs crushed, with a crisp sound, the tiny sea-shells
-left by the receding waves. The tall roan which Millicent rode was a
-young thoroughbred, with slender legs, a proud, arching neck, and
-unclipped mane and tail. Mrs. Shallop had given the fine animal to her
-guest; and Millicent, who had a magnetic influence over all animals,
-easily controlled the horse by word or touch. The young people usually
-paired off; Millicent riding beside Graham, Barbara and Ferrara
-following, while Mr. Shallop brought up the rear on a sturdy cob whose
-character and strength were well calculated to bear up the portly
-magnate. Sometimes they rode through the odorous woods, where the air
-was heavy with spices, and melodious with sweet bird-notes foreign to
-Millicent's ears. The tall and stately redwoods standing straight and
-unbending in their close serried ranks, seemed to her a noble symbol of
-the life of an upright man, who looks fearlessly into the wide heavens,
-raised far above the briers which grow about his lesser brethren.
-
-On their return from their ride, glowing with the splendid exercise,
-breakfast was served; sometimes in the pretty morning room, oftener in a
-sheltered part of the wide veranda, from whence they might look out upon
-the shadowy woods stretching behind the house. After this meal, Mr.
-Shallop and Ferrara took the train for San Francisco; and the hostess
-and Graham disappeared into the temporary studio which had been arranged
-for the artist. The two girls were left to amuse themselves.
-Millicent, who had brought her usual store of books, did not open one of
-them, but moused about in the library, finding many works quite new to
-her and full of interest. If her knowledge of Italian and French
-literature was remarkable, her ignorance of the English classics was
-stupendous. Shakspeare alone was familiar to her among the great ones.
-The long rows of finely bound books were mostly uncut and showed little
-evidence of having been read, a copy of a lady's fashion book, and a
-volume treating of the manners of polite society, forming notable
-exceptions to this rule. At mid-day a beach-wagon conveyed the young
-girls to the shining sea-sands, and they indulged in the luxury of a
-bath. In the afternoon they took long drives, or played lawn tennis
-with friends from the hotel in the town. The evenings were sometimes
-spent on the long, cool veranda, oftener on Mr. Shallop's stanch yacht,
-the "Golden Hind." She was a fine vessel several tons heavier than her
-illustrious namesake, in which Sir Francis Drake sailed along the coast
-of California more than three centuries ago, and took possession of the
-land as "New Albion," in the name of good Queen Bess.
-
-Pleasant days, full of incident and enjoyment, filled with new
-impressions to Millicent, and freighted with sunlight and merriment to
-all the party. No thought of the weather lent the anxious uncertainty
-to plans which so often to us in the East takes half the enjoyment from
-anticipation. From May to November in this favored land the blue of the
-sky is unclouded, save by gossamer white drifts of vapor, massed into
-soft shapes and mystic outlines. The sky smiles from spring to laughing
-summer, and the land lies steeped in sunshine through the late autumn.
-
-The wide white beach, with its row of bathing-houses and little tents,
-was very attractive to Millicent. She sometimes sat in the warm sand
-for hours, chatting with Barbara or making friends with the bare-legged
-children, the tireless architects in sand. Finally, donning their
-bathing-suits, they ran, hand in hand, over the dry sands, across the
-wet space which the last wave had darkened, through the white fringe of
-the sea, into the cool green billows.
-
-The last day of their visit had come, and the morrow would see them on
-their way back to San Rosario. Millicent and Barbara had prolonged
-their sea dip beyond their usual wont. Never before had the water seemed
-so bracing and delicious. As there were twenty or thirty bathers to
-keep her company, Millicent lingered among the breakers, while Barbara
-regained the shore. She swam leisurely about, displacing the clear
-water with her white arms and pretty, small feet. She suddenly became
-aware that a swimmer was gaining on her from behind, and her stroke
-instinctively quickened. Millicent swam as only the women of Venice can
-swim; and the race between her and her unseen pursuer bade fair to be
-hotly contested. With head high lifted from the waves which circled
-caressingly about the smooth round throat, knotting the tendril curls at
-the nape of the neck, the girl kept steadily on her course without
-turning her head to see who might be so audacious as to follow her.
-Strong as were her strokes, she slowly lost ground; and finally the
-water about her rippled with the strokes of the man who was gaining.
-Soon he had caught up with her, and side by side they swam for a space.
-Then the victor spoke in a voice well known to her, and the girl
-answered him with a laugh which rang out fresh and crisp as the sound of
-the wavelets. Then she turned her head and looked full at him as he
-moved by her side, strong and graceful as a young merman.
-
-"So, my nymph, you are at home in Father Neptune's arms as well as in
-the embrace of the great tree. Which is your native element, earth,
-air, or water?"
-
-"I am amphibious."
-
-"And which of your three elemental homes do you like the best?"
-
-"When I am dancing, the air; when I am walking, dear Mother Earth; and
-when I swim, the sea."
-
-"When I paint you, it will be as I see you now, triumphing over the
-waves as our great mother, Aphrodite, triumphed over them before you."
-
-"That compliment would go to my head were it not mixed with so much
-water."
-
-Then they both laughed, because the sky was sapphire clear, and the sea
-beryl green; because the golden sun warmed them with its kind rays;
-because each was fair and good to look upon; because, when they were
-together, winds blew more softly, and sky and sea took on a more tender
-hue where they melted at the horizon into one ineffable kiss. A pair of
-white-winged gulls swept above them, shrieking their love-notes
-hoarsely, while the white-armed girl and the strong-limbed man breasted
-the waves together, side by side. Though lapped by the cool water,
-Graham felt the warm influence which folded about him like a cloak in
-Millicent's presence. When she grew tired the girl turned upon her side
-and floated; while Graham swam about her in little circles, first moving
-like a shark on one side, with long, far-reaching strokes, then swimming
-upon his back, and finally beneath the waves, looking always at her face
-seen dimly through the dark-green water.
-
-After a space Millicent looked about to find herself alone, far from the
-shore with its group of bathers. At first she fancied that her
-companion must be swimming below the water as he had done before; but,
-as the slow-passing seconds went by, she realized that some ill must
-have befallen him. Stretching her arms above her head, she dived
-straight and swift through the clear water towards the pebbled bottom of
-the ocean shining through the pellucid waters. In that dim under-current
-she touched him, stiff and cold, rising toward the surface, but through
-no effort of his own helpless limbs. In that terrified heart-beat of
-time she saw his face set and white, with horror-stricken eyes widely
-strained apart. Into them she looked, her own firing with hope and
-courage, and giving a mute promise of rescue. She seized his rigid arm
-with her strong, small hands, and they rose together to the surface.
-The man was as if paralyzed; and the girl for an instant tried to
-support him, but, feeling such a strain would soon out-wear her
-half-spent strength, she cried,--
-
-"Put your hand on my shoulder--so, and I will swim below you." Her
-voice was hoarse and shrill as that of the screaming sea-gulls. He could
-not speak, but looked toward the shore as if he would have her save
-herself and abandon him to his fate.
-
-"No, no!" she cried, "I _will_ save you;" and, placing his hands on her
-shoulders, struck out bravely toward the shore. To reach it seemed at
-first an easy thing, but the struggle proved a terrible one, cruelly
-unequal, between the girl's small strength, with the burden now added to
-her own weight, and the waves grown hungry for human prey. Their
-babbling music now was changed to Millicent's ears, and they clamored
-greedily for her life, for that other life which she was striving to
-snatch from their cruel embrace. Again and again the man would loosen
-his hold. She could not save him: why should she die too, she was so
-young, so fair! This he tried to tell her in gasping accents, but she
-only gripped his hand more firmly and placed it as before. They should
-both live or die. Fate, which had been so cruel to her, had cast their
-lots together for that day at least; and death seemed sweeter by his
-side than life without him. Her brave spirit fainted not, though her
-labored strokes grew slower and feebler. Then she gave one great cry for
-help to those who were so near them, and yet so unconscious of their
-danger. She heard their voices plainly,--the mothers talking to romping
-children, whose ringing laughter mocked her agony. Was it their death
-knell, this sound of sweet child-voices that drowned her frenzied cry,
-and filled the ears of the strong men and women, keeping out the
-fainting accents which pleaded for his life and her own? Once again,
-and this time with a thrilling vibration of despair, the woman's voice
-rang out across the waves. It was freighted with her last hope; it was
-the latest sound her gasping lungs could utter. Could love and hope of
-life outshriek the murmur of the waves, the shrill note of the sea-mews,
-the noisy prattle of the infants? The man, long since despairing,
-groaned: it seemed murder to him that his helpless weight should drag
-down the fair, brave young creature to her grave; his death agony was
-made more bitter by the thought. The girl's determination never
-wavered, and her little strength was not wasted in a longer struggle;
-she managed to keep his face above the waves, but now only held her own,
-and had ceased to make the slightest progress. She could now no longer
-see the bathers. Had her cry been heard? O waves! be merciful and still
-your clamor! White-winged partners, cry no more your mocking love notes!
-Sweet mothers, list no longer to your children's laughter, for there is
-other sound which must reach your fond ears and chill your warm hearts
-with horror! For a moment there grew a great silence as of listening,
-and then over the water came answering cries of women agonized with
-sympathy, came the hearty voices of strong men saying, "Keep up, keep
-up! for help is coming, it is close beside you." Ah, God! it is in
-time, for the two white faces, lying so close in the green waters, have
-but just vanished from sight; they still shine through the waves but a
-little space beneath the surface. Strong helping arms raise the
-nerveless bodies from the waves that murmur sullenly, bear them safely
-to the shore with its shining white sands, and, last, gently loose the
-maiden's white hands, clinging still, though all unconsciously, to the
-man whose life she has saved. Weeping women gather about them, lying
-there so still and fair upon the white beach; frightened children look
-curiously at the half-drowned figures of the man and the woman. Still
-are they man and woman, and not yet fallen to that terrible neuter of
-death, wherein age and sex are not, where serf and queen are equals.
-
-
-
-
- CHAPTER VII.
-
- "A flame! Her clear soul's essence slips,
- To steep for aye with mine, from her fast-whitening lips!"
-
-
-Several days passed before these two who, hand in hand, had looked death
-in the face, and felt his chill breath freezing up the current of their
-lives, again saw one another. Graham, after twenty-four hours, was able
-to be about, looking pale and ill. The congestive chill which had
-overcome him was the result of his having plunged into the sea while
-very much over-heated. The water at San Real, and indeed all along the
-Pacific coast, is very much colder than at the Eastern watering places
-of a corresponding latitude, where the genial influence of the Gulf
-Stream is felt. His vigorous constitution quickly threw off the effects
-of the terrible experience; but three long days and nights wore
-themselves out before Millicent's light step sounded on the stairs.
-Mrs. Shallop and Barbara were sitting alone at the luncheon table, when
-the latter caught the sound of the well-known footfall; she hastily left
-the room, and running up the stairs passed her arm about the feeble
-girl, supporting her into the room.
-
-"Why did you not tell me that you were coming? Do you think it prudent,
-dear?"
-
-"Yes, I wanted to come, and the doctor said I should do whatever I
-fancied," she answered a little fretfully; then she smiled, with that
-flashing of the eyes that always won her pardon for any little sin. It
-was a strange coincidence, Barbara thought, that Millicent should have
-come downstairs for the first time on the morning when Graham had gone
-to San Francisco. It was his first absence since the beginning of their
-visit. Why should she avoid meeting the man whose life she had saved at
-the risk of her own? Graham had every day begged to see her, but
-Millicent had not felt equal to the interview. Barbara was genuinely
-puzzled; but then Barbara was often puzzled by Millicent. During the
-days just past her gentle care and nursing had brought her much nearer
-to Millicent than she had been before. In those long mornings when
-Barbara, in a full, deep voice, read to her from her favorite books,
-Millicent had time to think more about her new friend; and the more she
-thought about her the better she liked the sweet, sound, womanly nature,
-with its domestic instincts, and maternal care of all creatures sick or
-sorry. One morning, as the invalid lay upon her couch, while Barbara's
-gentle hands plaited her long hair in thick strands, she said, somewhat
-abruptly,--
-
-"Barbara, why have you not married?"
-
-"What an odd question!"
-
-"If you knew what a charming wife you would make, you would think the
-question a most natural one. I suppose you have been in love?"
-
-"I suppose so," jestingly.
-
-"Bah! talk seriously for a moment with me. Why do you not marry Ferrara?
-The poor fellow is perfectly pathetic in his devotion to you. You know,
-Barbara, that matrimony would suit you delightfully; there is nothing so
-becoming to a woman of your type as the background of a home of her own.
-There you would shine like Jessica's candle in this naughty world."
-
-"I have never thought about it in the way of a background."
-
-"Of course you never did; but, Barbara, do you think you could fall in
-love again?"
-
-"Who knows?"
-
-"Then I know that you have never been in love at all, _ma belle_--oh, I
-forgot, and have broken my vow to speak English pure and simple. Well,
-never mind, now we will talk about my broth, for I am very hungry. I
-feel like little Rosalba in the 'Rose and the Ring,' when she went about
-crying, 'Dutess Tountess, my royal highness vely hungy.'"
-
-Long confidences had followed this conversation; and Millicent listened
-to Barbara's account of a childish romance with that deep interest which
-women all feel in the heart experiences of their sisters. Such sympathy
-is born in the feminine breast before the power of loving awakes there,
-and dies not when experience has brought nothing to it but grief and
-bitterness. The veriest chit of a girl of ten will read a love-story if
-she be allowed, while her brothers are inventing ingenious instruments
-for the torture of cats and nurses. The deafest grandam will listen
-with keen interest to her favorite grand-daughter's confession of love,
-and will be careful not to chill young hopes with her own sad memories.
-All those who have loved truly, with that love which outlasts grief,
-death, and human passion, which smiles at the cruelest neglect, which,
-like the love of the Most High, passeth all understanding, have sympathy
-and kindly interest for those who are in love. That "all the world
-loves a lover," is the truest of all sayings.
-
-As soon as they were alone, Millicent told Barbara that she was anxious
-to return to the Ranch the following day. Since her first meeting with
-John Graham, her life had danced away through bright hours passed in his
-company, in remembering past interviews, in looking forward to future
-meetings. In the long days when she lay weak and helpless, slowly
-recovering from the terrible drain on forces, nervous and muscular, she
-had thought long and deeply; and now that she was well, she did not wish
-to meet Graham, and avoided his presence. She realized, as she had not
-done before, that she deeply and irrevocably loved this man, whose name
-six months ago had been unknown to her. Whether this understanding of
-what was in her own heart came upon her in one broad flash of quickened
-intelligence, when she lay half swallowed up by the jaws of death, still
-clasping him with feeble hands, or if, in the quiet hours of
-introspection which followed that awful moment, she gradually learned
-the truth, it would be hard to say, but that she now knew it, was
-indubitable. The fact that the man she loved should be indebted to her
-for his life was a distasteful one. Not through gratitude did she wish
-to attract him; the very thought of it was galling to her. She loved
-him, and longed, with the deepest power in her soul, to arouse in his
-breast that answering passion, which, like a deep bass chord, mingles
-with the sweet treble song of woman's love, their harmony making the one
-perfect note to which the keystone of the universe trembles
-sympathetically. Sweet as was the thought that her strength had
-sufficed for them both, she mourned the chance which had made her hand
-the rescuing one. Love that springs from gratitude or from pity is
-earth-born and earth-bound; she would have none of it; it was as if she
-had a claim upon him for that gift, which if not freely given is
-valueless. So, with a shyness new to her, she avoided meeting Graham;
-and the night of his return she sought her room again and did not appear
-until the following morning. If Graham did not know all, he was ready
-enough to understand that she avoided his thanks.
-
-Mrs. Shallop passed the last evening of her guests' visit sitting with
-Miss Almsford, answering her many eager questions of the strange, wild
-days when law and order were not in the broad golden land. It seemed
-almost incredible to Millicent, and yet she felt it to be true, that the
-wife of the mining king regretted the past days of poverty and
-simplicity. The hard-earned crust, shared with a husband whose every
-thought was known to her, had tasted sweeter than the luxuries of a
-table at which she often sat alone, or with a partner absorbed in
-thoughts and enterprises in which she had no part. Her children had
-then been entirely hers; now they were far distant,--the boy at an
-English college, the girl in a French conventual school, whence they
-would both return grown too clever and proud to care for her
-simple-hearted companionship. What mattered it that she had toiled day
-and night to buy them food and clothing, had worn out her poor body and
-dulled her simple mind with anxious overstrain and grinding labor? Would
-they thank her for it now? When, a year before, she had visited these
-adored children, she had felt the distance between them and herself. If
-her son had not been ashamed of his poor mother, it was only because his
-heart was not quite weaned from hers. The girl was gentle and kind; but
-the pitying care with which she brought her conversation to the level of
-her mother's understanding was all too obvious to the sensitive woman,
-whose nervous strength had been shattered in the hard fight which she
-had made all those years ago, to keep the breath of life in their little
-bodies. Half her life had been passed at the wash-tub, half in the
-drawing-room; the transition had been too sudden for a person of her
-temperament. The soapsuds, which used to flash the splintered rays of
-light from her hands, were more appropriate to them than the diamonds
-with which they now glittered. Poor woman, the extremes of fortune were
-both known to her.
-
-Though their visit had been a delightful one, Millicent was anxious to
-return to the Ranch; she longed for the quiet, refined atmosphere of the
-place, with its simple comforts, doubly attractive after this experience
-of the luxurious but inappropriate house of Mr. Patrick Shallop. There
-is a certain fitness in things; and the ex-miner, living in the palace
-of the railroad king, was less at home than England's monarch could have
-been in the cowherd's hovel. Millicent felt the social _malaise_ which
-arises from the incongruity of persons with their surroundings. Graham,
-interested in his portrait, which was coming on famously, was not easily
-affected by a personal atmosphere to which he was indifferent; while
-Barbara and Ferrara, used to a similar condition of things, accepted it
-without question.
-
-The morning of the last day of their visit dawned bright and clear; and
-Millicent, standing on the terrace, thought the wide view had never
-seemed so beautiful before. She was taking farewell of that sea which
-had so nearly swallowed her young life with all its hopes and fears. The
-waves murmured with a gentle sound, as if quite oblivious of their late
-rapacity. She went out into the thick pine woods behind the house, and
-stood for the last time among the great redwoods, which to her were so
-wonderful, and which everybody else accepted as a matter of course. A
-well-known footstep behind her on the dry leaves caused the slight pink
-tinge which the morning breeze had brought to her cheek to fade
-suddenly; the blood seemed rushing from every vein back to its source,
-and her heart stopped its pulsations for a moment. She did not turn her
-head, but stood quite silent, waiting for Graham's first word. When he
-was at her side, she felt her hand suddenly caught in a warm pressure
-which sent the blood rushing through the arteries again, tingling
-painfully in every fibre of her body, and loosening the cold silence of
-the heart, which beat out a quick answer to the words of greeting. They
-were but few and very earnest, the words of a brave man glad to be
-beholden to so fair a woman for his life. Was it gratitude that made
-his voice tremble, that lighted his grave eyes with a smile?
-
-She answered him sweetly and seriously, with a steady voice and calm
-eyes, though the rose-flush flooded and ebbed from her cheek and brow.
-The man did not trouble himself to analyze the feelings which gave rise
-to the fleeting blushes; he was too full of his own enthusiasm to notice
-how it affected its object. He spoke as he felt and thought of the
-woman standing there so full of life and beauty,--only in the light of
-his relation to her. He knew how he felt towards her, and told her so
-with admiring frankness; of her feelings towards himself he never
-stopped to think. His was an egotistic nature, as are those of all
-strong men whose personality stamps the age in which they live. Weaker
-men and women receive the imprint of their time; only the few strong
-ones leave their images impressed when the soft clay of the present is
-transmitted into the unmalleable granite of the past.
-
-They walked together for a time, Graham full of anxious inquiry for her
-health, and Millicent happy in his anxiety. When the artist learned of
-the proposed departure, he strongly opposed it, urging a longer stay.
-When he found that the young ladies had decided to leave San Real, he
-announced his intention of accompanying them. Mrs. Shallop shortly
-afterward joined the pair and handed Millicent a newspaper, at which the
-girl looked quite indifferently until her eyes caught her own name in
-large letters at the head of a column. She quickly read the article,
-which proved to be a highly sensational account of the rescue of Graham.
-
-
-A FIGHT WITH DEATH!--Heroism of a Young Girl!--John Graham rescued from
-Drowning by Beautiful Millicent Almsford!--The Personal Appearance of
-the Heroine!--Early History of the Lucky Man!
-
-
-These headings preceded the two-column article at which Graham laughed
-contemptuously, and which drew hot tears from Millicent's eyes. She had
-never before seen her own name in print, and the freedom with which the
-Anglo-Saxon press deals with the affairs of ladies who have no claim on
-the public interest was unknown to her. She only felt that her name was
-being spoken by people who never had heard of her; that the most sacred
-and awful hour of her life was revealed to the world; and that the event
-of which she had hardly spoken, and of which she barely dared to think,
-was now familiar to thousands of indifferent readers. The news had in
-fact been telegraphed to one of the large New York papers, and in the
-course of a week filtered down through the smaller organs of that city
-to the suburban press, and was read and forgotten by the careless public
-throughout the length and breadth of this enlightened land. To Mrs.
-Shallop and Barbara, accustomed to the vagaries of American journalism,
-the state of mind into which Millicent was thrown by the article in the
-San Francisco "Roarer," was entirely surprising. It was without doubt
-annoying, but they had both become so accustomed to seeing their own
-names and those of their friends in the columns of the daily journals,
-that Millicent's horror and indignation seemed disproportionate to the
-cause. This utter disrespect of the privacy of life which is the right
-of all men and women leading peaceable lives, breaking no law of the
-civil or social statutes, is the crying sin of modern journalism. When
-they are charged with this, the journals very tritely retort that
-"social news" pays better than any other class of matter; that its
-insertion is more often prized and sought after by the individuals
-mentioned than resented by them; that much of the personal news is
-actually furnished by the individuals whom it most concerns; and that
-they but supply the demand of their readers. It would be well for them
-to remember that to pander to the public taste is not the highest object
-open to journalism; to elevate that taste were a task more deserving of
-commendation, and less unworthy of good printer's ink and paper.
-
-The next mail brought two letters for Millicent; one from a well-known
-photographer asking her for an early sitting, and begging that he might
-have the sole privilege of photographing her. The other communication
-was a civil letter from the editor of a weekly journal, asking for a
-slight autobiographical sketch from the hand of the heroine of San Real.
-In the course of the morning a reporter from the California "Bugle," a
-rival sheet, arrived and requested an interview with Miss Almsford and
-Mr. Graham, from which to compile an article on "The Rescuer and the
-Rescued." Millicent's eyes flashed angrily when the import of the small
-printed visiting-card bearing the name of this nineteenth-century
-inquisitor was explained to her. She was heard to murmur, beneath her
-breath, some Italian words highly inimical to the smart young person who
-was taking the opportunity to examine Mrs. Shallop's drawing-room with
-an eye to future "notes." She was astonished when Graham quietly
-lighted a cigarette, and asking that the gentleman might be shown into
-the smoking-room, joined him there.
-
-"Why does he not beat him?" she cried. "If I were a man I should thrust
-him from the house."
-
-"And be held up to the public as a brutal assassin?" laughed Barbara.
-"No, no, my dear, let Mr. Graham alone; he knows best how to manage the
-visitor. It never does to insult those gentlemen; they are dangerous
-enemies, and have the public's ear into which to pour all their
-grievances. Our friend will draw the fire on himself, I fancy, in order
-to spare you. News the news-fiend must have; he will make it himself if
-it be not provided for him. Poor thing! he must live, after all, as
-well as you or I. It is not his fault that he is obliged to interview
-people; it must be a very disagreeable profession."
-
-Thus kindly and with wide sympathy did Barbara Deering judge all men and
-women; ay, and reporters too, together with babies, Chinamen, and other
-unfortunate works of God. Graham returned in a quarter of an hour,
-having appeased his visitor with the aid of a good cigar and a champagne
-cocktail, compounded by the careful hand of the solemn-faced butler.
-
-Millicent was still flushed and excited, all Barbara's arguments having
-failed to soothe her nerves. Graham, with one sentence, banished the
-angry dint from her white forehead and brought a smile back to her face.
-The hour of the last good-bys had arrived; and the guests took leave of
-their kind hostess, with promises to repeat their visit before long.
-Little Mrs. Shallop really cried at parting with Millicent, to whom she
-had become greatly attached. She sighed as the carriage disappeared
-from view, bearing its freight of young people with their vivid lives
-and strong interests. When she went back to her great lonely
-drawing-room, with its splendid furnishings, she realized what a fitting
-frame it had made for the two pretty young guests, and how unsuitable it
-was to her simple tastes. The house was dreary without their joyous
-voices and quick footsteps.
-
-Just after sundown the travellers reached the San Rosario station, where
-Hal was awaiting them in the great red-painted wagon. The two sturdy
-mules were supplemented by old Sphinx harnessed before them, making what
-is known as a spiked team.
-
-"Hail! the conquering Heroine comes! sound the trumpets, beat the
-drums!" cried the irrepressible young rancher. "How is our most heroic
-Princess, and will she deign to enter the triumphal car which her humble
-slave has prepared for her?"
-
-They all laughed; but, through all the lively nonsense which he reeled
-off to them on the way to the house, Millicent felt that he had been
-really moved by what had occurred. The grip which he gave her hand
-spoke a volume of approval; and the loud clap on the shoulder with which
-he greeted Graham expressed more than a dozen sentences of rhetorical
-eloquence could have done. The antics of the unicorn team were
-extremely diverting; and these, with the absurdities which Hal
-perpetrated at every step of the road, brought the quartette to the
-house door "in a state of merriment bordering on idiocy," as he
-expressed it. Mrs. Deering, with her sweet motherly greeting, made
-their return seem a home-coming to Millicent and Graham, as well as to
-Barbara, the tall daughter of the house. Her hospitality was so
-genuinely of the heart that the recipient of it was made to feel that it
-was simply his due, and that his presence was as great a favor to the
-hostess as her kindness was to him.
-
-Graham was warmly urged to stay over night, but he resisted the
-temptation of remaining. Neither Millicent's voice nor Millicent's eyes
-had supplemented the invitation.
-
-As they paced the path together, her hand lying on his arm, Graham told
-Mrs. Deering, in a low voice, of all that had happened since their
-departure,--of the pleasant days with their excursions; of the new
-impressions made on Millicent by all that she saw; of the friends whom
-he had met, remembering all the kind messages which had been sent to the
-gentle _chatelaine_ of San Rosario; of Barbara's sweetness and Mrs.
-Shallop's hospitality; of the progress he had made on the portrait of
-his hostess; of the thousand-and-one little items of news so welcome to
-people leading a life of quiet isolation. Then in graver tones he spoke
-of his great peril and Millicent's bravery, of the strange thoughts
-which had crossed his mind in that last moment of consciousness, how her
-face as well as his mother's had been revealed to him as in a vision.
-All this was listened to with that perfect sympathy that is always ready
-to receive confidences, and which forbears to claim them when they are
-not spontaneously given. Blessed among women are these rare ones to
-whom motherless sons can confide every hope and disappointment, sure of
-a quick sympathy, and in whom the mighty instinct of maternity is not
-satisfied in ministering to their own flesh and blood, but springs forth
-to succor all who are suffering for the gentle mother love.
-
-It was late when these two said good-night, and Graham went to find the
-others to take farewell. Barbara and Hal were singing duets. They had
-neither of them seen Millicent, and fancied that she must have gone to
-her room. With a sense of cold disappointment and injury the young man
-left the house. As he passed by the corner of the piazza he fancied he
-saw a figure standing close in the shadow of an angle. He stopped; the
-figure remained motionless; through the heavy drapery of the vines he
-could not tell whether it was a person or merely a shadow.
-
-"Who is it?" he asked in a low voice. No answer came, but through the
-stillness of the night he thought he heard the sound of a quick-drawn
-breath. Putting the honeysuckle aside he stepped on the piazza, and
-found that his eyes had not deceived him. Millicent stood beneath the
-rose vines. When she saw that she was discovered she spoke with a light
-laugh:
-
-"I did not want you to see me, for I have been unsociable this evening,
-and hoped you would all think I had gone to bed."
-
-"Is it not damp for you to be sitting out-of-doors?" he asked, with a
-voice grown deep and tender.
-
-"Oh, no! I am quite used to it. What a wonderful night! I think I
-never saw the stars so brilliant."
-
-The girl seated herself on the edge of the piazza, Graham placing a
-cushion under her feet and taking his place at her side. It was a
-perfectly still evening, the only sound being the far-away tinkle of a
-sheep bell. There was a moment of dangerous silence, which Millicent
-broke a little nervously, speaking of Italy, of Mrs. Shallop and their
-late visit, of Hal's irresistible wit, of any one of the subjects which
-danced through her brain. She was afraid to be silent, and feared yet
-longed for what might be said if she left too long a pause. The spell
-which kept Graham at her side when he should have been half way to his
-lonely tower, began to assert itself over the woman, always the last to
-yield. The man had long since abandoned himself to that mysterious
-state of being in which every nerve of brain and every pulse of heart
-yearns for sympathy and reaches out toward its counterpart. At last she
-was silent, the last commonplace dying half spoken on her trembling
-lips. Silence now in all the land; only the sound of heart-beats which
-each felt must reach the other's ears. Stars more tender than those of
-heaven shone close to Graham through the blue-black night; a breath
-sweeter than the wind stirring the honeysuckle touched his cheek. At
-length that silence, more musical than sweetest harmony, was broken by a
-low, deep voice.
-
-"May I kiss you?" said the voice.
-
-What was the faint sound which the night wind wafted to his ear? Was it
-the whirring of the humming birds whose nest hung close by? Was it the
-far-off silver ripple of the brooklet, or the cadence of the distant
-sheep-bell? Was it that sweeter sound than note of mating bird, of
-falling water, or of faint bell-chime,--was it a loving woman's "Yes"?
-
-
-
-
- CHAPTER VIII.
-
- "Oui, les premiers baisers, oui, les premiers serments
- Que deux etres mortels echangerent sur terre
- Ce fut au pied d' un arbre effeuille par les vents,
- Sur un roc en poussiere."
-
-
-When he awoke the next morning, John Graham gave a deep sigh. His
-dreams had been so sweet that no reality could equal their happiness.
-As he sat on the edge of his narrow bed disentangling what was real from
-what was dream-born in his thoughts, his eye fell upon the knot of roses
-which he had taken from Millicent's hair the night before, and had
-clasped to his lips as he fell asleep. They were faded now, but they
-still gave out a strong perfume. His cheek had been wounded by a thorn,
-but he kissed the wilted posies, for all that, placed the little bouquet
-tenderly in an exquisite Venetian vase, and then bounded down the
-stairway of his tower and across the narrow space which led to a clear
-deep pool where a crystal stream fell in a white cataract to a rocky
-basin. The foam-bubbles danced joyously in the clear dark waters, and
-the plashing of the fall had a sound of a sweet deep voice which had
-grown very dear to him. A mossy bank, shaded by two drooping trees,
-sloped to the edge of this natural bath, refreshing enough to have
-tempted Diana from the chase. As Graham plunged into the cool waters he
-shouted out a verse of a song he had learned long ago. Attracted by the
-sound of his voice, French John laid down his axe beside the young tree
-he was about to fell, and came down to the pool where Graham was
-vigorously tossing about the bright water. The old wood-cutter looked
-at the young man as if the sight did him good. He responded to the
-uproarious greeting which the artist shouted to him, by his usual silent
-nod of the head. Had words been worth their weight in diamond dust, the
-old soldier could not have been more chary of wasting them, but the look
-in his faded blue eyes was gentle and full of admiration. He had had a
-son of whom he had lost all trace since its infancy. If the boy had
-lived he would have been about Graham's age, and it was the man's fancy
-that he would have resembled his patron. He imagined he could trace in
-the splendidly modelled arms and legs and the strong, perfectly
-proportioned torso of the bather the shape into which the baby contours
-he remembered so well must have developed. Graham had by this time
-gained the green turf and stood shaking the water out of his thick hair,
-drawing quick panting breaths, meanwhile, and springing about to warm
-himself, with the grace and strength of a leopard. The old Frenchman
-gave a deep sigh as he looked at him.
-
-"Yes; Hector certainly must resemble this young man," he murmured, as he
-wetted his hard hands, and, grasping the handle of his axe, smote
-heavily at the stem of a young pine-tree. Graham rapidly made his toilet
-in the open air. The plunge in the clear cold water had rather
-stimulated than expended the electric, nervous force which ran through
-his veins, quickening the life-blood in its flow. He felt ten years
-younger since yesterday morning. His thirty years and the gravity they
-had brought to him had shrunk to twenty. As he looked up at his tower
-he sang aloud a snatch of an old song which had been often on his lips
-in those happy, careless days in the _Rue d' Enfer_,--words which he had
-painted over the tiny grate in the cramped apartment under the leads,
-where he had suffered from heat all summer, and shivered all winter:
-
- Dans un grenier qu' on est bien
- A vingt ans, a vingt ans!
-
-
-He would have liked to dance. Had his years in truth been but twenty,
-he would have yielded to the temptation. He would gladly have thrown
-his arms about the old Frenchman, for lack of another confidant, and
-have told him the cause of his happiness. But, after all, this reflex
-of youth could not entirely melt the reserve of manhood from him; he
-wore his thirty years lightly indeed, but could not shake them off.
-
-"Give me your axe, John; I know something of your woodman's craft; let
-me show you how easily I can fell this young tree."
-
-He took the tool from the woodcutter, and, whirling the sharp edge in
-the air, laid it at the root of the tree with a ringing blow.
-
-"It appears in truth that monsieur 'ave 'andled an axe before."
-
-"Surely, John. I once spent a summer with some friends of mine, who
-lived in a forest in Brittany; they were _sabotiers_."
-
-"Monsieur is jesting?"
-
-"Not in the least. I not only can fell a tree,--clumsily enough, be it
-confessed,--but if I had the tools I could shape you a pair of _sabots_,
-as good ones as you could buy for ten sous at Quimper; that is your
-town, I think?"
-
-He talked in short, jerky sentences between the strokes, while the white
-splinters flew about him like a hail-storm. After a few moments the
-knack which he seemed at first to have forgotten came back to him. The
-smell of the bruised bark was aromatic; the death-sigh of the young
-branches was musical as they trembled for the last time together,
-reaching out to touch their sister trees in solemn leave-taking. Their
-sigh was now drowned in the groan of the swaying tree.
-
-"Take care, monsieur, take care; it is about to fall," cried the
-Frenchman.
-
-His warning was a timely one. Graham, so long unused to the exercise of
-the craft, had not noticed how deeply he had cut into the stem. The
-straight tree seemed to hesitate, tossing its branches helplessly
-heavenward, and then with a creaking sound crashed through the
-surrounding underbrush, and with a dull thud measured its slender length
-upon the earth. For a moment its branches shook convulsively, and then
-all was quiet. It seemed as if all nature paused at the fall of so fair
-a thing: the birds were silent in the thicket; the babble of the
-water-fall grew faint; and the wood creatures stirred not in their
-burrows. A mighty breeze crept through the forest, rustling the
-surrounding trees, wailing through the open gap as if in requiem, and a
-light cloud floated over the face of the sun, throwing its shadowy pall
-on the spot.
-
-"That was well done, monsieur."
-
-And, at the sound of the man's voice, the cloud floated by and the sun
-shone out once more, the wood birds took up their song again, the
-squirrel in the hollow of the white oak went on cracking her nut, and
-the brief mourning was over.
-
-That man must feel himself indeed beloved, who fancies that the world
-will pause as long beside his grave as does the forest at the fall of
-one of its children.
-
-Not until the branches had been lopped off and the long stem cut into
-lengths, did Graham cease his labor. The exercise did him good, and
-gave him an appetite for the breakfast which old John served him in the
-open air. He declared that the coffee was better than could be had at
-the _Cafe de Paris_; and assured John that neither Paris nor Vienna
-could produce such bread as that which the old man had baked in some
-mysterious manner in an oven of his own construction, made of flat stone
-sunk in the ground. Graham remembered that he had somewhere in the tower
-a bottle of rare old wine, which he sent John to fetch.
-
-"Bring my glass and your tin cup, John."
-
-He needed sympathy, he who had lived for years without asking man or
-woman to share his joys or sorrows; he felt a new need in himself for
-human companionship; and the silent old fellow who did his bidding was
-the only soul to whom he could look for it. The ice which had encased
-his heart was broken; and instead of sternly demanding from his
-fellow-men honor, truth, and sincerity, he embraced the whole world in a
-warm, unquestioning love and sympathy. Yesterday he was a man who
-labored for his kind; to-day he was content to love them. Yesterday he
-was a reformer; to-day he was a philanthropist. The henchman returning
-with the wine, Graham filled the crystal goblet and the humble cup to
-the brim, and together these two denizens of the balmy forest drank to
-the new day which had dawned on the young man's life. After the long,
-black night which for months obscures the face of nature in the far
-northern land, the first rising of the sun touches the hearts of men
-with a deeper, more profound joy than the dwellers in a temperate zone
-can well understand. So was the light of this new love more glorious a
-thousand-fold to the man in whose life there had so long been darkness,
-than if it had arisen in a heart unacquainted with grief. In the first
-flush of happiness, his whole nature rebelled against the joyless life
-he had been leading; his work lost its attraction for him, and he could
-not have painted a stroke that day if his whole future reputation had
-depended upon it. The new impulse had swung him far out of his
-accustomed orbit; that there might be a rebound, he never for an instant
-fancied.
-
-He spent an hour in ransacking his tower to find the most beautiful
-thing he possessed to carry to Millicent. He wanted to go to her with
-something in his hand that might in some measure express the tide of
-generous feeling that flooded his whole nature. He still had a score of
-those treasures, souvenirs of his European residence, of which the
-greater part had found their way to the shelves and cabinets of his
-friends' houses. He spread them out before him on his one table,
-ruthlessly pushing aside paints, brushes, books, and drawing chalks, in
-a hubbub of disorder. With an intense interest he looked them all
-through. He had almost decided upon a rare Etruscan coin which he had
-seen roll from the palm of an exhumed skeleton, when his eye was caught
-by a tiny Tanagrine figure. The exquisite modelling of this clay toy,
-instinct with the beauty which pervaded every detail of Greek life, made
-it a more appropriate gift. The miniature woman was as truly
-proportioned as the Milo herself, and as surely constructed according to
-that greatest law of art that the world has yet seen evolved, the Greek,
-wherein are welded together the real and the ideal. A third article now
-struck his fancy as more appropriate than either of these for his first
-gift to Millicent. It was a crown of olive leaves of the purest gold,
-which might have bound Helen's brow. It had lain amidst the dust of
-eons which covers Troy with its pall; and now, in the nineteenth
-century, it was to serve as the gift of a Californian lover to his
-mistress. Surely, never before had the precious leaves encircled so fair
-a head as that which they were now destined to adorn.
-
-Among the many sins which had been laid at Graham's door by friend or
-foe, the vice of foppery was missing. That minute attention to every
-detail of dress, which is found as often in man as in woman, had no
-place in his busy life. He was, however, always neatly dressed; and the
-prosaic fashions of our time were modified as much as possible in his
-wardrobe, especially while he inhabited the forest. On this occasion,
-instead of one absent look in his small mirror, merely to ascertain if
-his hair were properly parted and his cravat neatly tied, a full hour
-was given to the process of dressing. Every suit of clothes, and each
-possible combination of the garments which his wardrobe afforded, were
-carefully considered. When at last the decision was made, the vest
-needed a button, which the artist laboriously attached to the garment.
-Taking a coarse linen thread strong enough for a halter, he made the
-button fast, taking several turns of the thread about its eye, as if he
-were belaying a rope. His cravat occupied him fully a quarter of an
-hour. He must have brushed his hair at least half a dozen times. He
-caught sight of his anxious face in the mirror, just as he was settling
-his cravat for the last time, and burst into a peal of laughter at his
-own dandyism. At the foot of the tower his sturdy mustang Tasso stood
-ready saddled. French John had given an extra polish to the sleek gray
-coat, bright enough to reflect the silver-studded Mexican bridle. A
-pair of red cockades, set at the ears of the beast, were made from
-flowers yielded by the small garden patch behind the woodcutter's cabin,
-where he raised flowers and vegetables for his patron and himself. The
-tall cock gave a condescending crow of approval as Graham mounted his
-horse; while the three cats sunning themselves near by hunched their
-backs at him, as if to express their disapproval of his idleness. It
-was still early in the afternoon, and it was not his wont to sally forth
-until the shadows were long. Where could he be going? they asked one of
-the other, purring inquisitively together like a group of women-folk
-over a cup of afternoon tea. Of all his brute friends, Tasso alone knew
-whither his master was going; he snorted scornfully at cats and cock,
-and, shaking his head playfully, sped over the bridle path with flying
-feet, as if conscious of the eyes that were watching for him, the ears
-that were strained to catch the first faint echo of his hoofs as they
-flashed over the stony orchard road.
-
-Those sweet eyes had not closed since they had last looked into
-Graham's; that white form had known no rest since it had slipped from
-his arms. The night, which had brought to him such peaceful dreams, was
-fraught with bitter memories to Millicent. She had paced her room
-through the long hours. No longer a half-yielding, shrinking maiden,
-but a woman, full of tears, before whom some great sorrow, long stifled,
-had risen up again. Was her nature then two-fold? While she was with
-other people, Millicent seemed a strong, self-reliant woman, pure and
-cold, with quick intellectual sympathies, and strong opinions and
-convictions. When in the society of the man she loved, his influence
-unfolded the closed petals of her heart as the sun kisses back the white
-leaves of the daisy, and uncovers its great golden centre to the eyes of
-all men. A new warmth shone from her eyes, and softened her silver
-voice. An unwonted shyness made her shrinking and timid under his gaze.
-A new life was born within her, so much stronger and more intense than
-any that she had ever known, that her past existence paled before it as
-the luminous circle of a night-lamp fades before the strong rays of
-morning. But when she was alone....
-
-Whatever her sombre thoughts had been, they were banished before she
-next met her lover. When she learned that he had come, she longed to fly
-from him out into the dim reaches of the forest, where he had told her
-half in jest that they had lived and loved before man's time began; when
-nymphs and dryads danced together in the shade of the oak-trees; when
-Pan reigned, and the earth was young. If she could have seen him in her
-own sanctum, where the light was softened by the dull green hanging of
-the wall, where the air was warm from the ever-flaming fire, and sweet
-with the spices burning in a great sea-shell, she would not have greatly
-cared; but the stereotyped drawing-room, with its blank white walls, was
-no place for their greeting. She went down the stairway and stood a
-moment before Graham; then, as he advanced towards her as if about to
-speak, she glided swiftly from the room across the hall and out into the
-sunlight.
-
-Barbara, standing near by, scattering corn to a flock of tame doves
-which fluttered about her, laughed as the light figure flitted by, with
-bare head, and delicate silken draperies fit only to rustle over soft
-carpets. Barbara laughed pleasantly, cheerily calling over her shoulder
-to her mother, who sat indoors,--
-
-"Look at Millicent racing with her own shadow."
-
-"'T is a substantial shadow, Bab, but otherwise the simile 's good,"
-said Hal, as he passed by on his way to the dairy.
-
-And Barbara looked again, and looking sighed. Another figure had sped by
-her, down the orchard road towards the wood,--the figure of a man,
-pursuing the flying girl, with kindled face and fleet steps. She threw
-her last handful of grain to the circling doves, went into the stiff
-drawing-room, mechanically set straight the disordered chairs and drew
-down a shade where the light fell too hotly upon a breadth of carpet.
-She paused before a mirror and looked at her own pretty face clouded by
-a pain she would not explain. More than one lover had sued for her
-hand, earnestly and tenderly, but she had listened to no suit. No man
-had ever pursued her with fleet steps and sparkling eyes, no man had
-ever brought that expression of half-shamed happiness to her face which
-had made Millicent look just now like a child racing with her own
-shadow.
-
-In the forest Graham found her standing breathless beneath an oak-tree,
-whose branches had caught her gown and forced her to stay her flight.
-
-"Again under that terrible oak; but I shall not lose you this time. Say
-that you will not vanish in his jealous arms."
-
-"He opens them to me no longer; he offers me no refuge now."
-
-"And I stand waiting for you, and hold out my hand for yours. Not for a
-dance now do I ask it, but for a happy walk which shall end only with
-our lives. Will you put your hand in mine?"
-
-For answer a little warm palm creeps into his broad fingers; and the
-oak-tree sighs a blessing on the betrothal of which he is the only
-witness.
-
-
-
-
- CHAPTER IX.
-
- "And in the forest delicate clerks, unbrowned,
- Sleep on the fragrant brush as on down-beds.
- Up with the dawn, they fancied the light air
- That circled freshly in their forest dress
- Made them to boys again."
-
-
-The life of John Graham had been one wherein the sorrowful days far
-outnumbered the joyous ones. His youth had been saddened by the
-reverses and griefs which had pursued his parents with a relentless
-persistence. His home life had not been a happy one. In the large
-family of brothers and sisters there had been a meeting and clashing of
-strong, positive characters and opposing wills. An intense family pride
-was the one bond which united them. This sentiment, almost amounting to
-a passion, made the members cling closely to one another when there was
-little of sympathy to make a sweeter bond. Graham's parents had moved to
-California, from the Eastern town where they were both born, while he
-was still an infant. The first sixteen years of his life had been spent
-on the Pacific coast. At this age he was sent eastward to pursue his
-studies. The youth had already determined on devoting himself to art.
-The years passed at the famous New England college were very busy ones.
-The painful economies by which his beloved mother defrayed his college
-expenses were well known to the young man, and he held himself
-responsible to that dear and honored parent for every hour of his time.
-His active mind eagerly grasped such fruits of knowledge as were offered
-by that garden of learning, and his career in the university fully
-repaid the sacrifices which it had entailed. During all this time he
-never for an instant relinquished his fixed determination to become a
-painter. In the leisure hours when his companions were amusing
-themselves according to their several tastes, Graham was always found at
-his easel. Some wiseacre once suggested to the young man that Greek and
-Latin were expensive acquirements, likely to prove useless to a painter.
-
-"And if I were to be a shoemaker, I should make better shoes for having
-studied the classics," was his reply to this admonition.
-
-He had not been among the popular men of his class, being very poor in
-leisure time, the currency which buys that most expensive commodity,
-popularity. He made few friends and no enemies. His strong, earnest
-nature commanded the respect of his fellows; and his studious example
-endeared him to a few of the most serious among them. At the age of
-twenty Graham went to Europe, where he passed the next eight years of
-his life in study and hard work. The sketches which he sent home
-brought him money enough to live on in that quarter of Paris where the
-young art students congregate. Poor enough the living had sometimes
-been; hunger and cold were well known to the youth by actual experience.
-When he lived at the rate of five francs a day he thought himself rich,
-and gave suppers in his studio, _au cinquieme, Rue d' Enfer_. Times
-there had been, while he was at work upon his great _Salon_ picture of
-St. Paul, when a loaf of bread and five sous' worth of the rough red
-wine of the people, had sufficed for his day's provender. Those days of
-earnest work among the gay companions, whose lives much resembled his
-own, were, perhaps, the happiest time in the life of the young artist.
-Success had not been wanting to crown his efforts. The picture on which
-he toiled for weary days and months received "honorable mention" from
-the judges of the _Salon_; and to the passing fame which this success
-brought him, he owed his introduction to the woman who had so spoiled
-the happiness of his youth. She was his compatriot, the daughter of a
-rich Parisian American, who desired to make the acquaintance of the
-artist hero of the hour. The young woman was beautiful, heartless, and
-slightly emotional. While in the society of the handsome, spiritual
-painter, she yielded to the charm his strong spirit exercised over her;
-and it was not long before their names were linked together by the small
-world which knew them both. But Graham's happiness was short-lived; and
-a few months served to show him the cold, shallow nature of the woman
-who had aroused his first passion. After he had been jilted and
-disillusioned, he turned his back upon the city where he had learned and
-suffered so much, and became a wanderer on the face of Europe. One year
-found him painting the beauties of Southern Spain; the next saw him
-sketching the wonderful scenery which lies about Stockholm.
-
-About two years before the opening of our story he had returned to San
-Francisco, with a portfolio of sketches, a few hundred dollars, and a
-prodigious store of canvases, paints, and brushes. He was welcomed by
-the many friends who had followed his career with interest, and soon
-received more orders for portraits than he could well fill. His taste
-led him to prefer another branch of painting; and it was for the purpose
-of studying the very beautiful scenery in the neighborhood of San
-Rosario that he had established himself in the tower of the old Spanish
-Mission. He was also partly induced to take this step, because he found
-that home life, always irksome to him, had become, after his long
-emancipation from domestic rules and regulations, wellnigh intolerable.
-
-Graham's character was a peculiar one, full of contradictory traits; it
-might be compared to a mass of white quartz, through which ran deep
-veins of the purest gold. In some respects it was a hard nature, with
-certain tender qualities; and nowhere was there to be found an ounce of
-base metal; a pitiless nature, which knew not how to forgive either its
-own faults or those of his fellow-men. If his judgments of others were
-harsh, his self-despair was sometimes fanatical. His ideal of manhood
-was as pure and noble as was that of the perfect King Arthur; that he
-failed a hundred times a day in living up to it, had not the effect of
-lowering that ideal one hair's-breadth. His highest duty was towards
-his own soul and its struggle to reach the perfection he held it to be
-capable of attaining. With the mind of an ascetic, he was endowed with
-a warm, sensuous temperament, having a passionate delight in beauty,
-light, and color, and capable of living through the senses with the keen
-enjoyment of a Sybarite. A strain of music, a beautiful flower, or a
-fair child moved him to a degree of pleasure that to any nature save an
-artistic one was incomprehensible. Filled with pity at the sight of
-distress, he would unhesitatingly give his last dollar to a needy
-rascal; but if appealed to for sympathy by the same sinner, the
-scorching contempt by which he would blast the shameful deeds for which,
-to him, there was no palliation, would leave the wrong-doer a sadder if
-not a wiser man. Because he expected so much of men, their
-short-comings outraged him. To a man of this character it was easier,
-if not better, to avoid the paths of his fellows; and his life had often
-been that of a hermit, even when he dwelt in the busiest cities of the
-world. Not willing that one shadow from the burden of his life should
-fall upon the paths of those who cared for him, his voice and face were
-always cheery when in their company. He wanted not the sympathy of man
-or woman, and endured what griefs were given him to bear in silence and
-alone. That divine mandate, "Bear ye one another's burdens," was
-meaningless to him; for he had ever borne his burden unsupported and
-unhelped. The struggle between the two sides of his nature, the ascetic
-and the poetic, seemed sometimes like to rend soul and body apart; at
-other times both contending forces seemed asleep, and the current of his
-life flowed peacefully on. There were periods when the tender golden
-veins seemed to overlap and hide the flinty quartz; then he felt alive,
-with thrilling pulses and lips breaking into song; then he painted
-rapidly, painlessly, achieving quick successes, sometimes making
-brilliant failures. At other periods hyper-criticism of himself seemed
-to weight his brush and dim his vision, to take the color from the warm
-earth and tender sky; then the life-blood pulsed slowly through his
-veins, and he forgot to sing.
-
-Into the existence of this self-centred being, with its extremes of cold
-and warmth, few personal influences had crept; and now, for the first
-time in many years, he felt his life to have become entangled, for good
-or ill, with that of another human creature. Since his first meeting
-with Millicent, on that memorable night when he had found her the
-central figure of a picture of warmth and comfort, his frozen existence
-had been thawed and made happy by the subtle influence which she wielded
-over him. Without reasoning with himself, he had yielded to the
-pleasurable charm, only amazed, and perhaps a little glad, to find that
-there was a woman who could rob him of his well-earned sleep, and dance
-through his dreams at night with a wilful persistence. If he had been
-obliged to characterize the influence which the girl held over him, he
-would probably have said that she made his life vivid, and reminded him
-that his nature was human and not mechanical. Day by day her presence
-became more necessary to him; and his work was slighted, or hastily
-performed, in order that he might be free the sooner to reach her side.
-Without retrospection or introspection he had lived through the pleasant
-days at San Real, when Millicent's heroic behavior had made him feel
-doubly grateful to her: he now owed her his life, as well as the new
-pleasure in that life. When the happy visit had come to an end, and he
-had parted with her after the return to the Ranch, it had seemed as if
-he could not leave her as a friend only. That one swift, silent embrace
-had broken the peaceful contract of friendship; and he had sealed the
-tumultuous untried bond of love upon her lips.
-
-Since that white night with its unspoken protestation, Time seemed to
-have taken unto himself new, strong wings, on which he bore the lovers
-through the bright weeks of the spring-tide of love all too swiftly.
-Few words of explanation had been necessary; each understood the other,
-except when that chill, impalpable something seemed to come between them
-like a cloud, as it had done in the first days of their acquaintance.
-The one note which was never absolutely in tune in their love harmony,
-at these times made a discord, and disagreements which grieved them both
-sprang up between them; but these were rare, and the pale face of the
-artist was less shadowy than in other days; while Millicent seemed
-transformed from a statue to a living being, with a heart tender and
-full of love towards all her kind. But her cheek grew less round than
-it had been in the days before this new life was poured into her veins,
-and long, sleepless vigils told upon her strength. She was happy with a
-joy of which she had never before dreamed, and yet weary nights of
-weeping traced dark circles about her eyes. What struggle could it be
-that left her pale and broken, and drew pitiful sighs from her white
-lips when she found herself between the four walls of her own room? One
-word from Graham, the sound of his horse's hoofs as he drew near the
-house, would banish the pained look, call back the color to the lips and
-cheek, and give the old brightness to her deep eyes; but when he was
-gone, the painful thoughts winged swiftly back to torture her.
-
-To the sweet, open-hearted Barbara, Millicent's state of mind was
-incomprehensible. The cool, indifferent, somewhat scornful girl had
-been transformed into an excitable, impulsive creature, always in one of
-the extremes of spirits, by turns gay with a gayety contagious,
-irresistible, committing every sort of extravagance; and again serious
-with a tragic sadness, more pathetic than the wildest weeping. Mrs.
-Deering, with that sublime unconsciousness which sympathetic women know
-how to assume at will, saw nothing.
-
-The happy summer weeks slipped all too rapidly away, and the last days
-of August were come. It was at this time that a long-planned excursion
-took place, and the family of the San Rosario Ranch went to pass the day
-with some friends who were camping out at a distance of fifteen miles
-from the house. Ever since her arrival in California, Millicent had
-heard of Maurice Galbraith, a friend of the family, whom a combination
-of circumstances had prevented her from meeting. It was to his camp
-that they were wending their way when Graham joined them on horseback,
-as they drove down the shaded road which passes through the great grove
-of redwoods, and leads to the dusty highway. Millicent was driving in
-the light phaeton with young Deering; Barbara and her mother following
-in the large wagon driven by Pedro, one of the Mexican helpers.
-Crouching on the floor of the wagon behind the seats sat Ah Lam, with
-his spotless linen and shining coppery countenance. He could not sit
-beside the "Greaser," or Mexican, and this lowly place was allotted him.
-His round, placid face, with its clear brown skin and oblique eyes, was
-not an unpleasing one. His hands and arms were finely modelled, and his
-sturdy figure was of a much more solid type than is usual with his race.
-From his position it was possible for him to hold a parasol over Mrs.
-Deering, which he did without varying the angle of the rather heavy
-umbrella one degree during the whole long journey. He had been taught
-that hardest of lessons for the Chinaman,--that obedience and respect to
-the ladies of the family are even more necessary than submission to the
-master. On his arrival at the Ranch he had coolly and placidly ignored
-all orders given him by the female members of the household as unworthy
-of notice. When he finally had learned the lesson that "Melican woman
-boss too," he had never failed in respect to the ladies.
-
-The drive was a beautiful one. The road led through deep valleys, still
-wet with the night dew; sometimes it curled around the side of a
-mountain which barred its progress, and again it plunged down to the
-level of a swift stream. There was a certain spot where Millicent, who
-was familiar with the first five miles of the route, always stopped for
-a few moments. Sphinx had grown accustomed to bring his sleepy gait to
-a standstill just at the brink of the bridge which spanned the rushing
-forest river, grown boisterous at this place. All about the spot stood
-the great hills, some green with the never-fading redwoods and madrone
-trees, others, stripped by the woodman's craft, naked and unsightly.
-Behind them stretched the hot, red high-road, with its group of humble
-cabins. In front of one of these a group of strange, wolfish-looking
-children had called a greeting to Pedro, the driver, who was of their
-kin. The narrow, weather-beaten bridge, with its shaky wooden piers,
-joined the highway over which they had come, to a forest road which hung
-over the stream and skirted the mountain's base. The gray ruin of what
-had once been a mill stood on the farther bank, with rusty, idle wheels
-and empty grain-bins. There was a small islet in the stream, between
-which and the near bank was a clear pool which reflected with perfect
-distinctness the trees and rocks, the very ferns and marsh flowers of
-the overhanging bank. Here the party paused for a few moments, enjoying
-the familiar beauty of the scene.
-
-"You will paint this place one day for me, will you not? I care very
-much for it." Millicent was the speaker; and the artist close at her
-side laughed and answered,--
-
-"Your will, of course, is my law, lady; but when you can teach the bird
-on yonder twig a new song, you can perhaps choose a spot where a painter
-shall see a picture. Much that is beautiful in nature cannot be
-portrayed in art."
-
-For a moment longer they paused on the bank, little thinking how that
-scene would be graven on their memories in after days; and then Hal
-brandished his whip, and Sphinx started off at a brisk trot, the strong
-mules following at the top of their speed, while Graham led the way on
-his fleet mustang. It was not far from high noon when the party arrived
-at the place of destination, recognized by a flag floating above the low
-underbrush at the foot of a hill. In reply to Hal's lusty hallooing, a
-young man emerged from the other side of the hill, and waving his hat in
-greeting, hurried to help Mrs. Deering descend from the wagon.
-
-"How late you are, good people!" he cried in a pleasant voice. "The
-fellows thought you were going to disappoint us; but I had too much
-faith in your word, Mrs. Deering, to doubt you. Miss Deering, you were
-too quick for me; your agility is only excelled by your grace. Well,
-Graham, glad to see you; for once you are better than your word."
-
-The young men shook hands with that punctilious politeness which
-gentlemen who do not quite like each other are apt to show in the
-presence of mutual lady friends. Deering presented their host to Miss
-Almsford, and at that moment the other two woodmen made their
-appearance,--Michael O'Neil, a jolly-looking young Irishman, and Dick
-Hartley, a dark-browed Englishman. The three men were intimates at the
-Ranch, and Millicent already knew O'Neil and Hartley; the latter was an
-old friend and travelling-companion of Graham. Leaving Deering and
-O'Neil to take care of the horses, Galbraith led the way to the camp, a
-sheltered spot on the south side of the protecting hill. Three small
-sleeping-tents here stood close together. Galbraith's was the central
-one; it was wonderfully luxurious, Millicent thought, with its
-comfortable rug and little iron bedstead, two chairs, and a
-writing-table. A small looking-glass had been brought from town "on
-purpose for the visit of the ladies," Hartley assured them; at which
-statement there was a general laugh at the young Englishman's expense,
-his personal vanity being well known. But it was of the greenwood
-drawing-room that the ladies expressed the highest approval. A square
-space of ground had been cleared of the dense undergrowth, its smooth
-surface being thickly carpeted by soft piles of fresh, sweet ferns.
-Close-growing shrubs and bushes served as walls, while the thick
-branches of the great trees made a roof close enough to keep out the
-heat of the sun. The flowers of the manzanita and the buckeye perfumed
-the air of this sylvan boudoir, wherein were ranged comfortable stools
-and camp-chairs. A wide hammock fitted with a red blanket swung between
-two straight tree stems. Here they sat for a while, resting from the
-long drive; and here it was that Millicent had time to observe more
-particularly the appearance of Mr. Maurice Galbraith, of whom she had
-heard so much. Galbraith was not, strictly speaking, a handsome man,
-though he had a good deal of beauty. He was tall and slender, with a
-finely shaped head, well set upon the shoulders. His bright,
-intelligent face was too thin for beauty; while the fine, brilliant
-eyes, with their heavy lashes, were hollow from over-work. His delicate
-chin and mouth were exquisitely modelled; while the nose seemed a trifle
-over-large through the extreme thinness of the face. The features in
-repose were almost stern in their look of concentrated thought; but when
-he laughed it was with the sudden merriment of a child, the mouth
-parting over the small white teeth, and the large, dark, hollow eyes
-flashing cheerily. Barely over thirty, he might have passed for some
-years older, an unflagging attention to his arduous profession having
-told somewhat upon his strength. Among the lawyers on the Pacific
-coast, Galbraith was considered a rising man, his late appointment to a
-district attorneyship proving the confidence which he enjoyed.
-Millicent thought him decidedly the most attractive of their hosts; but
-her quick intuition had already told her that Graham felt little
-cordiality towards him, and she spoke chiefly to Hartley, the rather
-insignificant "beauty man" of the camp. From him she learned that for
-several years the trio of friends had passed the summer months in
-camping out at some spot not far distant from the railroad, which
-carried them every morning to San Francisco, and which brought them back
-as early in the afternoon as might be. Their one henchman (of course a
-Chinaman) was left in charge of the camp during the day, and performed
-the household work necessary to so primitive a _menage_. Not far
-distant from the camp, the stream whose course they had followed spread
-out into a wide, deep pool, affording an opportunity for a refreshing
-plunge, with which the three friends were wont to begin the proceedings
-of the day. A breakfast eaten at the tent door was followed by a walk
-to the station, half a mile distant, when they bade good-by to their
-sylvan home. Four o'clock, or at latest five, saw them on their way
-from the city; and an hour or two of angling in the cool stream, wherein
-swam delicious trout, or a tramp through the woods with a gun, brought
-them to the dinner hour. Just at this point in Hartley's chronicle of
-their daily life, Ah Lam, who had been brought to assist the one servant
-of the camp in his preparations, announced that dinner was served.
-Millicent never learned how the evenings were passed in camp, for there
-was a general move towards the dining-room, another triumph of sylvan
-architecture. A few paces distant from the green parlor, but hidden
-from it by the thick intervening bushes, was a great fig-tree with
-wide-spreading branches laden with delicious purple fruit. At the foot
-of the tree stood a table laid with plates, knives and forks, and other
-appurtenances of civilized life. Millicent gave a little cry of delight
-at the prettily decorated board, which was wreathed with a garland of
-green leaves and covered with bright flowers. Barbara, who had been
-reading Dumas with that intense delight to which the first acquaintance
-with French romance gives rise, said that the banquet surpassed the one
-spread by Joseph Bassano for the Dauphine of France in the old Chateau.
-Millicent found herself at the table between Graham and the good-natured
-Irishman, O'Neil. Her lover seemed to her handsomer to-day among this
-band of his contemporaries than ever before; and she looked at him with
-her whole soul in her eyes, forgetting all in the world beside or beyond
-him. O'Neil, who was the wit of the camp, told funny stories at which
-every one laughed; but when Graham spoke, the men all listened, like
-soldiers waiting the words of their superior. Before they had come to
-the table, the artist had twined a girdle for Millicent's slender waist
-of some feathery green creeper, a spray of which she had wreathed about
-her head. When the red wine was poured, Graham spilled from his glass,
-as if by accident, a few drops upon the earth, then, touching his goblet
-to hers, he said in an undertone,--
-
-"We will drink the old toast, my nymph, to Pan, _evoe, evoe_!"
-
-Galbraith devoted himself to Barbara; and after dinner, when all justice
-had been done to the woodland fare, and the great warm figs had been
-eaten with the sunshine in them, the party broke up into groups.
-Graham, who had brought his colors, made a sketch of the view from the
-hilltops, Millicent sitting silently beside him, handing him the brushes
-as he required them, then squeezing the little tubes of paint with a
-childish delight. Barbara and Galbraith made their way to the pool,
-where Miss Deering angled successfully, landing four good-sized trout
-within the hour. Hal Deering and O'Neil employed the time in firing at
-an ace of hearts pinned to a tree; while Hartley and Mrs. Deering sat in
-the green parlor, where the thoughtful, motherly woman put a very
-necessary patch on one of Galbraith's coats, in which her quick glance
-had descried a rent, as it hung on a peg in his tent.
-
-As the afternoon shadows lengthened, and his sketch drew near its
-completion, Graham found time occasionally to speak to his companion
-sitting so quietly and contentedly at his side. The absolute ignoring
-of self possible to this intelligent girl, with her strong mind and
-latent talents, was incomprehensible to him. She was perfectly happy to
-forget her individual existence in a sympathetic interest in his work.
-He felt sure that should it please him she would give up her music, her
-studies, every other interest in life and be content to sit always as
-now, watching his work, giving a word of intelligent criticism when
-asked to do so, stifling every thought which should cloud the mirror of
-her mind in which he might see himself ever reflected. To the sensitive
-man, who had passed most of his life in solitude, this absolute,
-unreasoning devotion had something intensely painful about it. If he
-had known how to frame his thought he would have begged her to care less
-for him. He felt himself an ingrate, so poor a return could he make for
-this wealth of love poured out at his feet. Her presence was a pleasure
-to him; he loved to watch her graceful motions as she walked, and the
-beautiful poses which she all unconsciously took in sitting, standing,
-or moving. Her appreciation of his work, her understanding of himself,
-were truer than ever man or woman had shown before; and yet he sometimes
-was annoyed by the irksome feeling that what he had to give her was but
-a bankrupt's portion of love. Times there were when this feeling did
-not intrude itself upon him; and the day which was now drawing to its
-close was one of those precious ones wherein had been no slightest
-misunderstanding betwixt them. When Hal came to tell them that it was
-time to return, Graham put up his work with a sigh that it must be so
-soon finished, and the two lovers lingered for a moment, taking a last
-look over the little camp.
-
-After bidding their hosts farewell the guests turned their horses toward
-home, the larger wagon with Mrs. Deering and Barbara leading the way.
-Sphinx, whose best days were over, was tired; and Millicent soon lost
-sight of the swift mule team. Graham rode a little in advance of the
-carriage, leaving the place at Millicent's side to Mr. Galbraith, who
-had volunteered to accompany them for a part of the journey. She found
-him a most attractive person, and was much interested in his
-conversation. He told her anecdotes of the primitive justice which
-prevailed in certain remote districts of the State, and gave some
-personal reminiscences of his earliest cases, in which he had been
-called upon to defend or accuse criminals of the most desperate class.
-Galbraith talked with that sort of brilliancy which requires sympathetic
-attention from his hearers, and for the first three miles of the road he
-was able to win this from Miss Almsford. When, however, the girl's eyes
-wandered from his intelligent face to the man on horseback half a dozen
-rods in advance, and she mentally compared the strong, elastic figure of
-the distant horseman to the man at her side, Galbraith found that it was
-time to return to the camp and "leave them to their own fate."
-Millicent's parting words were doubly gracious to the young lawyer, from
-the fact that she thought his departure would bring her lover to her.
-In this hope she was however disappointed, for Graham was in one of
-those moods when silence was more attractive to him than Hal's amusing
-companionship. He would have liked to have Millicent all to himself on
-that pleasant homeward ride; but Millicent with the inevitable addition
-of Deering could not win him to her side. Suddenly the two in the
-carriage saw Graham's horse give a wild rear and plunge, after which he
-shied at some unseen object by the roadside with a force which would
-have unseated any ordinary horseman. The animal now stood for an
-instant trembling in every limb, and then seemed to fling himself and
-his rider in a perfect agony of terror down the high-road, his four feet
-beating out the startling measure of a break-neck gallop to Millicent's
-horrified ears. From the cloud of dust, and through the cadence of the
-mustang's hoofs, these words were shouted back to them,--
-
-"Look out for rattlesnakes!"
-
-They had by this time reached the spot where Graham's horse had taken
-fright; and old Sphinx shivered violently, tossing his head and snorting
-loudly. In a few moments, it seemed to Millicent an eternity, Graham
-rejoined them, having regained control over his fiery horse.
-
-"Deering, stand by Sphinx's head and hold my horse, will you?"
-
-As he spoke John Graham dismounted, pulled his high boots over his
-knees, and seizing the heavy whip from the carriage, advanced cautiously
-to the edge of the road, while Hal soothed the startled horses.
-Millicent, left alone in the wagon, gave a low cry of terror. Graham
-was at her side in an instant.
-
-"Dear one, you must help me with your courage; do not be afraid, there
-is really no danger," he murmured. She was silent, and tried to smile
-an answer.
-
-Graham now walked slowly along the road, looking intently into the grass
-which lined the highway. Suddenly the dread sound of the rattle was
-heard, awful alike to man and beast. Sphinx started again, but was soon
-quieted, while Tasso reared and gave a shriek of terror. Graham, raising
-his heavy whip, brought the thong with a tremendous force across the
-snake's body. The creature reared itself with blazing eyes and sprang
-towards its pursuer, who dealt it another blow; and before it could coil
-itself for a second spring, Graham ran forward, and with his iron
-boot-heel crushed the reptile's head into the dust. He soon despatched
-the writhing creature, and was stooping to cut the rattles from its
-lifeless body, when a warning cry from Millicent told him that the
-battle was not over. The mate of the dead snake was close beside him,
-ready to spring upon his stooping body. He straightened himself, and
-ran backwards, firing his revolver as he went. The shot missed the
-snake, whose rattle rang out a very death-knell. It leaped savagely
-towards him. Graham had dropped his whip, most efficient of weapons
-with which to meet these dangerous animals, and hastily tearing off his
-coat he threw it over the snake. He sprang upon the garment and stamped
-in every direction; finally pinning the creature low down in the body,
-the bristled head, with its awful tongue, reared itself from beneath the
-folds of the coat, wounded but furious to avenge its mate. The horrible
-hiss chilled Millicent's blood. She saw the forked tongue dart out and
-strike Graham's leg. Mercifully it struck below the knee, the fang
-failing to penetrate the thick leather of the boot. The creature
-wreathed another coil of its length from beneath the iron heel, and
-again made ready to strike. Graham cocked his revolver, and while the
-angry red throat, with its death-dealing jaws, yawned before him, he
-poured a volley of hot lead into the writhing body. One, two, three
-shots Millicent counted; and then after a pause Graham's voice rang out
-brisk and clear: "All right, my girl, if there are no more of the
-beasts." The still quivering bodies of the snakes lay in the dust of
-the road, and Graham, recovering his whip, carefully examined the
-locality from which they had emerged, to see if by chance a nest of eggs
-or young ones was to be found. His search was unsuccessful; and after
-securing the second rattle, which was a long one, proving how powerful
-the reptile had been, he measured the bodies of the dead snakes, and
-rejoined Millicent. She held out her hand to him; and Deering, who had
-had as much as he could do in controlling the two horses, congratulated
-him on his success, and was about to resume his seat in the carriage.
-Millicent had been perfectly quiet and composed during the time of
-danger; her firm hand and voice had controlled the frightened horse; her
-watchfulness had warned Graham of the approach of his second enemy. But
-now the snakes were both dead, her lover was safe, and there was no
-further need of her strength or composure. As Hal approached the
-carriage, she dropped the reins, buried her face in her hands, and burst
-into an uncontrollable fit of weeping. Hal, who had lifted one foot to
-the step of the vehicle, dropped it to the ground, and retreated a few
-paces with a frightened countenance. He would not have been afraid to
-encounter a nest of rattlesnakes, but a weeping girl completely unnerved
-him. He retreated behind the wagon, and, after a hurried conversation
-with Graham, without more ado, mounted that gentleman's horse and rode
-off as fast as the animal would carry him; while Graham quietly stepped
-into the vehicle, and touching Millicent lightly on the shoulder, said,
-"Millicent, it is I."
-
-The passionate weeping grew more quiet; the sobs became less violent; a
-slight tremor ran through her frame at the touch; at the words the tears
-rolled back to their source; and presently a pale face was lifted from
-the supporting hands, and the mouth quivered into a smile. And so they
-rode home together, hand in hand, through the deepening shadows; and one
-more day of the sweet summer-tide of love had passed, and each was
-richer for that day, how often recalled by both of them when the shadows
-of life had deepened into night.
-
-
-
-
- CHAPTER X.
-
- "Thereon comes what awakening! One grave sheet
- Of cold implacable white about me drawn"--
-
-
-John Graham was one of those men in whose nature there seems no trace of
-feminality. Man and woman supplement each other, each bringing certain
-qualities to the completion of humanity; and yet it is rare to find a
-man whose character is not modified by some mother trait. Graham's
-qualities and his faults were equally masculine; he was more strongly
-attracted by women through this intense virility than are men who,
-having some trace of the feminine in their nature, understand and
-sympathize more perfectly with the opposite sex. The attraction was one
-against which he rebelled, deeming it to belong to the weaker side of
-his nature; and he had so ordered his life that it might not fall within
-the influence of maid or matron. This antagonism to woman made itself
-felt in his work; his successful pictures were of men, their high
-exploits and successes. A noble painting of Saint Paul, which now hung
-over the altar of a Roman Catholic church in San Francisco, had won him
-his first reputation in Paris; he could understand and sympathize with
-that great man as if he had known him. It was only the highest type of
-man that attracted him,--the lovers of men, and not their conquerors.
-He had never tried to paint Alexander, but had labored long and lovingly
-over a picture of Socrates. The female subjects which he had treated
-were not less powerful than these, but the force which they showed was
-scornful and untender. A marvellous painting of Circe hung in his
-studio; it was one of his most masterly works, and yet, though critics
-had praised and connoisseurs had approved it, the picture was still
-unsold. With black brows bound by red-gold serpents, the enchantress lay
-upon a luxurious couch; her beautiful body was but half veiled, the arms
-and bosom immodestly displayed; about her jewelled feet fawned the
-creatures whose brute natures had conspired with the enchantress to
-smother whatever was human in their beings; self-despair and scorn for
-their abasement deformed her regular features to that moral ugliness
-never so hideous as when seen in a youthful and beautiful face. A
-terrible picture, full of wrath, but untempered by mercy. His Cressida,
-purchased by a great European Academy, was another wonderful picture; a
-picture which made men smile a little bitterly, and had brought an angry
-flush to the cheek of more than one sensitive woman.
-
-Over a man of this nature woman holds a more important influence than
-with any other class; it may be a good influence or it may be a harmful
-one, but it is the most potent one which touches his life. Had John
-Graham loved happily at twenty-five, instead of most miserably, he would
-have been a very different man at thirty from the hermit artist of San
-Rosario. It would have been better for him if he could have learned the
-lesson which all wise men learn if they live long enough,--that women
-are neither angels who stand immeasurably above men, nor inferior beings
-whose place is at their feet, but human like themselves, full of good
-and faulty instincts, and, with all their imperfections, the God-given
-helpmates of man. So justly should they be judged; and if a little
-mercy be claimed for them, generosity should not deny it, so few are
-their chances in life compared with those of their brothers. A woman
-has but one possibility of happiness in this world. The stakes are high
-on which she risks her whole fortune, which she may lose by one
-unredeemable throw.
-
-If Graham could have known all this, as, being what he was, he could
-not, he would have gained that one element which his genius lacked to
-make it superlative. Man and child he was by turns, but never for an
-instant had he been able to look at life from the standpoint of a woman.
-He had once loved the whole gentler sex with that chivalrous spirit
-which made him unfit to live in the nineteenth century. No discourteous
-or cruel word toward any woman had he to reproach himself with; he had
-looked upon them as creatures so far removed from his sphere, that his
-mind must be cleared of every base thought before it might dwell upon
-them; they were mysterious angels which it was his happiness to worship.
-Then came a change, and the love which had turned to grief darkened his
-soul. As his heart had been filled with a love so great that it
-embraced all the sisters of his idol, his contempt went out towards
-them, as his love had done before. His revenge had been terrible: he
-had struck at womankind; he had pictured it in its debasement for all
-the world to see.
-
-The few women for whom he cared were elderly people, whose life-battles
-had been fought and won; who sat enthroned in the calm of that peaceful
-period when youth is no longer regretted nor old age feared. Such women
-he could paint without bitterness; and his portrait of his mother was a
-masterpiece of exquisite sentiment. No woman that he had ever met
-disliked John Graham; if he was distant and cold, he was honest and
-courteous, and a gentleman in the deepest sense of the word. He was too
-chivalrous to revenge himself on any individual; his grief was too great
-to stoop to anything so mean. More than one woman would gladly have
-loved him, but he avoided them as if they had been poison-nurtured.
-
-Men, as a rule, respected and feared Graham; a few of his heart-friends
-would have given their lives for him with a smile. To those who
-understood and loved him, there was something more than human about the
-man,--a quality to which the highest part of their nature did homage.
-Fools laughed at him for his quixotism; the critics had worn themselves
-out in shrieking abuse of his work which affected him in nowise. He
-cared little for men's praise or blame; he would have died to help them
-to a new truth. He was of the stuff which made martyrs in the old time,
-crusaders in the dark ages, and artists in the Renaissance. His
-pictures were beautiful as works of art, but they were great because
-they embodied living truths. At twenty his friends said that he had
-great talent; at thirty his enemies ceased to deny his force; at forty,
-if he lived so long, the world would crown him with its laurel as a man
-of genius. If haply that bitterness which lay like a blight on all his
-work, on all his life, might be made sweet! What a chance was here for
-the woman whose love was now breaking over his frozen life with warmth,
-fragrance, and beauty! How grand an opportunity to sweeten by truth and
-faith all that had grown bitter from untruth and faithlessness! If she
-could only have known him as he was, have understood him and his past,
-before she had loved him, what could not Millicent have accomplished!
-Alas! poor child, she knew nothing of all this. Her own past was black
-with a grief and wrong greater than that which he had borne. She, too,
-was waking, and for the first time, from a trance of soul and sleep of
-heart; she was all engrossed in her own growth and development. She was
-like a little dungeon-born plant, which has at last climbed through the
-iron bars, and under the light and warmth of the glorious day runs
-riotous and unthinking across the wall, up, down, on every side, content
-to live and grow in the sun and air. But the taint of the old wrong and
-the lie it had entailed, were not yet left behind. He had taken her for
-a pure white lily; and how could she tell him that there had been a time
-when she lived in darkness and despair before her life flowered into its
-one perfect white blossom under the warmth of his love?
-
-Life is very pleasant at the San Rosario Ranch with its bordering of
-peaceful hills. Here all are happy, be they of high or low degree; from
-the gentle-voiced _chatelaine_ to the stranger within her gates, the
-potent charm extends. The fair daughter and tall son have lived
-peaceful, uneventful lives; and though their young eyes may sometimes
-turn a little wearily toward the mountain barrier, beyond which lies the
-great busy world, known more to them by hearsay than by actual
-experience, they are happy, far happier than are most of the men and
-women in the crowded thoroughfare of the world's cities. The Ranch does
-not lie in the belt of gold, nor in the silver girdle which crosses the
-Pacific coast. The rude mining towns are far distant from this portion
-of the dairy lands of California. The trains which leave the station in
-this neighborhood are laden indeed with a golden freight; but no armed
-men are found necessary to guard the boxes filled with their rolls of
-fragrant yellow. The product of the dairy lands is of a smaller, surer
-value than that for which men toil and drudge in the gulches or mines.
-Far away to the southward, where the orange groves are white and golden
-with their double burden of blossom and fruit, is a climate milder than
-that of San Rosario; and there Hal had set his heart upon one day
-establishing himself. In that vine country the air is heavy with the
-spicy odor of the grape, and the harvest is blood-red with its
-life-juices; and yet to Millicent the fairest garden in this world's
-garden lay between the circled hills of San Rosario.
-
-Millicent, having learned the earliest stage of butter-making under
-Hal's direction, wished to be initiated into the mysteries which follow
-the skimming of the cream. Hal gave one of his boisterous guffaws of
-laughter when she one morning gravely informed him that she was going to
-help in that day's churning. She had donned the prettiest chintz
-morning gown imaginable, with the sleeves rolled up to the elbow, and a
-fresh white apron. Her skirt was kilted up half way to the knee,
-showing a scarlet petticoat, which in turn exposed the pretty, small
-feet, and possibly two inches more of the round ankle than is usually
-shown by ladies of her degree. Tying one of the great picturesque hats
-which they had brought home from San Real, under her chin, the energetic
-young woman started for the dairy. Hal, giving a knowing wink to his
-mother and sister standing near by, as if to say that the joke was too
-good to be spoiled, followed her, with Tip, the cross old dog, following
-him in turn.
-
-"Millicent, did you ever do any churning?"
-
-"No, but I can learn."
-
-"Without doubt; but tell me, did you ever see any one else churn?"
-
-"Oh, yes; very often."
-
-"Who, if one may ask?"
-
-"You will not know any better if I tell you. It was old Nina, at home."
-
-"Ah, old Nina; and what sort of a machine did she use?"
-
-"She did not use a machine at all; she used a churn, like anybody else."
-
-"What did it look like?"
-
-"I am sure I have forgotten; it was probably an old-fashioned one, but
-it made quite as good butter as _yours_ does;" this in a slightly
-irritated voice. She objected to being catechised, and had, moreover, a
-dim sense that Deering was bent on quizzing her. She ran along the
-footpath in advance in order to avoid further questioning, and reached
-the dairy a few minutes before him. Finding the main door shut, she
-hurried round to the side, when, just as she turned the corner, her
-rapid progress was suddenly brought to an end. She had met an obstacle;
-she had, moreover, fallen into the arms of the obstacle, which proved to
-be a tall man with a kindly voice, for he called out merrily, "Hello, my
-girl, where are you going so fast?" steadying her at the same moment
-with his arm, as the sudden shock almost precipitated her from the path.
-
-Millicent drew back disconcerted and breathless, and looked up into the
-face of the man whom she had so unexpectedly encountered. When she saw
-that it was a face familiar to her, she blushed and stammered a little
-as she replied to his astonished greeting. Mutual apologies and
-explanations followed; and Hal, coming up at that moment, laughed at her
-discomfiture till the tears rolled down his face.
-
-"You always laugh at other people's misfortunes," cried Millicent,
-trying to be angry; but it was impossible to be angry with Hal. The
-irrepressible young rancher carried the day; and Maurice Galbraith
-assured Millicent that it was his awkwardness which had aroused
-Deering's merriment.
-
-"We are very glad to see you, Galbraith, but we are too busy to stop and
-talk to you just now. You will find mother and Bab at the house. I have
-a new hand here who is going to take charge of the churning in future,
-and I am just showing her about a little. Do you catch on?"
-
-"Slang again! Five cents more towards the amusement fund."
-
-"Oh, we shall not want any more amusement fund if you are going to turn
-worker, Princess." As he spoke they entered the cool dairy. It was
-tenantless. At one end of the room stood a large wooden vessel, half as
-big as the Trojan horse, and from its hollow sides came a dull,
-splashing sound.
-
-"Why, you said they would be at work already," said Millicent, in a
-disappointed voice; "where are they all?"
-
-"Oh, it only takes one man to attend to this part of the butter-making,
-and there he is at his post."
-
-Outside the open doorway, as wide as the entrance to a barn, sat Pedro,
-lazily smoking his pipe, and occasionally flicking with his whip the
-strong mule who was slowly revolving round the small space to which he
-was tethered.
-
-"Well," said Millicent impatiently, "what does that mean?"
-
-"Only this, my Princess, that you must turn the crank that this animal
-is agitating, with your own small hands, if you persist in your
-resolution to help with the churning."
-
-Millicent's face fell; and Galbraith hastened to explain to her that the
-quantity of cream handled at one churning made it necessary, in a place
-where human labor is so dear, to employ horsepower. Nobody likes to be
-laughed at, though Millicent tried hard to smile at her own blunder;
-when Hal, suddenly calling out; "By your leave, Princess," without a
-word of warning caught up the young lady in his arms, and placed her on
-the back of the patient mule, remarking, as he accomplished the feat,
-"No one can say now that you have not helped with the churning."
-
-It would be difficult to say whether Millicent or the mule felt the
-greater surprise; they were both taken unawares; but the quadruped was
-the first to recover himself, and resumed his weary task of plodding
-round in the monotonous circle. Millicent, clinging closely to the
-creature, cried loudly to be relieved from her uncomfortable position;
-but Hal, fearing her wrath, had disappeared into the interior of the
-dairy, leaving to Galbraith the pleasure of assisting the young woman in
-dismounting. Pedro, who had been an amused spectator of the scene, now
-announced that the churning was completed, and that they should soon see
-the washing of the butter, if it pleased them to wait. The big golden
-fragments were collected from the sea of buttermilk, and finally massed
-together on a wide table. There it was worked by Pedro, who tossed the
-fragrant mass from side to side, pressing out the remaining deposits of
-the milk with a heavy wooden wand. He moulded the butter into fantastic
-forms, prettiest of which was a huge bell-shaped flower like a giant
-trumpet blossom. It struck Millicent that here was a delightful
-material for modelling; and taking up a piece of butter and one of the
-dairy tools, she forthwith produced a bas-relief portrait of Galbraith,
-which would have done credit to the sculptress of the sleeping Iolanthe.
-
-"There are two classes of hands, those which are skilful and those which
-are clumsy; of all other divisions of humanity this is the most
-important. You, Miss Almsford, are so happy as to belong to the skilful
-half, or rather quarter, of humanity,--for men are all clumsy. I see
-that you can do all things artistic as well as useful with your
-fingers."
-
-"I am afraid I have never tried to do much that was useful," said the
-girl half ruefully. "Barbara, now, can do all sorts of things. But I am
-tired of comparing myself with her; I always suffer by the process;"
-this with a rather vicious little stroke at the butter-model, which she
-was now finishing into a medallion, with a pattern of scroll-work for a
-border.
-
-"Let me judge between yourself and Miss Barbara. I know that she can
-touch the ivory keys with grace, and can also make wonderful peach
-preserves. On the other hand, you model in butter and--and--well, what
-else can those small hands accomplish of art or industry?"
-
-"They can draw a little as well as model; they can trim bonnets, yes,
-really quite well; they are not unfamiliar with the key-boards of piano
-and organ; and, best of all,--I had really forgotten to enumerate this
-accomplishment,--they can move tables and chairs; they can draw pain
-from your head; they can put you into a trance,--they are, in fact,
-magnetic hands."
-
-"It seems, then, that you are a Spiritualist."
-
-"Far from it; by what power I do the few things which form the
-_repertoire_ of my manifestations, as the mediums call them, I do not
-know any more than you."
-
-"Will you give me a _seance_?"
-
-"Indeed; no."
-
-"And because--"
-
-"Because it tires me, and I am rather afraid of my own power. Some one
-once compared me to a child who had got hold of an electric battery
-which he did not understand, and with which he unwittingly produced
-inexplicable phenomena, not devoid of danger to himself."
-
-"You are really in earnest then, and believe in these manifestations?"
-
-"Perfectly so; and I am rather cowardly about exploring them to their
-source, as I have seen so many strong minds unhinged by study of this
-subject. I certainly object to the vulgar theory, that the spirits of
-those who have gone before us have nothing better to do than to tip
-tables and dip their hands in pails of paraffine which accommodating
-mediums prepare for them."
-
-"You do not believe in mediums, then?"
-
-"I believe no manifestation to be genuine which comes from a
-professional medium. That they often have real power, I do not doubt;
-but so soon as it is a question of earning their living, they must
-inevitably fall back upon fraud. But we are growing quite serious about
-this subject which I never like to talk of for fear of being
-misunderstood."
-
-"But I am really interested in what you say--"
-
-"Never mind; here is your portrait, which is not flattered, I frankly
-confess; but is it a little like you?"
-
-"If I know my face at all, it is wonderfully good. Would that you had
-deigned to model it in a less perishable material!"
-
-"Oh, no! this is infinitely better, it is so much more appropriate--
-
-"Thanks for the compliment; but why, if I may ask, should you consider
-butter to be particularly suitable to me?"
-
-"Not to you personally, but to humanity. Is it not stupid to carve
-bronze fac-similes of that which is as perishable as the grass?"
-
-"But had it not been for this stupidity, how should we know the features
-of Caesar?"
-
-"And would it greatly matter?"
-
-"I think so; but a young lady who so cruelly assures me that butter is
-the only material in which my humble features deserve to be
-reproduced--"
-
-Millicent interrupted the speaker by her pleasant laugh, with its sound
-of falling waters, and thanking Pedro for what he had shown her, led the
-way from the dairy. She refused to speak further on the subject during
-the day-time, but as they sat together on the piazza in the twilight,
-Galbraith referred to it again; and, after much persuasion, Millicent
-seated herself at a table, round which the company grouped themselves,
-placing their hands lightly on its surface. Barbara, who was seated next
-to Millicent, their hands touching one another, seemed strangely
-affected, after they had been sitting for some time in silence. She
-manifested unmistakable signs of sleepiness, and finally, with a long
-sigh, her eyes closed and her head fell upon Millicent's shoulder. With
-a little frightened cry, Millicent quickly lifted her, and making
-several passes over her head called Hal to come and support his sister.
-In a moment Barbara recovered herself, and showed no more symptoms of
-sleep. She laughed heartily, and said that a peculiar sensation in her
-elbows had preceded her momentary unconsciousness. Galbraith applauded
-the little episode, which he assured Millicent was very well acted by
-both participants. The girl turned her eyes, deep and burning, full upon
-him, half in anger, and said,--
-
-"Very well, Mr. Galbraith, we will see if you can act a part as well as
-Barbara. Lay your hand in mine--so."
-
-The young man smiled, and did as he was bid, with a courteous bow, as if
-deprecating the power in which he did not believe; and for a space of
-time they stood looking each other full in the face. Then Millicent's
-slight form seemed to vibrate, and from her eyes a light flashed into
-the man's dark orbs, her cheek flushed, and from every nerve in her body
-an electric flash seemed to emanate, concentrating into a broad current
-at the shoulder, and slipping through the round white arm to the very
-finger-tips. Galbraith's face paled as hers flushed; a stinging
-sensation half painful, half agreeable, made him wince; and when in a
-few moments Millicent withdrew her hand, he remained standing
-motionless, white to the lips, with dim, dreaming eyes, and slow-beating
-heart.
-
-"Speak," said the magnetizer, "tell me what is in your mind?"
-
-"There is nothing," answered the man, in a low, monotonous voice.
-
-"Now speak, and tell me what you see."
-
-"I see a man on horseback; the horse is running away. Now he gallops,
-and the rider loses control of him; they disappear in a cloud of dust,
-and I see nothing. Now they return; the horse is going quietly, and the
-rider looks towards a carriage in which sits a lady; it is Millicent.
-He enters the carriage; she is weeping, and he touches--" he paused.
-
-Millicent's cheek had grown crimson. She said in a low tone,--
-
-"Why do you not continue?"
-
-"Because you will not let me."
-
-At this moment a light step sounded on the piazza. Millicent turned her
-head and saw Graham approaching her. She stepped quickly towards him,
-forgetting Galbraith, the company, everything and everybody, save that
-her lover had come to her. As she turned from him, Galbraith reeled
-suddenly, and would have fallen had not Hal steadied him to a seat.
-
-"I fear I am interrupting you," said the artist, in a cool voice,
-betraying some annoyance.
-
-"Indeed, no," cried the girl, "we were only trying the stupid old game
-of willing people; I have succeeded in magnetizing Mr. Galbraith here."
-
-By this time the young lawyer had recovered himself, though he looked
-strangely pale and agitated. He was somewhat overcome by what had gone
-before, and was not a little troubled by the power which the tall,
-straight girl had exercised over him. He rebelled against it, and yet
-the sensation of giving up his volition, and living for the time only by
-her will and her thought had not been unmixed with a keen pleasure. If
-no one had witnessed the affair, above all, if Graham had not seen it,
-he would not have greatly cared; but though he had no recollection of
-what he had seen and described in Millicent's mind, that evening's
-experience deepened the vague antipathy he had always felt towards the
-artist, into a positive dislike.
-
-Later, as they walked together alone, Graham asked Millicent if she
-would magnetize him, to which she replied in the negative.
-
-"Do you think that you could succeed?"
-
-"I cannot tell; but if I could, I should not be willing to do so."
-
-"And yet you threw a spell over that fellow Galbraith?"
-
-"Dear, there is a difference; cannot you see?"
-
-"No; upon my soul I can't."
-
-"I do not want to command even your thought for an instant; you must
-think of me to please yourself, not because I will it."
-
-"What a strange girl you are, Millicent! Do you really love me so very
-much?"
-
-"I love you better than my own soul."
-
-"A dangerous thing, child; do not ever say that to me again."
-
-"Why?"
-
-"It shocks me; I cannot tell you why."
-
-For answer, she gave him a rose from her breast with a childish gesture,
-as if asking forgiveness. There was an awkwardness, born of an unwonted
-shyness, in the movement which was more attractive to the artist than
-the most graceful attitude he had ever seen her assume. He caught the
-hand with the rose and crushed them both in his two strong palms, as if
-to hurt her. She smiled, though her wrist reddened from the sudden
-pressure. It is more sweet to bear pain from those we love, than to
-receive kindness from a hand which is not dear.
-
-As Graham was taking his leave, he asked Millicent for two books which
-she had promised to lend him. Barbara had joined them, and offered to
-fetch them for him.
-
-"Thank you, Barbara, but I know just where they are."
-
-"Is it not the Petrarch and your manuscript translation of Dante that
-Mr. Graham wants?"
-
-"Yes."
-
-"You left them on your table. I saw them when I went up to shut the
-blinds. You had better let me go, you are so tired."
-
-"Yes, let Miss Deering get them for you; you are quite worn out with
-your magnetizing." He wanted to say one last good-night to her.
-
-His lightest wish was her law; she nodded gratefully to Barbara, who
-disappeared, while Graham told her once more how lovely she was that
-night. When Miss Deering came back, Graham had already mounted his
-horse and Millicent was feeding the animal with sugar.
-
-"You are sure you have the right books, Barbara?"
-
-"Quite sure; I know them perfectly."
-
-"Many thanks to you both, and good-night."
-
-Millicent was in a wakeful mood that night. She went to the piano and
-played for an hour or two, as she only played when alone. Her hands
-drifted dreamily over the key-board, drawing out fantastic
-melodies,--themes which were composed and forgotten within the hour. In
-an obscure corner of the room stood a head of Beethoven. Her eyes were
-fixed on the face of the master while she played, and as the notes grew
-strong and sweet she smiled; when the harmony changed to a tender minor
-strain, the smile faded from her face. The music expressed the thoughts
-which drifted through her mind. At first she played the quick movement
-of a march, through which rang out the measured beat of a horse's hoofs;
-then the strain changed to a pensive nocturne suggestive of the forest
-at night. A tender slumber-song followed, in which her voice took up
-the melody, chanting loving words in the language of Tuscany. The
-light, delicate thread of harmony now broadened into a full consonance
-of sound, the chords following each other tumultuously, as if in
-translating one supreme moment of leave-taking. As she was striking the
-closing strains of this emotional improvisation, her powerful voice
-trembling with a passionate _addio_, the sweet symphony of sounds was
-interrupted by a crashing discord. She sprang from the piano startled
-and trembling, to find that a heavy vase of flowers had fallen on the
-key-board from the shelf above the piano. The metal jar was uninjured,
-but about her feet were scattered the petals of a bunch of white roses
-which Graham had plucked for her that night. So rudely was her rhapsody
-interrupted! She closed the piano, and, after restlessly wandering
-through the silent house, went to her own room, where she sat looking
-out of her window at the moon-lit hills. She could not sleep, she was
-full of unrest.
-
-The gray morning light was filtering into Barbara Deering's room when
-she was awakened by a light touch on the shoulder. Millicent stood
-before her, gray as the twilight; she held in her hand a small parchment
-book.
-
-"Barbara, what books did you give Mr. Graham?"
-
-"The Petrarch and your Dante. What is the matter, Millicent? Have n't
-you been in bed?"
-
-"No, I could not sleep. Here is the little Dante; where did you find
-the book you mistook for it?"
-
-Barbara sat up and rubbed her eyes confusedly.
-
-"Why, it was not where I had last seen it. I found it somewhere, in
-your jewel-box, I think. I am so sorry I made a mistake; 't was just
-like the Dante. Does it matter much?"
-
-"I only wanted to know, Barbara; go to sleep again."
-
-She spoke in a low, constrained voice, and glided quietly from the room.
-Barbara, only half awake, gave a sigh, and settling her flaxen head
-among the pillows, again fell asleep and dreamed that she had stabbed
-Millicent with a knife, and that Graham was trying to stanch the wound
-with the leaves of a little parchment book.
-
-When Graham arrived at his lonely tower, after making his horse
-comfortable for the night, he looked into French John's cabin to see
-whether all was well with the old fellow. The door was fast, and
-looking through the small window, the young man saw the wood-cutter
-lying on his hard couch, his gun beside him, his dog curled up at his
-feet. The creature growled at the sound of Graham's footsteps, but
-catching sight of a familiar face through the window, he gave a
-comfortable yawp, wagged his tail, and relapsed into slumber. The
-artist never slept without paying this last visit to his humble friend.
-He stumbled up the steep tower stairs, and after fumbling with the
-clumsy lock, the door swung open and admitted him to his one room. After
-groping about in the dark for a moment he struck a light, and out of the
-embers on the hearth blew a little flame. He looked about the small
-room and laughed; this was a home, indeed, to which to bring a bride!
-It sufficed for him; and he asked for nothing more commodious or
-luxurious than this old tower in the corner of the ruined church, with
-its grand north light and easy chair, its open fire and pallet-bed.
-
-If he married,--when he married, he corrected himself, for he surely
-intended to marry Millicent,--there would have to be great changes in
-his life. He would be obliged to abandon his old tower, and live in a
-smug new house somewhere, with fuss and worry about servants, who would
-not please him half so well as did the old wood-cutter John. His work,
-ah, how that would suffer!--no more of the pleasant conscientious labor,
-the slow painting and study of that one supreme moment of the day when
-the golden copse was made tender by the light of the setting sun. He
-must hie him to the city and pass his life in painting fat, over-fed
-matrons in lace and diamonds, or expressionless minxes with costumes
-indicative of youth and ignorance. He would, perhaps, relapse into a
-mere mechanical portrait-painter, with as much imagination as a
-photographer; and his pictures would be ordered as theirs are, with the
-simple difference that the artist produces but one copy, while the
-photographer, with equal trouble, makes a dozen or ten dozen, or a
-single picture. He sighed aloud, and for consolation lit his pipe. He
-caught sight of the flower which had bloomed on a fair bosom and was now
-fastened to his coat, somewhat crushed but still fragrant. He carefully
-unpinned the rose and placed it in a small vase of water, and then
-proceeded to examine the books which Millicent had given him. Graham
-liked old books, and was delighted with the yellowed parchment copy of
-Petrarch. An inscription on the cover showed that it had once belonged
-to a monastery. On the fly-leaf was a slight sketch of a young monk's
-head seen in profile. It was a beautiful, clear-cut face, with delicate
-outlines and an earnest expression; beneath it was written, "Fra
-Antonio, Aetat 22."
-
-"So this was brother Antonio, and he lived and died probably in the
-peaceful quiet of a Roman monastery. I wonder if he painted too, or
-whether he wrote hymns to all the pretty female saints in the calendar.
-Brother Antonio must have lived and died without a helpmeet. I fancy he
-did none the worse work for that."
-
-The thought struck him as ungrateful, and, as if to make amends for it,
-he took up the other little volume. It was a thin book bound in white
-vellum, with Millicent's name in illuminated text upon its cover. The
-covers of this small tome were closed with a gold clasp, which he
-finally succeeded in opening. It proved to be a diary in manuscript; he
-recognized the clear, delicate handwriting of the girl he loved. Yes,
-he loved her tenderly; why else should he press the senseless pages
-close to his lips, kissing the fair paper over which her fairer hand had
-passed? He drew his lamp nearer to him and prepared to read the record.
-It was written in Italian, and the first page bore a date five years
-back. He was somewhat puzzled, but supposed he had misunderstood what
-she had told him of the book. She could have been but a child then; she
-was now only just past her majority. How pretty she must have been at
-sixteen, before she had grown to the perfect womanhood which now became
-her so well! He fancied her in all the shyness and awkwardness of young
-maidenhood, with childhood reluctantly slipping from her, and girlhood
-anxiously leading her forward. Again he kissed the book, but reverently
-this time, and with a deep sigh as if it had been a holy one. If he
-could have known her then, before he had grown to feel so old, before
-she had learned that she was fair and young, how much easier it would
-have been for both of them. As he sat with unseeing eyes fixed on the
-faintly traced characters, beholding in fancy the little Millicent of
-half-grown figure and cool, loveless eyes stooping over the book,
-putting her white, childish thoughts into these words, it seemed to him
-that he heard a faint sound,--a sound that was deeper than the wind
-stirring the tops of the redwoods; a sound that made him shiver and turn
-the bright flame of the lamp a little higher. It was like a noise heard
-dimly in a dream, an echo of a woman's sob ringing faint and muffled
-through a space of years, was it, or of distance? It had grown quite
-cold; and he heaped an armful of brushwood on the dying fire, which soon
-shot up the little chimney with a cheery roar, and threw its bright
-light to the farthest corner of the room, touching the picture on the
-easel, bringing out the ugly little _netshukes_ from their shadowy
-corner, and shining on the polished steel of the gun standing near the
-maulstick and fishing-rod.
-
-It must have been the wind, that faint sound which had seemed to find an
-echo in the beating of his heart. He drew aside the heavy
-window-curtains. Outside in the cool moonlight he saw the arms of the
-great trees swaying to and fro; below these the desolate ruins of the
-old church; all was quiet and deserted. There was the dismantled
-altar,--it was surely a trick of the moonlight and the trees, that
-shadowy semblance of a woman kneeling out there in the night, with wild
-hair, and arms cast about the broken cross, overturned this half
-century? Yes, it was a shadow surely; for a cloud passed before the
-silver face of the half-moon, and when it had floated by, the shadow of
-a female figure had vanished. He dropped the curtain and turned with a
-sigh of relief from the mysterious half-light, with its revelations of
-deserted chapels and uncared-for altars, its shattered cross and phantom
-penitent. Inside his small domicile was warmth and light; and to drive
-away the cold, nervous feeling which had crept about him like an
-invisible network, he again took up the little parchment journal. Again
-he seated himself, and turned the first leaf. As he read he smiled, and
-occasionally turned over the sheets to see how many more pages remained
-to be perused. Presently the smile faded from his face; and the flames
-on the hearth burnt low and finally died, choked by the gray ashes. And
-still Graham turned the pages of the little journal with cold fingers.
-The lamp grew dim, and the moon paled and sank beneath the horizon; the
-chill morning twilight crept betwixt the hangings, and showed him
-sitting cold and motionless to the slow-coming dawn. The last page of
-the journal had been turned long since; but he still held the book open,
-his eyes fixed on the final words.
-
-
-
-
- CHAPTER XI.
-
- "Dearer than woman's love
- Is yonder sunset fading in the sky!"
-
-
-After that night's vigil, Graham took his gun, and packing a blanket and
-a few camping utensils in his saddle-bag, mounted his horse and rode
-away toward a hunting-lodge some twenty miles distant, where he
-sometimes passed the night. His way led through the woods, where the
-bracing air, the light footsteps of the invisible animals, the
-fluttering of the birds in the trees, served to turn his mind from the
-painful thoughts of the past night. He had a part in this woodland
-life, and owned a kinship to the four-footed and feathered creatures who
-made the forest their home. His spirit was lifted to that close and
-intimate communion with Nature which is only possible to man when
-unfettered by human companionship. The cool, spicy air was sweeter than
-the kiss of maiden; the leafage of the restless trees more tender than
-that of the gold-bronze hair he had so often praised. It seemed to him
-that the only real thing in all the fair sunny earth was himself; that
-the people whom he had known were but pictures seen in a dream. He
-lived, and breathed the scent of the pine-trees; he lived, and heard the
-cry of the blue-jays in their branches; he lived, and his eyes were
-filled with the glorious beauty of his world,--all his, with nothing to
-come between him and the fragrant Mother Earth. All that day he rode
-and walked through the tangled paths and trackless thickets, holding
-communion with sky and earth, content to live without retrospection or
-anticipation. Just before sunset he shot a brace of quail for his
-supper; and when dark shadows had crept through the wooded places he
-built a fire on the hearth of the little cabin where he proposed
-spending the night. It was a rude lodge, a trifle less comfortable than
-French John's house, with wooden bunks around the walls, and trunks of
-trees roughly fashioned into seats. Under a certain board in the floor,
-known to him, was a hiding-place wherein were stored half a dozen tallow
-candles, with a bottle to serve as candle-stick, a pack of cards, an
-iron pot and spoon, a rusty jack-knife with a corkscrew, and, last of
-all, a flask of brandy, which it was a matter of honor always to leave
-half full. The shed had been built by himself and Henry Deering, and
-was occasionally used by them and their friends when on hunting
-expeditions. As there were no means of securely fastening so slight a
-building, there was neither lock nor bar to door or window. Over the
-fireplace was tacked a notice written in Deering's bold hand, which read
-as follows:--
-
-"Gentlemen are requested to put out the fire and latch the door before
-leaving this shanty. Water to be found three rods beyond this spot to
-the north."
-
-Graham found the candles, which he finally succeeded in lighting; and
-after making a meal of hard-tack and roasted quail, he filled his pipe
-and sat down on one of the bunks, tired out by his long day's ride. The
-painful thoughts which he had banished during the hours of daylight now
-took possession of him; and the brow, which had been calm all day,
-showed the three deep dints which trouble more than time had furrowed
-upon its noble expanse. He was alone again!--no more friendly sounds
-and sights to divert his mind and fill his eyes with beauty. Only his
-sad thoughts and the one great problem which was set before him to
-solve. His changeful, melancholy eyes were fixed vacantly on the floor.
-They saw nothing but the shadowy vision of the night,--the figure of a
-woman amidst the broken altars of the old Mission church. The words
-which he had read in the little journal came thronging back to him in
-riotous haste,--those pitiful words of passionate grief traced by the
-slender white fingers, which so lately had lingered tremblingly in his
-own strong brown hands. Could he forgive her? Poor child, poor child!
-What was he, that he had a right to withhold his forgiveness for an
-instant? Let their lives be laid side by side, with every act and every
-thought bared to his view, and how did his life's record compare with
-hers?
-
-Ah, if she had but told him the story, and not left it to accident to
-reveal the secret! She had deceived him! And the angry blood surged
-from his heart to his brow and settled there dully red. The stern lines
-of his face grew harder than the mask of a stone statue, and the
-expression of the chiselled mouth was terribly relentless. He would
-never see her again, never, never! What he had felt for her was not that
-highest passion which melts heart and soul and body in one pure flame;
-for, without a perfect faith, such love is not. So he reasoned, pity
-and anger sweeping across his soul; and then, forgetting both in a great
-pain, he cried, stretching out his arms, "Millicent, Millicent, come to
-me!" At last the wearied muscles and tired brain and heart slowly,
-half-consciously yielded to a warm, close-folding influence which
-straightened out the lines on the brow, loosened the tight-drawn
-muscles, stole the fire from the deep eyes and the anger from the curved
-mouth. The grand head, with its thousand schemes and theories, fell
-back upon the couch; the skilful hand, with its nervous, delicate
-fingers, relaxed; a long, shivering sigh shook the body; and, with the
-fire-light shining upon his stern beauty, Graham slept. The fire burned
-low upon the hearth and finally flickered out, leaving a bed of glowing
-ashes. The quiet of the night was broken by the long shrill wail of the
-coyote, but Graham stirred not. A light footstep sounded near the
-cabin, and a scratching noise might have been heard as the head of a
-great bear was raised to the level of the window. The sleeper's breath
-never quickened; and Bruin, after a long look and a vain attempt to push
-the door open, gave a growl and trotted off through the underbrush
-toward his own cosey cave under the rocky hillside near by. A young
-owlet, flying aimlessly through the night, flapped itself through an
-opening in the roof intended to let out the smoke; and finding it
-difficult to escape by the place where it had entered, settled itself
-comfortably near the sleeper, standing on one foot, and meditatively
-regarding the strange creature on the bed. To all these noises Graham
-was deaf; but when the clatter of a horse's hoofs broke the silence,
-that strange half-consciousness which gives warning of an unaccustomed
-sound called his slumbering senses to awaken. In a moment he was
-perfectly conscious, and, after feeling for his pistol, lay quietly down
-again upon the hard couch. The rider might not pause at the shanty, and
-as he was in no mood for company, he would give no sign of his presence
-there until it was necessary. The hope was a vain one; he heard the
-rider call to his horse with an oath to stop. After a slight pause, the
-door, which he had secured with a wooden bar, was roughly shaken. The
-new-comer, finding the portal fast, now showed himself at the little
-window and peered into the room. Seeing a recumbent figure, he cried
-out,--
-
-"Who the ---- is in this shanty?"
-
-"John Graham; and who is outside?"
-
-After a pause the voice answered,--
-
-"A man as wants a night's rest bad, and has got as good a right to it as
-anybody."
-
-"Put up your shooting-irons, Horton, and I will open the door."
-
-First striking a match and lighting his candle, Graham unfastened the
-bar, and the light door swung wide. The figure out in the darkness
-peered doubtfully into the room.
-
-"Don't be afraid; I am alone," said the artist coolly, seating himself
-upon his bunk, and proceeding to fill his pipe. The man came cautiously
-into the cabin, looking about him once more to make sure that Graham had
-spoken the truth. He was a rough-looking fellow, with a sinister
-expression of countenance, in great part owing to the deep scar which
-seamed his face from temple to chin.
-
-The stranger seemed a good deal disconcerted at finding the artist
-ensconced in the lodge.
-
-"Did n't expect to find anybody--least of all you--in this shanty."
-
-"I do not often occupy it; though I built it myself."
-
-"Is that so? You ain't got a mouthful of bread as yer'd let a man have
-as has fasted since sunrise?"
-
-Graham's answer was to hand him a couple of rounds of hard-tack, which
-he quickly devoured; and to pass his flask, filled with the rough,
-strong wine from the vineyards of Los Angeles. The fellow poured half
-its contents down his throat at one draught, wiping his mouth upon the
-sleeve of his rough jacket. Then, with a nod of acknowledgment, he
-handed back the flask with a regretful sigh, and seating himself on the
-floor by the fireplace, warmed his feet in the still hot ashes.
-
-"You never came for those last sittings, Horton; my picture is not
-finished yet."
-
-"You see, I got another job more to my taste than posturin'."
-
-"Are you working in the neighborhood?"
-
-"No; I am on my way to the Swindawl mines. Do you live in these yer
-parts?"
-
-"Yes. You know the old church? I live in the tower."
-
-"Rum place, that; passed it to-day."
-
-"If you want to earn a little money to pay your travelling expenses, I
-should like to finish that picture."
-
-The man did not answer, but stretched his great limbs and yawned.
-
-"It's blasted cold for the season."
-
-Graham nodded assent, blowing a great cloud of tobacco-smoke from his
-lips, and composing in his mind, meanwhile, a picture in which this
-wild-looking fellow, with his rough hair and coarse, strong outlines,
-formed the central figure. He was of a low type of humanity, with a
-narrow forehead and large, heavy features; his face was tanned where the
-skin was visible, the heavy beard growing high up on the cheeks, leaving
-little uncovered surface. His clothes were somewhat dilapidated, but
-his wide sombrero hat and high boots were strong and whole. His figure
-was superbly developed, and Herculean in type. As he sat crouching on
-the floor, hugging his knees, his back braced against the wall behind
-him, he nodded wearily, and, after various abortive attempts at
-conversation, finally fell into a sound sleep, his head resting against
-the wall behind him. Graham took a charred brand from the hearth, and
-with this rough tool drew, on a smooth board in the side of the cabin, a
-sketch of the man before him. As he looked narrowly at his model, he
-perceived that his face was disfigured by some recent scratches from
-which the blood was still unwashed. They were got while riding through
-a thorny thicket, the artist fancied, and thought no more about them,
-touching in the details of the desolate background. The man's expression
-was hardly human in his sleep, the fierce animal face was so stupid and
-brutish. It is wonderful how character is expressed in a sleeping
-countenance. The studied or unconscious control which we hold over our
-features when awake is overthrown in slumber, and the real nature is
-seen with no polite restraint or deceitful mask. A beautiful woman is
-beautiful no longer while sleeping, if she have a bad heart. It is a
-terrible thing to look upon one who is dear to us in sleep. Even when
-the countenance shadows forth holy dreams, it is awful to watch its
-still composure, so like death, and to feel that impassable distance
-between the unfettered soul and our own earth-bound spirit,--that
-distance which, but for the briefest spaces, is never bridged over in
-our whole lives, though they flow quietly side by side through peaceful
-days and happy nights.
-
-Though the man had closed his eyes in the knowledge that it was entirely
-safe for him to sleep in Graham's presence, his slumber was not an easy
-one. He started often and groaned more than once; while his hand
-nervously made the movement of striking with a weapon at some unseen
-foe. The artist watched him for some minutes.
-
-"I should like to have another day's work on that rascal's torso," he
-said at last; "I suppose if I paid him enough he would come to the
-tower."
-
-As he spoke he tore a leaf from his notebook, and writing a few lines
-upon it placed it in the fellow's nerveless hands, lest he should steal
-away before morning. Then he threw himself back and slept again long
-and heavily. When he awoke it was broad daylight in the cabin of which
-he found himself the sole occupant. At first he wondered if he had
-dreamed that his lodging had been shared by a rough companion; but no,
-there was the sketch upon the wall of the sleeping figure crouching by
-the fireplace. Besides, his visitor had left a trace of his presence.
-Near the spot where he had sat lay a handkerchief. The artist
-carelessly picked up the square of white linen, somewhat surprised to
-find that it was of the finest quality. A red stain on one corner
-induced him to examine it more carefully. It was neatly stitched with
-an odd pattern which was not unfamiliar to him, and in one corner was an
-embroidered monogram of an intricate form. The letters were cunningly
-twisted together, and it took him several minutes to distinguish them.
-Two L's, an I, a T, an E, an N, and a C, all enclosed in a large M.
-Nobody in the world could have so many initials, not even a Spanish
-grandee. It must be a name, probably one beginning with M, as that was
-the most prominent letter in the _chiffre_. He studied it for an
-instant, and suddenly cried aloud that name which had become so dear to
-him,--"Millicent!"
-
-What could it mean? Millicent's handkerchief in the possession of that
-ruffianly fellow, the dark crimson stain of blood marring its whiteness?
-What could have befallen her? He dared not even think of what this
-portended; and thrusting it into his breast, he ran to the door and
-looked all about him. Silence everywhere; no movement in the copse
-before the door; no trace of his late visitor save the broken branch of
-a buckeye near which his horse had been tethered.
-
-Graham was a brave man, with nerves at once sensitive and strong; but
-the picture which rose before his eyes unmanned him for the moment
-completely. He leaned against the door-post quaking with terror, too
-much confused to know what next to do. He could not think; he only saw
-that villanous face before him in its heavy sleep, that clinching of the
-hand, that motion as of stabbing with a knife. In the breast of what
-victim had that weapon been buried? At the recollection of what crime
-had he groaned aloud?
-
-The neighing of his horse in the thicket near by roused him from the
-benumbing horror which had bound him like a trance. He mounted the
-fiery animal, and struck him fiercely with his spur. The mustang darted
-forward at a breakneck speed, and with flying hoofs carried his rider
-over the steep trail which led from the cabin to the house of the San
-Rosario Ranch. It was a rude road, sometimes merely indicated by signs
-on the trees, at other places worn by the feet of cattle; it led through
-dry river-courses and down precipitous planes, through tangled brakes
-and over desolate, blackened spaces where fire had passed and blasted
-the trees, leaving them dead and gray, with naked branches and bare
-roots. No vegetation was here; only black, dry soil. It was a
-dangerous journey, none too safe at any time; but neither rider nor
-steed hesitated at sharp turns or steep descents; and the pace slackened
-not, though the horse foamed at the mouth and the man's face and hands
-were cut to bleeding by the low-hanging branches of the thorn-tree.
-Twenty-five miles, at the lowest rating, lay between the cabin and the
-house. How well Graham knew the way! How often he had passed over it
-with Hal and O'Neil!--a jolly trio of sportsmen. The very day before he
-had loitered along the same route, taking the whole day to accomplish
-the distance, walking sometimes with his horse following him, and never
-travelling at a greater speed than an easy trot. How different his
-thoughts had been then, when he had fancied that he had found a closer
-companionship than that of a loving woman's heart. Now he saw not the
-trees nor the wood creatures,--only that one villanous face, with its
-freshly bleeding wounds, with its old scar red and ugly.
-
-Five miles accomplished: here is the great oak-tree which the lightning
-had struck half a century ago; but twenty miles now lie before him.
-Another landmark is passed,--the iron spring, with its red mouth framed
-in green ferns, where he had once journeyed to bring _her_ a flask of
-the strengthening water. On and on they fly, startling the birds in the
-thickets and the foxes in their coverts, racing with the lazy breeze
-which puffs slowly along and is soon left behind by the horse's speed.
-At the spring on the hillside, where Millicent's hand had checked his
-shooting of the deer, the rider draws rein and springs to the ground;
-while the gasping horse stands for a brief breathing-space, drawing
-long, painful breaths. Graham cools his heated brow in the rocky basin,
-and gives his horse a mouthful of the refreshing water. Then they start
-away again towards the house where so many happy hours of his life have
-been spent; where he first saw Millicent! It is a terrible ride, and
-one that the man never will forget to his dying day. The anguish of
-doubt and fear, the awful pace at which he rides, which makes every mile
-he accomplishes seem like to be the last, will never be forgotten by him
-in the quiet after-years. Now but ten miles separate him from the
-vine-clad house; quickly are they accomplished; and in a space of time
-too short to be credited by those towards whom he rides, he reaches the
-high hill which looks down upon the valley. The familiar look of the
-surroundings surprises him. A blue feather of smoke curls about the red
-chimney; the trees in the orchard, the cattle browsing on the hills,
-look just as he has seen them a thousand times before; nothing betokens
-any unusual state of affairs within the quiet house. The brave horse
-gathers himself together for a last gallop; and the stones of the
-hillside fly from his hoofs as man and beast thunder down the rocky path
-which loses itself in the wide farm-road at the edge of the orchard.
-From this point he commands a view of Millicent's window. He gives a
-low groan as he looks up for some sign of life,--the heavy blinds are
-tightly closed.
-
-
-
-
- CHAPTER XII.
-
- "Most sacrilegious murder hath broke ope
- The Lord's anointed temple, and stole thence
- The life o' the building."
-
-
-The breakfast table at the San Rosario Ranch was usually a merry one;
-but on the morning after what Hal had called Millicent's "magnetic
-exhibition," the usual good spirits were missing. Millicent took her
-accustomed place at Deering's side; and Galbraith marked the
-extraordinary change which she had suffered since she had bade him
-good-night the evening before. Her face had blanched to a whiteness
-which made the ebon lines of eyebrows and lashes seem unnatural. Her
-mouth was pale and contracted, and her expression of horrified
-anticipation reminded him of the look in the eyes of a deer at bay.
-What could have come to the girl? he asked himself in dismay; with a
-strange consciousness that whatever should befall her of good or evil
-from that time forth would have to him an interest beyond all else in
-the world. She ate her breakfast mechanically, and answered all that
-was said in which she could be supposed to have an interest. She
-laughed once, too, at one of Hal's jokes; but the sound was rough and
-strained. Mrs. Deering and Barbara, occupied with some household
-complication, merely noticed that Millicent seemed tired; and Hal put
-her odd look and manner down to the score of her being in love, which in
-his eyes accounted for every freak or unexplained symptom of hers.
-
-It had been proposed that the day should be spent out-of-doors, at a
-place which Millicent had long wished to visit,--the little island in
-the river, below the deserted mill. Galbraith had remained to be of the
-party; and his two friends had promised to ride over from the camp and
-join them at the appointed place. Just before they started, old John
-arrived with a note to Mrs. Deering from Graham, who wrote that he
-should not be able to be of the party. Hal and Millicent drove
-together, as they had done on that day when Graham, in accordance with
-California etiquette, had stopped to kill the rattlesnakes. Old Sphinx
-was doing his best to keep up with the mule team, when Millicent's
-sensitive ears detected the sound of horses' hoofs behind them.
-Presently, through the thick cloud of dust, she descried two horsemen
-riding at full gallop towards them. The sunlight and the veil of dust
-made it impossible to see what manner of men they were until Millicent
-observed that each carried over his shoulder a long object, which
-glittered in the sunlight.
-
-"Have you brought your pistols?" she asked.
-
-"Yes, Princess, but they are in the wagon. I expected till the last
-moment that Graham would turn up to take you, and that I should drive
-the team. Why do you ask? There is no danger of our being molested."
-
-"Look at those men. Are not those gun barrels I see on their
-shoulders?"
-
-"Yes; but they are probably peaceful hunters."
-
-The young man spoke in a perfectly careless tone, to reassure his
-companion; but Millicent noticed that he occasionally looked behind him
-as the riders gained on them. Finally, as the men drew near, Millicent
-saw the rider nearest her shift the gun from his shoulder and rest it
-across the saddle-bow, as if preparing to take aim. Hal, who had seen
-the action, instantly called to Millicent to catch the reins, and held
-up both his hands. By this time the men were close upon them, and the
-one who had shifted his weapon called out in a rough voice,--
-
-"All right, boss; we know you ain't got no money, and we don't want your
-life to-day." His companion laughed aloud, and striking spurs to their
-horses, they galloped down the high-road. Hal laughed as heartily as
-the supposed highwayman, saying,--
-
-"Well, that's a greaser's idea of a joke, I suppose. Adventure number
-one has befallen us with few bad consequences. I don't think you were
-half as frightened as you were the other day by the snakes."
-
-"No, I fancy I was not. I should not much mind being killed to-day."
-This with a little, bitter laugh.
-
-"And why? Let us wait till after luncheon. Barbara has put up a capital
-venison pasty,--a real English one, out of the Queen's own receipt
-book."
-
-"Well, we will wait for the pie, to please you."
-
-The drive was accomplished with the usual desultory chit-chat, Hal doing
-rather more than his share of the joking. As they passed the little
-hovel, the wild children ran out, as they had upon the day when they had
-visited the camp in the woods; and soon the gray bridge and the little
-island were reached. The baskets were unpacked and the luncheon spread
-upon the grass by the time the guests arrived. Among them were O'Neil,
-Hartley, Ferrara, and Mrs. Shallop, who had come over by the train; with
-a party of people from the village, in whom Millicent had never taken
-much interest. Galbraith never left Millicent's side; sparing her the
-necessity of talking by keeping up an incessant stream of conversation
-which she heard vaguely, and of which she understood not one word. In
-after days the import of all the young man said came back to her; and
-she remembered the quaint Indian legends, the reminiscences of life on
-the two edges of the continent, with which Maurice Galbraith kept the
-others of the party from her side. She realized what he was doing, and
-knew that he only, in all the company, understood and sympathized with
-her half-dazed mood; and for his efforts he received more than one
-little smile, sadder than tears.
-
-This is one of the stories which the lawyer told her:--
-
-"In the old days, when Father Junipero and his small band of priests and
-soldiers came into the wilderness of California, with the cross uplifted
-in one hand, the sword grasped in the other, there lived on this island
-where we now sit, a beautiful Indian maiden. Her name was a very long
-one, and its meaning in our language is the Smile of the Morning. She
-lived with the old chief, her father, in a wigwam, where also lived her
-sisters and brothers and various of her cousins and distant relatives.
-The old chief had many daughters, but the Smile of the Morning was his
-favorite child; and she it was who cooked his food for him, when he did
-not eat it raw, and brought him his bow and arrows when he started on a
-hunting party. The sisters of the favorite daughter all found mates
-among the sons of the tribe, but she lived alone with only the wild bird
-in the madrone tree for her lover. Her sisters, each of whom carried a
-pappoose upon her back, laughed at the Smile of the Morning, and said
-that she would die without a husband; but the girl did not mind them.
-She was taller, by a head, than any woman of the tribe; she could charm
-the wild birds, and draw the feathers from their tails to make
-head-dresses for the old chief and ornaments for herself; she could
-dance war-dances like one of the braves, only with more grace; and when
-she told the stories which the fishes in the river whispered to her, the
-old chieftain nodded his head wisely and patted the girl on the
-shoulder. She should find a husband in good time; but he must be as
-much taller and stronger than the other men of the tribe, as she was
-fairer and wiser than her sisters.
-
-"When the missionary priests came, with their white faces and strange
-garments fashioned neither from the skin of any animal nor from the
-feathers of any bird, and made friendly overtures to the old chief, the
-Smile of the Morning fell upon her face in terror. The Indians would
-have worshipped the men with the white faces and strange tongue; but to
-prove to them that they too were men and adored a God, the priests held
-their services and kneeled to the Great Spirit whom they reverenced.
-When the new-comers had learned the language of the Indians, and had
-built themselves a house and a greater house to their God, the daughter
-of the chief grew to be no longer afraid of the black-robed figures.
-She eagerly learned the simple lessons which they set for the people;
-and it was because of the wonderful learning that they gave her that she
-studied so industriously, and not, like her brothers and sisters, to
-gain the daily rations of corn. When the early bell called the Indians
-to the church of the San Rosario Mission, the Smile of the Morning was
-the first to answer the summons; and when the other Indians were
-squabbling over their breakfast of maize, she lingered in the sanctuary,
-trying to fathom the strange rites which were so much holier than those
-of her people, looking into the painted faces in the pictures over the
-rude altar, and feeling curiously behind them to ascertain whether the
-backs also were painted.
-
-"The soldiers who upheld the authority of the priests were encouraged by
-large bounties and grants of land to marry the converted squaws; and in
-the course of time several such unions were solemnized at the Mission.
-Among the stern old pioneer priests was one young man dear to the Father
-Junipero, whose pupil he had been, and who had followed the famous man
-on his great mission of converting the heathen Indians. His name was
-Fra Antonio. His voice was soft and low, and his eyes open and sad,
-with shadows in them, which the Indian maiden had never seen in other
-eyes,--shadows like those cast by the white clouds floating before the
-sun's face on hot summer afternoons. Fra Antonio was very kind to the
-tall beauty of the tribe, and with a never-failing patience strove to
-make the doctrines of his religion clear to her simple understanding.
-Strange were the means by which the fathers learned to expound their
-religion to the savages. To express the great hope of the resurrection,
-they put a number of insects in a vessel of water, leaving them there
-till they were apparently quite dead. Then the creatures were placed in
-a bank of hot ashes, which warmed their frozen, half-dead bodies back to
-life. When the gauzy wings were spread, carrying the insects up into
-the sunshine again, the fathers marked the words ejaculated by the
-Indians, and by that term they called the resurrection.
-
-"New and beautiful were the thoughts which now possessed the mind of the
-Indian girl. She learned that to forgive was nobler than to
-avenge,--strangest of all doctrines taught by the priests to the red
-men. She learned that the stars, pale and fiery, were great worlds like
-the one in which she lived, and not the hearts of the brave chiefs
-placed in the heavens after death as she had always been taught. Only
-the simplest of the great truths which lie like jewels in the tawdry
-setting of the Mother Church, did Fra Antonio instil into her childish
-mind, which with an unquestioning faith accepted all the young priest
-taught. Few among the tribe--perhaps, indeed, no one of the Indians
-beside the Smile of the Morning--understood or believed the new
-doctrines taught by the priests. These were satisfied that the rites of
-baptism and of extreme unction were administered, and that the daily
-services were attended, quite conscious that their most potent weapon of
-conversion was the ration of _atole_, or prepared corn, which they
-served out to the lazy braves. As soon as he became a member of the
-church, every redskin was cared for, and a gentle slavery was the
-result, in which the priests exacted a certain amount of labor from the
-Indian, in turn feeding him and caring for his wants. The art of
-weaving was taught, together with civilized agriculture; and the fruit
-of the vines was fermented into strong, rough wine, this being reserved
-for the service of the altar and the table of the priests. In the eyes
-of the zealous missionaries the Indian was the rightful owner of the
-soil; and there was no thought of disputing his claim to it. It was
-that he might better and more wisely enjoy the fruits of his own land,
-and in the next life enter the happier home prepared for all true
-followers of the Church of Rome, that the Father Junipero and his band
-of soldiers and priests lived and died in the wilderness of California.
-How their treatment of the original inhabitants of the soil differed
-from that adopted by the enlightened race which now claims the country,
-you have seen enough, or at any rate heard enough, of our Indian policy
-to appreciate. Instead of improving the land for its owners, as did the
-brave missionary priests, we have wrested it from them, driving the
-children of those who for centuries have owned the Pacific coast away
-from the choicest spots to rocky, desolate lands which have again been
-taken from them by the greedy gold-hunters. But all this has happened
-since the time when the Smile-of the Morning lived upon this pretty
-island, and decked her glossy hair with a coronet of blue-jays'
-feathers, that she might be fair in the eyes of one whom she loved. But
-a year had passed since the arrival of Fra Antonio, when the old
-chieftain noticed that his daughter's step had grown heavy and slow;
-that her great eyes danced no more; that her countenance no longer
-merited the name of the morning's smile. He was a wise old man for an
-Indian; and after thinking the matter over for a week, during which time
-he smoked an unusual number of pipes of tobacco, he came to the
-conclusion that the girl had been bewitched by one of the strange
-priests. Calling her to him, he questioned her as to the cause of her
-altered behavior; and from her downcast face and embarrassed replies he
-quickly surmised her secret. The Smile of the Morning loved the fair
-young priest, and it was for his sake that her tears flowed. The old
-chief at first scoffed at her infatuation, and bade her take up with one
-of her dusky suitors. But the girl was obstinate; and finally yielding
-to her whim, the old chief himself offered his daughter's hand to Fra
-Antonio. The young priest, in holy horror, took counsel with his
-superiors; and it was explained to the chieftain that though the white
-soldiers were free to mate with the maidens of the tribe, the priests
-were vowed to celibacy. If the pious young priest had unwittingly
-mingled an unwise fervor in his exhortations to the Indian girl, he
-bitterly regretted his fault. As day by day he saw her elastic figure
-grow more feeble, and marked her hollow cheeks and her sad eyes fixed
-reproachfully on him whilst he served the mass or taught the new
-converts, a tenderness for her, which her savage health and perfections
-had failed to arouse, awoke in his breast. When he saw the young
-braves, each with his dusky partner, and the sisters of the Smile of the
-Morning with their children in their arms, he sometimes cursed the
-priestly habit which proclaimed him a thing apart from all other of
-God's creatures, doomed to live unmated and alone. Long vigils and
-heavy penances failed to ease the grief in his heart, or to set at rest
-its yearning toward the child who had been redeemed from barbarism,
-through his teaching, to live a Christian life and die in the hope of
-his faith.
-
-"At last the battle between the spirit and the heart grew too terrible
-for him to bear; he was not strong enough; and he begged the fathers to
-send him to another Mission far to the northward. When the Smile of the
-Morning learned that Fra Antonio was to leave the Mission on the morrow,
-she decked herself in all her jewels, hung her long shell necklaces
-about her throat, wound her bead bracelets about her arms, and placed
-her coronet of blue-jays' feathers upon her brow. She was not to be
-found that night when the old chief lay down to rest; and when the sun
-rose on the day which should see Fra Antonio far on his long journey,
-her sisters found the maiden lying in the cool waters of the river which
-washes this island, with the little rosary the priest had given her
-locked in her cold fingers, and the smile upon her face that had been
-missing for so many weeks. They called the fathers to come and look
-upon her; and Fra Antonio prayed long beside her, with streaming eyes
-and broken voice. The kiss which his sad lips laid reverently on her
-brow was felt perhaps, for all those who stood near heard the sigh which
-came rustling through the trees near by. As she had wilfully taken her
-own life, the poor girl could not be buried with the ceremonies of the
-church to which she had been admitted; so she was interred by her people
-near the spot where they had found her, on this little island where we
-now sit. When the good fathers sat together of an evening and discussed
-questions spiritual and temporal touching the welfare of their little
-flock, Fra Antonio was often missing from their midst. Sometimes the
-faint sound was heard of the church bell softly struck by a tender hand,
-and the priests crossed themselves silently, knowing for whose soul it
-was that Fra Antonio solemnized the mass for the dead."
-
-A silence followed Galbraith's story, which was broken by Millicent, who
-said,--
-
-"I have a sketch in an old Italian book of a beautiful young monk, Fra
-Antonio by name. Could it be the same, I wonder?"
-
-"Who knows? Some of the priests were Italians. Would the dates agree?"
-
-"The portrait was dated some time in the latter part of the last
-century."
-
-"It could not have been far from that time that the Smile of the Morning
-met her sad fate."
-
-"Sad,--do you call her fate sad?" queried Millicent.
-
-"Who could think it otherwise?"
-
-"I surely do. Was it sad to die for the man she loved?"
-
-"It would have been happier if she could have lived for him."
-
-"Happiness! Who spoke of happiness? Why talk about a thing so
-mythical? I think her lot was an enviable one. To her simple mind the
-thought that suicide is sinful could never have occurred. She might not
-follow the man she loved; she believed that the soul now prisoned in her
-breast might always be near him; so she opened the cage and let the bird
-fly."
-
-"You speak as seriously as if you had known the Smile of the Morning and
-sympathized with her."
-
-"It is the privilege of those who have greatly suffered, that the grief
-of others can be felt and understood by them." Millicent spoke
-absently, dreamily, checking her speech at the pained expression which
-her words brought to Galbraith's face.
-
-Later in the afternoon the party left the island and wandered about the
-old bridge. Some of them climbed the high hill; others struck into the
-woods. By some chance Millicent found herself left alone near the mill
-with no one of the party near her save Ah Lam. Calling the faithful
-creature to her side, she made him prepare her a comfortable seat, and
-leaning back against the wall, she entered into a desultory conversation
-with her pupil. Ah Lam often told her stories in his broken English,
-descriptive of the power and character of the most august personages of
-the Chinese mythology. To-day he found an inattentive listener in his
-kind friend and teacher; but he had been bidden to speak, and so he
-talked on patiently, describing rites of death and feasts of marriages,
-recalling the great river _fete_ which he had witnessed shortly before
-sailing from his native city. As the Chinaman paused after this last
-tale, Millicent heard a step approaching the door of the old mill. She
-looked up carelessly, expecting to see one of the gentlemen. The man
-who stood before her was a stranger. His face was somewhat flushed, and
-he looked as if he had travelled some distance.
-
-"Second time, my lady, I've see'd yer purty face to-day."
-
-Millicent bowed her head and turned away, looking anxiously toward the
-wood, where she had seen Hal disappear a few moments before.
-
-"Sha'n't let yer off ser aisy this time. I've took a fancy to see the
-color of yer eyes."
-
-The look of angry indignation with which the gray orbs were turned upon
-the man was enough to have abashed any sensitive person, but to this
-class the stranger did not belong. He was a rough-looking fellow of
-large stature, with a heavy animal face, crossed by a deep scar running
-from the chin to the forehead on the right side. In his belt he wore a
-pair of pistols, at which the Chinaman looked uneasily.
-
-"Say, do yer belong in these parts?"
-
-"Yes," answered the girl in a low voice.
-
-"Well, I am leavin' 'em for good; we're not likely to meet again. I 'm
-a gentleman, and I don't want to trouble you for them rings o' yourn,
-but a kiss won't cost you nothin'."
-
-Suiting the action to the word, the man threw an arm about the girl's
-slender waist, and quick as a thought began to drag her toward the spot
-where a couple of horses were tethered. With a sudden wrench, she shook
-herself free from his rude clasp, and sped down the path calling for
-help. Help was nearer to her than she had thought, and a humble friend
-sprang to her aid. As the insolent creature started in pursuit of the
-swift-footed girl, Ah Lam adroitly tripped him up, bringing him to the
-ground with a heavy fall. The man was somewhat bruised by his tumble, a
-sharp stone having struck his arm. He arose with difficulty, pouring
-out a volley of oaths the like of which had never before desecrated
-Millicent's ears. The Chinaman, knowing full well the danger which his
-temerity had brought upon him, ran quickly after his young mistress.
-The path brought them to the border of the stream, and their flight was
-stopped by this obstacle. By this time, the man, blind with rage, had
-caught up with the two fugitives; he seemed in doubt which of them to
-molest first. Millicent stood with flashing eyes and curling lip, her
-head thrown back, her arms folded across her breast, looking at him with
-an expression of scorn that seemed to awe him for a moment. He drew
-back, as if afraid to touch so beautiful and wrathful a creature, and in
-his rage clutched the Chinaman by the throat. In the scuffle which
-ensued, Ah Lam's hat was thrown off, and the long cue coiled about his
-head fell down. Quick as thought, the ruffian seized the braid, and
-drawing a sharp knife from his boot, cut it from the head of the
-Chinaman. With a shriek which had the despair of a double death, the
-Chinaman turned and implanted his finger-nails in the face of his
-adversary, inflicting ten long scratches on the cheeks. The crushed
-worm will turn at last; and the poor soul, damned for eternity by the
-cutting of his hair, had turned upon the ruffian. Quick as the
-fast-drawn breath of the terrified girl, the villain lifted his long
-knife and, with a horrible oath, plunged it into the side of the
-Chinaman. The shrieks of the victim, the horror-stricken screams of the
-girl, the sight of the blood, seemed to madden the wretch; for he tore
-the quivering knife from the wound and stabbed him again and again. At
-last the rage for blood seemed satiated; he threw the mutilated body,
-still breathing, to ebb out its life on the soil, and turned with bloody
-hands and seared eyes toward Millicent, who had sunk upon her knees,
-lifting the head of the dying Chinaman to her young breast.
-
-The closed lids fluttered open, the dimmed eyes looked gratefully for
-the last time into the face of the girl who had been kinder to him than
-any other creature in this strange land where he had worked so
-faithfully, where he had been so cruelly oppressed in life, and so
-foully murdered; hope of Heaven being closed to him before his miserable
-breath had been taken. The horror of his crime must have overcome the
-ruffian for a moment, for he paused and silently watched the
-death-agonies of his victim. To that moment's feeling of horror or
-remorse, what might not Millicent owe? For soon, to her it seemed an
-eternity, the men, whose answering shouts she had not heard, appeared
-close at hand. The murderer saw them none too quickly for his safety,
-and springing upon his horse, which stood near by, clapped spurs to the
-flank and rode off at a hand gallop in the opposite direction.
-
-Galbraith rushed to Millicent's side and lifted the dying creature from
-her breast. They placed him gently upon the bank, and Hal put his flask
-to his lips; but it was too late. With one last struggle Ah Lam yielded
-up his miserable life; and Millicent's cry of pity sounded his
-death-knell. Then she lifted her hands to Heaven and prayed for the
-soul of the poor creature who had so bravely defended her. An hour ago
-she had smiled at Fra Antonio's masses for the repose of the Smile of
-the Morning. In moments like these the strong instincts of men and
-women overcome the reasons and doctrines of education; Millicent prayed,
-believing that she should be heard.
-
-When it became evident to the little group which had silently assembled
-about the spot, that poor Ah Lam was beyond human help, Maurice
-Galbraith and Henry Deering lifted the lifeless body and laid it in the
-great wagon. Millicent followed and drew over the dead face the white
-cloak which she had worn all that day. Pedro, climbing to his seat,
-touched the mules into motion; and the wagon, which had carried so merry
-a freight to the gray bridge that morning, returned at sunset over the
-same path with its ghastly burden,--a very funeral car.
-
-Maurice Galbraith gently placed Millicent beside Barbara and her mother
-in the smaller carriage, which was driven back to the Ranch under the
-escort of Ferrara, O'Neil, and Hartley. Then the young lawyer, with
-Henry Deering to bear him company, started in pursuit of the murderer.
-He had sworn a silent oath, as he stood by the dying man, and learned
-that his life had been given to protect Millicent, that Ah Lam should be
-avenged. If there were law and justice in the broad land of California,
-the murderer should surfer the extreme penalty for wilful and wicked
-shedding of innocent blood. In pursuit rode the two young men, with
-stern faces; and it was well for the fugitive that he had a long start
-of them, for they rode as men do when time must be gained at all costs.
-Along the narrow bridle-path, over which the murderer had passed, they
-took their way, and were soon lost to the view of the three women
-sitting close together in troubled silence. Barbara's strong hands held
-the reins and plied the whip, while streams of tears coursed down her
-cheeks. Mrs. Deering patted her daughter's shoulder; but it was on
-Millicent her attention was most firmly fixed. The girl had not moved
-since Galbraith had placed her in the carriage. Her eyes were strained
-wide open, and the expression in their depths was one which the gentle
-woman never forgot,--a look as of an endless despair and horror. Back
-to the happy valley they drove silently, no joyous young voices
-carolling out ballads of love, songs of battle, as was their wont; in
-silence and grief they passed over the familiar road through the gap
-between the guardian hills, back to the quiet house, to herald the
-advent of the humble dead to those who had been his fellow-servants.
-
-No one told Millicent that standing near the spot where the ruffian's
-horse had been tethered was a second steed. A strong mustang saddled
-and bridled was found there. A heavy leading-rein passed through the
-bit, and a stout rope lying over the saddle, gave a sinister
-significance to the fact. For whom had that horse been brought?
-
-
-
-
- CHAPTER XIII.
-
- "Abroad it rushed,
- My frolic soul, for it had sight
- Of something half-way, which was known
- As mine at once, yet not mine own."
-
-
-It was early in the morning for Millicent, usually a late sleeper, to be
-in the garden among the flowers. There Graham found her, white as the
-gown she wore, standing with her arms filled with dark-red
-roses,--standing with the sunlight touching her pretty hair, and shining
-in her cool gray eyes. He stared at her, as at one risen from the dead;
-he touched her hand before he spoke to her, to make sure that it was
-really she, alive, with softly heaving breast and warm, clinging
-fingers. Alive, and not as he had pictured her a thousand times during
-that terrible ride,--cold and dead, with the stain which had dyed her
-kerchief, on brow and bosom. For a long time they stood silently
-looking into each other's faces; and then the man laid her hand gently
-on his arm, and together they passed down the orchard road, across a
-space of sunburnt meadow, to a spot they both knew,--Millicent's
-boudoir, hanging over the narrow stream, walled by six tall redwoods
-grown from the seeds of some giant predecessor, carpeted with thick
-green moss, furnished with two rough seats. Here they rested silently
-for a time,--Graham drawing long breaths of the morning air to relax his
-tired lungs; Millicent resting her wearied heart with looking at him,
-all her soul shining through her eyes. Graham first broke the silence
-with questions of all that had happened since they had parted. She told
-him of her danger, and of the murder of the Chinaman, in a low voice,
-full of awe. It had been her first knowledge of death; and the chill
-reality, the only certain thing which men look forward to, had first
-been known by her now that she was a woman grown, and could fully
-understand its dreadful significance. Hitherto, death had been a phrase
-only; a thing which must come to all creatures, as a matter of course.
-That she should sometime die she knew, but only by tradition; it had
-meant nothing to her. Now she understood it all, and the terrible
-knowledge had chilled her life-blood. Could she ever again think of
-anything but that dead face? One stronger than the King of Terrors was
-driving it from her thoughts: love was swiftly painting out the grim
-picture from her memory.
-
-Step by step they went over the ground of their mutual experiences since
-the time when they had parted: the picnic, and its tragic ending; the
-night which Graham had passed in the cabin with Ah Lam's murderer,--for
-there could be no doubt it was he who had dropped Millicent's
-handkerchief in the hut. Of the little journal Graham spoke sadly,
-gently, without anger, as if it were a thing which concerned neither of
-them. Then Millicent brokenly told the story which the written words
-had simply indicated. She told it with a sense of thankfulness that the
-weight of the secret rested no longer on her heart alone; that its pain
-was shared, and that at last her lover understood and saw her absolutely
-as she was. No reservation did she make, but bared to him the inmost
-chambers of her heart, sure of no misunderstanding, and upheld by a
-sympathy she had never before known. Then her confidence was returned,
-and Graham spoke to her of many things of which he had never spoken
-before; of the hopes and aspirations which had sometimes made his life
-glorious; of the quicksands and hidden rocks which had often made his
-way dangerous.
-
-A wonderful confession,--solemn as those first confessions made by men
-and women who at maturity join the Roman Catholic Church, and
-unflinchingly reveal to the confessor every temptation to which they
-have yielded in the course of their lives. To no mumbling, inattentive
-priest, with store of penances and absolutions in his pocket, was the
-confession made; in no stifling confessional, with throng of penitents
-outside, grudging every moment of delay. Each spoke to a tender human
-heart, that filled out the broken sentences, and echoed the deep sighs.
-The roof of their temple swayed in the light breeze, and the wild birds
-chanted the hymn of praise which consecrated it.
-
-As Millicent at last sat silent, not knowing whether her lover still
-spoke to her in words, or if that finer language of the spirit made his
-thoughts clear to her, came at once a strange consciousness that she was
-no longer a creature of this earth, with material senses and shape. The
-last words which she had spoken she remembered as one dimly recalls what
-has happened in another life. They were these:--
-
-"Are you sorry for me?"
-
-There had been no answer in words or in looks; for the power of sight
-had been left behind with the outer case, now shaken off for the first
-time since life upon the earth had begun. She was a thing apart no
-longer; her existence had become merged in that of a stronger soul, to
-which she was an all-important part. Folded in this spirit-embrace time
-was not, nor past nor future; nothing but the perfect ecstasy of a union
-which eternity should consecrate. Floating on a celestial ether, the
-double soul mounted ever higher and higher. Was it toward eternal bliss
-that it was wafted? Was the long waiting at an end?
-
-Again she saw the sunlight; again she heard the ripple of the water;
-again she felt the earthly tenement closing about the divine spirit.
-Before her, framed in the green leaves, was a face dear indeed, the face
-of her lover. With solemn eyes they looked at each other; and a broken
-voice whispered to her,--
-
-"Dear, what is it?"
-
-She answered softly,--
-
-"I have never been so near to you before."
-
-Then a flood of feeling swept over her, and she would have knelt to him,
-her other self; but he was already at her feet, moved by that same
-instinct to do homage to the human form which held his counter soul, and
-on her white feet he laid a reverent embrace.
-
-Strengthened and uplifted by that mystic union whose memory should never
-leave her, whose bonds should ever bind her, was Millicent. In every
-existence comes one supreme, all-important moment, which thenceforth is
-the landmark by which life is measured; the climacteric point to which
-the past merely served to lead, the future availing only to enshrine its
-memory. To some men and women the significance of that moment is known
-only when it has long passed; to Millicent, the knowledge that her whole
-after life should be controlled by that hour was not wanting. And her
-lover,--would he be faithful to that unspoken vow? The thought never
-crossed her mind; she was irrevocably bound to him; priest and rite
-could but make a poor, earthy contract between what was mortal in them
-both; the spiritual union was not for this world, and might not be
-broken by either.
-
-
-
-
- CHAPTER XIV.
-
- "Dust and ashes, dead and done with, Venice spent what Venice
- earned.
- The soul, doubtless, is immortal--where a soul can be
- discerned."
-
-
-It was a pitiful story which the little journal had made known to John
-Graham,--the story of a woman grievously wronged, cruelly deceived.
-
-Millicent Almsford's life had not been a happy one. Her childhood had
-been lonely, and she had none of those early recollections which are so
-comforting in after years to people more fortunately bred. Her father
-was an invalid and a bookworm, and looked upon his only daughter as a
-creature to be fed, clothed, educated, and kept quiet. Her feeding he
-intrusted to her faithful nurse, who had promised her dying mother never
-to leave the child till she should be grown to womanhood. Her wardrobe
-was ordered by a relative who lived in Paris, and who twice a year
-overlooked the making and packing of her clothes, from her first baby
-wrappings to the ball dress in which she was presented at the court of
-St. James. Her education he left very much to chance and her own taste,
-simply locking up the _livres defendus_ of his library, and telling her
-English governess to order any necessary volumes from Mudie's. The
-young woman in whose charge Millicent was placed, was more eager to
-learn Italian than to teach English; to explore the literature of Dante
-than to familiarize her pupil with the British authors. When Millicent
-was sixteen years old, the feeble protection of this governess was taken
-from her; the woman returning to England to keep a long protracted
-marriage engagement with her own cousin. The same year old Nina died;
-and then it was that the lonely girl fell under the influence which was
-to darken her destiny and turn aside the natural current of her life.
-Millicent Almsford, at that age, was a very peculiar and interesting
-study. Her mind had eagerly grasped much more material than it could
-master. Her vivid imagination and great talent for music were, with a
-love of beauty, the most strongly developed traits in her nature, whose
-intellectual growth was destined to be slow and late; whose spiritual
-existence had not yet begun. An exquisite native refinement and a
-perfect taste were among her most interesting qualities. Singularly
-attractive and strangely incomplete, she had formed few relations; and
-her friendship with Edward Holworthy, the man whose influence so marred
-her life, was the first strong feeling which she had known. He was her
-opposite in character, and knew life only through people, while she had
-lived purely in ideas. Her complex nature, unfathomable to herself, was
-to him a novel and engrossing study, and it was through him that she
-learned to understand one side of it. The man found a great heart which
-had never loved; a strong power for working good or evil; a bold mind,
-that feared not to grapple with the deepest problems of life; and a
-possibility of absolute devotion to a resolution once formed, which is
-rarely found among young women. He became her mental guide, and
-directed her readings; with a certain clever intuition bringing her
-under the influence of minds as sophistical and frivolous as his own.
-Sympathetic to an extreme degree, her nature quickly took from his the
-color of an exaggerated cynicism, which was sometimes strongly shaken by
-the inner spirit which still slept under the untouched heart.
-Platonics, where the man is of the world wise, and the woman foolish
-with the innocence of childhood, are dangerous things, as he knew full
-well, and she did not. In pointing out the forces which mould the lives
-of men and women, what theme is so often upon the lips of two life
-students of opposite sexes as that of love? To the girl it seemed a
-strange, rather interesting force, whose power it would not be
-unpleasant to test; and when one day her mentor confessed to her that
-she had bound him irrevocably by those bonds which he had taught her
-were but ropes of sand, she smiled half sadly, but in her heart laughed
-with childish merriment. She now should see the actual workings of that
-strange hallucination; she should learn something of what love was. She
-was as unfeeling as a young lioness, and learned the lesson of making
-him turn pale and red by turns, as quickly as she had learned the knack
-of touching the chords of her mandolin. She looked upon her quondam
-friend in the light of an invalid, suffering from a dangerous but
-non-contagious malady. And so things went on; the man gaining every day
-a firmer hold over the girl, intoxicated by the new power in herself and
-a growing consciousness of her beauty and charms. During the long
-mornings at the Palazzo Fortunio, the two friends read and talked
-together, while the Italian governess, understanding no word of their
-intercourse, sat sewing patiently beside them. In the cool afternoons,
-when they were rowed by the strong-armed gondolier, Girolomo, out into
-the glory of the sunset, the same stolid companion always accompanied
-them. One day, Mr. Almsford, selfish old epicurean, perceived for the
-first time that his daughter had grown to a tall and fair womanhood.
-His attention had, perhaps, been first called to the fact by the
-increasing size of the half-yearly coffer which found its way from
-Fashion's capital to the Fortunio Palace, and by the proportionate
-lengthening of the account which accompanied it. Yes, Millicent was
-certainly grown to be a young lady. They were beginning to send her
-little, demure bonnets, and close-fitting, simple woollen dresses, made
-with more of an idea of displaying her graceful figure than heretofore.
-The girl was heiress to her mother's fortune; and it behooved him to see
-about finding a suitable husband for her. Whom should he consult in
-this matter, but their most intimate friend; the man who seemed at once
-his contemporary and hers; the handsome, clever fellow-countryman, who
-had been on the most intimate footing in his house for the last ten
-years? Edward Holworthy had started unaccountably when, in the midst of
-one of the solemn pauses of their game of chess, Mr. Almsford had
-propounded the unexpected question to him:--
-
-"How shall I find Millicent a husband?"
-
-The elder gentleman, for the first time in many months, checkmated his
-adversary in two moves, and won the game in an unprecedentedly short
-space of time.
-
-Holworthy's advice was given after a week's deliberation. It was in
-favor of sending Miss Almsford to her father's sister, who lived in
-London, in order that she might be presented at court and introduced to
-English society. Mr. Almsford thought over the advice, which appeared to
-him wise. He consulted Millicent, who eagerly accepted the chance to
-see something of the world; and finally, after six months' exchange of
-letters upon the subject, the girl was taken to London by her father,
-and comfortably established, with her aunt, in a pretty Kensington
-villa, for which her poorly circumstanced relative gladly forsook a
-small house in an unfashionable quarter of the town. Having married a
-younger son of a great house, with no portion but debts on his part and
-beauty on hers, Millicent's aunt, with the matchless tact of our
-countrywomen, had secured herself a prominent and agreeable position in
-London society. In mere worldly advantages the young girl could have had
-no better chaperone than the pretty young woman, still occupied with
-bets, beaux, and bon-bons. She took her niece to all the best houses;
-and soon Millicent's extreme beauty, and the widely noised, somewhat
-exaggerated accounts of her worldly goods, brought her scores of
-invitations and admirers on her own account.
-
-Six months after her departure, Millicent Almsford returned to the
-Palazzo Fortunio, where the report of her great social success had
-preceded her and tickled the ears of her parent, proud of the child for
-whose sake he had never sacrificed a whim of his own. Edward Holworthy,
-who had accompanied the father and daughter to London, and remained
-there during the period of the latter's stay, did not return to Venice,
-but sailed for Australia, from whence he never returned either to his
-native or to his adopted country. The change which her half year's
-absence had wrought in Millicent, her father attributed to her social
-experience. She had left him half a child, with a thousand absurd,
-whimsical ways, which had amused him, and endeared her to him more than
-any other trait in her character. Few things diverted him; and he
-counted every laugh which Millicent provoked from him as a positive
-good, which he set down to her credit in their joint account. Her stay
-in London had given Millicent a certain poise and manner which suited
-her marvellously well; but all the sparkle and freshness seemed to have
-left her. She was like a fresh, white lily which has been broken and
-wilted by a violent storm of wind and rain. For months she never
-smiled. Her life seemed to have come to a standstill; she suffered
-dumbly, hopelessly, with sad, deep eyes, made more beautiful by the
-trouble in them. A sceptic and a materialist, she found nothing in this
-world worth suffering for, and smiled incredulously when the old cure,
-her Latin teacher, tried to help her from the slough of earthly despair
-by promises of a glorious future, for whose attainment the life-battle
-should be bravely fought. She was conscious of no ethereal essence which
-should outlive the graceful body, whose beauty she sometimes cursed.
-Did it not reduce her to the level of all hunted creatures? Was she not
-a thing to be pursued by men, like a tall deer or a fleet, timid hare?
-
-"Something had come to the Signorina," said Girolomo, the gondolier;
-"and the Signor Holworthy, where was he?" And he shook his head
-gravely, the wise old creature, guessing, as did no other soul, that
-Edward Holworthy was in some way connected with Millicent's changed face
-and listless demeanor.
-
-Something had come to her; but she never confided to priest or friend
-the trouble which robbed her young face of its childish curves, which
-killed the youth in her, and made her a woman in grief, while she was
-still a child in years. Only one confidant had she,--the little journal;
-the gold-clasped tome which all those years after had fallen into John
-Graham's hands. The story of the first passion she had ever roused,
-read by the only man she had ever loved.
-
-It was the pitiful story of a grievous wrong which had darkened more
-than one life. The miserable consequences of a wicked act are infinite;
-its influence spreads wider and wider every day, like the broadening
-rings which circle on the surface of a still pool disturbed by a stone
-which a careless hand has tossed. The black deed may be hidden from the
-sight of men, but its baleful effects are felt afar off in the lives of
-those who have known nought of its perpetration. Let not the sinner
-comfort himself in that his soul alone is damned for his crime. It
-darkens innocent lives with its evil; and in sinning against himself he
-sins against mankind.
-
-In the strange country whither Millicent had gone, Holworthy was the
-only link which bound her to her home, the one being who understood and
-cared for her. The dominion which he had always held over her was now
-strengthened into a powerful magnetic force. The little journal told
-how that influence had been exerted in compelling her to a secret
-marriage against her own will and judgment. She had been tricked into
-an elopement,--it might better be called an abduction,--and all
-unwillingly became his wife. Then all too soon, ere a week had passed,
-came the terrible discovery that the marriage was no marriage. For then
-came to her the mother of the man whom she was striving to love with
-wifely duty, an old woman, bowed with grief and years. She had come
-very far, across half a continent, to break to the girl whose name she
-had heard linked with that of her only son, the news that he was not
-free to marry, that she must give him up. When the tall girl with the
-childish, flower face fell stricken to the earth like a broken lily, at
-the feet of the older woman, she had made no cry; in the hours that
-followed, she said no word. When the man who had wrecked her life came
-and knelt beside her, prayed her to be patient and her wrongs should be
-righted, spoke of his remorse, told her of his terrible mad wife from
-whom the law would set him free, and make him really hers, prayed,
-besought, and worshipped at her feet, she answered him with one terrible
-word only. She rose and stood before him white and cruel in her agony,
-relentless as Fate.
-
-"Go!" was the one syllable which her frozen lips uttered; and with a
-gesture of command, majestic and beautiful, she had banished him from
-her presence. The secret was kept, even from the old woman, grown more
-sorrowful at the sight of the girl's dumb agony and of her son's grief,
-which she could not soothe. The secret was kept; and that very night
-Millicent's face, pale and clouded, shone out amidst a group of fair
-women who sat languidly chatting through the music of _Faust_ at the
-opera. He kept her secret, poor wretch, and shielded her as best he
-might, forcing her to speak to him and see him before others, that no
-sudden breaking of their relations might be remarked. Save in the
-world, she never saw him again. That one word of command was the last
-syllable which he ever heard her speak to him directly. Not without a
-struggle did he give her up, but she was implacable. She yielded to
-him, and played her part in the little comedy which the world thought it
-understood. The beautiful Miss Almsford had found Holworthy a pleasant
-admirer, but her delicate American beauty and her solid American fortune
-would certainly win her a higher place in the world than that of the
-wife of Mr. Edward Holworthy, her countryman and old friend.
-
-Youth and health are great physicians; and as the years passed,
-Millicent recovered something of her old spring and elasticity. She was
-infinitely more interesting, if something colder and harder, than she
-had been in the old days. Her unquenchable vigor of temperament came to
-her help, and gave her a keen pleasure in her studies and in the work
-and thought of the people about her. Always self-reliant, she grew to
-live entirely without support from man or woman. She was a friend to
-many people, but was herself friendless. The Palazzo Fortunio, under
-her reign, grew to be the centre of a charming social circle. Musicians
-and painters were made welcome by the young hostess. At once an artist
-and a patron of the arts, she stood in a peculiar relation to the men
-who frequented her _salon_. If she had been without fortune she would
-have made music her profession. As it was, she studied it as faithfully
-as if self-support had been her aim; and she claimed that sympathy from
-her artistic friends which a mere connoisseur, be he ever so
-enthusiastic, can never arouse. To her small world she was
-all-important. Her sympathy helped many a timid _debutante_, and her
-counsel cheered the black days of more than one disheartened artist.
-Always gracious and kind, she had drawn about her a group of people, to
-all of whom she was a sort of exalted fellow-worker, who knew but the
-poetry of art, and helped them to forget its prose. Her heart was quite
-empty, but her mind was keenly interested and fully occupied by the men
-and women among whom she lived. Happiness she had forgotten to look for,
-but in enjoyment her days were not wanting. It was a terrible blow to
-her when this pleasant, quiet life was suddenly broken up by her
-father's marriage. To her imperious nature the presence of the inferior
-woman whom Mr. Almsford had brought home to the Palazzo was intolerable.
-Where could she go? For the first time in her life she felt the power
-which her fortune gave her. She could establish herself wherever she
-liked. Her father's sister proposed a repetition of their joint
-establishment in London, but at the very mention of her returning to
-England Millicent's face blanched. She would never again set foot in
-that country. It was while she was in a state of doubt concerning her
-future movements that her half-brother wrote her a long and affectionate
-letter, urging her to come and dwell for a time among his people, to
-visit her mother's country before she decided the important question of
-where she should establish herself for life. The idea seemed a just one
-to her; and acting on a tender impulse roused by the loving words of her
-unknown brother, she had telegraphed her departure, and forthwith
-started on her long journey accompanied by her capable French maid. The
-Abigail discharged her trust faithfully, as far as San Francisco, from
-which city she turned her face on the very day of her arrival, unwilling
-to remain longer in what she called "_le plus triste pays du monde_."
-If the truth could have been known, Millicent would have signed away ten
-years of her life to have gone back with the woman to the Old World, the
-only home she had ever known.
-
-Graham had not been mistaken when he predicted to Millicent that she
-would grow more in sympathy with the race from which she drew her
-inheritance of character and temperament than at first seemed possible.
-Nature is stronger than habit, well called second nature; and as the
-surface roughness became familiar to her, she began to feel the strong
-life and vigor of the young Western land quickening her pulses and
-stimulating her whole being. The poverty of intellectual intercourse
-was more than compensated by the tremendous power of work, the
-electrical force which accomplishes so rapidly in this new land what in
-other countries has been the slow growth of centuries.
-
-An answering glow of enthusiasm flushed her with hope, with a keener,
-fuller, more intense life than she had ever known before. She had clung
-at first to her traditions, and fought against the tide which seemed to
-be sweeping this people on and on and ever on. But nature was too
-strong for habit; her upright, fearless mind acknowledged kinship with
-these hard-working men and women, to whom pleasure is not save in toil,
-whose whole life is one long unconscious sacrifice to their country. On
-the eastern margins of our land the austere simplicity and purity have
-become infested with plague-spots brought--ay, imported with care and
-expense--from the Old World, and fostered like exotics on the clean
-soil. But from the great Western prairie comes a fresh, strong breeze
-which sweetens all the foulness of the Atlantic cities, and makes the
-breath of Columbia still pure and fragrant.
-
-With this new sentiment for her new-found country came the first
-passionate love to the heart of the beautiful and unhappy young woman.
-She had breathed the spicy air of the Californian forests, bracing and
-sweet, and her cheek had grown fuller and fairer in the perfect climate.
-Her empty, hollow heart was filled by a great love and strength,
-all-sustaining and soothing.
-
-When Graham had first seen her lying in the fire-light, with cool, deep
-eyes, before the light of love had dawned in her flower face, she had
-seemed to him like a perfect white rose. Then the rose flushed palely,
-as the love-light trembled to a flame; and he brought her flowers of the
-color of the sea-shells, and she wore them in her hair. Last of all, he
-laid at her feet deep-red damask rosebuds; and these she placed on her
-white breast, where they bloomed and died in a single night. He had
-painted her by the waves, as he had once seen her on that strange day
-when death had seemed so near and life so beautiful. He had painted her
-standing at the sea edge with pallid roses in her little hands, her
-graceful head set about with the same soft-hued flowers, and a single
-crimson rose lying lightly over her heart. He had hung the sketch
-against the wall where the sunlight fell upon it early in the morning;
-and Millicent had bade him remember, while he slept or waked, that she
-was near him.
-
-
-
-
- CHAPTER XV.
-
- "It cannot be that love so deep as mine
- Could fail to stay you like ethereal wine."
-
-
-When he first understood the full import of the dreadful story, John
-Graham had been dazed with grief. He had sought distraction from his
-torturing thoughts in action, and had spent that first day in wandering
-through the forest. When he lay down to sleep that night in the lodge,
-his heart was burdened with the double weight of Millicent's secret and
-Millicent's deceit. He said to himself that they had put an insuperable
-bar between her and himself. He could have pardoned the disgrace which
-had befallen her, and was not her fault, but he could never forgive her
-deceit toward him. The finding of her kerchief the next morning, and
-the terrible apprehension which the blood-stain had aroused in him,
-swept away the anger and sorrow from his heart, leaving nothing there
-but an agonizing fear. This had been, in turn, banished by the joy of
-finding her alive and unharmed, waiting for him amidst the roses. The
-great fear had softened the anger in his heart; the sudden happiness
-exalted his soul from the hell of anguish in which it had dwelt, into a
-perfect and pure peace. Pride, anger, and resentment were swept away,
-and love swayed him with its mastery. He knew her now, faulty as she
-was; and his higher nature forgave her, because of her great love,
-because of her great wrong. But in his stormy breast the tide of
-feeling flowed and ebbed; pride had reigned there so long that love
-could not all at once claim undisputed sway. He could not learn in an
-instant that pride is born of hell, while love is breathed from heaven.
-In that strange moment when their two beings had seemed etherealized, he
-had forgiven her all; but in the days that followed, pride, doubt, and
-prejudice came forward one by one to do combat with victorious love. It
-might be that they would conquer in the struggle; it might even be that
-pride, being selfish, should make him doubt and finally even forget
-love, which is unselfish. But he had pardoned her, and loved her with
-all her sins; he had acknowledged that bond of spirit which made them
-one; he had knelt before her and kissed her feet in a passionless
-embrace full of reverence. No matter what griefs should fall upon her,
-no matter what deed or word of his might put them apart in this world,
-she should carry through her life, and beyond it, the knowledge that
-what was highest in him had leapt to meet her love, and acknowledged
-that they belonged each to other for eternity.
-
-John Graham awoke one morning to find himself possessed of a picture.
-He had seen it between waking and sleeping, in the early hours of the
-night, and it had haunted his dreams till sunrise. He heard the
-wondrous carolling of the birds just before dawn, with a joy greater
-than was his wont, for it heralded the day which should bring light for
-his work. French John, coming in with his breakfast, for the first time
-in his life entered and left the tower without word or look of greeting
-from the artist, who, with bent brow and serious face, was sketching in
-the first lines of his picture with a bit of white chalk. The
-half-finished portrait of Mrs. Patrick Shallop looked at him with one
-reproachful eye from the easel; but Graham paid no heed to the neglected
-portrait; he was deeply engrossed in pursuing his thought and preserving
-it in a tangible shape. It is a rare thing, in this age of the worship
-of the golden calf, for the artist even to be absorbed in the love of
-his profession. Of old, it seems that the sages and the sculptors
-wrought and thought for the sake of art and learning, the spur of
-ambition being all that was necessary to urge them forward. To-day the
-goal toward which such men strive is a golden one, and the worship of
-money is more in vogue than the pursuit of glory.
-
-When artists sell their souls, brains, and talents to dealers, engaging
-to deliver so many works of art in so many months, on such and such a
-class of subjects, bargaining by the wholesale for the work which they
-shall produce during the coming twelve-month, what wonder that the cry
-of the connoisseur is, Too much technique, too little sentiment! "What
-is sentiment?" one would ask such a babbler; is it a thing to be
-measured off by the yard, or sold in canvases to suit traders, who feel
-the pulse of the public, and if it is feverish give more stimulant, or
-if it is fainting prescribe an anodyne? To such prostitution do these
-men strive to degrade the arts, but in vain. Apollo's voice is still
-stronger than the chink of doubloons; and there are those whose ears are
-ever strained to catch his mystic music. The art trade, the literary
-trade, may flourish luxuriantly, growing like weeds, with a rank
-prodigality; but the flowers of art and literature, for all that, stand
-serenely strong in the garden of our fair young world, growing day by
-day in beauty and strength. Their blossoming may be rare in this day
-and generation, but the plants are sound and full of a mighty sap.
-
-Though John Graham was a man of the world, there was no taint of
-worldliness about him; he knew the world, because he had lived somewhat
-in it, but more, perhaps, because he had studied the lives of the
-world's people. The painting of a picture was to him of more importance
-than its sale; the conception of a work more than its accomplishment.
-His enthusiasm was apt to wane as his picture neared completion. The
-great glow with which the idea came to him kept him warm and interested
-through all the stages of the crystallization of his thought; but when
-the work was finished he ceased to prize it, and either threw himself
-into a new composition, or patiently labored at uninteresting mechanical
-work until he was again inspired. It was with difficulty that he could
-be induced to sell his pictures; he would sometimes keep them before him
-for years, waiting to alter some detail or to remedy some defect. His
-friends, knowing his reluctance to part with them, were wont to wait
-till they knew the artist to be in absolute need of funds, and then
-quietly to walk away with the coveted picture, forcing him to accept its
-price. A few people only in California understood or cared for his
-landscapes, or the rare works of imagination which he produced; and it
-was through his portraits that he was chiefly known. He felt in himself
-an unfitness for this line of work; and had it not been for the sake of
-his beloved mother, partially dependent on him, it is not likely that he
-would ever have followed it. The reason was not far to seek why.
-Graham did not succeed in that important branch of art: the individual
-had little interest for him; men and women absorbed him less than
-nature. Every tree and brooklet, dead forest leaf or purpled
-thunder-cloud, held for him a lesson. Men and women seen from a
-distance were more likely to interest him than those with whom he was
-thrown in close contact. When their lives and actions were viewed in an
-impersonal perspective, he understood them better, and often theorized
-about them. His thoughts were oftener occupied with people of whom he
-knew little than with his friends and intimates. To seek truth first
-and beauty second, was his creed; but his life was not always guided by
-that high rule; and the jack-o'-lantern beauty sometimes tempted him
-from the pursuit of truth, leading him on long rambles over smiling
-meads and into flower-hedged swamp lands. There would he lie undone,
-angry and smarting from the thorns through which beauty had led him; and
-then, turning his back upon her, would trudge earnestly along the road
-which leads truthward. Millicent had once whispered to him that he
-mistook two loving sisters for dread rivals, and that truth and beauty,
-when truly seen, are found together; whereat Graham had looked full into
-her eyes, long and steadily, and kissing her hand, with a sigh, had
-spoken of other things.
-
-Lying beside him on the floor, as he worked upon his newly imagined
-picture, was a painting nearly finished, on which he had been working
-the previous day. A wooden panel, on which was represented the ever-new
-subject, fairest of themes to artist and poet,--two lovers, standing
-together in the rosy dawn of love, ere the scorching sun of passion has
-deepened their cool morning into a fervid midday. The man's figure was
-strong and graceful, his attitude one of protection; the girl's rounded
-and delicate body swayed toward her lover, whose arm enfolded her. His
-face was turned away, the eyes looking far, as if into the future; while
-her delicate features were turned toward him, her glance trustfully
-fastened on his face. The color of the warm woodland background was
-mellow and rich, bringing out the deeper tones of the figures. The
-resemblance of the girl to Millicent Almsford could hardly have been
-unintentional, one who knew her well would have said; and yet Graham was
-only half-conscious that the face and figure recalled her chief traits.
-He had thought of her as he worked; and beneath his brush her bronze
-hair and luminous face had been shadowed out more distinctly every day.
-A rare picture, full of beauty and sentiment; but thrown aside to-day
-for the new inspiration which had seized upon the artist. The subject
-to be treated was the entrance of the Poet to the abode of the Muses.
-He sketched the Poet, mounted on his winged horse, just crossing the
-narrow, defile which led to the sacred spot. With knit brows and earnest
-face, Graham worked at the sketch all day; only leaving his tower when
-the daylight failed him. As he wandered through the dim forest aisles,
-he thought of Millicent for the first time, remembering that he had
-agreed to ride with her in the afternoon at three o'clock; it was now
-past six. Without the slightest feeling of remorse at his failure to
-keep the engagement, he determined to ride over to the house and see
-her. Millicent received him rather coolly, having spent the afternoon
-crying with worry and disappointment at his non-appearance; and he, only
-half noticing her mood, failed to understand it. He was dimly aware
-that her society was not as agreeable as usual, and consequently he
-devoted himself to Mrs. Deering during the evening. At first Miss
-Almsford kept aloof from the conversation; but later, when her lover
-began to talk brilliantly, she drew near to where he sat and listened to
-his words with downcast eyes. Graham was in wonderful vein that night;
-his every gesture spoke of a strong under-current of excitement. His
-eyes shone, and his deep voice had a thrill of enthusiasm which stirred
-the pulses of the calm-browed girl, sitting near by with softly folded
-hands and parted, breathless lips. But it was neither for Millicent,
-nor because of Millicent, that the young man talked so brilliantly. A
-more stimulating influence than hers had touched him, and he was beyond
-the reach of her sympathy; exalted by the wings of his genius to that
-clear, cool, lonely communion with the immortals which only such as he
-experience. Dismayed, and yet full of reverence for this new phase of
-his nature, Millicent was filled with a great pain. She was left
-behind; she could follow but not accompany the flight of his fancy; and
-a sense of lonely desolation chilled the hot heart-blood with a
-depression the like of which she had never before known. The ethereal
-quality of her being recognized and did honor to his bold up-winging;
-but the personal, selfish side rebelled at the neglect to which she was
-subjected. The struggle in her breast was at that time unintelligible
-to herself; in after days, when the baser nature had been overcome, she
-realized it all, and knew that the long death-struggle of self began
-that night when Graham's eyes looked beyond her for inspiration, up to
-the blue-starred empyrean over both their heads.
-
-More from habit than because he needed her society, her lover asked her
-to step for a moment upon the piazza before he left. As they stood side
-by side, he absently took her firm, small hand in his and kissed the
-pink fingers one by one, as if she had been a child. All at once he
-perceived that she was weeping, her slender form shaken by a storm of
-sobs.
-
-"Millicent, my child, what is it? Are you ill?" he asked, tenderly
-stroking her hair.
-
-"No, only unhappy. Graham, why did you not come for me to-day? I
-waited for you all the afternoon."
-
-"Did I not tell you, dear, that I was very busy? I have begun a new
-picture. I quite forgot my engagement with you,--I am very sorry," he
-answered, puzzled at her emotion.
-
-"Then it is your picture that is my rival. I hate it, I hate it! I
-never want to see it!
-
-"Millicent, what do you mean?"
-
-Her only answer was to lay her aching head upon his breast, to twine her
-arms about him, and to sob out incoherent words of love and grief, all
-of which puzzled and wearied him. He soothed her tenderly; and when they
-parted there was a smile upon her lips, though her breast still trembled
-with the slow after-waves of a grief which shook her whole being.
-Graham, unnerved by the tempest which he had all unwittingly aroused,
-reached his tower in an excited and irritable frame of mind. The first
-thing that met his eyes was the picture of the lovers lying at the foot
-of the easel. He picked it up, placed it on the table before him, and
-long and critically surveyed his work.
-
-"I painted better than I knew," he sighed. "Yes, thus it is that we
-stand toward each other, man and woman, and ever shall stand,--the man
-looking out beyond, above, the woman, and she finding her utmost limit
-of self-projection in him. Alas and alas!" He placed the painting with
-its face toward the wall, and with a moody brow turned to his new
-sketch.
-
-"Bah, I can do nothing, see nothing in that picture; I have been too
-rudely summoned back to earth, to the little griefs of humanity, by a
-woman's tears. I was never meant for it, I cannot bear it." So ran his
-thoughts impatiently. He had been living in the passionless perfection
-of art, and had been suddenly recalled by a little creature, full of
-small human feelings, to this narrow world. Nettled and unstrung, he
-threw himself upon his hard bed, to dream of Millicent,--a happy dream,
-in which she knelt before him, acknowledging her fault, pleading his
-forgiveness; a dream of sweet reconciliation, wherein was memory of that
-hour among the redwoods, of that mystic soul-embrace but once known to
-him his whole life through. He awoke refreshed and strengthened, with a
-love-song on his lips tender as that of the mourning dove. Sundown
-showed him again at his easel after a long day's work; but that evening
-Millicent listened in vain for the patter of Tasso's hoofs among the
-softly rustling autumn leaves.
-
-In the week which followed Graham did not venture to see Millicent
-again, fearing her disturbing influence on his work. He sent her every
-day by his faithful henchman some little memento. One morning it was a
-quick sketch of the sunset of the previous night. Another day it was a
-bunch of pretty brown quails, the result of an hour's shooting. Once
-she found hung upon her window-ledge a garland of dewy red roses; and
-easily guessed what strong, light figure had swung itself up the piazza
-post, and over the trellis-work, to lay this offering before her
-curtained window.
-
-Henry Deering, passing by the piazza on the night the lovers had parted,
-heard the sound of weeping. In the days that followed, he noticed
-Millicent's reddened eyes and restless mood. He felt sure that some
-misunderstanding had arisen between them; and as the days passed, and
-Graham failed to appear, he began to believe that the breach was a
-serious one. In the old days he had loved Graham as a brother; but in
-the last months his affection had grown cold, and held a weak place in
-his heart, from whence jealousy was fast banishing it. Now that he
-believed his old friend to have grieved the woman they both loved, a
-feeling of antipathy and an undefined distrust possessed him.
-
-After the long day's work it was his custom to sit for an hour or so
-upon the piazza beneath Millicent's window, watching the beam of light
-which shone through her closed blinds until it was extinguished. One
-night, as he sat alone, the drowsy humming of the insects soothed him
-into a light sleep. When he awoke with a start, the moon, which had not
-before been visible, was high in the heavens. As he was about to go
-in-doors he heard a footstep on the path outside the house. He remained
-motionless in his chair, resolved to see who was abroad so late. The
-footsteps were uncertain and stealthy. The person first approached the
-house, and then retreated to the turf, where the steps were hardly
-audible. Deering stepped lightly to the edge of the piazza and peered
-through the honeysuckle screen. At a distance of twenty feet from him
-stood a man looking up at the house, at Millicent's window. His face
-was hidden by a muffler and a broad hat pulled low over the brows.
-Deering drew his revolver and cocked it. The click of the lock
-evidently reached the intruder's ears, for he turned and fled toward the
-orchard. Deering sprang from the piazza, and shouting, "Who are you?
-Stop, or I 'll fire!" ran down the path. The fugitive neither answered
-nor slackened his pace. Deering fired, aiming low down; but the ball
-whistled by the man and buried itself in the heart of a peach-tree. In
-the close shrubbery which surrounded the orchard Deering missed his man;
-and three minutes later he heard the swift tramp of a pair of horses on
-the path which led to the high-road. He ran to the stable. Nothing
-there but the mules and old Sphinx; his own fleet mare and Millicent's
-thorough-bred were grazing in the pasture. He slipped a bridle over the
-old mustang's head, and sprang on his back without waiting for a saddle.
-By the time he reached the highway the riders were out of sight, and the
-echo of the distant hoof-beats reached his ears. Pursuit was useless;
-they were well mounted; and Sphinx had gone dead lame the day before.
-The young man listened to the faint sound of the hoofs until it died in
-the silent night. Then he dismounted and examined the road. There were
-the traces of two horses. As he looked closely at the impressions left
-on the thick dust, he saw that only one of the horses had carried a
-rider; the other had been led.
-
-When he returned to the house he found the family aroused. Barbara met
-him on the piazza, asking anxiously what had happened. The report of
-the revolver had awakened her.
-
-"It was a bear, Barbara," said her brother. "It is a shame to have
-roused you all, and for nothing, too. I thought I had a sure shot, and
-that we should have bear-steak for dinner to-morrow."
-
-"A bear, Hal? How strange! Why, this is the first time one ever came
-so near the house, is n't it?"
-
-"No; Ralph killed two long ago, before you can remember. Go to bed now,
-and get the house quiet, for heaven's sake!"
-
-The young man kept his own counsel, and the next morning made a careful
-examination of the grounds near the house. On the farther side of the
-orchard there were traces of a pair of horses having been tethered.
-
-Two more days went by, and still Graham did not come. Millicent was
-distressed and puzzled at his long absence; and finally, after
-thoughtful deliberation, she decided to write to him, telling him how
-grieved she was at her own unreasonable behavior.
-
-Graham found a letter early one morning folded in an embroidered
-kerchief, and laid before the door of his tower. That heavy unpainted
-barrier could have told a tale like that of Tennyson's talking oak, had
-it been given the power of speech. Trembling lips had pressed timid
-kisses upon its weather-beaten panels. Strange old door of the tower,
-roughly fashioned by the Mission priests a century ago, what secrets
-have you not shut in; what hopes have you not seen pass out between your
-time-rusted lintels!
-
-It was the first letter Millicent had ever written him; he had but once
-before seen her handwriting. The girlish, weak hand which had traced
-the words in the little journal was greatly altered. It was now a
-graceful, flowing chirography, full of that individuality which stamped
-everything appertaining to her. Graham studied the superscription
-carefully before he broke the golden seal, with its device of Psyche
-with new-found wings. It ran as follows:--
-
-
-BELOVED,--Forgive me! forgive me if you will, for I cannot forgive
-myself. I was wrong to grudge you the time passed with your work. It
-was weak and selfish of me; but now that I know my fault, be not afraid.
-Believe that I am strong enough to overcome it. For the red roses at my
-window I thank you; and for the fair picture and the graceful couplet,
-for all the tender thoughts which prompted you to send me these tokens,
-bless you a hundred times. But oh! my lover, come to me; and let me
-read in your strange eyes, that are now bright and cold as ocean deeps,
-and again burning with Promethean fire, that I am forgiven. Not rose
-nor picture, not poem nor sweet garland, can tell me as can they that
-you love me.
-
-MILLICENT.
-
-
-Graham read the letter through twice, and folded it away, with a sigh.
-"Do I love her? Does she love me?" he queried; and all that day the
-doubt tormented him. While he worked, while he took his afternoon
-ramble through the woods, while he sat at his solitary supper, it
-rankled in his mind. He could not solve it; could she? It were best at
-least to ask her. It was only right that she should know of his doubts
-of her and of himself. He found her flushed with pleasure at the sight
-of him. She had anticipated his coming, and was dressed in soft colors
-which he approved, and fair with a hundred little efforts of coquetry to
-please him. Her bronze hair seemed to the man but a mesh to snare him.
-He turned his eyes impatiently from the pretty, bare arms, and the cool,
-snowy shoulders shining through transparent draperies. His judgment
-should not be turned aside by her loveliness. He greeted her coolly,
-barely touching her outstretched hand; and then stood looking gloomily
-into the distance, not knowing what to say, uncertain of the truth,
-doubting her. The woman, quick to see his trouble, spoke to him
-tenderly, with a low, soothing voice, thanking him for coming to her,
-telling him how long the time had seemed since they had met.
-
-"And tell me all about your new picture."
-
-"I cannot, Millicent; your letter spoiled my day's work. I have done
-nothing since I read it."
-
-"Dear, what can you mean?"
-
-"This, Millicent,--that my work must always be first to me. I had
-thought that you would help me in it, but it is not so." After a pause,
-"Millicent, I think we have made a mistake, you and I. We cannot help
-each other, and therefore we hinder one another. You dazzle me with
-your beauty, and send me back to my work unfitted for it; while I only
-make you unhappy, and fear I can never do anything else."
-
-"Graham, you kill me." She looked indeed as if a blow had been planted
-in her breast, as she reeled, all white and trembling, to a seat. Her
-words seemed to deepen the nervous agitation which possessed him, for he
-said impatiently,--
-
-"What can I do? It is not my fault that you have neither the best love
-to give me, nor the power to arouse it in me. I tell you, child, that
-we have been mistaken, and that it is time for this thing to end."
-
-"No, no, Graham; you are angry, you know not what you say. In mercy
-speak no more." She had sunk upon her knees, her clasped hands
-stretched toward him in an agony of fear.
-
-"Do not kneel to me, but listen; for I am right. If things had been
-different, it might have been; but as they are, we have been mad to
-think of it. There is no help for it, my girl; we must kiss and part.
-You never loved me as you should, Millicent, because you could not. A
-woman can love but once, and that is the first time."
-
-"It is not true. You, who are a man, say it. What woman ever said it?
-It is a lie, a lie! You shall not say it, you must not think it. You
-would make us creatures without souls indeed. Are they right, then, the
-Easterns? If when we women are sold, or stolen, or entrapped, we must
-love, and only then, you deny us other life than that of the earth. Of
-what man would you hold this doctrine to be true? It is utterly false!
-it is wicked! it is unworthy of you!" She moaned where she had fallen
-on the ground, and tried to speak again; but the man continued with a
-pitiless stream of words, sincere, earnest, spoken for her good as well
-as his own.
-
-"We have been loitering together for a time, child, on life's way, and
-have chased the golden butterfly of pleasure which men oft mistake for
-love. Before we are too deeply entangled in the briers, we must turn
-from the chase, we must forget each other. We can be of no good, one to
-the other; and I will be no more harm to you than I have been."
-
-He could not see her face now; it was hidden on her arm as she crouched
-where his words had thrown her. The pathos of the attitude touched him;
-he gently lifted one of the tightly clinched hands, and loosened the
-fingers which so fiercely bit the delicate palm. He was in a strange
-mood, when heart and soul seemed absent from him, and only the clear,
-strong brain prompted his words. Her passionate grief hardened rather
-than softened the look in his eyes. This girl, who had been as wax in
-his fingers,--glad when he smiled, weeping when he sighed, swayed
-invariably by the mood which possessed him,--now denied by piteous word
-and gesture the words which he was speaking. Her hand, unlocked by him,
-would have clasped his stronger palm; but at the caress he dropped her
-arm and turned his eyes from her.
-
-"I cannot give you up," she murmured; "you must not leave me so. Oh, my
-love, you wrong me, you wrong yourself! I love you, Graham, with all my
-soul; I love you as I never thought to love before! Cruel--cruel! It
-is not with lips and eyes that I have loved you, for you could lose
-that, and yet miss nothing from your life. Turn not from me, if you
-would not leave that which is best worth having by the roadside, and
-press on to find that goal towards which your ambition spurs you, empty
-and void without me at your side! It is your worse nature which doubts
-mine. Graham, Graham! what matters it if hand and eyes have been
-another's? My soul is only yours, wakened first when your strong spirit
-called it from the sleep begun before it was vested in this body, ere it
-was divided from your own."
-
-The last words, faintly whispered, hardly reached his ears. To-day
-their import could not have been felt by him. In other times he
-understood, and sufferingly admitted the truth of those incoherent
-words, which died on the air as soon as they were breathed, and yet
-whose memory abode with him his life through. He had come to Millicent
-not knowing what he should say, and the words seemed to have spoken
-themselves. He was sorry, as is the surgeon for the pain which he
-inflicts; but, like the physician, he felt that mercy lay in
-mercilessness. As she lay weeping at his feet, a strong tide of emotion
-swept over him, leaving him pale and trembling. He lifted her with
-eager hands, and on shoulder, brow, and pallid mouth he pressed cruel,
-parting kisses, which carried no balm to her broken heart, and brought
-no ease to his fevered spirit. Then he broke from her with a mighty
-effort, passion and pride wasting him with a terrible warring, and
-fleeing through the night left her there cold and nerveless, like a
-broken lily amidst the dews and damps.
-
-In the days which followed, Barbara watched with tender solicitude
-Millicent's changed face and nerveless step. Only through her
-sympathetic perceptions did she know of the girl's trouble; of what
-nature it was she surmised, not incorrectly. Lovers' quarrels are
-usually looked upon with a tolerant amusement by intimate friends and
-relatives; and when they are of short duration, it is usually considered
-advisable to ignore them altogether. But as weeks passed, and Barbara
-learned that Graham was in San Francisco, she redoubled her little
-attentions, and shielded Millicent as best she could from her mother's
-anxious questions.
-
-Angry and rebellious was Millicent in these days, with that terrible
-under-feeling of anguish which must outlive anger and rebellion; that
-fainting of the soul, when all that has supported it seems to have sunk
-away, and it is left absolutely without power to resist an all-devouring
-despair. Her happiness had been so short-lived; her misery was so
-terrible, so unending! Her young life, which had been balked of its
-natural joyousness and youth, had suddenly been illumined with the pure
-and perfect light of the love which passeth all understanding, and now
-she was in darkness blacker than she had ever known. The anguish of
-that great love was not wanting, and she suffered with a new sense of
-her capacity for pain. In her dumb grief she knew that the agony was
-not undeserved; this was the bitterest drop in the cup of tears. She
-had not told him her sad secret; she had deceived him! She had meant to
-tell him of the blot upon her name, before their lives had become
-irrevocably joined; but she had put off the dreaded moment until it was
-too late: he knew all now, and not by her confession. Would she ever
-have had the courage to tell him? She almost doubted herself. Was she
-deceitful by nature? she asked herself a hundred times, questioning her
-deep eyes in the mirror's depth. No, she knew that her frank, sincere
-character had been warped and distorted by the evil influence of the man
-whose name she would have cursed, had not the grave closed over him,
-burying his sins and her reproaches in the cold earth. Poor child, poor
-women all, the weaker creatures in this remorseless world! When they
-are bruised and broken by the force of their masters, is it strange, is
-it unpardonable, that the weapon of the weak tempts them? Who forged
-that weapon for them, who forced them to use it? If there were no
-unjust oppression among men, no brutal abuse of a superior force, would
-women be driven to deceit, that refuge of the weak?
-
-In this sophistry she wrapped herself, but was not satisfied. She had
-been tried and found wanting. This it was that had lost to her the
-lover for whom she had faced death. He might not know it; he had never
-said it; but she recognized what had driven him from her side,--the
-fault was hers. Was it unpardonable? Could he never forgive her? Must
-their lives be separated, now that spirit had kissed soul? Must the
-long waiting last until time should be ended for them both, and Eternity
-begun?
-
-Of all cruel gifts, is not that which lingered in Pandora's box the one
-through which men suffer most fiercely? O Hope! if thou hadst escaped
-along with the rest of the heathen god's blessings, how many tortured
-souls would now be at rest in a fixed and accepted grief which struggles
-not, neither rebels at the decrees of destiny! Unquenchable art thou,
-robbing sad mortals of all repose; even in death shall they not find
-rest; thou troublest the dying with thy visions of a future! With
-resolute hands sorrowing women seize upon thee, and would stifle thee in
-their breasts; but though thou dost sometimes simulate death, when the
-watchful hands loosen their hold thou springest up stronger and more
-cruel than before, and tormentest the sufferer with thy struggles!
-
-"If it would only die--if it would only die!" moaned Millicent, as she
-paced her room, her hands crossed heavily upon her breast, as if to
-stifle some tangible spark with their weight. A thousand times she
-submitted to the rest of a despair which was all too quickly routed by
-the fever of a hope which could not die.
-
-
-
-
- CHAPTER XVI.
-
- "If we should part and pass to separate ways
- With stifled sigh, averted head,
- Within a land where centuries are as days
- Our love shall live though flesh and wrong lie dead."
-
-
-And her lover, where was he? In the heart of the city, working in a
-garret on his great picture, for the sake of which he had forsaken the
-woman he loved. Intolerant of opposition was Graham; and when once an
-idea had been accepted by him, it was next to an impossibility for him
-to give it up. He had become convinced that his love for Millicent
-would make him faithless to his work; that the love of woman was not
-compatible with the highest devotion to art. Her fond dependence on him
-would drain his strength. Without his work he could neither be
-satisfied nor satisfy her. The closer she clung to him the more did he
-recoil from her. In the strength of his genius, he laughed at the idea
-that a loving companionship was necessary to him; and yet hours came, at
-the end of a long day's work, in the quiet watches of the night when the
-city slept about him, in which all his theories were overset, in a
-terrible longing for the girl whose sad eyes haunted him. To see her and
-to touch her; to hear her low, deep voice; to forget all the grievous
-striving of his life, in the restful warmth of hers! He thought of her
-always as he had first seen her, lying before the fire, her slender
-figure robed in white, her head supported in the hands which he had so
-often caressed. Waiting for him, she seemed to have been then. Waiting
-for him, he loved to fancy her always. These tender thoughts drifted
-through his mind in the soft twilight, or before the dawn. In the
-fervid daylight he only remembered her as she had been on that last
-evening, rebellious and close-clinging, desperate, beautiful, and full
-of unrest.
-
-The city tired him with its everlasting sounds of traffic. The tread of
-dray horses and the rumbling of carts sounded in his ears from earliest
-dawn till late night. There was no peace here amongst his fellow-men.
-He longed for the solitude of his tower, for his forest neighbors, for
-the sound of the woods, the wide arch of blue sky, seen now through one
-narrow slit between the opposing houses.
-
-One morning he determined to take a day of rest; and, after making a
-light breakfast at a coffee-house near by, he started for the San
-Rosario Ranch, with a lighter heart than he had carried in his bosom for
-many days. It was a bright morning; the air was crisped with a
-prediction of winter weather, genial enough in this region at its worst.
-As he passed through the familiar country he traced some likeness to
-Millicent Almsford in every object on which his eyes lighted. Now it
-was the golden-brown of her hair seen in the shiny coat of a sleek filly
-frolicking in a pasture; now it was her graceful movements traced in the
-trembling branches of a straight young sapling; again, her gray eyes
-smiled in his face from under the brows of a fair child playing by the
-roadside. The harsh voice of the wheels thundering over the steel rails
-seemed to be repeating her name; and his heart kept time with the
-refrain, beating out the syllables rhythmically,--Millicent, Millicent,
-Millicent! He was weary of reasoning with himself. For six days in the
-week his work was all-sufficing, and he needed no other companionship;
-but on the seventh day he longed for rest; he needed beauty, he needed
-love. He knew that it was weak in him to waver in his resolution not to
-see Millicent again; he knew that it was a wrong to her, and that he
-would bitterly regret it in after days. And yet he yielded to that
-exquisite golden haze which seemed to have dropped about him, flooding
-his life with a passionate delight, an ecstasy of expectation.
-
-He alighted at the station, and stood watching the receding train with
-strained eyes. He wished now that he had not come. He walked up and
-down the narrow platform, flushed and unnerved with the tumult in his
-breast. On his right lay the dusty carriage-road which led to the
-house; on his left a narrow bridle-path pierced the woods, over which he
-must pass to reach his tower. Which should it be,--a day passed with
-the creatures of the forest, under the blue sky and murmuring trees; or
-an hour of the soft delight which Millicent's voice, Millicent's eyes,
-Millicent's lightest finger-touch, wrapped about him? He realized now
-how he had cheated himself. He had said that it was the wood-birds
-whose voices wooed him from the city! He knew now that beneath that
-longing for the free air of his forest home lay the deeper desire which
-had tempted him to leave his picture half finished, his palette half
-set.
-
-Which road should he take? Not more unstable was the blue ring of smoke
-which the breeze carried from his lips, tossing it hither and thither in
-a cloudy wreath upon the white air, than was this man between the
-opposing influences which divided his nature. At last he tossed his
-cigarette upon the platform, carefully quenching its spark with his
-foot, and with a light, fleet step ran down the wide carriage-road which
-led to the house--which would bring him to Millicent. He had known all
-along, with that inner consciousness which decides with lightning
-rapidity a question which the intellect debates long and seriously, that
-his feet would follow that pleasant, open road rather than the dark
-wood-trail; and yet the train had sped twenty miles further on its
-journey before he turned his face toward the happy valley. So clumsy is
-reason compared to instinct; so tedious are the modes of thought to the
-working of the feelings; so useless is the grave gate of wisdom to check
-the tumultuous torrent of feeling.
-
-He found the wide piazza deserted, the front door fast closed, the
-blinds of the library and dining-room tightly drawn. The hospitable
-house was silent and deserted. His imperative summons was finally
-answered by a domestic, the successor of poor Ah Lam, who in his
-ridiculous vernacular informed the visitor that "Alley folk go waly."
-Which, being translated into English, signified that no one was at home.
-
-Graham felt as if a flood of cold water had been dashed into his face.
-He shivered, as he turned from the door and descended the steps; and yet
-before he had walked two miles in the familiar road which led to his
-tower, he gave a profound sigh of relief. It was better so! The
-exercise had cooled his fevered blood; the crisp forest air had brought
-reason back to his passion-tossed breast. It was better that he had not
-seen her. Something of the fatalist was there about this strong-brained
-rationalist. He half fancied that it was not chance alone which had
-decreed that Millicent should be absent from the Ranch that day. But he
-sang no more as he had done on his way to the house; and his serious
-face lost that smile of hope which had lighted the eyes and touched the
-mouth into an unaccustomed softness. If he was silent, the wild birds
-were melodious, and he walked between choirs of invisible songsters;
-while the whirring of a partridge, the fleet step of a wild fox in the
-thicket, gave him the assurance that he was not alone in the mysterious
-wood. At last the distance was accomplished; and at high noon, when the
-shadows had all shrunk back into the tall trees before the ardent heat
-of the sun, he reached the ruin of the old church. He leaned against the
-fragment of a pillar which stood at the foot of the staircase, and
-looked up at the square gray tower with its close-clinging pall of moss
-and yellow lichens. From a rift in the wall burst a blaze of color,--a
-clump of wallflowers stretching its flame of blossoms upward toward his
-window. He noticed that the casement was open; and as he looked he saw
-the fluttering of a bit of drapery over the edge of the sill. It must
-have been the curtain, of course; but the sight of it gave him a strange
-sensation, not unlike one that he had experienced before on that spot,
-when he had been tricked by the moonlight into fancying that there was a
-woman straying in the aisles of the old church. He remembered that
-night and what it had revealed to him; and at the black thought the sky
-seemed to have darkened over his head. He had stood dreaming at the
-tower foot for fifteen minutes, and in that time the sky had become
-overcast, a cold wind had sprung up and now blew into his face, carrying
-a host of big drops with it. The rain had come at last! After the long
-spring and summer unmarred by clouded skies or rude gusts, the first
-rain had come. With a rough tenderness it dashed itself against the
-parched land and shook the tall trees till they murmured a delighted
-welcome. The dusty ferns growing low down about the knees of the great
-trees caught the happy news, and uncurled their tender fernlings that
-they might feel the welcome touch of the rain-drops, as they filtered
-through the greedy leaves and raced down the straight stems to reach the
-myriads of thirsty mouths yearning for their balm. The rain had come;
-and the languid stream, which had pined and shrunk to a pitiful thread
-of water, leaped joyously down its rocky bed. It would grow strong and
-young and beautiful again; its banks would bloom with flowers; its
-course would no longer run painfully over heated stones, between seared
-brown edges,--the rain had come!
-
-On the narrow stairway Graham paused, near the top. Something shining
-lay on the step before him. The object proved to be a small silver
-arrow, tipped with a feather of brilliants. He picked up the jewelled
-toy, which he had once before held in his hand,--one evening when he had
-withdrawn it from the soft tresses which it caught together behind a
-small white ear. His hand trembled as he remembered the soft rushing of
-silken curls over his arm, the fragrance which had floated about him,
-the look of loving reproach which had punished his audacity. Wondering
-how the arrow had found its way to the threshold of his tower, Graham
-tried to open the heavy door with his key. To his surprise it refused
-to yield; the bolt was drawn on the inside. Some one was in his tower.
-Thinking that the Frenchman, in whose care his room had been left, might
-be at work, he lifted the heavy brass dolphin which served for a
-knocker, and rapped loudly. There was no answer. The rain by this time
-was falling in torrents. He was entirely without shelter; and he
-knocked a second time, calling out to know who was inside the room. He
-heard a light step approach the door, and a hand was laid upon the lock.
-The old wood-cutter could never have walked with that musical footstep;
-the soft rustle of garments could not have been made by him. Graham's
-heart leaped from its quiet beating into a very tumult of pulsations, as
-the bolt was gradually drawn and the heavy door swung slowly open. On
-the threshold of his lonely tower stood Millicent, with downcast eyes
-and pale face. For a moment he was silent, looking at her, doubting his
-own vision; fearing to move lest she should vanish from before his eager
-eyes as she did in his dreams. Could this beautiful, colorless
-creature, with marble cheeks and fallen lids, with sombre garments and
-nerveless, pallid hands crossed upon the breast, be Millicent Almsford?
-He stepped nearer with outstretched hands to touch her, to feel that it
-was in verity the woman who had lain weeping at his feet that night
-among the roses. He would have folded her to his breast, but the white
-lids flashed open, the sad, tear-worn eyes looked into his own with an
-expression which made him draw back; and the girl, without a word,
-passed out of the doorway and stood unprotected in the driving storm.
-
-Before her mute grief, his passionate longing was turned to a great and
-holy pity. He stood beside her and said gently,--
-
-"Millicent, you will not leave me without a word? You must not go out
-into the storm; I will leave you here alone, if you wish, until the rain
-is over. Do not be so cruel as to doubt me, dear one."
-
-He stopped, for his words had made her tremble. She feared him no
-longer, and with a little sigh laid her hand in his and suffered him to
-lead her into the room. The artist placed his visitor in a great chair,
-and busied himself in making a fire on his cold hearth.
-
-"Now this is more cheerful, fair lady, is it not?" he cried, in a
-pleasant voice. "And pray tell me what brought you to my lonely
-dwelling."
-
-"I had always wanted to see your tower, Graham; and this morning they
-all went to San Francisco for the day, and I thought I would ride over
-and look at it from the outside. I found old John airing the room, and
-accepted his invitation to rest here for half an hour before riding
-home. He came up just now to tell me that it was going to rain, but as
-he thought it would be only a shower he had put my horse under shelter.
-This is how I came here; and now tell me what brought you so
-unexpectedly from town."
-
-"I cannot tell, white one. Your will, perhaps."
-
-"Nay, friend, that has never swayed thee one hair's-breadth from thine
-appointed course."
-
-He shook his head sadly, and looked out of the window. She did not
-know--it was better for her perhaps that she never should know--how
-great an influence she had wielded over his life. She did not know that
-for her, faith and youth had bloomed in his heart when he had thought
-them dead. Her untruth was killing them, and their death-agony had
-shaken and worn him cruelly. She thought him hard and relentless. It
-might be easier for her to dull the pain in her heart, with this
-consciousness of injury received. He would never tell her of the
-irreparable wrong she had done him. If he was not forgiving he was
-magnanimous. No word of reproach should pass his lips.
-
-Outside the rain was pouring down, but less steadily; the patter of the
-drops sounded more and more lightly on the window-panes. The shower
-would not long continue. Graham took note of the clearing sky, and
-sighed heavily. With all her faults he loved her; the tower would be
-lonelier than ever when she had flitted from it like a sprite of the
-rain-storm. The great trees outside lifted up their branches with a
-mighty wailing, echoing his sigh; and Millicent, as if conscious that
-love was pleading against pride in that strong heart which had never
-learned the lesson of forgiveness, turned her white, appealing face
-towards him. The man's being had been swept that day with fiery
-impulses from the first moment of consciousness. Passionate love, pity,
-scorn, and anger had in turn written their impress on his mobile face.
-He came close to her side, and taking both her hands in his, knelt at
-her side:
-
-"O Millicent, Millicent! could he not have spared you? We could have
-loved each other so truly! Poor child, poor child! What fiend was he
-to have betrayed you! But now it can never be, never, never, never!"
-The words rang out drearily, the death-knell of all that had made life
-beautiful to them both. The pale girl sat motionless, speechless, her
-eyes dark with horror, her hands nerveless in his passionate grasp.
-Tears fell upon those white fingers which he had so often kissed,--cruel
-tears wrung from the bruised heart of the man she loved; tears that she
-had no power to check, tears that had their source in her own sin. In
-that hour of agony, if remorse may in aught atone for error, Millicent
-must have been forgiven of the angels. The proud man knew how to suffer,
-but he could not forgive. He arose and dashed the tears from his eyes;
-they had cost him mortal pain.
-
-The rain was over, the gray sky had cleared; and Millicent, like a gray
-shadow, slipped from the tower, leaving her lover alone, with the
-mocking sunlight shining on his dark, tear-stained face.
-
-
-
-
- CHAPTER XVII.
-
- "Our bread was such as captives' tears
- Have moistened many a thousand years,
- Since man first pent his brother men
- Like brutes within an iron den."
-
-
-It was a long chase that brought Hal Deering and Maurice Galbraith face
-to face with the ruffian, whom Hal readily identified. They found him
-with a group of new-found friends in the chief liquor saloon of a small,
-rather disreputable town, fifty miles from the Ranch. When the two
-young men entered the place, the man they were looking for asked them to
-join in the "all-round drink" he was about to "stand treat for," which
-invitation was promptly declined by Hal Deering. After a whispered
-word, Galbraith had left the shop; and Hal, seating himself at a table,
-awaited the return of his friend, quietly enduring the insulting remarks
-which the offended Horton heaped upon him. The loafers in the shop had
-a kindly feeling toward the man who had treated them, and did not
-discourage him in his attempts to force the new-comer into a quarrel.
-But Hal was imperturbable, and answered neither with look nor word.
-Stimulated by the whiskey he had imbibed, and the admiring attention of
-his friends, the rowdy finally called out in a brutal voice,--
-
-"If you think yerself too good to drink with this yere crowd, p'raps yer
-would n't mind amusing 'em by showing 'em the last style of dancing down
-in 'Frisco. 'T would raley please us to see you step out."
-
-As he spoke he drew his pistol from his belt and pointed it at Deering.
-The more sober ones of the party here interfered; and the burly
-saloon-keeper stepped forward with the remark, that he "did n't mean to
-'low anything but fair play in his shanty; and that if the genl'm'n had
-a difference between them they must settle it outside."
-
-The man whom Deering was after seated himself astride a hogshead of beer
-and cocked his pistol, advising the "boss" to keep out of the affair if
-he valued his "sweet life."
-
-"Now, then, young man, if yer don't cut a caper before I count three, I
-shall be obliged to see how much of your right boot-heel I can carry
-away with this bullet, without endangering them handsome feet o' yourn."
-
-Hal, only afraid of losing his man, answered coolly,--
-
-"You can shoot if you want to. I am a stranger in this place, and I
-prefer to do my dancing at home."
-
-The proprietor again interposed, and laying his hand on the bully's
-shoulder, ordered him to put up his shooting-irons. Horton threw him
-off, and things were beginning to look rather serious; when Deering saw
-Galbraith crossing the street with two men, one of whom he recognized as
-the county sheriff.
-
-"Gentlemen," he said, "I have come a long distance to find this man; I
-am anxious to have his company as far as the San Bernardino prison,
-where he will find comfortable board provided for him. If you are
-law-abiding citizens, you will not interfere with the arrest of Daniel
-Horton on an indictment of murder."
-
-As he finished speaking, the three men entered, and the sheriff laid his
-hand on Horton's shoulder. Murder is an ugly word, and a silence
-followed Hal's speech. The crowd instinctively drew back from the man
-who had been charged with the foul crime; and a silence ensued, which
-was broken by the sheriff, a high-voiced little man, who said in a loud
-tone,--
-
-"I arrest you, Dan Horton, for the murder of Ah Lam, committed at
-Carey's Bridge, on the afternoon of Wednesday last."
-
-A revulsion of feeling was manifest in the faces of the crowd. The
-horror for a person who has committed the unatonable crime of murder had
-been felt; but when it transpired that the victim was a Chinaman, the
-case appeared to be very much altered. The man, quick to see the
-favorable change in public sentiment, cried,--
-
-"Wall, boys, you see I am 'spected of having done the business for one
-of these Chinese vermin. What sort of a town 's this as will see a man
-'rested for that?"
-
-Daniel Horton's experience of life in the rough mining towns, where the
-last five years of his life had been spent, gave him the hope that the
-men in the saloon would help him to escape from arrest. But though
-sympathy for him was evinced by the group of idlers, there was no
-attempt at resisting the officers; and the sheriff, assisted by
-Galbraith and Deering, finally succeeded in placing the hand-cuffs on
-his wrists. When he saw that there was no help for him, he submitted to
-be led from the saloon, giving one parting look of scorn at the friends
-whom he had won by a glass of liquor and lost on the appearance of an
-officer.
-
-"Of all the derned mean skunks as I ever met, this town numbers the
-most," he muttered, as the screen door swung to behind him.
-
-The examination of the prisoner was to be held in the court-room of the
-county prison of San Bernardino. Millicent was summoned to be present.
-Escorted by Deering and Galbraith, she arrived before the entrance of
-the gloomy building, one bright October morning. It was a day when life
-seemed a pleasant thing, if only because there were sunlight and color
-in the odorous woods and pleasant highways. Just as they reached the
-doorway, a line of people filed out from the narrow portal. They were
-the discharged prisoners, some of whom had been in confinement for
-twenty-four hours only, while others had not breathed the free air for
-many weary months. A girl not older than Millicent passed them with a
-slow, inelastic step and downcast eyes. Her slender figure was poorly
-but decently clad in a gown of rusty black, her hair neatly arranged,
-her hands and face clean and of a remarkable pallor. She alone among
-the little group seemed loath to leave the prison, where at least she
-had been among those who could not look down on her. At the threshold
-she paused and shuddered, as if the wide street, with its row of young
-shade-trees and neat sidewalk, were more forbidding than the narrow
-prison-yard, with its spiked rails and dismal barred windows. Those who
-were behind became impatient at her delay; and she was pushed not
-ungently into the street by the man next to her in the sad procession.
-As she found herself alone outside the dreary stone building, she gave a
-low groan, clasping her poor thin hands together over her breast.
-Millicent, moved by the pathetic gesture, spoke to her gently, asking if
-she could in any way help her; but the girl shook her head as if annoyed
-by the question, and walked quickly down the street, taking the first
-turn which led her out of sight of the prison. All those who followed
-were men, most of whom wore a conscious expression, as if they were more
-embarrassed at being seen leaving the prison than mortified at having
-merited the punishment which they had undergone. As the last of the
-queue filed out, Galbraith entered the doorway, Millicent following him,
-and Deering bringing up the rear. In the wide stone hall which they
-entered were groups of men talking together or leaning idly against the
-rails. A heavy grated door swung open with a rusty, grinding sound, and
-two men appeared, arm-in-arm. The taller of the two was a handsome
-young fellow, with blond, curling hair, blue eyes, and fresh rosy
-cheeks. His expression was almost infantine in its beauty; and this,
-with his jaunty air, contrasted strangely with his companion's ugly,
-stooping figure and downcast, shamed face. The latter was a misshapen
-creature, with a humped back and a large, ugly head furnished with
-coarse hair and beard. As the grate clanged behind the couple, the
-handsome young fellow laughed cheerily, stretched his limbs, and drew a
-long breath of relief.
-
-"Ta-ta, bully, hope I won't see you soon again," he said, nodding
-impudently to the door-keeper. The smaller man was lame, as well as
-deformed; and the under-warden, who had joined Galbraith, asked him
-kindly how his leg was doing.
-
-"Better, sir, thank you," croaked the unfortunate in a harsh voice; "it
-came hard on me not havin' George here to help me; but it's all right
-now. Good-morning to you, sir."
-
-"Tell me about those men," said Millicent to an official whom Galbraith
-had introduced to her.
-
-"They are brothers, George and Pete Marcy. Which of them do you think
-paid a twenty-dollar fine to get his brother out of prison just now?
-Likely you 'll think it was the good-looking chap; but 't was Pete the
-dwarf. He 's the tinker and general useful man of the town, is Pete;
-and George is one of the biggest rascals in the State of California.
-But he covers his tracks well; and though we know a good many things
-about him, we can prove nothing more against him than an occasional
-assault and battery."
-
-"And did the poor little creature pay the fine out of his earnings?"
-
-"Bless you, yes; and pays for his clothes,--nice ones, you remarked,
-mebbe? Pete gives that rascal every dollar he earns; and the only thing
-George does toward supporting himself, is to rob an occasional hen-roost
-when he wants to give a supper party."
-
-The outer door now closed with a grave sound; it had let out its day's
-quota of men and women who had legally expiated their crimes; it had
-taken in its one breath of sun and air. From a narrow window Millicent
-saw the Marcy brothers walking down the street, George with head erect
-and swaggering gait, Pete shambling awkwardly along at his side, vainly
-trying to keep pace with his handsome brother's long strides.
-
-The warden now led the way to the court-room. The keeper of the gate, a
-stern-looking man, with iron-gray hair and iron-rusted clothes, stopped
-Millicent as she was about to pass through the grated door, saying,--
-
-"Put up your veil, please." Three inches of transparent red tulle
-masked her face from the brow to the mouth. So slight a covering was it
-that the superior officer had not noticed it; but nothing escaped the
-lynx-eyed jailer, who added curtly, "Must keep it up all through the
-prison. No woman is allowed to enter or leave this place veiled."
-
-Millicent looked a little puzzled as she unfastened the bit of lace; and
-the grim guardian added, in a voice which was something softer than the
-grating of his key in the lock,--
-
-"You need n't be ashamed to put up your veil, with _such_ a face as
-yours."
-
-Millicent smiled an acknowledgment of the compliment, and passed through
-the gate, holding fast to the slip of yellow paper and the red ticket
-which had been given to her, and which were necessary to secure an exit
-from that precinct which is so easily entered and so difficult to leave.
-
-"You have captivated that grim old fellow with one glance, Miss
-Almsford. How do you do it?" queried Galbraith.
-
-"What do you mean? I don't," answered Millicent rather inconsistently.
-
-They had by this time reached the prison-yard; and Millicent, with a
-shiver, looked up at the high, smooth stone walls, with their cruel
-topping of iron spikes. In a certain angle she stopped a moment,
-attracted by a little fern which had found place for its slender roots
-in a cranny of the masonry. She suddenly started, and with a horrified
-expression ran back a few paces, grown pale to the lips. The warden,
-who had looked at her with an odd expression, said,--
-
-"You were standing, just now, miss, on the spot where the gallows is
-always erected."
-
-"I knew it," said the girl, in a shaking voice. "I saw it."
-
-Maurice Galbraith quietly drew her arm under his own, and said gently,
-but authoritatively,--
-
-"Come, my child, do not be nervous; you have a great deal to go through
-with to-day."
-
-He fixed his deep, serious eyes on her face for a moment; and the girl,
-sensitive to his quiet influence, quickly recovered herself.
-
-They passed up a narrow, dark stone stair-case, and along a corridor
-running outside the cells. Most of the heavy wooden doors were open,
-the outer grating of iron revealing the interior of the cells. In one
-of these a young mulatto, the Figaro of the village, stood leaning
-against the bars talking to a respectable-looking man of his own color,
-who proved to be the pastor of a Methodist church. The young man was a
-handsome fellow, carefully and neatly dressed. He seemed somewhat
-excited, and talked in a loud voice, which he lowered at the approach of
-the party. Galbraith inquired what crime he had been charged with, and
-learned from the officer that he had wounded his brother mortally in a
-quarrel; "They both was waitin' on the same gal," the attendant added in
-explanation. A man lying at full-length upon the floor sprang to his
-feet as they passed his door, and walked furiously up and down the
-narrow room, shaking his head from side to side, reminding Millicent of
-a caged panther she had once seen. Each dreary, cramped apartment
-imprisoned some unfortunate, either suffering the penalty for, or
-awaiting the judgment of, his crimes. Millicent felt the chill air of
-the prison damp and fetid upon her cheek, and yet she did not hurry down
-the corridor, but walked slowly, apparently looking neither to the right
-nor left, but with one quick, sidelong glance, taking in the details of
-each of the cells and the faces of the malefactors, impressions which
-never faded from her memory. Some of the men laughed impudently as the
-little group passed their cells; and one fellow of wild aspect buried
-his face in his hands, with a sudden movement, as if ashamed of being
-seen behind the disgraceful bars. A pair of youthful criminals were
-engaged in playing _moro_, the great Italian gambling game. One of the
-youths was a native of Italy; and he had evidently taught his companion
-in confinement the simple but exciting game. No cards or dice, checkers
-or other paraphernalia, are needed; the game is played with the fingers
-only. Those of the left hand keep the account of the game. With the
-right hand a quick movement is made by both players simultaneously,
-showing a certain number of fingers; while at the same moment each calls
-out his guess of the number which his antagonist holds
-up,--"due"--"cinque"--"tutti." The familiar words fell upon Millicent's
-ears, and she stopped outside the door, her cheeks dyed with a flush of
-pleasure, her eyes sparkling at the sound of her native language. She
-did not remember that she was in a prison; she thought of nothing but
-the fact that here was a compatriot; she spoke to him in a low voice a
-few words of greeting. The fellow stared at her at first; and then,
-seeing that hers was a friendly face, left his seat on the corner of the
-narrow bed, came close to the grate and poured out a torrent of words in
-the patois of the Venetians. When he learned that the signorina was not
-only of his country, but from his city, the poor fellow, whose crime had
-been nothing more than participation in a street-fight, was moved to
-tears. Millicent forgot her companions and the strange place of
-meeting, and listened with sympathizing attention to the story of the
-man with the dull red-gold hair and white, delicate features, whose face
-recalled more than one friend in the far-off city of her home. His
-profession was that of a cobbler, his name Giovanni Brogli. He had
-drifted out to this strange country through a love of wandering, and had
-been drawn into a street-brawl by some chance acquaintances, who had
-robbed him of all that remained of his small fortune; and when he would
-have fought his betrayers, they turned him over to the police. True or
-false, the story was a pitiful one. The creature could speak next to no
-English; and Millicent's tender heart was troubled by the recital of his
-griefs. She had no money with her, and before either of her companions
-was aware of her intention, she had untwined a gold serpent of exquisite
-workmanship from her throat and held it through the bars to the man
-inside the cell. He looked at her with wondering eyes, and taking the
-white fingers in his own rough, blackened hand, kissed them reverently,
-murmuring a blessing which brought tears to her eyes.
-
-"I say, Princess, you must n't do that sort of thing;" said Hal,
-thoroughly scandalized, pulling her by the sleeve. "Come on! you can't
-stand talking to these rascals and giving them your jewelry,--it is n't
-sensible."
-
-She answered impatiently, and then saying a word of farewell to the
-prisoner, she submitted to be led away from the grate by Galbraith,
-followed by a fervent parting blessing from Giovanni of the reddish
-locks.
-
-"I wish you wouldn't be so absurdly soft-hearted. What did you want to
-give that beggar your lovely necklace for?" said Hal.
-
-"I had no money with me," half penitently.
-
-"Well, I could have let you have some. But it's against the rule. I
-should n't wonder if you got into trouble for doing such a thing,"
-continued the young man, who was genuinely shocked at Millicent's
-behavior.
-
-"There was no harm done, was there, Mr. Galbraith? I won't be scolded.
-It was my serpent; I will do what I choose with my own things, and will
-not be dictated to by you." Millicent was angry at Deering's very
-natural interference; and Galbraith, anxious to spare her all annoyance,
-gave Hal a warning kick, and hurried her towards their destination, lest
-she should feel moved to part with any more of her personal property for
-the benefit of the prisoners.
-
-They now entered a small apartment; and Millicent learned that before
-the opening of the trial, she was called upon to identify the murderer
-of Ah Lam. The question was asked,--
-
-"Could you identify, on oath, the man you saw at Carey's Bridge? You
-were under great excitement at the time; you could hardly be expected to
-remember anything beyond the fact of the killing."
-
-"I am positive I can identify him."
-
-"On oath; are you sure?"
-
-"Perfectly so."
-
-"How could you surely recognize a man you have seen but once, under very
-painful circumstances, six weeks ago?"
-
-"I remember his face distinctly; I should know his voice among a
-thousand."
-
-"Be careful; what you say may be put to the test. What you state in the
-court you must be able to prove."
-
-"I am ready to prove it."
-
-When the moment came for the identification of the prisoner, Millicent's
-eyes were bandaged; and twelve men filed into the room, among whom she
-was told was the man arrested for the crime. As she had made the
-assertion that his voice alone would betray the murderer to her, she was
-asked to listen to a sentence repeated in turn by each of these men.
-Three of them had said the stipulated words, and the fourth was about to
-speak, when those who were nearest to Millicent noticed that she
-shuddered violently.
-
-"Let the next man speak."
-
-The fellow looked at Millicent askance, and then repeated the sentence
-in a low, unnatural voice. He had said but three words when she
-interrupted him.
-
-"The person who is now speaking is the man who assaulted me at Carey's
-Bridge."
-
-The judge, who had taken a keen interest in all Millicent had said, now
-motioned to the men to change places. The bandage being removed, she
-glanced at the row of men and said,--
-
-"He now stands at the end of the row nearest the window."
-
-Her expression, as she turned her eyes and looked in the face of Daniel
-Horton, was cold and set as that of one of the younger Fates. Aversion
-and horror were therein painted. As she spoke she pointed at the guilty
-wretch, who moved uneasily under her gaze, and dropped his bold eyes
-before the light in her gray orbs, as if their fire scorched him.
-
-The preliminaries accomplished, all the participants adjourned to the
-court-room, which was a bare apartment, very grimy, and sadly in need of
-paint and soapsuds. At one end was a slightly raised table, behind
-which the judge seated himself. He was a singular-looking man, and wore
-his hair long, in greasy ringlets falling as far as the coat-collar.
-His stout person was adorned with a large amount of rather flashy
-jewelry, and a pink cravat was supplemented by a bunch of fuchsias worn
-in the button-hole. The space in front of the bench was railed in by an
-iron balustrade painted green. At the long tables sat groups of men
-busily engaged in writing or in conversation. A policeman standing near
-the judge's desk, when the clamor in the court-room became unusually
-loud, pounded on the floor with his club, whereat the voices grew lower
-for a brief space, and then the hubbub began again. Somebody seemed to
-be addressing the court, though Millicent thought that no one paid much
-attention to him. The entrance of the prosecuting council in the case
-of manslaughter soon to be called, with two of the chief witnesses, made
-some stir; and Millicent was conscious, as she took her place, that the
-eyes of all present were fixed upon her. She looked wonderingly about
-the dismal apartment, with its dirty wooden settles and bare floor, at
-the judge on the bench, and at the crowd of poorly dressed people in the
-seats behind her. Galbraith now entered the little pen, and, seating
-himself at the table, proceeded to look through some papers which his
-clerk handed to him, while the man who was haranguing the court
-continued his discourse, in which nobody seemed to take any interest.
-Millicent had never been in court before. Her only experience of the
-abodes of justice had been the long afternoons passed in the court-rooms
-of the Doge's palace, studying the frescoes and beautiful carvings of
-those famous apartments. She had always invested the precincts of
-justice with a vague majesty and splendor. A judge, in her imagination,
-was a stately man clothed in crimson and ermine, with grave, reverend
-features, majestic in mien, deliberate in speech. When Hal pointed out
-Judge Croley, as one of the most distinguished of American jurists, she
-was greatly astonished.
-
-"Will he try the case in that dress?"
-
-"Oh, yes; I heard Croley condemn a man to death in very much the same
-costume as that which he wears to-day. The cravat was a little brighter
-pink, I think; and I remember he wore carnations in his button-hole. He
-said in a pleasant, nonchalant voice, very much the tone he would use in
-ordering his farmer to kill a pair of chickens, 'You are condemned to be
-taken to the San Bernardino prison, there to be hanged by the neck until
-you are dead, on the third day of May at twelve o'clock; and may God
-have mercy upon your soul!'"
-
-Millicent shuddered as she heard the case called, and faltered for the
-first time in her desire to see justice done to the murderer of Ah Lam.
-It is such a terrible responsibility, the taking of life; can man's law
-make it guiltless? The great question which all of modern thought has
-not yet solved, troubled the mind of the young woman, who could accept
-no judgment or creed on faith; she painfully and laboriously solved the
-problems of life by the force of her own reasoning.
-
-"There is Pierson, the counsel for the defence," whispered Hal, as a
-little man strutted up the aisle between the benches full of people, and
-entered the green-railed enclosure. He was perhaps the most
-grotesque-looking person Millicent had ever seen. His height could not
-have been above five feet; and this, with his small hands and feet, gave
-him an exceedingly effeminate appearance. His small round head was like
-a ball, on the surface of which little globular eyes and a beak-like
-nose had been very casually placed. These features did not seem at all
-a necessary part of the head, which resembled that of a parrot. Before
-he spoke he put his head on one side, in a bird-like fashion; and he
-occasionally shook himself, very much as a canary does when anything has
-ruffled its composure. Millicent had learned from Galbraith that this
-man was the most prominent criminal lawyer in California. As she looked
-at his high, narrow forehead and mean, pinched smile she thought that
-among all the malefactors in San Bernardino prison she had seen no face
-as bad as that of Pierson, the great criminal lawyer. The prisoner was
-now brought into the court. After stating his name, age, residence, and
-occupation, he was asked the question,--
-
-"Are you guilty or not guilty of the wilful murder of Ah Lam at Carey's
-Bridge, on the afternoon of Wednesday, October 16?"
-
-The noisy court-room had grown perfectly still; and the prisoner's
-low-spoken answer was heard in the farthest corner with perfect
-distinctness,--
-
-"Not guilty."
-
-The counsel for the defence now stated that the prisoner acknowledged
-having been at Carey's Bridge on the day of the murder. He had there
-seen and spoken to Miss Almsford, but had fled at the approach of some
-gentlemen of the party. He admitted that he had assaulted Miss
-Almsford, but pleaded that he had no intention of injuring her.
-
-"What were you doing at the mill?"
-
-"I come there to meet a man as I had 'gaged to."
-
-"What man was it?"
-
-The prisoner declined to answer this question, and finally declared that
-he did not know the man's name.
-
-"For what purpose did you meet this man?"
-
-"To do a job as we was hired for."
-
-"And what were you hired to do?"
-
-"To carry off the young lady."
-
-At this astonishing statement a moment's silence fell upon the
-court-room, which was broken by Pierson's sharp voice: he asked his
-client to name the person who had engaged him to kidnap the young girl.
-
-With clasped hands and startled eyes, Millicent looked into the face of
-the ruffian, waiting to hear the name of the man who had plotted against
-her. John Graham, in the excitement of the moment, stood up in his
-place to get a better view of Horton; while Maurice Galbraith sat with
-an unmoved countenance, keenly watching the features of the prisoner at
-the bar. The question was twice put to him,--"Who was the man?" but he
-did not speak. A third time he was asked. Finally, he looked at his
-lawyer, who nodded slightly; and then, with a defiant glance toward the
-artist, at whom he pointed an unsteady finger, he said,--
-
-"The man as hired me to do the job stands in this yer court-room. He
-calls himself John Graham."
-
-A moment of silence followed this astounding statement, succeeded by an
-incredulous murmur which ran from mouth to mouth. From the confused
-sounds rang out a deep, clear voice uttering these words:--
-
-"It is a shameful lie!" Millicent it was who had spoken, rising to her
-feet and stretching out her arms toward Graham with a gesture of womanly
-protection, as if to shield him from the ruffian's slanderous breath.
-
-Silence was at last enforced, and the examination of Horton proceeded.
-He repeated his statement that he had not killed the Chinaman, and that
-the abduction of Millicent had been attempted at the instigation of John
-Graham. The artist, after the first moment of surprise, said nothing,
-but remained perfectly silent, his eyes fixed intently on Daniel
-Horton's face. The story told by the prisoner was one which bore some
-semblance of truth. He had met his confederate on the morning of the
-picnic as had been previously arranged, and had attempted to carry off
-Miss Almsford; but hearing the voices of the gentlemen had fled. He had
-undertaken the affair some time beforehand, and had twice visited
-Graham's studio, where the artist had made a painting of him in order to
-explain his presence there. A scrap of paper, soiled and tumbled, was
-produced, on which were traced these words in Graham's handwriting:
-"Come to the place I told you of, to-morrow at one; you shall be well
-paid." One o'clock had been the hour of the picnic; and this note, it
-was affirmed, had been sent to Horton on the previous day as per
-agreement. On being further examined, the fellow showed a dogged
-persistence in his story; and Maurice Galbraith's adroit
-cross-questioning failed to make him contradict his original statement
-in any particular. The day waned as the storm of words raged; and at
-dusk the trial was adjourned until the following day. As the crowd
-filed out of the court-room, Millicent found Graham at her side. He was
-pale, and his dark eyes flashed angrily. He was about to speak to her;
-and she turned toward him with smiling lips and eyes, when Henry Deering
-stepped between them, and, bowing coolly to the artist, drew her arm
-through his own, and, before she was well aware of his intention, led
-her from the room. The eyes of a dozen curious outsiders were fixed
-upon her, and she submitted to be placed in the wagon, which Hal drove
-off at a sharp pace. The artist remained in the court-room, where he
-was presently joined by Maurice Galbraith, who in a formal voice asked
-him to accompany him to his apartment, in order that they might discuss
-the new and unexpected feature in the case. The two men walked together
-down the street, both too much excited to trust themselves to speak. As
-soon as they found themselves alone in Galbraith's chamber at the inn,
-Graham cried excitedly,--
-
-"Galbraith, no one can for a moment believe that infamous lie,--you can
-make the fellow eat his words to-morrow?"
-
-The lawyer folded his arms across his breast, and looked into his
-companion's face with a searching gaze, before he answered slowly and
-ironically,--
-
-"Am I to understand, Mr. Graham, that you deny all collusion in the
-attempt to carry off Miss Almsford?"
-
-"Great God! of course I do. Can you for a moment doubt me? _I to carry
-off Millicent_? Are you mad to ask me such a question? Why, don't you
-know, man, how much I have cared for that girl?"
-
-"It is not difficult for the most indifferent observer to detect your
-admiration for Miss Almsford."
-
-"Well?"
-
-"Well, what does that prove? It is a point against you that you are
-supposed to be in love with the young lady, and gives color to Horton's
-accusation."
-
-Graham sank into a seat, and the lawyer continued,--
-
-"Your great intimacy at the Ranch and your marked attentions to Miss
-Almsford were apparently unaccountably discontinued by your removal to
-San Francisco. This feature is against you. You must have seen that in
-the eyes of Henry Deering, Horton's statement needed strong disproving."
-
-"And you, Galbraith, can you for an instant suspect me of so base, so
-vile an action? Is it possible that a man can be so misjudged?"
-
-"All I have to say, Mr. Graham, is that it is my hope to prove you
-innocent of the crime in which Horton has implicated you. As the friend
-and counsel of Miss Almsford, I prefer to believe that she was menaced
-by a vulgar ruffian and not by a man who might have aspired to the honor
-and privilege of guarding her from every harm. If you will excuse me, I
-will see you in the course of the evening."
-
-With these words the lawyer left the apartment, his nervous face
-suffused by a deep flush. John Graham stared after him for a moment, and
-then passed down the corridor and out into the quiet night, to seek
-counsel from the stars in this strange hour of doubt.
-
-
-
-
- CHAPTER XVIII.
-
- "... the passions of her mind,
- As winds from all the compass shift and blow,
- Made war upon each other for an hour."
-
-
-"Millicent! Millicent! are you awake?"
-
-It was the evening of the first day of the trial; and Miss Almsford,
-sitting in her chamber warming her pretty feet before the fire,
-recognized the voice and answered,--
-
-"Yes, Bab, come in."
-
-It was very late, past twelve o'clock; but Barbara brought news of a
-visitor, who would keep them both from their sleep an hour longer. Mr.
-Galbraith was downstairs and must speak with her. Miss Almsford gave a
-little tired sigh, and, folding her white wrapper about her shoulders,
-caught the thick tangle of hair together with a silver arrow, and,
-without glancing at the mirror, left the room and joined the young
-lawyer in the library.
-
-"I am so sorry to disturb you, Miss Almsford; I know you must be tired,
-but I could not get here sooner. Miss Barbara, do not be offended, but
-I must ask you to let me see Miss Almsford alone for a few minutes;
-would you mind waiting in the next room?"
-
-When they were alone, the young man seemed at a loss how to open the
-interview which he had sought. Millicent, tired by the events of the
-exciting day, did not seem inclined to help him. After a long and rather
-awkward pause, she turned wearily to her visitor and said,--
-
-"It is about the trial, of course?"
-
-Galbraith bowed an assent.
-
-"About the statement made by that man--" She shuddered, as if unable to
-pronounce his name. The young man silently assented again.
-
-"Well, there is nothing to be said by me beyond what I have already
-said: it is an infamous lie! It is so apparent a fabrication that I
-should hardly have thought it necessary for you to give yourself the
-trouble to come so far, merely to hear me repeat what I asserted this
-afternoon."
-
-"It is your honest opinion, then, that Mr. Graham has been slandered?"
-
-"My _honest_ opinion, Mr. Galbraith? I do not know how to give any
-other. Are you come to make me angry? You had better not, for we
-Italians are more easily roused to anger than soothed. I am so tired,
-too; can you not spare me?"
-
-Her voice dropped from the deep, indignant tone, to a pleading note like
-that of a tired child. Maurice Galbraith, leaning quietly against the
-mantel-shelf, with downcast eyes and calm face, seemed strangely moved
-by the words of the woman who stood before him, so white and so
-beautiful. He turned toward her; and when he next spoke, a tenderness
-had crept all unawares into his face, which shone with a light whose
-meaning she could not fail to understand. His very voice seemed a
-caress addressed to her ear, so low and gentle was it.
-
-"My child, you do not understand me. _I_ to make you angry, to add one
-annoyance to your life, which is so sad? Ah! you little know how
-gladly--" He stopped suddenly, warned, by the rising flush on her
-cheek, that he was saying other words than those which he had come to
-speak,--"you little know how gladly I would have spared you the question
-which it was necessary for me to ask. I am now answered."
-
-"But you do not believe me? I see that--"
-
-"I would believe you if all the angels in heaven should deny your
-truth."
-
-She looked at him curiously; she was infinitely touched by his emotion.
-He cared for her; he loved her with a passion which she could
-understand. He would gladly--oh, how gladly!--have folded her life
-about with a protecting care, keeping the very winds of heaven from her
-face if they should blow too roughly; have taken her in his strong arms,
-stood between her and all the world, given her all and been content with
-the giving, asking for nought but the right to protect her. That she
-did not love him he knew; that she cared for another he more than
-imagined; and yet he would have been content to try and win her regard
-by a life's devotion.
-
-Of all this he spoke not one word, as he stood looking into her face
-with burning, tender eyes. He did not speak, and yet he knew that he was
-understood. The woman gave a little weary sigh; it was in vain! To her
-there was but one man in all the world. He said no word, but stepped
-toward her with outstretched, pleading hands, with tender love and pity,
-asking nothing, giving all without questioning, without doubt. She, who
-had befriended so many, and was yet without a friend, who had been
-tempest-tossed and shipwrecked before her life-journey had fairly begun,
-knew what it was that lay in Maurice Galbraith's outstretched
-hands,--the love of a life, a haven of peace and quiet. He was about to
-speak, to let the love which was troubling his heart pour itself out in
-a flood of words at the portal of her ear; but with a movement she
-checked him. The repellent gesture of her hand, her averted head and
-downcast eyes, answered him. He understood her as well, better perhaps
-than if he had spoken and she had answered. It left him another chance,
-too; later, when he had shown her how faithfully he could wait, he might
-speak the words which she now refused to hear. So both were glad that
-they had spoken only with their eyes. She had been spared the pain of
-putting into words that which it would have been hard for him to hear;
-and he was glad that she had not spoken the cold truth which he read in
-her face. When she spoke again, it was to ignore that silent prayer and
-its denial. She took up the thread of the conversation where they had
-dropped it:--
-
-"I am glad that you are convinced of this truth; and I trust that you
-will bring the others, Henry Deering most of all, to feel as you do."
-
-The tender look of love died out from Maurice Galbraith's face. He
-turned gloomily away from the fair woman whose beauty was not for him.
-
-"I cannot tell, I do not know; what man can judge another? I said that
-I believed you; did I imply that I trusted him?"
-
-Of all cruel griefs endured by Millicent Almsford, this was the most
-bitter,--that her lover, through her fault, should be misjudged; that in
-the eyes of others he should suffer. She realized now in what a light
-he had appeared to Galbraith, to Hal and Barbara, to all the small
-circle who had seen their friendship flower into love, and that flower
-tossed to the earth before it had ripened to its fruition. His sudden
-disappearance, her own too obvious grief, to what could they attribute
-it but to his faithlessness? And now that this base slander had been
-cast upon him, they believed it. He was compromised, dishonored in
-their eyes; and the fault was hers. As the full significance of all
-this struck her, she groaned aloud, clasping her hands together over her
-grieved heart as if in mortal agony. How could she right him in their
-eyes? How could she dissipate the cloud which darkened his stainless
-honor?
-
-There was but one way,--to tell them all the sad truth. Her honor
-against his! How could she hesitate, loving him as she did? And yet
-there was a moment of awful suspense. Her proud spirit, which had borne
-unaided and alone the burden which would have crushed a feebler soul,
-revolted at the thought of a new humiliation. A man's honor is writ on a
-strong shield that can be easily cleansed. It may receive many a hard
-blow, and show many a dint, and yet be as good as those carried by his
-mates. It can be burnished bright again, and held up for all men to
-see, its very scars proving through what battles it has been worn, and
-adding, rather than detracting, from its present lustre. If all else be
-lost, let him but give his life to expiate his sin, and the blot is
-washed out from the shield. But with a woman it is not so. Her honor
-must be maintained by a shield of crystal, on which the faintest breath
-of slander leaves its foul impress; which one blow dealt by a man's hand
-shatters irrevocably. This is man's code of honor; and as man's voice
-is strongest in the world, it is the world's code of honor. Only the
-greatest men set it aside as unjust; only the strongest refuse to
-recognize it.
-
-All this Millicent knew. It was not wonderful that she hesitated, that
-she was silent, or answered the searching questions put to her by the
-young lawyer slowly and evasively. She was putting off the moment in
-which she must decide between his honor and her own. She remembered the
-indignant look Deering had cast upon Graham in the court-room, the cool
-manner in which Barbara had spoken of him, Mrs. Deering's grieved
-silence respecting the man who had been so valued a friend to her, and,
-worst of all, Galbraith's openly expressed doubt of his innocence. A
-woman of a smaller nature who had endured Millicent's cruel experience
-might, too, have doubted Graham; but she had fathomed his nature more
-truly in a few months than had his lifelong friends. She knew that in
-it there was no room for one ignoble thought. His faults she recognized
-more clearly than if she had loved him less. She knew him to be
-selfish, with the selfishness of genius; hard of heart, with the
-indifference to human pain common to those men who are capable of
-enduring the most terrible suffering; intolerant of those who differed
-from him, with the steadfast knowledge that his thoughts and opinions
-had been moulded from no contact with other minds, but attained with
-pain and weariness of spirit, built up from his inner consciousness, the
-result of thought and experience, not of the study of other men's minds
-and actions.
-
-As Galbraith continued to question her, she answered clearly all that he
-said, while her mind, with a dual consciousness, carried on its separate
-train of thought. She realized that if Maurice Galbraith were not
-himself convinced of Graham's innocence, his efforts to disprove
-Horton's accusation would be half-hearted, perfunctory, and without the
-moral weight of honest conviction. If he were to learn the true reason
-of the breach between Graham and herself, he must know it
-immediately,--that very night. That her confession would clear the man
-she loved from every suspicion she never doubted, and yet--she did not
-speak. It was so hard to tell the story of her broken life; she was not
-strong enough. To any other it would have been easier to bare her
-secret than to this man who reverenced her, who had told her, with look
-and deed and tender thought, that he loved her.
-
-Barbara, weary of waiting till the long conversation should come to an
-end, had taken her place at the piano in the adjoining room; and after
-playing for some time she struck the chords of a song full of tender
-associations to Millicent. A wild, passionate melody of Rubinstein,
-full of love and hope and youth. Millicent had sung it on that night
-when Graham had found her waiting for him in the firelight, with his
-name upon her lips, though they were still strangers. She had sung it
-then with an intensity which had brought the grave artist close to her
-side, full of enthusiasm for the song, of admiration for the singer.
-She remembered how he had thanked her silently with a look, while the
-others, whose presence she had forgotten, had been full of warm praises.
-A mist of tears rose to her eyes and gathered itself into crystal drops
-of pain. Moved by the flood of memories which rushed about her with the
-tumultuous waves of sound, she rose, her pride swept away, her love
-triumphant; and, with a brow peaceful with its victory, she spoke. She
-told them all her sad story; while Barbara, summoned to her side, wept
-softly at the piteous tale, and Galbraith, strong man that he was,
-trembled with emotion at the words of passionate grief. Without reserve
-was the revelation made; the tragedy of her young life, her meeting with
-Graham, her love for him, and the deceit to which it led,--all were
-told. No word of anger had she for the false friend and dead lover, and
-no thought of condemnation of Graham's action. He was right; he could
-not have acted otherwise; he had been frank and true and honest with
-her; and she had deceived him! He had left the San Rosario Ranch to
-spare her the pain of seeing him, and because it was best for them both
-that he should go. The bar between them was of her forging; the breach
-was inevitable; it was her fault, all her fault. His thoughts of her
-had been white as the snow,--"and cold as ice," muttered Galbraith, to
-whom this panegyric of his rival was anything but gratifying. At last
-she was silent; all her story was finished. She had spoken standing,
-her expressive gestures and changeful face having done more than half
-the telling. She had begun quietly and with downcast eyes and pale
-cheek; now neck and brow were suffused. She was pleading the cause of
-the man she loved with all the eloquence of youth and beauty. She now
-stood silent, looking eagerly from Barbara's tear-stained face to
-Galbraith's pale, set countenance, to read there the acquittal of the
-man they had suspected of baseness and cruelty to her.
-
-Barbara put her arm about the tall girl, and caressed her tenderly,
-holding the glorious head, with its tangled crown of hair, close to her
-womanly heart, weeping tears gentle as summer dew. Maurice Galbraith
-reverently lifted to his lips one long tress which flowed over her
-shoulder; and then, leading Millicent from the apartment, he turned to
-Barbara.
-
-"You understood it all?"
-
-"Yes."
-
-"I ask you to think of that thing which is most sacred to you in all the
-world. By that holy thought, swear to me that no word of what has been
-said here to-night shall ever pass your lips; that you will not dare to
-think of it even, when you are not alone, lest your face betray you."
-
-He held out his hand to her; and with wide eyes and trembling voice,
-Barbara gave the promise he asked, laying her cold palm in his hot
-grasp. To guard the secret of the woman they both loved, this loyal man
-and honest woman bound themselves by a most solemn oath. To each, the
-other was nothing but an ally in this cause. Their own personalities
-were lost in the strong affection for Millicent; they would love her and
-protect her always. As they stood thus, Millicent, passing up the
-stairway, saw them through the open door. She saw and understood their
-compact. She saw, as they did not, into the future; and from her heart
-rose an unselfish prayer, that the secret of her great misery might be
-the first link in a chain that should bind these two together for life.
-
-Millicent Almsford had pleaded that night for the man she loved; she had
-cleared him in the eyes of two persons whose opinions would sway those
-of all who knew anything of his relation to her. She had done more: she
-had made for herself a friend of a discouraged lover, a champion who
-would fight her battles to the death; and she had bound a gentle, loving
-woman's heart to her own by an indissoluble tie. She had striven only to
-exonerate John Graham; and she had made Maurice Galbraith glad that he
-loved her, though hopelessly and passionately; she had filled Barbara
-Deering with the deepest sentiment which woman can hold for sister
-woman,--a compassionate love.
-
-Though wearied by his long ride and the exciting events of the day,
-Maurice Galbraith slept little that night, and the morning found him
-pale and restless. He had a hard day's work before him, and perhaps the
-most trying part of it was the first duty he had set himself to perform.
-He felt that he owed John Graham an apology for the suspicion which he
-had entertained against him, and which in that moment of excitement he
-had made no effort to conceal. Had not the young lawyer been deeply in
-love with Millicent, and consequently extremely jealous of Graham, it is
-hardly possible that he could for an instant have believed the
-preposterous charge made against the artist. But as Love is blind, and
-Jealousy is deaf to reason, it is not strange that, unprepared as he was
-for Horton's accusation, he should have believed that it might have some
-truth. Millicent's revelation, and the calmer reflection which had
-followed the interview with her, proved to him how greatly his judgment
-had been at fault. Fervently as he disliked Graham, he had always
-respected him; and to his generous mind, the injustice he had done his
-rival was abhorrent. He found the artist at the inn, where they had
-parted the previous night. Graham received the lawyer with a cold
-formality: the latter did not fail to observe the nervous clinching of
-the artist's hands as he entered the room. The fierce natural instinct
-of redressing an insult by a personal chastisement moved the refined
-man. Poet-artist as he was, he would rather, a thousand times, have
-grappled with Galbraith in a fierce struggle, than have been forced to
-receive and accept his apology. Maurice Galbraith, had he yielded to
-the impulse which shook his determination, would have spoken words which
-might have justified such an action on Graham's part. The men looked
-angrily at each other for a moment. Maurice Galbraith's words of
-apology would not utter themselves, and seemed like to choke him. He
-saw that clinching of the hand, and his brow reddened as he stepped
-forward as if to strike the man who had so easily won, and who so
-lightly valued, the love of Millicent Almsford.
-
-In a land where a lower code of ethics and of honor exists, the insult
-each burned to cast upon the other would have been uttered; and the
-result would have been a so-called "affair of honor," in which both men
-would have run the risk of bringing blood-guiltiness upon their souls,
-and the stigma of murder upon their honorable names. The struggle in
-Galbraith's breast was short, and human intelligence triumphed over
-brute instinct. His few words of apology were spoken with cold
-courtesy, and accepted with quiet dignity. The men did not shake hands;
-each understood the position too clearly for that. They could never be
-friends; but, as they were honorable gentlemen, all enmity was at end
-between them, for rivalry does not necessarily entail hatred. Then they
-spoke of the trial, and their conversation lasted until the hour of the
-opening of the court.
-
-Millicent, escorted by Henry Deering, arrived at the court just as
-Graham and Galbraith entered the room together. She saw Graham whisper
-something to the lawyer, who bowed courteously in answer. The
-significance of the action was not lost upon her,--her revelation had
-not been made in vain. She now heard her name called in a loud, harsh
-voice. She started violently, but did not stir from her seat.
-
-"Come," said Hal, "you must go up to that little platform and answer all
-the questions they ask you."
-
-She walked quietly to the place indicated, took the customary oath "to
-speak the truth, the whole truth, and nothing but the truth," and
-answered the preliminary questions in a low voice.
-
-"What is your name?"
-
-"Millicent Almsford."
-
-"Where were you born?"
-
-"In Venice."
-
-"What state?"
-
-"In Italy."
-
-"How old are you?"
-
-"One and twenty."
-
-"You were present at the killing of Ah Lam, at Carey's Bridge?"
-
-"I was."
-
-"Tell the court all that you saw on that occasion." Galbraith was the
-speaker. He knew that Millicent's natural eloquence would give the
-story with more force if she were allowed to tell it in her own way
-without the usual questioning.
-
-She began speaking in a low voice, her eyes fixed on the ground before
-her. As the memory of that dreadful day came back to her, she seemed to
-see it all again,--the peaceful woodland scene, the quiet river, the
-forest road, and at her side her humble friend and pupil. The walls of
-the court-room faded from before her, and judge and jury, lawyer and
-audience, were forgotten; she looked at Graham only, and spoke to him
-alone; his grave eyes met hers, and the sympathy in them made the task
-of telling her story an easy one. Aiding her recital with expressive
-gestures, she told of the appearance of Daniel Horton on the peaceful
-scene; she repeated his insolent words, unconsciously imitating the
-man's manner and voice; she described the affront offered to herself
-with burning cheeks and flashing eyes; her voice grew tremulous and low
-when she spoke of the dead servant's efforts to save her from the
-insolent ruffian; when with a deep, horrified voice she told of the
-murder and death of Ah Lam, it was as if she were describing a scene
-still enacting itself before her eyes. A strong impression was made by
-the girl's words on all her hearers. The noisy court-room had grown
-perfectly still; the very recorders held their pens useless in their
-hands; and the eyes of the judge with the pink cravat were riveted on
-her face. As she ceased speaking, a sympathetic tremor ran through the
-crowd assembled in the court-room, and a low murmur was heard.
-
-Maurice Galbraith, usually the most quiet and reserved of men, was
-evidently undergoing an unusual excitement, those who knew him thought;
-and Pierson, the counsel for the defendant, seemed rather disconcerted
-by the strong impression made by the witness.
-
-When Graham came upon the stand and told his story of the night passed
-in the shooting-lodge, Millicent listened breathlessly. The young
-painter gave his evidence with a certain picturesqueness, describing the
-arrival at the cabin of Dan Horton, his demand for food and shelter, his
-troubled sleep, his wounded face, the peculiar nature of the scratches,
-and finally, the finding of Millicent's handkerchief after his departure
-on the following morning. An effort was made to disprove the evidence,
-and an _alibi_ was sworn to by two new-found friends of the prisoner,
-who claimed to have passed that night in his company. These witnesses,
-carefully prepared by Pierson, gave their evidence with few blunders;
-and Dan Horton, closely following every word of the defence, gave a
-satisfied smile at the new turn which the skilfully devised _alibi_
-seemed likely to give to affairs.
-
-Pierson's aim was to disprove Horton's identity with the man who had
-killed Ah Lam and had afterwards seen Graham. He endeavored to show
-that there were two men engaged in the affair,--Horton, who had spoken
-to Miss Almsford, and his confederate, who, it was argued, must have
-committed the crime. When Millicent had told of the wounds inflicted by
-the Chinaman on the cheeks of his murderer, it was shown that Horton's
-face bore no trace of these scratches. It was argued, in reply to this,
-that in a man of Horton's vigorous temperament such wounds might easily
-be healed in as short time as had elapsed between the murder and the
-trial. At this point Galbraith had a trump card to play, the existence
-of which neither prisoner nor counsel had suspected. Neither had it
-been learned by the omniscient reporter, through whose instrumentality
-evidence is too often prematurely made public, cases are lost, and
-offenders are enabled to escape apprehension.
-
-"I would inform your Honor that I have other proof of the identity of
-the prisoner with the man who passed the night following the murder in
-the shooting lodge."
-
-A new witness, by name John Du Jardin, by profession a wood-cutter, was
-called to the stand.
-
-"Have you ever seen the prisoner before?"
-
-"Yes, before wonce," answered the old Frenchman.
-
-"When was that?"
-
-"The night after murder."
-
-"Where did you see him?"
-
-"At the little 'unting 'ouse of M. Graham."
-
-"What were you doing at the lodge?"
-
-Graham looked at his henchman with a perplexed expression, and smiled
-slightly at the answer.
-
-"I were not in the cabin, I were by the window, lookin'."
-
-"Oh, you were looking in at the window; and what did you see?"
-
-"I see monsieur, 'e sleepin'. I see dat man," pointing to the prisoner;
-"'e come, and monsieur give 'im to drink and to eat."
-
-"What else did you see?"
-
-"I see _cet homme_, dat man lay 'imself _pres_ side by the _feu_.
-Presentlee 'e sleep, monsieur 'e mark 'im; 'e take faggot from fire, 'e
-make point, 'e draw one picture of 'im."
-
-Here Pierson asked the witness what he was doing outside the lodge in
-the middle of the night.
-
-"I was watch monsieur."
-
-"That seems very strange. Why did you want to watch him?"
-
-"'E 'as not slept the night; 'e 'as nothing eat the day; I fear 'im
-_malade_. I follow him."
-
-Galbraith continued his examination, and elicited from the witness the
-admission that he had remained outside the cabin that night, concealed
-in the bushes, and had only left it after Horton had taken his
-departure. He had then started to return, but after he had gone a mile
-he retraced his steps with the intention of cooking for his master's
-breakfast a brace of quail he had shot on the way. He found the cabin
-empty, and on the wall the portrait which he had seen sketched. It was
-where it would have been easily effaced, and so he had loosened the
-board on which the drawing was made, and carried it to his house.
-
-Graham was now recalled and questioned.
-
-"Mr. Graham, you have told the court that you are an artist by
-profession. Is it your habit to make drawings of persons of a striking
-appearance?"
-
-"I have the habit of sketching any remarkable-looking people whom I
-happen to meet."
-
-"On the night in question, were you impressed by anything uncommon in
-the appearance of the man who slept by the fire in the lodge?"
-
-"I was."
-
-"Did you make any notes of the impression made on you by the man?"
-
-"I did. I sketched him as he crouched in the ashes of the fire."
-
-"What materials did you use?"
-
-"A charred piece of wood, and a smooth board in the side of the cabin."
-
-"Would you recognize your work if you should see it?"
-
-"Undoubtedly."
-
-"By what means?"
-
-"I should recognize it as you would your own handwriting; besides--"
-
-"You have other means of knowing it?"
-
-"My initials will be found in the upper right-hand corner of the
-sketch."
-
-"Is this the sketch?"
-
-"It is."
-
-There was a craning of necks, and a murmur of recognition from those
-present who could obtain a glimpse of the strong drawing held up by
-Maurice Galbraith. Graham's words in answer to the last question were
-hardly necessary to prove the resemblance. Horton, sitting in his
-chair, his head thrown back, his hands clasping his knees, had
-all-unconsciously assumed the pose in which Graham had sketched him. The
-resemblance was indubitable, and the cheeks bore the bloody testimony of
-Ah Lam's hands.
-
-This was evidence which there was no breaking down; and Horton, when the
-sketch was at last turned so that he could see it, gave an oath under
-his breath, which was not lost upon the jury. The twelve men with whom
-lay the decision of Horton's guilt or innocence were for the most part
-tradesmen and mechanics, the only exception being in the person of Mr.
-Patrick Shallop, the mining king, who by some strange chance had been
-impanelled on this occasion. The voice of such a man would carry great
-weight in the decision. The case was evidently going against the
-prisoner. The evidence of the prosecution was very damaging, and
-Horton's friends in the crowd were greatly discouraged.
-
-The trial occupied several hours, and ended in the conviction of Daniel
-Horton. Maurice Galbraith made a speech which has already become
-famous. He had induced a Californian jury to pronounce a man who had
-killed a Chinaman guilty of voluntary manslaughter. He had obtained
-this almost unprecedented verdict, and a full sentence from the court of
-ten years' imprisonment. The efforts of the defending counsel to turn
-the main interest in the case from the chief feature, by endeavoring to
-implicate Graham in the attempted abduction, were useless. Horton's
-real confederate was found, and the truth of the matter arrived at.
-Through the newspaper accounts of Millicent, published at the time of
-her rescue of Graham, these men had learned that she was a rich heiress,
-and had conceived the bold idea of carrying her off in order to extort a
-large sum of money for her ransom.
-
-The flimsy tissue of lies which Pierson had woven was quickly unravelled
-by Galbraith. The fact that the jury had for a time been misled by the
-false evidence, made their verdict more immediately unanimous than it
-might otherwise have been; and the cloud which had for a moment overhung
-John Graham was dispelled as quickly as a noxious vapor is blown away by
-a brisk westerly wind. He was cleared of every suspicion. Galbraith
-had surpassed himself in his management of the case, even in the eyes of
-his warmest friends. Had he not been working for the woman he loved?
-In exonerating his rival, he had done the only thing that in him lay to
-win Millicent's gratitude. She had thanked him, and blessed him for his
-eloquence with tears and smiles. He had gained her friendship; and does
-not friendship soften into love more often than love crystallizes into
-friendship?
-
-
-
-
- CHAPTER XIX.
-
- "Je me dis seulement; a cette heure en ce lieu,
- Un jour, je fus aime, j'aimais, elle etait belle.
- J'enfouis ce tresor dans mon ame immortelle.
- Et je l'emporte a Dieu!"
-
-
-"A letter for you, Mr. Graham."
-
-"Very well; lay it down."
-
-The burly landlady placed the missive on the small, unpainted pine table
-which stood near the artist's easel, and with a last glance at the
-feminine superscription, and the device of the golden Psyche which
-sealed it, left the room. It was late in the afternoon,--there would be
-only an hour more of light in which he could paint. Graham did not
-glance at the letter. If it had been a telegram it would have waited
-till the tender gray of the sky had been laid on the canvas. At last it
-grew too dim for him to distinguish the tints on his palette, and,
-throwing down his brushes, the young man rose and stretched his cramped
-limbs. He had not moved from his stool for four hours. As he paced up
-and down his narrow room, the letter caught his eye. He had quite
-forgotten its existence.
-
-It was from Millicent. He stepped close to the window, and by the
-waning light perused the words traced by a hand that surely had trembled
-in the writing. Twice he read it through, as if not understanding its
-import. Then, with a groan, he cast the letter upon the floor, and sank
-upon a low seat near by. His head supported by his hands, his elbows
-upon his knees, he sat, the picture of despair. With a sudden movement
-he grasped the missive and crushed it between his two hands, as if to
-avenge upon the senseless paper the pain which it brought to him.
-
-He could not bear it in the cold, dark room; the streets would be full
-of people who might divert him. He soon found himself in a crowded
-thoroughfare. It was six o'clock, and the city was full of hurrying
-men, women, and children returning homeward after the long day's work.
-The girl from the millinery establishment under his room, whose sweet,
-childish face he had painted from memory the very day before, was just
-leaving the shop as he stepped into the street. She was very poorly
-dressed, with a hat which would have disgraced anybody but a milliner's
-apprentice. Her dress fitted neatly, however, and she gave her
-close-cut jacket a tug to make it smooth about the shoulders before she
-reached the corner. A tall, pale, dyspeptic-looking youth joined her
-just outside the druggist's. Graham recognized him as the clerk in a
-dry-goods shop near by. Their greeting he could not but overhear.
-
-"I am late, George--"
-
-"Twenty minutes; I almost gave you up," in a surly tone.
-
-"I am so sorry; don't be angry." The man hesitated a moment; then her
-pleading voice got the better of his ill-temper, and, taking her by the
-arm after the fashion of his kind, he led her across the street, and in
-a moment they were lost to Graham's sight. He next stopped at the
-cobbler's around the corner to call for a pair of boots which had needed
-repairing. The narrow stall was brightly lighted, and he saw through
-the window a little child holding up its face to be kissed. The
-cobbler's girl had just brought her father his supper. As Graham
-entered, the man pushed the little figure gently into the street. "Tell
-mother I 'll not be late," he said; and wiping his blackened hands upon
-his dirty ticking apron, he greeted the artist civilly, and proceeded to
-find his boots for him.
-
-"They need re-soling, Mr. Graham, but I did not like to do the job
-without orders. The patches are all right."
-
-Graham paid the man for his work, and went out. He had thought to find
-distraction in the street, but what he saw there only made him more
-desolate. He was alone, while all other men had some loving soul to
-greet them after their day's toil. The pair of lovers, the cobbler and
-his child, made him feel his loneliness more acutely, and emphasized
-painfully the news which the letter had brought to him,--Millicent was
-gone!
-
-She had passed as suddenly and unexpectedly out of his life as she had
-entered it. He had not seen her since that day in the court-room. And
-now she was gone, back to the Old World, to Venice the mysterious, the
-silent, to the old Palazzo Fortunio, with its lofty halls and marble
-corridors, back to the old home, which he knew could never be home to
-her again. All the color seemed to have faded out of his life; she had
-taken it with her. He suffered deeply, impatiently, angry at himself
-for suffering, yet powerless to forget the pain which the letter had
-given him. He picked it up again from the floor when he came back to
-the lonely studio, and marked that though the letter was crushed and
-torn, the device of the golden Psyche was still intact.
-
-On the following day he found some consolation in his picture. He came
-back to it after his vigil with an uncherished grief, with less
-enthusiasm than before; but from that hour until he had laid the last
-stroke of paint on the canvas, his hand faltered not, if his imagination
-sometimes flagged. He could not serve both love and art. He had chosen
-his mistress, and would be faithful to his choice. He dared not think,
-while he painted, of the woman whose influence had so warmed his frozen
-existence. To do so seemed an infidelity to his Art,--a breach of faith
-which would not escape its merited punishment. So he resolutely put her
-from his mind, and labored day and night upon his great picture.
-
-Summer and autumn were past, and the first month of winter was drawing
-to its close, when Graham finished his picture. He had painted it as he
-always did his best works, without interruption. From the morning on
-which he had made the first rough chalk sketch, until the day when he
-reluctantly drew the fine veil of varnish over his work, he had hardly
-looked at any other canvas. He was not satisfied with it,--what true
-artist ever is satisfied with his work?--and yet he was convinced that
-it was the best he had yet accomplished. He had sometimes realized what
-he had sacrificed for this picture; and as he touched in the crimson
-line of sunset, the fancy came to him, that the sky was stained with
-heart's-blood.
-
-His few brother artists--there was but a handful of them in the
-city--and his pupils requested him to set a day for them to see the new
-picture, and Graham had consented. The young sculptor, who had the next
-room, threw open the door which separated the two studios, and both
-rooms were in holiday trim. Northcote had been in the country all the
-previous day, gathering flowers and ferns with which to deck the bare
-apartment. He placed a jar of roses before the picture with a reverent
-face; he loved the artist whose light purse had for the last two years
-kept a roof over his head and life in his body.
-
-Graham was greatly admired by the knot of artists who lived, or starved,
-in San Francisco. They were the pioneers of art in the new Western land;
-and their work, if crude and untutored, was not wanting in certain
-strong qualities. Several of them were men of promise; and they were
-all wise enough to feel that in Graham's genius lay the brightest hope
-for a new school of art which should combine the knowledge of the Old
-World with the fresh vigor and hope of the New. They looked up to him
-as a leader, and he earnestly wrought and thought for their advancement.
-It was for this that he had left Europe and his many agreeable
-associates there, and returned to his own country, that whatever power
-for good there in him lay should redound to her glory. His fellow
-artists all revered him, and they would gladly have loved him; but the
-sensitive man shrank from that familiarity which popularity entails. In
-their work he was always interested; and in whatever touched the art
-they all served, he was active and ready to labor endlessly without
-recompense or recognition. But in their lives and personalities he felt
-no wish to mix; and so it was that he who labored most for them as an
-artist was farthest removed from them as a man.
-
-There was but one verdict rendered by the men who stood grouped about
-the easel. It was a masterly picture, they all said. For an hour or
-more, one or another of them discussed certain technical points with
-Graham, who with kindled face listened and talked with his associates,
-more himself than he had been since the night when he had first dreamed
-of the picture. The young sculptor was less loud in his praise than
-were the others; in his eyes the classic subject was a trifle labored
-and cold. After having praised, the men felt at liberty to criticise;
-and if Graham had followed one half the advice offered to him, there
-would have been little suggestion of the original picture left.
-
-Standing in a corner, with its face to the wall, was a panel which, as
-the little circle was about to break up, Northcote asked Graham's
-permission to show. The new picture was taken from the easel, and the
-neglected canvas put in its place. Its surface was dusty, and the young
-man wiped it with his silk handkerchief. There was a minute's silence,
-broken by the oldest of the party, a disappointed painter whose life had
-been one long series of calamities.
-
-"My boy, this is worth a dozen of the other. It is the biggest thing you
-have done yet."
-
-The younger men all chimed in, echoing the opinion of their senior.
-Graham looked incredulously from one to the other; there was no doubting
-their sincerity. Like many another before him, he knew not how to
-distinguish his successes from his failures. The old artist, who had
-all his life been on the eve of painting his great picture, underrated
-the value of the new picture, but he was not mistaken in placing The
-Lovers far above it. Graham looked at it for the first time in many
-weeks, with that impersonal criticism of his own work which is only
-possible to an artist when a certain period has elapsed after its
-creation, and the mind has been occupied with other interests.
-
-It was late that night when the artist returned to his room, after
-dining with his sculptor friend at a restaurant near by. The moonlight
-flooded the studio, lighting its farthest corner. It showed him the
-vases of rose-bloom and the dark-browed Circe on the wall; it showed him
-the blackened hearth, where the embers still smouldered. And what was
-that in the fireplace? A charred wooden frame with a heap of ashes
-lying 'twixt its sides. Graham sprang forward with a cry of
-apprehension, and lifted the blistered frame. His fear had not been
-groundless: this bit of wood and that handful of cinders were all that
-remained of his great new picture! He gave a deep groan and staggered
-back against the wall. Before him, on the easel, gleaming through the
-pure silver light, was the picture of The Lovers. Millicent's dreamy
-face, radiant with hope and love, smiled at him from the arms of the
-lover who now stood, half crazed with grief, gazing at the ruin before
-him.
-
-The young sculptor stood beside him, full of a sympathy he knew not how
-to express. At last he spoke:--
-
-"Graham, look up, and do not grieve for what is past help. I tell you,
-man, that your greatest picture stands before you. The Lovers has the
-one quality which your work has heretofore missed. It is human, it is
-full of natural sentiment. It does not appeal to an aristocracy of
-thought, but to all men and all women, learned and untaught. I know not
-what influence swayed you in this picture, but I know that it lifted you
-to a higher plane than you had before attained. I care not for the loss
-of your Poet; it told me nothing of you that I did not know before; it
-was a step backwards to the time when you made that wondrous wicked
-Circe with her herd of swine. Let it go, and submit to the influence
-which inspired this picture, for which the world is richer to-day than
-for a score of such works as the other."
-
-Graham looked at the speaker with doubting eyes. The words seemed to
-rouse an echo in his soul. They told him that he had served the altar
-of Art with Moloch sacrifices. Instead of the peaceful offerings of
-love, he had brought the anguish of two strong hearts to desecrate her
-temple. A dim perception of the truth entered his mind, and his grief
-for the lost picture was for a moment forgotten in a doubt which rose
-before him, never to be dismissed again until it was fully solved. A
-doubt of self, of his own judgment, of his own inflexible will.
-
-
-Millicent was gone! The six straight redwoods whispered the news one to
-another, and shook their tall tops sadly, while the sweet south wind
-sighed through their branches. Millicent was gone! and the roses that
-clasped and clung about her lattice died on the night she left them, and
-the vine bloomed no more, and bore for that season nothing but leaves.
-Millicent was gone! She had set wide the door of the golden prison where
-her love-birds had lived and sung so merrily through the long summer.
-But the little white creatures, prison-born, prison-bred, were too timid
-to venture out into the roomy forest, and had clung to the only home
-they had ever known; and so Barbara, gentle, sweet-souled Barbara, took
-them into her sunny room; and cared for them as Millicent had done. For
-a day they were silent, and then they sang as merrily as before. There
-was still sunshine; and crispy groundsel and clear cool water were given
-them by hands as gentle, if not so fair, as those which had tended them
-before.
-
-The New Year was at hand, and the _chatelaine_ of the San Rosario Ranch
-had summoned a group of friends to her hospitable home to pass the
-holiday time. So Barbara was full of household cares, and Hal was busy
-with shooting and riding expeditions. Ferrara was there, just back from
-Alaska, with a tribute of rare furs to lay at Barbara's pretty feet.
-Maurice Galbraith and John Graham were missing, and that other whose
-absence was still keenly felt. Mr. and Mrs. Shallop, O'Neil, and Hartley
-were come, with a half dozen other old friends, all bound together by
-the magnetic influence which radiated from their hostess, in whom all
-their various interests were concentrated. Each was friend to other for
-her sake, whom they all loved. In the existence of every one of the
-group her pure and unselfish nature was a real factor. When faith in
-human nature, in one's self, is faint and wavering, then is the time
-when the remembrance of such a spotless life, so pure a heart, steadies
-the wavering belief in truth, and strengthens us to fight the good
-fight. By loving help and by high example, Marianne Deering had
-succored and befriended each of the friends who on that New Year's eve
-assembled about her dining table. With a face bright with that beauty
-of the soul which knows not the marring of time, she presided over the
-gay festivity. Three pretty cousins from San Francisco added their
-bright faces to the charming scene. The apartment and the board were
-garlanded with flowers. Banks of heavy ferns panelled the walls, and
-bunches of white, heavy-scented magnolias were outlined against their
-dark green. Through the open windows were seen the gay lanterns hung
-about the veranda, illuminating the festoons of fresh creepers, and
-giving glimpses of the soft velvet turf outside. The merriment was at
-its height as Barbara lifted the loving-cup, filled with a sweet, strong
-wine, and, calling out the toast, "To absent friends," set her rosy lips
-to the brim, and drank from the cup in which each of the joyful company
-was to pledge some distant dear one. It was a custom at the San Rosario
-Ranch which had become time-honored. The girl smiled gayly as she passed
-the crystal beaker to Juan Ferrara, who sat upon her right; but her eyes
-were dark with unshed tears, and the man sighed as he drank, omitting to
-repeat the toast. What were absent friends to him beside this woman who
-smiled in his face, but whose tears fell for one who was far from her!
-Round went the cup from hand to hand, and to every heart came a thrill
-of joy or sorrow at the thought of the absent one, toward whom it turned
-in this loving communion. O'Neil, sitting by his hostess, was the last
-to take the cup. The warm-blooded Irishman was in high spirits. The
-glances of the dark-eyed "girling" at his side, and the general
-good-fellowship of the occasion, had brought out in him the
-irrepressible good-humor of his nation. The ceremony of passing the
-loving-cup, and the invocation to absent friends, had carried something
-a little serious with it, which, to the jolly Irishman, was thoroughly
-antagonistic.
-
-"Dear hostess," said he, placing the cup before him on the table, "I do
-not like the sentiment of your toast; 't is ungallant. How can I,
-sitting between two such lovely ladies, find time or power to salute an
-absent one, howsoever fair? May I give you my toast for the loving-cup?
-Have I your permission to sing a stave from one of my national songs on
-the subject?"
-
-He was answered by a general acclamation of assent. Rising to his feet,
-the blond, burly giant held up the cup with its low ebb of crimson wine,
-and sang in a clear, strong voice the following couplet:--
-
- "Oh! 't is sweet to think that where'er we rove
- We are sure to find something blissful and dear,
- And that, when we 're far from the lips that we love,
- We 've but to make love to the lips that are near.
- The heart, like a tendril accustomed to cling,
- Let it grow where it will, cannot flourish alone,
- But will lean to the nearest and loveliest thing
- It can twine with itself, and make closely its own.
- Then oh! what pleasure where'er we rove
- To be sure to find something still that is dear;
- And to know, when far from the lips that we love,
- We have but to make love to the lips that are near."
-
-
-Amidst the general laughter and applause which followed O'Neil's song,
-Madame Marianne's gentle word of disapproval was lost. The song had
-restored the jollity which, for a moment, seemed to have left the party.
-O'Neil now drained the cup to the last drop, turning the crystal vessel
-upside down to show that it was empty, and whispered a saucy compliment
-to the bright-eyed girl beside him. At that moment, when the merriment
-was at its height, when O'Neil stood with the empty cup in his hand, the
-door opened, and, as if in answer to the toast, John Graham entered the
-room. He was greeted by a dozen voices as he made his way to Mrs.
-Deering's side. Taking her outstretched hand in his own, he dropped
-upon one knee, and kissed it respectfully.
-
-"Dear my lady, I have come to wish you the happiest New Year, and to
-join in your loving-cup, in your toast to absent friends--"
-
-"Always welcome, dear Graham," said the lady, laying her hand upon his
-head for an instant; "there is always a place for you at our table, but
-alas--"
-
-"You are too late--too late!"
-
-It was Barbara who spoke, interrupting her mother brusquely, her voice
-full of a reproach inexplicable to all but Graham. He looked at her
-fixedly for a moment, and then O'Neil clapped him on the back, and held
-up the empty cup.
-
-"Too late, old fellow, as Miss Barbara says. Never mind," in a lower
-key, "I have promised Deering to brew an Irish punch, after the ladies
-withdraw."
-
-The artist stared a moment at the goblet, and shivered as he took the
-place which had been made for him beside his hostess. Soon the signal
-was given for the ladies to leave the room; Graham's arrival having
-precipitated the breaking up of the party. The new-comer did not long
-remain in the dining-room, but presently followed his hostess into the
-library, where he found Barbara at the piano. Mrs. Deering signalled
-him to take a place at her side.
-
-"I fear I took too great a liberty in coming unasked. O'Neil says I
-stalked into the room like a stage ghost, and cast a gloom over the
-party."
-
-"You know you are always welcome here. You used to call the Ranch your
-home."
-
-"Have I still a right to do so? Things seem so changed, my lady."
-
-"You will never find me changed while I can help you. I did not send
-for you, knowing that you would come if it was best for you."
-
-"And yet I came too late!"
-
-"Graham, there are no such words as too late to those who know how to
-wait. That phrase is only for the impatient, not for the steadfast. But
-now tell me of yourself, of your work; it is so long since we have seen
-you."
-
-"Of myself, no! of my work, yes. I have finished my picture; it has
-gone to Paris. It will now be judged by other men." He did not tell
-her of his loss, or that he had sent The Lovers in the place of the
-burned picture.
-
-"May they prove kindly critics."
-
-"No, I do not want that; I do not insist that they shall praise my work;
-I only question, can they understand it?"
-
-"But that is the least of it all, you have sometimes said."
-
-"Ah! Madonna, I have been wrong. What use is there for me to speak if
-there be no one to hear? If they do not understand, the fault must lie
-in me. I must learn to speak the broad language of humanity. I cannot
-ask men to puzzle themselves with my small vernacular." The man sighed
-deeply, and his friend noticed that he was paler and thinner than she
-had last seen him.
-
-"You have been over-working, Graham; you lead an unnatural life when you
-are in town, now that your people are away. Why not come back to the
-tower again?"
-
-"I think I will, Madonna."
-
-He had been over-working, and for what? That the picture for which he
-had sacrificed so much, should be seen one brief hour by a dozen men!
-He now felt in what a strained condition his nerves had been. The
-picture was gone, and with it the strong excitement which had kept him
-alive and alert. The tension was relaxed, and an intense depression had
-followed, which was in turn losing itself in a new feeling. A lonely
-longing, a craving for a tender womanly sympathy, for the only human
-being who had never misunderstood his many moods, who was always in
-sympathy with him in joy or sorrow. She alone in all the world could
-have helped him at this time; to her he could have confided all those
-delicate shades of thought which drifted through his mind, too fragile
-ever to be prisoned in words. She could have divined those half-formed
-ideas and crystallized them into steadfast utterances. He was cold,
-bitterly cold, and suffered for that loving human sympathy as the
-parched hillsides had but now longed for the refreshing rain which had
-made the earth green and fair after the long summer drought. He had
-chosen Art for his mistress, and she had smiled upon him chastely and
-coolly; and yet he was not content.
-
-Barbara left the piano, and Graham joined her. The over-punctilious
-courtesy with which he had always treated her was forgotten. He spoke
-suddenly and sharply:--
-
-"What did you mean by what you said to me,--why am I too late?"
-
-"I meant too late for a draught from the loving-cup."
-
-"You meant more than that."
-
-"If you choose to fancy--"
-
-"I cannot but choose to _know_."
-
-By this time the gay group from the dining-room had flooded the library
-with their ringing voices, their merry faces. Only these two were pale
-and out of harmony with the scene. Barbara, with downcast eyes, stood by
-the piano, tapping her fingers nervously on the polished case.
-
-"I have interrupted your festivity; I have been a very skeleton at the
-feast; forgive me,--I could not help coming,--forgive me and answer me
-one question, and I will go and leave you in peace."
-
-"I say, Bab, we are going into the drawing-room to tell ghost stories.
-O'Neil has a splendid one,--a real Irish family banshee yarn. Come on,
-you and Graham."
-
-"In a moment, Hal, don't wait for us; we will join you before you are
-all settled and Mr. O'Neil has begun."
-
-The library was again empty. The voices of the holiday folk reached
-their ears across the hall.
-
-"Tell me what you have heard from her."
-
-There was no need of speaking her name. Her face looked at them from its
-place over the mantel-shelf,--a quick, strong sketch made by Graham.
-From a leafy background white shoulders, and a fair face with deep eyes,
-were shadowed forth. The firelight, falling restlessly upon the
-picture, touched into light now the full red mouth, now the ivory
-throat.
-
-"I have not heard for some time. She was in Venice again, very ill from
-the long journey, when she last wrote."
-
-"You have not heard since?"
-
-"No."
-
-"Do you think she is well now, and--and at peace?"
-
-"No."
-
-"What reason have you to doubt her well-being?"
-
-"I cannot tell you."
-
-The man looked at her searchingly, as if he would read her very soul,
-and then turned away with a word of leave-taking,--"Good-night."
-
-"Stay a moment. I have something to tell you. I do not know why I am
-forced to speak to you of the last interview she had in this room, but I
-must do so. Before she left,--on the night when she cried out in the
-court-room,--you remember?"
-
-Did he remember? Ah, Heaven! only too well he remembered the last words
-she had ever spoken to him,--valiant words, full of love and protection.
-
-"That night Mr. Galbraith came to see her. It was very late, and they
-had a long conversation. I could only hear their voices from the next
-room; and then she called me to her, and told us both all her sad
-story,--all that had passed between you and her. She took all blame
-upon herself, and would have made us both acknowledge that you had been
-right and just in acting as you did."
-
-"And was I not just?"
-
-"Just, perhaps; but how ungenerous! What have you to do with justice?
-You, who never painted till you painted her; you, who were so cold and
-unfeeling till her smile made you human for a little time. Then your
-own selfish egotism froze you again."
-
-"Thank you for what you have told me, and good-by. I shall not see you
-soon again. You were very good to her; bless you for it! Every one was
-good to her,--every one but me, it seems."
-
-"You speak as if she were dead."
-
-He did not hear her last words. He was already out of earshot, taking
-leave of his hostess.
-
-When he was alone with the stars he could think better than in that
-heated room, with that dear vine-crowned face before his eyes, with
-Barbara's voice in his ears. He saw how Barbara misjudged him. He knew
-that most men and women would have held him as she did; and yet he had
-thought that he was right. He had fought the good fight, and he had
-conquered. What mattered it if all the world saw in him a monster of
-selfishness? He had chosen poverty, hard work, and loneliness, when
-wealth, worldly success, and a painless love might have been his.
-Sybaris had been open to him; and he had turned his back upon the
-perfumed island for an attic, a crust, and a mistress who demanded all,
-and had yielded nothing but hope.
-
-But now things were altered. He felt angry and outraged at the thought
-that others knew her story, that she was pitied by them because of her
-great love for him. He longed to protect her, to suffer for her, to
-make her forget in his love and care the cruel lot which had been hers.
-He yearned for her sympathy, for her love, for that sense of peace which
-had come upon him as he sat by her side. The tide of love, which not
-once in a million years is at the full in two human hearts at once,
-rushed over him, sweeping away pride, reason, selfishness,
-ambition,--all, all routed and o'erset by that warm, delicious flood of
-emotion. He had fought against love so long, that at last the overthrow
-of will brought him an ecstasy of delight. He ran like one crazed
-through the cool, starry night, singing a love-song strange and tender,
-a song of submission, of hope and passionate love. Through the orchard
-he passed, startling the birds with his wonderful song. The prisoned
-love-mates heard it in their little nest, and folded their snowy wings
-closer together; the white roses heard it, and trembled at the sound;
-the six tall redwoods listened and whispered gravely together as he came
-among them and sank upon his knees at their feet, on the very spot where
-she had sat that day. That day! How could he have forgotten it, and
-all that it had meant to them both? What mist had risen again between
-them and hidden its memory from his sight? Before, it had been her want
-of faith in him, her fault, her only fault. Her atonement for that sin
-against her own soul, against him, had been bitter indeed. And
-afterwards what veil had blinded him to the great truth that they loved
-each other absolutely, that their two beings were each incomplete
-without the other? His pride! It had been his pride which had kept
-them so long apart! But now it was over. He would go to her, and tell
-her all.
-
-"Millicent, Millicent, I love you!" he cried aloud, his eager voice
-surging from his breast as if to relieve its weight of love. His cry
-was joyous, bounding, full of life and love and hope. The night wind
-bore back to his ears a tender, mournful cadence,--"love you."
-
-"Millicent, my love, I am coming; wait for me!"
-
-"Wait for me!" sighed the echo.
-
-And the young moon, pale and shrinking, dropped behind the high
-tree-tops from his sight; while the redwoods swayed tremulously, shaken
-by a sudden blast, and the echo again sighed its faint response,--
-
-"Wait for me!"
-
-And the tide on the Pacific was at the flood.
-
-
-
-
- CHAPTER XX.
-
- "Malheureux! cet instant ou votre ame engourdie
- A secoue les fers qu' elle traine ici-bas,
- Ce fugitif instant fut toute votre vie;
- Ne le regrettez pas."
-
-
-It was a wonderful morning which saw the birth of the new year in
-Venice,--one of those clear, bright days on which Winter lays aside all
-his severity and assumes the smiles of the Spring still asleep in the
-bosom of the stiffened earth. The _piazza_ was filled with a motley
-crowd of holiday folk, and the lagoons swarmed with a fleet of gondolas
-and _sandalos_.
-
-Before a mighty marble house which stands where one of the smaller
-thoroughfares sweeps its waters into the Grand Canal, a gondola has
-paused. A young man, a foreigner evidently, steps from the boat and
-passes under the fretted archway, with an admiring glance at the
-beautiful carving. He is pressed for time, but he stops for a moment to
-glance into the square cortile, with its group of almond-trees and its
-playing fountain. He is met at the wide doorway by a servant, of whom
-he asks, in the best Italian he can muster, for the Signorina Almsford.
-The black-browed menial politely replies that it will be impossible for
-him to see the signorina; she is not at home to visitors. No further
-answer can the stranger obtain to his eager inquiries. A gold piece
-unlocks the tongue of the menial at last, and he informs the young man,
-in excellent English, that the signorina has been ill ever since her
-return from America, a month and more ago.
-
-"She has been very ill; Girolomo says that she will die, and the Signor
-Almsford himself fears the worst. She has not left her room once.
-To-day being a _festa_, she has fancied to go out with Girolomo in the
-gondola, and I am to help him carry her downstairs."
-
-As he finished speaking, the man noticed that the visitor had grown very
-pale, and now stood leaning against a marble pillar as if for support.
-When he spoke again it was to send his card to Mr. Almsford. On being
-admitted to an outer reception room he sank upon a chair, his face
-hidden in his hands. Soon he was bidden to enter. The signorina had
-learned of his arrival, and it was her pleasure to see him.
-
-The young man passed through a long suite of stately rooms, scarcely
-noticing the rich furnishing and decorations. Before a curtained
-doorway he hesitated for a moment, but the servant, pushing aside the
-heavy portiere, left him no choice but to enter. Before him, reclining
-in a great chair, lay a figure which he had last seen full of health and
-strength. From a pile of sea-green cushions smiled a face which he had
-known when it was glorious with the freshness of youth. The color which
-the red rose of love had brought to her cheek had faded now; she was
-like a flower no longer, but a great white pearl shimmering through pale
-waters. She smiled, and held out her hand to her countryman; and Maurice
-Galbraith, bowing low over the small fingers, strove to hide his face
-from the great hollow eyes which looked inquiringly into his own.
-
-"I am so glad you have come. I do not even ask what has brought you, it
-is so good to see some one from home."
-
-It had become "home" to her now, the country which she had so long
-repudiated. "Home" after a half year's residence; "home," though the
-language spoken there was to her a foreign one. The meeting is not
-without its tears, the pleasure not unmixed with pain. Eager questions
-are asked, and faithfully answered. Millicent's visitor brings her
-tidings and tender messages from far-off friends. He is rewarded for
-his pains by a faint smile which glimmers over the pale features, rising
-in the deep eyes and losing itself in the tender curves of the mouth.
-Beside the couch stands a delicate bronze table wrought by no less
-cunning a hand than Benvenuto's. A vase of flowers and a crystal bell
-are here placed. The musical note of the bell now summons a domestic,
-who bows at the order given, softly disappears, and soon re-enters,
-bearing a salver on which are a plate of fruits and a bluish decanter,
-with glasses of the dainty Venetian fashion. From the delicately
-tendrilled flask Millicent pours a clear golden wine whose perfume
-permeates the apartment. She fills both glasses, and, touching the edge
-of hers to the rim of his, bids him drink to the health of the dear ones
-at home. Galbraith stops the musical ring which the contact has drawn
-from the tumbler by touching the edge with his finger in a mechanical
-manner. It was one of the superstitions which had waned to a habit with
-him.
-
-"Why do you drown that sound of good cheer?"
-
-"Because my grandmother told me when I was a little child that if a
-glass rang itself out to silence, the sound was sure to prove a
-death-knell."
-
-"Listen, you can still hear mine faintly. It is a wonderful wine,
-connoisseurs say, this Lacrymae Christi of ours. How different, is it
-not, from the strong red wine of California that you gave us that
-day,--do you remember?--when we feasted with you under the fig-tree."
-
-"As different as you were to the rest of us gathered about the board
-that day."
-
-"And yet I would give all the wine that lies mellowing in the cellars of
-the palace for one cup of your good Los Angelos vintage."
-
-The wine seemed to spread through her frame like a flame. It brought a
-flush to the pale cheeks and strength to the fragile body. She arose
-and walked unsupported across the room to a dusky mirror. She wrapped
-herself in a garment of silvery fur, and together they left the room fit
-for the boudoir of a princess. At the doorway Girolomo awaited them.
-Waving aside the domestic who stood ready to assist him, the strong
-gondolier lifted the delicate figure and bore it unaided down the marble
-stairs. He laid her light weight gently among the cushions of the
-gondola, and assuming his oar with the incomparably graceful movement of
-his guild, rowed the black-hooded craft down the Grand Canal. To the
-young American, the awe and mystery of the place are not yet familiar;
-and as the boat glides between the rows of mighty palaces, he wonders if
-the strange scene is the fabric of his own dream.
-
-But no; when he looks into the face of the woman lying amid the
-cushions, he knows that it is all true, and that this shadowy figure is
-more real to him than all the men and women he has ever known.
-Presently they emerge into the broader waters of the lagoon, where lie
-the fisher craft, with their many-colored sails spread to dry in the
-afternoon breeze. The smooth green water is marked here and there with
-the black mooring-piles, which throw a shadowy outline on the changeful
-tide. To the American, bred in a land where Art is in its cradle, and
-beauty exists in its more austere aspect alone, the glory of the
-spectacle, the wondrous architecture, the wealth of color, are
-intoxicating. The western sky glows with the first pale tints of the
-sunset, against which a score of spires are darkly outlined. The air is
-musical with soft, distant chimes, and the song of the gondoliers is
-rhythmic to the motion of their oars. From the shore come cheerful
-sounds of holiday folk; and now and then a _sandalo_ sweeps past them
-with a freight of joyous pleasure-seekers. In one of these a group of
-masqueraders are singing a gay love-ballad. Millicent hums the refrain
-to herself, and answers pleasantly to the noisy greeting with which one
-of the party hails them. A young girl, with the red-gold hair of her
-people, turns and looks long into Millicent's face. She wears over her
-broad shoulders a leopard-skin for warmth; while her head, with its
-glorious crown of hair, has no other protection than the doubtful one of
-a garland of roses. As she looks at Millicent, she takes the fragrant
-wreath from her brow, and, with a graceful salutation, tosses it into
-the gondola. In a moment the strong strokes of the two rowers carry the
-_sandalo_ out of sight, and Galbraith lays the flowers in Millicent's
-lap.
-
-"May the saints bless the child! 'T is the tribute of happiness and
-beauty to grief and pain."
-
-The air has grown chill with the down-dropping of the sun, and Girolomo,
-unbidden, turns the gondola homeward. As they float past the familiar
-places, Millicent looks long and steadily at the scenes which are so
-dear to her. She shivers as the Bridge of Sighs looms dimly forth, and
-smiles again at the familiar faces of the boatmen on the steps of the
-_piazzetta_.
-
-"I am so glad that you have seen me in the city of my birth; you can
-understand me now as you could never have understood me over there.
-Dear, dreamy Venice, where great vices and greater virtues have
-flourished more grandly than anywhere else in the world! And now it is
-all past, her glory and her pain; and knowing this, we make the best of
-the pleasant things left to us. We steep ourselves in her rich beauty,
-content with its perfection; we con over her mysterious legends, and
-forget that other nations are living, striving, working, and making
-their histories, while we are dreaming and playing our lives away. Your
-great Saxon virtue, 'Truth,' is meaningless to us; we are content with
-Beauty."
-
-"And you are happy--contented; you are willing to pass the rest of your
-life here?"
-
-"Yes, and no. I could never be satisfied to drop back into the old easy
-life. I have drunk too deeply of the strong, new wine of Los Angelos,
-to be content with the mellow vintage of the Abruzzi."
-
-"And yet there is fermentation of a strong, new wine here, in your
-wondrous Italy. All do not dream of the past; there are men and women
-who foretell a new existence to the land, now that the old shackles of
-tyranny and superstition are dropping from her cramped limbs."
-
-"Yes; but it is a volcanic soil. Everything is so sudden and so
-shifting. There will be changes, but it is the making over of an old
-garment after all. Liberty may sponge and cleanse herself a vesture,
-but the old stains and spots have eaten deep into the tri-color."
-
-"You will return then; you will not pass your life so far away from us?"
-
-She smiled a little wearily and said, "I think I shall never see America
-again. But I am, oh, so thankful to have known my home! I, who have
-lived a Venetian, shall die an American."
-
-"And yet--?"
-
-"And yet I am glad to--do not be shocked, kind friend, if I say that I
-am glad to die in my own Venice where I was born. I have two selves.
-One was born and nurtured here under the shadow of the silent palaces;
-the other sprang up full-grown among the madrone trees of San Rosario.
-The two have warred and struggled _here_; their battle-ground has been
-my breast, and the new self conquered the old; but the victory will be
-short-lived."
-
-Galbraith looked at her intently. She had spoken a little wildly, as if
-her mind were clouded. She saw his look, and with a sigh smoothed the
-lines from her brow.
-
-"I am a little mad, you think? Yes, yes. But I am so happy to see you.
-You understand me, dear friend; and you understand him, a little. You
-will see him again, though perhaps I never shall. You will tell
-him--No, do not look so grieved. It is very likely that I shall get
-well."
-
-He lifted her pale hand and touched it to his lips, as a Catholic might
-kiss the cross.
-
-"You will be well and strong again, my child. Do not speak so."
-
-"It may be, and yet I do not wish it. Life looks so hard and cold and
-lonely. I do not wish to live,--and yet I am so afraid to die." She
-shivered, and Galbraith drew the gray cloak closer about her. "If I
-could only fall quietly asleep, and wake to find this poor weak body
-left behind--but you remember that poor creature's death? It was so
-terrible--I can never forget it."
-
-"You must not think of it. What message was it that you wanted to send
-home?"
-
-"It was to Graham. I can speak to you about him and to no one else.
-You must tell him how thankful I am that I left my old home, my old
-life, and came to his country. Tell him that he has nothing to reproach
-himself with; that the only thing that has made my life worth living has
-been my love for him. Tell him to remember me tenderly and without
-regret; it should be a sweet memory without a shadow of bitterness.
-Tell him--but what am I saying? You could never repeat it all even if
-you would. Give him this; it will tell him all; it is a token the trace
-of which he will find on my hand when we meet again, if souls retain
-aught of their old vesture in the twilight world."
-
-She seemed wandering again. From her slim finger she slipped the little
-ring which Galbraith took and kept.
-
-"And Barbara, dear good Barbara. She is white with that spotless purity
-of a passionless womanhood. Do you know, Mr. Galbraith, that dying
-people sometimes have a power of seeing into the future? Shall I tell
-you what face I see beside Barbara's in the bright coming years which I
-shall never know? It is that of a brave and loyal man,--a man whose
-love would make such a woman happy and complete. It is the face of the
-friend who has brought me great peace on this New Year's Day."
-
-The black gondola now floated at rest under the archway of the grim old
-palace. From beneath the sable hood Girolomo lifted the slender frame.
-The old fellow's eyes filled with tears at the gentle words which his
-young mistress whispered to him as he carried her through the marble
-archway and up the long steep stairs.
-
-"_Tanto ricca, tanto giovine, tanto bella, e bisogna che muore._"
-Galbraith understood the words muttered by the old servant as he passed
-him after having laid his burden at rest in the great chair. He
-understood, but he would not believe them. It could not be true.
-
-It was late that night when the soft-footed nun who was Millicent's
-nurse laid her patient on her couch, with a gentle reproof for her
-wilfulness in being so wakeful.
-
-"But it was not my fault, my sister; I could not sleep earlier. Now I
-am better and shall rest." She smiled in the quiet face which bent over
-her under its snow-white coif of linen. The heavy gold-bronze hair was
-not plaited that night, Millicent was so tired. The sister smoothed it
-tenderly over the pillow, her hard fingers thrilling at the touch of so
-much beauty. Her own close-shaven head had once been covered with thick
-black curls, one of which slept on the heart of the dead man for the
-repose of whose soul her prayers were offered at every hour of the day.
-
-"My sister, sit by me. I want to talk with you a little while. I know
-your story, blessed one. Let me ask you a little of your life in the
-convent, among the sick. Is it peaceful, is it happy? Do you feel that
-you are nearer to the spirit of your dead lover than when you were in
-the world?"
-
-"My child, I may not speak of these things; it would be a sin. Our
-words we can control, if not our thoughts."
-
-"But, sister, I need your help. You know that I have not your faith,
-and never could have. But I have loved as you once loved, and I shall
-never see the face of my lover. What shall I do with my empty life? I
-am so weak!"
-
-"All the greater need have you for a stronger help than mine, for a
-haven from the ills of the world. I cannot think you would find that
-place in our cloister. There must be workers in the world among the
-living and strong, as well as with the sick and dying. It is in that
-world that you, my child, with your power, your wealth, your beauty,
-should find your work. The arms of the Church are wide, and embrace the
-toilers in the market-place as well as those who watch and pray in the
-cloister."
-
-"There is only work, then, that will bring peace?"
-
-"Work and prayer, my child. You must not talk of this to-night; you
-should sleep now. To-morrow you shall tell me more of the needs of your
-soul."
-
-"Only work! I am so tired, I am so weak, I cannot work alone. If there
-had been one to help me--" She lifted her white hand, so nerveless now,
-and let it sink wearily beside her.
-
-"Bring the great candelabrum, and set it at the foot of the bed. Light
-all the candles. I want to drive out the shadows from the dark corners.
-Ah! hear them singing below there in the canal."
-
-She sat up among her pillows listening to the chorus chanted by a band
-of belated merry-makers. It was the love-song that the people in the
-_sandalo_ had sung that afternoon.
-
-"_Dame un pensiero, sogna me, ed io ti sognero._" "In dreaming give a
-thought of me, and I will dream of thee."
-
-"Give me my little golden crown, sister, and then lie down upon your
-couch and sleep. You do not mind the lights?"
-
-Millicent was fanciful and wilful that night; and the nun, knowing that
-it was best to humor her, brought her from its velvet case the gold
-fillet of olive leaves which Graham had laid on the brow of his love in
-the forest of San Rosario. The girl set it on her head, and called for
-a mirror.
-
-"I am beautiful still, my sister, though so pale, am I not?"
-
-The nun nodded her head smilingly.
-
-"Now that is all, and I shall sleep. Good-night to you. Say a little
-prayer for me, sister, and one for a strong, proud man who will be very
-sad to-night with me so far away from him."
-
-She folded her palms upon her breast, as they fold the hands of the
-dead. The sister stood beside her, watching uneasily the light slumber
-into which her patient had fallen. Her pulse was full and even, the
-breathing regular, and the sleep peaceful as that of a child.
-
-"A strange fancy to light those candles, and to put that wreath about
-her head. Poor child, she is beautiful, indeed, as the vision of a
-saint," murmured the sister.
-
-At last the black-robed watcher laid aside her coif, and, lying down
-upon a couch near the bedside, fell asleep. She could not have told how
-long she slept, when a sound awoke her. The quiet of the night was
-broken by a sudden gust of wind blowing through the long apartment with
-a deep sigh. It trembled among the tresses of the sleeping girl, and
-stirred and lingered in the strand of hair which overhung the tiny ear.
-It blew the flame of the candles straight out from the wick, and fanned
-the embers on the hearthstone to a last up-flaming. It blew over the
-lips of the sleeper, and bore these softly spoken words to her ear,--
-
-"I come, I come! wait for me!"
-
-The girl turned on her pillow, and smiled in her sleep. All was going
-well. The nun replenished the dying fire with fuel, and, extinguishing
-the candles, lay down to sleep again by the light of the night lamp,
-muttering an Ave Maria.
-
-
-And the breath of the west wind passed out of the silent sick room, and
-went roystering through the long suite of stately apartments, where it
-met no man. It was a strong puff of wind, which had travelled far and
-sturdily across wild seas and smiling lands. It had raced with man's
-toy of steam and iron, and laughed in derision at the poor engine and
-its boasted speed; it had swayed dim forest-trees in a far-off land; it
-had ruffled a quiet ocean into deep furrows of foam; it had breathed
-upon a band of icy mountain giants, and had grown cold at their contact;
-it had come sighing down the Grand Canal, and had entered the great
-palace unceremoniously; it had fanned the cheek of a sleeping woman
-beautiful as the vision of a saint; it had whispered in her ear its
-message. And now, at the doorway of that great palace, the bold wind
-ceased its blustering, and died away into the still air of the
-ante-chamber, getting behind the heavy arras, and imparting a trembling
-motion to the faded figures of warrior and horse. A dim, gray Presence
-had entered the palace, before which the merry west wind had grown
-quiet. The hush of deepest night was on all the sleeping house, and the
-tide of the Adriatic was at the ebb. Silently the Presence crept toward
-the sick-room, and, as it crossed the threshold, the spark of the night
-light flickered and went out, while the nun crossed herself as she
-slept.
-
-
-When Maurice Galbraith called at the Palazzo Fortunio early on the
-morning after he had seen Millicent, to inquire how she had passed the
-night, he found the porter's room empty. He rang at the door of the
-apartment, which was opened, after some delay, by a weeping woman. He
-could not understand what she said to him, and made his way to the
-boudoir where he had last seen Millicent, without meeting any one. He
-heard voices in the next room, which he knew to be her sleeping
-apartment.
-
-"It must have been quite painless," he heard a strange voice say in
-English. "See! she has not moved; the clothes are quite unruffled. It
-is doubtful if she woke at all. Sister Theresa says she was in this
-attitude when she last saw her. If she had even breathed heavily the
-nun would have heard her, she sleeps so lightly."
-
-A chill fell upon the young man's heart. What could those strange words
-mean? The door opened at last, and two men entered the room, the
-younger carefully closing it behind him. He was evidently a physician.
-The elder man passed him with bowed head and clasped hands. Galbraith
-touched the younger man on the arm, and asked him what his words had
-meant. The doctor waited till the father had left the room, and,
-turning to the stranger, answered him gently and compassionately; told
-him the little there was to tell beyond the great fact that Death had
-entered in the night and stolen the breath of the fairest, while she
-slept.
-
-"If I could but fall quietly asleep!" he remembered her words of yester
-eve. Her prayer had been answered. The grim visage of Death had been
-hidden by the tender veil of sleep.
-
-The physician was very patient with the stranger who asked him so often
-if it were certain, if there could be no mistake regarding the dreadful
-event. At last, when he was satisfied that there was no hope, he turned
-to go, stumbling over a chair as he went. The doctor made him take a
-glass of wine, and bade him rest awhile before going out. Maurice
-Galbraith was a strong man, and after the first faintness which the news
-had brought him, he nerved himself to meet the terrible grief, and bear
-it as a strong man should.
-
-"You are Mr. Galbraith, from California, of whom she spoke last night?"
-
-"Yes."
-
-"Perhaps you could help me in a little matter which Mr. Almsford has
-asked me to attend to. This telegram came an hour ago. It was directed
-to her, and is dated California. Do you know the sender, and the
-meaning of the message?"
-
-Galbraith took the slip of blue paper, and read these words:--
-
-
-"I am coming to you. I start to-night.
-
-"GRAHAM."
-
-
-"You know the person?"
-
-"Yes, very well."
-
-"As we have not his address, would you kindly answer the despatch and
-tell him?"
-
-"Surely."
-
-"It would be a great favor."
-
-"It is the last but one that I can ever do for her now."
-
-He found his way to the telegraph office, he never knew how, and with
-trembling hand penned this message, which should fly swifter than west
-wind or shifting water, to John Graham on the far golden shore, where
-the tide was at the flood, and the earth glad and green in the promise
-of the new-born year:--
-
-
- "_Millicent died last night._"
-
-
-
-
- University Press: John Wilson & Son, Cambridge.
-
-
-
-
- * * * * * * * *
-
-
-
-
- CHOICE FICTION
- FOR
- SUMMER READING.
-
-
-VESTIGIA. By GEORGE FLEMING, author of "Kismet," "Mirage," "The Head of
-Medusa." 16mo. Cloth. Price, $1.25.
-
-A NEWPORT AQUARELLE. 12mo. Cloth. Price, $1.00.
-
-THE USURPER. An Episode in Japanese History. Translated from the
-French of Judith Gautier by ABBY L. ALGER. 12mo. Cloth. Price, $1.50.
-
-THE SAN ROSARIO RANCH. By MAUD HOWE. 16mo. Cloth. Price, $1.25.
-
-SUWANEE RIVER STORIES. By SHERWOOD BONNER. With illustrations by F. T.
-Merrill. 16mo. Cloth.
-
-TREASURE ISLAND. By ROBERT LOUIS STEVENSON. With illustrations by F.
-T. Merrill. 12mo. Cloth. Price, $1.25.
-
-MOODS. A Novel. By Louisa M. Alcott. 16mo. Cloth. Price, $1.50.
-
-BY THE TIBER. By the author of "Signor Monaldini's Niece." 16mo.
-Cloth. Price, $1.50.
-
-THE HEAD OF MEDUSA. By the author of "Kismet" and "Mirage." 16mo.
-Cloth. Price, $1.50.
-
-BLESSED SAINT CERTAINTY. By the author of "His Majesty Myself." 16mo.
-Cloth. Price, $1.50.
-
-DOCTOR JACOB. A Novel. By Miss M. B. EDWARDS. 12mo. Cloth. Price,
-$1.00.
-
-OFF THE SKELLIGS. By JEAN INGELOW. 16mo. Cloth. Price, $1.00.
-
-FATED TO BE FREE. By JEAN INGELOW. 16mo. Cloth. Price, $1.00.
-
-SARAH De BERENGER. By JEAN INGELOW. 16mo. Cloth. Price, $1.00.
-
-DON JOHN. By JEAN INGELOW. 16mo. Cloth. Price, $1.00.
-
-MARGARET. A Tale of the Real and the Ideal, of Blight and Bloom. By
-SYLVESTER JUDD. 16mo. Cloth. Price, $1.50.
-
-THE VICAR'S DAUGHTER. By GEORGE MACDONALD. With illustrations. 16mo.
-Cloth. Price, $1.50.
-
-MY MARRIAGE. A Novel. 16mo. Cloth. Price, $1.00.
-
-TIP CAT. A Story. By the author of "Miss Toosey's Mission" and
-"Laddy." 16mo. Cloth. Price, $1.25.
-
-SOME WOMEN'S HEARTS. By LOUISE CHANDLER MOULTON. 16mo. Cloth. Price,
-$1.50.
-
-GEORGE SAND'S NOVELS. Mauprat; Antonia; Monsieur Sylvestre; The Snow
-Man; The Miller of Angibault; My Sister Jeannie. 16mo. Cloth. Price,
-$1.50 each.
-
-FRANCES M. PEARD'S NOVELS. The Rose Garden; Unawares; Thorpe Regis.
-16mo. Cloth. Price, $1.50 each.
-
-WENDERHOLME. A Story of Lancashire and Yorkshire. By P. G. HAMERTON.
-12mo. Cloth. Price, $2.00.
-
-THE THIEF IN THE NIGHT. By HARRIET PRESCOTT SPOFFORD, author of "The
-Amber Gods." 16mo. Cloth. Price, $1.25.
-
-THE MARQUIS OF CARABAS. A Romance. By HARRIET PRESCOTT SPOFFORD.
-16mo. Cloth. Price, $1.00.
-
-WORK. A Story of Experience. By LOUISA M. ALCOTT. 16mo. Cloth.
-Illustrated. Price, $1.75.
-
-PINK AND WHITE TYRANNY. A Society Novel. By HARRIET BEECHER STOWE.
-16mo. Cloth. Price, $1.50.
-
-MOONDYNE. A Story of the Under World. By JOHN BOYLE O'REILLY. 16mo.
-Cloth. Price, $1.00.
-
-FOR SUMMER AFTERNOONS. By SUSAN COOLIDGE. 16mo. Cloth. Price, $1.25.
-
-REALMAH. By ARTHUR HELPS. 12mo. Cloth. Price, $2.00.
-
-CASIMIR MAREMMA. By ARTHUR HELPS, 12mo. Cloth. Price, $2.00.
-
-PHANTASMION. A Fairy Tale. By SARA COLERIDGE. 12mo. Cloth. Price,
-$2.00.
-
-
-_Our publications are for sale by all Booksellers, and will be mailed
-postpaid, on receipt of price, by the publishers,_
-
- ROBERTS BROTHERS, BOSTON.
-
-
-
-
-
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE SAN ROSARIO RANCH ***
-
-
-
-
-A Word from Project Gutenberg
-
-
-We will update this book if we find any errors.
-
-This book can be found under: http://www.gutenberg.org/ebooks/42283
-
-Creating the works from public domain print editions means that no one
-owns a United States copyright in these works, so the Foundation (and
-you!) can copy and distribute it in the United States without permission
-and without paying copyright royalties. Special rules, set forth in the
-General Terms of Use part of this license, apply to copying and
-distributing Project Gutenberg(tm) electronic works to protect the
-Project Gutenberg(tm) concept and trademark. Project Gutenberg is a
-registered trademark, and may not be used if you charge for the eBooks,
-unless you receive specific permission. If you do not charge anything
-for copies of this eBook, complying with the rules is very easy. You may
-use this eBook for nearly any purpose such as creation of derivative
-works, reports, performances and research. They may be modified and
-printed and given away - you may do practically _anything_ with public
-domain eBooks. Redistribution is subject to the trademark license,
-especially commercial redistribution.
-
-
-
-The Full Project Gutenberg License
-
-
-_Please read this before you distribute or use this work._
-
-To protect the Project Gutenberg(tm) mission of promoting the free
-distribution of electronic works, by using or distributing this work (or
-any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg(tm) License available with this file or online at
-http://www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use & Redistributing Project Gutenberg(tm)
-electronic works
-
-
-*1.A.* By reading or using any part of this Project Gutenberg(tm)
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all the
-terms of this agreement, you must cease using and return or destroy all
-copies of Project Gutenberg(tm) electronic works in your possession. If
-you paid a fee for obtaining a copy of or access to a Project
-Gutenberg(tm) electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-*1.B.* "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few things
-that you can do with most Project Gutenberg(tm) electronic works even
-without complying with the full terms of this agreement. See paragraph
-1.C below. There are a lot of things you can do with Project
-Gutenberg(tm) electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg(tm) electronic
-works. See paragraph 1.E below.
-
-*1.C.* The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection of
-Project Gutenberg(tm) electronic works. Nearly all the individual works
-in the collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you
-from copying, distributing, performing, displaying or creating
-derivative works based on the work as long as all references to Project
-Gutenberg are removed. Of course, we hope that you will support the
-Project Gutenberg(tm) mission of promoting free access to electronic
-works by freely sharing Project Gutenberg(tm) works in compliance with
-the terms of this agreement for keeping the Project Gutenberg(tm) name
-associated with the work. You can easily comply with the terms of this
-agreement by keeping this work in the same format with its attached full
-Project Gutenberg(tm) License when you share it without charge with
-others.
-
-
-*1.D.* The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg(tm) work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-*1.E.* Unless you have removed all references to Project Gutenberg:
-
-*1.E.1.* The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg(tm) License must appear
-prominently whenever any copy of a Project Gutenberg(tm) work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere at no cost and with
- almost no restrictions whatsoever. You may copy it, give it away
- or re-use it under the terms of the Project Gutenberg License
- included with this eBook or online at http://www.gutenberg.org
-
-*1.E.2.* If an individual Project Gutenberg(tm) electronic work is
-derived from the public domain (does not contain a notice indicating
-that it is posted with permission of the copyright holder), the work can
-be copied and distributed to anyone in the United States without paying
-any fees or charges. If you are redistributing or providing access to a
-work with the phrase "Project Gutenberg" associated with or appearing on
-the work, you must comply either with the requirements of paragraphs
-1.E.1 through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg(tm) trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-*1.E.3.* If an individual Project Gutenberg(tm) electronic work is
-posted with the permission of the copyright holder, your use and
-distribution must comply with both paragraphs 1.E.1 through 1.E.7 and
-any additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg(tm) License for all works posted
-with the permission of the copyright holder found at the beginning of
-this work.
-
-*1.E.4.* Do not unlink or detach or remove the full Project
-Gutenberg(tm) License terms from this work, or any files containing a
-part of this work or any other work associated with Project
-Gutenberg(tm).
-
-*1.E.5.* Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg(tm) License.
-
-*1.E.6.* You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg(tm) work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg(tm) web site
-(http://www.gutenberg.org), you must, at no additional cost, fee or
-expense to the user, provide a copy, a means of exporting a copy, or a
-means of obtaining a copy upon request, of the work in its original
-"Plain Vanilla ASCII" or other form. Any alternate format must include
-the full Project Gutenberg(tm) License as specified in paragraph 1.E.1.
-
-*1.E.7.* Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg(tm) works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-*1.E.8.* You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg(tm) electronic works
-provided that
-
- - You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg(tm) works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg(tm) trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
- - You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg(tm)
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg(tm)
- works.
-
- - You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
- - You comply with all other terms of this agreement for free
- distribution of Project Gutenberg(tm) works.
-
-
-*1.E.9.* If you wish to charge a fee or distribute a Project
-Gutenberg(tm) electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg(tm) trademark. Contact the
-Foundation as set forth in Section 3. below.
-
-*1.F.*
-
-*1.F.1.* Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg(tm) collection.
-Despite these efforts, Project Gutenberg(tm) electronic works, and the
-medium on which they may be stored, may contain "Defects," such as, but
-not limited to, incomplete, inaccurate or corrupt data, transcription
-errors, a copyright or other intellectual property infringement, a
-defective or damaged disk or other medium, a computer virus, or computer
-codes that damage or cannot be read by your equipment.
-
-*1.F.2.* LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg(tm) trademark, and any other party distributing a Project
-Gutenberg(tm) electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal fees.
-YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY,
-BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN
-PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND
-ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
-ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES
-EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
-
-*1.F.3.* LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-*1.F.4.* Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-*1.F.5.* Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-*1.F.6.* INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg(tm) electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg(tm) electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg(tm)
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg(tm) work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg(tm)
-
-
-Project Gutenberg(tm) is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, is critical to reaching Project Gutenberg(tm)'s
-goals and ensuring that the Project Gutenberg(tm) collection will remain
-freely available for generations to come. In 2001, the Project Gutenberg
-Literary Archive Foundation was created to provide a secure and
-permanent future for Project Gutenberg(tm) and future generations. To
-learn more about the Project Gutenberg Literary Archive Foundation and
-how your efforts and donations can help, see Sections 3 and 4 and the
-Foundation web page at http://www.pglaf.org .
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the state
-of Mississippi and granted tax exempt status by the Internal Revenue
-Service. The Foundation's EIN or federal tax identification number is
-64-6221541. Its 501(c)(3) letter is posted at
-http://www.gutenberg.org/fundraising/pglaf . Contributions to the
-Project Gutenberg Literary Archive Foundation are tax deductible to the
-full extent permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr.
-S. Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official page
-at http://www.pglaf.org
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg Literary
-Archive Foundation
-
-
-Project Gutenberg(tm) depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations where
-we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit http://www.gutenberg.org/fundraising/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make any
-statements concerning tax treatment of donations received from outside
-the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other ways
-including checks, online payments and credit card donations. To donate,
-please visit: http://www.gutenberg.org/fundraising/donate
-
-
-Section 5. General Information About Project Gutenberg(tm) electronic
-works.
-
-
-Professor Michael S. Hart is the originator of the Project Gutenberg(tm)
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg(tm) eBooks with only a loose network of volunteer support.
-
-Project Gutenberg(tm) eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S. unless
-a copyright notice is included. Thus, we do not necessarily keep eBooks
-in compliance with any particular paper edition.
-
-Each eBook is in a subdirectory of the same number as the eBook's eBook
-number, often in several formats including plain vanilla ASCII,
-compressed (zipped), HTML and others.
-
-Corrected _editions_ of our eBooks replace the old file and take over
-the old filename and etext number. The replaced older file is renamed.
-_Versions_ based on separate sources are treated as new eBooks receiving
-new filenames and etext numbers.
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg(tm),
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.