diff options
| -rw-r--r-- | 42156-0.txt (renamed from 42156.txt) | 399 | ||||
| -rw-r--r-- | 42156-8.txt | 1288 | ||||
| -rw-r--r-- | 42156-8.zip | bin | 19140 -> 0 bytes | |||
| -rw-r--r-- | 42156-h.zip | bin | 1681251 -> 0 bytes | |||
| -rw-r--r-- | 42156-h/42156-h.htm | 406 | ||||
| -rw-r--r-- | 42156.zip | bin | 19125 -> 0 bytes |
6 files changed, 5 insertions, 2088 deletions
@@ -1,41 +1,4 @@ -The Project Gutenberg EBook of The Nursery, July 1881, Vol. XXX, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: The Nursery, July 1881, Vol. XXX - A Monthly Magazine for Youngest Readers - -Author: Various - -Release Date: February 22, 2013 [EBook #42156] - -Language: English - -Character set encoding: ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, JULY 1881, VOL. XXX *** - - - - -Produced by Emmy, Juliet Sutherland and the Online -Distributed Proofreading Team at http://www.pgdp.net Music -transcribed by Veronika Redfern. - - - - - - - - - - - +*** START OF THE PROJECT GUTENBERG EBOOK 42156 *** THE @@ -548,7 +511,7 @@ for a long time." "Where can he be?" said mamma, looking concerned. "Where _can_ he be?" echoed the French nurse, throwing down her sewing, -and going in search of him. "Where can he be? _Le mechant!_" (She meant +and going in search of him. "Where can he be? _Le méchant!_" (She meant "The naughty little boy.") Then she ran down the walk, calling out, "Parley-voo, Parley-voo, Parley-voo!" But not a sound came back. @@ -929,360 +892,4 @@ the title page after the Volume number. End of Project Gutenberg's The Nursery, July 1881, Vol. XXX, by Various -*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, JULY 1881, VOL. XXX *** - -***** This file should be named 42156.txt or 42156.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/1/5/42156/ - -Produced by Emmy, Juliet Sutherland and the Online -Distributed Proofreading Team at http://www.pgdp.net Music -transcribed by Veronika Redfern. - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. +*** END OF THE PROJECT GUTENBERG EBOOK 42156 *** diff --git a/42156-8.txt b/42156-8.txt deleted file mode 100644 index fb39944..0000000 --- a/42156-8.txt +++ /dev/null @@ -1,1288 +0,0 @@ -The Project Gutenberg EBook of The Nursery, July 1881, Vol. XXX, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: The Nursery, July 1881, Vol. XXX - A Monthly Magazine for Youngest Readers - -Author: Various - -Release Date: February 22, 2013 [EBook #42156] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, JULY 1881, VOL. XXX *** - - - - -Produced by Emmy, Juliet Sutherland and the Online -Distributed Proofreading Team at http://www.pgdp.net Music -transcribed by Veronika Redfern. - - - - - - - - - - - - -THE - -NURSERY - -_A Monthly Magazine_ - -FOR YOUNGEST READERS. - -VOLUME XXX.--No. 1. - - BOSTON: - THE NURSERY PUBLISHING COMPANY, - NO. 36 BROMFIELD STREET. - 1881. - - - - - Entered according to act of Congress, in the year 1881, by - THE NURSERY PUBLISHING COMPANY, - In the Office of the Librarian of Congress at Washington. - -[Illustration: JOHN WILSON & SON UNIVERSITY PRESS] - - - - -[Illustration: Contents.] - - -IN PROSE. - - PAGE - Hide and Seek 193 - Flowers for Mamma 195 - Outwitted 197 - Zip Coon 199 - The Fuss in the Poultry-Yard 201 - Our Charley 206 - Drawing-Lesson 209 - More about "Parley-voo" 210 - The old Pump 214 - Winter on Lake Constance 215 - Swan-upping 216 - The Man in the Moon 219 - The Boy and the Cat 220 - - -IN VERSE. - - Hammock Song 196 - Rosie and the Pigs 198 - What's up 203 - Minding Mother 204 - Peet-Weet 207 - Baby's Ride 212 - Baby-Brother 222 - Under Green Leaves (_with music_) 224 - -[Illustration] - - - - -[Illustration: HIDE AND SEEK. - -VOL. XXX.--NO. 1.] - - - - -HIDE-AND-SEEK. - - -WHERE is Charley? Where can the boy have gone? Just now he was here by -my side. Now he is out of my sight. I will call him. 'Charley, Charley, -my boy! where are you?' - -"No answer. Hark! I hear a noise up in that tree. Can that be Charley? -Oh, no! It is a bird. 'Little bird, have you seen a small boy with curly -hair? Tell me where to look for him.' - -"The bird will not tell me. I must ask the squirrel. 'Squirrel, have you -seen a boy with rosy cheeks?' Away goes the squirrel into a hole without -saying a word. - -"Ah! there goes a butterfly. I will ask him. 'Butterfly, have you seen a -boy, with black eyes, rosy cheeks, and curly hair?' The butterfly lights -on a bush. Now he flies again. Now he is off without making any reply. - -"Dear me! what shall I do? Is my little boy lost in the woods? Must I go -home without him? Oh, how can I live without my boy!" - -Out pops a laughing face from the bushes. - -"Here I am, mamma!" says Charley. "Don't cry. Here I am close by you." - -"Why, so you are. Come out here, you little rogue, and tell me where you -have been all this time." - -"I have been right behind this tree, and I heard every word you said," -says Charley. - -"What a joke that was! Why, Charley, you must have kept still for as -much as three minutes. I never knew you to do that before." - - IDA FAY. - - - - -[Illustration] - - - - -FLOWERS FOR MAMMA. - - -OUR readers will remember a picture of this same little girl as she was -taking her doll to ride. While Dolly was taking her nap, Grace ran into -the garden again. She flitted about among the flowers, as busy as a bee, -for a few minutes. Then she came running into the house. The picture -shows what she brought back to her mamma. - - JANE OLIVER. - - - - -[Illustration] - - - - -HAMMOCK SONG. - - - HEIGH-HO, to and fro! - How the merry breezes blow! - - Blue skies, blue eyes, - Baby, bees, and butterflies, - - Daisies growing everywhere, - Breath of roses in the air! - - Dollie Dimple, swing away, - Baby darling, at your play. - - MARY D. BRINE. - - - - -OUTWITTED. - - -ONE fine summer day a very hungry fox sallied out in search of his -dinner. After a while his eye rested on a young rooster, which he -thought would make a very good meal: so he lay down under a wall and hid -himself in the high grass, intending to wait until the rooster got near -enough, and then to spring on him, and carry him off. - -Suddenly, however, the rooster saw him and flew, in a great fright, to -the top of the wall. - -The fox could not get him there, and he knew it: so he came out from his -hiding-place, and addressed the rooster thus: "Dear me!" he cried, "how -handsomely you are dressed! I came to invite your magnificence to a -grand christening feast. The duck and the goose have promised to come, -and the turkey, though slightly ill, will try to come also. - -[Illustration] - -"You see that only those of rank are bidden to this feast, and we beg -you to adorn it with your splendid talent for music. We are to have the -most delicate little cock-chafers served up on toast, a delicious salad -of earthworms, in fact all manner of good things. Will you not return -then with me to my house?" - -"Oh ho!" said the rooster, "how kind you are! What fine stories you -tell! Still I think it safest to decline your kind invitation. I am -sorry not to go to that splendid feast; but I cannot leave my wife, for -she is sitting on seven new eggs. Good-by! I hope you will relish those -earthworms. Don't come too near me, or I will crow for the dogs. -Good-by!" - - LEONORA, from the German. - - - - -[Illustration] - - - - -ROSIE AND THE PIGS. - - - ROSIE was breakfasting out on the grass - When two pigs, on a walking tour, happened to pass. - One pig, with rude manners, came boldly in front, - And first gave a stare, and then gave a grunt, - As much as to say, "What is that you have got? - Just give us a taste, my dear, out of your pot!" - - T. - - - - -[Illustration] - - - - -ZIP COON. - - -DID you ever see a raccoon? I am going to tell you about one that was -sent from the South as a present to a lady whose name was Isabella. He -was called Zip Coon, and a very wise coon he was. - -Zip had a long, low body, covered with stiff yellowish hair. His nose -was pointed, and his eyes were bright as buttons. His paws were regular -little hands, and he used them just like hands. - -He was very tame. He would climb up on Isabella's chair, and scramble to -her shoulder. Then he would comb her hair with his fingers, pick at her -ear-rings, and feel of her collar and pin and buttons. - -Isabella's mother was quite ill, but sometimes was able to sit in her -chair and eat her dinner from a tray on her lap. She liked to have Zip -in her room; but, if left alone with her, Zip would jump up in the -chair behind her, and try to crowd her off. He would reach around, too, -under her arm, and steal things from her tray. - -Once the cook in the kitchen heard a brisk rattling of tin pans in the -pantry. She opened the door, and there, on a shelf, was Zip. There were -two pans standing side by side. One had Indian-meal in it, and the other -nice sweet milk. In front of the pans stood Zippy. - -He had scooped the meal from one pan into the milk in the other pan, and -was stirring up a pudding with all his might. He looked over his -shoulder when he heard the cook coming up behind him, and worked away -all the faster, as if to get the pudding done before he was snatched up, -and put out of the pantry. - -Zip was very neat and clean. He loved to have a bowl of water and piece -of soap set down for his own use. He would take the soap in his hands, -dip it into the water, and rub it between his palms; then he would reach -all around his body, and wash himself. It was very funny to see him -reach way around, and wash his back. - -One day, Isabella, not feeling well, was lying on her bed. Zippy was -playing around her in his usual way. Pretty soon he ran under the bed, -and was busy a long while reaching up, and pulling and picking at the -slats over his head. By and by he crawled out; and what do you think he -had between his teeth? A pretty little red coral ear-ring that Isabella -had lost several weeks before. Zip's bright eyes had spied it as he was -playing around under the bed. So you see Zip Coon did some good that -time. - -When Zip grew older, he became so cross and snappish, that he had to be -chained up in the woodshed in front of his little house. On the door of -his house was printed in red letters, "Zip Coon: he bites." - - HELEN MARR. - - - - -[Illustration] - - - - -THE FUSS IN THE POULTRY-YARD. - - -THERE is no sign of a fuss to be seen in the picture. Little Ellen is -feeding a quiet old hen, and two or three younger ones are slowly coming -up to see what is going on. All is calm and serene. - -But if we could look round a corner, and take a view of the other side -of the barnyard, we should see something quite exciting. - -The trouble was made by three hens of foreign breed. They felt so proud -because they had big tufts on their heads, that they looked down on the -native barn-yard fowls. One old white hen they never cease to pick upon. - -Now, the old white hen, although plain, was very smart. If there was a -good fat worm to be found anywhere, she was sure to scratch it up. This -was what caused the fuss. - -Old Whitey scratched up a worm. Three tufted hens at once tried to take -it away from her. There was a chase all around the barnyard. Old Whitey, -with the worm in her mouth, kept the lead. - -Out she dashed through an opening in the fence. Down she went, down the -hill back of the barn. The three tufted hens, like three highwaymen, -were close upon her. - -Well, what was the end of it? They didn't get the worm; I can tell you -that. But there was a fight, and I can't say that poor Whitey got off -without being badly pecked. - - UNCLE CHARLES. - -[Illustration] - - - - -WHAT'S UP? - - -[Illustration] - -[Illustration] - - WHY does Miss Prim; - So stylish and slim, - Hold up her head so high? - What does she see? - A bird in the tree? - Or is it a star in the sky? - - And here is young Jane - In bonnet so plain: - And why is she looking up too? - Do they seek at high noon - For the man in the moon? - Now, really, I wish that I knew? - - V. W. - - - - -[Illustration] - - - - -MINDING MOTHER. - - - "OROOK, orook, orook!" - It is the half-grown turkeys going, - In the hot sunshine, through the fields; - Their black feet trampling down the mowing. - Across the clover rosy red, - Through the tall brake-leaves in the hollow, - The old hen-turkey, calling, goes; - And close behind the others follow. - "Old birds know best," the young ones say, - "And we let mother choose the way." - - The dancing oats, all tasselled green, - Are full of grasshoppers and crickets; - The raspberry-bushes, red with fruit, - Grow round the rocks in thorny thickets; - The partridge-plants beside the wall - Lift up their clustered purple berries; - And from the wind-stirred branches fall - Upon the grass the small wild cherries: - Just where they are the old hen knows, - And all her noisy brood she shows. - - Why feast all day?--the trodden oats - Will scarce be worth the mowing;-- - "'Tis time," the old bird says, "at last - We home again were going." - Back through the clover-bloom she strides, - Down through the braky hollow: - She flies up on the fence to roost, - And all the others follow. - "We always have," the young ones say, - "When mother leads, a pleasant day." - - MARIAN DOUGLAS. - -[Illustration] - - - - -OUR CHARLEY. - - -CHARLEY was our horse, and a more gentle and kind horse never drew a -carriage. He would carry four boys on his back, and walk off from the -watering-trough to the barn as carefully as if he knew that small boys -could not hold on very well. He seemed to feel that the boys were in his -charge. - -What I am going to tell happened one spring day. It was warm and -beautiful out, and the doors and windows of the house were left open for -the fresh air to circulate freely. Charley was turned into the -front-yard to nibble the green grass for a while. It must have seemed -good to him after eating straw and hay all winter. - -He ate and ate until he had eaten all he wanted, and probably felt as -boys and girls sometimes do when they have room for nothing more, except -pie, or pudding, or whatever the dessert may be. - -In the house dinner was over, and the table was waiting for Katy to come -from the kitchen to clear it off. The family had gone into the -sitting-room, and were busy talking about a ramble in the woods for -flowers, which had been promised us children for that afternoon. - -All at once we heard the tramp of heavy feet passing through the hall -into the dining-room. "Run, Willy," said mother, "and see what is making -such a noise." - -Willy ran out, and came back laughing so he could hardly speak. "It's -old Charley," said he. "He's in the dining-room." We all rushed to the -door, and, sure enough, there stood Charley by the table, eating what he -could find on the platters and children's plates. - -Oh, how we all laughed to see him standing there, as sober as if it were -his own stall and manger! We were willing that Charley should have what -we had left; but it seemed hardly right that a horse should be in the -house; besides, we feared that he might push the dishes off. - -So Willy took him by the mane, and led him out of the house. He went off -chewing what he had in his mouth, and nodding his head, as much as to -say, "That pie-crust and salt are pretty good. If you please, I'll call -again." - - N. T. B. - - - - -[Illustration] - - - - -PEET-WEET.[A] - - - SIR PEET-WEET and his little wife - Live, yonder by the water's edge, - A merry life, a busy life, - A life of love, and not of strife, - Close nestled in the sandy sedge, - Where the great hungry billows gnaw: - A fairy creature is Sir Peet; - Such slender legs you never saw, - Not larger than a barley-straw; - Yet wind and wave are not so fleet. - - While madam sits upon her eggs,-- - Four spotted eggs, a pair for each,-- - He loves to match his nimble legs - Against the breaker as it drags - The sand-drift up and down the beach. - So fast behind the wave he trips, - You hardly see his little feet; - Below him, in the wet sand, slips - His picture, and their toes touch tips, - And their pink bills in kissing meet. - - To see them chasing, you would say - The giant Ocean and his pet - Were let out for a holiday, - Playing at "tag" as children play, - And laughing at the fun they get. - 'Tis more than fun; the big bluff sea - To his small friend brings savory meat: - Peet dines, and hurries, full of glee, - To set his faithful lady free, - That she may run and dance and eat. - - GEORGE S. BURLEIGH. - -[Illustration] - -FOOTNOTES: - -[A] Peet-weet is the common name of the spotted Sandpiper, derived from -its note. - - - - -[Illustration: DRAWING-LESSON. - -VOL. XXX.--NO. 1.] - - - - -MORE ABOUT "PARLEY-VOO." - - -HOW a little boy came to be called by such a queer nickname as -"Parley-voo" was told in the March number of "The Nursery." This is a -story about the same boy. - -"Where's Parley-voo?" asked aunt Tib one afternoon. "I haven't seen him -for a long time." - -"Where can he be?" said mamma, looking concerned. - -"Where _can_ he be?" echoed the French nurse, throwing down her sewing, -and going in search of him. "Where can he be? _Le méchant!_" (She meant -"The naughty little boy.") Then she ran down the walk, calling out, -"Parley-voo, Parley-voo, Parley-voo!" But not a sound came back. - -She went down the lane to the house of the tailoress, where Parley-voo -had sometimes been known to go. "Have you seen our little boy to-day?" -she asked anxiously of the tailoress, who sat at the window, making a -vest. - -The tailoress looked up over her glasses, and laughed. "Why, yes: he's -here," said she; "and I don't know what his mother will say when she -sees him." - -The nurse went up to the window, and looked in. There sat Parley-voo on -a little wooden cricket, and ever so much of his bright, pretty hair--as -much as he could get at--lay on the floor beside him. - -When Parley-voo saw the nurse, he ran into a corner, and hid his face. -The poor nurse was so amazed, that she could hardly speak. How came the -child in such a plight? - -The tailoress told the story as follows. She had gone out to pick some -peas in the garden, leaving her husband, a blind man, in the room with -Parley-voo. He heard the little boy about the room, and, fearing that he -might be in some mischief, told him that he "must not meddle." - -But pretty soon the blind man heard the sound of shears going across the -table. Parley-voo was certainly doing something with the shears. - -"Little boy, you must not meddle," said the blind man again. The noise -stopped. "Ah! the boy does not dare to disobey me," thought the blind -man. - -[Illustration] - -All of a sudden the noise began again; but it was a very different -noise. It was not on the table. The shears went together every little -while with a sharp click. - -The blind man felt very uneasy. "I do wish," he thought, "my wife would -come in and see what the little chap is up to." - -To console himself, the blind man opened his snuff-box and took a pinch -of snuff. What do you think the little chap did? He slyly put in his -finger and thumb, and took a pinch too. And then how he did sneeze! - -The tailoress heard him sneeze, and came in. She saw at once what had -been going on. Parley-voo had been cutting his hair. - -"Oh, my!" exclaimed mamma, when the nurse brought him home. - -"Dear, dear!" cried aunt Tib, "what a looking child!" - -Then the _bonne_ told where she found him, and they looked at his hair, -and talked so much about it, that Parley-voo wished he could sink -through the floor out of sight. And he thought to himself that he would -never again touch any thing he had been told not to. - -The nurse took him up to the nursery, and dressed him all fresh and nice -before his father came home. But the pretty yellow hair was two or three -months growing out. - - ELIZABETH A. DAVIS. - - - - -BABY'S RIDE. - - - CLEAR the way all, move the playthings aside, - Baby is having a glorious ride: - See! from the hall he comes galloping in, - Dimpled hands folded beneath papa's chin. - - Golden curls flying, fat cheeks all aglow, - Three pearly teeth peeping out in a row: - Hark! how he crows, and laughs out in his glee! - Never was baby more happy than he. - -[Illustration] - - Now he goes trotting along to the town, - Far away, far away, up hill and down; - Back to mamma then as quick as he can, - There's a good ride for papa's little man! - - RUTH REVERE. - - - - -THE OLD PUMP. - - -THIS is the pump that stands in the field near our house. The well is -very deep, and the water is pure and cold. There is a trough at which -the cows and horses often come to drink. - -[Illustration] - -Bridget goes to the pump two or three times a day to get a pail of -water. It is quite a task to bring it so far. But Bridget's arms are -quite strong. She takes all the care of the hens and cows and pigs. - -[Illustration] - - T. S. R. - - - - -[Illustration] - - - - -WINTER ON LAKE CONSTANCE. - - -THE Lake of Constance, which lies between Switzerland and Germany, is -seldom frozen over. The last time it was frozen was in December, 1879. -Before that, it had not been frozen over since 1829. - -People came from far and near to see it and to skate on it. The lake was -black with skaters who were gliding over its surface. - -Men, women, and children alike shared the fun. There had not been such -skating before for fifty years, and it is no wonder that they made the -most of it while it lasted. - -In January a warm wind blew for two days: the huge masses of snow -melted, and the little brooks were once more set running down the -mountain-sides. But winter was soon back again with redoubled severity, -bringing fresh snow and severer frost, and thus keeping the lake frozen. - -On Candlemas Day (the second day of February) there was a grand festival -on the ice. The peasants came from far and near. There were thousands of -them there. In the evening there was a grand illumination, and after -that there were fireworks, and then a dance on the ice. - -In summer the water of Lake Constance is of a dark green color. The -River Rhine enters it at the western end, and flows out at the eastern -end. The lake is about forty-four miles long and nine miles wide. - -The view of the frozen lake from the mountains is said to have been very -fine. As you looked down on its smooth glittering surface, the skaters -moving over it appeared like mere specks, while the houses in the -village were like doll-houses. - - LEONORA, from the German. - - - - -SWAN-UPPING. - - -HERE we have a picture that tells its own story. It reminds me of some -swans in my native island, England, and of a curious custom called -"swan-upping." - -Some miles from London, on one of the most beautiful parts of the River -Thames, a great number of swans are kept, which are owned by the Dyers' -and Vintners' Companies. - -The owners value them so highly, and take such care of them, that they -have about as nice a time as any birds could wish to have. I fancy that -these Thames swans hold their heads higher, and feel prouder, than any -other swans in England. - -[Illustration] - -They build their nests in the osier-beds, by the side of the river, but -out of the reach of the water. These nests are compact, handsome -structures, formed of osiers, or reeds. - -Every pair of swans has its own walk, or district, within which no -other swans are permitted to build. Every pair has a keeper appointed to -take the entire charge of them. - -The keeper receives a small sum for every cygnet that is reared; and it -is his duty to see that the nest is not disturbed. Sometimes he helps -these lordly birds by building the foundation of the nest for them. - -Once a year, in August, the swans are counted and marked. This is called -"swan-upping," and a good time it used to be. In gayly decorated barges, -with flags flying, and music playing, the city authorities came up the -river to take up the swans and mark them. - -[Illustration] - -The "upping" began on the first Monday after St. Peter's Day. But, -before the swans could be taken up, they had to be caught. This was no -easy matter; for the swans are strong; and often they would lead the -uppers a hard chase among the crooks of the river. - -The mark of the Vintners' Company is two nicks: hence came the -well-known sign on so many inns in England, "The Swan with Two Necks," a -corruption from "two nicks." - -These "Thames swans" are very beautiful birds, and well worth a trip up -the river to see: so I hope, that, if ever the little readers of "The -Nursery" take a trip to England, they will visit Hurley in Bucks, and -there they will find "The Swans with Two Nicks." - - B. P. - - - - -THE MAN IN THE MOON. - - -I KNOW two children,--a little girl named Helen, and a little boy named -Lewis. Sometimes in the evening, after tea, they come to me, and say, -"Papa, will you be the man in the moon and take us all a-sailing?" - -Then I get into the rocking-chair, take Helen on one knee and Lewis on -the other, and as they lean on my breast, with their eyes shut, I rock -and talk to them thus:-- - -"Here we are up in the sky on the moon. Oh, how high we are! Below us -see the clouds blown about like feathers. Here we are safe and sound in -the moon. Look down, and see the trees on the earth. There's where the -birds are going to bed. Do you see that streak that looks like a silver -ribbon? That is a river flowing to the sea. Now we are over the ocean. -You can see our moonlight like great plates of silver all over it. See! -there comes a ship all white. It looks as if it had its nightdress on. - -"Here we are over a town. How beautiful the streets look with gas-lamps -burning! And see all the pretty things in the shop-windows. I know what -Helen is looking at. It is the big doll dressed in silk and satin. I -know what Lewis is looking at. He is looking at the ginger-bread. - -"Oh! now we are just over a little white house. I can see through the -window a man with two children in his lap. Oh, dear! he's going to do -something dreadful with them." - -"What's that?" asks Helen. "Put them to bed," I say. But Lewis says -nothing. He is fast asleep. - - HIERONIMUS. - - - - -THE BOY AND THE CAT. - - -SEE this small boy on the kitchen-table. How did he ever get up there -with such little short legs? And what is he looking at? - -[Illustration] - -He is looking out of the window. He sees a cat on the sill outside. It -is an old strange cat. - -The little boy is fond of kittens; but he does not like cats. He is not -polite to the strange cat. - -"What do you want here?" he says. "Why do you stare at me so? Do you -want to eat me? I'm not a mouse. Go away!" - -The cat answers with one word, "Mew!" - -"What do you say?" asks the boy. "Are you cold? Do you want to come in? -Do you want some milk?" - -And all that the cat says is, "Mew!" - -"Go away!" says the boy again. "My mother does not like strange cats. I -do not like strange cats. If you are hungry, go and catch a rat. You -can't come in here." - -[Illustration] - -The cat does not budge an inch. But still she answers with a pitiful -"Mew!" - -Cats cannot talk; but they can think. This cat looks in at the window -and sees the boy. This is what she thinks. - -"That boy looks like a boy that I knew when I was a kitten. I was a pet -then. Now I am a cat without any home. Nobody cares for me. I go from -house to house; but nobody takes me in. I wonder if I can't make that -little boy take pity on me. I will try. - -"Ah! he treats me like everybody else. He tells me to go away. Pretty -soon he will say, 'Scat!' and throw water on me. No: he will not do -that. He is so much like the little boy who used to pet me when I was a -kitten, that I will not run away from him. I will beg to be let in." - -So the cat sat still and said, "Mew!" - -[Illustration] - -And the cat did not make a mistake. The little boy did take pity on her -at last. He toddled off to his mother as fast as his legs would carry -him, and got a pan of milk, which he set on the floor. - -His mother opened the window for him, and the strange cat came in. How -eagerly she lapped up the milk! She was really a very nice cat. The -little boy soon began to make a pet of her. - -And the cat was happy, and the boy was happy; and I don't know which was -the happier of the two. - - UNCLE SAM. - - - - -BABY-BROTHER. - - - THIS is my baby-brother, - Just one year old to-day: - He cannot talk, he cannot walk; - But he can laugh and play! - -[Illustration] - - Step out now, baby-brother, - And use your feet so small; - Oh, never fear! while I am here, - You shall not have a fall. - - W. G. - - - - -UNDER GREEN LEAVES. - -Words by IDA FAY. - -Music by T. CRAMPTON. - - -[Illustration: Music] - - 1. The birdies are merrily singing; - And Minnie is merrily swinging; - And Minnie is merrily swinging; - Safe from the forest tree, . . . - Hangs the swing you may see; - And the breeze a sweet odor is bringing, - Under green leaves so free. - - 2 Hold tight to the ropes, little lady, - || All round us is pleasant and shady; || - And now we will not go, - Where the sun scorches so, - But will stay in the grove, little lady, - Where the cool streamlets flow. - - 3 You sit the swing well I am thinking, - || Your eyes, as you rise, never blinking; || - You're brave, you little girl, - But your hair's out of curl; - Very soon at the glass you'll be prinking; - Smoothing each glossy curl. - - * * * * * - -Transcriber's Notes: Obvious punctuation errors repaired. - -The original text for the July issue had a table of contents that -spanned six issues. This was divided amongst those issues. - -Additionally, only the July issue had a title page. This page was -copied for the remaining five issues. Each issue had the number added on -the title page after the Volume number. - - - - - -End of Project Gutenberg's The Nursery, July 1881, Vol. XXX, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, JULY 1881, VOL. XXX *** - -***** This file should be named 42156-8.txt or 42156-8.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/1/5/42156/ - -Produced by Emmy, Juliet Sutherland and the Online -Distributed Proofreading Team at http://www.pgdp.net Music -transcribed by Veronika Redfern. - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/42156-8.zip b/42156-8.zip Binary files differdeleted file mode 100644 index 05b75c5..0000000 --- a/42156-8.zip +++ /dev/null diff --git a/42156-h.zip b/42156-h.zip Binary files differdeleted file mode 100644 index 86a734c..0000000 --- a/42156-h.zip +++ /dev/null diff --git a/42156-h/42156-h.htm b/42156-h/42156-h.htm index ae15006..ccb8487 100644 --- a/42156-h/42156-h.htm +++ b/42156-h/42156-h.htm @@ -89,44 +89,9 @@ </style> </head> <body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 42156 ***</div> -<pre> - -The Project Gutenberg EBook of The Nursery, July 1881, Vol. XXX, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: The Nursery, July 1881, Vol. XXX - A Monthly Magazine for Youngest Readers - -Author: Various - -Release Date: February 22, 2013 [EBook #42156] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, JULY 1881, VOL. XXX *** - - - - -Produced by Emmy, Juliet Sutherland and the Online -Distributed Proofreading Team at http://www.pgdp.net Music -transcribed by Veronika Redfern. - - - - - - -</pre> <p><span class="pagenum"><a name="Page_i" id="Page_i">[i]</a></span></p> @@ -1409,374 +1374,7 @@ the title page after the Volume number.</p></div> -<pre> - - - - - -End of Project Gutenberg's The Nursery, July 1881, Vol. XXX, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, JULY 1881, VOL. XXX *** - -***** This file should be named 42156-h.htm or 42156-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/2/1/5/42156/ - -Produced by Emmy, Juliet Sutherland and the Online -Distributed Proofreading Team at http://www.pgdp.net Music -transcribed by Veronika Redfern. - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -</pre> +<div>*** END OF THE PROJECT GUTENBERG EBOOK 42156 ***</div> </body> </html> diff --git a/42156.zip b/42156.zip Binary files differdeleted file mode 100644 index 0b323c1..0000000 --- a/42156.zip +++ /dev/null |