summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--42076-0.txt (renamed from 42076.txt)416
-rw-r--r--42076-8.txt3181
-rw-r--r--42076-8.zipbin40649 -> 0 bytes
-rw-r--r--42076-h.zipbin316633 -> 0 bytes
-rw-r--r--42076-h/42076-h.htm444
-rw-r--r--42076.zipbin40612 -> 0 bytes
6 files changed, 29 insertions, 4012 deletions
diff --git a/42076.txt b/42076-0.txt
index 43670e1..f8c681e 100644
--- a/42076.txt
+++ b/42076-0.txt
@@ -1,35 +1,4 @@
-The Project Gutenberg EBook of Contrasted Songs, by Marian Longfellow
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Contrasted Songs
-
-Author: Marian Longfellow
-
-Release Date: February 11, 2013 [EBook #42076]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CONTRASTED SONGS ***
-
-
-
-
-Produced by Greg Bergquist, Mary Akers and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
+*** START OF THE PROJECT GUTENBERG EBOOK 42076 ***
Transcriber's note:
Minor spelling and punctuation inconsistencies been harmonized.
@@ -460,7 +429,7 @@ A SONG IN THE EVENING
Yet love and life were both in vain
Were duty not a flower
- That springs beneath the blessed rain
+ That springs beneath the blesséd rain
To crown Life's darkest hour!"
Not unto me a bird, that eve,
@@ -1181,7 +1150,7 @@ THE CHIMES
Beside Lake Como's lovely breast.
A savage horde o'erran the land
- And bore away the prized chime;
+ And bore away the prizéd chime;
Afar from peaceful Como's side,
To some unknown and distant clime.
In vain the artisan complained
@@ -1392,7 +1361,7 @@ THE OLD CEMETERY
Lo! half way up the hill I pause
To turn within the ancient gate
- And enter ground now hallowed!
+ And enter ground now hallowéd!
The silent city where they wait
In perfect rest till He shall bid
Them rise who now in sleep are laid;
@@ -1560,7 +1529,7 @@ of Press Clubs, June 3, 1897.)
For saving grace; mayhap for withering blight!
Thy brimming cup of service should be still
The draught to lift a weary world to light.
- Thy arm should raised be in noble strife;
+ Thy arm should raiséd be in noble strife;
Thy steady hand still wield the trenchant pen;
Thus all of light and grace and noble life
Shall call thee forth from hearts of fellowmen!
@@ -1713,7 +1682,7 @@ GRAND MANAN
Thy memory shall remain.
My feet must tread in other paths
- Than this beloved land,
+ Than this belovéd land,
And other footprints in their turn
Shall press this shining sand.
@@ -1779,7 +1748,7 @@ WHERE THE SHADOWS PLAY
Where the long reach of shadows play,
And placid waters murmur by
I dream throughout the summer day
- Nor note the hours that winged fly.
+ Nor note the hours that wingéd fly.
Hushed is the voice of sordid trade,
And e'en the birds' sweet song is stilled;
While all the cares that Life hath made
@@ -2127,7 +2096,7 @@ SOME DAY
My soul shall speed her way to light,
I shall no more this garb of clay
(Beneath whose weight I sink opprest)
- Bear with me; but, oh blessed day,
+ Bear with me; but, oh blesséd day,
Find all denied in life of rest!
Some day! ah, how my heart doth cry
@@ -2162,7 +2131,7 @@ LAKE WINNEPESEOGEE
Sinks beneath twilight's gathering pall.
Thy changing beauties quickly glide
- Successive past th' entranced eye,
+ Successive past th' entrancéd eye,
While hills around, in regal pride,
Reflected in thy waters lie.
@@ -2212,7 +2181,7 @@ JESUS OF NAZARETH PASSETH BY
Then--leaving His blessing upon each brow--
Jesus of Nazareth passeth by!
- Joy that we sat at His blessed feet!
+ Joy that we sat at His blesséd feet!
Joy that He hears e'en the faintest sigh!
Loudly our lips exultant repeat--
"Jesus of Nazareth passeth by!"
@@ -2236,7 +2205,7 @@ NEARER MY REST
Nearer my rest! and as I journey on
Grant me, dear Lord, (my angel-guides to be,
To keep and help me ere that rest be won),
- Patience, and Faith, and blessed Purity.
+ Patience, and Faith, and blesséd Purity.
These guides, I pray Thee, each Thine attribute,
And thou, O Lord, my shield and armor bright;
@@ -2302,7 +2271,7 @@ SORROW
But now I know thee as thou art,
O Face divine that lookest down
- Upon my life and bruised heart;
+ Upon my life and bruiséd heart;
And fear of thee fore'er hath flown!
Thou shalt walk with me, as I know,
@@ -2448,7 +2417,7 @@ LEXINGTON
God is the helper of the right!"
So sped the word at Lexington,
While hurrying from peaceful plow
- To war's red-stained field they came.
+ To war's red-stainéd field they came.
Not theirs 'neath tyranny to bow;
Not theirs a country's death and shame;
But to go on to greater height
@@ -2821,361 +2790,4 @@ CONSOLATION
End of the Project Gutenberg EBook of Contrasted Songs, by Marian Longfellow
-*** END OF THIS PROJECT GUTENBERG EBOOK CONTRASTED SONGS ***
-
-***** This file should be named 42076.txt or 42076.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/2/0/7/42076/
-
-Produced by Greg Bergquist, Mary Akers and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
+*** END OF THE PROJECT GUTENBERG EBOOK 42076 ***
diff --git a/42076-8.txt b/42076-8.txt
deleted file mode 100644
index 2c833dd..0000000
--- a/42076-8.txt
+++ /dev/null
@@ -1,3181 +0,0 @@
-The Project Gutenberg EBook of Contrasted Songs, by Marian Longfellow
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Contrasted Songs
-
-Author: Marian Longfellow
-
-Release Date: February 11, 2013 [EBook #42076]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CONTRASTED SONGS ***
-
-
-
-
-Produced by Greg Bergquist, Mary Akers and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
-
-Transcriber's note:
- Minor spelling and punctuation inconsistencies been harmonized.
- The original use of accented words has been retained. Italic
- text has been marked with _underscores_.
-
-
-
-
-[Illustration]
-
-
-
-
- CONTRASTED SONGS
-
- BY
-
- MARIAN LONGFELLOW
-
- [Illustration]
-
- BOSTON
- RICHARD G. BADGER
-
- The Gorham Press
- 1905
-
-
-
-
- Copyright 1904 by MARIAN LONGFELLOW
-
- All Rights Reserved
-
- Printed at
- THE GORHAM PRESS
- Boston, U. S. A.
-
-
-
-
- In Perpetual and Loving Remembrance of
-
- M. P. F.
-
- Who Has Gone Before,
-
- and of
-
- E. T. L.
-
- Who Still Walks with Me,
-
- These Songs are dedicated by
-
- The Author
-
-
-
-
-PREFACE
-
-
-In presenting to the public the within collection, some of which were
-published originally under the _nom-de-plume_ of "Miriam Lester," I
-have had to go into the highways and byways to gather the children who
-had strayed into various paths.
-
-Some have been easily found in books of which they were a part, and I
-desire to thank the editors of "The Library of Religious Poetry," the
-family of the late Charles Henshaw Dana, of Worcester, Mass., the
-Boston "Herald," and others for permission to use such.
-
-The task of gathering the children who made their debut within the
-columns of the Boston "Transcript," the Eastport "Sentinel," the
-Washington "Post," the "Saturday Gazette" (Boston), and other
-journals, has been no light task, and some are still straying beyond
-my ken.
-
-Among these "Contrasted Songs" I trust that the reader will find
-something to which the heart may respond.
-
- Faithfully yours,
-
- MARIAN LONGFELLOW.
-
- Washington, D. C.
-
-
-
-
-CONTENTS
-
-
- Page.
-
- A Song of the Sea 11
-
- The Spirit of the Water 12
-
- With the Tide 13
-
- Grand Manan 14
-
- Leeward 15
-
- A Song in the Evening 19
-
- Meadow Bloom 21
-
- The Iris 23
-
- Liebeslied 27
-
- Longing 27
-
- On the Sea 29
-
- The Red Rose 30
-
- The Maiden and the Boat 30
-
- My Ship 32
-
- An Old Song 33
-
- To Miss H., Wearing a Rose 34
-
- The Cloud 35
-
- Sehnsucht 36
-
- Selection 38
-
- The Mansion that Endured 41
-
- The Chimes 44
-
- Francis Coster's Story 48
-
- The Old Cemetery 53
-
- Lines on Immortality 54
-
- A Dream 54
-
- On Empyrean Heights 56
-
- A Little While 61
-
- Reverie 62
-
- Heimweh 64
-
- Grand Manan 65
-
- Madeleine 66
-
- Where the Shadows Play 67
-
- A Valentine 68
-
- The Martins 69
-
- Never Again 70
-
- Hadst Thou Denied 72
-
- Why Should I Remember if you Forget 73
-
- To H. N. T. 74
-
- And They Shall Rise Again 77
-
- Mine Onward Path 78
-
- After Many Days 79
-
- Some Day 80
-
- Lake Winnepesogee 81
-
- Jesus of Nazareth Passeth By 82
-
- Nearer My Rest 83
-
- So Many Years 83
-
- Sorrow 84
-
- Unknown 85
-
- Our Birthright 89
-
- Lexington 89
-
- O Land of our Birth 91
-
- Our Flag 92
-
- The National Flower 94
-
- Roll Muffled Drums 97
-
- The Dead Musician 98
-
- The Nation Weeps 100
-
- In Memoriam 101
-
- In Memoriam 102
-
- Consolation 103
-
-
-
-
-SONGS OF THE SEA
-
-
-
-
-A SONG OF THE SEA
-
-
- The mystic sea is singing its golden song to me;
- I bend to catch its murmur in silent ecstasy;
- Till, as the music ringeth in sweet and solemn tone,
- An answering echo waketh a music all mine own!
-
- The sea sings softly, softly upon my listening ear,
- And still its notes fall ever in cadence full and clear.
- The song that waxeth stronger within my beating heart
- Seems but a second measure--seems of the sea a part!
-
- And far from all the burdens that day brings in its train,
- My soul hath found Elysium--renews its youth again!
- I hear the golden billows beat on the rock-bound shore,
- And still my heart is singing that sweet song o'er and o'er!
-
- O happy Youth, how quickly the sands of life have run!
- The shades of eve are falling ere yet the day is done!
- The golden sea eternal beats loud and strong and free,
- And bears upon its bosom a joy eternally!
-
-
-
-
-THE SPIRIT OF THE WATER
-
-
- 'Tis the Spirit of the Water! it breathes upon the sea;
- As phantom in its motions it glides mysteriously!
- I see the snow-clad islands that deck the opal bay,
- And the Spirit of the Water now robed in mist and spray.
- The charm that clings eternal to ocean fills my soul,
- As mist-wreathed waves in grandeur pass on unto their goal!
- Ye phantoms on Life's ocean! how like the mist ye seem,
- As backward turneth memory across Life's glow and gleam!
- For ye figure forth Life's pleasures, its cares, its tears and pain,
- And recall with all their glamour Youth's joyous dreams again!
- While still the fateful presence glides on across the wave,
- Nor lifts its veil of mystery until we reach the grave!
- O speak! is it endeavor, or is it blighted faith?
- Or is it but the passing of pain--this silent wraith?
- We know not, oh, we know not here, for o'er Life's restless sea
- We too glide on, as phantoms all, this side Eternity!
-
-
-
-
-WITH THE TIDE
-
-
- Calm seas that lie 'neath summer skies
- And mirror back those skies to me,
- Upon whose breast white sails arise
- And glide like spirits grand and free.
-
- Calm seas beneath whose hidden deep
- Are wonders far beyond my ken,
- There, rocked in murmuring currents, sleep
- The secrets not revealed to men!
-
- Peace, like a white-winged dove descends
- And hovers o'er the waters bright,
- While glory of the sunset blends
- With tones of the approaching night.
-
- My glad soul bids thee welcome, and
- Goes forth upon the ocean's tide!
- Far from the care that fills the land,
- To where my spirit would abide!
-
- Till, as the cares of day depart
- And the glad sea its greeting calls,
- I rise unshackled, strong of heart,
- And from my life the burden falls!
-
- Thus in this quiet nook I find
- All that I longed and sought in vain
- In the world's haunts, my soul to bind,
- And, seeking, found but grief and pain.
-
- Now, like a blessing falls thy grace,
- O grand, beloved, glorious sea!
- Drawn by thy message, face to face,
- My longing greets thy mystery!
-
-
-
-
-GRAND MANAN
-
-(1881)
-
-
- O solemn cliffs of Grand Manan!
- In silent might ye rise,
- As bounded by th' eternal sea
- And by the azure skies!
-
- Like a proud soul that stands apart,
- Unknown, unloved, unsought,
- Ye guard your stronghold silently
- Through many battles fought.
-
- The sea-gull sweeps across your wall,
- And seaward shapes his course!
- While at your feet the waves beat loud
- In measure wild and hoarse.
-
- O solemn heights! O grand and calm!
- Ye hold my heart in thrall!
- And not a sound is heard beyond
- The ocean's rise and fall.
-
- But as the waves beat strong and loud
- Upon your rugged shore,
- Through it the sea's sad monotone
- I hear forevermore!
-
- The sunset glow hath kissed your heights,
- As loth to leave you yet;
- And, bathed in glories red and gold,
- The eve and you have met.
-
- The boat speeds on--we may not stay,
- But from my brooding heart
- Your image, while this life remains,
- Can nevermore depart!
-
-
-
-
-LEEWARD
-
-
- O for the bounding wave, and the salt, salt spray on my face!
- For the sweep of the filling sail, and its free, untrammeled pace!
- For the life that hath no bound to its path but the open sea;
- For the soul as free as air, that by right belongs to me!
- For power to cast aside these fetters dark and strong,
- To bound over heaving deep--and no more to feel the thong
- That cuts through the quivering heart and the restless soul, as well!
- I yearn for a fuller life, with a might I cannot quell!
- O for the bounding wave, and the salt, salt spray on my face!
- For the strength to grasp and hold the plan of a waning race.
- For might to compel the tide in its turn to serve my will,
- That my heart of the fountain deep, may drink to the brim its fill!
-
-
-
-
-SONGS OF THE FIELDS AND WOODS
-
-
-
-
-A SONG IN THE EVENING
-
-
- O sweetest bird that ever sang
- In notes of wild rejoicing;
- Thine even-song as first it rang,
- Was thrilling in its voicing!
-
- I felt thy rapture as I heard
- Thy song in all its beauty;
- To me it scarce seemed but a bird;
- 'Twas life, and love, and duty!
-
- I could not see thy tiny form,
- As softly closed the gloaming;
- And like a wanderer in the storm
- My heart was blindly roaming.
-
- While, as thy song rang pure and clear
- O'er sweet smell of the haying,
- Mem'ry sped back through many a year,
- Both light and shade displaying.
-
- And still thy notes of reed-like tone
- Came clear o'er mead and river,
- With tender meaning all its own,
- And trilled and trilled forever!
-
- "O heart," it sang, "let thine own life
- Become a song to others,
- That thou mayst count them in the strife
- Not alien, but as brothers!
-
- Sing on, sing on, thy notes repeat,
- Sing life, and love, and duty,
- That mystic three whose names replete
- Are e'er with heavenly beauty.
-
- Sing life, the gift of ray divine
- That pierced the gloom of even;
- The first upon our path to shine,
- A heritage of Heaven!
-
- And love--oh, what were life without
- This second gift eternal,
- That bids the glad earth blossom out
- In summer's garb supernal!
-
- Yet love and life were both in vain
- Were duty not a flower
- That springs beneath the blesséd rain
- To crown Life's darkest hour!"
-
- Not unto me a bird, that eve,
- In notes of earth was singing,
- But a pure voice its way did cleave
- From Heaven its message bringing!
-
-
-
-
-MEADOW BLOOM
-
-
- My one wee bud that grows in the meadow,
- Far apart from the flaunting garden blooms,
- Afar, where the brook and birds are singing,
- And the soft noon haze o'er the distance looms.
-
- My one wee bud, but to grow so bravely
- Where the rushes rise from the moorland green,
- Where birds skim close o'er the grassy billows
- And the low breeze murmurs its plaint between.
-
- * * * * *
-
- My one wee song I sing in the even,
- When the home doth gather its loved ones close,
- And the world's afar and hearts grow nearer,
- And the jar of life sinks into repose.
-
- My one wee song, like a flower growing
- In this life of mine that were else so bare!
- Ah! shalt thou go forth to do my bidding--
- My love, shall he cull it as blossom fair?
-
- Ah! flower and song, be this thy meaning,
- Thy mission of love in the world is clear;
- The grace once born of seed sown in shadow
- Shall bloom in the hearts that now hold thee dear!
-
-
-
-
-A SONG OF THE AUTUMN
-
-
- Scarlet and gold and crimson,
- Their banners flung to the breeze,
- Like monarchs' brilliant vesture
- The ranks of the maple trees.
-
- Golden and brown and russet
- The oaks in their Autumn dress;
- Soldiers in ranks deploying,
- To the front they onward press.
-
- Pale in their coats of yellow,
- Tinged and with orange flecked,
- The chestnuts on the hillside,
- As with royalty bedecked.
-
- Scarlet and gold and crimson,
- And golden and russet brown;
- Pale with a sun-kissed yellow
- Are the leaves now fluttering down.
-
- Garb of the season's bringing,
- Majestic it decks the hills,
- And Autumn's lavish splendor
- The soul with its beauty fills.
-
-
-
-
-THE IRIS
-
-
- Adown the grassy hill they come,
- To greet me, every morn;
- Those little maids (in Norman caps)
- Of joy and spring-time born.
-
- They march demurely, side by side,
- How many pair there be!
- Far as mine eye can reach, their forms
- In green and white I see.
-
- Each sister wears with youthful grace
- Her snowy Norman cap,
- And in the long procession there
- I see no pause or gap.
-
- And so, I watch to see them come
- As morn by morn I pass,
- The green of shimmering robe and glint
- Of snow within the grass.
-
- They never speak and yet they nod
- A friendly greeting there,
- And all their beauty round me seems
- A fragrance in the air.
-
- I speak to them? Oh, yes, I speak
- And lovingly I bid
- Them welcome every summer morn,
- Those maids with downcast lid!
-
- They are so modest, pure and fair;
- They are so very sweet,
- I fain would linger there and call
- Them clustering round my feet.
-
- Far backward in the view my eyes
- The slow procession see,
- And yet they never leave the path
- Nor can they speak to me.
-
- 'Tis the flag-lily growing tall
- Amid the meadow grass;
- The Iris, as we often call
- Each snowy-snooded lass.
-
- In couples stately, there they stand
- As far as eye can scan,
- And round them waves the nodding grass
- As homage due from man.
-
- They stand a line of vestals pure,
- Or each a sweet-faced nun;
- While on each snowy cap there falls
- The radiance of the sun.
-
- Although the power of speech may not
- Be theirs in worldly phrase,
- They teach a lesson just as true,
- And just as full of praise.
-
- In their allotted path they walk,
- And fill their destined end,
- Their beauty gladdens every eye,
- As down the hill they wend.
-
- O flower-sisters, if ye make
- One heart in rapture rise;
- If ye but waken one pure thought
- To bloom in Paradise.
-
- Then have your lives, though brief, as boon
- To mortal man been given,
- To draw from earth his sordid thoughts
- And bid them rest on Heaven!
-
-
-
-
-LIEBESLIEDER
-
-
-
-
-LIEBESLIED
-
-
- Like a frail shell on the breast of the ocean
- Sways now my heart to the rhythm of thine!
- Cradled, is borne on the crest of emotion,
- Sinks in the deep of a languor divine!
-
- And as the shell the wild waves onward carry,
- So doth thy love bear my heart to its shore!
- Here on its golden sands blissful to tarry
- Held in thy fond clasp to wander no more!
-
- Lay thy dear lips to my lips, oh my lover,--
- Read in mine eyes all my tongue may not tell!
- Love, as a bee, gaily sips (gallant rover!),
- Rove thou no more--nay, I yield to thy spell!
-
-
-
-
-I
-
-LONGING
-
-
- Oh, to be out on the Ocean! where the waves beat wild and free,
- Where there's naught 'twixt the sky and billows but the boat,
- and you, and me!
- Where the winds with their touch caress us, and the sea-gulls sweep
- on high,
- And the bell, from its rocky outpost, sends forth its warning cry!
-
- Oh, to be out on the Ocean! with the cold, salt spray to dash
- Athwart the bows of the vessel, and foaming, to merrily lash
- The boat to freer effort, as she plunges a-thrill with life
- O'er the crest of the bounding billows and above their surging strife!
-
- Oh, to be out on the Ocean! with no heart 'twixt you and me!
- With no bond that must bind forever here, but strong and brave
- and free!
- With the song of grand old Ocean, as it lulls us on its breast,--
- With the thought of a perfect union, and of perfect love and rest!
-
- Oh, to be out on the Ocean! although storms rise dark and strong,
- Though by wind and by wave through the tempest we sweep our way along;
- Till the stars come out in the Heavens, and the wind has sunk to rest,
- And I list to words of comfort as I lean on your faithful breast!
-
- Oh, to be out on the Ocean! and to leave the din and strife,
- To taste but once more of freedom and to drink of the wine of life!
- Oh, to be out on the Ocean! where the waves beat wild and free,
- With naught 'twixt the sky and the billows but the boat,
- and you and me!
-
-
-II
-
-ON THE SEA
-
-(The Answer)
-
-
- We are sailing over the crest of the billow,
- Afar from the world and its sorrow and pain;
- While I on thy soft breast my head now may pillow
- And lull me to rest and to peace once again!
-
- Nay, Love, how thy heart in its prison is beating!
- It throbs 'neath mine ear as a fluttering bird;
- While swift to my lips comes thy low song, repeating
- The lilt of the waves, in a measure half-heard!
-
- "For oh! to be out on the Ocean, the Ocean,--
- And oh! to be far from the world, Love, with thee!"
- It rises and falls with the waves' rhythmic motion,
- Is filled with night's balm as with starbeams the sea!
-
- "With naught 'twixt the sky and the billows"--now singing
- The words keep repeating the tender refrain--
- "But the boat,"--comes once more in cadence clear ringing,--
- "'Twixt the sky and billows"--I hear it again!
-
- Now, "save thee and me"--falls the song in its measure
- Across the wide Ocean of thought, love, from thee,
- And I know to my heart's deep, mysterious treasure,
- Thy love, like a bird, flies to harbor with me!
-
- Nay, how could we dream that o'er Time's trackless ocean
- Thy soul, thus responsive, should answer to mine?
- Or, that out of the chalice of silent emotion
- My heart drink in equal communion with thine!
-
-
-
-
-THE RED ROSE
-
-
- I pinned a red rose o'er my heart,
- The rose my lover gave to me,
- With many vows and tender words,
- My love, my own, I love but thee.
-
- I wore the red rose o'er my heart,
- That summer day with gladness,
- And knew not doubt nor haunting care,
- Nor slightest touch of sadness.
-
- But ah! a thorn's within my heart,
- A thorn of false love's planting,
- Deceit had pressed its bitter sting,
- My life forever haunting.
-
- I took the red rose from my heart,
- No more, oh love, 'tis blowing,
- The thorn lies deep within my breast,
- Where never sign is showing.
-
-
-
-
-THE MAIDEN AND THE BOAT
-
-
- A fair little boat went sailing the sea,
- Far over the bright blue wave;
- And she dipped and curt'sied, gay and free,
- As became a craft so brave.
-
- A blithe young maiden a song of love
- Sang out on the summer air;
- The birds took the notes, on their boughs above
- And answered her, cheerily, there!
-
- As the boat went out and over the bar
- The white sails set to the breeze,
- Her clear song followed on pinions afar;
- The birds sang forth from the trees.
-
- * * * * *
-
- O boat in your path to the rising sun,
- To that land beyond the sea,
- Pray, what is the cargo,--your journey done--
- You will bear her, if Fate decree?
-
- For you take her heart (on your snowy deck)
- Where Love is now High Priest,
- And you take her troth--may there be no wreck,
- No tempest out of the East!
-
- Will you bring her the perfect love she gave,
- And keep it unsoiled and true?
- Will you bring her a heart as strong and brave
- As the one she gives to you?
-
- Else what does it matter if wreck betide;
- Or the sun go down in cloud?
- It were better for her, this day, you died
- Than that Love should wear a shroud.
-
- It were better far that her song were mute,
- To swell forth a later day;
- For Love that hath never a constant root
- Must fade and wither away.
-
- So boat sail on, if you be not true;
- And maiden, oh hush that song!
- For the years that are coming swift to you
- Bear a dearer love along!
-
-
-
-
-MY SHIP
-
-
- One day I cast my lot upon the troublous tides of life,
- And ventured all my hoarded love upon its fitful strife.
- On one frail mortal like myself I set the store of years,
- And freighted well the ship that day with all my hopes and fears.
- With all my hopes (for fears were not, upon that happy day),
- And never sign of cloud uprose above my sunlit way!
-
- Ah, me! can life e'er bring again such perfect trust as this,
- Such eager hopes, such joyous dreams of ever present bliss?
- My ship sailed forth--to many a storm she bared her gallant breast
- And still she sails the wide, wide seas, but never finding rest.
- One day! Ah, me! 'tis years ago since first I saw her sail,
- And sent my prayers and tears for her above the gathering gale!
-
- Will she come back, my noble ship, and captain brave and crew
- Of joys and hopes and high resolves, of love both deep and true?
- Or, solemn thought! shall she ne'er find the haven here below,
- But anchor in the "silent land," beyond Life's ebb and flow,
- Beyond vain fret and fond regard, and strivings e'er to see
- The reason why so oft denied our dearest hopes should be!
-
-
-
-
-AN OLD SONG
-
-
- "Drink to me only with thine eyes, and I will pledge with mine,"
- I read in this old song, anew, this living love of thine!
- The old, old song that in the days now swift and sure are fled,
- Recalls its sparkle and its mirth, oblivious of its dead!
-
- It served to bear as lover's gift all tender thought and true,
- It wove among the garlands sweet red roses, never rue!
- "Drink to me only with thine eyes," ay with thy tender eyes--
- And read in mine, half-veiled from thee, my own heart's sweet surprise!
-
- "And I will pledge with mine," dear love, yea, pledge a thousand-fold
- The hours of life that thou alone in mem'ry shalt enfold.
- Only within thy dark, grave eyes would I be mirrored now,
- And only from thy folded lips learn love's own cherished vow.
-
- "Drink to me only with thine eyes, and I will pledge with mine!"
- While overhead, above life's stream, shines out love's star divine.
- And life no more is dark and drear, and storms no more may break
- Where love's own glorious light shines forth and bids the heart awake!
-
-
-
-
-TO MISS H., WEARING A ROSE
-
-(May 13, 1890)
-
-
- O happy rose that bloometh upon her gentle breast!
- Of all thy joyous hours, this is, in truth, the best!
- Not sweeter is thy fragrance upon the balmy air
- Than her pure spirit sheddeth, so blithe and debonnaire!
- O happy rose that lieth upon that bosom white,
- To thee kind Fate hath granted a goal of pure delight!
- In vain I sigh and murmur, thy lot all envious view,
- And seek in vain to stifle this moment's pungent rue!
- O happy rose, as lying beneath her light caress,
- Now whisper to her softly, what I may not confess,
- And tell her she is fairer than bloom of earth, to-night,
- In that her soul exhaleth all virtues pure and bright!
-
-
-
-
-THE CLOUD
-
-
- A Cloud scarce larger than a feather
- Uprose in Love's bright sky one day,
- But, ah, it grew to stormy weather
- And shrouded all the sun's bright ray!
-
- A little cloud! but ah, the sorrow
- That springs from bitter words that jar;
- How deep the pain from which we borrow,--
- How strong the wall that forms the bar!
-
- We may in after-hours grow tender
- And strive to read our lives aright,
- But if to Love its due we render,
- We know Life's thread, at best, is slight!
-
- What if the look, the word, but spoken,
- Had been "the last" we ever met?
- Ah! Life had been too short, too broken,
- Its pang forever to forget!
-
-
-
-
-SEHNSUCHT!
-
-
- My heart grows faint with longing and with love
- As in the twilight comes thy well-loved face;
- And closer, closer drawn by threads that bind
- Thee to me, all our tender joys I trace.
-
- In lines keen-cut, and lasting as the stone
- When sculptor's art transforms it into life--
- That erst were soulless marble, still and poor
- To mirror forth our hope or joy or strife!
-
- In lines keen-cut! Yea, on my living heart,
- (That slumbered 'neath its veil of seeming death),
- Thou tracest characters full bold and deep,
- And breathest now with life-inspiring breath!
-
- Thus was Love born! To me, who deemed it cast
- Behind me!--with the shadows and the blight
- That fell on trusting heart and life and home,
- And wrapped my soul in darkest tones of night!
-
- Nay, but thy Love has waked me, and I live!
- For love and life, twin-born, are guests of mine,
- Thine eyes have told me lover's sweetest tale,
- And tender lips have sealed me wholly thine!
-
- So, if within the hours apart we walk
- Ofttimes in paths that take us from our nest--
- The nest we built with loving heart and hands--
- It takes not from us love nor trust nor rest!
-
- It takes them not--no hand but ours can rob
- Each other of this gift surpassing all!
- No hand but ours can bind or break this bond,
- And from no other hand but ours can fall
-
- Blight or distrust, or grief or bitter pain;
- And so, my own, in this we builded well
- If through life's storm or sunshine there shall fall
- No grief or loss our lips may ever tell!
-
- My heart grows faint with longing and with love,--
- And yet I know I must not keep thee e'er
- A tender bond-slave to my amorous will;--
- Such chain as that 'twere ill that thou shouldst wear!
-
- I would not have thee swayed, dear love, by aught
- Thy manhood would disclaim; nor would I hold
- Thee prisoner to my clinging heart, howe'er
- Its pleading touch would seek to thee enfold!
-
- Love cannot live where faith and trust are not,--
- Love will not brook a gilded chain to wear;--
- And where the fetters bind, the bird's sweet song
- Is hushed--the skies above, no more, are fair!
-
- But I would hold thee in my heart of hearts
- So little prisoner, that thou ne'er shouldst stray
- From Love's dear shrine,--but, through the waning years
- Our love-life should grow dearer day by day!
-
-
-
-
-SELECTION
-
-
- Yes, hold me closer, closer in thy arms,
- And closer to thy beating heart, that I,
- Secure in all that crowns a woman's lot,
- May now, with thee, the bitter past defy!
-
- Yet would I not call down an envious doom
- On any of the future's sunny days;
- 'Twere ill in me to tempt the Fates, I trow;
- But, rather, as one pleading, kneels and prays:--
-
- "Stay but thy hand, O Time! and pitying grant
- Us of thy sunny sheaves of Harvest Day;
- Hours brimmed with sweetness and all glad with love,--
- That, passing on, we scarce may heed the way
-
- "That erst was strewn with sharpest stones and weeds;
- So lead us gently, Time, we may not miss
- Aught of Life's joy or of its brilliant light,
- Or, missing, crave a fuller cup than this!"
-
- Yes, hold me closer, closer; let me rest
- My head, content, above thy throbbing heart.
- Struggle and bay of laurel are the world's;
- But this, my own dear Love, the better part!
-
- Fame and Ambition--lo! do not they burn
- With all the lurid light and gleam of earth?
- Love, silent and benign, an influence sheds,
- And heralds forth in life a higher birth!
-
- Vain is ambition, yea, or conquered goal,
- To bind my heart or satisfy me here.
- Then hold me closer, closer to thee, Love;
- For this I give it all--hold thou me near!
-
-
-
-
-LEGENDARY SONGS
-
-
-
-
-THE MANSION THAT ENDURED
-
-(This legend, in prose, I found in a French collection, and have
-believed it would be acceptable rendered into verse. M. L.)
-
-
- Back, in olden time when emperors
- Ruled the land where Tiber flows,
- Proud and stern dwelt Gondoforus,
- As the ancient legend shows.
-
- As he mused in hours of leisure,
- Came into his brain this thought:
- "Straight I'll build, for mine own glory
- Here, a palace deftly wrought
-
- "Of the richest gold and silver;
- With the choicest gems bedecked;
- That shall on my house and lineage
- Still a greater light reflect.
-
- "Shall outshine the Roman Emperor's
- In its beauty and its worth;
- Place fore'er his lordly structure
- 'Mid the lesser of the earth."
-
- So he sent his message speeding
- To the regions far and near,
- That some great and cunning builder
- Might at his command appear.
-
- When, one day, with mien all lowly,
- Wrapped about in garments gray,
- Stood the architect before him,
- His behest to now essay.
-
- Spoke his will--and Gondoforus
- Went forth proudly unto war;
- Days and months sped on unheeded,
- Still no word came from afar.
-
- Yet the architect wrought, silent,
- Though he touched nor plan nor pen;
- For the palace he was building
- Was not seen by eyes of men.
-
- While unto the poor and wretched
- Freely of the gold gave he;
- Precious stones were turned to healing
- Needs of poor humanity!
-
- Back, returning flushed with victory,
- Gondoforus came apace;
- Sought, in vain, to view his palace--
- Bare and empty was its place!
-
- Then he sent, with sternest message,
- For the architect, and said--
- "Caitiff, what is now thy showing?
- Answer, by thy hoary head!"
-
- Thomas (he who, doubting, lingered
- When his fellows pressed to claim
- As their risen Lord, the Saviour)
- Spake: "Oh, thou of kingly name,
-
- "Lo! thy house is even builded!"
- But the warrior bade them cast
- In deep dungeon him who trifled
- With his will--there bind him fast,
-
- While he planned the subtlest torment
- For the traitor's aged frame,
- While he doomed, with keenest vengeance,
- Him to torture, death and shame!
-
- But, as in his rage he pondered,
- Sleep o'ertook him, held him chained,
- And a vision hovered near him--
- Earthly sense grew dim and waned.
-
- Then the spirit of his brother
- Swiftly to his side drew nigh;
- Said, in words that thrilled his being,
- "He whom thou hast doomed to die
-
- "Is the servant of the Mighty;
- Is an instrument of grace,
- For the angels now have shown me
- (Where no narrow walls have place
-
- "And where dwell the hosts eternal)
- Reared in all its beauty there,
- Lo! a House of precious jewels
- And of ornament most fair.
-
- "Fashioned of the precious metals
- Thou wouldst fain have builded here;
- Fashioned with a grace and glory
- That on Earth doth not appear.
-
- Thus, in Paradise there standeth
- Waiting thee, a House divine,
- Which the Architect hath fashioned
- All on Earth to now outshine!"
-
- Then the vision paled and vanished;
- Gondoforus straightway sped
- To the captive, who awaiting,
- Bowed in prayer his aged head.
-
- Gondoforus knelt before him;
- Then the holy Thomas spoke,
- As he raised the humble warrior
- Crushed beneath the vision's stroke--
-
- "Knowest not, O King, the mansions
- That endure, are reared on high?
- Builded there, for us, in Heaven
- By our faith and charity."
-
-
-
-
-THE CHIMES
-
-
- On fair Lake Como's sunny brink,
- An ancient monastery stood
- Close to the mountain's steep ascent,
- As nestling 'neath its snowy hood.
- And there a pale young artisan
- His cunning plied; a wondrous chime
- He sought to frame, that those who loved
- The beauty of that molten rhyme
- Within the valley's breadth should hear
- Pealing at morn and even clear.
-
- For years he toiled, content if he
- At last might frame a chime so sweet
- That pilgrims oft would silent pause
- To hear the music glad repeat.
- Borne o'er the tranquil waters' reach
- And bringing swift unto the heart
-
- Its tones of warning, praise, and love,
- That nevermore should then depart.
- Such was the thought he wove, and prayed
- That his life's work be holy made.
-
- The day came when that perfect chime
- Was placed aloft, its song to wing
- Forth o'er the waters' silent reach
- And to the convent's roof to bring
- The lost and wayworn traveller from
- The busy haunts of world and strife,
- Back, where the calm of prayer might prove
- The guide-post to Eternal life!
- Then was the artisan as one
- Whose dearest life-work, here, was done.
-
- Not so, howe'er! 'Twas yet to be
- A lifelong task--a path to lead
- Through many a land, in futile search
- O'er stony ways where feet should bleed.
- Not yet his soul's high guerdon find--
- The prize his hands had placed aloft.
- How rarely here on earth we see
- Life's morning fill its promise soft.
- Not yet was he to find his rest
- Beside Lake Como's lovely breast.
-
- A savage horde o'erran the land
- And bore away the prizéd chime;
- Afar from peaceful Como's side,
- To some unknown and distant clime.
- In vain the artisan complained
- Beneath a fate unkind; he drew
- No comfort from lament or prayer,
- For peace no more his hearthstone knew.
- Then, as one day he brooding mused
- And consolation sweet refused,
-
- He seemed to see before his eyes
- A land outspread, wherein his feet
- Should wander, seeking ever there
- His loved and lost--his chime so sweet,
- He rose at once; he sought no aid;
- But bowed his head in silent prayer;
- Then from his home he straightway passed
- That no one might his purpose share.
- And leaving home and rest that day
- With breaking heart went on his way.
-
- Whene'er he heard, in foreign land,
- Some wondrous story of a chime
- Whose tones were liquid notes of song,
- Whose bells rang out a gladsome rhyme,
- He journeyed to that storied place,
- Nor paused till he should reach the spot,--
- Only to find his quest in vain,
- While yet those bells were ne'er forgot.
- Each day his soul went up in prayer
- That those clear chimes might pierce the air!
-
- Thus journeyed he for many a year
- While locks of gold had turned to grey
- Till in a distant land he strayed
- And heard at close of summer day
- The old sweet song rung by his chime
- He long had listened for in vain!
- Quickly rose tears in lifted eyes,
- Quickly his heart renounced its pain!
- "O loved and lost! for many a day
- You've called me from my youth away!"
-
- For now on foreign strand he waits
- Alone in age--alone in kin,
- Listening as listens one who bides
- Outside of Heaven, to praise within.
- Not vain his search! not lost his love!
- He feels once more the old-time throb
- Ere cruel foes his prize had ta'en;
- No more may they his treasure rob!
- His life went forth in one glad cry
- Beneath that far-off, alien sky!
-
- 'Twas ended--all the tender search;
- The hours of pain and sleepless toil;
- There, where no loved his hand might clasp;
- There, on that wild and foreign soil.
- But deep within his heart was writ
- His purpose pure; his steadfast search.
- And lo! his chime still calls to prayer,
- And still peals forth from ivied church.
- The bells once blessed by saintly hands
- Now call, in Limerick, God's commands!
-
- My story's done--what need to say
- He sleeps as well and sweetly there
- Beneath that arch of foreign sky
- As in his native land so fair.
- He found, ere death had met his feet
- The prize he sought with spirit brave,
- And finding was content to lie
- Afar from Como in his grave.
- Love was the goal that led his feet
- To peace and deathless calm replete.
-
- The chimes? Ah, well, perhaps they peal
- No less the sweetly that their note
- In alien lands the tidings bring;
- They still to God their praise devote,
- And though their maker no more hears
- The liquid music of each tone,
- They speak to those whose living needs
- Make of the chimes their very own.
- Though hand that made is turned to clay,
- His work--the chimes--lives on alway!
-
-
-
-
-FRANCIS COSTER'S STORY
-
-(I came across this legend, in prose, some time ago, to which was
-prefixed this note: "The following exquisite story was written by
-Anthony of Sienna, and translated from the Dominican records by
-Francis Coster, a famous preacher of the sixteenth century. Mr. Gould,
-author of _Mysteries of the Middle Ages,_ has succeeded in rendering
-it into current English."
-
-In rendering the story into verse, I have kept to the text as closely
-as possible. M. L.)
-
-
- Once--I've read in olden story--
- Lived a holy man of God,
- And two children, 'neath his guidance,
- Through life's pitfalls safely trod.
-
- Every day's returning duties
- Found them docile at his side,
- There to draw from Wisdom's fountain
- All his tender care supplied.
-
- But the day's first, freshest hour
- At the altar found them prone,
- Gladly giving to their Savior
- All He claimeth as His own.
-
- There they served with purest offering
- At the sacrifice sublime,
- Knelt, responded, and with reverence
- Sounded oft the bell's clear chime.
-
- And this duty then completed,
- To the little chapel door
- Turned their feet, and, entering, vanished
- There to eat their humble store.
-
- But one day their teacher seeking,
- Spake the elder one full clear,
- "Tell us, Father, what fair infant
- Doth so oft to us appear?"
-
- Then the priest replied in accents
- Full of tender, loving care--
- "Son, I know not him you speak of
- Who with thee thy task doth share."
-
- But they came again unto him
- Day by day, with urgent word,
- And it was with deepest wonder
- That their simple tale he heard.
-
- And he asked--"Of what sort is he?"
- And they answered him again--
- "Father, he is clad in raiment
- Seamless and without a stain!"
-
- "But whence cometh he?" replying
- Spoke the priest in accents mild;
- And they answered, "From the altar,
- As it were, descends the child.
-
- "And we asked him then to share
- With us of our milk and bread;
- And he doth, right willingly;"
- This is what the children said.
-
- And the priest was full of wonder;
- To the children then spake he--
- "Are there marks whereby to know him
- If mine eyes the child should see?"
-
- "Yes, my father, yes, he beareth
- In his hands and in his feet
- Wounds that pierce his tender body."
- These the words that they repeat.
-
- "From his hands the crimson liquid,
- On the bread he taketh, flows
- Till beneath his touch it blusheth
- Like the deep heart of the rose!"
-
- Then with awe replied their master--
- "O my sons, list unto me!
- Know it is the sweet Child Jesus
- The Holy One, that you did see!
-
- "When again he cometh to you,
- With these words your greeting be:
- 'Thou hast breakfasted with us,
- Grant we three may sup with Thee!'"
-
- Then the children did his bidding;
- Sweetly then the Child did say,
- "Be it so, on Thursday next;
- Be it on Ascension Day!"
-
- On that day they came rejoicing,
- But they brought nor milk nor bread;
- Served they at the Mass right gladly;
- "Pax Vobiscum," then was said--
-
- But they still knelt on, unheeding,
- Thus they fell in Christ asleep;
- Master, children, with their Savior
- Then his marriage-feast did keep!
-
-
-
-
-SONGS ON THE HEIGHTS
-
-
-
-
-THE OLD CEMETERY
-
-
- Lo! half way up the hill I pause
- To turn within the ancient gate
- And enter ground now hallowéd!
- The silent city where they wait
- In perfect rest till He shall bid
- Them rise who now in sleep are laid;
- Whose life, and death, and waiting e'en,
- On Him in childlike faith is stayed!
- No sound is heard within the spot
- Save the soft wind among the trees,
- Or song of insect's busy hum,
- Or low of herd upon the breeze.
- I walk 'mid graves of those long dead,
- Who lived and suffered, strove and won,
- And now have entered into life
- E'en while we say their life is done!
- I fain would take when I return
- Into the world's wild rush and roar,
- The peace of this fair autumn day,
- That it bide with me evermore!
- That I may learn from this blest spot
- Where sleep the dead--who in the Lord
- Now take their rest--that life is more
- Than idle jest, than passing word,
- Than anxious effort for the bread
- That perisheth! Yea, more!
- That life is as a vessel given
- Of precious ointment, that we bear
- And fear that we its freight may waste
- Ere we may yield it to His care!
-
-
-
-
-LINES ON IMMORTALITY
-
-
- Poor trembling soul within this frame of clay,
- That vainly questioneth, wouldst fain essay
- The problem that nor time nor man may solve,
- Around which cycles evermore revolve!
-
- Not till the light upon thy quest is born,
- That only beams in an immortal morn,
- Shalt thou be satisfied, thy fears allayed,
- And, freed from earth, a new creation made!
-
-
-
-
-A DREAM
-
-
- I dreamed, and lo! upon the silent earth
- (That ever swings, as from its misty birth),
- I kinless stood! and all the streams that erst
- In joyous measure sang me forth their tale
- Sank to a murmur; even while there burst
- Upon mine eyes that straightway turned me pale!
- I looked and wondered, and I grew as chill
- As though their fated touch had froze my blood;
- As far beyond that living, green-clad hill,
- In breathless awe, mine eyes were turned, I stood
- Appalled! Forth from the bosom of the deep
- There rose a wondrous chain of towering cliffs,
- Clear as the lake upon whose mirror sleep
- Light-poised, all tenderly the skiffs;
- While rays of light played o'er their polished sides,
- As slowly rose and sank they on the tides.
- Kissed by the sun they grew; their colors' sheen
- Of rose and emerald-touched tips; between
- The amethyst deepened to a royal tone
- Of purple, and I stood and gazed, alone!
- I knew that naught of earth was left save me
- To look upon that strange and glorious sea!
- And, as I gazed, wild flames leapt up to seize
- The iceberg's glow and melt it to their will:
- Naught could their hungry rage of greed appease,
- While luridly and sullen burned they still,
- What, then, does it portray--this onslaught fierce
- Of flames upon these sunlit cliffs of ice,
- If it be not that Evil seeks to pierce
- The armor thrown about the soul's device;
- The powers that wage unceasing war,
- And ever seek to gain what lies afar
- Above them! "Souls of just men perfect made,"
- "Yield not," I cried, "for here a mortal stands
- "Alone and helpless in these alien lands;
- "And yet on mortal lips, I know, is laid
- "The burden of a knowledge far above
- "All thought of human gain or human love!"
- And crying thus, I woke, nor ever knew
- If to fruition my bright vision grew.
-
-
-
-
-ON EMPYREAN HEIGHTS
-
-(Read at Hardman Hall, New York City, before the International League
-of Press Clubs, June 3, 1897.)
-
-
- I stood on empyrean heights and saw,
- Outlined in figures bold, a vision there;
- Loud were the shouts of strife and deadly war,
- While Peace, remote, shone in her beauty fair.
- I heard the clash of arms; the martial tread;
- While nation warred with nation in their lust
- Of pride and power, until there lay the dead--
- The heroes of a decade--in the dust!
-
- I saw, in ranks that spread to either pole,
- Heroic deeds of great men and of true;
- The highest aspirations of the soul;
- The work wrought, through the many, by the few!
- I sped from rising sun unto the west;
- I read the stars that mirrored in the sky;
- And some in a resplendent light were dressed,
- And some through shadow I could scarce descry.
-
- I saw a Nation's rise and saw its fall;
- I learned a people's passing glory there;
- I heard the strident voice of Justice call,
- And answering cheer and joy were in the air.
- I passed through touching scenes of humble life,
- Where hearts were beating in their full content;
- Where far from peaceful hearth and home lay strife,
- And days of joy and gaiety were spent.
-
- I passed 'mid scenes of dark and dull despair,
- On, on, where bitter want and hunger raged;
- Where naught of holiness was pictured there,
- But man 'gainst man his cruel warfare waged!
- I heard the wail of childhood in its need,
- And saw the fearful shadow of Death's wing
- Pass swiftly on and through the darkness speed,
- And heard the joyous song the angels sing!
-
- I heard the deeds of woe--saw sins of ill;
- I knew Life's tragedy was played the while;
- That greed of gain--that selfish, restless will
- Was crushing out the tender youth's sweet smile.
- I also read of good and saw its scope
- Of radiance on a troubled world's dark web;
- And saw that trust and love and buoyant hope
- Outrode the spring-time tide ere it could ebb.
-
- Nay, tell me, then, whence came each passing scene,
- And why such widespread power vouchsafed to me,
- That time nor space held aught of bar between
- The shifting lights of land and distant sea?
- How could I realize the utmost span
- Of life and love, nay more, of silent death
- As meted out within the time of man,
- And passing o'er the wide world's pulsing breath?
-
- O puissant Press! what need have I to tell
- The power of thy great sceptre wielded here?
- When those, beneath whose brilliant, magic spell
- We've sat entranced, now in our midst appear!
- Each face familiar warms the brother's heart;
- Each hand extended meets an earnest clasp;
- Each friend is here, a living sentient part
- Of Brotherhood and seeks an honest grasp!
-
- O mighty power for good or yet for ill;
- For saving grace; mayhap for withering blight!
- Thy brimming cup of service should be still
- The draught to lift a weary world to light.
- Thy arm should raiséd be in noble strife;
- Thy steady hand still wield the trenchant pen;
- Thus all of light and grace and noble life
- Shall call thee forth from hearts of fellowmen!
-
-
-
-
-SONGS OF REMEMBRANCE
-
-
-
-
-A LITTLE WHILE
-
-(March 14, 1889.)
-
-
- A little while, my friends, and I am lying
- Beneath the sod that tells us Spring is nigh;
- And I, who've found this life no rest supplying,
- Shall lay my task aside without a sigh.
-
- A little while, and friends who kindly greet me
- Shall seek my place--in tears shall seek in vain;
- And those whose love and tender thought now meet me,
- Shall say--"She comes, our friend, no more again!"
-
- A little while--and oh, how great the yearning
- To lay the burden down, to be as free
- As bird that hails its nest, on wing returning;
- So do I think, beloved, of rest and thee!
-
- The rest my weary heart and soul have waited
- Through all these years of sorrow and of doubt;
- As traveller on his homeward way, belated,
- Impatient seeks and can not bide without.
-
- And thee! Oh loved one gone, this year, before me,
- Unto a world of light and rapture pure;
- The thought of thee doth, smiling, now allure me
- To draw more close and yet to more endure!
-
-
-
-
-REVERIE
-
-
- O'er the long reach of water comes
- The plash of dipping oar,
- And faintly, borne upon the wind,
- Far voices gain the shore.
-
- I hear their low, faint murmur as
- The boat glides on its way,
- And with the glance of flashing oar
- Fall silver drops of spray!
-
- I lie with half-closed eyes and dream
- Of days that long are fled;
- While fancy brings unto my side
- The forms of those now dead.
-
- When life and love were as a song
- From vibrant chords of youth!
- When every heart that greeted me
- Spoke but of trust and truth!
-
- Thus half-adream I hold commune
- With mine own heart, and ask
- Were youth and joy the greater gain,
- Or life's more finished task?
-
- Quick comes the answer to my lips--
- Quick to the question craved--
- "The noblest deeds of life are those
- In later years engraved
-
- "On tablets of the living mind,
- In characters full bold;
- Not happiness, nor yet content,
- Can here life's measure hold!
-
- "Not to glide on in summer dreams,
- Nor yet to love, is best;
- But in thy noble strength to grow
- And earn the longed-for rest!"
-
- So not with envious eyes I watch
- The boat whose living freight
- Is youth and all youth's sunny dreams--
- I, who have learned to wait!
-
-
-
-
-HEIMWEH
-
-
- O heart of mine, why sighest
- For joys thou may'st not taste?
- O eyes, why turn in longing
- Across the weary waste?
- And lips that falter sadly
- Of home and love and peace,
- Now all thy vain repining
- And doubt and grief, oh, cease!
- Home! Nay, thy home is distant;
- Will longing bring it near,
- And heart, will thy complaining
- Point out the way more clear?
- O heart of mine, thou sighest
- In vain, thy home's afar;
- It shineth as a beacon
- To exile--as a star
- Unto the lonely sailor
- Who dreams of land and love,
- But as he dreams looks ever
- Unto his star above!
- Then, heart, bind to thy longing
- The gaze that turns aloft
- Beyond the raging tempest
- To seek love's guidance oft.
- Heimweh! O homesick sailor,
- Across life's stormy main
- Return unto thy haven,
- No more to roam again!
-
-
-
-
-GRAND MANAN
-
-(1886)
-
-
- O'er the wild reach of wave afar
- Thy cliffs arise; once more
- I turn mine eyes upon thy hills
- And purple-tinted shore.
-
- All silent in majestic state,
- Monarch of mighty realm,
- Thy front is raised to meet the storm,
- When fierce gales overwhelm.
-
- Yet on this lovely autumn day,
- In soft enchantment's chain,
- Outlined fore'er on distant sky
- Thy memory shall remain.
-
- My feet must tread in other paths
- Than this belovéd land,
- And other footprints in their turn
- Shall press this shining sand.
-
- Sea, air and sky are filled alike
- With beauty and delight;
- The sea is shimmering at my feet
- With all of life and light.
-
- So let me bear to other scenes
- This picture; it shall stay
- As memory and as joy to me
- Through many a weary day.
-
- And oft shall rise before my sight
- When distance, time and care
- Have touched my life with graver thought,
- This vision passing fair!
-
-
-
-
-MADELEINE
-
-(1891)
-
-
- I see her passing through the fields
- All fresh with daisies and with rye,
- And something purer, brighter, breathes
- Than the mere tints of earth and sky.
-
- Her dainty head with grace is poised,
- And 'neath her hat-brim's shade I see
- The soft, dark eyes, the pure child-face
- That hold so much of joy for me!
-
- Her feet, as loath to tread the bloom
- Of flowers and of field-grass bright,
- Fall lightly as she maketh way
- To pass, nor leave behind her blight.
-
- Fearless the eyes, and full of thought,
- As though Life's secret fain she'd know;
- Grace, of a wildness all untrained,
- Wraps her within its subtile glow.
-
- And, as she treads her way a-field
- I know she seeks me, me alone!
- O child! my heart grows weak, to-night,
- To stifle now its secret moan!
-
- What will ye bring her, Love and Life?
- Or what withhold? I may not see;
- But, oh, I pray, whate'er ye take,
- Leave her her grace and purity.
-
-
-
-
-WHERE THE SHADOWS PLAY
-
-
- Where the long reach of shadows play,
- And placid waters murmur by
- I dream throughout the summer day
- Nor note the hours that wingéd fly.
- Hushed is the voice of sordid trade,
- And e'en the birds' sweet song is stilled;
- While all the cares that Life hath made
- Slip from my heart, which now is filled
- With peace alone. O Nature pure!
- To thee, I turn, no more to stray
- In spirit, with thee ever sure
- To find sweet solace for the day!
- O leafy homes where song-birds rest;
- O gentle breeze that rocks and sways!
- My heart all silent stays to rest
- And bide apart these heaven-born days!
- For other worlds are pictured there;
- Reflected in the waters lie;
- And each is clear and passing fair,
- And fleecy clouds o'er each glide by!
-
-
-
-
-A VALENTINE
-
-
- Years have sped by with rapid wing
- Since those bright days of long ago,
- When, hand in hand, in Life's sweet spring,
- We told our love in accents low.
-
- For you were young, and fair, and free,
- And I a youth with ardor bold;
- You were, of all earth's maids, to me
- The fairest--ah, the story's old!
-
- Our youthful fancy in the years
- That now lie far behind, anew
- Springs forth from memories Time endears,
- When smiles were frequent, tears were few!
-
- Ah well! we parted! Still doth shine
- Your form on fancy's pictured wall,
- As when you were my "Valentine,"
- And I to you was all in all!
-
- I see you on the busy street,
- A comely matron, fair of face;
- The maiden, tall, and pale and sweet,
- Keeps by your side with even pace.
-
- You see her not? Nay, she is mine,
- This gracious presence from the Past!
- She is my one fair Valentine
- Through summer's glow, through winter's blast!
-
-
-
-
-THE MARTINS
-
-
- Slowly sinks the sun. The evening takes from night a deeper tone;
- Birds on restless wing are wheeling with a grace and strength
- their own.
- Martins! How your note reminds me of the days so long ago,
- In the time when care or sorrow ne'er had touched me with their woe!
-
- Back your song, this evening, takes me, back within that golden past,
- And I seem to see the village--and the spell of yore is cast
- Once again about my spirit! Memory brings before my view
- Friends and faces long since vanished--sounds and scenes that
- once I knew.
-
- Till the sea-girt town uprises from the mist, in verdure drest,
- Borne as jewel in its setting on the grand old ocean's breast;
- O'er the waves the bell sounds clearly with its call to evening prayer,
- And the martins wheel and circle, now, with swift wing through the air.
-
- So I muse while twilight summons once again the long ago,
- And its clustered memories fill my brooding heart, and overflow.
- Youth and love, and hope, aweary in these years have grown and I
- Walk afaint in life's rough pathway where erstwhile my feet did fly.
-
- But I think when Azrael greets me I would fain the hour were mine
- 'Twixt the sunset and the even--at the summer day's decline.
- So the martins through the ether in their graceful flight should be
- Like the harbingers of freedom to the soul from earth set free!
-
-
-
-
-NEVER AGAIN
-
-
- Leave me alone to my sorrow, my sorrow,
- Leave me alone, I would "mourn my dead!"
- Never again on the morrow'll he greet me,
- Never again, it is said, it is said!
-
- Never again shall I see him approaching,
- Hear his clear voice ring over the lea;
- Never again shall his strong arm enfold me,
- Never again, ah, woe is me!
-
- Never again! oh the weight of this anguish!
- Never to see him, to hear him again!
- Only my heart to my heart can disclose it--
- Never, ah! never--this quivering pain!
-
- Never again will he wait 'neath my window,
- Bidding me join him, as loving he stands;
- Never to watch for his coming to meet me
- Over the sea from those distant lands!
-
- Dark are his eyes as is the veiled splendor
- Of tropical skies in storm overcast!
- Glorious his smile as the sunlight descending,
- Full on the earth when that tempest is past!
-
- Now in the land of his birth though he wander,
- 'Neath Southern palms tho' his footsteps rove,
- Ever, I know, in its pain and its longing,
- Turns his heart's trust unto mine's deathless love!
-
- Leave me alone to my sorrow, my sorrow,
- Leave me alone with life's dreary refrain!
- Never again shall I hear his fond pleading,
- Listening I hear only--"Never again!"
-
- We are severed by more than the ocean's vast billows!
- We must walk in our paths each alone and in pain!
- But our hearts grow but closer, and fonder, and nearer,
- Though here upon earth, it be "never again!"
-
-
-
-
-HADST THOU DENIED
-
-
- So many things, dear Lord, I asked;
- So many things that were untried;
- So many things I sought, but oh
- Hadst Thou denied! Hadst Thou denied!
-
- I did not know their gold was dross;
- I did not see the chasm wide
- But downward plunged, and now I cry--
- Hadst Thou denied! Hadst Thou denied!
-
- So many things, with outstretched hands,
- I begged might not be turned aside.
- I know the best had oft been mine
- Hadst Thou denied! Hadst Thou denied!
-
- I wearied Thee with my wild prayers
- To taste of joys that ne'er abide.
- While many blessings had been mine
- Hadst Thou denied! Hadst Thou denied!
-
- Hadst Thou denied my foolish wish;
- Hadst Thou my spirit longer tried!
- All these vain years, in grief, I own,
- Had reaped rich gain hadst Thou denied!
-
-
-
-
-WHY SHOULD I REMEMBER IF YOU FORGET?
-
-
- Why should I remember the days of long ago?
- Days we spent together, beside the river's flow;
- Why should I remember the dreams that haunt me yet?
- Ah, why should I remember--if you forget!
-
- Why should I remember the nights I sat and dreamed
- As stars came out in Heaven--when they and I it seemed,
- Alone kept watch and vigil--ah, I recall them yet!
- But why should I remember--if you forget!
-
- Why should I remember those days of Summer time
- When Love immortal bound me, and sang his witching rhyme.
- Why should I remember your vows as there we met?
- Ah, why should I remember--if you forget!
-
- Why should I remember the grave I fashioned wide
- Within my heart and laid you, and all that with you died.
- Why should I bewail you, and why should it be yet
- That I must still remember--and you forget!
-
- Why has my heart grown empty and why this empty throne
- Where you who made life dear have left me now alone?
- Why can I not a watch against your mem'ry set?
- Ah, why should I remember--when you forget!
-
-
-
-
-
-TO H. N. T.
-
-(Jan. 28, 1885.)
-
-
- Dear heart, sweet heart that through these years
- Hast walked with me, in sun, in shade!
- Though thy dear presence bides with me
- In thought alone, that ne'er shall fade!
- We may not wander hand in hand,
- We seldom greet us face to face,
- Yet in my life thy love, thy words
- Have ever yet a hallowed place!
- Together in the past we roamed
- When girlhood's fancies bound our will,--
- To-day, no less, we deem it sweet
- The tie that holds us captive still!
- To thee, beloved, my storm-tost heart
- Turns now, as then, for word of cheer.
- In those far days my arm was strong,
- My love did hold thee from all fear;
- But now my strength is well nigh spent,
- Though mem'ry crowns each happy hour,
- And fain would forms now vanished seek,
- And fain recall that witching power!
- Some sleep in death whom we called dear;
- Some roam afar in distant lands,
- While you and I have ever grown
- The nearer, knit by Friendship's bands!
- And as the years roll on I cling,
- Dear heart, more closely to thy love;
- God grant for all life's bitterness
- A lasting peace to come, above!
-
-
-
-
-SONGS OF CONSOLATION
-
-
-
-
-AND THEY SHALL RISE AGAIN
-
-
- "And they shall rise again!" Oh, words of comfort given
- To many hearts by sorrow borne unto the earth!
- "And they shall rise again!" The gates of death are riven,
- And forth, immortal, steps the Soul unto her birth!
-
- Long had they lain in vast Nepenthe's hidden coffers,
- The germs of life that silent waited but the call
- Of Love Divine to seize upon the gift it proffers,
- And to throw back and off, forever, the dark pall.
-
- "And they shall rise again!" Arise to glories bounding
- No earth-born vision, and no span of fleeting days,
- But, born of depths which life thus far had been but sounding,
- The heirs of Heaven's crown and its immortal praise!
-
- "And they shall rise again!" Oh joys of hope eternal!
- That though we, weeping, lay them 'neath the heavy sod,
- God's angels, guarding now, behold their spring supernal,
- And hold them trusting, waiting but the call of God!
-
- So shall this Easter morn, to-day, bring to us waiting,
- His Word fulfilled,--His gift of gifts above all price!
- For Earth and Light and Air are all to us relating
- The glories borne at dawn from shores of Paradise!
-
-
-
-
-MINE ONWARD PATH
-
-
- And so I take mine onward path, alone,
- And yet not quite alone if God decree;
- The way my Lord hath trod shall be mine own,
- And so my strength shall be!
-
- What though it lead through tangled brake and brier,
- And sharpest stones shall pierce my wounded feet?
- Unto that height if my faint soul aspire
- These words mine ear might greet:--
-
- "If thou but follow Me through toil and pain,
- If thou but take thy cross and follow Me,
- I will reward thee, when I come again,
- For all Eternity.
-
- "But if thou wilt not bear thy cross with Me
- Thou canst not hope to win the victor's prize;
- No martyr's crown, no saint's green palm shall be
- Thy share in Paradise!"
-
- And so I fain would take mine onward way
- In humble imitation of my Lord.
- This hope to be bear me in it day by day,--
- His never-failing word!
-
-
-
-
-AFTER MANY DAYS
-
-
- Calm seas upon whose placid breast
- My barque one day shall anchored lie,
- Beyond this season's keen unrest,
- Beneath a softened evening sky!
-
- I shall not in those hours of peace
- Recount the storms that strike me now;
- For me the struggle sore shall cease,
- And Trust stand at my vessel's prow!
-
- The shipwreck and the storm no more
- May toss me 'neath its stern decree;
- But anchored within sight of shore
- A perfect rest shall welcome me!
-
- I shall not count the tears that flow
- These weary hours, these restless days;
- For then my keener sight shall know
- The hidden meaning of His ways!
-
- And thus I look beyond the storm,
- Beyond the clouds that now appear;
- Knowing the ills that take such form
- Shall flee before the evening clear!
-
- Calm seas upon whose placid breast
- My barque one day shall anchored lie,
- My soul may not possess thy rest
- Until the evening draweth nigh!
-
-
-
-
-SOME DAY
-
-
- Some day when all this weary time
- No more hath power to stay my flight;
- When far from earth's unhappy clime
- My soul shall speed her way to light,
- I shall no more this garb of clay
- (Beneath whose weight I sink opprest)
- Bear with me; but, oh blesséd day,
- Find all denied in life of rest!
-
- Some day! ah, how my heart doth cry
- With longing and with pain, aloud,
- For some faint sign lest hope should die;
- For some small token through the cloud!
- Lest joy no more my guest should be,
- And peace, that calms with tender touch,
- No more should come to visit me,
- Who need their presence here so much.
-
- Some day! Nay, do I not know well
- This life bears little in its hand
- That we should lie as in a spell
- Beneath its strong and cruel band.
- At best, 'tis but a span dealt out
- To each; as grains of sand may seem
- That, as the tempest whirls about,
- Are gone, and ended as a dream!
-
-
-
-
-LAKE WINNEPESEOGEE
-
-(TWILIGHT)
-
-
- O fair, broad Lake, upon whose breast
- The shifting shadows rise and fall,
- Thy surging waters' vague unrest
- Sinks beneath twilight's gathering pall.
-
- Thy changing beauties quickly glide
- Successive past th' entrancéd eye,
- While hills around, in regal pride,
- Reflected in thy waters lie.
-
- I hear the plash of dipping oar,
- I see the boats swing on their way;
- The waves flow on from shore to shore,
- While softly, slowly dies the day.
-
- And sweetly with the evening's calm
- Upon my heart there falls a peace,
- That comes as comes the evening psalm,
- That bids the world's vain tumult cease.
-
- And as fall swift the shades of night
- Along the path my feet must tread,
- Lo! through the clouds a golden light
- Upon Life's passing scene is shed.
-
- And so, bathed in its softened glow,
- And tuned to sweetest harmonies
- Far, far beyond Life's ebb and flow--
- The soul, immortal, seeks the skies!
-
-
-
-
-JESUS OF NAZARETH PASSETH BY
-
-
- O storm-tost soul in thine hour of need
- Turn to the light ere the moments fly,
- Turn unto One who will ever heed--
- Jesus of Nazareth passeth by!
-
- Hark, what mean these songs of praise
- And clouds of incense that float on high?
- See! borne on wings on this day of days,
- Jesus of Nazareth passeth by!
-
- If thou but touch His garment's hem
- As they did of old (if thou wouldst not die),
- Lo, from His person, as unto them,
- Healing and love flow silently!
-
- Into each heart He entereth now,
- Listeneth unto each sinner's cry!
- Then--leaving His blessing upon each brow--
- Jesus of Nazareth passeth by!
-
- Joy that we sat at His blesséd feet!
- Joy that He hears e'en the faintest sigh!
- Loudly our lips exultant repeat--
- "Jesus of Nazareth passeth by!"
-
-
-
-
-NEARER MY REST
-
-
- Nearer my rest with each succeeding day
- That bears me still mine own allotted task.
- Nearer my rest! the clouds roll swift away,
- And nought remains, O Lord, for me to ask,
-
- If I but bear unflinchingly life's pain,
- And humbly lay it at Thy feet divine,
- Then shall I see each loss a hidden gain,
- And Thy sweet mercy through the darkness shine.
-
- Nearer my rest! and as I journey on
- Grant me, dear Lord, (my angel-guides to be,
- To keep and help me ere that rest be won),
- Patience, and Faith, and blesséd Purity.
-
- These guides, I pray Thee, each Thine attribute,
- And thou, O Lord, my shield and armor bright;
- For without Thee no tree shall bear good fruit;
- These three, O Lord, to lead me through the night!
-
-
-
-
-SO MANY YEARS
-
-
- These hands have labored, Lord, so many years;
- So many years these feet have trod this road;
- So many years these shoulders, bent and weak,
- Have borne their own and others' heavy load!
-
- This heart has broken in these many years,
- And tears have dimmed these eyes, till life
- Has seemed but one sad wilderness, and few
- The hours of peace amidst the bitter strife!
-
- Must I, then, Lord, toil on unceasing here?
- Hast thou no words of comfort for my soul?
- Are all the cheerless, fainting hours to win
- No progress toward my weary spirit's goal?
-
- Nay! as I speak, I know the day will dawn
- From out the dark and tempest-driven night,
- When I, released, shall stand erect and free
- Within the glory of that radiant light!
-
- No more, then, heart, bewail these hours of earth,
- No more shed tears of blood, for surely there,
- Beyond the darkness and the pain and gloom
- Shines forth the sun in lands that are most fair!
-
-
-
-
-SORROW
-
-
- I wore a jewel on my breast,
- Nor knew, till late, that it was such;
- Oft hath it robbed me of my rest;
- Oft have I shivered at its touch!
-
- I wore it, trembling, and I knew
- Nor why it was, in fact, nor how
- Its presence fell like evening dew
- On shrinking heart, and lip and brow!
-
- It was a thing of pain, and yet
- A subtile blessing seemed to flow
- From 'neath its touch, though eyes were wet
- As from the stab of ruthless foe!
-
- Not until years had fled did I
- Behold the inner presence there;
- Not until Time had passed all by,
- Did I perceive its beauty rare.
-
- But now I know thee as thou art,
- O Face divine that lookest down
- Upon my life and bruiséd heart;
- And fear of thee fore'er hath flown!
-
- Thou shalt walk with me, as I know,
- For the brief space of years to be;
- A newer, higher path to show
- Where sorrow wins me purity!
-
-
-
-
-UNKNOWN
-
-
- A day whose wondrous dawn is writ
- In letters firm and free and bold,
- Through years whose prophecies shall fit
- This stone from Life's mosaic old!
-
- A day wherein my hands shall rest
- From labor ill-requited here;
- The hands whose clasp on peace hath prest
- Too light to hold it very near.
-
- That day whose number ofttimes now
- Rolls past each year, but all unseen
- By eyes now holden, shades the brow
- Where other shades have frequent been!
-
- Some token in each joyous year
- That most I loved, abides unseen,
- And bears aloft an index clear
- Upon its leaves now clasped between.
-
- The month, the day, the hour is there,
- Unconscious to my searching eye
- When, be the skies or dark or fair,
- Shall added be the Year I die!
-
- And as I note each feast of song
- On earth; each joy, each loss or birth,
- Shall I not give--nor thus be wrong--
- A thought to that, when clogging earth
-
- Shall hold me bond-slave here no more!
- No more shall dim with tears mine eyes;
- When I shall simply pass the door
- No living hand impatient tries!
-
- Not mine to know that day as yet;
- But in the watches of the night,
- The watch my soul herself hath set,
- I wait the coming of that light.
-
- Not then as messenger of dread
- I wait to read it on the scroll;
- Not as impatient, nor as wed
- To life, abides my waiting soul!
-
- Though now inscribed "unknown" it takes
- Its place on calendar of earth,
- An anniversary that wakes
- To greet us from the hour of birth!
-
-
-
-
-SONGS OF PATRIOTISM
-
-
-
-
-OUR BIRTHRIGHT
-
-
- God of the Nations! Thou whose might
- Hath led us from the dark to light,
- Since first a puny people we
- Sought and obtained our Liberty!
- Grant, we beseech Thee, for the Earth
- A Peace that shall have noble birth!
- A Peace that shall beneath its wings
- Enfold the brightest, best of things!
- Keep Thou the people of that land,
- Who for their homes and firesides stand;
- Teach Thou another land to rest
- Her arms, and bend her haughty crest!
- Bring Thou within the fold of right
- All who are plagued with war and blight!
- And bring, O God, in this New Year,
- A reign of Love and not of Fear!
- So shall we keep Thy word divine;
- So shall the land no more repine;
- And this wide world, oppressed with fear,
- Look onward to a brighter year.
- God of the Nations! Thou whose might
- Hath led us from the dark to light,
- Grant us to live that we may be
- Worthy our birthright--Liberty!
-
-
-
-
-LEXINGTON
-
-(April 19, 1775.)
-
-
- We name our heroes in the hush
- That follows battle's awful roar,
- And count the cost of that great rush
- To victory! They deemed no more
- Than just the simple right to shed
- Their blood in such a holy cause.
- Where the unconquered died or bled
- We turn, from our safe ground, and pause
- To wonder how, in days long gone,
- Such power was given to right the wrong!
-
- We deem them worthy of all praise,
- The heroes of that battlefield;
- And looking backward to those days,
- That meed of praise most gladly yield.
- Were they more true to dictates bold
- Of honor in that olden time?
- Or, when the weight of proof is told,
- Rang out the truth in purer chime?
- Gave they more freely of life's stream
- Than we would do? than we dare dream?
-
- They did not flinch when in the wage
- Of war stern duty's standard waved,
- But heart and hand did both engage,
- And on each soul was deep engraved
- "Country and Home;" fit words to urge
- To action more heroic still,
- As o'er that mighty ocean's surge
- Rang out the watchward of their will!
- As onward pressed to liberty
- The men through whom we now are free!
-
- In conflict rang their cry of might,
- "Ours is the cause that must be won;
- God is the helper of the right!"
- So sped the word at Lexington,
- While hurrying from peaceful plow
- To war's red-stainéd field they came.
- Not theirs 'neath tyranny to bow;
- Not theirs a country's death and shame;
- But to go on to greater height
- With wings outspread for purer flight.
-
- Hail heroes in our country's need!
- We bring ye wreathes of laurel leaves;
- We gather of the scattered seed
- In full and ripened harvest sheaves.
- Yours be it e'er to lift our minds
- To realms of higher deed and thought;
- Be ours to loose what here but binds
- And holds us from the object sought.
- Then may we hope, in time, to stand
- As staunch and true as that brave band.
-
- To-day, as meet, we hold this page
- Of History before the world;
- While overhead, undimmed by age
- Our country's flag is all unfurled!
- O emblem of sweet Freedom's gift,
- Not vainly are thy stars displayed!
- To thee our eyes with pride we lift;
- Thy Stars and Stripes our strength have made.
- Hail! heroes of brave deeds well done;
- Hail! day that gave us Lexington!
-
-
-
-
-O LAND OF OUR BIRTH
-
-
- O Land of our Birth! whose bright colors are waving
- From mountain and valley; o'er sea and o'er land;
- A pathway of light, Lo! its glory is paving,
- To wane not, nor darken, at despot's command!
-
- We stand 'neath the Flag that embodies the union,
- While History passes in stirring review;
- Our hearts, in remembrance, now hold proud communion
- With the record of deeds both gallant and true!
-
- O Land of our Birth! 'tis a glory undying
- That sheds its soft light over each scene outspread;
- And Tyranny's hand, all in vain, is defying
- The Heaven-born Peace that to Freedom is wed!
-
- We feel the glad throb of the patriot's devotion,
- That e'er to the Stars and the Stripes must be due,
- All else is engulfed in o'erwhelming emotion
- That finds its fulfillment the Red, White and Blue!
-
-
-
-
-OUR FLAG
-
-(DEDICATED TO THE CHILDREN OF AMERICA)
-
-
- Fling to the breeze our noble Flag,
- And let it ride the gale!
- In time of War 'twill never lag;
- Its stars and stripes ne'er pale!
-
- Give it to Heaven's breeze, once more,
- And let it proudly float!
- The emblem bear from shore to shore,
- To herald Freedom's note!
-
- Look to it, Children! 'Tis a gift
- Most precious in its worth;
- No slave his streaming eyes need lift
- To curse his wretched birth!
-
- No deed to bring the blush of shame
- Should flaunt beneath its folds;
- But ever brighter grow the fame
- Of work its plan unfolds.
-
- Look to it, Children! Let it be
- As fair, to-day, as when
- The founders of our liberty
- Stood forth, God's noblemen!
-
- When by the price of blood and tears
- They sealed that sacred deed,
- And cast aside all doubts and fears,
- To meet a Country's need.
-
- Then let it float to Heaven's breeze,
- Beneath the sapphire dome;
- Far o'er the tops of waving trees;
- "For Country and for Home!"
-
- Fling to the breeze our noble Flag,
- And let it ride the gale!
- In time of War 'twill never lag;
- Its stars and stripes ne'er pale!
-
- In time of Peace how fair to see--
- Sent forth by patriot hand--
- This symbol of sweet Liberty
- Throughout our native land!
-
-
-
-
-THE NATIONAL FLOWER
-
-(THE GOLDEN ROD)
-
-
- It grows 'mid tangled underwood,
- All brilliant in the fields,
- And o'er our hearts a subtile spell
- Its golden beauty wields.
-
- Perchance some exile's foot hath pressed
- The road with weary tread,
- When lo! from out the wayside growth
- It rears its bonny head.
-
- Not with the first faint tints of Spring
- Are its bright blossoms seen;
- But, radiant in its garb, and decked
- With Autumn's fruitful sheen.
-
- Then hail! bright floweret of our choice--
- With multiform design;
- Though many in thy blossom's wealth,
- Still one on parent vine!
-
-
-
-
-IN MEMORIAM
-
-
-
-
-ROLL MUFFLED DRUMS
-
-(ARLINGTON, MAY 30, 1902.)
-
-
- Roll, muffled drums, upon the air, and flags furl colors bright;
- For this is hallowed ground we tread, and here we learn Death's might.
- Our heroes, whose last rest is now within this silent spot,
- In lowly tents their bivouac find, though not by us forgot.
-
- Wail forth, oh music, in soft strains, and learn, oh soul of man,
- As down the leafy aisles it throbs, how brief on earth the span
- Of Life, and turn from its rude clash and all its weary pain,
- To muse awhile on heroes gone and hear their praise again.
-
- As words of orator now fall upon the listening ear,
- Life grows less close and Death is robbed of much of doubt and fear;
- For, as the burning words go forth upon the balmy wind,
- Men's thoughts are swayed by tones that sing the glory of mankind.
-
- Then, muffled drums, roll on, and flags your brilliant colors furl;
- For here the Dead sleep on, and here no more may warfare hurl
- Its blighting torch, its screaming shell, its horror and its dread.
- Hark! on the summer wind is born a Requiem for the Dead!
-
-
-
-
-THE DEAD MUSICIAN
-
-(JULIUS EICHBERG)
-
-
- Hushed is the magic of his touch
- That waked the soul to joyous praise!
- The vibrant strain we loved so much
- Still echoes on throughout the days;
- Days that had sped in steady round
- Thrilled by the songs his bow had bound.
-
- Stilled is the music to our ears.
- In higher cycles, we believe,
- Brighter than earthly crown appears
- His genius, and shall meed receive:
- While in a rarer, fuller light,
- His touch still wakens to delight.
-
- Then is he not as one who dies
- And whose brief day is ended here;
- For, in those worlds which Time defies,
- His melody grows still more clear;
- Then is he not as one whose light
- Is darkened by Death's envious night!
-
- Thus while we wear within our thought
- The beauty of his god-like art
- That here in eager longing sought
- To voice the music in his heart,
- O bear in mind no truth divine
- Of art is lost--it needs must shine
-
- Across the waste of shipwrecked lives
- As o'er the brightest path below;
- Where'er its meaning steadfast strives
- To sing its measure's stately flow,
- For Life is art--as art is Life--
- And soars above unequal strife!
-
- He gave to man the measure free
- The gods had given to his soul;
- And, touched to deeper ecstasy,
- Bound Music to his sweet control.
- O Artist true! we deem thy death
- But entrance into fuller breath.
-
- But fuller grasp of thy great work;
- But deeper draughts from wells divine,
- Where disappointment ne'er may lurk,
- Where round thy head the glories shine
- Which crowns endeavor firm and true,
- And gives thee roses--never rue!
-
- Here do we leave thee with thy brow
- Encircled with the roses sweet;
- Victory's token, crowning now
- Thine art with all our praises meet;
- Here do we leave thee, victor still,
- For Art bends not to Death's stern will!
-
-
-
-
-THE NATION WEEPS
-
-IN MEMORIAM
-
-(_Wm. McKinley, Sept. 14, 1901._)
-
-
- The nation weeps, while through the stricken land
- Stalks the grim specter raised by traitor hand;
- And on the air there rises dire lament
- For vigil, suffering and life now spent.
- Lo! through the tumult comes that voice of trust
- From soul of mortal triumphing o'er dust:
- "God's will, not ours;" O hero strong
- To rise above the thought of burning wrong
- Dealt by a dastard's hand! O spirit bright
- Seeing, while here, the heavy cross grow light,
- "His will be done; His guiding hand my way!"
- That heart, yet bound by racking pain, could say.
- The nation weeps. Anger and grief uplift
- On high their hands; O from this pain to sift
- Some grain of comfort and some thought of rest!
- Again those tender words, "God knoweth best."
- As man, not free from earthly fault was he,
- For mortal man may not perfection see;
- But yet, as man, he bore full well his part
- And freely spent his wealth of brain and heart.
- E'en as we think of him the silent land
- Draws near, and dimly by his bed there stand
- Lincoln and Garfield, now henceforth to be
- With him a martyr-trio grand and free.
- The nation weeps; O hearts be comforted!
- He needs no more your words, so feebly said;
- He heeds no more your thoughts of praise or blame,
- For he hath won for'er a higher fame.
- Soldier of cross and battlefield, his death
- Hath taught humanity that fleeting breath
- Of mortal glory here is but a slender span,
- And brief, indeed, on earth the life of man!
- Dear earth enfold him in your restful arms
- And guard him well, though past are all alarms;
- E'en though, while now at rest he calmly sleeps,
- The nation weeps! The stricken nation weeps!
-
-
-
-
-IN MEMORIAM
-
-(CHARLES HENSHAW DANA.)
-
- _The lilies clustered fair and tall;
- I stood outside the garden wall._
-
- --_Celia Thaxter._
-
-
- Life's lilies grew along his way,
- In beauty clad, from day to day;
-
- While music, with her lovely strains,
- Led him a captive in her chains.
-
- And friends with generous hand and thought
- Unto his fireside greetings brought.
-
- "I would have given my life to be
- The rose she touched so tenderly."
-
- So sang the poet, and the tone
- Awoke for him sweet strains alone.
-
- Ah! earthly love, how vain thou art
- To still the longings of the heart!
-
- The Angel Azrael touched his hand,
- And life on earth yields the demand;
-
- No more he stands "outside the gate,"
- No more hath need to watch or wait!
-
-
-
-
-IN MEMORIAM
-
-(M. J. E., OBITT, JUNE 19, 1874.)
-
-
- Who shall separate that spirit from the blessed love of Christ?
- He hath called her to Himself for whom the world hath not sufficed.
- Pure her spirit upward winging now its swift, untrameled way,
- Far beyond our aching vision, enters that serener day.
-
- Patient, pure, she took the burden of this life unto His feet,
- Who hath called His loved and bid them come unto His presence sweet;
- All she leaveth, gladly answering her beloved Master's call,
- And for her the shadowy valley had no terror to appal.
-
- Passed unto a life all glorious now a ransomed soul she bides,--
- Ended all the weary watching,--crossed for aye life's troubled tides;
- So we leave her now possessing, to the full, Christ's own sweet love,
- And one more of life's best treasures lives and waits for us above!
-
-
-
-
-CONSOLATION
-
-(INTO LIGHT. DEC. 4, 1903, 4:50 A. M.)
-
-
- "It is all right!" Yes, friend, it is all right,
- Although about thee close the shades of night
- To human eyes. To eyes that wake to light
- It is all right--it is all right!
-
- "It is all right." E'en though we miss thee here.
- For thee are past the clouds, and all the fear
- Bred of this life which shall no more appear
- To thee as good; because thy sky is clear.
-
- "It is all right." Kind soul, so bright and true,
- We miss thee now, we miss the happy view
- Of all that through the days of life here grew.
- The old hath passed--for thee hath dawned the new.
-
- "It is all right!" Thy words, as fell the night,
- Before thine eyes had pierced the coming light,
- Fall on our ears a benison all bright;
- We can but say with thee "it is all right!"
-
-
-
-
-
-End of the Project Gutenberg EBook of Contrasted Songs, by Marian Longfellow
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CONTRASTED SONGS ***
-
-***** This file should be named 42076-8.txt or 42076-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/2/0/7/42076/
-
-Produced by Greg Bergquist, Mary Akers and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/42076-8.zip b/42076-8.zip
deleted file mode 100644
index 8395191..0000000
--- a/42076-8.zip
+++ /dev/null
Binary files differ
diff --git a/42076-h.zip b/42076-h.zip
deleted file mode 100644
index e86d1fd..0000000
--- a/42076-h.zip
+++ /dev/null
Binary files differ
diff --git a/42076-h/42076-h.htm b/42076-h/42076-h.htm
index a841cba..3ee3ae6 100644
--- a/42076-h/42076-h.htm
+++ b/42076-h/42076-h.htm
@@ -2,7 +2,7 @@
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
- <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
<meta http-equiv="Content-Style-Type" content="text/css" />
<title>
The Project Gutenberg's eBook of Contrasted Songs, by Marian Longfellow.
@@ -160,45 +160,7 @@ hr.c10
</style>
</head>
<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Contrasted Songs, by Marian Longfellow
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Contrasted Songs
-
-Author: Marian Longfellow
-
-Release Date: February 11, 2013 [EBook #42076]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CONTRASTED SONGS ***
-
-
-
-
-Produced by Greg Bergquist, Mary Akers and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
-
-</pre>
-
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 42076 ***</div>
<div class="transnote">
<p>Transcriber's note:<br />
@@ -806,7 +768,7 @@ respond.</p>
<div class="stanza">
<div class="line">Yet love and life were both in vain</div>
<div class="line i1"> Were duty not a flower</div>
-<div class="line">That springs beneath the blesséd rain</div>
+<div class="line">That springs beneath the blesséd rain</div>
<div class="line i1"> To crown Life's darkest hour!"</div>
</div>
<div class="stanza">
@@ -1677,7 +1639,7 @@ rendered into verse. M. L.)</p>
</div>
<div class="stanza">
<div class="line">A savage horde o'erran the land</div>
-<div class="line">And bore away the prizéd chime;</div>
+<div class="line">And bore away the prizéd chime;</div>
<div class="line">Afar from peaceful Como's side,</div>
<div class="line">To some unknown and distant clime.</div>
<div class="line">In vain the artisan complained</div>
@@ -1928,7 +1890,7 @@ the text as closely as possible. M. L.)</p>
<div class="poetry"><div class="stanza">
<div class="line">Lo! half way up the hill I pause</div>
<div class="line">To turn within the ancient gate</div>
-<div class="line">And enter ground now hallowéd!</div>
+<div class="line">And enter ground now hallowéd!</div>
<div class="line">The silent city where they wait</div>
<div class="line">In perfect rest till He shall bid</div>
<div class="line">Them rise who now in sleep are laid;</div>
@@ -2115,7 +2077,7 @@ International League of Press Clubs, June 3,
<div class="line">For saving grace; mayhap for withering blight!</div>
<div class="line">Thy brimming cup of service should be still</div>
<div class="line">The draught to lift a weary world to light.</div>
-<div class="line">Thy arm should raiséd be in noble strife;</div>
+<div class="line">Thy arm should raiséd be in noble strife;</div>
<div class="line">Thy steady hand still wield the trenchant pen;</div>
<div class="line">Thus all of light and grace and noble life</div>
<div class="line">Shall call thee forth from hearts of fellowmen!</div>
@@ -2299,7 +2261,7 @@ International League of Press Clubs, June 3,
</div>
<div class="stanza">
<div class="line">My feet must tread in other paths</div>
-<div class="line">Than this belovéd land,</div>
+<div class="line">Than this belovéd land,</div>
<div class="line">And other footprints in their turn</div>
<div class="line">Shall press this shining sand.</div>
</div>
@@ -2379,7 +2341,7 @@ International League of Press Clubs, June 3,
<div class="line">Where the long reach of shadows play,</div>
<div class="line">And placid waters murmur by</div>
<div class="line">I dream throughout the summer day</div>
-<div class="line">Nor note the hours that wingéd fly.</div>
+<div class="line">Nor note the hours that wingéd fly.</div>
<div class="line">Hushed is the voice of sordid trade,</div>
<div class="line">And e'en the birds' sweet song is stilled;</div>
<div class="line">While all the cares that Life hath made</div>
@@ -2795,7 +2757,7 @@ FORGET?</h3>
<div class="line i1"> My soul shall speed her way to light,</div>
<div class="line">I shall no more this garb of clay</div>
<div class="line i1"> (Beneath whose weight I sink opprest)</div>
-<div class="line">Bear with me; but, oh blesséd day,</div>
+<div class="line">Bear with me; but, oh blesséd day,</div>
<div class="line i1"> Find all denied in life of rest!</div>
</div>
<div class="stanza">
@@ -2836,7 +2798,7 @@ FORGET?</h3>
</div>
<div class="stanza">
<div class="line">Thy changing beauties quickly glide</div>
-<div class="line">Successive past th' entrancéd eye,</div>
+<div class="line">Successive past th' entrancéd eye,</div>
<div class="line">While hills around, in regal pride,</div>
<div class="line">Reflected in thy waters lie.</div>
</div>
@@ -2897,7 +2859,7 @@ FORGET?</h3>
<div class="line i1"> Jesus of Nazareth passeth by!</div>
</div>
<div class="stanza">
-<div class="line">Joy that we sat at His blesséd feet!</div>
+<div class="line">Joy that we sat at His blesséd feet!</div>
<div class="line i1"> Joy that He hears e'en the faintest sigh!</div>
<div class="line">Loudly our lips exultant repeat&mdash;</div>
<div class="line i1"> "Jesus of Nazareth passeth by!"</div>
@@ -2926,7 +2888,7 @@ FORGET?</h3>
<div class="line">Nearer my rest! and as I journey on</div>
<div class="line i1"> Grant me, dear Lord, (my angel-guides to be,</div>
<div class="line">To keep and help me ere that rest be won),</div>
-<div class="line i1"> Patience, and Faith, and blesséd Purity.</div>
+<div class="line i1"> Patience, and Faith, and blesséd Purity.</div>
</div>
<div class="stanza">
<div class="line">These guides, I pray Thee, each Thine attribute,</div>
@@ -3005,7 +2967,7 @@ FORGET?</h3>
<div class="stanza">
<div class="line">But now I know thee as thou art,</div>
<div class="line i1">O Face divine that lookest down</div>
-<div class="line">Upon my life and bruiséd heart;</div>
+<div class="line">Upon my life and bruiséd heart;</div>
<div class="line i1">And fear of thee fore'er hath flown!</div>
</div>
<div class="stanza">
@@ -3174,7 +3136,7 @@ FORGET?</h3>
<div class="line">God is the helper of the right!"</div>
<div class="line i1"> So sped the word at Lexington,</div>
<div class="line">While hurrying from peaceful plow</div>
-<div class="line i1"> To war's red-stainéd field they came.</div>
+<div class="line i1"> To war's red-stainéd field they came.</div>
<div class="line">Not theirs 'neath tyranny to bow;</div>
<div class="line i1"> Not theirs a country's death and shame;</div>
<div class="line">But to go on to greater height</div>
@@ -3614,382 +3576,6 @@ FORGET?</h3>
<hr class="c15" />
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Contrasted Songs, by Marian Longfellow
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CONTRASTED SONGS ***
-
-***** This file should be named 42076-h.htm or 42076-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/2/0/7/42076/
-
-Produced by Greg Bergquist, Mary Akers and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 42076 ***</div>
</body>
</html>
diff --git a/42076.zip b/42076.zip
deleted file mode 100644
index aabfc07..0000000
--- a/42076.zip
+++ /dev/null
Binary files differ