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| author | nfenwick <nfenwick@pglaf.org> | 2025-03-08 09:33:42 -0800 |
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| committer | nfenwick <nfenwick@pglaf.org> | 2025-03-08 09:33:42 -0800 |
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diff --git a/old/41876-h/41876-h.htm b/old/41876-h/41876-h.htm deleted file mode 100644 index b22c880..0000000 --- a/old/41876-h/41876-h.htm +++ /dev/null @@ -1,11557 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> - -<head> - <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> - <meta http-equiv="Content-Style-Type" content="text/css" /> - <title> - The Project Gutenberg eBook of The Yellow Book, Vol. 2, July 1894, by Various. - </title> - <link rel="coverpage" href="images/i_cover.jpg"/> <!--for epubs--> - <style type="text/css"> -body { - margin-left: 10%; - margin-right: 10%; -} - -h1,h2,h3,h4 { - text-align: center; - clear: both; -} - -.no-break {page-break-before: avoid;} /* for epubs */ - -.break {page-break-before: always;} /* for epubs */ - -h3.left {text-align: left;} /* for section titles */ - -h4.left {text-align: left;} /* for section titles */ - -p { - margin-top: .75em; 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- margin-right: 5%; - font-size: 90%;} - -.quotesig {margin-right: 15%; - margin-top: 0em; - text-align: right;} - -.a {text-decoration: none;} - -a:link {text-decoration:none} - -.poem br {display: none;} - -.poem .stanza {margin: 1em 0em 1em 0em;} - -.poem span.i0 { - display: block; - margin-left: 0em; - /* padding-left: 3em; */ - /* text-indent: -3em; */ - } -.poem span.i0a { /* for lines beginning with quote mark */ - display: block; - margin-left: -.5em; - /* padding-left: 3em; */ - /* text-indent: -3em; */ - } - -.poem span.i2 { - display: block; - margin-left: 2em; - padding-left: 3em; - text-indent: -3em; - } -.poem span.i2a { /* for lines beginning with quote mark */ - display: block; - margin-left: 1.5em; - padding-left: 3em; - text-indent: -3em; - } - -.poem span.i4 { - display: block; - margin-left: 4em; - padding-left: 3em; - text-indent: -3em; - } - -.poem span.i6 { - display: block; - margin-left: 6em; - padding-left: 3em; - text-indent: -3em; - } - -.poem span.i8 { - display: block; - margin-left: 8em; - padding-left: 3em; - text-indent: -3em; - } - -.poem span.i12 { - display: block; - margin-left: 12em; - } -.poem span.i12a { /* for lines beginning with quote mark */ - display: block; - margin-left: 11.5em; - } - -.poem span.i15 { /* for quote in Carmen */ - display: block; - margin-left: 15em; - padding-left: 3em; - text-indent: -3em; - } - -/* Images */ -.figcenter { - margin-left: auto; - margin-right: auto; - text-align: center; /* this aligns the illo, not text */ -} - - table {margin-left: auto; - margin-right: auto; - border-collapse: collapse; - margin-top: 1em; - margin-bottom: 2em;} - - th.center {padding-bottom: 2em;} - - td.center {vertical-align: top; - text-align: center; - padding-left: 6px; - padding-right: 6px; - padding-bottom: 0px; - padding-top: 3px;} - - td.left {vertical-align: top; - text-align: left; - padding-left: 6px; - padding-right: 15px; - padding-bottom: 0px; - padding-top: 3px;} - - td.right {vertical-align: top; - text-align: right; - padding-left: 25px; - padding-right: 1px; - padding-bottom: 0px; - padding-top: 3px;} - - td.leftsmall {vertical-align: top; /* for center brackets */ - text-align: left; - padding-left: 6px; - padding-right: 5px; - padding-bottom: 0px; - padding-top: 0px;} - - td.rightsmall {vertical-align: top; /* for center brackets */ - text-align: right; - padding-left: 6px; - padding-right: 5px; - padding-bottom: 0px; - padding-top: 0px;} - -.border { - border-style: dashed; - border-width: 2px; - padding: 2em; -} - -ins {text-decoration: none; - border-bottom: thin dotted gray;} - -.tnote {border: dashed 1px; - margin-left: 10%; - margin-right: 10%; - padding-bottom: .5em; - padding-top: .5em; - padding-left: .5em; padding-right: .5em;} - </style> - </head> -<body> - - -<pre> - -The Project Gutenberg EBook of The Yellow Book, -edited by Henry Harland - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: The Yellow Book - An Illustrated Quarterly, Vol. 2, July 1894 - -Editor: Henry Harland - -Release Date: January 19, 2013 [EBook #41876] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE YELLOW BOOK *** - - - - -Produced by Charlene Taylor, Carol Brown, and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive/Canadian Libraries) - - - - - - -</pre> - - - -<h1>THE YELLOW BOOK</h1> - -<p class="larger center">An Illustrated Quarterly</p> - -<p class="center">Volume II July 1894</p> - -<div class="figcenter" style="width: 500px"> - <a name="frontcover"></a> - <img src="images/i_cover.jpg" - width="500" height="637" - alt="Illustration: Front Cover" /> - <div class="caption"> - -<table summary="front cover"> - -<tr><td class="left">Elkin Mathews & John Lane</td> -<td class="center">Price</td></tr> - -<tr><td class="left">Boston: Copeland & Day</td> -<td class="center">5/- Net</td></tr> - -</table></div> -</div> - -<hr /> - -<table border="0" summary="table of contents"> -<tr><th class="center larger" colspan="5">Contents</th></tr> -<tr><th class="center" colspan="5">Literature</th></tr> - -<tr><td class="right"><abbr title="One">I.</abbr></td> -<td class="left">The Gospel of Content</td> -<td class="right">By</td> -<td class="left">Frederick Greenwood</td> -<td class="right"><i>Page</i> <a href="#Page_11">11</a></td></tr> - -<tr><td class="right"><abbr title="Two">II.</abbr></td> -<td class="left" colspan="2">Poor Cousin Louis</td> -<td class="left">Ella D'Arcy</td> -<td class="right"><a href="#Page_34">34</a></td></tr> - -<tr><td class="right"><abbr title="Three">III.</abbr></td> -<td class="left" colspan="2">The Composer of <q>Carmen</q></td> -<td class="left">Charles Willeby</td> -<td class="right"><a href="#Page_63">63</a></td></tr> - -<tr><td class="right"><abbr title="Four">IV.</abbr></td> -<td class="left" colspan="2">Thirty Bob a Week</td> -<td class="left">John Davidson</td> -<td class="right"><a href="#Page_99">99</a></td></tr> - -<tr><td class="right"><abbr title="Five">V.</abbr></td> -<td class="left" colspan="2">A Responsibility</td> -<td class="left">Henry Harland</td> -<td class="right"><a href="#Page_103">103</a></td></tr> - -<tr><td class="right"><abbr title="Six">VI.</abbr></td> -<td class="left" colspan="2">A Song Dollie</td> -<td class="left">Radford</td> -<td class="right"><a href="#Page_116">116</a></td></tr> - -<tr><td class="right"><abbr title="Seven">VII.</abbr></td> -<td class="left" colspan="2">Passed</td> -<td class="left">Charlotte M. Mew</td> -<td class="right"><a href="#Page_121">121</a></td></tr> - -<tr><td class="right"><abbr title="Eight">VIII.</abbr></td> -<td class="left" colspan="2">Sat est Scripsisse</td> -<td class="left">Austin Dobson</td> -<td class="right"><a href="#Page_142">142</a></td></tr> - -<tr><td class="right"><abbr title="Nine">IX.</abbr></td> -<td class="left" colspan="2">Three Stories</td> -<td class="left">V., O., C.S.</td> -<td class="right"><a href="#Page_144">144</a></td></tr> - -<tr><td class="right"><abbr title="Ten">X.</abbr></td> -<td class="left" colspan="2">In a Gallery</td> -<td class="left">Katharine de Mattos</td> -<td class="right"><a href="#Page_177">177</a></td></tr> - -<tr><td class="right"><abbr title="Eleven">XI.</abbr></td> -<td class="left" colspan="2">The Yellow Book, criticised</td> -<td class="left">Philip Gilbert Hamerton, LL.D.</td> -<td class="right"><a href="#Page_179">179</a></td></tr> - -<tr><td class="right"><abbr title="Twelve">XII.</abbr></td> -<td class="left" colspan="2">Dreams</td> -<td class="left">Ronald Campbell Macfie</td> -<td class="right"><a href="#Page_195">195</a></td></tr> - -<tr><td class="right"><abbr title="Thirteen">XIII.</abbr></td> -<td class="left" colspan="2">Madame Réjane</td> -<td class="left">Dauphin Meunier</td> -<td class="right"><a href="#Page_197">197</a></td></tr> - -<tr><td class="right"><abbr title="Fourteen">XIV.</abbr></td> -<td class="left" colspan="2">The Roman Road</td> -<td class="left">Kenneth Grahame</td> -<td class="right"><a href="#Page_211">211</a></td></tr> - -<tr><td class="right"><abbr title="Fifteen">XV.</abbr></td> -<td class="left" colspan="2">Betrothed</td> -<td class="left">Norman Gale</td> -<td class="right"><a href="#Page_227">227</a></td></tr> - -<tr><td class="right"><abbr title="Sixteen">XVI.</abbr></td> -<td class="left" colspan="2">Thy Heart's Desire</td> -<td class="left">Netta Syrett</td> -<td class="right"><a href="#Page_228">228</a></td></tr> - -<tr><td class="right"><abbr title="Seventeen">XVII.</abbr></td> -<td class="left" colspan="2">Reticence in Literature</td> -<td class="left">Hubert Crackanthorpe</td> -<td class="right"><a href="#Page_259">259</a></td></tr> - -<tr><td class="right"><abbr title="Eighteen">XVIII.</abbr></td> -<td class="left" colspan="2">My Study</td> -<td class="left">Alfred Hayes</td> -<td class="right"><a href="#Page_275">275</a></td></tr> - -<tr><td class="right"><abbr title="Nineteen">XIX.</abbr></td> -<td class="left" colspan="2">A Letter to the Editor</td> -<td class="left">Max Beerbohm</td> -<td class="right"><a href="#Page_281">281</a></td></tr> - -<tr><td class="right"><abbr title="Twenty">XX.</abbr></td> -<td class="left" colspan="2">An Epigram</td> -<td class="left">William Watson</td> -<td class="right"><a href="#Page_289">289</a></td></tr> - -<tr><td class="right"><abbr title="Twenty-one">XXI.</abbr></td> -<td class="left" colspan="2">The Coxon Fund</td> -<td class="left">Henry James</td> -<td class="right"><a href="#Page_290">290</a></td></tr> - -<tr><th class="center" colspan="5"><br />Art</th></tr> - -<tr><td class="right"><abbr title="One">I.</abbr></td> -<td class="left">The Renaissance of Venus</td> -<td class="right">By</td> -<td class="left">Walter Crane</td> -<td class="right"><i>Page</i> <a href="#Page_7">7</a></td></tr> - -<tr><td class="right"><abbr title="Two">II.</abbr></td> -<td class="left" colspan="2">The Lamplighter</td> -<td class="left">A. S. Hartrick</td> -<td class="right"><a href="#Page_60">60</a></td></tr> - -<tr><td class="right"><abbr title="Three">III.</abbr></td> -<td class="left">⎧ The Comedy-Ballet</td> -<td class="left">⎫</td></tr> - -<tr><td class="right"><abbr title="Four">IV.</abbr></td> -<td class="left">⎨ of</td> -<td class="left">⎪</td></tr> - -<tr><td class="right"><abbr title="Five">V.</abbr></td> -<td class="left">⎩ Marionettes</td> -<td class="left">⎪</td></tr> - -<tr><td class="right"><abbr title="Six">VI.</abbr></td> -<td class="left">Garçons de Café</td> -<td class="left">⎬</td> -<td class="left">Aubrey Beardsley</td> -<td class="right"><a href="#Page_85">85</a></td></tr> - -<tr><td class="right"><abbr title="Seven">VII.</abbr></td> -<td class="left">The Slippers of Cinderella</td> -<td class="left">⎪</td></tr> - -<tr><td class="right"><abbr title="Eight">VIII.</abbr></td> -<td class="left">Portrait of Madame Réjane</td> -<td class="left">⎭</td></tr> - -<tr><td class="right"><abbr title="Nine">IX.</abbr></td> -<td class="left" colspan="2">A Landscape</td> -<td class="left">Alfred Thornton</td> -<td class="right"><a href="#Page_117">117</a></td></tr> - -<tr><td class="right"><abbr title="Ten">X.</abbr></td> -<td class="left">Portrait of Himself</td> -<td class="left">⎫</td></tr> - -<tr><td class="right"><abbr title="Eleven">XI.</abbr></td> -<td class="left">A Lady</td> -<td class="left">⎬</td> -<td class="left">P. Wilson Steer</td> -<td class="right"><a href="#Page_171">171</a></td></tr> - -<tr><td class="right"><abbr title="Twelve">XII.</abbr></td> -<td class="left">A Gentleman</td> -<td class="left">⎭</td></tr> - -<tr><td class="right"><abbr title="Thirteen">XIII.</abbr></td> -<td class="left" colspan="2">Portrait of Henry James</td> -<td class="left">John S. Sargent, A.R.A.</td> -<td class="right"><a href="#Page_191">191</a></td></tr> - -<tr><td class="right"><abbr title="Fourteen">XIV.</abbr></td> -<td class="left" colspan="2">A Girl Resting</td> -<td class="left">Sydney Adamson</td> -<td class="right"><a href="#Page_207">207</a></td></tr> - -<tr><td class="right"><abbr title="Fifteen">XV.</abbr></td> -<td class="left">The Old Bedford Music Hall</td> -<td class="left">⎫</td></tr> - -<tr><td class="right"><abbr title="Sixteen">XVI.</abbr></td> -<td class="left">Portrait of Aubrey Beardsley</td> -<td class="left">⎬</td> -<td class="left">Walter Sickert</td> -<td class="right"><a href="#Page_220">220</a></td></tr> - -<tr><td class="right"><abbr title="Seventeen">XVII.</abbr></td> -<td class="left">Ada Lundberg</td> -<td class="left">⎭</td></tr> - -<tr><td class="right"><abbr title="Eighteen">XVIII.</abbr></td> -<td class="left" colspan="2">An Idyll</td> -<td class="left">W. Brown Mac Dougal</td> -<td class="right"><a href="#Page_256">256</a></td></tr> - -<tr><td class="right"><abbr title="Nineteen">XIX.</abbr></td> -<td class="left">The Old Man's Garden</td> -<td class="left">⎫</td></tr> - -<tr><td class="right"><abbr title="Twenty">XX.</abbr></td> -<td class="left">The Quick and the Dead</td> -<td class="left">⎬</td> -<td class="left">E. J. Sullivan</td> -<td class="right"><a href="#Page_270">270</a></td></tr> - -<tr><td class="right"><abbr title="Twenty-one">XXI.</abbr></td> -<td class="left" colspan="2">A Reminiscence of<br /><q>The Transgressor</q></td> -<td class="left">Francis Forster</td> -<td class="right"><a href="#Page_278">278</a></td></tr> - -<tr><td class="right"><abbr title="Twenty-two">XXII.</abbr></td> -<td class="left" colspan="2">A Study</td> -<td class="left">Bernhard Sickert</td> -<td class="right"><a href="#Page_285">285</a></td></tr> - -<tr><td class="right"><abbr title="Twenty-three">XXIII.</abbr></td> -<td class="left" colspan="2">For the Backs of Playing Cards</td> -<td class="left">By Aymer Vallance</td> -<td class="right"><a href="#Page_361">361</a></td></tr> - -</table> - -<h1 class="p4">The Yellow Book</h1> - -<h2 class="no-break">Volume II July, 1894</h2> - -<p class="p4 indent2">The Editor of <span class="sc">The Yellow Book</span> can in no case hold himself -responsible for rejected manuscripts; when, however, they are -accompanied by stamped addressed envelopes, every effort will be -made to secure their prompt return.</p> - -<h2 class="p4">The Yellow Book</h2> - -<h3 class="no-break">An Illustrated Quarterly</h3> - -<p class="center">Volume II July, 1894</p> - -<div class="figcenter" style="width: 500px"> - <img src="images/i_02.jpg" - width="500" height="509" - alt="Illustration: Sketch of a woman in a park" /> -<p class="caption">London: Elkin Mathews & John Lane<br /> -Boston: Copeland & Day<br /> -Agents for the Colonies: Robt. A. Thompson & Co.</p> -</div> - -<hr /> - -<p class="larger">The Renaissance of Venus<a name="Page_7" id="Page_7"></a><span class="pagenum">[Pg 7]</span></p> - -<p class="indent">By Walter Crane</p> - -<p><i>By kind permission of G. F. Watts, Esq., R.A.</i></p> - -<hr class="hide" /> - -<div class="figcenter p4"> - <img src="images/i_03.jpg" - width="500" height="376" - alt="Illustration: The Renaissance of Venus" /> -</div> - -<hr /> - -<h3 class="left">The Gospel of Content <a name="Page_11" id="Page_11"></a><span class="pagenum">[Pg 11]</span></h3> - -<p class="right">By Frederick Greenwood</p> - -<h4><abbr title="One">I</abbr></h4> - -<p class="dropcap">How it was that I, being so young a man and not a very tactful one, -was sent on such an errand is more than I should be able to explain. -But many years ago some one came to me with a request that I should go -that evening to a certain street at King's Cross, where would be found -a poor lady in great distress; that I should take a small sum of money -which was given to me for the purpose in a little packet which -disguised all appearance of coin, present it to her as a <q>parcel</q> -which I had been desired to deliver, and ask if there were any -particular service that could be done for her. For my own information -I was told that she was a beautiful Russian whose husband had barely -contrived to get her out of the country, with her child, before his -own arrest for some deep political offence of which she was more than -cognisant, and that now she was living in desperate ignorance of his -fate. Moreover, she was penniless and companionless, though not quite -without friends; for some there were who knew of her husband and had a -little help for her, though they were almost as poor as herself. But -none of these dare approach her, so fearful was she of the danger of -their doing so, either to themselves or her husband or <a name="Page_12" id="Page_12"></a><span class="pagenum">[Pg 12]</span> her child, and -so ignorant of the perfect freedom that political exiles could count -upon in England. <q>Then,</q> said I, <q>what expectation is there that she -will admit me, an absolute stranger to her, who may be employed by the -police for anything she knows to the contrary?</q> The answer was: <q>Of -course that has been thought of. But you have only to send up your -name, which, in the certainty that you would have no objection, has -been communicated to her already. Her own name, in England, is Madame -Vernet.</q></p> - -<p>It was a Saturday evening in November, the air thick with darkness and -a drizzling rain, the streets black and shining where lamplight fell -upon the mud on the paths and the pools in the roadway, when I found -my way to King's Cross on this small errand of kindness. King's Cross -is a most unlovely purlieu at its best, which must be in the first -dawn of a summer day, when the innocence of morning smiles along its -squalid streets, and the people of the place, who cannot be so -wretched as they look, are shut within their poor and furtive homes. -On a foul November night nothing can be more miserable, more -melancholy. One or two great thoroughfares were crowded with -foot-passengers who bustled here and there about their Saturday -marketings, under the light that flared from the shops and the stalls -that lined the roadway. Spreading on every hand from these -thoroughfares, with their noisy trafficking so dreadfully eager and -small, was a maze of streets built to be <q>respectable</q> but now run -down into the forlorn poverty which is all for concealment without any -rational hope of success. It was to one of these that I was -directed—a narrow silent little street of three-storey houses, with -two families at least in every one of them.</p> - -<p>Arrived at No. 17, I was admitted by a child after long delay, and by -her conducted to a room at the top of the house. No <a name="Page_13" id="Page_13"></a><span class="pagenum">[Pg 13]</span> voice responded to -the knock at the room door, and none to the announcement of the -visitor's name; but before I entered I was aware of a sound which, -though it was only what may be heard in the grill-room of any -coffee-house at luncheon time, made me feel very guilty and ashamed. -For the last ten minutes I had been gradually sinking under the fear -of intrusion—of intrusion upon grief, and not less upon the wretched -little secrets of poverty which pride is so fain to conceal; and now -these splutterings of a frying-pan foundered me quite. What worse -intrusion could there be than to come prying in upon the cooking of -some poor little meal?</p> - -<p>Too much embarrassed to make the right apology (which, to be right, -would have been without any embarrassment at all) I entered the room, -in which everything could be seen in one straightforward glance: the -little square table in the centre, with its old green cover and the -squat lamp on it, the two chairs, the dingy half carpet, the bed -wherein a child lay asleep in a lovely flush of colour, and the pale -woman with a still face, and with the eyes that are said to resemble -agates, standing before the hearth. Under the dark cloud of her hair -she looked the very picture of Suffering—Suffering too proud to -complain and too tired to speak. Beautiful as the lines of her face -were, it was white as ashes and spoke their meaning; but nothing had -yet tamed the upspringing nobility of her tall, slight, and yet -imperious form.</p> - -<p>Receiving me with the very least appearance of curiosity or any other -kind of interest, but yet with something of proud constraint (which I -attributed too much, perhaps, to the untimely frying-pan), she waved -her hand toward the farther chair of the two, and asked to be excused -from giving me her attention for a moment. By that she evidently meant -that otherwise her supper would be spoiled. It is not everything that -can be left to cook unattended; <a name="Page_14" id="Page_14"></a><span class="pagenum">[Pg 14]</span> and since this poor little supper was -a piece of fish scarce bigger than her hand, it was all the more -likely to spoil and the less could be spared in damage. So I quietly -took my seat in a position which more naturally commanded the view out -of window than of the cooking operations, and waited to be again -addressed.</p> - -<p>On the mantel-board a noisy little American clock ticked as if its -mission was to hurry time rather than to measure it, the frying-pan -fizzed and bubbled without any abatement of its usual habit or any -sense of compunction, now and then the child tossed upon the bed from -one pretty attitude to another; and that was all that could be heard, -for Madame Vernet's movements were as silent as the movements of a -shadow. In almost any part of that small room she could be seen -without direct looking; but at a moment when she seemed struck into a -yet deeper silence, and because of it, I ventured to turn upon her -more than half an eye. Standing rigidly still, she was staring at the -door in an intensity of listening that transfigured her. But the door -was closed, and I with the best of hearing directed to the same place -could detect no new sound: indeed, I dare swear that there was none. -It was merely accidental that just at this moment the child, with -another toss of the lovely black head, opened her eyes wide; but it -deepened the impressiveness of the scene when her mother, seeing the -little one awake, placed a finger on her own lips as she advanced -nearer to the door. The gesture was for silence, and it was obeyed as -if in understood fear. But still there was nothing to be heard -without, unless it were a push of soft drizzle against the -window-panes. And this Madame Vernet herself seemed to think when, -after a little while, she turned back to the fire—her eyes mere -agates again which had been all ablaze.</p> - -<p>Stooping to the fender, she had now got her fish into one warm plate, -and had covered it with another, and had placed it on the <a name="Page_15" id="Page_15"></a><span class="pagenum">[Pg 15]</span> broad -old-fashioned hob of the grate to keep hot (as I surmised) while she -spoke with and got rid of me, when knocking was heard at the outer -door, a pair of hasty feet came bounding up the stair, careless of -noise, and in flashed a splendid radiant creature of a man in a thin -summer coat, and literally drenched to the skin.</p> - -<p>It was Monsieur Vernet, whose real name ended in <q>ieff.</q> By daring -ingenuity, by a long chain of connivance yet more hazardous, by -courage, effrontery, and one or two miraculous strokes of good -fortune, he had escaped from the fortress to which he had been -conveyed in secret and without the least spark of hope that he would -ever be released. For many months no one but himself and his jailers -knew whether he was alive or dead: his friends inclined to think him -the one thing or the other according to the brightness or the -gloominess of the hour. Smuggled into Germany, and running thence into -Belgium, he had landed in England the night before; and walking the -whole distance to London, with an interval of four hours' sleep in a -cartshed, he contrived to bring home nearly all of the four shillings -with which he started.</p> - -<p>But these particulars, it will be understood, I did not learn till -afterwards. For that evening my visit was at an end from the moment -(the first of his appearance) when Vernet seized his wife in his arms -with a partial resemblance to murder. Unobserved, I placed my small -packet on the table behind the lamp, and then slipped out; but not -without a last view of that affecting <q>domestic interior,</q> which -showed me those two people in a relaxed embrace while they made me a -courteous salute in response to another which was all awkwardness, -their little daughter standing up on the bed in her night-gown, -patiently yet eagerly waiting to be noticed by her father. In all -likelihood she had not to wait long.</p> - -<p><a name="Page_16" id="Page_16"></a><span class="pagenum">[Pg 16]</span> This was the beginning of my acquaintance with a man who had a greater -number of positive ideas than any one else that ever I have known, -with wonderful intrepidity and skill in expounding or defending them. -However fine the faculties of some other Russians whom I have -encountered, they seemed to move in a heavily obstructive atmosphere; -Vernet appeared to be oppressed by none. His resolutions were as -prompt as his thought; whatever <a name="resource"></a>resource he could command in any -difficulty, whether the least or the greatest, presented itself to his -mind instantly, with the occasion for it; and every movement of his -body had the same quickness and precision. His pride, his pride of -aristocracy, could tower to extraordinary heights; his sensibility to -personal slights and indignities was so trenchant that I have seen him -white and quivering with rage when he thought himself rudely jostled -by a fellow-passenger in a crowded street. And yet any comrade in -conspiracy was his familiar if he only brought daring enough into the -common business; and wife, child, fortune, the exchange of ease for -the most desperate misery, all were put at stake for the sake of the -People and at the call of their sorrows and oppressions. And of one -sort of pride he had no sense whatever—fine gentleman as he was, and -used from his birth to every refinement of service and luxury: no -degree of poverty, nor any blameless shift for relieving it, touched -him as humiliating. Privation, whether for others or himself, angered -him; the contrast between slothful wealth and toiling misery enraged -him; but he had no conception of want and its wretched little -expedients as mortifying.</p> - -<p>For example. It was in November, that dreary and inclement month, when -he began life anew in England with a capital of three shillings and -sevenpence. It was a bleak afternoon in December, sleet lightly -falling as the dusk came on and melting <a name="Page_17" id="Page_17"></a><span class="pagenum">[Pg 17]</span> as it fell, when I found him -gathering into a little basket what looked in the half-darkness like -monstrous large snails. With as much indifference as if he were -offering me a new kind of cigarette, Vernet put one of these things -into my hand, and I saw that it was a beautifully-made miniature -sailor's hat. The strands of which it was built were just like twisted -brown straw to the eye, though they were of the smallness of -packthread; and a neat band of ribbon proportionately slender made all -complete. But what were they for? How were they made? The answer was -that the design was to sell them, and that they were made of the -cords—more artistically twisted and more neatly waxed than -usual—that shoemakers use in sewing. As for the bands, Madame Vernet -had amongst her treasures a cap which her little daughter had worn in -her babyhood; and this cap had close frills of lace, and the frills -were inter-studded with tiny loops of ribbon—a fashion of that time. -There were dozens of these tiny loops, and everyone of them made a -band for Vernet's little toy hats. Perhaps in tenderness for the -mother's feelings, he would not let her turn the ribbons to their new -use, but had applied them himself; and having spent the whole of a -foodless day in the manufacture of these little articles, he was now -about to go and sell them. He had selected his <q>pitch</q> in a flaring -bustling street a mile away; and he asked me (<q>I must lose no time,</q> -he said) to accompany him in that direction. I did so, with a cold and -heavy stone in my breast which I am sure had no counterpart in his -own. As he marched on, in his light and firm soldierly way, he was -loud in praise of English liberty: at such a moment <em>that</em> was -his theme. Arrived near his <q>pitch,</q> he bade me good-night with no -abatement of the high and easy air that was natural to him; and though -I instantly turned back of course, I knew that at a few paces farther -the violently proud man moved off the pathway into the gutter, <a name="Page_18" id="Page_18"></a><span class="pagenum">[Pg 18]</span> and -stood there till eleven o'clock; for not before then did he sell the -last of his little penny hats. Another man, equally proud, might have -done the same thing in Vernet's situation, but not with Vernet's -absolute indifference to everything but the coldness of the night and -the too-great stress of physical want.</p> - -<p>But this Russian revolutionist was far too capable and versatile a man -to lie long in low water. He had a genius for industrial chemistry -which soon got him employment and from the sufficiently comfortable -made him prosperous by rapid stages. But what of that? Before long -another wave of political disturbance rose in Europe; Russia, Italy, -France, 'twas all one to Vernet when his sympathies were roused; and -after one or two temporary disappearances he was again lost -altogether. There was no news of him for months; and then his wife, -who all this while had been sinking back into the pallid speechless -deadness of the King's Cross days, suddenly disappeared too.</p> - -<h4><abbr title="Two">II</abbr></h4> - -<p>For more than thirty years—a period of enormous change in all that -men do or think—no word of Vernet came to my knowledge. But though -quite passed away he was never forgotten long, and it was with an -inrush of satisfaction that, a year or two ago, I received this letter -from him:</p> - -<p class="blockquote"> - ... I have been reading the —— <cite>Review</cite>, and it determines - me to solicit a pleasure which I have been at full-cock to ask - for many times since I returned to England in 1887. Let us meet. - I have something to say to you. But let us not meet in this - horrifically large and noisy town. You know Richmond? You know - the Star <a name="Page_19" id="Page_19"></a><span class="pagenum">[Pg 19]</span> and Garter Hotel there? Choose a day when you will go to - find me in that hotel. It shall be in a quiet room looking over - the trees and the river, and there we will dine and sit and talk - over our dear tobacco in a right place.</p> - - <p class="blockquote"><q>To say one word of the past, that you may know and then forget. - Marie is gone—gone twelve years since; and my daughter, gone. I - do not speak of them. And do not you expect to find in me any - more the Vernet of old days.</q></p> - -<p>Nor was he. The splendidly robust and soldierly figure of thirty-five -had changed into a thin, fine-featured old man, above all things -gentle, thoughtful, considerate. Except that there was no suggestion -of a second and an inner self in him, he might have been an -ecclesiastic; as it was, he looked rather as if he had been all his -life a recluse student of books and state affairs.</p> - -<p>It was a good little dinner in a bright room overlooking the garden; -and it was served so early that the declining sunshine of a June day -shone through our claret-glasses when coffee was brought in. Our first -talk was of matters of the least importance—our own changing fortunes -over a period of prodigious change for the whole world. From that -personal theme to the greater mutations that affect all mankind was a -quick transition; and we had not long been launched on this line of -talk before I found that in very truth nothing had changed more than -Vernet himself. It was the story of Ignatius Loyola over again, in -little and with a difference.</p> - -<p><q>Yes,</q> said he, my mind filling with unspoken wonder at this during a -brief pause in the conversation, <q>Yes, prison did me good. Not in the -rough way you think, perhaps, as of taking nonsense out of a man with -a stick, but as solitude. Strict Catholics go into retreat once a -year, and it does them good as Catholics: whether otherwise I do not -know, but it is possible. <a name="Page_20" id="Page_20"></a><span class="pagenum">[Pg 20]</span> You have a wild philosopher whom I love; and -wild philosophers are much the best. In them there is more philosophic -sport, more surprise, more shock; and it is shock that crystallises. -They startle the breath into our own unborn thoughts—thoughts formed -in the mind, you know, but without any ninth month for them: they wait -for some outer voice to make them alive. Well, once upon a time I -heard this philosopher, your Mr. Ruskin, say that only the most noble, -most virtuous, most beautiful young men should be allowed to go to the -war; the others, never. And he maintained it—ah! in language from -some divine madhouse in heaven. But as to that, it is a great -objection that your army is already small. Yet of this I am nearly -sure; it is the wrong men who go to gaol. The rogues and thieves -should give place to honest men—honest <em>reflective</em> men. Every -advantage of that conclusive solitude is lost on blackguard persons -and is mostly turned to harm. For them prescribe one, two, three -applications of your cat-o'-nine tails<span style="white-space:nowrap;">——</span></q></p> - -<p><q>There is knout like it!</q> said I, intending a severity of retort which -I hoped would not be quite lost in the pun.</p> - -<p><q>——and then a piece of bread, a shilling, and dismissal to the most -devout repentance that brutish crime is ever acquainted with, -repentance in stripes. Imprisonment is wasted on persons of so -inferior character. Waste it not, and you will have accommodation for -wise men to learn the monk's lesson (did you ever think it <em>all</em> -foolishness?) that a little imperious hardship, a time of seclusion -with only themselves to talk to themselves, is most improving. For -statesmen and reformers it should be an obligation.</q></p> - -<p><q>And according to your experience what is the general course of the -improvement? In what direction does it run?</q></p> - -<p><q>At best? In sum total? You know me that I am no monk nor lover of -monks, but I say to you what the monk would say <a name="Page_21" id="Page_21"></a><span class="pagenum">[Pg 21]</span> were he still a man -and intelligent. The chief good is rising above petty irritation, -petty contentiousness; it is patience with ills that <em>must</em> last long; -it is choosing to build out the east wind instead of running at it -with a sword.</q></p> - -<p><q>And, if I remember aright, you never had that sword out of your -hand.</q></p> - -<p><q>From twenty years old to fifty, never out of my hand. But there were -excuses—no, but more than excuses; remember that that was another -time. Now how different it is, and what satisfaction to have lived to -see the change!</q></p> - -<p><q>And what is the change you are thinking of!</q></p> - -<p><q>One that I have read of—only he must not flatter himself that he -alone could find it out—in some Review articles of an old friend of -Vernet's whose portrait is before me now.</q> And then, a little to my -distress, but more to my pleasure, he quoted from two or three -forgotten papers of mine on the later developments of social humanity, -the <q>evolution of goodness</q> in the relations of men to each other, the -new, great and rapid extension of brotherly kindness; observations and -theories which were welcomed as novel when they were afterwards taken -up and enlarged upon by Mr. Kidd in his book on <q>Social Evolution.</q></p> - -<p><q>For an ancient conspirator and man of the barricades,</q> continued -Vernet, by this time pacing the room in the dusk which he would not -allow to be disturbed, <q>for a blood-and-iron man who put all his hopes -of a better day for his poor devils of fellow-creatures on the -smashing of forms and institutions and the substitution of others, I -am rather a surprising convert, don't you think? But who could know in -those days what was going on in the common stock of mind by—what -shall we call it? Before your Darwin brought out his explaining word -'evolution' I should have said that the change came about by a sort of -mental chemistry; <a name="Page_22" id="Page_22"></a><span class="pagenum">[Pg 22]</span> that it was due to a kind of chemical ferment in -the mind, unsuspected till it showed entirely new growths and -developments. And even now, you know, I am not quite comfortable with -'evolution' as the word for this sudden spiritual advance into what -you call common kindness and more learned persons call 'altruism.' It -does not satisfy me, 'evolution.'</q></p> - -<p><q>But you can say why it doesn't, perhaps.</q></p> - -<p><q>Nothing, more, I suppose, than the familiar association of -'evolution' with slow degrees and gradual processes. Evolution seems -to speak the natural coming-out of certain developments from certain -organisms under certain conditions. The change comes, and you see it -coming; and you can look back and trace its advance. But here? The -human mind has been the same for ages; subject to the same teaching; -open to the same persuasions and dissuasions; as quick to see and as -keen to think as it is now; and all the while it has been staring on -the same cruel scenes of misery and privation: no, but very often -worse. And then, presto! there comes a sudden growth of fraternal -sentiment all over this field of the human mind; and such a growth -that if it goes on, if it goes on straight and well, it will transform -the whole world. Transform its economies?—it will change its very -aspect. Towns, streets, houses will show the difference; while as to -man himself, it will make him another being. For this is neither a -physical nor a mere intellectual advance. As for that, indeed, perhaps -the intellectual advance hasn't very much farther to go on its own -lines, which are independent of morality, or of goodness as I prefer -to say: the simple word! Well, do you care if evolution has pretty -nearly done with intellect? Would you mind if intellect never made a -greater shine? Will your heart break if it never ascends to a higher -plane than it has reached already?</q></p> - -<p><a name="Page_23" id="Page_23"></a><span class="pagenum">[Pg 23]</span><q>Not a bit; if, in time, nobody is without a good working share of -what intellect there is amongst us.</q></p> - -<p><q>No, not a bit! Enough of intellect for the good and happiness of -mankind if we evolve no more of it. But this is another thing! This is -a <em>spiritual</em> evolution, spiritual advance and development—a -very different thing! Mark you, too, that it is not shown in a few -amongst millions, but is common, general. And though, as you have -said, it may perish at its beginnings, trampled out by war, the -terrible war to come may absolutely confirm it. For my part, I don't -despair of its surviving and spreading even from the battle-field. It -is your own word that not only has the growth of common kindness been -more urgent, rapid and general this last hundred years than was ever -witnessed before in the whole long history of the world, but it has -come out as strongly in making war as in making peace. It is seen in -extending to foes a benevolence which not long ago would have been -thought ludicrous and even unnatural. Why, then, if that's so, the -feeling may be furthered and intensified by the very horrors of the -next great war, such horrors as there <em>must</em> be; and—God knows! -God knows!—but from this beginning the spiritual nature of man may be -destined to rise as far above the rudimentary thing it is yet (I think -of a staggering blind puppy) as King Solomon's wits were above an -Eskimo's.</q></p> - -<p><q>Still the same enthusiast,</q> I said to myself, <q>though with so great a -difference.</q> But what struck me most was the reverence with which he -said <q>God knows!</q> For the coolest Encyclopedist could not have denied -the existence of God with a more settled air than did <q>the Vernet of -old days.</q></p> - -<p><q>And yet,</q> so he went on, <q>were the human race to become all-righteous -in a fortnight, and to push out angels' wings from its shoulders, -every one! every one! all together on Christmas Day, <a name="Page_24" id="Page_24"></a><span class="pagenum">[Pg 24]</span> it would still be -the Darwinian process. Yes, we must stick to it, that it is evolution, -I suppose, and I'm sure it contents me well enough. What matter for -the process! And yet do you know what I think?</q></p> - -<p>Lights had now been brought in by the waiter—a waiter who really -could not understand why not. But we sat by the open window looking -out upon the deepening darkness of the garden, beyond which the river -shone as if by some pale effulgence of its own, or perhaps by a little -store of light saved up from the liberal sunshine of the day.</p> - -<p><q>Do you know what I think?</q> said Vernet, with the look of a man who is -about to confess a weakness of which he is ashamed. <q>I sometimes think -that if I were of the orthodox I should draw an argument for -supernatural religion, against your strict materialists, from this -sudden change of heart in Christian countries. For that is what it is. -It is a change of heart; or, if you like to have it so, of spirit; and -the remarkable thing is that it is <em>nothing else</em>. Whether it lasts or -not, this awakening of brotherliness cannot be completely understood -unless that is understood. What else has changed, these hundred years? -There is no fresh discovery of human suffering, no new knowledge of -the desperate poverty and toil of so many of our fellow-creatures: nor -can we see better with our eyes, or understand better what we hear and -see. This that we are talking about is a heart-growth, which, as we -know, can make the lowliest peasant divine; not a mind-growth, which -can be splendid in the coldest and most devilish man. Well, then, were -I of the orthodox I should say this. When, after many generations, I -see a traceless movement of the spirit of man like the one we are -speaking of—a movement which, if it gains in strength and goes on to -its natural end, will transfigure human society and make it infinitely -more like heaven—I think the <a name="Page_25" id="Page_25"></a><span class="pagenum">[Pg 25]</span> divine influence upon the development of -man as a spirit may be direct and continuous; or, it would be better -to say, not without repetition.</q></p> - -<p>Vernet had to be reminded that the intellectual development of man had -also shown itself in sudden starts and rushes toward perfection—now -in one land, now in another; and never with an appearance of gradual -progress, as might be expected from the nature of things. And -therefore nothing in the spiritual advance which is declared by the -sudden efflorescence of <q>altruism</q> dissociates it from the common -theory of evolution. This he was forced to admit. <q>I know,</q> he -replied; <q>and as to intellectual development showing itself by starts -and rushes, it is very obvious.</q> But though he made the admission, I -could see that he preferred belief in direct influence from above. And -this was Vernet!—a most unexpected example of that Return to Religion -which was not so manifest when we talked together as it is to-day.</p> - -<p><q>You see, I am a soldier,</q> he resumed, <q>and a soldier born and bred -does not know how to get on very long without feeling the presence of -a General, a Commander. That I find as I grow old; my youth would have -been ashamed to acknowledge the sentiment. And for its own sake, I -hope that Science is becoming an old gentleman too, and willing to see -its youthful confidence in the destruction of religious belief quite -upset. For upset it certainly will be, and very much by its own hands. -Most of the new professors were sure that the religious idea was to -perish at last in the light of scientific inquiry. None of them seemed -to suspect what I remember to have read in a fantastic magazine -article two or three years ago, that unbelief in the existence of a -providential God, the dissolution of that belief, would not retard but -probably draw on more quickly the greater and yet unfulfilled triumphs -of Christ on earth. Are you surprised at that? Certainly it is not the -<a name="Page_26" id="Page_26"></a><span class="pagenum">[Pg 26]</span> general idea of what unbelief is capable of. 'And what,' says -some one in the story, 'what are those greater triumphs?' To which the -answer is: 'The extension of charity, the diffusion of brotherly love, -greed suppressed, luxury shameful, service and self-sacrifice a common -law'—something like what we see already between mother and child, it -was said. Now what do you think of that as a consequence of settled -unbelief? As for Belief, we must allow that <em>that</em> has not done -much to bring on the greater triumphs of Christianity.</q></p> - -<p><q>And how is Unbelief to do this mighty work?</q> said I.</p> - -<p>"You would like to know! Why, in a most natural way, and not at all -mysterious. But if you ask in how long a time——! Well, it is thus, -as I understand. What the destruction of religious faith might have -made of the world centuries ago we cannot tell; nothing much worse, -perhaps, than it was under Belief, for belief can exist with little -change of heart. But these are new times. Unbelief cannot annihilate -the common feeling of humanity. On the contrary, we see that it is -just when Science breaks religion down into agnosticism that a new day -of tenderness for suffering begins, and poverty looks for the first -time like a wrong. And why? To answer that question we should remember -what centuries of belief taught us as to the place of man on earth in -the plan of the Creator. This world, it was 'a scene of probation.' -The mystery of pain and suffering, the burdens of life apportioned so -unequally, the wicked prosperous, goodness wretched, innocent weakness -trodden down or used up in starving toil—all this was explained by -the scheme of probation. It was only for this life; and every hour of -it we were under the eyes of a heavenly Father who knows all and -weighs all; and there will be a future of redress that will leave no -misery unreckoned, no weakness unconsidered, no wrong uncompensated -that was patiently borne. Don't <a name="Page_27" id="Page_27"></a><span class="pagenum">[Pg 27]</span> you remember? And how comfortable the -doctrine was! How entirely it soothed our uneasiness when, sitting in -warmth and plenty, we thought of the thousands of poor wretches -outside! And it was a comfort for the poor wretches too, who believed -most when they were most miserable or foully wronged that in His own -good time God would requite or would avenge.</p> - -<p>"Very well. But now, says my magazine sermoniser, suppose -this idea of a heavenly Father a mistake and probation a -fairy tale; suppose that there is no Divine scheme of redress -beyond the grave: how do we mortals stand to each other then? -How do we stand to each other in a world empty of all promise -beyond it? What is to become of our scene-of-probation complacency, -we who are happy and fortunate in the midst of so much -wrong? And if we do not busy ourselves with a new dispensation -on their behalf, what hope or consolation is there for the -multitude of our fellow-creatures who are born to unmerited -misery in the only world there is for any of us? It is clear that -if we must give up the Divine scheme of redress as a dream, -redress is an obligation returned upon ourselves. All will not be -well in another world: all must be put right in this world or nowhere -and never. Dispossessed of God and a future life, mankind -is reduced to the condition of the wild creatures, each with a -natural right to ravage for its own good. If in such conditions -there is a duty of forbearance from ravaging, there is a duty of -helpful surrender too; and unbelief must teach both duties, unless -it would import upon earth the hell it denies. 'Unbelief is a call -to bring in the justice, the compassion, the oneness of brotherhood -that can never make a heaven for us elsewhere.' So the -thing goes on; the end of the argument being that in this way -unbelief itself may turn to the service of Heaven and do the work -of the believer's God. More than that: in the doing of it the -<a name="Page_28" id="Page_28"></a><span class="pagenum">[Pg 28]</span> -spiritual nature of man must be exalted, step by step. That may -be its way of perfection. On that path it will rise higher and -higher into Divine illuminations which have touched it but very -feebly as yet, even after countless ages of existence.</p> - -<p><q>Do you recognise these speculations?</q> said Vernet, after a -silence.</p> - -<p>I recognised them well enough, without at all anticipating that -so much of them would presently re-appear in the formal theory -of more than one social philosopher.</p> - -<p>There was a piano in the little room we dined in. For a minute or -two Vernet, standing with his cigar between his lips, went lightly -over the keys. The movement, though extremely quick, was wonderfully -soft, so that he had not to raise his voice in saying:</p> - -<p><q>I have an innocent little speculation of my own. How long will it be -before this spiritual perfectioning is pretty near accomplishment? Two -thousand years? One thousand years? Twenty generations at the least! -Ah, that is the despair of us poor wretches of to-day and to-morrow. -Well, when the time comes I fancy that an entirely new literature will -have a new language. There will certainly be a new literature if ever -spiritual progress equals intellectual progress. The dawning of -conceptions as yet undreamt of, enlightenments higher than any yet -attained to, may be looked for, I suppose, as in the natural order of -things; and even <em>without</em> extraordinary revelations to the -spirit, the spiritual advance must have an enormous effect in -disabusing, informing and inspiring mental faculty such as we know it -now. And meanwhile? Meanwhile words are all that we speak with, and -how weak are words? Already there are heights and depths of feeling -which they are hardly more adequate to express than the dumbness of -the dog can express his love for his master. Yet <a name="Page_29" id="Page_29"></a><span class="pagenum">[Pg 29]</span> there is a -language that speaks to the deeper thought and finer spirit in us as -words do not—moving them profoundly though they have no power of -articulate response. They heave and struggle to reply, till our -breasts are actually conscious of pain sometimes; but—no articulate -answer. Do you recognise<span style="white-space:nowrap;">——</span>?</q></p> - -<p>I pointed to the piano with the finger of interrogation.</p> - -<p><q>Yes,</q> said Vernet, with a delicate sweep of the keyboard, -<q>it is this! It is music; music, which is felt to be the most -subtle, most appealing, most various of tongues even while we know -that we are never more than half awake to its pregnant meanings, and -have not learnt to think of it as becoming the last perfection of -speech. But that may be its appointed destiny. No, I don't think so -only because music itself is a thing of late, speedy and splendid -development, coming just before the later diffusion of spiritual -growth. Yet there is something in that, something which an -evolutionist would think apposite and to be expected. There is more, -however, in what music is—a voice always understood to have powerful -innumerable meanings appealing to we know not what in us, we hardly -know how; and more, again, in its being an exquisite voice which can -make no use of reason, nor reason of it; nor calculation, nor barter, -nor anything but emotion and thought. The language we are using now, -we two, is animal language by direct pedigree, which is worth -observation don't you think? And, for another thing, when it began it -had very small likelihood of ever developing into what it has become -under the constant addition of man's business in the world and the -accretive demands of reason and speculation. And the poets have made -it very beautiful no doubt; yes, and when it is most beautiful it is -most musical, please observe: most beautiful, and at the same time -most meaning. Well, then! A new nature, new needs. What do you think? -What do you say against <a name="Page_30" id="Page_30"></a><span class="pagenum">[Pg 30]</span> music being wrought into another -language for mankind, as it nears the height of its spiritual -growth?</q></p> - -<p><q>I say it is a pretty fancy, and quite within reasonable speculation.</q></p> - -<p><q>But yet not of the profoundest consequence,</q> added Vernet, -coming from the piano and resuming his seat by the window. <q>No; but -what is of consequence is the cruel tedium of these evolutionary -processes. A thousand years, and how much movement?</q></p> - -<p><q>Remember the sudden starts towards perfection, and that the -farther we advance the more we may be able to help.</q></p> - -<p><q>Well, but that is the very thing I meant to say. Help is not -only desirable, it is imperatively called for. For an unfortunate -offensive movement rises against this better one, which will be checked, -or perhaps thrown back altogether, unless the stupid reformers who -confront the new spirit of kindness with the highwayman's demand -are brought to reason. What I most willingly yield to friend and -brother I do not choose to yield to an insulting thief; rather -will I break his head in the cause of divine Civility. Robbery is -no way of righteousness, and your gallant reformers who think it -a fine heroic means of bringing on a better time for humanity should -be taught that some devil has put the wrong plan into their heads. -It is his way of continuing under new conditions the old conflict -of evil and good.</q></p> - -<p><q>But taught! How should these so-earnest ones be taught?</q></p> - -<p><q>Ah, how! Then leave the reformers; and while they inculcate -their mistaken Gospel of Rancour, let every wise man preach the Gospel -of Content.</q></p> - -<p><q>Content—with things as they are?</q></p> - -<p><q>Why, no, my friend; for that would be preaching content with -universal uncontent, which of course cannot last into a reign of -wisdom and peace. But if you ask me whether I mean content with a very -very little of this world's goods, or even contentment <a name="Page_31" id="Page_31"></a><span class="pagenum">[Pg 31]</span> in -poverty, I say yes. There will be no better day till that gospel has -found general acceptance, and has been taken into the common habitudes -of life. The end may be distant enough; but it is your own opinion -that the time is already ripe for the preacher, and if he were no -Peter the Hermit but only another, another<span style="white-space:nowrap;">——</span></q></p> - -<p><q>Father Mathew, inspired with more saintly fervour<span style="white-space:nowrap;">——</span></q></p> - -<p><q>Who knows how far he might carry the divine light to which so -many hearts are awakening in secret? This first Christianity, it was -but 'the false dawn.' Yes, we may think so.</q></p> - -<p>Here there was a pause for a few moments, and then I put in a word -to the effect that it would be difficult to commend a gospel of -content to Poverty.</p> - -<p><q>But,</q> said Vernet, "it will be addressed more to the rich -and well-to-do, as you call them, bidding them be content with enough. -Not forbidding them to strive for more than enough—that would never -do. The good of mankind demands that all its energies should be -maintained, but not that its energies should be meanly employed in -grubbing for the luxury that is no enjoyment but only a show, or that -palls as soon as it is once enjoyed, and then is no more felt as -luxury than the labourer's second pair of boots or the mechanic's -third shirt a week. For the men of thousands per annum the Gospel of -Content would be the wise, wise, wise old injunction to plain living -and high thinking, only with one addition both beautiful and wise: -kind thinking, and the high and the kind thinking made good in deed. -And it would work, this gospel; we may be sure of it already. For -luxury has became <em>common</em>; it is being found out. Where there -was one person at the beginning of the century who had daily -experience of its fatiguing disappointments, now there are fifty. Like -everything else, it loses distinction by coming abundantly into all -sorts of hands; and meanwhile <a name="Page_32" id="Page_32"></a><span class="pagenum">[Pg 32]</span> other and nobler kinds of -distinction have multiplied and have gained acknowledgment. And from -losing distinction—this you must have observed—luxury is becoming -vulgar; and I don't know why the time should be so very far off when -it will be accounted shameful. Certain it is that year by year a -greater number of minds, and such as mostly determine the currents of -social sentiment, think luxury <em>low</em>; without going deeper than -the mere look of it, perhaps. These are hopeful signs. Here is good -encouragement to stand out and preach a gospel of content which would -be an education in simplicity, dignity, happiness, and yet more an -education of heart and spirit. For nothing that a man can do in this -world works so powerfully for his own spiritual good as the habit of -sacrifice to kindness. It is so like a miracle that it is, I am sure, -the one way—the one way appointed by the laws of our spiritual -growth.</p> - -<p><q>Yes, and what about preaching the gospel of content to Poverty? -Well, there we must be careful to discriminate—careful to disentangle -poverty from some other things which are the same thing in the common -idea. Say but this, that there must be no content with squalor, none -with any sort of uncleanness, and poverty takes its own separate place -and its own unsmirched aspect. An honourable poverty, clear of -squalor, any man should be able to endure with a tranquil mind. To -attain to that tranquillity is to attain to nobleness; and persistence -in it, though effort fail and desert go quite without reward, -ennobles. Contentment in poverty does not mean crouching to it or -under it. Contentment is not cowardice, but fortitude. There is no -truer assertion of manliness, and none with more grace and sweetness. -Before it can have an established place in the breast of any man, envy -must depart from it—envy, jealousy, greed, readiness to take -half-honest gains, a horde of small ignoble sentiments not only -disturbing but poisonous to the <a name="Page_33" id="Page_33"></a><span class="pagenum">[Pg 33]</span> ground they grow in. Ah, -believe me! if a man had eloquence enough, fire enough, and that -command of sympathy that your Gordon seems to have had (not to speak -of a man like Mahomet or to touch on more sacred names), he might do -wonders for mankind in a single generation by preaching to rich and -poor the several doctrines of the Gospel of Content. A curse on the -mean strivings, stealings, and hoardings that survive from our animal -ancestry, and another curse (by your permission) on the gaudy vanities -that we have set up for objects in life since we became reasoning -creatures.</q></p> - -<p class="center">* * * * *</p> - -<p>In effect, here the conversation ended. More was said, but nothing -worth recalling. Drifting back to less serious talk, we gossiped till -midnight, and then parted with the heartiest desire (I speak for -myself) of meeting soon again. But on our way back to town Vernet -recurred for a moment to the subject of his discourse, saying:</p> - -<p><q>I don't make out exactly what you think now of the prospect we -were talking of.</q></p> - -<p>My answer pleased him. <q>I incline to think,</q> said I, <q>what I -have long thought: that if there is any such future for us, and I -believe there is, we of the older European nations will be nowhere -when it comes. In existence—yes, perhaps; but gone down. You see we -are becoming greybeards already; while you in Russia are boys, with -every mark of boyhood on you. You, you are a new race—the only new -race in the world; and it is plain that you swarm with ideas of -precisely the kind that, when you come to maturity, may re-invigorate -the world. But first, who knows what deadly wars?</q></p> - -<p>He pressed his hand upon my knee in a way that spoke a great deal. -We parted, and two months afterwards the Vernet whose real name ended -in <q>ieff</q> was <q>happed in lead.</q> </p> - -<hr /> - -<h3 class="left">Poor Cousin Louis <a name="Page_34" id="Page_34"></a><span class="pagenum">[Pg 34]</span></h3> - -<p class="right">By Ella D'Arcy</p> - -<p class="p2 dropcap">There stands in the Islands a house known as <q lang="fr">Les Calais.</q> -It has stood there already some three hundred years, and -<a name="to"></a>to judge from its stout walls and weather-tight appearance, -promises to stand some three hundred more. Built of brown -home-quarried stone, with solid stone chimney-stacks and roof -of red tiles, its door is set in the centre beneath a semi-circular -arch of dressed granite, on the keystone of which is deeply cut -the date of construction:</p> - -<p class="center">J V N I<br /> -1 6 0 3</p> - -<p>Above the date straggle the letters, L G M M, initials of the -forgotten names of the builder of the house and of the woman -he married. In the summer weather of 1603 that inscription -was cut, and the man and woman doubtless read it with pride and -pleasure as they stood looking up at their fine new homestead. -They believed it would carry their names down to posterity -when they themselves should be gone; yet there stand the -initials to-day, while the personalities they represent are as lost to -memory as are the builders' graves.</p> - -<p>At the moment when this little sketch opens, <span lang="fr">Les Calais</span> had -<a name="Page_35" id="Page_35"></a><span class="pagenum">[Pg 35]</span> -belonged for three generations to the family of Renouf (pronounced -Rennuf), and it is with the closing days of Mr. Louis -Renouf that it purposes to deal. But first to complete the -description of the house, which is typical of the Islands: hundreds -of such homesteads placed singly, or in groups—then sharing in -one common name—may be found there in a day's walk, -although it must be added that a day's walk almost suffices to -explore any one of the Islands from end to end.</p> - -<p><span lang="fr">Les Calais</span> shares its name with none. It stands alone, completely -hidden, save at one point only, by its ancient elms. On -either side of the doorway are two windows, each of twelve small -panes, and there is a row of five similar windows above. Around -the back and sides of the house cluster all sorts of outbuildings, -necessary dependencies of a time when men made their own -cider and candles, baked their own bread, cut and stacked their -own wood, and dried the dung of their herds for extra winter fuel. -Beyond these lie its vegetable and fruit gardens, which again are -surrounded on every side by its many rich vergées of pasture -land.</p> - -<p>Would you find <span lang="fr">Les Calais</span>, take the high road from <span lang="fr">Jacques-le-Port</span> -to the village of <abbr title="Saint">St.</abbr> Gilles, then keep to the left of the -schools along a narrow lane cut between high hedges. It is a -cart track only, as the deep sun-baked ruts testify, leading direct -from <abbr title="Saint">St.</abbr> Gilles to Vauvert, and, likely enough, during the whole of -that distance you will not meet with a solitary person. You will -see nothing but the green running hedgerows on either hand, the -blue-domed sky above, from whence the lark, a black pin-point in -the blue, flings down a gush of song; while the thrush you have -disturbed lunching off that succulent snail, takes short ground -flights before you, at every pause turning back an ireful eye to -judge how much farther you intend to pursue him. He is happy -<a name="Page_36" id="Page_36"></a><span class="pagenum">[Pg 36]</span> -if you branch off midway to the left down the lane leading -straight to <span lang="fr">Les Calais</span>.</p> - -<p>A gable end of the house faces this lane, and its one window in -the days of Louis Renouf looked down upon a dilapidated farm- -and stable-yard, the gate of which, turned back upon its hinges, -stood wide open to the world. Within might be seen granaries -empty of grain, stables where no horses fed, a long cow-house -crumbling into ruin, and the broken stone sections of a cider -trough dismantled more than half a century back. Cushions of -emerald moss studded the thatches, and lilliputian forests of grass blades -sprang thick between the cobble stones. The place might -have been mistaken for some deserted grange, but for the contradiction -conveyed in a bright pewter full-bellied water-can standing -near the well, in a pile of firewood, with chopper still stuck -in the topmost billet, and in a tatterdemalion troop of barn-door -fowl lagging meditatively across the yard.</p> - -<p>On a certain day, when summer warmth and unbroken silence -brooded over all, and the broad sunshine blent the yellows, reds, -and greys of tile and stone, the greens of grass and foliage, into -one harmonious whole, a visitor entered the open gate. This was -a tall, large young woman, with a fair, smooth, thirty-year-old -face. Dressed in what was obviously her Sunday best, although it -was neither Sunday nor even market-day, she wore a bonnet -diademed with gas-green lilies of the valley, a netted black -mantilla, and a velvet-trimmed violet silk gown, which she -carefully lifted out of dust's way, thus displaying a stiffly starched -petticoat and kid spring-side boots.</p> - -<p>Such attire, unbeautiful in itself and incongruous with its surroundings, -jarred harshly with the picturesque note of the scene. -From being a subject to perpetuate on canvas, it shrunk, as it were, -to the background of a cheap photograph, or the stage adjuncts -<a name="Page_37" id="Page_37"></a><span class="pagenum">[Pg 37]</span> -to the heroine of a farce. The silence too was shattered as the -new comer's foot fell upon the stones. An unseen dog began -to mouth a joyous welcome, and the fowls, lifting their thin, -apprehensive faces towards her, flopped into a clumsy run as -though their last hour were visible.</p> - -<p>The visitor meanwhile turned familiar steps to a door in the -wall on the left, and raising the latch, entered the flower garden of -<span lang="fr">Les Calais</span>. This garden, lying to the south, consisted then, and -perhaps does still, of two square grass-plots with a broad gravel -path running round them and up to the centre of the house.</p> - -<p>In marked contrast with the neglect of the farmyard was this -exquisitely kept garden, brilliant and fragrant with flowers. From -a raised bed in the centre of each plot standard rose-trees shed out -gorgeous perfume from chalices of every shade of loveliness, and -thousands of white pinks justled shoulder to shoulder in narrow -bands cut within the borders of the grass.</p> - -<p>Busy over these, his back towards her, was an elderly man, -braces hanging, in coloured cotton shirt. <q>Good afternoon, -Tourtel,</q> cried the lady, advancing. Thus addressed, he straightened -himself slowly and turned round. Leaning on his hoe, he -shaded his eyes with his hand. <q>Eh den! it's you, Missis -Pedvinn,</q> said he; <q>but we didn't expec' you till to-morrow?</q></p> - -<p><q>No, it's true,</q> said Mrs. Poidevin, <q>that I wrote I would -come Saturday, but Pedvinn expects some friends by the English -boat, and wants me to receive them. Yet as they may be staying -the week, I did not like to put poor Cousin Louis off so long -without a visit, so thought I had better come up to-day.</q></p> - -<p>Almost unconsciously, her phrases assumed apologetic form. -She had an uneasy feeling Tourtel's wife might resent her unexpected -advent; although why Mrs. Tourtel should object, or -why she herself should stand in any awe of the Tourtels, she -<a name="Page_38" id="Page_38"></a><span class="pagenum">[Pg 38]</span> -could net have explained. Tourtel was but gardener, the wife -housekeeper and nurse, to her cousin Louis Renouf, master of Les -Calais. <q>I sha'n't inconvenience Mrs. Tourtel, I hope? Of -course I shouldn't think of staying tea if she is busy; I'll just sit -an hour with Cousin Louis, and catch the six o'clock omnibus -home from Vauvert.</q></p> - -<p>Tourtel stood looking at her with wooden countenance, in -which two small shifting eyes alone gave signs of life. <q>Eh, -but you won't be no inconvenience to de ole woman, ma'am,</q> -said he suddenly, in so loud a voice that Mrs. Poidevin jumped; -<q>only de apple-gôche, dat she was gain' to bake agen your visit, -won't be ready, dat's all.</q></p> - -<p>He turned, and stared up at the front of the house; Mrs. -Poidevin, for no reason at all, did so too. Door and windows -were open wide. In the upper storey, the white roller-blinds were -let down against the sun, and on the broad sills of the parlour -windows were nosegays placed in blue china jars. A white -trellis-work criss-crossed over the façade, for the support of -climbing rose and purple clematis which hung out a curtain of -blossom almost concealing the masonry behind. The whole -place breathed of peace and beauty, and Louisa Poidevin was -lapped round with that pleasant sense of well-being which it -was her chief desire in life never to lose. Though poor Cousin -Louis—feeble, childish, solitary—was so much to be pitied, at -least in his comfortable home and his worthy Tourtels he found -compensation.</p> - -<p>An instant after Tourtel had spoken, a woman passed across -the wide hall. She had on a blue linen skirt, white stockings, and -shoes of grey list. The strings of a large, bibbed, lilac apron -drew the folds of a flowered bed-jacket about her ample waist; -and her thick yellow-grey hair, worn without a cap, was arranged -<a name="Page_39" id="Page_39"></a><span class="pagenum">[Pg 39]</span> -smoothly on either side of a narrow head. She just glanced out, -and Mrs. Poidevin was on the point of calling to her, when -Tourtel fell into a torrent of words about his flowers. He had so -much to say on the subject of horticulture; was so anxious for -her to examine the freesia bulbs lying in the tool-house, just -separated from the spring plants; he denounced so fiercely the -grinding policy of Brehault the middleman, who purchased his -garden stuff to resell it at Covent Garden—<q>my good! on dem -freesias I didn't make not two doubles a bunch!</q>—that for a long -quarter of an hour all memory of her cousin was driven from -Mrs. Poidevin's brain. Then a voice said at her elbow, <q>Mr. -Rennuf is quite ready to see you, ma'am,</q> and there stood Tourtel's -wife, with pale composed face, square shoulders and hips, and feet -that moved noiselessly in her list slippers.</p> - -<p><q>Ah, Mrs. Tourtel, how do you do?</q> said the visitor; a -question which in the Islands is no mere formula, but demands -and obtains a detailed answer, after which the questioner's own -health is politely inquired into. Not until this ceremony had -been scrupulously accomplished, and the two women were on -their way to the house, did Mrs. Poidevin beg to know how -things were going with her <q>poor cousin.</q></p> - -<p>There lay something at variance between the ruthless, calculating -spirit which looked forth from the housekeeper's cold eye, and -the extreme suavity of her manner of speech.</p> - -<p><q>Eh, my good! but much de same, ma'am, in his health, -an' more fancies dan ever in his head. First one ting an' -den anudder, an' always tinking dat everybody is robbin' him. -You rem-ember de larse time you was here, an' Mister Rennuf -was abed? Well, den, after you was gone, if he didn't deck-clare -you had taken some of de fedders of his bed away wid -you. Yes, my good! he tought you had cut a hole in de -<a name="Page_40" id="Page_40"></a><span class="pagenum">[Pg 40]</span> -tick, as you sat dere beside him an' emptied de fedders away -into your pocket.</q></p> - -<p>Mrs. Poidevin was much interested. <q>Dear me, is it possible?... But -it's quite a mania with him. I remember now, on -that very day he complained to me Tourtel was wearing his shirts, -and wanted me to go in with him to Lepage's to order some new -ones.</q></p> - -<p><q>Eh! but what would Tourtel want wid fine white shirts -like dem?</q> said the wife placidly. <q>But Mr. Louis have such -dozens an' dozens of 'em dat dey gets hidden away in de presses, -an' he tinks dem stolen.</q></p> - -<p>They reached the house. The interior is quite as characteristic -of the Islands as is the outside. Two steps take you down -into the hall, crossing the further end of which is the staircase -with its balustrade of carved black oak. Instead of the mean -painted sticks, known technically as <q>raisers,</q> and connected -together at the top by a vulgar mahogany hand-rail—a fundamental -article of faith with the modern builder—these old -Island balustrades are formed of wooden panels, fretted out -into scrolls, representing flower, or leaf, or curious beaked and -winged creatures, which go curving, creeping, and ramping along -in the direction of the stairs. In every house you will find the -detail different, while each resembles all as a whole. For in the -old days the workman, were he never so humble, recognised the -possession of an individual mind, as well as of two eyes and two -hands, and he translated fearlessly this individuality of his into -his work. Every house built in those days and existing down -to these, is not only a confession, in some sort, of the tastes, the -habits, the character, of the man who planned it, but preserves -a record likewise of every one of the subordinate minds employed -in the various parts. -<a name="Page_41" id="Page_41"></a><span class="pagenum">[Pg 41]</span></p> - -<p>Off the hall of <span lang="fr">Les Calais</span> are two rooms on the left and one on -the right. The solidity of early seventeenth-century walls is shown -in the embrasure depth (measuring fully three feet) of windows and -doors. Up to fifty years ago all the windows had leaded casements, -as had every similar Island dwelling-house. To-day, to the -artist's regret, you will hardly find one. The showy taste of the -Second Empire spread from Paris even to these remote parts, -and plate-glass, or at least oblong panes, everywhere replaced the -mediæval style. In 1854, Louis Renouf, just three and thirty, -was about to bring his bride, Miss Marie Mauger, home to the -old house. In her honour it was done up throughout, and the -diamonded casements were replaced by guillotine windows, six -panes to each sash.</p> - -<p>The best parlour then became a <q>drawing-room</q>; its raftered -ceiling was whitewashed, and its great centre-beam of oak infamously -papered to match the walls. The newly married couple -were not in a position to refurnish in approved Second Empire -fashion. The gilt and marble, the console tables and mirrors, the -impossibly curved sofas and chairs, were for the moment beyond -them; the wife promised herself to acquire these later on. But -later on came a brood of sickly children (only one of whom -reached manhood); to the consequent expenses <span lang="fr">Les Calais</span> owed -the preservation of its inlaid wardrobes, its four-post bedsteads -with slender fluted columns, and its Chippendale parlour chairs, the -backs of which simulate a delicious intricacy of twisted ribbons. -As a little girl, Louisa Poidevin had often amused herself studying -these convolutions, and seeking to puzzle out among the rippling -ribbons some beginning or some end; but as she grew up, even -the simplest problem lost interest for her, and the sight of the old -Chippendale chairs standing along the walls of the large parlour -scarcely stirred her bovine mind now to so much as reminiscence. -<a name="Page_42" id="Page_42"></a><span class="pagenum">[Pg 42]</span></p> - -<p>It was the door of this large parlour that the housekeeper -opened as she announced, <q>Here is Mrs. Pedvinn come to see -you, sir,</q> and followed the visitor in.</p> - -<p>Sitting in a capacious <q>berceuse,</q> stuffed and chintz-covered, -was the shrunken figure of a more than seventy-year-old man. -He was wrapped in a worn grey dressing-gown, with a black -velvet skull-cap, napless at the seams, covering his spiritless hair, -and he looked out upon his narrow world from dim eyes set in -cavernous orbits. In their expression was something of the -questioning timidity of a child, contrasting curiously with the -querulousness of old age, shown in the thin sucked-in lips, now -and again twitched by a movement in unison with the twitching -of the withered hands spread out upon his knees.</p> - -<p>The sunshine, slanting through the low windows, bathed hands -and knees, lean shanks and slippered feet, in mote-flecked streams -of gold. It bathed anew rafters and ceiling-beam, as it had done -at the same hour and season these last three hundred years; it -played over the worm-eaten furniture, and lent transitory colour -to the faded samplers on the walls, bringing into prominence one -particular sampler, which depicted in silks Adam and Eve seated -beneath the fatal tree, and recorded the fact that Marie Hochedé -was seventeen in 1808 and put her <q>trust in God</q>; and the -same ray kissed the check of that very Marie's son, who at the -time her girlish fingers pricked the canvas belonged to the enviable -myriads of the unthought-of and the unborn.</p> - -<p><q>Why, how cold you are, Cousin Louis,</q> said Mrs. Poidevin, -taking his passive hand between her two warm ones, and feeling -a chill strike from it through the violet kid gloves; <q>and in -spite of all this sunshine too!</q></p> - -<p><q>Ah, I'm not always in the sunshine,</q> said the old man; -<q>not always, not always in the sunshine.</q> She was not sure -<a name="Page_43" id="Page_43"></a><span class="pagenum">[Pg 43]</span> -that he recognised her, yet he kept hold of her hand and would -not let it go.</p> - -<p><q>No; you are not always in de sunshine, because de sunshine -is not always here,</q> observed Mrs. Tourtel in a reasonable voice, -and with a side glance for the visitor.</p> - -<p><q>And I am not always here either,</q> he murmured, half to himself. -He took a firmer hold of his cousin's hand, and seemed to -gain courage from the comfortable touch, for his thin voice -changed from complaint to command. <q>You can go, Mrs. -Tourtel,</q> he said; <q>we don't require you here. We want to -talk. You can go and set the tea-things in the next room. My -cousin will stay and drink tea with me.</q></p> - -<p><q>Why, my cert'nly! of course Mrs. Pedvinn will stay tea. -P'r'aps you'd like to put your bonnet off in the bedroom, first, -ma'am?</q></p> - -<p><q>No, no,</q> he interposed testily, <q>she can lay it off here. No -need for you to take her upstairs.</q></p> - -<p>Servant and master exchanged a mute look; for the moment -his old eyes were lighted up with the unforeseeing, unveiled triumph -of a child; then they fell before hers. She turned, leaving the -room with noiseless tread; although a large-built, ponderous -woman, she walked with the softness of a cat.</p> - -<p><q>Sit down here close beside me,</q> said Louis Renouf to -his cousin, <q>I've something to tell you, something very important -to tell you.</q> He lowered his voice mysteriously, and glanced -with apprehension at window and door, squeezing tight her hand. -<q>I'm being robbed, my dear, robbed of everything I possess.</q></p> - -<p>Mrs. Poidevin, already prepared for such a statement, answered -complacently, <q>Oh, it must be your fancy, Cousin Louis. -Mrs. Tourtel takes too good care of you for that.</q></p> - -<p><q>My dear,</q> he whispered, <q>silver, linen, everything is going; -<a name="Page_44" id="Page_44"></a><span class="pagenum">[Pg 44]</span> -even my fine white shirts from the shelves of the wardrobe. -Yet everything belongs to poor John, who is in Australia, and -who never writes to his father now. His last letter is ten years -old—ten years old, my dear, and I don't need to read it over, -for I know it by heart.</q></p> - -<p>Tears of weakness gathered in his eyes, and began to trickle -over on to his check.</p> - -<p><q>Oh, Cousin John will write soon, I'm sure,</q> said Mrs. -Poidevin, with easy optimism; <q>I shouldn't wonder if he has -made a fortune, and is on his way home to you at this moment.</q></p> - -<p><q>Ah, he will never make a fortune, my dear, he was always -too fond of change. He had excellent capabilities, Louisa, but he -was too fond of change.... And yet I often sit and pretend -to myself he has made money, and is as proud to be with his poor -old father as he used to be when quite a little lad. I plan out -all we should do, and all he would say, and just how he would -look ... but that's only my make-believe; John will never -make money, never. But I'd be glad if he would come back to -the old home, though it were without a penny. For if he don't -come soon, he'll find no home, and no welcome.... I raised -all the money I could when he went away, and now, as you know, -my dear, the house and land go to you and Pedvinn.... But -I'd like my poor boy to have the silver and linen, and his mother's -furniture and needlework to remember us by.</q></p> - -<p><q>Yes, cousin, and he will have them some day, but not for a -great while yet, I hope.</q></p> - -<p>Louis Renouf shook his head, with the immovable obstinacy of -the very old or the very young.</p> - -<p><q>Louisa, mark my words, he will get nothing, nothing. -Everything is going. They'll make away with the chairs and -the tables next, with the very bed I lie on.</q> -<a name="Page_45" id="Page_45"></a><span class="pagenum">[Pg 45]</span></p> - -<p><q>Oh, Cousin Louis, you mustn't think such things,</q> said -Mrs. Poidevin serenely; had not the poor old man accused her -to the Tourtels of filching his mattress feathers?</p> - -<p><q>Ah, you don't believe me, my dear,</q> said he, with a resignation -which was pathetic; <q>but you'll remember my words -when I am gone. Six dozen rat-tailed silver forks, with silver -candlesticks, and tray, and snuffers. Besides odd pieces, and piles -and piles of linen. Your cousin Marie was a notable housekeeper, -and everything she bought was of the very best. The large -table-cloths were five guineas apiece, my dear, British money—five -guineas apiece.</q></p> - -<p>Louisa listened with perfect calmness and scant attention. -Circumstances too comfortable, and a too abundant diet, had -gradually undermined with her all perceptive and reflective -powers. Though, of course, had the household effects been -coming to her as well as the land, she would have felt more -interest in them; but it is only human nature to contemplate the -possible losses of others with equanimity.</p> - -<p><q>They must be handsome cloths, cousin,</q> she said pleasantly; -<q>I'm sure Pedvinn would never allow me half so much for mine.</q></p> - -<p>At this moment there appeared, framed in the open window, -the hideous vision of an animated gargoyle, with elf-locks of -flaming red, and an intense malignancy of expression. With a -finger dragging down the under eyelid of either eye, so that the -eyeball seemed to bulge out—with a finger pulling back either -corner of the wide mouth, so that it seemed to touch the ear—this -repulsive apparition leered at the old man in blood-curdling -fashion. Then catching sight of Mrs. Poidevin, who sat dumfounded, -and with her <q>heart in her mouth,</q> as she afterwards -expressed it, the fingers dropped from the face, the features sprang -back into position, and the gargoyle resolved itself into a buxom -<a name="Page_46" id="Page_46"></a><span class="pagenum">[Pg 46]</span> -red-haired girl, who, bursting into a laugh, impudently stuck her -tongue out at them before skipping away.</p> - -<p>The old man had cowered down in his chair with his hands -over his eyes; now he looked up. <q>I thought it was the old -Judy,</q> he said, <q>the old Judy she is always telling me about. -But it's only Margot.</q></p> - -<p><q>And who is Margot, cousin?</q> inquired Louisa, still shaken -from the surprise.</p> - -<p><q>She helps in the kitchen. But I don't like her. She pulls -faces at me, and jumps out upon me from behind doors. And -when the wind blows and the windows rattle she tells me about -the old Judy from Jethou, who is sailing over the sea on a broomstick, -to come and beat me to death. Do you know, my dear,</q> -he said piteously, <q>you'll think I'm very silly, but I'm afraid up -here by myself all alone? Do not leave me, Louisa; stay with -me, or take me back to town with you. Pedvinn would let me -have a room in your house, I'm sure? And you wouldn't find me -much trouble, and of course I would bring my own bed linen, you -know.</q></p> - -<p><q>You had best take your tea first, sir,</q> said Mrs. Tourtel -from outside the window; she held scissors in her hand, and -was busy trimming the roses. She offered no excuse for eavesdropping.</p> - -<p>The meal was set out, Island fashion, with abundant cakes -and sweets. Louisa saw in the silver tea-set another proof, if -need be, of her cousin's unfounded suspicions. Mrs. Tourtel -stood in the background, waiting. Renouf desired her to pack -his things; he was going into town. <q>To be sure, sir,</q> she said -civilly, and remained where she stood. He brought a clenched -hand down upon the table, so that the china rattled. <q>Are you -master here, or am I?</q> he cried; <q>I am going down to my cousin -<a name="Page_47" id="Page_47"></a><span class="pagenum">[Pg 47]</span> -Pedvinn's. To-morrow I shall send my notary to put seals on -everything, and to take an inventory. For the future I shall live -in town.</q></p> - -<p>His senility had suddenly left him; he spoke with firmness; -it was a flash-up of almost extinct fires. Louisa was astounded. -Mrs. Tourtel looked at him steadily. Through the partition -wall, Tourtel in the kitchen heard the raised voice, and followed -his curiosity into the parlour. Margot followed him. Seen near, -and with her features at rest, she appeared a plump touzle-headed -girl, in whose low forehead and loose-lipped mouth, crassness, -cruelty, and sensuality were unmistakably expressed. Yet freckled -cheek, rounded chin, and bare red mottled arms, presented the -beautiful curves of youth, and there was a certain sort of attractiveness -about her not to be gainsaid.</p> - -<p><q>Since my servants refuse to pack what I require,</q> said Renouf -with dignity, <q>I will do it myself. Come with me, Louisa.</q></p> - -<p>At a sign from the housekeeper, Tourtel and Margot made -way. Mrs. Poidevin would have followed her cousin, as the easiest -thing to do—although she was confused by the old man's outbreak, -and incapable of deciding what course she should take—when the -deep vindictive baying of the dog ushered a new personage upon -the scene.</p> - -<p>This was an individual who made his appearance from the -kitchen regions—a tall thin man of about thirty years of age, -with a pallid skin, a dark eye and a heavy moustache. His shabby -black coat and tie, with the cords and gaiters that clothed his legs, -suggested a combination of sportsman and family practitioner. -He wore a bowler hat, and was pulling off tan driving gloves as he -advanced.</p> - -<p><q>Ah my good! Doctor Owen, but dat's you?</q> said Mrs. -Tourtel. <q>But we wants you here badly. Your patient is in one -<a name="Page_48" id="Page_48"></a><span class="pagenum">[Pg 48]</span> -of his tantrums, and no one can't do nuddin wid him. He says -he shall go right away into town. Wants to make up again wid -Doctor Lelever for sure.</q></p> - -<p>The new comer and Mrs. Poidevin were examining each other -with the curiosity one feels on first meeting a person long known -by reputation or by sight. But now she turned to the housekeeper -in surprise.</p> - -<p><q>Has my cousin quarrelled with his old friend Doctor -Lelever?</q> she asked. <q>I've heard nothing of that.</q></p> - -<p><q>Ah, dis long time. He tought Doctor Lelever made too -little of his megrims. He won't have nobody but Dr. Owen -now. P'r'aps you know Doctor Owen, ma'am? Mrs. Pedvinn, -Doctor; de master's cousin, come up to visit him.</q></p> - -<p>Renouf was heard moving about overhead; opening presses, -dragging boxes.</p> - -<p>Owen hung up his hat, putting his gloves inside it. He -rubbed his lean discoloured hands lightly together, as a fly cleans -its forelegs.</p> - -<p><q>Shall I just step up to him?</q> he said. <q>It may calm him, -and distract his thoughts.</q></p> - -<p>With soft nimbleness, in a moment he was upstairs. <q>So -that's Doctor Owen?</q> observed Mrs. Poidevin with interest. -<q>A splendid-looking gentleman! He must be very clever, I'm -sure. Is he beginning to get a good practice yet?</q></p> - -<p><q>Ah, bah, our people, as you know, ma'am, dey don't like no -strangers, specially no Englishmen. He was very glad when -Mr. Renouf sent for him.... 'Twas through Margot there. -She got took bad one Saturday coming back from market from de -heat or de squidge</q> (crowd), <q>and Doctor Owen he overtook -her on the road in his gig, and druv her home. Den de master, -he must have a talk with him, and so de next time he fancy -<a name="Page_49" id="Page_49"></a><span class="pagenum">[Pg 49]</span> -hisself ill, he send for Doctor Owen, and since den he don't care -for Dr. Lelever no more at all.</q></p> - -<p><q>I ought to be getting off,</q> remarked Mrs. Poidevin, remembering -the hour at which the omnibus left Vauvert; <q>had I -better go up and bid cousin Louis good-bye?</q></p> - -<p>Mrs. Tourtel thought Margot should go and ask the Doctor's -opinion first, but as Margot had already vanished, she went herself.</p> - -<p>There was a longish pause, during which Mrs. Poidevin looked -uneasily at Tourtel; he with restless furtive eyes at her. Then -the housekeeper reappeared, noiseless, cool, determined as ever.</p> - -<p><q>Mr. Rennuf is quiet now,</q> she said; <q>de Doctor have given -him a soothing draught, and will stay to see how it acts. He -tinks you'd better slip quietly away.</q></p> - -<p>On this, Louisa Poidevin left <span lang="fr">Les Calais</span>; but in spite of her -easy superficiality, her unreasoning optimism, she took with her -a sense of oppression. Cousin Louis's appeal rang in her ears: -<q>Do not leave me; stay with me, or take me back with you. -I am afraid up here, quite alone.</q> And after all, though his fears -were but the folly of old age, why, she asked herself, should he -not come and stay with them in town if he wished to do so? She -resolved to talk it over with Pedvinn; she thought she would -arrange for him the little west room, being the furthest from the -nurseries; and in planning out such vastly important trifles as to -which easy-chair and which bedroom candlestick she would devote -to his use, she forgot the old man himself and recovered her usual -stolid jocundity.</p> - -<p>When Owen had entered the bedroom, he had found Renouf -standing over an open portmanteau, into which he was placing -hurriedly whatever caught his eye or took his fancy, from the -surrounding tables. His hand trembled from eagerness, his pale -<a name="Page_50" id="Page_50"></a><span class="pagenum">[Pg 50]</span> -old face was flushed with excitement and hope. Owen, going -straight up to him, put his two hands on his shoulders, and -without uttering a word, gently forced him backwards into a -chair. Then he sat down in front of him, so close that their -knees touched, and fixing his strong eyes on Renouf's wavering -ones, and stroking with his finger-tips the muscles behind the ears, -he threw him immediately into an hypnotic trance.</p> - -<p><q>You want to stay here, don't you?</q> said Owen emphatically. -<q>I want to stay here,</q> repeated the old man through grey lips. -His face was become the colour of ashes, his hands were cold to -the sight. <q>You want your cousin to go away and not disturb -you any more? Answer—answer me.</q> <q>I want my cousin to -go away,</q> Renouf murmured, but in his staring, fading eye were -traces of the struggle tearing him within.</p> - -<p>Owen pressed down the eyelids, made another pass before the -face, and rose on his long legs with a sardonic grin. Margot, -leaning across a corner of the bed, had watched him with breathless -interest.</p> - -<p><q>I b'lieve you're de Evil One himself,</q> she said admiringly.</p> - -<p>Owen pinched her smooth chin between his tobacco-stained -thumb and fingers.</p> - -<p><q>Pooh! nothing but a trick I learned in Paris,</q> said he; -<q>it's very convenient to be able to put a person to sleep now and -again.</q></p> - -<p><q>Could you put any one to sleep?</q></p> - -<p><q>Any one I wanted to.</q></p> - -<p><q>Do it to me then,</q> she begged him.</p> - -<p><q>What use, my girl? Don't you do all I wish without?</q></p> - -<p>She grimaced, and picked at the bed-quilt laughing, then rose -and stood in front of him, her round red arms clasped behind her -head. But he only glanced at her with professional interest. -<a name="Page_51" id="Page_51"></a><span class="pagenum">[Pg 51]</span></p> - -<p><q>You should get married, my dear, without delay. Pierre -would be ready enough, no doubt?</q>—<q>Bah! Pierre or annuder—if -I brought a weddin' portion. You don't tink to provide -me wid one, I s'pose?</q>—<q>You know that I can't. But why -don't you get it from the Tourtels? You've earned it before -this, I dare swear.</q></p> - -<p>It was now that the housekeeper came up, and took down to -Louisa Poidevin the message given above. But first she was -detained by Owen, to assist him in getting his patient into bed.</p> - -<p>The old man woke up during the process, very peevish, very -determined to get to town. <q>Well, you can't go till to-morrow -den,</q> said Mrs. Tourtel; <q>your cousin has gone home, an' now -you've got to go to sleep, so be quiet.</q> She dropped all semblance -of respect in her tones. <q>Come, lie down!</q> she said sharply, -<q>or I'll send Margot to tickle your feet.</q> He shivered and -whimpered into silence beneath the clothes.</p> - -<p><q>Margot tells him 'bout witches, an ogres, an scrapels her -fingures 'long de wall, till he tinks dere goin' to fly 'way wid -him,</q> she explained to Owen in an aside. <q>Oh, I know Margot,</q> -he answered laconically, and thought, <q>May I never lie helpless -within reach of such fingers as hers.</q></p> - -<p>He took a step and stumbled over a portmanteau lying open at -his feet. <q>Put your mischievous paws to some use,</q> he told the -girl, <q>and clear these things away from the floor;</q> then remembering -his rival Le Lièvre; <q>if the old fool had really got away -to town, it would have been a nice day's work for us all,</q> he -added.</p> - -<p>Downstairs he joined the Tourtels in the kitchen, a room -situated behind the living-room on the left, with low green glass -windows, rafters and woodwork smoke-browned with the fires of -a dozen generations. In the wooden racks over by the chimney -<a name="Page_52" id="Page_52"></a><span class="pagenum">[Pg 52]</span> -hung flitches of home-cured bacon, and the kettle was suspended -by three chains over the centre of the wide hearth, where glowed -and crackled an armful of sticks. So dark was the room, in spite -of the daylight outside, that two candles were set in the centre of -the table, enclosing in their circles of yellow light the pale face -and silver hair of the housekeeper, and Tourtel's rugged head and -weather-beaten countenance.</p> - -<p>He had glasses ready, and a bottle of the cheap brandy for -which the Island is famous. <q>You'll take a drop of something, -eh, Doctor?</q> he said as Owen seated himself on the joncière, -a padded settle—green baize covered, to replace the primitive -rushes—fitted on one side of the hearth. He stretched his long -legs into the light, and for a moment considered moodily the old -gaiters and cobbled boots. <q>You've seen to the horse?</q> he -asked Tourtel.</p> - -<p><q>My cert'nly; he's in de stable dis hour back, an' I've -given him a feed. I tought maybe you'd make a night of -it?</q></p> - -<p><q>I may as well for all the work I have to do,</q> said Owen -with sourness; <q>a damned little Island this for doctors. Nothing -ever the matter with anyone except the 'creeps,' and -those who have it spend their last penny in making it worse.</q></p> - -<p><q>Dere's as much illness here as anywhere,</q> said Tourtel, -defending the reputation of his native soil, <q>if once you gets -among de right class, among de people as has de time an' de -money to make dereselves ill. But if you go foolin' roun' wid de -paysans, what can you expec'? We workin' folks can't afford to -lay up an' buy ourselves doctors' stuff.</q></p> - -<p><q>And how am I to get among the right class?</q> retorted Owen, -sucking the ends of his moustache into his mouth and chewing -them savagely. <q>A more confounded set of stuck-up, beggarly -<a name="Page_53" id="Page_53"></a><span class="pagenum">[Pg 53]</span> -aristocrats I never met than your people here.</q> His discontented -eye rested on Mrs. Tourtel. <q>That Mrs. Pedvinn is the -wife of Pedvinn the Jurat, I suppose?</q>—<q>Yes, de Pedvinns -of Rohais.</q> <q>Good people,</q> said Owen thoughtfully; <q>in with -the de Càterelles, and the Dadderney (d'Aldenois) set. Are -there children?</q>—<q>Tree.</q></p> - -<p>He took a drink of the spirit and water; his bad temper passed. -Margot came in from upstairs.</p> - -<p><q>De marster sleeps as dough he'd never wake again,</q> she -announced, flinging herself into the chair nearest Owen.</p> - -<p><q>It's 'bout time he did,</q> Tourtel growled.</p> - -<p><q>I should have thought it more to your interest to keep him -alive?</q> Owen inquired. <q>A good place, surely?</q></p> - -<p><q>A good place if you like to call it so,</q> the wife answered him; -<q>but what, if he go to town, as he say to-night? and what, if he -send de notary, to put de scellés here?—den he take up again wid -Dr. Lelever, dat's certain.</q> And Tourtel added in his surly key, -<q>Anyway, I've been workin' here dese tirty years now, an' dat's -'bout enough.</q></p> - -<p><q>In fact, when the orange is sucked, you throw away the peel? -But are you quite sure it is sucked dry?</q></p> - -<p><q>De house an' de lan' go to de Pedvinns, an' all de money die -too, for de little he had left when young John went 'crost de seas, -he sunk in a 'nuity. Dere's nuddin' but de lining, an' plate, an' -such like, as goes to de son.</q></p> - -<p><q>And what he finds of that, I expect, will scarcely add to his -impedimenta?</q> said Owen grinning. He thought, <q>The old man -is well known in the island, the name of his medical attendant -would get mentioned in the papers at least; just as well Le -Lièvre should not have the advertisement.</q> Besides, there were -the Poidevins. -<a name="Page_54" id="Page_54"></a><span class="pagenum">[Pg 54]</span></p> - -<p><q>You might say a good word for me to Mrs. Pedvinn,</q> he -said aloud, <q>I live nearer to Rohais than Lelever does, and -with young children she might be glad to have some one at -hand.</q></p> - -<p><q>You may be sure you won't never find me ungrateful, sir,</q> -answered the housekeeper; and Owen, shading his eyes with his -hand, sat pondering over the use of this word <q>ungrateful,</q> with -its faint yet perceptible emphasis.</p> - -<p>Margot, meanwhile, laid the supper; the remains of a rabbit-pie, -a big <q>pinclos</q> or spider crab, with thin, red knotted legs, -spreading far over the edges of the dish, the apple-gôche, hot from -the oven, cider, and the now half-empty bottle of brandy. The -four sat down and fell to. Margot was in boisterous spirits; -everything she said or did was meant to attract Owen's attention. -Her cheeks flamed with excitement; she wanted his eyes to be -perpetually upon her. But Owen's interest in her had long -ceased. To-night, while eating heartily, he was absorbed in his -ruling passion: to get on in the world, to make money, to be -admitted into Island society. Behind the pallid, impenetrable -mask, which always enraged yet intimidated Margot, he plotted -incessantly, schemed, combined, weighed this and that, studied his -prospects from every point of view.</p> - -<p>Supper over, he lighted his meerschaum; Tourtel produced a -short clay, and the bottle was passed between them. The women -left them together, and for ten, twenty minutes, there was complete -silence in the room. Tourtel let his pipe go out, and rapped -it down brusquely upon the table.</p> - -<p><q>It must come to an end,</q> he said, with suppressed ferocity; -<q>are we eider to spen' de whole of our lives here, or else be turned -off at de eleventh hour after sufferin' all de heat an' burden of de -day? Its onreasonable. An' dere's de cottage at Cottu standin' -<a name="Page_55" id="Page_55"></a><span class="pagenum">[Pg 55]</span> -empty, an' me havin' to pay a man to look after de tomato -houses, when I could get fifty per cent. more by lookin' after dem -myself.... An' what profit is such a sickly, shiftless life as dat? -My good! dere's not a man, woman, or chile in de Islan's as will -shed a tear when he goes, an' dere's some, I tells you, as have -suffered from his whimsies dese tirty years, as will rejoice. Why, -his wife was dead already when we come here, an' his on'y son, a -dirty, drunken, lazy vaurien too, has never been near him for -fifteen years, nor written neider. Dead most likely, in foreign -parts.... An' what's he want to stay for, contraryin' an' thwartin' -dem as have sweated an' laboured, an' now, please de good God, -wan's to sit 'neath de shadow of dere own fig-tree for de short -time dat remains to dem?... An' what do we get for stayin'? -Forty pound, Island money, between de two of us, an' de little I -makes from de flowers, an' poultry, an' such like. An' what do -we do for it? Bake, an' wash, an' clean, an' cook, an' keep de -garden in order, an' nuss him in all his tantrums.... If we -was even on his testament, I'd say nuddin. But everything -goes to Pedvinns, an' de son John, and de little bit of income -dies wid him. I tell you 'tis 'bout time dis came to an end.</q></p> - -<p>Owen recognised that Destiny asked no sin more heinous from -him than silence, perhaps concealment; the chestnuts would -reach him without risk of burning his hand. <q>It's time,</q> said he, -<q>I thought of going home. Get your lantern, and I'll help you -with the trap. But first, I'll just run up and have another look -at Mr. Rennuf.</q></p> - -<p>For the last time the five personages of this obscure little tragedy -found themselves together in the bedroom, now lighted by a small -lamp which stood on the wash-hand-stand. Owen, who had -to stoop to enter the door, could have touched the low-pitched -ceiling with his hand. The bed, with its slender pillars, supporting -<a name="Page_56" id="Page_56"></a><span class="pagenum">[Pg 56]</span> -a canopy of faded damask, took up the greater part of the -room. There was a fluted headpiece of the damask, and long -curtains of the same material, looped up, on either side of the -pillows. Sunken in these lay the head of the old man, crowned -with a cotton nightcap, the eyes closed, the skin drawn tight over -the skull, the outline of the attenuated form indistinguishable -beneath the clothes. The arms lay outside the counterpane, -straight down on either side; and the mechanical playing movement -of the fingers showed he was not asleep. Margot and Mrs. -Tourtel watched him from the bed's foot. Their gigantic -shadows thrown forward by the lamp, stretched up the opposite -wall, and covered half the ceiling. The old-fashioned mahogany -furniture, with its fillets of paler wood, drawn in ovals, upon the -doors of the presses, their centrepieces of fruit and flowers, -shone out here and there with reflected light; and the looking-glass, -swung on corkscrew mahogany pillars between the damask -window curtains, gleamed lake-like amidst the gloom.</p> - -<p>Owen and Tourtel joined the women at the bedfoot; though -each was absorbed entirely in his own egotisms, all were animated -by the same secret desire. Yet, to the feeling heart, there was -something unspeakably pleading in the sight of the old man -lying there, in his helplessness, in the very room, on the very bed, -which had seen his wedding-night fifty years before; where as -a much-wished-for and welcomed infant, he had opened his eyes -to the light more than seventy years since. He had been helpless -then as now, but then the child had been held to loving hearts, -loving fingers had tended him, a young and loving mother lay -beside him, the circumference of all his tiny world, as he was the -core and centre of all of hers. And from being that exquisite, -well-beloved little child, he had passed thoughtlessly, hopefully, -despairfully, wearily, through all the stages of life, until he had -<a name="Page_57" id="Page_57"></a><span class="pagenum">[Pg 57]</span> -come to this—a poor, old, feeble, helpless, worn-out man, lying -there where he had been born, but with all those who had loved -him carried long ago to the grave: with the few who might -have protected him still, his son, his cousin, his old friend Le -Lièvre, as powerless to save him as the silent dead.</p> - -<p>Renouf opened his eyes, looked in turn at the four faces before -him, and read as much pity in them as in masks of stone. He -turned himself to the pillow again and to his miserable thoughts.</p> - -<p>Owen took out his watch, went round to count the pulse, and -in the hush the tick of the big silver timepiece could be heard.</p> - -<p><q>There is extreme weakness,</q> came his quiet verdict.</p> - -<p><q>Sinking?</q> whispered Tourtel loudly.</p> - -<p><q>No; care and constant nourishment are all that are required; -strong beef-tea, port wine jelly, cream beaten up with a little -brandy at short intervals, every hour say. And of course no -excitement; nothing to irritate, or alarm him</q> (Owen's eye -met Margot's); <q>absolute quiet and rest.</q> He came back to the -foot of the bed and spoke in a lower tone. <q>It's just one of -the usual cases of senile decay,</q> said he, <q>which I observe every -one comes to here in the Islands (unless he has previously killed -himself by drink), the results of breeding in. But Mr. <a name="Renouf"></a> Renouf -may last months, years longer. In fact, if you follow out my -directions there is every probability that he will.</q></p> - -<p>Tourtel and his wife shifted their gaze from Owen to look into -each other's eyes; Margot's loose mouth lapsed into a smile. -Owen felt cold water running down his back. The atmosphere -of the room seemed to stifle him; reminiscences of his student -days crowded on him: the horror of an unperverted mind, at its -first spectacle of cruelty, again seized hold of him, as though no -twelve callous years were wedged in between. At all costs he -must get out into the open air. -<a name="Page_58" id="Page_58"></a><span class="pagenum">[Pg 58]</span></p> - -<p>He turned to go. Louis Renouf opened his eyes, followed the -form making its way to the door, and understood. <q>You won't -leave me, doctor? surely you won't leave me?</q> came the last -words of piercing entreaty.</p> - -<p>The man felt his nerve going all to pieces.</p> - -<p><q>Come, come, my good sir, do you think I am going to stay -here all night?</q> he answered brutally.... Outside the door, -Tourtel touched his sleeve. <q>And suppose your directions are -not carried out?</q> said he in his thick whisper.</p> - -<p>Owen gave no spoken answer, but Tourtel was satisfied. -<q>I'll come an' put the horse in,</q> he said, leading the way through -the kitchen to the stables. Owen drove off with a parting curse -and cut with the whip because the horse slipped upon the stones. -A long ray of light from Tourtel's lantern followed him down -the lane. When he turned out on to the high road to <abbr title="Saint">St.</abbr> Gilles, -he reined in a moment, to look back at <span lang="fr">Les Calais</span>. This is the -one point from which a portion of the house is visible, and he -could see the lighted window of the old man's bedroom plainly -through the trees.</p> - -<p>What was happening there? he asked himself; and the Tourtel's -cupidity and callousness, Margot's coarse cruel tricks, rose -before him with appalling distinctness. Yet the price was in his -hand, the first step of the ladder gained; he saw himself to-morrow, -perhaps in the drawing-room of Rohais, paying the necessary visit -of intimation and condolence. He felt he had already won -Mrs. Poidevin's favour. Among women, always poor physiognomists, -he knew he passed for a handsome man; among the -Islanders, the assurance of his address would pass for good -breeding; all he had lacked hitherto was the opportunity to -shine. This his acquaintance with Mrs. Poidevin would secure -him. And he had trampled on his conscience so often before, it -<a name="Page_59" id="Page_59"></a><span class="pagenum">[Pg 59]</span> -had now little elasticity left. Just an extra glass of brandy to-morrow, -and to-day would be as securely laid as those other episodes -of his past.</p> - -<p>While he watched, some one shifted the lamp ... a woman's -shadow was thrown upon the white blind ... it wavered, -grew monstrous, and spread, until the whole window was shrouded -in gloom.... Owen put the horse into a gallop ... and -from up at <span lang="fr">Les Calais</span>, the long-drawn melancholy howling of -the dog filled with forebodings the silent night.</p> - -<hr /> - -<p class="larger p4">The Lamplighter <a name="Page_60" id="Page_60"></a><span class="pagenum">[Pg 60]</span></p> - -<p class="indent">By A. S. Hartrick</p> - -<p><a name="Page_61" id="Page_61"></a><span class="pagenum">[Pg 61]</span></p> - -<hr class="hide" /> - -<div class="figcenter"> - <img src="images/i_04.jpg" - width="400" height="800" - alt="Illustration: The Lamplighter" /> -</div> - -<p><a name="Page_62" id="Page_62"></a><span class="pagenum">[Pg 62]</span></p> - -<hr /> - -<h3 class="left">The Composer of <q>Carmen</q> <a name="Page_63" id="Page_63"></a><span class="pagenum">[Pg 63]</span></h3> - -<p class="right">By Charles Willeby</p> - -<p class="p2 dropcap">What little has been written about poor Bizet is not the -sort to satisfy. The men who have told of him cannot -have written with their best pen. Even those who, one can see, -have started well, albeit impelled rather than inspired by a profound -admiration for the artist and the man, have fallen all too short of -the mark, and ultimately drifted into the dullest of all dull things—the -compilation of mere dates and doings. I know of no pamphlet -devoted to him in this country. He was much misunderstood -in life; he has been, I think, as much sinned against in death. -The symbol of posthumous appreciation which asserts itself to the -visitor to Père Lachaise, is exponential of compliment only when -reckoned by avoirdupois. Neglected in life, they have in death -weighed him down with an edifice that would have been obnoxious -to every instinct in his sprightly soul—a memorial befitting perhaps -to such an one as Johannes Brahms, but repugnant as a -memento of the spirit that created <q>Carmen.</q> It is an emblem -of French formalism in its most determined aspect. And in -truth—as Sainte-Beuve said of the Abbé Galiani—<q>they owed to -him an honourable, choice, and purely delicate burial; <i lang="la">urna brevis</i>, -a little urn which should not be larger than he.</q> The previous -inappreciation of his genius has given place to posthumous laudation, -<a name="Page_64" id="Page_64"></a><span class="pagenum">[Pg 64]</span> -zealous indeed, but so indiscriminating as to be vulgar. Like -many another man, he had to take <q>a thrashing from life</q>; and -although he stood up to it unflinchingly, it was only in his death -certificate that he acquired passport to fame.</p> - -<p>Just eighteen years before it was that Bizet had written from -Rome: <q>We are indeed sad, for there come to us the tidings of -the death of Léon Benouville. Really, one works oneself half -crazy to gain this Prix de Rome; then comes the huge struggle -for position; and after all, perchance to end by dying at thirty-eight! -Truly, the picture is the reverse of encouraging.</q> Here -was his own destiny, <i lang="fr">nu comme la main</i>, save that the fates begrudged -him even the thirty-eight years of his brother artist—called -him when he could not but</p> - -<p class="poem"> -<span class="i15">"contrast</span><br /> -<span class="i6">The petty done—the undone vast."</span></p> - -<p>But his early life was not unhappy. He had no pitiful struggle -with poverty in childhood, at all events. Some tell us he was precocious—terribly -so; but I had rather take my cue from his own -words, <q lang="fr">Je ne me suis donné qu'à contre-cœur à la musique,</q> than -dwell upon his precocity, real or fictional. It was only hereditarily -consistent that he should have a musical organisation. His -father was a teacher of music, not without repute; his mother -was a sister of François Delsarte, who, although unknown to -Grove, has two columns and more devoted to him by Fetis, by -whom he is described as an <q lang="fr">artiste un peu étrange, quoique d'un -mérite incontestable, doué de facultés très diverses et de toutes les -qualités nécessaires à l'enseignement.</q> What there was of music in -their son the parents sought to encourage assiduously, and Bizet -himself has shown us in his work, more clearly than aught else -could, that the true dramatic sense was innate in him. And that -<a name="Page_65" id="Page_65"></a><span class="pagenum">[Pg 65]</span> -he loved his literature too, was well proved by a glance at the -little <i lang="fr">appartement</i> in the <span lang="fr">Rue de Douai</span>, which he continued to -occupy until well-nigh the end.</p> - -<p>In 1849—he was just over his tenth year—Delsarte took him -to Marmontel of the Conservatoire. <q>Without being in any -sense of the word a prodigy,</q> says the old pianoforte master, <q>he -played his Mozart with an unusual amount of taste. From the -moment I heard him I recognised his individuality, and I made it my -object to preserve it.</q> Then Zimmerman, with whom <i lang="fr">l'enseignement</i> -was a disease, heard of him and sought him for pupil. But -Zimmerman seems to have tired of him as he tired of so many -and ended by passing him on to Gounod. From entry to exit—an -interval of eight years—Bizet's academic career was a series of -<i lang="fr">premiers et deuxièmes prix</i>. They were to him but so many stepping-stones -to the coveted Grand Prix de Rome. He longed to secure -this—to fly the crowded town and seek the secluded shelter of -the Villa Medici. And in the end he had his way. In effect, he -commenced to live only after he had taken up his abode on the -little Pincian Hill. Even there life was a trifle close to him, and -some time passed before he really fixed his focus.</p> - -<p>In Italy, more than in any other part of the world, the life of -the present rests upon the strata of successive past lives. And -although Bizet was no student, carrying in his knapsack a superfluity -of culture, this place appealed to him from the moment that -he came to it, and the memory of it lingered long in after days.</p> - -<p>The villa itself was a revelation to him. The masterpiece of -Renaissance façade over which the artist would seem to have -exhausted a veritable mine of Greek and Roman bas-reliefs; the -garden with its lawns surrounded by hedges breast-high, trimmed -to the evenness of a stone-wall; the green alleys overshadowed by -ilex trees; the marble statues looking forlornly regretful at Time's -<a name="Page_66" id="Page_66"></a><span class="pagenum">[Pg 66]</span> -defacing treatment; the terrace with its oaks gnarled and twisted -with age; the fountains; the roses; the flower-beds; and in the -distance, <q>over the dumb Campagna-sea,</q> the hills melting into -light under the evening sky—all these made an <i lang="it">intaglio</i> upon him -such as was not readily to be effaced, and which he learned to love. -Perhaps because, after all, Italy is even more the land of beauty -than of what is venerable in art, he did not feel the want of what -Mr. Symonds calls the <q>mythopœic sense.</q> It is a land ever -young, in spite of age. Its monuments, assertive as they are, so -blend with the landscape, are so in harmony with the surroundings, -that the yawning gulf of years that would separate us from them -is made to vanish, and they come to live with us.</p> - -<p>And the place was teeming with tradition. From the time, -1540, when it had been designed by Hannibal Lippi for Cardinal -Ricci, passing thence into the hands of Alexandro de' Medici, -and later into those of Leo XI., it had been the home of art; and -then, on its acquisition by the French Academy in 1804, it became -the home of artists. Here had lived and worked and dreamed -David, Ingres, Delaroche, Vernet, Hérold, Benoist, Halévy, -Berlioz, Thomas, Gounod, and the minor host of them. In truth -the list awed Bizet not a little, and had he needed an incentive -here it was. For the rest, he was supremely content. As a <i lang="fr">pensionnaire</i> -of the Academy he had two hundred francs a month, and -he apportioned them in this wise: <span lang="fr"><i>Nourriture</i>, <abbr title="75 francs">75fr.</abbr>; <i>vin</i>, <abbr title="25 francs">25fr.</abbr>; -<i>retenue</i>, <abbr title="25 francs">25fr.</abbr>; <i>location de piano</i>, <abbr title="15 francs">15fr.</abbr>; <i>blanchissage</i>, <abbr title="5 francs">5fr.</abbr>; <i>bois</i>, -<i>chandelles</i>, <i>timbre-poste</i>, <i><abbr title="et cetera">&c.</abbr></i>, <abbr title="10 francs">10fr.</abbr>; <i>gants</i>, <abbr title="5 francs">5fr.</abbr>; <i>perte sur le change -de la monnaie,</i> <abbr title="5 francs">5fr.</abbr></span> Even then he wrote: <q>I have more than -thirty francs <i lang="fr">pour faire le grand garçon</i>.</q> In another letter he says: -<q>I seem to cling to Rome more than ever. The longer I know -it, the more I love it. Everything is so beautiful. Each street—even -the filthiest of them—has its own charm for me. And perhaps -<a name="Page_67" id="Page_67"></a><span class="pagenum">[Pg 67]</span> -what is most astonishing of all, is that those very things which -startled me most on my arrival, have now become a part of and -necessary to my very existence—the madonnas with their little -lamps at every corner; the linen hanging out to dry from the -windows; the very refuse of the streets; the beggars—all these -things really divert me, and I should cry out if so much as a -dung-heap were removed.... More too, every day, do I pity -those imbeciles who have not been more fully able to appreciate -their good fortune in being <i lang="fr">pensionnaires</i> of the Academy. But -then one cannot help observing that they are the very ones who -have achieved nothing. <span lang="fr">Halévy, Thomas, Gounod, Berlioz, -Massé</span>—they all loved and adored their Rome.</q></p> - -<p>Then on the last day of the same year: <q>I seem to incline -more definitely towards the theatre, for I feel a certain sense of -drama, which, if I possessed it, I knew not of till now. So I -hope for the best. But that is not all. Hitherto I have vacillated -between Mozart and Beethoven, between Rossini and Meyerbeer, -and suddenly I know upon what, upon whom to fix my faith. -To me there are two distinct kinds of genius: the inspirational -and the purely rational, I mean the genius of nature and the -genius of erudition; and whilst I have an immense admiration for -the second, I cannot deny that the first has all my sympathies. -So, <i lang="fr">mon cher</i>, I have the courage to prefer, and to say I prefer, -Raphael to Michael Angelo, Mozart to Beethoven, Rossini to -Meyerbeer, which is, I suppose, much the same as saying that if -I had heard Rubini I would have preferred him to Duprez. Do -not think for a moment that I place one above the other—that -would be absurd. All I maintain is that the matter is one of -taste, and that the one exercises upon my nature a stronger -influence than does the other. When I hear the 'Symphonie -Héroïque,' or the fourth act of the 'Huguenots,' I am spell-bound, -<a name="Page_68" id="Page_68"></a><span class="pagenum">[Pg 68]</span> -aghast as it were; I have not eyes, ears, intelligence, -enough even to admire. But when I see <span lang="fr">'L'École D'Athènes,'</span> -or <span lang="fr">'La Vierge de Foligno,'</span> when I hear <span lang="fr">'Les Noces de Figaro,'</span> -or the second act of <span lang="fr">'Guillaume Tell,'</span> I am completely happy; -I experience a sense of comfort, a complete satisfaction: in effect, -I forget everything.</q></p> - -<p>This, then, is what Rome did for Bizet; but, be it said, for -Bizet <i lang="fr">très jeune encore</i>. For a time the result is patent in his -work, but afterwards there comes, although no revulsion, a distinct -variation of feeling, which has in it something of compromise. -The genius innate in him was inspirational before it was—if it -ever was—erudite. Even in his later days there was for him no -cowering before his culture. In 1867 he wrote in the <cite>Revue -Nationale</cite>—the only critique, by the way, he ever wrote—under -the pseudonym of Gaston de Betzi: <q>The artist has no name, -no nationality. He is inspired or he is not. He has genius or he -has not. If he has, we welcome him; if he has not, we can at -most respect him, if we do not pity and forget him.</q></p> - -<p>He was the same in all things: <q>I have no comrades,</q> he said, -<q>only friends.</q> And there is one sentence that he wrote from -Rome that might well be held up to the <i lang="fr">gamins</i> of the French -Conservatoire. <span lang="fr"><q>Je ne veux rien faire <em>de chic</em>; je veux avoir des -<em>idées</em> avant de commencer un morceau.</q></span></p> - -<p>In August of his second year Bizet left Rome on a visit to -Naples. He carried a letter to Mercadente. On his return good -news and bad awaited him. Ernest Guiraud, his good friend and -quondam fellow-student in the class of Marmontel, has just been -proclaimed Prix de Rome. And this at the very moment Bizet -was to leave the Villa; for the Academy would have it that their -musical <i lang="fr">pensionnaires</i> should pass the third year in Germany. -The prospect was entirely repugnant to Bizet. So he went to -<a name="Page_69" id="Page_69"></a><span class="pagenum">[Pg 69]</span> -work against it, directing his energies in the first place against -Schnetz, <q>the dear old director</q> as they called him. Schnetz, -owning to a soft spot for his young <i lang="fr">pensionnaire</i>, was overcome, and -through him I fancy the powers that were in Paris. However, -Bizet was permitted to remain in his beloved Rome. Delighted, -he wrote off to Marmontel: <q>I am daily expecting Guiraud, and -words cannot express how glad I shall be to see him. Would you -believe it, it is two years since I have spoken with an intelligent -musician? My colleague Z—— bores me frightfully. He speaks -to me of Donizetti, of Fesca even, and I reply to him with -Mozart, Mendelssohn, and Gounod.</q></p> - -<p>This last year spent with Guiraud was perhaps the happiest of -his life. At the close of it the two set off together on a ramble -through the land, with fancy for their only guide. They had got -so far as Venice when news of his mother's dangerous illness -called Bizet to her side. He arrived in time to say farewell, and -he never returned to Italy.</p> - -<p>Of work done at the Villa, <q>Vasco de Gama</q> is the only -tangible sample; <q>but I have not wasted my time,</q> he wrote, -<q>I have read a good many volumes of history, and ever so much -more literature of all kinds. I have travelled, I have learned -something of the history of art, and I really am a bit of a -connoisseur in painting and sculpture. All I want now, on my -return, are <i lang="fr">trois jolis actes</i> for the <span lang="fr">Théâtre Lyrique</span>.</q></p> - -<p>And shortly we find him in full swing with <q lang="fr">Les Pêcheurs des -Perles.</q> It was produced on the <abbr title="thirtieth">30th</abbr> September of 1863, and -had some eighteen representations. <q lang="fr">La Jolie Fille de Perth,</q> -which followed it four years later, had, I think, twenty-one. In -between these two works, we are told, Bizet, in a fit of violent -admiration for Verdi, strove to emulate him in an opera entitled -<q lang="fr">Ivan le Terrible.</q> It is said to have been completed and -<a name="Page_70" id="Page_70"></a><span class="pagenum">[Pg 70]</span> -handed to the management of the <span lang="fr">Théâtre Lyrique</span>. Then -Bizet, recognising as suddenly that he had made a mistake, withdrew -the score and burned it.</p> - -<p>M. Charles Pigot, who is chiefly responsible for this story, -goes on to say that the libretto was the work of <abbr title="Monsieurs">MM.</abbr> Louis -Gallet and Edouard Blau. But in that he is not correct, for -Gallet himself tells us that he knew Bizet only ever so slightly at -the time, and that neither to him nor to Blau is due a single line -of this <q lang="fr">Ivan.</q></p> - -<p>Then there were <q>Griselidis,</q> of which, in a letter dated -February of 1871, Bizet speaks as <i lang="fr">très avancée</i>; <q lang="fr">Clarisse -Harlowe</q>; and the <q lang="fr">Calendal</q> of M. Sardou, to each of which -he referred in the same year as <i lang="fr">à peine commencée</i>. There was also -an opera in one act written by M. Carvalho, and actually put -into rehearsal at the <span lang="fr">Opéra Comique</span>. But none of these saw the -light, and I have little doubt they all met their fate on a certain -eventful day, shortly before he died, when Bizet remorselessly -destroyed a whole pile of manuscript. And in truth these early -works had little value of themselves. They were but so many -rungs of the ladder by which he climbed to the heights of -<q>Djamileh,</q> of <q lang="fr">L'Arlésienne,</q> and of <q>Carmen.</q> No musician -ever took longer to know himself than did Georges Bizet. His -period of hesitation, of vacillation, was unduly protracted. For -why, it is hard to tell; but one cannot help feeling that the -terrible <i lang="fr">lutte pour la vie</i> had a deal to do with it. Those early -years in Paris were very hard ones. <q>Believe me,</q> he wrote from -le Vésinet (always a favourite spot with him), <q>believe me, it is -exasperating to have one's work interrupted for days to write -<i lang="fr">solos de piston</i>. But what would you? I must live. I have just -rushed off at a gallop half-a-dozen melodies for Heugel. I trust -you may like them. At least I have carefully chosen the verses. -<a name="Page_71" id="Page_71"></a><span class="pagenum">[Pg 71]</span> -... My opera and my symphony are both of them <i lang="fr">en train</i>. But -when, oh when, shall I finish them? Yet I do nothing but work, -and I come only once a week to Paris. Here I am well out of -the way of all <span lang="fr"><i>flaneurs</i>, <i>raseurs</i>, <i>diseurs de riens</i>, <i>du monde enfin</i>, -<i>hélas</i></span>.</q> Then a few days later: <q>I am completely prostrate with -fatigue. I can do nothing. I have even been obliged to give up -orchestrating my symphony; and now I feel it will be too late for -this winter. I am going to lie down, for I have not slept for -three nights, and all seems so dark to me. To-morrow, too, I -have <i lang="fr">la musique gaie</i> to write.</q></p> - -<p>Just then time was pressing him hard. He was under contract -to produce <q lang="fr">La Jolie Fille de Perth</q> by the end of the -year, and he was already well into October. It became a matter -of fifteen and sixteen hours work a day; for there were lessons to -be given, proofs to be corrected, piano transcriptions to be made, -and the rest. And, truth to tell, he was terribly lacking in -method. He was choke-full of ideas, he was indeed borne along -by a very torrent of them; and if only he could have stopped to -collect himself it would have been well for him. But no; before -he realised it, <q lang="fr">La Jolie Fille</q> was finished and in rehearsal. -Then for the time he was able to put enough distance between -himself and his work to value it. And it seems to have pleased -him. <q>The final rehearsal,</q> he writes to Galabert (by this time -his confidant in most things), <q>has produced a great effect. The -piece is really highly interesting, the interpretation is excellent, -and the costumes are splendid. The scenery is new and the -orchestra and the artists are full of enthusiasm. But more than -all this, <i lang="fr">cher ami</i>, the score of 'La Jolie Fille' is <i lang="fr">une bonne chose</i>. -The orchestra lends to all a colour and relief for which, I confess, -I never dared to hope. I think I have arrived this time. Now, -<i lang="fr">il faut monter, monter, monter, toujours</i>.</q> -<a name="Page_72" id="Page_72"></a><span class="pagenum">[Pg 72]</span></p> - -<p>Shortly after this he married Geneviève Halévy, the daughter of -the composer of <q lang="fr">La Juive,</q> and lived almost exclusively at <span lang="fr">le -Vésinet</span>. There, at 8, <span lang="fr">Rue des Cultures</span>, a rustic place enough, -one might find Georges Bizet, seated in his favourite corner of the -lovely garden, <i lang="fr">en chapeau de canotier</i>, smoking his pipe and chatting -to his friends. It had been the home of Jacques Halévy, and -Bizet had been wont to do his courting there. Now the old man -was no more, and in the long summer days, the daughter and the -son—for Halévy had been as a father to Bizet—missed sorely the -familiar figure hard at work with rake or hoe at his beloved flower-beds. -They were the passion of his later days, and they well repaid -his care. Even in the middle of a lesson—and he taught up to well-nigh -the last weeks of his life—would he rush out to uproot a -noxious weed that might chance to catch his eye. <q>How well I -remember my first day there,</q> says Louis Gallet. "The war -was not long finished, and the traces of it were with us yet. -True, Paris had resumed her lovely girdle of green; but beneath -this verdure reflected in the tardy waters of the Seine, there was -enough still to tell the terrible tale of ruin. One could not go to -<span lang="fr">Pecq</span> or <span lang="fr">le Vésinet</span> without some difficulty. Bizet, to save me -trouble, had taken care to meet me at Rueil, whence we made for -the little place where he was staying for the summer. The day -was lovely, and 'Djamileh' made great strides as we talked and -paced the pretty garden walks. This habit of discussing while -walking, what was uppermost in his mind, was always, to me, a -powerful characteristic of Georges Bizet. I do not remember -any important discussion between us that did not take place -during a stroll, or at all events whilst walking, if only to and from -his study. We talked long that afternoon—of the influence of -Wagner on the future of musical art, of the reception in store for -'Djamileh,' both by the public and by the Opéra Comique itself. -<a name="Page_73" id="Page_73"></a><span class="pagenum">[Pg 73]</span> -This latter, indeed, was no light matter. The Direction was -then undertaken by two parties: that of <span lang="fr">Du Locle</span>, tending -towards advancement in every form; that of <span lang="fr">De Leuven</span>, clinging -with all the force of tradition to the past.</p> - -<p>"Then in the evening nothing would do but Bizet should see -me well on my way to Paris. The bridges were not yet restored. -So we set off on foot, in company with Madame Bizet, to find -the ferry-boat. How delicious was that walk by the little islets in -the cool of the twilight; along the towing-path so narrow and -overrun with growth that we were obliged to proceed in Indian -file. And how merry we were, until perchance we stumbled on -the fragment of a shell lying hidden in the grass, or came face to -face with some majestic tree, still smarting from its wounds, -when there would rise before us in all its vividness the terrible -scene so recently enacted on that spot. Then we talked of the -war and all its sorrows; and we tried to descry there on the -right, in the shade of Mount Valerien, the spot where Henri -Regnault fell.</p> - -<p><q>At length we found the ferry, and reached the other bank. -There at the end of the path we could see the lights of the -station; so we separated. And although I made many after -visits, none remained so firmly fixed in my memory, or left me -so happy an impression as did this, my first to Bizet's summer -home.</q></p> - -<p>During the siege itself, he had been forced to remain in Paris. -But it was much against his will, and he seems to have chafed -sorely at it. Yet it is difficult to picture Bizet bellicose. <q>Dear -friend,</q> he writes to Guiraud, who was stationed at some outpost, -<q>the description you give of the palace you are living in makes -us all believe that luck is with you. But every day we think of -the cold, the damp, the ice, the Prussians, and all the other -<a name="Page_74" id="Page_74"></a><span class="pagenum">[Pg 74]</span> -horrors that surround you. As for me, I continue to reproach -myself with my inaction, for in truth my conscience is anything -but at rest; but you know well what keeps me here. We really -cannot be said to eat any longer. Suzanne has just brought in -some horse bones, which I believe are to form our meal. Geneviève -dreams nightly of chickens and lobsters.</q></p> - -<p>Not till the following year, during the days of the Commune, -do we find him at <span lang="fr">le Vésinet</span>. Then he writes (also to Guiraud): -<q>Here we are without half our things, without our books, without -anything in fact, and absolutely there are no means of getting -into Paris.... So, dear friend, if you have any news, do, I -pray you, let us have it. I read the Versailles papers, but they -tell their wretched readers (and expect them to believe it) that -France is 'très tranquille,' Paris alone excepted (<i>sic</i>). The day -before yesterday was anything but tranquil. For twelve hours -there was nothing but a continuous cannonade.... But <em>we</em> -are safe enough, for although the Prussian patrols continue to -increase in number we are not inconvenienced by them, and they -will not, in all probability, occupy <span lang="fr">le Vésinet</span>. But it seems quite -impossible to say how all this is going to end. I am absolutely -discouraged, and what is more, I fear, dear friend, there is worse -trouble ahead of us. I am off now to the village to look at a -piano; I must work and try to forget it all.</q></p> - -<p>He finished <q>Djamileh</q> at <span lang="fr">le Vésinet</span>. It was produced at the -<span lang="fr">Opéra Comique</span> in May of 1872. Gallet tells us that he did not -write the book specially for Bizet. Under the title of <q>Namouna,</q> -it had been given by M. du Locle to Jules Duprato, a -musician and a <q lang="fr">prix de Rome.</q> But Duprato <i lang="fr">paressait agréablement</i>, -and never got much further with it than the composition -of a certain <i lang="fr">air de danse</i> to the verses commencing: -<q lang="fr">Indolente, grave et lente,</q> which are to be found also in Bizet's -<a name="Page_75" id="Page_75"></a><span class="pagenum">[Pg 75]</span> -score. Then there came a time when the <span lang="fr">Opéra Comique</span>, truly -one of the most good-natured of institutions in its own peculiar -way, so far belied its reputation as to tire of this idling on the -part of M. Duprato. So the work passed on to Bizet. He -suggested change of title, and <q lang="fr">Namouna</q> became <q>Djamileh.</q> -But it remained nevertheless the poem of Musset.</p> - -<div class="poem"><div class="stanza"> -<span class="i2a" lang="fr">"Je vous dirais qu' Hassan racheta Namouna</span><br /> -<span class="i6">* * * * *</span><br /> -<span class="i2" lang="fr">Qu'on reconnut trop tard cette tête adorée</span><br /> -<span class="i2" lang="fr">Et cette douce nuit qu'elle avait espérée</span><br /> -<span class="i2" lang="fr">Que pour prix de ses maux le ciel la lui donna.</span><br /> -</div> - -<div class="stanza"> -<span class="i2" lang="fr">Je vous dirais surtout qu' Hassan dans cette affaire</span><br /> -<span class="i2" lang="fr">Sentit que tôt ou tard la femme avait son tour</span><br /> -<span class="i2" lang="fr">Et que l'amour de soi ne vaut pas l'autre amour."</span><br /> -</div></div> - -<p>There you have the whole story. It is but an <i lang="fr">état d'âme</i>—a little -love scene, simple enough in a way, yet so delicate and so full of -colour. It was a matter of <q>atmosphere,</q> not of structure, a -masterpiece of style rather than of situation; and from its first -rehearsal as an opera it was doomed. In truth, these rehearsals -were amusing. There was old Avocat—they used to call him -Victor—the typical <i lang="fr">régisseur</i> of tradition; a man who could tell -of the <i lang="fr">premières</i> of <q lang="fr">Pré-aux-Clercs</q> and <q lang="fr">La Dame Blanche,</q> -and, what is more, expected to be asked to tell of them. From his -corner in the wings he listened to the music of this <q>Djamileh,</q> -his face expressive of a pity far too keen for words. But it was a -matter of minutes only before his pity turned to rage, and eventually -he stumped off to his sanctum, banging his door behind him -with a vehemence that augured badly for poor Bizet. As for -De Leuven, his co-director: had he not written. <q lang="fr">Postillon de -<a name="Page_76" id="Page_76"></a><span class="pagenum">[Pg 76]</span> -Lonjumeau</q>? and was it not the most successful work of -Boiledieu's successor? The fact had altered his whole life. -Ever after, all he sought in opera was some similarity with -Le Postillon. And there was nothing of Adam in this music, -still less anything of De Leuven in the poem. That was sufficient -for him. <q lang="fr">Allons,</q> said he one day to Gallet, who arrived at -rehearsal just as Djamileh was about to sing her <i lang="it">lamento</i>: -<q lang="fr">allons, vous arrivez pour le <span lang="la">De Profundis.</span></q></p> - -<p>As for the public, they understood it not at all, this charming -miniature. <q lang="fr">C'est indigne,</q> cried one; <q lang="fr">c'est odieux,</q> from -another; <q lang="fr">c'est très drôle,</q> said a third. <q lang="fr">Quelle cacophonie, -quelle audace, c'est se moquer du monde. Voilà, où mène le culte -de Wagner à la folie. Ni tonalité, ni mesure, ni rythme; ce -n'est plus de la musique,</q> and the rest. The press itself was -no better, no whit more rational. Yet this <q>Djamileh</q> was -rich in premonition of those very qualities that go to make -<q>Carmen</q> the immortal work it is. It so glows with true -Oriental colour, is so saturate with the true Eastern spirit, as to -make us wonder for the moment—as did Mr. Henry James about -Théophile Gautier—whether the natural attitude of the man was -not to recline in the perfumed dusk of a Turkish divan, puffing a -chibouque. Here the tints are stronger, mellower, and more -carefully laid on than in <q lang="fr">Les Pêcheurs des Perles.</q> There is, -too, all the <i lang="fr">bizarrerie</i>, as well as all the sensuousness of the East. -Yet there is no obliteration of the human element for sake of the -picturesque. Wagnerism was the cry raised against it on all -sides; yet, if it be anything but Bizet, it is surely Schumann. It -was, in effect, all too good for the public—too fine for their vulgar -gaze, their indiscriminating comment. And Reyer, farseeing -amongst his fellows, spoke truth when he said in the <cite lang="fr">Débats</cite>: -<q>I feel sure that if M. Bizet knows that his work has been -<a name="Page_77" id="Page_77"></a><span class="pagenum">[Pg 77]</span> -appreciated by a small number of musicians—being <i lang="it">cognoscenti</i>—he -will be more proud of that fact than he would be of a popular -success. 'Djamileh,' whatever be its fortunes, heralds a new -epoch in the career of this young master.</q></p> - -<p>Then came <q lang="fr">L'Arlésienne,</q> as all the world knows, a dismal -failure enough. It was to Bizet a true labour of love. From the -day that Carvalho came to him proposing that he should add -<i lang="fr">des mélodrames</i> to this tale of fair Provence, to the day of its -production some four months later, he was absorbed in it. The -score as it now stands represents about half the music that he -wrote. The prelude to the third act of <q>Carmen,</q> and the -chorus, <q lang="fr">Quant aux douaniers,</q> both belonged originally to -<q lang="fr">L'Arlésienne,</q> The rest was blue pencilled at rehearsal. And -of all the care he lavished on it, perhaps the finest, certainly the -fondest, was given to his orchestra. Every instrument is ministered -to with loving care. Luckily for him, fortunately too for -us, he knew not then what sort of lot awaited this scrupulous score -of his. He knew he wrote for Carvalho—for the Vaudeville; but -that was all. And they gave him twenty-five musicians—a -couple of flutes and an oboe (this latter to do duty too for the -cor-anglais); one clarinet, a couple of bassoons, a saxophone, two -horns, a kettle-drum, seven violins, one solitary alto, five celli, -two bass, and his choice of one other. The poor fellow chose a -piano; but they never saw the irony of it. All credit to his little -band, they did their best. But the most that they could do was to -cull the tunes from out his score. The consolation that we have -is, that, so far as the piece as a piece is concerned, no orchestra -in the world could have saved it. It was doomed to failure for all -sorts of reasons. Daudet himself goes very near the mark when -he says that <q>it was unreasonable to suppose that in the middle of -the boulevard, in that coquettish corner of the <a name="Chaussee"></a> Chaussée d'Antin, -<a name="Page_78" id="Page_78"></a><span class="pagenum">[Pg 78]</span> -right in the pathway of the fashions, the whims of the hour, -the flashing and changing vortex of all Paris, people could be -interested in this drama of love taking place in the farmyard in -the plain of Camargue, full of the odour of well-plenished granaries -and lavender in flower. It was a splendid failure; clothed in the -prettiest music possible, with costumes of silk and velvet in the -centre of comic opera scenery.</q> Then he goes on to tell us: <q>I -came away discouraged and sickened, the silly laughter with which -the emotional scenes were greeted still ringing in my ears; and -without attempting to defend myself in the papers, where on all -sides the attack was led against this play, wanting in surprises—this -painting in three acts of manners and events of which I alone -could appreciate the absolute fidelity. I resolved to write no -more plays, and heaped one upon the other all the hostile notices -as a rampart around my determination.</q></p> - -<p>At this time Bizet seems to have come a good deal into contact -with Jean Baptiste Faure. They met frequently at the Opéra. -<q>You really must do something more for Bizet,</q> said the baritone -to Louis Gallet. <q>Put your heads together, you and Blau, and -write something that shall be <i lang="fr">bien pour moi</i>.</q> <q>Lorenzaccio,</q> -perhaps the strongest of De Musset's dramatic efforts, first came -up. But Faure was not at all in touch with it. The rôle of -Brutus—fawning Judas that he is—revolted him. He had no -fancy to distort as <i lang="fr">menteur à triple étage</i>; so the subject was put -by. Then came Bizet one morning with an old issue of <cite lang="fr">Le -Journal pour tous</cite> in his pocket. <q>Here is the very thing for -us: 'Le Jeunesse du Cid' of Guilhem de Castro; not, mark -you, the Cid of Corneille alone, but the inceptive Cid in all the -glory of its pristine colour—the Cid, Don Rodrigue de Bivar, in -the words of Sainte-Beuve 'the immortal flower of honour and of -love.'</q> The <i lang="fr">scène du mendiant</i> held Bizet completely. It was to -<a name="Page_79" id="Page_79"></a><span class="pagenum">[Pg 79]</span> -him simple, touching, and great. It showed Don Rodrigue in a -new light. Those—and there were many of them—who had -already cast their choice upon this legend, had recognised—but -recognised merely—in their hero, the son prepared to sacrifice his -love for filial duty, and to yield his life for love. But they had -not seen in him the Christian, the true and godly soul, the Good -Samaritan that De Castro represents. The scene of Rodrigue -with the leper, disdained and done away with by Corneille, with -which De Castro too was so reproached, was full of attraction for -Bizet. His whole interest centred round it. He was impatient -and hungered to get at it; and <q>Carmen,</q> on which he was -already well at work, was even laid aside the while. Faure, too, -had expressed a sound approval and a hearty interest, and this -alone meant much. So Bizet once again was full of hope. -There follows a long and detailed correspondence on the subject -with Gallet, with which I have not space to deal; but it shows -up splendidly the extreme nicety of the musician's dramatic sense.</p> - -<p>In the summer of 1873 <q>Don Rodrigue</q> was really finished, -and one evening Bizet called his friends to come and listen. -Around the piano were Edouard Blau, Louis Gallet, and Jean -Faure. Bizet had his score before him—to common gaze a skeleton -thing enough, for of <q>accompaniment</q> there was but little. But -to its creator it was well alive, and he sang—in the poorest possible -voice, it is true—the whole thing through from beginning to end. -Chorus, soprano, tenor, bass, yea, even the choicer <q>bits</q> for -orchestra—all came alike to him; all were infused with life from -the spirit that created them. It was long past midnight when he -ceased, and then they sat and talked till dawn. All were enthusiastic, -and in the opinion of Faure (given three years later) -this score was more than the equal of <q>Carmen.</q> His word is -all we have for it, but it carries with it something of conviction. -<a name="Page_80" id="Page_80"></a><span class="pagenum">[Pg 80]</span> -He was no bad judge of a work. Anyway, no sooner had he -heard it than he set about securing its speedy production at the -Opéra. And he succeeded in so far that it was put down early -on the list. But Fate had yet to be reckoned with. She was not -thus to be baulked of her prey: she had dogged the footsteps of -poor Bizet far too zealously for that; and on the <abbr title="twenty-eighth">28th</abbr> October -(less than a week after he had put <i lang="la">finis</i> to his work), she stepped -in. On that day the Opéra was burned down.</p> - -<p>As for the score, it was laid aside, and of its ultimate lot we are -in ignorance. Inquiry on the part of Gallet seems to have -elicited nothing more definite than a courteous letter from M. -Ludovic Halévy, to the effect that he was quite free to dispose of -the book to another composer. <q>It was George's favourite,</q> -wrote his brother-in-law, <q>and he had great hopes for it; but it -was not to be.</q></p> - -<p>Perhaps of all his powers Bizet's greatest was that of recuperation. -It would be wrong to say he did not know defeat; he -knew it all too well, but he never let it get the better of him. -He was never without his irons upon the fire, never without a -project to fall back upon. And perhaps it is not too much to say -that he had no life outside his art. This too may in truth be -told of him: that in all the struggle and the scramble, in all his -fight with fortune, it was the sweeter qualities of his nature that -came uppermost. His strength of purpose stood on a sound basis—a -basis of confidence in, though not arrogance of, his own -power. Where he was most handicapped was in carrying on his -artistic progress <i lang="la">coram populo</i>. Had it been as gradual as most -men's—had it been but the acquiring of an ordinary experience—all -might have been well; he would probably have been accorded -his niche and would have occupied it. But he progressed by -leaps and bounds, and even then his ideal kept steadily miles ahead -<a name="Page_81" id="Page_81"></a><span class="pagenum">[Pg 81]</span> -of his achievement. It was for long a very will-o'-the-wisp for -him. Now and again he caught it, and it is at such moments that -we have him at his best; but he can be said only to have captured -it completely—so far as we are in a position to tell—in -<q>L'Arlésienne</q> and certain parts of <q>Carmen.</q> His faculty -of self-criticism was developed in such an extraordinary degree -as to baulk him. He loved this Don Rodrigue and thought it -was his masterwork, and that too at the time when <q>Carmen</q> -must have been well forward. We know then that the loss is -not a small one.</p> - -<p>It had not been alone the fate of the Opéra House that had stood -in the way. That institution had in course taken up its quarters -at the Salle Ventadour, and once installed there had proceeded -with the <i lang="fr">répertoire</i>. But Bizet's <q>Rodrigue,</q> although well -backed by Fauré, was pushed aside for others. The three names -that it bore were all too impotent; and when a new work was -announced, it was <q lang="fr">L'Esclave</q> of Membrée that was seen to -grace the bills, and not <q>Don Rodrigue.</q></p> - -<p>Poor Bizet, disappointed and sore at heart, vanished to hide -himself once more by his beloved Seine. This time it was to -Bougival he went.</p> - -<p>M. Massenet had recently produced his <q>Marie Madeleine</q> -and, curiously enough, it had been successful. This seems to have -spurred Bizet on to emulation. With his usual happy knack of -hitting on a subject, he wrote off to Gallet, requesting him to do -a book with Geneviève de Paris—the holy Geneviève of legendary -lore—for heroine. And Gallet, accommodating creature that -he was, forthwith proceeded to construct his tableaux. Together -they went off to Lamoureux and read the synopsis to him. He -approved it heartily, and Bizet got to work. <q>Carmen</q> was -then finished and was undergoing the usual stage of adjournment -<a name="Page_82" id="Page_82"></a><span class="pagenum">[Pg 82]</span> -<i lang="la">sine die</i>. Three times it had been put into rehearsal, only to be -withdrawn for apparently no reason, and poor Bizet was wearying -of opera and its ways. This sacred work was relief to him. But -hardly had he settled down to it when up came <q>Carmen</q> once -again, this time in good earnest. He was forced to leave -<q lang="fr">Geneviève</q> and come to Paris for rehearsals. It was much -against his inclination that he did so, for his health was failing -fast. For long he had suffered from an abscess which had made -his life a burden to him. Nor had his terrible industry been -without its effect upon his physique. He did not know it, but -he had sacrificed to his work the very things he had worked for. -He felt exhausted, enfeebled, shattered. Probably the excitement -of rehearsing <q>Carmen</q> kept him up the while; but it had its -after-effect, and the strain proved all the more disastrous. A -profound melancholy, too, had come over him; and do what he -would he could not beat it off. A young singer (some aspirant -for lyric fame) came one day to sing to him. <q lang="de">Ich grölle -nicht</q> and <q lang="de">Aus der Heimath</q> were chosen. <q lang="fr">Quel chef d'œuvre,</q> -said he, <q lang="fr">mais quelle désolation, c'est à vous donner -la nostalgie de la mort.</q> Then he sat down to the piano and -played the <q lang="fr">Marche Funèbre</q> of Chopin. That was the frame -of mind he was in.</p> - -<p>In his gayer moments he would often long for Italy. He had -never forgotten the happy days passed there with Guiraud. <q>I -dreamed last night</q> (he is writing to Guiraud) <q>that we were all -at Naples, installed in a most lovely villa, and living under a -government purely artistic. The Senate was made up by Beethoven, -Michael Angelo, Shakespeare, Giorgione, <i lang="it">e tutti quanti</i>. -The National Guard was no more. In place of it there was a -huge orchestra of which Litolff was the conductor. All suffrage -was denied to idiots, humbugs, schemers, and ignoramuses—that -<a name="Page_83" id="Page_83"></a><span class="pagenum">[Pg 83]</span> -is to say, suffrage was cut down to the smallest proportions -imaginable. Geneviève was a little too amiable for Goethe, but -despite this trifling circumstance the awakening was terribly -bitter.</q></p> - -<p><q>Carmen</q> was produced at last, on the <abbr title="third">3rd</abbr> of March in that -year (1875). The Habanera—of which, by the way, he wrote -for Mme. Galli-Marié no less than thirteen versions before he -came across, in an old book, the one we know—the prelude to -the second act, the toreador song, and the quintett were encored. -The rest fell absolutely flat.</p> - -<p>The blow was a terrific one to Bizet. He had dreamed of -such a different lot for <q>Carmen.</q> Arm in arm with Guiraud -he left the theatre, and together they paced the streets of Paris -until dawn. Small wonder he felt bitter; and in vain the kindly -Guiraud did his best to comfort him. Had not <q>Don Juan,</q> he -argued, been accorded a reception no whit better when it was -produced in Vienna? and had not poor Mozart said <q>I have -written 'Don Juan' for myself and two of my friends</q>? But he -found no consolation in the fact. The press, too, cut him to the -quick. This <q>Carmen,</q> said they, was immoral, <i lang="fr">banale</i>; it was -all head and no heart; the composer had made up his mind to -show how learned he was, with the result that he was only dull -and obscure. Then again, the gipsy girl whose liaisons formed -the subject of the story was at best an odious creature; the -actress's gestures were the very incarnation of vice, there was -something licentious even in the tones of her voice; the composer -evidently belonged to the school of <i lang="fr">civet sans lièvre</i>; there was -no unity of style; it was not dramatic, and could never live; in a -word, there was no health in it.</p> - -<p>Even Du Locle—who of all men should have supported it—played -him false. A minister of the Government wrote personally -<a name="Page_84" id="Page_84"></a><span class="pagenum">[Pg 84]</span> -to the director for a box for his family. Du Locle replied with -an invitation to the rehearsal, adding that he had rather that the -minister came himself before he brought his daughters.</p> - -<p>Prostrate with it all, poor Bizet returned to Bougival. When -forced to give up <q lang="fr">Geneviève,</q> he had written to Gallet: <q>I -shall give the whole of May, June, and July to it.</q> And now -May was already come, and he was in his bed. <q lang="fr">Angine colossale,</q> -were the words he sent to Guiraud, who was to have been -with him the following Sunday. <q>Do not come as we arranged; -imagine, if you can, a double pedal, A flat, E flat, straight through -your head from left to right. This is how I am just now.</q></p> - -<p>He never wrote more than a few pages of <q lang="fr">Geneviève.</q> He -got worse and worse. But even so, the end came all too suddenly, -and on the night of the <abbr title="second">2nd</abbr> of June he died—died as nearly as -possible at the exact moment when Galli-Marié at the Opéra -Comique was singing her song of fate in the card scene of the -third act of his <q>Carmen.</q> The coincidence was true enough. -That night it was with difficulty that she sung her song. Her -nervousness, from some cause or another, was so great that it was -with the utmost effort she pronounced the words: <q lang="fr">La carte -impitoyable; répétera la mort; encore, toujours la mort.</q> On -finishing the scene, she fainted at the wings. Next morning -came the news of Bizet's death. And some friends said—because -it was not meet for them to see the body—that the poor fellow -had killed himself. Small wonder if it were so!</p> - -<hr /> - -<p class="larger p4">Six Drawings<a name="Page_85" id="Page_85"></a><span class="pagenum">[Pg 85]</span></p> - -<p class="indent">By Aubrey Beardsley</p> - -<p>I. II. III.</p> - -<p class="indent2">The Comedy-Ballet of Marionnettes, -as performed by the troupe of the Théâtre-Impossible, -posed in three drawings</p> - -<p>IV. <span lang="fr">Garçons de Café</span></p> - -<p>V. The Slippers of Cinderella</p> - -<p class="indent2"><i>For you must have all heard of the Princess Cinderella -with her slim feet and shining slippers. She was beloved -by Prince ——, who married her, but she died soon -afterwards, poisoned (according to Dr. Gerschovius) by -her elder sister Arabella, with powdered glass. It was -ground I suspect from those very slippers she danced in at -the famous ball. For the slippers of Cinderella have never -been found since. They are not at Cluny.</i></p> - -<p class="quotesig"><i><span class="sc">Hector Sandus</span></i></p> - -<p>VI. Portrait of Madame Réjane -<a name="Page_86" id="Page_86"></a><span class="pagenum">[Pg 86]</span><br /> -<a name="Page_87" id="Page_87"></a><span class="pagenum">[Pg 87]</span></p> - -<hr class="hide"/> - -<div class="figcenter p4"> - <img src="images/i_05.jpg" - width="500" height="672" - alt="Illustration: Marionnettes 1" /> -</div> - -<p><a name="Page_88" id="Page_88"></a><span class="pagenum">[Pg 88]</span><br /> -<a name="Page_89" id="Page_89"></a><span class="pagenum">[Pg 89]</span></p> - -<div class="figcenter"> - <img src="images/i_06.jpg" - width="500" height="670" - alt="Illustration: Marionnettes 2" /> -</div> - -<p><a name="Page_90" id="Page_90"></a><span class="pagenum">[Pg 90]</span><br /> -<a name="Page_91" id="Page_91"></a><span class="pagenum">[Pg 91]</span></p> - -<div class="figcenter"> - <img src="images/i_07.jpg" - width="500" height="676" - alt="Illustration: Marionnettes 3" /> -</div> - -<p><a name="Page_92" id="Page_92"></a><span class="pagenum">[Pg 92]</span><br /> -<a name="Page_93" id="Page_93"></a><span class="pagenum">[Pg 93]</span></p> - -<div class="figcenter"> - <img src="images/i_08.jpg" - width="500" height="564" - alt="Illustration: Garcons de Cafe" /> -</div> - -<p><a name="Page_94" id="Page_94"></a><span class="pagenum">[Pg 94]</span><br /> -<a name="Page_95" id="Page_95"></a><span class="pagenum">[Pg 95]</span></p> - -<div class="figcenter"> - <img src="images/i_09.jpg" - width="500" height="692" - alt="Illustration: Slippers of Cinderella" /> -</div> - -<p><a name="Page_96" id="Page_96"></a><span class="pagenum">[Pg 96]</span><br /> -<a name="Page_97" id="Page_97"></a><span class="pagenum">[Pg 97]</span></p> - -<div class="figcenter"> - <img src="images/i_10.jpg" - width="500" height="779" - alt="Illustration: Madame Rejane" /> -</div> - -<hr /> - -<p><a name="Page_98" id="Page_98"></a><span class="pagenum">[Pg 98]</span> -</p> - -<h3 class="left">Thirty Bob a Week <a name="Page_99" id="Page_99"></a><span class="pagenum">[Pg 99]</span></h3> - -<p class="right">By John Davidson</p> - -<div class="poem"> -<div class="stanza"> - -<span class="i0 dropcap">I couldn't touch a stop and turn a screw,</span><br /> -<span class="i2">And set the blooming world a-work for me,</span><br /> -<span class="i0">Like such as cut their teeth—I hope, like you—</span><br /> -<span class="i2">On the handle of a skeleton gold key.</span><br /> -<span class="i0">I cut mine on leek, which I eat it every week:</span><br /> -<span class="i2">I'm a clerk at thirty bob, as you can see.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">But I don't allow it's luck and all a toss;</span><br /> -<span class="i2">There's no such thing as being starred and crossed;</span><br /> -<span class="i0">It's just the power of some to be a boss,</span><br /> -<span class="i2">And the bally power of others to be bossed:</span><br /> -<span class="i0">I face the music, sir; you bet I ain't a cur!</span><br /> -<span class="i2">Strike me lucky if I don't believe I'm lost!</span><br /> -</div> - -<div class="stanza"> -<span class="i0">For like a mole I journey in the dark,</span><br /> -<span class="i2">A-travelling along the underground</span><br /> -<span class="i0">From my Pillar'd Halls and broad suburban Park</span><br /> -<span class="i2">To come the daily dull official round;</span><br /> -<span class="i0">And home again at night with my pipe all alight</span><br /> -<span class="i2">A-scheming how to count ten bob a pound.</span><br /> -</div> - -<div class="stanza"> -<a name="Page_100" id="Page_100"></a><span class="pagenum">[Pg 100]</span><br /> -<span class="i0">And it's often very cold and very wet;</span><br /> -<span class="i2">And my missis stitches towels for a hunks;</span><br /> -<span class="i0">And the Pillar'd Halls is half of it to let—</span><br /> -<span class="i2">Three rooms about the size of travelling trunks.</span><br /> -<span class="i0">And we cough, the wife and I, to dislocate a sigh,</span><br /> -<span class="i2">When the noisy little kids are in their bunks.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">But you'll never hear <em>her</em> do a growl, or whine,</span><br /> -<span class="i2">For she's made of flint and roses very odd;</span><br /> -<span class="i0">And I've got to cut my meaning rather fine</span><br /> -<span class="i2">Or I'd blubber, for <em>I'm</em> made of greens and sod:</span><br /> -<span class="i0">So p'rhaps we are in hell for all that I can tell,</span><br /> -<span class="i2">And lost and damned and served up hot to God.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">I ain't blaspheming, Mr. Silvertongue;</span><br /> -<span class="i2">I'm saying things a bit beyond your art:</span><br /> -<span class="i0">Of all the rummy starts you ever sprung</span><br /> -<span class="i2">Thirty bob a week's the rummiest start!</span><br /> -<span class="i0">With your science and your books and your the'ries about spooks,</span><br /> -<span class="i2">Did you ever hear of looking in your heart?</span><br /> -</div> - -<div class="stanza"> -<span class="i0">I didn't mean your pocket, Mr.; no!</span><br /> -<span class="i2">I mean that having children and a wife</span><br /> -<span class="i0">With thirty bob on which to come and go</span><br /> -<span class="i2">Isn't dancing to the tabor and the fife;</span><br /> -<span class="i0">When it doesn't make you drink, by Heaven, it makes you think,</span><br /> -<span class="i2">And notice curious items about life!</span><br /> -</div> - -<div class="stanza"> -<span class="i0">I step into my heart and there I meet</span><br /> -<span class="i2">A god-almighty devil singing small,</span><br /> -<a name="Page_101" id="Page_101"></a><span class="pagenum">[Pg 101]</span><br /> -<span class="i0">Who would like to shout and whistle in the street,</span><br /> -<span class="i2">And squelch the passers flat against the wall;</span><br /> -<span class="i0">If the whole world was a cake he had the power to take,</span><br /> -<span class="i2">He would take it, ask for more, and eat it all.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">And I meet a sort of simpleton beside—</span><br /> -<span class="i2">The kind that life is always giving beans;</span><br /> -<span class="i0">With thirty bob a week to keep a bride</span><br /> -<span class="i2">He fell in love and married in his teens;</span><br /> -<span class="i0">At thirty bob he stuck, but he knows it isn't luck;</span><br /> -<span class="i2">He knows the seas are deeper than tureens.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">And the god-almighty devil and the fool</span><br /> -<span class="i2">That meet me in the High Street on the strike,</span><br /> -<span class="i0">When I walk about my heart a-gathering wool,</span><br /> -<span class="i2">Are my good and evil angels if you like;</span><br /> -<span class="i0">And both of them together in every kind of weather</span><br /> -<span class="i2">Ride me like a double-seated <q>bike.</q></span><br /> -</div> - -<div class="stanza"> -<span class="i0">That's rough a bit and needs its meaning curled;</span><br /> -<span class="i2">But I have a high old hot un in my mind,</span><br /> -<span class="i0">A most engrugious notion of the world</span><br /> -<span class="i2">That leaves your lightning 'rithmetic behind:</span><br /> -<span class="i0">I give it at a glance when I say "There ain't no chance,</span><br /> -<span class="i2">Nor nothing of the lucky-lottery kind."</span><br /> -</div> - -<div class="stanza"> -<span class="i0">And it's this way that I make it out to be:</span><br /> -<span class="i2">No fathers, mothers, countries, climates—none!—</span><br /> -<span class="i0">Not Adam was responsible for me;</span><br /> -<span class="i2">Nor society, nor systems, nary one!</span><br /> -<span class="i0">A little sleeping seed, I woke—I did indeed—</span><br /> -<span class="i2">A million years before the blooming sun.</span><br /> -</div> - -<div class="stanza"> -<a name="Page_102" id="Page_102"></a><span class="pagenum">[Pg 102]</span><br /> -<span class="i0">I woke because I thought the time had come;</span><br /> -<span class="i2">Beyond my will there was no other cause:</span><br /> -<span class="i0">And everywhere I found myself at home</span><br /> -<span class="i2">Because I chose to be the thing I was;</span><br /> -<span class="i0">And in whatever shape, of mollusc, or of ape,</span><br /> -<span class="i2">I always went according to the laws.</span><br /> -</div> - -<div class="stanza"> -<span class="i0"><em>I</em> was the love that chose my mother out;</span><br /> -<span class="i2"><em>I</em> joined two lives and from the union burst;</span><br /> -<span class="i0">My weakness and my strength without a doubt</span><br /> -<span class="i2">Are mine alone for ever from the first.</span><br /> -<span class="i0">It's just the very same with a difference in the name</span><br /> -<span class="i2">As <q>Thy will be done.</q> You say it if you durst!</span><br /> -</div> - -<div class="stanza"> -<span class="i0">They say it daily up and down the land</span><br /> -<span class="i2">As easy as you take a drink, it's true;</span><br /> -<span class="i0">But the difficultest go to understand,</span><br /> -<span class="i2">And the difficultest job a man can do,</span><br /> -<span class="i0">Is to come it brave and meek with thirty bob a week,</span><br /> -<span class="i2">And feel that that's the proper thing for you.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">It's a naked child against a hungry wolf;</span><br /> -<span class="i2">It's playing bowls upon a splitting wreck;</span><br /> -<span class="i0">It's walking on a string across a gulf</span><br /> -<span class="i2">With millstones fore-and-aft about your neck:</span><br /> -<span class="i0">But the thing is daily done by many and many a one....</span><br /> -<span class="i2">And we fall, face forward, fighting, on the deck.</span><br /> -</div></div> - -<hr /> - -<h3 class="left">A Responsibility <a name="Page_103" id="Page_103"></a><span class="pagenum">[Pg 103]</span></h3> - -<p class="right">By Henry Harland</p> - -<p class="dropcap p2">It has been an episode like a German sentence, with its predicate -at the end. Trifling incidents occurred at haphazard, -as it seemed, and I never guessed they were by way of making -sense. Then, this morning, somewhat of the suddenest, came the -verb and the full stop.</p> - -<p>Yesterday I should have said there was nothing to tell; to-day -there is too much. The announcement of his death has caused -me to review our relations, with the result of discovering my own -part to have been that of an accessory before the fact. I did not -kill him (though, even there, I'm not sure I didn't lend a hand), -but I might have saved his life. It is certain that he made me -signals of distress—faint, shy, tentative, but unmistakable—and -that I pretended not to understand: just barely dipped my colours, -and kept my course. Oh, if I had dreamed that his distress was -extreme—that he was on the point of foundering and going down! -However, that doesn't exonerate me: I ought to have turned aside -to find out. It was a case of criminal negligence. That he, poor -man, probably never blamed me, only adds to the burden on my -conscience. He had got past blaming people, I dare say, and -doubtless merely lumped me with the rest—with the sum-total of -things that made life unsupportable. Yet, for a moment, when -<a name="Page_104" id="Page_104"></a><span class="pagenum">[Pg 104]</span> -we first met, his face showed a distinct glimmering of hope; so -perhaps there was a distinct disappointment. He must have had -so many disappointments, before it came to—what it came to; but -it wouldn't have come to that if he had got hardened to them. -Possibly they had lost their outlines, and merged into one dull -general disappointment that was too hard to bear. I wonder -whether the Priest and the Levite were smitten with remorse -after they had passed on. Unfortunately, in this instance, no -Good Samaritan followed.</p> - -<p>The bottom of our long <i lang="fr">table d'hôte</i> was held by a Frenchman, -a Normand, a giant, but a pallid and rather flabby giant, whose -name, if he had another than Monsieur, I never heard. He professed -to be a painter, used to sketch birds and profiles on the back -of his menu-card between the courses, wore shamelessly the multi-coloured -rosette of a foreign order in his buttonhole, and talked -with a good deal of physiognomy. I had the corner seat at his -right, and was flanked in turn by Miss Etta J. Hicks, a bouncing -young person from Chicago, beyond whom, like rabbits in a -company of foxes, cowered Mr. and Mrs. Jordan P. Hicks, two -broken-spirited American parents. At Monsieur's left, and facing -me, sat Colonel Escott, very red and cheerful; then a young man -who called the Colonel Cornel, and came from Dublin, proclaiming -himself a barr'ster, and giving his name as Flarty, though on his -card it was written Flaherty; and then Sir Richard Maistre. -After him, a diminishing perspective of busy diners—for purposes -of conversation, so far as we were concerned, inhabitants of the -Fourth Dimension.</p> - -<p>Of our immediate constellation Sir Richard Maistre was the -only member on whom the eye was tempted to linger. The others -were obvious—simple equations, soluble <q>in the head.</q> But he -called for slate and pencil, offered materials for doubt and speculation, -<a name="Page_105" id="Page_105"></a><span class="pagenum">[Pg 105]</span> -though it would not have been easy to tell wherein they lay. -What displayed itself to a cursory inspection was quite unremarkable: -simply a decent-looking young Englishman, of medium -stature, with square-cut plain features, reddish-brown hair, grey -eyes, and clothes and manners of the usual pattern. Yet, showing -through this ordinary surface, there was something cryptic. For -me, at any rate, it required a constant effort not to stare at him. I -felt it from the beginning, and I felt it till the end: a teasing -curiosity, a sort of magnetism that drew my eyes in his direction. -I was always on my guard to resist it, and that was really the -inception of my neglect of him. From I don't know what stupid -motive of pride, I was anxious that he shouldn't discern the interest -he had excited in me; so I paid less ostensible attention to him -than to the others, who excited none at all. I tried to appear -unconscious of him as a detached personality, to treat him as merely -a part of the group as a whole. Then I improved such occasions -as presented themselves to steal glances at him, to study him <i lang="fr">à la -dérobée</i>—groping after the quality, whatever it was, that made him -a puzzle—seeking to formulate, to classify him.</p> - -<p>Already, at the end of my first dinner, he had singled himself -out and left an impression. I went into the smoking-room, and -began to wonder, over a cup of coffee and a cigarette, who he was. -I had not heard his voice; he hadn't talked much, and his few -observations had been murmured into the ears of his next neighbours. -All the same, he had left an impression, and I found -myself wondering who he was, the young man with the square-cut -features and the reddish-brown hair. I have said that his features -were square-cut and plain, but they were small and carefully -finished, and as far as possible from being common. And his -grey eyes, though not conspicuous for size or beauty, had a -character, an expression. They <em>said</em> something, something I -<a name="Page_106" id="Page_106"></a><span class="pagenum">[Pg 106]</span> -couldn't perfectly translate, something shrewd, humorous, even -perhaps a little caustic, and yet sad; not violently, not rebelliously -sad (I should never have dreamed that it was a sadness which -would drive him to desperate remedies), but rather resignedly, -submissively sad, as if he had made up his mind to put the best -face on a sorry business. This was carried out by a certain -abruptness, a slight lack of suavity, in his movements, in his -manner of turning his head, of using his hands. It hinted a -degree of determination which, in the circumstances, seemed -superfluous. He had unfolded his napkin and attacked his dinner -with an air of resolution, like a man with a task before him, who -mutters, <q>Well, it's got to be done, and I'll do it.</q> At a hazard, -he was two- or three-and-thirty, but below his neck he looked -older. He was dressed like everybody, but his costume had, -somehow, an effect of soberness beyond his years. It was -decidedly not smart, and smartness was the dominant note at the -Hôtel d'Angleterre.</p> - -<p>I was still more or less vaguely ruminating him, in a corner of -the smoking-room, on that first evening, when I became aware -that he was standing near me. As I looked up, our eyes met, and -for the fraction of a second fixed each other. It was barely the -fraction of a second, but it was time enough for the transmission -of a message. I knew as certainly as if he had said so that he -wanted to speak, to break the ice, to scrape an acquaintance; I -knew that he had approached me and was loitering in my neighbourhood -for that specific purpose. I <em>don't</em> know, I have studied -the psychology of the moment in vain to understand, why I felt a -perverse impulse to put him off. I was interested in him, I was -curious about him; and there he stood, testifying that the interest -was reciprocal, ready to make the advances, only waiting for a -glance or a motion of encouragement; and I deliberately secluded -<a name="Page_107" id="Page_107"></a><span class="pagenum">[Pg 107]</span> -myself behind my coffee-cup and my cigarette smoke. I suppose -it was the working of some obscure mannish vanity—of what in a -woman would have defined itself as coyness and coquetry. If he -wanted to speak—well, let him speak; I wouldn't help him. I -could realise the processes of <em>his</em> mind even more clearly than -those of my own—his desire, his hesitancy. He was too timid to -leap the barriers; I must open a gate for him. He hovered near -me for a minute longer, and then drifted away. I felt his disappointment, -his spiritual shrug of the shoulders; and I perceived -rather suddenly that I was disappointed myself. I must have -been hoping all along that he would speak <i lang="fr">quand même</i>, and now I -was moved to run after him, to call him back. That, however, -would imply a <a name="consc"></a>consciousness of guilt, an admission that my -attitude had been intentional; so I kept my seat, making a mental -rendezvous with him for the morrow.</p> - -<p>Between my Irish <i lang="fr">vis-à-vis</i> Flaherty and myself there existed -no such strain. He presently sauntered up to me, and dropped -into conversation as easily as if we had been old friends.</p> - -<p><q>Well, and are you here for your health or your entertainment?</q> -he began. <q>But I don't need to ask that of a man who's -drinking black coffee and smoking tobacco at this hour of the -night. I'm the only invalid at our end of the table, and I'm no -better than an amateur meself. It's a barrister's throat I have—I -caught it waiting for briefs in me chambers at Doblin.</q></p> - -<p>We chatted together for a half-hour or so, and before we parted -he had given me a good deal of general information—about the -town, the natives, the visitors, the sands, the golf-links, the -hunting, and, with the rest, about our neighbours at table.</p> - -<p><q>Did ye notice the pink-faced bald little man at me right? -That's Cornel Escott, C.B., retired. He takes a sea-bath every -morning, to live up to the letters; and faith, it's an act of -<a name="Page_108" id="Page_108"></a><span class="pagenum">[Pg 108]</span> -heroism, no less, in weather the like of this. Three weeks have I -been here, and but wan day of sunshine, and the mercury never -above fifty. The other fellow, him at me left, is what you'd be -slow to suspect by the look of him, I'll go bail; and that's a -bar'net, Sir Richard Maistre, with a place in Hampshire, and ten -thousand a year if he's a penny. The young lady beside yourself -rejoices in the euphonious name of Hicks, and trains her Popper -and Mommer behind her like slaves in a Roman triumph. -They're Americans, if you must have the truth, though I oughtn't -to tell it on them, for I'm an Irishman myself, and its not for the -pot to be bearing tales of the kettle. However, their tongues -bewray them; so I've violated no confidence.</q></p> - -<p>The knowledge that my young man was a baronet with a place -in Hampshire somewhat disenchanted me. A baronet with a -place in Hampshire left too little to the imagination. The description -seemed to curtail his potentialities, to prescribe his orbit, -to connote turnip-fields, house-parties, and a whole system of -British commonplace. Yet, when, the next day at luncheon, I -again had him before me in the flesh, my interest revived. Its -lapse had been due to an association of ideas which I now recognised -as unscientific. A baronet with twenty places in Hampshire -would remain at the end of them all a human being; and no -human being could be finished off in a formula of half a dozen -words. Sir Richard Maistre, anyhow, couldn't be. He was -enigmatic, and his effect upon me was enigmatic too. Why did -I feel that tantalising inclination to stare at him, coupled with -that reluctance frankly to engage in talk with him? Why did he -attack his luncheon with that appearance of grim resolution? For -a minute, after he had taken his seat, he eyed his knife, fork, and -napkin, as a labourer might a load that he had to lift, measuring -the difficulties he must cope with; then he gave his head a -<a name="Page_109" id="Page_109"></a><span class="pagenum">[Pg 109]</span> -resolute nod, and set to work. To-day, as yesterday, he said very -little, murmured an occasional remark into the ear of Flaherty, -accompanying it usually with a sudden short smile: but he listened -to everything, and did so with apparent appreciation.</p> - -<p>Our proceedings were opened by Miss Hicks, who asked -Colonel Escott, <q>Well, Colonel, have you had your bath this -morning?</q></p> - -<p>The Colonel chuckled, and answered, <q>Oh, yes—yes, yes—couldn't -forego my bath, you know—couldn't possibly forego my -bath.</q></p> - -<p><q>And what was the temperature of the water?</q> she continued.</p> - -<p><q>Fifty-two—fifty-two—three degrees warmer than the air—three -degrees,</q> responded the Colonel, still chuckling, as if the -whole affair had been extremely funny.</p> - -<p><q>And you, Mr. Flaherty, I suppose you've been to Bayonne?</q></p> - -<p><q>No, I've broken me habit, and not left the hotel.</q></p> - -<p>Subsequent experience taught me that these were conventional -modes by which the conversation was launched every day, like the -preliminary moves in chess. We had another ritual for dinner: -Miss Hicks then inquired if the Colonel had taken his ride, and -Flaherty played his game of golf. The next inevitable step was -common to both meals. Colonel Escott would pour himself a -glass of the <i lang="fr">vin ordinaire</i>, a jug of which was set by every plate, and -holding it up to the light, exclaim with simulated gusto, <q>Ah! -Fine old wine! Remarkably full rich flavour!</q> At this -pleasantry we would all gently laugh; and the word was free.</p> - -<p>Sir Richard, as I have said, appeared to be an attentive and -appreciative listener, not above smiling at our mildest sallies; but -watching him out of the corner of an eye, I noticed that my own -observations seemed to strike him with peculiar force—which led -me to talk <em>at</em> him. Why not to him, with him? The interest -<a name="Page_110" id="Page_110"></a><span class="pagenum">[Pg 110]</span> -was reciprocal; he would have liked a dialogue; he would have -welcomed a chance to commence one; and I could at any instant -have given him such a chance. I talked <em>at</em> him, it is true; but I -talked <em>with</em> Flaherty or Miss Hicks, or <em>to</em> the company at large. -Of his separate identity he had no reason to believe me conscious. -From a mixture of motives, in which I'm not sure that a certain -heathenish enjoyment of his embarrassment didn't count for something, -I was determined that if he wanted to know me he must -come the whole distance; I wouldn't meet him halfway. Of -course I had no idea that it could be a matter of the faintest real -importance to the man. I judged <em>his</em> feelings by my own; and -though I was interested in him, I shall have conveyed an altogether -exaggerated notion of my interest if you fancy it kept me awake -at night. How was I to guess that his case was more serious—that -he was not simply desirous of a little amusing talk, but -starving, starving for a little human sympathy, a little brotherly -love and comradeship?—that he was in an abnormally sensitive -condition of mind, where mere negative unresponsiveness could -hurt him like a slight or a rebuff?</p> - -<p>In the course of the week I ran over to Pau, to pass a day with -the Winchfields, who had a villa there. When I came back I -brought with me all that they (who knew everybody) could tell -about Sir Richard Maistre. He was intelligent and amiable, but -the shyest of shy men. He avoided general society, frightened -away perhaps by the British Mamma, and spent a good part of -each year abroad, wandering rather listlessly from town to town. -Though young and rich, he was neither fast nor ambitious: the -Members' entrance to the House of Commons, the stage-doors of -the music halls, were equally without glamour for him; and if he -was a Justice of the Peace and a Deputy Lieutenant, he had become -so through the tacit operation of his stake in the country. He -<a name="Page_111" id="Page_111"></a><span class="pagenum">[Pg 111]</span> -had chambers in <abbr title="Saint">St.</abbr> James's Street, was a member of the -Travellers Club, and played the violin—for an amateur rather -well. His brother, Mortimer Maistre, was in diplomacy—at Rio -Janeiro or somewhere. His sister had married an Australian, and -lived in Melbourne.</p> - -<p>At the Hôtel d'Angleterre I found his shyness was mistaken for -indifference. He was civil to everybody, but intimate with none. -He attached himself to no party, paired off with no individuals. -He sought nobody. On the other hand, the persons who went -out of their way to seek him, came back, as they felt, repulsed. -He had been polite but languid. These, however, were not the -sort of persons he would be likely to care for. There prevailed a -general conception of him as cold, unsociable. He certainly -walked about a good deal alone—you met him on the sands, on the -cliffs, in the stiff little streets, rambling aimlessly, seldom with a -companion. But to me it was patent that he played the solitary -from necessity, not from choice—from the necessity of his temperament. -A companion was precisely that which above all -things his heart coveted; only he didn't know how to set about -annexing one. If he sought nobody, it was because he didn't -know how. This was a part of what his eyes said; they bespoke -his desire, his perplexity, his lack of nerve. Of the people who -put themselves out to seek him, there was Miss Hicks; there -were a family from Leeds, named Bunn, a father, mother, son, -and two redoubtable daughters, who drank champagne with every -meal, dressed in the height of fashion, said their say at the tops of -their voices, and were understood to be auctioneers; a family -from Bayswater named Krausskopf. I was among those whom -he had marked as men he would like to fraternise with. As often -as our paths crossed, his eyes told me that he longed to stop and -speak, and continue the promenade abreast. I was under the -<a name="Page_112" id="Page_112"></a><span class="pagenum">[Pg 112]</span> -control of a demon of mischief; I took a malicious pleasure -in eluding and baffling him—in passing on with a nod. It had -become a kind of game; I was curious to see whether he would -ever develop sufficient hardihood to take the bull by the horns. -After all, from a conventional point of view, my conduct was -quite justifiable. I always meant to do better by him next time, -and then I always deferred it to the next. But from a conventional -point of view my conduct was quite unassailable. I said -this to myself when I had momentary qualms of conscience. Now, -rather late in the day, it strikes me that the conventional point of -view should have been re-adjusted to the special case. I should -have allowed for his personal equation.</p> - -<p>My cousin Wilford came to Biarritz about this time, stopping -for a week, on his way home from a tour in Spain. I couldn't -find a room for him at the Hôtel d'Angleterre, so he put up at -a rival hostelry over the way; but he dined with me on the -evening of his arrival, a place being made for him between mine -and Monsieur's. He hadn't been at the table five minutes before -the rumour went abroad who he was—somebody had recognised -him. Then those who were within reach of his voice listened -with all their ears—Colonel Escott, Flaherty, Maistre, and Miss -Hicks, of course, who even called him by name: <q>Oh, Mr. -Wilford.</q> <q>Now, Mr. Wilford,</q> <abbr title="et cetera">&c.</abbr> After dinner, in the -smoking-room, a cluster of people hung round us; men with -whom I had no acquaintance came merrily up and asked to be -introduced. Colonel Escott and Flaherty joined us. At the -outskirts of the group I beheld Sir Richard Maistre. His eyes -(without his realising it perhaps) begged me to invite him, to -present him, and I affected not to understand! This is one of -the little things I find hardest to forgive myself. My whole -behaviour towards the young man is now a subject of self-reproach: -<a name="Page_113" id="Page_113"></a><span class="pagenum">[Pg 113]</span> -if it had been different, who knows that the tragedy of -yesterday would ever have happened? If I had answered his -timid overtures, walked with him, talked with him, cultivated his -friendship, given him mine, established a kindly human relation -with him, I can't help feeling that he might not have got to such -a desperate pass, that I might have cheered him, helped him, saved -him. I feel it especially when I think of Wilford. His eyes -attested so much; he would have enjoyed meeting him so keenly. -No doubt he was already fond of the man, had loved him through -his books, like so many others. If I had introduced him? If we -had taken him with us the next morning, on our excursion to -Cambo? Included him occasionally in our smokes and parleys?</p> - -<p>Wilford left for England without dining again at the Hôtel -d'Angleterre. We were busy <q>doing</q> the country, and never -chanced to be at Biarritz at the dinner-hour. During that week -I scarcely saw Sir Richard Maistre.</p> - -<p>Another little circumstance that rankles especially now would -have been ridiculous, except for the way things have ended. It -isn't easy to tell—it was so petty, and I am so ashamed. Colonel -Escott had been abusing London, describing it as the least -beautiful of the capitals of Europe, comparing it unfavourably to -Paris, Vienna, and <abbr title="Saint">St.</abbr> Petersburg. I took up the cudgels in its -defence, mentioned its atmosphere, its tone; Paris, Vienna, <abbr title="Saint">St.</abbr> -Petersburg were lyric, London was epic; and so forth and so -forth. Then, shifting from the æsthetic to the utilitarian, I -argued that of all great towns it was the healthiest, its death-rate -was lowest. Sir Richard Maistre had followed my dissertation -attentively, and with a countenance that signified approval; and -when, with my reference to the death-rate, I paused, he suddenly -burned his ships. He looked me full in the eye, and said, -<q>Thirty-seven, I believe?</q> His heightened colour, a nervous -<a name="Page_114" id="Page_114"></a><span class="pagenum">[Pg 114]</span> -movement of the lip, betrayed the effort it had cost him; but at -last he had <em>done</em> it—screwed his courage to the sticking-place, and -spoken. And I—I can never forget it—I grow hot when I -think of it—but I was possessed by a devil. His eyes hung on -my face, awaiting my response, pleading for a cue. <q>Go on,</q> -they urged. <q>I have taken the first, the difficult step—make the -next smoother for me.</q> And I—I answered lackadaisically, with -just a casual glance at him, <q>I don't know the figures,</q> and -absorbed myself in my viands.</p> - -<p>Two or three days later his place was filled by a stranger, and -Flaherty told me that he had left for the Riviera.</p> - -<p>All this happened last March at Biarritz. I never saw him -again till three weeks ago. It was one of those frightfully hot -afternoons in July; I had come out of my club, and was walking -up <abbr title="Saint">St.</abbr> James's Street, towards Piccadilly; he was moving in an -opposite sense; and thus we approached each other. He didn't -see me, however, till we had drawn rather near to a conjunction: -then he gave a little start of recognition, his eyes brightened, his -pace slackened, his right hand prepared to advance itself—and I -bowed slightly, and pursued my way! Don't ask why I did -it. It is enough to confess it, without having to explain it. I -glanced backwards, by and by, over my shoulder. He was standing -where I had met him, half turned round, and looking after -me. But when he saw that I was observing him, he hastily -shifted about, and continued his descent of the street.</p> - -<p>That was only three weeks ago. Only three weeks ago I still -had it in my power to act. I am sure—I don't know why I am -sure, but I <em>am</em> sure—that I could have deterred him. For all -that one can gather from the brief note he left behind, it seems he -had no special, definite motive; he had met with no losses, got -into no scrape; he was simply tired and sick of life and of himself. -<a name="Page_115" id="Page_115"></a><span class="pagenum">[Pg 115]</span> -<q>I have no friends,</q> he wrote. <q>Nobody will care. People -don't like me; people avoid me. I have wondered why; I have -tried to watch myself, and discover; I have tried to be decent. I -suppose it must be that I emit a repellent fluid; I suppose I am a -'bad sort.'</q> He had a morbid notion that people didn't like him, -that people avoided him! Oh, to be sure, there were the Bunns -and the Krausskopfs and their ilk, plentiful enough: but he understood -what it was that attracted <em>them</em>. Other people, the people -<em>he</em> could have liked, kept their distance—were civil, indeed, but -reserved. He wanted bread, and they gave him a stone. It never -struck him, I suppose, that they attributed the reserve to him. -But I—I knew that his reserve was only an effect of his shyness; -I knew that he wanted bread: and that knowledge constituted my -moral responsibility. I didn't know that his need was extreme; -but I have tried in vain to absolve myself with the reflection. I -ought to have made inquiries. When I think of that afternoon -in <abbr title="Saint">St.</abbr> James's Street—only three weeks ago—I feel like an -assassin. The vision of him, as he stopped and looked after me—I -can't banish it. Why didn't some good spirit move me to turn -back and overtake him?</p> - -<p>It is so hard for the mind to reconcile itself to the irretrievable. -I can't shake off a sense that there is something to be done. I -can't realise that it is too late. -</p> - -<hr /> - -<h3 class="left">Song <a name="Page_116" id="Page_116"></a><span class="pagenum">[Pg 116]</span></h3> - -<p class="right">By Dollie Radford</p> - -<div class="poem"> -<div class="stanza"> -<span class="i0 dropcap">I could not through the burning day</span><br /> -<span class="i2">In hope prevail,</span><br /> -<span class="i0">Beside my task I could not stay</span><br /> -<span class="i2">If love should fail.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">Nor underneath the evening sky,</span><br /> -<span class="i2">When labours cease,</span><br /> -<span class="i0">Fold both my tired hands and lie</span><br /> -<span class="i2">At last in peace.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">Ah! what to me in death or life</span><br /> -<span class="i2">Could then avail?</span><br /> -<span class="i0">I dare not ask for rest or strife</span><br /> -<span class="i2">If love should fail.</span><br /> -</div> -</div> - -<hr /> - -<p class="larger p4">A Landscape <a name="Page_117" id="Page_117"></a><span class="pagenum">[Pg 117]</span></p> - -<p class="indent">By Alfred Thornton</p> - -<p class="p4"><a name="Page_118" id="Page_118"></a><span class="pagenum">[Pg 118]</span> -<a name="Page_119" id="Page_119"></a><span class="pagenum">[Pg 119]</span></p> - -<hr class="hide" /> - -<div class="figcenter"> - <img src="images/i_11.jpg" - width="500" height="666" - alt="Illustration: A Landscape" /> -</div> - -<p><a name="Page_120" id="Page_120"></a><span class="pagenum">[Pg 120]</span></p> - -<hr /> - -<h3 class="left">Passed <a name="Page_121" id="Page_121"></a><span class="pagenum">[Pg 121]</span></h3> - -<p class="right">By Charlotte M. Mew</p> - -<div class="poem"> -<span class="i12a">"Like souls that meeting pass,</span><br /> -<span class="i12">And passing never meet again."</span><br /> -</div> - -<p class="p2 dropcap">Let those who have missed a romantic view of London in its -poorest quarters—and there will romance be found—wait -for a sunset in early winter. They may turn North or South, -towards Islington or Westminster, and encounter some fine -pictures and more than one aspect of unique beauty. This hour -of pink twilight has its monopoly of effects. Some of them may -never be reached again.</p> - -<p>On such an evening in mid-December, I put down my sewing -and left tame glories of fire-light (discoverers of false charm) to -welcome, as youth may, the contrast of keen air outdoors to the -glow within.</p> - -<p>My aim was the perfection of a latent appetite, for I had no -mind to content myself with an apology for hunger, consequent -on a warmly passive afternoon.</p> - -<p>The splendid cold of fierce frost set my spirit dancing. The -road rung hard underfoot, and through the lonely squares woke -sharp echoes from behind. This stinging air assailed my cheeks -with vigorous severity. It stirred my blood grandly, and brought -<a name="Page_122" id="Page_122"></a><span class="pagenum">[Pg 122]</span> -thought back to me from the warm embers just forsaken, with an -immeasurable sense of gain.</p> - -<p>But after the first delirium of enchanting motion, destination -became a question. The dim trees behind the dingy enclosures -were beginning to be succeeded by rows of flaring gas jets, displaying -shops of new aspect and evil smell. Then the heavy walls -of a partially demolished prison reared themselves darkly against -the pale sky.</p> - -<p>By this landmark I recalled—alas that it should be possible—a -church in the district, newly built by an infallible architect, -which I had been directed to seek at leisure. I did so now. A -row of cramped houses, with the unpardonable bow window, -projecting squalor into prominence, came into view. Robbing -these even of light, the portentous walls stood a silent curse -before them. I think they were blasting the hopes of the -sad dwellers beneath them—if hope they had—to despair. -Through spattered panes faces of diseased and dirty children -leered into the street. One room, as I passed, seemed full of -them. The window was open; their wails and maddening requirements -sent out the mother's cry. It was thrown back to -her, mingled with her children's screams, from the pitiless prison -walls.</p> - -<p>These shelters struck my thought as travesties—perhaps they -were not—of the grand place called home.</p> - -<p>Leaving them I sought the essential of which they were bereft. -What withheld from them, as poverty and sin could not, a title -to the sacred name?</p> - -<p>An answer came, but interpretation was delayed. Theirs was -not the desolation of something lost, but of something that had -never been. I thrust off speculation gladly here, and fronted -Nature free. -<a name="Page_123" id="Page_123"></a><span class="pagenum">[Pg 123]</span></p> - -<p>Suddenly I emerged from the intolerable shadow of the brickwork, -breathing easily once more. Before me lay a roomy space, -nearly square, bounded by three-storey dwellings, and transformed, -as if by quick mechanism, with colours of sunset. Red and -golden spots wavered in the panes of the low scattered houses -round the bewildering expanse. Overhead a faint crimson sky -was hung with violet clouds, obscured by the smoke and nearing -dusk.</p> - -<p>In the centre, but towards the left, stood an old stone pump, -and some few feet above it irregular lamps looked down. They -were planted on a square of paving railed in by broken iron fences, -whose paint, now discoloured, had once been white. Narrow -streets cut in five directions from the open roadway. Their lines -of light sank dimly into distance, mocking the stars' entrance into -the fading sky. Everything was transfigured in the illuminated -twilight. As I stood, the dying sun caught the rough edges of a -girl's uncovered hair, and hung a faint nimbus round her poor -desecrated face. The soft circle, as she glanced toward me, lent -it the semblance of one of those mystically pictured faces of some -mediæval saint.</p> - -<p>A stillness stole on, and about the square dim figures hurried -along, leaving me stationary in existence (I was thinking fancifully), -when my mediæval saint demanded <q>who I was a-shoving -of?</q> and dismissed me, not unkindly, on my way. Hawkers in a -neighbouring alley were calling, and the monotonous ting-ting of -the muffin-bell made an audible background to the picture. I -left it, and then the glamour was already passing. In a little -while darkness possessing it, the place would reassume its aspect of -sordid gloom.</p> - -<p>There is a street not far from there, bearing a name that -quickens life within one, by the vision it summons of a most -<a name="Page_124" id="Page_124"></a><span class="pagenum">[Pg 124]</span> -peaceful country, where the broad roads are but pathways through -green meadows, and your footstep keeps the time to a gentle music -of pure streams. There the scent of roses, and the first pushing -buds of spring, mark the seasons, and the birds call out faithfully -the time and manner of the day. Here Easter is heralded by the -advent in some squalid mart of air-balls on Good Friday; early -summer and late may be known by observation of that unromantic -yet authentic calendar in which alley-tors, tip-cat, -whip- and peg-tops, hoops and suckers, in their courses mark the -flight of time.</p> - -<p>Perhaps attracted by the incongruity, I took this way. In such -a thoroughfare it is remarkable that satisfied as are its public with -transient substitutes for literature, they require permanent types -(the term is so far misused it may hardly be further outraged) of -Art. Pictures, so-called, are the sole departure from necessity and -popular finery which the prominent wares display. The window -exhibiting these aspirations was scarcely more inviting than the -fishmonger's next door, but less odoriferous, and I stopped to see -what the ill-reflecting lights would show. There was a typical -selection. Prominently, a large chromo of a girl at prayer. Her -eyes turned upwards, presumably to heaven, left the gazer in no -state to dwell on the elaborately bared breasts below. These -might rival, does wax-work attempt such beauties, any similar -attraction of Marylebone's extensive show. This personification -of pseudo-purity was sensually diverting, and consequently marketable.</p> - -<p>My mind seized the ideal of such a picture, and turned from this -prostitution of it sickly away. Hurriedly I proceeded, and did -not stop again until I had passed the low gateway of the place I -sought.</p> - -<p>Its forbidding exterior was hidden in the deep twilight and -<a name="Page_125" id="Page_125"></a><span class="pagenum">[Pg 125]</span> -invited no consideration. I entered and swung back the inner -door. It was papered with memorial cards, recommending to -mercy the unprotesting spirits of the dead. My prayers were requested -for the <q>repose of the soul of the Architect of that -church, who passed away in the True Faith—December,—1887.</q> -Accepting the assertion, I counted him beyond them, and mentally -entrusted mine to the priest for those who were still groping for -it in the gloom.</p> - -<p>Within the building, darkness again forbade examination. A -few lamps hanging before the altar struggled with obscurity.</p> - -<p>I tried to identify some ugly details with the great man's complacent -eccentricity, and failing, turned toward the street again. -Nearly an hour's walk lay between me and my home. This fact -and the atmosphere of stuffy sanctity about the place, set me -longing for space again, and woke a fine scorn for aught but air -and sky. My appetite, too, was now an hour ahead of opportunity. -I sent back a final glance into the darkness as my hand prepared -to strike the door. There was no motion at the moment, and it -was silent; but the magnetism of human presence reached me -where I stood. I hesitated, and in a few moments found what -sought me on a chair in the far corner, flung face downwards -across the seat. The attitude arrested me. I went forward. The -lines of the figure spoke unquestionable despair.</p> - -<p>Does speech convey intensity of anguish? Its supreme expression -is in form. Here was human agony set forth in meagre -lines, voiceless, but articulate to the soul. At first the forcible -portrayal of it assailed me with the importunate strength of beauty. -Then the Thing stretched there in the obdurate darkness grew -personal and banished delight. Neither sympathy nor its vulgar -substitute, curiosity, induced my action as I drew near. I was -eager indeed to be gone. I wanted to ignore the almost indistinguishable -<a name="Page_126" id="Page_126"></a><span class="pagenum">[Pg 126]</span> -being. My will cried: Forsake it!—but I found -myself powerless to obey. Perhaps it would have conquered had -not the girl swiftly raised herself in quest of me. I stood still. -Her eyes met mine. A wildly tossed spirit looked from those ill-lighted -windows, beckoning me on. Mine pressed towards it, but -whether my limbs actually moved I do not know, for the -imperious summons robbed me of any consciousness save that of -necessity to comply.</p> - -<p>Did she reach me, or was our advance mutual? It cannot be -told. I suppose we neither know. But we met, and her hand, -grasping mine, imperatively dragged me into the cold and noisy -street.</p> - -<p>We went rapidly in and out of the flaring booths, hustling little -staggering children in our unpitying speed, I listening dreamily to -the concert of hoarse yells and haggling whines which struck -against the silence of our flight. On and on she took me, -breathless and without explanation. We said nothing. I had no -care or impulse to ask our goal. The fierce pressure of my hand -was not relaxed a breathing space; it would have borne me against -resistance could I have offered any, but I was capable of none. -The streets seemed to rush past us, peopled with despair.</p> - -<p>Weirdly lighted faces sent blank negations to a spirit of question -which finally began to stir in me. Here, I thought once vaguely, -was the everlasting No!</p> - -<p>We must have journeyed thus for more than half an hour and -walked far. I did not detect it. In the eternity of supreme -moments time is not. Thought, too, fears to be obtrusive and -stands aside.</p> - -<p>We gained a door at last, down some blind alley out of the -deafening thoroughfare. She threw herself against it and pulled me -up the unlighted stairs. They shook now and then with the -<a name="Page_127" id="Page_127"></a><span class="pagenum">[Pg 127]</span> -violence of our ascent; with my free hand I tried to help myself -up by the broad and greasy balustrade. There was little sound in -the house. A light shone under the first door we passed, but all -was quietness within.</p> - -<p>At the very top, from the dense blackness of the passage, -my guide thrust me suddenly into a dazzling room. My eyes -rejected its array of brilliant light. On a small chest of drawers -three candles were guttering, two more stood flaring in the high -window ledge, and a lamp upon a table by the bed rendered these -minor illuminations unnecessary by its diffusive glare. There -were even some small Christmas candles dropping coloured grease -down the wooden mantel-piece, and I noticed a fire had been -made, built entirely of wood. There were bits of an inlaid workbox -or desk, and a chair-rung, lying half burnt in the grate. Some -peremptory demand for light had been, these signs denoted, -unscrupulously met. A woman lay upon the bed, half clothed, -asleep. As the door slammed behind me the flames wavered and -my companion released my hand. She stood beside me, shuddering -violently, but without utterance.</p> - -<p>I looked around. Everywhere proofs of recent energy were -visible. The bright panes reflecting back the low burnt candles, -the wretched but shining furniture, and some odd bits of painted -china, set before the spluttering lights upon the drawers, bore -witness to a provincial intolerance of grime. The boards were -bare, and marks of extreme poverty distinguished the whole room. -The destitution of her surroundings accorded ill with the girl's -spotless person and well-tended hands, which were hanging -tremulously down.</p> - -<p>Subsequently I realised that these deserted beings must have -first fronted the world from a sumptuous stage. The details in -proof of it I need not cite. It must have been so.</p> - -<p><a name="Page_128" id="Page_128"></a><span class="pagenum">[Pg 128]</span> -My previous apathy gave place to an exaggerated observation. -Even some pieces of a torn letter, dropped off the quilt, I noticed, -were of fine texture, and inscribed by a man's hand. One fragment -bore an elaborate device in colours. It may have been a club crest -or coat-of-arms. I was trying to decide which, when the girl at -length gave a cry of exhaustion or relief, at the same time falling -into a similar attitude to that she had taken in the dim church. -Her entire frame became shaken with tearless agony or terror. It -was sickening to watch. She began partly to call or moan, -begging me, since I was beside her, wildly, and then with heart-breaking -weariness, <q>to stop, to stay.</q> She half rose and claimed -me with distracted grace. All her movements were noticeably -fine.</p> - -<p>I pass no judgment on her features; suffering for the time -assumed them, and they made no insistence of individual claim.</p> - -<p>I tried to raise her, and kneeling, pulled her reluctantly towards -me. The proximity was distasteful. An alien presence has ever -repelled me. I should have pitied the girl keenly perhaps a few -more feet away. She clung to me with ebbing force. Her heart -throbbed painfully close to mine, and when I meet now in the -dark streets others who have been robbed, as she has been, of their -great possession, I have to remember that.</p> - -<p>The magnetism of our meeting was already passing; and, reason -asserting itself, I reviewed the incident dispassionately, as she lay -like a broken piece of mechanism in my arms. Her dark hair -had come unfastened and fell about my shoulder. A faint white -streak of it stole through the brown. A gleam of moonlight -strays thus through a dusky room. I remember noticing, as it -was swept with her involuntary motions across my face, a faint -fragrance which kept recurring like a subtle and seductive sprite, -hiding itself with fairy cunning in the tangled maze.</p> - -<p><a name="Page_129" id="Page_129"></a><span class="pagenum">[Pg 129]</span> -The poor girl's mind was clearly travelling a devious way. -Broken and incoherent exclamations told of a recently wrung -promise, made to whom, or of what nature, it was not my business -to conjecture or inquire.</p> - -<p>I record the passage of a few minutes. At the first opportunity -I sought the slumberer on the bed. She slept well: hers was -a long rest; there might be no awakening from it, for she was -dead. Schooled in one short hour to all surprises, the knowledge -made me simply richer by a fact. Nothing about the sternly -set face invited horror. It had been, and was yet, a strong -and, if beauty be not confined to youth and colour, a beautiful -face.</p> - -<p>Perhaps this quiet sharer of the convulsively broken silence was -thirty years old. Death had set a firmness about the finely controlled -features that might have shown her younger. The actual -years are of little matter; existence, as we reckon time, must have -lasted long. It was not death, but life that had planted the look -of disillusion there. And romance being over, all good-byes to -youth are said. By the bedside, on a roughly constructed table, -was a dearly bought bunch of violets. They were set in a blue -bordered tea-cup, and hung over in wistful challenge of their own -diviner hue. They were foreign, and their scent probably -unnatural, but it stole very sweetly round the room. A book lay -face downwards beside them—alas for parochial energies, not of -a religious type—and the torn fragments of the destroyed letter -had fallen on the black binding.</p> - -<p>A passionate movement of the girl's breast against mine directed -my glance elsewhere. She was shivering, and her arms about my -neck were stiffly cold. The possibility that she was starving -missed my mind. It would have found my heart. I wondered -if she slept, and dared not stir, though I was by this time cramped -<a name="Page_130" id="Page_130"></a><span class="pagenum">[Pg 130]</span> -and chilled. The vehemence of her agitation ended, she breathed -gently, and slipped finally to the floor.</p> - -<p>I began to face the need of action and recalled the chances -of the night. When and how I might get home was a necessary -question, and I listened vainly for a friendly step outside. None -since we left it had climbed the last flight of stairs. I could hear -a momentary vibration of men's voices in the room below. Was -it possible to leave these suddenly discovered children of peace and -tumult? Was it possible to stay?</p> - -<p>This was Saturday, and two days later I was bound for Scotland; -a practical recollection of empty trunks was not lost in my survey -of the situation. Then how, if I decided not to forsake the poor -child, now certainly sleeping in my arms, were my anxious friends -to learn my whereabouts, and understand the eccentricity of the -scheme? Indisputably, I determined, something must be done for -the half-frantic wanderer who was pressing a tiring weight against -me. And there should be some kind hand to cover the cold limbs -and close the wide eyes of the breathless sleeper, waiting a comrade's -sanction to fitting rest.</p> - -<p>Conclusion was hastening to impatient thought, when my eyes -let fall a fatal glance upon the dead girl's face. I do not think it -had changed its first aspect of dignified repose, and yet now it woke -in me a sensation of cold dread. The dark eyes unwillingly open -reached mine in an insistent stare. One hand lying out upon the -coverlid, I could never again mistake for that of temporarily -suspended life. My watch ticked loudly, but I dared not examine -it, nor could I wrench my sight from the figure on the bed. For -the first time the empty shell of being assailed my senses. I -watched feverishly, knowing well the madness of the action, for a -hint of breathing, almost stopping my own.</p> - -<p>To-day, as memory summons it, I cannot dwell without -<a name="Page_131" id="Page_131"></a><span class="pagenum">[Pg 131]</span> -reluctance on this hour of my realisation of the thing called -Death.</p> - -<p>A hundred fancies, clothed in mad intolerable terrors, possessed -me, and had not my lips refused it outlet, I should have set free a -cry, as the spent child beside me had doubtless longed to do, and -failed, ere, desperate, she fled.</p> - -<p>My gaze was chained; it could not get free. As the shapes of -monsters of ever varying and increasing dreadfulness flit through -one's dreams, the images of those I loved crept round me, with -stark yet well-known features, their limbs borrowing death's rigid -outline, as they mocked my recognition of them with soundless -semblances of mirth. They began to wind their arms about me -in fierce embraces of burning and supernatural life. Gradually -the contact froze. They bound me in an icy prison. Their hold -relaxed. These creatures of my heart were restless. The horribly -familiar company began to dance at intervals in and out a ring of -white gigantic bedsteads, set on end like tombstones, each of which -framed a huge and fearful travesty of the sad set face that was all -the while seeking vainly a pitiless stranger's care. They vanished. -My heart went home. The dear place was desolate. No echo -of its many voices on the threshold or stair. My footsteps made -no sound as I went rapidly up to a well-known room. Here I -besought the mirror for the reassurance of my own reflection. It -denied me human portraiture and threw back cold glare. As I -opened mechanically a treasured book, I noticed the leaves were -blank, not even blurred by spot or line; and then I shivered—it -was deadly cold. The fire that but an hour or two ago it seemed -I had forsaken for the winter twilight, glowed with slow derision -at my efforts to rekindle heat. My hands plunged savagely into -its red embers, but I drew them out quickly, unscathed and clean. -The things by which I had touched life were nothing. Here, as -<a name="Page_132" id="Page_132"></a><span class="pagenum">[Pg 132]</span> -I called the dearest names, their echoes came back again with the -sound of an unlearned language. I did not recognise, and yet I -framed them. What was had never been!</p> - -<p>My spirit summoned the being who claimed mine. He came, -stretching out arms of deathless welcome. As he reached me my -heart took flight. I called aloud to it, but my cries were lost in -awful laughter that broke to my bewildered fancy from the -hideously familiar shapes which had returned and now encircled -the grand form of him I loved. But I had never known him. -I beat my breast to wake there the wonted pain of tingling joy. -I called past experience with unavailing importunity to bear -witness the man was wildly dear to me. He was not. He left -me with bent head a stranger, whom I would not if I could -recall.</p> - -<p>For one brief second, reason found me. I struggled to shake -off the phantoms of despair. I tried to grasp while it yet lingered -the teaching of this never-to-be-forgotten front of death. The -homeless house with its indefensible bow window stood out from -beneath the prison walls again. What had this to do with it? -I questioned. And the answer it had evoked replied, <q>Not -the desolation of something lost, but of something that had never -been.</q></p> - -<p>The half-clad girl of the wretched picture-shop came into view -with waxen hands and senseless symbolism. I had grown calmer, -but her doll-like lips hissed out the same half-meaningless but -pregnant words. Then the nights of a short life when I could -pray, years back in magical childhood, sought me. They found me -past them—without the power.</p> - -<p>Truly the body had been for me the manifestation of the thing -called soul. Here was my embodiment bereft. My face was -stiff with drying tears. Sickly I longed to beg of an unknown God -<a name="Page_133" id="Page_133"></a><span class="pagenum">[Pg 133]</span> -a miracle. Would He but touch the passive body and breathe into -it the breath even of transitory life.</p> - -<p>I craved but a fleeting proof of its ever possible existence. For -to me it was not, would never be, and had never been.</p> - -<p>The partially relinquished horror was renewing dominance. -Speech of any incoherence or futility would have brought mental -power of resistance. My mind was fast losing landmarks amid the -continued quiet of the living and the awful stillness of the dead. -There was no sound, even of savage guidance, I should not then -have welcomed with glad response.</p> - -<p><q>The realm of Silence,</q> says one of the world's great teachers, -<q>is large enough beyond the grave.</q></p> - -<p>I seemed to have passed life's portal, and my soul's small strength -was beating back the noiseless gate. In my extremity, I cried, -<q>O God! for man's most bloody warshout, or Thy whisper!</q> -It was useless. Not one dweller in the crowded tenements broke -his slumber or relaxed his labour in answer to the involuntary -prayer.</p> - -<p>And may the 'Day of Account of Words' take note of this! -Then, says the old fable, shall the soul of the departed be weighed -against an image of Truth. I tried to construct in imagination -the form of the dumb deity who should bear down the balances -for me. Soundlessness was turning fear to madness. I could -neither quit nor longer bear company the grim Presence in that -room. But the supreme moment was very near.</p> - -<p>Long since, the four low candles had burned out, and now the -lamp was struggling fitfully to keep alight. The flame could last -but a few moments. I saw it, and did not face the possibility of -darkness. The sleeping girl, I concluded rapidly, had used all -available weapons of defiant light.</p> - -<p>As yet, since my entrance, I had hardly stirred, steadily supporting -<a name="Page_134" id="Page_134"></a><span class="pagenum">[Pg 134]</span> -the burden on my breast. Now, without remembrance of it, -I started up to escape. The violent suddenness of the action woke -my companion. She staggered blindly to her feet and confronted -me as I gained the door.</p> - -<p>Scarcely able to stand, and dashing the dimness from her eyes, -she clutched a corner of the drawers behind her for support. -Her head thrown back, and her dark hair hanging round it, -crowned a grandly tragic form. This was no poor pleader, and I -was unarmed for fight. She seized my throbbing arm and cried -in a whisper, low and hoarse, but strongly audible:</p> - -<p><q>For God's sake, stay here with me.</q></p> - -<p>My lips moved vainly. I shook my head.</p> - -<p><q>For God in heaven's sake</q>—she repeated, swaying, and -turning her burning, reddened eyes on mine—<q>don't leave me -now.</q></p> - -<p>I stood irresolute, half stunned. Stepping back, she stooped -and began piecing together the dismembered letter on the bed. -A mute protest arrested her from a cold sister's face. She -swept the action from her, crying, <q>No!</q> and bending forward -suddenly, gripped me with fierce force.</p> - -<p><q>Here! Here!</q> she prayed, dragging me passionately back -into the room.</p> - -<p>The piteous need and wild entreaty—no, the vision of dire -anguish—was breaking my purpose of flight. A fragrance that -was to haunt me stole between us. The poor little violets put -in their plea. I moved to stay. Then a smile—the splendour -of it may never be reached again—touched her pale lips and broke -through them, transforming, with divine radiance, her young -and blurred and never-to-be-forgotten face. It wavered, or was -it the last uncertain flicker of the lamp that made me fancy it? -The exquisite moment was barely over when darkness came. -<a name="Page_135" id="Page_135"></a><span class="pagenum">[Pg 135]</span> -Then light indeed forsook me. Almost ignorant of my own -intention, I resisted the now trembling figure, indistinguishable -in the gloom, but it still clung. I thrust it off me with unnatural -vigour.</p> - -<p>She fell heavily to the ground. Without a pause of thought I -stumbled down the horrible unlighted stairs. A few steps before -I reached the bottom my foot struck a splint off the thin edge of -one of the rotten treads. I slipped, and heard a door above open -and then shut. No other sound. At length I was at the door. -It was ajar. I opened it and looked out. Since I passed through -it first the place had become quite deserted. The inhabitants -were, I suppose, all occupied elsewhere at such an hour on their -holiday night. The lamps, if there were any, had not been lit. -The outlook was dense blackness. Here too the hideous dark -pursued me and silence held its sway. Even the children were -screaming in more enticing haunts of gaudy squalor. Some, -whose good angels perhaps had not forgotten them, had put -themselves to sleep. Not many hours ago their shrieks were -deafening. Were these too in conspiracy against me? I -remembered vaguely hustling some of them with unmeant harshness -in my hurried progress from the Church. Dumb the whole -place seemed; and it was, but for the dim stars aloft, quite dark. -I dared not venture across the threshold, bound by pitiable -cowardice to the spot. Alas for the unconscious girl upstairs. -A murmur from within the house might have sent me back to -her. Certainly it would have sent me, rather than forth into the -empty street. The faintest indication of humanity had recalled -me. I waited the summons of a sound. It came.</p> - -<p>But from the deserted, yet not so shamefully deserted, street. -A man staggering home by aid of friendly railings, set up a -drunken song. At the first note I rushed towards him, pushing -<a name="Page_136" id="Page_136"></a><span class="pagenum">[Pg 136]</span> -past him in wild departure, and on till I reached the noisome and -flaring thoroughfare, a haven where sweet safety smiled. Here I -breathed joy, and sped away without memory of the two lifeless -beings lying alone in that shrouded chamber of desolation, and -with no instinct to return.</p> - -<p>My sole impulse was flight; and the way, unmarked in the -earlier evening, was unknown. It took me some minutes to find -a cab; but the incongruous vehicle, rudely dispersing the haggling -traders in the roadway, came at last, and carried me from -the distorted crowd of faces and the claims of pity to peace.</p> - -<p>I lay back shivering, and the wind crept through the rattling -glass in front of me. I did not note the incalculable turnings that -took me home.</p> - -<p>My account of the night's adventure was abridged and unsensational. -I was pressed neither for detail nor comment, but -accorded a somewhat humorous welcome which bade me say -farewell to dying horror, and even let me mount boldly to the -once death-haunted room.</p> - -<p>Upon its threshold I stood and looked in, half believing possible -the greeting pictured there under the dead girl's influence, and I -could not enter. Again I fled, this time to kindly light, and -heard my brothers laughing noisily with a friend in the bright hall.</p> - -<p>A waltz struck up in the room above as I reached them. I -joined the impromptu dance, and whirled the remainder of that -evening gladly away.</p> - -<p>Physically wearied, I slept. My slumber had no break in it. -I woke only to the exquisite joys of morning, and lay watching -the early shadows creep into the room. Presently the sun rose. -His first smile greeted me from the glass before my bed. I -sprang up disdainful of that majestic reflection, and flung the -window wide to meet him face to face. His splendour fell too on -<a name="Page_137" id="Page_137"></a><span class="pagenum">[Pg 137]</span> -one who had trusted me, but I forgot it. Not many days later -the same sunlight that turned my life to laughter shone on the -saddest scene of mortal ending, and, for one I had forsaken, lit the -ways of death. I never dreamed it might. For the next morning -the tragedy of the past night was a distant one, no longer intolerable.</p> - -<p>At twelve o'clock, conscience suggested a search. I acquiesced, -but did not move. At half-past, it insisted on one, and I obeyed. -I set forth with a determination of success and no clue to promise -it. At four o'clock, I admitted the task hopeless and abandoned -it. Duty could ask no more of me, I decided, not wholly dissatisfied -that failure forbade more difficult demands. As I passed -it on my way home, some dramatic instinct impelled me to re-enter -the unsightly church.</p> - -<p>I must almost have expected to see the same prostrate figure, -for my eyes instantly sought the corner it had occupied. The -winter twilight showed it empty. A service was about to begin. -One little lad in violet skirt and goffered linen was struggling to -light the benediction tapers, and a troop of school children pushed -past me as I stood facing the altar and blocking their way. A -grey-clad sister of mercy was arresting each tiny figure, bidding it -pause beside me, and with two firm hands on either shoulder, -compelling a ludicrous curtsey, and at the same time whispering -the injunction to each hurried little personage,— <q>always make a -reverence to the altar.</q> <q>Ada, come back!</q> and behold another -unwilling bob! Perhaps the good woman saw her Master's face -behind the tinsel trappings and flaring lights. But she forgot His -words. The saying to these little ones that has rung through -centuries commanded liberty and not allegiance. I stood aside -till they had shuffled into seats, and finally kneeling stayed till the -brief spectacle of the afternoon was over.</p> - -<p><a name="Page_138" id="Page_138"></a><span class="pagenum">[Pg 138]</span> -Towards its close I looked away from the mumbling priest, -whose attention, divided between inconvenient millinery and the -holiest mysteries, was distracting mine.</p> - -<p>Two girls holding each other's hands came in and stood in -deep shadow behind the farthest rows of high-backed chairs by the -door. The younger rolled her head from side to side; her shifting -eyes and ceaseless imbecile grimaces chilled my blood. The -other, who stood praying, turned suddenly (the place but for the -flaring altar lights was dark) and kissed the dreadful creature by -her side. I shuddered, and yet her face wore no look of loathing -nor of pity. The expression was a divine one of habitual -love.</p> - -<p>She wiped the idiot's lips and stroked the shaking hand in hers, -to quiet the sad hysterical caresses she would not check. It was a -page of gospel which the old man with his back to it might never -read. A sublime and ghastly scene.</p> - -<p>Up in the little gallery the grey-habited nuns were singing a -long Latin hymn of many verses, with the refrain <q>Oh! Sacred -Heart!</q> I buried my face till the last vibrating chord of the -accompaniment was struck. The organist ventured a plagal -cadence. It evoked no <q>amen.</q> I whispered one, and an accidentally -touched note shrieked disapproval. I repeated it. Then -I spit upon the bloodless cheek of duty, and renewed my quest. -This time it was for the satisfaction of my own tingling soul.</p> - -<p>I retook my unknown way. The streets were almost empty -and thinly strewn with snow. It was still falling. I shrank from -marring the spotless page that seemed outspread to challenge and -exhibit the defiling print of man. The quiet of the muffled -streets soothed me. The neighbourhood seemed lulled into unwonted -rest.</p> - -<p>Black little figures lurched out of the white alleys in twos and -<a name="Page_139" id="Page_139"></a><span class="pagenum">[Pg 139]</span> -threes. But their childish utterances sounded less shrill than -usual, and sooner died away.</p> - -<p>Now in desperate earnest I spared neither myself nor the incredulous -and dishevelled people whose aid I sought.</p> - -<p>Fate deals honestly with all. She will not compromise though -she may delay. Hunger and weariness at length sent me home, -with an assortment of embellished negatives ringing in my failing -ears.</p> - -<p class="center">* * * * *</p> - -<p>I had almost forgotten my strange experience, when, some months -afterwards, in late spring, the wraith of that winter meeting appeared -to me. It was past six o'clock, and I had reached, ignorant of the -ill-chosen hour, a notorious thoroughfare in the western part of this -glorious and guilty city. The place presented to my unfamiliar -eyes a remarkable sight. Brilliantly lit windows, exhibiting dazzling -wares, threw into prominence the human mart.</p> - -<p>This was thronged. I pressed into the crowd. Its steady and -opposite progress neither repelled nor sanctioned my admittance. -However, I had determined on a purchase, and was not to -be baulked by the unforeseen. I made it, and stood for a moment -at the shop-door preparing to break again through the rapidly -thickening throng.</p> - -<p>Up and down, decked in frigid allurement, paced the insatiate -daughters of an everlasting king. What fair messengers, with -streaming eyes and impotently craving arms, did they send afar off -ere they thus <q>increased their perfumes and debased themselves -even unto hell</q>? This was my question. I asked not who -forsook them, speaking in farewell the <q>hideous English of their -fate.</q></p> - -<p>I watched coldly, yet not inapprehensive or a certain grandeur -in the scene. It was Virtue's very splendid Dance of Death.</p> - -<p><a name="Page_140" id="Page_140"></a><span class="pagenum">[Pg 140]</span> -A sickening confusion of odours assailed my senses; each -essence a vile enticement, outraging Nature by a perversion of her -own pure spell.</p> - -<p>A timidly protesting fragrance stole strangely by. I started at -its approach. It summoned a stinging memory. I stepped forward -to escape it, but stopped, confronted by the being who had -shared, by the flickering lamplight and in the presence of that -silent witness, the poor little violet's prayer.</p> - -<p>The man beside her was decorated with a bunch of sister -flowers to those which had taken part against him, months ago, in -vain. He could have borne no better badge of victory. He was -looking at some extravagant trifle in the window next the entry I -had just crossed. They spoke, comparing it with a silver case he -turned over in his hand. In the centre I noticed a tiny enamelled -shield. The detail seemed familiar, but beyond identity. They -entered the shop. I stood motionless, challenging memory, till it -produced from some dim corner of my brain a hoarded <q>No.</q></p> - -<p>The device now headed a poor strip of paper on a dead girl's -bed. I saw a figure set by death, facing starvation, and with ruin -in torn fragments in her hand. But what place in the scene had -I? A brief discussion next me made swift answer.</p> - -<p>They were once more beside me. The man was speaking: -his companion raised her face; I recognised its outline,—its true -aspect I shall not know. Four months since it wore the mask -of sorrow; it was now but one of the pages of man's immortal -book. I was conscious of the matchless motions which in the -dim church had first attracted me.</p> - -<p>She was clothed, save for a large scarf of vehemently brilliant -crimson, entirely in dull vermilion. The two shades might serve -as symbols of divine and earthly passion. Yet does one ask the -martyr's colour, you name it 'Red' (and briefly thus her garment): -<a name="Page_141" id="Page_141"></a><span class="pagenum">[Pg 141]</span> -no distinctive hue. The murderer and the prelate too -may wear such robes of office. Both are empowered to bless and -ban.</p> - -<p>My mood was reckless. I held my hands out, craving mercy. -It was my bitter lot to beg. My warring nature became unanimously -suppliant, heedless of the debt this soul might owe me—of -the throes to which I left it, and of the discreditable marks -of mine it bore. Failure to exact regard I did not entertain. -I waited, with exhaustless fortitude, the response to my appeal. -Whence it came I know not. The man and woman met my -gaze with a void incorporate stare. The two faces were merged -into one avenging visage—so it seemed. I was excited. As -they turned towards the carriage waiting them, I heard a laugh, -mounting to a cry. It rang me to an outraged Temple. -Sabbath bells peal sweeter calls, as once this might have done.</p> - -<p>I knew my part then in the despoiled body, with its soul's -tapers long blown out.</p> - -<p>Wheels hastened to assail that sound, but it clanged all. -Did it proceed from some defeated angel? or the woman's -mouth? or mine? God knows!</p> - -<hr /> - -<h3 class="left">Sat est scripsisse <a name="Page_142" id="Page_142"></a><span class="pagenum">[Pg 142]</span></h3> - -<p class="right">By Austin Dobson</p> - -<p class="center">To E. G., with a Volume of Essays</p> - -<div class="poem"> -<div class="stanza"> -<span class="i0 dropcap">When you and I have wandered beyond the reach of call,</span><br /> -<span class="i0">And all our works immortal are scattered on the Stall,</span><br /> -<span class="i0">It may be some new Reader, in that remoter age,</span><br /> -<span class="i0">Will find this present volume, and listless turn the page.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">For him I write these Verses. And <q>Sir</q> (I say to him),</span><br /> -<span class="i0a">"This little Book you see here—this masterpiece of Whim,</span><br /> -<span class="i0">Of Wisdom, Learning, Fancy (if you will, please, attend),</span><br /> -<span class="i0">Was written by its Author, who gave it to his Friend.</span><br /> -</div> - -<div class="stanza"> -<span class="i0a">"For they had worked together, been Comrades at the Pen;</span><br /> -<span class="i0">They had their points at issue, they differed now and then;</span><br /> -<span class="i0">But both loved Song and Letters, and each had close at heart</span><br /> -<span class="i0">The dreams, the aspirations, the 'dear delays' of Art.</span><br /> -</div> - -<div class="stanza"> -<span class="i0a">"And much they talk'd of Metre, and more they talked of Style,</span><br /> -<span class="i0">Of Form and 'lucid Order,' of labour of the File;</span><br /> -<span class="i0">And he who wrote the writing, as sheet by sheet was penned,</span><br /> -<span class="i0">(This all was long ago, Sir!) would read it to his Friend.</span><br /> -<a name="Page_143" id="Page_143"></a><span class="pagenum">[Pg 143]</span> -</div> - -<div class="stanza"> -<span class="i0a">"They knew not, nor cared greatly, if they were spark or star,</span><br /> -<span class="i0">They knew to move is somewhat, although the goal be far;</span><br /> -<span class="i0">And larger light or lesser, this thing at least is clear,—</span><br /> -<span class="i0">They served the Muses truly, their service was sincere.</span><br /> -</div> - -<div class="stanza"> -<span class="i0a">"This tattered page you see, Sir, is all that now remains</span><br /> -<span class="i0">(Yes, fourpence is the lowest!) of all those pleasant pains;</span><br /> -<span class="i0">And as for him that read it, and as for him that wrote,—</span><br /> -<span class="i0">No Golden Book enrolls them among its 'Names of Note.'</span><br /> -</div> - -<div class="stanza"> -<span class="i0a">"And yet they had their office. Though they to-day are passed,</span><br /> -<span class="i0">They marched in that procession where is no first or last;</span><br /> -<span class="i0">Though cold is now their hoping, though they no more aspire,</span><br /> -<span class="i0">They, too, had once their ardour:—they handed on the fire."</span><br /> -</div> -</div> - -<hr /> - -<h3 class="left">Three Stories <a name="Page_144" id="Page_144"></a><span class="pagenum">[Pg 144]</span></h3> - -<p class="larger">By V., O., C.S.</p> - -<h4><abbr title="One">I</abbr>—<span lang="fr">Honi soit qui mal y pense</span></h4> - -<p class="right">By C. S.</p> - -<p class="p2a">"</p> -<p class="p0 dropcap"> But I'm not very tall, am I?" said the little book-keeper, -coming close to the counter so as to prevent me from -seeing that she was standing on tiptoe.</p> - -<p><q>A <i lang="fr">p'tite</i> woman,</q> said I, <q>goes straight to my heart.</q></p> - -<p>The book-keeper blushed and looked down, and began fingering -a bunch of keys with one hand.</p> - -<p><q>How is the cold?</q> I asked. <q>You don't seem to cough so -much to-day.</q></p> - -<p><q>It always gets bad again at night,</q> she answered, still looking -down and playing with her keys.</p> - -<p>I reached over to them, and she moved her hand quickly away -and clasped it tightly with the other.</p> - -<p>I picked up the keys:—<q>Store-room, Cellar, Commercial -Room, Office,</q> said I, reading off the names on the labels—<q>why, -you seem to keep not only the books, but everything else -as well.</q></p> - -<p>She turned away to measure out some whisky at the other -<a name="Page_145" id="Page_145"></a><span class="pagenum">[Pg 145]</span> -window, and then came back and held out her hand for the -keys.</p> - -<p><q>What a pretty ring,</q> I said; <q>I wonder I haven't noticed -it before. You can't have had it on lately.</q></p> - -<p>She looked at me fearfully and again covered her hand.</p> - -<p><q>Please give me my keys.</q></p> - -<p><q>Yes, if I may look at the ring.</q></p> - -<p>The little book-keeper turned away, and slipping quietly on to -her chair, burst into tears.</p> - -<p>I pushed open the door of the office and walked in.</p> - -<p><q>What is it?</q> I whispered, bending over her and gently -smoothing her hair.</p> - -<p><q>I—I hate him!</q> she sobbed.</p> - -<p><q>Him?—Him?</q></p> - -<p><q>Yes,—the—the ring man.</q></p> - -<p>I felt for the little hand among the folds of the inky table-cloth, -and stooped and kissed her forehead. <q>Forgive me, dearest——</q></p> - -<p><q>Go away,</q> she sobbed, <q>go away. I wish I had never seen -you. It was all my fault: I left off wearing the ring on purpose, -but he's coming here to-day——and—and we are so many at -home—and have so little money——</q></p> - -<p>And as I went upstairs to pack I could see the little brown -head bent low over the inky table-cloth. -</p> - -<hr /> - -<h4>II—A Purple Patch <a name="Page_146" id="Page_146"></a><span class="pagenum">[Pg 146]</span></h4> - -<p class="right">By O.</p> - -<h4><abbr title="One">I</abbr></h4> - -<p class="dropcap">It was nearly half-past four. Janet was sitting in the drawing-room -reading a novel and waiting for tea. She was in one of -those pleasing moods when the ordinary happy circumstances of -life do not pass unnoticed as inevitable. She was pleased to be -living at home with her father and sister, pleased that her father -was a flourishing doctor, and that she could sit idle in the drawing-room, -pleased at the pretty furniture, at the flowers which she had -bought in the morning.</p> - -<p>She seldom felt so. Generally these things did not enter her -head as a joy in themselves; and this mood never came upon her -when, according to elderly advice, it would have been useful. In -no trouble, great or small, could she gain comfort from remembering -that she lived comfortably; but sometimes without any -reason, as now, she felt glad at her position.</p> - -<p>When the parlour-maid came in and brought the lamp, Janet -watched her movements pleasurably. She noticed all the ways of -a maid in an orderly house: how she placed the lighted lamp on -the table at her side, then went to the windows and let down the -blinds and drew the curtains, then pulled a small table forward, -spread a blue-edged cloth on it, and walked out quietly, pushing -her cuffs up a little.</p> - -<p>She was pleased too with her novel, Miss Braddon's <cite>Asphodel</cite>. -For some time she had enjoyed reading superior books. She knew -that <cite>Asphodel</cite> was bad, and saw its inferiority to the books which -<a name="Page_147" id="Page_147"></a><span class="pagenum">[Pg 147]</span> -she had lately read; but that did not prevent her pleasure at being -back with Miss Braddon.</p> - -<p>The maid came in and set the glass-tray on the table which she -had just covered, took a box of matches from her apron pocket, lit -the wick of the silver spirit-stove and left the room. Janet watched -the whole proceeding with pleasure, sitting still in the arm-chair. -Three soft raps on the gong and Gertrude appeared. She made the -tea, and they talked. When they had finished, Gertrude sat at her -desk and began to write a <a name="letter"></a>letter, and still talking, Janet gradually -let herself into her novel once more. There was plenty of the -story left, she would read right on till dinner.</p> - -<p>They had finished talking for some minutes when they heard a -ring.</p> - -<p><q>Oh, Gerty, suppose this is a visitor!</q> Janet said, looking up -from her book.</p> - -<p>Gertrude listened. Janet prayed all the time that it might not -be a visitor, and she gave a low groan as she heard heavy steps -upon the stairs. Gertrude's desk was just opposite the door, and -directly the maid opened it she saw that the visitor was an -awkward young man who never had anything to say. She exchanged -a glance with Janet, then Janet saw the maid who -announced, <q>Mr. Huddleston.</q></p> - -<p>And then she saw Mr. Huddleston. She laid her book down -open on the table behind her, and rose to shake hands with him.</p> - -<p>Janet had one conversation with Mr. Huddleston—music: they -were very slightly acquainted, and they never got beyond that -subject. She smiled at the inevitableness of her question as she -asked:</p> - -<p><q>Were you at the Saturday Afternoon Concert?</q></p> - -<p>When they had talked for ten minutes with some difficulty, -Gertrude, who had finished her letter, left the room: she was -<a name="Page_148" id="Page_148"></a><span class="pagenum">[Pg 148]</span> -engaged to be married, and was therefore free to do anything -she liked. After a visit of half an hour Huddleston went.</p> - -<p>Janet rang the bell, and felt a little guilty as she took up the -open book directly her visitor had gone. She did not know quite -why, but she was dissatisfied. However, in a moment or two she -was deep in the excitement of <cite>Asphodel</cite>.</p> - -<p>She read on for a couple of hours, and then she heard the -carriage drive up to the door. She heard her father come into -the house and go to his consulting-room, then walk upstairs to his -bedroom, and she knew that in a few minutes he would be down -in the drawing-room to talk for a quarter of an hour before dinner. -When she heard him on the landing, she put away her book; -Gertrude met him just at the door; they both came in together, -and then they all three chatted. But instead of feeling in a contented -mood, because she had read comfortably, as she had intended -all the afternoon, Janet was dissatisfied, as if the afternoon had -slipped by without being enjoyed, wasted over the exciting -novel.</p> - -<p>And towards the end of dinner her thoughts fell back on an -old trouble which had been dully threatening her. Gertrude -was her father's favourite; gay and pretty, she had never been -difficult. Janet was more silent, could not amuse her father and -make him laugh, and he was not fond of her. She would find -still more difficulty when Gertrude was married, and she was -left alone with him. His health was failing, and he was growing -very cantankerous. She dreaded the prospect, and already the -doctor was moaning to Gerty about her leaving, and she was -making him laugh for the last time over the very cause of his -dejection. Not that he would have retarded her marriage by a -day; he was extremely proud of her engagement to the son of the -great Lady Beamish.</p> - -<p><a name="Page_149" id="Page_149"></a><span class="pagenum">[Pg 149]</span> -That thought had been an undercurrent of trouble ever since -Gertrude's engagement, and she wondered how she could have -forgotten it for a whole afternoon. Now she was as fully miserable -as she had been content four hours before, and her trouble at the -moment mingled with her unsatisfactory recollection of the -afternoon, her annoyance at Mr. Huddleston's interruption, -and the novel which she had taken up directly he had left the -room.</p> - -<h4><abbr title="Two">II</abbr></h4> - -<p>A year after Gertrude's marriage Dr. Worgan gave up his work -and decided at last to carry out a cherished plan. One of his oldest -friends was going to Algiers with his wife and daughter. The -doctor was a great favourite with them; he decided to sell his house -in London, and join the party in their travels. The project had -been discussed for a long time, and Janet foresaw an opportunity of -going her own way. She was sure that her father did not want -her. She had hinted at her wish to stay in England and work for -herself; but she did not insist or trouble her father, and as he did -not oppose her she imagined that the affair was understood. When -the time for his departure drew close, Janet said something about -her arrangements which raised a long discussion. Dr. Worgan -expressed great astonishment at her resolution, and declared that -she had not been open with him. Janet could not understand his -sudden opposition; perhaps she had not been explicit enough; -but surely they both knew what they were about, and it was obviously -better that they should part.</p> - -<p>They were in the drawing-room. Dr. Worgan felt aggrieved -that the affair should be taken so completely out of his hands; he -had been reproaching her, and arguing for some time. Janet's -<a name="Page_150" id="Page_150"></a><span class="pagenum">[Pg 150]</span> -tone vexed him. She was calm, disinclined to argue, behaving as -if the arrangement were quite decided: he would have been better -pleased if she had cried or lost her temper.</p> - -<p><q>It's very easy to say that; but, after all, you're not independent. -You say you want to get work as a governess; but that's -only an excuse for not going away with me.</q></p> - -<p><q>You never let me do anything for you.</q></p> - -<p><q>I don't ask you to. I never demand anything of you. I'm -not a tyrant; but that's no reason why you should want to desert -me; you're the last person I have.</q></p> - -<p>Janet hated arguments and talk about affairs which were -obviously settled. They had talked for almost an hour, they -could neither of them gain anything from the conversation, and -yet her father seemed to delight in prolonging it. She did not -wish to defend her course. She would willingly have allowed her -father to put her in the wrong, if only he had left her alone to do -what both of them wanted.</p> - -<p><q>You want to pose as a kind of martyr, I suppose. Your -father hasn't treated you well, he only loved your sister; you've a -grievance against him.</q></p> - -<p><q>No, indeed; you know it's not so.</q></p> - -<p>The impossibility of answering such charges, all the unnecessary -fatigue, had brought her very near crying: she felt the lump in -her throat, the aching in her breast. Be a governess? Why, -she would willingly be a factory girl, working her life out for a -few shillings a week, if only she could be left alone to be straightforward. -The picture of the girls with shawl and basket leaving the -factory came before her eyes. She really envied them, and pictured -herself walking home to her lonely garret, forgotten and in peace.</p> - -<p><q>But that's how our relations and friends will look upon your -conduct.</q></p> - -<p><a name="Page_151" id="Page_151"></a><span class="pagenum">[Pg 151]</span> -<q>Oh no,</q> she answered, trying to smile and say something -amusing after the manner of Gertrude; <q>they will only shake -their heads at their daughters and say, 'There goes another rebel -who isn't content to be beautiful, innocent, and protected.'</q></p> - -<p>But Janet's attempts to be amusing were not successful with -her father.</p> - -<p><q>They won't at all. They'll say, 'At any rate her father is -well off enough to give her enough to live upon, and not make -her work as a governess.'</q></p> - -<p><q><em>We</em> know that's got nothing to do with it. If I were dependent, -I should feel I'd less right to choose<span style="white-space:nowrap;">——</span></q></p> - -<p><q>But you're mistaken; that's not honesty, but egoism, on -your part.</q></p> - -<p>Janet had nothing to answer; there was a pause, as if her father -wished her to argue the point. She thought, perhaps, she had -better say something, else she would show too plainly that she -saw he was in the wrong; but she said nothing, and he went on: -<q>And what will people say at the idea of <a name="your"></a>your being a governess? -Practically a servant in a stranger's house, with a pretence -of equality, but less pay than a good cook. What will all our -friends say?</q></p> - -<p>Janet did not wish to say to herself in so many words that her -father was a snob. If he had left her alone, she would have been -satisfied with the unacknowledged feeling that he attached importance -to certain things.</p> - -<p><q>Surely people of understanding know there's no harm in being -a governess, and I'm quite willing to be ignored by anyone who -can't see that.</q></p> - -<p>These were the first words she spoke with any warmth.</p> - -<p><q>Selfishness again. It's not only your concern: what will -your sister think and feel about it?</q></p> - -<p><a name="Page_152" id="Page_152"></a><span class="pagenum">[Pg 152]</span> -<q>Gerty is sensible enough to think as I do; besides, she is very -happy, and so has no right to dictate to other people about their -affairs; indeed, she won't trouble about it—why should she? I'm -not part of her.</q></p> - -<p><q>You're unjust to Gertrude: your sister is too sweet and -modest to wish to dictate to any one.</q></p> - -<p><q>Exactly.</q> Janet could not help saying this one word, and yet -she knew that it would irritate her father still more.</p> - -<p><q>And who would take you as a governess? You don't find -it easy to live even with your own people, and I don't know what -you can teach. Perhaps you will reproach me as Laura did her -mother, and say it was my fault you didn't go to Girton?</q></p> - -<p><q>Oh, I think I can manage. My music is not much, I -know; but I think it's good enough to be useful.</q></p> - -<p><q>Are you going to say that I was wrong in not encouraging -you to train for a professional musician?</q></p> - -<p><q>I hadn't the faintest notion of reproaching you for anything: -it was only modesty.</q></p> - -<p>She knew that having passed the period when she might have -cried, she was being fatigued into the flippant stage, and her -father hated that above everything.</p> - -<p><q>Now you're beginning to sneer in your superior way,</q> -Dr. Worgan said, walking up the room, <q>talking to me as if -I were an idiot——</q></p> - -<p>He was interrupted by the maid who came in to ask Janet -whether she could put out the light in the hall. Janet looked -questioningly at her father, who had faced round when he heard -the door open, and he said yes.</p> - -<p><q>And, Callant,</q> Janet cried after her, and then went on in -a lower tone as she reappeared, <q>we shall want breakfast at eight -to-morrow; Dr. Worgan is going out early.</q></p> - -<p><a name="Page_153" id="Page_153"></a><span class="pagenum">[Pg 153]</span> -The door was shut once more. Her father seemed vexed at -the interruption so welcome to her.</p> - -<p><q>Well, I never could persuade you in anything; but I resent -the way in which you look on my advice as if it were selfish—I'm -only anxious for your own welfare.</q></p> - -<p class="center">* * * * *</p> - -<p>In bed Janet lay awake thinking over the conversation. She -had an instinctive dislike to judging any one, especially her father. -Why couldn't people who understood each other remain satisfied -with their tacit understanding, and each go his own way without -pretence? She was sure her father did not really want her, -he was only opposing her desertion to justify himself in his -own eyes, trying to persuade himself that he did love her. If he -had just let things take their natural course and made no -objections against his better judgment, she would not have -criticised him; she had never felt aggrieved at his preference -for Gertrude: it so happened that she was not sympathetic -to him, and they both knew it. Over and over again as she lay -in bed, she argued out all these points with herself. If he had -said, <q>You're a good girl, you're doing the right thing; I admire -you, though we're not sympathetic,</q> his humanity would have -given her deep pleasure, and they might have felt more loving -towards each other than ever before. Perhaps that was too -much to expect; but at any rate he might have left her alone. -Anything rather than all this pretence, which forced her to -criticise him and defend herself.</p> - -<p>But perhaps she had not given him a chance? She knew that -every movement and look of hers irritated him: if only she -could have not been herself, he might have been generous. But -then, as if to make up for this thought, she said aloud to herself:</p> - -<p><q>Generosity, logic, and an objection to unnecessary talking -<a name="Page_154" id="Page_154"></a><span class="pagenum">[Pg 154]</span> -are manly qualities.</q> And then she repented for becoming -bitter.</p> - -<p><q>But why must all the hateful things in life be defined and -printed on one's mind in so many words? I could face difficulties -quite well without being forced to set all the unpleasantnesses -in life clearly out. And this makes me bitter.</q></p> - -<p>She was terribly afraid of becoming bitter. Bitterness was for -the failures, and why should she own to being a failure; surely -she was not aiming very high? She was oppressed by the -horrible fear of becoming old-maidish and narrow. Perhaps she -would change gradually without being able to prevent, without -even noticing the change. Every now and then she spoke her -thoughts aloud.</p> - -<p><q>I can't have taking ways: some people think I'm superior -and crushing, father says I'm selfish;</q> and yet she could not -think of any great pleasures which she had longed for and -claimed. Gerty had never hidden her wishes or sacrificed anything -to others, and she always got everything she fancied; yet she was -not selfish.</p> - -<p>Then the old utter dejection came over her as she thought of -her life; if no one should love her, and she should grow old -and fixed in desolation? This was no sorrow at an unfortunate -circumstance, but a dejection so far-reaching that its existence -seemed to her more real than her own; it must have existed in the -world before she was born, it must have been since the beginning. -The smaller clouds which had darkened her day were forced aside, -and the whole heaven was black with this great hopelessness. If -any sorrow had struck her, death, disgrace, crime, that would have -been a laughing matter compared with this.</p> - -<p>Perhaps life would be better when she was a governess; she -would be doing something, moulding her own life, ill-treated with -<a name="Page_155" id="Page_155"></a><span class="pagenum">[Pg 155]</span> -actual wrongs perhaps. In the darkness of her heaven there -came a little patch of blue sky, the hopefulness which was always -there behind the cloud, and she fell asleep, dreamily looking forward -to a struggle, to real life with possibilities—dim pictures.</p> - -<h4><abbr title="Three">III</abbr></h4> - -<p>A month afterwards, on a bitterly cold February day, Janet was -wandering miserably about the house. She was to start in a few -days for Bristol, where she had got a place as governess to two -little girls, the daughters of a widower, a house-master at the -school. Her father had left the day before. Janet could not help -crying as she sat desolately in her cold bedroom trying to concern -herself with packing and the arrangements for her journey. She -was to dine that evening with Lady Beamish, to meet Gerty and -her husband and say good-bye. She did not want to go a bit, she -would rather have stayed at home and been miserable by herself. -She had, as usual, asked nothing of any of her friends; she felt -extraordinarily alone, and she grew terrified when she asked -herself what connected her with the world at all, how was she -going to live and why? What hold had she on life? She might -go on as a governess all her life and who would care? What -reason had she to suppose that anything would justify her living? -From afar the struggle had looked attractive, there was something -fine and strong in it; that would be life indeed when she would -have to depend entirely upon herself and work her way; but now -that the time was close at hand, the struggle only looked very -bitter and prosaic. In her imagination beforehand she had always -looked on at herself admiringly as governess and been strengthened -<a name="Page_156" id="Page_156"></a><span class="pagenum">[Pg 156]</span> -by the picture. Now she was acting to no gallery. Whatever -strength and virtue there was in her dealing met no one's approval; -and all she had before her in the immediate future was a horrible -sense of loneliness, a dreaded visit, two more days to be occupied -with details of packing, a cab to the station, the dull east wind, the -journey, the leave-taking all the more exquisitely painful because -she felt that no one cared. The sense of being neglected gave her -physical pain all over her body until her finger-tips ached. How -is it possible, she thought, that a human being in the world for -only a few years can be so hopeless and alone?</p> - -<p>In the cab on her way to Lady Beamish she began to think -at once of the evening before her. She tried to comfort herself -with the idea of seeing Gerty, sweet Gerty, who charmed every -one, and what close friends they had been! But the thought of -Lady Beamish disturbed and frightened her. Lady Beamish -was a very handsome woman of sixty, with gorgeous black hair -showing no thread of white. She had been a great beauty, and a -beauty about whom no one could tell any stories; she had married -a very brilliant and successful man, and seconded him most ably -during his lifetime. Those who disliked her declared she was -fickle, and set too much value on her social position. Janet had -always fancied that she objected from the beginning to her second -son's engagement to Gertrude; but there was no understanding -her, and if Janet had been asked to point to some one who was -radically unsimple, she would at once have thought of Lady -Beamish. She had been told of many charming things which she -had done, and she had heard her say the sweetest things; but then -suddenly she was stiff and unforgiving. There was no doubt -about her cleverness and insight; many of her actions showed -complete disregard of convention, and yet, whenever Janet had -seen her, she had always been lifted up on a safe height by her -<a name="Page_157" id="Page_157"></a><span class="pagenum">[Pg 157]</span> -own high birth, her dead husband's distinctions, her imposing -appearance, and hedged round by all the social duties which she -performed so well. Janet saw that Lady Beamish's invitation was -kind; but she was the last person with whom she would have -chosen to spend that evening. But here she was at the door, -there was no escape.</p> - -<p>Lady Beamish was alone in the drawing-room. <q>I'm very -sorry, I'm afraid I've brought you here on false pretences. I've -just had a telegram from Gertrude to say that Charlie has a cold. -I suppose she's afraid it may be influenza, and so she's staying -at home to look after him. And Harry has gone to the play, so -we shall be quite alone.</q> Janet's heart sank. Gerty had been -the one consoling circumstance about that evening; besides, Lady -Beamish would never have asked her if Gerty had not been -coming. How would she manage with Lady Beamish all alone? -She made up her mind to go as soon after dinner as she could.</p> - -<p>They talked about Gertrude; that was a good subject for Janet, -and she clung to it; she was delighted to hear Lady Beamish praise -her warmly.</p> - -<p>As they sat down to dinner Lady Beamish said:</p> - -<p><q>You're not looking well, Janet?</q></p> - -<p><q>I'm rather tired,</q> she answered lightly; <q>I've been troubled -lately, the weight of the world——but I'm quite well.</q></p> - -<p>Lady Beamish made no answer. Janet could not tell why she -had felt an impulse to speak the truth, perhaps just because she -was afraid of her, and gave up the task of feeling easy as hopeless. -They talked of Gertrude again. Dinner was quickly finished. -Instead of going back into the drawing-room, Lady Beamish took -her upstairs into her own room.</p> - -<p><q>I'm sorry you have troubles which are making you thin and -pale. At your age life ought to be bright and full of romance: -<a name="Page_158" id="Page_158"></a><span class="pagenum">[Pg 158]</span> -you ought to have no troubles at all. I heard that you weren't going -to travel with your father, but begin work on your own account: -it seems to me you're quite right, and I admire your courage.</q></p> - -<p>Janet was surprised that Lady Beamish should show so much -interest.</p> - -<p><q>My courage somehow doesn't make me feel cheerful,</q> Janet -answered, laughing, <q>and I can't see anything hopeful in the -future to look forward to——</q> <q>Why am I saying all this to -her?</q> she wondered.</p> - -<p><q>No? And the consciousness of doing right as an upholding -power—that is generally a fallacy. I think you are certainly -right there.</q></p> - -<p>Janet looked at Lady Beamish, astonished and comforted to hear -these words from the lips of an old experienced woman.</p> - -<p><q>I <em>am</em> grateful to you for saying that!</q></p> - -<p><q>It must be a hard wrench to begin a new kind of life.</q></p> - -<p><q>It's not the work or even the change which I mind; if only -there were some assurance in life, something certain and hopeful: -I feel so miserably alone, acting on my own responsibility in the -only way possible, and yet for no reason——</q></p> - -<p><q>My poor girl——</q> and she stretched out her arms. Janet rose -from her chair and took both her hands and sat down on the footstool -at her feet. She looked up at her handsome face; it seemed -divine to her lighted by that smile, and the wrinkles infinitely -touching and beautiful. There was an intimate air about the -room.</p> - -<p><q>You've decided to go away to Bristol?</q></p> - -<p><q>I thought I'd be thorough: I might stay in London and get -work; a friend of mine is editor of a lady's paper, and I suppose -she could give me something to do; and there are other things I -could do; but that doesn't seem to me thorough enough——</q></p> - -<p><a name="Page_159" id="Page_159"></a><span class="pagenum">[Pg 159]</span> -The superiority of the older experienced women made the girl -feel weak. She would have a joy in confessing herself.</p> - -<p><q>I suppose it was chiefly Gerty's marriage which set me thinking -I'd better change. Until then I'd lived contentedly enough. -I'm easily occupied, and I felt no necessity to work. But when I -was left alone with father, I began gradually to feel as if I couldn't -go on living so, as if I hadn't the right; nothing I ever did pleased -him. And then I wondered what I was waiting for——</q></p> - -<p>She looked up at Lady Beamish and saw her fine features set -attentively to her story; she could tell everything to such a face—all -these things of which she had never spoken to anyone. She -looked away again.</p> - -<p><q>Was I waiting to get married? That idea tortured me. -Why should ideas come and trouble us when they're untrue and -bear no likeness to our character?</q></p> - -<p>She turned her head once more to glance at the face above -her.</p> - -<p><q>I looked into myself. Was it true of me that my only outlook -in life was a man, that <em>that</em> was the only aim of my life? It -wasn't necessary to answer the question, for it flashed into my -mind with bitter truth that if I'd been playing that game, I'd -been singularly unsuccessful, so I needn't trouble about the -question——</q></p> - -<p>Astonished at herself, she moved her hand up, and Lady -Beamish stretched out hers, and held the girl's hand upon her lap. -Then, half ashamed of her frankness, she went on quickly and in -a more ordinary tone:</p> - -<p><q>Oh, that and everything else—I was afraid of growing bitter, -When my father threw up his work and decided to go to Algiers -with his old friends, that seemed a good opportunity; I would do -something for myself, you're justified if you work. It seemed -<a name="Page_160" id="Page_160"></a><span class="pagenum">[Pg 160]</span> -hopeful then; but now the prospect is as hopeless and desolate as -before.</q></p> - -<p>Janet saw the tears collecting in Lady Beamish's eyes, and her -underlip beginning to quiver. Lady Beamish dared not kiss the -girl for fear of breaking into tears: she stood up and went towards -the fire, and trying to conquer her tears said: <q>Seeing you -in trouble makes all my old wounds break out afresh.</q></p> - -<p>Janet gazed in wonder at her, feeling greatly comforted. Lady -Beamish put her hand on the girl's head as she sat before her and -said smiling: <q>It's strange how one sorrow brings up another, -and if you cry you can't tell for what exactly you're crying. -As I hear you talk of loneliness, I'm reminded of my own loneliness, -so different from yours. As long as my own great friend -was living, there was no possibility of loneliness; I was proud, I -could have faced the whole world. But since he died, every year -has made me feel the want of a sister or brother, some one of my -own generation. I don't suppose you can understand what I -mean. You say: 'You have sons, and many friends who love and -respect you'; that's true, and, indeed, without my sons I should -not live; but they've all got past me, even Harry, the youngest. -I can do nothing more for them, and as years go by I grow less -able to do anything for anybody; my energy leaves me, and I sit -still and see the world in front of me, see men and women whom -I admire, whose conduct I commend inwardly, but that is all. -My heart aches sometimes for a companion of my own age who -would sit still with me, who understands my ideas, who has no -new object in view, who has done life and has been left behind -too——</q></p> - -<p><q>Extremes meet,</q> she broke off. <q>I wish to comfort you, who -are looking hopelessly forward, and all I can do is to show you an -old woman's sorrow.</q></p> - -<p><a name="Page_161" id="Page_161"></a><span class="pagenum">[Pg 161]</span> -<q>But wait,</q> she went on, sitting down, <q>let us be practical; -you needn't go back to-night, I'll tell some one to fetch your -things. And will you let me try and help you? I don't know -whether I can; but may I try? Won't you stay a bit here with -me? You would then have time to think over your plans; it -would do no harm, at any rate. Or, if you would prefer living -alone, would you let me help you? Sometimes it's easier to be -indebted to strangers. Don't answer now, you know my offer is -sincere, coming at this time; you can think it over.</q></p> - -<p>She left her place and met the servant at the door, to give her -the order for the fetching of Janet's things. She came back and -stood with her hands behind her, facing Janet, who looked up to -her from her stool, adoring her as if she were a goddess.</p> - -<p><q>There's only one thing to do in life, to try and help those -whom we can help; but it's very difficult to help you young -people,</q> she said, drying her eyes; <q>you generally want something -we cannot give you.</q></p> - -<p><q>You comforted me more than I can say. I never dreamed of -the possibility of such comfort as you're giving me.</q></p> - -<p>Still standing facing Janet, she suddenly began: <q>I knew a -girl a long time ago; she was the most exquisite creature I've ever -seen. She was lovely as only a Jewess can be lovely: by her side -English beauties looked ridiculous, as if their features had been -thrown together by mistake a few days ago; this girl's beauty was -eternal, I don't know how else to describe her superiority. There -was a harmony about her figure—not as we have pretty figures—but -every movement seemed to be the expression of a magnificent -nature. She had that strange look in her face which some Jews -have, a something half humorous half pitiful about the eyebrows; -it was so remarkable in a young girl, as if an endless experience of -the world had been born in her—not that she was tired or <i lang="fr">blasé</i>; -<a name="Page_162" id="Page_162"></a><span class="pagenum">[Pg 162]</span> -she wasn't at all one of those young people who have seen the -vanity of everything, she was full of enthusiasm, fascinatingly -fresh; she was so capable and sensitive that nothing could be -foreign or incomprehensible to her. I never saw anyone so -unerring; I would have wagered the world that she could never -be wrong in feeling. I never saw her misunderstand any one, -except on purpose.</q></p> - -<p>Janet was rapt in attention, loving to hear this beauty's -praises in the mouth of Lady Beamish. She kept her gaze -fixed on the face, which now was turned towards her, now -towards the fire.</p> - -<p>"At the time I remember some man was writing in the paper -about the inferiority of women, and as a proof he said quite truly -that there were no women artists except actresses. He happened -to mention one or two well-known living artists whom I knew -personally; they weren't to be compared with this girl, and they -would have been the first to say so themselves. She had no need -to write her novels and symphonies; she lived them. One would -have said a person most wonderfully fitted for life. Oh, I -could go on praising her for ever; except once, I never fell -so completely in love as I did with her. To see her dance -and romp—I hadn't realised before how a great nature can -show itself in everything a person does. It is a joy to think -of her.</p> - -<p><q>One day she came to me, it was twenty years ago, I was a little -over forty, she was just nineteen. She had fallen in love with a -boy of her own age, and was in terrible difficulties with herself. I -suppose it would have been more fitting if I'd given her advice; -but I was so full of pity at the sight of this exquisite nature in -torments that I could only try and comfort her and tell her above -all things she <a name="mustnt"></a> mustn't be oppressed by any sense of her own -<a name="Page_163" id="Page_163"></a><span class="pagenum">[Pg 163]</span> -wickedness; we all had difficulties of the same kind, and we couldn't -expect to do more than just get along somehow as well as we -could. I was angry with Fate that such a harmonious being had been -made to jar with so heavy a strain. She had been free, and now she -was to be confounded and brought to doubt. I don't think I can -express it in words; but I feel as if I really understood why she -killed herself a few days later. She had come among us, a wonder, -ignoring the littlenesses of life, or else making them worthy by -the spirit in which she treated them, and the first strain of this -dragging ordinary affliction bewildered her. Whether a little more -experience would have saved her, or whether it was a superior flash -of insight which prompted her to end her life—at any rate it wasn't -merely unreturned love which oppressed her.</q></p> - -<p><q>And what was the man like?</q></p> - -<p><q>He was quite a boy, and never knew she was in love with him; -in fact I can't tell how far she did love him. The older I grow the -more certain I feel that this actual love wasn't deep; but it was -the sudden revelation of a whole mystery, a new set of difficulties, -which confounded an understanding so far-reaching and superior. -I remember her room distinctly; she was unlike most women in -this respect, she had no desire to furnish her own room and be surrounded -by pretty things of her own choice. She left the room -just as it was when the family took the furnished house, with -its very common ugly furniture, vile pictures on the walls, and -things under glasses. She carried so much beauty with her, she -didn't think her room worth troubling about. I always imagine -that her room has never been entered or changed since her death: -nothing stirs there, except in the summer a band of small flies -dance their mazy quadrille at the centre of the ceiling. I remember -how she used to lie on the sofa and wonder at them with -her half-laughing, half-pathetic eyes.</q></p> - -<p><a name="Page_164" id="Page_164"></a><span class="pagenum">[Pg 164]</span> -<q>And what did her people think!</q></p> - -<p><q>Her family adored her: they were nice people, very ordinary——</q></p> - -<p>There was a knock at the door and Henry appeared, red-checked -and smelling of the cold street. Janet rose from her stool -to shake hands with him: his entrance was an unpleasant interruption; -she thought that his mother too must feel something of -the sort, although he was the one thing in the world she loved -most.</p> - -<p><q>How was your play, Harry?</q></p> - -<p><q>Oh, simply wonderful.</q></p> - -<p><q>Was the house pretty full?</q></p> - -<p><q>Not very, though people were fairly enthusiastic; but there -was a fool of a girl sitting in front of us, I could have kicked her, -she would go all laughing.</q></p> - -<p><q>Perhaps she thought you were foolish for not laughing!</q></p> - -<p><q>But such a sloppy-looking person had no right to laugh.</q></p> - -<p><q>Opinions differ about personal appearance.</q></p> - -<p><q>Well, at any rate she had a dirty dress on; the swan's-down -round her cloak was perfectly black.</q></p> - -<p><q>Ah, now your attack becomes more telling!</q></p> - -<p>Lady Beamish had not changed her position. When Henry -left, Janet feared she might want to stop their confidential talk; -but she showed no signs of wishing to go to bed.</p> - -<p><q>I wish boys would remain boys, and not grow older; they -never grow into such nice men, they don't fulfil their promise.</q></p> - -<p>She sat down once more, and went on to tell Janet -another story, a love story. When Janet, happy as she had -not been for months, kissed her and said good-night, she told -her how glad she was that no one else had been with her that -evening.</p> - -<p><a name="Page_165" id="Page_165"></a><span class="pagenum">[Pg 165]</span> -Janet went to bed, feeling that the world was possible once -more. Her mind was relieved of a great weight, she was wonderfully -light-hearted, now that she rested weakly upon another's -generosity, and was released from her egotistical hopelessness. She -no longer had a great trouble which engrossed her thoughts, her -mind was free to travel over the comforting circumstances of that -evening: the intimate room, Lady Beamish's face with the tears -gathering in her eyes, the confession she had made of her own -loneliness, her offer of help which had made the world human -again, her story and Henry's interruption, and the funny little -argument between the mother and the son whom she adored; and -after that, Lady Beamish had still stayed talking, and had dropped -into telling of love as willingly as any school-girl, only everything -came with such sweet force from the woman with all that -experience of life. Every point in the evening with Lady -Beamish had gone to give her a deep-felt happiness; hopes sprang -up in her mind, and she soon fell asleep filled with wonder and -pity, thinking of the lovely Jewess whom Lady Beamish had -known and admired so long ago, when Janet herself was only -five or six years old.</p> - -<p>The older woman lay awake many hours thinking over her own -life, and the sorrows of this poor girl.</p> - -<p class="center">* * * * *</p> - -<p>Janet did not take Lady Beamish's offer, but went to Bristol, -upheld by the idea that her friend respected her all the more for -keeping to her plans. The first night at Bristol, in the room -which was to be hers, she took out the old letter of invitation for -that evening, and before she went to bed she kissed the signature -<q>Clara Beamish</q>—the christian name seemed to bring them -close together.</p> - -<p><a name="Page_166" id="Page_166"></a><span class="pagenum">[Pg 166]</span> -When she had overcome the strangeness of her surroundings, -life was once more what it had always been; there was no particular -struggle, no particular hopefulness. She was cheerful for no -reason on Monday, less cheerful for no reason on Wednesday. -The correspondence with Lady Beamish, which she had hoped -would keep up their friendship, dropped almost immediately; the -two letters she received from her were stiff, far off. Janet heard of -her now and then, generally as performing some social duty. -They met too a few times, but almost as strangers.</p> - -<p>But Janet always remembered that she had gained the commendation -of the wonderful woman, and that she approved of her; and -she never forgot that evening, and the picture of Clara Beamish, -exquisitely sympathetic, adorable. It stood out as a bright spot -in life, nothing could change its value and reality.</p> - -<hr /> - -<h4>III—Sancta Maria</h4> - -<p class="right">By V.</p> - -<p class="p2 dropcap">The fire had grown black and smoky, and the room felt cold. -It was about four o'clock on a dark day in November. Black -snow-fraught clouds had covered the sky since the dawn. They -seemed to be saving up their wrath for the storm to come. A -woman sat close to the fire with a child in her arms. From time -to time she shuddered involuntarily. It was miserably cold. In -the corner of the room a man lay huddled up in a confusion of -rags and covers. He moaned from time to time. Suddenly -the fire leaped into a yellow flame, which lit up the room and -revealed all its nakedness and filth. The floor was bare, and -<a name="Page_167" id="Page_167"></a><span class="pagenum">[Pg 167]</span> -there were lumps of mud here and there on the boards, left -by the tramp of heavy boots. There was a strip of paper that -had come unfastened from the wall, and hung over in a large -curve. It was black and foul, but here and there could be seen -faintly a pattern of pink roses twined in and out of a trellis. -There was no furniture in the room but the chair on which the -woman sat. By the sick man's side was a white earthenware -bowl, full of a mixture that gave out a strong pungent smell which -pervaded the room. On the floor by the fireside was a black -straw hat with a green feather and a rubbed velvet bow in it. -The woman's face was white, and the small eyes were full of an -intense despair. As the flame shot up feebly and flickered about -she looked for something to keep alive the little bit of coal. She -glanced at the heap in the corner which had become quiet, then, -turning round, caught sight of the hat on the floor. She looked -at it steadily for a minute between the flickers of the flame, -then stooped down and picked it up. Carefully detaching the -trimming from the hat, she laid it on the chair. Then she tore -the bits of straw and lay them across each other over the little -piece of coal. The fire blazed brightly for a few minutes after -the straw had caught. It covered the room with a fierce light -and the woman looked afraid that the sick man might be disturbed. -But he was quiet as before. Almost mechanically she pulled a -little piece of the burning straw from the fire and, shading it with -her hand, stole softly to the other end of the room after depositing -the child on the chair.</p> - -<p>She looked for some minutes at the figure stretched before -her. He lay with his face to the wall. He was a long thin -man, and it seemed to her as she looked that his length was -almost abnormal. Holding the light that was fast burning to -the end away from her, she stooped down and laid her finger -<a name="Page_168" id="Page_168"></a><span class="pagenum">[Pg 168]</span> -lightly on his forehead. The surface of his skin was cold -as ice. She knew that he was dead. But she did not cry out. -The eyes were filled with a look of bitter disappointment, and she -dropped the bit of burning straw, and then, moving suddenly from -her stooping posture, crushed out the little smouldering heap with -her heel. She looked about the room for something; then -repeating a prayer to herself hurriedly, hastened to the child who -had woke up and was crying and kicking the bars of the wooden -chair. There was something in the contrast between the stillness -of the figure in the corner and the noise made by the child that -made the woman shiver. She took up the child in her arms, -comforted him, and sat down before the fire. She was thinking -deeply. So poor! Scarcely enough to keep herself and the child -till the end of the week, and then the figure in the corner! -For some time she puzzled and puzzled. The burning straw -had settled into a little glowing heap. She rose and went to a little -box on the mantel-piece, and, opening it, counted the few coins -in it. Then she seemed to reckon for a few moments, and a -look of determination came into her face. She put the child -down again and went to the other end of the room. She stood a -moment over the prostrate figure, and then stooped down and took -off an old rag of a shawl and a little child's coat which lay over -the dead man's feet. She paused a moment. Again she stooped -down and stripped the figure of all its coverings, until nothing -was left but the dull white nightshirt that the man wore. She -put the bundle which she had collected in a little heap on the -other side of the room. Then she came back, and with an almost -superhuman effort reared the figure into an upright position -against the wall. She looked round for a moment, gathered up -the little bundle, and stole softly from the room. A few hours -later she came back. There was a gas lamp outside the window, -<a name="Page_169" id="Page_169"></a><span class="pagenum">[Pg 169]</span> -and by the light of it she saw the child sitting at the feet of the -figure, staring up at it stupidly.</p> - -<p class="center">* * * * *</p> - -<p>Four days passed by, and still the figure stood against the wall. -The woman had grown very white and haggard. She had only -bought food enough for the child, and had scarce touched a -morsel herself. It was Saturday. She was expecting a few pence -for some matches which she had sold during the week. She was -not allowed to take her money immediately, but had to hand it -over to the owner of the matches, who had told her that if she -had sold a certain quantity by the end of the week she should -be paid a small percentage.</p> - -<p>So she went out on this Saturday and managed to get rid of -the requisite number, and carrying the money as usual to the -owner, received a few pence commission. There was an eager -look in her pale face as she hurried home and hastened to the -box on the mantel-shelf. She emptied its contents into her -hand, quickly counted up the total of her fortune, and then crept -out again.</p> - -<p>It was snowing heavily, but she did not mind. The soft -flakes fell on her weary face, and she liked their warm touch. -She hurried along until she came to a tiny grocer's shop. The -red spot on her checks deepened as she asked the shopkeeper for -twelve candles—<q>Tall ones, please,</q> she said in a whisper. She -pushed the money on to the counter and ran away home with -her parcel. Then she went up to the figure against the wall, -and gently placed it on the ground, away from the wall. She -opened the parcel and carefully stood up the twelve candles in -a little avenue, six each side of the dead man. With a feverous -excitement in her eyes she pulled a match from her pocket and -<a name="Page_170" id="Page_170"></a><span class="pagenum">[Pg 170]</span> -lit them. They burned steadily and brightly, casting a yellow -light over the cold naked room, and over the blackened face of -the dead man. The child that was rolling on the floor at the -other end of the room uttered a coo of joy at the bright lights, -and stretched out his tiny hands towards them. And the face -of the mother was filled with a divine pleasure.</p> - -<p>The articles of her faith had been fulfilled.</p> - -<hr /> - -<p class="larger p4">Three Pictures <a name="Page_171" id="Page_171"></a><span class="pagenum">[Pg 171]</span></p> - -<p class="indent">By P. Wilson Steer</p> - -<p> I. Portrait of Himself</p> - -<p> II. A Lady</p> - -<p>III. A Gentleman</p> - -<hr class="hide"/> - -<p class="p4"><a name="Page_172" id="Page_172"></a><span class="pagenum">[Pg 172]</span> -<a name="Page_173" id="Page_173"></a><span class="pagenum">[Pg 173]</span></p> - -<div class="figcenter"> - <img src="images/i_12.jpg" - width="300" height="602" - alt="Illustration: Portrait of Himself" /> -</div> - -<p class="p4"><a name="Page_174" id="Page_174"></a><span class="pagenum">[Pg 174]</span> -<a name="Page_175" id="Page_175"></a><span class="pagenum">[Pg 175]</span></p> - -<div class="figcenter"> - <img src="images/i_13.jpg" - width="500" height="417" - alt="Illustration: Portraits of A Lady and A Gentleman" /> -</div> - -<p><a name="Page_176" id="Page_176"></a><span class="pagenum">[Pg 176]</span></p> - -<hr /> - -<h3 class="left">In a Gallery <a name="Page_177" id="Page_177"></a><span class="pagenum">[Pg 177]</span></h3> - -<h4 class="left">Portrait of a Lady (Unknown)</h4> - -<p class="right">By Katharine de Mattos</p> - -<div class="poem"> -<div class="stanza"> -<span class="i0 dropcap">Veiled eyes, yet quick to meet one glance</span><br /> -<span class="i2">Not his, not yours, but <em>mine</em>,</span><br /> -<span class="i0">Lips that are fain to stir and breathe</span><br /> -<span class="i2">Dead joys (not love nor wine):</span><br /> -<span class="i0">'Tis not in <em>you</em> the secret lurks</span><br /> -<span class="i2">That makes men pause and pass!</span><br /> -</div> - -<div class="stanza"> -<span class="i0">Did unseen magic flow from you</span><br /> -<span class="i0">Long since to madden hearts,</span><br /> -<span class="i0">And those who loathed remain to pray</span><br /> -<span class="i0">And work their dolorous parts—</span><br /> -<span class="i0">To seek your riddle, dread or sweet,</span><br /> -<span class="i2">And find it in the grave?</span><br /> -</div> - -<div class="stanza"> -<span class="i0">Till some one painted you one day,</span><br /> -<span class="i0">Perchance to ease his soul,</span><br /> -<span class="i0">And set you here to weave your spells</span><br /> -<span class="i0">While time and silence roll;</span><br /> -<span class="i0">And you were hungry for the hour</span><br /> -<span class="i0">When one should understand?</span><br /> -</div> - -<div class="stanza"> -<a name="Page_178" id="Page_178"></a><span class="pagenum">[Pg 178]</span> -<span class="i0">Your jewelled fingers writhe and gleam</span><br /> -<span class="i0">From out your sombre vest;</span><br /> -<span class="i0">Am I the first of those who gaze,</span><br /> -<span class="i0">Who may their meaning guess,</span><br /> -<span class="i0">Yet dare not whisper lest the words</span><br /> -<span class="i2">Pale even painted cheeks?</span><br /> -</div> -</div> - -<hr /> - -<h3 class="left">The Yellow Book <a name="Page_179" id="Page_179"></a><span class="pagenum">[Pg 179]</span></h3> - -<h4 class="left">A Criticism of Volume <abbr title="One">I</abbr></h4> - -<p class="right">By Philip Gilbert Hamerton, LL.D.</p> - -<h4><abbr title="One">I</abbr>—The Literature</h4> - -<p class="dropcap">The Editor and Publishers of <span class="sc">The Yellow Book</span>, who seem -to know the value of originality in all things, have conceived -the entirely novel idea of publishing in the current number -of their quarterly, a review in two parts of the number immediately -preceding it, one part to deal with the literature, and another to -criticise the illustrations.</p> - -<p>I notice that on the cover of <span class="sc">The Yellow Book</span> the literary -contributions are described simply as <q>Letterpress.</q> This seems -rather unfortunate, because <q>letterpress</q> is usually understood -to mean an inferior kind of writing, which is merely an accompaniment -to something else, such as engravings, or even maps. -Now, in <span class="sc">The Yellow Book</span> the principle seems to be that one -kind of contribution should <em>not</em> be made subordinate to another; -the drawings and the writings are, in fact, independent. Certainly -the writings are composed without the slightest pre-occupation -concerning the work of the graphic artists, and the draughtsmen -do not illustrate the inventions of the scribes. This independence -<a name="Page_180" id="Page_180"></a><span class="pagenum">[Pg 180]</span> -of the two arts is favourable to excellence in both, besides -making the business of the Editor much easier, and giving him -more liberty of choice.</p> - -<p>The literary contributions include poetry, fiction, short dramatic -scenes, and one or two essays. The Editor evidently attaches -much greater importance to creative than to critical literature, in -which he is unquestionably right, provided only that the work -which claims to be creative is inspired by a true genius for invention. -The admission of poetry in more than usual quantity does -not surprise us, when we reflect that <span class="sc">The Yellow Book</span> is -issued by a publishing house which has done more than any other -for the encouragement of modern verse. It is the custom to -profess contempt for minor poets, and all versifiers of our time -except Tennyson and Swinburne are classed as minor poets by -critics who shrink from the effort of reading metrical compositions. -The truth is that poetry and painting are much more -nearly on a level in this respect than people are willing to admit. -Many a painter and many a poet has delicate perceptions and -a cultivated taste without the gigantic creative force that is necessary -to greatness in his art.</p> - -<p>Mr. Le Gallienne's <q>Tree-Worship</q> is full of the sylvan -sense, the delight in that forest life which we can scarcely help -believing to be conscious. It contains some perfect stanzas and -some magnificent verses. As a stanza nothing can be more -perfect than the fourth on page 58, and the fourth on the preceding -page begins with a rarely powerful line. The only weak -points in the poem are a few places in which even poetic truth -has not been perfectly observed. For example, in the first line -on page 58, the heart of the tree is spoken of as being remarkable -for its softness, a new and unexpected characteristic in heart of oak. -On the following page the tree is described as a green and welcome -<a name="Page_181" id="Page_181"></a><span class="pagenum">[Pg 181]</span> -<q>coast</q> to the sea of air. No single tree has extent enough to -be a coast of the air-ocean; at most it is but a tiny green islet -therein. In the last stanza but one Mr. Le Gallienne speaks of -<q>the roar of sap.</q> This conveys the idea of a noisy torrent, -whereas the marvel of sap is that it is steadily forced upwards -through a mass of wood by a quietly powerful pressure. I dislike -the fallacious theology of the last stanza as being neither scientific -nor poetical. Mr. Benson's little poem, [Greek: Daimonizomenos], is lightly -and cleverly versified, and tells the story of a change of temper, -almost of nature, in very few words. The note of Mr. Watson's -two sonnets is profoundly serious, even solemn, and the workmanship -firm and strong; the reader may observe, in the second -sonnet, the careful preparation for the last line and the force with -which it strikes upon the ear. Surely there is nothing frivolous -or fugitive in such poetry as this! I regret the publication of -<q>Stella Maris</q> by Mr. Arthur Symons; the choice of the title -is in itself offensive. It is taken from one of the most beautiful -hymns to the Holy Virgin (Ave, maris stella!), and applied to a -London street-walker, as a star in the dark sea of urban life. We -know that the younger poets make art independent of morals, and -certainly the two have no necessary connection; but why should -poetic art be employed to celebrate common fornication? Rossetti's -<q>Jenny</q> set the example, diffusely enough.</p> - -<p>The two poems by Mr. Edmund Gosse, <q>Alere Flammam</q> -and <q>A Dream of November,</q> have each the great quality of -perfect unity. The first is simpler and less fanciful than the -second. Both in thought and execution it reminds me strongly -of Matthew Arnold. Whether there has been any conscious -imitation or not, <q>Alere Flammam</q> is pervaded by what is best -in the classical spirit. Mr. John Davidson's two songs are -sketches in town and country, impressionist sketches well done in -<a name="Page_182" id="Page_182"></a><span class="pagenum">[Pg 182]</span> -a laconic and suggestive fashion. Mr. Davidson has a good -right to maledict <q>Elkin Mathews & John Lane</q> for having -revived the detestable old custom of printing catchwords at the -lower corner of the page. The reader has just received the full -impression of the London scene, when he is disturbed by the -isolated word Foxes, which destroys the impression and puzzles -him. London streets are not, surely, very favourable to foxes! -He then turns the page and finds that the word is the first in the -rural poem which follows. How Tennyson would have growled -if the printer had put the name of some intrusive beast at the foot -of one of his poems! Even in prose the custom is still intolerable; -it makes one read the word twice over as thus (pp. 159, 60), -<q>Why doesn't the wretched publisher publisher bring it out!</q></p> - -<p>We find some further poetry in Mr. Richard Garnett's translations -from Luigi Tansillo. Not having access just now to the -original Italian, I cannot answer for their fidelity, but they are -worth reading, even in English, and soundly versified.</p> - -<p>It is high time to speak of the prose. The essays are <q>A Defence -of Cosmetics,</q> by Mr. Max Beerbohm, and <q>Reticence in Literature,</q> -by Mr. Arthur Waugh. I notice that a critic in the New -York <cite>Nation</cite> says that the Whistlerian affectations of Mr. Beerbohm -are particularly intolerable. I understood his essay to be merely a -<i lang="fr">jeu d'esprit</i>, and found that it amused me, though the tastes and -opinions ingeniously expressed in it are precisely the opposite of -my own. Mr. Beerbohm is (or pretends to be) entirely on the -side of artifice against nature. The difficulty is to determine -what <em>is</em> nature. The easiest and most <q>natural</q> manners of a -perfect English lady are the result of art, and of a more advanced -art than that indicated by more ceremonious manners. Mr. Beerbohm -says that women in the time of Dickens appear to have -been utterly natural in their conduct, <q>flighty, gushing, blushing, -<a name="Page_183" id="Page_183"></a><span class="pagenum">[Pg 183]</span> -fainting, giggling, and shaking their curls.</q> Much of that conduct -may have been as artificial as the curls themselves, and -assumed only to attract attention. Ladies used to faint on the -slightest pretext, not because it was natural but because it was the -fashion; when it ceased to be the fashion they abandoned the -practice. Mr. Waugh's essay on <q>Reticence in Literature</q> is -written more seriously, and is not intended to amuse. He defends -the principle of reticence, but the only sanction that he finds for -it is a temporary authority imposed by the changing taste of the -age. We are consequently never sure of any permanent law that -will enforce any reticence whatever. A good proof of the extreme -laxity of the present taste is that Mr. Waugh himself has been -able to print at length three of the most grossly sensual stanzas in -Mr. Swinburne's <q>Dolores.</q> Reticence, however, is not concerned -only with sexual matters. There is, for instance, a flagrant -want of reticence in the lower political press of France and -America, and the same violent kind of writing, often going as far -beyond truth as beyond decency, is beginning to be imitated in -England. One rule holds good universally; all high art is reticent, -<i>e.g.</i>, in Dante's admirable way of telling the story of Francesca -through her own lips.</p> - -<p>Mr. Henry James, in <q>The Death of the Lion,</q> shows his usual -elegance of style, and a kind of humour which, though light enough -on the surface, has its profound pathos. It is absolutely essential, -in a short story, to be able to characterise people and things in a -very few words. Mr. James has this talent, as for example in his -description of the ducal seat at Bigwood: <q>very grand and frigid, -all marble and precedence.</q> We know Bigwood, after that, as if -we had been there and have no desire to go. So of the Princess: -<q>She has been told everything in the world and has never perceived -anything, and the <em>echoes of her education</em>,</q> etc., p. 42. The -<a name="Page_184" id="Page_184"></a><span class="pagenum">[Pg 184]</span> -moral of the story is the vanity and shallowness of the world's -professed admiration for men of letters, and the evil, to them, or -going out of their way to suck the sugar-plums of praise. The -next story, <q>Irremediable,</q> shows the consequences of marrying a -vulgar and ignorant girl in the hope of improving her, the difficulty -being that she declines to be improved. The situation is -powerfully described, especially the last scene in the repulsive, -disorderly little home. The most effective touch reveals -Willoughby's constant vexation because his vulgar wife <q>never -did any one mortal thing efficiently or well,</q> just the opposite of -the constant pleasure that clever active women give us by their -neat and rapid skill. <q>The Dedication,</q> by Mr. Fred Simpson, -is a dramatic representation of the conflict between ambition and -love—not that the love on the man's side is very earnest, or the -conflict in his mind very painful, as ambition wins the day only -too easily when Lucy is thrown over. <q>The Fool's Hour,</q> by -Mr. Hobbes and Mr. George Moore, is a slight little drama -founded on the idea that youth must amuse itself in its own -way, and cannot be always tied to its mamma's apron-strings. It -is rather French than English in the assumption that youth must -of necessity resort to theatres and actresses. Of the two sketches -by Mr. Harland, that on white mice is clever as a supposed reminiscence -of early boyhood, but rather long for its subject, the other, -<q>A Broken Looking-Glass,</q> is a powerful little picture of the -dismal end of an old bachelor who confesses to himself that his -life has been a failure, equally on the sides of ambition and enjoyment. -One of my friends tells me that it is impossible for a -bachelor to be happy, yet he may invest money in the Funds! In -Mr. Crackanthorpe's <q>Modern Melodrama,</q> he describes for us -the first sensations of a girl when she sees death in the near -future. It is pathetic, tragical, life-like in language, with the -<a name="Page_185" id="Page_185"></a><span class="pagenum">[Pg 185]</span> -defects of character and style that belong to a close representation -of nature. <q>A Lost Masterpiece,</q> by George Egerton, is not so -interesting as the author's <q>Keynotes,</q> though it shows the same -qualities of style. The subject is too unfruitful, merely a literary -disappointment, because a bright idea has been chased away. -<q>A Sentimental Cellar,</q> by Mr. George Saintsbury, written in -imitation of the essayists of the eighteenth century, associates the -wines in a cellar with the loves and friendships of their owner. -To others the vinous treasures would be <q>good wine and nothing -more</q>; to their present owner they are <q>a casket of magic liquors,</q> -a museum in which he lives over again <q>the vanished life of the -past.</q> The true French bookless <i lang="fr">bourgeois</i> often calls his cellar -his <i lang="fr">bibliothèque</i>, meaning that he values its lore as preferable to that -of scholarship; but Mr. Saintsbury's Falernianus associates his -wines with sentiment rather than with knowledge.</p> - -<p>On the whole, the literature in the first number of <span class="sc">The -Yellow Book</span> is adequately representative of the modern English -literary mind, both in the observation of reality and in style. It -is, as I say, really literature and not letterpress. I rather regret, -for my own part, the general brevity of the pieces which restricts -them to the limits of the sketch, especially as the stories cannot be -continued after the too long interval of three months. As to this, -the publishers know their own business best, and are probably -aware that the attention of the general public, though easily -attracted, is even more easily fatigued.</p> - -<h4><a name="Page_186" id="Page_186"></a><span class="pagenum">[Pg 186]</span> -II—The Illustrations</h4> - -<p class="dropcap">On being asked to undertake the second part of this critical -article, I accepted because one has so rarely an opportunity of -saying anything about works of art to which the reader can quite -easily refer. To review an exhibition of pictures in London or Paris -is satisfactory only when the writer imagines himself to be addressing -readers who have visited it, and are likely to visit it again. -When an illustration appears in one of the art periodicals, it may -be accompanied by a note that adds something to its interest, but -no one expects such a note to be really critical. In the present -instance, on the contrary, we are asked to say what we think, -without reserve, and as we have had nothing to do with the choice -of the contributors, and have not any interest in the sale of the -periodical, there is no reason why we should not.</p> - -<p>To begin with the cover. The publishers decided not to have -any ornament beyond the decorative element in the figure design -which is to be changed for every new number. What is permanent -in the design remains, therefore, of an extreme simplicity -and does not attract attention. The yellow colour adopted is -glaring, and from the æsthetic point of view not so good as a quiet -mixed tint might have been; however, it gives a title to the -publication and associates itself so perfectly with the title that it -has a sufficient <i lang="fr">raison d'être</i>, whilst it contrasts most effectively -with black. Though white is lighter than any yellow, it has not the -same active and stimulating quality. The drawing of the masquers -is merely one of Mr. Aubrey Beardsley's fancies and has no particular -signification. We see a plump and merry lady laughing -<a name="Page_187" id="Page_187"></a><span class="pagenum">[Pg 187]</span> -boisterously whilst she seems to be followed by a man who gazes -intently upon the beauties of her shoulder. It is not to be classed -amongst the finest of Mr. Beardsley's designs, but it shows some -of his qualities, especially his extreme economy of means. So does -the smaller drawing on the back or the volume, which is a fair -example of his ready and various invention. See how the candle-flame -is blown a little to one side, how the candle gutters on that -side, and how the smoke is affected by the gust of air. Observe, -too, the contrasts between the faces, not that they are attractive -faces. There seems to be a peculiar tendency in Mr. Beardsley's -mind to the representation of types without intellect and without -morals. Some of the most dreadful faces in all art are to be found -in the illustrations (full of exquisite ornamental invention) to Mr. -Oscar Wilde's <q>Salome.</q> We have two unpleasant ones here in -<q lang="fr">l'Éducation Sentimentale.</q> There is distinctly a sort of corruption -in Mr. Beardsley's art so far as its human element is concerned, -but not at all in its artistic qualities, which show the perfection of -discipline, of self-control, and of thoughtful deliberation at the very -moment of invention. Certainly he is a man of genius, and -perhaps, as he is still very young, we may hope that when he has -expressed his present mood completely, he may turn his thoughts -into another channel and see a better side of human life. There -is, of course, nothing to be said against the lady who is touching -the piano on the title-page of <span class="sc">The Yellow Book</span>, nor against -the portrait of Mrs. Patrick Campbell opposite page 126, except -that she reminds one of a giraffe. It is curious how the idea of -extraordinary height is conveyed in this drawing without a single -object for comparison. I notice in Mr. Beardsley's work a persistent -tendency to elongation; for instance, in the keys of the piano on -the title-page which in their perspective look fifteen inches long. -He has a habit, too, of making faces small and head-dresses enormous. -<a name="Page_188" id="Page_188"></a><span class="pagenum">[Pg 188]</span> -The rarity of beauty in his faces seems in contradiction -with his exquisite sense of beauty in curving lines, and the -singular grace as well as rich invention of his ornaments. He -can, however, refuse himself the pleasure of such invention when -he wants to produce a discouraging effect upon the mind. See, -for instance, the oppressive plainness of the architecture in the -background to the dismal <q>Night Piece.</q></p> - -<p>It is well known that the President of the Royal Academy, -unlike most English painters, is in the habit of making studies. -In his case these studies are uniformly in black and white chalk on -brown paper. Two of them are reproduced in <span class="sc">The Yellow -Book</span>, one being for drapery, and the other for the nude form -moving in a joyous dance with a light indication of drapery that -conceals nothing. The latter is a rapid sketch of an intention and -is full of life both in attitude and execution, the other is still and -statuesque. Sir Frederic is a model to all artists in one very rare -virtue, that of submitting himself patiently, in his age, to the same -discipline which strengthened him in youth.</p> - -<p>I find a curious and remarkable drawing by Mr. Pennell of that -strangely romantic place Le Puy en Velay, whose rocks are crowned -with towers or colossal statues, whilst houses cluster at their feet. -The subject is dealt with rather in the spirit of Dürer, but with a -more supple and more modern kind of skill. It is topography, -though probably with considerable artistic liberty. I notice one -of Dürer's licences in tonic relations. The sky, though the sun is -setting (or rising) is made darker than the hills against it, and -darker even than the two remoter masses of rock which come -between us and the distance. The trees, too, are shaded capriciously, -some poplars in the middle distance being quite dark whilst -nearer trees are left without shade or local colour. In a word, -the tonality is simply arbitrary, and in this kind of drawing it -<a name="Page_189" id="Page_189"></a><span class="pagenum">[Pg 189]</span> -matters very little. Mr. Pennell has given us a delightful bit of -artistic topography showing the strange beauty of a place that he -always loves and remembers.</p> - -<p>Mr. Sickert contributed two drawings. <q>The Old Oxford -Music Hall</q> has some very good qualities, especially the most -important quality of all, that of making us feel as if we were -there. The singer on the stage (whose attitude has been very -closely observed) is strongly lighted by convergent rays. According -to my recollection the rays themselves are much more visible in -reality than they are here, but it is possible that the artist may -have intentionally subdued their brightness in order to enhance -that of the figure itself. The musicians and others are good, -except that they are too small, if the singing girl (considering her -distance) is to be taken as the standard of comparison. The -pen-sketch of <q>A Lady Reading</q> is not so satisfactory. I know, -of course, that it is offered only as a very slight and rapid sketch, -and that it is impossible, even for a Rembrandt, to draw accurately -in a hurry, but there is a formlessness in some important parts of -this sketch (the hands, for instance) which makes it almost without -interest for me. It is essentially painter's pen work, and does not -show any special mastery of pen and ink.</p> - -<p>The very definite pen-drawing by Mr. Housman called <q>The -Reflected Faun</q> is open to the objection that the reflections in -the water are drawn with the same hardness as the birds and faun -in the air. The plain truth is that the style adopted, which in its -own way is as legitimate as any other, does not permit the artist to -represent the natural appearance of water. This kind of pen-drawing -is founded on early wood-engraving which filled the whole -space with decorative work, even to the four corners.</p> - -<p>Mr. Rothenstein is a modern of the moderns. His two slight -portrait-sketches are natural and easy, and there is much life in the -<a name="Page_190" id="Page_190"></a><span class="pagenum">[Pg 190]</span> -<q>Portrait of a Gentleman.</q> The <q>Portrait of a Lady,</q> by Mr. -Furse, is of a much higher order. It has a noble gravity, and it -shows a severity of taste not common in the portraiture of our -time; it is essentially a distinguished work. Mr. Nettleship gives -us an ideal portrait of Minos, not in his earthly life, as king of -Crete, but in his infernal capacity as supreme judge of the dead. -The face is certainly awful enough and implacable:</p> - -<div class="poem"> -<span class="i4" lang="it">Stavvi Minòs orribilmente, e ringhia:</span><br /> -<span class="i6" lang="it">Esamina le colpe nell'entrata;</span><br /> -<span class="i6" lang="it">Giudica e manda, secondo ch'avvinghia.</span><br /> -</div> - -<p>The book-plate designed by Mr. Beardsley for Dr. Propert has -the usual qualities of the inventor. It seems to tell a tale of hopeless -love. The other book-plate, by Mr. Anning Bell, is remarkable -for its pretty and ingenious employment of heraldry which -so easily becomes mechanical when the draughtsman is not an -artist.</p> - -<p>On the whole, these illustrations decidedly pre-suppose real -artistic culture in the public. They do not condescend in any -way to what might be guessed at as the popular taste. I notice -that the Editor and Publishers have a tendency to look to young -men of ability for assistance in their enterprise, though they accept -the criticism of those who now belong to a preceding generation.</p> - -<hr /> - -<p class="larger p4">Portrait of Henry James <a name="Page_191" id="Page_191"></a><span class="pagenum">[Pg 191]</span></p> - -<p class="indent">By John S. Sargent, A.R.A. -<a name="Page_192" id="Page_192"></a><span class="pagenum">[Pg 192]</span> -<a name="Page_193" id="Page_193"></a><span class="pagenum">[Pg 193]</span></p> - -<hr class="hide"/> - -<div class="figcenter p4"> - <img src="images/i_14.jpg" - width="500" height="659" - alt="Illustration: Portrait of Henry James" /> -</div> - -<p><a name="Page_194" id="Page_194"></a><span class="pagenum">[Pg 194]</span></p> - -<hr /> - -<h3 class="left">Dreams <a name="Page_195" id="Page_195"></a><span class="pagenum">[Pg 195]</span></h3> - -<p class="right">By Ronald Campbell Macfie</p> - -<p><q>In the first dream that comes with the first sleep<br /> -I run, I run, I am gathered to thy heart</q></p> - -<div class="poem p2"> -<div class="stanza"> -<span class="i0 dropcap">Unworthy! yea,</span><br /> -<span class="i0">So high thou art above me</span><br /> -<span class="i0">I hardly dare to love thee,</span><br /> -<span class="i0">But kneel and lay</span><br /> -<span class="i0">All homage and all worship at thy feet,</span><br /> -<span class="i0">O lady sweet!</span><br /> -</div> - -<div class="stanza"> -<span class="i0">Yet dreams are strong:</span><br /> -<span class="i0">Their wordless wish suffices</span><br /> -<span class="i0">To win them Paradises</span><br /> -<span class="i0">Of sun and song.</span><br /> -<span class="i0">Delight our waking life can never know</span><br /> -<span class="i0">The dreams bestow.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">And in a dream,</span><br /> -<span class="i0">Dupe of its bold beguiling,</span><br /> -<span class="i0">I watch thy blue eyes smiling;</span><br /> -<span class="i0">I see them gleam</span><br /> -<a name="Page_196" id="Page_196"></a><span class="pagenum">[Pg 196]</span> -<span class="i0">With love the waking moments have forbidden,</span><br /> -<span class="i0">And veiled and hidden.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">O brave deceit!</span><br /> -<span class="i0">In dreams thy glad eyes glisten,</span><br /> -<span class="i0">In dreams I lie and listen</span><br /> -<span class="i0">Thy bosom beat,</span><br /> -<span class="i0">Hiving hot lips among thy temple-hair,</span><br /> -<span class="i0">O lady fair!</span><br /> -</div> - -<div class="stanza"> -<span class="i0">And tho' I live,</span><br /> -<span class="i0">Dreaming in such fair fashion,</span><br /> -<span class="i0">I think, in thy compassion,</span><br /> -<span class="i0">Thou wilt forgive,</span><br /> -<span class="i0">Since I but <em>dream</em>, and since my heart will ache</span><br /> -<span class="i0">When I awake.</span><br /> -</div> -</div> - -<hr /> - -<h3 class="left">Madame Réjane <a name="Page_197" id="Page_197"></a><span class="pagenum">[Pg 197]</span></h3> - -<p class="right">By Dauphin Meunier</p> - -<p class="dropcap p2">A fabulous being, in an everyday human form; a face, not -beautiful, scarcely even pretty, which looks upon the world -with an air at once ironical and sympathetic; a brow that grows -broader or narrower according to the capricious invasions of her -aureole of hair; an odd little nose, perked heavenward; two -roguish eyes, now blue, now black; the rude accents of a street-girl, -suddenly changing to the well-bred murmuring of a great -lady; abrupt, abundant gestures, eloquently finishing half-spoken -sentences; a supple neck—a slender, opulent figure—a dainty foot, -that scarcely touches the earth and yet can fly amazingly near -the ceiling; lips, nervous, <a name="sensuous"></a>sensuous, trembling, curling; a frock, -simple or sumptuous, bought at a bargain or created by a Court-dressmaker, -which expresses, moulds, completes, and sometimes -almost unveils the marvellous creature it envelops; a gay, a grave -demeanour; grace, wit, sweetness, tartness; frivolity and earnestness, -tenderness and indifference; beauty without beauty, immorality -without evil: a nothing capable of everything: such is -Woman at Paris: such is the Parisienne: and Madame Réjane is -the Parisienne, is all Parisiennes, incarnated.</p> - -<p>What though our Parisienne be the daughter of a hall-porter, -what though she be a maid-servant, a courtesan, or an arch-duchess, -<a name="Page_198" id="Page_198"></a><span class="pagenum">[Pg 198]</span> -she goes everywhere, she is the equal of every one, she knows or -divines everything. No need for her to learn good manners, nor -bad ones: she's born with both. According to the time or place, -she will talk to you of politics, of art, of literature—of dress, trade, -cookery—of finance, of socialism, of luxury, of starvation—with the -patness, the sure touch, the absolute sincerity, of one who has seen -all, experienced all, understood all. She's as sentimental as a song, -wily as a diplomate, gay as folly, or serious as a novel by Zola. -What has she read? Where was she educated? Who cares? -Her book of life is Paris; she knows her Paris by heart; and -whoso knows Paris can dispense with further knowledge. She -adores originality and novelty, but she can herself transmute the -commonplace into the original, the old into the new. Whatever -she touches forthwith reflects her own animation, her mobility, her -elusive charm. Flowers have no loveliness until she has grouped -them; colours are colourless unless they suit her complexion. -Delicately fingering this or that silken fabric, she decrees which -shall remain in the darkness of the shops, which shall become the -fashion of the hour. She crowns the poet, sits to the painter, -inspires the sculptor, lends her voice to the musician; and not -one of these artists can pretend to talent, if it be her whim to -deny it him. She awards fame and wealth, success and failure, -according to her pleasure.</p> - -<p>Madame Réjane—the Parisienne: they are interchangeable -terms. Whatever rôle she plays absorbs the attention of all Paris. -Hearken, then, good French Provincials, who would learn the -language of the Boulevards in a single lesson; hearken, also, ye -children of other lands who are eager for our pleasures, and -curious about our tastes and manners; hearken all people, men -and women, who care, for once in a way, to behold what of all -Parisian things is most essentially Parisian:—Go and see Réjane. -<a name="Page_199" id="Page_199"></a><span class="pagenum">[Pg 199]</span> -Don't go to the Opéra, where the music is German; nor to the -Opéra-Comique, where it is Italian; nor yet to the Comédie-Française, -where the sublime is made ridiculous, and the heroes -and heroines of Racine take on the attitudes of bull-fighters and -cigarette-makers; nor to the Odéon, nor to the Palais-Royal, nor -here, nor there, nor elsewhere: go and see Réjane. Be she at -London, Chicago, Brussels, <abbr title="Saint">St.</abbr> Petersburg—Réjane is Paris. She -carries the soul of Paris with her, wheresoever she listeth.</p> - -<p>A Parisienne, she was born in Paris; an actress, she is the -daughter of an actor, and the niece of Madame Aptal-Arnault, -sometime <i lang="fr">pensionnaire</i> of the Comédie-Française. Is it a sufficient -pedigree? Her very name is suggestive; it seems to share in the -odd turn of her wit, the sauciness of her face, the tang of her -voice; for Réjane's real name is Réju. Doesn't it sound like a -nick-name, especially invented for this child of the greenroom? -<q>Réjane</q> calls up to us the fanciful actress—fanciful, but -studious, conscientious, impassioned for her art; <q>Madame -Réjane</q> has rather a grand air; but Réju makes such a funny -face at her.</p> - -<p>I picture to myself the little Réju, scarcely out of her cradle, -but already cunningly mischievous, fired with an immense curiosity -about the world behind the scenes, and dreaming of herself as -leading lady. She hears of nothing, she talks of nothing, but the -Theatre. And presently her inevitable calling, her manifest destiny, -takes its first step towards realisation. She is admitted into the -class of Regnier, the famous <i lang="fr">sociétaire</i> of the Théâtre-Français. -Thenceforth the pupil makes steady progress. In 1873, at the -age of fifteen, she obtains an honourable mention for comedy at -the Conservatoire; the following year she divides a second prize -with Mademoiselle Samary. But what am I saying? Only a -second prize? Let us see.</p> - -<p><a name="Page_200" id="Page_200"></a><span class="pagenum">[Pg 200]</span> -To-day, as then, though twenty years have passed, there is no -possibility of success, no chance of getting an engagement, for a -pupil on leaving the Conservatoire, unless a certain all-powerful -critic, supreme judge, arbiter beyond appeal, sees fit to pronounce -a decision confirming the verdict of the Examining Jury. This -extraordinary man holds the future of each candidate in the palm -of his fat and heavy hand. Fame and fortune are contained in -his inkstand, and determined by his articles. He is both Pope -and King. The Jury proposes, he disposes. The Jury reigns, -he governs. He smiles or frowns, the Jury bows its head. The -pupils tremble before their Masters; the Masters tremble before -this monstrous Fetich,—for the Public thinks with him and by -him, and sees only through his spectacles; and no star can shine -till his short sight has discovered it.</p> - -<p>This puissant astronomer is Monsieur Francisque Sarcey.</p> - -<p>Against his opinion the newspapers can raise no voice, for he -alone edits them all. He writes thirty articles a day, each of -which is thirty times reprinted, thrice thirty times quoted from. -He is, as it were, the Press in person. And presently the -momentous hour arrived when the delicate and sprightly pupil of -Regnier was to appear before this enormous and somnolent mass, -and to thrill it with pleasure. For Monsieur Sarcey smiled upon -and applauded Réjane's début at the Conservatoire. He consecrated -to her as many as fifty lines of intelligent criticism; and I -pray Heaven they may be remembered to his credit on the Day -of Judgment. Here they are, in that twopenny-halfpenny style -of his, so dear to the readers of <cite>Le Temps</cite>.</p> - -<p class="blockquote">"I own that, for my part, I should have willingly awarded to the -latter (Mademoiselle Réjane) a first prize. It seems to me that she -deserved it. But the Jury is frequently influenced by extrinsic and -<a name="Page_201" id="Page_201"></a><span class="pagenum">[Pg 201]</span> -private motives, into which it is not permitted to pry. A first prize -carries with it the right of entrance into the Comédie Française; and -the Jury did not think Mademoiselle Réjane, with her little wide-awake -face, suited to the vast frame of the House of Molière. That -is well enough; but the second prize, which it awarded her, authorises -the Director of the Odéon to receive her into his Company; and that -perspective alone ought to have sufficed to dissuade the Jury from the -course it took.... Every one knows that at present the Odéon is, -for a beginner, a most indifferent school.... Instead of shoving its -promising pupils into it by the shoulders, the Conservatoire should -forbid them to approach it, lest they should be lost there. What will -Mademoiselle Réjane do at the Odéon? Show her legs in <i lang="fr">La Jeunesse -de Louis XIV.</i>, which is to be revived at the opening of the season! -A pretty state of things. She must either go to the Vaudeville or to -the Gymnase. It is there that she will form herself; it is there that -she will learn her trade, show what she is capable of, and prepare -herself for the Comédie Française, if she is ever to enter it.... She -recited a fragment from <i lang="fr">Les Trois Sultanes</i>.... I was delighted by -her choice. The <i lang="fr">Trois Sultanes</i> is so little known nowadays.... -What wit there is in her look, her smile! With her small eyes, -shrewd and piercing, with her little face thrust forward, she has so -knowing an air, one is inclined to smile at the mere sight of her. Does -she perhaps show a little too much assurance? What of it? 'Tis the -result of excessive timidity. But she laughs with such good grace, she -has so fresh and true a voice, she articulates so clearly, she seems so -happy to be alive and to have talent, that involuntarily one thinks of -Chénier's line:</p> - -<p class="center smaller"><i lang="fr">Sa bienvenue au jour lui rit dans tous les yeux.</i></p> - -<p class="blockquote">... I shall be surprised if she does not make her way."</p> - -<p>Praised be Sarcey! That was better than a second prize for -Réjane. The Oracle gave her the first, without dividing it. She -<a name="Page_202" id="Page_202"></a><span class="pagenum">[Pg 202]</span> -got an immediate engagement; and in March, 1875, appeared -on that stage where to-day she reigns supreme, the Vaudeville, -to which she brought back the vaudeville that was no longer -played there. She began by alienating the heart of Alphonse -Daudet, who, while recognising her clever delivery, found fault -with her unemotional gaiety; but, in compensation, another -authoritative critic, Auguste Vitu, wrote, after the performance -of <cite lang="fr">Pierre</cite>: <q>Mademoiselle Réjane showed herself full of grace -and feeling. She rendered Gabrielle's despair with a naturalness, -a brilliancy, a spontaneity, which won a most striking success.</q></p> - -<p>Shall I follow her through each of her creations, from her début -in <cite lang="fr">La Revue des Deux-Mondes</cite>, up to her supreme triumph in -<cite lang="fr">Madame Sans-Gêne</cite>? Shall I show her as the sly soubrette in -<cite>Fanny Lear</cite>? as the woman in love, <q>whose ignorance divines all -things,</q> in <cite lang="fr">Madame Lili</cite>? as the comical Marquise de Menu-Castel -in <cite lang="fr">Le Verglas</cite>? Shall I tell of her first crowning success, -when she played Gabrielle in <cite lang="fr">Pierre</cite>? Shall I recall her stormy -interpretation of Madame de Librac, in <cite lang="fr">Le Club</cite>? and her dramatic -conception of the part of Ida?—which quite reversed the previous -judgments of her critics, wringing praise from her enemy Daudet, -and censure from her faithful admirer Vitu. The natural order -of things, however, was re-established by her performance of <cite lang="fr">Les -Tapageurs</cite>; again Daudet found her cold and lacking in tenderness; -and Vitu again applauded.</p> - -<p>Her successes at the Vaudeville extend from 1875 to 1882; and -towards the end of that period, Réjane, always rising higher in -her art, created Anita in <cite lang="fr">L'Auréole</cite> and the Baronne d'Oria in -<cite>Odette</cite>. Next, forgetting her own traditions, she appeared at the -Théâtre des Panoramas, and at the Ambigu, where she gave a -splendid interpretation of Madame Cézambre in Richepin's <cite lang="fr">La -Giu</cite>; and at Les Variétés as Adrienne in <i lang="fr">Ma Camarade</i>. Now -<a name="Page_203" id="Page_203"></a><span class="pagenum">[Pg 203]</span> -fickle, now constant to her first love, she alternated between -the Variétés and the Vaudeville; took an engagement at the -Odéon; assisted at the birth and death of the Grand-Théâtre; -and just lately the Vaudeville has won her back once more.</p> - -<p>Amidst these perambulations, Réjane played the diva in <i lang="fr">Clara -Soleil</i>. The following year she had to take two different parts in -the same play, those of Gabrielle and Clicquette in <i lang="fr">Les Demoiselles -Clochart</i>. Gabrielle is a cold and positive character; Clicquette a -gay and mischievous one. Réjane kept them perfectly distinct, -and without the smallest apparent effort. In 1887, she telephoned -in <i lang="fr">Allô-Allô</i>, and represented so clearly, by means of clever mimicry, -the absurd answers of the apparatus, that from the gallery to the -stalls the theatre was one roar of laughter and applause; I fancy the -salvoes and broadsides must still sometimes echo in her delicate ears.</p> - -<p>Réjane's part in <i lang="fr">M. de Morat</i> should not be forgotten; nor above -all, the inimitable perfection of her play in <cite lang="fr">Décoré</cite> (1888). Sarcey's -exultation knew no bounds when, in 1890, she again appeared -in this rôle. Time, that had metamorphosed the lissom critic of -1875 into a round and inert mass of solid flesh, cruel Father -Time, gave back to Sarcey, for this occasion only, a flash of youthful -fire, which stirred his wits to warmth and animation. He shouted -out hardly articulate praise; he literally rolled in his stall with -pleasure; his bald head blushed like an aurora borealis. <q>Look -at her!</q> he cried, <q>see her malicious smiles, her feline graces, -listen to her reserved and biting diction; she is the very essence -of the Parisienne! What an ovation she received! How they -applauded her! and how she played!</q> From M. Sarcey the -laugh spreads; it thaws the scepticism of M. Jules Lemaître, -engulfs the timidity of the public, becomes unanimous and -universal, and is no longer to be silenced.</p> - -<p>In 1888, M. Edmond de Goncourt entrusted Réjane with the -<a name="Page_204" id="Page_204"></a><span class="pagenum">[Pg 204]</span> -part of <i lang="fr">Germinie Lacerteux</i>. On the first night, a furious battle -against the author was waged in the house. Réjane secured the -victory <i lang="fr">sans peur et sans reproches</i>.</p> - -<p>Everything in her inspires the certitude of success; her -voice aims at the heart, her gestures knock at it. Réjane -confides all to the hazard of the dice; her sudden attacks are -of the most dare-devil nature; and no matter how risky, how -dangerous, how extravagant the jump, she never loses her -footing; her play is always correct, her handling sure, her -coolness imperturbable. It was impossible to watch her precipitate -herself down the staircase in <cite lang="fr">La Glu</cite> without a tremble. -And fifteen years before Yvette Guilbert, it was Réjane who first -had the audacity to sing with a voice that was no voice, making -wit and gesture more than cover the deficiency. In <cite lang="fr">Ma Cousine</cite>, -Réjane introduced on the boards of Les Variétés a bit of dancing -such as one sees at the Elysée-Montmartre; she seized on and -imitated the grotesque effrontery of Mademoiselle Grille-d'Egout, -and her little arched foot flying upwards, brushed a kiss upon the -forehead of her model; for Réjane the <q lang="fr">grand écart</q> may be -fatal, perhaps, but it is neither difficult nor terrifying.</p> - -<p>Once more delighting us with <cite lang="fr">Marquise</cite> in 1889; playing with -such child-like grace the Candidate in <cite lang="fr">Brevet Supérieur</cite> in 1891; -immediately afterwards she took a part in <cite lang="fr">Amoureuse</cite> at the Odéon. -The subject is equivocal, the dialogue smutty. Réjane extenuated -nothing; on the contrary, accentuated things, and yet knew -always how to win her pardon.</p> - -<p>Now, it so happened that in 1882, after having personified the -Moulin-Rouge in <cite lang="fr">Les Variétés de Paris</cite>, Réjane was married on -the stage, in <cite lang="fr">La Nuit de Noces de P. L. M.</cite>, to P. L. Moriseau. -On the anniversary day, ten years later, her marriage took place in -good earnest, before a real M. le Maire, and according to all legal -<a name="Page_205" id="Page_205"></a><span class="pagenum">[Pg 205]</span> -formalities, with M. Porel, a sometime actor, an ex-director of -the Odéon, then director of the Grand-Théâtre, and co-director -to-day of the Vaudeville.... But to return to her art.</p> - -<p>Just as the first dressmakers of Paris measure Réjane's fine -figure for the costumes of her various rôles, so the best writers of -the French Academy now make plays to her measure. They -take the size of her temperament, the height of her talent, the -breadth of her play; they consider her taste, they flatter her -mood; they clothe her with the richest draperies she can covet. -Their imagination, their fancy, their cleverness, are all put at her -service. The leaders in this industry have hitherto been Messrs. -Meilhac and Halévy, but now M. Victorien Sardou is ruining -them. <i lang="fr">Madame Sans-Gêne</i> is certainly, of all the rôles Réjane has -played, that best suited to bring out her manifold resources. It -is not merely that Réjane plays the washerwoman, become a great -lady, without blemish or omission; she is Madame Sans-Gêne herself, -with no overloading, nothing forced, nothing caricatured. It -is portraiture; history.</p> - -<p>Many a time has Réjane appeared in cap, cotton frock, and -white apron; many a time in robes of state, glittering with -diamonds; she has worn the buskin or the sock, demeaned herself -like a gutter heroine, or dropped the stately curtsey of the high-born -lady. But never, except in Madame Sans-Gêne, has she -been able to bring all her rôles into one focus, exhibit her whole -wardrobe, and yet remain one and the same person, compress into -one evening the whole of her life.</p> - -<p>The seekers after strange novelties, the fanatics for the -mists of the far north, the vague, the irresolute, the restless, -will not easily forget the Ibsenish mask worn by Réjane in -Nora of <cite>The Doll's House</cite>; although most of us, loving Réjane -for herself, probably prefer to this vacillating creation, the -<a name="Page_206" id="Page_206"></a><span class="pagenum">[Pg 206]</span> -firm drawing, the clear design, the strong, yet supple lines of -Madame Sans-Gêne.</p> - -<p>Why has Réjane no engagement at the Comédie-Française? -Whom does one go to applaud on this stage, called the first in -France, and from which Réjane, Sarah Bernhardt, and Coquelin -the elder, all are absent? I will explain the matter in two words.</p> - -<p>The house of Molière, for many years now, has belonged to -Molière no more. Were Molière to come to life again, neither -he nor Réjane would go to eat their hearts out, with inaction and -dulness, beneath the wings of M. Jules Claretie—although he is, -of course, a very estimable gentleman. Were Réjane unmarried, -Molière to-day would enter into partnership with her, because -she is in herself the entire Comédie-Française. I have already -said she is married to M. Porel, director of the Vaudeville, where -she reigns as Queen. I am quite unable to see any reason why -she should soon desert such a fortunate conjugal domicile.</p> - -<p>Notwithstanding the dryness and the rapidity of this enumeration -of Réjane's rôles, I hope to have given some general idea of -the marvellous diversity and flexibility of her dramatic spirit and -temperament; it seems to me that the most searching criticism of -her various creations, would not greatly enhance the accuracy of -the picture. This is why I make no attempt to describe her in -some three or four parts of an entirely different character. Besides, -I should have to draw on hearsay; and I desire to trust only to -my own eyes, my own heart. Needless to say, I have not -had the good luck to see Madame Réjane in each of her -characterisations since her first appearance. Her youthful air has -never changed; but I have only had the opportunity of admiring -it during the last few years. I confidently maintain, however, -that she could not have been more charming in 1875 than she is -to-day, with the devil in her body, heaven in her eyes.</p> - -<hr /> - -<p class="larger p4">A Girl Resting <a name="Page_207" id="Page_207"></a><span class="pagenum">[Pg 207]</span></p> - -<p class="indent">By Sydney Adamson -<a name="Page_208" id="Page_208"></a><span class="pagenum">[Pg 208]</span> -<a name="Page_209" id="Page_209"></a><span class="pagenum">[Pg 209]</span></p> - -<hr class="hide"/> - -<div class="figcenter p4"> - <img src="images/i_15.jpg" - width="500" height="460" - alt="Illustration: A Girl Resting" /> -</div> - -<hr /> - -<p><a name="Page_210" id="Page_210"></a><span class="pagenum">[Pg 210]</span></p> - -<h3 class="left">The Roman Road <a name="Page_211" id="Page_211"></a><span class="pagenum">[Pg 211]</span></h3> - -<p class="right">By Kenneth Grahame</p> - -<p class="dropcap p2">All the roads of our neighbourhood were cheerful and friendly, -having each of them pleasant qualities of its own; but this -one seemed different from the others in its masterful suggestion -of a serious purpose, speeding you along with a strange uplifting -of the heart. The others tempted chiefly with their -treasures of hedge and ditch; the rapt surprise of the first lords-and-ladies, -the rustle of a field-mouse, splash of a frog; while cool -noses of brother-beasts were pushed at you through gate or gap. -A loiterer you had need to be, did you choose one of them; so -many were the tiny hands thrust out to detain you, from this side -and that. But this other was of a sterner sort, and even in its -shedding off of bank and hedgerow as it marched straight and full -for the open downs, it seemed to declare its contempt for adventitious -trappings to catch the shallow-pated. When the sense of -injustice or disappointment was heavy on me, and things were very -black within, as on this particular day, the road of character was -my choice for that solitary ramble when I turned my back for an -afternoon on a world that had unaccountably declared itself against -me.</p> - -<p><q>The Knight's Road</q> we children had named it, from a sort -of feeling that, if from any quarter at all, it would be down this -<a name="Page_212" id="Page_212"></a><span class="pagenum">[Pg 212]</span> -track we might some day see Lancelot and his peers come pacing -on their great war-horses; supposing that any of the stout band -still survived, in nooks and unexplored places. Grown-up people -sometimes spoke of it as the <q>Pilgrim's Way</q>; but I didn't know -much about pilgrims—except Walter in the Horselburg story. -Him I sometimes saw, breaking with haggard eyes out of yonder -copse, and calling to the pilgrims as they hurried along on their -desperate march to the Holy City, where peace and pardon were -awaiting them. <q>All roads lead to Rome,</q> I had once heard -somebody say; and I had taken the remark very seriously, of -course, and puzzled over it many days. There must have been -some mistake, I concluded at last; but of one road at least I -intuitively felt it to be true. And my belief was clinched by -something that fell from Miss Smedley during a history-lesson, -about a strange road that ran right down the middle of England -till it reached the coast, and then began again in France, just -opposite, and so on undeviating, through city and vineyard, right -from the misty Highlands to the Eternal City. Uncorroborated, -any statement of Miss Smedley's usually fell on incredulous ears; -but here, with the road itself in evidence, she seemed, once in a -way, to have strayed into truth.</p> - -<p>Rome! It was fascinating to think that it lay at the other end -of this white ribbon that rolled itself off from my feet over the -distant downs. I was not quite so uninstructed as to imagine I -could reach it that afternoon; but some day, I thought, if things -went on being as unpleasant as they were now—some day, when -Aunt Eliza had gone on a visit—we would see.</p> - -<p>I tried to imagine what it would be like when I got there. -The Coliseum I knew, of course, from a woodcut in the history-book: -so to begin with I plumped that down in the middle. The -rest had to be patched up from the little grey market-town where -<a name="Page_213" id="Page_213"></a><span class="pagenum">[Pg 213]</span> -twice a year we went to have our hair cut; hence, in the result, -Vespasian's amphitheatre was approached by muddy little streets, -wherein the Red Lion and the Blue Boar, with Somebody's Entire -along their front, and <q>Commercial Room</q> on their windows; -the doctor's house, of substantial red-brick; and the façade of the -new Wesleyan chapel, which we thought very fine, were the -chief <a name="arch"></a>architectural ornaments: while the Roman populace pottered -about in smocks and corduroys, twisting the tails of Roman calves -and inviting each other to beer in musical Wessex. From Rome -I drifted on to other cities, dimly heard of—Damascus, Brighton, -(Aunt Eliza's ideal), Athens, and Glasgow, whose glories the -gardener sang; but there was a certain sameness in my conception -of all of them: that Wesleyan chapel would keep cropping up -everywhere. It was easier to go a-building among those dream-cities -where no limitations were imposed, and one was sole -architect, with a free hand. Down a delectable street of cloud-built -palaces I was mentally pacing, when I happened upon -the Artist.</p> - -<p>He was seated at work by the roadside, at a point whence the -cool large spaces of the downs, juniper-studded, swept grandly westwards. -His attributes proclaimed him of the artist tribe: besides, -he wore knickerbockers like myself. I knew I was not to bother -him with questions, nor look over his shoulder and breathe in his -ear—they didn't like it, this <i lang="fr">genus irritabile</i>; but there was nothing -about staring in my code of instructions, the point having somehow -been overlooked: so, squatting down on the grass, I devoted myself -to a passionate absorbing of every detail. At the end of five -minutes there was not a button on him that I could not have -passed an examination in; and the wearer himself of that home-spun -suit was probably less familiar with its pattern and texture -than I was. Once he looked up, nodded, half held out his tobacco -<a name="Page_214" id="Page_214"></a><span class="pagenum">[Pg 214]</span> -pouch, mechanically as it were, then, returning it to his pocket, -resumed his work, and I my mental photography.</p> - -<p>After another five minutes or so had passed he remarked, without -looking my way: <q>Fine afternoon we're having: going far to-day?</q></p> - -<p><q>No, I'm not going any farther than this,</q> I replied: <q>I <em>was</em> -thinking of going on to Rome: but I've put it off.</q></p> - -<p><q>Pleasant place, Rome,</q> he murmured: <q>you'll like it.</q> It -was some minutes later that he added: <q>But I wouldn't go just -now, if I were you: too jolly hot.</q></p> - -<p><q><em>You</em> haven't been to Rome, have you?</q> I inquired.</p> - -<p><q>Rather,</q> he replied briefly: <q>I live there.</q></p> - -<p>This was too much, and my jaw dropped as I struggled to grasp -the fact that I was sitting there talking to a fellow who lived in -Rome. Speech was out of the question: besides I had other -things to do. Ten solid minutes had I already spent in an examination -of him as a mere stranger and artist; and now the whole -thing had to be done over again, from the changed point of view. -So I began afresh, at the crown of his soft hat, and worked down -to his solid British shoes, this time investing everything with the -new Roman halo; and at last I managed to get out: <q>But you -don't really live there, do you?</q> never doubting the fact, but -wanting to hear it repeated.</p> - -<p><q>Well,</q> he said, good-naturedly overlooking the slight rudeness -of my query, <q>I live there as much as I live anywhere. About -half the year sometimes. I've got a sort of a shanty there. You -must come and see it some day.</q></p> - -<p><q>But do you live anywhere else as well?</q> I went on, feeling -the forbidden tide of questions surging up within me.</p> - -<p><q>O yes, all over the place,</q> was his vague reply. <q>And I've -got a diggings somewhere off Piccadilly.</q></p> - -<p><a name="Page_215" id="Page_215"></a><span class="pagenum">[Pg 215]</span> -<q>Where's that?</q> I inquired.</p> - -<p><q>Where's what?</q> said he. <q>Oh, Piccadilly! It's in London.</q></p> - -<p><q>Have you a large garden?</q> I asked; <q>and how many pigs -have you got?</q></p> - -<p><q>I've no garden at all,</q> he replied sadly, <q>and they don't allow -me to keep pigs, though I'd like to, awfully. It's very hard.</q></p> - -<p><q>But what do you do all day, then,</q> I cried, <q>and where do you -go and play, without any garden, or pigs, or things?</q></p> - -<p><q>When I want to play,</q> he said gravely, <q>I have to go and -play in the street; but it's poor fun, I grant you. There's a -goat, though, not far off, and sometimes I talk to him when I'm -feeling lonely; but he's very proud.</q></p> - -<p><q>Goats <em>are</em> proud,</q> I admitted. <q>There's one lives near here, -and if you say anything to him at all, he hits you in the wind with -his head. You know what it feels like when a fellow hits you in -the wind?</q></p> - -<p><q>I do, well,</q> he replied, in a tone of proper melancholy, and -painted on.</p> - -<p><q>And have you been to any other places,</q> I began again -presently, <q>besides Rome and Piccy-what's-his-name?</q></p> - -<p><q>Heaps,</q> he said. <q>I'm a sort of Ulysses—seen men and cities, -you know. In fact, about the only place I never got to was the -Fortunate Island.</q></p> - -<p>I began to like this man. He answered your questions briefly -and to the point, and never tried to be funny. I felt I could be -confidential with him.</p> - -<p><q>Wouldn't you like,</q> I inquired, <q>to find a city without any -people in it at all?</q></p> - -<p>He looked puzzled. <q>I'm afraid I don't quite understand,</q> -said he.</p> - -<p><q>I mean,</q> I went on eagerly, <q>a city where you walk in at the -<a name="Page_216" id="Page_216"></a><span class="pagenum">[Pg 216]</span> -gates, and the shops are all full of beautiful things, and the houses -furnished as grand as can be, and there isn't anybody there whatever! -And you go into the shops, and take anything you want—chocolates -and magic-lanterns and injirubber balls—and there's -nothing to pay; and you choose your own house and live there -and do just as you like, and never go to bed unless you want -to!</q></p> - -<p>The artist laid down his brush. <q>That <em>would</em> be a nice city,</q> -he said. <q>Better than Rome. You can't do that sort of thing in -Rome—or in Piccadilly either. But I fear it's one of the places -I've never been to.</q></p> - -<p><q>And you'd ask your friends,</q> I went on, warming to my -subject; <q>only those who <a name="you"></a>you really like, of course; and they'd each -have a house to themselves—there'd be lots of houses, and no -relations at all, unless they promised they'd be pleasant, and if they -weren't they'd have to go.</q></p> - -<p><q>So you wouldn't have any relations?</q> said the artist. <q>Well, -perhaps you're right. We have tastes in common, I see.</q></p> - -<p><q>I'd have Harold,</q> I said reflectively, <q>and Charlotte. They'd -like it awfully. The others are getting too old. Oh! and Martha—I'd -have Martha to cook and wash up and do things. You'd -like Martha. She's ever so much nicer than Aunt Eliza. She's -my idea of a real lady.</q></p> - -<p><q>Then I'm sure I should like her,</q> he replied heartily, <q>and -when I come to—what do you call this city of yours? Nephelo—something, -did you say!</q></p> - -<p><q>I—I don't know,</q> I replied timidly. <q>I'm afraid it hasn't -got a name—yet.</q></p> - -<p>The artist gazed out over the downs. <q>'The poet says dear -city of Cecrops;'</q> he said softly to himself, <q>'and wilt not thou -say, dear city of Zeus?' That's from Marcus Aurelius,</q> he -<a name="Page_217" id="Page_217"></a><span class="pagenum">[Pg 217]</span> -went on, turning again to his work. <q>You don't know him, I -suppose; you will some day.</q></p> - -<p><q>Who's he?</q> I inquired.</p> - -<p><q>Oh, just another fellow who lived in Rome,</q> he replied, -dabbing away.</p> - -<p><q>O dear!</q> I cried, disconsolately. <q>What a lot of people -seem to live at Rome, and I've never even been there! But I -think I'd like <em>my</em> city best.</q></p> - -<p><q>And so would I,</q> he replied with unction. <q>But Marcus -Aurelius wouldn't, you know.</q></p> - -<p><q>Then we won't invite him,</q> I said: <q>will we?</q></p> - -<p><q><em>I</em> won't if you won't,</q> said he. And that point being settled, -we were silent for a while.</p> - -<p><q>Do you know,</q> he said presently, <q>I've met one or two -fellows from time to time, who have been to a city like yours—perhaps -it was the same one. They won't talk much about it—only -broken hints, now and then; but they've been there sure -enough. They don't seem to care about anything in particular—and -everything's the same to them, rough or smooth; and sooner -or later they slip off and disappear; and you never see them again. -Gone back, I suppose.</q></p> - -<p><q>Of course,</q> said I. <q>Don't see what they ever came away -for; <em>I</em> wouldn't. To be told you've broken things when you -haven't, and stopped having tea with the servants in the kitchen, -and not allowed to have a dog to sleep with you. But <em>I've</em> known -people, too, who've gone there.</q></p> - -<p>The artist stared, but without incivility.</p> - -<p><q>Well, there's Lancelot,</q> I went on. <q>The book says he -died, but it never seemed to read right, somehow. He just went -away, like Arthur. And Crusoe, when he got tired of wearing -clothes and being respectable. And all the nice men in the -<a name="Page_218" id="Page_218"></a><span class="pagenum">[Pg 218]</span> -stories who don't marry the Princess, 'cos only one man ever gets -married in a book, you know. They'll be there!</q></p> - -<p><q>And the men who fail,</q> he said, <q>who try like the rest, and -toil, and eat their hearts out, and somehow miss—or break down -or get bowled over in the mêlée—and get no Princess, nor even a -second-class kingdom—some of them'll be there, I hope?</q></p> - -<p><q>Yes, if you like,</q> I replied, not quite understanding him; -<q>if they're friends of yours, we'll ask 'em, of course.</q></p> - -<p><q>What a time we shall have!</q> said the artist reflectively; <q>and -how shocked old Marcus Aurelius will be!</q></p> - -<p>The shadows had lengthened uncannily, a tide of golden haze -began to flood the grey-green surface of the downs, and the artist -put his traps together, preparatory to a move. I felt very low: -we would have to part, it seemed, just as we were getting on so -well together. Then he stood up, and he was very straight and -tall, and the sunset was in his hair and beard as he stood there, -high over me. He took my hand like an equal. <q>I've enjoyed -our conversation very much,</q> he said. <q>That was an interesting -subject you started, and we haven't half exhausted it. We shall -meet again, I hope?</q></p> - -<p><q>Of course we shall,</q> I replied, surprised that there should be -any doubt about it.</p> - -<p><q>In Rome perhaps?</q> said he.</p> - -<p><q>Yes, in Rome,</q> I answered; <q>or Piccy-the-other-place, or -somewhere.</q></p> - -<p><q>Or else,</q> said he, <q>in that other city—when we've found the -way there. And I'll look out for you, and you'll sing out as soon -as you see me. And we'll go down the street arm-in-arm, and -into all the shops, and then I'll choose my house, and you'll -choose your house, and we'll live there like princes and good -fellows.</q></p> - -<p><a name="Page_219" id="Page_219"></a><span class="pagenum">[Pg 219]</span> -<q>Oh, but you'll stay in my house, won't you?</q> I cried; <q>I -wouldn't ask everybody; but I'll ask <em>you</em>.</q></p> - -<p>He affected to consider a moment; then <q>Right!</q> he said: -<q>I believe you mean it, and I <em>will</em> come and stay with you. I -won't go to anybody else, if they ask me ever so much. And I'll -stay quite a long time, too, and I won't be any trouble.</q></p> - -<p>Upon this compact we parted, and I went down-heartedly from -the man who understood me, back to the house where I never -could do anything right. How was it that everything seemed -natural and sensible to him, which these uncles, vicars, and other -grown-up men took for the merest tomfoolery? Well, he would -explain this, and many another thing, when we met again. The -Knight's Road! How it always brought consolation! Was he -possibly one of those vanished knights I had been looking for so -long? Perhaps he would be in armour next time—why not? -He would look well in armour, I thought. And I would take -care to get there first, and see the sunlight flash and play on his -helmet and shield, as he rode up the High Street of the Golden -City.</p> - -<p>Meantime, there only remained the finding it,—an easy matter.</p> - -<p class="larger p4">Three Pictures <a name="Page_220" id="Page_220"></a><span class="pagenum">[Pg 220]</span></p> - -<p class="indent">By Walter Sickert</p> - -<p class="p2"> I. The Old Bedford Music Hall</p> -<p> II. Portrait of Aubrey Beardsley</p> -<p>III. Ada Lundberg</p> - -<hr class="hide"/> - -<p class="p4"><a name="Page_221" id="Page_221"></a><span class="pagenum">[Pg 221]</span></p> - -<div class="figcenter"> - <img src="images/i_16.jpg" - width="500" height="510" - alt="Illustration: The Old Bedford Music Hall" /> -</div> - -<p><a name="Page_222" id="Page_222"></a><span class="pagenum">[Pg 222]</span><br /> -<a name="Page_223" id="Page_223"></a><span class="pagenum">[Pg 223]</span></p> - -<div class="figcenter"> - <img src="images/i_17.jpg" - width="400" height="741" - alt="Illustration: Portrait of Aubrey Beardsley" /> -</div> - -<p><a name="Page_224" id="Page_224"></a><span class="pagenum">[Pg 224]</span><br /> -<a name="Page_225" id="Page_225"></a><span class="pagenum">[Pg 225]</span></p> - -<div class="figcenter"> - <img src="images/i_18.jpg" - width="500" height="374" - alt="Illustration: Ada Lundberg" /> -</div> - -<hr /> - -<p><a name="Page_226" id="Page_226"></a><span class="pagenum">[Pg 226]</span></p> - -<h3 class="left">Betrothed <a name="Page_227" id="Page_227"></a><span class="pagenum">[Pg 227]</span></h3> - -<p class="right">By Norman Gale</p> - -<div class="poem"> -<div class="stanza"> -<span class="i0 dropcap">She is mine in the day,</span><br /> -<span class="i2">She is mine in the dusk;</span><br /> -<span class="i0">She is virgin as dawn,</span><br /> -<span class="i2">And as fragrant as musk.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">And the wood on the hill</span><br /> -<span class="i2">Is the home where we meet—</span><br /> -<span class="i0">O, the coming of eve,</span><br /> -<span class="i2">It is marvellous sweet!</span><br /> -</div> - -<div class="stanza"> -<span class="i0">To my satisfied heart</span><br /> -<span class="i2">She has flown like a dove;</span><br /> -<span class="i0">All her kisses are taught</span><br /> -<span class="i2">By the wisdom of love.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">And whatever my grief</span><br /> -<span class="i2">There is healing, and rest,</span><br /> -<span class="i0">On the pear-blossom slope</span><br /> -<span class="i2">Of her beautiful breast.</span><br /> -</div> -</div> - -<hr /> - -<h3 class="left">Thy Heart's Desire <a name="Page_228" id="Page_228"></a><span class="pagenum">[Pg 228]</span></h3> - -<p class="right">By Netta Syrett</p> - -<h4><abbr title="One">I</abbr></h4> - -<p class="dropcap p2">The tents were pitched in a little plain surrounded by hills. -Right and left there were stretches of tender vivid green -where the young corn was springing; further still, on either hand, -the plain was yellow with mustard-flower; but in the immediate -foreground it was bare and stony. A few thorny bushes pushed -their straggling way through the dry soil, ineffectively as far as -the grace of the landscape was concerned, for they merely served -to emphasise the barren aridness of the land that stretched before -the tents, sloping gradually to the distant hills.</p> - -<p>The hills were uninteresting enough in themselves; they had -no grandeur of outline, no picturesqueness even, though at -morning and evening the sun, like a great magician, clothed them -with beauty at a touch.</p> - -<p>They had begun to change, to soften, to blush rose-red in the -evening light, when a woman came to the entrance of the largest -of the tents and looked towards them. She leant against the -support on one side of the canvas flap, and putting back her -head, rested that too against it, while her eyes wandered over the -plain and over the distant hills.</p> - -<p><a name="Page_229" id="Page_229"></a><span class="pagenum">[Pg 229]</span> -She was bareheaded, for the covering of the tent projected a -few feet to form an awning overhead. The gentle breeze which -had risen with sundown, stirred the soft brown tendrils of hair on -her temples, and fluttered her pink cotton gown a little. She stood -very still, with her arms hanging and her hands clasped loosely in -front of her. There was about her whole attitude an air of -studied quiet which in some vague fashion the slight clasp of her -hands accentuated. Her face, with its tightly, almost rigidly -closed lips, would have been quite in keeping with the impression -of conscious calm which her entire presence suggested, had it not -been that when she raised her eyes a strange contradiction to this -idea was afforded. They were large grey eyes, unusually bright -and rather startling in effect, for they seemed the only live thing -about her. Gleaming from her still set face, there was something -almost alarming in their brilliancy. They softened with a sudden -glow of pleasure as they rested on the translucent green of the -wheat fields under the broad generous sunlight, and then wandered -to where the pure vivid yellow of the mustard-flower spread in -waves to the base of the hills, now mystically veiled in radiance. -She stood motionless watching their melting elusive changes from -palpitating rose to the transparent purple of amethyst. The stillness -of evening was broken by the monotonous, not unmusical -creaking of a Persian wheel at some little distance to the left of -the tent. The well stood in a little grove of trees: between -their branches she could see, when she turned her head, the -coloured <i>saris</i> of the village women, where they stood in groups -chattering as they drew the water, and the little naked brown -babies that toddled beside them or sprawled on the hard ground -beneath the trees. From the village of flat-roofed mud-houses -under the low hill at the back of the tents, other women were -crossing the plain towards the well, their terra-cotta water-jars -<a name="Page_230" id="Page_230"></a><span class="pagenum">[Pg 230]</span> -poised easily on their heads, casting long shadows on the sun-baked -ground as they came.</p> - -<p>Presently, in the distance, from the direction of the sunlit hills -opposite, a little group of men came into sight. Far off, the -mustard-coloured jackets and the red turbans of the orderlies -made vivid splashes of colour on the dull plain. As they came -nearer, the guns slung across their shoulders, the cases of mathematical -instruments, the hammers and other heavy baggage they -carried for the Sahib, became visible. A little in front, at walking -pace, rode the Sahib himself, making notes as he came in a book -he held before him. The girl at the tent-entrance watched the -advance of the little company indifferently, it seemed; except for a -slight tightening of the muscles about her mouth, her face -remained unchanged. While he was still some little distance -away, the man with the note-book raised his head and smiled -awkwardly as he saw her standing there. Awkwardness, perhaps, -best describes the whole man. He was badly put together, loose-jointed, -ungainly. The fact that he was tall profited him nothing, -for it merely emphasised the extreme ungracefulness of his figure. -His long pale face was made paler by a shock of coarse, tow-coloured -hair; his eyes even looked colourless, though they -were certainly the least uninteresting feature of his face, for -they were not devoid of expression. He had a way of slouching -when he moved that singularly intensified the general -uncouthness of his appearance. <q>Are you very tired?</q> asked -his wife gently when he had dismounted close to the tent. -The question would have been an unnecessary one had it been -put to her instead of to her husband, for her voice had -that peculiar flat toneless sound for which extreme weariness is -answerable.</p> - -<p><q>Well, no, my dear, not very,</q> he replied, drawling out the -<a name="Page_231" id="Page_231"></a><span class="pagenum">[Pg 231]</span> -words with an exasperating air of delivering a final verdict, after -deep reflection on the subject.</p> - -<p>The girl glanced once more at the fading colours on the hills. -<q>Come in and rest,</q> she said, moving aside a little to let him -pass.</p> - -<p>She stood lingering a moment after he had entered the tent, as -though unwilling to leave the outer air; and before she turned to -follow him she drew a deep breath, and her hand went for one -swift second to her throat as though she felt stifled.</p> - -<p class="center">* * * * *</p> - -<p>Later on that evening she sat in her tent sewing by the light -of the lamp that stood on her little table.</p> - -<p>Opposite to her, her husband stretched his ungainly length in a -deck-chair, and turned over a pile of official notes. Every now -and then her eyes wandered from the gay silks of the table-cover -she was embroidering to the canvas walls which bounded the -narrow space into which their few household goods were crowded. -Outside there was a deep hush. The silence of the vast empty -plain seemed to work its way slowly, steadily in, towards the little -patch of light set in its midst. The girl felt it in every nerve; it -was as though some soft-footed, noiseless, shapeless creature, -whose presence she only dimly divined, was approaching nearer—<em>nearer</em>. -The heavy outer stillness was in some way made more -terrifying by the rustle of the papers her husband was reading, by -the creaking of his chair as he moved, and by the little fidgeting -grunts and half exclamations which from time to time broke from -him. His wife's hand shook at every unintelligible mutter from -him, and the slight habitual contraction between her eyes -deepened.</p> - -<p>All at once she threw her work down on to the table. <q>For -Heaven's sake——<em>please</em>, John, <em>talk</em>!</q> she cried. Her eyes, for -<a name="Page_232" id="Page_232"></a><span class="pagenum">[Pg 232]</span> -the moment's space in which they met the startled ones of her -husband, had a wild hunted look, but it was gone almost before -his slow brain had time to note that it had been there—and was -vaguely disturbing. She laughed a little, unsteadily.</p> - -<p><q>Did I startle you? I'm sorry. I——</q> she laughed again. -<q>I believe I'm a little nervous. When one is all day alone——</q> -She paused without finishing the sentence. The man's face -changed suddenly. A wave of tenderness swept over it, and at -the same time an expression of half-incredulous delight shone in -his pale eyes.</p> - -<p><q>Poor little girl, are you really lonely?</q> he said. Even the -real feeling in his tone failed to rob his voice of its peculiarly -irritating grating quality. He rose awkwardly and moved to his -wife's side.</p> - -<p>Involuntarily she shrank a little, and the hand which he had -stretched out to touch her hair sank to his side. She recovered -herself immediately and turned her face up to his, though she did -not raise her eyes; but he did not kiss her. Instead, he stood in -an embarrassed fashion a moment by her side, and then went back -to his seat.</p> - -<p>There was silence again for some time. The man lay back in -his chair, gazing at his big clumsy shoes, as though he hoped for -some inspiration from that quarter, while his wife worked with -nervous haste.</p> - -<p><q>Don't let me keep you from reading, John,</q> she said, and her -voice had regained its usual gentle tone.</p> - -<p><q>No, my dear; I'm just thinking of something to say to you, -but I don't seem——</q></p> - -<p>She smiled a little. In spite of herself, her lip curled faintly. -<q>Don't worry about it—it was stupid of me to expect it. I -mean——</q> she added hastily, immediately repenting the sarcasm. -<a name="Page_233" id="Page_233"></a><span class="pagenum">[Pg 233]</span> -She glanced furtively at him, but his face was quite unmoved. -Evidently he had not noticed it, and she smiled faintly again.</p> - -<p><q>Oh, Kathie, I knew there was <em>something</em> I'd forgotten to tell -you, my dear; there's a man coming down here. I don't know -whether——</q></p> - -<p>She looked up sharply. <q>A man coming <em>here</em>? What for?</q> -she interrupted breathlessly.</p> - -<p><q>Sent to help me about this oil-boring business, my dear.</q></p> - -<p>He had lighted his pipe, and was smoking placidly, taking long -whiffs between his words.</p> - -<p><q>Well?</q> impatiently questioned his wife, fixing her bright -eyes on his face.</p> - -<p><q>Well—that's all, my dear.</q></p> - -<p>She checked an exclamation. <q>But don't you know anything -about him—his name? where he comes from? what he is like?</q> -She was leaning forward against the table, her needle with a long -end of yellow silk drawn halfway through her work, held in her -upraised hand, her whole attitude one of quivering excitement and -expectancy.</p> - -<p>The man took his pipe from his mouth deliberately, with a look -of slow wonder.</p> - -<p><q>Why Kathie, you seem quite anxious. I didn't know you'd be -so interested, my dear. Well,</q>—another long pull at his pipe—<q>his -name's Brook—<em>Brookfield</em>, I think.</q> He paused again. -<q>This pipe don't draw well a bit; there's something wrong with -it, I shouldn't wonder,</q> he added, taking it out and examining -the bowl as though struck with the brilliance of the idea.</p> - -<p>The woman opposite put down her work and clenched her -hands under the table.</p> - -<p><q>Go on, John,</q> she said presently in a tense vibrating voice—<q>his -name is Brookfield. Well, where does he come from?</q></p> - -<p><a name="Page_234" id="Page_234"></a><span class="pagenum">[Pg 234]</span> -<q>Straight from home, my dear, I believe.</q> He fumbled in his -pocket, and after some time extricated a pencil with which he -began to poke the tobacco in the bowl in an ineffectual aimless -fashion, becoming completely engrossed in the occupation apparently. -There was another long pause. The woman went on -working, or feigning to work, for her hands were trembling a -good deal.</p> - -<p>After some moments she raised her head again. <q>John, will -you mind attending to me one moment, and answering these -questions as quickly as you can?</q> The emphasis on the last -word was so faint as to be almost as imperceptible as the touch of -exasperated contempt which she could not absolutely banish from -her tone.</p> - -<p>Her husband, looking up, met her clear bright gaze and -reddened like a schoolboy.</p> - -<p><q>Whereabouts '<em>from home</em>' does he come?</q> she asked in a -studiedly gentle fashion.</p> - -<p><q>Well, from London, I think,</q> he replied, almost briskly for -him, though he stammered and tripped over the words. <q>He's a -University chap; I used to hear he was clever—I don't know -about that, I'm sure; he used to chaff me, I remember, but——</q></p> - -<p><q>Chaff <em>you</em>? You have met him then?</q></p> - -<p><q>Yes, my dear</q>—he was fast relapsing into his slow drawl -again—<q>that is, I went to school with him, but it's a long time -ago. Brookfield—yes, that must be his name.</q></p> - -<p>She waited a moment, then <q>When is he coming?</q> she -inquired abruptly.</p> - -<p><q>Let me see—to-day's——</q></p> - -<p><q><em>Monday</em>,</q> the word came swiftly between her set teeth.</p> - -<p><q>Ah, yes,—Monday—well,</q> reflectively, <q><em>next</em> Monday, my -dear.</q></p> - -<p><a name="Page_235" id="Page_235"></a><span class="pagenum">[Pg 235]</span> -Mrs. Drayton rose, and began to pace softly the narrow passage -between the table and the tent-wall, her hands clasped loosely -behind her.</p> - -<p><q>How long have you known this?</q> she said, stopping -abruptly. <q>Oh, John, you <em>needn't</em> consider; it's quite a simple -question. To-day? Yesterday?</q></p> - -<p>Her foot moved restlessly on the ground as she waited.</p> - -<p><q>I think it was the day before yesterday,</q> he replied.</p> - -<p><q>Then why in Heaven's name didn't you tell me before?</q> she -broke out fiercely.</p> - -<p><q>My dear, it slipped my memory. If I'd thought you would -be interested——</q></p> - -<p><q>Interested?</q> She laughed shortly. <q>It <em>is</em> rather interesting -to hear that after six months of this</q>—she made a quick comprehensive -gesture with her hand—<q>one will have some one to -speak to—some one. It is the hand of Providence; it comes just -in time to save me from——</q> She checked herself abruptly.</p> - -<p>He sat staring up at her stupidly, without a word.</p> - -<p><q>It's all right, John,</q> she said, with a quick change of tone, -gathering up her work quietly as she spoke. <q>I'm not mad—yet. -You—you must get used to these little outbreaks,</q> she -added after a moment, smiling faintly, <q>and to do me justice, I -don't <em>often</em> trouble you with them, do I? I'm just a little tired, -or it's the heat or—something. No—don't touch me,</q> she -cried, shrinking back, for he had risen slowly and was coming -towards her.</p> - -<p>She had lost command over her voice, and the shrill note of -horror in it was unmistakable. The man heard it, and shrank in -his turn.</p> - -<p><q>I'm so sorry, John,</q> she murmured, raising her great bright -eyes to his face. They had not lost their goaded expression, -<a name="Page_236" id="Page_236"></a><span class="pagenum">[Pg 236]</span> -though they were full of tears. <q>I'm awfully sorry, but I'm -just nervous and stupid, and I can't bear <em>any one</em> to touch me when -I'm nervous.</q></p> - -<h4><abbr title="Two">II</abbr></h4> - -<p><q>Here's Broomhurst, my dear! I made a mistake in his name -after all, I find. I told you <em>Brookfield</em>, I believe, didn't I? Well, -it isn't Brookfield, he says; it's Broomhurst.</q></p> - -<p>Mrs. Drayton had walked some little distance across the plain to -meet and welcome the expected guest. She stood quietly waiting -while her husband stammered over his incoherent sentences, and -then put out her hand.</p> - -<p><q>We are very glad to see you,</q> she said with a quick glance at -the newcomer's face as she spoke.</p> - -<p>As they walked together towards the tent, after the first greetings, -she felt his keen eyes upon her before he turned to her -husband.</p> - -<p><q>I'm afraid Mrs. Drayton finds the climate trying?</q> he asked. -<q>Perhaps she ought not to have come so far in this heat?</q></p> - -<p><q>Kathie is often pale. You <em>do</em> look white to-day, my dear,</q> -he observed, turning anxiously towards his wife.</p> - -<p><q>Do I?</q> she replied. The unsteadiness of her tone was -hardly appreciable, but it was not lost on Broomhurst's quick -ears. <q>Oh, I don't think so. I <em>feel</em> very well.</q></p> - -<p><q>I'll come and see if they've fixed you up all right,</q> said -Drayton, following his companion towards the new tent that had -been pitched at some little distance from the large one.</p> - -<p><q>We shall see you at dinner then?</q> Mrs. Drayton observed in -reply to Broomhurst's smile as they parted.</p> - -<p><a name="Page_237" id="Page_237"></a><span class="pagenum">[Pg 237]</span> -She entered the tent slowly, and moving up to the table, -already laid for dinner, began to rearrange the things upon it in a -purposeless mechanical fashion.</p> - -<p>After a moment she sank down upon a seat opposite the open -entrance, and put her hand to her head.</p> - -<p><q>What is the matter with me?</q> she thought wearily. <q>All -the week I've been looking forward to seeing this man—<em>any</em> man, -<em>any one</em> to take off the edge of this.</q> She shuddered. Even in -thought she hesitated to analyse the feeling that possessed her. -<q>Well, he's here, and I think I feel <em>worse</em>.</q> Her eyes -travelled towards the hills she had been used to watch at this -hour, and rested on them with a vague unseeing gaze.</p> - -<p><q>Tired, Kathie? A penny for your thoughts, my dear,</q> -said her husband, coming in presently to find her still sitting -there.</p> - -<p><q>I'm thinking what a curious world this is, and what an -ironical vein of humour the gods who look after it must possess,</q> -she replied with a mirthless laugh, rising as she spoke.</p> - -<p>John looked puzzled.</p> - -<p><q>Funny my having known Broomhurst before, you mean?</q> -he said doubtfully.</p> - -<p class="center">* * * * *</p> - -<p><q>I was fishing down at Lynmouth this time last year,</q> -Broomhurst said at dinner. <q>You know Lynmouth, Mrs. -Drayton? Do you never imagine you hear the gurgling of the -stream? I am tantalised already by the sound of it rushing -through the beautiful green gloom of those woods—<em>aren't</em> they -lovely? And <em>I</em> haven't been in this burnt-up spot as many hours -as you've had months of it.</q></p> - -<p>She smiled a little.</p> - -<p><q>You must learn to possess your soul in patience,</q> she said, -<a name="Page_238" id="Page_238"></a><span class="pagenum">[Pg 238]</span> -and glanced inconsequently from Broomhurst to her husband, and -then dropped her eyes and was silent a moment.</p> - -<p>John was obviously, and a little audibly, enjoying his dinner. -He sat with his chair pushed close to the table, and his elbows -awkwardly raised, swallowing his soup in gulps. He grasped his -spoon tightly in his bony hand so that its swollen joints stood out -larger and uglier than ever, his wife thought.</p> - -<p>Her eyes wandered to Broomhurst's hands. They were well -shaped, and though not small, there was a look of refinement about -them; he had a way of touching things delicately, a little lingeringly, -she noticed. There was an air of distinction about his -clear-cut, clean-shaven face, possibly intensified by contrast with -Drayton's blurred features; and it was, perhaps, also by contrast -with the grey cuffs that showed beneath John's ill-cut drab suit that -the linen Broomhurst wore seemed to her particularly spotless.</p> - -<p>Broomhurst's thoughts, for his part, were a good deal occupied -with his hostess.</p> - -<p>She was pretty, he thought, or perhaps it was that, with the -wide dry lonely plain as a setting, her fragile delicacy of appearance -was invested with a certain flower-like charm.</p> - -<p><q>The silence here seems rather strange, rather appalling at -first, when one is fresh from a town,</q> he pursued, after a -moment's pause, <q>but I suppose you're used to it; eh, Drayton? -How do <em>you</em> find life here, Mrs. Drayton?</q> he asked a little -curiously, turning to her as he spoke.</p> - -<p>She hesitated a second. <q>Oh, much the same as I should find -it anywhere else, I expect,</q> she replied; <q>after all, one carries the -possibilities of a happy life about with one—don't you think so? -The Garden of Eden wouldn't necessarily make my life any -happier, or less happy, than a howling wilderness like this. It -depends on oneself entirely.</q></p> - -<p><a name="Page_239" id="Page_239"></a><span class="pagenum">[Pg 239]</span> -<q>Given the right Adam and Eve, the desert blossoms like the -rose, in fact,</q> Broomhurst answered lightly, with a smiling glance -inclusive of husband and wife; <q>you two don't feel as though -you'd been driven out of Paradise evidently.</q></p> - -<p>Drayton raised his eyes from his plate with a smile of total -incomprehension.</p> - -<p><q>Great Heavens! What an Adam to select!</q> thought Broomhurst -involuntarily, as Mrs. Drayton rose rather suddenly from -the table.</p> - -<p><q>I'll come and help with that packing-case,</q> John said, rising, -in his turn, lumberingly from his place; <q>then we can have a -smoke—eh? Kathie don't mind, if we sit near the entrance.</q></p> - -<p>The two men went out together, Broomhurst holding the -lantern, for the moon had not yet risen. Mrs. Drayton followed -them to the doorway, and, pushing the looped-up hanging further -aside, stepped out into the cool darkness.</p> - -<p>Her heart was beating quickly, and there was a great lump in -her throat that frightened her as though she were choking.</p> - -<p><q>And I am his <em>wife</em>—I <em>belong</em> to him!</q> she cried, almost -aloud.</p> - -<p>She pressed both her hands tightly against her breast, and set -her teeth, fighting to keep down the rising flood that threatened -to sweep away her composure. <q>Oh, what a fool I am! -What an hysterical fool of a woman I am!</q> she whispered below -her breath. She began to walk slowly up and down outside the -tent, in the space illumined by the lamplight, as though striving -to make her outwardly quiet movements react upon the inward -tumult. In a little while she had conquered; she quietly entered -the tent, drew a low chair to the entrance, and took up a book, -just as footsteps became audible. A moment afterwards Broomhurst -emerged from the darkness into the circle of light outside, -<a name="Page_240" id="Page_240"></a><span class="pagenum">[Pg 240]</span> -and Mrs. Drayton raised her eyes from the pages she was turning -to greet him with a smile.</p> - -<p><q>Are your things all right?</q></p> - -<p><q>Oh yes, more or less, thank you. I was a little concerned -about a case of books, but it isn't much damaged fortunately. -Perhaps I've some you would care to look at?</q></p> - -<p><q>The books will be a godsend,</q> she returned with a sudden -brightening of the eyes; <q>I was getting <em>desperate</em>—for books.</q></p> - -<p><q>What are you reading now?</q> he asked, glancing at the -volume that lay in her lap.</p> - -<p><q>It's a Browning. I carry it about a good deal. I think I -like to have it with me, but I don't seem to read it much.</q></p> - -<p><q>Are you waiting for a suitable optimistic moment?</q> Broomhurst -inquired smiling.</p> - -<p><q>Yes, now you mention it, I think that must be why I am -waiting,</q> she replied slowly.</p> - -<p><q>And it doesn't come—even in the Garden of Eden? Surely -the serpent, pessimism, hasn't been insolent enough to draw you -into conversation with him?</q> he said lightly.</p> - -<p><q>There has been no one to converse with at all—when John is -away, I mean. I think I should have liked a little chat with the -serpent immensely by way of a change,</q> she replied in the same -tone.</p> - -<p><q>Ah, yes,</q> Broomhurst said with sudden seriousness, <q>it must -be unbearably dull for you alone here, with Drayton away all -day.</q></p> - -<p>Mrs. Drayton's hand shook a little as she fluttered a page of her -open book.</p> - -<p><q>I should think it quite natural you would be irritated beyond -endurance to hear that all's right with the world, for instance, -when you were sighing for the long day to pass,</q> he continued.</p> - -<p><a name="Page_241" id="Page_241"></a><span class="pagenum">[Pg 241]</span> -<q>I don't mind the day so much—it's the evenings.</q> She -abruptly checked the swift words and flushed painfully. <q>I mean—I've -grown stupidly nervous, I think—even when John is here. -Oh, you have no idea of the awful <em>silence</em> of this place at night,</q> -she added, rising hurriedly from her low seat, and moving closer to -the doorway. <q>It is so close, isn't it?</q> she said, almost apologetically. -There was silence for quite a minute.</p> - -<p>Broomhurst's quick eyes noted the silent momentary clenching -of the hands that hung at her side as she stood leaning against the -support at the entrance.</p> - -<p><q>But how stupid of me to give you such a bad impression of -the camp—the first evening, too,</q> Mrs. Drayton exclaimed -presently, and her companion mentally commended the admirable -composure of her voice.</p> - -<p><q>Probably you will never notice that it is lonely at all,</q> she -continued, <q>John likes it here. He is immensely interested in his -work, you know. I hope <em>you</em> are too. If you are interested it -is all quite right. I think the climate tries me a little. I never -used to be stupid—and nervous. Ah, here's John; he's been -round to the kitchen-tent, I suppose.</q></p> - -<p><q>Been looking after that fellow cleanin' my gun, my dear,</q> -John explained, shambling towards the deck-chair.</p> - -<p>Later, Broomhurst stood at his own tent-door. He looked up -at the star-sown sky, and the heavy silence seemed to press upon -him like an actual, physical burden.</p> - -<p>He took his cigar from between his lips presently and looked at -the glowing end reflectively before throwing it away.</p> - -<p><q>Considering that she has been alone with him here for six -months, she has herself very well in hand—<em>very</em> well in hand,</q> he -repeated.</p> - -<h4><abbr title="Three">III</abbr><a name="Page_242" id="Page_242"></a><span class="pagenum">[Pg 242]</span></h4> - -<p>It was Sunday morning. John Drayton sat just inside the tent, -presumably enjoying his pipe before the heat of the day. His eyes -furtively followed his wife as she moved about near him, sometimes -passing close to his chair in search of something she had -mislaid. There was colour in her cheeks; her eyes, though preoccupied, -were bright; there was a lightness and buoyancy in her -step which she set to a little dancing air she was humming under -her breath.</p> - -<p>After a moment or two the song ceased, she began to move -slowly, sedately; and as if chilled by a raw breath of air, the light -faded from her eyes, which she presently turned towards her -husband.</p> - -<p><q>Why do you look at me?</q> she asked suddenly.</p> - -<p><q>I don't know, my dear,</q> he began, slowly and laboriously as -was his wont. <q>I was thinkin' how nice you looked—jest now—much -better you know—but somehow</q>—he was taking long -whiffs at his pipe, as usual, between each word, while she stood -patiently waiting for him to finish—<q>somehow, you alter so, my -dear—you're quite pale again all of a minute.</q></p> - -<p>She stood listening to him, noticing against her will the more -than suspicion of cockney accent and the thick drawl with which -the words were uttered.</p> - -<p>His eyes sought her face piteously. She noticed that too, and -stood before him torn by conflicting emotions, pity and disgust -struggling in a hand-to-hand fight within her.</p> - -<p><q>Mr. Broomhurst and I are going down by the well to sit; it's -cooler there. Won't you come?</q> she said at last gently.</p> - -<p><a name="Page_243" id="Page_243"></a><span class="pagenum">[Pg 243]</span> -He did not reply for a moment, then he turned his head aside -sharply for him.</p> - -<p><q>No, my dear, thank you; I'm comfortable enough here,</q> he -returned huskily.</p> - -<p>She stood over him, hesitating a second, then moved abruptly to -the table, from which she took a book.</p> - -<p>He had risen from his seat by the time she turned to go out, and -he intercepted her timorously.</p> - -<p><q>Kathie, give me a kiss before you go,</q> he whispered hoarsely. -<q>I—I don't often bother you.</q></p> - -<p>She drew her breath in deeply as he put his arms clumsily about -her, but she stood still, and he kissed her on the forehead, and -touched the little wavy curls that strayed across it gently with his -big trembling fingers.</p> - -<p>When he released her she moved at once impetuously to the -open doorway. On the threshold she hesitated, paused a moment -irresolutely, and then turned back.</p> - -<p><q>Shall I——Does your pipe want filling, John?</q> she asked -softly.</p> - -<p><q>No, thank you, my dear.</q></p> - -<p><q>Would you like me to stay, read to you, or anything?</q></p> - -<p>He looked up at her wistfully. <q>N-no, thank you, I'm not -much of a reader, you know, my dear—somehow.</q></p> - -<p>She hated herself for knowing that there would be a <q>my dear,</q> -probably a <q>somehow</q> in his reply, and despised herself for the -sense of irritated impatience she felt by anticipation, even before -the words were uttered.</p> - -<p>There was a moment's hesitating silence, broken by the sound -of quick firm footsteps without. Broomhurst paused at the -entrance, and looked into the tent.</p> - -<p><q>Aren't you coming, Drayton?</q> he asked, looking first at -<a name="Page_244" id="Page_244"></a><span class="pagenum">[Pg 244]</span> -Drayton's wife and then swiftly putting in his name with a -scarcely perceptible pause. <q>Too lazy? But you, Mrs. Drayton?</q></p> - -<p><q>Yes, I'm coming,</q> she said.</p> - -<p>They left the tent together, and walked some few steps in silence.</p> - -<p>Broomhurst shot a quick glance at his companion's face.</p> - -<p><q>Anything wrong?</q> he asked presently.</p> - -<p>Though the words were ordinary enough, the voice in which -they were spoken was in some subtle fashion a different voice from -that in which he had talked to her nearly two months ago, though -it would have required a keen sense of nice shades in sound to -have detected the change.</p> - -<p>Mrs. Drayton's sense of niceties in sound was particularly keen, -but she answered quietly, <q>Nothing, thank you.</q></p> - -<p>They did not speak again till the trees round the stone-well -were reached.</p> - -<p>Broomhurst arranged their seats comfortably beside it.</p> - -<p><q>Are we going to read or talk?</q> he asked, looking up at her -from his lower place.</p> - -<p><q>Well, we generally talk most when we arrange to read, so -shall we agree to talk to-day for a change, by way of getting some -reading done?</q> she rejoined, smiling. <q><em>You</em> begin.</q></p> - -<p>Broomhurst seemed in no hurry to avail himself of the permission, -he was apparently engrossed in watching the flecks of -sunshine on Mrs. Drayton's white dress. The whirring of insects, -and the creaking of a Persian wheel somewhere in the neighbourhood, -filtered through the hot silence.</p> - -<p>Mrs. Drayton laughed after a few minutes; there was a touch -of embarrassment in the sound.</p> - -<p><q>The new plan doesn't answer. Suppose you read as usual, -and let me interrupt, also as usual, after the first two lines.</q></p> - -<p><a name="Page_245" id="Page_245"></a><span class="pagenum">[Pg 245]</span> -He opened the book obediently, but turned the pages at random.</p> - -<p>She watched him for a moment, and then bent a little forward -towards him.</p> - -<p><q>It is my turn now,</q> she said suddenly. <q>Is anything wrong?</q></p> - -<p>He raised his head, and their eyes met. There was a pause. -<q>I will be more honest than you,</q> he returned. <q>Yes, there is.</q></p> - -<p><q>What?</q></p> - -<p><q>I've had orders to move on.</q></p> - -<p>She drew back, and her lips whitened, though she kept them -steady.</p> - -<p><q>When do you go?</q></p> - -<p><q>On Wednesday.</q></p> - -<p>There was silence again; the man still kept his eyes on her -face.</p> - -<p>The whirring of the insects and the creaking of the wheel -had suddenly grown so strangely loud and insistent, that it was in -a half-dazed fashion she at length heard her name—<q><em>Kathleen</em>!</q></p> - -<p><q>Kathleen!</q> he whispered again hoarsely.</p> - -<p>She looked him full in the face, and once more their eyes met -in a long grave gaze.</p> - -<p>The man's face flushed, and he half rose from his seat with an -impetuous movement, but Kathleen stopped him with a glance.</p> - -<p><q>Will you go and fetch my work? I left it in the tent,</q> she -said, speaking very clearly and distinctly; <q>and then will you go -on reading? I will find the place while you are gone.</q></p> - -<p>She took the book from his hand, and he rose and stood before -her.</p> - -<p>There was a mute appeal in his silence, and she raised her head -slowly.</p> - -<p>Her face was white to the lips, but she looked at him unflinchingly; -and without a word he turned and left her.</p> - -<h4><abbr title="Four">IV</abbr><a name="Page_246" id="Page_246"></a><span class="pagenum">[Pg 246]</span></h4> - -<p>Mrs. Drayton was resting in the tent on Tuesday afternoon. -With the help of cushions and some low chairs she had improvised -a couch, on which she lay quietly with her eyes closed. There -was a tenseness, however, in her attitude which indicated that -sleep was far from her.</p> - -<p>Her features seemed to have sharpened during the last few days, -and there were hollows in her cheeks. She had been very still for -a long time, but all at once with a sudden movement she turned -her head and buried her face in the cushions with a groan. -Slipping from her place she fell on her knees beside the couch, -and put both hands before her mouth to force back the cry that -she felt struggling to her lips.</p> - -<p>For some moments the wild effort she was making for outward -calm, which even when she was alone was her first instinct, strained -every nerve and blotted out sight and hearing, and it was not till -the sound was very near that she was conscious of the ring of -horse's hoofs on the plain.</p> - -<p>She raised her head sharply with a thrill of fear, still kneeling, -and listened.</p> - -<p>There was no mistake. The horseman was riding in hot haste, -for the thud of the hoofs followed one another swiftly.</p> - -<p>As Mrs. Drayton listened her white face grew whiter, and she -began to tremble. Putting out shaking hands, she raised herself -by the arms of the folding-chair and stood upright.</p> - -<p>Nearer and nearer came the thunder of the approaching sound, -mingled with startled exclamations and the noise of trampling feet -from the direction of the kitchen tent.</p> - -<p><a name="Page_247" id="Page_247"></a><span class="pagenum">[Pg 247]</span> -Slowly, mechanically almost, she dragged herself to the entrance, -and stood clinging to the canvas there. By the time she had -reached it, Broomhurst had flung himself from the saddle, and had -thrown the reins to one of the men.</p> - -<p>Mrs. Drayton stared at him with wide bright eyes as he hastened -towards her.</p> - -<p><q>I thought you—you are not——</q> she began, and then her -teeth began to chatter. <q>I am so cold!</q> she said, in a little weak -voice.</p> - -<p>Broomhurst took her hand, and led her over the threshold back -into the tent.</p> - -<p><q>Don't be so frightened,</q> he implored; <q>I came to tell you -first. I thought it wouldn't frighten you so much as——Your—Drayton -is—very ill. They are bringing him. I——</q></p> - -<p>He paused. She gazed at him a moment with parted lips, -then she broke into a horrible discordant laugh, and stood clinging -to the back of a chair.</p> - -<p>Broomhurst started back.</p> - -<p><q>Do you understand what I mean?</q> he whispered. <q>Kathleen, -for God's sake—<em>don't</em>—he is <em>dead</em>.</q></p> - -<p>He looked over his shoulder as he spoke, her shrill laughter -ringing in his ears. The white glare and dazzle of the plain -stretched before him, framed by the entrance to the tent; far off, -against the horizon, there were moving black specks, which he -knew to be the returning servants with their still burden.</p> - -<p>They were bringing John Drayton home.</p> - -<h4><abbr title="Five">V</abbr><a name="Page_248" id="Page_248"></a><span class="pagenum">[Pg 248]</span></h4> - -<p>One afternoon, some months later, Broomhurst climbed the steep -lane leading to the cliffs of a little English village by the sea. He -had already been to the inn, and had been shown by the proprietress -the house where Mrs. Drayton lodged.</p> - -<p><q>The lady was out, but the gentleman would likely find her if -he went to the cliffs—down by the bay, or thereabouts,</q> her landlady -explained, and, obeying her directions, Broomhurst presently -emerged from the shady woodland path on to the hillside overhanging -the sea.</p> - -<p>He glanced eagerly round him, and then with a sudden quickening -of the heart, walked on over the springy heather to where she -sat. She turned when the rustling his footsteps made through -the bracken was near enough to arrest her attention, and looked -up at him as he came. Then she rose slowly and stood waiting -for him. He came up to her without a word and seized both her -hands, devouring her face with his eyes. Something he saw there -repelled him. Slowly he let her hands fall, still looking at her -silently. <q>You are not glad to see me, and I have counted the -hours,</q> he said at last in a dull toneless voice.</p> - -<p>Her lips quivered. <q>Don't be angry with me—I can't help it—I'm -not glad or sorry for anything now,</q> she answered, and her -voice matched his for greyness.</p> - -<p>They sat down together on a long flat stone half embedded in -a wiry clump of whortleberries. Behind them the lonely hillsides -rose, brilliant with yellow bracken and the purple of heather. -Before them stretched the wide sea. It was a soft grey day. -Streaks of pale sunlight trembled at moments far out on the water. -<a name="Page_249" id="Page_249"></a><span class="pagenum">[Pg 249]</span> -The tide was rising in the little bay above which they sat, and -Broomhurst watched the lazy foam-edged waves slipping over the -uncovered rocks towards the shore, then sliding back as though -for very weariness they despaired of reaching it. The muffled -pulsing sound of the sea filled the silence. Broomhurst thought -suddenly of hot Eastern sunshine, of the whirr of insect wings on the -still air, and the creaking of a wheel in the distance. He turned -and looked at his companion.</p> - -<p><q>I have come thousands of miles to see you,</q> he said; <q>aren't -you going to speak to me now I am here?</q></p> - -<p><q>Why did you come? I told you not to come,</q> she answered, -falteringly. <q>I——</q> she paused.</p> - -<p><q>And I replied that I should follow you—if you remember,</q> -he answered, still quietly. <q>I came because I would not listen to -what you said then, at that awful time. You didn't know <em>yourself</em> -what you said. No wonder! I have given you some months, -and now I have come.</q></p> - -<p>There was silence between them. Broomhurst saw that she -was crying; her tears fell fast on to her hands, that were clasped in -her lap. Her face, he noticed, was thin and drawn.</p> - -<p>Very gently he put his arm round her shoulder and drew her -nearer to him. She made no resistance—it seemed that she did -not notice the movement; and his arm dropped at his side.</p> - -<p><q>You asked me why I had come? You think it possible that -three months can change one, very thoroughly, then?</q> he said in -a cold voice.</p> - -<p><q>I not only think it possible, I have proved it,</q> she replied -wearily.</p> - -<p>He turned round and faced her.</p> - -<p><q>You <em>did</em> love me, Kathleen!</q> he asserted; <q>you never said -so in words, but I know it,</q> he added fiercely.</p> - -<p><a name="Page_250" id="Page_250"></a><span class="pagenum">[Pg 250]</span> -<q>Yes, I did.</q></p> - -<p><q>And——You mean that you don't now?</q></p> - -<p>Her voice was very tired. <q>Yes—I can't help it,</q> she answered, -<q>it has gone—utterly.</q></p> - -<p>The grey sea slowly lapped the rocks. Overhead the sharp -scream of a gull cut through the stillness. It was broken again, -a moment afterwards, by a short hard laugh from the man.</p> - -<p><q>Don't!</q> she whispered, and laid a hand swiftly on his arm. -<q>Do you think it isn't worse for me? I wish to God I <em>did</em> love -you,</q> she cried passionately. <q>Perhaps it would make me forget -that to all intents and purposes I am a murderess.</q></p> - -<p>Broomhurst met her wide despairing eyes with an amazement -which yielded to sudden pitying comprehension.</p> - -<p><q>So that is it, my darling? You are worrying about <em>that</em>? -You who were as loyal, as——</q></p> - -<p>She stopped him with a frantic gesture.</p> - -<p><q>Don't! <em>don't</em>!</q> she wailed. <q>If you only knew; let me try -to tell you—will you?</q> she urged pitifully. <q>It may be better if -I tell someone—if I don't keep it all to myself, and think, and -<em>think</em>.</q></p> - -<p>She clasped her hands tight, with the old gesture he remembered -when she was struggling for self-control, and waited a -moment.</p> - -<p>Presently she began to speak in a low hurried tone: <q>It began -before you came. I know now what the feeling was that I was -afraid to acknowledge to myself. I used to try and smother it, -I used to repeat things to myself all day—poems, stupid rhymes—<em>anything</em> -to keep my thoughts quite underneath—but I—<em>hated</em> -John before you came! We had been married nearly a year then. -I never loved him. Of course you are going to say: 'Why did -you marry him?'</q> She looked drearily over the placid sea. -<a name="Page_251" id="Page_251"></a><span class="pagenum">[Pg 251]</span> -<q>Why <em>did</em> I marry him? I don't know; for the reason that -hundreds of ignorant inexperienced girls marry, I suppose. My -home wasn't a happy one. I was miserable, and oh,—<em>restless</em>. -I wonder if men know what it feels like to be restless? Sometimes -I think they can't even guess. John wanted me very badly—nobody -wanted me at home particularly. There didn't seem to -be any point in my life. Do you understand?... Of course -being alone with him in that little camp in that silent plain</q>—she -shuddered—<q>made things worse. My nerves went all to -pieces. Everything he said—his voice—his accent—his walk—the -way he ate—irritated me so that I longed to rush out sometimes -and shriek—and go <em>mad</em>. Does it sound ridiculous to you -to be driven mad by such trifles? I only know I used to get up -from the table sometimes and walk up and down outside, with -both hands over my mouth to keep myself quiet. And all the -time I <em>hated</em> myself—how I hated myself! I never had a word -from him that wasn't gentle and tender. I believe he loved the -ground I walked on. Oh, it is <em>awful</em> to be loved like that, -when you——</q> She drew in her breath with a sob. <q>I—I—it -made me sick for him to come near me—to touch me.</q> She -stopped a moment.</p> - -<p>Broomhurst gently laid his hand on her quivering one. <q>Poor -little girl!</q> he murmured.</p> - -<p><q>Then <em>you</em> came,</q> she said, <q>and before long I had another -feeling to fight against. At first I thought it couldn't be true -that I loved you—it would die down. I think I was <em>frightened</em> -at the feeling; I didn't know it hurt so to love anyone.</q></p> - -<p>Broomhurst stirred a little. <q>Go on,</q> he said tersely.</p> - -<p><q>But it didn't die,</q> she continued in a trembling whisper, <q>and -the other <em>awful</em> feeling grew stronger and stronger—hatred; no, -that is not the word—<em>loathing</em> for—for—John. I fought against -<a name="Page_252" id="Page_252"></a><span class="pagenum">[Pg 252]</span> -it. Yes,</q> she cried feverishly, clasping and unclasping her hands, -<q>Heaven knows I fought it with all my strength, and reasoned -with myself, and—oh, I did <em>everything</em>, but——</q> Her quick-falling -tears made speech difficult.</p> - -<p><q>Kathleen!</q> Broomhurst urged desperately, <q>you couldn't -help it, you poor child. You say yourself you struggled against -your feelings—you were always gentle. Perhaps he didn't -know.</q></p> - -<p><q>But he did—he <em>did</em>,</q> she wailed, <q>it is just that. I hurt -him a hundred times a day; he never said so, but I knew it; and -yet I <em>couldn't</em> be kind to him—except in words—and he understood. -And after you came it was worse in one way, for he knew. I -<em>felt</em> he knew that I loved you. His eyes used to follow me like a -dog's, and I was stabbed with remorse, and I tried to be good to -him, but I couldn't.</q></p> - -<p><q>But—he didn't suspect—he trusted you,</q> began Broomhurst. -<q>He had every reason. No woman was ever so loyal, so——</q></p> - -<p><q>Hush,</q> she almost screamed. <q>Loyal! it was the least I -could do—to stop you, I mean—when you——After all, I knew it -without your telling me. I had deliberately married him without -loving him. It was my own fault. I felt it. Even if I couldn't -prevent his knowing that I hated him, I could prevent <em>that</em>. It -was my punishment. I deserved it for <em>daring</em> to marry without -love. But I didn't spare John one pang, after all,</q> she added -bitterly. <q>He knew what I felt towards him—I don't think he -cared about anything else. You say I mustn't reproach myself? -When I went back to the tent that morning—when you—when -I stopped you from saying you loved me, he was sitting at the -table with his head buried in his hands; he was crying—bitterly: -I saw him—it is terrible to see a man cry—and I stole away -gently, but he saw me. I was torn to pieces, but I <em>couldn't</em> go -<a name="Page_253" id="Page_253"></a><span class="pagenum">[Pg 253]</span> -to him. I knew he would kiss me, and I shuddered to think of -it. It seemed more than ever not to be borne that he should do -that—when I knew <em>you</em> loved me.</q></p> - -<p><q>Kathleen,</q> cried her lover again, <q>don't dwell on it all so -terribly——don't——</q></p> - -<p><q>How can I forget?</q> she answered despairingly, <q>and then</q>—she -lowered her voice—<q>oh, I can't tell you—all the time, at the -back of my mind somewhere, there was a burning wish that he might -<em>die</em>. I used to lie awake at night, and do what I would to stifle it, -that thought used to <em>scorch</em> me, I wished it so intensely. Do you -believe that by willing one can bring such things to pass?</q> she -asked, looking at Broomhurst with feverishly bright eyes. <q>No?—well, -I don't know—I tried to smother it. I <em>really</em> tried, -but it was there, whatever other thoughts I heaped on the top. -Then, when I heard the horse galloping across the plain that -morning, I had a sick fear that it was you. I knew something had -happened, and my first thought when I saw you alive and well, -and knew that it was <em>John</em>, was, <em>that it was too good to be true</em>. I -believe I laughed like a maniac, didn't I?... Not to blame? -Why, if it hadn't been for me he wouldn't have died. The -men say they saw him sitting with his head uncovered in the -burning sun, his face buried in his hands—just as I had seen -him the day before. He didn't trouble to be careful—he was too -wretched.</q></p> - -<p>She paused, and Broomhurst rose and began to pace the little -hillside path at the edge of which they were seated.</p> - -<p>Presently he came back to her.</p> - -<p><q>Kathleen, let me take care of you,</q> he implored, stooping -towards her. <q>We have only ourselves to consider in this -matter. Will you come to me at once?</q></p> - -<p>She shook her head sadly.</p> - -<p><a name="Page_254" id="Page_254"></a><span class="pagenum">[Pg 254]</span> -Broomhurst set his teeth, and the lines round his mouth -deepened. He threw himself down beside her on the heather.</p> - -<p><q>Dear,</q> he urged still gently, though his voice showed he -was controlling himself with an effort. <q>You are morbid about -this. You have been alone too much—you are ill. Let me take -care of you: I <em>can</em>, Kathleen—and I love you. Nothing but -morbid fancy makes you imagine you are in any way responsible -for—Drayton's death. You can't bring him back to life, -and——</q></p> - -<p><q>No,</q> she sighed drearily, <q>and if I could, nothing would be -altered. Though I am mad with self-reproach, I feel <em>that</em>—it -was all so inevitable. If he were alive and well before me this -instant my feeling towards him wouldn't have changed. If he -spoke to me, he would say 'My dear'—and I should <em>loathe</em> him. -Oh, I know! It is <em>that</em> that makes it so awful.</q></p> - -<p><q>But if you acknowledge it,</q> Broomhurst struck in eagerly, -<q>will you wreck both of our lives for the sake of vain regrets? -Kathleen, you never will.</q></p> - -<p>He waited breathlessly for her answer.</p> - -<p><q>I won't wreck both our lives by marrying again without love -on my side,</q> she replied firmly.</p> - -<p><q>I will take the risk,</q> he said. <q>You <em>have</em> loved me—you -will love me again. You are crushed and dazed now with brooding -over this—this trouble, but——</q></p> - -<p><q>But I will not allow you to take the risk,</q> Kathleen -answered. <q>What sort of woman should I be to be willing -again to live with a man I don't love? I have come to know -that there are things one owes to <em>oneself</em>. Self-respect is one of -them. I don't know how it has come to be so, but all my old -feeling for you has <em>gone</em>. It is as though it had burnt itself out. -I will not offer grey ashes to any man.</q></p> - -<p><a name="Page_255" id="Page_255"></a><span class="pagenum">[Pg 255]</span> -Broomhurst looking up at her pale, set face, knew that her -words were final, and turned his own aside with a groan.</p> - -<p><q>Ah!</q> cried Kathleen with a little break in her voice, <q><em>don't.</em> -Go away and be happy and strong, and all that I loved in you. -I am so sorry—so sorry to hurt you. I——</q> her voice faltered -miserably. <q>I—I only bring trouble to people.</q></p> - -<p>There was a long pause.</p> - -<p><q>Did you never think that there is a terrible vein of irony -running through the ordering of this world?</q> she said presently. -<q>It is a mistake to think our prayers are not answered—they are. -In due time we get our heart's desire—when we have ceased to -care for it.</q></p> - -<p><q>I haven't yet got mine,</q> Broomhurst answered doggedly, -<q>and I shall never cease to care for it.</q></p> - -<p>She smiled a little with infinite sadness.</p> - -<p><q>Listen, Kathleen,</q> he said. They had both risen and he -stood before her, looking down at her. <q>I will go now, but in -a year's time I shall come back. I will not give you up. You -shall love me yet.</q></p> - -<p><q>Perhaps—I don't think so,</q> she answered wearily.</p> - -<p>Broomhurst looked at her trembling lips a moment in silence, -then he stooped and kissed both her hands instead.</p> - -<p><q>I will wait till you tell me you love me,</q> he said.</p> - -<p>She stood watching him out of sight. He did not look back, -and she turned with swimming eyes to the grey sea and the -transient gleams of sunlight that swept like tender smiles across -its face.</p> - -<hr /> - -<p class="larger p4">An Idyll <a name="Page_256" id="Page_256"></a><span class="pagenum">[Pg 256]</span></p> - -<p class="indent">By W. Brown MacDougal -<a name="Page_257" id="Page_257"></a><span class="pagenum">[Pg 257]</span></p> - -<hr class="hide"/> - -<div class="figcenter p4"> - <img src="images/i_19.jpg" - width="500" height="656" - alt="Illustration: An Idyll" /> -</div> - -<hr /> - -<p class="p4"><a name="Page_258" id="Page_258"></a><span class="pagenum">[Pg 258]</span></p> - -<h3 class="left">Reticence in Literature <a name="Page_259" id="Page_259"></a><span class="pagenum">[Pg 259]</span></h3> - -<h4 class="left">Some Roundabout Remarks</h4> - -<p class="right">By Hubert Crackanthorpe</p> - -<p class="dropcap p2">During the past fifty years, as everyone knows, the art of -fiction has been expanding in a manner exceedingly -remarkable, till it has grown to be the predominant branch of -imaginative literature. But the other day we were assured that -poetry only thrives in limited and exquisite editions; that the -drama, here in England at least, has practically ceased to be literature -at all. Each epoch instinctively chooses that literary vehicle -which is best adapted for the expression of its particular temper: -just as the drama flourished in the robust age of Shakespeare and -Ben Jonson; just as that outburst of lyrical poetry, at the beginning -of the century in France, coincided with a period of extreme -emotional exaltation; so the novel, facile and flexible in its conventions, -with its endless opportunities for accurate delineation of -reality, becomes supreme in a time of democracy and of science—to -note but these two salient characteristics.</p> - -<p>And, if we pursue this light of thought, we find that, on all -sides, the novel is being approached in one especial spirit, that it -would seem to be striving, for the moment at any rate, to perfect -itself within certain definite limitations. To employ a <a name="hack"></a>hackneyed, -<a name="Page_260" id="Page_260"></a><span class="pagenum">[Pg 260]</span> -and often quite unintelligent, catchword—the novel is becoming -realistic.</p> - -<p>Throughout the history of literature, the jealous worship of -beauty—which we term idealism—and the jealous worship of truth—which -we term realism—have alternately prevailed. Indeed, it is -within the compass of these alternations that lies the whole fundamental -diversity of literary temper.</p> - -<p>Still, the classification is a clumsy one, for no hard and fast line -can be drawn between the one spirit and the other. The so-called -idealist must take as his point of departure the facts of Nature; the -so-called realist must be sensitive to some one or other of the -forms of beauty, if each would achieve the fineness of great art. -And the pendulum of production is continually swinging, from -degenerate idealism to degenerate realism, from effete vapidity to -slavish sordidity.</p> - -<p>Either term, then, can only be employed in a purely limited -and relative sense. Completely idealistic art—art that has no point -of contact with the facts of the universe, as we know them—is, of -course, an impossible absurdity; similarly, a complete reproduction -of Nature by means of words is an absurd impossibility. Neither -emphasization nor abstraction can be dispensed with: the one, -eliminating the details of no import; the other, exaggerating those -which the artist has selected. And, even were such a thing -possible, it would not be Art. The invention of a highly perfected -system of coloured photography, for instance, or a skilful recording -by means of the phonograph of scenes in real life, would not subtract -one whit from the value of the painter's or the playwright's -interpretation. Art is not invested with the futile function of -perpetually striving after imitation or reproduction of Nature; she -endeavours to produce, through the adaptation of a restricted number -of natural facts, an harmonious and satisfactory whole. Indeed, in -<a name="Page_261" id="Page_261"></a><span class="pagenum">[Pg 261]</span> -this very process of adaptation and blending together, lies the main -and greater task of the artist. And the novel, the short story, -even the impression of a mere incident, convey each of them, the -imprint of the temper in which their creator has achieved this -process of adaptation and blending together of his material. They -are inevitably stamped with the hall-mark of his personality. A -work of art can never be more than a corner of Nature, seen -through the temperament of a single man. Thus, all literature is, -must be, essentially subjective; for style is but the power of -individual expression. The disparity which separates literature -from the reporter's transcript is ineradicable. There is a quality -of ultimate suggestiveness to be achieved; for the business of art -is, not to explain or to describe, but to suggest. That attitude of -objectivity, or of impersonality towards his subject, consciously or -unconsciously, assumed by the artist, and which nowadays provokes -so considerable an admiration, can be attained only in a limited -degree. Every piece of imaginative work must be a kind of -autobiography of its creator—significant, if not of the actual facts -of his existence, at least of the inner working of his soul. We are -each of us conscious, not of the whole world, but of our own -world; not of naked reality, but of that aspect of reality which -our peculiar temperament enables us to appropriate. Thus, every -narrative of an external circumstance is never anything else than -the transcript of the impression produced upon ourselves by that -circumstance, and, invariably, a degree of individual interpretation -is insinuated into every picture, real or imaginary, however -objective it may be. So then, the disparity between the so-called -idealist and the so-called realist is a matter, not of æsthetic philosophy, -but of individual temperament. Each is at work, according -to the especial bent of his genius, within precisely the same limits. -Realism, as a creed, is as ridiculous as any other literary creed.</p> - -<p><a name="Page_262" id="Page_262"></a><span class="pagenum">[Pg 262]</span> -Now, it would have been exceedingly curious if this recent -specialisation of the art of fiction, this passion for draining from the -life, as it were, born, in due season, of the general spirit of the -latter half of the nineteenth century, had not provoked a considerable -amount of opposition—opposition of just that kind which every -new evolution in art inevitably encounters. Between the vanguard -and the main body there is perpetual friction.</p> - -<p>But time flits quickly in this hurried age of ours, and the -opposition to the renascence of fiction as a conscientious interpretation -of life is not what it was; its opponents are not the men -they were. It is not so long since a publisher was sent to prison -for issuing English translations of celebrated specimens of French -realism; yet, only the other day, we vied with each other in doing -honour to the chief figure-head of that tendency across the Channel, -and there was heard but the belated protest of a few worthy individuals, -inadequately equipped with the jaunty courage of ignorance, -or the insufferable confidence of second-hand knowledge.</p> - -<p>And during the past year things have been moving very rapidly. -The position of the literary artist towards Nature, his great -inspirer, has become more definite, more secure. A sound, organised -opinion of men of letters is being acquired; and in the little -bouts with the <em>bourgeois</em>—if I may be pardoned the use of that -wearisome word—no one has to fight single-handed. Heroism is -at a discount; Mrs. Grundy is becoming mythological; a crowd -of unsuspected supporters collect from all sides, and the deadly -conflict of which we had been warned becomes but an interesting -skirmish. Books are published, stories are printed, in old-established -reviews, which would never have been tolerated a few years ago. -On all sides, deference to the tendency of the time is spreading. -The truth must be admitted: the roar of unthinking prejudice is -dying away.</p> - -<p><a name="Page_263" id="Page_263"></a><span class="pagenum">[Pg 263]</span> -All this is exceedingly comforting: and yet, perhaps, it is not a -matter for absolute congratulation. For, if the enemy are not -dying as gamely as we had expected, if they are, as I am afraid, -losing heart, and in danger of sinking into a condition of passive -indifference, it should be to us a matter of not inconsiderable -apprehension. If this new evolution in the art of fiction—this -general return of the literary artist towards Nature, on the brink -of which we are to-day hesitating—is to achieve any definite, -ultimate fineness of expression, it will benefit enormously by the -continued presence of a healthy, vigorous, if not wholly intelligent, -body of opponents. Directly or indirectly, they will knock a lot -of nonsense out of us, will these opponents;—why should we be -ashamed to admit it? They will enable us to find our level, they -will spur us on to bring out the best—and only the best—that is -within us.</p> - -<p>Take, for instance, the gentleman who objects to realistic fiction -on moral grounds. If he does not stand the most conspicuous -to-day, at least he was pre-eminent the day before yesterday. He is -a hard case, and it is on his especial behalf that I would appeal. For -he has been dislodged from the hill top, he has become a target for all -manner of unkind chaff, from the ribald youth of Fleet Street and -Chelsea. He has been labelled a Philistine: he has been twitted -with his middle-age; he has been reported to have compromised -himself with that indecent old person, Mrs. Grundy. It is confidently -asserted that he comes from Putney, or from Sheffield, and -that, when he is not busy abolishing the art of English literature, -he is employed in safeguarding the interests of the grocery or -tallow-chandler's trade. Strange and cruel tales of him have been -printed in the monthly reviews; how, but for him, certain well-known -popular writers would have written masterpieces; how, -like the ogre in the fairy tale, he consumes every morning at breakfast -<a name="Page_264" id="Page_264"></a><span class="pagenum">[Pg 264]</span> -a hundred pot-boiled young geniuses. For the most part they -have been excellently well told, these tales of this moral ogre of -ours; but why start to shatter brutally their dainty charm by a -soulless process of investigation? No, let us be shamed rather into -a more charitable spirit, into making generous amends, into rehabilitating -the greatness of our moral ogre.</p> - -<p>He is the backbone of our nation; the guardian of our mediocrity; -the very foil of our intelligence. Once, you fancied that -you could argue with him, that you could dispute his dictum. -Ah! how we cherished that day-dream of our extreme youth. -But it was not to be. He is still immense; for he is unassailable; -he is flawless, for he is complete within himself; his -lucidity is yet unimpaired; his impartiality is yet supreme. -Who amongst us could judge with a like impartiality the -productions of Scandinavia and Charpentier, Walt Whitman, -and the Independent Theatre? Let us remember that he -has never professed to understand Art, and the deep debt of -gratitude that every artist in the land should consequently owe to -him; let us remember that he is above us, for he belongs to the -great middle classes; let us remember that he commands votes, -that he is candidate for the County Council; let us remember that -he is delightful, because he is intelligible.</p> - -<p>Yes, he is intelligible; and of how many of us can that be said? -His is no complex programme, no subtly exacting demand. A -plain moral lesson is all that he asks, and his voice is as of one -crying in the ever fertile wilderness of Smith and of Mudie.</p> - -<p>And he is right, after all—if he only knew it. The business -of art is to create for us fine interests, to make of our human -nature a more complete thing: and thus, all great art is moral in -the wider and the truer sense of the word. It is precisely on this -point of the meaning of the word <q>moral</q> that we and our ogre -<a name="Page_265" id="Page_265"></a><span class="pagenum">[Pg 265]</span> -part company. To him, morality is concerned only with the -established relations between the sexes and with fair dealing between -man and man: to him the subtle, indirect morality of Art is -incomprehensible.</p> - -<p>Theoretically, Art is non-moral. She is not interested in any -ethical code of any age or any nation, except in so far as the -breach or observance of that code may furnish her with material -on which to work. But, unfortunately, in this complex world of -ours, we cannot satisfactorily pursue one interest—no, not even the -interest of Art, at the expense of all others—let us look that fact in -the face, doggedly, whatever pangs it may cost us—pleading magnanimously -for the survival of our moral ogre, for there will be -danger to our cause when his voice is no more heard.</p> - -<p>If imitation be the sincerest form of flattery, then our moral -ogre must indeed have experienced a proud moment, when a -follower came to him from the camp of the lovers of Art, and the -artistic objector to realistic fiction started on his timid career. I -use the word timid in no disparaging sense, but because our -artistic objector, had he ventured a little farther from the vicinity -of the coat-tails of his powerful protector, might have secured a -more adequate recognition of his performances. For he is by no -means devoid of adroitness. He can patter to us glibly of the -<q>gospel of ugliness</q>; of the <q>cheerlessness of modern literature</q>; -he can even juggle with that honourable property-piece, the maxim -of Art for Art's sake. But there have been moments when even -this feat has proved ineffective, and some one has started scoffing -at his pretended <q>delight in pure rhythm or music of the phrase,</q> -and flippantly assured him that he is talking nonsense, and that -style is a mere matter of psychological suggestion. You fancy -our performer nonplussed, or at least boldly bracing himself to -brazen the matter out. No, he passes dexterously to his curtain -<a name="Page_266" id="Page_266"></a><span class="pagenum">[Pg 266]</span> -effect—a fervid denunciation of express trains, evening newspapers, -Parisian novels, or the first number of <span class="sc">The Yellow -Book</span>. Verily, he is a versatile person.</p> - -<p>Sometimes, to listen to him you would imagine that pessimism -and regular meals were incompatible; that the world is only -ameliorated by those whom it completely satisfies, that good predominates -over evil, that the problem of our destiny had been -solved long ago. You begin to doubt whether any good thing -can come out of this miserable, inadequate age of ours, unless it -be a doctored survival of the vocabulary of a past century. The -language of the coster and cadger resound in our midst, and, -though Velasquez tried to paint like Whistler, Rudyard Kipling -cannot write like Pope. And a weird word has been invented to -explain the whole business. Decadence, decadence: you are all -decadent nowadays. Ibsen, Degas, and the New English Art -Club; Zola, Oscar Wilde, and the Second Mrs. Tanqueray. -Mr. Richard Le Gallienne is hoist with his own petard; even the -British playwright has not escaped the taint. Ah, what a hideous -spectacle. All whirling along towards one common end. And -the elegant voice of the artistic objector floating behind: <q><i lang="fr">Après -vous le déluge</i>.</q> A wholesale abusing of the tendencies of the age -has ever proved, for the superior mind, an inexhaustible source -of relief. Few things breed such inward comfort as the contemplation -of one's own pessimism—few things produce such -discomfort as the remembrance of our neighbour's optimism.</p> - -<p>And yet, pessimists though we may be dubbed, some of us, on -this point at least, how can we compete with the hopelessness -enjoyed by our artistic objector, when the spectacle of his despondency -makes us insufferably replete with hope and confidence, so -that while he is loftily bewailing or prettily denouncing the completeness -of our degradation, we continue to delight in the evil of -<a name="Page_267" id="Page_267"></a><span class="pagenum">[Pg 267]</span> -our ways? Oh, if we could only be sure that he would persevere -in reprimanding this persistent study of the pitiable aspects of life, -how our hearts would go out towards him? For the man who -said that joy is essentially, regrettably inartistic, admitted in the -same breath that misery lends itself to artistic treatment twice as -easily as joy, and resumed the whole question in a single phrase. -Let our artistic objector but weary the world sufficiently with his -despair concerning the permanence of the cheerlessness of modern -realism, and some day a man will arise who will give us a study of -human happiness, as fine, as vital as anything we owe to Guy de -Maupassant or to Ibsen. That man will have accomplished the -infinitely difficult, and in admiration and in awe shall we bow -down our heads before him.</p> - -<p>In one radical respect the art of fiction is not in the same -position as the other arts. They—music, poetry, painting, sculpture, -and the drama—possess a magnificent fabric of accumulated -tradition. The great traditions of the art of fiction have -yet to be made. Ours is a young art, struggling desperately to reach -expression, with no great past to guide it. Thus, it should be a -matter for wonder, not that we stumble into certain pitfalls, but -that we do not fall headlong into a hundred more.</p> - -<p>But, if we have no great past, we have the present and the -future—the one abundant in facilities, the other abundant in possibilities. -Young men of to-day have enormous chances: we are -working under exceedingly favourable conditions. Possibly we -stand on the threshold of a very great period. I know, of course, -that the literary artist is shamefully ill-paid, and that the man who -merely caters for the public taste, amasses a rapid and respectable -fortune. But how is it that such an arrangement seems other -than entirely equitable? The essential conditions of the two cases -are entirely distinct. The one man is free to give untrammelled -<a name="Page_268" id="Page_268"></a><span class="pagenum">[Pg 268]</span> -expression to his own soul, free to fan to the full the flame that -burns in his heart: the other is a seller of wares, a unit in national -commerce. To the one is allotted liberty and a living wage; to -the other, captivity and a consolation in Consols. Let us whine, -then, no more concerning the prejudice and the persecution of the -Philistine, when even that misanthrope, Mr. Robert Buchanan, -admits that there is no power in England to prevent a man writing -exactly as he pleases. Before long the battle for literary freedom -will be won. A new public has been created—appreciative, eager -and determined; a public which, as Mr. Gosse puts it, in one of -those admirable essays of his, <q>has eaten of the apple of knowledge, -and will not be satisfied with mere marionnettes. Whatever -comes next,</q> Mr. Gosse continues, <q>we cannot return, in serious -novels, to the inanities and impossibilities of the old well-made -plot, to the children changed at nurse, to the madonna-heroine and -the god-like hero, to the impossible virtues and melodramatic -vices. In future, even those who sneer at realism and misrepresent -it most wilfully, will be obliged to put their productions more -in accordance with veritable experience. There will still be -novel-writers who address the gallery, and who will keep up the -gaudy old convention, and the clumsy <em>Family Herald</em> evolution, -but they will no longer be distinguished men of genius. They -will no longer sign themselves George Sand or Charles Dickens.</q></p> - -<p>Fiction has taken her place amongst the arts. The theory that -writing resembles the blacking of boots, the more boots you black, -the better you do it, is busy evaporating. The excessive admiration -for the mere idea of a book or a story is dwindling; so is the -comparative indifference to slovenly treatment. True is it that -the society lady, dazzled by the brilliancy of her own conversation, -and the serious-minded spinster, bitten by some sociological theory, -still decide in the old jaunty spirit, that fiction is the obvious -<a name="Page_269" id="Page_269"></a><span class="pagenum">[Pg 269]</span> -medium through which to astonish or improve the world. Let us -beware of the despotism of the intelligent amateur, and cease our -toying with that quaint and winsome bogey of ours, the British -Philistine, whilst the intelligent amateur, the deadliest of Art's -enemies, is creeping up in our midst.</p> - -<p>For the familiarity of the man in the street with the material -employed by the artist in fiction, will ever militate against the -acquisition of a sound, fine, and genuine standard of workmanship. -Unlike the musician, the painter, the sculptor, the architect, the -artist in fiction enjoys no monopoly in his medium. The word -and the phrase are, of necessity, the common property of everybody; -the ordinary use of them demands no special training. Hence the -popular mind, while willingly acknowledging that there are -technical difficulties to be surmounted in the creation of the -sonata, the landscape, the statue, the building, in the case of the -short story, or of the longer novel, declines to believe even in their -existence, persuaded that in order to produce good fiction, an -ingenious idea, or <q>plot,</q> as it is termed, is the one thing needed. -The rest is a mere matter of handwriting.</p> - -<p>The truth is, and, despite Mr. Waugh, we are near recognition -of it, that nowadays there is but scanty merit in the mere -selection of any particular subject, however ingenious or daring it -may appear at first sight; that a man is not an artist, simply -because he writes about heredity or the <i lang="fr">demi-monde</i>, that to call a -spade a spade requires no extraordinary literary gift, and that the -essential is contained in the frank, fearless acceptance by every -man of his entire artistic temperament, with its qualities and its -flaws.</p> - -<hr /> - -<p class="larger p4">Two Drawings <a name="Page_270" id="Page_270"></a><span class="pagenum">[Pg 270]</span></p> - -<p class="indent">By E. J. Sullivan</p> - -<p class="p2"> I. The Old Man's Garden</p> - -<p>II. The Quick and the Dead</p> - -<hr class="hide"/> - -<p class="p4"><a name="Page_271" id="Page_271"></a><span class="pagenum">[Pg 271]</span></p> - -<div class="figcenter"> - <img src="images/i_20.jpg" - width="500" height="723" - alt="Illustration: The Old Man's Garden" /> -</div> - -<p class="p2"><a name="Page_272" id="Page_272"></a><span class="pagenum">[Pg 272]</span><br /> -<a name="Page_273" id="Page_273"></a><span class="pagenum">[Pg 273]</span></p> - -<div class="figcenter"> - <img src="images/i_21.jpg" - width="500" height="697" - alt="Illustration: The Quick and the Dead" /> -</div> - -<hr /> - -<h3 class="left"><a name="Page_274" id="Page_274"></a><span class="pagenum">[Pg 274]</span><br /> -My Study <a name="Page_275" id="Page_275"></a><span class="pagenum">[Pg 275]</span></h3> - -<p class="right">By Alfred Hayes</p> - -<div class="poem"> -<div class="stanza"> -<span class="i0 dropcap">Let others strive for wealth or praise</span><br /> - <span class="i4">Who care to win;</span><br /> -<span class="i0">I count myself full blest, if He,</span><br /> -<span class="i0">Who made my study fair to see,</span><br /> -<span class="i0">Grant me but length of quiet days</span><br /> - <span class="i4">To muse therein.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">Its walls, with peach and cherry clad,</span><br /> - <span class="i4">From yonder wold</span><br /> -<span class="i0">Unbosomed, seem as if thereon</span><br /> -<span class="i0">September sunbeams ever shone;</span><br /> -<span class="i0">They make the air look warm and glad</span><br /> - <span class="i4">When winds are cold.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">Around its door a clematis</span><br /> - <span class="i4">Her arms doth tie;</span><br /> -<span class="i0">Through leafy lattices I view</span><br /> -<span class="i0">Its endless corridors of blue</span><br /> -<span class="i0">Curtained with clouds; its ceiling is</span><br /> - <span class="i4">The marbled sky.</span><br /> -</div> - -<div class="stanza"> -<a name="Page_276" id="Page_276"></a><span class="pagenum">[Pg 276]</span> -<span class="i0">A verdant carpet smoothly laid</span><br /> - <span class="i4">Doth oft invite</span><br /> -<span class="i0">My silent steps; thereon the sun</span><br /> -<span class="i0">With silver thread of dew hath spun</span><br /> -<span class="i0">Devices rare—the warp of shade,</span><br /> - <span class="i4">The weft of light.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">Here dwell my chosen books, whose leaves</span><br /> - <span class="i4">With healing breath</span><br /> -<span class="i0">The ache of discontent assuage,</span><br /> -<span class="i0">And speak from each illumined page</span><br /> -<span class="i0">The patience that my soul reprieves</span><br /> - <span class="i4">From inward death;</span><br /> -</div> - -<div class="stanza"> -<span class="i0">Some perish with a season's wind,</span><br /> - <span class="i4">And some endure;</span><br /> -<span class="i0">One robes itself in snow, and one</span><br /> -<span class="i0">In raiment of the rising sun</span><br /> -<span class="i0">Bordered with gold; in all I find</span><br /> - <span class="i4">God's signature.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">As on my grassy couch I lie,</span><br /> - <span class="i4">From hedge and tree</span><br /> -<span class="i0">Musicians pipe; or if the heat</span><br /> -<span class="i0">Subdue the birds, one crooneth sweet</span><br /> -<span class="i0">Whose labour is a lullaby—</span><br /> - <span class="i4">The slumbrous bee.</span><br /> -</div> - -<div class="stanza"> -<a name="Page_277" id="Page_277"></a><span class="pagenum">[Pg 277]</span> -<span class="i0">The sun my work doth overlook</span><br /> - <span class="i4">With searching light;</span><br /> -<span class="i0">The serious moon, the flickering star,</span><br /> -<span class="i0">My midnight lamp and candle are;</span><br /> -<span class="i0">A soul unhardened is the book</span><br /> - <span class="i4">Wherein I write.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">There labouring, my heart is eased</span><br /> - <span class="i4">Of every care;</span><br /> -<span class="i0">Yet often wonderstruck I stand,</span><br /> -<span class="i0">With earnest gaze but idle hand,</span><br /> -<span class="i0">Abashed—for God Himself is pleased</span><br /> - <span class="i4">To labour there.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">Ashamed my faultful task to spell,</span><br /> - <span class="i4">I watch how grows</span><br /> -<span class="i0">The Master's perfect colour-scheme</span><br /> -<span class="i0">Of sunset, or His simpler dream</span><br /> -<span class="i0">Of moonlight, or that miracle</span><br /> - <span class="i4">We name a rose.</span><br /> -</div> - -<div class="stanza"> -<span class="i0">Dear Earth, one thought alone doth grieve—</span><br /> - <span class="i4">The tender dread</span><br /> -<span class="i0">Of parting from thee; as a child,</span><br /> -<span class="i0">Who painted while his father smiled,</span><br /> -<span class="i0">Then watched him paint, is loth to leave</span><br /> - <span class="i4">And go to bed.</span><br /> -</div> -</div> - -<hr /> - -<p class="larger p4">A Reminiscence of <a name="Page_278" id="Page_278"></a><span class="pagenum">[Pg 278]</span><br /> -<q>The Transgressor</q></p> - -<p class="indent">By Francis Forster -<a name="Page_279" id="Page_279"></a><span class="pagenum">[Pg 279]</span></p> - -<hr class="hide"/> - -<div class="figcenter p4"> - <img src="images/i_22.jpg" - width="272" height="700" - alt="Illustration: The Transgressor" /> -</div> - -<hr /> - -<h3 class="left"><a name="Page_280" id="Page_280"></a><span class="pagenum">[Pg 280]</span><br /> -A Letter to the Editor <a name="Page_281" id="Page_281"></a><span class="pagenum">[Pg 281]</span></h3> - -<p class="right">From Max Beerbohm</p> - -<p class="p2 dropcap">Dear Sir,—When The Yellow Book appeared I was in -Oxford. So literary a little town is Oxford that its undergraduates -see a newspaper nearly as seldom as the Venetians see a -horse, and until yesterday, when coming to London, I found in -the album of a friend certain newspaper cuttings, I had not known -how great was the wrath of the pressmen.</p> - -<p>What in the whole volume seems to have provoked the most -ungovernable fury is, I am sorry to say, an essay about Cosmetics -that I myself wrote. Of this it was impossible for anyone to speak -calmly. The mob lost its head, and, so far as anyone in literature -can be lynched, I was. In speaking of me, one paper dropped -the usual prefix of <q>Mr.</q> as though I were a well-known -criminal, and referred to me shortly as <q>Beerbohm</q>; a second -allowed me the <q>Mr.</q> but urged that <q>a short Act of Parliament -should be passed to make this kind of thing illegal</q>; a third suggested, -rather tamely, that I should read one of Mr. William Watson's -sonnets. More than one comic paper had a very serious poem -about me, and a known adherent to the humour which, forest-like, -is called new, declared my essay to be <q>the rankest and -most nauseous thing in all literature.</q> It was a bomb thrown by -a cowardly decadent, another outrage by one of that desperate and -<a name="Page_282" id="Page_282"></a><span class="pagenum">[Pg 282]</span> -dangerous band of madmen who must be mercilessly stamped out -by a comity of editors. May I, Sir, in justice to myself and to -you, who were gravely censured for harbouring me, step forward, -and assure the affrighted mob that it is the victim of a hoax? -May I also assure it that I had no notion that it would be taken -in? Indeed, it seems incredible to me that any one on the face -of the earth could fail to see that my essay, so grotesque in subject, -in opinion so flippant, in style so wildly affected, was meant for -a burlesque upon the <q>precious</q> school of writers. If I had -only signed myself D. Cadent or Parrar Docks, or appended a -note to say that the MS. had been picked up not a hundred -miles from Tite Street, all the pressmen would have said that I had -given them a very delicate bit of satire. But I did not. And -<i lang="la">hinc</i>, as they themselves love to say, <i lang="la">illæ lacrimæ</i>.</p> - -<p>After all, I think it is a sound rule that a writer should not -kick his critics. I simply wish to make them a friendly philosophical -suggestion. It seems to be thought that criticism holds in -the artistic world much the same place as, in the moral world, is -held by punishment—<q>the vengeance taken by the majority upon -such as exceed the limits of conduct imposed by that majority.</q> -As in the case of punishment, then, we must consider the effect -produced by criticism upon its object, how far is it reformatory? -Personally, I cannot conceive how any artist can be hurt by -remarks dropped from a garret into a gutter. Yet it is incontestable -that many an illustrious artist has so been hurt. And these -very remarks, so far from making him change or temper his -method, have rather made that method intenser, have driven him -to retire further within his own soul, by showing him how little he -may hope for from the world but insult and ingratitude.</p> - -<p>In fact, the police-constable mode of criticism is a failure. -True that, here and there, much beautiful work of the kind has -<a name="Page_283" id="Page_283"></a><span class="pagenum">[Pg 283]</span> -been done. In the old, old Quarterlies is many a slashing -review, that, however absurd it be as criticism, we can hardly wish -unwritten. In the <cite>National Observer</cite>, before its reformation, were -countless fine examples of the cavilling method. The paper was -rowdy, venomous and insincere. There was libel in every line of -it. It roared with the lambs and bleated with the lions. It was -a disgrace to journalism and a glory to literature. I think of it -often with tears and desiderium. But the men who wrote these -things stand upon a very different plane to the men employed -as critics by the press of Great Britain. These must be judged, -not by their workmanship, which is naught, but by the spirit -that animates them and the consequence of their efforts. If only -they could learn that it is for the critic to seek after beauty -and to try to interpret it to others, if only they would give over -their eternal fault-finding and not presume to interfere with the -artist at his work, then with an equally small amount of ability -our pressmen might do nearly as much good as they have hitherto -done harm. Why should they regard writers with such enmity? -The average pressman, reviewing a book of stories or of poems by -an unknown writer, seems not to think <q>where are the beauties of -this work that I may praise them, and by my praise quicken the -sense of beauty in others?</q> He steadily applies himself to the -ignoble task of plucking out and gloating over its defects. It is a -pity that critics should show so little sympathy with writers, and -curious when we consider that most of them tried to be writers -themselves, once. Every new school that has come into the world, -every new writer who has brought with him a new mode, they -have rudely persecuted. The dulness of Ibsen, the obscurity of -Meredith, the horrors of Zola—all these are household words. It -is not until the pack has yelled itself hoarse that the level voice of -justice is heard in praise. To pretend that no generation is capable -<a name="Page_284" id="Page_284"></a><span class="pagenum">[Pg 284]</span> -of gauging the greatness of its own artists is the merest bauble-tit. -Were it not for the accursed abuse of their function by the great -body of critics, no poet need <q>live uncrown'd, apart.</q> Many and -irreparable are the wrongs that our critics have done. At length -let them repent with ashes upon their heads. Where they see not -beauty, let them be silent, reverently feeling that it may yet be -there, and train their dull senses in quest of it.</p> - -<p>Now is a good time for such penance. There are signs that -our English literature has reached that point, when, like the -literatures of all the nations that have been, it must fall at length -into the hands of the decadents. The qualities that I tried -in my essay to travesty—paradox and marivaudage, lassitude, a -love of horror and all unusual things, a love of argot and archaism -and the mysteries of style—are not all these displayed, some by -one, some by another of les jeunes écrivains? Who knows but -that Artifice is in truth at our gates and that soon she may pass -through our streets? Already the windows of Grub Street are -crowded with watchful, evil faces. They are ready, the men of -Grub Street, to pelt her, as they have pelted all that came before -her. Let them come down while there is still time, and hang -their houses with colours, and strew the road with flowers. Will -they not, for once, do homage to a new queen? By the time this -letter appears, it <em>may</em> be too late!</p> - -<p>Meanwhile, Sir, I am, your obedient servant,</p> - -<p class="quotesig">MAX BEERBOHM.</p> - -<p>Oxford, May '94.</p> - -<hr /> - -<p class="larger p4">A Study <a name="Page_285" id="Page_285"></a><span class="pagenum">[Pg 285]</span></p> - -<p class="indent">By Bernhard Sickert</p> - -<p class="p4"><a name="Page_286" id="Page_286"></a><span class="pagenum">[Pg 286]</span><br /> -<a name="Page_287" id="Page_287"></a><span class="pagenum">[Pg 287]</span></p> - -<hr class="hide"/> - -<div class="figcenter"> - <img src="images/i_23.jpg" - width="500" height="662" - alt="Illustration: A Study" /> -</div> - -<hr /> - -<h3><a name="Page_288" id="Page_288"></a><span class="pagenum">[Pg 288]</span> -<i>EPIGRAM</i> <a name="Page_289" id="Page_289"></a><span class="pagenum">[Pg 289]</span></h3> - -<p class="center"><i>TO A LADY RECOVERED FROM A DANGEROUS<br /> -SICKNESS</i></p> - -<p class="center p2"><i>Life plucks thee back as by the golden hair—</i><br /><br /> - -<i>Life, who had feigned to let thee go but now.</i><br /><br /> - -<i>Wealthy is Death already, and can spare</i><br /><br /> - -<i>Ev'n such a prey as thou.</i></p> - -<p class="quotesig"><i>WILLIAM WATSON</i></p> - -<hr /> - -<h3 class="left"><a name="Page_290" id="Page_290"></a><span class="pagenum">[Pg 290]</span> -The Coxon Fund</h3> - -<p class="right">By Henry James</p> - -<h4><abbr title="One">I</abbr></h4> - -<p class="p2a">"</p> -<p class="p0 dropcap"> They've got him for life!" I said to myself that evening on -my way back to the station; but later, alone in the compartment -(from Wimbledon to Waterloo, before the glory of the -District Railway), I amended this declaration in the light of the -sense that my friends would probably after all not enjoy a monopoly -of Mr. Saltram. I won't pretend to have taken his vast measure on -that first occasion; but I think I had achieved a glimpse of what -the privilege of his acquaintance might mean for many persons in -the way of charges accepted. He had been a great experience, -and it was this perhaps that had put me into a frame for divining -that we should all have the honour, sooner or later, of dealing -with him as a whole. Whatever impression I then received of -the amount of this total, I had a full enough vision of the patience -of the Mulvilles. He was staying with them for the winter; -Adelaide dropped it in a tone which drew the sting from the -temporary. These excellent people might indeed have been -content to give the circle of hospitality a diameter of six months; -but if they didn't say that he was staying for the summer as well -it was only because this was more than they ventured to hope. I -<a name="Page_291" id="Page_291"></a><span class="pagenum">[Pg 291]</span> -remember that at dinner that evening he wore slippers, new and -predominantly purple, of some queer carpet-stuff; but the Mulvilles -were still in the stage of supposing that he might be -snatched from them by higher bidders. At a later time they -grew, poor dears, to fear no snatching; but theirs was a fidelity -which needed no help from competition to make them proud. -Wonderful indeed as, when all was said, you inevitably pronounced -Frank Saltram, it was not to be overlooked that the -Kent Mulvilles were in their way still more extraordinary; as -striking an instance as could easily be encountered of the familiar -truth that remarkable men find remarkable conveniences.</p> - -<p>They had sent for me from Wimbledon to come out and dine, -and there had been an implication in Adelaide's note (judged by -her notes alone she might have been thought silly), that it was a -case in which something momentous was to be determined or done. -I had never known them not to be in a state about somebody, and -I daresay I tried to be droll on this point in accepting their invitation. -On finding myself in the presence of their latest revelation -I had not at first felt irreverence droop—and, thank heaven, I -have never been absolutely deprived of that alternative in Mr. -Saltram's company. I saw, however (I hasten to declare it), that -compared to this specimen their other phœnixes had been birds of -inconsiderable feather, and I afterwards took credit to myself for -not having even in primal bewilderments made a mistake about -the essence of the man. He had an incomparable gift; I never -was blind to it—it dazzles me at present. It dazzles me perhaps -even more in remembrance than in fact, for I'm not unaware that -for a subject so magnificent the imagination goes to some expense, -inserting a jewel here and there or giving a twist to a plume. -How the art of portraiture would rejoice in this figure if the art of -portraiture had only the canvas! Nature, however, had really -<a name="Page_292" id="Page_292"></a><span class="pagenum">[Pg 292]</span> -rounded it, and if memory, hovering about it, sometimes holds her -breath, this is because the voice that comes back was really -golden.</p> - -<p>Though the great man was an inmate and didn't dress he kept -dinner on this occasion waiting long, and the first words he uttered -on coming into the room were a triumphant announcement to -Mulville that he had found out something. Not catching the -allusion and gaping doubtless a little at his face, I privately asked -Adelaide what he had found out. I shall never forget the look -she gave me as she replied: <q>Everything!</q> She really believed -it. At that moment, at any rate, he had found out that the mercy -of the Mulvilles was infinite. He had previously of course -discovered, as I had myself for that matter, that their dinners were -soignés. Let me not indeed, in saying this, neglect to declare that -I shall falsify my counterfeit if I seem to hint that there was in -his nature any ounce of calculation. He took whatever came, but -he never plotted for it, and no man who was so much of an -absorbent can ever have been so little of a parasite. He had a -system of the universe, but he had no system of sponging—that -was quite hand to mouth. He had fine, gross, easy senses, but it -was not his good-natured appetite that wrought confusion. If he -had loved us for our dinners we could have paid with our dinners, -and it would have been a great economy of finer matter. I make -free in these connections with the plural possessive because, if I -was never able to do what the Mulvilles did, and people with still -bigger houses and simpler charities, I met, first and last, every -demand of reflection, of emotion—particularly perhaps those of -gratitude and of resentment. No one, I think, paid the tribute -of giving him up so often, and if it's rendering honour to borrow -<a name="wisdom"></a>wisdom I have a right to talk of my sacrifices. He yielded -lessons as the sea yields fish—I lived for a while on this diet. -<a name="Page_293" id="Page_293"></a><span class="pagenum">[Pg 293]</span> -Sometimes it almost appeared to me that his massive, monstrous -failure—if failure after all it was—had been intended for my -private recreation. He fairly pampered my curiosity; but the -history of that experience would take me too far. This is not the -large canvas I just now spoke of, and I would not have approached -him with my present hand had it been a question of all the -features. Frank Saltram's features, for artistic purposes, are verily -the anecdotes that are to be gathered. Their name is legion, -and this is only one, of which the interest is that it concerns even -more closely several other persons. Such episodes, as one looks -back, are the little dramas that made up the innumerable facets of -the big drama—which is yet to be reported.</p> - -<h4><abbr title="Two">II</abbr></h4> - -<p>It is furthermore remarkable that though the two stories are -distinct—my own, as it were, and this other, they equally began, -in a manner, the first night of my acquaintance with Frank -Saltram, the night I came back from Wimbledon so agitated with -a new sense of life that, in London, for the very thrill of it, I -could only walk home. Walking and swinging my stick, I overtook, -at Buckingham Gate, George Gravener, and George -Gravener's story may be said to have begun with my making him, -as our paths lay together, come home with me for a talk. I duly -remember, let me parenthesise, that it was still more that or another -person, and also that several years were to elapse before it was to -extend to a second chapter. I had much to say to him, none the -less, about my visit to the Mulvilles, whom he more indifferently -knew, and I was at any rate so amusing that for long afterwards -<a name="Page_294" id="Page_294"></a><span class="pagenum">[Pg 294]</span> -he never encountered me without asking for news of the old man -of the sea. I hadn't said Mr. Saltram was old, and it was to be -seen that he was of an age to outweather George Gravener. I -had at that time a lodging in Ebury Street, and Gravener was -staying at his brother's empty house in Eaton Square. At Cambridge, -five years before, even in our devastating set, his intellectual -power had seemed to me almost awful. Some one had once asked -me privately, with blanched cheeks, what it was then that after -all such a mind as that left standing. <q>It leaves itself!</q> I could -recollect devoutly replying. I could smile at present at this -reminiscence, for even before we got to Ebury Street I was struck -with the fact that, save in the sense of being well set up on his -legs, George Gravener had actually ceased to tower. The universe -he laid low had somehow bloomed again—the usual -eminences were visible. I wondered whether he had lost his -humour, or only, dreadful thought, had never had any—not even -when I had fancied him most Aristophanesque. What was the -need of appealing to laughter, however, I could enviously inquire, -where you might appeal so confidently to measurement? Mr. -Saltram's queer figure, his thick nose and hanging lip were fresh to -me: in the light of my old friend's fine cold symmetry they -presented mere success in amusing as the refuge of conscious -ugliness. Already, at hungry twenty-six, Gravener looked as -blank and parliamentary as if he were fifty and popular. In my -scrap of a residence (he had a wordling's eye for its futile conveniences, -but never a comrade's joke), I sounded Frank Saltram -in his ears; a circumstance I mention in order to note that even -then I was surprised at his impatience of my enlivenment. As he -had never before heard of the personage, it took indeed the form -of impatience of the preposterous Mulvilles, his relation to whom, -like mine, had had its origin in an early, a childish intimacy with -<a name="Page_295" id="Page_295"></a><span class="pagenum">[Pg 295]</span> -the young Adelaide, the fruit of multiplied ties in the previous -generation. When she married Kent Mulville, who was older -than Gravener and I, and much more amiable, I gained a friend, -but Gravener practically lost one. We were affected in different -ways by the form taken by what he called their deplorable social -action—the form (the term was also his) of nasty second-rate -gush. I may have held in my <i lang="fr">for intérieur</i> that the good people -at Wimbledon were beautiful fools, but when he sniffed at them -I couldn't help taking the opposite line, for I already felt that -even should we happen to agree it would always be for reasons -that differed. It came home to me that he was admirably British -as, without so much as a sociable sneer at my bookbinder, he -turned away from the serried rows of my little French library.</p> - -<p><q>Of course I've never seen the fellow, but it's clear enough he's -a humbug.</q></p> - -<p><q>Clear <em>enough</em> is just what it isn't,</q> I replied: <q>if it only -were!</q> That ejaculation on my part must have been the beginning -of what was to be later a long ache for final frivolous rest. -Gravener was profound enough to remark after a moment that -in the first place he couldn't be anything but a Dissenter, and -when I answered that the very note of his fascination was his -extraordinary speculative breadth he retorted that there was no -cad like your cultivated cad and that I might depend upon discovering -(since I had had the levity not already to have inquired), -that my shining light proceeded, a generation back, from a -Methodist cheesemonger. I confess I was struck with his -insistence, and I said, after reflection: <q>It may be—I admit it -may be; but why on earth are you so sure?</q>—asking the -question mainly to lay him the trap of saying that it was because -the poor man didn't dress for dinner. He took an instant to dodge -my trap and come blandly out the other side.</p> - -<p><a name="Page_296" id="Page_296"></a><span class="pagenum">[Pg 296]</span> -<q>Because the Kent Mulvilles have invented him. They've an -infallible hand for frauds. All their geese are swans. They were -born to be duped, they like it, they cry for it, they don't know -anything from anything, and they disgust one (luckily perhaps!) -with Christian charity.</q> His intensity was doubtless an -accident, but it might have been a strange foreknowledge. -I forget what protest I dropped; it was at any rate something -which led him to go on after a moment: <q>I only ask one -thing—it's perfectly simple. Is a man, in a given case, a real -gentleman?</q></p> - -<p><q>A real gentleman, my dear fellow—that's so soon said!</q></p> - -<p><q>Not so soon when he isn't! If they've got hold of one this -time he must be a great rascal!</q></p> - -<p><q>I might feel injured,</q> I answered, <q>if I didn't reflect that they -don't rave about <em>me</em>.</q></p> - -<p><q>Don't be too sure! I'll grant that he's a gentleman,</q> Gravener -presently added, <q>if you'll admit that he's a scamp.</q></p> - -<p><q>I don't know which to admire most, your logic or your benevolence.</q></p> - -<p>My friend coloured at this, but he didn't change the subject. -<q>Where did they pick him up?</q></p> - -<p><q>I think they were struck with something he had published.</q></p> - -<p><q>I can fancy the dreary thing!</q></p> - -<p><q>I believe they found out he had all sorts of worries and -difficulties.</q></p> - -<p><q>That, of course, was not to be endured, and they jumped at -the privilege of paying his debts!</q> I replied that I knew nothing -about his debts, and I reminded my visitor that though the dear -Mulvilles were angels they were neither idiots nor millionaires. -What they mainly aimed at was re-uniting Mr. Saltram to his -wife. <q>I was expecting to hear that he has basely abandoned her,</q> -<a name="Page_297" id="Page_297"></a><span class="pagenum">[Pg 297]</span> -Gravener went on, at this, <q>and I'm too glad you don't disappoint -me.</q></p> - -<p>I tried to recall exactly what Mrs. Mulville had told me. <q>He -didn't leave her—no. It's she who has left him.</q></p> - -<p><q>Left him to <em>us</em>?</q> Gravener asked. <q>The monster—many -thanks! I decline to take him.</q></p> - -<p><q>You'll hear more about him in spite of yourself. I can't, no, -I really can't, resist the impression that he's a big man.</q> I was -already learning—to my shame perhaps be it said—just the tone -that my old friend least liked.</p> - -<p><q>It's doubtless only a trifle,</q> he returned, <q>but you haven't -happened to mention what his reputation's to rest on.</q></p> - -<p><q>Why, on what I began by boring you with—his extraordinary -mind.</q></p> - -<p><q>As exhibited in his writings?</q></p> - -<p><q>Possibly in his writings, but certainly in his talk, which is far -and away the richest I ever listened to.</q></p> - -<p><q>And what is it all about?</q></p> - -<p><q>My dear fellow, don't ask me! About everything!</q> I -pursued, reminding myself of poor Adelaide. <q>About his idea of -things,</q> I then more charitably added. <q>You must have heard -him to know what I mean—it's unlike anything that ever <em>was</em> -heard.</q> I coloured, I admit, I overcharged a little, for such a -picture was an anticipation of Saltram's later development and -still more of my fuller acquaintance with him. However, I really -expressed, a little lyrically perhaps, my actual imagination of him -when I proceeded to declare that, in a cloud of tradition, of legend, -he might very well go down to posterity as the greatest of all -great talkers. Before we parted George Gravener demanded why -such a row should be made about a chatterbox the more and why -he should be pampered and pensioned. The greater the windbag -<a name="Page_298" id="Page_298"></a><span class="pagenum">[Pg 298]</span> -the greater the calamity. Out of proportion to all other movements -on earth had come to be this wagging of the tongue. We -were drenched with talk—our wretched age was dying of it. I -differed from him here sincerely, only going so far as to concede, -and gladly, that we were drenched with sound. It was not, -however, the mere speakers who were killing us—it was the mere -stammerers. Fine talk was as rare as it was refreshing—the gift -of the gods themselves, the one starry spangle on the ragged cloak -of humanity. How many men were there who rose to this privilege, -of how many masters of conversation could he boast the -acquaintance? Dying of talk?—why, we were dying of the lack -of it! Bad writing wasn't talk, as many people seemed to think, -and even good wasn't always to be compared to it. From the best -talk, indeed, the best writing had something to learn. I fancifully -added that we too should peradventure be gilded by the legend, -should be pointed at for having listened, for having actually heard. -Gravener, who had looked at his watch and discovered it was midnight, -found to all this a response beautifully characteristic of him.</p> - -<p><q>There is one little sovereign circumstance,</q> he remarked, -<q>which is common to the best talk and the worst.</q> He looked at -this moment as if he meant so much that I thought he could only -mean once more that neither of them mattered if a man wasn't -a real gentleman. Perhaps it was what he did mean; he deprived -me, however, of the exultation of being right by putting the truth -in a slightly different way. <q>The only thing that really counts -for one's estimate of a person is his conduct.</q> He had his watch -still in his hand, and I reproached him with unfair play in having -ascertained beforehand that it was now the hour at which I always -gave in. My pleasantry so far failed to mollify him as that he -presently added that to the rule he had just enunciated there was -absolutely no exception.</p> - -<p><a name="Page_299" id="Page_299"></a><span class="pagenum">[Pg 299]</span> -<q>None whatever?</q></p> - -<p><q>None whatever.</q></p> - -<p><q>Trust me then to try to be good at any price!</q> I laughed as -I went with him to the door. <q>I declare I will be, if I have to -be horrible!</q></p> - -<h4><abbr title="Three">III</abbr></h4> - -<p>If that first night was one of the liveliest, or at any rate was the -freshest, of my exaltation, there was another, four years later, that -was one of my great discomposures. Repetition, I well knew by -this time, was the secret of Saltram's power to alienate, and of -course one would never have seen him at his finest if one hadn't -seen him in his remorses. They set in mainly at this season and -were magnificent, orchestral. I was perfectly aware that one of -these great sweeps was now gathering; but none the less, in our -arduous attempt to set him on his feet as a lecturer, it was impossible -not to feel that two failures were a large order, as we said, -for a short course of five. This was the second time, and it was -past nine o'clock; the audience, a muster unprecedented and really -encouraging, had fortunately the attitude of blandness that might -have been looked for in persons whom the promise (if I am not -mistaken) of an Analysis of Primary Ideas had drawn to the -neighbourhood of Upper Baker Street. There was in those days -in that region a petty lecture-hall to be secured on terms as -moderate as the funds left at our disposal by the irrepressible -question of the maintenance of five small Saltrams (I include the -mother) and one large one. By the time the Saltrams, of different -sizes, were all maintained, we had pretty well poured out the -<a name="Page_300" id="Page_300"></a><span class="pagenum">[Pg 300]</span> -oil that might have lubricated the machinery for enabling the -most original of men to appear to maintain them.</p> - -<p>It was I, the other time, who had been forced into the breach, -standing up there, for an odious lamplit moment to explain to -half-a-dozen thin benches, where the earnest brows were virtuously -void of guesses, that we couldn't put so much as a finger -on Mr. Saltram. There was nothing to plead but that our -scouts had been out from the early hours and that we were afraid -that on one of his walks abroad—he took one, for meditation, -whenever he was to address such a company—some accident had -disabled or delayed him. The meditative walks were a fiction, -for he never, that anyone could discover, prepared anything but a -magnificent prospectus; so that his circulars and programmes, of -which I possess an almost complete collection, are as the solemn -ghosts of generations never born. I put the case, as it seemed to -me, at the best; but I admit I had been angry, and Kent Mulville -was shocked at my want of attenuation. This time therefore -I left the excuses to his more practised patience, only -relieving myself in response to a direct appeal from a young lady -next whom, in the hall, I found myself sitting. My position was -an accident, but if it had been calculated the reason would -scarcely have eluded an observer of the fact that no one else in -the room had an appearance so charming. I think indeed she -was the only person there who looked at her ease, who had come -a little in the spirit of adventure. She seemed to carry amusement -in her handsome young head, and her presence quite gave -me the sense of a sudden extension of Saltram's sphere of influence. -He was doing better than we hoped and he had chosen -this occasion, of all occasions, to succumb to heaven knew which -of his infirmities. The young lady produced an impression of -auburn hair and black velvet, and had on her other hand a companion -<a name="Page_301" id="Page_301"></a><span class="pagenum">[Pg 301]</span> -of obscurer type, presumably a waiting-maid. She herself -might perhaps have been a foreign countess, and before she spoke -to me I had beguiled our sorry interval by thinking that she -brought vaguely back the first page of some novel of Madame -Sand. It didn't make her more fathomable to perceive in a few -minutes that she could only be an American; it simply engendered -depressing reflections as to the possible check to contributions -from Boston. She asked me if, as a person apparently -more initiated, I would recommend further waiting, and I replied -that if she considered I was on my honour I would privately -deprecate it. Perhaps she didn't; at any rate something passed -between us that led us to talk until she became aware that we -were almost the only people left. I presently discovered that she -knew Mrs. Saltram, and this explained in a manner the miracle. -The brotherhood of the friends of the husband were as nothing to -the brotherhood, or perhaps I should say the sisterhood, of the -friends of the wife. Like the Kent Mulvilles I belonged to both -fraternities, and even better than they I think I had sounded the -dark abyss of Mrs. Saltram's wrongs. She bored me to extinction, -and I knew but too well how she had bored her husband; -but she had her partisans, the most inveterate of whom were -indeed the handful of poor Saltram's backers. They did her -liberal justice, whereas her peculiar comforters had nothing but -hatred for our philosopher. I am bound to say it was we, however—we -of both camps, as it were—who had always done most -for her.</p> - -<p>I thought my young lady looked rich—I scarcely knew why; -and I hoped she had put her hand in her pocket. But I soon discovered -that she was not a partisan—she was only a generous, -irresponsible inquirer. She had come to England to see her aunt, -and it was at her aunt's she had met the dreary lady we had all so -<a name="Page_302" id="Page_302"></a><span class="pagenum">[Pg 302]</span> -much on our minds. I saw she would help to pass the time -when she observed that it was a pity this lady wasn't intrinsically -more interesting. That was refreshing, for it was an article of -faith in Mrs. Saltram's circle—at least among those who scorned -to know her horrid husband—that she was attractive on her -merits. She was really a very common person, as Saltram himself -would have been if he hadn't been a prodigy. The question of -vulgarity had no application to him, but it was a measure that his -wife kept challenging you to apply to <em>her</em>. I hasten to add that -the consequences of your doing so were no sufficient reason for -his having left her to starve. <q>He doesn't seem to have much -force of character,</q> said my young lady; at which I laughed out -so loud that my departing friends looked back at me over their -shoulders as if I were making a joke of their discomfiture. My -joke probably cost Saltram a subscription or two, but it helped me -on with my interlocutress. <q>She says he drinks like a fish,</q> she -sociably continued, <q>and yet she admits that his mind is wonderfully -clear.</q> It was amusing to converse with a pretty girl who -could talk of the clearness of Saltram's mind. I tried to tell her—I -had it almost on my conscience—what was the proper way to -regard him; an effort attended perhaps more than ever on this -occasion with the usual effect of my feeling that I wasn't after all -very sure of it. She had come to-night out of high curiosity—she -had wanted to find out this proper way for herself. She had -read some of his papers and hadn't understood them; but it was -at home, at her aunt's, that her curiosity had been kindled—kindled -mainly by his wife's remarkable stories of his want of -virtue. <q>I suppose they ought to have kept me away,</q> my companion -dropped, <q>and I suppose they would have done so if I -hadn't somehow got an idea that he's fascinating. In fact Mrs. -Saltram herself says he is.</q></p> - -<p><a name="Page_303" id="Page_303"></a><span class="pagenum">[Pg 303]</span> -<q>So you came to see where the fascination resides? Well, -you've seen!</q></p> - -<p>My young lady raised her fine eyebrows. <q>Do you mean in -his bad faith?</q></p> - -<p><q>In the extraordinary effects of it; his possession, that is, of -some quality or other that condemns us in advance to forgive him -the humiliation, as I may call it, to which he has subjected us.</q></p> - -<p><q>The humiliation?</q></p> - -<p><q>Why mine, for instance, as one of his guarantors, before you -as the purchaser of a ticket.</q></p> - -<p><q>You don't look humiliated a bit, and if you did I should let -you off, disappointed as I am; for the mysterious quality you -speak of is just the quality I came to see.</q></p> - -<p><q>Oh, you can't <em>see</em> it!</q> I exclaimed.</p> - -<p><q>How then do you get at it?</q></p> - -<p><q>You don't! You <a name="must"></a>mustn't suppose he's good-looking,</q> I -added.</p> - -<p><q>Why, his wife says he is!</q></p> - -<p>My hilarity may have struck my interlocutress as excessive, but -I confess it broke out afresh. Had she acted only in obedience to -this singular plea, so characteristic, on Mrs. Saltram's part, of what -was irritating in the narrowness of that lady's point of view? -<q>Mrs. Saltram,</q> I explained, <q>undervalues him where he is -strongest, so that, to make up for it perhaps, she overpraises him -where he's weak. He's not, assuredly, superficially attractive; he's -middle-aged, fat, featureless save for his great eyes.</q></p> - -<p><q>Yes, his great eyes,</q> said my young lady attentively. She had -evidently heard all about them.</p> - -<p><q>They're tragic and splendid—lights on a dangerous coast. -But he moves badly and dresses worse, and altogether he's strange -to behold.</q></p> - -<p><a name="Page_304" id="Page_304"></a><span class="pagenum">[Pg 304]</span> -My companion appeared to reflect on this, and after a moment -she inquired: <q>Do you call him a real gentleman?</q></p> - -<p>I started slightly at the question, for I had a sense of recognising -it: George Gravener, years before that first flushed night, had -put me face to face with it. It had embarrassed me then, but it -didn't embarrass me now, for I had lived with it and overcome it -and disposed of it. <q>A real gentleman? Decidedly not!</q></p> - -<p>My promptitude surprised her a little, but I quickly felt that it -was not to Gravener I was now talking. <q>Do you say that -because he's—what do you call it in England?—of humble -extraction?</q></p> - -<p><q>Not a bit. His father was a country schoolmaster and his -mother the widow of a sexton, but that has nothing to do with it. -I say it simply because I know him well.</q></p> - -<p><q>But isn't it an awful drawback?</q></p> - -<p><q>Awful—quite awful.</q></p> - -<p><q>I mean, isn't it positively fatal?</q></p> - -<p><q>Fatal to what? Not to his magnificent vitality.</q></p> - -<p>Again there was a meditative moment. <q>And is his magnificent -vitality the cause of his vices?</q></p> - -<p><q>Your questions are formidable, but I'm glad you put them. I -was thinking of his noble intellect. His vices, as you say, have -been much exaggerated: they consist mainly after all in one comprehensive -misfortune.</q></p> - -<p><q>A want of will?</q></p> - -<p><q>A want of dignity.</q></p> - -<p><q>He doesn't recognise his obligations?</q></p> - -<p><q>On the contrary, he recognises them with effusion, especially -in public: he smiles and bows and beckons across the street to -them. But when they pass over he turns away, and he speedily -loses them in the crowd. The recognition is purely spiritual—it -<a name="Page_305" id="Page_305"></a><span class="pagenum">[Pg 305]</span> -isn't in the least social. So he leaves all his belongings to other -people to take care of. He accepts favours, loans, sacrifices, with -nothing more restrictive than an agony of shame. Fortunately -we're a little faithful band, and we do what we can.</q> I held my -tongue about the natural children, engendered, to the number of -three, in the wantonness of his youth. I only remarked that he -did make efforts—often tremendous ones. <q>But the efforts,</q> I -said, <q>never come to much; the only things that come to much -are the abandonments, the surrenders.</q></p> - -<p><q>And how much do they come to?</q></p> - -<p><q>I've told you before that your questions are terrible! They -come, these mere exercises of genius, to a great body of poetry, of -philosophy, a notable mass of speculation, of discovery. The -genius is there, you see, to meet the surrender; but there's no -genius to support the defence.</q></p> - -<p><q>But what is there, after all, at his age, to show?</q></p> - -<p><q>In the way of achievement recognised and reputation established?</q> -I interrupted. <q>To 'show' if you will, there isn't -much, for his writing, mostly, isn't as fine as his talk. Moreover, -two-thirds of his work are merely colossal projects and announcements. -'Showing' Frank Saltram is often a poor business; we -endeavoured, you will have observed, to show him to-night! -However, if he <em>had</em> lectured, he would have lectured divinely. It -would just have been his talk.</q></p> - -<p><q>And what would his talk just have been?</q></p> - -<p>I was conscious of some ineffectiveness as well perhaps as of a -little impatience as I replied: <q>The exhibition of a splendid -intellect.</q> My young lady looked not quite satisfied at this, but -as I was not prepared for another question I hastily pursued: -<q>The sight of a great suspended, swinging crystal, huge, lucid, -lustrous, a block of light, flashing back every impression of life and -<a name="Page_306" id="Page_306"></a><span class="pagenum">[Pg 306]</span> -every possibility of thought!</q> This gave her something to think -about till we had passed out to the dusky porch of the hall, in -front of which the lamps of a quiet brougham were almost the -only thing Saltram's treachery hadn't extinguished. I went with -her to the door of her carriage, out of which she leaned a moment -after she had thanked me and taken her seat. Her smile even in -the darkness was pretty. <q>I do want to see that crystal!</q></p> - -<p><q>You've only to come to the next lecture.</q></p> - -<p><q>I go abroad in a day or two with my aunt.</q></p> - -<p><q>Wait over till next week,</q> I suggested. <q>It's worth it.</q></p> - -<p>She became grave. <q>Not unless he really comes!</q> At -which the brougham started off, carrying her away too fast, -fortunately for my manners, to allow me to exclaim <q>Ingratitude!</q></p> - -<h4><abbr title="Four">IV</abbr></h4> - -<p>Mrs. Saltram made a great affair of her right to be informed -where her husband had been the second evening he failed to meet -his audience. She came to me to ascertain, but I couldn't satisfy -her, for in spite of my ingenuity I remained in ignorance. It -was not till much later that I found this had not been the case -with Kent Mulville, whose hope for the best never twirled its -thumbs more placidly than when he happened to know the worst. -He had known it on the occasion I speak of—that is immediately -after. He was impenetrable then, but he ultimately confessed—more -than I shall venture to confess to-day. It was of course -familiar to me that Saltram was incapable of keeping the engagements -which, after their separation, he had entered into with -regard to his wife, a deeply wronged, justly resentful, quite irreproachable -<a name="Page_307" id="Page_307"></a><span class="pagenum">[Pg 307]</span> -and insufferable person. She often appeared at my -chambers to talk over his <i lang="la">lacunæ</i>, for if, as she declared, she had -washed her hands of him, she had carefully preserved the water of -this ablution and she handed it about for inspection. She had -arts of her own of exciting one's impatience, the most infallible of -which was perhaps her assumption that we were kind to her -because we liked her. In reality her personal fall had been a sort -of social rise, for there had been a moment when, in our little -conscientious circle, her desolation almost made her the fashion. -Her voice was grating and her children ugly; moreover she hated -the good Mulvilles, whom I more and more loved. They were -the people who by doing most for her husband had in the long -run done most for herself; and the warm confidence with which -he had laid his length upon them was a pressure gentle compared -with her stiffer persuadability. I am bound to say he didn't -criticise his benefactors, though practically he got tired of them; -she, however, had the highest standards about eleemosynary forms. -She offered the odd spectacle of a spirit puffed up by dependence, -and indeed it had introduced her to some excellent society. She -pitied me for not knowing certain people who aided her and -whom she doubtless patronised in turn for their luck in not -knowing me. I daresay I should have got on with her better if -she had had a ray of imagination—if it had occasionally seemed to -occur to her to regard Saltram's manifestations in any other -manner than as separate subjects of woe. They were all flowers -of his nature, pearls strung on an endless thread; but she had a -stubborn little way of challenging them one after the other, as if -she never suspected that he <em>had</em> a nature, such as it was, or -that deficiencies might be organic; the irritating effect of a mind -incapable of a generalisation. One might doubtless have overdone -the idea that there was a general exemption for such a man; but -<a name="Page_308" id="Page_308"></a><span class="pagenum">[Pg 308]</span> -if this had happened it would have been through one's feeling that -there could be none for such a woman.</p> - -<p>I recognised her superiority when I asked her about the aunt of -the disappointed young lady: it sounded like a sentence from a -phrase-book. She triumphed in what she told me and she may -have triumphed still more in what she withheld. My friend of -the other evening, Miss Anvoy, had but lately come to England; -Lady Coxon, the aunt, had been established here for years in -consequence of her marriage with the late Sir Gregory of that ilk. -She had a house in the Regent's Park and a Bath-chair and a -page; and above all she had sympathy. Mrs. Saltram had made -her acquaintance through mutual friends. This vagueness caused -me to feel how much I was out of it and how large an independent -circle Mrs. Saltram had at her command. I should have -been glad to know more about the charming Miss Anvoy, but I -felt that I should know most by not depriving her of her advantage, -as she might have mysterious means of depriving me of my -knowledge. For the present, moreover, this experience was -arrested, Lady Coxon having in fact gone abroad, accompanied by -her niece. The niece, besides being immensely clever, was an -heiress, Mrs. Saltram said; the only daughter and the light of -the eyes of some great American merchant, a man, over there, of -endless indulgences and dollars. She had pretty clothes and pretty -manners, and she had, what was prettier still, the great thing of -all. The great thing of all for Mrs. Saltram was always sympathy, -and she spoke as if during the absence of these ladies she -might not know where to turn for it. A few months later -indeed, when they had come back, her tone perceptibly changed: -she alluded to them, on my leading her up to it, rather as to -persons in her debt for favours received. What had happened I -didn't know, but I saw it would take only a little more or a little -<a name="Page_309" id="Page_309"></a><span class="pagenum">[Pg 309]</span> -less to make her speak of them as thankless subjects of social -countenance—people for whom she had vainly tried to do something. -I confess I saw that it would not be in a mere week or -two that I should rid myself of the image of Ruth Anvoy, in whose -very name, when I learnt it, I found something secretly to like. -I should probably neither see her nor hear of her again: the knight's -widow (he had been mayor of Clockborough) would pass away, -and the heiress would return to her inheritance. I gathered with -surprise that she had not communicated to his wife the story of -her attempt to hear Mr. Saltram, and I founded this reticence on -the easy supposition that Mrs. Saltram had fatigued by over-pressure -the spring of the sympathy of which she boasted. -The girl at any rate would forget the small adventure, be -distracted, take a husband; besides which she would lack opportunity -to repeat her experiment.</p> - -<p>We clung to the idea of the brilliant course, delivered without -a tumble, that, as a lecturer, would still make the paying public -aware of our great mind; but the fact remained that in the case -of an inspiration so unequal there was treachery, there was fallacy -at least, in the very conception of a series. In our scrutiny of -ways and means we were inevitably subject to the old convention -of the synopsis, the syllabus, partly of course not to lose the -advantage of his grand free hand in drawing up such things; but -for myself I laughed at our categories even while I stickled for -them. It was indeed amusing work to be scrupulous for Frank -Saltram, who also at moments laughed about it, so far as the rise -and fall of a luxurious sigh might pass for such a sound. He admitted -with a candour all his own that he was in truth only to be -depended on in the Mulvilles' drawing-room. <q>Yes,</q> he suggestively -conceded, <q>it's there, I think, that I am at my best; quite -late, when it gets toward eleven—and if I've not been too much -<a name="Page_310" id="Page_310"></a><span class="pagenum">[Pg 310]</span> -worried.</q> We all knew what too much worry meant; it meant -too enslaved for the hour to the superstition of sobriety. On the -Saturdays I used to bring my portmanteau, so as not to have -to think of eleven o'clock trains. I had a bold theory that -as regards this temple of talk and its altars of cushioned chintz, its -pictures and its flowers, its large fireside and clear lamplight, we -might really arrive at something if the Mulvilles would only -charge for admission. But here it was that the Mulvilles shamelessly -broke down; as there is a flaw in every perfection, this was -the inexpugnable refuge of their egotism. They declined to -make their saloon a market, so that Saltram's golden words continued -to be the only coin that rang there. It can have happened -to no man, however, to be paid a greater price than such an -enchanted hush as surrounded him on his greatest nights. The -most profane, on these occasions, felt a presence; all minor eloquence -grew dumb. Adelaide Mulville, for the pride of her -hospitality, anxiously watched the door or stealthily poked the -fire. I used to call it the music-room, for we had anticipated -Bayreuth. The very gates of the kingdom of light seemed to -open and the horizon of thought to flash with the beauty of a -sunrise at sea.</p> - -<p>In the consideration of ways and means, the sittings of our little -board, we were always conscious of the creak of Mrs. Saltram's -shoes. She hovered, she interrupted, she almost presided, the state -of affairs being mostly such as to supply her with every incentive -for inquiring what was to be done next. It was the pressing -pursuit of this knowledge that, in concatenations of omnibuses and -usually in very wet weather, led her so often to my door. She -thought us spiritless creatures with editors and publishers; but she -carried matters to no great effect when she personally pushed into -back-shops. She wanted all moneys to be paid to herself; they -<a name="Page_311" id="Page_311"></a><span class="pagenum">[Pg 311]</span> -were otherwise liable to such strange adventures. They trickled -away into the desert, and they were mainly at best, alas, but a -slender stream. The editors and the publishers were the last people -to take this remarkable thinker at the valuation that has now pretty -well come to be established. The former were half distraught -between the desire to <q>cut</q> him and the difficulty of finding a -crevice for their shears; and when a volume on this or that portentous -subject was proposed to the latter they suggested alternative -titles which, as reported to our friend, brought into his face the -noble blank melancholy that sometimes made it handsome. The -title of an unwritten book didn't after all much matter, but some -masterpiece of Saltram's may have died in his bosom of the shudder -with which it was then convulsed. The ideal solution, failing the -fee at Kent Mulville's door, would have been some system of -subscription to projected treatises with their non-appearance -provided for—provided for, I mean, by the indulgence of subscribers. -The author's real misfortune was that subscribers were -so wretchedly literal. When they tastelessly inquired why -publication had not ensued I was tempted to ask who in the world -had ever been so published. Nature herself had brought him out -in voluminous form, and the money was simply a deposit on -borrowing the work.</p> - -<h4><abbr title="Five">V</abbr></h4> - -<p>I was doubtless often a nuisance to my friends in those years; -but there were sacrifices I declined to make, and I never passed -the hat to George Gravener. I never forgot our little discussion -in Ebury Street, and I think it stuck in my throat to have to -make to him the admission I had made so easily to Miss Anvoy. -<a name="Page_312" id="Page_312"></a><span class="pagenum">[Pg 312]</span> -It had cost me nothing to confide to this charming girl, but it -would have cost me much to confide to the friend of my youth, -that the character of the <q>real gentleman</q> was not an attribute of -the man I took such pains for. Was this because I had already -generalised to the point of perceiving that women are really the -unfastidious sex? I knew at any rate that Gravener, already -quite in view but still hungry and frugal, had naturally enough -more ambition than charity. He had sharp aims for stray -sovereigns, being in view most from the tall steeple of Clockborough. -His immediate ambition was to wholly occupy the field -of vision of that smokily-seeing city, and all his movements and -postures were calculated at this angle. The movement of the -hand to the pocket had thus to alternate gracefully with the posture -of the hand on the heart. He talked to Clockborough in short -only less beguilingly than Frank Saltram talked to his electors; -with the difference in our favour, however, that we had already -voted and that our candidate had no antagonist but himself. He -had more than once been at Wimbledon—it was Mrs. Mulville's -work, not mine—and, by the time the claret was served, had seen -the god descend. He took more pains to swing his censer than I -had expected, but on our way back to town he forestalled any little -triumph I might have been so artless as to express by the observation -that such a man was—a hundred times!—a man to use -and never a man to be used by. I remember that this neat remark -humiliated me almost as much as if virtually, in the fever of broken -slumbers, I hadn't often made it myself. The difference was that -on Gravener's part a force attached to it that could never attach -to it on mine. He was able to use him in short, he had the -machinery; and the irony of Saltram's being made showy at -Clockborough came out to me when he said, as if he had no -memory of our original talk and the idea were quite fresh to him: -<a name="Page_313" id="Page_313"></a><span class="pagenum">[Pg 313]</span> -<q>I hate his type, you know, but I'll be hanged if I don't put some -of those things in. I can find a place for them: we might even -find a place for the fellow himself.</q> I myself should have had some -fear, not, I need scarcely say, for the <q>things</q> themselves, but for -some other things very near them—in fine for the rest of my -eloquence.</p> - -<p>Later on I could see that the oracle of Wimbledon was not in -this case so serviceable as he would have been had the politics of -the gods only coincided more exactly with those of the party. -There was a distinct moment when, without saying anything more -definite to me, Gravener entertained the idea of <q>getting hold</q> -of Mr. Saltram. Such a project was factitious, for the discovery -of analogies between his body of doctrine and that pressed from -headquarters upon Clockborough—the bottling, in a word, of the -air of those lungs for convenient public uncorking in corn-exchanges—was -an experiment for which no one had the leisure. -The only thing would have been to carry him massively about, -paid, caged, clipped: to turn him on for a particular occasion in a -particular channel. Frank Saltram's channel, however, was -essentially not calculable, and there was no knowing what disastrous -floods might have issued. For what there would have been -to do <q>The Empire,</q> the great newspaper, was there to look to; -but it was no new misfortune that there were delicate situations in -which <q>The Empire</q> broke down. In fine there was an -instinctive apprehension that a clever young journalist commissioned -to report upon Mr. Saltram might never come back from -the errand. No one knew better than George Gravener that that -was a time when prompt returns counted double. If he therefore -found our friend an exasperating waste of orthodoxy, it was because -he was, as he said, up in the clouds; not because he was down in -the dust. He would have been a real enough gentleman if he -<a name="Page_314" id="Page_314"></a><span class="pagenum">[Pg 314]</span> -could have helped to put in a real gentleman. Gravener's great -objection to the actual member was that he was not one.</p> - -<p>Lady Coxon had a fine old house, a house with <q>grounds,</q> at -Clockborough, which she had let; but after she returned from -abroad I learned from Mrs. Saltram that the lease had fallen in and -that she had gone down to resume possession. I could see the -faded red livery, the big square shoulders, the high-walled garden -of this decent abode. As the rumble of dissolution grew louder -the suitor would have pressed his suit, and I found myself hoping -that the politics of the late Mayor's widow would not be such as -to enjoin upon her to ask him to dinner; perhaps indeed I went -so far as to hope that they would be such as to put all countenance -out of the question. I tried to focus the page, in the daily airing, -as he perhaps even pushed the Bath-chair over somebody's toes. -I was destined to hear, however, through Mrs. Saltram (who, I -afterwards learned, was in correspondence with Lady Coxon's -housekeeper), that Gravener was known to have spoken of the -habitation I had in my eye as the pleasantest thing at Clockborough. -On his part, I was sure, this was the voice not of envy -but of experience. The vivid scene was now peopled, and I -could see him in the old-time garden with Miss Anvoy, who -would be certain, and very justly, to think him good-looking. It -would be too much to say that I was troubled by such an image; -but I seem to remember the relief, singular enough, of feeling it -suddenly brushed away by an annoyance really much greater; an -annoyance the result of its happening to come over me about that -time with a rush that I was simply ashamed of Frank Saltram. -There were limits after all, and my mark at last had been reached.</p> - -<p>I had had my disgusts, if I may allow myself to-day such an -expression; but this was a supreme revolt. Certain things cleared -up in my mind, certain values stood out. It was all very well to -<a name="Page_315" id="Page_315"></a><span class="pagenum">[Pg 315]</span> -talk of an unfortunate temperament; there were misfortunes that -people should themselves correct, and correct in private, without -calling in assistance. I avoided George Gravener at this moment, -and reflected that at such a time I should do so most effectually -by leaving England. I wanted to forget Frank Saltram—that was -all. I didn't want to do anything in the world to him but that. -Indignation had withered on the stalk, and I felt that one could -pity him as much as one ought only by never thinking of him -again. It wasn't for anything he had done to me; it was for -something he had done to the Mulvilles. Adelaide cried about it -for a week, and her husband, profiting by the example so signally -given him of the fatal effect of a want of character, left the letter -unanswered. The letter, an incredible one, addressed by Saltram -to Wimbledon during a stay with the Pudneys at Ramsgate, was -the central feature of the incident, which, however, had many -features, each more painful than whichever other we compared -it with. The Pudneys had behaved shockingly, but that was -no excuse. Base ingratitude, gross indecency—one had one's -choice only of such formulas as that the more they fitted the -less they gave one rest. These are dead aches now, and I am -under no obligation, thank heaven, to be definite about the business. -There are things which if I had had to tell them—well, I -wouldn't have told my story.</p> - -<p>I went abroad for the general election, and if I don't know how -much, on the Continent, I forgot, I at least know how much I -missed, him. At a distance, in a foreign land, ignoring, abjuring, -unlearning him, I discovered what he had done for me. I owed -him, oh unmistakably, certain noble conceptions; I had lighted -my little taper at his smoky lamp, and lo, it continued to twinkle. -But the light it gave me just showed me how much more I -wanted. I was pursued of course by letters from Mrs. Saltram, -<a name="Page_316" id="Page_316"></a><span class="pagenum">[Pg 316]</span> -which I didn't scruple not to read, though I was duly conscious -that her embarrassments would now be of the gravest. I sacrificed -to propriety by simply putting them away, and this is how, one -day as my absence drew to an end, my eye, as I rummaged in my -desk for another paper, was caught by a name on a leaf that had -detached itself from the packet. The allusion was to Miss Anvoy, -who, it appeared, was engaged to be married to Mr. George -Gravener; and the news was two months old. A direct question -of Mrs. Saltram's had thus remained unanswered—she had inquired -of me in a postscript what sort of man this Mr. Gravener -might be. This Mr. Gravener had been triumphantly returned -for Clockborough, in the interest of the party that had swept the -country, so that I might easily have referred Mrs. Saltram to the -journals of the day. But when I at last wrote to her that I was -coming home and would discharge my accumulated burden by -seeing her, I remarked in regard to her question that she must -really put it to Miss Anvoy.</p> - -<h4><abbr title="Six">VI</abbr></h4> - -<p>I had almost avoided the general election, but some of its consequences, -on my return, had squarely to be faced. The season, -in London, began to breathe again and to flap its folded wings. -Confidence, under the new ministry, was understood to be reviving, -and one of the symptoms, in the social body, was a recovery of -appetite. People once more fed together, and it happened that, -one Saturday night, at somebody's house, I fed with George -Gravener. When the ladies left the room I moved up to where -he sat and offered him my congratulation. <q>On my election?</q> -he asked after a moment; whereupon I feigned, jocosely not to -<a name="Page_317" id="Page_317"></a><span class="pagenum">[Pg 317]</span> -have heard of his election and to be alluding to something much -more important, the rumour of his engagement. I daresay I -coloured however, for his political victory had momentarily passed -out of my mind. What was present to it was that he was to -marry that beautiful girl; and yet his question made me conscious -of some embarrassment—I had not intended to put that before -everything. He himself indeed ought gracefully to have done so, -and I remember thinking the whole man was in this assumption, -that in expressing my sense of what he had won I had fixed my -thoughts on his <q>seat.</q> We straightened the matter out, and he -was so much lighter in hand than I had lately seen him that his -spirits might well have been fed from a double source. He was so -good as to say that he hoped I should soon make the acquaintance -of Miss Anvoy, who, with her aunt, was presently coming up to -town. Lady Coxon, in the country, had been seriously unwell, -and this had delayed their arrival. I told him I had heard the -marriage would be a splendid one; on which, brightened and -humanised by his luck, he laughed and said: <q>Do you mean for -<em>her</em>?</q> When I had again explained what I meant he went on: -<q>Oh, she's an American, but you'd scarcely know it; unless, -perhaps,</q> he added, <q>by her being used to more money than -most girls in England, even the daughters of rich men. That -wouldn't in the least do for a fellow like me, you know, if it wasn't -for the great liberality of her father. He really has been most -kind, and everything is quite satisfactory.</q> He added that his -eldest brother had taken a tremendous fancy to her and that -during a recent visit at Coldfield she had nearly won over Lady -Maddock. I gathered from something he dropped later that the -free-handed gentleman beyond the seas had not made a settlement, -but had given a handsome present and was apparently to be looked -to, across the water, for other favours. People are simplified alike -<a name="Page_318" id="Page_318"></a><span class="pagenum">[Pg 318]</span> -by great contentments and great yearnings, and whether or no it -was Gravener's directness that begot my own, I seem to recall -that in some turn taken by our talk he almost imposed it upon me -as an act of decorum to ask if Miss Anvoy had also by chance -expectations from her aunt. My inquiry elicited that Lady -Coxon, who was the oddest of women, would have in any contingency -to act under her late husband's will, which was odder -still, saddling her with a mass of queer obligations intermingled -with queer loopholes. There were several dreary people, Coxon -relations, old maids, whom she would have more or less to consider. -Gravener laughed, without saying no, when I suggested -that the young lady might come in through a loophole; then -suddenly, as if he suspected that I had turned a lantern on him, he -exclaimed quite dryly: <q>That's all rot—one is moved by other -springs!</q></p> - -<p>A fortnight later, at Lady Coxon's own house, I understood -well enough the springs one was moved by. Gravener had -spoken of me there as an old friend, and I received a gracious -invitation to dine. The knight's widow was again indisposed—she -had succumbed at the eleventh hour; so that I found Miss -Anvoy bravely playing hostess, without even Gravener's help, -inasmuch as, to make matters worse, he had just sent up word -that the House, the insatiable House, with which he supposed he -had contracted for easier terms, positively declined to release him. -I was struck with the courage, the grace and gaiety of the young -lady left to deal unaided with the possibilities of the Regent's -Park. I did what I could to help her to keep them down, or up, -after I had recovered from the confusion of seeing her slightly disconcerted -at perceiving in the guest introduced by her intended -the gentleman with whom she had had that talk about Frank -Saltram. I had at that moment my first glimpse of the fact that -<a name="Page_319" id="Page_319"></a><span class="pagenum">[Pg 319]</span> -she was a person who could carry a responsibility; but I leave the -reader to judge of my sense of the aggravation, for either of us, of -such a burden when I heard the servant announce Mrs. Saltram. -From what immediately passed between the two ladies I gathered -that the latter had been sent for post-haste to fill the gap created -by the absence of the mistress of the house. <q>Good!</q> I -exclaimed, <q>she will be put by <em>me</em>!</q> and my apprehension was -promptly justified. Mrs. Saltram taken in to dinner, and taken in -as a consequence of an appeal to her amiability, was Mrs. -Saltram with a vengeance. I asked myself what Miss Anvoy -meant by doing such things, but the only answer I arrived at was -that Gravener was verily fortunate. She had not happened to tell -him of her visit to Upper Baker Street, but she would certainly -tell him to-morrow; not indeed that this would make him like any -better her having had the simplicity to invite such a person as -Mrs. Saltram on such an occasion. I reflected that I had never -seen a young woman put such ignorance into her cleverness, such -freedom into her modesty: this, I think, was when, after dinner, -she said to me frankly, with almost jubilant mirth: <q>Oh, you -don't admire Mrs. Saltram!</q> Why should I? She was truly an -innocent maiden. I had briefly to consider before I could reply -that my objection to the lady in question was the objection often -formulated in regard to persons met at the social board—I knew -all her stories. Then, as Miss Anvoy remained momentarily -vague, I added: <q>About her husband.</q></p> - -<p><q>Oh yes, but there are some new ones.</q></p> - -<p><q>None for me. Oh, novelty would be pleasant!</q></p> - -<p><q>Doesn't it appear that of late he has been particularly -horrid?</q></p> - -<p><q>His fluctuations don't matter,</q> I replied; <q>they are all -covered by the single circumstance I mentioned the evening we -<a name="Page_320" id="Page_320"></a><span class="pagenum">[Pg 320]</span> -waited for him together. What will you have? He has no -dignity.</q></p> - -<p>Miss Anvoy, who had been introducing with her American -distinctness, looked encouragingly round at some of the combinations -she had risked. <q>It's too bad I can't see him.</q></p> - -<p><q>You mean Gravener won't let you?</q></p> - -<p><q>I haven't asked him. He lets me do everything.</q></p> - -<p><q>But you know he knows him and wonders what some of us -see in him.</q></p> - -<p><q>We haven't happened to talk of him,</q> the girl said.</p> - -<p><q>Get him to take you some day out to see the Mulvilles.</q></p> - -<p><q>I thought Mr. Saltram had thrown the Mulvilles over.</q></p> - -<p><q>Utterly. But that won't prevent his being planted there -again, to bloom like a rose, within a month or two.</q></p> - -<p>Miss Anvoy thought a moment. Then, <q>I should like to see -them,</q> she said with her fostering smile.</p> - -<p><q>They're tremendously worth it. You mustn't miss them.</q></p> - -<p><q>I'll make George take me,</q> she went on as Mrs. Saltram -came up to interrupt us. The girl smiled at her as kindly as she -had smiled at me, and addressing the question to her, continued: -<q>But the chance of a lecture—one of the wonderful lectures? -Isn't there another course announced!</q></p> - -<p><q>Another? There are about thirty!</q> I exclaimed, turning -away and feeling Mrs. Saltram's little eyes in my back. A few -days after this, I heard that Gravener's marriage was near at -hand—was settled far Whitsuntide; but as I had received -no invitation I doubted it, and presently there came to me in -fact the report of a postponement. Something was the matter; -what was the matter was supposed to be that Lady Coxon -was now critically ill. I had called on her after my dinner in -the Regent's Park, but I had neither seen her nor seen Miss -<a name="Page_321" id="Page_321"></a><span class="pagenum">[Pg 321]</span> -Anvoy. I forget to-day the exact order in which, at this period, -certain incidents occurred and the particular stage at which it -suddenly struck me, making me catch my breath a little, that the -progression, the acceleration was for all the world that of a drama. -This was probably rather late in the day, and the exact order -doesn't matter. What had already occurred was some accident -determining a more patient wait. George Gravener, whom I -met again, in fact told me as much, but without signs of perturbation. -Lady Coxon had to be constantly attended to, and -there were other good reasons as well. Lady Coxon had to be -so constantly attended to that on the occasion of a second attempt -in the Regent's Park I equally failed to obtain a sight of her -niece. I judged it discreet under the circumstances not to -make a third; but this didn't matter, for it was through Adelaide -Mulville that the side-wind of the comedy, though I was at -first unwitting, began to reach me. I went to Wimbledon -at times because Saltram was there and I went at others -because he was not. The Pudneys, who had taken him to -Birmingham, had already got rid of him, and we had a horrible -consciousness of his wandering roofless, in dishonour, about the -smoky Midlands, almost as the injured Lear wandered on the -storm-lashed heath. His room, upstairs, had been lately done up -(I could hear the crackle of the new chintz), and the difference -only made his smirches and bruises, his splendid tainted genius, the -more tragic. If he wasn't barefoot in the mire, he was sure to be -unconventionally shod. These were the things Adelaide and I, who -were old enough friends to stare at each other in silence, talked -about when we didn't speak. When we spoke it was only about -the charming girl George Gravener was to marry, whom he had -brought out the other Sunday. I could see that this introduction -had been happy, for Mrs. Mulville commemorated it in the only -<a name="Page_322" id="Page_322"></a><span class="pagenum">[Pg 322]</span> -way in which she ever expressed her confidence in a new relation. -<q>She likes me—she likes me</q>: her native humility exulted in -that measure of success. We all knew for ourselves how she -liked those who liked her, and as regards Ruth Anvoy she was -more easily won over than Lady Maddock.</p> - -<h4><abbr title="Seven">VII</abbr></h4> - -<p>One of the consequences, for the Mulvilles, of the sacrifices -they made for Frank Saltram was that they had to give up their -carriage. Adelaide drove gently into London in a one-horse -greenish thing, an early Victorian landau, hired, near at hand, -imaginatively, from a broken-down jobmaster whose wife was in -consumption—a vehicle that made people turn round all the more -when her pensioner sat beside her in a soft white hat and a shawl, -one of her own. This was his position and I daresay his costume -when on an afternoon in July she went to return Miss Anvoy's -visit. The wheel of fate had now revolved, and amid silences -deep and exhaustive, compunctions and condonations alike unutterable, -Saltram was reinstated. Was it in pride or in penance that -Mrs. Mulville began immediately to drive him about? If he was -ashamed of his ingratitude she might have been ashamed of her -forgiveness; but she was incorrigibly capable of liking him to be -seen strikingly seated in the landau while she was in shops or -with her acquaintance. However, if he was in the pillory for -twenty minutes in the Regent's Park (I mean at Lady Coxon's -door, while her companion paid her call), it was not for the further -humiliation of anyone concerned that she presently came out for -him in person, not even to show either of them what a fool she was -<a name="Page_323" id="Page_323"></a><span class="pagenum">[Pg 323]</span> -that she drew him in to be introduced to the clever young American. -Her account of this introduction I had in its order, but -before that, very late in the season, under Gravener's auspices, I -met Miss Anvoy at tea at the House of Commons. The member -for Clockborough had gathered a group of pretty ladies, and the -Mulvilles were not of the party. On the great terrace, as I -strolled off a little with her, the guest of honour immediately -exclaimed to me: <q>I've seen him, you know—I've seen him!</q> -She told me about Saltram's call.</p> - -<p><q>And how did you find him?</q></p> - -<p><q>Oh, so strange!</q></p> - -<p><q>You didn't like him?</q></p> - -<p><q>I can't tell till I see him again.</q></p> - -<p><q>You want to do that?</q></p> - -<p>She was silent a moment. <q>Immensely.</q></p> - -<p>We stopped; I fancied she had become aware Gravener was -looking at us. She turned back toward the knot of the others, -and I said: <q>Dislike him as much as you will—I see you're -bitten.</q></p> - -<p><q>Bitten?</q> I thought she coloured a little.</p> - -<p><q>Oh, it doesn't matter!</q> I laughed; <q>one doesn't die of it.</q></p> - -<p><q>I hope I sha'n't die of anything before I've seen more of -Mrs. Mulville.</q> I rejoiced with her over plain Adelaide, whom -she pronounced the loveliest woman she had met in England; but -before we separated I remarked to her that it was an act of mere -humanity to warn her that if she should see more of Frank Saltram -(which would be likely to follow on any increase of acquaintance -with Mrs. Mulville), she might find herself flattening her nose -against the clear hard pane of an eternal question—that of the -relative importance of virtue. She replied that this was surely -a subject on which one took everything for granted; whereupon -<a name="Page_324" id="Page_324"></a><span class="pagenum">[Pg 324]</span> -I admitted that I had perhaps expressed myself ill. What I -referred to was what I had referred to the night we met in Upper -Baker Street—the importance relative (relative to virtue) of other -gifts. She asked me if I called virtue a gift—as if it were handed -to us in a parcel on our birthday; and I declared that this very -question showed me the problem had already caught her by the -skirt. She would have help however, help that I myself had once -had, in resisting its tendency to make one cross.</p> - -<p><q>What help do you mean?</q></p> - -<p><q>That of the member for Clockborough.</q></p> - -<p>She stared, smiled, then exclaimed: <q>Why, my idea has been -to help <em>him</em>!</q></p> - -<p>She <em>had</em> helped him—I had his own word for it that at Clockborough -her bedevilment of the voters had really put him in. She -would do so doubtless again and again, but I heard the very next -month that this fine faculty had undergone a temporary eclipse. -News of the catastrophe first came to me from Mrs. Saltram, and -it was afterwards confirmed at Wimbledon: poor Miss Anvoy -was in trouble—great disasters, in America, had suddenly summoned -her home. Her father, in New York, had had reverses—lost so -much money that no one knew what mightn't yet come of it. -It was Adelaide who told me that she had gone off, alone, at less -than a week's notice.</p> - -<p><q>Alone? Gravener has permitted that?</q></p> - -<p><q>What will you have? The House of Commons?</q></p> - -<p>I'm afraid I damned the House of Commons: I was so much -interested. Of course he would follow her as soon as he was -free to make her his wife; only she mightn't now be able to -bring him anything like the marriage-portion of which he had -begun by having the pleasant confidence. Mrs. Mulville let me -know what was already said: she was charming, this Miss Anvoy, -<a name="Page_325" id="Page_325"></a><span class="pagenum">[Pg 325]</span> -but really these American girls! What was a man to do? -Mr. Saltram, according to Mrs. Mulville, was of opinion that a -man was never to suffer his relation to money to become a spiritual -relation, but was to keep it wholesomely mechanical. <q><i lang="fr">Moi pas -comprendre!</i></q> I commented on this; in rejoinder to which -Adelaide, with her beautiful sympathy, explained that she supposed -he simply meant that the thing was to use it, don't you know! but -not to think too much about it. <q>To take it, but not to thank -you for it?</q> I still more profanely inquired. For a quarter of an -hour afterwards she wouldn't look at me, but this didn't prevent my -asking her what had been the result, that afternoon in the Regent's -Park, of her taking our friend to see Miss Anvoy.</p> - -<p><q>Oh, so charming!</q> she answered, brightening. <q>He said he -recognised in her a nature he could absolutely trust.</q></p> - -<p><q>Yes, but I'm speaking of the effect on herself.</q></p> - -<p>Mrs. Mulville was silent an instant. <q>It was everything one -could wish.</q></p> - -<p>Something in her tone made me laugh. <q>Do you mean she -gave him something?</q></p> - -<p><q>Well, since you ask me!</q></p> - -<p><q>Right there—on the spot?</q></p> - -<p>Again poor Adelaide faltered. <q>It was to me of course she -gave it.</q></p> - -<p>I stared; somehow I couldn't see the scene. <q>Do you mean a -sum of money?</q></p> - -<p><q>It was very handsome.</q> Now at last she met my eyes though -I could see it was with an effort. <q>Thirty pounds.</q></p> - -<p><q>Straight out of her pocket?</q></p> - -<p><q>Out of the drawer of a table at which she had been writing. -She just slipped the folded notes into my hand. He wasn't looking; -it was while he was going back to the carriage. Oh,</q> said -<a name="Page_326" id="Page_326"></a><span class="pagenum">[Pg 326]</span> -Adelaide reassuringly, <q>I dole it out!</q> The dear practical soul -thought my agitation, for I confess I was agitated, had reference -to the administration of the money. Her disclosure made me for -a moment muse violently, and I daresay that during that moment -I wondered if anything else in the world makes people as indelicate -as unselfishness. I uttered, I suppose, some vague synthetic cry, -for she went on as if she had had a glimpse of my inward amaze -at such episodes. <q>I assure you, my dear friend, he was in one of -his happy hours.</q></p> - -<p>But I wasn't thinking of that. <q>Truly, indeed, these American -girls!</q> I said. <q>With her father in the very act, as it were, of -cheating her betrothed!</q></p> - -<p>Mrs. Mulville stared. <q>Oh, I suppose Mr. Anvoy has scarcely -failed on purpose. Very likely they won't be able to keep it up, -but there it was, and it was a very beautiful impulse.</q></p> - -<p><q>You say Saltram was very fine?</q></p> - -<p><q>Beyond everything. He surprised even me.</q></p> - -<p><q>And I know what <em>you've</em> heard.</q> After a moment I added: -<q>Had he peradventure caught a glimpse of the money in the table-drawers?</q></p> - -<p>At this my companion honestly flushed. <q>How can you be so -cruel when you know how little he calculates?</q></p> - -<p><q>Forgive me, I do know it. But you tell me things that act on -my nerves. I'm sure he hadn't caught a glimpse of anything but -some splendid idea.</q></p> - -<p>Mrs. Mulville brightly concurred. <q>And perhaps even of her -beautiful listening face.</q></p> - -<p><q>Perhaps, even! And what was it all about?</q></p> - -<p><q>His talk? It was <i lang="fr">à propos</i> of her engagement, which I had -told him about: the idea of marriage, the philosophy, the poetry, -the profundity of it.</q> It was impossible wholly to restrain one's -<a name="Page_327" id="Page_327"></a><span class="pagenum">[Pg 327]</span> -mirth at this, and some rude ripple that I emitted again caused my -companion to admonish me. <q>It sounds a little stale, but you -know his freshness.</q></p> - -<p><q>Of illustration? Indeed I do!</q></p> - -<p><q>And how he has always been right on that great question.</q></p> - -<p><q>On what great question, dear lady, hasn't he been right?</q></p> - -<p><q>Of what other great men can you equally say it? I mean that -he has never, but <em>never</em>, had a deviation?</q> Mrs. Mulville exultantly -demanded.</p> - -<p>I tried to think of some other great man, but I had to give it -up. <q>Didn't Miss Anvoy express her satisfaction in any less -diffident way than by her charming present?</q> I was reduced to -inquiring instead.</p> - -<p><q>Oh yes, she overflowed to me on the steps while he was getting -into the carriage.</q> These words somehow brushed up a picture -of Saltram's big shawled back as he hoisted himself into the green -landau. <q>She said she was not disappointed,</q> Adelaide pursued.</p> - -<p>I meditated a moment. <q>Did he wear his shawl?</q></p> - -<p><q>His shawl?</q> She had not even noticed.</p> - -<p><q>I mean yours.</q></p> - -<p><q>He looked very nice, and you know he's always clean. Miss -Anvoy used such a remarkable expression—she said his mind is like -a crystal!</q></p> - -<p>I pricked up my ears. <q>A crystal?</q></p> - -<p><q>Suspended in the moral world—swinging and shining and -flashing there. She's monstrously clever, you know.</q></p> - -<p>I reflected again. <q>Monstrously!</q></p> - -<h4><abbr title="Eight">VIII</abbr><a name="Page_328" id="Page_328"></a><span class="pagenum">[Pg 328]</span></h4> - -<p>George Gravener didn't follow her, for late in September, after -the House had risen, I met him in a railway-carriage. He was -coming up from Scotland, and I had just quitted the abode of a -relation who lived near Durham. The current of travel back to -London was not yet strong; at any rate on entering the compartment -I found he had had it for some time to himself. We fared -in company, and though he had a blue-book in his lap and the -open jaws of his bag threatened me with the white teeth of confused -papers, we inevitably, we even at last sociably, conversed. I -saw that things were not well with him, but I asked no question -until something dropped by himself made an absence of curiosity -almost rude. He mentioned that he was worried about his good -old friend Lady Coxon, who, with her niece likely to be detained -some time in America, lay seriously ill at Clockborough, much on -his mind and on his hands.</p> - -<p><q>Ah, Miss Anvoy's in America?</q></p> - -<p><q>Her father has got into a horrid mess, lost no end of money.</q></p> - -<p>I hesitated, after expressing due concern, but I presently said, -<q>I hope that raises no obstacle to your marriage.</q></p> - -<p><q>None whatever; moreover it's my trade to meet objections. -But it may create tiresome delays, of which there have been too -many, from various causes, already. Lady Coxon got very bad, -then she got much better. Then Mr. Anvoy suddenly began to -totter, and now he seems quite on his back. I'm afraid he's -really in for some big disaster. Lady Coxon is worse again, -awfully upset by the news from America, and she sends me word -<a name="Page_329" id="Page_329"></a><span class="pagenum">[Pg 329]</span> -that she <em>must</em> have Ruth. How can I give her Ruth? I haven't -got Ruth myself!</q></p> - -<p><q>Surely you haven't lost her,</q> I smiled.</p> - -<p><q>She's everything to her wretched father. She writes me by -every post, telling me to smooth her aunt's pillow. I've other -things to smooth; but the old lady, save for her servants, is really -alone. She won't receive her Coxon relations, because she's angry -at so much of her money going to them. Besides, she's off her -head,</q> said Gravener very frankly.</p> - -<p>I don't remember whether it was this, or what it was, that -made me ask if she had not such an appreciation of Mrs. Saltram -as might render that active person of some use.</p> - -<p>He gave me a cold glance, asking me what had put Mrs. Saltram -into my head, and I replied that she was unfortunately never out of -it. I happened to remember the wonderful accounts she had given -me of the kindness Lady Coxon had shown her. Gravener -declared this to be false: Lady Coxon, who didn't care for her, -hadn't seen her three times. The only foundation for it was that -Miss Anvoy, who used, poor girl, to chuck money about in a -manner she must now regret, had for an hour seen in the miserable -woman (you could never know what she would see in people), an -interesting pretext for the liberality with which her nature -overflowed. But even Miss Anvoy was now quite tired of her. -Gravener told me more about the crash in New York and the -annoyance it had been to him, and we also glanced here and there -in other directions; but by the time we got to Doncaster the -principal thing he had communicated was that he was keeping -something back. We stopped at that station, and, at the carriage -door, some one made a movement to get in. Gravener uttered a -sound of impatience, and I said to myself that but for this I should -have had the secret. Then the intruder, for some reason, spared -<a name="Page_330" id="Page_330"></a><span class="pagenum">[Pg 330]</span> -us his company; we started afresh, and my hope of the secret -returned. Gravener remained silent however, and I pretended to -go to sleep; in fact, in discouragement, I really dozed. When I -opened my eyes I found he was looking at me with an injured air. -He tossed away with some vivacity the remnant of a cigarette and -then he said: <q>If you're not too sleepy I want to put you a case.</q> -I answered that I would make every effort to attend, and I felt -it was going to be interesting when he went on: <q>As I told you -a while ago, Lady Coxon, poor dear, is a maniac.</q> His tone had -much behind it—was full of promise. I inquired if her ladyship's -misfortune were a feature of her malady or only of her character, -and he replied that it was a product of both. The case he wanted -to put me was a matter on which it would interest him to have -the impression—the judgment, he might also say—of another -person. <q>I mean of the average intelligent man,</q> he said: <q>but -you see I take what I can get.</q> There would be the technical, -the strictly legal view; then there would be the way the question -would strike a man of the world. He had lighted another -cigarette while he talked, and I saw he was glad to have it to -handle when he brought out at last, with a laugh slightly artificial: -<q>In fact it's a subject on which Miss Anvoy and I are pulling -different ways.</q></p> - -<p><q>And you want me to pronounce between you? I pronounce -in advance for Miss Anvoy.</q></p> - -<p><q>In advance—that's quite right. That's how I pronounced -when I asked her to marry me. But my story will interest you -only so far as your mind is not made up.</q> Gravener puffed his -cigarette a minute and then continued: <q>Are you familiar with -the idea of the Endowment of Research?</q></p> - -<p><q>Of Research?</q> I was at sea for a moment.</p> - -<p><q>I give you Lady Coxon's phrase. She has it on the brain.</q></p> - -<p><a name="Page_331" id="Page_331"></a><span class="pagenum">[Pg 331]</span> -<q>She wishes to endow——?</q></p> - -<p><q>Some earnest and disinterested seeker,</q> Gravener said. <q>It -was a half-baked plan of her late husband's, and he handed it on to -her; setting apart in his will a sum of money of which she was to -enjoy the interest for life, but of which, should she eventually see -her opportunity—the matter was left largely to her discretion—she -would best honour his memory by determining the exemplary -public use. This sum of money, no less than thirteen thousand -pounds, was to be called the Coxon Fund; and poor Sir Gregory -evidently proposed to himself that the Coxon Fund should cover -his name with glory—be universally desired and admired. He left -his wife a full declaration of his views; so far at least as that term -may be applied to views vitiated by a vagueness really infantine. -A little learning is a dangerous thing, and a good citizen who -happens to have been an ass is worse for a community than the -small-pox. He's worst of all when he's dead, because then he can't -be stopped. However, such as they were, the poor man's -aspirations are now in his wife's bosom, or fermenting rather in -her foolish brain: it lies with her to carry them out. But of -course she must first catch her hare.</q></p> - -<p><q>Her earnest, disinterested seeker?</q></p> - -<p><q>The man suffering most from want of means, want of the -pecuniary independence necessary to cause the light that is in him -to shine upon the human race. The man, in a word, who, -having the rest of the machinery, the spiritual, the intellectual, is -most hampered in his search.</q></p> - -<p><q>His search for what?</q></p> - -<p><q>For Moral Truth. That's what Sir Gregory calls it.</q></p> - -<p>I burst out laughing. <q>Delightful, munificent Sir Gregory! -It's a charming idea.</q></p> - -<p><q>So Miss Anvoy thinks.</q></p> - -<p><a name="Page_332" id="Page_332"></a><span class="pagenum">[Pg 332]</span> -<q>Has she a candidate for the Fund?</q></p> - -<p><q>Not that I know of; and she's perfectly reasonable about it. -But Lady Coxon has put the matter before her, and we've -naturally had a lot of talk.</q></p> - -<p><q>Talk that, as you've so interestingly intimated, has landed you -in a disagreement.</q></p> - -<p><q>She considers there's something in it,</q> Gravener said.</p> - -<p><q>And you consider there's nothing?</q></p> - -<p><q>It seems to me a puerility fraught with consequences inevitably -grotesque and possibly immoral. To begin with, fancy -the idea of constituting an endowment without establishing a -tribunal—a bench of competent people, of judges.</q></p> - -<p><q>The sole tribunal is Lady Coxon?</q></p> - -<p><q>And any one she chooses to invite.</q></p> - -<p><q>But she has invited you.</q></p> - -<p><q>I'm not competent—I hate the thing. Besides, she hasn't. -The real history of the matter, I take it, is that the inspiration -was originally Lady Coxon's own, that she infected him with it, -and that the flattering option left her is simply his tribute to her -beautiful, her aboriginal enthusiasm. She came to England forty -years ago, a thin transcendental Bostonian, and even her odd, -happy, frumpy Clockborough marriage never really materialised -her. She feels indeed that she has become very British—as if that, -as a process, as a <i>Werden</i>, were conceivable; but it's precisely what -makes her cling to the notion of the 'Fund' as to a link with the -ideal.</q></p> - -<p><q>How can she cling if she's dying?</q></p> - -<p><q>Do you mean how can she act in the matter?</q> my companion -asked. <q>That's precisely the question. She can't! As she has -never yet caught her hare, never spied out her lucky impostor -(how should she, with the life she has led?) her husband's intention -<a name="Page_333" id="Page_333"></a><span class="pagenum">[Pg 333]</span> -has come very near <a name="lapsing"></a>lapsing. His idea, to do him justice, was -that it <em>should</em> lapse if exactly the right person, the perfect mixture -of genius and chill penury, should fail to turn up. Ah! Lady -Coxon's very particular—she says there must be no mistake.</q></p> - -<p>I found all this quite thrilling—I took it in with avidity. -<q>If she dies without doing anything, what becomes of the -money?</q> I demanded.</p> - -<p><q>It goes back to his family, if she hasn't made some other -disposition of it.</q></p> - -<p><q>She may do that, then—she may divert it?</q></p> - -<p><q>Her hands are not tied. The proof is that three months ago -she offered to make it over to her niece.</q></p> - -<p><q>For Miss Anvoy's own use?</q></p> - -<p><q>For Miss Anvoy's own use—on the occasion of her prospective -marriage. She was discouraged—the earnest seeker required -so earnest a search. She was afraid of making a mistake; every -one she could think of seemed either not earnest enough or not -poor enough. On the receipt of the first bad news about Mr. -Anvoy's affairs she proposed to Ruth to make the sacrifice for -her. As the situation in New York got worse she repeated her -proposal.</q></p> - -<p><q>Which Miss Anvoy declined?</q></p> - -<p><q>Except as a formal trust.</q></p> - -<p><q>You mean except as committing herself legally to place the -money?</q></p> - -<p><q>On the head of the deserving object, the great man frustrated,</q> -said Gravener. <q>She only consents to act in the spirit of Sir -Gregory's scheme.</q></p> - -<p><q>And you blame her for that?</q> I asked with an excited -smile.</p> - -<p>My tone was not harsh, but he coloured a little and there was a -<a name="Page_334" id="Page_334"></a><span class="pagenum">[Pg 334]</span> -queer light in his eye. <q>My dear fellow, if I 'blamed' the young -lady I'm engaged to, I shouldn't immediately say so even to so old -a friend as you.</q> I saw that some deep discomfort, some restless -desire to be sided with, reassuringly, becomingly reflected, had -been at the bottom of his drifting so far, and I was genuinely -touched by his confidence. It was inconsistent with his habits; -but being troubled about a woman was not, for him, a habit: that -itself was an inconsistency. George Gravener could stand -straight enough before any other combination of forces. It -amused me to think that the combination he had succumbed to -had an American accent, a transcendental aunt and an insolvent -father; but all my old loyalty to him mustered to meet this -unexpected hint that I could help him. I saw that I could from -the insincere tone in which he pursued: <q>I've criticised her of -course, I've contended with her, and it has been great fun.</q> It -clearly couldn't have been such great fun as to make it improper -for me presently to ask if Miss Anvoy had nothing at all settled -upon herself. To this he replied that she had only a trifle from -her mother—a mere four hundred a year, which was exactly why -it would be convenient to him that she shouldn't decline, in the -face of this total change in her prospects, an accession of income -which would distinctly help them to marry. When I inquired if -there were no other way in which so rich and so affectionate an -aunt could cause the weight of her benevolence to be felt, he -answered that Lady Coxon was affectionate indeed, but was -scarcely to be called rich. She could let her project of the Fund -lapse for her niece's benefit, but she couldn't do anything else. -She had been accustomed to regard her as tremendously provided -for, and she was up to her eyes in promises to anxious Coxons. -She was a woman of an inordinate conscience, and her conscience -was now a distress to her, hovering round her bed in irreconcilable -<a name="Page_335" id="Page_335"></a><span class="pagenum">[Pg 335]</span> -forms of resentful husbands, portionless nieces and undiscoverable -philosophers.</p> - -<p>We were by this time getting into the whirr of fleeting platforms, -the multiplication of lights. <q>I think you'll find,</q> I said -with a laugh, <q>that the difficulty will disappear in the very fact -that the philosopher <em>is</em> undiscoverable.</q></p> - -<p>He began to gather up his papers. <q>Who can set a limit to -the ingenuity of an extravagant woman?</q></p> - -<p><q>Yes, after all, who indeed?</q> I echoed as I recalled the -extravagance commemorated in Mrs. Mulville's anecdote of Miss -Anvoy and the thirty pounds.</p> - -<h4><abbr title="Nine">IX</abbr></h4> - -<p>The thing I had been most sensible of in that talk with George -Gravener was the way Saltram's name kept out of it. It seemed -to me at the time that we were quite pointedly silent about him; -yet afterwards I inclined to think that there had been on my -companion's part no conscious avoidance. Later on I was sure -of this, and for the best of reasons—the reason, namely, of my -perceiving more completely that, for evil as well as for good, -he left Gravener's imagination utterly cold. Gravener was not -afraid of him; he was too much disgusted with him. No more -was I, doubtless, and for very much the same reason. I treated -my friend's story as an absolute confidence; but when before -Christmas, by Mrs. Saltram, I was informed of Lady Coxon's -death without having had news of Miss Anvoy's return, I found -myself taking for granted that we should hear no more of these -nuptials, in which I now recognised an element incongruous from -<a name="Page_336" id="Page_336"></a><span class="pagenum">[Pg 336]</span> -the first. I began to ask myself how people who suited each -other so little could please each other so much. The charm was -some material charm, some affinity exquisite doubtless, but superficial; -some surrender to youth and beauty and passion, to force -and grace and fortune, happy accidents and easy contacts. They -might dote on each other's persons, but how could they know each -other's souls? How could they have the same prejudices, how -could they have the same horizon? Such questions, I confess, -seemed quenched but not answered when, one day in February, -going out to Wimbledon, I found my young lady in the house. -A passion that had brought her back across the wintry ocean was -as much of a passion as was necessary. No impulse equally strong -indeed had drawn George Gravener to America; a circumstance -on which, however, I reflected only long enough to remind -myself that it was none of my business. Ruth Anvoy was -distinctly different, and I felt that the difference was not simply -that of her being in mourning. Mrs. Mulville told me soon -enough what it was: it was the difference between a handsome -girl with large expectations and a handsome girl with only four -hundred a year. This explanation indeed didn't wholly content -me, not even when I learned that her mourning had a double -cause—learned that poor Mr. Anvoy, giving way altogether, -buried under the ruins of his fortune and leaving next to nothing, -had died a few weeks before.</p> - -<p><q>So she has come out to marry George Gravener?</q> I demanded. -<q>Wouldn't it have been prettier of him to have saved -her the trouble?</q></p> - -<p><q>Hasn't the House just met?</q> said Adelaide. Then she -added: <q>I gather that her having come is exactly a sign that the -marriage is a little shaky. If it were certain, so self-respecting a -girl as Ruth would have waited for him over there.</q></p> - -<p><a name="Page_337" id="Page_337"></a><span class="pagenum">[Pg 337]</span> -I noted that they were already Ruth and Adelaide, but what I -said was: <q>Do you mean that she has returned to make it a -certainty?</q></p> - -<p><q>No, I mean that I imagine she has come out for some reason -independent of it.</q> Adelaide could only imagine as yet, and -there was more, as we found, to be revealed. Mrs. Mulville, on -hearing of her arrival, had brought the young lady out, in the -green landau, for the Sunday. The Coxons were in possession of -the house in the Regent's Park, and Miss Anvoy was in dreary -lodgings. George Gravener was with her when Adelaide called, -but he had assented graciously enough to the little visit at Wimbledon. -The carriage, with Mr. Saltram in it but not mentioned, -had been sent off on some errand from which it was to return and -pick the ladies up. Gravener left them together, and at the end -of an hour, on the Saturday afternoon, the party of three drove out -to Wimbledon. This was the girl's second glimpse of our great -man, and I was interested in asking Mrs. Mulville if the impression -made by the first appeared to have been confirmed. On her -replying, after consideration, that of course with time and opportunity -it couldn't fail to be, but that as yet she was disappointed, I -was sufficiently struck with her use of this last word to question -her further.</p> - -<p><q>Do you mean that you're disappointed because you judge that -Miss Anvoy is?</q></p> - -<p><q>Yes; I hoped for a greater effect last evening. We had two -or three people, but he scarcely opened his mouth.</q></p> - -<p><q>He'll be all the better this evening,</q> I added after a moment. -<q>What particular importance do you attach to the idea of her -being impressed?</q></p> - -<p>Adelaide turned her clear, pale eyes on me as if she were amazed at -my levity. <q>Why, the importance of her being as happy as <em>we</em> are!</q></p> - -<p><a name="Page_338" id="Page_338"></a><span class="pagenum">[Pg 338]</span> -I'm afraid that at this my levity increased. <q>Oh, that's a -happiness almost too great to wish a person!</q> I saw she had not -yet in her mind what I had in mine, and at any rate the visitor's -actual bliss was limited to a walk in the garden with Kent Mulville. -Later in the afternoon I also took one, and I saw nothing -of Miss Anvoy till dinner, at which we were without the company -of Saltram, who had caused it to be reported that he was out of -sorts and lying down. This made us, most of us—for there were -other friends present—convey to each other in silence some of the -unutterable things which in those years our eyes had inevitably -acquired the art of expressing. If an American inquirer had not -been there we would have expressed them otherwise, and Adelaide -would have pretended not to hear. I had seen her, before the -very fact, abstract herself nobly; and I knew that more than once, -to keep it from the servants, managing, dissimulating cleverly, she -had helped her husband to carry him bodily to his room. Just -recently he had been so wise and so deep and so high that I had -begun to be nervous—to wonder if by chance there were something -behind it, if he were kept straight, for instance, by the knowledge -that the hated Pudneys would have more to tell us if they -chose. He was lying low, but unfortunately it was common -knowledge with us that the biggest splashes took place in the -quietest pools. We should have had a merry life indeed if all the -splashes had sprinkled us as refreshingly as the waters we were -even then to feel about our ears. Kent Mulville had been up to -his room, but had come back with a facial inscrutability that I had -seen him achieve in equal measure only on the evening I waited in -the lecture-room with Miss Anvoy. I said to myself that our -friend had gone out, but I was glad that the presence of a comparative -stranger deprived us of the dreary duty of suggesting to -each other, in respect of his errand, edifying possibilities in which -<a name="Page_339" id="Page_339"></a><span class="pagenum">[Pg 339]</span> -we didn't ourselves believe. At ten o'clock he came into the -drawing-room with his waistcoat much awry but his eyes sending -out great signals. It was precisely with his entrance that I ceased -to be vividly conscious of him. I saw that the crystal, as I had -called it, had begun to swing, and I had need of my immediate -attention for Miss Anvoy.</p> - -<p>Even when I was told afterwards that he had, as we might have -said to-day, broken the record, the manner in which that attention -had been rewarded relieved me of a sense of loss. I had of course -a perfect general consciousness that something great was -going on: it was a little like having been etherised to hear Herr -Joachim play. The old music was in the air; I felt the strong -pulse of thought, the sink and swell, the flight, the poise, the plunge; -but I knew something about one of the listeners that nobody else -knew, and Saltram's monologue could reach me only through that -medium. To this hour I'm of no use when, as a witness, I'm -appealed to (for they still absurdly contend about it), as to whether -or no on that historic night he was drunk; and my position is -slightly ridiculous, for I have never cared to tell them what it -really was I was taken up with. What I got out of it is the only -morsel of the total experience that is quite my own. The others -were shared, but this is incommunicable. I feel that now, I'm -bound to say, in even thus roughly evoking the occasion, and it -takes something from my pride of clearness. However, I shall -perhaps be as clear as is absolutely necessary if I remark that she -was too much given up to her own intensity of observation to be -sensible of mine. It was plainly not the question of her marriage -that had brought her back. I greatly enjoyed this discovery and -was sure that had that question alone been involved she would -have remained away. In this case doubtless Gravener would, in -spite of the House of Commons, have found means to rejoin her. -<a name="Page_340" id="Page_340"></a><span class="pagenum">[Pg 340]</span> -It afterwards made me uncomfortable for her that, alone in the -lodging Mrs. Mulville had put before me as dreary, she should -have in any degree the air of waiting for her fate; so that I was -presently relieved at hearing of her having gone to stay at Coldfield. -If she was in England at all while the engagement stood -the only proper place for her was under Lady Maddock's wing. -Now that she was unfortunate and relatively poor, perhaps her -prospective sister-in-law would be wholly won over. There -would be much to say, if I had space, about the way her behaviour, -as I caught gleams of it, ministered to the image that had taken -birth in my mind, to my private amusement, as I listened to -George Gravener in the railway carriage. I watched her in the -light of this queer possibility—a formidable thing certainly to -meet—and I was aware that it coloured, extravagantly perhaps, -my interpretation of her very looks and tones. At Wimbledon -for instance it had seemed to me that she was literally afraid of -Saltram, in dread of a coercion that she had begun already to feel. -I had come up to town with her the next day and had been convinced -that, though deeply interested, she was immensely on her -guard. She would show as little as possible before she should be -ready to show everything. What this final exhibition might be -on the part of a girl perceptibly so able to think things out I -found it great sport to conjecture. It would have been exciting -to be approached by her, appealed to by her for advice; but I -prayed to heaven I mightn't find myself in such a predicament. -If there was really a present rigour in the situation of which -Gravener had sketched for me the elements she would have to get -out of her difficulty by herself. It was not I who had launched -her and it was not I who could help her. I didn't fail to ask -myself why, since I couldn't help her, I should think so much -about her. It was in part my suspense that was responsible for -<a name="Page_341" id="Page_341"></a><span class="pagenum">[Pg 341]</span> -this: I waited impatiently to see whether she wouldn't have told -Mrs. Mulville a portion at least of what I had learned from -Gravener. But I saw Mrs. Mulville was still reduced to wonder -what she had come out again for if she hadn't come as a conciliatory -bride. That she had come in some other character was the -only thing that fitted all the appearances. Having for family -reasons to spend some time that spring in the west of England, I -was in a manner out of earshot of the great oceanic rumble (I -mean of the continuous hum of Saltram's thought), and my -nervousness tended to keep me quiet. There was something I -wanted so little to have to say that my prudence surmounted my -curiosity. I only wondered if Ruth Anvoy talked over the idea -of the Coxon Fund with Lady Maddock, and also somewhat why -I didn't hear from Wimbledon. I had a reproachful note about -something or other from Mrs. Saltram, but it contained no -mention of Lady Coxon's niece, on whom her eyes had been -much less fixed since the recent untoward events.</p> - -<h4><abbr title="Ten">X</abbr></h4> - -<p>Adelaide's silence was fully explained later; it was practically -explained when in June, returning to London, I was honoured by -this admirable woman with an early visit. As soon as she -appeared I guessed everything, and as soon as she told me that -darling Ruth had been in her house nearly a month I -exclaimed: <q>What in the name of maidenly modesty is she -staying in England for?</q></p> - -<p><q>Because she loves me so!</q> cried Adelaide gaily. But she -had not come to see me only to tell me Miss Anvoy loved her: -<a name="Page_342" id="Page_342"></a><span class="pagenum">[Pg 342]</span> -that was now sufficiently established, and what was much more to -the point was that Mr. Gravener had now raised an objection to -it. That is he had protested against her being at Wimbledon, -where in the innocence of his heart he had originally brought -her himself; in short he wanted her to put an end to their -engagement in the only proper, the only happy manner.</p> - -<p><q>And why in the world doesn't she do so?</q> I inquired.</p> - -<p>Adelaide hesitated. <q>She says you know.</q> Then on my also -hesitating she added: <q>A condition he makes.</q></p> - -<p><q>The Coxon Fund?</q> I cried.</p> - -<p><q>He has mentioned to her his having told you about it.</q></p> - -<p><q>Ah, but so little! Do you mean she has accepted the -trust!</q></p> - -<p><q>In the most splendid spirit—as a duty about which there can -be no two opinions.</q> Then said Adelaide after an instant: <q>Of -course she's thinking of Mr. Saltram.</q></p> - -<p>I gave a quick cry at this, which, in its violence, made my -visitor turn pale. <q>How very awful!</q></p> - -<p><q>Awful?</q></p> - -<p><q>Why, to have anything to do with such an idea oneself.</q></p> - -<p><q>I'm sure you needn't!</q> Mrs. Mulville gave a slight toss of -her head.</p> - -<p><q>He isn't good enough!</q> I went on; to which she responded -with an ejaculation almost as lively as mine had been. This made -me, with genuine, immediate horror, exclaim: <q>You haven't -influenced her, I hope!</q> and my emphasis brought back the -blood with a rush to poor Adelaide's face. She declared while she -blushed (for I had frightened her again), that she had never influenced -anybody and that the girl had only seen and heard and -judged for herself. <em>He</em> had influenced her, if I would, as he did -everyone who had a soul: that word, as we knew, even expressed -<a name="Page_343" id="Page_343"></a><span class="pagenum">[Pg 343]</span> -feebly the power of the things he said to haunt the mind. How -could she, Adelaide, help it if Miss Anvoy's mind was haunted? -I demanded with a groan what right a pretty girl engaged to a -rising M.P. had to <em>have</em> a mind; but the only explanation my -bewildered friend could give me was that she was so clever. She -regarded Mr. Saltram naturally as a tremendous force for good. -She was intelligent enough to understand him and generous -enough to admire.</p> - -<p><q>She's many things enough, but is she, among them, rich -enough?</q> I demanded. <q>Rich enough, I mean, to sacrifice -such a lot of good money?</q></p> - -<p><q>That's for herself to judge. Besides, it's not her own money; -she doesn't in the least consider it so.</q></p> - -<p><q>And Gravener does, if not <em>his</em> own: and that's the whole -difficulty?</q></p> - -<p><q>The difficulty that brought her back, yes: she had absolutely -to see her poor aunt's solicitor. It's clear that by Lady Coxon's -will she may have the money, but it's still clearer to her conscience -that the original condition, definite, intensely implied on her -uncle's part, is attached to the use of it. She can only take one -view of it. It's for the Endowment or it's for nothing.</q></p> - -<p><q>The Endowment is a conception superficially sublime but -fundamentally ridiculous.</q></p> - -<p><q>Are you repeating Mr. Gravener's words?</q> Adelaide asked.</p> - -<p><q>Possibly, though I've not seen him for months. It's simply -the way it strikes me too. It's an old wife's tale. Gravener -made some reference to the legal aspect, but such an absurdly loose -arrangement has no legal aspect.</q></p> - -<p><q>Ruth doesn't insist on that,</q> said Mrs. Mulville; <q>and it's, -for her, exactly this weakness that constitutes the force of the -moral obligation.</q></p> - -<p><a name="Page_344" id="Page_344"></a><span class="pagenum">[Pg 344]</span> -<q>Are you repeating her words?</q> I inquired. I forgot what -else Adelaide said, but she said she was magnificent. I thought of -George Gravener confronted with such magnificence as that, and -I asked what could have made two such people ever suppose they -understood each other. Mrs. Mulville assured me the girl loved -him as such a woman could love and that she suffered as such a -woman could suffer. Nevertheless she wanted to see me. At -this I sprang up with a groan. <q>Oh, I'm so sorry!—when?</q> -Small though her sense of humour, I think Adelaide laughed at -my tone. We discussed the day, the nearest, it would be convenient -I should come out; but before she went I asked my visitor -how long she had been acquainted with these prodigies.</p> - -<p><q>For several weeks, but I was pledged to secrecy.</q></p> - -<p><q>And that's why you didn't write?</q></p> - -<p><q>I couldn't very well tell you she was with me without telling -you that no time had even yet been fixed for her marriage. And -I couldn't very well tell you as much as that without telling you -what I knew of the reason for it. It was not till a day or two -ago,</q> Mrs. Mulville went on, <q>that she asked me to ask you if -you wouldn't come and see her. Then at last she said that you -knew about the idea of the Endowment.</q></p> - -<p>I considered a little. <q>Why on earth does she want to see -me?</q></p> - -<p><q>To talk with you, naturally, about Mr. Saltram.</q></p> - -<p><q>As a subject for the prize?</q> This was hugely obvious, and -presently exclaimed: <q>I think I'll sail to-morrow for -Australia.</q></p> - -<p><q>Well then—sail!</q> said Mrs. Mulville, getting up.</p> - -<p><q>On Thursday at five, we said?</q> I frivolously continued. -The appointment was made definite and I inquired how, all this -time, the unconscious candidate had carried himself.</p> - -<p><a name="Page_345" id="Page_345"></a><span class="pagenum">[Pg 345]</span> -<q>In perfection, really, by the happiest of chances: he has been a -dear. And then, as to what we revere him for, in the most -wonderful form. His very highest—pure celestial light. You -<em>won't</em> do him an ill turn?</q> Adelaide pleaded at the door.</p> - -<p><q>What danger can equal for him the danger to which he is exposed -from himself?</q> I asked. <q>Look out sharp, if he has lately -been reasonable. He will presently treat us to some exhibition that -will make an Endowment a scandal.</q></p> - -<p><q>A scandal?</q> Mrs. Mulville dolorously echoed.</p> - -<p><q>Is Miss Anvoy prepared for that?</q></p> - -<p>My visitor, for a moment, screwed her parasol into my carpet. -<q>He grows larger every day.</q></p> - -<p><q>So do you!</q> I laughed as she went off.</p> - -<p>That girl at Wimbledon, on the Thursday afternoon, more than -justified my apprehensions. I recognised fully now the cause of -the agitation she had produced in me from the first—the faint foreknowledge -that there was something very stiff I should have to do -for her. I felt more than ever committed to my fate as, standing -before her in the big drawing-room where they had tactfully left -us to ourselves, I tried with a smile to string together the pearls -of lucidity which, from her chair, she successively tossed me. Pale -and bright, in her monotonous mourning, she was an image of -intelligent purpose, of the passion of duty; but I asked myself -whether any girl had ever had so charming an instinct as that -which permitted her to laugh out, as if in the joy of her difficulty, -into the <i lang="fr">blasée</i> old room. This remarkable young woman could -be earnest without being solemn, and at moments when I ought -doubtless to have cursed her obstinacy I found myself watching the -unstudied play of her eyebrows or the recurrence of a singularly -intense whiteness produced by the parting of her lips. These -aberrations, I hasten to add, didn't prevent my learning soon -<a name="Page_346" id="Page_346"></a><span class="pagenum">[Pg 346]</span> -enough why she had wished to see me. Her reason for this was -as distinct as her beauty: it was to make me explain what I had -meant, on the occasion of our first meeting, by Mr. Saltram's want -of dignity. It wasn't that she couldn't imagine, but she desired -it there from my lips. What she really desired of course was -to know whether there was worse about him than what she had -found out for herself. She hadn't been a month in the house with -him, that way, without discovering that he wasn't a man of starch -and whalebone. He was like a jelly without a mould, he had to -be embanked; and that was precisely the source of her interest -in him and the ground of her project. She put her project boldly -before me: there it stood in its preposterous beauty. She was as -willing to take the humorous view of it as I could be: the only -difference was that for her the humorous view of a thing was not -necessarily prohibitive, was not paralysing.</p> - -<p>Moreover she professed that she couldn't discuss with me the -primary question—the moral obligation: that was in her own -breast. There were things she couldn't go into—injunctions, -impressions she had received. They were a part of the -closest intimacy of her intercourse with her aunt, they were absolutely -clear to her; and on questions of delicacy, the interpretation -of a fidelity, of a promise, one had always in the last resort to -make up one's mind for oneself. It was the idea of the application -to the particular case, such a splendid one at last, that troubled -her, and she admitted that it stirred very deep things. She didn't -pretend that such a responsibility was a simple matter; if it had -been she wouldn't have attempted to saddle me with any portion -of it. The Mulvilles were sympathy itself; but were they absolutely -candid? Could they indeed be, in their position—would it -even have been to be desired? Yes, she had sent for me to ask -no less than that of me—whether there was anything dreadful -<a name="Page_347" id="Page_347"></a><span class="pagenum">[Pg 347]</span> -kept back. She made no allusion whatever to George Gravener—I -thought her silence the only good taste and her gaiety perhaps -a part of the very anxiety of that discretion, the effect of a determination -that people shouldn't know from herself that her relations -with the man she was to marry were strained. All the weight, -however, that she left me to throw was a sufficient implication of -the weight that he had thrown in vain. Oh, she knew the -question of character was immense, and that one couldn't entertain -any plan for making merit comfortable without running the -gauntlet of that terrible procession of interrogation-points which, -like a young ladies' school out for a walk, hooked their uniform -noses at the tail of governess Conduct. But were we absolutely to -hold that <a name="there"></a>there was never, never, never an exception, never, never, -never an occasion for liberal acceptance, for clever charity, for -suspended pedantry—for letting one side, in short, outbalance -another? When Miss Anvoy threw off this inquiry I could have -embraced her for so delightfully emphasising her unlikeness to -Mrs. Saltram. <q>Why not have the courage of one's forgiveness,</q> -she asked, <q>as well as the enthusiasm of one's adhesion?</q></p> - -<p><q>Seeing how wonderfully you have threshed the whole thing -out,</q> I evasively replied, <q>gives me an extraordinary notion of the -point your enthusiasm has reached.</q></p> - -<p>She considered this remark an instant with her eye on mine, and -I divined that it struck her I might possibly intend it as a reference -to some personal subjection to our fat philosopher, to some fanciful -transfigurement, some perversion of taste. At least I couldn't interpret -otherwise the sudden flush that came into her face. Such -a manifestation, as the result of any word of mine, embarrassed -me; but while I was thinking how to reassure her the colour I -speak of passed away in a smile of exquisite good nature. <q>Oh, -you see, one forgets so wonderfully how one dislikes him!</q> she -<a name="Page_348" id="Page_348"></a><span class="pagenum">[Pg 348]</span> -said; and if her tone simply extinguished his strange figure with -the brush of its compassion, it also rings in my ear to-day as the -purest of all our praises. But with what quick response of compassion -such a relegation of the man himself made me privately -sigh: <q>Ah, poor Saltram!</q> She instantly, with this, took the -measure of all I didn't believe, and it enabled her to go on: -<q>What can one do when a person has given such a lift to one's -interest in life?</q></p> - -<p><q>Yes, what can one do?</q> If I struck her as a little vague it -was because I was thinking of another person. I indulged in -another inarticulate murmur—<q>Poor George Gravener!</q> What -had become of the lift <em>he</em> had given that interest? Later on I -made up my mind that she was sore and stricken at the appearance -he presented of wanting the miserable money. It was the hidden -reason of her alienation. The probable sincerity, in spite of the -illiberality, of his scruples about the particular use of it under discussion -didn't efface the ugliness of his demand that they should -buy a good house with it. Then, as for <em>his</em> alienation, he didn't, -pardonably enough, grasp the lift Frank Saltram had given her -interest in life. If a mere spectator could ask that last question, -with what rage in his heart the man himself might! He was -not, like her, I was to see, too proud to show me why he was -disappointed.</p> - -<h4><abbr title="Eleven">XI</abbr></h4> - -<p>I was unable, this time, to stay to dinner: such, at any rate, -was the plea on which I took leave. I desired in truth to get -away from my young lady, for that obviously helped me not to -pretend to satisfy her. How <em>could</em> I satisfy her? I asked myself—how -<a name="Page_349" id="Page_349"></a><span class="pagenum">[Pg 349]</span> -could I tell her how much had been kept back? I didn't -even know, myself, and I certainly didn't desire to know. My -own policy had ever been to learn the least about poor Saltram's -weaknesses—not to learn the most. A great deal that I had in -fact learned had been forced upon me by his wife. There was -something even irritating in Miss Anvoy's crude conscientiousness, -and I wondered why after all she couldn't have let him alone -and been content to entrust George Gravener with the purchase -of the good house. I was sure he would have driven a bargain, -got something excellent and cheap. I laughed louder even than -she, I temporised, I failed her; I told her I must think over her -case. I professed a horror of responsibilities and twitted her with -her own extravagant passion for them. It was not really that I -was afraid of the scandal, the moral discredit for the Fund; -what troubled me most was a feeling of a different order. Of -course, as the beneficiary of the Fund was to enjoy a simple life-interest, -as it was hoped that new beneficiaries would arise and -come up to new standards, it would not be a trifle that the first of -these worthies should not have been a striking example of the -domestic virtues. The Fund would start badly, as it were, and the -laurel would, in some respects at least, scarcely be greener from -the brows of the original wearer. That idea however was at -that hour, as I have hinted, not the source of anxiety it ought -perhaps to have been, for I felt less the irregularity of Saltram's -getting the money than that of this exalted young woman's -giving it up. I wanted her to have it for herself, and I told her -so before I went away. She looked graver at this than she had -looked at all, saying she hoped such a preference wouldn't make -me dishonest.</p> - -<p>It made me, to begin with, very restless—made me, instead of -going straight to the station, fidget a little about that many-coloured -<a name="Page_350" id="Page_350"></a><span class="pagenum">[Pg 350]</span> -Common which gives Wimbledon horizons. There -was a worry for me to work off, or rather keep at a distance, for I -declined even to admit to myself that I had, in Miss Anvoy's -phrase, been saddled with it. What could have been clearer -indeed than the attitude of recognising perfectly what a world of -trouble the Coxon Fund would in future save us, and of yet -liking better to face a continuance of that trouble than see, and in -fact contribute to, a deviation from attainable bliss in the life of -two other persons in whom I was deeply interested? Suddenly, -at the end of twenty minutes, there was projected across this clearness -the image of a massive, middle-aged man seated on a bench, -under a tree, with sad, far-wandering eyes and plump white hands -folded on the head of a stick—a stick I recognised, a stout gold-headed -staff that I had given him in throbbing days. I stopped -short as he turned his face to me, and it happened that for some -reason or other I took in as I had perhaps never done before the -beauty of his rich blank gaze. It was charged with experience as -the sky is charged with light, and I felt on the instant as if we -had been overspanned and conjoined by the great arch of a bridge -or the great dome of a temple. Doubtless I was rendered peculiarly -sensitive to it by something in the way I had been giving -him up and sinking him. While I met it I stood there smitten, -and I felt myself responding to it with a sort of guilty grimace. -This brought back his attention in a smile which expressed for me -a cheerful, weary patience, a bruised noble gentleness. I had told -Miss Anvoy that he had no dignity, but what did he seem to me, -all unbuttoned and fatigued as he waited for me to come up, if he -didn't seem unconcerned with small things, didn't seem in short -majestic? There was majesty in his mere unconsciousness of our -little conferences and puzzlements over his maintenance and his -reward.</p> - -<p><a name="Page_351" id="Page_351"></a><span class="pagenum">[Pg 351]</span> -After I had sat by him a few minutes I passed my arm over -his big soft shoulder (wherever you touched him you found -equally little firmness,) and said in a tone of which the -suppliance fell oddly on my own car: <q>Come back to town -with me, old friend—come back and spend the evening.</q> I -wanted to hold him, I wanted to keep him, and at Waterloo, an -hour later, I telegraphed possessively to the Mulvilles. When he -objected, as regards staying all night, that he had no things, I -asked him if he hadn't everything of mine. I had abstained from -ordering dinner, and it was too late for preliminaries at a club; so -we were reduced to tea and fried fish at my rooms—reduced also -to the transcendent. Something had come up which made me -want him to feel at peace with me, which was all the dear man -himself wanted on any occasion. I had too often had to press -upon him considerations irrelevant, but it gives me pleasure now to -think that on that particular evening I didn't even mention Mrs. -Saltram and the children. Late into the night we smoked and -talked; old shames and old rigours fell away from us; I only let -him see that I was conscious of what I owed him. He was as -mild as contrition and as abundant as faith; he was never so fine -as on a shy return, and even better at forgiving than at being -forgiven. I daresay it was a smaller matter than that famous -night at Wimbledon, the night of the problematical sobriety and -of Miss Anvoy's initiation; but I was as much in it on this -occasion as I had been out of it then. At about 1.30 he was -sublime.</p> - -<p>He never, under any circumstances, rose till all other risings -were over, and his breakfasts, at Wimbledon, had always been the -principal reason mentioned by departing cooks. The coast was -therefore clear for me to receive her when, early the next morning, -to my surprise, it was announced to me that his wife had -<a name="Page_352" id="Page_352"></a><span class="pagenum">[Pg 352]</span> -called. I hesitated, after she had come up, about telling her -Saltram was in the house, but she herself settled the question, kept -me reticent, by drawing forth a sealed letter which, looking at me -very hard in the eyes, she placed, with a pregnant absence of comment, -in my hand. For a single moment there glimmered before -me the fond hope that Mrs. Saltram had tendered me, as it were, -her resignation and desired to embody the act in an unsparing -form. To bring this about I would have feigned any humiliation; -but after my eyes had caught the superscription I heard myself -say with a flatness that betrayed a sense of something very -different from relief: <q>Oh, the Pudneys?</q> I knew their envelopes, -though they didn't know mine. They always used the kind -sold at post-offices with the stamp affixed, and as this letter had -not been posted they had wasted a penny on me. I had seen their -horrid missives to the Mulvilles, but had not been in direct correspondence -with them.</p> - -<p><q>They enclosed it to me, to be delivered. They doubtless -explain to you that they hadn't your address.</q></p> - -<p>I turned the thing over without opening it. <q>Why in the -world should they write to me?</q></p> - -<p><q>Because they have something to tell you. The worst,</q> -Mrs. Saltram dryly added.</p> - -<p>It was another chapter, I felt, of the history of their lamentable -quarrel with her husband, the episode in which, vindictively, -disingenuously as they themselves had behaved, one had to admit -that he had put himself more grossly in the wrong than at any -moment of his life. He had begun by insulting the matchless -Mulvilles for these more specious protectors, and then, according -to his wont at the end of a few months, had dug a still deeper -ditch for his aberration than the chasm left yawning behind. The -chasm at Wimbledon was now blessedly closed; but the Pudneys -<a name="Page_353" id="Page_353"></a><span class="pagenum">[Pg 353]</span> -across their persistent gulf, kept up the nastiest fire. I never -doubted they had a strong case, and I had been from the first for -not defending him—reasoning that if they were not contradicted -they would perhaps subside. This was above all what I wanted, -and I so far prevailed, that I did arrest the correspondence in time -to save our little circle an infliction heavier than it perhaps would -have borne. I knew, that is I divined, that they had produced as -yet as much as they dared, conscious as they were in their -own virtue of an exposed place in which Saltram could have -planted a blow. It was a question with them whether a man who -had himself so much to cover up would dare; so that these vessels -of rancour were in a manner afraid of each other. I judged that -on the day the Pudneys should cease for some reason or other to -be afraid they would treat us to some revelation more disconcerting -than any of its predecessors. As I held Mr. Saltram's letter -in my hand it was distinctly communicated to me that the day -had come—they had ceased to be afraid. <q>I don't want to know -the worst,</q> I presently declared.</p> - -<p><q>You'll have to open the letter. It also contains an enclosure.</q></p> - -<p>I felt it—it was fat and uncanny. <q>Wheels within wheels!</q> -I exclaimed. <q>There is something for me too to deliver.</q></p> - -<p><q>So they tell me—to Miss Anvoy.</q></p> - -<p>I stared; I felt a certain thrill. <q>Why don't they send it to -her directly?</q></p> - -<p>Mrs. Saltram hesitated! <q>Because she's staying with Mr. and -Mrs. Mulville.</q></p> - -<p><q>And why should that prevent?</q></p> - -<p>Again my visitor faltered, and I began to reflect on the -grotesque, the unconscious perversity of her action. I was the only -person save George Gravener and the Mulvilles who was aware of -<a name="Page_354" id="Page_354"></a><span class="pagenum">[Pg 354]</span> -Sir Gregory Coxon's and of Miss Anvoy's strange bounty. Where -could there have been a more signal illustration of the clumsiness -of human affairs than her having complacently selected this moment -to fly in the face of it? <q>There's the chance of their seeing her -letters. They know Mr. Pudney's hand.</q></p> - -<p>Still I didn't understand; then it flashed upon me. <q>You -mean they might intercept it? How can you imply anything so -base?</q> I indignantly demanded.</p> - -<p><q>It's not I; it's Mr. Pudney!</q> cried Mrs. Saltram with a -flush. <q>It's his own idea.</q></p> - -<p><q>Then why couldn't he send the letter to <em>you</em> to be delivered?</q></p> - -<p>Mrs. Saltram's colour deepened; she gave me another hard -look. <q>You must make that out for yourself.</q></p> - -<p>I made it out quickly enough. <q>It's a denunciation?</q></p> - -<p><q>A real lady doesn't betray her husband!</q> this virtuous woman -exclaimed.</p> - -<p>I burst out laughing, and I fear my laugh may have had an -effect of impertinence.</p> - -<p><q>Especially to Miss Anvoy, who's so easily shocked? Why -do such things concern <em>her</em>?</q> I asked, much at a loss.</p> - -<p><q>Because she's there, exposed to all his craft. Mr. and Mrs. -Pudney have been watching this; they feel she may be taken in.</q></p> - -<p><q>Thank you for all the rest of us! What difference can it -make, when she has lost her power to contribute?</q></p> - -<p>Again Mrs. Saltram considered; then very nobly: <q>There are -other things in the world than money,</q> she remarked. This -hadn't occurred to her so long as the young lady had any; but -she now added, with a glance at my letter, that Mr. and Mrs. -Pudney doubtless explained their motives. <q>It's all in kindness,</q> -she continued as she got up.</p> - -<p><a name="Page_355" id="Page_355"></a><span class="pagenum">[Pg 355]</span> -<q>Kindness to Miss Anvoy? You took, on the whole, another -view of kindness before her reverses.</q></p> - -<p>My companion smiled with some acidity. <q>Perhaps you're no -safer than the Mulvilles!</q></p> - -<p>I didn't want her to think that, nor that she should report to -the Pudneys that they had not been happy in their agent; and I -well remember that this was the moment at which I began, with -considerable emotion, to promise myself to enjoin upon Miss -Anvoy never to open any letter that should come to her with a -stamp worked into the envelope. My emotion and I fear I must -add my confusion quickly increased; I presently should have -been as glad to frighten Mrs. Saltram as to think I might by -some diplomacy restore the Pudneys to a quieter vigilance. -<q>It's best you should take <em>my</em> view of my safety,</q> I at any rate -soon responded. When I saw she didn't know what I meant by -this I added: <q>You may turn out to have done, in bringing me -this letter, a thing you will profoundly regret.</q> My tone had a -significance which, I could see, did make her uneasy, and there -was a moment, after I had made two or three more remarks of -studiously bewildering effect, at which her eyes followed so -hungrily the little flourish of the letter with which I emphasised -them, that I instinctively slipped Mr. Pudney's communication -into my pocket. She looked, in her embarrassed annoyance, as if -she might grab it and send it back to him. I felt, after she had -gone, as if I had almost given her my word I wouldn't deliver the -enclosure. The passionate movement, at any rate, with which, -in solitude, I transferred the whole thing, unopened, from my -pocket to a drawer which I double-locked would have amounted, -for an initiated observer, to some such promise.</p> - -<h4><abbr title="Twelve">XII</abbr><a name="Page_356" id="Page_356"></a><span class="pagenum">[Pg 356]</span></h4> - -<p>Mrs. Saltram left me drawing my breath more quickly and -indeed almost in pain—as if I had just perilously grazed the loss -of something precious. I didn't quite know what it was—it had -a shocking resemblance to my honour. The emotion was the -livelier doubtless in that my pulses were still shaken with the -great rejoicing with which, the night before, I had rallied to the -most potent inspirer it could ever have been a man's fortune to -meet. What had dropped from me like a cumbersome garment -as Saltram appeared before me in the afternoon on the heath was -the disposition to haggle over his value. Hang it, one had to -choose, one had to put that value somewhere; so I would put it -really high and have done with it. Mrs. Mulville drove in for -him at a discreet hour—the earliest she could presume him to -have got up; and I learned that Miss Anvoy would also have -come had she not been expecting a visit from Mr. Gravener. I -was perfectly mindful that I was under bonds to see this young -lady, and also that I had a letter to deliver to her; but I took my -time, I waited from day to day. I left Mrs. Saltram to deal as -her apprehensions should prompt with the Pudneys. I knew at -last what I meant—I had ceased to wince at my responsibility. -I gave this supreme impression of Saltram time to fade if it -would; but it didn't fade, and, individually, it has not faded even -now. During the month that I thus invited myself to stiffen -again Adelaide Mulville, perplexed by my absence, wrote to me -to ask why I <em>was</em> so stiff. At that season of the year I was -usually oftener with them. She also wrote that she feared a real -estrangement had set in between Mr. Gravener and her sweet -<a name="Page_357" id="Page_357"></a><span class="pagenum">[Pg 357]</span> -young friend—a state of things only partly satisfactory to her so -long as the advantage accruing to Mr. Saltram failed to disengage -itself from the cold mists of theory. She intimated that her sweet -young friend was, if anything, a trifle too reserved; she also -intimated that there might now be an opening for another clever -young man. There never was the slightest opening, I may here -parenthesise, and of course the question can't come up to-day. -These are old frustrations now. Ruth Anvoy has not married, I -hear, and neither have I. During the month, toward the end, I -wrote to George Gravener to ask if, on a special errand, I might -come to see him, and his answer was to knock the very next day -at my door. I saw he had immediately connected my inquiry -with the talk we had had in the railway carriage, and his promptitude -showed that the ashes of his eagerness were not yet cold. I -told him there was something I thought I ought in candour to let -him know—I recognised the obligation his friendly confidence -had laid upon me.</p> - -<p><q>You mean that Miss Anvoy has talked to you? She has told -me so herself,</q> he said.</p> - -<p><q>It was not to tell so that <em>I</em> wanted to see you,</q> I replied; -<q>for it seemed to me that such a communication would rest -wholly with herself. If however she did speak to you of our -conversation she probably told you that I was discouraging.</q></p> - -<p><q>Discouraging?</q></p> - -<p><q>On the subject of a present application of the Coxon Fund.</q></p> - -<p><q>To the case of Mr. Saltram? My dear fellow, I don't know -what you call discouraging!</q> Gravener exclaimed.</p> - -<p><q>Well, I thought I was, and I thought she thought I was.</q></p> - -<p><q>I believe she did, but such a thing is measured by the effect. -She's not discouraged.</q></p> - -<p><q>That's her own affair. The reason I asked you to see me -<a name="Page_358" id="Page_358"></a><span class="pagenum">[Pg 358]</span> -was that it appeared to me I ought to tell you frankly that -decidedly I can't undertake to produce that effect. In fact I -don't want to!</q></p> - -<p><q>It's very good of you, damn you!</q> my visitor laughed, red -and really grave. Then he said: <q>You would like to see that -fellow publicly glorified—perched on the pedestal of a great complimentary -fortune?</q></p> - -<p><q>Taking one form of public recognition with another, it seems -to me on the whole I could bear it. When I see the compliments -that are paid right and left, I ask myself why this one -shouldn't take its course. This therefore is what you're entitled -to have looked to me to mention to you. I have some evidence -that perhaps would be really dissuasive, but I propose to invite -Miss Anvoy to remain in ignorance of it.</q></p> - -<p><q>And to invite me to do the same?</q></p> - -<p><q>Oh, you don't require it—you've evidence enough. I speak -of a sealed letter which I've been requested to deliver to her.</q></p> - -<p><q>And you don't mean to?</q></p> - -<p><q>There's only one consideration that would make me.</q></p> - -<p>Gravener's clear, handsome eyes plunged into mine a minute; -but evidently without fishing up a clue to this motive—a failure -by which I was almost wounded. <q>What does the letter contain?</q></p> - -<p><q>It's sealed, as I tell you, and I don't know what it contains.</q></p> - -<p><q>Why is it sent through you?</q></p> - -<p><q>Rather than you?</q> I hesitated a moment. <q>The only explanation -I can think of is that the person sending it may have -imagined your relations with Miss Anvoy to be at an end—may -have been told they were by Mrs. Saltram.</q></p> - -<p><q>My relations with Miss Anvoy are not at an end,</q> poor -Gravener stammered.</p> - -<p><a name="Page_359" id="Page_359"></a><span class="pagenum">[Pg 359]</span> -Again, for an instant, I deliberated. <q>The offer I propose to -make you gives me the right to put you a question remarkably -direct. Are you still engaged to Miss Anvoy?</q></p> - -<p><q>No, I'm not,</q> he slowly brought out. <q>But we're perfectly -good friends.</q></p> - -<p><q>Such good friends that you will again become prospective -husband and wife if the obstacle in your path be removed?</q></p> - -<p><q>Removed?</q> Gravener vaguely repeated.</p> - -<p><q>If I give Miss Anvoy the letter I speak of she may drop her -project.</q></p> - -<p><q>Then for God's sake give it!</q></p> - -<p><q>I'll do so if you're ready to assure me that her dropping it -would now presumably bring about your marriage.</q></p> - -<p><q>I'd marry her the next day!</q> my visitor cried.</p> - -<p><q>Yes, but would she marry you? What I ask of you of -course is nothing less than your word of honour as to your conviction -of this. If you give it me,</q> I said, <q>I'll place the letter -in her hand to-day.</q></p> - -<p>Gravener took up his hat; turning it mechanically round, he -stood looking a moment hard at its unruffled perfection. Then, -very angrily, honestly and gallantly: <q>Place it in hell!</q> he -broke out; with which he clapped the hat on his head and left me.</p> - -<p><q>Will you read it or not?</q> I said to Ruth Anvoy, at Wimbledon, -when I had told her the story of Mrs. Saltram's visit.</p> - -<p>She reflected for a period which was probably of the briefest, -but which was long enough to make me nervous. <q>Have you -brought it with you?</q></p> - -<p><q>No indeed. It's at home, locked up.</q></p> - -<p>There was another great silence, and then she said: <q>Go back -and destroy it.</q></p> - -<p>I went back, but I didn't destroy it till after Saltram's death, -<a name="Page_360" id="Page_360"></a><span class="pagenum">[Pg 360]</span> -when I burnt it unread. The Pudneys approached her again -pressingly, but, prompt as they were, the Coxon Fund had already -become an operative benefit and a general amaze; Mr. Saltram, -while we gathered about, as it were, to watch the manna descend, -was already drawing the magnificent income. He drew it as he -had always drawn everything, with a grand abstracted gesture. -Its magnificence, alas, as all the world now knows, quite quenched -him; it was the beginning of his decline. It was also naturally -a new grievance for his wife, who began to believe in him as soon -as he was blighted and who to this day accuses us of having bribed -him to gratify the fad of a pushing American, to renounce his -glorious office, to become, as she says, like everybody else. On -the day he found himself able to publish he wholly ceased to produce. -This deprived us, as may easily be imagined, of much of our -occupation, and especially deprived the Mulvilles, whose want of -self-support I never measured till they lost their great inmate. -They have no one to live on now. Adelaide's most frequent -reference to their destitution is embodied in the remark that dear -far-away Ruth's intentions were doubtless good. She and Kent -are even yet looking for another prop, but everyone is so dreadfully -robust. With Saltram the type was scattered, the grander, -the elder style. They have got their carriage back, but what's an -empty carriage? In short, I think we were all happier as well as -poorer before; even including George Gravener, who, by the -deaths of his brother and his nephew, has lately become Lord -Maddock. His wife, whose fortune clears the property, is -criminally dull; he hates being in the Upper House and he has -not yet had high office. But what are these accidents, which I -should perhaps apologise for mentioning, in the light of the great -eventual boon promised the patient by the rate at which the Coxon -Fund must be rolling up?</p> - -<hr /> - -<p class="larger p4">For the Backs of Playing Cards <a name="Page_361" id="Page_361"></a><span class="pagenum">[Pg 361]</span></p> - -<p class="indent">By Aymer Vallance</p> - -<p class="p4"><a name="Page_362" id="Page_362"></a><span class="pagenum">[Pg 362]</span> -<a name="Page_363" id="Page_363"></a><span class="pagenum">[Pg 363]</span></p> - -<hr class="hide" /> - -<div class="figcenter"> - <img src="images/i_24.jpg" - width="500" height="706" - alt="Illustration: Backs of Four Playing Cards" /> -</div> - -<hr /> - -<p class="p4"><a name="Page_364" id="Page_364"></a><span class="pagenum">[Pg 364]</span></p> - -<div class="figcenter"> - <img src="images/rear-cover.jpg" - width="500" height="658" - alt="Illustration: Back cover" /> -</div> - -<hr /> - -<div class="tnote p4"><h4>Transcriber's Notes:</h4> - -<p>Punctuation, use of hyphens, and accent marks were standardized. -Dialect, obsolete and alternative spellings were left unchanged. -Missing (unprinted) letters were added. Spelling corrections are noted -below:<br /></p> - -<p class="indent">'resourse' to '<a href="#resource">resource</a>'<br /> -'do' to '<a href="#to">to</a>'<br /> -'Rennuf' to '<a href="#Renouf">Renouf</a>'<br /> -'Chausée' to '<a href="#Chaussee">Chaussée</a>'<br /> -'consciouness' to '<a href="#consc">consciousness</a>'<br /> -'lettter' to '<a href="#letter">letter</a>'<br /> -'you're' to '<a href="#your">your</a>'<br /> -'musn't' to '<a href="#mustnt">mustn't</a>'<br /> -'senuous' to '<a href="#sensuous">sensuous</a>'<br /> -'architectual' to '<a href="#arch">architectural</a>'<br /> -missing word '<a href="#you">you</a>' added<br /> -'hackeyed' to '<a href="#hack">hackneyed</a>'<br /> -'wisdow' to '<a href="#wisdom">wisdom</a>'<br /> -'musn't' to '<a href="#must">mustn't</a>'<br /> -'lasping' to '<a href="#lapsing">lapsing</a>'<br /> -'their' to '<a href="#there">there</a>'</p> - -</div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of The Yellow Book, -edited by Henry Harland - -*** END OF THIS PROJECT GUTENBERG EBOOK THE YELLOW BOOK *** - -***** This file should be named 41876-h.htm or 41876-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/8/7/41876/ - -Produced by Charlene Taylor, Carol Brown, and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive/Canadian Libraries) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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