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diff --git a/41871-h/41871-h.htm b/41871-h/41871-h.htm index 45781dc..5a16d70 100644 --- a/41871-h/41871-h.htm +++ b/41871-h/41871-h.htm @@ -4,7 +4,7 @@ <html xmlns="http://www.w3.org/1999/xhtml"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of Scribner's Magazine, Volume XXVI, July, 1899, by Various. @@ -268,44 +268,7 @@ table { </style> </head> <body> - - -<pre> - -Project Gutenberg's Scribner's Magazine, Volume 26, July 1899, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Scribner's Magazine, Volume 26, July 1899 - -Author: Various - -Release Date: January 19, 2013 [EBook #41871] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK SCRIBNER'S MAGAZINE, JULY 1899 *** - - - - -Produced by Victorian/Edwardian Pictorial Magazines, -Jonathan Ingram, Melissa McDaniel and the Online Distributed -Proofreading Team at http://www.pgdp.net - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 41871 ***</div> <div class="tnbox"> <p class="center"><b>Transcriber's Note:</b></p> @@ -369,7 +332,7 @@ SCRIBNER'S MAGAZINE</h2> <td colspan="2">AGUINALDO'S CAPITAL—<span class="smcap">Why Malolos was Chosen</span>,<br /> Illustrated with drawings -by Jules Guérin and F. D. +by Jules Guérin and F. D. Steele, from photographs.</td> <td><span class="smcap">Lieut.-Col. J. D. Miley</span>,</td> <td class="tdr">320</td> @@ -476,7 +439,7 @@ Field of Art,</td> <td class="tdr">685</td> </tr> <tr> -<td colspan="2">BALZAC, THE PARIS OF HONORÉ DE,<br /> +<td colspan="2">BALZAC, THE PARIS OF HONORÉ DE,<br /> Illustrated by J. Fulleylove.</td> <td><span class="smcap">Benjamin Ellis Martin</span> and <span class="smcap">Charlotte M. Martin</span>,</td> @@ -713,7 +676,7 @@ Illustrations from photographs <tr> <td colspan="2">HAVANA SINCE THE OCCUPATION,<br /> Illustrated with drawings - by Jules Guérin, E. C. + by Jules Guérin, E. C. Peixotto, T. Chominski, and F. D. Steele, and from photographs.</td> @@ -801,7 +764,7 @@ Illustrated by F. D. Steele.</td> </tr> <tr> <td colspan="2">MARTIN, BENJAMIN ELLIS AND CHARLOTTE M. - <i>The Paris of Honoré de Balzac</i>,</td> + <i>The Paris of Honoré de Balzac</i>,</td> <td> </td> <td class="tdr">588</td> </tr> @@ -1111,7 +1074,7 @@ IN WORDS, CONCERNING. <td> </td> <td><span class="smcap">Saranac Lake—winter</span>, 1887-88,<br /> Illustrated with drawings - from photographs by Jules Guérin.</td> + from photographs by Jules Guérin.</td> <td> </td> <td class="tdr">338</td> </tr> @@ -1234,7 +1197,7 @@ President of Yale University.</td> <tr> <td colspan="2">WATER-FRONT OF NEW YORK, THE,<br /> Illustrated from drawings by Henry McCarter, Jules - Guérin, E. C. Peixotto, W. R. Leigh, C. L. Hinton, + Guérin, E. C. Peixotto, W. R. Leigh, C. L. Hinton, G. A. Shipley, and G. W. Peters.</td> <td><span class="smcap">Jesse Lynch Williams</span>,</td> <td class="tdr">385</td> @@ -1260,7 +1223,7 @@ in England</span>,</td> <tr> <td colspan="2">WHERE THE WATER RUNS BOTH WAYS,<br /> Illustrated with photographs by the author, and - with drawings by Jules Guérin, H. L. Brown, and + with drawings by Jules Guérin, H. L. Brown, and Howard Giles from photographs.</td> <td><span class="smcap">Frederic Irland</span>,</td> <td class="tdr">259 @@ -1573,7 +1536,7 @@ The reproduction given [<a href="#i-016">on page 9</a>] is from a sketch-book of 1860; and the work has been a careful drawing in black on white, done in the flat country about Bayou -Têche. These are drawings <i>in values</i>, or +Têche. These are drawings <i>in values</i>, or made for values; that is to say, the relative force of darkness or of light is carefully preserved. A certain green of the @@ -1839,7 +1802,7 @@ at least, more pretentious character.</p> <div class="figleft"><a name="i-016" id="i-016"></a> <img src="images/i-016.png" width="257" height="427" alt="" /> -<p class="caption">On the Bayou Têche; Study for Values.</p> +<p class="caption">On the Bayou Têche; Study for Values.</p> </div> <p>At a time not far removed from the undertaking @@ -1909,7 +1872,7 @@ Ages, early or late. It appeared that the modern materials and processes of glassmaking might give to the artist in glass a -"palette" such as the mediæval +"palette" such as the mediæval man had never possessed. What is called opal glass, opaline, and also opalescent glass may be said @@ -2850,9 +2813,9 @@ Edited by Sidney Colvin</h2> the French Riviera which were printed in the April number. When in the late spring of 1884 Stevenson was prostrated by the worst of all his many attacks of hemorrhage from the lung, he was still residing -in that chalet at Hyères which he had hoped to make his permanent +in that chalet at Hyères which he had hoped to make his permanent abode. Partly the renewed failure of his health, and partly a bad -outbreak of cholera in the old Provençal town, which occurred in the ensuing summer, +outbreak of cholera in the old Provençal town, which occurred in the ensuing summer, compelled him to abandon this hope. As soon as he recovered strength enough to be able to travel by even the easiest stages, he moved to Royat in Auvergne, and thence in the course of July to England. After consultation with several doctors, @@ -2891,7 +2854,7 @@ by quantity and quality. During the first two months of his life at Bournemouth the two plays <i>Admiral Guinea</i> and <i>Beau Austin</i> were written in collaboration with Mr. Henley. In 1885 he published three volumes, viz.: <i>More New Arabian Nights</i>, the <i>Child's Garden of Verses</i>, and <i>Prince Otto</i> (the two latter, it is true, having been -for the most part written a year or two earlier, at Hyères). In 1886 appeared <i>The +for the most part written a year or two earlier, at Hyères). In 1886 appeared <i>The Strange Case of Dr. Jekyll and Mr. Hyde</i> and <i>Kidnapped</i>, the two books which, together with <i>Treasure Island</i>, did most to win for him the fame and honor which he ever afterward enjoyed among readers on both sides of the Atlantic. At the same @@ -2902,7 +2865,7 @@ a year of collections and re-prints; in it were published <i>Underwoods, The Mer <i>Memories and Portraits</i>, and the <i>Black Arrow</i> in volume form.</p> <p>The correspondence of these three invalid years at Bournemouth is naturally in a -less buoyant key than that of the relatively flourishing and happy year at Hyères +less buoyant key than that of the relatively flourishing and happy year at Hyères which preceded them. But it is none the less full of interest, and of that vivid play of mood and character which never failed in him whether he was sick or well. The specimens which I shall here give will be taken, with a few exceptions, from his communications @@ -2938,7 +2901,7 @@ son,</p> October 3rd, 1884.</p> <p><span class="smcap">Dear Mr. Chatto.</span>—I have an offer of -£25 for Otto from America. I do not +£25 for Otto from America. I do not know if you mean to have the American rights; from the nature of the contract, I think not; but if you understood that you @@ -2989,7 +2952,7 @@ bad as you suppose. There is one point, however, where I differ from you very frankly. Religion is in the world; I do not think you are the man to deny the importance -of its rôle; and I have long decided +of its rôle; and I have long decided not to leave it on one side in art. The opposition of the <i>Admiral</i> and Mr. Pew is not, to my eyes, either horrible or @@ -3126,7 +3089,7 @@ Postmark, <span class="smcap">Bournemouth</span>,<br /> 13th November, 1884.</p> <p><span class="smcap">My dear Thomson</span>,—It's a maist remarkable -fac', but nae shüner had I written +fac', but nae shüner had I written yon braggin', blawin' letter aboot ma business habits, when bang! that very day, my hoast begude in the aifternune. @@ -3364,7 +3327,7 @@ which please keep or return. As for not giving a reduction, what are we? Are we artists or city men? Why do we sneer at stockbrokers? O nary; I will not -take the £40. I took that as a fair price +take the £40. I took that as a fair price for my best work; I was not able to produce my best; and I will be damned if I steal with my eyes open. <i>Sufficit.</i> This @@ -3420,7 +3383,7 @@ poor ten-pound note!</p> <div class="figcenter"><a name="i-032" id="i-032"></a> <img src="images/i-032.jpg" width="148" height="222" alt="" /> <p class="caption">Stevenson's Skye Terrier "Bogue."<br /> -From a photograph made at Hyères.</p> +From a photograph made at Hyères.</p> </div> <p class="left45 p2"> @@ -3435,7 +3398,7 @@ how you are. I am better decidedly. Bogue got his Christmas card, and behaved well for three days after. It may interest the cynical to learn that I started -this hæmorrhage by too sedulous attentions +this hæmorrhage by too sedulous attentions to my dear Bogue. The stick was broken; and that night Bogue, who was attracted by the extraordinary aching of @@ -3471,7 +3434,7 @@ and I am yours ever,</p> health, and heavily handicapped with Arabs. [Stories for the <i>New Arabian Nights</i>.] I have a dreadful cough, whose -attacks leave me <i>ætat 90</i>. Fanny is quite +attacks leave me <i>ætat 90</i>. Fanny is quite gone up with my bad health. I never let up on the Arabs, all the same, and rarely get less than eight pages out of hand, @@ -3525,7 +3488,7 @@ the manners of the place. Youth was a great time, but somewhat fussy. Now in middle age (bar lucre) all seems mighty placid. It likes me; I spy a little bright -café in one corner of the port, in front of +café in one corner of the port, in front of which I now propose we should sit down. There is just enough of the bustle of the harbour and no more; and the ships are @@ -3650,7 +3613,7 @@ of Gordon's fate in the Soudan.]</p> <p><span class="smcap">Dear S. C.</span>,—I am on my feet again, and getting on my boots to do the <i>Iron Duke</i>. Conceive my glee: I have refused -the £100, and am to get some sort of royalty, +the £100, and am to get some sort of royalty, not yet decided, instead. 'Tis for Longman's <i>English Worthies</i>, edited by A. Lang. Aw haw!</p> @@ -3668,7 +3631,7 @@ put it in a mortar and fire it here instanter: I shall catch. I shall want, of course, an infinity of books: among which, any lives there may be; a life of the Marquis -Marmont (the Maréchal), <i>Marmont's Memoirs</i>; +Marmont (the Maréchal), <i>Marmont's Memoirs</i>; <i>Greville's Memoirs</i>; <i>Peel's Memoirs</i>; <i>Napier</i>; that blind man's history of England you once lent me; Hamley's @@ -3692,7 +3655,7 @@ pocket.—Yours ever.</p> <span class="smcap">Bournemouth</span>, Jan. or Feb. 1885.</p> <p><span class="smcap">Dear S. C.</span>,—I have addressed a letter -to the G. O. M. <i>à propos</i> of Villainton; +to the G. O. M. <i>à propos</i> of Villainton; and I became aware, you will be interested to hear, of an overwhelming respect for the old gentleman. I can <i>blaguer</i> his failures; @@ -3798,17 +3761,17 @@ been very neglectful. I had horrid luck: catching (from kind friends) two thundering influenzas in August and November; I recovered from the last with difficulty: -also had great annoyance from hæmorrhagic +also had great annoyance from hæmorrhagic leaking; but have come through this blustering winter with some general success; in the house, up and down. My wife, however, has been painfully upset by my health. Last year, of course, was cruelly trying to her nerves; Nice and -Hyères are bad experiences; and though +Hyères are bad experiences; and though she is not ill, the doctors tell me that prolonged anxiety may do her a real mischief. -She is now at Hyères collecting our +She is now at Hyères collecting our goods; and she has been ill there, which has upset my liver and driven me to the friendly calomel on which I now mainly @@ -3970,7 +3933,7 @@ Hamerton keep better; your last account was a poor one. I was unable to make out the visit I had hoped, as (I do not know if you heard of it) I had a very violent -and dangerous hæmorrhage last +and dangerous hæmorrhage last spring. I am almost glad to have seen death so close with all my wits about me, and not in the customary lassitude and disenchantment @@ -4057,8 +4020,8 @@ good for the artist's spirit.</p> <p>By the way, have you seen James and me on the novel? James, I think in the August or September—R. L. S. in the December -<i>Longman</i>. I own I think the <i>école -bête</i>, of which I am the champion, has the +<i>Longman</i>. I own I think the <i>école +bête</i>, of which I am the champion, has the whiphand of the argument; but as James is to make a rejoinder, I must not boast. Anyway the controversy is amusing to see. @@ -4173,7 +4136,7 @@ There is a person called Hyndman whose eye is on me; his step is beHynd me as I go. I shall call my house Skerryvore when I get it: <span class="smcap">Skerryvore</span>: <i>c'est bon -pour la poéshie</i>. I will conclude with my +pour la poéshie</i>. I will conclude with my favourite sentiment: "The world is too much with me."</p> @@ -5922,7 +5885,7 @@ the leaves his eye fell on this entry:—</p> <p><i>Jan. 30th, 187-. S. S. "Rifleman" (all hands). Cargo, China-clay: W. P., Age, about eighteen, fair skin, reddish hair, short -and curled, height 5 ft. 10¾ in. Initials +and curled, height 5 ft. 10¾ in. Initials tattooed on chest under a three-masted ship and semi-circle of seven stars; clad in flannel singlet and trousers (cloth): singlet @@ -6502,8 +6465,8 @@ the magic moment, the shield find its true circumference and swing to the balance of his arm, proof and complete.</p> -<p><span class="greek" title="en d' etithei potamoio mega sthenos Ôkeanoio antyga par' -pymatên sakeos pyka poiêtoio">ἐν δ' ἐτίθει ποταμοῖο μέγα σθένος Ὠκεανοῖο +<p><span class="greek" title="en d' etithei potamoio mega sthenos Ôkeanoio antyga par' +pymatên sakeos pyka poiêtoio">ἐν δ' ἐτίθει ποταμοῖο μέγα σθένος Ὠκεανοῖο ἄντυγα παρ' πυμάτην σάκεος πύκα ποιητοῖο</span></p> <h3>XVI<br /> @@ -6905,7 +6868,7 @@ to interfere.</p> Taffy might have observed—but did not—how readily, toward the close of a day's laborious carpentry, he would drop work -and turn to Dindorf 's <i>Poetæ Scenici Græci</i>, +and turn to Dindorf 's <i>Poetæ Scenici Græci</i>, through which they were reading their way. On Sundays, the congregation rarely numbered a dozen. It seemed that as the @@ -8170,7 +8133,7 @@ Labelling Sacks.</p> <p><span class="pagenum"><a name="Page_72" id="Page_72">72</a></span></p> <h2>NEMESIS<br /> -<i>"Vicisti, Galilæo"</i></h2> +<i>"Vicisti, Galilæo"</i></h2> <p class="center">I</p> <div class="poetry-container"> @@ -9976,7 +9939,7 @@ their lack of power to govern. The officers seemed to think their duties consisted of wearing a smart uniform and sitting over -some liquid refreshment in a café; +some liquid refreshment in a café; and only as they realize the importance of their office under American teaching will they cease @@ -10027,7 +9990,7 @@ have disappeared during the new administration of affairs. One is the ever-present professional street-beggar <span class="pagenum"><a name="Page_94" id="Page_94">94</a></span> -who infested the streets, invaded the cafés, +who infested the streets, invaded the cafés, and stood guard at every church-door; the other is the horrible bone-pit in the Cristobal Colon Cemetery. There are few @@ -11523,7 +11486,7 @@ a sturdy growth. A large section of the American people has been talking for buncombe, not merely since years ago the member of Congress from North Carolina -naïvely admitted that his remarks were +naïvely admitted that his remarks were uttered solely for the edification of the town of that name, and so supplied a descriptive phrase for the habit, but from the @@ -12411,7 +12374,7 @@ in the white light of performance, men no less entitled to our admiration than the Knights of King Arthur or any of the other superhuman figures of traditional -æsthetic culture. He recognizes the artistic +æsthetic culture. He recognizes the artistic value of the workaday life in law courts and hospitals and libraries and mines and factories and camps and lighthouses and @@ -12463,7 +12426,7 @@ remain—the human soul in all its fervor—the striving world in all its joy and suffering. There is no fear that the tide of existence will be less intense or that the mind -of man will degenerate in æsthetic appreciation, +of man will degenerate in æsthetic appreciation, but it must be on new lines which only a master imbued with the value and the pathos of the highest life in the common @@ -13290,7 +13253,7 @@ smuggled themselves into those antique mysteries from which they were expressly excluded. Nowhere in the gatherings of men does shameless selfishness find so crude an expression -as, say, at a crowded matinée. It could +as, say, at a crowded matinée. It could not be exhibited at a prize-fight, for the exhibitor would subject himself to prompt personal assault. But the female bully is without @@ -13314,14 +13277,14 @@ is more deniable than its accuracy.</p> out of Mark Twain's book by Frank Mayo, the evil genius combines in his veins the bad blood and craven instincts of -two races. The <i>rôle</i> was given, when first +two races. The <i>rôle</i> was given, when first presented, a remarkable impersonation in which there was a subtle mingling of a white man's presumption and a negro's animalism. But the creator of the part was the brother of a leading English poet! An American actor -essayed the <i>rôle</i> in the second season with +essayed the <i>rôle</i> in the second season with decidedly less success. In "The Heart of Maryland," a strenuous developing of Civil War emotions and events, the fate of the @@ -13369,7 +13332,7 @@ leads us to favor mediocre importations over native genius. But it is surely carrying our worldliness too far when we accept and approve the hopeless incapacity of foreigners to -enact <i>rôles</i> demanding American local color. +enact <i>rôles</i> demanding American local color. This may substantiate our proverbial patience, but it deals hard with our boasted sense of the incongruous. So much have @@ -13433,9 +13396,9 @@ rank-and-file at home, turns naturally to the one source of unfailing supply—England.</p> <p>In the few stock companies that survive -the old <i>régime</i>, the English voice is particularly +the old <i>régime</i>, the English voice is particularly prevalent. For the English origin of -these actors essaying American <i>rôles</i> is discoverable +these actors essaying American <i>rôles</i> is discoverable by the voice almost more than by the bearing. Though we of the United States and they of the United Kingdom approximate @@ -13484,7 +13447,7 @@ covers it all, and light for the rearmost rooms and corridors is obtained by three separate courts surrounded by arcades. The front on the street is deeply recessed so as to give a -façade of some fifty-five feet at the bottom of +façade of some fifty-five feet at the bottom of the court; with two projecting wings of different widths; the projection, or depth of the court, being of about eighteen feet. And now @@ -13493,13 +13456,13 @@ the peculiarity of the building, and the immense and radical diversity between the scheme proposed by its designer and that adopted by any Parisian master-workman -who may have a <i>hotel privé</i> to build. The +who may have a <i>hotel privé</i> to build. The Milan house is in every respect, in its general design and in the minutest detail, that which might have been built about 1475 in the same town and on the same street. The front is of brick and terra-cotta, except that the door-piece -in the middle of the recessed façade, the +in the middle of the recessed façade, the podium, so to speak, or sub-wall of the basement story, standing some four feet high, is of stone; and that a part of one of the wings @@ -13550,7 +13513,7 @@ is entirely antique, with pilasters filled with carving in the sunken panels. In the spandrels of the arch above are two more antique medallions, and an antique pilaster in marble -from Mantua is set in the small reëntrant angle +from Mantua is set in the small reëntrant angle formed between this piece of the front and the adjoining house, which projects slightly beyond the Casa Bagatti. Ancient iron work @@ -13712,7 +13675,7 @@ is as follows:</p> <p>QUI SI CONTENGONO LE TAVOLE RAPPRESENTANTI LI DISEGNI DE LA CASA DE LI FRATELLI BAGATI VALSECHI CHE RITROVASI IN MILANO -AL Ñ. 7 DE LA VIA DE SAN SPIRITO FEDEL +AL Ñ. 7 DE LA VIA DE SAN SPIRITO FEDEL RIPRODOTTI DAL VERO CON LA NUOVA INVENTIONE DE LA ELIOTIPIA.</p> @@ -13794,382 +13757,6 @@ pile of manuscript before him, which he had no doubt was the speech for the next day.</p> </div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Scribner's Magazine, Volume 26, July -1899, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK SCRIBNER'S MAGAZINE, JULY 1899 *** - -***** This file should be named 41871-h.htm or 41871-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/8/7/41871/ - -Produced by Victorian/Edwardian Pictorial Magazines, -Jonathan Ingram, Melissa McDaniel and the Online Distributed -Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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