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diff --git a/41823-h/41823-h.htm b/41823-h/41823-h.htm index a8fad3e..e2121ff 100644 --- a/41823-h/41823-h.htm +++ b/41823-h/41823-h.htm @@ -3,7 +3,7 @@ <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of Belford's Magazine, Vol. II, No. 10, @@ -159,45 +159,7 @@ padding-right: .5em;} </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Belford's Magazine, Vol II, No. 10, March -1889, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Belford's Magazine, Vol II, No. 10, March 1889 - -Author: Various - -Release Date: January 12, 2013 [EBook #41823] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK BELFORD'S MAGAZINE, MARCH, 1889 *** - - - - -Produced by Barbara Tozier, Bill Tozier, JoAnn Greenwood, -and the Online Distributed Proofreading Team at -http://www.pgdp.net - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 41823 ***</div> <div class="transnote"><p class="center">Transcriber's Note:</p> <p>The following Table of Contents was not present in the original and has been @@ -931,7 +893,7 @@ now to come from herself—from the sacredest depth of her soul—rather than to be addressed to her.</p> <p>One afternoon (it was rainy, and she could not go to drive as -usual, and she no longer cared for her garret <i>séances</i>, which would +usual, and she no longer cared for her garret <i>séances</i>, which would once have seemed so appropriate to a day like this) she was sitting at the piano, playing to her mother, when Dr. Brett came in. He had not been to see them for many days—a most unusual thing—and @@ -1137,7 +1099,7 @@ and soberly agnostic, have been saved the heartache and intranquillity of their brethren, by the very natural and not too profound reflection that it is entirely problematic whether the actor-lessee of the Blackfriar's playhouse could have expressed an opinion -worth a pinch of salt on any vital æsthetic question, even supposing +worth a pinch of salt on any vital æsthetic question, even supposing him as eager to give as we to receive. Assumption is dangerous; and the possession of the creative faculty by no means implies the possession of the critical.</p> @@ -1311,10 +1273,10 @@ stand too obviously not for human beings only, but also for abstract ideas. I like George Eliot best in the first part of "Silas Marner," and<span class="pagenum"><a name="Page_504" id="Page_504">[504]</a></span> least in the last part of "The Mill on the Floss." Perhaps I set the highest value on my friend Blackmore among English novelists now living. I -find Tolstoï a great novelist in the sense in which his fellow-countryman, +find Tolstoï a great novelist in the sense in which his fellow-countryman, Verestchagin, is a great painter—a great delineator of various life, not a -great creator. Björnson, the Norwegian novelist, in his "Arne" seems to -me a more imaginative artist than Doré in his "Vale of Tears." I do not +great creator. Björnson, the Norwegian novelist, in his "Arne" seems to +me a more imaginative artist than Doré in his "Vale of Tears." I do not worship "Manon Lescaut," and I would rather read "Les Miserables" than "Germinal." In short, to sum it up in a word, I suppose I am an English idealist in the sense in which (if I may say so without presumption) George @@ -1446,7 +1408,7 @@ novel reader, and do not feel that my opinion on the subject of novels is therefore of critical value. Of the few novels I know (comparing my reading with that of the average Englishman or woman) I naturally prefer some; but to give you the titles of them—I think I should place first -Tolstoï's "War and Peace" and Stendhal's "Chartreuse de Parme"—would +Tolstoï's "War and Peace" and Stendhal's "Chartreuse de Parme"—would not be giving your readers any valuable information, as I could not find leisure to explain <i>why</i> I prefer them.</p> @@ -1463,8 +1425,8 @@ find leisure to explain <i>why</i> I prefer them.</p> satisfactory answer to your question, I will come at once to the point. You ask me to name my favorite work of fiction, giving reasons for the preference. The interest of such a question will be found in the amount -of naïve sincerity with which it is answered. I will therefore strive to be -as naïvely sincere as possible.</p> +of naïve sincerity with which it is answered. I will therefore strive to be +as naïvely sincere as possible.</p> <p>Works of romance I must pass over, not because there are none that I appreciate and enjoy, but because I feel that my opinion of them would @@ -1527,7 +1489,7 @@ sure to repent some omissions. Fielding's "Joseph Andrews;" Scott's "Antiquary," "Guy Mannering," "Heart of Midlothian," and "St. Ronan's Well;" Dickens's "Pickwick," "Barnaby Rudge," and "Tale of Two Cities;" Thackeray's "Vanity Fair," "Pendennis," and "Esmond;" -Charlotte Brontë's "Jane Eyre;" George Eliot's "Mill on the Floss;" +Charlotte Brontë's "Jane Eyre;" George Eliot's "Mill on the Floss;" Hawthorne's "Blithedale Romance;" and George Meredith's "Beauchamp's Career."</p> @@ -1555,7 +1517,7 @@ one has read most recently, and a great deal more upon one's mood.</p> as my first favorite; there are at least four of Turgeneff's, the bare memory of which moves me almost to tears; but I could not choose between "Liza," "Virgin Girl," "Fathers and Sons," and "Smoke;" and, of course,<span class="pagenum"><a name="Page_508" id="Page_508">[508]</a></span> -Tolstoï's "War and Peace" is a masterpiece which every one will name as +Tolstoï's "War and Peace" is a masterpiece which every one will name as a favorite (I give the titles in English, as I have read all these in translations only, French or English), and indeed I think I ought almost to name it as <i>the</i> favorite among foreign novels.</p> @@ -1591,7 +1553,7 @@ that there is no hero, I cannot place "The Mill on the Floss" quite first. Maggie is a beautiful creation, and the picture of English country-life inimitable; the Dodsen family in all its branches is truly masterly. But for deep insight into the heart and soul and mind of a woman where will you -find Charlotte Brontë's equal? Her descriptive power and her style are +find Charlotte Brontë's equal? Her descriptive power and her style are unsurpassable, and Lucy Snowe can teach you more about the thoughts and griefs and unaccountable nervous miseries and heart-aches of the average young woman than any other heroine in fiction that I know of. @@ -1615,7 +1577,7 @@ Defoe, of whose "Colonel Jack" and "Moll Flanders" I never weary. Amongst modern writers I greatly admire Blackmore, Hardy, and Besant. There is great genius and originality, too, in Christie Murray. But with Thackeray, Dickens, George Eliot, Nathaniel Hawthorne, Mrs. Gaskell, and -the Brontë's on my shelves, the indication of any one work of fiction as my +the Brontë's on my shelves, the indication of any one work of fiction as my favorite since the days of "Roxana," "Pamela," "Joseph Andrews," and "Humphrey Clinker," would prove an undertaking which I fear I have not the courage to adventure.</p> @@ -1664,7 +1626,7 @@ they occur to me: "Don Quixote," "Tom Jones," "Ivanhoe," "The Heart of Midlothian," "Jane Eyre," "David Copperfield," "Tale of Two Cities," "Esmond," "Vanity Fair," "Adam Bede," "Lorna Doone," "Crime and Punishment" (Dostoieffsky), "Monte Cristo," and "Froment -Jeune et Risler Ainé."</p> +Jeune et Risler Ainé."</p> <p>I do not suggest that these novels are of equal literary merit. I merely say that they are my favorites, that I have read them all with equal pleasure @@ -1696,7 +1658,7 @@ more than once, and that, as time goes on, I hope to read them again.</p> <span class="i0">There lay the others: some whose names were cut<br /></span> <span class="i0">Deep in the stone below which Death is shut.<br /></span> </div><div class="stanza"> -<span class="i0">The plumèd courtier, with his wit and grace,<br /></span> +<span class="i0">The plumèd courtier, with his wit and grace,<br /></span> <span class="i0">So flattered one that scarce she knew her face!<br /></span> </div><div class="stanza"> <span class="i0">And the sad after-poet (dreaming through<br /></span> @@ -1915,7 +1877,7 @@ X.<br /> <div class="cpoem1"><div class="stanza"> <span class="i0">She is not dead, but sleepeth. As the fair,<br /></span> <span class="i4">Sweet queen, dear Summer, laid her sceptre down<br /></span> -<span class="i4">And lifted from her tirèd brows her crown,<br /></span> +<span class="i4">And lifted from her tirèd brows her crown,<br /></span> <span class="i0">And now lies lapped in slumber otherwhere—<br /></span> <span class="i0">As she will rise again, when smiling May,<br /></span> <span class="i4">Saying, "Thy day dawns," wakes her with a kiss,<br /></span> @@ -2606,7 +2568,7 @@ vigorous than decorous. The high-kicking had begun. My attention had been particularly drawn to one young woman. She was not very tall, but was beautifully made. She was dressed like a Columbine. Her short, pointed skirt of yellow silk and blue velvet -came hardly to her knees, and the waist was quite décolleté. On +came hardly to her knees, and the waist was quite décolleté. On her blond hair was perched a conical cap with tiny silver bells on it. Around her face was wound a piece of white lace to serve as a mask. I noticed her because she was such an exquisitely graceful dancer. @@ -3306,7 +3268,7 @@ energy and enterprise of this journal, that sent an army of correspondents over the country and gathered the proofs of the open market in which was sold and bought the Presidency.</p> -<p>This fearful exposé of a burning shame was followed by messages from +<p>This fearful exposé of a burning shame was followed by messages from governors, and bills by legislatures, looking, not to the punishment of the wrong-doers, but to the enactment of preventive laws tending to the protection of the people in the future.</p> @@ -3339,7 +3301,7 @@ steal of New York was organized, the managers were made up of both Democrats and Republicans. When, therefore, an investigation went far enough to develop two prominent Republicans added to the responsible<span class="pagenum"><a name="Page_545" id="Page_545">[545]</a></span> commission, and one of those Republicans was called to the stand and asked -how he came to accept such a position, he responded naïvely that he sought +how he came to accept such a position, he responded naïvely that he sought to secure some of the patronage of the public work for his own party.</p> <p>Now, when we remember that President Cleveland, in the last hours of @@ -3445,7 +3407,7 @@ observant in our own midst.<span class="pagenum"><a name="Page_547" id="Page_547 <p>The proof of this is not necessary. The knowledge that corruption did exist carries with it assurance that it extended in such directions as the wrong-doers found most efficient. When that sturdy old corruptionist, -Oakes Ames, was called upon to account for the stock of the <i lang="fr" xml:lang="fr">Crédit Mobilier</i> +Oakes Ames, was called upon to account for the stock of the <i lang="fr" xml:lang="fr">Crédit Mobilier</i> with which he had been intrusted, he replied that he had placed it "where it would do the most good," and his keen, incisive remark has passed into a popular proverb. The wretched, degraded creature who sells his vote @@ -3987,7 +3949,7 @@ of culture, can be had than in the performances given at two New York theatres by a couple of society women—we beg pardon: we should say "ladies." Mrs. Potter kills Cleopatra in the first act of "Antony and Cleopatra," by Shakespeare, Bacon, or somebody else; and Mrs. Langtry -does to Lady Macbeth what Don Cæsar de Bazan found so objectionable +does to Lady Macbeth what Don Cæsar de Bazan found so objectionable in hanging. "Hanging," cried the immortal Bohemian of aristocratic<span class="pagenum"><a name="Page_558" id="Page_558">[558]</a></span> birth, "is horrible. It not only kills a man, it makes him ridiculous." Mrs. Langtry's <i>Lady Macbeth</i> should be relegated to things which amuse. @@ -4225,7 +4187,7 @@ the lights to be turned on. Again the Wagnerites protested, and after three nights the management returned to the old way, much to the satisfaction of real lovers of opera.<span class="pagenum"><a name="Page_563" id="Page_563">[563]</a></span></p> -<p>The production of Halévy's opera "La Juive" for the first time this +<p>The production of Halévy's opera "La Juive" for the first time this season was coincident with the reappearance of Frau Lilli Lehmann, who acted and sang the part of <i>Rachel</i> with vigor and precision. Herr Alvary, who consented to take the part of <i>Prince Leopold</i>, with Herr Perotti as @@ -4233,7 +4195,7 @@ who consented to take the part of <i>Prince Leopold</i>, with Herr Perotti as the best that has ever been given in New York, and one long to be remembered. Frau Schroeder-Hanfstaengl has returned after an absence of four years, making her reappearance in the modest part of <i>Bertha</i> in -"Le Prophète."</p> +"Le Prophète."</p> <p>Manager Frohman promises us a number of new American plays for next season, which, he says, will be as good as those now produced abroad. Mr. @@ -5553,7 +5515,7 @@ epochs of social dissipation. To have gone into society leaving one of her children ill at home, it mattered not how trifling the indisposition, would have been as utter an impossibility to Serena Effingham as for her to have regarded with an indifferent eye the present deathlike syncope of her -beautiful daughter. As she had been faithful in the minutiæ of maternal +beautiful daughter. As she had been faithful in the minutiæ of maternal duty, so was she proportionally constant in greater exigencies. With eyes haggard with suspense, she watched the wan face upon the pillow, while her heart-beats told her how the laggard moments dragged themselves @@ -5828,7 +5790,7 @@ positive encouragement in every form. Take Malcolm's vacant place and be a son and brother and husband all in one."</p> <p>To this friendly folly he smiled in answer, saying, "You admit that I assumed -the rôle of Achates to perfection, do you?"</p> +the rôle of Achates to perfection, do you?"</p> <p>"Certainly!" was the reply.</p> @@ -8313,7 +8275,7 @@ the chained brilliants upon her neck and arms. Then she lighted the candelabra beside the mirror, and stood back, speechless before her own surpassing beauty.</p> -<p>"Would he could see me <i>now</i>!" she exclaimed naïvely, entranced, then +<p>"Would he could see me <i>now</i>!" she exclaimed naïvely, entranced, then bent forward to insert still other jewels in her ears.</p> <p>At that moment an object set in gold and rimmed with diamonds caught @@ -8502,7 +8464,7 @@ to make some adjustment of his affairs in view of an indefinite sojourn abroad. Then, too, he experienced the liveliest satisfaction in setting his somewhat neglected house in town in order, and in beautifying its every detail for the reception of his bride. The wilful, methodical -nature of the man manifested itself in just such <i>minutiæ</i> as the hanging +nature of the man manifested itself in just such <i>minutiæ</i> as the hanging of a drapery here, or the placing of an ornament there, that he might satisfy himself as to the exact appearance of the place when she should come home to it—it mattered not when. He trusted no one; he placed no @@ -9441,383 +9403,6 @@ statement.</p> <p>Hyphenation inconsistencies present in the original have been retained.</p> </div> - - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Belford's Magazine, Vol II, No. 10, -March 1889, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK BELFORD'S MAGAZINE, MARCH, 1889 *** - -***** This file should be named 41823-h.htm or 41823-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/8/2/41823/ - -Produced by Barbara Tozier, Bill Tozier, JoAnn Greenwood, -and the Online Distributed Proofreading Team at -http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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