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diff --git a/41726-h/41726-h.htm b/41726-h/41726-h.htm index c1c8ef1..fe9604e 100644 --- a/41726-h/41726-h.htm +++ b/41726-h/41726-h.htm @@ -2,7 +2,7 @@ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of Narcissus, A Twelfe Night Merriment by Margaret L. Lee. @@ -146,47 +146,7 @@ text-align: justify; text-indent: 2em; line-height: 1em; } </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Narcissus, by Unknown - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Narcissus - A Twelfe Night Merriment - -Author: Unknown - -Editor: Margaret Lee - -Release Date: January 5, 2013 [EBook #41726] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK NARCISSUS *** - - - - -Produced by Irma Spehar, Eleni Christofaki and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive/Canadian Libraries) - - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 41726 ***</div> <div class="transnote"> <h3>Transcriber's note</h3> @@ -365,7 +325,7 @@ and exemplified in French and Italian literature, whilst themselves wanting in originality, and oblivious of the superiority of a native growth over the best of importations. The latter class of would-be English dramatists, in especial, found a natural field for action -amongst the scholarly societies which constituted a medićval university. +amongst the scholarly societies which constituted a mediæval university. Though as early as 1584 and 1593 statutes are found enacting that no players shall perform within five miles of Oxford, it must be remembered that these refer to professional, not to academical actors, and that the @@ -421,7 +381,7 @@ Grimald, in Ch. Ch. Hall.</td> <tr><td class="tdw">1566.</td> <td><cite>Marcus Geminus</cite>, by (?) in Ch. Ch. Hall.</td></tr> <tr> <td class="tdw">1566.</td> -<td><cite>Palćmon and Arcyte</cite>, by Richard Edwards, in Ch. Ch. Hall.</td> +<td><cite>Palæmon and Arcyte</cite>, by Richard Edwards, in Ch. Ch. Hall.</td> </tr> <tr><td class="tdw">1566.</td> <td><cite>Ariosto</cite>, by Geo. Gascoigne, at Trin. Coll.</td> @@ -440,7 +400,7 @@ Grimald, in Ch. Ch. Hall.</td> Coll.</td></tr> <tr> <td class="tdw">1582.</td> -<td><cite>Julius Cćsar</cite>, by Dr. Geddes, in Ch. Ch. Hall.</td> +<td><cite>Julius Cæsar</cite>, by Dr. Geddes, in Ch. Ch. Hall.</td> </tr> <tr> <td class="tdw">1583.</td> @@ -483,7 +443,7 @@ Gwinne, in Ch. Ch. Hall.</td></tr> <td><cite>The Queen's Arcadia</cite>, by Samuel Daniel, in Ch. Ch. Hall.</td> </tr> <tr><td class="tdw">1607.</td> -<td><cite>Cćsar and Pompey</cite>, by (?) at Trin. Coll.</td> +<td><cite>Cæsar and Pompey</cite>, by (?) at Trin. Coll.</td> </tr> <tr><td class="tdw">1607.</td> <td><cite>The Christmas Prince</cite>, by divers hands, at S. John's Coll.</td> @@ -537,7 +497,7 @@ at S. John's Coll.</td></tr> </tr> <tr><td class="tdw">? 1640.</td> <td><cite>Pharamus</cite>, sive, <cite>Libido Vindex</cite> (also published under the -title of <cite>Thibaldus</cite>, sive <cite>Vindictć Ingenium</cite>), by Thomas Snelling, at +title of <cite>Thibaldus</cite>, sive <cite>Vindictæ Ingenium</cite>), by Thomas Snelling, at (?).</td></tr> <tr> <td class="tdw">1648.</td> @@ -599,39 +559,39 @@ is also worthy of note in this connection: primos jam ordines dum principes contemplantur, primisque congratulantium acclamationibus delectantur, Collegium Diui Iohannis, nobile literarum domicilium -(quod Dominus Thomas Whitus Prćtor olim Londinensis, -opimis reditibus locupletârat) faciles eorum oculos speciosć -structurć adblanditione invitat; moxque et oculos -& aures detinet ingeniosâ nec injucundâ lusiunculâ quâ -clarissimus prćses cum quinquaginta, quos alit Collegium +(quod Dominus Thomas Whitus Prætor olim Londinensis, +opimis reditibus locupletârat) faciles eorum oculos speciosæ +structuræ adblanditione invitat; moxque et oculos +& aures detinet ingeniosâ nec injucundâ lusiunculâ quâ +clarissimus præses cum quinquaginta, quos alit Collegium studiosis, magnaque studentium conuiventium -cateruâ prodeuns, principes in transitu salutandos censuit.</span></p> +cateruâ prodeuns, principes in transitu salutandos censuit.</span></p> <p><a class="pagenum" name="Page_xvii" title="xvii"> </a> <span lang="latin"> -"Fabulć ansam dedit antiqua de Regia prosapia -historiola apud Scoto-Britannos celebrata, quć narrat tres -olim Sibyllas occurrisse duobus Scotić proceribus Macbetho -& Banchoni, & illum prćdixisse Regem futurum, +"Fabulæ ansam dedit antiqua de Regia prosapia +historiola apud Scoto-Britannos celebrata, quæ narrat tres +olim Sibyllas occurrisse duobus Scotiæ proceribus Macbetho +& Banchoni, & illum prædixisse Regem futurum, sed Regem nullum geniturum, hunc Regem non futurum, sed Reges geniturum multos. Vaticinii veritatem rerum -eventus comprobavit: Banchonis enim č stirpe Potentissimus +eventus comprobavit: Banchonis enim è stirpe Potentissimus Iacobus oriundus. Tres adolescentes concinno -Sibyllarum habitu induti, č Collegio prodeuntes, & carmina +Sibyllarum habitu induti, è Collegio prodeuntes, & carmina lepida alternatim canentes, Regi se tres esse illas -Sibyllas profitentur, quć Banchoni olim Sobolis imperia -prćdixerant, jamque iterum comparere, vt eâdem vaticinij -veritate prćdicerent Iacobo, se iam, & diu regem -futurum Britannić felicissimum & multorum Regum -parentem, vt ex Banchonis stirpe nunquam sit hćres +Sibyllas profitentur, quæ Banchoni olim Sobolis imperia +prædixerant, jamque iterum comparere, vt eâdem vaticinij +veritate prædicerent Iacobo, se iam, & diu regem +futurum Britanniæ felicissimum & multorum Regum +parentem, vt ex Banchonis stirpe nunquam sit hæres Britannico diademati defuturus. Deinde tribus Principibus suaves felicitatum triplicitates triplicatis carminum -vicibus succinentes veniamque precantes, quňd alumni -ćdium Divi Iohannis (qui prćcursor Christi) alumnos -Ćdis Christi (quo tum Rex tendebat) prćcursoriâ hâc -salutatione antevertissent, Principes ingeniosâ fictiunculâ +vicibus succinentes veniamque precantes, quòd alumni +ædium Divi Iohannis (qui præcursor Christi) alumnos +Ædis Christi (quo tum Rex tendebat) præcursoriâ hâc +salutatione antevertissent, Principes ingeniosâ fictiunculâ delectatos dimittunt; quos inde vniversa astantium multitudo, -felici prćdictionum successui suffragans, votis +felici prædictionum successui suffragans, votis precibusque ad portam vsque civitatis Borealem prosequitur."</span></p> <hr class="tb" /> @@ -665,7 +625,7 @@ generally.</p> <p>The MS. containing this comedy is one of the Rawlinson collection, now in the possession of the Bodleian -Library. The volume, which is 5˝ × 4 inches in size, +Library. The volume, which is 5½ Ă— 4 inches in size, with 156 leaves, appears to have been the commonplace book of an Oxford man. It contains a variety of English poems and prose pieces, written at the end of @@ -728,7 +688,7 @@ and methods are those of the rough-and-ready<a class="pagenum" name="Page_xx" ti English stage of the period; and as in the Pyramus and Thisbe interlude of the <cite>Midsummer Night's Dream</cite>, and the Nine Worthies of <cite>Love's Labour's Lost</cite>, the writer -imitates and ridicules that naďve realism which appertained +imitates and ridicules that naĂŻve realism which appertained to native comedy in its rude embryonic forms. The absurdities with which the <cite>Narcissus</cite> abounds are obviously intentional; it is, in fact, a burlesque, not skilful @@ -766,7 +726,7 @@ received."</p> <p>I shall now pass on to the consideration of the play itself, and, first, of the characters which make up the list -of <em>dramatis personć</em>. Five of these, namely, Tiresias, +of <em>dramatis personæ</em>. Five of these, namely, Tiresias, Cephisus, Narcissus, Echo, and Liriope, appear in the story of Narcissus as told by Ovid. Cephisus, son of Pontus and Thalassa, and divinity of the river whence @@ -788,7 +748,7 @@ Just as Moonshine carries a lantern to represent more vividly the actual moon, so the personage called The Well aids the imagination of his audience by the visible sign of a water-bucket. The fact of his being enumerated -amongst the <em>dramatis personć</em> shows that the part was +amongst the <em>dramatis personæ</em> shows that the part was played by a separate artist, and not doubled with that of any other character. Of the Porter, Francis, more will be said in Section II.</p> @@ -807,10 +767,10 @@ awaiting the prophet Tiresias. It consists of 132 lines, amplified from <cite>Met.</cite> iii. 341, 346-348:</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"Prima fide vocisque ratć tentamina sumsit<br /></span> -<span class="i0">Cćrula Liriope ...<br /></span> +<span class="i0">"Prima fide vocisque ratæ tentamina sumsit<br /></span> +<span class="i0">Cærula Liriope ...<br /></span> <span class="i0">... De quo consultus, an esset<br /></span> -<span class="i0">Tempora maturć visurus longa senectć<br /></span> +<span class="i0">Tempora maturæ visurus longa senectæ<br /></span> <span class="i0">Fatidicus vates—'Si se non viderit' inquit."<br /></span> </div></div></div> @@ -829,9 +789,9 @@ for his beauty, has no counterpart in Ovid. Probably, however, it was suggested by <cite>Met.</cite> iii. 353-355:</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"Multi illum juvenes, multć cupiere puellć;<br /></span> +<span class="i0">"Multi illum juvenes, multæ cupiere puellæ;<br /></span> <span class="i0">Sed fuit in tenera tam dira superbia forma;<br /></span> -<span class="i0">Nulli illum juvenes, nullć tetigere puellć."<br /></span> +<span class="i0">Nulli illum juvenes, nullæ tetigere puellæ."<br /></span> </div></div></div> <p><em>Scene IV.</em> pursues a like theme; the nymphs Florida @@ -849,7 +809,7 @@ And likewise the suggestion of Florida's revengeful wish:</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"Inde manus aliquis despectus ad ćthera tollens<br /></span> +<span class="i0">"Inde manus aliquis despectus ad æthera tollens<br /></span> <span class="i0">'Sic amet ipse licet, sic non potiatur amato!'<br /></span> <span class="i0">Dixerat."<br /></span> </div></div></div> @@ -871,7 +831,7 @@ after the conversation between Echo and Narcissus, and the account proceeds at once (l. 413) with:</p> <div class="poetry"> <div class="poem"><div class="stanza"> -<span class="i0">"Hic puer, et studio venandi lassus et ćstu,<br /></span> +<span class="i0">"Hic puer, et studio venandi lassus et æstu,<br /></span> <span class="i0">Procubuit."<br /></span> </div></div></div> @@ -929,8 +889,8 @@ as follows:</p> <span class="i0">Veni!<br /></span> <span class="i0">Quid me fugis?<br /></span> <span class="i0">Quid me fugis?<br /></span> -<span class="i0">Huc Coëamus!<br /></span> -<span class="i0">Coeämus!"<br /></span> +<span class="i0">Huc CoĂ«amus!<br /></span> +<span class="i0">Coeämus!"<br /></span> </div></div></div> <p>This, with various amplifications, is followed in ll. 602-630 @@ -1113,7 +1073,7 @@ ii. 4, 180), or the contrary slip in <cite>Every Man in his Humour</cite>, iii. 4, 53, and the two latter, Bottom's "Shafalus" and "Procrus," and the blunders of Costard.</p> -<p>The naďve devices by which the players seem to have +<p>The naĂŻve devices by which the players seem to have made up for some paucity of accoutrements and stage appliances, and their direct appeals to the intelligence of the audience to excuse all defects, are highly edifying. @@ -1190,7 +1150,7 @@ addressing congratulations to himself:</p> <span class="i0">Thy part is well plaid and thy wordes are true."<br /></span> </div></div></div> -<p>As a last instance of this naďve custom, Florida's words +<p>As a last instance of this naĂŻve custom, Florida's words at the end of the short part assigned to herself and Clois may be cited:</p> <div class="poetry"> @@ -1238,7 +1198,7 @@ are attributed. After several vain attempts to discover the record of this man's tenure of office, I have chanced upon his name in Mr. A. Clark's <cite>Register of the University of Oxford</cite>, vol. ii. (1571-1622), pt. 1, p. 398, where it occurs -in the list of "personć privilegiatć," a term including, in +in the list of "personæ privilegiatæ," a term including, in its widest sense, all persons who enjoyed the immunities conferred by charter on the corporation of the University, but technically used to describe certain classes to @@ -2361,7 +2321,7 @@ O, the doggs ar out of sight,<br /></span> </div><div class="stanza"> <span class="i2"><em class="character">Dor.</em> Stay, take mee with you, letts togither goe.<br /></span> </div><div class="stanza"> -<span class="i2"><em class="character">Am.</em> Vild world adieu, wee die, ô ô ô ô! +<span class="i2"><em class="character">Am.</em> Vild world adieu, wee die, Ă´ Ă´ Ă´ Ă´! <span class="linenum">670</span><br /></span> </div></div> </div> @@ -2503,7 +2463,7 @@ O, the doggs ar out of sight,<br /></span> <blockquote><p class="hang"><a class="pagenum" name="Page_28" title="28"> </a> <span class="sidenote">F. 84<sup>r</sup> rev.</span><em>A speech made for the foresaid porter, who pronounc't it -in the hall before most of the house and Master Prćsident, +in the hall before most of the house and Master Præsident, that had sconc't him 10 groates for lettinge the fidlers into the hall at Christmas.</em></p></blockquote> @@ -2534,7 +2494,7 @@ others the creame? Yea, what is left for mee but the paringes, when I have given others the peares? But I therin made knowen my valour, for you knowe, Aliorum vitia cernere oblivisci suorum, to supplye other mens -wants & to forgett his owne, proprium est stultitić, is +wants & to forgett his owne, proprium est stultitiæ, is the parte of a stoute man; since then I must speake for my selfe, Stat mihi casus renovare omnes; you shall <span class="linenum">30</span> heare the whole cause, case, and the course of it.</p> @@ -2545,7 +2505,7 @@ seene gold in the fier, the fier shin'de so like gold, Ecce per opaca locorum, came the fidlers creeping alonge, densa subter testudine casus, their instruments vnder their arms, in their cases, & at lenghe, Itum est in -viscera terrć, broke open into the harte of the hall; +viscera terræ, broke open into the harte of the hall; neither when they were there could they bee content to <span class="sidenote">F. 83<sup>r</sup> rev.</span>warme their fingers by the fier and bee gone, though I <span class="linenum">40</span> would have persuaded them thereto, but Iuvat vsque morari et conferre gradum; they would needes staye & @@ -2557,7 +2517,7 @@ their minstrelsey fitting it to their footing, all on a suddaine, Subito I may say to them, but Repente to mee, their sporte was spoild, their musicke marrd, their dauncinge dasht with a vox hominem sonat, with a voyce, <span class="linenum">50</span> -with an awefull voice, Hćccine fieri flagitia; ar these +with an awefull voice, Hæccine fieri flagitia; ar these the fruites of the fires; statur a me, (i) sto, statur ab illis, (i) stant; they that even now scrap't so fast with their<a class="pagenum" name="Page_30" title="30"> </a> stickes fell now to scraping faster with their leggs; their @@ -2597,7 +2557,7 @@ mee runne to the speare of Achilles (recorded by auncient philosophers) which first hurt mee and last can heale mee: lett my penitencye find pittye, and my confession<a class="pagenum" name="Page_31" title="31"> </a> move compassion; if you will live according to rule, ever -after penitet, tćdet, lett miseret, miserescit succeede.</p> +after penitet, tædet, lett miseret, miserescit succeede.</p> <p>That they came in, it was a fault of oversight in not overseeing my office: if any should slinke by Cerberus <span class="linenum">90</span> @@ -2674,18 +2634,18 @@ goe rounde with them. <span class="linenum">30</span></p> <blockquote><p class="hang"><em>A Speech spoken by Francis Clarke in the behalfe of the freshmen.</em></p></blockquote> -<p><span class="sidenote">F. 44<sup>v</sup> rev.</span>Ne sćvi, magne sacerdos, bee not so severe, great +<p><span class="sidenote">F. 44<sup>v</sup> rev.</span>Ne sævi, magne sacerdos, bee not so severe, great session holder; lett pittie prevaile over the pœnitent, lett thy woords of woormwood goe downe againe into thy throate, & so by consequence into thy belly, but lett not those goe to the place from whence they came, & so by -cohćrence to the place of exequution: and though these +cohærence to the place of exequution: and though these bee, as it is rightly said in the rule, Turba gravis paci -placidćque inimica quieti, yet thinke what goes next -before, Sis bonus ô felixque tuis: and although I must +placidæque inimica quieti, yet thinke what goes next +before, Sis bonus Ă´ felixque tuis: and although I must needes say I am sorry for it that Fertur atrocia flagitia <span class="linenum">10</span> designasse, yet remember what followes immediatlye in -the place; Teque ferunt irć pœnituisse tuć.</p> +the place; Teque ferunt iræ pœnituisse tuæ.</p> <p>Your lordshipp is learned as well as I (it is bootles & I should offer you the bootes), you knowing the Latine @@ -2741,7 +2701,7 @@ come foorth after all, Trepidus morte futura.</p> <p><a class="pagenum" name="Page_35" title="35"> </a> O miseresce malis, take pitty on the poore prisners, -Patres ćquum esse censent nos iam iam; you may very <span class="linenum">60</span> +Patres æquum esse censent nos iam iam; you may very <span class="linenum">60</span> well remember, since yourselfe weare in the same case. Cutt not off for some few slippes those younge plantes of such towardnes; make not mothers weepe, winke at @@ -2772,7 +2732,7 @@ formerly committed.</p> <p>And wheras you, contrary to my desertes, have out of the bottomles pitt of your liberalitye restored mee out -of the porters lodge of miserye into the tower of fćlicitie, +of the porters lodge of miserye into the tower of fælicitie, by giving that which was due from mee (silly mee) vnto your worshippfull selfe, I meane my ladye pecunia; lett mee intreate you that I may burden the leggs of your<a class="pagenum" name="Page_36" title="36"> </a> @@ -2914,7 +2874,7 @@ compare—</p> <p>Line 195. <em>Seven yeares I was a woman.</em>—The blindness of Tiresias is most frequently ascribed, either to his having, when a child, revealed the secrets of the gods, or to his having gazed -upon Athenč bathing, on which occasion the goddess is said to +upon Athenè bathing, on which occasion the goddess is said to have deprived him of sight. Another tradition, however (adhered to by Ovid, <cite>Met.</cite> iii. 516, etc.), relates that Tiresias beheld two serpents together; he struck at them, and, happening to kill the @@ -3049,7 +3009,7 @@ herb, and used as an emblem of flattery. Cf. and itself means wind-pipe. Cf. <cite>Tempest</cite>, iii. 2, 99.</p> <p>Line 328. <em>Thy face more faire, etc.</em>—According to some legends, -Gorgon or Medusa was a beautiful maiden before Athenč, in<a class="pagenum" name="Page_44" title="44"> </a> +Gorgon or Medusa was a beautiful maiden before Athenè, in<a class="pagenum" name="Page_44" title="44"> </a> anger, changed her hair into serpents, thereby rendering her so hideous that all who saw her became petrified. Possibly, however, the allusion here is merely facetious.</p> @@ -3083,7 +3043,7 @@ but for a similar omission of <em>d</em> in the literary language cf. <em>lime</ <p>Line 396. <em>Ile beare thee light.</em>—If this expression be an idiom, I can find no other instance of it; cf., however, the analogous -phrase "to bear hard," <em>i.e.</em> to take ill (<cite>Julius Cćsar</cite>, ii. 1, 215; +phrase "to bear hard," <em>i.e.</em> to take ill (<cite>Julius Cæsar</cite>, ii. 1, 215; 1 <cite>Henry IV.</cite> i. 3, 270). The punning character of the passage makes it difficult to determine what exact meaning Florida wishes to convey. A not improbable sense would be obtained @@ -3247,7 +3207,7 @@ iii. 1, 32, 36.</p> youth; hence (at a later period) serving-lad. See <cite>Taming of the Shrew</cite>, iii. 2, 215, and <cite>Titus Andronicus</cite>, iv. 2, 164.</p> -<p>Line 573. <em>Bange</em>, beat. Cf. <cite>Othello</cite>, ii. 1, 21, and <cite>Julius Cćsar</cite>, +<p>Line 573. <em>Bange</em>, beat. Cf. <cite>Othello</cite>, ii. 1, 21, and <cite>Julius Cæsar</cite>, iii. 3, 20.</p> <p>Line 575. <em>Kee pickpurse.</em>—This expression seems to be a @@ -3356,7 +3316,7 @@ occurs) with the words written in full.</p> <p>Line 48. <em>Repente.</em>—A play on the meaning of the English and the form of the Latin word <em>repente</em> is clearly intended.</p> -<p>Line 70. "Denarii dicti, quod denos ćris valebant; quinarii, +<p>Line 70. "Denarii dicti, quod denos æris valebant; quinarii, quod quinos" (Varro).</p> <p>Line 93. <em>Janus</em> is frequently, though not invariably, represented @@ -3400,7 +3360,7 @@ a bird (Latin pica), and an article of food.</p> <h3>II.</h3> -<p>Line 23.—<em>Keele</em>, to cool, from O. E. cęlan, M. E. kelen. See +<p>Line 23.—<em>Keele</em>, to cool, from O. E. cĂŞlan, M. E. kelen. See <em>Love's Labour's Lost</em>, v. 2, 930—"While greasy Joan doth keel the pot." Usually, however, the verb bore the derived sense of "to keep from boiling over by stirring round." <em>A Tour to the @@ -3498,382 +3458,6 @@ F. 43<sup>r</sup>. rev.</li> <li>F. <span class="u">43<sup>r</sup></span> rev.</li></ul> </div> - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Narcissus, by Unknown - -*** END OF THIS PROJECT GUTENBERG EBOOK NARCISSUS *** - -***** This file should be named 41726-h.htm or 41726-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/7/2/41726/ - -Produced by Irma Spehar, Eleni Christofaki and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive/Canadian Libraries) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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