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diff --git a/41705-h/41705-h.htm b/41705-h/41705-h.htm index 27fb3a3..1c80d86 100644 --- a/41705-h/41705-h.htm +++ b/41705-h/41705-h.htm @@ -3,7 +3,7 @@ <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of Anima Poetæ, by Samuel Taylor Coleridge. @@ -161,45 +161,7 @@ ins.correction { </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Anima Poetæ, by Samuel Taylor Coleridge - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Anima Poetæ - -Author: Samuel Taylor Coleridge - -Editor: Ernest Hartley Coleridge - -Release Date: December 25, 2012 [EBook #41705] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK ANIMA POETÆ *** - - - - -Produced by Jonathan Ingram, Carla Foust, and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 41705 ***</div> <hr style="width: 65%;" /> <!-- Autogenerated TOC. Modify or delete as required. --> @@ -900,7 +862,7 @@ unnatural effort not to be so, and egotism in such cases is by no means offensive to a kind and discerning man.</p> <p>Some flatter themselves that they abhor egotism, and do not suffer it to -appear <i>primâ facie</i>,<span class="pagenum"><a name="Page_15" id="Page_15">[15]</a></span> either in their writings or conversation, however +appear <i>primâ facie</i>,<span class="pagenum"><a name="Page_15" id="Page_15">[15]</a></span> either in their writings or conversation, however much and however personally they or their opinions have been opposed. What now? Observe, watch those men; their habits of feeling and thinking are made up of <i>contempt</i>, which is the concentrated vinegar of @@ -947,8 +909,8 @@ and energy—of thinking as distinguished from thought.</p> <div class="sidenote">GIORDANO BRUNO</div> <p>Monday, April 1801, and Tuesday, read two works of Giordano Bruno, with -one title-page: <i>Jordani Bruni Nolani de Monade, Numero et Figurâ liber -consequens. Quinque de Minimo, Magno et Mensurâ. Item. De +one title-page: <i>Jordani Bruni Nolani de Monade, Numero et Figurâ liber +consequens. Quinque de Minimo, Magno et Mensurâ. Item. De Innumerabilibus Immenso, et Infigurabili seu de Universo et Mundis libri octo. Francofurti, Apud Joan. Wechelum et Petrum Fischerum consortes</i>, 1591.</p> @@ -956,7 +918,7 @@ octo. Francofurti, Apud Joan. Wechelum et Petrum Fischerum consortes</i>, <p>Then follows the dedication, then the index of contents of the whole volume, at the end of which index is a Latin ode, conceived with great dignity and grandeur of thought. Then the work <i>De Monade, Numero et -Figurâ, secretioris nempe Physicæ, Mathematicæ, et Metaphysicæ elementa</i> +Figurâ, secretioris nempe Physicæ, Mathematicæ, et Metaphysicæ elementa</i> commences, which, as well as the eight books <i>De Innumerabili</i>, &c., is a poem in Latin hexameters, divided (each book) into chapters, and to each chapter is affixed a prose commentary. If the five books <i>de @@ -1205,7 +1167,7 @@ of music.</p> <hr style="width: 35%;" /> <p>Mem. to end my preface with "in short, speaking to the poets of the age, -'<i>Primus vestrûm non sum, neque imus</i>.' I am none of the best, I am none +'<i>Primus vestrûm non sum, neque imus</i>.' I am none of the best, I am none of the meanest of you."—<span class="smcap">Burton</span>.</p> <hr style="width: 35%;" /> @@ -2022,7 +1984,7 @@ these eye-spectra; as, for instance, if I press my legs or change sides.</p> moral evil from the streamy nature of association, which thinking curbs and rudders. Do not the bad passions in dreams throw light and show of proof upon this hypothesis? If I can but explain those passions I shall -gain light, I am sure. A clue! a clue! a Hecatomb à la Pythagoras, if it +gain light, I am sure. A clue! a clue! a Hecatomb à la Pythagoras, if it unlabyrinth me.</p> <hr style="width: 35%;" /> @@ -2057,7 +2019,7 @@ the mica in crumbly stones.</p> <p>The experiment over leaf illustrates my idea of motion, namely, that it is a presence and absence rapidly alternating, so that the fits of <i>absence</i> exist continuously in the feeling, and the fits of presence -<i>vice versâ</i> continuedly in the eye. Of course I am speaking of motion +<i>vice versâ</i> continuedly in the eye. Of course I am speaking of motion psy<span class="pagenum"><a name="Page_57" id="Page_57">[57]</a></span>chologically, not physically, what it is in us, not what the supposed mundane cause may be. I believe that what we call <i>motion</i> is our consciousness of motion arising from the interruption of motion, the @@ -2358,7 +2320,7 @@ it at its side. <i>Then</i> it spoke.</p> Nature through gauze spectacles.</p> <hr style="width: 35%;" /> -<p>At Göttingen, at Blumenbach's lectures on Psychology, when some +<p>At Göttingen, at Blumenbach's lectures on Psychology, when some anatomical preparations were being handed round, there came in and seated himself by us Englishmen a<span class="pagenum"><a name="Page_68" id="Page_68">[68]</a></span> <i>Hospitator</i>, one, that is, who attends one or two lectures unbidden and unforbidden and gratis, as a @@ -3031,7 +2993,7 @@ sympathy of soul learnt it, we then understand the book—that is, the <i>Deus minor</i> in His work.</p> <hr style="width: 35%;" /> -<p>The <i>hirschkäfer</i> (stag-beetle) in its worm state makes its bed-chamber, +<p>The <i>hirschkäfer</i> (stag-beetle) in its worm state makes its bed-chamber, prior to its metamorphosis, half as long as itself. Why? There was a stiff horn turned under its belly, which in the fly state must project and harden, and this required exactly that length.</p> @@ -3067,7 +3029,7 @@ republic <i>in se</i>? or is there one Breeze of Life, "at once the soul of each, and God of all?" Is it not strictly analogous to generation, and no more contrary to unity than it? But <span class="smcap">IT</span>? Aye! there's the twist in the logic. Is not the reproduction of the lizard a complete generation? O it -is easy to dream, and, surely, better of these things than of a £20,000 +is easy to dream, and, surely, better of these things than of a £20,000 prize in the lottery, or of a place at Court. Dec. 13, 1804.</p> <hr style="width: 35%;" /> @@ -3272,7 +3234,7 @@ ever felt a single sensation? Is not every one at the same moment conscious that there co-exist a thousand others, a darker shade, or less light, even as when I fix my attention on a white house or a grey bare hill or rather long ridge that runs out of sight each way (how often I -want the German <i>unübersekbar</i>!) [untranslatable]—the pretended +want the German <i>unübersekbar</i>!) [untranslatable]—the pretended sight-sensation,<span class="pagenum"><a name="Page_103" id="Page_103">[103]</a></span> is it anything more than the light-point in every picture either of nature or of a good painter? and, again, subordinately, in every component part of the picture? And what is a @@ -3689,7 +3651,7 @@ when I read the inscription over the Chartreuse—</p> <span class="i0">C'est ici que la Mort et la Verité<br /></span> <span class="i2">Elevent leurs flambeaux terribles;<br /></span> <span class="i0">C'est de cette demeure au monde inaccessible<br /></span> -<span class="i2">Que l'on passe à l'Eternité<br /></span> +<span class="i2">Que l'on passe à l'Eternité<br /></span> </div></div> <p>I seem to feel that if France had been for ages a Protestant nation, and<span class="pagenum"><a name="Page_120" id="Page_120">[120]</a></span> @@ -4221,7 +4183,7 @@ on his first arrival at Malta. See <i>Letters of Charles Lamb</i>, Macmillan, <hr style="width: 35%;" /> <div class="sidenote">LOVE AND DUTY</div> -<p>Würde, worthiness, <span class="smcap">VIRTUE</span>, consist in the mastery over the sensuous and +<p>Würde, worthiness, <span class="smcap">VIRTUE</span>, consist in the mastery over the sensuous and sensual impulses; but love requires <span class="smcap">INNOCENCE</span>. Let the lover ask his heart whether he can endure that his mistress should have <i>struggled</i> with a sensual impulse for another man, though she overcame it from a @@ -4405,7 +4367,7 @@ dislike of Shakspere [and the Elizabethan dramatists].</p> <p>"Facts—stubborn facts! None of your theory!" A most entertaining and<span class="pagenum"><a name="Page_148" id="Page_148">[148]</a></span> instructive essay might be written on this text, and the sooner the better. Trace it from the most absurd credulity—<i>e.g.</i>, in -Fracastorius' <i>De Sympathiâ</i>, cap. i. and the Alchemy Book—even to that +Fracastorius' <i>De Sympathiâ</i>, cap. i. and the Alchemy Book—even to that of your modern agriculturists, relating their own facts and swearing against each other like ships' crews. O! it is the relation of the facts—not the facts, friend!</p> @@ -4501,7 +4463,7 @@ shall be <i>Germany</i> to me, let whatever coxcombs rise up, and <i>shrill</i> away in the grasshopper vale of reviews. And so shall Dante, Ariosto, Giordano Bruno,<span class="pagenum"><a name="Page_152" id="Page_152">[152]</a></span> be my Italy; Cervantes my Spain; and O! that I could find a France for my love. But spite of Pascal, Madame Guyon and -Molière, France is my Babylon, the mother of whoredoms in morality, +Molière, France is my Babylon, the mother of whoredoms in morality, philosophy and taste. The French themselves feel a foreignness in these writers. How indeed is it possible at once to <i>love</i> Pascal and Voltaire?</p> @@ -4838,7 +4800,7 @@ awake together for <i>good</i> and <i>all</i> in the broad daylight of heaven.</ <hr style="width: 35%;" /> <p>Forget not to impress as often and as manifoldly as possible the <i>totus in omni parte</i> of Truth, and its consequent interdependence on -co-operation and, <i>vice versâ</i>, the fragmentary character of action, and +co-operation and, <i>vice versâ</i>, the fragmentary character of action, and its absolute dependence on society, a majority, etc. The blindness to this distinction creates fanaticism on one side, alarm and prosecution on the other. Jacobins or soul-gougers. It is an interesting fact or @@ -5130,7 +5092,7 @@ prosperous events, exults in her disasters and yet, all the while, is merely hating the opposite party, and would himself feel and talk as a patriot were he in a foreign land [<i>he</i> is a party man]. The true monster is he (and such alas! there are in<span class="pagenum"><a name="Page_174" id="Page_174">[174]</a></span> these monstrous days, -"vollendeter Sündhaftigkeit"), who abuses his country when out of his +"vollendeter Sündhaftigkeit"), who abuses his country when out of his country.</p> <hr style="width: 35%;" /> @@ -5405,7 +5367,7 @@ edition? no cheap German?</p> <p>9. Aristotle's Works, and to hunt for Proclus.</p> -<p>10. In case of my speedy death, it would answer to buy a £100 worth of +<p>10. In case of my speedy death, it would answer to buy a £100 worth of carefully-chosen books, in order to attract attention to my library and to give accession to the value of books by their co-existing with co-appurtenants—as, for instance, Plato, Aristotle; Plotinus, Porphyry, @@ -5485,7 +5447,7 @@ whole prior orbit of the planet's successive revolutions is possessed by it at once (<i>Potentia fit actus</i>) amid the thunder of rapture.</p> <hr style="width: 35%;" /> -<div class="sidenote">SINE QU NON</div> +<div class="sidenote">SINE QUÂ NON</div> <p>Form is factitious being, and thinking is the process; imagination the laboratory in which the thought elaborates essence into existence. A @@ -5956,7 +5918,7 @@ ought to be experimentative and analytic of the elements of meaning—their double, triple, and quadruple combinations, of simple aggregation or of composition by balance of opposition.</p> -<p>Thus innocence is distinguished from virtue, and <i>vice versâ</i>. In both +<p>Thus innocence is distinguished from virtue, and <i>vice versâ</i>. In both of them there is a positive, but in each opposite. A decomposi<span class="pagenum"><a name="Page_205" id="Page_205">[205]</a></span>tion must take place in the first instance, and then a new composition, in order for innocence to become virtue. It loses a positive, and then the base @@ -6113,7 +6075,7 @@ Contents, the two distichs, but especially the latter—</p> </div></div> <hr style="width: 35%;" /> -<p>The waggon-horse <i>celsâ cervice eminens clarumque jactans +<p>The waggon-horse <i>celsâ cervice eminens clarumque jactans tintinnabulum</i><span class="pagenum"><a name="Page_211" id="Page_211">[211]</a></span>. Item, the cattle on the river, and valley of dark pines and firs in the Hartz.</p> @@ -6192,7 +6154,7 @@ fire to guide me darkling in my nightly march through the wilderness.</p> <div class="sidenote">THOUGHT AND ATTENTION</div> <p>Thought and attention are very different things. I never expected the -former, (viz., <i>selbst-thätige Erzeugung dessen, wovon meine Rede war</i>) +former, (viz., <i>selbst-thätige Erzeugung dessen, wovon meine Rede war</i>) from the readers of <i>The Friend</i>. I did expect the latter, and was disappointed. Jan. 3, 1810.</p> @@ -7116,7 +7078,7 @@ each a several and individual life.</p> <div class="sidenote">SELF-ABSORPTION AND SELFISHNESS</div> <p>One source of calumny (I say <i>source</i>, because <i>allophoby</i> from<span class="pagenum"><a name="Page_249" id="Page_249">[249]</a></span> -<i>hëautopithygmy</i> is the only proper <i>cause</i>) may be found in this—every +<i>hëautopithygmy</i> is the only proper <i>cause</i>) may be found in this—every man's life exhibits two sorts of selfishness, those which are and those which are not objects of his own consciousness. <i>A</i> is thinking, perhaps, of some plan in which he may benefit another, and during this @@ -7445,7 +7407,7 @@ Book of Petrarch's Epistle, that "Barbato Salmonensi." [Basil, 1554, i. 76.]</p> <div class="poem"><div class="stanza"> -<span class="i8">Vultûs, heu, blanda severi<br /></span> +<span class="i8">Vultûs, heu, blanda severi<br /></span> <span class="i0">Majestas, placidæque decus pondusque senectæ!<br /></span> </div><div class="stanza"> <span class="i8">Non omnia terræ<br /></span> @@ -7712,7 +7674,7 @@ riddle-my-ree in them. What, then, is it? The unnatural, false, affected style of the moderns that makes sense and simplicity <i>oddness</i>.</p> <hr style="width: 35%;" /> -<div class="sidenote">OBDUCT FRONTE SENECTUS</div> +<div class="sidenote">OBDUCTÂ FRONTE SENECTUS</div> <p>Even to a sense of shrinking, I felt in this man's face and figure what a shape comes to view when age has dried away the mask from a bad, @@ -8386,7 +8348,7 @@ growing is to find, in the first place, some means of ascertaining for himself whether it does or no; and I can think of no better than early in life, say after three-and-twenty, to procure gradually the works of some two or three great writers—say, for instance, Bacon, Jeremy -Taylor, and Kant, with the <i>De Republicâ</i>, <i>De Legibus</i>, the +Taylor, and Kant, with the <i>De Republicâ</i>, <i>De Legibus</i>, the <i>Sophistes</i> and <i>Politicus</i> of Plato, and the <i>Poetics</i>, <i>Rhetorics</i>, and <i>Politics</i> @@ -8539,7 +8501,7 @@ it may be expected—but the other sort, or <i>positive</i> constancy, where the affection endures in the same intensity with the same or increased tenderness and <i>nearness</i>, of this it is that I doubt whether once in an age an instance occurs where <i>A</i> feels it toward <i>B</i>, and <i>B</i> feels it -towards <i>A</i>, and <i>vice versâ</i>.</p> +towards <i>A</i>, and <i>vice versâ</i>.</p> <hr style="width: 35%;" /> <div class="sidenote">FLOWERS AND LIGHT April 18, 1826</div> @@ -8928,7 +8890,7 @@ air.</p> <br /> <span style="margin-left: 2em;">Goethe, <a href="#Page_229">229</a></span><br /> <br /> -<span style="margin-left: 2em;">Göttingen, <a href="#Page_67">67</a></span><br /> +<span style="margin-left: 2em;">Göttingen, <a href="#Page_67">67</a></span><br /> <br /> <span style="margin-left: 2em;">Grasmere, <a href="#Page_76">76</a>, <a href="#Page_132">132</a></span><br /> <br /> @@ -9088,7 +9050,7 @@ air.</p> <br /> <span style="margin-left: 2em;">Mohammed, <a href="#Page_290">290</a>, <a href="#Page_291">291</a> <i>n</i>.</span><br /> <br /> -<span style="margin-left: 2em;">Molière, <a href="#Page_152">152</a></span><br /> +<span style="margin-left: 2em;">Molière, <a href="#Page_152">152</a></span><br /> <br /> <span style="margin-left: 2em;">Montagu, Basil, <a href="#Page_218">218</a> <i>n</i>.</span><br /> <br /> @@ -9485,7 +9447,7 @@ in the text will be found indexed under the following headings.</i></p> <span style="margin-left: 2em;"><i>Anecdotes, a Sheaf of</i>, <a href="#Page_66">66</a>-<a href="#Page_68">68</a></span><br /> <span style="margin-left: 3em;">Beaumont, Sir G., and gauze spectacles, <a href="#Page_67">67</a></span><br /> <span style="margin-left: 3em;">Beaumont, Lady, her prayers, <a href="#Page_67">67</a></span><br /> -<span style="margin-left: 3em;">Göttingen and the <i>hospes</i>, <a href="#Page_67">67</a></span><br /> +<span style="margin-left: 3em;">Göttingen and the <i>hospes</i>, <a href="#Page_67">67</a></span><br /> <span style="margin-left: 3em;">Godwin, Holcroft, and Underwood, <a href="#Page_68">68</a></span><br /> <span style="margin-left: 3em;">Holcroft and M. Wollstonecraft, <a href="#Page_66">66</a></span><br /> <span style="margin-left: 3em;">Exeter, the organ pipe, <a href="#Page_67">67</a></span><br /> @@ -10071,7 +10033,7 @@ in the text will be found indexed under the following headings.</i></p> <span style="margin-left: 2em;">Not the beautiful, etc., <a href="#Page_49">49</a>-<a href="#Page_50">50</a></span><br /> <br /> <br /> -<span style="margin-left: 2em;"><i>Obductâ fronte senectus</i>, <a href="#Page_272">272</a>-<a href="#Page_273">273</a></span><br /> +<span style="margin-left: 2em;"><i>Obductâ fronte senectus</i>, <a href="#Page_272">272</a>-<a href="#Page_273">273</a></span><br /> <br /> <span style="margin-left: 2em;"><i>Observations and Reflections</i>, <a href="#Page_17">17</a>-<a href="#Page_21">21</a></span><br /> <span style="margin-left: 3em;">Ashes in autumn, <a href="#Page_19">19</a></span><br /> @@ -10511,379 +10473,6 @@ in the text will be found indexed under the following headings.</i></p> <p>Page 330: "hardskinned" changed to "hard-skinned".</p> </div> - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Anima Poetæ, by Samuel Taylor Coleridge - -*** END OF THIS PROJECT GUTENBERG EBOOK ANIMA POETÆ *** - -***** This file should be named 41705-h.htm or 41705-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/7/0/41705/ - -Produced by Jonathan Ingram, Carla Foust, and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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