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diff --git a/41678-h/41678-h.htm b/41678-h/41678-h.htm index 3bb35ab..deab724 100644 --- a/41678-h/41678-h.htm +++ b/41678-h/41678-h.htm @@ -3,7 +3,7 @@ <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of Belford's Magazine V. 2, No. 3, @@ -173,46 +173,7 @@ padding-right: .5em;} </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Belford's Magazine, Vol. II, No. 3, -February 1889, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Belford's Magazine, Vol. II, No. 3, February 1889 - Dec 1888-May 1889 - -Author: Various - -Release Date: December 21, 2012 [EBook #41678] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK BELFORD'S MAGAZINE, FEBRUARY 1889 *** - - - - -Produced by Barbara Tozier, Bill Tozier, JoAnn Greenwood -and the Online Distributed Proofreading Team at -http://www.pgdp.net - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 41678 ***</div> <div class="transnote"><p class="center">Transcriber's Note</p> <p>The following Table of Contents was not present in the original and has @@ -2713,7 +2674,7 @@ out of the tree, while the bright sun was shining in my eyes.</p> <p>Visions of Ethel's face over our charming breakfast-table rose before me, and I seemed to scent afar off the steam of fragrant -mocha in a dainty Sèvres cup as she held it towards me. The +mocha in a dainty Sèvres cup as she held it towards me. The thought of that morning libation settled the business.</p> <p>I would march stalwartly home—yea, though a thousand bloodhounds @@ -3425,7 +3386,7 @@ House of Lords has served notice on the world that the President himself cannot commit our government to any treaty.</p> <p>Why, then, are our diplomatic agents, so called, sent abroad as ministers? -Ministers resident and <i lang="fr" xml:lang="fr">chargés d'affaires</i> are merely clerks of the State +Ministers resident and <i lang="fr" xml:lang="fr">chargés d'affaires</i> are merely clerks of the State Department—no more, no less—who are sent abroad to play at being diplomatists and get laughed at by the courts they approach.</p> @@ -3702,7 +3663,7 @@ He or she is the creator. Now the mimic is one who reproduces second-hand the work of others. We are cursed with a traditionary assortment of characters that have come down to us from the Kembles; and any one capable of filling what Shakspere or Bacon or somebody called the -rôle of "a poor player who struts and frets his hour upon the stage, and +rôle of "a poor player who struts and frets his hour upon the stage, and then is heard no more" can win applause through mimicry, but never be great. We first saw Mary as Meg Merrilies, and the reproduction of Cushman was something marvellous. And so we have had it ever since. As @@ -3720,7 +3681,7 @@ indispensable adjunct of the modern actress, a very handsome wardrobe. But she is not fitted for the part of Lady Elizabeth, who in her youthful prison exhibits the same wilful capriciousness and headstrong pride that she afterwards showed on England's throne. Mr. Kyrle Bellew as Edward -Courtenay, the romantic lover of Elizabeth, played his rôle quite well. +Courtenay, the romantic lover of Elizabeth, played his rôle quite well. Mrs. Potter is naturally better suited to fragile, feminine, girlish parts than she is to the heroic, and there is plenty of room for improvement; but she is painstaking, persistent, and has time before her.</p> @@ -3731,7 +3692,7 @@ devised than any of his previous efforts in this line, and since it was first put upon the stage has been much improved, many offensive lines being eliminated.</p> -<p>Adolph Müller's new comic opera, "The King's Fool," was first witnessed +<p>Adolph Müller's new comic opera, "The King's Fool," was first witnessed by an American audience in Chicago at the Columbia Theatre on Christmas Eve. Its scene is laid at the court of Pampeluna, and the plot is the development of a conspiracy to secure the succession to the throne, @@ -3789,7 +3750,7 @@ season.</p> might be described as an episode clothed in epigram. It is commonly little more than an incident, slight as to plot, startling in contrasts of light and shade, and too often avowedly immoral in tone—a fragment of canvas, with -ragged edges, cut at random from a picture by Gérôme, with figures questionably +ragged edges, cut at random from a picture by Gérôme, with figures questionably suggestive, and volcanic in color. It affects a myopic realism in details, not seldom of the sort which, with non-committal suavity, we have agreed to call "improper." It is nothing if not erotic. It deals with @@ -3896,7 +3857,7 @@ disgust.</p> to the soil. It is therefore unhealthy and unwholesome. It is out of place in this cold northern air. In its own climate it is a gaudy flower; in this temperate zone it is a poisonous, spotted lily, rank of smell and blistering -to the touch. The licentiousness of Théophile Gautier is elevated by +to the touch. The licentiousness of Théophile Gautier is elevated by the power of his transcendent genius to the plane of true art. In America it sinks into a denizen of the gutter.</p> @@ -9348,7 +9309,7 @@ for the looks of it," as he "considered Dorn now virtually a free man, and had all along suspected that he was an innocent one."</p> <p>The prosecuting attorney was alone in his office that evening, looking -over a <i>resumé</i> of another case, that of a mere horse-thief, which would +over a <i>resumé</i> of another case, that of a mere horse-thief, which would succeed Dorn Hackett's in order of trial—for he had already given up all<span class="pagenum"><a name="Page_474" id="Page_474">[Pg 474]</a></span> hope of hanging Dorn—when the sheriff entered, with an air of mingled eagerness and caution, to inform him, in a sort of melodramatic whisper:</p> @@ -9800,382 +9761,6 @@ making this sentence difficult to interpret.</p> </div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Belford's Magazine, Vol. II, No. 3, -February 1889, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK BELFORD'S MAGAZINE, FEBRUARY 1889 *** - -***** This file should be named 41678-h.htm or 41678-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/6/7/41678/ - -Produced by Barbara Tozier, Bill Tozier, JoAnn Greenwood -and the Online Distributed Proofreading Team at -http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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