summaryrefslogtreecommitdiff
path: root/41590-8.txt
diff options
context:
space:
mode:
Diffstat (limited to '41590-8.txt')
-rw-r--r--41590-8.txt4144
1 files changed, 0 insertions, 4144 deletions
diff --git a/41590-8.txt b/41590-8.txt
deleted file mode 100644
index 97a94e4..0000000
--- a/41590-8.txt
+++ /dev/null
@@ -1,4144 +0,0 @@
-The Project Gutenberg EBook of Negro Tales, by Joseph Seamon Cotter
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Negro Tales
-
-Author: Joseph Seamon Cotter
-
-Release Date: December 9, 2012 [EBook #41590]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK NEGRO TALES ***
-
-
-
-
-Produced by sp1nd, Martin Pettit and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-NEGRO TALES
-
-[Illustration: Joseph S. Cotter
-
-_Frontispiece._]
-
-NEGRO TALES
-
-By
-
-JOSEPH S. COTTER
-
-NEW YORK
-
-THE COSMOPOLITAN PRESS
-
-1912
-
-
-COPYRIGHT, 1912, BY
-THE COSMOPOLITAN PRESS
-
-
-
-
-CONTENTS
-
- PAGE
-The Author 7
-
-Caleb 9
-
-Rodney 23
-
-Tesney, The Deceived 35
-
-Regnan's Anniversary 50
-
-"Kotchin' De Nines" 62
-
-A Town Sketch 67
-
-The Stump of a Cigar 74
-
-A Rustic Comedy 81
-
-The Jackal and the Lion 103
-
-The King's Shoes 110
-
-How Mr. Rabbit Secures a Pretty Wife and Rich
- Father-in-Law 127
-
-The Little Boy and Mister Dark 133
-
-Observation 138
-
-The Boy and the Ideal 141
-
-The Negro and the Automobile 144
-
-Faith in the White Folks 146
-
-The Cane and the Umbrella 148
-
-
-
-
-THE AUTHOR
-
-
-The Author is one of a race that has given scarcely anything of
-literature to the world. His modest tender of some Christmas verses to
-me led to an inquiry which revealed his story of unpretentious but
-earnest and conscientious toil. He is wholly self-taught in English
-literature and composition. The obstacles which he has surmounted were
-undreamed of by Burns and other sons of song who struggled up from
-poverty, obscurity, and ignorance to glory.
-
-Joseph Seamon Cotter was born in Nelson County, Kentucky, in 1861, but
-has spent practically all his life in Louisville. He had the scantiest
-opportunity for schooling in childhood, though he could read before he
-was four years old. He was put to work early, and from his eighth to his
-twenty-fourth year earned his living by the roughest and hardest labor,
-first in a brick yard, then in a distillery, and finally as a teamster.
-At twenty-two his scholarship was so limited that when he entered the
-first one of Louisville's night schools for colored pupils he had to
-begin in the primary department. His industry and capacity were so great
-that at the end of two sessions of five months each he began to teach.
-He has persevered in his calling, educating himself while at work, and
-is now Principal of the Tenth Ward Colored School, at Thirteenth and
-Green streets. The man whose advice and encouragement at the beginning
-chiefly enabled him to accomplish this was Prof. W. T. Peyton, a
-well-known colored educator of this city, whom he regards as his
-greatest benefactor.--THOMAS G. WATKINS, _Financial Editor Louisville
-Courier-Journal_.
-
-
-
-
-NEGRO TALES
-
-
-
-
-CALEB
-
-
-Patsy and Benjamin, her husband, were talking about their first and
-second weddings, and of Caleb, their son. They were also thinking of
-Rahab, Caleb's teacher.
-
-"We have been blessed in the number of our weddings," said she.
-
-"Yes; but cursed in Caleb," he replied.
-
-"Our last wedding, as free people, was not equal to the first as
-slaves."
-
-"That was because Caleb came in between."
-
-"How many ex-slaves have considered the significance of these second
-weddings?"
-
-"How many fathers and mothers have been cursed by only sons?"
-
-Caleb entered the room as his father uttered these words, and struck him
-violently over the heart. The old man straightened up, gasped
-spasmodically, clutched at his breast wildly, and then fell heavily to
-the floor. Caleb, with a parting sneer, left the room, while Patsy ran
-to the aid of her husband. She turned him on his back, opened his shirt
-at the neck, but her efforts were of no avail. Benjamin was dead.
-
-Patsy did not report Caleb for the murder of his father, but went on
-thinking her own theology and asking Rahab to explain.
-
-"A thirty-dollar coffin? No, no, undertaker! A five-dollar robe? No, no,
-undertaker! Four carriages? No, no, undertaker! Think you the living
-have no rights? Cold, rigid dignity will suffice the dead, but the
-living must have money. He was my father, and I am his heir; therefore,
-speedy forgetfulness for the one and luxury for the other. Five hundred
-dollars are upon his life. As four hundred and fifty slip through my
-fingers I'll remember I owe him something for dying a pauper. Twenty
-dollars will keep Patsy chewing starch; and you, undertaker, may have
-the rest, and the thanks of science for your services. Why gaze upon the
-dead? Think you how you can make it twenty? At twenty? At twenty, you
-say? Cigars, cigars, ten dollars for cigars. You can't? Out! Out! Out!
-Offend not the living by pitying the dead."
-
-Caleb thus addressed the undertaker while gazing upon the dead body of
-his father.
-
-As the undertaker left the room Patsy hobbled in upon her crutches, sat
-close to the corpse and sobbed aloud.
-
-"Why those tears, old woman?" asked Caleb.
-
-"Where is your heart, Caleb, my boy?"
-
-"In the twenty dollars you hold in your hand. Disgrace, and disgrace,
-and ever disgrace! The old man was a boaster in life and a pauper in
-death. Now you would spend for starch what I should spend for cigars. No
-more disgrace for the family, old woman. Eschew starch, bless your son,
-and hie you to the washtub."
-
-He took the money and arranged it in the shape of a cigar.
-
-Patsy looked lovingly at Caleb, and considered Rahab's offer to preach
-Benjamin's funeral sermon.
-
-On the day of Benjamin's funeral Rahab was present. Patsy gave him a
-chair close to the coffin. The people were so seated that egress was
-impossible.
-
-Leaning upon her crutches and gazing straight into Rahab's face, Patsy
-gave out, and the people sang: "A charge to keep I have, a God to
-glorify."
-
-Rahab looked at the corpse; and, seeing a sermon in the cold, rigid
-form, turned and looked at Patsy. "Beware of the immediate future," said
-she.
-
-Rahab trembled, stammered something, and looked at the ceiling. Patsy
-brought her crutch in close proximity to his head.
-
-Said she, keeping her crutch in motion and her eye in Rahab's: "Words of
-the dead to the dead avail little. Were it not for your presence there
-would be no funeral sermon. The man in the coffin is not dead, but
-sleeping. Why should we disturb his slumbers? You have just life enough
-to hear your doom. Why should we not pronounce it?"
-
-Rahab started to rise. Patsy moved her crutch, and the people sang:
-"That awful day will surely come."
-
-Rahab dropped back into his seat and looked wildly around the room.
-
-Patsy laid her hand gently upon his shoulder and said: "Rahab,
-Benjamin's blood is in part upon your hands. Caleb believed you when you
-said that God would curse him. After seeing your crimes he believed that
-God had cursed both. To be cursed, he thinks, gives the right to curse.
-Rahab, the Master is waiting and calling."
-
-"He is waiting," said Rahab; "but not to bless."
-
-The people sang: "While the lamp holds out to burn the vilest sinner may
-return."
-
-Rahab raised himself up with difficulty and pitched forward upon the
-floor.
-
-"Rahab, what do you see?" asked Patsy.
-
-"I see Caleb's undoing between me and the New Jerusalem. Fool was I. I
-won his confidence, and led him to believe false doctrine. God, pardon
-Caleb. I sinned in his sight and laughed at his virtue. Damn not Caleb,
-O God, but me."
-
-Rahab ceased to speak and was carried out. His last words were: "Damn
-not Caleb, O God, but me."
-
-Some said he died of excitement; others said it was of pure
-consciousness of guilt.
-
-A few weeks passed. The night was cold, and Patsy was dying. Caleb sat
-in a corner of the room. In his mouth was a lighted cigar. At his feet
-was a split-covered box, from which came a sound that was music to his
-ears.
-
-On a similar night about a year before Patsy cried out pitifully: "My
-baby, my Caleb, perdition, perdition!" She had sprung forward, as though
-about to clutch something, and had struck her head against the stove,
-inflicting an ugly wound.
-
-"It was all a dream," she afterwards said. "Methought my Caleb was a
-babe again. I pressed him to my heart and crooned one of those
-nonsensical baby ditties so old, yet so sweet to the mother's heart.
-When he said 'Dad,' 'Dad,' I held him up and kissed his chin, mouth,
-nose, eyes, and forehead. I looked five years ahead and saw him clinging
-to my dress while I gathered roses for his brow. I looked ten years
-ahead and saw him among his schoolmates, contending for the mastery in
-sports and studies. Again I looked and saw him a man of thirty, I, bent
-and gray, leaning upon his arm, receiving the confidence of the wise,
-the respect of the just. Time, the robber, would steal my angel. I held
-him up and kissed his hands and feet over and over. I fell asleep. When
-I awoke my baby was lying upon the floor. Thinking it was hurt, I
-screamed: 'My baby.' Straightway it turned into Caleb, the man, and I
-called: 'My Caleb!' A flame of fire sprang up and began to circle him
-round. Then it was I cried: 'Perdition, perdition!' and sprang to help
-him. This ugly wound on my head will be my death; but Caleb, Caleb!"
-
-The night was cold, and Patsy was dying. Caleb sat in a corner of the
-room. In one hand was the stump of a cigar. In the other was a chicken,
-still making the sound that was music to his ears. When Patsy's groans
-disturbed him he moved the empty box with his feet.
-
-"Old woman," said he, "I have stolen a chicken. Will you be my guest?"
-
-"Caleb," groaned Patsy, "you should not steal."
-
-His answer was: "Old woman, you should not meddle."
-
-"Caleb, have you seen my chicken?" asked a voice without.
-
-"Would you disgrace your mother in death?" asked Patsy, with great
-effort.
-
-"Would you starve me in life?" was Caleb's reply.
-
-"My chicken, my chicken!" roared the voice without.
-
-"It is fat and tender," chuckled Caleb.
-
-Patsy's last words on earth were: "May the Lord forgive my Caleb."
-
-Caleb fell asleep and left his mother to die alone. Her death-struggle
-covered several hours. She raised herself upon her pillow, so that her
-last glance might rest upon Caleb. His loud snoring was music to her
-dying ears. She clapped her hands feebly to awaken him, but he snored
-the more, and mumbled something about chicken. The end came with a
-little choking in the throat and a slight movement of the head to the
-left.
-
-As Patsy lay cold in death Caleb had a pleasant dream. He dreamed that
-she was well and at the washtub. He thought he held in his hand money
-she had drawn in advance for him. When he awoke the next morning and
-found it was but a dream he lighted the stump of a cigar; and, between
-puffs, mumbled something about starch-eating mothers and dignified sons.
-When a neighbor called to see what Patsy would have for breakfast, he
-said: "Ask the old woman."
-
-"She is dead," cried the neighbor.
-
-"Then bury her," said he.
-
-The next day Noah, the father of Melviny, the grave-digger for the poor,
-said: "Melviny, my child, I go to dig poor Patsy's grave."
-
-"Poor Caleb!" said Melviny, and covered her face with her apron.
-
-Noah's hands fell to his side, leaving the spade dangling about his
-neck.
-
-"Melviny!" he shouted fiercely.
-
-"Father?" she answered soberly.
-
-"Why your thought of Caleb?"
-
-"Why your interest in Patsy?"
-
-"She is dead, child."
-
-"So is Caleb, father." Melviny dropped her apron and began to toy with
-the spade. "Dear father, you are kind to the neighbors."
-
-"Dear child, you are making your own perdition."
-
-"Where go you, father?"
-
-"I go to bury Patsy in the potter's field."
-
-"I go to bury Caleb in my affections, that he may be resurrected a man."
-
-Noah kissed his daughter three times.
-
-"The first," said he, "is for your mother, who was a wise woman."
-
-"In marrying you, father? I never heard her say so in her curtain
-lectures. Why didn't you say she was a brave woman?"
-
-"Don't be frivolous, child."
-
-"Cling to facts, father. Remember, you will soon be on the brink of the
-grave."
-
-"The second is for your innocence," said he, kissing her again. "The
-third--the third----"
-
-"Is for what, father? Say it's to encourage Caleb in his wooing. Say it,
-father."
-
-"'Tis my dying kiss--my curse. Go! When he drags you to want and death,
-you will see how foolish you have been."
-
-"When I lift him to honor and life the world will see how wise and
-heroic I have been. That extra kiss, father?"
-
-Noah looked puzzled.
-
-"I see it now, father. That's to commend my heroism. You would say so in
-words, but you are a bit too human at present. Poor Patsy is to be
-buried in a pauper's grave; poor Caleb in my affections. Your task is
-noble. No parting word for me? None? I go not alone."
-
-"You go not alone, for the fires of tribulation go with you," said Noah,
-and shouldered his spade.
-
-As Noah crossed the bridge leading to the potter's field he met Caleb.
-
-"Hello, old graybeard!" This was Caleb's salutation. "I jilted the
-cobbler's Mary for your Melviny. A mess of perdition she is. You have
-the honor of burying my mother; I would have the pleasure of marrying
-your daughter. 'Tis a fair exchange. Speak the word; the magistrate is
-waiting for his fee. You won't? Your beard is a foot long."
-
-"I go to dig your mother's grave."
-
-"I detain you to pleasure my mother's son."
-
-"She must be buried."
-
-"I must be married."
-
-"Oh! Oh! Oh!"
-
-"Speak the word."
-
-"My beard is being wasted."
-
-"Speak the word, or I'll pull out another handful."
-
-"Y-e-e-s," stammered Noah.
-
-Caleb stroked what beard was left, evened it up with his penknife, and
-said: "Go! You are adorned for your task."
-
-What Noah felt and thought while digging Patsy's grave would make a
-serious, instructive volume. A like record of Caleb and Melviny, as they
-stood before the magistrate, would show the brute in man, the folly in
-woman. So long as woman is sure she has mastered man, so long is man
-sure to degrade woman. 'Tis the equation of the fall. The rib that gave
-woman life ever waits to give her temptation and death.
-
-
-Caleb had been away from Melviny six months when their child was born.
-
-Fancy a man, dirty, ragged, and lousy, sitting beside a post. Notice
-the convenience of the post. Look well at the grin that is indicative of
-a bite; forget not the smile that means one intruder less. Why those
-dice? He shakes them in his hand, throws them out, and says seven. Any
-money at stake? No! Any fellow-players? No! See the point? Look closely!
-When he grins he shakes the dice. Know you what that means? There is a
-bite. When he smiles he throws out the dice and says seven. Understand
-that? The post and a movement of his back have done the work, and there
-is one intruder less. He is actually gambling with the lice on his back.
-
-A fellow-gambler comes up and says: "Caleb, you have an heir in your
-family. Happy dog you should be."
-
-"Let's celebrate it with a game," says Caleb.
-
-He throws down a ten-dollar bill; the other lays down five silver
-dollars.
-
-Caleb shakes the dice, grins fiercely, throws them out, smiles a double
-smile, and says seven twice. This means a double victory. More lice have
-been killed, and five dollars are won.
-
-"Five more! Will you have it?" asks Caleb.
-
-"I'm a gambling man and never flinch," says the other. He lays down five
-more silver dollars. Caleb rises and uses the post vigorously. His face
-is a solid grin. The dice are shaken and leap from his hand. The broad
-grin relaxes into a little smile that spreads so as to almost hide his
-nose. His left hand assists the post, while with the right he picks up
-the silver dollars.
-
-"A gambling man are you?" twits Caleb.
-
-"Yes," nods the other.
-
-"Then a generous man am I," continues Caleb. "Take the ten-dollar bill
-and remember you have met Caleb."
-
-"Caleb," replies the other, "I am a more generous man than you. Take
-back the counterfeit bill and keep the silver dollars you have stolen. I
-will assist you further by inventing a new way of killing lice."
-
-"Lice, sir?" roared Caleb. "Where are they? Do you mean----?"
-
-"I mean a post is a good louse-killer, but a little oil and a match are
-better."
-
-Caleb, as you know by this time, was a coward. He outran fire-and-oil
-justice, and was caught in the mesh of circumstances. He leaped over a
-beehive and alighted between two lines of barbed-wire fence. After
-spending the night with barbed-wire and bees he was very properly
-removed to the hospital.
-
-"His legs must be amputated," said the physicians.
-
-"That means what?" asked Caleb, arousing himself as from a dream.
-
-"Death, perchance," said they.
-
-"That means the morgue?" asked he, with a grunt.
-
-"For such as you, yes," replied one.
-
-"My legs, gentlemen, my legs! The morgue! The morgue! I see it. How cold
-it is! Gentlemen, are you gentlemen? My legs! My legs!"
-
-The next day he learned that his legs had been taken off. The following
-day he roared about the morgue and fought with both hands. He cried out
-at intervals:
-
-"Off! Off, you doctors! My legs are here to carry me from the morgue,
-but you are waiting to cut them off again. Off, you butchers! Come, my
-right leg! Come, my left! On, my right leg! On my left! Yes! Yes!
-Welcome, tried friends! Down the steps now! Halfway down are we! Back!
-Back, you butchers! You shall not! My right foot--you shall not turn
-around. 'Tis done. The toes are where the heel should be. I go a step
-forward and fall back a step. Your knives are sharp, you butchers. My
-right leg is off and hops upstairs. My left leg is off and hops
-downstairs. My body falls and is carried to the morgue. The morgue,
-gentlemen, is so cold--so cold!"
-
-After this there were several hours of indistinct raving. The next day
-his legless body was upon a marble slab in the morgue.
-
-His fellow-gamblers, hearing of his fate, begged his body that they
-might give it a "decent" burial. They removed it to an old out-house and
-sat up with it the first night. Why do they gaze upon it so often? Why
-do their hands touch his face and hands? Would they learn a lesson from
-the cold, deathly touch? The next night, the next, the next, and the
-next it is alone.
-
-You searchers of the city's offal, you living buzzards who remove the
-dead and rotten of your kind, fling open the doors! Is that Caleb you
-find? 'Tis a part of him. His legs are buried somewhere. His ears and
-fingers are in the pockets of his fellow-gamblers. Now carry out Caleb
-minus Caleb. Stop up your nose--stop up your nose!
-
-
-
-
-RODNEY
-
-
-Rodney was an illegitimate child. He knew not what this meant, but the
-sting of it embittered his young life.
-
-The Negro has as much prejudice as the white man. Under like conditions
-the negro would make the same laws against the white. This crept out in
-the treatment of Rodney. His worst enemies were always negroes. The
-Anglo-Saxon blood in his veins made scoffers of some and demons of
-others.
-
-To be pitied is the boy who has never framed the word "father" upon his
-lips. Rodney attempted it once, but failed, and never tried it again. He
-stood before his father bareheaded and with the coveted word upon his
-lips.
-
-"You have a fine head of hair," said his father.
-
-"That's what people say," replied Rodney.
-
-"Are you proud of it?"
-
-"Should I not be, sir?"
-
-"Well, my little man, it's a disgrace to you."
-
-This was the first and last meeting of Rodney and his father.
-
-Once two fine ladies of ebony hue visited his mother, to show their
-silk dresses and to take dinner. A large dish of parched horse-corn was
-placed in the center of the table. His mother said a solemn blessing,
-and the ladies looked vexed.
-
-"My dear people," she said, after looking them into a smile, "if you are
-good, this is good enough. If you are not good, it is too good. In
-either case, help yourselves."
-
-Rodney learned from this and similar incidents to make the most of a bad
-case.
-
-"A little corn, if you please," said one. She was helped plentifully by
-Rodney's mother.
-
-"Give me a part of yours," said the second to the first. She received
-about four-fifths of it.
-
-"You are too generous," said Rodney's mother, and refilled the plate.
-
-Rodney sat on the floor, stroked his cat, and eyed the fine dresses. The
-ladies munched with dignity, or fingered the laces on their sleeves.
-
-"I see Rodney has had the smallpox," said one.
-
-"Yes," replied his mother.
-
-"My boy had it, too."
-
-"How did it serve him?"
-
-"It killed him. All the good children die. It was a sad stroke to me.
-Well, since his death I have been able to dress like a lady."
-
-"Like a lady!" said the other. "How my old mistress used to say that
-word. I caught the inspiration then. It lingered in my bones a long time
-before it crept out thus."
-
-Here she surveyed her clothing with satisfaction.
-
-"I see that parched horse-corn and fine dresses go well together," said
-Rodney's mother, as she helped their empty plates.
-
-"You see we are considerate," said one.
-
-"Yes, and ladylike," said the second.
-
-"Yes, and patched with the blue and the gray," said Rodney's mother.
-
-They looked at their clothes, but saw not the point.
-
-"Mother," said Rodney, lying flat on his back, hugging the cat, and
-beating his heels upon the floor, "what is fine lace worth a yard?"
-
-"What is it worth, ladies?" said she.
-
-They looked at each other and frowned.
-
-"Rodney has begun, ladies. Be prepared," said his mother.
-
-Here she emptied the last of the corn into her visitors' plates.
-
-"When I washed for Mrs. Rodman a few months ago she had beautiful lace
-on her pillow slips."
-
-"Yes, she did, mother," said Rodney. Then, turning to the two women:
-"You ladies work for her now. You cook, and you wash. She and her
-daughter, General Bradford's wife, have gone to the springs. Did it take
-all the pillow-slip lace for your sleeves?"
-
-"Don't be too plain, Rodney," said his mother.
-
-"Mother, that's the dress General Bradford gave his wife. You know she
-told you about it. Mother, mother, what did you mean when you said that
-the ladies are patched with the blue and the gray?"
-
-"Mrs. Rodman is of the North. General Bradford is of the South. One
-means the blue, the other the gray."
-
-"If we are wearing things that belong to the blue and the gray, we are
-not patched," said one, as she arose from the table and put on her hat.
-
-"No," said the other, "we are ladies when we are dressed so."
-
-"That hat!" said Rodney.
-
-The other one put her hat behind her.
-
-"That one, too!" roared Rodney.
-
-"Look after your half-white brat," said they.
-
-"Look after your bare heads when Mrs. Rodman and her daughter return,"
-said Rodney's mother.
-
-"Now," said one, "I believe what the fortune-teller said."
-
-"Tell it," said the other.
-
-"I lost some money."
-
-"Yes, you did," said the other.
-
-"I went to the fortune-teller."
-
-"I went with you."
-
-"She pointed out a half-white brat."
-
-"She then pointed out his mother."
-
-"She said we would all meet some day."
-
-"Now we have met."
-
-"What did she say about parched corn?" asked Rodney's mother.
-
-"She said a half-white brat stole the money."
-
-"She said he would die, too," joined in the other.
-
-"That's all plain enough," said Rodney's mother.
-
-"Your boy is dead, and you know about his father."
-
-"Now," said the one with the hat behind her, "I don't blame Uncle Jack
-for choking your brat."
-
-"Nor Aunt Sally for throwing hot soup on him," said the other.
-
-"Uncle Jack and Aunt Sally," said Rodney's mother, "will be important
-witnesses when Mrs. Rodman and her daughter return. They know all, and
-will tell more."
-
-One of the ladies picked up a glass.
-
-"How's your cat, my son?"
-
-"My cat's nice and good and sweet."
-
-Here both ladies spat into the glass.
-
-"Cats are respectable and worth talking about, my son."
-
-"This we leave with you," said the one with the hat behind her, as she
-set the glass upon the table.
-
-"What do you take with you?" asked Rodney's mother.
-
-Both looked around a second. "Corn in our stomachs," said they.
-
-"Are the ladies insulted, mother?"
-
-"They are dull and nasty, my boy."
-
-The ladies hurried out, one knocking over a chair, the other
-deliberately pulling down a picture.
-
-"Here, mother," said Rodney, bringing her a comb and brush, "tidy up my
-cat. Mary's coming with her doll." The mother combed and brushed the
-cat, while Rodney jumped on and off the table for joy. In the meantime
-Professor Brandon was conversing with the ladies on the outside.
-
-"Ladies! ladies!" said he.
-
-"Ha! ha!" was the response.
-
-"Let it flow right along," continued the professor.
-
-"We'll be generous enough," said they.
-
-"Ladies, those poses are superb."
-
-"Professor, you can judge."
-
-"No one doubts it, ladies."
-
-"Professor, I need words just now," said one of them.
-
-"Professor, I need a professor," said the other.
-
-"That's epidemic, ladies."
-
-Little Mary entered the room and ran around holding her doll by one
-foot. "Oh! oh! oh!" said she.
-
-"Is your doll hurt?" asked Rodney, following her around the room with
-his cat in his arms.
-
-"No, no, no," replied she.
-
-"A cat for a doll," said Rodney.
-
-"I must tell it first," gasped Mary.
-
-"Go on, while I fan you with my cat, Mary!"
-
-"The professor and the ladies--are drinking--from--a big black bottle."
-
-"Let's see," said Rodney, as he ran to the door and peeped. Mary
-followed and stood behind him.
-
-"Ha! ha! let it flow right along," came from without.
-
-Rodney held up his cat for a bottle and made a gurgling sound. Mary held
-up her doll and imitated him.
-
-The professor now parted from the ladies and approached Rodney's home.
-As he walked into the room Rodney and Mary sat upon the floor and
-exchanged the cat and doll.
-
-"I am Professor Brandon," said he, pulling his mustache.
-
-Rodney went through the motion of pulling his, and Mary pulled the
-cat's.
-
-"'Tis delightful to meet ladies," said he.
-
-Rodney's mother nodded.
-
-"Schoolteaching would be unbearable were it not for meeting ladies."
-
-"Must you have the big black bottle every time?" asked Mary.
-
-Here Rodney held up the doll and made a drinking noise.
-
-"These young ones need curbing," said the professor.
-
-"So do appetites, sir," replied Rodney's mother.
-
-"I am a schoolteacher, madam," roared he.
-
-"I am a washerwoman, sir," was her reply.
-
-"Very well, I'll give you a job. What can you wash?"
-
-"Shirts."
-
-"What else?"
-
-"Drawers."
-
-"What else?"
-
-"Socks."
-
-"What else?"
-
-"Diapers, sir."
-
-"You are brutally plain, madam."
-
-"You are devilishly inconsiderate and inquisitive, sir."
-
-Both children emphasized the remark by beating upon the floor.
-
-"To my business," said the professor. "This boy should be at school.
-Where is his father?"
-
-"I ask you the same question, sir."
-
-"Madam, that leads me to suspect."
-
-"What does 'suspect' mean, professor?" asked Mary.
-
-"It means--the Latin of it is--let's see----"
-
-The professor stopped to pull his mustache.
-
-"It means to dream out something and swear it's true," spoke up Rodney's
-mother.
-
-"Madam, I want to talk to you about this boy's schooling. Have you any
-drinking water?"
-
-"No. Rodney, a bucket of water."
-
-"A bucket of water, Rodney. Go fast and return slowly," put in the
-professor.
-
-Rodney started briskly, but Mary held him back and looked saucily at the
-professor.
-
-"Let's bring back the bottle," laughed she, as both ran out.
-
-"First, madam, I am a professor. I hold a diploma from a college."
-
-"You carry it with you?"
-
-"Sometimes."
-
-"You have shown it to leading white men?"
-
-"Yes."
-
-"Well, many a good-meaning white man has been deceived by a college
-diploma in the hands of a negro."
-
-"You presume too far on your limited knowledge."
-
-"You travel too far on your flimsy diploma."
-
-"Secondly, madam, I would elevate the morals of the race."
-
-"Very good, sir. How?"
-
-"I would begin by cutting off from society every illegitimate negro
-child."
-
-"You would, in so doing, train your thumb and finger to pinch your own
-nose."
-
-"My mother and father were married, madam."
-
-"Your mother and her husband were married."
-
-"Madam, I came in the interest of your child's education."
-
-"You are a liar from the roots of your hair to your toe-nails. You came
-to pry into my private life and to take note of my mental stock. You may
-proceed, sir."
-
-"I haven't time to stay."
-
-"You have a sufficient supply with which to go."
-
-"If you were a lady, I would say prate on."
-
-"If you were a merchant, I would say speak tersely, weigh justly, and
-keep ever in mind a marble monument.
-
-"If you were a poet I would say tear out and fling to the crowd as much
-of your heart as you would have the crowd return. If you were a
-philosopher I would say weaken not your philosophy with wit, nor weigh
-down your wit with philosophy. Philosophy and wit are good neighbors,
-but indifferent twins. Since you are a fool, I will simply say all
-remedies have failed, and you are happy and safe in your ancient
-calling."
-
-Professor Brandon pulled his mustache a few seconds. He then said: "For
-your peace of mind, I will go."
-
-Rodney entered with a pitcher of water, and Mary with a big black
-bottle.
-
-"Have water, professor?" asked Rodney. Here Mary pretended to drink from
-the bottle. The professor took the pitcher and poured some of the water
-into the glass into which the ladies had spat some time before. He held
-it at some distance from him and said: "Woman's tedious, but pure water
-is wholesome."
-
-"Professor!" roared Rodney's mother.
-
-"You are just and polite, at last," calmly observed he.
-
-"What's in the glass, sir? Examine the glass."
-
-"That is best done in the dish-water."
-
-The professor was about to drink it when he saw the spittle.
-
-"You did this, boy?"
-
-"I was holding Mary's doll, professor," gasped Rodney.
-
-"Was it you, girl?"
-
-"I was holding Rodney's cat and your big black bottle, professor," slyly
-replied Mary.
-
-"You, madam?"
-
-"Be calm, professor. That is the compliments of your fine ladies,
-without whom schoolteaching would be unbearable."
-
-"They spat into this glass?"
-
-"No, professor," retorted Mary. "Rodney said they puked into it."
-
-"They had a mighty big stomach full of corn, anyway," put in Rodney.
-
-The professor dropped the glass and stepped out of the door, seemingly
-very uneasy about the stomach.
-
-"Professor," called Rodney's mother.
-
-He stopped and grunted.
-
-"Your attitude is undignified, sir."
-
-He started to answer, but his mouth was too full. Rodney's mother walked
-to the door backwards and closed it.
-
-"You did that, Mary," said Rodney.
-
-"How?" retorted Mary.
-
-"I didn't say they puked into the glass. I said they spat into it."
-
-"It's all one, Master Rodney, and give me my doll."
-
-"I won't. Give me my cat."
-
-"I won't. My doll."
-
-"My cat."
-
-They tugged at the doll and cat. Rodney's mother threw her arms around
-them, and said soothingly: "My Rodney and his little sweetheart, Mary!"
-
-
-
-
-TESNEY, THE DECEIVED
-
-
-Tesney, the frail, the good, the beautiful mulatto, was known of child,
-man, woman, and beast.
-
-"Wait, Tesney! We have something good for you and a secret to tell."
-Daily such invitations came from the white children of the neighborhood.
-Daily Tesney ate "good things" and listened to talks about dolls,
-playmates, stories, and so on. The dogs that accompanied the children
-pulled Tesney's apron strings and seemed to enjoy her good nature and
-the confidence of her little white friends.
-
-"What a servant she is!" said white family men, as they passed. "She
-fondles the babies, and they do not cry. She talks, and older children
-listen. She moves, and they follow her. She does not command, but they
-do her bidding. There should be a million such as she."
-
-"She is a lady born," said white women. "May no ill befall her."
-
-Tesney was servant to Mrs. Wakely, a wealthy Southern white woman.
-Tesney's presence was energy to the other young negro servants. They
-thought of her, and put thought into their work. They looked at her and
-dignified their persons. "There may be queens of the kitchen as well as
-queens of the parlor," said they. "We belong to the first. Let us glory
-in the honor."
-
-The lace curtains at the windows, the pictures on the wall, the lint on
-the carpet, the china in the closet, the wearing apparel of Mrs. Wakely,
-and the food on the table, all knew the touch of Tesney's delicate
-yellow hand. The washerwoman followed her instructions, and the clothes
-lasted months longer.
-
-The other servants learned through her that honesty in a servant is a
-greater virtue than dignity in a parlor queen, and the grocery bill was
-reduced ten per cent. She studied the needs of the family, and expenses
-were reduced ten per cent. more. Her forethought for the family and her
-genius in arranging games and work for the children gave Mrs. Wakely
-many hours of leisure and comfort.
-
-"The house can do without me for hours," said Mrs. Wakely to her guests,
-"but it cannot do without Tesney for a minute."
-
-Tesney's mother was a mulatto, with the hair and features of that type.
-She died when Tesney was too young to know anything about her. Tesney
-never knew her father, but she had a suspicion. Her suspicion was
-wrong, and it caused all her trouble. She heard Agnes, who knew her
-mother, talk, and it was upon Agnes' talk that Tesney had founded her
-suspicion.
-
-"He is my father," she often said to herself, as a certain rich man of
-another race passed by. "He will give me something some day."
-
-On her twenty-third birthday she saw Mrs. Wakely in company with this
-man. After leaving the man, Mrs. Wakely said: "Tesney, here is a ring
-your father sent to you. Look on the inside of it."
-
-Tesney looked, and read: "To my daughter, Tesney."
-
-"The man, Mrs. Wakely?" asked Tesney.
-
-"Your father."
-
-"His name, please?"
-
-"Do you not know? Has not Agnes told you all about it? She said she
-would."
-
-Tesney wore the ring, and renewed her hopes of getting something from
-the man whom she considered her father.
-
-That very afternoon a pony, hitched to a dogcart and driven by Tesney,
-became frightened and ran. To keep the two children behind her from
-jumping from the cart and receiving unnecessary bruises Tesney held them
-with one hand and gripped the lines with the other. However, the
-animal's wild flight was of short duration, for the man of Tesney's
-suspicion stopped the pony and led the now docile beast back to Mrs.
-Wakely's gate. As Tesney lifted the crying children from the cart he
-said:
-
-"Tesney, you are a good, brave girl. I was talking to Mrs. Wakely this
-morning about you. I gave her a ring for you. How do you like the
-present?"
-
-"Well, sir, well," answered Tesney.
-
-There were tears in her eyes, but the man did not see them.
-
-"Tesney," continued the man, "how would you like to live with me?"
-
-"Well, sir, well," answered Tesney.
-
-Mrs. Wakely now hurried from the house, having witnessed the
-misadventure of the ponycart.
-
-"Oh, thank you, Mr. Bankner, thank you!" she cried. "The children are
-all right, are they not? Tesney is a good, brave girl, isn't she?"
-
-"She is that, and more," replied the man, as he bowed and departed.
-
-Tesney wore the ring, remembered the invitation, and renewed her hopes.
-
-Three months from that day Tesney stood behind Aunt Agnes combing her
-hair while Agnes examined the ring. Agnes was about sixty years old, an
-ex-slave, a meddler, and liar. Her three hundred and fifty pounds kept
-her in her big arm-chair. There she made the coffee, beat the biscuits,
-abused the cook, lied to Mrs. Wakely, said the blessing, and urged all
-to live good Christian lives. She had nursed Tesney and knew her
-ancestry.
-
-She called Tesney her daughter, and wished her for a daughter-in-law.
-Tesney was fond of Agnes, but scorned her son, who was unfit for any
-woman.
-
-"Read, Aunt Agnes," said Tesney, "while I comb."
-
-"No; you jes' stop combin' an' read."
-
-Tesney read the inscription, and dropped a word about her suspicion.
-
-"Now, comb on, chile. Me! My! Whew! Stop, chile, stop! Dat comb's mighty
-fine. Whut dat you say 'bout dem ring-wuds an' dat big white man?"
-
-Tesney repeated the inscription and emphasized her suspicion.
-
-"Is dat so?" asked Agnes doubtfully.
-
-"Didn't you as good as say so, Aunt Agnes?"
-
-"Maybe I did, chile. Now, look heah, chile, is you gwine ter be my
-daughter-in-law?"
-
-"Aunt Agnes, it cannot be. You know your son is a bad man."
-
-"Yes, chile; but er bad man needs er good wife."
-
-"Thanks, Aunt Agnes; but it cannot be."
-
-"George, you triflin' rascal, come heah," Agnes called to her son.
-
-George entered and smiled at Tesney, who frowned and turned her back
-upon him.
-
-"Son," continued Agnes, "daughter says no. It's good 'nough. Go, you
-triflin' rascal, go."
-
-George went.
-
-"Chile," said Agnes, with a great show of kindness, "you is right. You
-knows dat you is good-blooded stock. Fine stylish white blood runs in
-yo' veins. You is right, chile. Look up! Look up! You knows whut de
-yeast does fur de bread. White dignity does dat fur yo' blood. You knows
-whut de skerecrow does fur de cornfield. White wisdom does dat fur yo'
-womanhood. Whut de steam does fur de steam-cyar white go-er-head does
-fur you. You is right, chile. Look up! Now you mus' be feelin' mighty
-good. Ain't you? George is er little no-er-count, but Agnes'll wuk fur
-Tesney, an' George'll wuk fur Tesney, an' won't dat be er good bargain?
-Honey chile, say dat it will, an' please de heart ob po' ole Agnes."
-
-"Aunt Agnes, it cannot be."
-
-"Does you mean dat, chile?"
-
-"I mean it, Aunt Agnes."
-
-"Does you mean eb'ry wud ob it?"
-
-"I mean every word of it."
-
-"Now, I'se gwine ter make you er speech, you ha'f-white nigger. You
-thinks bekase yo' face ain't whut you calls raal black, an' bekase yo'
-haih ain't smack-dab ter yo' haid, an' bekase---- Oh, Tesney, honey
-chile, don't cry dat way. Aunt Agnes wus jes' er foolin'. I takes it all
-back. Let me kiss you all ober de face. Dere now. I knows dat you's in
-good humor. You sees, chile, how Aunt Agnes kin hurt yo' feelin's. You
-better be George's wife den hab yo' feelin's hurt all de time."
-
-"It cannot be, Aunt Agnes. Don't ask me any more."
-
-"Now, I'll say de res' ob my speech. It'll not be er speech ob wuds,
-nuther. It'll be one ob acts. It'll hit you hard. It'll make you 'shamed
-ob yo-self. It'll dribe yo' friends ter turn dey backs erpon you. It'll
-put you out ob doors. It'll make you say: 'I'se er fool--er fool.' It'll
-hit you hard--hard."
-
-Agnes stopped to breathe. Mrs. Wakely entered the kitchen. Tesney was
-looking at the ring.
-
-"Tesney," said Agnes, "yo' mother wus er ooman nearly white, an' yo'
-father wus er nigger man."
-
-"My father!" gasped Tesney. "I have always learned that my father
-was----"
-
-"Yo' father wus whut I tells you, chile."
-
-"What have you always told me?"
-
-"Listen! I tells you de facts. I tells you de facts."
-
-"Aunt Agnes!" screamed Tesney.
-
-"Tesney," said Mrs. Wakely; "that information seems to trouble you."
-
-"Ha! ha! De chile! Ha! ha!" Agnes stopped to hold her sides.
-
-"Why, Agnes, what is the matter?" asked Mrs. Wakely.
-
-"Ha! ha! De chile thinks de man whut gibed you dat ring fur her is her
-father."
-
-"Do you, Tesney?" asked Mrs. Wakely sharply.
-
-Tesney put the ring on her finger and remained silent.
-
-"Speak, Tesney! The matter is serious," demanded Mrs. Wakely.
-
-"I do," answered Tesney. "Did not Mr. Bankner give you the ring for me?"
-
-"He did."
-
-"Did you not say that the ring was sent to me by my father?"
-
-"Your father sent it to you; but another brought it to me."
-
-"Is you sma't 'nough ter see de differunce between de sendin' an' de
-bringin' ob er thing, chile?"
-
-Tesney looked at Mrs. Wakely and nodded.
-
-"Have you not deceived yourself?"
-
-"I have in part. Aunt Agnes, here----"
-
-"De chile lies! De chile lies! Mrs. Wakely, de chile----!"
-
-"Be quiet, Agnes," demanded Mrs. Wakely. "You are too fat to become
-eloquent with ease and safety."
-
-"She better be," said the washerwoman, who happened to stop at the
-window a few seconds. "All de coffins erbout heah is fur heabenly-sized
-people."
-
-Agnes, in a rage at this interruption, turned and threw the rolling-pin
-at the washerwoman, but she was at a safe distance.
-
-"Tesney, Agnes said that she would explain this whole affair to you."
-
-"Missus Wakely, you has knowed ole Agnes er long, long time, an' jes' as
-sho' as you an' me is gwine ter de same heaben, jes' so sho' I wus gwine
-ter tell dis chile de whole truth, but she kep' on makin' de
-lookin'-glass talk erbout her face an' her haih dat I jes' thought I'd
-fling out er little hint an' lay low."
-
-"I knew your father, Tesney; and, as Agnes says, he was a negro."
-
-"I reckons you'll beliebe now," shouted Agnes. "De white folks done said
-so."
-
-"Heah is yo' rollin'-pin," said the washerwoman, as she paused at the
-window on her return.
-
-"Hand it heah," demanded Agnes.
-
-"I will when you is ob er sweet temper," answered the washerwoman.
-
-"Please to explain about my father and the ring."
-
-"Your father, Tesney," Mrs. Wakely went on, "was reared in Mr. Bankner's
-family. He married a woman whom none of us, save Agnes, ever knew.
-Shortly after the death of your mother, he killed a man in self-defense.
-Mr. Bankner's people, knowing the circumstances, furnished your father
-money with which to escape. Mr. Bankner, a few weeks before he gave me
-the ring, saw your father and told him of you. Your father bought the
-ring, had the inscription put in it, and intended to bring it to you
-himself. However, at the request of Mr. Bankner he had returned to the
-scene of the killing for trial, and was mobbed. Mr. Bankner secured the
-ring before his death, and gave it to me for you. Now, as we are to
-leave for the West within a year, Mr. Bankner would like to have you
-serve in his family. He holds himself somewhat responsible for your
-father's death, and would like to help you. I would have told you this
-before, but Agnes asked me to leave it to her."
-
-Mrs. Wakely now left the room, giving Agnes a stern look on her way out.
-
-"Aunt Agnes," sobbed Tesney, "I have been deceived as to my father, and
-maybe as to my mother."
-
-"Has you bin deceibed in me too, chile?"
-
-"Yes."
-
-"Den ma'ry George, an' be deceibed in him."
-
-"It cannot be, Aunt Agnes."
-
-"Now I'll say de res' ob dat speech I tol' you erbout. You may ma'ry
-George yit. Mr. Bankner may heah from dis. He _shall_ heah from it. Do
-you think he'd ever let you stay in his house den?"
-
-Tesney left the room in silence.
-
-"George, you triflin' rascal, come heah. I got things started, son.
-Listen! Watch me! You don't desarbe it, but watch me. Tell Mr. Bankner
-dat Tesney says dat he is her father. Go! You good as got Tesney now.
-Go!" As George went out the door, Agnes added: "Dat's er triflin'
-rascal, but he's my George." Agnes began to grind the coffee, but
-stopped to abuse the cook.
-
-George contrived to have the message of Agnes reach Mr. Bankner's ears.
-Agnes, in turn, told Tesney that the rich white man knew of her
-suspicion. Tesney looked at the ring, and said: "I am Tesney the
-deceived."
-
-A few months after this Mr. Bankner sent his wife and children to
-Europe, and came to board with Mrs. Wakely. Tesney, knowing that George
-had had his mother's message delivered, feared the result. She worried
-until she was a mere skeleton of her former self.
-
-"I cannot face my blunder," she said. "I must leave."
-
-She accordingly rented a room and lived alone. In a short time she took
-to her bed as the result of isolation and worry.
-
-When Agnes heard of Tesney's illness she said: "Dis is our chance, son."
-
-Her three hundred and fifty pounds were soon at Tesney's bedside. Tesney
-was flighty. George and the preacher came. George held her hand while
-the preacher asked questions. George answered for himself, and Agnes
-answered for Tesney.
-
-A week passed. Tesney arose from her pillow and said to Agnes: "Are you
-here?"
-
-"Yes, chile," answered Agnes; "an' George, yo' husban', is heah, too."
-
-"George, my husband!" ejaculated Tesney.
-
-"Yes, child," said the preacher, who happened to be present, "I married
-you to him a week ago."
-
-Tesney swooned, and fell back upon her pillow. When next conscious of
-her surroundings, Tesney found herself in bed in a log cabin, with her
-three-hundred-and-fifty-pound tormentor still at her side.
-
-From that time until her death she was a prisoner. Not more than a dozen
-times did she seem sane. She would stand before the glass and ask for
-her old self. Sometimes she called Agnes a girl. Then she would call her
-a woman.
-
-"Agnes," said she, on one occasion, "here is a rope. Let us skip."
-
-When Tesney's baby boy was between three and four weeks old George was
-killed in a drunken brawl. Two days afterward he was buried, a short
-distance from the house. Tesney was in bed. Agnes did not go to the
-grave. She dragged her three hundred and fifty pounds out doors to cool,
-cry, and repent.
-
-Tesney took a looking-glass from under her pillow and looked at herself.
-
-"Tesney has come back again," she said. "This is her face. This is her
-hair. Tesney has come back again." Then turning to the wasting child at
-her side, she said: "Don't cry, little rascal. You are a George, like
-your father. Little fool, don't cry. Night will soon come. You may go
-then. Cry, cry, little George! Stop! Stop!"
-
-Tesney fell asleep. After several hours she was awakened by the crying
-of her baby. It was night. She took the baby in her arms and stole
-softly out of the house in her bare feet. She went straight to George's
-grave and sat down upon it.
-
-"Little rascal," said she to the baby, "your father is in the ground and
-can't steal me any more. Agnes can't follow me. You must not be a big
-George. How you are growing! Stop! I'll hold your legs and arms. Stop!
-You won't? You must!"
-
-She dug a hole in the top of the grave with her hands. She placed the
-baby in it, and covered it as well as she could. She then sat on a stump
-nearby and said not a word for several minutes. Tesney, sitting there,
-paid no heed to the rising wind, nor the distant flash of the lightning.
-Presently it thundered. She arose, put her hand to her ear, like one at
-a telephone, and waited. It thundered again. She leaned to listen. There
-was more lightning.
-
-"My name?" asked she. "It is Tesney." There were renewed thunder and
-lightning. "My baby?" asked she. "I sent it up. Is it there?" Again it
-thundered, again the lightning flashed. "It is not there?" she asked. "I
-must come with it? All right! Welcome!" She ran to the grave and
-uncovered the baby. It kicked feebly and gave a faint cry. "I knew you
-were still here," she said. "The Voice of the Clouds said so." A
-terrible storm was breaking. "Listen, little rascal: We go together.
-Listen! The Voice is coming. We go! We go!"
-
-These were her last words. She embraced the baby and sat calmly down
-upon the grave amid the raging elements. The storm's fury lasted an
-hour or more. The next morning Tesney and the baby were lying dead on
-George's grave.
-
-Agnes had Tesney and the baby buried in the same grave with George.
-After ten years of terrible mental and bodily suffering Agnes died. A
-certain part of each day during this time she spent looking at Tesney's
-ring and praying aloud. Some said that her intense agony and earnest
-prayer thoroughly purged her soul of guilt. Others said not so. God
-knows.
-
-
-
-
-REGNAN'S ANNIVERSARY
-
-
-"I'll be up afore day to-morrow morning, Regnan."
-
-"I'll sleep an hour longer, Kitty."
-
-"That may bring bad luck, Regnan. Remember Nordad, the tinker."
-
-"He mended a pot and married a woman the same hour."
-
-"That was well enough. He always had a bit of bacon for the pot and a
-faithful wife."
-
-"What of his bad luck, Kitty?"
-
-"He fell asleep on the day of his anniversary, was kidnapped, gagged and
-locked up in his garret. On payment of a neat little sum his wife was
-informed where he was, just in time for the ceremony."
-
-"Anything may befall me, Kitty, just so we stand before the preacher
-again to-morrow night."
-
-Thus spoke Regnan and Kitty, his wife, the night before their
-twenty-fifth anniversary.
-
-Kitty arose early the next morning, fed Posey, the mare, chatted with a
-neighbor, and returned to find Regnan still snoring.
-
-"Regnan," cried she, "will you remember Nordad, the tinker?"
-
-"Kitty," rejoined Regnan, "will you always remember to bring bad news?"
-
-"Out with you, Regnan."
-
-"Be lovely to-day, Kitty."
-
-"The bottom of your foot is clean."
-
-"That tickles! That tickles, Kitty!"
-
-"Your big toe is a good door-knob."
-
-"Oh, Kitty."
-
-"Out, Regnan!"
-
-"'Tis better to stand on two feet than to lose one big toe. I love you,
-Kitty."
-
-"The way you stand such treatment shows it. A true lover is the old man
-who enjoys the whims of an old wife."
-
-"You are a young wife to-day."
-
-"A good breakfast, a hard day's work and the ceremony to-night! I'll
-warrant that you'll outshine the preacher, Regnan."
-
-Regnan and Kitty were good, religious people. They took pride in the
-fact that they divided their religious duties. He prayed night and
-morning. She said the blessing at all times. She gathered the moral and
-religious news of the neighborhood, and he discussed it for their own
-benefit. At these functions Kitty was Kitty and Regnan was Regnan.
-Joking and arguing always found other means of outlet.
-
-"Let us be serious, Kitty." She looked at him and nodded her haid. "Let
-us pray." They knelt and prayed. He prayed aloud, and she silently. His
-"amen" seemed to be a link connecting the past and the present. So much
-for a beautiful human picture.
-
-Regnan, his wife, and friends were negroes. He dealt in rags, old iron,
-and second-hand furniture. Kitty was a plain housewife.
-
-"I'll have a breakfast like the one we ate twenty-five years ago,
-husband."
-
-"Do, wife! I'll give Posey a good currying-ing."
-
-"Do, husband!"
-
-Kitty set about getting breakfast, and Regnan curried Posey. Kitty
-talked to the pancakes, and Regnan talked to Posey.
-
-"I would not burn a pancake on my husband's wedding day. Now, cakes,
-turn well!"
-
-"I would not slight you, Posey, on my wife's wedding day. Now, Posey,
-shining Posey, see yourself!"
-
-When Regnan and Kitty sat down to breakfast, Posey, hitched to the
-wagon, was standing with her head partly in the window. A pancake was
-passed to the plates of Regnan and Kitty, and one to the mouth of Posey.
-When breakfast was over Regnan kissed Kitty, patted Posey, and drove
-off, saying: "Nordad the tinker comes ever to my mind. I wonder what
-to-day will bring. I will prepare for to-night."
-
-Regnan had a district where he bought and sold. He was regular, honest,
-and good-natured; and therefore popular. His "rag-cry" was his own. It
-always brought trade. It ran something like this: "_R-a-g-s_, rags,
-rags, _r-a-g-s_! Any _r-a-g-s_, _o-l-d iron_? Come up, Posey! _R-a-g-s_,
-old iron!" This cry had brought a little fortune. As this was his
-anniversary he thought he would not buy any rags, but deal in other
-things.
-
-A newly married man, whose wife had made kindling wood of the furniture,
-sold Regnan a cooking stove. "Beware of the first wedding day," said the
-man. Regnan thought him unwise, and drove on. He knew of another newly
-married couple who were living in hopes of many anniversaries. To these
-he would sell the stove. He could fancy the good wife cooking pancakes
-for her husband. Ere he could reach them he exchanged the stove for a
-sofa. "All good wives need rest," said he. "The sofa will therefore
-serve as well as the stove. I can see the good man and his wife resting
-upon it now."
-
-Later in the afternoon an old friend stopped Regnan.
-
-"Now, listen," said he, "to an anniversary march. While I play you think
-of the days agone." The friend played, and the tears stole down
-Regnan's cheeks.
-
-"How much for the fiddle?" asked Regnan. "Take the fiddle for the sofa."
-The exchange was made. "The newly married couple are loving and patient.
-They can wait," said Regnan. "I will stop here and get my beaver hat,
-white vest, and swallow-tailed coat." He went into the tailor's shop and
-got them. He had had them cleaned for the anniversary.
-
-Regnan was now very tired. He had been in the hot sun all day. He had
-had nothing to eat since morning. Besides, the malaria made him drowsy.
-
-So he stopped under a tree to rest. The clothes and fiddle were
-tempting. He spread the coat upon some newspapers in the wagon and put
-the vest in the proper place. He then placed the beaver at the head.
-"Kitty," said he, as though she was present, "look at your husband." He
-became more and more drowsy. He played. He nodded and closed his eyes.
-He stopped playing with his fingers on the bow and the bow on the
-strings.
-
-Several boys were watching Regnan. They thought it would be nice to put
-the vest, coat, and hat on the biggest boy and dance around him while
-Regnan "played in his dreams." It was done. The boy so dressed stood in
-a clear place and held out the tails of the coat. The others circled
-around him.
-
-In every neighborhood there are at least two factions among the boys.
-Fight is born in a boy. Letting it out occasionally will help to tame
-him. It was so in this case. It happened that the opposing faction had
-business that way. When they saw what was going on, they cried: "Fun,
-boys, fun!" A dozen pebbles fell among the dancers, who fled from the
-attack, and the fun began. The beaver hat and swallow-tailed coat were
-kept in the lead. The opposing faction followed, threw pebbles, and
-laughed.
-
-Regnan awoke and began to play. "There must be fun in it," said he.
-"That reminds me of my young days." He looked into the wagon. The
-playing was cut short. He looked at the boys again. The beaver hat and
-swallow-tailed coat were kept in the lead. He called a spectator and
-paid him to take Posey and the wagon home. With fiddle in hand and
-thoughts on anniversary he followed the boys. The opposing faction
-stopped and scattered. It was growing dark. Regnan caught one of the
-boys and began to scold him.
-
-"The boy with the beaver hat and swallow-tailed coat is the one you
-want. We were trying to catch him," gasped the boy.
-
-This was the truth, but it misled Regnan. The boy escaped. Regnan
-gained on the others. The boy followed.
-
-"Mister," said the other boys, as Regnan overtook them, "we just can't
-catch him. There he goes. Mister do you care much for such old things?"
-
-As Regnan pursued his moving anniversary suit the boys fell in behind
-and shouted: "Run, partner, run! The sum that's after you is an old head
-plus young legs. Run, partner, run!" Here the boys left their partner
-and Regnan to finish the race.
-
-"Stop, thief!" cried Regnan. The boy looked back, and, thinking the
-fiddle a club, turned and ran into a pond. They were now on the edge of
-the town. Regnan called to the boy to come out, and raised the fiddle
-involuntarily.
-
-"If you throw," said the boy, "I will dip up water in your hat."
-
-Regnan called again, and up went the fiddle.
-
-"If you throw," cried the boy, "I will lie down in the water."
-
-It was growing darker. The boy was going farther into the pond.
-
-"It is the fiddle that frightens him," said Regnan to himself. He laid
-it beside a tree. "See, my boy, see! My hands are empty. I will come to
-you." He plunged into the pond and followed the boy.
-
-"I will wait on this side. The club is over there," rejoined the boy,
-going all the while.
-
-In trying to increase his pace, and watch at the same time, he stumbled
-and fell up to his neck in the water. The beaver upset and floated.
-
-Regnan caught it and pushed on. When the boy reached the bank his wits
-came to him. He pulled off the coat and vest, left them and disappeared
-in the darkness. Regnan embraced the hat, vest, and coat as he walked
-around the pond to get his fiddle. He was wet and felt a chill coming
-upon him. He sat down beside the fiddle. For an hour he shivered and
-thought of his wife, the neighbors, and the anniversary. All at once he
-thought of Nordad the tinker.
-
-Just then someone rode a horse up to the pond a short distance from him
-and let the reins fall for it to drink.
-
-"Am I to be kidnapped like Nordad the tinker?" whispered Regnan to
-himself. "I will crawl off." In dragging the fiddle one of the strings
-was broken. The noise frightened the horse. It plunged through the pond.
-The rider, in trying to reach the reins, fell into the water, but
-quickly rose to his feet and started in pursuit of the fleeing horse.
-Soon both horse and rider were out of sight and hearing.
-
-Regnan breathed freely and said: "My fiddle, it may be you have saved me
-from being kidnapped." He then arose and started homeward. An hour
-later he was on the lawn before his house. Posey, arrived home some time
-since, came up to him.
-
-"Posey, my girl," said he, "I wonder if your mistress is as patient as
-you are. Oh, how could she be?"
-
-He then crept up to a corner of the house where he could see and hear.
-Everything showed that Kitty had done her duty. She was sitting in the
-center of some twenty women. Some were fanning her; some were crying.
-Others were at her back conducting a mock marriage. The men and women at
-the window were discussing Regnan aloud.
-
-"He should never marry _me_ again," said one woman.
-
-"I would never let the first marriage stand," said another.
-
-"Don't be too hard on Regnan," spoke up one on the inside. "Remember his
-widow is listening."
-
-"What think you of his case?" asked a young man of an old one.
-
-"Well," answered the old man, "old Welby, who was a wiser man than
-Regnan, killed himself upon a similar occasion."
-
-"Gentlemen," asked the woman from within, "do you think that Kitty would
-look well in mourning?"
-
-The women on the outside laughed. Some of those on the inside cried
-aloud. Kitty buried her head in her hands.
-
-Regnan, now understanding the state of affairs, ran into the room and
-cried: "My Kitty!" His breeches were wet and muddy and he had on the
-wet, muddy swallow-tailed coat and vest. He held the wet, bedraggled hat
-in one hand and the broken fiddle in the other. At his call Kitty made
-no motion, but kept her face hidden. The women formed a close circle
-around her. Those on the outside sneered: "My Kitty!" while the men
-yelled: "Scat, old tom, scat!" and "Is he drunk?" "Is he crazy?" "Is he
-going to kill Kitty?" "Help! Help! Call an officer!"
-
-These were some of the cries that came from different parts of the room.
-Regnan ran around the circle, crying: "My Kitty! Am I drunk? Am I crazy?
-Am I going to kill you, Kitty?" Now two men seized Regnan and dragged
-him toward the door.
-
-Just then the preacher entered the other door, wet and muddy from head
-to foot. He raised his hand, and Regnan was released. Kitty, noting the
-hush, peeped through her fingers, first at Regnan and then at the
-preacher. There was a tense silence. The preacher now spoke. He told of
-Regnan's trouble with the fiddle, clothes, and pond.
-
-"How do you know?" asked Regnan.
-
-"It was my boy who kept the vest, coat, and beaver in the lead. Tell the
-adventure yourself."
-
-"Not here! I will tell it to Kitty."
-
-"What about yourself, parson?" asked Kitty.
-
-"While on my way here," said the preacher, "I stopped my horse at the
-pond to drink. There was a noise like the breaking of a fiddle string."
-
-"The fiddle again," interrupted Regnan, and held it up.
-
-"My horse became frightened and ran through the pond. I fell off, waded
-out, and have not seen the horse since."
-
-"That's true, ladies and gentlemen."
-
-"How do you know?" asked the preacher.
-
-"I was there, parson." Regnan then told of the chill, the broken string,
-and the accident to the rider.
-
-By this time the people were around the edges of the room, leaving
-Kitty, Regnan, and the preacher in the middle.
-
-Regnan kissed his wife, and said: "Are you my Kitty?"
-
-"Since you and the parson are so much alike in dress and story, he may
-answer for me."
-
-"I will, my good woman." He said a few solemn words, and the important
-business of the night was over.
-
-For many days the town was alive with the story of Regnan's
-anniversary. Thereafter, whenever Regnan wished to tell Kitty the story
-he always played a march on the fiddle first.
-
-The preacher later turned his boy over to Regnan to be punished for his
-mischief.
-
-It was decided that he should go on the wagon with Regnan for three
-months and cry out: "Rags, old iron." The lad did so willingly. During
-his enforced apprenticeship his father died, leaving him homeless, as
-his mother had died in his infancy, and Regnan adopted the boy, who
-became a valuable assistant to the old man in his business. Before the
-lad was of age Regnan and Kitty both died, and left the preacher's son a
-snug little fortune. He kept the fiddle to remind him of the ways of
-Providence.
-
-
-
-
-"KOTCHIN' DE NINES"
-
-(A NEGRO TALE CURRENT IN LOUISVILLE)
-
-
-"Git up from dar. Whut's you dreamin' erbout? No need ter ask, fer I
-knows. You's dreamin' right now 'bout kotchin' dem nines. I bounds you
-dun had er dream last night. I knows it by dat smile in de corner of
-your mouth. You kin smile outen both corners, ef you wants ter, but you
-don't git dis fifty cents I got."
-
-"Old woman, I got er new dream."
-
-"Whut's it erbout?"
-
-"Dem nines."
-
-"Look heah, old man, you take dat dream and yourself an' go out ter dat
-woodpile so's I kin git some breakfast. You's got er dream, an' I'se got
-fifty cents, an' we's gwine ter keep whut we has."
-
-"I'se gwine ter tell you dis dream, ef I has ter pay you ter listen.
-Take dis dime."
-
-"Make your story mighty short. I wonder ef dis heah dime is tainted
-money. Ef it is---- Well, I reckons it ain't."
-
-"I wuz in er great big parlor, an' you an' de chillens wuz dar. An' it
-wuz in er great big house, an' you owns it."
-
-"Wuz I bossin' it?"
-
-"Oh, yes!"
-
-"Go on wid your dream, old man."
-
-"Dat parlor wuz so fine dat when you sneezed you asked de pictures on de
-wall ter 'scuse you."
-
-"Go on wid your dream, old man. We kin habe breakfast at dinner time."
-
-"When you walked on de cyarpet you fairly bounced up an' down, an' when
-de chillens played on de payano you said: 'Dis ain't heaven, but we's
-heah, and dat's de same thing.' De spoons an' knives an' forks was
-silver, an'----"
-
-"An' you's still got more ter say?"
-
-"Yes, an' everything else wuz jes' like whut de white folks has."
-
-"Whut bringed erbout all dat in your dream?"
-
-"It wuz kotchin' de nines in de lottery."
-
-"Is you sho you kin kotch 'em wid your eyes open?"
-
-"Dey's bound ter come wid dat dream back of 'em."
-
-"Old man, you's jes' fishin' 'round ter borrow dis fifty cents I'se
-got."
-
-"Never lend money when you's got er soft snap like dis, old woman. Jes'
-'vest your sixty cents in de nines, an' I'll do all de rest. De nines
-is comin', an' when dey comes we'll be jes' like de white folks."
-
-"Heah's de sixty cents. I'll 'vest it."
-
-"Old woman, de nines is yourn now. I'se goin' erway on foot, but I'se
-comin' back in one of dese kerridges on top. When you sees me comin',
-fling oil on de cabin an' burn it down. I'll be on top de kerridge in
-all my dignity. Habe de chillens out heah, an' let 'em be er singin' an'
-er dancin'. Keep your eye on de road, an' when you sees er little speck
-on de road, why dat's me. When I gits back we'll all git into de
-kerridge an' drive off ter er new home, and leave de cabin in ashes.
-Good-by, old woman, till I comes again."
-
-The old man walked into the city to play the lottery. He thought fifty
-cents would be enough to invest in "de nines," so he bought ten cents'
-worth of bananas to give him strength to stand his new fortune.
-
-"When I'se through eatin'," said he, "I'll play de nines."
-
-He stood on a stone wall that overlooked a row of public carriages, so
-that as he ate he could be thinking of his ride back home. He did not
-think of the harm in the banana peels he dropped upon the wall, until he
-stepped upon one. He fell between two horses hitched to a carriage, was
-kicked by them, and left with both legs broken.
-
-When the hackman discovered where the old man lived, and that he had
-fifty cents on his person, he had the injured man placed on top of the
-carriage, took a seat by his side, and drove him home.
-
-The old man was now thinking of the bananas and the cabin, and his wife
-was thinking of "de nines an' de kerridge." She was watching the road.
-When the old man saw his wife in the road, and remembering his parting
-words to her, he cried out: "Old woman, old woman, don't burn de cabin."
-
-She, recalling what her husband had told her, and thinking he was
-calling to her to hurry up and fulfill his instructions, called to the
-children: "Fling on de oil, chillens! Light er match an' let de cabin go
-up in smoke, fer your daddy is er-comin' on his own kerridge wid all his
-dignity on him. Look how proper his legs looks. Dey is straight out
-before him an' his arms is er-wavin'. He's kotched de nines, sho'. Sing
-an' dance, fer he's kotched de nines!" When the carriage stopped the old
-woman was still instructing the children in their work of destruction,
-and the cabin was ablaze.
-
-"Old woman!" called the old man.
-
-"Stop, chillens!" screamed she; "dey's sumpin' wrong wid your daddy's
-voice."
-
-"Yes," replied he, "an' dey's sumpin' wrong wid my legs. I bought a
-dime's worth of bananas, an' dis man charge me fifty cents ter bring me
-home wid both legs broke, an' dere wuz no money left ter play de nines."
-
-"Husban'," said she, "your little speech don't 'zackly 'splain matters."
-
-The old man said nothing, but groaned in anguish.
-
-There was no more talking, but much working over legs; and a bright day
-dream was banished to the limbo of things that are not.
-
-
-
-
-A TOWN SKETCH
-
-
-There were about fifteen hundred people in the town of Lockburg. Some
-five hundred of these were negroes. Nearly every white man owned his
-home; nearly every negro owed his rent. Nearly every white man had a
-bank account; nearly every negro, a grocery account. Renfroth, the
-banker, was an ordinary man of the white race. Jiles Brennen, the
-smartest negro in a circle of twenty miles, did not know the meaning of
-interest. White children listened to their parents, read the daily
-papers, and discussed the signs of the times. Negro children paraded the
-street, delighted in being out of sight and hearing of their parents,
-and but few could tell the time of day on the face of a clock. The white
-teachers were competent and faithful. The one negro teacher had neither
-legs nor training. The white people returned from church saying: "These
-points in the sermon fit right into our business ventures. These show
-our need of moral fiber and the remedy. May they do us good, as the
-truth always does the meek and far-seeing." The negroes returned from
-church shouting and praising some "preaching man."
-
-Jiles Brennen and several others were an exception to this rule. Jiles
-knew most of the white people better than they knew themselves. When he
-conversed with them he always "talked up." He knew the negroes better
-than they wanted to know themselves. There was not one who could not
-repeat a score of "wayside sermons" preached by Jiles. "A rat to its
-hole, and a negro to his folly," Jiles used to say. "When the last
-trumpet sounds some negro will be dividing his time between saying
-'amen' to a sermon and 'cluck, cluck' to his neighbor's chickens." This
-remark brought Jiles more than fame. It brought blood.
-
-"If the teacher and preacher of this district were killed and put into a
-bag, their ghosts would be too lazy to say 'Howdy.'" When the preacher
-heard this he offered a prayer for Jiles that was intended to remind him
-of a warm region. When the teacher heard of this remark, he said: "As I
-have no legs to go after the blackguard, I will let him come to his
-sense at leisure."
-
-One dark night, as the preacher and others were crawling across a creek
-on a log someone held up a lantern in front of them.
-
-"Go on," said the rest to the preacher.
-
-"I can't," replied he. "This light blinds me."
-
-"Come on," shouted Jiles, "my light has blinded you before."
-
-The white people took up the remark, and with it fought all Jiles'
-future battles.
-
-Sickness and death determined negro society in Lockburg. All visited the
-sick. All attended the funeral. Why should not all attend all other
-functions? All answered the question for themselves, and attended
-regularly.
-
-A score of men and women were chatting in Sister Renfro's bedroom when
-the preacher peeped in at the door and paused long enough to say: "Come
-out to 'sifting meeting' to-night. Spread the news."
-
-"Will Jiles be there with his lantern?" asked Neal Grafton, a friend of
-Jiles.
-
-"Never mind about that," answered Sister Renfro. "Say what you please
-about him, but he's a preaching man."
-
-Sister Renfro's guests soon began to spread the news. Neal Grafton was
-the most active of all. He stood where he could command four corners.
-
-"Sister Polly," he called to a rather corpulent woman who was passing
-with a heavy bundle of clothes on her head, "stop a minute--'sifting
-meeting' to-night!"
-
-"What you say, Brother Grafton? Come here! You knows I can't hear like I
-used to. I caught cold from shouting at the big meeting five years ago.
-Who could have kept sober feet? _That_ was a preaching man."
-
-"I say, Sister Polly----"
-
-"Now, stop, son. Let me get in hearing order." After wiping her face
-with her apron, she said: "Now go on, son."
-
-"Sister Polly, there will be a 'sifting meeting'----"
-
-"Hold, son! The bundle comes down over my ears. Raise it a little. A
-'sifting meeting'? Where? Oh! at the church? Raise up the bundle again,
-son. Now hold it there. Now tell me about it."
-
-"That's all, Sister Polly."
-
-"No! No! It's been five years since we had one. You heard your mother
-tell about it, didn't you?"
-
-"Yes, but----"
-
-"I know you did; she was there. Sister Renfro was there. I was there. It
-was a glorious time."
-
-"Yes, Sister Polly, but----"
-
-"My head's just beginning to rest, son. Well, the negroes lied and lied,
-but one told the truth."
-
-"May I put the bundle on the ground?"
-
-"The clothes are clean, son. I'll head them again soon. That sister told
-the truth and her head fell. Hold a little longer."
-
-"Oh, my arms, Sister Polly!"
-
-"Hold till I raise up that woman's head. I'll listen afterward."
-
-"After I take the bundle?" "No, son. Hand it here. 'Sifting meeting' at
-the church? I'll be there."
-
-Sister Polly went on humming, and left Grafton rubbing his arms. He
-notified a number of others, at a distance.
-
-Polly delivered the clothes and mentioned the "sifting meeting."
-
-"What is such a meeting, Polly?" asked her employer.
-
-"It's a meeting where you tell what you don't know and where people know
-what you don't tell. If you want more light, come to the meeting.
-Good-by, I'm in a hurry," answered Polly. Her employer was content to
-hear from the meeting.
-
-An hour before meeting time Sisters Polly and Renfro were ready. They
-had spent considerable time arranging their hair. Polly's hair was
-rolled around a saucer that belonged to her employer. Sister Renfro's
-was put into the same shape by means of the flounce of an old black
-dress.
-
-Just then one might have seen forty or fifty people, moving in single
-file, led by one with a lantern. There were no lights in the town. It
-was customary for someone with a lantern to come along and gather up the
-church-goers. The leader to-night was Grafton. Sisters Polly and Renfro
-joined the procession in the rear. It moved silently on to the end of
-the little bridge, when Sister Renfro stumped her foot and fell. Sister
-Polly, in trying to assist her, fell also. Both had to return home, and
-were late in reaching the meeting. Grafton led the procession into the
-church.
-
-The church was cold, and fairly well filled with smoke. The sexton was
-rubbing his eyes. The preacher with closed eyes was tapping his foot and
-humming a hymn. Grafton suggested that the windows and doors be opened a
-few minutes, but the preacher demurred, saying that it was too cold. In
-consequence, the cloud-laden condition of the room was not altered. It
-is difficult to understand how the congregation remained in that smoky
-room two hours; but they did so.
-
-The next day Neal Grafton reported the proceedings of the church to
-Jiles Brennen, and it took Jiles just six months to laugh "sifting
-meetings" out of the town and the community.
-
-Sisters Polly and Renfro declared the preacher stopped the meeting to
-keep them from showing their new style of head-dress, and it took him a
-year to live down the accusation.
-
-"Is your head well?"
-
-"Not quite. Is yours?"
-
-"Well it's doing better than it did after the other 'sifting meeting.'"
-These remarks and others of like tone showed the nature of the meeting,
-and also served to divide the congregation.
-
-And the teacher? He did not count, and never had a wish to.
-
-
-
-
-THE STUMP OF A CIGAR
-
-
-Stump of cigar, as I am, I have a history that is interwoven with that
-of human beings. When I was in the form of seed I was safely housed in a
-nice glass jar in a large seed store. For some reason or other I was
-given the best shelf in the show window.
-
-One day a beautiful young lady came into the store and priced me.
-
-"Why," said the clerk, "that is----"
-
-"Never mind," said she, "what it is. I simply want to know the price."
-
-He told her; she paid it, and bore me off gracefully.
-
-"Ah," said I to myself, "I shall never again see the young man who comes
-every day and stops opposite the show-window." One windy day, as he
-stood in his usual place, a lady's hat came rolling along the pavement.
-What immediately followed this will be told further on.
-
-As I said before, the lady bore me off gracefully. It was night when she
-entered her well-lighted apartment. "She will examine me," thought I,
-"and sniff me. Then how I will worship the tears that fall from her
-eyes."
-
-However, I received no such attention as I had anticipated, for the
-young lady simply placed me in the center of a large table, sounded a
-bell, and began to talk, as if addressing someone present.
-
-"You were there, weren't you? You will take me at my word, will you?
-Let's see. This is how it will go." She then walked to the middle of the
-floor and acted out a little play that will be given further on. As she
-finished, she turned to a young woman who was standing in the door and
-said harshly: "What do you want?"
-
-"The bell sounded," replied the young woman.
-
-"That was not for you," said she. "That was for the devil." She threw a
-glass at the young woman and left the room. Several times during the
-night I heard her say: "That was not for you. It was for the devil."
-
-At eight the next morning the servants put breakfast on the table,
-leaving me still in the middle. At ten minutes past eight my mistress,
-whom I shall call Ladybug, came into the room and addressed a little
-speech to me that I did not understand until matters grew much more
-serious. You could not understand it at this point, so it will not be
-given now. Five minutes later the young woman who had been chased out of
-the room the night before, came in. For the sake of convenience I shall
-call her Butterfly. I was astonished to see Ladybug embrace Butterfly
-and kiss her twenty times on the forehead. I thought this a bit of
-amusing comedy. I afterwards found it stern tragedy.
-
-They sat opposite each other at the table and remained about thirty
-minutes. They spent the time talking and smiling. They did not eat in
-the common acceptation of the term.
-
-Ladybug rolled her chicken into nicely rounded balls and tossed them
-down her throat. Butterfly soaked her chicken and bread in milk and
-drank the milk.
-
-They finished this unusual task together, and started to leave the room,
-hand in hand, when Ladybug, glancing at the clock, whispered to
-Butterfly: "I must go; it is time for me to test his heroism and
-devotion."
-
-Coming to where I rested, Ladybug picked me up, pressed me closely to
-her heart, and left the room, carrying me with her. She went straight to
-a nearby lake, and entered a little boat, in which sat a lone
-individual. It was the young man who had stood so often opposite the
-show-window. Ladybug took a seat in the boat, and in silence the young
-man rowed across the waters.
-
-Two hours on the lake were we, and no words were spoken. Then rising,
-still in silence, Ladybug hurled me upon the bosom of the lake. Twenty
-times I was thrown into the water, and nineteen times rescued by the
-young man. The twentieth time? It was fate and heroism. Ladybug pressed
-me closely and began to rock from side to side. This she did twenty
-times, each time more and more violently. Her great black eyes seemed to
-burn into his all the while.
-
-She then once again tossed me into the water--and leaped after me. This
-was the action of the play she rehearsed out in her room that night when
-first I came. The young man followed Ladybug in her mad plunge, and at
-length succeeded in bringing her to their craft. Ten minutes later she
-was stretched out upon a boat, alive but unconscious. The young man was
-flesh for the fish, and I was in possession of a countryman.
-
-When Ladybug regained consciousness and learned that the young man had
-been drowned, she said: "My lover is free. Hell cannot hold him. Human
-blood and water have atoned for his crime." This is the little speech
-she addressed to me that first morning. Then it had been put in the
-future tense.
-
-Twelve months later a beggar gave Butterfly a hand of tobacco for his
-supper. While he ate she rolled the best leaf into me, placed me between
-her teeth, and left the room. Soon Ladybug entered, sounded a bell, as
-was her nightly custom, and waited.
-
-In a few minutes a hideous form entered, smoking me.
-
-"I am the devil," said the shape.
-
-"I am his mistress," said Ladybug, and seized the shape by the throat.
-The beggar, whom Ladybug had not seen, and whom Butterfly had forgotten,
-was present, and tried to separate them. In so doing he caused me to get
-entangled in the laces worn by the woman, communicating my fire to the
-flimsy garments. Now, the hideous form was Butterfly. Soon the clothing
-of both was ablaze, when they were darting about the room, the beggar
-trying to help first one and then the other. Both fell across the piano
-about the same time, and began to reach out, as if to clamber from the
-flames. In this way they played, as it were, their own dirge. When the
-sounds ceased they were dead. A mystery? Yes! No!
-
- * * * * *
-
-On the morning of the wedding-day a groom-to-be sailed out upon the
-lake. Said he to himself: "Christian people say that he who provides not
-for his household is worse than an infidel, and that a millstone had
-better be placed about his neck and be sunk into the sea. What have I
-for wife and children? Prosperity has passed me by. Friends are not
-friends. Fate is my executioner."
-
-Three days after this his body was recovered and buried.
-
-The preacher said to the people: "Suicide is an unpardonable sin. The
-young man, therefore, who was of noble birth and parentage, who was
-chaste in life and honorable in business, is in hell."
-
-Ladybug, the dead man's fiancée, believed the rash-judging preacher. She
-soon lost her reason. Then came upon her the hallucinations that wrought
-the other tragedies. She believed that if her lover's twin brother, the
-young man of the fatal boat ride, would stand opposite the seed store
-for twenty days, and then perish as described in the boat ride, her
-lover would be released from hell and returned to her. Ladybug, among
-other hallucinations, believed that the number twenty held potent
-virtues; hence, the twenty days, twenty kisses, and the like. The lover
-was twenty years old, hence Ladybug's counting by twenties. The twin
-brother out of pity consented to humor her whim, not thinking it would
-cost him his life.
-
-Ladybug passed the seed store every day to see if he was true to his
-pact. As she passed the twentieth day, her hat blew off. He started to
-get it, but she said: "Let it be. Some of my troubles may roll away with
-it. I will be at the boat to-morrow morning with a charm. Then my lover
-shall live again. Blood and water shall atone for his crimes."
-
-She immediately bought me of the clerk. There was no logic in this part
-of the affair. She simply thought the first thing her eyes fell upon
-would serve her purpose.
-
-To make sure of her lover's return, she would also practice upon
-Butterfly, her sister. Butterfly, too, submitted to humor her whim.
-
-The embraces and twenty kisses were the beginning of this.
-
-Butterfly of her own accord had dressed and acted the devil on the fatal
-night, in the hope that the appearance of the devil would act as a
-counter-shock, and restore Ladybug's reason again. The presence of the
-beggar was a mere accident. The hand of tobacco out of which I was made
-was ground from the jar of seed left with the countryman.
-
-As I lay upon the floor that dreadful night and saw Ladybug and
-Butterfly lying dead across the piano, I said to myself: "Stump of
-cigar, as I am, I have a history."
-
-
-
-
-A RUSTIC COMEDY
-
-
-Abraham and Ruth, his wife, were stingy and childless. Three children
-had come to them, whose taking off left Abraham embittered against men.
-Ruth often said: "Complain not, Abraham, my man. Is not an angel more
-than a child? The little ones were your flesh, but my soul. Complain
-not, Abraham, my man."
-
-Abraham had met, wooed, and wed Ruth in the fields, and ever afterward
-kept her there. Side by side they toiled, eating little, visiting
-seldom, and ever replenishing the money-bag at the bottom of the meal
-barrel. At the time of this incident the money bag was full and the meal
-barrel was about empty.
-
-It was winter, and the old couple had just returned from a visit to a
-neighbor. As Abraham stirred the fire he said: "Ruth, we are getting old
-and must soon be done with things earthly. We have toiled hard and been
-a little saving. The neighbors have never had the opportunity of finding
-fault with your cooking; nor has the good parson ever had the hardihood
-to look this way for a contribution. I have been thinking of the best
-way to dispose of our wealth just before the breath leaves our bodies.
-Ruth, like yourself, I have always been pious-minded and desirous of
-doing something that will benefit the neighbors, and at the same time
-start their tongues to wagging about our good parts. It strikes me the
-best way to do this is to leave our money to erect a parsonage and to
-place a bell in the chapel. The bell will spread our fame above, and the
-women who visit the parson's wife will spread it below. I know from
-experience, Ruth, that it is a blessing as well as a curse to have ones
-acts linked with the tongue of a woman. Now, what think you?"
-
-"Abraham," said Ruth, "I have always thought you had some good aim stuck
-away in your soul; and as time rolled on your good angel would discover
-it to you. This is why I have seldom differed from you. Why wait until
-we die to have this done? Let us take our savings of years to-morrow and
-place them in the hands of the parson."
-
-"You have spoken wisely, my dear wife," said Abraham. "It shall be
-done."
-
-After kissing Ruth, Abraham turned and stirred the fire. Just then
-someone knocked at the door. Abraham opened it, and in came a stalwart
-stranger, carrying a pair of saddle-bags. He asked for supper and a
-night's lodging. The old couple frankly told him they had no supper for
-him, but he was welcome to warm by the fire and sleep in the loft. He
-gladly accepted their proffer, and took his seat by the fire. Soon he
-began to spin yarns of all lengths and descriptions, and ended by
-telling how, while stopping with an old couple, he had kept them from
-being robbed. After this he crept upstairs and retired.
-
-When Abraham thought the stranger was asleep he told his wife to prepare
-an ashcake for their supper. She told him there would not be meal enough
-if she threw away the husk.
-
-"Well," said he, "put in husk and all."
-
-The ashcake was soon spread upon the hearth and covered with hot ashes.
-Abraham bowed his head as though to ask a blessing.
-
-"Not yet," said Ruth. "We are told there may be many a slip between the
-cup and the lip." Here they were interrupted by a noise from above.
-
-"My dear friends," said the stranger, as he tumbled downstairs. "I
-forgot to tell you how my land runs." He took the poker, and, placing it
-in the middle of the ashcake, and moving it in keeping with the words,
-said:
-
-"My land runs north, south, east, and west; then, coming back to the
-middle, it runs around and around." Having thus ruined the ashcake, he
-went back upstairs. After a considerable silence, Abraham said: "The
-Lord giveth and the Lord taketh, and blessed be the rope that hangeth
-the stranger."
-
-After removing their treasure from the meal barrel and almost
-worshipping it, they returned it and retired. They were soon fast
-asleep, but the stranger was not. Hours passed, and still the stranger
-was awake. Before knocking at the door to be admitted he had heard the
-old couple's talk concerning their money, and what they intended to do
-with it the next day. He had also seen them take it from the barrel, and
-replace it. He was now thinking about it. What were his thoughts? Was he
-planning some way to rob them? Was he thinking how he might protect them
-in a case of emergency? Hearing a noise below, he crawled to the opening
-and looked down. He saw that the side window had been opened. Looking
-farther, he saw a man stooping over the meal barrel. With the greatest
-precaution he descended and slipped up behind the man and soon gagged
-him with a handkerchief. He held the intruder easily by pressing him
-against the barrel. Beside the barrel lay a meal sack. This the stranger
-slipped over the intruder's head and arms, and wrapped him around with a
-rope that was lying near. By this time Abraham and his wife were awake.
-
-"Look," said the stranger, "what I have done for you. This thief almost
-had your treasure when I apprehended him. He is all right, now. Where
-shall I put him. What about this closet here? You know we must keep him
-until morning and turn him over to the officers." With this the stranger
-dragged the robber into the closet.
-
-"Let us have more light," said Ruth.
-
-"No," said the stranger; "there may be more. Light might frighten them
-away. I want to serve you well to-night. You know I owe you a little
-something for listening to how my land runs."
-
-"What was that white something," said Ruth, "you had over the fellow's
-head?"
-
-"It was a meal sack," said the stranger.
-
-"That is strange, indeed," said Ruth. "There was not a meal sack on the
-place when we went to bed."
-
-"This is a strange night," said the stranger. "I am your friend, and yet
-I am so strange I would not let you eat that delicious ashcake. Go to
-bed, Aunt Ruth. Uncle Abraham and I will watch the thieves. The Lord
-giveth and the Lord taketh; and, Uncle Abraham, will you finish the rest
-of it?"
-
-Abraham said nothing. He thought the stranger was getting very familiar;
-but since he had done them such a good turn they could stand almost
-anything at his hands.
-
-Ruth could not return to bed without first looking into the meal barrel
-in search of her treasure. It was there, and around it were a dozen or
-more bundles.
-
-"How is this?" said she. "It is quite an honest thief that will take one
-treasure and leave another."
-
-"Be not deceived," said the stranger; "a thief is by honor as a criminal
-is by his chains. A criminal does not worry himself and bruise his hands
-against his chains because he wishes to atone for his evil ways, but in
-order to get loose so that he may continue his crimes. Whenever a thief
-puts forth an act that smacks of honor, it is simply that he may conduct
-his business on a larger scale. Don't you see the point, Aunt Ruth? The
-thief we have in the closet stole those things somewhere else. He was
-afraid to leave them outside lest someone should steal them from him.
-When he saw your bag of money was so heavy he could not take them both,
-he concluded to leave the things and take the money."
-
-"Why did he take the pains to put them into the barrel?" said Ruth.
-
-"That is clear enough," said the stranger. "Had he put them on the floor
-you might have stumbled over them before morning and had your attention
-drawn to the robbery ere he could have gotten out of the neighborhood.
-By the way, he must have had the bundles in that sack in which he is
-now safely housed. He had emptied the sack before I saw him, and, I
-think, was stooping over to lift out the bag of money." Ruth and Abraham
-accepted this as a logical argument, and Ruth was soon in bed and
-asleep.
-
-"I think I hear footsteps," said Abraham to the stranger.
-
-"I am quite sure of that, sir," said the stranger. "I will settle him
-about as I did the first. I have a handkerchief. You get a bed quilt and
-a cord and follow me." They walked into the yard, the stranger leading.
-In the distance they saw a figure approaching.
-
-"Let us go a little farther over this way," said the stranger. The words
-were hardly out of his mouth before he uttered a groan. When Abraham
-looked, the stranger was nowhere to be seen. Another groan, however,
-located him. He had fallen into an old cistern. On turning, Abraham
-stumbled over a ladder. With this the stranger was soon rescued.
-
-By this time they could see that the approaching figure was a man with
-something like a sack on his shoulder. Instead of coming straight to
-them he turned his course a little in order to reach the side window.
-
-"Uncle Abraham," said the stranger, "while we are out here wrestling
-with this fellow, some other one might go in and make off with the bag
-of money. Don't you think you had better bring it out and hold to it? I
-can handle this chap."
-
-"Yes, yes," said Abraham; "it is a good thought."
-
-He accordingly returned to the house, brought out his treasure, and sat
-down by the side of it, watching the newcomer.
-
-The man with the sack walked up to the window and leaned the sack
-against the house. He then deliberately opened the window and peeped in,
-placing himself in very much the same position as had the one who had
-stooped over the barrel. Stepping swiftly up to the window, before the
-man could remove his head, the stranger had him gagged. In another
-minute he had been enfolded in the quilt, with a cord fast around him.
-
-"I groaned in yonder sinkhole," said the stranger, "but you shall both
-groan and sleep in there the rest of the night, if you sleep at all."
-With this he rolled the latest intruder into the old cistern and placed
-boards across it.
-
-"Uncle Abraham," said the stranger, "you take the money and I'll bring
-in the sack. Aunt Ruth, we have another of your honest thieves. He is
-out in the old cistern, thinking how he will not use your money. See
-what he has left you?"
-
-Removing the contents of the sack, they so filled the barrel that there
-was no room for the bag of money.
-
-"Young man, my dear young man," said Abraham, "there are no family ties
-between us, as far as I know, but I find myself drawn as closely to you
-as a father to his son. I could trust you with our lives, much less with
-our money. Keep watch over the bag of money while we take a good, solid
-nap."
-
-The old couple were soon fast asleep. About four o'clock Ruth awoke and
-said: "Abraham, the door is open."
-
-"So it is," said Abraham.
-
-"But--but--Ruth, where is the stranger?"
-
-"But--but--Abraham, where is the bag of money?"
-
-Sure enough, both stranger and money were gone.
-
-"I thought he was claiming kin a little too soon," said Ruth. "These
-folks who claim kin so soon are just like the folks who come to your
-house and tell you one lie about your neighbor in order to get you to
-tell a hundred. Then they will have a sufficient stock to supply the
-whole neighborhood. Is the fellow in the closet safe?"
-
-"I'll see."
-
-"How about the one in the cistern?"
-
-"Safe, too," said Abraham. "We will turn them over to the officers as
-early in the day as possible, and then set them on the trail of the
-stranger. Maybe he will have some of the money when caught. In the
-meantime, what shall we do to keep up our spirits until it is good and
-light?"
-
-"I never in my life," said Ruth, "felt more like hearing a prayer by
-Deacon Brindlebee and a sermon by Parson Prudence."
-
-"Why, look," said Abraham, "the rogue has left his saddle-bags. Let's
-see what is in them."
-
-He opened one side and drew out a copy of an old newspaper. He unfolded
-it, and there was a sermon on Patience by the identical Parson Prudence.
-
-"Ah," said Ruth, "the rogue has also left his hat. What's in it?"
-
-There was a folded paper between the hat and inner band. This she
-opened, and found that, among other things, it contained a prayer by
-Deacon Brindlebee.
-
-"Now we have them," said Ruth. "Let us take our minds off rogues and
-place them on the words of these holy men. It would be far better to
-have them here, but let us stammer through them as best we can."
-
-For nearly two hours Abraham and Ruth prayed the deacon's prayer and
-preached the parson's sermon. When six o'clock came they were still so
-carried away with the prayer and sermon that they were not conscious of
-the presence of two men who were standing near the door until they
-spoke.
-
-"What's up now, Abraham?" said one of them. "Have robbers been about?"
-
-"Pretty officers are you," said Abraham. "You should have been here last
-night. We have been entertaining robbers the whole night. Their aim was
-to rob us of our life's savings. One was good enough to entrap the
-others, so that you will have no trouble in securing them. Then, as soon
-as we were asleep, he took the bag of money and made off with it.
-Assemble the whole neighborhood, and I will turn two of them over to
-you."
-
-In a short time nearly every man, woman, and child in the neighborhood
-was there. The man in the closet was dragged out and laid in the middle
-of the floor. The one in the cistern was hauled up and laid by his side.
-Then Abraham told the people how he and Ruth had labored through forty
-years to save the money; how at last they intended to spend it for a
-parsonage and a bell for Parson Prudence's church, and how the rogues
-lying before them tried to steal it, and were prevented and captured by
-the other and greater thief, who succeeded in getting away with it.
-
-The people grew furious. Some wanted to hang them; others wanted to
-drown and bury them. One good deacon declared that it would be a great
-advantage for such characters to go to torment bundled up in that way,
-for, after they were in and their wraps were burned off, the devil
-would not know when they had come in nor what they had done.
-
-"Let us do nothing rashly," said Ruth. "These poor souls may never hear
-another prayer or sermon. Let some brother come forth and read Deacon
-Brindlebee's prayer and another read Parson Prudence's sermon."
-
-Two brethren came forth and conducted the services, after which the two
-men were untied and uncovered. To the surprise and consternation of all,
-there lay Parson Prudence and Deacon Brindlebee. The men were so chilled
-and cramped it was fully an hour before they could make themselves
-understood.
-
-In the meantime other scenes took place.
-
-"The very thought of a parson and a deacon turning thieves," said some,
-"is enough to give every sinner a license to miss heaven."
-
-"The parson and the deacon are innocent," said others. "This old
-scoundrel and his wife, and maybe someone else, have played a trick on
-them. Where did they get money enough to buy a parsonage and a bell?
-They have always lived from hand to mouth. During forty years they have
-never had enough to give a neighbor a meal, and were never known to give
-the smallest contribution to the church. Gag them and serve them as they
-have served our parson and deacon."
-
-The men seized Abraham, gagged him, and lowered him into the cistern.
-The women served Ruth in the same way and stored her away in the closet.
-
-At this point the storekeeper stood upon the edge of the barrel and
-said:
-
-"Parson Prudence and Deacon Brindlebee came to my place last night and
-bought two sacks full of groceries. They said that Abraham and his wife
-seemed to be in need, and that they were going to bring some things over
-here and slip them into the room while Abraham slept, so that the
-heretics might be surprised in the morning. Now, this is the way they
-were paid for their kindness. Ladies and gentlemen, think also of that
-prayer and sermon. Was that a mere accident? I think not. The whole
-affair was planned. They were not satisfied with sacking, quilting and
-cording them. They must stretch them out upon the floor like
-sure-enough, night-prowling, dishonest thieves; and, while in that
-position, pray to the deacon the prayer that he has been budding and
-blossoming into length and boisterousness for the last twenty years.
-Then think of the parson in the same position, listening to the sermon
-on 'Patience,' when you know, ladies and gentlemen, as well as I, that
-the parson, with a very little vocal effort and a slight movement of his
-hands, has put three generations to sleep with that identical sermon.
-Let us look for the groceries, and, if found, take vengeance."
-
-As the word "vengeance" was uttered the speaker's feet slipped into the
-barrel so far he had to be extracted. This showed the people where the
-groceries were. By this time the parson and deacon were on their feet
-and ready to state their side of the case.
-
-"Hearing that Abraham and his wife were in hard lines," said the parson,
-"the deacon and I, as has been said, bought two sacks of groceries from
-the gentleman who has just spoken, intending to come together and slip
-them into this room. By some means we were separated, so I came alone;
-and, finding the household asleep, I crawled into that window and put
-the contents of this meal sack into the barrel yonder. I was surprised
-to find in it a large bag of money. All this time Abraham and his wife
-were asleep in this bed. Just as I straightened up to go two strong arms
-caught me, gagged me, sacked, and closeted me. I think, ladies and
-gentlemen, I have said enough to prove my innocence, and that of Abraham
-and his wife. There has been a mistake, somewhere, or the man with the
-strong arms was playing a winning game for himself."
-
-The deacon came forth, and in a few words told his story, and ended by
-saying that the two strong arms that so lovingly handled the parson
-must have gagged, quilted, and imprisoned him.
-
-Abraham and Ruth were ungagged and brought before the people. Their
-statement of the case at certain points was just like the parson's. They
-told how the stranger had been admitted, how he treated the ashcake, how
-he claimed kin, and, lastly, how they had trusted him with the money,
-and been deceived.
-
-"Innocent! innocent!" shouted the people; "all here are innocent. The
-stranger alone is guilty. Is there nothing here by which he can be
-identified?"
-
-"Here," said Abraham, "are his saddlebags and hat, with a name on the
-former that is doubtless his."
-
-"He must be a strange thief indeed to leave behind him such telling
-witnesses as these," said the deacon.
-
-"Ah," said the parson, "I fear there is still more mystery in this
-matter."
-
-While the people were speechmaking and changing their opinions, the two
-officers who were the first to arrive and hear Abraham's story had been
-prowling over the farm. Just at this point they bore a man through the
-crowd and laid him on the floor where the deacon and parson had lain. He
-was gagged and corded after about the same fashion as they had been.
-
-"Ah," said one, "the stranger has been playing gagging-binding master
-to another weakling."
-
-"No, my man," said Abraham, "that is the stranger himself."
-
-At this the mob seized the bound man and yelled: "Confess, confess! You
-shall confess!" They pulled him in and out of the closet. They lowered
-him into the cistern and hauled him out again and again. At times a
-hundred voices were bawling: "Confess, confess! You shall confess!"
-During all this confusion the parson was the only person who noticed
-that the poor fellow was still gagged.
-
-"How can he confess," said the parson, "when he is gagged as daintily as
-a parson in a closet?"
-
-They removed the gag, but not the cords.
-
-"Gentlemen," said he, "if you are as ready to give me justice as I am to
-confess the truth in this matter, my part of the mystery will soon be
-cleared up and I can enjoy myself here with my uncle and aunt."
-
-"Claiming kin again, Abraham," said Ruth. "Look out for your life next
-time."
-
-"Strangle the hypocrite," said one.
-
-"Give the impudent whelp a bath in the mill-pond," said another.
-
-"No," said the parson, "let him confess."
-
-"Gentlemen," said he, "I am innocent. If I stole the bag of money, why
-should I leave my saddlebags behind, with my name on them, and one side
-of which is full of money?"
-
-The saddlebags were now examined by the crowd, and the stranger's
-statements found to be true.
-
-"Then," said he, "why should I encumber myself this way? In fact, how
-could I? It would be impossible."
-
-This somewhat appeased the crowd, until someone suggested that maybe he
-took the bag of money outside to hide it, intending to come back and get
-his own property; but as daylight overtook him he hired someone to gag
-and cord him in that way. On hearing this one man grabbed the prisoner
-by the foot and started to drag him to the cistern again. In so doing
-one boot was pulled off, out of which fell a picture.
-
-"Here, Abraham," said Ruth, handing him the picture, "this may be all
-you will ever get for your bag of money."
-
-Abraham took the picture and looked at it closely.
-
-"Now, gentlemen," said the stranger, "a few more points, and I will have
-this mystery clear."
-
-"You had better clear it quickly," said the crowd.
-
-"Don't be too hard," said the parson. "Let him confess."
-
-"Yes," said the stranger, "I am anxious to confess. This gentleman is
-really my uncle. He and my father have not met since I was born. Father
-and I agreed to pay him a visit. Since I have always been a funny chunk
-of humanity, father thought it might be well for me to come last night
-and twit uncle a little. He promised to arrive this morning. As I neared
-this house last night I saw two men standing close to the door, as
-though listening to what was going on inside. On seeing me they moved
-off at a brisk pace. Before knocking, I listened and heard Uncle Abraham
-and Aunt Ruth talking of their money, and what they intended to do with
-it the next day. Now, of course I thought the two men were listening to
-the same thing, and would be back in the night to rob them. After I had
-been admitted and had spoiled the ashcake--so that I could have a good
-excuse for giving them a nice little gift this morning for wronging
-them--and had gone to bed, it seemed I could see those two men trying to
-get into the house. Sleep fled my eyes; and, as I lay pondering what I
-would do in an emergency, I beheld the good parson here at the meal
-barrel. Thinking that he was one of the men I distrusted I slipped up
-behind him, and, after bundling him up in the fashion you beheld him, I
-tucked him into the closet. When the deacon came I treated him likewise,
-and rolled him into the cistern. The groceries they brought were put in
-the barrel. I could not account for this part of it, but now I see.
-Having disposed of the supposed robbers so nicely, Uncle Abraham put the
-bag of money in my keeping. Thinking I had nothing more to fear, I set
-the bag at my side and fell asleep. When I awoke a man was looking in
-the window through which the parson had climbed. As I heard no signs of
-another, I opened the door and grappled with him. While we were rolling
-over the ground a second man walked off with the money. I started to
-follow him, but my man clung to me so that I had to drag him a
-considerable distance before I could beat him off. In fact, he was so
-exhausted he did not rise for some time, to follow me. I caught up with
-the other fellow just as I neared the old well. He evidently thought I
-was his confederate. I said not a word, but lifted the bag from his
-shoulder and dropped it into the well. Seeing his mistake, he struck me
-a terrible blow that felled me to the ground. When I came to myself I
-was bound and gagged, just as these officers found me."
-
-The crowd gazed at one another in unbelief, but decided, nevertheless,
-after some parley to proceed to the well to investigate the truth of the
-strange story the prisoner had to tell. Arrived there, a man was lowered
-into the well, and soon gave the signal to be drawn out, with the bag
-of money. Some of the crowd were still disposed to doubt the innocence
-of their captive. They claimed that he was one of the band, that the bag
-of money fell into the well by accident, and that he was beaten, bound,
-and gagged because he was too mean to go along with the others.
-
-"In short," said one, "they left you here for an outraged people to dull
-their vengeance upon. Let every lover of justice help to string him up."
-
-"Hold! hold," said Abraham. "This picture has a story to tell. There are
-two likenesses on here. One is that of a brother that I have not seen
-for thirty years, and the other is of the stranger here. Is this not
-sufficient evidence with what you have already heard? I
-think--guess--believe--that this is enough for---- Well, gentlemen,
-don't you think this is enough for me?"
-
-"Yes," said a low-browed son of passion who was trying to put a noose
-around the stranger's neck, "it is enough to make this fit decently."
-
-"Let the man have a chance to confess," cried out the parson and the
-deacon jointly.
-
-"Let me have a chance to collar his neck with this noose," said the
-low-browed son of passion.
-
-Then followed a struggle, in which the parson and the deacon seized the
-noose on either side of the fellow's neck, and kept it from being
-tightened. The struggle grew in intensity, so much so that none of the
-excited throng noticed a dignified old gentleman dismount and run up to
-the crowd. Abraham, standing to one side in the confusion, noted the old
-man's approach, gazed at him, and at once clasped him around the neck
-and cried: "My brother! my brother!"
-
-Disengaging himself, and upon seeing the young man in his sorry plight,
-the old gentleman hurried forward crying: "My son! my son!"
-
-The young man hearing the cry in the midst of the melee looked up and
-gasped, "My father! my father!"
-
-By this time Abraham and the young man's father forced their way to the
-young man's side. The people fell back and scattered in all directions,
-leaving the young man almost exhausted. His bonds were at once cut, and
-he was put upon his feet and refreshed.
-
-The young man was soon able to smile.
-
-His Uncle Abraham and Aunt Ruth kissed him and commended his heroism.
-
-Sometime later in the day the two real culprits were apprehended, and
-confessed their guilt, stating that they had overheard part of Abraham's
-conversation regarding the money when the young man's approach had led
-them to await a better hour. Thus were Abraham and Ruth vindicated;
-thus, too, were all doubts as to the young man's story laid at rest.
-Parson Prudence got the bag of money with which to buy the parsonage
-and bell, and Deacon Brindlebee was handsomely rewarded for his part in
-the comedy.
-
-Ashcakes were never thought of again in that house, for Abraham's
-brother and nephew were rich, and they all lived as one family. The
-parsonage was erected. The bell was hung; and, as Abraham prophesied,
-the bell spread their fame above and the women who visited the parson's
-wife spread it below.
-
-
-
-
-THE JACKAL AND THE LION[1]
-
-AN AFRICAN FOLK-LORE TALE
-
-
-The Jackal and the Lion were hunting in the jungle. "Brother Lion," said
-the Jackal, "the young elephant we seek is a good distance away. Well,
-it is not so far away either, but you see it will run around and around
-and in and out, and that will make the distance long. I see that you
-have a sore foot, and so long a journey might cost you your life. It
-would be a pity to lose your great head and pretty voice."
-
-"It would, indeed," said the Lion. "I am glad to find someone who
-understands my worth."
-
-"You see, Brother Lion," said the Jackal, "if I should get lost or
-killed the world would not miss me, but you, Brother Lion--you----!"
-
-"Yes, Brother Jackal," broke in the Lion, "my place could not be filled;
-but do not take my greatness too seriously. You are worth a little, and
-that little should be saved."
-
-"Brother Lion," continued the Jackal, "I would gladly give my whole
-self for your pleasure. You lie down here in the shade, keep cool and
-think great thoughts, while I take your spear and run down and kill the
-elephant that you have long desired to eat. When I have done so I will
-return and take you to it!"
-
-"Very good," said the Lion. "You are kind and thoughtful. Take my spear
-and best wishes and be off. I can almost taste the feast now."
-
-The Jackal took the spear, and in a short time had killed the elephant
-and covered the body with leaves. It then ran to another road, cut its
-finger and let the blood drip here and there for a great distance. Then
-it returned to the Lion and said: "Brother Lion, I almost lost my life
-in killing the elephant. Just go through yonder forest until you come to
-the straight road. By the elephant's blood you can trace it to the spot
-where it fell. As soon as I rest I'll be with you, I charge you now that
-to taste the meat before I come will mean death to you. This is a new
-law of the jungle."
-
-The Lion went in search of the bloody path, and the Jackal returned to
-the elephant and began to eat. Now it happened that the Lion hurt his
-foot and, while binding it up, saw the Jackal eating and looking around.
-
-When the Lion came up to the Jackal he said: "You little rascal, I have
-a notion to eat you for deceiving me."
-
-"Be patient, Brother Lion; I am doing you a favor. Unless a Jackal eats
-of a young elephant first, its meat will kill a Lion. This is a new law
-of the jungle, and I am still in love with your great head and pretty
-voice. You remember I gave you a charge to this end."
-
-"Yes," said the Lion, "I remember, and I thank you for saving my head
-and voice; but since you have tested the meat, what keeps me from eating
-my fill?"
-
-"Just another new law of the jungle," said the Jackal. "This new law
-says that such meat must be put upon a high stone tower where the sun's
-rays may strike it. Then all may eat it unharmed."
-
-"Oh, Brother Jackal," said the Lion, "how can I ever pay you for saving
-my head and voice?"
-
-"In this way," replied the Jackal. "According to the law, my wife and
-children must be masons upon the wall, and you and yours must hand up
-the stones; and you see there are plenty of them about here. Of course,
-I remain on the ground to direct. I have told my wife and children, and
-they are coming. You go and bring yours."
-
-"That suits me quite well," said the Lion. "I'll be back with mine in a
-short while."
-
-When the Lion and his family had returned, the Jackal and his family
-had eaten half of the elephant and were dancing.
-
-"You little rascal!" roared the Lion, "have you deceived me again?"
-
-"Not a bit of it," replied the Jackal. "See that little bird lying dead
-there? That is the messenger of the new laws. By accident I killed it.
-The new law requires that the one who kills such a bird, and his family,
-must eat half the meat present as a punishment; and such a punishment as
-it has been! But for this new dance my wife invented we should all be
-dead. This means that you would be dead, too. The life of the Jackal in
-such a case goes into the bird. It becomes ten times as powerful as a
-Lion and kills everyone it meets. See?"
-
-"I do," replied the Lion, "and thanks again for my head and voice. Let
-me remind you, Brother Jackal, that my wife and family are not likely to
-die at present from over-eating."
-
-"Let me remind you, Brother Lion, that one more speech like that from
-you will put life into that bird, and you will never eat another
-dinner."
-
-"Thanks, Brother Jackal, for your wisdom and kindness. Let's build the
-tower."
-
-In a short time the tower was erected.
-
-"How are we to get the meat up?" asked the Lion.
-
-"Oh," said the Jackal, "my wife, who invented the dance, has invented a
-rope to pull the meat up with."
-
-"I am glad to hear that, Brother Jackal," said the Lion, "for my wife,
-who is rather dull, may learn many things from yours."
-
-"Brother Lion," said the Jackal, "when a Lion passes a compliment like
-that upon a Jackal's wife he had better roar it far and wide, or he will
-be counted a flatterer, and flattery puts life into that little bird."
-
-The Lion roared the compliment until every beast in the jungle heard it.
-The Jackal's wife and children let down the rope and pulled the meat up.
-
-"Brother Lion, there is one precaution we must take. That little bird
-lying there must never be allowed to come back to life, and there is but
-one way to do it."
-
-"Brother Jackal, pray what is that?"
-
-"Pick up that rock lying there by the bird. When my wife has pulled me
-to the top of the tower, throw it to me. If I catch it, the bird is dead
-forever. We will then pull you and your family up, and what a feasting
-there will be!"
-
-"My dear Brother Jackal," roared the Lion, "you are all wisdom. Now you
-are up, and I am ready with the rock. Shall I throw it?"
-
-"My dear Brother Lion," said the Jackal, "I am so high up I fear I shall
-not be able to catch it. There is one way to keep me from missing it.
-Put your wife right under my hands as I hold them out."
-
-"She is there," called the Lion. "Now catch the rock." The Lion threw up
-the rock. The Jackal withdrew his hands, and it came back, striking the
-Lion's wife and almost killing her.
-
-"You've killed Ma! you've killed Ma!" cried all the little Lions, and
-scampered off into the forest.
-
-"That was a terrible mistake, Brother Lion," said the Jackal. "It was
-all your fault. You didn't ask me whether or not I was ready. That bird
-is coming to life! I feel it. Unless I can get you up here in five
-minutes it will be on wing and right after you. Now throw up the rock.
-That's right. I have it. Good for you. Here, wife, heat this rock and
-hand it back to me when I ask for it. You understand?"
-
-"Yes, Mrs. Jackal," called the Lion, "hand your husband the rock when he
-asks for it, for that is indeed a precious rock."
-
-The Jackal let down the rope, telling the Lion to tie it tightly around
-his body below the forearms. When this was done the Jackal began to pull
-the Lion up.
-
-"Brother Lion," called the Jackal, "that little bird down there is
-moving."
-
-"Sister Jackal," cried the Lion, "have you the rock?"
-
-By this time the Jackal's wife was holding the rock with a pair of
-tongs, for it was very hot.
-
-"That's right," shouted the Lion, "hold that rock carefully."
-
-"That terrible bird!" mourned the Jackal.
-
-"Ha, ha!" said the Jackal's wife, "I'll drop this hot rock into your
-mouth, and then how you'll kick and claw the air!"
-
-She tried to drop the rock, but the tongs would not open. She then tried
-to drop both tongs and rock, but could not. The tongs soon began to burn
-her hands. In trying to throw them from her, she fell from the tower and
-killed herself.
-
-The Jackal dropped the rope and so freed the Lion. The tower trembled
-and fell.
-
-The little bird that the Jackal thought dead was the cause of the
-change. It was the spirit of the jungle and believed in fair play. It
-sang a sad song while the wife of the Jackal was being buried. It then
-sang joyously while the Lion and his wife and children, who had come
-back, ate the rest of the meat.
-
-The Jackal was badly hurt and crippled by falling with the tower, yet he
-had to wait on the Lion and his family while they were feasting. And
-ever afterwards the Jackal was an outcast among animals, despised by all
-because of his evil and deceitful spirit.
-
-FOOTNOTE:
-
-[1] This story was told to me by a native African who was lecturing in
-this country.
-
-
-
-
-THE KING'S SHOES
-
-
-When King Mesina died his twin sons, Savo and Savoda, became joint heirs
-to the throne. This was according to the King's wishes. He thought,
-however, that as Savo was the older and meaner he might at some time rob
-his brother of his part in the kingdom. So he had placed in his will a
-clause to the effect that should this happen Savoda was to be the sole
-heir. Ere the people had ceased mourning for the King, Savo began to
-persecute Savoda. It mattered not what Savo did Savoda always had an
-excuse for him. In fact, he thought his brother angelic; and, hence,
-could do no wrong.
-
-As the time for the coronation approached Savo more and more ignored and
-persecuted Savoda. At last he said: "Savoda, my servant, sit down in the
-corner and be as little as you really are while I, your king, conduct
-matters." Savoda obeyed with a smile upon his face, thinking that all
-things work together for good to him who is the son of a king and has an
-earthly angel for a brother.
-
-Savo looked after the coronation in every part. He made all kinds of
-demands upon his people, and they gladly responded. He sent his leading
-captain to visit distant lands and bring back luxuries for the occasion.
-Everything progressed nicely until the captain returned with, as his
-sole cargo, an ugly dwarf.
-
-This threw Savo into a rage. He had the captain seized, beaten and
-thrown into prison. When the dwarf was brought before him, he said:
-"Begone, human reptile! Go, dwell in the woods with your kinsmen."
-
-"My body is small and weak, but by the power of wit shall I be
-remembered in the affairs of this kingdom," said the dwarf.
-
-Savoda was still sitting in the corner, trying to smile, and to be small
-at the same time.
-
-"You, sir," said Savo, pointing at Savoda, "are as impudent as this
-dwarf. Your stillness means plotting, and your smile means ridicule. You
-think that by your wit too you shall be remembered in the affairs of the
-kingdom? I'll see to that. My wisdom is a seine that holds fast to the
-big fish and crushes the minnows as they slip through. Minnow, sniff
-your fate. Well, you may have wit enough to dish out soup. Soldiers, to
-the woods with this abominable dwarf, and to the soup-house with this
-simpleton who dreams of being king."
-
-After Savo had recovered from what he considered a very righteous
-indignation he sent for his trusty porter.
-
-"Well, Porter," said he, "is everything ready for the coronation?"
-
-"Everything is ready, my King, save your shoes; and to-morrow is the
-event. The dwarf you sent to the woods took them with him."
-
-"Go quickly and have the same shoemaker turn your king out another pair
-on time."
-
-"My king, there is no relief in that; for he went with the dwarf, and
-neither can be found."
-
-"By the clearness of my conscience, is there not one other in all my
-vast domain that can so fit my feet that my wrath shall not be called
-upon to fit him?"
-
-"There was one this morning, my King."
-
-"Is he not now?"
-
-"He is, my King."
-
-"What is he doing?"
-
-"He is shoeing his soul."
-
-"Shoeing his soul? What mean you?"
-
-"A shoe is used to cover something that very much needs to be covered.
-Is it not, my King?"
-
-"It is."
-
-"As you know, this shoemaker was skilled at making shoes, and especially
-skilled in stealing leather, my King. He believed that the ease with
-which a king treads upon his handiwork will blot out the theft in
-procuring the leather. The story runs that this morning he went to the
-soup-house to get his usual bowl of soup. A stranger waited upon him. As
-he put the bowl to his lips the soup turned clear as water, and in it
-appeared two pictures. The first was the likeness of the stranger before
-him, and on his breast was the name, 'King Savoda.' The second
-represented himself standing before a great white throne. His soul was
-uncovered, and over it were written the names of the ones from whom he
-had stolen leather. His soul was the shape of a boot; and there he stood
-trying to make a shoe to cover it from the sight of Him who sat upon the
-throne as the Great Judge. The longer he looked the more fearful became
-the second. In a fit of despair he gulped down the soup so fast that it
-strangled him, and he fell dead at the counter. So, my King, is he not
-shoeing his soul? My King, the people say that Savoda, who was a
-stranger to the shoemaker, knew not what he saw in the bowl. He simply
-thought he was weak from overwork and, in keeping with his good nature,
-he straightway gave him a decent burial."
-
-"Ha, ha! The dreams of a porter frighten not his king. If there be no
-real workman about, find me a cobbler."
-
-"A cobbler there is at the turn of the square, but, O my King, his
-failure at making you shoes will be equaled only by your success in
-cutting off his head."
-
-"Porter, you are wide-awake when you speak of cutting off heads. Take
-this leather and my measure to the cobbler. Remind him that to-morrow is
-the coronation, and that no shoes for the King means no head for the
-cobbler."
-
-The porter departed, and the cobbler soon received the leather and the
-measure and the message and, despite the gloom of the latter, he worked
-bravely on until he had completed his task. Being very tired, he fell
-asleep. When he awoke he found that the cat had turned the candle over
-on one of the shoes, and, as a result, the upper was burned completely
-out. He had received just leather enough to make the shoes, and there
-was no more of that kind to be had. The hour of the coronation was near
-at hand. What was he to do? Just then the porter came in. Without saying
-a word he put the shoes under his arm and carried them to the king. As
-soon as the king saw them he ordered the cobbler's head to be taken off.
-
-The cobbler had hardly finished kissing his wife and children when the
-king's soldiers seized him and began dragging him through the streets
-toward the block. A terrible voice then sounded forth. It was more like
-thunder than that of a human being's. The soldiers knew it was the
-voice of the great giant Lubercal; so they left the cobbler and hastened
-to save themselves. After giving the cobbler something to refresh him,
-the giant put him in one of his coat pockets and carried him off to his
-mountain home. The cobbler soon found there were two others in the
-pocket with him.
-
-"Ah," said they, "we are glad you are in here."
-
-"Ah," said the cobbler, "you are no gladder than I. They were about to
-cut my head off out there. How relieved I feel!"
-
-"On the life of us," said they, "we don't see where the relief comes in.
-As we see it, you have simply exchanged a beheading for an eating. So
-certain were we to be eaten by the giant and his wife for supper that we
-had already said our prayers. As you are so big and tender, it may be
-the giant will feast upon you to-night and leave us for breakfast,
-giving us a chance to escape in the darkness. We are told that he always
-refreshes the one he is going to eat first. So, you see we are glad you
-are in here."
-
-By this time the giant had reached his home. He took all three out, and
-said to his wife: "Here they all are. Prepare the cobbler first. The
-other two will keep."
-
-We must now leave the cobbler and his friends to their fate with the
-giant and his wife, and return to the coronation at the palace. The
-palace is thronged with noblemen, and Savo is pacing up and down
-barefooted and bareheaded. We know why he is barefooted; but why is he
-bareheaded? He had the crown placed upon the throne instead of on his
-head. He did this he said in order to start a new custom; but it was
-simply to hide, if possible, the mishap with the shoe.
-
-The king and his noblemen soon sat down to supper. The order was, eat a
-while and boast a while. To make the events of the supper clear we must
-know something that took place at the gate just before the coronation.
-
-The porter had served under the old King Mesina, and had kept fairly
-straight. Being a wise man, he saw that Savo was weak and his kingdom
-would soon fall, so he set about making himself whole. As soon as Savo
-cast aside the shoes because of the burnt one, he saw the possibilities
-of a fortune in the good one. His business that night was to sit at the
-palace gate and admit the guests. To every simple looking nobleman that
-passed he would hold up the good shoe and say: "How much am I offered
-for a shoe that is so fine the king will not wear it?"
-
-At last there came a nobleman whose bluntness equaled the porter's wit.
-He took the shoe, and left the porter a bag of gold.
-
-As has been said, the order at the supper was eat a while and boast a
-while.
-
-Nobleman after nobleman told of some precious keepsake he had, and its
-history. At last they called on the nobleman with the shoe. He was so
-slow to respond that he was roundly hissed by the guests, as having
-nothing worthy the attention of a king. This was too much for nobility
-at a feast. He first told a strange story of how he came into possession
-of the shoe. Then he snatched it from his pocket so quickly that it
-dropped from his hand and fell plump into the king's dish of soup.
-
-"Soldiers of the king," said Savo, "cast the intruder into prison, and
-see that his head comes off bright and early to-morrow morning."
-
-Thus ended the coronation. The guests departed, and Savo retired for the
-night. Just after the nobleman was placed in prison the giant Lubercal
-passed the palace gate and saw the porter asleep beside his bag of gold.
-Knowing what had happened, he took the porter and the bag of gold around
-to the prison. There was a huge chimney leading down into the cell where
-the nobleman was. The giant reached down and brought out the nobleman
-and put the porter in his place. The nobleman and his bag of gold were
-carried by the giant to his mountain home.
-
-In the meantime what had become of the cobbler and his two friends?
-
-They were still at the home of the giant, safe and sound, with no fear
-of being eaten. What had the giant meant by telling his wife to prepare
-the cobbler first? Simply that he had heard the conversation that passed
-among the three men in his pockets as he went home, and as he was of a
-rather grim but jovial nature he made pretence of devouring his
-captives. Of these three we know of the cobbler, but who were the two
-friends? One was the captain that Savo had put in prison for bringing
-the dwarf. The other was Savoda.
-
-The giant Lubercal thought that Savo might make away with them during
-the coronation, so he protected them in this way.
-
-
-Early the next morning Savo sent word to the jailer to dispatch the man
-in the cell and bring the head to him. It was done; but, when the head
-was brought, Savo almost fell from his throne.
-
-"My porter! my porter!" said Savo, "you have been dealt with foully. How
-dare you, Jailer, to turn the nobleman out and put my porter in his
-place? Soldiers of the king, seize the deceiver, and off with his head."
-
-Before the soldiers could carry out the order the giant Lubercal
-appeared before the palace and sent his voice through the halls.
-
-"Come, Savo," said he, "it is time to reckon."
-
-The giant first took from his pocket the cobbler, who was red-eyed and
-sneezing, and bidding him no longer to fear King Savo, gave him his
-liberty. When the cobbler was set free he secured the burnt shoe, that
-it might remind him never again to fall asleep over his work, and
-hastened to his family.
-
-Lubercal then followed this by freeing the nobleman, with a similar
-injunction. When the nobleman was given his liberty, he distributed the
-bag of gold among the poor, and, after awaiting Savoda's coronation,
-departed to his own estates.
-
-Then the giant Lubercal now, in keeping with King Mesina's will, put
-Savoda upon the throne, and made Savo gate-keeper.
-
-A good giant was Lubercal? Well, he was not so good, after all, as one
-other act will show. Even giants must live by some law.
-
-The law by which Lubercal was controlled allowed him to be king if he
-could steal the whole nation at once. To do this all the people must be
-gathered into one house. Lubercal's aim was to deceive the people into
-building a house large enough to hold them all, and then proclaim
-himself king.
-
-He suggested to Savoda that he force his people to erect such a house,
-so that the whole nation might come together and celebrate his
-(Savoda's) accession to the throne. Savoda did so. After much time and
-labor, the house was ready. The morning of the fatal day arrived--the
-day on which Lubercal intended to put into execution his plan of
-stealing the throne and Savoda's people. Lubercal stood upon the
-mountain and sent his voice ringing over the country. Savoda and the
-people thought this a good omen, and expected the giant to come down and
-rejoice with them. While King Savoda was arranging his crown, in walked
-the dwarf.
-
-"Good morning, my King," said he. "I have come to rescue you and your
-people this day from the hands of the designing Lubercal." Noting
-Savoda's look of suspicion and incredulity the dwarf continued: "I see,
-my King, that you have little faith in my remark. Go you now to the
-temple, and ere the day is done you shall see your own salvation."
-
-King Savoda and his people, after further insistence, though still not
-convinced, went to the temple, while the dwarf hastened to encounter the
-giant.
-
-
-Again we must go back, in order to make clear events soon to be
-narrated.
-
-Savo had been too silly to remain king, yet he was wise enough to see
-the force that removed him. He therefore set about finding the source of
-Lubercal's strength. While Lubercal was away he went up into the
-mountain and hid himself where he could see, but could not be seen.
-Lubercal soon came, and straightway tried to pull up a large tree by the
-roots. At first he failed to move it. He then went to a large cask
-containing fluid of some kind, and smelled it. At the next trial he
-pulled the tree halfway up. He went back to the cask and smelled again.
-Then he walked to the tree and with a slight effort snatched it from the
-ground and tossed it down the mountain.
-
-"Ah," said Savo, "I have the secret of your strength. It is in that
-fluid."
-
-Then Lubercal sat down, and began to talk to himself of how his strength
-lay in smelling the fluid in the cask, and how his length of days
-depended upon the running of the old-fashioned clock that hung beside a
-tree.
-
-That night, as the giant slept, Savo slipped to the cask and examined
-it. He found it had two chambers, and that the fluid was in the lower
-one. He climbed into the upper chamber, thinking he might find some way
-of letting the fluid out. He found none, and to his surprise smelling
-the fluid made him weak instead of strong. He soon became so weak he
-could not get out; so there he stayed until morning. At daybreak he
-first heard the giant's voice ringing over the country. He next heard
-the shouts of King Savoda and his people as they were hurrying to the
-great temple, and lastly, the small clear voice of the dwarf piping out
-a challenge to Lubercal.
-
-"Giant Lubercal, I have come to thwart your designs upon King Savoda and
-his people. Strength, I suppose will be your weapon; but wit shall be
-mine. The war is on. Here's at you."
-
-"A flea in a kettle of hot water, my little man, is not more at a
-disadvantage than you are with me," said Lubercal; "but if you want a
-quick, easy death, come on."
-
-At this the dwarf scratched the giant's great toe, but did not even make
-it bleed.
-
-"For that, sir," said the giant, "you shall serve to whet my appetite
-for breakfast."
-
-Now, according to an ancient custom, the giant could not eat a human
-being without first closing his eyes and saying a long blessing. While
-he was thus engaged, the dwarf turned himself into a fierce bird and
-circled above the giant's head. Every now and then he would strike the
-giant a stinging blow. After a hard struggle the giant succeeded in
-catching him. He held him tightly in his great hand; but in a flash the
-dwarf turned to a flea. The giant was not well proportioned. His body
-was large, with a deep crease between the shoulders, and his arms were
-so short they could not reach it.
-
-The dwarf found the crease and began to bite. The giant soon became
-frantic. He ran to the tree; and, in trying to kill the dwarf, he broke
-the old-fashioned clock upon the running of which depended the length of
-his days.
-
-He lay upon his back and rolled and tumbled, and then with marvelous
-force he drew up his limbs and straightened them out. One of his feet
-struck the cask, and fluid and Savo were dashed down the steep
-mountain-side. The once mighty Lubercal soon became so weak that the
-dwarf assumed his original form, tied a rope around his neck, and led
-him into the temple where King Savoda and his people were celebrating.
-At the dwarfs command Lubercal told the assembled multitude of his
-designs against them, and begged that he be allowed to return to his
-mountain home and breathe out his last as his forefathers had done. He
-returned, and soon a terrible wail told the people he was no more.
-
-"Honor to whom honor is due," said King Savoda. "Let us honor the dwarf
-who has saved our whole nation. Truly, the power of his wit shall be
-felt in the affairs of this people."
-
-"My great and good King," said the dwarf, "I am honored in being in your
-midst, and happy in seeing you happy. My life work is ended and I am
-ready to go."
-
-As the autumn leaf falls withered to the ground, so the dwarf fell dead
-at the king's feet.
-
-"My people," said King Savoda, "let us spend the rest of the day
-mourning for the dwarf and honoring his memory. How shall we best do
-this?"
-
-"My King," said an aged man, "I have a suggestion."
-
-"What have you done that you should be allowed to even make a suggestion
-concerning so great a person as the dwarf," said the King.
-
-"My good and wise King, look closely and you will see that I am the
-captain who was imprisoned for bringing the dwarf into this kingdom."
-
-The King looked, and seeing the man had spoken truthfully, told him to
-draw near.
-
-"You shall no longer be the captain of a ship, but the first of my wise
-men. We will follow your suggestion. Let us have it."
-
-"My King," said the captain, "yonder mountain-top upon which the giant
-Lubercal now lies dead is a solid rock. I suggest that you send your
-best workmen in stone up there. As they look upon the giant, let them
-shape out of the rock his exact image with the arms extended. Let them
-lay a marble slab across the arms, and upon this place the image of the
-dwarf."
-
-The King was so impressed with the suggestion that he sent hundreds of
-his best workmen to carry it out. A signal told when they had finished
-the work. Then the King, followed by the people bearing the body of the
-dwarf, ascended the mountain. He was much pleased with the images, and
-ordered that the bodies of the giant and the dwarf be buried in the
-solid rock side by side.
-
-As he started to leave he heard some one say:
-
-"My brother, Savoda, I am nigh unto death. Hear me ere I depart."
-
-The King turned and, seeing it was his brother Savo, clasped him in his
-arms, and placed a kiss upon his cheek. Savo in a few words begged his
-brother to forgive him for what he had done, told him of his adventure
-in the cask and how it ended. He then kissed his brother again and
-again, and expired. Savoda was so overcome that he had to be borne to
-his palace. Knowing their King's feelings in the matter, the workmen
-made an exact image of Savo, and placed it beside that of Lubercal,
-after which his body was buried close to the others. At the command of
-the king a huge stone was placed near the statues to remind the king and
-people of their duty.
-
-Ever after that people would take their children to the mountain top and
-tell them the story of the king's shoes and the lessons to be learned
-from it.
-
-King Savoda lived a long and useful life. His people loved him for his
-wisdom and goodness. He left twin sons to succeed him. They were so
-small that both sat in the same chair. They always agreed, and under
-them the kingdom flourished. They were so much like their father that
-the people called them the double king with one soul, borrowed from
-their father.
-
-
-
-
-HOW MR. RABBIT SECURES A PRETTY WIFE AND RICH FATHER-IN-LAW
-
-
-Mr. Rabbit was hard to please in love affairs. Those upon whom his eyes
-fell were either too ugly or too poor, and in some cases both. At last
-he concluded that the greatest failure in the world is courting that
-does not end in a wedding.
-
-He arose early one morning and sat down by the roadside to think over
-the different flowers along the path of love that had proven thorns to
-his soul. As he sat there, taking them up and dismissing one by one,
-with a frown on his face and a bachelor-like sourness in his soul, he
-chanced to see a beautiful maiden tripping over the meadows. As soon as
-he saw that she was pretty, he believed he loved her, as soon as he
-learned that her father was rich, he knew it.
-
-"O soul, my poor wounded soul! a smile from yon creature of grace and
-beauty would cure you. Let us haste and secure the remedy. I can well
-afford to exchange a task like this for the smiles of so pretty a wife
-and her father's pocket-book."
-
-Mr. Rabbit knew his only stock in trade was wit, so he sharpened this
-and visited the girl's father. He walked up to the old gentleman and
-said:
-
-"Good morning, sir. My name is Mr. Rabbit. I have come to be your
-son-in-law, and your daughter has my letter of introduction."
-
-The old gentleman was so surprised at Mr. Rabbit's words he did not call
-his daughter to test their truthfulness. He admired his visitor's
-boldness and readiness of speech and, after talking awhile, invited him
-out to breakfast. Having learned the girl's name during the
-conversation, Rabbit spoke to her on coming out, and also took her by
-the hand. Now, he carried in his hand a stamp bearing the words "I
-propose."
-
-After breakfast the old gentleman asked his daughter if she had Mr.
-Rabbit's letter of introduction, and she answered by holding up her
-hand. Then he asked her if she had ever met him before, and she said she
-had not. Without further ado he seized Rabbit by the throat and said:
-
-"My dear child, this whole thing has been forced upon you. Now, how
-shall I punish the impudent young whelp?"
-
-"Why, father," said she in her sweetest tones, "let both of us punish
-him by making him your son-in-law."
-
-Seeing that he could not withstand the combined forces of Cupid, his
-only daughter, and a wily lover, the old gentleman said: "Well, Mr.
-Rabbit, you may have the girl on the condition that you go down to the
-great frog settlement and prove that you are master of all the frogs
-there. This must be done by to-morrow at twelve o'clock."
-
-"It shall be done," said Mr. Rabbit.
-
-He dressed himself as strangely as possible, and, taking a looking-glass
-in his hand, went down to the frog settlement. He stood by the branch
-and waved the glass until the frogs gathered around him.
-
-"This is not the place," said he. "This is not the place."
-
-"Yes, it is," said an old frog. "It is the very place that has been here
-all the time."
-
-Mr. Rabbit looked again and said: "It is the place, sure enough."
-
-"Didn't I tell you so?" said the old frog. "If this place had moved, we
-would have known it."
-
-This served to open the conversation. While talking, Rabbit held the
-glass so the frogs could see themselves. He told them it was a
-soul-drawing machine, and that by looking into it the soul would come
-out of the body and go behind the glass.
-
-"Do you know," said Rabbit, "why Mr. Snake swallows so many of you? It
-is simply to get your souls. As the soul is in the body, he must
-swallow the body, also. Let him see that the soul is out of the body,
-and he will no longer bother the body, but go after the soul. If the
-soul is behind the glass, he can't get it. So you see, gentlemen, every
-frog should have a glass. All he has to do is to carry the glass with
-him, and, when Mr. Snake comes, just hold it up so as to see himself.
-Mr. Snake, seeing the soul out of his reach, will scamper off."
-
-All agreed with Rabbit, but wanted to know where glasses sufficient for
-all could be had.
-
-"Ah," said Rabbit, "that is my business here. I have come to build a
-factory for making them. All you have to do is to turn the wheel I will
-make. This wheel will turn the mill and out will come the glasses. There
-will be no charges."
-
-The frogs agreed to turn the wheel as long as needed. Then Rabbit built
-a watermill for grinding wheat and corn, and put the wheel above the
-water. The frogs knew no better.
-
-"In order to turn the wheel," said Mr. Rabbit, "you frogs must be
-divided into as many bands as there are paddles to the wheel. The first
-band must jump upon a paddle and force it down, then jump into the water
-and swim to shore ready for the next turn. Each band must do so in turn,
-and the wheel will go round. There are several things you must do. You
-must not be seen until I give the signal. Then you must come, start the
-wheel, and keep it going until I tell you to stop. At the second signal
-you must bellow as loudly as you can, or your souls will be so long in
-getting behind the glass that Mr. Snake will catch them. On the third
-signal you must dance as you come around, or the glass will be easily
-broken."
-
-All agreed, and said there should not be a single hitch in the
-programme.
-
-Then Rabbit sent for his father-in-law to come, and bring his wheat with
-him. He did so; but laughed at Rabbit's mill-wheel.
-
-"The wheat will be ground," said Rabbit, approaching the water and
-giving the signal agreed upon with the frogs.
-
-At the first signal the frogs came by hundreds and sent the wheel over
-and over again in great haste. At the second signal they began to
-bellow; and, at the third, to dance. This procedure was continued, and
-in a short time the wheat was all ground.
-
-"Now," said Mr. Rabbit, "I am not a member of the family as yet, but see
-what a means of income I am. How will it be further on? By the way, my
-father-in-law-to-be, how do you like the wedding-march my slaves are
-playing for me?"
-
-"Very well, my son Rabbit, very well," said the old gentleman. "Come,
-let us have the ceremony." They then proceeded to the magistrate, when
-Mr. Rabbit and the young lady were duly wedded.
-
-What became of the mill? Mr. Rabbit cared nothing for a cheap affair
-like that when he had succeeded in securing a pretty wife and rich
-father-in-law.
-
-What about the frogs?
-
-There is no telling how long they turned the wheel, bellowed, and
-danced; or how they got the glasses from between the millstones.
-
-
-
-
-THE LITTLE BOY AND MISTER DARK
-
-
-My name is Little Boy, an' I'se gwine ter tell you er story 'bout myself
-an' Mister Dark. Once 'twuz night, an' my Mammy an' my Daddy an' my dawg
-an' my cat an' myself wuz in de big cabin-room. My Daddy, he dun skinned
-de rabbit fer de breakfust time, an' my Mammy, she dun stirred up de
-hoecakes fer ter go 'long wid de rabbit, an' I dun make up my mind ter
-sleep till I gits er appertite fer bofe de cakes an' de rabbit.
-Meanwhile my cat, she says: "Meaw, meaw!" an' my dawg's tail says: "I
-whop, whop on de floor."
-
-Atter while my Mammy, she snored an' my Daddy, he snored, an' de cat
-meawed, an' de dawg's tail whopped on de floor, an' I got so skeered I
-could hardly keep comp'ny wid my own bref.
-
-Den sump'in' happened. Mister Wind, he broke down de door an' roared in
-an' licked up de candle light. Den I shet my eyes an' listened fer my
-cat, but didn't heah no meaw. Mister Rain, he spattered down de chimbly
-an' swallowed up de fire. Den I put my hands over my face an' listened
-fer my dawg, but didn't heah no tail flopping on de floor. Atter bein'
-skeered er long time I spunked up an' opened my eyes, an' dere wuz
-Mister Dark es big es de cabin-room.
-
-Atter er nudder while I spunked up erg'in an' says I: "Mister Dark, whar
-does you live?"
-
-Mister Dark says: "I lives everywhar when de sun's in bed." Den I asks
-him a r'al spunky question: "Mister Dark, how big is you?"
-
-Mister Dark says: "I'se es big es de whole world when de sun's kivered
-up in bed."
-
-Den I says: "Dis cabin-room's too little fer you. Jes leave it fer us."
-
-Mister Dark, he says: "I'se gwine ter stay heah an' have sum fun outer
-you. Ef you's skeered, Little Boy, jes' call on yo' Daddy's snore an'
-yo' Mammy's dreams, an' yo' cat's meaw an' yo' little dawg's floppin'
-tail. You must read me a story. Heah's er book. Heah's specticle-glasses
-fer de dark. Now read an' let de fun begin."
-
-I shakes my head, an' den I seemed jes' like er big piece o' gumbo. I
-wuz tall an' den short, an' in an' den out an' square an' den round. I
-says ter myself: "Ef I ends er foot ball, Mister Dark will have a great
-big kick cum'in'." All at once I felt de book in my hand, de
-specticle-glasses on my nose, an' I wuz tryin' ter read. I could read,
-an' den I couldn't. I'd call de fust wud, an' den dat wud would jump on
-all de udder wuds es I cum ter 'em, an' I'd jes' call dat wud right on
-frum de top ter de bottom o' de page.
-
-"Looker-heah, Little Boy," said Mister Dark, "you jes' cyarn't read.
-Let's all laf." Den Mister Dark chuckled er laf, an' Mister Rain
-spattered er laf, an' Mister Wind roared er laf, an' my cat meawed er
-laf, an' my little dawg flopped er laf wid his tail, an' I lafed jes' er
-little teeny bit, an' I wanted it back erg'in.
-
-Mister Dark made er funny little noise, an' whut does you reckon
-happened? My cat wuz on one knee, an' my dawg on de udder. De
-specticle-glasses wuz on dey noses, an' dey read every wud in dat book.
-Now what does you reckon dem wuds wuz erbout? Dey wuz erbout dat wud dat
-played leap frog frum de top ter de bottom o' dat page when I tried ter
-read, an' erbout dat rabbit an' dem hoecakes, an' how I wuz gwine ter
-oversleep myself, an' how my mouf would wotter when I seed de rabbit's
-bones picked clean.
-
-Den I said ter Mister Dark: "Mister Dark, you's pokin' fun at me, an'
-you's makin' my cat meaw fun at me an' my dawg flop fun at me wid his
-tail; but I'se gwine ter beat you in de end fer I'se gwine ter sleep."
-
-"'Scuse me fer readin'," meawed my cat, an' jumped down frum my right
-knee.
-
-"'Scuse me fer readin'," barked my dawg, an' jumped down frum my left
-knee.
-
-"'Scuse us too," mumbled de book an' de specticle-glasses.
-
-"Now, my Little Boy," said Mister Dark, "ef you'll jes' shet yo' eyes
-an' open yo' mouf you'll 'scuse me too to-morrow mawnin'."
-
-I closed my eyes an' opened my mouf an' went ter sleep. I sleeped an'
-sleeped an' sleeped, an' at last I waked up. Mister Daylight wuz dere as
-big as de cabin-room, an' my Mammy wuz frying de hoecakes, an' my Daddy
-wuz stewin' de rabbit, an' when I got all de glue outen my eyelids I
-sed: "Mammy, I'se bin erway, an' I'se hongry."
-
-"Give dat chile er cake," says Mammy.
-
-"An' sum rabbit," says Daddy.
-
-"An' give my cat an' dawg sum too," says I.
-
-Den we all eat an' eat an' eat, an' all at once Mammy says:
-"Look-er-heah, chile, you dun growed er whole pound last night."
-
-"Yas'm," says I, "an' it wuz dis way. While you all wuz er snorin'
-Mister Dark cumed in an' tried ter skeer me, but I jes' spunked up an'
-closed my eyes an' opened my mouf an' swallowed Mister Dark right down
-an' went ter sleep, an' course I'se bigger."
-
-"Give dat smart chile er nudder cake," says Mammy.
-
-Daddy puts de cake in my mouf, an' I starts ter swallow it 'fore I
-thinks ter say: "I thank you." Den I tries ter say it an' swallow at de
-same time, but I gits choked. Den I swallows an' swallows an' swallows
-jes' dis way (Imitate swallowing), an' at last I swallows it down. Den I
-reaches fer en nudder cake, but it ain't dere.
-
-My cat, she meawed, an' my dawg's tail whopped on de floor, but I ain't
-gwine ter tell no more stories, no I ain't, till my Mammy makes more
-hoecakes, an' my Daddy stews more rabbit, an' de great big Mister Dark
-cums back ter make me grow an' give me er appertite.
-
-
-
-
-OBSERVATION
-
-
-"Madam," said the negro principal of a public school to an old negro
-woman who was washing, "I wish your boy to attend my school."
-
-"Whose boy?" asked the old woman as she straightened up and wiped the
-suds from her arms.
-
-"Your boy, madam."
-
-"Well, ef he's my boy, I reckon I'll look atter him."
-
-She placed one hand on the rim of the tub and resumed washing with the
-other.
-
-Every few seconds she would change her position, allowing each hand a
-rest period. She would also change the pitch of a negro melody she was
-singing, accordingly.
-
-"'Fesser," said she, "is you still waitin'?"
-
-"I am, madam."
-
-"'Fesser, you cyarn't git dis boy."
-
-"Madam, I'll stay and argue with you."
-
-"I won't argue wid you, 'fesser. I'se got ter argue wid dese suds. Does
-you heah?"
-
-"Your boy, madam, is running wild."
-
-"'Fesser, you don't need ter run. You kin jes' walk. I'se mighty
-perlite, but does you see dat gate?"
-
-The principal started toward the gate. In passing an ant-hill he walked
-around it. As he reached the corner of the house a large fierce dog
-sprang at him. He spoke to the dog, and patted its head. The dog wagged
-its tail and followed him to the gate. After much trouble he opened and
-closed the gate and started off at a brisk pace.
-
-"'Fesser! 'fesser!" cried the old woman, "you kin hab dis boy. Come back
-an' git him right now."
-
-The principal returned and asked the old woman what had converted her.
-
-"It was dem ways of yourn, 'fesser. You's got er mighty good heart in
-you, 'kase you walked erround dem ants. Dat's jes' de heart I wants ter
-beat fer my boy. Dat dog bites most folks, but you jes' charmed all de
-fight outen him. My boy's got er lot of fight an' some meanness in him,
-but I sees you kin charm dem out. Most folks leaves dat gate open, but
-you jes' kept on till you closed it. I knows you'll keep at dis boy till
-you makes er man outen him. Heah's de boy, 'fesser. Jes' take him
-erlong."
-
-As the principal and boy walked in the street the old woman stood at
-the gate and said: "Jes' look at dat boy of mine; he's walkin' lack de
-'fesser erready."
-
-
-
-
-THE BOY AND THE IDEAL
-
-
-Once upon a time a Mule, a Hog, a Snake, and a Boy met. Said the Mule:
-"I eat and labor that I may grow strong in the heels. It is fine to have
-heels so gifted. My heels make people cultivate distance."
-
-Said the Hog: "I eat and labor that I may grow strong in the snout. It
-is fine to have a fine snout. I keep people watching for my snout."
-
-"No exchanging heels for snouts," broke in the Mule.
-
-"No," answered the Hog; "snouts are naturally above heels."
-
-Said the Snake: "I eat to live, and live to cultivate my sting. The way
-people shun me shows my greatness. Beget stings, comrades, and stings
-will beget glory."
-
-Said the Boy: "There is a star in my life like unto a star in the sky. I
-eat and labor that I may think aright and feel aright. These rounds will
-conduct me to my star. Oh, inviting star!"
-
-"I am not so certain of that," said the Mule. "I have noticed your kind
-and ever see some of myself in them. Your star is in the distance."
-
-The Boy answered by smelling a flower and listening to the song of a
-bird. The Mule looked at him and said: "He is all tenderness and care.
-The true and the beautiful have robbed me of a kinsman. His star is
-near."
-
-Said the Boy: "I approach my star."
-
-"I am not so certain of that," interrupted the Hog. "I have noticed your
-kind and I ever see some of myself in them. Your star is a delusion."
-
-The Boy answered by painting the flower and setting the notes of the
-bird's song to music.
-
-The Hog looked at the boy and said: "His soul is attuned by nature. The
-meddler in him is slain."
-
-"I can all but touch my star," cried the Boy.
-
-"I am not so certain of that," remarked the Snake. "I have watched your
-kind and ever see some of myself in them. Stings are nearer than stars."
-
-The Boy answered by meditating upon the picture and music. The Snake
-departed, saying that stings and stars cannot keep company.
-
-The Boy journeyed on, ever led by the star. Some distance away the Mule
-was bemoaning the presence of his heels and trying to rid himself of
-them by kicking a tree. The Hog was dividing his time between looking
-into a brook and rubbing his snout on a rock to shorten it. The Snake
-lay dead of its own bite. The Boy journeyed on, led by an ever inviting
-star.
-
-
-
-
-THE NEGRO AND THE AUTOMOBILE
-
-
-A white man wished to sell an old-time negro an automobile. To this end
-he took him a spin around the town. Soon something was in the way, and
-that "honk-honk!" warning was sounded.
-
-"Boss," said the negro, "I don' see no wil' geese 'roun' heah."
-
-As the automobile increased its speed the negro braced himself with his
-feet and gripped the seat with both hands.
-
-"Is the machine running too fast?" asked the white man.
-
-"I don' keer how fast you runs, but I does objects ter flying," said the
-negro.
-
-The automobile was stopped and the white man got out. The "works"
-continued with that "chook-er-chook" sound. The negro, seeing that the
-wheels were not moving, sprang out excitedly.
-
-"Will you buy the automobile?" asked the white man.
-
-"No, suh," said the negro. "I don' buy no thing lack dat whut flies
-when hit's running, an' whut runs when hit's standing still. No, suh!
-Good-by! I'se gone!"
-
-
-
-
-FAITH IN THE WHITE FOLKS
-
-
-It was night, and Elm Street was dimly lighted. From a negro
-eating-house that opened into the street came sounds of harsh voices and
-the rattling of pans. Rachel, the mulatto, who believed everything a
-white person did or said, and who tested all information with: "Did de
-white folks say so?" was tugging at her little grandson, who was selling
-papers.
-
-"I can't sell papers here, grandma."
-
-"Why, son?"
-
-"The folks in the eating-house won't let me."
-
-"Did de white folks say so?"
-
-"No, ma'am. This route was given to another boy."
-
-"Did de white folks do it?"
-
-Just then some one threw a loaf of bread in the eating-house. It passed
-through the door and struck Rachel. Her little grandson pulled her apron
-and asked: "Did the white folks do that too?"
-
-"No, child. Dis is de way of it. Dis bread will fatten de chickens. De
-chickens will sharpen de white folks' wits. De white folks, dey'll boss
-de niggers; and de niggers, dey'll be niggers still. Come on now, honey
-child, an' bring de bread erlong wid you."
-
-
-
-
-THE CANE AND THE UMBRELLA
-
-
-A man who had never seen a cane or an umbrella chanced to be at a sale
-and bought one of each. He held the umbrella over him and tapped upon
-the ground with the cane as he walked. The wind rose suddenly. He
-boarded a car quickly without lowering the umbrella. Away went the car,
-and away went the umbrella.
-
-He alighted from the car after riding several squares. He was tapping
-the ground with his cane as he walked.
-
-"How are you?" said a man he had not seen for years, and extended his
-hand.
-
-"How are you, old friend?" he replied and offered the hand that held the
-cane, giving his friend a severe whack.
-
-"You rascal!" cried his friend, and knocked him down.
-
-In falling he broke his cane and alighted near the fragments of his
-umbrella.
-
-"Cane and umbrella," said he, "you are the cause of all my trouble."
-
-
-
-
-
-End of the Project Gutenberg EBook of Negro Tales, by Joseph Seamon Cotter
-
-*** END OF THIS PROJECT GUTENBERG EBOOK NEGRO TALES ***
-
-***** This file should be named 41590-8.txt or 41590-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/1/5/9/41590/
-
-Produced by sp1nd, Martin Pettit and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.