diff options
Diffstat (limited to '41530-h')
| -rw-r--r-- | 41530-h/41530-h.htm | 500 |
1 files changed, 42 insertions, 458 deletions
diff --git a/41530-h/41530-h.htm b/41530-h/41530-h.htm index cfceadb..d236984 100644 --- a/41530-h/41530-h.htm +++ b/41530-h/41530-h.htm @@ -2,7 +2,7 @@ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of In Search of El Dorado, by Alexander MacDonald. @@ -87,47 +87,7 @@ table { </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of In Search of El Dorado, by Alexander MacDonald - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: In Search of El Dorado - A Wanderer's Experiences - -Author: Alexander MacDonald - -Release Date: December 1, 2012 [EBook #41530] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK IN SEARCH OF EL DORADO *** - - - - -Produced by Matthias Grammel, Greg Bergquist and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive) - - - - - - -</pre> - - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 41530 ***</div> <div align="center"> <table border="0" cellpadding="0" width="465"> @@ -181,7 +141,7 @@ and 2 Maps. Demy 8vo, cloth, <b>21s.</b> net.</p> <p style="text-indent:-1em; margin-left:2em;">By <span class="smcap">J. A. Harvie-Brown</span>, F.R.S.E., F.Z.S., Author of "Fauna of the Moray Basin," "A Vertebrate Fauna of Orkney," &c.,&c. With 4 Maps and many Illustrations. 2 vols. Royal 8vo, -cloth, <b>£3 3s.</b> net.</p> +cloth, <b>£3 3s.</b> net.</p> </blockquote> @@ -1129,7 +1089,7 @@ submit to wholesale robbery. A loud shout at our back made us both turn with alacrity, and behold there stood Mac with his long Winchester repeater levelled fairly at Soapy Samuel's head. The wily individual had scented -danger, and had made a <i>détour</i> expressly for my +danger, and had made a <i>détour</i> expressly for my benefit.</p> <p>"Say when," he murmured calmly, from behind his @@ -2708,7 +2668,7 @@ the powdered snow and blown ice on the main river. No white man, at this time, had explored the head waters of the Klondike. In the earlier season I had attempted the task, but was repelled by the deep gorges and grim -cañons that marked the river's channel for many miles +cañons that marked the river's channel for many miles when near an outlying spur of the "Rockies." Now we forced a trail far beyond my furthest travel, tracing here and there the track of the old chief's sleigh where the @@ -2722,7 +2682,7 @@ and badly-blown patches. For once they were forced to march in silence, for their mouths were sealed as if by iron bands.</p> -<p>The Grand Cañon was entered soon after midday, and +<p>The Grand Cañon was entered soon after midday, and the majestic powers of old King Frost had so metamorphosed the dark gorge that we made our trail over the frozen torrent almost nervously. The great stalactites @@ -2735,7 +2695,7 @@ oppressive calm, broken only by the dull rumble of the rushing torrent full fifty feet below.</p> <p>It is impossible to picture the grandeur of an Alaskan -cañon when the elements hold it in thrall; there is +cañon when the elements hold it in thrall; there is nothing like it in the whole world. Nevertheless, we were not sorry when we emerged into the comparatively open country beyond, and picked up afresh the track of @@ -3257,7 +3217,7 @@ nearer the dreaded pass. Our daily march since leaving the northern capital had rarely fallen below twenty-eight miles, until the unfrozen White Horse Rapids had stayed our advance and caused us to make a wide -<i>détour</i>; but now, do what we might in our semi-famished +<i>détour</i>; but now, do what we might in our semi-famished condition, we could barely travel twenty miles in as many hours, and full eighty miles yet intervened between us <span class="pagenum"><a name="Page_56" id="Page_56">[Pg 56]</a></span> @@ -3652,7 +3612,7 @@ offered, for nothing but absolute blackness surrounded us.</p> <p>Somewhat mystified I struck a sulphur match and held it aloft, and by its sputtering flame I saw before me a -10 × 12 tent, on the roof of which was painted in huge +10 × 12 tent, on the roof of which was painted in huge black letters, "N.W.M.P."</p> <p>"We certainly have got it," I said with much @@ -3937,7 +3897,7 @@ rapidly, and with them came fresh blasts that whistled across the white lake surface, and tore it into heaving swells even as we looked. I prayed for light, but the gloom deepened and the snow fell thicker and faster. -At length we reached the cañon leading to Crater Lake, +At length we reached the cañon leading to Crater Lake, and with every nerve strained we fought our way forward literally foot by foot. The snow-wreaths here were of extraordinary depths, and several times my companions @@ -4093,7 +4053,7 @@ we dreaded the discovery we were about to make.</p> <p>"Keep the fire alight as a guide to us, Mac," I said, and Stewart and I went out into the storm. And now Dave's deep-mouthed barks penetrated the dense mists, -and we crawled towards the cañon in the direction of the +and we crawled towards the cañon in the direction of the sound; but we had not far to go. A few yards from our retreat I felt Dave's furry body at my knees, and then my hand came in contact with a human form half buried in @@ -4169,7 +4129,7 @@ last, and no words of mine can describe the inferno that raged on that dread summit. We lay flat on our faces and writhed our way forward through a bubbling, foaming mass of snow and ice. Our bodies were cut and -bruised with the flying <i>débris</i>, and our clothing was torn +bruised with the flying <i>débris</i>, and our clothing was torn to rags. The blizzard had now attained an extraordinary pitch, the mountain seemed to rock and tremble with its fury, and inch by inch we crawled towards the perpendicular @@ -4185,7 +4145,7 @@ depths beyond.</p> dangerous degree, and I realised that we must make the descent from some other part of the semicircular ridge. We crept back hurriedly, and as we stood gasping in the -"cauldron" before making a <i>détour</i> to find a possible +"cauldron" before making a <i>détour</i> to find a possible trail, a mighty rumbling shook the pass, and we clutched at the snow around, which flew upwards in great geyser-like columns, almost smothering us in its descending @@ -4296,7 +4256,7 @@ system. So we arrived, after a long night's misery, dusty and travel-stained. No one attempts to keep clean in the land of "Sand, sin, and sorrow," for the simple reason that, according to the nature of things there, such a -luxurious state of æsthetic comfort can never be attained. +luxurious state of æsthetic comfort can never be attained. The streets were sandy, and as a natural sequence the atmosphere was not of ethereal quality. The people were sandy and parched-looking, and we found the interior of @@ -4929,7 +4889,7 @@ in giving him back his own. Yet still he hesitated.</p> think I could do much damage to the ground by myself. Might I come in with you?"</p> -<p>This was a <i>dénoûement</i> I had not anticipated, though +<p>This was a <i>dénoûement</i> I had not anticipated, though in some unaccountable manner I felt drawn to the stranger; still, the vision of his coat-tails fluttering in the wind could not be dispelled.</p> @@ -6264,7 +6224,7 @@ failed to hold his audience spellbound.</p> <p>Emu Bill, though recognised by all as the most experienced miner present, rarely condescended to spin a <span class="pagenum"><a name="Page_129" id="Page_129">[Pg 129]</a></span> -yarn, and he listened to his <i>confrères'</i> tales with ill-concealed +yarn, and he listened to his <i>confrères'</i> tales with ill-concealed impatience, but showed a decided liking for my two warriors' romances. One evening, however, he broke his reserve and proceeded to give a rambling survey of his @@ -6272,7 +6232,7 @@ wanderings, and as he warmed to his subject his eyes began to glow, and his gestures became eloquent and impassioned.</p> -<p>"Yes, boys," said he, winding up a <i>resumé</i> of his +<p>"Yes, boys," said he, winding up a <i>resumé</i> of his exploits in various parts of Australia, "I calc'late I hev had a fair-sized experience o' gold mining in my time, an' as ye may guess, I hevn't allus come out right end up, @@ -7032,7 +6992,7 @@ them a general title, namely, "tinned dog."</p> <p>Tinned dog and flour are, indeed, the sum total of the Australian explorer's needs. The traveller in the great "Never Never" land is not an epicure by any means, -and should he be burdened by over-æsthetic tastes they +and should he be burdened by over-æsthetic tastes they quickly vanish when "snake sausage" or "bardie pie" has appeared on his <i>menu</i> for some days!</p> @@ -7445,7 +7405,7 @@ near to it; some were probably the remains of kangaroos killed by the natives, of whom there were numerous signs in the neighbourhood, but Phil insisted that not a few human bones were among the bleaching mass. At -the bottom of the spring the complete vertebræ of several +the bottom of the spring the complete vertebræ of several snakes and similar reptiles almost wholly covered the chalky, impervious base, but how these came to be there was a matter beyond my comprehension.</p> @@ -8116,7 +8076,7 @@ ancient crater in which Mac lay entombed. They had come to worship the great spirit Wangul, the dreaded "Dweller in the Waters."</p> -<p>The <i>dénoûement</i> of this interesting ceremonial was +<p>The <i>dénoûement</i> of this interesting ceremonial was rapid and unexpected. Just when the reeling warriors had ceased their vocal exercise from sheer want of breath, when the ensuing silence was broken only by @@ -10280,7 +10240,7 @@ story afore me."</p> <p>This was in a manner true, and sometimes when Bill, as Hoskins the American said, was "long-winded in getting to the point," we had but to look at Ted's face -for the <i>dénoûement</i>.</p> +for the <i>dénoûement</i>.</p> <p>"But how vas it you came away unt leave all dat opal? There must be millions there," our German friend would @@ -10510,7 +10470,7 @@ were fast doing so.</p> had heard exaggerated reports concerning the find of the "forty-four," and had arranged among themselves to beat <span class="pagenum"><a name="Page_229" id="Page_229">[Pg 229]</a></span> -down the prices of the opal to £4 an ounce. It, therefore, +down the prices of the opal to £4 an ounce. It, therefore, surprised them to find the days passing and no one offering to sell any opal; and one morning two of their fraternity repegged Satan's abandoned claim, evidently @@ -10655,7 +10615,7 @@ kindly, disinterested offer of Satan's two benefactors."</p> Bill.</p> <p>"Yes," answered the Parson grimly. "Satan's opal -was worth £8,000."</p> +was worth £8,000."</p> <p>Next morning the two Hebrews came out from town a full hour earlier than usual, and without more ado the @@ -11022,7 +10982,7 @@ fortune, and straightway proceeds to cut a path into some unknown river valley.</p> <p>The famous Yodda Valley, where men at first made -fifty ounces of gold (equivalent to £180 per day), was +fifty ounces of gold (equivalent to £180 per day), was discovered in such manner, and if the stories of some of the prospecting parties who crossed New Guinea in all directions were given to the world, doubtless a "rush" @@ -11216,7 +11176,7 @@ a tinge of port wine danced according to the manner in which the stone was held.</p> <p>"I don't care," he replied. "I is a gold-miner, an' I -knows that every ounce of gold is worth £3 17s. 6d.; but +knows that every ounce of gold is worth £3 17s. 6d.; but that is darned stuff only Jews will buy, and I'll throw them away if you don't want them."</p> @@ -11405,7 +11365,7 @@ pouch; "aboot hauf a pun', I think."</p> <p>"Lor, Scottie! Does ye mean——?"</p> <p>"Eight ounces exactly," I announced. "Mac has -made £30 for one day's work."</p> +made £30 for one day's work."</p> <p>"Scodland for ever!" shouted Kaiser from the midst of a cloud of native tobacco-smoke, and the others echoed @@ -11623,7 +11583,7 @@ along the slope. Descending with difficulty into the valley, and following up the course of an old water-channel, we found a heterogeneous deposit of zircons, sapphires, topazes, and many other gemstones amidst -the <i>débris</i> of an extinct blowhole. We gathered some +the <i>débris</i> of an extinct blowhole. We gathered some <span class="pagenum"><a name="Page_254" id="Page_254">[Pg 254]</a></span> of what appeared to be the best, intending to find out their value at the earliest possible opportunity. The @@ -11682,12 +11642,12 @@ a week after we landed at Samarai, and eight days more found us in Sydney.</p> <p>Here two Hebrew gentlemen offered Sam and Kaiser -a £10 note for our entire stock of gem-stones. In +a £10 note for our entire stock of gem-stones. In consequence of this generous offer (!) and the fact that his great height afforded an easy means of identification, we had to send Sam rather hurriedly to Melbourne. We eventually restored peace, however, by selling our stones -to the afore-mentioned individuals for £80; and since +to the afore-mentioned individuals for £80; and since then Aaron K. has informed me that one stone alone, when cut into four parts and polished, fetched fifty-three sovereigns.</p> @@ -11876,7 +11836,7 @@ plenty of time to catch the old <i>Bulimba</i>, and for my own part I'm not very anxious whether she sails south without us or not."</p> -<p>I marvelled at this strange <i>dénoûement</i>, but said +<p>I marvelled at this strange <i>dénoûement</i>, but said nothing, and together we entered the hotel they had so recently vacated. Within the five minutes following our advent into the gilded "saloon bar," I had become @@ -12183,7 +12143,7 @@ wandered, English Bob and I had become fast friends during our brief sojourn together. Concerning his past I did not inquire, having already learned that the grim gum-land swallows up many of life's tragedies; but day -by day I expected a dread <i>dénoûement</i>. The newspaper +by day I expected a dread <i>dénoûement</i>. The newspaper paragraph still haunted me; my mind was filled with conflicting doubts and fears. The motley assembly who formed our neighbours near and distant were a @@ -12202,7 +12162,7 @@ of the spear the spongy soil was easily penetrated, and the presence of any gum strata localised at once, after which the spade came into play. The value of the crude material thus brought to the surface was no mean figure, -ranging from £50 to £70 a ton.</p> +ranging from £50 to £70 a ton.</p> <p>This morning we had been exceptionally fortunate, Long Ted spearing a huge block of the gelatinous @@ -12424,11 +12384,11 @@ and the most modern diving-dresses, although among the South Pacific Islands beach-combing is still another name for piracy and slave-raiding. Strangely enough, the pearls do not now form the chief support of the industry. -Nevertheless, some are frequently found worth £100 and -upwards, and many of a value of £10, while from that +Nevertheless, some are frequently found worth £100 and +upwards, and many of a value of £10, while from that sum downwards to 1s. for a thousand the pearls are very plentiful. The shell, however, is now the backbone of -the industry. It is valued at from £100 to £180 per ton, +the industry. It is valued at from £100 to £180 per ton, and finds ready sale through Singapore agencies of London firms at anything between those prices.</p> @@ -12655,7 +12615,7 @@ Roebourne and Derby until one evening the <span class="smcap">ss.</span> <i>Neme sailed into Roebuck Bay, and the skipper calmly announced that I would require to go ashore and await the next steamer, as he was going no farther. I was booked -to London, <i>viâ</i> Singapore, but I had expected to be +to London, <i>viâ</i> Singapore, but I had expected to be dumped ashore somewhere, as the <i>Nemesis</i> was not the regular connecting steamer, and I had taken it chiefly with the desire to get away from plague-stricken @@ -13560,7 +13520,7 @@ subjects, for instance, as the age of the earth, the building of coral islands, the cause of volcanic action, or the Deluge? Of all these matters the Professor discourses pleasantly and well, writing with command of much scientific learning, yet always readably, sometimes with brilliancy of diction, -and occasionally with a touch of humour."—<i>Athenæum.</i></span></p> +and occasionally with a touch of humour."—<i>Athenæum.</i></span></p> <hr class="tb" /> @@ -13761,7 +13721,7 @@ and occasionally with a touch of humour."—<i>Athenæum.</i></span></p> </tr> <tr> <td align="center"> - <span style="font-size:1.2em">Rome and Pompeii. Archæological + <span style="font-size:1.2em">Rome and Pompeii. Archæological Rambles.</span> <br /> By <span class="smcap">Gaston Boissier</span>. @@ -13770,11 +13730,11 @@ and occasionally with a touch of humour."—<i>Athenæum.</i></span></p> <tr> <td align="left"> <span style="font-size:0.9em"> - "M. Gaston Boissier is one of the few living archæologists who can + "M. Gaston Boissier is one of the few living archæologists who can make the dead bones of the past live again. While his researches show the accuracy and thoroughness which we associate with German scholarship, he has a gift of exposition which is wholly French. We can - imagine therefore, no better handbook for traveller or archæologist than + imagine therefore, no better handbook for traveller or archæologist than this one.—<i>Daily Mail.</i> </span> <br /> @@ -14161,7 +14121,7 @@ and occasionally with a touch of humour."—<i>Athenæum.</i></span></p> <p style="text-indent:-1em;"><span style="font-size:1.0em">6. FERDINAND MENDEZ PINTO, THE PORTUGUESE ADVENTURER. </span> <span style="font-size:0.9em">New Edition. Annotated - by Prof. <span class="smcap">A. Vambéry</span>.</span></p> + by Prof. <span class="smcap">A. Vambéry</span>.</span></p> </td> </tr> <tr> @@ -14227,382 +14187,6 @@ and occasionally with a touch of humour."—<i>Athenæum.</i></span></p> <p>Minor printer errors and inconsistencies have been silently corrected.</p> </div> - - - - - - -<pre> - - - - - -End of Project Gutenberg's In Search of El Dorado, by Alexander MacDonald - -*** END OF THIS PROJECT GUTENBERG EBOOK IN SEARCH OF EL DORADO *** - -***** This file should be named 41530-h.htm or 41530-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/5/3/41530/ - -Produced by Matthias Grammel, Greg Bergquist and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - - -</pre> - +<div>*** END OF THE PROJECT GUTENBERG EBOOK 41530 ***</div> </body> </html> |
