summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-03-08 12:48:07 -0800
committernfenwick <nfenwick@pglaf.org>2025-03-08 12:48:07 -0800
commitd6394ce13f8265b2b9caf7d02460ac2fe0b5b2d4 (patch)
tree0f5d8718ed71133b82dff666054fe131c08278bb
parent894f0f757fe70cb222641e8b13e2926144c80a74 (diff)
Add files from ibiblio as of 2025-03-08 12:48:07HEADmain
-rw-r--r--41518-0.txt277
-rw-r--r--41518.txt658
-rw-r--r--41518.zipbin14204 -> 0 bytes
3 files changed, 277 insertions, 658 deletions
diff --git a/41518-0.txt b/41518-0.txt
new file mode 100644
index 0000000..0fae6e2
--- /dev/null
+++ b/41518-0.txt
@@ -0,0 +1,277 @@
+*** START OF THE PROJECT GUTENBERG EBOOK 41518 ***
+
+The Battle of Sempach
+
+A Story
+By
+Robert Walser (1878-1956)
+
+Berlin.
+The Future Press.
+1908.
+
+One day, in the middle of high summer, a military expedition was
+advancing slowly down the dusty country road that led towards a
+district of Luzern. The bright, actually more than bright, sun
+dazzled down over swaying armour serving to cover human bodies,
+over prancing horses, over helmets and parts of faces, over equine
+heads and tails, over ornaments and plumes and stirrups as big as
+snowshoes. To the right and to the left of the shining military
+expedition spread out meadows with thousands of fruit trees in them
+up as far as hills that, looming up out of the blue-smelling, half-hazy
+distance, beckoned and had the same effect as light and carefully
+painted window dressing. It was before noon and the heat was already
+oppressive. It was a meadowy heat, a heat contained in grass, hay
+and dust, for thick clouds of dust were being thrown up that sometimes
+descended like a veil over parts and sections of the army. Sluggishly,
+ploddingly, carelessly the long cavalcade moved forward. Sometimes
+it looked like a shimmering and elongated snake, sometimes like a
+lizard of enormous girth, sometimes like a large piece of cloth,
+richly embroidered with figures and colourful shapes and ceremoniously
+trailed as with ladies, elderly and domineering ones as far as I'm
+concerned, accustomed to dragging trains behind them. In all this
+military might's method and way of doing things, in the stamping of
+feet and the clinking of weapons, in this rough and ready clatter
+lurked an "as far as I'm concerned" that was uniform, something
+impudent, full of confidence, something upsetting, slowly pushing to
+one side. All these knights were conversing, as far as their iron-clad
+mouths would allow them, in joyful verbal banter with each other.
+Peals of laughter rang out and this sound was admirably suited to
+the bright tones emitted by weapons and chains and golden belts. The
+morning sun still appeared to caress a good deal of brass and finer
+metal. The sounds of tin whistles flew sunward. Now and again one
+of the many footmen walking as if on stilts would tender to his
+mounted lord a delicate titbit, stuck on a silver fork, right up to his
+swaying saddle. Wine was drunk on the move, poultry consumed
+and nothing edible spat out, with an easy-going, carefree amiability,
+for this was no earnest war involving chivalry they were riding to, but
+more of a punitive expedition, a statutory rape, bloody, scornful,
+histrionic things. Everybody there thought so and everybody saw
+already the heap of cut-off heads that would redden the meadow.
+Among the leaders of the expedition was many a wonderful noble
+young man splendidly attired, sitting on horseback like a male angel
+flown down from a blue uncertain heaven. Many a one had taken
+off his helmet to make things more comfortable for himself and given
+it to an attendant to carry. By doing so he displayed to the air a
+peculiarly finely drawn face that was a mixture of innocence and
+exuberance. They were telling the latest jokes and discussing the
+most up-to-date stories of courtly women. The serious ones in their
+company they tolerated as best they could; it seemed today as if
+a pensive expression was deemed to be improper and unchivalrous.
+The hair of the young knights who had taken their helmets off, shone
+and smelt of oil and unguents and sweet-smelling water that they had
+poured on it as if it had been a matter of riding to visit a coquette to
+sing her charming love songs. Their hands, from which the iron
+gauntlets had been taken off, did not look like those of warriors,
+but manicured and pampered, slender and white like the hands of
+young girls.
+
+Only one person in the wild procession was serious. Already his
+outward appearance, armour that was deep black broken up with
+tender gold, indicated how the person it covered thought. He was the
+noble Duke Leopold of Austria. This man did not speak a word and
+seemed completely lost in anxious thoughts. His face looked like that
+of a person who is being pestered by a fly that is impudently flying
+round his eye. This fly may well have been a presentiment that
+something bad was going to happen for a smile that was permanently
+both contemptuous and sad played over his mouth. He kept his head
+lowered. The whole world, however cheerful it looked, seemed to him
+to roll and thunder angrily. Or was it just the thunder of the
+trampling hooves of horses as the army was now passing over a wooden
+bridge that spanned the river Reuss? Nevertheless something
+foreshadowing misfortune hovered horribly around the duke's bodily
+form.
+
+* * *
+
+The army stopped near the little town of Sempach. It was now about
+two o'clock in the afternoon. It may have been three o'clock. It was
+a matter of indifference to the knights what the time might be. As far
+as they were concerned it could have been eight o'clock at night--they
+would have found that quite in order. They were already terribly bored
+and found even the slightest trace of military discipline laughable. It
+was a dull moment. It was like a parade ground manoeuvre how they
+jumped from their saddles to take up a position. No-one wanted to
+laugh any more. They had already laughed so much. Yawning and
+exhaustion had set in. Even the horses seemed to understand that
+all one could do now was yawn. The servants on foot tucked into
+the remnants of the food and wine, quaffed and scoffed what there
+was still left to scoff and quaff. How ridiculous this whole
+expedition appeared to all concerned! This shabby little town that
+was still holding out: how stupid it all was!
+
+The call of a horn rang out suddenly through the frightful heat and
+boredom. It left one or two more attentive ears particularly inquisitive
+as to what it might be. Listen: there it is again. It really did
+sound out again and it could generally have been believed that it
+was now ringing out from not so far away. "All good things come
+in threes," lisped a facetious fop. "Sound one more time, horn!"
+And time marched on. People had become somewhat pensive--and
+now, in addition, frightened, as if the thing had grown wings and was
+riding on fiery monsters in that direction, consumed by flames and
+shouting, setting up a long cry: We're coming! It was in truth as
+if a subterranean world had suddenly received a breath of fresh air,
+breaking in through the hard earth above. The sound was like the
+opening up of a dark precipice and it seemed as if the sun were
+shining down now out of a darkened sky even more glowingly, even
+more harshly, but a light coming down out of hell and not out of
+heaven. People laughed again--there are moments when man thinks
+he ought to smile when really what he feels is the icy grip of terror.
+The mood of a military expedition made up of many men is, at the
+end of the day, not very different from the mood of a single and
+solitary individual. The whole of the landscape in its stifling white
+heat now seemed to be still making a hooting noise. It had turned
+into the sounds of horns and now there entered without any more
+ado into the range of horns being blown, as if from an opening, the
+crowd of men from whom the sound had gone out. Now the landscape
+was featureless. The sky and the earth in summer came together as
+something solid. The season disappeared. A geographical location,
+a tilting yard, a bellicose play area had become a battlefield.
+Nature plays no part in a battle. Everything depends on luck, the
+calibre of the weaponry, one crowd of people and another crowd
+of people.
+
+The rushing forward, to all appearances heated, crowd drew nearer.
+And the crowd of knights stood firm seeming for once to have knit
+together. Lads of iron held their lances out in front of them so that
+you could have driven a coach and four over the resulting bridge so
+densely packed were the knights and so unsurprisingly lance after
+lance stuck out, immobile, unmovable, just the thing one might have
+thought for one of the pushing, pressing, human chests opposite to be
+spitted by. Here a stupid wall of sharp points, there men in shirts, only
+half dressed. Here the art of war practised in the most narrow-minded
+of ways, there men in the grip of inarticulate anger. One after another
+they ran forward boldly just to put an end to this despicable lack of
+enthusiasm and threw themselves onto the tip of a lance, crazy, mad,
+driven by rage and fury. They ended up, of course, falling over one
+another on the ground without having been able even to inflict a wound
+with their hand-held weapons on the plumed and helmeted louts
+of iron opposite. They fell face down into the dusty horse dung left
+behind on the ground by noble mounts. And so it befell nearly all
+these men in a state of undress while the lances, already reddened
+by their blood, seemed to smile at them disdainfully.
+
+* * *
+
+No. That was nothing. One saw oneself compelled to make use of
+a trick in order to be on the side of humanity. Confronted by art,
+either art or some lofty thought was called for and that lofty thought,
+in the shape of a man of lofty face, immediately stepped forward as if
+pushed there by a supernatural power and addressed his countrymen:
+"Look after my wife and my children. I'll make a path through for you."
+And he threw himself forthwith so as not to let cool his desire for
+self-sacrifice onto four or five lances and pulled down several more,
+as many as he could force to his chest in the act of dying. It was as
+if he could not embrace these iron points enough and drag them into
+himself to be able to die with unlimited resources and to lie on the
+ground and turn into a bridge for men who then trampled over his
+body, on the lofty thought that wanted to be trampled on. Nothing
+will ever again compare with such a thrashing and the way in which
+those lightly-clad valley and mountain folk smashed that clumsy,
+despicable wall and tore it and beat it to bits like tigers ripping to
+pieces a defenceless herd of cows. The knights had become almost
+totally defenceless since, being hemmed in, they could hardly move
+to the side. Mounted knights were popped from their horses like
+paper bags filled with air pop when you clap your hands on them.
+The herdsmen's weapons now proved frightful and their light summer
+clothing just right. Armour to the knights was that much more
+burdensome. Heads were stroked by side-swipes, only stroked
+apparently, and turned out to have been severed. More and more
+knights were being struck down, horses overturned and the power
+and rage of the onslaught kept increasing. The duke was killed
+outright. It would have been a miracle had he not been killed.
+Those who were raining down blows shouted as they did so,
+as if it were appropriate, as if just killing were too slight an
+annihilation, only a half measure.
+
+Heat, steam, the smell of blood, dirt and dust and the shouting and
+yelling merged in a wild, diabolical turmoil. The dying hardly even
+felt the onset of their death, they died so quickly. They suffocated
+in droves in their showy iron armour, those threshing flails. What
+further comment need be made? Each of them would gladly have
+given a damn, had they still been able to. Fine noblemen drowned
+in their hundreds; no, they were drownded in the nearby Lake of
+Sempach; they were drownded because they were pushed into the
+water like cats and dogs. They overbalanced and fell over one
+another in their elegant pointed shoes--it was a real shame. The
+most splendid armour plating could only vouchsafe to its wearer
+oblivion and the realisation of this frightening presentiment was not
+contradicted. What did it matter now that at home, in the Aargau
+or in Swabia, knights owned land and people, had a beautiful
+wife, servants, maidservants, fruit trees, fields and woods and
+collected taxes and enjoyed the finest privileges? That only made
+dying in these pools of water between the pressing down knee of
+a crazy herdsman and a piece of earth more bitter and more wretched.
+The warhorses in their uncontrolled flight naturally stamped on their
+own masters. Many knights, in the abruptness of their desire to
+dismount, got caught up in the stirrups with their silly but fashionable
+footwear and were left hanging from them so that they bumped
+themselves over the grass bleeding from the backs of their heads.
+Their shocked eyes in the meantime, before they closed for good,
+saw the sky burn above them like an angry flame. Herdsmen also
+died, of course, but for every one bare-breasted and bare-armed
+combatant who died there were always ten armour-plated and
+wrapped up ones. The battle of Sempach teaches us, in fact, how
+dreadfully stupid it is to wrap up well. If only those puppets had
+been able to move, yes, they would have done. Some did manage
+to do so, so that they were finally able to free themselves from that
+totally unbearable thing they were carrying on their body. "I am
+fighting with slaves. How disgusting!" cried a handsome youth with
+yellowish hair falling down to his shoulders and sank to the ground,
+hit full in his fair face by a vicious blow, where he, fatally wounded,
+bit the grass with his half-smashed teeth. A few herdsmen, whose
+deadly weapons had gone missing from their hands, pulled
+down like wrestlers in a wrestling ring their opponents from below by
+the scruff of the neck and head or threw themselves, avoiding counter
+blows, at the throat of a knight and throttled him, strangling him to
+death.
+
+* * *
+
+Meanwhile it had started to go dark. The dying light still glowed in
+trees and bushes while the sun went down among the dusky foothills
+of the Alps like a dead, sad and handsome man. The grim battle was
+over. The snow-white, pallid Alps let their fine, cold brows hang down
+and in the background was the world. Burial details gathered up the
+dead, went around quietly doing this, lifted up the fallen who were
+lying on the ground and took them to the mass grave that other men
+had dug. Standards and armour were piled up together till they formed
+an imposing heap. Money and treasure together. Everything was set
+down in a certain place. Most of these strong and simple men had
+grown silent and well-behaved. They were observing the captured
+valuables not without a melancholic contempt, walking up and down
+the meadows, looking at the faces of the slain and washing off the
+blood when it pleased them to see what the sullied facial features
+looked like. Two youths were found at the foot of some shrubs with
+young, bright faces, lips still smiling even in death and with their arms
+around each other as they lay on the ground. One of them had suffered
+a blow to the chest while the other had had his body ripped open.
+There was work for them to do till late at night. After that torches
+were used to find corpses. They came across the body of Arnold
+von Winkelried and beheld him with reverence. When the men buried
+him, they sang with deep voices one of their simple songs. There was
+no more pomp under the circumstances. There were no priests there.
+What would one have done with priests? Praying and thanking God
+for the hard-fought victory had to happen quietly without church
+candles. Then they went home. And after a few days they were
+scattered back again in their high valleys. They were working,
+serving, saving, looking after businesses, doing what needed to be
+done and still spoke occasionally of the battle they had lived
+through, though not much. They were not hailed as heroes (well,
+perhaps a little in Luzern on their triumphal entry to that town). No
+matter. The days glided over it, for the days, with their multiplicity
+of cares, were harsh and raw even then, in 1386. A great deed
+does not strike from the calendar the arduous sequence of days.
+Life does not stand still for long on the day of a battle. History
+just pauses a short while until it too, forced on by life's imperious
+demands, has to hasten forward.
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Battle of Sempach, by Robert Walser
+
+*** END OF THE PROJECT GUTENBERG EBOOK 41518 ***
diff --git a/41518.txt b/41518.txt
deleted file mode 100644
index 9753907..0000000
--- a/41518.txt
+++ /dev/null
@@ -1,658 +0,0 @@
-The Project Gutenberg EBook of The Battle of Sempach, by Robert Walser
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: The Battle of Sempach
-
-Author: Robert Walser
-
-Translator: Michael Wooff
-
-Release Date: November 30, 2012 [EBook #41518]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE BATTLE OF SEMPACH ***
-
-
-
-
-Produced by Michael Wooff
-
-
-
-
-The Battle of Sempach
-
-A Story
-By
-Robert Walser (1878-1956)
-
-Berlin.
-The Future Press.
-1908.
-
-One day, in the middle of high summer, a military expedition was
-advancing slowly down the dusty country road that led towards a
-district of Luzern. The bright, actually more than bright, sun
-dazzled down over swaying armour serving to cover human bodies,
-over prancing horses, over helmets and parts of faces, over equine
-heads and tails, over ornaments and plumes and stirrups as big as
-snowshoes. To the right and to the left of the shining military
-expedition spread out meadows with thousands of fruit trees in them
-up as far as hills that, looming up out of the blue-smelling, half-hazy
-distance, beckoned and had the same effect as light and carefully
-painted window dressing. It was before noon and the heat was already
-oppressive. It was a meadowy heat, a heat contained in grass, hay
-and dust, for thick clouds of dust were being thrown up that sometimes
-descended like a veil over parts and sections of the army. Sluggishly,
-ploddingly, carelessly the long cavalcade moved forward. Sometimes
-it looked like a shimmering and elongated snake, sometimes like a
-lizard of enormous girth, sometimes like a large piece of cloth,
-richly embroidered with figures and colourful shapes and ceremoniously
-trailed as with ladies, elderly and domineering ones as far as I'm
-concerned, accustomed to dragging trains behind them. In all this
-military might's method and way of doing things, in the stamping of
-feet and the clinking of weapons, in this rough and ready clatter
-lurked an "as far as I'm concerned" that was uniform, something
-impudent, full of confidence, something upsetting, slowly pushing to
-one side. All these knights were conversing, as far as their iron-clad
-mouths would allow them, in joyful verbal banter with each other.
-Peals of laughter rang out and this sound was admirably suited to
-the bright tones emitted by weapons and chains and golden belts. The
-morning sun still appeared to caress a good deal of brass and finer
-metal. The sounds of tin whistles flew sunward. Now and again one
-of the many footmen walking as if on stilts would tender to his
-mounted lord a delicate titbit, stuck on a silver fork, right up to his
-swaying saddle. Wine was drunk on the move, poultry consumed
-and nothing edible spat out, with an easy-going, carefree amiability,
-for this was no earnest war involving chivalry they were riding to, but
-more of a punitive expedition, a statutory rape, bloody, scornful,
-histrionic things. Everybody there thought so and everybody saw
-already the heap of cut-off heads that would redden the meadow.
-Among the leaders of the expedition was many a wonderful noble
-young man splendidly attired, sitting on horseback like a male angel
-flown down from a blue uncertain heaven. Many a one had taken
-off his helmet to make things more comfortable for himself and given
-it to an attendant to carry. By doing so he displayed to the air a
-peculiarly finely drawn face that was a mixture of innocence and
-exuberance. They were telling the latest jokes and discussing the
-most up-to-date stories of courtly women. The serious ones in their
-company they tolerated as best they could; it seemed today as if
-a pensive expression was deemed to be improper and unchivalrous.
-The hair of the young knights who had taken their helmets off, shone
-and smelt of oil and unguents and sweet-smelling water that they had
-poured on it as if it had been a matter of riding to visit a coquette to
-sing her charming love songs. Their hands, from which the iron
-gauntlets had been taken off, did not look like those of warriors,
-but manicured and pampered, slender and white like the hands of
-young girls.
-
-Only one person in the wild procession was serious. Already his
-outward appearance, armour that was deep black broken up with
-tender gold, indicated how the person it covered thought. He was the
-noble Duke Leopold of Austria. This man did not speak a word and
-seemed completely lost in anxious thoughts. His face looked like that
-of a person who is being pestered by a fly that is impudently flying
-round his eye. This fly may well have been a presentiment that
-something bad was going to happen for a smile that was permanently
-both contemptuous and sad played over his mouth. He kept his head
-lowered. The whole world, however cheerful it looked, seemed to him
-to roll and thunder angrily. Or was it just the thunder of the
-trampling hooves of horses as the army was now passing over a wooden
-bridge that spanned the river Reuss? Nevertheless something
-foreshadowing misfortune hovered horribly around the duke's bodily
-form.
-
-* * *
-
-The army stopped near the little town of Sempach. It was now about
-two o'clock in the afternoon. It may have been three o'clock. It was
-a matter of indifference to the knights what the time might be. As far
-as they were concerned it could have been eight o'clock at night--they
-would have found that quite in order. They were already terribly bored
-and found even the slightest trace of military discipline laughable. It
-was a dull moment. It was like a parade ground manoeuvre how they
-jumped from their saddles to take up a position. No-one wanted to
-laugh any more. They had already laughed so much. Yawning and
-exhaustion had set in. Even the horses seemed to understand that
-all one could do now was yawn. The servants on foot tucked into
-the remnants of the food and wine, quaffed and scoffed what there
-was still left to scoff and quaff. How ridiculous this whole
-expedition appeared to all concerned! This shabby little town that
-was still holding out: how stupid it all was!
-
-The call of a horn rang out suddenly through the frightful heat and
-boredom. It left one or two more attentive ears particularly inquisitive
-as to what it might be. Listen: there it is again. It really did
-sound out again and it could generally have been believed that it
-was now ringing out from not so far away. "All good things come
-in threes," lisped a facetious fop. "Sound one more time, horn!"
-And time marched on. People had become somewhat pensive--and
-now, in addition, frightened, as if the thing had grown wings and was
-riding on fiery monsters in that direction, consumed by flames and
-shouting, setting up a long cry: We're coming! It was in truth as
-if a subterranean world had suddenly received a breath of fresh air,
-breaking in through the hard earth above. The sound was like the
-opening up of a dark precipice and it seemed as if the sun were
-shining down now out of a darkened sky even more glowingly, even
-more harshly, but a light coming down out of hell and not out of
-heaven. People laughed again--there are moments when man thinks
-he ought to smile when really what he feels is the icy grip of terror.
-The mood of a military expedition made up of many men is, at the
-end of the day, not very different from the mood of a single and
-solitary individual. The whole of the landscape in its stifling white
-heat now seemed to be still making a hooting noise. It had turned
-into the sounds of horns and now there entered without any more
-ado into the range of horns being blown, as if from an opening, the
-crowd of men from whom the sound had gone out. Now the landscape
-was featureless. The sky and the earth in summer came together as
-something solid. The season disappeared. A geographical location,
-a tilting yard, a bellicose play area had become a battlefield.
-Nature plays no part in a battle. Everything depends on luck, the
-calibre of the weaponry, one crowd of people and another crowd
-of people.
-
-The rushing forward, to all appearances heated, crowd drew nearer.
-And the crowd of knights stood firm seeming for once to have knit
-together. Lads of iron held their lances out in front of them so that
-you could have driven a coach and four over the resulting bridge so
-densely packed were the knights and so unsurprisingly lance after
-lance stuck out, immobile, unmovable, just the thing one might have
-thought for one of the pushing, pressing, human chests opposite to be
-spitted by. Here a stupid wall of sharp points, there men in shirts, only
-half dressed. Here the art of war practised in the most narrow-minded
-of ways, there men in the grip of inarticulate anger. One after another
-they ran forward boldly just to put an end to this despicable lack of
-enthusiasm and threw themselves onto the tip of a lance, crazy, mad,
-driven by rage and fury. They ended up, of course, falling over one
-another on the ground without having been able even to inflict a wound
-with their hand-held weapons on the plumed and helmeted louts
-of iron opposite. They fell face down into the dusty horse dung left
-behind on the ground by noble mounts. And so it befell nearly all
-these men in a state of undress while the lances, already reddened
-by their blood, seemed to smile at them disdainfully.
-
-* * *
-
-No. That was nothing. One saw oneself compelled to make use of
-a trick in order to be on the side of humanity. Confronted by art,
-either art or some lofty thought was called for and that lofty thought,
-in the shape of a man of lofty face, immediately stepped forward as if
-pushed there by a supernatural power and addressed his countrymen:
-"Look after my wife and my children. I'll make a path through for you."
-And he threw himself forthwith so as not to let cool his desire for
-self-sacrifice onto four or five lances and pulled down several more,
-as many as he could force to his chest in the act of dying. It was as
-if he could not embrace these iron points enough and drag them into
-himself to be able to die with unlimited resources and to lie on the
-ground and turn into a bridge for men who then trampled over his
-body, on the lofty thought that wanted to be trampled on. Nothing
-will ever again compare with such a thrashing and the way in which
-those lightly-clad valley and mountain folk smashed that clumsy,
-despicable wall and tore it and beat it to bits like tigers ripping to
-pieces a defenceless herd of cows. The knights had become almost
-totally defenceless since, being hemmed in, they could hardly move
-to the side. Mounted knights were popped from their horses like
-paper bags filled with air pop when you clap your hands on them.
-The herdsmen's weapons now proved frightful and their light summer
-clothing just right. Armour to the knights was that much more
-burdensome. Heads were stroked by side-swipes, only stroked
-apparently, and turned out to have been severed. More and more
-knights were being struck down, horses overturned and the power
-and rage of the onslaught kept increasing. The duke was killed
-outright. It would have been a miracle had he not been killed.
-Those who were raining down blows shouted as they did so,
-as if it were appropriate, as if just killing were too slight an
-annihilation, only a half measure.
-
-Heat, steam, the smell of blood, dirt and dust and the shouting and
-yelling merged in a wild, diabolical turmoil. The dying hardly even
-felt the onset of their death, they died so quickly. They suffocated
-in droves in their showy iron armour, those threshing flails. What
-further comment need be made? Each of them would gladly have
-given a damn, had they still been able to. Fine noblemen drowned
-in their hundreds; no, they were drownded in the nearby Lake of
-Sempach; they were drownded because they were pushed into the
-water like cats and dogs. They overbalanced and fell over one
-another in their elegant pointed shoes--it was a real shame. The
-most splendid armour plating could only vouchsafe to its wearer
-oblivion and the realisation of this frightening presentiment was not
-contradicted. What did it matter now that at home, in the Aargau
-or in Swabia, knights owned land and people, had a beautiful
-wife, servants, maidservants, fruit trees, fields and woods and
-collected taxes and enjoyed the finest privileges? That only made
-dying in these pools of water between the pressing down knee of
-a crazy herdsman and a piece of earth more bitter and more wretched.
-The warhorses in their uncontrolled flight naturally stamped on their
-own masters. Many knights, in the abruptness of their desire to
-dismount, got caught up in the stirrups with their silly but fashionable
-footwear and were left hanging from them so that they bumped
-themselves over the grass bleeding from the backs of their heads.
-Their shocked eyes in the meantime, before they closed for good,
-saw the sky burn above them like an angry flame. Herdsmen also
-died, of course, but for every one bare-breasted and bare-armed
-combatant who died there were always ten armour-plated and
-wrapped up ones. The battle of Sempach teaches us, in fact, how
-dreadfully stupid it is to wrap up well. If only those puppets had
-been able to move, yes, they would have done. Some did manage
-to do so, so that they were finally able to free themselves from that
-totally unbearable thing they were carrying on their body. "I am
-fighting with slaves. How disgusting!" cried a handsome youth with
-yellowish hair falling down to his shoulders and sank to the ground,
-hit full in his fair face by a vicious blow, where he, fatally wounded,
-bit the grass with his half-smashed teeth. A few herdsmen, whose
-deadly weapons had gone missing from their hands, pulled
-down like wrestlers in a wrestling ring their opponents from below by
-the scruff of the neck and head or threw themselves, avoiding counter
-blows, at the throat of a knight and throttled him, strangling him to
-death.
-
-* * *
-
-Meanwhile it had started to go dark. The dying light still glowed in
-trees and bushes while the sun went down among the dusky foothills
-of the Alps like a dead, sad and handsome man. The grim battle was
-over. The snow-white, pallid Alps let their fine, cold brows hang down
-and in the background was the world. Burial details gathered up the
-dead, went around quietly doing this, lifted up the fallen who were
-lying on the ground and took them to the mass grave that other men
-had dug. Standards and armour were piled up together till they formed
-an imposing heap. Money and treasure together. Everything was set
-down in a certain place. Most of these strong and simple men had
-grown silent and well-behaved. They were observing the captured
-valuables not without a melancholic contempt, walking up and down
-the meadows, looking at the faces of the slain and washing off the
-blood when it pleased them to see what the sullied facial features
-looked like. Two youths were found at the foot of some shrubs with
-young, bright faces, lips still smiling even in death and with their arms
-around each other as they lay on the ground. One of them had suffered
-a blow to the chest while the other had had his body ripped open.
-There was work for them to do till late at night. After that torches
-were used to find corpses. They came across the body of Arnold
-von Winkelried and beheld him with reverence. When the men buried
-him, they sang with deep voices one of their simple songs. There was
-no more pomp under the circumstances. There were no priests there.
-What would one have done with priests? Praying and thanking God
-for the hard-fought victory had to happen quietly without church
-candles. Then they went home. And after a few days they were
-scattered back again in their high valleys. They were working,
-serving, saving, looking after businesses, doing what needed to be
-done and still spoke occasionally of the battle they had lived
-through, though not much. They were not hailed as heroes (well,
-perhaps a little in Luzern on their triumphal entry to that town). No
-matter. The days glided over it, for the days, with their multiplicity
-of cares, were harsh and raw even then, in 1386. A great deed
-does not strike from the calendar the arduous sequence of days.
-Life does not stand still for long on the day of a battle. History
-just pauses a short while until it too, forced on by life's imperious
-demands, has to hasten forward.
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of The Battle of Sempach, by Robert Walser
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE BATTLE OF SEMPACH ***
-
-***** This file should be named 41518.txt or 41518.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/1/5/1/41518/
-
-Produced by Michael Wooff
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/41518.zip b/41518.zip
deleted file mode 100644
index 299738f..0000000
--- a/41518.zip
+++ /dev/null
Binary files differ