summaryrefslogtreecommitdiff
path: root/41447-h
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-03-08 13:19:21 -0800
committernfenwick <nfenwick@pglaf.org>2025-03-08 13:19:21 -0800
commitb4abb8c344ff8e3a2780e99cd8a28934433f5a28 (patch)
tree0aca55ae064857356895102f73745790ff9b7a8d /41447-h
parentcf29c6441bf649c2f6d899950128afe53260f623 (diff)
Add files from ibiblio as of 2025-03-08 13:19:21HEADmain
Diffstat (limited to '41447-h')
-rw-r--r--41447-h/41447-h.htm496
1 files changed, 38 insertions, 458 deletions
diff --git a/41447-h/41447-h.htm b/41447-h/41447-h.htm
index 7d40757..d644d53 100644
--- a/41447-h/41447-h.htm
+++ b/41447-h/41447-h.htm
@@ -4,7 +4,7 @@
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
- <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
<meta http-equiv="Content-Style-Type" content="text/css" />
<title>
The Project Gutenberg eBook of Curly, by Roger Pocock.
@@ -176,46 +176,7 @@ table {
</style>
</head>
<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Curly, by Roger Pocock
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Curly
- A Tale of the Arizona Desert
-
-Author: Roger Pocock
-
-Release Date: November 23, 2012 [EBook #41447]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CURLY ***
-
-
-
-
-Produced by D Alexander, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-
-
-
-
-</pre>
-
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 41447 ***</div>
<div class="figleft">
<img src="images/cover.jpg" alt=""/>
@@ -688,7 +649,7 @@ water-lilies, shaded by palm trees, and surrounded by an arcade
which is covered by creeping plants, ablaze with flowers. The
private rooms open upon this cloister, big, cool, and dark, forming
a little palace within the fortress walls. Such is the old Hacienda
-Santa Cruz which Lord Balshannon had bought from El Señor Don Luis
+Santa Cruz which Lord Balshannon had bought from El Señor Don Luis
Barrios.</p></blockquote>
<p>From the beginning I saw no sign and smelt no whiff of danger either of
@@ -1016,7 +977,7 @@ five horses, so I wanted much to get my eye down for a little sleep.
While the <i>peon</i> pulled off my boots I gave orders mixed with yawns to
my segundo.</p>
-<p>"Take charge, Teniente, and report my obedience to El Señor Don Rex.
+<p>"Take charge, Teniente, and report my obedience to El Señor Don Rex.
Post a guard of four in the gate-house, close the gates, and place a
relief of sentries on the North-west Bastion. If the sentry sees anybody
coming, the guard is to call me at once. See that my riders get sleep
@@ -1213,7 +1174,7 @@ arms.</p>
go."</p>
<p>Balshannon lifted his hat and made a little bow, much polite. "My
-house," he answered in Spanish, "is yours, señor!"</p>
+house," he answered in Spanish, "is yours, señor!"</p>
@@ -1680,7 +1641,7 @@ your lonesome, with all that money you got for your rotten ponies."</p>
of his saddle and cowboy harness bright as stars, his teeth aflash, his
eyes a-shining, as he stooped down to give me cheek at parting, and lit
out with his tail up for home. His riders saluted me as their old chief
-in passing, calling, "Buenas dias señor, adios!" Yes, they were good
+in passing, calling, "Buenas dias señor, adios!" Yes, they were good
boys, with all their dark skin and their habit of missing the wash-time;
light-built riders, with big, soft eyes always watchful, grave manners,
gentle voices, gay laughter, and their beautiful Spanish talk like low
@@ -1698,7 +1659,7 @@ to me, and that range was my pasture where I had grazed for twelve good
years. I could just judge, too, how Jim was wanting for home swift,
while the segundo, good old Juan Terrazas, would pray the young lord to
spare the little horses. "'Tis sixty leagues, and these our horses are
-but children, señor."</p>
+but children, señor."</p>
<p>"Confound the horses!" says Jim, "let's burn the trail for home. Roll
your trail, Pedro! <i>Vamenos!</i>"</p>
@@ -1737,7 +1698,7 @@ more range of sight than a boiled owl."</p>
level. "That man has lost his horse," says Jim; "thirsty, I guess, and
signalling for help. Go back, Terrazas, and tell the men to wait."</p>
-<p>"Si, señor," and Terrazas rolled back to the trail.</p>
+<p>"Si, señor," and Terrazas rolled back to the trail.</p>
<p>As Jim got nearer he saw that the man on the hill had signalled nothing,
but his coat tails were a-flutter in the wind. Now he came all flapping
@@ -1971,12 +1932,12 @@ the best horse for his message.</p>
<p>"Onate!" he called.</p>
-<p>"Si señor."</p>
+<p>"Si señor."</p>
<p>"Take this letter, Onate, to Mr. Chalkeye Davies in Lordsburgh. Then
you'll follow me home."</p>
-<p>Onate uncovered, took the letter, and bowed his thanks. "Gracias señor,
+<p>Onate uncovered, took the letter, and bowed his thanks. "Gracias señor,
adios!" and curved off swift for Lordsburgh.</p>
<p>Then Jim saw the preacher's eyes boring him through.</p>
@@ -2026,7 +1987,7 @@ dining-hall.</p>
<p>So he followed the padre across the bare, whitewashed dining-hall, and
on along the cloister of the palm tree court. He heard the death-cry
keening out of the shadows, the bell tolled, and he went on through the
-dark rooms, until he came to the señora, with women kneeling about the
+dark rooms, until he came to the señora, with women kneeling about the
bed, and candles lighted at her head and feet.</p>
<hr style="width: 45%;" />
@@ -3399,7 +3360,7 @@ Perhaps the gentlemen will stand aside&mdash;I have explained."</p>
railroad accident, "how do you account for that saddle, Jim du Chesnay's
silver-mounted saddle?"</p>
-<p>"Si Señor, the saddle of my young lord el Señor Don Sant Iago, of Holy
+<p>"Si Señor, the saddle of my young lord el Señor Don Sant Iago, of Holy
Cross. The caballero ordered me to bring these, that he might play bear
before the house of a beautiful lady in Grave City."</p>
@@ -3477,7 +3438,7 @@ for the youngsters had to go moderate and save their horses.</p>
<p>"Down on yo' hawss," says Curly, "you ride too proud," and a spatter of
blue lead made Jim lie humble. The fool gallopers were right handy for
-war, when sudden the winding valley poured out its fan of débris upon
+war, when sudden the winding valley poured out its fan of débris upon
the lower plain towards Mexico. Here just below the mouth of the arroyo
a railroad track swung right across the trail on a high embankment. On
the nigh side of the embankment ran a waggon trail, climbing a hill on
@@ -3770,14 +3731,14 @@ pulled up at the front door.</p>
<p>"<i>Buenas noches hombre!</i>"</p>
-<p>And somebody answered: "<i>Buenas tardes señor!</i>"</p>
+<p>And somebody answered: "<i>Buenas tardes señor!</i>"</p>
<p>Then talk began in Spanish. "Can a feed of corn be bought here for the
horse? He arrives from Grave City."</p>
<p>"What news of the gringoes?"</p>
-<p>"<i>Muchos.</i> El Señor Don Rex has been shot."</p>
+<p>"<i>Muchos.</i> El Señor Don Rex has been shot."</p>
<p>"Don Rex has been murdered?"</p>
@@ -3786,16 +3747,16 @@ Santiago&mdash;&mdash;"</p>
<p>"What, El Chico?"</p>
-<p>"Yes, El Chico 'Jim,' had a feud against the very rich Señor Ryan. He
+<p>"Yes, El Chico 'Jim,' had a feud against the very rich Señor Ryan. He
hired ladrones from the north, the Robbers' Roost Gang it is called, to
-murder Señor Ryan. It seems the ladrones wore masks, and they were led
+murder Señor Ryan. It seems the ladrones wore masks, and they were led
by a young robber named Curly, for whom great rewards are offered&mdash;two
thousand pesos d'oro, dead or alive."</p>
<p>"What a reward!"</p>
-<p>"Yes, El Chico and this Curly led the robbers, and they attacked Señor
-Ryan in the 'Sepulchre' saloon. El Chico killed Señor Ryan himself, and
+<p>"Yes, El Chico and this Curly led the robbers, and they attacked Señor
+Ryan in the 'Sepulchre' saloon. El Chico killed Señor Ryan himself, and
wounded Miguel his son. There are many witnesses, and a warrant is out
against Don Santiago for that murder. I saw the warrant."</p>
@@ -3854,7 +3815,7 @@ arrested them, that's all. Two thousand pesos!"</p>
through the pistol arm. Then they surrendered, made their bow to force.
Two thousand golden dollars!"</p>
-<p>"Miraculous! Well, señor corporal, may it be permitted to ask where
+<p>"Miraculous! Well, señor corporal, may it be permitted to ask where
forage is sold?"</p>
<p>"Certainly, step this way. I, Pablo Juarez, rich! Two thousand! Santa
@@ -4593,7 +4554,7 @@ strum of a guitar, while hands clapped out the time&mdash;</p>
<div class="poem"><div class="stanza">
<span class="i0">"I could not be so well content,<br /></span>
<span class="i2">So sure of thee,<br /></span>
-<span class="i4">Señorita,<br /></span>
+<span class="i4">Señorita,<br /></span>
<span class="i4">Lolita;<br /></span>
<span class="i0">But well I know thou must relent<br /></span>
<span class="i2">And come to me,<br /></span>
@@ -4608,7 +4569,7 @@ hands, the guitar, and the swinging chorus&mdash;</p>
<div class="poem"><div class="stanza">
<span class="i0">"The caballeros throng to see<br /></span>
<span class="i2">Thy laughing face,<br /></span>
-<span class="i4">Señorita,<br /></span>
+<span class="i4">Señorita,<br /></span>
<span class="i4">Lolita;<br /></span>
<span class="i0">But well I know thy heart's for me,<br /></span>
<span class="i2">Thy charm, thy grace,<br /></span>
@@ -4616,7 +4577,7 @@ hands, the guitar, and the swinging chorus&mdash;</p>
</div><div class="stanza">
<span class="i0">"I ride the range for thy dear sake,<br /></span>
<span class="i2">To earn thee gold,<br /></span>
-<span class="i4">Señorita,<br /></span>
+<span class="i4">Señorita,<br /></span>
<span class="i4">Lolita;<br /></span>
<span class="i0">And steal the gringo's cows to make<br /></span>
<span class="i2">A ranche to hold<br /></span>
@@ -4739,7 +4700,7 @@ one called&mdash;</p>
stall!"</p>
<p>"I'll hire yo' ruddy scalp," says I, "instead of lamps. Wall, boys,
-these town toughs has shot out El Señor Don, and they're proposing to
+these town toughs has shot out El Señor Don, and they're proposing to
play their pure fountain of law on two more of our tribe, the same being
young Jim his son, and little Curly McCalmont."</p>
@@ -4871,7 +4832,7 @@ brain, and the cold had eased her wound like some big medicine.</p>
leather Mexican clothes were shrunk tight with rain, the staining ran in
streaks on his face, his teeth played tunes with the cold.</p>
-<p>"El Señor Don Santiago," says Curly, "yo' face has all gawn pinto, and
+<p>"El Señor Don Santiago," says Curly, "yo' face has all gawn pinto, and
it don't look Mexican that a-way in stripes. Maybe yo're changing into
a sort of half-breed."</p>
@@ -5234,7 +5195,7 @@ on Jim's feet. "Now jest you prance!"</p>
<p>Jim laughed at him.</p>
-<p>"<i>Mañana</i>," he said. Then in English, "You bark a lot, my friend. Whose
+<p>"<i>Mañana</i>," he said. Then in English, "You bark a lot, my friend. Whose
dog are you?"</p>
<p>Then he heard McCalmont's slow, soft drawl. "I sure enjoy to see the
@@ -6305,7 +6266,7 @@ was not much noise.</p>
passed the mine, and inviting him to join their surprise-party down at
the foot of the shaft. The citizens all accepted, and when some candles,
a deck of cards, and a few bottles of nose paint were sent to assist,
-the levée underground began to get quite a success.</p>
+the levée underground began to get quite a success.</p>
<p>Mixed in with these proceedings, and other hold-ups various and swift,
was the Chinese cook with a robber holding his tail while he fixed
@@ -6426,7 +6387,7 @@ feeding them each a bunch of dry herbs, the same being <i>loco</i> weed, and
a heaps powerful medicine. Now we turn to the railroad station, where
the main game was being played.</p>
-<p>At one a. m. the night operator in the depôt remembered all of a sudden
+<p>At one a. m. the night operator in the depôt remembered all of a sudden
that the lady clerk, Miss Brumble, at Contention, had wired him to send
on a parcel of stockings by Number 4. The night freight train was
pulling out at the time, so he ran across the platform and pitched the
@@ -7690,7 +7651,7 @@ military escort. There you will charter a waggon, and have the
treasure delivered at the point where the Tuba trail from Flagstaff
crosses the Little Colorado River, right in the middle of the
Painted Desert. The waggon must then be abandoned, and the escort
-to withdraw to Cañon Diablo, leaving no spies behind. The chief of
+to withdraw to Cañon Diablo, leaving no spies behind. The chief of
the robbers tells me that the man he sends with a team to get this
waggon will be a perfectly innocent farmer, and that any parties
attempting to molest, join, or follow him will be killed so quick
@@ -7947,7 +7908,7 @@ and see her face in the fire where I camp.</p>
Perhaps, says you, I'd better wake up right now and tend to my story.</p>
<p>At midnight Curly rode into the town of Flagstaff. Afterwards, following
-the Grand Cañon trail at daybreak, she happened by accident on a
+the Grand Cañon trail at daybreak, she happened by accident on a
stage-coach broken down with a load of tourists. The driver chanced to
be a retired robber, gone tame with rheumatism, so she helped him to fix
his linch pin which had snapped. As to the tourists, they were plumb
@@ -8072,7 +8033,7 @@ it needs to be live fire. I have no brains or words to talk of what I've
seen, and I reckon I'm a lot incompetent. The men who wrote the Bible
ought to be turned loose on this earth again to make another book. Then
folks who have not seen might understand such places as the Painted
-Desert, the Rock City, and the Grand Cañon of the Colorado.</p>
+Desert, the Rock City, and the Grand Cañon of the Colorado.</p>
<p>What with delays in packing and driving I had to track Curly for maybe
thirty miles before I caught her up at Clay Flat by the edge of the
@@ -8105,7 +8066,7 @@ the sand.</p>
<p>Beyond the city we curved around by a gap in the desert, a sort of crack
half a mile deep, with a river along the bottom. It swung about like a
snake, getting deeper and deeper; but we kept to the level desert, until
-we reached a little side cañon, where there was feed and water. We
+we reached a little side cañon, where there was feed and water. We
resaddled there, taking Curly's buckskin and my pet horse Sam. The rest
of our bunch we turned down into that pasture, and left them, riding on
along the rim rock.</p>
@@ -8117,7 +8078,7 @@ wide; it's more than a sheer mile deep, and full of mountain ranges all
shaped like gigantic buildings. Dead weary as I was from riding more
than two hundred miles in forty-eight hours, I forgot about being tired
when I saw that place, the most tremendous thing in the whole earth, the
-Grand Cañon of the Colorado.</p>
+Grand Cañon of the Colorado.</p>
<p>There was no rest for us, but seven miles of such a break-neck trail as
I'd never imagined possible, for it overhung black death from start to
@@ -8170,7 +8131,7 @@ find out what's wrong at Clay Flat."</p>
<p>When this Pieface person had hit the trail, we took both boats across
the river and swam our horses. From the far bank our way turned sharp to
-the left into the side Cañon of Dirty Devil Creek. There we rode along
+the left into the side Cañon of Dirty Devil Creek. There we rode along
some miles in the water, so as to leave no trail; then, quitting the
bottom, turned sharp back up a ledge, threading the face of the cliffs.
The heat was blinding; it seemed as if we were being baked alive, and
@@ -8471,7 +8432,7 @@ compass?"</p>
<p>"I guess."</p>
<p>"I'm going to explain the trail to the nearest settlement; see here." So
-I began to scribble out a map showing the lie of the Cañons, the route
+I began to scribble out a map showing the lie of the Cañons, the route
to where we had left the boats, the signs to guide him beyond. "When
you see this big butte towering high on the right&mdash;&mdash;" I looked up, and
found he was not listening, for he pointed his ears to the messroom
@@ -8679,7 +8640,7 @@ walk, making me waddle all the same as a duck; which it humbles me to
think of, because that Curly person loaded a sack on my withers, and
herded me along like a pack mule until I felt no better than a spavined,
groaning wreck. We must have gone afoot more than two whole miles before
-we came out at last on the edge of the Grand Cañon.</p>
+we came out at last on the edge of the Grand Cañon.</p>
<p>At this place, right in under the rim rock, there was a hidden cavern&mdash;a
fine big place when you got down there, but a scary climb to reach.
@@ -8692,7 +8653,7 @@ me.</p>
<p>It was dark when we got to the cavern, but next morning I saw that it
was a sure fine hiding-place, the floor being covered with a whole
village of old stone houses. There are thousands of cliff villages like
-this in the cañon country, made by some breed of Indians long gone dead,
+this in the cañon country, made by some breed of Indians long gone dead,
but this one had special conveniences, because you could spit from the
outer wall into sheer eternity. Seeing how the robbers were warped in
their judgments of me, and the authorities likewise prejudiced, my
@@ -9165,387 +9126,6 @@ Record-Herald.</i></p>
<p>A novel of dramatic force, with a good plot.&mdash;<i>New York Times.</i></p>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Curly, by Roger Pocock
-
-*** END OF THIS PROJECT GUTENBERG EBOOK CURLY ***
-
-***** This file should be named 41447-h.htm or 41447-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/1/4/4/41447/
-
-Produced by D Alexander, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 41447 ***</div>
</body>
</html>