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diff --git a/41423-0.txt b/41423-0.txt index 85e211b..d6d90b7 100644 --- a/41423-0.txt +++ b/41423-0.txt @@ -1,39 +1,4 @@ -The Project Gutenberg EBook of The Cubies' ABC, by Mary Mills Lyall - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: The Cubies' ABC - -Author: Mary Mills Lyall - -Illustrator: Earl Harvey Lyall - -Release Date: November 21, 2012 [EBook #41423] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE CUBIES' ABC *** - - - - -Produced by Jana Srna, Ethan W. 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You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: The Cubies' ABC - -Author: Mary Mills Lyall - -Illustrator: Earl Harvey Lyall - -Release Date: November 21, 2012 [EBook #41423] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE CUBIES' ABC *** - - - - -Produced by Jana Srna, Ethan W. Kent, Matthew Wheaton and -the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/American -Libraries.) - - - - - - - - [Illustration: GRAMMAR - MUCH WAS BEING THAT MUCH WAS SEEMING SOMEHOW MORE] - - - - - THE - CUBIES' - ABC - - VERSED BY - MARY MILLS LYALL - - PICTURED BY - EARL HARVEY LYALL - - G. P. PUTNAM'S SONS - NEW YORK AND LONDON - - - 1913 - COPYRIGHT BY - G. P. Putnam's Sons - - - The Knickerbocker Press, New York - - - [Illustration: THE CUBIES' ABC - DEDICATED by THE CUBIES to - The ASSOCIATION of AMERICAN PAINTERS and SCULPTORS - <TO WHICH THEY OWE THEIR INCUBATION>] - - - - - THE CUBIES' - - - A is for Art in the Cubies' domain-- - (Not the Art of the Ancients, brand-new are the Cubies.) - Archipenko's their guide, Anatomics their bane; - They're the joy of the mad, the despair of the sane, - (With their emerald hair and their eyes red as rubies.) - --A is for Art in the Cubies' domain. - - -[Illustration: A] - - - B is for Beauty as Brancusi views it. - (The Cubies all vow he and Braque take the Bun.) - First you seize all that's plain to the eye, then you lose it; - Next you search for the Soul and proceed to abuse it. - (They tell me it's easy and no end of fun.) - --B is for Beauty as Brancusi views it. - - -[Illustration: B] - - - C is for Color Cubistic ad libitum-- - (Orange and blue, yellow, purple and green.) - "Throw them all on your boards," Cubies say, "then exhibit 'em!" - There'll be no colors left, if we don't soon prohibit 'em! - (Watch them at work and you'll see what I mean.) - --C is for Color Cubistic ad libitum. - - -[Illustration: C] - - - D is for Duchamp, the Deep-Dyed Deceiver, - Who, drawing accordeons, labels them stairs, - With a lady that must have been done in a fever,-- - His model won't see her, we trust, it would grieve her!-- - (Should the stairway collapse, Cubie's good at repairs.) - --D is for Duchamp, the Deep-Dyed Deceiver. - - -[Illustration: D] - - - E's for the Ego, intense and Exotic, - Enjoyed by a Cubie, and quaintly Expressed - In a lachrymose face with a gaze idiotic - When seen on the canvas.--It's really Quixotic - To offer one's soul to the Cubical test! - --E's for the Ego, intense and Exotic. - - -[Illustration: E] - - - F's for the Future for which Cubies hanker;-- - To Hals, Perugino and all that old crew - They give up the Past without envy or rancor, - While saying in tones than which naught could be franker: - "Come, move on,--it's our turn! They have finished with you." - --F's for the Future for which Cubies hanker. - - -[Illustration: F] - - - G is for Gertrude Stein's limpid lucidity, - (Eloquent scribe of the Futurist soul.) - Cubies devour each word with avidity: - "_Alone_ words lack sense," they affirm with placidity, - "But _how_ wise we'll be when we've swallowed the whole!" - --G is for Gertrude Stein's limpid lucidity. - - -[Illustration: G] - - - H is for Henri's young Red Top, the shaver - Whom Cubies regard with aversion and spite. - His life-like appearance has won their disfavor: - "He might walk right out of the picture!" they quaver,-- - "Why, only to think of it fills us with fright!" - --H is for Henri's young Red Top the shaver. - - -[Illustration: H] - - - I's for the Cubies' Immense Intuition,-- - "The only real need of an artist," they say: - "Without it we all would go straight to perdition!" - Between you and me, I've a sneaking suspicion - The Cubies themselves appear well on the way! - --I's for the Cubies' Immense Intuition. - - -[Illustration: I] - - - J's for the Jam in the Cubies' headquarters, - And the Jar that they gave us, the first time we met; - And that same Jar of Jam from across the blue waters - Is quite unexcelled among those the importers - Have wafted us over the ocean as yet. - --J's for the Jam in the Cubies' headquarters. - - -[Illustration: J] - - - K's for Kandinsky's Kute "improvisations"-- - The Kubies abound in delight for his art: - They say there's a Klue to his Kryptic Kreations. - By means of Picabia's deep ratiocinations - Some day we may really decipher his heart. - --K's for Kandinsky's Kute "improvisations." - - -[Illustration: K] - - - L is for Life that is "still," as they name it, - Or "nature" that's "dead," as you readily see. - When you think how it's treated, you really can't blame it. - You'd wish, in it's place, _you_ were dead. Just the same it - Is shocking how cruel the Cubies can be! - --L is for Life that is "still," as they name it. - - -[Illustration: L] - - - M's for Matisse's Mam'selle Marguerite, - (With whom all the Cubies are madly in love;) - Her manner is so prepossessing and sweet - That, if she but had them, we'd fall at her feet! - (In her eyes, what a mingling of serpent and dove!) - --M's for Matisse's Mam'selle Marguerite. - - -[Illustration: M] - - - N's for the Nudes that the Cubies portray,-- - We willingly vouch for their perfect propriety, - Even while some we regard with dismay,-- - For instance, the lady as long as Broadway: - With all due respect, we don't crave her society! - --N's for the Nudes that the Cubies portray. - - -[Illustration: N] - - - O's for Objective and Optical Art, - (The kind we've been used to, these long years gone by,) - Which the Cubie Objects to with all of his heart: - "Make the Object Subjective," he says, "at the start,-- - Just a matter of Grammar, as easy as pie!" - --O's for Objective and Optical Art. - - -[Illustration: O] - - - P's for Picasso, Picabia and Party - (Who deal in abstractions, distractions and such.) - When, with vision chaotic and expletives hearty, - You beg of a Cubie their sense to impart, he - Profoundly makes answer: "In little is much." - --P's for Picasso, Picabia and Party. - - -[Illustration: P] - - - Q's for the Queerness we Stand-patters feel - When Progressive young Cubies start Art reformation. - They're strong on Initiative, praise the Square Deal: - "Though the Cubic is best!" they aggressively squeal; - "Painting things as you see them is rank deformation!" - --Q's for the Queerness we Stand-patters feel. - - -[Illustration: Q] - - - R is for Reason and poor old Reality, - Once in the fashion, but now obsolete, - Banished forever with grim actuality. - Now the sole law is one's own personality-- - Find its Cube Root and you have it complete. - --R is for Reason and poor old Reality. - - -[Illustration: R] - - - S is for Schamberg's fair dame at her 'phone, - Conversing with G. Stein, the Futurist scribe. - The Cubies, eavesdropping, hear Gertrude bemoan: - "This one feeling many far seeming alone, - The bluer the bliss the redder the bribe!" - --S is for Schamberg's fair dame at her 'phone. - - -[Illustration: S] - - - T's for the Type of Tree Chabaud's erected. - The Cubies insist it's as useful as fair - For a game that they play when they're feeling dejected, - (A use which not every one would have detected,) - Lassoing the branches with rings of their hair. - --T's for the Type of Tree Chabaud's erected. - - -[Illustration: T] - - - U's for the Union so Utterly Useless - Uniting the members that make up the whole. - Against it the Cubies wage war that is truceless: - "Such rage for convention," they cry, "is excuseless! - Away with cohesion, and set free the Soul!" - --U's for the Union so Utterly Useless. - - -[Illustration: U] - - - V is for Villon's musicianly lady - (With charm evanescent and Visage remote.) - The picnics he gives in his orchards so shady - Account for his hit with the Cubes. I'm afraid he - Will spoil them completely for plain table d'hôte. - --V is for Villon's musicianly lady. - - -[Illustration: V] - - - W's for Woolworth, the building so stable, - (Erected with nickels and dimes by us all,) - Which Cubies paint writhing from cellar to gable, - Distinctly resembling the Tower of Babel, - Some decades ago, just preceding its fall. - --W's for Woolworth, the building so stable. - - -[Illustration: W] - - - X is the Xit, Xtremely alluring - When Cubies invite us to study their Art; - And the Xquisite pain we are sadly enduring - The while they protest, with an air reassuring: - "Of course this is merely a diffident _start_!" - --X is the Xit, Xtremely alluring. - - -[Illustration: X] - - - Y's for the Yawn overcoming each Cubie - At sight of a painting not done in his style: - "If a man doesn't use all the colors, from ruby - To sapphire and emerald and topaz--the booby!-- - To look at _his_ canvas is not worth one's while!" - --Y's for the Yawn overcoming each Cubie. - - -[Illustration: Y] - - - Z is for Zak's summer-time composition; - The Cubies regard his plump hills with delight. - They are somewhat fatigued after this exhibition - And tempted to slumber; so, with your permission, - We'll tuck them in snugly and bid them goodnight. - --Z is for Zak's summer-time composition. - - -[Illustration: Z] - -[Illustration: FINIS] - -[Illustration: A B C] - - - - - -End of the Project Gutenberg EBook of The Cubies' ABC, by Mary Mills Lyall - -*** END OF THIS PROJECT GUTENBERG EBOOK THE CUBIES' ABC *** - -***** This file should be named 41423-8.txt or 41423-8.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/4/2/41423/ - -Produced by Jana Srna, Ethan W. 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You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: The Cubies' ABC - -Author: Mary Mills Lyall - -Illustrator: Earl Harvey Lyall - -Release Date: November 21, 2012 [EBook #41423] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE CUBIES' ABC *** - - - - -Produced by Jana Srna, Ethan W. Kent, Matthew Wheaton and -the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/American -Libraries.) - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 41423 ***</div> <div class="figcenter handheld-break"> <img src="images/cover.jpg" width="600" height="478" alt="" /> @@ -719,383 +678,6 @@ to<br /> <img src="images/i062.jpg" width="600" height="485" alt="" /> </div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of The Cubies' ABC, by Mary Mills Lyall - -*** END OF THIS PROJECT GUTENBERG EBOOK THE CUBIES' ABC *** - -***** This file should be named 41423-h.htm or 41423-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/4/2/41423/ - -Produced by Jana Srna, Ethan W. 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You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: The Cubies' ABC - -Author: Mary Mills Lyall - -Illustrator: Earl Harvey Lyall - -Release Date: November 21, 2012 [EBook #41423] - -Language: English - -Character set encoding: ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK THE CUBIES' ABC *** - - - - -Produced by Jana Srna, Ethan W. Kent, Matthew Wheaton and -the Online Distributed Proofreading Team at -http://www.pgdp.net (This file was produced from images -generously made available by The Internet Archive/American -Libraries.) - - - - - - - - [Illustration: GRAMMAR - MUCH WAS BEING THAT MUCH WAS SEEMING SOMEHOW MORE] - - - - - THE - CUBIES' - ABC - - VERSED BY - MARY MILLS LYALL - - PICTURED BY - EARL HARVEY LYALL - - G. P. PUTNAM'S SONS - NEW YORK AND LONDON - - - 1913 - COPYRIGHT BY - G. P. Putnam's Sons - - - The Knickerbocker Press, New York - - - [Illustration: THE CUBIES' ABC - DEDICATED by THE CUBIES to - The ASSOCIATION of AMERICAN PAINTERS and SCULPTORS - <TO WHICH THEY OWE THEIR INCUBATION>] - - - - - THE CUBIES' - - - A is for Art in the Cubies' domain-- - (Not the Art of the Ancients, brand-new are the Cubies.) - Archipenko's their guide, Anatomics their bane; - They're the joy of the mad, the despair of the sane, - (With their emerald hair and their eyes red as rubies.) - --A is for Art in the Cubies' domain. - - -[Illustration: A] - - - B is for Beauty as Brancusi views it. - (The Cubies all vow he and Braque take the Bun.) - First you seize all that's plain to the eye, then you lose it; - Next you search for the Soul and proceed to abuse it. - (They tell me it's easy and no end of fun.) - --B is for Beauty as Brancusi views it. - - -[Illustration: B] - - - C is for Color Cubistic ad libitum-- - (Orange and blue, yellow, purple and green.) - "Throw them all on your boards," Cubies say, "then exhibit 'em!" - There'll be no colors left, if we don't soon prohibit 'em! - (Watch them at work and you'll see what I mean.) - --C is for Color Cubistic ad libitum. - - -[Illustration: C] - - - D is for Duchamp, the Deep-Dyed Deceiver, - Who, drawing accordeons, labels them stairs, - With a lady that must have been done in a fever,-- - His model won't see her, we trust, it would grieve her!-- - (Should the stairway collapse, Cubie's good at repairs.) - --D is for Duchamp, the Deep-Dyed Deceiver. - - -[Illustration: D] - - - E's for the Ego, intense and Exotic, - Enjoyed by a Cubie, and quaintly Expressed - In a lachrymose face with a gaze idiotic - When seen on the canvas.--It's really Quixotic - To offer one's soul to the Cubical test! - --E's for the Ego, intense and Exotic. - - -[Illustration: E] - - - F's for the Future for which Cubies hanker;-- - To Hals, Perugino and all that old crew - They give up the Past without envy or rancor, - While saying in tones than which naught could be franker: - "Come, move on,--it's our turn! They have finished with you." - --F's for the Future for which Cubies hanker. - - -[Illustration: F] - - - G is for Gertrude Stein's limpid lucidity, - (Eloquent scribe of the Futurist soul.) - Cubies devour each word with avidity: - "_Alone_ words lack sense," they affirm with placidity, - "But _how_ wise we'll be when we've swallowed the whole!" - --G is for Gertrude Stein's limpid lucidity. - - -[Illustration: G] - - - H is for Henri's young Red Top, the shaver - Whom Cubies regard with aversion and spite. - His life-like appearance has won their disfavor: - "He might walk right out of the picture!" they quaver,-- - "Why, only to think of it fills us with fright!" - --H is for Henri's young Red Top the shaver. - - -[Illustration: H] - - - I's for the Cubies' Immense Intuition,-- - "The only real need of an artist," they say: - "Without it we all would go straight to perdition!" - Between you and me, I've a sneaking suspicion - The Cubies themselves appear well on the way! - --I's for the Cubies' Immense Intuition. - - -[Illustration: I] - - - J's for the Jam in the Cubies' headquarters, - And the Jar that they gave us, the first time we met; - And that same Jar of Jam from across the blue waters - Is quite unexcelled among those the importers - Have wafted us over the ocean as yet. - --J's for the Jam in the Cubies' headquarters. - - -[Illustration: J] - - - K's for Kandinsky's Kute "improvisations"-- - The Kubies abound in delight for his art: - They say there's a Klue to his Kryptic Kreations. - By means of Picabia's deep ratiocinations - Some day we may really decipher his heart. - --K's for Kandinsky's Kute "improvisations." - - -[Illustration: K] - - - L is for Life that is "still," as they name it, - Or "nature" that's "dead," as you readily see. - When you think how it's treated, you really can't blame it. - You'd wish, in it's place, _you_ were dead. Just the same it - Is shocking how cruel the Cubies can be! - --L is for Life that is "still," as they name it. - - -[Illustration: L] - - - M's for Matisse's Mam'selle Marguerite, - (With whom all the Cubies are madly in love;) - Her manner is so prepossessing and sweet - That, if she but had them, we'd fall at her feet! - (In her eyes, what a mingling of serpent and dove!) - --M's for Matisse's Mam'selle Marguerite. - - -[Illustration: M] - - - N's for the Nudes that the Cubies portray,-- - We willingly vouch for their perfect propriety, - Even while some we regard with dismay,-- - For instance, the lady as long as Broadway: - With all due respect, we don't crave her society! - --N's for the Nudes that the Cubies portray. - - -[Illustration: N] - - - O's for Objective and Optical Art, - (The kind we've been used to, these long years gone by,) - Which the Cubie Objects to with all of his heart: - "Make the Object Subjective," he says, "at the start,-- - Just a matter of Grammar, as easy as pie!" - --O's for Objective and Optical Art. - - -[Illustration: O] - - - P's for Picasso, Picabia and Party - (Who deal in abstractions, distractions and such.) - When, with vision chaotic and expletives hearty, - You beg of a Cubie their sense to impart, he - Profoundly makes answer: "In little is much." - --P's for Picasso, Picabia and Party. - - -[Illustration: P] - - - Q's for the Queerness we Stand-patters feel - When Progressive young Cubies start Art reformation. - They're strong on Initiative, praise the Square Deal: - "Though the Cubic is best!" they aggressively squeal; - "Painting things as you see them is rank deformation!" - --Q's for the Queerness we Stand-patters feel. - - -[Illustration: Q] - - - R is for Reason and poor old Reality, - Once in the fashion, but now obsolete, - Banished forever with grim actuality. - Now the sole law is one's own personality-- - Find its Cube Root and you have it complete. - --R is for Reason and poor old Reality. - - -[Illustration: R] - - - S is for Schamberg's fair dame at her 'phone, - Conversing with G. Stein, the Futurist scribe. - The Cubies, eavesdropping, hear Gertrude bemoan: - "This one feeling many far seeming alone, - The bluer the bliss the redder the bribe!" - --S is for Schamberg's fair dame at her 'phone. - - -[Illustration: S] - - - T's for the Type of Tree Chabaud's erected. - The Cubies insist it's as useful as fair - For a game that they play when they're feeling dejected, - (A use which not every one would have detected,) - Lassoing the branches with rings of their hair. - --T's for the Type of Tree Chabaud's erected. - - -[Illustration: T] - - - U's for the Union so Utterly Useless - Uniting the members that make up the whole. - Against it the Cubies wage war that is truceless: - "Such rage for convention," they cry, "is excuseless! - Away with cohesion, and set free the Soul!" - --U's for the Union so Utterly Useless. - - -[Illustration: U] - - - V is for Villon's musicianly lady - (With charm evanescent and Visage remote.) - The picnics he gives in his orchards so shady - Account for his hit with the Cubes. I'm afraid he - Will spoil them completely for plain table d'hote. - --V is for Villon's musicianly lady. - - -[Illustration: V] - - - W's for Woolworth, the building so stable, - (Erected with nickels and dimes by us all,) - Which Cubies paint writhing from cellar to gable, - Distinctly resembling the Tower of Babel, - Some decades ago, just preceding its fall. - --W's for Woolworth, the building so stable. - - -[Illustration: W] - - - X is the Xit, Xtremely alluring - When Cubies invite us to study their Art; - And the Xquisite pain we are sadly enduring - The while they protest, with an air reassuring: - "Of course this is merely a diffident _start_!" - --X is the Xit, Xtremely alluring. - - -[Illustration: X] - - - Y's for the Yawn overcoming each Cubie - At sight of a painting not done in his style: - "If a man doesn't use all the colors, from ruby - To sapphire and emerald and topaz--the booby!-- - To look at _his_ canvas is not worth one's while!" - --Y's for the Yawn overcoming each Cubie. - - -[Illustration: Y] - - - Z is for Zak's summer-time composition; - The Cubies regard his plump hills with delight. - They are somewhat fatigued after this exhibition - And tempted to slumber; so, with your permission, - We'll tuck them in snugly and bid them goodnight. - --Z is for Zak's summer-time composition. - - -[Illustration: Z] - -[Illustration: FINIS] - -[Illustration: A B C] - - - - - -End of the Project Gutenberg EBook of The Cubies' ABC, by Mary Mills Lyall - -*** END OF THIS PROJECT GUTENBERG EBOOK THE CUBIES' ABC *** - -***** This file should be named 41423.txt or 41423.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/4/2/41423/ - -Produced by Jana Srna, Ethan W. 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