diff options
Diffstat (limited to '41419-h')
| -rw-r--r-- | 41419-h/41419-h.htm | 519 |
1 files changed, 48 insertions, 471 deletions
diff --git a/41419-h/41419-h.htm b/41419-h/41419-h.htm index 824d720..d170257 100644 --- a/41419-h/41419-h.htm +++ b/41419-h/41419-h.htm @@ -2,7 +2,7 @@ "http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en"> <head> -<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> +<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title>The Project Gutenberg eBook of Notes and Queries Vol. V., No. 132, Saturday, May 8, 1852.</title> <link rel="coverpage" href="images/cover.jpg" /> @@ -81,52 +81,7 @@ td.tdhang { text-align:left;margin-left:2em;padding-left:4em;text-indent:-2em;p </head> <body> - - -<pre> - -The Project Gutenberg EBook of Notes and Queries, Vol. V, Number 132, May -8, 1852, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Notes and Queries, Vol. V, Number 132, May 8, 1852 - A Medium of Inter-communication for Literary Men, Artists, - Antiquaries, Genealogists, etc. - -Author: Various - -Editor: George Bell - -Release Date: November 21, 2012 [EBook #41419] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, MAY 8, 1852 *** - - - - -Produced by Charlene Taylor, Jonathan Ingram and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Library of Early Journals.) - - - - - - -</pre> - - - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 41419 ***</div> <h1> @@ -255,7 +210,7 @@ M<span class="smcap lowercase">AY</span> 8. 1852.</p> Token—Meaning of Lode—Mother Damnable—Monuments of De la Beche Family—Coke and Cowper—Monumental Portraits—Motto - on Chimney-piece—"Ve dâl am + on Chimney-piece—"Ve dâl am daro"—White-livered—Enigmatical Epitaphs—Pelican in her Piety, &c. <a title="Go to page 447" href="#Page_447">447</a></p> @@ -465,7 +420,7 @@ placed against the tower-arch of the nave:</p> <div class="stanza"> <p>CEOLFRIDIABBEIVSQ</p> - <p>Q·ECCLESDOAVCTORE</p> + <p>Q·ECCLESDOAVCTORE</p> <p>CONDITORIS ANNO IIII</p> </div> @@ -747,7 +702,7 @@ simple emendation.</p> <p>Daily experience is manifesting how large a portion of the difficult passages are errors of the printer of the first folio, the two happy -corrections lately given in <cite>The Athenæum</cite>, for instance: who can doubt +corrections lately given in <cite>The Athenæum</cite>, for instance: who can doubt that in <cite>Coriolanus</cite>, Act III. Sc. 1., "Bosome-multi<em>p</em>lied" should be "Bissom-multitude:" or that, in <cite>All's Well that Ends Well</cite>, Act V. Sc. 3., "infuite comming" should be "infinite cunning?" A glance at the @@ -1144,14 +1099,14 @@ countries of Europe, of 8vo. or small 4to. size, published in England, <cite>France</cite>, or <cite>Germany</cite>, in print, or easily to be had second-hand, <em>more or less accurate</em>.</p> -<p>Koch's <cite>Révolutions de l'Europe</cite>, tome iii., Paris, 1814, gives seven +<p>Koch's <cite>Révolutions de l'Europe</cite>, tome iii., Paris, 1814, gives seven maps of the whole continent and its adjacent islands, at the following periods of Middle-Age history:</p> <div class="poem"> <p> (1.) Avant l'Invasion des Barbares;</p> - <p> (2.) Vers la Fin du V<span class="topnum">e</span> Siècle;</p> + <p> (2.) Vers la Fin du V<span class="topnum">e</span> Siècle;</p> <p> (3.) Sous l'Empire de Charlemagne;</p> <p> (4.) Vers la Fin du IX<span class="topnum">e</span> Siecle;</p> <p> (5.) Vers 1074;</p> @@ -1214,22 +1169,22 @@ assertion?</p> <p>—In one of Queen Elizabeth's Wardrobe books is the following entry of a trinket, devised at the period of the Duke of -Alençon's courting her Majesty:</p> +Alençon's courting her Majesty:</p> <p class="blockquot"> "Item, one little Flower of gold, with a <em>Frog</em> thereon; and therein mounseer his physnomie, and a little Pearl pendant."</p> <p class="blockquot"> "'Query,' says Miss Strickland (<cite>Queens</cite>, vol. vi. p. 471., 1st edit.), 'was this whimsical conceit a love-token, from the Duke - of Alençon to his royal <i lang="fr" xml:lang="fr">belle amie</i>, and the frog designed, not + of Alençon to his royal <i lang="fr" xml:lang="fr">belle amie</i>, and the frog designed, not as a ridiculous, but a sentimental allusion to his country?'"</p> <p>To which Query I would add another: When was the term of <em>Johnny Crapaud</em> first applied to the French people, and on what occasion? I am aware of the notion of its being on account of their said partiality for eating frogs; which, by the bye, having tasted, I can pronounce to be -very good: <i lang="fr" xml:lang="fr">mais chacun à son goût</i>. Is the frog introduced in the arms -of Anjou or Alençon?</p> +very good: <i lang="fr" xml:lang="fr">mais chacun à son goût</i>. Is the frog introduced in the arms +of Anjou or Alençon?</p> <p class="right"> P<span class="smcap lowercase">HILIP</span> S. K<span class="smcap lowercase">ING</span>.</p> @@ -1750,12 +1705,12 @@ Christchurch, Hants, 1585, and for Saltash 1601.</p> displeasing to the Welshmen, dedicated only to Abp. Parker; the other, with two dedications, viz. that to Abp. Parker, and a new one to Abp. Grindall. The offensive passage is at p. 132. "Sed - enim Kettiani rati," &c., to "Nam præter quam quod," &c., p. 133. + enim Kettiani rati," &c., to "Nam præter quam quod," &c., p. 133. 2. The same work in English, <cite>Norfolk Furies and their Foyle, under Kett and their accursed Captaine; with a Description of the famous Citye of Norwich</cite>, by Richard Woods, 4to., 1615, 1623. 3. - <cite>Academiæ Cantabrigiensis Lachrymæ, Tumulo Nobilissimi Equitis D. - Philippi Sidneij Sacratæ</cite>, 4 to., 1587. A biographical notice of + <cite>Academiæ Cantabrigiensis Lachrymæ, Tumulo Nobilissimi Equitis D. + Philippi Sidneij Sacratæ</cite>, 4 to., 1587. A biographical notice of Alexander Nevile is given in Chalmers' <cite>Biog. Dict.</cite>, which does not mention that he ever had a seat in parliament. He died in 1614, and was buried in Canterbury Cathedral.]</p> @@ -1960,7 +1915,7 @@ taken an acquittance!), surreptitiously, and with gipsey adroitness, regained possession of it, and conveying it from the audience chamber, immediately delivered it to an expectant messenger; who, mounted on the before-mentioned horse, awaited its return outside the hall; and who, -<i lang="fr" xml:lang="fr">ventre à terre</i>, pursued his eager flight across the border, nor once +<i lang="fr" xml:lang="fr">ventre à terre</i>, pursued his eager flight across the border, nor once drew rein until his precious burden was again deposited in the custody of Scottish tenure. Whether the deputation was dismissed, and escaped before the discovery of its chicanery, or whether the conspirators @@ -2015,7 +1970,7 @@ called by the Romans <i lang="la" xml:lang="la">Jovis glans</i>, the fruit of th <p>"Quercus Jovi placuit."</p> - <p class="author"><cite>Phædrus</cite>, <span class="smaller">III</span>. 17.</p> + <p class="author"><cite>Phædrus</cite>, <span class="smaller">III</span>. 17.</p> </div> @@ -2034,7 +1989,7 @@ Deity among the greater part of the Pagans, but especially among the Teutonic and Celtic tribes. Maximus Tyrius, an author of the second century, informs us, concerning the worship of the Celts:</p> - <p class="blockquot"> "<span lang="grc" xml:lang="grc" title="[Greek: Keltoi sebousi men Dia, agalma de Dios Keltikon hypsêlê drys.]">Κελτοὶ + <p class="blockquot"> "<span lang="grc" xml:lang="grc" title="[Greek: Keltoi sebousi men Dia, agalma de Dios Keltikon hypsêlê drys.]">Κελτοὶ σέβουσι μὲν Δία, ἄγαλμα δὲ Διὸς Κελτικὸν ὑψηλὴ δρῦς.</span>"</p> @@ -2054,10 +2009,10 @@ century, informs us, concerning the worship of the Celts:</p> <div class="poem"> - <p>Ut procul Hercyniæ per vasta silentia silvæ</p> + <p>Ut procul Hercyniæ per vasta silentia silvæ</p> <p>Venari tuto liceat, lucosque vetusta</p> <p>Religione truces, et <em>robora Numinis instar</em></p> - <p><em>Barbarici</em>, nostræ feriant impune bipennes.</p> + <p><em>Barbarici</em>, nostræ feriant impune bipennes.</p> <p class="author"><cite>Cons. Stilich.</cite> <span class="smaller">I</span>. 288.</p> @@ -2081,11 +2036,11 @@ temple; Sulp. <cite>Severus</cite> (ed. Amst. 1665), p. 485.:</p> <p>Dietm. <cite>V. Merseb.</cite>, 7. 52., p. 859.:</p> - <p class="blockquot"> "Fana idolorum destruens incendit, et mare dæmonibus cultum + <p class="blockquot"> "Fana idolorum destruens incendit, et mare dæmonibus cultum inmissis quatuor lapidibus, sacro Chrismate perunctis et aqua purgans benedicta, novam Domino ... plantationem eduxit."</p> -<p class="footnote"><a id="fn2"></a><a title="Return to text." href="#ted2" class="label">[2]</a> Brissonius <cite>De Regno Pers.</cite> <span class="smaller">II.</span> 28.: "Persæ diis +<p class="footnote"><a id="fn2"></a><a title="Return to text." href="#ted2" class="label">[2]</a> Brissonius <cite>De Regno Pers.</cite> <span class="smaller">II.</span> 28.: "Persæ diis suis nulla templa vel altaria constituunt, nulla simulacra."</p> <p>The heathen gods were represented as impotent, in opposition to the true @@ -2285,15 +2240,15 @@ Heathens, &c.</cite> The arguments derived from this source are as follow:&m of separation, that it has all the same parts as the body has."</p> <p>Confer Farmer on the <cite>Worship of Human Spirits in the Ancient Heathen -Nations</cite>, p. 419. <i lang="la" xml:lang="la">et seq.</i>; <cite>Æschyli Persæ</cite>, v. 616.; and Blomfield's -note; <cite>Nicolaus de Sepulchris Hebræorum, &c.</cite>, cap. ix. and xiv.</p> +Nations</cite>, p. 419. <i lang="la" xml:lang="la">et seq.</i>; <cite>Æschyli Persæ</cite>, v. 616.; and Blomfield's +note; <cite>Nicolaus de Sepulchris Hebræorum, &c.</cite>, cap. ix. and xiv.</p> <p>2. "Their opinion concerning the transmigration of souls." Confer Vossii <cite>Idololat.</cite>, lib. i. c. x.</p> <p>3. "Their opinion concerning the duration of the soul as long as the body lasted, and its adherence to the body after death," v. Cicero, -<cite>Tuscul. Quæst.</cite>, lib. i.; <cite>Lucret.</cite>, lib. iii. Concerning the opinion +<cite>Tuscul. Quæst.</cite>, lib. i.; <cite>Lucret.</cite>, lib. iii. Concerning the opinion of the Egyptians, v. <cite>Greenham on Embalming</cite>.</p> <p>4. "The belief that some men have ascended up into heaven in their @@ -2306,7 +2261,7 @@ histories among the Gentiles of several who rose the third day; and Plato mentioneth another who revived the twelfth day after death, <cite>Plato de Rep.</cite>, lib. x.; <cite>Plin.</cite> lib. vii. 52., "De his qui elati revixerunt;" <cite>Philostrat.</cite> lib. iii. c. xiii."—<cite>Pearson on the Creed.</cite> There are -histories of this description in <cite>Bonifacii Hist. Ludiceæ</cite>, p. 561. <i lang="la" xml:lang="la">et +histories of this description in <cite>Bonifacii Hist. Ludiceæ</cite>, p. 561. <i lang="la" xml:lang="la">et seq.</i></p> <p>6. "The opinion of the Pythagoreans and Platonists, &c., concerning the @@ -2314,7 +2269,7 @@ restitution of our bodies, and of all other things in the world to their former state, after the revolution of many ages, by a new birth or production." On the Platonic year confer Gale's <cite>Court of the Gentiles</cite>, book iii. c. 7.; on the Phœnix cycle of the Egyptians, Rev. Edw. -Greswell's <cite>Fasti Catholici and Origines Calendariæ</cite>. By some this +Greswell's <cite>Fasti Catholici and Origines Calendariæ</cite>. By some this restitution is considered as merely astronomical, <i lang="la" xml:lang="la">v.</i> Costard's <cite>Hist. of Astronomy</cite>, p. 131. "The opinion of some of the Genethliacal writers, that the soul returns and is united to the same body in the space of 440 @@ -2326,7 +2281,7 @@ was asserted by the Persian Magi, the Indian Brachmans, and other philosophers both oriental and western. "Thus we have demonstrated what evident notices the heathens had of the last conflagration, with the ensuing judgment, and man's immortal state; and all from sacred oracles -and traditions."—Gale, <i lang="la" xml:lang="la">ut suprà</i>.</p> +and traditions."—Gale, <i lang="la" xml:lang="la">ut suprà </i>.</p> <p class="right"> B<span class="smcap lowercase">IBLIOTHECAR</span>. C<span class="smcap lowercase">HETHAM.</span></p> @@ -2462,10 +2417,10 @@ parish from its elevated position, or of its prescriptive right from the days of St. Peter to do a pastor's office by reminding men of the duty of repentance, or of any of the things which writers on symbolism had said, or might say. He nakedly states, "Item, mysticum sensum in divinis -scripturis refutant: præcipue in dictis et actis ab Ecclesia traditis: +scripturis refutant: præcipue in dictis et actis ab Ecclesia traditis: ut quod gallus super campanile significat Doctorem."<a id="Page_448"></a> <span class="pagenum">[448]</span> Mr. Faber, who was somewhat out of his way in dealing with the thoughts and -language of mediæval writers, catching a sight of this passage, +language of mediæval writers, catching a sight of this passage, blundered between a <em>bell</em> and a <em>belfry</em>, put <i lang="la" xml:lang="la">campanum</i> for <i lang="la" xml:lang="la">campanile</i>, and thus got an idea of a "cock-on-a-bell," and that this symbol meant a doctor. Whereupon it occurred to him to set the world @@ -2734,7 +2689,7 @@ monumental plates thus desecrated.</p> <p>—Allow me to suggest to your correspondent W. H. K. the possibility that the name in question may originally have been Ceolwoldsburh or Ceolweardesburh, i.e. <em>the burgh</em> -or <em>castle of Ceolwold</em> or <em>Ceolweard</em>, analogously with Brihthelmstûn, +or <em>castle of Ceolwold</em> or <em>Ceolweard</em>, analogously with Brihthelmstûn, now contracted into <em>Brighton</em>. The A.-S. <em>ce</em> has constantly been corrupted into <em>che</em>.</p> @@ -3067,7 +3022,7 @@ the Hampstead Road.</p> </h4> <p>—The monuments -referred to by Æ<span class="smcap lowercase">GROTUS</span> are in the church of Aldworth: the effigies are +referred to by Æ<span class="smcap lowercase">GROTUS</span> are in the church of Aldworth: the effigies are certainly<a id="Page_451"></a> <span class="pagenum">[451]</span> remarkable, especially one for its size and attitude. Another noticeable circumstance is that most of the figures are of older date than the tombs on which they lie, or than the church which contains @@ -3076,7 +3031,7 @@ of its original construction, three canopied recessed tombs were introduced in each of the side walls to receive the effigies which must have existed in the older church. The style of the architecture belongs to the age of Edward III. There are nine figures altogether, some of -them greatly mutilated. They are not entirely unknown to archæologists.</p> +them greatly mutilated. They are not entirely unknown to archæologists.</p> <p>I may take this opportunity of calling attention to another very fine monumental effigy, of which I believe no moderately good representation @@ -3097,7 +3052,7 @@ drapery. Slight traces of colour are discoverable.</p> <p>The village of Aldworth, in Berkshire, where the effigies of the De la Beche family are to be seen, is about five miles from the Goring -Station, on the Great Western Railway, <i lang="la" xml:lang="la">viâ</i> Streatley. Hewett's +Station, on the Great Western Railway, <i lang="la" xml:lang="la">viâ</i> Streatley. Hewett's <cite>Hundred of Compton</cite> furnishes a very interesting account of the ten monumental effigies which represent various members of the ancient family of De la Beche in that church, and will be read with no small @@ -3292,7 +3247,7 @@ link may possibly be supplied toward unravelling the motto.</p> <h4> -<span>"<i>Ve dâl am daro</i>"</span> +<span>"<i>Ve dâl am daro</i>"</span> <span> (Vol. v., p. 325.).</span> </h4> @@ -3472,7 +3427,7 @@ attention to the accompanying extract, which furnishes a reply to opportunities of mixing with the natives of that country, cannot be ignorant that they claim a descent from a long race of Milesian kings, who reigned over them for thirteen centuries - before the Christian æra. The stock from which this long line of + before the Christian æra. The stock from which this long line of monarchs emanated is traced to a pretended Milesian colony, supposed to have emigrated from Spain into Ireland under the conduct of Heremon and Heber. The most rational inquirers, @@ -3653,7 +3608,7 @@ Club (of course of various degrees of merit), of objects of antiquarian interest, comprising Ecclesiastical, Military, and Domestic Edifices, Fonts, Sepulchral Monuments, Portraits, Fac-similes, copies of rare prints, and numerous other vestiges of antiquity calculated at once to -instruct the archæologist, and preserve in a pictorial form a record of +instruct the archæologist, and preserve in a pictorial form a record of much which, but for the <em>burins</em> of the members of this useful little Society, might have been lost for ever.</p> @@ -3668,7 +3623,7 @@ served so ably and so zealously ever since its formation.</p> <p>It would be treason to the Brothers Grimm, and to our own love of the literature of the people, if we did not notice and (as it deserves it) say a good word of a new and complete translation of the world-renowned -<cite>Kinder und Haus Mährchen</cite>, which Messrs. Addey have commenced +<cite>Kinder und Haus Mährchen</cite>, which Messrs. Addey have commenced publishing under the title of Grimm's <cite>Household Stories</cite>. They are very faithfully translated from the last edition; and we specify this because the little <cite>Almaine 4to.</cite> first edition of 1819 has long been one of our @@ -3697,7 +3652,7 @@ WANTED TO PURCHASE.</span> <p class="indh">T<span class="smcap lowercase">HE</span> A<span class="smcap lowercase">NACALYPSIS</span>. By Godfrey Higgins. 2 Vols. 4to.</p> -<p class="indh">C<span class="smcap lowercase">ODEX</span> D<span class="smcap lowercase">IPLOMATICUS</span> Æ<span class="smcap lowercase">VI</span> S<span class="smcap lowercase">AXONICI</span>, opera J. M. Kemble. Vols. I. and II. 8vo.</p> +<p class="indh">C<span class="smcap lowercase">ODEX</span> D<span class="smcap lowercase">IPLOMATICUS</span> Æ<span class="smcap lowercase">VI</span> S<span class="smcap lowercase">AXONICI</span>, opera J. M. Kemble. Vols. I. and II. 8vo.</p> <p class="indh">E<span class="smcap lowercase">CKHEL</span>, D<span class="smcap lowercase">OCTRINA</span> N<span class="smcap lowercase">UMORUM</span>. Vol. VIII.</p> @@ -3738,7 +3693,7 @@ and Judges. Small 4to.</p> <p class="indh">B<span class="smcap lowercase">ACK'S</span> V<span class="smcap lowercase">OYAGE OF THE</span> T<span class="smcap lowercase">ERROR</span>, 8vo.</p> -<p class="indh">L'H<span class="smcap lowercase">ISTOIRE DE LA</span> S<span class="smcap lowercase">AINCTE</span> B<span class="smcap lowercase">IBLE</span>, par R<span class="smcap lowercase">OYAUMONDE</span>: à Paris, 1701.</p> +<p class="indh">L'H<span class="smcap lowercase">ISTOIRE DE LA</span> S<span class="smcap lowercase">AINCTE</span> B<span class="smcap lowercase">IBLE</span>, par R<span class="smcap lowercase">OYAUMONDE</span>: à Paris, 1701.</p> <p class="indh">J<span class="smcap lowercase">OHNSON'S</span> (D<span class="smcap lowercase">R</span>. S.) W<span class="smcap lowercase">ORKS</span>, by M<span class="smcap lowercase">URPHY</span>. Trade Edition of 1816, in 8vo. Vol. XII. only.</p> @@ -3878,7 +3833,7 @@ Esq.—The term "Bridge" applied to Landing-places—Mrs. Joan Whitrow, Twickenham.</p> <p>With Notes of the Month, Review of New Publications, and Reports of -Archæological Societies.</p> +Archæological Societies.</p> <p>This Magazine contains, in its OBITUARY, Biographical Memoirs of:—1. The Duchess Ida of Saxe Weimar. 2. Prince Felix von Schwartzenberg. 3. @@ -3962,7 +3917,7 @@ three-fourths of the Profits:—</p> <div class="box1"> -<p>Age £ <i>s.</i> <i>d.</i></p> +<p>Age £ <i>s.</i> <i>d.</i></p> <p>17 1 14 4</p> <p>22 1 18 8</p> <p>27 2 4 5</p> @@ -4063,7 +4018,7 @@ German-Latin Lexicon of Dr. WILLIAM FREUND; with Additions and Corrections from the Lexicons of Gesner, Facciolati, Scheller, Georges, &c. By E. A. ANDREWS, LL.D., &c.</p> -<p> In reviewing this Lexicon, the <i>Athenæum</i> says:—"The knowledge +<p> In reviewing this Lexicon, the <i>Athenæum</i> says:—"The knowledge which it conveys of the early and later Latin is not to be gathered from ordinary Latin Dictionaries."</p> @@ -4097,7 +4052,7 @@ the First Part of</p> <p class="center">By EDWARD H. WEHNERT.</p> -<p>Most of the Stories in the "KINDER- UND HAUSMÄHRCHEN" of the Brothers +<p>Most of the Stories in the "KINDER- UND HAUSMÄHRCHEN" of the Brothers Grimm have appeared in England at various times; but, though the contents of the book are as well known here as in Germany, no complete edition has yet been published. The present is a new translation, @@ -4127,7 +4082,7 @@ Part.</p> <p class="blockquot">"All of Andersen's tales will be welcome, and in many other rooms of the house beside the nursery."—<i>Examiner.</i></p> -<p class="blockquot">"Full of capital and charming stories."—<i>Athenæum.</i></p> +<p class="blockquot">"Full of capital and charming stories."—<i>Athenæum.</i></p> <p class="blockquot">"No parent need hesitate to place the 'Fairy Legends and Tales' of Andersen unreservedly in the hands of his child, for innocency and @@ -4191,14 +4146,14 @@ obtained on application.</p> 8vo., 1844, 21<i>s.</i>—"Der Nibelungen Noth," 4to., with 100 plates by Schnorr and Neureuther, 1843, 12s. 6<i>d.</i>—"Kinderlieder, alte und neue," 4to., with 100 plates by Kaulbach, Pocci, &c., and Music, 1849, cloth, -5<i>s.</i>, or half-morocco, 7<i>s.</i>—Flügel's "German Dictionary," third +5<i>s.</i>, or half-morocco, 7<i>s.</i>—Flügel's "German Dictionary," third original German edition, 2 vols. impl. 8vo., 1847, 30<i>s.</i>, or half-russia, 36<i>s.</i>—Elwell's "German Dictionary," stout 12mo., 1850, roan, 4<i>s.</i> 6<i>d.</i>—Williams' "German Dictionary," 16mo., 1851, roan, -2<i>s.</i> 6<i>d.</i>—Musaeus' "Deutsche Volks Mährchen," impl. 8vo., splendidly +2<i>s.</i> 6<i>d.</i>—Musaeus' "Deutsche Volks Mährchen," impl. 8vo., splendidly illustrated, 1845, 12<i>s.</i>, or hf. red morocco, 16<i>s.</i>—Bran's "German Grammar," 12mo. cloth, 1850, 2<i>s.</i>—Bechstein's "Deutsches -Mährchenbuch," 12mo., 1849, 1<i>s.</i> 3<i>d.</i>, or half-morocco, 2<i>s.</i> 6<i>d.</i> On +Mährchenbuch," 12mo., 1849, 1<i>s.</i> 3<i>d.</i>, or half-morocco, 2<i>s.</i> 6<i>d.</i> On sale by</p> <p class="center"> BERNARD QUARITCH,</p> @@ -4793,384 +4748,6 @@ Street aforesaid.—Saturday, May 8, 1852.</p> </div> - - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Notes and Queries, Vol. V, Number 132, -May 8, 1852, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, MAY 8, 1852 *** - -***** This file should be named 41419-h.htm or 41419-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/4/1/41419/ - -Produced by Charlene Taylor, Jonathan Ingram and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Library of Early Journals.) - - -Updated editions will replace the previous one—the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away—you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -</pre> - +<div>*** END OF THE PROJECT GUTENBERG EBOOK 41419 ***</div> </body> </html> |