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| author | nfenwick <nfenwick@pglaf.org> | 2025-03-08 14:54:25 -0800 |
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| committer | nfenwick <nfenwick@pglaf.org> | 2025-03-08 14:54:25 -0800 |
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diff --git a/41274-0.txt b/41274-0.txt new file mode 100644 index 0000000..bd9f053 --- /dev/null +++ b/41274-0.txt @@ -0,0 +1,3261 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 41274 *** + +Transcriber's note: The errata listed at the end of the work have been +corrected where they occur in the text. + + * * * * * + + +A NEW + +CATALOGUE + +OF + +VULGAR ERRORS. + +BY + +STEPHEN FOVARGUE, A.M. + +FELLOW OF ST. JOHN'S COLLEGE, CAMBRIDGE. + + * * * * * + + In many Cases one with Amazement hears the Arguings, and is astonished + at the Obstinacy, of a worthy Man, who yields not to the Evidence of + Reason, tho' laid before him as clear as Day-light. LOCKE. + + _Sunt delicta tamen, quibus ignovisse velimus._ HOR. + + * * * * * + +_CAMBRIDGE_, +Printed for the AUTHOR: + + Sold by FLETCHER & HODSON in Cambridge; S. CROWDER in Pater-noster-Row, + J. DODSLEY in Pall-Mall, M. HINGESTON near Temple-Bar, and G. KEARSLY + in Ludgate-street, London; J. FLETCHER at Oxford; and the Booksellers + at Norwich, Lynn, York, and Newcastle. 1767. + +(Price HALF A CROWN.) + + * * * * * + +PREFACE. + +To explain the Use of Education, no Method can be more effectual, than to +shew what dull Mistakes and silly Notions Men are apt to be led into for +Want of it. These Mistakes are so numerous, that if we were to undertake to +divulge all the Errors that Men of no Knowledge in the Sciences labour +under, the shortest Way would be to publish a compleat System of Natural +Philosophy, which Learning, as it may be acquired by reading the different +Books, which have already been wrote upon that Subject, in this Æra of the +Sciences, such an Undertaking would be quite needless at this Time, even +supposing the Author capable of that laborious Work. + +If the following Sheets do but serve to divest Men of some of those +unreasonable Obstinacies with which they and their Forefathers have long +been prepossessed, the Time will be well laid out, both of the Writer and +Reader. + +Be not affronted, gentle Reader, at my taxing thee with Error, with +Obstinacy, or the like; thou mayest not be one of that Stamp; for any Thing +I know you may have studied the Sciences, you may be well versed in +Mechanics, Optics, Hydrostatics, and Astronomy; you may have made the Tour +of Europe, if not, you may soon do it in Post-Chaises, and be almost as +wise as you was when you went out; or you may be one of those whom +bountiful Nature has blessed with a most excellent Understanding, a quick +Apprehension, and a discerning Judgment, and yet not have been so +fortunate, or unfortunate, which you think proper to term it, as to have +been brought up a Scholar. + +Scoff not when we dwell so much upon Scholarship; for I would have thee +know, whether thou thinkest proper to believe me or not, that had it not +been for the four Branches of Learning abovementioned, thou wouldest not +have been smoaking that Pipe of right Virginia, which in all Probability +(whether thou art a Farmer in the Country, or a Mechanic in London) thou +art now most pompously blowing to Ashes: Neither would that charming Bowl +of Rum and Brandy Punch mixed, have waited at thy Elbow to inspire thee +with generous Sentiments (which Punch, let me tell thee, if thou drinkest +in Moderation, may keep thee from the Ague, if thou livest in the Hundreds +of Essex.)--Nay, thou wouldest not even have known what it was to have +tasted a Plumb-Pudding, which, tho' now, thy Palate being vitiated with +salt Pork and Mustard, and bottled Beer, thou hast no Relish for, yet thou +mayest remember the Time when thou didst think it most delicious Food. To +Philosophy art thou beholden for all these Dainties and Comforts of Life, +which if thou dost contradict, and dost still obstinately persist in thy +own Opinion, and wilt not be convinced of thy Errors, know, Dust and Ashes, +that thou art not sensible whether thou movest or standest still; and dost +imagine, that the glorious Sun is an extempore Whirligig. + +Wonder not, Reader, if thou art a Man of Sense, that thou shouldest be +mistaken in many Things: For what Mortal can pretend to such Knowledge as +never to be mistaken? Truth is more difficult to be found out than is +generally imagined: Error is easily fallen into; by so much the easier as +the Odds are against us: For in the Disquisition of any Point, there are +numberless Wrongs, but there is only one Right. Numberless Falshoods and +Errors may be raised about any Thing, but Truth is invariable, and remains +the same to all Eternity. + +The following Sheets will not contain many philosophical Terms; we shall +rather avoid such a Step as would hinder a great Part of our Readers from +understanding us, and shall endeavour to explain ourselves by such Methods +as the meanest Capacity will be able to comprehend. Moreover, all such +Subjects will be avoided as may interfere with any religious Tenets, it not +being the Intention of this Pamphlet to deprive Men of their Rest, by +tearing from their Consciences those fixed Protestant Principles of +Religion (let them be what they will) which they and their Ancestors have +long and peaceably enjoyed. But our Disquisitions will be chiefly confined +to natural Objects, and the Phænomena which daily present themselves to our +View. We shall likewise endeavour to rectify some of those Mistakes in the +common Arts of Life, whether of Business or Pleasure, which Men by an +accustomed Tradition are apt most obstinately to persevere in. + + * * * * * + +INTRODUCTION. + +The third Error is one which Sir Thomas Brown has taken Notice of; and it +must be acknowledged, that the inserting of it here was a Mistake. However, +we hope that it will be excused, since it is seven Years since the Author +of this little Pamphlet had the Pleasure of reading _a Part_ of Dr. Brown's +Vulgar Errors, and then he did not see that Error; it being not regularly +placed among the others, but in a separate Detachment from the main Body. +Notwithstanding the general Perspicuity of this Author, we are apt to think +that he never heard a Bittern himself, but only went by Hearsay with +respect to the Noise which is made by that Bird, however skilled he shews +himself in the Anatomy of it. He says, that it differs but little from the +croaking of a Raven. We can assure the Reader, that neither the Noise it +makes when it draws in the Air, nor the Sound it gives when it throws it +out again, have the least Resemblance to the Croaking of a Raven, as he +calls it. + +A Raven makes a much shriller Noise than any of the Crow Kind, +notwithstanding it is a larger Bird. I make no Doubt but the Voice of a +Raven is twelve or thirteen Notes higher than the Voice of a Rook; besides, +he makes his Notes quick and sharp one after another; whereas a Bittern +takes near five Seconds between every Sound, and (as will be affirmed) in +as deep a Note as the fourth String of a double Bass. + + * * * * * + + ERROR I. + + _That the more Ammunition is put into a Fowling Piece, the farther it + will do Execution._ + +This Error is often of very dangerous and dreadful Consequence; I have +known People so obstinate in it, that even ocular Demonstration would not +convince them of their Mistake. + +It proceeds from a Notion, that the more a Gun recoils, the better and +stronger will be the Force with which the Shot fly out. + +There is nothing which requires more Nicety and Exactness than the finding +out the proper Charge of a Gun; it is something similar to finding out the +Tone of a musical Instrument; of which more in its Place. + +It will be sufficient here to say, that every Gun has a certain fixed +Quantity of Ammunition, with which it does the most Execution. I have seen +Lectures in the Art of Gunnery, which come under the Science of Mechanics, +and even the Author himself, though a Man of Learning and Abilities, seems +to have been ignorant of the Art of charging a Gun, when he says, "If you +put in a Gun, a Ball upon a Quantity of Powder as (1), it will throw the +Ball to such a Distance; if you put in a Quantity as (2), it will throw it +as far again." This seems to be a Mistake; because, if that was the Case, a +Person would have nothing to do but to put Powder enough into his Gun, and +have the Barrel made strong enough, and he need not fear killing at any +Distance. As to the Recoil it would give, if the Gunner was a strong +Country Gentleman, and a keen Sportsman, and an Englishman, it would be the +least of his Thoughts whether it struck him a great Blow or a small one. + +But to the Point: There is no better Way of finding out the proper Charge +of a Gun, than by the Report it gives. If there is too much Powder and too +little Shot, the Report will be a kind of a deep Roar; if too little Powder +and too much Shot, it will be an insignificant, short, narrow Smack; but if +it is charged properly, the Report will be a smart, shrill Clap, something +resembling Thunder. + +This is the Reason why the Report of a Sportsman's Gun is so different from +that of a Field-Keeper's. The Field-Keeper has, or ought to have, no Shot +in his Piece; the Sportsman's is properly loaded. + +In short, there is a Tone in the Barrel of a Gun, and the better the Temper +of the Metal is, the more shrill will be the Report, and the farther it +will do Execution. + +I have dwelt the longer upon this Subject, because a Gun is an ugly Weapon +in the Hands of those who are either ignorant or careless, or both. + + * * * * * + + II. + + _That the Heron makes a Hole in the Bottom of her Nest, through which + her Feet hang, when she sits upon her Eggs._ + +What seems to have led People into this Error, is, the Appearance which a +Heron makes upon her Nest: You may sometimes see her Feet when she is +sitting. + +Now it seems unaccountable, how a Bird should sit upon her Eggs on a Tree, +and yet her Feet appear to a Spectator below. For any Person who takes +Notice of a Bird sitting upon her Eggs, will find that she doubles them up +under her, and that they are hid among her Feathers and the Eggs; so that +if this is the Case, there can be no other Way of seeing her Feet, but by a +Hole through the Bottom of the Nest. + +But this is not the Case with the Heron, nor the Bittern, another Bird +resembling the Heron. When these Birds sit upon their Nests, their Legs lie +straight out behind them, in a Line parallel to the Plain of the Horizon, +in the same Posture as when they fly. This accounts for the Phoenomenon of +the Feet appearing on the outside of the Nest. + +These Birds have Legs of a remarkable Length, as every one must know, for +they are a very common Bird; and when they sit, or rather lie, upon their +Eggs in the abovesaid Posture, the Nest is unable to contain these long +Legs, and by that Means they hang over the Side of it, and are seen by +those who are under the Trees on which they build. + +With regard to any Thing of a Hole through the Bottom of the Nest, nothing +can be more fabulous: I once had the Sight of a large Tree, which had been +blown down in a high Wind, and was full of Heron's Nests. They are built +exactly in the Form of a Crow's Nest, and of the same Materials, only as +the Nests were larger than those of Crows, so there were some larger Pieces +of Sticks than Crows generally make Use of; and so far are they from having +a Hole at the Bottom, that it was impossible to find a Passage through any +Part of the Nest, with a stout walking Stick, so firm was the Texture of +them. + +If any one doubts of this, if he will take the Trouble to climb any Tree in +a Heronry, he will be convinced of the Truth of what has been said, by +ocular Demonstration. But I would not advise him to do it when there are +young ones. + +As the Bittern has been mentioned in this Section, it will not be amiss to +put in a Word or two concerning an Error, which passes very current in +Countries where this Bird is found, and which we may venture to assert is +equally fabulous with the former. It is, + + III. + + _That the Bittern puts his Bill or Beak into a Reed, and that the Reed + gives, by the Breath and Motion of the Beak of the Bird, that deep and + loud Note which we so frequently hear him make as he lies in a Fenn._ + +This Bird, on Account of the Noise he makes, which is much such a one as if +a Person was to express the Word Bump in a deep Note, is in many Countries +called a Butter-Bump: Nevertheless the true Name of him is Bittern, as may +be seen in several Books. + +One particular Proof that Bittern is the true and ancient Name, may be seen +in Stephens's Monasticon. The Author is giving us an Account of some +Expenses which the Abbey of Peterborough was at, and among others there is +a Bill made of the Expences for the Supper at the Funeral of one of the +Abbots of that Convent, in which, among a great Number of other costly +Dishes, and a Hogshead or two of Wine, which were drank, and an incredible +Quantity of other Things too tedious to mention, there is a Sum set down +for a great Number of Bitterns; from which we may venture to conclude, that +they were esteemed very delicate eating amongst those Connoisseurs. + +I hope the Reader will pardon this Digression from the Point in Hand, when +I take Occasion to observe, that here is another vulgar Error, which +supposes, that the present Times are more luxurious than the past. For to +convince us of this Mistake, we need go no farther than the aforesaid Book, +and there we shall find, that as much Money was laid out, (in Proportion to +the Scarcity of Coin in those Times) upon the Funeral of one of those +Abbots, as in the present Age will pay the Expences of a whole College for +a Twelvemonth. + +But to return to our Bitterns: That they were esteemed very delicate eating +at that Time, is plain, by their being served up at so splendid an +Entertainment; and we think it may be called another vulgar Error, in a +Farmer to suffer so fine a Bird to lie upon his Dunghill, while he and his +Wife and Family are regaling upon restie Bacon; which, as great an Error as +it is, I have known done, and a Person who knew the Value of the Bird, has +taken the Bittern from off the Dunghill, and dressed it, and made a +delicious Meal. + +But it is now Time to say something concerning the Error about the Noise it +makes. + +It is very absurd to suppose it possible, that this deep Note can proceed +from the Bird's putting his Beak into a Reed, even if it's Beak was formed +for the Purpose. Every one who knows of what vast Dimensions an Organ-Pipe +must be, to give such a loud, deep, bass Note as the Noise of a Bittern, +knows also, that a Reed is incapable of making such a Noise as that. It +must be something with a hollow Tube of a much larger Diameter than a Reed, +and the Wind must be thrown in with the greatest Exactness, both in regard +to the Quantity of the Wind, and the Manner in which it is let in; and +moreover the Tube must have a proper Aperture made towards the End of it, +of an exact Dimension according to the Size of the Tube, before it will +give any thing like a Tone at all. But here is a Sound as deep as the +fourth String of a double Bass, given by an Animal, that may be heard four +or five Miles off, in a still Evening. + +The most probable Conjecture is, that the Noise is made by the Animal +itself, with the Assistance of Nature alone; and we shall have the more +Reason to be of that Opinion, if we examine the Throat of the Bird, which +is of so uncommon a Size, that a moderate Hand would go down it. + +Now a Sound given from the Windpipe into such a Cavern as this, may very +probably be the Cause of this deep Tone. It acts upon the same Principle as +when a Person closes his Lips, and sounds a deep Note with his Voice. +Perhaps after the Reader has made the Experiment, (as in all Probability he +will do) he may be convinced that it is a vulgar Error, to suppose that a +Bittern puts his Beak into a Reed, when he makes that remarkable Noise +Which is heard in a Fenn. + +It may not appear foreign to the Purpose, when I say that I have heard a +Bittern make the Noise abovementioned, and that I have gone to the Spot, +which was coarse Grass or Flags, just mowed, where there were no Reeds; and +the Bird rose up before me. + +Here I must beg Leave to put in a Word or two, by way of corroborating what +has been said about the Heron and the Bittern lying flat upon their Nests, +with their Legs parallel to the Plain of the Horizon. + +When the aforesaid Bittern rose up, I shot, and wounded him slightly, and +marked him down again in the same Kind of Grass or short mowed Flags. As +the Grass was not higher than one's Shoes, and it was wounded, I was in +Hopes of having the Pleasure of seeing him lie on the Ground very plain. +However I let my Pointer go first, knowing that he would stand at the +Place. Accordingly made a dead Point at it. I came up as silent as +possible, to take a View of it, but to my great Surprize, nothing was to be +seen. + +There was indeed something which appeared long, like two green Weeds lying +among the Grass, and there was something like a large Spot of dryed Grass +or Flags a little before them. + +While I was looking at the Place, the Dog, being out of Patience, seized +Hold of this Phoenomenon, which proved to be no other than the Bittern +itself. Those Things which seemed to be green Weeds, were it's Legs +extended at the full Length, behind the Bird, as it lay quite flat upon +it's Belly; and that broad Spot of brown or dried Grass was the Body, with +the Wings extended to their full Stretch, quite flat upon the Ground, +which, I believe, formed as compleat a Deceptio Visus as any Thing in +Nature. + +Thus we see how wonderfully these Animals are formed for their +Self-Preservation; so wonderfully, that though they are near as large as a +Heron, and much of the same Shape, it must be a keen Eye that distinguishes +their long green Legs from Weeds, and their brown Backs from dried Grass; +but this Deceptio Visus is so notorious in Partridge, and many other +Species of Game, that there is no Occasion to dwell any longer upon that; +only what has been said may serve to convince the Reader of the Truth of +what has been observed in the foregoing Section, concerning the Posture of +a Heron and a Bittern on their Nests. + + * * * * * + + IV. + + _That the Tone of a Violin is to be brought out, by laying on like a + Blacksmith._ + +Before we can convince such of our Readers as have no Knowledge in that +Part of Pneumatics which is called Harmonics, of this Mistake, it will be +necessary just to give a short Account of the Cause of Sound in stringed +Instruments. + +In the first Place, all Sound proceeds from Undulations in the Air, which +is an elastic Fluid; and with regard to these Undulations, is much of the +same Nature as Water, which is another Fluid, but differs from Air in many +Respects. Now when a Person throws a Stone into Water, these Undulations or +Waves are raised in the Fluid for some Distance, by the Force and Action of +one Wave upon another. This is the Case with regard to Sound; only the Air +being an elastic Fluid, these Undulations are more quick and brisk in their +Motions than in Water. So much for Sound itself. Now for the Cause of this +Sound, or of these Undulations. + +These Undulations are caused by the Vibration of some elastic Body, which +is put into Motion by a Stroke of another Body against it. It must be an +elastic Body (take notice) for upon that Word depends the Truth of what is +going to be alledged. To convince the Reader of the Truth of this, he has +nothing to do but to take a Rolling Pin, and strike it against a Pound of +Butter, and he will find very little or no Sound at all, because Butter has +very little Elasticity or Spring in it; but if he strikes the aforesaid +Implement against the Table, he will find Sound enough, because most Tables +are made of Wood, which is a very elastic Body. If there is no Butter in +the House, Wax will do as well or better, for it will prove that a Body may +be hard without being elastic, and which will be very much to the Purpose. +It will be necessary, before we can get any further, to explain what +Vibration is, a Word very commonly made Use of among Musical Men, tho' but +little understood. + +To be as short as possible; a Piece of Lead hung upon the End of a String, +which moves backwards and forwards of itself after being first put into +Motion, is called a Pendulum, and that Motion backwards and forwards is +called its Vibration; it is upon this Principle that elastic Bodies are the +Cause of Sound. It will be best illustrated in a Musical Instrument, +besides that is the Point in Hand; and to be more to the Point still, we +will suppose it a Violin, though any other stringed Instrument would answer +the same End. + +Here we have four Strings stretched out upon a Bridge, or thin Piece of +Wood, which communicates to the Belly of the Instrument, from which Belly +the greatest Part of the Tone proceeds. Now a String drawn tight at both +Ends, when it is struck, will have a Vibration or tremulous Motion, which +Vibration, or tremulous Motion, acts upon the same Principle as a Pendulum +does in a Cycloid, or, to speak as plain as possible, as a Pendulum does +when it is put into it's proper Motion. + +It is upon this Principle of Vibration then, or tremulous Motion, that the +String of a Violin, being moved by the Bow, is to act: The String +immediately communicates it's tremulous Motion to the Bridge, and the +Bridge to the Belly of the Instrument, which Belly being made of a very +elastic Wood, by it's Vibration and free Motion, acts upon the Air in the +Manner abovementioned. + +As it is the great Elasticity of the Wood which is to cause the Tone, it +ought to have as little Confinement in it's Vibrations as is possible; the +Weight of the Strings must indeed press against it, otherwise they could +not communicate their Motion to it. We should therefore be careful not to +over-string the Instrument, since it so plainly contradicts the Principles +of Pneumatics. + +It is easy to hear when an Instrument is over-strung; and sometimes an +Octave in a Harpsichord, by it's additional Number of Strings, shall render +the Tone of the Instrument so dead, that, though it gives a Sprightliness +peculiar to an Octave, yet it sometimes hardly compensates for the Loss of +Tone which it causes in the Unisons, by it's too great Pressure upon the +Belly of the Instrument. + +And yet notwithstanding all this, what is more common than to see a +Performer, with his Waistcoat unbuttoned, laying Strokes on a Violin, heavy +enough to fell an Ox. + +The Truth is, managing the Bow is slight, and we must make Use of Art more +than Strength in our Performance: moreover, it is an Art which cannot be +wrote down upon Paper, nor explained in Words, but must be learned by the +Example and Direction of some assiduous Master. However what has been said +may serve to shew, from Philosophical Principles, the Error of leaning too +hard upon the Instrument, which was the Thing intended to be done. + + * * * * * + + V. + + _That the farther you go South, the hotter is the Climate._ + +Gentle Reader, as thou art a Person of Understanding, thou wilt pardon the +Want of Connection and Form which thou findest in the different Subjects +which are here started for thy Entertainment: It would be very easy, in the +fair Copy which will be wrote over, to range them, in an Order, suitable to +the different Branches to which they belong; but why should I pester thee +with Form, when there is nothing so agreeable to a Man of Taste as an easy +Variety? Therefore, though it is ten to one that, before I have done with +thee, I shall have some more Discourse with thee about Musical Instruments, +yet I shall not humour thee as a Critic so much as to give thee it now; +well knowing, that if thou art determined to _Review_ me, thou mayest find +Abundance of other Opportunities for it in this Book: And likewise, that if +thou dost approve of what is here discussed, thou wilt, if thou art a +good-natured honest Fellow, pass by a little Incorrectness; for what else +can a Man hope for in a Book which treats of nothing but Blunders? However +the two following Sections may afford thee some Entertainment, if thou art +a Man of Learning, and if thou art not a Man of Learning, they will give +thee some Instruction; and to tell thee the Truth, the Subject of them is +so Philosophical, that if we were not fully convinced of the Truth of what +will be alledged, we should be afraid to undertake it. + +For in this little Pamphlet, Philosophy will be avoided as much as +possible, that is, it never will be introduced at all, unless it is +absolutely necessary to call in it's Aid, in order to prove the Truth of +any Thing which shall be asserted. But to the Point; which is, to rectify +the vulgar Error, which supposes, that the farther a Person goes South, the +hotter will be the Climate. + +This is so well known to be an Error, by all Men of Science, and by all +Navigators, that it is needless to say much about it, only just to relate +the Truth, that those who are mistaken in their Way may be set in the right +Road. But to proceed. + +The two Poles of the Earth, that is, the two North and South Extremities of +the Globe, are in such a Position, or are so inclined to the Sun, or to the +Plain of the Ecliptic, as never to have any Rays fall directly over their +Heads, or they never have him any higher than a little above their Horizon, +or the Surface of the Earth; for which Reason it is always cold at the +North and South Poles, which will naturally be the Case, as any one may +experience by the different Position of the Sun, in Summer and Winter, in +our own Climates. + +The Case is exactly contrary at the Æquator, or on the Middle of the Globe, +which is farthest from the two Poles, for there they have the Sun over +their Heads at Noon all the Year round; for which Reason it is always hot +under the Line, yet not always the hottest of any Part of the Globe, as has +been sometimes philosophically supposed, and which shall be the Subject of +the next Chapter, to introduce which this was principally intended. + + * * * * * + + VI. + + _That exactly under the Æquator is always the hottest Climate on the + Globe._ + +This Error by no Means ought to be called a vulgar one; because it is a +Course of Philosophical Study, joined to a Want of Experience, which gives +Occasion to it. It is the Result of a Knowledge of the general Cause of +Heat and Cold, in different Degrees of Latitude upon the Surface of the +Earth; which Knowledge is apt to apply the Rules of Astronomy, that explain +the Phoenomena of Nature in general, to every Purpose that offers itself, +in all Cases, without being able to search into the individual Parts of a +System, on Account of the Distance of the Objects which are the Subjects of +Enquiry. For though, as has been said before, for a just Astronomical +Reason, the Position will hold good, that those Inhabitants who are under +the Line, live in the hottest Climate in general, yet it is proved by the +Experience of Navigators, that in several Parts under the Æquator there is +a fine, mild, soft Climate, even excelling any of those in the temperate +Zones; so happily are Things disposed for the Purposes of Animal Life, by +the Author of Nature. + +This is a Truth which we are constrained to believe, as we have so many +living Witnesses in our own Country, who are ready to assert it. + +We have one accurate Account in Anson's Voyage, where the Author reasons +very Philosophically upon the Subject. This Author tells us, that the Crew +of the Centurion were in some Uneasiness about the Heat of the Climate, +which they expected they were to undergo, when they came to that Part of +the Æquator which is near the American Coast, upon the South Sea; but that +when they came under the Line, instead of those scalding Winds which +sometimes blow in immensely hot Climates, they were agreeably surprized +with the softest Zephyrs imaginable; and that, instead of being scorched by +the perpendicular Rays of the Sun, they had a fine Covering of thin grey +Clouds over their Heads, and just enough of them to serve for a Screen, +without looking dark and disagreeable. Many other Beauties of the Climate +the Author describes, which need not be mentioned here, as it is easy to +see the Book. + +He accounts for the extraordinary Mildness of the Climate in Words to this +Purpose: + +"There are Mountains on the Sea Coast of this Latitude, of an enormous +Height and great Extent, called the Andes, the Tops and Sides of which are +covered with everlasting Snow. These Mountains cast a Shade and Coolness +round them, for several Leagues, and by their Influence it is, that the +Climate is so temperate under that Part of the Line. But, says the Author, +when we had sailed beyond the Æquator, into four or five Degrees of North +Latitude, and were got out of the Influence of those Mountains covered with +Snow, we then began to feel that we were near the Line, and the Climate was +as hot as we could have expected to have found it at the Æquator itself." + +There can be no Doubt of the Truth of this Account: No Man would have made +such Assertions as these, if they had not been true, when there were so +many living Witnesses to have contradicted such an idle, needless Falshood +as this would have been. And indeed the Appearance of wise Design in the +Author of Nature is no where more conspicuous than in these Instances of +his Care for the Preservation of the animal System. What could we have +expected more than Mountains of Snow in Greenland? And even in those frozen +Regions we have as great Instances of the same Providence: When the Springs +are all frozen up, in that severe Climate, they have sometimes, even in the +middle of Winter, such mild South Winds as serve to thaw the Snow, so as to +cause Water to settle in the Valleys, and to run under the Ice in +Quantities large enough to serve the Purposes of animal Life; not to +mention the great Quantities of Timber which the Surf of the Sea brings +upon that Coast, from other Countries; without which the Inhabitants would +have no Firing, nor Timber for their Huts, nor Shafts for their Arrows, as +there are no Trees in that Country. + +And now I hope it will not be thought too bold an Analogy if we presume to +say, that as, contrary to all Expectation, at the Æquator (where +intolerable Heat might be expected) the Inhabitants are provided with +Mountains covered with Snow, to qualify their Atmosphere; why may not we +suppose, that at the very Poles themselves there may be some Cause, unknown +to us, which may render the Climate serene and mild, even in that supposed +uninhabitable Part of the Globe? Why may there not be hot, burning Minerals +in the Earth at the Poles, as well as snowy Mountains at the Æquator? + +We have Reason to think that the Composition of the Earth, at that Part of +the Globe, is of an extraordinary Nature; as the magnetic Quality of it is +to be apprehended, from it's immediate Attraction of the Needle. We are +entirely ignorant of the Soil, of the Place, and of the Constitution of the +Inhabitants, if there are any. We are certain that, near Greenland, there +are Sands of so extraordinary a Nature, that the Wind will carry great +Clouds of them several Leagues to Sea, and they will fall into the Eyes and +Mouths of Navigators, who are sailing past the Coast, at a great Distance. +This Instance only serves to shew, that we may be quite ignorant of the +Nature of the Soil which is under the Pole; we cannot tell whether it +consists of Mountains or Caverns, fiery Volcanos or craggy Rocks, of Ice, +Land, or Water, cultivated Fields or barren Desarts. + +What has been laid will seem less strange, if we look back into the Notions +which the Ancients had of the Torrid Zone. It is not long since it was +thought, that only the Temperate Zone on this Side the Æquator was +habitable; so far were they from attempting to find out another Temperate +Zone beyond the Æquator, that nobody dare approach near the Line, for Fear +of being roasted alive. This is the true State of the Case; and if it be so +that the Ancients were, for such a vast Number of Years, under a mistaken +Notion, concerning the Possibility of living under or near the Line, why +may not we, who are neither more daring nor more ingenious than the old +Romans, be likewise mistaken, or rather totally ignorant of the Climates at +the Pole? + +And here I beg Leave to offer a Philosophical Reason, why it should not, +according to the Nature of Things, be any colder at the Poles themselves, +than ten Degrees on this Side of them. Not that I by any Means insist upon +the Truth of what I am going to say; I only just offer it as a Subject to +be discussed by those who are more learned, and are able to take more exact +Mensurations of the Phoenomena of Nature than myself. + +What I would offer is, that there is no Reason to apprehend more Cold at +the Extremities of the Poles than ten Degrees on this Side of them, on +Account of the Figure of the Earth. The Figure of the Earth is found, by +Observations which have been made, upon the Difference of the Vibrations of +Pendulums at the Æquator and near the Poles, and by other Experiments, to +be not a Sphere, but a Spheroid; it is not exactly round, neither is it +oval, but (if I may make Use of the Comparison) more in the Shape of a +Turnip. + +Now the Climate is hotter at the Æquator than in high Latitudes, on Account +of the Inclination of the Poles to the Sun, as has been said before: What I +would urge is, that the Surface of the Earth, at ten Degrees on this Side +of the Poles, is as much or nearly as much inclined to the Plain of the +Ecliptic as the Poles themselves. + +If that is the Case, no Reason can be given why the Poles should be colder +than Greenland, where, if we may believe the Accounts of Navigators, though +in the Winter the Cold is so intense as to freeze Brandy, yet, in the +middle of Summer it is sometimes so hot, that People have been glad to +strip off their Cloaths, for an Hour or two in a Day, in order to go +through their Work. But to return to the Surmise, that the Poles are no +colder than ten Degrees on this Side of them, on Account of the +Spheroidical Figure of the Earth. + +I must trouble the Reader with a very plain Figure, in order to illustrate +the Meaning of this. + +[Illustration] + +By this Figure we may observe, that any Rays of the Sun A, which fall upon +a Place situated ten Degrees on our Side of the Pole B, and Rays which fall +on the Pole itself, do not make so large an Angle, as they would if the +Form of the Earth was a Sphere; for if we extend the two Points B and C so +far as to make a compleat Sphere, we must be obliged likewise to move the +Line D along with it to the Point E, which would make a larger Angle, and +in that Case the Surface of the Earth at the Pole B would be more inclined +to the Plain of the Ecliptic than it is, and consequently it would be +colder, as the Cause of Heat and Cold in different Parts of the Globe is +owing to the Inclination of the Poles to the Plain of the Ecliptic, and not +to the Distance of the Sun from the Earth at the different Seasons of the +Year; for if that was the Case, we should have colder Weather in July than +we have in December, the Sun being rather nearer to us in Winter than in +Summer. + +I hope that this little Philosophical Effort, which has been made here, +will not be looked upon as unseasonably introduced in this Place; and I +likewise hope, that while I gaze with Wonder on the stupendous Frame of the +Universe, I shall not be thought presumptuous in having taken a little +Survey of one of the Wheels which duly performs it's Revolutions in that +glorious Machine, the Solar System; the exact and regular Movements of +which inspire the curious Beholder with a more awful Idea of the Greatness +of the Fabricator, than it is possible for any one to conceive, who is +entirely ignorant of the Accuracy of the Construction. + + * * * * * + + VII. + + _That the more Hay is dried in the Sun, the better it will be._ + +As Hay is an Herb which is dried in order to lay up all the Winter, when it +cannot be found in the Fields, and as it is intended for the Food and +Nourishment of Animals, that Nourishment must consist of such of the Juices +as are left behind in the Herb. + +It is very possible, by the Art of Chemistry, to extract from Hay all the +separate Salts, Spirits, &c. of which it is composed. Now in a Chymical +Preparation, there is always something left behind in the Still, out of +which it is impossible to extract any more Juices; that the Chymists call +Caput Mortuum. This Caput Mortuum is of no Service, and is entirely void of +all those Salts and Spirits with which every other Substance on the Surface +of the Earth abounds more or less. + +The Sun acts upon Bodies much in the Nature of a Still. He, by his Heat, +causes the Vapours of all Kinds, which any Substance contains, to ascend +out of their Residences into the Atmosphere, to some little Height, from +whence either the Wind carries them, if there is any, or if there is no +Wind, they fall down again Upon the Earth by their own Weight, at Sun-set, +and are what is called Dew. + +Since this is the Case, and the Sun acts upon Bodies in the same Manner as +a Still, we should take Care not to make Caput Mortuum of our Hay, by +exposing it too long to his Rays; for by that Means we shall extract from +it most of those Salts Spirits of which Food must consist, and of which all +Animal Substance is composed. + +The Botanists are sensible of this: When they dry their Herbs, they lay +them in a Place where no Sun can come to them, well knowing that too much +Sun would take off their Flavour, and render them unfit for their different +Physical Uses. Not that Hay would be made so well without Sun, on Account +of the Largeness of the Quantity, and at the same Time it ought to be dryed +enough, and no more than enough; for it is as easy to roast Hay too much as +a Piece of Meat. + + * * * * * + + VIII. + + _That the Violin is a wanton Instrument, and not proper for Psalms; and + that the Organ is not proper for Country-Dances, and brisk Airs._ + +This Error is entirely owing to Prejudice. The Violin being a light, small +Instrument, easy of Conveyance, and withal much played upon in England, and +at the same Time being powerful and capable of any Expression which the +Performer pleases to give it, is commonly made Use of at Balls and +Assemblies; by which Means it has annexed the Idea of Merriment and Jollity +to itself, in the Minds of those, who have been so happy as to be Caperers +to those sprightly English Airs, called Country Dances. + +The Organ, on the other Hand, being not easily moved on Account of it's +Size, and expensive on Account of the complicated Machinery which is +necessary to the Construction of it, is not convenient for Country Dances; +and at the same Time being loud, capable of playing full Pieces of Music, +Choruses, Services, &c. is made Use of in most Churches where the +Inhabitants can afford to purchase this fine Instrument. + +Nevertheless, notwithstanding these great Advantages, two or three Violins +and a Bass, are more capable of performing any solemn Hymn or Anthem than +an Organ; for the Violin, as has been before observed, is capable of great +Expression, but especially it is most exquisitely happy in that grave and +resigned Air, which the common Singing-Psalms ought to be played with. When +the Bow is properly made Use of, there is a Solemnity in the Strokes of it, +which is peculiar to itself. And on the other Hand, on Account of the +Convenience of Keys for the Readiness of Execution, nothing can be more +adapted to the Performance of a Country-Dance, than an Organ. For the Truth +of which Assertion I appeal to those who have been so often agreeably +surprized with those sprightly Allegros, in the Country-Dance Style, with +which many Organists think fit to entertain the Ladies, in the middle of +Divine Service. + +If Jack Latten is played at all, it is Jack Latten still, whether it be +played in Church or in an Assembly Room; and I am only surprized, that +People can so obstinately persist in the Denial of a Thing, concerning the +Truth of which it lies in their Power to be convinced every Sunday. + + * * * * * + + IX. + + _That the Organ and Harpsichord are the two Principal Instruments, and + that other Instruments are inferior to them in a Concert._ + +Notwithstanding the great Advantage which these Instruments have of playing +several Parts together, there is nevertheless one Imperfection which they +have, or rather they want one, or more properly a thousand Beauties +contained in one Word; which is no less material an Article than that of +Expression. + +There is no Word more frequently in the Mouths of all Sorts of Performers, +than this of Expression; and we may venture to affirm, that it is as little +understood as any one Term which is made Use of, in the Science of Music. + +Above three Parts in four make Use of it, without having any Meaning of +their own, only having heard some one else observe, that such or such a +Person plays with great Expression, they take a Fancy to this new adopted +Child, and become as fond of it, as if it was the legitimate Offspring of +their own Brain. Some who are more considerate, think that the Meaning of +it entirely consists in playing Staccato; and indeed these People come +nearer the Mark than the others, but they have not picked up all the +Meaning of the Word. + +One who plays with Expression, is he who, in his Performance, gives the Air +or Piece of Music (let it be what it will) such a Turn, as conveys that +Passion into the Hearts of the Audience, which the Composer intended to +excite by it. Dryden, in that masterly Poem, his Ode in Honour of St. +Cecilia's Day, has given us a true Idea of the Meaning of the Word; the +Beauties of which Poem, though they are enough to hurry any Man away from +his Subject, shall not be discussed at present, not being to the Point in +Hand. We shall only make Use of an Instance or two out of it, to illustrate +what has been said. + +Handel was so sensible of it's being capable, by the Help of Musical +Sounds, of raising those very Passions in the Hearts of the Audience, which +Dryden fables Alexander to have felt by the masterly Hand of Timotheus, +that, by setting it to Music, he has himself boldly stepped into the Place +of Timotheus. + +In this Performance called Alexander's Feast, it may easily be discerned, +that Expression does not consist in the Staccato only, or in any one Power +or Manner of playing. For Instance this Air, + + _Softly sweet in Lydian Measures_, &c. + +would be quite ruined by playing it Staccato; and again, + + _Revenge, Revenge, Timotheus cries_, &c. + +requires to be played in a very different Style from the foregoing Air. + +Passions are to be expressed in Music, as well as in the other Sister Arts, +Poetry and Painting. + +Having thus explained what is meant by Expression in Music, we will return +to the Point, viz. that the Organ and Harpsichord, though they have many +other Advantages, yet want that great Excellence of Music, Expression. +Surely it may not be thought a Straining of the Meaning of St. Paul's Words +too far, when I surmise, that he, who had a fine Education, and in all +Probability knew Music well, might have an Eye to the Want of Meaning or +Expression of the ancient Cymbal, when he says, "Tho' I speak with the +Tongues of Men and of Angels, and have not Charity, I am become as a +sounding Brass, and a tinkling Cymbal." That is, though I have ever so much +Skill in Languages, and the Arts and Sciences, my Knowledge is vain if I am +without the Virtue of Charity, and my Works will have no Force, and will in +that Respect resemble the Cymbal, which, though it makes a tinkling, and +plays the Notes, yet is destitute of the main Article Expression. For we +must not suppose, that so refined a Scholar as St. Paul was, could have +such a settled Contempt for the Science of Music, as to make Use of it even +as a Simile for what is trifling. We may venture to think, that the Apostle +alluded to that Want of Power in the Cymbal to move the Passions, which +other Instruments have. + +This is the very Case with the modern Harpsichord; it is very pretty, +notwithstanding it's Imperfections, with Regard to the Change of Keys, (of +which more in it's Place.) But no one can say, that it speaks to his +Passions like those Instruments which have so immediate a Connection with +the Finger of the Performer, as to sound just in the Manner which he +directs. + +In that Case the Powers are great; you have the Numbers of Graces which +have Names to them, and the still greater Number which have none; you have +the Staccato and the Slur, the Swell and the Smotzato, and the Sostenuto, +and a great Variety of other Embellishments, which are as necessary as +Light and Shade in Painting. + +To convince the Reader of this, let him hear any Master play Handel's Song, +_Pious Orgies, pious Airs_, upon the Organ or Harpsichord, and he will +find, that, though it will appear to be Harmony, yet it will want that +Meaning, and (not to make Use of the Word too often) Expression, which it +is intended to have given it by the Word Sostenuto, which Mr. Handel has +placed at the Beginning of the Symphony. + +Now a fine Performer upon the Violin or Hautboy, with a Bass to accompany +him, will give it that Sostenuto, even with greater Strength than the human +Voice itself, if possible. + +I by no Means intend to debase that noble and solemn Instrument the Organ, +nor the Wonders that are done upon it, nor the great Merit of the +Performers who execute them, by what has been here said; only to discuss a +little upon the Perfections and Imperfections of different Instruments, as +the more the Imperfections of an Instrument are looked into, the more +likely is the Ingenuity of Mechanics one Day or other to rectify them. + + * * * * * + + X. + + _That every different Key in Music ought to have a different Effect or + Sound._ + +This is an Error which belongs chiefly to those who play a little upon the +Harpsichord; it arises from the Imperfection of their Instrument. As a +greater Number of Keys would be inconvenient to the Performer, they are +obliged to make one Note serve for another, such as B flat for A sharp, and +many others, which necessarily renders some of the Keys imperfect. But we +are not to take Notice of the Imperfection of any one Instrument, and +regulate our Ear by that alone; we are to consider what is the real Scheme +of Music, and what was the Intent of having different Keys introduced into +Harmony. + +It was intended for the Sake of Variety. When the Ear begins to be +surfeited with too much of the _Cantilenam eandem Canis_, as Terence +expresses it, then Contrivances are made, without infringing upon the Laws +of Harmony, to have the Burthen of the Song upon a different Note; not that +this Key is to differ from the former in it's Mensurations from one Note to +another, unless it changes from a flat third Key to a sharp third, or vice +versa. For notwithstanding all the different Sounds which an imperfect +Instrument will give, in different Keys, there are in Reality but two Keys, +viz. a flat third Key, and a sharp third Key; and however the different +Keys upon any particular Instrument may sound, we will venture to affirm, +that any Piece of Music, let it be set in what Key it will, either is not +true Composition, or is performed badly, if it does not sound smooth and +harmonious. + +For though we do agree, that Variety is grateful in this Case as well as in +others, yet that Variety ought to be introduced with as little +Inconvenience as possible. When we shift our Scenes, we should order the +Carpenters to make as little Noise in the Execution of it as they can help, +and take Care that the Pullies are all well oiled. For shall any Man +entertain me, by making a most hideous jarring Discord before he begins +what he intends to be Harmony? It is as absurd as for a Lady to take you +half a dozen Boxes on the Ear, before she permits you to salute her, and +then to tell you she only did it, that you might have a more lively +Apprehension of the exquisite Happiness which her unparallelled Charms +should very soon make you sensible of. + +We may apprehend the Difference of perfect and imperfect Instruments, by +listening to a Harpsichord, when any Music, where the Key changes often, is +played, and to a fine Band, such as the Playhouse or the Opera. We shall +find, in the latter, that the Composer has taken Care to make every +Transition quite smooth and harmonious; and that tho' the Music be ever so +cromatic, yet it never departs from it's melodious Effect. Whereas in an +Organ or Harpsichord, even the greatest Performers cannot avoid a +disagreeable Roughness in complicated Harmony. Nevertheless, as has been +before observed, we must acknowledge the Organ to have Powers which other +Instruments have not. + + * * * * * + + XI. + + _That a Piece of Music which has Flats set before it, is in a Flat Key + on that Account, and vice versa with Sharps._ + +This is so well known to be an Error, by all those who have arrived at any +Proficiency in Music, that very little need be said about it; however, it +is a very common Error. + +A Key is not constituted flat or sharp, by having Flats or Sharps at the +Beginning of the Piece of Music; but it depends upon the third Note upwards +from that Note in which the Music is composed. For Instance, if the Piece +is composed in D, and we find that F is natural, or only half a Note from +E, then it is in a flat, or flat third, Key; if F is sharp, or a whole Note +above E, then the Piece of Music is composed in a sharp third Key. But as +there are so many Books extant about Thorough Bass, which give a full +Account of this, it will be needless to say any more about it, only to +mention it as an Error, among other Errors. The Reader shall not be tired +any more with Music at present, but for Variety we will shift the Scene a +little while. + + * * * * * + + XII. + + _That apparitions or Spectres do exist; or that the Ghosts of Men do + appear at, before, or after their Deaths._ + +We would not be thought, in the following Discourse, to call in Question +that great Miracle of our Saviour's rising again the third Day, and +appearing to the Twelve: What shall be here said, will rather prove the +Miracle to be the greater, and therefore more worthy the interfering Hand +of Omnipotence. + +But we must not suppose that the Supreme Being will condescend to pervert +the Order of Nature for Individuals. The ancient Heathens had a true Notion +of the Greatness of him, _qui Templa Coeli summa sonitu concutit_. Ter. +Eun. And Horace observes, + + _Nec Deus intersit, nisi dignus vindice nodus._ + Art. Poet. + +Since it must be no less than a Miracle which causes an Apparition, I shall +proceed, without any Scruple, to prove that there is no such Thing in +Nature really existing. + +Of all the Errors with which the Brains of Mankind have been troubled, +there is none of such ancient Standing as this. We have Ghosts and +Hobgoblins even in Homer; not that there is Reason to suspect that Homer +ever believed in them himself; he seemed too well versed in the real +Phoenomena of Nature, to entertain any such chimerical Dreams as Truth; for +Dreams they are, and no better: the true _Somnia Vatum_ of the Ancients, +handed down to Posterity, even to these enlightened Times. How many +horrible Nights have been passed in cold Sweats, by otherwise very sensible +People, owing to nothing else but the Apprehensions which they have had of +these no-existing Gentry! How was even the Metropolis itself terrified the +other Day, by the Scratching Ghost at Cock Lane! I think enough has been +said, even in this little Book, to prove that no Noise can be made, unless +by the Vibration of some elastic Body. If a Noise is made by a Voice, it +must be from an Animal, which has Lungs and Breath to do it; if a +Scratching is made, it must be done by something which has Hands, and +Sinews to move those Hands; and it must have Nails, or some other bodily +Substance, to scratch with, before it can cause a Sound to proceed from an +elastic Body. So much for Scratching, and dismal Yellings, and Groanings of +all Sorts, which have been fabled of Ghosts. + +It will require a little Dissertation upon Optics, in order to explain the +Cause of Light and Colours, before we can confute the Possibility of seeing +an Apparition. + +Light is found to be a real Substance; it is swift beyond Comprehension; if +I mistake not, it is calculated by Sir Isaac Newton, to be only eight +Minutes in passing from the Sun to the Earth; it is very subtle, passing +through the hardest transparent Bodies; it is capable of Refraction and +Reflection, that is, either of passing through a transparent Body, as a +Window, or of being reflected from an even Surface, as a Looking-Glass, or +a Piece of polished Steel; so that if we see any Object at my Time, the +Cause of our seeing it, if there is no Window between, is by Reflection, or +by the Rays of Light being reflected from the Object to the Eye of the +Beholder, which is formed for the Reception of the Rays which come from the +Object, in the same Manner as a Camera obscura. + +When the Rays have found a Passage into the Pupil of the Eye, they fall +upon a thin Membrane which is called the Retina, upon which Retina the +exact Picture of the Object is represented, as may be seen by the Eye of an +Ox, properly prepared and placed in the Hole of a Window-Shutter. This +Retina is an Elongation from the Brain; and by this Means it is, that we +receive those various agreeable or disagreeable Sensations with which we +find ourselves affected, by the Sight of external Objects. So that we may +observe, that it must be not only real Substance which must reflect Rays to +the Eye, in order to cause Vision, but the Rays themselves, likewise, which +come from that Object, are Substance. + +If this is the Case, the Apparition of a Person must be a Substance, which +is reflected from a Substance, which belongs to the Body of him who is +dead, or is going to die. With regard to him who is dead and buried, one +would think, that he and his Substance are so safe under Ground, that no +Part of him can reflect any Rays; but a Person who is above Ground, either +dead or dying, may reflect Rays to the Eye of a Beholder, and if it happens +to be a Friend or Relation, such Rays will make so strong an Impression +upon the Retina, that they shall in such a Manner imprint themselves upon +that pliable Spot, as will cause the Brain and Nerves of the Beholder to +have the Sensation of seeing the dead or dying Person some Time after the +real Action of seeing him. + +This will account for most of those positive Assertions, which we may hear +in any Village, of the seeing the Apparitions of People after they are +dead, or just before they die, 'tis all one. We very seldom hear of any +such Thing in Town, which corresponds with what has been said; for in Town +it is so common to have Deaths and Funerals, &c. that People are no more +affected with the Sight of a dead Man than a living one. But the Case is +quite different in Villages. A Village with fifty Houses in it, situated in +a wholesome Country, shall not have above one Person die in a Year; this +makes such a Stir, that all the old Women in the Town must have a Peep at +the deceased, as he lies in his Coffin, with his Shroud on; which +Alteration of Appearance in the dead Person, from what they remember him, a +little while since, leaves such an Impression upon the Retinas of these old +Women, that 'tis ten to one but some of them think they see him, as soon as +the dark Hour comes on. And, very likely, a Person who thinks he sees an +Apparition may not be altogether wrong; there may be some of the Picture of +the dead Person still faintly remaining upon his Retina; and if so, it +certainly will give the same Sensation as if he faintly saw the Person. If +this is the Case, it is not the deceased come back again to bully us, as is +generally imagined, if we do apprehend we see him; but the Remembrance of +him strong in that Organ the Eye, by which we formed the Idea of him in our +Minds, when we really did behold him. + +Homer seems to allude to this, when he makes Patroclus's Ghost appear to +Achilles. When Patroclus was slain by Hector before Troy, the Body, after a +long Dispute for it, between the Greeks and Trojans, was brought to +Achilles's Tent, where Achilles is described by the Poet, as making bitter +Lamentations over the Body of his deceased Friend. At Night he lays himself +down upon the Sea Shore, and falls asleep, when the Ghost of Patroclus +comes to demand the funeral Obsequies. + + [Greek: Êlthe d' epi psuchê Patroklêos deiloio,] + [Greek: Pant' autôi megethos te kai ommata kal' eikuia,] + [Greek: Kai phônên; kai toia peri chroi heimata hesto;] + Hom. Iliad. Lib. 23. + +Homer never introduces an Incredulus Odi into his Works; he has an Eye upon +Probability in all his Fictions. It seems probable, that Achilles, after he +had been hanging over the Body of Patroclus, either quite asleep, or +between sleeping and waking, should imagine that he saw his Friend's +Apparition. And though Homer might not have heard of such a Thing as the +Retina in the Eye, (though it is not at all impossible he should, for he +shews himself a great Anatomist) yet he very well knew the Impression which +the Sight of a departed Friend is sure to make upon the Mind of the +Beholder. By this Propriety of Introduction, he keeps up the Appearance of +Probability, so necessary even in Poetry itself, which is generally +Fiction. + +By this it should seem, that Homer was tacitly of Opinion, that there is +really no such Thing in Nature as an Apparition, and that it has no other +Existence than in the Imaginations of Men. And we have the more Reason to +believe that this was his Opinion, as we find that he did not choose to +introduce the Ghost of Patroclus to Achilles, when he was broad awake; but, +as he thought it might seem to want the Air of Probability, if he made +Patroclus appear to Achilles when awake, he takes Care to compose Achilles +into a Nap first, and by that means leaves the Reader to his own Opinion, +whether the Ghost did really come, or whether Achilles only thought so. +This is one of those Touches of Art with which Homer abounds. + +But there is another Reason why we have so many of these Stories told us of +Apparitions by our Grandmothers; and that is, the Tricks which the Priests +of the Roman Catholic Times found it necessary to put upon their Flock, in +order to keep up their Credit. + +Chymistry was the Study of those Times, and Lectures were given in them at +the Universities, as frequently as they are in Philosophy at present. It is +for this Reason, I apprehend, that Shakespeare introduces Friar Lawrence, a +Student in a Convent or Roman Catholic College, with several Kinds of Herbs +in a Basket, the particular Virtues of which he seems perfectly to +understand, and which he is going to extract from them, for physical Uses: +Had Shakespeare lived in these Times, most likely he would have introduced +him with a Quadrant, a Globe, or a Prism, or some other Philosophical +Instrument. Now those who have not seen some little of Chymistry, have no +Notion of the Wonders that are to be done by it; and these crafty Priests +knew so well how to make Use of their Art to the best Advantage, that they +could frighten a whole Village, whenever they had an Inclination to play +their Pranks. Friar Bacon, who was perhaps the greatest Chymist in Europe, +used to play so many Tricks, that he was thought by the whole Country, to +deal with the Devil; and many Stories of him are now extant, to that +Effect. One of the most common Pranks amongst these Gentry was this: They +used to get one who could draw well, to take some Phosphorus (which is a +Chymical Preparation from Urine) in his Pocket; having thus armed +themselves, they perhaps would step into the first Alehouse where they saw +a Light, and mix with the Company. He who was in Possession of the +Phosphorus would get up and go to the Wall, under some Pretence or other, +upon which he would draw what Picture came first into his Head, very likely +the Picture of the Devil. Nothing is to be seen by Candle-Light, and it +must be dark, before the Marks made by Phosphorus upon a Wall will appear +like Fire. After sitting a little while, one of them would either introduce +some Discourse about the Wickedness of the Times, or would tell some Story +about Apparitions; in the middle of which another would run against the +Candle, as if by Accident, and put it out. As soon as the Candle is out, +another of them pretends to have found out this Figure upon the Wall, which +will appear like Fire. You may guess the Surprize of the poor Country +People, at seeing the Old Gentleman upon the Wall.--They all take to their +Heels. In the mean Time, to improve their Ideas, another of the +Confederates sets Fire to Brimstone, or some other stinking Combustible, +and pops it against all their Noses, as they run out of Doors; and after +these two powerful Sensations of seeing and smelling, it would be quite +impossible, by any Arguments, to persuade any of the Company, that they had +not actually seen the Prince of Darkness. By these and such like Arts, the +Roman Catholic Priests so long kept this now well-delivered Country under +their Subjection. + +Though this Account appears ridiculous enough, the Effect which such Sort +of Pranks have upon the weak Minds of Women and Children, are very serious; +and the Ideas which are received at this Time of Life, make such an +Impression upon some People, that they are unable to get the better of +their Apprehensions, even when they grow up. + +I know a Person of the first Sense, and a great Scholar, who retains these +Stories so strong in his Memory, that he dare as well put his Fingers into +the Old Lion's Mouth at the Tower, as go up to a Monument, which stands in +a certain Chapel in this University, after it is dark; not that he really +believes any Thing would hurt him there; nevertheless he declares he cannot +get the better of it. And I make no Doubt, that not only this Gentleman, +but Thousands more of his Majesty's good and bold Subjects, are in the same +Way. + +I look upon our Sailors, to care as little what becomes of themselves, as +any Set of People under the Sun; and yet no People are so much terrified at +the Thoughts of an Apparition. Their Sea Songs are full of them; they +firmly believe their Existence; and honest Jack Tar shall be more +frightened at a glimmering of the Moon upon the Tackling of the Ship, than +he would be if a Frenchman was to clap a Blunderbuss to his Head. + +I was told a Story by an Officer in the Navy, which may not be foreign to +the Purpose. + +About half a Dozen of the Sailors on board a Man of War, took it into their +Heads, that there was a Ghost in the Ship; and being asked by the Captain, +what Reason they had to apprehend any such Thing, they told him, that they +were sure there was a Ghost, for they smelt him. The Captain at first +laughed at them, and called them a Parcel of Lubbers, and advised them not +to entertain any such silly Notions as these, but mind their Work. It +passed on very well for a Day or two; but one Night, being in another +Ghost-smelling Humour, they all came to the Captain, and told him, that +they were quite certain, there was a Ghost, and he was somewhere behind the +Small-beer Barrels: The Captain, quite enraged at their Folly, was +determined, they should have something to be frightened at in earnest; and +so ordered the Boatswain's Mate to give them all a Dozen of Lashes, with a +Cat 'o nine Tails; by which means, the Ship was entirely cleared of Ghosts, +during the remainder of the Voyage. However, when the Barrels were removed, +some Time after, they found a dead Rat, or some such Thing, which was +concluded, by the rest of the Crew, to be the Ghost, which had been smelt a +little before. Thus we see, that the bravest Men of the Universe, may be +terrified, if they give way to their own chimerical Ideas; and that it is +only for want of searching into the Causes of the Phoenomena of Nature, +that People disturb themselves in this Manner, with such groundless and +unphilosophical Apprehensions. However, a great deal may be said in Favour +of Men, troubled with the Scurvy, the Concomitants of which Disorder, are +generally Faintings and the Hip, and Horrors without any Ground for them; +which leads me to say something upon an Error, relative to that Sea +Disorder, the Scurvy. + + * * * * * + + XIII. + + _That Bleeding is proper for a Patient, who is apt to be sick in a + Morning._ + +The first Person I heard remark this Error, was an old Physician, who, +though he had but little Practice, on Account of his travelling +Disposition, was nevertheless a Man of great Speculation. He had been three +Times over the Alps on Foot; and was in many Respects, a curious Man. + +The Company did not seem to take much Notice of his Remark, because he +certainly was an Oddity; however, if we may believe the Accounts of those +Physicians who have lately wrote upon the Scurvy, the Old Gentleman was in +the right. + +It seems, that among all the dreadful Symtoms, which accompany the Scurvy, +a fainting Sickness in a Morning, is the most certain Indication of it. +Many, upon Application for Relief, in that Case, have been treated as +Consumptive; when, upon a more strict Enquiry, they have been found to have +a violent Scurvy, and have been restored to Health by Mineral Waters. If +that is the Case, and fainting Sickness in a Morning, is a Sympton of the +Scurvy, Bleeding cannot be proper, as nothing is more likely to encrease +the Fainting, than Phlebotomy. + +I met with an Author somewhere, who reasoned upon the Subject, in this +Manner. He alledged, that the Cause of Fainting in the Scurvy, was owing to +such a Relaxation in the Blood Vessels, that they had not Power to perform +their Operations; and by that Means, were unable to give their Contents, +that quick, spirited Motion, which is required, to keep them in the upper +Parts of the Body; and that, by the Blood being suffered to fall down to +the lower Parts of the Body, the Head, Heart, and other Vital Parts, were +left destitute of that Fluid, which is so necessary for the Preservation of +Life. This he proves, by the sudden Change which is caused in Patients, +afflicted with the Scurvy, on altering their Position. If, says he, you +cause a Patient to be raised up in his Hammock, though before he was in +very good Spirits (a Thing peculiar to the Sea Scurvy, even in the last +Stages of it, at Times) he will faint immediately; if you lay him in an +inclined Posture, he will recover again. And he gives this Reason for it, +viz. that the Blood settles downwards, in the same Manner, as Humours do in +a Dropsy, when the Patient is erect; and that it returns again, when he is +supine; and by that Means, it re-invigorates those Parts, which were +distressed by its Absence. If this is the Case, and the learned Doctor's +Position is true, to take away that little Blood, which is left behind, in +the upper Parts of the Body, on a Scorbutic Patient's getting into an erect +Posture, or rising in a Morning, is to deprive him of all the Nourishment +which his Vital Parts contain for their Preservation, and seems to be a +ready way to dispatch him. + +It would be prudent therefore, in an Apothecary, before he lets his Patient +blood, when he is taken sick in a Morning, to examine him well all over, in +order to find out those Eruptions, which denote a Scorbutic Habit of Body. +For if he is ignorant of the Patient's Disorder, and lets him blood, though +he may survive this Operation, he will most likely have such a Fainting, as +to amount to a Fit next Morning; upon which, in his Fright and Hurry, he +will let him blood again, thinking it an Apoplexy. + +I hope the Physical Gentlemen, will not take it amiss that I interfere thus +with their Profession; only, as I have known some Accidents happen in this +Case, by not regular-bred Practioners, I hope they will pardon the Liberty, +which is here taken. + +If any Person should here object, that I have confounded the Land Scurvy +with the Sea Scurvy, without making any Distinction between the two +Disorders; I answer, that though they may be different in some Respects, +yet they are very near related; and moreover, that with Respect to the +Faintings in a Morning, they are the same, and the Faintings proceed from +the same Cause in both. Their Causes may be different, and yet their +Effects be very similar; or, 'till all the Causes of the Sea Scurvy are +clearly found out, it is not possible to say, that they do not both proceed +from the same Cause. For I suppose it will be allowed, that the Land Scurvy +generally proceeds from too high Living, from salt Diet, from too much +animal Food, from too little Exercise, &c. Now let us examine into the Sea +Scurvy. They are subject to these Inconveniences in a greater Degree at Sea +than they are at Land: In the first Place, in long Voyages they have +nothing but salt Provisions; then they have no Greens; all animal Diet, +except a little dried Biscuit; and then though it must be allowed, that in +a Gale of Wind they have Trouble enough to work the Ship, and by that Means +receive proper Exercise, yet at other Times, when they have fallen in with +the Trade Winds, they sometimes have no Employ for Months together; and (by +the bye) any one, who takes Notice of Voyages, will find that it is at +those Times, when the Scurvy does the most Mischief. It is then that the +Ship becomes almost a Prison. For when they go up aloft, the Air, by it's +Friction, braces their Nerves, clears away the bad Vapours, creates an +Appetite, and strengthens their Joints; but when a Ship is going before a +fine Gale of Wind, so steady as the Trade Winds are, the Men have no +Employ, and having no Occasion to go aloft, either loll upon Deck in the +Day-Time, or sleep in their Hammocks at Night. + +We do not insist here, that there is no Difference between the Land and Sea +Scurvy, or that there are no other Reasons for the Sea Scurvy than are here +mentioned. We know that some other Causes are assigned, as the being so +long absent from Land, and thereby receiving none of those Vapours, which, +coming out of the Earth, may be necessary for the Preservation of a Land +Animal, &c. and these Causes likewise may correspond with the former, here +mentioned. + +We shall now beg Leave to offer a little Scheme, for hindering the Progress +of the Sea Scurvy, which however we do not insist upon, having no great +Opinion of any Proposition, which we start new of our own. + +What I would propose is, some Help or Relief to a Ship, when she is on a +long Voyage, and sailing before a Trade Wind, and finds the Scurvy begin to +attack her. In order to which, it will be necessary to say something +concerning the Nature of that Element called the Air. + +Air is an elastic Fluid, as has been observed before, and is subject to an +easy Motion of it's Parts amongst themselves, as all Fluids are. It is +subject to Currents and Eddies, in the same Manner as Water. A Current of +Air is commonly known by the Name of Wind; and the greater Quantity of this +Air or Wind, an Animal who has Organs for the Reception of it, and who +cannot live without it a Moment; the more free Passage (I say) a Current of +Air has, by such an Animal, in Health and Motion, the more wholesome it is +for him. Now, I will endeavour to prove, that a Ship under Sail, before a +Trade Wind, has but little Change of Situation in this Current, +notwithstanding her Motion is so swift, with regard to her Change of Place +upon the Surface of the Earth. + +We will endeavour to explain our Meaning, by a Cork swimming down a current +of Water. + +If any one throws a Cork into a Stream of Water, he will find that the Cork +will be attended, during its Progress down the Stream, by the same +Particles of the Fluid, which it happened to fall upon, when it first set +off; notwithstanding, it changes its Position, with regard to the Surface +of the Earth. This is the Case with a Ship, sailing before the Wind; she +receives nothing near the Quantity of Air, upon her Sides and between her +Decks, in a full Wind, that she does when the Wind is upon her Beam, or on +one Side of her; which may be demonstrated by a second Experiment upon the +Cork in the Water. + +If any one takes a Cork and ties a long Thread to it, and throws it into a +Stream, he will find, that the Cork, when he draws it sideways along the +Stream, changes its Place in the Water every Inch he draws it. This is so +plain, that there is no Occasion to say any more about it; and we humbly +apprehend, that the Case would be the same, with regard to a Ship which is +sailing before the Wind, or going down a Current of Air. We do alledge, +that the fresh Air running between the Decks of a Ship, would sweeten and +clear away the bad Vapours and Filth from the Men in her, as much more in +the Position of a Side-Wind, as a Stream of Water would wash more Dirt off +a Cork, if it was drawn sideways along it by a Thread, than if it was +suffered to swim down by itself. For the Motion of a good Ship, when she +has all her Sails up in a moderate Gale before the Wind, is very near, if +not quite as swift as the Wind itself. + +Therefore, what I would advance here is, that as the Sea Scurvy in long +Voyages proceeds as much from the Confinement of a Ship, as from any other +Cause, may it not be deemed reasonable, that any Scheme, which serves to +make a more free Current of Air through a Ship, may be a great Hindrance to +the Progress of the Scurvy? + +The Scheme is only this plain and easy one, viz. that when a Ship is upon a +long Voyage, before a Trade Wind, the Captain once a Day should give +Orders, to lay her upon a Side-Wind, or a Quarters Wind, if he thinks it +more safe, for about a League or two, during which Tack, he may open the +Port-holes of her Windward Side; and after going a League or two in that +Manner, she might be tacked about and laid upon her other Side; and by +doing this, he would sweeten every Corner of the Ship, and at the same Time +exercise his Men. Now, though this Practice would retard him a little in +his Voyage, would it not be better to lose a little Time, and bring a +Ship's Crew Home in tolerable good Plight, than to have half of them dead, +before they get to the End of their Voyage? I am far from insisting, that +this Scheme would answer the End; all that I know is, that if I was Captain +of a Ship, I would try; and if it answered no End, it would but be leaving +it off afterwards. And I hope the Sea Gentlemen will not be angry at this +little Essay, as it is wrote for the Sake of their Health and +Constitutions. + +They know very well, that Wind travels much slower than is imagined by the +Generality of Landmen; which brings me to another Error, (viz.) + + XIV. + + _That nothing which moves upon the Surface of the Earth, is so swift as + the Wind._ + +Though, in a Storm, Wind moves with a great Velocity, yet in a moderate +Gale, it is nothing near so swift as is generally apprehended. + +The Ancients were so wrapped up in their Opinion of the Swiftness of Wind, +that they were sure to introduce it as a Simile, when they intended to +describe any Thing that was rapid in it's Motion. + +Horace, for one, was so fond of it, that he has introduced it into his +elegant Ode, _Otium Divos_, &c. + + _Scandit æratas vitiosa Naves,_ + _Cura; nec Turmas Equitum relinquit_ + _Ocyor Cervis et agente Nymbos_ + _Ocyor Euro._ + +However, one would think, that if he was determined to compare Wind to an +Idea or Sensation in the human Mind, he might have thought of one more +swift in it's Motions. For though the East Wind is a heavy Wind, and lays +very keen Hold of a Sail, as being cold, and therefore more condensed, and +moving with greater Moment, on Account of it's Weight; yet I am very much +mistaken if we have any East Winds, that travel near so fast as the +South-West Winds which we have in March; nay, so far is it from being +swift, that when it is set in, we may feel it blow against our Bodies, with +a more steady, slow Motion than any other; and it is reasonable to suppose, +that it ought to move slower according to the Rules of Philosophy: For the +Barometer shews, that the colder the Air is, the more it weighs; and a +heavy Body takes more Time in changing it's Place, by a Force or Cause, +than a light one. + +However, we will not tax Horace with Impropriety, in so fine an Ode; as we +do not know, what the East Winds may be in Italy. They had not the German +Ocean to pass over, before they came to Horace, and may be warm, light, and +soft, in that Country. + +But to return: There are many Things upon the Surface of the Earth, +(without being obliged to have Recourse to the extraordinary Velocity of +Light) which move faster than the Wind. We have no Occasion to go any +further than the Flight of a Pigeon, or a Swallow, even for a Storm; which +we may observe, by the Motion of light Bodies, such as Feathers and Straws, +which have no Power to resist it's Force, and must be hurried away with the +same Velocity as the Wind itself. We may easily try the Experiment, by +throwing Feathers from off a Church Steeple, or any high Place; and we +shall find, that though they will be hurried off at a great Rate, yet not +so swift as a Pigeon upon her full Stretch. Those who are at Sea have a +much better Opportunity of observing it's Motions than Landmen: Nothing is +more common, than to see that the Wind has chopped about, by it's Action +upon the Sails of a Ship at great Distance off; and it is a long Time +before it reaches the Sails of the Ship from whence it is first discovered; +and even when a Storm is seen coming at a Distance, they have Time enough +to reeve the Sails, and lie in a Posture to receive it. It would be very +easy at Land, to take an exact Measure of the Velocity of any Wind, by +watching it when it first comes. It might be done in this Manner, viz. by +taking the exact Distance of all the Churches in the Neighbourhood from +each other, and setting Flags upon the Steeples of those which stand easy +to be seen, and which are in different Directions; after which, a Person +might go up to the Top of one which stood in the middle of them, with a +Telescope, and as soon as he saw the Flags upon any of the Steeples at a +Distance move from the Directions which they stood in when he first +ascended the Steeple, he might be certain of a fresh Gale being come, and +that it had just then reached that Steeple. Upon seeing this, all that he +would have to do would be, to look at his Watch and by that Means he would +know how fast the Gale of Wind had travelled, by observing how many Miles +it had gone in such a Time. For by observing the Flag on the Steeple at a +Distance, he might know when it had reached that Place, and by the Flag +upon the Steeple where the Observer himself stood, he might see when it +reached him, and by his Watch he might know how long it had been coming. + + * * * * * + + XV. + + _That there is now, or ever was, such a Science as Astrology._ + +Reader, when thou dost peruse this Book, I would have thee sensible of the +intrinsic Value of Truth; one single Page of this inestimable Commodity, is +worth a Thousand Volumes of Lies. I do not intend to impose upon thee, and +lead thee astray, and laugh at thee afterwards; even as the Egyptian +Priests of old did deceive their Flock, and at the same Time did laugh at +them, for worshiping the monstrous Idols, which were the Compositions of +their own Craft. Thou wouldest hardly believe that these Idolaters were so +grossly imposed upon, as to be induced to worship Garlick and Onions; and +yet, we have Accounts, that if the Priests of those Times did fix their +Eyes upon a good Crop of those Vegetables, they could very easily rank them +amongst the Number of their Gods; and, by that Means, render them unlawful +to be handled by any one, except themselves. What might be their Intent, in +such a Case, we will not presume to determine, but leave it to thy own +superior Judgment. + +Indeed, thou mayest think thyself happy, in being a Native of a Country, +where the exact Boundary is fixed to every one's Property; and where, +though when thou dost endeavour to defend thy Right, thou wilt find some +who are ready to go Halves with thee, yet, thou mayest in Time hinder thy +Adversary from enjoying what is thy Due. + +And moreover, thou mayest think thyself very comfortable, that thou dost +breathe in so free an Air, where thou hast the refreshing Liberty of +hearkening to Reason, and of thinking as thou dost like best; for if thou +didst live in some Countries, thou wouldest find, that thou must either +think as others please to dictate to thee, or else keep thy Thoughts to +thyself; otherwise, it had been better for thee, if thou hadst never been +able to come at the Knowledge of Truth, and had been as ignorant as those +Idolatrous Egyptians before mentioned; who, while their Priests were +studying the real Science of Astronomy, kept the Laity in the dark, and +amused them with the false Science of Astrology; making them believe that +they could foretell all Things which should happen to them and their +Families, by their Knowledge of the Stars; and persuading them, that the +Stars had an Influence upon the Lives and Fortunes of Individuals; +introducing the Jargon of being born under particular Planets, and the +like. To all which their Impositions they gained the greater Credit, by +being able to calculate, and therefore to foretell the Eclipses of the Sun +and Moon; which Phenomena of Nature they used to explain so as to answer +their own sinister Views; construing the common Motions and Appearances of +the Heavenly Bodies, into Prodigies and Wonders; fortelling the Deaths of +those they hated, and taking the Opportunity of that Time of Consternation, +to dispatch them, in order to make their Words prove true. I tell thee, +Reader, thou art happy in being a Native of a Country where thou art not +deceived by the false Science of Astrology; and where any one who +understands it, whether Priest or Layman, will shew thee as much of the +real Science of Astronomy, as thou desirest to learn, for a Bottle or two +of Wine, with all his Heart; well knowing, that it will be a Means to give +thee a more sublime Notion of the Supreme Being: For the more thou dost +contemplate the vast Machinery of the Heavenly Bodies, and the exact Time +which they keep in their Revolutions, the more thou wilt be convinced of +the immense Contrivance of Him who laid the Foundation of the Heavens. + + * * * * * + + XVI. + + _Most Londoners are mistaken when they think that they have Wit enough + to impose upon Countrymen._ + +This Error chiefly proceeds from the outward Appearance of Countrymen, when +they arrive at the Metropolis. They are struck with the Grandeur of the +Place, and on that Account keep their Heads up in the Air, as if they were +contemplating some Phoenomenon in the Heavens. Then their Cloaths, being +calculated for Strength and Wear, are spun thick, which gives them a stiff, +awkward Gait, and this is not a little augmented by the robust Labour which +they daily undergo, and the great Burthens, of different Sorts, which they +are continually obliged to bear, through the Course of their Farming +Business. This Aukwardness, joined to an Absence, which the Contemplation +of any Thing fine is sure to beget, makes high Diversion for the Londoners, +and they are apt to put many Tricks upon them, as Clowns, which the +Countrymen (being Strangers to the Place) easily fall into; upon which +Account, those Urban Mobility, are apt to tax them with Want of Quickness +of Apprehension. + +But, O _Cives!_ let us first examine into the real State of the Case, and +make a little Allowance for Robin's Parallax, before we are too hard upon +his Abilities. I tell thee, your right Clown is the sharpest Fellow in the +World; and if thou hadst any Dealings with him in his own Way, thou +wouldest soon find him so, to thy Cost. If he came from _Yerkshire_, thou +wouldest have no Chance with him, And we humbly conceive, that it is upon +this Account that Countrymen have the Name of Clowns given them: For we +take the Original Meaning of a Clown to be, one who is a quick, bright, +witty Fellow, who puts on the Appearance of Folly, while his Head is at +Work to deceive you. Such as these were Shakespeare's Clowns, who knew the +Meaning of the Word too well to make Fools of them. These were the Fellows +that he has employed, when there was any Business to dispatch, which +required more than ordinary Address and Secresy in the Management of it, +and who were to make Diversion to crowned Heads by the Sprightliness of +their Wit. So that we apprehend the Word Clown, in it's original Meaning, +does not signify an aukward Lout, but a bright, quick Fellow, who does more +by his natural Parts, than by the Help of Education. From hence it was that +Countrymen came to be called Clowns. They were found, upon Examination, to +be much brighter and sharper than they appeared to be at first Sight. + +We have a true Specimen of one of these Kind of Geniuses, in _The Journey +to London_, in the Character of John Moody; who, though he was bewildered +in the Hurry and Bustle of London, and broke his Coach, and lost his +Monkey, yet we find John has Sense enough to make just Observations upon +his Master's Conduct, as well as his Mistress's; and, no Doubt, had John +been a real Character, instead of a fictitious one, he would have wished in +his Heart, that he had had the Offender, who broke his Coach, before his +Master as a Justice of the Peace, at his own Quarter Sessions in the +Borough of Guzzledown; for if he had once got him there, whether the +Accident which befel the Carriage, was occasioned by his own aukward +driving on the wrong Side of the Street, or whether the Fellow did it on +Purpose, would have been all one in the Borough of Guzzledown. The Breaking +his Worship's Coach, would have been sufficient to have had him sent to +Limbo. + + * * * * * + + XVII. + + _That a Pointer, if he lifts up his Foot, when he comes upon Game, does + it in order to shew his Master the Spot where the Birds lie._ + +This is so well known to be an Error, that no Person, who is a Sportsman, +need be informed of the Mistake, with any other Design, than by Way of +Ridicule. It truly deserves the Name of a Vulgar Error: However, we shall +put in a Word or two concerning the Nature of Pointers, and explain by what +Means they arrive at such Perfection, as to point at a Partridge for two +Hours together; as it will be necessary, in order to confute the Error. + +There are different Kinds of Pointers, some are of Spanish Extraction, some +Portuguese, some French, and I have lately heard of a rough Breed from +Germany; in the West of England, and in Wales, they make them of English +Spaniels, but as that is done by meer Dint of Correction, we shall pass +them over in Silence; though they are esteemed excellent when they are well +broke. + +What we shall endeavour to explain is, how it comes to pass, that a real +true bred Pointer, shall point or stand at his Game, for a short Time, +without having any Instructions given him at all by any Person. + +I apprehend, that a Pointer, if he was in a State of Nature, wild in the +Woods and Fields, would procure his Sustenance in this Manner: He would +beat about, till he came upon the Scent of something which struck him +considerably, and seemed worth his Attention; after which he would, by the +Direction of the Scent, creep a little nearer, till he found himself quite +certain that he was very near some Game; upon which, such is the vast +Pleasure which this Animal receives from the Sensation of Smelling, his +Limbs are seized with a Sort of Convulsion, which causes him to make a full +Stop, for a short Time, not only in order to contemplate his agreeable +Situation, but likewise to consider, how he may best make such a sure Leap +as to seize on his Prey. + +Reader, when thou art hungry, and art going about thy Business in Haste +thro' the City, did the savoury Effluvia which arises from roast Beef never +strike thy olfactory Nerves? Yes, no Doubt, thou hast been so agreeably +accosted; thou hast made a full Stop; thou hast been so captivated with the +Odour thereof, that thou hast begun to consider, even like a Pointer, how +to seize upon this thy Game. If thou hast ever had such an Accident, thou +mayest easily know the Situation of a Pointer, by consulting thy own +Breast. It will be objected, that a Pointer wild in the Woods, could not +support himself, at all Times of the Year, by catching Game. In answer to +which, I say, that it is the Cold which hinders the Game from breeding +continually. Now in Portugal, and those other warm Countries, of which +these Dogs are Natives, the Objection of Cold is removed, and for that +Reason there always will be, either young Partridges, or Young Pheasants, +or Leverets, &c. upon which a Pointer might live all the Year round, though +the old ones would prove too quick for him. It will be no Objection, +neither, to say, that a true bred Pointer will not break or tear his Game; +for that is owing to the Care which is taken, not to let him play with a +Bird too long, after it is shot, when he is first entered; for if once a +Dog has a Taste of the Blood, and gets a Habit of breaking his Game, it +will be almost impossible to cure him of it again. + +It is the Nature of most Animals of Prey, to play with their Game before +they devour it. Every one must have observed how a Cat plays with a Mouse, +before she dispatches it: It is a Kind of a Suspension of the Pleasure, +which they promise themselves, in the devouring so delicious a Morsel. And +though Human Nature is apt to reflect upon the other Parts of the Creation +for Cruelty, he is not a bit better himself; for what Angler is not +sensible of the high Pleasure of having a Trout at his Line? which he +suffers to flounce and spring in the Water much longer than he has +Occasion, to which violent Pain and Fright of the Fish he gives the Name of +fine Sport. Not to mention hunting an Animal to Death by Inches, with +Hounds, when he might take a Gun, and dispatch it in a Second. The Truth +is, no Animal can be taxed with Cruelty, so long as he pursues the Dictates +of his Nature. + +Since then it is the Nature of most Animals to play with their Game before +they dispatch it, we may conclude, that if a young Pointer does not devour +his Game when it is shot to him, it is only because we do not give him Time +enough, and that, like other Animals of Prey, it is not his Manner to do it +immediately. + +Having shewn that a Pointer is an Animal whose Prey is Game, we may +conclude, that a young Dog makes that sudden Stop when he comes upon Game, +for the same Reason that a Cat stops before she leaps upon a Sparrow; viz. +that he may dart the surer upon them when he does leap. + +As to the Article of holding up his Foot, it entirely depends upon what +Position his Legs happen to be in, when his Nose first catches the full +Scent of the Birds; he stands in a convulsed Situation; and whatever +Posture a Leg is in, at the Time of his first being sure of the Scent, in +that Attitude he remains, whether his Leg happens to be lifted up or on the +Ground. So that if he does lift up his Leg, when he points at the Game, it +is not in order to shew his Master the Spot where they lie, as some have +imagined, but is entirely accidental. + + * * * * * + + XVIII. + + _That the Way to make Boys learn their Books, is to keep them in School + all Day, and whip them._ + +Though the Examples which we have of the Behaviour of the Ancient Worthies +and Heroes, shew, that neither Bonds nor Imprisonment can abate the +Intrepidity of a Man of true Courage; Yet, to Mankind in general, and +especially to those who are but of tender Years, Imprisonment and Scourging +together, are most likely to blunt the Understanding, and take off the Edge +of the Genius. And indeed, the Mistake of imprisoning Boys in a School, for +whole Days together, is practised only in Country Schools, where the +Masters of them know no better. At Eaton and Westminster, that foolish +Custom has been abolished for some Time; at Eaton especially, they perfect +themselves in their Lessons out of School, and only come into School to +repeat them. And, not to mention, how greatly the fresh Air contributes +towards clearing the Head, as all Students must have observed; the very +Thoughts of Liberty, and the knowing that after they have done with their +Lessons, they can follow their Amusements, is enough to make them apply +with double Diligence to what they are about: It is a Kind of Fighting for +Liberty in that Case. Whereas, when a Boy is confined to School for a whole +Day together, he has no Encouragement to exert himself in the Cause of +Liberty; for when he has fought his Battle bravely, and gone through all +the Dangers of his Campaign, he is no nearer to his wished-for Mark, +Liberty, than the dullest Boy at the lower End of School. But this leads me +to another Error, (viz.) + + XIX. + + _That clogging their Parts with long Grammar Rules, will make them + bright Scholars._ + +This Practice too begins to be left off in the great Schools. I remember, +when I was a Boy, though I was exceedingly well grounded, and had the whole +Scheme of the Grammar quite clear in my Head; yet they thought proper to +torment me a long Time, with Rules at the End of the Syntax. + +There was licet, and there was decet, and tædet, and oportet, and nocet, +and Abundance more, Verbs Impersonal, that ought to be tied upon a String, +like the Roman-Catholic Beads, before they are given to Boys to get by +Heart, without any Connection between them. I was in Phædrus's Fables, and +should have known any of these independent Gentry, if I had met them singly +in any Country in Europe, without being tormented with them alltogether. + +Such Methods as these, are apt to make a Boy apprehend, that the Intention +of Grammar is meerly to give Trouble, and perplex; without any View of +Advantage, which may hereafter arise from such an intense Application. + +And indeed, whatever the Intent of them may be, a Lad of such a Persuasion, +would not be much mistaken, with regard to the Effect they have. + +It must be a very different Kind of Genius, which can attain to the +Repetition of dull Grammar Rules, from one, who has Fire enough to digest +the Beauty of such Lines as these: + + _Consedere Duces, et Volgi stante Coronâ,_ + _Surgit ad hos Clypei Dominus septemplicis Ajax;_ + _Utque erat impatiens iræ, Sigeia torvo_ + _Littora respexit, Classemque in Littora Vultu_, &c. + Ovid Metam. + +By letting him taste a little of the Kernel, without keeping him too long +in the disagreeable Part of getting off the Outside of the Walnut, he would +make a much quicker Progress; as he would find, that the Trouble he had +underwent would be rewarded with such Pleasure, as nothing but the Idea of +Business, or Force, which accompanies it, could render tiresome. It will be +objected here, that nothing can be done without these Grammar Rules, and +that however disagreeable they may be, they are what must be gone through, +in order to make good Scholars. To which I answer, First, that common +Grammar not only may be, but is, contracted into a much less Compass than +is generally made use of. Nay, I will go farther: A certain Clergyman, +whose Name it is needless to mention here, was determined to try if he +could not teach a Boy Latin and Greek, without any Grammar at all; and he +chose to try the Experiment first upon his own Son, who seems to be about +twelve Years of Age. The Boy can now construe any Latin or Greek, that is +tolerably easy, very readily. And I make no Doubt, but as the World grows +wiser, they will reduce Grammar into a shorter Compass still than ever has +been done yet. The Grounds of Musick, are to the full as dry as the Rules +of Latin Grammar; and it was formerly a great Work to teach Youth the Rules +of Composition; Nevertheless, they have lately found out a much shorter Way +of going to Work, and every one now begins to have a little Smattering of +Composition; which they attain to by reading those little Pamphlets, which +have been wrote lately upon that Subject. + +I heard a Gentleman say, that he learned more of Composition, by reading a +little short Thing of Pasquali's, than he could acquire by having a Master, +who taught by the old Method, in a couple of Years: It is the very same in +Grammar, and indeed, it is the same in all Sciences. There is an easy Way +of doing every Thing, if we could but find it out; and if any Thing appears +difficult, it is, because we are in a wrong Method. + + * * * * * + + XX. + + _That teaching Boys Bawdy Books, will make them religious Men and good + Clergymen._ + +Though most of the greatest Geniusses among the Ancients, have touched upon +that String; and though, reading the Works of the great Poets, who have +wrote in that Style, does ripen the Genius, and teach Lads an elegant +Expression, as well as set them forward in the Languages; yet, I cannot +come into the Opinion, that Youth, especially those who are intended for +the Church, should be suffered to read the Composition of such a Master of +Intrigue, as Ovid; or some of the Odes of such a Libertine, as Horace. + +An English Reader will understand my Meaning, when I tell him, that some of +the common School-books, which Boys learn at the Age of Sixteen, are more +lewd than any Thing in Rochester's Poems. + +For though this Lord was pretty plain in his Expressions, and his +Composition is quite _Spiritoso_, yet his Works may rather be said to +instruct a Person in the Science of Wickedness, than to stir him up to it. + +The Case is very different with regard to such a Writer as Ovid. He had the +great Advantage of calling in the Religion of the Times to his Assistance, +when he had a mind to be more wicked than ordinary: He could make the most +lewd and profligate Scenes appear sacred Mysteries, by giving them the +pious Title of the Rites of Venus. Then there is a Softness through all his +Works, which attacks the Heart with a seeming harmless Familiarity, and +differs very much from the Air of Rochester; whose Strokes may be compared +to the smutty ones which Hogarth has given us, in some of his Paintings; +while those of Ovid have the alluring Attitude of a Venus de Medicis. + +Pardon, Reader, if I transgress a little, by owning, that I have seen such +a Book as Rochester's Poems long ago; and you will the more easily excuse +me, when I tell you, that I was taught such a Book as Ovid at School. What +has been said about these Books, is intended to shew the Impropriety of +using such Authors in a School: And a Clergyman need not be ashamed of +owning, that he has read even an Atheistical Book: For how should any +Person be able to confute an Author, unless he first peruses his Work, in +order to know the Fallacy of the Arguments, which are made use of in it? +After that, he may fairly endeavour to say something against it, but not +before. + +What I would here urge is, that Boys might have many entertaining, useful +Books put into their Hands, which may be very elegant, and yet very +innocent; without stirring up their Passions to a higher Pitch, than Nature +has intended, by letting them into the History of the Amours which were +carried on among the ancient Romans, who were, if possible, more lascivious +than the modern; as Rome was at that Time of a larger Extent, and more +wealthy, and consequently more able to carry on the Schemes of Vice, than +at present. + +When Ovid wrote, the Romans might be said to be at the Height of their +Luxury, in which they were not a little improved by their Eastern +Expeditions. And tho' Ovid's Epistles, which are more usually taught at +School, than his other Works, are modest enough in themselves, and would be +proper enough for grown up People to read, being nothing but a polite +Correspondence between Lovers of Distinction; yet there is something so +tender in the Style of them, that they are apt to give Youth a Turn for +Love Affairs, rather sooner than they would have, if Nature was left to +itself. + +For tho' the Soil of England is fertile, and it may be called a fine, +flourishing Country; yet, the Weather we have here is rough most Part of +the Year, and in many Parts of it, the Air is chill, and unwholesome; and +on that Account, nothing but the hardy Diversions, which are generally +followed by Youth, such as Hunting, and the like, can ever keep them in +Health. Excess of Venery would agree much better with any Constitution, in +the soft Atmospere of Italy, than amongst the rough Blasts of Old England; +so that if we give way so their Vices, we shall soon find that our +Constitutions will not endure any such Excess of Pleasure, as the Italians +are able to sustain more easily on Account of the Mildness of their +Climate, and the Frame of their Constitutions. Not that I would be thought +to justify Lewdness and Debauchery in Italy, any more than in England. I +only endeavour to shew the double Impropriety of suffering English Youth, +to be acquainted with the Vices of the Italians. + +I am for having an Edition of Horace printed, which shall contain only such +of his Odes as do not touch upon the Affair of Love. It is in vain to say +that Boys need only be taught the modest Part of his Works; for if they are +taught only the modest Odes by their Masters, they will be sure to read the +bawdy ones by themselves. + +But if I was to offer ever so many just Reasons, for the Confirmation of +what has been here said, I am afraid it would be exceeding difficult to +persuade any one to leave a Track, which they have long been used to. + + * * * * * + + XXI. + + _That the present Age is a duller Age, and less ingenious, than those + which are past._ + +This Error is owing to those Harangues, which the old People entertain +their Posterity with, over the Fire in the Winter, about what was done in +their Time, and what clever Fellows they themselves were in their Youth, +and how much the Age declines, &c. In short, an old Man, as Horace +describes him, is _Laudator Temporis acti se Puero_. But we must beg Leave +to tell these venerable Declaimers, that however they may be wrapped up in +the Greatness of their own Exploits, England never could boast a brighter +Age, nor perhaps so bright a one, as she can at present; and we challenge +any one who contradicts it, to tell us, if the Ancients were greater +Geniusses than the Moderns, in what Art or Science it was, that they did so +greatly outstrip us. Perhaps such a Person might begin first, and say, that +they excelled us greatly in Carving and Painting. With regard to these I +acquiesce, and do acknowledge, that the Art of Carving is not in such +Perfection as in former Ages, because it is not practised, and is not the +present fashionable Ornament of Houses; and we do likewise acknowledge, +that the Art of Painting on Glass is very near lost, and is not likely to +be revived whilst the Window-tax continues. + +We agree, I say, that the Arts of Carving, and Painting upon Glass, are +almost extinct; and allowing that former Ages excelled the present in +Painting in general, yet, What are these few Polite Arts? They are quite +insignificant, when compared to the vast Improvements, which have been made +in many other really useful Branches: In Agriculture, in Navigation, in +War, in gaining Settlements in foreign Countries, in Trading to those +Settlements, in Printing, in carrying on Correspondence by Posts, in Roads, +in Carriages, in the Breed of Horses, in Manufactures, and in numberless +other Articles, too tedious to mention. + +It must be acknowledged, that for all these Improvements, we are obliged to +the Arts and Sciences. They are as it were the first moving Force of Power +in any Country; and if we take a Survey of all the Nations of the Earth, we +shall find, that those Monarchs, who encourage Learning, and support +Academies, are able to extend their Dominions farther than those, who, by a +total Attention to Military Discipline, (though even that too depends upon +the Sciences) neglect the Cultivation of that Learning, upon the Support of +which, the Extension of their Dominions to foreign Parts depends. It is to +the Invention of Astronomers, Mechanics, and Opticians, that we owe the +principal Instruments, which are made Use of in Navigation; to their +Ingenuity we owe the Quadrant, without which we should never know our +Latitude; to these we are indebted for the Telescope, by which we discover +Jupiter's Satellites, and find out our Longitude; to these we owe the +Explanation of the Compass; to these the Contrivances of Pullies, by which +we hale up our Tackling. In short, all the Inventions, which we find in the +different Machines made Use of, either by Land or Water, though by long Use +they are become familiar in the Hands of illiterate Persons, were no doubt +originally contrived by the Study and Ingenuity of Men of Science at Home. +And if Nature should shew her dislike to a Stagnation, and express her +wonted Approbation of a Vicissitude in Human Affairs; who knows, but when +the Sciences are forgot in this Kingdom, and we, by that Means, lose the +Art of exerting that Force, which must keep up the Dignity of England over +her Colonies; who knows (which Heaven avert!) but America may see herself +the Mistress of the World, and the Seat of Empire, whilst we are reduced +once more to the State of unletter'd Savages; and shall in vain discharge +our feeble Arrows, and cast our ill-directed Javelins, against the Sides of +their perhaps Five Hundred Gun Ships of War: Or the great Mogul, with his +prodigious Armies, for Want of these Arts and Sciences abovementioned, and +for no other Reason, may one Day or other find himself dethroned by a +Prince, who will be able to reach him, though his Dominions do lie on the +other Side of an unfathomable Sea. + +And if these Vicissitudes should in Process of Time happen, they will be no +other than what have been before. What is become of Palmyra? Where is Troy? +The stately Palaces of Troy are removed into the peaceful Habitation of the +once Arcadian Shepherds. And if the Disposer of all Things should so order +it, Daphnis and Menalcas, may again sing their rural Songs on the very +Spot, where now the Seraglio of the Grand Signior seems to bid Defiance to +a whole Continent. + +Though there is a large Scope for Dissertation, on the various Improvements +of different Kinds, which have been made in almost all Branches, both of +Science and Commerce, it cannot be expected, (even supposing the Author +capable of such a Task) that they should all be brought into a Work of this +Nature, as we have already enlarged more upon this Subject, than was at +first intended. However, as it is a disputed Point, whether the Science of +Music is improved or not, we shall beg Leave to say a little upon that +Subject. And as Music is a Science, which, though it is not equal to some +others in Utility, falls short of none, for the innocent Entertainment +which it affords to those, who are so happy as to be formed by Nature, with +Organs for the Enjoyment of it; we will venture to make it the Subject of +the next Chapter. And we think it is an Error to affirm, + + XXII. + + _That the Musical Composition of this present Age is inferior to that + of the last._ + +Though we are very sensible that we shall have a Multitude of Mouths open +against us, for being so hardy as to assert what will be the Contents of +this Chapter, and shall be exclaimed against by many, who never yet came to +the Knowledge of any other Music than Corelli's Sonatas, which must indeed +be allowed to be almost the Foundation of Music; and though all those +Performers who live in the Country, and either through Business at Home, or +other Reasons, have not had the Opportunity of hearing the best modern +Music performed in Town, and having tried some of the worst of it over by +themselves, upon their Instruments, and finding the Execution of it too +difficult for their Performance, on Account of their being unacquainted +with the modern Manner of bowing and fingering, together with a total +Mistake of the Air and Manner, in which the Composition set before them +ought to be played: All these Obstacles put together, I say, are apt to +induce such, as are not very ready at Sight, and labour under the aforesaid +Inconveniences, to pronounce all Modern Music, of what Kind soever, (taking +it all in the Lump, as one would do Soap or Tallow) to be exceeding bad and +foolish, and therefore not worth a Gentleman's Attention. + +Now begging Pardon first, for the ill Manners of Contradiction, I shall +take the liberty to offer a few reasonable Arguments, to shew, that tho' +there has lately been a great deal of very bad Music performed, yet there +has likewise been published a great Variety of exceeding fine Composition. + +Without mentioning the Names of the Composers, or the Names of their Music, +we shall endeavour to give some substantial Reasons, why the present +Composition, should excel that of those, who wrote in those Times when +Masters were but newly become acquainted with the Laws of Harmony. + +The Case is the same in Music as it is in all other Matters; we find that +all Arts have the greater Improvements made in them, the longer they have +been introduced into any Country, and the more they are followed. This is +natural; because the more Hands a Science has to go through, the greater +Chance it has to meet with Men of Ingenuity in its Progress, who may +forward it towards Perfection. What a sorry Appearance would an ancient +Galley make against one of our First-rate Men of War, either in Sailing or +Fighting? Or if it had been possible for Julius Cæsar, with all his Romans, +when they invaded Britain, to have met with a Forty Gun Ship, they would +have been all sunk by a few Broad Sides. This is a Truth that every one +will acknowledge; and it is as true, that the present Musicians do very +much excel those who lived some Time ago. + +Masters of Music, by Practice, have lately found out a better, easier, and +stronger Way of Performing upon their several Instruments, than was +formerly known; and to this new and better Method of Performance they have +composed suitable Music, which admits of greater Execution, greater Variety +of Expression, and a better Tone, than could be brought out of Instruments +before such Improvements were made. And we find that Geminiani, who was a +close Follower of Corelli, has thought proper to make Concertos of what +Corelli intended for Solos; well knowing, that though the Ground of them +was exceeding fine, yet they were very capable of being improved by adding +Parts to them, and adorning them with what might be called, at that Time, +modern Embellishments and Graces. + +And if one of so small Judgment as myself, may say any Thing about the +Composition of so great a Genius as Geminiani, I will venture to think, +that we have Masters now living, who are capable of taking some of the +ancient Stiffness of Style from that great Composer, and giving him a more +easy, free, and flowing Air; without taking from the Greatness of the +Subject, or varying from the Groundwork of the Harmony, in the least. + +For the Intent of Music is not to puzzle People's Heads, by consisting of +intricate Harmony, and stiff Mathematical Transitions from one Key to +another; by that Means, it would become the most dry and insipid of all +Sciences, and fit for none but Pedants. No, the sole Intent of Music is to +give Pleasure, which it is more likely to do, by the Freedom and Ease of +its Transitions, and the Softness of its flowing Numbers, than by a stiff, +starched, and over formal Composition. + +The present Musicians excel the ancient ones, as much as the modern Ladies +do those of former Times in Dress; and their Compositions differ as much +from those which were played some Time ago, as the elegant Ease of a modern +Lady's Shape, excels the stiff Stays and monstrous Hoop Petticoats of those +who had the Honour to be the Grand-mothers of the present Age; and which +are apt to give us the Idea of an Engagement of a different Nature from one +where Cupid is supposed to preside: It rather puts us in Mind of something +Martial, and makes us almost ready to apprehend we are going to exchange +Hardiment, as Shakespeare calls it, instead of railing our Expectations +into a Duel of another Nature. + +Having now shewn our utter Aversion to Stays, we will return to our +Subject. And we hope the Reader will pardon the Digression, as this is not +the first Time that a Pair of Stays have made a Man turn out of his Road. + +But there is another Reason why the modern Music should excel the ancient; +and that is, the Difference in the Make and and Length of the Bow with +which a Violin is struck. Violins are the Sinews of a Concert; they are, as +it were, the main Body of a Band of Music; they are the Roman Legions of +the Army; while the other Instruments are Slingers, Archers, and +Light-horse. Now in the Time of Corelli, who must be allowed to be the +Father of Harmony, the Bows were not above half so long as they are at +present, neither were they so well shaped, either at the Heel or Point, nor +had they the Spring which the Bows now made have. So that a Piece of Music +which is calculated for the modern Manner of Bowing, could not have gone +off so well in former Times: They had not the Power of swelling a Note out, +in Imitation of the Human Voice, which may be done with a modern Bow; and +the old Bows were so aukwardly made, that they could not be held at the +End, but were obliged to be kept in a Kind of Ballance towards the Middle; +and we may guess what spudding Work it must be, when there were not above a +Couple of Inches in a Bow which could be conveniently used. However, these +little short Bows suited very well for even Semiquavers and Quavers, of +which we find the old Music chiefly to consist. So that we by no Means call +in Question the Abilities of the Composers who lived at that Time; since it +appears, that they composed their Music suitable to the Instruments which +they had to perform it upon. No; we have a due Reverence for the Memory of +those very great Geniusses; and are fully persuaded, that if it was +possible for them to live again, with the Advantages which the Moderns +enjoy the Benefit of, they would excel not only what they have done +themselves, but likewise what any one else has done. + + * * * * * + + XXIII. + + _That the Hearing of Musical Performances, is apt to soften Men too + much, and by that Means, to give them an effeminate Manner._ + +Whether this Error proceeds from the Idea of that Facility with which Music +is able to stir up a Variety of Passions in the Heart, annexed to the Idea +of that Disposition which appears to be stronger in Women than in Man, and +is called the Weakness of the Sex; or whether it proceeds from a Notion +that Pity and Sorrow, and the like, are Passions which are not worthy the +Breast of a Man, and are only fit for the timorous Constitution of Women, +it favours equally of Absurdity and Barbarity in both Cases. + +For so far is Pity from denoting any Cowardice or Effeminacy, that it is a +certain Indication of a great Soul; we find it frequently mentioned among +the most conspicuous Virtues, with which the Heroes among the Ancients were +said to be endued. And with regard to the Passions, which are raised by +Music in the Heart it depends upon the Nicety of the Feelings in the Nerves +of the Hearer; and we cannot help observing, that Men of the greatest +Sensibility are generally Persons of the strictest Honour and the most +exalted Courage. + +As for those who are so unfortunate as not to be formed by Nature for the +Reception of harmonious Sounds, we do not entirely give them up: But we +refer the Reader to a Passage, which he will find in the Merchant of +Venice, and which, tho' the Observation may hold good in some Cases, yet, +we must beg to be excused inserting the Words here, as we think the Remark +is rather too severe and too general, and was introduced by the Poet +chiefly with an Intent to set his malicious Jew off in the most odious +Light, who had been declaring, that he detested the vile Squeaking of the +Wry-neck'd Fife, and ordered his [1]Windows to be shut up, that the Sound +of them might not be heard in his House. And if the old Poet is a little +severe in this Place, he does it principally with an Intention to divest +the Audience of any Compassion, which might otherwise be stirred up in +their Minds by the Misfortunes which will attend Shylock in the following +Scenes; and by that Means the Plot turns out according to the Wish of the +Spectators. This is one of those Preparations of the ensuing Scene for +which Shakespeare is so notorious, and which may be observed in all his +Plays. But to return to our Subject; it seems that those People who have +Organs for the Reception of Musical Sounds, are affected with such Passions +as the Composer of good Music intends to excite in them. And we believe +that the Constitution of a Hearer may be moulded and formed into various +Shapes by the different Airs which he hears; and moreover, if a Person was +always to be accustomed to soft, effeminate Music, we agree that it might +render his Constitution effeminate likewise; but as there are such great +Variety of different Movements, which are adapted to different Songs, all +which raise different Passions in the Mind, it is very absurd to tax all +Music in the Lump with Softness and Effeminacy. + +Any one may perceive the Difference of these two Songs, both of which have +their Effect when they are well sung. + + _Gently touch the warbling Lyre,_ + _Cloe seems inclin'd to rest;_ + _Fill her Soul with fond Desire,_ + _Softest Notes will please her best._ + +These Words, which are sung to an Air of Geminiani's, cause a very +different Sensation, from these which follow, and are set to a suitable +Air: + + _Come cheer up my Lads, 'tis to Glory we steer &c._ + +Whatever the first Song may do, this last is not likely to make any Body +effeminate. I mention these two common Songs, because they are what every +Reader is capable of digesting, and on that Account are more proper for the +Purpose than any of those Songs out of Operas, which are not generally +known. + +But we beg Leave here to make a necessary Distinction between two Ideas, +which are sometimes confounded together, and which is apt to lead People +into this Error as much as any Thing. + +It would be very proper in us, before we prejudice ourselves against any +Art or Science, to be quite clear in the Objections which we raise against +it; we should be certain that they are just, and founded upon good Grounds. +Some People are apt to confound the Idea of raising the softer Passions, +which have their Residence in our Nature, with the Idea of Effeminacy, +which, as I said before, are quite distinct. We have an Instance of the +Passion of Pity in the well known Picture of Bellisarius. The Hero, who +stands in the dejected Attitude, appears to be very much softened by the +Misfortunes and Distress to which he sees Bellisarius reduced; and yet no +one will say that he is an effeminate Fellow for it; on the contrary, it +will be allowed that he shews a Greatness of Soul; he is struck with a +contemplative Sorrow at the Misfortunes of a General, whose invincible +Courage and great Worth he himself had been Witness of. And Bravery in +Distress is not only the Subject of Painting, but it is the constant Theme +of Music: The Operas and Oratorios are full of it, and though the +Misfortunes of the Heroes which are the Subject of them do soften, yet it +is not such a Kind of Softness as to beget any Effeminacy, but of a +contrary Nature, and is such a Sensation as an ordinary Hearer will +perceive at the Beginning of this common Song, which is well enough in its +Way. + + _How little do the Landmen know,_ + _What we poor Sailors feel,_ + _When Seas do roar, and Winds do blow;_ + _But we have Hearts of Steel._ + +If we are to be moved by such a Song as this, what shall we feel at some of +the masterly Strokes of Handel in his Oratorio of Samson. + + _Total Eclipse, no Sun, no Moon,_ + _All dark, amidst the Blaze of Noon._ + +One would think, by the resigned Solemnity of this following Movement, + + _Bring the Laurel, bring the Bays_, &c. + +that he had been reading Milton's Paradise Lost as well as the Samson +Agonistes. This seems to be the very Music of the fallen Angels, where he +says, they made Use of soft Airs, which inspired true Heroic Bravery, and +which he prefers to the noisy, as it was the Cause of a lasting, fixed, and +reserved Courage. Milton says, that as soon as the Colours were displayed, +they marched to the Sound of Flutes and soft Recorders: + + "_Anon they move_ + _In perfect Phalanx, to the Dorian Mood_ + _Of Flutes and soft Recorders; such as rais'd_ + _To Height of noblest Temper Heroes old_ + _Arming to battle, and instead of Rage_ + _Deliberate Valour breath'd firm and unmov'd_ + _With Dread of Death to Flight and foul Retreat._" + +In short, the March in Rinaldo might possibly make Soldiers seize hold of +their Arms and March, but it must be such an Air as that in the Overture of +Berenice which makes them face an Enemy. + + * * * * * + + XXIV. + + _That the Italian Operas consist of effeminate Musick._ + +Though it must be acknowledged that the Language of Italy is smooth and +flowing, and therefore very much adapted to musical Sounds, and though +those Songs which are picked out of Operas, and sung by Ladies at Home, are +generally the Love Songs in the Opera, being such as best suit the Tastes +and Geniussses of such amiable Performers; yet, it is equally an Error to +say that Operas are effeminate, or that all the Songs in them are Love +Songs. No one will say that Quilici with his Bass Voice, in the Character +of Athridates, acted an effeminate Part; he was one of the principal +Characters, and acted the Part of a Tyrant, to which the Music was +excellently adapted, which was greatly set off by his deep Voice and the +proper Carriage of his Person: So when Mattei orders her General to be +disarmed, the Majesty of a Queen is admirably supported. Operas are like +other Performances of Entertainment; they consist of the sublime, the +cruel, the tender, the distressed, the amorous; in short, they must have +Variety of Scenes and Incidents in order to make them please the Audience, +and are like other Dramatic Pieces, not to be taxed with any particular +Style or Mode of Acting, but consist of such Scenes, Plots, Music, and +Decorations, as are most likely to give Entertainment to an Audience. + +We by no Means defend the Impropriety of a Squeaking Hero, and think that +it is a Pity it cannot be altered; however, that Imperfection is generally +palliated, by Propriety of Action, treading the Stage well; Greatness of +Performance, and many other Excellencies, which those who are much used to +hear musical Entertainments will easily discern. + + * * * * * + + XXV. + + _That nothing is Poetry but what is wrote in Rhyme._ + +This may truly be called a vulgar Error, because it is a Mistake of which +none but the Vulgar are guilty of. Though there is a Kind of harmonious +Jingle in Rhyme, which makes the Composition have an agreeable Sound, yet +it is looked upon by all Judges to be the lowest Kind of Poetry. And though +Pope, and other great Writers, have succeeded to Admiration in the +Improvement of it, yet it is in Reality nothing but the barbarous Remains +of the wild Taste of our Ancestors; not to mention how it cramps the Genius +of a Writer, after he has hit upon a favourite Thought, to be forced to +look out for a Rhyme, which must, in Spite of every Thing that can be said +in Favour of it, be exceeding laborious. + +And notwithstanding Poets endeavour to hide this Labour and Pains they have +been at, and affect to have set down their first Thoughts, yet, as Horace +observes, the foul Copy of a good Writer will always have a great Number of +Blots and Alterations in it: This is true of all Poetical Composition; but +a Poem which is wrote in Rhyme, must, according to the Nature of the Thing, +be more laboured than one that is not. And even Prior himself, whose Works +are allowed to be all Ease and Elegance, is said to have taken more Pains +with his Composition, than any other Writer of Eminence. That very Ease and +Elegance, which we perceive in the best Poets, is the Result of great Pains +and Study, and is no other than a judicious Choice of Words and Phrases, +till they have found some that will suit. And however a Poetical Author may +boast of writing his first Thoughts, we cannot possibly have any Testimony +of it but his own. + +Besides, when we have done all, Verses wrote in Rhyme are nothing near so +musical as those which are without it. Where shall we find Verses, among +even the best of our English Poets who wrote in Rhyme, which are equal in +Smoothness and Harmony to these two Lines in Theocritus? + + [Greek: Adion, ô poiman, to teon melos, ê to kataches] + [Greek: Tên apo tas petras kataleixetai hupsothen hudôr.] + _Id. 1._ + +Or these of Ovid, which, though they are far from being the most smooth in +the Book, are however more harmonious than any we can produce now. + + _Sic ubi Fata vocant udis abjectis in Herbis,_ + _Ad vada Mæandri, concinit albus Olor._ + +Though the first of these Verses makes a Whistling like the Reeds in a +River, the last runs so glib, that it is ready to slip from under one +before one would have it. + +We acknowledge that the Latin Language is a great Help to the Running of a +Verse, and if the Reader insists upon that to be the only pre-eminence +which Latin Verses have over English, he is very welcome to think as he +likes best. Moreover, if he is so fond of Rhyme, we can inform him of a +Book which is wrote, in Latin Rhyme, and is very much at his Service: The +Title of the Book is Drunken Barnaby; which, as it is wrote in a dead +Language, will most likely remain an everlasting Burlesque upon the +Barbarity of Rhyme. + +But we may venture to go a little farther. It is not necessary for a Work +to be wrote in Verse at all to entitle it to the Name of Poetry. Any Work +of a fictitious Nature, and which is calculated meerly for Entertainment, +has as just a Claim to be stiled Poetical Composition, as one that is wrote +in the strictest and most confined Metre; Poetry taking its Name from the +Matter of which it is composed, and not from the Length or Sound of its +Words; and we may observe, that such Poetry as consists of those Numbers +which are least confined in their Metre, is generally the most spirited and +sublime. We have an Instance of this in the Writings of Pindar, a Poet of +whose Abilities, Horace gives an Account in his Ode, + + _Pindarum quisquis_, &c. + +And indeed we have no Occasion to go any farther for Examples of excellent +Poetry wrote in Prose, than some of the Plays in our own Language; Ben +Johnson, Congreve, and many more who wrote in Prose, are nevertheless +ranked among the Poets. + +Reader, when thou seest any Thing in this Book which thou didst know +before, it is hoped thou wilt be so candid as to consider, that although +thou art sensible of the Errors of other People, yet they themselves may +not be sensible of them: Yes, even thou, O! profound Philosopher! mayest +have some mistaken Notions of thy own; for what mortal Man can pretend to +such Knowledge as never to be mistaken? And we ourselves, while we are +endeavouring to rectify the Errors of others in this Book, are as likely to +be mistaken as any Body. + +However, there is one Reason why a Work of this Nature is likely to give +some Entertainment; it treats of such Variety of Subjects, that there is +Matter for Argumentation in every Page. And it may be observed too perhaps, +that it treats of more Subjects than the Author himself seems too +understand; which we do very readily acknowledge: And if a Professor in any +of the different Branches which are here treated of, who is better versed +in the Nature of the Subject than the Author, thinks proper to rectify any +Mistake which may be here made, and does it in a liberal Way, we shall not +take it amiss, but perhaps may endeavour to answer him, if we should still +differ from him in our Opinion. + +On the other Hand, we shall be under no great Apprehensions from the +Criticisms of such Readers who have not good Nature enough to be +entertained with the Matter of a Book, and only read for the Pleasure of +Pointing out the Faults in Public; of which Sort we are very sorry to say +that we know too many. These are such Kind of Geniusses as read more out of +Parade than with a Design to be entertained; and _may_ read.[2]----They +seldom acquire any Knowledge, having generally bad Memories and confused +Heads, devouring every Thing, but digesting Nothing. I tell thee, a Man of +true Parts, and sound Memory, will acquire more by reading one Hour, than +such Whippersnappers as these are able to attain to by lumbering over a +Folio. + + * * * * * + + XXVI. + + _That kicking up the Heel behind, and twisting round upon one Leg, is + fine Scating._ + +There are two Methods of Scating, one is made Use of for the Sake of +Expedition and Conveyance from Place to Place, and is practised by the +Boors or Peasants in Holland; the other is calculated entirely for +Amusement, and answers the End of _Shining_ upon the Ice, and therefore is +suited for Gentlemen near Towns upon Canals, and broad Pieces of Water. The +first of these Methods is performed by throwing the Body into such an erect +Posture inclining a little upon the Outside of the Scate, and drawing in +the Hip gradually, as will describe small Curve upon the Ice; this Practice +of Scating eases the Inside of the Thigh, and rests it in such a Manner as +to allow it Time to regain Strength for the next Stroke, and therefore is +very useful in long Journies; or else as to the Article of Swiftness, a +straight Line will carry a Person on faster than a Curve, because while he +is describing a Curve he has more Ground to run over. + +The other Method of Scating, which is known in England by the Name of +Rolling, is done upon the same Principle as the former, only as you have no +Occasion for Expedition, you have an Opportunity of dweling longer upon +your Strokes, and your Time; by which Means, instead of describing a small +Curve, you describe a large one. + +It will be necessary to explain the Cause of this Motion, before we can +make the Reader sensible of what we intend to say. + +All Bodies that are put into Motion upon the Surface of the Earth, are +acted upon by two Forces; namely, a Projectile Force and a Centripetal +Force. The Projectile Force is that which is given it by the Hand or +Strength of any Person, and the Centripetal Force is that which causes all +Bodies to seek the Center of the Earth. For Instance, when a Stone is cast +into the Air to any Distance, the Reason why it does not move on to +Eternity without stopping (as it ought to do by the Principles of +Mechanics) is, because the Centripetal Force keeps continually acting upon +it, till it has pulled it down to the Ground again: This serves to explain +what is meant by a Centripetal Force. + +Now, when a Person scates, he is acted upon by these two Forces, as other +Bodies in Motion are. It is the Projectile Force which throws him upon the +Outside of the Scate, till he has got quite out of the Center of Gravity, +by which Means he would be pulled to the Ground by the Centripetal Force, +if he was not supported by the Projectile Force, which is strong enough to +make Head against the Centripetal for a little while (in the same Manner as +it is able to keep a Stone in the Air till it is spent) and by that Time +the Person scating has recovered himself into an erect Posture. This +Projectile Force is given by a Stroke of the Foot, inclined to the Plain of +the Ice; by which Means, the _whole_ Edge of the Scate takes hold, and is +your moving Force; and the more of the Edge of the Scate a Person uses in +his Stroke, the easier he will go to himself, and the greater Velocity he +will move with: For if he dwells more upon the Heel of the Scate than the +Toe, or vice versâ, he not only loses Part of his moving Force, by losing +Part of the Edge of his Scate, which is absolutely the moving Force, but he +likewise encreases his Friction, which ought to be destroyed as much as +possible; and at the same Time loses that Symmetry of Gesture, upon which +the Gracefulness of his Attitude depends. + +When a Person scates properly, he keeps the Foot that he strikes with in +such a Posture upon the Ice, as to make the whole Scate take hold of it +sideways, without destroying his progressive Motion; and instead of kicking +up his Heel behind, just when he takes Leave of the Ice, with the Foot +which has been striking, he gives his Toe a Turn outwards, which not only +gives him a genteel Air, being according to the Rules of Dancing, but +likewise sends him with twice the Force upon the Outside, as it adds to +that Projectile Force which is to make Head against the Centripetal, and to +keep him upon his Legs after he has got out of the Center of Gravity; and +which uncommon Phoenomenon gives that Surprize and Pleasure to a Beholder, +which he perceives at the Sight of a fine Scater. + +I mention this, because I have met with those who have obstinately +persisted in it, that some Persons who kick up their Heels behind, and +strike only with the Toe of their Scate, because they can go a Snail's +Gallop upon the Outside, are fine Scaters; when they are making Use of a +Method which is repugnant to the very Principles of Mechanics. + + * * * * * + + XXVII. + + _That using hard Words and long Sentences, in Discourse or in Writing, + is an Indication of Scholarship._ + +It must be allowed, that good Language is a very great Embellishment, +either to a Person's Conversation, or his Writing; but as it is intended +only to set off what we have to say to the best Advantage, we should +endeavour to use it with such Moderation, as will answer that End, and no +more; otherwise, we shall make ourselves appear very ridiculous in the Eyes +of Men of Learning and Knowledge. + +Good Language, in the Mouth of a Fine Gentleman, resembles the Elegance of +his Dress; it becomes equally ridiculous when ill-judged, or over done: For +as there is no Doubt but good Cloaths set off the Person to a great +Advantage, when they are made with Judgement, and worn with a becoming +Carriage, so an elegant Choice of Words and Sentences are a great Ornament +to Conversation. But on the other Hand, a Suit of Cloaths, though made of +the finest Materials and covered with Lace, will make but an aukward +Appearance if it is ill-made, and worn by one who has not the Carriage of a +Gentleman. So it is with Language. Fine Words, in the Mouths of the +Ignorant, are as unbecoming as Gold Lace upon the Back of a Porter.--And +not only the Ignorant are guilty of this Error, but even those who do know +the Meaning of the Words they use, are apt, by affecting an elegant +Diction, to run themselves into Obscurity; and while they are attending to +their Language, and studying hard Words, neglect the Matter of their +Discourse; to explain which is the sole End of Speaking. The Use of Words +being only to convey our Ideas to each other. + +There is a Shew-board over a Watchmaker's Shop at Oxford, which may serve +for a Burlesque upon the Folly of using hard Words: I cannot charge my +Memory with all the Jargon wrote upon that Board; however, I remember that +it was a long Account of what the Man in the Shop sold, and what he did; +and among other Things it said that _Horologies_ were _mundified_ there; +which Expression we think is enough to make any Man sick of the Languages, +and abjure every Thing that belongs to Literature for the future. + +I have met People in the Street, whose profound Ignorance I have been well +assured of, who have immediately stunned me upon the first entering into +Discourse with half a Dozen hard Words: And it is not long since, a young +Gentleman came to the Coffee-house, and ordered the Waiter, when he sent +Coffee and Tea to his Chambers, to let him have an _additional_ Muffin: The +Man stared at him, and told him, that he did not know how to do one in that +Manner, but he could carbonade him one if he pleased. + +A Lady would think it extraordinary language, upon a Gentleman's desiring +to carry on an Intrigue with her, if he was to ask her, whether she would +have an additional Husband, or not? However, as this is a prodigious fine +Word, and as fine Words are always made use of in addressing the Ladies, we +are of Opinion that it would be proper to adapt this as an Improvement in +the Language of Lovers. + +Almost all Professions are stuffed so full of Terms of Art, that to +understand the Meaning of all the Words which are made use in any one of +them, is long enough for a Science of itself. The only End they answer, is +to puzzle those who are not of the same Profession. Not long ago, a young +Man in the Country, who had weak Eyes, applied to a Surgeon for Relief in +his Disorder. The Surgeon, upon examining his Patient, told him, that he +would send him some Drops which would _refrigerate_ his Eye. + +The young Man came Home again, not very well satisfied, being not certain +what he might have to undergo by this Refrigeration, having never heard the +Word before. Surely he might with as much Propriety have been told, that +what was in the Bottle would put him to no Pain, but was only intended to +cool his Eyes. + +It is incredible to think how cleverly some People, who have not had the +Advantages of Education, will manage about Half a Dozen of these Words when +they have got them. I have known some, who, for the Space of four or five +Minutes, would deceive a Stranger, and induce him to think that he had met +with a Person of great Learning. And however odd this may appear, we think +we ourselves can manage the few hard Words which have been mentioned here, +in such a Manner as to make an extraordinary Sentence of them: For +Instance, supposing a Person had no other fine Words but these in his +Catalogue, and had an Occasion for them in addressing a Lady; we are of +Opinion, that he might shine by ranging them all in this Order. + +Madam, I presume your _Horologie_ will never go right unless it is +_mundified_ by an _additional_ Lover; therefore, let me have the Honour to +_refrigerate_ your Eye. + +A Swain of a more happy Invention, might make a much finer Speech out of +these Words; but as we have done our utmost in the Attempt, we shall take +Leave of the Subject; having shewn, to a Demonstration, the singular +Advantage of making Use of fine Words. + + * * * * * + + XXVIII. + + _That the Way to get a Sailing Boat off the Shore, when she is fast by + any Accident, is to let go both or all the Sails, and stand at her + Head, and push with a Sprit._ + +This Error, though it may seem ridiculous to those who have been brought up +at Sea, and understand Sailing, is nevertheless very common in Inland +Rivers, where Sailing is but little understood. You may very frequently see +fresh-water Sailors, as soon as they find that their Boat has struck, +immediately let both their Main-sail and Fore-sail fly, after which they +all run to the Head of the Boat with Sprits, and begin to endeavour to push +her off; which Method is contrary to the Rules of Mechanics, and therefore +of Sailing. + +A Boat or Vessel of any Size (a 90 Gun Ship moving upon the same Principle +as the smallest Cutter,) is acted upon by the Powers which are the Cause of +her Motion as she swims in the Water, in the same Manner as a Lever of the +first Kind, whose Center or Prop is between the Power and the Weight. To +explain this, let us suppose a Boat, instead of Swimming in the Water, to +be upon dry Land, and to have her Mast run quite through her, and fastened +into the Ground, upon which she might be turned at Pleasure, as upon an +Axle-Tree: In this Case, as her Mast is rather nearer her Head than her +Stern, it would be more easy to turn her Head round by laying hold of her +Stern, because there would be a Mechanical Advantage, by the greater Length +from the Stern to the Mast, than from the Head to the Mast. And in whatever +Direction the Stern of the Vessel is turned, her Head must move the +contrary Way, and vice versâ. Now, the same will happen to a Vessel in the +Water; if you push her Head in one Direction, her Stern will move in the +other, and vice versâ. So that a Vessel under Sail with a Side-wind, may be +called a Lever of the first Kind, both whose Extremities are kept in a +Ballance by the Sails and Rudder; Forces which keep continually acting upon +her. The Rudder may be considered as a Kind of Moderator, which is to +interpose when the Sails which are before the Mast, or those which are +behind the Mast, or abaft, overpower each other, and destroy that Ballance +which a Vessel rightly trimmed very near preserves of herself. It must be +observed, that the Sails before the Mast of a Vessel, and those behind it, +act in contrary Directions. Those which are before the Mast turn her Head +from the Wind, and those which are behind it turn her Head towards the +Wind. + +By this Time, we see the Impropriety of letting both the Main-sail and +Fore-sail of a Vessel go, when she strikes upon Ground, and then running to +her Head in order to push her off: For first, concerning the Article of +going to her Head to push her off, if she is a small Vessel, the Weight of +two or three People at her Head will press that Part, which generally +happens to be the Part upon the Shore, still closer down; which is a Thing +so well known to every Waterman, that we shall say no more about that. Now, +as to letting both the Sails go, they might with as much Propriety both be +set, for as they act in contrary Directions, they destroy each other's +Force, if the Vessel is well trimmed; so that a Vessel will come off the +Ground no sooner for letting both the Sails go. The Method that I should +take in a Case of that Kind, would be to set the Main-sail and let the +Fore-sail fly, and if that would not do alone, to assist the Main-sail by +pushing at the Windward-side of her Stern with a Sprit, both which Forces +acting together, namely the Main-sail and the Sprit, would in all +Probability put her Head about so as to bring it beyond the Point from +which the Wind blows, which Point after I had got her past, I would set the +Fore-sail to the other Tack, and let the Main-sail go; and by that Means, +the Fore-sail would put her Head almost round; then the Main-sail might be +set, and after Sailing back so far as to get quite clear of the Place where +the Vessel stuck fast before, she might be tacked about again, and pursue +her intended Voyage. + +I don't presume to say, that this is the very best Method of getting a +Vessel off the Shore; as those who have been used to the Sea may have a +more ready Method still: But I do say, that it is a Method which is +consonant to the Principles of Mechanics, for which Reason, it may very +safely be put in Execution, either at Sea or in fresh Water. + + * * * * * + + XXIX. + + _That planting Aquatics upon Banks in the Fenns, will preserve and + strengthen them, so as to render them more able to resist the Force of + a Flood._ + +What will be asserted in this Chapter is not the Result of Surmise, but is +what I have been an Eye Witness of. Be it known then unto all those, who +think proper to do this Book so much Honour as to give it a Perusal, that +the Author is a Fenman: Why should he be ashamed of his Native Country? A +Country, where they have Inverted the following Lines of Horace: + + _Omne cum Proteus pecus egit altos_ + _Visere Montes:_ + _Piscium & summâ genus hæsit Ulmo,_ + _Nota quæ sedes fuerat columbis,_ + _Et superjecto pavidæ natarunt_ + _Æquore Dammæ._ + +For here, instead of those Places which were the Habitations of Doves, +being visited by Fish, just the contrary has happened. By the Ingenuity of +these People, barren Sands, over which Ships used to ride at Anchor, are +changed into pleasant Meadows and rich Inclosures. + +Having now shewn how much of a Fenman we are, it will be proper to return +to the Subject. + +There can be no Doubt, but that every Attempt which is made to promote the +Improvement of Agriculture, is highly commendable; and on the other Hand, +it is the Duty of every one, to endeavour to rectify such of those Attempts +as he knows, as well from his own Experience, as from the Conversation of +skilful Engineers, to be erroneous: And we are sorry to say, we are very +clear that the Scheme of planting Aquatics upon Banks in the Fenns, +notwithstanding what has been affirmed about it, is so far from being +likely to strengthen such Banks, that it is a certain Way to destroy them. + +In order to make some of our Readers, who live in the high Country, +sensible of the Truth of what will be here asserted, it will be necessary +to explain the Nature of Fenn-Draining, which shall be done in as few Words +as possible. + +Water is a Fluid, as has been before observed; and it is the Nature of a +Fluid to be always endeavouring to restore an Equilibrium in it's Parts, +which we may observe by it's restless Motion after the Surface of it is +made uneven. It is in order to restore this Equilibrium, that Water rushes +down with such Rapidity, from the high Country into the Fenns; where, when +it has got, the Surface of the whole Country being even, and in general no +higher than the Bottom of the adjacent Seas, it remains quiet; +Fenn-Draining, therefore, must be a Work of Art.--Now let us examine into +the Principles of this Art. + +The first Thing to be done is, to scour out the Bottoms of the Rivers, +which run through them, from Sand and Filth, and by that Means to make a +good Outfall; then to make Banks of Earth on the Sides of those Rivers, to +prevent, as much as possible, the Water which comes down in a Flood from +overflowing the Country, as well as to retain such Water as shall be thrown +into the Rivers by Engines. It will be needless here to describe the +Machinery of a Water Engine; it will be sufficient to say, that Drains are +cut which lead from these Engines to the Rivers, which Drains are banked +likewise, and that these Engines, by the Help of the Wind, have a Power of +Drawing the Water from the Lands which are drowned, into these Drains, till +they are quite full, and till the Water has got to a Level which is higher +than the Bottom of the adjacent Sea; and by the Principles of Hydrostatics +is forced to run into the Sea to restore the Equilibrium: It is by the +Strength of the Banks, the Force of the Engines, and the Goodness of the +Outfall, that a Fenn must be drained. Now, I affirm that planting Aquatics +upon Banks in the Fenn will not strengthen them, but destroy them. + +All Vermin in a Fenn are fond of a Bank; it is high Ground, and therefore +dry and comfortable for them in the Winter, for which Reason they are +always full of Moles, and particular Kinds of Rats and Mice, with long +Noses, call'd Field Mice and Rats, and abundance more Animals, which breed +incessantly; and make Holes and Burrows through the Banks in all +Directions. One Kind of these Rats builds his House so commodious, that it +is worth while to relate the Ingenuity of this little Free Mason: He begins +by making a Hole in the Top of the Bank, and after a Labyrinth of many +Windings and Turnings, he finishes all, by making another towards the +Bottom of the Bank close to the Water's Edge; by that Means he extends his +Territories from the Top of the Bank to the Bottom, and has a Supply of +fresh Water, without being seen by the Enemy, who is continually upon the +Watch for him. Owls, Buzzards, Kites, Ravens, Carrion Crows, and other +Birds of Prey in the Fenn, always frequent the Banks in the Evening, and if +the Grass is kept low by Cattle, they will destroy most of the Vermin upon +them. + +But then we must not plant Trees upon them, as they will be the finest +Cover imaginable for those Rats; Trees will not only hide them from the +Sight of the Birds of Prey, but will likewise hinder those Birds from +darting down upon them when they have got a Sight of them. + +I remember, near eighteen Years ago, several Sorts of Aquatics were planted +upon the Banks in the Fenns near Thorney-Abbey; the Consequence was, the +Roots of the Trees served for Timber for the Houses of these Vermin, and +the Branches were a Shelter from the Birds of Prey, by which Means they +were full of Holes, thro' which the Water used to run back again to the +Lands as fast as the Engines threw it out; for which Reason the Trees were +ordered to be grubbed up, by the principal Engineer. + +There is nothing which strengthens a Bank like a good Covering of Grass, +close eat by Cattle; for if once Water penetrates through the outside Coat +of a Bank, it is not in the Power of Aquatics to hinder it from tearing the +Earth away with it. If Aquatics are planted any where, they ought to be at +some Distance _before_ the Bank, in order to keep the Lash of Water from +wearing it away. + + * * * * * + + XXX. + + _That those who lived Two Thousand Years ago, were larger than the + present Race of Mankind._ + +We are obliged to the Poets for this Patagonian System. Their Fictions of +Titan and Briareus, and the whole Fraternity of Giants, is a Fable which +conveys a Moral: The Giants, upon attempting to scale the Walls of Heaven +by heaping Mountains one upon another, are repelled by Jupiter's Thunder, +made Prisoners, and bound under those Mountains upon which they made the +Attempt. The Moral of the Fable is only this, that it is impossible for any +Force to oppose the Omnipotent. Not to dispute whether the Ancients were of +Opinion, that at the Creation of the World all the Animals were of a +gigantic Size, or what might be their Sentiments about that Matter; it is +certain that there has been an Opinion among Men, in all Ages, that the +Time in which they themselves lived, produced Men of less Stature than +those who lived some Time before them. This is a Persuasion which the Poets +all encouraged, as it suited their Purpose; nothing being so great an +Enchantment, to the Mind of a poetical Reader, as to be struck with the +Marvellous. + +When Virgil makes Turnus throw a large Stone at Æneas, he tells us, that it +was such a Stone as twelve Men of his degenerate Age could scarce have +carried upon their Shoulders. + + _Nec plura effatus, saxum circumspicit ingens:_ + _Saxum antiquum ingens, campo quod forte jacebat,_ + _Limes agro positus litem ut discerneret arvis._ + _Vix illud lecti bis sex cervice subirent,_ + _Qualia nunc hominum producit corpora tellus._ + +A Person who reads this Passage, and really believes that Men were larger +in Æneas' Time than in Virgil's, reasons thus with himself: "The Works of +Nature degenerate: Those who lived in Æneas's Time, were larger than those +who lived in Virgil's; and those who lived in the Time of Virgil, were +larger than those who live now." + +With regard to those who lived in Æneas's Time, we cannot indeed have any +positive Proof to the contrary; but it is not impossible to prove, that the +generality of those Romans who lived in Virgil's Time, were not so tall as +the present Inhabitants of Great Britain are at this Day. + +The English in general are a tall People; we are obliged to a Mixture of +Saxons and Danes for our Stature. A curious Observer may discover a great +deal of the Dane in many of the English, not only from their Names, but +likewise from their Features and Complexions. Those People who have +straight Hair between a white and a red, and have fine Skins, but withall a +fierce Countenance, seem to be of Danish Extraction. It is not difficult, +neither, to trace the Saxon in many of our Nation; such as are tall and +lusty, and of a peaceable and quiet Demeanor till they are provoked, and +with nothing very brisk in their Countenances, seem to have had Saxon +Ancestors. Not to dwell long upon this, as it is certain that England has +been over-run by the Danes and Saxons (whom it would be prudent not to +speak ill of, lest we should abuse some of our own Relations) we will +return to our Subject. + +There is no Cause to apprehend that the Works of Nature degenerate in the +least, as it is a Supposition which is repugnant to all the Observations +which may be made upon the Generation of Animals. Any one who has bred +Horses, Dogs, or Poultry, must have observed, that instead of degenerating, +they always improve upon his Hands, unless he opposes Nature, which seems +to struggle hard against a Stagnation, by confining the Breed too long in +the same Family. + +We have two Reasons, then, to suppose that the present Inhabitants of Great +Britain are larger in Stature than the old Romans were, viz. because they +are the Posterity of a taller People, and because the Breed is so much +crossed. + +But we beg Leave to offer a Reason why it may be apprehended that the +Ancients were not larger in Stature than the Moderns, which seems to carry +along with it something which has very much the Air of a Proof. + +Whoever observes the Size of the Remains of those People who lived in the +Time of the old Romans, or before that Time, will find, that they are no +larger in their Dimensions than the Remains of those who died fifty Years +ago. I have seen Abundance of Stone Coffins, which, as they are found in a +Place which has all the manifest Signs of having been a Roman Camp, both in +respect of it's advantageous Situation, the Name of the present Town, which +is Caster, the Roman Coin which is constantly found there, the Urns in +which the Coin is found, the Inscriptions cut in Cedar in the Coffins, the +Stones of a Bridge, which may be felt with a Sprit, at the Bottom of the +River, at the Back of an Enclosure, which is called the Castle Ground to +this Day; all these are Indications of a Roman Camp, and may be seen near +the great North Road between Stilton and Stamford; where the Curious, by a +proper Application, may have a Pocket full of Roman Coin for a Shilling. +Indeed, whether these Stone Coffins, which are found in this Camp, +contained the Bodies of Romans, no one can positively determine, especially +as the Romans generally burnt their Dead, if they had a convenient +Opportunity: However, as they are found in a Roman Camp, upon the same Spot +where the Coin is found, it is enough to make one think that they are Roman +Coffins, and that the Romans did sometimes bury their Dead; nevertheless, +we leave that to the Determination of the Curious.--Of whatever Nation +their Contents were, the Marks of great Antiquity are strong upon them; and +we can assure the Reader, that none of them were ever troubled with Remains +of a Patagonian. + +But these are not the only Reliques by which we may form our Judgments; +numberless Libraries and Repositories in this Kingdom afford us Instances +of the Size of the Ancients: We have several Egyptian Mummies which seem to +be of very ancient Standing, and must have contained the Bodies of Men of +less Stature than the present English. + +Upon the whole, then, we have just Cause to conclude, that in all Ages of +the World, the Egyptians and Romans were in general of the same Size with +the present Inhabitants of those Countries. + +It must nevertheless be allowed, that Luxury and Debauchery, which are the +Concomitants of Wealth, do very much tend to decrease the Stature of the +Inhabitants of those Cities which have long continued in that State. To +which we may apply this Philosophical Maxim, _When any Thing is so small as +to be of no Consequence to the Point in Hand, it is considered as Nothing_. +Those Cities which have acquired so much Wealth as to be able to commit +such Excesses, are inconsiderable when compared to the Inhabitants of the +whole Earth, therefore they are to be considered as nothing. + +Besides, so great is the Caprice of Fortune, that even the most powerful +State in the Universe, cannot presume to declare how soon a Period may be +put to its Grandeur. But having said something upon this Subject before, we +shall proceed to another Error. + + * * * * * + + XXXI. + + _That Bleeding in May will preserve the Constitution against Illness + during the ensuing Summer._ + +This Hereditary Whim has long been practised in many genteel Families in +England. + +Without consulting any of the Faculty, whose Blood is too thick, or whose +too thin, who have got too much Blood in their Veins, or who too little, +they send for some Six-penny Bleeder, who performs this Operation upon the +whole Family every Year, on May-day in the Morning. + +Not to examine into the Causes of Mortality in May, leaving that Task to +those who are able to assign them, it will be sufficient to remark, that +the weekly Bills generally contain more Deaths in May than in any Month +throughout the whole Year. + +We are sure to have a Fortnight of unwholesome agueish Weather in May; and +one would think, that the common Proverbs which are made use of in the +Country to that purpose, would be sufficient to deter a Person from losing +any Blood at that Season of the Year. + +It is not impossible, but the Preposessions which we have in Favour of the +Charms of this Month, may proceed from a Perusal of the Latin Poets, or +their Translators; whose Works are full of the various Beauties of the +Spring. And very possibly, in Italy, where these Poets lived, that Part of +the Spring may be pleasant and wholesome. + +In England, we are all of us very sensible of the cold and wet Weather, +which generally happens in this Month. And for my own Part, I must confess, +that I think May not only the most dangerous, but likewise, upon the whole, +the most disagreeable Part of the Year; and am quite certain, that if I was +to be let Blood on May-day, I should have the Ague. + + * * * * * + + XXXII. + + _That Negroes are not a Part of the Human Species._ + +This is a Creolian Error, imbibed partly by the Prejudice of Education, and +partly by the compleat Slavery which these poor Wretches are so unfortunate +as to undergo. The passive Appearance of these unhappy People at their +Work, which sometimes resembles that of a Horse in a Mill, gives Master +Tommy Sugar-Cane an Idea, which is the Cause of an Opinion, that a Negroe +is Part of the Brute Creation, and therefore ought to be thrashed. + +But indeed, Master Tommy, if I had the Care of thy Education, I would teach +thee a more reasonable Way of Thinking. + +Young Gentleman, you ought to consider that the Works of Nature are neither +better nor worse either for your Approbation or Disapprobation of them. +That Black is as good a Colour as White in itself; and that the Effect +which particular Rays of Light have upon your Eye, is by no Means to +determine the Beauty or Proportion of any Part of the Creation: And though +your faithful Negroe does appear rude and uncultivated, that is owing to +his Want of Education. Let him have Instructions in Music, you will find +that his Genius is greater than your own; teach him to fence, his Activity +and Stratagem will surprize you. In short, instruct him in any Science, and +he will discover a Capacity. + +Therefore, if you have read Mr. Locke, (and if you have not, I would advise +you to fit out one of your Ships and make a Voyage in Quest of him) Mr. +Locke will tell you, that _it is the Understanding that sets Man above the +rest of sensible Beings, and gives him all the Advantage and Dominion which +he has over them_. And in another Place the same Author will tell you, that +it is a wrong Connection of Ideas which is the great Cause of Errors: These +are his Words, _This wrong Connection in our Minds of Ideas, in themselves +loose and independent one of another, has such an Influence, and is of so +great Force to set us awry in our Actions, as well moral as natural +Passions, Reasonings, and Notions themselves; that perhaps there is not any +one Thing that deserves more to be looked after_. This is the very Case +with Master Tommy Sugar-Cane; a wrong Connection of Ideas have lead him +into this Error, concerning his poor Negroe; he has connected the Ideas of +Horse, Slave, and Negroe, so strongly together in his Mind, that it is not +in his Power to separate them again. And I am credibly informed by those +who understand it, that there is as much Pleasure in whipping a Negroe, as +in driving a Phæton and Pair. + + * * * * * + + XXXIII. + + _That Negroes are the Descendants of Cain, and that the Colour of their + Skins is that Mark which was set upon Cain after killing Abel._ + +This is a very pretty ingenious Thought of some one, who was doubtless in +love with his own Complexion. I have heard it affirmed by some with such +Warmth, that it seemed in vain to reason with them about it. + +Before we can have any Grounds for such an Affirmation, it will be +necessary to prove that it is a Disgrace to have a dark Complexion; for, if +it is no Disgrace to have a dark Complexion, then there can be no Badge or +Mark of Infamy in being black; if it is a Disgrace to have a dark +Complexion, then the Way of Reasoning must be this: The Irish and Scotch +having fine Skins, are better than the English; the English and French, +than the Italians and Spaniards; the Italians and Spaniards, than the +Algerines; and so on, till we come to the Line. To me, this seems so +absurd, that I must beg Leave to quit the Subject, till some one has +convinced me, that a white Horse is better than a black one. + + * * * * * + + XXXIV. + + _That Love is nothing but Concupiscence to a high Degree, or that Love + and Lust are the same Thing._ + +Love is a Passion, which, though we read of it in the Classics, is but +seldom experienced in these Northern Climates. + +I never met with a North-countryman who would allow that there is any +Difference between Love and Lust, and even in the Southern Parts of the +Kingdom it is but slightly felt; what little we have of it in England, +serves only to make Diversion for the Girls, one among another, and does +not often produce any Thing of bad Consequence. But in Southern Climes the +Effects of it are violent, as well as much more frequent. The desperate +Actions which our Tragedies are full of, will appear more natural, if we +consider what Country we are in during the Time of the Play. + +In England, we should esteem a Person, who killed himself for the Love of +one of inferior Birth and Fortune, but a very silly Fellow; whereas in +Spain or in Italy, to fall upon a Sword for a beautiful Woman, is looked +upon as a certain Indication of a great Soul, and as a Proof that the Heart +of the Enamoured was possessed of a Sentiment unknown to the Minds of the +Vulgar. Not to dwell upon the many Instances, which have happened both +among the Ancients and Moderns, of People who have died for Love, I shall +just make a little Enquiry into the Nature of that Disorder, for so it may +be called, since it sometimes proves fatal. + +That Affection which is called Love, seems to be a Fever, not only in the +Mind, but an actual Fever, attended with the Symptoms of that Disorder; and +differs from all others in this Particular, it is what no Physic can cure. +The Symptoms of it are much like those of that Distemper, which the +East-Indians sometimes die of, when they pine for their native Country. + +If this is the Case, Love is so far from being another Term for Lust, that +it rather opposes that Desire, which is generally the Concomitant of +Health. + +The Heart is capable of a Wound from this little mischievous Urchin, before +Maturity arrives; for the Truth of which I appeal to every one who has +Sensibility enough, to be capable of receiving the Impression of Love, +whether he never found himself electrified by a fine Lady, when he was +about the Age of thirteen. + +To conclude: If I hear a Person very positive that Love and Lust are the +same Thing, I take it for granted, that his Nerves are so coarse and +callous, that nothing less than the Stroke of a Blacksmith's Hammer can +possibly have any Effect upon him. + + * * * * * + + XXXV. + + _That the Hedge-Hog is a mischievous Animal; and particularly, that he + sucks Cows, when they are asleep in the Night, and causes their Teats + to be sore._ + +The Antipathy which People have taken against this Animal, is chiefly owing +to his Form. He is ugly and clumsy, and, not being able to run away, like +most other Animals, is forced to have Recourse to his natural Armour, +which, though it is merely defensive, is apt to disgust those, who cannot +satisfy their Curiosity about him; as there is nothing to be seen but a +round Ball of sharp-pointed Bristles, till he is put into Water, and then +he is forced to open himself and swim. + +By the bye, some Naturalists have affirmed, that he is like the Porcupine; +but that, we can assure the Reader, is a Mistake. A Porcupine is as large +as ten Hedge-Hogs; besides, there is not the least Resemblance in the Form +of the Animals, or in their Manner of Defence. The Hedge-Hog, upon being +discovered, lies quite still, and depends upon the Impenetrability of his +Armour for Safety; whereas the Porcupine is tolerably swift, and is not +able to conceal himself under his Quills, as they do not cover above half +his Back. When he is pursued he makes a full Stop, and has the Power of +drawing up the whole Body of his Quills, so as to dart them all together +into any one who attacks him; and in all Probability he will leave one or +two in your Legs, if you go too near him, and make him angry, which is very +soon done. I once saw a Stick put to a Porcupine, and he broke two or three +of his Quills against the Stick, though they are very hard and tough. Some +say, that the Quills of a Porcupine are of a poisonous Nature. But, begging +Pardon for this Digression about the Porcupine, we will return to the Error +which was mentioned, concerning the Hedge-Hog. + +It may be observed in the Works of Nature, that all Animals, of whatsoever +Kind they are, whether they come under the Denomination of Birds, +Quadrupeds, Reptiles, or Fishes, are provided with such Organs and Weapons +as are convenient for the procuring of their Sustenance, as well as such as +are formed for their Self-Defence. + +The Lion _roaring after his Prey_, has Weapons proper for the vanquishing +and devouring that Prey. + +The Bull, whose principal Food is Grass, is provided with Armour round his +Tongue and Nostrils, which is Proof against the Thistles and venomous +Insects that make a Part of his coarse Diet. + +The Monkey is possessed of Hands for selecting the eatable Parts of his +Nuts and Fruit from the poisonous Rind. + +The Hawk is furnished with long Wings for pursuing, keen Eyes for +discerning, and sharp Talons for taking the granivorous Birds, which are +his Prey; whilst they are provided with Beaks of a proper Shape for picking +up the Corn, as well as Gizzards, or strong Muscles, which, by the Help of +Gravel Stones, that are contained in them, grind the separate Grains of +Corn, as they are discharged from the Crop, out of which they proceed +gradually. + +The numberless Instances of this Kind which might be brought, are too +tedious to mention here; it will be sufficient to remark, that there is no +such Monster to be found in the Creation, as an Animal with Weapons and +Implements improper for the Acquisition of that Food which is to be the +Support of its Life, or unfurnished with such a Means of Defence, as is +most suitable to its Self-preservation. + +The Hedge-Hog is a peculiar Instance of this: As he is rather slow of Foot, +if he should happen to be surprized in his Travels, he can gather himself +up into a Coat of Mail, which answers two Ends; as it is a _Deceptio +Visus_, looking like a Clot covered with dried Grass; and as it consists of +sharp Spikes upon a thick Skin, which serve both for a Sword and Target, +either to secure him against the Tread of a Horse, or the Assaults of Dogs +and Hawks. Then as his Habitation is in Hedges, he has a Mouth formed for +the Reception of Hips, Haws, and Sloes, which are his Food; and which, +doubtless, he hoards up in some little Repository, known only to himself. +His Nose is formed to search for Roots near the Surface of the Earth, which +must not be very large, otherwise he would be unable to manage them, as his +Mouth is remarkably small, and does not seem capable of containing any +Thing larger than a small Pea; for which Reason we may suppose it not only +improbable and unnatural, that the Hedge-Hog should attempt to suck the +Teats of a Cow, when she is asleep, as it does not seem formed by Nature +for such an Operation; but we will endeavour to prove from Hydrostatics, +that it would be impossible for him to acquire any Milk at all by such a +Trial. + +It is certainly true, that the Reason why a Vessel contains Water, or any +other Fluid, within it's Sides, and hinders it from dispersing, is, because +the Pressure of the Air at the Top of the Vessel keeps it down; and it is +as true, that when the Vessel is turned up side down, the Liquor in it will +still be kept in, by the same Pressure of the Air, notwithstanding the +Force of Gravity, provided the Surface of the Water is not disturbed in +turning the Vessel; which may be easily proved by the Experiment of a +Drinking-Glass and a Piece of Paper. It is upon this Principle, that the +Milk in the Dug of an Animal, is kept in it's proper Place, and does not +fall to the Ground; though it must be acknowledged, that there may be some +other Causes assigned likewise. + +Now if a Vessel of Water is put into an Air Pump, as soon as the Air is +extracted from the Receiver, in which the Vessel stands, the Water +immediately ascends up out of the Vessel, and overflows the Brim, the Air, +which was the Cause of it's being kept down, being removed. + +This is the Case with an Animal which gives Suck. The Teat is close +embraced round by the Mouth of the young one, so that no Air can pass +between: A Vacuum is made, or the Air is exhausted from it's Throat, by a +Power in the Lungs; nevertheless, the Pressure of the Air remains still +upon the Outside of the Dug of the Mother, and by these two Causes +together, the Milk is forced into the Mouth of the young one. + +But a Hedge-Hog has no such Mouth, as to be able to contain the Teat of a +Cow; therefore any Vacuum, which is caused in it's own Throat, cannot be +communicated to the Milk in the Dug. And if he is able to procure no other +Food, but what he can get by sucking Cows in the Night, there is likely to +be a Vacuum in his Stomach too. + +It may be objected here, that former Legislators have thought proper to +allow a Reward to be given for killing this Animal, on Account of the +Mischief he has been supposed to do. To which I answer, that former +Legislators have thought proper to burn old Women, for being Witches, if +they would not sink when they were put into a Pond; and I will venture to +affirm, that there is just as much Sense in burning a Witch, as in setting +a Reward upon a Hedge-Hog. + + * * * * * + + XXXVI. + + _That a Person is the better or the worse for being of any particular + Calling or Profession._ + +This Error shall be dressed in a Clerical Habit. But I fear those venerable +Robes will share the same Fate here, which attends them in other Places; +they will give a double Force to the Mistakes and Failings of the Wearer. + +Luke XVIII. Verses the xth, xith, xiith, and xiiith. _Two men went up into +the temple to pray; the one a Pharisee, and the other a publican. The +Pharisee stood and prayed thus with himself; God, I thank thee, that I am +not as other men are, extortioners, unjust, adulterers, or even as this +publican. I fast twice in the week, I give tithes of all that I possess. +And the_ _publican, standing afar off, would not lift up so much as his +eyes unto heaven, but smote upon his breast, saying, God be merciful to me +a sinner._ + +The Oriental Teachers thought proper to convey their Doctrines of Morality +in Parable. Doubtless, the Method is plain and easy to be understood; +elegantly shewing us the Truth, whilst we cannot help confessing that we +discern it, and this without giving much Disgust by laying open the Foibles +of any Party; it is capable of comprehending all the Figures of Poetry and +Rhetoric, and these Figures are the least liable to be detected, whilst +they are clothed in the Disguise of Parable, which must be allowed to be a +great Advantage; _Artis est celare artem_ holds good in this Case, as well +as in others. And if one Person has an Inclination to bring another to his +Way of Thinking, he must endeavour to be as plain and simple in his Manner +as possible, for this Method alone carries with it the Appearance of Truth; +whether we argue on the right Side of the Question, or on the wrong, this +Method of Proceeding will hold good in some Measure; but especially, if we +want to instil true Principles of sound Morality, it has a double Force. +Our Blessed Saviour, doubtless, for this Reason thought proper to deliver +his Doctrines of Morality in this convincing, self-evident Dialect; he saw +plainly that the Cabalistical Stile of the Pharisees, was by no Means a +Language proper to convey new and wholesome Precepts into the Minds of the +Vulgar. No: He chose rather to make Use of this compact and intelligible +Method of inculcating his Precepts, namely Parable. We have no greater +Instance of his Skill, than this of the Pharisee and Publican. + +In the Handling of this Subject, we shall consider the Human Species in +different Lights; as a reasoning philosophizing Animal, who thinks he has a +right to enquire into the Phoenomena of Nature, and to make Use of that +Right, and of those Senses, which God has given him; and as a Person, who +is forced to submit to the the superior Judgment of other Men, and takes +Things for granted as he is told them. The first of these is what we +generally understand when we say Men of Science, Men of Learning, Men of +regular Education, and the like. These may be ranged into Variety of +different Orders and Ranks, in regard to their different Professions, +Studies, Turns of Genius, Amusements, Abilities, Applications, &c. + +We may with Propriety reduce all these different Sentiments concerning +Mankind, into two Branches; namely, Men of Business, and Men of Recreation +or Pleasure. + +Of those who come under the Denomination of Men of Business, each one is +apt to think himself of that Order which is most respectable. For Instance, +one who professes the Law, may know that Mankind is apt to tax him with +Injustice and Dishonesty, but that, he comforts himself, is of no great +Signification; for what amongst the Vulgar is stiled Dishonest, among +People of Fashion, would be palliated by the agreeable Name of exquisite +Address. And so he makes himself very easy about what vulgar Imputations +may be laid to his Charge by the Mob, so long as he has the Gentry on his +Side. And they too may tax him with Dishonesty if they please, but he makes +no Doubt but he shall soon have some of them applying to him for Justice, +as all Causes must go through the Hands of those of his Profession; and he +does not see but Things are determined fairly enough in the End. In short, +he concludes with thinking, that his Profession is as useful as any other, +(and in that perhaps he may be right) and that it is profitable, and of +great Importance, and therefore, that the Sons of the Robe may justly be +said to be more honourable. + +The Physician is of another Way of Thinking. He knows full well, that +Health is of more Consequence than Riches, for (says he) what Pleasure can +a Man have from a great Estate, if he has not Health to enjoy it? The +Lawyer may out talk him perhaps, but he thinks he has saved more Lives, at +a much cheaper Rate than the other has recovered Estates in Chancery. They +may make light of his Art, but he is certain likewise, that they will all +stand in Need of his Skill sometime or other; and therefore thinks, on +Account of the Importance of his Profession, that the Sons of Galen are +most honourable. + +The Philosopher differs from them both. He thinks, that all that is wrote +upon Parchment must treat of something very trifling, with Respect to what +he is concerned in. It may be, says he, that this Parchment may contain +some Conveyance of some small Tract of Land, belonging to some one private +Person; but what is that? he has just been taking Measure of the whole +Earth. He thinks that Physic may have Merit in it's Way; for a Man skilled +in Physic may preserve the Life of an Animal who inhabits the Globe; but +what is this to what he has been contriving of? He has been taking Care of +the Health of the Universe; he has discovered a Comet, and has been +calculating how near it will approach to the Earth's Orbit; he has been +settling the Degrees of Heat it contains, at such and such Distances, and +what Danger we should all be in, of being totally demolished, if it was to +approach but a small Distance nearer; he has been finding out the Situation +of the Polar Stars, that Navigators may sail in an unknown Sea without +Danger; he has been fixing the exact Limit of the Trade Winds, where they +may be certain of being blown Home again safe. He thinks these are Matters +of a high Nature, much beyond any Thing else, and therefore, that his +Profession is of the highest Importance. Three Professions have been +mentioned, every one of which is apt to think his own Order of the greatest +Consequence. We should find it exactly the same, if we were to take a +Survey of the inferior Trades, and mechanical Men. + +Those likewise, who think proper to devote their Time to Amusements, if we +examine into their Behaviour, we shall find them, in general, no less +partial to their own Taste than the Men of Business; which we shall easily +discern, if we make Observations at any Public Place, where many of this +Kind resort to. Gentlemen who are fond of Play, most heartily despise all +the Noises that can be made upon Instruments, all the Daubings which can be +smeared upon Canvass, and all the Nonsense that can he crammed into Books. +The only Music that can give them any Pleasure, is the rattling and +spirited Sound of the all-hazardous Dice-Box; the only Paintings which can +strike them, must be drawn at full Length, upon the mercenary Card-Table; +the only Books which, in their Opinion, contain any Sense in them, are +those which treat upon the noble Science of Gaming. + +The Sportsman wonders what any Body can see in London, or in those +make-shift Entertainments which are contrived to pass Time away in Town; he +cannot bear to sit fretting over a Card Table. The only Music that delights +him, is the chearing Sensation which he perceives, when he is awaked from +Sleep, by the confused Harmony which pierces his Ear, from the shrill +Throats of his never-erring Hounds, impatient for the glorious Fatigue (as +he calls it) of the ensuing Day; which he follows at the Hazard of his +Life, over Dangers of Mountains, and Woods, and Rivers, and craggy Cliffs, +and returns Home well pleased and happy with the Thoughts of his Exploits: +Whilst the London Citizen prefers his Armed-chair, and a good Fire, and the +Daily Advertiser; and sneers at all the others for senseless Wretches, +because they don't understand the Rules of Principal and Interest.--All +these Examples may serve to shew, how wrapt-up Men are in their particular +Engagements of Business and Pleasure, and how in love they are with their +own Opinions: So in love with them, that they cannot look upon the +Sentiments of others with common Charity. + +We all think ourselves of the highest Importance, and that there would no +existing without us; how this comes to pass shall be next enquired into, by +returning to the Matter of different Professions. We behave with regard to +our public Professions, in this Respect, just as we do in our private +Characters: As we can easily discern the Vices of other Men, and forget our +own, so it happens in the present Case; we can easily discern the Advantage +which the Public reaps from our own Profession, but it is with great +Difficulty that we are brought to examinine what Use we ourselves derive +from that of another. This was the very Case with the Pharisee in the Text; +he stood, and prayed and said, _God, I thank thee, that I am not as other +men are, extortioners, unjust, adulterers, or even as this publican_. He +payed Tithes of all that he possessed. And what great Merit was there in +that? If he had not thought proper to pay Tithes of his own Accord, no +Doubt, there was as much Law to compel him in those Times as in these; but +the Misfortune is, this Pharisee was under the same Mistake which Pharisees +in all Ages labour under, he could see plain enough into what he thought +his own private Qualifications, but could not discern the Use which the +Public reaped from his Companion. The Publican on the other Hand did not so +much as lift up his Eyes to Heaven, but smote his Breast, and said, _God be +merciful to me a sinner_. He acknowledged that he was of a Profession +which, however necessary it might be in itself, nevertheless brought upon +him the Odium of his Countrymen, and which made him liable to many +Irregularities in his Behaviour, made him forced to be guilty of many +Extortions from the poorer Sort of People; he confessed that his Profession +did necessarily bring all these Sins upon him, for which he then implored +Forgiveness. _I tell you_, says our Saviour, _this man went down to his +house justified rather than the other_. But what Reason can be given, why +the Pharisee should not be justified? It might be said, that the Pharisee +was conscious to himself of living according to the Laws of his Country, +and of doing his Duty, and that he thought it incumbent upon him to return +Thanks to the Maker of all Things, for giving him such good Inclinations, +and for putting it into his Power to make a good Use of them. + +This would be very charitable Reasoning, if one could be brought to +believe, that the Pharisee was really such a Sort of a Man as he pretended +to be; but it is sufficiently evident, by the Stile and Manner of the +Parable, that this Pharisee was intended to be like other Pharisees in all +Times: he would be thought to be much better than he really was, and had +worked himself up to such a high Pitch of Pride and Self-Conceit, as to +boast of his supposed Qualifications even to his Maker. + +Doubtless this excellent Parable strikes at the very Root of all Hypocrisy, +and vain-glorious outside Shew. For here was the Publican, very probably a +much better Man than the Pharisee, who had neither imbibed such high +Notions of his own Worth, nor pretended to any such fine Qualifications; he +very willingly acknowledged his Faults, and with the greatest Modesty and +Diffidence of himself, that high Recommendation both in the Eyes of God and +Man, did not even think himself worthy to look up to Heaven, but smote upon +his Breast and said, _God be merciful to me a sinner_. + +What has been said may serve to shew the excellent Morality, which these +Parables of our Saviour's contained; they contained such Sort of Lessons as +must be useful, so long as the World exists; for there will always be such +Pharisees as are here mentioned by our Saviour, and to whom, in another +Place, he repeats the Words, _Wo unto you scribes and Pharisees, +hypocrites_, so often. Isaiah says, Chap. ix. ver. 20, 21. _Wo unto them +that call evil good, and good evil; that put darkness for light, and light +for darkness; that put bitter for sweet, and_ _sweet for bitter! Wo unto +them that are wise in their own Eyes and prudent in their own Sight!_ + +Our Saviour did not mean to aim with the Force of his Doctrine at Publicans +and Pharisees alone, his Doctrine was of an Universal Nature: And we must +not suppose that could ever be his Intention; and lest future Ages should +hereafter make such a Mistake, the Evangelist has given us his Opinion what +he thought our Saviour intended by this Parable. _He spake this Parable_, +says St. Luke, _unto those which trusted in themselves that they were +righteous, and despised others_. + +Here it must be observed, that though our Saviour was pleased to say, that +_the Publican went down to his House justified_ rather _than the Pharisee_, +yet he by no Means sets either of them as a Pattern for our Example. We +must not therefore misunderstand this Passage so dangerously as to think, +that if we be but modest, we may be guilty of what enormous Vices we think +proper, because that would be giving the Words of our Saviour a wrong +Interpretation. A middle Character, between these two Extremes, is rather +to be aimed at. It is to be wished, that we could so navigate ourselves +through the dangerous Rocks and Quicksands of Land, as to avoid both the +Sins of the Publican, and the vain-glorious Boasting of the Pharisee: And +by that Means, we shall be enabled without Fear, to sail through the dark +Sea of Death, even into the Regions of Eternity, where the Gates of Hell +shall not prevail against us. + + _FINIS._ + + * * * * * + + + ERRATA. + + Page 54, instead of _Conis_ read _Canis_. + 72, instead of _Boatman's_ read _Boatswain's_. + 91, instead of _the_ read _their_. + ditto, instead of _amazed_ read _amused_. + 110, instead of _lighter_ read _higher_. + 165, instead of _jabebat_ read _jacebat_. + + * * * * * + + + NOTES + +[1] + + What are these Masks? Hear you me, Jessica, + Lock up my Doors, and when you hear the Drum, + And the vile Squeaking of the Wry-neck'd Fife, &c. + +[2] + + Rusticus expectat dum defluat amnis. + + + + + + +End of the Project Gutenberg EBook of A New Catalogue of Vulgar Errors, by +Stephen Fovargue + +*** END OF THE PROJECT GUTENBERG EBOOK 41274 *** |
