diff options
Diffstat (limited to '41138-h')
| -rw-r--r-- | 41138-h/41138-h.htm | 548 |
1 files changed, 61 insertions, 487 deletions
diff --git a/41138-h/41138-h.htm b/41138-h/41138-h.htm index 02c33b9..9ee3dac 100644 --- a/41138-h/41138-h.htm +++ b/41138-h/41138-h.htm @@ -2,7 +2,7 @@ "http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en"> <head> -<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> +<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title>The Project Gutenberg eBook of Notes and Queries Vol. V., No. 127, Saturday, April 3, 1852.</title> <link rel="coverpage" href="images/cover.jpg" /> @@ -81,52 +81,7 @@ td.tdhang { text-align:left;margin-left:2em;padding-left:4em;text-indent:-2em;p </head> <body> - - -<pre> - -The Project Gutenberg EBook of Notes and Queries, Vol. V, Number 127, -April 3, 1852, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Notes and Queries, Vol. V, Number 127, April 3, 1852 - A Medium of Inter-communication for Literary Men, Artists, - Antiquaries, Genealogists, etc. - -Author: Various - -Editor: George Bell - -Release Date: October 21, 2012 [EBook #41138] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, APRIL 3, 1852 *** - - - - -Produced by Charlene Taylor, Jonathan Ingram and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Library of Early Journals.) - - - - - - -</pre> - - - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 41138 ***</div> <h1> @@ -606,9 +561,9 @@ memory:</p> <div class="poem"> - <p>"Plus bel esprit que grand génie,</p> + <p>"Plus bel esprit que grand génie,</p> <p>Sans loi, sans mœurs, et sans vertu,</p> - <p> Il est mort, comme il a vécu,</p> + <p> Il est mort, comme il a vécu,</p> <p>Couvert de gloire et d'infamie."</p> </div> @@ -796,8 +751,8 @@ Evening," has these lines:</p> <div class="poem"> - <p><span title="[Greek: Asteras eisathreis Astêr emos; eithe genoimên - Ouranos hôs myriois ommasin eis se blepô.]">Ἀστέρας + <p><span title="[Greek: Asteras eisathreis Astêr emos; eithe genoimên + Ouranos hôs myriois ommasin eis se blepô.]">Ἀστέρας εἰσαθρεῖς Ἀστὴρ ἐμός· εἴθε γενοίμην</span></p> <p class="i2"> Οὐρανὸς ὡς μυρίοις @@ -975,7 +930,7 @@ who resided in the south of the county of Wexford, in the neighbourhood of a convent, which having been founded by Marshal, Earl of Pembroke, and supplied with monks from Tintern in Monmouthshire, was named after the parent monastery. The Fitz-Harris's are said to have descended from -Meyler Fitz-Henry, the "indomitor totius gentis Hiberniæ," but they +Meyler Fitz-Henry, the "indomitor totius gentis Hiberniæ," but they became, to quote Spenser's adage current of the Anglo-Irish of his day,</p> <div class="poem"> @@ -1011,7 +966,7 @@ Irish clergy,</p> </div> -<p class="noindent">That glorious <i>chanson à boire</i>, commencing</p> +<p class="noindent">That glorious <i>chanson à boire</i>, commencing</p> <div class="poem"> @@ -1240,7 +1195,7 @@ xiii. 4. in our authorised version. I do not think it at all desirable to encourage a captious spirit of fault-finding towards that admirable translation, but fair criticism is assuredly allowable. Can any of your correspondents account for the rendering in Heb. x. 23. of -<span title="[Greek: tên homologian tês _elpidos_]">τὴν +<span title="[Greek: tên homologian tês _elpidos_]">τὴν ὁμολογίαν τῆς <strong>ἐλπίδος</strong></span> by "the <i>pro</i>fession of our <i>faith</i>?"</p> @@ -1334,7 +1289,7 @@ your correspondents tell me what became of them?</p> <p>—Will some kind correspondent favour me with an elucidation of the phrase "Man in the Almanack," which occurs in the following quotation from the epilogue to Nat. Lee's <i>Gloriana, or -the Court of Augustus Cæsar</i>?</p> +the Court of Augustus Cæsar</i>?</p> <div class="poem"> @@ -1477,10 +1432,10 @@ Mary Ambree?</p> Sir William Stanley, who was beheaded for high treason, for saying "If Perkin Wabbeck is son of Edward IV., I will supply him with five hundred men," was executed in the third year of Henry VII. Now, in a memorandum -of the time in a <i>Horæ B. Virg.</i> in my possession, it states:</p> +of the time in a <i>Horæ B. Virg.</i> in my possession, it states:</p> <p class="blockquot">"Memorandum: Quod die lune xvi<span class="topnum">o</span> die Februarii anno Regis Henrici - Septimi Decimo Willius Stanley, Miles, Camerarius regis prædicti + Septimi Decimo Willius Stanley, Miles, Camerarius regis prædicti receptus fuit apud Turrim London, et ductus usque scaffold et ibidem fuit decapitatus. Johannes Warner et Nicholas Allwyn tunc vic. London."</p> @@ -1491,7 +1446,7 @@ of the time in a <i>Horæ B. Virg.</i> in my possession, it states:</p> <p class="left">Cross House, Ilminster, Somerset.</p> - <p class="blockquot">[The memorandum in the <i>Horæ</i> agrees with the date given in + <p class="blockquot">[The memorandum in the <i>Horæ</i> agrees with the date given in Fabyan's <i>Chronicle</i>, p. 685., edit. 1811, viz. February 16, 1495. Fuller, in his <i>Worthies</i>, also states that Allwyn and Warner were sheriffs of London in the tenth year of Henry VII.]</p> @@ -1691,12 +1646,12 @@ them, or, in fact, to any good notice of its early history?</p> <p class="left">5. Holland Place, North Brixton.</p> - <p class="blockquot">[Fosbroke, in his <i>Encyclopædia of Antiquities</i>, vol. i. p. 397., + <p class="blockquot">[Fosbroke, in his <i>Encyclopædia of Antiquities</i>, vol. i. p. 397., has given some curious notices of the early manufacture of this useful article. The art of glass-making was known to the early Egyptians, as is fully discussed in a Memoir by M. Boudet, in the - <i>Description de l'Egypt</i>, vol. ix. <i>Antiq. Mémoires</i>. See also - the <i>Encyclopædia Metropolitana</i>, vol. viii. p. 469, which + <i>Description de l'Egypt</i>, vol. ix. <i>Antiq. Mémoires</i>. See also + the <i>Encyclopædia Metropolitana</i>, vol. viii. p. 469, which contains many historical notices, from a neat and concise sketch published by Mr. Pellatt, of the firm of Pellatt and Green, whose works are scientifically conducted on a scale of considerable @@ -1745,7 +1700,7 @@ I ask again, how the title arises, and whether it is short for master?</p> </h4> <p>—Who was John Le Neve, the compiler and editor of the -<i>Fasti Ecclesiæ Anglicanæ</i>, fol. 1716? He has been, though erroneously, +<i>Fasti Ecclesiæ Anglicanæ</i>, fol. 1716? He has been, though erroneously, supposed to be a brother of Peter Le Neve, Norroy. When did he die?</p> <p class="right">G.</p> @@ -1996,7 +1951,7 @@ if I forestall him.</p> meaning is this:</p> <p class="blockquot"> "The sacred sickle (or shekel) was equivalent to an Attic - tetradrachma, which Budæus estimated at 14 Gallic solidi, or + tetradrachma, which Budæus estimated at 14 Gallic solidi, or thereabouts; for the didrachma was seven solidi, since the single drachma made three and a half solidi, <i>less</i> a denier Tournois."</p> @@ -2021,7 +1976,7 @@ the comparison was made must have contained upwards of fivefold its present value in pure silver.</p> <p>Now, according to the depreciation tables of M. Dennis, this condition -obtained in 1483, under Charles VIII., at which time Budæus was actually +obtained in 1483, under Charles VIII., at which time Budæus was actually living, having been born in 1467; but from other circumstances I am induced to believe that the solidus gallicus mentioned by him was coined by Louis XII. in 1498, at which time the quantity of pure silver was @@ -2034,21 +1989,21 @@ alluded to by Isabella, in <i>Measure for Measure</i> (Act II. Sc. 2.), were <i>sicli aurei</i>, "of the tested gold."</p> <p>But I have designedly used the word <i>sickle</i> as the English -representative of the Latin <i>siclus</i> (Gallicè <i>cicle</i>), because it is +representative of the Latin <i>siclus</i> (Gallicè <i>cicle</i>), because it is the original word of Shakspeare, which was subsequently, most unwarrantably and unwisely, altered by the commentators to <i>shekels</i> in conformity with the Hebraicised word of our scriptural translation.<a id="ion2"></a><a title="Go to footnote 2." href="#fn2" class="fnanchor">[2]</a> Hence it is that "sickles" has come to be looked upon as <i>a corruption of the text</i>; and "shekels" as a very clever <i>conjectural emendation</i>!</p> -<p>We retain <i>sickle</i>, Anglicè for <i>sicula</i>, a scythe; but we refuse it to +<p>We retain <i>sickle</i>, Anglicè for <i>sicula</i>, a scythe; but we refuse it to Shakspeare for a word almost identical in sound—<i>siculus</i>, or siclus!</p> <p>The real corruption has been that of Shakspeare's commentators, not his printers'; and I hope that some future editor of his plays will have the courage to permit him to spell this, and other proper names, in his own way. For how can his text continue to be an example of his language, if -his words may be altered to suit the <i>précieuse</i> fashion of subsequent +his words may be altered to suit the <i>précieuse</i> fashion of subsequent times?</p> <p class="right"> A. E. B.</p> @@ -2105,7 +2060,7 @@ rate it is clear that the enclosure had another name:<a id="Page_326"></a> <span <p> Qu' Alixandres dedens enclost,</p> <p>Et sont la gent <i>Got</i> et <i>Magot</i>."</p> - <p class="author"> <i>Extrait de l'Image du Monde, par Le Roux de Lincy, Livre des Légendes</i>, p. 208.</p> + <p class="author"> <i>Extrait de l'Image du Monde, par Le Roux de Lincy, Livre des Légendes</i>, p. 208.</p> </div> @@ -2117,7 +2072,7 @@ sense it occurs more than once in Layamon; thus, vol. ii. p. 410.:—</p> <div class="poem"> - <p> "Thine feond <i>flæmen</i></p> + <p> "Thine feond <i>flæmen</i></p> <p> & driven hem of londen."</p> </div> @@ -2199,7 +2154,7 @@ undergone.</p> </div> <p class="noindent">in allusion to the judgment of heaven which is said to have befallen the -posterity of Wm. de Traci, one of the assassins of Thos. à Becket.</p> +posterity of Wm. de Traci, one of the assassins of Thos. à Becket.</p> <p class="indh">IX. Anecdotes and traditions.</p> @@ -2321,7 +2276,7 @@ particulars.<a id="Page_328"></a> <span class="pagenum">[328]</span></p> <p>Whilst the subject of the Pagets (a very interesting one to me), I cannot refrain from noticing, even at the risk of encroaching on your -space, a singular mistake of Anthony à Wood respecting another writer +space, a singular mistake of Anthony à Wood respecting another writer (though of an entirely different family) of the name of Paget. Speaking of the Rev. Ephraim Paget (<i>Athen. Oxon.</i>, vol. ii. p. 51.) he says:</p> @@ -2375,24 +2330,24 @@ Letters</i>, I may be excused when I acknowledge that the test is not with me quite conclusive. In respect, however, to this "Letter to a Brigadier," Mr. Britton and Sir David Brewster have proceeded somewhat further. Having, with others, come to the conclusion that Junius was the -writer, Mr. Britton proceeds to show that Barré served in Canada under +writer, Mr. Britton proceeds to show that Barré served in Canada under Wolfe, and was the very man, from circumstances, position, and feelings, who could, would, and did write that letter. Sir David endeavours to show that Macleane was in like circumstance, stimulated by like feelings, and was the veritable Simon; founding his argument mainly on the belief that Macleane was also serving there as surgeon of Otway's -regiment. It has been shown in the <i>Athenæum</i> that Macleane never was +regiment. It has been shown in the <i>Athenæum</i> that Macleane never was surgeon of Otway's regiment, and that in all probability he never was in Canada: in brief, that the memoir is a mistake from beginning to end. As all, however, that is urged by Sir David in favour of Macleane, as one who had served under Wolfe, may be thought to strengthen, to that -extent, the claim of Barré, who certainly did so serve, and was severely +extent, the claim of Barré, who certainly did so serve, and was severely wounded, let us look at the facts.</p> -<p>Barré was wounded at the capture of Quebec; and, under date of Oct. +<p>Barré was wounded at the capture of Quebec; and, under date of Oct. 1759, Knox, in his <i>Historical Journal</i>, says, "Colonel Carlton and -Major Barré retired to the southward for the recovery of their wounds." -From his letter to Mr. Pitt (<i>Chath. Corr.</i>), we find that Barré was at +Major Barré retired to the southward for the recovery of their wounds." +From his letter to Mr. Pitt (<i>Chath. Corr.</i>), we find that Barré was at New York, April 28, 1760. He appears subsequently to have joined Amherst before Montreal; and on the capture of Montreal, on Sept. 8, 1760, he was appointed to convey the despatches to England, and arrived in London @@ -2436,7 +2391,7 @@ examination, than I am of the argument whereby I arrived at it—for my memory is singularly gifted in this way—I should be obliged by E. C. H., or any of your correspondents, informing me what grounds there are for believing Spruner, or any one else, to have produced a map or maps -of the north coast of Africa between long. 5° west, and 25° east of +of the north coast of Africa between long. 5° west, and 25° east of Greenwich, or any portion of the said coast,—said map or maps being the result of actual survey. Moreover, if I further inquire when any survey whatever took place of this coast at any time, and profess my utter @@ -2520,17 +2475,17 @@ friends, died within seven months of each other in 1771.</p> account of the early commercial intercourse between Europe and the eastern countries, I believe there is no work comparable to that entitled <i>Histoire du commerce entre le Levant et l'Europe depuis les -croisades jusqu'à la fondation des colonies d'Amérique</i>, par G. B. +croisades jusqu'à la fondation des colonies d'Amérique</i>, par G. B. Depping. Paris, 1830. 8vo. 2 vols. This subject was proposed in 1826, as -a prize essay, by the Académie royale des inscriptions et +a prize essay, by the Académie royale des inscriptions et belles-lettres, and M. Depping was the successful competitor. The prize, a gold medal of the value of 1500 francs, was awarded in 1828. M. le baron Silvestre de Sacy, whose profound acquaintance with oriental history and literature enabled him to detect some slight errors in the work, thus concludes his review of it in the <i>Journal des savants</i>: -"Mais ces légères critiques ne m'empêchent pas de rendre toute justice à -un travail véritablement estimable, et digne de l'honneur qu'il a obtenu -de l'Académie des belles-lettres."</p> +"Mais ces légères critiques ne m'empêchent pas de rendre toute justice à +un travail véritablement estimable, et digne de l'honneur qu'il a obtenu +de l'Académie des belles-lettres."</p> <p class="right">B<span class="smcap lowercase">OLTON</span> C<span class="smcap lowercase">ORNEY</span>.</p> @@ -2732,8 +2687,8 @@ opening chapter of his novel of <i>Outre-mer</i>, says the name of "Martinique" is derived from that which the island had received from the Caribs:</p> -<p class="blockquot">"Ce nom de 'Martinique' dérive par corruption de l'ancien nom - sauvage et indigène, <i>Matinina</i>."</p> +<p class="blockquot">"Ce nom de 'Martinique' dérive par corruption de l'ancien nom + sauvage et indigène, <i>Matinina</i>."</p> <p class="right">H<span class="smcap lowercase">ENRY</span> H. B<span class="smcap lowercase">REEN</span>.</p> @@ -2760,7 +2715,7 @@ and interesting little work:</p> to their often adjuration by the name of God, with sometimes reference to a famous scene in French history, in which Rollo, Duke of Normandy, played a conspicuous part; the other puts it in - connexion with 'Beguines,' often called in Latin 'Beguttæ,' a + connexion with 'Beguines,' often called in Latin 'Beguttæ,' a name by which certain communities of pietest women were known in the Middle Ages. Yet I cannot but think it probable, that rather than to either of these sources, we owe the word to that mighty @@ -2837,7 +2792,7 @@ the autograph of John Le Neve:—</p> nec malignus detrahere potuisset.</p> <p class="blockquot">"Talis Deum jamdudum spirans et sursum aspirans, sui ante et - Reip. fata præsaga, salutisq; Æterna certissima, ingenti lætoq; + Reip. fata præsaga, salutisq; Æterna certissima, ingenti lætoq; ardore in Servatoris dilectissimi sinum ipsius sanguine totam animam efflavit, rebus humanis exempta, immortalitate induit 3 nonas Quintilis, <i>An. Kal.</i> 1652.</p> @@ -3033,7 +2988,7 @@ arms (azure a cheveron between 3 leopards' faces or) were in a window of the hall of Serjeants' Inn, Fleet Street; and the same coat (quartering Sturgeon and another) was in a window at St. Dunstan's in the West. (Fuller's <i>Worthies in Middlesex</i>; Dugdale's <i>Origines Juridiciales</i>, -47. 128. 328.; <i>Chronica Series</i>, 74. 76.; <i>Bibliotheca Legum Angliæ</i>, +47. 128. 328.; <i>Chronica Series</i>, 74. 76.; <i>Bibliotheca Legum Angliæ</i>, ii. 192.; <i>Excerpta Historica</i>, 119. 121. 123.; <i>Plumpton Correspondence</i>, 152, 153. 161. 165.; Cooper's <i>Annals of Cambridge</i>, 258. 260.; <i>Rotuli Parliamentorum</i>, vi. 522.; <i>Collectanea Topographica @@ -3059,8 +3014,8 @@ office he held till his death, 9th October, 1618. He<a id="Page_333"></a> <span in the Temple Church, where there is, or was, a monumental brass to his memory, having thereon his and his wife's effigies, with an inscription in English. His Reports were printed several years after his death. -(Wood's <i>Athenæ Oxonienses</i>, i. 293. 369.; Dugdale's <i>Origines -Juridiciales</i>, 63. 178.; <i>Bibliotheca Legum Angliæ</i>, i. 236. 242., ii. +(Wood's <i>Athenæ Oxonienses</i>, i. 293. 369.; Dugdale's <i>Origines +Juridiciales</i>, 63. 178.; <i>Bibliotheca Legum Angliæ</i>, i. 236. 242., ii. 213.; <i>Reports of Deputy Keeper of Public Records, Second Report, Appendix</i>, ii. p. 73.; <i>Fourth Report, Appendix</i>, ii. p. 37.)</p> @@ -3090,7 +3045,7 @@ additions to mispronounced names of places:</p> <p>In Sussex the names of places ending in <i>ly</i> are pronounced with the accent on the last syllable; <i>e.g.</i> West Hoath<i>ly</i>, Helling<i>ly</i>, &c. In -Gloucestershire, a place written Newland is unexpectedly called Newlànd.</p> +Gloucestershire, a place written Newland is unexpectedly called Newlà nd.</p> <p class="right">C. W. B.</p> @@ -3247,9 +3202,9 @@ Stone.</p> <p>—George Trehern, or Treheryon, was Autumn Reader of Lincoln's Inn, 12 Hen. VIII.; Lent Reader there 16 Hen. VIII.; and one of the Governors of that society 12 & 17 Hen. VIII. His -reading on Carta Forestæ appears to have been printed in 4to., but in +reading on Carta Forestæ appears to have been printed in 4to., but in what year is not stated. (Dugdale's <i>Origines Juridiciales</i>, 251. 259.; -<i>Bibliotheca Legum Angliæ</i>, i. 24., ii. 191.)</p> +<i>Bibliotheca Legum Angliæ</i>, i. 24., ii. 191.)</p> <p class="right">C. H. C<span class="smcap lowercase">OOPER</span>.</p> @@ -3423,21 +3378,21 @@ Vol. II.</p> <p class="indh"> N<span class="smcap lowercase">OTES AND</span> Q<span class="smcap lowercase">UERIES</span>. No. 19.</p> -<p class="indh"> G<span class="smcap lowercase">EMMÆ ET</span> S<span class="smcap lowercase">CULPTURÆ ANTIQUÆ DEPICTÆ IN</span> L<span class="smcap lowercase">ATINUM</span> V<span class="smcap lowercase">ERSÆ</span>, per Jac. +<p class="indh"> G<span class="smcap lowercase">EMMÆ ET</span> S<span class="smcap lowercase">CULPTURÆ ANTIQUÆ DEPICTÆ IN</span> L<span class="smcap lowercase">ATINUM</span> V<span class="smcap lowercase">ERSÆ</span>, per Jac. Gronovium. Amstelodami, 1685.</p> -<p class="indh"> S<span class="smcap lowercase">WALBACI</span> D<span class="smcap lowercase">ISSERTATIO DE</span> C<span class="smcap lowercase">ICONIIS</span>, &c. Spiræ. 1630.</p> +<p class="indh"> S<span class="smcap lowercase">WALBACI</span> D<span class="smcap lowercase">ISSERTATIO DE</span> C<span class="smcap lowercase">ICONIIS</span>, &c. Spiræ. 1630.</p> <p class="indh"> S<span class="smcap lowercase">YNTAGMA</span> H<span class="smcap lowercase">ERBARUM ENCOMIASTICUM</span>, A<span class="smcap lowercase">BR.</span> O<span class="smcap lowercase">RTELIO INSCRIPTUM</span>. Ex officina Plantin. 1614.</p> -<p class="indh"> T<span class="smcap lowercase">YRWHITT</span>, T<span class="smcap lowercase">HO</span>., C<span class="smcap lowercase">ONJECTURÆ IN</span> S<span class="smcap lowercase">TRABONEM</span>. London, 1783.</p> +<p class="indh"> T<span class="smcap lowercase">YRWHITT</span>, T<span class="smcap lowercase">HO</span>., C<span class="smcap lowercase">ONJECTURÆ IN</span> S<span class="smcap lowercase">TRABONEM</span>. London, 1783.</p> <p class="indh"> C<span class="smcap lowercase">RAKANTHORP'S</span> D<span class="smcap lowercase">EFENCE OF</span> J<span class="smcap lowercase">USTINIAN THE</span> E<span class="smcap lowercase">MPEROR</span> A<span class="smcap lowercase">GAINST</span> C<span class="smcap lowercase">ARDINAL</span> B<span class="smcap lowercase">ARONIUS</span>. London, 1616.</p> -<p class="indh"> H<span class="smcap lowercase">ALLERI</span> (A.) E<span class="smcap lowercase">LEMENTA</span> P<span class="smcap lowercase">HYSIOLOGIÆ</span> C<span class="smcap lowercase">ORPORIS</span> H<span class="smcap lowercase">UMANI</span>. 8 Vols. 4to. - Lausannæ and Lugd. Batav. 1757-66. Vol. III.</p> +<p class="indh"> H<span class="smcap lowercase">ALLERI</span> (A.) E<span class="smcap lowercase">LEMENTA</span> P<span class="smcap lowercase">HYSIOLOGIÆ</span> C<span class="smcap lowercase">ORPORIS</span> H<span class="smcap lowercase">UMANI</span>. 8 Vols. 4to. + Lausannæ and Lugd. Batav. 1757-66. Vol. III.</p> <p class="indh"> R<span class="smcap lowercase">ACCOLTA DI</span> O<span class="smcap lowercase">PUSCULI</span> S<span class="smcap lowercase">CIENTIFICI</span>, &c., dal Padre Calogera. Venezia, 1728-57.<a id="Page_335"></a> <span class="pagenum">[335]</span></p> @@ -3467,8 +3422,8 @@ Vol. II.</p> <p class="indh"> T<span class="smcap lowercase">HE</span> C<span class="smcap lowercase">ODE</span> M<span class="smcap lowercase">ATRIMONIAL</span>. Paris, 1770.</p> -<p class="indh"> P<span class="smcap lowercase">RO</span> M<span class="smcap lowercase">ATRIMONIO</span> P<span class="smcap lowercase">RINCIPIS CUM DEFUNCTÆ UXORIS SORORE CONTRACTO RESPONSUM</span> - J<span class="smcap lowercase">URIS</span>, C<span class="smcap lowercase">OLLEGII</span> J<span class="smcap lowercase">URISCONSULTORUM IN</span> A<span class="smcap lowercase">CADEMIÂ</span> +<p class="indh"> P<span class="smcap lowercase">RO</span> M<span class="smcap lowercase">ATRIMONIO</span> P<span class="smcap lowercase">RINCIPIS CUM DEFUNCTÆ UXORIS SORORE CONTRACTO RESPONSUM</span> + J<span class="smcap lowercase">URIS</span>, C<span class="smcap lowercase">OLLEGII</span> J<span class="smcap lowercase">URISCONSULTORUM IN</span> A<span class="smcap lowercase">CADEMIÂ</span> R<span class="smcap lowercase">INTELENSI</span>. Published about 1655.</p> @@ -3484,7 +3439,7 @@ Vol. II.</p> </h3> <p>R<span class="smcap lowercase">EPLIES</span> R<span class="smcap lowercase">ECEIVED</span>.—<i>Knights Templars—Greek Macaronic—Miniature of -Cromwell—Folk Lore, Isle of Man—Dr. Fell—Amyclæ—Rhymes connected +Cromwell—Folk Lore, Isle of Man—Dr. Fell—Amyclæ—Rhymes connected with Places—Family Likenesses—Spanish Verses on the Invasion of England—Sir Thomas Frowyk—George Trehern—John Goldesborough—Lists of Prothonotaries—Sailor's Superstition—Boiling to Death—St. @@ -3500,7 +3455,7 @@ wished.</i></p> <p>C. S. P. T. (Oxon.) <i>Duly received: only waiting for room.</i></p> -<p>BIS., <i>who writes concerning the</i> Palæologi, <i>is quite right. We will +<p>BIS., <i>who writes concerning the</i> Palæologi, <i>is quite right. We will look for</i> J. B.'s <i>reply.</i></p> <p>P. T. <i>The article shall be looked for. Its omission has arisen from @@ -3588,7 +3543,7 @@ three-fourths of the Profits:—</p> <div class="box1"> -<p>Age £ <i>s.</i> <i>d.</i></p> +<p>Age £ <i>s.</i> <i>d.</i></p> <p>17 1 14 4</p> <p>22 1 18 8</p> <p>27 2 4 5</p> @@ -3752,7 +3707,7 @@ RAILWAY READING: </p> <p>NIMROD on the CHACE. 1<i>s.</i></p> <p> LAYARD'S POPULAR ACCOUNT of NINEVEH. 5<i>s.</i></p> <p> LIFE OF THEODORE HOOK. 1<i>s.</i></p> - <p>JAMES' FABLES of ÆSOP. 100 Woodcuts. 2<i>s.</i> 6<i>d.</i></p> + <p>JAMES' FABLES of ÆSOP. 100 Woodcuts. 2<i>s.</i> 6<i>d.</i></p> <p> NIMROD on the ROAD. 1<i>s.</i></p> <p> LORD MAHON'S HISTORY of the "FORTY-FIVE." 3<i>s.</i></p> <p> THE FLOWER GARDEN. 1<i>s.</i></p> @@ -3770,7 +3725,7 @@ LAURENCE OLIPHANT.</p> <div class="boxad1"> -<p class="blockquot">"A series of cheap and healthy publications."—<i>Athenæum.</i></p> +<p class="blockquot">"A series of cheap and healthy publications."—<i>Athenæum.</i></p> <p class="blockquot">"The mixed character of the series is a good feature, and carried out with vigour and discernment."—<i>Christian Remembrancer.</i></p> @@ -4352,388 +4307,7 @@ unfrequently of one of Alfred Tennyson's Idyls."—<i>Examiner.</i></p> </div> - - - - - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Notes and Queries, Vol. V, Number 127, -April 3, 1852, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, APRIL 3, 1852 *** - -***** This file should be named 41138-h.htm or 41138-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/1/1/3/41138/ - -Produced by Charlene Taylor, Jonathan Ingram and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Library of Early Journals.) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License available with this file or online at - www.gutenberg.org/license. - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation information page at www.gutenberg.org - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at 809 -North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email -contact links and up to date contact information can be found at the -Foundation's web site and official page at www.gutenberg.org/contact - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: www.gutenberg.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart was the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For forty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - -Most people start at our Web site which has the main PG search facility: - - www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -</pre> - +<div>*** END OF THE PROJECT GUTENBERG EBOOK 41138 ***</div> </body> </html> |