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diff --git a/41016-0.txt b/41016-0.txt new file mode 100644 index 0000000..4315299 --- /dev/null +++ b/41016-0.txt @@ -0,0 +1,8857 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 41016 *** + + THE LAND OF SONG + + BOOK III. + + _FOR UPPER GRAMMAR GRADES_ + + SELECTED BY + KATHARINE H. SHUTE + + EDITED BY + LARKIN DUNTON, LL.D. + HEAD MASTER OF THE BOSTON NORMAL SCHOOL + +[Illustration] + + SILVER, BURDETT & COMPANY + NEW YORK BOSTON CHICAGO + 1899 + + + Copyright, 1899, + By Silver, Burdett & Company. + + C. J. PETERS & SON, TYPOGRAPHERS, + BOSTON. + + Plimpton Press + + H. M. PLIMPTON & CO., PRINTERS & BINDERS, + NORWOOD, MASS., U.S.A. + + + + +_COMPILERS' PREFACE._ + + +The inestimable value of literature in supplying healthful recreation, +in opening the mind to larger views of life, and in creating ideals that +shall mold the spiritual nature, is conceded now by every one who has +intelligently considered the problems of education. But the basis upon +which literature shall be selected and arranged is still a matter of +discussion. + +Chronology, race-correspondence, correlation, and ethical training +should all be recognized incidentally; but the main purpose of the +teacher of literature is to send children on into life with a genuine +love for good reading. To accomplish this, three things should be true +of the reading offered: first, it should be _literature_; second, it +should be literature of some scope, not merely some small phase of +literature, such as the fables, or the poetry of one of the less eminent +poets; and third, it should appeal to children's natural interests. +Children's interests, varied as they seem, center in the marvelous and +the preternatural; in the natural world; and in human life, especially +child life and the romantic and heroic aspects of mature life. In the +selections made for each grade, we have recognized these different +interests. + +To grade poetry perfectly for different ages is an impossibility; much +of the greatest verse is for all ages--that is one reason why it _is_ +great. A child of five will lisp the numbers of Horatius with delight; +and Scott's _Lullaby of an Infant Chief_, with its romantic color and +its exquisite human tenderness, is dear to childhood, to manhood, and to +old age. But the Land of Song is a great undiscovered country to the +little child; by some road or other he must find his way into it; and +these volumes simply attempt to point out a path through which he may be +led into its happy fields. + +Our earnest thanks are due to the following publishers for permission to +use copyrighted poems: to Houghton, Mifflin & Co. for poems by +Longfellow, Whittier, Emerson, Holmes, Lowell, Aldrich, Bayard Taylor, +James T. Fields, Ph[oe]be Cary, Lucy Larcom, Celia Thaxter, and Sarah +Orne Jewett; to D. Appleton & Co. for a large number of Bryant's poems: +to Charles Scribner's Sons for two poems by Stevenson, from +_Underwoods_, and _A Child's Garden of Verses_; to J. B. Lippincott & +Co. for two poems by Thomas Buchanan Read; and to Henry T. Coates & Co. +for a poem by Charles Fenno Hoffman. + +The present volume is intended for the seventh, eighth, and ninth school +years, or higher grammar grades. It is the third of three books prepared +for use in the grades below the high school. As no collection of this +size can supply as much poetry as may be used to advantage, and as many +desirable poems by American writers have necessarily been omitted, we +have noted at the end of this volume lists of poems which it would be +well to add to the material given here, that our children may realize +the scope and beauty of the poetry of their own land. + + + + +CONTENTS + + PAGE + + ABIDE WITH ME 72 + ADVERSITY 92 + ANNIE LAURIE 168 + ANNIE OF THARAW 199 + ANTONY'S EULOGY ON CÆSAR 221 + ANTIQUITY OF FREEDOM, THE 13 + APPARITIONS 253 + AULD LANG SYNE 112 + AWAKENING OF SPRING, THE 68 + + + BALLAD OF THE BOAT, THE 119 + BANNOCKBURN 52 + BEFORE SEDAN 109 + BEGGAR MAID, THE 98 + BIRKENHEAD, THE 108 + "BLESSED ARE THEY THAT MOURN" 151 + BONNIE DUNDEE 53 + BONNIE LESLEY 167 + BOOT AND SADDLE 231 + BUILDING OF THE SHIP, THE 46 + + + CAVALIER, THE 230 + CONSOLATION, A 261 + COUNTY GUY 96 + CROSSING THE BAR 269 + CUMNOR HALL 27 + + + DEATHBED, THE 152 + DEATH THE LEVELER 60 + DESERTED HOUSE, THE 238 + DORA 160 + DOWNFALL OF WOLSEY, THE 177 + + + EACH AND ALL 172 + ELAINE 247 + ELEGY WRITTEN IN A COUNTRY CHURCHYARD 184 + EVENING (Milton) 212 + EVENING (Scott) 97 + + + FAITH 206 + FALL OF POLAND, THE 181 + FLOW GENTLY, SWEET AFTON 196 + FORBEARANCE 260 + + + GLENARA 104 + GOOD GREAT MAN, THE 59 + GROWING OLD 253 + + + HARP THAT ONCE THROUGH TARA'S HALLS, THE 183 + HELVELLYN 101 + HERVÉ RIEL 141 + HESTER 165 + HIGH TIDE ON THE COAST OF LINCOLNSHIRE, THE 17 + HOME THOUGHTS FROM ABROAD 69 + HORATIUS 31 + HYMN BEFORE SUNRISE IN THE VALE OF CHAMOUNI 214 + HYMN OF TRUST 159 + HYMN TO DIANA 101 + HYMN TO THE NORTH STAR, 211 + + + ICHABOD 178 + IMMORTALITY 202 + IN HEAVENLY LOVE ABIDING 245 + IVRY 136 + + + JACOBITE'S EPITAPH, A 236 + JACOBITE IN EXILE, A 232 + JAFFAR 57 + JOHN ANDERSON 113 + + + KNIGHT'S TOMB, THE 103 + + + LADY OF SHALOTT, THE 76 + LAST LEAF, THE 239 + LAST ROSE OF SUMMER, THE 15 + LIGHT OF OTHER DAYS, THE 111 + LIGHT SHINING OUT OF DARKNESS, THE 134 + LOCHIEL'S WARNING 61 + LOCHINVAR 50 + LONDON, 1802 229 + LORD OF HIMSELF 58 + LOST LEADER, THE 180 + LUCY 192 + + + MAN AND NATURE 74 + MAN THAT HATH NO MUSIC IN HIMSELF, THE 91 + MORNING 75 + MY DOVES 206 + MY LOVE 254 + + + NECKAN, THE 116 + NIGHT AND DEATH 201 + NORA'S VOW 255 + + + ODE ON THE DEATH OF THE DUKE OF WELLINGTON 226 + OF OLD SAT FREEDOM 49 + O GOD, OUR HELP IN AGES PAST 140 + OH FAIREST OF THE RURAL MAIDS 195 + OH, WERT THOU IN THE CAULD BLAST 260 + ON FIRST LOOKING INTO CHAPMAN'S HOMER 218 + ON HIS BLINDNESS 46 + ON THE RECEIPT OF MY MOTHER'S PICTURE 241 + ON THE SEA 120 + OUTLAW, THE 257 + OZYMANDIAS OF EGYPT 61 + + + PATRIOT, THE 150 + PETITION TO TIME, A 104 + PILLAR OF THE CLOUD, THE 135 + POET AND THE BIRD, THE 115 + + + QUA CURSUM VENTUS 210 + QUALITY OF MERCY, THE 30 + QUIET WORK 213 + + + RAISING OF LAZARUS, THE 204 + RECESSIONAL 270 + RHODORA, THE 174 + ROMANCE OF THE SWAN'S NEST 82 + ROSABELLE 24 + RUGBY CHAPEL 147 + + + SAFE HOME 133 + ST. AGNES' EVE 246 + SANDS OF DEE, THE 16 + SAY NOT, THE STRUGGLE NAUGHT AVAILETH 45 + SEVEN SISTERS; OR, THE SOLITUDE OF BINNORIE, THE 106 + SHE WALKS IN BEAUTY 99 + SHE WAS A PHANTOM OF DELIGHT 200 + SIR GALAHAD 249 + SLEEP 156 + SLEEP, THE 153 + SNOWSTORM, THE 67 + SONG FROM "PIPPA PASSES," 73 + SONG OF THE CAMP, A 169 + SONG OF THE WESTERN MEN, THE 56 + SONG: "WHO IS SILVIA? WHAT IS SHE?" 256 + SONNET ON CHILLON 14 + STANZAS FOR MUSIC 196 + + + TELLING THE BEES 86 + THANKSGIVING TO GOD FOR HIS HOUSE, A 157 + THERE'LL NEVER BE PEACE 231 + THREE FISHERS, THE 236 + TO A MOUNTAIN DAISY 95 + TO A SKYLARK (Shelley) 261 + TO A SKYLARK (Wordsworth) 26 + TO THE DAISY 92 + TRIUMPH OF CHARIS 198 + TRUE KNIGHTHOOD 252 + TWILIGHT CALM 70 + + + ULYSSES 218 + + + VILLAGE PREACHER, THE 190 + + + WATERLOO 266 + WENDELL PHILLIPS 149 + WHERE LIES THE LAND TO WHICH THE SHIP WOULD GO 114 + WHITE SHIP, THE 121 + + + + +_INDEX OF AUTHORS._ + + + PAGE + +ARNOLD, MATTHEW. + Quiet Work 213 + Rugby Chapel: A Selection 147 + The Neckan 116 + +BROWNING, ELIZABETH BARRETT. + Man and Nature 74 + My Doves 206 + Romance of the Swan's Nest 82 + The Poet and the Bird 115 + The Sleep 153 + +BROWNING, ROBERT. + Apparitions 253 + Boot and Saddle 231 + Growing Old: A Selection 253 + Hervé Riel 141 + Home Thoughts from Abroad 69 + Song from "Pippa Passes" 73 + The Lost Leader 180 + The Patriot 150 + +BRYANT, WILLIAM CULLEN. + "Blessed are They that Mourn" 151 + Hymn to the North Star 211 + Oh Fairest of the Rural Maids 195 + The Antiquity of Freedom 13 + +BURNS, ROBERT. + Auld Lang Syne 112 + Bannockburn 52 + Bonnie Lesley 167 + Flow Gently, Sweet Afton 196 + John Anderson 113 + Oh, wert Thou in the Cauld Blast 260 + There'll Never be Peace 231 + To a Mountain Daisy 95 + +BYRON, LORD (George Noel Gordon). + She walks in Beauty 9 + Sonnet on Chillon 14 + Stanzas for Music 196 + Waterloo: A Selection 266 + +CAMPBELL, THOMAS. + Glenara 104 + Lochiel's Warning 61 + The Fall of Poland 181 + +CLOUGH, ARTHUR HUGH. + Qua Cursum Ventus 210 + Say not, the Struggle Naught availeth 45 + Where lies the Land to which the Ship would go 114 + +COLERIDGE, SAMUEL TAYLOR. + Hymn before Sunrise in the Vale of Chamouni 214 + The Good Great Man 59 + The Knight's Tomb 103 + +CORNWALL, BARRY. (See Procter.) + +COWPER, WILLIAM. + Light Shining out of Darkness, The 134 + On the receipt of my Mother's Picture 241 + +DOBSON, AUSTIN. + Before Sedan 109 + +DOUGLAS, WILLIAM. + Annie Laurie. 168 + +EMERSON, RALPH WALDO. + Each and All 172 + Forbearance 260 + The Rhodora 174 + The Snowstorm 67 + +GARNETT, RICHARD. + The Ballad of the Boat 119 + +GOLDSMITH, OLIVER. + The Village Preacher 190 + +GRAY, THOMAS. + Elegy written in a Country Churchyard 184 + +HAWKER, ROBERT S. + The Song of the Western Men 56 + +HERRICK, ROBERT. + A Thanksgiving to God for His House 157 + +HAYWOOD, THOMAS. + Morning 75 + +HOLMES, OLIVER WENDELL. + Hymn of Trust 159 + The Last Leaf 239 + +HOOD, THOMAS. + The Deathbed 152 + +HUNT, LEIGH. + Jaffar 57 + +INGELOW, JEAN. + The High Tide on the Coast of Lincolnshire 17 + +JOHNSON, BEN. + Hymn to Diana 101 + Triumph of Charis 198 + +KEATS, JOHN. + On First Looking into Chapman's Homer 218 + On the Sea 120 + +KINGSLEY, CHARLES. + The Sands of Dee 16 + The Three Fishers 236 + +KIPLING, RUDYARD. + Recessional 270 + +LAMB, CHARLES. + Hester 165 + +LONGFELLOW, HENRY WADSWORTH. + Annie of Tharaw 199 + The Building of the Ship: A Selection 46 + +LOWELL, JAMES RUSSELL. + My Love 254 + Wendell Phillips 149 + +LYTE, HENRY F. + Abide with Me 72 + +MACAULEY, THOMAS BABBINGTON. + A Jacobite's Epitaph 236 + Horatius: A Selection 31 + Ivry 136 + +MICKLE, WILLIAM F. + Cumnor Hall 27 + +MILTON, JOHN. + Evening: A Selection 212 + On his Blindness 46 + +MONTGOMERY, JAMES. + Immortality 202 + +MOORE, THOMAS. + The Harp that once through Tara's Halls 183 + The Last Rose of Summer 15 + The Light of Other Days 111 + +NEWMAN, JOHN HENRY. + The Pillar of the Cloud 135 + +PROCTER, BRYAN WALLER. + A Petition to Time 104 + +ROSSETTI, CHRISTINA G. + Twilight Calm 70 + +ROSSETTI, DANTE GABRIEL. + The White Ship 121 + +ST. JOSEPH OF THE STUDIUM. + Safe Home. Translated by J. M. Neale 133 + +SCOTT, SIR WALTER. + Bonnie Dundee 53 + County Guy 96 + Evening 97 + Helvellyn 101 + Lochinvar 50 + Nora's Vow 255 + Rosabelle 24 + The Cavalier 230 + The Outlaw 257 + +SHAKESPEARE, WILLIAM. + A Consolation 261 + Adversity: A Selection 92 + Antony's Eulogy on Caesar: A Selection 221 + Sleep: A Selection 156 + Song: "Who is Silvia? what is she?" + From "Two Gentlemen of Verona" 256 + The Downfall of Wolsey: A Selection 177 + The Man that hath no Music in Himself: + A Selection 91 + The Quality of Mercy: A Selection 30 + +SHELLEY, PERCY BYSSHE. + Ozymandias of Egypt 61 + To a Skylark 261 + +SHIRLEY, JAMES. + Death the Leveler 60 + +SWINBURNE, ALGERNON CHARLES. + A Jacobite in Exile 232 + +TAYLOR, BAYARD. + A Song of the Camp 169 + +TENNYSON, ALFRED. + Crossing the Bar 269 + Dora 160 + Elaine: A Selection from "The + Idylls of the King" 247 + Ode on the Death of the Duke of + Wellington: A Selection 226 + Of Old sat Freedom 49 + St. Agnes' Eve 246 + Sir Galahad 249 + The Awakening of Spring: A Selection 68 + The Beggar Maid 98 + The Deserted House 238 + The Lady of Shalott 76 + The Raising of Lazarus: A Selection 204 + True Knighthood: A Selection 252 + Ulysses 218 + +WARING, ANNA L. + In Heavenly Love abiding 245 + +WATTS, ISAAC. + O God, our Help in Ages Past 140 + +WHITE, JOSEPH BLANCO. + Night and Death 201 + +WHITTIER, JOHN GREENLEAF. + Ichabod 178 + Telling the Bees 86 + +WORDSWORTH, WILLIAM. + Faith: A Selection 206 + London, 1802 229 + Lucy 192 + She was a Phantom of Delight 200 + The Seven Sisters: or, The Solitude + of Binnorie 106 + To a Skylark 26 + To the Daisy 92 + +WOTTON, SIR HENRY. + Lord of Himself 58 + +YULE, SIR HENRY. + The Birkenhead 108 + + + + +THE LAND OF SONG: BOOK III. + +_PART I._ + +[Illustration: TITO CONTI. IRIS.] + +_The Land of Song: Book III._ + +PART ONE. + +[Illustration] + + + + +THE ANTIQUITY OF FREEDOM. + +A SELECTION. + + + Oh Freedom! thou art not, as poets dream, + A fair young girl, with light and delicate limbs, + And wavy tresses gushing from the cap + With which the Roman master crowned his slave + When he took off the gyves. A bearded man, + Armed to the teeth, art thou; one mailèd hand + Grasps the broad shield, and one the sword; thy brow, + Glorious in beauty though it be, is scarred + With tokens of old wars; thy massive limbs + Are strong with struggling. Power at thee has launched + His bolts, and with his lightnings smitten thee; + They could not quench the life thou hast from heaven. + Merciless power has dug thy dungeon deep, + And his swart armorers, by a thousand fires, + Have forged thy chain; yet, while he deems thee bound, + The links are shivered, and the prison walls + Fall outward; terribly thou springest forth, + As springs the flame above a burning pile, + And shoutest to the nations, who return + Thy shoutings, while the pale oppressor flies. + + WILLIAM CULLEN BRYANT. + + + + +SONNET ON CHILLON. + + + Eternal Spirit of the chainless Mind! + Brightest in dungeons, Liberty! thou art, + For there thy habitation is the heart-- + The heart which love of thee alone can bind; + And when thy sons to fetters are consigned-- + To fetters, and the damp vault's day less gloom, + Their country conquers with their martyrdom, + And Freedom's fame finds wings on every wind. + Chillon! thy prison is a holy place, + And thy sad floor an altar--for 'twas trod, + Until his very steps have left a trace + Worn, as if thy cold pavement were a sod, + By Bonnivard! May none those marks efface! + For they appeal from tyranny to God. + + LORD GEORGE NOEL GORDON BYRON. + +[Illustration] + + + + +THE LAST ROSE OF SUMMER. + + + 'Tis the last rose of summer, + Left blooming alone; + All her lovely companions + Are faded and gone; + No flower of her kindred, + No rosebud is nigh, + To reflect back her blushes, + Or give sigh for sigh! + + I'll not leave thee, thou lone one! + To pine on the stem; + Since the lovely are sleeping, + Go, sleep thou with them; + Thus kindly I scatter + Thy leaves o'er the bed + Where thy mates of the garden + Lie scentless and dead. + + So soon may I follow, + When friendships decay, + And from love's shining circle + The gems drop away! + When true hearts lie withered, + And fond ones are flown, + O, who would inhabit + This bleak world alone? + + THOMAS MOORE. + + + + +THE SANDS OF DEE. + + + "O Mary, go and call the cattle home, + And call the cattle home, + And call the cattle home, + Across the sands of Dee." + The western wind was wild and dank with foam, + And all alone went she. + + The western tide crept up along the sand, + And o'er and o'er the sand, + And round and round the sand, + As far as eye could see. + The rolling mist came down and hid the land: + And never home came she. + + "Oh! is it weed, or fish, or floating hair,-- + A tress of golden hair, + A drownèd maiden's hair, + Above the nets at sea? + Was never salmon yet that shone so fair + Among the stakes on Dee." + + They rowed her in across the rolling foam, + The cruel crawling foam, + The cruel hungry foam, + To her grave beside the sea. + But still the boatmen hear her call the cattle home, + Across the sands of Dee. + + CHARLES KINGSLEY. + +[Illustration: JEAN INGELOW.] + + + + +THE HIGH TIDE ON THE COAST OF LINCOLNSHIRE. + +(1571.) + + + The old mayor climbed the belfry tower, + The ringers ran by two, by three; + "Pull, if ye never pulled before; + Good ringers, pull your best," quoth he. + "Play uppe, play uppe, O Boston bells! + Play all your changes, all your swells, + Play uppe 'The Brides of Enderby.'" + + Men say it was a stolen tyde-- + The Lord that sent it, He knows all; + But in myne ears doth still abide + The message that the bells let fall: + And there was naught of strange, beside + The flights of mews and peewits pied + By millions crouched on the old sea wall. + + I sat and spun within the doore, + My thread brake off, I raised myne eyes; + The level sun, like ruddy ore, + Lay sinking in the barren skies; + And dark against day's golden death + She moved where Lindis wandereth, + My sonne's faire wife, Elizabeth. + + "Cusha! Cusha! Cusha!" calling, + Ere the early dews were falling, + Farre away I heard her song. + "Cusha! Cusha!" all along; + Where the reedy Lindis floweth, + Floweth, floweth, + From the meads where melick groweth + Faintly came her milking song-- + + "Cusha! Cusha! Cusha!" calling, + "For the dews will soone be falling; + Leave your meadow grasses mellow, + Mellow, mellow; + Quit your cowslips, cowslips yellow; + Come uppe Whitefoot, come uppe Lightfoot; + Quit the stalks of parsley hollow, + Hollow, hollow; + Come uppe Jetty, rise and follow, + From the clovers lift your head; + Come uppe Whitefoot, come uppe Lightfoot, + Come uppe Jetty, rise and follow, + Jetty, to the milking shed." + + If it be long, ay, long ago, + When I beginne to think how long, + Againe I hear the Lindis flow, + Swifte as an arrow, sharpe and strong; + And all the aire, it seemeth mee, + Bin full of floating bells (sayth shee), + That ring the time of Enderby. + + Alle fresh the level pasture lay, + And not a shadow mote be seene, + Save where full fyve miles away + The steeple towered from out the greene; + And lo! the great bell farre and wide + Was heard in all the country side + That Saturday at eventide. + + The swanherds where their sedges are + Moved on in sunset's golden breath, + The shepherde lads I heard afarre, + And my sonne's wife, Elizabeth; + Till floating o'er the grassy sea + Came downe that kyndly message free, + The "Brides of Mavis Enderby." + + Then some looked uppe into the sky, + And all along where Lindis flows + To where the goodly vessels lie, + And where the lordly steeple shows. + They sayde, "And why should this thing be? + What danger lowers by land or sea? + They ring the tune of Enderby! + + "For evil news from Mablethorpe, + Of pyrate galleys warping down; + For shippes ashore beyond the scorpe, + They have not spared to wake the towne: + But while the west bin red to see, + And storms be none, and pyrates flee, + Why ring 'The Brides of Enderby'?" + + I looked without, and lo! my sonne + Came riding downe with might and main: + He raised a shout as he drew on, + Till all the welkin rang again, + "Elizabeth! Elizabeth!" + (A sweeter woman ne'er drew breath + Than my sonne's wife, Elizabeth.) + + "The olde sea wall (he cried) is downe, + The rising tide comes on apace, + And boats adrift in yonder towne + Go sailing uppe the market-place." + He shook as one that looks on death: + "God save you, mother!" straight he saith, + "Where is my wife, Elizabeth?" + + "Good sonne, where Lindis winds her way, + With her two bairns I marked her long; + And ere yon bells beganne to play + Afar I heard her milking song." + He looked across the grassy lea, + To right, to left, "Ho Enderby!" + They rang "The Brides of Enderby!" + + With that he cried and beat his breast; + For, lo! along the river's bed + A mighty eygre reared his crest, + And uppe the Lindis raging sped. + It swept with thunderous noises loud; + Shaped like a curling snow-white cloud, + Or like a demon in a shroud. + + And rearing Lindis backward pressed + Shook all her trembling bankes amaine; + Then madly at the eygre's breast + Flung uppe her weltering walls againe. + Then bankes came downe with ruin and rout-- + Then beaten foam flew round about-- + Then all the mighty floods were out. + + So farre, so fast the eygre drave, + The heart had hardly time to beat, + Before a shallow seething wave + Sobbed in the grasses at oure feet: + The feet had hardly time to flee + Before it brake against the knee, + And all the world was in the sea. + + Upon the roofe we sate that night, + The noise of bells went sweeping by; + I marked the lofty beacon light + Stream from the church tower, red and high-- + A lurid mark and dread to see; + And awsome bells they were to mee, + That in the dark rang "Enderby." + + They rang the sailor lads to guide + From roofe to roofe who fearless rowed; + And I--my sonne was at my side, + And yet the ruddy beacon glowed; + And yet he moaned beneath his breath, + "O come in life, or come in death! + O lost! my love, Elizabeth." + + And didst thou visit him no more? + Thou didst, thou didst, my daughter deare; + The waters laid thee at his doore, + Ere yet the early dawn was clear. + Thy pretty bairns in fast embrace, + The lifted sun shone on thy face, + Downe drifted to thy dwelling-place. + + That flow strewed wrecks upon the grass, + That ebbe swept out the flocks to sea; + A fatal ebbe and flow, alas! + To manye more than myne and mee: + But each will mourn his own (she saith); + And sweeter woman ne'er drew breath + Than my sonne's wife, Elizabeth. + + I shall never hear her more + By the reedy Lindis shore, + "Cusha! Cusha! Cusha!" calling, + Ere the early dews be falling; + I shall never hear her song, + "Cusha! Cusha!" all along + Where the sunny Lindis floweth, + Goeth, floweth; + From the meads where melick groweth, + When the water winding down, + Onward floweth to the town. + + I shall never see her more + Where the reeds and rushes quiver, + Shiver, quiver; + Stand beside the sobbing river, + Sobbing, throbbing, in its falling + To the sandy lonesome shore; + I shall never hear her calling, + "Leave your meadow grasses mellow, + Mellow, mellow; + Quit your cowslips, cowslips yellow; + Come uppe Whitefoot, come uppe Lightfoot; + Quit your pipes of parsley hollow, + Hollow, hollow; + Come uppe Lightfoot, rise and follow; + Lightfoot, Whitefoot, + From your clovers lift the head; + Come uppe Jetty, follow, follow, + Jetty, to the milking shed." + + JEAN INGELOW. + +[Illustration] + + + + +ROSABELLE. + + + O listen, listen, ladies gay! + No haughty feat of arms I tell; + Soft is the note, and sad the lay, + That mourns the lovely Rosabelle. + + "Moor, moor the barge, ye gallant crew! + And, gentle ladye, deign to stay! + Rest thee in Castle Ravensheuch, + Nor tempt the stormy firth to-day. + + "The blackening wave is edged with white; + To inch and rock the sea-mews fly; + The fishers have heard the Water-Sprite, + Whose screams forebode that wreck is nigh. + + "Last night the gifted Seer did view + A wet shroud swathed round ladye gay; + Then stay thee, Fair, in Ravensheuch; + Why cross the gloomy firth to-day?" + + "'Tis not because Lord Lindesay's heir + To-night at Roslin leads the ball, + But that my ladye-mother there + Sits lonely in her castle hall. + + "'Tis not because the ring they ride, + And Lindesay at the ring rides well, + But that my sire the wine will chide, + If 'tis not filled by Rosabelle." + + O'er Roslin all that dreary night, + A wondrous blaze was seen to gleam; + 'Twas broader than the watch-fire's light, + And redder than the bright moonbeam. + + It glared on Roslin's castle rock, + It ruddied all the copse-wood glen; + 'Twas seen from Dryden's groves of oak, + And seen from caverned Hawthornden. + + Seemed all on fire that chapel proud, + Where Roslin's chiefs uncoffined lie, + Each Baron, for a sable shroud, + Sheathed in his iron panoply. + + Seemed all on fire within, around, + Deep sacristy and altar's pale; + Shone every pillar foliage-bound, + And glimmered all the dead men's mail. + + Blazed battlement and pinnet high, + Blazed every rose-carved buttress fair-- + So still they blaze, when fate is nigh + The lordly line of high St. Clair. + + There are twenty of Roslin's barons bold + Lie buried within that proud chapelle; + Each one the holy vault doth hold-- + But the sea holds lovely Rosabelle! + + And each St. Clair was buried there, + With candle, with book, and with knell; + But the sea-caves rung, and the wild winds sung, + The dirge of lovely Rosabelle! + + SIR WALTER SCOTT. + +[Illustration] + + + + +TO A SKYLARK. + + + Ethereal minstrel! pilgrim of the sky! + Dost thou despise the earth where cares abound? + Or, while the wings aspire, are heart and eye + Both with thy nest upon the dewy ground? + Thy nest which thou canst drop into at will, + Those quivering wings composed, that music still! + + To the last point of vision, and beyond, + Mount, daring warbler!--that love-prompted strain + --'Twixt thee and thine a never-failing bond-- + Thrills not the less the bosom of the plain: + Yet might'st thou seem, proud privilege, to sing + All independent of the leafy spring. + + Leave to the nightingale her shady wood; + A privacy of glorious light is thine; + Whence thou dost pour upon the world a flood + Of harmony, with instinct more divine; + Type of the wise who soar, but never roam; + True to the kindred points of Heaven and Home! + + WILLIAM WORDSWORTH. + +[Illustration] + + + + +CUMNOR HALL. + + + The dews of summer night did fall; + The moon, sweet regent of the sky, + Silvered the walls of Cumnor Hall, + And many an oak that grew thereby. + + Now naught was heard beneath the skies, + The sounds of busy life were still, + Save an unhappy lady's sighs + That issued from that lonely pile. + + "Leicester!" she cried, "is this thy love + That thou so oft hast sworn to me, + To leave me in this lonely grove, + Immured in shameful privity? + + "No more thou com'st with lover's speed + Thy once-belovèd bride to see; + But, be she alive, or be she dead, + I fear, stern Earl, 's the same to thee. + + "Not so the usage I received + When happy in my father's hall; + No faithless husband then me grieved, + No chilling fears did me appall. + + "I rose up with the cheerful morn, + No lark more blithe, no flower more gay; + And like the bird that haunts the thorn + So merrily sung the livelong day. + + "If that my beauty is but small, + Among court ladies all despised, + Why didst thou rend it from that hall, + Where, scornful Earl! it well was prized? + + "But, Leicester, or I much am wrong, + Or, 'tis not beauty lures thy vows; + Rather, ambition's gilded crown + Makes thee forget thy humble spouse. + + "Then, Leicester, why,--again I plead, + The injured surely may repine,-- + Why didst thou wed a country maid, + When some fair princess might be thine? + + "Why didst thou praise my humble charms, + And oh! then leave them to decay? + Why didst thou win me to thy arms, + Then leave to mourn the livelong day? + + "The village maidens of the plain + Salute me lowly as they go; + Envious they mark my silken train, + Nor think a countess can have woe. + + "How far less blest am I than them! + Daily to pine and waste with care! + Like the poor plant, that, from its stem + Divided, feels the chilling air. + + "My spirits flag--my hopes decay-- + Still that dread death-bell smites my ear: + And many a boding seems to say, + Countess, prepare, thy end is near!" + + Thus sore and sad that Lady grieved + In Cumnor Hall so lone and drear; + And many a heartfelt sigh she heaved, + And let fall many a bitter tear. + + And ere the dawn of day appeared, + In Cumnor Hall so lone and drear, + Full many a piercing scream was heard, + And many a cry of mortal fear. + + The death-bell thrice was heard to ring; + An aërial voice was heard to call, + And thrice the raven flapped its wing + Around the towers of Cumnor Hall. + + The mastiff howled at village door, + The oaks were shattered on the green; + Woe was the hour--for never more + That hapless countess e'er was seen! + + And in that manor now no more + Is cheerful feast and sprightly ball; + For ever since that dreary hour + Have spirits haunted Cumnor Hall. + + The village maids, with fearful glance, + Avoid the ancient mossgrown wall; + Nor ever lead the merry dance + Among the groves of Cumnor Hall. + + Full many a traveler oft hath sighed + And pensive wept the countess' fall, + As wand'ring onwards they've espied + The haunted towers of Cumnor Hall. + + WILLIAM F. MICKLE. + + + + +THE QUALITY OF MERCY. + + + The quality of mercy is not strained, + It droppeth as the gentle rain from heaven + Upon the place beneath: it is twice blest; + It blesseth him that gives and him that takes: + 'Tis mightiest in the mightiest: it becomes + The thronèd monarch better than his crown: + His scepter shows the force of temporal power, + The attribute to awe and majesty, + Wherein doth sit the dread and fear of kings; + But mercy is above this sceptered sway; + It is enthronèd in the heart of kings, + It is an attribute to God himself; + And earthly power doth then show likest God's + When mercy seasons justice. Therefore, Jew, + Though justice be thy plea, consider this, + That, in the course of justice, none of us + Should see salvation: we do pray for mercy; + And that same prayer doth teach us all to render + The deeds of mercy. + + WILLIAM SHAKESPEARE. + _The "Merchant of Venice."_ + + +[Illustration] + + + + +HORATIUS. + +A SELECTION. + + + But the Consul's brow was sad, + And the Consul's speech was low, + And darkly looked he at the wall, + And darkly at the foe. + "Their van will be upon us + Before the bridge goes down; + And if they once may win the bridge, + What hope to save the town?" + + Then out spake brave Horatius, + The Captain of the Gate: + "To every man upon this earth + Death cometh soon or late. + And how can man die better + Than facing fearful odds, + For the ashes of his fathers, + And the temples of his Gods; + + "And for the tender mother + Who dandled him to rest, + And for the wife who nurses + His baby at her breast, + And for the holy maidens + Who feed the eternal flame, + To save them from false Sextus + That wrought the deed of shame? + + "Hew down the bridge, Sir Consul, + With all the speed ye may; + I, with two more to help me, + Will hold the foe in play. + In yon straight path a thousand + May well be stopped by three. + Now who will stand on either hand, + And keep the bridge with me?" + + Then out spake Spurius Lartius; + A Ramnian proud was he: + "Lo, I will stand at thy right hand, + And keep the bridge with thee." + And out spake strong Herminius; + Of Titian blood was he: + "I will abide on thy left side, + And keep the bridge with thee." + + "Horatius," quoth the Consul, + "As thou sayest, so let it be." + And straight against that great array + Forth went the dauntless Three. + For Romans in Rome's quarrel + Spared neither land nor gold, + Nor son, nor wife, nor limb, nor life, + In the brave days of old. + + Then none was for a party; + Then all were for the state; + Then the great man helped the poor, + And the poor man loved the great: + Then lands were fairly portioned; + Then spoils were fairly sold: + The Romans were like brothers + In the brave days of old. + + Now Roman is to Roman + More hateful than a foe, + And the Tribunes beard the high, + And the Fathers grind the low, + As we wax hot in faction, + In battle we wax cold: + Wherefore men fight not as they fought + In the brave days of old. + + Now while the Three were tightening + Their harness on their backs, + The Consul was the foremost man + To take in hand an ax: + And Fathers mixed with Commons + Seized hatchet, bar, and crow, + And smote upon the planks above, + And loosed the props below. + + Meanwhile the Tuscan army, + Right glorious to behold, + Came flashing back the noonday light, + Rank behind rank, like surges bright + Of a broad sea of gold. + Four hundred trumpets sounded + A peal of warlike glee, + As that great host, with measured tread, + And spears advanced, and ensigns spread, + Rolled slowly towards the bridge's head, + Where stood the dauntless Three. + + The Three stood calm and silent, + And looked upon the foes, + And a great shout of laughter + From all the vanguard rose; + And forth three chiefs came spurring + Before that deep array; + To earth they sprang, their swords they drew, + And lifted high their shields, and flew + To win the narrow way; + + Aunus from green Tifernum, + Lord of the Hill of Vines; + And Seius, whose eight hundred slaves + Sicken in Ilva's mines; + And Picus, long to Clusium + Vassal in peace and war, + Who led to fight his Umbrian powers + From that gray crag where, girt with towers, + The fortress of Nequinum towers + O'er the pale waves of Nar. + + Stout Lartius hurled down Aunus + Into the stream beneath: + Herminius struck at Seius, + And clove him to the teeth: + At Picus Brave Horatius + Darted one fiery thrust; + And the proud Umbrian's gilded arms + Clashed in the bloody dust. + + Then Ocnus of Falerii + Rushed on the Roman Three; + And Lausulus of Urgo, + The rover of the sea; + And Aruns of Volsinium, + Who slew the great wild boar, + The great wild boar that had his den + Amidst the reeds of Cosa's fen, + And wasted fields, and slaughtered men, + Along Albinia's shore. + + Herminius smote down Aruns: + Lartius laid Ocnus low: + Right to the heart of Lausulus + Horatius sent a blow. + "Lie there," he cried, "fell pirate! + No more, aghast and pale, + From Ostia's walls the crowd shall mark + The track of thy destroying bark. + No more Campania's hinds shall fly + To woods and caverns when they spy + Thy thrice accursèd sail." + + But now no sound of laughter + Was heard among the foes, + A wild and wrathful clamor + From all the vanguard rose. + Six spears' lengths from the entrance + Halted that deep array, + And for a space no man came forth + To win the narrow way. + + But hark! the cry is "Astur"; + And lo! the ranks divide; + And the great Lord of Luna + Comes with his stately stride. + Upon his ample shoulders + Clangs loud the fourfold shield, + And in his hand he shakes the brand + Which none but he can wield. + + He smiled on those bold Romans + A smile serene and high; + He eyed the flinching Tuscans, + And scorn was in his eye. + Quoth he, "The she-wolf's litter + Stands savagely at bay: + But will ye dare to follow, + If Astur clears the way?" + + Then, whirling up his broadsword + With both hands to the height, + He rushed against Horatius, + And smote with all his might. + With shield and blade Horatius + Right deftly turned the blow. + The blow, though turned, came yet too nigh; + It missed his helm, but gashed his thigh; + The Tuscans raised a joyful cry + To see the red blood flow. + + He reeled, and on Herminius + He leaned one breathing-space; + Then, like a wild cat mad with wounds, + Sprang right at Astur's face. + Through teeth, and skull, and helmet + So fierce a thrust he sped, + The good sword stood a hand-breadth out + Behind the Tuscan's head. + + And the great Lord of Luna + Fell at that deadly stroke, + As falls on Mount Alvernus + A thunder-smitten oak. + Far o'er the crashing forest + The giant arms lie spread; + And the pale augurs, muttering low, + Gaze on the blasted head. + + On Astur's throat Horatius + Right firmly pressed his heel, + And thrice and four times tugged amain, + Ere he wrenched out the steel. + "And see," he cried, "the welcome, + Fair guests, that waits you here! + What noble Lucumo comes next + To taste our Roman cheer?" + + But at his haughty challenge + A sullen murmur ran, + Mingled of wrath, and shame, and dread, + Along that glittering van. + There lacked not men of prowess, + Nor men of lordly race; + For all Etruria's noblest + Were round the fatal place. + + But all Etruria's noblest + Felt their hearts sink to see + On the earth the bloody corpses, + In the path the dauntless Three. + And from the ghastly entrance + Where those bold Romans stood, + All shrank, like boys who unaware, + Ranging the woods to start a hare, + Come to the mouth of the dark lair + Where, growling low, a fierce old bear + Lies amidst bones and blood. + + Was none who would be foremost + To lead such dire attack: + But those behind cried, "Forward!" + And those before cried, "Back!" + And backward now and forward + Wavers the deep array; + And on the tossing sea of steel, + To and fro the standards reel; + And the victorious trumpet-peal + Dies fitfully away. + + Yet one man for one moment + Stood out before the crowd; + Well known was he to all the Three, + And they gave him greeting loud. + "Now welcome, welcome, Sextus! + Now welcome to thy home! + Why dost thou stay, and turn away, + Here lies the road to Rome." + + Thrice looked he at the city; + Thrice looked he at the dead; + And thrice came on in fury, + And thrice turned back in dread; + And, white with fear and hatred, + Scowled at the narrow way + Where, wallowing in a pool of blood, + The bravest Tuscans lay. + + But meanwhile ax and lever + Have manfully been plied; + And now the bridge hangs tottering + Above the boiling tide. + "Come back, come back, Horatius!" + Loud cried the Fathers all, + "Back, Lartius! back, Herminius! + Back, ere the ruin fall!" + + Back darted Spurius Lartius; + Herminius darted back: + And, as they passed, beneath their feet + They felt the timbers crack. + But when they turned their faces, + And on the farther shore + Saw brave Horatius stand alone, + They would have crossed once more. + + But with a crash like thunder + Fell every loosened beam, + And, like a dam, the mighty wreck + Lay right athwart the stream; + And a long shout of triumph + Rose from the walls of Rome, + As to the highest turret-tops + Was splashed the yellow foam. + + And like a horse unbroken + When first he feels the rein, + The furious river struggled hard, + And tossed his tawny mane, + And burst the curb, and bounded, + Rejoicing to be free; + And whirling down, in fierce career, + Battlement, and plank, and pier, + Rushed headlong to the sea. + + Alone stood brave Horatius, + But constant still in mind; + Thrice thirty thousand foes before, + And the broad flood behind. + "Down with him!" cried false Sextus, + With a smile on his pale face. + "Now yield thee," cried Lars Porsena, + "Now yield thee to our grace." + + Round turned he, as not deigning + Those craven ranks to see; + Naught spake he to Lars Porsena, + To Sextus naught spake he; + But he saw on Palatinus + The white porch of his home; + And he spake to the noble river + That rolls by the towers of Rome. + + "Oh, Tiber! father Tiber! + To whom the Romans pray, + A Roman's life, a Roman's arms, + Take thou in charge this day." + So he spake, and speaking sheathed + The good sword by his side, + And with his harness on his back, + Plunged headlong in the tide. + + No sound of joy or sorrow + Was heard from either bank; + But friends and foes, in dumb surprise, + With parted lips and straining eyes, + Stood gazing where he sank; + And when above the surges + They saw his crest appear, + All Rome sent forth a rapturous cry, + And even the ranks of Tuscany + Could scarce forbear to cheer. + + But fiercely ran the current, + Swollen high by months of rain: + And fast his blood was flowing + And he was sore in pain, + And heavy with his armor, + And spent with changing blows: + And oft they thought him sinking, + But still again he rose. + + Never, I ween, did swimmer, + In such an evil case, + Struggle through such a raging flood + Safe to the landing-place: + But his limbs were borne up bravely + By the brave heart within; + And our good father Tiber + Bore bravely up his chin. + + "Curse on him!" quoth false Sextus; + "Will not the villain drown? + But for this stay, ere close of day + We should have sacked the town!" + "Heaven help him!" quoth Lars Porsena, + "And bring him safe to shore; + For such a gallant feat of arms + Was never seen before." + + And now he feels the bottom; + Now on dry earth he stands; + Now round him throng the Fathers + To press his gory hands; + And now, with shouts and clapping, + And noise of weeping loud, + He enters through the River-Gate, + Borne by the joyous crowd. + + They gave him of the corn-land, + That was of public right, + As much as two strong oxen + Could plow from morn till night; + And they made a molten image, + And set it up on high, + And there it stands unto this day + To witness if I lie. + + It stands in the Comitium, + Plain for all folk to see; + Horatius in his harness, + Halting upon one knee: + And underneath is written, + In letters all of gold, + How valiantly he kept the bridge, + In the brave days of old. + + And still his name sounds stirring + Unto the men of Rome, + As the trumpet-blast that cries to them + To charge the Volscian home; + And wives still pray to Juno + For boys with hearts as bold + As his who kept the bridge so well + In the brave days of old. + + And in the nights of winter, + When the cold north winds blow, + And the long howling of the wolves + Is heard amidst the snow; + When round the lonely cottage + Roars loud the tempest's din, + And the good logs of Algidus + Roar louder yet within; + + When the oldest cask is opened, + And the largest lamp is lit; + When the chestnuts glow in the embers, + And the kid turns on the spit; + When young and old in circle + Around the firebrands close; + When the girls are weaving baskets, + And the lads are shaping bows; + + When the goodman mends his armor, + And trims his helmet's plume; + When the goodwife's shuttle merrily + Goes flashing through the loom; + With weeping and with laughter + Still is the story told, + How well Horatius kept the bridge + In the brave days of old. + + THOMAS BABINGTON MACAULAY. + +[Illustration: THOMAS BABINGTON MACAULAY.] + + + + +SAY NOT, THE STRUGGLE NAUGHT AVAILETH. + + + Say not, the struggle naught availeth, + The labor and the wounds are vain, + The enemy faints not, nor faileth, + And as things have been they remain. + + If hopes were dupes, fears may be liars; + It may be, in yon smoke concealed, + Your comrades chase e'en now the fliers, + And, but for you, possess the field. + + For while the tired waves, vainly breaking, + Seem here no painful inch to gain, + Far back, through creeks and inlets making, + Comes silent, flooding in, the main. + + And not by eastern windows only, + When daylight comes, comes in the light, + In front, the sun climbs slow, how slowly, + But westward, look, the land is bright. + + ARTHUR HUGH CLOUGH. + +[Illustration] + + + + +ON HIS BLINDNESS. + + + When I consider how my light is spent, + Ere half my days, in this dark world and wide, + And that one talent, which is death to hide, + Lodged with me useless, though my soul more bent + To serve therewith my Maker, and present + My true account, lest He, returning, chide,-- + "Doth God exact day-labor, light denied?" + I fondly ask:--But Patience, to prevent + That murmur, soon replies, "God doth not need + Either man's work, or His own gifts; who best + Bear His mild yoke, they serve Him best: His state + Is kingly; thousands at His bidding speed + And post o'er land and ocean without rest:-- + They also serve who only stand and wait." + + JOHN MILTON. + +[Illustration: HENRY WADSWORTH LONGFELLOW.] + + + + +THE BUILDING OF THE SHIP. + +A SELECTION. + + + All is finished! and at length + Has come the bridal day + Of beauty and of strength. + To-day the vessel shall be launched! + With fleecy clouds the sky is blanched, + And o'er the bay, + Slowly, in all his splendors dight, + The great sun rises to behold the sight. + + * * * * * + + On the deck another bride + Is standing by her lover's side. + Shadows from the flags and shrouds, + Like the shadows cast by clouds, + Broken by many a sunny fleck, + Fall around them on the deck. + + * * * * * + + Then the Master, + With a gesture of command, + Waved his hand; + And at the word, + Loud and sudden there was heard, + All around them and below, + The sound of hammers, blow on blow, + Knocking away the shores and spurs. + And see! she stirs! + She starts,--she moves,--she seems to feel + The thrill of life along her keel, + And, spurning with her foot the ground, + With one exulting, joyous bound, + She leaps into the ocean's arms! + + * * * * * + + Sail forth into the sea of life, + O gentle, loving, trusting wife, + And safe from all adversity + Upon the bosom of that sea + Thy comings and thy goings be! + For gentleness and love and trust + Prevail o'er angry wave and gust; + And in the wreck of noble lives + Something immortal still survives! + + Thou, too, sail on, O Ship of State! + Sail on, O UNION, strong and great! + Humanity with all its fears, + With all the hopes of future years, + Is hanging breathless on thy fate! + We know what Master laid thy keel, + What Workmen wrought thy ribs of steel, + Who made each mast, and sail, and rope, + What anvils rang, what hammers beat, + In what a forge and what a heat + Were shaped the anchors of thy hope! + Fear not each sudden sound and shock, + 'Tis of the wave and not the rock; + Tis but the flapping of the sail, + And not a rent made by the gale! + In spite of rock and tempest's roar, + In spite of false lights on the shore, + Sail on, nor fear to breast the sea! + Our hearts, our hopes, are all with thee, + Our hearts, our hopes, our prayers, our tears, + Our faith triumphant o'er our fears, + Are all with thee,--are all with thee! + + HENRY WADSWORTH LONGFELLOW. + +[Illustration] + + + + +OF OLD SAT FREEDOM. + + + Of old sat Freedom on the heights, + The thunders breaking at her feet: + Above her shook the starry lights: + She heard the torrents meet. + + There in her place she did rejoice, + Self-gathered in her prophet-mind, + But fragments of her mighty voice + Came rolling on the wind. + + Then stept she down thro' town and field + To mingle with the human race, + And part by part to men revealed + The fullness of her face-- + + Grave mother of majestic works, + From her isle-altar gazing down, + Who, godlike, grasps the triple forks, + And kinglike, wears the crown: + + Her open eyes desire the truth. + The wisdom of a thousand years + Is in them. May perpetual youth + Keep dry their light from tears; + + That her fair form may stand and shine, + Make bright our days and light our dreams, + Turning to scorn with lips divine + The falsehood of extremes! + + ALFRED TENNYSON. + + + + +LOCHINVAR. + + + Oh, young Lochinvar is come out of the west. + Through all the wide Border his steed was the best, + And save his good broadsword he weapons had none; + He rode all unarmed, and he rode all alone. + So faithful in love, and so dauntless in war, + There never was knight like the young Lochinvar. + + He stayed not for brake, and he stopped not for stone, + He swam the Eske River where ford there was none; + But ere he alighted at Netherby gate + The bride had consented, the gallant came late: + For a laggard in love, and a dastard in war + Was to wed the fair Ellen of brave Lochinvar. + + So boldly he entered the Netherby Hall, + Among bridesmen and kinsmen and brothers and all: + Then spoke the bride's father, his hand on his sword + (For the poor craven bridegroom said never a word), + "Oh, come ye in peace here, or come ye in war, + Or to dance at our bridal, young Lord Lochinvar?" + + "I long wooed your daughter, my suit you denied;-- + Love swells like the Solway, but ebbs like its tide-- + And now am I come, with this lost love of mine, + To lead but one measure, drink one cup of wine. + There are maidens in Scotland more lovely by far, + That would gladly be bride to the young Lochinvar." + + The bride kissed the goblet; the knight took it up; + He quaffed off the wine, and he threw down the cup. + She looked down to blush, and she looked up to sigh, + With a smile on her lips and a tear in her eye. + He took her soft hand ere her mother could bar,-- + "Now tread we a measure!" said young Lochinvar. + + So stately his form, and so lovely her face, + That never a hall such a galliard did grace; + While her mother did fret, and her father did fume, + And the bridegroom stood dangling his bonnet and plume, + And the bridemaidens whispered, "'Twere better by far + To have matched our fair cousin with young Lochinvar." + + One touch to her hand, and one word in her ear, + When they reached the hall door, and the charger stood near; + So light to the croupe the fair lady he swung, + So light to the saddle before her he sprung! + "She is won! we are gone, over bank, bush, and scaur; + They'll have fleet steeds that follow," quoth young Lochinvar. + + There was mounting 'mong Græmes of the Netherby clan; + Forsters, Fenwicks, and Musgraves, they rode and they ran: + There was racing and chasing on Cannobie Lee, + But the lost bride of Netherby ne'er did they see. + So daring in love, and so dauntless in war, + Have ye e'er heard of gallant like young Lochinvar? + + SIR WALTER SCOTT. + + + + +BANNOCKBURN. + + + Scots, wha hae wi' Wallace bled, + Scots, wham Bruce has aften led; + Welcome to your gory bed, + Or to victorie! + + Now's the day, and now's the hour; + See the front o' battle lour: + See approach proud Edward's pow'r-- + Chains and slaverie! + + Wha will be a traitor-knave? + Wha can fill a coward's grave? + Wha sae base as be a slave? + Let him turn and flee! + + Wha for Scotland's king and law, + Freedom's sword will strongly draw, + Freeman stand, or freeman fa', + Let him follow me! + + By oppression's woes and pains! + By our sons in servile chains! + We will drain our dearest veins, + But they shall be free! + + Lay the proud usurpers low! + Tyrants fall in every foe! + Liberty's in every blow!-- + Let us do or die! + + ROBERT BURNS. + + + + +BONNIE DUNDEE. + + + To the Lords of Convention 'twas Claver'se who spoke, + "Ere the King's crown shall fall there are crowns to be broke; + So let each Cavalier who loves honor and me, + Come follow the bonnet of Bonnie Dundee. + + Come fill up my cup, come fill up my can, + Come saddle your horses, and call up your men; + Come open the West Port, and let me gang free, + And it's room for the bonnets of Bonnie Dundee!" + + Dundee he is mounted, he rides up the street, + The bells are rung backward, the drums they are beat; + But the Provost, douce man, said, "Just e'en let him be, + The Gude Town is weel quit of that Deil of Dundee!" + + As he rode down the sanctified bends of the Bow, + Ilk carline was flyting and shaking her pow; + But the young plants of grace they looked couthie and slee, + Thinking, luck to thy bonnet, thou Bonnie Dundee! + + With sour-featured Whigs the Grassmarket was crammed, + As if half the West had set tryst to be hanged; + There was spite in each look, there was fear in each e'e, + As they watched for the bonnet of Bonnie Dundee. + + These cowls of Kilmarnock had spits and had spears, + And lang-hafted gullies to kill Cavaliers; + But they shrunk to close-heads, and the causeway was free, + At the toss of the bonnet of Bonnie Dundee. + + He spurred to the foot of the proud Castle rock, + And with the gay Gordon he gallantly spoke; + "Let Mons Meg and her marrows speak twa words or three + For the love of the bonnet of Bonnie Dundee." + + The Gordon demands of him which way he goes: + "Where'er shall direct me the shade of Montrose! + Your Grace in short space shall hear tidings of me, + Or that low lies the bonnet of Bonnie Dundee. + + "There are hills beyond Pentland, and lands beyond Forth, + If there's lords in the Lowlands, there's chiefs in the North; + There are wild Duniewassals three thousand times three, + Will cry _hoigh!_ for the bonnet of Bonnie Dundee. + + "There's brass on the target of barkened bull hide; + There's steel in the scabbard that dangles beside; + The brass shall be burnished, the steel shall flash free, + At a toss of the bonnet of Bonnie Dundee. + + "Away to the hills, to the caves, to the rocks, + Ere I own a usurper, I'll couch with the fox; + And tremble, false Whigs, in the midst of your glee, + You have not seen the last of my bonnet and me!" + + He waved his proud hand, and the trumpets were blown, + The kettledrums clashed, and the horsemen rode on, + Till on Ravelston's cliffs and on Clermiston's lee + Died away the wild war notes of Bonnie Dundee. + + Come fill up my cup, and fill up my can, + Come saddle the horses and call up the men, + Come open your gates, and let me gae free, + For it's up with the bonnets of Bonnie Dundee! + + SIR WALTER SCOTT. + +[Illustration] + + + + +THE SONG OF THE WESTERN MEN. + + + A good sword and a trusty hand! + A merry heart and true! + King James's men shall understand + What Cornish lads can do. + + And have they fixed the where and when? + And shall Trelawny die? + Here's twenty thousand Cornish men + Will know the reason why! + + Out spake their captain brave and bold, + A merry wight was he: + "If London Tower were Michael's hold, + We'll set Trelawny free! + + "We'll cross the Tamar, land to land, + The Severn is no stay, + With one and all, and hand in hand, + And who shall bid us nay? + + "And when we come to London Wall, + A pleasant sight to view, + Come forth! come forth! ye cowards all, + Here's men as good as you. + + "Trelawny he's in keep and hold, + Trelawny he may die; + But here's twenty thousand Cornish bold + Will know the reason why!" + + ROBERT S. HAWKER. + + + + +JAFFAR. + + + Jaffar, the Barmecide, the good Vizier, + The poor man's hope, the friend without a peer,-- + Jaffar was dead, slain by a doom unjust; + And guilty Haroun, sullen with mistrust + Of what the good, and e'en the bad, might say, + Ordained that no man living, from that day, + Should dare to speak his name on pain of death. + All Araby and Persia held their breath. + + All but the brave Mondeer.--He, proud to show + How far for love a grateful soul could go, + And facing death for very scorn and grief, + For his great heart wanted a great relief, + Stood forth in Bagdad, daily in the square + Where once had stood a happy home, and there + Harangued the tremblers at the scymitar + On all they owed to the divine Jaffar. + + "Bring me this man," the caliph cried: the man + Was brought, was gazed upon. The mutes began + To bind his arms. "Welcome, brave cords," cried he; + "From bonds far worse Jaffar delivered me; + From wants, from shames, from loveless household fears; + Made a man's eyes friends with delicious tears; + Restored me, loved me, put me on a par + With his great self. How can I pay Jaffar?" + + Haroun, who felt that on a soul like this + The mightiest vengeance could but fall amiss, + Now deigned to smile, as one great lord of fate + Might smile upon another half as great. + He said, "Let worth grow frenzied if it will; + The caliph's judgment shall be master still. + + "Go, and since gifts so move thee, take this gem, + The richest in the Tartar's diadem, + And hold the giver as thou deemest fit." + "Gifts!" cried the friend. He took: and holding it + High toward the heavens, as though to meet his star, + Exclaimed, "This, too, I owe to thee, Jaffar." + + LEIGH HUNT. + + + + +LORD OF HIMSELF. + + + How happy is he born or taught + Who serveth not another's will; + Whose armor is his honest thought, + And simple truth his highest skill: + + Whose passions not his masters are; + Whose soul is still prepared for death-- + Not tied unto the world with care + Of prince's ear or vulgar breath; + + Who hath his ear from rumors freed; + Whose conscience is his strong retreat; + Whose state can neither flatterers feed, + Nor ruin make oppressors great; + + Who envies none whom chance doth raise, + Or vice; who never understood + How deepest wounds are given with praise, + Nor rules of state but rules of good; + Who God doth late and early pray + More of his grace than gifts to lend, + And entertains the harmless day + With a well-chosen book or friend-- + + This man is free from servile bands + Of hope to rise or fear to fall: + Lord of himself, though not of lands, + And, having nothing, yet hath all. + + SIR HENRY WOTTON. + + + + +THE GOOD GREAT MAN. + + + How seldom, friend, a good great man inherits + Honor or wealth, with all his worth and pains! + It sounds like stories from the land of spirits, + If any man obtain that which he merits, + Or any merit that which he obtains. + + For shame, dear friend; renounce this canting strain. + What wouldst thou have a good great man obtain? + Place, titles, salary, a gilded chain-- + Or throne of corses which his sword hath slain? + Greatness and goodness are not means, but ends. + Hath he not always treasures, always friends, + The good great man? three treasures--love and light, + And calm thoughts, regular as infants' breath; + And three firm friends, more sure than day and night-- + Himself, his Maker, and the angel Death. + + SAMUEL TAYLOR COLERIDGE. + + + + +DEATH THE LEVELER. + + + The glories of our blood and state + Are shadows, not substantial things; + There is no armor against fate; + Death lays his icy hand on kings: + Scepter and crown + Must tumble down, + And in the dust be equal made + With the poor crooked scythe and spade. + + Some men with swords may reap the field, + And plant fresh laurels where they kill; + But their strong nerves at last must yield; + They tame but one another still: + Early or late + They stoop to fate, + And must give up their murmuring breath, + When they, pale captives, creep to death. + + The garlands wither on your brow; + Then boast no more your mighty deeds; + Upon Death's purple altar now, + See where the victor victim bleeds: + Your heads must come + To the cold tomb; + Only the actions of the just + Smell sweet, and blossom in their dust. + + JAMES SHIRLEY. + + + + +OZYMANDIAS OF EGYPT. + + + I met a traveler from an antique land + Who said: Two vast and trunkless legs of stone + Stand in the desert. Near them on the sand, + Half sunk, a shattered visage lies, whose frown + And wrinkled lip and sneer of cold command + Tell that its sculptor well those passions read + Which yet survive, stamped on these lifeless things, + The hand that mocked them and the heart that fed; + And on the pedestal these words appear: + "My name is Ozymandias, king of kings: + Look on my works, ye mighty, and despair!" + Nothing beside remains. Round the decay + Of that colossal wreck, boundless and bare, + The lone and level sands stretch far away. + + PERCY BYSSHE SHELLEY. + +[Illustration: THOMAS CAMPBELL.] + + + + +LOCHIEL'S WARNING. + +WIZARD--LOCHIEL. + + +WIZARD. + + Lochiel, Lochiel! beware of the day + When the lowlands shall meet thee in battle array! + For a field of the dead rushes red on my sight, + And the clans of Culloden are scattered in fight. + They rally, they bleed, for their kingdom and crown; + Woe, woe to the riders that trample them down! + Proud Cumberland prances, insulting the slain, + And their hoof-beaten bosoms are trod to the plain. + But hark! through the fast-flashing lightning of war, + What steed to the desert flies frantic and far? + 'Tis thine, oh Glenullin! whose bride shall await, + Like a love-lighted watch fire, all night at the gate. + A steed comes at morning: no rider is there; + But its bridle is red with the sign of despair. + Weep, Albin! to death and captivity led! + Oh weep, but thy tears cannot number the dead: + For a merciless sword on Culloden shall wave, + Culloden! that reeks with the blood of the brave. + + +LOCHIEL. + + Go, preach to the coward, thou death-telling seer; + Or, if gory Culloden so dreadful appear, + Draw, dotard, around thy old wavering sight + This mantle, to cover the phantoms of fright. + + +WIZARD. + + Ha! laugh'st thou, Lochiel, my vision to scorn? + Proud bird of the mountain, thy plume shall be torn! + Say, rushed the bold eagle exultingly forth, + From his home, in the dark rolling clouds of the north? + Lo! the death-shot of foemen outspeeding, he rode + Companionless, bearing destruction abroad; + But down let him stoop from his havoc on high! + Ah! home let him speed,--for the spoiler is nigh. + Why flames the far summit? Why shoot to the blast + Those embers, like stars from the firmament cast? + 'Tis the fire shower of ruin, all dreadfully driven + From his eyrie, that beacons the darkness of heaven. + Oh, crested Lochiel! the peerless in might, + Whose banners arise on the battlements' height, + Heaven's fire is around thee, to blast and to burn; + Return to thy dwelling! all lonely return! + For the blackness of ashes shall mark where it stood, + And a wild mother scream o'er her famishing brood. + + +LOCHIEL. + + False Wizard, avaunt! I have marshaled my clan, + Their swords are a thousand, their bosoms are one! + They are true to the last of their blood and their breath, + And like reapers descend to the harvest of death. + Then welcome be Cumberland's steed to the shock! + Let him dash his proud foam like a wave on the rock! + But woe to his kindred, and woe to his cause, + When Albin her claymore indignantly draws; + When her bonneted chieftains to victory crowd, + Clanronald the dauntless, and Moray the proud, + All plaided and plumed in their tartan array-- + + +WIZARD. + + --Lochiel, Lochiel! beware of the day; + For, dark and despairing, my sight I may seal, + But man cannot cover what God would reveal; + 'Tis the sunset of life gives me mystical lore, + And coming events cast their shadows before. + I tell thee, Culloden's dread echoes shall ring + With the bloodhounds that bark for thy fugitive king. + Lo! anointed by Heaven with the vials of wrath, + Behold where he flies on his desolate path! + Now in darkness and billows, he sweeps from my sight: + Rise, rise! ye wild tempests, and cover his flight! + 'Tis finished. Their thunders are hushed on the moors: + Culloden is lost, and my country deplores. + But where is the ironbound prisoner? Where? + For the red eye of battle is shut in despair. + Say, mounts he the ocean wave, banished, forlorn, + Like a limb from his country cast bleeding and torn? + Ah no! for a darker departure is near; + The war drum is muffled, and black is the bier; + His death bell is tolling: oh! mercy, dispel + Yon sight, that it freezes my spirit to tell! + Life flutters convulsed in his quivering limbs, + And his blood-streaming nostril in agony swims. + Accursed be the fagots, that blaze at his feet, + Where his heart shall be thrown, ere it ceases to beat, + With the smoke of its ashes to poison the gale-- + + +LOCHIEL. + + --Down, soothless insulter! I trust not the tale: + For never shall Albin a destiny meet, + So black with dishonor, so foul with retreat. + Tho' my perishing ranks should be strewed in their gore, + Like ocean weeds heaped on the surf-beaten shore, + Lochiel, untainted by flight or by chains, + While the kindling of life in his bosom remains, + Shall victor exult, or in death be laid low, + With his back to the field, and his feet to the foe! + And leaving in battle no blot on his name, + Look proudly to Heaven from the deathbed of fame. + + THOMAS CAMPBELL. + +[Illustration: _"Announced by all the trumpets of the sky"_] + + + + +THE SNOWSTORM. + + + Announced by all the trumpets of the sky, + Arrives the snow, and, driving o'er the fields, + Seems nowhere to alight: the whited air + Hides hills and woods, the river, and the heaven, + And veils the farmhouse at the garden's end. + The sled and traveler stopped, the courier's feet + Delayed, all friends shut out, the housemates sit + Around the radiant fireplace, inclosed + In a tumultuous privacy of storm. + + Come see the north wind's masonry. + Out of an unseen quarry evermore + Furnished with tile, the fierce artificer + Curves his white bastions with projected roof + Round every windward stake, or tree, or door. + Speeding, the myriad-handed, his wild work + So fanciful, so savage, naught cares he + For number or proportion. Mockingly, + On coop or kennel he hangs Parian wreaths; + A swanlike form invests the hidden thorn: + Fills up the farmer's lane from wall to wall, + Maugre the farmer's sighs; and at the gate + A tapering turret overtops the work. + And when his hours are numbered, and the world + Is all his own, retiring, as he were not, + Leaves, when the sun appears, astonished Art + To mimic in slow structures, stone by stone, + Built in an age, the mad wind's night work, + The frolic architecture of the snow. + + RALPH WALDO EMERSON. + +[Illustration] + + + + +THE AWAKENING OF SPRING. + + + Now fades the last long streak of snow, + Now bourgeons every maze of quick + About the flowering squares, and thick + By ashen roots the violets blow. + + Now rings the woodland loud and long, + The distance takes a lovelier hue, + And drowned in yonder living blue + The lark becomes a sightless song. + + Now dance the lights on lawn and lea, + The flocks are whiter down the vale, + And milkier every milky sail + On winding stream or distant sea; + + Where now the seamew pipes, or dives + In yonder greening gleam, and fly + The happy birds, that change their sky + To build and brood; that live their lives + + From land to land; and in my breast + Spring wakens too; and my regret + Becomes an April violet, + And buds and blossoms like the rest. + + ALFRED TENNYSON. + _From "In Memoriam."_ + +[Illustration] + + + + +HOME THOUGHTS FROM ABROAD. + + + Oh, to be in England now that April's there, + And whoever wakes in England sees, some morning, unaware, + That the lowest boughs and the brushwood sheaf + Round the elm tree hole are in tiny leaf, + While the chaffinch sings on the orchard bough + In England--now! + And after April, when May follows, + And the whitethroat builds, and all the swallows! + Hark, where my blossomed pear tree in the hedge + Leans to the field and scatters on the clover + Blossoms and dewdrops--at the bent spray's edge-- + That's the wise thrush: he sings each song twice over + Lest you should think he never could recapture + The first fine careless rapture! + And, though the fields look rough with hoary dew + All will be gay when noontide wakes anew + The buttercups, the little children's dower + --Far brighter than this gaudy melon flower! + + ROBERT BROWNING. + + + + +TWILIGHT CALM. + + + O Pleasant eventide! + Clouds on the western side + Grow gray and grayer, hiding the warm sun: + The bees and birds, their happy labors done, + Seek their close nests and bide. + + Screened in the leafy wood + The stockdoves sit and brood: + The very squirrel leaps from bough to bough + But lazily; pauses; and settles now + Where once he stored his food. + + One by one the flowers close, + Lily and dewy rose + Shutting their tender petals from the moon: + The grasshoppers are still; but not so soon + Are still the noisy crows. + + The dormouse squats and eats + Choice little dainty bits + Beneath the spreading roots of a broad lime; + Nibbling his fill he stops from time to time + And listens where he sits. + + From far the lowings come + Of cattle driven home: + From farther still the wind brings fitfully + The vast continual murmur of the sea, + Now loud, now almost dumb. + + The gnats whirl in the air, + The evening gnats; and there + The owl opes broad his eyes and wings to sail + For prey; the bat wakes; and the shell-less snail + Comes forth, clammy and bare. + + Hark! that's the nightingale. + Telling the selfsame tale + Her song told when this ancient earth was young: + So echoes answered when her song was sung + In the first wooded vale. + + We call it love and pain, + The passion of her strain; + And yet we little understand or know: + Why should it not be rather joy that so + Throbs in each throbbing vein? + + In separate herds the deer + Lie; here the bucks, and here + The does, and by its mother sleeps the fawn: + Through all the hours of night until the dawn + They sleep, forgetting fear. + + The hare sleeps where it lies, + With wary half-closed eyes: + The cock has ceased to crow, the hen to cluck: + Only the fox is out, some heedless duck + Or chicken to surprise. + + Remote, each single star + Comes out, till there they are + All shining brightly: how the dews fall damp! + While close at hand the glowworm lights her lamp + Or twinkles from afar. + + But evening now is done + As much as if the sun + Day-giving had arisen in the east: + For night has come; and the great calm has ceased, + The quiet sands have run. + + CHRISTINA G. ROSSETTI. + +[Illustration] + + + + +ABIDE WITH ME. + + + Abide with me! Fast falls the eventide; + The darkness deepens: Lord, with me abide! + When other helpers fail, and comforts flee, + Help of the helpless, O abide with me! + + Swift to its close ebbs out life's little day; + Earth's joys grow dim; its glories pass away: + Change and decay in all around I see; + O Thou, who changest not, abide with me! + + Not a brief glance I beg, a passing word, + But as Thou dwell'st with Thy disciples, Lord, + Familiar, condescending, patient, free, + Come, not to sojourn, but abide with me! + + Come not in terrors, as the King of kings; + But kind and good, with healing in Thy wings: + Tears for all woes, a heart for every plea:-- + Come, Friend of sinners, and thus bide with me! + + Thou on my head in early youth didst smile, + And, though rebellious and perverse meanwhile, + Thou hast not left me, oft as I left Thee; + On to the close, O Lord, abide with me! + + I need Thy presence every passing hour: + What but Thy grace can foil the Tempter's power? + Who like Thyself my guide and stay can be? + Through cloud and sunshine, O abide with me! + + I fear no foe with Thee at hand to bless: + Ills have no weight, and tears no bitterness. + Where is Death's sting? where, Grave, thy victory? + --I triumph still, if Thou abide with me. + + Hold Thou Thy cross before my closing eyes; + Shine through the gloom, and point me to the skies: + Heaven's morning breaks, and earth's vain shadows flee:-- + In life and death, O Lord, abide with me! + + HENRY F. LYTE. + + + + +SONG FROM "PIPPA PASSES." + + + The year's at the spring, + And day's at the morn; + Morning's at seven; + The hillside's dew-pearled; + The lark's on the wing; + The snail's on the thorn; + God's in His heaven-- + All's right with the world. + + ROBERT BROWNING. + + + + +MAN AND NATURE. + + + A sad man on a summer day + Did look upon the earth and say-- + "Purple cloud, the hilltop binding, + Folded hills, the valleys wind in, + Valleys, with fresh streams among you, + Streams, with bosky trees along you, + Trees, with many birds and blossoms, + Birds, with music-trembling bosoms, + Blossoms, dropping dews that wreathe you + To your fellow flowers beneath you, + Flowers, that constellate on earth, + Earth, that shakest to the mirth + Of the merry Titan ocean, + All his shining hair in motion! + Why am I thus the only one + Who can be dark beneath the sun?" + + But when the summer day was past, + He looked to heaven and smiled at last, + Self-answered so-- + "Because, O cloud, + Pressing with thy crumpled shroud + Heavily on mountain top,-- + Hills, that almost seem to drop, + Stricken with a misty death, + To the valleys underneath,-- + Valleys, sighing with the torrent,-- + Waters, streaked with branches horrent,-- + Branchless trees, that shake your head + Wildly o'er your blossoms spread + Where the common flowers are found,-- + Flowers, with foreheads to the ground,-- + Ground, that shriekest while the sea + With his iron smiteth thee-- + I am, besides, the only one + Who can be bright _without_ the sun." + + ELIZABETH BARRETT BROWNING. + +[Illustration] + + + + +MORNING. + + + Pack, clouds, away, and welcome day, + With night we banish sorrow, + Sweet air blow soft, mount lark aloft + To give my Love good morrow. + Wings from the wind, to please her mind, + Notes from the lark I'll borrow; + Bird prune thy wing, nightingale sing, + To give my Love good morrow; + To give my Love good morrow + Notes from them all I'll borrow. + + Wake from thy nest, robin redbreast, + Sing birds in every furrow, + And from each hill, let music shrill, + Give my fair Love good morrow: + Blackbird and thrush, in every bush, + Stare, linnet, and cock sparrow! + You pretty elves, amongst yourselves + Sing my fair Love good morrow. + To give my Love good morrow + Sing birds in every furrow. + + THOMAS HEYWOOD. + + + + +THE LADY OF SHALOTT. + +PART I. + + + On either side the river lie + Long fields of barley and of rye, + That clothe the wold and meet the sky; + And thro' the field the road runs by + To many-towered Camelot; + And up and down the people go, + Gazing where the lilies blow + Round an island there below, + The island of Shalott. + + Willows whiten, aspens quiver, + Little breezes dusk and shiver + Thro' the wave that runs forever + By the island in the river + Flowing down to Camelot. + Four gray walls, and four gray towers, + Overlook a space of flowers, + And the silent isle imbowers + The Lady of Shalott. + + By the margin, willow-veiled, + Slide the heavy barges trailed + By slow horses; and unhailed + The shallop flitteth silken-sailed, + Skimming down to Camelot: + But who hath seen her wave her hand? + Or at the casement seen her stand? + Or is she known in all the land, + The Lady of Shalott? + + Only reapers, reaping early + In among the bearded barley, + Hear a song that echoes cheerly + From the river winding clearly, + Down to towered Camelot: + And by the moon the reaper weary, + Piling sheaves in uplands airy, + Listening, whispers "'Tis the fairy + Lady of Shalott." + +PART II. + + There she weaves by night and day + A magic web with colors gay. + She has heard a whisper say, + A curse is on her if she stay + To look down to Camelot. + She knows not what the curse may be, + And so she weaveth steadily, + And little other care hath she, + The Lady of Shalott. + + And moving thro' a mirror clear + That hangs before her all the year, + Shadows of the world appear. + There she sees the highway near + Winding down to Camelot; + There the river eddy whirls, + And there the surly village churls, + And the red cloaks of market-girls, + Pass onward from Shalott. + + Sometimes a troop of damsels glad, + An abbot on an ambling pad, + Sometimes a curly shepherd lad, + Or long-haired page in crimson clad, + Goes by to towered Camelot; + And sometimes thro' the mirror blue + The knights come riding two and two; + She hath no loyal knight and true, + The Lady of Shalott. + + But in her web she still delights + To weave the mirror's magic sights, + For often thro' the silent nights + A funeral, with plumes and lights, + And music, went to Camelot: + Or when the moon was overhead, + Came two young lovers lately wed; + "I am half sick of shadows," said + The Lady of Shalott. + +PART III. + + A bowshot from her bower eaves, + He rode between the barley sheaves, + The sun came dazzling thro' the leaves, + And flamed upon the brazen greaves + Of bold Sir Lancelot. + A red-cross knight for ever kneeled + To a lady in his shield, + That sparkled on the yellow field, + Beside remote Shalott. + + The gemmy bridle glittered free, + Like to some branch of stars we see + Hung in the golden Galaxy. + The bridle bells rang merrily + As he rode down to Camelot: + And from his blazoned baldric slung + A mighty silver bugle hung, + And as he rode his armor rung, + Beside remote Shalott. + + All in the blue unclouded weather + Thick-jeweled shone the saddle leather, + The helmet and the helmet feather + Burned like one burning flame together, + As he rode down to Camelot. + As often thro' the purple night, + Below the starry clusters bright, + Some bearded meteor, trailing light, + Moves over still Shalott. + + His broad clear brow in sunlight glowed; + On burnished hooves his war horse trode; + From underneath his helmet flowed + His coal-black curls as on he rode, + As he rode down to Camelot. + From the bank and from the river + He flashed into the crystal mirror, + "Tirra, lirra," by the river + Sang Sir Lancelot. + + She left the web, she left the loom, + She made three paces thro' the room, + She saw the water lily bloom, + She saw the helmet and the plume, + She looked down to Camelot. + Out flew the web and floated wide; + The mirror cracked from side to side; + "The curse is come upon me," cried + The Lady of Shalott. + +PART IV. + + In the stormy east wind straining, + The pale yellow woods were waning, + The broad stream in his banks complaining, + Heavily the low sky raining + Over towered Camelot; + Down she came and found a boat + Beneath a willow left afloat, + And round about the prow she wrote + _The Lady of Shalott_. + + And down the river's dim expanse-- + Like some bold seër in a trance, + Seeing all his own mischance-- + With a glassy countenance + Did she look to Camelot. + And at the closing of the day + She loosed the chain, and down she lay; + The broad stream bore her far away, + The Lady of Shalott. + + Lying, robed in snowy white + That loosely flew to left and right-- + The leaves upon her falling light-- + Thro' the noises of the night + She floated down to Camelot: + And as the boat head wound along + The willowy hills and fields among, + They heard her singing her last song, + The Lady of Shalott. + + Heard a carol, mournful, holy, + Chanted loudly, chanted lowly, + Till her blood was frozen slowly, + And her eyes were darkened wholly, + Turned to towered Camelot; + For ere she reached upon the tide + The first house by the water-side, + Singing in her song she died, + The Lady of Shalott. + + Under tower and balcony, + By garden wall and gallery, + A gleaming shape she floated by, + Dead-pale between the houses high, + Silent into Camelot. + Out upon the wharfs they came, + Knight and burgher, lord and dame, + And round the prow they read her name, + _The Lady of Shalott_. + + Who is this? and what is here? + And in the lighted palace near + Died the sound of royal cheer; + And they crossed themselves for fear, + All the knights at Camelot: + But Lancelot mused a little space; + He said, "She has a lovely face; + God in his mercy lend her grace, + The Lady of Shalott." + + ALFRED TENNYSON. + +[Illustration] + + + + +ROMANCE OF THE SWAN'S NEST. + + + Little Ellie sits alone + 'Mid the beeches of the meadow, + By a stream-side on the grass; + And the trees are showering down + Doubles of their leaves in shadow, + On her shining hair and face. + + She has thrown her bonnet by; + And her feet she has been dipping + In the shallow water's flow. + Now she holds them nakedly + In her hands, all sleek and dripping, + While she rocketh to and fro. + + Little Ellie sits alone, + And the smile she softly uses, + Fills the silence like a speech; + While she thinks what shall be done,-- + And the sweetest pleasure chooses + For her future within reach. + + Little Ellie in her smile + Chooses, "I will have a lover, + Riding on a steed of steeds! + He shall love me without guile; + And to _him_ I will discover + That swan's nest among the reeds. + + "And the steed shall be red-roan, + And the lover shall be noble, + With an eye that takes the breath; + And the lute he plays upon, + Shall strike ladies into trouble, + As his sword strikes men to death! + + "And the steed it shall be shod + All in silver, housed in azure, + And the mane shall swim the wind; + And the hoofs, along the sod, + Shall flash onward and keep measure, + Till the shepherds look behind. + + "But my lover will not prize + All the glory that he rides in, + When he gazes in my face; + He will say, 'O Love, thine eyes + Build the shrine my soul abides in; + And I kneel here for thy grace.' + + "Then, ay, then he shall kneel low, + With the red-roan steed anear him, + Which shall seem to understand-- + Till I answer, 'Rise, and go!' + For the world must love and fear him + Whom I gift with heart and hand. + + "Then he will arise so pale, + I shall feel my own lips tremble + With a _yes_ I must not say-- + Nathless maiden-brave, 'Farewell,' + I will utter and dissemble-- + 'Light to-morrow with to-day.' + + "Then he'll ride among the hills + To the wide world past the river, + There to put away all wrong, + To make straight distorted wills, + And to empty the broad quiver + Which the wicked bear along. + + "Three times shall a young foot-page + Swim the stream and climb the mountain, + And kneel down beside my feet-- + 'Lo! my master sends this gage, + Lady, for thy pity's counting! + What wilt thou exchange for it?' + + "And the first time I will send + A white rosebud for a guerdon, + And the second time a glove; + But the third time--I may bend + From my pride, and answer--'Pardon, + If he comes to take my love.' + + "Then the young foot-page will run-- + Then my lover will ride faster, + Till he kneeleth at my knee: + 'I am a duke's eldest son! + Thousand serfs do call me master, + But, O Love, I love but _thee_!' + + "He will kiss me on the mouth + Then; and lead me as a lover, + Through the crowds that praise his deeds; + And, when soul-tied by one troth, + Unto _him_ I will discover + That swan's nest among the reeds." + + Little Ellie, with her smile + Not yet ended, rose up gayly, + Tied the bonnet, donned the shoe-- + And went homeward, round a mile, + Just to see, as she did daily, + What more eggs were with the _two_. + + Pushing through the elm-tree copse + Winding by the stream, light-hearted, + Where the osier pathway leads, + Past the boughs she stoops, and stops. + Lo, the wild swan had deserted-- + And a rat had gnawed the reeds! + + Ellie went home sad and slow. + If she found the lover ever, + With his red-roan steed of steeds, + Sooth, I know not! but I know + She could never show him--never, + That swan's nest among the reeds. + + ELIZABETH BARRETT BROWNING. + +[Illustration] + + + + +TELLING THE BEES. + + + Here is the place; right over the hill + Runs the path I took; + You can see the gap in the old wall still, + And the stepping-stones in the shallow brook. + + There is the house, with the gate red-barred, + And the poplars tall; + And the barn's brown length, and the cattle yard, + And the white horns tossing above the wall. + + There are the beehives ranged in the sun; + And down by the brink + Of the brook are her poor flowers, weed-o'errun, + Pansy and daffodil, rose and pink. + + A year has gone, as the tortoise goes, + Heavy and slow; + And the same rose blows, and the same sun glows, + And the same brook sings of a year ago. + + There's the same sweet clover smell in the breeze; + And the June sun warm + Tangles his wings of fire in the trees, + Setting, as then, over Fernside farm. + + I mind me how with a lover's care + From my Sunday coat + I brushed off the burs, and smoothed my hair, + And cooled at the brookside my brow and throat. + + Since we parted, a month had passed,-- + To love, a year; + Down through the beeches I looked at last + On the little red gate and the well sweep near. + + I can see it all now,--the slantwise rain + Of light through the leaves, + The sundown's blaze on her windowpane, + The bloom of her roses under the eaves. + + Just the same as a month before,-- + The house and the trees, + The barn's brown gable, the vine by the door,-- + Nothing changed but the hives of bees. + + Before them, under the garden wall, + Forward and back, + Went drearily singing the chore-girl small, + Draping each hive with a shred of black. + + Trembling, I listened: the summer sun + Had the chill of snow; + For I knew she was telling the bees of one + Gone on the journey we all must go! + + Then I said to myself, "My Mary weeps + For the dead to-day: + Haply her blind old grandsire sleeps + The fret and the pain of his age away." + + But her dog whined low; on the doorway sill, + With his cane to his chin, + The old man sat; and the chore-girl still + Sung to the bees stealing out and in. + + And the song she was singing ever since + In my ears sounds on:-- + "Stay at home, pretty bees, fly not hence! + Mistress Mary is dead and gone!" + + JOHN GREENLEAF WHITTIER. + + + + +THE LAND OF SONG: Book III. + +_PART II_. + +[Illustration: WILLIAM SHAKESPEARE.] + +[Illustration: SHAKESPEARE'S BIRTHPLACE.] + +PART TWO. + + + + +THE MAN THAT HATH NO MUSIC IN HIMSELF. + + + The man that hath no music in himself, + Nor is not moved with concord of sweet sounds, + Is fit for treasons, stratagems, and spoils; + The motions of his spirit are dull as night + And his affections dark as Erebus: + Let no such man be trusted. + + WILLIAM SHAKESPEARE. + _From "The Merchant of Venice."_ + + + + +ADVERSITY. + + + Sweet are the uses of adversity, + Which, like the toad, ugly and venomous, + Wears yet a precious jewel in his head; + And this our life exempt from public haunt + Finds tongues in trees, books in the running brooks, + Sermons in stones, and good in everything. + + WILLIAM SHAKESPEARE. + _From_ "_As You Like It._" + +[Illustration] + + + + +TO THE DAISY. + + + In youth from rock to rock I went, + From hill to hill in discontent + Of pleasure high and turbulent, + Most pleased when most uneasy. + But now my own delights I make,-- + My thirst at every rill can slake, + And gladly Nature's love partake, + Of thee, sweet daisy! + + Thee winter in the garland wears + That thinly decks his few gray hairs; + Spring parts the clouds with softest airs + That she may sun thee; + Whole summer fields are thine by right: + And autumn, melancholy wight! + Doth in thy crimson head delight + When rains are on thee. + + In shoals and bands, a morrice train, + Thou greet'st the traveler in the lane; + Pleased at his greeting thee again; + Yet nothing daunted, + Nor grieved if thou be set at naught: + And oft alone in nooks remote + We meet thee, like a pleasant thought, + When such are wanted. + + Be violets in their secret mews + The flowers the wanton zephyrs choose; + Proud be the rose, with rains and dews + Her head impearling. + Thou liv'st with less ambitious aim, + Yet hast not gone without thy fame; + Thou art indeed by many a claim + The poet's darling. + + If to a rock from rains he fly, + Or, some bright day of April sky, + Imprisoned by hot sunshine, lie + Near the green holly, + And wearily at length should fare; + He needs but look about, and there + Thou art!--a friend at hand, to scare + His melancholy. + + A hundred times, by rock or bower, + Ere thus I have lain couched an hour, + Have I derived from thy sweet power + Some apprehension; + Some steady love; some brief delight; + Some memory that had taken flight; + Some chime of fancy wrong or right; + Or stray invention. + + If stately passions in me burn, + And one chance look to thee should turn, + I drink out of an humbler urn + A lowlier pleasure; + The homely sympathy that heeds + The common life, our nature breeds; + A wisdom fitted to the needs + Of hearts at leisure. + + Fresh-smitten by the morning ray, + When thou art up, alert and gay, + Then, cheerful flower! my spirits play + With kindred gladness: + And when, at dusk, by dews opprest + Thou sink'st, the image of thy rest + Hath often eased my pensive breast + Of careful sadness. + + And all day long I number yet, + All seasons through, another debt, + Which I, wherever thou art met, + To thee am owing; + An instinct call it, a blind sense; + A happy, genial influence, + Coming one knows not how, nor whence, + Nor whither going. + + Child of the Year! that round dost run + Thy pleasant course,--when day's begun + As ready to salute the sun + As lark or leveret, + Thy long-lost praise thou shalt regain; + Nor be less dear to future men + Than in old time;--thou not in vain + Art Nature's favorite. + + WILLIAM WORDSWORTH. + + + + +TO A MOUNTAIN DAISY. + +ON TURNING ONE DOWN WITH THE PLOW IN APRIL, 1786. + +A SELECTION. + + + Wee, modest, crimson-tipped flow'r, + Thou's met me in an evil hour; + For I maun crush amang the stoure + Thy slender stem: + To spare thee now is past my pow'r, + Thou bonnie gem. + + Alas! it's no thy neebor sweet, + The bonnie lark, companion meet! + Bending thee 'mang the dewy weet, + Wi' spreckled breast, + When upward springing, blythe, to greet + The purpling east. + + Cauld blew the bitter-biting north + Upon thy early, humble birth; + Yet cheerfully thou glinted forth + Amid the storm, + Scarce reared above the parent earth + Thy tender form. + + The flaunting flowers our gardens yield, + High shelt'ring woods and wa's maun shield; + But thou, beneath the random bield + O' clod or stane, + Adorns the histie stibble-field, + Unseen, alane. + + There, in thy scanty mantle clad, + Thy snawie bosom sunward spread, + Thou lifts thy unassuming head + In humble guise; + But now the share uptears thy bed, + And low thou lies! + + ROBERT BURNS. + + + + +COUNTY GUY. + + + Ah! County Guy, the hour is nigh, + The sun has left the lea, + The orange flower perfumes the bower, + The breeze is on the sea. + The lark, his lay who trilled all day, + Sits hushed his partner nigh; + Breeze, bird, and flower, confess the hour-- + But where is County Guy? + + The village maid steals through the shade, + Her shepherd's suit to hear; + To beauty shy, by lattice high, + Sings highborn Cavalier. + The star of Love, all stars above, + Now reigns o'er earth and sky; + And high and low the influence know-- + But where is County Guy? + + SIR WALTER SCOTT. + +[Illustration] + + + + +EVENING. + + + The sun upon the lake is low, + The wild birds hush their song; + The hills have evening's deepest glow, + Yet Leonard tarries long. + Now all whom varied toil and care + From home and love divide, + In the calm sunset may repair + Each to the loved one's side. + + The noble dame on turret high, + Who waits her gallant knight, + Looks to the western beam to spy + The flash of armor bright. + The village maid, with hand on brow + The level ray to shade, + Upon the footpath watches now + For Colin's darkening plaid. + + Now to their mates the wild swans row, + By day they swam apart; + And to the thicket wanders slow + The hind beside the hart. + The wood lark at his partner's side + Twitters his closing song-- + All meet whom day and care divide,-- + But Leonard tarries long! + + SIR WALTER SCOTT. + + + + +THE BEGGAR MAID. + + + Her arms across her breast she laid; + She was more fair than words can say: + Barefooted came the beggar maid + Before the king Cophetua. + In robe and crown the king stept down, + To meet and greet her on her way; + "It is no wonder," said the lords, + "She is more beautiful than day." + + As shines the moon in clouded skies, + She in her poor attire was seen: + + One praised her ankles, one her eyes, + One her dark hair and lovesome mien. + So sweet a face, such angel grace, + In all that land had never been: + Cophetua sware a royal oath: + "This beggar maid shall be my queen!" + + ALFRED TENNYSON. + + + + +SHE WALKS IN BEAUTY. + + + She walks in beauty, like the night + Of cloudless climes and starry skies; + And all that's best of dark and bright + Meet in her aspect and her eyes: + Thus mellowed to that tender light + Which heaven to gaudy day denies. + + One shade the more, one ray the less, + Had half impaired the nameless grace + Which waves in every raven tress, + Or softly lightens o'er her face; + Where thoughts serenely sweet express + How pure, how dear their dwelling place. + + And on that cheek, and o'er that brow, + So soft, so calm, yet eloquent, + The smiles that win, the tints that glow, + But tell of days in goodness spent, + A mind at peace with all below, + A heart whose love is innocent! + + LORD GEORGE NOEL GORDON BYRON. + +[Illustration: DIANA.] + + + + +HYMN TO DIANA. + + + Queen and Huntress, chaste and fair, + Now the sun is laid to sleep, + Seated in thy silver chair, + State in wonted manner keep: + Hesperus entreats thy light, + Goddess, excellently bright. + + Earth, let not thy envious shade + Dare itself to interpose; + Cynthia's shining orb was made + Heaven to clear, when day did close: + Bless us then with wishèd sight, + Goddess, excellently bright. + + Lay thy bow of pearl apart + And thy crystal shining quiver; + Give unto the flying hart + Space to breathe, how short soever: + Thou that mak'st a day of night, + Goddess, excellently bright. + + BEN JONSON. + +[Illustration] + + + + +HELVELLYN. + + + I climbed the dark brow of the mighty Helvellyn, + Lakes and mountains beneath me gleamed misty and wide, + All was still, save by fits, when the eagle was yelling, + And starting around me the echoes replied. + On the right, Striden-edge round the Red-tarn was bending, + And Catchedicam its left verge was defending, + One huge nameless rock in the front was ascending, + When I marked the sad spot where the wanderer had died. + + Dark green was the spot, 'mid the brown mountain heather, + Where the pilgrim of nature lay stretched in decay, + Like the corpse of an outcast abandoned to weather, + Till the mountain winds wasted the tenantless clay. + Nor yet quite deserted, though lonely extended, + For, faithful in death, his mute favorite attended, + The much-loved remains of her master defended, + And chased the hill fox and the raven away. + + How long didst thou think that his silence was slumber? + When the wind waved his garment, how oft didst thou start? + How many long days and long weeks didst thou number, + Ere he faded before thee, the friend of thy heart? + And, O, was it meet, that,--no requiem read o'er him, + No mother to weep, and no friend to deplore him, + And thou, little guardian, alone stretched before him-- + Unhonored the pilgrim from life should depart? + + When a prince to the fate of a peasant has yielded, + The tapestry waves dark round the dim-lighted hall; + With scutcheons of silver the coffin is shielded, + And pages stand mute by the canopied pall; + Through the courts, at deep midnight, the torches are gleaming, + In the proudly arched chapel the banners are beaming, + Far adown the long isle sacred music is streaming, + Lamenting a chief of the people should fall. + + But meeter for thee, gentle lover of nature, + To lay down thy head like the meek mountain lamb; + When, 'wildered, he drops from some rock huge in stature, + And draws his last sob by the side of his dam; + And more stately thy couch by this desert lake lying, + Thy obsequies sung by the gray plover flying, + With one faithful friend but to witness thy dying, + In the arms of Helvellyn and Catchedicam. + + SIR WALTER SCOTT. + + + + +THE KNIGHT'S TOMB. + + + Where is the grave of Sir Arthur O'Kellyn? + Where may the grave of that good man be?-- + By the side of a spring, on the breast of Helvellyn, + Under the twigs of a young birch tree! + The oak that in summer was sweet to hear, + And rustled its leaves in the fall of the year, + And whistled and roared in the winter alone, + Is gone,--and the birch in its stead is grown. + The knight's bones are dust, + And his good sword rust;-- + His soul is with the saints, I trust. + + SAMUEL TAYLOR COLERIDGE. + + + + +A PETITION TO TIME. + + + Touch us gently, Time! + Let us glide adown thy stream + Gently,--as we sometimes glide + Through a quiet dream! + Humble voyagers are we, + Husband, wife, and children three,-- + (One is lost,--an angel, fled + To the azure overhead!) + + Touch us gently, Time! + We've not proud nor soaring wings, + Our ambition, our content, + Lies in simple things. + Humble voyagers are we, + O'er Life's dim, unsounded sea, + Seeking only some calm clime;-- + Touch us gently, gentle Time! + + BRYAN WALLER PROCTER (_Barry Cornwall_). + + + + +GLENARA. + + + O heard ye yon pibroch sound sad in the gale, + Where a band cometh slowly with weeping and wail? + 'Tis the chief of Glenara laments for his dear; + And her sire, and the people, are called to her bier. + + Glenara came first with the mourners and shroud; + Her kinsmen they followed, but mourned not aloud: + Their plaids all their bosoms were folded around; + They marched all in silence,--they looked on the ground. + + In silence they reached over mountain and moor, + To a heath, where the oak tree grew lonely and hoar: + "Now here let us place the gray stone of her cairn: + Why speak ye no word?"--said Glenara the stern. + + "And tell me, I charge you! ye clan of my spouse, + Why fold ye your mantles, why cloud ye your brows?" + So spake the rude chieftain:--no answer is made, + But each mantle unfolding, a dagger displayed. + + "I dreamt of my lady, I dreamt of her shroud," + Cried a voice from the kinsmen, all wrathful and loud: + "And empty that shroud and that coffin did seem: + Glenara! Glenara! now read me my dream!" + + O! pale grew the cheek of that chieftain, I ween, + When the shroud was unclosed, and no lady was seen; + When a voice from the kinsmen spoke louder in scorn, + 'Twas the youth who had loved the fair Ellen of Lorn: + + "I dreamt of my lady, I dreamt of her grief, + I dreamt that her lord was a barbarous chief: + On a rock of the ocean fair Ellen did seem; + Glenara! Glenara! now read me my dream!" + + In dust, low the traitor has knelt to the ground, + And the desert revealed where his lady was found; + From a rock of the ocean that beauty is borne-- + Now joy to the house of fair Ellen of Lorn! + + THOMAS CAMPBELL. + + + + +THE SEVEN SISTERS; OR, THE SOLITUDE OF BINNORIE. + + + Seven daughters had Lord Archibald, + All children of one mother: + You could not say in one short day + What love they bore each other. + A garland, of seven lilies wrought! + Seven sisters that together dwell; + But he, bold knight as ever fought, + Their father, took of them no thought, + He loved the wars so well. + Sing mournfully, oh! mournfully, + The solitude of Binnorie! + + Fresh blows the wind, a western wind, + And from the shores of Erin, + Across the wave, a rover brave + To Binnorie is steering: + Right onward to the Scottish strand + The gallant ship is borne; + The warriors leap upon the land, + And hark! the leader of the band + Hath blown his bugle horn. + Sing mournfully, oh! mournfully, + The solitude of Binnorie! + + Beside a grotto of their own, + With boughs above them closing, + The seven are laid, and in the shade + They lie like fawns reposing. + But now upstarting with affright + At noise of man and steed, + Away they fly, to left, to right-- + Of your fair household, father knight, + Methinks you take small heed! + Sing mournfully, oh! mournfully, + The solitude of Binnorie! + + Away the seven fair Campbells fly; + And, over hill and hollow, + With menace proud, and insult loud, + The youthful rovers follow. + Cried they, "Your father loves to roam: + Enough for him to find + The empty house when he comes home; + For us your yellow ringlets comb, + For us be fair and kind!" + Sing mournfully, oh! mournfully, + The solitude of Binnorie! + + Some close behind, some side by side, + Like clouds in stormy weather, + They run and cry, "Nay, let us die, + And let us die together." + A lake was near; the shore was steep; + There foot had never been; + They ran, and with a desperate leap + Together plunged into the deep, + Nor ever more were seen. + Sing mournfully, oh! mournfully, + The solitude of Binnorie! + + The stream that flows out of the lake, + As through the glen it rambles, + Repeats a moan o'er moss and stone, + For those seven lovely Campbells. + Seven little islands, green and bare, + Have risen from out the deep: + The fishers say those sisters fair + By fairies are all buried there, + And there together sleep. + Sing mournfully, oh! mournfully, + The solitude of Binnorie! + + WILLIAM WORDSWORTH. + + + + +THE BIRKENHEAD. + + + Amid the loud ebriety of War, + With shouts of "la République" and "la Gloire," + The Vengeur's crew, 'twas said, with flying flag + And broadside blazing level with the wave + Went down erect, defiant, to their grave + Beneath the sea.--Twas but a Frenchman's brag, + Yet Europe rang with it for many a year. + Now we recount no fable; Europe, hear! + And when they tell thee "England is a fen + Corrupt, a kingdom tottering to decay, + Her nerveless burghers lying an easy prey + For the first comer," tell how the other day + A crew of half a thousand Englishmen + Went down into the deep in Simon's Bay! + Not with the cheer of battle in the throat, + Or cannon-glare and din to stir their blood, + But, roused from dreams of home to find their boat + Fast sinking, mustered on the deck they stood, + Biding God's pleasure and their chief's command. + Calm was the sea, but not less calm that band + Close ranged upon the poop, with bated breath, + But flinching not though eye to eye with Death! Heroes! + Who were those Heroes? Veterans steeled + To face the King of Terrors mid the scaith + Of many a hurricane and trenchèd field? + Far other: weavers from the stocking frame; + Boys from the plow; cornets with beardless chin, + But steeped in honor and in discipline! + + Weep, Britain, for the Cape whose ill-starred name, + Long since divorced from Hope suggests but shame, + Disaster, and thy Captains held at bay + By naked hordes; but as thou weepest, thank + Heaven for those undegenerate sons who sank + Aboard the Birkenhead in Simon's Bay! + + SIR HENRY YULE. + +[Illustration] + + + + +BEFORE SEDAN. + + + Here in this leafy place + Quiet he lies, + Cold, with his sightless face + Turned to the skies; + 'Tis but another dead; + All you can say is said. + + Carry his body hence,-- + Kings must have slaves; + Kings climb to eminence + Over men's graves; + So this man's eyes are dim;-- + Throw the earth over him. + + What was the white you touched + There at his side? + Paper his hand had clutched + Tight ere he died;-- + Message or wish, may be;-- + Smooth the folds out and see. + + Hardly the worst of us + Here could have smiled!-- + Only the tremulous + Words of a child;-- + Prattle, that has for stops + Just a few ruddy drops. + + Look. She is sad to miss, + Morning and night, + His--her dead father's--kiss, + Tries to be bright, + Good to mamma, and sweet; + That is all. "Marguerite." + + Ah, if beside the dead + Slumbered the pain! + Ah, if the hearts that bled + Slept with the slain! + If the grief died;--but no;-- + Death will not have it so. + + AUSTIN DOBSON. + + + + +THE LIGHT OF OTHER DAYS. + + + Oft in the stilly night, + Ere slumber's chain has bound me + Fond Memory brings the light + Of other days around me: + The smiles, the tears + Of boyhood's years, + The words of love then spoken; + + The eyes that shone, + Now dimmed and gone, + The cheerful hearts now broken! + Thus in the stilly night, + Ere slumber's chain has bound me, + Sad Memory brings the light + Of other days around me. + + When I remember all + The friends so linked together + I've seen around me fall, + Like leaves in wintry weather, + I feel like one + Who treads alone + Some banquet hall deserted, + Whose lights are fled, + Whose garlands dead, + And all but he departed! + Thus in the stilly night, + Ere slumber's chain has bound me, + Sad Memory brings the light + Of other days around me. + + THOMAS MOORE. + +[Illustration: ROBERT BURNS.] + + + + +AULD LANG SYNE. + + + Should auld acquaintance be forgot, + And never brought to min'? + Should auld acquaintance be forgot, + And days o' lang syne? + For auld lang syne, my dear, + For auld lang syne, + We'll tak a cup o' kindness yet, + For auld lang syne! + + We twa hae run about the braes, + And pu't the gowans fine; + But we've wandered mony a weary foot, + Sin' auld lang syne. + For auld lang syne, my dear, + For auld lang syne, + We'll tak a cup o' kindness yet, + For auld lang syne! + + We twa hae paidl't i' the burn, + Frae mornin' sun till dine: + But seas between us braid hae roared, + Sin' auld lang syne. + For auld lang syne, my dear, + For auld lang syne, + We'll tak a cup o' kindness yet, + For auld lang syne! + + ROBERT BURNS. + + + + +JOHN ANDERSON. + + + John Andersson, my jo, John, + When we were first acquent, + Your locks were like the raven, + Your bonnie brow was brent; + But now your brow is beld, John, + Your locks are like the snaw; + But blessings on your frosty pow, + John Anderson, my jo. + + John Anderson, my jo, John, + We clamb the hill thegither; + And mony a canty day, John, + We've had wi' are anither: + Now we maun totter down, John, + But hand in hand we'll go; + And sleep thegither at the foot, + John Anderson, my jo. + + ROBERT BURNS. + +[Illustration] + + + + +WHERE LIES THE LAND TO WHICH THE SHIP WOULD GO? + + + Where lies the land to which the ship would go; + Far, far ahead, is all her seamen know. + And where the land she travels from? Away, + Far, far behind, is all that they can say. + + On sunny noons upon the deck's smooth face, + Linked arm in arm, how pleasant here to pace; + Or, o'er the stern reclining, watch below + The foaming wake far widening as we go. + + On stormy nights when wild northwesters rave, + How proud a thing to fight with wind and wave! + The dripping sailor on the reeling mast + Exults to bear, and scorns to wish it past. + + Where lies the land to which the ship would go? + Far, far ahead, is all her seamen know. + And where the land she travels from? Away, + Far, far behind, is all that they can say. + + ARTHUR HUGH CLOUGH. + + + + +THE POET AND THE BIRD. + + + Said a people to a poet--"Go out from among us + straightway! + While we are thinking earthly things, thou singest of + divine. + There's a little fair brown nightingale, who, sitting in the + gateway, + Makes fitter music to our ear, than any song of thine!" + + The poet went out weeping--the nightingale ceased + chanting, + "Now, wherefore, O thou nightingale, is all thy sweetness + done?"-- + --"I cannot sing my earthly things, the heavenly poet + wanting, + Whose highest harmony includes the lowest under the sun." + + The poet went out weeping,--and died abroad, bereft + there. + The bird flew to his grave and died amid a thousand + wails. + And, when I last came by the place, I swear the music left + there + Was only of the poet's song, and not the nightingale's. + + ELIZABETH BARRETT BROWNING. + +[Illustration: MATTHEW ARNOLD.] + + + + +THE NECKAN. + + + In summer, on the headlands, + The Baltic Sea along, + Sits Neckan with his harp of gold, + And sings his plaintive song. + + Green rolls beneath the headlands, + Green rolls the Baltic Sea; + And there, below the Neckan's feet, + His wife and children be. + + He sings not of the ocean, + Its shells and roses pale; + Of earth, of earth the Neckan sings, + He hath no other tale. + + He sits upon the headlands, + And sings a mournful stave + Of all he saw and felt on earth, + Far from the kind sea wave. + + Sings how, a knight, he wandered + By castle, field, and town-- + But earthly knights have harder hearts + Than the sea children own. + + Sings of his earthly bridal-- + Priests, knights, and ladies gay. + "--And who art thou," the priest began, + "Sir Knight, who wedd'st to-day?"-- + + "--I am no knight," he answered; + "From the sea waves I come."-- + The knights drew sword, the ladies screamed, + The surpliced priest stood dumb. + + He sings how from the chapel + He vanished with his bride, + And bore her down to the sea halls, + Beneath the salt sea tide. + + He sings how she sits weeping + 'Mid shells that round her lie. + "--False Neckan shares my bed," she weeps; + "No Christian mate have I."-- + + He sings how through the billows + He rose to earth again, + And sought a priest to sign the cross, + That Neckan Heaven might gain. + + He sings how, on an evening, + Beneath the birch trees cool, + He sate and played his harp of gold, + Beside the river pool. + + Beside the pool sate Neckan-- + Tears filled his mild blue eye. + On his white mule, across the bridge, + A cassocked priest rode by. + + "--Why sitt'st thou there, O Neckan, + And play'st thy harp of gold? + Sooner shall this my staff bear leaves, + Than thou shalt Heaven behold."-- + + But, lo, the staff, it budded! + It greened, it branched, it waved. + "--O ruth of God," the priest cried out, + "This lost sea creature saved!" + + The cassocked priest rode onwards, + And vanished with his mule; + But Neckan in the twilight gray + Wept by the river pool. + + He wept: "The earth hath kindness, + The sea, the starry poles; + Earth, sea, and sky, and God above-- + But, ah, not human souls!" + + In summer, on the headlands, + The Baltic Sea along, + Sits Neckan with his harp of gold, + And sings this plaintive song. + + MATTHEW ARNOLD. + +[Illustration] + + + + +THE BALLAD OF THE BOAT. + + + The stream was smooth as glass; we said, "Arise and let's + away:" + The Siren sang beside the boat that in the rushes lay; + And spread the sail, and strong the oar; we gayly took + our way. + When shall the sandy bar be crossed? when shall we find + the bay? + + The broadening flood swells slowly out o'er cattle-dotted + plains, + The stream is strong and turbulent, and dark with heavy + rains; + The laborer looks up to see our shallop speed away. + When shall the sandy bar be crossed? when shall we find + the bay? + + Now are the clouds like fiery shrouds; the sun, superbly + large, + Slow as an oak to woodman's stroke sinks flaming at their + marge. + The waves are bright with mirrored light as jacinths on + our way. + When shall the sandy bar be crossed? when shall we find + the bay? + + The moon is high up in the sky, and now no more we see + The spreading river's either bank, and surging distantly + There booms a sudden thunder as of breakers far away. + Now shall the sandy bar be crossed, now shall we find the + bay! + + The seagull shrieks high overhead, and dimly to our sight + The moonlit crests of foaming waves gleam towering + through the night. + We'll steal upon the mermaid soon, and start her from her + lay, + When once the sandy bar is crossed, and we are in the bay. + + What rises white and awful as a shroud-enfolded ghost? + What roar of rampant tumult bursts in clangor on the + coast? + Pull back! pull back! The raging flood sweeps every oar + away. + O stream, is this thy bar of sand? O boat, is this the + bay? + + RICHARD GARNETT. + + + + +ON THE SEA. + + + It keeps eternal whisperings around + Desolate shores, and with its mighty swell + Gluts twice ten thousand caverns, till the spell + Of Hecate leaves them their old shadowy sound. + Often 'tis in such gentle temper found, + That scarcely will the very smallest shell + Be moved for days from where it sometime fell, + When last the winds of heaven were unbound. + O ye! who have your eyeballs vexed and tired, + Feast them upon the wideness of the sea; + O ye! whose ears are dinned with uproar rude, + Or fed too much with cloying melody,-- + Sit ye near some old cavern's mouth, and brood + Until ye start, as if the sea-nymphs quired! + + JOHN KEATS. + +[Illustration] + + + + +THE WHITE SHIP. + +HENRY I. OF ENGLAND.--25th NOVEMBER, 1120. + + + By none but me can the tale be told, + The butcher of Rouen, poor Berold. + (_Lands are swayed by a King on a throne._) + + 'Twas a royal train put forth to sea, + Yet the tale can be told by none but me. + (_The sea hath no King but God alone._) + + King Henry held it as life's whole gain + That after his death his son should reign. + + 'Twas so in my youth I heard men say, + And my old age calls it back to-day. + + King Henry of England's realm was he, + And Henry Duke of Normandy. + + The times had changed when on either coast + "Clerkly Harry" was all his boast. + + Of ruthless strokes full many a one + He had struck to crown himself and his son; + And his elder brother's eyes were gone. + + And when to the chase his court would crowd, + The poor flung plowshares on his road, + And shrieked: "Our cry is from King to God!" + + But all the chiefs of the English land + Had knelt and kissed the Prince's hand. + + And next with his son he sailed to France + To claim the Norman allegiance: + + And every baron in Normandy + Had taken the oath of fealty. + + 'Twas sworn and sealed, and the day had come + When the King and the Prince might journey home: + + For Christmas cheer is to home hearts dear, + And Christmas now was drawing near. + + Stout Fitz-Stephen came to the King,-- + A pilot famous in seafaring; + + And he held to the King, in all men's sight, + A mark of gold for his tribute's right. + + "Liege Lord! my father guided the ship + From whose boat your father's foot did slip + When he caught the English soil in his grip, + + "And cried: 'By this clasp I claim command + O'er every rood of English land!' + + "He was borne to the realm you rule o'er now + In that ship with the archer carved at her prow: + + "And thither I'll bear, an' it be my due, + Your father's son and his grandson too. + + "The famed White Ship is mine in the bay; + From Harfleur's harbor she sails to-day, + + "With masts fair-pennoned as Norman spears + And with fifty well-tried mariners." + + Quoth the King: "My ships are chosen each one, + But I'll not say nay to Stephen's son. + + "My son and daughter and fellowship + Shall cross the water in the White Ship." + + The King set sail with the eve's south wind, + And soon he left that coast behind. + + The Prince and all his, a princely show, + Remained in the good White Ship to go. + + With noble knights and with ladies fair, + With courtiers and sailors gathered there, + Three hundred living souls we were: + + And I Berold was the meanest hind + In all that train to the Prince assigned. + + The Prince was a lawless, shameless youth; + From his father's loins he sprang without ruth: + + Eighteen years till then he had seen, + And the devil's dues in him were eighteen. + + And now he cried: "Bring wine from below; + Let the sailors revel ere yet they row: + + "Our speed shall o'ertake my father's flight + Though we sail from the harbor at midnight." + + The rowers made good cheer without check; + The lords and ladies obeyed his beck; + The night was light, and they danced on the deck. + + But at midnight's stroke they cleared the bay, + And the White Ship furrowed the water way. + + The sails were set, and the oars kept tune + To the double flight of the ship and the moon: + + Swifter and swifter the White Ship sped + Till she flew as the spirit flies from the dead: + + As white as a lily glimmered she + Like a ship's fair ghost upon the sea. + + And the Prince cried, "Friends, 'tis the hour to sing! + Is a song bird's course so swift on the wing?" + + And under the winter stars' still throng, + From brown throats, white throats, merry and strong, + The knights and the ladies raised a song. + + A song,--nay, a shriek that rent the sky, + That leaped o'er the deep!--the grievous cry + Of three hundred living that now must die. + + An instant shriek that sprang to the shock + As the ship's keel felt the sunken rock. + + 'Tis said that afar--a shrill strange sigh-- + The King's ships heard it and knew not why. + + Pale Fitz-Stephen stood by the helm + 'Mid all those folk that the waves must whelm. + + A great King's heir for the waves to whelm, + And the helpless pilot pale at the helm! + + The ship was eager and sucked athirst, + By the stealthy stab of the sharp reef pierced: + + And like the moil round a sinking cup, + The waters against her crowded up. + + A moment the pilot's senses spin,-- + The next he snatched the Prince 'mid the din, + Cut the boat loose, and the youth leaped in. + + A few friends leaped with him, standing near. + "Row! the sea's smooth and the night is clear!" + + "What! none to be saved but these and I?" + "Row, row as you'd live! All here must die!" + + Out of the churn of the choking ship, + Which the gulf grapples and the waves strip, + They struck with the strained oars' flash and dip. + +[Illustration: J. M. W. TURNER. +THE SHIPWRECK.] + + 'Twas then o'er the splitting bulwarks' brim + The Prince's sister screamed to him. + + He gazed aloft, still rowing apace, + And through the whirled surf he knew her face. + + To the toppling decks clave one and all + As a fly cleaves to a chamber wall. + + I, Berold, was clinging anear; + I prayed for myself and quaked with fear, + But I saw his eyes as he looked at her. + + He knew her face and he heard her cry, + And he said, "Put back! she must not die!" + + And back with the current's force they reel + Like a leaf that's drawn to a water wheel. + + 'Neath the ship's travail they scarce might float, + But; he rose and stood in the rocking boat. + + Low the poor ship leaned on the tide: + O'er the naked keel as she best might slide, + The sister toiled to the brother's side. + + He reached an oar to her from below, + And stiffened his arms to clutch her so. + + But now from the ship some spied the boat, + And "Saved!" was the cry from many a throat. + + And down to the boat they leaped and fell: + It turned as a bucket turns in a well, + And nothing was there but the surge and swell. + + The Prince that was and the King to come, + There in an instant gone to his doom, + Despite of all England's bended knee + And maugre the Norman fealty! + + He was a Prince of lust and pride; + He showed no grace till the hour he died. + + When he should be King, he oft would vow, + He'd yoke the peasant to his own plow. + O'er him the ships score their furrows now. + + God only knows where his soul did wake, + But I saw him die for his sister's sake. + + By none but me can the tale be told, + The butcher of Rouen, poor Berold. + (_Lands are swayed by a King on a throne._) + + 'Twas a royal train put forth to sea, + Yet the tale can be told by none but me. + (_The sea hath no King but God alone._) + + And now the end came o'er the water's womb + Like the last great day that's yet to come. + + With prayers in vain and curses in vain, + The White Ship sundered on the midmain: + + And what were men and what was a ship, + Were toys and splinters in the sea's grip. + + I, Berold, was down in the sea; + And passing strange though the thing may be, + Of dreams then known I remember me. + + Blithe is the shout on Harfleur's strand + When morning lights the sails to land: + + And blithe is Honfleur's echoing gloam + When mothers call the children home: + + And high do the bells of Rouen beat + When the Body of Christ goes down the street. + + These things and the like were heard and shown + In a moment's trance 'neath the sea alone; + + And when I rose, 'twas the sea did seem, + And not these things, to be all in a dream. + + The ship was gone and the crowd was gone, + And the deep shuddered and the moon shone: + + And in a straight grasp my arms did span + The mainyard rent from the mast where it ran; + And on it with me was another man. + + Where lands were none 'neath the dim sea sky, + We told our names, that man and I. + + "O I am Godefroy de l'Aigle hight, + And son I am to a belted knight." + + "And I am Berold the butcher's son + Who slays the beasts in Rouen town." + + Then cried we upon God's name, as we + Did drift on the bitter winter sea. + + But lo! a third man o'er the wave, + And we said, "Thank God! us three may He save!" + + He clutched to the yard with panting stare, + And we looked and knew Fitz-Stephen there. + + He clung, and "What of the Prince?" quoth he. + "Lost, lost!" we cried. He cried, "Woe on me!" + And loosed his hold and sank through the sea. + + And soul with soul again in that space + We two were together face to face: + + And each knew each, as the moments sped, + Less for one living than for one dead: + + And every still star overhead + Seemed an eye that knew we were but dead. + + And the hours passed; till the noble's son + Sighed, "God be thy help! my strength's foredone! + + "O farewell, friend, for I can no more!" + "Christ take thee!" I moaned; and his life was o'er. + + Three hundred souls were all lost but one, + And I drifted over the sea alone. + + At last the morning rose on the sea + Like an angel's wing that beat towards me. + + Sore numbed I was in my sheepskin coat; + Half dead I hung, and might nothing note, + Till I woke sun-warmed in a fisher boat. + + The sun was high o'er the eastern brim + As I praised God and gave thanks to Him. + + That day I told my tale to a priest, + Who charged me, till the shrift was released, + That I should keep it in mine own breast. + + And with the priest I thence did fare + To King Henry's court at Winchester. + + We spoke with the King's high chamberlain, + And he wept and mourned again and again, + As if his own son had been slain: + + And round us ever there crowded fast + Great men with faces all aghast: + + And who so bold that might tell the thing + Which now they knew to their lord the King? + Much woe I learnt in their communing. + + The King had watched with a heart sore stirred + For two whole days, and this was the third: + + And still to all his court would he say, + "What keeps my son so long away?" + + And they said: "The ports lie far and wide + That skirt the swell of the English tide; + + "And England's cliffs are not more white + Than her women are, and scarce so light + Her skies as their eyes are blue and bright; + + "And in some port that he reached from France + The Prince has lingered for his pleasance." + + But once the King asked: "What distant cry + Was that we heard 'twixt the sea and sky?" + + And one said: "With suchlike shouts, pardie! + Do the fishers fling their nets at sea." + + And one: "Who knows not the shrieking quest + When the seamew misses its young from the nest?" + + 'Twas thus till now they had soothed his dread, + Albeit they knew not what they said: + + But who should speak to-day of the thing + That all knew there except the King? + + Then pondering much they found a way, + And met round the King's high seat that day: + + And the King sat with a heart sore stirred, + And seldom he spoke and seldom heard. + + 'Twas then through the hall the King was 'ware + Of a little boy with golden hair, + + As bright as the golden poppy is + That the beach breeds for the surf to kiss: + + Yet pale his cheek as the thorn in spring, + And his garb black like the raven's wing. + + Nothing was heard but his foot through the hall, + For now the lords were silent all. + + And the King wondered, and said, "Alack! + Who sends me a fair boy dressed in black? + + "Why, sweet heart, do you pace through the hall + As though my court were a funeral?" + + Then lowly knelt the child at the dais, + And looked up weeping in the King's face. + + "O wherefore black, O King, ye may say, + For white is the hue of death to-day. + + "Your son and all his fellowship + Lie low in the sea with the White Ship." + + King Henry fell as a man struck dead; + And speechless still he stared from his bed + When to him next day my rede I read. + + There's many an hour must needs beguile + A King's high heart that he should smile,-- + + Full many a lordly hour, full fain + Of his realm's rule and pride of his reign:-- + But this King never smiled again. + + By none but me can the tale be told, + The butcher of Rouen, poor Berold. + (_Lands are swayed by a King on a throne._) + + 'Twas a royal train put forth to sea, + Yet the tale can be told by none but me. + (_The sea hath no King but God alone._) + + DANTE GABRIEL ROSSETTI. + + + + +SAFE HOME. + + + Safe home, safe home in port! + Rent cordage, shattered deck, + Tom sails, provisions short, + And only not a wreck: + But, oh, the joy upon the shore, + To tell our voyage,--perils o'er! + + The prize, the prize secure! + The athlete nearly fell; + Bare all he _could_ endure, + And bare not always well: + But he may smile at troubles gone, + Who sets the victor-garland on! + + No more the foe can harm; + No more of leaguered camp, + And cry of night alarm, + And need of ready lamp: + And yet how nearly he had failed,-- + How nearly had that foe prevailed! + + The exile is at home! + O nights and days of tears, + O longings not to roam, + O sins, and doubts, and fears: + What matter now this bitter fray? + The King has wiped those tears away. + + ST. JOSEPH OF THE STUDIUM, A.D. 870 (translated by J. M. Neale). + + + + +THE LIGHT SHINING OUT OF DARKNESS. + + + GOD moves in a mysterious way, + His wonders to perform; + He plants His footsteps in the sea, + And rides upon the storm. + + Deep in unfathomable mines + Of never-failing skill, + He treasures up His bright designs, + And works His sovereign will. + + Ye fearful saints, fresh courage take, + The clouds ye so much dread + Are big with mercy, and shall break + In blessings on your head. + + Judge not the Lord by feeble sense, + But trust Him for His grace; + Behind a frowning Providence + He hides a smiling face. + + His purposes will ripen fast, + Unfolding every hour; + The bud may have a bitter taste, + But sweet will be the flower. + + Blind unbelief is sure to err + And scan His work in vain; + God is His own interpreter, + And He will make it plain. + + WILLIAM COWPER. + + + + +THE PILLAR OF THE CLOUD. + + + LEAD, kindly Light, amid the encircling gloom, + Lead Thou me on! + The night is dark, and I am far from home-- + Lead Thou me on! + Keep Thou my feet; I do not ask to see + The distant scene,--one step enough for me. + + I was not ever thus, nor prayed that Thou + Shouldst lead me on. + I loved to choose and see my path; but now + Lead Thou me on! + I loved the garish day, and, spite of fears, + Pride ruled my will: remember not past years. + + So long Thy power hath blest me, sure it still + Will lead me on, + O'er moor and fen, o'er crag and torrent, till + The night is gone; + And with the morn those angel faces smile + Which I have loved long since, and lost awhile. + + JOHN HENRY NEWMAN. + + + + +IVRY. + +A SONG OF THE HUGUENOTS. + + + Now glory to the Lord of Hosts, from whom all glories are! + And glory to our Sovereign Liege, King Henry of Navarre! + Now let there be the merry sound of music and of dance, + Through thy cornfields green, and sunny vines, oh pleasant + land of France! + And thou, Rochelle, our own Rochelle, proud city of the waters, + Again let rapture light the eyes of all thy mourning daughters. + As thou wert constant in our ills, be joyous in our joy, + For cold, and stiff, and still are they who wrought thy + walls annoy. + Hurrah! Hurrah! a single field hath turned the chance of war, + Hurrah! Hurrah! for Ivry, and Henry of Navarre. + + Oh! how our hearts were beating, when, at the dawn of day, + We saw the army of the league drawn out in long array; + With all its priest-led citizens, and all its rebel peers, + And Appenzel's stout infantry, and Egmont's Flemish spears. + There rose the brood of false Lorraine, the curses of our land; + And dark Mayenne was in the midst, a truncheon in his hand: + And, as we looked on them, we thought of Seine's empurpled + flood, + And good Coligni's hoary hair all dabbled with his blood; + And we cried unto the living God, who rules the fate of war, + To fight for His own holy name, and Henry of Navarre. + + The King is come to marshal us, in all his armor drest, + And he has bound a snow-white plume upon his gallant crest, + He looked upon his people, and a tear was in his eye; + He looked upon the traitors, and his glance was stern and high. + Right graciously he smiled on us, as rolled from wing to wing, + Down all our line, a deafening shout, "God save our Lord + the King!" + "And if my standard bearer fall, as fall full well he may, + For never saw I promise yet of such a bloody fray, + Press where ye see my white plume shine, amidst the ranks + of war, + And be your oriflamme to-day the helmet of Navarre." + + Hurrah! the foes are moving! Hark to the mingled din + Of fife, and steed, and trump, and drum, and roaring culverin. + The fiery duke is pricking fast across Saint André's plain, + With all the hireling chivalry of Guelders and Almayne. + Now by the lips of those ye love, fair gentlemen of France, + Charge for the golden lilies,--upon them with the lance! + A thousand spurs are striking deep, a thousand spears in rest, + A thousand knights are pressing close behind the snow-white + crest; + And in they burst, and on they rushed, while, like a guiding + star, + Amidst the thickest carnage blazed the helmet of Navarre. + + Now, God be praised, the day is ours. Mayenne hath turned + his rein. + D'Aumale hath cried for quarter. The Flemish count is slain. + Their ranks are breaking like thin clouds before a Biscay gale; + The field is heaped with bleeding steeds, and flags, and + cloven mail. + And then we thought on vengeance, and, all along our van, + "Remember St. Bartholomew," was passed from man to man. + But out spake gentle Henry, "No Frenchman is my foe: + Down, down with every foreigner, but let your brethren go." + Oh! was there ever such a knight, in friendship or in war, + As our Sovereign Lord, King Henry, the soldier of Navarre? + + Right well fought all the Frenchmen who fought for France + to-day, + And many a lordly banner God gave them for a prey. + But we of the religion have borne us best in fight; + And the good Lord of Rosny has ta'en the cornet white. + Our own true Maximilian the cornet white hath ta'en, + The cornet white with crosses black, the flag of false + Lorraine. + Up with it high; unfurl it wide; that all the host may know + How God hath humbled the proud house which wrought His + church such woe. + Then on the ground, while trumpets sound their loudest point + of war, + Fling the red shreds, a footcloth meet for Henry of Navarre. + + Ho! maidens of Vienna; Ho! matrons of Lucerne; + Weep, weep, and rend your hair for those who never shall + return. + Ho! Philip, send, for charity, thy Mexican pistoles, + That Antwerp monks may sing a mass for thy poor spear-men's + souls. + Ho! gallant nobles of the League, look that your arms be + bright; + Ho! burghers of Saint Genevieve, keep watch and ward to-night. + For our God hath crushed the tyrant, our God hath raised the + slave, + And mocked the counsel of the wise, and the valor of the brave. + Then glory to His holy name, from whom all glories are; + And glory to our Sovereign Lord, King Henry of Navarre. + + THOMAS BABINGTON MACAULAY. + + + + +O GOD, OUR HELP IN AGES PAST. + + + O God, our help in ages past, + Our hope for years to come, + Our shelter from the stormy blast, + And our eternal home: + + Under the shadow of Thy throne + Thy saints have dwelt secure; + Sufficient is Thine arm alone, + And our defense is sure. + + Before the hills in order stood, + Or earth received her frame, + From everlasting Thou art God, + To endless years the same. + + A thousand ages in Thy sight + Are like an evening gone; + Short as the watch that ends the night + Before the rising sun. + + Time, like an ever-rolling stream, + Bears all its sons away; + They fly forgotten, as a dream + Dies at the opening day. + + O God, our help in ages past; + Our hope for years to come; + Be Thou our guard while troubles last, + And our eternal home! + + ISAAC WATTS. + + + + +HERVÉ RIEL. + + + On the sea and at the Hogue, sixteen hundred ninety-two, + Did the English fight the French,--woe to France! + And the thirty-first of May, helter-skelter thro' the blue, + Like a crowd of frightened porpoises a shoal of sharks pursue, + Came crowding ship on ship to St. Malo on the Rance, + With the English fleet in view. + + 'Twas the squadron that escaped, with the victor in full chase; + First and foremost of the drove, in his great ship, + Damfreville; + Close on him fled, great and small, + Twenty-two good ships in all; + And they signaled to the place, + "Help the winners of a race! + Get us guidance, give us harbor, take us quick--or, quicker + still, + Here's the English can and will!" + + Then the pilots of the place put out brisk and leapt on board; + "Why, what hope or chance have ships like these to pass?" + laughed they: + "Rocks to starboard, rocks to port, all the passage scarred + and scored, + Shall the _Formidable_ here with her twelve and eighty guns + Think to make the river mouth by the single narrow way, + Trust to enter where 'tis ticklish for a craft of twenty tons, + And with flow at full beside? + Now, 'tis slackest ebb of tide. + Reach the mooring? Rather say, + While rock stands or water runs, + Not a ship will leave the bay!" + + Then was called a council straight. + Brief and bitter the debate: + "Here's the English at our heels; would you have them take + in tow + All that's left us of the fleet, linked together stern and bow, + For a prize to Plymouth Sound? + Better run the ships aground!" + (Ended Damfreville his speech.) + Not a minute more to wait! + "Let the Captains all and each + Shove ashore, then blow up, burn the vessels on the beach! + France must undergo her fate. + + Give the word!" But no such word + Was ever spoke or heard; + For up stood, for out stepped, for in struck amid all these + --A Captain? A Lieutenant? A Mate--first, second, third? + No such man of mark, and meet + With his betters to compete! + But a simple Breton sailor pressed by Tourville for the + fleet, + A poor coasting pilot he, Hervé Riel the Croisickese. + + And, "What mockery or malice have we here?" cries Hervé Riel: + "Are you mad, you Malouins? Are you cowards, fools, or + rogues? + Talk to me of rocks and shoals, me who took the soundings, tell + On my fingers every bank, every shallow, every swell + 'Twixt the offing here and Grève where the river disembogues? + Are you bought by English gold? Is it love the lying's for? + Morn and eve, night and day, + Have I piloted your bay, + Entered free and anchored fast at the foot of Solidor. + +[Illustration: HERVÉ RIEL AND THE ADMIRAL.] + + "Burn the fleet and ruin France? That were worse than fifty + Hogues! + Sirs, they know I speak the truth! Sirs, believe me there's + a way! + Only let me lead the line, + Have the biggest ship to steer, + Get this _Formidable_ clear, + Make the others follow mine, + And I lead them, most and least, by a passage I know well, + Right to Solidor past Grève, + And there lay them safe and sound; + And if one ship misbehave, + --Keel so much as grate the ground, + Why, I've nothing but my life,--here's my head!" cries + Hervé Riel. + + Not a minute more to wait. + "Steer us in, then, small and great! + Take the helm, lead the line, save the squadron!" cried its + chief. + "Captains, give the sailor place! + He is Admiral, in brief." + Still the north wind, by God's grace! + See the noble fellow's face, + As the big ship with a bound, + Clears the entry like a hound, + Keeps the passage as its inch of way were the wide seas + profound! + See, safe thro' shoal and rock, + How they follow in a flock, + Not a ship that misbehaves, not a keel that grates the ground, + Not a spar that comes to grief! + The peril, see, is past, + All are harbored to the last, + And just as Hervé Riel hollas "Anchor!"--sure as fate + Up the English come, too late! + + So, the storm subsides to calm: + They see the green trees wave + On the heights o'erlooking Grève. + Hearts that bled are stanched with balm. + "Just our rapture to enhance, + Let the English rake the bay, + Gnash their teeth and glare askance, + As they cannonade away! + 'Neath rampired Solidor pleasant riding on the Rance!" + How hope succeeds despair on each Captain's countenance! + Out burst all with one accord, + "This is Paradise for Hell! + Let France, let France's King + Thank the man that did the thing!" + What a shout, and all one word, + "Hervé Riel!" + As he stepped in front once more, + Not a symptom of surprise + In the frank blue Breton eyes, + Just the same man as before. + + Then said Damfreville, "My friend, + I must speak out at the end, + Though I find the speaking hard. + Praise is deeper than the lips: + You have saved the King his ships, + You must name your own reward. + 'Faith our sun was near eclipse! + Demand whate'er you will, + France remains your debtor still. + Ask to heart's content and have! or my name's not Damfreville." + + Then a beam of fun outbroke + On the bearded mouth that spoke, + As the honest heart laughed through + Those frank eyes of Breton blue: + "Since I needs must say my say, + Since on board the duty's done, + And from Malo Roads to Croisic Point, what is it but a run?-- + Since 'tis ask and have, I may-- + Since the others go ashore-- + Come! A good whole holiday! + Leave to go and see my wife, whom I call the Belle Aurore!" + That he asked and that he got,--nothing more. + + Name and deed alike are lost: + Not a pillar nor a post + In his Croisic keeps alive the feat as it befell; + Not a head in white and black + On a single fishing smack, + In memory of the man but for whom had gone to wrack + All that France saved from the fight whence England bore + the bell. + Go to Paris: rank on rank + Search the heroes flung pell-mell + On the Louvre, face and flank! + You shall look long enough ere you come to Hervé Riel. + So, for better and for worse, + Hervé Riel, accept my verse! + In my verse, Hervé Riel, do thou once more + Save the squadron, honor France, love thy wife, the Belle + Aurore! + + ROBERT BROWNING. + + + + +RUGBY CHAPEL. + + + But thou wouldst not _alone_ + Be saved, my father! _alone_ + Conquer and come to thy goal, + Leaving the rest in the wild. + We were weary, and we + Fearful, and we in our march + Fain to drop down and die. + Still thou turnedst, and still + Beckonedst the trembler, and still + Gavest the weary thy hand. + If, in the paths of the world, + Stones might have wounded thy feet, + Toil or dejection have tried + Thy spirit, of that we saw + Nothing--to us thou wast still + Cheerful, and helpful, and firm! + Therefore to thee it was given + Many to save with thyself; + And, at the end of thy day, + O faithful shepherd! to come, + Bringing thy sheep in thy hand. + + And through thee I believe + In the noble and great who are gone; + Pure souls honored and blest + By former ages.... + + * * * * * + + Servants of God!--or sons + Shall I not call you? because + Not as servants ye knew + Your Father's innermost mind, + His, who unwillingly sees + One of His little ones lost-- + Yours is the praise, if mankind + Hath not as yet in its march + Fainted, and fallen, and died! + + * * * * * + + Then, in such hour of need + Of your fainting, dispirited race, + Ye, like angels, appear, + Radiant with ardor divine. + Beacons of hope, ye appear! + Languor is not in your heart, + Weakness is not in your word, + Weariness not on your brow. + Ye alight in our van! at your voice, + Panic, despair, flee away. + Ye move through the ranks, recall + The stragglers, refresh the outworn, + Praise, reinspire the brave. + Order, courage, return; + Eyes rekindling, and prayers, + Follow your steps as ye go. + Ye fill up the gaps in our files, + Strengthen the wavering line, + Stablish, continue our march, + On, to the bound of the waste, + On, to the City of God. + + MATTHEW ARNOLD. + +[Illustration: JAMES RUSSELL LOWELL.] + + + + +WENDELL PHILLIPS. + + + He stood upon the world's broad threshold; wide + The din of battle and of slaughter rose; + He saw God stand upon the weaker side, + That sank in seeming loss before its foes; + Many there were who made great haste and sold + Unto the cunning enemy their swords, + He scorned their gifts of fame, and power, and gold, + And, underneath their soft and flowery words, + Heard the cold serpent hiss; therefore he went + And humbly joined him to the weaker part, + Fanatic named, and fool, yet well content + So he could be the nearer to God's heart, + And feel its solemn pulses sending blood + Through all the widespread veins of endless good. + + JAMES RUSSELL LOWELL. + + + + +THE PATRIOT. + +AN OLD STORY. + + + It was roses, roses, all the way, + With myrtle mixed in my path like mad; + The house roofs seemed to heave and sway, + The church spires flamed, such flags they had + A year ago on this very day. + + The air broke into a mist with bells, + The old walls rocked with the crowd and cries. + Had I said, "Good folk, mere noise repels-- + But give me your sun from yonder skies!" + They had answered, "And afterward, what else?" + + Alack, it was I who leaped at the sun + To give it my loving friends to keep! + Naught man could do, have I left undone: + And you see my harvest, what I reap + This very day, now a year is run. + + There's nobody on the house tops now-- + Just a palsied few at the windows set; + For the best of the sight is, all allow, + At the Shambles' Gate--or, better yet, + By the very scaffold's foot, I trow. + + I go in the rain, and, more than needs, + A rope cuts both my wrists behind; + And I think, by the feel, my forehead bleeds, + For they fling, whoever has a mind, + Stones at me for my year's misdeeds. + + Thus I entered, and thus I go! + In triumphs, people have dropped down dead. + "Paid by the world, what dost thou owe + Me?"--God might question; now instead, + 'Tis God shall repay: I am safer so. + + ROBERT BROWNING. + + + + +"BLESSED ARE THEY THAT MOURN." + + + Oh, deem not they are blest alone + Whose lives a peaceful tenor keep: + The Power who pities man, has shown + A blessing for the eyes that weep. + + The light of smiles shall fill again + The lids that overflow with tears; + And weary hours of woe and pain + Are promises of happier years. + + There is a day of sunny rest + For every dark and troubled night; + And grief may bide an evening guest, + But joy shall come with early light. + + And thou, who, o'er thy friend's low bier + Dost shed the bitter drops like rain, + Hope that a brighter, happier sphere + Will give him to thy arms again. + + Nor let the good man's trust depart, + Though life its common gifts deny,-- + Though with a pierced and bleeding heart + And spurned of men, he goes to die. + + For God hath marked each sorrowing day + And numbered every secret tear, + And heaven's long age of bliss shall pay + For all his children suffer here. + + WILLIAM CULLEN BRYANT. + + + + +THE DEATHBED. + + + We watched her breathing thro' the night, + Her breathing soft and low, + As in her breast the wave of life + Kept heaving to and fro. + + So silently we seemed to speak, + So slowly moved about, + As we had lent her half our powers + To eke her living out. + + Our very hopes belied our fears, + Our fears our hopes belied-- + We thought her dying when she slept, + And sleeping when she died. + + For when the morn came dim and sad, + And chill with early showers, + Her quiet eyelids closed--she had + Another morn than ours. + + THOMAS HOOD. + + + + +THE SLEEP. + + "He giveth his beloved sleep."--PSALM cxxvii. 2. + + + Of all the thoughts of God that are + Borne inward unto souls afar, + Along the Psalmist's music deep, + Now tell me if that any is, + For gift or grace, surpassing this-- + "He giveth His beloved, sleep"? + + What would we give to our beloved? + The hero's heart, to be unmoved, + The poet's star-tuned harp, to sweep, + The patriot's voice, to teach and rouse, + The monarch's crown, to light the brows?-- + He giveth His beloved, sleep. + + What do we give to our beloved? + A little faith all undisproved, + A little dust to overweep, + And bitter memories to make + The whole earth blasted for our sake. + He giveth His beloved, sleep. + + "Sleep soft, beloved!" we sometimes say, + But have no tune to charm away + Sad dreams that through the eyelids creep. + But never doleful dream again + Shall break the happy slumber when + He giveth His beloved, sleep. + + O earth, so full of dreary noises! + O men, with wailing in your voices! + O delvèd gold, the wailers heap! + O strife, O curse, that o'er it fall! + God strikes a silence through you all, + And giveth His beloved, sleep. + + His dews drop mutely on the hill; + His cloud above it saileth still, + Though on its slope men sow and reap. + More softly than the dew is shed, + Or cloud is floated overhead, + He giveth His beloved, sleep. + + Ay, men may wonder while they scan + A living, thinking, feeling man + Confirmed in such a rest to keep; + But angels say, and through the word + I think their happy smile is _heard_-- + "He giveth His beloved, sleep." + + For me, my heart that erst did go + Most like a tired child at a show, + That sees through tears the mummers leap, + Would now its wearied vision close, + Would childlike on His love repose, + Who giveth His beloved, sleep. + + And, friends, dear friends,--when it shall be + That this low breath is gone from me, + And round my bier ye come to weep, + Let one, most loving of you all, + Say, "Not a tear must o'er her fall; + 'He giveth His beloved, sleep.'" + + ELIZABETH BARRETT BROWNING. + +[Illustration: ELIZABETH BARRETT BROWNING.] + + + + +SLEEP. + + + How many thousand of my poorest subjects + Are at this hour asleep! O sleep, O gentle sleep, + Nature's soft nurse, how have I frighted thee, + That thou no more wilt weigh my eyelids down + And steep my senses in forgetfulness? + Why rather, sleep, liest thou in smoky cribs, + Upon uneasy pallets stretching thee + And hushed with buzzing night flies to thy slumber, + Than in the perfumed chambers of the great, + Under the canopies of costly state, + And lulled with sound of sweetest melody? + O thou dull god, why liest thou with the vile + In loathsome beds, and leavest the kingly couch + A watch case or a common 'larum bell? + Wilt thou upon the high and giddy mast + Seal up the ship boy's eyes, and rock his brains + In cradle of the rude imperious surge + And in the visitation of the winds, + Who take the ruffian billows by the top, + Curling their monstrous heads and hanging them + With deafening clamor in the slippery clouds, + That, with the hurly, death itself awakes? + Canst thou, O partial sleep, give thy repose + To the wet sea boy in an hour so rude, + And in the calmest and most stillest night, + With all appliances and means to boot, + Deny it to a king? Then, happy low, lie down! + Uneasy lies the head that wears a crown. + + WILLIAM SHAKESPEARE. + _From "King Henry IV."_ + +[Illustration] + + + + +A THANKSGIVING TO GOD FOR HIS HOUSE. + + + Lord, Thou hast given me a cell + Wherein to dwell; + A little house, whose humble roof + Is weather proof; + Under the spars of which I lie + Both soft, and dry; + Where Thou my chamber for to ward + Hast set a guard + Of harmless thoughts, to watch and keep + Me, while I sleep. + Low is my porch, as is my fate, + Both void of state; + And yet the threshold of my door + Is worn by the poor, + Who thither come, and freely get + Good words, or meat: + Like as my parlor, so my hall + And kitchen's small: + A little buttery, and therein + A little bin, + Which keeps my little loaf of bread + Unchipt, unflead: + Some brittle sticks of thorn or brier + Make me a fire, + Close by whose living coal I sit, + And glow like it. + Lord, I confess too, when I dine + The pulse is Thine, + And all those other bits, that be + There placed by Thee; + The worts, the purslain, and the mess + Of water cress, + Which of Thy kindness Thou hast sent; + And my content + Makes those, and my beloved beet, + To be more sweet. + 'Tis Thou that crown'st my glittering hearth + With guiltless mirth; + And giv'st me wassail bowls to drink, + Spiced to the brink. + Lord, 'tis Thy plenty-dropping hand + That soils my land; + And giv'st me, for my bushel sown, + Twice ten for one: + Thou mak'st my teeming hen to lay + Her egg each day: + Besides my healthful ewes to bear + Me twins each year: + The while the conduits of my kine + Run cream (for wine.) + All these, and better, Thou dost send + Me, to this end, + That I should render, for my part, + A thankful heart; + Which, fired with incense, I resign, + As wholly Thine; + But the acceptance,--that must be, + My Christ, by Thee. + + ROBERT HERRICK. + + + + +HYMN OF TRUST. + + + O Love Divine, that stooped to share + Our sharpest pang, our bitterest tear, + On Thee we cast each earthborn care, + We smile at pain while Thou art near! + + Though long the weary way we tread, + And sorrow crown each lingering year, + No path we shun, no darkness dread, + Our hearts still whispering, Thou art near! + + When drooping pleasure turns to grief, + And trembling faith is changed to fear, + The murmuring wind, the quivering leaf, + Shall softly tell us, Thou art near! + + On Thee we fling our burdening woe, + O Love Divine, forever dear, + Content to suffer while we know, + Living and dying, Thou art near! + + OLIVER WENDELL HOLMES. + + + + +DORA. + + + With farmer Allan at the farm abode + William and Dora. William was his son, + And she his niece. He often looked at them, + And often thought, "I'll make them man and wife." + Now Dora felt her uncle's will in all, + And yearned towards William; but the youth, because + He had been always with her in the house, + Thought not of Dora. + Then there came a day + When Allan called his son, and said, "My son, + I married late, but I would wish to see + My grandchild on my knees before I die; + And I have set my heart upon a match. + Now therefore look to Dora: she is well + To look to; thrifty too beyond her age. + She is my brother's daughter; he and I + Had once hard words, and parted, and he died + In foreign lands; but for his sake I bred + His daughter Dora: take her for your wife; + For I have wished this marriage, night and day, + For many years." But William answered short: + "I cannot marry Dora; by my life, + I will not marry Dora." Then the old man + Was wroth, and doubled up his hands, and said: + "You will not, boy! you dare to answer thus! + But in my time a father's word was law, + And so it shall be now for me. Look to it; + Consider, William: take a month to think, + And let me have an answer to my wish; + Or, by the Lord that made me, you shall pack, + And never more darken my doors again." + But William answered madly; bit his lips, + And broke away. The more he looked at her + The less he liked her; and his ways were harsh; + But Dora bore them meekly. Then before + The month was out he left his father's house + And hired himself to work within the fields; + And half in love, half spite, he wooed and wed + A laborer's daughter, Mary Morrison. + Then, when the bells were ringing, Allan called + His niece and said, "My girl, I love you well; + But if you speak with him that was my son, + Or change a word with her he calls his wife, + My home is none of yours. My will is law." + And Dora promised, being meek. She thought, + "It cannot be; my uncle's mind will change!" + And days went on, and there was born a boy + To William; then distresses came on him; + And day by day he passed his father's gate, + Heart-broken, and his father helped him not. + But Dora stored what little she could save, + And sent it them by stealth, nor did they know + Who sent it; till at last a fever seized + On William, and in harvest time he died. + Then Dora went to Mary. Mary sat + And looked with tears upon her boy, and thought + Hard things of Dora. Dora came and said: + "I have obeyed my uncle until now, + And I have sinned, for it was all thro' me + This evil came on William at the first. + But, Mary, for the sake of him that's gone, + And for your sake, the woman that he chose, + And for this orphan, I am come to you; + You know there has not been for these five years + So full a harvest; let me take the boy, + And I will set him in my uncle's eye + Among the wheat; that when his heart is glad + Of the full harvest, he may see the boy, + And bless him for the sake of him that's gone." + And Dora took the child, and went her way + Across the wheat, and sat upon a mound + That was unsown, where many poppies grew. + Far off the farmer came into the field + And spied her not; for none of all his men + Dare tell him Dora waited with the child; + And Dora would have risen and gone to him, + But her heart failed her; and the reapers reaped, + And the sun fell, and all the land was dark. + But when the morrow came, she rose and took + The child once more, and sat upon the mound; + And made a little wreath of all the flowers + That grew about, and tied it round his hat + To make him pleasing in her uncle's eye. + Then, when the farmer passed into the field, + He spied her, and he left his men at work, + And came and said: "Where were you yesterday? + Whose child is that? What are you doing here?" + So Dora cast her eyes upon the ground, + And answered softly, "This is William's child!" + "And did I not," said Allan, "did I not + Forbid you, Dora?" Dora said again: + "Do with me as you will, but take the child + And bless him for the sake of him that's gone!" + And Allan said, "I see it is a trick + Got up betwixt you and the woman there. + I must be taught my duty, and by you! + You knew my word was law, and yet you dared + To slight it. Well--for I will take the boy; + But go you hence, and never see me more." + So saying, he took the boy, that cried aloud + And struggled hard. The wreath of flowers fell + At Dora's feet. She bowed upon her hands, + And the boy's cry came to her from the field, + More and more distant. She bowed down her head, + Remembering the day when first she came, + And all the things that had been. She bowed down + And wept in secret; and the reapers reaped, + And the sun fell, and all the land was dark. + Then Dora went to Mary's house, and stood + Upon the threshold. Mary saw the boy + Was not with Dora. She broke out in praise + To God, that helped her in her widowhood. + And Dora said, "My uncle took the boy; + But, Mary, let me live and work with you: + He says that he will never see me more." + Then answered Mary, "This shall never be, + That thou shouldst take my trouble on thyself; + And, now I think, he shall not have the boy, + For he will teach him hardness, and to slight + His mother; therefore thou and I will go, + And I will have my boy, and bring him home; + And I will beg of him to take thee back. + But if he will not take thee back again, + Then thou and I will live within one house, + And work for William's child, until he grows + Of age to help us." + So the women kissed + Each other, and set out, and reached the farm. + The door was off the latch; they peeped, and saw + The boy set up betwixt his grandsire's knees, + Who thrust him in the hollows of his arm, + And clapt him on the hands and on the cheeks, + Like one that loved him; and the lad stretched out + And babbled for the golden seal, that hung + From Allan's watch, and sparkled by the fire. + Then they came in; but when the boy beheld + His mother, he cried out to come to her; + And Allan set him down, and Mary said: + "O Father!--if you let me call you so-- + I never came a begging for myself, + Or William, or this child; but now I come + For Dora; take her back; she loves you well. + O Sir, when William died, he died at peace + With all men; for I asked him, and he said, + He could not ever rue his marrying me-- + I had been a patient wife; but, Sir, he said + That he was wrong to cross his father thus; + 'God bless him!' he said, 'and may he never know + The troubles I have gone thro'!' Then he turned + His face and passed--unhappy that I am! + But now, Sir, let me have my boy, for you + Will make him hard, and he will learn to slight + His father's memory; and take Dora back, + And let all this be as it was before." + So Mary said, and Dora hid her face + By Mary. There was silence in the room; + And all at once the old man burst in sobs:-- + "I have been to blame--to blame. I have killed my son. + I have killed him--but I loved him--my dear son. + May God forgive me!--I have been to blame. + Kiss me, my children." + Then they clung about + The old man's neck, and kissed him many times. + And all the man was broken with remorse; + And all his love came back a hundredfold; + And for three hours he sobbed o'er William's child, + Thinking of William. + So those four abode + Within one house together; and as years + Went forward, Mary took another mate; + But Dora lived unmarried till her death. + + ALFRED TENNYSON. + +[Illustration: CHARLES LAMB.] + + + + +HESTER. + + + When maidens such as Hester die, + Their place ye may not well supply, + Though ye among a thousand try, + With vain endeavor. + + A month or more hath she been dead, + Yet cannot I by force be led + To think upon the wormy bed + And her together. + + A springy motion in her gait, + A rising step, did indicate + Of pride and joy no common rate, + That flushed her spirit. + + I know not by what name beside + I shall it call:--if 'twas not pride, + It was a joy to that allied, + She did inherit. + + Her parents held the Quaker rule, + Which doth the human feeling cool, + But she was trained in Nature's school, + Nature had blest her. + + A waking eye, a prying mind, + A heart that stirs, is hard to bind, + A hawk's keen sight ye cannot blind, + Ye could not Hester. + + My sprightly neighbor! gone before + To that unknown and silent shore, + Shall we not meet, as heretofore, + Some summer morning, + + When from thy cheerful eyes a ray + Hath struck a bliss upon the day, + A bliss that would not go away, + A sweet forewarning? + + CHARLES LAMB. + + + + +BONNIE LESLEY. + + + O saw ye bonnie Lesley + As she ga'ed o'er the border? + She's gane, like Alexander, + To spread her conquests farther. + + To see her is to love her, + And love but her for ever; + For Nature made her what she is, + And ne'er made sic anither! + + Thou art a queen, fair Lesley, + Thy subjects we, before thee; + Thou art divine, fair Lesley, + The hearts o' men adore thee. + + The deil he could na scaith thee, + Or aught that wad belang thee; + He'd look into thy bonnie face, + And say, "I canna wrang thee." + + The powers aboon will tent thee; + Misfortune sha' na steer thee; + Thou'rt like themselves sae lovely, + That ill they'll ne'er let near thee. + + Return again, fair Lesley, + Return to Caledonie; + That we may brag, we hae a lass + There's nane again sae bonnie. + + ROBERT BURNS. + + + + +ANNIE LAURIE. + + + Maxwelton braes are bonnie + Where early fa's the dew, + And it's there that Annie Laurie + Gie'd me her promise true,-- + Gie'd me her promise true, + Which ne'er forgot will be; + And for bonnie Annie Laurie + I'd lay me doune and dee. + + Her brow is like the snawdrift, + Her throat is like the swan, + Her face it is the fairest + That e'er the sun shone on,-- + That e'er the sun shone on; + And dark blue is her e'e; + And for bonnie Annie Laurie + I'd lay me doune and dee. + + Like dew on the gowan lying + Is the fa' o' her fairy feet; + Like the winds in summer sighing, + Her voice is low and sweet,-- + Her voice is low and sweet; + And she's a' the world to me; + And for bonnie Annie Laurie + I'd lay me doune and dee. + + WILLIAM DOUGLAS. + +[Illustration: BAYARD TAYLOR.] + + + + +A SONG OF THE CAMP. + + + "Give us a song!" the soldiers cried, + The outer trenches guarding, + When the heated guns of the camp allied + Grew weary of bombarding. + + The dark Redan, in silent scoff, + Lay grim and threatening under; + And the tawny mound of the Malakoff + No longer belched its thunder. + + There was a pause. A guardsman said: + "We storm the forts to-morrow; + Sing while we may, another day + Will bring enough of sorrow." + + They lay along the battery's side, + Below the smoking cannon,-- + Brave hearts from Severn and from Clyde, + And from the banks of Shannon. + + They sang of love, and not of fame; + Forgot was Britain's glory; + Each heart recalled a different name, + But all sang "Annie Laurie." + + Voice after voice caught up the song, + Until its tender passion + Rose like an anthem rich and strong, + Their battle eve confession. + + Dear girl! her name he dared not speak; + But as the song grew louder, + Something upon the soldier's cheek + Washed off the stains of powder. + + Beyond the darkening ocean burned + The bloody sunset's embers, + While the Crimean valleys learned + How English love remembers. + + And once again a fire of hell + Rained on the Russian quarters, + With scream of shot and burst of shell, + And bellowing of the mortars! + + And Irish Nora's eyes are dim + For a singer dumb and gory; + And English Mary mourns for him + Who sang of "Annie Laurie." + + Sleep, soldiers! still in honored rest + Your truth and valor wearing; + The bravest are the tenderest,-- + The loving are the daring. + + BAYARD TAYLOR. + +[Illustration: RALPH WALDO EMERSON.] + + + + +EACH AND ALL. + + + Little thinks, in the field, yon red-cloaked clown + Of thee from the hilltop looking down; + The heifer that lows in the upland farm, + Far heard, lows not thine ear to charm; + The sexton, tolling his bell at noon, + Deems not that great Napoleon + Stops his horse, and lists with delight, + Whilst his files sweep round yon Alpine height; + Nor knowest thou what argument + Thy life to thy neighbor's creed has lent. + All are needed by each one; + Nothing is fair or good alone. + I thought the sparrow's note from heaven, + Singing at dawn on the alder bough; + I brought him home, in his nest, at even; + He sings the song, but it cheers not now, + For I did not bring home the river and sky; + He sang to my ear,--they sang to my eye. + The delicate shells lay on the shore; + The bubbles of the latest wave + Fresh pearls to their enamel gave, + And the bellowing of the savage sea + Greeted their safe escape to me. + I wiped away the weeds and foam, + I fetched my sea-born treasures home; + But the poor, unsightly, noisome things + Had left their beauty on the shore + With the sun and the sand and the wild uproar. + The lover watched his graceful maid, + As 'mid the virgin train she strayed, + Nor knew her beauty's best attire + Was woven still by the snow-white choir. + At last she came to his hermitage, + Like the bird from the woodlands to the cage;-- + The gay enchantment was undone, + A gentle wife, but fairy none. + Then I said, "I covet truth; + Beauty is unripe childhood's cheat; + I leave it behind with the games of youth:"-- + As I spoke, beneath my feet + The ground pine curled its pretty wreath, + Running over the club moss burs; + I inhaled the violet's breath; + Around me stood the oaks and firs; + Pine cones and acorns lay on the ground; + Over me soared the eternal sky, + Full of light and of deity; + Again I saw, again I heard, + The rolling river, the morning bird; + Beauty through my senses stole; + I yielded myself to the perfect whole. + + RALPH WALDO EMERSON. + + + + +THE RHODORA. + +ON BEING ASKED, WHENCE IS THE FLOWER? + + + In May, when sea-winds pierced our solitudes, + I found the fresh Rhodora in the woods, + Spreading its leafless blooms in a damp nook, + To please the desert and the sluggish brook. + The purple petals, fallen in the pool, + Made the black water with their beauty gay; + Here might the redbird come his plumes to cool, + And court the flower that cheapens his array. + Rhodora! if the sages ask thee why + This charm is wasted on the earth and sky, + Tell them, dear, that if eyes were made for seeing, + Then Beauty is its own excuse for being. + Why thou wert there, O rival of the rose! + I never thought to ask, I never knew: + But, in my simple ignorance, suppose + The selfsame Power that brought me there brought you. + + RALPH WALDO EMERSON. + + + + +THE LAND OF SONG: Book III. + +_PART III._ + +[Illustration: R. WESTALL. +CARDINAL WOLSEY RECEIVED AT THE ABBEY.] + +PART THREE. + + + + +THE DOWNFALL OF WOLSEY. + + + Farewell! a long farewell, to all my greatness! + This is the state of man: to-day he puts forth + The tender leaves of hopes; to-morrow blossoms, + And bears his blushing honors thick upon him; + The third day comes a frost, a killing frost, + And, when he thinks, good easy man, full surely + His greatness is a ripening, nips his root, + And then he falls, as I do. I have ventured, + Like little wanton boys that swim on bladders, + This many summers in a sea of glory, + But far beyond my depth: my high-blown pride + At length broke under me and now has left me, + Weary and old with service, to the mercy + Of a rude stream, that must forever hide me. + Vain pomp and glory of this world, I hate ye: + I feel my heart new opened. O, how wretched + Is that poor man that hangs on princes' favors! + There is, betwixt that smile we would aspire to, + That sweet aspect of princes, and their ruin, + More pangs and fears than wars or women have: + And when he falls, he falls like Lucifer, + Never to hope again. + + WILLIAM SHAKESPEARE. + _From "Henry VIII."_ + +[Illustration: JOHN GREENLEAF WHITTIER.] + + + + +ICHABOD! + + + So fallen! so lost! the light withdrawn + Which once he wore! + The glory from his gray hairs gone + Forevermore! + + Revile him not,--the Tempter hath + A snare for all; + And pitying tears, not scorn and wrath, + Befit his fall! + + O, dumb be passion's stormy rage, + When he who might + Have lighted up and led his age, + Falls back in night. + + Scorn! would the angels laugh, to mark + A bright soul driven, + Fiend-goaded, down the endless dark, + From hope and heaven! + + Let not the land once proud of him + Insult him now, + Nor brand with deeper shame his dim, + Dishonored brow. + + But let its humbled sons, instead, + From sea to lake, + A long lament, as for the dead, + In sadness make. + + Of all we loved and honored, naught + Save power remains,-- + A fallen angel's pride of thought, + Still strong in chains. + + All else is gone: from those great eyes + The soul has fled: + When faith is lost, when honor dies, + The man is dead! + + Then, pay the reverence of old days + To his dead fame; + Walk backward, with averted gaze, + And hide the shame! + + JOHN GREENLEAF WHITTIER. + + + + +THE LOST LEADER. + + + Just for a handful of silver he left us, + Just for a riband to stick in his coat-- + Found the one gift of which fortune bereft us, + Lost all the others she lets us devote; + They, with the gold to give, doled him out silver, + So much was theirs who so little allowed: + How all our copper had gone for his service! + Rags--were they purple, his heart had been proud! + We that had loved him so, followed him, honored him, + Lived in his mild and magnificent eye, + Learned his great language, caught his clear accents, + Made him our pattern to live and to die! + Shakespeare was of us, Milton was for us, + Burns, Shelley, were with us,--they watch from their graves! + He alone breaks from the van and the freemen, + He alone sinks to the rear and the slaves! + + We shall march prospering,--not thro' his presence; + Songs may inspirit us,--not from his lyre; + Deeds will be done,--while he boasts his quiescence, + Still bidding crouch whom the rest bade aspire. + Blot out his name, then, record one lost soul more, + One task more declined, one more footpath untrod, + One more devil's triumph, and sorrow for angels, + One wrong more to man, one more insult to God! + Life's night begins: let him never come back to us! + There would be doubt, hesitation and pain, + Forced praise on our part--the glimmer of twilight, + Never glad, confident morning again! + Best fight on well, for we taught him--strike gallantly, + Menace our heart ere we master his own; + Then let him receive the new knowledge and wait us, + Pardoned in heaven, the first by the throne! + + ROBERT BROWNING. + + + + +THE FALL OF POLAND. + + + O sacred Truth! thy triumph ceased a while, + And Hope, thy sister, ceased with thee to smile, + When leagued Oppression poured to Northern wars + Her whiskered pandoors and her fierce hussars, + Waved her dread standard to the breeze of morn, + Pealed her loud drum, and twanged her trumpet horn; + Tumultuous horror brooded o'er her van, + Presaging wrath to Poland--and to man. + Warsaw's last champion from her height surveyed, + Wide o'er the fields, a waste of ruin laid,-- + O Heaven! he cried, my bleeding country save!-- + Is there no hand on high to shield the brave? + Yet, though destruction sweep those lovely plains, + Rise, fellow-men! our country yet remains! + By that dread name, we wave the sword on high, + And swear for her to live--with her to die! + He said, and on the rampart heights arrayed + His trusty warriors, few, but undismayed; + Firm-paced and slow, a horrid front they form, + Still as the breeze, but dreadful as the storm; + Low murmuring sounds along their banners fly, + Revenge, or death,--the watchword and reply; + Then pealed the notes, omnipotent to charm, + And the loud tocsin tolled their last alarm. + In vain, alas! in vain, ye gallant few! + From rank to rank your volleyed thunder flew:-- + Oh, bloodiest picture in the book of Time, + Sarmatia fell, unwept, without a crime; + Found not a generous friend, a pitying foe, + Strength in her arms, nor mercy in her woe. + Dropped from her nerveless grasp the shattered spear, + Closed her bright eye, and curbed her high career;-- + Hope, for a season, bade the world farewell, + And Freedom shrieked--as Kosciusko fell. + The sun went down, nor ceased the carnage there, + Tumultuous murder shook the midnight air-- + On Prague's proud arch the fires of ruin glow, + His blood-dyed waters murmuring far below; + The storm prevails, the rampart yields a way, + Bursts the wild cry of horror and dismay. + Hark, as the smoldering piles with thunder fall, + A thousand shrieks for hopeless mercy call! + Earth shook--red meteors flashed along the sky, + And conscious Nature shuddered at the cry! + O righteous Heaven! ere Freedom found a grave, + Why slept the sword, omnipotent to save? + Where was thine arm, O Vengeance! where thy rod, + That smote the foes of Zion and of God; + That crushed proud Ammon, when his iron car + Was yoked in wrath, and thundered from afar? + Where was the storm that slumbered till the host + Of blood-stained Pharaoh left their trembling coast; + Then bade the deep in wild commotion flow, + And heaved an ocean on their march below? + Departed spirits of the mighty dead! + Ye that at Marathon and Leuctra bled! + Friends of the world! restore your swords to man, + Fight in his sacred cause, and lead the van! + Yet for Sarmatia's tears of blood atone, + And make her arm puissant as your own! + Oh! once again to Freedom's cause return + The patriot Tell--the Bruce of Bannockburn! + Yes, thy proud lords, unpitied land, shall see + That man hath yet a soul--and dare be free. + A little while, along thy saddening plains, + The starless night of desolation reigns; + Truth shall restore the light by Nature given, + And, like Prometheus, bring the fire of Heaven. + Prone to the dust Oppression shall be hurled, + Her name, her nature, withered from the world. + + THOMAS CAMPBELL. +_From "The Pleasures of Hope."_ + + + + +THE HARP THAT ONCE THROUGH TARA'S HALLS. + + + The harp that once through Tara's halls + The soul of music shed, + Now hangs as mute on Tara's walls + As if that soul were fled. + So sleeps the pride of former days, + So glory's thrill is o'er, + And hearts that once beat high for praise + Now feel that pulse no more. + + No more to chiefs and ladies bright, + The harp of Tara swells: + The chord alone, that breaks at night, + Its tale of ruin tells. + Thus Freedom now so seldom wakes, + The only throb she gives, + Is when some heart indignant breaks, + To show that still she lives. + + THOMAS MOORE. + +[Illustration: STOKE POGIS CHURCH. +(_The Scene of Gray's Elegy._)] + + + + +ELEGY WRITTEN IN A COUNTRY CHURCHYARD. + + + The curfew tolls the knell of parting day, + The lowing herd winds slowly o'er the lea, + The plowman homeward plods his weary way, + And leaves the world to darkness and to me. + + Now fades the glimmering landscape on the sight, + And all the air a solemn stillness holds, + Save where the beetle wheels his droning flight, + And drowsy tinklings lull the distant folds. + + Save that from yonder ivy-mantled tower + The moping owl does to the moon complain + Of such as, wandering near her secret bower, + Molest her ancient solitary reign. + + Beneath those rugged elms, that yew tree's shade, + Where heaves the turf in many a moldering heap, + Each in his narrow cell forever laid, + The rude forefathers of the hamlet sleep. + + The breezy call of incense-breathing morn, + The swallow twittering from the straw-built shed, + The cock's shrill clarion, or the echoing horn, + No more shall rouse them from their lowly bed. + + For them no more the blazing hearth shall burn, + Or busy housewife ply her evening care, + No children run to lisp their sire's return, + Or climb his knees the envied kiss to share. + + Oft did the harvest to their sickle yield, + Their furrow oft the stubborn glebe has broke; + How jocund did they drive their team afield! + How bowed the woods beneath their sturdy stroke! + + Let not ambition mock their useful toil, + Their homely joys, and destiny obscure; + Nor grandeur hear with a disdainful smile, + The short and simple annals of the poor. + + The boast of heraldry, the pomp of power, + And all that beauty, all that wealth e'er gave, + Await alike the inevitable hour: + The paths of glory lead but to the grave. + + Nor you, ye proud, impute to these the fault + If memory o'er their tomb no trophies raise, + Where thro' the long-drawn aisle and fretted vault + The pealing anthem swells the note of praise. + + Can storied urn or animated bust + Back to its mansion call the fleeting breath? + Can honor's voice provoke the silent dust, + Or flattery soothe the dull cold ear of Death? + + Perhaps in this neglected spot is laid + Some heart once pregnant with celestial fire, + Hands that the rod of empire might have swayed + Or waked to ecstasy the living lyre: + + But knowledge to their eyes her ample page + Rich with the spoils of time did ne'er unroll; + Chill penury repressed their noble rage, + And froze the genial current of the soul. + + Full many a gem of purest ray serene, + The dark, unfathomed caves of ocean bear; + Full many a flower is born to blush unseen, + And waste its sweetness on the desert air. + + Some village Hampden, that with dauntless breast + The little tyrant of his fields withstood; + Some mute, inglorious Milton here may rest; + Some Cromwell, guiltless of his country's blood. + + The applause of listening senates to command, + The threats of pain and ruin to despise, + To scatter plenty o'er a smiling land, + And read their history in a nation's eyes, + + Their lot forbade: nor circumscribed alone + Their growing virtues, but their crimes confined; + Forbade to wade through slaughter to a throne, + And shut the gates of mercy on mankind; + + The struggling pangs of conscious truth to hide, + To quench the blushes of ingenuous shame, + Or heap the shrine of luxury and pride + With incense, kindled at the muse's flame. + + Far from the madding crowd's ignoble strife, + Their sober wishes never learned to stray; + Along the cool sequestered vale of life + They keep the noiseless tenor of their way. + + Yet e'en these bones from insult to protect, + Some frail memorial still erected nigh, + With uncouth rhymes and shapeless sculpture decked, + Implores the passing tribute of a sigh. + + Their name, their years, spelt by th' unlettered Muse, + The place of fame and elegy supply; + And many a holy text around she strews, + That teach the rustic moralist to die. + + For who, to dumb forgetfulness a prey, + This pleasing, anxious being e'er resigned, + Left the warm precincts of the cheerful day, + Nor cast one longing, lingering look behind? + + On some fond breast the parting soul relies, + Some pious drops the closing eye requires; + E'en from the tomb the voice of nature cries, + E'en in our ashes live their wonted fires. + + For thee, who, mindful of th' unhonored dead, + Dost in these lines their artless tale relate, + If 'chance, by lonely contemplation led, + Some kindred spirit shall inquire thy fate, + + Haply some hoary-headed swain may say: + "Oft have we seen him at the peep of dawn + Brushing with hasty steps the dews away, + To meet the sun upon the upland lawn; + + "There at the foot of yonder nodding beech, + That wreathes its old, fantastic roots so high, + His listless length at noontide would he stretch, + And pore upon the brook that babbles by. + + "Hard by yon wood, now smiling as in scorn, + Muttering his wayward fancies, he would rove; + Now drooping, woeful wan, like one forlorn, + Or crazed with care, or crossed in hopeless love. + + "One morn I missed him on the customed hill, + Along the heath, and near his favorite tree; + Another came; nor yet beside the rill, + Nor up the lawn, nor at the wood was he. + + "The next, with dirges due, in sad array, + Slow thro' the church-way path we saw him borne. + Approach and read (for thou canst read) the lay + Graved on the stone beneath yon aged thorn." + +THE EPITAPH. + + Here rests his head upon the lap of Earth + A youth to fortune and to fame unknown: + Fair science frowned not on his humble birth, + And melancholy marked him for her own. + + Large was his bounty, and his soul sincere, + Heaven did a recompense as largely send: + He gave to misery all he had, a tear: + He gained from Heaven ('twas all he wished) a friend. + + No farther seek his merits to disclose, + Or draw his frailties from their dread abode, + (There they alike in trembling hope repose,) + The bosom of his Father and his God. + + THOMAS GRAY. + +[Illustration: OLIVER GOLDSMITH.] + + + + +THE VILLAGE PREACHER. + + + Near yonder copse, where once the garden smiled, + And still where many a garden flower grows wild, + There, where a few torn shrubs the place disclose, + The village preacher's modest mansion rose. + A man he was to all the country dear, + And passing rich with forty pounds a year. + Remote from towns he ran his godly race, + Nor e'er had changed, nor wished to change, his place; + Unpracticed he to fawn, or seek for power + By doctrines fashioned to the varying hour; + Far other aims his heart had learned to prize, + More skilled to raise the wretched than to rise. + His house was known to all the vagrant train, + He chid their wanderings, but relieved their pain; + The long-remembered beggar was his guest, + Whose beard descending swept his aged breast; + The ruined spendthrift, now no longer proud, + Claimed kindred there, and had his claims allowed; + The broken soldier, kindly bade to stay, + Sat by his fire, and talked the night away, + Wept o'er his wounds, or, tales of sorrow done, + Shouldered his crutch and showed how fields were won. + Pleased with his guests, the good man learned to glow, + And quite forgot their vices in their woe; + Careless their merits or their faults to scan, + His pity gave ere charity began. + Thus to relieve the wretched was his pride, + And even his failings leaned to virtue's side; + But in his duty prompt at every call, + He watched and wept, he prayed and felt for all: + And, as a bird each fond endearment tries + To tempt its new-fledged offspring to the skies, + He tried each art, reproved each dull delay, + Allured to brighter worlds, and led the way. + Beside the bed where parting life was laid, + And sorrow, guilt, and pain by turns dismayed, + The reverend champion stood: at his control + Despair and anguish fled the struggling soul; + Comfort came down the trembling wretch to raise, + And his last faltering accents whispered praise. + At church, with meek and unaffected grace, + His looks adorned the venerable place; + Truth from his lips prevailed with double sway, + And fools who came to scoff remained to pray. + The service past, around the pious man, + With steady zeal, each honest rustic ran; + Even children followed, with endearing wile, + And plucked his gown, to share the good man's smile: + His ready smile a parent's warmth exprest, + Their welfare pleased him, and their cares distrest. + To them his heart, his love, his griefs were given, + But all his serious thoughts had rest in heaven: + As some tall cliff, that lifts its awful form, + Swells from the vale, and midway leaves the storm, + Though round its breast the rolling clouds are spread, + Eternal sunshine settles on its head. + + OLIVER GOLDSMITH. +_From "The Deserted Village."_ + +[Illustration: WILLIAM WORDSWORTH.] + + + + +LUCY. + + + Three years she grew in sun and shower; + Then Nature said, "A lovelier flower + On earth was never sown: + This child I to myself will take; + She shall be mine, and I will make + A lady of my own. + + "Myself will to my darling be + Both law and impulse: and with me + The girl, in rock and plain, + In earth and heaven, in glade and bower, + Shall feel an overseeing power + To kindle or restrain. + + "She shall be sportive as the fawn + That, wild with glee, across the lawn + Or up the mountain springs; + And hers shall be the breathing balm, + And hers the silence and the calm + Of mute, insensate things. + + "The floating clouds their state shall lend + To her; for her the willow bend; + Nor shall she fail to see + E'en in the motions of the storm + Grace that shall mold the maiden's form + By silent sympathy. + + "The stars of midnight shall be dear + To her; and she shall lean her ear + In many a secret place + Where rivulets dance their wayward round, + And beauty born of murmuring sound + Shall pass into her face. + + "And vital feelings of delight + Shall rear her form to stately height, + Her virgin bosom swell; + Such thoughts to Lucy I will give + While she and I together live + Here in this happy dell." + + Thus Nature spake--the work was done-- + How soon my Lucy's race was run! + She died, and left to me + This heath, this calm and quiet scene; + The memory of what has been, + And nevermore will be. + + WILLIAM WORDSWORTH. + +[Illustration] + + + + +OH, FAIREST OF THE RURAL MAIDS. + + + Oh, fairest of the rural maids! + Thy birth was in the forest shades; + Green boughs, and glimpses of the sky, + Were all that met thine infant eye. + + Thy sports, thy wanderings, when a child, + Were ever in the sylvan wild; + And all the beauty of the place + Is in thy heart and on thy face. + + The twilight of the trees and rocks + Is in the light shade of thy locks; + Thy step is as the wind, that weaves + Its playful way among the leaves. + + Thine eyes are springs, in whose serene + And silent waters heaven is seen; + Their lashes are the herbs that look + On their young figures in the brook. + + The forest depths, by foot impressed, + Are not more sinless than thy breast; + The holy peace, that fills the air + Of those calm solitudes, is there. + + WILLIAM CULLEN BRYANT. + + + + +STANZAS FOR MUSIC. + + + There be none of Beauty's daughters + With a magic like thee; + And like music on the waters + Is thy sweet voice to me: + When, as if its sound were causing + The charmèd ocean's pausing, + The waves lie still and gleaming, + And the lulled winds seem dreaming: + + And the midnight moon is weaving + Her bright chain o'er the deep; + Whose breast is gently heaving, + As an infant's asleep: + So the spirit bows before thee, + To listen and adore thee; + With a full but soft emotion, + Like the swell of Summer's ocean. + + LORD GEORGE NOEL GORDON BYRON. + + + + +FLOW GENTLY, SWEET AFTON. + + + Flow gently, sweet Afton, among thy green braes, + Flow gently, I'll sing thee a song in thy praise; + My Mary's asleep by thy murmuring stream-- + Flow gently, sweet Afton, disturb not her dream. + + Thou stockdove, whose echo resounds thro' the glen; + Ye wild whistling blackbirds in yon thorny den; + Thou green-crested lapwing, thy screaming forbear-- + I charge you disturb not my slumbering fair. + + How lofty, sweet Afton, thy neighboring hills, + Far marked with the courses of clear, winding rills; + There daily I wander as noon rises high, + My flocks and my Mary's sweet cot in my eye. + + How pleasant thy banks and green valleys below, + Where wild in the woodlands the primroses blow. + There, oft as mild evening weeps over the lea, + The sweet-scented birk shades my Mary and me. + + Thy crystal stream, Afton, how lovely it glides, + And winds by the cot where my Mary resides; + How wanton thy waters her snowy feet lave, + As gathering sweet flow'rets she stems thy clear wave. + + Flow gently, sweet Afton, among thy green braes + Flow gently, sweet river, the theme of my lays. + My Mary's asleep by thy murmuring stream-- + Flow gently, sweet Afton, disturb not her dream! + + ROBERT BURNS. + +[Illustration] + + + + +TRIUMPH OF CHARIS. + + + See the chariot at hand here of Love, + Wherein my lady rideth! + Each that draws is a swan, or a dove, + And well the car, Love guideth. + As she goes, all hearts do duty + Unto her beauty, + And, enamored, do wish, so they might + But enjoy such a sight, + That they still were to run by her side + Through swords, through seas, whither she would ride. + + Do but look on her eyes! they do light + All that Love's world compriseth; + Do but look on her hair! it is bright + As Love's star when it riseth! + Do but mark--her forehead's smoother + Than words that soothe her! + And from her arched brows such a grace + Sheds itself through the face, + As alone there, triumphs to the life, + All the gain, all the good, of the elements' strife. + + Have you seen but a bright lily grow, + Before rude hands have touched it? + Have you marked but the fall of the snow, + Before the soil hath smutched it? + Have you felt the wool of the beaver? + Or swan's down ever? + Or have smelt o' the bud of the brier? + Or nard i' the fire? + Or have tasted the bag of the bee? + Oh, so white! oh, so soft! oh, so sweet, is she! + + BEN JONSON. + + + + +ANNIE OF THARAW. + +FROM THE LOW GERMAN OF SIMON DACH. + + + Annie of Tharaw, my true love of old, + She is my life, and my goods, and my gold. + + Annie of Tharaw, her heart once again + To me has surrendered in joy and in pain. + + Annie of Tharaw, my riches, my good, + Thou, O my soul, my flesh, and my blood! + + Then come the wild weather, come sleet or come snow, + We will stand by each other, however it blow. + + Oppression, and sickness, and sorrow, and pain + Shall be to our true love as links to the chain. + + As the palm tree standeth so straight and so tall, + The more the hail beats, and the more the rains fall,-- + + So love in our hearts shall grow mighty and strong, + Through crosses, through sorrows, through manifold wrong. + + Shouldst thou be torn from me to wander alone + In a desolate land where the sun is scarce known,-- + + Through forests I'll follow, and where the sea flows, + Through ice, and through iron, through armies of foes. + + Annie of Tharaw, my light and my sun, + The threads of our two lives are woven in one. + + Whate'er I have bidden thee thou hast obeyed, + Whatever forbidden thou hast not gainsaid. + + How in the turmoil of life can love stand, + Where there is not one heart, and one mouth, and one hand? + + Some seek for dissension, and trouble, and strife; + Like a dog and a cat live such man and wife. + + Annie of Tharaw, such is not our love; + Thou art my lambkin, my chick, and my dove. + + Whate'er my desire is, in thine may be seen; + I am king of the household, and thou art its queen. + + It is this, O my Annie, my heart's sweetest rest, + That makes of us twain but one soul in one breast. + + This turns to a heaven the hut where we dwell; + While wrangling soon changes a home to a hell. + + HENRY WADSWORTH LONGFELLOW. + + + + +SHE WAS A PHANTOM OF DELIGHT. + + + She was a phantom of delight + When first she gleamed upon my sight; + A lovely apparition, sent + To be a moment's ornament; + Her eyes as stars of twilight fair; + Like Twilight's, too, her dusky hair; + But all things else about her drawn + From May-time and the cheerful dawn; + A dancing shape, an image gay, + To haunt, to startle, and waylay. + + I saw her upon nearer view, + A spirit, yet a woman too! + Her household motions light and free, + And steps of virgin liberty; + A countenance in which did meet + Sweet records, promises as sweet; + A creature not too bright or good + For human nature's daily food; + For transient sorrows, simple wiles, + Praise, blame, love, kisses, tears, and smiles. + + And now I see with eye serene + The very pulse of the machine; + A being breathing thoughtful breath, + A traveler between life and death; + The reason firm, the temperate will, + Endurance, foresight, strength, and skill; + A perfect woman, nobly planned, + To warn, to comfort, and command; + And yet a spirit still, and bright + With something of angelic light. + + WILLIAM WORDSWORTH. + + + + +NIGHT AND DEATH. + + + Mysterious Night! when our first parent knew + Thee from report divine, and heard thy name, + Did he not tremble for this lovely frame, + This glorious canopy of light and blue? + Yet 'neath the curtain of translucent dew, + Bathed in the rays of the great setting flame, + Hesperus, with the host of heaven, came; + And lo! creation widened in man's view. + Who could have thought such darkness lay concealed + Within thy beams, O Sun? or who could find, + While fly, and leaf, and insect stood revealed, + That to such countless orbs thou mad'st us blind? + Why do we then shun death with anxious strife?-- + If light can thus deceive, wherefore not life? + + JOSEPH BLANCO WHITE. + + + + +IMMORTALITY. + + + Forever with the Lord! + Amen! so let it be! + Life from the dead is in that word, + And immortality! + + Here in the body pent, + Absent from Him I roam, + Yet nightly pitch my moving tent + A day's march nearer home. + + My Father's house on high, + Home of my soul! how near, + At times, to Faith's foreseeing eye, + Thy golden gates appear. + + Ah! then my spirit faints + To reach the land I love, + The bright inheritance of saints, + Jerusalem above! + + Yet clouds will intervene, + And all my prospect flies; + Like Noah's dove, I flit between + Rough seas and stormy skies. + + Anon the clouds depart, + The winds and waters cease; + While sweetly o'er my gladdened heart + Expands the bow of peace! + + Beneath its glowing arch, + Along the hallowed ground, + I see cherubic armies march, + A camp of fire around. + + I hear at morn and even, + At noon and midnight hour, + The choral harmonies of Heaven + Earth's Babel tongues o'erpower. + + Then, then I feel, that He, + Remembered or forgot, + The Lord, is never far from me, + Though I perceive Him not. + + JAMES MONTGOMERY. + +[Illustration: ALFRED TENNYSON.] + + + + +THE RAISING OF LAZARUS. + + + When Lazarus left his charnel cave, + And home to Mary's house returned, + Was this demanded--if he yearned + To hear her weeping by his grave? + + "Where wert thou, brother, those four days?" + There lives no record of reply, + Which telling what it is to die + Had surely added praise to praise. + + From every house the neighbors met, + The streets were filled with joyful sound, + A solemn gladness even crowned + The purple brows of Olivet. + + Behold a man raised up by Christ! + The rest remaineth unrevealed; + He told it not; or something sealed + The lips of that Evangelist. + + Her eyes are homes of silent prayer, + Nor other thought her mind admits + But, he was dead, and there he sits, + And he that brought him back is there. + + Then one deep love doth supersede + All other, when her ardent gaze + Roves from the living brother's face, + And rests upon the Life indeed. + + All subtle thought, all curious fears + Borne down by gladness so complete, + She bows, she bathes the Saviour's feet + With costly spikenard and with tears. + + Thrice blest whose lives are faithful prayers, + Whose loves in higher love endure; + What souls possess themselves so pure, + Or is there blessedness like theirs? + + ALFRED TENNYSON. + _From "In Memoriam."_ + + + + +FAITH. + + + I have seen + A curious child, who dwelt upon a tract + Of inland ground, applying to his ear + The convolutions of a smooth-lipped shell; + To which, in silence hushed, his very soul + Listened intensely; and his countenance soon + Brightened with joy; for from within were heard + Murmurings, whereby the monitor expressed + Mysterious union with its native sea. + Even such a shell the universe itself + Is to the ear of Faith; and there are times, + I doubt not, when to you it doth impart + Authentic tidings of invisible things; + Of ebb and flow, and everduring power; + And central peace, subsisting at the heart + Of endless agitation. Here you stand, + Adore, and worship, when you know it not; + Pious beyond the intention of your thought; + Devout above the meaning of your will. + + WILLIAM WORDSWORTH. + _From "The Excursion."_ + + + + +MY DOVES. + + + My little doves have left a nest + Upon an Indian tree, + Whose leaves fantastic take their rest + Or motion from the sea; + For, ever there, the sea winds go + With sunlit paces to and fro. + + The tropic flowers looked up to it, + The tropic stars looked down, + And there my little doves did sit + With feathers softly brown, + And glittering eyes that showed their right + To gentle Nature's deep delight. + + And God them taught, at every close + Of murmuring waves beyond, + And green leaves round to interpose + Their choral voices fond, + Interpreting that love must be + The meaning of the earth and sea. + + Fit ministers! Of living loves, + Theirs hath the calmest fashion, + Their living voice the likest moves + To lifeless intonation, + The lovely monotone of spring + And winds, and such insensate things. + + My little doves were ta'en away + From that glad nest of theirs, + Across an ocean rolling gray, + And tempest-clouded airs. + My little doves,--who lately knew + The sky and wave by warmth and blue! + + And now, within the city prison, + In mist and chillness pent, + With' sudden upward look they listen + For sounds of past content-- + For lapse of water, swell of breeze, + Or nut fruit falling from the trees. + + The stir without the glow of passion, + The triumph of the mart, + The gold and silver as they clash on + Man's cold metallic heart-- + The roar of wheels, the cry for bread,-- + These only sounds are heard instead. + + Yet still, as on my human hand + Their fearless heads they lean, + And almost seem to understand + What human musings mean, + (Their eyes, with such a plaintive shine, + Are fastened upwardly to mine!) + + Soft falls their chant as on the nest + Beneath the sunny zone; + For love that stirred it in their breast + Has not aweary grown, + And 'neath the city's shade can keep + The well of music clear and deep. + + And love that keeps the music, fills + With pastoral memories: + All echoing from out the hills, + All droppings from the skies, + All flowings from the wave and wind, + Remembered in their chant, I find. + + So teach ye me the wisest part, + My little doves! to move + Along the city ways with heart + Assured by holy love, + And vocal with such songs as own + A fountain to the world unknown. + + 'Twas hard to sing by Babel's stream-- + More hard, in Babel's street! + But if the soulless creatures deem + Their music not unmeet + For sunless walls--let _us_ begin, + Who wear immortal wings within! + + To me, fair memories belong + Of scenes that used to bless, + For no regret, but present song, + And lasting thankfulness, + And very soon to break away, + Like types, in purer things than they. + + I will have hopes that cannot fade, + For flowers the valley yields! + I will have humble thoughts instead + Of silent, dewy fields! + My spirit and my God shall be + My seaward hill, my boundless sea. + + ELIZABETH BARRETT BROWNING. + +[Illustration] + + + + +QUA CURSUM VENTUS. + + + As ships becalmed at eve, that lay + With canvas drooping, side by side, + Two towers of sail at dawn of day + Are scarce, long leagues apart, descried; + + When fell the night, upsprung the breeze, + And all the darkling hours they plied, + Nor dreamt but each the selfsame seas + By each was cleaving, side by side: + + E'en so,--but why the tale reveal + Of those whom, year by year unchanged, + Brief absence joined anew to feel, + Astounded, soul from soul estranged? + + At dead of night their sails were filled, + And onward each rejoicing steered; + Ah, neither blame, for neither willed, + Or wist, what first with dawn appeared! + + To veer, how vain! On, onward strain, + Brave barks! In light, in darkness too, + Through winds and tides one compass guides,-- + To that, and your own selves, be true. + + But O blithe breeze, and O great seas, + Though ne'er, that earliest parting past, + On your wide plain they join again, + Together lead them home at last! + + One port, methought, alike they sought, + One purpose hold where'er they fare,-- + O bounding breeze, O rushing seas, + At last, at last, unite them there! + + ARTHUR HUGH CLOUGH. + + + + +HYMN TO THE NORTH STAR. + + + The sad and solemn night + Hath yet her multitude of cheerful fires; + The glorious host of light + Walk the dark hemisphere till she retires; + All through her silent watches, gliding slow, + Her constellations come, and climb the heavens, and go. + + Day, too, hath many a star + To grace his gorgeous reign, as bright as they: + Through the blue fields afar, + Unseen, they follow in his flaming way: + Many a bright lingerer, as the eve grows dim, + Tells what a radiant troop arose and set with him. + + And thou dost see them rise, + Star of the Pole! and thou dost see them set. + Alone, in thy cold skies, + Thou keep'st thy old unmoving station yet, + Nor join'st the dances of that glittering train, + Nor dipp'st thy virgin orb in the blue western main. + + There, at morn's rosy birth, + Thou lookest meekly through the kindling air, + And eve, that round the earth + Chases the day, beholds thee watching there; + There noontide finds thee, and the hour that calls + The shapes of polar flame to scale heaven's azure walls. + + Alike, beneath thine eye, + The deeds of darkness and of light are done; + High towards the starlit sky + Towns blaze, the smoke of battle blots the sun, + The night storm on a thousand hills is loud + And the strong wind of day doth mingle sea and cloud. + + On thy unaltering blaze + The half-wrecked mariner, his compass lost, + Fixes his steady gaze, + And steers, undoubting, to the friendly coast; + And they who stray in perilous wastes, by night, + Are glad when thou dost shine to guide their footsteps right. + + And, therefore, bards of old, + Sages and hermits of the solemn wood, + Did in thy beams behold + A beauteous type of that unchanging good, + That bright eternal beacon, by whose ray + The voyager of time should shape his heedful way. + + WILLIAM CULLEN BRYANT. + + + + +EVENING. + + + Now came still evening on, and twilight gray + Had in her sober livery all things clad: + Silence accompanied; for beast and bird, + They to their grassy couch, these to their nests, + Were slunk, all but the wakeful nightingale; + She all night long her amorous descant sung; + Silence was pleased: now glowed the firmament + With living sapphires: Hesperus, that led + The starry host, rode brightest, till the moon, + Rising in clouded majesty, at length, + Apparent queen, unveiled her peerless light, + And o'er the dark her silver mantle threw. + + JOHN MILTON. + _From "Paradise Lost."_ + + + + +QUIET WORK. + + + One lesson, Nature, let me learn of thee, + One lesson which in every wind is blown, + One lesson of two duties kept at one + Though the loud world proclaim their enmity-- + Of toil unsevered from tranquillity; + Of labor, that in lasting fruit outgrows + Far noisier schemes, accomplished in repose, + Too great for haste, too high for rivalry. + Yes, while on earth a thousand discords ring, + Man's senseless uproar mingling with his toil, + Still do thy quiet ministers move on, + Their glorious tasks in silence perfecting; + Still working, blaming still our vain turmoil, + Laborers that shall not fail, when man is gone. + + MATTHEW ARNOLD. + +[Illustration: SAMUEL TAYLOR COLERIDGE.] + + + + +HYMN BEFORE SUNRISE, IN THE VALE OF CHAMOUNI. + + + Hast thou a charm to stay the morning star + In his steep course? so long he seems to pause + On thy bald awful head, O sovran Blanc! + The Arvé and Arveiron at thy base + Rave ceaselessly; but thou, most awful form, + Risest from forth thy silent sea of pines, + How silently! Around thee and above, + Deep is the air and dark, substantial, black, + An ebon mass: methinks thou piercest it, + As with a wedge! But when I look again, + It is thy own calm home, thy crystal shrine, + Thy habitation from eternity! + O dread and silent mount! I gazed upon thee, + Till thou, still present to the bodily sense, + Didst vanish from my thoughts: entranced in prayer + I worshiped the Invisible alone. + + Yet, like some sweet, beguiling melody, + So sweet, we know not we are listening to it, + Thou the meanwhile, wast blending with my thought, + Yea, with my life and life's own secret joy: + Till the dilating soul, enrapt, transfused, + Into the mighty vision passing,--there, + As in her natural form, swelled vast to heaven! + + Awake, my soul! not only passive praise + Thou owest,--not alone these swelling tears, + Mute thanks, and secret ecstasy! Awake, + Voice of sweet song! Awake, my heart, awake! + Green vales and icy cliffs, all join my hymn! + + Thou first and chief, sole sovran of the vale! + O, struggling with the darkness all the night, + And visited all night by troops of stars, + Or when they climb the sky or when they sink; + Companion of the morning star at dawn, + Thyself earth's rosy star, and of the dawn + Coherald! O, wake, and utter praise! + Who sank thy sunless pillars deep in earth? + Who filled thy countenance with rosy light? + Who made thee parent of perpetual streams? + + And you, ye five wild torrents fiercely glad, + Who called you forth from night and utter death, + From dark and icy caverns called you forth, + Down those precipitous, black, jagged rocks, + Forever shattered and the same forever? + Who gave you your invulnerable life, + Your strength, your speed, your fury, and your joy, + Unceasing thunder and eternal foam? + And who commanded--and the silence came-- + "Here let the billows stiffen, and have rest?" + + Ye ice falls! ye that from the mountain's brow, + Adown enormous ravines slope amain, + Torrents, methinks, that heard a mighty voice, + And stopped at once amid their maddest plunge! + Motionless torrents! silent cataracts! + Who made you glorious as the gates of heaven + Beneath the keen, full moon? Who bade the sun + Clothe you with rainbows? Who, with living flowers + Of loveliest blue, spread garlands at your feet? + "God!" let the torrents, like a shout of nations, + Answer; and let the ice plains echo, "God!" + "God!" sing, ye meadow streams with gladsome voice! + Ye pine groves, with your soft and soullike sounds! + And they, too, have a voice, yon piles of snow, + And in their perilous fall shall thunder, "God!" + + Ye living flowers, that skirt the eternal frost! + Ye wild goats, sporting round the eagle's nest! + Ye eagles, playmates of the mountain storm! + Ye lightnings, the dread arrows of the clouds! + Ye signs and wonders of the elements! + Utter forth God, and fill the hills with praise! + + Thou, too, hoar mount, with thy sky-pointing peaks! + Oft from whose feet the avalanche, unheard, + Shoots downward, glittering through the pure serene + Into the depths of clouds that veil thy breast, + Thou, too, again, stupendous mountain! thou + That as I raise my head, awhile bowed low + In adoration, upward from thy base + Slow traveling with dim eyes suffused with tears, + Solemnly seemest, like a vapory cloud, + To rise before me,--rise, O, ever rise, + Rise like a cloud of incense, from the earth! + Thou kingly spirit throned among the hills, + Thou dread ambassador from earth to heaven, + Great hierarch! tell thou the silent sky, + And tell the stars, and tell yon rising sun, + Earth, with her thousand voices praises God. + + SAMUEL TAYLOR COLERIDGE. + +[Illustration: MONT BLANC. (Vale of Chamouni.)] + + + + +ON FIRST LOOKING INTO CHAPMAN'S HOMER. + + + Much have I traveled in the realms of gold, + And many goodly states and kingdoms seen; + Round many western islands have I been + Which bards in fealty to Apollo hold. + Oft of one wide expanse had I been told + That deep-browed Homer ruled as his demesne: + Yet did I never breathe its pure serene + Till I heard Chapman speak out loud and bold. + Then felt I like some watcher of the skies + When a new planet swims into his ken; + Or like stout Cortez when with eagle eyes + He stared at the Pacific--and all his men + Looked at each other with a wild surmise-- + Silent, upon a peak in Darien. + + JOHN KEATS. + + + + +ULYSSES. + + + It little profits that an idle king, + By this still hearth, among these barren crags, + Matched with an aged wife, I mete and dole + Unequal laws unto a savage race, + That hoard, and sleep, and feed, and know not me. + I cannot rest from travel: I will drink + Life to the lees: all times have I enjoyed + Greatly, have suffered greatly, both with those + That loved me, and alone; on shore, and when + Thro' scudding drifts the rainy Hyades + Vext the dim sea: I am become a name; + For always roaming with a hungry heart + Much have I seen and known; cities of men + And manners, climates, councils, governments, + Myself not least, but honored of them all; + And drunk delight of battle with my peers, + Far on the ringing plains of windy Troy. + I am a part of all that I have met; + Yet all experience is an arch wherethro' + Gleams that untraveled world, whose margin fades + For ever and for ever when I move. + How dull it is to pause, to make an end, + To rust unburnished, not to shine in use! + As tho' to breathe were life. Life piled on life + Were all too little, and of one to me + Little remains: but every hour is saved + From that eternal silence, something more, + A bringer of new things; and vile it were + For some three suns to store and hoard myself, + And this gray spirit yearning in desire + To follow knowledge like a sinking star, + Beyond the utmost bound of human thought. + This is my son, mine own Telemachus, + To whom I leave the scepter and the isle-- + Well-loved of me, discerning to fulfill + This labor, by slow prudence to make mild + A rugged people, and thro' soft degrees + Subdue them to the useful and the good. + Most blameless is he, centered in the sphere + Of common duties, decent not to fail + In offices of tenderness, and pay + Meet adoration to my household gods, + When I am gone. He works his work, I mine. + There lies the port: the vessel puffs her sail: + There gloom the dark broad seas. My mariners, + Souls that have toiled, and wrought, and thought with me-- + That ever with a frolic welcome took + The thunder and the sunshine, and opposed + Free hearts, free foreheads--you and I are old; + Old age hath yet his honor and his toil; + Death closes all: but something ere the end, + Some work of noble note, may yet be done, + Not unbecoming men that strove with Gods. + The lights begin to twinkle from the rocks: + The long day wanes: the slow moon climbs: the deep + Moans round with many voices. Come, my friends, + 'Tis not too late to seek a newer world. + Push off, and sitting well in order smite + The sounding furrows; for my purpose holds + To sail beyond the sunset, and the baths + Of all the western stars, until I die. + It may be that the gulfs will wash us down: + It may be we shall touch the Happy Isles, + And see the great Achilles, whom we knew. + Tho' much is taken, much abides: and tho' + We are not now that strength which in old days + Moved earth and heaven; that which we are, we are; + One equal temper of heroic hearts, + Made weak by time and fate, but strong in will + To strive, to seek, to find, and not to yield. + + ALFRED TENNYSON. + +[Illustration: DEATH OF CÆSAR.] + + + + +ANTONY'S EULOGY ON CÆSAR. + + + Friends, Romans, countrymen, lend me your ears; + I come to bury Cæsar, not to praise him. + The evil that men do lives after them; + The good is oft interrèd with their bones; + So let it be with Cæsar. The noble Brutus + Hath told you Cæsar was ambitious: + If it were so, it were a grievous fault, + And grievously hath Cæsar answered it. + Here, under leave of Brutus and the rest-- + For Brutus is an honorable man; + So are they all, all honorable men-- + Come I to speak in Cæsar's funeral. + He was my friend, faithful and just to me: + But Brutus says he was ambitious; + And Brutus is an honorable man. + He hath brought many captives home to Rome, + Whose ransoms did the general coffers fill: + Did this in Cæsar seem ambitious? + When that the poor have cried, Cæsar hath wept: + Ambition should be made of sterner stuff: + Yet Brutus says he was ambitious; + And Brutus is an honorable man. + You all did see that on the Lupercal + I thrice presented him a kingly crown, + Which he did thrice refuse. Was this ambition? + Yet Brutus says he was ambitious; + And, sure, he is an honorable man. + I speak not to disprove what Brutus spoke, + But here I am to speak what I do know. + You all did love him once, not without cause: + What cause withholds you then, to mourn for him? + O judgment! thou art fled to brutish beasts, + And men have lost their reason. Bear with me: + My heart is in the coffin there with Cæsar, + And I must pause till it come back to me. + + * * * * * + + But yesterday the word of Cæsar might + Have stood against the world; now lies he there, + And none so poor to do him reverence. + O masters, if I were disposed to stir + Your hearts and minds to mutiny and rage, + I should do Brutus wrong, and Cassius wrong, + Who, you all know, are honorable men: + I will not do them wrong; I rather choose + To wrong the dead, to wrong myself and you, + Than I will wrong such honorable men. + But here's a parchment with the seal of Cæsar; + I found it in his closet, 'tis his will: + Let but the commons hear this testament-- + Which, pardon me, I do not mean to read-- + And they would go and kiss dead Cæsar's wounds + And dip their napkins in his sacred blood, + Yea, beg a hair of him for memory, + And, dying, mention it within their wills, + Bequeathing it as a rich legacy + Unto their issue. + + * * * * * + + Have patience, gentle friends, I must not read it; + It is not meet you know how Cæsar loved you. + You are not wood, you are not stones, but men; + And, being men, hearing the will of Cæsar, + It will inflame you, it will make you mad: + Tis good you know not that you are his heirs; + For, if you should, O, what would come of it! + + * * * * * + + Will you be patient? will you stay awhile? + I have o'ershot myself to tell you of it: + I fear I wrong the honorable men + Whose daggers have stabbed Cæsar; I do fear it. + + * * * * * + + You will compel me, then, to read the will? + Then make a ring about the corpse of Cæsar, + And let me show you him that made the will. + Shall I descend? and will you give me leave? + + * * * * * + + Nay, press not so upon me; stand far off. + + * * * * * + + If you have tears, prepare to shed them now. + You all do know this mantle: I remember + The first time ever Cæsar put it on; + 'Twas on a summer's evening, in his tent, + That day he overcame the Nervii: + Look, in this place ran Cassius' dagger through: + See what a rent the envious Casca made: + Through this the well-belovèd Brutus stabbed; + And as he plucked his cursèd steel away, + Mark how the blood of Cæsar followed it, + As rushing out of doors, to be resolved + If Brutus so unkindly knocked, or no; + For Brutus, as you know, was Cæsar's angel: + Judge, O you gods, how dearly Cæsar loved him! + This was the most unkindest cut of all: + For when the noble Cæsar saw him stab, + Ingratitude, more strong than traitors' arms, + Quite vanquished him: then burst his mighty heart; + And, in his mantle muffling up his face, + Even at the base of Pompey's statua, + Which all the while ran blood, great Cæsar fell. + O, what a fall was there, my countrymen! + Then I, and you, and all of us fell down, + Whilst bloody treason flourished over us. + O, now you weep; and, I perceive, you feel + The dint of pity: these are gracious drops. + Kind souls, what, weep you when you but behold + Our Cæsar's vesture wounded? Look you here, + Here is himself, marred, as you see, with traitors. + + * * * * * + + Stay, countrymen. + + * * * * * + + Good friends, sweet friends, let me not stir you up + To such a sudden flood of mutiny. + They that have done this deed are honorable: + What private griefs they have, alas, I know not, + That made them do it: they are wise and honorable, + And will, no doubt, with reasons answer you. + I come not, friends, to steal away your hearts: + I am no orator, as Brutus is; + But, as you know me, a plain blunt man, + That love my friend; and that they know full well + That gave me public leave to speak of him: + For I have neither wit, nor words, nor worth, + Action, nor utterance, nor the power of speech, + To stir men's blood: I only speak right on: + I tell you that which you yourselves do know: + Show you sweet Cæsar's wounds, poor, poor dumb mouths, + And bid them speak for me: but were I Brutus, + And Brutus Antony, there were an Antony + Would ruffle up your spirits and put a tongue + In every wound of Cæsar that should move + The stones of Rome to rise and mutiny. + + * * * * * + + Yet hear me, countrymen; yet hear me speak. + + * * * * * + + Why, friends, you go to do you know not what: + Wherein hath Cæsar thus deserved your loves? + Alas, you know not: I must tell you, then: + You have forgot the will I told you of. + + * * * * * + + Here is the will, and under Cæsar's seal. + To every Roman citizen he gives, + To every several man, seventy five drachmas. + + * * * * * + + Hear me with patience. + + * * * * * + + Moreover, he hath left you all his walks, + His private arbors, and new-planted orchards, + On this side Tiber; he hath left them you, + And to your heirs forever, common pleasures, + To walk abroad, and recreate yourselves. + Here was a Cæsar! when comes such another? + + WILLIAM SHAKESPEARE. + _From "Julius Cæsar."_ + +[Illustration: DUKE OF WELLINGTON.] + + + + +ODE ON THE DEATH OF THE DUKE OF WELLINGTON. + +A SELECTION. + + + Lo, the leader in these glorious wars + Now to glorious burial slowly borne, + Followed by the brave of other lands, + He, on whom from both her open hands + Lavish Honor showered all her stars, + And affluent Fortune emptied all her horn. + Yea, let all good things await + Him who cares not to be great, + But as he saves or serves the state. + Not once or twice in our rough island-story, + The path of duty was the way to glory: + He that walks it, only thirsting + For the right, and learns to deaden + Love of self, before his journey closes, + He shall find the stubborn thistle bursting + Into glossy purples, which outredden + All voluptuous garden roses. + Not once or twice in our fair island-story, + The path of duty was the way to glory: + He, that ever following her commands, + On with toil of heart and knees and hands, + Thro' the long gorge to the far light has won + His path upward, and prevailed, + Shall find the toppling crags of Duty scaled + Are close upon the shining table lands + To which our God himself is moon and sun, + Such was he: his work is done, + But while the races of mankind endure, + Let his great example stand + Colossal, seen of every land, + And keep the soldier firm, the statesman pure; + Till in all lands and thro' all human story + The path of duty be the way to glory: + And let the land whose hearths he saved from shame + For many and many an age proclaim + At civic revel and pomp and game, + And when the long-illumined cities flame, + Their ever loyal iron leader's fame, + With honor, honor, honor, honor to him, + Eternal honor to his name. + + ALFRED TENNYSON. + +[Illustration: JOHN MILTON.] + + + + +LONDON, 1802. + + + Milton! thou should'st be living at this hour: + England hath need of thee: she is a fen + Of stagnant waters! altar, sword, and pen, + Fireside, the heroic wealth of hall and bower, + Have forfeited their ancient English dower + Of inward happiness. We are selfish men; + Oh! raise us up, return to us again; + And give us manners, virtue, freedom, power. + Thy soul was like a star, and dwelt apart: + Thou hadst a voice whose sound was like the sea: + Pure as the naked heavens, majestic, free, + So didst thou travel on life's common way, + In cheerful godliness; and yet thy heart + The lowliest duties on herself did lay. + + WILLIAM WORDSWORTH. + + + + +THE CAVALIER. + + + While the dawn on the mountain was misty and gray, + My truelove has mounted his steed, and away + Over hill, over valley, o'er dale, and o'er down,-- + Heaven shield the brave gallant that fights for the crown! + + He has doffed the silk doublet the breastplate to bear, + He has placed the steel cap o'er his long-flowing hair, + From his belt to his stirrup his broadsword hangs down,-- + Heaven shield the brave gallant that fights for the crown! + + For the rights of fair England that broadsword he draws; + Her King is his leader, her church is his cause; + His watchward is honor, his pay is renown,-- + God strike with the gallant that strikes for the crown! + + They may boast of their Fairfax, their Waller, and all + The roundheaded rebels of Westminster Hall; + But tell these bold traitors of London's proud town, + That the spears of the North have encircled the crown. + + There's Derby and Cavendish, dread of their foes; + There's Erin's high Ormond, and Scotland's Montrose! + Would you match the base Skippon, and Massey, and Brown + With the Barons of England, that fight for the crown? + + Now joy to the crest of the brave Cavalier! + Be his banner unconquered, resistless his spear, + Till in peace and in triumph his toils he may drown, + In a pledge to fair England, her church, and her crown. + + SIR WALTER SCOTT. + + + + +THERE'LL NEVER BE PEACE. + + + By yon castle wa', at the close of the day, + I heard a man sing, though his head it was gray; + And as he was singing the tears down came, + There'll never be peace till Jamie comes hame. + + The church is in ruins, the state is in jars; + Delusions, oppressions, and murderous wars; + We darena weel say't, though we ken wha's to blame, + There'll never be peace till Jamie comes hame! + + My seven braw sons for Jamie drew sword, + And now I greet round their green beds in the yerd. + It brak the sweet heart of my faithfu' auld dame-- + There'll never be peace till Jamie comes hame. + + Now life is a burthen that bows me down, + Since I tint my bairns, and he tint his crown; + But till my last moments my words are the same-- + There'll never be peace till Jamie comes hame! + + ROBERT BURNS. + + + + +BOOT AND SADDLE. + + + Boot, saddle, to horse, and away! + Rescue my castle before the hot day + Brightens to blue from its silvery gray, + (_Chorus_) _Boot, saddle, to horse, and away!_ + + Ride past the suburbs, asleep as you'd say; + Many's the friend there will listen and pray + "God's luck to gallants that strike up the lay-- + (_Chorus_) '_Boot, saddle, to horse, and away!_'" + + Forty miles off, like a roebuck at bay, + Flouts Castle Brancepeth the Roundheads' array: + Who laughs, "Good fellows ere this, by my fay, + (_Chorus_) '_Boot, saddle, to horse, and away!_'" + + Who? My wife Gertrude; that, honest and gay, + Laughs when you talk of surrendering, "Nay! + I've better counselors; what counsel they? + (_Chorus_) '_Boot, saddle, to horse, and away!_'" + + ROBERT BROWNING. + + + + +A JACOBITE IN EXILE. + + + The weary day rins down and dies, + The weary night wears through: + And never an hour is fair wi' flower + And never a flower wi' dew. + + I would the day were night for me, + I would the night were day: + For then would I stand in my ain fair land, + As now in dreams I may. + + O lordly flow the Loire and Seine, + And loud the dark Durance: + But bonnier shine the braes of Tyne + Than a' the fields of France; + And the waves of Till that speak sae still + Gleam goodlier where they glance. + + O weel were they that fell fighting + On dark Drumossie's day: + They keep their hame ayont the faem + And we die far away. + + O sound they sleep, and saft, and deep, + But night and day wake we; + And ever between the sea banks green + Sounds loud the sundering sea. + + And ill we sleep, sae sair we weep, + But sweet and fast sleep they; + And the mool that haps them roun' and laps them + Is e'en their country's clay; + But the land we tread that are not dead + Is strange as night by day. + + Strange as night in a strange man's sight, + Though fair as dawn it be: + For what is here that a stranger's cheer + Should yet wax blithe to see? + + The hills stand steep, the dells lie deep, + The fields are green and gold; + The hill streams sing, and the hillsides ring, + As ours at home of old. + + But hills and flowers are nane of ours, + And ours are over sea: + And the kind strange land whereon we stand, + It wotsna what were we + Or ever we came, wi' scathe and shame, + To try what end might be. + + Scathe and shame, and a waefu' name, + And a weary time and strange, + Have they that seeing a weird for dreeing + Can die, and cannot change. + + Shame and scorn may we thole that mourn, + Though sair be they to dree: + But ill may we bide the thoughts we hide, + Mair keen than wind and sea. + + Ill may we thole the night's watches, + And ill the weary day: + And the dreams that keep the gates of sleep, + A waefu' gift gie they; + For the songs they sing us, the sights they bring us, + The morn blaws all away. + + On Aikenshaw the sun blinks braw, + The burn rins blithe and fain; + There's naught wi' me I wadna gie + To look thereon again. + + On Keilder-side the wind blaws wide: + There sounds nae hunting horn + That rings sae sweet as the winds that beat + Round banks where Tyne is born. + + The Wansbeck sings with all her springs, + The bents and braes give ear; + But the wood that rings wi' the sang she sings + I may not see nor hear; + For far and far thae blithe burns are, + And strange is a' thing near. + + The light there lightens, the day there brightens, + The loud wind there lives free: + Nae light comes nigh me or wind blaws by me + That I wad hear or see. + + But O gin I were there again, + Afar ayont the faem, + Cauld and dead in the sweet saft bed + That haps my sires at hame! + + We'll see nae mair the sea banks fair, + And the sweet gray gleaming sky, + And the lordly strand of Northumberland, + And the goodly towers thereby; + And none shall know but the winds that blow + The graves wherein we lie. + + ALGERNON CHARLES SWINBURNE. + +[Illustration: ALGERNON CHARLES SWINBURNE.] + + + + +A JACOBITE'S EPITAPH. + + + To my true king I offered free from stain + Courage and faith; vain faith, and courage vain. + For him, I threw lands, honors, wealth, away, + And one dear hope, that was more prized than they. + For him I languished in a foreign clime, + Gray-haired with sorrow in my manhood's prime; + Heard on Lavernia Scargill's whispering trees, + And pined by Arno for my lovelier Tees; + Beheld each night my home in fevered sleep, + Each morning started from the dream to weep; + Till God, who saw me tried too sorely, gave + The resting place I asked--an early grave. + Oh thou, whom chance leads to this nameless stone, + From that proud country which was once mine own, + By those white cliffs I never more must see, + By that dear language which I speak like thee, + Forget all feuds, and shed one English tear + O'er English dust. A broken heart lies here. + + THOMAS BABINGTON MACAULAY. + + + + +THE THREE FISHERS. + + + Three fishers went sailing out into the west, + Out into the west as the sun went down; + Each thought on the woman who loved him the best, + And the children stood watching them out of the town; + For men must work, and women must weep, + And there's little to earn, and many to keep, + Though the harbor bar be moaning. + + Three wives sat up in the lighthouse tower, + And they trimmed the lamps as the sun went down; + They looked at the squall, and they looked at the shower, + And the night-rack came rolling up ragged and brown. + But men must work and women must weep, + Though storms be sudden and waters deep, + And the harbor bar be moaning. + + Three corpses lay out on the shining sands + In the morning gleam as the tide went down, + And the women are weeping and wringing their hands, + For those who will never come home to the town; + For men must work, and women must weep, + And the sooner 'tis over, the sooner to sleep + And good-by to the bar and its moaning. + + CHARLES KINGSLEY. + +[Illustration: CHARLES KINGSLEY.] + + + + +THE DESERTED HOUSE. + + + Life and Thought have gone away + Side by side, + Leaving door and windows wide: + Careless tenants they! + + All within is dark as night; + In the windows is no light; + And no murmur at the door, + So frequent on its hinge before. + + Close the door, the shutters close, + Or thro' the windows we shall see + The nakedness and vacancy + Of the dark, deserted house. + + Come away: no more of mirth + Is here or merry-making sound. + The house was builded of the earth, + And shall fall again to ground. + + Come away: for life and thought + Here no longer dwell; + But in a city glorious-- + A great and distant city--have bought + A mansion incorruptible. + Would they could have stayed with us! + + ALFRED TENNYSON. + +[Illustration] + + + + +THE LAST LEAF. + + + I saw him once before, + As he passed by the door, + And again + The pavement stones resound, + As he totters o'er the ground + With his cane. + + They say that in his prime, + Ere the pruning knife of Time + Cut him down, + Not a better man was found + By the crier on his round + Through the town. + + But now he walks the streets, + And he looks at all he meets + Sad and wan, + And he shakes his feeble head, + That it seems as if he said, + "They are gone." + + The mossy marbles rest + On the lips that he has prest + In their bloom, + And the names he loved to hear + Have been carved for many a year + On the tomb. + + My grandmamma has said-- + Poor old lady, she is dead + Long ago-- + That he had a Roman nose, + And his cheek was like a rose + In the snow. + + But now his nose is thin, + And it rests upon his chin + Like a staff, + And a crook is in his back, + And a melancholy crack + In his laugh. + + I know it is a sin + For me to sit and grin + At him here; + But the old three cornered hat, + And the breeches, and all that, + Are so queer! + + And if I should live to be + The last leaf upon the tree + In the spring, + Let them smile, as I do now, + At the old forsaken bough + Where I cling. + + OLIVER WENDELL HOLMES. + + + + +ON THE RECEIPT OF MY MOTHER'S PICTURE. + + + O that those lips had language! Life has passed + With me but roughly since I heard thee last. + Those lips are thine--thy own sweet smile I see, + The same that oft in childhood solaced me; + Voice only fails, else how distinct they say, + "Grieve not, my child, chase all thy fears away!" + The meek intelligence of those dear eyes + (Blest be the art that can immortalize, + The art that baffles Time's tyrannic claim + To quench it) here shines on me still the same. + Faithful remembrancer of one so dear, + O welcome guest, though unexpected here! + Who bidd'st me honor with an artless song, + Affectionate, a mother lost so long. + I will obey, not willingly alone, + But gladly, as the precept were her own; + And, while that face renews my filial grief, + Fancy shall weave a charm for my relief, + Shall steep me in Elysian reverie, + A momentary dream, that thou art she. + My mother! when I learned that thou wast dead, + Say, wast thou conscious of the tears I shed? + Hovered thy spirit o'er thy sorrowing son, + Wretch even then, life's journey just begun? + Perhaps thou gav'st me, though unfelt, a kiss; + Perhaps a tear, if souls can weep in bliss-- + Ah that maternal smile! it answers--Yes. + I heard the bell tolled on thy burial day, + I saw the hearse that bore thee slow away, + And, turning from my nursery window, drew + A long, long sigh, and wept a last adieu! + But was it such?--It was.--Where thou art gone, + Adieus and farewells are a sound unknown. + May I but meet thee on that peaceful shore, + The parting word shall pass my lips no more! + Thy maidens, grieved themselves at my concern, + Oft gave me promise of thy quick return. + What ardently I wished, I long believed, + And, disappointed still, was still deceived. + By expectation every day beguiled, + Dupe of _to-morrow_ even from a child. + Thus many a sad to-morrow came and went, + Till, all my stock of infant sorrow spent, + I learned at last submission to my lot, + But, though I less deplored thee, ne'er forgot. + Where once we dwelt our name is heard no more, + Children not thine have trod my nursery floor; + And where the gardener Robin, day by day, + Drew me to school along the public way, + Delighted with my bauble coach and wrapped + In scarlet mantle warm, and velvet cap, + 'Tis now become a history little known, + That once we called the pastoral house our own. + Short-lived possession! but the record fair, + That memory keeps of all thy kindness there, + Still outlives many a storm, that has effaced + A thousand other themes less deeply traced. + Thy nightly visits to my chamber made, + That thou might'st know me safe and warmly laid; + Thy morning bounties ere I left my home, + The biscuit; or confectionery plum; + The fragrant waters on my cheeks bestowed + By thy own hand, till fresh they shone and glowed: + All this, and more endearing still than all, + Thy constant flow of love, that knew no fall. + Ne'er roughened by those cataracts and breaks, + That humor interposed too often makes; + All this still legible in memory's page, + And still to be so to my latest age, + Adds joy to duty, makes me glad to pay + Such honors to thee as my numbers may; + Perhaps a frail memorial, but sincere, + Not scorned in Heaven, though little noticed here. + Could Time, his flight reversed, restore the hours, + When, playing with thy vesture's tissued flowers, + The violet, the pink, and jessamine, + I pricked them into paper with a pin + (And thou wast happier than myself the while, + Wouldst softly speak, and stroke my head, and smile), + Could those few pleasant days again appear, + Might one wish bring them, would I wish them here? + I would not trust my heart--the dear delight + Seems so to be desired, perhaps I might,-- + But no--what here we call our life is such, + So little to be loved, and thou so much, + That I should ill requite thee to constrain + Thy unbound spirit into bonds again. + Thou, as a gallant bark from Albion's coast + (The storms all weathered and the ocean crossed), + Shoots into port at some well-havened isle, + Where spices breathe, and brighter seasons smile, + There sits quiescent on the floods, that show + Her beauteous form reflected clear below, + While airs impregnated with incense play + Around her, fanning light her streamers gay; + So thou, with sails how swift! hast reached the shore, + "Where tempests never beat, nor billows roar," + And thy loved consort on the dangerous tide + Of life long since has anchored by thy side. + But me, scarce hoping to attain that rest, + Always from port withheld, always distressed-- + Me howling blasts drive devious, tempest-tossed, + Sails ripped, seams opening wide, and compass lost, + And day by day some current's thwarting force + Sets me more distant from a prosperous course. + Yet O the thought, that thou art safe, and he! + That thought is joy, arrive what may to me. + My boast is not, that I deduce my birth + From loins enthroned, and rulers of the earth; + But higher far my proud pretensions rise-- + The son of parents passed into the skies. + And now, farewell--Time unrevoked has run + His wonted course, yet what I wished is done. + By contemplation's help, not sought in vain, + I seemed to have lived my childhood o'er again; + To have renewed the joys that once were mine, + Without the sin of violating thine; + And, while the wings of Fancy still are free, + And I can view this mimic show of thee, + Time has but half succeeded in his theft-- + Thyself removed, thy power to soothe me left. + + WILLIAM COWPER. + + + + +IN HEAVENLY LOVE ABIDING. + + + In heavenly love abiding, + No change my heart shall fear, + And safe is such confiding, + For nothing changes here. + The storm may roar without me, + My heart may low be laid; + But God is round about me, + And can I be dismayed? + + Wherever He may guide me, + No want shall turn me back; + My Shepherd is beside me, + And nothing can I lack. + His wisdom ever waketh, + His sight is never dim, + He knows the way He taketh, + And I will walk with Him. + + Green pastures are before me, + Which yet I have not seen; + Bright skies will soon be o'er me, + Where darkest clouds have been. + My hope I cannot measure, + My path to life is free; + My Father has my treasure, + And He will walk with me. + + ANNA H. WARING. + + + + +ST. AGNES' EVE. + + + Deep on the convent roof the snows + Are sparkling to the moon: + My breath to heaven like vapor goes: + May my soul follow soon! + The shadows of the convent towers + Slant down the snowy sward, + Still creeping with the creeping hours + That lead me to my Lord: + Make Thou my spirit pure and clear + As are the frosty skies, + Or this first snowdrop of the year + That in my bosom lies. + + As these white robes are soiled and dark, + To yonder shining ground, + As this pale taper's earthly spark, + To yonder argent round; + So shows my soul before the Lamb, + My spirit before Thee, + So in mine earthly house I am, + To that I hope to be. + Break up the heavens, O Lord! and far, + Thro' all yon starlight keen, + Draw me, thy bride, a glittering star, + In raiment white and clean. + + He lifts me to the golden doors; + The flashes come and go; + All heaven bursts her starry floors, + And strews her lights below, + And deepens on and up! the gates + Roll back, and far within + For me the Heavenly Bridegroom waits, + To make me pure of sin. + The sabbaths of eternity, + One sabbath deep and wide-- + A light upon the shining sea-- + The Bridegroom with his bride! + + ALFRED TENNYSON. + +[Illustration: ELAINE.] + + + + +ELAINE. + + + But ten slow mornings past, and on the eleventh + Her father laid the letter in her hand, + And closed the hand upon it, and she died. + So that day there was dole in Astolat. + But when the next sun brake from underground, + Then, those two brethren slowly with bent brows + Accompanying, the sad chariot-bier + Past like a shadow thro' the field, that shone + Full summer, to that stream whereon the barge, + Palled all its length in blackest samite, lay. + There sat the lifelong creature of the house, + Loyal, the dumb old servitor, on deck, + Winking his eyes, and twisted all his face. + + So those two brethren from the chariot took + And on the black decks laid her in her bed, + Set in her hand a lily, o'er her hung + The silken case with braided blazonings, + And kissed her quiet brows, and saying to her + "Sister, farewell for ever," and again + "Farewell, sweet sister," parted all in tears. + Then rose the dumb old servitor, and the dead, + Steered by the dumb, went upward with the flood-- + In her right hand the lily, in her left + The letter--all her bright hair streaming down-- + And all the coverlid was cloth of gold + Drawn to her waist, and she herself in white + All but her face, and that clear-featured face + Was lovely, for she did not seem as dead, + But fast asleep, and lay as tho' she smiled. + + ALFRED TENNYSON. + _From "Launcelot and Elaine," The Idyls of the King._ + + + + +SIR GALAHAD. + + + My good blade carves the casques of men, + My tough lance thrusteth sure, + My strength is as the strength of ten, + Because my heart is pure. + The shattering trumpet shrilleth high, + The hard brands shiver on the steel, + The splintered spear shafts crack and fly, + The horse and rider reel; + They reel, they roll in clanging lists, + And when the tide of combat stands + Perfume and flowers fall in showers, + That lightly rain from ladies' hands. + + How sweet are looks that ladies bend + On whom their favors fall! + For them I battle to the end, + To save from shame and thrall; + But all my heart is drawn above, + My knees are bowed in crypt and shrine; + I never felt the kiss of love, + Nor maiden's hand in mine. + More bounteous aspects on me beam, + Me mightier transports move and thrill; + So keep I fair thro' faith and prayer + A virgin heart in work and will. + + When down the stormy crescent goes, + A light before me swims, + Between dark stems the forest glows, + I hear a noise of hymns: + Then by some secret shrine I ride; + I hear a voice, but none are there; + The stalls are void, the doors are wide, + The tapers burning fair. + Fair gleams the snowy altar cloth, + The silver vessels sparkle clean, + The shrill bell rings, the censer swings, + And solemn chants resound between. + + Sometimes on lonely mountain meres + I find a magic bark, + I leap on board: no helmsman steers; + I float till all is dark. + A gentle sound, an awful light! + Three angels bear the holy Grail: + With folded feet, in stoles of white, + On sleeping wings they sail. + Ah, blessed vision! blood of God! + My spirit beats her mortal bars, + As down dark tides the glory slides, + And starlike mingles with the stars. + + When on my goodly charger borne + Thro' dreaming towns I go, + The cock crows ere the Christmas morn, + The streets are dumb with snow. + The tempest crackles on the leads, + And, ringing, springs from brand and mail; + But o'er the dark a glory spreads, + And gilds the driving hail. + I leave the plain, I climb the height; + No branchy thicket shelter yields; + But blessed forms in whistling storms + Fly o'er waste fens and windy fields. + + A maiden knight--to me is given + Such hope, I know not fear; + I yearn to breathe the airs of heaven + That often meet me here. + I muse on joy that will not cease, + Pure spaces clothed in living beams, + Pure lilies of eternal peace, + Whose odors haunt my dreams; + And, stricken by an angel's hand, + This mortal armor that I wear, + This weight and size, this heart and eyes, + Are touched, are turned to finest air. + + The clouds are broken in the sky, + And thro' the mountain walls + A rolling organ harmony + Swells up, and shakes and falls. + Then move the trees, the copses nod, + Wings flutter, voices hover clear: + "O just and faithful Knight of God! + Ride on! the prize is near." + So pass I hostel, hall, and grange; + By bridge and ford, by park and pale, + All armed I ride, whate'er betide, + Until I find the holy Grail. + + ALFRED TENNYSON. + + + + +TRUE KNIGHTHOOD. + + + But I was first of all the kings who drew + The knighthood-errant of this realm and all + The realms together under me, their Head, + In that fair order of my Table Round, + A glorious company, the flower of men, + To serve as models for the mighty world, + And be the fair beginning of a time. + I made them lay their hands in mine and swear + To reverence the King, as if he were + Their conscience, and their conscience as their King, + To break the heathen and uphold the Christ, + To ride abroad redressing human wrongs, + To speak no slander, no, nor listen to it, + To lead sweet lives in purest chastity, + To love one maiden only, cleave to her, + And worship her by years of noble deeds, + Until they won her; for indeed I knew + Of no more subtle master under heaven + Than is the maiden passion for a maid, + Not only to keep down the base in man, + But teach high thoughts, and amiable words + And courtliness, and the desire of fame, + And love of truth, and all that makes a man. + + ALFRED TENNYSON. + _From "Guinevere," The Idylls of the King._ + + + + +GROWING OLD. + + + Grow old along with me! + The best is yet to be, + The last of life, for which the first was made; + Our times are in His hand + Who saith "A whole I planned, + Youth shows but half; trust God: see all, nor be afraid!" + + ROBERT BROWNING. + _From "Rabbi Ben Ezra."_ + + + + +APPARITIONS. + + + Such a starved bank of moss + Till, that May morn, + Blue ran the flash across: + Violets were born! + + Sky--what a scowl of cloud + Till, near and far, + Ray on ray split the shroud: + Splendid, a star! + + World--how it walled about + Life with disgrace + Till God's own smile came out: + That was thy face! + + ROBERT BROWNING. + + + + +MY LOVE. + + + Not as all other women are + Is she that to my soul is dear; + Her glorious fancies come from far, + Beneath the silver evening star, + And yet her heart is ever near. + + Great feelings hath she of her own, + Which lesser souls may never know; + God giveth them to her alone, + And sweet they are as any tone + Wherewith the wind may choose to blow. + + She is most fair, and thereunto + Her life doth rightly harmonize; + Feeling or thought that was not true + Ne'er made less beautiful the blue + Unclouded heaven of her eyes. + + She is a woman: one in whom + The springtime of her childish years + Hath never lost its fresh perfume, + Though knowing well that life hath room + For many blights and many tears. + + I love her with a love as still + As a broad river's peaceful might, + Which, by high tower and lowly mill, + Seems wandering its own wayward will, + And yet doth ever flow aright. + + And, on its full, deep breast serene, + Like quiet isles my duties lie; + It flows around them and between, + And makes them fresh and fair and green, + Sweet homes wherein to live and die. + + JAMES RUSSELL LOWELL. + + + + +NORA'S VOW. + + + Hear what Highland Nora said,-- + "The Earlie's son I will not wed, + Should all the race of nature die, + And none be left but he and I. + For all the gold, for all the gear, + And all the lands both far and near, + That ever valor lost or won, + I would not wed the Earlie's son." + + "A maiden's vows," old Callum spoke, + "Are lightly made, and lightly broke; + The heather on the mountain's height + Begins to bloom in purple light; + The frost wind soon shall sweep away + That luster deep from glen and brae; + Yet Nora, ere its bloom be gone, + May blithely wed the Earlie's son."-- + + "The swan," she said, "the lake's clear breast + May barter for the eagle's nest; + The Awe's fierce stream may backward turn, + Ben-Cruaichan fall, and crush Kilchurn; + Our kilted clans, when blood is high, + Before their foes may turn and fly; + But I, were all these marvels done, + Would never wed the Earlie's son." + + Still in the water lily's shade + Her wonted nest the wild swan made; + Ben-Cruaichan stands as fast as ever, + Still downward foams the Awe's fierce river; + To shun the clash of foeman's steel, + No Highland brogue has turned the heel: + But Nora's heart is lost and won, + --She's wedded to the Earlie's son! + + SIR WALTER SCOTT. + + + + +SONG. + + + Who is Silvia? what is she, + That all our swains commend her? + Holy, fair and wise is she; + The heaven such grace did lend her + That she might admirèd be. + + Is she kind, as she is fair? + For beauty lives with kindness. + Love doth to her eyes repair, + To help him of his blindness; + And, being helped, inhabits there. + + Then to Silvia let us sing, + That Silvia is excelling; + She excels each mortal thing + Upon the dull earth dwelling; + To her let us garlands bring. + + WILLIAM SHAKESPEARE. + _From "The Two Gentlemen of Verona."_ + +[Illustration: SILVIA.] + + + + +THE OUTLAW. + + + O Brignall banks are wild and fair, + And Greta woods are green, + And you may gather garlands there + Would grace a summer queen. + And as I rode by Dalton Hall + Beneath the turrets high, + A maiden on the castle wall + Was singing merrily,-- + "O, Brignall banks are fresh and fair, + And Greta woods are green; + I'd rather rove with Edmund there, + Than reign our English queen." + + --"If, maiden, thou wouldst wend with me, + To leave both tower and town, + Thou first must guess what life lead we, + That dwell by dale and down. + And if thou canst that riddle read, + As read full well you may, + Then to the greenwood shalt thou speed + As blithe as Queen of May." + Yet sung she, "Brignall banks are fair, + And Greta woods are green; + I'd rather rove with Edmund there, + Than reign our English queen. + + "I read you by your bugle horn + And by your palfrey good, + I read for you a ranger sworn, + To keep the king's greenwood." + --"A ranger, lady, winds his horn, + And 'tis at peep of light; + His blast is heard at merry morn, + And mine at dead of night." + Yet sung she, "Brignall banks are fair, + And Greta woods are gay; + I would I were with Edmund there, + To reign his Queen of May! + + "With burnished brand and musketoon, + So gallantly you come, + I read you for a bold dragoon + That lists the tuck of drum." + --"I list no more the tuck of drum, + No more the trumpet hear; + But when the beetle sounds his hum, + My comrades take the spear. + And O! though Brignall banks be fair + And Greta woods be gay, + Yet mickle must the maiden dare, + Would reign my Queen of May! + + "Maiden! a nameless life I lead, + A nameless death I'll die! + The fiend, whose lantern lights the mead + Were better mate than I! + And when I'm with my comrades met + Beneath the greenwood bough, + What once we were we all forget, + Nor think what we are now. + Yet Brignall banks are fresh and fair, + And Greta woods are green, + And you may gather garlands there + Would grace a summer queen." + + SIR WALTER SCOTT. + _From "Rokeby."_ + + + + +OH, WERT THOU IN THE CAULD BLAST. + + + Oh, wert thou in the cauld blast, + On yonder lea, on yonder lea, + My plaidie to the angry airt, + I'd shelter thee, I'd shelter thee: + Or did misfortune's bitter storms + Around thee blaw, around thee blaw, + Thy bield should be my bosom, + To share it a', to share it a'. + + Or were I in the wildest waste, + Sae black and bare, sae black and bare, + The desert were a paradise, + If thou wert there, if thou wert there: + Or were I monarch o' the globe, + Wi' thee to reign, wi' thee to reign, + The brightest jewel in my crown + Wad be my queen, wad be my queen. + + ROBERT BURNS. + + + + +FORBEARANCE. + + + Hast thou named all the birds without a gun? + Loved the wood rose, and left it on its stalk? + At rich men's tables eaten bread and pulse? + Unarmed, faced danger with a heart of trust? + And loved so well a high behavior, + In man or maid, that thou from speech refrained, + Nobility more nobly to repay? + O, be my friend, and teach me to be thine! + + RALPH WALDO EMERSON. + + + + +A CONSOLATION. + + + When in disgrace with fortune and men's eyes + I all alone beweep my outcast state, + And trouble deaf heaven with my bootless cries, + And look upon myself, and curse my fate; + Wishing me like to one more rich in hope, + Featured like him, like him with friends possest, + Desiring this man's art, and that man's scope, + With what I most enjoy contented least; + Yet in these thoughts myself almost despising, + Haply I think on thee--and then my state, + Like to the lark at break of day arising + From sullen earth, sings hymns at heaven's gate; + For thy sweet love remembered, such wealth brings + That then I scorn to change my state with kings. + + WILLIAM SHAKESPEARE. + +[Illustration: PERCY BYSSHE SHELLEY.] + + + + +TO A SKYLARK. + + + Hail to thee, blithe Spirit! + Bird thou never wert, + That from heaven, or near it + Pourest thy full heart + In profuse strains of unpremeditated art. + + Higher still and higher + From the earth thou springest; + Like a cloud of fire + The blue deep thou wingest, + And singing still dost soar, and soaring ever singest. + + In the golden lightning + Of the sunken sun + O'er which clouds are brightening, + Thou dost float and run, + Like an unbodied joy whose race is just begun. + + The pale purple even + Melts around thy flight; + Like a star of heaven + In the broad daylight + Thou art unseen, but yet I hear thy shrill delight: + + Keen as are the arrows + Of that silver sphere, + Whose intense lamp narrows + In the white dawn clear + Until we hardly see, we feel that it is there. + + All the earth and air + With thy voice is loud, + As, when night is bare, + From one lonely cloud + The moon rains out her beams, and heaven is overflowed. + + What thou art we know not; + What is most like thee? + From rainbow clouds there flow not + Drops so bright to see + As from thy presence showers a rain of melody. + + Like a poet hidden + In the light of thought, + Singing hymns unbidden, + Till the world is wrought + To sympathy with hopes and fears it heeded not: + + Like a high-born maiden + In a palace tower, + Soothing her love-laden + Soul in secret hour + With music sweet as love, which overflows her bower: + + Like a glowworm golden + In a dell of dew, + Scattering unbeholden + Its aërial hue + Among he flowers and grass, which screen it from the view: + + Like a rose embowered + In its own green leaves, + By warm winds deflowered, + Till the scent it gives + Makes faint with too much sweet these heavy-wingèd thieves. + + Sound of vernal showers + On the twinkling grass, + Rain-awakened flowers, + All that ever was + Joyous, and clear, and fresh, thy music doth surpass. + + Teach us, sprite or bird, + What sweet thoughts are thine: + I have never heard + Praise of love or wine + That panted forth a flood of rapture so divine. + + Chorus hymeneal + Or triumphal chaunt + Matched with thine, would be all + But an empty vaunt-- + A thing wherein we feel there is some hidden want. + + What objects are the fountains + Of thy happy strain? + What fields, or waves, or mountains? + What shapes of sky or plain? + What love of thine own kind? what ignorance of pain? + + With thy clear keen joyance + Languor cannot be: + Shadow of annoyance + Never came near thee: + Thou lovest; but ne'er knew love's sad satiety. + + Waking or asleep + Thou of death must deem + Things more true and deep + Than we mortals dream, + Or how could thy notes flow in such a crystal stream? + + We look before and after + And pine for what is not: + Our sincerest laughter + With some pain is fraught; + Our sweetest songs are those that tell of saddest thought. + + Yet if we could scorn + Hate, and pride, and fear; + If we were things born + Not to shed a tear, + I know not how thy joy we ever should come near. + + Better than all measures + Of delightful sound, + Better than all treasures + That in books are found, + Thy skill to poet were, thou scorner of the ground! + + Teach me half the gladness + That thy brain must know, + Such harmonious madness + From my lips would flow + The world should listen then, as I am listening now! + + PERCY BYSSHE SHELLEY. + + + + +WATERLOO. + + + There was a sound of revelry by night, + And Belgium's capital had gathered then + Her beauty and her chivalry, and bright + The lamps shone o'er fair women and brave men; + A thousand hearts beat happily; and when + Music arose with its voluptuous swell, + Soft eyes looked love to eyes which spake again, + And all went merry as a marriage bell; + But hush! hark! a deep sound strikes like a rising knell! + + Did ye not hear it?--No; 'twas but the wind, + Or the car rattling o'er the stony street; + On with the dance! let joy be unconfined; + No sleep till morn, when Youth and Pleasure meet + To chase the glowing hours with flying feet. + But hark!--that heavy sound breaks in once more, + As if the clouds its echo would repeat; + And nearer, clearer, deadlier than before! + Arm, arm! it is--it is--the cannon's opening roar! + + Within a windowed niche of that high hall + Sate Brunswick's fated chieftain; he did hear + That sound, the first amidst the festival, + And caught its tone with Death's prophetic ear; + And when they smiled because he deemed it near, + His heart more truly knew that peal too well + Which stretched his father on a bloody bier, + And roused the vengeance blood alone could quell: + He rushed into the field, and, foremost fighting, fell. + +[Illustration: C. STEUBEN. +NAPOLEON AT WATERLOO.] + + Ah! then and there was hurrying to and fro, + And gathering tears, and tremblings of distress, + And cheeks all pale, which but an hour ago + Blushed at the praise of their own loveliness; + And there were sudden partings, such as press + The life from out young hearts, and choking sighs + Which ne'er might be repeated: who could guess + If ever more should meet those mutual eyes, + Since upon night so sweet such awful morn could rise! + + And there was mounting in hot haste: the steed, + The mustering squadron, and the clattering car, + Went pouring forward with impetuous speed, + And swiftly forming in the ranks of war; + And the deep thunder peal on peal afar; + And near, the beat of the alarming drum + Roused up the soldier ere the morning star; + While thronged the citizens with terror dumb, + Or whispering with white lips--"The foe! They come! they come!" + + And wild and high the "Cameron's gathering" rose, + The war note of Lochiel, which Albyn's hills + Have heard, and heard, too, have her Saxon foes: + How in the noon of night that pibroch thrills + Savage and shrill! But with the breath which fills + Their mountain pipe, so fill the mountaineers + With the fierce native daring which instills + The stirring memory of a thousand years, + And Evan's, Donald's fame rings in each clansman's ears! + + And Ardennes waves above them her green leaves, + Dewy with Nature's tear drops, as they pass, + Grieving, if aught inanimate e'er grieves, + Over the unreturning brave,--alas! + Ere evening to be trodden like the grass + Which now beneath them, but above shall grow + In its next verdure, when this fiery mass + Of living valor, rolling on the foe, + And burning with high hope, shall molder cold and low. + + Last noon beheld them full of lusty life, + Last eve in beauty's circle proudly gay, + The midnight brought the signal sound of strife, + The morn the marshaling in arms,--the day + Battle's magnificently stern array! + The thunder clouds close o'er it, which when rent + The earth is covered thick with other clay, + Which her own clay shall cover, heaped and pent, + Rider and horse,--friend, foe,--in one red burial blent! + + LORD GEORGE NOEL GORDON BYRON. + _From "Childe Harold's Pilgrimage."_ + + + + +CROSSING THE BAR. + + + Sunset and evening star, + And one clear call for me! + And may there be no moaning of the bar, + When I put out to sea, + + But such a tide as moving seems asleep, + Too full for sound and foam, + When that which drew from out the boundless deep + Turns again home. + + Twilight and evening bell, + And after that the dark! + And may there be no sadness of farewell, + When I embark; + + For tho' from out our bourne of Time and Place + The flood may bear me far, + I hope to see my Pilot face to face + When I have crossed the bar. + + ALFRED TENNYSON. + + + + +RECESSIONAL. + +A VICTORIAN ODE. + + + God of our fathers, known of old-- + Lord of our far-flung battle line-- + Beneath whose awful hand we hold + Dominion over palm and pine-- + Lord God of Hosts, be with us yet, + Lest we forget--lest we forget! + + The tumult and the shouting dies-- + The Captains and the Kings depart-- + Still stands Thine ancient sacrifice, + An humble and a contrite heart. + Lord God of Hosts, be with us yet, + Lest we forget--lest we forget! + + Far-called, our navies melt away-- + On dune and headland sinks the fire-- + Lo, all our pomp of yesterday + Is one with Nineveh and Tyre! + Judge of the Nations, spare us yet + Lest we forget--lest we forget! + + If, drunk with sight of power, we loose + Wild tongues that have not Thee in awe-- + Such boasting as the Gentiles use, + Or lesser breeds without the Law-- + Lord God of Hosts, be with us yet, + Lest we forget--lest we forget! + + For heathen heart that puts her trust + In reeking tube and iron shard-- + All valiant dust that builds on dust, + And guarding calls not Thee to guard-- + For frantic boast and foolish word, + Thy Mercy on Thy People, Lord! _Amen._ + + RUDYARD KIPLING. + + + + +_RECOMMENDED POEMS._ + + +As it has been impossible to include in this collection as many poems by +American authors as we desired, we recommend the following, all of which +are published by Houghton, Mifflin & Co., with the exception of Bryant's +poems, which are published by D. Appleton & Co:-- + +ALDRICH, THOMAS BAILEY. + An Arab Welcome. + A Turkish Legend. + Baby Bell. + Friar Jerome's Beautiful Book. + In the Old Church Tower. + On Lynn Terrace. + +BRYANT, WILLIAM CULLEN. + A Forest Hymn. + Thanatopsis. + The Conqueror's Grave. + +EMERSON, RALPH WALDO. + Boston. + Days. + Good-bye. + Sea-shore. + The Apology. + The Titmouse. + +HOLMES, OLIVER WENDELL. + Bill and Joe. + Boston Common. + Contentment. + Dorothy Q. + Latter-Day Warnings. + Sun and Shadow. + The Boston Tea Party. + The Boys. + The Last Survivor. + The Living Temple. + The Old Cruiser. + To a Caged Lion. + Whittier's Seventieth Birthday. + +LONGFELLOW, HENRY WADSWORTH. + Killed at the Ford. + King Robert of Sicily. + Ser Federigo's Falcon. + The Arsenal at Springfield. + The Birds of Killingworth. + The Leap of Roushan Beg. + The North Cape. + The Skeleton in Armor. + The Three Kings. + To the River Charles. + To the River Rhone. + Warden of the Cinque Ports. + +LOWELL, JAMES RUSSELL. + Ambrose. + Commemoration Ode (Selections from). + Irene. + Mahmood, the Image-breaker. + The Beggar. + The Birch Tree. + The Courtin'. + The Dandelion. + The Singing Leaves. + The Vision of Sir Launfal. + Under the Old Elm. + Under the Willows. + Yussouf. + +SILL, EDWARD ROWLAND. + A Morning Thought. + Opportunity. + +WHITTIER, JOHN GREENLEAF. + Among the Hills. + Amy Wentworth. + Barclay of Ury. + Benedicite. + King Volmer and Elsie. + Mary Garvin. + Maud Muller. + Skipper Ireson's Ride. + Snow-Bound. + The Eternal Goodness. + The Gift of Tritemius. + The Two Rabbis. + + + * * * * * + +Transcriber's Notes: +Inconsistent punctuation corrected without comment. +Archaic spellings retained. + + + + + +End of Project Gutenberg's The Land of Song, Book III, by Katherine H. Shute + +*** END OF THE PROJECT GUTENBERG EBOOK 41016 *** |
