summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:14:55 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:14:55 -0700
commitb12a1d41cd2bcdfa19a3597353e4afd96f77e71a (patch)
treeaac51b1458d23287cd3698d1a0eab272c146f06c
initial commit of ebook 410HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--410-h.zipbin0 -> 34523 bytes
-rw-r--r--410-h/410-h.htm1972
-rw-r--r--410.txt1618
-rw-r--r--410.zipbin0 -> 33501 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/hfers10.txt2234
-rw-r--r--old/hfers10.zipbin0 -> 33322 bytes
9 files changed, 5840 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/410-h.zip b/410-h.zip
new file mode 100644
index 0000000..c18226a
--- /dev/null
+++ b/410-h.zip
Binary files differ
diff --git a/410-h/410-h.htm b/410-h/410-h.htm
new file mode 100644
index 0000000..64d7be8
--- /dev/null
+++ b/410-h/410-h.htm
@@ -0,0 +1,1972 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<HTML>
+<HEAD>
+
+<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
+
+<TITLE>
+The Project Gutenberg E-text of 'Hell fer Sartain' and Other Stories,
+by John Fox, Jr.
+</TITLE>
+
+<STYLE TYPE="text/css">
+BODY { color: Black;
+ background: White;
+ margin-right: 10%;
+ margin-left: 10%;
+ font-family: "Times New Roman", serif;
+ text-align: justify }
+
+PRE { font-family: "Times New Roman", serif; }
+
+P {text-indent: 4% }
+
+P.noindent {text-indent: 0% }
+
+P.poem {text-indent: 0%;
+ margin-left: 10%;
+ font-size: small }
+
+P.finis { text-align: center ;
+ text-indent: 0% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+</STYLE>
+
+</HEAD>
+
+<BODY>
+
+
+<pre>
+
+Project Gutenberg's 'Hell fer Sartain' and Other Stories, by John Fox, Jr.
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: 'Hell fer Sartain' and Other Stories
+
+Author: John Fox, Jr.
+
+Posting Date: July 20, 2008 [EBook #410]
+Release Date: January, 1996
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK 'HELL FER SARTAIN' ***
+
+
+
+
+Produced by Charles Keller. HTML version by Al Haines.
+
+
+
+
+
+</pre>
+
+
+<BR><BR>
+
+<H1 ALIGN="center">
+'Hell fer Sartain'
+</H1>
+
+<H2 ALIGN="center">
+and
+</H2>
+
+<H2 ALIGN="center">
+Other Stories
+</H2>
+
+<BR>
+
+<H3 ALIGN="center">
+by
+</H3>
+
+<H2 ALIGN="center">
+JOHN FOX, JR.
+</H2>
+
+<BR><BR><BR>
+
+<H3 ALIGN="center">
+TO<BR>
+MY BROTHER<BR>
+JAMES
+</H3>
+
+<BR><BR>
+
+<H3 ALIGN="center">
+AUTHOR'S NOTE
+</H3>
+
+<BR><BR><BR>
+
+<H2 ALIGN="center">
+CONTENTS
+</H2>
+
+<P CLASS="noindent">
+<A HREF="#creek">ON HELL-FER-SARTAIN CREEK</A><BR>
+<A HREF="#gap">THROUGH THE GAP</A><BR>
+<A HREF="#trick">A TRICK O' TRADE</A><BR>
+<A HREF="#baby">GRAYSON'S BABY</A><BR>
+<A HREF="#courtin">COURTIN' ON CUTSHIN</A><BR>
+<A HREF="#message">THE MESSAGE IN THE SAND</A><BR>
+<A HREF="#trade">THE SENATOR'S LAST TRADE</A><BR>
+<A HREF="#preachin">PREACHIN' ON KINGDOM-COME</A><BR>
+<A HREF="#passing">THE PASSING OF ABRAHAM SHIVERS</A><BR>
+<A HREF="#purple">A PURPLE RHODODENDRON</A><BR>
+</P>
+
+<BR><BR><BR>
+
+<A NAME="creek"></A>
+<H3 ALIGN="center">
+ON HELL-FER-SARTAIN CREEK
+</H3>
+
+<P>
+Thar was a dancin'-party Christmas night on "Hell fer Sartain." Jes
+tu'n up the fust crick beyond the bend thar, an' climb onto a stump,
+an' holler about ONCE, an' you'll see how the name come. Stranger,
+hit's HELL fer sartain! Well, Rich Harp was thar from the head-waters,
+an' Harve Hall toted Nance Osborn clean across the Cumberlan'. Fust
+one ud swing Nance, an' then t'other. Then they'd take a pull out'n
+the same bottle o' moonshine, an'&mdash;fust one an' then t'other&mdash;they'd
+swing her agin. An' Abe Shivers a-settin' thar by the fire a-bitin'
+his thumbs!
+</P>
+
+<P>
+Well, things was sorter whoopin', when somebody ups an' tells Harve
+that Rich had said somep'n' agin Nance an' him, an' somebody ups an'
+tells Rich that Harve had said somep'n' agin Nance an' HIM. In a
+minute, stranger, hit was like two wild-cats in thar. Folks got 'em
+parted, though, but thar was no more a-swingin' of Nance that night.
+Harve toted her back over the Cumberlan', an' Rich's kinsfolks tuk him
+up "Hell fer Sartain"; but Rich got loose, an' lit out lickety-split
+fer Nance Osborn's. He knowed Harve lived too fer over Black Mountain
+to go home that night, an' he rid right across the river an' up to
+Nance's house, an' hollered fer Harve. Harve poked his head out'n the
+loft&mdash;he knowed whut was wanted&mdash;an' Harve says, "Uh, come in hyeh an'
+go to bed. Hit's too late!" An' Rich seed him a-gapin' like a chicken,
+an' in he walked, stumblin' might' nigh agin the bed whar Nance was
+a-layin', listenin' an' not sayin' a word.
+</P>
+
+<P>
+Stranger, them two fellers slept together plum frien'ly, an' they et
+together plum frien'ly next mornin', an' they sa'ntered down to the
+grocery plum frien'ly. An' Rich says, "Harve," says he, "let's have a
+drink." "All right, Rich," says Harve. An' Rich says, "Harve," says
+he, "you go out'n that door an' I'll go out'n this door." "All right,
+Rich," says Harve, an' out they walked, steady, an' thar was two shoots
+shot, an' Rich an' Harve both drapped, an' in ten minutes they was
+stretched out on Nance's bed an' Nance was a-lopin' away fer the yarb
+doctor.
+</P>
+
+<P>
+The gal nussed 'em both plum faithful. Rich didn't hev much to say,
+an' Harve didn't hev much to say. Nance was sorter quiet, an' Nance's
+mammy, ole Nance, jes grinned. Folks come in to ax atter 'em right
+peart. Abe Shivers come cl'ar 'cross the river&mdash;powerful frien'ly&mdash;an'
+ever' time Nance ud walk out to the fence with him. One time she
+didn't come back, an' ole Nance fotched the boys thar dinner, an' ole
+Nance fotched thar supper, an' then Rich he axed whut was the matter
+with young Nance. An' ole Nance jes snorted. Atter a while Rich says:
+"Harve," says he, "who tol' you that I said that word agin you an'
+Nance?" "Abe Shivers," says Harve. "An' who tol' you," says Harve,
+"that I said that word agin Nance an' YOU?" "Abe Shivers," says Rich.
+An' both says, "Well, damn me!" An' Rich tu'ned right over an' begun
+pullin' straws out'n the bed. He got two out, an' he bit one off, an'
+he says: "Harve," says he, "I reckon we better draw fer him. The
+shortes' gits him." An' they drawed. Well, nobody ever knowed which
+got the shortes' straw, stranger, but&mdash;
+</P>
+
+<P>
+Thar'll be a dancin'-party comin' Christmas night on "Hell fer
+Sartain." Rich Harp 'll be thar from the head-waters. Harve Hall's
+a-goin' to tote the Widder Shivers clean across the Cumberlan'. Fust
+one 'll swing Nance, an' then t'other. Then they'll take a pull out'n
+the same bottle o' moonshine, an'&mdash;fust one an' then t'other&mdash;they'll
+swing her agin, jes the same. ABE won't be thar. He's a-settin' by a
+bigger fire, I reckon (ef he ain't in it), a-bitin' his thumbs!
+</P>
+
+<BR><BR><BR>
+
+<A NAME="gap"></A>
+<H3 ALIGN="center">
+THROUGH THE GAP
+</H3>
+
+<P>
+When thistles go adrift, the sun sets down the valley between the
+hills; when snow comes, it goes down behind the Cumberland and streams
+through a great fissure that people call the Gap. Then the last light
+drenches the parson's cottage under Imboden Hill, and leaves an
+after-glow of glory on a majestic heap that lies against the east.
+Sometimes it spans the Gap with a rainbow.
+</P>
+
+<P>
+Strange people and strange tales come through this Gap from the
+Kentucky hills. Through it came these two, late one day&mdash;a man and a
+woman&mdash;afoot. I met them at the foot-bridge over Roaring Fork.
+</P>
+
+<P>
+"Is thar a preacher anywhar aroun' hyeh?" he asked. I pointed to the
+cottage under Imboden Hill. The girl flushed slightly and turned her
+head away with a rather unhappy smile. Without a word, the mountaineer
+led the way towards town. A moment more and a half-breed Malungian
+passed me on the bridge and followed them.
+</P>
+
+<P>
+At dusk the next day I saw the mountaineer chopping wood at a shanty
+under a clump of rhododendron on the river-bank. The girl was cooking
+supper inside. The day following he was at work on the railroad, and
+on Sunday, after church, I saw the parson. The two had not been to
+him. Only that afternoon the mountaineer was on the bridge with
+another woman, hideously rouged and with scarlet ribbons fluttering
+from her bonnet. Passing on by the shanty, I saw the Malungian talking
+to the girl. She apparently paid no heed to him until, just as he was
+moving away, he said something mockingly, and with a nod of his head
+back towards the bridge. She did not look up even then, but her face
+got hard and white, and, looking back from the road, I saw her slipping
+through the bushes into the dry bed of the creek, to make sure that
+what the half-breed told her was true.
+</P>
+
+<P>
+The two men were working side by side on the railroad when I saw them
+again, but on the first pay-day the doctor was called to attend the
+Malungian, whose head was split open with a shovel. I was one of two
+who went out to arrest his assailant, and I had no need to ask who he
+was. The mountaineer was a devil, the foreman said, and I had to club
+him with a pistol-butt before he would give in. He said he would get
+even with me; but they all say that, and I paid no attention to the
+threat. For a week he was kept in the calaboose, and when I passed the
+shanty just after he was sent to the county-seat for trial, I found it
+empty. The Malungian, too, was gone. Within a fortnight the
+mountaineer was in the door of the shanty again. Having no accuser, he
+had been discharged. He went back to his work, and if he opened his
+lips I never knew. Every day I saw him at work, and he never failed to
+give me a surly look. Every dusk I saw him in his door-way, waiting,
+and I could guess for what. It was easy to believe that the stern
+purpose in his face would make its way through space and draw her to
+him again. And she did come back one day. I had just limped down the
+mountain with a sprained ankle. A crowd of women was gathered at the
+edge of the woods, looking with all their eyes to the shanty on the
+river-bank. The girl stood in the door-way. The mountaineer was
+coming back from work with his face down.
+</P>
+
+<P>
+"He hain't seed her yit," said one. "He's goin' to kill her shore. I
+tol' her he would. She said she reckoned he would, but she didn't
+keer."
+</P>
+
+<P>
+For a moment I was paralyzed by the tragedy at hand. She was in the
+door looking at him when he raised his head. For one moment he stood
+still, staring, and then he started towards her with a quickened step.
+I started too, then, every step a torture, and as I limped ahead she
+made a gesture of terror and backed into the room before him. The door
+closed, and I listened for a pistol-shot and a scream. It must have
+been done with a knife, I thought, and quietly, for when I was within
+ten paces of the cabin he opened the door again. His face was very
+white; he held one hand behind him, and he was nervously fumbling at
+his chill with the other. As he stepped towards me I caught the handle
+of a pistol in my side pocket and waited. He looked at me sharply.
+</P>
+
+<P>
+"Did you say the preacher lived up thar?" he asked.
+</P>
+
+<P>
+"Yes," I said, breathlessly.
+</P>
+
+<P>
+In the door-way just then stood the girl with a bonnet in her hand, and
+at a nod from him they started up the hill towards the cottage. They
+came down again after a while, he stalking ahead, and she, after the
+mountain fashion, behind. And after this fashion I saw them at sunset
+next day pass over the bridge and into the mouth of the Gap whence they
+came. Through this Gap come strange people and strange tales from the
+Kentucky hills. Over it, sometimes, is the span of a rainbow.
+</P>
+
+<BR><BR><BR>
+
+<A NAME="trick"></A>
+<H3 ALIGN="center">
+A TRICK O' TRADE
+</H3>
+
+<P>
+Stranger, I'm a separATE man, an' I don't inQUIZite into no man's
+business; but you ax me straight, an' I tell ye straight: You watch
+ole Tom!
+</P>
+
+<P>
+Now, I'll take ole Tom Perkins' word agin anybody's 'ceptin' when hit
+comes to a hoss trade ur a piece o' land. Fer in the tricks o' sech,
+ole Tom 'lows&mdash;well, hit's diff'ent; an' I reckon, stranger, as how hit
+sorter is. He was a-stayin' at Tom's house, the furriner was,
+a-dickerin' fer a piece o' lan'&mdash;the same piece, mebbe, that you're
+atter now&mdash;an' Tom keeps him thar fer a week to beat him out'n a
+dollar, an' then won't let him pay nary a cent fer his boa'd. Now,
+stranger, that's Tom.
+</P>
+
+<P>
+Well, Abe Shivers was a-workin' fer Tom&mdash;you've heerd tell o' Abe&mdash;an'
+the furriner wasn't more'n half gone afore Tom seed that Abe was up to
+some of his devilMINT. Abe kin hatch up more devilMINT in a minit than
+Satan hisself kin in a week; so Tom jes got Abe out'n the stable under
+a hoe-handle, an' tol' him to tell the whole thing straight ur he'd
+have to go to glory right thar. An' Abe tol'!
+</P>
+
+<P>
+'Pears like Abe had foun' a streak o' iron ore on the lan', an' had
+racked his jinny right down to Hazlan an' tol' the furriner, who was
+thar a-buyin' wild lands right an' left. Co'se, Abe was goin' to make
+the furriner whack up fer gittin' the lan' so cheap. Well, brother,
+the furriner come up to Tom's an' got Tom into one o' them new-fangled
+trades whut the furriners calls a option&mdash;t'other feller kin git out'n
+hit, but you can't. The furriner 'lowed he'd send his podner up thar
+next day to put the thing in writin' an' close up the trade. Hit
+looked like ole Tom was ketched fer shore, an' ef Tom didn't ra'r, I'd
+tell a man. He jes let that hoe-handle drap on Abe fer 'bout haffen
+hour, jes to give him time to study, an' next day thar was ole Tom
+a-settin' on his orchard fence a-lookin' mighty unknowin', when the
+furriner's podner come a-prancin' up an' axed ef old Tom Perkins lived
+thar.
+</P>
+
+<P>
+Ole Tom jes whispers.
+</P>
+
+<P>
+Now, I clean fergot to tell ye, stranger, that Abe Shivers nuver could
+talk out loud. He tol' so many lies that the Lawd&mdash;jes to make things
+even&mdash;sorter fixed Abe, I reckon, so he couldn't lie on more'n one side
+o' the river at a time. Ole Tom jes knowed t'other furriner had tol'
+this un 'bout Abe, an,' shore 'nough, the feller says, sorter soft,
+says he:
+</P>
+
+<P>
+"Aw, you air the feller whut foun' the ore?"
+</P>
+
+<P>
+Ole Tom&mdash;makin' like he was Abe, mind ye&mdash;jes whispers: "Thar hain't
+none thar."
+</P>
+
+<P>
+Stranger, the feller mos' fell off'n his hoss. "Whut?" says he. Ole
+Tom kep' a-whisperin': "Thar hain't no coal&mdash;no nothing; ole Tom
+Perkins made me tell t'other furriner them lies."
+</P>
+
+<P>
+Well, sir, the feller WAS mad. "Jes whut I tol' that fool podner of
+mine," he says, an' he pull out a dollar an' gives hit to Tom. Tom jes
+sticks out his han' with his thum' turned in jes so, an' the furriner
+says, "Well, ef you can't talk, you kin make purty damn good signs";
+but he forks over four mo' dollars (he 'lowed ole Tom had saved him a
+pile o' money), an' turns his hoss an' pulls up agin. He was a-gittin'
+the land so durned cheap that I reckon he jes hated to let hit go, an'
+he says, says he: "Well, hain't the groun' rich? Won't hit raise no
+tabaccy nur corn nur nothin'?"
+</P>
+
+<P>
+Ole Tom jes whispers:
+</P>
+
+<P>
+"To tell you the p'int-blank truth, stranger, that land's so durned
+pore that I hain't nuver been able to raise my voice."
+</P>
+
+<P>
+Now, brother, I'm a separATE man, an' I don't inQUIZite into no man's
+business&mdash;but you ax me straight an' I tell ye straight. Ole Tom
+Perkins kin trade with furriners, fer he have l'arned their ways. You
+watch ole Tom!
+</P>
+
+<BR><BR><BR>
+
+<A NAME="baby"></A>
+<H3 ALIGN="center">
+GRAYSON'S BABY
+</H3>
+
+<P>
+The first snow sifted in through the Gap that night, and in a "shack"
+of one room and a low loft a man was dead, a woman was sick to death,
+and four children were barely alive; and nobody even knew. For they
+were hill people, who sicken, suffer, and sometimes die, like animals,
+and make no noise.
+</P>
+
+<P>
+Grayson, the Virginian, coming down from the woods that morning, saw
+the big-hearted little doctor outside the door of the shack, walking up
+and down, with his hands in his pockets. He was whistling softly when
+Grayson got near, and, without stopping, pointed with his thumb within.
+The oldest boy sat stolidly on the one chair in the room, his little
+brother was on the floor hard by, and both were hugging a greasy stove.
+The little girl was with her mother in the bed, both almost out of
+sight under a heap of quilts. The baby was in a cradle, with its face
+uncovered, whether dead or asleep Grayson could not tell. A pine
+coffin was behind the door. It would not have been possible to add to
+the disorder of the room, and the atmosphere made Grayson gasp. He
+came out looking white. The first man to arrive thereafter took away
+the eldest boy, a woman picked the baby girl from the bed, and a
+childless young couple took up the pallid little fellow on the floor.
+These were step-children. The baby boy that was left was the woman's
+own. Nobody came for that, and Grayson went in again and looked at it
+a long while. So little, so old a human face he had never seen. The
+brow was wrinkled as with centuries of pain, and the little drawn mouth
+looked as though the spirit within had fought its inheritance without a
+murmur, and would fight on that way to the end. It was the pluck of
+the face that drew Grayson. "I'll take it," he said. The doctor was
+not without his sense of humor even then, but he nodded. "Cradle and
+all," he said, gravely. And Grayson put both on one shoulder and
+walked away. He had lost the power of giving further surprise in that
+town, and had he met every man he knew, not one of them would have felt
+at liberty to ask him what he was doing. An hour later the doctor
+found the child in Grayson's room, and Grayson still looking at it.
+</P>
+
+<P>
+"Is it going to live, doctor?"
+</P>
+
+<P>
+The doctor shook his head. "Doubtful. Look at the color. It's
+starved. There's nothing to do but to watch it and feed it. You can
+do that."
+</P>
+
+<P>
+So Grayson watched it, with a fascination of which he was hardly
+conscious. Never for one instant did its look change&mdash;the quiet,
+unyielding endurance that no faith and no philosophy could ever bring
+to him. It was ideal courage, that look, to accept the inevitable but
+to fight it just that way. Half the little mountain town was talking
+next day&mdash;that such a tragedy was possible by the public road-side,
+with relief within sound of the baby's cry. The oldest boy was least
+starved. Might made right in an extremity like his, and the boy had
+taken care of himself. The young couple who had the second lad in
+charge said they had been wakened at daylight the next morning by some
+noise in the room. Looking up, they saw the little fellow at the
+fireplace breaking an egg. He had built a fire, had got eggs from the
+kitchen, and was cooking his breakfast. The little girl was
+mischievous and cheery in spite of her bad plight, and nobody knew of
+the baby except Grayson and the doctor. Grayson would let nobody else
+in. As soon as it was well enough to be peevish and to cry, he took it
+back to its mother, who was still abed. A long, dark mountaineer was
+there, of whom the woman seemed half afraid. He followed Grayson
+outside.
+</P>
+
+<P>
+"Say, podner," he said, with an unpleasant smile, "ye don't go up to
+Cracker's Neck fer nothin', do ye?"
+</P>
+
+<P>
+The woman had lived at Cracker's Neck before she appeared at the Gap,
+and it did not come to Grayson what the man meant until he was half-way
+to his room. Then he flushed hot and wheeled back to the cabin, but
+the mountaineer was gone.
+</P>
+
+<P>
+"Tell that fellow he had better keep out of my way," he said to the
+woman, who understood, and wanted to say something, but not knowing
+how, nodded simply. In a few days the other children went back to the
+cabin, and day and night Grayson went to see the child, until it was
+out of danger, and afterwards. It was not long before the women in
+town complained that the mother was ungrateful. When they sent things
+to eat to her the servant brought back word that she had called out,
+"'Set them over thar,' without so much as a thanky." One message was
+that "she didn' want no second-hand victuals from nobody's table."
+Somebody suggested sending the family to the poor-house. The mother
+said "she'd go out on her crutches and hoe corn fust, and that the
+people who talked 'bout sendin' her to the po'-house had better save
+their breath to make prayers with." One day she was hired to do some
+washing. The mistress of the house happened not to rise until ten
+o'clock. Next morning the mountain woman did not appear until that
+hour. "She wasn't goin' to work a lick while that woman was a-layin'
+in bed," she said, frankly. And when the lady went down town, she too
+disappeared. Nor would she, she explained to Grayson, "while that
+woman was a-struttin' the streets."
+</P>
+
+<P>
+After that, one by one, they let her alone, and the woman made not a
+word of complaint. Within a week she was working in the fields, when
+she should have been back in bed. The result was that the child
+sickened again. The old look came back to its face, and Grayson was
+there night and day. He was having trouble out in Kentucky about this
+time, and he went to the Blue Grass pretty often. Always, however, he
+left money with me to see that the child was properly buried if it
+should die while he was gone; and once he telegraphed to ask how it
+was. He said he was sometimes afraid to open my letters for fear that
+he should read that the baby was dead. The child knew Grayson's voice,
+his step. It would go to him from its own mother. When it was sickest
+and lying torpid it would move the instant he stepped into the room,
+and, when he spoke, would hold out its thin arms, without opening its
+eyes, and for hours Grayson would walk the floor with the troubled
+little baby over his shoulder. I thought several times it would die
+when, on one trip, Grayson was away for two weeks. One midnight,
+indeed, I found the mother moaning, and three female harpies about the
+cradle. The baby was dying this time, and I ran back for a flask of
+whiskey. Ten minutes late with the whiskey that night would have been
+too late. The baby got to know me and my voice during that fortnight,
+but it was still in danger when Grayson got back, and we went to see it
+together. It was very weak, and we both leaned over the cradle, from
+either side, and I saw the pity and affection&mdash;yes, hungry, half-shamed
+affection&mdash;in Grayson's face. The child opened its eyes, looked from
+one to the other, and held out its arms to ME. Grayson should have
+known that the child forgot&mdash;that it would forget its own mother. He
+turned sharply, and his face was a little pale. He gave something to
+the woman, and not till then did I notice that her soft black eyes
+never left him while he was in the cabin. The child got well; but
+Grayson never went to the shack again, and he said nothing when I came
+in one night and told him that some mountaineer&mdash;a long, dark
+fellow-had taken the woman, the children, and the household gods of the
+shack back into the mountains.
+</P>
+
+<P>
+"They don't grieve long," I said, "these people."
+</P>
+
+<P>
+But long afterwards I saw the woman again along the dusty road that
+leads into the Gap. She had heard over in the mountains that Grayson
+was dead, and had walked for two days to learn if it was true. I
+pointed back towards Bee Rock, and told her that he had fallen from a
+cliff back there. She did not move, nor did her look change.
+Moreover, she said nothing, and, being in a hurry, I had to ride on.
+</P>
+
+<P>
+At the foot-bridge over Roaring Fork I looked back. The woman was
+still there, under the hot mid-day sun and in the dust of the road,
+motionless.
+</P>
+
+<BR><BR><BR>
+
+<A NAME="courtin"></A>
+<H3 ALIGN="center">
+COURTIN' ON CUTSHIN
+</H3>
+
+<P>
+Hit was this way, stranger. When hit comes to handlin' a right peert
+gal, Jeb Somers air about the porest man on Fryin' Pan, I reckon; an'
+Polly Ann Sturgill have got the vineg'rest tongue on Cutshin or any
+other crick.
+</P>
+
+<P>
+So the boys over on Fryin' Pan made it up to git 'em together. Abe
+Shivers&mdash;you've heerd tell o' Abe&mdash;tol' Jeb that Polly Ann had seed him
+in Hazlan (which she hadn't, of co'se), an' had said p'int-blank that
+he was the likeliest feller she'd seed in them mountains. An' he tol'
+Polly Ann that Jeb was ravin' crazy 'bout her. The pure misery of it
+jes made him plumb delirious, Abe said; an' 'f Polly Ann wanted to find
+her match fer languige an' talkin' out peert&mdash;well, she jes ought to
+strike Jeb Somers. Fact is, stranger, Jeb Somers air might' nigh a
+idgit; but Jeb 'lowed he'd rack right over on Cutshin an' set up with
+Polly Ann Sturgill; an' Abe tells Polly Ann the king bee air comin'.
+An' Polly Ann's cousin, Nance Osborn, comes over from Hell fer Sartain
+(whut runs into Kingdom-Come) to stay all night an' see the fun.
+</P>
+
+<P>
+Now, I hain't been a-raftin' logs down to the settlemints o' Kaintuck
+fer nigh on to twenty year fer nothin', An' I know gallivantin' is
+diff'ent with us mountain fellers an' you furriners, in the premises,
+anyways, as them lawyers up to court says; though I reckon hit's purty
+much the same atter the premises is over. Whar you says "courtin',"
+now, we says "talkin' to." Sallie Spurlock over on Fryin' Pan is
+a-talkin' to Jim Howard now. Sallie's sister hain't nuver talked to no
+man. An' whar you says "makin' a call on a young lady," we says
+"settin' up with a gal"! An', stranger, we does it. We hain't got
+more'n one room hardly ever in these mountains, an' we're jes obleeged
+to set up to do any courtin' at all.
+</P>
+
+<P>
+Well, you go over to Sallie's to stay all night some time, an' purty
+soon atter supper Jim Howard comes in. The ole man an' the ole woman
+goes to bed, an' the chil'un an' you go to bed, an' ef you keeps one
+eye open you'll see Jim's cheer an' Sallie's cheer a-movin' purty soon,
+till they gets plumb together. Then, stranger, hit begins. Now I want
+ye to understand that settin' up means business. We don't 'low no
+foolishness in these mountains; an' 'f two fellers happens to meet at
+the same house, they jes makes the gal say which one she likes best,
+an' t'other one gits! Well, you'll see Jim put his arm 'round Sallie's
+neck an' whisper a long while&mdash;jes so. Mebbe you've noticed whut
+fellers us mountain folks air fer whisperin'. You've seed fellers
+a-whisperin' all over Hazlan on court day, hain't ye? Ole Tom Perkins
+'ll put his arm aroun' yo' neck an' whisper in yo' year ef he's ten
+mile out'n the woods. I reckon thar's jes so much devilmint a-goin' on
+in these mountains, folks is naturely afeerd to talk out loud.
+</P>
+
+<P>
+Well, Jim let's go an' Sallie puts her arm aroun' Jim's neck an'
+whispers a long while&mdash;jes so; an' 'f you happen to wake up anywhar to
+two o'clock in the mornin' you'll see jes that a-goin' on. Brother,
+that's settin' up.
+</P>
+
+<P>
+Well, Jeb Somers, as I was a-sayin' in the premises, 'lowed he'd rack
+right over on Cutshin an' set up with Polly Ann comin' Christmas night.
+An' Abe tells Polly Ann Jeb says he aims to have her fer a Christmas
+gift afore mornin'. Polly Ann jes sniffed sorter, but you know women
+folks air always mighty ambitious jes to SEE a feller anyways, 'f he's
+a-pinin' fer 'em. So Jeb come, an' Jeb was fixed up now fittin' to
+kill. Jeb had his hair oiled down nice an' slick, and his mustache was
+jes black as powder could make hit. Naturely hit was red; but a feller
+can't do nothin' in these mountains with a red mustache; an' Jeb had a
+big black ribbon tied in the butt o' the bigges' pistol Abe Shivers
+could borrer fer him&mdash;hit was a badge o' death an' deestruction to his
+enemies, Abe said, an' I tell ye Jeb did look like a man. He never
+opened his mouth atter he says "howdy"&mdash;Jeb never does say nothin';
+Jeb's one o' them fellers whut hides thar lack o' brains by a-lookin'
+solemn an' a-keepin' still, but thar don't nobody say much tell the ole
+folks air gone to bed, an' Polly Ann jes 'lowed Jeb was a-waitin'.
+Fact is, stranger, Abe Shivers had got Jeb a leetle disguised by
+liquer, an' he did look fat an' sassy, ef he couldn't talk, a-settin'
+over in the corner a-plunkin' the banjer an' a-knockin' off "Sour-wood
+Mountain" an' "Jinny git aroun'" an' "Soapsuds over the Fence."
+</P>
+
+<P CLASS="poem">
+"Chickens a-crowin' on Sour-wood Mountain,<BR>
+&nbsp;&nbsp;&nbsp;&nbsp;Heh-o-dee-um-dee-eedy-dahdy-dee!<BR>
+Git yo' dawgs an' we'll go huntin',<BR>
+&nbsp;&nbsp;&nbsp;&nbsp;Heh-o-dee-um-dee-eedy-dahdy-dee!"
+</P>
+
+<P CLASS="noindent">
+An' when Jeb comes to
+</P>
+
+<P CLASS="poem">
+"I've got a gal at the head o' the holler,<BR>
+&nbsp;&nbsp;&nbsp;&nbsp;Heh-o-dee-um-dee-eedy-dahdy-dee!"
+</P>
+
+<P CLASS="noindent">
+he jes turns one eye 'round on Polly Ann, an' then swings his chin
+aroun' as though he didn't give a cuss fer nothin'.
+</P>
+
+<P CLASS="poem">
+"She won't come, an' I won't foller,<BR>
+&nbsp;&nbsp;&nbsp;&nbsp;Heh-o-dee-um-dee-eedy-dahdy-dee!"
+</P>
+
+<BR>
+
+<P>
+Well, sir, Nance seed that Polly Ann was a-eyin' Jeb sort o' flustered
+like, an' she come might' nigh splittin' right thar an' a-sp'ilin' the
+fun, fer she knowed what a skeery fool Jeb was. An' when the ole folks
+goes to bed, Nance lays thar under a quilt a-watchin' an' a-listenin'.
+Well, Jeb knowed the premises, ef he couldn't talk, an' purty soon
+Nance heerd Jeb's cheer creak a leetle, an' she says, Jeb's a-comin',
+and Jeb was; an' Polly Ann 'lowed Jeb was jes a leetle TOO resolute an'
+quick-like, an' she got her hand ready to give him one lick anyways fer
+bein' so brigaty. I don't know as she'd 'a' hit him more'n ONCE. Jeb
+had a farm, an' Polly Ann&mdash;well, Polly Ann was a-gittin' along. But
+Polly Ann sot thar jes as though she didn't know Jeb was a-comin', an'
+Jeb stopped once an' says,
+</P>
+
+<P>
+"You hain't got nothin' agin me, has ye?"
+</P>
+
+<P>
+An' Polly Ann says, sorter quick,
+</P>
+
+<P>
+"Naw; ef I had, I'd push it."
+</P>
+
+<P>
+Well, Jeb mos' fell off his cheer, when, ef he hadn't been sech a
+skeery idgit, he'd 'a' knowed that Polly Ann was plain open an' shet
+a-biddin' fer him. But he sot thar like a knot on a log fer haffen
+hour, an' then he rickollected, I reckon, that Abe had tol' him Polly
+Ann was peppery an' he mustn't mind, fer Jeb begun a-movin' ag'in till
+he was slam-bang agin Polly Ann's cheer. An' thar he sot like a
+punkin, not sayin' a word nur doin' nothin'. An' while Polly Ann was
+a-wonderin' ef he was gone plumb crazy, blame me ef that durned fool
+didn't turn roun' to that peppery gal an' say,
+</P>
+
+<P>
+"Booh, Polly Ann!"
+</P>
+
+<P>
+Well, Nance had to stuff the bedquilt in her mouth right thar to keep
+from hollerin' out loud, fer Polly Ann's hand was a-hangin' down by the
+cheer, jes a-waitin' fer a job, and Nance seed the fingers a-twitchin'.
+An' Jeb waits another haffen hour an' Jeb says,
+</P>
+
+<P>
+"Ortern't I be killed?"
+</P>
+
+<P>
+"Whut fer?" says Polly Ann, sorter sharp.
+</P>
+
+<P>
+An' Jeb says, "Fer bein' so devilish."
+</P>
+
+<P>
+Well, brother, Nance snorted right out thar, an' Polly Ann Sturgill's
+hand riz up jes once; an' I've heerd Jeb Somers say the next time he
+jumps out o' the Fryin' Pan he's a-goin' to take hell-fire 'stid o'
+Cutshin fer a place to light.
+</P>
+
+<BR><BR><BR>
+
+<A NAME="message"></A>
+<H3 ALIGN="center">
+THE MESSAGE IN THE SAND
+</H3>
+
+<P>
+Stranger, you furriners don't nuver seem to consider that a woman has
+always got the devil to fight in two people at once! Hit's two agin
+one, I tell ye, an' hit hain't fa'r.
+</P>
+
+<P>
+That's what I said more'n two year ago, when Rosie Branham was a-layin'
+up thar at Dave Hall's, white an' mos' dead. An', GOD, boys, I says,
+that leetle thing in thar by her shorely can't be to blame.
+</P>
+
+<P>
+Thar hain't been a word agin Rosie sence; an', stranger, I reckon thar
+nuver will be. Fer, while the gal hain't got hide o' kith or kin, thar
+air two fellers up hyeh sorter lookin' atter Rosie; an' one of 'em is
+the shootin'es' man on this crick, I reckon, 'cept one; an', stranger,
+that's t'other.
+</P>
+
+<P>
+Rosie kep' her mouth shet fer a long while; an' I reckon as how the
+feller 'lowed she wasn't goin' to tell. Co'se the woman folks got hit
+out'n her&mdash;they al'ays gits whut they want, as you know&mdash;an' thar the
+sorry cuss was&mdash;a-livin' up thar in the Bend, jes aroun' that bluff o'
+lorrel yander, a-lookin' pious, an' a-singin', an' a-sayin' Amen louder
+'n anybody when thar was meetin'.
+</P>
+
+<P>
+Well, my boy Jim an' a lot o' fellers jes went up fer him right away.
+I don't know as the boys would 'a' killed him EXACTLY ef they had
+kotched him, though they mought; but they got Abe Shivers, as tol' the
+feller they was a-comin'&mdash;you've heard tell o' Abe-an' they mos' beat
+Abraham Shivers to death. Stranger, the sorry cuss was Dave. Rosie
+hadn't no daddy an' no mammy; an' she was jes a-workin' at Dave's fer
+her victuals an' clo'es. 'Pears like the pore gal was jes tricked into
+evil. Looked like she was sorter 'witched&mdash;an' anyways, stranger, she
+was a fightin' Satan in HERSELF, as well as in Dave. Hit was two agin
+one, I tell ye, an' hit wasn't fa'r.
+</P>
+
+<P>
+Co'se they turned Rosie right out in the road I hain't got a word to
+say agin Dave's wife fer that; an' atter a while the boys lets Dave
+come back, to take keer o' his ole mammy, of co'se, but I tell ye
+Dave's a-playin' a purty lonesome tune. He keeps purty shy YIT. He
+don't nuver sa'nter down this way. 'Pears like he don't seem to think
+hit's healthy fer him down hyeh, an' I reckon Dave's right.
+</P>
+
+<P>
+Rosie? Oh, well, I sorter tuk Rosie in myself. Yes, she's been livin'
+thar in the shack with me an' my boy Jim, an' the&mdash; Why, thar he is
+now, stranger. That's him a-wallerin' out thar in the road. Do you
+reckon thar'd be a single thing agin that leetle cuss ef he had to
+stan' up on Jedgment Day jes as he is now?
+</P>
+
+<P>
+Look hyeh, stranger, whut you reckon the Lawd kep' a-writin' thar on
+the groun' that day when them fellers was a-pesterin' him 'bout that
+pore woman? Don't you jes know he was a writin' 'bout sech as HIM&mdash;an'
+Rosie? I tell ye, brother, he writ thar jes what I'm al'ays a-sayin'.
+</P>
+
+<P>
+Hit hain't the woman's fault. I said it more'n two year ago, when
+Rosie was up thar at ole Dave's, an' I said it yestiddy, when my boy
+Jim come to me an' 'lowed as how he aimed to take Rosie down to town
+to-day an' git married.
+</P>
+
+<P>
+"You ricollect, dad," says Jim, "her mammy?"
+</P>
+
+<P>
+"Yes, Jim," I says; "all the better reason not to be too hard on Rosie."
+</P>
+
+<P>
+I'm a-lookin' fer 'em both back right now, stranger; an' ef you will,
+I'll be mighty glad to have ye stay right hyeh to the infair this very
+night. Thar nuver was a word agin Rosie afore, thar hain't been sence,
+an' you kin ride up an' down this river till the crack o' doom an'
+you'll nuver hear a word agin her ag'in. Fer, as I tol' you, my boy,
+Jim is the shootin'es' feller on this crick, I reckon, 'cept ONE, an',
+stranger, that's ME!
+</P>
+
+<BR><BR><BR>
+
+<A NAME="trade"></A>
+<H3 ALIGN="center">
+THE SENATOR'S LAST TRADE
+</H3>
+
+<P>
+A drove of lean cattle were swinging easily over Black Mountain, and
+behind them came a big man with wild black hair and a bushy beard. Now
+and then he would gnaw at his mustache with his long, yellow teeth, or
+would sit down to let his lean horse rest, and would flip meaninglessly
+at the bushes with a switch. Sometimes his bushy head would droop over
+on his breast, and he would snap it up sharply and start painfully on.
+Robber, cattle-thief, outlaw he might have been in another century; for
+he filled the figure of any robber hero in life or romance, and yet he
+was only the Senator from Bell, as he was known in the little Kentucky
+capital; or, as he was known in his mountain home, just the Senator,
+who had toiled and schemed and grown rich and grown poor; who had
+suffered long and was kind.
+</P>
+
+<P>
+Only that Christmas he had gutted every store in town. "Give me
+everything you have, brother," he said, across each counter; and next
+day every man, woman, and child in the mountain town had a present from
+the Senator's hands. He looked like a brigand that day, as he looked
+now, but he called every man his brother, and his eye, while black and
+lustreless as night, was as brooding and just as kind.
+</P>
+
+<P>
+When the boom went down, with it and with everybody else went the
+Senator. Slowly he got dusty, ragged, long of hair. He looked
+tortured and ever-restless. You never saw him still; always he swept
+by you, flapping his legs on his lean horse or his arms in his rickety
+buggy here, there, everywhere&mdash;turning, twisting, fighting his way back
+to freedom&mdash;and not a murmur. Still was every man his brother, and if
+some forgot his once open hand, he forgot it no more completely than
+did the Senator. He went very far to pay his debts. He felt honor
+bound, indeed, to ask his sister to give back the farm that he had
+given her, which, very properly people said, she declined to do.
+Nothing could kill hope in the Senator's breast; he would hand back the
+farm in another year, he said; but the sister was firm, and without a
+word still, the Senator went other ways and schemed through the nights,
+and worked and rode and walked and traded through the days, until now,
+when the light was beginning to glimmer, his end was come.
+</P>
+
+<P>
+This was the Senator's last trade, and in sight, down in a Kentucky
+valley, was home. Strangely enough, the Senator did not care at all,
+and he had just enough sanity left to wonder why, and to be worried.
+It was the "walking typhoid" that had caught up with him, and he was
+listless, and he made strange gestures and did foolish things as he
+stumbled down the mountain. He was going over a little knoll now, and
+he could see the creek that ran around his house, but he was not
+touched. He would just as soon have lain down right where he was, or
+have turned around and gone back, except that it was hot and he wanted
+to get to the water. He remembered that it was nigh Christmas; he saw
+the snow about him and the cakes of ice in the creek. He knew that he
+ought not to be hot, and yet he was&mdash;so hot that he refused to reason
+with himself even a minute, and hurried on. It was odd that it should
+be so, but just about that time, over in Virginia, a cattle dealer,
+nearing home, stopped to tell a neighbor how he had tricked some
+black-whiskered fool up in the mountains. It may have been just when
+he was laughing aloud over there, that the Senator, over here, tore his
+woollen shirt from his great hairy chest and rushed into the icy
+stream, clapping his arms to his burning sides and shouting in his
+frenzy.
+</P>
+
+<P>
+"If he had lived a little longer," said a constituent, "he would have
+lost the next election. He hadn't the money, you know."
+</P>
+
+<P>
+"If he had lived a little longer," said the mountain preacher high up
+on Yellow Creek, "I'd have got that trade I had on hand with him
+through. Not that I wanted him to die, but if he had to&mdash;why&mdash;"
+</P>
+
+<P>
+"If he had lived a little longer," said the Senator's lawyer, "he would
+have cleaned off the score against him."
+</P>
+
+<P>
+"If he had lived a little longer," said the Senator's sister, not
+meaning to be unkind, "he would have got all I have."
+</P>
+
+<P>
+That was what life held for the Senator. Death was more kind.
+</P>
+
+<BR><BR><BR>
+
+<A NAME="preachin"></A>
+<H3 ALIGN="center">
+PREACHIN' ON KINGDOM-COME
+</H3>
+
+<P>
+I've told ye, stranger, that Hell fer Sartain empties, as it oughter,
+of co'se, into Kingdom-Come. You can ketch the devil 'most any day in
+the week on Hell fer Sartain, an' sometimes you can git Glory
+everlastin' on Kingdom-Come. Hit's the only meetin'-house thar in
+twenty miles aroun'.
+</P>
+
+<P>
+Well, the reg'lar rider, ole Jim Skaggs, was dead, an' the bretherin
+was a-lookin' aroun' fer somebody to step into ole Jim's shoes. Thar'd
+been one young feller up thar from the settlemints, a-cavortin' aroun',
+an' they was studyin' 'bout gittin' him.
+</P>
+
+<P>
+"Bretherin' an' sisteren," I says, atter the leetle chap was gone,
+"he's got the fortitood to speak an' he shorely is well favored. He's
+got a mighty good hawk eye fer spyin' out evil&mdash;an' the gals; he can
+outholler ole Jim; an' IF," I says, "any IDEES ever comes to him, he'll
+be a hell-rouser shore&mdash;but they ain't comin'!" An', so sayin', I takes
+my foot in my hand an' steps fer home.
+</P>
+
+<P>
+Stranger, them fellers over thar hain't seed much o' this world. Lots
+of 'em nuver seed the cyars; some of 'em nuver seed a wagon. An' atter
+jowerin' an' noratin' fer 'bout two hours, what you reckon they said
+they aimed to do? They believed they'd take that ar man Beecher, ef
+they could git him to come. They'd heerd o' Henry endurin' the war,
+an' they knowed he was agin the rebs, an' they wanted Henry if they
+could jes git him to come.
+</P>
+
+<P>
+Well, I snorted, an' the feud broke out on Hell fer Sartain betwixt the
+Days an' the Dillons. Mace Day shot Daws Dillon's brother, as I
+rickollect&mdash;somep'n's al'ays a-startin' up that plaguey war an'
+a-makin' things frolicsome over thar&mdash;an' ef it hadn't a-been fer a
+tall young feller with black hair an' a scar across his forehead, who
+was a-goin' through the mountains a-settlin' these wars, blame me ef I
+believe thar ever would 'a' been any mo' preachin' on Kingdom-Come.
+This feller comes over from Hazlan an' says he aims to hold a meetin'
+on Kingdom-Come. "Brother," I says, "that's what no preacher have ever
+did whilst this war is a-goin' on." An' he says, sort o' quiet, "Well,
+then, I reckon I'll have to do what no preacher have ever did." An' I
+ups an' says: "Brother, an ole jedge come up here once from the
+settlemints to hold couht. 'Jedge,' I says, 'that's what no jedge have
+ever did without soldiers since this war's been a-goin' on.' An',
+brother, the jedge's words was yours, p'int-blank. 'All right,' he
+says, 'then I'll have to do what no other jedge have ever did.' An',
+brother," says I to the preacher, "the jedge done it shore. He jes
+laid under the couht-house fer two days whilst the boys fit over him.
+An' when I sees the jedge a-makin' tracks fer the settlemints, I says,
+'Jedge,' I says, 'you spoke a parable shore.'"
+</P>
+
+<P>
+Well, sir, the long preacher looked jes as though he was a-sayin' to
+hisself, "Yes, I hear ye, but I don't heed ye," an' when he says, "Jes
+the same, I'm a-goin' to hold a meetin' on Kingdom-Come," why, I jes
+takes my foot in my hand an' ag'in I steps fer home.
+</P>
+
+<P>
+That night, stranger, I seed another feller from Hazlan, who was
+a-tellin' how this here preacher had stopped the war over thar, an' had
+got the Marcums an' Braytons to shakin' hands; an' next day ole Tom
+Perkins stops in an' says that WHARAS there mought 'a' been preachin'
+somewhar an' sometime, thar nuver had been PREACHIN' afore on
+Kingdom-Come. So I goes over to the meetin' house, an' they was all
+thar&mdash;Daws Dillon an' Mace Day, the leaders in the war, an' Abe Shivers
+(you've heerd tell o' Abe) who was a-carryin' tales from one side to
+t'other an' a-stirrin' up hell ginerally, as Abe most al'ays is; an'
+thar was Daws on one side o' the meetin'-house an' Mace on t'other, an'
+both jes a-watchin' fer t'other to make a move, an' thar'd 'a' been
+billy-hell to pay right thar! Stranger, that long preacher talked jes
+as easy as I'm a-talkin' now, an' hit was p'int-blank as the feller
+from Hazlan said. You jes ought 'a' heerd him tellin' about the Lawd
+a-bein' as pore as any feller thar, an' a-makin' barns an' fences an'
+ox-yokes an' sech like; an' not a-bein' able to write his own
+name&mdash;havin' to make his mark mebbe&mdash;when he started out to save the
+world. An' how they tuk him an' nailed him onto a cross when he'd come
+down fer nothin' but to save 'em; an' stuck a spear big as a corn-knife
+into his side, an' give him vinegar; an' his own mammy a-standin' down
+thar on the ground a-cryin' an' a-watchin' him an' he a-fergivin' all
+of 'em then an' thar!
+</P>
+
+<P>
+Thar nuver had been nothin' like that afore on Kingdom-Come, an' all
+along I heerd fellers a-layin' thar guns down; an when the preacher
+called out fer sinners, blame me ef the fust feller that riz wasn't
+Mace Day. An' Mace says, "Stranger, 'f what you say is true, I reckon
+the Lawd 'll fergive me too, but I don't believe Daws Dillon ever
+will," an' Mace stood thar lookin' around fer Daws. An' all of a
+sudden the preacher got up straight an' called out, "Is thar a human in
+this house mean an' sorry enough to stand betwixt a man an' his Maker"?
+An' right thar, stranger, Daws riz. "Naw, by God, thar hain' t!" Daws
+says, an' he walks up to Mace a-holdin' out his hand, an' they all
+busts out cryin' an' shakin' hands&mdash;Days an' Dillons&mdash;jes as the
+preacher had made 'em do over in Hazlan. An' atter the thing was over,
+I steps up to the preacher an' I says:
+</P>
+
+<P>
+"Brother," I says, "YOU spoke a parable, shore."
+</P>
+
+<BR><BR><BR>
+
+<A NAME="passing"></A>
+<H3 ALIGN="center">
+THE PASSING OF ABRAHAM SHIVERS
+</H3>
+
+<P>
+"I tell ye, boys, hit hain t often a feller has the chance o' doin' so
+much good jes by DYIN'. Fer 'f Abe Shivers air gone, shorely gone, the
+rest of us&mdash;every durn one of us&mdash;air a-goin' to be saved. Fer Abe
+Shivers&mdash;you hain't heerd tell o' ABE? Well, you must be a stranger in
+these mountains o' Kaintuck, shore.
+</P>
+
+<P>
+"I don't know, stranger, as Abe ever was borned; nobody in these
+mountains knows it 'f he was. The fust time I ever heerd tell o' Abe
+he was a-hollerin' fer his rights one mawnin' at daylight, endurin' the
+war, jes outside o' ole Tom Perkins' door on Fryin' Pan. Abe was left
+thar by some home-gyard, I reckon. Well, nobody air ever turned out'n
+doors in these mountains, as you know, an' Abe got his rights that
+mawin', an' he's been a-gittin' 'em ever sence. Tom already had a
+houseful, but 'f any feller got the bigges' hunk o' corn-bread, that
+feller was Abe; an' ef any feller got a-whalin', hit wasn't Abe.
+</P>
+
+<P>
+"Abe tuk to lyin' right naturely&mdash;looked like&mdash;afore he could talk.
+Fact is, Abe nuver could do nothin' but jes whisper. Still, Abe could
+manage to send a lie furder with that rattlin' whisper than ole Tom
+could with that big horn o' hisn what tells the boys the revenoos air
+comin' up Fryin' Pan.'
+</P>
+
+<P>
+"Didn't take Abe long to git to braggin' an' drinkin' an' naggin' an'
+hectorin'&mdash;everything, 'mos', 'cept fightin'. Nobody ever drawed Abe
+Shivers into a fight. I don't know as he was afeerd; looked like Abe
+was a-havin' sech a tarnation good time with his devilmint he jes
+didn't want to run no risk o' havin' hit stopped. An' sech devilmint!
+Hit ud take a coon's age, I reckon, to tell ye.
+</P>
+
+<P>
+"The boys was a-goin' up the river one night to git ole Dave Hall fer
+trickin' Rosie Branham into evil. Some feller goes ahead an' tells ole
+Dave they's a-comin.' Hit was Abe. Some feller finds a streak o' ore
+on ole Tom Perkins' land, an' racks his jinny down to town, an' tells a
+furriner thar, an' Tom comes might' nigh sellin' the land fer nothin'.
+Now Tom raised Abe, but, jes the same, the feller was Abe.
+</P>
+
+<P>
+"One night somebody guides the revenoos in on Hell fer Sartain, an'
+they cuts up four stills. Hit was Abe. The same night, mind ye, a
+feller slips in among the revenoos while they's asleep, and cuts off
+their hosses' manes an' tails&mdash;muled every durned critter uv 'em.
+Stranger, hit was Abe. An' as fer women-folks&mdash;well, Abe was the ill
+favoredest feller I ever see, an' he couldn't talk; still, Abe was
+sassy, an' you know how sass counts with the gals; an' Abe's whisperin'
+come in jes as handy as any feller's settin' up; so 'f ever you seed a
+man with a Winchester a-lookin' fer the feller who had cut him out,
+stranger, he was a-lookin' fer Abe.
+</P>
+
+<P>
+"Somebody tells Harve Hall, up thar at a dance on Hell-fer-Sartain one
+Christmas night, that Rich Harp had said somep'n' agin him an' Nance
+Osborn. An' somebody tells Rich that Harve had said sompe'n' agin
+Nance an' HIM. Hit was one an' the same feller, stranger, an' the
+feller was Abe. Well, while Rich an' Harve was a-gittin' well,
+somebody runs off with Nance. Hit was Abe. Then Rich an' Harve jes
+draws straws fer a feller. Stranger, they drawed fer Abe. Hit's purty
+hard to believe that Abe air gone, 'cept that Rich Harp an' Harve Hall
+don't never draw no straws fer nothin'; but 'f by the grace o'
+Goddle-mighty Abe air gone, why, as I was a-sayin', the rest of
+us&mdash;every durned one of us air a-goin' to be saved, shore. Fer Abe's
+gone fust, an' ef thar's only one Jedgment Day, the Lawd 'll nuver git
+to us."
+</P>
+
+<BR><BR><BR>
+
+<A NAME="purple"></A>
+<H3 ALIGN="center">
+A PURPLE RHODODENDRON
+</H3>
+
+<P>
+The purple rhododendron is rare. Up in the Gap here, Bee Rock, hung
+out over Roaring Rock, blossoms with it&mdash;as a gray cloud purples with
+the sunrise. This rock was tossed lightly on edge when the earth was
+young, and stands vertical. To get the flowers you climb the mountain
+to one side, and, balancing on the rock's thin edge, slip down by roots
+and past rattlesnake dens till you hang out over the water and reach
+for them. To avoid snakes it is best to go when it is cool, at
+daybreak.
+</P>
+
+<P>
+I know but one other place in this southwest corner of Virginia where
+there is another bush of purple rhododendron, and one bush only is
+there. This hangs at the throat of a peak not far away, whose ageless
+gray head is bent over a ravine that sinks like a spear thrust into the
+side of the mountain. Swept only by high wind and eagle wings as this
+is, I yet knew one man foolhardy enough to climb to it for a flower.
+He brought one blossom down: and to this day I do not know that it was
+not the act of a coward; yes, though Grayson did it, actually smiling
+all the way from peak to ravine, and though he was my best friend&mdash;best
+loved then and since. I believe he was the strangest man I have ever
+known, and I say this with thought; for his eccentricities were
+sincere. In all he did I cannot remember having even suspected
+anything theatrical but once.
+</P>
+
+<P>
+We were all Virginians or Kentuckians at the Gap, and Grayson was a
+Virginian. You might have guessed that he was a Southerner from his
+voice and from the way he spoke of women&mdash;but no more. Otherwise, he
+might have been a Moor, except for his color, which was about the only
+racial characteristic he had. He had been educated abroad and, after
+the English habit, had travelled everywhere. And yet I can imagine no
+more lonely way between the eternities than the path Grayson trod alone.
+</P>
+
+<P>
+He came to the Gap in the early days, and just why he came I never
+knew. He had studied the iron question a long time, he told me, and
+what I thought reckless speculation was, it seems, deliberate judgment
+to him. His money "in the dirt," as the phrase was, Grayson got him a
+horse and rode the hills and waited. He was intimate with nobody.
+Occasionally he would play poker with us and sometimes he drank a good
+deal, but liquor never loosed his tongue. At poker his face told as
+little as the back of his cards, and he won more than admiration&mdash;even
+from the Kentuckians, who are artists at the game; but the money went
+from a free hand, and, after a diversion like this, he was apt to be
+moody and to keep more to himself than ever. Every fortnight or two he
+would disappear, always over Sunday. In three or four days he would
+turn up again, black with brooding, and then he was the last man to
+leave the card-table or he kept away from it altogether. Where he went
+nobody knew; and he was not the man anybody would question.
+</P>
+
+<P>
+One night two of us Kentuckians were sitting in the club, and from a
+home paper I read aloud the rumored engagement of a girl we both
+knew&mdash;who was famous for beauty in the Bluegrass, as was her mother
+before her and the mother before her&mdash;to an unnamed Virginian. Grayson
+sat near, smoking a pipe; and when I read the girl's name I saw him
+take the meerschaum from his lips, and I felt his eyes on me. It was a
+mystery how, but I knew at once that Grayson was the man. He sought me
+out after that and seemed to want to make friends. I was willing, or,
+rather he made me more than willing; for he was irresistible to me, as
+I imagine he would have been to anybody. We got to walking together
+and riding together at night, and we were soon rather intimate; but for
+a long time he never so much as spoke the girl's name. Indeed, he kept
+away from the Bluegrass for nearly two months; but when he did go he
+stayed a fortnight.
+</P>
+
+<P>
+This time he came for me as soon as he got back to the Gap. It was
+just before midnight, and we went as usual back of Imboden Hill,
+through moon-dappled beeches, and Grayson turned off into the woods
+where there was no path, both of us silent. We rode through tremulous,
+shining leaves&mdash;Grayson's horse choosing a way for himself&mdash;and,
+threshing through a patch of high, strong weeds, we circled past an
+amphitheatre of deadened trees whose crooked arms were tossed out into
+the moonlight, and halted on the spur. The moon was poised over
+Morris's farm; South Fork was shining under us like a loop of gold, the
+mountains lay about in tranquil heaps, and the moon-mist rose luminous
+between them. There Grayson turned to me with an eager light in his
+eyes that I had never seen before.
+</P>
+
+<P>
+"This has a new beauty to-night!" he said; and then "I told her about
+you, and she said that she used to know you&mdash;well." I was glad my face
+was in shadow&mdash;I could hardly keep back a brutal laugh&mdash;and Grayson,
+unseeing, went on to speak of her as I had never heard any man speak of
+any woman. In the end, he said that she had just promised to be his
+wife. I answered nothing. Other men, I knew, had said that with the
+same right, perhaps, and had gone from her to go back no more. And I
+was one of them. Grayson had met her at White Sulphur five years
+before, and had loved her ever since. She had known it from the first,
+he said, and I guessed then what was going to happen to him. I
+marvelled, listening to the man, for it was the star of constancy in
+her white soul that was most lustrous to him&mdash;and while I wondered the
+marvel became a commonplace. Did not every lover think his loved one
+exempt from the frailty that names other women? There is no ideal of
+faith or of purity that does not live in countless women to-day. I
+believe that; but could I not recall one friend who walked with
+Divinity through pine woods for one immortal spring, and who, being
+sick to death, was quite finished&mdash;learning her at last? Did I not
+know lovers who believed sacred to themselves, in the name of love,
+lips that had been given to many another without it? And now did I not
+know&mdash;but I knew too much, and to Grayson I said nothing.
+</P>
+
+<P>
+That spring the "boom" came. Grayson's property quadrupled in value
+and quadrupled again. I was his lawyer, and I plead with him to sell;
+but Grayson laughed. He was not speculating; he had invested on
+judgment; he would sell only at a certain figure. The figure was
+actually reached, and Grayson let half go. The boom fell, and Grayson
+took the tumble with a jest. It would come again in the autumn, he
+said, and he went off to meet the girl at White Sulphur.
+</P>
+
+<P>
+I worked right hard that summer, but I missed him, and I surely was
+glad when he came back. Something was wrong; I saw it at once. He did
+not mention her name, and for a while he avoided even me. I sought him
+then, and gradually I got him into our old habit of walking up into the
+Gap and of sitting out after supper on a big rock in the valley,
+listening to the run of the river and watching the afterglow over the
+Cumberland, the moon rise over Wallen's Ridge and the stars come out.
+Waiting for him to speak, I learned for the first time then another
+secret of his wretched melancholy. It was the hopelessness of that
+time, perhaps, that disclosed it. Grayson had lost the faith of his
+childhood. Most men do that at some time or other, but Grayson had no
+business, no profession, no art in which to find relief. Indeed, there
+was but one substitute possible, and that came like a gift straight
+from the God whom he denied. Love came, and Grayson's ideals of love,
+as of everything else, were morbid and quixotic. He believed that he
+owed it to the woman he should marry never to have loved another. He
+had loved but one woman, he said, and he should love but one. I
+believed him then literally when he said that his love for the Kentucky
+girl was his religion now&mdash;the only anchor left him in his sea of
+troubles, the only star that gave him guiding light. Without this
+love, what then?
+</P>
+
+<P>
+I had a strong impulse to ask him, but Grayson shivered, as though he
+divined my thought, and, in some relentless way, our talk drifted to
+the question of suicide. I was not surprised that he rather defended
+it. Neither of us said anything new, only I did not like the way he
+talked. He was too deliberate, too serious, as though he were really
+facing a possible fact. He had no religious scruples, he said, no
+family ties; he had nothing to do with bringing himself into life;
+why&mdash;if it was not worth living, not bearable&mdash;why should he not end
+it? He gave the usual authority, and I gave the usual answer.
+Religion aside, if we did not know that we were here for some purpose,
+we did not know that we were not; and here we were anyway, and our duty
+was plain. Desertion was the act of a coward, and that Grayson could
+not deny.
+</P>
+
+<P>
+That autumn the crash of '91 came across the water from England, and
+Grayson gave up. He went to Richmond, and came back with money enough
+to pay off his notes, and I think it took nearly all he had. Still, he
+played poker steadily now&mdash;for poker had been resumed when it was no
+longer possible to gamble in lots&mdash;he drank a good deal, and he began
+just at this time to take a singular interest in our volunteer police
+guard. He had always been on hand when there was trouble, and I
+sha'n't soon forget him the day Senator Mahone spoke, when we were
+punching a crowd of mountaineers back with cocked Winchesters. He had
+lost his hat in a struggle with one giant; he looked half crazy with
+anger, and yet he was white and perfectly cool, and I noticed that he
+never had to tell a man but once to stand back. Now he was the first
+man to answer a police whistle. When we were guarding Talt Hall, he
+always volunteered when there was any unusual risk to run. When we
+raided the Pound to capture a gang of desperadoes, he insisted on going
+ahead as spy; and when we got restless lying out in the woods waiting
+for daybreak, and the captain suggested a charge on the cabin, Grayson
+was by his side when it was made. Grayson sprang through the door
+first, and he was the man who thrust his reckless head up into the loft
+and lighted a match to see if the murderers were there. Most of us did
+foolish things in those days under stress of excitement, but Grayson, I
+saw, was weak enough to be reckless. His trouble with the girl,
+whatever it was, was serious enough to make him apparently care little
+whether he were alive or dead. And still I saw that not yet even had
+he lost hope. He was having a sore fight with his pride, and he got
+body-worn and heart-sick over it. Of course he was worsted, and in the
+end, from sheer weakness, he went back to her once more.
+</P>
+
+<P>
+I shall never see another face like his when Grayson came back that
+last time. I never noticed before that there were silver hairs about
+his temples. He stayed in his room, and had his meals sent to him. He
+came out only to ride, and then at night. Waking the third morning at
+daybreak, I saw him through the window galloping past, and I knew he
+had spent the night on Black Mountain. I went to his room as soon as I
+got up, and Grayson was lying across his bed with his face down, his
+clothes on, and in his right hand was a revolver. I reeled into a
+chair before I had strength enough to bend over him, and when I did I
+found him asleep. I left him as he was, and I never let him know that
+I had been to his room; but I got him out on the rock again that night,
+and I turned our talk again to suicide. I said it was small, mean,
+cowardly, criminal, contemptible! I was savagely in earnest, and
+Grayson shivered and said not a word. I thought he was in better mind
+after that. We got to taking night rides again, and I stayed as
+closely to him as I could, for times got worse and trouble was upon
+everybody. Notes fell thicker than snowflakes, and, through the
+foolish policy of the company, foreclosures had to be made. Grayson
+went to the wall like the rest of us. I asked him what he had done
+with the money he had made. He had given away a great deal to poorer
+kindred; he had paid his dead father's debts; he had played away a good
+deal, and he had lost the rest. His faith was still imperturbable. He
+had a dozen rectangles of "dirt," and from these, he said, it would all
+come back some day. Still, he felt the sudden poverty keenly, but he
+faced it as he did any other physical fact in life&mdash;dauntless. He used
+to be fond of saying that no one thing could make him miserable. But
+he would talk with mocking earnestness about some much-dreaded
+combination; and a favorite phrase of his&mdash;which got to have peculiar
+significance&mdash;was "the cohorts of hell," who closed in on him when he
+was sick and weak, and who fell back when he got well. He had one
+strange habit, too, from which I got comfort. He would deliberately
+walk into and defy any temptation that beset him. That was the way he
+strengthened himself, he said. I knew what his temptation was now, and
+I thought of this habit when I found him asleep with his revolver, and
+I got hope from it now, when the dreaded combination (whatever that
+was) seemed actually to have come.
+</P>
+
+<P>
+I could see now that he got worse daily. He stopped his mockeries, his
+occasional fits of reckless gayety. He stopped poker&mdash;resolutely&mdash;he
+couldn't afford to lose now; and, what puzzled me, he stopped drinking.
+The man simply looked tired, always hopelessly tired; and I could
+believe him sincere in all his foolish talk about his blessed Nirvana:
+which was the peace he craved, which was end enough for him.
+</P>
+
+<P>
+Winter broke. May drew near; and one afternoon, when Grayson and I
+took our walk up through the Gap, he carried along a huge spy-glass of
+mine, which had belonged to a famous old desperado, who watched his
+enemies with it from the mountain-tops. We both helped capture him,
+and I defended him. He was sentenced to hang&mdash;the glass was my fee.
+We sat down opposite Bee Rock, and for the first time Grayson told me
+of that last scene with her. He spoke without bitterness, and he told
+me what she said, word for word, without a breath of blame for her. I
+do not believe that he judged her at all; she did not know&mdash;he always
+said; she did not KNOW; and then, when I opened my lips, Grayson
+reached silently for my wrist, and I can feel again the warning crush
+of his fingers, and I say nothing against her now.
+</P>
+
+<P>
+I asked Grayson what his answer was.
+</P>
+
+<P>
+"I asked her," he said, solemnly, "if she had ever seen a purple
+rhododendron."
+</P>
+
+<P>
+I almost laughed, picturing the scene&mdash;the girl bewildered by his
+absurd question&mdash;Grayson calm, superbly courteous. It was a mental
+peculiarity of his&mdash;this irrelevancy&mdash;and it was like him to end a
+matter of life and death in just that way.
+</P>
+
+<P>
+"I told her I should send her one. I am waiting for them to come out,"
+he added; and he lay back with his head against a stone and sighted the
+telescope on a dizzy point, about which buzzards were circling.
+</P>
+
+<P>
+"There is just one bush of rhododendron up there," he went on. "I saw
+it looking down from the Point last spring. I imagine it must blossom
+earlier than that across there on Bee Rock, being always in the sun.
+No, it's not budding yet," he added, with his eye to the glass.
+</P>
+
+<P>
+"You see that ledge just to the left? I dropped a big rock from the
+Point square on a rattler who was sunning himself there last spring. I
+can see a foothold all the way up the cliff. It can be done," he
+concluded, in a tone that made me turn sharply upon him.
+</P>
+
+<P>
+"Do you really mean to climb up there?" I asked, harshly.
+</P>
+
+<P>
+"If it blossoms first up there&mdash;I'll get it where it blooms first." In
+a moment I was angry and half sick with suspicion, for I knew his
+obstinacy; and then began what I am half ashamed to tell.
+</P>
+
+<P>
+Every day thereafter Grayson took that glass with him, and I went along
+to humor him. I watched Bee Rock, and he that one bush at the throat
+of the peak&mdash;neither of us talking over the matter again. It was
+uncanny, that rivalry&mdash;sun and wind in one spot, sun and wind in
+another&mdash;Nature herself casting the fate of a half-crazed fool with a
+flower. It was utterly absurd, but I got nervous over
+it&mdash;apprehensive, dismal.
+</P>
+
+<P>
+A week later it rained for two days, and the water was high. The next
+day the sun shone, and that afternoon Grayson smiled, looking through
+the glass, and handed it to me. I knew what I should see. One purple
+cluster, full blown, was shaking in the wind. Grayson was leaning back
+in a dream when I let the glass down. A cool breath from the woods
+behind us brought the odor of roots and of black earth; up in the
+leaves and sunlight somewhere a wood-thrush was singing, and I saw in
+Grayson's face what I had not seen for a long time, and that was
+peace&mdash;the peace of stubborn purpose. He did not come for me the next
+day, nor the next; but the next he did, earlier than usual.
+</P>
+
+<P>
+"I am going to get that rhododendron," he said. "I have been half-way
+up&mdash;it can be reached." So had I been half-way up. With nerve and
+agility the flower could be got, and both these Grayson had. If he had
+wanted to climb up there and drop, he could have done it alone, and he
+would have known that I should have found him. Grayson was testing
+himself again, and, angry with him for the absurdity of the thing and
+with myself for humoring it, but still not sure of him, I picked up my
+hat and went. I swore to myself silently that it was the last time I
+should pay any heed to his whims. I believed this would be the last.
+The affair with the girl was over. The flower sent, I knew Grayson
+would never mention her name again.
+</P>
+
+<P>
+Nature was radiant that afternoon. The mountains had the leafy
+luxuriance of June, and a rich, sunlit haze drowsed on them between the
+shadows starting out over the valley and the clouds so white that the
+blue of the sky looked dark. Two eagles shot across the mouth of the
+Gap as we neared it, and high beyond buzzards were sailing over
+Grayson's rhododendron.
+</P>
+
+<P>
+I went up the ravine with him and I climbed up behind him&mdash;Grayson
+going very deliberately and whistling softly. He called down to me
+when he reached the shelf that looked half-way.
+</P>
+
+<P>
+"You mustn't come any farther than this," he said. "Get out on that
+rock and I'll drop them down to you."
+</P>
+
+<P>
+Then he jumped from the ledge and caught the body of a small tree close
+to the roots, and my heart sank at such recklessness and all my fears
+rose again. I scrambled hastily to the ledge, but I could get no
+farther. I might possibly make the jump he had made&mdash;but how should I
+ever get back? How would he? I called angrily after him now, and he
+wouldn't answer me. I called him a fool, a coward; I stamped the ledge
+like a child&mdash;but Grayson kept on, foot after hand, with stealthy
+caution, and the purple cluster nodding down at him made my head whirl.
+I had to lie down to keep from tumbling from the ledge; and there on my
+side, gripping a pine bush, I lay looking up at him. He was close to
+the flowers now, and just before he took the last upward step he turned
+and looked down that awful height with as calm a face as though he
+could have dropped and floated unhurt to the ravine beneath.
+</P>
+
+<P>
+Then with his left hand he caught the ledge to the left, strained up,
+and, holding thus, reached out with his right. The hand closed about
+the cluster, and the twig was broken. Grayson gave a great shout then.
+He turned his head as though to drop them, and, that far away, I heard
+the sibilant whir of rattles. I saw a snake's crest within a yard of
+his face, and, my God! I saw Grayson loose his left hand to guard it!
+The snake struck at his arm, and Grayson reeled and caught back once at
+the ledge with his left hand. He caught once, I say, to do him full
+justice; then, without a word, he dropped&mdash;and I swear there was a
+smile on his face when he shot down past me into the trees.
+</P>
+
+<P>
+</P>
+
+<P>
+I found him down there in the ravine with nearly every bone in his body
+crushed. His left arm was under him, and outstretched in his right
+hand was the shattered cluster, with every blossom gone but one. One
+white half of his face was unmarked, and on it was still the shadow of
+a smile. I think it meant more than that Grayson believed that he was
+near peace at last. It meant that Fate had done the deed for him and
+that he was glad. Whether he would have done it himself, I do not
+know; and that is why I say that though Grayson brought the flower
+down&mdash;smiling from peak to ravine&mdash;I do not know that he was not, after
+all, a coward.
+</P>
+
+<P>
+That night I wrote to the woman in Kentucky. I told her that Grayson
+had fallen from a cliff while climbing for flowers; and that he was
+dead. Along with these words, I sent a purple rhododendron.
+</P>
+
+<BR><BR><BR><BR>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of 'Hell fer Sartain' and Other Stories, by
+John Fox, Jr.
+
+*** END OF THIS PROJECT GUTENBERG EBOOK 'HELL FER SARTAIN' ***
+
+***** This file should be named 410-h.htm or 410-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/4/1/410/
+
+Produced by Charles Keller. HTML version by Al Haines.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</BODY>
+
+</HTML>
+
+
diff --git a/410.txt b/410.txt
new file mode 100644
index 0000000..d084826
--- /dev/null
+++ b/410.txt
@@ -0,0 +1,1618 @@
+Project Gutenberg's 'Hell fer Sartain' and Other Stories, by John Fox, Jr.
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: 'Hell fer Sartain' and Other Stories
+
+Author: John Fox, Jr.
+
+Posting Date: July 20, 2008 [EBook #410]
+Release Date: January, 1996
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK 'HELL FER SARTAIN' ***
+
+
+
+
+Produced by Charles Keller. HTML version by Al Haines.
+
+
+
+
+
+
+
+
+'Hell fer Sartain'
+
+and
+
+Other Stories
+
+
+by
+
+JOHN FOX, JR.
+
+
+
+
+ TO
+ MY BROTHER
+ JAMES
+
+
+AUTHOR'S NOTE
+
+
+
+
+CONTENTS
+
+
+ ON HELL-FER-SARTAIN CREEK
+ THROUGH THE GAP
+ A TRICK O' TRADE
+ GRAYSON'S BABY
+ COURTIN' ON CUTSHIN
+ THE MESSAGE IN THE SAND
+ THE SENATOR'S LAST TRADE
+ PREACHIN' ON KINGDOM-COME
+ THE PASSING OF ABRAHAM SHIVERS
+ A PURPLE RHODODENDRON
+
+
+
+
+ON HELL-FER-SARTAIN CREEK
+
+
+Thar was a dancin'-party Christmas night on "Hell fer Sartain." Jes
+tu'n up the fust crick beyond the bend thar, an' climb onto a stump,
+an' holler about ONCE, an' you'll see how the name come. Stranger,
+hit's HELL fer sartain! Well, Rich Harp was thar from the head-waters,
+an' Harve Hall toted Nance Osborn clean across the Cumberlan'. Fust
+one ud swing Nance, an' then t'other. Then they'd take a pull out'n
+the same bottle o' moonshine, an'--fust one an' then t'other--they'd
+swing her agin. An' Abe Shivers a-settin' thar by the fire a-bitin'
+his thumbs!
+
+Well, things was sorter whoopin', when somebody ups an' tells Harve
+that Rich had said somep'n' agin Nance an' him, an' somebody ups an'
+tells Rich that Harve had said somep'n' agin Nance an' HIM. In a
+minute, stranger, hit was like two wild-cats in thar. Folks got 'em
+parted, though, but thar was no more a-swingin' of Nance that night.
+Harve toted her back over the Cumberlan', an' Rich's kinsfolks tuk him
+up "Hell fer Sartain"; but Rich got loose, an' lit out lickety-split
+fer Nance Osborn's. He knowed Harve lived too fer over Black Mountain
+to go home that night, an' he rid right across the river an' up to
+Nance's house, an' hollered fer Harve. Harve poked his head out'n the
+loft--he knowed whut was wanted--an' Harve says, "Uh, come in hyeh an'
+go to bed. Hit's too late!" An' Rich seed him a-gapin' like a chicken,
+an' in he walked, stumblin' might' nigh agin the bed whar Nance was
+a-layin', listenin' an' not sayin' a word.
+
+Stranger, them two fellers slept together plum frien'ly, an' they et
+together plum frien'ly next mornin', an' they sa'ntered down to the
+grocery plum frien'ly. An' Rich says, "Harve," says he, "let's have a
+drink." "All right, Rich," says Harve. An' Rich says, "Harve," says
+he, "you go out'n that door an' I'll go out'n this door." "All right,
+Rich," says Harve, an' out they walked, steady, an' thar was two shoots
+shot, an' Rich an' Harve both drapped, an' in ten minutes they was
+stretched out on Nance's bed an' Nance was a-lopin' away fer the yarb
+doctor.
+
+The gal nussed 'em both plum faithful. Rich didn't hev much to say,
+an' Harve didn't hev much to say. Nance was sorter quiet, an' Nance's
+mammy, ole Nance, jes grinned. Folks come in to ax atter 'em right
+peart. Abe Shivers come cl'ar 'cross the river--powerful frien'ly--an'
+ever' time Nance ud walk out to the fence with him. One time she
+didn't come back, an' ole Nance fotched the boys thar dinner, an' ole
+Nance fotched thar supper, an' then Rich he axed whut was the matter
+with young Nance. An' ole Nance jes snorted. Atter a while Rich says:
+"Harve," says he, "who tol' you that I said that word agin you an'
+Nance?" "Abe Shivers," says Harve. "An' who tol' you," says Harve,
+"that I said that word agin Nance an' YOU?" "Abe Shivers," says Rich.
+An' both says, "Well, damn me!" An' Rich tu'ned right over an' begun
+pullin' straws out'n the bed. He got two out, an' he bit one off, an'
+he says: "Harve," says he, "I reckon we better draw fer him. The
+shortes' gits him." An' they drawed. Well, nobody ever knowed which
+got the shortes' straw, stranger, but--
+
+Thar'll be a dancin'-party comin' Christmas night on "Hell fer
+Sartain." Rich Harp 'll be thar from the head-waters. Harve Hall's
+a-goin' to tote the Widder Shivers clean across the Cumberlan'. Fust
+one 'll swing Nance, an' then t'other. Then they'll take a pull out'n
+the same bottle o' moonshine, an'--fust one an' then t'other--they'll
+swing her agin, jes the same. ABE won't be thar. He's a-settin' by a
+bigger fire, I reckon (ef he ain't in it), a-bitin' his thumbs!
+
+
+
+
+THROUGH THE GAP
+
+
+When thistles go adrift, the sun sets down the valley between the
+hills; when snow comes, it goes down behind the Cumberland and streams
+through a great fissure that people call the Gap. Then the last light
+drenches the parson's cottage under Imboden Hill, and leaves an
+after-glow of glory on a majestic heap that lies against the east.
+Sometimes it spans the Gap with a rainbow.
+
+Strange people and strange tales come through this Gap from the
+Kentucky hills. Through it came these two, late one day--a man and a
+woman--afoot. I met them at the foot-bridge over Roaring Fork.
+
+"Is thar a preacher anywhar aroun' hyeh?" he asked. I pointed to the
+cottage under Imboden Hill. The girl flushed slightly and turned her
+head away with a rather unhappy smile. Without a word, the mountaineer
+led the way towards town. A moment more and a half-breed Malungian
+passed me on the bridge and followed them.
+
+At dusk the next day I saw the mountaineer chopping wood at a shanty
+under a clump of rhododendron on the river-bank. The girl was cooking
+supper inside. The day following he was at work on the railroad, and
+on Sunday, after church, I saw the parson. The two had not been to
+him. Only that afternoon the mountaineer was on the bridge with
+another woman, hideously rouged and with scarlet ribbons fluttering
+from her bonnet. Passing on by the shanty, I saw the Malungian talking
+to the girl. She apparently paid no heed to him until, just as he was
+moving away, he said something mockingly, and with a nod of his head
+back towards the bridge. She did not look up even then, but her face
+got hard and white, and, looking back from the road, I saw her slipping
+through the bushes into the dry bed of the creek, to make sure that
+what the half-breed told her was true.
+
+The two men were working side by side on the railroad when I saw them
+again, but on the first pay-day the doctor was called to attend the
+Malungian, whose head was split open with a shovel. I was one of two
+who went out to arrest his assailant, and I had no need to ask who he
+was. The mountaineer was a devil, the foreman said, and I had to club
+him with a pistol-butt before he would give in. He said he would get
+even with me; but they all say that, and I paid no attention to the
+threat. For a week he was kept in the calaboose, and when I passed the
+shanty just after he was sent to the county-seat for trial, I found it
+empty. The Malungian, too, was gone. Within a fortnight the
+mountaineer was in the door of the shanty again. Having no accuser, he
+had been discharged. He went back to his work, and if he opened his
+lips I never knew. Every day I saw him at work, and he never failed to
+give me a surly look. Every dusk I saw him in his door-way, waiting,
+and I could guess for what. It was easy to believe that the stern
+purpose in his face would make its way through space and draw her to
+him again. And she did come back one day. I had just limped down the
+mountain with a sprained ankle. A crowd of women was gathered at the
+edge of the woods, looking with all their eyes to the shanty on the
+river-bank. The girl stood in the door-way. The mountaineer was
+coming back from work with his face down.
+
+"He hain't seed her yit," said one. "He's goin' to kill her shore. I
+tol' her he would. She said she reckoned he would, but she didn't
+keer."
+
+For a moment I was paralyzed by the tragedy at hand. She was in the
+door looking at him when he raised his head. For one moment he stood
+still, staring, and then he started towards her with a quickened step.
+I started too, then, every step a torture, and as I limped ahead she
+made a gesture of terror and backed into the room before him. The door
+closed, and I listened for a pistol-shot and a scream. It must have
+been done with a knife, I thought, and quietly, for when I was within
+ten paces of the cabin he opened the door again. His face was very
+white; he held one hand behind him, and he was nervously fumbling at
+his chill with the other. As he stepped towards me I caught the handle
+of a pistol in my side pocket and waited. He looked at me sharply.
+
+"Did you say the preacher lived up thar?" he asked.
+
+"Yes," I said, breathlessly.
+
+In the door-way just then stood the girl with a bonnet in her hand, and
+at a nod from him they started up the hill towards the cottage. They
+came down again after a while, he stalking ahead, and she, after the
+mountain fashion, behind. And after this fashion I saw them at sunset
+next day pass over the bridge and into the mouth of the Gap whence they
+came. Through this Gap come strange people and strange tales from the
+Kentucky hills. Over it, sometimes, is the span of a rainbow.
+
+
+
+
+A TRICK O' TRADE
+
+
+Stranger, I'm a separATE man, an' I don't inQUIZite into no man's
+business; but you ax me straight, an' I tell ye straight: You watch
+ole Tom!
+
+Now, I'll take ole Tom Perkins' word agin anybody's 'ceptin' when hit
+comes to a hoss trade ur a piece o' land. Fer in the tricks o' sech,
+ole Tom 'lows--well, hit's diff'ent; an' I reckon, stranger, as how hit
+sorter is. He was a-stayin' at Tom's house, the furriner was,
+a-dickerin' fer a piece o' lan'--the same piece, mebbe, that you're
+atter now--an' Tom keeps him thar fer a week to beat him out'n a
+dollar, an' then won't let him pay nary a cent fer his boa'd. Now,
+stranger, that's Tom.
+
+Well, Abe Shivers was a-workin' fer Tom--you've heerd tell o' Abe--an'
+the furriner wasn't more'n half gone afore Tom seed that Abe was up to
+some of his devilMINT. Abe kin hatch up more devilMINT in a minit than
+Satan hisself kin in a week; so Tom jes got Abe out'n the stable under
+a hoe-handle, an' tol' him to tell the whole thing straight ur he'd
+have to go to glory right thar. An' Abe tol'!
+
+'Pears like Abe had foun' a streak o' iron ore on the lan', an' had
+racked his jinny right down to Hazlan an' tol' the furriner, who was
+thar a-buyin' wild lands right an' left. Co'se, Abe was goin' to make
+the furriner whack up fer gittin' the lan' so cheap. Well, brother,
+the furriner come up to Tom's an' got Tom into one o' them new-fangled
+trades whut the furriners calls a option--t'other feller kin git out'n
+hit, but you can't. The furriner 'lowed he'd send his podner up thar
+next day to put the thing in writin' an' close up the trade. Hit
+looked like ole Tom was ketched fer shore, an' ef Tom didn't ra'r, I'd
+tell a man. He jes let that hoe-handle drap on Abe fer 'bout haffen
+hour, jes to give him time to study, an' next day thar was ole Tom
+a-settin' on his orchard fence a-lookin' mighty unknowin', when the
+furriner's podner come a-prancin' up an' axed ef old Tom Perkins lived
+thar.
+
+Ole Tom jes whispers.
+
+Now, I clean fergot to tell ye, stranger, that Abe Shivers nuver could
+talk out loud. He tol' so many lies that the Lawd--jes to make things
+even--sorter fixed Abe, I reckon, so he couldn't lie on more'n one side
+o' the river at a time. Ole Tom jes knowed t'other furriner had tol'
+this un 'bout Abe, an,' shore 'nough, the feller says, sorter soft,
+says he:
+
+"Aw, you air the feller whut foun' the ore?"
+
+Ole Tom--makin' like he was Abe, mind ye--jes whispers: "Thar hain't
+none thar."
+
+Stranger, the feller mos' fell off'n his hoss. "Whut?" says he. Ole
+Tom kep' a-whisperin': "Thar hain't no coal--no nothing; ole Tom
+Perkins made me tell t'other furriner them lies."
+
+Well, sir, the feller WAS mad. "Jes whut I tol' that fool podner of
+mine," he says, an' he pull out a dollar an' gives hit to Tom. Tom jes
+sticks out his han' with his thum' turned in jes so, an' the furriner
+says, "Well, ef you can't talk, you kin make purty damn good signs";
+but he forks over four mo' dollars (he 'lowed ole Tom had saved him a
+pile o' money), an' turns his hoss an' pulls up agin. He was a-gittin'
+the land so durned cheap that I reckon he jes hated to let hit go, an'
+he says, says he: "Well, hain't the groun' rich? Won't hit raise no
+tabaccy nur corn nur nothin'?"
+
+Ole Tom jes whispers:
+
+"To tell you the p'int-blank truth, stranger, that land's so durned
+pore that I hain't nuver been able to raise my voice."
+
+Now, brother, I'm a separATE man, an' I don't inQUIZite into no man's
+business--but you ax me straight an' I tell ye straight. Ole Tom
+Perkins kin trade with furriners, fer he have l'arned their ways. You
+watch ole Tom!
+
+
+
+
+GRAYSON'S BABY
+
+
+The first snow sifted in through the Gap that night, and in a "shack"
+of one room and a low loft a man was dead, a woman was sick to death,
+and four children were barely alive; and nobody even knew. For they
+were hill people, who sicken, suffer, and sometimes die, like animals,
+and make no noise.
+
+Grayson, the Virginian, coming down from the woods that morning, saw
+the big-hearted little doctor outside the door of the shack, walking up
+and down, with his hands in his pockets. He was whistling softly when
+Grayson got near, and, without stopping, pointed with his thumb within.
+The oldest boy sat stolidly on the one chair in the room, his little
+brother was on the floor hard by, and both were hugging a greasy stove.
+The little girl was with her mother in the bed, both almost out of
+sight under a heap of quilts. The baby was in a cradle, with its face
+uncovered, whether dead or asleep Grayson could not tell. A pine
+coffin was behind the door. It would not have been possible to add to
+the disorder of the room, and the atmosphere made Grayson gasp. He
+came out looking white. The first man to arrive thereafter took away
+the eldest boy, a woman picked the baby girl from the bed, and a
+childless young couple took up the pallid little fellow on the floor.
+These were step-children. The baby boy that was left was the woman's
+own. Nobody came for that, and Grayson went in again and looked at it
+a long while. So little, so old a human face he had never seen. The
+brow was wrinkled as with centuries of pain, and the little drawn mouth
+looked as though the spirit within had fought its inheritance without a
+murmur, and would fight on that way to the end. It was the pluck of
+the face that drew Grayson. "I'll take it," he said. The doctor was
+not without his sense of humor even then, but he nodded. "Cradle and
+all," he said, gravely. And Grayson put both on one shoulder and
+walked away. He had lost the power of giving further surprise in that
+town, and had he met every man he knew, not one of them would have felt
+at liberty to ask him what he was doing. An hour later the doctor
+found the child in Grayson's room, and Grayson still looking at it.
+
+"Is it going to live, doctor?"
+
+The doctor shook his head. "Doubtful. Look at the color. It's
+starved. There's nothing to do but to watch it and feed it. You can
+do that."
+
+So Grayson watched it, with a fascination of which he was hardly
+conscious. Never for one instant did its look change--the quiet,
+unyielding endurance that no faith and no philosophy could ever bring
+to him. It was ideal courage, that look, to accept the inevitable but
+to fight it just that way. Half the little mountain town was talking
+next day--that such a tragedy was possible by the public road-side,
+with relief within sound of the baby's cry. The oldest boy was least
+starved. Might made right in an extremity like his, and the boy had
+taken care of himself. The young couple who had the second lad in
+charge said they had been wakened at daylight the next morning by some
+noise in the room. Looking up, they saw the little fellow at the
+fireplace breaking an egg. He had built a fire, had got eggs from the
+kitchen, and was cooking his breakfast. The little girl was
+mischievous and cheery in spite of her bad plight, and nobody knew of
+the baby except Grayson and the doctor. Grayson would let nobody else
+in. As soon as it was well enough to be peevish and to cry, he took it
+back to its mother, who was still abed. A long, dark mountaineer was
+there, of whom the woman seemed half afraid. He followed Grayson
+outside.
+
+"Say, podner," he said, with an unpleasant smile, "ye don't go up to
+Cracker's Neck fer nothin', do ye?"
+
+The woman had lived at Cracker's Neck before she appeared at the Gap,
+and it did not come to Grayson what the man meant until he was half-way
+to his room. Then he flushed hot and wheeled back to the cabin, but
+the mountaineer was gone.
+
+"Tell that fellow he had better keep out of my way," he said to the
+woman, who understood, and wanted to say something, but not knowing
+how, nodded simply. In a few days the other children went back to the
+cabin, and day and night Grayson went to see the child, until it was
+out of danger, and afterwards. It was not long before the women in
+town complained that the mother was ungrateful. When they sent things
+to eat to her the servant brought back word that she had called out,
+"'Set them over thar,' without so much as a thanky." One message was
+that "she didn' want no second-hand victuals from nobody's table."
+Somebody suggested sending the family to the poor-house. The mother
+said "she'd go out on her crutches and hoe corn fust, and that the
+people who talked 'bout sendin' her to the po'-house had better save
+their breath to make prayers with." One day she was hired to do some
+washing. The mistress of the house happened not to rise until ten
+o'clock. Next morning the mountain woman did not appear until that
+hour. "She wasn't goin' to work a lick while that woman was a-layin'
+in bed," she said, frankly. And when the lady went down town, she too
+disappeared. Nor would she, she explained to Grayson, "while that
+woman was a-struttin' the streets."
+
+After that, one by one, they let her alone, and the woman made not a
+word of complaint. Within a week she was working in the fields, when
+she should have been back in bed. The result was that the child
+sickened again. The old look came back to its face, and Grayson was
+there night and day. He was having trouble out in Kentucky about this
+time, and he went to the Blue Grass pretty often. Always, however, he
+left money with me to see that the child was properly buried if it
+should die while he was gone; and once he telegraphed to ask how it
+was. He said he was sometimes afraid to open my letters for fear that
+he should read that the baby was dead. The child knew Grayson's voice,
+his step. It would go to him from its own mother. When it was sickest
+and lying torpid it would move the instant he stepped into the room,
+and, when he spoke, would hold out its thin arms, without opening its
+eyes, and for hours Grayson would walk the floor with the troubled
+little baby over his shoulder. I thought several times it would die
+when, on one trip, Grayson was away for two weeks. One midnight,
+indeed, I found the mother moaning, and three female harpies about the
+cradle. The baby was dying this time, and I ran back for a flask of
+whiskey. Ten minutes late with the whiskey that night would have been
+too late. The baby got to know me and my voice during that fortnight,
+but it was still in danger when Grayson got back, and we went to see it
+together. It was very weak, and we both leaned over the cradle, from
+either side, and I saw the pity and affection--yes, hungry, half-shamed
+affection--in Grayson's face. The child opened its eyes, looked from
+one to the other, and held out its arms to ME. Grayson should have
+known that the child forgot--that it would forget its own mother. He
+turned sharply, and his face was a little pale. He gave something to
+the woman, and not till then did I notice that her soft black eyes
+never left him while he was in the cabin. The child got well; but
+Grayson never went to the shack again, and he said nothing when I came
+in one night and told him that some mountaineer--a long, dark
+fellow-had taken the woman, the children, and the household gods of the
+shack back into the mountains.
+
+"They don't grieve long," I said, "these people."
+
+But long afterwards I saw the woman again along the dusty road that
+leads into the Gap. She had heard over in the mountains that Grayson
+was dead, and had walked for two days to learn if it was true. I
+pointed back towards Bee Rock, and told her that he had fallen from a
+cliff back there. She did not move, nor did her look change.
+Moreover, she said nothing, and, being in a hurry, I had to ride on.
+
+At the foot-bridge over Roaring Fork I looked back. The woman was
+still there, under the hot mid-day sun and in the dust of the road,
+motionless.
+
+
+
+
+COURTIN' ON CUTSHIN
+
+
+Hit was this way, stranger. When hit comes to handlin' a right peert
+gal, Jeb Somers air about the porest man on Fryin' Pan, I reckon; an'
+Polly Ann Sturgill have got the vineg'rest tongue on Cutshin or any
+other crick.
+
+So the boys over on Fryin' Pan made it up to git 'em together. Abe
+Shivers--you've heerd tell o' Abe--tol' Jeb that Polly Ann had seed him
+in Hazlan (which she hadn't, of co'se), an' had said p'int-blank that
+he was the likeliest feller she'd seed in them mountains. An' he tol'
+Polly Ann that Jeb was ravin' crazy 'bout her. The pure misery of it
+jes made him plumb delirious, Abe said; an' 'f Polly Ann wanted to find
+her match fer languige an' talkin' out peert--well, she jes ought to
+strike Jeb Somers. Fact is, stranger, Jeb Somers air might' nigh a
+idgit; but Jeb 'lowed he'd rack right over on Cutshin an' set up with
+Polly Ann Sturgill; an' Abe tells Polly Ann the king bee air comin'.
+An' Polly Ann's cousin, Nance Osborn, comes over from Hell fer Sartain
+(whut runs into Kingdom-Come) to stay all night an' see the fun.
+
+Now, I hain't been a-raftin' logs down to the settlemints o' Kaintuck
+fer nigh on to twenty year fer nothin', An' I know gallivantin' is
+diff'ent with us mountain fellers an' you furriners, in the premises,
+anyways, as them lawyers up to court says; though I reckon hit's purty
+much the same atter the premises is over. Whar you says "courtin',"
+now, we says "talkin' to." Sallie Spurlock over on Fryin' Pan is
+a-talkin' to Jim Howard now. Sallie's sister hain't nuver talked to no
+man. An' whar you says "makin' a call on a young lady," we says
+"settin' up with a gal"! An', stranger, we does it. We hain't got
+more'n one room hardly ever in these mountains, an' we're jes obleeged
+to set up to do any courtin' at all.
+
+Well, you go over to Sallie's to stay all night some time, an' purty
+soon atter supper Jim Howard comes in. The ole man an' the ole woman
+goes to bed, an' the chil'un an' you go to bed, an' ef you keeps one
+eye open you'll see Jim's cheer an' Sallie's cheer a-movin' purty soon,
+till they gets plumb together. Then, stranger, hit begins. Now I want
+ye to understand that settin' up means business. We don't 'low no
+foolishness in these mountains; an' 'f two fellers happens to meet at
+the same house, they jes makes the gal say which one she likes best,
+an' t'other one gits! Well, you'll see Jim put his arm 'round Sallie's
+neck an' whisper a long while--jes so. Mebbe you've noticed whut
+fellers us mountain folks air fer whisperin'. You've seed fellers
+a-whisperin' all over Hazlan on court day, hain't ye? Ole Tom Perkins
+'ll put his arm aroun' yo' neck an' whisper in yo' year ef he's ten
+mile out'n the woods. I reckon thar's jes so much devilmint a-goin' on
+in these mountains, folks is naturely afeerd to talk out loud.
+
+Well, Jim let's go an' Sallie puts her arm aroun' Jim's neck an'
+whispers a long while--jes so; an' 'f you happen to wake up anywhar to
+two o'clock in the mornin' you'll see jes that a-goin' on. Brother,
+that's settin' up.
+
+Well, Jeb Somers, as I was a-sayin' in the premises, 'lowed he'd rack
+right over on Cutshin an' set up with Polly Ann comin' Christmas night.
+An' Abe tells Polly Ann Jeb says he aims to have her fer a Christmas
+gift afore mornin'. Polly Ann jes sniffed sorter, but you know women
+folks air always mighty ambitious jes to SEE a feller anyways, 'f he's
+a-pinin' fer 'em. So Jeb come, an' Jeb was fixed up now fittin' to
+kill. Jeb had his hair oiled down nice an' slick, and his mustache was
+jes black as powder could make hit. Naturely hit was red; but a feller
+can't do nothin' in these mountains with a red mustache; an' Jeb had a
+big black ribbon tied in the butt o' the bigges' pistol Abe Shivers
+could borrer fer him--hit was a badge o' death an' deestruction to his
+enemies, Abe said, an' I tell ye Jeb did look like a man. He never
+opened his mouth atter he says "howdy"--Jeb never does say nothin';
+Jeb's one o' them fellers whut hides thar lack o' brains by a-lookin'
+solemn an' a-keepin' still, but thar don't nobody say much tell the ole
+folks air gone to bed, an' Polly Ann jes 'lowed Jeb was a-waitin'.
+Fact is, stranger, Abe Shivers had got Jeb a leetle disguised by
+liquer, an' he did look fat an' sassy, ef he couldn't talk, a-settin'
+over in the corner a-plunkin' the banjer an' a-knockin' off "Sour-wood
+Mountain" an' "Jinny git aroun'" an' "Soapsuds over the Fence."
+
+ "Chickens a-crowin' on Sour-wood Mountain,
+ Heh-o-dee-um-dee-eedy-dahdy-dee!
+ Git yo' dawgs an' we'll go huntin',
+ Heh-o-dee-um-dee-eedy-dahdy-dee!"
+
+An' when Jeb comes to
+
+ "I've got a gal at the head o' the holler,
+ Heh-o-dee-um-dee-eedy-dahdy-dee!"
+
+he jes turns one eye 'round on Polly Ann, an' then swings his chin
+aroun' as though he didn't give a cuss fer nothin'.
+
+ "She won't come, an' I won't foller,
+ Heh-o-dee-um-dee-eedy-dahdy-dee!"
+
+
+Well, sir, Nance seed that Polly Ann was a-eyin' Jeb sort o' flustered
+like, an' she come might' nigh splittin' right thar an' a-sp'ilin' the
+fun, fer she knowed what a skeery fool Jeb was. An' when the ole folks
+goes to bed, Nance lays thar under a quilt a-watchin' an' a-listenin'.
+Well, Jeb knowed the premises, ef he couldn't talk, an' purty soon
+Nance heerd Jeb's cheer creak a leetle, an' she says, Jeb's a-comin',
+and Jeb was; an' Polly Ann 'lowed Jeb was jes a leetle TOO resolute an'
+quick-like, an' she got her hand ready to give him one lick anyways fer
+bein' so brigaty. I don't know as she'd 'a' hit him more'n ONCE. Jeb
+had a farm, an' Polly Ann--well, Polly Ann was a-gittin' along. But
+Polly Ann sot thar jes as though she didn't know Jeb was a-comin', an'
+Jeb stopped once an' says,
+
+"You hain't got nothin' agin me, has ye?"
+
+An' Polly Ann says, sorter quick,
+
+"Naw; ef I had, I'd push it."
+
+Well, Jeb mos' fell off his cheer, when, ef he hadn't been sech a
+skeery idgit, he'd 'a' knowed that Polly Ann was plain open an' shet
+a-biddin' fer him. But he sot thar like a knot on a log fer haffen
+hour, an' then he rickollected, I reckon, that Abe had tol' him Polly
+Ann was peppery an' he mustn't mind, fer Jeb begun a-movin' ag'in till
+he was slam-bang agin Polly Ann's cheer. An' thar he sot like a
+punkin, not sayin' a word nur doin' nothin'. An' while Polly Ann was
+a-wonderin' ef he was gone plumb crazy, blame me ef that durned fool
+didn't turn roun' to that peppery gal an' say,
+
+"Booh, Polly Ann!"
+
+Well, Nance had to stuff the bedquilt in her mouth right thar to keep
+from hollerin' out loud, fer Polly Ann's hand was a-hangin' down by the
+cheer, jes a-waitin' fer a job, and Nance seed the fingers a-twitchin'.
+An' Jeb waits another haffen hour an' Jeb says,
+
+"Ortern't I be killed?"
+
+"Whut fer?" says Polly Ann, sorter sharp.
+
+An' Jeb says, "Fer bein' so devilish."
+
+Well, brother, Nance snorted right out thar, an' Polly Ann Sturgill's
+hand riz up jes once; an' I've heerd Jeb Somers say the next time he
+jumps out o' the Fryin' Pan he's a-goin' to take hell-fire 'stid o'
+Cutshin fer a place to light.
+
+
+
+
+THE MESSAGE IN THE SAND
+
+
+Stranger, you furriners don't nuver seem to consider that a woman has
+always got the devil to fight in two people at once! Hit's two agin
+one, I tell ye, an' hit hain't fa'r.
+
+That's what I said more'n two year ago, when Rosie Branham was a-layin'
+up thar at Dave Hall's, white an' mos' dead. An', GOD, boys, I says,
+that leetle thing in thar by her shorely can't be to blame.
+
+Thar hain't been a word agin Rosie sence; an', stranger, I reckon thar
+nuver will be. Fer, while the gal hain't got hide o' kith or kin, thar
+air two fellers up hyeh sorter lookin' atter Rosie; an' one of 'em is
+the shootin'es' man on this crick, I reckon, 'cept one; an', stranger,
+that's t'other.
+
+Rosie kep' her mouth shet fer a long while; an' I reckon as how the
+feller 'lowed she wasn't goin' to tell. Co'se the woman folks got hit
+out'n her--they al'ays gits whut they want, as you know--an' thar the
+sorry cuss was--a-livin' up thar in the Bend, jes aroun' that bluff o'
+lorrel yander, a-lookin' pious, an' a-singin', an' a-sayin' Amen louder
+'n anybody when thar was meetin'.
+
+Well, my boy Jim an' a lot o' fellers jes went up fer him right away.
+I don't know as the boys would 'a' killed him EXACTLY ef they had
+kotched him, though they mought; but they got Abe Shivers, as tol' the
+feller they was a-comin'--you've heard tell o' Abe-an' they mos' beat
+Abraham Shivers to death. Stranger, the sorry cuss was Dave. Rosie
+hadn't no daddy an' no mammy; an' she was jes a-workin' at Dave's fer
+her victuals an' clo'es. 'Pears like the pore gal was jes tricked into
+evil. Looked like she was sorter 'witched--an' anyways, stranger, she
+was a fightin' Satan in HERSELF, as well as in Dave. Hit was two agin
+one, I tell ye, an' hit wasn't fa'r.
+
+Co'se they turned Rosie right out in the road I hain't got a word to
+say agin Dave's wife fer that; an' atter a while the boys lets Dave
+come back, to take keer o' his ole mammy, of co'se, but I tell ye
+Dave's a-playin' a purty lonesome tune. He keeps purty shy YIT. He
+don't nuver sa'nter down this way. 'Pears like he don't seem to think
+hit's healthy fer him down hyeh, an' I reckon Dave's right.
+
+Rosie? Oh, well, I sorter tuk Rosie in myself. Yes, she's been livin'
+thar in the shack with me an' my boy Jim, an' the-- Why, thar he is
+now, stranger. That's him a-wallerin' out thar in the road. Do you
+reckon thar'd be a single thing agin that leetle cuss ef he had to
+stan' up on Jedgment Day jes as he is now?
+
+Look hyeh, stranger, whut you reckon the Lawd kep' a-writin' thar on
+the groun' that day when them fellers was a-pesterin' him 'bout that
+pore woman? Don't you jes know he was a writin' 'bout sech as HIM--an'
+Rosie? I tell ye, brother, he writ thar jes what I'm al'ays a-sayin'.
+
+Hit hain't the woman's fault. I said it more'n two year ago, when
+Rosie was up thar at ole Dave's, an' I said it yestiddy, when my boy
+Jim come to me an' 'lowed as how he aimed to take Rosie down to town
+to-day an' git married.
+
+"You ricollect, dad," says Jim, "her mammy?"
+
+"Yes, Jim," I says; "all the better reason not to be too hard on Rosie."
+
+I'm a-lookin' fer 'em both back right now, stranger; an' ef you will,
+I'll be mighty glad to have ye stay right hyeh to the infair this very
+night. Thar nuver was a word agin Rosie afore, thar hain't been sence,
+an' you kin ride up an' down this river till the crack o' doom an'
+you'll nuver hear a word agin her ag'in. Fer, as I tol' you, my boy,
+Jim is the shootin'es' feller on this crick, I reckon, 'cept ONE, an',
+stranger, that's ME!
+
+
+
+
+THE SENATOR'S LAST TRADE
+
+
+A drove of lean cattle were swinging easily over Black Mountain, and
+behind them came a big man with wild black hair and a bushy beard. Now
+and then he would gnaw at his mustache with his long, yellow teeth, or
+would sit down to let his lean horse rest, and would flip meaninglessly
+at the bushes with a switch. Sometimes his bushy head would droop over
+on his breast, and he would snap it up sharply and start painfully on.
+Robber, cattle-thief, outlaw he might have been in another century; for
+he filled the figure of any robber hero in life or romance, and yet he
+was only the Senator from Bell, as he was known in the little Kentucky
+capital; or, as he was known in his mountain home, just the Senator,
+who had toiled and schemed and grown rich and grown poor; who had
+suffered long and was kind.
+
+Only that Christmas he had gutted every store in town. "Give me
+everything you have, brother," he said, across each counter; and next
+day every man, woman, and child in the mountain town had a present from
+the Senator's hands. He looked like a brigand that day, as he looked
+now, but he called every man his brother, and his eye, while black and
+lustreless as night, was as brooding and just as kind.
+
+When the boom went down, with it and with everybody else went the
+Senator. Slowly he got dusty, ragged, long of hair. He looked
+tortured and ever-restless. You never saw him still; always he swept
+by you, flapping his legs on his lean horse or his arms in his rickety
+buggy here, there, everywhere--turning, twisting, fighting his way back
+to freedom--and not a murmur. Still was every man his brother, and if
+some forgot his once open hand, he forgot it no more completely than
+did the Senator. He went very far to pay his debts. He felt honor
+bound, indeed, to ask his sister to give back the farm that he had
+given her, which, very properly people said, she declined to do.
+Nothing could kill hope in the Senator's breast; he would hand back the
+farm in another year, he said; but the sister was firm, and without a
+word still, the Senator went other ways and schemed through the nights,
+and worked and rode and walked and traded through the days, until now,
+when the light was beginning to glimmer, his end was come.
+
+This was the Senator's last trade, and in sight, down in a Kentucky
+valley, was home. Strangely enough, the Senator did not care at all,
+and he had just enough sanity left to wonder why, and to be worried.
+It was the "walking typhoid" that had caught up with him, and he was
+listless, and he made strange gestures and did foolish things as he
+stumbled down the mountain. He was going over a little knoll now, and
+he could see the creek that ran around his house, but he was not
+touched. He would just as soon have lain down right where he was, or
+have turned around and gone back, except that it was hot and he wanted
+to get to the water. He remembered that it was nigh Christmas; he saw
+the snow about him and the cakes of ice in the creek. He knew that he
+ought not to be hot, and yet he was--so hot that he refused to reason
+with himself even a minute, and hurried on. It was odd that it should
+be so, but just about that time, over in Virginia, a cattle dealer,
+nearing home, stopped to tell a neighbor how he had tricked some
+black-whiskered fool up in the mountains. It may have been just when
+he was laughing aloud over there, that the Senator, over here, tore his
+woollen shirt from his great hairy chest and rushed into the icy
+stream, clapping his arms to his burning sides and shouting in his
+frenzy.
+
+"If he had lived a little longer," said a constituent, "he would have
+lost the next election. He hadn't the money, you know."
+
+"If he had lived a little longer," said the mountain preacher high up
+on Yellow Creek, "I'd have got that trade I had on hand with him
+through. Not that I wanted him to die, but if he had to--why--"
+
+"If he had lived a little longer," said the Senator's lawyer, "he would
+have cleaned off the score against him."
+
+"If he had lived a little longer," said the Senator's sister, not
+meaning to be unkind, "he would have got all I have."
+
+That was what life held for the Senator. Death was more kind.
+
+
+
+
+PREACHIN' ON KINGDOM-COME
+
+
+I've told ye, stranger, that Hell fer Sartain empties, as it oughter,
+of co'se, into Kingdom-Come. You can ketch the devil 'most any day in
+the week on Hell fer Sartain, an' sometimes you can git Glory
+everlastin' on Kingdom-Come. Hit's the only meetin'-house thar in
+twenty miles aroun'.
+
+Well, the reg'lar rider, ole Jim Skaggs, was dead, an' the bretherin
+was a-lookin' aroun' fer somebody to step into ole Jim's shoes. Thar'd
+been one young feller up thar from the settlemints, a-cavortin' aroun',
+an' they was studyin' 'bout gittin' him.
+
+"Bretherin' an' sisteren," I says, atter the leetle chap was gone,
+"he's got the fortitood to speak an' he shorely is well favored. He's
+got a mighty good hawk eye fer spyin' out evil--an' the gals; he can
+outholler ole Jim; an' IF," I says, "any IDEES ever comes to him, he'll
+be a hell-rouser shore--but they ain't comin'!" An', so sayin', I takes
+my foot in my hand an' steps fer home.
+
+Stranger, them fellers over thar hain't seed much o' this world. Lots
+of 'em nuver seed the cyars; some of 'em nuver seed a wagon. An' atter
+jowerin' an' noratin' fer 'bout two hours, what you reckon they said
+they aimed to do? They believed they'd take that ar man Beecher, ef
+they could git him to come. They'd heerd o' Henry endurin' the war,
+an' they knowed he was agin the rebs, an' they wanted Henry if they
+could jes git him to come.
+
+Well, I snorted, an' the feud broke out on Hell fer Sartain betwixt the
+Days an' the Dillons. Mace Day shot Daws Dillon's brother, as I
+rickollect--somep'n's al'ays a-startin' up that plaguey war an'
+a-makin' things frolicsome over thar--an' ef it hadn't a-been fer a
+tall young feller with black hair an' a scar across his forehead, who
+was a-goin' through the mountains a-settlin' these wars, blame me ef I
+believe thar ever would 'a' been any mo' preachin' on Kingdom-Come.
+This feller comes over from Hazlan an' says he aims to hold a meetin'
+on Kingdom-Come. "Brother," I says, "that's what no preacher have ever
+did whilst this war is a-goin' on." An' he says, sort o' quiet, "Well,
+then, I reckon I'll have to do what no preacher have ever did." An' I
+ups an' says: "Brother, an ole jedge come up here once from the
+settlemints to hold couht. 'Jedge,' I says, 'that's what no jedge have
+ever did without soldiers since this war's been a-goin' on.' An',
+brother, the jedge's words was yours, p'int-blank. 'All right,' he
+says, 'then I'll have to do what no other jedge have ever did.' An',
+brother," says I to the preacher, "the jedge done it shore. He jes
+laid under the couht-house fer two days whilst the boys fit over him.
+An' when I sees the jedge a-makin' tracks fer the settlemints, I says,
+'Jedge,' I says, 'you spoke a parable shore.'"
+
+Well, sir, the long preacher looked jes as though he was a-sayin' to
+hisself, "Yes, I hear ye, but I don't heed ye," an' when he says, "Jes
+the same, I'm a-goin' to hold a meetin' on Kingdom-Come," why, I jes
+takes my foot in my hand an' ag'in I steps fer home.
+
+That night, stranger, I seed another feller from Hazlan, who was
+a-tellin' how this here preacher had stopped the war over thar, an' had
+got the Marcums an' Braytons to shakin' hands; an' next day ole Tom
+Perkins stops in an' says that WHARAS there mought 'a' been preachin'
+somewhar an' sometime, thar nuver had been PREACHIN' afore on
+Kingdom-Come. So I goes over to the meetin' house, an' they was all
+thar--Daws Dillon an' Mace Day, the leaders in the war, an' Abe Shivers
+(you've heerd tell o' Abe) who was a-carryin' tales from one side to
+t'other an' a-stirrin' up hell ginerally, as Abe most al'ays is; an'
+thar was Daws on one side o' the meetin'-house an' Mace on t'other, an'
+both jes a-watchin' fer t'other to make a move, an' thar'd 'a' been
+billy-hell to pay right thar! Stranger, that long preacher talked jes
+as easy as I'm a-talkin' now, an' hit was p'int-blank as the feller
+from Hazlan said. You jes ought 'a' heerd him tellin' about the Lawd
+a-bein' as pore as any feller thar, an' a-makin' barns an' fences an'
+ox-yokes an' sech like; an' not a-bein' able to write his own
+name--havin' to make his mark mebbe--when he started out to save the
+world. An' how they tuk him an' nailed him onto a cross when he'd come
+down fer nothin' but to save 'em; an' stuck a spear big as a corn-knife
+into his side, an' give him vinegar; an' his own mammy a-standin' down
+thar on the ground a-cryin' an' a-watchin' him an' he a-fergivin' all
+of 'em then an' thar!
+
+Thar nuver had been nothin' like that afore on Kingdom-Come, an' all
+along I heerd fellers a-layin' thar guns down; an when the preacher
+called out fer sinners, blame me ef the fust feller that riz wasn't
+Mace Day. An' Mace says, "Stranger, 'f what you say is true, I reckon
+the Lawd 'll fergive me too, but I don't believe Daws Dillon ever
+will," an' Mace stood thar lookin' around fer Daws. An' all of a
+sudden the preacher got up straight an' called out, "Is thar a human in
+this house mean an' sorry enough to stand betwixt a man an' his Maker"?
+An' right thar, stranger, Daws riz. "Naw, by God, thar hain' t!" Daws
+says, an' he walks up to Mace a-holdin' out his hand, an' they all
+busts out cryin' an' shakin' hands--Days an' Dillons--jes as the
+preacher had made 'em do over in Hazlan. An' atter the thing was over,
+I steps up to the preacher an' I says:
+
+"Brother," I says, "YOU spoke a parable, shore."
+
+
+
+
+THE PASSING OF ABRAHAM SHIVERS
+
+
+"I tell ye, boys, hit hain t often a feller has the chance o' doin' so
+much good jes by DYIN'. Fer 'f Abe Shivers air gone, shorely gone, the
+rest of us--every durn one of us--air a-goin' to be saved. Fer Abe
+Shivers--you hain't heerd tell o' ABE? Well, you must be a stranger in
+these mountains o' Kaintuck, shore.
+
+"I don't know, stranger, as Abe ever was borned; nobody in these
+mountains knows it 'f he was. The fust time I ever heerd tell o' Abe
+he was a-hollerin' fer his rights one mawnin' at daylight, endurin' the
+war, jes outside o' ole Tom Perkins' door on Fryin' Pan. Abe was left
+thar by some home-gyard, I reckon. Well, nobody air ever turned out'n
+doors in these mountains, as you know, an' Abe got his rights that
+mawin', an' he's been a-gittin' 'em ever sence. Tom already had a
+houseful, but 'f any feller got the bigges' hunk o' corn-bread, that
+feller was Abe; an' ef any feller got a-whalin', hit wasn't Abe.
+
+"Abe tuk to lyin' right naturely--looked like--afore he could talk.
+Fact is, Abe nuver could do nothin' but jes whisper. Still, Abe could
+manage to send a lie furder with that rattlin' whisper than ole Tom
+could with that big horn o' hisn what tells the boys the revenoos air
+comin' up Fryin' Pan.'
+
+"Didn't take Abe long to git to braggin' an' drinkin' an' naggin' an'
+hectorin'--everything, 'mos', 'cept fightin'. Nobody ever drawed Abe
+Shivers into a fight. I don't know as he was afeerd; looked like Abe
+was a-havin' sech a tarnation good time with his devilmint he jes
+didn't want to run no risk o' havin' hit stopped. An' sech devilmint!
+Hit ud take a coon's age, I reckon, to tell ye.
+
+"The boys was a-goin' up the river one night to git ole Dave Hall fer
+trickin' Rosie Branham into evil. Some feller goes ahead an' tells ole
+Dave they's a-comin.' Hit was Abe. Some feller finds a streak o' ore
+on ole Tom Perkins' land, an' racks his jinny down to town, an' tells a
+furriner thar, an' Tom comes might' nigh sellin' the land fer nothin'.
+Now Tom raised Abe, but, jes the same, the feller was Abe.
+
+"One night somebody guides the revenoos in on Hell fer Sartain, an'
+they cuts up four stills. Hit was Abe. The same night, mind ye, a
+feller slips in among the revenoos while they's asleep, and cuts off
+their hosses' manes an' tails--muled every durned critter uv 'em.
+Stranger, hit was Abe. An' as fer women-folks--well, Abe was the ill
+favoredest feller I ever see, an' he couldn't talk; still, Abe was
+sassy, an' you know how sass counts with the gals; an' Abe's whisperin'
+come in jes as handy as any feller's settin' up; so 'f ever you seed a
+man with a Winchester a-lookin' fer the feller who had cut him out,
+stranger, he was a-lookin' fer Abe.
+
+"Somebody tells Harve Hall, up thar at a dance on Hell-fer-Sartain one
+Christmas night, that Rich Harp had said somep'n' agin him an' Nance
+Osborn. An' somebody tells Rich that Harve had said sompe'n' agin
+Nance an' HIM. Hit was one an' the same feller, stranger, an' the
+feller was Abe. Well, while Rich an' Harve was a-gittin' well,
+somebody runs off with Nance. Hit was Abe. Then Rich an' Harve jes
+draws straws fer a feller. Stranger, they drawed fer Abe. Hit's purty
+hard to believe that Abe air gone, 'cept that Rich Harp an' Harve Hall
+don't never draw no straws fer nothin'; but 'f by the grace o'
+Goddle-mighty Abe air gone, why, as I was a-sayin', the rest of
+us--every durned one of us air a-goin' to be saved, shore. Fer Abe's
+gone fust, an' ef thar's only one Jedgment Day, the Lawd 'll nuver git
+to us."
+
+
+
+
+A PURPLE RHODODENDRON
+
+
+The purple rhododendron is rare. Up in the Gap here, Bee Rock, hung
+out over Roaring Rock, blossoms with it--as a gray cloud purples with
+the sunrise. This rock was tossed lightly on edge when the earth was
+young, and stands vertical. To get the flowers you climb the mountain
+to one side, and, balancing on the rock's thin edge, slip down by roots
+and past rattlesnake dens till you hang out over the water and reach
+for them. To avoid snakes it is best to go when it is cool, at
+daybreak.
+
+I know but one other place in this southwest corner of Virginia where
+there is another bush of purple rhododendron, and one bush only is
+there. This hangs at the throat of a peak not far away, whose ageless
+gray head is bent over a ravine that sinks like a spear thrust into the
+side of the mountain. Swept only by high wind and eagle wings as this
+is, I yet knew one man foolhardy enough to climb to it for a flower.
+He brought one blossom down: and to this day I do not know that it was
+not the act of a coward; yes, though Grayson did it, actually smiling
+all the way from peak to ravine, and though he was my best friend--best
+loved then and since. I believe he was the strangest man I have ever
+known, and I say this with thought; for his eccentricities were
+sincere. In all he did I cannot remember having even suspected
+anything theatrical but once.
+
+We were all Virginians or Kentuckians at the Gap, and Grayson was a
+Virginian. You might have guessed that he was a Southerner from his
+voice and from the way he spoke of women--but no more. Otherwise, he
+might have been a Moor, except for his color, which was about the only
+racial characteristic he had. He had been educated abroad and, after
+the English habit, had travelled everywhere. And yet I can imagine no
+more lonely way between the eternities than the path Grayson trod alone.
+
+He came to the Gap in the early days, and just why he came I never
+knew. He had studied the iron question a long time, he told me, and
+what I thought reckless speculation was, it seems, deliberate judgment
+to him. His money "in the dirt," as the phrase was, Grayson got him a
+horse and rode the hills and waited. He was intimate with nobody.
+Occasionally he would play poker with us and sometimes he drank a good
+deal, but liquor never loosed his tongue. At poker his face told as
+little as the back of his cards, and he won more than admiration--even
+from the Kentuckians, who are artists at the game; but the money went
+from a free hand, and, after a diversion like this, he was apt to be
+moody and to keep more to himself than ever. Every fortnight or two he
+would disappear, always over Sunday. In three or four days he would
+turn up again, black with brooding, and then he was the last man to
+leave the card-table or he kept away from it altogether. Where he went
+nobody knew; and he was not the man anybody would question.
+
+One night two of us Kentuckians were sitting in the club, and from a
+home paper I read aloud the rumored engagement of a girl we both
+knew--who was famous for beauty in the Bluegrass, as was her mother
+before her and the mother before her--to an unnamed Virginian. Grayson
+sat near, smoking a pipe; and when I read the girl's name I saw him
+take the meerschaum from his lips, and I felt his eyes on me. It was a
+mystery how, but I knew at once that Grayson was the man. He sought me
+out after that and seemed to want to make friends. I was willing, or,
+rather he made me more than willing; for he was irresistible to me, as
+I imagine he would have been to anybody. We got to walking together
+and riding together at night, and we were soon rather intimate; but for
+a long time he never so much as spoke the girl's name. Indeed, he kept
+away from the Bluegrass for nearly two months; but when he did go he
+stayed a fortnight.
+
+This time he came for me as soon as he got back to the Gap. It was
+just before midnight, and we went as usual back of Imboden Hill,
+through moon-dappled beeches, and Grayson turned off into the woods
+where there was no path, both of us silent. We rode through tremulous,
+shining leaves--Grayson's horse choosing a way for himself--and,
+threshing through a patch of high, strong weeds, we circled past an
+amphitheatre of deadened trees whose crooked arms were tossed out into
+the moonlight, and halted on the spur. The moon was poised over
+Morris's farm; South Fork was shining under us like a loop of gold, the
+mountains lay about in tranquil heaps, and the moon-mist rose luminous
+between them. There Grayson turned to me with an eager light in his
+eyes that I had never seen before.
+
+"This has a new beauty to-night!" he said; and then "I told her about
+you, and she said that she used to know you--well." I was glad my face
+was in shadow--I could hardly keep back a brutal laugh--and Grayson,
+unseeing, went on to speak of her as I had never heard any man speak of
+any woman. In the end, he said that she had just promised to be his
+wife. I answered nothing. Other men, I knew, had said that with the
+same right, perhaps, and had gone from her to go back no more. And I
+was one of them. Grayson had met her at White Sulphur five years
+before, and had loved her ever since. She had known it from the first,
+he said, and I guessed then what was going to happen to him. I
+marvelled, listening to the man, for it was the star of constancy in
+her white soul that was most lustrous to him--and while I wondered the
+marvel became a commonplace. Did not every lover think his loved one
+exempt from the frailty that names other women? There is no ideal of
+faith or of purity that does not live in countless women to-day. I
+believe that; but could I not recall one friend who walked with
+Divinity through pine woods for one immortal spring, and who, being
+sick to death, was quite finished--learning her at last? Did I not
+know lovers who believed sacred to themselves, in the name of love,
+lips that had been given to many another without it? And now did I not
+know--but I knew too much, and to Grayson I said nothing.
+
+That spring the "boom" came. Grayson's property quadrupled in value
+and quadrupled again. I was his lawyer, and I plead with him to sell;
+but Grayson laughed. He was not speculating; he had invested on
+judgment; he would sell only at a certain figure. The figure was
+actually reached, and Grayson let half go. The boom fell, and Grayson
+took the tumble with a jest. It would come again in the autumn, he
+said, and he went off to meet the girl at White Sulphur.
+
+I worked right hard that summer, but I missed him, and I surely was
+glad when he came back. Something was wrong; I saw it at once. He did
+not mention her name, and for a while he avoided even me. I sought him
+then, and gradually I got him into our old habit of walking up into the
+Gap and of sitting out after supper on a big rock in the valley,
+listening to the run of the river and watching the afterglow over the
+Cumberland, the moon rise over Wallen's Ridge and the stars come out.
+Waiting for him to speak, I learned for the first time then another
+secret of his wretched melancholy. It was the hopelessness of that
+time, perhaps, that disclosed it. Grayson had lost the faith of his
+childhood. Most men do that at some time or other, but Grayson had no
+business, no profession, no art in which to find relief. Indeed, there
+was but one substitute possible, and that came like a gift straight
+from the God whom he denied. Love came, and Grayson's ideals of love,
+as of everything else, were morbid and quixotic. He believed that he
+owed it to the woman he should marry never to have loved another. He
+had loved but one woman, he said, and he should love but one. I
+believed him then literally when he said that his love for the Kentucky
+girl was his religion now--the only anchor left him in his sea of
+troubles, the only star that gave him guiding light. Without this
+love, what then?
+
+I had a strong impulse to ask him, but Grayson shivered, as though he
+divined my thought, and, in some relentless way, our talk drifted to
+the question of suicide. I was not surprised that he rather defended
+it. Neither of us said anything new, only I did not like the way he
+talked. He was too deliberate, too serious, as though he were really
+facing a possible fact. He had no religious scruples, he said, no
+family ties; he had nothing to do with bringing himself into life;
+why--if it was not worth living, not bearable--why should he not end
+it? He gave the usual authority, and I gave the usual answer.
+Religion aside, if we did not know that we were here for some purpose,
+we did not know that we were not; and here we were anyway, and our duty
+was plain. Desertion was the act of a coward, and that Grayson could
+not deny.
+
+That autumn the crash of '91 came across the water from England, and
+Grayson gave up. He went to Richmond, and came back with money enough
+to pay off his notes, and I think it took nearly all he had. Still, he
+played poker steadily now--for poker had been resumed when it was no
+longer possible to gamble in lots--he drank a good deal, and he began
+just at this time to take a singular interest in our volunteer police
+guard. He had always been on hand when there was trouble, and I
+sha'n't soon forget him the day Senator Mahone spoke, when we were
+punching a crowd of mountaineers back with cocked Winchesters. He had
+lost his hat in a struggle with one giant; he looked half crazy with
+anger, and yet he was white and perfectly cool, and I noticed that he
+never had to tell a man but once to stand back. Now he was the first
+man to answer a police whistle. When we were guarding Talt Hall, he
+always volunteered when there was any unusual risk to run. When we
+raided the Pound to capture a gang of desperadoes, he insisted on going
+ahead as spy; and when we got restless lying out in the woods waiting
+for daybreak, and the captain suggested a charge on the cabin, Grayson
+was by his side when it was made. Grayson sprang through the door
+first, and he was the man who thrust his reckless head up into the loft
+and lighted a match to see if the murderers were there. Most of us did
+foolish things in those days under stress of excitement, but Grayson, I
+saw, was weak enough to be reckless. His trouble with the girl,
+whatever it was, was serious enough to make him apparently care little
+whether he were alive or dead. And still I saw that not yet even had
+he lost hope. He was having a sore fight with his pride, and he got
+body-worn and heart-sick over it. Of course he was worsted, and in the
+end, from sheer weakness, he went back to her once more.
+
+I shall never see another face like his when Grayson came back that
+last time. I never noticed before that there were silver hairs about
+his temples. He stayed in his room, and had his meals sent to him. He
+came out only to ride, and then at night. Waking the third morning at
+daybreak, I saw him through the window galloping past, and I knew he
+had spent the night on Black Mountain. I went to his room as soon as I
+got up, and Grayson was lying across his bed with his face down, his
+clothes on, and in his right hand was a revolver. I reeled into a
+chair before I had strength enough to bend over him, and when I did I
+found him asleep. I left him as he was, and I never let him know that
+I had been to his room; but I got him out on the rock again that night,
+and I turned our talk again to suicide. I said it was small, mean,
+cowardly, criminal, contemptible! I was savagely in earnest, and
+Grayson shivered and said not a word. I thought he was in better mind
+after that. We got to taking night rides again, and I stayed as
+closely to him as I could, for times got worse and trouble was upon
+everybody. Notes fell thicker than snowflakes, and, through the
+foolish policy of the company, foreclosures had to be made. Grayson
+went to the wall like the rest of us. I asked him what he had done
+with the money he had made. He had given away a great deal to poorer
+kindred; he had paid his dead father's debts; he had played away a good
+deal, and he had lost the rest. His faith was still imperturbable. He
+had a dozen rectangles of "dirt," and from these, he said, it would all
+come back some day. Still, he felt the sudden poverty keenly, but he
+faced it as he did any other physical fact in life--dauntless. He used
+to be fond of saying that no one thing could make him miserable. But
+he would talk with mocking earnestness about some much-dreaded
+combination; and a favorite phrase of his--which got to have peculiar
+significance--was "the cohorts of hell," who closed in on him when he
+was sick and weak, and who fell back when he got well. He had one
+strange habit, too, from which I got comfort. He would deliberately
+walk into and defy any temptation that beset him. That was the way he
+strengthened himself, he said. I knew what his temptation was now, and
+I thought of this habit when I found him asleep with his revolver, and
+I got hope from it now, when the dreaded combination (whatever that
+was) seemed actually to have come.
+
+I could see now that he got worse daily. He stopped his mockeries, his
+occasional fits of reckless gayety. He stopped poker--resolutely--he
+couldn't afford to lose now; and, what puzzled me, he stopped drinking.
+The man simply looked tired, always hopelessly tired; and I could
+believe him sincere in all his foolish talk about his blessed Nirvana:
+which was the peace he craved, which was end enough for him.
+
+Winter broke. May drew near; and one afternoon, when Grayson and I
+took our walk up through the Gap, he carried along a huge spy-glass of
+mine, which had belonged to a famous old desperado, who watched his
+enemies with it from the mountain-tops. We both helped capture him,
+and I defended him. He was sentenced to hang--the glass was my fee.
+We sat down opposite Bee Rock, and for the first time Grayson told me
+of that last scene with her. He spoke without bitterness, and he told
+me what she said, word for word, without a breath of blame for her. I
+do not believe that he judged her at all; she did not know--he always
+said; she did not KNOW; and then, when I opened my lips, Grayson
+reached silently for my wrist, and I can feel again the warning crush
+of his fingers, and I say nothing against her now.
+
+I asked Grayson what his answer was.
+
+"I asked her," he said, solemnly, "if she had ever seen a purple
+rhododendron."
+
+I almost laughed, picturing the scene--the girl bewildered by his
+absurd question--Grayson calm, superbly courteous. It was a mental
+peculiarity of his--this irrelevancy--and it was like him to end a
+matter of life and death in just that way.
+
+"I told her I should send her one. I am waiting for them to come out,"
+he added; and he lay back with his head against a stone and sighted the
+telescope on a dizzy point, about which buzzards were circling.
+
+"There is just one bush of rhododendron up there," he went on. "I saw
+it looking down from the Point last spring. I imagine it must blossom
+earlier than that across there on Bee Rock, being always in the sun.
+No, it's not budding yet," he added, with his eye to the glass.
+
+"You see that ledge just to the left? I dropped a big rock from the
+Point square on a rattler who was sunning himself there last spring. I
+can see a foothold all the way up the cliff. It can be done," he
+concluded, in a tone that made me turn sharply upon him.
+
+"Do you really mean to climb up there?" I asked, harshly.
+
+"If it blossoms first up there--I'll get it where it blooms first." In
+a moment I was angry and half sick with suspicion, for I knew his
+obstinacy; and then began what I am half ashamed to tell.
+
+Every day thereafter Grayson took that glass with him, and I went along
+to humor him. I watched Bee Rock, and he that one bush at the throat
+of the peak--neither of us talking over the matter again. It was
+uncanny, that rivalry--sun and wind in one spot, sun and wind in
+another--Nature herself casting the fate of a half-crazed fool with a
+flower. It was utterly absurd, but I got nervous over
+it--apprehensive, dismal.
+
+A week later it rained for two days, and the water was high. The next
+day the sun shone, and that afternoon Grayson smiled, looking through
+the glass, and handed it to me. I knew what I should see. One purple
+cluster, full blown, was shaking in the wind. Grayson was leaning back
+in a dream when I let the glass down. A cool breath from the woods
+behind us brought the odor of roots and of black earth; up in the
+leaves and sunlight somewhere a wood-thrush was singing, and I saw in
+Grayson's face what I had not seen for a long time, and that was
+peace--the peace of stubborn purpose. He did not come for me the next
+day, nor the next; but the next he did, earlier than usual.
+
+"I am going to get that rhododendron," he said. "I have been half-way
+up--it can be reached." So had I been half-way up. With nerve and
+agility the flower could be got, and both these Grayson had. If he had
+wanted to climb up there and drop, he could have done it alone, and he
+would have known that I should have found him. Grayson was testing
+himself again, and, angry with him for the absurdity of the thing and
+with myself for humoring it, but still not sure of him, I picked up my
+hat and went. I swore to myself silently that it was the last time I
+should pay any heed to his whims. I believed this would be the last.
+The affair with the girl was over. The flower sent, I knew Grayson
+would never mention her name again.
+
+Nature was radiant that afternoon. The mountains had the leafy
+luxuriance of June, and a rich, sunlit haze drowsed on them between the
+shadows starting out over the valley and the clouds so white that the
+blue of the sky looked dark. Two eagles shot across the mouth of the
+Gap as we neared it, and high beyond buzzards were sailing over
+Grayson's rhododendron.
+
+I went up the ravine with him and I climbed up behind him--Grayson
+going very deliberately and whistling softly. He called down to me
+when he reached the shelf that looked half-way.
+
+"You mustn't come any farther than this," he said. "Get out on that
+rock and I'll drop them down to you."
+
+Then he jumped from the ledge and caught the body of a small tree close
+to the roots, and my heart sank at such recklessness and all my fears
+rose again. I scrambled hastily to the ledge, but I could get no
+farther. I might possibly make the jump he had made--but how should I
+ever get back? How would he? I called angrily after him now, and he
+wouldn't answer me. I called him a fool, a coward; I stamped the ledge
+like a child--but Grayson kept on, foot after hand, with stealthy
+caution, and the purple cluster nodding down at him made my head whirl.
+I had to lie down to keep from tumbling from the ledge; and there on my
+side, gripping a pine bush, I lay looking up at him. He was close to
+the flowers now, and just before he took the last upward step he turned
+and looked down that awful height with as calm a face as though he
+could have dropped and floated unhurt to the ravine beneath.
+
+Then with his left hand he caught the ledge to the left, strained up,
+and, holding thus, reached out with his right. The hand closed about
+the cluster, and the twig was broken. Grayson gave a great shout then.
+He turned his head as though to drop them, and, that far away, I heard
+the sibilant whir of rattles. I saw a snake's crest within a yard of
+his face, and, my God! I saw Grayson loose his left hand to guard it!
+The snake struck at his arm, and Grayson reeled and caught back once at
+the ledge with his left hand. He caught once, I say, to do him full
+justice; then, without a word, he dropped--and I swear there was a
+smile on his face when he shot down past me into the trees.
+
+
+I found him down there in the ravine with nearly every bone in his body
+crushed. His left arm was under him, and outstretched in his right
+hand was the shattered cluster, with every blossom gone but one. One
+white half of his face was unmarked, and on it was still the shadow of
+a smile. I think it meant more than that Grayson believed that he was
+near peace at last. It meant that Fate had done the deed for him and
+that he was glad. Whether he would have done it himself, I do not
+know; and that is why I say that though Grayson brought the flower
+down--smiling from peak to ravine--I do not know that he was not, after
+all, a coward.
+
+That night I wrote to the woman in Kentucky. I told her that Grayson
+had fallen from a cliff while climbing for flowers; and that he was
+dead. Along with these words, I sent a purple rhododendron.
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of 'Hell fer Sartain' and Other Stories, by
+John Fox, Jr.
+
+*** END OF THIS PROJECT GUTENBERG EBOOK 'HELL FER SARTAIN' ***
+
+***** This file should be named 410.txt or 410.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/4/1/410/
+
+Produced by Charles Keller. HTML version by Al Haines.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/410.zip b/410.zip
new file mode 100644
index 0000000..f2fdbc4
--- /dev/null
+++ b/410.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..523b847
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #410 (https://www.gutenberg.org/ebooks/410)
diff --git a/old/hfers10.txt b/old/hfers10.txt
new file mode 100644
index 0000000..2c1f9b8
--- /dev/null
+++ b/old/hfers10.txt
@@ -0,0 +1,2234 @@
+The Project Gutenberg Etext of Hell Fer Sartain & Other Stories
+by John Fox, Jr.
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+Hell Fer Sartain & Other Stories
+
+by John Fox, Jr.
+
+January, 1996 [Etext #410]
+
+
+The Project Gutenberg Etext of Hell Fer Sartain & Other Stories
+*****This file should be named hfers10.txt or hfers10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, hfers11.txt.
+VERSIONS based on separate sources get new LETTER, hfers10a.txt.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $4
+million dollars per hour this year as we release some eight text
+files per month: thus upping our productivity from $2 million.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is 10% of the expected number of computer users by the end
+of the year 2001.
+
+We need your donations more than ever!
+
+All donations should be made to "Project Gutenberg/IBC", and are
+tax deductible to the extent allowable by law ("IBC" is Illinois
+Benedictine College). (Subscriptions to our paper newsletter go
+to IBC, too)
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Michael S. Hart, Executive
+Director:
+hart@vmd.cso.uiuc.edu (internet) hart@uiucvmd (bitnet)
+
+We would prefer to send you this information by email
+(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
+
+******
+If you have an FTP program (or emulator), please
+FTP directly to the Project Gutenberg archives:
+[Mac users, do NOT point and click. . .type]
+
+ftp uiarchive.cso.uiuc.edu
+login: anonymous
+password: your@login
+cd etext/etext90 through /etext96
+or cd etext/articles [get suggest gut for more information]
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET INDEX?00.GUT
+for a list of books
+and
+GET NEW GUT for general information
+and
+MGET GUT* for newsletters.
+
+**Information prepared by the Project Gutenberg legal advisor**
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Illinois Benedictine College (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association / Illinois
+ Benedictine College" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Illinois Benedictine College".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+Scanned by Charles Keller with
+OmniPage Professional OCR software
+donated by Caere Corporation, 1-800-535-7226.
+Contact Mike Lough <Mikel@caere.com>
+
+JOHN FOX, JR.
+
+`Hell fer Sartain'
+and
+Other Stories
+
+
+TO
+MY BROTHER
+JAMES
+
+
+AUTHOR'S NOTE
+
+
+
+
+CONTENTS
+
+
+ON HELL-FER-SARTAIN CREEK
+THROUGH THE GAP
+A TRICK O' TRADE
+GRAYSON'S BABY
+COURTIN' ON CUTSHIN
+THE MESSAGE IN THE SAND
+THE SENATOR'S LAST TRADE
+PREACHIN' ON KINGDOM-COME
+THE PASSING OF ABRAHAM SHIVERS
+A PURPLE RHODODENDRON
+
+
+
+ON HELL-FER-SARTAIN CREEK
+
+
+Thar was a dancin'-party Christmas
+night on ``Hell fer Sartain.'' Jes tu'n
+up the fust crick beyond the bend thar,
+an' climb onto a stump, an' holler about
+ONCE, an' you'll see how the name come.
+Stranger, hit's HELL fer sartain! Well,
+Rich Harp was thar from the head-
+waters, an' Harve Hall toted Nance
+Osborn clean across the Cumberlan'.
+Fust one ud swing Nance, an' then
+t'other. Then they'd take a pull out'n
+the same bottle o' moonshine, an'--fust
+one an' then t'other--they'd swing her
+agin. An' Abe Shivers a-settin' thar
+by the fire a-bitin' his thumbs!
+
+Well, things was sorter whoopin',
+when somebody ups an' tells Harve
+that Rich had said somep'n' agin
+Nance an' him, an' somebody ups an'
+tells Rich that Harve had said somep'n'
+agin Nance an' HIM. In a minute, stranger,
+hit was like two wild-cats in thar.
+Folks got 'em parted, though, but thar
+was no more a-swingin' of Nance that
+night. Harve toted her back over the
+Cumberlan', an' Rich's kinsfolks tuk him
+up ``Hell fer Sartain''; but Rich got
+loose, an' lit out lickety-split fer Nance
+Osborn's. He knowed Harve lived too
+fer over Black Mountain to go home
+that night, an' he rid right across the
+river an' up to Nance's house, an'
+hollered fer Harve. Harve poked his head
+out'n the loft--he knowed whut was
+wanted--an' Harve says, ``Uh, come in
+hyeh an' go to bed. Hit's too late!''
+An' Rich seed him a-gapin' like a chicken,
+an' in he walked, stumblin' might'
+nigh agin the bed whar Nance was
+a-layin', listenin' an' not sayin' a word.
+
+Stranger, them two fellers slept
+together plum frien'ly, an' they et together
+plum frien'ly next mornin', an' they sa'ntered
+down to the grocery plum frien'ly.
+An' Rich says, ``Harve,'' says he,
+``let's have a drink.'' ``All right, Rich,''
+says Harve. An' Rich says, ``Harve,''
+says he, ``you go out'n that door an'
+I'll go out'n this door.'' ``All right,
+Rich,'' says Harve, an' out they
+walked, steady, an' thar was two shoots
+shot, an' Rich an' Harve both drapped,
+an' in ten minutes they was stretched
+out on Nance's bed an' Nance was
+a-lopin' away fer the yarb doctor.
+
+The gal nussed 'em both plum faithful.
+Rich didn't hev much to say, an'
+Harve didn't hev much to say. Nance
+was sorter quiet, an' Nance's mammy,
+ole Nance, jes grinned. Folks come in
+to ax atter 'em right peart. Abe Shivers
+come cl'ar 'cross the river--powerful
+frien'ly--an' ever' time Nance ud walk
+out to the fence with him. One time
+she didn't come back, an' ole Nance
+fotched the boys thar dinner, an' ole
+Nance fotched thar supper, an' then
+Rich he axed whut was the matter
+with young Nance. An' ole Nance jes
+snorted. Atter a while Rich says:
+``Harve,'' says he, ``who tol' you that
+I said that word agin you an' Nance?''
+``Abe Shivers,'' says Harve. ``An' who
+tol' you,'' says Harve, ``that I said that
+word agin Nance an' YOU?'' ``Abe Shivers,''
+says Rich. An' both says, ``Well,
+damn me!'' An' Rich tu'ned right
+over an' begun pullin' straws out'n the
+bed. He got two out, an' he bit one
+off, an' he says: ``Harve,'' says he, ``I
+reckon we better draw fer him. The
+shortes' gits him.'' An' they drawed.
+Well, nobody ever knowed which got
+the shortes' straw, stranger, but--
+
+Thar'll be a dancin'-party comin'
+Christmas night on ``Hell fer Sartain.''
+Rich Harp 'll be thar from the head-
+waters. Harve Hall's a-goin' to tote
+the Widder Shivers clean across the
+Cumberlan'. Fust one 'll swing Nance,
+an' then t'other. Then they'll take a
+pull out'n the same bottle o' moonshine,
+an'--fust one an' then t'other--
+they'll swing her agin, jes the same.
+ABE won't be thar. He's a-settin' by
+a bigger fire, I reckon (ef he ain't in
+it), a-bitin' his thumbs!
+
+
+
+
+THROUGH THE GAP
+
+
+When thistles go adrift, the sun sets
+down the valley between the hills;
+when snow comes, it goes down behind
+the Cumberland and streams through a
+great fissure that people call the Gap.
+Then the last light drenches the parson's
+cottage under Imboden Hill, and
+leaves an after-glow of glory on a
+majestic heap that lies against the east.
+Sometimes it spans the Gap with a
+rainbow.
+
+Strange people and strange tales
+come through this Gap from the Kentucky
+hills. Through it came these
+two, late one day--a man and a woman--
+afoot. I met them at the foot-
+bridge over Roaring Fork.
+
+``Is thar a preacher anywhar aroun'
+hyeh?'' he asked. I pointed to the
+cottage under Imboden Hill. The girl
+flushed slightly and turned her head
+away with a rather unhappy smile.
+Without a word, the mountaineer led
+the way towards town. A moment
+more and a half-breed Malungian passed
+me on the bridge and followed
+them.
+
+At dusk the next day I saw the
+mountaineer chopping wood at a shanty
+under a clump of rhododendron on
+the river-bank. The girl was cooking
+supper inside. The day following he
+was at work on the railroad, and on
+Sunday, after church, I saw the parson.
+The two had not been to him. Only
+that afternoon the mountaineer was
+on the bridge with another woman,
+hideously rouged and with scarlet ribbons
+fluttering from her bonnet. Passing
+on by the shanty, I saw the Malungian
+talking to the girl. She apparently
+paid no heed to him until, just as he
+was moving away, he said something
+mockingly, and with a nod of his
+head back towards the bridge. She
+did not look up even then, but her
+face got hard and white, and, looking
+back from the road, I saw her slipping
+through the bushes into the dry bed of
+the creek, to make sure that what the
+half-breed told her was true.
+
+The two men were working side by
+side on the railroad when I saw them
+again, but on the first pay-day the doctor
+was called to attend the Malungian,
+whose head was split open with
+a shovel. I was one of two who went
+out to arrest his assailant, and I had
+no need to ask who he was. The
+mountaineer was a devil, the foreman
+said, and I had to club him with a
+pistol-butt before he would give in.
+He said he would get even with me;
+but they all say that, and I paid no
+attention to the threat. For a week he
+was kept in the calaboose, and when I
+passed the shanty just after he was
+sent to the county-seat for trial, I
+found it empty. The Malungian, too,
+was gone. Within a fortnight the
+mountaineer was in the door of the
+shanty again. Having no accuser, he
+had been discharged. He went back
+to his work, and if he opened his lips
+I never knew. Every day I saw him
+at work, and he never failed to give
+me a surly look. Every dusk I saw
+him in his door-way, waiting, and I
+could guess for what. It was easy to
+believe that the stern purpose in his
+face would make its way through
+space and draw her to him again.
+And she did come back one day. I
+had just limped down the mountain
+with a sprained ankle. A crowd of
+women was gathered at the edge of
+the woods, looking with all their eyes
+to the shanty on the river-bank. The
+girl stood in the door-way. The
+mountaineer was coming back from work
+with his face down.
+
+``He hain't seed her yit,'' said one.
+``He's goin' to kill her shore. I tol'
+her he would. She said she reckoned
+he would, but she didn't keer.''
+
+For a moment I was paralyzed by
+the tragedy at hand. She was in the
+door looking at him when he raised
+his head. For one moment he stood
+still, staring, and then he started
+towards her with a quickened step. I
+started too, then, every step a torture,
+and as I limped ahead she made a
+gesture of terror and backed into the
+room before him. The door closed,
+and I listened for a pistol-shot and a
+scream. It must have been done with
+a knife, I thought, and quietly, for
+when I was within ten paces of the
+cabin he opened the door again. His
+face was very white; he held one hand
+behind him, and he was nervously
+fumbling at his chill with the other.
+As he stepped towards me I caught the
+handle of a pistol in my side pocket
+and waited. He looked at me sharply.
+
+``Did you say the preacher lived up
+thar?'' he asked.
+
+``Yes,'' I said, breathlessly.
+
+In the door-way just then stood the
+girl with a bonnet in her hand, and at
+a nod from him they started up the
+hill towards the cottage. They came
+down again after a while, he stalking
+ahead, and she, after the mountain
+fashion, behind. And after this fashion
+I saw them at sunset next day pass
+over the bridge and into the mouth of
+the Gap whence they came. Through
+this Gap come strange people and
+strange tales from the Kentucky hills.
+Over it, sometimes, is the span of a
+rainbow.
+
+
+
+
+A TRICK O' TRADE
+
+
+Stranger, I'm a separATE man, an' I
+don't inQUIZite into no man's business;
+but you ax me straight, an' I tell ye
+straight: You watch ole Tom!
+
+Now, I'll take ole Tom Perkins' word
+agin anybody's 'ceptin' when hit comes
+to a hoss trade ur a piece o' land. Fer
+in the tricks o' sech, ole Tom 'lows--
+well, hit's diff'ent; an' I reckon, stranger,
+as how hit sorter is. He was a-stayin'
+at Tom's house, the furriner was, a-dickerin'
+fer a piece o' lan'--the same
+piece, mebbe, that you're atter now--
+an' Tom keeps him thar fer a week to
+beat him out'n a dollar, an' then won't
+let him pay nary a cent fer his boa'd.
+Now, stranger, that's Tom.
+
+Well, Abe Shivers was a-workin' fer
+Tom--you've heerd tell o' Abe--an'
+the furriner wasn't more'n half gone
+afore Tom seed that Abe was up to
+some of his devilMINT. Abe kin hatch
+up more devilMINT in a minit than Satan
+hisself kin in a week; so Tom jes got
+Abe out'n the stable under a hoe-handle,
+an' tol' him to tell the whole thing
+straight ur he'd have to go to glory
+right thar. An' Abe tol'!
+
+'Pears like Abe had foun' a streak o'
+iron ore on the lan', an' had racked his
+jinny right down to Hazlan an' tol' the
+furriner, who was thar a-buyin' wild
+lands right an' left. Co'se, Abe was
+goin' to make the furriner whack up
+fer gittin' the lan' so cheap. Well,
+brother, the furriner come up to Tom's
+an' got Tom into one o' them new-
+fangled trades whut the furriners calls a
+option--t'other feller kin git out'n hit,
+but you can't. The furriner 'lowed he'd
+send his podner up thar next day to
+put the thing in writin' an' close up the
+trade. Hit looked like ole Tom was
+ketched fer shore, an' ef Tom didn't
+ra'r, I'd tell a man. He jes let that hoe-
+handle drap on Abe fer 'bout haffen
+hour, jes to give him time to study, an'
+next day thar was ole Tom a-settin'
+on his orchard fence a-lookin' mighty
+unknowin', when the furriner's podner
+come a-prancin' up an' axed ef old Tom
+Perkins lived thar.
+
+Ole Tom jes whispers.
+
+Now, I clean fergot to tell ye, stranger,
+that Abe Shivers nuver could talk out
+loud. He tol' so many lies that the
+Lawd--jes to make things even--sorter
+fixed Abe, I reckon, so he couldn't lie
+on more'n one side o' the river at a
+time. Ole Tom jes knowed t'other
+furriner had tol' this un 'bout Abe, an,'
+shore 'nough, the feller says, sorter soft,
+says he:
+
+``Aw, you air the feller whut foun'
+the ore?''
+
+Ole Tom--makin' like he was Abe,
+mind ye--jes whispers: ``Thar hain't
+none thar.''
+
+Stranger, the feller mos' fell off'n his
+hoss. ``Whut?'' says he. Ole Tom kep'
+a-whisperin': ``Thar hain't no coal--
+no nothing; ole Tom Perkins made me
+tell t'other furriner them lies.''
+
+Well, sir, the feller WAS mad. ``Jes
+whut I tol' that fool podner of mine,''
+he says, an' he pull out a dollar an' gives
+hit to Tom. Tom jes sticks out his
+han' with his thum' turned in jes so,
+an' the furriner says, ``Well, ef you can't
+talk, you kin make purty damn good
+signs''; but he forks over four mo' dollars
+(he 'lowed ole Tom had saved him a
+pile o' money), an' turns his hoss an'
+pulls up agin. He was a-gittin' the land
+so durned cheap that I reckon he jes
+hated to let hit go, an' he says, says he:
+``Well, hain't the groun' rich? Won't hit
+raise no tabaccy nur corn nur nothin'?''
+
+Ole Tom jes whispers:
+
+``To tell you the p'int-blank truth,
+stranger, that land's so durned pore that
+I hain't nuver been able to raise my
+voice.''
+
+Now, brother, I'm a separATE man,
+an' I don't inQUIZite into no man's business--
+but you ax me straight an' I tell
+ye straight. Ole Tom Perkins kin trade
+with furriners, fer he have l'arned their
+ways. You watch ole Tom!
+
+
+
+
+GRAYSON'S BABY
+
+
+The first snow sifted in through the
+Gap that night, and in a ``shack'' of
+one room and a low loft a man was
+dead, a woman was sick to death, and
+four children were barely alive; and
+nobody even knew. For they were hill
+people, who sicken, suffer, and sometimes
+die, like animals, and make no
+noise.
+
+Grayson, the Virginian, coming down
+from the woods that morning, saw the
+big-hearted little doctor outside the door
+of the shack, walking up and down,
+with his hands in his pockets. He was
+whistling softly when Grayson got near,
+and, without stopping, pointed with his
+thumb within. The oldest boy sat
+stolidly on the one chair in the room,
+his little brother was on the floor hard
+by, and both were hugging a greasy
+stove. The little girl was with her
+mother in the bed, both almost out of
+sight under a heap of quilts. The baby
+was in a cradle, with its face uncovered,
+whether dead or asleep Grayson could
+not tell. A pine coffin was behind the
+door. It would not have been possible
+to add to the disorder of the room, and
+the atmosphere made Grayson gasp. He
+came out looking white. The first man
+to arrive thereafter took away the eldest
+boy, a woman picked the baby girl from
+the bed, and a childless young couple
+took up the pallid little fellow on the
+floor. These were step-children. The
+baby boy that was left was the woman's
+own. Nobody came for that, and Grayson
+went in again and looked at it a
+long while. So little, so old a human
+face he had never seen. The brow
+was wrinkled as with centuries of pain,
+and the little drawn mouth looked as
+though the spirit within had fought
+its inheritance without a murmur, and
+would fight on that way to the end. It
+was the pluck of the face that drew
+Grayson. ``I'll take it,'' he said. The
+doctor was not without his sense of humor
+even then, but he nodded. ``Cradle and
+all,'' he said, gravely. And Grayson put
+both on one shoulder and walked away.
+He had lost the power of giving further
+surprise in that town, and had he met
+every man he knew, not one of them
+would have felt at liberty to ask him
+what he was doing. An hour later the
+doctor found the child in Grayson's
+room, and Grayson still looking at it.
+
+``Is it going to live, doctor?''
+
+The doctor shook his head. ``Doubtful.
+Look at the color. It's starved.
+There's nothing to do but to watch it
+and feed it. You can do that.''
+
+So Grayson watched it, with a
+fascination of which he was hardly
+conscious. Never for one instant did its
+look change--the quiet, unyielding
+endurance that no faith and no philosophy
+could ever bring to him. It was ideal
+courage, that look, to accept the inevitable
+but to fight it just that way. Half
+the little mountain town was talking
+next day--that such a tragedy was possible
+by the public road-side, with relief
+within sound of the baby's cry. The
+oldest boy was least starved. Might
+made right in an extremity like his, and
+the boy had taken care of himself. The
+young couple who had the second lad
+in charge said they had been wakened
+at daylight the next morning by some
+noise in the room. Looking up, they
+saw the little fellow at the fireplace
+breaking an egg. He had built a fire,
+had got eggs from the kitchen, and was
+cooking his breakfast. The little girl
+was mischievous and cheery in spite of
+her bad plight, and nobody knew of the
+baby except Grayson and the doctor.
+Grayson would let nobody else in. As
+soon as it was well enough to be peevish
+and to cry, he took it back to its mother,
+who was still abed. A long, dark
+mountaineer was there, of whom the woman
+seemed half afraid. He followed Grayson
+outside.
+
+``Say, podner,'' he said, with an
+unpleasant smile, ``ye don't go up to
+Cracker's Neck fer nothin', do ye?''
+
+The woman had lived at Cracker's
+Neck before she appeared at the Gap,
+and it did not come to Grayson what
+the man meant until he was half-way to
+his room. Then he flushed hot and
+wheeled back to the cabin, but the
+mountaineer was gone.
+
+``Tell that fellow he had better keep
+out of my way,'' he said to the woman,
+who understood, and wanted to say
+something, but not knowing how, nodded
+simply. In a few days the other children
+went back to the cabin, and day
+and night Grayson went to see the child,
+until it was out of danger, and afterwards.
+It was not long before the women
+in town complained that the mother was
+ungrateful. When they sent things to
+eat to her the servant brought back
+word that she had called out, `` `Set
+them over thar,' without so much as a
+thanky.'' One message was that ``she
+didn' want no second-hand victuals from
+nobody's table.'' Somebody suggested
+sending the family to the poor-house.
+The mother said ``she'd go out on her
+crutches and hoe corn fust, and that the
+people who talked 'bout sendin' her to
+the po'-house had better save their breath
+to make prayers with.'' One day she
+was hired to do some washing. The
+mistress of the house happened not to
+rise until ten o'clock. Next morning
+the mountain woman did not appear
+until that hour. ``She wasn't goin' to
+work a lick while that woman was
+a-layin' in bed,'' she said, frankly. And
+when the lady went down town, she too
+disappeared. Nor would she, she
+explained to Grayson, ``while that woman
+was a-struttin' the streets.''
+
+After that, one by one, they let her
+alone, and the woman made not a word
+of complaint. Within a week she was
+working in the fields, when she should
+have been back in bed. The result
+was that the child sickened again.
+The old look came back to its face,
+and Grayson was there night and day.
+He was having trouble out in Kentucky
+about this time, and he went
+to the Blue Grass pretty often. Always,
+however, he left money with
+me to see that the child was properly
+buried if it should die while he was
+gone; and once he telegraphed to ask
+how it was. He said he was sometimes
+afraid to open my letters for
+fear that he should read that the baby
+was dead. The child knew Grayson's
+voice, his step. It would go to him
+from its own mother. When it was
+sickest and lying torpid it would move
+the instant he stepped into the room,
+and, when he spoke, would hold out
+its thin arms, without opening its eyes,
+and for hours Grayson would walk the
+floor with the troubled little baby over
+his shoulder. I thought several times
+it would die when, on one trip, Grayson
+was away for two weeks. One
+midnight, indeed, I found the mother
+moaning, and three female harpies
+about the cradle. The baby was dying
+this time, and I ran back for a
+flask of whiskey. Ten minutes late
+with the whiskey that night would
+have been too late. The baby got to
+know me and my voice during that
+fortnight, but it was still in danger
+when Grayson got back, and we went
+to see it together. It was very weak,
+and we both leaned over the cradle,
+from either side, and I saw the pity
+and affection--yes, hungry, half-shamed
+affection--in Grayson's face. The
+child opened its eyes, looked from
+one to the other, and held out its
+arms to ME. Grayson should have
+known that the child forgot--that it
+would forget its own mother. He
+turned sharply, and his face was a
+little pale. He gave something to the
+woman, and not till then did I notice
+that her soft black eyes never left
+him while he was in the cabin. The
+child got well; but Grayson never
+went to the shack again, and he said
+nothing when I came in one night
+and told him that some mountaineer
+--a long, dark fellow-had taken the
+woman, the children, and the household
+gods of the shack back into the
+mountains.
+
+``They don't grieve long,'' I said,
+``these people.''
+
+But long afterwards I saw the woman
+again along the dusty road that
+leads into the Gap. She had heard
+over in the mountains that Grayson
+was dead, and had walked for two
+days to learn if it was true. I pointed
+back towards Bee Rock, and told her
+that he had fallen from a cliff back
+there. She did not move, nor did her
+look change. Moreover, she said nothing,
+and, being in a hurry, I had to ride
+on.
+
+At the foot-bridge over Roaring
+Fork I looked back. The woman was
+still there, under the hot mid-day sun
+and in the dust of the road, motionless.
+
+
+
+COURTIN' ON CUTSHIN
+
+
+Hit was this way, stranger. When
+hit comes to handlin' a right peert gal,
+Jeb Somers air about the porest man
+on Fryin' Pan, I reckon; an' Polly Ann
+Sturgill have got the vineg'rest tongue
+on Cutshin or any other crick.
+
+So the boys over on Fryin' Pan
+made it up to git 'em together. Abe
+Shivers--you've heerd tell o' Abe--
+tol' Jeb that Polly Ann had seed him
+in Hazlan (which she hadn't, of co'se),
+an' had said p'int-blank that he was
+the likeliest feller she'd seed in them
+mountains. An' he tol' Polly Ann
+that Jeb was ravin' crazy 'bout her.
+The pure misery of it jes made him
+plumb delirious, Abe said; an' 'f Polly
+Ann wanted to find her match fer languige
+an' talkin' out peert--well, she
+jes ought to strike Jeb Somers. Fact
+is, stranger, Jeb Somers air might' nigh
+a idgit; but Jeb 'lowed he'd rack right
+over on Cutshin an' set up with Polly
+Ann Sturgill; an' Abe tells Polly Ann
+the king bee air comin'. An' Polly
+Ann's cousin, Nance Osborn, comes
+over from Hell fer Sartain (whut runs
+into Kingdom-Come) to stay all night
+an' see the fun.
+
+Now, I hain't been a-raftin' logs
+down to the settlemints o' Kaintuck
+fer nigh on to twenty year fer nothin',
+An' I know gallivantin' is diff'ent
+with us mountain fellers an' you furriners,
+in the premises, anyways, as
+them lawyers up to court says; though
+I reckon hit's purty much the same
+atter the premises is over. Whar you
+says ``courtin','' now, we says ``talkin'
+to.'' Sallie Spurlock over on Fryin'
+Pan is a-talkin' to Jim Howard now.
+Sallie's sister hain't nuver talked to no
+man. An' whar you says ``makin' a
+call on a young lady,'' we says ``settin'
+up with a gal''! An', stranger, we does
+it. We hain't got more'n one room
+hardly ever in these mountains, an'
+we're jes obleeged to set up to do any
+courtin' at all.
+
+Well, you go over to Sallie's to stay
+all night some time, an' purty soon
+atter supper Jim Howard comes in.
+The ole man an' the ole woman goes
+to bed, an' the chil'un an' you go to
+bed, an' ef you keeps one eye open
+you'll see Jim's cheer an' Sallie's cheer
+a-movin' purty soon, till they gets
+plumb together. Then, stranger, hit
+begins. Now I want ye to understand
+that settin' up means business. We
+don't 'low no foolishness in these
+mountains; an' 'f two fellers happens
+to meet at the same house, they jes
+makes the gal say which one she likes
+best, an' t'other one gits! Well, you'll
+see Jim put his arm 'round Sallie's neck
+an' whisper a long while--jes so. Mebbe
+you've noticed whut fellers us mountain
+folks air fer whisperin'. You've
+seed fellers a-whisperin' all over Hazlan
+on court day, hain't ye? Ole
+Tom Perkins 'll put his arm aroun' yo'
+neck an' whisper in yo' year ef he's
+ten mile out'n the woods. I reckon
+thar's jes so much devilmint a-goin' on
+in these mountains, folks is naturely
+afeerd to talk out loud.
+
+Well, Jim let's go an' Sallie puts her
+arm aroun' Jim's neck an' whispers a
+long while--jes so; an' 'f you happen
+to wake up anywhar to two o'clock in
+the mornin' you'll see jes that a-goin'
+on. Brother, that's settin' up.
+
+Well, Jeb Somers, as I was a-sayin'
+in the premises, 'lowed he'd rack right
+over on Cutshin an' set up with Polly
+Ann comin' Christmas night. An' Abe
+tells Polly Ann Jeb says he aims to
+have her fer a Christmas gift afore
+mornin'. Polly Ann jes sniffed sorter,
+but you know women folks air always
+mighty ambitious jes to SEE a feller
+anyways, 'f he's a-pinin' fer 'em. So
+Jeb come, an' Jeb was fixed up now
+fittin' to kill. Jeb had his hair oiled
+down nice an' slick, and his mustache
+was jes black as powder could make
+hit. Naturely hit was red; but a feller
+can't do nothin' in these mountains
+with a red mustache; an' Jeb had a
+big black ribbon tied in the butt o'
+the bigges' pistol Abe Shivers could
+borrer fer him--hit was a badge o'
+death an' deestruction to his enemies,
+Abe said, an' I tell ye Jeb did look
+like a man. He never opened his
+mouth atter he says ``howdy''--Jeb
+never does say nothin'; Jeb's one o'
+them fellers whut hides thar lack o'
+brains by a-lookin' solemn an' a-keepin'
+still, but thar don't nobody say much
+tell the ole folks air gone to bed, an'
+Polly Ann jes 'lowed Jeb was a-waitin'.
+Fact is, stranger, Abe Shivers had got
+Jeb a leetle disguised by liquer, an' he
+did look fat an' sassy, ef he couldn't
+talk, a-settin' over in the corner a-
+plunkin' the banjer an' a-knockin' off
+``Sour-wood Mountain'' an' ``Jinny git
+aroun' '' an' ``Soapsuds over the Fence.''
+
+ ``Chickens a-crowin' on Sour-wood Mountain,
+ Heh-o-dee-um-dee-eedy-dahdy-dee!
+ Git yo' dawgs an' we'll go huntin',
+ Heh-o-dee-um-dee-eedy-dahdy-dee!''
+
+An' when Jeb comes to
+
+ ``I've got a gal at the head o' the holler,
+ Heh-o-dee-um-dee-eedy-dahdy-dee!''
+
+he jes turns one eye 'round on Polly
+Ann, an' then swings his chin aroun' as
+though he didn't give a cuss fer nothin'.
+
+ ``She won't come, an' I won't foller,
+ Heh-o-dee-um-dee-eedy-dahdy-dee!''
+
+
+Well, sir, Nance seed that Polly Ann
+was a-eyin' Jeb sort o' flustered like,
+an' she come might' nigh splittin' right
+thar an' a-sp'ilin' the fun, fer she
+knowed what a skeery fool Jeb was.
+An' when the ole folks goes to bed,
+Nance lays thar under a quilt a-watchin'
+an' a-listenin'. Well, Jeb knowed
+the premises, ef he couldn't talk, an'
+purty soon Nance heerd Jeb's cheer
+creak a leetle, an' she says, Jeb's a-
+comin', and Jeb was; an' Polly Ann
+'lowed Jeb was jes a leetle TOO resolute
+an' quick-like, an' she got her hand
+ready to give him one lick anyways
+fer bein' so brigaty. I don't know as
+she'd 'a' hit him more'n ONCE. Jeb had
+a farm, an' Polly Ann--well, Polly Ann
+was a-gittin' along. But Polly Ann
+sot thar jes as though she didn't know
+Jeb was a-comin', an' Jeb stopped once
+an' says,
+
+``You hain't got nothin' agin me, has
+ye?''
+
+An' Polly Ann says, sorter quick,
+
+``Naw; ef I had, I'd push it.''
+
+Well, Jeb mos' fell off his cheer, when,
+ef he hadn't been sech a skeery idgit,
+he'd 'a' knowed that Polly Ann was
+plain open an' shet a-biddin' fer him.
+But he sot thar like a knot on a log fer
+haffen hour, an' then he rickollected, I
+reckon, that Abe had tol' him Polly Ann
+was peppery an' he mustn't mind, fer
+Jeb begun a-movin' ag'in till he was
+slam-bang agin Polly Ann's cheer. An'
+thar he sot like a punkin, not sayin' a
+word nur doin' nothin'. An' while Polly
+Ann was a-wonderin' ef he was gone
+plumb crazy, blame me ef that durned
+fool didn't turn roun' to that peppery
+gal an' say,
+
+``Booh, Polly Ann!''
+
+Well, Nance had to stuff the bedquilt
+in her mouth right thar to keep from
+hollerin' out loud, fer Polly Ann's hand
+was a-hangin' down by the cheer, jes
+a-waitin' fer a job, and Nance seed the
+fingers a-twitchin'. An' Jeb waits
+another haffen hour an' Jeb says,
+
+``Ortern't I be killed?''
+
+``Whut fer?'' says Polly Ann, sorter
+sharp.
+
+An' Jeb says, ``Fer bein' so devilish.''
+
+Well, brother, Nance snorted right
+out thar, an' Polly Ann Sturgill's hand
+riz up jes once; an' I've heerd Jeb
+Somers say the next time he jumps out
+o' the Fryin' Pan he's a-goin' to take hell-
+fire 'stid o' Cutshin fer a place to light.
+
+
+
+
+THE MESSAGE IN THE SAND
+
+
+Stranger, you furriners don't nuver
+seem to consider that a woman has
+always got the devil to fight in two
+people at once! Hit's two agin one, I
+tell ye, an' hit hain't fa'r.
+
+That's what I said more'n two year
+ago, when Rosie Branham was a-layin'
+up thar at Dave Hall's, white an' mos'
+dead. An', GOD, boys, I says, that leetle
+thing in thar by her shorely can't be to
+blame.
+
+Thar hain't been a word agin Rosie
+sence; an', stranger, I reckon thar nuver
+will be. Fer, while the gal hain't got
+hide o' kith or kin, thar air two fellers
+up hyeh sorter lookin' atter Rosie; an'
+one of 'em is the shootin'es' man on
+this crick, I reckon, 'cept one; an',
+stranger, that's t'other.
+
+Rosie kep' her mouth shet fer a long
+while; an' I reckon as how the feller
+'lowed she wasn't goin' to tell. Co'se
+the woman folks got hit out'n her--they
+al'ays gits whut they want, as you know
+--an' thar the sorry cuss was--a-livin'
+up thar in the Bend, jes aroun' that
+bluff o' lorrel yander, a-lookin' pious, an'
+a-singin', an' a-sayin' Amen louder 'n
+anybody when thar was meetin'.
+
+Well, my boy Jim an' a lot o' fellers
+jes went up fer him right away. I don't
+know as the boys would 'a' killed him
+EXACTLY ef they had kotched him, though
+they mought; but they got Abe Shivers,
+as tol' the feller they was a-comin'--
+you've heard tell o' Abe-an' they mos'
+beat Abraham Shivers to death. Stranger,
+the sorry cuss was Dave. Rosie
+hadn't no daddy an' no mammy; an'
+she was jes a-workin' at Dave's fer her
+victuals an' clo'es. 'Pears like the pore
+gal was jes tricked into evil. Looked
+like she was sorter 'witched--an' anyways,
+stranger, she was a fightin' Satan
+in HERSELF, as well as in Dave. Hit was
+two agin one, I tell ye, an' hit wasn't
+fa'r.
+
+Co'se they turned Rosie right out in
+the road I hain't got a word to say
+agin Dave's wife fer that; an' atter a
+while the boys lets Dave come back, to
+take keer o' his ole mammy, of co'se,
+but I tell ye Dave's a-playin' a purty
+lonesome tune. He keeps purty shy YIT.
+He don't nuver sa'nter down this way.
+'Pears like he don't seem to think hit's
+healthy fer him down hyeh, an' I reckon
+Dave's right.
+
+Rosie? Oh, well, I sorter tuk Rosie
+in myself. Yes, she's been livin' thar
+in the shack with me an' my boy Jim,
+an' the-- Why, thar he is now, stranger.
+That's him a-wallerin' out thar in the
+road. Do you reckon thar'd be a single
+thing agin that leetle cuss ef he had to
+stan' up on Jedgment Day jes as he is
+now?
+
+Look hyeh, stranger, whut you reckon
+the Lawd kep' a-writin' thar on the
+groun' that day when them fellers was
+a-pesterin' him 'bout that pore woman?
+Don't you jes know he was a writin'
+'bout sech as HIM--an' Rosie? I tell
+ye, brother, he writ thar jes what I'm
+al'ays a-sayin'.
+
+Hit hain't the woman's fault. I said
+it more'n two year ago, when Rosie was
+up thar at ole Dave's, an' I said it
+yestiddy, when my boy Jim come to
+me an' 'lowed as how he aimed to
+take Rosie down to town to-day an'
+git married.
+
+``You ricollect, dad,'' says Jim, ``her
+mammy?''
+
+``Yes, Jim,'' I says; ``all the better
+reason not to be too hard on Rosie.''
+
+I'm a-lookin' fer 'em both back right
+now, stranger; an' ef you will, I'll be
+mighty glad to have ye stay right hyeh
+to the infair this very night. Thar nuver
+was a word agin Rosie afore, thar hain't
+been sence, an' you kin ride up an' down
+this river till the crack o' doom an' you'll
+nuver hear a word agin her ag'in. Fer,
+as I tol' you, my boy, Jim is the shoot-
+in'es' feller on this crick, I reckon, 'cept
+ONE, an', stranger, that's ME!
+
+
+
+THE SENATOR'S LAST TRADE
+
+
+A drove of lean cattle were swinging
+easily over Black Mountain, and
+behind them came a big man with
+wild black hair and a bushy beard.
+Now and then he would gnaw at his
+mustache with his long, yellow teeth,
+or would sit down to let his lean horse
+rest, and would flip meaninglessly at
+the bushes with a switch. Sometimes
+his bushy head would droop over on
+his breast, and he would snap it up
+sharply and start painfully on. Robber,
+cattle-thief, outlaw he might have
+been in another century; for he filled
+the figure of any robber hero in life
+or romance, and yet he was only the
+Senator from Bell, as he was known
+in the little Kentucky capital; or, as
+he was known in his mountain home,
+just the Senator, who had toiled and
+schemed and grown rich and grown poor;
+who had suffered long and was kind.
+
+Only that Christmas he had gutted
+every store in town. ``Give me everything
+you have, brother,'' he said, across
+each counter; and next day every man,
+woman, and child in the mountain
+town had a present from the Senator's
+hands. He looked like a brigand that
+day, as he looked now, but he called
+every man his brother, and his eye,
+while black and lustreless as night, was
+as brooding and just as kind.
+
+When the boom went down, with it
+and with everybody else went the Senator.
+Slowly he got dusty, ragged,
+long of hair. He looked tortured and
+ever-restless. You never saw him still;
+always he swept by you, flapping his
+legs on his lean horse or his arms in
+his rickety buggy here, there, everywhere--
+turning, twisting, fighting his
+way back to freedom--and not a murmur.
+Still was every man his brother,
+and if some forgot his once open hand,
+he forgot it no more completely than
+did the Senator. He went very far to
+pay his debts. He felt honor bound,
+indeed, to ask his sister to give back
+the farm that he had given her, which,
+very properly people said, she declined
+to do. Nothing could kill hope in the
+Senator's breast; he would hand back
+the farm in another year, he said; but
+the sister was firm, and without a word
+still, the Senator went other ways and
+schemed through the nights, and worked
+and rode and walked and traded
+through the days, until now, when the
+light was beginning to glimmer, his
+end was come.
+
+This was the Senator's last trade, and
+in sight, down in a Kentucky valley,
+was home. Strangely enough, the Senator
+did not care at all, and he had
+just enough sanity left to wonder why,
+and to be worried. It was the ``walking
+typhoid'' that had caught up with
+him, and he was listless, and he made
+strange gestures and did foolish things
+as he stumbled down the mountain.
+He was going over a little knoll now,
+and he could see the creek that ran
+around his house, but he was not
+touched. He would just as soon have
+lain down right where he was, or have
+turned around and gone back, except
+that it was hot and he wanted to get
+to the water. He remembered that it
+was nigh Christmas; he saw the snow
+about him and the cakes of ice in the
+creek. He knew that he ought not to
+be hot, and yet he was--so hot that
+he refused to reason with himself even
+a minute, and hurried on. It was odd
+that it should be so, but just about
+that time, over in Virginia, a cattle
+dealer, nearing home, stopped to tell
+a neighbor how he had tricked some
+black-whiskered fool up in the mountains.
+It may have been just when he
+was laughing aloud over there, that the
+Senator, over here, tore his woollen
+shirt from his great hairy chest and
+rushed into the icy stream, clapping
+his arms to his burning sides and
+shouting in his frenzy.
+
+``If he had lived a little longer,'' said
+a constituent, ``he would have lost the
+next election. He hadn't the money,
+you know.''
+
+``If he had lived a little longer,'' said
+the mountain preacher high up on Yellow
+Creek, ``I'd have got that trade I
+had on hand with him through. Not
+that I wanted him to die, but if he
+had to--why--''
+
+``If he had lived a little longer,''
+said the Senator's lawyer, ``he would
+have cleaned off the score against
+him.''
+
+``If he had lived a little longer,'' said
+the Senator's sister, not meaning to
+be unkind, ``he would have got all I
+have.''
+
+That was what life held for the
+Senator. Death was more kind.
+
+
+
+
+PREACHIN' ON KINGDOM-COME
+
+
+I've told ye, stranger, that Hell fer
+Sartain empties, as it oughter, of co'se,
+into Kingdom-Come. You can ketch
+the devil 'most any day in the week on
+Hell fer Sartain, an' sometimes you can
+git Glory everlastin' on Kingdom-Come.
+Hit's the only meetin'-house thar in
+twenty miles aroun'.
+
+Well, the reg'lar rider, ole Jim Skaggs,
+was dead, an' the bretherin was a-lookin'
+aroun' fer somebody to step into ole
+Jim's shoes. Thar'd been one young
+feller up thar from the settlemints, a-
+cavortin' aroun', an' they was studyin'
+'bout gittin' him.
+
+``Bretherin' an' sisteren,'' I says, atter
+the leetle chap was gone, ``he's got the
+fortitood to speak an' he shorely is well
+favored. He's got a mighty good hawk
+eye fer spyin' out evil--an' the gals; he
+can outholler ole Jim; an' IF,'' I says,
+``any IDEES ever comes to him, he'll be
+a hell-rouser shore--but they ain't comin'!''
+An', so sayin', I takes my foot in
+my hand an' steps fer home.
+
+Stranger, them fellers over thar hain't
+seed much o' this world. Lots of 'em
+nuver seed the cyars; some of 'em nuver
+seed a wagon. An' atter jowerin' an'
+noratin' fer 'bout two hours, what you
+reckon they said they aimed to do?
+They believed they'd take that ar man
+Beecher, ef they could git him to come.
+They'd heerd o' Henry endurin' the war,
+an' they knowed he was agin the rebs,
+an' they wanted Henry if they could
+jes git him to come.
+
+Well, I snorted, an' the feud broke
+out on Hell fer Sartain betwixt the Days
+an' the Dillons. Mace Day shot Daws
+Dillon's brother, as I rickollect--somep'n's
+al'ays a-startin' up that plaguey
+war an' a-makin' things frolicsome over
+thar--an' ef it hadn't a-been fer a tall
+young feller with black hair an' a scar
+across his forehead, who was a-goin'
+through the mountains a-settlin' these
+wars, blame me ef I believe thar ever
+would 'a' been any mo' preachin' on
+Kingdom-Come. This feller comes over
+from Hazlan an' says he aims to hold a
+meetin' on Kingdom-Come. ``Brother,''
+I says, ``that's what no preacher have
+ever did whilst this war is a-goin' on.''
+An' he says, sort o' quiet, ``Well, then, I
+reckon I'll have to do what no preacher
+have ever did.'' An' I ups an' says:
+``Brother, an ole jedge come up here
+once from the settlemints to hold couht.
+`Jedge,' I says, `that's what no jedge
+have ever did without soldiers since this
+war's been a-goin' on.' An', brother, the
+jedge's words was yours, p'int-blank.
+`All right,' he says, `then I'll have to do
+what no other jedge have ever did.'
+An', brother,'' says I to the preacher,
+``the jedge done it shore. He jes laid
+under the couht-house fer two days whilst
+the boys fit over him. An' when I sees
+the jedge a-makin' tracks fer the settlemints,
+I says, `Jedge,' I says, `you spoke
+a parable shore.' ''
+
+Well, sir, the long preacher looked
+jes as though he was a-sayin' to hisself,
+``Yes, I hear ye, but I don't heed ye,''
+an' when he says, ``Jes the same, I'm
+a-goin' to hold a meetin' on Kingdom-
+Come,'' why, I jes takes my foot in my
+hand an' ag'in I steps fer home.
+
+That night, stranger, I seed another
+feller from Hazlan, who was a-tellin' how
+this here preacher had stopped the war
+over thar, an' had got the Marcums an'
+Braytons to shakin' hands; an' next day
+ole Tom Perkins stops in an' says that
+WHARAS there mought 'a' been preachin'
+somewhar an' sometime, thar nuver had
+been PREACHIN' afore on Kingdom-Come.
+So I goes over to the meetin' house, an'
+they was all thar--Daws Dillon an'
+Mace Day, the leaders in the war, an'
+Abe Shivers (you've heerd tell o' Abe)
+who was a-carryin' tales from one side to
+t'other an' a-stirrin' up hell ginerally, as
+Abe most al'ays is; an' thar was Daws
+on one side o' the meetin'-house an'
+Mace on t'other, an' both jes a-watchin'
+fer t'other to make a move, an' thar'd
+'a' been billy-hell to pay right thar!
+Stranger, that long preacher talked jes
+as easy as I'm a-talkin' now, an' hit was
+p'int-blank as the feller from Hazlan
+said. You jes ought 'a' heerd him tellin'
+about the Lawd a-bein' as pore as any
+feller thar, an' a-makin' barns an' fences
+an' ox-yokes an' sech like; an' not
+a-bein' able to write his own name--
+havin' to make his mark mebbe--when
+he started out to save the world. An'
+how they tuk him an' nailed him onto
+a cross when he'd come down fer nothin'
+but to save 'em; an' stuck a spear big as
+a corn-knife into his side, an' give him
+vinegar; an' his own mammy a-standin'
+down thar on the ground a-cryin' an'
+a-watchin' him an' he a-fergivin' all of
+'em then an' thar!
+
+Thar nuver had been nothin' like that
+afore on Kingdom-Come, an' all along I
+heerd fellers a-layin' thar guns down;
+an when the preacher called out fer
+sinners, blame me ef the fust feller that
+riz wasn't Mace Day. An' Mace says,
+``Stranger, 'f what you say is true, I
+reckon the Lawd 'll fergive me too, but
+I don't believe Daws Dillon ever will,''
+an' Mace stood thar lookin' around fer
+Daws. An' all of a sudden the preacher
+got up straight an' called out, ``Is thar
+a human in this house mean an' sorry
+enough to stand betwixt a man an' his
+Maker''? An' right thar, stranger, Daws
+riz. ``Naw, by God, thar hain' t!'' Daws
+says, an' he walks up to Mace a-holdin'
+out his hand, an' they all busts out
+cryin' an' shakin' hands--Days an' Dillons--
+jes as the preacher had made 'em
+do over in Hazlan. An' atter the thing
+was over, I steps up to the preacher an'
+I says:
+
+``Brother,'' I says, ``YOU spoke a
+parable, shore.''
+
+
+
+
+THE PASSING OF ABRAHAM SHIVERS
+
+
+``I tell ye, boys, hit hain t often a
+feller has the chance o' doin' so much
+good jes by DYIN'. Fer 'f Abe Shivers
+air gone, shorely gone, the rest of us--
+every durn one of us--air a-goin' to be
+saved. Fer Abe Shivers--you hain't
+heerd tell o' ABE? Well, you must be a
+stranger in these mountains o' Kaintuck,
+shore.
+
+``I don't know, stranger, as Abe ever
+was borned; nobody in these mountains
+knows it 'f he was. The fust time I ever
+heerd tell o' Abe he was a-hollerin' fer his
+rights one mawnin' at daylight, endurin'
+the war, jes outside o' ole Tom Perkins'
+door on Fryin' Pan. Abe was left thar
+by some home-gyard, I reckon. Well,
+nobody air ever turned out'n doors in
+these mountains, as you know, an' Abe
+got his rights that mawin', an' he's been
+a-gittin' 'em ever sence. Tom already
+had a houseful, but 'f any feller got the
+bigges' hunk o' corn-bread, that feller was
+Abe; an' ef any feller got a-whalin',
+hit wasn't Abe.
+
+``Abe tuk to lyin' right naturely--
+looked like--afore he could talk. Fact
+is, Abe nuver could do nothin' but jes
+whisper. Still, Abe could manage to
+send a lie furder with that rattlin'
+whisper than ole Tom could with
+that big horn o' hisn what tells the
+boys the revenoos air comin' up Fryin'
+Pan.'
+
+``Didn't take Abe long to git to braggin'
+an' drinkin' an' naggin' an' hectorin'
+--everything, 'mos', 'cept fightin'. Nobody
+ever drawed Abe Shivers into a
+fight. I don't know as he was afeerd;
+looked like Abe was a-havin' sech a
+tarnation good time with his devilmint he
+jes didn't want to run no risk o' havin'
+hit stopped. An' sech devilmint! Hit
+ud take a coon's age, I reckon, to tell
+ye.
+
+``The boys was a-goin' up the river
+one night to git ole Dave Hall fer trickin'
+Rosie Branham into evil. Some feller
+goes ahead an' tells ole Dave they's
+a-comin.' Hit was Abe. Some feller
+finds a streak o' ore on ole Tom Perkins'
+land, an' racks his jinny down to town,
+an' tells a furriner thar, an' Tom comes
+might' nigh sellin' the land fer nothin'.
+Now Tom raised Abe, but, jes the same,
+the feller was Abe.
+
+``One night somebody guides the
+revenoos in on Hell fer Sartain, an' they
+cuts up four stills. Hit was Abe. The
+same night, mind ye, a feller slips in
+among the revenoos while they's asleep,
+and cuts off their hosses' manes an'
+tails--muled every durned critter uv
+'em. Stranger, hit was Abe. An' as
+fer women-folks--well, Abe was the
+ill favoredest feller I ever see, an' he
+couldn't talk; still, Abe was sassy, an'
+you know how sass counts with the gals;
+an' Abe's whisperin' come in jes as
+handy as any feller's settin' up; so 'f
+ever you seed a man with a Winchester
+a-lookin' fer the feller who had cut
+him out, stranger, he was a-lookin' fer
+Abe.
+
+``Somebody tells Harve Hall, up thar
+at a dance on Hell-fer-Sartain one Christmas
+night, that Rich Harp had said
+somep'n' agin him an' Nance Osborn.
+An' somebody tells Rich that Harve had
+said sompe'n' agin Nance an' HIM. Hit
+was one an' the same feller, stranger, an'
+the feller was Abe. Well, while Rich
+an' Harve was a-gittin' well, somebody
+runs off with Nance. Hit was Abe.
+Then Rich an' Harve jes draws straws
+fer a feller. Stranger, they drawed fer
+Abe. Hit's purty hard to believe that
+Abe air gone, 'cept that Rich Harp an'
+Harve Hall don't never draw no straws
+fer nothin'; but 'f by the grace o' Goddle-
+mighty Abe air gone, why, as I was
+a-sayin', the rest of us--every durned one
+of us air a-goin' to be saved, shore.
+Fer Abe's gone fust, an' ef thar's only
+one Jedgment Day, the Lawd 'll nuver
+git to us.''
+
+
+
+
+A PURPLE RHODODENDRON
+
+
+The purple rhododendron is rare.
+Up in the Gap here, Bee Rock, hung
+out over Roaring Rock, blossoms with
+it--as a gray cloud purples with the
+sunrise. This rock was tossed lightly
+on edge when the earth was young, and
+stands vertical. To get the flowers you
+climb the mountain to one side, and,
+balancing on the rock's thin edge, slip
+down by roots and past rattlesnake dens
+till you hang out over the water and
+reach for them. To avoid snakes it is
+best to go when it is cool, at daybreak.
+
+I know but one other place in this
+southwest corner of Virginia where
+there is another bush of purple
+rhododendron, and one bush only is there.
+This hangs at the throat of a peak not
+far away, whose ageless gray head is
+bent over a ravine that sinks like a
+spear thrust into the side of the
+mountain. Swept only by high wind and
+eagle wings as this is, I yet knew one
+man foolhardy enough to climb to it
+for a flower. He brought one blossom
+down: and to this day I do not know
+that it was not the act of a coward;
+yes, though Grayson did it, actually
+smiling all the way from peak to ravine,
+and though he was my best friend
+--best loved then and since. I believe
+he was the strangest man I have ever
+known, and I say this with thought;
+for his eccentricities were sincere. In
+all he did I cannot remember having
+even suspected anything theatrical but
+once.
+
+We were all Virginians or Kentuckians
+at the Gap, and Grayson was a
+Virginian. You might have guessed
+that he was a Southerner from his voice
+and from the way he spoke of women
+--but no more. Otherwise, he might
+have been a Moor, except for his color,
+which was about the only racial
+characteristic he had. He had been educated
+abroad and, after the English habit, had
+travelled everywhere. And yet I can
+imagine no more lonely way between
+the eternities than the path Grayson
+trod alone.
+
+He came to the Gap in the early
+days, and just why he came I never
+knew. He had studied the iron question
+a long time, he told me, and what
+I thought reckless speculation was, it
+seems, deliberate judgment to him. His
+money ``in the dirt,'' as the phrase was,
+Grayson got him a horse and rode the
+hills and waited. He was intimate with
+nobody. Occasionally he would play
+poker with us and sometimes he drank
+a good deal, but liquor never loosed his
+tongue. At poker his face told as little
+as the back of his cards, and he won more
+than admiration--even from the Kentuckians,
+who are artists at the game;
+but the money went from a free hand,
+and, after a diversion like this, he was
+apt to be moody and to keep more to
+himself than ever. Every fortnight or
+two he would disappear, always over
+Sunday. In three or four days he
+would turn up again, black with brooding,
+and then he was the last man to
+leave the card-table or he kept away
+from it altogether. Where he went nobody
+knew; and he was not the man
+anybody would question.
+
+One night two of us Kentuckians
+were sitting in the club, and from a
+home paper I read aloud the rumored
+engagement of a girl we both knew--
+who was famous for beauty in the Bluegrass,
+as was her mother before her and
+the mother before her--to an unnamed
+Virginian. Grayson sat near, smoking a
+pipe; and when I read the girl's name
+I saw him take the meerschaum from
+his lips, and I felt his eyes on me. It
+was a mystery how, but I knew at once
+that Grayson was the man. He sought
+me out after that and seemed to want
+to make friends. I was willing, or, rather
+he made me more than willing; for
+he was irresistible to me, as I imagine
+he would have been to anybody. We
+got to walking together and riding
+together at night, and we were soon rather
+intimate; but for a long time he never
+so much as spoke the girl's name. Indeed,
+he kept away from the Bluegrass
+for nearly two months; but when he
+did go he stayed a fortnight.
+
+This time he came for me as soon as
+he got back to the Gap. It was just
+before midnight, and we went as usual
+back of Imboden Hill, through moon-
+dappled beeches, and Grayson turned
+off into the woods where there was
+no path, both of us silent. We rode
+through tremulous, shining leaves--
+Grayson's horse choosing a way for
+himself--and, threshing through a patch
+of high, strong weeds, we circled past an
+amphitheatre of deadened trees whose
+crooked arms were tossed out into the
+moonlight, and halted on the spur. The
+moon was poised over Morris's farm;
+South Fork was shining under us like a
+loop of gold, the mountains lay about in
+tranquil heaps, and the moon-mist rose
+luminous between them. There Grayson
+turned to me with an eager light in
+his eyes that I had never seen before.
+
+``This has a new beauty to-night!''
+he said; and then ``I told her about
+you, and she said that she used to know
+you--well.'' I was glad my face was in
+shadow--I could hardly keep back a
+brutal laugh--and Grayson, unseeing,
+went on to speak of her as I had never
+heard any man speak of any woman. In
+the end, he said that she had just promised
+to be his wife. I answered nothing.
+Other men, I knew, had said that
+with the same right, perhaps, and had
+gone from her to go back no more.
+And I was one of them. Grayson had
+met her at White Sulphur five years
+before, and had loved her ever since.
+She had known it from the first, he
+said, and I guessed then what was going
+to happen to him. I marvelled, listening
+to the man, for it was the star of
+constancy in her white soul that was
+most lustrous to him--and while I
+wondered the marvel became a commonplace.
+Did not every lover think his
+loved one exempt from the frailty that
+names other women? There is no ideal
+of faith or of purity that does not live
+in countless women to-day. I believe
+that; but could I not recall one friend
+who walked with Divinity through pine
+woods for one immortal spring, and who,
+being sick to death, was quite finished
+--learning her at last? Did I not know
+lovers who believed sacred to themselves,
+in the name of love, lips that
+had been given to many another without
+it? And now did I not know--but
+I knew too much, and to Grayson I said
+nothing.
+
+That spring the ``boom'' came. Grayson's
+property quadrupled in value and
+quadrupled again. I was his lawyer, and
+I plead with him to sell; but Grayson
+laughed. He was not speculating; he
+had invested on judgment; he would
+sell only at a certain figure. The figure
+was actually reached, and Grayson let
+half go. The boom fell, and Grayson
+took the tumble with a jest. It would
+come again in the autumn, he said, and
+he went off to meet the girl at White
+Sulphur.
+
+I worked right hard that summer, but
+I missed him, and I surely was glad
+when he came back. Something was
+wrong; I saw it at once. He did not
+mention her name, and for a while he
+avoided even me. I sought him then,
+and gradually I got him into our old
+habit of walking up into the Gap and of
+sitting out after supper on a big rock in
+the valley, listening to the run of the
+river and watching the afterglow over
+the Cumberland, the moon rise over
+Wallen's Ridge and the stars come out.
+Waiting for him to speak, I learned for
+the first time then another secret of his
+wretched melancholy. It was the hopelessness
+of that time, perhaps, that disclosed
+it. Grayson had lost the faith
+of his childhood. Most men do that at
+some time or other, but Grayson had
+no business, no profession, no art in
+which to find relief. Indeed, there was
+but one substitute possible, and that
+came like a gift straight from the God
+whom he denied. Love came, and Grayson's
+ideals of love, as of everything
+else, were morbid and quixotic. He
+believed that he owed it to the woman
+he should marry never to have loved
+another. He had loved but one woman,
+he said, and he should love but one.
+I believed him then literally when he
+said that his love for the Kentucky
+girl was his religion now--the only
+anchor left him in his sea of troubles,
+the only star that gave him guiding
+light. Without this love, what
+then?
+
+I had a strong impulse to ask him,
+but Grayson shivered, as though he
+divined my thought, and, in some
+relentless way, our talk drifted to the
+question of suicide. I was not surprised
+that he rather defended it. Neither of
+us said anything new, only I did not
+like the way he talked. He was too
+deliberate, too serious, as though he
+were really facing a possible fact. He
+had no religious scruples, he said, no
+family ties; he had nothing to do with
+bringing himself into life; why--if it
+was not worth living, not bearable--
+why should he not end it? He gave
+the usual authority, and I gave the
+usual answer. Religion aside, if we did
+not know that we were here for some
+purpose, we did not know that we were
+not; and here we were anyway, and
+our duty was plain. Desertion was the
+act of a coward, and that Grayson could
+not deny.
+
+That autumn the crash of '91 came
+across the water from England, and
+Grayson gave up. He went to
+Richmond, and came back with money
+enough to pay off his notes, and I
+think it took nearly all he had. Still,
+he played poker steadily now--for poker
+had been resumed when it was no longer
+possible to gamble in lots--he drank
+a good deal, and he began just at this
+time to take a singular interest in our
+volunteer police guard. He had always
+been on hand when there was trouble,
+and I sha'n't soon forget him the day
+Senator Mahone spoke, when we were
+punching a crowd of mountaineers back
+with cocked Winchesters. He had lost
+his hat in a struggle with one giant; he
+looked half crazy with anger, and yet
+he was white and perfectly cool, and I
+noticed that he never had to tell a man
+but once to stand back. Now he was
+the first man to answer a police whistle.
+When we were guarding Talt Hall, he
+always volunteered when there was any
+unusual risk to run. When we raided
+the Pound to capture a gang of
+desperadoes, he insisted on going ahead as
+spy; and when we got restless lying
+out in the woods waiting for daybreak,
+and the captain suggested a charge on
+the cabin, Grayson was by his side when
+it was made. Grayson sprang through
+the door first, and he was the man who
+thrust his reckless head up into the loft
+and lighted a match to see if the murderers
+were there. Most of us did foolish
+things in those days under stress
+of excitement, but Grayson, I saw, was
+weak enough to be reckless. His trouble
+with the girl, whatever it was, was
+serious enough to make him apparently
+care little whether he were alive or dead.
+And still I saw that not yet even had
+he lost hope. He was having a sore
+fight with his pride, and he got body-
+worn and heart-sick over it. Of course
+he was worsted, and in the end, from
+sheer weakness, he went back to her
+once more.
+
+I shall never see another face like his
+when Grayson came back that last time.
+I never noticed before that there were
+silver hairs about his temples. He stayed
+in his room, and had his meals sent to
+him. He came out only to ride, and then
+at night. Waking the third morning at
+daybreak, I saw him through the window
+galloping past, and I knew he had spent
+the night on Black Mountain. I went
+to his room as soon as I got up, and
+Grayson was lying across his bed with
+his face down, his clothes on, and in his
+right hand was a revolver. I reeled
+into a chair before I had strength enough
+to bend over him, and when I did I
+found him asleep. I left him as he was,
+and I never let him know that I had
+been to his room; but I got him out on
+the rock again that night, and I turned
+our talk again to suicide. I said it was
+small, mean, cowardly, criminal,
+contemptible! I was savagely in earnest,
+and Grayson shivered and said not a
+word. I thought he was in better mind
+after that. We got to taking night
+rides again, and I stayed as closely to
+him as I could, for times got worse and
+trouble was upon everybody. Notes fell
+thicker than snowflakes, and, through
+the foolish policy of the company,
+foreclosures had to be made. Grayson went
+to the wall like the rest of us. I asked
+him what he had done with the money
+he had made. He had given away a
+great deal to poorer kindred; he had
+paid his dead father's debts; he had
+played away a good deal, and he had
+lost the rest. His faith was still
+imperturbable. He had a dozen rectangles of
+``dirt,'' and from these, he said, it would
+all come back some day. Still, he felt
+the sudden poverty keenly, but he faced
+it as he did any other physical fact in
+life--dauntless. He used to be fond of
+saying that no one thing could make
+him miserable. But he would talk with
+mocking earnestness about some much-
+dreaded combination; and a favorite
+phrase of his--which got to have peculiar
+significance--was ``the cohorts of hell,''
+who closed in on him when he was sick
+and weak, and who fell back when he
+got well. He had one strange habit,
+too, from which I got comfort. He
+would deliberately walk into and defy
+any temptation that beset him. That
+was the way he strengthened himself,
+he said. I knew what his temptation
+was now, and I thought of this habit
+when I found him asleep with his
+revolver, and I got hope from it now,
+when the dreaded combination (whatever
+that was) seemed actually to have come.
+
+I could see now that he got worse
+daily. He stopped his mockeries, his
+occasional fits of reckless gayety. He
+stopped poker--resolutely--he couldn't
+afford to lose now; and, what puzzled me,
+he stopped drinking. The man simply
+looked tired, always hopelessly tired;
+and I could believe him sincere in all
+his foolish talk about his blessed Nirvana:
+which was the peace he craved,
+which was end enough for him.
+
+Winter broke. May drew near; and
+one afternoon, when Grayson and I took
+our walk up through the Gap, he carried
+along a huge spy-glass of mine, which
+had belonged to a famous old desperado,
+who watched his enemies with it from the
+mountain-tops. We both helped capture
+him, and I defended him. He was
+sentenced to hang--the glass was my fee.
+We sat down opposite Bee Rock, and
+for the first time Grayson told me of
+that last scene with her. He spoke
+without bitterness, and he told me what
+she said, word for word, without a breath
+of blame for her. I do not believe that
+he judged her at all; she did not know--
+he always said; she did not KNOW; and
+then, when I opened my lips, Grayson
+reached silently for my wrist, and I can
+feel again the warning crush of his fingers,
+and I say nothing against her now.
+
+I asked Grayson what his answer was.
+
+``I asked her,'' he said, solemnly, ``if
+she had ever seen a purple rhododendron.''
+
+I almost laughed, picturing the scene
+--the girl bewildered by his absurd question--
+Grayson calm, superbly courteous.
+It was a mental peculiarity of his--this
+irrelevancy--and it was like him to end
+a matter of life and death in just that
+way.
+
+``I told her I should send her one.
+I am waiting for them to come out,'' he
+added; and he lay back with his head
+against a stone and sighted the telescope
+on a dizzy point, about which buzzards
+were circling.
+
+``There is just one bush of rhododendron
+up there,'' he went on. ``I saw it
+looking down from the Point last spring.
+I imagine it must blossom earlier than
+that across there on Bee Rock, being
+always in the sun. No, it's not budding
+yet,'' he added, with his eye to the glass.
+
+``You see that ledge just to the left? I
+dropped a big rock from the Point square
+on a rattler who was sunning himself
+there last spring. I can see a foothold
+all the way up the cliff. It can be done,''
+he concluded, in a tone that made me
+turn sharply upon him.
+
+``Do you really mean to climb up
+there?'' I asked, harshly.
+
+``If it blossoms first up there--I'll get
+it where it blooms first.'' In a moment
+I was angry and half sick with suspicion,
+for I knew his obstinacy; and
+then began what I am half ashamed to
+tell.
+
+Every day thereafter Grayson took
+that glass with him, and I went along
+to humor him. I watched Bee Rock,
+and he that one bush at the throat of
+the peak--neither of us talking over the
+matter again. It was uncanny, that
+rivalry--sun and wind in one spot, sun
+and wind in another--Nature herself
+casting the fate of a half-crazed fool
+with a flower. It was utterly absurd,
+but I got nervous over it--apprehensive,
+dismal.
+
+A week later it rained for two days,
+and the water was high. The next
+day the sun shone, and that afternoon
+Grayson smiled, looking through the
+glass, and handed it to me. I knew
+what I should see. One purple cluster,
+full blown, was shaking in the wind.
+Grayson was leaning back in a dream
+when I let the glass down. A cool
+breath from the woods behind us
+brought the odor of roots and of black
+earth; up in the leaves and sunlight
+somewhere a wood-thrush was singing,
+and I saw in Grayson's face what
+I had not seen for a long time, and
+that was peace--the peace of stubborn
+purpose. He did not come
+for me the next day, nor the next;
+but the next he did, earlier than
+usual.
+
+``I am going to get that rhododendron,''
+he said. ``I have been half-way
+up--it can be reached.'' So had I been
+half-way up. With nerve and agility
+the flower could be got, and both these
+Grayson had. If he had wanted to
+climb up there and drop, he could have
+done it alone, and he would have known
+that I should have found him. Grayson
+was testing himself again, and, angry
+with him for the absurdity of the thing
+and with myself for humoring it, but
+still not sure of him, I picked up my hat
+and went. I swore to myself silently
+that it was the last time I should pay
+any heed to his whims. I believed this
+would be the last. The affair with the
+girl was over. The flower sent, I knew
+Grayson would never mention her name
+again.
+
+Nature was radiant that afternoon.
+The mountains had the leafy luxuriance
+of June, and a rich, sunlit haze
+drowsed on them between the shadows
+starting out over the valley and the
+clouds so white that the blue of the sky
+looked dark. Two eagles shot across
+the mouth of the Gap as we neared it,
+and high beyond buzzards were sailing
+over Grayson's rhododendron.
+
+I went up the ravine with him and
+I climbed up behind him--Grayson
+going very deliberately and whistling
+softly. He called down to me when he
+reached the shelf that looked half-way.
+
+``You mustn't come any farther than
+this,'' he said. ``Get out on that rock
+and I'll drop them down to you.''
+
+Then he jumped from the ledge and
+caught the body of a small tree close
+to the roots, and my heart sank at such
+recklessness and all my fears rose again.
+I scrambled hastily to the ledge, but I
+could get no farther. I might possibly
+make the jump he had made--but how
+should I ever get back? How would
+he? I called angrily after him now,
+and he wouldn't answer me. I called
+him a fool, a coward; I stamped the
+ledge like a child--but Grayson kept
+on, foot after hand, with stealthy
+caution, and the purple cluster nodding
+down at him made my head whirl. I
+had to lie down to keep from tumbling
+from the ledge; and there on my side,
+gripping a pine bush, I lay looking up
+at him. He was close to the flowers
+now, and just before he took the last
+upward step he turned and looked
+down that awful height with as calm a
+face as though he could have dropped
+and floated unhurt to the ravine beneath.
+
+Then with his left hand he caught
+the ledge to the left, strained up, and,
+holding thus, reached out with his right.
+The hand closed about the cluster, and
+the twig was broken. Grayson gave a
+great shout then. He turned his head
+as though to drop them, and, that far
+away, I heard the sibilant whir of
+rattles. I saw a snake's crest within a
+yard of his face, and, my God! I saw
+Grayson loose his left hand to guard it!
+The snake struck at his arm, and Grayson
+reeled and caught back once at the
+ledge with his left hand. He caught
+once, I say, to do him full justice; then,
+without a word, he dropped--and I
+swear there was a smile on his face
+when he shot down past me into the
+trees.
+
+
+I found him down there in the ravine
+with nearly every bone in his body
+crushed. His left arm was under him,
+and outstretched in his right hand was
+the shattered cluster, with every
+blossom gone but one. One white half of
+his face was unmarked, and on it was
+still the shadow of a smile. I think it
+meant more than that Grayson believed
+that he was near peace at last. It
+meant that Fate had done the deed for
+him and that he was glad. Whether he
+would have done it himself, I do not
+know; and that is why I say that
+though Grayson brought the flower
+down--smiling from peak to ravine--
+I do not know that he was not, after
+all, a coward.
+
+That night I wrote to the woman in
+Kentucky. I told her that Grayson
+had fallen from a cliff while climbing
+for flowers; and that he was dead.
+Along with these words, I sent a purple
+rhododendron.
+
+
+
+
+End of The Project Gutenberg Etext of Hell Fer Sartain & Other Stories
+
diff --git a/old/hfers10.zip b/old/hfers10.zip
new file mode 100644
index 0000000..6b6b13d
--- /dev/null
+++ b/old/hfers10.zip
Binary files differ