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diff --git a/40684-h/40684-h.htm b/40684-h/40684-h.htm index 9f1c6b6..048e5d1 100644 --- a/40684-h/40684-h.htm +++ b/40684-h/40684-h.htm @@ -2,7 +2,7 @@ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The American Horsewoman, by Mrs. Elizabeth Karr -- A Project Gutenberg eBook. @@ -211,45 +211,7 @@ ul.ix { list-style-type: none; font-size: inherit;} </head> <body> - - -<pre> - -The Project Gutenberg EBook of The American Horsewoman, by Elizabeth Karr - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: The American Horsewoman - -Author: Elizabeth Karr - -Release Date: September 6, 2012 [EBook #40684] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE AMERICAN HORSEWOMAN *** - - - - -Produced by Julia Miller, Jennifer Linklater and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive/American Libraries.) - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 40684 ***</div> <hr class="full" /> @@ -361,7 +323,7 @@ presented which he had not anticipated, and which may puzzle him; that which appeared simple and easy when in his natural position will become difficult of performance when he -assumes the rôle of a horsewoman. A trial of +assumes the rôle of a horsewoman. A trial of this kind will demonstrate to him that the rules applicable to the one will not invariably be adapted to the other. The reader need not be @@ -506,7 +468,7 @@ made.—The waist.—The basque or jacket.—Length of riding habit.—White material not to be worn on horseback.—Riding shirt.—Riding drawers.—Riding boots.—Riding corset.—Riding coiffure or head-dress.—Riding -hat.—Minutiæ to be attended to in the riding costume.—How +hat.—Minutiæ to be attended to in the riding costume.—How to hold the riding skirt while standing.—Riding whip.</td><td class="tocnum">52</td></tr> @@ -1120,7 +1082,7 @@ to greater exertion.</p> <span class="i0">As if the dead the living should exceed;<br /></span> <span class="i0">So did this horse excel a common one,<br /></span> <span class="i0">In shape, in courage, color, pace, and bone."<br /></span> -<span class="omitdots">········<br /></span> +<span class="omitdots">········<br /></span> <span class="i0">—"what a horse should have he did not lack,<br /></span> <span class="i0">Save a proud rider on so proud a back."<br /></span> </div> @@ -1535,9 +1497,9 @@ hair, and gives the animal a sulky, dejected appearance.</p> <div class="figcenter"> <a id="Fig_5"></a> <img src="images/fig5.jpg" width="213" height="300" alt="Fig. 5.—Oblique shoulder. -The angle at the joint being about 45°." /> +The angle at the joint being about 45°." /> <p class="caption">Fig. 5.—Oblique shoulder.<br /> -The angle at the joint being about 45°.</p> +The angle at the joint being about 45°.</p> </div> <p>The light, elegant head of the Arabian is well @@ -1552,7 +1514,7 @@ others, and this is the secret of those easy movements which make him so desirable for the saddle. These shoulders are deep, and placed obliquely at an angle of about -45°; they act like the springs +45°; they act like the springs of a well-made carriage, diminishing the shock or jar of his movements. They are always @@ -1565,9 +1527,9 @@ safer for riding. (<a href="#Fig_5" class="inref">Fig. 5.</a>)</p> <div class="figcenter"> <a id="Fig_6"></a> <img src="images/fig6.jpg" width="294" height="300" alt="Fig. 6.—Straight or upright -shoulder. The angle at the joint being more than 45°." /> +shoulder. The angle at the joint being more than 45°." /> <p class="caption">Fig. 6.—Straight or upright shoulder.<br /> The angle at the -joint being more than 45°.</p> +joint being more than 45°.</p> </div> <p>The animal with straight shoulders, no matter @@ -2499,7 +2461,7 @@ used in its place. This shirt must be made short, that the rider may not have to sit upon its folds and wrinkles, which she would find very uncomfortable. The collar should be high and standing, -<i>à la militaire</i>, and made of the finest, whitest +<i>à la militaire</i>, and made of the finest, whitest linen; it should be sewed to the shirt for greater security, and should just be seen above the high collar band of the basque.</p> @@ -2661,7 +2623,7 @@ cravat or small bow of ribbon will be in much better taste than a breast-pin for fastening the collar, and may be of any color that suits the fancy or complexion of the wearer. The costume -may be much brightened by a small <i>boutonnière</i> +may be much brightened by a small <i>boutonnière</i> of natural flowers; these placed at the throat or waist in an apparently careless manner give an air of daintiness and refinement to the @@ -7408,7 +7370,7 @@ comprehend the motion, and will sit closely to the saddle until the horse stops. In all cases, the horse should be brought to a stand in a regular, collected manner, so that with a little -more liberty of rein he can promptly reënter +more liberty of rein he can promptly reënter upon the canter, should this be desired.</p> @@ -9507,7 +9469,7 @@ balanced seat in the saddle, one perfectly independent of reins or stirrup, and without exaggerations of any kind, whether the carelessness or indifference of the instinctive rider, or the affected, pedantic stiffness of the antiquated -<i>haut école</i>. While maintaining a free, easy, yet elegant attitude, +<i>haut école</i>. While maintaining a free, easy, yet elegant attitude, the rider should present to the spectator such an appearance of security and perfect equilibrium that it will seem as if no conflicting movements of the horse could throw her @@ -10768,7 +10730,7 @@ or opposition.</p> <div class="footnote"> -<p><a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a> A very interesting work, by C. A. Piétrement, has recently +<p><a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a> A very interesting work, by C. A. Piétrement, has recently been issued in France, entitled <i>Les chevaux dans les temps prehistorique et historique</i>. The author shows that wild horses were hunted and eaten by man in the rough stone age. He also determines @@ -10867,388 +10829,7 @@ or variant spelling have all been preserved.</p> this has been changed to match the spelling in <a href="#Fig_13">Fig. 13.</a></p> </div> - - - - - - - -<pre> - - - - - -End of Project Gutenberg's The American Horsewoman, by Elizabeth Karr - -*** END OF THIS PROJECT GUTENBERG EBOOK THE AMERICAN HORSEWOMAN *** - -***** This file should be named 40684-h.htm or 40684-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/0/6/8/40684/ - -Produced by Julia Miller, Jennifer Linklater and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive/American Libraries.) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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