diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-03-08 21:29:07 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-03-08 21:29:07 -0800 |
| commit | f55c4e19697813bce33f74e3531d5b1ad406a717 (patch) | |
| tree | 6f584f0d85e35d8c97049545a0110e4f12ce312b /40594-h | |
| parent | 1aff5b8e13bc42df718c8ab98acbeed95d04d860 (diff) | |
Diffstat (limited to '40594-h')
| -rw-r--r-- | 40594-h/40594-h.htm | 463 |
1 files changed, 23 insertions, 440 deletions
diff --git a/40594-h/40594-h.htm b/40594-h/40594-h.htm index 6cd189d..a0952cc 100644 --- a/40594-h/40594-h.htm +++ b/40594-h/40594-h.htm @@ -4,10 +4,10 @@ <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> - The Project Gutenberg eBook of Into The Highways & Hedges, by F. F. Montrésor. + The Project Gutenberg eBook of Into The Highways & Hedges, by F. F. Montrésor. </title> <style type="text/css"> @@ -178,44 +178,7 @@ table { </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Into the Highways and Hedges, by -F. F. Montrésor (Frances Frederica) - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: Into the Highways and Hedges - -Author: F. F. Montrésor (Frances Frederica) - -Release Date: August 27, 2012 [EBook #40594] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK INTO THE HIGHWAYS AND HEDGES *** - - - - -Produced by Suzanne Shell, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 40594 ***</div> <div class="figcenter"> <img src="images/cover.jpg" alt=""/> @@ -225,7 +188,7 @@ Distributed Proofreading Team at http://www.pgdp.net <h1><span class="smcap">Into the Highways & Hedges</span></h1> -<h2>BY <span class="smcap">F. F. Montrésor</span></h2> +<h2>BY <span class="smcap">F. F. Montrésor</span></h2> <p class="center"><i>SEVENTH EDITION</i></p> @@ -467,7 +430,7 @@ gaunt hungry figure "just outside," who might creep again into her room and stand by her with freezing hands and frost-bitten feet,—a sort of embodied and revengeful poverty.</p> -<p>Nursery days ended under the new régime, and the pretty spoilt baby +<p>Nursery days ended under the new régime, and the pretty spoilt baby developed into a shy little schoolroom girl, who curtsied demurely, and spoke in a whisper when she appeared with her sisters in the drawing-room, for a terrible half-hour before dinner.</p> @@ -753,7 +716,7 @@ become in some measure her father's confidante.</p> that delighted him; she brightened when he entered the room, and responded eagerly to his lightest humour.</p> -<p>There was no <i>arrière pensée</i> in her adaptability. Meg loved her father +<p>There was no <i>arrière pensée</i> in her adaptability. Meg loved her father and hated her aunt, and made no secret of either feeling; but hers was not a nature to lay plots, and she would have been astonished had she guessed how often her aunt had said bitterly of late that "Margaret was @@ -813,7 +776,7 @@ feet, and have your hands always full of gold!" cried the beggar. But somehow the blessing sounded to Meg like a curse, and the envious hunger in the tramp's eyes made her shudder. "I hope some one else will give you more—it is all I have with me," she said gently, and stood looking -after her <i>protégée</i> as she trudged off.</p> +after her <i>protégée</i> as she trudged off.</p> <p>The woman was less lucky in her next appeal. The "'Arries" whom she persecuted were inclined to chaff her, whereupon she responded with a @@ -1546,7 +1509,7 @@ example."</p> <p>"Oh no; we couldn't have them," said Mr. Deane hastily. "You know, sis, a very small dose of county magnates goes a long way with me. I don't mind a ball for once, but I couldn't live in their set; besides, Meg -swears that she will be perfectly happy in a prolonged <i>tête-à-tête</i>."</p> +swears that she will be perfectly happy in a prolonged <i>tête-à -tête</i>."</p> <p>"Yes?" said his sister. She smiled, but a little doubtfully. "It would hardly be fair on her to take her at her word," she remarked. "And I @@ -2764,7 +2727,7 @@ to me. I don't want my gratitude spoilt by that kind of nonsense; characteristic chuckle. Meg had an impatience of any approach to love-making, that was more boyish than girlish; and the least attempt at sentiment was enough to chill her rather doubtful liking for her -father's quondam <i>protégé</i>.</p> +father's quondam <i>protégé</i>.</p> <p>"I really am in earnest!" she cried. "Don't laugh at me! Aunt Russelthorpe has been saying things I cannot repeat: she says other @@ -3683,7 +3646,7 @@ it in as few words as possible.</p> <p>"Put not your trust in women," said George, with rather a futile attempt at flippancy, when he had heard the end. "What a fool I've been! I thought I had bought all my experience in that line years ago. Oh well! -it's done now, and the sweetest <i>ingénue</i> in the world won't take me in +it's done now, and the sweetest <i>ingénue</i> in the world won't take me in again."</p> <p>Mr. Russelthorpe looked up sharply. "I suppose when a man's hurt he must @@ -3733,7 +3696,7 @@ in,—to his own undoing, as he felt just then.</p> <p>At that moment he found it hard to look at things calmly, or to consider that, after all, a love affair was an episode he would get over; whereas the advantages he had derived from an intimacy with the Deanes were -solid and lasting, the <i>entrée</i> to Mr. Deane's house having been a +solid and lasting, the <i>entrée</i> to Mr. Deane's house having been a decided step upwards on the social ladder. Mr. Russelthorpe made no reply, and George took up his hat.</p> @@ -3880,7 +3843,7 @@ on end if she could have seen that entertainment.</p> <p>Mrs. Sauls enjoyed it as much as any one; but when the company had gone off hilariously, and George, having seen his guests out of the hall -door, returned for a <i>tête-à-tête</i> with her,—then she tasted the +door, returned for a <i>tête-à -tête</i> with her,—then she tasted the crowning felicity of the evening.</p> <p>George always paid his mother the compliment of talking to her about his @@ -6123,7 +6086,7 @@ at the market-place of N——, the landlord of the "Pig and Whistle" ca panting up to him with a letter. To his great surprise it was from Mr. Deane, and written in a very shaky hand.</p> -<p>"I am tied to Lupcombe by an attack of hæmorrhage. I can't write long +<p>"I am tied to Lupcombe by an attack of hæmorrhage. I can't write long explanations, but think I am rather bad. I hear you are at N——; if so, can you come to me? There is business——"</p> @@ -9650,7 +9613,7 @@ liked him a shade the better for that last unsaintly speech.</p> <p>"I am afraid the preacher would have got the best of it, though I am not a weakling," he reflected. "He would have liked to put me on my back too. He didn't enjoy having to refuse that fight and play the peaceful -<i>rôle</i>, in spite of 'not being wishful for my good opinion'. Is he, +<i>rôle</i>, in spite of 'not being wishful for my good opinion'. Is he, after all, more fanatic than hypocrite? Can he be——Hallo! where am I getting to?"</p> @@ -12043,7 +12006,7 @@ am learning all sorts of things," she wrote.</p> long months of waiting for the assizes.</p> <p>She became a familiar figure in the "prison crowd." Most of the -<i>habitués</i> of the outer yard knew her by sight, and many of them knew +<i>habitués</i> of the outer yard knew her by sight, and many of them knew her story as well (though she could not imagine how it had got about), and they would stare at the "lydy," with amused and generally very kindly curiosity.</p> @@ -13177,7 +13140,7 @@ doubt it served him right.</p> <p>After dinner, they played cards; and she lost heavily, and took no pleasure in the game. Usually she was keenly interested; though it was an understood thing, that when she won, the stakes were merely nominal, -and that when Benjamin won, they were <i>bonâ fide</i>. Mr. Benjamin swept +and that when Benjamin won, they were <i>bonâ fide</i>. Mr. Benjamin swept them up very comfortably to-night.</p> <p>The candles in the heavy gold candlesticks had burnt down pretty low @@ -13880,7 +13843,7 @@ reader at one time). Then the feeble voice grew fainter, and presently he slept. During his sleep he effectually escaped, neither grating nor gaolers having power to stay him this time.</p> -<p>His <i>rôle</i> was played out, and delivered up to the Author of potentates +<p>His <i>rôle</i> was played out, and delivered up to the Author of potentates and beggars; of the few who succeed, and the many who fail. Barnabas closed Hopping Jack's eyes gently—having a weak place in his own composition for failures—then stood upright.</p> @@ -14531,7 +14494,7 @@ of it.</p> <p>It was a luxurious room—the room of a rich man, with a good idea of comfort. All the chairs were delightfully easy, the carpet was thick and soft, the light arranged with a view to reading and writing comfortably. -Artistic it was not, and there was no bric-à-brac, and there were few +Artistic it was not, and there was no bric-à -brac, and there were few books about.</p> <p>Over the mantelpiece was the picture of an undraped nymph, lying on soft @@ -14831,7 +14794,7 @@ I shall repent."</p> dramatic as had been expected. A rumour had, somehow, got about as to the finding of the jewels. It had been whispered that George Sauls was going to enter the witness box again, and startle every one with a grand -<i>coup de théâtre</i>. But nothing of the sort happened. No additional +<i>coup de théâtre</i>. But nothing of the sort happened. No additional evidence was forthcoming. The judge, in summing up, pointed to the fact of the prosecutor's pockets having been rifled, as indicating that greed, rather than vengeance, had prompted the crime. The prisoner's @@ -15289,7 +15252,7 @@ INTO THE HIGHWAYS and HEDGES</p> <p><b>Academy.</b></p> -<p>"This book is so admirably conceived and written that Mr. Montrésor's +<p>"This book is so admirably conceived and written that Mr. Montrésor's next venture must excite unusual interest."</p> <p><b>Speaker.</b></p> @@ -15297,7 +15260,7 @@ next venture must excite unusual interest."</p> <p>"This book will undoubtedly rank high amongst the notable novels of 1895."</p> -<p><b>Athenæum.</b></p> +<p><b>Athenæum.</b></p> <p>"Whoever wrote 'Into the Highways and Hedges' wrote no common novel. A touch of idealism, of nobility of thought and purpose, mingled with an @@ -15321,7 +15284,7 @@ this book, which I advise every one to read." (<i>Katherine Tynan.</i>)</p> <p><b>Manchester Courier.</b></p> -<p>"Mr. Montrésor's next book will be eagerly awaited by all those who make +<p>"Mr. Montrésor's next book will be eagerly awaited by all those who make the acquaintance of his first, for a more strikingly original or a stronger novel has not appeared for some time."</p> @@ -15348,386 +15311,6 @@ there has not, perhaps, been quite so successful a portrait of a man or woman consumed by the passion of humanity. The dialogue throughout the book is excellent."</p> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Into the Highways and Hedges, by -F. F. Montrésor (Frances Frederica) - -*** END OF THIS PROJECT GUTENBERG EBOOK INTO THE HIGHWAYS AND HEDGES *** - -***** This file should be named 40594-h.htm or 40594-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/0/5/9/40594/ - -Produced by Suzanne Shell, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License (available with this file or online at -http://gutenberg.org/license). - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need, are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation web page at http://www.pglaf.org. - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Its 501(c)(3) letter is posted at -http://pglaf.org/fundraising. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at -809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email -business@pglaf.org. Email contact links and up to date contact -information can be found at the Foundation's web site and official -page at http://pglaf.org - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit http://pglaf.org - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: http://pglaf.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart is the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For thirty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -</pre> - +<div>*** END OF THE PROJECT GUTENBERG EBOOK 40594 ***</div> </body> </html> |
