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diff --git a/40509-h/40509-h.htm b/40509-h/40509-h.htm index de7d119..50c6b7c 100644 --- a/40509-h/40509-h.htm +++ b/40509-h/40509-h.htm @@ -5,7 +5,7 @@ <head> -<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> +<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title>The Project Gutenberg eBook of Punch, July 28, 1894.</title> @@ -109,46 +109,7 @@ div.tnote { </head> <body> - - -<pre> - -The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 107, -July 28th 1894, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: Punch, or the London Charivari, Vol. 107, July 28th 1894 - -Author: Various - -Editor: Sir Francis Burnand - -Release Date: August 15, 2012 [EBook #40509] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON *** - - - - -Produced by Malcolm Farmer, Ernest Schaal, and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 40509 ***</div> <h1>PUNCH,<br /> OR THE LONDON CHARIVARI.</h1> @@ -463,7 +424,7 @@ just Pick me up and Carry me across. It's rather Deep, don't you know!</ <a href="images/038.png"><img width="100%" src="images/038.png" alt="" /></a> <h3>"THE APPLE OF DISCORD; OR, WHICH IS THE LAUREATE?"</h3> -<p class="center"><i>Paris</i> ... <span class="smcap">Lord R-s-b-ry.</span> <i>Venus (à la Japonaise)</i> ... <span class="smcap">Sir Edw-n Arn-ld.</span> <i>Juno</i> ... <span class="smcap">L-w-s M-rr-s.</span> <i>Minerva</i> ... <span class="smcap">Alfr-d A-st-n.</span></p> +<p class="center"><i>Paris</i> ... <span class="smcap">Lord R-s-b-ry.</span> <i>Venus (à la Japonaise)</i> ... <span class="smcap">Sir Edw-n Arn-ld.</span> <i>Juno</i> ... <span class="smcap">L-w-s M-rr-s.</span> <i>Minerva</i> ... <span class="smcap">Alfr-d A-st-n.</span></p> </div> <hr /> @@ -481,8 +442,8 @@ in the decency of the learned language, and I would reply, '<i>Poeta nascitur, non fit.</i>' ... My hon. friend must remember what happened to the shepherd Paris when he had to award the apple, -and the misfortunes which befel him and his partners—<i>spretæque -injuria formæ</i>."]</p> +and the misfortunes which befel him and his partners—<i>spretæque +injuria formæ</i>."]</p> </blockquote> <p class="center"><i>Unpoetical Statesman sings:</i>—</p> @@ -500,7 +461,7 @@ injuria formæ</i>."]</p> </div> <div class="stanza"> -<p><span class="smcap">Heré?</span> Ah! this must be she!</p> +<p><span class="smcap">Heré?</span> Ah! this must be she!</p> <p class="i2">A classico-Cambrian Juno!</p> <p>Propriety's pink <i>all</i> must see;</p> <p class="i2">But what other claims has she? Few know!</p> @@ -537,7 +498,7 @@ injuria formæ</i>."]</p> <p class="i2">In that dress she must feel rather freezy.</p> <p>There's confidence, though, in her eye,</p> <p class="i2">She is taking it quite Japanesy.</p> -<p>That <i>musumé</i> smile's quite a fetch,</p> +<p>That <i>musumé</i> smile's quite a fetch,</p> <p class="i2">And yet—I acknowledge—between us—</p> <p>(They'll call me a cold-blooded wretch)</p> <p class="i2">I <i>can't</i> stand a Japanese Venus!</p> @@ -546,7 +507,7 @@ injuria formæ</i>."]</p> <div class="stanza"> <p>And so "the Hesperian fruit"</p> <p class="i2">I must really reserve—for the present.</p> -<p>Yes. Heré will call me a brute,</p> +<p>Yes. Heré will call me a brute,</p> <p class="i2">And Pallas say things most unpleasant,</p> <p>Aphrodite—won't <i>she</i> give me beans!</p> <p class="i2">They all want the pippin—you bet it!</p> @@ -1031,26 +992,26 @@ elbow of the gallant Colonel!</p> <p>French law, that damns you in the letter,</p> <p class="i2">In spirit <i>change tout cela</i>;</p> <p>They always manage matters better</p> -<p class="i4"><i>Là-bas.</i></p> +<p class="i4"><i>Là -bas.</i></p> </div> <div class="stanza"> <p>These are the lines to play the man on;</p> -<p class="i2">Take her defenceless, cry "<i>Holà!</i>"</p> +<p class="i2">Take her defenceless, cry "<i>Holà !</i>"</p> <p>And trotting out the nimble cannon,</p> <p class="i4"><i>Tue-la!</i></p> </div> <div class="stanza"> <p>Or take for choice the common cartridge;</p> -<p class="i2">Pop goes <i>le p'tit fusil, comme ça</i>!</p> +<p class="i2">Pop goes <i>le p'tit fusil, comme ça</i>!</p> <p>You bag her neatly like a partridge</p> -<p class="i4"><i>Là-bas.</i></p> +<p class="i4"><i>Là -bas.</i></p> </div> <div class="stanza"> <p>"<i>L'Homme-Femme</i>" may haunt the bosom British;</p> -<p class="i2"><i>Là France</i> goes trolling "<i>Ça ira!</i>"</p> +<p class="i2"><i>Là France</i> goes trolling "<i>Ça ira!</i>"</p> <p>And waives the question with a skittish</p> <p class="i4">"<i>Tue-la!</i>"</p> </div> @@ -1059,21 +1020,21 @@ elbow of the gallant Colonel!</p> <p>No mutual recriminations,</p> <p class="i2">No counterplea, <i>et cetera</i>;</p> <p>One solves too simply these equations</p> -<p class="i4"><i>Là-bas.</i></p> +<p class="i4"><i>Là -bas.</i></p> </div> <div class="stanza"> <p>So runs the play. We saw you foot it</p> <p class="i2">Featly therein, <i>la belle Sara!</i></p> <p>You were all there, or, so to put it,</p> -<p class="i4"><i>Toute là.</i></p> +<p class="i4"><i>Toute là .</i></p> </div> <div class="stanza"> <p>And now you go, and, if you'll let us,</p> <p class="i2">Reluctantly we say "Ta-ta!"</p> <p>Come back again, and don't forget us</p> -<p class="i4"><i>Là-bas.</i></p> +<p class="i4"><i>Là -bas.</i></p> </div> </div> @@ -1147,7 +1108,7 @@ highly respectable.</p> <h2>FOR ARMS OR ALMS?</h2> -<p class="indent">An advertisement appears in a recent number of the <i>Athenæum</i>, +<p class="indent">An advertisement appears in a recent number of the <i>Athenæum</i>, headed "Devon Volunteer Commemoration," in which "Drawings are invited for a memorial of the fact that the Volunteer Movement of 1852 originated in Devonshire." According to the regulations, @@ -1155,7 +1116,7 @@ of 1852 originated in Devonshire." According to the regulations, work." Moreover, "the total cost, including all charges for designing, carrying out, superintending, and erecting the work, and surrounding the same with a suitable iron railing, must not exceed -£200." Now this is really a very fair sum, and to assist one of our +£200." Now this is really a very fair sum, and to assist one of our readers to win the prize, we allot the money in appropriate items. Of course we can only give a rough estimate, but it should be near enough to suit its purpose.</p> @@ -1193,7 +1154,7 @@ enough to suit its purpose.</p> </tr> <tr> <td></td> - <td>£200 0 0</td> + <td>£200 0 0</td> </tr> </table> @@ -1344,7 +1305,7 @@ as they had at Royel Winser.</p> <h2>OPERA NOTES.</h2> <p class="indent"><i>Tuesday, July 17.</i>—"The opera season will terminate July 30." -To-night <span class="smcap">Verdi's</span> opera of <i>Aïda</i>, "with the dotlets on the <i>i</i>." First +To-night <span class="smcap">Verdi's</span> opera of <i>Aïda</i>, "with the dotlets on the <i>i</i>." First appearance of Madame <span class="smcap">Adini</span>, a spacious <i>prima donna</i> who amply fills the part. <span class="smcap">Giulia Ravogli</span> an excellent <i>Amneris</i>. Opera apparently not particularly attractive, or more powerful attractions @@ -1372,7 +1333,7 @@ Cathedral than a Kirk. Composer and Librettists complimented; <p><span class="smcap">Hard Case of "Evicted Tenants" in Drury Lane.</span>—At a general assembly of the Theatre Royal Drury Lane Company of Proprietors last Wednesday, Mr. <span class="smcap">Chitty</span> is reported to have observed that -"after putting £300,000 into the building without receiving a farthing +"after putting £300,000 into the building without receiving a farthing in return, they were now to have their money confiscated by the law, but in such circumstances as one would not have expected from a nobleman in the Duke of <span class="smcap">Bedford's</span> position." Ahem! Why did @@ -1483,7 +1444,7 @@ the case of ground-rents.</p> <p class="i2">An ill-drawn Medusa head;</p> <p>Some red locks in Gorgon tangles,</p> <p class="i2">And a scarlet sunshade, spread:</p> -<p>Take a "<i>portière</i>" quaint and spotty,</p> +<p>Take a "<i>portière</i>" quaint and spotty,</p> <p class="i2">Take a turn-up nose or two;</p> <p>The loose lips of one "gone dotty,"</p> <p class="i2">A cheese-cutter chin, askew;</p> @@ -1632,7 +1593,7 @@ Queen's Shilling"?</p> <p>"Edward, Albert, Christian, George,</p> <p class="i2">Andrew, Patrick, David,</p> <p>Drink life's pleasures with free gorge!</p> -<p class="i2">From its pains be savèd!"</p> +<p class="i2">From its pains be savèd!"</p> <p>So said <i>Punch</i> at the White Lodge,</p> <p class="i2">His old optics glistening,</p> <p>Sure such names ill-luck should dodge;</p> @@ -1663,7 +1624,7 @@ to-day, not less than three contributed by this particular B. Embodied readjusted scale of graduated taxation. Only objections to it presently stated by <span class="smcap">Squire of Malwood</span>: (1) It would necessitate total reconstruction of Bill (2) resulting in loss of -£643,000; (3) whole question had been thoroughly threshed out in +£643,000; (3) whole question had been thoroughly threshed out in Committee. To raise it again at eleventh hour seemed too much to ask even in connection with Budget Bill.</p> @@ -1816,7 +1777,7 @@ the Throne, the Crowned Heads of Europe, and his ducal neighbours at the White Lodge. But on Royal Christening day <span class="smcap">Szlumper</span> was around again, with a little <span class="smcap">Szlumper</span> carrying a bouquet of flowers to be presented to the <span class="smcap">Queen</span>, whilst <span class="smcap">Szlumper</span> -<i>père</i>, plumped on his knees, welcomed his Sovereign within the gateway +<i>père</i>, plumped on his knees, welcomed his Sovereign within the gateway of ancient Richmond.</p> <p class="indent">"<i>Ah, ce</i> <span class="smcap">Szlumper</span>!" said <span class="smcap">Sark</span>, "he delights me more and more. @@ -1876,386 +1837,7 @@ unless otherwise noted.</p> </div> - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. -107, July 28th 1894, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON *** - -***** This file should be named 40509-h.htm or 40509-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/0/5/0/40509/ - -Produced by Malcolm Farmer, Ernest Schaal, and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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