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diff --git a/40495-h/40495-h.htm b/40495-h/40495-h.htm index a19fa2e..125d7e6 100644 --- a/40495-h/40495-h.htm +++ b/40495-h/40495-h.htm @@ -3,7 +3,7 @@ <html xmlns="http://www.w3.org/1999/xhtml"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of The Ordeal of Elizabeth by Elizabeth. @@ -126,45 +126,7 @@ hr.l30 { </style> </head> <body> - - -<pre> - -Project Gutenberg's The Ordeal of Elizabeth, by Elizabeth Von Arnim - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: The Ordeal of Elizabeth - -Author: Elizabeth Von Arnim - -Release Date: August 13, 2012 [EBook #40495] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE ORDEAL OF ELIZABETH *** - - - - -Produced by Melissa McDaniel and the Online Distributed -Proofreading Team at http://www.pgdp.net (This file was -produced from images generously made available by The -Internet Archive) - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 40495 ***</div> <div class="tnbox"> <p class="center"><b>Transcriber's Note:</b></p> @@ -664,7 +626,7 @@ out on the well-kept lawn, you caught a charming glimpse of the river. The fire-place was decorated in white and gold, the polished floor was strewn with rugs. Amid the profusion of modern chairs and -tables and bric-à-brac were old heirlooms which +tables and bric-à -brac were old heirlooms which had mouldered in the attic for generations, un-thought of and despised, till Elizabeth routed them out and placed them, rather to her aunts' surprise, @@ -970,7 +932,7 @@ hesitated a moment, then she crossed the hall that led to the living-rooms of the family. Here she paused in astonishment. From behind the closed door of the parlor came the sound of a man's voice; -a rich, barytone voice singing from Tannhäuser the +a rich, barytone voice singing from Tannhäuser the song of the Evening Star. Elizabeth waited till it was over; then she opened the door and went in. </p> @@ -1125,7 +1087,7 @@ up so many delightful memories."</p> <p>So Halleck sang the song again. A voice, artistically modulated, filled the little room, which vanished for Elizabeth. She saw pilgrims filing past in slow -procession, Tannhäuser struggling against the +procession, Tannhäuser struggling against the power of the Venusberg, Elizabeth kneeling in her penitent's dress before the cross. The whole Wagnerian drama unrolled itself before her eyes while @@ -1166,7 +1128,7 @@ to say that I play at all."</p> <p>"I am not a real musician, alas!" said Halleck, "only a dabbler in music, as I am in art." A thoughtful look came into his blue eyes, and he went -on absently playing fragments from Tannhäuser. +on absently playing fragments from Tannhäuser. "I am glad you like that," he said, abruptly. "You remember the heroine was called Elizabeth."</p> @@ -4229,7 +4191,7 @@ expression in the throbbing Wagnerian chords. All the magic of the fairy spell thrilled beneath her touch, as it rose and fell and wove itself in and out amidst the clash of conflicting motives, while -Brünnhilde sank ever deeper into slumber, and the +Brünnhilde sank ever deeper into slumber, and the flames leaped and danced and played about her sleeping form, and there lurked no premonition in her maiden dreams of that fatal, all-engrossing love, @@ -4422,7 +4384,7 @@ he said, carelessly, "I'm not easily interested in things nowadays, and above all not—thank Heaven! not in women." He paused. "All the same," he added, "you have the best wishes—for the success -of your protégée." And with this he bade her good-night, +of your protégée." And with this he bade her good-night, and left her.</p> <p>She sat for a long time without moving, and @@ -5610,7 +5572,7 @@ hadn't a doubt of it.</p> literary, and that sort of thing," said Mrs. Bobby, vaguely. "Some men with long hair will play, and the women, no doubt, will wear wonderful -æsthetic gowns. If Julian were not to be there, I +æsthetic gowns. If Julian were not to be there, I should not dream of going. My prophetic instinct tells me that we shall not know a soul."</p> @@ -6720,7 +6682,7 @@ Why, for Heaven's sake, why?" He wandered into the other room, tormenting himself with this question, and found his hostess there.</p> -<p>"What do you think of my new protegé?" she +<p>"What do you think of my new protegé?" she asked, detaining him as he took his leave.</p> <p>"What, Halleck? Oh, he sings very well," he @@ -6924,7 +6886,7 @@ myself. But—Heaven knows what!" She stood for a while motionless, gazing helplessly into a mist of perplexities.</p> -<p>The little Sèvres clock on her mantel-piece roused +<p>The little Sèvres clock on her mantel-piece roused her as it struck the hour, and she began hastily to dress. She drew the rippling waves of her hair into the fashion that Mrs. Bobby liked, she put on @@ -7019,7 +6981,7 @@ with color, with warm, sensuous pleasure.</p> <p>Gerard was waiting in the box when they arrived. On the stage Carmen—that ideal Carmen of whom -Mérimée dreamed and Bizet set to music—had just +Mérimée dreamed and Bizet set to music—had just appeared upon the scene of Don Jose's misfortune, and was warbling, with bewitching abandon, the notes of the Habanera.</p> @@ -7791,7 +7753,7 @@ least. I—I like my freedom"——</p> <p>The words died away on her lips. She broke off suddenly, turning very pale, as the importunate visitor, whom the butler had vainly endeavored to show -into another room, drew aside the portière and +into another room, drew aside the portière and entered brusquely. It was Paul Halleck. He had a strangely excited look, which increased as he surveyed the two people on the hearth-rug, whom he @@ -8257,7 +8219,7 @@ her eyes roaming about the room, taking in every detail—the soft prevailing harmonies of pale blue and rose, the firelight flickering on the tiled hearth, the shining silver ornaments on the dressing-table, -the profusion of bric-à-brac, of cotillion +the profusion of bric-à -brac, of cotillion favors, the roses in the china bowl, the general air of luxury—all a fit setting to the proud young beauty, standing before the mirror in her shimmering @@ -10294,7 +10256,7 @@ her troubled eyes, and D'Hauteville apparently could not resist their appeal. Slowly and reluctantly he unlocked the studio door and allowed Elizabeth to enter. The hall was empty, but from -behind the portière at the end came the sound of +behind the portière at the end came the sound of voices. D'Hauteville cast an anxious glance towards them, but he opened quickly another door, and led the way into the bedroom, which was still and @@ -10610,7 +10572,7 @@ they refused money?"</p> <p>"Well, the new District Attorney is very zealous," Bobby explained, "and, between ourselves, I -think he wants the éclat of a sensational case. To +think he wants the éclat of a sensational case. To put a young society woman in prison, against the efforts of all her friends, shows Roman stoicism,—or so he thinks."</p> @@ -10964,7 +10926,7 @@ words that bore upon her own fevered anxiety? "Shocking affair," and "so she is really involved in it"—surely she heard those sentences. And then the conversation ceased abruptly as the butler drew -aside the portière and she stood for a moment on +aside the portière and she stood for a moment on the threshold. Her eyes were bright, her head erect; she glanced around taking mental stock as it were of the company. Five or six women were seated @@ -11173,7 +11135,7 @@ men or women."</p> <p>Mrs. Hartington gave a short little laugh. "My dear, I'm not drawing inferences one way or another. I merely stated a fact—complimentary, one might -think, to your protegée. But you take things so +think, to your protegée. But you take things so seriously!"—She drew herself up with an air of some annoyance.</p> @@ -11369,7 +11331,7 @@ terribly long time." <hr class="l30" /> <p><span class="dropcap"><i>T</i></span><span class="smcap">here</span> is an old prison well in the heart of -the city, which presents a grim, mediæval +the city, which presents a grim, mediæval front to the busy world outside. Elizabeth knew that it existed, but had never seen it. She did not know even where it was, till she found herself @@ -14745,7 +14707,7 @@ ILLUSTRATED EDITIONS<br /> OF FAMOUS BOOKS</p> <hr class="l30" /> -<p class="s08">The following books are large 12mo volumes 5¾×8¼ inches in +<p class="s08">The following books are large 12mo volumes 5¾×8¼ inches in size, are printed on laid paper of the highest grade, and bound in cloth, with elaborate decorative covers. They are in every respect beautiful books.</p> @@ -14807,7 +14769,7 @@ Clare Angell.</p> <p class="center">EXMOOR EDITION. By R. D. BLACKMORE</p> <hr class="l30" /> -<p>A large 12mo volume, about 5¾×8¼ inches in size, +<p>A large 12mo volume, about 5¾×8¼ inches in size, bound in cloth, with decorative cover of floral design, and colored tops. Printed on fine smooth wove paper of excellent quality, and embellished with over two hundred @@ -14854,382 +14816,6 @@ Encased in a flat box.</p> <hr class="l30" /> </div> - - - - - - -<pre> - - - - - -End of Project Gutenberg's The Ordeal of Elizabeth, by Elizabeth Von Arnim - -*** END OF THIS PROJECT GUTENBERG EBOOK THE ORDEAL OF ELIZABETH *** - -***** This file should be named 40495-h.htm or 40495-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/0/4/9/40495/ - -Produced by Melissa McDaniel and the Online Distributed -Proofreading Team at http://www.pgdp.net (This file was -produced from images generously made available by The -Internet Archive) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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