summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--4048-h.zipbin0 -> 33474 bytes
-rw-r--r--4048-h/4048-h.htm2279
-rw-r--r--4048.txt1727
-rw-r--r--4048.zipbin0 -> 32513 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/tktvw10.txt1703
-rw-r--r--old/tktvw10.zipbin0 -> 31711 bytes
9 files changed, 5725 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/4048-h.zip b/4048-h.zip
new file mode 100644
index 0000000..9c116b5
--- /dev/null
+++ b/4048-h.zip
Binary files differ
diff --git a/4048-h/4048-h.htm b/4048-h/4048-h.htm
new file mode 100644
index 0000000..77353b4
--- /dev/null
+++ b/4048-h/4048-h.htm
@@ -0,0 +1,2279 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<HTML>
+<HEAD>
+
+<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
+
+<TITLE>
+The Project Gutenberg E-text of The Talkative Wig, by Eliza Lee Follen
+</TITLE>
+
+<STYLE TYPE="text/css">
+BODY { color: Black;
+ background: White;
+ margin-right: 10%;
+ margin-left: 10%;
+ font-family: "Times New Roman", serif;
+ text-align: justify }
+
+P {text-indent: 4% }
+
+P.noindent {text-indent: 0% }
+
+P.poem {text-indent: 0%;
+ margin-left: 10%;
+ font-size: small }
+
+P.letter {text-indent: 0%;
+ font-size: small ;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+P.salutation {font-size: small ;
+ text-indent: 0%;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+P.finis { font-size: larger ;
+ text-align: center ;
+ text-indent: 0% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+</STYLE>
+
+</HEAD>
+
+<BODY>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Talkative Wig, by Eliza Lee Follen
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Talkative Wig
+
+Author: Eliza Lee Follen
+
+Posting Date: June 11, 2009 [EBook #4048]
+Release Date: May, 2003
+First Posted: October 20, 2001
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE TALKATIVE WIG ***
+
+
+
+
+Produced by Charles Franks and the Online Distributed
+Proofreading Team. HTML version by Al Haines.
+
+
+
+
+
+
+</pre>
+
+
+<BR><BR>
+
+<H1 ALIGN="center">
+THE TALKATIVE WIG
+</H1>
+
+<BR>
+
+<H3 ALIGN="center">
+BY
+</H3>
+
+<H2 ALIGN="center">
+MRS. FOLLEN
+</H2>
+
+<BR><BR>
+
+<H4 ALIGN="center">
+With Illustrations by Billings and others
+</H4>
+
+<BR><BR><BR>
+
+<H2 ALIGN="center">
+THE OLD GARRET.
+</H2>
+
+<P>
+"Pray, dear Mother," said the boys, "tell us what else you heard in
+the old garret."
+</P>
+
+<P>
+"You know," said she, "it was on a rainy Sunday when my mother sent
+me up there with my book, Pilgrim's Progress. This book always
+delighted me, and set my fancy to work in some way or other.
+</P>
+
+<P>
+After reading a while, I began to look at the queer old things in
+the garret. Pussy began to purr louder and louder, and at last I
+fell again into the same dreamy sleep that I was in at first.
+</P>
+
+<P>
+Presently I heard the same confused sound which I heard before when
+the old tenants of the garret began to speak. There seemed also to
+be a slight motion among them, and a sort of mysterious appearance
+came over the whole apartment, as if they were all living, though
+very shadowy beings. Presently I heard the creak of the curling
+tongs, and he uttered these words:&mdash;
+</P>
+
+<P>
+"I think we have all been wronged by our friend the wig; he approved
+of our all relating our own histories, and promised that, after we
+had done so, he would give us his, frankly and truly, as we have
+done; instead of that he, as well as the rest of us, fell asleep
+when our friend spinning wheel related her story; and, when we all
+waked up, he did not fulfil his promise. I move that he be requested
+now to give us a faithful account of his whole life, till he was
+consigned with us to this dark, gloomy old place. I probably have
+been more intimately acquainted with him than any one present; for
+once or twice I have assisted in smoothing, or rather frizzing, his
+ruffled hairs, and making him fit for company; and, with your leave,
+my friends, I urge him in your name to relate his history." A sort
+of hum of approbation sounded through the long, dark old garret, and
+then the wig spoke.
+</P>
+
+<P>
+"Friend Frizzle is right: I did agree to relate my adventures, but I
+said I would wait till all had told their stories; now, here are two
+of this brilliant company that have not said one word of themselves,
+that comical coat and that old cloak; after they have related their
+history I will relate mine. The wig hitched a little on his block,
+and was silent.
+</P>
+
+<P>
+"I am ready," said the coat, "to tell all I know of myself, and I
+shall not keep you long, I trust. My friend the baize gown and I had
+the same origin on the back of a sheep, only I was of a nicer
+texture, and had, from my earliest days, a more refined character;
+and, of course, was used for higher purposes. Major Sword there may
+know perhaps that I had as much to do with making the major of
+Cadets as he had, only I did not make people run when they looked at
+me, as he says he did.
+</P>
+
+<P>
+I was originally of the most delicate white, and I was made into one
+of the very first coats that ever appeared on the parade as one of
+the Governor's guards. I think I did more to make the major than my
+Lord Sword did. Think of a major without a coat! He would not be a
+major, for a moment. He would be hooted at. Now, even were he
+without a sword, and had me, such as I once was, on his back, he
+would still be known as a major of the Cadets."
+</P>
+
+<P>
+"Self-glorification! Come to your story," cried the musket, with a
+bounce.
+</P>
+
+<P>
+"I will," said the coat. "I was, as I have told you, the major's
+military coat, admired by all who looked at me; and I appeared often
+on parade days till he gave up his office, and left this country,
+when I was left hanging up in his dressing room, and all my glory
+was gone.
+</P>
+
+<P>
+As the major's boys grew bigger, they would often beg their mother
+to allow them to put me on. The rogues were so short then that I
+trailed on the ground. I was even so far abused as to be worn by
+girls. This tried my feelings sorely, but I was forced to submit.
+Once I was so far disgraced as to be worn by one of the girls while
+she danced with her brother who was dressed like a monkey, with a
+tail over a yard long; and this was not all, she pulled the monkey's
+tail too hard, it came off, and then the monkey boy seized the tail
+and beat me with it, meaning to beat his sister, but I got the worst
+of it. So I lived to be made fun of, and lived for nothing else.
+</P>
+
+<P>
+At last, the major's wife, our dear mistress, took me one day into
+her gentle hands, and after examining me carefully and making up her
+mind to the act, deliberately took her scissors, ripped me up into
+pieces, and sent me to the dyer's, to be colored brown. This was too
+horrid&mdash;I was soused into the vilest mixture you can imagine, and
+suffered every thing abominable, such as being stretched within an
+inch of my life, and then almost burned to death. At last, I came
+out with the color you now see me, not a handsome brown, but a real
+sickish rhubarb color. My dear mistress laughed when she looked at
+me. "This is a dose," said she, "but it will do for an every day
+coat for Jonathan, and I can make it myself, with Keziah Vose's aid;
+so I will not grieve about it. So Keziah was sent for and set to
+work.
+</P>
+
+<P>
+Now Jonathan was a white-haired, chubby boy, and this was his first
+coat. Keziah went by her eye altogether. She took no measures except
+for the sleeves, and these she said she would make large and long,
+to allow for Jonathan's growing. She made me so broad behind that
+one brass button could not see the other, although they were, as you
+see, almost as large as a small plate; the skirts came down so as to
+hide the calves of his legs, and were so full as nearly to meet
+before. My sleeves had a regular slouch. There was no hollow in the
+back, and I looked as if I was made for one of the boys' snow men,
+not for a human being.
+</P>
+
+<P>
+When I was finished and put on for the first time, all the children
+and their mother were present, as it happened. My droll looks and
+rhubarb color, the comical expression of Jonathan's face,&mdash;for he
+was a great rogue,&mdash;and his sun-bleached hair, half hidden by my
+high, stiff collar, set them all into a gale of laughter. He took
+hold of my full skirts, one on each side, and began to dance; and
+even his mother and Keziah laughed too. Nothing was to be done. A
+few times, the mother of Jonathan tried to induce him to wear me at
+home, for she could not afford, she said, to lose all I had cost
+her; but it was all in vain&mdash;giggle, giggle, went all the children
+when they saw me, and I had to be hung up, as you see me now.
+Whenever they wanted a comical dress in any of their plays, I was
+brought out, and that little girl asleep there, and her brothers
+still amuse themselves with my comical looks. Alas! I am of no other
+use in this world.
+</P>
+
+<P>
+The young people used to amuse themselves by acting little plays, or
+some other nonsense; and when they wanted to make a very ridiculous
+figure, I noticed they came for me. I always observed that whoever
+had me on talked through his nose, with an ugly drawl, and used
+vulgar words and expressions, such as "Now you don't! Do tell!
+Sartin true!"
+</P>
+
+<P>
+Once they put me on a dancing bear. This was insulting. I don't like
+to think of it. I try to forget it.
+</P>
+
+<P>
+In short, every one laughs when I am present, for some reason or
+other; and I suppose I have been kept on account of the merriment I
+have afforded the family. After all, my friends, I am not sure that
+he who adds to the innocent gayety of people is not as valuable a
+person as one who has more dignity, and who never made any one laugh
+in his life.
+</P>
+
+<P>
+I have done, my friends&mdash;the old cloak is a more serious, dignified
+person than I, and will now, I trust, give us her history."
+</P>
+
+<P>
+The old cloak began to speak in a different tone from that of the
+coat. I cannot say the tone was gloomy, though it was very serious.
+It was a kindly, affectionate tone, that made you not unhappy, but
+thoughtful. "I agree," said she, "with my neighbor who has just
+spoken, that no one deserves better of society than he who promotes
+its innocent merriment. No bad person can know what true gayety of
+heart is. Goodness and cheerfulness are like substance and shadow;
+where the one is, the other will always follow.
+</P>
+
+<P>
+I was made of German wool; and, in my country, the people all laugh
+and sing. They keep still a saying of old Martin Luther, which runs,
+if I remember rightly,&mdash;
+</P>
+
+<P>
+"Wo man singt, leg' ich mich freilich nieder. Bose Menschen haben
+keine Lieder."
+</P>
+
+<P>
+"Keep to plain English, you Hushan!" shouted the musket with a kick.
+</P>
+
+<P>
+"I am sorry to hurt your feelings, my old soldier," said the good
+natured cloak. "I think, however, it is rather hard of you to keep
+the name of Hessian as a term of reproach forever, just because a
+few poor miserable fellows once came over here to fight you. Was it
+not enough to have treated them as you say you did in the Jerseys?
+For the benefit of you and those less prejudiced, I will translate
+the couplet:&mdash;
+</P>
+
+<P CLASS="poem">
+ "Where I singing hear,<BR>
+ I lay me, free from fear.<BR>
+ Men intent on wrong<BR>
+ Never have a song."<BR>
+</P>
+
+<BR>
+
+<P>
+I was a singer myself once during the short time when I was
+connected with one of dame spinning wheel's relatives. I am not even
+a laugher now. Still I am contented and cheerful, and I remember
+past trials without any bitterness. I went through all processes of
+carding, spinning, weaving, dyeing, stretching, dressing, &amp;c., and
+was at last placed in a shop for sale. A beautiful young girl
+purchased me for her bridal pelisse. Never did a happier heart beat
+than did hers on the Sunday after she was married, when she wore me
+to the church, holding by her husband's arm. I could not but partake
+of the pleasure which she received from the gentle pressure of his
+arm when she put hers within his, saying, "I am glad, dear, you like
+my pelisse so much."
+</P>
+
+<P>
+O, how happy we all were! How proud my mistress was of me! How proud
+I was of her! I hate to pass hastily over these happy days, but I
+suppose the history of them would not be very interesting to any of
+my hearers; for one day was very much like another. Never did any
+garment cover a more innocent, joyful heart than that of my
+mistress.
+</P>
+
+<P>
+I lasted well for some years, but my sleeves, at last, became
+threadbare; soon after, there were actual holes in them, and holes
+also in my waist; I was, I must confess, a shabby-looking pelisse.
+</P>
+
+<P>
+My dear mistress took me into her hands one day, and, after
+examining me all over, said, with a sigh, "I cannot wear it any
+longer; I must give it up." At last, her expression brightened and
+she added, "I can give it to cousin Jane; I am very tall, and she is
+very short. The skirt is good, and she can make a cloak of it; and
+so my precious pelisse will still be where I can see it."
+</P>
+
+<P>
+Forthwith I was sent to cousin Jane, with a very pretty note
+explaining to her the reasons why her cousin took the liberty of
+offering her the old pelisse. Cousin Jane wanted a cloak, and could
+not afford to buy one; so I was carefully ripped up and turned, and
+made into a very respectable garment.
+</P>
+
+<P>
+Cousin Jane was a dressmaker; and, in her service, I learned
+something of what dressmakers have to endure. She had not been long
+engaged in her trade; and, at first, she would put me on in the
+morning with a brisk, vigorous manner, but in the evening, when she
+returned home, how differently she took me up! how differently she
+threw me over her weary shoulders!
+</P>
+
+<P>
+Soon she ceased to put me on in the morning in the same strong,
+elastic manner, but took me up languidly, and as if she dreaded the
+day, and, when she went into the air, wrapped me very closely about
+her, just as if I was her only comfort, and pressed me to her heart,
+as if in hopes it would ache less.
+</P>
+
+<P>
+Poor dear cousin Jane, my heart aches to think of her. Day after
+day, from morning till night, and often till the next day began, she
+toiled and toiled, stooping over her work, sewing, sewing, hour
+after hour, and day after day, stooping all the time, till her eyes
+lost their brightness, her step all its elasticity, till her
+shoulders grew round, and her health failed.
+</P>
+
+<P>
+O, had those for whom she labored, for her small day's wages, but
+observed how the lamp of life was gradually going out, they would
+not have allowed her so to work without any respite; they would have
+made her take better care of her own health; they would have sent
+her home early; they would not have allowed her to work thirteen or
+fourteen hours a day in their service.
+</P>
+
+<P>
+There was one family in which she worked where the master and
+mistress insisted that at one o'clock Jane should lay aside her
+work, and walk till two, when they dined. Then they insisted upon
+her dining at their own table, and tried to make her meal a social
+and pleasant one.
+</P>
+
+<P>
+O, these were white days for poor Jane. Could I not tell when she
+was going to work in this family by the way she threw me over her
+shoulders? Did I not feel her gentle heart beating with unwonted
+warmth as she came home from this family before eight o'clock,
+accompanied by the truly good man of the house or some trusty
+person? When she hung me up in her small bed room, did I not notice
+her grateful, happy smile? She felt that she was recognized by these
+good people as a sister and friend, and that the words which we hear
+at church and read in the Bible, "All men are brethren," were not
+mere words with them.
+</P>
+
+<P>
+These evenings she would make her small fire, and sometimes indulge
+herself in reading a little while; she would go to bed early, and
+did not look so pale in the morning.
+</P>
+
+<P>
+Had all the customers of cousin Jane been as kind and considerate as
+these good people were, she might have lived; and I should, perhaps,
+have continued in her possession; but life was too hard for her,&mdash;she
+struggled with it for many years, and then her sweet spirit turned
+wearily away from it; she grew weaker and weaker, the color grew
+brighter and brighter on her cheek, and the light in her eye; she
+looked like a spirit; and, ere long, she was one.
+</P>
+
+<P>
+My first owner came, as soon as she heard how ill Jane was, and took
+her home to this house in the country. Here our good mistress nursed
+her poor cousin, and made the last days as happy as she could; but
+Jane was weary of this life, and longed for a better one. She passed
+away as gently and sweetly as a summer evening cloud or a dying
+flower.
+</P>
+
+<P>
+Our mistress said to her husband, "All Jane's clothes, except this
+dear cloak, I have given to the poor. This I must keep myself; for
+it was one of my wedding garments, and dear Jane has made it all the
+dearer to me. I shall keep it to lend to friends who are caught here
+in the rain; it shall be called the friend's cloak, and shall always
+be kept in the closet in the hall, close at hand."
+</P>
+
+<P>
+Now, I suppose every one knows of how much use such a cloak is in a
+family. Never was a cloak more employed than I, and for all sorts of
+things. I was used to play dumb orator. I was at every one's
+service. I don't know how they ever did without me.
+</P>
+
+<P>
+Don't be astonished that I did not wear out; my lining was strong,
+and I tell you an old cloak has a charmed life; you cannot wear it
+out; like charity, it suffereth long and is kind.
+</P>
+
+<P>
+As my dear mistress's children grew up, I was treated very much as
+you all have been; that is to say, with no respect at all. What a
+different life was mine from that which I led with dear, gentle
+cousin Jane. Peace be with her sweet spirit!
+</P>
+
+<P>
+One prank which the boys played some years after Jane's death, I
+must relate, and then I have done. The eldest, whose name was
+Willie, took me, the evening before thanksgiving day, and, having
+dressed himself up in some of the cook's dirty old clothes, and hung
+a basket on his arm, put me over his shoulders, and I went begging
+of all the neighbors for something to keep thanksgiving with. He
+disguised his voice by putting cotton wool in his mouth, and I
+wonder myself how I came to know him. Two or three boys of his
+acquaintance went with him, all dressed as beggars; and a grand
+frolic they had.
+</P>
+
+<P>
+They went to one house where a man lived that made great pretensions
+to religion and goodness, but who the boys strongly suspected was
+not very compassionate to the poor.
+</P>
+
+<P>
+"Please," said Willie, "give us a little flour and raisins for our
+mother to make a thanksgiving pudding with to-morrow." His answer
+was a slam of the door in his face.
+</P>
+
+<P>
+"Let us go to Granny Horton's," said one of the boys; "she has not
+gone to bed yet."
+</P>
+
+<P>
+"O," said Willie, "you know she has nothing but what mother sends
+her, or some of the neighbors. It would be a shame. I carried her a
+pair of chickens this morning, and some flour and raisins; and it is
+a shame to beg of her, she is so kind. But won't it be funny if she
+gives us something, when Squire Marsh would not; at any rate, she'll
+not slam the door in our faces. Come, let's go quickly, before she
+puts out her little light and goes to bed. I bet she'll give us one
+of her chickens. But let us take whatever she gives us, just for the
+fun, and for fear we should be found out."
+</P>
+
+<P>
+Willie was to be the spokesman. He felt rather queerly at first; but
+the fun of the thing was too tempting, so he agreed to speak. He was
+dressed as a girl, and wrapped me closely about him, as if he was
+very cold. He had on an old straw bonnet, and his face was painted,
+so that she could not recognize him, he knew.
+</P>
+
+<P>
+They knocked at Granny Horton's door, and she, in a kind, gentle
+voice, replied, "Come in!" Willie, pretending to be a girl, told how
+she and her brother and sister had come from the farther part of the
+town, where they lived in the woods with a mother who was very old,
+and had hardly any thing to eat; and how they wanted something good
+to carry to her for thanksgiving day&mdash;a little flour, or a chicken,
+or any thing; that it was too hard for his dear mother to have
+nothing but beans on that day; that beans were what they lived on
+commonly.
+</P>
+
+<P>
+He looked so mournful, and spoke in such a mournful tone that the
+dear old woman, after thinking one moment, said to him, "I have two
+chickens, a quart of flour, and two pounds of raisins, sent to me by
+a good lady this morning, and brought to me by a real good little
+boy called Willie. I can't ask their leave, but I guess they would
+not scold me for giving your mother half of what he brought me; so
+you shall have it, dear. 'It's more blessed to give than to
+receive.' 'The Lord gave and the Lord taketh away. Blessed be His
+name.'"
+</P>
+
+<P>
+While she was saying over these blessed words, she was busy dividing
+the flour and the raisins, and putting them and the chicken into the
+basket which Willie gave her.
+</P>
+
+<P>
+They all thanked the old woman very kindly, and went off with her
+flour and chicken.
+</P>
+
+<P>
+"What shall we do with it all?" said they, as soon as they were out
+of the house.
+</P>
+
+<P>
+"Let us," said Willie, "beg all we can every where, and get our
+basket full, and carry it back to her, and, when she is asleep, get
+into her house again, and put it on her hearth. I know how to open
+the window on the outside when she thinks it fast."
+</P>
+
+<P>
+This was a good joke for the boys; so they went from house to house,
+and, except at the squire's and one other place, got something from
+every one, till, at last, their basket was full. Then they went
+home, and got a peck of apples from their mother.
+</P>
+
+<P>
+Willie then led the way to Granny Horton's again. They looked in at
+the window, and, by the light of the few embers still burning, saw
+the good woman asleep in her great, old-fashioned chair, with her
+spectacles on, and by her side a little stand on which lay her Bible
+open at the place where she had been reading.
+</P>
+
+<P>
+"I can get in," said Willie, "and put the basket down by her side
+before she wakes."
+</P>
+
+<P>
+Accordingly, he went to a little window in the back part of the
+house, climbed in, came softly into the room where she was, and set
+the baskets, all running over with good things, down on the hearth.
+Willie had hardly got back to the window, when the good woman waked
+up; and there, directly before her eyes, stood the baskets. She took
+them up, and looked at them for some minutes before she took any
+thing out. At last, she began to examine their contents. When she
+came to her chicken and flour and raisins, in the very papers in
+which she had wrapped them; she looked up and clasped her hands with
+such astonishment, with such a look of wonder and gratitude, that
+the boys, in their glee, laughed outright, and so loud that she
+heard them.
+</P>
+
+<P>
+She ran to the window, but they were gone; and she never knew how it
+was that her chicken and flour brought her back seven fold.
+</P>
+
+<P>
+When next the cook went to see her, with me on,&mdash;I was every body's
+cloak,&mdash;the old lady told her the whole story of finding the chicken
+and flour, and so many other good things with them. The secret was
+kept; and it was Granny Horton's firm faith that it was the wings of
+angels she heard when she went to the window. Indeed she thought she
+had seen the wings, for as Willie turned to run, he forgot to hold
+me tight, and the wind blew me up so as to hide him entirely, and
+she took me for great dark wings.
+</P>
+
+<P>
+I fear you may be weary of my story. I have much more that I could
+relate, but I have already been too long.
+</P>
+
+<P>
+I am, as you see, ragged and worn, but the dear family have an
+affection for me still, as well as for all the rest of us; and so I
+am allowed to remain here in this most respectable company. I trust
+the wig will now give us his history for which we have waited so
+long."
+</P>
+
+<P>
+"There is time enough before eight o'clock for the story of the
+wig," said Frank, "if you can remember it, Mother. He ought to tell
+his story now, as he promised."
+</P>
+
+<P>
+"As the wig began to speak," said their mother, "he gave a slight
+hitch on one side, just as if some one pushed him up a little, and
+then, after a short pause, began thus: "You will be astonished,
+perhaps, to know that it is more than a hundred years since I first
+saw the light. None of you have lived so long, or seen as much as I
+have. I cannot tell all I have seen or known. It would take too
+long, and weary you too much. I can only give a slight sketch of my
+long life.
+</P>
+
+<P>
+In the year seventeen hundred and fifty, the baby head upon which I
+grew came into this strange world in which we live. O, how happy was
+the mother who saw me for the first time! How full was her joy when
+she stroked the small head of her little girl, and exclaimed, "How
+beautiful and soft her hair is! softer than velvet or satin." Even
+then, every one said, "What a beautiful head of hair! What a lovely
+baby!"
+</P>
+
+<P>
+The little girl whose head I adorned was the daughter of a poor
+vicar who lived with his wife in an obscure country town in England.
+</P>
+
+<P>
+Alice was their fifth child, but their only daughter. She was very
+beautiful, and, I may say it surely without vanity now, I was her
+greatest ornament. I was of a beautiful auburn color, and fell in
+thick clusters all over her happy, gentle head, and shaded her
+laughter-loving face. After a day of hard work, how fond her mother
+was of taking her little pet in her lap, and twisting up every curl
+in nice order under her white linen night-cap, before putting her to
+bed! Her father, too, would wind my ringlets around his great
+fingers, made hard and rough with toil in the garden, and would kiss
+every one of them, and pray God to bless the young head on which
+they grew.
+</P>
+
+<P>
+As the dear head grew larger, I grew larger and thicker. Every one
+who saw me noticed me. One would say, "It looks like a pot of
+hyacinths"; another, "It has caught the sunshine and kept it."
+</P>
+
+<P>
+What a pleasant life I led! When Alice grew a large girl, she became
+something of a romp, and one of her favorite amusements was to go to
+the top of a hill near her father's house, when there was a high
+wind, and let it blow through her curls, and sing and shout and
+dance from the fulness of her joy. When she came home, she would say
+"Mother, the wind has been combing my hair."
+</P>
+
+<P>
+O the horrid combing that I had to endure every morning! One must be
+a head of curly hair to know how terrible is a comb.
+</P>
+
+<P>
+If you will not think me too long, I must talk a little more about
+the dear Alice, and tell you what I witnessed till I was separated
+from her."
+</P>
+
+<P>
+"Go ahead," said the old musket.
+</P>
+
+<P>
+"I must tell you how her sweetness and goodness once saved the house
+from robbery. It was the custom of her father and mother, on Sunday,
+to lock up the house, while they went to church. A pot of pork and
+beans, and a pudding of Indian meal was put in the oven to bake for
+their dinner.
+</P>
+
+<P>
+One Sunday, as Alice had a heavy cold, they left her at home. She
+was then fourteen years old, and felt herself quite equal to taking
+charge of the house.
+</P>
+
+<P>
+It was generally known that the curate's house was locked up on
+Sunday; and a poor, foolish, as well as wicked fellow, determined to
+take that opportunity to help himself to the good curate's silver,
+or any other valuable, he could find in the house. It happened that
+the man took the Sunday when Alice was left at home for his wicked
+purpose.
+</P>
+
+<P>
+When he came to the door which he intended to break open, he was
+admitted by Alice, who saw him coming. She asked him to come in and
+sit down, then inquired if he had travelled far, and set before him
+some bread and butter and cold water.
+</P>
+
+<P>
+"My father is a minister," she said, "and always asks travellers to
+stay. We have some dinner in the oven, and we shall all of us like
+to have you stay and dine. You look pale and tired; you had better
+stay."
+</P>
+
+<P>
+These words Alice said with such a sweet, confiding earnestness,
+that the wicked purpose died away from the heart of the intended
+thief. He felt as if he was in the presence of an angel. He looked
+at her in wonder. All the evil in him seemed to depart.
+</P>
+
+<P>
+"You are very good," he said. "Do you take care of the house all
+alone by yourself?"
+</P>
+
+<P>
+"O yes," she replied; "it does not take much trouble. There is no
+one to harm us. Would you like a book to read till papa and mamma
+come home; here is my Testament; or would you like I should read to
+you?"
+</P>
+
+<P>
+"Read to me," said the man.
+</P>
+
+<P>
+As Alice read from the history of Jesus, the tears ran down the
+robber's cheeks; he said nothing.
+</P>
+
+<P>
+When the curate came home, he repeated Alice's invitation to dine.
+The man accepted it. After dinner, when he thanked Alice and her
+father for their kindness to him, he said to the curate, "Your
+daughter is an angel, and has saved me from sin. I go away a better
+man than I came."
+</P>
+
+<P>
+He then confessed the evil intentions with which he had entered the
+house, told how Alice's trusting, gentle kindness had disarmed him,
+and promised the curate that he would henceforward be a better man.
+</P>
+
+<P>
+I do not mean to say that Alice never did any wrong thing. She was,
+however, so sorry for a fault, she repented so soon, and then did
+all she could to repair it, that no one could help forgiving her.
+She had a trick of squinting now and then. Her mother thought that
+my curls perplexed the bright eyes under them; and, to prevent the
+evil, drew up all the pretty locks in a bunch, tied them together,
+and said, "Now, Alice, your hair is all out of the way, and you will
+not squint."
+</P>
+
+<P>
+Alice was annoyed by this; she was a little vain of my beauty, and
+the disregard of her looks, which she thought these words indicated,
+fretted her.
+</P>
+
+<P>
+Her father saw this, and, to make the tying less disagreeable, said
+to her, one day, "Alice, I see you don't like to have your hair tied
+up; you don't think it reasonable. Come now, bear it patiently for a
+month; and, at the end of that time, I will give you the little work
+box I am ornamenting with straw."
+</P>
+
+<P>
+Alice agreed, and promised to be patient, and to keep her hair tied
+up.
+</P>
+
+<P>
+During the month, it happened that Alice was invited to a little
+party of girls at her aunt's.
+</P>
+
+<P>
+Alice hoped that her father and mother would absolve her from the
+promise, that afternoon; but no, her mother only tied up her hair
+with a new ribbon for the occasion. I, with all my beautiful curls,
+was drawn away from her dear face as far as possible. Alice found
+this hard to bear.
+</P>
+
+<P>
+As she was on the way to the party, she could hardly keep from
+crying.
+</P>
+
+<P>
+"What is the matter?" said her father.
+</P>
+
+<P>
+"Nothing, father," said Alice, "only a little headache; mother has
+tied my hair too tight."
+</P>
+
+<P>
+"Loosen it," said her father.
+</P>
+
+<P>
+Alice did loosen it, so that the string was just ready to come off.
+</P>
+
+<P>
+When she arrived at her aunt's, where her father left her, I was
+just escaping from my hateful confinement, and her aunt took hold of
+the hair as the string fell on the floor.
+</P>
+
+<P>
+"Shall I tie it on again, Alice, or shall your pretty hair go just
+so? I don't see the use of tying it, but, if you really wish it, my
+dear, just step up stairs, and Jane will do it for you very nicely.
+Perhaps your mother would choose it to be tied; she is very
+particular. It is a pity to confine such beautiful curls, but, if it
+must be so, we can't help it. Will you go up stairs? Here is the
+string; it dropped on the floor."
+</P>
+
+<P>
+"No," said Alice, "it is of no consequence;" and she put the string
+into her pocket.
+</P>
+
+<P>
+Again I fell upon her beautiful forehead, and kissed her rosy
+cheeks; and every one admired my beauty.
+</P>
+
+<P>
+Alice tried to forget that she was breaking her promise, and enjoyed
+herself pretty well.
+</P>
+
+<P>
+When she went home, her mother said, "Why, Alice, your hair is all
+over your face; how comes that?"
+</P>
+
+<P>
+"The string was nearly off when I went in, and then it fell on the
+floor, and aunt said I looked better without it. Here is the string,
+which she picked up."
+</P>
+
+<P>
+"I should have thought your aunt would have let you go up to Jane,
+and have it tied properly; you should have asked her leave."
+</P>
+
+<P>
+"I suppose," said the father, "that Alice felt too shy. It is no
+matter for one day. Alice, I dare say, kept her promise as well as
+she could; and, next week, she shall have her box; a right pretty
+one it is."
+</P>
+
+<P>
+Alice kissed her father and mother, and went to bed; but there was a
+little cloud between her and the all-pure Being to whom she prayed
+that night, and her precious tears wetted my locks, ere she went to
+sleep.
+</P>
+
+<P>
+Alice felt that she had not been true to her promise, and her
+parents' entire trust was the most severe reproach. Still she could
+not quite make up her mind to say so; and she tried not to think so.
+She had set her heart upon the little work box made and ornamented
+by her father whom she loved dearly. One day after another passed
+away, and every day it became harder to confess her fault. How often
+I heard her sigh during these days! Nothing makes a perfectly light
+heart but entire uprightness.
+</P>
+
+<P>
+One day, her father called her to him, and said, "Come, Alice, and
+tell me which color I shall use to ornament the border of your
+box&mdash;blue or green?"
+</P>
+
+<P>
+"Just which you please, Father."
+</P>
+
+<P>
+"But you know it is for you, and I want to know what you like best."
+</P>
+
+<P>
+"If it should ever be mine, Father, I like blue best."
+</P>
+
+<P>
+"Blue it shall be," said her father. "It will be finished to-morrow,
+and then your month for keeping your hair tied will end. I think
+your eyes are better, and you have learned also that you can keep a
+promise. You are my good child."
+</P>
+
+<P>
+Alice could not speak. She ran out of doors into her garden where
+her father had made her a little arbor, and there, all alone, she
+struggled with herself, till courage and truth prevailed. Then she
+went back into her father's study where she found him still at work
+on her box.
+</P>
+
+<P>
+"Almost done, Alice," said he; "see how pretty it is." "It must not
+be mine, Father," said Alice, very quietly, for she was determined
+to command herself. "I have not kept my promise, Father. I have
+deceived you and mother. I don't deserve the box. Give it to my
+cousin." Then she told her father the whole story, just as it was.
+As she went on, she grew braver, and felt happier; so that she was
+able to look up into her father's face, and say, very calmly, "I
+could not take any pleasure in your pretty box, for I know I do not
+deserve it. Please, dear Father, to tell Mother all about it, and
+put away the box, if you choose not to give it to some one else. It
+is very pretty, but it is not to be my box."
+</P>
+
+<P>
+The tears began to come in her eyes, and she turned to go out of the
+room. Her father stopped her. "Come here, my Child," he said. "You
+did wrong, but you have done all you could to repair your fault. You
+will never again, I think, be guilty of falsehood. At the end of
+another month, if you feel sure of yourself, come to me for your
+box."
+</P>
+
+<P>
+"No, Father, that would seem like being paid for speaking the truth.
+I should never ask for the box."
+</P>
+
+<P>
+"Would you rather I should give it to your cousin?"
+</P>
+
+<P>
+"If you please, I should;" and then the tears ran fast down her
+cheeks. "You know my cousin Edith has very few pretty things. I
+should like her to have it."
+</P>
+
+<P>
+"Take it, Alice, and give it to her yourself."
+</P>
+
+<P>
+"As your present, Father, not as mine. You know it is not, and
+cannot be mine. I have been so unhappy at my untruth, that I think I
+shall never commit such a fault again."
+</P>
+
+<P>
+Alice never did again, in the slightest thing, depart from the
+strictest truth and uprightness, in action as well as in word. It
+was common for her friends to say when there was a question about
+any thing that had occurred, "We will ask Alice. She always tells
+the exact truth."
+</P>
+
+<P>
+At last, Alice was a woman; and I, of course, led a more sober life,
+as she became more serious. I grew so long and thick that, when she
+took out her comb, and shook her head slightly, I fell in curls all
+around her neck and shoulders, like a golden veil, and you could but
+just see her laughing blue eyes, and white teeth through me.
+</P>
+
+<P>
+You may readily guess that the pretty Alice was beloved by all who
+knew her; and, ere long, the son of the village apothecary won her
+heart. He was a good-hearted fellow, but never fitted himself to be
+of much use in the world. He took Alice to a distant village, where,
+with his father's assistance, he set up as an apothecary, on rather
+a small scale, of course; but Alice was used to simple fare and to
+helping herself.
+</P>
+
+<P>
+All would have been well with them but for one thing&mdash;the husband
+became a drunkard; not immediately&mdash;his love for his wife kept him
+sober for some time. Nothing was more beautiful than the way they
+lived for a year or two; but the habit of drinking a little, a habit
+which he had formed in his father's shop, and which he intended to
+cure, returned. The wretched man had not strength to resist it.
+</P>
+
+<P>
+He became fretful, and Alice, for the first time in her life, became
+unhappy. She had never before heard any but the voice of kindness;
+and now, from him she loved best in the world she received sometimes
+sharp and disagreeable words. He was very sorry afterwards, and all
+would seem well again, but he did not really reform, and, many a
+time, my locks, falling over her innocent round cheek, were wetted
+with her tears.
+</P>
+
+<P>
+Alice was good as an angel. She forgave her husband, believed him
+when he promised to leave off drinking, and never said a harsh word
+to him. James kept his promise for a month or two, but fell again,
+and then more hopelessly; for, after he had drunk a little, he
+feared his wife would know what he had done, and felt so unhappy
+that he drank more to drown his feelings; and, for the first time,
+he was brought home to his wife dead drunk.
+</P>
+
+<P>
+Alice tended her husband as if he were only a sick man; she had him
+put into a nice bed, she washed and mended his soiled and torn
+clothes, she was near him to catch his first word when he recovered
+his senses, she never reproached him, she tried, by love, to win him
+back to sobriety and duty, she wept, she prayed for him.
+</P>
+
+<P>
+He suffered all that man can from shame; he could not look her in
+the face; he had destroyed the charm and glory of life; he was
+unable, or rather he thought he was, to conquer his enemy; and,
+before six years were at an end, partly from broken and ruined
+health, and partly from utter misery, he fell into a rapid decline,
+and died.
+</P>
+
+<P>
+Alice loved her husband; and never was sick man nursed with more
+loving, cheerful patience than was he. He wept over his sins; he
+asked her, with every returning and every setting sun, to forgive
+him and to pray God to pardon him.
+</P>
+
+<P>
+She was an angel of pity and mercy to him, to the end. When she
+leaned over him to kiss him, he would pull her beautiful hair&mdash;for
+I was still beautiful&mdash;over his face which he was ashamed to show
+when he thought of his folly and wickedness. Many a time have I felt
+his hot tears of contrition as he pressed me against his sunken
+cheeks, and to his parched lips.
+</P>
+
+<P>
+After her husband's death, the vicar of the parish came to see
+Alice, and did all he could to comfort and aid her.
+</P>
+
+<P>
+She found that her husband had died largely in debt; that, when all
+the stock in his shop was sold, and the creditors paid, there would
+be nothing left for herself and two children.
+</P>
+
+<P>
+She did not want to go back to her old father's house, and burden
+him with care and expense, and she resolved to open a little school
+for small children in the cottage in which she lived.
+</P>
+
+<P>
+She had one spare room which she could let to an old lady who wanted
+just such a home as Alice could give her.
+</P>
+
+<P>
+With a strong and hopeful heart, did Alice dedicate herself to the
+work before her, of supporting and educating her two orphan
+children. Alice's strict honesty had made her give up to her
+husband's creditors every thing she had, except the barest
+necessaries; and, now that she wanted to commence her school, she
+felt very much the want of a little cash to buy a few indispensable
+things.
+</P>
+
+<P>
+The grocer and butcher had offered to supply her on credit, till her
+first payment from her scholars and boarder should come in. Still a
+little ready money was essential to her to begin. She would not
+borrow it, and was one day thinking what she should do, when her
+eye, wandering over a newspaper which the vicar had kindly lent her,
+fell on an advertisement offering a high price for handsome hair
+long and thick enough to make wigs.
+</P>
+
+<P>
+Alice heard the good curate say that he was going to London on
+business in a day or two, and her determination was made in a
+moment.
+</P>
+
+<P>
+I said that Alice had kept nothing that she could do without; she
+had, however, kept the white muslin gown she wore when she was
+married. She thought she could not give this up. "I shall never wear
+a white muslin gown again," she said, as she ripped out one of the
+breadths and made herself two or three plain caps of it.
+</P>
+
+<P>
+The next day she rose early before the children were awake, and,
+standing before a very small looking glass which she had kept to
+dress her hair, she looked at me curling all over her precious head,
+and hanging down upon her shoulders.
+</P>
+
+<P>
+"He loved these locks," said she, "and, for his sake, I would keep
+them; but they had better be devoted to the good of our children.
+Some school books will be worth more than all these golden locks. I
+am glad the children are asleep, for they love to play with my hair,
+and it would grieve them to see me cut it off."
+</P>
+
+<P>
+The good Alice took her scissors, and cut off lock after lock, till
+all were gone, save a few which she left around her forehead. Then
+she put on her simple muslin cap and tied it with a muslin string
+under her chin.
+</P>
+
+<P>
+Just then, her boy awoke. Alice had laid him down on his bed, and
+the first sight the little fellow saw, when he awoke, was his
+mother's hair which almost covered him up.
+</P>
+
+<P>
+"Why, Mother, how could you do so? How could you cut off your pretty
+hair, and put on that ugly cap? What would father say? You said we
+must do what we thought would please him. It would not please him to
+have you cut off your pretty hair;" and the child burst into an
+agony of tears.
+</P>
+
+<P>
+"Would it not please him that you should have a spelling book and a
+slate to write on, William? With this hair I can buy them for you. I
+have no other riches now."
+</P>
+
+<P>
+The poor boy still wept. The hair was more to him, at that time,
+than all learning. He could not then have believed that the time
+would come, when he would remember with gratitude his mother's
+sacrifice for him and his little sister.
+</P>
+
+<P>
+Alice gathered the locks, took from a drawer her last bit of blue
+ribbon, and tied them, saying, "This is the way he liked to see my
+hair tied when I was at my father's cottage. I shall never tie it so
+again."
+</P>
+
+<P>
+When the good vicar came to see Alice, as he did every day, she met
+him with me all nicely done up in a paper in her hands, and asked
+him if he would be so good as to take me to the hair dresser who had
+advertised for hair, make the best bargain he could for her, and,
+with the proceeds, get the few necessaries for commencing her small
+school. The good man cheerfully promised to do so, took the parcel
+from Alice, and carried it to his own house.
+</P>
+
+<P>
+And so I bade farewell to dear Alice, and her neat cottage, and her
+sweet children. I was parted forever from that innocent head that
+had cherished only good and pure thoughts. I was no longer to be
+dressed by her dear hands. I was never again to shade and adorn her
+lovely face, nor fall in ringlets around her sloping shoulders, nor
+ever tremble again with the beatings of her gay and generous heart,
+as I often had when she let me fall over her neck and shoulders.
+</P>
+
+<P>
+Nothing that ever had life in it could be insensible to such a
+sorrow as this. How I envied the few locks she kept around her
+precious forehead! How I wished that scissors had never been
+invented!
+</P>
+
+<P>
+The good curate, faithful to his promise, took me to the hair
+dresser in London, according to the direction in the advertisement;
+and, before opening the paper which contained me, told him the story
+of Alice, of her trials, and of her excellent character and conduct,
+of her present need, and of her purpose to support and educate her
+children by her own efforts. He told him that there never was such a
+beautiful head of hair, and that he hoped he would be willing to
+give something handsome for it.
+</P>
+
+<P>
+When the old clergyman opened the paper, and exhibited me to the
+hair dresser, he took me out as fondly as if I had been a baby, and
+shook me so as to make the ringlets curl again, but they would not.
+</P>
+
+<P>
+I felt the difference between the old man's hard fingers, and rough
+shake, and the soft touch of the dear Alice.
+</P>
+
+<P>
+"Is it not beautiful?" said the old man.
+</P>
+
+<P>
+"It is well enough," said the dealer. "I shall have to make a man's
+wig of it. The curls will all boil out."
+</P>
+
+<P>
+You may imagine my horror at these words; and, as for the poor
+vicar, he seemed thunderstruck.
+</P>
+
+<P>
+"If I had any money to spare," said he, "I would buy this beautiful
+hair myself, and have it framed with a glass over it, and hang it up
+in my best parlor, with that blue ribbon that looks so like her;
+it's as handsome as a picture; and then her dear children should
+have it at my death."
+</P>
+
+<P>
+Whether it was that the hair dresser was afraid of losing me, or
+that his heart was slightly touched with compassion for Alice and
+her orphan children, I know not; but he offered the good curate a
+sum for me which satisfied him.
+</P>
+
+<P>
+As the curate gave me up, he untied the blue ribbon, folded it up
+nicely, and put it into his pocket; and I think he dropped a tear as
+he did so.
+</P>
+
+<P>
+The wig maker examined me again when he was by himself. "A fine head
+of hair it really is," said he. "It will make a good wig for a
+youngish sort of a man; and the curls will make it work easier."
+</P>
+
+<P>
+Then he tied me up with a piece of twine, and tossed me into a large
+drawer with great bunches of hair of all colors and fineness.
+</P>
+
+<P>
+Here I remained for I know not how long, without air or light, in
+this disagreeable company. At last, one day we were all taken out,
+and what we were made to endure I now shudder to think of. We were
+boiled, we were pulled and mauled and greased; in short, I wonder we
+had a whole hair left; but, after undergoing every thing you can
+imagine, I found myself on a pole in the shape of a gentleman's wig,
+covered with high-scented pomatum and powder.
+</P>
+
+<P>
+No one would have recognized me as the same beautiful hair that had
+adorned the head of Alice. There were a number of poles with wigs on
+them close by me, and I knew, as a matter of course, that I must
+look just like them. They looked perfectly hateful to me, and I felt
+disgusted with myself, because I knew I resembled them.
+</P>
+
+<P>
+It is now a puzzle to me how men could have ever been so foolish as
+to make such a thing as I am, to put on their heads; these great
+unmeaning curls, this ugly club, as they called it, hanging down
+behind, and this horrid grease and powder too.
+</P>
+
+<P>
+Most of my life, of course, has been passed in this horrid shape in
+which you now see me; but the remembrance of my early days clings to
+me, and the love of freedom, and the sense of beauty which I
+acquired when the wind played through my natural curls as they
+covered the head of my dear Alice, have never forsaken me. It was
+then only that I truly lived. But, forgive me&mdash;I have the weakness
+of old age, and love to talk of youthful pleasures.
+</P>
+
+<P>
+One morning, in the year seventeen hundred and seventy-eight, when I
+was just twenty-eight years old, a gentleman of middle age came into
+the hair dresser's shop, and asked to look at his wigs. I was shown
+to him with some others. After examining us all, and trying on
+several, he chose me, because, he said, he thought I was made of the
+finest hair.
+</P>
+
+<P>
+"This," said he, "will visit the American colonies, and probably
+remain there, for that will, I think, be my home."
+</P>
+
+<P>
+I rejoiced to hear this, for I was weary of my present life, and
+longed for some variety.
+</P>
+
+<P>
+The good gentleman who purchased me seemed well satisfied with my
+looks; but, when I saw myself in the glass, upon his long, narrow
+face, with his great bottle nose, and cheeks like the sides of a
+sulky, and all my pretty curls and my bright color gone, I wonder
+that each hair did not stand on end with fright; most likely it
+would have stood up, but for weight of pomatum and powder.
+</P>
+
+<P>
+Soon after my owner purchased me, he set sail for America. As I was
+his new and best wig, I was packed carefully in a box, and knew
+nothing till he arrived here, and was settled in his place of
+residence.
+</P>
+
+<P>
+The first time I was taken out of my box was on Sunday, when I was
+carefully adjusted on the Squire's head. I call him Squire, for I
+soon found that Squire was the title every one gave him, as he was
+the most important personage in the town in which he lived. I was as
+well pleased as a wig could be with the appearance of things in and
+around the house I was to inhabit. It was in a village about thirty
+miles from Boston, and was like an English country gentleman's
+house. A wide hall passed through the middle of it, with a grand
+staircase. From the doors at either end of the hall ran rows of elm
+trees. One led to the high road, the other up a gentle hill, on the
+top of which was a pretty burying ground with a path through it
+leading to a small church.
+</P>
+
+<P>
+The Squire had a black man whom he called his boy, and who was, in
+fact, his slave, but whom he treated like a friend and brother.
+</P>
+
+<P>
+Some years after, when slavery was abolished in Massachusetts, the
+Squire called Cato to him, and said, "Cato, you are no longer my
+slave; you are free."
+</P>
+
+<P>
+"But, massa, you will not sell me."
+</P>
+
+<P>
+"No, Cato, you are a freeman; I have no right to sell you. I don't
+think I ever had any right to sell you; but now the law of the land
+makes you free, and I am glad of it."
+</P>
+
+<P>
+"Then I can stay with you of my own free will, massa."
+</P>
+
+<P>
+"Yes, Cato, you can stay or go, just as you please."
+</P>
+
+<P>
+"Then, massa, I stay with you for love, and not cause I am your
+slave. Now I your friend." And Cato never left the Squire till the
+day of his death. But to return to my story.
+</P>
+
+<P>
+The Squire, as I said, put me on very carefully, and then as carefully
+put over me his three-cornered hat, and took his gold-headed cane, and,
+with Cato behind him, walked reverently up the hill to church.
+</P>
+
+<P>
+I was accustomed to the Episcopal church, where dear Alice went
+every Sunday; but this was a Presbyterian church, and I had never
+been in one before.
+</P>
+
+<P>
+As I said, had not my hairs lost their power of motion by what I had
+endured from the scissors, and the vile process of making me into my
+present shape, every one of them would have risen up against the
+so-called music in this church; but my misfortunes and pomatum kept me
+quiet.
+</P>
+
+<P>
+The sermon was at least two hours long, and many a hitch did the
+Squire give me before it was over; that was the beginning of the
+little trick, which you see I have now, of jerking up a little on
+one side occasionally.
+</P>
+
+<P>
+The Squire had brought with him from England a complete set of
+furniture for his house; and, after some time, the things reached
+our abode which was about thirty miles from the sea coast.
+</P>
+
+<P>
+What all these fine things were for was soon explained. The Squire,
+one day, put me into my nice box, putting on an old wig which he
+wore on week days. I soon found that we were in some kind of a
+vehicle, and, ere long, we arrived at a hotel in Boston. But we did
+not stay there long. The Squire was going to be married, and, as I
+was his best wig, I, of course, adorned his head at the wedding.
+</P>
+
+<P>
+Who would have believed that I was the same hair that covered the
+head of dear Alice when she was a bride? Then curling like
+hyacinths, and glowing like sunshine, now stiff, dull and dead;
+looking, as I thought then, and think now, like nothing human or
+divine.
+</P>
+
+<P>
+It was the second time the Squire had been married, so he was very
+sedate in his happiness. He brought home his bride in a few days,
+and there, at his excellent, delightful country house, all was soon
+arranged in the most orderly way possible.
+</P>
+
+<P>
+The lady had a proper pole arranged for my accommodation, and made
+the Squire a nice velvet cap to wear in the evenings, when they were
+alone, and he wished to be relieved of my weight.
+</P>
+
+<P>
+The relations of the Squire and his wife often visited them, and
+always in parties, English fashion, and remained some days; and then
+what feasting and merriment there was!
+</P>
+
+<P>
+The house was surrounded by beautiful woods, and near by was a
+lovely pond; and young and gay hearts were often there to wake the
+echoes with their cheerful, laughing voices. Cato played on the
+violin, and, when the evenings were chilly or rainy, the young
+people danced till the small hours of the night.
+</P>
+
+<P>
+All this I witnessed, for the Squire was a gentleman of the old
+school, was always in his best clothes for his company, and gave no
+sign of weariness till they retired to bed.
+</P>
+
+<P>
+I should mention that the Squire was a justice of the peace. As he
+lived in a remote and very quiet country town, he had not many
+culprits brought before him. But occasionally he was called upon to
+decide upon the proper punishment of some young rogue, and now and
+then he had to marry a couple.
+</P>
+
+<P>
+At these times, I was always smoothed and new pomatumed with the
+greatest care, then put on very carefully, and examined in the
+looking glass two or three times, and readjusted over and over, till
+I was as even as justice itself, before the Squire took his
+gold-headed cane, and proceeded to consider the case.
+</P>
+
+<P>
+Once a boy was brought before him for stealing chestnuts. Now there
+was such an abundance of chestnuts in the town that they were almost
+thought common property. It happened, however, that the Squire had
+some fine chestnuts himself, and he wished it to be considered an
+unpardonable thing to steal chestnuts. So he condemned the boy's
+father to pay a very good price for those his son had stolen,
+leaving it to the man from whom the chestnuts had been taken to say
+how large the quantity was.
+</P>
+
+<P>
+This unjust decision made the man and his son very angry. But my
+master was the Squire; and, in those old times, we retained a great
+deal of the English reverence for a country gentleman.
+</P>
+
+<P>
+The son of this man, however, had not much reverence for any thing,
+and was determined to be revenged upon the Squire, as you will see.
+I, however, was the greatest sufferer. It so happened that the pew
+in which the boy sat at church was directly behind the Squire's. The
+boy carried a piece of shoemaker's wax to meeting with him, and
+when, as was usually the case, the Squire's queue came over the edge
+of the pew, the young rascal took the opportunity, when no one was
+looking, to stick the short queue fast with the wax to the side of
+the pew.
+</P>
+
+<P>
+When the Squire stood up, his wig was nearly jerked off his head,
+and would have been quite off, but for the boy's father who, seeing
+the good gentleman's danger, caught hold of me, tore off the horrid
+wax, and then pushed me back into my place.
+</P>
+
+<P>
+All the foolish children in the church giggled at my expense. The
+simple Squire, thinking it was a nail or a hook, thanked the man who
+had aided him in his distress, and advised him to take out the
+troublesome hook. Cato, however, shook his black head and said,
+"Guess naughty Pickaninny did de queue of Massa's wig. Neber mind,
+Cato no make trouble; queue no feelins; I smood him up. Dem
+chestnuts in his gizzard, spoze."
+</P>
+
+<P>
+Not long after this, the poor Squire lost his wife. Her health had
+always been very delicate, and he had been a most devoted husband.
+</P>
+
+<P>
+The Squire was a good man, and tried to find consolation in the only
+way it may be found, in the religious performance of duty. He became
+the benefactor of the village. He was the friend of all who needed
+his aid.
+</P>
+
+<P>
+Now, my friends, I must pass over the next ten years. What I have
+just related to you of the Squire passed in the year seventeen
+hundred and eighty. Now follow me to the year seventeen hundred and
+ninety-two.
+</P>
+
+<P>
+The Americans, by their wisdom and bravery, had won their
+independence.
+</P>
+
+<P>
+The Squire had done his part for his country by furnishing money,
+and by making his large retired mansion an asylum for all his
+friends who were in want of it.
+</P>
+
+<P>
+He was now seventy years old; and a haler, heartier, more serene old
+man was never seen. His house was the summer rendezvous of all his
+young and his old friends.
+</P>
+
+<P>
+Well do I remember one beautiful afternoon, just before sunset, the
+Squire's going to the glass, and adjusting me nicely, and then going
+to the door, and looking up through the avenue of elms which were
+young trees when I was first carried there, and saying, "It is time
+my niece and her husband and children were here."
+</P>
+
+<P>
+In a few minutes, a carriage appeared with a lady and her son and
+daughter in it. That little girl, then five years old, was
+afterwards the mother of our little friend asleep yonder.
+</P>
+
+<P>
+Never was there a more cordial welcome given to friends than the
+good Squire gave them, and never was welcome more acceptable.
+</P>
+
+<P>
+There were other friends in the house, and such frolicking and
+laughing and dancing on the lawn you seldom see nowadays.
+</P>
+
+<P>
+For many years, the nieces and nephews and their children and
+children's children came in this way to refresh body and soul at
+their good uncle's; till childhood blossomed into youth, and youth
+began to strengthen into maturity, and maturity to fade away into
+age. Years gathered around the old man's head, but his vigor
+remained.
+</P>
+
+<P>
+You need not bounce in that way, my friend musket, and you, Messrs.
+tea-kettle and pitcher, need not try to turn up the noses you have
+lost, at my using these flowery expressions. Remember that, for more
+than half a century, I dwelt upon a human head. It is natural that I
+should have gained something from it, and that I should speak
+somewhat as human beings speak.
+</P>
+
+<P>
+I hope you will pardon my talkativeness; and, even if you think me
+prosy, let me go on after my own fashion, and finish my story in my
+own way, for I am very old, and can speak in no other way. Remember,
+too, I shall never speak to you again."
+</P>
+
+<P>
+"Go on, go on," cried the old coat, cloak, and baize gown.
+</P>
+
+<P>
+The rest made no objection, and so the wig continued. "I assure you
+it was a very interesting thing to me to witness the changes that
+were going on among the Squire's visitors. I saw that child's mother
+come, first as a young lady, then as a bride, then as a mother; and
+then she came, first with one, then with two, and then with three
+children; and then, each year, I saw that these children had grown
+bigger, and it was pleasant, as I sat so quietly upon the old
+Squire's head, to see them jump out of the carriage each year, run
+up to the old man to receive his welcome, and then scamper off into
+the garden and fields like so many young animals; it was pleasant to
+watch their gleeful faces at his hospitable board, and to hear their
+merry shouts; it was pleasant, on Sunday, to see them, with their
+father and mother, follow the old gentleman respectfully at a
+distance, through the avenue of elms to church, with their small,
+solemn faces, just now and then slightly nodding to a buttercup and
+snatching it up; while he, with me and his three-cornered hat on his
+head, and his gold-headed cane in his hand, and his light drab suit
+of clothes, all his dress of the same cloth, and his shoes with gold
+buckles, strode along, while Cato, dressed in some of the Squire's
+old clothes, walked close behind him like his shadow. You would have
+thought my master forty instead of eighty.
+</P>
+
+<P>
+Year after year I witnessed this, till, as I said, the children were
+youths, and their parents no longer young. Then the good Squire
+began to be, as I am now, a little garrulous; he loved to tell old
+stories more than once. But who was there that would not, with
+patient love, listen to them for many a time?
+</P>
+
+<P>
+It was affecting to observe how all his dates were from the year
+fifty. No matter what story he told, or when it really did happen,
+he always finished by adding, "and that happened in the year fifty."
+</P>
+
+<P>
+All his furniture and plate were purchased in the year fifty. It was
+to him the beginning of the world.
+</P>
+
+<P>
+"Uncle," said one of his nieces one day to him, "let me try to dress
+your wig; I think it wants it."
+</P>
+
+<P>
+"My dear, this wig was bought in the year fifty, and looks well now.
+It has done me good service."
+</P>
+
+<P>
+"How beautiful this avenue of elms is!"
+</P>
+
+<P>
+"Yes, they were set out in the year fifty."
+</P>
+
+<P>
+"You have a good housekeeper, uncle."
+</P>
+
+<P>
+"Yes, my dear, she came to me in the year fifty."
+</P>
+
+<P>
+And so on with every thing in and about his house, and so it was
+with every event which had made an abiding mark on his memory.
+</P>
+
+<P>
+There was but one thing about which the good Squire showed the real
+childishness of his old age, and that was his fruit. He had bushels
+and bushels of apples and pears and peaches, but he never thought
+them fit to eat till they were at least half rotten.
+</P>
+
+<P>
+His nephews and nieces were of a decidedly different opinion, but
+did not like to debate the subject with him; so they had recourse to
+a little trick. I don't think it was quite right. The Squire was in
+the habit every day of gathering the ripe fruit in baskets, and
+putting it in what he called especially his room; it was a sort of
+half dressing, half business room. Here it was that he kept the pole
+upon which he placed me at night. These baskets of fruit, if the
+good man had had his own way, would have remained there till they
+were all rotten like the heaps of windfalls which was the fruit he
+told the family, and the children especially, they might eat.
+</P>
+
+<P>
+Now it was the custom of two or three roguish boys and girls, who
+visited him, to gather baskets of this rotten fruit, and when the
+good man had gone to bed, to carry them into this room, and put them
+in the place of the baskets of sound ripe fruit, which they took for
+themselves and others to eat.
+</P>
+
+<P>
+In a day or two, the good Squire would look at his baskets, and,
+finding the fruit decaying, would call it fit to eat, bring it into
+the parlor, and then call in the children, and say to them, "Here,
+boys and girls, here is nice ripe fruit for you; you can just cut
+out the rotten with your penknives;" and then he would distribute it
+among them.
+</P>
+
+<P>
+The little monkeys, of course, could scarce repress their giggles.
+</P>
+
+<P>
+I can make no apology for their cheat, except that, upon this point,
+the good man was really childish; and, as he did not eat the fruit
+himself, or sell it, or do any thing with it, but give to the pigs
+what was not eaten in the family, no one was wronged by the trick.
+It was, in fact, a piece of sport.
+</P>
+
+<P>
+As you see, I had the benefit of being present at the whole of the
+fun; and I can hear now, it seems to me, as plainly as I did then,
+the suppressed laughter of these roguish children when they came
+into the room where I was, to exchange baskets of rotten for baskets
+of sound fruit.
+</P>
+
+<P>
+In his eighty-seventh year, the old man ran a race with one of these
+children, and contrived, by an artifice, to win it. She got before
+him; when, fearing he would hurt himself, she stopped to look after
+him; he came up to her; and then, just pushing her back a little,
+got before her to the goal, which was very near them. How he did
+shout, as though he were only twenty, and what a hitch he gave me on
+the occasion!
+</P>
+
+<P>
+In his ninety-seventh year he died. It was a pity he did not live to
+be a hundred. The night before he died, he went into his room to put
+me on my accustomed pole. He did not see clearly, and let me fall on
+the floor.
+</P>
+
+<P>
+"Ah!" said he, "the old head will fall too, before long. No matter;
+it is time it should go. Here, Cato, help your old master."
+</P>
+
+<P>
+Cato was at hand, picked me up, put me in my place, and helped his
+master to bed.
+</P>
+
+<P>
+I never saw the dear old man again.
+</P>
+
+<P>
+The next thing that I remember, is being put into a box and carried
+I knew not whither.
+</P>
+
+<P>
+The first light I saw was the dim light of this garret.
+</P>
+
+<P>
+The mother of that little girl took me out; and as she put me on my
+pole, which she had caused to be brought here also, "People may
+laugh at me," said she, "but I will keep the dear old man's wig. It
+seems to me a part of him, and is a memorial of the happy hours I
+have passed under his hospitable roof."
+</P>
+
+<P>
+It is now one hundred and six years since I was born into this
+world. For twenty-eight years I flourished on the beautiful head of
+dear Alice. Ever since then, I have been only a wig. I am now
+falling into utter decay. If any one were to shake me, I should fall
+to pieces. I have, like many of you, my friends, since inhabiting
+this garret, been abused and made fun of, by children. I was once
+put upon the head of a donkey, while a boy with a fool's cap on his
+head rode him, and took a love letter to a young man. I was also put
+upon the head of a great monkey brought to the house for exhibition,
+who took me off his head and threw me at the boys. Once, as you
+know, I was made to play the mock judge on the head of a dog. Once
+that little girl who sleeps there, used me to keep a litter of
+kittens warm in, on a cold winter night. This nearly killed me, and
+from that moment the children were forbidden to touch me.
+</P>
+
+<P>
+"I have now," concluded the wig, "only to ask your pardon, my
+friends, for the impatience with which I have listened to your
+stories when I thought them too long, and for the truly human vanity
+and inconsistency which made me tell the longest story myself. But I
+knew that no one waited for me. I shall certainly never speak more.
+These are my last words. Farewell."
+</P>
+
+<P>
+Just at these words, it seemed to me as if the wig gradually
+dissolved into a bright halo. Then suddenly it fell into golden
+ringlets all so soft and graceful and beautiful; while I looked,
+they seemed to shade such a lovely, innocent face, that I knew it
+must be that of dear Alice looking like an angel in heaven.
+</P>
+
+<P>
+I awoke very happy. There was every thing in the old garret just as
+I first described it, and all as quiet and still as if nothing had
+happened."
+</P>
+
+<BR><BR><BR><BR>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Talkative Wig, by Eliza Lee Follen
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE TALKATIVE WIG ***
+
+***** This file should be named 4048-h.htm or 4048-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/4/0/4/4048/
+
+Produced by Charles Franks and the Online Distributed
+Proofreading Team. HTML version by Al Haines.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</BODY>
+
+</HTML>
+
diff --git a/4048.txt b/4048.txt
new file mode 100644
index 0000000..d58fe41
--- /dev/null
+++ b/4048.txt
@@ -0,0 +1,1727 @@
+The Project Gutenberg EBook of The Talkative Wig, by Eliza Lee Follen
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Talkative Wig
+
+Author: Eliza Lee Follen
+
+Posting Date: June 11, 2009 [EBook #4048]
+Release Date: May, 2003
+First Posted: October 20, 2001
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE TALKATIVE WIG ***
+
+
+
+
+Produced by Charles Franks and the Online Distributed
+Proofreading Team. HTML version by Al Haines.
+
+
+
+
+
+
+
+
+
+
+
+THE TALKATIVE WIG
+
+
+BY
+
+MRS. FOLLEN
+
+
+
+With Illustrations by Billings and others
+
+
+
+
+
+
+THE OLD GARRET.
+
+
+"Pray, dear Mother," said the boys, "tell us what else you heard in
+the old garret."
+
+"You know," said she, "it was on a rainy Sunday when my mother sent
+me up there with my book, Pilgrim's Progress. This book always
+delighted me, and set my fancy to work in some way or other.
+
+After reading a while, I began to look at the queer old things in
+the garret. Pussy began to purr louder and louder, and at last I
+fell again into the same dreamy sleep that I was in at first.
+
+Presently I heard the same confused sound which I heard before when
+the old tenants of the garret began to speak. There seemed also to
+be a slight motion among them, and a sort of mysterious appearance
+came over the whole apartment, as if they were all living, though
+very shadowy beings. Presently I heard the creak of the curling
+tongs, and he uttered these words:--
+
+"I think we have all been wronged by our friend the wig; he approved
+of our all relating our own histories, and promised that, after we
+had done so, he would give us his, frankly and truly, as we have
+done; instead of that he, as well as the rest of us, fell asleep
+when our friend spinning wheel related her story; and, when we all
+waked up, he did not fulfil his promise. I move that he be requested
+now to give us a faithful account of his whole life, till he was
+consigned with us to this dark, gloomy old place. I probably have
+been more intimately acquainted with him than any one present; for
+once or twice I have assisted in smoothing, or rather frizzing, his
+ruffled hairs, and making him fit for company; and, with your leave,
+my friends, I urge him in your name to relate his history." A sort
+of hum of approbation sounded through the long, dark old garret, and
+then the wig spoke.
+
+"Friend Frizzle is right: I did agree to relate my adventures, but I
+said I would wait till all had told their stories; now, here are two
+of this brilliant company that have not said one word of themselves,
+that comical coat and that old cloak; after they have related their
+history I will relate mine. The wig hitched a little on his block,
+and was silent.
+
+"I am ready," said the coat, "to tell all I know of myself, and I
+shall not keep you long, I trust. My friend the baize gown and I had
+the same origin on the back of a sheep, only I was of a nicer
+texture, and had, from my earliest days, a more refined character;
+and, of course, was used for higher purposes. Major Sword there may
+know perhaps that I had as much to do with making the major of
+Cadets as he had, only I did not make people run when they looked at
+me, as he says he did.
+
+I was originally of the most delicate white, and I was made into one
+of the very first coats that ever appeared on the parade as one of
+the Governor's guards. I think I did more to make the major than my
+Lord Sword did. Think of a major without a coat! He would not be a
+major, for a moment. He would be hooted at. Now, even were he
+without a sword, and had me, such as I once was, on his back, he
+would still be known as a major of the Cadets."
+
+"Self-glorification! Come to your story," cried the musket, with a
+bounce.
+
+"I will," said the coat. "I was, as I have told you, the major's
+military coat, admired by all who looked at me; and I appeared often
+on parade days till he gave up his office, and left this country,
+when I was left hanging up in his dressing room, and all my glory
+was gone.
+
+As the major's boys grew bigger, they would often beg their mother
+to allow them to put me on. The rogues were so short then that I
+trailed on the ground. I was even so far abused as to be worn by
+girls. This tried my feelings sorely, but I was forced to submit.
+Once I was so far disgraced as to be worn by one of the girls while
+she danced with her brother who was dressed like a monkey, with a
+tail over a yard long; and this was not all, she pulled the monkey's
+tail too hard, it came off, and then the monkey boy seized the tail
+and beat me with it, meaning to beat his sister, but I got the worst
+of it. So I lived to be made fun of, and lived for nothing else.
+
+At last, the major's wife, our dear mistress, took me one day into
+her gentle hands, and after examining me carefully and making up her
+mind to the act, deliberately took her scissors, ripped me up into
+pieces, and sent me to the dyer's, to be colored brown. This was too
+horrid--I was soused into the vilest mixture you can imagine, and
+suffered every thing abominable, such as being stretched within an
+inch of my life, and then almost burned to death. At last, I came
+out with the color you now see me, not a handsome brown, but a real
+sickish rhubarb color. My dear mistress laughed when she looked at
+me. "This is a dose," said she, "but it will do for an every day
+coat for Jonathan, and I can make it myself, with Keziah Vose's aid;
+so I will not grieve about it. So Keziah was sent for and set to
+work.
+
+Now Jonathan was a white-haired, chubby boy, and this was his first
+coat. Keziah went by her eye altogether. She took no measures except
+for the sleeves, and these she said she would make large and long,
+to allow for Jonathan's growing. She made me so broad behind that
+one brass button could not see the other, although they were, as you
+see, almost as large as a small plate; the skirts came down so as to
+hide the calves of his legs, and were so full as nearly to meet
+before. My sleeves had a regular slouch. There was no hollow in the
+back, and I looked as if I was made for one of the boys' snow men,
+not for a human being.
+
+When I was finished and put on for the first time, all the children
+and their mother were present, as it happened. My droll looks and
+rhubarb color, the comical expression of Jonathan's face,--for he
+was a great rogue,--and his sun-bleached hair, half hidden by my
+high, stiff collar, set them all into a gale of laughter. He took
+hold of my full skirts, one on each side, and began to dance; and
+even his mother and Keziah laughed too. Nothing was to be done. A
+few times, the mother of Jonathan tried to induce him to wear me at
+home, for she could not afford, she said, to lose all I had cost
+her; but it was all in vain--giggle, giggle, went all the children
+when they saw me, and I had to be hung up, as you see me now.
+Whenever they wanted a comical dress in any of their plays, I was
+brought out, and that little girl asleep there, and her brothers
+still amuse themselves with my comical looks. Alas! I am of no other
+use in this world.
+
+The young people used to amuse themselves by acting little plays, or
+some other nonsense; and when they wanted to make a very ridiculous
+figure, I noticed they came for me. I always observed that whoever
+had me on talked through his nose, with an ugly drawl, and used
+vulgar words and expressions, such as "Now you don't! Do tell!
+Sartin true!"
+
+Once they put me on a dancing bear. This was insulting. I don't like
+to think of it. I try to forget it.
+
+In short, every one laughs when I am present, for some reason or
+other; and I suppose I have been kept on account of the merriment I
+have afforded the family. After all, my friends, I am not sure that
+he who adds to the innocent gayety of people is not as valuable a
+person as one who has more dignity, and who never made any one laugh
+in his life.
+
+I have done, my friends--the old cloak is a more serious, dignified
+person than I, and will now, I trust, give us her history."
+
+The old cloak began to speak in a different tone from that of the
+coat. I cannot say the tone was gloomy, though it was very serious.
+It was a kindly, affectionate tone, that made you not unhappy, but
+thoughtful. "I agree," said she, "with my neighbor who has just
+spoken, that no one deserves better of society than he who promotes
+its innocent merriment. No bad person can know what true gayety of
+heart is. Goodness and cheerfulness are like substance and shadow;
+where the one is, the other will always follow.
+
+I was made of German wool; and, in my country, the people all laugh
+and sing. They keep still a saying of old Martin Luther, which runs,
+if I remember rightly,--
+
+"Wo man singt, leg' ich mich freilich nieder. Bose Menschen haben
+keine Lieder."
+
+"Keep to plain English, you Hushan!" shouted the musket with a kick.
+
+"I am sorry to hurt your feelings, my old soldier," said the good
+natured cloak. "I think, however, it is rather hard of you to keep
+the name of Hessian as a term of reproach forever, just because a
+few poor miserable fellows once came over here to fight you. Was it
+not enough to have treated them as you say you did in the Jerseys?
+For the benefit of you and those less prejudiced, I will translate
+the couplet:--
+
+ "Where I singing hear,
+ I lay me, free from fear.
+ Men intent on wrong
+ Never have a song."
+
+
+I was a singer myself once during the short time when I was
+connected with one of dame spinning wheel's relatives. I am not even
+a laugher now. Still I am contented and cheerful, and I remember
+past trials without any bitterness. I went through all processes of
+carding, spinning, weaving, dyeing, stretching, dressing, &c., and
+was at last placed in a shop for sale. A beautiful young girl
+purchased me for her bridal pelisse. Never did a happier heart beat
+than did hers on the Sunday after she was married, when she wore me
+to the church, holding by her husband's arm. I could not but partake
+of the pleasure which she received from the gentle pressure of his
+arm when she put hers within his, saying, "I am glad, dear, you like
+my pelisse so much."
+
+O, how happy we all were! How proud my mistress was of me! How proud
+I was of her! I hate to pass hastily over these happy days, but I
+suppose the history of them would not be very interesting to any of
+my hearers; for one day was very much like another. Never did any
+garment cover a more innocent, joyful heart than that of my
+mistress.
+
+I lasted well for some years, but my sleeves, at last, became
+threadbare; soon after, there were actual holes in them, and holes
+also in my waist; I was, I must confess, a shabby-looking pelisse.
+
+My dear mistress took me into her hands one day, and, after
+examining me all over, said, with a sigh, "I cannot wear it any
+longer; I must give it up." At last, her expression brightened and
+she added, "I can give it to cousin Jane; I am very tall, and she is
+very short. The skirt is good, and she can make a cloak of it; and
+so my precious pelisse will still be where I can see it."
+
+Forthwith I was sent to cousin Jane, with a very pretty note
+explaining to her the reasons why her cousin took the liberty of
+offering her the old pelisse. Cousin Jane wanted a cloak, and could
+not afford to buy one; so I was carefully ripped up and turned, and
+made into a very respectable garment.
+
+Cousin Jane was a dressmaker; and, in her service, I learned
+something of what dressmakers have to endure. She had not been long
+engaged in her trade; and, at first, she would put me on in the
+morning with a brisk, vigorous manner, but in the evening, when she
+returned home, how differently she took me up! how differently she
+threw me over her weary shoulders!
+
+Soon she ceased to put me on in the morning in the same strong,
+elastic manner, but took me up languidly, and as if she dreaded the
+day, and, when she went into the air, wrapped me very closely about
+her, just as if I was her only comfort, and pressed me to her heart,
+as if in hopes it would ache less.
+
+Poor dear cousin Jane, my heart aches to think of her. Day after
+day, from morning till night, and often till the next day began, she
+toiled and toiled, stooping over her work, sewing, sewing, hour
+after hour, and day after day, stooping all the time, till her eyes
+lost their brightness, her step all its elasticity, till her
+shoulders grew round, and her health failed.
+
+O, had those for whom she labored, for her small day's wages, but
+observed how the lamp of life was gradually going out, they would
+not have allowed her so to work without any respite; they would have
+made her take better care of her own health; they would have sent
+her home early; they would not have allowed her to work thirteen or
+fourteen hours a day in their service.
+
+There was one family in which she worked where the master and
+mistress insisted that at one o'clock Jane should lay aside her
+work, and walk till two, when they dined. Then they insisted upon
+her dining at their own table, and tried to make her meal a social
+and pleasant one.
+
+O, these were white days for poor Jane. Could I not tell when she
+was going to work in this family by the way she threw me over her
+shoulders? Did I not feel her gentle heart beating with unwonted
+warmth as she came home from this family before eight o'clock,
+accompanied by the truly good man of the house or some trusty
+person? When she hung me up in her small bed room, did I not notice
+her grateful, happy smile? She felt that she was recognized by these
+good people as a sister and friend, and that the words which we hear
+at church and read in the Bible, "All men are brethren," were not
+mere words with them.
+
+These evenings she would make her small fire, and sometimes indulge
+herself in reading a little while; she would go to bed early, and
+did not look so pale in the morning.
+
+Had all the customers of cousin Jane been as kind and considerate as
+these good people were, she might have lived; and I should, perhaps,
+have continued in her possession; but life was too hard for her,--she
+struggled with it for many years, and then her sweet spirit turned
+wearily away from it; she grew weaker and weaker, the color grew
+brighter and brighter on her cheek, and the light in her eye; she
+looked like a spirit; and, ere long, she was one.
+
+My first owner came, as soon as she heard how ill Jane was, and took
+her home to this house in the country. Here our good mistress nursed
+her poor cousin, and made the last days as happy as she could; but
+Jane was weary of this life, and longed for a better one. She passed
+away as gently and sweetly as a summer evening cloud or a dying
+flower.
+
+Our mistress said to her husband, "All Jane's clothes, except this
+dear cloak, I have given to the poor. This I must keep myself; for
+it was one of my wedding garments, and dear Jane has made it all the
+dearer to me. I shall keep it to lend to friends who are caught here
+in the rain; it shall be called the friend's cloak, and shall always
+be kept in the closet in the hall, close at hand."
+
+Now, I suppose every one knows of how much use such a cloak is in a
+family. Never was a cloak more employed than I, and for all sorts of
+things. I was used to play dumb orator. I was at every one's
+service. I don't know how they ever did without me.
+
+Don't be astonished that I did not wear out; my lining was strong,
+and I tell you an old cloak has a charmed life; you cannot wear it
+out; like charity, it suffereth long and is kind.
+
+As my dear mistress's children grew up, I was treated very much as
+you all have been; that is to say, with no respect at all. What a
+different life was mine from that which I led with dear, gentle
+cousin Jane. Peace be with her sweet spirit!
+
+One prank which the boys played some years after Jane's death, I
+must relate, and then I have done. The eldest, whose name was
+Willie, took me, the evening before thanksgiving day, and, having
+dressed himself up in some of the cook's dirty old clothes, and hung
+a basket on his arm, put me over his shoulders, and I went begging
+of all the neighbors for something to keep thanksgiving with. He
+disguised his voice by putting cotton wool in his mouth, and I
+wonder myself how I came to know him. Two or three boys of his
+acquaintance went with him, all dressed as beggars; and a grand
+frolic they had.
+
+They went to one house where a man lived that made great pretensions
+to religion and goodness, but who the boys strongly suspected was
+not very compassionate to the poor.
+
+"Please," said Willie, "give us a little flour and raisins for our
+mother to make a thanksgiving pudding with to-morrow." His answer
+was a slam of the door in his face.
+
+"Let us go to Granny Horton's," said one of the boys; "she has not
+gone to bed yet."
+
+"O," said Willie, "you know she has nothing but what mother sends
+her, or some of the neighbors. It would be a shame. I carried her a
+pair of chickens this morning, and some flour and raisins; and it is
+a shame to beg of her, she is so kind. But won't it be funny if she
+gives us something, when Squire Marsh would not; at any rate, she'll
+not slam the door in our faces. Come, let's go quickly, before she
+puts out her little light and goes to bed. I bet she'll give us one
+of her chickens. But let us take whatever she gives us, just for the
+fun, and for fear we should be found out."
+
+Willie was to be the spokesman. He felt rather queerly at first; but
+the fun of the thing was too tempting, so he agreed to speak. He was
+dressed as a girl, and wrapped me closely about him, as if he was
+very cold. He had on an old straw bonnet, and his face was painted,
+so that she could not recognize him, he knew.
+
+They knocked at Granny Horton's door, and she, in a kind, gentle
+voice, replied, "Come in!" Willie, pretending to be a girl, told how
+she and her brother and sister had come from the farther part of the
+town, where they lived in the woods with a mother who was very old,
+and had hardly any thing to eat; and how they wanted something good
+to carry to her for thanksgiving day--a little flour, or a chicken,
+or any thing; that it was too hard for his dear mother to have
+nothing but beans on that day; that beans were what they lived on
+commonly.
+
+He looked so mournful, and spoke in such a mournful tone that the
+dear old woman, after thinking one moment, said to him, "I have two
+chickens, a quart of flour, and two pounds of raisins, sent to me by
+a good lady this morning, and brought to me by a real good little
+boy called Willie. I can't ask their leave, but I guess they would
+not scold me for giving your mother half of what he brought me; so
+you shall have it, dear. 'It's more blessed to give than to
+receive.' 'The Lord gave and the Lord taketh away. Blessed be His
+name.'"
+
+While she was saying over these blessed words, she was busy dividing
+the flour and the raisins, and putting them and the chicken into the
+basket which Willie gave her.
+
+They all thanked the old woman very kindly, and went off with her
+flour and chicken.
+
+"What shall we do with it all?" said they, as soon as they were out
+of the house.
+
+"Let us," said Willie, "beg all we can every where, and get our
+basket full, and carry it back to her, and, when she is asleep, get
+into her house again, and put it on her hearth. I know how to open
+the window on the outside when she thinks it fast."
+
+This was a good joke for the boys; so they went from house to house,
+and, except at the squire's and one other place, got something from
+every one, till, at last, their basket was full. Then they went
+home, and got a peck of apples from their mother.
+
+Willie then led the way to Granny Horton's again. They looked in at
+the window, and, by the light of the few embers still burning, saw
+the good woman asleep in her great, old-fashioned chair, with her
+spectacles on, and by her side a little stand on which lay her Bible
+open at the place where she had been reading.
+
+"I can get in," said Willie, "and put the basket down by her side
+before she wakes."
+
+Accordingly, he went to a little window in the back part of the
+house, climbed in, came softly into the room where she was, and set
+the baskets, all running over with good things, down on the hearth.
+Willie had hardly got back to the window, when the good woman waked
+up; and there, directly before her eyes, stood the baskets. She took
+them up, and looked at them for some minutes before she took any
+thing out. At last, she began to examine their contents. When she
+came to her chicken and flour and raisins, in the very papers in
+which she had wrapped them; she looked up and clasped her hands with
+such astonishment, with such a look of wonder and gratitude, that
+the boys, in their glee, laughed outright, and so loud that she
+heard them.
+
+She ran to the window, but they were gone; and she never knew how it
+was that her chicken and flour brought her back seven fold.
+
+When next the cook went to see her, with me on,--I was every body's
+cloak,--the old lady told her the whole story of finding the chicken
+and flour, and so many other good things with them. The secret was
+kept; and it was Granny Horton's firm faith that it was the wings of
+angels she heard when she went to the window. Indeed she thought she
+had seen the wings, for as Willie turned to run, he forgot to hold
+me tight, and the wind blew me up so as to hide him entirely, and
+she took me for great dark wings.
+
+I fear you may be weary of my story. I have much more that I could
+relate, but I have already been too long.
+
+I am, as you see, ragged and worn, but the dear family have an
+affection for me still, as well as for all the rest of us; and so I
+am allowed to remain here in this most respectable company. I trust
+the wig will now give us his history for which we have waited so
+long."
+
+"There is time enough before eight o'clock for the story of the
+wig," said Frank, "if you can remember it, Mother. He ought to tell
+his story now, as he promised."
+
+"As the wig began to speak," said their mother, "he gave a slight
+hitch on one side, just as if some one pushed him up a little, and
+then, after a short pause, began thus: "You will be astonished,
+perhaps, to know that it is more than a hundred years since I first
+saw the light. None of you have lived so long, or seen as much as I
+have. I cannot tell all I have seen or known. It would take too
+long, and weary you too much. I can only give a slight sketch of my
+long life.
+
+In the year seventeen hundred and fifty, the baby head upon which I
+grew came into this strange world in which we live. O, how happy was
+the mother who saw me for the first time! How full was her joy when
+she stroked the small head of her little girl, and exclaimed, "How
+beautiful and soft her hair is! softer than velvet or satin." Even
+then, every one said, "What a beautiful head of hair! What a lovely
+baby!"
+
+The little girl whose head I adorned was the daughter of a poor
+vicar who lived with his wife in an obscure country town in England.
+
+Alice was their fifth child, but their only daughter. She was very
+beautiful, and, I may say it surely without vanity now, I was her
+greatest ornament. I was of a beautiful auburn color, and fell in
+thick clusters all over her happy, gentle head, and shaded her
+laughter-loving face. After a day of hard work, how fond her mother
+was of taking her little pet in her lap, and twisting up every curl
+in nice order under her white linen night-cap, before putting her to
+bed! Her father, too, would wind my ringlets around his great
+fingers, made hard and rough with toil in the garden, and would kiss
+every one of them, and pray God to bless the young head on which
+they grew.
+
+As the dear head grew larger, I grew larger and thicker. Every one
+who saw me noticed me. One would say, "It looks like a pot of
+hyacinths"; another, "It has caught the sunshine and kept it."
+
+What a pleasant life I led! When Alice grew a large girl, she became
+something of a romp, and one of her favorite amusements was to go to
+the top of a hill near her father's house, when there was a high
+wind, and let it blow through her curls, and sing and shout and
+dance from the fulness of her joy. When she came home, she would say
+"Mother, the wind has been combing my hair."
+
+O the horrid combing that I had to endure every morning! One must be
+a head of curly hair to know how terrible is a comb.
+
+If you will not think me too long, I must talk a little more about
+the dear Alice, and tell you what I witnessed till I was separated
+from her."
+
+"Go ahead," said the old musket.
+
+"I must tell you how her sweetness and goodness once saved the house
+from robbery. It was the custom of her father and mother, on Sunday,
+to lock up the house, while they went to church. A pot of pork and
+beans, and a pudding of Indian meal was put in the oven to bake for
+their dinner.
+
+One Sunday, as Alice had a heavy cold, they left her at home. She
+was then fourteen years old, and felt herself quite equal to taking
+charge of the house.
+
+It was generally known that the curate's house was locked up on
+Sunday; and a poor, foolish, as well as wicked fellow, determined to
+take that opportunity to help himself to the good curate's silver,
+or any other valuable, he could find in the house. It happened that
+the man took the Sunday when Alice was left at home for his wicked
+purpose.
+
+When he came to the door which he intended to break open, he was
+admitted by Alice, who saw him coming. She asked him to come in and
+sit down, then inquired if he had travelled far, and set before him
+some bread and butter and cold water.
+
+"My father is a minister," she said, "and always asks travellers to
+stay. We have some dinner in the oven, and we shall all of us like
+to have you stay and dine. You look pale and tired; you had better
+stay."
+
+These words Alice said with such a sweet, confiding earnestness,
+that the wicked purpose died away from the heart of the intended
+thief. He felt as if he was in the presence of an angel. He looked
+at her in wonder. All the evil in him seemed to depart.
+
+"You are very good," he said. "Do you take care of the house all
+alone by yourself?"
+
+"O yes," she replied; "it does not take much trouble. There is no
+one to harm us. Would you like a book to read till papa and mamma
+come home; here is my Testament; or would you like I should read to
+you?"
+
+"Read to me," said the man.
+
+As Alice read from the history of Jesus, the tears ran down the
+robber's cheeks; he said nothing.
+
+When the curate came home, he repeated Alice's invitation to dine.
+The man accepted it. After dinner, when he thanked Alice and her
+father for their kindness to him, he said to the curate, "Your
+daughter is an angel, and has saved me from sin. I go away a better
+man than I came."
+
+He then confessed the evil intentions with which he had entered the
+house, told how Alice's trusting, gentle kindness had disarmed him,
+and promised the curate that he would henceforward be a better man.
+
+I do not mean to say that Alice never did any wrong thing. She was,
+however, so sorry for a fault, she repented so soon, and then did
+all she could to repair it, that no one could help forgiving her.
+She had a trick of squinting now and then. Her mother thought that
+my curls perplexed the bright eyes under them; and, to prevent the
+evil, drew up all the pretty locks in a bunch, tied them together,
+and said, "Now, Alice, your hair is all out of the way, and you will
+not squint."
+
+Alice was annoyed by this; she was a little vain of my beauty, and
+the disregard of her looks, which she thought these words indicated,
+fretted her.
+
+Her father saw this, and, to make the tying less disagreeable, said
+to her, one day, "Alice, I see you don't like to have your hair tied
+up; you don't think it reasonable. Come now, bear it patiently for a
+month; and, at the end of that time, I will give you the little work
+box I am ornamenting with straw."
+
+Alice agreed, and promised to be patient, and to keep her hair tied
+up.
+
+During the month, it happened that Alice was invited to a little
+party of girls at her aunt's.
+
+Alice hoped that her father and mother would absolve her from the
+promise, that afternoon; but no, her mother only tied up her hair
+with a new ribbon for the occasion. I, with all my beautiful curls,
+was drawn away from her dear face as far as possible. Alice found
+this hard to bear.
+
+As she was on the way to the party, she could hardly keep from
+crying.
+
+"What is the matter?" said her father.
+
+"Nothing, father," said Alice, "only a little headache; mother has
+tied my hair too tight."
+
+"Loosen it," said her father.
+
+Alice did loosen it, so that the string was just ready to come off.
+
+When she arrived at her aunt's, where her father left her, I was
+just escaping from my hateful confinement, and her aunt took hold of
+the hair as the string fell on the floor.
+
+"Shall I tie it on again, Alice, or shall your pretty hair go just
+so? I don't see the use of tying it, but, if you really wish it, my
+dear, just step up stairs, and Jane will do it for you very nicely.
+Perhaps your mother would choose it to be tied; she is very
+particular. It is a pity to confine such beautiful curls, but, if it
+must be so, we can't help it. Will you go up stairs? Here is the
+string; it dropped on the floor."
+
+"No," said Alice, "it is of no consequence;" and she put the string
+into her pocket.
+
+Again I fell upon her beautiful forehead, and kissed her rosy
+cheeks; and every one admired my beauty.
+
+Alice tried to forget that she was breaking her promise, and enjoyed
+herself pretty well.
+
+When she went home, her mother said, "Why, Alice, your hair is all
+over your face; how comes that?"
+
+"The string was nearly off when I went in, and then it fell on the
+floor, and aunt said I looked better without it. Here is the string,
+which she picked up."
+
+"I should have thought your aunt would have let you go up to Jane,
+and have it tied properly; you should have asked her leave."
+
+"I suppose," said the father, "that Alice felt too shy. It is no
+matter for one day. Alice, I dare say, kept her promise as well as
+she could; and, next week, she shall have her box; a right pretty
+one it is."
+
+Alice kissed her father and mother, and went to bed; but there was a
+little cloud between her and the all-pure Being to whom she prayed
+that night, and her precious tears wetted my locks, ere she went to
+sleep.
+
+Alice felt that she had not been true to her promise, and her
+parents' entire trust was the most severe reproach. Still she could
+not quite make up her mind to say so; and she tried not to think so.
+She had set her heart upon the little work box made and ornamented
+by her father whom she loved dearly. One day after another passed
+away, and every day it became harder to confess her fault. How often
+I heard her sigh during these days! Nothing makes a perfectly light
+heart but entire uprightness.
+
+One day, her father called her to him, and said, "Come, Alice, and
+tell me which color I shall use to ornament the border of your
+box--blue or green?"
+
+"Just which you please, Father."
+
+"But you know it is for you, and I want to know what you like best."
+
+"If it should ever be mine, Father, I like blue best."
+
+"Blue it shall be," said her father. "It will be finished to-morrow,
+and then your month for keeping your hair tied will end. I think
+your eyes are better, and you have learned also that you can keep a
+promise. You are my good child."
+
+Alice could not speak. She ran out of doors into her garden where
+her father had made her a little arbor, and there, all alone, she
+struggled with herself, till courage and truth prevailed. Then she
+went back into her father's study where she found him still at work
+on her box.
+
+"Almost done, Alice," said he; "see how pretty it is." "It must not
+be mine, Father," said Alice, very quietly, for she was determined
+to command herself. "I have not kept my promise, Father. I have
+deceived you and mother. I don't deserve the box. Give it to my
+cousin." Then she told her father the whole story, just as it was.
+As she went on, she grew braver, and felt happier; so that she was
+able to look up into her father's face, and say, very calmly, "I
+could not take any pleasure in your pretty box, for I know I do not
+deserve it. Please, dear Father, to tell Mother all about it, and
+put away the box, if you choose not to give it to some one else. It
+is very pretty, but it is not to be my box."
+
+The tears began to come in her eyes, and she turned to go out of the
+room. Her father stopped her. "Come here, my Child," he said. "You
+did wrong, but you have done all you could to repair your fault. You
+will never again, I think, be guilty of falsehood. At the end of
+another month, if you feel sure of yourself, come to me for your
+box."
+
+"No, Father, that would seem like being paid for speaking the truth.
+I should never ask for the box."
+
+"Would you rather I should give it to your cousin?"
+
+"If you please, I should;" and then the tears ran fast down her
+cheeks. "You know my cousin Edith has very few pretty things. I
+should like her to have it."
+
+"Take it, Alice, and give it to her yourself."
+
+"As your present, Father, not as mine. You know it is not, and
+cannot be mine. I have been so unhappy at my untruth, that I think I
+shall never commit such a fault again."
+
+Alice never did again, in the slightest thing, depart from the
+strictest truth and uprightness, in action as well as in word. It
+was common for her friends to say when there was a question about
+any thing that had occurred, "We will ask Alice. She always tells
+the exact truth."
+
+At last, Alice was a woman; and I, of course, led a more sober life,
+as she became more serious. I grew so long and thick that, when she
+took out her comb, and shook her head slightly, I fell in curls all
+around her neck and shoulders, like a golden veil, and you could but
+just see her laughing blue eyes, and white teeth through me.
+
+You may readily guess that the pretty Alice was beloved by all who
+knew her; and, ere long, the son of the village apothecary won her
+heart. He was a good-hearted fellow, but never fitted himself to be
+of much use in the world. He took Alice to a distant village, where,
+with his father's assistance, he set up as an apothecary, on rather
+a small scale, of course; but Alice was used to simple fare and to
+helping herself.
+
+All would have been well with them but for one thing--the husband
+became a drunkard; not immediately--his love for his wife kept him
+sober for some time. Nothing was more beautiful than the way they
+lived for a year or two; but the habit of drinking a little, a habit
+which he had formed in his father's shop, and which he intended to
+cure, returned. The wretched man had not strength to resist it.
+
+He became fretful, and Alice, for the first time in her life, became
+unhappy. She had never before heard any but the voice of kindness;
+and now, from him she loved best in the world she received sometimes
+sharp and disagreeable words. He was very sorry afterwards, and all
+would seem well again, but he did not really reform, and, many a
+time, my locks, falling over her innocent round cheek, were wetted
+with her tears.
+
+Alice was good as an angel. She forgave her husband, believed him
+when he promised to leave off drinking, and never said a harsh word
+to him. James kept his promise for a month or two, but fell again,
+and then more hopelessly; for, after he had drunk a little, he
+feared his wife would know what he had done, and felt so unhappy
+that he drank more to drown his feelings; and, for the first time,
+he was brought home to his wife dead drunk.
+
+Alice tended her husband as if he were only a sick man; she had him
+put into a nice bed, she washed and mended his soiled and torn
+clothes, she was near him to catch his first word when he recovered
+his senses, she never reproached him, she tried, by love, to win him
+back to sobriety and duty, she wept, she prayed for him.
+
+He suffered all that man can from shame; he could not look her in
+the face; he had destroyed the charm and glory of life; he was
+unable, or rather he thought he was, to conquer his enemy; and,
+before six years were at an end, partly from broken and ruined
+health, and partly from utter misery, he fell into a rapid decline,
+and died.
+
+Alice loved her husband; and never was sick man nursed with more
+loving, cheerful patience than was he. He wept over his sins; he
+asked her, with every returning and every setting sun, to forgive
+him and to pray God to pardon him.
+
+She was an angel of pity and mercy to him, to the end. When she
+leaned over him to kiss him, he would pull her beautiful hair--for
+I was still beautiful--over his face which he was ashamed to show
+when he thought of his folly and wickedness. Many a time have I felt
+his hot tears of contrition as he pressed me against his sunken
+cheeks, and to his parched lips.
+
+After her husband's death, the vicar of the parish came to see
+Alice, and did all he could to comfort and aid her.
+
+She found that her husband had died largely in debt; that, when all
+the stock in his shop was sold, and the creditors paid, there would
+be nothing left for herself and two children.
+
+She did not want to go back to her old father's house, and burden
+him with care and expense, and she resolved to open a little school
+for small children in the cottage in which she lived.
+
+She had one spare room which she could let to an old lady who wanted
+just such a home as Alice could give her.
+
+With a strong and hopeful heart, did Alice dedicate herself to the
+work before her, of supporting and educating her two orphan
+children. Alice's strict honesty had made her give up to her
+husband's creditors every thing she had, except the barest
+necessaries; and, now that she wanted to commence her school, she
+felt very much the want of a little cash to buy a few indispensable
+things.
+
+The grocer and butcher had offered to supply her on credit, till her
+first payment from her scholars and boarder should come in. Still a
+little ready money was essential to her to begin. She would not
+borrow it, and was one day thinking what she should do, when her
+eye, wandering over a newspaper which the vicar had kindly lent her,
+fell on an advertisement offering a high price for handsome hair
+long and thick enough to make wigs.
+
+Alice heard the good curate say that he was going to London on
+business in a day or two, and her determination was made in a
+moment.
+
+I said that Alice had kept nothing that she could do without; she
+had, however, kept the white muslin gown she wore when she was
+married. She thought she could not give this up. "I shall never wear
+a white muslin gown again," she said, as she ripped out one of the
+breadths and made herself two or three plain caps of it.
+
+The next day she rose early before the children were awake, and,
+standing before a very small looking glass which she had kept to
+dress her hair, she looked at me curling all over her precious head,
+and hanging down upon her shoulders.
+
+"He loved these locks," said she, "and, for his sake, I would keep
+them; but they had better be devoted to the good of our children.
+Some school books will be worth more than all these golden locks. I
+am glad the children are asleep, for they love to play with my hair,
+and it would grieve them to see me cut it off."
+
+The good Alice took her scissors, and cut off lock after lock, till
+all were gone, save a few which she left around her forehead. Then
+she put on her simple muslin cap and tied it with a muslin string
+under her chin.
+
+Just then, her boy awoke. Alice had laid him down on his bed, and
+the first sight the little fellow saw, when he awoke, was his
+mother's hair which almost covered him up.
+
+"Why, Mother, how could you do so? How could you cut off your pretty
+hair, and put on that ugly cap? What would father say? You said we
+must do what we thought would please him. It would not please him to
+have you cut off your pretty hair;" and the child burst into an
+agony of tears.
+
+"Would it not please him that you should have a spelling book and a
+slate to write on, William? With this hair I can buy them for you. I
+have no other riches now."
+
+The poor boy still wept. The hair was more to him, at that time,
+than all learning. He could not then have believed that the time
+would come, when he would remember with gratitude his mother's
+sacrifice for him and his little sister.
+
+Alice gathered the locks, took from a drawer her last bit of blue
+ribbon, and tied them, saying, "This is the way he liked to see my
+hair tied when I was at my father's cottage. I shall never tie it so
+again."
+
+When the good vicar came to see Alice, as he did every day, she met
+him with me all nicely done up in a paper in her hands, and asked
+him if he would be so good as to take me to the hair dresser who had
+advertised for hair, make the best bargain he could for her, and,
+with the proceeds, get the few necessaries for commencing her small
+school. The good man cheerfully promised to do so, took the parcel
+from Alice, and carried it to his own house.
+
+And so I bade farewell to dear Alice, and her neat cottage, and her
+sweet children. I was parted forever from that innocent head that
+had cherished only good and pure thoughts. I was no longer to be
+dressed by her dear hands. I was never again to shade and adorn her
+lovely face, nor fall in ringlets around her sloping shoulders, nor
+ever tremble again with the beatings of her gay and generous heart,
+as I often had when she let me fall over her neck and shoulders.
+
+Nothing that ever had life in it could be insensible to such a
+sorrow as this. How I envied the few locks she kept around her
+precious forehead! How I wished that scissors had never been
+invented!
+
+The good curate, faithful to his promise, took me to the hair
+dresser in London, according to the direction in the advertisement;
+and, before opening the paper which contained me, told him the story
+of Alice, of her trials, and of her excellent character and conduct,
+of her present need, and of her purpose to support and educate her
+children by her own efforts. He told him that there never was such a
+beautiful head of hair, and that he hoped he would be willing to
+give something handsome for it.
+
+When the old clergyman opened the paper, and exhibited me to the
+hair dresser, he took me out as fondly as if I had been a baby, and
+shook me so as to make the ringlets curl again, but they would not.
+
+I felt the difference between the old man's hard fingers, and rough
+shake, and the soft touch of the dear Alice.
+
+"Is it not beautiful?" said the old man.
+
+"It is well enough," said the dealer. "I shall have to make a man's
+wig of it. The curls will all boil out."
+
+You may imagine my horror at these words; and, as for the poor
+vicar, he seemed thunderstruck.
+
+"If I had any money to spare," said he, "I would buy this beautiful
+hair myself, and have it framed with a glass over it, and hang it up
+in my best parlor, with that blue ribbon that looks so like her;
+it's as handsome as a picture; and then her dear children should
+have it at my death."
+
+Whether it was that the hair dresser was afraid of losing me, or
+that his heart was slightly touched with compassion for Alice and
+her orphan children, I know not; but he offered the good curate a
+sum for me which satisfied him.
+
+As the curate gave me up, he untied the blue ribbon, folded it up
+nicely, and put it into his pocket; and I think he dropped a tear as
+he did so.
+
+The wig maker examined me again when he was by himself. "A fine head
+of hair it really is," said he. "It will make a good wig for a
+youngish sort of a man; and the curls will make it work easier."
+
+Then he tied me up with a piece of twine, and tossed me into a large
+drawer with great bunches of hair of all colors and fineness.
+
+Here I remained for I know not how long, without air or light, in
+this disagreeable company. At last, one day we were all taken out,
+and what we were made to endure I now shudder to think of. We were
+boiled, we were pulled and mauled and greased; in short, I wonder we
+had a whole hair left; but, after undergoing every thing you can
+imagine, I found myself on a pole in the shape of a gentleman's wig,
+covered with high-scented pomatum and powder.
+
+No one would have recognized me as the same beautiful hair that had
+adorned the head of Alice. There were a number of poles with wigs on
+them close by me, and I knew, as a matter of course, that I must
+look just like them. They looked perfectly hateful to me, and I felt
+disgusted with myself, because I knew I resembled them.
+
+It is now a puzzle to me how men could have ever been so foolish as
+to make such a thing as I am, to put on their heads; these great
+unmeaning curls, this ugly club, as they called it, hanging down
+behind, and this horrid grease and powder too.
+
+Most of my life, of course, has been passed in this horrid shape in
+which you now see me; but the remembrance of my early days clings to
+me, and the love of freedom, and the sense of beauty which I
+acquired when the wind played through my natural curls as they
+covered the head of my dear Alice, have never forsaken me. It was
+then only that I truly lived. But, forgive me--I have the weakness
+of old age, and love to talk of youthful pleasures.
+
+One morning, in the year seventeen hundred and seventy-eight, when I
+was just twenty-eight years old, a gentleman of middle age came into
+the hair dresser's shop, and asked to look at his wigs. I was shown
+to him with some others. After examining us all, and trying on
+several, he chose me, because, he said, he thought I was made of the
+finest hair.
+
+"This," said he, "will visit the American colonies, and probably
+remain there, for that will, I think, be my home."
+
+I rejoiced to hear this, for I was weary of my present life, and
+longed for some variety.
+
+The good gentleman who purchased me seemed well satisfied with my
+looks; but, when I saw myself in the glass, upon his long, narrow
+face, with his great bottle nose, and cheeks like the sides of a
+sulky, and all my pretty curls and my bright color gone, I wonder
+that each hair did not stand on end with fright; most likely it
+would have stood up, but for weight of pomatum and powder.
+
+Soon after my owner purchased me, he set sail for America. As I was
+his new and best wig, I was packed carefully in a box, and knew
+nothing till he arrived here, and was settled in his place of
+residence.
+
+The first time I was taken out of my box was on Sunday, when I was
+carefully adjusted on the Squire's head. I call him Squire, for I
+soon found that Squire was the title every one gave him, as he was
+the most important personage in the town in which he lived. I was as
+well pleased as a wig could be with the appearance of things in and
+around the house I was to inhabit. It was in a village about thirty
+miles from Boston, and was like an English country gentleman's
+house. A wide hall passed through the middle of it, with a grand
+staircase. From the doors at either end of the hall ran rows of elm
+trees. One led to the high road, the other up a gentle hill, on the
+top of which was a pretty burying ground with a path through it
+leading to a small church.
+
+The Squire had a black man whom he called his boy, and who was, in
+fact, his slave, but whom he treated like a friend and brother.
+
+Some years after, when slavery was abolished in Massachusetts, the
+Squire called Cato to him, and said, "Cato, you are no longer my
+slave; you are free."
+
+"But, massa, you will not sell me."
+
+"No, Cato, you are a freeman; I have no right to sell you. I don't
+think I ever had any right to sell you; but now the law of the land
+makes you free, and I am glad of it."
+
+"Then I can stay with you of my own free will, massa."
+
+"Yes, Cato, you can stay or go, just as you please."
+
+"Then, massa, I stay with you for love, and not cause I am your
+slave. Now I your friend." And Cato never left the Squire till the
+day of his death. But to return to my story.
+
+The Squire, as I said, put me on very carefully, and then as carefully
+put over me his three-cornered hat, and took his gold-headed cane, and,
+with Cato behind him, walked reverently up the hill to church.
+
+I was accustomed to the Episcopal church, where dear Alice went
+every Sunday; but this was a Presbyterian church, and I had never
+been in one before.
+
+As I said, had not my hairs lost their power of motion by what I had
+endured from the scissors, and the vile process of making me into my
+present shape, every one of them would have risen up against the
+so-called music in this church; but my misfortunes and pomatum kept me
+quiet.
+
+The sermon was at least two hours long, and many a hitch did the
+Squire give me before it was over; that was the beginning of the
+little trick, which you see I have now, of jerking up a little on
+one side occasionally.
+
+The Squire had brought with him from England a complete set of
+furniture for his house; and, after some time, the things reached
+our abode which was about thirty miles from the sea coast.
+
+What all these fine things were for was soon explained. The Squire,
+one day, put me into my nice box, putting on an old wig which he
+wore on week days. I soon found that we were in some kind of a
+vehicle, and, ere long, we arrived at a hotel in Boston. But we did
+not stay there long. The Squire was going to be married, and, as I
+was his best wig, I, of course, adorned his head at the wedding.
+
+Who would have believed that I was the same hair that covered the
+head of dear Alice when she was a bride? Then curling like
+hyacinths, and glowing like sunshine, now stiff, dull and dead;
+looking, as I thought then, and think now, like nothing human or
+divine.
+
+It was the second time the Squire had been married, so he was very
+sedate in his happiness. He brought home his bride in a few days,
+and there, at his excellent, delightful country house, all was soon
+arranged in the most orderly way possible.
+
+The lady had a proper pole arranged for my accommodation, and made
+the Squire a nice velvet cap to wear in the evenings, when they were
+alone, and he wished to be relieved of my weight.
+
+The relations of the Squire and his wife often visited them, and
+always in parties, English fashion, and remained some days; and then
+what feasting and merriment there was!
+
+The house was surrounded by beautiful woods, and near by was a
+lovely pond; and young and gay hearts were often there to wake the
+echoes with their cheerful, laughing voices. Cato played on the
+violin, and, when the evenings were chilly or rainy, the young
+people danced till the small hours of the night.
+
+All this I witnessed, for the Squire was a gentleman of the old
+school, was always in his best clothes for his company, and gave no
+sign of weariness till they retired to bed.
+
+I should mention that the Squire was a justice of the peace. As he
+lived in a remote and very quiet country town, he had not many
+culprits brought before him. But occasionally he was called upon to
+decide upon the proper punishment of some young rogue, and now and
+then he had to marry a couple.
+
+At these times, I was always smoothed and new pomatumed with the
+greatest care, then put on very carefully, and examined in the
+looking glass two or three times, and readjusted over and over, till
+I was as even as justice itself, before the Squire took his
+gold-headed cane, and proceeded to consider the case.
+
+Once a boy was brought before him for stealing chestnuts. Now there
+was such an abundance of chestnuts in the town that they were almost
+thought common property. It happened, however, that the Squire had
+some fine chestnuts himself, and he wished it to be considered an
+unpardonable thing to steal chestnuts. So he condemned the boy's
+father to pay a very good price for those his son had stolen,
+leaving it to the man from whom the chestnuts had been taken to say
+how large the quantity was.
+
+This unjust decision made the man and his son very angry. But my
+master was the Squire; and, in those old times, we retained a great
+deal of the English reverence for a country gentleman.
+
+The son of this man, however, had not much reverence for any thing,
+and was determined to be revenged upon the Squire, as you will see.
+I, however, was the greatest sufferer. It so happened that the pew
+in which the boy sat at church was directly behind the Squire's. The
+boy carried a piece of shoemaker's wax to meeting with him, and
+when, as was usually the case, the Squire's queue came over the edge
+of the pew, the young rascal took the opportunity, when no one was
+looking, to stick the short queue fast with the wax to the side of
+the pew.
+
+When the Squire stood up, his wig was nearly jerked off his head,
+and would have been quite off, but for the boy's father who, seeing
+the good gentleman's danger, caught hold of me, tore off the horrid
+wax, and then pushed me back into my place.
+
+All the foolish children in the church giggled at my expense. The
+simple Squire, thinking it was a nail or a hook, thanked the man who
+had aided him in his distress, and advised him to take out the
+troublesome hook. Cato, however, shook his black head and said,
+"Guess naughty Pickaninny did de queue of Massa's wig. Neber mind,
+Cato no make trouble; queue no feelins; I smood him up. Dem
+chestnuts in his gizzard, spoze."
+
+Not long after this, the poor Squire lost his wife. Her health had
+always been very delicate, and he had been a most devoted husband.
+
+The Squire was a good man, and tried to find consolation in the only
+way it may be found, in the religious performance of duty. He became
+the benefactor of the village. He was the friend of all who needed
+his aid.
+
+Now, my friends, I must pass over the next ten years. What I have
+just related to you of the Squire passed in the year seventeen
+hundred and eighty. Now follow me to the year seventeen hundred and
+ninety-two.
+
+The Americans, by their wisdom and bravery, had won their
+independence.
+
+The Squire had done his part for his country by furnishing money,
+and by making his large retired mansion an asylum for all his
+friends who were in want of it.
+
+He was now seventy years old; and a haler, heartier, more serene old
+man was never seen. His house was the summer rendezvous of all his
+young and his old friends.
+
+Well do I remember one beautiful afternoon, just before sunset, the
+Squire's going to the glass, and adjusting me nicely, and then going
+to the door, and looking up through the avenue of elms which were
+young trees when I was first carried there, and saying, "It is time
+my niece and her husband and children were here."
+
+In a few minutes, a carriage appeared with a lady and her son and
+daughter in it. That little girl, then five years old, was
+afterwards the mother of our little friend asleep yonder.
+
+Never was there a more cordial welcome given to friends than the
+good Squire gave them, and never was welcome more acceptable.
+
+There were other friends in the house, and such frolicking and
+laughing and dancing on the lawn you seldom see nowadays.
+
+For many years, the nieces and nephews and their children and
+children's children came in this way to refresh body and soul at
+their good uncle's; till childhood blossomed into youth, and youth
+began to strengthen into maturity, and maturity to fade away into
+age. Years gathered around the old man's head, but his vigor
+remained.
+
+You need not bounce in that way, my friend musket, and you, Messrs.
+tea-kettle and pitcher, need not try to turn up the noses you have
+lost, at my using these flowery expressions. Remember that, for more
+than half a century, I dwelt upon a human head. It is natural that I
+should have gained something from it, and that I should speak
+somewhat as human beings speak.
+
+I hope you will pardon my talkativeness; and, even if you think me
+prosy, let me go on after my own fashion, and finish my story in my
+own way, for I am very old, and can speak in no other way. Remember,
+too, I shall never speak to you again."
+
+"Go on, go on," cried the old coat, cloak, and baize gown.
+
+The rest made no objection, and so the wig continued. "I assure you
+it was a very interesting thing to me to witness the changes that
+were going on among the Squire's visitors. I saw that child's mother
+come, first as a young lady, then as a bride, then as a mother; and
+then she came, first with one, then with two, and then with three
+children; and then, each year, I saw that these children had grown
+bigger, and it was pleasant, as I sat so quietly upon the old
+Squire's head, to see them jump out of the carriage each year, run
+up to the old man to receive his welcome, and then scamper off into
+the garden and fields like so many young animals; it was pleasant to
+watch their gleeful faces at his hospitable board, and to hear their
+merry shouts; it was pleasant, on Sunday, to see them, with their
+father and mother, follow the old gentleman respectfully at a
+distance, through the avenue of elms to church, with their small,
+solemn faces, just now and then slightly nodding to a buttercup and
+snatching it up; while he, with me and his three-cornered hat on his
+head, and his gold-headed cane in his hand, and his light drab suit
+of clothes, all his dress of the same cloth, and his shoes with gold
+buckles, strode along, while Cato, dressed in some of the Squire's
+old clothes, walked close behind him like his shadow. You would have
+thought my master forty instead of eighty.
+
+Year after year I witnessed this, till, as I said, the children were
+youths, and their parents no longer young. Then the good Squire
+began to be, as I am now, a little garrulous; he loved to tell old
+stories more than once. But who was there that would not, with
+patient love, listen to them for many a time?
+
+It was affecting to observe how all his dates were from the year
+fifty. No matter what story he told, or when it really did happen,
+he always finished by adding, "and that happened in the year fifty."
+
+All his furniture and plate were purchased in the year fifty. It was
+to him the beginning of the world.
+
+"Uncle," said one of his nieces one day to him, "let me try to dress
+your wig; I think it wants it."
+
+"My dear, this wig was bought in the year fifty, and looks well now.
+It has done me good service."
+
+"How beautiful this avenue of elms is!"
+
+"Yes, they were set out in the year fifty."
+
+"You have a good housekeeper, uncle."
+
+"Yes, my dear, she came to me in the year fifty."
+
+And so on with every thing in and about his house, and so it was
+with every event which had made an abiding mark on his memory.
+
+There was but one thing about which the good Squire showed the real
+childishness of his old age, and that was his fruit. He had bushels
+and bushels of apples and pears and peaches, but he never thought
+them fit to eat till they were at least half rotten.
+
+His nephews and nieces were of a decidedly different opinion, but
+did not like to debate the subject with him; so they had recourse to
+a little trick. I don't think it was quite right. The Squire was in
+the habit every day of gathering the ripe fruit in baskets, and
+putting it in what he called especially his room; it was a sort of
+half dressing, half business room. Here it was that he kept the pole
+upon which he placed me at night. These baskets of fruit, if the
+good man had had his own way, would have remained there till they
+were all rotten like the heaps of windfalls which was the fruit he
+told the family, and the children especially, they might eat.
+
+Now it was the custom of two or three roguish boys and girls, who
+visited him, to gather baskets of this rotten fruit, and when the
+good man had gone to bed, to carry them into this room, and put them
+in the place of the baskets of sound ripe fruit, which they took for
+themselves and others to eat.
+
+In a day or two, the good Squire would look at his baskets, and,
+finding the fruit decaying, would call it fit to eat, bring it into
+the parlor, and then call in the children, and say to them, "Here,
+boys and girls, here is nice ripe fruit for you; you can just cut
+out the rotten with your penknives;" and then he would distribute it
+among them.
+
+The little monkeys, of course, could scarce repress their giggles.
+
+I can make no apology for their cheat, except that, upon this point,
+the good man was really childish; and, as he did not eat the fruit
+himself, or sell it, or do any thing with it, but give to the pigs
+what was not eaten in the family, no one was wronged by the trick.
+It was, in fact, a piece of sport.
+
+As you see, I had the benefit of being present at the whole of the
+fun; and I can hear now, it seems to me, as plainly as I did then,
+the suppressed laughter of these roguish children when they came
+into the room where I was, to exchange baskets of rotten for baskets
+of sound fruit.
+
+In his eighty-seventh year, the old man ran a race with one of these
+children, and contrived, by an artifice, to win it. She got before
+him; when, fearing he would hurt himself, she stopped to look after
+him; he came up to her; and then, just pushing her back a little,
+got before her to the goal, which was very near them. How he did
+shout, as though he were only twenty, and what a hitch he gave me on
+the occasion!
+
+In his ninety-seventh year he died. It was a pity he did not live to
+be a hundred. The night before he died, he went into his room to put
+me on my accustomed pole. He did not see clearly, and let me fall on
+the floor.
+
+"Ah!" said he, "the old head will fall too, before long. No matter;
+it is time it should go. Here, Cato, help your old master."
+
+Cato was at hand, picked me up, put me in my place, and helped his
+master to bed.
+
+I never saw the dear old man again.
+
+The next thing that I remember, is being put into a box and carried
+I knew not whither.
+
+The first light I saw was the dim light of this garret.
+
+The mother of that little girl took me out; and as she put me on my
+pole, which she had caused to be brought here also, "People may
+laugh at me," said she, "but I will keep the dear old man's wig. It
+seems to me a part of him, and is a memorial of the happy hours I
+have passed under his hospitable roof."
+
+It is now one hundred and six years since I was born into this
+world. For twenty-eight years I flourished on the beautiful head of
+dear Alice. Ever since then, I have been only a wig. I am now
+falling into utter decay. If any one were to shake me, I should fall
+to pieces. I have, like many of you, my friends, since inhabiting
+this garret, been abused and made fun of, by children. I was once
+put upon the head of a donkey, while a boy with a fool's cap on his
+head rode him, and took a love letter to a young man. I was also put
+upon the head of a great monkey brought to the house for exhibition,
+who took me off his head and threw me at the boys. Once, as you
+know, I was made to play the mock judge on the head of a dog. Once
+that little girl who sleeps there, used me to keep a litter of
+kittens warm in, on a cold winter night. This nearly killed me, and
+from that moment the children were forbidden to touch me.
+
+"I have now," concluded the wig, "only to ask your pardon, my
+friends, for the impatience with which I have listened to your
+stories when I thought them too long, and for the truly human vanity
+and inconsistency which made me tell the longest story myself. But I
+knew that no one waited for me. I shall certainly never speak more.
+These are my last words. Farewell."
+
+Just at these words, it seemed to me as if the wig gradually
+dissolved into a bright halo. Then suddenly it fell into golden
+ringlets all so soft and graceful and beautiful; while I looked,
+they seemed to shade such a lovely, innocent face, that I knew it
+must be that of dear Alice looking like an angel in heaven.
+
+I awoke very happy. There was every thing in the old garret just as
+I first described it, and all as quiet and still as if nothing had
+happened."
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Talkative Wig, by Eliza Lee Follen
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE TALKATIVE WIG ***
+
+***** This file should be named 4048.txt or 4048.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/4/0/4/4048/
+
+Produced by Charles Franks and the Online Distributed
+Proofreading Team. HTML version by Al Haines.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/4048.zip b/4048.zip
new file mode 100644
index 0000000..e395244
--- /dev/null
+++ b/4048.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..e44779e
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #4048 (https://www.gutenberg.org/ebooks/4048)
diff --git a/old/tktvw10.txt b/old/tktvw10.txt
new file mode 100644
index 0000000..03051e5
--- /dev/null
+++ b/old/tktvw10.txt
@@ -0,0 +1,1703 @@
+The Project Gutenberg Etext of The Talkative Wig, by Eliza Lee Follen
+#8 in our series by Eliza Lee Follen
+
+Copyright laws are changing all over the world, be sure to check
+the laws for your country before redistributing these files!!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers.
+
+Please do not remove this.
+
+This should be the first thing seen when anyone opens the book.
+Do not change or edit it without written permission. The words
+are carefully chosen to provide users with the information they
+need about what they can legally do with the texts.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*****These Etexts Are Prepared By Thousands of Volunteers!*****
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below, including for donations.
+
+The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
+organization with EIN [Employee Identification Number] 64-6221541
+
+
+
+Title: The Talkative Wig
+
+Author: Eliza Lee Follen
+
+Release Date: May, 2003 [Etext #4048]
+[Yes, we are about one year ahead of schedule]
+[The actual date this file first posted = 10/20/01]
+
+Edition: 10
+
+Language: English
+
+The Project Gutenberg Etext of The Talkative Wig, by Eliza Lee Follen
+*********This file should be named tktvw10.txt or tktvw10.zip********
+
+Corrected EDITIONS of our etexts get a new NUMBER, tktvw11.txt
+VERSIONS based on separate sources get new LETTER, tktvw10a.txt
+
+This etext was produced by Charles Franks and the
+Online Distributed Proofreading Team.
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we usually do NOT keep any
+of these books in compliance with any particular paper edition.
+
+We are now trying to release all our books one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to send us error messages even years after
+the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our sites at:
+http://gutenberg.net
+http://promo.net/pg
+
+
+Those of you who want to download any Etext before announcement
+can surf to them as follows, and just download by date; this is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03
+or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release fifty new Etext
+files per month, or 500 more Etexts in 2000 for a total of 3000+
+If they reach just 1-2% of the world's population then the total
+should reach over 300 billion Etexts given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 4,000 Etexts unless we
+manage to get some real funding.
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of July 12, 2001 contributions are only being solicited from people in:
+Arkansas, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho,
+Illinois, Indiana, Iowa, Kansas, Louisiana, Maine, Massachusetts, Minnesota,
+Missouri, Montana, Nebraska, New Mexico, Nevada, New Jersey, New York, North
+Carolina, Ohio, Oklahoma, Oregon, Rhode Island, South Carolina*, South Dakota,
+Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia,
+Wisconsin, and Wyoming.
+
+*In Progress
+
+We have filed in about 45 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met,
+additions to this list will be made and fund raising
+will begin in the additional states. Please feel
+free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork
+to legally request donations in all 50 states. If
+your state is not listed and you would like to know
+if we have added it since the list you have, just ask.
+
+While we cannot solicit donations from people in
+states where we are not yet registered, we know
+of no prohibition against accepting donations
+from donors in these states who approach us with
+an offer to donate.
+
+
+International donations are accepted,
+but we don't know ANYTHING about how
+to make them tax-deductible, or
+even if they CAN be made deductible,
+and don't have the staff to handle it
+even if there are ways.
+
+All donations should be made to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+
+The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
+organization with EIN [Employee Identification Number] 64-6221541,
+and has been approved as a 501(c)(3) organization by the US Internal
+Revenue Service (IRS). Donations are tax-deductible to the maximum
+extent permitted by law. As the requirements for other states are met,
+additions to this list will be made and fund raising will begin in the
+additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+hart@pobox.com forwards to hart@prairienet.org and archive.org
+if your mail bounces from archive.org, I will still see it, if
+it bounces from prairienet.org, better resend later on. . . .
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+***
+
+
+Example command-line FTP session:
+
+ftp ftp.ibiblio.org
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99 or etext00 through etext02, etc.
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this etext,
+[2] alteration, modification, or addition to the etext,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this header are copyright (C) 2001 by Michael S. Hart
+and may be reprinted only when these Etexts are free of all fees.]
+[Project Gutenberg is a TradeMark and may not be used in any sales
+of Project Gutenberg Etexts or other materials be they hardware or
+software or any other related product without express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END*
+
+
+
+
+
+This etext was produced by Charles Franks and the
+Online Distributed Proofreading Team.
+
+
+
+
+
+
+THE TALKATIVE WIG
+
+BY
+
+MRS. FOLLEN
+
+
+With Illustrations by Billings and others
+
+
+
+
+
+
+THE OLD GARRET.
+
+
+"Pray, dear Mother," said the boys, "tell us what else you heard in
+the old garret."
+
+"You know," said she, "it was on a rainy Sunday when my mother sent
+me up there with my book, Pilgrim's Progress. This book always
+delighted me, and set my fancy to work in some way or other.
+
+After reading a while, I began to look at the queer old things in
+the garret. Pussy began to purr louder and louder, and at last I
+fell again into the same dreamy sleep that I was in at first.
+
+Presently I heard the same confused sound which I heard before when
+the old tenants of the garret began to speak. There seemed also to
+be a slight motion among them, and a sort of mysterious appearance
+came over the whole apartment, as if they were all living, though
+very shadowy beings. Presently I heard the creak of the curling
+tongs, and he uttered these words:--
+
+"I think we have all been wronged by our friend the wig; he approved
+of our all relating our own histories, and promised that, after we
+had done so, he would give us his, frankly and truly, as we have
+done; instead of that he, as well as the rest of us, fell asleep
+when our friend spinning wheel related her story; and, when we all
+waked up, he did not fulfil his promise. I move that he be requested
+now to give us a faithful account of his whole life, till he was
+consigned with us to this dark, gloomy old place. I probably have
+been more intimately acquainted with him than any one present; for
+once or twice I have assisted in smoothing, or rather frizzing, his
+ruffled hairs, and making him fit for company; and, with your leave,
+my friends, I urge him in your name to relate his history." A sort
+of hum of approbation sounded through the long, dark old garret, and
+then the wig spoke.
+
+"Friend Frizzle is right: I did agree to relate my adventures, but I
+said I would wait till all had told their stories; now, here are two
+of this brilliant company that have not said one word of themselves,
+that comical coat and that old cloak; after they have related their
+history I will relate mine. The wig hitched a little on his block,
+and was silent.
+
+"I am ready," said the coat, "to tell all I know of myself, and I
+shall not keep you long, I trust. My friend the baize gown and I had
+the same origin on the back of a sheep, only I was of a nicer
+texture, and had, from my earliest days, a more refined character;
+and, of course, was used for higher purposes. Major Sword there may
+know perhaps that I had as much to do with making the major of
+Cadets as he had, only I did not make people run when they looked at
+me, as he says he did.
+
+I was originally of the most delicate white, and I was made into one
+of the very first coats that ever appeared on the parade as one of
+the Governor's guards. I think I did more to make the major than my
+Lord Sword did. Think of a major without a coat! He would not be a
+major, for a moment. He would be hooted at. Now, even were he
+without a sword, and had me, such as I once was, on his back, he
+would still be known as a major of the Cadets."
+
+"Self-glorification! Come to your story," cried the musket, with a
+bounce.
+
+"I will," said the coat. "I was, as I have told you, the major's
+military coat, admired by all who looked at me; and I appeared often
+on parade days till he gave up his office, and left this country,
+when I was left hanging up in his dressing room, and all my glory
+was gone.
+
+As the major's boys grew bigger, they would often beg their mother
+to allow them to put me on. The rogues were so short then that I
+trailed on the ground. I was even so far abused as to be worn by
+girls. This tried my feelings sorely, but I was forced to submit.
+Once I was so far disgraced as to be worn by one of the girls while
+she danced with her brother who was dressed like a monkey, with a
+tail over a yard long; and this was not all, she pulled the monkey's
+tail too hard, it came off, and then the monkey boy seized the tail
+and beat me with it, meaning to beat his sister, but I got the worst
+of it. So I lived to be made fun of, and lived for nothing else.
+
+At last, the major's wife, our dear mistress, took me one day into
+her gentle hands, and after examining me carefully and making up her
+mind to the act, deliberately took her scissors, ripped me up into
+pieces, and sent me to the dyer's, to be colored brown. This was too
+horrid--I was soused into the vilest mixture you can imagine, and
+suffered every thing abominable, such as being stretched within an
+inch of my life, and then almost burned to death. At last, I came
+out with the color you now see me, not a handsome brown, but a real
+sickish rhubarb color. My dear mistress laughed when she looked at
+me. "This is a dose," said she, "but it will do for an every day
+coat for Jonathan, and I can make it myself, with Keziah Vose's aid;
+so I will not grieve about it. So Keziah was sent for and set to
+work.
+
+Now Jonathan was a white-haired, chubby boy, and this was his first
+coat. Keziah went by her eye altogether. She took no measures except
+for the sleeves, and these she said she would make large and long,
+to allow for Jonathan's growing. She made me so broad behind that
+one brass button could not see the other, although they were, as you
+see, almost as large as a small plate; the skirts came down so as to
+hide the calves of his legs, and were so full as nearly to meet
+before. My sleeves had a regular slouch. There was no hollow in the
+back, and I looked as if I was made for one of the boys' snow men,
+not for a human being.
+
+When I was finished and put on for the first time, all the children
+and their mother were present, as it happened. My droll looks and
+rhubarb color, the comical expression of Jonathan's face,--for he
+was a great rogue,--and his sun-bleached hair, half hidden by my
+high, stiff collar, set them all into a gale of laughter. He took
+hold of my full skirts, one on each side, and began to dance; and
+even his mother and Keziah laughed too. Nothing was to be done. A
+few times, the mother of Jonathan tried to induce him to wear me at
+home, for she could not afford, she said, to lose all I had cost
+her; but it was all in vain--giggle, giggle, went all the children
+when they saw me, and I had to be hung up, as you see me now.
+Whenever they wanted a comical dress in any of their plays, I was
+brought out, and that little girl asleep there, and her brothers
+still amuse themselves with my comical looks. Alas! I am of no other
+use in this world.
+
+The young people used to amuse themselves by acting little plays, or
+some other nonsense; and when they wanted to make a very ridiculous
+figure, I noticed they came for me. I always observed that whoever
+had me on talked through his nose, with an ugly drawl, and used
+vulgar words and expressions, such as "Now you don't! Do tell!
+Sartin true!"
+
+Once they put me on a dancing bear. This was insulting. I don't like
+to think of it. I try to forget it.
+
+In short, every one laughs when I am present, for some reason or
+other; and I suppose I have been kept on account of the merriment I
+have afforded the family. After all, my friends, I am not sure that
+he who adds to the innocent gayety of people is not as valuable a
+person as one who has more dignity, and who never made any one laugh
+in his life.
+
+I have done, my friends--the old cloak is a more serious, dignified
+person than I, and will now, I trust, give us her history."
+
+The old cloak began to speak in a different tone from that of the
+coat. I cannot say the tone was gloomy, though it was very serious.
+It was a kindly, affectionate tone, that made you not unhappy, but
+thoughtful. "I agree," said she, "with my neighbor who has just
+spoken, that no one deserves better of society than he who promotes
+its innocent merriment. No bad person can know what true gayety of
+heart is. Goodness and cheerfulness are like substance and shadow;
+where the one is, the other will always follow.
+
+I was made of German wool; and, in my country, the people all laugh
+and sing. They keep still a saying of old Martin Luther, which runs,
+if I remember rightly,--
+
+"Wo man singt, leg' ich mich freilich nieder. Bose Menschen haben
+keine Lieder."
+
+"Keep to plain English, you Hushan!" shouted the musket with a kick.
+
+"I am sorry to hurt your feelings, my old soldier," said the good
+natured cloak. "I think, however, it is rather hard of you to keep
+the name of Hessian as a term of reproach forever, just because a
+few poor miserable fellows once came over here to fight you. Was it
+not enough to have treated them as you say you did in the Jerseys?
+For the benefit of you and those less prejudiced, I will translate
+the couplet:--
+
+"Where I singing hear,
+ I lay me, free from fear.
+ Men intent on wrong
+ Never have a song."
+
+
+I was a singer myself once during the short time when I was
+connected with one of dame spinning wheel's relatives. I am not even
+a laugher now. Still I am contented and cheerful, and I remember
+past trials without any bitterness. I went through all processes of
+carding, spinning, weaving, dyeing, stretching, dressing, &c., and
+was at last placed in a shop for sale. A beautiful young girl
+purchased me for her bridal pelisse. Never did a happier heart beat
+than did hers on the Sunday after she was married, when she wore me
+to the church, holding by her husband's arm. I could not but partake
+of the pleasure which she received from the gentle pressure of his
+arm when she put hers within his, saying, "I am glad, dear, you like
+my pelisse so much."
+
+O, how happy we all were! How proud my mistress was of me! How proud
+I was of her! I hate to pass hastily over these happy days, but I
+suppose the history of them would not be very interesting to any of
+my hearers; for one day was very much like another. Never did any
+garment cover a more innocent, joyful heart than that of my
+mistress.
+
+I lasted well for some years, but my sleeves, at last, became
+threadbare; soon after, there were actual holes in them, and holes
+also in my waist; I was, I must confess, a shabby-looking pelisse.
+
+My dear mistress took me into her hands one day, and, after
+examining me all over, said, with a sigh, "I cannot wear it any
+longer; I must give it up." At last, her expression brightened and
+she added, "I can give it to cousin Jane; I am very tall, and she is
+very short. The skirt is good, and she can make a cloak of it; and
+so my precious pelisse will still be where I can see it."
+
+Forthwith I was sent to cousin Jane, with a very pretty note
+explaining to her the reasons why her cousin took the liberty of
+offering her the old pelisse. Cousin Jane wanted a cloak, and could
+not afford to buy one; so I was carefully ripped up and turned, and
+made into a very respectable garment.
+
+Cousin Jane was a dressmaker; and, in her service, I learned
+something of what dressmakers have to endure. She had not been long
+engaged in her trade; and, at first, she would put me on in the
+morning with a brisk, vigorous manner, but in the evening, when she
+returned home, how differently she took me up! how differently she
+threw me over her weary shoulders!
+
+Soon she ceased to put me on in the morning in the same strong,
+elastic manner, but took me up languidly, and as if she dreaded the
+day, and, when she went into the air, wrapped me very closely about
+her, just as if I was her only comfort, and pressed me to her heart,
+as if in hopes it would ache less.
+
+Poor dear cousin Jane, my heart aches to think of her. Day after
+day, from morning till night, and often till the next day began, she
+toiled and toiled, stooping over her work, sewing, sewing, hour
+after hour, and day after day, stooping all the time, till her eyes
+lost their brightness, her step all its elasticity, till her
+shoulders grew round, and her health failed.
+
+O, had those for whom she labored, for her small day's wages, but
+observed how the lamp of life was gradually going out, they would
+not have allowed her so to work without any respite; they would have
+made her take better care of her own health; they would have sent
+her home early; they would not have allowed her to work thirteen or
+fourteen hours a day in their service.
+
+There was one family in which she worked where the master and
+mistress insisted that at one o'clock Jane should lay aside her
+work, and walk till two, when they dined. Then they insisted upon
+her dining at their own table, and tried to make her meal a social
+and pleasant one.
+
+O, these were white days for poor Jane. Could I not tell when she
+was going to work in this family by the way she threw me over her
+shoulders? Did I not feel her gentle heart beating with unwonted
+warmth as she came home from this family before eight o'clock,
+accompanied by the truly good man of the house or some trusty
+person? When she hung me up in her small bed room, did I not notice
+her grateful, happy smile? She felt that she was recognized by these
+good people as a sister and friend, and that the words which we hear
+at church and read in the Bible, "All men are brethren," were not
+mere words with them.
+
+These evenings she would make her small fire, and sometimes indulge
+herself in reading a little while; she would go to bed early, and
+did not look so pale in the morning.
+
+Had all the customers of cousin Jane been as kind and considerate as
+these good people were, she might have lived; and I should, perhaps,
+have continued in her possession; but life was too hard for her,--
+she struggled with it for many years, and then her sweet spirit
+turned wearily away from it; she grew weaker and weaker, the color
+grew brighter and brighter on her cheek, and the light in her eye;
+she looked like a spirit; and, ere long, she was one.
+
+My first owner came, as soon as she heard how ill Jane was, and took
+her home to this house in the country. Here our good mistress nursed
+her poor cousin, and made the last days as happy as she could; but
+Jane was weary of this life, and longed for a better one. She passed
+away as gently and sweetly as a summer evening cloud or a dying
+flower.
+
+Our mistress said to her husband, "All Jane's clothes, except this
+dear cloak, I have given to the poor. This I must keep myself; for
+it was one of my wedding garments, and dear Jane has made it all the
+dearer to me. I shall keep it to lend to friends who are caught here
+in the rain; it shall be called the friend's cloak, and shall always
+be kept in the closet in the hall, close at hand."
+
+Now, I suppose every one knows of how much use such a cloak is in a
+family. Never was a cloak more employed than I, and for all sorts of
+things. I was used to play dumb orator. I was at every one's
+service. I don't know how they ever did without me.
+
+Don't be astonished that I did not wear out; my lining was strong,
+and I tell you an old cloak has a charmed life; you cannot wear it
+out; like charity, it suffereth long and is kind.
+
+As my dear mistress's children grew up, I was treated very much as
+you all have been; that is to say, with no respect at all. What a
+different life was mine from that which I led with dear, gentle
+cousin Jane. Peace be with her sweet spirit!
+
+One prank which the boys played some years after Jane's death, I
+must relate, and then I have done. The eldest, whose name was
+Willie, took me, the evening before thanksgiving day, and, having
+dressed himself up in some of the cook's dirty old clothes, and hung
+a basket on his arm, put me over his shoulders, and I went begging
+of all the neighbors for something to keep thanksgiving with. He
+disguised his voice by putting cotton wool in his mouth, and I
+wonder myself how I came to know him. Two or three boys of his
+acquaintance went with him, all dressed as beggars; and a grand
+frolic they had.
+
+They went to one house where a man lived that made great pretensions
+to religion and goodness, but who the boys strongly suspected was
+not very compassionate to the poor.
+
+"Please," said Willie, "give us a little flour and raisins for our
+mother to make a thanksgiving pudding with to-morrow." His answer
+was a slam of the door in his face.
+
+"Let us go to Granny Horton's," said one of the boys; "she has not
+gone to bed yet."
+
+"O," said Willie, "you know she has nothing but what mother sends
+her, or some of the neighbors. It would be a shame. I carried her a
+pair of chickens this morning, and some flour and raisins; and it is
+a shame to beg of her, she is so kind. But won't it be funny if she
+gives us something, when Squire Marsh would not; at any rate, she'll
+not slam the door in our faces. Come, let's go quickly, before she
+puts out her little light and goes to bed. I bet she'll give us one
+of her chickens. But let us take whatever she gives us, just for the
+fun, and for fear we should be found out."
+
+Willie was to be the spokesman. He felt rather queerly at first; but
+the fun of the thing was too tempting, so he agreed to speak. He was
+dressed as a girl, and wrapped me closely about him, as if he was
+very cold. He had on an old straw bonnet, and his face was painted,
+so that she could not recognize him, he knew.
+
+They knocked at Granny Horton's door, and she, in a kind, gentle
+voice, replied, "Come in!" Willie, pretending to be a girl, told how
+she and her brother and sister had come from the farther part of the
+town, where they lived in the woods with a mother who was very old,
+and had hardly any thing to eat; and how they wanted something good
+to carry to her for thanksgiving day--a little flour, or a chicken,
+or any thing; that it was too hard for his dear mother to have
+nothing but beans on that day; that beans were what they lived on
+commonly.
+
+He looked so mournful, and spoke in such a mournful tone that the
+dear old woman, after thinking one moment, said to him, "I have two
+chickens, a quart of flour, and two pounds of raisins, sent to me by
+a good lady this morning, and brought to me by a real good little
+boy called Willie. I can't ask their leave, but I guess they would
+not scold me for giving your mother half of what he brought me; so
+you shall have it, dear. 'It's more blessed to give than to
+receive.' 'The Lord gave and the Lord taketh away. Blessed be His
+name.'"
+
+While she was saying over these blessed words, she was busy dividing
+the flour and the raisins, and putting them and the chicken into the
+basket which Willie gave her.
+
+They all thanked the old woman very kindly, and went off with her
+flour and chicken.
+
+"What shall we do with it all?" said they, as soon as they were out
+of the house.
+
+"Let us," said Willie, "beg all we can every where, and get our
+basket full, and carry it back to her, and, when she is asleep, get
+into her house again, and put it on her hearth. I know how to open
+the window on the outside when she thinks it fast."
+
+This was a good joke for the boys; so they went from house to house,
+and, except at the squire's and one other place, got something from
+every one, till, at last, their basket was full. Then they went
+home, and got a peck of apples from their mother.
+
+Willie then led the way to Granny Horton's again. They looked in at
+the window, and, by the light of the few embers still burning, saw
+the good woman asleep in her great, old-fashioned chair, with her
+spectacles on, and by her side a little stand on which lay her Bible
+open at the place where she had been reading.
+
+"I can get in," said Willie, "and put the basket down by her side
+before she wakes."
+
+Accordingly, he went to a little window in the back part of the
+house, climbed in, came softly into the room where she was, and set
+the baskets, all running over with good things, down on the hearth.
+Willie had hardly got back to the window, when the good woman waked
+up; and there, directly before her eyes, stood the baskets. She took
+them up, and looked at them for some minutes before she took any
+thing out. At last, she began to examine their contents. When she
+came to her chicken and flour and raisins, in the very papers in
+which she had wrapped them; she looked up and clasped her hands with
+such astonishment, with such a look of wonder and gratitude, that
+the boys, in their glee, laughed outright, and so loud that she
+heard them.
+
+She ran to the window, but they were gone; and she never knew how it
+was that her chicken and flour brought her back seven fold.
+
+When next the cook went to see her, with me on,--I was every body's
+cloak,--the old lady told her the whole story of finding the chicken
+and flour, and so many other good things with them. The secret was
+kept; and it was Granny Horton's firm faith that it was the wings of
+angels she heard when she went to the window. Indeed she thought she
+had seen the wings, for as Willie turned to run, he forgot to hold
+me tight, and the wind blew me up so as to hide him entirely, and
+she took me for great dark wings.
+
+I fear you may be weary of my story. I have much more that I could
+relate, but I have already been too long.
+
+I am, as you see, ragged and worn, but the dear family have an
+affection for me still, as well as for all the rest of us; and so I
+am allowed to remain here in this most respectable company. I trust
+the wig will now give us his history for which we have waited so
+long."
+
+"There is time enough before eight o'clock for the story of the
+wig," said Frank, "if you can remember it, Mother. He ought to tell
+his story now, as he promised."
+
+"As the wig began to speak," said their mother, "he gave a slight
+hitch on one side, just as if some one pushed him up a little, and
+then, after a short pause, began thus: "You will be astonished,
+perhaps, to know that it is more than a hundred years since I first
+saw the light. None of you have lived so long, or seen as much as I
+have. I cannot tell all I have seen or known. It would take too
+long, and weary you too much. I can only give a slight sketch of my
+long life.
+
+In the year seventeen hundred and fifty, the baby head upon which I
+grew came into this strange world in which we live. O, how happy was
+the mother who saw me for the first time! How full was her joy when
+she stroked the small head of her little girl, and exclaimed, "How
+beautiful and soft her hair is! softer than velvet or satin." Even
+then, every one said, "What a beautiful head of hair! What a lovely
+baby!"
+
+The little girl whose head I adorned was the daughter of a poor
+vicar who lived with his wife in an obscure country town in England.
+
+Alice was their fifth child, but their only daughter. She was very
+beautiful, and, I may say it surely without vanity now, I was her
+greatest ornament. I was of a beautiful auburn color, and fell in
+thick clusters all over her happy, gentle head, and shaded her
+laughter-loving face. After a day of hard work, how fond her mother
+was of taking her little pet in her lap, and twisting up every curl
+in nice order under her white linen night-cap, before putting her to
+bed! Her father, too, would wind my ringlets around his great
+fingers, made hard and rough with toil in the garden, and would kiss
+every one of them, and pray God to bless the young head on which
+they grew.
+
+As the dear head grew larger, I grew larger and thicker. Every one
+who saw me noticed me. One would say, "It looks like a pot of
+hyacinths"; another, "It has caught the sunshine and kept it."
+
+What a pleasant life I led! When Alice grew a large girl, she became
+something of a romp, and one of her favorite amusements was to go to
+the top of a hill near her father's house, when there was a high
+wind, and let it blow through her curls, and sing and shout and
+dance from the fulness of her joy. When she came home, she would say
+"Mother, the wind has been combing my hair."
+
+O the horrid combing that I had to endure every morning! One must be
+a head of curly hair to know how terrible is a comb.
+
+If you will not think me too long, I must talk a little more about
+the dear Alice, and tell you what I witnessed till I was separated
+from her."
+
+"Go ahead," said the old musket.
+
+"I must tell you how her sweetness and goodness once saved the house
+from robbery. It was the custom of her father and mother, on Sunday,
+to lock up the house, while they went to church. A pot of pork and
+beans, and a pudding of Indian meal was put in the oven to bake for
+their dinner.
+
+One Sunday, as Alice had a heavy cold, they left her at home. She
+was then fourteen years old, and felt herself quite equal to taking
+charge of the house.
+
+It was generally known that the curate's house was locked up on
+Sunday; and a poor, foolish, as well as wicked fellow, determined to
+take that opportunity to help himself to the good curate's silver,
+or any other valuable, he could find in the house. It happened that
+the man took the Sunday when Alice was left at home for his wicked
+purpose.
+
+When he came to the door which he intended to break open, he was
+admitted by Alice, who saw him coming. She asked him to come in and
+sit down, then inquired if he had travelled far, and set before him
+some bread and butter and cold water.
+
+"My father is a minister," she said, "and always asks travellers to
+stay. We have some dinner in the oven, and we shall all of us like
+to have you stay and dine. You look pale and tired; you had better
+stay."
+
+These words Alice said with such a sweet, confiding earnestness,
+that the wicked purpose died away from the heart of the intended
+thief. He felt as if he was in the presence of an angel. He looked
+at her in wonder. All the evil in him seemed to depart.
+
+"You are very good," he said. "Do you take care of the house all
+alone by yourself?"
+
+"O yes," she replied; "it does not take much trouble. There is no
+one to harm us. Would you like a book to read till papa and mamma
+come home; here is my Testament; or would you like I should read to
+you?"
+
+"Read to me," said the man.
+
+As Alice read from the history of Jesus, the tears ran down the
+robber's cheeks; he said nothing.
+
+When the curate came home, he repeated Alice's invitation to dine.
+The man accepted it. After dinner, when he thanked Alice and her
+father for their kindness to him, he said to the curate, "Your
+daughter is an angel, and has saved me from sin. I go away a better
+man than I came."
+
+He then confessed the evil intentions with which he had entered the
+house, told how Alice's trusting, gentle kindness had disarmed him,
+and promised the curate that he would henceforward be a better man.
+
+I do not mean to say that Alice never did any wrong thing. She was,
+however, so sorry for a fault, she repented so soon, and then did
+all she could to repair it, that no one could help forgiving her.
+She had a trick of squinting now and then. Her mother thought that
+my curls perplexed the bright eyes under them; and, to prevent the
+evil, drew up all the pretty locks in a bunch, tied them together,
+and said, "Now, Alice, your hair is all out of the way, and you will
+not squint."
+
+Alice was annoyed by this; she was a little vain of my beauty, and
+the disregard of her looks, which she thought these words indicated,
+fretted her.
+
+Her father saw this, and, to make the tying less disagreeable, said
+to her, one day, "Alice, I see you don't like to have your hair tied
+up; you don't think it reasonable. Come now, bear it patiently for a
+month; and, at the end of that time, I will give you the little work
+box I am ornamenting with straw."
+
+Alice agreed, and promised to be patient, and to keep her hair tied
+up.
+
+During the month, it happened that Alice was invited to a little
+party of girls at her aunt's.
+
+Alice hoped that her father and mother would absolve her from the
+promise, that afternoon; but no, her mother only tied up her hair
+with a new ribbon for the occasion. I, with all my beautiful curls,
+was drawn away from her dear face as far as possible. Alice found
+this hard to bear.
+
+As she was on the way to the party, she could hardly keep from
+crying.
+
+"What is the matter?" said her father.
+
+"Nothing, father," said Alice, "only a little headache; mother has
+tied my hair too tight."
+
+"Loosen it," said her father.
+
+Alice did loosen it, so that the string was just ready to come off.
+
+When she arrived at her aunt's, where her father left her, I was
+just escaping from my hateful confinement, and her aunt took hold of
+the hair as the string fell on the floor.
+
+"Shall I tie it on again, Alice, or shall your pretty hair go just
+so? I don't see the use of tying it, but, if you really wish it, my
+dear, just step up stairs, and Jane will do it for you very nicely.
+Perhaps your mother would choose it to be tied; she is very
+particular. It is a pity to confine such beautiful curls, but, if it
+must be so, we can't help it. Will you go up stairs? Here is the
+string; it dropped on the floor."
+
+"No," said Alice, "it is of no consequence;" and she put the string
+into her pocket.
+
+Again I fell upon her beautiful forehead, and kissed her rosy
+cheeks; and every one admired my beauty.
+
+Alice tried to forget that she was breaking her promise, and enjoyed
+herself pretty well.
+
+When she went home, her mother said, "Why, Alice, your hair is all
+over your face; how comes that?"
+
+"The string was nearly off when I went in, and then it fell on the
+floor, and aunt said I looked better without it. Here is the string,
+which she picked up."
+
+"I should have thought your aunt would have let you go up to Jane,
+and have it tied properly; you should have asked her leave."
+
+"I suppose," said the father, "that Alice felt too shy. It is no
+matter for one day. Alice, I dare say, kept her promise as well as
+she could; and, next week, she shall have her box; a right pretty
+one it is."
+
+Alice kissed her father and mother, and went to bed; but there was a
+little cloud between her and the all-pure Being to whom she prayed
+that night, and her precious tears wetted my locks, ere she went to
+sleep.
+
+Alice felt that she had not been true to her promise, and her
+parents' entire trust was the most severe reproach. Still she could
+not quite make up her mind to say so; and she tried not to think so.
+She had set her heart upon the little work box made and ornamented
+by her father whom she loved dearly. One day after another passed
+away, and every day it became harder to confess her fault. How often
+I heard her sigh during these days! Nothing makes a perfectly light
+heart but entire uprightness.
+
+One day, her father called her to him, and said, "Come, Alice, and
+tell me which color I shall use to ornament the border of your box--
+blue or green?"
+
+"Just which you please, Father."
+
+"But you know it is for you, and I want to know what you like best."
+
+"If it should ever be mine, Father, I like blue best."
+
+"Blue it shall be," said her father. "It will be finished to-morrow,
+and then your month for keeping your hair tied will end. I think
+your eyes are better, and you have learned also that you can keep a
+promise. You are my good child."
+
+Alice could not speak. She ran out of doors into her garden where
+her father had made her a little arbor, and there, all alone, she
+struggled with herself, till courage and truth prevailed. Then she
+went back into her father's study where she found him still at work
+on her box.
+
+"Almost done, Alice," said he; "see how pretty it is." "It must not
+be mine, Father," said Alice, very quietly, for she was determined
+to command herself. "I have not kept my promise, Father. I have
+deceived you and mother. I don't deserve the box. Give it to my
+cousin." Then she told her father the whole story, just as it was.
+As she went on, she grew braver, and felt happier; so that she was
+able to look up into her father's face, and say, very calmly, "I
+could not take any pleasure in your pretty box, for I know I do not
+deserve it. Please, dear Father, to tell Mother all about it, and
+put away the box, if you choose not to give it to some one else. It
+is very pretty, but it is not to be my box."
+
+The tears began to come in her eyes, and she turned to go out of the
+room. Her father stopped her. "Come here, my Child," he said. "You
+did wrong, but you have done all you could to repair your fault. You
+will never again, I think, be guilty of falsehood. At the end of
+another month, if you feel sure of yourself, come to me for your
+box."
+
+"No, Father, that would seem like being paid for speaking the truth.
+I should never ask for the box."
+
+"Would you rather I should give it to your cousin?"
+
+"If you please, I should;" and then the tears ran fast down her
+cheeks. "You know my cousin Edith has very few pretty things. I
+should like her to have it."
+
+"Take it, Alice, and give it to her yourself."
+
+"As your present, Father, not as mine. You know it is not, and
+cannot be mine. I have been so unhappy at my untruth, that I think I
+shall never commit such a fault again."
+
+Alice never did again, in the slightest thing, depart from the
+strictest truth and uprightness, in action as well as in word. It
+was common for her friends to say when there was a question about
+any thing that had occurred, "We will ask Alice. She always tells
+the exact truth."
+
+At last, Alice was a woman; and I, of course, led a more sober life,
+as she became more serious. I grew so long and thick that, when she
+took out her comb, and shook her head slightly, I fell in curls all
+around her neck and shoulders, like a golden veil, and you could but
+just see her laughing blue eyes, and white teeth through me.
+
+You may readily guess that the pretty Alice was beloved by all who
+knew her; and, ere long, the son of the village apothecary won her
+heart. He was a good-hearted fellow, but never fitted himself to be
+of much use in the world. He took Alice to a distant village, where,
+with his father's assistance, he set up as an apothecary, on rather
+a small scale, of course; but Alice was used to simple fare and to
+helping herself.
+
+All would have been well with them but for one thing--the husband
+became a drunkard; not immediately--his love for his wife kept him
+sober for some time. Nothing was more beautiful than the way they
+lived for a year or two; but the habit of drinking a little, a habit
+which he had formed in his father's shop, and which he intended to
+cure, returned. The wretched man had not strength to resist it.
+
+He became fretful, and Alice, for the first time in her life, became
+unhappy. She had never before heard any but the voice of kindness;
+and now, from him she loved best in the world she received sometimes
+sharp and disagreeable words. He was very sorry afterwards, and all
+would seem well again, but he did not really reform, and, many a
+time, my locks, falling over her innocent round cheek, were wetted
+with her tears.
+
+Alice was good as an angel. She forgave her husband, believed him
+when he promised to leave off drinking, and never said a harsh word
+to him. James kept his promise for a month or two, but fell again,
+and then more hopelessly; for, after he had drunk a little, he
+feared his wife would know what he had done, and felt so unhappy
+that he drank more to drown his feelings; and, for the first time,
+he was brought home to his wife dead drunk.
+
+Alice tended her husband as if he were only a sick man; she had him
+put into a nice bed, she washed and mended his soiled and torn
+clothes, she was near him to catch his first word when he recovered
+his senses, she never reproached him, she tried, by love, to win him
+back to sobriety and duty, she wept, she prayed for him.
+
+He suffered all that man can from shame; he could not look her in
+the face; he had destroyed the charm and glory of life; he was
+unable, or rather he thought he was, to conquer his enemy; and,
+before six years were at an end, partly from broken and ruined
+health, and partly from utter misery, he fell into a rapid decline,
+and died.
+
+Alice loved her husband; and never was sick man nursed with more
+loving, cheerful patience than was he. He wept over his sins; he
+asked her, with every returning and every setting sun, to forgive
+him and to pray God to pardon him.
+
+She was an angel of pity and mercy to him, to the end. When she
+leaned over him to kiss him, he would pull her beautiful hair--for
+I was still beautiful--over his face which he was ashamed to show
+when he thought of his folly and wickedness. Many a time have I felt
+his hot tears of contrition as he pressed me against his sunken
+cheeks, and to his parched lips.
+
+After her husband's death, the vicar of the parish came to see
+Alice, and did all he could to comfort and aid her.
+
+She found that her husband had died largely in debt; that, when all
+the stock in his shop was sold, and the creditors paid, there would
+be nothing left for herself and two children.
+
+She did not want to go back to her old father's house, and burden
+him with care and expense, and she resolved to open a little school
+for small children in the cottage in which she lived.
+
+She had one spare room which she could let to an old lady who wanted
+just such a home as Alice could give her.
+
+With a strong and hopeful heart, did Alice dedicate herself to the
+work before her, of supporting and educating her two orphan
+children. Alice's strict honesty had made her give up to her
+husband's creditors every thing she had, except the barest
+necessaries; and, now that she wanted to commence her school, she
+felt very much the want of a little cash to buy a few indispensable
+things.
+
+The grocer and butcher had offered to supply her on credit, till her
+first payment from her scholars and boarder should come in. Still a
+little ready money was essential to her to begin. She would not
+borrow it, and was one day thinking what she should do, when her
+eye, wandering over a newspaper which the vicar had kindly lent her,
+fell on an advertisement offering a high price for handsome hair
+long and thick enough to make wigs.
+
+Alice heard the good curate say that he was going to London on
+business in a day or two, and her determination was made in a
+moment.
+
+I said that Alice had kept nothing that she could do without; she
+had, however, kept the white muslin gown she wore when she was
+married. She thought she could not give this up. "I shall never wear
+a white muslin gown again," she said, as she ripped out one of the
+breadths and made herself two or three plain caps of it.
+
+The next day she rose early before the children were awake, and,
+standing before a very small looking glass which she had kept to
+dress her hair, she looked at me curling all over her precious head,
+and hanging down upon her shoulders.
+
+"He loved these locks," said she, "and, for his sake, I would keep
+them; but they had better be devoted to the good of our children.
+Some school books will be worth more than all these golden locks. I
+am glad the children are asleep, for they love to play with my hair,
+and it would grieve them to see me cut it off."
+
+The good Alice took her scissors, and cut off lock after lock, till
+all were gone, save a few which she left around her forehead. Then
+she put on her simple muslin cap and tied it with a muslin string
+under her chin.
+
+Just then, her boy awoke. Alice had laid him down on his bed, and
+the first sight the little fellow saw, when he awoke, was his
+mother's hair which almost covered him up.
+
+"Why, Mother, how could you do so? How could you cut off your pretty
+hair, and put on that ugly cap? What would father say? You said we
+must do what we thought would please him. It would not please him to
+have you cut off your pretty hair;" and the child burst into an
+agony of tears.
+
+"Would it not please him that you should have a spelling book and a
+slate to write on, William? With this hair I can buy them for you. I
+have no other riches now."
+
+The poor boy still wept. The hair was more to him, at that time,
+than all learning. He could not then have believed that the time
+would come, when he would remember with gratitude his mother's
+sacrifice for him and his little sister.
+
+Alice gathered the locks, took from a drawer her last bit of blue
+ribbon, and tied them, saying, "This is the way he liked to see my
+hair tied when I was at my father's cottage. I shall never tie it so
+again."
+
+When the good vicar came to see Alice, as he did every day, she met
+him with me all nicely done up in a paper in her hands, and asked
+him if he would be so good as to take me to the hair dresser who had
+advertised for hair, make the best bargain he could for her, and,
+with the proceeds, get the few necessaries for commencing her small
+school. The good man cheerfully promised to do so, took the parcel
+from Alice, and carried it to his own house.
+
+And so I bade farewell to dear Alice, and her neat cottage, and her
+sweet children. I was parted forever from that innocent head that
+had cherished only good and pure thoughts. I was no longer to be
+dressed by her dear hands. I was never again to shade and adorn her
+lovely face, nor fall in ringlets around her sloping shoulders, nor
+ever tremble again with the beatings of her gay and generous heart,
+as I often had when she let me fall over her neck and shoulders.
+
+Nothing that ever had life in it could be insensible to such a
+sorrow as this. How I envied the few locks she kept around her
+precious forehead! How I wished that scissors had never been
+invented!
+
+The good curate, faithful to his promise, took me to the hair
+dresser in London, according to the direction in the advertisement;
+and, before opening the paper which contained me, told him the story
+of Alice, of her trials, and of her excellent character and conduct,
+of her present need, and of her purpose to support and educate her
+children by her own efforts. He told him that there never was such a
+beautiful head of hair, and that he hoped he would be willing to
+give something handsome for it.
+
+When the old clergyman opened the paper, and exhibited me to the
+hair dresser, he took me out as fondly as if I had been a baby, and
+shook me so as to make the ringlets curl again, but they would not.
+
+I felt the difference between the old man's hard fingers, and rough
+shake, and the soft touch of the dear Alice.
+
+"Is it not beautiful?" said the old man.
+
+"It is well enough," said the dealer. "I shall have to make a man's
+wig of it. The curls will all boil out."
+
+You may imagine my horror at these words; and, as for the poor
+vicar, he seemed thunderstruck.
+
+"If I had any money to spare," said he, "I would buy this beautiful
+hair myself, and have it framed with a glass over it, and hang it up
+in my best parlor, with that blue ribbon that looks so like her;
+it's as handsome as a picture; and then her dear children should
+have it at my death."
+
+Whether it was that the hair dresser was afraid of losing me, or
+that his heart was slightly touched with compassion for Alice and
+her orphan children, I know not; but he offered the good curate a
+sum for me which satisfied him.
+
+As the curate gave me up, he untied the blue ribbon, folded it up
+nicely, and put it into his pocket; and I think he dropped a tear as
+he did so.
+
+The wig maker examined me again when he was by himself. "A fine head
+of hair it really is," said he. "It will make a good wig for a
+youngish sort of a man; and the curls will make it work easier."
+
+Then he tied me up with a piece of twine, and tossed me into a large
+drawer with great bunches of hair of all colors and fineness.
+
+Here I remained for I know not how long, without air or light, in
+this disagreeable company. At last, one day we were all taken out,
+and what we were made to endure I now shudder to think of. We were
+boiled, we were pulled and mauled and greased; in short, I wonder we
+had a whole hair left; but, after undergoing every thing you can
+imagine, I found myself on a pole in the shape of a gentleman's wig,
+covered with high-scented pomatum and powder.
+
+No one would have recognized me as the same beautiful hair that had
+adorned the head of Alice. There were a number of poles with wigs on
+them close by me, and I knew, as a matter of course, that I must
+look just like them. They looked perfectly hateful to me, and I felt
+disgusted with myself, because I knew I resembled them.
+
+It is now a puzzle to me how men could have ever been so foolish as
+to make such a thing as I am, to put on their heads; these great
+unmeaning curls, this ugly club, as they called it, hanging down
+behind, and this horrid grease and powder too.
+
+Most of my life, of course, has been passed in this horrid shape in
+which you now see me; but the remembrance of my early days clings to
+me, and the love of freedom, and the sense of beauty which I
+acquired when the wind played through my natural curls as they
+covered the head of my dear Alice, have never forsaken me. It was
+then only that I truly lived. But, forgive me--I have the weakness
+of old age, and love to talk of youthful pleasures.
+
+One morning, in the year seventeen hundred and seventy-eight, when I
+was just twenty-eight years old, a gentleman of middle age came into
+the hair dresser's shop, and asked to look at his wigs. I was shown
+to him with some others. After examining us all, and trying on
+several, he chose me, because, he said, he thought I was made of the
+finest hair.
+
+"This," said he, "will visit the American colonies, and probably
+remain there, for that will, I think, be my home."
+
+I rejoiced to hear this, for I was weary of my present life, and
+longed for some variety.
+
+The good gentleman who purchased me seemed well satisfied with my
+looks; but, when I saw myself in the glass, upon his long, narrow
+face, with his great bottle nose, and cheeks like the sides of a
+sulky, and all my pretty curls and my bright color gone, I wonder
+that each hair did not stand on end with fright; most likely it
+would have stood up, but for weight of pomatum and powder.
+
+Soon after my owner purchased me, he set sail for America. As I was
+his new and best wig, I was packed carefully in a box, and knew
+nothing till he arrived here, and was settled in his place of
+residence.
+
+The first time I was taken out of my box was on Sunday, when I was
+carefully adjusted on the Squire's head. I call him Squire, for I
+soon found that Squire was the title every one gave him, as he was
+the most important personage in the town in which he lived. I was as
+well pleased as a wig could be with the appearance of things in and
+around the house I was to inhabit. It was in a village about thirty
+miles from Boston, and was like an English country gentleman's
+house. A wide hall passed through the middle of it, with a grand
+staircase. From the doors at either end of the hall ran rows of elm
+trees. One led to the high road, the other up a gentle hill, on the
+top of which was a pretty burying ground with a path through it
+leading to a small church.
+
+The Squire had a black man whom he called his boy, and who was, in
+fact, his slave, but whom he treated like a friend and brother.
+
+Some years after, when slavery was abolished in Massachusetts, the
+Squire called Cato to him, and said, "Cato, you are no longer my
+slave; you are free."
+
+"But, massa, you will not sell me."
+
+"No, Cato, you are a freeman; I have no right to sell you. I don't
+think I ever had any right to sell you; but now the law of the land
+makes you free, and I am glad of it."
+
+"Then I can stay with you of my own free will, massa."
+
+"Yes, Cato, you can stay or go, just as you please."
+
+"Then, massa, I stay with you for love, and not cause I am your
+slave. Now I your friend." And Cato never left the Squire till the
+day of his death. But to return to my story.
+
+The Squire, as I said, put me on very carefully, and then as
+carefully put over me his three-cornered hat, and took his gold-
+headed cane, and, with Cato behind him, walked reverently up the
+hill to church.
+
+I was accustomed to the Episcopal church, where dear Alice went
+every Sunday; but this was a Presbyterian church, and I had never
+been in one before.
+
+As I said, had not my hairs lost their power of motion by what I had
+endured from the scissors, and the vile process of making me into my
+present shape, every one of them would have risen up against the so-
+called music in this church; but my misfortunes and pomatum kept me
+quiet.
+
+The sermon was at least two hours long, and many a hitch did the
+Squire give me before it was over; that was the beginning of the
+little trick, which you see I have now, of jerking up a little on
+one side occasionally.
+
+The Squire had brought with him from England a complete set of
+furniture for his house; and, after some time, the things reached
+our abode which was about thirty miles from the sea coast.
+
+What all these fine things were for was soon explained. The Squire,
+one day, put me into my nice box, putting on an old wig which he
+wore on week days. I soon found that we were in some kind of a
+vehicle, and, ere long, we arrived at a hotel in Boston. But we did
+not stay there long. The Squire was going to be married, and, as I
+was his best wig, I, of course, adorned his head at the wedding.
+
+Who would have believed that I was the same hair that covered the
+head of dear Alice when she was a bride? Then curling like
+hyacinths, and glowing like sunshine, now stiff, dull and dead;
+looking, as I thought then, and think now, like nothing human or
+divine.
+
+It was the second time the Squire had been married, so he was very
+sedate in his happiness. He brought home his bride in a few days,
+and there, at his excellent, delightful country house, all was soon
+arranged in the most orderly way possible.
+
+The lady had a proper pole arranged for my accommodation, and made
+the Squire a nice velvet cap to wear in the evenings, when they were
+alone, and he wished to be relieved of my weight.
+
+The relations of the Squire and his wife often visited them, and
+always in parties, English fashion, and remained some days; and then
+what feasting and merriment there was!
+
+The house was surrounded by beautiful woods, and near by was a
+lovely pond; and young and gay hearts were often there to wake the
+echoes with their cheerful, laughing voices. Cato played on the
+violin, and, when the evenings were chilly or rainy, the young
+people danced till the small hours of the night.
+
+All this I witnessed, for the Squire was a gentleman of the old
+school, was always in his best clothes for his company, and gave no
+sign of weariness till they retired to bed.
+
+I should mention that the Squire was a justice of the peace. As he
+lived in a remote and very quiet country town, he had not many
+culprits brought before him. But occasionally he was called upon to
+decide upon the proper punishment of some young rogue, and now and
+then he had to marry a couple.
+
+At these times, I was always smoothed and new pomatumed with the
+greatest care, then put on very carefully, and examined in the
+looking glass two or three times, and readjusted over and over, till
+I was as even as justice itself, before the Squire took his gold-
+headed cane, and proceeded to consider the case.
+
+Once a boy was brought before him for stealing chestnuts. Now there
+was such an abundance of chestnuts in the town that they were almost
+thought common property. It happened, however, that the Squire had
+some fine chestnuts himself, and he wished it to be considered an
+unpardonable thing to steal chestnuts. So he condemned the boy's
+father to pay a very good price for those his son had stolen,
+leaving it to the man from whom the chestnuts had been taken to say
+how large the quantity was.
+
+This unjust decision made the man and his son very angry. But my
+master was the Squire; and, in those old times, we retained a great
+deal of the English reverence for a country gentleman.
+
+The son of this man, however, had not much reverence for any thing,
+and was determined to be revenged upon the Squire, as you will see.
+I, however, was the greatest sufferer. It so happened that the pew
+in which the boy sat at church was directly behind the Squire's. The
+boy carried a piece of shoemaker's wax to meeting with him, and
+when, as was usually the case, the Squire's queue came over the edge
+of the pew, the young rascal took the opportunity, when no one was
+looking, to stick the short queue fast with the wax to the side of
+the pew.
+
+When the Squire stood up, his wig was nearly jerked off his head,
+and would have been quite off, but for the boy's father who, seeing
+the good gentleman's danger, caught hold of me, tore off the horrid
+wax, and then pushed me back into my place.
+
+All the foolish children in the church giggled at my expense. The
+simple Squire, thinking it was a nail or a hook, thanked the man who
+had aided him in his distress, and advised him to take out the
+troublesome hook. Cato, however, shook his black head and said,
+"Guess naughty Pickaninny did de queue of Massa's wig. Neber mind,
+Cato no make trouble; queue no feelins; I smood him up. Dem
+chestnuts in his gizzard, spoze."
+
+Not long after this, the poor Squire lost his wife. Her health had
+always been very delicate, and he had been a most devoted husband.
+
+The Squire was a good man, and tried to find consolation in the only
+way it may be found, in the religious performance of duty. He became
+the benefactor of the village. He was the friend of all who needed
+his aid.
+
+Now, my friends, I must pass over the next ten years. What I have
+just related to you of the Squire passed in the year seventeen
+hundred and eighty. Now follow me to the year seventeen hundred and
+ninety-two.
+
+The Americans, by their wisdom and bravery, had won their
+independence.
+
+The Squire had done his part for his country by furnishing money,
+and by making his large retired mansion an asylum for all his
+friends who were in want of it.
+
+He was now seventy years old; and a haler, heartier, more serene old
+man was never seen. His house was the summer rendezvous of all his
+young and his old friends.
+
+Well do I remember one beautiful afternoon, just before sunset, the
+Squire's going to the glass, and adjusting me nicely, and then going
+to the door, and looking up through the avenue of elms which were
+young trees when I was first carried there, and saying, "It is time
+my niece and her husband and children were here."
+
+In a few minutes, a carriage appeared with a lady and her son and
+daughter in it. That little girl, then five years old, was
+afterwards the mother of our little friend asleep yonder.
+
+Never was there a more cordial welcome given to friends than the
+good Squire gave them, and never was welcome more acceptable.
+
+There were other friends in the house, and such frolicking and
+laughing and dancing on the lawn you seldom see nowadays.
+
+For many years, the nieces and nephews and their children and
+children's children came in this way to refresh body and soul at
+their good uncle's; till childhood blossomed into youth, and youth
+began to strengthen into maturity, and maturity to fade away into
+age. Years gathered around the old man's head, but his vigor
+remained.
+
+You need not bounce in that way, my friend musket, and you, Messrs.
+tea-kettle and pitcher, need not try to turn up the noses you have
+lost, at my using these flowery expressions. Remember that, for more
+than half a century, I dwelt upon a human head. It is natural that I
+should have gained something from it, and that I should speak
+somewhat as human beings speak.
+
+I hope you will pardon my talkativeness; and, even if you think me
+prosy, let me go on after my own fashion, and finish my story in my
+own way, for I am very old, and can speak in no other way. Remember,
+too, I shall never speak to you again."
+
+"Go on, go on," cried the old coat, cloak, and baize gown.
+
+The rest made no objection, and so the wig continued. "I assure you
+it was a very interesting thing to me to witness the changes that
+were going on among the Squire's visitors. I saw that child's mother
+come, first as a young lady, then as a bride, then as a mother; and
+then she came, first with one, then with two, and then with three
+children; and then, each year, I saw that these children had grown
+bigger, and it was pleasant, as I sat so quietly upon the old
+Squire's head, to see them jump out of the carriage each year, run
+up to the old man to receive his welcome, and then scamper off into
+the garden and fields like so many young animals; it was pleasant to
+watch their gleeful faces at his hospitable board, and to hear their
+merry shouts; it was pleasant, on Sunday, to see them, with their
+father and mother, follow the old gentleman respectfully at a
+distance, through the avenue of elms to church, with their small,
+solemn faces, just now and then slightly nodding to a buttercup and
+snatching it up; while he, with me and his three-cornered hat on his
+head, and his gold-headed cane in his hand, and his light drab suit
+of clothes, all his dress of the same cloth, and his shoes with gold
+buckles, strode along, while Cato, dressed in some of the Squire's
+old clothes, walked close behind him like his shadow. You would have
+thought my master forty instead of eighty.
+
+Year after year I witnessed this, till, as I said, the children were
+youths, and their parents no longer young. Then the good Squire
+began to be, as I am now, a little garrulous; he loved to tell old
+stories more than once. But who was there that would not, with
+patient love, listen to them for many a time?
+
+It was affecting to observe how all his dates were from the year
+fifty. No matter what story he told, or when it really did happen,
+he always finished by adding, "and that happened in the year fifty."
+
+All his furniture and plate were purchased in the year fifty. It was
+to him the beginning of the world.
+
+"Uncle," said one of his nieces one day to him, "let me try to dress
+your wig; I think it wants it."
+
+"My dear, this wig was bought in the year fifty, and looks well now.
+It has done me good service."
+
+"How beautiful this avenue of elms is!"
+
+"Yes, they were set out in the year fifty."
+
+"You have a good housekeeper, uncle."
+
+"Yes, my dear, she came to me in the year fifty."
+
+And so on with every thing in and about his house, and so it was
+with every event which had made an abiding mark on his memory.
+
+There was but one thing about which the good Squire showed the real
+childishness of his old age, and that was his fruit. He had bushels
+and bushels of apples and pears and peaches, but he never thought
+them fit to eat till they were at least half rotten.
+
+His nephews and nieces were of a decidedly different opinion, but
+did not like to debate the subject with him; so they had recourse to
+a little trick. I don't think it was quite right. The Squire was in
+the habit every day of gathering the ripe fruit in baskets, and
+putting it in what he called especially his room; it was a sort of
+half dressing, half business room. Here it was that he kept the pole
+upon which he placed me at night. These baskets of fruit, if the
+good man had had his own way, would have remained there till they
+were all rotten like the heaps of windfalls which was the fruit he
+told the family, and the children especially, they might eat.
+
+Now it was the custom of two or three roguish boys and girls, who
+visited him, to gather baskets of this rotten fruit, and when the
+good man had gone to bed, to carry them into this room, and put them
+in the place of the baskets of sound ripe fruit, which they took for
+themselves and others to eat.
+
+In a day or two, the good Squire would look at his baskets, and,
+finding the fruit decaying, would call it fit to eat, bring it into
+the parlor, and then call in the children, and say to them, "Here,
+boys and girls, here is nice ripe fruit for you; you can just cut
+out the rotten with your penknives;" and then he would distribute it
+among them.
+
+The little monkeys, of course, could scarce repress their giggles.
+
+I can make no apology for their cheat, except that, upon this point,
+the good man was really childish; and, as he did not eat the fruit
+himself, or sell it, or do any thing with it, but give to the pigs
+what was not eaten in the family, no one was wronged by the trick.
+It was, in fact, a piece of sport.
+
+As you see, I had the benefit of being present at the whole of the
+fun; and I can hear now, it seems to me, as plainly as I did then,
+the suppressed laughter of these roguish children when they came
+into the room where I was, to exchange baskets of rotten for baskets
+of sound fruit.
+
+In his eighty-seventh year, the old man ran a race with one of these
+children, and contrived, by an artifice, to win it. She got before
+him; when, fearing he would hurt himself, she stopped to look after
+him; he came up to her; and then, just pushing her back a little,
+got before her to the goal, which was very near them. How he did
+shout, as though he were only twenty, and what a hitch he gave me on
+the occasion!
+
+In his ninety-seventh year he died. It was a pity he did not live to
+be a hundred. The night before he died, he went into his room to put
+me on my accustomed pole. He did not see clearly, and let me fall on
+the floor.
+
+"Ah!" said he, "the old head will fall too, before long. No matter;
+it is time it should go. Here, Cato, help your old master."
+
+Cato was at hand, picked me up, put me in my place, and helped his
+master to bed.
+
+I never saw the dear old man again.
+
+The next thing that I remember, is being put into a box and carried
+I knew not whither.
+
+The first light I saw was the dim light of this garret.
+
+The mother of that little girl took me out; and as she put me on my
+pole, which she had caused to be brought here also, "People may
+laugh at me," said she, "but I will keep the dear old man's wig. It
+seems to me a part of him, and is a memorial of the happy hours I
+have passed under his hospitable roof."
+
+It is now one hundred and six years since I was born into this
+world. For twenty-eight years I flourished on the beautiful head of
+dear Alice. Ever since then, I have been only a wig. I am now
+falling into utter decay. If any one were to shake me, I should fall
+to pieces. I have, like many of you, my friends, since inhabiting
+this garret, been abused and made fun of, by children. I was once
+put upon the head of a donkey, while a boy with a fool's cap on his
+head rode him, and took a love letter to a young man. I was also put
+upon the head of a great monkey brought to the house for exhibition,
+who took me off his head and threw me at the boys. Once, as you
+know, I was made to play the mock judge on the head of a dog. Once
+that little girl who sleeps there, used me to keep a litter of
+kittens warm in, on a cold winter night. This nearly killed me, and
+from that moment the children were forbidden to touch me.
+
+"I have now," concluded the wig, "only to ask your pardon, my
+friends, for the impatience with which I have listened to your
+stories when I thought them too long, and for the truly human vanity
+and inconsistency which made me tell the longest story myself. But I
+knew that no one waited for me. I shall certainly never speak more.
+These are my last words. Farewell."
+
+Just at these words, it seemed to me as if the wig gradually
+dissolved into a bright halo. Then suddenly it fell into golden
+ringlets all so soft and graceful and beautiful; while I looked,
+they seemed to shade such a lovely, innocent face, that I knew it
+must be that of dear Alice looking like an angel in heaven.
+
+I awoke very happy. There was every thing in the old garret just as
+I first described it, and all as quiet and still as if nothing had
+happened."
+
+
+
+End of Project Gutenberg's Etext of The Talkative Wig, by Eliza Lee Follen
+
diff --git a/old/tktvw10.zip b/old/tktvw10.zip
new file mode 100644
index 0000000..fb8c3d9
--- /dev/null
+++ b/old/tktvw10.zip
Binary files differ