diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-03-08 22:47:50 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-03-08 22:47:50 -0800 |
| commit | 56e658348e2e972a89371dd7ff3fe66b4141af12 (patch) | |
| tree | cbaa1d973ef0848659641e60f4b5947d97884ed6 /40416-h/40416-h.htm | |
| parent | fbd295737871da1b303b4dcc9a5e39148ce81d47 (diff) | |
Diffstat (limited to '40416-h/40416-h.htm')
| -rw-r--r-- | 40416-h/40416-h.htm | 476 |
1 files changed, 28 insertions, 448 deletions
diff --git a/40416-h/40416-h.htm b/40416-h/40416-h.htm index 8c68074..40b3e71 100644 --- a/40416-h/40416-h.htm +++ b/40416-h/40416-h.htm @@ -4,7 +4,7 @@ <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of The Rest Hollow Mystery, by Rebecca N. Porter. @@ -172,46 +172,7 @@ table { </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of The Rest Hollow Mystery, by Rebecca N. Porter - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: The Rest Hollow Mystery - -Author: Rebecca N. Porter - -Release Date: August 5, 2012 [EBook #40416] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE REST HOLLOW MYSTERY *** - - - - -Produced by Darleen Dove, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive/American Libraries.) - - - - - - -</pre> - - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 40416 ***</div> <div class="figcenter"> <img src="images/cover.jpg" alt=""/> @@ -262,13 +223,13 @@ violent throbbing in one of his legs.</p> <p>With both hands gripping the aching thigh in a futile effort to soothe its pain, he dragged himself into the clearing and looked about. It was one of those narrow, wooded mountain ravines that in the West are -classed as cañons. Back of him rose a succession of sage-covered slopes, +classed as cañons. Back of him rose a succession of sage-covered slopes, bleak, wintry, hostile. In front was a precipitous cliff studded with dwarf madrone trees and the twisted manzanita. Overhead the bare distorted sycamore boughs lashed themselves together and moaned a dreary monotone to the accompaniment of a keen November wind. No sign of autumn lingered on the landscape, and the shed leaves formed a moldy carpet -underfoot. The cañon was redolent with the odor of damp timber and +underfoot. The cañon was redolent with the odor of damp timber and decaying vegetation.</p> <p>Kenwick buttoned his heavy overcoat about him and limped painfully @@ -282,7 +243,7 @@ back to the present.</p> <p>At the foot of the cliff he stopped short, staring in horror at a spot a few paces ahead of him. A scrub madrone had been torn from the side of -the ravine and had fallen to the bottom of the cañon, its mutilated +the ravine and had fallen to the bottom of the cañon, its mutilated roots stretching skyward like the grotesque claws of some prehistoric animal. The force which had torn it from its moorings had scarred the slope with other evidences of disaster; a limb lopped off here, a mass @@ -447,7 +408,7 @@ The alabaster clock on the mantel was ticking its way toward midnight. He felt ravenously hungry but shrank from touching any of the food upon the pantry shelves. He decided that until his host arrived he would sit in the den, a companionable little room, whose deep leather chairs -invited him. The porte-cochère was on this side of the house and the +invited him. The porte-cochère was on this side of the house and the home-comers, whoever they were, would doubtless enter there. No fire burned on the hearth but the house was comfortably and evenly warm. It was apparent that the caretaker was an expert furnace-man.</p> @@ -537,7 +498,7 @@ Everything about the house seemed changed. His room was a guestroom now, and he had been relegated to a place on the third floor with dormer-windows. He hated dormer-windows. When his mother had been head of the home the third floor had been used only for the servants, but -under Isabel's régime it had been converted into extra guestrooms, and +under Isabel's régime it had been converted into extra guestrooms, and there seemed to be a never-ending succession of guests.</p> <p>So it had been no hardship to acquiesce in Everett's suggestion that he @@ -550,7 +511,7 @@ the slender flat object around which his fingers had closed during moments of desolation and peril in the trenches was not there. The realization that it had been pitched into the underbrush along with his money and watch stabbed him with a new pain. Her picture out there in -that cañon where any casual explorer might chance upon it! Why, it was +that cañon where any casual explorer might chance upon it! Why, it was desecration!</p> <p>He pushed aside the tray and went over to the long mirror in the door of @@ -587,7 +548,7 @@ the cold ashes he drew out a half-smoked cigar. For a long moment he stood turning it in his hand. It couldn't have been in that tray for more than a few hours.</p> -<p>In the room beyond, separated from the sitting-room by portières, was a +<p>In the room beyond, separated from the sitting-room by portières, was a massive walnut bed, chiffonier, and shaving-stand. A blue-tiled bathroom completed the suite. The windows of all three were closed and locked. He went back to the hall, past another bedroom with door ajar, and @@ -1405,7 +1366,7 @@ certain—that he was going to get out of Mont-Mer as speedily as possible. It was all very well to conjecture that the house might be the disreputable retreat of some Eastern capitalist, or a rendezvous for radicals, but he preferred to solve the riddle from a distance. He had -no intention of being called as a witness in an ugly exposé. It would +no intention of being called as a witness in an ugly exposé. It would be easy enough to write to Old Man Raeburn and explain that it hadn't been possible for him to stop off on his way to San Francisco. He fervently hoped that he would never see Mont-Mer again. Without ever @@ -1575,7 +1536,7 @@ them had she ever answered. Once, in vague alarm, he had even written to Clinton, but there had been no reply. And then pride had held him silent. So he couldn't go to the house on Pine Street now. He wouldn't go, he decided fiercely, until he had a decent position and had -reëstablished himself in civilian life.</p> +reëstablished himself in civilian life.</p> <p>Over at the news-stand a girl was fitting picture post-cards into a rack. Kenwick walked over to her and with a part of the change left from @@ -1818,7 +1779,7 @@ believe I know your name."</p> <p>Late that morning the hearse made its second trip out of the side entrance of Rest Hollow. A mud-splashed roadster followed it. The -cortège had just passed the last gaunt eucalyptus-tree and turned out +cortège had just passed the last gaunt eucalyptus-tree and turned out upon the public highway when it was halted. A man in heavy-rimmed goggles got out of his car and made his way across the road. His glance wavered uncertainly between the driver of the hearse and the man in the @@ -2170,7 +2131,7 @@ I thought he was securely anchored with a millionaire hermit down South."</p> <p>She spoke without turning from the dressing-table where she was shaking -her long dark hair down over an amethyst-colored negligée. "You don't +her long dark hair down over an amethyst-colored negligée. "You don't like him, do you?"</p> <p>"No, I can't say that I do."</p> @@ -2221,7 +2182,7 @@ released it and brought himself upright upon the cedar chest.</p> living together, sharing everything this way."</p> <p>She got up from the dressing-table and walked over to the far window, -drawing the deep lace collar of the amethyst negligée up about her ears +drawing the deep lace collar of the amethyst negligée up about her ears as though to screen herself from his view. Out on the bay the lighted ferry-boats plied their silent passage, and on the Key Route pier an orange-colored train crawled cautiously, like a brilliant caterpillar, @@ -2463,7 +2424,7 @@ now a man of twenty-three, enlists and in the autumn gets across. He sees more than six months of action at the front without getting a scratch. But at the end of that time his nerves go to pieces and he is sent first to a convalescent hospital in England and then home. There he -finds the old place completely changed under his sister-in-law's régime +finds the old place completely changed under his sister-in-law's régime and he is so obviously unhappy about it that his brother suggests that he accept the invitation of an old family friend and spend the winter with him in his California home. He complies with this plan, the more @@ -2707,7 +2668,7 @@ bet she can give him a run for his money."</p> <p>Within twenty minutes he heard low voices at the far end of the hall, and then the sound of approaching footsteps. He rose and went to the door. Madame Rosalie and her client were emerging from a shadowy chamber -whose door was draped with maroon-colored portières. The caller had +whose door was draped with maroon-colored portières. The caller had reached the hat-rack and was jerking himself into his overcoat when all at once he stopped with words of astonished greeting. "Why, hello, Kenwick!" He strode forward with extended hand. And Kenwick gripped it @@ -3429,7 +3390,7 @@ been suggesting that he try on the suit of clothes which a salesman was proffering for his favor.</p> <p>Madame Rosalie answered in the low, slightly indifferent voice that had -surprised Roger Kenwick. "Hypnotism is a coöperative measure. I couldn't +surprised Roger Kenwick. "Hypnotism is a coöperative measure. I couldn't hypnotize you unless you were willing and would help me."</p> <p>He laughed. "That's a good deal for you to admit. Most of you people @@ -3548,10 +3509,10 @@ dish of green olives in the center of the table.</p> <p>The soup came, a rich bean chowder, which she ate almost in silence, while her companion commented casually upon the service and furnishings -of the café. They had a rear table near the swinging doors that led into +of the café. They had a rear table near the swinging doors that led into the kitchen. It was not more or less conspicuous than any of the others. The atmosphere of unconventionality which pervaded the place seemed to -envelop all its habitués in a sort of mystic veil that was in itself a +envelop all its habitués in a sort of mystic veil that was in itself a guarantee of privacy. At the table nearest them a girl was talking earnestly to a man who sat with his arm about her. Madame Rosalie, raising her eyes from her soup-plate, encountered the bold, appraising @@ -3564,7 +3525,7 @@ yourself Madame Rosalie," he said. "But isn't it really Mademoiselle?"</p> <p>Her smile deepened but she gave him no answer. In the delicate, lacy waist and white skirt which she had donned, she looked years younger. There was a ruby pendant at her throat but she wore no other jewel. The -garish light of the café, shining upon her straight black hair, gave it +garish light of the café, shining upon her straight black hair, gave it a luster that was like the dull gleam of jet.</p> <p>"Not Mademoiselle?" he queried again, and his smile was like the @@ -3627,7 +3588,7 @@ gold. "Do you know," she said slowly, "I believe you would make a wonderful hypnotist. I believe that you could even hypnotize me."</p> <p>The bold amber eyes gazed straight into hers. "But you told me, didn't -you, that hypnotism had to be a coöperative measure? You said, I +you, that hypnotism had to be a coöperative measure? You said, I remember, that nobody could hypnotize anybody else unless—unless the victim were willing."</p> @@ -3774,7 +3735,7 @@ this mystery is to be found in the place where it began."</p> <p>"But where did it begin?"</p> -<p>"So far as your knowledge of it extends, it began in the cañon or ravine +<p>"So far as your knowledge of it extends, it began in the cañon or ravine or whatever place it was that you had the accident. If I'm not mistaken, Kenwick, that place is your bramble-bush."</p> @@ -3886,7 +3847,7 @@ some obscure corner, to prevent exchange between arriving and retreating patient of a "Look! Stop! Listen!" signal.</p> <p>By five o'clock only one other patient besides himself remained; a -little woman in shiny serge suit and passée summer hat. Kenwick put down +little woman in shiny serge suit and passée summer hat. Kenwick put down his magazine with a long-drawn sigh, and she smiled in patient sympathy. "Gets pretty tiresome waitin', doesn't it?" she ventured.</p> @@ -4281,7 +4242,7 @@ Even the street lights, shining dimly as through frosted glass, seemed to shed across his path a supernatural radiance. For although no word of love had passed between him and Marcreta Morgan, he had come away from that visit with a wild happiness surging in his heart. There had been no -effort to reëstablish life upon its old basis. Marcreta, with what +effort to reëstablish life upon its old basis. Marcreta, with what seemed to him an almost superhuman tact, had divined the ghastly futility of such an endeavor. And instead she had conveyed to him, by some indescribable method of her own, the assurance that she would @@ -4985,7 +4946,7 @@ never suspected that he would ever lose any of them. It was a good thing, though, he told himself bitterly, a good thing that they were gone; that the last of the Kenwicks should go down in disgrace without spreading the cankerous taint to anyone else of that proud name. The -imminent exposé appeared to him all at once in the guise of a mighty +imminent exposé appeared to him all at once in the guise of a mighty tree, which was holding its place in the earth only by a single supporting root. Now that root was to be chopped away. The house of Kenwick was to fall. But in its fall it would harm no one else. For the @@ -5859,7 +5820,7 @@ which I was at that time interested, I had enlisted his aid on several occasions and in this way had made a rather thorough examination of his five senses, his power of association, his memory (both for retentiveness and recall), and had tried him out, by means of various -athletic games, for muscular coördination, endurance, poise, and many +athletic games, for muscular coördination, endurance, poise, and many other essentials of normality. In only one of these did I find him defective. And that one was memory.</p> @@ -5966,7 +5927,7 @@ several occasions, and once, by pre-arrangement, accompanied him to the theater. On the same evening I invited Kenwick, and, all at once, called his attention to Glover. The response was like match to powder. The visual image of his former warden restored, in large degree, his memory. -He was eager to reëstablish the connection. Mrs. Marstan had been +He was eager to reëstablish the connection. Mrs. Marstan had been careful to point out Kenwick to her escort, and the result was just what we had foreseen. It was he who evaded the encounter, supplying a pretext upon which he and Mrs. Marstan immediately left the theater.</p> @@ -6715,387 +6676,6 @@ little sapling.</p> <p>"An imprisoned soul," he whispered, "liberated at last—by the miracle of love."</p> - - - - - - - -<pre> - - - - - -End of Project Gutenberg's The Rest Hollow Mystery, by Rebecca N. Porter - -*** END OF THIS PROJECT GUTENBERG EBOOK THE REST HOLLOW MYSTERY *** - -***** This file should be named 40416-h.htm or 40416-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/0/4/1/40416/ - -Produced by Darleen Dove, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive/American Libraries.) - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License (available with this file or online at -http://gutenberg.org/license). - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need, are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation web page at http://www.pglaf.org. - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Its 501(c)(3) letter is posted at -http://pglaf.org/fundraising. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at -809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email -business@pglaf.org. Email contact links and up to date contact -information can be found at the Foundation's web site and official -page at http://pglaf.org - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit http://pglaf.org - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: http://pglaf.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart is the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For thirty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -</pre> - +<div>*** END OF THE PROJECT GUTENBERG EBOOK 40416 ***</div> </body> </html> |
