summaryrefslogtreecommitdiff
path: root/40344.txt
diff options
context:
space:
mode:
Diffstat (limited to '40344.txt')
-rw-r--r--40344.txt2495
1 files changed, 0 insertions, 2495 deletions
diff --git a/40344.txt b/40344.txt
deleted file mode 100644
index c621d5c..0000000
--- a/40344.txt
+++ /dev/null
@@ -1,2495 +0,0 @@
- POEMS
-
-
-
-
-This eBook is for the use of anyone anywhere at no cost and with almost
-no restrictions whatsoever. You may copy it, give it away or re-use it
-under the terms of the Project Gutenberg License included with this
-eBook or online at http://www.gutenberg.org/license.
-
-
-Title: Poems
- 1916-1918
-
-Author: Francis Brett Young
-
-Release Date: July 26, 2012 [EBook #40344]
-
-Language: English
-
-Character set encoding: US-ASCII
-
-
-*** START OF THIS PROJECT GUTENBERG EBOOK POEMS ***
-
-
-
-
-Produced by Al Haines.
-
-
-
-
-[Illustration: Cover]
-
-
-
-
- POEMS
-
- 1916-1918
-
-
- BY
-
- FRANCIS BRETT YOUNG
-
-
-
-
- LONDON: 48 PALL MALL
- W. COLLINS SONS & CO. LTD.
- GLASGOW MELBOURNE AUCKLAND
-
-
-
-
- Copyright 1919
-
-
-
- BY THE SAME AUTHOR
-
-_Novels:_
-
- THE YOUNG PHYSICIAN
- THE CRESCENT MOON
- THE IRON AGE
- THE DARK TOWER
- DEEP SEA
- UNDERGROWTH (with E. Brett Young)
-
-
-_Poems:_
-
- FIVE DEGREES SOUTH
-
-
-_Belles Lettres:_
-
- ROBERT BRIDGES: A Critical Study
- MARCHING ON TANGA
-
-
-
-
- TO
- EDYTH GOODALL
-
-
-_Remember thus our sweet conspiracy:
-That I, having dreamed a lovely thing, with dull
-Words marred it--and you gave it back to me
-A thousand, thousand times more beautiful._
-
-
-
-
- ERRATA
-
-Page 26, line 17, _for_ "Lybian" _read_ "Libyan."
-Page 46, line 9, _for_ "lythe" _read_ "lithe."
-Page 70, line 13, _for_ "tyrranous" _read_ "tyrannous."
-
-
-[Transcriber's note: the above errata have been applied to this etext.
-The word "Lybia" was also on page 32, and was corrected as above.
-Similarly, "tyrranous" was also on page 86, and was corrected.]
-
-
-
-
- CONTENTS
-
-
-PROTHALAMION
-TESTAMENT
-LOCHANILAUN
-LETTERMORE
-LAMENT
-THE LEMON-TREE
-PHTHONOS
-EASTER
-THE LEANING ELM
-THE JOYOUS LOVER
-DEAD POETS
-PORTON WATER
-AN OLD HOUSE
-THE DHOWS
-THE GIFT
-FIVE DEGREES SOUTH
-104 deg. FAHRENHEIT
-FEVER-TREES
-THE RAIN-BIRD
-MOTHS
-BETE HUMAINE
-DOVES
-SONG (i)
-BEFORE ACTION
-ON A SUBALTERN KILLED IN ACTION
-AFTER ACTION
-SONNET
-A FAREWELL TO AFRICA
-SONG (ii)
-THE HAWTHORN SPRAY
-THE PAVEMENT
-TO LYDIA LOPOKOVA (i)
-TO LYDIA LOPOKOVA (ii)
-TO LYDIA LOPOKOVA (iii)
-GHOSTLY LOVES
-FEBRUARY
-SONG OF THE DARK AGES
-WINTER SUNSET
-SONG (iii)
-ENGLAND, APRIL 1918
-SLENDER THEMES
-INVOCATION
-THAMAR
-ENVOI
-
-
-
-
-PROTHALAMION
-
-
- When the evening came my love said to me:
- Let us go into the garden now that the sky is cool,
- The garden of black hellebore and rosemary,
- Where wild woodruff spills in a milky pool.
-
- Low we passed in the twilight, for the wavering heat
- Of day had waned, and round that shaded plot
- Of secret beauty the thickets clustered sweet:
- Here is heaven, our hearts whispered, but our lips spake not.
-
- Between that old garden and seas of lazy foam
- Gloomy and beautiful alleys of trees arise
- With spire of cypress and dreamy beechen dome,
- So dark that our enchanted sight knew nothing but the skies
-
- Veiled with soft air, drench'd in the roses' musk
- Or the dusky, dark carnation's breath of clove;
- No stars burned in their deeps, but through the dusk
- I saw my love's eyes, and they were brimmed with love.
-
- No star their secret ravished, no wasting moon
- Mocked the sad transience of those eternal hours:
- Only the soft, unseeing heaven of June,
- The ghosts of great trees, and the sleeping flowers.
-
- For doves that crooned in the leafy noonday now
- Were silent; the night-jar sought his secret covers,
- Nor even a mild sea-whisper moved a creaking bough--
- Was ever a silence deeper made for lovers?
-
- Was ever a moment meeter made for love?
- Beautiful are your closed lips beneath my kiss;
- And all your yielding sweetness beautiful--
- Oh, never in all the world was such a night as this!
-
-
-
-
-TESTAMENT
-
-
- If I had died, and never seen the dawn
- For which I hardly hoped, lighting this lawn
- Of silvery grasses; if there had been no light,
- And last night merged into perpetual night;
- I doubt if I should ever have been content
- To have closed my eyes without some testament
- To the great benefits that marked my faring
- Through the sweet world; for all my joy was sharing
- And lonely pleasures were few. Unto which end
- Three legacies I'll send,
- Three legacies, already half possess'd:
- One to a friend, of all good friends the best,
- Better than which is nothing; yet another
- Unto thy twin, dissimilar spirit, Brother;
- The third to you,
- Most beautiful, most true,
- Most perfect one, to whom they all are due.
-
- Quick, quick ... while there is time....
- O best of friends, I leave you one sublime
- Summer, one fadeless summer. 'Twas begun
- Ere Cotswold hawthorn tarnished in the sun,
- When hedges were fledged with green, and early swallows
- Swift-darting, on curved wings, pillaged the fallows;
- When all our vale was dappled blossom and light,
- And oh, the scent of beanfields in the night!
- You shall remember that rich dust at even
- Which made old Evesham like a street in heaven,
- Gold-paved, and washed within a wave of golden
- Air all her dreamy towers and gables olden.
- You shall remember
- How arms sun-blistered, hot palms crack'd with rowing,
- Clove the cool water of Avon, sweetly flowing;
- And how our bodies, beautifully white,
- Stretch'd to a long stroke lengthened in green light,
- And we, emerging, laughed in childish wise,
- And pressed the kissing water from our eyes.
- Ah, was our laughter childish, or were we wise?
- And then, crown of the day, a tired returning
- With happy sunsets over Bredon burning,
- With music and with moonlight, and good ale,
- And no thought for the morrow.... Heavy phlox
- Our garden pathways bordered, and evening stocks,
- Those humble weeds, in sunlight withered and pale,
- With a night scent to match the nightingale,
- Gladdened with spiced sweetness sweet night's shadows,
- Meeting the breath of hay from mowing meadows:
- As humble was our joy, and as intense
- Our rapture. So, before I hurry hence,
- Yours be the memory.
- One night again,
- When we were men, and had striven, and known pain,
- By a dark canal debating, unresigned,
- On the blind fate that shadows humankind,
- On the blind sword that severs human love...
- Then did the hidden belfry from above
- On troubled minds in benediction shed
- The patience of the great anonymous dead
- Who reared those towers, those high cathedrals builded
- In solemn stone, and with clear fancy gilded
- A beauty beyond ours, trusting in God.
- Then dared we follow the dark way they trod,
- And bowing to the universal plan
- Trust in the true and fiery spirit of Man.
-
- And you, my Brother,
- You know, as knows one other,
- How my spirit revisiteth a room
- In a high wing, beneath pine-trees, where gloom
- Dwelleth, dispelled by resinous wood embers,
- Where, in half-darkness ... How the heart remembers...
- We talked of beauty, and those fiery things
- To which the divine desirous spirit clings,
- In a wing'd rapture to that heaven flinging,
- Where beauty is an easy thing, and singing
- The natural speech of man. Like kissing swords
- Our wits clashed there; the brittle beauty of words
- Breaking, seemed to discover its secret heart
- And all the rapt elusiveness of Art.
- Now I have known sorrow, and now I sing
- That a lovely word is not an idle thing;
- For as with stars the cloth of night is spangled,
- With star-like words, most lovelily entangled,
- The woof of sombre thought is deckt.... Ah, bright
- And cold they glitter in the spirit's night!
- But neither distant nor dispassionate;
- For beauty is an armour against fate....
- I tell you, who have stood in the dark alone.
- Seeing the face that turneth all to stone,
- Medusa, blind with hate,
- While I was dying, Beauty sate with me
- Nor tortured any longer; gracious was she;
- To her soft words I listened, and was content
- To die, nor sorry that my light was spent.
- So, Brother, if I come not home,
- Go to that little room
- That my spirit revisiteth, and there,
- Somewhere in the blue air, you shall discover
- If that you be a lover
- Nor haughtily minded, all that once half-shaped
- Then fled us, and escaped:
- All that I found that day,
- Far, so far away.
-
- And you, my lovely one,
- What can I leave to you, who, you having left,
- Am utterly bereft?
- What in my store of visionary dowers
- Is not already yours?
- What silences, what hours
- Of peace passing all understanding; days
- Made lyric by your beauty and its praise;
- Years neither time can tarnish, nor death mar,
- Wherein you shined as steadfast as a star
- In my bleak night, heedless of the cloud-wrack
- Scudding in torn fleeces black
- Of my dark moods, as those who rule the far
- Star-haunted pleasaunces of heaven are?
- So think but lightly of that afternoon
- With white clouds climbing a blue sky in June
- When a boy worshipped under dreaming trees,
- Who touched your hand, and sought your eyes.
- ... Ah, cease,
- Not these, not these...
- Nor yet those nights when icy Brathay thundered
- Under his bridges, and ghostly mountains wondered
- At the white blossoming of a Christmas rose
- More stainless than their snows;
- Nor even of those placid days together
- Mellow as early autumn's amber weather
- When beech is ankleted with fire, and old
- Elms wear their livery of yellow gold,
- When orchards all are laden with increase,
- And the quiet earth hath fruited, and knows peace
- Oh, think not overmuch on those sweet years
- Lest their last fruit be tears,--
- Your tears, beloved, that were my utmost pain,--
- But rather, dream again
- How that a lover, half poet and half child,
- An eager spirit of fragile fancies wild
- Compact, adored the beauty and truth in you:
- To your own truth be true;
- And when, not mournfully, you turn this page
- Consider still your starry heritage,
- Continue in your loveliness, a star
- To gladden me from afar
- Even where there is no light
- In my last night.
-
-
-
-
-LOCHANILAUN
-
-
- This is the image of my last content:
- My soul shall be a little lonely lake,
- So hidden that no shadow of man may break
- The folding of its mountain battlement;
- Only the beautiful and innocent
- Whiteness of sea-born cloud drooping to shake
- Cool rain upon the reed-beds, or the wake
- Of churn'd cloud in a howling wind's descent.
- For there shall be no terror in the night
- When stars that I have loved are born in me,
- And cloudy darkness I will hold most fair;
- But this shall be the end of my delight:
- That you, my lovely one, may stoop and see
- Your image in the mirrored beauty there.
-
-
-
-
-LETTERMORE
-
-
- These winter days on Lettermore
- The brown west wind it sweeps the bay,
- And icy rain beats on the bare
- Unhomely fields that perish there:
- The stony fields of Lettermore
- That drink the white Atlantic spray.
-
- And men who starve on Lettermore,
- Cursing the haggard, hungry surf,
- Will souse the autumn's bruised grains
- To light dark fires within their brains
- And fight with stones on Lettermore
- Or sprawl beside the smoky turf.
-
- When spring blows over Lettermore
- To bloom the ragged furze with gold,
- The lovely south wind's living breath
- Is laden with the smell of death:
- For fever breeds on Lettermore
- To waste the eyes of young and old.
-
- A black van comes to Lettermore;
- The horses stumble on the stones,
- The drivers curse,--for it is hard
- To cross the hills from Oughterard
- And cart the sick from Lettermore:
- A stinking load of rags and bones.
-
- But you will go to Lettermore
- When white sea-trout are on the run,
- When purple glows between the rocks
- About Lord Dudley's fishing-box
- Adown the road to Lettermore,
- And wide seas tarnish in the sun.
-
- And so you'll think of Lettermore
- As a lost island of the blest:
- With peasant lovers in a blue
- Dim dusk, with heather drench'd in dew,
- And the sweet peace of Lettermore
- Remote and dreaming in the West.
-
-
-
-
-LAMENT
-
-
- Once, I think, a finer fire
- Touched my lips, and then I sang
- Half the songs of my desire:
- With their splendour the world rang.
-
- And their sweetness made me free
- Of those starry ways whereby
- Planets make their minstrelsy
- In echoing, unending sky.
-
- So, before that spell was broken,
- Song of the wind, surge of the sea,--
- Beautiful passionate things unspoken
- Rose like a breaking wave in me:
-
- Rose like a wave with curled crest
- That green sunlight splinters through...
- But the wave broke within my breast:
- And now I am a man like you.
-
-
-
-
-THE LEMON-TREE
-
-
- Last night, last night, a vision of you
- Sweetly troubled my waking dream:
- Beneath the clear Algerian blue
- You stood with lifted eyes: the beam
- Of a winter sun beat on the crown
- Of a lemon-tree, whose delicate fruit
- Like pale lamps hung airily down;
- And in your gazing eyes a mute
- And lovely wonder.... Have I sung
- Of slender things and naught beside?
- You were so beautifully young
- I must have kissed you or have died.
-
-
-
-
-PHTHONOS
-
-If, in high jealousy, God made me blind
-And laughed to see me stumble in the night,
-Driving his many-splintered arrows of light
-Into that lost dominion of my mind;
-Then, knowing me still unvext and unresigned,
-Stole from my ears all homely sounds that might
-Temper the darkness, saying, in heaven's despite,
-I had not wholly left the world behind;
-So, sunless, soundless, if, to make an end,
-He smote the nerves that move, the nerves that feel:
-Even then, O jealous one, I would not complain
-If I were spared the wealth I cannot spend,
-If I were left the treasure none can steal:
-The lovely words that wander through my brain.
-
-
-
-
-EASTER
-
-
- Adown our lane at Eastertide
- Hosts of dancing bluebells lay
- In pools of light: and 'Oh,' you cried,
- 'Look, look at them: I think that they
- Are bluer than the laughing sea,'
- And 'Look!' you cried, 'a piece of the sky
- Has fallen down for you and me
- To gaze upon and love.' ... And I,
- Seeing in your eyes the dancing blue
- And in your heart the innocent birth
- Of a pure delight, I knew, I knew
- That heaven had fallen upon earth.
-
-
-
-
-THE LEANING ELM
-
-
- Before my window, in days of winter hoar
- Huddled a mournful wood:
- Smooth pillars of beech, domed chestnut, sycamore,
- In stony sleep they stood:
- But you, unhappy elm, the angry west
- Had chosen from the rest,
- Flung broken on your brothers' branches bare,
- And left you leaning there
- So dead that when the breath of winter cast
- Wild snow upon the blast,
- The other living branches, downward bowed,
- Shook free their crystal shroud
- And shed upon your blackened trunk beneath,
- Their livery of death....
-
- On windless nights between the beechen bars
- I watched cold stars
- Throb whitely in the sky, and dreamily
- Wondered if any life lay locked in thee:
- If still the hidden sap secretly moved,
- As water in the icy winterbourne
- Floweth unheard;
- And half I pitied you your trance forlorn:
- You could not hear, I thought, the voice of any bird,
- The shadowy cries of bats in dim twilight
- Or cool voices of owls crying by night....
- Hunting by night under the horned moon:
- Yet half I envied you your wintry swoon,
- Till, on this morning mild, the sun, new-risen
- Steals from his misty prison;
-
- The frozen fallows glow, the black trees shaken
- In a clear flood of sunlight vibrating awaken:
- And lo, your ravaged bole, beyond belief
- Slenderly fledged anew with tender leaf
- As pale as those twin vanes that break at last
- In a tiny fan above the black beech-mast
- Where no blade springeth green
- But pallid bells of the shy helleborine.
- What is this ecstasy that overwhelms
- The dreaming earth? See, the embrowned elms
- Crowding purple distances warm the depths of the wood;
- A new-born wind tosses their tassels brown,
- His white clouds dapple the down;
- Into a green flame bursting the hedgerows stand;
- Soon, with banners flying, Spring will walk the land....
-
- There is no day for thee, my soul, like this,
- No spring of lovely words. Nay, even the kiss
- Of mortal love that maketh man divine
- This light cannot outshine:
- Nay, even poets, they whose frail hands catch
- The shadow of vanishing beauty, may not match
- This leafy ecstasy. Sweet words may cull
- Such magical beauty as time may not destroy;
- But we, alas, are not more beautiful:
- We cannot flower in beauty as in joy.
- We sing, our mused words are sped, and then
- Poets are only men
- Who age, and toil, and sicken.... This maim'd tree
- May stand in leaf when I have ceased to be.
-
-
-
-
-THE JOYOUS LOVER
-
-
- O, now that I am free as the air
- And fleet as clouds above,
- I will wander everywhere
- Over the ways I love.
-
- Lightly, lightly will I pass
- Nor scatter as I go
- A shadow on the blowing grass
- Or a footprint in the snow.
-
- All the wild things of the wood
- That once were timid and shy
- They shall not flee their solitude
- For fear, when I pass by;
-
- And beauty, beauty, the wide world over,
- Shall blush when I draw near:
- She knows her lover, the joyous lover,
- And greets him without fear.
-
- But if I come to the dark room
- From which our love hath fled
- And bend above you in the gloom
- Or kneel beside your bed,
-
- Smile soft in your sleep, my beautiful one,
- For if you should say 'Nay'
- To the dream which visiteth you alone,
- My joy would wither away.
-
-
-
-
-DEAD POETS
-
-
-
-ODE WRITTEN AT WILTON HOUSE
-
-
- Last night, amazed, I trod on holy ground
- Breathing an air that ancient poets knew,
- Where, in a valley compassed with sweet sound,
- Beneath a garden's alley'd shades of yew,
- With eager feet passed that singer sweet
- Who Stella loved, whom bloody Zutphen slew
- In the starred zenith of his knightly fame.
- There too a dark-stoled figure I did meet:
- Herbert, whose faith burned true
- And steadfast as the altar candle's flame.
-
- Under the Wilton cedars, pondering
- Upon the pains of Beauty and the wrong
- That sealeth lovely lips, fated to sing,
- Before they reach the cadence of their song,
- I mused upon dead poets: mighty ones
- Who sang and suffered: briefly heard were they
- As Libyan nightingales weary of wing
- Fleeing the temper of Saharan suns
- To gladden our moon'd May,
- And with the broken blossom vanishing.
-
- So to my eyes a sorrowful vision came
- Of one whose name was writ in water: bright
- His cheeks and eyes burned with a hectic flame;
- And one, alas! I saw whose passionate might
- Was spent upon a fevered fen in Greece;
- One shade there was who, starving, choked with bread;
- One, a drown'd corpse, through stormy water slips;
- One in the numbing poppy-juice found peace;
- And one, a youth, lay dead
- With powdered arsenic upon his lips.
-
- O bitter were the sorrow that could dull
- The sombre music of slow evening
- Here, where the old world is so beautiful
- That even lesser lips are moved to sing
- How the wide heron sails into the light
- Black as the cedarn shadows on the lawns
- Or stricken woodlands patient in decay,
- And river water murmurs through the night
- Until autumnal dawns
- Burn in the glass of Nadder's watery way.
-
- Nay, these were they by whom the world was lost,
- To whom the world most richly gave: forlorn
- Beauty they worshipp'd, counting not the cost
- If of their torment beauty might be born;
- And life, the splendid flower of their delight,
- Loving too eagerly, they broke, and spill'd
- The perfume that the folded petals close
- Before its prime; yet their frail fingers white
- From that bruised bloom distill'd
- Uttermost attar of the living rose.
-
- Wherefore, O shining ones, I will not mourn
- You, who have ravish'd beauty's secret ways
- Beneath death's impotent shadow, suffering scorn,
- Hatred, and desolation in her praise....
- Thus as I spoke their phantom faces smiled,
- As brooding night with heavy downward wing
- Fell upon Wilton's elegiac stone,
- On the dark woodlands and the waters wild
- And every living thing--
- Leaving me there amazed and alone.
-
-
-
-
-PORTON WATER
-
-
- Through Porton village, under the bridge,
- A clear bourne floweth, with grasses trailing,
- Wherein are shadows of white clouds sailing,
- And elms that shelter under the ridge.
-
- Through Porton village we passed one day,
- Marching the plain for mile on mile,
- And crossed the bridge in single file,
- Happily singing, and marched away
-
- Over the bridge where the shallow races,
- Under a clear and frosty sky:
- And the winterbourne, as we marched by,
- Mirrored a thousand laughing faces.
-
- O, do we trouble you, Porton river,
- We who laughing passed, and after
- Found a resting-place for laughter?
- Over here, where the poplars shiver
-
- By stagnant waters, we lie rotten.
- On windless nights, in the lonely places,
- There, where the winter water races,
- O, Porton river, are we forgotten?
-
- Through Porton village, under the bridge,
- The clear bourne floweth with grasses trailing,
- Wherein are shadows of light cloud sailing,
- And elms that shelter under the ridge.
-
- The pale moon she comes and looks;
- Over the lonely spire she climbs;
- For there she is lovelier many times
- Than in the little broken brooks.
-
-
-
-
-AN OLD HOUSE
-
-
- No one lives in the old house; long ago
- The voices of men and women left it lonely.
- They shuttered the sightless windows in a row,
- Imprisoning empty darkness--darkness only.
-
- Beyond the garden-closes, with sudden thunder
- The lumbering troop-train passing clanks and jangles;
- And I, a stranger, peer with careless wonder
- Into the thickets of the garden tangles.
-
- Yet, as I pass, a transient vision dawns
- Ghostly upon my pondering spirit's gloom,
- Of grey lavender bushes and weedy lawns
- And a solitary cherry-tree in bloom....
-
- No one lives in the old house: year by year
- The plaster crumbles on the lonely walls:
- The apple falls in the lush grass; the pear,
- Pulpy with ripeness, on the pathway falls.
-
- Yet this the garden was, where, on spring nights
- Under the cherry-blossom, lovers plighted
- Have wondered at the moony billows white,
- Dreaming uncountable springs by love delighted;
-
- Whose ears have heard the blackbird's jolly whistle,
- The shadowy cries of bats in twilight flitting
- Zigzag beneath the eaves; or, on the thistle,
- The twitter of autumn birds swinging and sitting;
-
- Whose eyes, on winter evenings, slow returning
- Saw on the frosted paths pale lamplight fall
- Streaming, or, on the hearth, red embers burning,
- And shadows of children playing in the hall.
-
- Where have they gone, lovers of another day?
- (No one lives in the old house; long ago
- They shuttered the sightless windows....) Where are they,
- Whose eyes delighted in this moony snow?
-
- I cannot tell ... and little enough they care,
- Though April spray the cherry-boughs with light,
- And autumn pile her harvest unaware
- Under the walls that echoed their delight.
-
- I cannot tell ... yet I am as those lovers;
- For me, who pass on my predestinate way,
- The prodigal blossom billows and recovers
- In ghostly gardens a hundred miles away.
-
- Yet, in my heart, a melancholy rapture
- Tells me that eyes, which now an iron haste
- Hurries to iron days, may here recapture
- A vision of ancient loveliness gone to waste.
-
-
-
-
-THE DHOWS
-
-
- South of Guardafui with a dark tide flowing
- We hailed two ships with tattered canvas bent to the monsoon,
- Hung betwixt the outer sea and pale surf showing
- Where dead cities of Libya lay bleaching in the moon.
-
- 'Oh whither be ye sailing with torn sails broken?'
- 'We sail, we sail for Sheba, at Suliman's behest,
- With carven silver phalli for the ebony maids of Ophir
- From brown-skinned baharias of Arabia the Blest.'
-
- 'Oh whither be ye sailing, with your dark flag flying?'
- 'We sail, with creaking cedar, towards the Northern Star.
- The helmsman singeth wearily, and in our hold are lying
- A hundred slaves in shackles from the marts of Zanzibar.'
-
- 'Oh whither be ye sailing...?'
- 'Alas, we sail no longer:
- Our hulls are wrack, our sails are dust, as any man might know.
- And why should you torment us? ... Your iron keels are stronger
- Than ghostly ships that sailed from Tyre a thousand years ago.'
-
-
-
-
-THE GIFT
-
-
- Marching on Tanga, marching the parch'd plain
- Of wavering spear-grass past Pangani River,
- England came to me--me who had always ta'en
- But never given before--England, the giver,
- In a vision of three poplar-trees that shiver
- On still evenings of summer, after rain,
- By Slapton Ley, where reed-beds start and quiver
- When scarce a ripple moves the upland grain.
- Then I thanked God that now I had suffered pain,
- And, as the parch'd plain, thirst, and lain awake
- Shivering all night through till cold daybreak:
- In that I count these sufferings my gain
- And her acknowledgment. Nay, more, would fain
- Suffer as many more for her sweet sake.
-
-
-
-
-FIVE DEGREES SOUTH
-
-
- I love all waves and lovely water in motion,
- That wavering iris in comb of the blown spray:
- Iris of tumbled nautilus in the wake's commotion,
- Their spread sails dipped in a marmoreal way
- Unquarried, wherein are greeny bubbles blowing
- Plumes of faint spray, cool in the deep
- And lucent seas, that pause not in their flowing
- To lap the southern starlight while they sleep.
- These I have seen, these I have loved and known:
- I have seen Jupiter, that great star, swinging
- Like a ship's lantern, silent and alone
- Within his sea of sky, and heard the singing
- Of the south trade, that siren of the air,
- Who shivers the taut shrouds, and singeth there.
-
-
-
-
-104 deg. FAHRENHEIT
-
-
- To-night I lay with fever in my veins
- Consumed, tormented creature of fire and ice,
- And, weaving the enhavock'd brain's device,
- Dreamed that for evermore I must walk these plains
- Where sunlight slayeth life, and where no rains
- Abated the fierce air, nor slaked its fire:
- So that death seemed the end of all desire,
- To ease the distracted body of its pains.
- And so I died, and from my eyes the glare
- Faded, nor had I further need of breath;
- But when I reached my hand to find you there
- Beside me, I found nothing.... Lonely was death.
- And with a cry I wakened, but to hear
- Thin wings of fever singing in my ear.
-
-
-
-
-FEVER-TREES
-
-
- The beautiful Acacia
- She sighs in desert lands:
- Over the burning waterways
- Of Africa she sways and sways,
- Even where no air glideth
- In cooling green she stands.
-
- The beautiful Acacia
- She hath a yellow dress:
- A slender trunk of lemon sheen
- Gleameth through the tender green
- (Where the thorn hideth)
- Shielding her loveliness.
-
- The beautiful Acacia
- Dwelleth in deadly lands:
- Over the brooding waterways
- Where death breedeth, she sways and sways,
- And no man long abideth
- In valleys where she stands.
-
-
-
-
-THE RAIN-BIRD
-
-
- High on the tufted baobab-tree
- To-night a rain-bird sang to me
- A simple song, of three notes only,
- That made the wilderness more lonely;
-
- For in my brain it echoed nearly,
- Old village church bells chiming clearly:
- The sweet cracked bells, just out of tune,
- Over the mowing grass in June--
-
- Over the mowing grass, and meadows
- Where the low sun casts long shadows.
- And cuckoos call in the twilight
- From elm to elm, in level flight.
-
- Now through the evening meadows move
- Slow couples of young folk in love,
- Who pause at every crooked stile
- And kiss in the hawthorn's shade the while:
-
- Like pale moths the summer frocks
- Hover between the beds of phlox,
- And old men, feeling it is late,
- Cease their gossip at the gate,
-
- Till deeper still the twilight grows,
- And night blossometh, like a rose
- Full of love and sweet perfume,
- Whose heart most tender stars illume.
-
- Here the red sun sank like lead,
- And the sky blackened overhead;
- Only the locust chirped at me
- From the shadowy baobab-tree.
-
-
-
-
-MOTHS
-
-
- When I lay wakeful yesternight
- My fever's flame was a clear light,
- A taper, flaring in the wind,
- Whither, fluttering out of the dim
- Night, many dreams glimmered by.
- Like moths, out of the darkness, blind,
- Hurling at that taper's flame,
- From drinking honey of the night's flowers
- Into my circled light they came:
- So near I could see their soft colours,
- Grey of the dove, most soothely grey;
- But my heat singed their wings, and away
- Darting into the dark again,
- They escaped me....
- Others floated down
- Like those vaned seeds that fall
- In autumn from the sycamore's crown
- When no leaf trembleth nor branch is stirred,
- More silent in flight than any bird,
- Or bat's wings flitting in darkness, soft
- As lizards moving on a white wall
- They came quietly from aloft
- Down through my circle of light, and so
- Into unlighted gloom below.
- But one dream, strong-winged, daring
- Flew beating at the heart of the flame
- Till I feared it would have put out my light,
- My thin taper, fitfully flaring,
- And that I should be left alone in the night
- With no more dreams for my delight.
-
- Can it be that from the dead
- Even their dreams, their dreams are fled?
-
-
-
-
-BETE HUMAINE
-
-
- Riding through Ruwu swamp, about sunrise,
- I saw the world awake; and as the ray
- Touched the tall grasses where they dream till day,
- Lo, the bright air alive with dragonflies,
- With brittle wings aquiver, and great eyes
- Piloting crimson bodies, slender and gay.
- I aimed at one, and struck it, and it lay
- Broken and lifeless, with fast-fading dyes...
- Then my soul sickened with a sudden pain
- And horror, at my own careless cruelty,
- That where all things are cruel I had slain
- A creature whose sweet life it is to fly:
- Like beasts that prey with bloody claw...
- Nay, they
- Must slay to live, but what excuse had I?
-
-
-
-
-DOVES
-
-
- On the edge of the wild-wood
- Grey doves fluttering:
- Grey doves of Astarte
- To the woods at daybreak
- Lazily uttering
- Their murmured enchantment,
- Old as man's childhood;
-
- While she, pale divinity
- Of hidden evil,
- Silvers the regions chaste
- Of cold sky, and broodeth
- Over forests primeval
- And all that thorny waste's
- Wooded infinity.
-
- 'Lovely goddess of groves,'
- Cried I, 'what enchanted
- Sinister recesses
- Of these lone shades
- May still be haunted
- By thy demon caresses,
- Thy unholy loves?'
-
- But clear day quelleth
- Her dominion lonely,
- And the soft ring-dove,
- Murmuring, telleth
- That dark sin only
- From man's lust springeth,
- In man's heart dwelleth.
-
-
-
-
-SONG
-
-
- I made a song in my love's likeness
- From colours of my quietude,
- From trees whose blossoms shine no less
- Than butterflies in the wild-wood.
-
- I laid claim on all beauty
- Under the sun to praise her wonder,
- Till the noise of war swept over me,
- Stopp'd my singing mouth with thunder.
-
- The angel of death hath swift wings,
- I heard him strip the huddled trees
- Overhead, as a hornet sings,
- And whip the grass about my knees.
-
- Down we crouched in the parched dust,
- Down beneath that deadly rain:
- Dead still I lay, as lie one must
- Who hath a bullet in his brain.
-
- Dead they left me: but my soul, waking,
- Quietly laughed at their distress
- Who guessed not that I still was making
- That new song in my love's likeness.
-
-
-
-
-BEFORE ACTION
-
-
- Now the wind of the dawn sighs,
- Now red embers have burned white,
- Under the darkness faints and dies
- The slow-beating heart of night.
-
- Into the darkness my eyes peer
- Seeing only faces steel'd,
- And level eyes that know not fear;
- Yet each heart is a battlefield
-
- Where phantom armies foin and feint
- And bloody victories are won
- From the time when stars are faint
- To the rising of the sun.
-
- With banners broken, and the roll
- Of drums, at dawn the phantoms fly:
- A man must commune with his soul
- When he marches out to die.
-
- O day of wrath and of desire!
- For each may know upon this day
- Whether he be a thing of fire
- Or fettered to the traitor clay.
-
- Such is the hazard that is thrown:
- We know not how the dice may fall:
- All the secrets shall be known
- Or else we shall not know at all.
-
-
-
-
-ON A SUBALTERN KILLED IN ACTION
-
-
- Into that dry and most desolate place
- With heavy gait they dragged the stretcher in
- And laid him on the bloody ground: the din
- Of Maxim fire ceased not. I raised his head,
- And looked into his face,
- And saw that he was dead.
- Saw beneath matted curls the broken skin
- That let the bullet in;
- And saw the limp, lithe limbs, the smiling mouth...
- (Ah, may we smile at death
- As bravely....) the curv'd lips that no more drouth
- Should blacken, and no sweetly stirring breath
- Mildly displace.
- So I covered the calm face
- And stripped the shirt from his firm breast, and there,
- A zinc identity disc, a bracelet of elephant hair
- I found.... Ah, God, how deep it stings
- This unendurable pity of small things!
-
- But more than this I saw,
- That dead stranger welcoming, more than the raw
- And brutal havoc of war.
- England I saw, the mother from whose side
- He came hither and died, she at whose hems he had play'd,
- In whose quiet womb his body and soul were made.
- That pale, estranged flesh that we bowed over
- Had breathed the scent in summer of white clover;
- Dreamed her cool fading nights, her twilights long,
- And days as careless as a blackbird's song
- Heard in the hush of eve, when midges' wings
- Make a thin music, and the night-jar spins.
- (For it is summer, I thought, in England now....)
- And once those forward gazing eyes had seen
- Her lovely living green: that blackened brow
- Cool airs, from those blue hills moving, had fann'd--
- Breath of that holy land
- Whither my soul aspireth without despair:
- In the broken brain had many a lovely word
- Awakened magical echoes of things heard,
- Telling of love and laughter and low voices,
- And tales in which the English heart rejoices
- In vanishing visions of childhood and its glories:
- Old-fashioned nursery rhymes and fairy stories:
- Words that only an English tongue could tell.
-
- And the firing died away; and the night fell
- On our battle. Only in the sullen sky
- A prairie fire, with huge fantastic flame
- Leapt, lighting dark clouds charged with thunder.
- And my heart was sick with shame
- That there, in death, he should lie,
- Crying: 'Oh, why am I alive, I wonder?'
-
- In a dream I saw war riding the land:
- Stark rode she, with bowed eyes, against the glare
- Of sack'd cities smouldering in the dark,
- A tired horse, lean, with outreaching head,
- And hid her face of dread....
- Yet, in my passion would I look on her,
- Crying, O hark,
- Thou pale one, whom now men say bearest the scythe
- Of God, that iron scythe forged by his thunder
- For reaping of nations overripened, fashioned
- Upon the clanging anvil whose sparks, flying
- In a starry night, dying, fall hereunder....
- But she, she heeded not my cry impassioned
- Nor turned her face of dread,
- Urging the tired horse, with outreaching head,
- O thou, cried I, who choosest for thy going
- These bloomy meadows of youth, these flowery ways
- Whereby no influence strays
- Ruder than a cold wind blowing,
- Or beating needles of rain,
- Why must thou ride again
- Ruthless among the pastures yet unripened,
- Crushing their beauty in thine iron track
- Downtrodden, ravish'd in thy following flame,
- Parched and black?
- But she, she stayed not in her weary haste
- Nor turned her face; but fled:
- And where she passed the lands lay waste....
-
- And now I cannot tell whither she rideth:
- But tired, tired rides she.
- Yet know I well why her dread face she hideth:
- She is pale and faint to death. Yea, her day faileth,
- Nor all her blood, nor all her frenzy burning,
- Nor all her hate availeth:
- For she passeth out of sight
- Into that night
- From which none, none returneth
- To waste the meadows of youth,
- Nor vex thine eyelids, Routhe,
- O sorrowful sister, soother of our sorrow.
- And a hope within me springs
- That fair will be the morrow,
- And that charred plain,
- Those flowery meadows, shall rejoice at last
- In a sweet, clean
- Freshness, as when the green
- Grass springeth, where the prairie fire hath passed.
-
-
-
-
-AFTER ACTION
-
-
- All through that day of battle the broken sound
- Of shattering Maxim fire made mad the wood;
- So that the low trees shuddered where they stood,
- And echoes bellowed in the bush around:
- But when, at last the light of day was drowned,
- That madness ceased.... Ah, God, but it was good!
- There, in the reek of iodine and blood,
- I flung me down upon the thorny ground.
- So quiet was it, I might well have been lying
- In a room I love, where the ivy cluster shakes
- Its dew upon the lattice panes at even:
- Where rusty ivory scatters from the dying
- Jessamine blossom, and the musk-rose breaks
- Her dusky bloom beneath a summer heaven.
-
-
-
-
-SONNET
-
-
- Not only for remembered loveliness,
- England, my mother, my own, we hold thee rare
- Who toil, and fight, and sicken beneath the glare
- Of brazen skies that smile on our duress,
- Making us crave thy cloudy state no less
- Than the sweet clarity of thy rain-wash'd air,
- Meadows in moonlight cool, and every fair
- Slow-fading flower of thy summer dress:
- Not for thy flowers, but for the unfading crown
- Of sacrifice our happy brothers wove thee:
- The joyous ones who laid thy beauty down
- Nor stayed to see it shamed. For these we love thee,
- For this (O love, O dread!) we hold thee more
- Divinely fair to-day than heretofore.
-
-
-
-
-A FAREWELL TO AFRICA
-
-,, vspace:: 2
-
- Now once again, upon the pole-star's bearing,
- We plough these furrowed fields where no blade springeth;
- Again the busy trade in the halyards singeth
- Sun-whitened spindrift from the blown wave shearing;
- The uncomplaining sea suffers our faring;
- In a brazen glitter our little wake is lost,
- And the starry south rolls over until no ghost
- Remaineth of us and all our pitiful daring;
- For the sea beareth no trace of man's endeavour,
- His might enarmoured, his prosperous argosies,
- Soundless, within her unsounded caves, forever
- She broodeth, knowing neither war nor peace,
- And our grey cruisers holds in mind no more
- Than the cedarn fleets that Sheba's treasure bore.
-
-
-
-
-SONG
-
-
- What is the worth of war
- In a world that turneth, turneth
- About a tired star
- Whose flaming centre burneth
- No longer than the space
- Of the spent atom's race:
- Where conquered lands, soon, soon
- Lie waste as the pale moon?
-
- What is the worth of art
- In a world that fast forgetteth
- Those who have wrung its heart
- With beauty that love begetteth,
- Whose faint flames vanish quite
- In that star-powdered night
- Where even the mighty ones
- Shine only as far suns?
-
- And what is beauty worth,
- Sweet beauty, that persuadeth
- Of her immortal birth,
- Then, as a flower, fadeth:
- Or love, whose tender years
- End with the mourner's tears,
- Die, when the mourner's breath
- Is quiet, at last, in death?
-
- Beauty and love are one,
- Even when fierce war clashes:
- Even when our fiery sun
- Hath burnt itself to ashes,
- And the dead planets race
- Unlighted through blind space,
- Beauty will still shine there:
- Wherefore, I worship her.
-
-
-
-
-THE HAWTHORN SPRAY
-
-
- I saw a thrush light on a hawthorn spray,
- One moment only, spilling creamy blossom,
- While the bough bent beneath her speckled bosom,
- Bent, and recovered, and she fluttered away.
-
- The branch was still; but, in my heart, a pain
- Than the thorn'd spray more cruel, stabbed me, only
- Remembering days in a far land and lonely
- When I had never hoped for summer again.
-
-
-
-
-THE PAVEMENT
-
-
- In bitter London's heart of stone,
- Under the lamplight's shielded glare.
- I saw a soldier's body thrown
- Unto the drabs that traffic there
-
- Pacing the pavements with slow feet:
- Those old pavements whose blown dust
- Throttles the hot air of the street,
- And the darkness smells of lust.
-
- The chaste moon, with equal glance,
- Looked down on the mad world, astare
- At those who conquered in sad France
- And those who perished in Leicester Square.
-
- And in her light his lips were pale:
- Lips that love had moulded well:
- Out of the jaws of Passchendaele
- They had sent him to this nether hell.
-
- I had no stone of scorn to fling,
- For I know not how the wrong began--
- But I had seen a hateful thing
- Masked in the dignity of man:
-
- And hate and sorrow and hopeless anger
- Swept my heart, as the winds that sweep
- Angrily through the leafless hanger
- When winter rises from the deep....
-
- * * * * *
-
- I would that war were what men dream:
- A crackling fire, a cleansing flame,
- That it might leap the space between
- And lap up London and its shame.
-
-
-
-
-To LYDIA LOPOKOVA
-
-
-HER GARLAND
-
-
- O thou who comest to our wintry shade
- Gay and light-footed as the virgin Spring,
- Before whose shining feet the cherries fling
- Their moony tribute, when the sloe is sprayed
- With light, and all things musical are made:
- O thou who art Spring's daughter, who can bring
- Blossom, or song of bird, or anything
- To match the youth in which you stand arrayed?
- Not that rich garland Meleager twined
- In his sun-guarded glade above the blue
- That flashes from the burning Tyrian seas:
- No, you are cooler, sweeter than the wind
- That wakes our woodlands; so I bring to you
- These wind-blown blossoms of anemones.
-
-
-
-HER VARIETY
-
-
- Soft as a pale moth flitting in moonshine
- I saw thee flutter to the shadowy call
- That beckons from the strings of Carneval,
- O frail and fragrant image of Columbine:
- So, when the spectre of the rose was thine,
- A flower wert thou, and last I saw thee fall
- In Cleopatra's stormy bacchanal
- Flown with the red insurgence of the vine.
- O moth, O flower, O maenad, which art thou?
- Shadowy, beautiful, or leaping wild
- As stormlight over savage Tartar skies?
- Such were my ancient questionings; but now
- I know that you are nothing but a child
- With a red flower's mouth and hazel eyes.
-
-
-
-HER SWIFTNESS
-
-
- You are too swift for poetry, too fleet
- For any mused numbers to ensnare:
- Swifter than music dying on the air
- Or bloom upon rose-petals, fades the sweet
- Vanishing magic of your flying feet,
- Your poised finger, and your shining hair:
- Words cannot tell how wonderful you were,
- Or how one gesture made a joy complete.
- And since you know my pen may never capture
- The transient swift loveliness of you,
- Come, let us salve our sense of the world's loss
- Remembering, with a melancholy rapture,
- How many dancing-girls ... and poets too...
- Dream in the dust of Hecatompylos.
-
-
-
-
-GHOSTLY LOVES
-
-
- 'Oh why,' my darling prayeth me, 'must you sing
- For ever of ghostly loves, phantasmal passion?
- Seeing that you never loved me after that fashion
- And the love I gave was not a phantom thing,
- But delight of eager lips and strong arms folding
- The beauty of yielding arms and of smooth shoulder,
- All fluent grace of which you were the moulder:
- And I.... Oh, I was happy for your holding.'
- 'Ah, do you not know, my dearest, have you not seen
- The shadow that broodeth over things that perish:
- How age may mock sweet moments that have been
- And death defile the beauty that we cherish?
- Wherefore, sweet spirit, I thank thee for thy giving:
- 'Tis my spirit that embraceth thee dead or living.'
-
-
-
-
-FEBRUARY
-
-
- The robin on my lawn,
- He was the first to tell
- How, in the frozen dawn,
- This miracle befell,
- Waking the meadows white
- With hoar, the iron road
- Agleam with splintered light,
- And ice where water flowed:
- Till, when the low sun drank
- Those milky mists that cloak
- Hanger and hollied bank,
- The winter world awoke
- To hear the feeble bleat
- Of lambs on downland farms:
- A blackbird whistled sweet;
- Old beeches moved their arms
- Into a mellow haze
- Aerial, newly-born:
- And I, alone, agaze,
- Stood waiting for the thorn
- To break in blossom white
- Or burst in a green flame...
- So, in a single night,
- Fair February came,
- Bidding my lips to sing
- Or whisper their surprise,
- With all the joy of spring
- And morning in her eyes.
-
-
-
-
-SONG OF THE DARK AGES
-
-
- We digged our trenches on the down
- Beside old barrows, and the wet
- White chalk we shovelled from below;
- It lay like drifts of thawing snow
- On parados and parapet:
-
- Until a pick neither struck flint
- Nor split the yielding chalky soil,
- But only calcined human bone:
- Poor relic of that Age of Stone
- Whose ossuary was our spoil.
-
- Home we marched singing in the rain,
- And all the while, beneath our song,
- I mused how many springs should wane
- And still our trenches scar the plain:
- The monument of an old wrong.
-
- But then, I thought, the fair green sod
- Will wholly cover that white stain,
- And soften, as it clothes the face
- Of those old barrows, every trace
- Of violence to the patient plain.
-
- And careless people, passing by,
- Will speak of both in casual tone:
- Saying: 'You see the toil they made:
- The age of iron, pick, and spade,
- Here jostles with the Age of Stone.'
-
- Yet either from that happier race
- Will merit but a passing glance;
- And they will leave us both alone:
- Poor savages who wrought in stone--
- Poor savages who fought in France.
-
-
-
-
-WINTER SUNSET
-
-
- Athwart the blackening bars of pines benighted,
- The sun, descending to the zones of denser
- Cloud that o'erhung the long horizon, lighted
- Upon the crown of earth a flaming censer
- From which white clouds of incense, overflowing,
- Filled the chill clarity from whence the swallows
- Had lately fled with wreathed vapours, showing
- Like a fine bloom over the lonely fallows:
- Where, with the pungent breath of mist was blended
- A faint aroma of pine-needles sodden
- By autumn rains, and fainter still, ascended
- Beneath high woods the scent of leaves downtrodden.
- It was a moment when the earth, that sickened
- For Spring, as lover when the beloved lingers,
- Lay breathless, while the distant goddess quickened
- Some southern hill-side with her glowing fingers:
- And so, it seemed, the drowsy lands were shaken,
- Stirred in their sleep, and sighed, as though the pain
- Of a strange dream had bidden them awaken
- To frozen days and bitter nights again.
-
-
-
-
-SONG
-
-
- Why have you stolen my delight
- In all the golden shows of Spring
- When every cherry-tree is white
- And in the limes the thrushes sing,
-
- O fickler than the April day,
- O brighter than the golden broom,
- O blyther than the thrushes' lay,
- O whiter than the cherry-bloom,
-
- O sweeter than all things that blow ...
- Why have you only left for me
- The broom, the cherry's crown of snow,
- And thrushes in the linden-tree?
-
-
-
-
-ENGLAND--APRIL, 1918
-
-
- Last night the North flew at the throat of Spring
- With spite to tear her greening banners down,
- Tossing the elm-tree's tender tassels brown,
- The virgin blossom of sloe burdening
- With colder snow; beneath his frosty sting
- Patient, the newly-wakened woods were bowed
- By drowned fields where stormy waters flowed:
- Yet, on the thorn, I heard a blackbird sing....
- 'Too late, too late,' he sang, 'this wintry spite;
- For molten snow will feed the springing grass:
- The tide of life, it floweth with the year.'
- O England, England, thou that standest upright
- Against the tide of death, the bad days pass:
- Know, by this miracle, that summer is near.
-
-
-
-
-SLENDER THEMES
-
-
- When, by a happier race, these leaves are turned,
- They'll wonder that such quiet themes engaged
- A soldier's mind when noisy wars were waged,
- And half the world in one red bonfire burned.
- 'When that fierce age,' they'll say, 'went up in flame
- He lived ... or died, seeing those bright deeds done
- Whereby our sweet and settled peace was won,
- Yet offereth slender dreams, not deeds, to Fame.'
- Then say: 'Out of the heart the mouth speaketh,
- And mine was as the hearts of other men
- Whom those dark days impassioned; yet it seeketh
- To paint the sombre woes that held us then,
- No more than the cloud-rending levin's light
- Seeks to illumine the sad skies of night.'
-
-
-
-
-INVOCATION
-
-
- Whither, O, my sweet mistress, must I follow thee?
- For when I hear thy distant footfall nearing,
- And wait on thy appearing,
- Lo! my lips are silent: no words come to me.
-
- Once I waylaid thee in green forest covers,
- Hoping that spring might free my lips with gentle fingers;
- Alas! her presence lingers
- No longer than on the plain the shadow of brown kestrel hovers.
-
- Through windless ways of the night my spirit followed after;--
- Cold and remote were they, and there, possessed
- By a strange unworldly rest,
- Awaiting thy still voice heard only starry laughter.
-
- The pillared halls of sleep echoed my ghostly tread.
- Yet when their secret chambers I essayed
- My spirit sank, dismayed,
- Waking in fear to find the new-born vision fled.
-
- Once indeed--but then my spirit bloomed in leafy rapture--
- I loved; and once I looked death in the eyes:
- So, suddenly made wise,
- Spoke of such beauty as I may never recapture....
-
- Whither, O, divine mistress, must I then follow thee?
- Is it only in love ... say, is it only in death
- That the spirit blossometh,
- And words that may match my vision shall come to me?
-
-
-
-
-THAMAR
-
-
-(_To Thamar Karsavina_)
-
-Once in the sombre light of the throng'd courts of night,
-In a dream-haunted land only inhabited
-By the unhappy dead, came one who, anxious eyed,
-Clung to my idle hand with clenched fingers weak
-And gazed into my eyes as he had wrongs to speak.
-Silent he stood and wan, more pallid than the leaves
-Of an aspen blown under a wind that grieves.
-Then I: 'O haggard one, say from what ghostly zone
-Of thwarted destinies or torment hast thou come?
-Tell me thy race and name!' And he, with veiled face:
-'I have neither name nor race, but I have travelled far,
-A timeless avatar of never-ending dooms,
-Out of those tyrannous glooms where, like a tired star
-In stormy darkness, looms the castle of Thamar...
-Once in a lonely dawn my eager spirit fared
-By ways that no men dared unto a desert land,
-Where, on a sullen strand, a mouldering city, vast
-As towered Babylon, stood in the dreamy sand--
-Older a million years: Babel was builded on
-That broken city's tears; dust of her crumbled past
-Rose from the rapid wheels of Babel's charioteers
-In whorled clouds above those shining thoroughfares
-Where Babel's millions tread on her unheeding dead.
-Forth from an eastern gate where the lips of Asia wait
-Parch'd with an ancient thirst that no aeons can abate,
-Passed I, predestinate, to a thorn'd desert's drought,
-Where the rivers of the south, flowing in a cloudy spate,
-Spend at last their splendid strength in a sea of molten glass
-Seething with the brazen might of a white sun dipped at length
-Like a baked stone, burning hot, plunged in a hissing pot.
-Out of that solemn portal over the tawny waste,
-Without stay, without haste, nor the joy of any mortal
-Glance of eye or clasp of hand, desolate, in a burning land,
-Lonely days and nights I travelled and the changing seasons squandered
-Friendless, endlessly, I wandered nor my woven fate unravelled;
-Drawn to a hidden goal, sore, forlorn with waiting,
-Seeking I knew not what, yet unhesitating
-Struggled my hapless soul...
- There, in a thousand springs,
-Slow, beneath frozen snow, where the blind earth lay cringing,
-Have I seen the steppe unfold uncounted blossomings,
-Where salty pools shone fair in a quivering blue air
-That shivered every fringing reed-bed with cool delight,
-And fanned the mazy flight of slow-wing'd egrets white
-Beating and wheeling bright against the sun astare;
-But I could not hear their wings for they were ghostly things
-Sent by the powers of night to mock my sufferings
-And rain upon the bitter waterpools their drops aglitter.
-Yet, when these lakes accursed tortured my aching thirst,
-The green reeds fell to dust, the cool pools to a crust
-Of frozen salt crystallised to taunt my broken lips,
-To cheat my staring eyes, as a vision of great ships
-With moving towers of sail, poops throng'd with grinning crowds
-And a wind in their shrouds, bears down upon the pale
-Wasted castaway afloat with the salt in his throat
-And a feeble wild desire to be quenched of his fire
-In the green gloom beneath.
- So, again and again,
-Hath a phantom city thrust to the visionary vault
-Of inviolate cobalt, dome and dreaming minaret
-Mosque and gleaming water-tower hazy in a fountain's jet
-Or a market's rising dust; and my lips have cried aloud
-To see them tremble there, though I knew within my heart
-They were chiselled out of cloud or carven of thin air;
-And my fingers clenched my hand, for I wondered if this land
-Of my stony pilgrimage were a glimmering mirage,
-And I myself no more than a phantom of the sand.
- 'But beyond these fading slender cities, many leagues away,
-Strange brooding mountains lay heaped, crowding range on range
-In a changing cloudy splendour; and beyond, in lakes of light,
-As eastward still I staggered, there swam into my sight,
-More vast and hoar and haggard, shoulders of ice and snow
-Bounding the heavens low of burnished brass, whereunder
-The hot plains of Cathay perpetually slumber:
-Where tawny millions breed in cities without number,
-Whither, a hill-born thunder, rolling on Tartary
-With torrents and barb'd lightning, swelleth the yellow river
-To a tumult of whitening foam and confused might
-That drowns in a single night many a mud-made city;
-And cities of boats, and frail cities of lath and reed,
-Are whirled away without pity or set afloat in a pale,
-Swirling, shallow sea ... and their names seem lost for ever
-Till a stranger nomad race drive their herds to the sad place
-Where old sorrows lie forgotten, and raise upon the rotten
-Level waste another brood to await another flood.
- 'But I never might attain to this melancholy plain
-For the mountains rose between; stark in my path they lay
-Between me and Cathay, through moving mist half-seen.
-And I knew that they were real, for their drooping folds of cloud
-Enwrapped me in a shroud, and the air that fell at night
-From their frozen summits white slid like an ice-blue steel
-Into my living breast and stilled the heart within
-As the chill of an old sin that robs a man of rest,
-Killing all delight in the silence of the night
-And brooding black above till the heart dare not move
-But lieth cold and numb ... and the dawn will not come.
- 'Yet to me a dawn came, new-kindled in cold flame,
-Flinging the imminence of those inviolate snows
-On the forest lawns below in a shadow more immense
-Than their eternal vastness; and a new hope beyond reason,
-Flamed in my heart's dark season, dazzled my pallid eyes,
-Till, when the hot sun soared above the uttermost height,
-A draught of keen delight into my body was poured,
-For all that frozen fastness lay flowered with the spring:
-Her starry blossoms broke beneath my bruised feet,
-And their beauty was so sweet to me I kissed them where they lay;
-Yea, I bent my weary hips and kissed them with dry lips,
-Tenderly, only dreading lest their petals delicate
-Should be broken by my treading, for I lived, I lived again,
-And my heart would have been broken by a living creature's pain,
-So I kissed them for a token of my joy in their new birth,
-And I kissed the gentle earth. Slowly the shadows crept
-To the bases of the crags, and I slept....
- 'Once, in another life, had I remembered sleep,
-When tired children creep on to their mother's knees,
-And there a dreamless peace more quietly descendeth
-Than gentle evening endeth or ring-doves fold their wings,
-Before the nightjar spins or the nightingale begins;
-When the brooding hedgerow trees where they nest lie awake
-And breathe so soft they shake not a single shuddering leaf
-Lest the silence should break.
- 'Other sleep have I known,
-Deeper, beyond belief, when straining limbs relax
-After hot human toil in yellow harvest fields
-Where the panting earth yields a smell of baked soil,
-And the dust of dry stubbles blows over the whitening
-Shocks of lank grain and bundles of flax,
-And men fling themselves down forgetting their troubles,
-Unheedful of the song that the landrail weaves along
-Misty woodlands, or lightning that the pale sky laves
-Like phosphorescent waves washing summer seas:
-And, more beautiful than these, that sleep of dazed wonder
-When love has torn asunder the veils of the sky
-And raptured lovers lie faint in each other's arms
-Beneath a heaven strewn with myriad starry swarms,
-Where planets float like lonely gold-flowered nenuphars
-In pools of the sky; yet, when they wake, they turn
-From those burning galaxies seeking heaven only
-In each other's eyes, and sigh, and sleep again;
-For while they sleep they seem to forget the world's pain,
-And when they wake, they dream....
- 'But other sleep was mine
-As I had drunk of wine with bitter hemlock steep'd,
-Or soused with the heaped milky poppyheads
-A drowsy Tartar treads where slow waters sweep
-Over red river beds, and the air is heavy with sleep.
-So, when I woke at last, the labouring earth had rolled
-Eastward under the vast dominion of night,
-Funereal, forlorn as that unlighted chamber
-Wherein she first was born, bereft of all starlight,
-Pale silver of the moon, or the low sun's amber.
- 'Then to my queen I prayed, grave Ashtoreth, whose shade
-Hallows the dim abyss of Heliopolis,
-Where many an olive maid clashed kissing Syrian cymbals,
-And silver-sounding timbrels shivered through the vale.
-O lovely, and O white, under the holy night
-Is their gleaming wonder, and their brows are pale
-As the new risen moon, dancing till they swoon
-In far forests under desolate Lebanon,
-While the flame of Moloch's pyre reddens the sea-born cloud
-That overshadows Tyre; so, when I cried aloud,
-Behold, a torch of fire leapt on the mountain-side!
- 'O bright, O beautiful! for never kindlier light
-Fell on the darkened sight of mortal eyes and dull
-Since that devoted one, whom gloomy Caucasus
-In icy silence lonely bound to his cruel shoulders,
-Brought to benighted men in a hollow fennel-stem
-Sparks of the torrid vapour that burned behind the bars
-Of evening, broke dawn's rose, or smouldered in the stars,
-Or lit the glowworm's taper, or wavered over the fen,
-Or tipped the javelin of the far-ravening levin,
-Lash of the Lord of Heaven and bitter scourge of sin.
-O beautiful, O bright! my tired sinews strained
-To this torch that flared and waned as a watery planet gloweth
-And waneth in the night when a calm sea floweth
-Under a misty sky spread with the tattered veils
-Of rapid cloud driven over the deeps of heaven
-By winds that range too high to sweep the languid sails.
-On through the frozen night, like a blind moth flying
-With battered wing and bruised bloom into a light,
-I dragged my ragged limbs, cared not if I were dying,
-Knew not if I were dead, where cavernous crevasses,
-And stony desperate passes snared, waylaid my tread:
-In the roar of broken boulders split from rocky shoulders,
-In the thunder of snow sliding, or under the appalling
-Rending of glacier ice or hoarse cataracts falling:
-And I knew not what could save me but the unholy guiding
-That some demon gave me. Thrice I fell, and thrice
-In torrents of blue ice-water slipp'd and was toss'd
-Like a dead leaf, or a ghost
-Harried by thin bufferings of wind
-Downward to Tartarus at daybreak,
-Downward to the regions of the lost....
-But the rushing waters ceased, and the bitter wind fell:
-How I cannot tell, unless that I had come
-To the hollow heart of the storm where the wind is dumb;
-And there my gelid blood thawed, glowed, and grew warm,
-While a black-hooded form caught at my arm, and stayed
-And held me as I swayed, until, at last, I saw
-In a strange unworldly awe, at the gate of light I stood:
-And I entered, alone....
- 'Behold a cavern of stone carven, and in the midst
-A brazier that hissed with tongued flames, leaping
-Over whitened embers of gummy frankincense,
-Into a fume of dense and fragrant vapour, creeping
-Over the roof to spread a milky coverlet
-Softer than the woof of webby spider's net.
-But never spider yet spun a more delicate wonder
-Than that which hung thereunder, drooping fold on fold,
-Silks that glowed with fire of tawny Oxus gold,
-Richer than ever flowed from the eager fancy of man
-In his vain desire for beauty that endures:
-And on the floor were spread by many a heaped daiwan
-Carpets of Kurdistan, cured skins, and water-ewers
-Encrusted with such gems as emperors of Hind
-(Swart conquerors, long dead) sought for their diadems.
-
-No other light was there but one torch, flaring
-Against a square of sky possess'd by the wind,
-And never another sound but the tongued flames creeping.
- 'At last, my eyes staring into the clouded gloom,
-Saw that the caverned room with shadowy forms was strewn
-In heavy sleep or swoon fallen, who did not move
-But lay as mortals lie in the sweet release of love.
-And stark between them stood huge eunuchs of ebony,
-Mute, motionless, as they had been carven of black wood.
-But these I scarcely saw, for, through the flame was seen
-Another, a queen, with heavy closed eyes
-White against the skies of that empurpled night
-In her loveliness she lay, and leaned upon her hand:
-And my blood leapt at the sight, so that I could not stand
-But fell upon my knees, pleading, and cried aloud
-For her white loveliness as Ixion for his cloud:
-And my cry the silence broke, and the sleepers awoke
-From their slumber, stirred, and rose every one,--save those
-Mute eunuchs of ebony, those frowning caryatides.
-Slowly she looked at me, and when I cried again
-In yearning and in pain, she beckoned with her hand.
-Then from my knees rose I, and greatly daring,
-Through the hazy air, past the brazier flaring
-And the hissing flame, crept, until I came
-Unto the carven seat, and kissed her white feet;
-And she smiled, but spake not.
-When she smiled the sleepers wavered as the grass
-Of a cornfield wavers when the ears are swept
-By the breath of brown reapers singing as they pass,
-Or grass of woody glades when a wind that has slept
-Wakens, and invades their moonlit solitude,
-When the hazels shiver and the birch is blown
-To a billow of silver, but oaks in the wood
-Stand firm nor quiver, stand firm as stone:
-So, amid the sleepers, the black eunuchs stood.
-When the sleepers stirred faintly in the heat
-Of that painted room a silken sound I heard,
-And a thin music, sweet as the brown nightingale
-Sings in the jealous shade of a lonely spinney,
-Stranger far than any music mortal made
-Fell softer than the dew falleth when stars are pale.
-Sweet it was, and clear as light, or as the tears
-That sad Narcissus wears in the spring of the year
-On barren mountain ranges where rain falls cool
-And every lonely pool is sprayed with broken light:
-So cool, so beautiful, and so divinely strange
-I doubted if it came from any marshy reed
-Or hollow fluting stem pluck'd by the hands of men,
-Unless it were indeed that airy fugitive
-Syrinx, who cried and ran before the laughing eyes
-Of goat-footed Pan, and must for ever live
-A shadowy green reed by an Arcadian river--
-But never music made of Ladon's reedy daughter
-Or singing river-water more sweet than that which stole,
-Slow as amber honey wells from the honeycomb,
-Into my weary soul with solace and strange peace.
-So, trembling as I lay in a dream more desolate
-Than is the darkened day of the mid-winter north,
-I heard the voice of one who sang in a strange tongue,
-And I know not what he sang save that he sang of love,
-The while they led me forth unheeding, till we came
-Unto a chamber lit with one slow-burning flame
-That yellow horn bedims, and laid me down, and there
-They soothed my bruised limbs, and combed my tangled hair,
-And salved my limbs with rarely-mingled unguents pressed
-By hands of holy ones who dream beneath the suns
-Of Araby the Blest, and so, when they had bathed
-My burning eyes with milk of dreamy anodyne
-And cool'd my throat with wine,
-In robings of cool silk my broken body they swathed,
-Sandals of gold they placed upon my feet, and round
-My sad sun-blistered brows a silver fillet bound--
-Decking me with the pride of a bridegroom that goes
-To the joy of his bride and is lovely in her eyes--
-And led me to her side. Then, as a conquering prince,
-I, who long since had been battered and tost
-Like a dead leaf or ghost buffeted by wild storms,
-Came to her white arms, conquering, and was lost,
-Yet dared not gaze upon the beauty that I dreamed.
-So, in my trance, it seemed that a shadowy soft dance
-Coiled slowly and unwound, swayed, beckoned, and recovered
-As hooded cobra bound by hollow spells of sound
-Unto the piper sways; so silently they hovered
-I only heard the beat of their naked feet,
-And then, another sound....
-A dull throb thrumming, a noise of faint drumming,
-Threatening, coming nearer, piercing deeper
-Than a dream lost in the heart of a sleeper
-Into those deeps where the dark fire gloweth,
-The secret flame that every man knoweth,
-Embers that smoulder, fires that none can fan,
-Terrible, older than the mind of man....
-Before he crawled from his swamp and spurned
-The life of the beast that dark fire burned
-In the hidden deeps where no dream can come:
-Only the throbbing of a drum
-Can wake it from its smouldering--
-Sightless, soundless, senseless, dumb--
-Dumb as those blind seeds that lie
-Drown'd in mud, and shuddering,
-I knew that I was man no more,
-But a throbbing core of flesh, that knew
-Nor beauty, nor truth, nor anything
-But the black sky and the slimy earth:
-Roots of trees, and fear, and pain,
-The blank of death, the pangs of birth,
-An inhuman thing possess'd
-By the throbbing of a drum:
-And my lips were strange and numb,
-But they kissed her white breast....
-Then, being drunk with pride and splendour of love, I cried:
-'"O spring of all delight, O mooned mystery,
-O living marvel, white as the dead queen of night,
-O flower, and O flame ... tell me at least thy name
-That, from this desolate height, I may proclaim its wonder
-To the lost lands hereunder before thy beauty dies
-As fades the fire of dawn upon a peak of snow!"'
-Then: "Look," she sighed, "into my eyes, and thou shalt know."
-So, with her fingers frail, she pressed my brows, and so,
-Slowly, at last, she raised my drooping eyelids pale,
-And in her eyes I gazed.
- 'Then fear, than love more blind,
-Caught at my heart and fast in chains of horror bound--
-As one who in profound and midnight forest ways
-Sees in the dark the burning eyes of a tiger barred
-Or stealthy footed pard blaze in a solemn hate
-And lust of human blood, yet cannot cry, nor turning
-Flee from the huddled wood, but stands and sees his fate,
-Or one who in a black night, groping for his track,
-Clings to the dizzy verge of a cragged precipice,
-Shrinks from the dim abyss, yet dare not venture back,
-And no sound hears but the hiss of empty air
-Swirling past his ears.... So, in a hideous
-Abandonment of hope, I waited for her kiss.
-Then the restless beat of the muttering drum
-Rose to a frenzied heat; the naked dancers leapt
-Insolent through the flame, laughing as they came
-With parted lips; their cries deadened my ears, my eyes
-Throbbed with the pattering of their rapid feet,
-And the whirling dust of their dancing swept
-Into my throat unslaked, dry-parched with love's drought,
-Until my mouth was pressed upon her burning mouth
-In a kiss most terrible.... Oh, was it pride, or shame
-Unending, without name, or ecstasy, or pain
-Or desperate desire? Alas! I cannot tell,
-Save that it pierced my trembling soul and body with fire.
-For, while her soft lips clove to mine in love, she drove
-A flaming blade of steel into my breast, and I,
-Rent with a bitter cry, slid from her side and fell
-Clutching in dumb despair the dark unbraided hair
-My passion had despoiled; while she, like serpent coiled,
-Poised for another stroke, terribly, slowly, smiled,
-Saying: "O stranger, red, red are my lips, and sweet
-Unto those lips so red are the kisses of the dead:
-Far hast thou wandered, far, for the kisses of Thamar."
-Then a deep silence fell on the frenzy and the laughter;
-The leaping dancers crept to the shadows where they had slept,
-And the mute eunuchs stood forth, and hugely bent
-Above my body, spent in its pool of blood,
-And hove me with black arms, while the queen followed after
-With stealthy steps, and eyes that burned into the night
-Of my dying brain, till, with her hand, she bade
-Them falter, and they stayed, while, eagerly, she propped
-My listless head that dropped downward from my shoulders,
-And slowly raised it up, raised it like a cup
-Unto her lips again,
-Then shuddered, trembled, shrunk, as though her mouth had drunk
-A potion where the fell fire of poison smoulders.
-And a darkness came, and I could see no more,
-But in my ears the roar of lonely torrents swelled
-And stilled my breath for ever, as though a wave appalling
-Had broken in my brain, and deep to deep were calling:
-And I felt my body falling down and down and down
-Into a blank of death, where dumb waters roll
-Endlessly, only knowing, that her dagger had stabbed my breast,
-But her kiss had killed my soul.
-And now I know no rest until again I stand
-Where that lost city's towers rise from the dreamy sand,
-Until I reach the gate where the lips of Asia wait,
-Till I cross the desert's drought, and the rivers of the south,
-And shiver through the night under those summits white
-That soar above Cathay; until I see the light
-Flame from those tyrannous glooms where, like a tired star
-In stormy darkness, looms the castle of Thamar.'
-
-
-
-
-ENVOI
-
-
- Now that the hour has come, and under the lonely
- Darkness I stumble at the doors of death,
- It is not hope, nor faith
- That here my spirit sustaineth, but love only.
-
- In visions, in love: only there have I clutched at divinity:
- But the vision fadeth; yet love fades not: and for this
- I would have you know that your kiss
- Was more to me than all my hopes of infinity.
-
- Therein you made me divine ... you, who were moon and sun for
- me,
- You, for whose beauty I would have forsaken the splendour of
- the stars
- And my shadowy avatars
- Renounced: for there is nothing in the world you have not done
- for me.
-
- So that when at length all sentient skill hath forsaken me,
- And the bright world beats vainly on my consciousness,
- Your beauty shineth no less:
- And even if I were dead I think your shadow would awaken me.
-
-
-
-
-
-
-*** END OF THIS PROJECT GUTENBERG EBOOK POEMS ***
-
-
-
-
-A Word from Project Gutenberg
-
-
-We will update this book if we find any errors.
-
-This book can be found under: http://www.gutenberg.org/ebooks/40344
-
-Creating the works from public domain print editions means that no one
-owns a United States copyright in these works, so the Foundation (and
-you!) can copy and distribute it in the United States without permission
-and without paying copyright royalties. Special rules, set forth in the
-General Terms of Use part of this license, apply to copying and
-distributing Project Gutenberg(tm) electronic works to protect the
-Project Gutenberg(tm) concept and trademark. Project Gutenberg is a
-registered trademark, and may not be used if you charge for the eBooks,
-unless you receive specific permission. If you do not charge anything
-for copies of this eBook, complying with the rules is very easy. You may
-use this eBook for nearly any purpose such as creation of derivative
-works, reports, performances and research. They may be modified and
-printed and given away - you may do practically _anything_ with public
-domain eBooks. Redistribution is subject to the trademark license,
-especially commercial redistribution.
-
-
-
-The Full Project Gutenberg License
-
-
-_Please read this before you distribute or use this work._
-
-To protect the Project Gutenberg(tm) mission of promoting the free
-distribution of electronic works, by using or distributing this work (or
-any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg(tm) License available with this file or online at
-http://www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use & Redistributing Project Gutenberg(tm)
-electronic works
-
-
-*1.A.* By reading or using any part of this Project Gutenberg(tm)
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all the
-terms of this agreement, you must cease using and return or destroy all
-copies of Project Gutenberg(tm) electronic works in your possession. If
-you paid a fee for obtaining a copy of or access to a Project
-Gutenberg(tm) electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-*1.B.* "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few things
-that you can do with most Project Gutenberg(tm) electronic works even
-without complying with the full terms of this agreement. See paragraph
-1.C below. There are a lot of things you can do with Project
-Gutenberg(tm) electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg(tm) electronic
-works. See paragraph 1.E below.
-
-*1.C.* The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection of
-Project Gutenberg(tm) electronic works. Nearly all the individual works
-in the collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you
-from copying, distributing, performing, displaying or creating
-derivative works based on the work as long as all references to Project
-Gutenberg are removed. Of course, we hope that you will support the
-Project Gutenberg(tm) mission of promoting free access to electronic
-works by freely sharing Project Gutenberg(tm) works in compliance with
-the terms of this agreement for keeping the Project Gutenberg(tm) name
-associated with the work. You can easily comply with the terms of this
-agreement by keeping this work in the same format with its attached full
-Project Gutenberg(tm) License when you share it without charge with
-others.
-
-*1.D.* The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg(tm) work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-*1.E.* Unless you have removed all references to Project Gutenberg:
-
-*1.E.1.* The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg(tm) License must appear
-prominently whenever any copy of a Project Gutenberg(tm) work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere at no cost and with
- almost no restrictions whatsoever. You may copy it, give it away
- or re-use it under the terms of the Project Gutenberg License
- included with this eBook or online at http://www.gutenberg.org
-
-*1.E.2.* If an individual Project Gutenberg(tm) electronic work is
-derived from the public domain (does not contain a notice indicating
-that it is posted with permission of the copyright holder), the work can
-be copied and distributed to anyone in the United States without paying
-any fees or charges. If you are redistributing or providing access to a
-work with the phrase "Project Gutenberg" associated with or appearing on
-the work, you must comply either with the requirements of paragraphs
-1.E.1 through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg(tm) trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-*1.E.3.* If an individual Project Gutenberg(tm) electronic work is
-posted with the permission of the copyright holder, your use and
-distribution must comply with both paragraphs 1.E.1 through 1.E.7 and
-any additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg(tm) License for all works posted
-with the permission of the copyright holder found at the beginning of
-this work.
-
-*1.E.4.* Do not unlink or detach or remove the full Project
-Gutenberg(tm) License terms from this work, or any files containing a
-part of this work or any other work associated with Project
-Gutenberg(tm).
-
-*1.E.5.* Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg(tm) License.
-
-*1.E.6.* You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg(tm) work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg(tm) web site
-(http://www.gutenberg.org), you must, at no additional cost, fee or
-expense to the user, provide a copy, a means of exporting a copy, or a
-means of obtaining a copy upon request, of the work in its original
-"Plain Vanilla ASCII" or other form. Any alternate format must include
-the full Project Gutenberg(tm) License as specified in paragraph 1.E.1.
-
-*1.E.7.* Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg(tm) works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-*1.E.8.* You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg(tm) electronic works
-provided that
-
- - You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg(tm) works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg(tm) trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
- - You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg(tm)
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg(tm)
- works.
-
- - You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
- - You comply with all other terms of this agreement for free
- distribution of Project Gutenberg(tm) works.
-
-
-*1.E.9.* If you wish to charge a fee or distribute a Project
-Gutenberg(tm) electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg(tm) trademark. Contact the
-Foundation as set forth in Section 3. below.
-
-*1.F.*
-
-*1.F.1.* Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg(tm) collection.
-Despite these efforts, Project Gutenberg(tm) electronic works, and the
-medium on which they may be stored, may contain "Defects," such as, but
-not limited to, incomplete, inaccurate or corrupt data, transcription
-errors, a copyright or other intellectual property infringement, a
-defective or damaged disk or other medium, a computer virus, or computer
-codes that damage or cannot be read by your equipment.
-
-*1.F.2.* LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg(tm) trademark, and any other party distributing a Project
-Gutenberg(tm) electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal fees.
-YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY,
-BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN
-PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND
-ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
-ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES
-EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
-
-*1.F.3.* LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-*1.F.4.* Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
-
-*1.F.5.* Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-*1.F.6.* INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg(tm) electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg(tm) electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg(tm)
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg(tm) work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg(tm)
-
-
-Project Gutenberg(tm) is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, is critical to reaching Project Gutenberg(tm)'s
-goals and ensuring that the Project Gutenberg(tm) collection will remain
-freely available for generations to come. In 2001, the Project Gutenberg
-Literary Archive Foundation was created to provide a secure and
-permanent future for Project Gutenberg(tm) and future generations. To
-learn more about the Project Gutenberg Literary Archive Foundation and
-how your efforts and donations can help, see Sections 3 and 4 and the
-Foundation web page at http://www.pglaf.org .
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the state
-of Mississippi and granted tax exempt status by the Internal Revenue
-Service. The Foundation's EIN or federal tax identification number is
-64-6221541. Its 501(c)(3) letter is posted at
-http://www.gutenberg.org/fundraising/pglaf . Contributions to the
-Project Gutenberg Literary Archive Foundation are tax deductible to the
-full extent permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr.
-S. Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official page
-at http://www.pglaf.org
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg Literary
-Archive Foundation
-
-
-Project Gutenberg(tm) depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations where
-we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit http://www.gutenberg.org/fundraising/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make any
-statements concerning tax treatment of donations received from outside
-the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other ways
-including checks, online payments and credit card donations. To donate,
-please visit: http://www.gutenberg.org/fundraising/donate
-
-
-Section 5. General Information About Project Gutenberg(tm) electronic
-works.
-
-
-Professor Michael S. Hart is the originator of the Project Gutenberg(tm)
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg(tm) eBooks with only a loose network of volunteer support.
-
-Project Gutenberg(tm) eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S. unless
-a copyright notice is included. Thus, we do not necessarily keep eBooks
-in compliance with any particular paper edition.
-
-Each eBook is in a subdirectory of the same number as the eBook's eBook
-number, often in several formats including plain vanilla ASCII,
-compressed (zipped), HTML and others.
-
-Corrected _editions_ of our eBooks replace the old file and take over
-the old filename and etext number. The replaced older file is renamed.
-_Versions_ based on separate sources are treated as new eBooks receiving
-new filenames and etext numbers.
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg(tm),
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.