diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-03-09 00:15:18 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-03-09 00:15:18 -0800 |
| commit | 15a584cb811cd2834d412d37ba9e5d2c1d5450ea (patch) | |
| tree | e71a864090959ac1c286398e2ec678820bb6c47c /40232-h | |
| parent | 16d9b4e46bdb0134bae86a1554f01cc446fe88cc (diff) | |
Diffstat (limited to '40232-h')
| -rw-r--r-- | 40232-h/40232-h.htm | 492 |
1 files changed, 37 insertions, 455 deletions
diff --git a/40232-h/40232-h.htm b/40232-h/40232-h.htm index d07df6b..ca1e0e7 100644 --- a/40232-h/40232-h.htm +++ b/40232-h/40232-h.htm @@ -2,7 +2,7 @@ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <title> The Project Gutenberg eBook of Post-impressions, by Simeon Strunsky. @@ -86,45 +86,7 @@ table { </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Post-Impressions, by Simeon Strunsky - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: Post-Impressions - An Irresponsible Chronicle - -Author: Simeon Strunsky - -Release Date: July 14, 2012 [EBook #40232] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK POST-IMPRESSIONS *** - - - - -Produced by Annie R. McGuire. This book was produced from -scanned images of public domain material from the Google -Print archive. - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 40232 ***</div> <hr class="chap" /> <h1>POST-IMPRESSIONS</h1> @@ -575,9 +537,9 @@ could get the best choice with the least expenditure of energy. Nevertheless she came back from her first day's shopping with a headache.</p> -<p>Éponge is a rough, Turkish-towel fabric, selling in many widths, and +<p>Éponge is a rough, Turkish-towel fabric, selling in many widths, and eminently desirable for out-of-door wear because of its peculiar -adaptability to the slim styles which prevent walking. Éponge has this +adaptability to the slim styles which prevent walking. Éponge has this fatal defect, however, that when it is advertised in ready-made gowns at an astounding reduction from $39.50, all the desirable models<span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span> sell out some time before ten o'clock in the morning. Hence Emmeline's headache. @@ -595,9 +557,9 @@ through early at the stores, and we might look at books together.</p> <p>Charmeuse is a shimmering, silk-like material which lends itself admirably to summer wear, because it stains easily. But in its effect on -the shopper's nerves, charmeuse is even worse than éponge. In fact, as a +the shopper's nerves, charmeuse is even worse than éponge. In fact, as a preparation for a summer's reading, I don't<span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span> know what is more -exhausting than charmeuse, unless it be crêpe de Chine. Emmeline did not +exhausting than charmeuse, unless it be crêpe de Chine. Emmeline did not drop in for lunch that day, and when I came home at night, I found her more depressed than ever. There was nothing to be had downtown. Prices were impossible and anything else wasn't fit to be touched. It might be @@ -608,7 +570,7 @@ others short and square. One particularly heavy box felt as if it might contain a set of Strindberg, but turned out to be a really handsome coat in blue chinchilla which Emmeline explained would be just the thing for cool nights in the country. She had bought it in despair at obtaining -the kind of crêpe de Chine she wanted. The crêpe de Chine came in a +the kind of crêpe de Chine she wanted. The crêpe de Chine came in a smaller box.</p> <p>At breakfast the next day we were tremendously cheerful. I told Emmeline @@ -741,7 +703,7 @@ printed frequently on the first page.</p> <p>She could study them with comparative leisure in the Night Court. Outside in the course of her daily routine she might catch an occasional glimpse of these same women, through the windows of a passing taxi, or -in the matinée crowds, or going in and out of the fashionable shops. But +in the matinée crowds, or going in and out of the fashionable shops. But her work<span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span> took her seldom into the region of taxicabs and fashionable shops. The nature of her occupation kept her to furtive corners and the dark side of streets. Nor was she at such times in the mood for just @@ -749,7 +711,7 @@ appreciation of the beautiful things in life. More than any other walk of life, hers was of an exacting nature, calling for intense powers of concentration both as regards the public and the police. It was different in the Night Court. Here, having nothing to fear and nothing -out of the usual to hope for, she might give herself up to the æsthetic +out of the usual to hope for, she might give herself up to the æsthetic contemplation of a beautiful world of which, at any other time, she could catch mere fugitive aspects.</p> @@ -1084,7 +1046,7 @@ as heavy as<span class="pagenum"><a name="Page_50" id="Page_50">[Pg 50]</a></spa this indicates for the prosperity of the country under Mr. Woodrow Wilson.</p> -<p>Julius Cæsar is said to have been in the habit of dictating to three +<p>Julius Cæsar is said to have been in the habit of dictating to three secretaries simultaneously. How does this compare with the literary productivity of Mr. Arnold Bennett and Mr. Jack London?</p> @@ -1412,7 +1374,7 @@ Laura playing with her alphabet blocks. I thought: Well, our lives may be spoiled, but there is the child. Life had cast no shadow on the current of her young days. At that moment the hall-boy brought in a letter. It was addressed to Miss Laura Smith—our baby.<span class="pagenum"><a name="Page_70" id="Page_70">[Pg 70]</a></span> It was from the -Wisconsin Laboratory of Juvenile Æsthetics. It contained a list of +Wisconsin Laboratory of Juvenile Æsthetics. It contained a list of questions for the child to answer. How many hours a day did she play? Did she prefer to play in the house or on the street? Did she look into shop windows when she was out walking or at moving-picture posters? Was @@ -1514,7 +1476,7 @@ illustrations from Langley's masterly work on the subject. Gunther."</p> <p>My ruse had succeeded. I was prepared now to keep up a fairly active correspondence until the missing paper was found. I knew of Samuel Pierpont Langley, one of the greatest of American astronomers and a -pioneer of aviation. I turned to the encyclopædia to see which one of +pioneer of aviation. I turned to the encyclopædia to see which one of Langley's books was likely to be the one Gunther had in mind. There, before me, was a biographical sketch of John Newport Langley, an English physiologist, who had published, among other<span class="pagenum"><a name="Page_77" id="Page_77">[Pg 77]</a></span> things, a treatise "On the @@ -1600,7 +1562,7 @@ the man and slaying him before his side of the case comes back to you."</p> <p>"People," said Cooper, with that happy gift of his for dropping a subject to suit his own convenience, "have fallen into the habit of saying that the art of letter-writing is extinct. They say we don't -write the way Madame de Sévigné did or Charles Lamb. This is not true.</p> +write the way Madame de Sévigné did or Charles Lamb. This is not true.</p> <p>"For instance, on April 26, 1913, Charles Crawl, a low-income American residing in the soft-coal districts of western Pennsylvania, wrote a @@ -2491,7 +2453,7 @@ doing<span class="pagenum"><a name="Page_133" id="Page_133">[Pg 133]</a></span> odd moments. I guess at what I can guess and am content to wait.</p> <p>And waiting, I have my reward—occasionally. Not until several weeks -after I had discovered that Harold had the entrée into ecclesiastical +after I had discovered that Harold had the entrée into ecclesiastical circles did the subject come up again. The boy paused between two spoonfuls of cereal and asked me whether a bishop would not find it easier to go up a mountain in an aeroplane. I foolishly asked him what @@ -2520,7 +2482,7 @@ he said, "a government by the people, of the people, for the people"; some assert that he said, "a government by the people, for the people, of the people." Obviously<span class="pagenum"><a name="Page_135" id="Page_135">[Pg 135]</a></span> the only way out is to make a pool and look up Nicolay and Hay. When we are not betting on Lincoln's famous phrase, -we differ as to whether the first words in Cæsar are "Gallia omnis est +we differ as to whether the first words in Cæsar are "Gallia omnis est divisa," or "Omnis Gallia est divisa," or "Omnis Gallia divisa est." We all remember the "partes tres.")</p> @@ -2575,7 +2537,7 @@ ecstasies of false emotion over the hockey team or pretended to see things in Central Park which we never saw. I always think of Central Park with bitterness. We were to write a description of what we saw as we stood on the Belvedere looking north. I wrote a faithful catalogue of -what I saw, and the instructor picked up "Les Misérables" and read me +what I saw, and the instructor picked up "Les Misérables" and read me the story of the last charge over the sunken road at Waterloo. I should have done what one of the other men did. He never went to Central Park. He stayed at home and, looking straight north from the Belvedere, he saw @@ -2718,7 +2680,7 @@ apartment always kept the window shades down. It made the room so cosy."</p> <p>I shook my head. The dimensions of the room were quite disappointing. It was not only small, but there was little wall space, because the architect had provided no less than three doorways which were supposed -to<span class="pagenum"><a name="Page_147" id="Page_147">[Pg 147]</a></span> be covered with portières. I presume that architects find open +to<span class="pagenum"><a name="Page_147" id="Page_147">[Pg 147]</a></span> be covered with portières. I presume that architects find open doorways much easier to plan than any other part of a room.</p> <p>He was surprised at my objections. There was plenty of space, he @@ -2901,12 +2863,12 @@ the following account of a recent meeting of the Supercollegiate Committee on Entrance Examinations. For the details of the story I am indebted to the able and conscientious correspondent of the Disassociated Press at Nottingham. The discerning reader will have no -difficulty in identifying the persons mentioned. Professor Münsterberg -is, of course, Professor Münsterberg. Professor Lounsbury is Professor +difficulty in identifying the persons mentioned. Professor Münsterberg +is, of course, Professor Münsterberg. Professor Lounsbury is Professor Lounsbury. Professor Hart is Professor Albert Bushnell Hart. Dr. Woods Hutchinson is Dr. Woods Hutchinson.</p> -<p>Professor Münsterberg: The meeting will please come to order. We are now +<p>Professor Münsterberg: The meeting will please come to order. We are now in the first week of October. This fact, which the average citizen has probably accepted without<span class="pagenum"><a name="Page_158" id="Page_158">[Pg 158]</a></span> question, has been amply confirmed in an elaborate series of laboratory tests carried on by means of white and @@ -2952,7 +2914,7 @@ the magazines.</p> <p>Professor Lounsbury: Then you agree with me that when a man has something to say he will say it?</p> -<p>Professor Münsterberg: We have an excellent illustration on this point +<p>Professor Münsterberg: We have an excellent illustration on this point in a history paper submitted in the last entrance examinations. In reply to the question, "Name the first two Presidents of the United States," one candidate wrote, "The first pressident was Gorge Washington; his @@ -2972,7 +2934,7 @@ under the necessity of writing Bull Moose history for <i>Collier's</i>.</p> whether the failure to spell and write correctly is a sign of mental feebleness—</p> -<p>Professor Münsterberg: On that point I believe I can speak with +<p>Professor Münsterberg: On that point I believe I can speak with authority. Psychological tests in the laboratory show that the average freshman is as quick-witted to-day as his predecessor of fifty or a hundred years ago. We examined three hundred first-year men from eleven @@ -2993,24 +2955,24 @@ out of the three hundred had tapped the wrong answer. Need I say more?</p> <p>Professor Lounsbury: May I ask how the written answers showed up from the point of view of spelling and grammar?</p> -<p>Professor Münsterberg: They were impressively defective.</p> +<p>Professor Münsterberg: They were impressively defective.</p> <p>Professor Lounsbury: I'm tickled to death. When you cut out bad spelling and grammar, you queer the evolution of the English language. There's nothing to it.</p> -<p>Professor Münsterberg: But take the case<span class="pagenum"><a name="Page_163" id="Page_163">[Pg 163]</a></span> of the freshman squad whom we +<p>Professor Münsterberg: But take the case<span class="pagenum"><a name="Page_163" id="Page_163">[Pg 163]</a></span> of the freshman squad whom we kept in a hermetically sealed room for twenty-four hours at a temperature of eighty-nine degrees—</p> <p>Professor Lounsbury: May I ask what their language was when they were released at the end of twenty-four hours?</p> -<p>Professor Münsterberg: Truth compels me to say it was something awful.</p> +<p>Professor Münsterberg: Truth compels me to say it was something awful.</p> <p>Professor Lounsbury: But how about the grammar?</p> -<p>Professor Münsterberg: There was no grammar to speak of. They used +<p>Professor Münsterberg: There was no grammar to speak of. They used mostly interjections.</p> <p>Dr. Hutchinson: Finest thing in the world, interjections. Good for the @@ -3022,7 +2984,7 @@ people swear. It's good for the wind. Next time you walk down a step too many in the dark or lose your hat under a motor<span class="pagenum"><a name="Page_164" id="Page_164">[Pg 164]</a></span> truck, don't hold yourself back. It's the way nature is safeguarding you against asthma.</p> -<p>Professor Münsterberg: Then it is the consensus of opinion here that the +<p>Professor Münsterberg: Then it is the consensus of opinion here that the psychological and cultural status of our college freshmen is everything it ought to be?</p> @@ -3149,7 +3111,7 @@ the sorrow of the universe, I cannot understand," said Emmeline. "Do you mean to say that the Liebestod does not really carry you out of yourself?"</p> -<p>"It does not," I said. "But when Gadski in Aïda turns to the wicked +<p>"It does not," I said. "But when Gadski in Aïda turns to the wicked Amneris and<span class="pagenum"><a name="Page_172" id="Page_172">[Pg 172]</a></span> sings 'Tu sei felice,' something in me begins to give way."</p> <p>"It is probably your intellect," said Emmeline.</p> @@ -3643,7 +3605,7 @@ season will convince any one that we are sufficiently far removed from <p>Happily, the material for a systematic examination of the subject is accessible. It is true that we are still without a definitive text of -the Gilbert librettos. For this we must wait until Professor Rücksack, +the Gilbert librettos. For this we must wait until Professor Rücksack, of the University of Kissingen, has published the results of his monumental labours. So far, we have from his learned pen only the text for the first half of the second act of "The Mikado." This is in @@ -3865,7 +3827,7 @@ was treated with conspicuous ability by Euripides. The legal rate of interest in most of the States of the Union is six per cent. The instinct for self-preservation is one of the elementary laws of evolution. Hamlet is a work of genius. Victor Hugo is the author of "Les -Misérables." I thank you.'"</p><p><span class="pagenum"><a name="Page_216" id="Page_216">[Pg 216]</a></span></p> +Misérables." I thank you.'"</p><p><span class="pagenum"><a name="Page_216" id="Page_216">[Pg 216]</a></span></p> <p>"Thus equipped, any young man ought to become President in time," I said.</p> @@ -3947,12 +3909,12 @@ Lowell's original design for New York's new County Court house.</p> <p>M. Bergson smiled pragmatically.</p> <p>"A round court house, you say? Suggestive of the Colosseum, with a touch -of the Tower of Babel, and the merest <i>soupçon</i> of Barnum and Bailey? +of the Tower of Babel, and the merest <i>soupçon</i> of Barnum and Bailey? Come then, why not? To me it is eminently just that your architecture should typify the different racial strains that have entered into the -making of the American people. When one observes in the façade of your +making of the American people. When one observes in the façade of your magnificent public buildings the characteristic marks of the Chinese, -the Red Indian, the Turco-Tartar, the Provençal, the Lombard +the Red Indian, the Turco-Tartar, the Provençal, the Lombard Renaissance, the Eskimo,<span class="pagenum"><a name="Page_221" id="Page_221">[Pg 221]</a></span> and the Late Patagonian, one catches for the first time the full meaning of your so complex civilisation."</p> @@ -3961,7 +3923,7 @@ marble bust of Immanuel Kant just behind him, and lit his cigar. He gazed thoughtfully out of the window. Before him stretched the enchanting panorama of Paris so familiar to American eyes—Notre Dame, the Gare de St. Lazare, the Bois de Boulogne, the Eiffel Tower, the -cypresses of Père Lachaise, the tomb of Napoleon, and the offices of the +cypresses of Père Lachaise, the tomb of Napoleon, and the offices of the American Express Company.</p> <p>"Yes," he said, "one envies the advantages of your multi-millionaires. @@ -3974,7 +3936,7 @@ conservatory, stables, kennels, the opportunities are unlimited."</p><p><span cl <p>"But we have pretty well exhausted all the known styles," I said. "What about the future?"</p> -<p>"Have no fear," he replied. "The archæologists are continually digging +<p>"Have no fear," he replied. "The archæologists are continually digging up new monuments of primitive architecture. By the time you need a new City Hall excavations will be very far advanced in Peru and Ceylon.</p> @@ -4211,7 +4173,7 @@ the sun. But for the moment it's puzzling.</p><hr class="chap" /><p><span class= <h3>(AFTER A-N-LD B-N-ETT)</h3> <p>In the dining-room of her little apartment, from the windows of which -one might catch a glimpse of the Place de la Révolution on a clear day, +one might catch a glimpse of the Place de la Révolution on a clear day, Madame Lafarge was laying the table for supper. She had folded the table-cloth in two. With outstretched arms she held the four ends of the beautifully laundered piece of napery between the thumb and @@ -4717,386 +4679,6 @@ the adoption of the Federal Constitution, etc. (5 vols., Washington, Pennsylvania, near the Maryland border, 85 miles southwest of Harrisburg. Pop. in 1910, 4,030.</p></div></div> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Post-Impressions, by Simeon Strunsky - -*** END OF THIS PROJECT GUTENBERG EBOOK POST-IMPRESSIONS *** - -***** This file should be named 40232-h.htm or 40232-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/0/2/3/40232/ - -Produced by Annie R. McGuire. This book was produced from -scanned images of public domain material from the Google -Print archive. - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License (available with this file or online at -http://gutenberg.org/license). - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need, are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation web page at http://www.pglaf.org. - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Its 501(c)(3) letter is posted at -http://pglaf.org/fundraising. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at -809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email -business@pglaf.org. Email contact links and up to date contact -information can be found at the Foundation's web site and official -page at http://pglaf.org - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit http://pglaf.org - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: http://pglaf.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart is the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For thirty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - -</pre> - +<div>*** END OF THE PROJECT GUTENBERG EBOOK 40232 ***</div> </body> </html> |
