summaryrefslogtreecommitdiff
path: root/40141-h
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-03-09 08:00:07 -0700
committernfenwick <nfenwick@pglaf.org>2025-03-09 08:00:07 -0700
commit1bf343310ddfe93129f623601f66709c91ac7d20 (patch)
tree6942f8d6f4c4b0b4f7dd5945b3d96940378308ab /40141-h
parent22bfd5f61b549c54c0bdb5cd88447c38876f1f57 (diff)
Add files from ibiblio as of 2025-03-09 08:00:07HEADmain
Diffstat (limited to '40141-h')
-rw-r--r--40141-h/40141-h.htm503
1 files changed, 47 insertions, 456 deletions
diff --git a/40141-h/40141-h.htm b/40141-h/40141-h.htm
index c158854..ab258f4 100644
--- a/40141-h/40141-h.htm
+++ b/40141-h/40141-h.htm
@@ -6,7 +6,7 @@
<meta name="Publisher" content="Macmillan and Company">
<meta name="Date" content="1895">
-<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1">
+<meta http-equiv="Content-Type" content="text/html; charset=UTF-8">
<style type="text/css">
body {margin-left:10%;
margin-right:10%; background-color:#FFFFFF;}
@@ -98,42 +98,7 @@ p.hang2 {margin-left:3em; text-indent:0em;}
</head>
<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Red Rowans, by Flora Annie Steel
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: Red Rowans
-
-Author: Flora Annie Steel
-
-Release Date: July 4, 2012 [EBook #40141]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK RED ROWANS ***
-
-
-
-
-Produced by Charles Bowen, from page scans provided by
-Google Books (New York Public Library)
-
-
-
-
-
-
-</pre>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 40141 ***</div>
<br>
<br>
@@ -1162,7 +1127,7 @@ exceptionally fitted for the future she had mapped out for herself, so
in a way he was bound to let her try it.</p>
<p class="normal">Consequently, as she sate that July afternoon teaching the children
-their duty to their neighbour, there was no <i>arrière pensée</i> of any
+their duty to their neighbour, there was no <i>arrière pensée</i> of any
kind in her affectionate reliance on Cousin Tom's unfailing interest.
That would last until she grew tired of teaching, and he grew old.
Then, always supposing that it was agreeable to both parties, they
@@ -3266,7 +3231,7 @@ nice-looking. This point of good looks was one upon which Mrs.
Woodward laid great insistence, and it enabled her to spend the next
hour or two in finishing a sentimental novel in which the lovers,
after sternly rejecting the counsels of parents and guardians, were
-rewarded in the third volume with £50,000 a year and a baronetcy. For,
+rewarded in the third volume with £50,000 a year and a baronetcy. For,
like most mothers, poor Mrs. Woodward was sadly at sea on the
matrimonial question. Its romantic side appealed to her fancy, its
business side to her experience, since no woman can have done her duty
@@ -3505,7 +3470,7 @@ overture, 'Tannhauser.'&quot;</p>
<p class="normal">A note which meant all or nothing according to the wishes of the
reader. In this case it meant all, for Jack, returning to his rooms
-after a disastrous attempt to begin his future rôle in life by playing
+after a disastrous attempt to begin his future rôle in life by playing
whist with the old fogies at his club, was feeling that life, even as
a misogynist, was unendurable, when the sight of his aunt's
handwriting made his heart beat. The note was not in the least what he
@@ -3618,7 +3583,7 @@ table----&quot;</p>
<p class="normal">&quot;Well, I don't know,&quot; put in Lady George, absently; &quot;I think those
stuffed larks came from Mirobolants. I saw that style of decoration in
-his place the other day, and I'm quite sure the iced soufflé was
+his place the other day, and I'm quite sure the iced soufflé was
Bombardi's; I know the shape.&quot;</p>
<p class="normal">&quot;Exactly what I said!&quot; continued the husband, &quot;not a thing fit for a
@@ -3648,7 +3613,7 @@ of whiskey. 'You had better give it her, my lady,' said Jane, 'for
fear as the dinner might 'ave no appearance.'&quot;</p>
<p class="normal">Among other unknown and despised talents which did not suit Lady
-George's theory of her own rôle in life was a distinct turn for
+George's theory of her own rôle in life was a distinct turn for
mimicry. Her admirable impersonation of Jane, therefore, made her
husband burst out laughing; since by a whimsical perversion of affairs
he loved his wife dearly for the very qualities which she feigned not
@@ -3674,7 +3639,7 @@ lady-like, refined; a girl of whom you would be very fond if she were
your wife. Her father is a speculator. Not quite so safe, of course,
as a solid business--buttons or tallow--though, by the way, he has
something to do with soap. Still, these Woodwards are quite
-presentable, and <i>Monsieur le père</i> has his wits about him. And then
+presentable, and <i>Monsieur le père</i> has his wits about him. And then
you know there are always settlements, and deeds of gift, and those
sort of things which creditors make such a fuss about.&quot;</p>
@@ -3701,7 +3666,7 @@ cream expended on his behalf, yet felt that she had been successful;
but, then, she would hardly have recognised herself if she had not
been so, since in her own little world, which she carefully avoided
extending unwisely either upwards or downwards, Lady George Temple was
-always cited as a success in all the rôles which she felt called upon
+always cited as a success in all the rôles which she felt called upon
to play.</p>
<p class="normal">&quot;I heard from Paul to-day, by the way,&quot; she said, as she gathered up
@@ -3865,7 +3830,7 @@ Blasius--or, let me see, was it Blasius George?&quot;</p>
<p class="normal">&quot;It is a matter of no importance, my dear,&quot; replied her husband,
drily. He did not remind his wife, nor did she choose to remember that
-at the time she had been playing the ultra ritualistic rôle. To tell
+at the time she had been playing the ultra ritualistic rôle. To tell
the truth, she did not care to be brought face to face with her past
impersonations, unless the fancy seized her to revert to them; when,
at a moment's notice, she could resume the character as if she had
@@ -3949,7 +3914,7 @@ uttermost. From what? from herself, perhaps. For Mrs. Vane had
performed the most unselfish act of her life when she had laughed and
scoffed at the devotion and gratitude of her patient. She had had
many, she said, and they had always felt like that during some period
-of their convalescence. There was nothing for these sequelæ of jungle
+of their convalescence. There was nothing for these sequelæ of jungle
fever like three months' leave to the bears in Kashmir; and, if he
liked, he might bring her home one of those little silk carpets for
her sitting-room as a fee; she would prefer a carpet to anything else.
@@ -3966,7 +3931,7 @@ effusively of the woman who had saved his life as if she were an old
frump, when she was really--Blanche, being a person of sense, felt
forced to acknowledge the truth--one of the most charming little
creatures imaginable, with just that half-sympathetic, half-bantering
-manner which was so taking. And Paul, having done this, her own rôle
+manner which was so taking. And Paul, having done this, her own rôle
of devoted sisterhood suffered thereby; so she fell back upon her
motherhood.</p>
@@ -4044,7 +4009,7 @@ dear Mrs. Vane, who, to judge from her <i>looks</i>, must have had great
<i>trouble</i>, and fully deserved dear, kind Paul's grateful remembrance
of past services; which, by the way, she seemed to have extended to
many other fortunate invalids. Altogether a most delightful woman, of
-<i>varied experiences</i> if a trifle <i>manierée</i>; &quot;though this,&quot; she added,
+<i>varied experiences</i> if a trifle <i>manierée</i>; &quot;though this,&quot; she added,
&quot;my dear Paul, is, I fear, a common fault with women who have been
made much of <i>by many men</i>.&quot;</p>
@@ -4087,7 +4052,7 @@ rise been clearly visible. The fierce sun beat down on the limestone
rocks, giving a russet tinge even to their mosses, and Paul Macleod's
useless rod lay in its case, since the river was reduced to a mere
tinkle of clear water in a moraine of boulders. So he took to
-haymaking instead, partly because it suited his mood to play the rôle
+haymaking instead, partly because it suited his mood to play the rôle
of country proprietor--for to a certain extent he shared his sister's
dramatic temperament--and partly because Marjory always brought Will
Cameron's tea into the fields. It was quite idyllic to watch her from
@@ -4901,7 +4866,7 @@ instant after Paul's figure showed round a rock below, busily engaged
with a swishing trout rod.</p>
<div class="poem2">
-<p class="i6">&quot;Die schönste Mädchen sitzet
+<p class="i6">&quot;Die schönste Mädchen sitzet
Dort oben wunderbar.&quot;
</div>
@@ -5859,7 +5824,7 @@ the long-prophesied judgment had overtaken this evil generation. And
she had lived in the Glen for fifty years.</p>
<p class="normal">Poor Lady George, who had arrived at Gleneira wet, chilled,
-uncomfortable, yet still prepared to play her rôle of hostess to
+uncomfortable, yet still prepared to play her rôle of hostess to
perfection, fell a victim to a cold, which, as she complained, put it
out of her power to give a good rendering to the part. Since it was
manifestly impossible to receive her visitors, arriving in their
@@ -5874,7 +5839,7 @@ influenza! So she went about in a very smart, short, tweed costume,
with gaiters, and affected a sort of forced indifference even when the
cook, imported at fabulous wages, gave up her place on the third day,
saying she could not live in a shower bath, and was not accustomed to
-a Zoölogical Gardens in the larder; when the upper housemaid gave
+a Zoölogical Gardens in the larder; when the upper housemaid gave
warning because hot water was not laid on to the top of the house, and
the kitchenmaid refused to make the porridge for the half-dozen
Highland lassies, who did all the work, on the ground that no
@@ -6507,7 +6472,7 @@ Paul--and a couple of men to match. Finally the Moth.&quot;</p>
<p class="normal">&quot;Miss Jones, or is she Miss Smith? I met her in Devonshire with
another school friend. She was Watteau then--cream and roses. I met
her, too, on a yacht--anchors and lanyards. And here, like Lady
-George, she is <i>moyen-âge</i>.&quot;</p>
+George, she is <i>moyen-âge</i>.&quot;</p>
<p class="normal">&quot;But why the Moth?&quot;</p>
@@ -6544,7 +6509,7 @@ and sing for us?&quot;</p>
us--she is obdurate with me.&quot;</p>
<p class="normal">Lady George, delighted at her brother's virtue in seeking to break up
-a <i>tête-a-tête</i>, was urgent in her appeals, and Mrs. Vane passed to
+a <i>tête-a-tête</i>, was urgent in her appeals, and Mrs. Vane passed to
the piano, airily.</p>
<p class="normal">&quot;There is music here,&quot; cried Lord George, officiously producing a book
@@ -6775,7 +6740,7 @@ her and feel no desire to prolong the touch, to look in her face and
see nothing that was not clear and cold in her eyes, was not, could
not, be comforting. Clearly his feeling for her was not to be classed
as a passion. And yet how glad he had been to see her. How contented
-he had been to walk beside her, and what a sense of <i>bien-être</i> her
+he had been to walk beside her, and what a sense of <i>bien-être</i> her
presence gave him. And it was distinctly satisfactory to find it so
little disturbing. Then, recognising the fact that he was becoming
absent in the effort to remember the exact look on her face as she
@@ -6952,7 +6917,7 @@ that was the right word!--charming from the sole of their feet to the
crown of their heads. As if she had anything in common with such
people!--or, for the matter of that, with Paul, himself--she, whose
fate it was to work, and who liked that fate? Yet almost before
-Captain Macleod and his companion had reached home after the <i>détour</i>
+Captain Macleod and his companion had reached home after the <i>détour</i>
he begged for round the garden, Marjory had thrown down her book in a
temper at her own stupidity, run upstairs for her hat, and was off for
a wild, solitary scramble over the hills.</p>
@@ -7639,7 +7604,7 @@ Mrs. Vane had crossed the room and was standing opposite Lady George.</p>
<p class="normal">&quot;I would ask you to introduce me to Dr. Kennedy,&quot; she said, &quot;but it
would be of no use, for while he has made a name for himself since I
knew him, I have lost mine. So I will only ask him if he remembers the
-jasmine bush at the Château Saumarez?&quot;</p>
+jasmine bush at the Château Saumarez?&quot;</p>
<p class="normal">There was an instant's bewilderment, and then Tommy Kennedy, who had
risen at her first word, took a step forward and both his hands went
@@ -7664,7 +7629,7 @@ jasmine bush, Alphonse, was at your uncle's, Prince Rosignacs's. Why!
you have a bit in your buttonhole now, and I----&quot; She pointed to the
spray fastened into the laces of her tea-gown.</p>
-<p class="normal">&quot;<i>Ce soir ma robe en est tout embaumée</i>.&quot;</p>
+<p class="normal">&quot;<i>Ce soir ma robe en est tout embaumée</i>.&quot;</p>
<p class="normal">&quot;<i>Respires-en moi l'adorant souvenir</i>,&quot; quoted Dr. Kennedy, looking at
the lapel of his coat tenderly; and Marjory, standing a little apart,
@@ -7772,7 +7737,7 @@ aware of his own reputation as one of the boldest adventurers in new
fields of discovery, and told himself that people made much of him for
their own sake, and because he carried his restless energy with him
into society as well as into his work. For energy is, as a rule, a
-godsend to <i>fin-de-siècle</i> men and women. So the conceit of it slipped
+godsend to <i>fin-de-siècle</i> men and women. So the conceit of it slipped
off him like water from a duck's back, leaving him free to take his
world as he found it.</p>
@@ -7840,7 +7805,7 @@ the most beautiful woman I ever saw. That is why I call it a
caricature, Mrs. Vane.&quot;</p>
<p class="normal">The anger in his voice was not to be mistaken, and Marjory, as he
-moved away to resume his <i>tête-a-tête</i> with Alice Woodward, was left
+moved away to resume his <i>tête-a-tête</i> with Alice Woodward, was left
with an uncomfortable feeling that she had somehow betrayed a secret,
though her common, sense resented the imputation. But Mrs. Vane looked
after his retreating figure with one of her fine smiles. So the memory
@@ -8219,7 +8184,7 @@ it was a further relief to meet the butler in the hall carrying a
fresh teapot of tea into the drawing-room, while the footman followed
decorously bearing eight cups on a tray. Lady Hooker, the former
functionary replied, in answer to her inquiries, had driven over from
-the Forest to see her ladyship in a <i>châr-a-banc</i>, with seven other
+the Forest to see her ladyship in a <i>châr-a-banc</i>, with seven other
ladies, some children, and a piper playing on the box. He added the
last item in tones of tolerant contempt, born of a dispute downstairs
as to whether the musician should have his tea in the housekeeper's
@@ -8375,7 +8340,7 @@ at the Forest--that's your place, isn't it?&quot;</p>
<p class="normal">&quot;It's a deal bigger than this,&quot; remarked the other. &quot;And we have deers
and grouses.&quot;</p>
-<p class="normal">So the game of brag--which children play more naïvely than their
+<p class="normal">So the game of brag--which children play more naïvely than their
elders--began, while the authoress was explaining at length how it
came about that Cressida had consented to Blasius's methods of
persuasion.</p>
@@ -8399,7 +8364,7 @@ ones have a trick of doing, begged for more consideration as she sate
turning a polite ear and tongue to the task of amusing the authoress,
who had remained behind; Mrs. Woodward meanwhile appearing deeply
interested in a certain place the Hookers had had in Perthshire, where
-the gillies expected champagne and <i>pâti de foie gras</i> for their ball
+the gillies expected champagne and <i>pâti de foie gras</i> for their ball
supper. And she was fast approaching that condition of mind in which
the only thing which prevents our owning up that we are out of our
depth is the conviction that we know quite as much of what we are
@@ -8455,7 +8420,7 @@ matters before nurse appeared.</p>
<p class="normal">&quot;They was flicking piggy wif a pin, and piggy was 'quealin' louder nor
Blazeths.&quot;</p>
-<p class="normal">And even Lady George--when the <i>châr-a-banc</i> had driven off, piper and
+<p class="normal">And even Lady George--when the <i>châr-a-banc</i> had driven off, piper and
mackintoshes and all, with Cressida kissing her still tarry hands to a
struggling figure in Mary's arms at the nursery window--was forced to
admit that Blazes generally went straight to the point; and that after
@@ -8768,7 +8733,7 @@ mentioned it, now.&quot;</p>
<p class="normal">&quot;What is it?&quot; she asked, in a constrained voice. &quot;I should like to
know, if I may?&quot;</p>
-<p class="normal">&quot;My dear! of course you may. Pyæmia; the knife slipped, that was all.
+<p class="normal">&quot;My dear! of course you may. Pyæmia; the knife slipped, that was all.
The veriest scratch. What a fool I was to mention it!&quot;</p>
<p class="normal">&quot;Don't say that,&quot; she flashed out suddenly. &quot;Don't you know that I
@@ -8851,7 +8816,7 @@ possibilities. So he devoted himself more than usual to his duty, and
though, of course, he made up his tiff a trifle sentimentally with
Marjory, he chose to be rather lordly over her relations with Dr.
Kennedy, and even went so far as to mention to his sister that he
-suspected her <i>protégé</i>, Mr. Gillespie, was forestalled.</p>
+suspected her <i>protégé</i>, Mr. Gillespie, was forestalled.</p>
<p class="normal">&quot;My dear Paul!&quot; said Lady George, distractedly, &quot;I really don't care
at the present moment who marries who. I might be in a better world
@@ -9162,7 +9127,7 @@ audience. And Paul knew--knew all too well--but he sate silent,
crushing down his anger at the skill of the thrust.</p>
<p class="normal">&quot;What is it?&quot; echoed Alice Woodward, who, with an opera cloak thrown
-over her last costume, had returned to her rôle of spectator. &quot;Why,
+over her last costume, had returned to her rôle of spectator. &quot;Why,
Brynhild, of course, mamma! The Nibelungen, you know--we heard that
German tenor in it, if you remember. Mrs. Vane has staged it
beautifully, hasn't she, Captain Macleod; and how well the dress suits
@@ -9472,7 +9437,7 @@ next Thursday.&quot;</p>
<p class="normal">&quot;Yes, I know. But don't talk of it; let us enjoy it while it lasts!&quot;</p>
<p class="normal">He turned back to his work again hurriedly. &quot;Now, that is what I
-should call truly frivolous. So be it. However, <i>Vogue la galère!</i> It
+should call truly frivolous. So be it. However, <i>Vogue la galère!</i> It
is a very easy philosophy, at any rate.&quot;</p>
<p class="normal">They were silent again for a space, and then she began again. &quot;What I
@@ -9507,7 +9472,7 @@ dowdy all the same.&quot;</p>
you really ought to go and dress, my dear. In my time girls----&quot;</p>
<p class="normal">&quot;In your time!&quot; she flashed out. &quot;Why? Why, you are quite up to date,
-Tom, and I--I am hopelessly <i>arriérée</i>, especially in my dress! Oh,
+Tom, and I--I am hopelessly <i>arriérée</i>, especially in my dress! Oh,
dear f I suppose I must----&quot;</p>
<p class="normal">A minute afterwards she came flying down the stairs, followed by Mrs.
@@ -10033,7 +9998,7 @@ irony of fate, indeed,&quot; he murmured as she read:--</p>
<p class="normal">&quot;<span class="sc">Dear Madam</span>,--We have to advise you of the death of our esteemed
client, Mr. John Duncan, of Melbourne, Australia, and to inform you
that under his will you, as his widow, come into property amounting to
-close on £100,000.&quot;</p>
+close on £100,000.&quot;</p>
<br>
<p class="normal">Mrs. Vane's hand holding the letter fell to her side, and Dr.
@@ -10384,7 +10349,7 @@ and the antimacassar will keep him warm, and he can have his tea with
me.&quot;</p>
<p class="normal">This incident, however, made it quite impossible for her to continue
-the rôle she had been playing before. How could she? with Blasius
+the rôle she had been playing before. How could she? with Blasius
huddled up on her lap, eating bread and jam between his attempts to
count his bare toes; an arithmetical problem which he insisted on
solving, despite her efforts with the antimacassar. Not that the
@@ -10636,7 +10601,7 @@ distinguished, but none of the Hooker party speak German. George will,
of course, take him in tow by and bye, being in the Foreign Office;
but just now, I thought--if you would not mind. Thanks, so much! it
always looks well to have more than one linguist. At present, I have
-sent him to admire the view with Major Bertie, who says 'wunderschön'
+sent him to admire the view with Major Bertie, who says 'wunderschön'
at intervals; but that can't last long, you know.&quot;</p>
<p class="normal">&quot;My dear Blanche, you are as good as a play!&quot; protested her husband,
@@ -10782,7 +10747,7 @@ motto.&quot;</p>
<p class="normal">Yet as they paused at the first turn he looked back towards the two
figures cresting the rise, and remarked easily to his companion that
Miss Carmichael was quite a picture on the hillside, and walked like a
-shepherd. And then, as easily, he proposed taking a <i>détour</i> through a
+shepherd. And then, as easily, he proposed taking a <i>détour</i> through a
nut wood, and so by a path he knew back to the beach.</p>
<p class="normal">&quot;Alice would like a cup of tea, please; she is rather tired,&quot; he said
@@ -10832,7 +10797,7 @@ parting.</p>
<p class="normal">The Reverend James Gillespie had a certain coarse fibre in him, which
made it only natural that the snub direct he had received from Dr.
Kennedy should make him more determined than he had been before
-on a <i>tête-a-tête</i> with Marjory. Consequently, much to her disgust,
+on a <i>tête-a-tête</i> with Marjory. Consequently, much to her disgust,
she found him solemnly waiting for her on a tombstone in the old
burying-ground. The spectacle was an irritating one.</p>
@@ -12021,7 +11986,7 @@ plenty of people to pay for the privilege of doing so.&quot;</p>
that she did it, as she did everything else, with infinite verve and
grace. Blanche, who had not said half as much, had made him angry; and
here he was seated beside Violet's sofa, enjoying his tea, and feeling
-that sense of <i>bien être</i> which he always felt in her company.</p>
+that sense of <i>bien être</i> which he always felt in her company.</p>
<p class="normal">Yet even she might have failed in producing this for once, if he could
have overheard a conversation which was going on over another cup of
@@ -12032,7 +11997,7 @@ interview with Paul that morning.</p>
<p class="normal">&quot;Very honourable, no doubt, but exceedingly unsatisfactory,&quot; she
remarked, with asperity. &quot;I must say that I think you failed.&quot;</p>
-<p class="normal">&quot;Did you wish me to give the man his <i>congé</i>, my dear?&quot; interrupted
+<p class="normal">&quot;Did you wish me to give the man his <i>congé</i>, my dear?&quot; interrupted
her spouse, irritably. &quot;If so, you should have told me so distinctly,
but if it comes to that I can write and dismiss him.&quot;</p>
@@ -12339,7 +12304,7 @@ position.</p>
<p class="normal">So he wandered on until he found himself in Regent's Park, and then,
with that idle distaste to some decisive action which a return
-clubwards would necessitate, in the Zoölogical Gardens. It was years
+clubwards would necessitate, in the Zoölogical Gardens. It was years
since he had been there of a morning without a band and a crowd. Years
since he had brought papers of nuts and biscuits, and given them to
the bears. But now he was free--yes! that was one comfort! he was free
@@ -12452,7 +12417,7 @@ packet out once more and looked doubtfully at the marriage
certificate.</p>
<p class="normal">&quot;Captain Macleod,&quot; said the servant at the door, for Paul was a
-privileged visitor, with the <i>entrée</i> at all times to Mrs. Vane's
+privileged visitor, with the <i>entrée</i> at all times to Mrs. Vane's
little sitting-room. She had barely time to thrust the paper under a
book ere he was beside her.</p>
@@ -12606,7 +12571,7 @@ understand me.&quot;</p>
<p class="normal">&quot;I do understand you, Paul; better perhaps than you understand
yourself. That is why I tell you not to go down to Gleneira. You are
-<i>tête montée</i> now. You are not yourself. Look the matter in the face!
+<i>tête montée</i> now. You are not yourself. Look the matter in the face!
Supposing she were to accept you; what then?&quot;</p>
<p class="normal">He paused a moment. &quot;I should marry her, I suppose--but she won't. I
@@ -12774,7 +12739,7 @@ just!</p>
<p class="right">&quot;<span class="sc">Jeanie Duncan</span>.</p>
<br>
-<p class="normal">&quot;P.S.--Look in the photograph shops in Paris for 'La Belle Écossaise,'
+<p class="normal">&quot;P.S.--Look in the photograph shops in Paris for 'La Belle Écossaise,'
if you wish to know what I was like when <i>he</i> married me.&quot;</p>
<br>
@@ -13610,7 +13575,7 @@ conscious of nothing but the fever raging in it.</p>
hear the long tale Dr. Kennedy had to tell, for Paul had only written
of the sad accident. And Lady George followed, with two plain, black
dresses and a little assortment of highly starched linen collars and
-cuffs in her portmanteaux, ready at all points to take up the rôle of
+cuffs in her portmanteaux, ready at all points to take up the rôle of
nurse; though why a woman should nurse better in handcuffs, which
prevent all natural play of the wrist, and why a patient should be
supposed to like the dangling of starched cap-strings in his face, is
@@ -13844,381 +13809,7 @@ Shade! Where are they?</p>
<br>
<br>
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Red Rowans, by Flora Annie Steel
-
-*** END OF THIS PROJECT GUTENBERG EBOOK RED ROWANS ***
-
-***** This file should be named 40141-h.htm or 40141-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/0/1/4/40141/
-
-Produced by Charles Bowen, from page scans provided by
-Google Books (New York Public Library)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 40141 ***</div>
</body>
</html>