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diff --git a/3976.txt b/3976.txt new file mode 100644 index 0000000..b5feb0f --- /dev/null +++ b/3976.txt @@ -0,0 +1,2997 @@ +The Project Gutenberg Etext of Fromont and Risler by Alphonse Daudet, v1 +#63 in our series The French Immortals Crowned by the French Academy +#4 in our series by Alphonse Daudet + +Copyright laws are changing all over the world, be sure to check +the laws for your country before redistributing these files!!!!! + +Please take a look at the important information in this header. +We encourage you to keep this file on your own disk, keeping an +electronic path open for the next readers. + +Please do not remove this. + +This should be the first thing seen when anyone opens the book. +Do not change or edit it without written permission. 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But the students of the future, while recognizing an obvious +affinity between the other two, may be puzzled to find Daudet's name +conjoined with theirs. + +Decidedly, Daudet belonged to the Realistic School. But, above all, he +was an impressionist. All that can be observed--the individual picture, +scene, character--Daudet will render with wonderful accuracy, and all his +novels, especially those written after 1870, show an increasing firmness +of touch, limpidity of style, and wise simplicity in the use of the +sources of pathetic emotion, such as befit the cautious Naturalist. +Daudet wrote stories, but he had to be listened to. Feverish as his +method of writing was--true to his Southern character he took endless +pains to write well, revising every manuscript three times over from +beginning to end. He wrote from the very midst of the human comedy; and +it is from this that he seems at times to have caught the bodily warmth +and the taste of the tears and the very ring of the laughter of men and +women. In the earlier novels, perhaps, the transitions from episode to +episode or from scene to scene are often abrupt, suggesting the manner of +the Goncourts. But to Zola he forms an instructive contrast, of the same +school, but not of the same family. Zola is methodical, Daudet +spontaneous. Zola works with documents, Daudet from the living fact. +Zola is objective, Daudet with equal scope and fearlessness shows more +personal feeling and hence more delicacy. And in style also Zola is +vast, architectural; Daudet slight, rapid, subtle, lively, suggestive. +And finally, in their philosophy of life, Zola may inspire a hate of vice +and wrong, but Daudet wins a love for what is good and true. + +Alphonse Daudet was born in Nimes, Provence, May 13, 1840. His father +had been a well-to-do silk manufacturer, but, while Alphonse was still a +child, lost his property. Poverty compelled the son to seek the wretched +post of usher (pion) in a school at Alais. In November, 1857, he settled +in Paris and joined his almost equally penniless brother Ernest. The +autobiography, 'Le Petit Chose' (1868), gives graphic details about this +period. His first years of literary life were those of an industrious +Bohemian, with poetry for consolation and newspaper work for bread. He +had secured a secretaryship with the Duc de Morny, President of the Corps +Legislatif, and had won recognition for his short stories in the +'Figaro', when failing health compelled him to go to Algiers. Returning, +he married toward that period a lady (Julia Allard, born 1847), whose +literary talent comprehended, supplemented, and aided his own. After the +death of the Duc de Morny (1865) he consecrated himself entirely to +literature and published 'Lettres de mon Moulin' (1868), which also made +his name favorably known. He now turned from fiction to the drama, and +it was not until after 1870 that he became fully conscious of his +vocation as a novelist, perhaps through the trials of the siege of Paris +and the humiliation of his country, which deepened his nature without +souring it. Daudet's genial satire, 'Tartarin de Tarascon', appeared in +1872; but with the Parisian romance 'Fromont jeune et Risler aine', +crowned by the Academy (1874), he suddenly advanced into the foremost +rank of French novelists; it was his first great success, or, as he puts +it, "the dawn of his popularity." + +How numberless editions of this book were printed, and rights of +translations sought from other countries, Daudet has told us with natural +pride. The book must be read to be appreciated. "Risler, a self-made, +honest man, raises himself socially into a society against the +corruptness of which he has no defence and from which he escapes only by +suicide. Sidonie Chebe is a peculiarly French type, a vain and heartless +woman; Delobelle, the actor, a delectable figure; the domestic simplicity +of Desiree Delobelle and her mother quite refreshing." + +Success followed now after success. 'Jack (1876); Le Nabab (1877); Les +Rois en exil (1879); Numa Roumestan (1882); L'Evangeliste (1883); Sapho +(1884); Tartarin sur des Alces (1886); L'Immortel (1888); Port Tarascon +(1890); Rose et Ninette (1892); La petite Parvisse (1895); and Soutien de +Famille (1899)'; such is the long list of the great life-artist. In Le +Nabab we find obvious traces of Daudet's visits to Algiers and Corsica- +Mora is the Duc de Morny. Sapho is the most concentrated of his novels, +with never a divergence, never a break, in its development. And of the +theme--legitimate marriage contra common-law--what need be said except +that he handled it in a manner most acceptable to the aesthetic and least +offensive to the moral sense? + +L'Immortel is a satire springing from personal reasons; L'Evangeliste and +Rose et Ninette--the latter on the divorce problem--may be classed as +clever novels; but had Daudet never written more than 'Fromont et +Risler', 'Tartarin sur les Alces', and 'Port Tarascon', these would keep +him in lasting remembrance. + +We must not omit to mention also many 'contes' and his 'Trente ans de +Paris (A travers ma vie et mes livres), Souvenirs d'un Homme de lettres +(1888), and Notes sur la Vie (1899)'. + +Alphonse Daudet died in Paris, December 16, 1897 + + LECONTE DE LISLE + de l'Academie Francaise. + + + + + + +FROMONT AND RISLER + + + +CHAPTER I + +A WEDDING-PARTY AT THE CAFE VEFOUR + +"Madame Chebe!" + +"My boy--" + +"I am so happy!" + +This was the twentieth time that day that the good Risler had said that +he was happy, and always with the same emotional and contented manner, +in the same low, deep voice-the voice that is held in check by emotion +and does not speak too loud for fear of suddenly breaking into violent +tears. + +Not for the world would Risler have wept at that moment--imagine a newly- +made husband giving way to tears in the midst of the wedding-festival! +And yet he had a strong inclination to do so. His happiness stifled him, +held him by the throat, prevented the words from coming forth. All that +he could do was to murmur from time to time, with a slight trembling of +the lips, "I am happy; I am happy!" + +Indeed, he had reason to be happy. + +Since early morning the poor man had fancied that he was being whirled +along in one of those magnificent dreams from which one fears lest he may +awake suddenly with blinded eyes; but it seemed to him as if this dream +would never end. It had begun at five o'clock in the morning, and at ten +o'clock at night, exactly ten o'clock by Vefour's clock, he was still +dreaming. + +How many things had happened during that day, and how vividly he +remembered the most trivial details. + +He saw himself, at daybreak, striding up and down his bachelor quarters, +delight mingled with impatience, clean-shaven, his coat on, and two pairs +of white gloves in his pocket. Then there were the wedding-coaches, and +in the foremost one--the one with white horses, white reins, and a yellow +damask lining--the bride, in her finery, floated by like a cloud. Then +the procession into the church, two by two, the white veil in advance, +ethereal, and dazzling to behold. The organ, the verger, the cure's +sermon, the tapers casting their light upon jewels and spring gowns, and +the throng of people in the sacristy, the tiny white cloud swallowed up, +surrounded, embraced, while the bridegroom distributed hand-shakes among +all the leading tradesmen of Paris, who had assembled to do him honor. +And the grand crash from the organ at the close, made more solemn by the +fact that the church door was thrown wide open, so that the whole street +took part in the family ceremony--the music passing through the vestibule +at the same time with the procession--the exclamations of the crowd, and +a burnisher in an ample lute-string apron remarking in a loud voice, "The +groom isn't handsome, but the bride's as pretty as a picture." That is +the kind of thing that makes you proud when you happen to be the +bridegroom. + +And then the breakfast at the factory, in a workroom adorned with +hangings and flowers; the drive in the Bois--a concession to the wishes +of his mother-in-law, Madame Chebe, who, being the petty Parisian +bourgeoise that she was, would not have deemed her daughter legally +married without a drive around the lake and a visit to the Cascade. +Then the return for dinner, as the lamps were being lighted along the +boulevard, where people turned to look after the wedding-party, a typical +well-to-do bourgeois wedding-party, as it drove up to the grand entrance +at Vefour's with all the style the livery horses could command. + +Risler had reached that point in his dream. + +And now the worthy man, dazed with fatigue and well-being, glanced +vaguely about that huge table of twenty-four covers, curved in the shape +of a horseshoe at the ends, and surrounded by smiling, familiar faces, +wherein he seemed to see his happiness reflected in every eye. The +dinner was drawing near its close. The wave of private conversation +flowed around the table. Faces were turned toward one another, black +sleeves stole behind waists adorned with bunches of asclepias, a childish +face laughed over a fruit ice, and the dessert at the level of the +guests' lips encompassed the cloth with animation, bright colors, and +light. + +Ah, yes! Risler was very happy. + +Except his brother Frantz, everybody he loved was there. First of all, +sitting opposite him, was Sidonie--yesterday little Sidonie, to-day his +wife. For the ceremony of dinner she had laid aside her veil; she had +emerged from her cloud. Now, above the smooth, white silk gown, appeared +a pretty face of a less lustrous and softer white, and the crown of hair- +beneath that other crown so carefully bestowed--would have told you of a +tendency to rebel against life, of little feathers fluttering for an +opportunity to fly away. But husbands do not see such things as those. + +Next to Sidonie and Frantz, the person whom Risler loved best in the +world was Madame Georges Fromont, whom he called "Madame Chorche," the +wife of his partner and the daughter of the late Fromont, his former +employer and his god. He had placed her beside him, and in his manner of +speaking to her one could read affection and deference. She was a very +young woman, of about the same age as Sidonie, but of a more regular, +quiet and placid type of beauty. She talked little, being out of her +element in that conglomerate assemblage; but she tried to appear affable. + +On Risler's other side sat Madame Chebe, the bride's mother, radiant and +gorgeous in her green satin gown, which gleamed like a shield. Ever +since the morning the good woman's every thought had been as brilliant as +that robe of emblematic hue. At every moment she said to herself: "My +daughter is marrying Fromont Jeune and Risler Aine, of Rue des Vieilles +Haudriettes!" For, in her mind, it was not Risler alone whom her +daughter took for her husband, but the whole sign of the establishment, +illustrious in the commercial annals of Paris; and whenever she mentally +announced that glorious event, Madame Chebe sat more erect than ever, +stretching the silk of the bodice until it almost cracked. + +What a contrast to the attitude of Monsieur Chebe, who was seated at a +short distance. In different households, as a general rule, the same +causes produce altogether different results. That little man, with the +high forehead of a visionary, as inflated and hollow as a ball, was as +fierce in appearance as his wife was radiant. That was nothing unusual, +by the way, for Monsieur Chebe was in a frenzy the whole year long. +On this particular evening, however, he did not wear his customary woe- +begone, lack-lustre expression, nor the full-skirted coat, with the +pockets sticking out behind, filled to repletion with samples of oil, +wine, truffles, or vinegar, according as he happened to be dealing in one +or the other of those articles. His black coat, new and magnificent, +made a fitting pendant to the green gown; but unfortunately his thoughts +were of the color of his coat. Why had they not seated him beside the +bride, as was his right? Why had they given his seat to young Fromont? +And there was old Gardinois, the Fromonts' grandfather, what business had +he by Sidonie's side? Ah! that was how it was to be! Everything for +the Fromonts and nothing for the Chebes! And yet people are amazed that +there are such things as revolutions! + +Luckily the little man had by his side, to vent his anger upon, his +friend Delobelle, an old, retired actor, who listened to him with his +serene and majestic holiday countenance. + +Strangely enough, the bride herself had something of that same +expression. On that pretty and youthful face, which happiness enlivened +without making glad, appeared indications of some secret preoccupation; +and, at times, the corners of her lips quivered with a smile, as if she +were talking to herself. + +With that same little smile she replied to the somewhat pronounced +pleasantries of Grandfather Gardinois, who sat by her side. + +"This Sidonie, on my word!" said the good man, with a laugh. "When I +think that not two months ago she was talking about going into a convent. +We all know what sort of convents such minxes as she go to! As the +saying is in our province: The Convent of Saint Joseph, four shoes under +the bed!" + +And everybody at the table laughed heartily at the rustic jests of the +old Berrichon peasant, whose colossal fortune filled the place of +manliness, of education, of kindness of heart, but not of wit; for he had +plenty of that, the rascal--more than all his bourgeois fellow-guests +together. Among the very rare persons who inspired a sympathetic feeling +in his breast, little Chebe, whom he had known as an urchin, appealed +particularly to him; and she, for her part, having become rich too +recently not to venerate wealth, talked to her right-hand neighbor with a +very perceptible air of respect and coquetry. + +With her left-hand-neighbor, on the contrary, Georges Fromont, her +husband's partner, she exhibited the utmost reserve. Their conversation +was restricted to the ordinary courtesies of the table; indeed there was +a sort of affectation of indifference between them. + +Suddenly there was that little commotion among the guests which indicates +that they are about to rise: the rustling of silk, the moving of chairs, +the last words of conversations, the completion of a laugh, and in that +half-silence Madame Chebe, who had become communicative, observed in a +very loud tone to a provincial cousin, who was gazing in an ecstasy of +admiration at the newly made bride's reserved and tranquil demeanor, as +she stood with her arm in Monsieur Gardinois's: + +"You see that child, cousin--well, no one has ever been able to find out +what her thoughts were." + +Thereupon the whole party rose and repaired to the grand salon. + +While the guests invited for the ball were arriving and mingling with the +dinner-guests, while the orchestra was tuning up, while the cavaliers, +eyeglass in position, strutted before the impatient, white-gowned +damsels, the bridegroom, awed by so great a throng, had taken refuge with +his friend Planus--Sigismond Planus, cashier of the house of Fromont for +thirty years--in that little gallery decorated with flowers and hung with +a paper representing shrubbery and clambering vines, which forms a sort +of background of artificial verdure to Vefour's gilded salons. + +"Sigismond, old friend--I am very happy." + +And Sigismond too was happy; but Risler did not give him time to say so. +Now that he was no longer in dread of weeping before his guests, all the +joy in his heart overflowed. + +"Just think of it, my friend!--It's so extraordinary that a young girl +like Sidonie would consent to marry me. For you know I'm not handsome. +I didn't need to have that impudent creature tell me so this morning to +know it. And then I'm forty-two--and she such a dear little thing! +There were so many others she might have chosen, among the youngest and +the richest, to say nothing of my poor Frantz, who loved her so. But, +no, she preferred her old Risler. And it came about so strangely. For a +long time I noticed that she was sad, greatly changed. I felt sure there +was some disappointment in love at the bottom of it. Her mother and I +looked about, and we cudgelled our brains to find out what it could be. +One morning Madame Chebe came into my room weeping, and said, 'You are +the man she loves, my dear friend!'--And I was the man--I was the man! +Bless my soul! Whoever would have suspected such a thing? And to think +that in the same year I had those two great pieces of good fortune-- +a partnership in the house of Fromont and married to Sidonie--Oh!" + +At that moment, to the strains of a giddy, languishing waltz, a couple +whirled into the small salon. They were Risler's bride and his partner, +Georges Fromont. Equally young and attractive, they were talking in +undertones, confining their words within the narrow circle of the waltz. + +"You lie!" said Sidonie, slightly pale, but with the same little smile. + +And the other, paler than she, replied: + +"I do not lie. It was my uncle who insisted upon this marriage. He was +dying--you had gone away. I dared not say no." + +Risler, at a distance, gazed at them in admiration. + +"How pretty she is! How well they dance!" + +But, when they spied him, the dancers separated, and Sidonie walked +quickly to him. + +"What! You here? What are you doing? They are looking everywhere for +you. Why aren't you in there?" + +As she spoke she retied his cravat with a pretty, impatient gesture. +That enchanted Risler, who smiled at Sigismond from the corner of his +eye, too overjoyed at feeling the touch of that little gloved hand on his +neck, to notice that she was trembling to the ends of her slender +fingers. + +"Give me your arm," she said to him, and they returned together to the +salons. The white bridal gown with its long train made the badly cut, +awkwardly worn black coat appear even more uncouth; but a coat can not be +retied like a cravat; she must needs take it as it was. As they passed +along, returning the salutations of all the guests who were so eager to +smile upon them, Sidonie had a momentary thrill of pride, of satisfied +vanity. Unhappily it did not last. In a corner of the room sat a young +and attractive woman whom nobody invited to dance, but who looked on at +the dances with a placid eye, illumined by all the joy of a first +maternity. As soon as he saw her, Risler walked straight to the corner +where she sat and compelled Sidonie to sit beside her. Needless to say +that it was Madame "Chorche." To whom else would he have spoken with +such affectionate respect? In what other hand than hers could he have +placed his little Sidonie's, saying: "You will love her dearly, won't +you? You are so good. She needs your advice, your knowledge of the +world." + +"Why, my dear Risler," Madame Georges replied, "Sidonie and I are old +friends. We have reason to be fond of each other still." + +And her calm, straightforward glance strove unsuccessfully to meet that +of her old friend. + +With his ignorance of women, and his habit of treating Sidonie as a +child, Risler continued in the same tone: + +"Take her for your model, little one. There are not two people in the +world like Madame Chorche. She has her poor father's heart. A true +Fromont!" + +Sidonie, with her eyes cast down, bowed without replying, while an +imperceptible shudder ran from the tip of her satin shoe to the topmost +bit of orange-blossom in her crown. But honest Risler saw nothing. +The excitement, the dancing, the music, the flowers, the lights made +him drunk, made him mad. He believed that every one breathed the same +atmosphere of bliss beyond compare which enveloped him. He had no +perception of the rivalries, the petty hatreds that met and passed one +another above all those bejewelled foreheads. + +He did not notice Delobelle, standing with his elbow on the mantel, one +hand in the armhole of his waistcoat and his hat upon his hip, weary of +his eternal attitudinizing, while the hours slipped by and no one thought +of utilizing his talents. He did not notice M. Chebe, who was prowling +darkly between the two doors, more incensed than ever against the +Fromonts. Oh! those Fromonts!--How large a place they filled at that +wedding! They were all there with their wives, their children, their +friends, their friends' friends. One would have said that one of +themselves was being married. Who had a word to say of the Rislers or +the Chebes? Why, he--he, the father, had not even been presented!-- +And the little man's rage was redoubled by the attitude of Madame Chebe, +smiling maternally upon one and all in her scarab-hued dress. + +Furthermore, there were at this, as at almost all wedding-parties, two +distinct currents which came together but without mingling. One of the +two soon gave place to the other. The Fromonts, who irritated Monsieur +Chebe so much and who formed the aristocracy of the ball, the president +of the Chamber of Commerce, the syndic of the solicitors, a famous +chocolate-manufacturer and member of the Corps Legislatif, and the old +millionaire Gardinois, all retired shortly after midnight. Georges +Fromont and his wife entered their carriage behind them. Only the Risler +and Chebe party remained, and the festivity at once changed its aspect, +becoming more uproarious. + +The illustrious Delobelle, disgusted to see that no one called upon him +for anything, decided to call upon himself for something, and began in a +voice as resonant as a gong the monologue from Ruy Blas: "Good appetite, +Messieurs!" while the guests thronged to the buffet, spread with +chocolate and glasses of punch. Inexpensive little costumes were +displayed upon the benches, overjoyed to produce their due effect at +last; and here and there divers young shop-clerks, consumed with conceit, +amused themselves by venturing upon a quadrille. + +The bride had long wished to take her leave. At last she disappeared +with Risler and Madame Chebe. As for Monsieur Chebe, who had recovered +all his importance, it was impossible to induce him to go. Some one must +be there to do the honors, deuce take it! And I assure you that the +little man assumed the responsibility! He was flushed, lively, +frolicsome, noisy, almost seditious. On the floor below he could be +heard talking politics with Vefour's headwaiter, and making most +audacious statements. + +Through the deserted streets the wedding-carriage, the tired coachman +holding the white reins somewhat loosely, rolled heavily toward the +Marais. + +Madame Chebe talked continuously, enumerating all the splendors of that +memorable day, rhapsodizing especially over the dinner, the commonplace +menu of which had been to her the highest display of magnificence. +Sidonie mused in the darkness of the carriage, and Risler, sitting +opposite her, even though he no longer said, "I am very happy," continued +to think it with all his heart. Once he tried to take possession of a +little white hand that rested against the closed window, but it was +hastily withdrawn, and he sat there without moving, lost in mute +admiration. + + +They drove through the Halles and the Rue de Rambuteau, thronged with +kitchen-gardeners' wagons; and, near the end of the Rue des Francs- +Bourgeois, they turned the corner of the Archives into the Rue de Braque. +There they stopped first, and Madame Chebe alighted at her door, which +was too narrow for the magnificent green silk frock, so that it vanished +in the hall with rustlings of revolt and with all its folds muttering. +A few minutes later, a tall, massive portal on the Rue des Vieilles- +Haudriettes, bearing on the escutcheon that betrayed the former family +mansion, beneath half-effaced armorial bearings, a sign in blue letters, +Wall Papers, was thrown wide open to allow the wedding-carriage to pass +through. + +Thereupon the bride, hitherto motionless and like one asleep, seemed to +wake suddenly, and if all the lights in the vast buildings, workshops or +storehouses, which surrounded the courtyard, had not been extinguished, +Risler might have seen that pretty, enigmatical face suddenly lighted by +a smile of triumph. The wheels revolved less noisily on the fine gravel +of a garden, and soon stopped before the stoop of a small house of two +floors. It was there that the young Fromonts lived, and Risler and his +wife were to take up their abode on the floor above. The house had an +aristocratic air. Flourishing commerce avenged itself therein for the +dismal street and the out-of-the-way quarter. There was a carpet on the +stairway leading to their apartment, and on all sides shone the gleaming +whiteness of marble, the reflection of mirrors and of polished copper. + +While Risler was parading his delight through all the rooms of the new +apartment, Sidonie remained alone in her bedroom. By the light of the +little blue lamp hanging from the ceiling, she glanced first of all at +the mirror, which gave back her reflection from head to foot, at all her +luxurious surroundings, so unfamiliar to her; then, instead of going to +bed, she opened the window and stood leaning against the sill, motionless +as a statue. + +The night was clear and warm. She could see distinctly the whole +factory, its innumerable unshaded windows, its glistening panes, its tall +chimney losing itself in the depths of the sky, and nearer at hand the +lovely little garden against the ancient wall of the former mansion. All +about were gloomy, miserable roofs and squalid streets. Suddenly she +started. Yonder, in the darkest, the ugliest of all those attics +crowding so closely together, leaning against one another, as if +overweighted with misery, a fifth-floor window stood wide open, showing +only darkness within. She recognized it at once. It was the window of +the landing on which her parents lived. + +The window on the landing! + +How many things the mere name recalled! How many hours, how many days +she had passed there, leaning on that damp sill, without rail or balcony, +looking toward the factory. At that moment she fancied that she could +see up yonder little Chebe's ragged person, and in the frame made by that +poor window, her whole child life, her deplorable youth as a Parisian +street arab, passed before her eyes. + + + + +CHAPTER II + +LITTLE CHEBE'S STORY + +In Paris the common landing is like an additional room, an enlargement of +their abodes, to poor families confined in their too small apartments. +They go there to get a breath of air in summer, and there the women talk +and the children play. + +When little Chebe made too much noise in the house, her mother would say +to her: "There there! you bother me, go and play on the landing." And +the child would go quickly enough. + +This landing, on the upper floor of an old house in which space had not +been spared, formed a sort of large lobby, with a high ceiling, guarded +on the staircase side by a wrought-iron rail, lighted by a large window +which looked out upon roofs, courtyards, and other windows, and, farther +away, upon the garden of the Fromont factory, which was like a green +oasis among the huge old walls. + +There was nothing very cheerful about it, but the child liked it much +better than her own home. Their rooms were dismal, especially when it +rained and Ferdinand did not go out. + +With his brain always smoking with new ideas, which unfortunately never +came to anything, Ferdinand Chebe was one of those slothful, project- +devising bourgeois of when there are so many in Paris. His wife, whom he +had dazzled at first, had soon detected his utter insignificance, and had +ended by enduring patiently and with unchanged demeanor his continual +dreams of wealth and the disasters that immediately followed them. + +Of the dot of eighty thousand francs which she had brought him, and which +he had squandered in his absurd schemes, only a small annuity remained, +which still gave them a position of some importance in the eyes of their +neighbors, as did Madame Chebe's cashmere, which had been rescued from +every wreck, her wedding laces and two diamond studs, very tiny and very +modest, which Sidonie sometimes begged her mother to show her, as they +lay in the drawer of the bureau, in an old-fashioned white velvet case, +on which the jeweller's name, in gilt letters, thirty years old, was +gradually fading. That was the only bit of luxury in that poor +annuitant's abode. + +For a very long time M. Chebe had sought a place which would enable him +to eke out their slender income. But he sought it only in what he called +standing business, his health forbidding any occupation that required him +to be seated. + +It seemed that, soon after his marriage, when he was in a flourishing +business and had a horse and tilbury of his own, the little man had had +one day a serious fall. That fall, to which he referred upon every +occasion, served as an excuse for his indolence. + +One could not be with M. Chebe five minutes before he would say in a +confidential tone: + +"You know of the accident that happened to the Duc d'Orleans?" + +And then he would add, tapping his little bald pate "The same thing +happened to me in my youth." + +Since that famous fall any sort of office work made him dizzy, and he had +found himself inexorably confined to standing business. Thus, he had +been in turn a broker in wines, in books, in truffles, in clocks, and in +many other things beside. Unluckily, he tired of everything, never +considered his position sufficiently exalted for a former business man +with a tilbury, and, by gradual degrees, by dint of deeming every sort of +occupation beneath him, he had grown old and incapable, a genuine idler +with low tastes, a good-for-nothing. + +Artists are often rebuked for their oddities, for the liberties they take +with nature, for that horror of the conventional which impels them to +follow by-paths; but who can ever describe all the absurd fancies, all +the idiotic eccentricities with which a bourgeois without occupation can +succeed in filling the emptiness of his life? M. Chebe imposed upon +himself certain rules concerning his goings and comings, and his walks +abroad. While the Boulevard Sebastopol was being built, he went twice a +day "to see how it was getting on." + +No one knew better than he the fashionable shops and the bargains; and +very often Madame Chebe, annoyed to see her husband's idiotic face at the +window while she was energetically mending the family linen, would rid +herself of him by giving him an errand to do. "You know that place, on +the corner of such a street, where they sell such nice cakes. They would +be nice for our dessert." + +And the husband would go out, saunter along the boulevard by the shops, +wait for the omnibus, and pass half the day in procuring two cakes, worth +three sous, which he would bring home in triumph, wiping his forehead. + +M. Chebe adored the summer, the Sundays, the great footraces in the dust +at Clamart or Romainville, the excitement of holidays and the crowd. He +was one of those who went about for a whole week before the fifteenth of +August, gazing at the black lamps and their frames, and the scaffoldings. +Nor did his wife complain. At all events, she no longer had that chronic +grumbler prowling around her chair for whole days, with schemes for +gigantic enterprises, combinations that missed fire in advance, +lamentations concerning the past, and a fixed determination not to work +at anything to earn money. + +She no longer earned anything herself, poor woman; but she knew so well +how to save, her wonderful economy made up so completely for everything +else, that absolute want, although a near neighbor of such impecuniosity +as theirs, never succeeded in making its way into those three rooms, +which were always neat and clean, or in destroying the carefully mended +garments or the old furniture so well concealed beneath its coverings. + +Opposite the Chebes' door, whose copper knob gleamed in bourgeois fashion +upon the landing, were two other and smaller ones. + +On the first, a visiting-card, held in place by four nails, according to +the custom in vogue among industrial artists, bore the name of + + RISLER + DESIGNER OF PATTERNS. + +On the other was a small square of leather, with these words in gilt +letters: + + MESDAMES DELOBELLE + BIRDS AND INSECTS FOR ORNAMENT. + +The Delobelles' door was often open, disclosing a large room with a brick +floor, where two women, mother and daughter, the latter almost a child, +each as weary and as pale as the other, worked at one of the thousand +fanciful little trades which go to make up what is called the 'Articles +de Paris'. + +It was then the fashion to ornament hats and ballgowns with the lovely +little insects from South America that have the brilliant coloring of +jewels and reflect the light like diamonds. The Delobelles had adopted +that specialty. + +A wholesale house, to which consignments were made directly from the +Antilles, sent to them, unopened, long, light boxes from which, when the +lid was removed, arose a faint odor, a dust of arsenic through which +gleamed the piles of insects, impaled before being shipped, the birds +packed closely together, their wings held in place by a strip of thin +paper. They must all be mounted--the insects quivering upon brass wire, +the humming-birds with their feathers ruffled; they must be cleansed and +polished, the beak in a bright red, claw repaired with a silk thread, +dead eyes replaced with sparkling pearls, and the insect or the bird +restored to an appearance of life and grace. The mother prepared the +work under her daughter's direction; for Desiree, though she was still a +mere girl, was endowed with exquisite taste, with a fairy-like power of +invention, and no one could, insert two pearl eyes in those tiny heads or +spread their lifeless wings so deftly as she. Happy or unhappy, Desiree +always worked with the same energy. From dawn until well into the night +the table was covered with work. At the last ray of daylight, when the +factory bells were ringing in all the neighboring yards, Madame Delobelle +lighted the lamp, and after a more than frugal repast they returned to +their work. Those two indefatigable women had one object, one fixed +idea, which prevented them from feeling the burden of enforced vigils. +That idea was the dramatic renown of the illustrious Delobelle. After he +had left the provincial theatres to pursue his profession in Paris, +Delobelle waited for an intelligent manager, the ideal and providential +manager who discovers geniuses, to seek him out and offer him a role +suited to his talents. He might, perhaps, especially at the beginning, +have obtained a passably good engagement at a theatre of the third order, +but Delobelle did not choose to lower himself. + +He preferred to wait, to struggle, as he said! And this is how he +awaited the struggle. + +In the morning in his bedroom, often in his bed, he rehearsed roles in +his former repertory; and the Delobelle ladies trembled with emotion when +they heard behind the partition tirades from 'Antony' or the 'Medecin des +Enfants', declaimed in a sonorous voice that blended with the thousand- +and-one noises of the great Parisian bee-hive. Then, after breakfast, +the actor would sally forth for the day; would go to "do his boulevard," +that is to say, to saunter to and fro between the Chateau d'Eau and the +Madeline, with a toothpick in the corner of his mouth, his hat a little +on one side-always gloved, and brushed, and glossy. + +That question of dress was of great importance in his eyes. It was one +of the greatest elements of success, a bait for the manager--the famous, +intelligent manager--who never would dream of engaging a threadbare, +shabbily dressed man. + +So the Delobelle ladies took good care that he lacked nothing; and you +can imagine how many birds and insects it required to fit out a blade of +that temper! The actor thought it the most natural thing in the world. + +In his view, the labors, the privations of his wife and daughter were +not, strictly speaking, for his benefit, but for the benefit of that +mysterious and unknown genius, whose trustee he considered himself to be. + +There was a certain analogy between the position of the Chebe family and +that of the Delobelles. But the latter household was less depressing. +The Chebes felt that their petty annuitant existence was fastened upon +them forever, with no prospect of amelioration, always the same; whereas, +in the actor's family, hope and illusion often opened magnificent vistas. + +The Chebes were like people living in a blind alley; the Delobelles on a +foul little street, where there was no light or air, but where a great +boulevard might some day be laid out. And then, too, Madame Chebe no +longer believed in her husband, whereas, by virtue of that single magic +word, "Art!" her neighbor never had doubted hers. + +And yet for years and years Monsieur Delobelle had been unavailingly +drinking vermouth with dramatic agents, absinthe with leaders of claques, +bitters with vaudevillists, dramatists, and the famous what's-his-name, +author of several great dramas. Engagements did not always follow. So +that, without once appearing on the boards, the poor man had progressed +from jeune premier to grand premier roles, then to the financiers, then +to the noble fathers, then to the buffoons-- + +He stopped there! + +On two or three occasions his friends had obtained for him a chance to +earn his living as manager of a club or a cafe as an inspector in great +warehouses, at the 'Phares de la Bastille' or the 'Colosse de Rhodes.' +All that was necessary was to have good manners. Delobelle was not +lacking in that respect, God knows! And yet every suggestion that was +made to him the great man met with a heroic refusal. + +"I have no right to abandon the stage!" he would then assert. + +In the mouth of that poor devil, who had not set foot on the boards for +years, it was irresistibly comical. But one lost the inclination to +laugh when one saw his wife and his daughter swallowing particles of +arsenic day and night, and heard them repeat emphatically as they broke +their needles against the brass wire with which the little birds were +mounted: + +"No! no! Monsieur Delobelle has no right to abandon the stage." + +Happy man, whose bulging eyes, always smiling condescendingly, and whose +habit of reigning on the stage had procured for him for life that +exceptional position of a spoiled and admired child-king! When he left +the house, the shopkeepers on the Rue des Francs-Bourgeois, with the +predilection of the Parisian for everything and everybody connected with +the theatre, saluted him respectfully. He was always so well dressed! +And then he was so kind, so obliging! When you think that every Saturday +night, he, Ruy Blas, Antony, Raphael in the 'Filles de Maybre,' Andres in +the 'Pirates de la Savane,' sallied forth, with a bandbox under his arm, +to carry the week's work of his wife and daughter to a flower +establishment on the Rue St.-Denis! + +Why, even when performing such a commission as that, this devil of a +fellow had such nobility of bearing, such native dignity, that the young +woman whose duty it was to make up the Delobelle account was sorely +embarrassed to hand to such an irreproachable gentleman the paltry +stipend so laboriously earned. + +On those evenings, by the way, the actor did not return home to dinner. +The women were forewarned. + +He always met some old comrade on the boulevard, some unlucky devil like +himself--there are so many of them in that sacred profession!--whom he +entertained at a restaurant or cafe. Then, with scrupulous fidelity--and +very grateful they were to him--he would carry the rest of the money +home, sometimes with a bouquet for his wife or a little present for +Desiree, a nothing, a mere trifle. What would you have? Those are the +customs of the stage. It is such a simple matter in a melodrama to toss +a handful of louis through the window! + +"Ho! varlet, take this purse and hie thee hence to tell thy mistress I +await her coming." + +And so, notwithstanding their marvellous courage, and although their +trade was quite lucrative, the Delobelles often found themselves in +straitened circumstances, especially in the dull season of the 'Articles +de Paris.' + +Luckily the excellent Risler was at hand, always ready to accommodate his +friends. + +Guillaume Risler, the third tenant on the landing, lived with his brother +Frantz, who was fifteen years his junior. The two young Swiss, tall and +fair, strong and ruddy, brought into the dismal, hard-working house +glimpses of the country and of health. The elder was a draughtsman at +the Fromont factory and was paying for the education of his brother, who +attended Chaptal's lectures, pending his admission to the Ecole Centrale. + +On his arrival at Paris, being sadly perplexed as to the installation of +his little household, Guillaume had derived from his neighbors, Mesdames +Chebe and Delobelle, advice and information which were an indispensable +aid to that ingenuous, timid, somewhat heavy youth, embarrassed by his +foreign accent and manner. After a brief period of neighborhood and +mutual services, the Risler brothers formed a part of both families. + +On holidays places were always made for them at one table or the other, +and it was a great satisfaction to the two exiles to find in those poor +households, modest and straitened as they were, a taste of affection and +family life. + +The wages of the designer, who was very clever at his trade, enabled him +to be of service to the Delobelles on rent-day, and to make his +appearance at the Chebes' in the guise of the rich uncle, always laden +with surprises and presents, so that the little girl, as soon as she saw +him, would explore his pockets and climb on his knees. + +On Sunday he would take them all to the theatre; and almost every evening +he would go with Messieurs Chebe and Delobelle to a brewery on the Rue +Blondel, where he regaled them with beer and pretzels. Beer and pretzels +were his only vice. + +For his own part, he knew no greater bliss than to sit before a foaming +tankard, between his two friends, listening to their talk, and taking +part only by a loud laugh or a shake of the head in their conversation, +which was usually a long succession of grievances against society. + +A childlike shyness, and the Germanisms of speech which he never had laid +aside in his life of absorbing toil, embarrassed him much in giving +expression to his ideas. Moreover, his friends overawed him. They had +in respect to him the tremendous superiority of the man who does nothing +over the man who works; and M. Chebe, less generous than Delobelle, did +not hesitate to make him feel it. He was very lofty with him, was M. +Chebe! In his opinion, a man who worked, as Risler did, ten hours a +day, was incapable, when he left his work, of expressing an intelligent +idea. Sometimes the designer, coming home worried from the factory, +would prepare to spend the night over some pressing work. You should +have seen M. Chebe's scandalized expression then! + +"Nobody could make me follow such a business!" he would say, expanding +his chest, and he would add, looking at Risler with the air of a +physician making a professional call, "Just wait till you've had one +severe attack." + +Delobelle was not so fierce, but he adopted a still loftier tone. The +cedar does not see a rose at its foot. Delobelle did not see Risler at +his feet. + +When, by chance, the great man deigned to notice his presence, he had a +certain air of stooping down to him to listen, and to smile at his words +as at a child's; or else he would amuse himself by dazzling him with +stories of actresses, would give him lessons in deportment and the +addresses of outfitters, unable to understand why a man who earned so +much money should always be dressed like an usher at a primary school. +Honest Risler, convinced of his inferiority, would try to earn +forgiveness by a multitude of little attentions, obliged to furnish all +the delicacy, of course, as he was the constant benefactor. + +Among these three households living on the same floor, little Chebe, +with her goings and comings, formed the bond of union. + +At all times of day she would slip into the workroom of the Delobelles, +amuse herself by watching their work and looking at all the insects, and, +being already more coquettish than playful, if an insect had lost a wing +in its travels, or a humming-bird its necklace of down, she would try to +make herself a headdress of the remains, to fix that brilliant shaft of +color among the ripples of her silky hair. It made Desiree and her +mother smile to see her stand on tiptoe in front of the old tarnished +mirror, with affected little shrugs and grimaces. Then, when she had had +enough of admiring herself, the child would open the door with all the +strength of her little fingers, and would go demurely, holding her head +perfectly straight for fear of disarranging her headdress, and knock at +the Rislers' door. + +No one was there in the daytime but Frantz the student, leaning over his +books, doing his duty faithfully. But when Sidonie enters, farewell to +study! Everything must be put aside to receive that lovely creature with +the humming-bird in her hair, pretending to be a princess who had come to +Chaptal's school to ask his hand in marriage from the director. + +It was really a strange sight to see that tall, overgrown boy playing +with that little girl of eight, humoring her caprices, adoring her as he +yielded to her, so that later, when he fell genuinely in love with her, +no one could have said at what time the change began. + +Petted as she was in those two homes, little Chebe was very fond of +running to the window on the landing. There it was that she found her +greatest source of entertainment, a horizon always open, a sort of vision +of the future toward which she leaned with eager curiosity and without +fear, for children are not subject to vertigo. + +Between the slated roofs sloping toward one another, the high wall of the +factory, the tops of the plane-trees in the garden, the many-windowed +workshops appeared to her like a promised land, the country of her +dreams. + +That Fromont establishment was to her mind the highest ideal of wealth. + +The place it occupied in that part of the Marais, which was at certain +hours enveloped by its smoke and its din, Risler's enthusiasm, his +fabulous tales concerning his employer's wealth and goodness and +cleverness, had aroused that childish curiosity; and such portions as she +could see of the dwelling-houses, the carved wooden blinds, the circular +front steps, with the garden-seats before them, a great white bird-house +with gilt stripes glistening in the sun, the blue-lined coupe standing in +the courtyard, were to her objects of continual admiration. + +She knew all the habits of the family: At what hour the bell was rung, +when the workmen went away, the Saturday payday which kept the cashier's +little lamp lighted late in the evening, and the long Sunday afternoon, +the closed workshops, the smokeless chimney, the profound silence which +enabled her to hear Mademoiselle Claire at play in the garden, running +about with her cousin Georges. From Risler she obtained details. + +"Show me the salon windows," she would say to him, "and Claire's room." + +Risler, delighted by this extraordinary interest in his beloved factory, +would explain to the child from their lofty position the arrangement of +the buildings, point out the print-shop, the gilding-shop, the designing- +room where he worked, the engine-room, above which towered that enormous +chimney blackening all the neighboring walls with its corrosive smoke, +and which never suspected that a young life, concealed beneath a +neighboring roof, mingled its inmost thoughts with its loud, +indefatigable panting. + +At last one day Sidonie entered that paradise of which she had heretofore +caught only a glimpse. + +Madame Fromont, to whom Risler often spoke of her little neighbor's +beauty and intelligence, asked him to bring her to the children's ball +she intended to give at Christmas. At first Monsieur Chebe replied by a +curt refusal. Even in those days, the Fromonts, whose name was always on +Rider's lips, irritated and humiliated him by their wealth. Moreover, it +was to be a fancy ball, and M. Chebe--who did not sell wallpapers, not +he!--could not afford to dress his daughter as a circus-dancer. But +Risler insisted, declared that he would get everything himself, and at +once set about designing a costume. + +It was a memorable evening. + +In Madame Chebe's bedroom, littered with pieces of cloth and pins and +small toilet articles, Desiree Delobelle superintended Sidonie's toilet. +The child, appearing taller because of her short skirt of red flannel +with black stripes, stood before the mirror, erect and motionless, in the +glittering splendor of her costume. She was charming. The waist, with +bands of velvet laced over the white stomacher, the lovely, long tresses +of chestnut hair escaping from a hat of plaited straw, all the trivial +details of her Savoyard's costume were heightened by the intelligent +features of the child, who was quite at her ease in the brilliant colors +of that theatrical garb. + +The whole assembled neighborhood uttered cries of admiration. While some +one went in search of Delobelle, the lame girl arranged the folds of the +skirt, the bows on the shoes, and cast a final glance over her work, +without laying aside her needle; she, too, was excited, poor child! by +the intoxication of that festivity to which she was not invited. The +great man arrived. He made Sidonie rehearse two or three stately +curtseys which he had taught her, the proper way to walk, to stand, to +smile with her mouth slightly open, and the exact position of the little +finger. It was truly amusing to see the precision with which the child +went through the drill. + +"She has dramatic blood in her veins!" exclaimed the old actor +enthusiastically, unable to understand why that stupid Frantz was +strongly inclined to weep. + +A year after that happy evening Sidonie could have told you what flowers +there were in the reception rooms, the color of the furniture, and the +music they were playing as she entered the ballroom, so deep an +impression did her enjoyment make upon her. She forgot nothing, neither +the costumes that made an eddying whirl about her, nor the childish +laughter, nor all the tiny steps that glided over the polished floors. +For a moment, as she sat on the edge of a great red-silk couch, taking +from the plate presented to her the first sherbet of her life, she +suddenly thought of the dark stairway, of her parents' stuffy little +rooms, and it produced upon her mind the effect of a distant country +which she had left forever. + +However, she was considered a fascinating little creature, and was much +admired and petted. Claire Fromont, a miniature Cauchoise dressed in +lace, presented her to her cousin Georges, a magnificent hussar who +turned at every step to observe the effect of his sabre. + +"You understand, Georges, she is my friend. She is coming to play with +us Sundays. Mamma says she may." + +And, with the artless impulsiveness of a happy child, she kissed little +Chebe with all her heart. + +But the time came to go. For a long time, in the filthy street where the +snow was melting, in the dark hall, in the silent room where her mother +awaited her, the brilliant light of the salons continued to shine before +her dazzled eyes. + +"Was it very fine? Did you have a charming time?" queried Madame Chebe +in a low tone, unfastening the buckles of the gorgeous costume, one by +one. + +And Sidonie, overcome with fatigue, made no reply, but fell asleep +standing, beginning a lovely dream which was to last throughout her youth +and cost her many tears. + +Claire Fromont kept her word. Sidonie often went to play in the +beautiful gravelled garden, and was able to see at close range the carved +blinds and the dovecot with its threads of gold. She came to know all +the corners and hiding-places in the great factory, and took part in many +glorious games of hide-and-seek behind the printing-tables in the +solitude of Sunday afternoon. On holidays a plate was laid for her at +the children's table. + +Everybody loved her, although she never exhibited much affection for any +one. So long as she was in the midst of that luxury, she was conscious +of softer impulses, she was happy and felt that she was embellished by +her surroundings; but when she returned to her parents, when she saw the +factory through the dirty panes of the window on the landing, she had an +inexplicable feeling of regret and anger. + +And yet Claire Fromont treated her as a friend. + +Sometimes they took her to the Bois, to the Tuileries, in the famous +blue-lined carriage, or into the country, to pass a whole week at +Grandfather Gardinois's chateau, at Savigny-sur-Orge. Thanks to the +munificence of Risler, who was very proud of his little one's success, +she was always presentable and well dressed. Madame Chebe made it a +point of honor, and the pretty, lame girl was always at hand to place her +treasures of unused coquetry at her little friend's service. + +But M. Chebe, who was always hostile to the Fromonts, looked frowningly +upon this growing intimacy. The true reason was that he himself never +was invited; but he gave other reasons, and would say to his wife: + +"Don't you see that your daughter's heart is sad when she returns from +that house, and that she passes whole hours dreaming at the window?" + +But poor Madame Chebe, who had been so unhappy ever since her marriage, +had become reckless. She declared that one should make the most of the +present for fear of the future, should seize happiness as it passes, as +one often has no other support and consolation in life than the memory of +a happy childhood. + +For once it happened that M. Chebe was right. + + + + +CHAPTER III + +THE FALSE PEARLS + +After two or three years of intimacy with Claire, of sharing her +amusements, years during which Sidonie acquired the familiarity with +luxury and the graceful manners of the children of the wealthy, the +friendship was suddenly broken. + +Cousin Georges, whose guardian M. Fromont was, had entered college some +time before. Claire in her turn took her departure for the convent with +the outfit of a little queen; and at that very time the Chebes were +discussing the question of apprenticing Sidonie to some trade. They +promised to love each other as before and to meet twice a month, on the +Sundays that Claire was permitted to go home. + +Indeed, little Chebe did still go down sometimes to play with her +friends; but as she grew older she realized more fully the distance that +separated them, and her clothes began to seem to her very simple for +Madame Fromont's salon. + +When the three were alone, the childish friendship which made them equals +prevented any feeling of embarrassment; but visitors came, girl friends +from the convent, among others a tall girl, always richly dressed, whom +her mother's maid used to bring to play with the little Fromonts on +Sunday. + +As soon as she saw her coming up the steps, resplendent and disdainful, +Sidonie longed to go away at once. The other embarrassed her with +awkward questions. Where did she live? What did her parents do? Had +she a carriage? + +As she listened to their talk of the convent and their friends, Sidonie +felt that they lived in a different world, a thousand miles from her own; +and a deathly sadness seized her, especially when, on her return home, +her mother spoke of sending her as an apprentice to Mademoiselle Le Mire, +a friend of the Delobelles, who conducted a large false-pearl +establishment on the Rue du Roi-Dore. + +Risler insisted upon the plan of having the little one serve an +apprenticeship. "Let her learn a trade," said the honest fellow. +"Later I will undertake to set her up in business." + +Indeed, this same Mademoiselle Le Mire spoke of retiring in a few years. +It was an excellent opportunity. + +One morning, a dull day in November, her father took her to the Rue du +Rio-Dore, to the fourth floor of an old house, even older and blacker +than her own home. + +On the ground floor, at the entrance to the hall, hung a number of signs +with gilt letters: Depot for Travelling-Bags, Plated Chains, Children's +Toys, Mathematical Instruments in Glass, Bouquets for Brides and Maids of +Honor, Wild Flowers a Specialty; and above was a little dusty show-case, +wherein pearls, yellow with age, glass grapes and cherries surrounded the +pretentious name of Angelina Le Mire. + +What a horrible house! + +It had not even a broad landing like that of the Chebes, grimy with old +age, but brightened by its window and the beautiful prospect presented by +the factory. A narrow staircase, a narrow door, a succession of rooms +with brick floors, all small and cold, and in the last an old maid with a +false front and black thread mitts, reading a soiled copy of the 'Journal +pour Tous,' and apparently very much annoyed to be disturbed in her +reading. + +Mademoiselle Le Mire (written in two words) received the father and +daughter without rising, discoursed at great length of the rank she had +lost, of her father, an old nobleman of Le Rouergue--it is most +extraordinary how many old noblemen Le Rouergue has produced!--and of an +unfaithful steward who had carried off their whole fortune. She +instantly aroused the sympathies of M. Chebe, for whom decayed gentlefolk +had an irresistible charm, and he went away overjoyed, promising his +daughter to call for her at seven o'clock at night in accordance with the +terms agreed upon. + +The apprentice was at once ushered into the still empty workroom. +Mademoiselle Le Mire seated her in front of a great drawer filled with +pearls, needles, and bodkins, with instalments of four-sou novels thrown +in at random among them. + +It was Sidonie's business to sort the pearls and string them in necklaces +of equal length, which were tied together to be sold to the small +dealers. Then the young women would soon be there and they would show +her exactly what she would have to do, for Mademoiselle Le Mire (always +written in two words!) did not interfere at all, but overlooked her +business from a considerable distance, from that dark room where she +passed her life reading newspaper novels. + +At nine o'clock the work-women arrived, five tall, pale-faced, faded +girls, wretchedly dressed, but with their hair becomingly arranged, after +the fashion of poor working-girls who go about bare-headed through the +streets of Paris. + +Two or three were yawning and rubbing their eyes, saying that they were +dead with sleep. + +At last they went to work beside a long table where each had her own +drawer and her own tools. An order had been received for mourning +jewels, and haste was essential. Sidonie, whom the forewoman instructed +in her task in a tone of infinite superiority, began dismally to sort a +multitude of black pearls, bits of glass, and wisps of crape. + +The others, paying no attention to the little girl, chatted together as +they worked. They talked of a wedding that was to take place that very +day at St. Gervais. + +"Suppose we go," said a stout, red-haired girl, whose name was Malvina. +"It's to be at noon. We shall have time to go and get back again if we +hurry." + +And, at the lunch hour, the whole party rushed downstairs four steps at a +time. + +Sidonie had brought her luncheon in a little basket, like a school-girl; +with a heavy heart she sat at a corner of the table and ate alone for the +first time in her life. Great God! what a sad and wretched thing life +seemed to be; what a terrible revenge she would take hereafter for her +sufferings there! + +At one o'clock the girls trooped noisily back, highly excited. + +"Did you see the white satin gown? And the veil of point d'Angleterre? +There's a lucky girl!" + +Thereupon they repeated in the workroom the remarks they had made in +undertones in the church, leaning against the rail, throughout the +ceremony. That question of a wealthy marriage, of beautiful clothes, +lasted all day long; nor did it interfere with their work-far from it. + +These small Parisian industries, which have to do with the most trivial +details of the toilet, keep the work-girls informed as to the fashions +and fill their minds with thoughts of luxury and elegance. To the poor +girls who worked on Mademoiselle Le Mire's fourth floor, the blackened +walls, the narrow street did not exist. They were always thinking of +something else and passed their lives asking one another: + +"Malvina, if you were rich what would you do? For my part, I'd live on +the Champs-Elysees." And the great trees in the square, the carriages +that wheeled about there, coquettishly slackening their pace, appeared +momentarily before their minds, a delicious, refreshing vision. + +Little Chebe, in her corner, listened without speaking, industriously +stringing her black grapes with the precocious dexterity and taste she +had acquired in Desiree's neighborhood. So that in the evening, when M. +Chebe came to fetch his daughter, they praised her in the highest terms. + +Thereafter all her days were alike. The next day, instead of black +pearls, she strung white pearls and bits of false coral; for at +Mademoiselle Le Mire's they worked only in what was false, in tinsel, +and that was where little Chebe was to serve her apprenticeship to life. + +For some time the new apprentice-being younger and better bred than the +others--found that they held aloof from her. Later, as she grew older, +she was admitted to their friendship and their confidence, but without +ever sharing their pleasures. She was too proud to go to see weddings +at midday; and when she heard them talking of a ball at Vauxhall or the +'Delices du Marais,' or of a nice little supper at Bonvalet's or at the +'Quatre Sergents de la Rochelle,' she was always very disdainful. + +We looked higher than that, did we not, little Chebe? + +Moreover, her father called for her every evening. Sometimes, however, +about the New Year, she was obliged to work late with the others, in +order to complete pressing orders. In the gaslight those pale-faced +Parisians, sorting pearls as white as themselves, of a dead, unwholesome +whiteness, were a painful spectacle. There was the same fictitious +glitter, the same fragility of spurious jewels. They talked of nothing +but masked balls and theatres. + +"Have you seen Adele Page, in 'Les Trois Mousquetaires?' And Melingue? +And Marie Laurent? Oh! Marie Laurent!" + +The actors' doublets, the embroidered costumes of the queens of +melodrama, appeared before them in the white light of the necklaces +forming beneath their fingers. + +In summer the work was less pressing. It was the dull season. In the +intense heat, when through the drawn blinds fruit-sellers could be heard +in the street, crying their mirabelles and Queen Claudes, the workgirls +slept heavily, their heads on the table. Or perhaps Malvina would go and +ask Mademoiselle Le Mire for a copy of the 'Journal pour Tous,' and read +aloud to the others. + +But little Chebe did not care for the novels. She carried one in her +head much more interesting than all that trash. + +The fact is, nothing could make her forget the factory. When she set +forth in the morning on her father's arm, she always cast a glance in +that direction. At that hour the works were just stirring, the chimney +emitted its first puff of black smoke. Sidonie, as she passed, could +hear the shouts of the workmen, the dull, heavy blows of the bars of the +printing-press, the mighty, rhythmical hum of the machinery; and all +those sounds of toil, blended in her memory with recollections of fetes +and blue-lined carriages, haunted her persistently. + +They spoke louder than the rattle of the omnibuses, the street cries, the +cascades in the gutters; and even in the workroom, when she was sorting +the false pearls even at night, in her own home, when she went, after +dinner, to breathe the fresh air at the window on the landing and to gaze +at the dark, deserted factory, that murmur still buzzed in her ears, +forming, as it were, a continual accompaniment to her thoughts. + +"The little one is tired, Madame Chebe. She needs diversion. Next +Sunday I will take you all into the country." + +These Sunday excursions, which honest Risler organized to amuse Sidonie, +served only to sadden her still more. + +On those days she must rise at four o'clock in the morning; for the poor +must pay for all their enjoyments, and there was always a ribbon to be +ironed at the last moment, or a bit of trimming to be sewn on in an +attempt to rejuvenate the everlasting little lilac frock with white +stripes which Madame Chebe conscientiously lengthened every year. + +They would all set off together, the Chebes, the Rislers, and the +illustrious Delobelle. Only Desiree and her mother never were of the +party. The poor, crippled child, ashamed of her deformity, never would +stir from her chair, and Mamma Delobelle stayed behind to keep her +company. Moreover, neither possessed a suitable gown in which to show +herself out-of-doors in their great man's company; it would have +destroyed the whole effect of his appearance. + +When they left the house, Sidonie would brighten up a little. Paris in +the pink haze of a July morning, the railway stations filled with light +dresses, the country flying past the car windows, and the healthful +exercise, the bath in the pure air saturated with the water of the Seine, +vivified by a bit of forest, perfumed by flowering meadows, by ripening +grain, all combined to make her giddy for a moment. But that sensation +was soon succeeded by disgust at such a commonplace way of passing her +Sunday. + +It was always the same thing. + +They stopped at a refreshment booth, in close proximity to a very noisy +and numerously attended rustic festival, for there must be an audience +for Delobelle, who would saunter along, absorbed by his chimera, dressed +in gray, with gray gaiters, a little hat over his ear, a light top coat +on his arm, imagining that the stage represented a country scene in the +suburbs of Paris, and that he was playing the part of a Parisian +sojourning in the country. + +As for M. Chebe, who prided himself on being as fond of nature as the +late Jean Jacques Rousseau, he did not appreciate it without the +accompaniments of shooting-matches, wooden horses, sack races, and a +profusion of dust and penny-whistles, which constituted also Madame +Chebe's ideal of a country life. + +But Sidonie had a different ideal; and those Parisian Sundays passed in +strolling through noisy village streets depressed her beyond measure. +Her only pleasure in those throngs was the consciousness of being stared +at. The veriest boor's admiration, frankly expressed aloud at her side, +made her smile all day; for she was of those who disdain no compliment. + +Sometimes, leaving the Chebes and Delobelle in the midst of the fete, +Risler would go into the fields with his brother and the "little one" in +search of flowers for patterns for his wall-papers. Frantz, with his +long arms, would pull down the highest branches of a hawthorn, or would +climb a park wall to pick a leaf of graceful shape he had spied on the +other side. But they reaped their richest harvests on the banks of the +stream. + +There they found those flexible plants, with long swaying stalks, which +made such a lovely effect on hangings, tall, straight reeds, and the +volubilis, whose flower, opening suddenly as if in obedience to a +caprice, resembles a living face, some one looking at you amid the +lovely, quivering foliage. Risler arranged his bouquets artistically, +drawing his inspiration from the very nature of the plants, trying to +understand thoroughly their manner of life, which can not be divined +after the withering of one day. + +Then, when the bouquet was completed, tied with a broad blade of grass as +with a ribbon, and slung over Frantz's back, away they went. Risler, +always engrossed in his art, looked about for subjects, for possible +combinations, as they walked along. + +"Look there, little one--see that bunch of lily of the valley, with its +white bells, among those eglantines. What do you think? Wouldn't that +be pretty against a sea-green or pearl-gray background?" + +But Sidonie cared no more for lilies of the valley than for eglantine. +Wild flowers always seemed to her like the flowers of the poor, something +like her lilac dress. + +She remembered that she had seen flowers of a different sort at the house +of M. Gardinois, at the Chateau de Savigny, in the hothouses, on the +balconies, and all about the gravelled courtyard bordered with tall urns. +Those were the flowers she loved; that was her idea of the country! + +The little stations in the outskirts of Paris are so terribly crowded and +stuffy on those Sunday evenings in summer! Such artificial enjoyment, +such idiotic laughter, such doleful ballads, sung in whispers by voices +that no longer have the strength to roar! That was the time when M. +Chebe was in his element. + +He would elbow his way to the gate, scold about the delay of the train, +declaim against the station-agent, the company, the government; say to +Delobelle in a loud voice, so as to be overheard by his neighbors: + +"I say--suppose such a thing as this should happen in America!" Which +remark, thanks to the expressive by-play of the illustrious actor, and to +the superior air with which he replied, "I believe you!" gave those who +stood near to understand that these gentlemen knew exactly what would +happen in America in such a case. Now, they were equally and entirely +ignorant on that subject; but upon the crowd their words made an +impression. + +Sitting beside Frantz, with half of his bundle of flowers on her knees, +Sidonie would seem to be blotted out, as it were, amid the uproar, during +the long wait for the evening trains. From the station, lighted by a +single lamp, she could see the black clumps of trees outside, lighted +here and there by the last illuminations of the fete, a dark village +street, people continually coming in, and a lantern hanging on a deserted +pier. + +From time to time, on the other side of the glass doors, a train would +rush by without stopping, with a shower of hot cinders and the roar of +escaping steam. Thereupon a tempest of shouts and stamping would arise +in the station, and, soaring above all the rest, the shrill treble of M. +Chebe, shrieking in his sea-gull's voice: "Break down the doors! break +down the doors!"--a thing that the little man would have taken good care +not to do himself, as he had an abject fear of gendarmes. In a moment +the storm would abate. The tired women, their hair disarranged by the +wind, would fall asleep on the benches. There were torn and ragged +dresses, low-necked white gowns, covered with dust. + +The air they breathed consisted mainly of dust. It lay upon their +clothes, rose at every step, obscured the light of the lamp, vexed one's +eyes, and raised a sort of cloud before the tired faces. The cars which +they entered at last, after hours of waiting, were saturated with it +also. Sidonie would open the window, and look out at the dark fields, an +endless line of shadow. Then, like innumerable stars, the first lanterns +of the outer boulevards appeared near the fortifications. + +So ended the ghastly day of rest of all those poor creatures. The sight +of Paris brought back to each one's mind the thought of the morrow's +toil. Dismal as her Sunday had been, Sidonie began to regret that it had +passed. She thought of the rich, to whom all the days of their lives +were days of rest; and vaguely, as in a dream, the long park avenues of +which she had caught glimpses during the day appeared to her thronged +with those happy ones of earth, strolling on the fine gravel, while +outside the gate, in the dust of the highroad, the poor man's Sunday +hurried swiftly by, having hardly time to pause a moment to look and +envy. + +Such was little Chebe's life from thirteen to seventeen. + +The years passed, but did not bring with them the slightest change. +Madame Chebe's cashmere was a little more threadbare, the little lilac +frock had undergone a few additional repairs, and that was all. But, as +Sidonie grew older, Frantz, now become a young man, acquired a habit of +gazing at her silently with a melting expression, of paying her loving +attentions that were visible to everybody, and were unnoticed by none +save the girl herself. + +Indeed, nothing aroused the interest of little Chebe. In the work-room +she performed her task regularly, silently, without the slightest thought +of the future or of saving. All that she did seemed to be done as if she +were waiting for something. + +Frantz, on the other hand, had been working for some time with +extraordinary energy, the ardor of those who see something at the end of +their efforts; so that, at the age of twenty-four, he graduated second in +his class from the Ecole Centrale, as an engineer. + +On that evening Risler had taken the Chebe family to the Gymnase, and +throughout the evening he and Madame Chebe had been making signs and +winking at each other behind the children's backs. And when they left +the theatre Madame Chebe solemnly placed Sidonie's arm in Frantz's, as if +she would say to the lovelorn youth, "Now settle matters--here is your +chance." + +Thereupon the poor lover tried to settle matters. + +It is a long walk from the Gymnase to the Marais. After a very few steps +the brilliancy of the boulevard is left behind, the streets become darker +and darker, the passers more and more rare. Frantz began by talking of +the play. He was very fond of comedies of that sort, in which there was +plenty of sentiment. + +"And you, Sidonie?" + +"Oh! as for me, Frantz, you know that so long as there are fine +costumes--" + +In truth she thought of nothing else at the theatre. She was not one of +those sentimental creatures; a la Madame Bovary, who return from the play +with love-phrases ready-made, a conventional ideal. No! the theatre +simply made her long madly for luxury and fine raiment; she brought away +from it nothing but new methods of arranging the hair, and patterns of +gowns. The new, exaggerated toilettes of the actresses, their gait, even +the spurious elegance of their speech, which seemed to her of the highest +distinction, and with it all the tawdry magnificence of the gilding and +the lights, the gaudy placard at the door, the long line of carriages, +and all the somewhat unwholesome excitement that springs up about a +popular play; that was what she loved, that was what absorbed her +thoughts. + +"How well they acted their love-scene!" continued the lover. + +And, as he uttered that suggestive phrase, he bent fondly toward a little +face surrounded by a white woollen hood, from which the hair escaped in +rebellious curls. + +Sidonie sighed: + +"Oh! yes, the love-scene. The actress wore beautiful diamonds." + +There was a moment's silence. Poor Frantz had much difficulty in +explaining himself. The words he sought would not come, and then, too, +he was afraid. He fixed the time mentally when he would speak: + +"When we have passed the Porte Saint-Denis--when we have left the +boulevard." + +But when the time arrived, Sidonie began to talk of such indifferent +matters that his declaration froze on his lips, or else it was stopped by +a passing carriage, which enabled their elders to overtake them. + +At last, in the Marais, he suddenly took courage: + +"Listen to me, Sidonie--I love you!" + +That night the Delobelles had sat up very late. + +It was the habit of those brave-hearted women to make their working-day +as long as possible, to prolong it so far into the night that their lamp +was among the last to be extinguished on the quiet Rue de Braque. They +always sat up until the great man returned home, and kept a dainty little +supper warm for him in the ashes on the hearth. + +In the days when he was an actor there was some reason for that custom; +actors, being obliged to dine early and very sparingly, have a terrible +gnawing at their vitals when they leave the theatre, and usually eat when +they go home. Delobelle had not acted for a long time; but having, as he +said, no right to abandon the stage, he kept his mania alive by clinging +to a number of the strolling player's habits, and the supper on returning +home was one of them, as was his habit of delaying his return until the +last footlight in the boulevard theatres was extinguished. To retire +without supping, at the hour when all other artists supped, would have +been to abdicate, to abandon the struggle, and he would not abandon it, +sacre bleu! + +On the evening in question the actor had not yet come in and the women +were waiting for him, talking as they worked, and with great animation, +notwithstanding the lateness of the hour. During the whole evening they +had done nothing but talk of Frantz, of his success, of the future that +lay before him. + +"Now," said Mamma Delobelle, "the only thing he needs is to find a good +little wife." + +That was Desiree's opinion, too. That was all that was lacking now to +Frantz's happiness, a good little wife, active and brave and accustomed +to work, who would forget everything for him. And if Desiree spoke with +great confidence, it was because she was intimately acquainted with the +woman who was so well adapted to Frantz Risler's needs. She was only a +year younger than he, just enough to make her younger than her husband +and a mother to him at the same time. + +Pretty? + +No, not exactly, but attractive rather than ugly, notwithstanding her +infirmity, for she was lame, poor child! And then she was clever and +bright, and so loving! No one but Desiree knew how fondly that little +woman loved Frantz, and how she had thought of him night and day for +years. He had not noticed it himself, but seemed to have eyes for nobody +but Sidonie, a gamine. But no matter! Silent love is so eloquent, such +a mighty power lies hid in restrained feelings. Who knows? Perhaps some +day or other: + +And the little cripple, leaning over her work, started upon one of those +long journeys to the land of chimeras of which she had made so many in +her invalid's easychair, with her feet resting on the stool; one of those +wonderful journeys from which she always returned happy and smiling, +leaning on Frantz's arm with all the confidence of a beloved wife. As +her fingers followed her thought, the little bird she had in her hand at +the moment, smoothing his ruffled wings, looked as if he too were of the +party and were about to fly far, far away, as joyous and light of heart +as she. + +Suddenly the door flew open. + +"I do not disturb you?" said a triumphant voice. + +The mother, who was slightly drowsy, suddenly raised her head. + +"Ah! it's Monsieur Frantz. Pray come in, Monsieur Frantz. We're +waiting for father, as you see. These brigands of artists always stay +out so late! Take a seat--you shall have supper with him." + +"Oh! no, thank you," replied Frantz, whose lips were still pale from the +emotion he had undergone, "I can't stop. I saw a light and I just +stepped in to tell you--to tell you some great news that will make you +very happy, because I know that you love me--" + +"Great heavens, what is it?" + +"Monsieur Frantz Risler and Mademoiselle Sidonie are engaged to be +married." + +"There! didn't I say that all he needed was a good little wife," +exclaimed Mamma Delobelle, rising and throwing her arms about his neck. + +Desiree'had not the strength to utter a word. She bent still lower over +her work, and as Frantz's eyes were fixed exclusively upon his happiness, +as Mamma Delobelle did nothing but look at the clock to see whether her +great man would return soon, no one noticed the lame girl's emotion, nor +her pallor, nor the convulsive trembling of the little bird that lay in +her hands with its head thrown back, like a bird with its death-wound. + + + + +CHAPTER IV + +THE GLOW-WORMS OF SAVIGNY + + +"SAVIGNY-SUR-ORGE. + +"DEAR SMONIE:--We were sitting at table yesterday in the great dining-room +which you remember, with the door wide open leading to the terrace, where +the flowers are all in bloom. I was a little bored. Dear grandpapa had +been cross all the morning, and poor mamma dared not say a word, being +afraid of those frowning eyebrows which have always laid down the law for +her. I was thinking what a pity it was to be so entirely alone, in the +middle of the summer, in such a lovely spot, and that I should be very +glad, now that I have left the convent, and am destined to pass whole +seasons in the country, to have as in the old day, some one to run about +the woods and paths with me. + +"To be sure, Georges comes occasionally, but he always arrives very late, +just in time for dinner, and is off again with my father in the morning +before I am awake. And then he is a serious-minded man now, is Monsieur +Georges. He works at the factory, and business cares often bring frowns +to his brow. + +"I had reached that point in my reflections when suddenly dear grandpapa +turned abruptly to me: + +"'What has become of your little friend Sidonie? I should be glad to +have her here for a time.' + +"You can imagine my delight. What happiness to meet again, to renew the +pleasant friendship that was broken off by the fault of the events of +life rather than by our own! How many things we shall have to tell each +other! You, who alone had the knack of driving the frowns from my +terrible grandpapa's brow, will bring us gayety, and I assure you we need +it. + +"This lovely Savigny is so lonely! For instance, sometimes in the +morning I choose to be a little coquettish. I dress myself, I make +myself beautiful with my hair in curls and put on a pretty gown; I walk +through all the paths, and suddenly I realize that I have taken all this +trouble for the swans and ducks, my dog Kiss, and the cows, who do not +even turn to look at me when I pass. Thereupon, in my wrath, I hurry +home, put on a thick gown and busy myself on the farm, in the servants' +quarters, everywhere. And really, I am beginning to believe that ennui +has perfected me, and that I shall make an excellent housekeeper. + +"Luckily the hunting season will soon be here, and I rely upon that for a +little amusement. In the first place, Georges and father, both +enthusiastic sportsmen, will come oftener. And then you will be here, +you know. For you will reply at once that you will come, won't you? +Monsieur Risler said not long ago that you were not well. The air of +Savigny will do you worlds of good. + +"Everybody here expects you. And I am dying with impatience. + + + CLAIRE." + + +Her letter written, Claire Fromont donned a large straw hat for the first +days of August were warm and glorious--and went herself to drop it in the +little box from which the postman collected the mail from the chateau +every morning. + +It was on the edge of the park, at a turn in the road. She paused a +moment to look at the trees by the roadside, at the neighboring meadows +sleeping in the bright sunlight. Over yonder the reapers were gathering +the last sheaves. Farther on they were ploughing. But all the +melancholy of the silent toil had vanished, so far as the girl was +concerned, so delighted was she at the thought of seeing her friend once +more. + +No breeze came from the hills in the distance, no voice from the trees, +to warn her by a presentiment, to prevent her from sending that fatal +letter. And immediately upon her return she gave her attention to the +preparation of a pretty bedroom for Sidonie adjoining her own. + +The letter did its errand faithfully. From the little green, vine- +embowered gate of the chateau it found its way to Paris, and arrived that +same evening, with its Savigny postmark and impregnated with the odor of +the country, at the fifth-floor apartment on the Rue de Braque. + +What an event that was! They read it again and again; and for a whole +week, until Sidonie's departure, it lay on the mantel-shelf beside Madame +Chebe's treasures, the clock under a glass globe and the Empire cups. To +Sidonie it was like a wonderful romance filled with tales of enchantment +and promises, which she read without opening it, merely by gazing at the +white envelope whereon Claire Fromont's monogram was engraved in relief. + +Little she thought of marriage now. The important question was, What +clothes should she wear at the chateau? She must give her whole mind to +that, to cutting and planning, trying on dresses, devising new ways of +arranging her hair. Poor Frantz! How heavy his heart was made by these +preparations! That visit to Savigny, which he had tried vainly to +oppose, would cause a still further postponement of their wedding, which +Sidonie-why, he did not know--persisted in putting off from day to day. +He could not go to see her; and when she was once there, in the midst of +festivities and pleasures, who could say how long she would remain? + +The lover in his despair always went to the Delobelles to confide his +sorrows, but he never noticed how quickly Desiree rose as soon as he +entered, to make room for him by her side at the work-takle, and how she +at once sat down again, with cheeks as red as fire and shining eyes. + +For some days past they had ceased to work at birds and insects for +ornament. The mother and daughter were hemming pink flounces destined +for Sidonie's frock, and the little cripple never had plied her needle +with such good heart. + +In truth little Desiree was not Delobelle's daughter to no purpose. + +She inherited her father's faculty of retaining his illusions, of hoping +on to the end and even beyond. + +While Frantz was dilating upon his woe, Desire was thinking that, when +Sidonie was gone, he would come every day, if it were only to talk about +the absent one; that she would have him there by her side, that they +would sit up together waiting for "father," and that, perhaps, some +evening, as he sat looking at her, he would discover the difference +between the woman who loves you and the one who simply allows herself to +be loved. + +Thereupon the thought that every stitch taken in the frock tended to +hasten the departure which she anticipated with such impatience imparted. +extraordinary activity to her needle, and the unhappy lover ruefully +watched the flounces and ruffles piling up about her, like little pink, +white-capped waves. + +When the pink frock was finished, Mademoiselle Chebe started for Savigny. + +The chateau of M. Gardinois was built in the valley of the Orge, on the +bank of that capriciously lovely stream, with its windmills, its little +islands, its dams, and its broad lawns that end at its shores. + +The chateau, an old Louis-Quinze structure, low in reality, although made +to appear high by a pointed roof, had a most depressing aspect, +suggestive of aristocratic antiquity; broad steps, balconies with rusty +balustrades, old urns marred by time, wherein the flowers stood out +vividly against the reddish stone. As far as the eye could see, the +walls stretched away, decayed and crumbling, descending gradually toward +the stream. The chateau overlooked them, with its high, slated roofs, +the farmhouse, with its red tiles, and the superb park, with its lindens, +ash-trees, poplars and chestnuts growing confusedly together in a dense +black mass, cut here and there by the arched openings of the paths. + +But the charm of the old place was the water, which enlivened its silence +and gave character to its beautiful views. There were at Savigny, to say +nothing of the river, many springs, fountains, and ponds, in which the +sun sank to rest in all his glory; and they formed a suitable setting for +that venerable mansion, green and mossy as it was, and slightly worn +away, like a stone on the edge of a brook. + +Unluckily, at Savigny, as in most of those gorgeous Parisian summer +palaces, which the parvenus in commerce and speculation have made their +prey, the chatelains were not in harmony with the chateau. + +Since he had purchased his chateau, old Gardinois had done nothing but +injure the beauty of the beautiful property chance had placed in his +hands; cut down trees "for the view," filled his park with rough +obstructions to keep out trespassers, and reserved all his solicitude for +a magnificent kitchen-garden, which, as it produced fruit and vegetables +in abundance, seemed to him more like his own part of the country--the +land of the peasant. + +As for the great salons, where the panels with paintings of famous +subjects were fading in the autumn fogs, as for the ponds overrun with +water-lilies, the grottoes, the stone bridges, he cared for them only +because of the admiration of visitors, and because of such elements was +composed that thing which so flattered his vanity as an ex-dealer in +cattle--a chateau! + +Being already old, unable to hunt or fish, he passed his time +superintending the most trivial details of that large property. The +grain for the hens, the price of the last load of the second crop of hay, +the number of bales of straw stored in a magnificent circular granary, +furnished him with matter for scolding for a whole day; and certain it is +that, when one gazed from a distance at that lovely estate of Savigny, +the chateau on the hillside, the river, like a mirror, flowing at its +feet, the high terraces shaded by ivy, the supporting wall of the park +following the majestic slope of the ground, one never would have +suspected the proprietor's niggardliness and meanness of spirit. + +In the idleness consequent upon his wealth, M. Gardinois, being greatly +bored in Paris, lived at Savigny throughout the year, and the Fromonts +lived with him during the summer. + +Madame Fromont was a mild, dull woman, whom her father's brutal despotism +had early molded to passive obedience for life. She maintained the same +attitude with her husband, whose constant kindness and indulgence never +had succeeded in triumphing over that humiliated, taciturn nature, +indifferent to everything, and, in some sense, irresponsible. Having +passed her life with no knowledge of business, she had become rich +without knowing it and without the slightest desire to take advantage of +it. Her fine apartments in Paris, her father's magnificent chateau, made +her uncomfortable. She occupied as small a place as possible in both, +filling her life with a single passion, order--a fantastic, abnormal sort +of order, which consisted in brushing, wiping, dusting, and polishing the +mirrors, the gilding and the door-knobs, with her own hands, from morning +till night. + +When she had nothing else to clean, the strange woman would attack her +rings, her watch-chain, her brooches, scrubbing the cameos and pearls, +and, by dint of polishing the combination of her own name and her +husband's, she had effaced all the letters of both. Her fixed idea +followed her to Savigny. She picked up dead branches in the paths, +scratched the moss from the benches with the end of her umbrella, and +would have liked to dust the leaves and sweep down the old trees; and +often, when in the train, she looked with envy at the little villas +standing in a line along the track, white and clean, with their gleaming +utensils, the pewter ball, and the little oblong gardens, which resemble +drawers in a bureau. Those were her ideal of a country-house. + +M. Fromont, who came only occasionally and was always absorbed by his +business affairs, enjoyed Savigny little more than she. Claire alone +felt really at home in that lovely park. She was familiar with its +smallest shrub. Being obliged to provide her own amusements, like all +only children, she had become attached to certain walks, watched the +flowers bloom, had her favorite path, her favorite tree, her favorite +bench for reading. The dinner-bell always surprised her far away in the +park. She would come to the table, out of breath but happy, flushed with +the fresh air. The shadow of the hornbeams, stealing over that youthful +brow, had imprinted a sort of gentle melancholy there, and the deep, dark +green of the ponds, crossed by vague rays, was reflected in her eyes. + +Those lovely surroundings had in very truth shielded her from the +vulgarity and the abjectness of the persons about her. M. Gardinois +might deplore in her presence, for hours at a time, the perversity of +tradesmen and servants, or make an estimate of what was being stolen from +him each month, each week, every day, every minute; Madame Fromont might +enumerate her grievances against the mice, the maggots, dust and +dampness, all desperately bent upon destroying her property, and engaged +in a conspiracy against her wardrobes; not a word of their foolish talk +remained in Claire's mind. A run around the lawn, an hour's reading on +the river-bank, restored the tranquillity of that noble and intensely +active mind. + +Her grandfather looked upon her as a strange being, altogether out of +place in his family. As a child she annoyed him with her great, honest +eyes, her straightforwardness on all occasions, and also because he did +not find in her a second edition of his own passive and submissive +daughter. + +"That child will be a proud chit and an original, like her father," he +would say in his ugly moods. + +How much better he liked that little Chebe girl who used to come now and +then and play in the avenues at Savigny! In her, at least, he detected +the strain of the common people like himself, with a sprinkling of +ambition and envy, suggested even in those early days by a certain little +smile at the corner of the mouth. Moreover, the child exhibited an +ingenuous amazement and admiration in presence of his wealth, which +flattered his parvenu pride; and sometimes, when he teased her, she would +break out with the droll phrases of a Paris gamine, slang redolent of the +faubourgs, seasoned by her pretty, piquant face, inclined to pallor, +which not even superficiality could deprive of its distinction. So he +never had forgotten her. + +On this occasion above all, when Sidonie arrived at Savigny after her +long absence, with her fluffy hair, her graceful figure, her bright, +mobile face, the whole effect emphasized by mannerisms suggestive of the +shop-girl, she produced a decided sensation. Old Gardinois, wondering +greatly to see a tall young woman in place of the child he was expecting +to see, considered her prettier and, above all, better dressed than +Claire. + +It was a fact that, when Mademoiselle Chebe had left the train and was +seated in the great wagonette from the chateau, her appearance was not +bad; but she lacked those details that constituted her friend's chief +beauty and charm--a distinguished carriage, a contempt for poses, and, +more than all else, mental tranquillity. Her prettiness was not unlike +her gowns, of inexpensive materials, but cut according to the style of +the day-rags, if you will, but rags of which fashion, that ridiculous but +charming fairy, had regulated the color, the trimming, and the shape. +Paris has pretty faces made expressly for costumes of that sort, very +easy to dress becomingly, for the very reason that they belong to no +type, and Mademoiselle Sidonie's face was one of these. + +What bliss was hers when the carriage entered the long avenue, bordered +with velvety grass and primeval elms, and at the end Savigny awaiting her +with its great gate wide open! + +And how thoroughly at ease she felt amid all those refinements of wealth! +How perfectly that sort of life suited her! It seemed to her that she +never had known any other. + +Suddenly, in the midst of her intoxication, arrived a letter from Frantz, +which brought her back to the realities of her life, to her wretched fate +as the future wife of a government clerk, which transported her, whether +she would or no, to the mean little apartment they would occupy some day +at the top of some dismal house, whose heavy atmosphere, dense with +privation, she seemed already to breathe. + +Should she break her betrothal promise? + +She certainly could do it, as she had given no other pledge than her +word. But when he had left her, who could say that she would not wish +him back? + +In that little brain, turned by ambition, the strangest ideas chased one +another. Sometimes, while Grandfather Gardinois, who had laid aside in +her honor his old-fashioned hunting-jackets and swanskin waistcoats, was +jesting with her, amusing himself by contradicting her in order to draw +out a sharp reply, she would gaze steadily, coldly into his eyes, without +replying. Ah! if only he were ten years younger! But the thought of +becoming Madame Gardinois did not long occupy her. A new personage, a +new hope came into her life. + +After Sidonie's arrival, Georges Fromont, who was seldom seen at Savigny +except on Sundays, adopted the habit of coming to dinner almost every +day. + +He was a tall, slender, pale youth, of refined appearance. Having no +father or mother, he had been brought up by his uncle, M. Fromont, and +was looked upon by him to succeed him in business, and probably to become +Claire's husband. That ready-made future did not arouse any enthusiasm +in Georges. In the first place business bored him. As for his cousin, +the intimate good-fellowship of an education in common and mutual +confidence existed between them, but nothing more, at least on his side. + +With Sidonie, on the contrary, he was exceedingly embarrassed and shy, +and at the same time desirous of producing an effect--a totally different +man, in short. She had just the spurious charm, a little free, which was +calculated to attract a superficial nature, and it was not long before +she discovered the impression that she produced upon him. + +When the two girls were walking together in the park, it was always +Sidonie who remembered that it was time for the train from Paris to +arrive. They would go together to the gate to meet the travellers, and +Georges's first glance was always for Mademoiselle Chebe, who remained a +little behind her friend, but with the poses and airs that go halfway to +meet the eyes. That manoeuvring between them lasted some time. They did +not mention love, but all the words, all the smiles they exchanged were +full of silent avowals. + +One cloudy and threatening summer evening, when the two friends had left +the table as soon as dinner was at an end and were walking in the long, +shady avenue, Georges joined them. They were talking upon indifferent +subjects, crunching the gravel beneath their idling footsteps, when +Madame Fromont's voice, from the chateau, called Claire away. Georges +and Sidonie were left alone. They continued to walk along the avenue, +guided by the uncertain whiteness of the path, without speaking of +drawing nearer to each other. + +A warm wind rustled among the leaves. The ruffled surface of the pond +lapped softly against the arches of the little bridge; and the blossoms +of the acacias and lindens, detached by the breeze, whirled about in +circles, perfuming the electricity-laden air. They felt themselves +surrounded by an atmosphere of storm, vibrant and penetrating. Dazzling +flashes of heat passed before their troubled eyes, like those that played +along the horizon. + +"Oh! what lovely glow-worms!" exclaimed Sidonie, embarrassed by the +oppressive silence broken by so many mysterious sounds. + +On the edge of the greensward a blade of grass here and there was +illuminated by a tiny, green, flickering light. She stooped to lift one +on her glove. Georges knelt close beside her; and as they leaned down, +their hair and cheeks touching, they gazed at each other for a moment by +the light of the glow-worms. How weird and fascinating she seemed to him +in that green light, which shone upon her face and died away in the fine +network of her waving hair! He put his arm around her waist, and +suddenly, feeling that she abandoned herself to him, he clasped her in a +long, passionate embrace. + +"What are you looking for?" asked Claire, suddenly coming up in the +shadow behind them. + +Taken by surprise, and with a choking sensation in his throat, Georges +trembled so that he could not reply. Sidonie, on the other hand, rose +with the utmost coolness, and said as she shook out her skirt: + +"The glow-worms. See how many of them there are tonight. And how they +sparkle." + +Her eyes also sparkled with extraordinary brilliancy. + +"The storm makes them, I suppose," murmured Georges, still trembling. + +The storm was indeed near. At brief intervals great clouds of leaves and +dust whirled from one end of the avenue to the other. They walked a few +steps farther, then all three returned to the house. The young women +took their work, Georges tried to read a newspaper, while Madame Fromont +polished her rings and M. Gardinois and his son-in-law played billiards +in the adjoining room. + +How long that evening seemed to Sidonie! She had but one wish, to be +alone-alone with her thoughts. + +But, in the silence of her little bedroom, when she had put out her +light, which interferes with dreams by casting too bright an illumination +upon reality, what schemes, what transports of delight! Georges loved +her, Georges Fromont, the heir of the factory! They would marry; she +would be rich. For in that mercenary little heart the first kiss of love +had awakened no ideas save those of ambition and a life of luxury. + +To assure herself that her lover was sincere, she tried to recall the +scene under the trees to its most trifling details, the expression of his +eyes, the warmth of his embrace, the vows uttered brokenly, lips to lips, +it that weird light shed by the glow-worms, which one solemn moment had +fixed forever in her heart. + +Oh! the glow-worms of Savigny! + +All night long they twinkled like stars before her closed eyes. The park +was full of them, to the farthest limits of its darkest paths. There +were clusters of them all along the lawns, on the trees, in the +shrubbery. The fine gravel of the avenues, the waves of the river, +seemed to emit green sparks, and all those microscopic flashes formed a +sort of holiday illumination in which Savigny seemed to be enveloped in +her honor, to celebrate the betrothal of Georges and Sidonie. + +When she rose the next day, her plan was formed. Georges loved her; that +was certain. Did he contemplate marrying her? She had a suspicion that +he did not, the clever minx! But that did not frighten her. She felt +strong enough to triumph over that childish nature, at once weak and +passionate. She had only to resist him, and that is exactly what she +did. + +For some days she was cold and indifferent, wilfully blind and devoid of +memory. He tried to speak to her, to renew the blissful moment, but she +avoided him, always placing some one between them. + +Then he wrote to her. + +He carried his notes himself to a hollow in a rock near a clear spring +called "The Phantom," which was in the outskirts of the park, sheltered +by a thatched roof. Sidonie thought that a charming episode. In the +evening she must invent some story, a pretext of some sort for going to +"The Phantom" alone. The shadow of the trees across the path, the +mystery of the night, the rapid walk, the excitement, made her heart beat +deliciously. She would find the letter saturated with dew, with the +intense cold of the spring, and so white in the moonlight that she would +hide it quickly for fear of being surprised. + +And then, when she was alone, what joy to open it, to decipher those +magic characters, those words of love which swam before her eyes, +surrounded by dazzling blue and yellow circles, as if she were reading +her letter in the bright sunlight. + +"I love you! Love me!" wrote Georges in every conceivable phrase. + +At first she did not reply; but when she felt that he was fairly caught, +entirely in her power, she declared herself concisely: + +"I never will love any one but my husband." + +Ah! she was a true woman already, was little Chebe. + + + + +CHAPTER V + +HOW LITTLE CHEBE'S STORY ENDED + +Meanwhil September arrived. The hunting season brought together a large, +noisy, vulgar party at the chateau. There were long dinners at which the +wealthy bourgeois lingered slothfully and wearily, prone to fall asleep +like peasants. They went in carriages to meet the returning hunters in +the cool air of the autumn evening. The mist arose from the fields, from +which the crops had been gathered; and while the frightened game flew +along the stubble with plaintive cries, the darkness seemed to emerge +from the forests whose dark masses increased in size, spreading out over +the fields. + +The carriage lamps were lighted, the hoods raised, and they drove quickly +homeward with the fresh air blowing in their faces. The dining-hall, +brilliantly illuminated, was filled with gayety and laughter. + +Claire Fromont, embarrassed by the vulgarity of those about her, hardly +spoke at all. Sidonie was at her brightest. The drive had given +animation to her pale complexion and Parisian eyes. She knew how to +laugh, understood a little too much, perhaps, and seemed to the male +guests the only woman in the party. Her success completed Georges's +intoxication; but as his advances became more pronounced, she showed more +and more reserve. Thereupon he determined that she should be his wife. +He swore it to himself, with the exaggerated emphasis of weak characters, +who seem always to combat beforehand the difficulties to which they know +that they must yield some day. + +It was the happiest moment of little Chebe's life. Even aside from any +ambitious project, her coquettish, false nature found a strange +fascination in this intrigue, carried on mysteriously amid banquets and +merry-makings. + +No one about them suspected anything. Claire was at that healthy and +delightful period of youth when the mind, only partly open, clings to the +things it knows with blind confidence, in complete ignorance of treachery +and falsehood. M. Fromont thought of nothing but his business. His wife +polished her jewels with frenzied energy. Only old Gardinois and his +little, gimlet-like eyes were to be feared; but Sidonie entertained him, +and even if he had discovered anything, he was not the man to interfere +with her future. + +Her hour of triumph was near, when a sudden, unforeseen disaster blasted +her hopes. + +One Sunday morning M. Fromont was brought back fatally wounded from a +hunting expedition. A bullet intended for a deer had pierced his temple. +The chateau was turned upside-down. + +All the hunters, among them the unknown bungler that had fired the fatal +shot, started in haste for Paris. Claire, frantic with grief, entered +the room where her father lay on his deathbed, there to remain; and +Risler, being advised of the catastrophe, came to take Sidonie home. + +On the night before her departure she had a final meeting with Georges at +The Phantom,--a farewell meeting, painful and stealthy, and made solemn +by the proximity of death. They vowed, however, to love each other +always; they agreed upon a method of writing to each other. Then they +parted. + +It was a sad journey home. + +Sidonie returned abruptly to her every-day life, escorted by the +despairing grief of Risler, to whom his dear master's death was an +irreparable loss. On her arrival, she was compelled to describe her +visit to the smallest detail; discuss the inmates of the chateau, the +guests, the entertainments, the dinners, and the final catastrophe. +What torture for her, when, absorbed as she was by a single, unchanging +thought, she had so much need of silence and solitude! But there was +something even more terrible than that. + +On the first day after her return Frantz resumed his former place; and +the glances with which he followed her, the words he addressed to her +alone, seemed to her exasperating beyond endurance. + +Despite all his shyness and distrust of himself, the poor fellow believed +that he had some rights as an accepted and impatient lover, and little +Chebe was obliged to emerge from her dreams to reply to that creditor, +and to postpone once more the maturity of his claim. + +A day came, however, when indecision ceased to be possible. She had +promised to marry Frantz when he had obtained a good situation; and now +an engineer's berth in the South, at the smelting-furnaces of Grand +Combe, was offered to him. That was sufficient for the support of a +modest establishment. + +There was no way of avoiding the question. She must either keep her +promise or invent an excuse for breaking it. But what excuse could she +invent? + +In that pressing emergency, she thought of Desiree. Although the lame +little girl had never confided in her, she knew of her great love for +Frantz. Long ago she had detected it, with her coquette's eyes, bright +and changing mirrors, which reflected all the thoughts of others without +betraying any of her own. It may be that the thought that another woman +loved her betrothed had made Frantz's love more endurable to her at +first; and, just as we place statues on tombstones to make them appear +less sad, Desiree's pretty, little, pale face at the threshold of that +uninviting future had made it seem less forbidding to her. + +Now it provided--her with a simple and honorable pretext for freeing +herself from her promise. + +"No! I tell you, mamma," she said to Madame Chebe one day, "I never will +consent to make a friend like her unhappy. I should suffer too much from +remorse,--poor Desiree! Haven't you noticed how badly she looks since I +came home; what a beseeching way she has of looking at me? No, I won't +cause her that sorrow; I won't take away her Frantz." + +Even while she admired her daughter's generous spirit, Madame Chebe +looked upon that as a rather exaggerated sacrifice, and remonstrated with +her. + +"Take care, my child; we aren't rich. A husband like Frantz doesn't turn +up every day." + +"Very well! then I won't marry at all," declared Sidonie flatly, and, +deeming her pretext an excellent one, she clung persistently to it. +Nothing could shake her determination, neither the tears shed by Frantz, +who was exasperated by her refusal to fulfil her promise, enveloped as it +was in vague reasons which she would not even explain to him, nor the +entreaties of Risler, in whose ear Madame Chebe had mysteriously mumbled +her daughter's reasons, and who in spite of everything could not but +admire such a sacrifice. + +"Don't revile her, I tell you! She's an angel!" he said to his brother, +striving to soothe him. + +"Ah! yes, she is an angel," assented Madame Chebe with a sigh, so that +the poor betrayed lover had not even the right to complain. Driven to +despair, he determined to leave Paris, and as Grand Combe seemed too near +in his frenzied longing for flight, he asked and obtained an appointment +as overseer on the Suez Canal at Ismailia. He went away without knowing, +or caring to know aught of, Desiree's love; and yet, when he went to bid +her farewell, the dear little cripple looked up into his face with her +shy, pretty eyes, in which were plainly written the words: + +"I love you, if she does not." + +But Frantz Risler did not know how to read what was written in those +eyes. + +Fortunately, hearts that are accustomed to suffer have an infinite store +of patience. When her friend had gone, the lame girl, with her charming +morsel of illusion, inherited from her father and refined by her feminine +nature, returned bravely to her work, saying to herself: + +"I will wait for him." + +And thereafter she spread the wings of her birds to their fullest extent, +as if they were all going, one after another, to Ismailia in Egypt. And +that was a long distance! + +Before sailing from Marseilles, young Risler wrote Sidonie a farewell +letter, at once laughable and touching, wherein, mingling the most +technical details with the most heartrending adieux, the unhappy engineer +declared that he was about to set sail, with a broken heart, on the +transport Sahib, "a sailing-ship and steamship combined, with engines of +fifteen-hundred-horse power," as if he hoped that so considerable a +capacity would make an impression on his ungrateful betrothed, and cause +her ceaseless remorse. But Sidonie had very different matters on her +mind. + +She was beginning to be disturbed by Georges's silence. Since she left +Savigny she had heard from him only once. All her letters were left +unanswered. To be sure, she knew through Risler that Georges was very +busy, and that his uncle's death had thrown the management of the factory +upon him, imposing upon him a responsibility that was beyond his +strength. But to abandon her without a word! + +From the window on the landing, where she had resumed her silent +observations--for she had so arranged matters as not to return to +Mademoiselle Le Mire--little Chebe tried to distinguish her lover, +watched him as he went to and fro across the yards and among the +buildings; and in the afternoon, when it was time for the train to start +for Savigny, she saw him enter his carriage to go to his aunt and cousin, +who were passing the early months of their period of mourning at the +grandfather's chateau in the country. + +All this excited and alarmed her; and the proximity of the factory +rendered Georges's avoidance of her even more apparent. To think that by +raising her voice a little she could make him turn toward the place where +she stood! To think that they were separated only by a wall! And yet, +at that moment they were very far apart. + +Do you remember, little Chebe, that unhappy winter evening when the +excellent Risler rushed into your parents' room with an extraordinary +expression of countenance, exclaiming, "Great news!"? + +Great news, indeed! Georges Fromont had just informed him that, in +accordance with his uncle's last wishes, he was to marry his cousin +Claire, and that, as he was certainly unequal to the task of carrying on +the business alone, he had resolved to take him, Risler, for a partner, +under the firm name of FROMONT JEUNE AND RISLER AINE. + +How did you succeed, little Chebe, in maintaining your self-possession +when you learned that the factory had eluded your grasp and that another +woman had taken your place? What a terrible evening!--Madame Chebe sat +by the table mending; M. Chebe before the fire drying his clothes, which +were wet through by his having walked a long distance in the rain. Oh! +that miserable room, overflowing with gloom and ennui! The lamp gave a +dim light. The supper, hastily prepared, had left in the room the odor +of the poor man's kitchen. And Risler, intoxicated with joy, talking +with increasing animation, laid great plans! + +All these things tore your heart, and made the treachery still more +horrible by the contrast between the riches that eluded your outstretched +hand and the ignoble mediocrity in which you were doomed to pass your +life. + +Sidonie was seriously ill for a long while. As she lay in bed, whenever +the window-panes rattled behind the curtains, the unhappy creature +fancied that Georges's wedding-coaches were driving through the street; +and she had paroxysms of nervous excitement, without words and +inexplicable, as if a fever of wrath were consuming her. + +At last, time and youthful strength, her mother's care, and, more than +all, the attentions of Desiree, who now knew of the sacrifice her friend +had made for her, triumphed over the disease. But for a long while +Sidonie was very weak, oppressed by a deadly melancholy, by a constant +longing to weep, which played havoc with her nervous system. + +Sometimes she talked of travelling, of leaving Paris. At other times she +insisted that she must enter a convent. Her friends were sorely +perplexed, and strove to discover the cause of that singular state of +mind, which was even more alarming than her illness; when she suddenly +confessed to her mother the secret of her melancholy. + +She loved the elder Risler! She never had dared to whisper it; but it +was he whom she had always loved and not Frantz. + +This news was a surprise to everybody, to Risler most of all; but little +Chebe was so pretty, her eyes were so soft when she glanced at him, that +the honest fellow instantly became as fond of her as a fool! Indeed, it +may be that love had lain in his heart for a long time without his +realizing it. + +And that is how it happened that, on the evening of her wedding-day, +young Madame Risler, in her white wedding-dress, gazed with a smile of +triumph at the window on the landing which had been the narrow setting of +ten years of her life. That haughty smile, in which there was a touch of +profound pity and of scorn as well, such scorn as a parvenu feels for his +poor beginnings, was evidently addressed to the poor sickly child whom +she fancied she saw up at that window, in the depths of the past and the +darkness. It seemed to say to Claire, pointing at the factory: + +"What do you say to this little Chebe? She is here at last, you see!" + + + + +CHAPTER VI + +Noon. The Marais is breakfasting. + +Sitting near the door, on a stone which once served as a horse-block +for equestrians, Risler watches with a smile the exit from the factory. +He never loses his enjoyment of the outspoken esteem of all these good +people whom he knew when he was insignificant and humble like themselves. +The "Good-day, Monsieur Risler," uttered by so many different voices, all +in the same affectionate tone, warms his heart. The children accost him +without fear, the long-bearded designers, half-workmen, half-artists, +shake hands with him as they pass, and address him familiarly as "thou." +Perhaps there is a little too much familiarity in all this, for the +worthy man has not yet begun to realize the prestige and authority of his +new station; and there was some one who considered this free-and-easy +manner very humiliating. But that some one can not see him at this +moment, and the master takes advantage of the fact to bestow a hearty +greeting upon the old bookkeeper, Sigismond, who comes out last of all, +erect and red-faced, imprisoned in a high collar and bareheaded--whatever +the weather--for fear of apoplexy. + +He and Risler are fellow-countrymen. They have for each other a profound +esteem, dating from their first employment at the factory, from that +time, long, long ago, when they breakfasted together at the little +creamery on the corner, to which Sigismond Planus goes alone now and +selects his refreshment for the day from the slate hanging on the wall. + +But stand aside! The carriage of Fromont Jeune drives through the +gateway. He has been out on business all the morning; and the partners, +as they walk toward the pretty little house in which they both live at +the end of the garden, discuss matters of business in a friendly way. + +"I have been at Prochasson's," says Fromont. "They showed me some new +patterns, pretty ones too, I assure you. We must be on our guard. They +are dangerous rivals." + +But Risler is not at all anxious. He is strong in his talent, his +experience; and then--but this is strictly confidential--he is on the +track of a wonderful invention, an improved printing-press, something +that--but we shall see. Still talking, they enter the garden, which is +as carefully kept as a public park, with round-topped acacias almost as +old as the buildings, and magnificent ivies that hide the high, black +walls. + +Beside Fromont jeune, Risler Aine has the appearance of a clerk making +his report to his employer. At every step he stops to speak, for his +gait is heavy, his mind works slowly, and words have much difficulty in +finding their way to his lips. Oh, if he could see the little flushed +face up yonder, behind the window on the second floor, watching +everything so attentively! + +Madame Risler is waiting for her husband to come to breakfast, and waxes +impatient over the good man's moderation. She motions to him with her +hand: + +"Come, come!" but Risler does not notice it. His attention is engrossed +by the little Fromont, daughter of Claire and Georges, who is taking a +sun-bath, blooming like a flower amid her lace in her nurse's arms. How +pretty she is! "She is your very picture, Madame Chorche." + +"Do you think so, my dear Risler? Why, everybody says she looks like her +father." + +"Yes, a little. But--" + +And there they all stand, the father and mother, Risler and the nurse, +gravely seeking resemblances in that miniature model of a human being, +who stares at them out of her little eyes, blinking with the noise and +glare. Sidonie, at her open window, leans out to see what they are +doing, and why her husband does not come up. + +At that moment Risler has taken the tiny creature in his arms, the whole +fascinating bundle of white draperies and light ribbons, and is trying to +make it laugh and crow with baby-talk and gestures worthy of a +grandfather. How old he looks, poor man! His tall body, which he +contorts for the child's amusement, his hoarse voice, which becomes a low +growl when he tries to soften it, are absurd and ridiculous. + +Above, the wife taps the floor with her foot and mutters between her +teeth: + +"The idiot!" + +At last, weary of waiting, she sends a servant to tell Monsieur that +breakfast is served; but the game is so far advanced that Monsieur does +not see how he can go away, how he can interrupt these explosions of +laughter and little bird-like cries. He succeeds at last, however, in +giving the child back to its nurse, and enters the hall, laughing +heartily. He is laughing still when he enters the dining-room; but a +glance from his wife stops him short. + +Sidonie is seated at table before the chafing-dish, already filled. Her +martyr-like attitude suggests a determination to be cross. + +"Oh! there you are. It's very lucky!" + +Risler took his seat, a little ashamed. + +"What would you have, my love? That child is so--" + +"I have asked you before now not to speak to me in that way. It isn't +good form." + +"What, not when we're alone?" + +"Bah! you will never learn to adapt yourself to our new fortune. And +what is the result? No one in this place treats me with any respect. +Pere Achille hardly touches his hat to me when I pass his lodge. To be +sure, I'm not a Fromont, and I haven't a carriage." + +"Come, come, little one, you know perfectly well that you can use Madame +Chorche's coupe. She always says it is at our disposal." + +"How many times must I tell you that I don't choose to be under any +obligation to that woman?" + +"O Sidonie" + +"Oh! yes, I know, it's all understood. Madame Fromont is the good Lord +himself. Every one is forbidden to touch her. And I must make up my +mind to be a nobody in my own house, to allow myself to be humiliated, +trampled under foot." + +"Come, come, little one--" + +Poor Risler tries to interpose, to say a word in favor of his dear Madame +"Chorche." But he has no tact. This is the worst possible method of +effecting a reconciliation; and Sidonie at once bursts forth: + +"I tell you that that woman, with all her calm airs, is proud and +spiteful. In the first place, she detests me, I know that. So long as I +was poor little Sidonie and she could toss me her broken dolls and old +clothes, it was all right, but now that I am my own mistress as well as +she, it vexes her and humiliates her. Madame gives me advice with a +lofty air, and criticises what I do. I did wrong to have a maid. Of +course! Wasn't I in the habit of waiting on myself? She never loses a +chance to wound me. When I call on her on Wednesdays, you should hear +the tone in which she asks me, before everybody, how 'dear Madame Chebe' +is. Oh! yes. I'm a Chebe and she's a Fromont. One's as good as the +other, in my opinion. My grandfather was a druggist. What was hers? +A peasant who got rich by money-lending. I'll tell her so one of these +days, if she shows me too much of her pride; and I'll tell her, too, that +their little imp, although they don't suspect it, looks just like that +old Pere Gardinois, and heaven knows he isn't handsome." + +"Oh!" exclaims Risler, unable to find words to reply. + +"Oh! yes, of course! I advise you to admire their child. She's always +ill. She cries all night like a little cat. It keeps me awake. And +afterward, through the day, I have mamma's piano and her scales--tra, la +la la! If the music were only worth listening to!" + +Risler has taken the wise course. He does not say a word until he sees +that she is beginning to calm down a little, when he completes the +soothing process with compliments. + +"How pretty we are to-day! Are we going out soon to make some calls, +eh?" + +He resorts to this mode of address to avoid the more familiar form, which +is so offensive to her. + +"No, I am not going to make calls," Sidonie replies with a certain pride. +"On the contrary, I expect to receive them. This is my day." + +In response to her husband's astounded, bewildered expression she +continues: + +"Why, yes, this is my day. Madame Fromont has one; I can have one also, +I fancy." + +"Of course, of course," said honest Risler, looking about with some +little uneasiness. "So that's why I saw so many flowers everywhere, on +the landing and in the drawing-room." + +"Yes, my maid went down to the garden this morning. Did I do wrong? +Oh! you don't say so, but I'm sure you think I did wrong. 'Dame'! +I thought the flowers in the garden belonged to us as much as to the +Fromonts." + +"Certainly they do--but you--it would have been better perhaps--" + +"To ask leave? That's it-to humble myself again for a few paltry +chrysanthemums and two or three bits of green. Besides, I didn't make +any secret of taking the flowers; and when she comes up a little later--" + +"Is she coming? Ah! that's very kind of her." + +Sidonie turned upon him indignantly. + +"What's that? Kind of her? Upon my word, if she doesn't come, it would +be the last straw. When I go every Wednesday to be bored to death in her +salon with a crowd of affected, simpering women!" + +She did not say that those same Wednesdays of Madame Fromont's were very +useful to her, that they were like a weekly journal of fashion, one of +those composite little publications in which you are told how to enter +and to leave a room, how to bow, how to place flowers in a jardiniere and +cigars in a case, to say nothing of the engravings, the procession of +graceful, faultlessly attired men and women, and the names of the best +modistes. Nor did Sidonie add that she had entreated all those friends +of Claire's, of whom she spoke so scornfully, to come to see her on her +own day, and that the day was selected by them. + +Will they come? Will Madame Fromont Jeune insult Madame Risler Aine by +absenting herself on her first Friday? The thought makes her almost +feverish with anxiety. + +"For heaven's sake, hurry!" she says again and again. "Good heavens! +how long you are at your, breakfast!" + +It is a fact that it is one of honest Risler's ways to eat slowly, and to +light his pipe at the table while he sips his coffee. To-day he must +renounce these cherished habits, must leave the pipe in its case because +of the smoke, and, as soon as he has swallowed the last mouthful, run +hastily and dress, for his wife insists that he must come up during the +afternoon and pay his respects to the ladies. + +What a sensation in the factory when they see Risler Aine come in, on a +week-day, in a black frock-coat and white cravat! + +"Are you going to a wedding, pray?" cries Sigismond, the cashier, behind +his grating. + +And Risler, not without a feeling of pride, replies: + +"This is my wife's reception day!" + +Soon everybody in the place knows that it is Sidonie's day; and Pere +Achille, who takes care of the garden, is not very well pleased to find +that the branches of the winter laurels by the gate are broken. + +Before taking his seat at the table upon which he draws, in the bright +light from the tall windows, Risler has taken off his fine frock-coat, +which embarrasses him, and has turned up his clean shirt-sleeves; but the +idea that his wife is expecting company preoccupies and disturbs him; and +from time to time he puts on his coat and goes up to her. + +"Has no one come?" he asks timidly. + +"No, Monsieur, no one." + +In the beautiful red drawing-room--for they have a drawing-room in red +damask, with a console between the windows and a pretty table in the +centre of the light-flowered carpet--Sidonie has established herself in +the attitude of a woman holding a reception, a circle of chairs of many +shapes around her. Here and there are books, reviews, a little work- +basket in the shape of a gamebag, with silk tassels, a bunch of violets +in a glass vase, and green plants in the jardinieres. Everything is +arranged exactly as in the Fromonts' apartments on the floor below; but +the taste, that invisible line which separates the distinguished from the +vulgar, is not yet refined. You would say it was a passable copy of a +pretty genre picture. The hostess's attire, even, is too new; she looks +more as if she were making a call than as if she were at home. In +Risler's eyes everything is superb, beyond reproach; he is preparing to +say so as he enters the salon, but, in face of his wife's wrathful +glance, he checks himself in terror. + +"You see, it's four o'clock," she says, pointing to the clock with an +angry gesture. "No one will come. But I take it especially ill of +Claire not to come up. She is at home--I am sure of it--I can hear her." + +Indeed, ever since noon, Sidonie has listened intently to the slightest +sounds on the floor below, the child's crying, the closing of doors. +Risler attempts to go down again in order to avoid a renewal of the +conversation at breakfast; but his wife will not allow him to do so. The +very least he can do is to stay with her when everybody else abandons +her, and so he remains there, at a loss what to say, rooted to the spot, +like those people who dare not move during a storm for fear of attracting +the lightning. Sidonie moves excitedly about, going in and out of the +salon, changing the position of a chair, putting it back again, looking +at herself as she passes the mirror, and ringing for her maid to send her +to ask Pere Achille if no one has inquired for her. That Pere Achille is +such a spiteful creature! Perhaps when people have come, he has said +that she was out. + +But no, the concierge has not seen any one. + +Silence and consternation. Sidonie is standing at the window on the +left, Risler at the one on the right. From there they can see the little +garden, where the darkness is gathering, and the black smoke which the +chimney emits beneath the lowering clouds. Sigismond's window is the +first to show a light on the ground floor; the cashier trims his lamp +himself with painstaking care, and his tall shadow passes in front of the +flame and bends double behind the grating. Sidonie's wrath is diverted a +moment by these familiar details. + +Suddenly a small coupe drives into the garden and stops in front of the +door. At last some one is coming. In that pretty whirl of silk and +flowers and jet and flounces and furs, as it runs quickly up the step, +Sidonie has recognized one of the most fashionable frequenters of the +Fromont salon, the wife of a wealthy dealer in bronzes. What an honor to +receive a call from such an one! Quick, quick! the family takes its +position, Monsieur in front of the hearth, Madame in an easychair, +carelessly turning the leaves of a magazine. Wasted pose! The fair +caller did not come to see Sidonie; she has stopped at the floor below. + +Ah! if Madame Georges could hear what her neighbor says of her and her +friends! + +At that moment the door opens and "Mademoiselle Planus" is announced. +She is the cashier's sister, a poor old maid, humble and modest, who has +made it her duty to make this call upon the wife of her brother's +employer, and who is amazed at the warm welcome she receives. She is +surrounded and made much of. "How kind of you to come! Draw up to the +fire." They overwhelm her with attentions and show great interest in her +slightest word. Honest Risler's smiles are as warm as his thanks. +Sidonie herself displays all her fascinations, overjoyed to exhibit +herself in her glory to one who was her equal in the old days, and to +reflect that the other, in the room below, must hear that she has had +callers. So she makes as much noise as possible, moving chairs, pushing +the table around; and when the lady takes her leave, dazzled, enchanted, +bewildered, she escorts her to the landing with a great rustling of +flounces, and calls to her in a very loud voice, leaning over the rail, +that she is at home every Friday. "You understand, every Friday." + +Now it is dark. The two great lamps in the salon are lighted. In the +adjoining room they hear the servant laying the table. It is all over. +Madame Fromont Jeune will not come. + +Sidonie is pale with rage. + +"Just fancy, that minx can't come up eighteen steps! No doubt Madame +thinks we're not grand enough for her. Ah! but I'll have my revenge." + +As she pours forth her wrath in unjust words, her voice becomes coarse, +takes on the intonations of the faubourg, an accent of the common people +which betrays the ex-apprentice of Mademoiselle Le Mire. + +Risler is unlucky enough to make a remark. + +"Who knows? Perhaps the child is ill." + +She turns upon him in a fury, as if she would like to bite him. + +"Will you hold your tongue about that brat? After all, it's your fault +that this has happened to me. You don't know how to make people treat me +with respect." + +And as she closed the door of her bedroom violently, making the globes on +the lamps tremble, as well as all the knick-knacks on the etageres, +Risler, left alone, stands motionless in the centre of the salon, looking +with an air of consternation at his white cuffs, his broad patent-leather +shoes, and mutters mechanically: + +"My wife's reception day!" + + + + +ETEXT EDITOR'S BOOKMARKS: + +Affectation of indifference +Always smiling condescendingly +Convent of Saint Joseph, four shoes under the bed! +Deeming every sort of occupation beneath him +Dreams of wealth and the disasters that immediately followed +He fixed the time mentally when he would speak +Little feathers fluttering for an opportunity to fly away +No one has ever been able to find out what her thoughts were +Pass half the day in procuring two cakes, worth three sous +She was of those who disdain no compliment +Such artificial enjoyment, such idiotic laughter +Superiority of the man who does nothing over the man who works +Terrible revenge she would take hereafter for her sufferings +The groom isn't handsome, but the bride's as pretty as a picture +The poor must pay for all their enjoyments + + + + +End of this Project Gutenberg Etext of Fromont and Risler, v1 +by Alphonse Daudet + |
