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+The Project Gutenberg EBook of Burlesques, by H. M. Bateman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org/license
+
+
+Title: Burlesques
+
+Author: H. M. Bateman
+
+Release Date: May 3, 2012 [EBook #39604]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK BURLESQUES ***
+
+
+
+
+Produced by Chris Curnow, Mark Young and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+  BURLESQUES
+
+[Illustration MR. GEORGE GRAVES IN "PRINCESS CAPRICE"]
+
+
+
+
+  BURLESQUES
+
+  BY
+
+  H. M. BATEMAN
+
+  WITH AN INTRODUCTORY NOTE BY A. E. JOHNSON
+
+[Illustration]
+
+  LONDON
+
+  DUCKWORTH & CO.
+
+  3 HENRIETTA STREET, COVENT GARDEN
+
+[Illustration _First Published 1916_]
+
+
+  PRINTED IN GREAT BRITAIN BY WM. BRENDON AND SON, LTD.
+  PLYMOUTH, ENGLAND
+
+[Illustration]
+
+
+
+INTRODUCTORY NOTE
+
+Mr. H. M. Bateman possesses in remarkable degree that
+rare gift, a real power of comic draughtsmanship. He is
+capable not only of comic vision, but of comic expression.
+His "line" is an instinctive expression of the comic: it reveals an
+innate feeling for the essentially humorous. To put it briefly, if
+somewhat vaguely, he "draws funnily." He is the terse and witty
+pictorial _raconteur_--a shrewd observer who can sum up a character,
+or conjure up a scene, with a few strokes of such penetrating insight
+that they carry instant conviction.
+
+Humour of the kind which the drawings in this volume embody
+is so spontaneous, and the expression of it so direct and incisive,
+that there is perhaps a tendency to overlook the intensity of the effort
+which produces the seemingly effortless result. Mr. Bateman's
+method is sometimes described as caricature, but that is to miss its
+true significance, though the term may seem, upon the surface,
+appropriate enough. Caricature is the art of inducing humour, by
+dint of satirical exaggeration, in a subject not necessarily humorous
+of itself. Mr. Bateman's more difficult function is to reveal humour,
+not to impose it.
+
+There is no trace of the self-conscious humorist in these drawings.
+Facetiousness is a quality conspicuously and gratefully absent. The
+artist's only concern is to pluck the very heart out of his subject, and
+that his mind has a trend towards the humorous aspect of life is merely
+accidental. For it is the humour of life, not merely of men, that
+attracts him, and even when he deals with seemingly quite trivial
+subjects, there is nothing petty or trite about his comic treatment of
+them.
+
+He generalises. His observations are of types, not of individuals,
+of situations rather than of scenes. He draws for us people whom
+we all know but none of us have actually seen, for when he portrays
+a type his sketch embodies all the salient characteristics that go to
+make that type. If he draws a plumber, for example, he shows us
+the Compleat Plumber--more like a plumber than any plumber ever
+was. And as with character, so with action--whatever Mr. Bateman
+elects to make his puppets do, they do it with an intensity and vigour
+beyond all practical possibility, but not (and this is the artist's secret)
+beyond the bounds of imagination and belief. When a man is seen
+running in a Bateman drawing he does not merely run--he _runs_; if
+he slumbers, one can veritably hear him snore! The intensity of the
+artist's imaginative effort visualises for us that which cannot humanly
+be, but would be if it could.
+
+Pictorial exponents of the comic art are few, for of so-called
+"humorous drawings" not many are inspired by the true comic spirit.
+It is a fortunate opportunity, therefore, which the present volume
+provides of preserving in collected form so much that bears the
+evident stamp of the real thing.
+
+A. E. J.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+
+
+
+                LIST OF DRAWINGS
+
+
+                                                   PAGE
+
+  THEY CALL IT "FAME"                                 1
+
+  MAESTROS: THE IMPRESSIVE                            3
+
+  MAESTROS: THE UNEMOTIONAL                           5
+
+  MAESTROS: THE SENTIMENTAL                           7
+
+  THE WINTER VEST                                     9
+
+  THE MAN WHO WON A MOTOR-CAR                        11
+
+  THE ACCOMPANIST WHO DID HER BEST                   13
+
+  THE POTTER-ABOUT-THE-HALL-ALL-DAY
+  PERSON                                             15
+
+  THE GRUMBLE-AT-THE-FOOD-AND-EVERYTHING-ELSE
+  PERSON                                             17
+
+  "I REMEMBER IN 1870----"                           19
+
+  THE TEMPER                                         21
+
+  GENUINE ANTIQUES                                   23
+
+  SIGHTS UP IN TOWN                                  25
+
+  SIGHTS DOWN IN THE COUNTRY                         27
+
+  LITTLE TICH                                        29
+
+  THE BLUE                                           31
+
+  PREPARATIONS FOR A GREAT OFFENSIVE                 32, 33
+
+  GARÇON!                                            35
+
+  MAN AND WIFE                                       37
+
+  SPEECHMAKERS: THE FAITHFUL OLD
+  DOG                                                39
+
+  SPEECHMAKERS: THE WORM                             41
+
+  TWINS                                              43
+
+  PLATONIC                                           45
+
+  ALL THIS FOR 3D., 6D., AND 1/-                     47
+
+  THE MISSED PUTT                                    49
+
+  THE MAN WHO ONLY WANTED TWO
+  HALFPENNIES FOR A PENNY                            51
+
+  PSYCHIC: GLOOM                                     53
+
+  LOST--A PEKINESE DOG                               55
+
+  DANCERS AND DANCES: SPANISH                        57
+
+  DANCERS AND DANCES: AMERICAN                       59
+
+  DANCERS AND DANCES: ORIENTAL                       61
+
+  THE PUBLIC LIBRARY                                 63
+
+  MERELY A MATTER OF SECONDS                         65
+
+  A HEART TO HEART TALK                              67
+
+  HOW I WON THE MARATHON                             69
+
+  99° IN THE SHADE                                   71
+
+[Illustration]
+
+_The drawings contained in this book originally appeared, with some
+exceptions, in "The Sketch," "London Opinion," "The Graphic," "The
+Bystander," "Printer's Pie" and "Illustrated Sporting and Dramatic
+News." The author is indebted to the proprietors of these journals for
+permission to issue them in this volume._
+
+
+
+
+[Illustration THEY CALL IT "FAME"]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration MAESTROS
+I. The Impressive: Rachmaninoff's "Prelude"]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration MAESTROS
+II. The Unemotional: Bach's "Italian Fugue"]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration MAESTROS
+III. The Sentimental: A Chopin Nocturne]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration STUDIES OF A RESPECTABLE MIDDLE-AGED GENTLEMAN WEARING A NEW
+WINTER VEST FOR THE FIRST TIME]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE MAN WHO WON A MOTOR-CAR]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE ACCOMPANIST WHO DID HER BEST]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration HOTEL HOGS
+The potter-about-the-hall-all-day-and-watch-the-new-arrivals person]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration HOTEL HOGS
+The grumble-at-the-food-and-everything-else person]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration "I REMEMBER IN 1870----"
+London clubmen in war-time parading for practice in writing to the papers]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE TEMPER]
+
+
+
+
+[Illustration THE GOBLETS\]
+
+
+
+
+[Illustration GENUINE ANTIQUES]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration SIGHTS UP IN TOWN]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration SIGHTS DOWN IN THE COUNTRY]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration LITTLE TICH]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE BLUE]
+
+
+
+
+[Illustration PREPARATIONS FOR--]
+
+
+
+
+[Illustration --A GREAT OFFENSIVE]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration "GARÇON!"]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration MAN AND WIFE]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration SPEECHES AND THEIR MAKERS
+The Faithful Old Dog]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration SPEECHES AND THEIR MAKERS
+The Worm]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration TWINS]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration PLATONIC]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration ALL THIS FOR 3D.\, 6D.\, AND 1/-]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE MISSED PUTT]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE MAN WHO ONLY WANTED TWO HALFPENNIES FOR A PENNY]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration PSYCHIC]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration LOST--A PEKINESE DOG]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration DANCERS AND DANCES
+Spanish]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration DANCERS AND DANCES
+American]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration DANCERS AND DANCES
+Oriental]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE PUBLIC LIBRARY]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration MERELY A MATTER OF SECONDS]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration A HEART-TO-HEART TALK]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration HOW I WON THE MARATHON]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration 99° IN THE SHADE]
+
+
+
+
+[Illustration]
+
+
+
+
+       *       *       *       *       *
+
+  Transcriber's Notes
+
+  Obvious punctuation and spelling errors repaired.
+
+  Italic text is denoted by _underscore_ and bold text
+  by =equal signs=.
+
+  The following numerous errors were left as is:
+  endquote missing punctuation
+  No punctuation at para end
+
+
+
+
+
+End of the Project Gutenberg EBook of Burlesques, by H. M. Bateman
+
+*** END OF THIS PROJECT GUTENBERG EBOOK BURLESQUES ***
+
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+      The Project Gutenberg eBook of Burlesques, by H. M. Bateman.
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+<pre>
+
+The Project Gutenberg EBook of Burlesques, by H. M. Bateman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org/license
+
+
+Title: Burlesques
+
+Author: H. M. Bateman
+
+Release Date: May 3, 2012 [EBook #39604]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK BURLESQUES ***
+
+
+
+
+Produced by Chris Curnow, Mark Young and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+
+
+
+
+</pre>
+
+
+
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_cover.jpg" width="400" height="612" alt="" title="" />
+</div>
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_front_endpaper_a.jpg" width="400" height="612" alt="" title="" />
+</div>
+
+<div class="figleft" style="width: 200px;">
+<img src="images/i_001.jpg" width="200" height="370" alt="" title="" />
+</div>
+
+
+
+<hr style="width: 65%;" />
+<div class="figright" style="width: 200px;">
+<img src="images/i_002.jpg" width="200" height="331" alt="" title="" />
+</div>
+
+<h1>BURLESQUES</h1>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_003.jpg" width="400" height="540" alt="MR. GEORGE GRAVES IN &quot;PRINCESS CAPRICE&quot;" title="" />
+<span class="caption">MR. GEORGE GRAVES IN &quot;PRINCESS CAPRICE&quot;</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<h2>BURLESQUES</h2>
+
+<h3>BY</h3>
+
+<h2>H. M. BATEMAN</h2>
+
+<p class="cen">WITH AN INTRODUCTORY NOTE BY A. E. JOHNSON</p>
+
+<div class="figcenter" style="width: 75px;">
+<img src="images/i_004.jpg" width="75" height="80" alt="" title="" />
+</div>
+
+<h3>LONDON</h3>
+
+<h2>DUCKWORTH &amp; CO.</h2>
+
+<h3>3 HENRIETTA STREET, COVENT GARDEN</h3>
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_iv" id="Page_iv">[ iv]</a></span>
+<img src="images/i_005.jpg" width="400" height="656" alt="First Published 1916" title="" />
+<span class="caption"><i>First Published 1916</i></span>
+</div>
+
+<p class="cen">PRINTED IN GREAT BRITAIN BY WM. BRENDON AND SON, LTD.<br />
+PLYMOUTH, ENGLAND</p>
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;">
+<img src="images/i_006.jpg" width="400" height="130" alt="" title="" />
+</div>
+
+
+
+<h2>INTRODUCTORY NOTE</h2>
+
+
+<p><span class="smcap">Mr. H. M. Bateman</span> possesses in remarkable degree that<span class="pagenum"><a name="Page_v" id="Page_v">[ v]</a></span>
+rare gift, a real power of comic draughtsmanship. He is
+capable not only of comic vision, but of comic expression.
+His "line" is an instinctive expression of the comic: it reveals an
+innate feeling for the essentially humorous. To put it briefly, if
+somewhat vaguely, he "draws funnily." He is the terse and witty
+pictorial <i>raconteur</i>&mdash;a shrewd observer who can sum up a character,
+or conjure up a scene, with a few strokes of such penetrating insight
+that they carry instant conviction.</p>
+
+<p>Humour of the kind which the drawings in this volume embody
+is so spontaneous, and the expression of it so direct and incisive,
+that there is perhaps a tendency to overlook the intensity of the effort
+which produces the seemingly effortless result. Mr. Bateman's
+method is sometimes described as caricature, but that is to miss its
+true significance, though the term may seem, upon the surface,
+appropriate enough. Caricature is the art of inducing humour, by
+dint of satirical exaggeration, in a subject not necessarily humorous
+of itself. Mr. Bateman's more difficult function is to reveal humour,
+not to impose it.</p>
+
+<p>There is no trace of the self-conscious humorist in these drawings.
+Facetiousness is a quality conspicuously and gratefully absent. The
+artist's only concern is to pluck the very heart out of his subject, and
+that his mind has a trend towards the humorous aspect of life is merely<span class="pagenum"><a name="Page_vi" id="Page_vi">[ vi]</a></span>
+accidental. For it is the humour of life, not merely of men, that
+attracts him, and even when he deals with seemingly quite trivial
+subjects, there is nothing petty or trite about his comic treatment of
+them.</p>
+
+<p>He generalises. His observations are of types, not of individuals,
+of situations rather than of scenes. He draws for us people whom
+we all know but none of us have actually seen, for when he portrays
+a type his sketch embodies all the salient characteristics that go to
+make that type. If he draws a plumber, for example, he shows us
+the Compleat Plumber&mdash;more like a plumber than any plumber ever
+was. And as with character, so with action&mdash;whatever Mr. Bateman
+elects to make his puppets do, they do it with an intensity and vigour
+beyond all practical possibility, but not (and this is the artist's secret)
+beyond the bounds of imagination and belief. When a man is seen
+running in a Bateman drawing he does not merely run&mdash;he <i>runs</i>; if
+he slumbers, one can veritably hear him snore! The intensity of the
+artist's imaginative effort visualises for us that which cannot humanly
+be, but would be if it could.</p>
+
+<p>Pictorial exponents of the comic art are few, for of so-called
+"humorous drawings" not many are inspired by the true comic spirit.
+It is a fortunate opportunity, therefore, which the present volume
+provides of preserving in collected form so much that bears the
+evident stamp of the real thing.</p>
+
+<p class="quotsig">A. E. J.</p>
+
+<div class="figcenter" style="width: 200px;">
+<img src="images/i_007.jpg" width="200" height="212" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_vii" id="Page_vii">[ vii]</a></span>
+<img src="images/i_008.jpg" width="400" height="142" alt="" title="" />
+</div>
+
+
+<h2>LIST OF DRAWINGS</h2>
+
+
+<table border="0" width="80%" cellpadding="4" cellspacing="0" summary="">
+<tr><td align="left"></td><td align="left">PAGE</td><td align="left"></td><td align="right">PAGE</td></tr>
+<tr><td align="left"><span class="smcap">They call it "Fame"</span></td><td align="left"><a href="#Page_1">1</a></td><td align="left"><span class="smcap">Man and Wife</span></td><td align="right"><a href="#Page_37">37</a></td></tr>
+<tr><td align="left"><span class="smcap">Maestros: The Impressive</span></td><td align="left"><a href="#Page_3">3</a></td><td align="left"><span class="smcap">Speechmakers: The Faithful Old</span></td></tr>
+<tr><td align="left"><span class="smcap">Maestros: The Unemotional</span></td><td align="left"><a href="#Page_5">5</a></td><td align="left"><span class="smcap">Dog</span></td><td align="right"><a href="#Page_39">39</a></td></tr>
+<tr><td align="left"><span class="smcap">Maestros: The Sentimental</span></td><td align="left"><a href="#Page_7">7</a></td><td align="left"><span class="smcap">Speechmakers: The Worm</span></td><td align="right"><a href="#Page_41">41</a></td></tr>
+<tr><td align="left"><span class="smcap">The Winter Vest</span></td><td align="left"><a href="#Page_9">9</a></td><td align="left"><span class="smcap">Twins</span></td><td align="right"><a href="#Page_43">43</a></td></tr>
+<tr><td align="left"><span class="smcap">The Man who Won a Motor-car</span></td><td align="left"><a href="#Page_11">11</a></td><td align="left"><span class="smcap">Platonic</span></td><td align="right"><a href="#Page_45">45</a></td></tr>
+<tr><td align="left"><span class="smcap">The Accompanist who did her Best</span></td><td align="left"><a href="#Page_13">13</a></td><td align="left"><span class="smcap">All this for 3d., 6d., and 1/-</span></td><td align="right"><a href="#Page_47">47</a></td></tr>
+<tr><td align="left"><span class="smcap">The Potter-about-the-hall-all-</span></td><td></td><td align="left"><span class="smcap">The Missed Putt</span></td><td align="right"><a href="#Page_49">49</a></td></tr>
+<tr><td align="left"><span class="smcap">day Person</span></td><td align="left"><a href="#Page_15">15</a></td><td align="left"><span class="smcap">The Man who only wanted Two</span></td></tr>
+<tr><td align="left"><span class="smcap">The Grumble-at-the-food-and</span>-</td><td></td><td align="left"><span class="smcap">Halfpennies for a Penny</span></td><td align="right"><a href="#Page_51">51</a></td></tr>
+<tr><td align="left"><span class="smcap">everything-else-Person</span></td><td align="left"><a href="#Page_17">17</a></td><td align="left"><span class="smcap">Psychic: Gloom</span></td><td align="right"><a href="#Page_53">53</a></td></tr>
+<tr><td align="left">"<span class="smcap">I Remember in 1870</span>&mdash;&mdash;"</td><td align="left"><a href="#Page_19">19</a></td><td align="left"><span class="smcap">Lost&mdash;a Pekinese Dog</span></td><td align="right"><a href="#Page_55">55</a></td></tr>
+<tr><td align="left"><span class="smcap">The Temper</span></td><td align="left"><a href="#Page_21">21</a></td><td align="left"><span class="smcap">Dancers and Dances: Spanish</span></td><td align="right"><a href="#Page_57">57</a></td></tr>
+<tr><td align="left"><span class="smcap">Genuine Antiques</span></td><td align="left"><a href="#Page_23">23</a></td><td align="left"><span class="smcap">Dancers and Dances: American</span></td><td align="right"><a href="#Page_59">59</a></td></tr>
+<tr><td align="left"><span class="smcap">Sights up in Town</span></td><td align="left"><a href="#Page_25">25</a></td><td align="left"><span class="smcap">Dancers and Dances: Oriental</span></td><td align="right"><a href="#Page_61">61</a></td></tr>
+<tr><td align="left"><span class="smcap">Sights down in the Country</span></td><td align="left"><a href="#Page_27">27</a></td><td align="left"><span class="smcap">The Public Library</span></td><td align="right"><a href="#Page_63">63</a></td></tr>
+<tr><td align="left"><span class="smcap">Little Tich</span></td><td align="left"><a href="#Page_29">29</a></td><td align="left"><span class="smcap">Merely a Matter of Seconds</span></td><td align="right"><a href="#Page_65">65</a></td></tr>
+<tr><td align="left"><span class="smcap">The Blue</span></td><td align="left"><a href="#Page_31">31</a></td><td align="left"><span class="smcap">A Heart to Heart Talk</span></td><td align="right"><a href="#Page_67">67</a></td></tr>
+<tr><td align="left"><span class="smcap">Preparations for a Great Offensive</span></td><td align="left"><a href="#Page_32">32</a>, <a href="#Page_33">33</a></td><td align="left"><span class="smcap">How I Won the Marathon</span></td><td align="right"><a href="#Page_69">69</a></td></tr>
+<tr><td align="left"><span class="smcap">Garçon!</span></td><td align="left"><a href="#Page_35">35</a></td><td align="left"><span class="smcap">99° in the Shade</span></td><td align="right"><a href="#Page_71">71</a></td></tr>
+</table>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;">
+<img src="images/i_009.jpg" width="300" height="373" alt="" title="" />
+</div>
+<hr style="width: 0%;" />
+
+<p class="cen"><i>The drawings contained in this book originally appeared,<br />
+with some exceptions, in "The Sketch," "London Opinion,"<br />
+"The Graphic," "The Bystander," "Printer's Pie" and<br />
+"Illustrated Sporting and Dramatic News." The author is<br />
+indebted to the proprietors of these journals for permission to<br />
+issue them in this volume.</i></p>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_1" id="Page_1">[ 1]</a></span>
+<img src="images/i_010.jpg" width="400" height="342" alt="THEY CALL IT &quot;FAME&quot;" title="" />
+<span class="caption">THEY CALL IT &quot;FAME&quot;</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_2" id="Page_2">[ 2]</a></span>
+<img src="images/i_011.jpg" width="400" height="171" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_3" id="Page_3">[ 3]</a></span>
+<img src="images/i_012.jpg" width="400" height="557" alt="MAESTROS
+I. The Impressive: Rachmaninoff&#39;s &quot;Prelude&quot;" title="" />
+<span class="caption">MAESTROS
+I. The Impressive: Rachmaninoff&#39;s &quot;Prelude&quot;</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_4" id="Page_4">[ 4]</a></span>
+<img src="images/i_013.jpg" width="300" height="532" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_5" id="Page_5">[ 5]</a></span>
+<img src="images/i_014.jpg" width="400" height="595" alt="MAESTROS
+II. The Unemotional: Bach&#39;s &quot;Italian Fugue&quot;" title="" />
+<span class="caption">MAESTROS
+II. The Unemotional: Bach&#39;s &quot;Italian Fugue&quot;</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_6" id="Page_6">[ 6]</a></span>
+<img src="images/i_015.jpg" width="300" height="517" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_7" id="Page_7">[ 7]</a></span>
+<img src="images/i_016.jpg" width="400" height="588" alt="MAESTROS
+III. The Sentimental: A Chopin Nocturne" title="" />
+<span class="caption">MAESTROS
+III. The Sentimental: A Chopin Nocturne</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_8" id="Page_8">[ 8]</a></span>
+<img src="images/i_017.jpg" width="300" height="257" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_9" id="Page_9">[ 9]</a></span>
+<img src="images/i_018.jpg" width="400" height="564" alt="STUDIES OF A RESPECTABLE MIDDLE-AGED GENTLEMAN WEARING A NEW
+WINTER VEST FOR THE FIRST TIME" title="" />
+<span class="caption">STUDIES OF A RESPECTABLE MIDDLE-AGED GENTLEMAN WEARING A NEW
+WINTER VEST FOR THE FIRST TIME</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 400px;"><span class="pagenum"><a name="Page_10" id="Page_10">[ 10]</a></span>
+<img src="images/i_019.jpg" width="400" height="259" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_11" id="Page_11">[ 11]</a></span>
+<img src="images/i_020.jpg" width="400" height="576" alt="THE MAN WHO WON A MOTOR-CAR" title="" />
+<span class="caption">THE MAN WHO WON A MOTOR-CAR</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_12" id="Page_12">[ 12]</a></span>
+<img src="images/i_021.jpg" width="300" height="213" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_13" id="Page_13">[ 13]</a></span>
+<img src="images/i_022.jpg" width="400" height="564" alt="THE ACCOMPANIST WHO DID HER BEST" title="" />
+<span class="caption">THE ACCOMPANIST WHO DID HER BEST</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_14" id="Page_14">[ 14]</a></span>
+<img src="images/i_023.jpg" width="300" height="637" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_15" id="Page_15">[ 15]</a></span>
+<img src="images/i_024.jpg" width="400" height="578" alt="HOTEL HOGS
+The potter-about-the-hall-all-day-and-watch-the-new-arrivals person" title="" />
+<span class="caption">HOTEL HOGS
+The potter-about-the-hall-all-day-and-watch-the-new-arrivals person</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_16" id="Page_16">[ 16]</a></span>
+<img src="images/i_025.jpg" width="300" height="659" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_17" id="Page_17">[ 17]</a></span>
+<img src="images/i_026.jpg" width="400" height="582" alt="HOTEL HOGS
+The grumble-at-the-food-and-everything-else person" title="" />
+<span class="caption">HOTEL HOGS
+The grumble-at-the-food-and-everything-else person</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_18" id="Page_18">[ 18]</a></span>
+<img src="images/i_027.jpg" width="400" height="161" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_19" id="Page_19">[ 19]</a></span>
+<img src="images/i_028.jpg" width="400" height="554" alt="&quot;I REMEMBER IN 1870&mdash;&mdash;&quot;
+London clubmen in war-time parading for practice in writing to the papers" title="" />
+<span class="caption">&quot;I REMEMBER IN 1870&mdash;&mdash;&quot;
+London clubmen in war-time parading for practice in writing to the papers</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 200px;"><span class="pagenum"><a name="Page_20" id="Page_20">[ 20]</a></span>
+<img src="images/i_029.jpg" width="200" height="412" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_21" id="Page_21">[ 21]</a></span>
+<img src="images/i_030.jpg" width="400" height="568" alt="THE TEMPER" title="" />
+<span class="caption">THE TEMPER</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 300px;"><span class="pagenum"><a name="Page_22" id="Page_22">[ 22]</a></span>
+<img src="images/i_031.jpg" width="300" height="147" alt="The Goblets" title="" />
+<span class="caption">The Goblets</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_23" id="Page_23">[ 23]</a></span>
+<img src="images/i_032.jpg" width="400" height="567" alt="GENUINE ANTIQUES" title="" />
+<span class="caption">GENUINE ANTIQUES</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_24" id="Page_24">[ 24]</a></span>
+<img src="images/i_033.jpg" width="300" height="441" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_25" id="Page_25">[ 25]</a></span>
+<img src="images/i_034.jpg" width="400" height="591" alt="SIGHTS UP IN TOWN" title="" />
+<span class="caption">SIGHTS UP IN TOWN</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_26" id="Page_26">[ 26]</a></span>
+<img src="images/i_035.jpg" width="300" height="433" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_27" id="Page_27">[ 27]</a></span>
+<img src="images/i_036.jpg" width="400" height="583" alt="SIGHTS DOWN IN THE COUNTRY" title="" />
+<span class="caption">SIGHTS DOWN IN THE COUNTRY</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 200px;"><span class="pagenum"><a name="Page_28" id="Page_28">[ 28]</a></span>
+<img src="images/i_037.jpg" width="200" height="197" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_29" id="Page_29">[ 29]</a></span>
+<img src="images/i_038.jpg" width="400" height="563" alt="LITTLE TICH" title="" />
+<span class="caption">LITTLE TICH</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_30" id="Page_30">[ 30]</a></span>
+<img src="images/i_039.jpg" width="300" height="670" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_31" id="Page_31">[ 31]</a></span>
+<img src="images/i_040.jpg" width="400" height="556" alt="THE BLUE" title="" />
+<span class="caption">THE BLUE</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_32" id="Page_32">[ 32]</a></span>
+<img src="images/i_041.jpg" width="400" height="604" alt="PREPARATIONS FOR&mdash;" title="" />
+<span class="caption">PREPARATIONS FOR&mdash;</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_33" id="Page_33">[ 33]</a></span>
+<img src="images/i_042.jpg" width="400" height="603" alt="&mdash;A GREAT OFFENSIVE" title="" />
+<span class="caption">&mdash;A GREAT OFFENSIVE</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_34" id="Page_34">[ 34]</a></span>
+<img src="images/i_043.jpg" width="300" height="803" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_35" id="Page_35">[ 35]</a></span>
+<img src="images/i_044.jpg" width="400" height="567" alt="&quot;GARÇON!&quot;" title="" />
+<span class="caption">&quot;GARÇON!&quot;</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_36" id="Page_36">[ 36]</a></span>
+<img src="images/i_045.jpg" width="300" height="542" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_37" id="Page_37">[ 37]</a></span>
+<img src="images/i_046.jpg" width="400" height="594" alt="MAN AND WIFE" title="" />
+<span class="caption">MAN AND WIFE</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 400px;"><span class="pagenum"><a name="Page_38" id="Page_38">[ 38]</a></span>
+<img src="images/i_047.jpg" width="400" height="155" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_39" id="Page_39">[ 39]</a></span>
+<img src="images/i_048.jpg" width="400" height="591" alt="SPEECHES AND THEIR MAKERS
+The Faithful Old Dog" title="" />
+<span class="caption">SPEECHES AND THEIR MAKERS
+The Faithful Old Dog</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_40" id="Page_40">[ 40]</a></span>
+<img src="images/i_049.jpg" width="300" height="682" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_41" id="Page_41">[ 41]</a></span>
+<img src="images/i_050.jpg" width="400" height="602" alt="SPEECHES AND THEIR MAKERS
+The Worm" title="" />
+<span class="caption">SPEECHES AND THEIR MAKERS
+The Worm</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_42" id="Page_42">[ 42]</a></span>
+<img src="images/i_051.jpg" width="300" height="463" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_43" id="Page_43">[ 43]</a></span>
+<img src="images/i_052.jpg" width="400" height="568" alt="TWINS" title="" />
+<span class="caption">TWINS</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 400px;"><span class="pagenum"><a name="Page_44" id="Page_44">[ 44]</a></span>
+<img src="images/i_053.jpg" width="400" height="249" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_45" id="Page_45">[ 45]</a></span>
+<img src="images/i_054.jpg" width="400" height="561" alt="PLATONIC" title="" />
+<span class="caption">PLATONIC</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_46" id="Page_46">[ 46]</a></span>
+<img src="images/i_055.jpg" width="300" height="449" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_47" id="Page_47">[ 47]</a></span>
+<img src="images/i_056.jpg" width="400" height="567" alt="ALL THIS FOR 3D., 6D., AND 1/-" title="" />
+<span class="caption">ALL THIS FOR 3D., 6D., AND 1/-</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_48" id="Page_48">[ 48]</a></span>
+<img src="images/i_057.jpg" width="300" height="424" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_49" id="Page_49">[ 49]</a></span>
+<img src="images/i_058.jpg" width="400" height="545" alt="THE MISSED PUTT" title="" />
+<span class="caption">THE MISSED PUTT</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_50" id="Page_50">[ 50]</a></span>
+<img src="images/i_059a.jpg" width="300" height="378" alt="" title="" />
+</div>
+
+
+
+
+<div class="figright" style="width: 300px;">
+<img src="images/i_059b.jpg" width="300" height="370" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_51" id="Page_51">[ 51]</a></span>
+<img src="images/i_060.jpg" width="400" height="580" alt="THE MAN WHO ONLY WANTED TWO HALFPENNIES FOR A PENNY" title="" />
+<span class="caption">THE MAN WHO ONLY WANTED TWO HALFPENNIES FOR A PENNY</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 200px;"><span class="pagenum"><a name="Page_52" id="Page_52">[ 52]</a></span>
+<img src="images/i_061.jpg" width="200" height="627" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_53" id="Page_53">[ 53]</a></span>
+<img src="images/i_062.jpg" width="400" height="560" alt="PSYCHIC" title="" />
+<span class="caption">PSYCHIC</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_54" id="Page_54">[ 54]</a></span>
+<img src="images/i_063.jpg" width="300" height="517" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_55" id="Page_55">[ 55]</a></span>
+<img src="images/i_064.jpg" width="400" height="537" alt="LOST&mdash;A PEKINESE DOG" title="" />
+<span class="caption">LOST&mdash;A PEKINESE DOG</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_56" id="Page_56">[ 56]</a></span>
+<img src="images/i_065a.jpg" width="300" height="448" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figright" style="width: 300px;">
+<img src="images/i_065b.jpg" width="300" height="317" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_57" id="Page_57">[ 57]</a></span>
+<img src="images/i_066.jpg" width="400" height="589" alt="DANCERS AND DANCES
+Spanish" title="" />
+<span class="caption">DANCERS AND DANCES
+Spanish</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_58" id="Page_58">[ 58]</a></span>
+<img src="images/i_067.jpg" width="300" height="435" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_59" id="Page_59">[ 59]</a></span>
+<img src="images/i_068.jpg" width="400" height="584" alt="DANCERS AND DANCES
+American" title="" />
+<span class="caption">DANCERS AND DANCES
+American</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_60" id="Page_60">[ 60]</a></span>
+<img src="images/i_069.jpg" width="300" height="308" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_61" id="Page_61">[ 61]</a></span>
+<img src="images/i_070.jpg" width="400" height="593" alt="DANCERS AND DANCES
+Oriental" title="" />
+<span class="caption">DANCERS AND DANCES
+Oriental</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_62" id="Page_62">[ 62]</a></span>
+<img src="images/i_071.jpg" width="400" height="279" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_63" id="Page_63">[ 63]</a></span>
+<img src="images/i_072.jpg" width="400" height="591" alt="THE PUBLIC LIBRARY" title="" />
+<span class="caption">THE PUBLIC LIBRARY</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_64" id="Page_64">[ 64]</a></span>
+<img src="images/i_073.jpg" width="300" height="298" alt="" title="" />
+</div>
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_65" id="Page_65">[ 65]</a></span>
+<img src="images/i_074.jpg" width="400" height="557" alt="MERELY A MATTER OF SECONDS" title="" />
+<span class="caption">MERELY A MATTER OF SECONDS</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_66" id="Page_66">[ 66]</a></span>
+<img src="images/i_075.jpg" width="300" height="327" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_67" id="Page_67">[ 67]</a></span>
+<img src="images/i_076.jpg" width="400" height="603" alt="A HEART-TO-HEART TALK" title="" />
+<span class="caption">A HEART-TO-HEART TALK</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 300px;"><span class="pagenum"><a name="Page_68" id="Page_68">[ 68]</a></span>
+<img src="images/i_077.jpg" width="300" height="331" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 500px;"><span class="pagenum"><a name="Page_69" id="Page_69">[ 69]</a></span>
+<img src="images/i_078.jpg" width="500" height="352" alt="HOW I WON THE MARATHON" title="" />
+<span class="caption">HOW I WON THE MARATHON</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figleft" style="width: 400px;"><span class="pagenum"><a name="Page_70" id="Page_70">[ 70]</a></span>
+<img src="images/i_079a.jpg" width="400" height="533" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figright" style="width: 300px;">
+<img src="images/i_079b.jpg" width="300" height="207" alt="" title="" />
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figcenter" style="width: 400px;"><span class="pagenum"><a name="Page_71" id="Page_71">[ 71]</a></span>
+<img src="images/i_080.jpg" width="400" height="297" alt="99° IN THE SHADE" title="" />
+<span class="caption">99° IN THE SHADE</span>
+</div>
+
+
+
+
+<hr style="width: 65%;" />
+<div class="figright" style="width: 300px;">
+<img src="images/i_081.jpg" width="300" height="211" alt="" title="" />
+</div>
+
+
+
+<hr style="width: 65%;" />
+<div class="tr">
+<h2>Transcriber's Notes</h2>
+
+<p>Obvious punctuation and spelling errors repaired. </p>
+
+</div>
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Burlesques, by H. M. Bateman
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+</body>
+</html>
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@@ -0,0 +1,1000 @@
+The Project Gutenberg EBook of Burlesques, by H. M. Bateman
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org/license
+
+
+Title: Burlesques
+
+Author: H. M. Bateman
+
+Release Date: May 3, 2012 [EBook #39604]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK BURLESQUES ***
+
+
+
+
+Produced by Chris Curnow, Mark Young and the Online
+Distributed Proofreading Team at http://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive)
+
+
+
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+  BURLESQUES
+
+[Illustration MR. GEORGE GRAVES IN "PRINCESS CAPRICE"]
+
+
+
+
+  BURLESQUES
+
+  BY
+
+  H. M. BATEMAN
+
+  WITH AN INTRODUCTORY NOTE BY A. E. JOHNSON
+
+[Illustration]
+
+  LONDON
+
+  DUCKWORTH & CO.
+
+  3 HENRIETTA STREET, COVENT GARDEN
+
+[Illustration _First Published 1916_]
+
+
+  PRINTED IN GREAT BRITAIN BY WM. BRENDON AND SON, LTD.
+  PLYMOUTH, ENGLAND
+
+[Illustration]
+
+
+
+INTRODUCTORY NOTE
+
+Mr. H. M. Bateman possesses in remarkable degree that
+rare gift, a real power of comic draughtsmanship. He is
+capable not only of comic vision, but of comic expression.
+His "line" is an instinctive expression of the comic: it reveals an
+innate feeling for the essentially humorous. To put it briefly, if
+somewhat vaguely, he "draws funnily." He is the terse and witty
+pictorial _raconteur_--a shrewd observer who can sum up a character,
+or conjure up a scene, with a few strokes of such penetrating insight
+that they carry instant conviction.
+
+Humour of the kind which the drawings in this volume embody
+is so spontaneous, and the expression of it so direct and incisive,
+that there is perhaps a tendency to overlook the intensity of the effort
+which produces the seemingly effortless result. Mr. Bateman's
+method is sometimes described as caricature, but that is to miss its
+true significance, though the term may seem, upon the surface,
+appropriate enough. Caricature is the art of inducing humour, by
+dint of satirical exaggeration, in a subject not necessarily humorous
+of itself. Mr. Bateman's more difficult function is to reveal humour,
+not to impose it.
+
+There is no trace of the self-conscious humorist in these drawings.
+Facetiousness is a quality conspicuously and gratefully absent. The
+artist's only concern is to pluck the very heart out of his subject, and
+that his mind has a trend towards the humorous aspect of life is merely
+accidental. For it is the humour of life, not merely of men, that
+attracts him, and even when he deals with seemingly quite trivial
+subjects, there is nothing petty or trite about his comic treatment of
+them.
+
+He generalises. His observations are of types, not of individuals,
+of situations rather than of scenes. He draws for us people whom
+we all know but none of us have actually seen, for when he portrays
+a type his sketch embodies all the salient characteristics that go to
+make that type. If he draws a plumber, for example, he shows us
+the Compleat Plumber--more like a plumber than any plumber ever
+was. And as with character, so with action--whatever Mr. Bateman
+elects to make his puppets do, they do it with an intensity and vigour
+beyond all practical possibility, but not (and this is the artist's secret)
+beyond the bounds of imagination and belief. When a man is seen
+running in a Bateman drawing he does not merely run--he _runs_; if
+he slumbers, one can veritably hear him snore! The intensity of the
+artist's imaginative effort visualises for us that which cannot humanly
+be, but would be if it could.
+
+Pictorial exponents of the comic art are few, for of so-called
+"humorous drawings" not many are inspired by the true comic spirit.
+It is a fortunate opportunity, therefore, which the present volume
+provides of preserving in collected form so much that bears the
+evident stamp of the real thing.
+
+A. E. J.
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+
+
+
+                LIST OF DRAWINGS
+
+
+                                                   PAGE
+
+  THEY CALL IT "FAME"                                 1
+
+  MAESTROS: THE IMPRESSIVE                            3
+
+  MAESTROS: THE UNEMOTIONAL                           5
+
+  MAESTROS: THE SENTIMENTAL                           7
+
+  THE WINTER VEST                                     9
+
+  THE MAN WHO WON A MOTOR-CAR                        11
+
+  THE ACCOMPANIST WHO DID HER BEST                   13
+
+  THE POTTER-ABOUT-THE-HALL-ALL-DAY
+  PERSON                                             15
+
+  THE GRUMBLE-AT-THE-FOOD-AND-EVERYTHING-ELSE
+  PERSON                                             17
+
+  "I REMEMBER IN 1870----"                           19
+
+  THE TEMPER                                         21
+
+  GENUINE ANTIQUES                                   23
+
+  SIGHTS UP IN TOWN                                  25
+
+  SIGHTS DOWN IN THE COUNTRY                         27
+
+  LITTLE TICH                                        29
+
+  THE BLUE                                           31
+
+  PREPARATIONS FOR A GREAT OFFENSIVE                 32, 33
+
+  GARCON!                                            35
+
+  MAN AND WIFE                                       37
+
+  SPEECHMAKERS: THE FAITHFUL OLD
+  DOG                                                39
+
+  SPEECHMAKERS: THE WORM                             41
+
+  TWINS                                              43
+
+  PLATONIC                                           45
+
+  ALL THIS FOR 3D., 6D., AND 1/-                     47
+
+  THE MISSED PUTT                                    49
+
+  THE MAN WHO ONLY WANTED TWO
+  HALFPENNIES FOR A PENNY                            51
+
+  PSYCHIC: GLOOM                                     53
+
+  LOST--A PEKINESE DOG                               55
+
+  DANCERS AND DANCES: SPANISH                        57
+
+  DANCERS AND DANCES: AMERICAN                       59
+
+  DANCERS AND DANCES: ORIENTAL                       61
+
+  THE PUBLIC LIBRARY                                 63
+
+  MERELY A MATTER OF SECONDS                         65
+
+  A HEART TO HEART TALK                              67
+
+  HOW I WON THE MARATHON                             69
+
+  99 deg. IN THE SHADE                                   71
+
+[Illustration]
+
+_The drawings contained in this book originally appeared, with some
+exceptions, in "The Sketch," "London Opinion," "The Graphic," "The
+Bystander," "Printer's Pie" and "Illustrated Sporting and Dramatic
+News." The author is indebted to the proprietors of these journals for
+permission to issue them in this volume._
+
+
+
+
+[Illustration THEY CALL IT "FAME"]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration MAESTROS
+I. The Impressive: Rachmaninoff's "Prelude"]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration MAESTROS
+II. The Unemotional: Bach's "Italian Fugue"]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration MAESTROS
+III. The Sentimental: A Chopin Nocturne]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration STUDIES OF A RESPECTABLE MIDDLE-AGED GENTLEMAN WEARING A NEW
+WINTER VEST FOR THE FIRST TIME]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE MAN WHO WON A MOTOR-CAR]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE ACCOMPANIST WHO DID HER BEST]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration HOTEL HOGS
+The potter-about-the-hall-all-day-and-watch-the-new-arrivals person]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration HOTEL HOGS
+The grumble-at-the-food-and-everything-else person]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration "I REMEMBER IN 1870----"
+London clubmen in war-time parading for practice in writing to the papers]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE TEMPER]
+
+
+
+
+[Illustration THE GOBLETS\]
+
+
+
+
+[Illustration GENUINE ANTIQUES]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration SIGHTS UP IN TOWN]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration SIGHTS DOWN IN THE COUNTRY]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration LITTLE TICH]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE BLUE]
+
+
+
+
+[Illustration PREPARATIONS FOR--]
+
+
+
+
+[Illustration --A GREAT OFFENSIVE]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration "GARCON!"]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration MAN AND WIFE]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration SPEECHES AND THEIR MAKERS
+The Faithful Old Dog]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration SPEECHES AND THEIR MAKERS
+The Worm]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration TWINS]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration PLATONIC]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration ALL THIS FOR 3D.\, 6D.\, AND 1/-]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE MISSED PUTT]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE MAN WHO ONLY WANTED TWO HALFPENNIES FOR A PENNY]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration PSYCHIC]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration LOST--A PEKINESE DOG]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration DANCERS AND DANCES
+Spanish]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration DANCERS AND DANCES
+American]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration DANCERS AND DANCES
+Oriental]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration THE PUBLIC LIBRARY]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration MERELY A MATTER OF SECONDS]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration A HEART-TO-HEART TALK]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration HOW I WON THE MARATHON]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration]
+
+
+
+
+[Illustration 99 deg. IN THE SHADE]
+
+
+
+
+[Illustration]
+
+
+
+
+       *       *       *       *       *
+
+  Transcriber's Notes
+
+  Obvious punctuation and spelling errors repaired.
+
+  Italic text is denoted by _underscore_ and bold text
+  by =equal signs=.
+
+  The following numerous errors were left as is:
+  endquote missing punctuation
+  No punctuation at para end
+
+
+
+
+
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