summaryrefslogtreecommitdiff
path: root/3957-h/3957-h.htm
diff options
context:
space:
mode:
Diffstat (limited to '3957-h/3957-h.htm')
-rw-r--r--3957-h/3957-h.htm6689
1 files changed, 6689 insertions, 0 deletions
diff --git a/3957-h/3957-h.htm b/3957-h/3957-h.htm
new file mode 100644
index 0000000..6e9034b
--- /dev/null
+++ b/3957-h/3957-h.htm
@@ -0,0 +1,6689 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Abbe Constantin, by Ludovic Halevy
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd7; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+ <p>
+ <br /><br />
+ </p>
+<pre xml:space="preserve">
+The Project Gutenberg EBook of L'Abbe Constantin, Complete, by Ludovic Halevy
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: L'Abbe Constantin, Complete
+
+Author: Ludovic Halevy
+
+Release Date: October 5, 2006 [EBook #3957]
+Last Updated: August 23, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK L'ABBE CONSTANTIN, COMPLETE ***
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+
+ <h1>
+ THE ABBE CONSTANTIN
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Ludovic Halevy
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ With a Preface by E. LEGOUVE, of the French Academy
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br /> <a href="#link2H_4_0001"> LUDOVIC HALEVY </a><br /><br /> <a
+ href="#link2H_4_0002"> <b>THE ABBE CONSTANTIN</b> </a><br /><br /><br /> <a
+ href="#link2H_4_0003"> <b>BOOK 1.</b> </a> <br /><br /> <a
+ href="#link2HCH0001"> CHAPTER I. </a>THE SALE OF LONGUEVAL <br /><br /> <a
+ href="#link2HCH0002"> CHAPTER II. </a>THE NEW CHATELAINE <br /><br /> <a
+ href="#link2HCH0003"> CHAPTER III. </a>DELIGHTFUL SURPRISES <br /><br />
+ <a href="#link2H_4_0007"> <b>BOOK 2.</b> </a> <br /><br /> <a
+ href="#link2HCH0004"> CHAPTER IV. </a>A RIOT OF CHARITY <br /><br /> <a
+ href="#link2HCH0005"> CHAPTER V. </a>THE FAIR AMERICANS <br /><br /> <a
+ href="#link2HCH0006"> CHAPTER VI. </a>A LITTLE DINNER FOR FOUR <br /><br />
+ <a href="#link2H_4_0011"> <b>BOOK 3.</b> </a> <br /><br /> <a
+ href="#link2HCH0007"> CHAPTER VII. </a>CONFIDENCES <br /><br /> <a
+ href="#link2HCH0008"> CHAPTER VIII. &nbsp;&nbsp;&nbsp;</a>ANOTHER MARTYR
+ TO MILLIONS <br /><br /> <a href="#link2HCH0009"> CHAPTER IX. </a>THE
+ REWARD OF TENDER COURAGE <br /><br />
+ </p>
+ </blockquote>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ LUDOVIC HALEVY
+ </h2>
+ <p>
+ Ludovic Halevy was born in Paris, January 1, 1834. His father was Leon
+ Halevy, the celebrated author; his grandfather, Fromenthal, the eminent
+ composer. Ludovic was destined for the civil service, and, after finishing
+ his studies, entered successively the Department of State (1852); the
+ Algerian Department (1858), and later on became editorial secretary of the
+ Corps Legislatif (1860). When his patron, the Duc de Morny, died in 1865,
+ Halevy resigned, giving up a lucrative position for the uncertain
+ profession of a playwright: At this period he devoted himself exclusively
+ to the theatre.
+ </p>
+ <p>
+ He had already written plays as early as 1856, and had also tried his hand
+ at fiction, but did not meet with very great success. Toward 1860,
+ however, he became acquainted with Henri Meilhac, and with him formed a
+ kind of literary union, lasting for almost twenty years, when Halevy
+ rather abruptly abandoned the theatre and became a writer of fiction.
+ </p>
+ <p>
+ We have seen such kinds of co-partnerships, for instance, in Beaumont and
+ Fletcher; more recently in the beautiful French tales of
+ Erckmann-Chatrian, and still later in the English novels of Besant and
+ Rice.
+ </p>
+ <p>
+ Some say it was a fortunate event for Meilhac; others assert that Halevy
+ reaped a great profit by the union. Be this as it may, a great number of
+ plays-drama, comedy, farce, opera, operetta and ballet&mdash;were jointly
+ produced, as is shown by the title-pages of two score or more of their
+ pieces. When Ludovic Halevy was a candidate for L&rsquo;Academie&mdash;he
+ entered that glorious body in 1884&mdash;the question was ventilated by
+ Pailleron: &ldquo;What was the author&rsquo;s literary relation in his union with
+ Meilhac?&rdquo; It was answered by M. Sarcey, who criticised the character and
+ quality of the work achieved. Public opinion has a long time since brought
+ in quite another verdict in the case.
+ </p>
+ <p>
+ Halevy&rsquo;s cooperation endowed the plays of Meilhac with a fuller ethical
+ richness&mdash;tempered them, so to speak, and made them real, for it can
+ not be denied that Meilhac was inclined to extravagance.
+ </p>
+ <p>
+ Halevy&rsquo;s novels are remarkable for the elegance of literary style,
+ tenderness of spirit and keenness of observation. He excels in ironical
+ sketches. He has often been compared to Eugene Sue, but his touch is
+ lighter than Sue&rsquo;s, and his humor less unctuous. Most of his little
+ sketches, originally written for La Vie Parisienne, were collected in his
+ &lsquo;Monsieur et Madame Cardinal&rsquo; (1873); and &lsquo;Les Petites Cardinal&rsquo;, (1880).
+ They are not intended &lsquo;virginibus puerisque&rsquo;, and the author&rsquo;s attitude is
+ that of a half-pitying, half-contemptuous moralist, yet the virility of
+ his criticism has brought him immortality.
+ </p>
+ <p>
+ Personal recollections of the great war are to be found in &lsquo;L&rsquo;Invasion&rsquo;
+ (1872); and &lsquo;Notes et Souvenirs&rsquo;, 1871-1872 (1889). Most extraordinary,
+ however, was the success of &lsquo;L&rsquo;Abbe Constantin&rsquo; (1882), crowned by the
+ Academy, which has gone through no less than one hundred and fifty
+ editions up to 1904, and ranks as one of the greatest successes of
+ contemporaneous literature. It is, indeed, his &lsquo;chef-d&rsquo;oeuvre&rsquo;, very
+ delicate, earnest, and at the same time ironical, a most entrancing family
+ story. It was then that the doors of the French Academy opened wide before
+ Halevy. &lsquo;L&rsquo;Abbe Constantin&rsquo; was adapted for the stage by Cremieux and
+ Decourcelle (Le Gymnase, 1882). Further notable novels are: &lsquo;Criquette,
+ Deux Mariages, Un Grand Mariage, Un Mariage d&rsquo;Amour&rsquo;, all in 1883;
+ &lsquo;Princesse, Les Trois Coups de Foudre, Mon Camarade Moussard&rsquo;, all in
+ 1884; and the romances, &lsquo;Karikari (1892), and Mariette (1893)&rsquo;. Since that
+ time, I think, Halevy has not published anything of importance.
+ </p>
+<pre xml:space="preserve">
+ E. LEGOUVE
+ de l&rsquo;Academie Francaise.
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h1>
+ THE ABBE CONSTANTIN
+ </h1>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ BOOK 1.
+ </h2>
+ <p>
+ <a name="link2HCH0001" id="link2HCH0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER I. THE SALE OF LONGUEVAL
+ </h2>
+ <p>
+ With a step still valiant and firm, an old priest walked along the dusty
+ road in the full rays of a brilliant sun. For more than thirty years the
+ Abbe Constantin had been Cure of the little village which slept there in
+ the plain, on the banks of a slender stream called La Lizotte. The Abbe
+ Constantin was walking by the wall which surrounded the park of the castle
+ of Longueval; at last he reached the entrance-gate, which rested high and
+ massive on two ancient pillars of stone, embrowned and gnawed by time. The
+ Cure stopped, and mournfully regarded two immense blue posters fixed on
+ the pillars.
+ </p>
+ <p>
+ The posters announced that on Wednesday, May 18, 1881, at one o&rsquo;clock
+ P.M., would take place, before the Civil Tribunal of Souvigny, the sale of
+ the domain of Longueval, divided into four lots:
+ </p>
+ <p>
+ 1. The castle of Longueval, its dependencies, fine pieces of water,
+ extensive offices, park of 150 hectares in extent, completely surrounded
+ by a wall, and traversed by the little river Lizotte. Valued at 600,000
+ francs.
+ </p>
+ <p>
+ 2. The farm of Blanche-Couronne, 300 hectares, valued at 500,000 francs.
+ </p>
+ <p>
+ 3. The farm of La Rozeraie, 250 hectares, valued at 400,000 francs.
+ </p>
+ <p>
+ 4. The woods and forests of La Mionne, containing 450 hectares, valued at
+ 550,000 francs.
+ </p>
+ <p>
+ And these four amounts, added together at the foot of the bill, gave the
+ respectable sum of 2,050,000 francs.
+ </p>
+ <p>
+ Then they were really going to dismember this magnificent domain, which,
+ escaping all mutilation, had for more than two centuries always been
+ transmitted intact from father to son in the family of Longueval. The
+ placards also announced that after the temporary division into four lots,
+ it would be possible to unite them again, and offer for sale the entire
+ domain; but it was a very large morsel, and, to all appearance, no
+ purchaser would present himself.
+ </p>
+ <p>
+ The Marquise de Longueval had died six months before; in 1873 she had lost
+ her only son, Robert de Longueval; the three heirs were the grandchildren
+ of the Marquise: Pierre, Helene, and Camille. It had been found necessary
+ to offer the domain for sale, as Helene and Camille were minors. Pierre, a
+ young man of three-and-twenty, had lived rather fast, was already
+ half-ruined, and could not hope to redeem Longueval.
+ </p>
+ <p>
+ It was mid-day. In an hour it would have a new master, this old castle of
+ Longueval; and this master, who would he be? What woman would take the
+ place of the old Marquise in the chimney-corner of the grand salon, all
+ adorned with ancient tapestry?&mdash;the old Marquise, the friend of the
+ old priest. It was she who had restored the church; it was she who had
+ established and furnished a complete dispensary at the vicarage under the
+ care of Pauline, the Cure&rsquo;s servant; it was she who, twice a week, in her
+ great barouche, all crowded with little children&rsquo;s clothes and thick
+ woolen petticoats, came to fetch the Abbe Constantin to make with him what
+ she called &lsquo;la chasse aux pauvres&rsquo;.
+ </p>
+ <p>
+ The old priest continued his walk, musing over all this; then he thought,
+ too&mdash;the greatest saints have their little weaknesses&mdash;he
+ thought, too, of the beloved habits of thirty years thus rudely
+ interrupted. Every Thursday and every Sunday he had dined at the castle.
+ How he had been petted, coaxed, indulged! Little Camille&mdash;she was
+ eight years old&mdash;would come and sit on his knee and say to him:
+ </p>
+ <p>
+ &ldquo;You know, Monsieur le Cure, it is in your church that I mean to be
+ married, and grandmamma will send such heaps of flowers to fill, quite
+ fill the church&mdash;more than for the month of Mary. It will be like a
+ large garden&mdash;all white, all white, all white!&rdquo;
+ </p>
+ <p>
+ The month of Mary! It was then the month of Mary. Formerly, at this
+ season, the altar disappeared under the flowers brought from the
+ conservatories of Longueval. None this year were on the altar, except a
+ few bouquets of lily-of-the-valley and white lilac in gilded china vases.
+ Formerly, every Sunday at high mass, and every evening during the month of
+ Mary, Mademoiselle Hebert, the reader to Madame de Longueval, played the
+ little harmonium given by the Marquise. Now the poor harmonium, reduced to
+ silence, no longer accompanied the voices of the choir or the children&rsquo;s
+ hymns. Mademoiselle Marbeau, the postmistress, would, with all her heart,
+ have taken the place of Mademoiselle Hebert, but she dared not, though she
+ was a little musical! She was afraid of being remarked as of the clerical
+ party, and denounced by the Mayor, who was a Freethinker. That might have
+ been injurious to her interests, and prevented her promotion.
+ </p>
+ <p>
+ He had nearly reached the end of the wall of the park&mdash;that park of
+ which every corner was known to the old priest. The road now followed the
+ banks of the Lizotte, and on the other side of the little stream stretched
+ the fields belonging to the two farms; then, still farther off, rose the
+ dark woods of La Mionne.
+ </p>
+ <p>
+ Divided! The domain was going to be divided! The heart of the poor priest
+ was rent by this bitter thought. All that for thirty years had been
+ inseparable, indivisible to him. It was a little his own, his very own,
+ his estate, this great property. He felt at home on the lands of
+ Longueval. It had happened more than once that he had stopped complacently
+ before an immense cornfield, plucked an ear, removed the husk, and said to
+ himself:
+ </p>
+ <p>
+ &ldquo;Come! the grain is fine, firm, and sound. This year we shall have a good
+ harvest!&rdquo;
+ </p>
+ <p>
+ And with a joyous heart he would continue his way through his fields, his
+ meadows, his pastures; in short, by every chord of his heart, by every tie
+ of his life, by all his habits, his memories, he clung to this domain
+ whose last hour had come.
+ </p>
+ <p>
+ The Abbe perceived in the distance the farm of Blanche-Couronne; its
+ red-tiled roofs showed distinctly against the verdure of the forest.
+ There, again, the Cure was at home. Bernard, the farmer of the Marquise,
+ was his friend; and when the old priest was delayed in his visits to the
+ poor and sick, when the sun was sinking below the horizon, and the Abbe
+ began to feel a little fatigued in his limbs, and a sensation of
+ exhaustion in his stomach, he stopped and supped with Bernard, regaled
+ himself with a savory stew and potatoes, and emptied his pitcher of cider;
+ then, after supper, the farmer harnessed his old black mare to his cart,
+ and took the vicar back to Longueval. The whole distance they chatted and
+ quarrelled. The Abbe reproached the farmer with not going to mass, and the
+ latter replied:
+ </p>
+ <p>
+ &ldquo;The wife and the girls go for me. You know very well, Monsieur le Cure,
+ that is how it is with us. The women have enough religion for the men.
+ They will open the gates of paradise for us.&rdquo;
+ </p>
+ <p>
+ And he added maliciously, while giving a touch of the whip to his old
+ black mare:
+ </p>
+ <p>
+ &ldquo;If there is one!&rdquo;
+ </p>
+ <p>
+ The Cure sprang from his seat.
+ </p>
+ <p>
+ &ldquo;What! if there is one! Of a certainty there is one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you will be there, Monsieur le Cure. You say that is not certain,
+ and I say it is. You will be there, you will be there, at the gate, on the
+ watch for your parishioners, and still busy with their little affairs; and
+ you will say to St. Peter&mdash;for it is St. Peter, isn&rsquo;t it, who keeps
+ the keys of paradise?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it is St. Peter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you will say to him, to St. Peter, if he wants to shut the door in
+ my face under the pretense that I did not go to mass&mdash;you will say to
+ him: &lsquo;Bah! let him in all the same. It is Bernard, one of the farmers of
+ Madame la Marquise, an honest man. He was common councilman, and he voted
+ for the maintenance of the sisters when they were going to be expelled
+ from the village school.&rsquo; That will touch St. Peter, who will answer:
+ &lsquo;Well, well, you may pass, Bernard, but it is only to please Monsieur le
+ Cure.&rsquo; For you will be Monsieur le Cure up there, and Cure of Longueval,
+ too, for paradise itself would be dull for you if you must give up being
+ Cure of Longueval.&rdquo;
+ </p>
+ <p>
+ Cure of Longueval! Yes, all his life he had been nothing but Cure of
+ Longueval, had never dreamed of anything else, had never wished to be
+ anything else. Three or four times excellent livings, with one or two
+ curates, had been offered to him, but he had always refused them. He loved
+ his little church, his little village, his little vicarage. There he had
+ it all to himself, saw to everything himself; calm, tranquil, he went and
+ came, summer and winter, in sunshine or storm, in wind or rain. His frame
+ became hardened by fatigue and exposure, but his soul remained gentle,
+ tender, and pure.
+ </p>
+ <p>
+ He lived in his vicarage, which was only a larger laborer&rsquo;s cottage,
+ separated from the church by the churchyard. When the Cure mounted the
+ ladder to train his pear and peach trees, over the top of the wall he
+ perceived the graves over which he had said the last prayer, and cast the
+ first spadeful of earth. Then, while continuing his work, he said in his
+ heart a little prayer for the repose of those among his dead whose fate
+ disturbed him, and who might be still detained in purgatory. He had a
+ tranquil and childlike faith.
+ </p>
+ <p>
+ But among these graves there was one which, oftener than all the others,
+ received his visits and his prayers. It was the tomb of his old friend Dr.
+ Reynaud, who had died in his arms in 1871, and under what circumstances!
+ The doctor had been like Bernard; he never went to mass or to confession;
+ but he was so good, so charitable, so compassionate to the suffering. This
+ was the cause of the Cure&rsquo;s great anxiety, of his great solicitude. His
+ friend Reynaud, where was he? Where was he? Then he called to mind the
+ noble life of the country doctor, all made up of courage and self-denial;
+ he recalled his death, above all his death, and said to himself:
+ </p>
+ <p>
+ &ldquo;In paradise; he can be nowhere but in paradise. The good God may have
+ sent him to purgatory just for form&rsquo;s sake&mdash;but he must have
+ delivered him after five minutes.&rdquo;
+ </p>
+ <p>
+ All this passed through the mind of the old man, as he continued his walk
+ toward Souvigny. He was going to the town, to the solicitor of the
+ Marquise, to inquire the result of the sale; to learn who were to be the
+ new masters of the castle of Longueval. The Abbe had still about a mile to
+ walk before reaching the first houses of Souvigny, and was passing the
+ park of Lavardens when he heard, above his head, voices calling to him:
+ </p>
+ <p>
+ &ldquo;Monsieur le Cure, Monsieur le Cure.&rdquo;
+ </p>
+ <p>
+ At this spot adjoining the wall, a long alley of limetrees bordered the
+ terrace, and the Abbe, raising his head, perceived Madame de Lavardens,
+ and her son Paul.
+ </p>
+ <p>
+ &ldquo;Where are you going, Monsieur le Cure?&rdquo; asked the Countess.
+ </p>
+ <p>
+ &ldquo;To Souvigny, to the Tribunal, to learn&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Stay here&mdash;Monsieur de Larnac is coming after the sale to tell me
+ the result.&rdquo;
+ </p>
+ <p>
+ The Abbe Constantin joined them on the terrace.
+ </p>
+ <p>
+ Gertrude de Lannilis, Countess de Lavardens, had been very unfortunate. At
+ eighteen she had been guilty of a folly, the only one of her life, but
+ that one&mdash;irreparable. She had married for love, in a burst of
+ enthusiasm and exaltation, M. de Lavardens, one of the most fascinating
+ and brilliant men of his time. He did not love her, and only married her
+ from necessity; he had devoured his patrimonial fortune to the very last
+ farthing, and for two or three years had supported himself by various
+ expedients. Mademoiselle de Lannilis knew all that, and had no illusions
+ on these points, but she said to herself:
+ </p>
+ <p>
+ &ldquo;I will love him so much, that he will end by loving me.&rdquo;
+ </p>
+ <p>
+ Hence all her misfortunes. Her existence might have been tolerable, if she
+ had not loved her husband so much; but she loved him too much. She had
+ only succeeded in wearying him by her importunities and tenderness. He
+ returned to his former life, which had been most irregular. Fifteen years
+ had passed thus, in a long martyrdom, supported by Madame de Lavardens
+ with all the appearance of passive resignation. Nothing ever could
+ distract her from, or cure her of, the love which was destroying her.
+ </p>
+ <p>
+ M. de Lavardens died in 1869; he left a son fourteen years of age, in whom
+ were already visible all the defects and all the good qualities of his
+ father. Without being seriously affected, the fortune of Madame de
+ Lavardens was slightly compromised, slightly diminished. Madame de
+ Lavardens sold her mansion in Paris, retired to the country, where she
+ lived with strict economy, and devoted herself to the education of her
+ son.
+ </p>
+ <p>
+ But here again grief and disappointment awaited her. Paul de Lavardens was
+ intelligent, amiable, and affectionate, but thoroughly rebellious against
+ any constraint, and any species of work. He drove to despair three or four
+ tutors who vainly endeavored to force something serious into his head,
+ went up to the military college of Saint-Cyr, failed at the examination,
+ and began to devour in Paris, with all the haste and folly possible,
+ 200,000 or 300,000 francs.
+ </p>
+ <p>
+ That done, he enlisted in the first regiment of the Chasseurs d&rsquo;Afrique,
+ had in the very beginning of his military career the good fortune to make
+ one of an expeditionary column sent into the Sahara, distinguished
+ himself, soon became quartermaster, and at the end of three years was
+ about to be appointed sub-lieutenant, when he was captivated by a young
+ person who played the &lsquo;Fille de Madame Angot&rsquo;, at the theatre in Algiers.
+ </p>
+ <p>
+ Paul had finished his time, he quitted the service, and went to Paris with
+ his charmer.... then it was a dancer.... then it was an actress.... then a
+ circus-rider. He tried life in every form. He led the brilliant and
+ miserable existence of the unoccupied.
+ </p>
+ <p>
+ But it was only three or four months that he passed in Paris each year.
+ His mother made him an allowance Of 30,000 francs, and had declared to him
+ that never, while she lived, should he have another penny before his
+ marriage. He knew his mother, he knew he must consider her words as
+ serious. Thus, wishing to make a good figure in Paris, and lead a merry
+ life, he spent his 30,000 francs in three months, and then docilely
+ returned to Lavardens, where he was &ldquo;out at grass.&rdquo; He spent his time
+ hunting, fishing, and riding with the officers of the artillery regiment
+ quartered at Souvigny. The little provincial milliners and grisettes
+ replaced, without rendering him obvious of, the little singers and
+ actresses of Paris. By searching for them, one may still find grisettes in
+ country towns, and Paul de Lavardens sought assiduously.
+ </p>
+ <p>
+ As soon as the Cure had reached Madame de Lavardens, she said: &ldquo;Without
+ waiting for Monsieur de Larnac, I can tell you the names of the purchasers
+ of the domain of Longueval. I am quite easy on the subject, and have no
+ doubt of the success of our plan. In order to avoid any foolish disputes,
+ we have agreed among ourselves, that is, among our neighbors, Monsieur de
+ Larnac, Monsieur Gallard, a great Parisian banker, and myself. Monsieur de
+ Larnac will have La Mionne, Monsieur Gallard the castle and
+ Blanche-Couronne, and La Rozeraie. I know you, Monsieur le Cure, you will
+ be anxious about your poor, but comfort yourself. These Gallards are rich
+ and will give you plenty of money.&rdquo;
+ </p>
+ <p>
+ At this moment a cloud of dust appeared on the road, from it emerged a
+ carriage.
+ </p>
+ <p>
+ &ldquo;Here comes Monsieur de Larnac!&rdquo; cried Paul, &ldquo;I know his ponies!&rdquo;
+ </p>
+ <p>
+ All three hurriedly descended from the terrace and returned to the castle.
+ They arrived there just as M. de Larnac&rsquo;s carriage drove up to the
+ entrance.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; asked Madame de Lavardens.
+ </p>
+ <p>
+ &ldquo;Well!&rdquo; replied M. de Larnac, &ldquo;we have nothing.&rdquo;
+ </p>
+ <p>
+ &ldquo;What? Nothing?&rdquo; cried Madame de Lavardens, very pale and agitated.
+ </p>
+ <p>
+ &ldquo;Nothing, nothing; absolutely nothing&mdash;the one or the other of us.&rdquo;
+ </p>
+ <p>
+ And M. de Larnac springing from his carriage, related what had taken place
+ at the sale before the Tribunal of Souvigny.
+ </p>
+ <p>
+ &ldquo;At first,&rdquo; he said, &ldquo;everything went upon wheels. The castle went to
+ Monsieur Gallard for 650,000 francs. No competitor&mdash;a raise of fifty
+ francs had been sufficient. On the other hand, there was a little battle
+ for Blanche-Couronne. The bids rose from 500,000 francs to 520,000 francs,
+ and again Monsieur Gallard was victorious. Another and more animated
+ battle for La Rozeraie; at last it was knocked down to you, Madame, for
+ 455,000 francs.... I got the forest of La Mionne without opposition at a
+ rise of 100 francs. All seemed over, those present had risen, our
+ solicitors were surrounded with persons asking the names of the
+ purchasers.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur Brazier, the judge intrusted with the sale, desired silence, and
+ the bailiff of the court offered the four lots together for 2,150,000 or
+ 2,160,000 francs, I don&rsquo;t remember which. A murmur passed through the
+ assembly. &lsquo;No one will bid&rsquo; was heard on all sides. But little Gibert, the
+ solicitor, who was seated in the first row, and till then had given no
+ sign of life, rose and said calmly, &lsquo;I have a purchaser for the four lots
+ together at 2,200,000 francs.&rsquo; This was like a thunderbolt. A tremendous
+ clamor arose, followed by a dead silence. The hall was filled with farmers
+ and laborers from the neighborhood. Two million francs! So much money for
+ the land threw them into a sort of respectful stupor. However, Monsieur
+ Gallard, bending toward Sandrier, the solicitor who had bid for him,
+ whispered something in his ear. The struggle began between Gibert and
+ Sandrier. The bids rose to 2,500,000 francs. Monsieur Gallard hesitated
+ for a moment&mdash;decided&mdash;continued up to 3,000,000. Then he
+ stopped and the whole went to Gibert. Every one rushed on him, they
+ surrounded&mdash;they crushed him: &lsquo;The name, the name of the purchaser?&rsquo;
+ &lsquo;It is an American,&rsquo; replied Gibert, &lsquo;Mrs. Scott.&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Mrs. Scott!&rdquo; cried Paul de Lavardens.
+ </p>
+ <p>
+ &ldquo;You know her?&rdquo; asked Madame de Lavardens.
+ </p>
+ <p>
+ &ldquo;Do I know her?&mdash;do I&mdash;not at all. But I was at a ball at her
+ house six weeks ago.&rdquo;
+ </p>
+ <p>
+ &ldquo;At a ball at her house! and you don&rsquo;t know her! What sort of woman is
+ she, then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Charming, delightful, ideal, a miracle!&rdquo;
+ </p>
+ <p>
+ &ldquo;And is there a Mr. Scott?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly, a tall, fair man. He was at his ball. They pointed him out to
+ me. He bowed at random right and left. He was not much amused, I will
+ answer for it. He looked at us as if he were thinking, &lsquo;Who are all these
+ people? What are they doing at my house?&rsquo; We went to see Mrs. Scott and
+ Miss Percival, her sister. And certainly it was well worth the trouble.&rdquo;
+ </p>
+ <p>
+ &ldquo;These Scotts,&rdquo; said Madame de Lavardens, addressing M. de Larnac, &ldquo;do you
+ know who they are?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Madame, I know. Mr. Scott is an American, possessing a colossal
+ fortune, who settled himself in Paris last year. As soon as their name was
+ mentioned, I understood that the victory had never been doubtful. Gallard
+ was beaten beforehand. The Scotts began by buying a house in Paris for
+ 2,000,000 francs, it is near the Parc Monceau.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Rue Murillo,&rdquo; said Paul; &ldquo;I tell you I went to a ball there. It was&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Let Monsieur de Larnac speak. You can tell us presently about the ball at
+ Mrs. Scott&rsquo;s.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, now, imagine my Americans established in Paris,&rdquo; continued M. de
+ Larnac, &ldquo;and the showers of gold begun. In the orthodox parvenu style they
+ amuse themselves with throwing handfuls of gold out of window. Their great
+ wealth is quite recent, they say; ten years ago Mrs. Scott begged in the
+ streets of New York.&rdquo;
+ </p>
+ <p>
+ &ldquo;Begged!&rdquo;
+ </p>
+ <p>
+ &ldquo;They say so. Then she married this Scott, the son of a New York banker,
+ and all at once a successful lawsuit put into their hands not millions,
+ but tens of millions. Somewhere in America they have a silver mine, but a
+ genuine mine, a real mine&mdash;a mine with silver in it. Ah! we shall see
+ what luxury will reign at Longueval! We shall all look like paupers beside
+ them! It is said that they have 100,000 francs a day to spend.&rdquo;
+ </p>
+ <p>
+ &ldquo;Such are our neighbors!&rdquo; cried Madame de Lavardens. &ldquo;An adventuress! and
+ that is the least of it&mdash;a heretic, Monsieur l&rsquo;Abbe, a Protestant!&rdquo;
+ </p>
+ <p>
+ A heretic! a Protestant! Poor Cure; it was indeed that of which he had
+ immediately thought on hearing the words, &ldquo;An American, Mrs. Scott.&rdquo; The
+ new chatelaine of Longueval would not go to mass. What did it matter to
+ him that she had been a beggar? What did it matter to him if she possessed
+ tens and tens of millions? She was not a Catholic. He would never again
+ baptize children born at Longueval, and the chapel in the castle, where he
+ had so often said mass, would be transformed into a Protestant oratory,
+ which would echo only the frigid utterances of a Calvinistic or Lutheran
+ pastor.
+ </p>
+ <p>
+ Every one was distressed, disappointed, overwhelmed; but in the midst of
+ the general depression Paul stood radiant.
+ </p>
+ <p>
+ &ldquo;A charming heretic at all events,&rdquo; said he, &ldquo;or rather two charming
+ heretics. You should see the two sisters on horseback in the Bois, with
+ two little grooms behind them not higher than that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come, Paul, tell us all you know. Describe the ball of which you speak.
+ How did you happen to go to a ball at these Americans?&rdquo;
+ </p>
+ <p>
+ &ldquo;By the greatest chance. My Aunt Valentine was at home that night; I
+ looked in about ten o&rsquo;clock. Well, Aunt Valentine&rsquo;s Wednesdays are not
+ exactly scenes of wild enjoyment, I give you my word! I had been there
+ about twenty minutes when I caught sight of Roger de Puymartin escaping
+ furtively. I caught him in the hall and said:
+ </p>
+ <p>
+ &ldquo;&lsquo;We will go home together.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Oh! I am not going home.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Where are you going?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;To the ball.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Where?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;At Mrs. Scott&rsquo;s. Will you come?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;But I have not been invited.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Neither have I&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;What! not invited?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;No. I am going with one of my friends.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;And does your friend know them?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Scarcely; but enough to introduce us. Come along; you will see Mrs.
+ Scott.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Oh! I have seen her on horseback in the Bois.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;But she does not wear a low gown on horseback; you have not seen her
+ shoulders, and they are shoulders which ought to be seen. There is nothing
+ better in Paris at this moment.&rsquo;
+ </p>
+ <p>
+ &ldquo;And I went to the ball, and I saw Mrs. Scott&rsquo;s red hair, and I saw Mrs.
+ Scott&rsquo;s white shoulders, and I hope to see them again when there are balls
+ at Longueval.&rdquo;
+ </p>
+ <p>
+ &ldquo;Paul!&rdquo; said Madame de Lavardens, pointing to the Abbe.
+ </p>
+ <p>
+ &ldquo;Oh! Monsieur l&rsquo;Abbe, I beg a thousand pardons. Have I said anything? It
+ seems to me&mdash;&rdquo;
+ </p>
+ <p>
+ The poor old priest had heard nothing; his thoughts were elsewhere.
+ Already he saw, in the village streets, the Protestant pastor from the
+ castle stopping before each house, and slipping under the doors little
+ evangelical pamphlets.
+ </p>
+ <p>
+ Continuing his account, Paul launched into an enthusiastic description of
+ the mansion, which was a marvel&mdash;
+ </p>
+ <p>
+ &ldquo;Of bad taste and ostentation,&rdquo; interrupted Madame de Lavardens.
+ </p>
+ <p>
+ &ldquo;Not at all, mother, not at all; nothing startling, nothing loud. It is
+ admirably furnished, everything done with elegance and originality. An
+ incomparable conservatory, flooded with electric light; the buffet was
+ placed in the conservatory under a vine laden with grapes, which one could
+ gather by handfuls, and in the month of April! The accessories of the
+ cotillon cost, it appears, more than 400,000 francs. Ornaments,
+ &lsquo;bon-bonnieres&rsquo;, delicious trifles, and we were begged to accept them. For
+ my part I took nothing, but there were many who made no scruple. That
+ evening Puymartin told me Mrs. Scott&rsquo;s history, but it was not at all like
+ Monsieur de Larnac&rsquo;s story. Roger said that, when quite little, Mrs. Scott
+ had been stolen from her family by some acrobats, and that her father had
+ found her in a travelling circus, riding on barebacked horses and jumping
+ through paper hoops.&rdquo;
+ </p>
+ <p>
+ &ldquo;A circus-rider!&rdquo; cried Madame de Lavardens, &ldquo;I should have preferred the
+ beggar.&rdquo;
+ </p>
+ <p>
+ &ldquo;And while Roger was telling me this Family Herald romance, I saw
+ approaching from the end of a gallery a wonderful cloud of lace and satin;
+ it surrounded this rider from a wandering circus, and I admired those
+ shoulders, those dazzling shoulders, on which undulated a necklace of
+ diamonds as big as the stopper of a decanter. They say that the Minister
+ of Finance had sold secretly to Mrs. Scott half the crown diamonds, and
+ that was how, the month before, he had been able to show a surplus of
+ 1,500,000 francs in the budget. Add to all this that the lady had a
+ remarkably good air, and that the little acrobat seemed perfectly at home
+ in the midst of all this splendor.&rdquo;
+ </p>
+ <p>
+ Paul was going so far that his mother was obliged to stop him. Before M.
+ de Larnac, who was excessively annoyed and disappointed, he showed too
+ plainly his delight at the prospect of having this marvellous American for
+ a near neighbor.
+ </p>
+ <p>
+ The Abbe Constantin was preparing to return to Longueval, but Paul, seeing
+ him ready to start, said:
+ </p>
+ <p>
+ &ldquo;No! no! Monsieur le Cure, you must not think of walking back to Longueval
+ in the heat of the day. Allow me to drive you home. I am really grieved to
+ see you so cast down, and will try my best to amuse you. Oh! if you were
+ ten times a saint I would make you laugh at my stories.&rdquo;
+ </p>
+ <p>
+ And half an hour after, the two&mdash;the Cure and Paul&mdash;drove side
+ by side in the direction of the village. Paul talked, talked, talked. His
+ mother was not there to check or moderate his transports, and his joy was
+ overflowing.
+ </p>
+ <p>
+ &ldquo;Now, look here, Monsieur l&rsquo;Abbe, you are wrong to take things in this
+ tragic manner. Stay, look at my little mare, how well she trots! what good
+ action she has! You have not seen her before? What do you think I paid for
+ her? Four hundred francs. I discovered her a fortnight ago, between the
+ shafts of a market gardener&rsquo;s cart. She is a treasure. I assure you she
+ can do sixteen miles an hour, and keep one&rsquo;s hands full all the time. Just
+ see how she pulls. Come, tot-tot-tot! You are not in a hurry, Monsieur
+ l&rsquo;Abbe, I hope. Let us return through the wood; the fresh air will do you
+ good. Oh! Monsieur l&rsquo;Abbe, if you only knew what a regard I have for you,
+ and respect, too. I did not talk too much nonsense before you just now,
+ did I? I should be so sorry&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;No, my child, I heard nothing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, we will take the longest way round.&rdquo;
+ </p>
+ <p>
+ After having turned to the left in the wood, Paul resumed his
+ communications.
+ </p>
+ <p>
+ &ldquo;I was saying, Monsieur l&rsquo;Abbe,&rdquo; he went on, &ldquo;that you are wrong to take
+ things so seriously. Shall I tell you what I think? This is a very
+ fortunate affair.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very fortunate?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, very fortunate. I would rather see the Scotts at Longueval than the
+ Gallards. Did you not hear Monsieur de Larnac reproach these Americans
+ with spending their money foolishly. It is never foolish to spend money.
+ The folly lies in keeping it. Your poor for I am perfectly sure that it is
+ your poor of whom you are thinking&mdash;your poor have made a good thing
+ of it to-day. That is my opinion. The religion? Well, they will not go to
+ mass, and that will be a grief to you, that is only natural; but they will
+ send you money, plenty of money, and you will take it, and you will be
+ quite right in doing so. You will see that you will not say no. There will
+ be gold raining over the whole place; a movement, a bustle, carriages with
+ four horses, postilions, powdered footmen, paper chases, hunting parties,
+ balls, fireworks, and here in this very spot I shall perhaps find Paris
+ again before long. I shall see once more the two riders, and the two
+ little grooms of whom I was speaking just now. If you only knew how well
+ those two sisters look on horseback! One morning I went right round the
+ Bois de Boulogne behind them; I fancy I can see them still. They had high
+ hats, and little black veils drawn very tightly over their faces, and long
+ riding-habits made in the princess form, with a single seam right down the
+ back; and a woman must be awfully well made to wear a riding-habit like
+ that, because you see, Monsieur l&rsquo;Abbe, with a habit of that cut no
+ deception is possible.&rdquo;
+ </p>
+ <p>
+ For some moments the Cure had not been listening to Paul&rsquo;s discourse. They
+ had entered a long, perfectly straight avenue, and at the end of this
+ avenue the Cure saw a horseman galloping along.
+ </p>
+ <p>
+ &ldquo;Look,&rdquo; said the Cure to Paul, &ldquo;your eyes are better than mine. Is not
+ that Jean?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it is jean. I know his gray mare.&rdquo;
+ </p>
+ <p>
+ Paul loved horses, and before looking at the rider looked at the horse. It
+ was indeed Jean, who, when he saw in the distance the Cure and Paul de
+ Lavardens, waved in the air his kepi adorned with two golden stripes. Jean
+ was lieutenant in the regiment of artillery quartered at Souvigny.
+ </p>
+ <p>
+ Some moments after he stopped by the little carriage, and, addressing the
+ Cure, said:
+ </p>
+ <p>
+ &ldquo;I have just been to your house, &lsquo;mon parrain&rsquo;. Pauline told me that you
+ had gone to Souvigny about the sale. Well, who has bought the castle?&rdquo;
+ </p>
+ <p>
+ &ldquo;An American, Mrs. Scott.&rdquo;
+ </p>
+ <p>
+ &ldquo;And Blanche-Couronne?&rdquo;
+ </p>
+ <p>
+ &ldquo;The same, Mrs. Scott.&rdquo;
+ </p>
+ <p>
+ &ldquo;And La Rozeraie?&rdquo;
+ </p>
+ <p>
+ &ldquo;Mrs. Scott again.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the forest? Mrs. Scott again?&rdquo;
+ </p>
+ <p>
+ &ldquo;You have said it,&rdquo; replied Paul, &ldquo;and I know Mrs. Scott, and I can
+ promise you that there will be something going on at Longueval. I will
+ introduce you. Only it is distressing to Monsieur l&rsquo;Abbe because she is an
+ American&mdash;a Protestant.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! that is true,&rdquo; said Jean, sympathizingly. &ldquo;However, we will talk
+ about it to-morrow. I am going to dine with you, godfather; I have warned
+ Pauline of my visit; no time to stop to-day. I am on duty, and must be in
+ quarters at three o&rsquo;clock.&rdquo;
+ </p>
+ <p>
+ &ldquo;Stables?&rdquo; asked Paul.
+ </p>
+ <p>
+ &ldquo;Yes. Good-by, Paul. To-morrow, godfather.&rdquo;
+ </p>
+ <p>
+ The lieutenant galloped away. Paul de Lavardens gave his little horse her
+ head.
+ </p>
+ <p>
+ &ldquo;What a capital fellow Jean is!&rdquo; said Paul.
+ </p>
+ <p>
+ &ldquo;Oh, yes, indeed!&rdquo;
+ </p>
+ <p>
+ &ldquo;There is no one on earth better than Jean.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no one.&rdquo;
+ </p>
+ <p>
+ The Cure turned round to take another look at Jean, who was almost lost in
+ the depths of the forest.
+ </p>
+ <p>
+ &ldquo;Oh, yes, there is you, Monsieur le Cure.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not me! not me!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, Monsieur l&rsquo;Abbe, shall I tell you what I think? I think there is no
+ one better than you two&mdash;you and Jean. That is the truth, if I must
+ tell you. Oh! what a splendid place for a trot! I shall let Niniche go; I
+ call her Niniche.&rdquo;
+ </p>
+ <p>
+ With the point of his whip Paul caressed the flank of Niniche, who started
+ off at full speed, and Paul, delighted, cried:
+ </p>
+ <p>
+ &ldquo;Just look at her action, Monsieur l&rsquo;Abbe! just look at her action! So
+ regular&mdash;just like clockwork. Lean over and look.&rdquo;
+ </p>
+ <p>
+ To please Paul de Lavardens the Abbe Constantin did lean over and look at
+ Niniche&rsquo;s action, but the old priest&rsquo;s thoughts were far away.
+ </p>
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER II. THE NEW CHATELAINE
+ </h2>
+ <p>
+ This sub-lieutenant of artillery was called Jean Reynaud. He was the son
+ of a country doctor who slept in the churchyard of Longueval.
+ </p>
+ <p>
+ In 1846, when the Abbe&rsquo; Constantin took possession of his little living,
+ the grandfather of Jean was residing in a pleasant cottage on the road to
+ Souvigny, between the picturesque old castles of Longueval and Lavardens.
+ </p>
+ <p>
+ Marcel, the son of that Dr. Reynaud, was finishing his medical studies in
+ Paris. He possessed great industry, and an elevation of sentiment and mind
+ extremely rare. He passed his examinations with great distinction, and had
+ decided to fix his abode in Paris and tempt fortune there, and everything
+ seemed to promise him the most prosperous and brilliant career, when, in
+ 1852, he received the news of his father&rsquo;s death&mdash;he had been struck
+ down by a fit of apoplexy. Marcel hurried to Longueval, overwhelmed with
+ grief, for he adored his father. He spent a month with his mother, and
+ then spoke of the necessity of returning to Paris.
+ </p>
+ <p>
+ &ldquo;That is true,&rdquo; said his mother; &ldquo;you must go.&rdquo;
+ </p>
+ <p>
+ &ldquo;What! I must go! We must go, you mean. Do you think that I would leave
+ you here alone? I shall take you with me.&rdquo;
+ </p>
+ <p>
+ &ldquo;To live in Paris; to leave the place where I was born, where your father
+ lived, where he died? I could never do it, my child, never! Go alone; your
+ life, your future, are there. I know you; I know that you will never
+ forget me, that you will come and see me often, very often.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, mother,&rdquo; he answered; &ldquo;I shall stay here.&rdquo;
+ </p>
+ <p>
+ And he stayed.
+ </p>
+ <p>
+ His hopes, his ambitions, all in one moment vanished. He saw only one
+ thing&mdash;duty&mdash;the duty of not abandoning his aged mother. In
+ duty, simply accepted and simply discharged, he found happiness. After
+ all, it is only thus that one does find happiness.
+ </p>
+ <p>
+ Marcel bowed with courage and good grace to his new existence. He
+ continued his father&rsquo;s life, entering the groove at the very spot where he
+ had left it. He devoted himself without regret to the obscure career of a
+ country doctor. His father had left him a little land and a little money;
+ he lived in the most simple manner possible, and one half of his life
+ belonged to the poor, from whom he would never receive a penny.
+ </p>
+ <p>
+ This was his only luxury.
+ </p>
+ <p>
+ He found in his way a young girl, charming, penniless, and alone in the
+ world. He married her. This was in 1855, and the following year brought to
+ Dr. Reynaud a great sorrow and a great joy&mdash;the death of his old
+ mother and the birth of his son Jean.
+ </p>
+ <p>
+ At an interval of six weeks, the Abby Constantin recited the prayers for
+ the dead over the grave of the grandmother, and was present in the
+ position of godfather at the baptism of the grandson.
+ </p>
+ <p>
+ In consequence of constantly meeting at the bedside of the suffering and
+ dying, the priest and the doctor had been strongly attracted to each
+ other. They instinctively felt that they belonged to the same family, the
+ same race&mdash;the race of the tender, the just, and the benevolent.
+ </p>
+ <p>
+ Year followed year&mdash;calm, peaceful, fully occupied in labor and duty.
+ Jean was no longer an infant. His father gave him his first lessons in
+ reading and writing, the priest his first lessons in Latin. Jean was
+ intelligent and industrious. He made so much progress that the two
+ professors&mdash;particularly the Cure&mdash;found themselves at the end
+ of a few years rather cast into the shade by their pupil. It was at this
+ moment that the Countess, after the death of her husband, came to settle
+ at Lavardens. She brought with her a tutor for her son Paul, a very nice,
+ but very lazy little fellow. The two children were of the same age; they
+ had known each other from their earliest years.
+ </p>
+ <p>
+ Madame de Lavardens had a great regard for Dr. Reynaud, and one day she
+ made him the following proposal:
+ </p>
+ <p>
+ &ldquo;Send Jean to me every morning,&rdquo; said she, &ldquo;I will send him home in the
+ evening. Paul&rsquo;s tutor is a very accomplished man; he will make the
+ children work together. It will be rendering me a real service. Jean will
+ set Paul a good example.&rdquo;
+ </p>
+ <p>
+ Things were thus arranged, and the little bourgeois set the little
+ nobleman a most excellent example of industry and application, but this
+ excellent example was not followed.
+ </p>
+ <p>
+ The war broke out. On November 14th, at seven o&rsquo;clock in the morning, the
+ mobiles of Souvigny assembled in the great square of the town; their
+ chaplain was the Abbe Constantin, their surgeon-major, Dr. Reynaud. The
+ same idea had come at the same moment to both; the priest was sixty-two,
+ the doctor fifty.
+ </p>
+ <p>
+ When they started, the battalion followed the road which led through
+ Longueval, and which passed before the doctor&rsquo;s house. Madame Reynaud and
+ Jean were waiting by the roadside. The child threw himself into his
+ father&rsquo;s arms.
+ </p>
+ <p>
+ &ldquo;Take me, too, papa! take me, too!&rdquo;
+ </p>
+ <p>
+ Madame Reynaud wept. The doctor held them both in a long embrace, then he
+ continued his way.
+ </p>
+ <p>
+ A hundred steps farther the road made a sharp curve. The doctor turned,
+ cast one long look at his wife and child-the last; he was never to see
+ them again.
+ </p>
+ <p>
+ On January 8, 1871, the mobiles of Souvigny attacked the village of
+ Villersexel, occupied by the Prussians, who had barricaded themselves. The
+ firing began. A mobile who marched in the front rank received a ball in
+ the chest and fell. There was a short moment of trouble and hesitation.
+ </p>
+ <p>
+ &ldquo;Forward! forward!&rdquo; shouted the officers.
+ </p>
+ <p>
+ The men passed over the body of their comrade, and under a hail of bullets
+ entered the town.
+ </p>
+ <p>
+ Dr. Reynaud and the Abbe Constantin marched with the troops; they stopped
+ by the wounded man; the blood was rushing in floods from his mouth.
+ </p>
+ <p>
+ &ldquo;There is nothing to be done,&rdquo; said the doctor. &ldquo;He is dying; he belongs
+ to you.&rdquo;
+ </p>
+ <p>
+ The priest knelt down by the dying man, and the doctor rose to go toward
+ the village. He had not taken ten steps when he stopped, beat the air with
+ both hands, and fell all at once to the ground. The priest ran to him; he
+ was dead-killed on the spot by a bullet through the temples. That evening
+ the village was ours, and the next day they placed in the cemetery of
+ Villersexel the body of Dr. Reynaud.
+ </p>
+ <p>
+ Two months later the Abbe Constantin took back to Longueval the coffin of
+ his friend, and behind the coffin, when it was carried from the church,
+ walked an orphan. Jean had also lost his mother. At the news of her
+ husband&rsquo;s death, Madame Reynaud had remained for twenty-four hours
+ petrified, crushed, without a word or a tear; then fever had seized her,
+ then delirium, and after a fortnight, death.
+ </p>
+ <p>
+ Jean was alone in the world; he was fourteen years old. Of that family,
+ where for more than a century all had been good and honest, there remained
+ only a child kneeling beside a grave; but he, too, promised to be what his
+ father and grandfather before him had been&mdash;good, and honest, and
+ true.
+ </p>
+ <p>
+ There are families like that in France, and many of them, more than one
+ ventures to say. Our poor country is in many respects calumniated by
+ certain novelists, who draw exaggerated and distorted pictures of it. It
+ is true the history of good people is often monotonous or painful. This
+ story is a proof of it.
+ </p>
+ <p>
+ The grief of Jean was the grief of a man. He remained long sad and silent.
+ The evening of his father&rsquo;s funeral the Abbe Constantin took him home to
+ the vicarage. The day had been rainy and cold. Jean was sitting by the
+ fireside; the priest was reading his breviary opposite him. Old Pauline
+ came and went, arranging her affairs.
+ </p>
+ <p>
+ An hour passed without a word, when Jean, raising his head, said:
+ </p>
+ <p>
+ &ldquo;Godfather, did my father leave me any money?&rdquo;
+ </p>
+ <p>
+ This question was so extraordinary that the old priest, stupefied, could
+ scarcely believe that he heard aright.
+ </p>
+ <p>
+ &ldquo;You ask if your father&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I asked if my father left me some money?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; he must have left you some.&rdquo;
+ </p>
+ <p>
+ &ldquo;A good deal, don&rsquo;t you think? I have often heard people say that my
+ father was rich. Tell me about how much he has left me!&rdquo;
+ </p>
+ <p>
+ &ldquo;But I don&rsquo;t know. You ask&mdash;&rdquo;
+ </p>
+ <p>
+ The poor old man felt his heart rent in twain. Such a question at such a
+ moment! Yet he thought he knew the boy&rsquo;s heart, and in that heart there
+ should not be room for such thoughts.
+ </p>
+ <p>
+ &ldquo;Pray, dear godfather, tell me,&rdquo; continued Jean, gently. &ldquo;I will explain
+ to you afterward why I ask that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, they say your father had 200,000 or 300,000 francs.&rdquo;
+ </p>
+ <p>
+ &ldquo;And is that much?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it is a great deal.&rdquo;
+ </p>
+ <p>
+ &ldquo;And it is all mine?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it is all yours.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! I am glad, because, you know, the day that my father was killed in
+ the war, the Prussians killed, at the same time, the son of a poor woman
+ in Longueval&mdash;old Clemence, you know; and they killed, too, the
+ brother of Rosalie, with whom I used to play when I was quite little.
+ Well, since I am rich and they are poor, I will divide with Clemence and
+ Rosalie the money my father has left me.&rdquo;
+ </p>
+ <p>
+ On hearing these words the Cure rose, took Jean by both hands, and drew
+ him into his arms. The white head rested on the fair one. Two large tears
+ escaped from the eyes of the old priest, rolled slowly down his cheeks,
+ and were lost in the furrows of his face.
+ </p>
+ <p>
+ However, the Cure was obliged to explain to Jean that, though he was his
+ father&rsquo;s heir, he had not the right of disposing of his heritage as he
+ would. There would be a family council, and a guardian would be appointed.
+ </p>
+ <p>
+ &ldquo;You, no doubt, godfather?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not I, my child; a priest has not the right of exercising the
+ functions of a guardian. They will, I think, choose Monsieur Lenient, the
+ lawyer in Souvigny, who was one of your father&rsquo;s best friends. You can
+ speak to him and tell him what you wish.&rdquo;
+ </p>
+ <p>
+ M. Lenient was eventually appointed guardian, and Jean urged his wishes so
+ eagerly and touchingly that the lawyer consented to deduct from the income
+ a sum of 2,400 francs, which, every year till Jean came of age, was
+ divided between old Clemence and little Rosalie.
+ </p>
+ <p>
+ Under these circumstances, Madame de Lavardens was perfect. She went to
+ the Abbe and said:
+ </p>
+ <p>
+ &ldquo;Give Jean to me, give him to me entirely till he has finished his
+ studies. I will bring him back to you every year during the holidays. It
+ is not I who am rendering you a service; it is a service which I ask of
+ you. I cannot imagine any greater good fortune for my son than to have
+ Jean for a companion. I must resign myself to leaving Lavardens for a
+ time. Paul is bent upon being a soldier and going up to Saint-Cyr. It is
+ only in Paris that I can obtain the necessary masters. I will take the two
+ children there; they will study together under my own eyes like brothers,
+ and I will make no difference between them; of that you may be sure.&rdquo;
+ </p>
+ <p>
+ It was difficult to refuse such an offer. The old Cure would have dearly
+ liked to keep Jean with him, and his heart was torn at the thought of this
+ separation, but what was for the child&rsquo;s real interest? That was the only
+ question to be considered; the rest was nothing. They summoned Jean.
+ </p>
+ <p>
+ &ldquo;My child,&rdquo; said Madame de Lavardens to him, &ldquo;will you come and live with
+ Paul and me for some years? I will take you both to Paris.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are very kind, Madame, but I should have liked so much to stay here.&rdquo;
+ </p>
+ <p>
+ He looked at the Cure, who turned away his eyes.
+ </p>
+ <p>
+ &ldquo;Why must we go?&rdquo; he continued. &ldquo;Why must you take Paul and me away?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because it is only in Paris that you can have all the advantages
+ necessary to complete your studies. Paul will prepare for his examination
+ at Saint-Cyr. You know he wishes to be a soldier.&rdquo;
+ </p>
+ <p>
+ &ldquo;So do I, Madame. I wish to be one, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;You a soldier!&rdquo; exclaimed the Cure; &ldquo;but you know that was not at all
+ your father&rsquo;s idea. In my presence, he has often spoken of your future,
+ your career. You were to be a doctor, and, like him, doctor at Longueval,
+ and, like him, devote yourself to the sick and poor. Jean, my child, do
+ you remember?&rdquo;
+ </p>
+ <p>
+ &ldquo;I remember, I remember.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then, Jean, you must do as your father wished; it is your duty,
+ Jean; it is your duty. You must go to Paris. You would like to stay here,
+ I understand that well, and I should like it, too; but it can not be. You
+ must go to Paris, and work, work hard. Not that I am anxious about that;
+ you are your father&rsquo;s true son. You will be an honest and laborious man.
+ One can not well be the one without the other. And some day, in your
+ father&rsquo;s house, in the place where he has done so much good, the poor
+ people of the country round will find another Doctor Reynaud, to whom they
+ may look for help. And I&mdash;if by chance I am still in this world&mdash;when
+ that day comes, I shall be so happy! But I am wrong to speak of myself; I
+ ought not, I do not count. It is of your father that you must think. I
+ repeat it, Jean, it was his dearest wish. You can not have forgotten it.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I have not forgotten; but if my father sees me, and hears me, I am
+ certain that he understands and forgives me, for it is on his account.&rdquo;
+ </p>
+ <p>
+ &ldquo;On his account?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. When I heard that he was dead, and when I heard how he died, all at
+ once, without any need of reflection, I said to myself that I would be a
+ soldier, and I will be a soldier! Godfather, and you, Madame, I beg you
+ not to prevent me.&rdquo;
+ </p>
+ <p>
+ The child burst into tears&mdash;a perfect flood of passionate tears. The
+ Countess and the Abbe soothed him with gentle words.
+ </p>
+ <p>
+ &ldquo;Yes&mdash;yes&mdash;it is settled,&rdquo; they said; &ldquo;anything that you wish,
+ all that you wish.&rdquo;
+ </p>
+ <p>
+ Both had the same thought&mdash;leave it to time; Jean is only a child; he
+ will change his mind.
+ </p>
+ <p>
+ In this, both were mistaken; Jean did not change his mind. In the month of
+ September, 1876, Paul de Lavardens was rejected at Saint-Cyr, and Jean
+ Reynaud passed eleventh at the Ecole Polytechnique. The day when the list
+ of the candidates who had passed was published, he wrote to the Abbe
+ Constantin:
+ </p>
+ <p>
+ &ldquo;I have passed, and passed too well, for I wish to go into the army, and
+ not the civil service; however, if I keep my place in the school, that
+ will be the business of one of my comrades; he will have my chance.&rdquo;
+ </p>
+ <p>
+ It happened so in the end. Jean Reynaud did better than keep his place;
+ the pass-list showed his name seventh, but instead of entering &lsquo;l&rsquo;Ecole
+ des Ponts et Chaussees&rsquo;, he entered the military college at Fontainebleau
+ in 1878.
+ </p>
+ <p>
+ He was then just twenty-one; he was of age, master of his fortune, and the
+ first act of the new administration was a great, a very great piece of
+ extravagance.
+ </p>
+ <p>
+ He bought for old Clemence and little Rosalie two shares in Government
+ stock of 1,500 francs each. That cost him 70,000 francs, almost the sum
+ that Paul de Lavardens, in his first year of liberty in Paris, spent for
+ Mademoiselle Lise Bruyere, of the Palais Royal Theatre.
+ </p>
+ <p>
+ Two years later Jean passed first at the examination, and left
+ Fontainebleau with the right of choosing among the vacant places. There
+ was one in the regiment quartered at Souvigny, and Souvigny was three
+ miles from Longueval. Jean asked for this, and obtained it.
+ </p>
+ <p>
+ Thus Jean Reynaud, lieutenant in the ninth regiment of artillery, came in
+ the month of October, 1880, to take possession of the house that had been
+ his father&rsquo;s; thus he found himself once more in the place where his
+ childhood had passed, and where every one had kept green the memory of the
+ life and death of his father; thus the Abbe Constantin was not denied the
+ happiness of once again having near him the son of his old friend, and, if
+ the truth must be told, he no longer wished that Jean had become a doctor.
+ </p>
+ <p>
+ When the old Cure left his church after saying mass, when he saw coming
+ along the road a great cloud of dust, when he felt the earth tremble under
+ the rumbling cannon, he would stop, and, like a child, amuse himself with
+ seeing the regiment pass, but to him the regiment was&mdash;Jean. It was
+ this robust and manly cavalier, in whose face, as in an open book, one
+ read uprightness, courage, and goodness.
+ </p>
+ <p>
+ The moment Jean perceived the Cure, he would put his horse to a gallop,
+ and go to have a little chat with his godfather. The horse would turn his
+ head toward the Cure, for he knew very well there was always a piece of
+ sugar for him in the pocket of that old black soutane&mdash;rusty and worn&mdash;the
+ morning soutane. The Abbe Constantin had a beautiful new one, of which he
+ took great care, to wear in society&mdash;when he went into society.
+ </p>
+ <p>
+ The trumpets of the regiment sounded as they passed through the village,
+ and all eyes sought Jean&mdash;&ldquo;little Jean"-for to the old people of
+ Longueval he was still little Jean. Certain wrinkled, broken-down, old
+ peasants had never been able to break themselves of the habit of saluting
+ him when he passed with, &ldquo;Bonjour, gamin, ca va bien?&rdquo;
+ </p>
+ <p>
+ He was six feet high, this gamin, and Jean never crossed the village
+ without perceiving at one window the old furrowed parchment skin of
+ Clemence, and at another the smiling countenance of Rosalie. The latter
+ had married during the previous year; Jean had given her away, and
+ joyously on the wedding-night had he danced with the girls of Longueval.
+ </p>
+ <p>
+ Such was the lieutenant of artillery, who, on Saturday, May 28, 1881, at
+ half-past four in the afternoon, sprang from his horse before the door of
+ the vicarage of Longueval. He entered the gate, the horse obediently
+ followed, and went by himself into a little shed in the yard. Pauline was
+ at the kitchen window; Jean approached and kissed her heartily on both
+ cheeks.
+ </p>
+ <p>
+ &ldquo;Good-evening, Pauline. Is all well?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well. I am busy preparing your dinner; would you like to know what
+ you are going to have? potato soup, a leg of mutton, and a custard.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is excellent; I shall enjoy everything, for I am dying of hunger.&rdquo;
+ </p>
+ <p>
+ &ldquo;And a salad; I had forgotten it; you can help me cut it directly. Dinner
+ will be at half-past six exactly, for at half-past seven Monsieur le Cure
+ has his service for the month of Mary.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where is my godfather?&rdquo;
+ </p>
+ <p>
+ &ldquo;You will find him in the garden. He is very sad on account of this sale
+ of yesterday.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I know, I know.&rdquo;
+ </p>
+ <p>
+ &ldquo;It will cheer him a little to see you; he is always so happy when you are
+ here. Take care; Loulou is going to eat the climbing roses. How hot he
+ is!&rdquo;
+ </p>
+ <p>
+ &ldquo;I came the long way by the wood, and rode very fast.&rdquo;
+ </p>
+ <p>
+ Jean captured Loulou, who was directing his steps toward the climbing
+ roses. He unsaddled him, fastened him in the little shed, rubbed him down
+ with a great handful of straw, after which he entered the house, relieved
+ himself of his sword and kepi, replaced the latter by an old straw hat,
+ value sixpence, and then went to look for his godfather in the garden.
+ </p>
+ <p>
+ The poor Abbe was indeed sad; he had scarcely closed an eye all night&mdash;he
+ who generally slept so easily, so quietly, the sound sleep of a child. His
+ soul was wrung. Longueval in the hands of a foreigner, of a heretic, of an
+ adventuress!
+ </p>
+ <p>
+ Jean repeated what Paul had said the evening before.
+ </p>
+ <p>
+ &ldquo;You will have money, plenty of money, for your poor.&rdquo;
+ </p>
+ <p>
+ &ldquo;Money! money! Yes, my poor will not lose, perhaps they will even gain by
+ it; but I must go and ask for this money, and in the salon, instead of my
+ old and dear friend, I shall find this red-haired American. It seems that
+ she has red hair! I will certainly go for the sake of my poor&mdash;I will
+ go&mdash;and she will give me the money, but she will give me nothing but
+ money; the Marquise gave me something else&mdash;her life and her heart.
+ Every week we went together to visit the sick and the poor; she knew all
+ the sufferings and the miseries of the country round, and when the gout
+ nailed me to my easy-chair she made the rounds alone, and as well, or
+ better than I.&rdquo;
+ </p>
+ <p>
+ Pauline interrupted this conversation. She carried an immense earthenware
+ salad-dish, on which bloomed, violent and startling, enormous red flowers.
+ </p>
+ <p>
+ &ldquo;Here I am,&rdquo; said Pauline, &ldquo;I am going to cut the salad. Jean, would you
+ like lettuce or endive?&rdquo;
+ </p>
+ <p>
+ &ldquo;Endive,&rdquo; said Jean, gayly. &ldquo;It is a long time since I have had any
+ endive.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you shall have some to-night. Stay, take the dish.&rdquo;
+ </p>
+ <p>
+ Pauline began to cut the endive, and Jean bent down to receive the leaves
+ in the great salad dish. The Cure looked on.
+ </p>
+ <p>
+ At this moment a sound of little bells was heard. A carriage was
+ approaching; one heard the jangling and creaking of its wheels. The Cure&rsquo;s
+ little garden was only separated from the road by a low hedge, in the
+ middle of which was a little trellised gate.
+ </p>
+ <p>
+ All three looked out, and saw driving down the road a hired carriage of
+ most primitive construction, drawn by two great white horses, and driven
+ by an old coachman in a blouse. Beside this old coachman was seated a tall
+ footman in livery, of the most severe and correct demeanor. In the
+ carriage were two young women, dressed both alike in very elegant, but
+ very simple, travelling costumes.
+ </p>
+ <p>
+ When the carriage was opposite the gate the coachman stopped his horses,
+ and addressing the Abbe:
+ </p>
+ <p>
+ &ldquo;Monsieur le Cure,&rdquo; said he, &ldquo;these ladies wish to speak to you.&rdquo;
+ </p>
+ <p>
+ Then, turning toward the ladies:
+ </p>
+ <p>
+ &ldquo;This is Monsieur le Cure of Longueval.&rdquo;
+ </p>
+ <p>
+ The Abbe Constantin approached and opened the little gate. The travellers
+ alighted. Their looks rested, not without astonishment, on the young
+ officer, who stood there, a little embarrassed, with his straw hat in one
+ hand, and his salad dish, all overflowing with endive, in the other.
+ </p>
+ <p>
+ The visitors entered the garden, and the elder&mdash;she seemed about
+ twenty-five&mdash;addressing the Abbe Constantin, said to him, with a
+ little foreign accent, very original and very peculiar:
+ </p>
+ <p>
+ &ldquo;I am obliged to introduce myself&mdash;-Mrs. Scott; I am Mrs. Scott! It
+ was I who bought the castle and farms and all the rest here at the sale
+ yesterday. I hope that I do not disturb you, and that you can spare me
+ five minutes.&rdquo; Then, pointing to her travelling companion, &ldquo;Miss Bettina
+ Percival, my sister; you guessed it, I am sure. We are very much alike,
+ are we not? Ah! Bettina, we have left our bags in the carriage, and we
+ shall want them directly.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will get them.&rdquo;
+ </p>
+ <p>
+ And as Miss Percival prepared to go for the two little bags, Jean said to
+ her:
+ </p>
+ <p>
+ &ldquo;Pray allow me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am really very sorry to give you so much trouble. The servant will give
+ them to you; they are on the front seat.&rdquo;
+ </p>
+ <p>
+ She had the same accent as her sister, the same large eyes&mdash;black,
+ laughing, and gay-and the same hair, not red, but fair, with golden
+ shades, where daintily danced the light of the sun. She bowed to Jean with
+ a pretty little smile, and he, having returned to Pauline the salad dish
+ full of endive, went to look for the two little bags. Meanwhile-much
+ agitated, sorely disturbed&mdash;the Abbe Constantin introduced into his
+ vicarage the new Chatelaine of Longueval.
+ </p>
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER III. DELIGHTFUL SURPRISES
+ </h2>
+ <p>
+ This vicarage of Longueval was far from being a palace. The same apartment
+ on the ground floor served for dining and drawing-room, communicating
+ directly with the kitchen by a door, which stood always wide open. This
+ room was furnished in the most scanty manner; two old arm chairs, six
+ straw chairs, a sideboard, a round table. Pauline had already laid the
+ cloth for the dinner of the Abbe and Jean.
+ </p>
+ <p>
+ Mrs. Scott and Miss Percival went and came, examining the domestic
+ arrangements of the Cure with a sort of childish wonder.
+ </p>
+ <p>
+ &ldquo;But the garden, the house, everything is charming,&rdquo; said Mrs. Scott.
+ </p>
+ <p>
+ They both boldly penetrated into the kitchen; the Abbe Constantin followed
+ them, scared, bewildered, stupefied at the suddenness and resolution of
+ this American invasion.
+ </p>
+ <p>
+ Old Pauline, with an anxious and gloomy air, examined the two foreigners.
+ </p>
+ <p>
+ &ldquo;There they are, then,&rdquo; she said to herself, &ldquo;these Protestants, these
+ accursed heretics!&rdquo;
+ </p>
+ <p>
+ &ldquo;I must compliment you,&rdquo; said Bettina; &ldquo;it is so beautifully kept. Look,
+ Susie, is not the vicarage altogether exactly what you wished?&rdquo;
+ </p>
+ <p>
+ &ldquo;And so is the Cure,&rdquo; rejoined Mrs. Scott. &ldquo;Yes, Monsieur le Cure, if you
+ will permit me to say so, you do not know how happy it makes me to find
+ you just what you are. In the railway carriage what did I say to you,
+ Bettina? And again just now, when we were driving here?&rdquo;
+ </p>
+ <p>
+ &ldquo;My sister said to me, Monsieur le Cure, that what she desired above
+ everything was a priest, not young, or melancholy, or severe; but one with
+ white hair and a kind and gentle manner. And that is exactly what you are,
+ Monsieur le Cure, exactly. No, we could not have been more fortunate.
+ Excuse me for speaking to you in this manner; the Parisians know how to
+ make pretty phrases, but I do not, and in speaking French I should often
+ be quite at a loss if I did not say everything in a simple and childish
+ way, as it comes into my head. In a word, I am satisfied, quite satisfied,
+ and I hope that you, too, Monsieur le Cure, will be as satisfied with your
+ new parishioners.&rdquo;
+ </p>
+ <p>
+ &ldquo;My parishioners!&rdquo; exclaimed the Cure, all at once recovering speech,
+ movement, life, everything which for some moments had completely abandoned
+ him. &ldquo;My parishioners! Pardon me, Madame, Mademoiselle, I am so agitated.
+ You will be&mdash;you are Catholics?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly we are Catholics.&rdquo;
+ </p>
+ <p>
+ &ldquo;Catholics! Catholics!&rdquo; repeated the Cure.
+ </p>
+ <p>
+ &ldquo;Catholics! Catholics!&rdquo; echoed old Pauline.
+ </p>
+ <p>
+ Mrs. Scott looked from the Cure to Pauline, from Pauline to the Cure, much
+ surprised that a single word should produce such an effect, and, to
+ complete the tableau, Jean appeared carrying the two little travelling
+ bags.
+ </p>
+ <p>
+ The Cure and Pauline saluted him with the same words:
+ </p>
+ <p>
+ &ldquo;Catholics! Catholics!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! I begin to understand,&rdquo; said Mrs. Scott, laughing. &ldquo;It is our name,
+ our country; you must have thought that we were Protestants. Not at all.
+ Our mother was a Canadian, French and Catholic by descent; that is why my
+ sister and I both speak French, with an accent, it is true, and with
+ certain American idioms, but yet in such a manner as to be able to express
+ nearly all we want to say. My husband is a Protestant, but he allows me
+ complete liberty, and my two children are Catholics. That is why, Monsieur
+ l&rsquo;Abbe, we wished to come and see you the very first day.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is one reason,&rdquo; continued Bettina, &ldquo;but there is also another; but
+ for that reason we shall want our little bags.&rdquo;
+ </p>
+ <p>
+ &ldquo;Here they are,&rdquo; said Jean.
+ </p>
+ <p>
+ While the two little bags passed from the hands of the officer to those of
+ Mrs. Scott and Bettina, the Cure introduced Jean to the two Americans, but
+ his agitation was so great that the introduction was not made strictly
+ according to rule. The Cure only forgot one thing, it is true, but that
+ was a thing tolerably essential in an introduction&mdash;the family name
+ of Jean.
+ </p>
+ <p>
+ &ldquo;It is Jean,&rdquo; said he, &ldquo;my godson, lieutenant of artillery, now quartered
+ at Souvigny. He is one of the family.&rdquo;
+ </p>
+ <p>
+ Jean made two deep bows, the Americans two little ones, after which they
+ foraged in their bags, from which each drew a &lsquo;rouleau&rsquo; of 1,000 francs,
+ daintily inclosed in green sheaths of serpent-skin, clasped with gold.
+ </p>
+ <p>
+ &ldquo;I have brought you this for your poor,&rdquo; said Mrs. Scott.
+ </p>
+ <p>
+ &ldquo;And I have brought this,&rdquo; said Bettina.
+ </p>
+ <p>
+ &ldquo;And besides that, Monsieur le Cure, I am going to give you five hundred
+ francs a month,&rdquo; said Mrs. Scott.
+ </p>
+ <p>
+ &ldquo;And I will do like my sister.&rdquo;
+ </p>
+ <p>
+ Delicately they slipped their offerings into the right and left hands of
+ the Cure, who, looking at each hand alternately, said:
+ </p>
+ <p>
+ &ldquo;What are these little things? They are very heavy; there must be money in
+ them. Yes, but how much, how much?&rdquo;
+ </p>
+ <p>
+ The Abbe Constantin was seventy-two, and much money had passed through his
+ hands, but this money had come to him in small sums, and the idea of such
+ an offering as this had never entered his head. Two thousand francs! Never
+ had he had so much in his possession&mdash;no, not even one thousand. He
+ stammered:
+ </p>
+ <p>
+ &ldquo;I am very grateful to you, Madame; you are very good, Mademoiselle&mdash;&rdquo;
+ </p>
+ <p>
+ But after all he could not thank them enough, and Jean thought it
+ necessary to come to his assistance.
+ </p>
+ <p>
+ &ldquo;They have given you two thousand francs!&rdquo;
+ </p>
+ <p>
+ And then, full of warmest gratitude; the Cure cried:
+ </p>
+ <p>
+ &ldquo;Two thousand francs! Two thousand francs for my poor!&rdquo;
+ </p>
+ <p>
+ Pauline suddenly reappeared.
+ </p>
+ <p>
+ &ldquo;Here, Pauline,&rdquo; said the Cure, &ldquo;put away this money, and take care&mdash;&rdquo;
+ </p>
+ <p>
+ Old Pauline filled many positions in this simple household: cook,
+ maid-of-all-work, treasurer, dispenser. Her hands received with a
+ respectful tremble these two little &lsquo;rouleaux&rsquo; which represented so much
+ misery alleviated, so much suffering relieved.
+ </p>
+ <p>
+ &ldquo;One thousand francs a month! But there will be no poor left in the
+ country.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is just what I wish. I am rich, very rich, and so is my sister; she
+ is even richer than I am, because a young girl has not so many expenses,
+ while I&mdash;Ah! well, I spend all that I can&mdash;all that I can. When
+ one has a great deal of money, too much, more than one feels to be just,
+ tell me, Monsieur le Cure, is there any other way of obtaining pardon than
+ to keep one&rsquo;s hands open, and give, give, give, all one can, and as
+ usefully as one can? Besides, you can give me something in return;&rdquo; and,
+ turning to Pauline, &ldquo;Will you be so kind as to give me a glass of water?
+ No, nothing else; a glass of cold water; I am dying of thirst.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I,&rdquo; said Bettina, laughing, while Pauline ran to fetch the water, &ldquo;I
+ am dying of something else-of hunger, to tell the truth. Monsieur le Cure&mdash;I
+ know that I am going to be dreadfully intrusive; I see your cloth is laid&mdash;could
+ you not invite us to dinner?&rdquo;
+ </p>
+ <p>
+ &ldquo;Bettina!&rdquo; said Mrs. Scott.
+ </p>
+ <p>
+ &ldquo;Let me alone, Susie, let me alone. Won&rsquo;t you, Monsieur le Cure? I am sure
+ you will.&rdquo;
+ </p>
+ <p>
+ But he could find no reply. The old Cure hardly knew where he was. They
+ had taken his vicarage by storm; they were Catholics; they had promised
+ him one thousand francs a month, and now they wanted to dine with him. Ah!
+ that was the last stroke. Terror seized him at the thought of having to do
+ the honors of his leg of mutton and his custard to these two absurdly rich
+ Americans. He murmured:
+ </p>
+ <p>
+ &ldquo;Dine!-you would like to dine here?&rdquo;
+ </p>
+ <p>
+ Jean thought he must interpose again. &ldquo;It would be a great pleasure to my
+ godfather,&rdquo; said he, &ldquo;if you would kindly stay. But I know what disturbs
+ him. We were going to dine together, just the two of us, and you must not
+ expect a feast. You will be very indulgent?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes, very indulgent,&rdquo; replied Bettina; then, addressing her sister,
+ &ldquo;Come, Susie, you must not be cross, because I have been a little&mdash;you
+ know it is my way to be a little&mdash;Let us stay, will you? It will do
+ us good to pass a quiet hour here, after such a day as we have had! On the
+ railway, in the carriage, in the heat, in the dust; we had such a horrid
+ luncheon, in such a horrid hotel. We were to have returned to the same
+ hotel at seven o&rsquo;clock to dine, and then take the train back to Paris, but
+ dinner here will be really much nicer. You won&rsquo;t say no? Ah! how good you
+ are, Susie!&rdquo;
+ </p>
+ <p>
+ She embraced her sister fondly; then turning toward the Cure:
+ </p>
+ <p>
+ &ldquo;If you only knew, Monsieur le Cure, how good she is!&rdquo;
+ </p>
+ <p>
+ &ldquo;Bettina! Bettina!&rdquo;
+ </p>
+ <p>
+ &ldquo;Come,&rdquo; said Jean, &ldquo;quick, Pauline, two more plates; I will help you.&rdquo;
+ </p>
+ <p>
+ &ldquo;And so will I,&rdquo; said Bettina, &ldquo;I will help, too. Oh! do let me; it will
+ be so amusing. Monsieur le Cure, you will let me do a little as if I were
+ at home?&rdquo;
+ </p>
+ <p>
+ In a moment she had taken off her mantle, and Jean could admire, in all
+ its exquisite perfection, a figure marvellous for suppleness and grace.
+ Miss Percival then removed her hat, but with a little too much haste, for
+ this was the signal for a charming catastrophe. A whole avalanche
+ descended in torrents, in long cascades, over Bettina&rsquo;s shoulders. She was
+ standing before a window flooded by the rays of the sun, and this golden
+ light, falling full on this golden hair, formed a delicious frame for the
+ sparkling beauty of the young girl. Confused and blushing, Bettina was
+ obliged to call her sister to her aid, and Mrs. Scott had much trouble in
+ introducing order into this disorder.
+ </p>
+ <p>
+ When this disaster was at length repaired, nothing could prevent Bettina
+ from rushing on plates, knives, and forks.
+ </p>
+ <p>
+ &ldquo;Oh, indeed,&rdquo; said she to Jean, &ldquo;I know very well how to lay the cloth.
+ Ask my sister. Tell him, Susie, when I was a little girl in New York, I
+ used to lay the cloth very well, didn&rsquo;t I?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, indeed,&rdquo; said Mrs. Scott.
+ </p>
+ <p>
+ And then, while begging the Cure to excuse Bettina&rsquo;s want of thought, she,
+ too, took off her hat and mantle, so that Jean had again the very
+ agreeable spectacle of a charming figure and beautiful hair; but, to
+ Jean&rsquo;s great regret, the catastrophe had not a second representation.
+ </p>
+ <p>
+ In a few minutes Mrs. Scott, Miss Percival, the Cure, and Jean were seated
+ round the little vicarage table; then, thanks partly to the impromptu and
+ original nature of the entertainment, partly to the good-humor and perhaps
+ slightly audacious gayety of Bettina, the conversation took a turn of the
+ frankest and most cordial familiarity.
+ </p>
+ <p>
+ &ldquo;Now, Monsieur le Cure,&rdquo; said Bettina, &ldquo;you shall see if I did not speak
+ the truth when I said I was dying of hunger. I never was so glad to sit
+ down to dinner. This is such a delightful finish to our day. Both my
+ sister and I are perfectly happy now we have this castle, and these farms,
+ and the forest.&rdquo;
+ </p>
+ <p>
+ &ldquo;And then,&rdquo; said Mrs. Scott, &ldquo;to have all that in such an extraordinary
+ and unexpected manner. We were so taken by surprise.&rdquo;
+ </p>
+ <p>
+ &ldquo;You may indeed say so, Susie. You must know, Monsieur l&rsquo;Abbe, that
+ yesterday was my sister&rsquo;s birthday. But first, pardon me, Monsieur&mdash;Jean,
+ is it not?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Miss Percival, Monsieur Jean.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, Monsieur Jean, a little more of that excellent soup, if you
+ please.&rdquo;
+ </p>
+ <p>
+ The Abbe was beginning to recover a little, but he was still too agitated
+ to perform the duties of a host. It was Jean who had undertaken the
+ management of his godfather&rsquo;s little dinner. He filled the plate of the
+ charming American, who fixed upon him the glance of two large eyes, in
+ which sparkled frankness, daring, and gayety. The eyes of Jean, meanwhile,
+ repaid Miss Percival in the same coin. It was scarcely three quarters of
+ an hour since the young American and the young officer had made
+ acquaintance in the Cure&rsquo;s garden, yet both felt already perfectly at ease
+ with each other, full of confidence, almost like old friends.
+ </p>
+ <p>
+ &ldquo;I told you, Monsieur l&rsquo;Abbe,&rdquo; continued Bettina, &ldquo;that yesterday was my
+ sister&rsquo;s birthday. A week ago my brother-in-law was obliged to return to
+ America, but at starting he said to my sister, &lsquo;I shall not be with you on
+ your birthday, but you will hear from me.&rsquo; So, yesterday, presents and
+ bouquets arrived from all quarters, but from my brother-in-law, up to five
+ o&rsquo;clock, nothing&mdash;nothing. We were just starting for a ride in the
+ Bois, and &lsquo;a propos&rsquo; of riding&rdquo;&mdash;she stopped, and looking curiously
+ at Jean&rsquo;s great dusty boots&mdash;&ldquo;Monsieur Jean, you have spurs on.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Miss Percival.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you are in the cavalry?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am in the artillery, and that, you know, is cavalry.&rdquo;
+ </p>
+ <p>
+ &ldquo;And your regiment is quartered?&rdquo;&mdash;-
+ </p>
+ <p>
+ &ldquo;Quite near here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you will be able to ride with us?&rdquo;
+ </p>
+ <p>
+ &ldquo;With the greatest pleasure.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is settled. Let me see; where was I?&rdquo;
+ </p>
+ <p>
+ &ldquo;You do not know at all where you are, Bettina, and you are telling these
+ gentlemen things which can not interest them.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! I beg your pardon,&rdquo; said the Cure. &ldquo;The sale of this estate is the
+ only subject of conversation in the neighborhood just now, and Miss
+ Percival&rsquo;s account interests me very much.&rdquo;
+ </p>
+ <p>
+ &ldquo;You see, Susie, my account interests Monsieur le Cure very much; then I
+ shall continue. We went for our ride, we returned at seven o&rsquo;clock&mdash;nothing.
+ We dined, and just when we were leaving the table a telegram from America
+ arrived. It contained only a few lines:
+ </p>
+ <p>
+ &ldquo;&lsquo;I have ordered the purchase to-day, for you and in your name, of the
+ castle and lands of Longueval, near Souvigny, on the Northern Railway
+ line.&rsquo;
+ </p>
+ <p>
+ &ldquo;Then we both burst into a fit of wild laughter at the thought.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no, Bettina; you calumniate us both. Our first thought was one of
+ very sincere gratitude, for both my sister and I are very fond of the
+ country. My husband knows that we had longed to have an estate in France.
+ For six months he had been looking out, and found nothing. At last he
+ discovered this one, and, without telling us, ordered it to be bought for
+ my birthday. It was a delicate attention.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Susie, you are right, but after the little fit of gratitude, we had
+ a great one of gayety.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I confess it. When we realized that we had suddenly become possessed
+ of a castle, without knowing in the least where it was, what it was like,
+ or how much it had cost, it seemed so like a fairy-tale. Well, for five
+ good minutes we laughed with all our hearts, then we seized the map of
+ France, and succeeded in discovering Souvigny. When he had finished with
+ the map it was the turn of the railway guide, and this morning, by the ten
+ o&rsquo;clock express, we arrived at Souvigny.
+ </p>
+ <p>
+ &ldquo;We have passed the whole day in visiting the castle, the farms, the
+ woods, the stables. We are delighted with what we have seen. Only,
+ Monsieur le Cure, there is one thing about which I feel curious. I know
+ that the place was sold yesterday; but I have not dared to ask either
+ agent or farmer who accompanied me in my walk&mdash;for my ignorance would
+ have seemed too absurd&mdash;I have not dared to ask how much it cost. In
+ the telegram my husband does not mention the sum. Since I am so delighted
+ with the place, the price is only a detail, but still I should like to
+ know it. Tell me, Monsieur le Cure, do you know what it cost?&rdquo;
+ </p>
+ <p>
+ &ldquo;An enormous price,&rdquo; replied the Cure, &ldquo;for many hopes and many ambitions
+ were excited about Longueval.&rdquo;
+ </p>
+ <p>
+ &ldquo;An enormous price! You frighten me. How much exactly?&rdquo;
+ </p>
+ <p>
+ &ldquo;Three millions!&rdquo;
+ </p>
+ <p>
+ &ldquo;Is that all? Is that all?&rdquo; cried Mrs. Scott. &ldquo;The castle, the farms, the
+ forest, all for three millions?&rdquo;
+ </p>
+ <p>
+ &ldquo;But that is nothing,&rdquo; said Bettina. &ldquo;That delicious little stream which
+ wanders through the park is alone worth three millions.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you said just now, Monsieur le Cure, that there were several persons
+ who disputed the purchase with us?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Mrs. Scott.&rdquo;
+ </p>
+ <p>
+ &ldquo;And, after the sale, was my name mentioned among these persons?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly it was.&rdquo;
+ </p>
+ <p>
+ &ldquo;And when my name was mentioned was there no one there who spoke of me?
+ Yes, yes, your silence is a sufficient answer; they did speak of me. Well,
+ Monsieur le Cure, I am now serious, very serious. I beg you as a favor to
+ tell me what was said.&rdquo;
+ </p>
+ <p>
+ &ldquo;But,&rdquo; replied the poor Cure, who felt himself upon burning coals, &ldquo;they
+ spoke of your large fortune.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, of course, they would be obliged to speak of that, and no doubt they
+ said that I was very rich, but had not been rich long&mdash;that I was a
+ parvenu. Very well, but that is not all; they must have said something
+ else.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, indeed; I have heard nothing else.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Monsieur le Cure, that is what you may call a white lie, and it is
+ making you very unhappy, because naturally you are the soul of truth; but
+ if I torment you thus it is because I have the greatest interest in
+ knowing what was said.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are right,&rdquo; interrupted Jean, &ldquo;you are right. They said you were one
+ of the most elegant, the most brilliant, and the&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And one of the prettiest women in Paris. With a little indulgence they
+ might say that; but that is not all yet&mdash;there is something else.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! I assure you&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, there is something else, and I should like to hear it this very
+ moment, and I should like the information to be very frank and very exact.
+ It seems to me that I am in a lucky vein to-day, and I feel as if you were
+ both a little inclined to be my friends, and that you will be so entirely
+ some day. Well, tell me if I am right in supposing that should false and
+ absurd stories be told about me you will help me to contradict them.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes!&rdquo; replied Jean, &ldquo;you are right in believing that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then, it is to you that I address myself. You are a soldier, and
+ courage is part of your profession. Promise me to be brave. Will you
+ promise me?&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you understand by being brave?&rdquo;
+ </p>
+ <p>
+ &ldquo;Promise, promise&mdash;without explanations, without conditions.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I promise.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will then reply frankly, &lsquo;Yes&rsquo; or &lsquo;No,&rsquo; to questions?&rdquo;
+ </p>
+ <p>
+ &ldquo;I will.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did they say that I had begged in the streets of New York?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, they said so.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did they say I had been a rider in a travelling circus?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; they said that, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well; that is plain speaking. Now remark first that in all this
+ there is nothing that one might not acknowledge if it were true; but it is
+ not true, and have I not the right of denying it? My history&mdash;I will
+ tell it you in a few words. I am going to pass a part of my life in this
+ place, and I desire that all should know who I am and whence I come. To
+ begin, then. Poor! Yes, I have been, and very poor. Eight years ago my
+ father died, and was soon followed by my mother. I was then eighteen, and
+ Bettina nine. We were alone in the world, encumbered with heavy debts and
+ a great lawsuit. My father&rsquo;s last words had been, &lsquo;Susie, never, never
+ compromise. Millions, my children, you will have millions.&rsquo; He embraced us
+ both; soon delirium seized him, and he died repeating, &lsquo;Millions;
+ millions!&rsquo; The next morning a lawyer appeared, who offered to pay all our
+ debts, and to give us besides ten thousand dollars, if we would give up
+ all our claims. I refused. It was then that for several months we were
+ very poor.&rdquo;
+ </p>
+ <p>
+ &ldquo;And it was then,&rdquo; said Bettina, &ldquo;that I used to lay the cloth.&rdquo;
+ </p>
+ <p>
+ &ldquo;I spent my life among the solicitors of New York, but no one would take
+ up my case; everywhere I received the same reply: &lsquo;Your cause is very
+ doubtful; you have rich and formidable adversaries; you need money, large
+ sums of money, to bring such a case to a conclusion, and you have nothing.
+ They offer to pay your debts, and to give you ten thousand dollars
+ besides. Accept it, and sell your case.&rsquo; But my father&rsquo;s last words rang
+ in my ears, and I would not. Poverty, however, might soon have forced me
+ to, when one day I made another attempt on one of my father&rsquo;s old friends,
+ a banker in New York, Mr. William Scott. He was not alone; a young man was
+ sitting in his office.
+ </p>
+ <p>
+ &ldquo;&lsquo;You may speak freely,&rsquo; said Mr. Scott; &lsquo;it is my son Richard.&rsquo;
+ </p>
+ <p>
+ &ldquo;I looked at the young man, he looked at me, and we recognized each other.
+ </p>
+ <p>
+ &ldquo;&lsquo;Susie!&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Richard!&rdquo;
+ </p>
+ <p>
+ &ldquo;Formerly, as children, we had often played together and were great
+ friends. Seven or eight years before this meeting he had been sent to
+ Europe to finish his education. We shook hands; his father made me sit
+ down, and asked what had brought me. He listened to my tale; and replied:
+ </p>
+ <p>
+ &ldquo;&lsquo;You would require twenty or thirty thousand dollars. No one would lend
+ you such a sum upon the uncertain chances of a very complicated lawsuit.
+ If you are in difficulties; if you need assistance&mdash;&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;It is not that, father. That is not what Miss Percival asks.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;I know that very well, but what she asks is impossible.&rsquo;
+ </p>
+ <p>
+ &ldquo;He rose to let me out. Then the sense of my helplessness overpowered me
+ for the first time since my father&rsquo;s death. I burst into a violent flood
+ of tears. An hour later Richard Scott was with me.
+ </p>
+ <p>
+ &ldquo;&lsquo;Susie,&rsquo; he said, &lsquo;promise to accept what I am going to offer.&rsquo;
+ </p>
+ <p>
+ &ldquo;I promised him.
+ </p>
+ <p>
+ &ldquo;&lsquo;Well,&rsquo; said he, &lsquo;on the single condition that my father shall know
+ nothing about it, I place at your disposal the necessary sum.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;But then you ought to know what the lawsuit is&mdash;what it is worth.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;I do not know a single word about it, and I do not wish to. Besides, you
+ have promised to accept it; you can not withdraw now.&rsquo;
+ </p>
+ <p>
+ &ldquo;I accepted. Three months after the case was ours. All this vast property
+ became beyond dispute the property of Bettina and me. The other side
+ offered to buy it of us for five million dollars. I consulted Richard.
+ </p>
+ <p>
+ &ldquo;&lsquo;Refuse it and wait,&rsquo; said he; &lsquo;if they offer you such a sum it is
+ because the property is worth double.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;However, I must return you your money; I owe you a great deal.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Oh! as for that there is no hurry; I am very easy about it; my money is
+ quite safe now.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;But I should like to pay you at once. I have a horror of debt! Perhaps
+ there is another way without selling the property. Richard, will you be my
+ husband?&rsquo;
+ </p>
+ <p>
+ &ldquo;Yes, Monsieur le Cure, yes,&rdquo; said Mrs. Scott, laughing, &ldquo;it is thus that
+ I threw myself at my husband&rsquo;s head. It is I who asked his hand. But
+ really I was obliged to act thus. Never, never, would he have spoken; I
+ had become too rich, and as it was me he loved, and not my money, he was
+ becoming terribly afraid of me. That is the history of my marriage. As to
+ the history of my fortune, it can be told in a few words. There were
+ indeed millions in those wide lands of Colorado; they discovered there
+ abundant mines of silver, and from those mines we draw every year an
+ income which is beyond reason, but we have agreed&mdash;my husband, my
+ sister, and myself&mdash;to give a very large share of this income to the
+ poor. You see, Monsieur le Cure, it is because we have known very hard
+ times that you will always find us ready to help those who are, as we have
+ been ourselves, involved in the difficulties and sorrows of life. And now,
+ Monsieur Jean, will you forgive me this long discourse, and offer me a
+ little of that cream, which looks so very good?&rdquo;
+ </p>
+ <p>
+ This cream was Pauline&rsquo;s custard, and while Jean was serving Mrs. Scott:
+ </p>
+ <p>
+ &ldquo;I have not yet finished,&rdquo; she continued. &ldquo;You ought to know what gave
+ rise to these extravagant stories. A year ago, when we settled in Paris,
+ we considered it our duty on our arrival to give a certain sum to the
+ poor. Who was it spoke of that? None of us, certainly, but the thing was
+ told in a newspaper, with the amount. Immediately two young reporters
+ hastened to subject Mr. Scott to a little examination on his past history;
+ they wished to give a sketch of our career in the&mdash;what do you call
+ them?&mdash;society papers. Mr. Scott is sometimes a little hasty; he was
+ so on this occasion, and dismissed these gentlemen rather brusquely,
+ without telling them anything. So, as they did not know our real history,
+ they invented one, and certainly displayed a very lively imagination.
+ First they related how I had begged in the snow in New York; the next day
+ appeared a still more sensational article, which made me a rider in a
+ circus in Philadelphia. You have some very funny papers in France; so have
+ we in America, for the matter of that.&rdquo;
+ </p>
+ <p>
+ During the last five minutes, Pauline had been making desperate signs to
+ the Cure, who persisted in not understanding them, till at last the poor
+ woman, calling up all her courage, said:
+ </p>
+ <p>
+ &ldquo;Monsieur le Cure, it is a quarter past seven.&rdquo;
+ </p>
+ <p>
+ &ldquo;A quarter past seven! Ladies, I must beg you to excuse me. This evening I
+ have the special service for the month of Mary.&rdquo;
+ </p>
+ <p>
+ &ldquo;The month of Mary? And will the service begin directly?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, directly.&rdquo;
+ </p>
+ <p>
+ &ldquo;And when does our train start for Paris?&rdquo;
+ </p>
+ <p>
+ &ldquo;At half past nine,&rdquo; replied Jean.
+ </p>
+ <p>
+ &ldquo;Susie, can we not go to church first?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, we will go,&rdquo; replied Mrs. Scott; &ldquo;but before we separate, Monsieur
+ le Cure, I have one favor to ask you. I should like very much, the first
+ time I dine at Longueval, that you would dine with me, and you, too,
+ Monsieur Jean, just us four alone like to-day. Oh! do not refuse my
+ invitation; it is given with all my heart.&rdquo;
+ </p>
+ <p>
+ &ldquo;And accepted as heartily,&rdquo; replied Jean.
+ </p>
+ <p>
+ &ldquo;I will write and tell you the day, and it shall be as soon as possible.
+ You call that having a housewarming, don&rsquo;t you? Well, we shall have the
+ house-warming all to ourselves.&rdquo;
+ </p>
+ <p>
+ Meanwhile, Pauline had drawn Miss Percival into a corner of the room, and
+ was talking to her with great animation. The conversation ended with these
+ words:
+ </p>
+ <p>
+ &ldquo;You will be there?&rdquo; said Bettina, &ldquo;and you will tell me the exact
+ moment?&rdquo;
+ </p>
+ <p>
+ &ldquo;I will tell you, but take care. Here is Monsieur le Cure; he must not
+ suspect anything.&rdquo;
+ </p>
+ <p>
+ The two sisters, the Cure, and Jean left the house. To go to the church
+ they were obliged to cross the churchyard. The evening was delicious.
+ Slowly, silently, under the rays of the setting sun, the four walked down
+ a long avenue.
+ </p>
+ <p>
+ On their way was the monument to Dr. Reynaud, very simple, but which, by
+ its fine proportions, showed distinctly among the other tombs.
+ </p>
+ <p>
+ Mrs. Scott and Bettina stopped, struck with this inscription carved on the
+ stone:
+ </p>
+ <p>
+ &ldquo;Here lies Dr. Marcel Reynaud, Surgeon-Major of the Souvigny Mobiles;
+ killed January 8, 1871, at the Battle of Villersexel. Pray for him.&rdquo;
+ </p>
+ <p>
+ When they had read it, the Cure, pointing to Jean, said:
+ </p>
+ <p>
+ &ldquo;It was his father!&rdquo;
+ </p>
+ <p>
+ The two sisters drew near the tomb, and with bent heads remained there for
+ some minutes, pensive, touched, contemplative. Then both turned, and at
+ the same moment, by the same impulse, offered their hands to Jean; then
+ continued their walk to the church. Their first prayer at Longueval had
+ been for the father of Jean.
+ </p>
+ <p>
+ The Cure went to put on his surplice and stole. Jean conducted Mrs. Scott
+ to the seat which belonged to the masters of Longueval.
+ </p>
+ <p>
+ Pauline had gone on before. She was waiting for Miss Percival in the
+ shadow behind one of the pillars. By a steep and narrow staircase, she led
+ Bettina to the gallery, and placed her before the harmonium.
+ </p>
+ <p>
+ Preceded by two little chorister boys, the old Cure left the vestry, and
+ at the moment when he knelt on the steps of the alter:
+ </p>
+ <p>
+ &ldquo;Now! Mademoiselle,&rdquo; said Pauline, whose heart beat with impatience.
+ &ldquo;Poor, dear man, how pleased he will be.&rdquo;
+ </p>
+ <p>
+ When he heard the sound of the music rise, soft as a murmur, and spread
+ through the little church, the Abbe Constantin was filled with such
+ emotion, such joy, that the tears came to his eyes. He could not remember
+ having wept since the day when Jean had said that he wished to share all
+ that he possessed with the mother and sister of those who had fallen by
+ his father&rsquo;s side under the Prussian bullets.
+ </p>
+ <p>
+ To bring tears to the eyes of the old priest, a little American had been
+ brought across the seas to play a reverie of Chopin in the little church
+ of Longueval.
+ </p>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ BOOK 2.
+ </h2>
+ <p>
+ <a name="link2HCH0004" id="link2HCH0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IV. A RIOT OF CHARITY
+ </h2>
+ <p>
+ The next day, at half-past five in the morning, the bugle-call rang
+ through the barrack-yard at Souvigny. Jean mounted his horse, and took his
+ place with his division. By the end of May all the recruits in the army
+ are sufficiently instructed to be capable of sharing in the general
+ evolutions. Almost every day manoeuvres of the mounted artillery are
+ executed on the parade-ground. Jean loved his profession; he was in the
+ habit of inspecting carefully the grooming and harness of the horses, the
+ equipment and carriage of his men. This morning, however, he bestowed but
+ scant attention on all the little details of his duty.
+ </p>
+ <p>
+ One problem agitated, tormented him, and left him always undecided, and
+ this problem was one of those the solution of which is not given at the
+ Ecole Polytechnique. Jean could find no convincing reply to this question:
+ Which of the two sisters is the prettier?
+ </p>
+ <p>
+ At the butts, during the first part of the manoeuvre, each battery worked
+ on its own account, under the orders of the captain; but he often
+ relinquished the place to one of his lieutenants, in order to accustom
+ them to the management of six field-pieces. It happened on this day that
+ the command was intrusted to the hands of Jean. To the great surprise of
+ the Captain, in whose estimation his Lieutenant held the first rank as a
+ well-trained, smart, and capable officer, everything went wrong. The
+ Captain was obliged to interfere; he addressed a little reprimand to Jean,
+ which terminated in these words:
+ </p>
+ <p>
+ &ldquo;I can not understand it at all. What is the matter with you this morning?
+ It is the first time such a thing has happened with you.&rdquo;
+ </p>
+ <p>
+ It was also the first time that Jean had seen anything at the butts at
+ Souvigny but cannon, ammunition wagons, horses, or gunners.
+ </p>
+ <p>
+ In the clouds of dust raised by the wheels of the wagons and the hoofs of
+ the horses Jean beheld, not the second mounted battery of the 9th Regiment
+ of artillery, but the distinct images of two Americans with black eyes and
+ golden hair; and, at the moment when he listened respectfully to the
+ well-merited lecture from his Captain, he was in the act of saying to
+ himself:
+ </p>
+ <p>
+ &ldquo;The prettier is Mrs. Scott!&rdquo;
+ </p>
+ <p>
+ Every morning the exercise is divided into two parts by a little interval
+ of ten minutes. The officers gathered together and talked; Jean remained
+ apart, alone with his recollections of the previous evening. His thoughts
+ obstinately gathered round the vicarage of Longueval.
+ </p>
+ <p>
+ &ldquo;Yes! the more charming of the two sisters is Mrs. Scott; Miss Percival is
+ only a child.&rdquo;
+ </p>
+ <p>
+ He saw again Mrs. Scott at the Cure&rsquo;s little table. He heard her story
+ told with such frankness, such freedom. The harmony of that very peculiar,
+ very fascinating voice, still enchanted his ear. He was again in the
+ church; she was there before him, bending over her prie-Dieu, her pretty
+ head resting in her two little hands; then the music arose, and far off,
+ in the dusk, Jean perceived the fine and delicate profile of Bettina.
+ </p>
+ <p>
+ &ldquo;A child&mdash;is she only a child?&rdquo;
+ </p>
+ <p>
+ The trumpets sounded, the practice was resumed; this time, fortunately, no
+ command, no responsibility. The four batteries executed their evolutions
+ together; this immense mass of men, horses, and carriages, deployed in
+ every direction, now drawn out in a long line, again collected into a
+ compact group. All stopped at the same instant along the whole extent of
+ the ground; the gunners sprang from their horses, ran to their pieces,
+ detached each from its team, which went off at a trot and prepared to fire
+ with amazing rapidity. Then the horses returned, the men re-attached their
+ pieces; sprang quickly to saddle, and the regiment started at full gallop
+ across the field.
+ </p>
+ <p>
+ Very gently in the thoughts of Jean Bettina regained her advantage over
+ Mrs. Scott. She appeared to him smiling and blushing amid the sunlit
+ clouds of her floating hair. Monsieur Jean, she had called him, Monsieur
+ Jean, and never had his name sounded so sweet. And that last pressure of
+ the hand on taking leave, before entering the carriage. Had not Miss
+ Percival given him a more cordial clasp than Mrs. Scott had done? Yes,
+ positively a little more.
+ </p>
+ <p>
+ &ldquo;I was mistaken,&rdquo; thought Jean; &ldquo;the prettier is Miss Percival.&rdquo;
+ </p>
+ <p>
+ The day&rsquo;s work was finished; the pieces were ranged regularly in line one
+ behind the other; they defiled rapidly, with a horrible clatter, and in a
+ cloud of dust. When Jean, sword in hand, passed before his Colonel, the
+ images of the two sisters were so confused and intermingled in his
+ recollection that they melted the one in the other, and became in some
+ measure the image of one and the same person. Any parallel became
+ impossible between them, thanks to this singular confusion of the two
+ points of comparison. Mrs. Scott and Miss Percival remained thus
+ inseparable in the thoughts of Jean until the day when it was granted to
+ him to see them again. The impression of that meeting was not effaced; it
+ was always there, persistent, and very sweet, till Jean began to feel
+ disturbed.
+ </p>
+ <p>
+ &ldquo;Is it possible&rdquo;&mdash;so ran his meditations&mdash;&ldquo;is it possible that I
+ have been guilty of the folly of falling in love madly at first sight? No;
+ one might fall in love with a woman, but not with two women at once.&rdquo;
+ </p>
+ <p>
+ That thought reassured him. He was very young, this great fellow of
+ four-and-twenty; never had love entered fully into his heart. Love! He
+ knew very little about it, except from books, and he had read but few of
+ them. But he was no angel; he could find plenty of attractions in the
+ grisettes of Souvigny, and when they would allow him to tell them that
+ they were charming, he was quite ready to do so, but it had never entered
+ his head to regard as love those passing fancies, which only caused the
+ slightest and most superficial disturbance in his heart.
+ </p>
+ <p>
+ Paul de Lavardens had marvellous powers of enthusiasm and idealization.
+ His heart sheltered always two or three grandes passions, which lived
+ there in perfect harmony. Paul had been so clever as to discover, in this
+ little town of 15,000 souls, numbers of pretty girls, all made to be
+ adored. He always believed himself the discoverer of America, when, in
+ fact, he had done nothing but follow in the track of other navigators.
+ </p>
+ <p>
+ The world-Jean had scarcely encountered it. He had allowed himself to be
+ dragged by Paul, a dozen times, perhaps, to soirees or balls at the great
+ houses of the neighborhood. He had invariably returned thoroughly bored,
+ and had concluded that these pleasures were not made for him. His tastes
+ were simple, serious. He loved solitude, work, long walks, open space,
+ horses, and books. He was rather savage&mdash;a son of the soil. He loved
+ his village, and all the old friends of his childhood. A quadrille in a
+ drawing-room caused him unspeakable terror; but every year, at the
+ festival of the patron saint of Longueval, he danced gayly with the young
+ girls and farmers&rsquo; daughters of the neighborhood.
+ </p>
+ <p>
+ If he had seen Mrs. Scott and Miss Percival at home in Paris, in all the
+ splendor of their luxury, in all the perfection of their costly
+ surroundings, he would have looked at them from afar, with curiosity, as
+ exquisite works of art. Then he would have returned home, and would have
+ slept, as usual, the most peaceful slumber in the world.
+ </p>
+ <p>
+ Yes, but it was not thus that the thing had come to pass, and hence his
+ excitement, hence his disturbance. These two women had shown themselves
+ before him in the midst of a circle with which he was familiar, and which
+ had been, if only for this reason, singularly favorable to them. Simple,
+ good, frank, cordial, such they had shown themselves the very first day,
+ and delightfully pretty into the bargain&mdash;a fact which is never
+ insignificant. Jean fell at once under the charm; he was there still!
+ </p>
+ <p>
+ At the moment when he dismounted in the barrack-yard, at nine o&rsquo;clock, the
+ old priest began his campaign joyously. Since the previous evening the
+ Abbe&rsquo;s head had been on fire; Jean had not slept much, but he had not
+ slept at all. He had risen very early, and with closed doors, alone with
+ Pauline, he had counted and recounted his money, spreading out his one
+ hundred Louis-d&rsquo;or, gloating over them like a miser, and like a miser
+ finding exquisite pleasure in handling his hoard. All that was his! for
+ him! that is to say, for the poor.
+ </p>
+ <p>
+ &ldquo;Do not be too lavish, Monsieur le Cure,&rdquo; said Pauline; &ldquo;be economical. I
+ think that if you distribute to-day one hundred francs&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That is not enough, Pauline. I shall only have one such day in my life,
+ but one I will have. How much do you think I shall give to-day?&rdquo;
+ </p>
+ <p>
+ &ldquo;How much, Monsieur le Cure?&rdquo;
+ </p>
+ <p>
+ &ldquo;One thousand francs!&rdquo;
+ </p>
+ <p>
+ &ldquo;One thousand francs!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. We are millionaires now; we possess all the treasures of America,
+ and you talk about economy? Not to-day, at all events; indeed, I have no
+ right to think of it.&rdquo;
+ </p>
+ <p>
+ After saying mass at nine o&rsquo;clock he set out and showered gold along his
+ way. All had a share&mdash;the poor who acknowledged their poverty and
+ those who concealed it. Each alms was accompanied by the same little
+ discourse:
+ </p>
+ <p>
+ &ldquo;This comes from the new owners of the Longueval&mdash;two American
+ ladies, Mrs. Scott and Miss Percival. Remember their names, and pray for
+ them.&rdquo;
+ </p>
+ <p>
+ Then he made off without waiting for thanks, across the fields, through
+ the woods, from hamlet to hamlet, from cottage to cottage&mdash;on, on,
+ on. A sort of intoxication mounted to his brain. Everywhere were cries of
+ joy and astonishment. All these louis-d&rsquo;or fell, as if by a miracle, into
+ the poor hands accustomed to receive little pieces of silver. The Curb was
+ guilty of follies, actual follies. He was out of bounds; he did not
+ recognize himself; he had lost all control over himself; he even gave to
+ those who did not expect anything.
+ </p>
+ <p>
+ He met Claude Rigal, the old sergeant, who had left one of his arms at
+ Sebastopol. He was growing gray&mdash;nay, white; for time passes, and the
+ soldiers of the Crimea will soon be old men.
+ </p>
+ <p>
+ &ldquo;Here!&rdquo; said the Cure, &ldquo;I have twenty francs for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Twenty francs? But I never asked for anything; I don&rsquo;t want anything; I
+ have my pension.&rdquo;
+ </p>
+ <p>
+ His pension! Seven hundred francs!
+ </p>
+ <p>
+ &ldquo;But listen; it will be something to buy you cigars. It comes from
+ America.&rdquo;
+ </p>
+ <p>
+ And then followed the Abbe&rsquo;s little speech about the masters of Longueval.
+ </p>
+ <p>
+ He went to a poor woman whose son had gone to Tunis.
+ </p>
+ <p>
+ &ldquo;Well, how is your son getting on?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not so bad, Monsieur le Cure; I had a letter from him yesterday. He does
+ not complain; he is very well; only he says there are no Kroomirs. Poor
+ boy! I have been saving for a month, and I think I shall soon be able to
+ send him ten francs.&rdquo;
+ </p>
+ <p>
+ &ldquo;You shall send him thirty francs. Take this.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thirty francs! Monsieur le Cure, you give me thirty francs?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, that is for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;For my boy?&rdquo;
+ </p>
+ <p>
+ &ldquo;For your boy. But listen; you must know from whom it comes, and you must
+ take care to tell your son when you write to him.&rdquo;
+ </p>
+ <p>
+ Again the little speech about the new owners of Longueval, and again the
+ adjuration to remember them in their prayers. At six o&rsquo;clock he returned
+ home, exhausted with fatigue, but with his soul filled with joy.
+ </p>
+ <p>
+ &ldquo;I have given away all,&rdquo; he cried, as soon as he saw Pauline, &ldquo;all! all!
+ all!&rdquo;
+ </p>
+ <p>
+ He dined, and then went in the evening to perform the usual service for
+ the month of Mary. But this time, the harmonium was silent; Miss Percival
+ was no longer there.
+ </p>
+ <p>
+ The little organist of the evening before was at that moment much
+ perplexed. On two couches in her dressing-room were spread two frocks&mdash;a
+ white and a blue. Bettina was meditating which of these two frocks she
+ would wear to the opera that evening. After long hesitation she fixed on
+ the blue. At half-past nine the two sisters ascended the grand staircase
+ at the opera-house. Just as they entered their box the curtain rose on the
+ second scene of the second act of Aida, that containing the ballet and
+ march.
+ </p>
+ <p>
+ Two young men, Roger de Puymartin and Louis de Martillet, were seated in
+ the front of a stage-box. The young ladies of the corps de ballet had not
+ yet appeared, and these gentlemen, having no occupation, were amusing
+ themselves with looking about the house. The appearance of Miss Percival
+ made a strong impression upon both.
+ </p>
+ <p>
+ &ldquo;Ah! ah!&rdquo; said Puymartin, &ldquo;there she is, the little golden nugget!&rdquo;
+ </p>
+ <p>
+ &ldquo;She is perfectly dazzling this evening, this little golden nugget,&rdquo;
+ continued Martillet. &ldquo;Look at her, at the line of her neck, the fall of
+ her shoulders&mdash;still a young girl, and already a woman.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, she is charming, and tolerably well off into the bargain.&rdquo;
+ </p>
+ <p>
+ &ldquo;Fifteen millions of her own, and the silver mine is still productive.&rdquo;
+ </p>
+ <p>
+ &ldquo;Berulle told me twenty-five millions, and he is very well up in American
+ affairs.&rdquo;
+ </p>
+ <p>
+ &ldquo;Twenty-five millions! A pretty haul for Romanelli!&rdquo;
+ </p>
+ <p>
+ &ldquo;What? Romanelli!&rdquo;
+ </p>
+ <p>
+ &ldquo;Report says that that will be a match; that it is already settled.&rdquo;
+ </p>
+ <p>
+ &ldquo;A match may be arranged, but with Montessan, not with Romanelli. Ah! at
+ last! Here is the ballet.&rdquo;
+ </p>
+ <p>
+ They ceased to talk. The ballet in Aida lasts only five minutes, and for
+ those five minutes they had come. Consequently they must be enjoyed
+ respectfully, religiously, for there is that peculiarity among a number of
+ the habitues of the opera, that they chatter like magpies when they ought
+ to be silent, to listen, and that they observe the most absolute silence
+ when they might be allowed to speak, while looking on.
+ </p>
+ <p>
+ The trumpets of Aida had given their last heroic &lsquo;fanfare&rsquo; in honor of
+ Rhadames before the great sphinxes under the green foliage of the
+ palm-trees, the dancers advanced, the light trembling on their spangled
+ robes, and took possession of the stage.
+ </p>
+ <p>
+ With much attention and pleasure Mrs. Scott followed the evolutions of the
+ ballet, but Bettina had suddenly become thoughtful, on perceiving in a
+ box, on the other side of the house, a tall, dark young man. Miss Percival
+ talked to herself, and said:
+ </p>
+ <p>
+ &ldquo;What shall I do? What shall I decide on? Must I marry him, that handsome,
+ tall fellow over there, who is watching me, for it is I that he is looking
+ at? He will come into our box directly this act is over, and then I have
+ only to say, &lsquo;I have decided; there is my hand; I will be your wife,&rsquo; and
+ then all would be settled! I should be Princess! Princess Romanelli!
+ Princess Bettina! Bettina Romanelli! The names go well together; they
+ sound very pretty. Would it amuse me to be a princess? Yes&mdash;and no!
+ Among all the young men in Paris, who, during the last year, have run
+ after my money, this Prince Romanelli is the one who pleases me best. One
+ of these days I must make up my mind to marry. I think he loves me. Yes,
+ but the question is, do I love him? No, I don&rsquo;t think I do, and I should
+ so much like to love&mdash;so much, so much!&rdquo;
+ </p>
+ <p>
+ At the precise moment when these reflections were passing through
+ Bettina&rsquo;s pretty head, Jean, alone in his study, seated before his desk
+ with a great book under the shade of his lamp, looked through, and took
+ notes of, the campaigns of Turenne. He had been directed to give a course
+ of instruction to the non-commissioned officers of the regiment, and was
+ prudently preparing his lesson for the next day.
+ </p>
+ <p>
+ But in the midst of his notes&mdash;Nordlingen, 1645; les Dunes, 1658;
+ Mulhausen and Turckheim, 1674-1675&mdash;he suddenly perceived (Jean did
+ not draw very badly) a sketch, a woman&rsquo;s portrait, which all at once
+ appeared under his pen. What was she doing there, in the middle of
+ Turenne&rsquo;s victories, this pretty little woman? And then who was she&mdash;Mrs.
+ Scott or Miss Percival? How could he tell? They resembled each other so
+ much; and, laboriously, Jean returned to the history of the campaigns of
+ Turenne.
+ </p>
+ <p>
+ And at the same moment, the Abbe Constantin, on his knees before his
+ little wooden bedstead, called down, with all the strength of his soul,
+ the blessings of Heaven on the two women through whose bounty he had
+ passed such a sweet and happy day. He prayed God to bless Mrs. Scott in
+ her children, and to give to Miss Percival a husband after her own heart.
+ </p>
+ <p>
+ <a name="link2HCH0005" id="link2HCH0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER V. THE FAIR AMERICANS
+ </h2>
+ <p>
+ Formerly Paris belonged to the Parisians, and that at no very remote
+ period-thirty or forty years ago. At that epoch the French were the
+ masters of Paris, as the English are the masters of London, the Spaniards
+ of Madrid, and the Russians of St. Petersburg. Those times are no more.
+ Other countries still have their frontiers; there are now none to France.
+ Paris has become an immense Babel, a universal and international city.
+ Foreigners do not only come to visit Paris; they come there to live. At
+ the present day we have in Paris a Russian colony, a Spanish colony, a
+ Levantine colony, an American colony. The foreigners have already
+ conquered from us the greater part of the Champs-Elysees and the Boulevard
+ Malesherbes; they advance, they extend their outworks; we retreat, pressed
+ back by the invaders; we are obliged to expatriate ourselves. We have
+ begun to found Parisian colonies in the plains of Passy, in the plain of
+ Monceau, in quarters which formerly were not Paris at all, and which are
+ not quite even now. Among the foreign colonies, the richest, the most
+ populous, the most brilliant, is the American colony. There is a moment
+ when an American feels himself rich enough, a Frenchman never. The
+ American then stops, draws breath, and while still husbanding the capital,
+ no longer spares the income. He knows how to spend, the Frenchman knows
+ only how to save.
+ </p>
+ <p>
+ The Frenchman has only one real luxury&mdash;his revolutions. Prudently
+ and wisely he reserves himself for them, knowing well that they will cost
+ France dear, but that, at the same time, they will furnish the opportunity
+ for advantageous investments. The Frenchman says to himself:
+ </p>
+ <p>
+ &ldquo;Let us hoard! let us hoard! let us hoard! Some of these mornings there
+ will be a revolution, which will make the 5 per cents. fall 50 or 60
+ francs. I will buy then. Since revolutions are inevitable, let us try at
+ least to make them profitable.&rdquo;
+ </p>
+ <p>
+ They are always talking about the people who are ruined by revolutions,
+ but perhaps the number of those enriched by revolutions is still greater.
+ </p>
+ <p>
+ The Americans experience the attraction of Paris very strongly. There is
+ no town in the world where it is easier or more agreeable to spend a great
+ dial of money. For many reasons, both of race and origin, this attraction
+ exercised over Mrs. Scott and Miss Percival a very remarkable power.
+ </p>
+ <p>
+ The most French of our colonies is Canada, which is no longer ours. The
+ recollection of their first home has been preserved faithfully and
+ tenderly in the hearts of the emigrants to Montreal and Quebec. Susie
+ Percival had received from her mother an entirely French education, and
+ she had brought up her sister in the same love of our country. The two
+ sisters felt themselves Frenchwomen; still better, Parisians. As soon as
+ the avalanche of dollars had descended upon them, the same desire seized
+ them both&mdash;to come and live in Paris. They demanded France as if it
+ had been their fatherland. Mr. Scott made some opposition.
+ </p>
+ <p>
+ &ldquo;If I go away from here,&rdquo; he said, &ldquo;your incomes will suffer.&rdquo;
+ </p>
+ <p>
+ &ldquo;What does that matter?&rdquo; replied Susie. &ldquo;We are rich&mdash;too rich. Do
+ let us go. We shall be so happy, so delighted!&rdquo;
+ </p>
+ <p>
+ Mr. Scott allowed himself to be persuaded, and, at the beginning of
+ January, 1880, Susie wrote the following letter to her friend, Katie
+ Norton, who had lived in Paris for some years:
+ </p>
+ <p>
+ &ldquo;Victory! It is decided! Richard has consented. I shall arrive in April,
+ and become a Frenchwoman again. You offered to undertake all the
+ preparations for our settlement in Paris. I am horribly presuming&mdash;I
+ accept! When I arrive in Paris, I should like to be able to enjoy Paris,
+ and not be obliged to lose my first month in running after upholsterers,
+ coach-builders, horse-dealers. I should like, on arriving at the railway
+ station, to find awaiting me my carriage, my coachman, my horses. That
+ very day I should like you to dine with me at my home. Hire or buy a
+ mansion, engage the servants, choose the horses, the carriages, the
+ liveries. I depend entirely upon you. As long as the liveries are blue,
+ that is the only point. This line is added at the request of Bettina.
+ </p>
+ <p>
+ &ldquo;We shall bring only seven persons with us. Richard will have his valet,
+ Bettina and I two ladies&rsquo; maids; then there are the two governesses for
+ the children, and, besides these, two boys, Toby and Bobby, who ride to
+ perfection. We should never find in Paris such a perfect pair.
+ </p>
+ <p>
+ &ldquo;Everything else, people and things, we shall leave in New York. No, not
+ quite everything; I had for gotten four little ponies, four little gems,
+ black as ink. We have not the heart to leave them; we shall drive them in
+ a phaeton; it is delightful. Both Bettina and I drive four-in-hand very
+ well. Ladies can drive four-in-hand in the Bois very early in the morning;
+ can&rsquo;t they? Here it is quite possible. Above all, my dear Katie, do not
+ consider money. Be as extravagant as you like, that is all I ask.&rdquo; The
+ same day that Mrs. Norton received this letter witnessed the failure of a
+ certain Garneville. He was a great speculator who had been on a false
+ scent. Stocks had fallen just when he had expected a rise. This Garneville
+ had, six weeks before, installed himself in a brand-new house, which had
+ no other fault than a too startling magnificence. Mrs. Norton signed an
+ agreement&mdash;100,000 francs a year, with the option of buying house and
+ furniture for 2,000,000 during the first year of possession. A famous
+ upholsterer undertook to correct and subdue the exaggerated splendor of a
+ loud and gorgeous luxury. That done, Mrs. Scott&rsquo;s friend had the good
+ fortune to lay her hand on two of those eminent artists without whom the
+ routine of a great house can neither be established nor carried on. The
+ first, a chef of the first rank, who had just left an ancient mansion of
+ the Faubourg St. Germain, to his great regret, for he had aristocratic
+ inclinations.
+ </p>
+ <p>
+ &ldquo;Never,&rdquo; said he to Mrs. Norton, &ldquo;never would I have left the service of
+ Madame la Duchesse if she had kept up her establishment on the same
+ footing as formerly; but Madame la Duchesse has four children&mdash;two
+ sons who have run through a good deal, and two daughters who will soon be
+ of an age to marry; they must have their dowries. Therefore, Madame la
+ Duchesse is obliged to draw in a little, and the house is no longer
+ important enough for me.&rdquo;
+ </p>
+ <p>
+ This distinguished character, of course, made his conditions. Though
+ excessive, they did not alarm Mrs. Norton, who knew that he was a man of
+ the most serious merit; but he, before deciding, asked permission to
+ telegraph to New York. He wished to make certain inquiries. The reply was
+ favorable; he accepted.
+ </p>
+ <p>
+ The second great artist was a stud-groom of the rarest and highest
+ capacity, who was just about to retire after having made his fortune. He
+ consented, however, to organize the stables for Mrs. Scott. It was
+ thoroughly understood that he should have every liberty in purchasing the
+ horses, that he should wear no livery, that he should choose the coachmen,
+ the grooms, and everyone connected with the stables; that he should never
+ have less than fifteen horses in the stables, that no bargain should be
+ made with the coach-builder or saddler without his intervention, and that
+ he should never mount the box, except early in the morning, in plain
+ clothes, to give lessons in driving to the ladies and children, if
+ necessary.
+ </p>
+ <p>
+ The cook took possession of his stores, and the stud-groom of his stables.
+ Everything else was only a question of money, and with regard to this Mrs.
+ Norton made full use of her extensive powers. She acted in conformity with
+ the instructions she had received. In the short space of two months she
+ performed prodigies, and that is how, when, on the 15th of April, 1880,
+ Mr. Scott, Susie, and Bettina alighted from the mail train from Havre, at
+ half-past four in the afternoon, they found Mrs. Norton at the station of
+ St. Lazare, who said:
+ </p>
+ <p>
+ &ldquo;Your caleche is there in the yard; behind it is a landau for the
+ children; and behind the landau is an omnibus for the servants. The three
+ carriages bear your monogram, are driven by your coachman, and drawn by
+ your horses. Your address is 24 Rue Murillo, and here is the menu of your
+ dinner to-night. You invited me two months ago; I accept, and will even
+ take the liberty of bringing a dozen friends with me. I shall furnish
+ everything, even the guests. But do not be alarmed; you know them all;
+ they are mutual friends, and this evening we shall be able to judge of the
+ merits of your cook.&rdquo;
+ </p>
+ <p>
+ The first Parisian who had the honor and pleasure of paying homage to the
+ beauty of Mrs. Scott and Miss Percival was a little Marmiton fifteen years
+ old, who stood there in his white clothes, his wicker basket on his head,
+ at the moment when Mrs. Scott&rsquo;s carriage, entangled in the multitude of
+ vehicles, slowly worked its way out of the station. The little cook
+ stopped short on the pavement, opened wide his eyes, looked at the two
+ sisters with amazement, and boldly cast full in their faces the single
+ word:
+ </p>
+ <p>
+ &ldquo;Mazette!&rdquo;
+ </p>
+ <p>
+ When Madame Recamier saw her first wrinkles, and first gray hairs, she
+ said to a friend:
+ </p>
+ <p>
+ &ldquo;Ah! my dear, there are no more illusions left for me! From the day when I
+ saw that the little chimney-sweeps no longer turned round in the street to
+ look at me, I understood that all was over.&rdquo;
+ </p>
+ <p>
+ The opinion of the confectioners&rsquo; boys is, in similar cases, of equal
+ value with the opinion of the little chimney-sweeps. All was not over for
+ Susie and Bettina; on the contrary, all was only beginning.
+ </p>
+ <p>
+ Five minutes later, Mrs. Scott&rsquo;s carriage was ascending the Boulevard
+ Haussmann to the slow and measured trot of a pair of admirable horses.
+ Paris counted two Parisians the more.
+ </p>
+ <p>
+ The success of Mrs. Scott and Miss Percival was immediate, decisive, like
+ a flash of lightning. The beauties of Paris are not classed and catalogued
+ like the beauties of London; they do not publish their portraits in the
+ illustrated papers, or allow their photographs to be sold at the
+ stationers. However, there is always a little staff, consisting of a score
+ of women, who represent the grace, and charm, and beauty of Paris, which
+ women, after ten or twelve years&rsquo; service, pass into the reserve, just
+ like the old generals. Susie and Bettina immediately became part of this
+ little staff. It was an affair of four-and-twenty hours&mdash;of less than
+ four-and-twenty hours, for all passed between eight in the morning and
+ midnight, the day after their arrival in Paris.
+ </p>
+ <p>
+ Imagine a sort of little &lsquo;feerie&rsquo;, in three acts, of which the success
+ increases from tableau to tableau:
+ </p>
+ <p>
+ 1st. A ride at ten in the morning in the Bois, with the two marvellous
+ grooms imported from America.
+ </p>
+ <p>
+ 2d. A walk at six o&rsquo;clock in the Allee des Acacias.
+ </p>
+ <p>
+ 3d. An appearance at the opera at ten in the evening in Mrs. Norton&rsquo;s box.
+ </p>
+ <p>
+ The two novelties were immediately remarked, and appreciated as they
+ deserved to be, by the thirty or forty persons who constitute a sort of
+ mysterious tribunal, and who, in the name of all Paris, pass sentence
+ beyond appeal. These thirty or forty persons have, from time to time, the
+ fancy to declare &ldquo;delicious&rdquo; some woman who is manifestly ugly. That is
+ enough; she is &ldquo;delicious&rdquo; from that moment.
+ </p>
+ <p>
+ The beauty of the two sisters was unquestionable. In the morning, it was
+ their grace, their elegance, their distinction that attracted universal
+ admiration; in the afternoon, it was declared that their walk had the
+ freedom and ease of two young goddesses; in the evening, there was but one
+ cry of rapture at the ideal perfection of their shoulders. From that
+ moment, all Paris had for the two sisters the eyes of the little
+ pastry-cook of the Rue d&rsquo;Amsterdam; all Paris repeated his &lsquo;Mazette&rsquo;,
+ though naturally with the variations and developments imposed by the
+ usages of the world.
+ </p>
+ <p>
+ Mrs. Scott&rsquo;s drawing-room immediately became the fashion. The habitues of
+ three or four great American houses transferred themselves to the Scotts,
+ who had three hundred persons at their first Wednesday. Their circle
+ increased; there was a little of everything to be found in their set&mdash;Americans,
+ Spaniards, Italians, Hungarians, Russians, and even Parisians.
+ </p>
+ <p>
+ When she had related her history to the Abbe Constantin, Mrs. Scott had
+ not told all&mdash;one never does tell all. In a word, she was a coquette.
+ Mr. Scott had the most perfect confidence in his wife, and left her entire
+ liberty. He appeared very little; he was an honorable man, who felt a
+ vague embarrassment at having made such a marriage, at having married so
+ much money.
+ </p>
+ <p>
+ Having a taste for business, he had great pleasure in devoting himself
+ entirely to the administering of the two immense fortunes which were in
+ his hands, in continually increasing them, and in saying every year to his
+ wife and sister in-law:
+ </p>
+ <p>
+ &ldquo;You are still richer than you were last year!&rdquo;
+ </p>
+ <p>
+ Not content with watching with much prudence and ability over the
+ interests which he had left in America, he launched in France into large
+ speculations, and was as successful in Paris as he had been in New York.
+ In order to make money, the first thing is to have no need of it.
+ </p>
+ <p>
+ They made love to Mrs. Scott to an enormous extent; they made love to her
+ in French, in Italian, in English, in Spanish; for she knew those four
+ languages, and there is one advantage that foreigners have over our poor
+ Parisians, who usually know only their mother tongue, and have not the
+ resource of international passions.
+ </p>
+ <p>
+ Naturally, Mrs. Scott did not drive her adorers from her presence. She had
+ ten, twenty, thirty at a time.
+ </p>
+ <p>
+ No one could boast of any preference; to all she opposed the same amiable,
+ laughing, joyous resistance. It was clear to all that the game amused her,
+ and that she did not for a moment take it seriously. Mr. Scott never felt
+ a moment&rsquo;s anxiety, and he was perfectly right. More, he enjoyed his
+ wife&rsquo;s successes; he was happy in seeing her happy. He loved her dearly&mdash;a
+ little more than she loved him. She loved him very much, and that was all.
+ There is a great difference between dearly and very much when these two
+ adverbs are placed after the verb to love.
+ </p>
+ <p>
+ As to Bettina, around her was a maddening whirl, an orgy of adulation.
+ Such fortune! Such beauty! Miss Percival arrived in Paris on the 15th of
+ April; a fortnight had not passed before the offers of marriage began to
+ pour upon her. In the course of that first year, she might, had she wished
+ it, have been married thirty-four times, and to what a variety of suitors!
+ </p>
+ <p>
+ They asked her hand for a young exile, who, under certain circumstances,
+ might be called to ascend a throne&mdash;a very small one, it is true, but
+ a throne nevertheless.
+ </p>
+ <p>
+ They asked her hand for a young duke, who would make a great figure at
+ Court when France&mdash;as was inevitable&mdash;should recognize her
+ errors, and bow down before her legitimate masters.
+ </p>
+ <p>
+ They asked her hand for a young prince, who would have a place on the
+ steps of the throne when France&mdash;as was inevitable&mdash;should again
+ knit together the chain of the Napoleonic traditions.
+ </p>
+ <p>
+ They asked her hand for a young Republican deputy, who had just made a
+ most brilliant debut in the Chamber, and for whom the future reserved the
+ most splendid destiny, for the Republic was now established in France on
+ the most indestructible basis.
+ </p>
+ <p>
+ They asked her hand for a young Spaniard of the purest lineage, and she
+ was given to understand that the &lsquo;contrat&rsquo; would be signed in the palace
+ of a queen, who does not live far from the Arc de Triomphe. Besides, one
+ can find her address in the &lsquo;Almanach Bottin&rsquo;, for at the present day,
+ there are queens who have their address in Bottin between an attorney and
+ a druggist; it is only the kings of France who no longer live in France.
+ </p>
+ <p>
+ They asked her hand for the son of a peer of England, and for the son of a
+ member of the highest Viennese aristocracy; for the son of a Parisian
+ banker, and for the son of a Russian ambassador; for a Hungarian count,
+ and for an Italian prince; and also for various excellent young men who
+ were nothing and had nothing&mdash;neither name nor fortune; but Bettina
+ had granted them a waltz, and, believing themselves irresistible, they
+ hoped that they had caused a flutter of that little heart.
+ </p>
+ <p>
+ But up to the present moment nothing had touched that little heart, and
+ the reply had been the same to all &ldquo;No! no!&rdquo; again &ldquo;No!&rdquo; always &ldquo;No!&rdquo;
+ </p>
+ <p>
+ Some days after that performance of Aida, the two sisters had a rather
+ long conversation on this great, this eternal question of marriage. A
+ certain name had been pronounced by Mrs. Scott which had provoked on the
+ part of Miss Percival the most decided and most energetic refusal, and
+ Susie had laughingly said to her sister:
+ </p>
+ <p>
+ &ldquo;But, Bettina, you will be obliged to end by marrying.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, certainly, but I should be so sorry to marry without love. It seems
+ to me that before I could resolve to do such a thing I must be in danger
+ of dying an old maid, and I am not yet that.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let us wait, let us wait.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let us wait. But among all these lovers whom you have been dragging after
+ you for the last year, there have been some very nice, very amiable, and
+ it is really a little strange if none of them&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;None, my Susie, none, absolutely none. Why should I not tell you the
+ truth? Is it their fault? Have they gone unskilfully to work? Could they,
+ in managing better, have found the way to my heart? or is the fault in me?
+ Is it perhaps, that the way to my heart is a steep, rocky, inaccessible
+ way, by which no one will ever pass? Am I a horrid little creature, and,
+ cold, and condemned never to love?&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not think so.&rdquo;
+ </p>
+ <p>
+ &ldquo;Neither do I, but up to the present time that is my history. No, I have
+ never felt anything which resembled love. You are laughing, and I can
+ guess why. You are saying to yourself, &lsquo;A little girl like that pretending
+ to know what love is!&rsquo; You are right; I do not know, but I have a pretty
+ good idea. To love&mdash;is it not to prefer to all in the world one
+ certain person?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; it is really that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is it not never to weary of seeing that person, or of hearing him? Is it
+ not to cease to live when he is not there, and to immediately begin to
+ revive when he reappears?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but this is romantic love.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, that is the love of which I dream, and that is the love which does
+ not come&mdash;not at all till now; and yet that person preferred by me to
+ all and everything does exist. Do you know who it is?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I do not know; I do not know, but I have a little suspicion.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it is you, my dearest, and it is perhaps you, naughty sister, who
+ makes me so insensible and cruel on this point. I love you too much; you
+ fill my heart; you have occupied it entirely; there is no room for any one
+ else. Prefer any one to you! Love any one more than you! That will never,
+ never be!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes, it will.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, no. Love differently, perhaps, but more&mdash;no. He must not count
+ upon that, this gentleman whom I expect, and who does not arrive.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do not be afraid, my Betty, there is room in your heart for all whom you
+ should love&mdash;for your husband, for your children, and that without
+ your old sister losing anything. The heart is very little, but it is also
+ very large.&rdquo;
+ </p>
+ <p>
+ Bettina tenderly embraced her sister; then, resting her head coaxingly on
+ Susie&rsquo;s shoulder, she said:
+ </p>
+ <p>
+ &ldquo;If, however, you are tired of keeping me with you, if you are in a hurry
+ to get rid of me, do you know what I will do? I will put the names of two
+ of these gentlemen in a basket, and draw lots. There are two who at the
+ last extremity would not be absolutely disagreeable.&rdquo;
+ </p>
+ <p>
+ &ldquo;Which two?&rdquo;
+ </p>
+ <p>
+ &ldquo;Guess.&rdquo;
+ </p>
+ <p>
+ &ldquo;Prince Romanelli.&rdquo;
+ </p>
+ <p>
+ &ldquo;For one! And the other?&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur de Montessan.&rdquo;
+ </p>
+ <p>
+ &ldquo;Those are the two! It is just that. Those two would be acceptable, but
+ only acceptable, and that is not enough.&rdquo;
+ </p>
+ <p>
+ This is why Bettina awaited with extreme impatience the day when she
+ should leave Paris, and take up their abode in Longueval. She was a little
+ tired of so much pleasure, so much success, so many offers of marriage.
+ The whirlpool of Parisian gayety had seized her on her arrival, and would
+ not let her go, not for one hour of halt or rest. She felt the need of
+ being given up to herself for a few days, to herself alone, to consult and
+ question herself at her leisure, in the complete solitude of the
+ country-in a word, to belong to herself again.
+ </p>
+ <p>
+ Was not Bettina all sprightly and joyous when, on the 14th of June, they
+ took the train for Longueval? As soon as she was alone in a coupe with her
+ sister:
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; she cried, &ldquo;how happy I am! Let us breathe a little, quite alone,
+ you and me, for a few days. The Nortons and Turners do not come till the
+ 25th, do they?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not till the 25th.&rdquo;
+ </p>
+ <p>
+ &ldquo;We will pass our lives riding or driving in the woods, in the fields. Ten
+ days of liberty! And during those ten days no more lovers, no more lovers!
+ And all those lovers, with what are they in love, with me or my money?
+ That is the mystery, the unfathomable mystery.&rdquo;
+ </p>
+ <p>
+ The engine whistled; the train put itself slowly into motion. A wild idea
+ entered Bettina&rsquo;s head. She leaned out of the window and cried,
+ accompanying her words with a little wave of the hand:
+ </p>
+ <p>
+ &ldquo;Good-by, my lovers, good-by.&rdquo;
+ </p>
+ <p>
+ Then she threw herself suddenly into a corner of the coupe with a hearty
+ burst of laughter.
+ </p>
+ <p>
+ &ldquo;Oh, Susie, Susie!&rdquo;
+ </p>
+ <p>
+ &ldquo;What is the matter?&rdquo;
+ </p>
+ <p>
+ &ldquo;A man with a red flag in his hand; he saw me, and he looked so
+ astonished.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are so irrational!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, it is true, to have called out of the window like that, but not to
+ be happy at thinking that we are going to live alone, &lsquo;en garcons&rsquo;.&rdquo;
+ </p>
+ <p>
+ &ldquo;Alone! alone! Not exactly that. To begin with, we shall have two people
+ to dinner to-night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! that is true. But those two people, I shall not be at all sorry to
+ see them again. Yes, I shall be well pleased to see the old Cure again,
+ but especially the young officer.&rdquo;
+ </p>
+ <p>
+ &ldquo;What! especially?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly; because what the lawyer from Souvigny told us the other day is
+ so touching, and what that great artilleryman did when he was quite little
+ was so good, so good, that this evening I shall seek for an opportunity of
+ telling him what I think of it, and I shall find one.&rdquo;
+ </p>
+ <p>
+ Then Bettina, abruptly changing the course of the conversation, continued:
+ </p>
+ <p>
+ &ldquo;Did they send the telegram yesterday to Edwards about the ponies?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yesterday before dinner.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, you will let me drive them up to the house. It will be such fun to go
+ through the town, and to drive up at full speed into the court in front of
+ the entrance. Tell me, will you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, certainly, you shall drive the ponies.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, how nice of you, Susie!&rdquo;
+ </p>
+ <p>
+ Edwards was the stud-groom. He had arrived at Longueval three days before.
+ He deigned to come himself&mdash;to meet Mrs. Scott and Miss Percival. He
+ brought the phaeton drawn by the four black ponies. He was waiting at the
+ station. The passage of the ponies through the principal street of the
+ town had made a sensation. The population rushed out of their houses, and
+ asked eagerly:
+ </p>
+ <p>
+ &ldquo;What is it? What can it be?&rdquo;
+ </p>
+ <p>
+ Some ventured the opinion:
+ </p>
+ <p>
+ &ldquo;It is, perhaps, a travelling circus.&rdquo;
+ </p>
+ <p>
+ But exclamations arose on all sides:
+ </p>
+ <p>
+ &ldquo;You did not notice the style of it&mdash;the carriage and the harness
+ shining like gold, and the little horses with their white rosettes on each
+ side of the head.&rdquo;
+ </p>
+ <p>
+ The crowd collected around the station, and those who were curious learned
+ that they were going to witness the arrival of the new owners of
+ Longueval. They were slightly disenchanted when the two sisters appeared,
+ very pretty, but in very simple travelling costumes.
+ </p>
+ <p>
+ These good people had almost expected the apparition of two princesses out
+ of fairy tales, clad in silk and brocade, sparkling with rubies and
+ diamonds. But they opened wide their eyes when they saw Bettina walk
+ slowly round the four ponies, caressing one after another lightly with her
+ hand, and examining all the details of the team with the air of a
+ connoisseur.
+ </p>
+ <p>
+ Having made her inspection, Bettina, without the least hurry, drew off her
+ long Swedish gloves, and replaced them by a pair of dog-skin which she
+ took from the pocket of the carriage apron. Then she slipped on to the box
+ in the place of Edwards, receiving from him the reins and whip with
+ extreme dexterity, without allowing the already excited horses to perceive
+ that they had changed hands.
+ </p>
+ <p>
+ Mrs. Scott seated herself beside her sister. The ponies pranced, curveted,
+ and threatened to rear.
+ </p>
+ <p>
+ &ldquo;Be very careful, miss,&rdquo; said Edwards; &ldquo;the ponies are very fresh to-day.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do not be afraid,&rdquo; replied Bettina. &ldquo;I know them.&rdquo;
+ </p>
+ <p>
+ Miss Percival had a hand at once very firm, very light, and very just. She
+ held in the ponies for a few moments, forcing them to keep their own
+ places; then, waving the long thong of her whip round the leaders, she
+ started her little team at once, with incomparable skill, and left the
+ station with an air of triumph, in the midst of a long murmur of
+ astonishment and admiration.
+ </p>
+ <p>
+ The trot of the black ponies rang on the little oval paving-stones of
+ Souvigny. Bettina held them well together until she had left the town, but
+ as soon as she saw before her a clear mile and a half of highroad-almost
+ on a dead level-she let them gradually increase their speed, till they
+ went like the wind.
+ </p>
+ <p>
+ &ldquo;Oh! how happy I am, Susie!&rdquo; cried she; &ldquo;and we shall trot and gallop all
+ alone on these roads. Susie, would you like to drive? It is such a delight
+ when one can let them go at full speed. They are so spirited and so
+ gentle. Come, take the reins.&rdquo;
+ </p>
+ <p>
+ &ldquo;No; keep them. It is a greater pleasure to me to see you happy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, as to that, I am perfectly happy. I do like so much to drive
+ four-in-hand with plenty of space before me. At Paris, even in the
+ morning, I did not dare to any longer. They looked at me so, it annoyed
+ me. But here&mdash;no one! no one! no one!&rdquo;
+ </p>
+ <p>
+ At the moment when Bettina, already a little intoxicated with the bracing
+ air and liberty, gave forth triumphantly these three exclamations, &ldquo;No
+ one! no one! no one!&rdquo; a rider appeared, walking his horse in the direction
+ of the carriage. It was Paul de Lavardens. He had been watching for more
+ than an hour for the pleasure of seeing the Americans pass.
+ </p>
+ <p>
+ &ldquo;You are mistaken,&rdquo; said Susie to Bettina; &ldquo;there is some one.&rdquo;
+ </p>
+ <p>
+ &ldquo;A peasant; they don&rsquo;t count; they won&rsquo;t ask me to marry them.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is not a peasant at all. Look!&rdquo;
+ </p>
+ <p>
+ Paul de Lavardens, while passing the carriage, made the two sisters a
+ highly correct bow, from which one at once scented the Parisian.
+ </p>
+ <p>
+ The ponies were going at such a rate that the meeting was over like a
+ flash of lightning.
+ </p>
+ <p>
+ Bettina cried:
+ </p>
+ <p>
+ &ldquo;Who is that gentleman who has just bowed to us?&rdquo;
+ </p>
+ <p>
+ &ldquo;I had scarcely time to see, but I seemed to recognize him.&rdquo;
+ </p>
+ <p>
+ &ldquo;You recognized him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, and I would wager that I have seen him at our house this winter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Heavens! if it should be one of the thirty-four! Is all that going to
+ begin again?&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0006" id="link2HCH0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VI. A LITTLE DINNER FOR FOUR
+ </h2>
+ <p>
+ That same day, at half-past seven, Jean went to fetch the Cure, and the
+ two walked together up to the house. During the last month a perfect army
+ of workmen had taken possession of Longueval; all the inns in the village
+ were making their fortunes.
+ </p>
+ <p>
+ Enormous furniture wagons brought cargoes of furniture and decorations
+ from Paris. Forty-eight hours before the arrival of Mrs. Scott,
+ Mademoiselle Marbeau, the postmistress, and Madame Lormier, the mayoress,
+ had wormed themselves into the castle, and the account they gave of the
+ interior turned every one&rsquo;s head. The old furniture had disappeared,
+ banished to the attics; one moved among a perfect accumulation of wonders.
+ And the stables! and the coach-houses! A special train had brought from
+ Paris, under the high superintendence of Edwards, a dozen carriages&mdash;and
+ such carriages! Twenty horses&mdash;and such horses!
+ </p>
+ <p>
+ The Abbe Constantin thought that he knew what luxury was. Once a year he
+ dined with his bishop, Monseigneur Faubert, a rich and amiable prelate,
+ who entertained rather largely. The Cure, till now, had, thought that
+ there was nothing in the world more sumptuous than the Episcopal palace of
+ Souvigny, or the castles of Lavardens and Longueval.
+ </p>
+ <p>
+ He began to understand, from what he was told of the new splendors of
+ Longueval, that the luxury of the great houses of the present day must
+ surpass to a singular degree the sober and severe luxury of the great
+ houses of former times.
+ </p>
+ <p>
+ As soon as the Cure and Jean had entered the avenue in the park, which led
+ to the house:
+ </p>
+ <p>
+ &ldquo;Look! Jean,&rdquo; said the Cure; &ldquo;what a change! All this part of the park
+ used to be quite neglected, and now all the paths are gravelled and raked.
+ I shall not be able to feel myself at home as I used to do: it will be too
+ grand. I shall not find again my old brown velvet easy-chair, in which I
+ so often fell asleep after dinner, and if I fall asleep this evening what
+ will become of me? You will think of it, Jean, and if you see that I begin
+ to forget myself, you will come behind me and pinch my arm gently, won&rsquo;t
+ you? You promise me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly, certainly, I promise you.&rdquo;
+ </p>
+ <p>
+ Jean paid but slight attention to the conversation of the Cure. He felt
+ extremely impatient to see Mrs. Scott and Miss Percival again, but this
+ impatience was mingled with very keen anxiety. Would he find them in the
+ great salon at Longueval the same as he had seen them in the little
+ dining-room at the vicarage? Perhaps, instead of those two women, so
+ perfectly simple and familiar, amusing themselves with this little
+ improvised dinner, and who, the very first day, had treated him with so
+ much grace and cordiality, would he find two pretty dolls-worldly,
+ elegant, cold, and correct? Would his first impression be effaced? Would
+ it disappear? or, on the contrary, would the impression in his heart
+ become still sweeter and deeper?
+ </p>
+ <p>
+ They ascended the six steps at the entrance, and were received in the hall
+ by two tall footmen with the most dignified and imposing air. This hall
+ had formerly been a vast, frigid apartment, with bare stone walls. These
+ walls were now covered with admirable tapestry, representing mythological
+ subjects. The Cure dared scarcely glance at this tapestry; it was enough
+ for him to perceive that the goddesses who wandered through these shades
+ wore costumes of antique simplicity.
+ </p>
+ <p>
+ One of the footmen opened wide the folding-doors of the salon. It was
+ there that one had generally found the old Marquise, on the right of the
+ high chimney-piece, and on the left had stood the brown velvet easy-chair.
+ </p>
+ <p>
+ No brown easy-chair now! That old relic of the Empire, which was the basis
+ of the arrangement of the salon, had been replaced by a marvellous
+ specimen of tapestry of the end of the last century. Then a crowd of
+ little easy-chairs, and ottomans of all forms and all colors, were
+ scattered here and there with an appearance of disorder which was the
+ perfection of art.
+ </p>
+ <p>
+ As soon as Mrs. Scott saw the Cure and Jean enter, she rose, and going to
+ meet them, said:
+ </p>
+ <p>
+ &ldquo;How kind of you to come, Monsieur le Cure, and you, too, Monsieur Jean.
+ How pleased I am to see you, my first, my only friends down here!&rdquo;
+ </p>
+ <p>
+ Jean breathed again. It was the same woman.
+ </p>
+ <p>
+ &ldquo;Will you allow me,&rdquo; added Mrs. Scott, &ldquo;to introduce my children to you?
+ Harry and Bella, come here.&rdquo;
+ </p>
+ <p>
+ Harry was a very pretty little boy of six, and Bella a very charming
+ little girl, five years old. They had their mother&rsquo;s large, dark eyes, and
+ her golden hair.
+ </p>
+ <p>
+ After the Cure had kissed the two children, Harry, who was looking with
+ admiration at Jean&rsquo;s uniform, said to his mother:
+ </p>
+ <p>
+ &ldquo;And the soldier, mamma, must we kiss him, too?&rdquo;
+ </p>
+ <p>
+ &ldquo;If you like,&rdquo; replied Mrs. Scott, &ldquo;and if he will allow it.&rdquo;
+ </p>
+ <p>
+ A moment after, the two children were installed upon Jean&rsquo;s knees, and
+ overwhelming him with questions.
+ </p>
+ <p>
+ &ldquo;Are you an officer?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I am an officer.&rdquo;
+ </p>
+ <p>
+ &ldquo;What in?&rdquo;
+ </p>
+ <p>
+ &ldquo;In the artillery.&rdquo;
+ </p>
+ <p>
+ &ldquo;The artillery! Oh, you are one of the men who fire the cannon. Oh, how I
+ should like to be quite near when they fire the cannon!&rdquo;
+ </p>
+ <p>
+ &ldquo;Will you take us some day when they fire the cannon? Tell me, will you?&rdquo;
+ </p>
+ <p>
+ Meanwhile, Mrs. Scott chatted with the Cure, and Jean, while replying to
+ the children&rsquo;s questions, looked at Mrs. Scott. She wore a white muslin
+ frock, but the muslin disappeared under a complete avalanche of little
+ flounces of Valenciennes. The dress was cut out in front in a large
+ square, her arms were bare to the elbow, a large bouquet of red roses at
+ the opening of her dress, a red rose fixed in her hair, with a diamond
+ &lsquo;agraffe&rsquo;&mdash;nothing more.
+ </p>
+ <p>
+ Mrs. Scott suddenly perceived that the children had taken entire
+ possession of Jean, and exclaimed:
+ </p>
+ <p>
+ &ldquo;Oh, I beg your pardon. Harry, Bella!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, pray let them stay with me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am so sorry to keep you waiting for dinner; my sister is not down yet.
+ Oh! here she is!&rdquo;
+ </p>
+ <p>
+ Bettina entered. The same frock of white muslin, the same delicate mass of
+ lace, the same red roses, the same grace, the same beauty, and the same
+ smiling, amiable, candid manner.
+ </p>
+ <p>
+ &ldquo;How do you do, Monsieur le Cure? I am delighted to see you. Have you
+ pardoned my dreadful intrusion of the other day?&rdquo;
+ </p>
+ <p>
+ Then, turning toward Jean and offering him her hand:
+ </p>
+ <p>
+ &ldquo;How do you do, Monsieur&mdash;Monsieur&mdash;Oh! I can not remember your
+ name, and yet we seem to be already old friends, Monsieur&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Jean Reynaud.&rdquo;
+ </p>
+ <p>
+ &ldquo;Jean Reynaud, that is it. How do you do, Monsieur Reynaud? I warn you
+ faithfully that when we really are old friends&mdash;that is to say, in
+ about a week&mdash;I shall call you Monsieur Jean. It is a pretty name,
+ Jean.&rdquo;
+ </p>
+ <p>
+ Up to the moment when Bettina appeared Jean had said to himself:
+ </p>
+ <p>
+ &ldquo;Mrs. Scott is the prettier!&rdquo;
+ </p>
+ <p>
+ When he felt Bettina&rsquo;s little hand slip into his arm, and when she turned
+ toward him her delicious face, he said:
+ </p>
+ <p>
+ &ldquo;Miss Percival is the prettier!&rdquo;
+ </p>
+ <p>
+ But his perplexities gathered round him again when he was seated between
+ the two sisters. If he looked to the right, love threatened him from that
+ direction, and if he looked to the left, the danger removed immediately,
+ and passed to the left.
+ </p>
+ <p>
+ Conversation began, easy, animated, confidential. The two sisters were
+ charmed; they had already walked in the park; they promised themselves a
+ long ride in the forest tomorrow. Riding was their passion, their madness.
+ It was also Jean&rsquo;s passion, so that after a quarter of an hour they begged
+ him to join them the next day. There was no one who knew the country round
+ better than he did; it was his native place. He should be so happy to do
+ the honors of it, and to show them numbers of delightful little spots
+ which, without him, they would never discover.
+ </p>
+ <p>
+ &ldquo;Do you ride every day?&rdquo; asked Bettina.
+ </p>
+ <p>
+ &ldquo;Every day and sometimes twice. In the morning on duty, and in the evening
+ I am ride for my own pleasure.&rdquo;
+ </p>
+ <p>
+ &ldquo;Early in the morning?&rdquo;
+ </p>
+ <p>
+ &ldquo;At half-past five.&rdquo;
+ </p>
+ <p>
+ &ldquo;At half-past five every morning?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, except Sunday.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you get up&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;At half-past four.&rdquo;
+ </p>
+ <p>
+ &ldquo;And is it light?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, just now, broad daylight.&rdquo;
+ </p>
+ <p>
+ &ldquo;To get up at half-past four is admirable; we often finish our day just
+ when yours is beginning. And are you fond of your profession?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very. It is an excellent thing to have one&rsquo;s life plain before one, with
+ exact and definite duties.&rdquo;
+ </p>
+ <p>
+ &ldquo;And yet,&rdquo; said Mrs. Scott, &ldquo;not to be one&rsquo;s own master&mdash;to be always
+ obliged to obey.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is perhaps what suits me best; there is nothing easier than to obey,
+ and then to learn to obey is the only way of learning to command.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! since you say so, it must be true.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, no doubt,&rdquo; added the Cure; &ldquo;but he does not tell you that he is the
+ most distinguished officer in his regiment, that&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! pray do not.&rdquo;
+ </p>
+ <p>
+ The Cure, in spite of the resistance of Jean, was about to launch into a
+ panegyric on his godson, when Bettina, interposing, said:
+ </p>
+ <p>
+ &ldquo;It is unnecessary, Monsieur le Cure, do not say anything, we know already
+ all that you would tell us, we have been so indiscreet as to make
+ inquiries about Monsieur&mdash;oh, I was just going to say Monsieur Jean&mdash;about
+ Monsieur Reynaud. Well, the information we received was excellent!&rdquo;
+ </p>
+ <p>
+ &ldquo;I am curious to know,&rdquo; said Jean.
+ </p>
+ <p>
+ &ldquo;Nothing! nothing! you shall know nothing. I do not wish to make you
+ blush, and you would be obliged to blush.&rdquo;
+ </p>
+ <p>
+ Then turning toward the Cure, &ldquo;And about you, too, Monsieur l&rsquo;Abbe, we
+ have had some information. It appears that you are a saint.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! as to that, it is perfectly true,&rdquo; cried Jean.
+ </p>
+ <p>
+ It was the Cure this time who cut short the eloquence of Jean. Dinner was
+ almost over. The old priest had not got through this dinner without
+ experiencing many emotions. They had repeatedly presented to him
+ complicated and scientific constructions upon which he had only ventured
+ with a trembling hand. He was afraid of seeing the whole crumble beneath
+ his touch; the trembling castles of jelly, the pyramids of truffles, the
+ fortresses of cream, the bastions of pastry, the rocks of ice. Otherwise
+ the Abbe Constantin dined with an excellent appetite, and did not recoil
+ before two or three glasses of champagne. He was no foe to good cheer;
+ perfection is not of this world; and if gormandizing were, as they say, a
+ cardinal sin, how many good priests would be damned!
+ </p>
+ <p>
+ Coffee was served on the terrace in front of the house; in the distance
+ was heard the harsh voice of the old village clock striking nine. Woods
+ and fields were slumbering; the avenues in the park showed only as long,
+ undulating, and undecided lines. The moon slowly rose over the tops of the
+ great trees.
+ </p>
+ <p>
+ Bettina took a box of cigars from the table. &ldquo;Do you smoke?&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;Yes, Miss Percival.&rdquo;
+ </p>
+ <p>
+ &ldquo;Take one, Monsieur Jean. It can&rsquo;t be helped. I have said it. Take one&mdash;but
+ no, listen to me first.&rdquo;
+ </p>
+ <p>
+ And speaking in a low voice, while offering him the box of cigars:
+ </p>
+ <p>
+ &ldquo;It is getting dark, now you may blush at your ease. I will tell you what
+ I did not say at dinner. An old lawyer in Souvigny, who was your guardian,
+ came to see my sister in Paris, about the payment for the place; he told
+ us what you did after your father&rsquo;s death, when you were only a child,
+ what you did for that poor mother, and for that poor young girl. Both my
+ sister and I were much touched by it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; continued Mrs. Scott, &ldquo;and that is why we have received you to-day
+ with so much pleasure. We should not have given such a reception to every
+ one, of that you may be sure. Well, now take your cigar, my sister is
+ waiting.&rdquo;
+ </p>
+ <p>
+ Jean could not find a word in reply. Bettina stood there with the box of
+ cigars in her two hands, her eyes fixed frankly on the countenance of
+ Jean. At the moment, she tasted a true and keen pleasure which may be
+ expressed by this phrase:
+ </p>
+ <p>
+ &ldquo;It seems to me that I see before me a man of honor.&rdquo;
+ </p>
+ <p>
+ &ldquo;And now,&rdquo; said Mrs. Scott, &ldquo;let us sit here and enjoy this delicious
+ night; take your coffee, smoke&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;And do not let us talk, Susie, do not let us talk. This great silence of
+ the country, after the great noise and bustle of Paris, is delightful! Let
+ us sit here without speaking; let us look at the sky, the moon, and the
+ stars.&rdquo;
+ </p>
+ <p>
+ All four, with much pleasure, carried out this little programme. Susie and
+ Bettina, calm, reposeful, absolutely separated from their existence of
+ yesterday, already felt a tenderness for the place which had just received
+ them, and was going to keep them. Jean was less tranquil; the words of
+ Miss Percival had caused him profound emotion, his heart had not yet quite
+ regained its regular throb.
+ </p>
+ <p>
+ But the happiest of all was the Abbe Constantin.
+ </p>
+ <p>
+ This little episode which had caused Jean&rsquo;s modesty such a rude, yet sweet
+ trial, had brought him exquisite joy, the Abbe bore his godson such
+ affection. The most tender father never loved more warmly the dearest of
+ his children. When the old Cure looked at the young officer, he often said
+ to himself:
+ </p>
+ <p>
+ &ldquo;Heaven has been too kind; I am a priest, and I have a son!&rdquo;
+ </p>
+ <p>
+ The Abbe sank into a very agreeable reverie; he felt himself at home, he
+ felt himself too much at home; by degrees his ideas became hazy and
+ confused, reverie became drowsiness, drowsiness became slumber, the
+ disaster was soon complete, irreparable; the Cure slept, and slept
+ profoundly. This marvellous dinner, and the two or three glasses of
+ champagne may have had something to do with the catastrophe.
+ </p>
+ <p>
+ Jean perceived nothing; he had forgotten the promise made to his
+ godfather. And why had he forgotten it? Because Mrs. Scott and Miss
+ Percival had thought proper to put their feet on the footstools, placed in
+ front of their great wicker garden-chairs filled with cushions; then they
+ had thrown themselves lazily back in their chairs, and their muslin skirts
+ had become raised a little, a very little, but yet enough to display four
+ little feet, the lines of which showed very distinctly and clearly beneath
+ two pretty clouds of white lace. Jean looked at these little feet, and
+ asked himself this question:
+ </p>
+ <p>
+ &ldquo;Which are the smaller?&rdquo;
+ </p>
+ <p>
+ While he was trying to solve this problem, Bettina, all at once, said to
+ him in a low voice:
+ </p>
+ <p>
+ &ldquo;Monsieur Jean! Monsieur Jean!&rdquo;
+ </p>
+ <p>
+ &ldquo;Miss Percival?&rdquo;
+ </p>
+ <p>
+ &ldquo;Look at the Cure, he is asleep.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! it is my fault.&rdquo;
+ </p>
+ <p>
+ &ldquo;How your fault?&rdquo; asked Mrs. Scott, also in a low voice.
+ </p>
+ <p>
+ &ldquo;Yes; my godfather rises at daybreak, and goes to bed very early; he told
+ me to be sure and prevent his falling asleep; when Madame de Longueval was
+ here he very often had a nap after dinner. You have shown him so much
+ kindness that he has fallen back into his old habits.&rdquo;
+ </p>
+ <p>
+ &ldquo;And he is perfectly right,&rdquo; said Bettina, &ldquo;do not make a noise, do not
+ wake him.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are too good, Miss Percival, but the air is getting a little fresh.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! that is true, he might catch cold. Stay, I will go and fetch a wrap
+ for him.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think, Miss Percival, it would be better to try and wake him skilfully,
+ so that he should not suspect that you had seen him asleep.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let me do it,&rdquo; said Bettina. &ldquo;Susie, let us sing together, very softly at
+ first, then we will raise our voices little by little, let us sing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Willingly, but what shall we sing?&rdquo;
+ </p>
+ <p>
+ &ldquo;Let us sing, &lsquo;Quelque chose d&rsquo;enfantin,&rsquo; the words are suitable.&rdquo;
+ </p>
+ <p>
+ Susie and Bettina began to sing:
+ </p>
+<pre xml:space="preserve">
+ If I had but two little wings,
+ And were a little feathery bird,
+</pre>
+ <p>
+ Their sweet and penetrating voices had an exquisite sonority in that
+ profound silence. The Abbe heard nothing, did not move. Charmed with this
+ little concert, Jean said to himself:
+ </p>
+ <p>
+ &ldquo;Heaven grant that my godfather may not wake too soon!&rdquo;
+ </p>
+ <p>
+ The voices became clearer and louder:
+ </p>
+<pre xml:space="preserve">
+ But in my sleep to you I fly,
+ I&rsquo;m always with you in my sleep.
+</pre>
+ <p>
+ Yet the Abbe did not stir.
+ </p>
+ <p>
+ &ldquo;How he sleeps,&rdquo; said Susie, &ldquo;it is a crime to wake him.&rdquo;
+ </p>
+ <p>
+ &ldquo;But we must; louder, Susie, louder.&rdquo;
+ </p>
+ <p>
+ Susie and Bettina both gave free scope to the power of their voices.
+ </p>
+<pre xml:space="preserve">
+ Sleep stays not, though a monarch bids,
+ So I love to wake ere break of day.
+</pre>
+ <p>
+ The Cure woke with a start. After a short moment of anxiety he breathed
+ again. Evidently no one had noticed that he had been asleep. He collected
+ himself, stretched himself prudently, slowly, he was saved!
+ </p>
+ <p>
+ A quarter of an hour later the two sisters accompanied the Cure and Jean
+ to the little gate of the park, which opened into the village a few yards
+ from the vicarage; they had nearly reached the gate when Bettina said all
+ at once to Jean:
+ </p>
+ <p>
+ &ldquo;Ah! all this time I have had a question to ask you. This morning when we
+ arrived, we met on the way a slight young man, with a fair mustache, he
+ was riding a black horse, and bowed to us as we passed.&rdquo;
+ </p>
+ <p>
+ &ldquo;It was Paul de Lavardens, one of my friends; he has already had the honor
+ of being introduced to you, but rather vaguely, and his ambition is to be
+ presented again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you shall bring him one of these days,&rdquo; said Mrs. Scott.
+ </p>
+ <p>
+ &ldquo;After the 25th!&rdquo; cried Bettina. &ldquo;Not before! not before! No one till
+ then; till then we will see no one but you, Monsieur Jean. But you, it is
+ very extraordinary, and I don&rsquo;t quite know how it has happened, you don&rsquo;t
+ seem anybody to us. The compliment is perhaps not very well turned, but do
+ not make a mistake, it is a compliment. I intended to be excessively
+ amiable in speaking to you thus.&rdquo;
+ </p>
+ <p>
+ &ldquo;And so you are, Miss Percival.&rdquo;
+ </p>
+ <p>
+ &ldquo;So much the better if I have been so fortunate as to make myself
+ understood. Good-by, Monsieur Jean&mdash;till tomorrow!&rdquo;
+ </p>
+ <p>
+ Mrs. Scott and Miss Percival returned slowly toward the castle.
+ </p>
+ <p>
+ &ldquo;And now, Susie,&rdquo; said Bettina, &ldquo;scold me well, I expect it, I have
+ deserved it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Scold you! Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;You are going to say, I am sure, that I have been too familiar with that
+ young man.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I shall not say that. From the first day that young man has made the
+ most favorable impression upon me; he inspires me with perfect
+ confidence.&rdquo;
+ </p>
+ <p>
+ &ldquo;And so he does me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am persuaded that it would be well for us both to try to make a friend
+ of him.&rdquo;
+ </p>
+ <p>
+ &ldquo;With all my heart, as far as I am concerned, so much the more as I have
+ seen many young men since we have lived in France. Oh! yes, I have,
+ indeed! Well! this is the first, positively the first, in whose eyes I
+ have not clearly read, &lsquo;Oh, how glad I should be to marry the millions of
+ that little person!&rsquo; That was written in the eyes of all the others, but
+ not in his eyes. Now, here we are at home again. Good-night, Susie&mdash;to-morrow.&rdquo;
+ </p>
+ <p>
+ Mrs. Scott went to see and kiss her sleeping children.
+ </p>
+ <p>
+ Bettina remained long, leaning on the balustrade of her balcony.
+ </p>
+ <p>
+ &ldquo;It seems to me,&rdquo; said she, &ldquo;that I am going to be very fond of this
+ place.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ BOOK 3.
+ </h2>
+ <p>
+ <a name="link2HCH0007" id="link2HCH0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VII. CONFIDENCES
+ </h2>
+ <p>
+ The next morning, on returning from drill, Jean found Paul de Lavardens
+ waiting for him at the barracks; he scarcely allowed him time to dismount,
+ and the moment he had him alone:
+ </p>
+ <p>
+ &ldquo;Quick,&rdquo; said he, &ldquo;describe your dinner-party of yesterday. I saw them
+ myself in the morning; the little one was driving four ponies, and with an
+ amount of audacity! I bowed to them; did they mention me? Did they
+ recognize me? When will you take me to Longueval? Answer me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Answer? Yes. But which question first?&rdquo;
+ </p>
+ <p>
+ &ldquo;The last.&rdquo;
+ </p>
+ <p>
+ &ldquo;When shall I take you to Longueval?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, in ten days; they don&rsquo;t want to see any one just now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you are not going back to Longueval for ten days?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I shall go back to-day at four o&rsquo;clock. But I don&rsquo;t count, you know.
+ Jean Reynaud, the Cure&rsquo;s godson. That is why I have penetrated so easily
+ into the confidence of these two charming women. I have presented myself
+ under the patronage and with the guarantee of the Church. And then they
+ have discovered that I could render them little services. I know the
+ country very well, and they will make use of me as a guide. In a word, I
+ am nobody; while you, Count Paul de Lavardens, you are somebody; so fear
+ nothing, your turn will come with the fetes and balls. Then you will be
+ resplendent in all your glory, and I shall return very humbly into my
+ obscurity.&rdquo;
+ </p>
+ <p>
+ &ldquo;You may laugh at me as much as you like; it is none the less true that
+ during those ten days you will steal a march upon me&mdash;upon me!&rdquo;
+ </p>
+ <p>
+ &ldquo;How upon you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Now, Jean, do you want to make me believe that you are not already in
+ love with one of these two women? Is it possible? So much beauty, so much
+ luxury. Luxury to that degree upsets me. Those black ponies with their
+ white rosettes! I dreamed of them last night, and that little-Bettina, is
+ it not?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Bettina.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bettina&mdash;Countess Bettina de Lavardens! Doesn&rsquo;t that sound well
+ enough! and what a perfect husband she would have in me! To be the husband
+ of a woman possessing boundless wealth, that is my destiny. It is not so
+ easy as one may suppose. I have already run through something, and&mdash;if
+ my mother had not stopped me! but I am quite ready to begin again. Oh, how
+ happy that girl would be with me! I would create around her the existence
+ of a fairy queen. In all her luxury she would feel the taste, the art, and
+ the skill of her husband. I would pass my life in adoring her, in
+ displaying her beauty, in petting her, in bearing her triumphant through
+ the world. I would study her beauty in order to give it the frame that
+ best suited it. &lsquo;If he were not there,&rsquo; she would say, &lsquo;I should not be so
+ beautiful, so dazzling.&rsquo; I should know not only how to love her, but how
+ to amuse her. She would have something for her money, she would have love
+ and pleasure. Come, Jean, do a good action, take me to Mrs. Scott&rsquo;s
+ to-day.&rdquo;
+ </p>
+ <p>
+ &ldquo;I cannot, I assure you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then, in ten days; but I give you fair notice, I shall install
+ myself at Longueval, and shall not move. In the first place it would
+ please my mother; she is still a little prejudiced against the Americans.
+ She says that she shall arrange not to see them, but I know my mother.
+ Some day, when I shall go home in the evening and tell her: &lsquo;Mother, I
+ have won the-heart of a charming little person who is burdened with a
+ capital of twenty millions&mdash;they exaggerate when they talk of
+ hundreds of millions. You know these are the correct figures, and they are
+ enough for me. That evening, then, my mother will be delighted, because,
+ in her heart, what is it she desires for me? What all good mothers desire
+ for their sons&mdash;a good marriage, or a discreet liaison with some one
+ in society. At Longueval I find these two essentials, and I will
+ accommodate myself very willingly to either. You will have the kindness to
+ warn me in ten days&mdash;you will let me know which of the two you
+ abandon to me, Mrs. Scott or Miss Percival?&rdquo;
+ </p>
+ <p>
+ &ldquo;You are mad, you are quite mad! I do not, I never shall think&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Listen, Jean. You are wisdom personified; you may say and do as you like,
+ but remember what I say to you, Jean, you will fall in love in that
+ house.&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not believe it,&rdquo; replied Jean, laughing.
+ </p>
+ <p>
+ &ldquo;But I am absolutely sure of it. Good-by. I leave you to your duties.&rdquo;
+ </p>
+ <p>
+ That morning Jean was perfectly sincere. He had slept very well the
+ previous night; the second interview with the two sisters had, as if by
+ enchantment, dissipated the slight trouble which had agitated his soul
+ after the first meeting. He prepared to meet them again with much
+ pleasure, but also with much tranquillity; there was too much money in
+ that house to permit the love of a poor devil like Jean to find place
+ honestly there.
+ </p>
+ <p>
+ Friendship was another affair; with all his heart he wished, and with all
+ his strength he sought, to establish himself peacefully in the esteem and
+ regard of the sisters. He would try not to remark too much the beauty of
+ Susie and Bettina; he would try not to forget himself as he had done the
+ previous evening, in the contemplation of the four little feet resting on
+ their footstools. They had said, very frankly, very cordially, to him:
+ &ldquo;You shall be our friend.&rdquo; That was all he desired&mdash;to be their
+ friend&mdash;and that he would be.
+ </p>
+ <p>
+ During the ten days that followed, all conduced to the success of this
+ enterprise. Susie, Bettina, the Cure, and Jean led the same life in the
+ closest and most cordial intimacy.
+ </p>
+ <p>
+ Jean did not seek to analyze his feelings. He felt for these two women an
+ equal affection; he was perfectly happy, perfectly tranquil. Then he was
+ not in love, for love and tranquillity seldom dwell at peace in the same
+ heart.
+ </p>
+ <p>
+ Jean, however, saw approach, with a little anxiety and sadness, the day
+ which would bring to Longueval the Turners, and the Nortons, and the whole
+ force of the American colony. The day came too soon.
+ </p>
+ <p>
+ On Friday, the 24th of June, at four o&rsquo;clock, Jean arrived at the castle.
+ Bettina received him alone, looking quite vexed.
+ </p>
+ <p>
+ &ldquo;How annoying it is,&rdquo; said she, &ldquo;my sister is not well; a little headache,
+ nothing of consequence, it will be gone by tomorrow; but I dare not ride
+ with you alone. In America I might; but here, it would not do, would it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly not,&rdquo; replied Jean.
+ </p>
+ <p>
+ &ldquo;I must send you back, and I am so sorry.&rdquo;
+ </p>
+ <p>
+ &ldquo;And so am I&mdash;I am very sorry to be obliged to go, and to lose this
+ last day, which I had hoped to pass with you. However, since it must be, I
+ will come tomorrow to inquire after your sister.&rdquo;
+ </p>
+ <p>
+ &ldquo;She will see you herself, to-morrow; I repeat it is nothing serious. But
+ do not run away in such a hurry, pray; will you not spare me a little
+ quarter of an hour&rsquo;s conversation? I want to speak to you; sit down there,
+ and now listen to me well. My sister and I had intended this evening,
+ after dinner, to blockade you into a little corner of the drawing-room,
+ and then she meant to tell you what I am going to try to say for us both.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I am a little nervous. Do not laugh; it is a very serious matter. We
+ wish to thank you for having been, ever since our arrival here, so good to
+ us both.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Miss Percival, pray, it is I who&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, do not interrupt me, you will quite confuse me. I do not know how to
+ get through with it. I maintain, besides, that the thanks are due from us,
+ not from you. We arrived here two strangers. We have been fortunate enough
+ immediately to find friends. Yes, friends. You have taken us by the hand,
+ you have led us to our farmers, to our keepers; while your godfather took
+ us to his poor&mdash;and everywhere you were so much beloved that from
+ their confidence in you, they began, on your recommendation, to like us a
+ little. You are adored about here; do you know that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I was born here&mdash;all these good people have known me from my
+ infancy, and are grateful to me for what my grandfather and father did for
+ them; and then I am of their race, the race of the peasants; my
+ great-grandfather was a laborer at Bargecourt, a village two miles from
+ here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! oh! you appear very proud of that!&rdquo;
+ </p>
+ <p>
+ &ldquo;Neither proud nor ashamed.&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg your pardon, you made a little movement of pride. Well, I can tell
+ you that my mother&rsquo;s great-grandfather was a farmer in Brittany. He went
+ to Canada at the end of the last century, when Canada was still French.
+ And you love very much this place where you were born?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very much. Perhaps I shall soon be obliged to leave it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;When I get promotion, I shall have to exchange into another regiment, and
+ I shall wander from garrison to garrison; but certainly, when I am an old
+ commandant or old colonel, on half-pay, I shall come back, and live and
+ die here, in the little house that was my father&rsquo;s.&rdquo;
+ </p>
+ <p>
+ &ldquo;Always quite alone?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why quite alone? I certainly hope not.&rdquo;
+ </p>
+ <p>
+ &ldquo;You intend to marry?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, certainly.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are trying to marry?&rdquo;
+ </p>
+ <p>
+ &ldquo;No; one may think of marrying, but one ought not to try to marry.&rdquo;
+ </p>
+ <p>
+ &ldquo;And yet there are people who do try. Come, I can answer for that, and you
+ even; people have wished to marry you.&rdquo;
+ </p>
+ <p>
+ &ldquo;How do you know that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! I know all your little affairs so well; you are what they call a good
+ match, and I repeat it, they have wished to marry you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who told you that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur le Cure.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then he was very wrong,&rdquo; said Jean, with a certain sharpness.
+ </p>
+ <p>
+ &ldquo;No, no, he was not wrong. If any one has been to blame it is I. I soon
+ discovered that your godfather was never so happy as when he was speaking
+ of you. So when I was alone with him during our walks, to please him I
+ talked of you, and he related your history to me. You are well off; you
+ are very well off; from Government you receive every month two hundred and
+ thirteen francs and some centimes; am I correct?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Jean, deciding to bear with a good grace his share in the
+ Cure&rsquo;s indiscretions.
+ </p>
+ <p>
+ &ldquo;You have eight thousand francs&rsquo; income?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nearly, not quite.&rdquo;
+ </p>
+ <p>
+ &ldquo;Add to that your house, which is worth thirty thousand francs. You are in
+ an excellent position, and people have asked your hand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Asked my hand! No, no.&rdquo;
+ </p>
+ <p>
+ &ldquo;They have, they have, twice, and you have refused two very good
+ marriages, two very good fortunes, if you prefer it&mdash;it is the same
+ thing for so many people. Two hundred thousand francs in the one, three
+ hundred thousand in the other case. It appears that these fortunes are
+ enormous for the country! Yet you have refused! Tell me why.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it concerned two charming young girls.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is understood. One always says that.&rdquo;
+ </p>
+ <p>
+ &ldquo;But whom I scarcely knew. They forced me&mdash;for I did resist&mdash;they
+ forced me to spend two or three evenings with them last winter.&rdquo;
+ </p>
+ <p>
+ &ldquo;And then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Then&mdash;I don&rsquo;t quite know how to explain it to you. I did not feel
+ the slightest touch of embarrassment, emotion, anxiety, or disturbance&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;In fact,&rdquo; said Bettina, resolutely, &ldquo;not the least suspicion of love.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not the least, and I returned quite calmly to my bachelor den, for I
+ think it is better not to marry than to marry without love.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I think so, too.&rdquo;
+ </p>
+ <p>
+ She looked at him, he looked at her, and suddenly, to the great surprise
+ of both, they found nothing more to say, nothing at all.
+ </p>
+ <p>
+ At this moment Harry and Bella rushed into the room, with cries of joy.
+ </p>
+ <p>
+ &ldquo;Monsieur Jean! Are you there? Come and see our ponies!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said Bettina, her voice a little uncertain, &ldquo;Edwards has just come
+ back from Paris, and has brought two microscopic ponies for the children.
+ Let us go to see them, shall we?&rdquo;
+ </p>
+ <p>
+ They went to see the ponies, which were indeed worthy to figure in the
+ stables of the King of Lilliput.
+ </p>
+ <p>
+ <a name="link2HCH0008" id="link2HCH0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER VIII. ANOTHER MARTYR TO MILLIONS
+ </h2>
+ <p>
+ Three weeks have glided by; another day and Jean will be obliged to leave
+ with his regiment for the artillery practice. He will lead the life of a
+ soldier. Ten days&rsquo; march on the highroad going and returning, and ten days
+ in the camp at Cercottes in the forest of Orleans. The regiment will
+ return to Souvigny on the 10th of August.
+ </p>
+ <p>
+ Jean is no longer tranquil; Jean is no longer happy. He sees approach with
+ impatience, and at the same time with terror, the moment of his departure.
+ With impatience&mdash;for he suffers an absolute martyrdom, he longs to
+ escape from it; with terror&mdash;for to pass twenty days without seeing
+ her, without speaking to her, without her in a word&mdash;what will become
+ of him? Her! It is Bettina; he adores her!
+ </p>
+ <p>
+ Since when? Since the first day, since that meeting in the month of May in
+ the Cure&rsquo;s garden. That is the truth; but Jean struggles against and
+ resists that truth. He believes that he has only loved Bettina since the
+ day when the two chatted gayly, amicably, in the little drawing-room. She
+ was sitting on the blue couch near the widow, and, while talking, amused
+ herself with repairing the disorder of the dress of a Japanese princess,
+ one of Bella&rsquo;s dolls, which she had left on a chair, and which Bettina had
+ mechanically taken up.
+ </p>
+ <p>
+ Why had the fancy come to Miss Percival to talk to him of those two young
+ girls whom he might have married? The question of itself was not at all
+ embarrassing to him. He had replied that, if he had not then felt any
+ taste for marriage, it was because his interviews with these two girls had
+ not caused him any emotion or any agitation. He had smiled in speaking
+ thus, but a few minutes after he smiled no more. This emotion, this
+ agitation, he had suddenly learned to know them. Jean did not deceive
+ himself; he acknowledged the depth of the wound; it had penetrated to his
+ very heart&rsquo;s core.
+ </p>
+ <p>
+ Jean, however, did not abandon himself to this emotion. He said to
+ himself:
+ </p>
+ <p>
+ &ldquo;Yes, it is serious, very serious, but I shall recover from it.&rdquo;
+ </p>
+ <p>
+ He sought an excuse for his madness; he laid the blame on circumstances.
+ For ten days this delightful girl had been too much with him, too much
+ with him alone! How could he resist such a temptation? He was intoxicated
+ with her charm, with her grace and beauty. But the next day a troop of
+ visitors would arrive at Longueval, and there would be an end of this
+ dangerous intimacy. He would have courage; he would keep at a distance; he
+ would lose himself in the crowd, would see Bettina less often and less
+ familiarly. To see her no more was a thought he could not support! He
+ wished to remain Bettina&rsquo;s friend, since he could be nothing but her
+ friend; for there was another thought which scarcely entered the mind of
+ Jean. This thought did not appear extravagant to him; it appeared
+ monstrous. In the whole world there was not a more honorable man than
+ Jean, and he felt for Bettina&rsquo;s money horror, positively horror.
+ </p>
+ <p>
+ From the 25th of June the crowd had been in possession of Longueval. Mrs.
+ Norton arrived with her son, Daniel Norton; and Mrs. Turner with her son,
+ Philip Turner. Both of them, the young Philip and the young Daniel, formed
+ a part of the famous brotherhood of the thirty-four. They were old
+ friends, Bettina had treated them as such, and had declared to them, with
+ perfect frankness, that they were losing their time. However, they were
+ not discouraged, and formed the centre of a little court which was always
+ very eager and assiduous around Bettina.
+ </p>
+ <p>
+ Paul de Lavardens had made his appearance on this scene, and had very
+ rapidly become everybody&rsquo;s friend. He had received the brilliant and
+ complicated education of a young man destined for pleasure. As soon as it
+ was a question only of amusement, riding, croquet, lawn-tennis, polo,
+ dancing, charades, and theatricals, he was ready for everything. He
+ excelled in everything. His superiority was evident, unquestionable. Paul
+ became, in a short time, by general consent, the director and organizer of
+ the fetes at Longueval.
+ </p>
+ <p>
+ Bettina had not a moment of hesitation. Jean introduced Paul de Lavardens,
+ and the latter had scarcely concluded the customary little compliment when
+ Miss Percival, leaning toward her sister, whispered in her ear:
+ </p>
+ <p>
+ &ldquo;The thirty-fifth!&rdquo;
+ </p>
+ <p>
+ However, she received Paul very kindly, so kindly that for several days he
+ had the weakness to misunderstand her. He believed that it was his
+ personal graces which had obtained for him this very flattering and
+ cordial reception. It was a great mistake. Paul de Lavardens had been
+ introduced by Jean; he was the friend of Jean. In Bettina&rsquo;s eyes, therein
+ lay all his merit.
+ </p>
+ <p>
+ Mrs. Scott&rsquo;s castle was open house; people were not invited for one
+ evening only, but for every evening, and Paul, with enthusiasm, came every
+ evening! His dream was at last realized; he had, found Paris at Longueval.
+ </p>
+ <p>
+ But Paul was neither blind nor a fool. No doubt he was, on Miss Percival&rsquo;s
+ part, the object of very particular attention and favor. It pleased her to
+ talk long, very long, alone with him. But what was the eternal, the
+ inexhaustible subject of their conversations? Jean, again Jean, and always
+ Jean!
+ </p>
+ <p>
+ Paul was thoughtless, dissipated, frivolous, but he became in earnest when
+ Jean was in question; he knew how to appreciate him, he knew how to love
+ him. Nothing to him was sweeter, nothing was easier, than to say of the
+ friend of his childhood all the good that he thought of him, and as he saw
+ that Bettina listened with great pleasure, Paul gave free rein to his
+ eloquence.
+ </p>
+ <p>
+ Only&mdash;and he was quite right&mdash;Paul wished one evening to reap
+ the benefit of his chivalrous conduct. He had just been talking for a
+ quarter of an hour with Bettina. The conversation finished, he went to
+ look for Jean at the other end of the drawing-room, and said to him:
+ </p>
+ <p>
+ &ldquo;You left the field open to me, and I have made a bold stroke for Miss
+ Percival.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you have no reason to be discontented with the result of the
+ enterprise. You are the best friends in the world.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, certainly, pretty well, but not quite satisfactory. There is nothing
+ more amiable or more charming than Miss Percival, and really it is very
+ good of me to acknowledge it; for, between ourselves, she makes me play an
+ ungrateful and ridiculous role, a role which is quite unsuited to my age.
+ I am, you will admit, of the lover&rsquo;s age, and not of that of the
+ confidant.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of the confidant!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, my dear fellow, of the confidant! That is my occupation in this
+ house. You were looking at us just now. Oh, I have very good eyes; you
+ were looking at us. Well, do you know what we were talking about? Of you,
+ my dear fellow, of you, of you again, of nothing but you. And it is the
+ same thing every evening; there is no end to the questions:
+ </p>
+ <p>
+ &ldquo;&lsquo;You were brought up together? You took lessons together from the Abbe
+ Constantin?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Will he soon be Captain? And then?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Commandant.&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;And then?&rsquo;
+ </p>
+ <p>
+ &ldquo;&lsquo;Colonel, etc., etc., etc.&rsquo;
+ </p>
+ <p>
+ &ldquo;Ah! I can tell you, my friend Jean, if you liked, you might dream a very
+ delicious dream.&rdquo;
+ </p>
+ <p>
+ Jean was annoyed, almost angry. Paul was much astonished at this sudden
+ attack of irritability.
+ </p>
+ <p>
+ &ldquo;What is the matter? Have I said anything&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg your pardon; I was wrong. But how could you take such an absurd
+ idea into your head?&rdquo;
+ </p>
+ <p>
+ &ldquo;Absurd! I don&rsquo;t see it. I have entertained the absurd idea on my own
+ account.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! you&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Why &lsquo;Ah! you?&rsquo; If I have had it you may have it; you are better worth it
+ than I am.&rdquo;
+ </p>
+ <p>
+ &ldquo;Paul, I entreat you!&rdquo;
+ </p>
+ <p>
+ Jean&rsquo;s discomfort was evident.
+ </p>
+ <p>
+ &ldquo;We will not speak of it again; we will not speak of it again. What I
+ wanted to say, in short, is that Miss Percival perhaps thinks I am
+ agreeable; but as to considering me seriously, that little person will
+ never commit such a folly. I must fall back upon Mrs. Scott, but without
+ much confidence. You see, Jean, I shall amuse myself in this house, but I
+ shall make nothing out of it.&rdquo;
+ </p>
+ <p>
+ Paul de Lavardens did fall back upon Mrs. Scott, but the next day was
+ surprised to stumble upon Jean, who had taken to placing himself very
+ regularly in Mrs. Scott&rsquo;s particular circle, for like Bettina she had also
+ her little court. But what Jean sought there was a protection, a shelter,
+ a refuge.
+ </p>
+ <p>
+ The day of that memorable conversation on marriage without love, Bettina
+ had also, for the first time, felt suddenly awake in her that necessity of
+ loving which sleeps, but not very profoundly, in the hearts of all young
+ girls. The sensation had been the same, at the same moment, in the soul of
+ Bettina and the soul of Jean. He, terrified, had cast it violently from
+ him. She, on the contrary, had yielded, in all the simplicity of her
+ perfect innocence, to this flood of emotion and of tenderness.
+ </p>
+ <p>
+ She had waited for love. Could this be love? The man who was to be her
+ thought, her life, her soul&mdash;could this be he&mdash;this Jean? Why
+ not? She knew him better than she knew all those who, during the past
+ year, had haunted her for her fortune, and in what she knew of him there
+ was nothing to discourage the love of a good girl. Far from it!
+ </p>
+ <p>
+ Both of them did well; both of them were in the way of duty and of truth&mdash;she,
+ in yielding; he, in resisting; she, in not thinking for a moment of the
+ obscurity of Jean; he, in recoiling before her mountain of wealth as he
+ would have recoiled before a crime; she, in thinking that she had no right
+ to parley with love; he, in thinking he had no right to parley with honor.
+ </p>
+ <p>
+ This is why, in proportion as Bettina showed herself more tender, and
+ abandoned herself with more frankness to the first call of love&mdash;this
+ is why Jean became, day by day, more gloomy and more restless. He was not
+ only afraid of loving; he was afraid of being loved.
+ </p>
+ <p>
+ He ought to have remained away; he should not have come near her. He had
+ tried; he could not; the temptation was too strong; it carried him away;
+ so he came. She would come to him, her hands extended, a smile on her
+ lips, and her heart in her eyes. Everything in her said:
+ </p>
+ <p>
+ &ldquo;Let us try to love each other, and if we can love, we will!&rdquo;
+ </p>
+ <p>
+ Fear seized him. Those two hands which offered themselves to the pressure
+ of his hands, he hardly dared touch them. He tried to escape those eyes
+ which, tender and smiling, anxious and curious, tried to meet his eyes. He
+ trembled before the necessity of speaking to Bettina, before the necessity
+ of listening to her.
+ </p>
+ <p>
+ It was then that Jean took refuge with Mrs. Scott, and it was then that
+ Mrs. Scott gathered those uncertain, agitated, troubled words which were
+ not addressed to her, and which she took for herself, nevertheless. It
+ would have been difficult not to be mistaken.
+ </p>
+ <p>
+ For of these still vague and confused sentiments which agitated her,
+ Bettina had as yet said nothing. She guarded and caressed the secret of
+ her budding love, as a miser guards and caresses the first coins of his
+ treasure. The day when she should see clearly into her own heart; the day
+ that she should be sure that she loved&mdash;ah! she would speak that day,
+ and how happy she should be to tell all to Susie!
+ </p>
+ <p>
+ Mrs. Scott had ended by attributing to herself this melancholy of Jean,
+ which, day by day, took a more marked character. She was flattered by it&mdash;a
+ woman is never displeased at thinking herself beloved&mdash;and vexed at
+ the same time. She held Jean in great esteem, in great affection; but she
+ was greatly distressed at the thought that if he were sad and unhappy, it
+ was because of her.
+ </p>
+ <p>
+ Susie was, besides, conscious of her own innocence. With others she had
+ sometimes been coquettish, very coquettish. To torment them a little, was
+ that such a great crime? They had nothing to do, they were
+ good-for-nothing, it occupied them while it amused her. It helped them to
+ pass their time, and it helped her, too. But Susie had not to reproach
+ herself for having flirted with Jean. She recognized his merit and his
+ superiority; he was worth more than the others, he was a man to suffer
+ seriously, and that was what Mrs. Scott did not wish. Already, two or
+ three times, she had been on the point of speaking to him very seriously,
+ very affectionately, but she had reflected Jean was going away for three
+ weeks; on his return, if it were still necessary, she would read him a
+ lecture, and would act in such a manner that love should not come and
+ foolishly interfere in their friendship.
+ </p>
+ <p>
+ So Jean was to go the next day. Bettina had insisted that he should spend
+ this last day at Longueval, and dine at the house. Jean had refused,
+ alleging that he had much to do the night before his departure.
+ </p>
+ <p>
+ He arrived in the evening, about half-past ten; he came on foot. Several
+ times on the way he had been inclined to return.
+ </p>
+ <p>
+ &ldquo;If I had courage enough,&rdquo; he said to himself, &ldquo;I would not see her again.
+ I shall leave to-morrow, and return no more to Souvigny while she is
+ there. My resolution is taken, and taken forever.&rdquo;
+ </p>
+ <p>
+ But he continued his way, he would see her again&mdash;for the last time.
+ </p>
+ <p>
+ As soon as he entered the drawing-room, Bettina hastened to him.
+ </p>
+ <p>
+ &ldquo;It is you at last! How late you are!&rdquo;
+ </p>
+ <p>
+ &ldquo;I have been very busy.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you are going to-morrow?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Early?&rdquo;
+ </p>
+ <p>
+ &ldquo;At five in the morning.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will go by the road which runs by the wall of the park, and goes
+ through the village?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, that is the way we shall go.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why so early in the morning? I would have gone out on the terrace to see
+ you pass, and to wish you good-by.&rdquo;
+ </p>
+ <p>
+ Bettina detained for a moment Jean&rsquo;s burning hand in hers. He drew it
+ mournfully away, with an effort.
+ </p>
+ <p>
+ &ldquo;I must go and speak to your sister,&rdquo; said he.
+ </p>
+ <p>
+ &ldquo;Directly, she has not seen you, there are a dozen persons round her. Come
+ and sit here a little while, near me.&rdquo;
+ </p>
+ <p>
+ He was obliged to seat himself beside her.
+ </p>
+ <p>
+ &ldquo;We are going away, too,&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;You!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. An hour ago, we received a telegram from my brother-in-law, which
+ has caused us great joy. We did not expect him for a month, but he is
+ coming back in a fortnight. He will embark the day after to-morrow at New
+ York, on board the Labrador. We are going to meet him at Havre. We shall
+ also start the day after to-morrow; we are going to take the children, it
+ will do them a great deal of good to spend a few days at the seaside. How
+ pleased my brother-in-law will be to know you&mdash;he knows you already,
+ we have spoken of you in all our letters. I am sure you and Mr. Scott will
+ get on extremely well together, he is so good. How long shall you stay
+ away?&rdquo;
+ </p>
+ <p>
+ &ldquo;Three weeks.&rdquo;
+ </p>
+ <p>
+ &ldquo;Three weeks in a camp?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Miss Percival, in the camp of Cercottes.&rdquo;
+ </p>
+ <p>
+ &ldquo;In the middle of the forest of Orleans. I made your godfather explain all
+ about it to me this morning. Of course I am delighted to go to meet my
+ brother-in-law; but at the same time, I am a little sorry to leave here,
+ for I should have gone every morning to pay a little visit to Monsieur
+ l&rsquo;Abbe. He would have given me news of you. Perhaps, in about ten days,
+ you will write to my sister&mdash;a little note of three or four lines&mdash;it
+ will not take much of your time&mdash;just to tell her how you are, and
+ that you do not forget us.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, as to forgetting you, as to losing the remembrance of your extreme
+ kindness, your goodness, never, Miss Percival, never!&rdquo;
+ </p>
+ <p>
+ His voice trembled, he was afraid of his own emotion, he rose.
+ </p>
+ <p>
+ &ldquo;I assure you, Miss Percival, I must go and speak to your sister. She is
+ looking at me. She must be astonished.&rdquo;
+ </p>
+ <p>
+ He crossed the room, Bettina followed him with her eyes.
+ </p>
+ <p>
+ Mrs. Norton had just placed herself at the piano to play a waltz for the
+ young people.
+ </p>
+ <p>
+ Paul de Lavardens approached Miss Percival.
+ </p>
+ <p>
+ &ldquo;Will you do me the honor, Miss Percival?&rdquo;
+ </p>
+ <p>
+ &ldquo;I believe I have just promised this dance to Monsieur Jean,&rdquo; she replied.
+ </p>
+ <p>
+ &ldquo;Well, if not to him, will you give it to me?&rdquo;
+ </p>
+ <p>
+ &ldquo;That is understood.&rdquo;
+ </p>
+ <p>
+ Bettina walked toward Jean, who had seated himself near Mrs. Scott.
+ </p>
+ <p>
+ &ldquo;I have just told a dreadful story,&rdquo; said she. &ldquo;Monsieur de Lavardens has
+ asked me for this dance, and I replied that I had promised it to you. You
+ would like it, wouldn&rsquo;t you?&rdquo;
+ </p>
+ <p>
+ To hold her in his arms, to breathe the perfume of her hair&mdash;Jean
+ felt his courage could not support this ordeal, he dared not accept.
+ </p>
+ <p>
+ &ldquo;I regret extremely I can not, I am not well tonight; I persisted in
+ coming because I would not leave without wishing you good-by, but dance,
+ no, it is impossible!&rdquo;
+ </p>
+ <p>
+ Mrs. Norton began the prelude of the waltz.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Paul, coming up quite joyful, &ldquo;who is it to be, he or I?&rdquo;
+ </p>
+ <p>
+ &ldquo;You,&rdquo; she said, sadly, without removing her eyes from Jean.
+ </p>
+ <p>
+ She was much disturbed, and replied without knowing well what she said.
+ She immediately regretted having accepted, she would have liked to stay
+ there, near him. But it was too late, Paul took her hand and led her away.
+ </p>
+ <p>
+ Jean rose; he looked at the two, Bettina and Paul, a haze floated before
+ his eyes, he suffered cruelly.
+ </p>
+ <p>
+ &ldquo;There is only one thing I can do,&rdquo; thought he, &ldquo;profit by this waltz, and
+ go. To-morrow I will write a few lines to Mrs. Scott to excuse myself.&rdquo;
+ </p>
+ <p>
+ He gained the door, he looked no more at Bettina; had he looked, he would
+ have stayed.
+ </p>
+ <p>
+ But Bettina looked at him; and all at once she said to Paul:
+ </p>
+ <p>
+ &ldquo;Thank you very much, but I am a little tired, let us stop, please. You
+ will excuse me, will you not?&rdquo;
+ </p>
+ <p>
+ Paul offered his arm.
+ </p>
+ <p>
+ &ldquo;No, thank you,&rdquo; said she.
+ </p>
+ <p>
+ The door was just closing, Jean was no longer there. Bettina ran across
+ the room. Paul remained alone, much surprised, understanding nothing of
+ what had passed.
+ </p>
+ <p>
+ Jean was already at the hall-door, when he heard some one call&mdash;&ldquo;Monsieur
+ Jean! Monsieur Jean!&rdquo;
+ </p>
+ <p>
+ He stopped and turned. She was near him.
+ </p>
+ <p>
+ &ldquo;You are going without wishing me good-by?&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg your pardon, I am very tired.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you must not walk home, the weather is threatening,&rdquo; she extended
+ her hand out-of-doors, &ldquo;it is raining already.&rdquo;
+ </p>
+ <p>
+ &ldquo;Come and have a cup of tea in the little drawing-room, and I will tell
+ them to drive you home,&rdquo; and turning toward one of the footmen, &ldquo;tell them
+ to send a carriage round directly.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, Miss Percival, pray, the open air will revive me. I must walk, let me
+ go.&rdquo;
+ </p>
+ <p>
+ &ldquo;Go, then, but you have no greatcoat, take something to wrap yourself in.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall not be cold&mdash;while you with that open dress&mdash;I shall go
+ to oblige you to go in.&rdquo; And without even offering his hand, he ran
+ quickly down the steps.
+ </p>
+ <p>
+ &ldquo;If I touch her hand,&rdquo; he thought, &ldquo;I am lost, my secret will escape me.&rdquo;
+ </p>
+ <p>
+ His secret! He did not know that Bettina read his heart like an open book.
+ </p>
+ <p>
+ When Jean had descended the steps, he hesitated one short moment, these
+ words were upon his lips:
+ </p>
+ <p>
+ &ldquo;I love you, I adore you, and that is why I will see you no more!&rdquo;
+ </p>
+ <p>
+ But he did not utter these words, he fled away and was soon lost in the
+ darkness.
+ </p>
+ <p>
+ Bettina remained there against the brilliant background made by the light
+ from the hall. Great drops of rain, driven by the wind, swept across her
+ bare shoulders and made her shiver; she took no notice, she distinctly
+ heard her heart beat.
+ </p>
+ <p>
+ &ldquo;I knew very well that he loved me,&rdquo; she thought, &ldquo;but now I am very sure,
+ that I, too&mdash;oh! yes! I, too!&mdash;&rdquo;
+ </p>
+ <p>
+ All at once, in one of the great mirrors in the hall door, she saw the
+ reflection of the two footmen who stood there motionless, near the oak
+ table in the hall. Bettina heard bursts of laughter and the strains of the
+ waltz; she stopped. She wished to be alone, completely alone, and
+ addressing one of the servants, she said:
+ </p>
+ <p>
+ &ldquo;Go and tell your mistress that I am very tired, and have gone to my own
+ room.&rdquo;
+ </p>
+ <p>
+ Annie, her maid, had fallen asleep, in an easy-chair. She sent her away.
+ She would undress herself. She let herself sink on a couch, she was
+ oppressed with delicious emotion.
+ </p>
+ <p>
+ The door of her room opened, it was Mrs. Scott.
+ </p>
+ <p>
+ &ldquo;You are not well, Bettina?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Susie, is it you, my Susie? how nice of you to come. Sit here, close
+ to me, quite close to me.&rdquo;
+ </p>
+ <p>
+ She hid herself like a child in the arms of her sister, caressing with her
+ burning brow Susie&rsquo;s fresh shoulders. Then she suddenly burst into sobs,
+ great sobs, which stifled, suffocated her.
+ </p>
+ <p>
+ &ldquo;Bettina, my darling, what is the matter?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing, nothing! it is nothing, it is joy&mdash;joy!&rdquo;
+ </p>
+ <p>
+ &ldquo;Joy?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes, wait&mdash;let me cry a little, it will do me so much good. But
+ do not be frightened, do not be frightened.&rdquo;
+ </p>
+ <p>
+ Beneath her sister&rsquo;s caress, Bettina grew calm, soothed.
+ </p>
+ <p>
+ &ldquo;It is over, I am better now, and I can talk to you. It is about Jean.&rdquo;
+ </p>
+ <p>
+ &ldquo;Jean! You call him Jean?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I call him Jean. Have you not noticed for some time that he was dull
+ and looked quite melancholy?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I have.&rdquo;
+ </p>
+ <p>
+ &ldquo;When he came, he went and posted himself near you, and stayed there,
+ silent, absorbed to such a degree, that for several days I asked myself&mdash;pardon
+ me for speaking to you with such frankness, it is my way, you know&mdash;I
+ asked myself if it were not you whom he loved, Susie; you are so charming,
+ it would have been so natural! But no, it was not you, it was I!&rdquo;
+ </p>
+ <p>
+ &ldquo;You?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I. Listen, he scarcely dared to look at me, he avoided me, he fled
+ from me, he was afraid of me, evidently afraid. Now, in justice, am I a
+ person to inspire fear? I am sure I am not!&rdquo;
+ </p>
+ <p>
+ &ldquo;Certainly not!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! it was not I of whom he was afraid, it was my money, my horrid money!
+ This money which attracts all the others and tempts them so much, this
+ money terrifies him, drives him desperate, because he is not like the
+ others, because he&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;My child, take care, perhaps you are mistaken.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, no, I am not mistaken! Just now, at the door, when he was going away,
+ he said some words to me. These words were nothing. But if you had seen
+ his distress in spite of all his efforts to control it! Susie, dear Susie,
+ by the affection which I bear you, and God knows how great is that
+ affection, this is my conviction, my absolute conviction&mdash;if, instead
+ of being Miss Percival, I had been a poor little girl without a penny Jean
+ would then have taken my hand, and have told me that he loved me, and if
+ he had spoken to me thus, do you know what I should have replied?&rdquo;
+ </p>
+ <p>
+ &ldquo;That you loved him, too?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; and that is why I am so happy. With me it is a fixed idea that I
+ must adore the man who will be my husband. Well! I don&rsquo;t say that I adore
+ Jean, no, not yet; but still it is beginning, Susie, and it is beginning
+ so sweetly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bettina, it really makes me uneasy to see you in this state of
+ excitement. I do not deny that Monsieur Reynaud is much attached to you&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, more than that, more than that!&rdquo;
+ </p>
+ <p>
+ &ldquo;Loves you, if you like; yes, you are right, you are quite right. He loves
+ you; and are you not worthy, my darling, of all the love that one can bear
+ you? As to Jean&mdash;it is progressing decidedly, here am I also calling
+ him Jean&mdash;well! you know what I think of him. I rank him very, very
+ high. But in spite of that, is he really a suitable husband for you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, if I love him.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am trying to talk sensibly to you, and you, on the contrary&mdash;Understand
+ me, Bettina; I have an experience of the world which you can not have.
+ Since our arrival in Paris, we have been launched into a very brilliant,
+ very animated, very aristocratic society. You might have been already, if
+ you had liked, marchioness or princess.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but I did not like.&rdquo;
+ </p>
+ <p>
+ &ldquo;It would not matter to you to be called Madame Reynaud?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not in the least, if I love him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! you return always to&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Because that is the true question. There is no other. Now I will be
+ sensible in my turn. This question&mdash;I grant that this is not quite
+ settled, and that I have, perhaps, allowed myself to be too easily
+ persuaded. You see how sensible I am. Jean is going away to-morrow, I
+ shall not see him again for three weeks. During these three weeks I shall
+ have ample time to question myself, to examine myself, in a word, to know
+ my own mind. Under my giddy manner, I am serious and thoughtful, you know
+ that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes, I know it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I will make this petition to you, as I would have addressed it to
+ our mother had she been here. If, in three weeks, I say to you, &lsquo;Susie, I
+ am certain that I love him,&rsquo; will you allow me to go to him, myself, quite
+ alone, and ask him if he will have me for his wife? That is what you did
+ with Richard. Tell me, Susie, will you allow me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I will allow you.&rdquo;
+ </p>
+ <p>
+ Bettina embraced her sister, and murmured these words in her ear:
+ </p>
+ <p>
+ &ldquo;Thank you, mamma.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mamma, mamma! It was thus that you used to call me when you were a child,
+ when we were alone in the world together, when I used to undress you in
+ our poor room in New York, when I held you in my arms, when I laid you in
+ your little bed, when I sang you to sleep. And since then, Bettina, I have
+ had only one desire in the world, your happiness. That is why I beg you to
+ reflect well. Do not answer me, do not let us talk any more of that. I
+ wish to leave you very calm, very tranquil. You have sent away Annie,
+ would you like me to be your little mamma again tonight, to undress you,
+ and put you to bed as I used to do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I should like it very much.&rdquo;
+ </p>
+ <p>
+ &ldquo;And when you are in bed, you promise me to be very good?&rdquo;
+ </p>
+ <p>
+ &ldquo;As good as an angel.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will do your best to go to sleep?&rdquo;
+ </p>
+ <p>
+ &ldquo;My very best.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very quietly, without thinking of anything?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very quietly, without thinking of anything.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, then.&rdquo;
+ </p>
+ <p>
+ Ten minutes after, Bettina&rsquo;s pretty head rested gently amid embroideries
+ and lace. Susie said to her sister:
+ </p>
+ <p>
+ &ldquo;I am going down to those people who bore me dreadfully this evening.
+ Before going to my own room, I shall come back and see if you are asleep.
+ Do not speak. Go to sleep.&rdquo;
+ </p>
+ <p>
+ She went away. Bettina remained alone; she tried to keep her word; she
+ endeavored to go to sleep, but only half-succeeded. She fell into a
+ half-slumber which left her floating between dream and reality. She had
+ promised to think of nothing, and yet she thought of him, always of him,
+ of nothing but him, vaguely, confusedly.
+ </p>
+ <p>
+ How long a time passed thus she could not tell.
+ </p>
+ <p>
+ All at once it seemed to her that some one was walking in her room; she
+ half-opened her eyes, and thought she recognized her sister. In a very
+ sleepy voice she said to her:
+ </p>
+ <p>
+ &ldquo;You know I love him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hush! go to sleep.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am asleep! I am asleep!&rdquo;
+ </p>
+ <p>
+ At last she did fall sound asleep, less profoundly, however, than usual,
+ for about four o&rsquo;clock in the morning she was suddenly awakened by a
+ noise, which, the night before, would not have disturbed her slumber. The
+ rain fell in torrents, and beat against her window.
+ </p>
+ <p>
+ &ldquo;Oh, it is raining!&rdquo; she thought. &ldquo;He will get wet.&rdquo;
+ </p>
+ <p>
+ That was her first thought. She rose, crossed the room barefooted,
+ half-opened the shutters. The day had broke, gray and lowering; the clouds
+ were heavy with rain, the wind blew tempestuously, and drove the rain in
+ gusts before it.
+ </p>
+ <p>
+ Bettina did not go back to bed, she felt it would be quite impossible to
+ sleep again. She put on a dressing-gown, and remained at the window; she
+ watched the falling rain. Since he positively must go, she would have
+ liked the weather to be fine; she would have liked bright sunshine to have
+ cheered his first day&rsquo;s march.
+ </p>
+ <p>
+ When she came to Longueval a month ago, Bettina did not know what this
+ meant. But she knew it now. A day&rsquo;s march for the artillery is twenty or
+ thirty miles, with an hour&rsquo;s halt for luncheon. It was the Abbe Constantin
+ who had taught her that; when going their rounds in the morning among the
+ poor, Bettina overwhelmed the Cure with questions on military affairs, and
+ particularly on the artillery.
+ </p>
+ <p>
+ Twenty or thirty miles under this pouring rain! Poor Jean! Bettina thought
+ of young Turner, young Norton, of Paul de Lavardens, who would sleep
+ calmly till ten in the morning, while Jean was exposed to this deluge.
+ </p>
+ <p>
+ Paul de Lavardens!
+ </p>
+ <p>
+ This name awoke in her a painful memory, the memory of that waltz the
+ evening before. To have danced like that, while Jean was so obviously in
+ trouble! That waltz took the proportions of a crime in her eyes; it was a
+ horrible thing that she had done.
+ </p>
+ <p>
+ And then, had she not been wanting in courage and frankness in that last
+ interview with Jean? He neither could nor dared say anything; but she
+ might have shown more tenderness, more expansiveness. Sad and suffering as
+ he was, she should never have allowed him to go back on foot. She ought to
+ have detained him at any price. Her imagination tormented and excited her;
+ Jean must have carried away with him the impression that she was a bad
+ little creature, heartless and pitiless. And in half-an-hour he was going
+ away, away for three weeks. Ah! if she could by any means&mdash;but there
+ is a way! The regiment must pass along the wall of the park, under the
+ terrace.
+ </p>
+ <p>
+ Bettina was seized with a wild desire to see Jean pass; he would
+ understand well, if he saw her at such an hour, that she had come to beg
+ his pardon for her cruelty of the previous evening. Yes, she would go! But
+ she had promised to Susie to be as good as an angel, and to do what she
+ was going to do, was that being as good as an angel? She would make up for
+ it by acknowledging all to Susie when she came in again, and Susie would
+ forgive her.
+ </p>
+ <p>
+ She would go! She had made up her mind. Only how should she dress herself?
+ She had nothing at hand but a muslin dressing-gown, little high-heeled
+ slippers, and blue satin shoes. She might wake her maid. Oh, never would
+ she dare to do that, and time pressed; a quarter to five! the regiment
+ would start at five o&rsquo;clock.
+ </p>
+ <p>
+ She might, perhaps, manage with the muslin dressing-gown, and the satin
+ shoes; in the hall, she might find her hat, her little sabots which she
+ wore in the garden, and the large tartan cloak for driving in wet weather.
+ She half-opened her door with infinite precautions. Everything slept in
+ the house; she crept along the corridor, she descended the staircase.
+ </p>
+ <p>
+ If only the little sabots are there in their place; that is her great
+ anxiety. There they are! She slips them on over her satin shoes, she wraps
+ herself in her great mantle.
+ </p>
+ <p>
+ She hears that the rain has redoubled in violence. She notices one of
+ those large umbrellas which the footmen use on the box in wet weather; she
+ seizes it; she is ready; but when she is ready to go, she sees that the
+ hall-door is fastened by a great iron bar. She tries to raise it; but the
+ bolt holds fast, resists all her efforts, and the great clock in the hall
+ slowly strikes five. He is starting at that moment.
+ </p>
+ <p>
+ She will see him! she will see him! Her will is excited by these
+ obstacles. She makes a great effort; the bar yields, slips back in the
+ groove. But Bettina has made a long scratch on her hand, from which issues
+ a slender stream of blood. Bettina twists her handkerchief round her hand,
+ takes her great umbrella, turns the key in the lock; and opens the door.
+ </p>
+ <p>
+ At last she is out of the house!
+ </p>
+ <p>
+ The weather is frightful. The wind and the rain rage together. It takes
+ five or six minutes to reach the terrace which looks over the road.
+ Bettina darts forward courageously; her head bent, hidden under her
+ immense umbrella, she has taken a few steps. All at once, furious, mad,
+ blinding, a sudden squall bursts upon Bettina, buries her in her mantle,
+ drives her along, lifts her almost from the ground, turns the umbrella
+ violently inside out; that is nothing, the disaster is not yet complete.
+ </p>
+ <p>
+ Bettina has lost one of her little sabots; they were not practical sabots;
+ they were only pretty little things for fine weather, and at this moment,
+ when Bettina struggles against the tempest with her blue satin shoe half
+ buried in the wet gravel, at this moment the wind bears to her the distant
+ echo of a blast of trumpets. It is the regiment starting!
+ </p>
+ <p>
+ Bettina makes a desperate effort, abandons her umbrella, finds her little
+ sabot, fastens it on as well as she can, and starts off running, with a
+ deluge descending on her head.
+ </p>
+ <p>
+ At last, she is in the wood, the trees protect her a little. Another
+ blast, nearer this time. Bettina fancies she hears the rolling of the
+ gun-carriages. She makes a last effort, there is the terrace, she is there
+ just in time.
+ </p>
+ <p>
+ Twenty yards off she perceived the white horses of the trumpeters, and
+ along the road caught glimpses, vaguely appearing through the fog, of the
+ long line of guns and wagons.
+ </p>
+ <p>
+ She sheltered herself under one of the old limes which bordered the
+ terrace. She watched, she waited. He is there among that confused mass of
+ riders. Will she be able to recognize him? And he, will he see her? Will
+ any chance make him turn his head that way?
+ </p>
+ <p>
+ Bettina knows that he is Lieutenant in the second battery of his regiment;
+ she knows that a battery is composed of six guns, and six ammunition
+ wagons. Of course it is the Abbe Constantin who has taught her that. Thus
+ she must allow the first battery to pass, that is to say, count six guns,
+ six wagons, and then&mdash;he will be there.
+ </p>
+ <p>
+ There he is at last, wrapped in his great cloak, and it is he who sees,
+ who recognizes her first. A few moments before, he had recalled to his
+ mind a long walk which he had taken with her one evening, when night was
+ falling, on that terrace. He raised his eyes, and the very spot where he
+ remembered having seen her, was the spot where he found her again. He
+ bowed, and, bareheaded in the rain, turning round in his saddle, as long
+ as he could see her, he looked at her. He said again to himself what he
+ had said the previous evening:
+ </p>
+ <p>
+ &ldquo;It is for the last time.&rdquo;
+ </p>
+ <p>
+ With a charming gesture of both hands, she returned his farewell, and this
+ gesture, repeated many times, brought her hands so near, so near her lips,
+ that one might have fancied&mdash;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; she thought, &ldquo;if, after that, he does not understand that I love
+ him, and does not forgive me my money!&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0009" id="link2HCH0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IX. THE REWARD OF TENDER COURAGE
+ </h2>
+ <p>
+ It was the 20th of August, the day which should bring Jean back to
+ Longueval.
+ </p>
+ <p>
+ Bettina awoke very early, rose, and ran immediately to the window. The
+ evening before, the sky had looked threatening, heavy with clouds. Bettina
+ slept but little, and all night prayed that it might not rain the next
+ day.
+ </p>
+ <p>
+ In the early morning a dense fog enveloped the park of Longueval, the
+ trees of which were hidden from view, as by a curtain. But gradually the
+ rays of the sun dissipated the mist, the trees became vaguely discernible
+ through the vapor; then, suddenly, the sun shone brilliantly, flooding
+ with light the park, and the fields beyond; and the lake, where the black
+ swans were disporting themselves in the radiant light, appeared as bright
+ as a sheet of polished metal.
+ </p>
+ <p>
+ The weather was going to be beautiful. Bettina was a little superstitious.
+ The sunshine gives her good hope and good courage. &ldquo;The day begins well,
+ so it will finish well.&rdquo;
+ </p>
+ <p>
+ Mr. Scott had come home several days before. Susie, Betting, and the
+ children waited on the quay at Havre for the arrival of his steamer.
+ </p>
+ <p>
+ They exchanged many tender embraces; then, Richard, addressing his
+ sister-in-law, said, laughingly:
+ </p>
+ <p>
+ &ldquo;Well, when is the wedding to be?&rdquo;
+ </p>
+ <p>
+ &ldquo;What wedding?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yours.&rdquo;
+ </p>
+ <p>
+ &ldquo;My wedding?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, certainly.&rdquo;
+ </p>
+ <p>
+ &ldquo;And to whom am I about to be married?&rdquo;
+ </p>
+ <p>
+ &ldquo;To Monsieur Jean Reynaud.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! Susie has written to you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Susie? Not at all. Susie has not said a word. It is you, Bettina, who
+ have written to me. For the last two months, all your letters have been
+ occupied with this young officer.&rdquo;
+ </p>
+ <p>
+ &ldquo;All my letters?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, and you have written to me oftener and more at length than usual. I
+ do not complain of that, but I do ask when you are going to present me
+ with a brother-in-law?&rdquo;
+ </p>
+ <p>
+ He spoke jestingly, but Bettina replied:
+ </p>
+ <p>
+ &ldquo;Soon, I hope.&rdquo;
+ </p>
+ <p>
+ Mr. Scott perceived that the affair was serious. When returning in the
+ carriage, Bettina asked Mr. Scott if he had kept her letters.
+ </p>
+ <p>
+ &ldquo;Certainly,&rdquo; he replied.
+ </p>
+ <p>
+ She read them again. It was indeed only with &ldquo;Jean&rdquo; that all these letters
+ have been filled. She found therein related, down to the most trifling
+ details, their first meeting. There was the portrait of Jean in the
+ vicarage garden, with his straw hat and his earthenware salad-dish&mdash;and
+ then it was again Monsieur Jean, always Monsieur Jean. She discovered that
+ she had loved him much longer than she had suspected. At last it was the
+ 10th of August. Luncheon was just over, and Harry and Bella were
+ impatient. They knew that between one and two o&rsquo;clock the regiment must
+ pass through the village. They had been promised that they should be taken
+ to see the soldiers pass, and for them, as well as for Bettina, the return
+ of the 9th Artillery was a great event.
+ </p>
+ <p>
+ &ldquo;Aunt Betty,&rdquo; said Bella, &ldquo;Aunt Betty, come with us.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, do come,&rdquo; said Harry, &ldquo;do come, we shall see our friend Jean, on his
+ big gray horse.&rdquo;
+ </p>
+ <p>
+ Bettina resisted, refused&mdash;and yet how great was the temptation. But
+ no, she would not go, she would not see Jean again till the evening, when
+ she would give him that decisive explanation for which she had been
+ preparing herself for the last three weeks. The children went away with
+ their governesses. Bettina, Susie, and Richard went to sit in the park,
+ quite close to the castle, and as soon as they were established there:
+ </p>
+ <p>
+ &ldquo;Susie,&rdquo; said Bettina, &ldquo;I am going to remind you today of your promise;
+ you remember what passed between us the night of his departure; we settled
+ that if, on the day of his return, I could say to you, &lsquo;Susie, I am sure
+ that I love him,&rsquo; we settled that you would allow me to speak frankly to
+ him, and ask him if he would have me for his wife.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I did promise you. But are you very sure?&rdquo;
+ </p>
+ <p>
+ &ldquo;Absolutely&mdash;and now the time has come to redeem your promise. I warn
+ you that I intend to bring him to this very place,&rdquo; she added, smiling,
+ &ldquo;to this seat; and to use almost the same language to him that you
+ formerly used to Richard. You were successful, Susie, you are perfectly
+ happy, and I&mdash;that is what I wish to be.&rdquo;
+ </p>
+ <p>
+ &ldquo;Richard, Susie has told you about Monsieur Reynaud.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, and she has told me that there is no man of whom she has a higher
+ opinion, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But she has told you that for me it would be a rather quiet, rather
+ commonplace marriage. Oh, naughty sister! Will you believe it, Richard,
+ that I can not get this fear out of her head? She does not understand
+ that, before everything, I wish to love and be loved; will you believe it,
+ Richard, that only last week she laid a horrible trap for me? You know
+ that there exists a certain Prince Romanelli.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I know you might have been a princess.&rdquo;
+ </p>
+ <p>
+ &ldquo;That would not have been immensely difficult, I believe. Well, one day I
+ was so foolish as to say to Susie, that, in extremity, I might accept the
+ Prince Romanelli. Now, just imagine what she did. The Turners were at
+ Trouville, Susie had arranged a little plot. We lunched with the Prince,
+ but the result was disastrous. Accept him! The two hours that I passed
+ with him, I passed in asking myself how I could have said such a thing.
+ No, Richard; no, Susie; I will be neither princess, nor marchioness, nor
+ countess. My wish is to be Madame Jean Reynaud; if, however, Monsieur Jean
+ Reynaud will agree to it, and that is by no means certain.&rdquo;
+ </p>
+ <p>
+ The regiment entered the village, and suddenly military music burst
+ martial and joyous across the space. All three remained silent, it was the
+ regiment, it was Jean who passed; the sound became fainter, died away, and
+ Bettina continued:
+ </p>
+ <p>
+ &ldquo;No, that is not certain. He loves me, however, and much, but without
+ knowing well what I am; I think that I deserve to be loved differently; I
+ think that I should not cause him so much terror, so much fear, if he knew
+ me better, and that is why I ask you to permit me to speak to him this
+ evening freely, from my heart.&rdquo;
+ </p>
+ <p>
+ &ldquo;We will allow you,&rdquo; replied Richard, &ldquo;you shall speak to him freely, for
+ we know, both of us, Bettina, that you will never do anything that is not
+ noble and generous.&rdquo;
+ </p>
+ <p>
+ &ldquo;At least, I shall try.&rdquo;
+ </p>
+ <p>
+ The children ran up to them; they had seen Jean, he was quite white with
+ dust, he said good-morning to them.
+ </p>
+ <p>
+ &ldquo;Only,&rdquo; added Bella, &ldquo;he is not very nice, he did not stop to talk to us;
+ usually he stops, but this time he wouldn&rsquo;t.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, he would,&rdquo; replied Harry, &ldquo;for at first he seemed as if he were
+ going to&mdash;and then he would not, he went away.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, he didn&rsquo;t stop, and it is so nice to talk to a soldier, especially
+ when he is on horseback.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is not that only, it is that we are very fond of Monsieur Jean; if you
+ knew, papa, how kind he is, and how nicely he plays with us.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what beautiful drawings he makes. Harry, you remember that great
+ Punch who was so funny, with his stick, you know?&rdquo;
+ </p>
+ <p>
+ &ldquo;And the dog, there was the little dog, too, as in the show.&rdquo;
+ </p>
+ <p>
+ The two children went away talking of their friend Jean.
+ </p>
+ <p>
+ &ldquo;Decidedly,&rdquo; said Mr. Scott, &ldquo;every one likes him in this house.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you will be like every one else when you know him,&rdquo; replied Bettina.
+ </p>
+ <p>
+ The regiment broke into a trot along the highroad, after leaving the
+ village. There was the terrace where Bettina had been the other morning.
+ Jean said to himself:
+ </p>
+ <p>
+ &ldquo;Supposing she should be there.&rdquo;
+ </p>
+ <p>
+ He dreaded and hoped it at the same time. He raised his head, he looked,
+ she was not there.
+ </p>
+ <p>
+ He had not seen her again, he would not see her again, for a long-time at
+ least. He would start that very evening at six o&rsquo;clock for Paris; one of
+ the personages in the War Office was interested in him; he would try to
+ get exchanged into another regiment.
+ </p>
+ <p>
+ Alone at Cercottes, Jean had had time to reflect deeply, and that was the
+ result of his reflections. He could not, he must not, be Bettina
+ Percival&rsquo;s husband.
+ </p>
+ <p>
+ The men dismounted at the barracks, Jean took leave of his Colonel, his
+ comrades; all was over. He was free, he could go.
+ </p>
+ <p>
+ But he did not go; he looked around him. How happy he was three months
+ ago, when he rode out of that great yard amid the noise of the cannon
+ rolling over the pavement of Souvigny; but how sadly he should ride away
+ to-day! Formerly his life was there; where would it be hereafter?
+ </p>
+ <p>
+ He returned, went to his own room, and wrote to Mrs. Scott; he told her
+ that his duties obliged him to leave immediately, he could not dine at the
+ castle, and begged Mrs. Scott to remember him to Miss Bettina. Bettina,
+ ah! what trouble it cost him to write that name. He closed his letter; he
+ would send it directly.
+ </p>
+ <p>
+ He made his preparations for departure; then he went to wish his godfather
+ farewell. That is what cost him most; he must speak to him only of a short
+ absence.
+ </p>
+ <p>
+ He opened one of the drawers of his bureau to take out some money. The
+ first thing that met his eyes was a little note on bluish paper; it was
+ the only note which he had ever received from her.
+ </p>
+ <p>
+ &ldquo;Will you have the kindness to give to the servant the book of which you
+ spoke yesterday evening. Perhaps it will be a little serious for me, but
+ yet I should like to try to read it. We shall see you to-night; come as
+ early as possible.&rdquo; It was signed &ldquo;Bettina.&rdquo;
+ </p>
+ <p>
+ Jean read and re-read these few lines, but soon he could read them no
+ longer, his eyes were dim.
+ </p>
+ <p>
+ &ldquo;It is all that is left me of her,&rdquo; he thought.
+ </p>
+ <p>
+ At the same moment the Abbe Constantin was tete-a-tete with old Pauline,
+ they were making up their accounts. The financial situation was admirable;
+ more than 2,000 francs in hand! And the wishes of Susie and Bettina were
+ accomplished, there were no more poor in the neighborhood. His old
+ servant, Pauline, had even occasional scruples of conscience.
+ </p>
+ <p>
+ &ldquo;You see, Monsieur le Cure,&rdquo; said she, &ldquo;perhaps we give them a little too
+ much. Then it will be spread about in other parishes that here they can
+ always find charity. And do you know what will happen then, one of these
+ days? Poor people will come and settle in Longueval.&rdquo;
+ </p>
+ <p>
+ The Cure gave fifty francs to Pauline. She went to take them to a poor man
+ who had broken his arm a few days before, by falling from the top of a
+ hay-cart.
+ </p>
+ <p>
+ The Abbe Constantin remained alone in the vicarage. He was rather anxious.
+ He had watched for the passing of the regiment; but Jean only stopped for
+ a moment, he looked sad. For some time, the Abbe had noticed that Jean had
+ no longer the flow of good-humor and gayety he once possessed.
+ </p>
+ <p>
+ The Cure did not disturb himself too much about it, believing it to be one
+ of those little youthful troubles which did not concern a poor old priest.
+ But, on this occasion, Jean&rsquo;s disturbance was very perceptible.
+ </p>
+ <p>
+ &ldquo;I will come back directly,&rdquo; he said to the Cure, &ldquo;I want to speak to
+ you.&rdquo;
+ </p>
+ <p>
+ He turned abruptly away. The Abbe Constantin had not even had time to give
+ Loulou his piece of sugar, or rather his pieces of sugar, for he had put
+ five or six in his pocket, considering that Loulou had well deserved this
+ feast by ten long days&rsquo; march, and a score of nights passed under the open
+ sky.
+ </p>
+ <p>
+ Besides, since Mrs. Scott had lived at Longueval, Loulou had very often
+ had several pieces of sugar; the Abbe Constantin had become extravagant,
+ prodigal; he felt himself a millionaire, the sugar for Loulou was one of
+ his follies. One day, even, he had been on the point of addressing to
+ Loulou his everlasting little speech:
+ </p>
+ <p>
+ &ldquo;This comes from the new mistresses of Longueval; pray for them to-night.&rdquo;
+ </p>
+ <p>
+ It was three o&rsquo;clock when Jean arrived at the vicarage, and the Cure said,
+ immediately:
+ </p>
+ <p>
+ &ldquo;You told me that you wanted to speak to me; what is it about?&rdquo;
+ </p>
+ <p>
+ &ldquo;About something, my dear godfather, which will surprise you, will grieve
+ you&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Grieve me!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, and which grieves me, too&mdash;I have come to bid you farewell.&rdquo;
+ </p>
+ <p>
+ &ldquo;Farewell! you are going away?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I am going away.&rdquo;
+ </p>
+ <p>
+ &ldquo;When?&rdquo;
+ </p>
+ <p>
+ &ldquo;To-day, in two hours.&rdquo;
+ </p>
+ <p>
+ &ldquo;In two hours? But, my dear boy, you were going to dine at the castle
+ to-night.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have just written to Mrs. Scott to excuse me. I am positively obliged
+ to go.&rdquo;
+ </p>
+ <p>
+ &ldquo;Directly?&rdquo;
+ </p>
+ <p>
+ &ldquo;Directly.&rdquo;
+ </p>
+ <p>
+ &ldquo;And where are you going?&rdquo;
+ </p>
+ <p>
+ &ldquo;To Paris.&rdquo;
+ </p>
+ <p>
+ &ldquo;To Paris! Why this sudden determination?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not so very sudden! I have thought about it for a long time.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you have said nothing about it to me! Jean, something has happened.
+ You are a man, and I have no longer the right to treat you as a child; but
+ you know how much I love you; if you have vexations, troubles, why not
+ tell them to me? I could perhaps advise you. Jean, why go to Paris?&rdquo;
+ </p>
+ <p>
+ &ldquo;I did not wish to tell you, it will give you pain; but you have the right
+ to know. I am going to Paris to ask to be exchanged into another
+ regiment.&rdquo;
+ </p>
+ <p>
+ &ldquo;Into another regiment! To leave Souvigny!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, that is just it; I must leave Souvigny for a short time, for a
+ little while only; but to leave Souvigny is necessary, it is what I wish
+ above all things.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what about me, Jean, do you not think of me? A little while! A little
+ while! But that is all that remains to me of life, a little while. And
+ during these last days, that I owe to the grace of God, it was my
+ happiness, yes, Jean, my happiness, to feel you here, near me, and now you
+ are going away! Jean, wait a little patiently, it can not be for very long
+ now for. Wait until the good God has called me to himself, wait till I
+ shall be gone, to meet there, at his side, your father and your mother. Do
+ not go, Jean, do not go.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you love me, I love you, too, and you know it well.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I know it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I have just the same affection for you now that I had when I was quite
+ little, when you took me to yourself, when you brought me up. My heart has
+ not changed, will never change. But if duty&mdash;if honor&mdash;oblige me
+ to go?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, if it is duty, if it is honor, I say nothing more, Jean, that stands
+ before all!&mdash;all!&mdash;all! I have always known you a good judge of
+ your duty, your honor. Go, my boy, go, I ask you nothing more, I wish to
+ know no more.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I wish to tell you all,&rdquo; cried Jean, vanquished by his emotion, &ldquo;and
+ it is better that you should know all. You will stay here, you will return
+ to the castle, you will see her again&mdash;her!&rdquo;
+ </p>
+ <p>
+ &ldquo;See her! Who?&rdquo;
+ </p>
+ <p>
+ &ldquo;Bettina!&rdquo;
+ </p>
+ <p>
+ &ldquo;Bettina?&rdquo;
+ </p>
+ <p>
+ &ldquo;I adore her, I adore her!&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, my poor boy!&rdquo;
+ </p>
+ <p>
+ &ldquo;Pardon me for speaking to you of these things; but I tell you as I would
+ have told my father.&rdquo;
+ </p>
+ <p>
+ &ldquo;And then, I have not been able to speak of it to any one, and it stifled
+ me; yes, it is a madness which has seized me, which has grown upon me,
+ little by little, against my will, for you know very-well&mdash;My God! It
+ was here that I began to love her. You know, when she came here with her
+ sister&mdash;with the little &lsquo;rouleaux&rsquo; of francs&mdash;her hair fell down&mdash;and
+ then the evening, the month of Mary! Then I was permitted to see her
+ freely, familiarly, and you, yourself, spoke to me constantly of her. You
+ praised her sweetness, her goodness. How often have you told me that there
+ was no one in the world better than she is!&rdquo;
+ </p>
+ <p>
+ &ldquo;And I thought it, and I think it still. And no one here knows her better
+ than I do, for it is I alone who have seen her with the poor. If you only
+ knew how tender, and how good she is! Neither wretchedness nor suffering
+ repulse her. But, my dear boy, I am wrong to tell you all this.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no, I will see her no more, I promise you; but I like to hear you
+ speak of her.&rdquo;
+ </p>
+ <p>
+ &ldquo;In your whole life, Jean, you will never meet a better woman, nor one who
+ has more elevated sentiments. To such a point, that one day&mdash;she had
+ taken me with her in an open carriage, full of toys&mdash;she was taking
+ these toys to a poor sick little girl, and when she gave them to her, to
+ make the poor little thing laugh, to amuse her, she talked so prettily to
+ her that I thought of you, and I said to myself, I remember it now, &lsquo;Ah,
+ if she were poor!&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! if she were poor, but she is not.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, no! But what can you do, my poor child! If it gives you pain to see
+ her, to live near her; above all, if it will prevent you suffering&mdash;go,
+ go&mdash;and yet, and yet&mdash;&rdquo;
+ </p>
+ <p>
+ The old priest became thoughtful, let his head fall between his hands, and
+ remained silent for some moments; then he continued:
+ </p>
+ <p>
+ &ldquo;And yet, Jean, do you know what I think? I have seen a great deal of
+ Mademoiselle Bettina since she came to Longueval. Well&mdash;when I
+ reflect&mdash;it did not astonish me that any one should be interested in
+ you, for it seemed so natural&mdash;but she talked always, yes, always of
+ you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, of you, and of your father and mother; she was curious to know how
+ you lived. She begged me to explain to her what a soldier&rsquo;s life was, the
+ life of a true soldier, who loved his profession, and performed his duties
+ conscientiously.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is extraordinary, since you have told me this, recollections crowd
+ upon me, a thousand little things collect and group themselves together.
+ They returned from Havre yesterday at three o&rsquo;clock. Well! an hour after
+ their arrival she was here. And it was of you of whom she spoke directly.
+ She asked if you had written to me, if you had not been ill, when you
+ would arrive, at what hour, if the regiment would pass through the
+ village?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is useless at this moment, my dear godfather,&rdquo; said Jean, &ldquo;to recall
+ all these memories.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, it is not useless. She seemed so pleased, so happy even, that she
+ should see you again! She would make quite a fete of the dinner this
+ evening. She would introduce you to her brother-in-law, who has come back.
+ There is no one else in the house at this moment, not a single visitor.
+ She insisted strongly on this point, and I remember her last words&mdash;she
+ was there, on the threshold of the door:
+ </p>
+ <p>
+ &ldquo;&lsquo;There will be only five of us,&rsquo; she said, &lsquo;you and Monsieur Jean, my
+ sister, my brother-in-law, and myself.&rsquo;
+ </p>
+ <p>
+ &ldquo;And then she added, laughing, &lsquo;Quite a family party.&rsquo;
+ </p>
+ <p>
+ &ldquo;With these words she went, she almost ran away. Quite a family party! Do
+ you know what I think, Jean? Do you know?&rdquo;
+ </p>
+ <p>
+ &ldquo;You must not think that, you must not.&rdquo;
+ </p>
+ <p>
+ &ldquo;Jean, I believe that she loves you.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I believe it, too.&rdquo;
+ </p>
+ <p>
+ &ldquo;You, too!&rdquo;
+ </p>
+ <p>
+ &ldquo;When I left her, three weeks ago, she was so agitated, so moved! She saw
+ me sad and unhappy, she would not let me go. It was at the door of the
+ castle. I was obliged to tear myself, yes, literally tear myself away. I
+ should have spoken, burst out, told her all. After I had gone a few steps,
+ I stopped and turned. She could no longer see me, I was lost in the
+ darkness; but I could see her. She stood there motionless, her shoulders
+ and arms bare, in the rain, her eyes fixed on the way by which I had gone.
+ Perhaps I am mad to think that. Perhaps it was only a feeling of pity. But
+ no, it was something more than pity, for do you know what she did the next
+ morning? She came at five o&rsquo;clock, in the most frightful weather, to see
+ me pass with the regiment&mdash;and then&mdash;the way she bade me adieu&mdash;oh,
+ my friend, my dear old friend!&rdquo;
+ </p>
+ <p>
+ &ldquo;But then,&rdquo; said the poor Cure, completely bewildered, completely at a
+ loss, &ldquo;but then, I do not understand you at all. If you love her, Jean,
+ and if she loves you?&rdquo;
+ </p>
+ <p>
+ &ldquo;But that is, above all, the reason why I must go. If it were only I, if I
+ were certain that she has not perceived my love, certain that she has not
+ been touched by it, I would stay, I would stay&mdash;for nothing but for
+ the sweet joy of seeing her, and I would love her from afar, without any
+ hope, for nothing but the happiness of loving her. But no, she has
+ understood too well, and far from discouraging me&mdash;that is what
+ forces me to go.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I do not understand it! I know well, my poor boy, we are speaking of
+ things in which I am no great scholar, but you are both good, young, and
+ charming; you love her, she would love you, and you will not!&rdquo;
+ </p>
+ <p>
+ &ldquo;And her money! her money!&rdquo;
+ </p>
+ <p>
+ &ldquo;What matters her money? If it is only that, is it because of her money
+ that you have loved her? It is rather in spite of her money. Your
+ conscience, my son, would be quite at peace with regard to that, and that
+ would suffice.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, that would not suffice. To have a good opinion of one&rsquo;s self is not
+ enough; that opinion must be shared by others.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Jean! Among all who know you, who can doubt you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Who knows? And then there is another thing besides this question of
+ money, another thing more serious and more grave. I am not the husband
+ suited to her.&rdquo;
+ </p>
+ <p>
+ &ldquo;And who could be more worthy than you?&rdquo;
+ </p>
+ <p>
+ &ldquo;The question to be considered is not my worth; we have to consider what
+ she is and what I am, to ask what ought to be her life, and what ought to
+ be my life.&rdquo;
+ </p>
+ <p>
+ &ldquo;One day, Paul&mdash;you know he has rather a blunt way of saying things,
+ but that very bluntness often places thoughts much more distinctly before
+ us&mdash;Paul was speaking of her; he did not suspect anything; if he had,
+ he is good-natured, he would not have spoken thus&mdash;well, he said to
+ me:
+ </p>
+ <p>
+ &ldquo;&lsquo;What she needs is a husband who would be entirely devoted to her, to her
+ alone, a husband who would have no other care than to make her existence a
+ perpetual holiday, a husband who would give himself, his whole life, in
+ return for her money.&rsquo;
+ </p>
+ <p>
+ &ldquo;You know me; such a husband I can not, I must not be. I am a soldier, and
+ shall remain one. If the chances of my career sent me some day to a
+ garrison in the depths of the Alps, or in some almost unknown village in
+ Algeria, could I ask her to follow me? Could I condemn her to the life of
+ a soldier&rsquo;s wife, which is in some degree the life of a soldier himself?
+ Think of the life which she leads now, of all that luxury, of all those
+ pleasures!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said the Abbe, &ldquo;that is more serious than the question of money.&rdquo;
+ </p>
+ <p>
+ &ldquo;So serious that there is no hesitation possible. During the three weeks
+ that I passed alone in the camp, I have well considered all that; I have
+ thought of nothing else, and loving her as I do love, the reason must
+ indeed be strong which shows me clearly my duty. I must go, I must go far,
+ very far away, as far as possible. I shall suffer much, but I must not see
+ her again! I must not see her again!&rdquo;
+ </p>
+ <p>
+ Jean sank on a chair near the fireplace. He remained there quite
+ overpowered with his emotion. The old priest looked at him.
+ </p>
+ <p>
+ &ldquo;To see you suffer, my poor boy! That such suffering should fall upon you!
+ It is too cruel, too unjust!&rdquo;
+ </p>
+ <p>
+ At that moment some one knocked gently at the door.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said the Cure, &ldquo;do not be afraid, Jean. I will send them away.&rdquo;
+ </p>
+ <p>
+ The Abbe went to the door, opened it, and recoiled as if before an
+ unexpected apparition.
+ </p>
+ <p>
+ It was Bettina. In a moment she had seen Jean, and going direct to him:
+ </p>
+ <p>
+ &ldquo;You!&rdquo; cried she. &ldquo;Oh, how glad I am!&rdquo;
+ </p>
+ <p>
+ He rose. She took his hands, and addressing the Cure, she said:
+ </p>
+ <p>
+ &ldquo;I beg your pardon, Monsieur le Cure, for going to him first. You, I saw
+ yesterday, and him, not for three whole weeks, not since a certain night,
+ when he left our house, sad and suffering.&rdquo;
+ </p>
+ <p>
+ She still held Jean&rsquo;s hands. He had neither power to make a movement nor
+ to utter a sound.
+ </p>
+ <p>
+ &ldquo;And now,&rdquo; continued Betting, &ldquo;are you better? No, not yet, I can see,
+ still sad. Ah, I have done well to come! It was an inspiration! However,
+ it embarrasses me a little, it embarrasses me a great deal, to find you
+ here. You will understand why when you know what I have come to ask of
+ your godfather.&rdquo;
+ </p>
+ <p>
+ She relinquished his hands, and turning toward the Abbe, said:
+ </p>
+ <p>
+ &ldquo;I have come to beg you to listen to my confession&mdash;yes, my
+ confession. But do not go away, Monsieur Jean; I will make my confession
+ publicly. I am quite willing to speak before you, and now I think of it,
+ it will be better thus. Let us sit down, shall we?&rdquo;
+ </p>
+ <p>
+ She felt herself full of confidence and daring. She burned with fever, but
+ with that fever which, on the field of battle, gives to a soldier ardor,
+ heroism, and disdain of danger. The emotion which made Bettina&rsquo;s heart
+ beat quicker than usual was a high and generous emotion. She said to
+ herself:
+ </p>
+ <p>
+ &ldquo;I will be loved! I will love! I will be happy! I will make him happy! And
+ since he has not sufficient courage to do it, I must have it for both. I
+ must march alone, my head high, and my heart at ease, to the conquest of
+ our love, to the conquest of our happiness!&rdquo;
+ </p>
+ <p>
+ From her first words Bettina had gained over the Abbe and Jean a complete
+ ascendancy. They let her say what she liked, they let her do as she liked,
+ they felt that the hour was supreme; they understood that what was
+ happening would be decisive, irrevocable, but neither was in a position to
+ foresee.
+ </p>
+ <p>
+ They sat down obediently, almost automatically; they waited, they
+ listened. Alone, of the three, Bettina retained her composure. It was in a
+ calm and even voice that she began.
+ </p>
+ <p>
+ &ldquo;I must tell you first, Monsieur le Cure, to set your conscience quite at
+ rest, I must tell you that I am here with the consent of my sister and my
+ brother-in-law. They know why I have come; they know what I am about to
+ do. They not only know, but they approve. That is settled, is it not?
+ Well, what brings me here is your letter, Monsieur Jean, that letter in
+ which you tell my sister that you can not dine with us this evening, and
+ that you are positively obliged to leave here. This letter has unsettled
+ all my plans. I had intended, this evening&mdash;of course with the
+ permission of my sister and brother-in-law&mdash;I had intended, after
+ dinner, to take you into the park, to seat myself with you on a bench; I
+ was childish enough to choose the place beforehand.&rdquo;
+ </p>
+ <p>
+ &ldquo;There I should have delivered a little speech, well prepared, well
+ studied, almost learned by heart, for since your departure I have scarcely
+ thought of anything else; I repeat it to myself from morning to night.
+ That is what I had proposed to do, and you understand that your letter
+ caused me much embarrassment. I reflected a little, and thought that if I
+ addressed my little speech to your godfather it would be almost the same
+ as if I addressed it to you. So I have come, Monsieur le Cure, to beg you
+ to listen to me.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will listen to you, Miss Percival,&rdquo; stammered the Abbe.
+ </p>
+ <p>
+ &ldquo;I am rich, Monsieur le Cure, I am very rich, and to speak frankly I love
+ my wealth very much-yes, very much. To it I owe the luxury which surrounds
+ me, luxury which, I acknowledge&mdash;it is a confession&mdash;is by no
+ means disagreeable to me. My excuse is that I am still very young; it will
+ perhaps pass as I grow older, but of that I am not very sure. I have
+ another excuse; it is, that if I love money a little for the pleasure that
+ it procures me, I love it still more for the good which it allows me to
+ do. I love it&mdash;selfishly, if you like&mdash;for the joy of giving,
+ but I think that my fortune is not very badly placed in my hands. Well,
+ Monsieur le Cure, in the same way that you have the care of souls, it
+ seems that I have the care of money. I have always thought, &lsquo;I wish, above
+ all things, that my husband should be worthy of sharing this great
+ fortune. I wish to be very sure that he will make a good use of it with me
+ while I am here, and after me, if I must leave this world first.&rsquo; I
+ thought of another thing; I thought, &lsquo;He who will be my husband must be
+ some one I can love!&rsquo; And now, Monsieur le Cure, this is where my
+ confession really begins. There is a man, who for the last two months, has
+ done all he can to conceal from me that he loves me; but I do not doubt
+ that this man loves me. You do love me, Jean?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Jean, in a low voice, his eyes cast down, looking like a
+ criminal, &ldquo;I do love you!&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew it very well, but I wanted to hear you say it, and now I entreat
+ you, do not utter a single word. Any words of yours would be useless,
+ would disturb me, would prevent me from going straight to my aim, and
+ telling you what I positively intend to say. Promise me to stay there,
+ sitting still, without moving, without speaking. You promise me?&rdquo;
+ </p>
+ <p>
+ &ldquo;I promise you.&rdquo;
+ </p>
+ <p>
+ Bettina, as she went on speaking, began to lose a little of her
+ confidence, her voice trembled slightly. She continued, however, with a
+ gayety that was a little forced:
+ </p>
+ <p>
+ &ldquo;Monsieur le Cure, I do not blame you for what has happened, yet all this
+ is a little your fault.&rdquo;
+ </p>
+ <p>
+ &ldquo;My fault!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! do not speak, not even you. Yes, I repeat it, your fault. I am
+ certain that you have spoken well of me to Jean, much too well. Perhaps,
+ without that, he would not have thought&mdash;And at the same time you
+ have spoken very well of him to me. Not too well&mdash;no, no&mdash;but
+ yet very well! Then, I had so much confidence in you, that I began to look
+ at him, and examine, him with a little more attention. I began to compare
+ him with those who, during the last year, had asked my hand. It seemed to
+ me that he was in every respect superior to them.
+ </p>
+ <p>
+ &ldquo;At last, it happened, on a certain day, or rather on a certain
+ evening-three weeks ago, the evening before you left here, Jean&mdash;I
+ discovered that I loved you. Yes, Jean, I love you! I entreat you, do not
+ speak; stay where you are; do not come near me.
+ </p>
+ <p>
+ &ldquo;Before I came here, I thought I had supplied myself with a good stock of
+ courage, but you see I have no longer my fine composure of a minute ago.
+ But I have still something to tell you, and the most important of all.
+ Jean, listen to me well; I do not wish for a reply torn from your emotion;
+ I know that you love me. If you marry me, I do not wish it to be only for
+ love; I wish it to be also for reason. During the fortnight before you
+ left here, you took so much pains to avoid me, to escape any conversation,
+ that I have not been able to show myself to you as I am. Perhaps there are
+ in me certain qualities which you do not suspect.
+ </p>
+ <p>
+ &ldquo;Jean, I know what you are, I know to what I should bind myself in
+ marrying you, and I should be for you not only the loving and tender
+ woman, but the courageous and constant wife. I know your entire life; your
+ godfather has related it to me. I know why you became a soldier; I know
+ what duties, what sacrifices, the future may demand from you. Jean, do not
+ suppose that I shall turn you from any of these duties, from any of these
+ sacrifices. If I could be disappointed with you for anything, it would be,
+ perhaps, for this thought&mdash;oh, you must have had it!&mdash;that I
+ should wish you free, and quite my own, that I should ask you to abandon
+ your career. Never! never! Understand well, I shall never ask such a thing
+ of you.
+ </p>
+ <p>
+ &ldquo;A young girl whom I know did that when she married, and she did wrong. I
+ love you, and I wish you to be just what you are. It is because you live
+ differently from, and better than, those who have before desired me for a
+ wife, that I desire you for a husband. I should love you less&mdash;perhaps
+ I should not love you at all, though that would be very difficult&mdash;if
+ you were to begin to live as all those live whom I would not have. When I
+ can follow you, I will follow you; wherever you are will be my duty,
+ wherever you are will be my happiness. And if the day comes when you can
+ not take me, the day when you must go alone, well! Jean, on that day, I
+ promise you to be brave, and not take your courage from you.
+ </p>
+ <p>
+ &ldquo;And now, Monsieur le Cure, it is not to him, it is to you that I am
+ speaking; I want you to answer me, not him. Tell me, if he loves me, and
+ feels me worthy of his love, would it be just to make me expiate so
+ severely the fortune that I possess? Tell me, should he not agree to be my
+ husband?&rdquo;
+ </p>
+ <p>
+ &ldquo;Jean,&rdquo; said the old priest, gravely, &ldquo;marry her. It is your duty, and it
+ will be your happiness!&rdquo;
+ </p>
+ <p>
+ Jean approached Bettina, took her in his arms, and pressed upon her brow
+ the first kiss.
+ </p>
+ <p>
+ Bettina gently freed herself, and addressing the Abbe, said:
+ </p>
+ <p>
+ &ldquo;And now, Monsieur l&rsquo;Abbe, I have still one thing to ask you. I wish&mdash;I
+ wish&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You wish?&rdquo;
+ </p>
+ <p>
+ &ldquo;Pray, Monsieur le Cure, embrace me, too.&rdquo;
+ </p>
+ <p>
+ The old priest kissed her paternally on both cheeks, and then Bettina
+ continued:
+ </p>
+ <p>
+ &ldquo;You have often told me, Monsieur le Cure, that Jean was almost like your
+ own son, and I shall be almost like your own daughter, shall I not? So you
+ will have two children, that is all.&rdquo;
+ </p>
+<pre xml:space="preserve">
+ ...........................
+</pre>
+ <p>
+ A month after, on the 12th of September, at mid-day, Bettina, in the
+ simplest of wedding-gowns, entered the church of Longueval, while, placed
+ behind the altar, the trumpets of the 9th Artillery rang joyously through
+ the arches of the old church.
+ </p>
+ <p>
+ Nancy Turner had begged for the honor of playing the organ on this solemn
+ occasion, for the poor little harmonium had disappeared; an organ, with
+ resplendent pipes, rose in the gallery of the church&mdash;it was Miss
+ Percival&rsquo;s wedding present to the Abbe Constantin.
+ </p>
+ <p>
+ The old Cure said mass, Jean and Bettina knelt before him, he pronounced
+ the benediction, and then remained for some moments in prayer, his arms
+ extended, calling down, with his whole soul, the blessings of Heaven on
+ his two children.
+ </p>
+ <p>
+ Then floated from the organ the same reverie of Chopin&rsquo;s which Bettina had
+ played the first time that she had entered that little village church,
+ where was to be consecrated the happiness of her life.
+ </p>
+ <p>
+ And this time it was Bettina who wept.
+ </p>
+<pre xml:space="preserve">
+ ETEXT EDITOR&rsquo;S BOOKMARKS:
+
+ Ancient pillars of stone, embrowned and gnawed by time
+ And they are shoulders which ought to be seen
+ Believing themselves irresistible
+ But she will give me nothing but money
+ Duty, simply accepted and simply discharged
+ Frenchman has only one real luxury&mdash;his revolutions
+ God may have sent him to purgatory just for form&rsquo;s sake
+ Great difference between dearly and very much
+ Had not told all&mdash;one never does tell all
+ He led the brilliant and miserable existence of the unoccupied
+ If there is one! (a paradise)
+ In order to make money, the first thing is to have no need of it
+ Love and tranquillity seldom dwell at peace in the same heart
+ Never foolish to spend money. The folly lies in keeping it
+ Often been compared to Eugene Sue, but his touch is lighter
+ One half of his life belonged to the poor
+ One may think of marrying, but one ought not to try to marry
+ Succeeded in wearying him by her importunities and tenderness
+ The women have enough religion for the men
+ The history of good people is often monotonous or painful
+ To learn to obey is the only way of learning to command
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+End of Project Gutenberg&rsquo;s L&rsquo;Abbe Constantin, Complete, by Ludovic Halevy
+
+*** END OF THIS PROJECT GUTENBERG EBOOK L&rsquo;ABBE CONSTANTIN, COMPLETE ***
+
+***** This file should be named 3957-h.htm or 3957-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/9/5/3957/
+
+Produced by David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+</pre>
+ <p>
+ <br /><br /><br /><br />
+ </p>
+ </body>
+</html>