diff options
Diffstat (limited to '38906-h')
| -rw-r--r-- | 38906-h/38906-h.htm | 1018 | ||||
| -rw-r--r-- | 38906-h/images/cover.png | bin | 0 -> 512778 bytes |
2 files changed, 1018 insertions, 0 deletions
diff --git a/38906-h/38906-h.htm b/38906-h/38906-h.htm new file mode 100644 index 0000000..4eb132c --- /dev/null +++ b/38906-h/38906-h.htm @@ -0,0 +1,1018 @@ + + +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of Address of Welcome by Wilson Mccandless, and Reply by John Quincy Adams. + </title> + <style type="text/css"> + +body { + margin-left: 10%; + margin-right: 10%; + } + +h2 { + margin-top: 4%; + text-indent: 0%; + text-align: center; + clear: both; +} + +/* paragraphs */ + +p { + margin-top: 3%; + margin-bottom: 3%; + text-align: justify; +} /* general paragraph */ + +p.h2a { + text-indent: 0%; + text-align: center; + font-size: 150%; + font-weight: bold; +} /* h2 type without top margin */ + +p.indent { + text-indent: 4%; +} /* indented paragraph */ + +/* horizontal rules */ + +hr { + width: 33%; + margin-top: 8%; + margin-bottom: 8%; + margin-left: auto; + margin-right: auto; + clear: both; +} + +.hr2 +{ + width: 90%; + max-width: 90%; + color: #CCCCCC; + background-color: #FFFFFF; + border: none; + border-bottom: 6px double black; + margin: 8% auto; +} /* horizontal rule for chapter divisions */ + +/* tables */ + +.pagenum { + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; +} /* page numbers */ + +.center { + text-indent: 0%; + text-align: center; +} + +.right {text-align: right;} + +.smcap {font-variant: small-caps;} + +/* Links attributes */ + +a:link { color:#000000; text-decoration: none; border-bottom: 1px dashed #808080;} + +a:visited { color:#25383C; text-decoration: none; border-bottom: 1px dashed #808080;} + +a:hover { color:#008000; text-decoration: none; border-bottom: 1px dashed #808080;} + +a:active { color:#000000; text-decoration: none; border-bottom: 1px dashed #808080;} + +ins {text-decoration: none; border-bottom: 1px dashed #dcdcdc;} + +/* Images */ + +img { + padding: 6px; +} /* without border */ + +.figcenter { + margin: auto; + text-align: center; +} + +/* Poetry */ +.poem { + margin-left:10%; + margin-right:10%; + text-align: left; +} + +.poem .stanza {margin: 4% 0% 4% 0%;} + +.poem span.i0 { + display: block; + margin-left: 0%; + padding-left: 12%; + text-indent: -12%; +} + +.poem span.i2 { + display: block; + margin-left: 8%; + padding-left: 12%; + text-indent: -12%; +} + +.poem span.i4 { + display: block; + margin-left: 16%; + padding-left: 12%; + text-indent: -12%; +} + + + </style> +</head> + +<body> + + +<pre> + +The Project Gutenberg EBook of Ex-President John Quincy Adams in Pittsburgh, by +Wilson McCandless and John Quincy Adams + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Ex-President John Quincy Adams in Pittsburgh + Address of Welcome, by Wilson McCandless, and Mr. Adams + Reply; together with a letter from Mr. Adams Relative to + Judge Brackenridge's "Modern Chivalry." + +Author: Wilson McCandless + John Quincy Adams + +Release Date: February 17, 2012 [EBook #38906] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK JOHN QUINCY ADAMS IN PITTSBURGH *** + + + + +Produced by Charlene Taylor, Ernest Schaal, and the Online +Distributed Proofreading Team at https://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/American Libraries.) + + + + + + +</pre> + + +<div class="figcenter" style="width: 502px;"> <img class="border" src="images/cover.png" width="502" height="700" alt="Ex-President John Quincy Adams +in Pittsburgh in 1843. + +ADDRESS OF WELCOME, + +BY +WILSON McCANDLESS, + +AND + +MR. ADAMS' REPLY; + +TOGETHER WITH + +A LETTER FROM MR. ADAMS RELATIVE TO JUDGE +BRACKENRIDGE'S "MODERN CHIVALRY + +PUBLISHED BY REQUEST. + +PITTSBURGH: +Printed by Bakewell & Marthens, 71 Grant Street. +1873." title="Ex-President John Quincy Adams +in Pittsburgh in 1843. + +ADDRESS OF WELCOME, + +BY +WILSON McCANDLESS, + +AND + +MR. ADAMS' REPLY; + +TOGETHER WITH + +A LETTER FROM MR. ADAMS RELATIVE TO JUDGE +BRACKENRIDGE'S "MODERN CHIVALRY + +PUBLISHED BY REQUEST. + +PITTSBURGH: +Printed by Bakewell & Marthens, 71 Grant Street. +1873." /> +</div> + +<hr class="hr2" /> + +<h2>ADDRESS OF WELCOME.</h2> + +<hr /> + +<p><span class="smcap">Mr. Adams</span>:</p> + +<p class="indent">I have been deputed by my fellow-citizens, +of <i>all parties</i>, to bid you a hearty welcome to this +city. I have been directed, Sir, to tender to you the +hospitalities of the people, and of the corporate +authorities of this, and of our young, but flourishing, +sister of Allegheny.</p> + +<p class="indent">We have not strewed flowers in your path, nor +erected triumphal arches at your approach, but greet +you with the homage of grateful hearts, as evinced in +this spontaneous outpouring of the people. Here, +Sir, is the token of that universal regard in which +you are held by the free citizens of this great country. +And here, Sir, you have the reward for a long life of +meritorious public service.</p> + +<p class="indent">What can be more endearing to the heart of the +patriot, than this exhibition of public sentiment; +than this manifestation of love for your person, and +admiration for your exalted talents and virtues. Like +the son of Marcus Cato, you have been a foe to tyrants, +<span class="pagenum"><a name="page04" id="page04"></a>[pg 4]</span> +and your country's friend, and that country +now tenders to you the tribute of her affection and +gratitude.</p> + +<p class="indent">You seem, Sir, "like the aged oak, standing alone +on the plain, which time has spared a little longer, +after all its cotemporaries have been levelled with +the dust," but the people delight to gather round the +venerable trunk, and dwell beneath the shadow of its +yet green foliage.</p> + +<p class="indent">Associated as you have been with the <span class="smcap">Father of +his Country</span>, partaking largely of his confidence, and +deeply imbued with the lofty patriotism of his character, +it must be gratifying to you, to visit this, the +theatre of his earliest achievements.</p> + +<p class="indent">Here, standing on the portals of the Mississippi +valley, his prophetic eye reaching far into futurity, +he saw the materials for that great empire, with its +teeming millions, that now revere and venerate his +name. Here it was that Providence thrice spared +his invaluable life. Once, on the Venango path, +when the rifle of the warrior flashed in the pan. +Again, when his frail raft gave way, and he was precipitated +amid ice and snow, and the raging of +the elements, into the rapid waters of the Allegheny. +And again, on the shores of the Monongahela, +when Braddock, and Halket, and Peyronney +fell, by the deadly aim of the French and Indians. +Two horses shot under him, his clothes perforated +with bullets, himself a bright and shining mark, yet +<span class="pagenum"><a name="page05" id="page05"></a>[pg 5]</span> +the leaden messengers were turned aside by an invisible +Hand, and he was saved to lead the armies of his +country to victory, and to lay deep that precious +corner-stone of civil polity, that has no parallel in the +history of the world.</p> + +<p class="indent">Here it was that in the wigwams, and partaking of +the hospitality of King Shingiss and Queen Allaquippa, +his heart imbibed that warm and active +benevolence for the sons of the forest, that was +so conspicuous in his subsequent administration of +the government.</p> + +<p class="indent">Here it was that the influence of his great <span class="smcap">name</span> +suppressed an insurrection that threatened to sap the +foundation of our beautiful political edifice. And +here, Sir, he has a monument in the affection of his +countrymen more durable than brass or marble, and +which will remain steadfast, as long as the rippling +current of the Ohio flows on to the bosom of the +Father of waters.</p> + +<p class="indent">In 1798, the first armed vessel that ever floated on +the western waters was constructed here under the +direction of a Revolutionary officer. She was a row-galley, +mounting a solitary gun, and was intended to +protect our infant trade with that splendid domain +afterwards acquired to the Union by the wisdom +and foresight of your illustrious friend and cotemporary, +<span class="smcap">Mr. Jefferson</span>.</p> + +<p class="indent">The name of that vessel was the <span class="smcap">John Adams</span>, +And, if tradition is to be credited, after performing +<span class="pagenum"><a name="page06" id="page06"></a>[pg 6]</span> +duty here, she hoisted sails, entered the peaceful pursuits +of commerce, crossed the Atlantic, passed the +straits of Gibraltar, wended her way up the Mediterranean, +threaded the Archipelago, and penetrated +to the Dardanelles on the borders of Asia Minor; +thus carrying on her prow into the very bosom of a +despotic country, the name of one of the honored +actors in the great struggle for Republican liberty.</p> + +<p class="indent">Look at the contrast now! Instead of the barge, +and the row-galley, our skilful mechanics in 1843 +completed, on the very bastions of old Fort Duquesne, +an iron ship of war that is to carry on the Northern +Lakes the stars and stripes of our beloved country—and +a frigate is now in progress of construction, +which with her "<i>iron sides</i>," is destined to defend the +honor of the American name "in every sea under the +whole heavens."</p> + +<p class="indent">When your venerated Sire, with burning zeal, proclaimed +independence <i>now</i>, independence <i>forever</i>; +when, with heroic and inflexible resolution, he signed +his name to the great charter of our liberty, the place +on which you now stand was a barren and unproductive +forest. Now,</p> + +<div class="poem"> +<div class="stanza"> +<span class="i4">"As the swollen column of ascending smoke,"</span> +</div> +</div> + +<p>so swells her grandeur. From a thousand chimneys +are emitted the living evidences of her prosperity. +The flaming fire, the busy hammer, the revolving +roller, all give daily, hourly proof of her rapid advancement. +Here the rough misshapen elements of +<span class="pagenum"><a name="page07" id="page07"></a>[pg 7]</span> +nature are formed and moulded to suit the purposes +of man. Here machines to mitigate the toil of the +laborer, and to facilitate intercourse between the +States, are made with a skill unsurpassed even by the +old world. Here the anchor is forged to give security +and protection to the weather-beaten mariner. +Here the shovel and the mattock, the plough and the +harrow, go forth to ease the labors of the husbandman. +And here the naked are clothed and the +hungry fed, by the evolution of machinery "and the +potent agency of steam."</p> + +<p class="indent">To what are we indebted for all these blessings? +Since the war of the Revolution, to that wise <span class="smcap">TARIFF</span> +policy by which you were regulated when at the head +of the government, and as chairman of the Committee +on Manufactures in the Congress of the United +States. No base subserviency to Foreign Powers dictated +your course, but a manly and determined support +of the true interests of the country, by the protection +of its industry, and by a proper reciprocity +of countervailing restrictions.</p> + +<p class="indent">We thank you, Sir—we thank you with the truest +friendship and the deepest sincerity.</p> + +<p class="indent">We honor you for the lustre you have shed on all +the high places it has been your good fortune to +occupy—we praise you for that sublimest virtue which +shines in all your actions—we see in your brow that +undaunted valor which renders you inexorably firm in +the discharge of all your public duties, and in your +<span class="pagenum"><a name="page08" id="page08"></a>[pg 8]</span> +eye "that inextinguishable spark, that fires the souls +of patriots."</p> + +<p class="indent">Great and good Citizen! Venerable and Venerated +Man! Panegyric or Eulogy, now, or hereafter, +cannot add one cubit to your stature. Live on—live +on, in honor and in glory—and when "this corruptible +<i>does</i> put on incorruption, and this mortal, +immortality," I pray God that it may be in the calm +serenity of that summer's evening, when bonfires and +illuminations light up the land, in commemoration of +that glorious <span class="smcap">INDEPENDENCE</span>, to the achievement of +which your illustrious <span class="smcap">FATHER</span> so largely, so eminently +contributed.</p> + +<hr class="hr2" /> + +<h2>MR. ADAMS' REPLY.</h2> + +<p><span class="smcap">Fellow-Citizens</span>:</p> + +<p class="indent">Before I attempt to address you, and to +respond to the eloquent discourse pronounced under +circumstances so unauspicious to eloquence, I must +apologize for my appearance before you.</p> + +<p class="indent">I had expected to have had the honor of meeting +you on this day and at this time; and arrangements +were made to render it convenient to yourselves, but +it so happened that the bark on which we had taken +our passage, as if anxious to arrive at the end of her +voyage, and partaking of my feelings, arrived before +the time, when your preparations to receive me were +not completed. My appearance was, therefore, accidental +and unexpected, and as my apology, I would +remind you of the saying of the great Poet of Nature, +Shakespeare, who says:</p> + +<div class="poem"> +<div class="stanza"> +<span class="i4">"Lovers break not hours,</span><br /> +<span class="i2">Except it be to come before their time."</span> +</div> +</div> + +<p class="indent">If the lover is privileged to "break hours" and +"come before his time," I trust you will accept it as +<span class="pagenum"><a name="page10" id="page10"></a>[pg 10]</span> +my excuse, and impute it to the ardor of a lover +desiring to see the beloved of his soul.</p> + +<p class="indent">Fellow citizens! I had motives of the most cogent +nature to inspire me with that feeling, in times past—I +trust forever—when my position was anything +but what I find it now—at a time when I was in a +position of difficulty and danger, I had the gratification +to receive testimonials of regard, respect and +sympathy from the citizens of Pittsburgh, beyond +what I received from any other portion of the United +States, my own constituents and the city of Rochester +alone excepted. I shall always entertain a feeling +of gratitude, belonging to the nature of man, +towards the citizens of Pittsburgh, for their attention +and sympathy on that trying occasion. I had never +flattered myself with the expectation or hope that it +should be in my power to personally return them +those thanks which were due; but they were indelibly +impressed upon my heart—and it is owing +rather to accidental circumstances that I now enjoy +that satisfaction.</p> + +<p class="indent">During the last summer, I received an invitation +to visit a western city, to perform an act solely connected +with the promotion of science, and totally +separated from politics—I came for the purpose of +lending my aid to an object for the advancement and +promotion of the happiness of man on earth—for the +advancement of knowledge, for which I hope all parties +are equally zealous—the laying of the corner-stone +<span class="pagenum"><a name="page11" id="page11"></a>[pg 11]</span> +for an Astronomical Observatory at Cincinnati. I accepted +it, and scarcely had it become publicly known, +till I saw in the public papers a call from some of my +personal friends in this city, to visit and be received +by them on my way to or from the point of my destination. +This reached my ears as coming from personal +friends; by personal friends I mean those who, during +a long life, have approved of my political course +and actions. Of personal friends, strictly speaking, +I have but few among your number—there are few +in your city with whom I have had the honor of a +personal acquaintance. For this expression of confidence +and this invitation, I felt that gratitude was +due from me.</p> + +<p class="indent">But scarcely was that invitation consummated till +a still more comprehensive one, from the citizens of +all the political parties, was given to me. This was +an honor which has never been extended to me before, +and I am not aware that it has been to any +other—it forms an epoch in our history's history, +and if in any thing I can foresee the voice of posterity, +it is in that!</p> + +<p class="indent">In compliance with these invitations, and particularly +the last, I now appear before you. I had intended +to advert to some topics of general interest, +and to the principles which have governed my +course of conduct heretofore, but leaving them to the +judgment of all, and avoiding any thing calculated +to offend any;—but time will not allow, and the circumstances +<span class="pagenum"><a name="page12" id="page12"></a>[pg 12]</span> +are such that I cannot think of detaining +you here. I must therefore request you simply +to receive the effusions of gratitude from my breast, +applied to each and every one of you. I hope you +will consider those remarks which I intended to have +made, as indicative of the desire which I felt to repay +you in some manner for your attentions towards +me; and I trust that the blessings of a bounteous +Providence may rest upon you individually, and that +the almighty Ruler of the Universe may render +your course, as a community, glorious and happy +hereafter, as it has been honorable heretofore!</p> + +<hr class="hr2" /> + +<h2>CORRESPONDENCE.</h2> + +<p class="right"><span class="smcap">Pittsburgh</span>, March 29, 1847.</p> + +<p><span class="smcap">Hon. John Quincy Adams</span>,</p> + +<p class="center"><i>Washington City, D. C.</i>,</p> + +<p class="indent"><span class="smcap">Dear Sir</span>: A day or two after I had the honor of +addressing you at the instance of the citizens of +Pittsburgh and Allegheny, I met you at the hospitable +table of Col. Robinson. To me, and to all +around, the conversation was most entertaining. All +the leading incidents connected with the history of +Western Pennsylvania, from the Whiskey Insurrection +down, seemed to be as familiar to you as to any +native to the "manor born." I recollect well your +inquiries relating to the honored widow of the author +of "Modern Chivalry," and how animated you were +in speaking of Captain Farrago and Teague O'Regan. +Cervantes would have laughed and rejoiced at +your association of these western heroes with his +own, and the author felt complimented with your +favorable criticism of a work which he never expected +to reach a second edition.</p> + +<p class="indent">Perusing a reprint of the work this evening, it +occurred to me that you might be amused in reading +<span class="pagenum"><a name="page14" id="page14"></a>[pg 14]</span> +it, and I have therefore taken the liberty of enclosing +it.</p> + +<p class="indent">Trusting that your health is much improved and +that it will continue so,</p> + +<div class="poem"> +<div class="stanza"> +<span class="i2">I have the honor to be,</span><br /> +<span class="i0">with the most profound regard,</span><br /> +<span class="i4">your obedient servant,</span><br /> +<span class="i4">WILSON McCANDLESS</span> +</div> +</div> + +<hr class="hr2" /> + +<p><span class="pagenum"><a name="page15" id="page15"></a>[pg 15]</span></p> + +<p class="right"><span class="smcap">Washington</span>, 1st April, 1847.</p> + +<p><span class="smcap">Wilson McCandless, Esq.</span>,</p> + +<p class="center"><i>Pittsburgh</i>, <i>Pennsylvania</i>.</p> + +<p class="indent"><span class="smcap">Dear Sir</span>: I cannot lose a moment before acknowledging +the receipt of your letter of the 29th +ult., and of the valuable present which accompanies +it—the two volumes of the new edition of Judge H. +H. Brackenridge's "Modern Chivalry, or the Adventures +of Captain Farrago and Teague O'Regan." +My visit to Pittsburgh in 1843, and my intercourse +with yourself, with the citizens of that place and +Allegheny, at that time, afford me some of the most +pleasing recollections of my life, grateful recollections +of my obligations to yourself and them.</p> + +<p class="indent">I had read the first part of Modern Chivalry and +formed a pleasant acquaintance with Captain Farrago +and his man Teague, at their first appearance +more than half a century since, and they had then +excited much of my attention as illustrations of life +and manners peculiar to the times and localities, not +entirely effaced when I became more familiarly acquainted +with them, by this visit to the latter.</p> + +<p class="indent">Captain Farrago and Teague O'Regan are legitimate +descendants, on one side from the La Mancha +and his squire Sancho, on the other, from Sir Hudibras +and his man Ralph, and if not primitive conceptions +themselves, are at least as lineal in their +descent as the pious Æneas from the impetuous and +vindictive son of Pelias.</p> + +<p class="indent"><span class="pagenum"><a name="page16" id="page16"></a>[pg 16]</span> +The reappearance of this work, as a second edition, +since the author's death, more than half a century +after its first publication, well warrants the prediction +that it will last beyond the period fixed by the +ancient statutes, for the canonization of poets, a full +century. I shall read it over again, I have no doubt, +with a refreshing revival of the pleasure with which +I greeted it on its first appearance; and if this expression +of my opinion can give any satisfaction to +the remaining relatives of Judge Brackenridge, or +to yourself, it is entirely at your disposal, being +with a vivid sense and grateful remembrance of your +kindness, and that of my fellow-citizens of Pittsburgh +and Allegheny,</p> + +<p class="right">Your friend and obedient servant,</p> + +<p class="right">J. Q. ADAMS.</p> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Ex-President John Quincy Adams in +Pittsburgh, by Wilson McCandless and John Quincy Adams + +*** END OF THIS PROJECT GUTENBERG EBOOK JOHN QUINCY ADAMS IN PITTSBURGH *** + +***** This file should be named 38906-h.htm or 38906-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/8/9/0/38906/ + +Produced by Charlene Taylor, Ernest Schaal, and the Online +Distributed Proofreading Team at https://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/American Libraries.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> + + diff --git a/38906-h/images/cover.png b/38906-h/images/cover.png Binary files differnew file mode 100644 index 0000000..7059940 --- /dev/null +++ b/38906-h/images/cover.png |
