summaryrefslogtreecommitdiff
path: root/38839.txt
diff options
context:
space:
mode:
Diffstat (limited to '38839.txt')
-rw-r--r--38839.txt3572
1 files changed, 3572 insertions, 0 deletions
diff --git a/38839.txt b/38839.txt
new file mode 100644
index 0000000..a3ff097
--- /dev/null
+++ b/38839.txt
@@ -0,0 +1,3572 @@
+The Project Gutenberg EBook of A Little Book of Old Time Verse, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: A Little Book of Old Time Verse
+ Old Fashioned Flowers
+
+Author: Various
+
+Editor: Gladys Sidney Crouch
+
+Release Date: February 12, 2012 [EBook #38839]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A LITTLE BOOK OF OLD TIME VERSE ***
+
+
+
+
+Produced by Al Haines
+
+
+
+
+
+
+
+
+
+
+[Illustration: Front cover]
+
+
+
+
+
+A Little Book of
+
+Old Time Verse
+
+
+Old-fashioned Flowers
+
+Gathered by
+
+
+Gladys Sidney Crouch
+
+
+
+
+Published by
+
+P. F. Volland Company
+
+NEW YORK CHICAGO TORONTO
+
+
+
+
+Copyright, 1917
+
+P. F. Volland Company
+
+Chicago
+
+
+
+
+_To My Father_
+
+That the verses in this little book will bring back sweet memories of
+the long ago to every reader, as they do to me, is the earnest wish of
+the humble gatherer of these old-fashioned flowers. _G. S. C._
+
+
+
+
+CHRONOLOGICAL INDEX OF AUTHORS
+
+
+_Sir Edward Dyer_. (Born 1550--Died 1607.)
+ To Phyllis, the Fair Shepherdess
+
+_Sir Philip Sidney_. (Born 1554--Died 1586.)
+ A Ditty
+
+_John Lyly_. (Born 1554--Died 1606.)
+ Appelles' Song
+
+_Thomas Lodge_. (Born 1556--Died 1625.)
+ Love's Wantonness
+
+_Thomas Campion_. (Born (unknown)--Died 1619.)
+ Thrice toss these oaken ashes in the air
+ Come, O come, my life's delight
+
+_Robert Green_. (Born 1560--Died 1592.)
+ Content
+
+_Christopher Marlowe_. (Born 1562--Died 1593.)
+ The Passionate Shepherd to His Love
+
+_William Shakespeare_. (Born 1564--Died 1616.)
+ O Mistress Mine, Where are you Roaming
+
+_Ben Jonson_. (Born 1573--Died 1637.)
+ To Celia
+
+_John Donne_. (Born 1573--Died 1631.)
+ Song
+
+_Francis Beaumont_. (Born 1584--Died 1610.)
+ Fie on Love
+
+_George Wither_. (Born 1588--Died 1667.)
+ The Author's Resolution in a Sonnet
+
+_Thomas Carew_. (Born 1589--Died 1639.)
+ Song
+ A Fragment
+ Truce in Love Entreated
+ Phillida Flouts Me
+
+_Robert Herrick_. (Born 1591--Died 1674.)
+ A Hymn to Love
+ To Anthea
+ To Daffodils
+ To Electra
+ To his Mistress
+ To his Mistress, Objecting to his Neither Toying nor Talking
+ To the Virgins, to make much of Time
+
+_Henry King_. (Born 1592--Died 1669.)
+ On the Life of Man
+
+_Thomas Bateson_. (Born 1600--Died (no record).)
+ Her hair the net of golden wire
+
+_Sir William D'Avenant_. (Born 1605--Died 1668.)
+ The Lark now Leaves his Watr'y Nest
+
+_Edmund Waller_. (Born 1605--Died 1687.)
+ Song: Go Lovely Rose
+ Song to Flavia
+
+_Sir John Suckling_. (Born 1609--Died 1641.)
+ Why so pale and wan, fond lover
+ Song: O pr'y thee send me back my heart
+ The Constant Lover
+
+_Richard Lovelace_. (Born 1618--Died 1658.)
+ Stone walls do not a prison make
+ To Althea, from Prison
+ To Lucasta, on going to the wars
+
+_Thomas Stanley_. (Born 1625--Died 1678.)
+ Speaking and Kissing
+
+_Walter Porter_. (Born (no record)--Died 1649.)
+ Love in thy youth, fair maid, be wise
+
+_George Granville_ (Lord Lansdowne). (Born 1668--Died 1735.)
+ Adieu L'Amour
+
+_William Congreve_. (Born 1672--Died 1728.)
+ Song: Though she be false to me and love
+
+_John Oldmixon_. (Born 1673--Died 1742.)
+ Song: I lately vowed but 'twas in haste
+
+_Dr. Isaac Watts_. (Born 1674--Died 1748.)
+ Few Happy Matches
+
+_Aaron Hill_. (Born 1684--Died 1749.)
+ Song: Gentle love, this hour befriend me
+
+_William Somerville_. (Born 1692--Died 1742.)
+ Cupid Mistaken
+ Song: Hard is the fate of him who loves
+ To a discarded toast
+
+_Thomas Walker_. (Born 1698--Died 1743.)
+ Sweet love, I will no more abuse thee
+
+_James Thomson_. (Born 1700--Died 1748.)
+ Unless with my Amanda blest
+
+_George Lyttleton_. (Born 1709--Died 1773.)
+ Song: When Delia on the plain appear
+
+_Edward Moore_. (Born 1711--Died 1757.)
+ Song: How blest has my time been
+
+_John Wilke_. (Born 1727--Died 1797.)
+ Love not me for comely grace
+
+_Robert Burns_. (Born 1759--Died 1796.)
+ Delia
+ My Jean
+ Of A' the Airts the Wind Can Blaw
+ The Bonnie Wee Thing
+
+_Sir Walter Scott_. (Born 1771--Died 1832.)
+ The Truth of Woman
+
+_Samuel Taylor Coleridge_. (Born 1772--Died 1834.)
+ Names
+
+_Walter Savage Landor_. (Born 1775--Died 1864.)
+ The Maid I love ne'er thought of me
+
+_William Stanley Roscoe_. (Born 1782--Died 1841.)
+ To Spring: On the Banks of the Cam
+
+_Leigh Hunt_. (Born 1784--Died 1859.)
+ Jenny Kissed Me
+ The Nun
+
+_Bryan Waller Proctor_. (Born 1787--Died 1874.)
+ Hermione
+
+_George Gordon_ (Lord Byron). (Born 1788--Died 1824.)
+ There be none of Beauty's daughters
+
+_William Cullen-Bryant_. (Born 1794--Died 1878.)
+ The Forest Maid
+
+_George Darley_. (Born 1795--Died 1846.)
+ Love's Likeness
+
+_Hartley Coleridge_. (Born 1796--Died 1849.)
+ Song: She is not fair to outward view
+ To a lofty beauty, from her poor kinsman
+
+_Thomas Hood_. (Born 1798--Died 1845.)
+ Time of Roses
+
+_Sir Henry Taylor_. (Born 1800--Died 1886.)
+ Song: The bee to the heather
+
+_Ralph Waldo Emerson_. (Born 1803--Died 1882.)
+ Days
+
+_James Clarence Mangan_. (Born 1803--Died 1849.)
+ Advice against travel
+
+_Elizabeth Barrett Browning_. (Born 1806--Died 1861.)
+ My Kate
+ Grief
+
+_John Greenleaf Whittier_. (Born 1807--Died 1892.)
+ Memories
+ All's Well
+
+_Oliver Wendell Holmes_. (Born 1809--Died 1894.)
+ There is no friend like an old friend
+
+_Robert Jones_. (Born 1809--Died 1879.)
+ Once did my thoughts both ebb and flow
+
+_Alfred Tennyson_. (Born 1809--Died 1892.)
+ Song from 'The Princess'
+
+_Edgar Allan Poe_. (Born 1809--Died 1849.)
+ To Helen
+
+_Frances Anne Kemble_. (Born 1809--Died 1893.)
+ Faith
+
+_John Stuart Blackie_. (Born 1809--Died 1895.)
+ My Loves
+
+_Robert Browning_. (Born 1812--Died 1889.)
+ Home-Thoughts from Abroad
+
+_Philip James Bailey_. (Born 1816--Died 1902.)
+ My Lady
+
+_Henry David Thoreau_. (Born 1817--Died 1862.)
+ Love
+
+_John Ruskin_. (Born 1819--Died 1900.)
+ Trust thou thy love
+
+_Francis Turner Palgrave_. (Born 1823--Died 1897.)
+ Eutopia
+
+_William Caldwell Roscoe_. (Born 1823--Died 1859.)
+ Spiritual Love
+
+_George Meredith_. (Born 1828--Died 1909.)
+ Lucifer in Starlight
+ Woman
+ Love in the Valley
+
+_Richard Garnett_. (Born 1835--Died 1906.)
+ The Fair Circassian
+
+_Matilda Betham Edwards_. (Born 1836.)
+ A Valentine
+
+_Christina Georgina Rossetti_. (Born 1839--Died 1894.)
+ A Birthday
+ Remember
+
+_John Addington Symonds_. (Born 1840--Died 1893.)
+ Farewell
+
+_Austin Dobson_. (Born 1840.)
+ On a fan that belonged to the Marquis de Pompadour
+ A Rondeau to Ethel
+
+_Thomas Hardy_. (Born 1840.)
+ The Darkling Thrush
+
+_Frederic William Henry Myers_. (Born 1843--Died 1901.)
+ Evanescence
+
+_Robert Louis Stevenson_. (Born 1850--Died 1894.)
+ Wishes
+ Romance
+
+_Francis William Bourdillon_. (Born 1852.)
+ A Violinist
+
+_Edward Cracroft Lefroy_. (Born 1855--Died 1891.)
+ Ageanax
+ A Summer in Old Sicily
+
+_Douglas Brook Wheelton Sladen_. (Born 1856.)
+ Under the Wattle
+
+_William Sharp_. (Born 1856--Died 1902.)
+ On a nightingale in April
+
+_Agnes Mary Frances Duclaux_. (Born 1857.)
+ Then, when all the feasting's done
+
+_Arthur Symons_. (Born 1865.)
+ Rain on the Down
+
+_William Butler Yeats_. (Born 1865.)
+ Down by the Sally Gardens
+ When you are Old
+
+_Richard LeGallienne_. (Born 1866.)
+ Song: She's somewhere in the sunlight strong
+
+_Alfred Noyes_. (Born 1880.)
+ A Japanese Love Song
+
+
+
+
+ INDEX OF FIRST LINES
+
+ A beautiful and happy girl
+
+ Better trust all, and be deceived
+ Bid me to live, and I will live
+ Bonnie wee thing, cannie wee thing
+
+ Calia, confess, 'tis all in vain
+ Chicken skin, delicate, white
+ Choose me your Valentine
+ Come live with me, and be my love
+ Come, O come, my life's delight
+ Cupid and my Campaspe played
+
+ Daughters of Time, the hypocritic Days
+ Dear voyager, a lucky star be thine
+ Down by the sally gardens
+ Drink to me only with thine eyes
+
+ Fair daffodils, we weep to see
+ Fair maid, had I not heard thy baby cries
+ Fair the face of orient day
+ False though she be to me and love
+ Forty Viziers saw I go
+
+ Gather ye rosebuds while ye may
+ Gentle love, this hour befriend me
+ Gods, what a sun! I think the world's aglow
+ Go little book, and wish to all
+ Go, lovely rose
+
+ Hard is the fate of him who loves
+ Helen, thy beauty is to me
+ Here end my chains, and thraldom cease
+ Her hair, the net of golden wire
+ He that loves a rosy cheek
+ How blest has my time been, what days have I known,
+
+ I asked my fair, one happy day
+ I dare not ask a kiss
+ If the quick spirits in your eye
+ If you become a nun, dear
+ I lately vowed, but 'twas in haste
+ I leant upon a coppice gate
+ I loved her for that she was beautiful
+ "In tea-cup times!" The style of dress
+ I pr'y thee send me back my heart
+ I see her in the dewy flowers
+ I saw, I saw the lovely child
+ I tell you, hopeless grief is passionless
+ It is buried and done with
+ It was not in the winter
+ I will confess with cheerfulness
+ I will make your brooches and toys for your delight
+
+ Jenny kissed me when we met
+
+ Like to the falling of the star
+ Love in thy youth, fair maid, be wise
+ Love guides the roses of thy lips
+ Love not me for comely grace
+
+ Maidens kilt your skirts and go
+ My heart is like a singing bird
+ My little pretty one
+ My Phyllis hath the morning sun
+ My true love hath my heart and I have his
+
+ Name the leaves on all the trees
+ Night and the down by the sea
+ No more blind god! for see, my heart
+ No show of bolts and bars
+ Now fie on foolish love, it not befits
+ Now sleeps the crimson petal, now the white
+
+ O fairest of the rural maids!
+ O mark yon Rose-tree! When the West
+ O, Mistress mine, where are you roaming
+ O, to be in England
+ Oh thou that from the green vales of the West
+ Oh, what a plague is love!
+ On a starr'd night. Prince Lucifer uprose
+ Once did my thoughts both ebb and flow
+ Out upon it, I have loved
+ Over the mountains
+
+ Remember me when I am gone away
+
+ Say, mighty love, and teach my song
+ Send home my long stray'd eyes to me
+ Shall I, wasting in despaire
+ She can be as wise as we
+ She is not fair to outward view
+ She's somewhere in the sunlight strong
+ She was not as pretty as women I know
+ Stone walls do not a prison make
+ Sweet are the thoughts that savour of content
+
+ Tell me not, sweet, I am unkind
+ The air which thy smooth voice doth break
+ The bee to the heather
+ The clouds, which rise with thunder, slake
+ The lark above our heads doth know
+ The lark now leaves his wat'ry nest
+ The Maid I love ne'er thought of me
+ The yellow moon is a dancing phantom
+ The young moon is white
+ There be none of beauty's daughters
+ There is a garden where lilies
+ There is no friend like an old friend
+ Though cruel fate should bid us part
+ Thou hast beauty bright and fair
+ Thrice toss these oaken ashes in the air
+ 'Tis not your beauty can engage
+ Traverse not the globe for lore!
+ Trust thou thy Love: if she be proud, is she not sweet?
+
+ Under yonder beech-tree single on the green-sward
+ Unless with my Amanda blest
+
+ Venus whipt Cupid t'other day
+
+ Were the gray clouds not made
+ What care I tho' beauty fading
+ What shall I send my love today
+ When Delia on the plain appears
+ When love, with unconfined wings
+ When you are old and gray and full of sleep
+ Why should not the wattle do?
+ Why so pale and wan, fond lover?
+ Woman's faith, and woman's trust--
+
+ You say I love not, 'cause I do not play
+
+
+
+
+ A LITTLE BOOK OF OLD TIME VERSE
+
+
+
+
+ Love's Wantonness
+
+ Love guides the roses of thy lips,
+ And flies about them like a bee;
+ If I approach he forward skips,
+ And if I kiss he stingeth me.
+
+ Love in thine eyes doth build his bower,
+ And sleeps within their pretty shrine,
+ And if I look the boy will lower,
+ And from their orbs shoot shafts divine.
+ --_Thomas Lodge_
+
+
+
+
+ Song
+
+ Send home my long-stray'd eyes to me,
+ Which, O! too long have dwelt on thee:
+ But if from you they've learnt such ill,
+ To sweetly smile,
+ And then beguile,
+ Keep the deceivers, keep them still.
+
+ Send home my harmless heart again.
+ Which no unworthy thought could stain;
+ But if it has been taught by thine
+ To forfeit both
+ Its word and oath,
+ Keep it, for then 'tis none of mine.
+ --_John Donne, D.D._
+
+
+
+
+ Fie on Love
+
+ Now fie on foolish love, it not befits
+ Or man or woman know it.
+ Love was not meant for people in their wits,
+ And they that fondly show it
+ Betray the straw, and features in their brain,
+ And shall have Bedlam for their pain:
+ If simple love be such a curse,
+ To marry is to make it ten times worse.
+ --_Francis Beaumont_
+
+
+
+
+ A Fragment
+
+ He that loves a rosy cheek,
+ Or a coral lip admires,
+ Or from star-like eyes doth seek
+ Fuel to maintain his fires;
+ As old Time makes these decay,
+ So his flames must waste away.
+
+ But a smooth and steadfast mind,
+ Gentle thoughts and calm desires,
+ Hearts with equal love combined,
+ Kindle never-dying fires;
+ Where these are not, I despise
+ Lovely cheeks, or lips, or eyes.
+ --_Thomas Carew_
+
+
+
+
+ Truce in Love Entreated
+
+ No more, blind god! for see, my heart
+ Is made thy quiver, there remains
+ No void place, for another dart;
+ And, alas! that conquest gains
+ Small praise, that only brings away
+ A tame and unresisting prey.
+
+ Behold a nobler foe, all arm'd,
+ Defies thy weak artillery,
+ That hath thy bow and quiver charm'd;
+ A rebel beauty, conquering thee:
+ If thou dar'st equal combat try,
+ Wound her, for 'tis for her I die.
+ --_Thomas Carew_
+
+
+
+
+ Jenny Kissed Me
+
+ Jenny kiss'd me when we met,
+ Jumping from the chair she sat in;
+ Time, you thief, who love to get
+ Sweets into your list, put that in!
+ Say I'm weary, say I'm sad,
+ Say that health and wealth have miss'd me,
+ Say I'm growing old, but add,
+ Jenny kiss'd me.
+ --_Leigh Hunt_
+
+
+
+
+ A Ditty
+
+ My true love hath my heart, and I have his,
+ By just exchange one for the other given:
+ I hold his dear, and mine he cannot miss,
+ There never was a better bargain driven:
+ My true love hath my heart, and I have his.
+
+ His heart in me, keeps him and me in one,
+ My heart in him, his thought and senses guides;
+ He loves my heart, for once it was his own,
+ I cherish his, because in me it bides:
+ My true love hath my heart, and I have his.
+ --_Sir Phillip Sidney_
+
+
+
+
+ To Electra
+
+ I dare not ask a kiss;
+ I dare not beg a smile;
+ Lest having that, or this,
+ I might grow proud the while.
+
+ No, no, the utmost share
+ Of my desire shall be,
+ Only to kiss that air
+ That lately kissed thee.
+ --_Robert Herrick_
+
+
+
+
+ To Phyllis, the Fair Shepherdess
+
+ My Phyllis hath the morning sun
+ At first to look upon her:
+ And Phyllis hath morn-waking birds
+ Her rising still to honour.
+ My Phyllis hath prime feathered flowers
+ That smile when she treads on them:
+ And Phyllis hath a gallant flock
+ That leaps since she doth own them.
+ But Phyllis hath too hard a heart,
+ Alas, that she should have it!
+ It yields no mercy to desert
+ Nor peace to those that crave it.
+ Sweet Sun, when thou look'st on,
+ Pray her regard my moan!
+ Sweet birds, when you sing to her.
+ To yield some pity woo her!
+ Sweet flowers, that she treads on,
+ Tell her, her beauty dreads one;
+ And if in life her love she'll not agree me.
+ Pray her before I die, she will come see me.
+ --_Sir Edward Dyer_
+
+
+
+
+ The Passionate Shepherd to His Love
+
+ Come live with me and be my love,
+ And we will all the pleasures prove
+ That valleys, groves, and hills, and fields,
+ Woods or steepy mountain yields.
+
+ And we will sit upon the rocks,
+ Seeing the shepherds feed their flocks
+ By shallow rivers, to whose falls
+ Melodious birds sing madrigals.
+
+ And I will make thee beds of roses,
+ And a thousand fragrant posies:
+ A cap of flowers, and a kirtle,
+ Embroider'd all with leaves of myrtle.
+
+ A gown made of the finest wool,
+ Which from our pretty lambs we'll pull;
+ Fair lined slippers for the cold,
+ With buckles of the purest gold.
+
+ A belt of straw and ivy buds,
+ With coral clasps and amber studs:
+ And if these pleasures may thee move,
+ Come live with me and be my love.
+ The shepherd swains shall dance and sing
+ For thy delight each May morning.
+ If these delights thy mind may move,
+ Come live with me and be my love.
+ --_Christopher Marlowe_
+
+
+
+
+ Content
+
+ Sweet are the thoughts that savour of content,
+ The quiet mind is richer than a crown,
+ Sweet are the nights in careless slumber spent,
+ The poor estate scorns fortune's angry frown;
+ Such sweet content, such minds, such sleep, such bliss,
+ Beggars enjoy, when princess oft do miss.
+
+ The homely house that harbours quiet rest,
+ The cottage that affords no pride nor care,
+ The mean that 'grees with country music best,
+ The sweet consort of mirth and modest fare,
+ Obscured life sets down a type of bliss;
+ A mind content both crown and kingdom is.
+ --_Robert Greene_
+
+
+
+
+ My Jean
+
+ Though cruel fate should bid us part,
+ Far as the pole and line,
+ Her dear idea round my heart
+ Should tenderly entwine.
+ Though mountains rise, and deserts howl,
+ And oceans roar between;
+ Yet, dearer than my deathless soul,
+ I still would love my Jean.
+ --_Robert Burns_
+
+
+
+
+ Sweet Love, I will no more abuse thee,
+ Nor with my voice accuse thee;
+ But tune my notes unto thy praise,
+ And tell the world Love ne'er decays.
+ Sweet Love doth concord ever cherish:
+ What wanteth concord soon must perish.
+ --_Thomas Walker_
+
+
+
+
+ To Celia
+
+ Drink to me only with thine eyes.
+ And I will pledge with mine;
+ Or leave a kiss but in the cup,
+ And I'll not look for wine.
+ The thirst that from the soul doth rise
+ Doth ask a drink divine;
+ But might I of Jove's nectar sup,
+ I would not change for thine.
+
+ I sent thee late a rosy wreath,
+ Not so much honouring thee
+ As giving it a hope that there
+ It could not withered be:
+ But thou thereon didst only breathe
+ And sent'st it back to me;
+ Since when it grows, and smells, I swear,
+ Not of itself, but thee!
+ --_Ben Jonson_
+
+
+
+
+ Love not me for comely grace,
+ For my pleasing eye or face,
+ Nor for any outward part:
+ No, nor for a constant heart!
+ For these may fail or turn to ill:
+ So thou and I shall sever.
+ Keep therefore a true woman's eye,
+ And love me still, but know not why!
+ So hast thou the same reason still
+ To dote upon me ever.
+ --_John Wilkye_
+
+
+
+
+ To His Mistress
+
+ Choose me your Valentine;
+ Next, let us marry;
+ Love to the death will pine
+ If we long tarry.
+
+ Promise and keep your vows.
+ Or vow ye never;
+ Love's doctrine disallows
+ Troth-breakers ever.
+
+ You have broke promise twice,
+ Dear, to undo me;
+ If you prove faithless thrice,
+ None then will woo ye.
+ --_Robert Herrick_
+
+
+
+
+ The Author's Resolution in a Sonnet
+
+ Shall I, wasting in despaire
+ Dye, because a woman's fair?
+ Or make pale my cheeks with care
+ Cause anothers Rosie are?
+ Be she fairer than the Day
+ Or the flowry Meads in May,
+ If she thinke not well of me,
+ What care I _how_ faire she be?
+
+ Shall a woman's Vertues move
+ Me to perish for her love?
+ Or her well deservings knowne
+ Make me quite forget mine own?
+ Be she with that Goodness blest
+ Which may merit name of best:
+ If she be not such to me,
+ What care I how good she be?
+
+ Cause her fortunes seem too high
+ Shall I play the fool and die?
+ She that bears a Noble mind,
+ If not outward helpes she find,
+ Think that with them he wold do,
+ That without them dares her woe.
+ And unlesse that _Minde_ I see
+ What care I how great she be?
+
+ Great, or Good, or Kind, or Faire,
+ I will ne're the more despaire:
+ If she love me (this believe)
+ I will Die ere she shall grieve,
+ If she slight me when I woe,
+ I can scorne and let her goe,
+ For if she be not for me
+ What care I for whom she be?
+ --_George Wither_
+
+
+
+
+ Song
+
+ If the quick spirits in your eye
+ Now languish, and anon must die;
+ If ev'ry sweet and ev'ry grace
+ Must fly from that forsaken face:
+ Then, Celia, let us reap our joys
+ Ere time such goodly fruit destroys.
+
+ Or, if that golden fleece must grow
+ For ever, free from aged snow;
+ If those bright suns must know no shade.
+ Nor your fresh beauties ever fade;
+ Then fear not, Celia, to bestow
+ What still being gathered still must grow.
+ Thus, either Time his sickle brings
+ In vain, or else in vain his wings.
+ --_Thomas Carew_
+
+
+
+
+ Love Will Find the Way
+
+ Over the mountains
+ And over the waves,
+ Under the fountains
+ And under the graves;
+ Under the floods that are deepest,
+ Which Neptune obey;
+ Over the rocks that are steepest,
+ Love will find out the way.
+
+ Where there is no place
+ For the glow-worm to lie;
+ Where there is no space
+ For receipt of a fly;
+ Where the midge dares not venture,
+ Lest herself fast she lay;
+ If Love come, he will enter
+ And soon find out his way.
+
+ You may esteem him
+ A child for his might;
+ Or you may deem him
+ A coward for his flight;
+ But if she whom Love doth honour
+ Be concealed from the day,
+ Set a thousand guards upon her,
+ Love will find out the way.
+
+ Some think to lose him
+ By having him confin'd,
+ And some do suppose him,
+ Poor thing, to be blind;
+ But if ne'er so close you wall him,
+ Do the best that you may;
+ Blind Love, if so ye call him,
+ Will find out his way.
+
+ You may train the eagle
+ To stoop to your fist;
+ Or you may inveigle
+ The Phoenix of the East;
+ The lioness, you may move her
+ To give o'er her prey;
+ But you will ne'er stop a lover--
+ He will find out his way.
+ --_Unknown_
+
+
+
+
+ To Daffodils
+
+ Fair daffodils, we weep to see
+ You haste away so soon;
+ As yet the early-rising sun
+ Has not attained his noon.
+ Stay, stay,
+ Until the lasting day
+ Has run
+ But to the evensong
+ And, having prayed together, we
+ Will go with you along.
+ --_Robert Herrick_
+
+
+
+
+ Phillida Flouts Me
+
+ Oh, what a plague is love!
+ I cannot bear it.
+ She will inconstant prove,
+ I greatly fear it;
+ It so torments my mind,
+ That my heart faileth.
+ She wavers with the wind,
+ As a ship saileth;
+ Please her the best I may,
+ She looks another way;
+ Alack and well a-day!
+ Phillida flouts me.
+
+ I often heard her say
+ That she loved posies;
+ In the last month of May
+ I gave her roses,
+ Cowslips and gilly flow'rs
+ And the sweet lily,
+ I got to deck the bow'rs
+ Of my dear Philly;
+ She did them all disdain,
+ And threw them back again;
+ Therefore, 'tis flat and plain
+ Phillida flouts me.
+
+ Which way, soe'er I go.
+ She still torments me;
+ And whatso'er I do,
+ Nothing contents me:
+ I fade, and pine away
+ With grief and sorrow;
+ I fall quite to decay,
+ Like any shadow;
+ Since 'twill no better be,
+ I'll bear it patiently;
+ Yet all the world may see
+ Phillida flouts me.
+ --_Thomas Carew_
+
+
+
+
+ Song to Flavia
+
+ 'Tis not your beauty can engage
+ My wary heart:
+ The Sun, in all his pride and rage,
+ Has not that art;
+ And yet he shines as bright as you,
+ If brightness could our souls subdue.
+
+ 'Tis not the pretty things you say,
+ Nor those you write,
+ Which can make Thyrsis' heart your prey;
+ For that delight,
+ The graces of a well-taught mind,
+ In some of our own sex we find.
+
+ No, Flavia! 'tis your love I fear;
+ Love's surest darts,
+ Those which so seldom fail him, are
+ Headed with hearts;
+ Their very shadows make us yield;
+ Dissemble well, and win the field.
+ --_Edmund Waller_
+
+
+
+
+ Why so pale and wan, fond lover?
+ Prithee, why so pale?
+ Will, when looking well can't move her,
+ Looking ill prevail?
+ Prithee, why so pale?
+
+ Why so dull and mute, young sinner?
+ Prithee, why so mute?
+ Will, when speaking well can't win her,
+ Saying nothing do't?
+ Prithee, why so mute?
+
+ Quit, quit, for shame, this will not move:
+ This cannot take her.
+ If for herself she will not love,
+ Nothing can make her:
+ The devil take her!
+ --_Sir John Suckling_
+
+
+
+
+ Unless with my Amanda blest,
+ In vain I twine the woodbine bower;
+ Unless to deck her sweeter breast,
+ In vain I rear the breathing flower:
+
+ Awaken'd by the genial year,
+ In vain the birds around me sing;
+ In vain the freshening fields appear:
+ _Without my love there is no Spring_.
+ --_James Thomson_
+
+
+
+
+ Once did my thoughts both ebb and flow,
+ As passion did them move,
+ Once did I hope, straight fear again,--
+ And then I was in love.
+
+ Once did I waking spend the night,
+ And tell how many minutes move,
+ Once did I wishing waste the day,--
+ And then I was in love.
+
+ Once, by my carving true love's knot,
+ The weeping trees did prove
+ That wounds and tears were both our lot,--
+ And then I was in love.
+
+ Once did I breathe another's breath,
+ And in my mistress move,
+ Once was I not mine own at all,--
+ And then I was in love.
+
+ Once wore I bracelets made of hair,
+ And collars did approve,
+ Once wore my clothes made out of wax,--
+ And then I was in love.
+
+ Once did I sonnet to my saint,
+ My soul in numbers move,
+ Once did I tell a thousand lies,--
+ And then I was in love.
+
+ Once in my ear did dangling hang
+ A little turtle-dove,
+ Once, in a word, I was a fool,--
+ And then I was in love.
+ --_Robert Jones_
+
+
+
+
+ To the Virgins, to Make Much of Time
+
+ Gather ye rosebuds while ye may,
+ Old time is still a-flying:
+ And this same flower that smiles today
+ Tomorrow will be dying.
+
+ The glorious lamp of heaven, the Sun,
+ The higher he's a-getting,
+ The sooner will his race be run,
+ And nearer he's to setting.
+
+ That age is best which is the first,
+ When youth and blood are warmer;
+ But being spent, the worse, and worst
+ Times still succeed the former.
+
+ Then be not coy, but use your time.
+ And while ye may go marry:
+ For having lost but once your prime
+ You may forever tarry.
+ --_Robert Herrick_
+
+
+
+
+ My Kate
+
+ She was not as pretty as women I know,
+ And yet all your best made of sunshine and snow
+ Drop to shade, melt to naught in the long-trodden ways,
+ While she's still remember'd on warm and cold days--
+ My Kate.
+
+ Her air had a meaning, her movements a grace;
+ You turn'd from the fairest to gaze on her face:
+ And when you had once seen her forehead and mouth,
+ You saw as distinctly her soul and her truth--
+ My Kate.
+
+ Such a blue inner light from her eyelids outbroke,
+ You look'd at her silence and fancied she spoke:
+ When she did, so peculiar yet soft was the tone,
+ Tho' the loudest spoke also, you heard her alone--
+ My Kate.
+
+ I doubt if she said to you much that could act
+ As a thought or suggestion: she did not attract
+ In the sense of the brilliant or wise: I infer
+ Twas her thinking of others, made you think of her--
+ My Kate.
+
+ She never found fault with you, never implied
+ Your wrong by her right; and yet men at her side
+ Grew nobler, girls purer, as thro' the whole town
+ The children were gladder that pull'd at her gown--
+ My Kate.
+
+ None knelt at her feet confess'd lovers in thrall;
+ They knelt more to God than they used,--that was all:
+ If you praised her as charming, some ask'd what you meant.
+ But the charm of her presence was felt when she went--
+ My Kate.
+
+ The weak and the gentle, the ribald and rude,
+ She took as she found them, and did them all good;
+ It always was so with her--see what you have!
+ She has made the grass greener even here with her grave--
+ My Kate.
+
+ My dear one!--When thou wast alive with the rest,
+ I held thee the sweetest and loved thee the best:
+ And now thou art dead, shall I not take thy part
+ As thy smiles used to do for thyself, my sweet Heart--
+ My Kate?
+ --_Elizabeth Barrett Browning_
+
+
+
+
+ There is no friend like an old friend
+ Who has shared our morning days,
+ No greeting like his welcome,
+ No homage like his praise.
+ Fame is the scentless sunflower,
+ With gaudy crown of gold;
+ But friendship is the breathing rose
+ With sweets in every fold.
+ --_Oliver Wendell Holmes_
+
+
+
+
+ Grief
+
+ I tell you, hopeless grief is passionless;
+ That only men incredulous of despair,
+ Half taught in anguish, through the midnight air
+ Beat upward to God's throne in loud excess
+ Of shrieking and reproach. Full desertness
+ In soul as countries lieth silent-bare
+ Under the blanching, vertical eye-glare
+ Of the absolute Heavens. Deep-hearted man, express
+ Grief for thy Dead in silence like to death--
+ Most like a monumental statue set
+ In everlasting watch and moveless woe
+ Till itself crumble to the dust beneath.
+ Touch it; the marble eyelids are not wet:
+ If it could weep, it could arise and go.
+ --_Elizabeth Barrett Browning_
+
+
+
+
+ Love
+
+ _Totus est Inermis Idem_...
+
+ No show of bolts and bars
+ Can keep the foeman out,
+ Or 'scape his secret mine
+ Who enter'd with the doubt
+ That drew the line.
+ No warder at the gate
+ Can let the friendly in;
+ But, like the sun, o'er all
+ He will the castle win,
+ And shine along the wall.
+
+ Implacable is Love--
+ Foes may be bought or teased
+ From their hostile intent,
+ But he goes unappeased
+ Who is on kindness bent.
+ --_Henry David Thoreau_
+
+
+
+
+ Trust Thou Thy Love
+
+ Trust thou thy Love: if she be proud, is she not sweet?
+ Trust thou thy Love: if she be mute, is she not pure?
+ Lay thou thy soul full in her hands, low at her feet;
+ Fail, Sun and Breath!--yet, for thy peace, She shall endure.
+ --_John Ruskin_
+
+
+
+
+ Spiritual Love
+
+ What care I tho' beauty fading
+ Die ere Time can turn his glass?
+ What tho' locks the Graces braiding
+ Perish like the summer grass?
+ Tho' thy charms should all decay,
+ Think not my affections may!
+
+ For thy charms--tho' bright as morning--
+ Captured not my idle heart;
+ Love so grounded ends in scorning,
+ Lacks the barb to hold the dart.
+ My devotion more secure
+ Woos thy spirit high and pure.
+ --_William Caldwell Roscoe_
+
+
+
+
+ Woman
+
+ She can be as wise as we
+ And wiser when she wishes;
+ She can knit with cunning wit,
+ And dress the homely dishes,
+ She can flourish staff or pen,
+ And deal a wound that lingers;
+ She can talk the talk of men,
+ And touch with thrilling fingers.
+ --_George Meredith_
+
+
+
+
+ To Spring: On the Banks of the Cam
+
+ O Thou that from the green vales of the West
+ Com'st in thy tender robes with bashful feet,
+ And to the gathering clouds
+ Liftest thy soft blue eye:
+
+ I woo thee. Spring!--Tho' thy dishevell'd hair
+ In misty ringlets sweep thy snowy breast,
+ And thy young lips deplore
+ Stern Boreas' ruthless rage:
+
+ While morn is stee'd in dews, and the dank show'r
+ Drops from the green boughs of the budding trees;
+ And the thrush tunes his song
+ Warbling with unripe throat:
+
+ Thro' the deep wood where spreads the sylvan oak
+ I follow thee, and see thy hands unfold
+ The love-sick primrose pale
+ And moist-eyed violet:
+
+ While in the central grove, at thy soft voice,
+ The Dryads start forth from their wintry cells,
+ And from their oozy waves
+ The Naiads lift their heads
+
+ In sedgy bonnets trimm'd with rushy leaves
+ And water-blossoms from the forest stream,
+ To pay their vows to thee,
+ Their thrice adored queen!
+
+ The stripling shepherd wand'ring thro' the wood
+ Startles the linnet from her downy nest,
+ Or wreathes his crook with flowers,
+ The sweetest of the fields.
+
+ From the grey branches of the ivied ash
+ The stock-dove pours her vernal elegy,
+ While further down the vale
+ Echoes the cuckoo's note.
+
+ Beneath this trellis'd arbour's antique roof,
+ When the wild laurel rustles in the breeze,
+ By Cam's slow murmuring stream
+ I waste the live-long day;
+
+ And bid thee. Spring, rule fair the infant year,
+ Till my loved Maid in russet stole approach:
+ O yield her to my arms,
+ Her red lips breathing love!
+
+ So shall the sweet May drink thy falling tears,
+ And on thy blue eyes pour a beam of joy;
+ And float thy azure locks
+ Upon the western wind.
+
+ So shall the nightingale rejoice thy woods,
+ And Hesper early light his dewy star;
+ And oft at eventide
+ Beneath the rising moon.
+
+ May lovers' whispers soothe thy list'ning ear,
+ And as they steal the soft impassion'd kiss,
+ Confess thy genial reign,
+ O love-inspiring Spring!
+ --_William Stanley Roscoe_
+
+
+
+
+ I pr'y thee send me back my heart,
+ Since I cannot have thine;
+ For if from yours you will not part,
+ Why then shouldst thou have mine?
+
+ Yet now I think on't, let it lie;
+ To find it were in vain,
+ For thou'st a thief in either eye
+ Would steal it back again.
+
+ Why should two hearts in one breast lie,
+ And yet not lodge together?
+ O love! where is thy sympathy,
+ If thus our breasts you sever?
+
+ But love is such a mystery
+ I cannot find it out;
+ For when I think I'm best resolved,
+ I then am most in doubt.
+
+ Then farewell love, and farewell woe,
+ I will no longer pine;
+ For I'll believe I have her heart
+ As much as she hath mine.
+ --_Sir John Suckling_
+
+
+
+
+ Stone walls do not a prison make,
+ Nor iron bars a cage;
+ Minds innocent and quiet take
+ That for an hermitage,
+ If I have freedom in my love,
+ And in my soul am free,--
+ Angels alone, that soar above,
+ Enjoy such liberty.
+ --_Richard Lovelace_
+
+
+
+
+ Appelles' Song
+
+ Cupid and my Campaspe played
+ At cards for kisses,--Cupid paid;
+ He stakes his quiver, bow and arrows,
+ His mother's doves, and teams of sparrows:
+ Loses them, too; then down he throws
+ The coral of his lip, the rose
+ Growing on's cheek (but none knows how);
+ With these the crystal of his brow,
+ And then the dimple of his chin:
+ All these did my Campaspe win.
+ At last he set her both his eyes;
+ She won, and Cupid blind did rise;
+ O Love, has she done this to thee?
+ What shall, alas! become of me?
+ --_John Lyly_
+
+
+
+
+ To Althea, from Prison
+
+ When love, with unconfined wings,
+ Hovers within my gates,
+ And my divine Althea brings
+ To whisper at the grates;
+ When I lie tangled in her hair,
+ And fetter'd to her eye--
+ The birds that wanton in the air,
+ Know no such liberty.
+ --_Richard Lovelace_
+
+
+
+
+ On the Life of Man
+
+ Like to the falling of a star,
+ Or as the flights of eagles are,
+ Or like the fresh Spring's gaudy hue,
+ Or silver drops of morning dew,
+ Or like the wind that chafes the flood,
+ Or bubbles which on water stood;
+ Even such is man, whose borrowed light
+ Is straight called in and paid tonight
+ The wind blows out, the bubble dies,
+ The spring entombed in autumn lies,
+ The dew's dried up, the star is shot,
+ The flight is past, and man forgot.
+ --_Henry King_
+
+
+
+
+ Of A' the Airts the Wind Can Blaw
+
+ I see her in the dewy flowers,
+ I see her sweet and fair:
+ I hear her in the tunefu' birds,
+ I hear her charm the air:
+ There's not a bonnie flower that springs
+ By fountain, shaw, or green,
+ There's not a bonnie bird that sings,
+ But minds me o' my Jean.
+ --_Robert Burns_
+
+
+
+
+ O Mistress Mine, Where Are You Roaming?
+
+ O Mistress mine, where are you roaming?
+ O, stay and hear; your true love's coming,
+ That can sing both high and low:
+ Trip no further, pretty sweeting;
+ Journeys end in Lovers' meeting,
+ Every wise man's son doth know.
+
+ What is love? 'Tis not hereafter:
+ Present mirth hath present laughter;
+ What's to come is still unsure:
+ In delay there lies no plenty;
+ Then come kiss me, sweet and twenty
+ Youth's a stuff will not endure.
+ --_Shakespeare_
+
+
+
+
+ Thrice toss these oaken ashes in the air,
+ Thrice sit thou mute in this enchanted chair,
+ Then thrice three times tie up this true love's knot,
+ And murmur soft, "She will or she will not."
+
+ Go, burn these poisonous weeds in yon blue fire,
+ These screech owls' feathers and this prickling briar,
+ This cypress gathered at a dead man's grave,
+ That all my fears and cares an end may have.
+
+ Then come, you Fairies! dance with me a round!
+ Melt her hard heart with your melodious sound!
+ In vain are all the charms I can devise:
+ She hath an art to break them with her eyes.
+ --_Thomas Campion_
+
+
+
+
+ Come, O come, my life's delight!
+ Let me not in languor pine!
+ Love loves no delay; thy sight
+ The more enjoyed, the more divine!
+ O come, and take from me
+ The pain of being deprived of thee!
+
+ Thou all sweetness dost enclose,
+ Like a little world of bliss;
+ Beauty guards thy looks, the rose
+ In them pure and eternal is:
+ Come, then, and make thy flight
+ As swift to me as heavenly light!
+ --_Thomas Campion_
+
+
+
+
+ The Darkling Thrush
+
+ I leant upon a coppice gate
+ When Frost was spectre-gray,
+ And Winter's dregs made desolate
+ The weakening eye of day.
+ The tangled vine-stems scored the sky
+ Like strings of broken lyres,
+ And all mankind that haunted nigh
+ Had sought their household fires.
+
+ The land's sharp features seem'd to be
+ The Century's corpse outleant,
+ His crypt the cloudy canopy,
+ The wind his death-lament.
+ The ancient pulse of germ and birth
+ Was shrunken hard and dry,
+ And every spirit upon earth
+ Seem'd fervourless as I.
+
+ At once a voice arose among
+ The bleak twigs overhead
+ In a full-hearted evensong
+ Of joy illimited;
+ An aged thrush, frail, quant, and small,
+ In blast-beruffled plume.
+ Had chosen thus to fling his soul
+ Upon the growing gloom.
+
+ So little cause for carollings
+ Of such ecstatic sound
+ Was written on terrestrial things
+ Afar or nigh around,
+ That I could think there trembled through
+ His happy good-night air
+ Some blessed Hope, whereof he knew
+ And I was unaware.
+ --_Thomas Hardy_
+
+
+
+
+ To Lucasta, on Going to the Wars
+
+ Tell me not, sweet, I am unkind,
+ That from the nunnery
+ Of your chaste breast and quiet mind
+ To war and arms I fly.
+
+ True, a new mistress now I chase,
+ The first foe in the field;
+ And with a stronger faith embrace
+ A sword, a horse, a shield.
+
+ Yet this inconstancy is such
+ As you too shall adore;
+ I could not love thee, dear, so much
+ Loved I not honour more!
+ --_Richard Lovelace_
+
+
+
+
+ A Japanese Love Song
+
+ The young moon is white,
+ But the willows are blue:
+ Your small lips are red,
+ But the great clouds are gray:
+ The waves are so many
+ That whisper to you;
+ But my love is only
+ One flight of spray.
+
+ The bright drops are many,
+ The dark wave is one:
+ The dark wave subsides,
+ And the bright sea remains!
+ And wherever, O singing
+ Maid, you may run,
+ You are one with the world
+ For all your pains.
+
+ Tho' the great skies are dark,
+ And your small feet are white,
+ Tho' your wide eyes are blue
+ And the closed poppies red,
+ Tho' the kisses are many,
+ That colour the night,
+ They are linked like pearls
+ On one golden thread.
+
+ Were the gray clouds not made
+ For the red of your mouth;
+ The ages for flight
+ Of the butterfly years;
+ The sweet of the peach
+ For the pale lips of drouth,
+ The sunlight of smiles
+ For the shadow of tears?
+
+ Love, Love is the thread
+ That has pierced them with bliss!
+ All their hues are but notes
+ In one world-wide tune:
+ Lips, willows and waves,
+ We are one as we kiss,
+ And your face and the flowers
+ Faint away in the moon.
+ --_Alfred Noyes_
+
+
+
+
+ Wishes
+
+ Go, little book, and wish to all
+ Flowers in the garden, meat in the hall,
+ A bin of wine, a spice of wit,
+ A house with lawns enclosing it,
+ A living river by the door,
+ A nightingale in the sycamore.
+ --_Robert Louis Stevenson_
+
+
+
+
+ Evanescence
+
+ I saw, I saw the lovely child
+ I watch'd her by the way,
+ I learnt her gestures sweet and wild
+ Her loving eyes and gay.
+
+ Her name?--I heard not, nay, nor care;
+ Enough it was for me
+ To find her innocently fair
+ And delicately free.
+
+ O cease and go ere dreams be done,
+ Nor trace the angel's birth,
+ Nor find the Paradisal one
+ A blossom of the earth!
+
+ Thus is it with our subtlest joys,--
+ How quick the soul's alarm!
+ How lightly deed or word destroys
+ That evanescent charm!
+
+ It comes unbidden, comes unbought,
+ Unfetter'd flees away;
+ His swiftest and his sweetest thought
+ Can never poet say.
+ --_Frederic William Henry Myers_
+
+
+
+
+ Romance
+
+ I will make you brooches and toys for your delight
+ Of bird-song at morning and star-shine at night.
+ I will make a palace fit for you and me,
+ Of green days in forests and blue days at sea.
+
+ I will make my kitchen, and you shall keep your room,
+ Where white flows the river and bright blows the broom,
+ And you shall wash your linen and keep your body white
+ In rainfall at morning and dewfall at night.
+
+ And this shall be for music when no one else is near,
+ The fine song for singing, the rare song to hear!
+ That only I remember, that only you admire,
+ Of the broad road that stretches and the roadside fire.
+ --_Robert Louis Stevenson_
+
+
+
+
+ Her hair the net of golden wire,
+ Wherein my heart, led by my wandering eyes,
+ So fast entangled is that in no wise
+ It can, nor will, again retire;
+ But rather will in that sweet bondage die
+ Than break one hair to gain her liberty.
+ --_Thomas Bateson_
+
+
+
+
+ Celia's Homecoming
+
+ Maidens kilt your skirts and go
+ Down the stormy garden-ways.
+ Pluck the last sweet pinks that blow,
+ Gather roses, gather bays,
+ Since our Celia comes to-day,
+ That has been so long away.
+
+ Crowd her chamber with your sweets--
+ Not a flower but grows for her!
+ Make her bed with linen sheets
+ That have lain in lavender:
+ Light a fire before she come,
+ Lest she find us chill at home.
+
+ Ah, what joy when Celia stands
+ By the leaping blaze at last,
+ Stooping low to warm her hands
+ All benumbed with the blast,
+ While we hide her cloak away,
+ To assure us she shall stay!
+
+ Cyder bring and cowslip wine,
+ Fruits and flavours from the East,
+ Pears and pippins too, and fine
+ Saffron loaves to make a feast;
+ China dishes, silver cups,
+ For the board where Celia sups!
+
+ Then, when all the feasting's done,
+ She shall draw us round the blaze,
+ Laugh, and tell us every one
+ Of her far triumphant days--
+ Celia, out of doors a star,
+ By the hearth a holier Lar!
+ --_Agnes Mary Frances Dudaux_
+
+
+
+
+ Love in the Valley
+
+ Under yonder beech-tree single on the green-sward,
+ Couch'd with her arms behind her golden head,
+ Knees and tresses folded to slip and ripple idly,
+ Lies my young love sleeping in the shade.
+ Had I the heart to slide an arm beneath her,
+ Press her parting lips as her waist I gather slow,
+ Waking in amazement she could not but embrace me:
+ Then would she hold me and never let me go?
+
+ Shy as the squirrel and wayward as the swallow,
+ Swift as the swallow along the river's light
+ Circleting the surface to meet his mirror'd winglets,
+ Fleeter she seems in her stay than in her flight.
+ Shy as the squirrel that leaps among the pine-tops,
+ Wayward as the swallow overhead at set of sun,
+ She whom I love is hard to catch and conquer,
+ Hard, but O the glory of the winning were she won!
+ --_George Meredith_
+
+
+
+
+ Lucifer in Starlight
+
+ On a starr'd night Prince Lucifer uprose.
+ Tired of his dark dominion swung the fiend
+ Above the rolling ball in cloud part screen'd,
+ Where sinners hugg'd their sceptre of repose.
+ Poor prey to his hot fit of pride were those.
+ And now upon his western wing he lean'd,
+ Now his huge bulk o'er Afric's sands careen'd,
+ Now the black planet shadow'd Arctic snows.
+ Soaring through wider zones that prick'd his scars
+ With memory of the old revolt from Awe,
+ He reach'd a middle height, and at the stars,
+ Which are the brain of heaven, he look'd, and sank
+ Around the ancient track march'd, rank on rank,
+ The army of unalterable law.
+ --_George Meredith_
+
+
+
+
+ The maid I love ne'er thought of me
+ Amid the scenes of gaiety;
+ But when her heart or mine sank low,
+ Ah, then it was no longer so!
+ From the slant palm she rais'd her head,
+ And kiss'd the cheek whence youth had fled.
+ Angels! some future day for this,
+ Give her as sweet and pure a kiss.
+ --_Walter Savage Landor_
+
+
+
+
+ To Anthea
+
+ Bid me to live, and I will live
+ Thy Protestant to be;
+ Or bid me love, and I will give
+ A loving heart to thee.
+
+ A heart as soft, a heart as kind,
+ A heart as sound and free
+ As in the whole world thou shalt find,
+ That heart I'll give to thee.
+
+ Bid that heart stay, and it will stay
+ To honour thy decree;
+ Or bid it languish quite away,
+ And it shalt do so for thee.
+
+ Bid me to weep, and I will weep,
+ While I have eyes to see;
+ And having none, yet I will keep
+ A heart to weep for thee.
+
+ Thou art my life, my love, my heart
+ The very eyes of me;
+ And hast command of every part,
+ To live and die for thee.
+ --_Robert Herrick_
+
+
+
+
+ The Fair Circassian
+
+ Forty Viziers saw I go
+ Up to the Seraglio,
+ Burning, each and every man,
+ For the fair Circassian.
+
+ Ere the morn had disappear'd,
+ Every Vizier wore a beard;
+ Ere the afternoon was born
+ Every Vizier came back shorn.
+
+ 'Let the man that woos to win
+ Woo with an unhairy chin:'
+ Thus she said, and as she bid
+ Each devoted Vizier did.
+
+ From the beards a cord she made,
+ Loop'd it to the balustrade,
+ Glided down and went away
+ To her own Circassia.
+
+ When the Sultan heard, wax'd he
+ Somewhat wroth, and presently
+ In the noose themselves did lend
+ Every Vizier did suspend.
+
+ Sages all, this rhyme who read,
+ Of your beards take prudent heed,
+ And beware the wily plans
+ Of the fair Circassians.
+ --_Richard Garnett_
+
+
+
+
+ The Constant Lover
+
+ Out upon it, I have loved
+ Three whole days together;
+ And am like to love three more,
+ If it prove fair weather.
+
+ Time shall moult away his wings
+ Ere he shall discover
+ In the whole wide world again
+ Such a constant lover.
+
+ But the spite on't is, no praise
+ Is due at all to me:
+ Love with me had made no stays
+ Had it any been but she.
+
+ Had it any been but she,
+ And that very face,
+ There had been at least ere this
+ A dozen dozen in her place.
+ --_John Suckling_
+
+
+
+
+ Farewell
+
+ It is buried and done with,
+ The love that we knew:
+ Those cobwebs we spun with
+ Are beaded with dew.
+
+ I loved thee; I leave thee:
+ To love thee was pain:
+ I dare not believe thee
+ To love thee again.
+
+ Like spectres unshriven
+ Are the years that I lost;
+ To thee they were given
+ Without count of cost.
+
+ I cannot revive them
+ By penance or prayer;
+ Hell's tempest must drive them
+ Thro' turbulent air.
+
+ Farewell, and forget me;
+ For I, too, am free
+ From the shame that beset me,
+ The sorrow of thee.
+ --_John Addington Symonds_
+
+
+
+
+ Song
+
+ How blest has my time been, what days have I known,
+ Since wedlock's soft bondage made Jessie my own!
+ So joyful my heart is, so easy my chain,
+ That freedom is tasteless and roving a pain.
+
+ Through walks, grown with woodbines, as often we stray,
+ Around us our girls and boys frolic and play,
+ How pleasing their sport is, the wanton ones see,
+ And borrow their looks from my Jessie and me.
+
+ To try her sweet temper sometimes am I seen
+ In revels all day with the nymphs of the green;
+ Though painful my absence, my doubts she beguiles,
+ And meets me at night with compliance and smiles.
+
+ What though on her cheek the rose loses its hue,
+ Her ease and good humour bloom all the year through,
+ Time still, as he flies, brings increase to her truth,
+ And gives to her mind what he steals from her youth.
+
+ Ye shepherds so gay, who make love to ensnare,
+ And cheat with false vows the too credulous fair,
+ In search of true pleasure how vainly you roam,
+ To hold it for life, you must find it at home.
+ --_Edward Moore_
+
+
+
+
+ On a Fan that Belonged to the
+ Marquise de Pompadour
+
+ Chicken-skin, delicate, white,
+ Painted by Carlo Vanloo,
+ Loves in a riot of light,
+ Roses and vaporous blue;
+ Hark to the dainty frou-frou!
+ Picture above if you can,
+ Eyes that could melt as the dew--
+ This was the Pompadour's fan!
+
+ See how they rise at the sight,
+ Thronging the OEil de Boeuf through,
+ Courtiers as butterflies bright,
+ Beauties that Fragonard drew,
+ Talon-rouge, falbala, queue,
+ Cardinal, Duke,--to a man,
+ Eager to sigh or to sue,--
+ This was the Pompadour's fan!
+
+ Ah! but things more than polite
+ Hung on this toy, voyez vous!
+ Matters of state and of might,
+ Things that great ministers do;
+ Things that, maybe, overthrew
+ Those in whose brains they began;
+ Here was the sign and the cue,--
+ This was the Pompadour's fan!
+
+
+ _Envoy_.
+
+ Where are the secrets it knew?
+ Weavings of plot and of plan?
+ --But where is the Pompadour, too?
+ This was the Pompadour's Fan!
+ --_Austin Dobson_
+
+
+
+
+ A Birthday
+
+ My heart is like a singing bird
+ Whose nest is in a water'd shoot;
+ My heart is like an apple-tree
+ Whose boughs are bent with thick-set fruit;
+ My heart is like a rainbow shell
+ That paddles in a halcyon sea;
+ My heart is gladder than all these,
+ Because my love is come to me.
+
+ Raise me a dais of silk and down;
+ Hang it with vair and purple dyes;
+ Carve it in doves and pomegranates,
+ And peacocks with a hundred eyes;
+ Work it in gold and silver grapes,
+ In leaves and silver fleurs-de-lys;
+ Because the birthday of my life
+ Is come, my love is come to me.
+ --_Christina Georgina Rossetti_
+
+
+
+
+ "Love in thy Youth, Fair Maid"
+
+ Love in thy youth, fair maid, be wise,
+ Old Time will make thee colder,
+ And though each morning new arise
+ Yet we each day grow older.
+ Thou as heaven art fair and young,
+ Thine eyes like twin stars shining:
+ But ere another day be sprung,
+ All these will be declining;
+ Then winter comes with all his fears,
+ And all thy sweets shall borrow;
+ Too late then wilt thou shower thy tears,
+ And I, too late, shall sorrow.
+ --_Walter Porter_
+
+
+
+
+ Days
+
+ Daughters of Time, the hypocritic Days,
+ Muffled and dumb like barefoot dervishes
+ And marching single in an endless file,
+ Bring diadems and faggots in their hands.
+ To each they offer gifts after his will--
+ Bread, kingdoms, stars, and sky that holds them all.
+ I, in my pleached garden, watch'd the pomp,
+ Forgot my morning wishes, hastily
+ Took a few herbs and apples, and the Day
+ Turn'd and departed silent. I, too late,
+ Under her solemn fillet saw the scorn.
+ --_Ralph Waldo Emerson_
+
+
+
+
+ A Hymn to Love
+
+ I will confess
+ With cheerfulness,
+ Love is a thing so likes me,
+ That let her lay
+ On me all day
+ I'll kiss the hand that strikes me.
+
+ I will not, I
+ Now blubb'ring, cry,
+ It (ah!) too late repents me,
+ That I did fall
+ To love at all,
+ Since love so much contents me.
+
+ No, no, I'll be
+ In fetters free:
+ While others they sit wringing
+ Their hands for pain,
+ I'll entertain
+ The wounds of love with singing.
+ --_Robert Herrick_
+
+
+
+
+ Adieu L'Amour
+
+ Here end my chains, and thraldom cease,
+ If not in joy, I'll live at least in peace;
+ Since for the pleasures of an hour,
+ We must endure an age of pain;
+ I'll be this abject thing no more,
+ Love, give me back my heart again.
+
+ Despair tormented first my breast,
+ Now falsehood, a more cruel guest;
+ O! for the peace of human kind,
+ Make women longer true, or sooner kind;
+ With justice, or with mercy reign,
+ O Love! or give me back my heart again.
+ --_George Granville_ (_Lord Lansdowne_)
+
+
+
+
+ My Little Pretty One
+
+ My little pretty one!
+ My softly winning one!
+ Oh! thou'rt a merry one!
+ And playful as can be.
+ With a beck thou com'st anon;
+ In a trice, too, thou are gone,
+ And I must sigh alone,
+ But sighs are lost upon thee.
+
+ Art thou my smiling one,
+ Art thou my pouting one,
+ Art thou my teasing one,
+ A goddess, elf, or grace?
+ With a frown thou wound'st my heart,
+ With a smile thou heal'st the smart;
+ Why play the tyrant's part
+ With such an innocent face?
+ --_Old Song_
+
+
+
+
+ Song
+
+ Go, lovely Rose,
+ Tell her that wastes her time and me,
+ That now she knows
+ When I resemble her to thee,
+ How sweet and fair she seems to be.
+
+ Tell her that's young,
+ And shuns to have her graces spied,
+ That had'st thou sprung
+ In deserts where no men abide,
+ Thou must have uncommended died.
+
+ Small is the worth
+ Of beauty from the light retired;
+ Bid her come forth,
+ Suffer herself to be desired,
+ And not blush so to be admired.
+ --_Edmund Waller_
+
+
+
+
+ Song
+
+ The bee to the heather,
+ The lark to the sky,
+ The roe to the greenwood,
+ And whither shall I?
+
+ O, Alice! Ah, Alice!
+ So sweet to the bee
+ Are moorland and heather
+ By Cannock and Leigh!
+
+ O, Alice! Ah, Alice!
+ O'er Teddesley Park
+ The sunny sky scatters
+ The notes of the lark!
+
+ O, Alice! Ah, Alice!
+ In Beaudesert glade
+ The roes toss their antlers
+ For joy of the shade!--
+
+ But Alice, dear Alice!
+ Glade, moorland, nor sky
+ Without you can content me--
+ And whither shall I?
+ --_Sir Henry Taylor_
+
+
+
+
+ Song
+
+ The lark now leaves his wat'ry nest,
+ And climbing, shakes his dewy wings,
+ He takes your window for the east,
+ And to implore your light, he sings;
+ Awake, awake, the morn will never rise
+ Till she can dress her beauty at your eyes.
+
+ The merchant bows unto the seaman's star,
+ The ploughman from the sun his season takes;
+ But still the lover wonders what they are,
+ Who look for day before his mistress wakes.
+ Awake, awake, break through your veils of lawn,
+ Then draw your curtains, and begin the dawn.
+ --_William D'Avenant_
+
+
+
+
+ Rain on the Down
+
+ Night, and the down by the sea,
+ And the veil of rain on the down;
+ And she came through the mist and the rain to me
+ From the safe warm lights of the town.
+
+ The rain shone in her hair,
+ And her face gleam'd in the rain;
+ And only the night and the rain were there
+ As she came to me out of the rain.
+ --_Arthur Symons_
+
+
+
+
+ Down by the Sally Gardens
+
+ Down by the sally gardens my love and I did meet;
+ She pass'd the sally gardens with little snow-white feet.
+ She bid me take love easy, as the leaves grow on the tree;
+ But I, being young and foolish, with her would not agree.
+
+ In a field by the river my love and I did stand,
+ And on my leaning shoulder she laid her snow-white hand.
+ She bade me take life easy, as the grass grows on the weirs;
+ But I was young and foolish, and now am full of tears.
+ --_William Butler Yeats_
+
+
+
+
+ Song
+
+ She's somewhere in the sunlight strong,
+ Her tears are in the falling rain,
+ She calls me in the wind's soft song,
+ And with the flowers she comes again.
+
+ Yon bird is but her messenger,
+ The moon is but her silver car.
+ Yea! sun and moon are sent by her,
+ And every wistful waiting star.
+ --_Richard Le Gallienne_
+
+
+
+
+ Song
+
+ When Delia on the plain appears
+ Aw'd by a thousand tender fears,
+ I would approach, but dare not move:
+ Tell me, my heart, if this be love?
+
+ Whene'er she speaks, my ravish'd ear
+ No other voice but hers can hear,
+ No other wit but hers approve:
+ Tell me, my heart, if this be love?
+
+ If she some other youth commend,
+ Though I was once his fondest friend,
+ His instant enemy I prove:
+ Tell me, my heart, if this be love?
+
+ When she is absent, I no more
+ Delight in all that pleas'd before,
+ The clearest spring, or shadiest grove:
+ Tell me, my heart, if this be love?
+
+ When, fond of power, of beauty vain,
+ Her nets she spread for every swain,
+ I strove to hate, but vainly strove:
+ Tell me, my heart, if this be love?
+ --_George Lyttleton_
+
+
+
+
+ Advice Against Travel
+
+ Traverse not the globe for lore! The sternest
+ But the surest teacher is the heart;
+ Studying that and that alone, thou learnest
+ Best and soonest whence and what thou art.
+
+ Moor, Chinese, Egyptian, Russian, Roman,
+ Tread one common down-hill path of doom;
+ Everywhere the names are man and woman,
+ Everywhere the old sad sins find room.
+
+ Evil angels tempt us in all places.
+ What but sands or snows hath earth to give?
+ Dream not, friend, of deserts and oases;
+ But look inwards, and begin to live!
+ --_James Clarence Mangan_
+
+
+
+
+ Remember
+
+ Remember me when I am gone away,
+ Gone far away into the silent land;
+ When you can no more hold me by the hand,
+ Nor I half turn to go, yet turning stay.
+ Remember me when no more day by day
+ You tell me of our future that you plann'd:
+ Only remember me; you understand.
+
+ It will be late to counsel then or pray.
+ Yet if you should forget me for a while
+ And afterwards remember, do not grieve:
+ For if the darkness and corruption leave
+ A vestige of the thoughts that once I had,
+ Better by far you should forget and smile
+ Than that you should remember and be sad.
+ --_Christina Georgina Rossetti_
+
+
+
+
+ There be none of Beauty's daughters
+ With a magic like thee;
+ And like music on the waters
+ Is thy sweet voice to me:
+ When, as if its sound were causing
+ The charmed ocean's pausing,
+ The waves lie still and gleaming
+ And the lull'd winds seem dreaming.
+
+ And the midnight moon is weaving
+ Her bright chain o'er the deep;
+ Whose breast is gently heaving
+ As an infant's asleep;
+ So, the spirit bows before thee,
+ To listen and adore thee;
+ With a full but soft emotion,
+ Like the swell of Summer's ocean.
+ --_George Gordon_ (_Lord Byron_)
+
+
+
+
+ A Valentine
+
+ What shall I send my love today
+ When all the woods attune to love,
+ And I would show the lark and dove
+ That I can love as well as they? ...
+
+ I'll send a kiss, for that would be
+ The quickest sent, the lightest borne;
+ And well I know to-morrow morn
+ She'll send it back again to me.
+
+ Go, happy winds! ah, do not stay
+ Enamour'd of my lady's cheek,
+ But hasten home, and I'll bespeak
+ Your services another day!
+ --_Matilda Betham Edwards_
+
+
+
+
+ To His Mistress, Objecting to His Neither Toying
+ nor Talking
+
+ You say I love not, 'cause I do not play
+ Still with your curls, and kiss the time away.
+ You blame me, too, because I can't devise
+ Some sport, to please those babies in your eyes;
+ By Love's religion, I must here confess it,
+ The most I love when I the least express it.
+ Small griefs find tongues; full casks are ever found
+ To give, if any, yet but little sound.
+ Deep waters noiseless are; and this we know,
+ That chiding streams betray small depths below.
+ So, when Love speechless is, she doth express
+ A depth in love, and that depth bottomless.
+ Now since my love is tongueless, know me such,
+ Who speak but little, 'cause I love so much.
+ --_Robert Herrick_
+
+
+
+
+ When You Are Old
+
+ When you are old and gray and full of sleep
+ And, nodding by the fire, take down this book,
+ And slowly read, and dream of the soft look
+ Your eyes had once, and of their shadows deep;
+
+ How many loved your moments of glad grace,
+ And loved your beauty with love false or true;
+ But one man loved the pilgrim soul in you,
+ And loved the sorrows of your changing face.
+
+ And bending down beside the glowing bars,
+ Murmur, a little sadly, how love fled
+ And paced upon the mountains overhead,
+ And hid his face amid a crowd of stars.
+ --_William Butler Yeats_
+
+
+
+
+ Song
+
+ False though she be to me and love,
+ I'll ne'er pursue revenge:
+ For still the charmer I approve,
+ Though I deplore her change.
+
+ In hours of bliss we oft have met,
+ They could not always last;
+ And though the present I regret,
+ I'm grateful for the past.
+ --_William Congreve_
+
+
+
+
+ Song
+
+ I lately vow'd, but 'twas in haste,
+ That I no more would court
+ The joys that seem when they are past
+ As dull as they are short.
+
+ I oft to hate my mistress swear,
+ But soon my weakness find;
+ I make my oaths when she's severe,
+ But break them when she's kind.
+ --_John Oldmixon_
+
+
+
+
+ My Loves
+
+ Name the leaves on all the trees,
+ Name the waves on all the seas,
+ Name the notes of all the groves,
+ Thus thou namest all my loves.
+
+ I do love the young, the old,
+ Maiden modest, virgin bold;
+ Tiny beauties and the tall--
+ Earth has room enough for all!
+
+ Which is better--who can say?--
+ Mary grave or Lucy gay?
+ She who half her charms conceals,
+ She who flashes while she feels?
+
+ Why should I my love confine?
+ Why should fair be mine or thine?
+ If I praise a tulip, why
+ Should I pass the primrose by?
+
+ Paris was a pedant fool
+ Meting beauty by the rule:
+ Pallas? Juno? Venus?--he
+ Should have chosen all the three!
+ --_John Stuart Blackie_
+
+
+
+
+ Cupid Mistaken
+
+ Venus whipt Cupid t'other day,
+ For having lost his bow and quiver;
+ For he had given them both away
+ To Stella, queen of Isis river.
+
+ "Mamma! you wrong me while you strike,"
+ Cried weeping Cupid, "for I vow,
+ Stella and you are so alike,
+ I thought that I had lent them you."
+ --_William Somerville_
+
+
+
+
+ Song
+
+ Hard is the fate of him who loves,
+ Yet dares not tell his trembling pain,
+ But to the sympathetic groves,
+ But to the lonely listening plain.
+
+ Oh! when she blesses next your shade,
+ Oh! when her footsteps next are seen
+ In flowery tracts along the mead,
+ In fresher mazes o'er the green,
+
+ Ye gentle spirits of the vale,
+ To whom the tears of love are dear,
+ From dying lilies waft a gale,
+ And sigh my sorrows in her ear.
+
+ Oh, tell her what she cannot blame,
+ Though fear my tongue must ever bind;
+ Oh, tell her that my virtuous flame
+ Is as her spotless soul, refin'd.
+
+ Not her own guardian angel eyes
+ With chaster tenderness his care,
+ Not purer her own wishes rise,
+ Not holier her own sighs in prayer.
+
+ But if, at first, her virgin fear
+ Should start at love's suspected name,
+ With that of friendship soothe her ear--
+ True love and friendship are the same.
+ --_William Somerville_
+
+
+
+
+ Faith
+
+ Better trust all, and be deceived,
+ And weep that trust and that deceiving,
+ Than doubt one heart that, if believed,
+ Had bless'd one's life with true believing.
+
+ O, in this mocking world too fast
+ The doubting fiend o'ertakes our youth!
+ Better be cheated to the last
+ Than lose the blessed hope of truth.
+ --_Frances Anne Kemble_
+
+
+
+
+ Memories
+
+ A beautiful and happy girl,
+ With step as light as summer air,
+ Eyes glad with smiles, and brow of pearl,
+ Shadow'd by many a careless curl
+ Of unconfined and flowing hair;
+ A seeming child in everything,
+ Save thoughtful brow and ripening charms,
+ As Nature wears the smile of Spring
+ When sinking into Summer's arms.
+
+ A mind rejoicing in the light
+ Which melted through its graceful bower,
+ Leaf after leaf, dew-moist and bright,
+ And stainless in its holy white,
+ Unfolding like a morning flower:
+ A heart, which, like a fine-toned lute,
+ With every breath of feeling woke,
+ And, even when the tongue was mute,
+ From eye and lip in music spoke.
+ --_John Greenleaf Whittier_
+
+
+
+
+ The Forest Maid
+
+ O fairest of the rural maids!
+ Thy birth was in the forest shades;
+ And all the beauty of the place
+ Is in thy heart and on thy face.
+
+ The twilight of the trees and rocks
+ Is in the light shade of thy locks,
+ Thy step is as the wind that weaves
+ Its playful way among the leaves.
+
+ Thine eyes are springs, in whose serene
+ And silent waters heaven is seen;
+ Their lashes are the herds that look
+ On their young figures in the brook.
+
+ The forest depths by foot unpress'd
+ Are not more sinless than thy breast;
+ The holy peace that fills the air
+ Of those calm solitudes is there.
+ --_William Cullen Bryant_
+
+
+
+
+ All's Well
+
+ The clouds, which rise with thunder, slake
+ Our thirsty souls with rain;
+ The blow most dreaded falls to break
+ From off our limbs a chain;
+ And wrongs of man to man but make
+ The love of God more plain.
+ As through the shadowy lens of even
+ The eye looks farthest into heaven
+ On gleams of star and depths of blue
+ The glaring sunshine never knew!
+ --_John Greenleaf Whittier_
+
+
+
+
+ A Violinist
+
+ The lark above our heads doth know
+ A heaven we see not here below;
+ She sees it, and for joy she sings;
+ Then falls with ineffectual wings.
+
+ Ah, soaring soul! faint not nor tire!
+ Each heaven attain'd reveals a higher,
+ Thy thought is of thy failure; we
+ List raptured, and thank God for thee.
+ --_Francis William Bourdillon_
+
+
+
+
+ To Helen
+
+ Helen, thy beauty is to me
+ Like those Nicean barks of yore
+ That gently, o'er a perfumed sea,
+ The weary way-worn wanderer bore
+ To his own native shore.
+
+ On desperate seas long wont to roam,
+ Thy hyacinth hair, thy classic face,
+ Thy Naiad airs have brought me home
+ To the glory that was Greece,
+ And the grandeur that was Rome.
+
+ Lo, in yon brilliant window-niche
+ How statue-like I see thee stand,
+ The agate lamp within thy hand,
+ Ah! Psyche, from the regions which
+ Are holy land!
+ --_Edgar Allan Poe_
+
+
+
+
+ The Truth of Woman
+
+ Woman's faith, and woman's trust--
+ Write the characters in dust;
+ Stamp them on the running stream,
+ Print them on the moon's pale beam,
+ And each evanescent letter
+ Shall be clearer, firmer, better,
+ And more permanent, I ween,
+ Than the thing those letters mean.
+
+ I have strain'd the spider's thread
+ 'Gainst the promise of a maid;
+ I have weigh'd a grain of sand
+ 'Gainst her plight of heart and hand;
+ I hold my true love of the token,
+ How her faith proved light and her word was broken:
+ Again her word and truth she plight,
+ And I believed them again ere night.
+ --_Sir Walter Scott_
+
+
+
+
+ Ageanax
+
+ Dear voyager, a lucky star be thine,
+ To Mytilene sailing over sea,
+ Or foul or fair the constellations shine,
+ Or east or west the wind-blown billows flee.
+ May halcyon-birds that hover o'er the brine
+ Diffuse abroad their own tranquillity,
+ Till ocean stretches stilly as the wine
+ In this deep cup which now we drain to thee.
+
+ From lip to lip the merry circle through
+ We pass the tankard and repeat thy name;
+ And having pledged thee once, we pledge anew,
+ Lest in thy friends' neglect thou suffer shame.
+ God-speed to ship, good health to pious crew,
+ Peace by the way, and port of noble fame!
+ --_Edward Cracroft Lefroy_
+
+
+
+
+ Names
+
+ I asked my fair, one happy day,
+ What I should call her in my lay;
+ By what sweet name from Rome or Greece:
+ Lalage, Neaera, Chloris,
+ Sappho, Lesbia, or Doris,
+ Arethusa or Lucrece.
+
+ "Ah!" returned my gentle fair,
+ "Beloved, what are names but air?
+ Choose whatever suits the line;
+ Call me Sappho, call me Chloris,
+ Call me Lalage or Doris,
+ Only, only call me Thine!"
+ --_Samuel Taylor Coleridge_
+
+
+
+
+ A Summer Day in Old Sicily
+
+ Gods, what a sun! I think the world's aglow
+ This garment irks me. Phoebus, it is hot!
+ 'Twere sad if Glycera should find me shot
+ By flame-tipp'd arrows from the Archer's bow.
+ Perchance he envies me,--the villain! O
+ For one tree's shadow or a cliff-side grot!
+ Where shall I shelter that he slay me not?
+ In what cool air or element?--I know.
+
+ The sea shall save me from the sweltering land:
+ Far out I'll wade, till creeping up and up,
+ The cold green water quenches every limb.
+ Then to the jealous god with lifted hand
+ I'll pour libation from a rosy cup,
+ And leap, and dive, and see the tunnies swim.
+ --_Edward Cracroft Lefroy_
+
+
+
+
+ On a Nightingale in April
+
+ The yellow moon is a dancing phantom
+ Down secret ways of the flowing shade;
+ And the waveless stream has a murmuring whisper
+ Where the alders wade.
+
+ Not a breath, not a sigh, save the slow stream's whisper:
+ Only the moon is a dancing blade
+ That leads a host of the Crescent warriors
+ To a phantom raid.
+
+ Out of the lands of Faerie a summons,
+ A long strange cry that thrills thro' the glade:--
+ The grey-green glooms of the elm are stirring,
+ Newly afraid.
+
+ Last heard, white music, under the olives
+ Where once Theocritus sang and play'd--
+ Thy Thracian song is the old new wonder--
+ O moon-white maid!
+ --_William Sharp_
+
+
+
+
+ Home-Thoughts from Abroad
+
+ O, to be in England
+ Now that April's there,
+ And whoever wakes in England
+ Sees, some morning, unaware,
+ That the lowest boughs and the brushwood sheaf
+ Round the elm-tree bole are in tiny leaf,
+ While the chaffinch sings on the orchard bough
+ In England--now!
+
+ And after April, when May follows,
+ And the whitethroat builds, and all the swallows!
+ Hark, where my blossom'd pear-tree in the hedge
+ Leans to the field and scatters on the clover
+ Blossoms and dewdrops--at the bent spray's edge--
+ That's the wise thrush; he sings each song twice over,
+ Lest you should think he never could recapture
+ The first fine careless rapture!
+ And though the fields look rough with hoary dew,
+ All will be gay when noontide wakes anew
+ The buttercups, the little children's dower
+ --Far brighter than this gaudy melon-flower!
+ --_Robert Browning_
+
+
+
+
+ FEW HAPPY MATCHES
+
+ Say, mighty Love, and teach my song,
+ To whom thy sweetest joys belong,
+ And who the happy pairs
+ Whose yielding hearts, and joining hands,
+ Find blessings twisted with their bands
+ To soften all their cares.
+
+ Two kindest souls alone must meet,
+ 'Tis friendship makes the bondage sweet,
+ And feeds their mutual loves:
+ Bright Venus on her rolling throne
+ Is drawn by gentlest birds alone,
+ And Cupids yoke the doves.
+ --_Dr. Isaac Watts_
+
+
+
+
+ A Song
+
+ Gentle love, this hour befriend me,
+ To my eyes resign thy dart;
+ Notes of melting music lend me,
+ To dissolve a frozen heart.
+
+ Chill as mountain snow her bosom,
+ Though I tender language use,
+ 'Tis by cold indifference frozen,
+ To my arms, and to my Muse.
+
+ See! my dying eyes are pleading,
+ Where a breaking heart appears;
+ For thy pity interceding
+ With the eloquence of tears.
+
+ While the lamp of life is fading,
+ And beneath thy coldness dies,
+ Death my ebbing pulse invading,
+ Take my soul into thy eyes.
+ --_Aaron Hill_
+
+
+
+
+ Love's Likeness
+
+ O mark yon Rose-tree! When the West
+ Breathes on her with too warm a zest,
+ She turns her cheek away;
+ Yet if one moment he refrain,
+ She turns her cheek to him again,
+ And woos him still to stay!
+
+ Is she not like a maiden coy
+ Press'd by some amorous-breathing boy?
+ Tho' coy, she courts him too,
+ Winding away her slender form,
+ She will not have him woo so warm,
+ And yet will have him woo!
+ --_George Darley_
+
+
+
+
+ My Lady
+
+ I loved her for that she was beautiful;
+ And that to me she seem'd to be all Nature,
+ And all varieties of things in one:
+ Would set at night in clouds of tears, and rise
+ All light and laughter in the morning; fear
+ No petty customs nor appearances;
+ But think what others only dream'd about;
+ And say what others did but think; and do
+ What others did but say; and glory in
+ What others dared but do; so pure withal
+ In soul; in heart and act such conscious yet
+ Such perfect innocence, she made round her
+ A halo of delight. 'Twas these which won me;--
+ And that she never school'd within her breast
+ One thought or feeling, but gave holiday
+ To all; and that she made all even mine
+ In the communion of Love; and we
+ Grew like each other, for we loved each other;
+ She, mild and generous as the air in Spring;
+ And I, like Earth all budding out with love.
+ --_Philip James Bailey_
+
+
+
+
+ To a Discarded Toast
+
+ Celia, confess 'tis all in vain
+ To patch the ruins of thy face;
+ Nor of ill-natur'd time complain,
+ That robs it of each blooming grace.
+
+ If love no more shall bend his bow,
+ Nor point his arrows from thine eye,
+ If no lac'd fop, nor feathered beau,
+ Despairing at thy feet shall die.
+
+ Yet still, my charmer, wit like thine
+ Shall triumph over age and fate;
+ Thy setting beams with lustre shine,
+ And rival their meridian height.
+
+ Beauty, fair flower! soon fades away,
+ And transient are the joys of love;
+ But wit, and virtue ne'er decay,
+ Ador'd below, and bless'd above.
+ --_William Somerville_
+
+
+
+
+ The Bonnie Wee Thing
+
+ Bonnie wee thing, cannie wee thing,
+ Lovely wee thing, wast thou mine,
+ I wad wear thee in my bosom,
+ Lest my jewel I should tine.
+
+ Wishfully I look and languish
+ In that bonnie face o' thine;
+ And my heart it stounds wi' anguish,
+ Lest my wee thing be na mine.
+
+ Wit, and grace, and love, and beauty,
+ In ae constellation shine;
+ To adore thee is my duty,
+ Goddess o' this sould of mine.
+ --_Robert Burns_
+
+
+
+
+ Song from "The Princess"
+
+ Now sleeps the crimson petal, now the white;
+ Nor waves the cypress in the palace walk;
+ Nor winks the gold fin in the porphyry font;
+ The firefly wakens: waken thou with me.
+ Now droops the milk-white peacock like a ghost,
+ And like a ghost she glimmers on to me.
+
+ Now lies the Earth all Danae to the stars,
+ And all thy heart lies open unto me.
+
+ Now slides the silent meteor on, and leaves
+ A shining furrow, as thy thoughts in me.
+
+ Now folds the lily all her sweetness up,
+ And slips into the bosom of the lake:
+ So fold thyself, my dearest, thou, and slip
+ Into my bosom and be lost in me.
+ --_Alfred Tennyson_
+
+
+
+
+ Song
+
+ She is not fair to outward view
+ As many maidens be;
+ Her loveliness I never knew
+ Until she smiled on me;
+ O, then I saw her eye was bright,
+ A well of love, a spring of light!
+
+ But now her looks are coy and cold,
+ To mine they ne'er reply,
+ And yet I cease not to behold
+ The love-light in her eye:
+ Her very frowns are fairer far
+ Than smiles of other maidens are.
+ --_Hartley Coleridge_
+
+
+
+
+ To a Lofty Beauty, from Her Poor Kinsman
+
+ Fair maid, had I not heard thy baby cries,
+ Nor seen thy girlish, sweet vicissitude,
+ Thy mazy motions, striving to elude,
+ Yet wooing still a parent's watchful eyes,
+ Thy humours, many as the opal's dyes,
+ And lovely all;--methinks thy scornful mood,
+ And bearing high of stately womanhood,--
+ Thy brow, where Beauty sits to tyrannize
+ O'er humble love, had made me sadly fear thee;
+ For never sure was seen a royal bride,
+ Whose gentleness gave grace to so much pride--
+ My very thoughts would tremble to be near thee:
+ But when I see thee at thy father's side,
+ Old times unqueen thee, and old loves endear thee.
+ --_Hartley Coleridge_
+
+
+
+
+ Time of Roses
+
+ It was not in the Winter
+ Our loving lot was cast;
+ It was the time of roses--
+ We pluck'd them as we pass'd!
+
+ That churlish season never frown'd
+ On early lovers yet:
+ O no--the world was newly crown'd
+ With flowers when first we met!
+
+ 'Twas twilight, and I bade you go
+ But still you held me fast;
+ It was the time of roses--
+ We pluck'd them as we pass'd!
+ --_Thomas Hood_
+
+
+
+
+ Hermione
+
+ Thou hast beauty bright and fair,
+ Manner noble, aspect free,
+ Eyes that are untouch'd by care;
+ What then do we ask from thee?
+ Hermione, Hermione!
+
+ Thou hast reason quick and strong,
+ Wit that envious men admire,
+ And a voice, itself a song!
+ What then can we still desire?
+ Hermione, Hermione!
+
+ Something thou dost want, O queen!
+ (As the gold doth ask alloy),
+ Tears--amidst thy laughter seen,
+ Pity--mingling with thy joy.
+ This is all we ask from thee,
+ Hermione, Hermione!
+ --_Bryan Waller Proctor_
+
+
+
+
+ Delia
+
+ Fair the face of orient day,
+ Fair the tints of op'ning rose;
+ But fairer still my Delia dawns,
+ More lovely far her beauty blows.
+
+ Sweet the lark's wild-warbled lay,
+ Sweet the tinkling rill to hear;
+ But, Delia, more delightful still,
+ Steal thine accents on mine ear.
+
+ The flower-enamour'd busy bee
+ The rosy banquet loves to sip;
+ Sweet the streamlet's limpid lapse
+ To the sun-brown'd Arab's lip.
+
+ But, Delia, on thy balmy lips
+ Let me, no vagrant insect, rove!
+ O let me steal one liquid kiss!
+ For oh! my soul is parch'd with love.
+ --_Robert Burns_
+
+
+
+
+ Speaking and Kissing
+
+ The air which thy smooth voice doth break,
+ Into my soul like lightning flies;
+ My life retires while thou dost speak,
+ And thy soft breath its room supplies.
+
+ Lost in this pleasing ecstasy,
+ I join my trembling lips to thine,
+ And back receive that life from thee
+ Which I so gladly did resign.
+
+ Forbear, Platonic fools! t'inquire
+ What numbers do the soul compose;
+ No harmony can life inspire
+ But that which from these accents flows.
+ --_Thomas Stanley_
+
+
+
+
+ A Rondeau to Ethel
+
+ "In tea-cup times"! The style of dress
+ Would meet your beauty, I confess;
+ Belinda-like, the patch you'd wear;
+ I picture you the powdered hair,--
+ You'd make a charming Shepherdess!
+
+ And I--no doubt--could well express
+ Sir Plume's complete conceitedness,--
+ Could poise a clouded cane with care
+ "In tea-cup times"!
+
+ The parts would fit precisely--yes;
+ We should achieve a huge success!
+ You should disdain, and I despair,
+ With quite the true Augustan air;
+ But ... could I love you more, or less,--
+ "In tea-cup times"?
+ --_Austin Dobson_
+
+
+
+
+ The Nun
+
+ If you become a nun, dear,
+ A friar I will be;
+ In any cell you run, dear,
+ Pray look behind for me.
+ The roses all turn pale, too;
+ The doves all take the veil, too;
+ The blind will see the show.
+ What! you become a nun, my dear?
+ I'll not believe it, no!
+
+ If you become a nun, dear,
+ The bishop Love will be;
+ The Cupids every one, dear,
+ Will chant "We trust in thee."
+ The incense will go sighing,
+ The candles fall a-dying,
+ The water turn to wine;
+ What! you go take the vows, my dear?
+ You may--but they'll be mine!
+ --_Leigh Hunt_
+
+
+
+
+ Under the Wattle
+
+ "Why should not Wattle do
+ For Mistletoe?
+ Ask'd one--they were but two--
+ Where wattles grow.
+
+ He was her lover, too,
+ Who urged her so--
+ "Why should not Wattle do
+ For Mistletoe?"
+
+ A rose-cheek rosier grew;
+ Rose-lips breathed low--
+ "Since it is here--and You--
+ I hardly know
+ Why Wattle should not do."
+ --_Douglas Brook Wheelton Sladen_
+
+
+
+
+ Eutopia
+
+ There is a garden where lilies
+ And roses are side by side;
+ And all day between them in silence
+ The silken butterflies glide.
+
+ I may not enter the garden,
+ Tho' I know the road thereto;
+ And morn by morn to the gateway
+ I see the children go.
+
+ They bring back light on their faces;
+ But they cannot bring back to me
+ What the lilies say to the roses,
+ Or the songs of the butterflies be.
+ --_Francis Turner Palgrave_
+
+
+
+
+ Designed and Printed
+ in the Shop of
+ P. F. Volland Company
+ Chicago
+
+
+
+
+[Illustration: Rear cover]
+
+
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's A Little Book of Old Time Verse, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK A LITTLE BOOK OF OLD TIME VERSE ***
+
+***** This file should be named 38839.txt or 38839.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/8/8/3/38839/
+
+Produced by Al Haines
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.