diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 38759-8.txt | 2936 | ||||
| -rw-r--r-- | 38759-8.zip | bin | 0 -> 36566 bytes | |||
| -rw-r--r-- | 38759-h.zip | bin | 0 -> 43009 bytes | |||
| -rw-r--r-- | 38759-h/38759-h.htm | 3446 | ||||
| -rw-r--r-- | 38759.txt | 2936 | ||||
| -rw-r--r-- | 38759.zip | bin | 0 -> 36547 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
9 files changed, 9334 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/38759-8.txt b/38759-8.txt new file mode 100644 index 0000000..fa30f1b --- /dev/null +++ b/38759-8.txt @@ -0,0 +1,2936 @@ +The Project Gutenberg EBook of Next Door Neighbours, by Elizabeth Inchbald + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Next Door Neighbours + A Comedy in Three Acts + +Author: Elizabeth Inchbald + +Release Date: February 4, 2012 [EBook #38759] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK NEXT DOOR NEIGHBOURS *** + + + + +Produced by Delphine Lettau and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + + + + + + + + + NEXT DOOR NEIGHBOURS; + + + _A COMEDY_; + IN + THREE ACTS. + + + FROM THE + French Dramas _L'Indigent_ & _Le Dissipateur_. + AS PERFORMED AT THE + THEATRE-ROYAL, HAY-MARKET. + + + BY + MRS. INCHBALD. + + + LONDON: + PRINTED FOR G. G. J. AND J. ROBINSON, + PATER-NOSTER-ROW. + M,DCC,XCI. + + + + +_PROLOGUE_, + +BY T. VAUGHAN, ESQ. + +SPOKEN BY MR. BANNISTER, JUN. + + + To PUFF, or not to Puff--that is the Question-- + Puff by all means, say I, it helps digestion. + To prove my maxim true, pray read the Papers-- + From _Quacks of State_, to those who cure the Vapours. + + You'll find them, one and all, puff high their skill, + Tho' nine in ten, are oft'ner found to kill.-- + Yet Puff's the word, which gives at least a name, + And oftener gains the _undeserving_ Fame: + Or wherefore read we of _Lord Fanny's_ Taste, + Of _me_--an Actor--_wonderfully chaste_! + And yet so squeamish is our Lady elf, + She'd rather die--than paragraph herself; + So fix'd on me--the _Prologue speaking Hack_, + To stop, with _Puff-direct_, the Critic Pack, + Who yelp, and foaming, bark from morn to night, } + And when run hard--turn tail--then snap and bite; } + Putting the timid Hare-like-Bard to flight. } + To such, the best and only Puff to hit, } + Is that which honest CANDOUR must admit, } + A Female Scribbler is an harmless Wit; } + And who so harmless as our present Bard, + Claiming no greater or distinct reward, + Than what from free Translation is her due, + Which here in fullest trust she leaves to you: + With this remark--Who own their Debts with pride, + Are well entitled to the Credit Side. + And as for those with whom she makes so free + They'll ne'er complain of English Liberty; + But glory to behold their Tinsel shine, + Through the rich Bullion of the English Line. + + Fear then avaunt! Trust to a BRITISH JURY-- + With them, an honest Verdict I'll ensure you: + Let Echo catch the sound--'Tis PRATT[1] enacts, + You're _Judges of the Law, as well as Facts_. + On this she rests her Cause, and hopes to find, + As Friends, and _Next Door Neighbours_, you'll be kind; + At least, this only punishment ensue, + _A Frown_--and that's severe enough, from you. + + _Thus puff'd_--I freely to the Court commit her, + Not doubting, as a Woman, you'll acquit her-- + And now join issue, Sirs, without delay-- } + Judging from _written Evidence_ our Play, } + And--_send her a good Deliverance_, I pray. } + +[1: Vide, Earl CAMDEN'S celebrated and Constitutional Speech and +Opinion on the subject of Libels.] + + + + +_DRAMATIS PERSONÆ._ + + + _MEN._ + + Sir George Splendorville Mr. PALMER. + Mr. Manly Mr. KEMBLE. + Mr. Blackman Mr. BADDELEY. + Mr. Lucre Mr. R. PALMER. + Lord Hazard Mr. EVATT. + Willford Mr. AICKIN. + Henry Mr. PALMER, Jun. + Bluntly Mr. BANNISTER, Jun. + + _WOMEN._ + + Lady Caroline Seymour Mrs. BROOKS. + Lady Bridget Squander Miss HEARD. + Evans Mrs. EDWARDS. + Eleanor Mrs. KEMBLE. + + Other Ladies, Gentlemen, Servants, &c. + + SCENE----LONDON. + + + + +NEXT DOOR NEIGHBOURS. + +_A COMEDY._ + + + + +ACT I. + + +SCENE I. _An Antichamber at Sir_ GEORGE SPLENDORVILLE'_s_, _adjoining +a Ball-room_. + +_Enter_ BLUNTLY, _meeting a Servant in Livery_. + + + BLUNTLY. + Come, come, is not every thing ready? Is not the ball-room prepared + yet? It is past ten o'clock. + + SERVANT. + We have only to fix up the new chandelier. + + BLUNTLY. + I'll have no new chandelier. + + SERVANT. + My master said the last ball he gave, the company were in the dark. + + BLUNTLY. + And if you blind them with too much light, they will be in the dark + still. + + SERVANT. + The musicians, sir, wish for some wine. + + BLUNTLY. + What, before the ball begins? No, tell them if they are tipsy at the + end of it, it will be quite soon enough. + + SERVANT. + You are always so cross, Mr. Bluntly, when my master is going to have + company. + + BLUNTLY. + Have not I a right to be cross? For while the whole house is in good + humour, if there was not one person cross enough to take a little + care, every thing would be wasted and ruined through extreme good + temper. (_A man crosses the stage._) Here, you--Mister----Pray are you + the person who was sent with the chandelier? + + SHOPMAN. + Yes, sir. + + BLUNTLY. + Then please to take it back again--We don't want it. + + SHOPMAN. + What is your objection to it, sir? + + BLUNTLY. + It will cost too much. + + SHOPMAN. + Mr. Bluntly, all the trades-people are more frightened at you than at + your master.--Sir George, Heaven bless him! never cares how much a + thing costs. + + BLUNTLY. + That is, because he never cares whether he pays for it or not----but + if he did, depend upon it he would be very particular. Tradesmen all + wish to be paid for their ware, don't they? + + SHOPMAN. + Certainly, sir. + + BLUNTLY. + Then why will they force so many unnecessary things, and make so many + extravagant charges as to put all power of payment out of the + question? + + _Enter_ EVANS:----_The Tradesman goes off at the opposite + Door._ + + BLUNTLY. + How do you do, Mrs. Evans? [_Sullenly._ + + EVANS. + What makes you sigh, Mr. Bluntly? + + BLUNTLY. + What makes you smile? + + EVANS. + To see all the grand preparations for the ball this evening. I + anticipate the joy my lady will take here, and I smile for _her_. + + BLUNTLY. + And I sigh for my master.--I foresee all the bills that will be + brought in, for this evening's expence, and I anticipate the sorrow + it will one day be to _him_. + + EVANS. + But consider, Mr. Bluntly, your master has my lady's fortune to take. + + BLUNTLY. + Yes, but I consider he has your lady to take along with it; and I + prophecy one will stick by him some time after the other is gone. + + EVANS. + For shame.--My lady, I have no doubt, will soon cure Sir George of his + extravagance. + + BLUNTLY. + It will then be by taking away the means.--Why, Lady Caroline is as + extravagant as himself. + + EVANS. + You are mistaken.--She never gives routs, masquerades, balls, or + entertainments of any kind. + + BLUNTLY. + But she constantly goes to them whenever she is invited. + + EVANS. + That, I call but a slight imprudence.--She has no wasteful + indiscretions like Sir George. For instance, she never makes a lavish + present. + + BLUNTLY. + No, but she _takes_ a lavish present, as readily as if she did. + + EVANS. + And surely you cannot call that imprudence? + + BLUNTLY. + No, I call it something worse. + + EVANS. + Then, although she loves gaming to distraction, and plays deep, yet + she never loses. + + BLUNTLY. + No, but she always wins--and _that_ I call something worse. + + [_A loud rapping at the street-door._ + + EVANS. + Here's the company. Will you permit me, Mr. Bluntly, to stand in one + corner, and have a peep at them? + + BLUNTLY. + If you please. (_Rapping again._) What spirit there is in that, Rat, + tat, tat, tat.--And what life, frolic, and joy, the whole house is + going to experience except myself. As for me, I am ready to cry at the + thoughts of it all. [_Exit._ + + _Enter_ LADY CAROLINE. + + LADY CAROLINE. + Here, the first of the company. I am sorry for it. (EVANS _comes + forward_.) Evans, what has brought you hither? + + EVANS. + I came, my lady, to see the preparations making on _your_ account--for + it is upon your account alone, that Sir George gives this grand + _fête_. + + LADY CAROLINE. + Why, I do flatter myself it is.--But where is he? What is it + o'clock?--It was impossible to stay at the stupid opera.--How do I + look? I once did intend to wear those set of diamonds Sir George + presented me with the other morning--but then, I reflected again, + that if---- + + EVANS. + Ah, my lady, what a charming thing to have such a lover--Sir George + prevents every wish--he must make the best of husbands. + + LADY CAROLINE. + And yet my father wishes to break off the marriage--he talks of his + prodigality--and, certainly, Sir George lives above his income. + + EVANS. + But then, Madam, so does every body else. + + LADY CAROLINE. + But Sir George ought undoubtedly to change his conduct, and not be + thus continually giving balls and entertainments--and inviting to his + table acquaintance, that not only come to devour his dinners and + suppers, but him. + + EVANS. + And there are people malicious enough to call your ladyship one of his + devourers too. + + LADY CAROLINE. + As a treaty of marriage is so nearly concluded between us, I think, + Mrs. Evans, I am at liberty to visit Sir George, or to receive his + presents, without having my character, or my delicacy called in + question. (_A loud rapping._) The company are coming: is it not + strange he is not here to receive them. [_Exit_ EVANS. + + + _Enter two Ladies and a Gentleman, who curtsy and bow to_ + LADY CAROLINE.--SIR GEORGE _enters at the opposite door, + magnificently dressed_. + + SIR GEORGE. + Ladies, I entreat your pardon; dear Lady Caroline excuse me. I have + been in the country all the morning, and have had scarce time to + return to town and dress for your reception. [_Another rapping._ + + _Enter_ MR. LUCRE, LORD HAZARD, LADY BRIDGET SQUANDER, &C. + + SIR GEORGE. + Dear Lucre, I am glad to see you. + + MR. LUCRE. + My dear Sir George, I had above ten engagements this evening, but they + all gave place to your invitation. + + SIR GEORGE. + Thank you.--My dear Lady Bridget-- + + LADY BRIDGET. + It is impossible to resist an invitation from the most polished man + alive. (_Sir_ GEORGE _bows_.) What a superb dress! (_in his hearing, + as he turns away_) and what an elegant deportment. + + MR. LUCRE. [_After speaking apart with_ SIR GEORGE. + No, I am not in a state to take any part at Pharo--I am ruin'd.--Would + you believe it Sir George, I am not worth a farthing in the world. + + SIR GEORGE. + Yes, I believed it long ago. + + MR. LUCRE. + Now we are on that subject--could you lend me a hundred pounds? + + SIR GEORGE. [_Taking out his pocket-book._ + I have about me, only this bill for two hundred. + + MR. LUCRE. + That will do as well--I am not circumstantial. (_Takes it._) And my + dear Sir George command my purse at any time--all it contains, will + ever be at your service. + + SIR GEORGE. + I thank you. + + MR. LUCRE. + Nay, though I have no money of my own, yet you know I can always raise + friends--and by heaven! my dear Sir George, I often wish to see you + reduced to my circumstances, merely to prove how much I could, and + _would_, do to serve you. + + SIR GEORGE. + I sincerely thank you. + + MR. LUCRE. + And one can better ask a favour for one's friend than for one's-self, + you know: for when one wants to borrow money on one's own account, + there are so many little delicacies to get the better of--such as I + felt just now.--I was as pale as death, I dare say, when I asked you + for this money--did not you perceive I was? + + SIR GEORGE. + I can't say I did. + + MR. LUCRE. + But you must have observed I hesitated, and looked very foolish. + + SIR GEORGE. + I thought for my part, that I looked as foolish.--But I hope I did not + hesitate. + + MR. LUCRE. + Nor ever will, when a friend applys to you, I'll answer for it--Nor + ever shall a friend hesitate when you apply. + + LORD HAZARD. [_Taking_ SIR GEORGE _aside_. + The obligations I am under to you for extricating me from that + dangerous business-- + + SIR GEORGE. + Never name it. + + LORD HAZARD. + Not only name it, Sir George, but shortly I hope to return the + kindness; and, if I do but live---- + + SIR GEORGE. [_To the company._ + Permit me to conduct you to the next apartment. + + LADY CAROLINE. + Most willingly, Sir George. I was the first who arrived; which proves + my eagerness to dance. + + SIR GEORGE. [_Aside to her._ + But let me hope, passion for dancing was not the only one, that caused + your impatience. + + [_As the company move towards the ball-room_, Mr. LUCRE + _and_ LORD HAZARD _come forward_. + + MR. LUCRE. + Oh! there never was such a man in the world as the master of this + house; there never was such a friendly, generous, noble heart; he has + the best heart in the world, and the best taste in dress. + + [_The company Exeunt, and the music is heard to begin._ + + +SCENE II. _An Apartment, which denotes the Poverty of the +Inhabitants._ HENRY _and_ ELEANOR _discovered_. + + + ELEANOR. + It is very late and very cold too, brother; and yet we have neither of + us heart to bid each other good night. + + HENRY. + No--beds were made for rest. + + ELEANOR. + And that noise of carriages and link-boys at Sir George + Splendorville's, next door, would keep us awake, if our sorrows did + not. + + HENRY. + The poor have still more to complain of, when chance throws them thus + near the rich,--it forces upon their minds a comparison might drive + them to despair, if-- + + ELEANOR. + --If they should not have good sense enough to reflect, that all this + bustle and show of pleasure, may fall very short of happiness; as all + the distress _we_ feel, has not yet, thank Heaven, reached to misery. + + HENRY. + What do you call it then? + + ELEANOR. + A trial; sent to make us patient. + + HENRY. + It may make you so, but cannot me. Good morning to you. [_Going._ + + ELEANOR. + Nay, it is night yet. Where are you going? + + HENRY. + I don't know.--To take a walk.--The streets are not more uncomfortable + than this place, and scarcely colder. + + ELEANOR. + Oh, my dear brother! I cannot express half the uneasiness I feel when + you part from me, though but for the shortest space. + + HENRY. + Why? + + ELEANOR. + Because I know your temper; you are impatient under adversity; you + rashly think providence is unkind; and you would snatch those favours, + which are only valuable when bestowed. + + HENRY. + What do you mean? + + ELEANOR. + Nay, do not be angry; but every time you go out into this tempting + town, where superfluous riches continually meet the eye of the poor, I + tremble lest you should forfeit your honesty for that, which Heaven + decreed should not belong to you. + + HENRY. + And if I did, you would despise and desert me? + + ELEANOR. + No: not desert you; for I am convinced you would only take, to bring + to me; but this is to assure you, I do not want for any thing. + + HENRY. + Not want?--Nor does my father? + + ELEANOR. + Scarcely, while we visit him. Every time he sees us we make him happy; + but he would never behold us again if we behaved unworthy of him. + + HENRY. + What! banish us from a prison? + + ELEANOR. + And although it is a prison, you could not be happy under such a + restriction. + + HENRY. + Happy!--When was I happy last? + + ELEANOR. + Yesterday, when your father thanked you for your kindness to him. Did + we not all three weep with affection for each other? and was not that + happiness? + + HENRY. + It was--nor will I give up such satisfaction, for any enticement that + can offer.----Be contented, Eleanor,--for your sake and my father's, I + will be honest.--Nay, more,--I will be scrupulously proud--and that + line of conduct which my own honour could not force me to follow, my + love to _you_ and _him_, shall compel me to.--When, through necessity, + I am tempted to plunder, your blushes and my father's anguish shall + hold my hand.--And when I am urged through impatience, to take away my + own life, your lingering death and his, shall check the horrid + suggestion, and I will live for you. + + ELEANOR. + Then do not ever trust yourself away, at least from one of us. + + HENRY. + Dear sister! do you imagine that your power is less when separated + from me? Do you suppose I think less frequently on my father and his + dismal prison, because we are not always together? Oh! no! he comes + even more forcibly to my thoughts in his absence--and then, more + bitterly do I feel his misery, than while the patient old man, before + my eyes, talks to me of his consolations; his internal comforts from a + conscience pure, a mind without malice, and a heart, where every + virtue occupy a place.--Therefore, do not fear that I shall forget + either him or you, though I might possibly forget myself. [_Exit._ + + ELEANOR. + If before him I am cheerful, yet to myself I must complain. [_Weeps_] + And that sound of festivity at the house adjoining is insupportable! + especially when I reflect that a very small portion of what will be + wasted there only this one night, would be sufficient to give my dear + father liberty. + + [_A rapping at the door of her chamber, on the opposite + entrance._] + + ELEANOR. + Who's there? + + MR. BLACKMAN. + Open the door. [_Without._ + + ELEANOR. + The voice of our landlord. [_Goes to the door._ + Is it you, Mr. Blackman? + + BLACKMAN. + Yes, open the door. [_Rapping louder._ + + + [_She opens it:_ BLACKMAN _enters, followed by_ BLUNTLY.] + + BLACKMAN. + What a time have you made me wait!--And in the name of wonder, why do + you lock your door? Have you any thing to lose? Have not you already + sold all the furniture you brought hither? And are you afraid of being + stolen yourself? + + [ELEANOR _retires to the back of the Stage_. + + BLUNTLY. + Is this the chamber? + + BLACKMAN. + Yes, Sir, yes, Mr. Bluntly, this is it. + + [BLACKMAN _assumes a very different tone of voice in + speaking to_ BLUNTLY _and_ ELEANOR; _to the one he is all + submissive humility, to the other all harshness._] + + BLUNTLY. + This! [_Contemptuously._ + + BLACKMAN. + Why yes, sir,--this is the only place I have left in my own house, + since your master has been pleased to occupy that next door, while his + own magnificent one has been repairing.--Lock yourself up, indeed! + (_Looking at_ ELEANOR.)--You have been continually asking me for more + rooms, Mr. Bluntly, and have not I made near half a dozen doors + already from one house to the other, on purpose to accommodate your + good family.--Upon my honour, I have not now a single chamber but what + I have let to these lodgers, and what I have absolute occasion for + myself. + + BLUNTLY. + And if you do put yourself to a little inconvenience, Mr. Blackman, + surely my master-- + + BLACKMAN. + Your master, Mr. Bluntly, is a very good man--a very generous man--and + I hope at least he has found me a very lucky one; for good luck is all + the recommendation which I, in my humble station, aspire to--and since + I have been Sir George's attorney, I have gained him no less than two + law-suits. + + BLUNTLY. + I know it. I know also that you have lost him four. + + BLACKMAN. + We'll drop the subject.--And in regard to this room, sir, it does not + suit, you say? + + BLUNTLY. + No, for I feel the cold wind blow through every crevice. + + BLACKMAN. + But suppose I was to have it put a little into repair? That window, + for instance, shall have a pane or two of glass put in; the cracks of + the door shall be stopt up; and then every thing will have a very + different appearance. + + BLUNTLY. + And why has not this been done before? + + BLACKMAN. + Would you have me be laying out my money, while I only let the place + at a paltry price, to people who I am obliged to threaten to turn + into the streets every quarter, before I can get my rent from them? + + BLUNTLY. + Is that the situation of your lodgers at present? + + BLACKMAN. + Yes.--But they made a better appearance when they first came, or I had + not taken such persons to live thus near to your master. + + BLUNTLY. + That girl (_looking at_ ELEANOR) seems very pretty--and I dare say my + master would not care if he was nearer to her. + + BLACKMAN. + Pshaw, pshaw--she is a poor creature--she is in great distress. She is + misery itself. + + BLUNTLY. + I feel quite charmed with misery.--Who belongs to her? + + BLACKMAN. + A young man who says he is her brother--very likely he is not--but + that I should not enquire about, if they could pay my rent. If people + will pay me, I don't care what they are. (_Addressing himself to_ + ELEANOR) I desire you will tell your brother when he comes in, that I + have occasion for the money which will be due to me to-morrow--and if + I don't receive it before to-morrow night, he must seek some other + habitation. + + BLUNTLY. + Hush, Mr. Blackman--if you speak so loud, you will have our company in + the next house hear you. + + BLACKMAN. + And if they did, do you think it would spoil their dancing? No, Mr. + Bluntly.--And in that respect, I am a person of fashion.--I never + suffer any distress to interfere with my enjoyments. + + ELEANOR. [_Coming to him._ + Dear sir, have but patience a little while longer.--Indeed, I hope you + will lose nothing. + + BLACKMAN. + I _won't_ lose any thing. [_Going._ + + ELEANOR. [_Following him._ + Sir, I would speak a single word to you, if you will be so good as to + hear me? + + BLUNTLY. + Ay, stay and hear her. + + ELEANOR. [_Looking at_ BLUNTLY. + But I wish to speak to him by ourselves. + + BLUNTLY. + Then I'll withdraw. + + BLACKMAN. + What have you to say? [_In anger._ + + BLUNTLY. + Hear her, Mr. Blackman--or may none of her sex ever listen to you. + [_Exit._ + + BLACKMAN. + If it is only to entreat me to let you continue here, I am gone in an + instant.----Come, speak quickly, for I have no time to lose.--Come, + speak, speak. + + ELEANOR. + But are you resolved to have no pity? You know in what a helpless + situation we are--and the deplorable state of my poor father. + [_Weeping._ + + BLACKMAN. + Ay, I thought what you had to say--farewel, farewel. + + ELEANOR. [_Laying hold of him._ + Oh! do not plunge us into more distress than we can bear; but open + your heart to compassion. + + BLACKMAN. + I can't----'tis a thing I never did in my life. + + [_Going, he meets_ BLUNTLY, _who stops him_. + + BLUNTLY. + Well, have you granted her request? + + BLACKMAN. + I would do a great deal to oblige you, Mr. Bluntly--and if you will + only give your word for the trifle of rent owing, why, I am not so + hard-hearted but I will suffer her to stay. + + BLUNTLY. + Well, well,--I will give my word. + + BLACKMAN. + But remember, it is not to be put down to your master's account, but + to your own.--I am not to give credit. + + ELEANOR. + Nor am I to lay my brother under an obligation of this nature. (_To_ + BLUNTLY) I thank you for your offer, sir, but I cannot accept it. + + BLACKMAN. [_In extreme anger._ + What do you mean by that? + + BLUNTLY. + Perhaps she is right. + + ELEANOR. + My brother would resent my acceptance of a favour from a stranger. + + BLACKMAN. + Your brother resent! A poor man resent! Did you ever hear of any + body's regarding a poor man's resentment? + + ELEANOR. + No--nor a poor woman's prayers. + + BLACKMAN. + Yes, I will regard your prayers, if you will suffer this gentleman to + be your friend. + + ELEANOR. + Any acquaintance of your's, Mr. Blackman, I must distrust. + + BLACKMAN. + Do you hear with what contempt she treats us both? + + BLUNTLY. + But perhaps she is right--at least, in treating one of us so, I am + sure she is--and I will forgive her wronging the one, for the sake of + her doing justice to the other. + + _Enter_ HENRY: _he starts at seeing_ BLACKMAN _and_ BLUNTLY. + + HENRY. + Who are these? + + BLACKMAN. + "Who are these?" Did you ever hear such impertinence? (_Going up to + him_) Pray who are you, sir? + + HENRY. + I am a man. + + BLACKMAN. + Yes--but I am a lawyer. + + HENRY. + Whatever you are, this apartment is mine, not your's--and I desire you + to leave it. + + BLACKMAN. + But to-morrow it will be mine, and then I shall desire _you_ to leave + it, and force you to leave it. + + HENRY. + Eleanor, retire to the other chamber; I am sorry I left you. [_Leads + her off._ + + BLACKMAN. + And I am sorry that I and my friend should come here to be affronted. + + BLUNTLY. + Mr. Blackman, I won't be called names. + + BLACKMAN. + Names, sir! What names did I call you? + + BLUNTLY. + Did not you call me your friend? I assure you, sir, I am not used to + be called names. I am but a servant whose character is every + thing--and I'll let you know that I am _not_ your friend. + + BLACKMAN. + Why, you blockhead, does not your master call himself my friend? + + BLUNTLY. + Yes, my master is a great man, and he can get a place without a + character,--but if I lose mine, I am ruined; therefore take care how + you miscal me for the future, for I assure you I won't bear it. I am + not your friend, and you shall find I am not. + + [_Exit (in great anger)_, BLACKMAN _following_. + +END OF THE FIRST ACT. + + + + +ACT II. + + +SCENE I. _An Apartment at_ SIR GEORGE SPLENDORVILLE'S. + +_Enter_ SIR GEORGE, _followed by_ BLUNTLY. + + + SIR GEORGE. + What's o'clock? [_Rubbing his eyes._ + + BLUNTLY. + Just noon, sir. + + SIR GEORGE. + Why was I waked so early? + + BLUNTLY. + You were not waked, sir--You rung. + + SIR GEORGE. + Then it was in my sleep--and could not you suppose so?----After going + to bed at five, to make me rise at noon! (_in a violent passion_) What + am I to do with myself, sir, till it is time to go out for the + evening? + + BLUNTLY. + You have company to dinner you know, sir. + + SIR GEORGE. + No, it is to supper--and what am I to do with myself till that time? + + BLUNTLY. + Company again to supper, Sir? + + SIR GEORGE. + Yes, and the self-same company I had last night--I invited them upon + Lady Caroline's account--to give her an opportunity of revenge, for + the money she lost here yesterday evening--and I am all weariness--I + am all lassitude and fretfulness till the time arrives.--But now I + call to mind, I have an affair that may engage my attention a few + hours. You were giving me an account, Bluntly, of that beautiful girl + I saw enter at Blackman's? + + BLUNTLY. + Yes, sir, I saw her late last night in Mr. Blackman's house--she + lodges there. + + SIR GEORGE. + Indeed? In Blackman's house? I am glad to hear it. + + BLUNTLY. + And he has assured me, sir, that she and her family are in the + greatest poverty imaginable. + + SIR GEORGE. + I am glad to hear it. + + BLUNTLY. + They have been it seems above a twelvemonth in London, in search of + some rich relations; but instead of meeting with them, the father was + seen and remembered by an old creditor who has thrown him into prison. + + SIR GEORGE. + I am very glad to hear it. + + BLUNTLY. + But the young woman, Sir, has been so short a time in town, she has, + seemingly, a great deal of modesty and virtue. + + SIR GEORGE. + And I am very glad to hear of that too--I like her the better--you + know I do--for I am weary of that ready compliance I meet with from + the sex. + + BLUNTLY. + But if I might presume to advise, sir--as you are so soon to be + married to her ladyship, whom you love with sincere affection, you + should give up this pursuit. + + SIR GEORGE. + And I _shall_ give it up, Bluntly, before my marriage takes + place--for, short as that time may be, I expect this passion will be + over and forgotten, long before the interval has passed away.--But + that brother you were mentioning---- + + BLUNTLY. + I have some reason to think, that with all his poverty, he has a + notion of honour. + + SIR GEORGE. [_Laughing._ + Oh! I have often tried the effect of a purse of gold with people of + honour.--Have you desired them to be sent for as I ordered. + + BLUNTLY. + I have, Sir. + + SIR GEORGE. + See if they are come. [_Exit_ BLUNTLY.] Ah! my dear Lady Caroline, it + is you, and only you, whom I love with a sincere passion! but in + waiting this long expected event of our marriage, permit me to indulge + some less exalted wishes. + + _Enter_ BLUNTLY. + + SIR GEORGE. + Are they come? + + BLUNTLY. + The young man is in the anti-chamber, sir, but his sister is not with + him. (_Speaking to_ HENRY _who is without_) Please to walk this + way--my master desires to see you. + + SIR GEORGE. + No, no, no--I do not desire to see him, if his sister is not + there.--Zounds you scoundrel what did you call him in for? + + _Enter_ HENRY, _and bows_. + + [SIR GEORGE _looks at him with a careless familiarity_--BLUNTLY + _leaves the room_.] + + SIR GEORGE. + Young man, I am told you are very poor--you may have heard that I am + very rich--and I suppose you are acquainted with the extensive meaning + of the word--generosity. + + HENRY. [_After an hesitation._] + Perhaps not, sir. + + SIR GEORGE. + The meaning of it, as I comprehend, is, for the rich to give to the + poor.--Have you any thing to ask of me in which I can serve you? + + HENRY. + Your proposal is so general, I am at a loss what to answer--but you + are no doubt acquainted with the extensive meaning of the word, + _pride_,--and that will apologize for the seeming indifference with + which I receive your offer. + + SIR GEORGE. + Your pride seems extensive indeed.--I heard your father was in prison, + and I pitied him. + + HENRY. + Did you, Sir?--Did you pity my father:--I beg your pardon--if I have + said any thing to offend you pray forgive it--nor let my rudeness turn + your companion away from him, to any other object. + + SIR GEORGE. + Would a small sum release him from confinement? Would about a hundred + pounds---- + + HENRY. + I have no doubt but it would. + + SIR GEORGE. + Then take that note.----Be not surprised--I mean to dispose of a + thousand guineas this way, instead of fitting up a theatre in my own + house.--That (_giving him the note_) is a mere trifle; my box at the + opera, or my dinner; I mean to dine alone to morrow, instead of + inviting company. + + HENRY. + Sir George, I spoke so rudely to you at first, that I know no other + way to shew my humility, than to accept your present without + reluctance.--I do therefore, as the gift of benevolence, not as the + insult of better fortune. + + SIR GEORGE. + You have a brother, have not you? + + HENRY. + No, Sir--and only one sister. + + SIR GEORGE. + A sister is it? well, let me see your father and your brother--your + sister I mean--did not you say?--you said a sister, did not you? + + HENRY. + Yes, Sir. + + SIR GEORGE. + Well, let me see your father and her; they will rejoice at their good + fortune I imagine, and I wish to be a witness of their joy. + + HENRY. + I will this moment go to our lawyer, extricate my father, and we will + all return and make you the spectator of the happiness you have + bestowed. + + Forgive my eagerness to disclose your bounty, sir, if, before I have + said half I feel, I fly to reveal it to my father; to whom I can more + powerfully express my sensations--than in your presence. [_Exit._ + + SIR GEORGE. + That bait has taken--and now, if the sister will only be as grateful. + + _Enter_ BLUNTLY. + + BLUNTLY. + Dear sir, what can you have said to the young man? I never saw a + person so much affected! + + SIR GEORGE. + In what manner? + + BLUNTLY. + The tears ran down his cheeks as he passed along, and he held + something in his hand which he pressed to his lips, and then to his + heart, as if it was a treasure. + + SIR GEORGE. + It is a treasure, Bluntly--a hundred Guineas. + + BLUNTLY. + But for which, I believe, you expect a greater treasure in return. + + SIR GEORGE. + Dost think so Bluntly?--dost think the girl is worth a hundred pounds? + + BLUNTLY. + If she refuses, she is worth a thousand--but if she complies, you have + thrown away your money. + + SIR GEORGE. + Just the reverse. + + BLUNTLY. + But I hope, sir, you do not mean to throw away any more thus--for + although this sum, by way of charity, may be well applied, yet indeed, + sir, I know some of your creditors as much in want as this poor + family. + + SIR GEORGE. + How!--You are in pay by some of my creditors I suppose? + + BLUNTLY. + No, Sir, you must pay them, before they can pay any body. + + SIR GEORGE. + You are impertinent--leave the room instantly, and go in search of + this sister; now, while the son is gone to release his father.--Tell + her, her brother is here, and bring her hither immediately. + + BLUNTLY. + But, sir, if you will only give me leave to speak one word-- + + SIR GEORGE. + Do, speak; [_Goes to the chimney-piece and takes down a pistol_] only + speak a single syllable, and I'll send a ball instantly through your + head. + + BLUNTLY. + I am dumb, Sir--I don't speak indeed, Sir--upon my life I don't. I + wish I may die if I speak a word. + + SIR GEORGE. + Go on the errand I told you; and if you dare to return without the + girl this is your fate. [_Holding up the pistol._ + + BLUNTLY. + Yes, Sir. [_Exit._ + + SIR GEORGE. [_Laying the pistol on the table._ + Impertinent puppy; to ruffle the temper of a man of fashion with hints + of prudence and morality, and paying his debts--all this from a + servant too. The insolent, chattering---- + + _Enter_ BLUNTLY. + + BLUNTLY. + May I speak now, sir? + + SIR GEORGE. + What have you to say? + + BLUNTLY. + Mr. Blackman, sir. + + SIR GEORGE. + Bid him come in. + + _Enter_ BLACKMAN. _Exit_ BLUNTLY. + + SIR GEORGE. + Good morning, Mr. Blackman; come, sit down. + + BLACKMAN. [_Bowing respectfully._ + I am glad, Sir George, I have found you alone, for I come to speak to + you on important business. + + SIR GEORGE. + Business!----no--not now if you please. + + BLACKMAN. + But I must, sir--I have been here ten times before, and have been put + off, but now you must hear what I have to say. + + SIR GEORGE. + Don't be long then--don't be tedious, Mr. Blackman--for I expect a, + a--in short, I expect a pretty woman. + + BLACKMAN. + When she comes, I will go. + + SIR GEORGE. + Very well, speak quickly then. What have you to say? + + BLACKMAN. + I come to speak upon the subject of your father's will; by which you + know, you run the hazard of losing great part of what he left behind. + + SIR GEORGE. + But what am I to do? + + BLACKMAN. + There is no time to be lost. Consider, that Mr. Manly, the lawyer, + whom your father employed, is a man who pretends to a great deal of + morality; and it was he who, when your father found himself dying, + alarmed his conscience, and persuaded him to make this Will in favour + of a second person. Now, I think that you and I both together, ought + to have a meeting with this conscientious lawyer. + + SIR GEORGE. + But I should imagine, Mr. Blackman, that if he is really a + conscientious man, you and he will not be upon good terms. + + BLACKMAN. + Oh! people of our avocation differ in respect to conscience. Puzzle, + confound, and abuse each other, and yet are upon good terms. + + SIR GEORGE. + But I fear---- + + BLACKMAN. + Fear nothing.--There are a vast number of resources in our art.--It is + so spacious, and yet so confined--so sublime, and yet so profound--so + distinct, and yet so complicated--that if ever this person with whom + your fortune is divided should be found, I know how to envelope her + in a labyrinth, where she shall be lost again in a hurry.----But your + father's lawyer being a very honest--I mean a very particular man in + his profession,--I have reason to fear we cannot gain him over to our + purpose.--If, therefore,-- + + _Enter_ BLUNTLY. + + SIR GEORGE. + My visitor is come, as I told you. + + BLACKMAN. [_Rising._ + And I am gone, as I told you. [_Going._ + + _Enter_ ELEANOR. + + BLACKMAN. [_Aside._ + My lodger! ah! ah! (_To her in a whisper_) You may stay another + quarter. [_Exit._ + + SIR GEORGE. + (_To_ Eleanor) I am glad to see you.--Bluntly-- + + [_Makes a sign to him to leave the room._ + + BLUNTLY. + Sir? + [SIR GEORGE _waves his hand and nods his head a second + time_. + + BLUNTLY. + Sir?---- + + [_Still affecting not to understand him._ + + SIR GEORGE. + I bid you go. [_Angrily._ + + BLUNTLY. + + You bid me go, sir?--Oh yes, sir.--Very well, sir.--But indeed, sir, I + did not hear you before, sir.--Indeed I did not. + + [_Bows, and exit with reluctance, which_ ELEANOR _observes_. + + ELEANOR. + Pardon me, sir.--I understood my brother was here, but I find he is + not. + + SIR GEORGE. + He is but this instant gone, and will return immediately.--Stay then + with me till he comes. (_Takes her hand._) Surely you cannot refuse to + remain with me a few moments; especially as I have a great deal to say + to you that may tend to your advantage. + + Why do you cast your eyes with such impatience on that door? (_Goes + and locks it._) There, now you may look at it in vain. + + ELEANOR. + For heaven sake, why am I locked in? + + SIR GEORGE. + Because you should not escape. + + ELEANOR. + That makes me resolve I will--Open the door, sir. [_Going to it._ + + SIR GEORGE. + Nay, listen to me. Your sentiments, I make no doubt, are formed from + books. + + ELEANOR. + No, from misfortunes--yet more instructive. + + SIR GEORGE. + You shall never know misfortune more--you, nor your relations.--But + this moment I presented your brother with a sum of money, and he left + me with professions of the deepest gratitude. + + ELEANOR. + My brother!--Has he received money from you? Ah! he promised me he'd + not disgrace his family. + + SIR GEORGE. + How! Family, indeed! + + ELEANOR. + I cannot remain here a moment longer. Open the door, sir--open it + immediately. [_Raising her voice._ + + BLUNTLY. [_Without._ + Sir, sir, sir,--open the door, if you please--you are wanted, sir. + + SIR GEORGE. + S'death! who can want me in such haste? [_Opens the door, and appears + confounded._ + + _Enter_ BLUNTLY. + + SIR GEORGE. + Well, sir! + + BLUNTLY. + ----Did you call, sir? + + SIR GEORGE. + It was _you_ who called, sir. + + BLUNTLY. + Who, I, sir? + + SIR GEORGE. + Yes, sir, you--Who wants me? + + BLUNTLY. [_Looking at_ ELEANOR. + Perhaps it was _you_ that called, Ma'am. + + ELEANOR. + It _was_ I that called: and pray be so kind as to conduct me to my own + lodgings. + + [BLUNTLY _offers her his hand_. + + SIR GEORGE. + Dare not to touch her--or to stay another moment in the room.--Begone. + + [BLUNTLY _looks at_ ELEANOR _aside, and points to the + pistol; then bows humbly, and retires_. + + SIR GEORGE. + And now, my fair Lucretia---- + + [_He is going to seize her--she takes up the pistol and + presents it._ + + ELEANOR. + No, it's not _myself_ I'll kill--'Tis you. + + SIR GEORGE. [_Starting._ + Nay, nay, nay, lay it down.--Lay that foolish thing down; I beg you + will. (_Trembling._) It is charged--it may go off. + + ELEANOR. + I mean it to go off. + + SIR GEORGE. + But no jesting--I never liked jesting in my life. + + ELEANOR. + Nor I--but am always serious.--Dare not, therefore, insult me again, + but let me go to my wretched apartments. + + [_Passes by him, presenting the pistol._ + + SIR GEORGE. + Go to the---- + + [_She turns short at the door, and presents it again._ + + SIR GEORGE. + What would you do?--Here Bluntly! Bluntly! [_Exit_ ELEANOR. + + _Enter_ BLUNTLY. + + BLUNTLY. + Did you call or no, sir? + + SIR GEORGE. + Yes, sir, I did call now. (_In a threatening accent._) Don't you think + you have behaved very well this morning? + + BLUNTLY. + Yes, sir, I think I have. + + SIR GEORGE. + I am not joking. + + BLUNTLY. + Nor am I, sir. + + SIR GEORGE. + And do not you think I should behave very well, if I was to discharge + you my service? + + BLUNTLY. + As well as can be expected, sir. + + SIR GEORGE. + Why did you break in upon me just now? Did you think I was going to + murder the girl? + + BLUNTLY. + No, sir, I suspected neither love nor murder. + + SIR GEORGE. + What then did you suspect? + + BLUNTLY. + Why, sir, if I may make bold to speak--I was afraid the poor girl + might be robbed: and of all she is worth in the world. + + SIR GEORGE. + Blockhead! I suppose you mean her virtue? [_Smiling with contempt._ + + BLUNTLY. + Why, to say the truth, sir, virtue is a currency that grows scarce in + the world now-a-days--and some men are so much in need of it, that + they think nothing of stopping a harmless female passenger in her road + through life, and plundering her of it without remorse, though its + loss, embitters every hour she must afterwards pass in her journey. + + _Enter_ HENRY. + + HENRY. + Sir George, my father, liberated from prison by your bounty, is come + gratefully to offer---- + + _Enter_ WILLFORD _and_ ELEANOR. + + ELEANOR. + [_Holding her father by the hand, to prevent his going forward._ + Oh, my father! whither are you going? Turn back--turn back. + + HENRY. [_To his father._ + This is your benefactor--the man whose benevolence has put an end to + your sufferings. + + [ELEANOR _bursts into tears and retires up the stage_. + + WILLFORD. + How, sir, can I ever repay what I owe to you?--or how describe those + emotions, which your goodness at this moment makes me feel? + + SIR GEORGE. [_In confusion._ + Very well--very well--'tis all very well. (_Aside_) I wish it + was.--(_To him_) I am glad I have been of service to you. + + WILLFORD. + You have been like mercy to us all. My daughter's gratitude overflows + in tears.--But why, my child, do you keep apart from us? Can you be + too timid to confess your obligation? + + SIR GEORGE. + Let her alone--let her indulge her humour. + + WILLFORD. + Speak, Eleanor. + + SIR GEORGE. + No, I had rather she would be silent. + + WILLFORD. + You offend me by this obstinacy. + + ELEANOR. [_Going to_ WILLFORD _and taking his hand_. + Oh, my father!--Oh! I cannot----I cannot speak. + + WILLFORD. + Wherefore?--Explain this moment, what agitates you thus. + + ELEANOR. + You must return to confinement again. + + WILLFORD. + How? + + ELEANOR. + The money that has set you free, was given for the basest + purposes--and by a man as far beneath you in principle, as you are + beneath him in fortune. Disdain the obligation--and come my father, + return to prison. + + WILLFORD. + Yes.--And with more joy than I left it. (_To_ SIR GEORGE) Joy, in my + daughter's virtuous contempt of thee. (_To his children_) Leave the + house instantly. + + [_Exit_ HENRY _and_ ELEANOR. + + WILLFORD. [_Addressing himself to_ SIR GEORGE. + Your present is but deposited in a lawyer's hands, whose word gained + me my liberty--he shall immediately return it to you, while I return + to imprisonment. + + SIR GEORGE. + If the money is in a lawyer's hands, my good friend, it may be some + time before you get it returned. [_Going._ + + WILLFORD. + Stay, Sir George--(_he returns_) And look me in the face while you + insult me. (SIR GEORGE _looks on the floor_.) You cannot.--I therefore + triumph, while you stand before me abashed like a culprit.--Yet be + assured, unthinking, dissipated man, that with all your insolence and + cruelty towards me and mine, I have still the charity to rejoice, even + for your sake, at seeing you thus confounded. This shame is at least + one trait in your favour; and while it revenges my wrongs, gives me + joy to find, you are not a _hardened_ libertine. [_Exeunt._ + +END OF THE SECOND ACT. + + + + +ACT III. + + +SCENE I. _The apartment at_ SIR GEORGE SPLENDORVILLE'S, _where the +night has been passed at play--Several card-tables with company +playing_--SIR GEORGE _and_ LADY CAROLINE _at the same table_. SIR +GEORGE _rises furiously_. + + + SIR GEORGE. + Never was the whole train of misfortunes so united to undo a man, as + this night to ruin me. The most obstinate round of ill luck---- + + MR. LUCRE. [_Waking from a sleep._ + What is all that? You have lost a great deal of money, I suppose? + + SIR GEORGE. + Every guinea I had about me, and fifteen thousand besides, for which I + have given my word. + + MR. LUCRE. + Fifteen thousand guineas! and I have not won one of them.--Oh, + confusion upon every thing that has prevented me. + + SIR GEORGE. [_Taking_ LADY CAROLINE _aside_. + Lady Caroline, you are the sole person who has profited by my + loss.--Prove to me that your design was not to ruin me; to sink me + into the abyss of misfortune,--prove to me, you love me in return for + all my tender love to you. And (_taking up the cards_) give me my + revenge in one single cut. + + LADY CAROLINE. + If this is the proof you require, I consent. + + SIR GEORGE. + Thank you.--And it is for double or quit.--Thank you. [_She shuffles + and cuts._ + + SIR GEORGE. + Ay, it will be mine--thank you.--I shall be the winner--thank you. + (_He cuts--then tears the cards and throws them on the floor._) + Destraction!--Furies of the blackest kind conspire against me, and all + their serpents are in my heart.--Cruel, yet beloved woman! Could you + thus abuse and take advantage of the madness of my situation? + + LADY CAROLINE. + Your misfortunes, my dear Sir George--make you blind. + + SIR GEORGE. [_Taking her again aside._ + No, they have rather opened my eyes, and have shown me what you + are.--Still an object I adore; but I now perceive your are one to my + ruin devoted.--If any other intention had directed you, would you have + thus decoyed me to my folly?--You know my proneness to play, your own + likelihood of success, and have palpably allured me to my destruction. + Ungrateful woman, you never loved me, but taught me to believe so, in + order to partake of my prodigality.--Do not be suspicious, madam; the + debt shall be discharged within a week. + + LADY CAROLINE. [_With the utmost indifference._ + That will do, sir--I depend upon your word; and that will do. [_Exit + curtsying._ + + SIR GEORGE. + Ungrateful--cruel--she is gone without giving me one hope.--She even + insults--despises me. + + MR. LUCRE. [_Coming forward._ + Indeed, my dear friend, I compassionate your ill luck most feelingly; + and yet I am nearly as great an object of compassion on this occasion + as yourself; for I have not won a single guinea of all your losses: if + I had, why I could have borne your misfortune with some sort of + patience. + + LADY BRIDGET. + My dear Sir George, your situation affects me so extremely, I cannot + stay a moment longer in your presence. [_Goes to the door, and + returns._] But you may depend upon my prayers. [_Exit._ + + LORD HAZARD. + Sir George, if I had any consolation to offer, it should be at your + service--but you know--you are convinced--I have merely a sufficiency + of consolation--that is, of friends and of money to support myself in + the rank of life I hold in the world. For without that--without that + rank--I sincerely wish you a good morning. + + [_Exit_ LORD HAZARD. + + SIR GEORGE. + Good morning. + + [_The company by degrees all steal out of the room, except_ + Mr. LUCRE. + + SIR GEORGE. [_Looking around._ + Where are all my guests?--the greatest part gone without a word in + condolence, and the rest torturing me with insulting wishes. Here! + behold! here is the sole reliance which I have prepared for the hour + of misfortune; and what is it?--words--compliments--desertion--and + from those, whose ingratitude makes their neglect still more poignant. + [_Turns and perceives_ Mr. LUCRE.] Lucre, my dear Lucre, are not you + amazed at what you see? + + MR. LUCRE. + No, not at all--'tis the way of the world--we caress our acquaintances + whilst they are happy and in power, but if they fall into misfortune, + we think we do enough if we have the good nature to pity them. + + SIR GEORGE. + And are you, one of these friends? + + MR. LUCRE. + I am like the rest of the world.--I was in the number of your + flatterers; but at present you have none--for you may already + perceive, we are grown sincere. + + SIR GEORGE. + But have not you a thousand times desired me, in any distress, to + prove you? + + MR. LUCRE. + And you do prove me now, do you not?--Heaven bless you. [_Shaking + hands with him_] I shall always have a regard for you--but for any + thing farther--I scorn professions which I do not mean to keep. + [_Going._ + + SIR GEORGE. + Nay, but Lucre! consider the anguish in which you leave me!--consider, + that to be forsaken by my friends is more affecting than the loss of + all my fortune. Though you have nothing else to give me, yet give me + your company. + + MR. LUCRE. + My dear friend I _cannot_. Reflect that I am under obligations to + you--so many indeed that I am ashamed to see you.----I am naturally + bashful; and do not be surprised if I should never have the confidence + to look you in the face again. [_Exit._ + + SIR GEORGE. + This is the world, such as I have heard it described, but not such as + I could ever believe it to be.--But I forgive--I forget all the world + except Lady Caroline--her ingratitude fastens to my heart and drives + me to despair. She, on whom I have squandered so much--she, whom I + loved--and whom I still love, spite of her perfidy! + + (_Enter_ BLUNTLY.) + + Well, Bluntly--behold the friendship of the friends I loved! This + morning I was in prosperity and had many--this night I am ruined, and + I have not one. + + BLUNTLY. + Ruined, sir? + + SIR GEORGE. + Totally: and shall be forced to part with every thing I possess to pay + the sums I owe.----Of course, I shall part with all my servants--and + do you endeavour to find some other place. + + BLUNTLY. + But first, sir,--permit me to ask a favour of you? + + SIR GEORGE. + A favour of me? I have no favours now to grant. + + BLUNTLY. + I beg your pardon, sir--you have one--and I entreat it on my knees. + + SIR GEORGE. + What would you ask of me? + + BLUNTLY. + To remain along with you still.--I will never quit you; but serve you + for nothing, to the last moment of my life. + + SIR GEORGE. + I have then one friend left. (_Embracing him._) And never will I + forget to acknowledge the obligation. + + _Enter_ BLACKMAN. + + BLACKMAN. + Pardon me--sir--I beg ten thousand pardons--pray excuse me, (_In the + most servile manner_,) for entering before I sent to know if you were + at leisure--but your attendants are all fast asleep on the chairs of + your antichamber.--I could not wake a soul--and I imagined you + yourself were not yet up. + + SIR GEORGE. + On the contrary, I have not yet been in bed. And when I do go there, I + wish never to rise from it again. + + BLACKMAN. + Has any thing unexpected happened? + + SIR GEORGE. + Yes.--That I am ruined--inevitably ruined--Behold (_Shewing the + cards_) the only wreck of my fortune. + + BLACKMAN. + (_Starting._) Lost all your fortune? + + SIR GEORGE. + All I am worth--and as much more as I am worth. + + [BLACKMAN _draws a chair, sits down with great familiarity, + and stares_ SIR GEORGE _rudely in the face_. + + BLACKMAN. + Lost all you are worth? He, he, he, he! (_Laughs maliciously._) Pretty + news, truly! Why then I suppose I have lost great part of what I am + worth? all which you are indebted to me?--However there is a way yet + to retrieve you. But--please to desire your servant to leave the room. + + SIR GEORGE. + Bluntly, leave us a moment. (_Exit_ BLUNTLY.) Well, Mr. Blackman, what + is this grand secret? + + BLACKMAN. + Why, in the state to which you have reduced yourself, there is + certainly no one hope for you, but in that portion, that half of your + fortune, which the will of your father keeps you out of. + + SIR GEORGE. + But how am I to obtain it? The lawyer in whose hands it is placed, + will not give it up, without being insured from any future demand by + some certain proofs. + + BLACKMAN. + And suppose I should search, and find proofs? Suppose I have them + already by me?--But upon this occasion, you must not only rely + implicitly on what I say, but it is necessary you should say the same + yourself. + + SIR GEORGE. + If you advance no falsehood, I cannot have any objection. + + BLACKMAN. + Falsehood!--falsehood!--I apprehend, Sir George, you do not consider, + that there is a particular construction put upon words and phrases in + the practice of the law, which the rest of the world, out of that + study, are not clearly acquainted with. For instance, _falsehood_ with + _us_, is not _exactly_ what it is with other people. + + SIR GEORGE. + How! Is truth, immutable truth, to be corrupted and confounded by men + of the law? + + BLACKMAN. + I was not speaking of truth--that, we have nothing to do with. + + SIR GEORGE. + I, must not say so, however, sir.--And in this crisis of my + sufferings, it is the only comfort, the only consolatory reflection + left me, that truth and I, will never separate. + + BLACKMAN. + Stick to your truth--but confide in me as usual.--You will go with me, + then, to Mr. Manly, your father's lawyer, and corroborate all that I + shall say? + + SIR GEORGE. + Tell me, but what you intend to say? + + BLACKMAN. + I can't do that. In the practice of the law, we never know what we + intend to say--and therefore our blunders, when we make them, are in + some measure excusable--and if I should chance to make a blunder or + two, I mean any trivial mistake, when we come before this lawyer, you + must promise not to interfere, or in any shape contradict me. + + SIR GEORGE. + A mere lapse of memory, I have nothing to do with. + + BLACKMAN. + And my memory grows very bad; therefore you must not disconcert me. + + SIR GEORGE. + Come, let us begone--I am ready to go with you this moment. + + BLACKMAN. + I must first go home, and prepare a few writings. + + SIR GEORGE. + But call to mind that I rely upon your honour. + + BLACKMAN. + Do you think Bluntly, your servant, is an honest man? + + SIR GEORGE. + I am sure he is. + + BLACKMAN. + Then, to quiet your fears, I will take him along with us; and you will + depend on what he shall say, I make no doubt? + + SIR GEORGE. + I would stake my being upon his veracity. + + BLACKMAN. + Call him in, then, and bid him do as I command him. + + SIR GEORGE. + Here, Bluntly. (_Enter_ BLUNTLY.) Mr. Blackman has some business with + you--listen to him with attention, and follow his directions. [_Exit._ + + BLACKMAN. + You know, I suppose, the perilous situation of your master? + + [BLUNTLY _shakes his head, and wipes his eyes._ + + BLACKMAN. + Good fellow! good fellow!--and you would, I dare say, do any thing to + rescue him from the misery with which he is surrounded? + + BLUNTLY. + I would lay down my life. + + BLACKMAN. + You can do it for less. Only put on a black coat, and the business is + done. + + BLUNTLY. + What's that all? Oh! if I can save him by putting on a black coat, + I'll go buy mourning, and wear it all my life. + + BLACKMAN. + There's a good fellow. I sincerely thank you for this attachment to + your master. + + [_Shaking him by the hand._ + + BLUNTLY. + My dear Blackman, I beg your pardon for what I am going to say; but as + you behave thus friendly on this unfortunate occasion, I must confess + to you--that till now I always hated you.--I could not bear the sight + of you.--For I thought you (I wish I may die if I did not) one of the + greatest rogues in the world. I fancied you only waited on, and + advised my master to make your market of him.--But now your attention + to him in his distress, when all his friends have forsaken him, is so + kind--Heaven bless you--Heaven bless you--I'll go buy a black coat. + [_Going._ + + BLACKMAN. + I have something more to say to you.--When you have put on this coat, + you must meet your master and me at Mr. Manly's, the lawyer; and when + we are all there, you must mind and say, exactly what I say. + + BLUNTLY. + And what will that be? + + BLACKMAN. + Oh! something. + + BLUNTLY. + I have no objection to say something--but I hope you won't make me say + any thing. + + BLACKMAN. + You seem to doubt me once more, sir? + + BLUNTLY. + No, I am doubting you now for the first time; for I always thought I + was _certain_ before. + + BLACKMAN. + And will you not venture to say yes, and no, to what I shall advance? + + BLUNTLY. + Why--I think I may venture to say yes to your no, and no to your yes, + with a safe conscience. + + BLACKMAN. + If you do not instantly follow me and do all that I shall propose, + your master is ruined.--Would you see him dragged to prison? + + BLUNTLY. + No, I would sooner go myself. + + BLACKMAN. + Then why do you stand talking about a safe conscience. Half my clients + would have been ruined if I had shewn my zeal as you do. Conscience + indeed! Why, this is a matter of law, to serve your master in his + necessity. + + BLUNTLY. + I have heard necessity has no law--but if it has no conscience, it is + a much worse thing than I took it for.--No matter for that--come + along.--Oh my poor master!--I would even tell a _lie_ to save him. + [_Exeunt._ + + +SCENE II. _A lawyer's study._ + +MR. MANLY _discovered at his writing-desk--a Servant attending_. + + + MANLY. + Who do you say wants to speak with me? + + SERVANT. + Mr. Lucre, sir. + + MANLY. + And who else? + + SERVANT. + A person who says his name is Willford, he looks as if he came from + the country, and seems in mean circumstances. + + MANLY. + Show him to me directly. And take Mr. Lucre, or any other person of + fashion that may call, to my clerks. [_Exit Servant._] But for the + poor, let them be under _my_ protection. + + _Enter_ WILLFORD _and_ ELEANOR. + + MANLY. + Come in--walk in, and let me know what I can do to serve you. + + WILLFORD. + I deposited, sir, in your clerk's hands, a sum of money to set me free + from confinement for debt.--On his word, I was discharged--he owns he + has not yet paid away this money, still he refuses to restore it to + me, though in return I again render up my person. + + MANLY. + And why would you do this? + + WILLFORD. + Because my honour--I mean my conscience--for that's the poor man's + honour--is concerned. + + MANLY. + Explain yourself. + + WILLFORD. + A son of mine, received this sum I speak of, and thought it _given_ + him; while it was only meant as a purchase--a purchase of what we had + no right to sell--and therefore it must be restored to the owner. + + MANLY. + And who is he? + + WILLFORD. + Sir George Splendorville--I suppose you have heard of him? + + MANLY. + He, you mean, who by the desire of his father's will, lately changed + his name from Blandford? + + WILLFORD. + Sir! + + MANLY. + The name, which some part of the family, while reduced, had taken. + + WILLFORD. + Good Heaven! Is there such a circumstance in his story? + + MANLY. + Why do you ask with such emotion? + + WILLFORD. + Because he is the man, in search of whom I left my habitation in + the country, to present before him a destitute young woman, a near + relation. + + MANLY. + What relation?--Be particular in your answer. + + WILLFORD. + A sister. + + MANLY. + I thank you for your intelligence. You have named a person who for + these three years past, I have in vain endeavoured to find.--But did + you say she was in poverty? + + WILLFORD. + I did. + + MANLY. + I give you joy then--for I have in my possession a deed which conveys + to a lost daughter of Sir George's father, the other half of the + fortune he bequeathed his son--but as yet, all my endeavours have been + in vain to find where she, and an uncle, to whose care she was + entrusted in her infancy, are retired. + + WILLFORD. [_Turning to_ ELEANOR. + Now, Eleanor, arm yourself with fortitude--with fortitude to bear not + the frowns, but the smiles of fortune. Be humble, collected, and the + same you have ever been, while I for the first time inform you--you + are not my daughter.--And from this gentleman's intelligence add, you + are rich--you are the deceased Blandford's child, and Splendorville's + sister. + + ELEANOR. + Oh! Heavens! Do I lose a father such as you, to gain a brother such as + he is? + + MANLY. [_To_ WILLFORD. + There can be no mistake on this occasion--And you, if I am not + deceived, are the brother of the late Mr. Blandford. Your looks, your + person, your very voice confirms it. + + WILLFORD. + I have writings in my care, shall prove it beyond a doubt; with the + whole narrative of our separation when he with his son, then a youth, + embarked for India; where I suppose, riches, soon succeeded poverty. + + _Enter_ SERVANT. + + SERVANT. + Lady Caroline Seymour, sir, is at the door in her carriage, and will + not be denied admittance. She says she must see you upon some very + urgent business. + + MANLY. [_To_ WILLFORD _and_ ELEANOR. + Will you do me the favour to step for a moment into this room? Lady + Caroline will not stay long. I'll not detain you. + + [_Exit_ WILLFORD _and_ ELEANOR. + + _Enter_ LADY CAROLINE. + + LADY CAROLINE. + Dear Mr. Manly, I have a thousand apologies to make--And yet I am sure + you will excuse the subject of my visit, when you consider---- + + MANLY. + Your ladyship will please to sit down. + + [_He draws chairs and they sit._ + + LADY CAROLINE. + You cannot be ignorant, Mr. Manly--you must know, the terms of + acquaintance on which Sir George Splendorville and I have been, for + some time past?--you were his father's agent; his chief solicitor; and + although you are not employed by Sir George, yet the state of his + affairs cannot be concealed from you--Has he, or has he not, any + inheritance yet to come? + + MANLY. + Pardon me, madam--though not entrusted by Sir George, I will, + nevertheless, keep his secrets. + + LADY CAROLINE. + That is plainly telling me he is worth nothing. + + MANLY. + By no means--Sir George, in spite of his profusion, must still be + rich. He has preserved his large estate in Wales; and as to money, I + do not doubt but he has a considerable sum. + + LADY CAROLINE. + Not a guinea. I won it all from him last night. + + MANLY. + You? You, who are to become his wife? + + LADY CAROLINE. + I might, had I not been thus fortunate. But why should I marry him, + when his riches are mine, without that ceremony. + + MANLY. + Inconsiderate man!--what will be the end of his imprudence! Yet, + Heaven be praised! he has still that fine estate, I just now + mentioned. + + LADY CAROLINE. + Indeed he has not--that has belonged to me these three months. + + MANLY. + To you! + + LADY CAROLINE. + Yes--Bought for me under another name by agents; and for half its + value. + + MANLY. + Madman!--Yet your ladyship must excuse me. I know your income stinted, + and till the death of the Earl, your father, where could you raise + sufficient to make even half the purchase. + + LADY CAROLINE. + From Splendorville's own prodigality--from lavish presents made to me + by him. + + _Enter_ SERVANT. + + SERVANT. + Sir George Splendorville, sir, desires to speak with you--he is at the + door with Mr. Blackman. + + LADY CAROLINE. + Oh Heavens! do not let him see me here. + + [_She is hastening to the room where_ WILLFORD _and his + daughter are._ + + MANLY. + I have company there--walk in here, if you Please. + + [_Shows her another door and she enters._ + + MANLY. [_To the servant._ + Desire Sir George to walk in. + + _Enter_ SIR GEORGE _and_ BLACKMAN. + + MANLY. + Sir George, do me the favour to sit down. + + [_He looks coolly on_ BLACKMAN, _and pointing to a chair + says_ Good morning. _They sit._ + + SIR GEORGE. + Mr. Manly, my attorney will let you know the business on which I am + come. + + BLACKMAN. + Why yes, Mr. Manly, it is extremely hard that Sir George has for so + long a time been kept out of a very large part of his fortune; + particularly, as he has had occasion for it. + + SIR GEORGE. + I have had occasion for it I assure you Mr. Manly; and I have occasion + for it at this very time. + + MR. MANLY. + But so may the person, sir, from whom you would take it. In a word, + Sir George, neither your lawyer nor you, shall prevail on me to give + up the trust reposed in me by your father, without certain evidence, + that your sister will never come to make her claim. + + BLACKMAN. + You are not afraid of ghosts, are you? + + MANLY. + No, nor of robbers either:----you cannot frighten me, Mr. Blackman. + + BLACKMAN. + Then depend upon it, the sister of Sir George can never appear in any + other manner than as a spirit. For, here, sir, (_taking from his + pocket a parcel of papers_) here are authentic letters to prove her + death. (SIR GEORGE _looks confused_.) + + MANLY. + Her death! + + BLACKMAN. + Yes, her death. Here is a certificate from the curate of the parish in + which she was buried. + + MANLY. + Buried too! + + BLACKMAN. + Yes, sir, buried. Here is also an affidavit from the sexton of the + said village, signed by the overseer and churchwardens, testifying the + same.--You see, (_shewing him the paper, and reading at the fame + time_) "Died Anno Domini, one thousand seven hundred and eighty nine, + the seventeenth of June----" + + [_Mr._ MANLY _takes the paper, and while he is reading_, + SIR GEORGE _says apart_---- + + SIR GEORGE. + How near to the brink of infamy has my imprudence led me! And s'death, + my confusion takes from me the power to explain, and expose the + scoundrel. + + Mr. Manly, I will leave you for the present; but you shall hear from me + shortly,--when this matter shall be accounted for clearly--perfectly + to your satisfaction, you may depend upon it.--(_Going._) + + MANLY. + Stay, Sir George, and---- + + BLACKMAN. + Aye, Sir George, stay and see Mr. Manly's objections wholly removed. + He seems to doubt the evidence of paper; I must, therefore, beg leave + to produce a living witness--the gentleman whom I appointed to meet me + here. + + MANLY. + And who is he? + + BLACKMAN. + The apothecary, who attended Sir George's sister in her dying illness. + [SIR GEORGE _starts_. + + MANLY. + Desire him to walk in by all means. What is the matter, Sir George, + you look discomposed? + + BLACKMAN. + Sir George is something nervous, Mr. Manly; and you know the very name + of a medical gentleman, will affect the nerves of some people. + + [BLACKMAN _goes to the door, and leads on_ BLUNTLY, + _dressed in mourning_. + + SIR GEORGE. [_Aside._ + Bluntly!--But I will see the end of this. + + MANLY. + (_Bowing to him_). You are an apothecary, I think, sir? + + [BLUNTLY _looks at_ BLACKMAN] + + BLACKMAN. + Yes, sir. + + BLUNTLY. + (_After seeming inclined to say_, No). Yes, sir. + + MANLY. + Pray sir, what disorder took the young lady, on whose account you have + been brought hither, out of the world? + + [BLUNTLY _looks at_ BLACKMAN.] + + BLACKMAN. + Oh! the old disorder, I suppose. + + BLUNTLY. + The old disorder. + + MANLY. + And pray what may that be, sir? (BLACKMAN _offers to reply_). Mr. + Blackman, Please to let this gentleman speak for himself.--What is it + you mean, pray sir, by the old disorder? + + BLUNTLY. + I--I--mean--Love, sir. + + MANLY. + You will not pretend to say, that love, was the cause of her death? + + BLUNTLY. (_Confused and hesitating_). + That--and a few fits of the gout. + + MANLY. + I fear, sir, you are not in perfect health yourself--you tremble and + look very pale. + + BLACKMAN. + That is because the subject affects him. + + MANLY. + Do you then never mention the young lady without being affected? + + BLUNTLY. + Never, sir--for had you seen her as I did--um--Had you seen + her.----She was in very great danger from the first; but after I + attended her, she was in greater danger still.--I advised a physician + to be called in; on which she grew worse.--We had next a consultation + of physicians; and then it was all over with her. + + SIR GEORGE. + (_Rising from his chair_). Blackman, this is too much--all my + calamities are inferior to this--Desist, therefore, or---- + + BLACKMAN. + (_To_ BLUNTLY.) Desist--He cannot bear to hear the pathetic + description. Consider the lady was his sister--and though he had not + the pleasure of knowing her--yet, poor thing--(_affecting to + weep_)--poor young woman! he cannot help lamenting her loss. + + BLUNTLY. + No more can I--for though she was not my relation--yet she was my + Patient. (_pretending to weep also_). + + SIR GEORGE. + I can bear no more.--Mr. Manly, you are imposed upon. But think not, + however appearances may be against me, that I came here as the tool of + so infamous a deceit.--Thoughtlessness, Mr. Manly, has embarrassed my + circumstances; and thoughtlessness alone, has made me employ a villain + to retrieve them. + + BLACKMAN. + Mighty fine! + + SIR GEORGE. + I have no authority, sir, to affirm, that my sister is not alive; and + I am confident the account you have just now heard, of her death, is + but an artifice. My indiscretions have reduced me nearly to beggary; + but I will perish in confinement--cheerfully perish--rather than owe + my affluence to one dishonourable action. + + BLACKMAN. + Grief has turned his brain. + + MANLY. + Sir George, I honour your feelings; and as for the feelings of these + gentlemen, I am extremely happy, that it is in my power to dry up + their tears, and calm all their sorrows. + + SIR GEORGE. + Sir! + + BLACKMAN. + How? In what way? + + MANLY. + (_Going to the door where_ WILLFORD _and his niece are_.) Come forth, + young lady, to the arms of a brother, and relieve the anguish of + these mourners, who are lamenting your decease. (ELEANOR _and_ + WILLFORD _enter_)--Yes, Sir George, here is that sister, whom those + gentlemen assure us, is dead;--and this is the brother of your + father.--These are proofs, as convincing, I hope, as any Mr. Blackman + can produce. + + SIR GEORGE. + She, my sister! Her pretended father my uncle too! (_Aside_) Blackman, + you would have plunged me into an anguish I never knew before; you + would have plunged me into shame. + + BLUNTLY. + And so you _have_ me. + + BLACKMAN. + Pshaw.--Mr. Manly, notwithstanding you are these people's voucher, + this appears but a scheme.--These persons are but adventurers, and may + possibly have about them forgeries, such as an honest man, like + myself, would shudder at. + + MANLY. [_Going to the door._ + Who's there? [_Enter Servant._] Shew that--that Mr. Blackman, out of + my house instantly; and take care you never admit him again. + + BLACKMAN. + Sir George, will you suffer this? + + SIR GEORGE. + Aye, and a great deal more. + + BLUNTLY. + Look'ee Blackman.--If you don't fall down upon your knees, and beg my + pardon at the street door, for the trick you have put upon me, in + assuring me my master's sister was really dead, and that I could do + her no injury, by doing him a service--if you don't beg my pardon for + this, I'll give you such an assault and battery as you never had to do + with in your life. + + BLACKMAN. + Beat me--do, beat me--I'll thank you for beating me--I'd be beat every + hour of the day, to recover damages. [_Exit with_ BLUNTLY. + + SIR GEORGE. + My sister--with the sincerest joy I call you by that name--and while I + thus embrace you, offer you a heart, that beats with all the pure and + tender affection, which our kindred to each other claims.--In you + (_embracing his uncle_) I behold my father; and experience an awful + fear, mingled with my regard. + + WILLFORD. + Continue still that regard, and even that fear--these filial + sentiments may prove important; and they shall ever be repaid with my + paternal watchings, friendship, and love. + + ELEANOR. + My brother---- + + SIR GEORGE. + I have been unworthy of you--I will be so no more, but imitate your + excellence. Yet, when I reflect---- + + [LADY CAROLINE _comes softly from the inner apartment, and + attends to the discourse_. + + ELEANOR. + My brother, do not imagine---- + + SIR GEORGE. + Leave me, leave me to all the agonies of my misconduct.--Where is my + fortune? Now _all_ irrecoverably gone--My last, my only resource is + now to be paid to another--I have lost every thing. + + LADY CAROLINE. [_Coming forward._ + No, Sir George, _nothing_--since I possess all that was yours. + + SIR GEORGE. + How! + + LADY CAROLINE. + Behold a friend in your necessities--a mistress whom your misfortunes + cannot drive away--but who, experiencing much of your unkindness, + still loves you; and knowing your every folly, will still submit to + honour, and obey you. + + I received your lavish presents, but to hoard them for you--made + myself mistress of your fortune, but to return it to you--and with it, + all my own. + + SIR GEORGE. + Can this be real? Can I be raised in one moment, from the depths of + misery to unbounded happiness? + + _Enter_ SERVANT. + + SERVANT. + A young man, who says he is Mr. Willford's son, is called to enquire + for him. + + MANLY. + Shew him in. + + [SIR GEORGE _and_ LADY CAROLINE _retire to the back part of + the stage_. + + _Enter_ HENRY. + + WILLFORD. + Come, Henry, and take leave of your sister for ever. + + HENRY. + How so, sir?--What do you mean? To be parted from her, would be the + utmost rigour of fortune. + + MANLY. + The affection with which you speak, young gentleman, seems to convey + something beyond mere brotherly love. + + WILLFORD. + I some years since revealed to him she was _not_ his sister. + + ELEANOR. + And he, some years since, implied it to me. Yet, in such doubtful + terms, I knew not which of us had the sorrow not to be your child.--I + now find it is myself--and I aver it to be a sorrow, for which, all + the fortune I am going to possess will not repay me. + + SIR GEORGE. + Then, my dearest sister, indulge the hope you may yet be his daughter. + This young man's merit deserves a reward, and in _time_ he may learn + to love you by a still nearer tie than that, you have so long known to + exist between you; nay, even by a nearer tie than that of brother. + + HENRY. + I am in doubt of what I hear--Eleanor, since our short separation, + there cannot surely have been any important discovery-- + + MANLY. + Be not surprised--great discoveries, which we labour in vain for years + to make, are frequently brought about in one lucky moment, without any + labour at all. + + SIR GEORGE. + True--for till this day arose, I had passed every hour since my birth, + without making one discovery to my advantage--while this short, but + propitious morning, has discovered to me all my former folly--and + discovered to me--how to be in future happy. + +THE END. + + + + +EPILOGUE, + +BY T. VAUGHAN, ESQ. + +SPOKEN BY MRS. KEMBLE. + + + "Long before the beginning of this Play," + I heard some DEEP ones in the Green-Room, say, + They had their fears and doubts--whilst some did quake-- + And others wish'd it bed-time for her sake. + Do you, our best Physicians, ever kind, } + Prescribe our true Cephalic for the Mind, } + Of these our Neighbours, and _kind Friends_--behind, } + And with it, give a cordial of the best, + To one, with deepest Gratitude imprest. + For some there are--I have them in my eye-- + Will sicken and turn pale with jealousy, + Whene'er we scribbling Women wield the Pen, + Or dare invade the Rights of scribbling Men; + And fir'd with zeal, in dread array appear-- + With Tenets from the _learned_ Hemisphere; + Thence cry (_kind Souls_) "Invention is the only Art, + And mere Translation but a second Part; + Besides--_we Men of Taste_--can ne'er withstand + E'en Nature's GARRICK thus at second Hand! + Then why do Comic Writers live on Theft, + When such Ragouts and Dainties still are left? + Not richer were, in CONGREVE'S days or BEHN, + For now, the Males are Females--Women, Men-- + Nay some so _manly_, and so orthodox, + Will drive you four in Hand--or hold the Box; + And if perchance the fatal Die is thrown, + Will storm and swear, like any Lord in Town." + + But might I whisper in this Censor's ear, + I'd prove his observations too severe-- + And urge--"Translation to hit off with skill, + Is not the province of each common Quill; + But by improving what was writ before, + Tho' Genius may be less, our Judgment's more; + And whilst we paint with energy from Life, + The gallant Husband, or _more gallant Wife_, + With Tints from living Portraits from the Spot, + It matters not by whom related--or begot; + And thus, much surer shall we reach the Heart, + Than all the _lifeless_ pomp of _boasted_ Art." + As such, deny her not--at least the merit + Of giving _Gallic Froth_--true BRITISH SPIRIT. + + And as for you, ye Fair, how blooms the Cheek, + How sweet the Temper which those eyes bespeak? + No Midnight Oil has e'er destroy'd a Grace, + Or Gaming's Horrors found with you a place; + But Cupid lent you all those winning Arts, + Which at a glance--can warm the coldest Hearts. + + Check then with me these Censors as unjust, + Who form their judgments--_as they live_--on Trust. + Nor ever credit what they dare to say, + Unless with you they join, and like our Play. + + Use for a signal then--your Magic Fan, + And all the House will follow to a Man; + Or should there be a disaffected few-- + _A Counter Revolution_--rests with you. + + + + +TRANSCRIBER'S NOTE + +Contemporary spellings and hyphenation have been retained even where +inconsistent. Two obvious spelling errors were corrected (reception +for receptiou; demand for emand). + +A single misspelling of WILLFORD as WILLORD was corrected. + +In ACT 2, Scene 1, "then" was changed to "than" in Henry's sentence: + + I know no other way to shew my humility, than to accept your + present + +In ACT 3, Scene 1, "your" was changed to "you" in Sir George's sentence: + + Still an object I adore; but I now perceive you are one to my + ruin devoted. + +On two occasions where the same word appeared at the end of one line +and the beginning of the next, the superfluous word was deleted. They +were: + + ACT 2, Scene 1, Sir George: + + You were giving me an + an account, Bluntly (...) + + ACT 3, Scene 1, Sir George: + + Lucre, my dear Lucre, are not you amazed at + at what you see? + + + + + +End of Project Gutenberg's Next Door Neighbours, by Elizabeth Inchbald + +*** END OF THIS PROJECT GUTENBERG EBOOK NEXT DOOR NEIGHBOURS *** + +***** This file should be named 38759-8.txt or 38759-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/8/7/5/38759/ + +Produced by Delphine Lettau and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/38759-8.zip b/38759-8.zip Binary files differnew file mode 100644 index 0000000..4734c87 --- /dev/null +++ b/38759-8.zip diff --git a/38759-h.zip b/38759-h.zip Binary files differnew file mode 100644 index 0000000..09854fb --- /dev/null +++ b/38759-h.zip diff --git a/38759-h/38759-h.htm b/38759-h/38759-h.htm new file mode 100644 index 0000000..d71b9a4 --- /dev/null +++ b/38759-h/38759-h.htm @@ -0,0 +1,3446 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" /> +<title>The Project Gutenberg eBook of Next Door Neighbours by Elizabeth Inchbald.</title> +<style type="text/css"> + body {background:#fdfdfd; + color:black; + font-size: large; + margin-top:100px; + margin-left:15%; + margin-right:15%; + text-align:justify; } + h1, h2, h3, h4, h5, h6 {text-align: center; } + hr.minimal { width: 25%; + text-align: center; + margin-left: auto; + margin-right: auto; + clear: both; } + hr.tiny { width: 10%; + text-align: center; + margin-left: auto; + margin-right: auto; + clear: both; } + hr { width: 100%; } + hr.full { width: 100%; + margin-top: 3em; + margin-bottom: 0em; + margin-left: auto; + margin-right: auto; + height: 3px; + border-width: 4px 0 0 0; /* remove all borders except the top one */ + border-style: solid; + border-color: #000000; + clear: both; } + table {font-size: large; } + table.sm {font-size: medium; } + td.w50 { width: 50%; } + p {text-indent: 3%; } + p.noindent { text-indent: 0%; } + .bmouch { font-size: 300%; } + .center { text-align: center; } + .ind1 { margin-left: 1em; } + .ind2 { margin-left: 2em; } + .ind3 { margin-left: 3em; } + ins { text-decoration: none; border-bottom: thin dotted gray;} + .nowrap { white-space: nowrap; } + .revind { margin-left: 0em; text-indent: -2em; padding-left: 2em; } + .right { text-align: right; } + .small { font-size: 70%; } + .smallcaps { font-variant: small-caps; } + .wide { letter-spacing: .15em; } + .wsc { font-variant: small-caps; letter-spacing: .15em; } +</style> +</head> +<body> + + +<pre> + +The Project Gutenberg EBook of Next Door Neighbours, by Elizabeth Inchbald + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Next Door Neighbours + A Comedy in Three Acts + +Author: Elizabeth Inchbald + +Release Date: February 4, 2012 [EBook #38759] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK NEXT DOOR NEIGHBOURS *** + + + + +Produced by Delphine Lettau and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + + + + + +</pre> + +<hr class="full" /> +<p> </p> +<h2>NEXT DOOR NEIGHBOURS;</h2> +<p> </p> +<div class="center"> +<p class="noindent"><i><span class="wide">A COMEDY</span></i>;<br /><br /> +<span class="small">I N</span><br /><br /> +<span class="wide">THREE ACTS.</span> +</p> +</div> +<p> </p> +<h6>FROM THE</h6> +<h5>French Dramas <i>L'Indigent</i> & <i>Le Dissipateur</i>.</h5> +<h6>AS PERFORMED AT THE</h6> +<h4><span class="wide">THEATRE-ROYAL, HAY-MARKET.</span></h4> + +<hr class="minimal" /> + +<h3>BY</h3> +<h2>MRS. INCHBALD.</h2> +<hr class="minimal" /> +<p> </p> + +<h4><span class="wide">LONDON:</span></h4> +<h4><span class="smallcaps">Printed for G. G. J. and J. Robinson,</span><br /> +<span class="smallcaps">Pater-noster-Row.</span></h4> +<h5>M,DCC,XCI.</h5> +<p> </p> +<hr class="minimal" /> +<p> </p> +<h3><i><span class="wide">PROLOGUE,</span></i></h3> + +<h4><span class="smallcaps">By T. VAUGHAN, Esq.</span></h4> + +<h5>SPOKEN BY MR. BANNISTER, JUN.</h5> + +<div class="center"> + <table style="margin: 0 auto" border="0" cellpadding="0" cellspacing="0" summary="prologue"> +<tr><td align="left" valign="top"><span class="ind2"> </span>To <span class="smallcaps">Puff</span>, or not to Puff—that is the Question—<br /> +Puff by all means, say I, it helps digestion.<br /> +To prove my maxim true, pray read the Papers—<br /> +From <i>Quacks of State</i>, to those who cure the Vapours.</td></tr> +<tr><td> </td></tr> +<tr><td align="left" valign="top"><span class="ind2"> </span>You'll find them, one and all, puff high their skill,<br /> +Tho' nine in ten, are oft'ner found to kill.—<br /> +Yet Puff's the word, which gives at least a name,<br /> +And oftener gains the <i>undeserving</i> Fame:<br /> +Or wherefore read we of <i>Lord Fanny's</i> Taste,<br /> +Of <i>me</i>—an Actor—<i>wonderfully chaste</i>!<br /> +And yet so squeamish is our Lady elf,<br /> +She'd rather die—than paragraph herself;<br /> +So fix'd on me—the <i>Prologue speaking Hack</i>,<br /> +To stop, with <i>Puff-direct</i>, the Critic Pack,</td></tr> +<tr><td align="left" valign="top">Who yelp, and foaming, bark from morn to night,</td><td rowspan="3"><span class="bmouch">}</span></td></tr> +<tr><td align="left" valign="top" >And when run hard—turn tail—then snap and bite;</td></tr> +<tr><td align="left" valign="top">Putting the timid Hare-like-Bard to flight. </td></tr> +<tr><td align="left" valign="top">To such, the best and only Puff to hit,</td><td rowspan="3"><span class="bmouch">}</span></td></tr> +<tr><td align="left" valign="top">Is that which honest <span class="smallcaps">Candour</span> must admit, </td></tr> +<tr><td align="left" valign="top">A Female Scribbler is an harmless Wit;</td></tr> +<tr><td align="left" valign="top">And who so harmless as our present Bard,<br /> +Claiming no greater or distinct reward,<br /> +Than what from free Translation is her due,<br /> +Which here in fullest trust she leaves to you:<br /> +With this remark—Who own their Debts with pride,<br /> +Are well entitled to the Credit Side.<br /> +And as for those with whom she makes so free<br /> +They'll ne'er complain of English Liberty;<br /> +But glory to behold their Tinsel shine,<br /> +Through the rich Bullion of the English Line.</td></tr> +<tr><td> </td></tr> +<tr><td align="left" valign="top"><span class="ind2"> </span>Fear then avaunt! Trust to a <span class="smallcaps">British Jury</span>—<br /> +With them, an honest Verdict I'll ensure you:<br /> +Let Echo catch the sound—'Tis Pratte <sup><span class="small"><a href="#fn1">1</a><a name="fn1r" id="fn1r"></a></span></sup> enacts,<br /> +You're <i>Judges of the Law, as well as Facts</i>.<br /> +On this she rests her Cause, and hopes to find,<br /> +As Friends, and <i>Next Door Neighbours</i>, you'll be kind;<br /> +At least, this only punishment ensue,<br /> +<i>A Frown</i>—and that's severe enough, from you.<br /></td></tr> +<tr><td align="left" valign="top"><span class="ind2"> </span><i>Thus puff'd</i>—I freely to the Court commit her,<br /> +Not doubting, as a Woman, you'll acquit her—<br /></td></tr> +<tr><td align="left" valign="top">And now join issue, Sirs, without delay—</td><td rowspan="3"><span class="bmouch">}</span></td></tr> +<tr><td align="left" valign="top">Judging from <i>written Evidence</i> our Play,</td></tr> +<tr><td align="left" valign="top">And—<i>send her a good Deliverance</i>, I pray.</td></tr> +<tr><td> </td></tr> +<tr><td align="left" valign="top" colspan="2"><p class="small"><a name="fn1" id="fn1"></a><a href="#fn1r">1</a> Vide, Earl <span class="smallcaps">Camden's</span> celebrated and Constitutional Speech and<br /> +Opinion on the subject of Libels.</p></td></tr> +</table> +</div> + +<p> </p> +<hr class="minimal" /> +<p> </p> + +<h3><i>DRAMATIS PERSONÆ</i></h3> +<div class="center"> +<table class="sm" style="margin: 0 auto" cellpadding="2" cellspacing="0" summary="cast"> +<tr><td align="center" colspan="2"><i>MEN.</i></td></tr> +<tr><td align="left" valign="top">Sir George Splendorville<span class="ind1"> </span></td><td align="left" valign="top">Mr. <span class="smallcaps">Palmer</span>.</td></tr> +<tr><td align="left" valign="top">Mr. Manly</td><td align="left" valign="top">Mr. <span class="smallcaps">Kemble</span>.</td></tr> +<tr><td align="left" valign="top">Mr. Blackman</td><td align="left" valign="top">Mr. <span class="smallcaps">Baddeley</span>.</td></tr> +<tr><td align="left" valign="top">Mr. Lucre</td><td align="left" valign="top">Mr. <span class="smallcaps">R. Palmer</span>.</td></tr> +<tr><td align="left" valign="top">Lord Hazard</td><td align="left" valign="top">Mr. <span class="smallcaps">Evatt</span>.</td></tr> +<tr><td align="left" valign="top">Willford</td><td align="left" valign="top">Mr. <span class="smallcaps">Aickin</span>.</td></tr> +<tr><td align="left" valign="top">Henry</td><td align="left" valign="top">Mr. <span class="smallcaps">Palmer</span>, Jun.</td></tr> +<tr><td align="left" valign="top">Bluntly</td><td align="left" valign="top">Mr. <span class="smallcaps">Bannister</span>, Jun.</td></tr> +<tr><td> </td></tr> +<tr><td align="center" colspan="2"><i>WOMEN.</i></td></tr> +<tr><td align="left" valign="top">Lady Caroline Seymour</td><td align="left" valign="top">Mrs. <span class="smallcaps">Brooks</span>.</td></tr> +<tr><td align="left" valign="top">Lady Bridget Squander</td><td align="left" valign="top">Miss <span class="smallcaps">Heard</span>.</td></tr> +<tr><td align="left" valign="top">Evans</td><td align="left" valign="top">Mrs. <span class="smallcaps">Edwards</span>.</td></tr> +<tr><td align="left" valign="top">Eleanor</td><td align="left" valign="top">Mrs. <span class="smallcaps">Kemble</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center" colspan="2">Other Ladies, Gentlemen, Servants, &c.</td></tr> +<tr><td> </td></tr> +<tr><td align="center" colspan="2">SCENE——<span class="smallcaps">London</span>.</td></tr> +</table> +</div> + +<p> </p> +<hr class="minimal" /> +<p> </p> + +<h2>NEXT DOOR NEIGHBOURS.</h2> +<p> </p> +<div class="center"> +<p class="noindent"><i><span class="wide">A COMEDY.</span></i></p> +</div> + +<p> </p> +<hr class="minimal" /> +<p> </p> + +<h2><span class="wide">ACT I.</span></h2> + +<div class="center"> +<p class="noindent">SCENE I. <i>An Antichamber at Sir</i> <span class="smallcaps">George<br /> +Splendorville'</span><i>s</i>, <i>adjoining a Ball-room</i>.<br /> +<br /> +<i>Enter</i> <span class="smallcaps">Bluntly</span>, <i>meeting a Servant in Livery</i>.<br /> +</p> +<p> </p> +<table style="margin: 0 auto" cellpadding="2" cellspacing="0" summary="ACT 1"> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Come, come, is not every thing ready?<br /> +Is not the ball-room prepared yet? It is<br /> +past ten o'clock.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SERVANT.</span></td></tr> +<tr><td align="left"><p>We have only to fix up the new chandelier.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>I'll have no new chandelier.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SERVANT.</span></td></tr> +<tr><td align="left"><p>My master said the last ball he gave, the company<br /> +were in the dark.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>And if you blind them with too much light,<br /> +they will be in the dark still.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SERVANT.</span></td></tr> +<tr><td align="left"><p>The musicians, sir, wish for some wine.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>What, before the ball begins? No, tell them<br /> +if they are tipsy at the end of it, it will be quite<br /> +soon enough.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SERVANT.</span></td></tr> +<tr><td align="left"><p>You are always so cross, Mr. Bluntly, when<br /> +my master is going to have company.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Have not I a right to be cross? For while<br /> +the whole house is in good humour, if there was<br /> +not one person cross enough to take a little care,<br /> +every thing would be wasted and ruined through<br /> +extreme good temper. (<i>A man crosses the stage.</i>)<br /> +Here, you—Mister<span class="nowrap">——</span>Pray are you the person<br /> +who was sent with the chandelier?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SHOPMAN.</span></td></tr> +<tr><td align="left"><p>Yes, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Then please to take it back again—We don't<br /> +want it.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SHOPMAN.</span></td></tr> +<tr><td align="left"><p>What is your objection to it, sir?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>It will cost too much.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SHOPMAN.</span></td></tr> +<tr><td align="left"><p>Mr. Bluntly, all the trades-people are more<br /> +frightened at you than at your master.—Sir<br /> +George, Heaven bless him! never cares how<br /> +much a thing costs.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>That is, because he never cares whether he<br /> +pays for it or not——but if he did, depend<br /> +upon it he would be very particular. Tradesmen<br /> +all wish to be paid for their ware, don't<br /> +they?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SHOPMAN.</span></td></tr> +<tr><td align="left"><p>Certainly, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Then why will they force so many unnecessary<br /> +things, and make so many extravagant<br /> +charges as to put all power of payment out of<br /> +the question?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Evans</span>:<span class="nowrap">——</span><i>The Tradesman goes off at the<br /> +opposite Door.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>How do you do, Mrs. Evans? <span class="ind3">[<i>Sullenly.</i></span></p> +</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>What makes you sigh, Mr. Bluntly?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>What makes you smile?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>To see all the grand preparations for the ball<br /> +this evening. I anticipate the joy my lady will<br /> +take here, and I smile for <i>her</i>.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>And I sigh for my master.—I foresee all the<br /> +bills that will be brought in, for this evening's<br /> +expence, and I anticipate the sorrow it will one<br /> +day be to <i>him</i>.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>But consider, Mr. Bluntly, your master has<br /> +my lady's fortune to take.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Yes, but I consider he has your lady to take<br /> +along with it; and I prophecy one will stick by<br /> +him some time after the other is gone.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>For shame.—My lady, I have no doubt, will<br /> +soon cure Sir George of his extravagance.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>It will then be by taking away the means.—<br /> +Why, Lady Caroline is as extravagant as himself.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>You are mistaken.—She never gives routs,<br /> +masquerades, balls, or entertainments of any<br /> +kind.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>But she constantly goes to them whenever she<br /> +is invited.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>That, I call but a slight imprudence.—She<br /> +has no wasteful indiscretions like Sir George.<br /> +For instance, she never makes a lavish present.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>No, but she <i>takes</i> a lavish present, as readily<br /> +as if she did.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>And surely you cannot call that imprudence?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>No, I call it something worse.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>Then, although she loves gaming to distraction,<br /> +and plays deep, yet she never loses.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>No, but she always wins—and <i>that</i> I call<br /> +something worse.</p></td></tr> +<tr><td align="right">[<i>A loud rapping at the street-door.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>Here's the company. Will you permit me,<br /> +Mr. Bluntly, to stand in one corner, and have a<br /> +peep at them?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>If you please. (<i>Rapping again.</i>) What spirit<br /> +there is in that, Rat, tat, tat, tat.—And what<br /> +life, frolic, and joy, the whole house is going to<br /> +experience except myself. As for me, I am<br /> +ready to cry at the thoughts of it all.</p> </td></tr> +<tr><td align="right">[<i>Exit.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Lady Caroline</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>Here, the first of the company. I am sorry<br /> +for it. (<span class="smallcaps">Evans</span> <i>comes forward</i>.) Evans, what<br /> +has brought you hither?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>I came, my lady, to see the preparations making<br /> +on <i>your</i> account—for it is upon your account<br /> +alone, that Sir George gives this grand <i>fête</i>.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>Why, I do flatter myself it is.—But where<br /> +is he? What is it o'clock?—It was impossible to<br /> +stay at the stupid opera.—How do I look? I<br /> +once did intend to wear those set of diamonds<br /> +Sir George presented me with the other morning<br /> +—but then, I reflected again, that if<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>Ah, my lady, what a charming thing to have<br /> +such a lover—Sir George prevents every wish—<br /> +he must make the best of husbands.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>And yet my father wishes to break off the<br /> +marriage—he talks of his prodigality—and, certainly,<br /> +Sir George lives above his income.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>But then, Madam, so does every body else.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>But Sir George ought undoubtedly to change<br /> +his conduct, and not be thus continually giving<br /> +balls and entertainments—and inviting to his<br /> +table acquaintance, that not only come to devour<br /> +his dinners and suppers, but him.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">EVANS.</span></td></tr> +<tr><td align="left"><p>And there are people malicious enough to<br /> +call your ladyship one of his devourers too.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>As a treaty of marriage is so nearly concluded<br /> +between us, I think, Mrs. Evans, I am at liberty<br /> +to visit Sir George, or to receive his presents, without<br /> +having my character, or my delicacy called<br /> +in question. (<i>A loud rapping.</i>) The company<br /> +are coming: is it not strange he is not here to<br /> +receive them.</p></td></tr> +<tr><td align="right">[<i>Exit</i> <span class="smallcaps">Evans</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter two Ladies and a Gentleman, who curtsy and<br /> +bow to</i> <span class="smallcaps">Lady Caroline.—Sir George</span> <i>enters<br /> +at the opposite door, magnificently dressed</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Ladies, I entreat your pardon; dear Lady<br /> +Caroline excuse me. I have been in the country<br /> +all the morning, and have had scarce time to<br /> +return to town and dress for your <ins title="original has receptiou">reception</ins>.</p></td></tr> +<tr><td align="right">[<i>Another rapping.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Mr. Lucre, Lord Hazard, Lady<br /> +Bridget Squander,</span> &c.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Dear Lucre, I am glad to see you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>My dear Sir George, I had above ten engagements<br /> +this evening, but they all gave place to<br /> +your invitation.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Thank you.—My dear Lady Bridget—</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY BRIDGET.</span></td></tr> +<tr><td align="left"><p>It is impossible to resist an invitation from the<br /> +most polished man alive. (<i>Sir</i> <span class="smallcaps">George</span> <i>bows</i>.)<br /> +What a superb dress! (<i>in his hearing, as he turns<br /> +away</i>) and what an elegant deportment.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="right">[<i>After speaking apart with</i> <span class="smallcaps">Sir George</span>.</td></tr> +<tr><td align="left"><p>No, I am not in a state to take any part at<br /> +Pharo—I am ruin'd.—Would you believe it<br /> +Sir George, I am not worth a farthing in the<br /> +world.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Yes, I believed it long ago.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>Now we are on that subject—could you lend<br /> +me a hundred pounds?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="right">[<i>Taking out his pocket-book.</i></td></tr> +<tr><td align="left"><p>I have about me, only this bill for two hundred.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>That will do as well—I am not circumstantial.<br /> +(<i>Takes it.</i>) And my dear Sir George command<br /> +my purse at any time—all it contains, will ever<br /> +be at your service.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I thank you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>Nay, though I have no money of my own,<br /> +yet you know I can always raise friends—and by<br /> +heaven! my dear Sir George, I often wish to see<br /> +you reduced to my circumstances, merely to<br /> +prove how much I could, and <i>would</i>, do to serve<br /> +you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I sincerely thank you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>And one can better ask a favour for one's<br /> +friend than for one's-self, you know: for<br /> +when one wants to borrow money on one's own<br /> +account, there are so many little delicacies to<br /> +get the better of—such as I felt just now.—I was<br /> +as pale as death, I dare say, when I asked you<br /> +for this money—did not you perceive I was?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I can't say I did.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>But you must have observed I hesitated, and<br /> +looked very foolish.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I thought for my part, that I looked as foolish.<br /> +—But I hope I did not hesitate.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>Nor ever will, when a friend applys to you,<br /> +I'll answer for it—Nor ever shall a friend hesitate<br /> +when you apply.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LORD HAZARD.</span></td></tr> +<tr><td align="right">[<i>Taking</i> <span class="smallcaps">Sir George</span> <i>aside</i>.</td></tr> +<tr><td align="left"><p>The obligations I am under to you for extricating<br /> +me from that dangerous business—</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Never name it.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LORD HAZARD.</span></td></tr> +<tr><td align="left"><p>Not only name it, Sir George, but shortly I<br /> +hope to return the kindness; and, if I do but<br /> +live<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="right">[<i>To the company.</i></td></tr> +<tr><td align="left"><p>Permit me to conduct you to the next apartment.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>Most willingly, Sir George. I was the first<br /> +who arrived; which proves my eagerness to<br /> +dance.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="right">[<i>Aside to her.</i></td></tr> +<tr><td align="left"><p>But let me hope, passion for dancing was not<br /> +the only one, that caused your impatience.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="right">[<i>As the company move towards the ball-room</i>,<br /> +Mr. <span class="smallcaps">Lucre</span> <i>and</i> <span class="smallcaps">Lord Hazard</span> <i>come<br /> +forward</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>Oh! there never was such a man in the world<br /> +as the master of this house; there never was<br /> +such a friendly, generous, noble heart; he has<br /> +the best heart in the world, and the best taste<br /> +in dress.</p></td></tr> +<tr><td align="right">[<i>The company Exeunt, and the music is heard<br /> +to begin.</i></td></tr> +<tr><td> </td></tr> +<tr><td> </td></tr> +<tr><td align="left"><p class="revind">SCENE II. <i>An Apartment, which denotes<br /> +the Poverty of the Inhabitants.</i> <span class="smallcaps">Henry</span><br /> +<i>and</i> <span class="smallcaps">Eleanor</span> <i>discovered</i>.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>It is very late and very cold too, brother;<br /> +and yet we have neither of us heart to bid each<br /> +other good night.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>No—beds were made for rest.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>And that noise of carriages and link-boys at<br /> +Sir George Splendorville's, next door, would keep<br /> +us awake, if our sorrows did not.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>The poor have still more to complain of,<br /> +when chance throws them thus near the rich,—it<br /> +forces upon their minds a comparison might<br /> +drive them to despair, if—</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>—If they should not have good sense enough<br /> +to reflect, that all this bustle and show of pleasure,<br /> +may fall very short of happiness; as all the<br /> +distress <i>we</i> feel, has not yet, thank Heaven, reached<br /> +to misery.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>What do you call it then?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>A trial; sent to make us patient.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>It may make you so, but cannot me. Good<br /> +morning to you.</p></td></tr> +<tr><td align="right">[<i>Going.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Nay, it is night yet. Where are you going?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>I don't know.—To take a walk.—The streets<br /> +are not more uncomfortable than this place, and<br /> +scarcely colder.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Oh, my dear brother! I cannot express half<br /> +the uneasiness I feel when you part from me,<br /> +though but for the shortest space.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>Why?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Because I know your temper; you are impatient<br /> +under adversity; you rashly think providence<br /> +is unkind; and you would snatch those<br /> +favours, which are only valuable when bestowed.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>What do you mean?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Nay, do not be angry; but every time you<br /> +go out into this tempting town, where superfluous<br /> +riches continually meet the eye of the poor,<br /> +I tremble lest you should forfeit your honesty<br /> +for that, which Heaven decreed should not belong<br /> +to you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>And if I did, you would despise and desert<br /> +me?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>No: not desert you; for I am convinced you<br /> +would only take, to bring to me; but this is to<br /> +assure you, I do not want for any thing.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>Not want?—Nor does my father?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Scarcely, while we visit him. Every time he<br /> +sees us we make him happy; but he would never<br /> +behold us again if we behaved unworthy of him.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>What! banish us from a prison?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>And although it is a prison, you could not<br /> +be happy under such a restriction.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>Happy!—When was I happy last?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Yesterday, when your father thanked you for<br /> +your kindness to him. Did we not all three<br /> +weep with affection for each other? and was<br /> +not that happiness?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>It was—nor will I give up such satisfaction,<br /> +for any enticement that can offer.——Be contented,<br /> +Eleanor,—for your sake and my father's,<br /> +I will be honest.—Nay, more,—I will be scrupulously<br /> +proud—and that line of conduct which<br /> +my own honour could not force me to follow,<br /> +my love to <i>you</i> and <i>him</i>, shall compel me to.—<br /> +When, through necessity, I am tempted to<br /> +plunder, your blushes and my father's anguish<br /> +shall hold my hand.—And when I am urged<br /> +through impatience, to take away my own life,<br /> +your lingering death and his, shall check the<br /> +horrid suggestion, and I will live for you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Then do not ever trust yourself away, at least<br /> +from one of us.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span><br /></td></tr> +<tr><td align="left"><p>Dear sister! do you imagine that your power<br /> +is less when separated from me? Do you suppose<br /> +I think less frequently on my father and<br /> +his dismal prison, because we are not always<br /> +together? Oh! no! he comes even more forcibly<br /> +to my thoughts in his absence—and then,<br /> +more bitterly do I feel his misery, than while<br /> +the patient old man, before my eyes, talks to<br /> +me of his consolations; his internal comforts<br /> +from a conscience pure, a mind without malice,<br /> +and a heart, where every virtue occupy a place.—<br /> +Therefore, do not fear that I shall forget either<br /> +him or you, though I might possibly forget myself.</p> </td></tr> +<tr><td align="right">[<i>Exit.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>If before him I am cheerful, yet to myself I<br /> +must complain. [<i>Weeps</i>] And that sound of<br /> +festivity at the house adjoining is insupportable!<br /> +especially when I reflect that a very small portion<br /> +of what will be wasted there only this one<br /> +night, would be sufficient to give my dear father<br /> +liberty.</p></td></tr> +<tr><td align="left"><p>[<i>A rapping at the door of her chamber, on the<br /> +opposite entrance.</i>]</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Who's there?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Open the door. <span class="ind3">[<i>Without.</i></span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>The voice of our landlord. [<i>Goes to the door.</i><br /> +Is it you, Mr. Blackman?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Yes, open the door. <span class="ind3">[<i>Rapping louder.</i></span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center">[<i>She opens it:</i> <span class="smallcaps">Blackman</span> <i>enters, followed<br /> +by</i> <span class="smallcaps">Bluntly</span>.]</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>What a time have you made me wait!—And<br /> +in the name of wonder, why do you lock your<br /> +door? Have you any thing to lose? Have not<br /> +you already sold all the furniture you brought<br /> +hither? And are you afraid of being stolen<br /> +yourself?</p></td></tr> +<tr><td align="right">[<span class="smallcaps">Eleanor</span> <i>retires to the back of the Stage</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Is this the chamber?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Yes, Sir, yes, Mr. Bluntly, this is it.</p></td></tr> +<tr><td align="right">[<span class="smallcaps">Blackman</span> <i>assumes a very different tone of<br /> +voice in speaking to</i> <span class="smallcaps">Bluntly</span> <i>and</i> <span class="smallcaps">Eleanor</span>;<br /> +<i>to the one he is all submissive humility,<br /> +to the other all harshness.</i>]</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>This! <span class="ind3">[<i>Contemptuously.</i></span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Why yes, sir,—this is the only place I have<br /> +left in my own house, since your master has been<br /> +pleased to occupy that next door, while his own<br /> +magnificent one has been repairing.—Lock yourself<br /> +up, indeed! (<i>Looking at</i> <span class="smallcaps">Eleanor</span>.)—You<br /> +have been continually asking me for more rooms,<br /> +Mr. Bluntly, and have not I made near half a<br /> +dozen doors already from one house to the<br /> +other, on purpose to accommodate your good<br /> +family.—Upon my honour, I have not now a<br /> +single chamber but what I have let to these<br /> +lodgers, and what I have absolute occasion for<br /> +myself.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>And if you do put yourself to a little inconvenience,<br /> +Mr. Blackman, surely my master—</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Your master, Mr. Bluntly, is a very good man<br /> +—a very generous man—and I hope at least he has<br /> +found me a very lucky one; for good luck is all<br /> +the recommendation which I, in my humble<br /> +station, aspire to—and since I have been Sir<br /> +George's attorney, I have gained him no less than<br /> +two law-suits.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>I know it. I know also that you have lost<br /> +him four.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>We'll drop the subject.—And in regard to<br /> +this room, sir, it does not suit, you say?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>No, for I feel the cold wind blow through<br /> +every crevice.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>But suppose I was to have it put a little into<br /> +repair? That window, for instance, shall have<br /> +a pane or two of glass put in; the cracks of<br /> +the door shall be stopt up; and then every thing<br /> +will have a very different appearance.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>And why has not this been done before?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Would you have me be laying out my money,<br /> +while I only let the place at a paltry price, to<br /> +people who I am obliged to threaten to turn into<br /> +the streets every quarter, before I can get my<br /> +rent from them?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Is that the situation of your lodgers at present?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Yes.—But they made a better appearance<br /> +when they first came, or I had not taken such<br /> +persons to live thus near to your master.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>That girl (<i>looking at</i> <span class="smallcaps">Eleanor</span>) seems very<br /> +pretty—and I dare say my master would not care<br /> +if he was nearer to her.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Pshaw, pshaw—she is a poor creature—she is<br /> +in great distress. She is misery itself.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>I feel quite charmed with misery.—Who belongs<br /> +to her?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>A young man who says he is her brother—<br /> +very likely he is not—but that I should not enquire<br /> +about, if they could pay my rent. If<br /> +people will pay me, I don't care what they are.<br /> +(<i>Addressing himself to</i> <span class="smallcaps">Eleanor</span>) I desire you<br /> +will tell your brother when he comes in, that I<br /> +have occasion for the money which will be due<br /> +to me to-morrow—and if I don't receive it before<br /> +to-morrow night, he must seek some other<br /> +habitation.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Hush, Mr. Blackman—if you speak so loud,<br /> +you will have our company in the next house<br /> +hear you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>And if they did, do you think it would spoil<br /> +their dancing? No, Mr. Bluntly.—And in that<br /> +respect, I am a person of fashion.—I never suffer<br /> +any distress to interfere with my enjoyments.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="right">[<i>Coming to him.</i></td></tr> +<tr><td align="left"><p>Dear sir, have but patience a little while<br /> +longer.—Indeed, I hope you will lose nothing.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>I <i>won't</i> lose any thing. <span class="ind3">[<i>Going.</i></span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="right">[<i>Following him.</i></td></tr> +<tr><td align="left"><p>Sir, I would speak a single word to you, if<br /> +you will be so good as to hear me?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Ay, stay and hear her.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="right">[<i>Looking at</i> <span class="smallcaps">Bluntly</span>.</td></tr> +<tr><td align="left"><p>But I wish to speak to him by ourselves.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Then I'll withdraw.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>What have you to say? <span class="ind3">[<i>In anger.</i></span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Hear her, Mr. Blackman—or may none of<br /> +her sex ever listen to you.</p></td></tr> +<tr><td align="right">[<i>Exit.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>If it is only to entreat me to let you continue<br /> +here, I am gone in an instant.——Come, speak<br /> +quickly, for I have no time to lose.—Come,<br /> +speak, speak.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>But are you resolved to have no pity? You<br /> +know in what a helpless situation we are—and<br /> +the deplorable state of my poor father.</p></td></tr> +<tr><td align="right">[<i>Weeping.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Ay, I thought what you had to say—farewel,<br /> +farewel.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="right">[<i>Laying hold of him.</i></td></tr> +<tr><td align="left"><p>Oh! do not plunge us into more distress<br /> +than we can bear; but open your heart to compassion.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>I can't——'tis a thing I never did in my life.</p></td></tr> +<tr><td align="right">[<i>Going, he meets</i> <span class="smallcaps">Bluntly</span>, <i>who stops him</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Well, have you granted her request?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>I would do a great deal to oblige you, Mr.<br /> +Bluntly—and if you will only give your word<br /> +for the trifle of rent owing, why, I am not so<br /> +hard-hearted but I will suffer her to stay.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Well, well,—I will give my word.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>But remember, it is not to be put down to<br /> +your master's account, but to your own.—I am<br /> +not to give credit.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Nor am I to lay my brother under an obligation<br /> +of this nature. (<i>To</i> <span class="smallcaps">Bluntly</span>) I thank you<br /> +for your offer, sir, but I cannot accept it.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="right">[<i>In extreme anger.</i></td></tr> +<tr><td align="left"><p>What do you mean by that?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Perhaps she is right.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>My brother would resent my acceptance of a<br /> +favour from a stranger.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Your brother resent! A poor man resent!<br /> +Did you ever hear of any body's regarding a<br /> +poor man's resentment?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>No—nor a poor woman's prayers.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Yes, I will regard your prayers, if you will<br /> +suffer this gentleman to be your friend.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Any acquaintance of your's, Mr. Blackman,<br /> +I must distrust.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Do you hear with what contempt she treats<br /> +us both?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>But perhaps she is right—at least, in treating<br /> +one of us so, I am sure she is—and I will forgive<br /> +her wronging the one, for the sake of her doing<br /> +justice to the other.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Henry</span>: <i>he starts at seeing</i> <span class="smallcaps">Blackman</span><br /> +<i>and</i> <span class="smallcaps">Bluntly</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>Who are these?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>"Who are these?" Did you ever hear such<br /> +impertinence? (<i>Going up to him</i>) Pray who are<br /> +you, sir?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>I am a man.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Yes—but I am a lawyer.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>Whatever you are, this apartment is mine,<br /> +not your's—and I desire you to leave it.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>But to-morrow it will be mine, and then I<br /> +shall desire <i>you</i> to leave it, and force you to<br /> +leave it.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>Eleanor, retire to the other chamber; I am<br /> +sorry I left you.</p></td></tr> +<tr><td align="right">[<i>Leads her off.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>And I am sorry that I and my friend should<br /> +come here to be affronted.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Mr. Blackman, I won't be called names.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Names, sir! What names did I call you?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Did not you call me your friend? I assure<br /> +you, sir, I am not used to be called names.<br /> +I am but a servant whose character is every<br /> +thing—and I'll let you know that I am <i>not</i> your<br /> +friend.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Why, you blockhead, does not your master<br /> +call himself my friend?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Yes, my master is a great man, and he can<br /> +get a place without a character,—but if I lose<br /> +mine, I am ruined; therefore take care how you<br /> +miscal me for the future, for I assure you I<br /> +won't bear it. I am not your friend, and you<br /> +shall find I am not.</p></td></tr> +<tr><td align="right">[<i>Exit (in great anger)</i>, <span class="smallcaps">Blackman</span> <i>following</i>.</td></tr> +<tr><td> </td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="small">END OF THE FIRST ACT.</span></td></tr> +</table> +</div> +<p> </p> +<hr class="minimal" /> +<p> </p> +<h2><span class="wide">ACT II.</span></h2> + +<div class="center"> +<p class="noindent">SCENE I. <i>An Apartment at</i> <span class="smallcaps">Sir George<br /> +Splendorville's</span>.<br /> +<br /> +<i>Enter</i> <span class="smallcaps">Sir George</span>, <i>followed by</i> <span class="smallcaps">Bluntly</span>.<br /> +</p> +<p> </p> +<table style="margin: 0 auto" cellpadding="2" cellspacing="0" summary="ACT 2"> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>What's o'clock? <span class="ind3">[<i>Rubbing his eyes.</i></span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Just noon, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Why was I waked so early?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>You were not waked, sir—You rung.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Then it was in my sleep—and could not you<br /> +suppose so?——After going to bed at five, to<br /> +make me rise at noon! (<i>in a violent passion</i>) What<br /> +am I to do with myself, sir, till it is time to go<br /> +out for the evening?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>You have company to dinner you know, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>No, it is to supper—and what am I to do with<br /> +myself till that time?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Company again to supper, Sir?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Yes, and the self-same company I had last<br /> +night—I invited them upon Lady Caroline's <br /> +account—to give her an opportunity of revenge,<br /> +for the money she lost here yesterday evening—<br /> +and I am all weariness—I am all lassitude and<br /> +fretfulness till the time arrives.—But now I call<br /> +to mind, I have an affair that may engage my<br /> +attention a few hours. You were giving me <ins title="original has an an">an</ins><br /> +account, Bluntly, of that beautiful girl I saw<br /> +enter at Blackman's?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Yes, sir, I saw her late last night in Mr.<br /> +Blackman's house—she lodges there.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Indeed? In Blackman's house? I am glad to<br /> +hear it.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>And he has assured me, sir, that she and her<br /> +family are in the greatest poverty imaginable.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I am glad to hear it.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>They have been it seems above a twelvemonth<br /> +in London, in search of some rich relations; but<br /> +instead of meeting with them, the father was<br /> +seen and remembered by an old creditor who<br /> +has thrown him into prison.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I am very glad to hear it.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>But the young woman, Sir, has been so short<br /> +a time in town, she has, seemingly, a great deal<br /> +of modesty and virtue.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>And I am very glad to hear of that too—<br /> +I like her the better—you know I do—for I am<br /> +weary of that ready compliance I meet with<br /> +from the sex.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>But if I might presume to advise, sir—as you<br /> +are so soon to be married to her ladyship, whom<br /> +you love with sincere affection, you should give<br /> +up this pursuit.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>And I <i>shall</i> give it up, Bluntly, before my<br /> +marriage takes place—for, short as that time may<br /> +be, I expect this passion will be over and forgotten,<br /> +long before the interval has passed away.—<br /> +But that brother you were mentioning<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>I have some reason to think, that with all his<br /> +poverty, he has a notion of honour.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="right">[<i>Laughing.</i></td></tr> +<tr><td align="left"><p>Oh! I have often tried the effect of a purse of<br /> +gold with people of honour.—Have you desired<br /> +them to be sent for as I ordered.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>I have, Sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>See if they are come. [<i>Exit</i> <span class="smallcaps">Bluntly</span>.] Ah!<br /> +my dear Lady Caroline, it is you, and only you,<br /> +whom I love with a sincere passion! but in waiting<br /> +this long expected event of our marriage,<br /> +permit me to indulge some less exalted<br /> +wishes.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Bluntly</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Are they come?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>The young man is in the anti-chamber, sir,<br /> +but his sister is not with him. (<i>Speaking to</i><br /> +<span class="smallcaps">Henry</span> <i>who is without</i>) Please to walk this way<br /> +—my master desires to see you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>No, no, no—I do not desire to see him, if<br /> +his sister is not there.—Zounds you scoundrel<br /> +what did you call him in for?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Henry</span>, <i>and bows</i>.<br /><br /> +[<span class="smallcaps">Sir George</span> <i>looks at him with a careless familiarity</i>—<br /> +<span class="smallcaps">Bluntly</span> <i>leaves the room</i>.] +</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Young man, I am told you are very poor—<br /> +you may have heard that I am very rich—and I<br /> +suppose you are acquainted with the extensive<br /> +meaning of the word—generosity.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>[<i>After an hesitation.</i>] Perhaps not, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>The meaning of it, as I comprehend, is, for<br /> +the rich to give to the poor.—Have you any<br /> +thing to ask of me in which I can serve you?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>Your proposal is so general, I am at a loss<br /> +what to answer—but you are no doubt acquainted<br /> +with the extensive meaning of the word, <i>pride</i>,—<br /> +and that will apologize for the seeming indifference<br /> +with which I receive your offer.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Your pride seems extensive indeed.—I heard<br /> +your father was in prison, and I pitied him.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>Did you, Sir?—Did you pity my father:—<br /> +I beg your pardon—if I have said any thing to<br /> +offend you pray forgive it—nor let my rudeness<br /> +turn your companion away from him, to any<br /> +other object.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Would a small sum release him from confinement?<br /> +Would about a hundred pounds<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>I have no doubt but it would.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Then take that note.——Be not surprised—<br /> +I mean to dispose of a thousand guineas this way,<br /> +instead of fitting up a theatre in my own house.—<br /> +That (<i>giving him the note</i>) is a mere trifle; my<br /> +box at the opera, or my dinner; I mean to dine<br /> +alone to morrow, instead of inviting company.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>Sir George, I spoke so rudely to you at first,<br /> +that I know no other way to shew my humility,<br /> +<ins title="original has then">than</ins> to accept your present without reluctance.—<br /> +I do therefore, as the gift of benevolence,<br /> +not as the insult of better fortune.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>You have a brother, have not you?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>No, Sir—and only one sister.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>A sister is it? well, let me see your father and<br /> +your brother—your sister I mean—did not you<br /> +say?—you said a sister, did not you?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>Yes, Sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Well, let me see your father and her; they<br /> +will rejoice at their good fortune I imagine, and<br /> +I wish to be a witness of their joy.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>I will this moment go to our lawyer, extricate<br /> +my father, and we will all return and make you<br /> +the spectator of the happiness you have bestowed.</p> +<p>Forgive my eagerness to disclose your bounty,<br /> +sir, if, before I have said half I feel, I fly to<br /> +reveal it to my father; to whom I can more powerfully<br /> +express my sensations—than in your presence.</p></td></tr> +<tr><td align="right">[<i>Exit.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>That bait has taken—and now, if the sister<br /> +will only be as grateful.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Bluntly</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Dear sir, what can you have said to the young<br /> +man? I never saw a person so much affected!</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>In what manner?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>The tears ran down his cheeks as he passed<br /> +along, and he held something in his hand which<br /> +he pressed to his lips, and then to his heart,<br /> +as if it was a treasure.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>It is a treasure, Bluntly—a hundred Guineas.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>But for which, I believe, you expect a greater<br /> +treasure in return.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Dost think so Bluntly?—dost think the girl is<br /> +worth a hundred pounds?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>If she refuses, she is worth a thousand—but if<br /> +she complies, you have thrown away your money.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Just the reverse.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>But I hope, sir, you do not mean to throw<br /> +away any more thus—for although this sum, by<br /> +way of charity, may be well applied, yet indeed,<br /> +sir, I know some of your creditors as much in<br /> +want as this poor family.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>How!—You are in pay by some of my creditors<br /> +I suppose?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>No, Sir, you must pay them, before they can<br /> +pay any body.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>You are impertinent—leave the room instantly,<br /> +and go in search of this sister; now, while<br /> +the son is gone to release his father.—Tell her,<br /> +her brother is here, and bring her hither immediately.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>But, sir, if you will only give me leave to<br /> +speak one word—</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Do, speak; [<i>Goes to the chimney-piece and takes<br /> +down a pistol</i>] only speak a single syllable, and<br /> +I'll send a ball instantly through your head.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>I am dumb, Sir—I don't speak indeed, Sir—<br /> +upon my life I don't. I wish I may die if I +speak a word.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Go on the errand I told you; and if you dare<br /> +to return without the girl this is your fate.</p></td></tr> +<tr><td align="right">[<i>Holding up the pistol.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left">Yes, Sir.</td></tr> +<tr><td align="right">[<i>Exit.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="right">[<i>Laying the pistol on the table.</i></td></tr> +<tr><td align="left"><p>Impertinent puppy; to ruffle the temper of a<br /> +man of fashion with hints of prudence and morality,<br /> +and paying his debts—all this from a servant<br /> +too. The insolent, chattering<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Bluntly</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>May I speak now, sir?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>What have you to say?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Mr. Blackman, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Bid him come in.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Blackman</span>. <i>Exit</i> <span class="smallcaps">Bluntly</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Good morning, Mr. Blackman; come, sit<br /> +down.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="right">[<i>Bowing respectfully.</i></td></tr> +<tr><td align="left"><p>I am glad, Sir George, I have found you<br /> +alone, for I come to speak to you on important<br /> +business.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Business!<span class="nowrap">——</span>no—not now if you please.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>But I must, sir—I have been here ten times<br /> +before, and have been put off, but now you<br /> +must hear what I have to say.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Don't be long then—don't be tedious, Mr.<br /> +Blackman—for I expect a, a—in short, I expect<br /> +a pretty woman.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>When she comes, I will go.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Very well, speak quickly then. What have<br /> +you to say?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>I come to speak upon the subject of your father's<br /> +will; by which you know, you run the<br /> +hazard of losing great part of what he left behind.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>But what am I to do?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>There is no time to be lost. Consider, that<br /> +Mr. Manly, the lawyer, whom your father employed,<br /> +is a man who pretends to a great deal<br /> +of morality; and it was he who, when your father<br /> +found himself dying, alarmed his conscience,<br /> +and persuaded him to make this Will in favour<br /> +of a second person. Now, I think that you and<br /> +I both together, ought to have a meeting with<br /> +this conscientious lawyer.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>But I should imagine, Mr. Blackman, that if<br /> +he is really a conscientious man, you and he will<br /> +not be upon good terms.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Oh! people of our avocation differ in respect<br /> +to conscience. Puzzle, confound, and abuse<br /> +each other, and yet are upon good terms.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>But I fear<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Fear nothing.—There are a vast number of<br /> +resources in our art.—It is so spacious, and yet<br /> +so confined—so sublime, and yet so profound—<br /> +so distinct, and yet so complicated—that if ever<br /> +this person with whom your fortune is divided<br /> +should be found, I know how to envelope her<br /> +in a labyrinth, where she shall be lost again in<br /> +a hurry.<span class="nowrap">——</span>But your father's lawyer being a<br /> +very honest—I mean a very particular man in<br /> +his profession,—I have reason to fear we cannot<br /> +gain him over to our purpose.—If, therefore,—</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Bluntly</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>My visitor is come, as I told you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="right">[<i>Rising.</i></td></tr> +<tr><td align="left"><p>And I am gone, as I told you.</p></td></tr> +<tr><td align="right">[<i>Going.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Eleanor</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="right">[<i>Aside.</i></td></tr> +<tr><td align="left"><p>My lodger! ah! ah! (<i>To her in a whisper</i>)<br /> +You may stay another quarter.</p></td></tr> +<tr><td align="right">[<i>Exit.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>(<i>To</i> Eleanor) I am glad to see you.—Bluntly—</p></td></tr> +<tr><td align="right">[<i>Makes a sign to him to leave the room.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Sir?</p></td></tr> +<tr><td align="right">[<span class="smallcaps">Sir George</span> <i>waves his hand and nods<br /> +his head a second time</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Sir?<span class="nowrap">——</span></p></td></tr> +<tr><td align="right">[<i>Still affecting not to understand him.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I bid you go. <span class="ind3">[<i>Angrily.</i></span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>You bid me go, sir?—Oh yes, sir.—Very<br /> +well, sir.—But indeed, sir, I did not hear you<br /> +before, sir.—Indeed I did not.</p></td></tr> +<tr><td align="right">[<i>Bows, and exit with reluctance,<br /> +which</i> <span class="smallcaps">Eleanor</span> <i>observes</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Pardon me, sir.—I understood my brother<br /> +was here, but I find he is not.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>He is but this instant gone, and will return<br /> +immediately.—Stay then with me till he comes.<br /> +(<i>Takes her hand.</i>) Surely you cannot refuse to<br /> +remain with me a few moments; especially as I<br /> +have a great deal to say to you that may tend<br /> +to your advantage.</p></td></tr> +<tr><td align="left"><p>Why do you cast your eyes with such impatience<br /> +on that door? (<i>Goes and locks it.</i>)<br /> +There, now you may look at it in vain.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>For heaven sake, why am I locked in?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Because you should not escape.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>That makes me resolve I will—Open the<br /> +door, sir.</p></td></tr> +<tr><td align="right">[<i>Going to it.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Nay, listen to me. Your sentiments, I make<br /> +no doubt, are formed from books.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>No, from misfortunes—yet more instructive.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>You shall never know misfortune more—you,<br /> +nor your relations.—But this moment I presented<br /> +your brother with a sum of money, and he left<br /> +me with professions of the deepest gratitude.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>My brother!—Has he received money from<br /> +you? Ah! he promised me he'd not disgrace<br /> +his family.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>How! Family, indeed!</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>I cannot remain here a moment longer. Open<br /> +the door, sir—open it immediately.</p></td></tr> +<tr><td align="right">[<i>Raising her voice.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="right">[<i>Without.</i></td></tr> +<tr><td align="left"><p>Sir, sir, sir,—open the door, if you please—<br /> +you are wanted, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>S'death! who can want me in such haste?</p></td></tr> +<tr><td align="right">[<i>Opens the door, and appears confounded.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Bluntly</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Well, sir!</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p><span class="nowrap">——</span>Did you call, sir?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>It was <i>you</i> who called, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Who, I, sir?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Yes, sir, you—Who wants me?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="right">[<i>Looking at</i> <span class="smallcaps">Eleanor</span>.</td></tr> +<tr><td align="left"><p>Perhaps it was <i>you</i> that called, Ma'am.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>It <i>was</i> I that called: and pray be so kind as<br /> +to conduct me to my own lodgings.</p></td></tr> +<tr><td align="right">[<span class="smallcaps">Bluntly</span> <i>offers her his hand</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Dare not to touch her—or to stay another<br /> +moment in the room.—Begone.</p></td></tr> +<tr><td align="right">[<span class="smallcaps">Bluntly</span> <i>looks at</i> <span class="smallcaps">Eleanor</span> <i>aside, and<br /> +points to the pistol; then bows humbly, and<br /> +retires</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>And now, my fair Lucretia<span class="nowrap">——</span></p></td></tr> +<tr><td align="right">[<i>He is going to seize her—she takes up<br /> +the pistol and presents it.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>No, it's not <i>myself</i> I'll kill—'Tis you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="right">[<i>Starting.</i></td></tr> +<tr><td align="left"><p>Nay, nay, nay, lay it down.—Lay that foolish<br /> +thing down; I beg you will. (<i>Trembling.</i>) It<br /> +is charged—it may go off.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>I mean it to go off.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>But no jesting—I never liked jesting in my<br /> +life.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Nor I—but am always serious.—Dare not,<br /> +therefore, insult me again, but let me go to my<br /> +wretched apartments.</p></td></tr> +<tr><td align="right">[<i>Passes by him, presenting the pistol.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Go to the<span class="nowrap">——</span></p></td></tr> +<tr><td align="right">[<i>She turns short at the door, and presents it again.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>What would you do?—Here Bluntly! Bluntly!</p></td></tr> +<tr><td align="right">[<i>Exit</i> <span class="smallcaps">Eleanor</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Bluntly</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Did you call or no, sir?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Yes, sir, I did call now. (<i>In a threatening<br /> +accent.</i>) Don't you think you have behaved very<br /> +well this morning?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Yes, sir, I think I have.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I am not joking.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Nor am I, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>And do not you think I should behave very<br /> +well, if I was to discharge you my service?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>As well as can be expected, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Why did you break in upon me just now?<br /> +Did you think I was going to murder the girl?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>No, sir, I suspected neither love nor murder.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>What then did you suspect?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Why, sir, if I may make bold to speak—I<br /> +was afraid the poor girl might be robbed: and<br /> +of all she is worth in the world.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Blockhead! I suppose you mean her virtue?</p></td></tr> +<tr><td align="right">[<i>Smiling with contempt.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Why, to say the truth, sir, virtue is a currency<br /> +that grows scarce in the world now-a-days—<br /> +and some men are so much in need of it, that<br /> +they think nothing of stopping a harmless female<br /> +passenger in her road through life, and plundering<br /> +her of it without remorse, though its loss, embitters<br /> +every hour she must afterwards pass in her<br /> +journey.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Henry</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>Sir George, my father, liberated from prison<br /> +by your bounty, is come gratefully to offer<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Willford</span> <i>and</i> <span class="smallcaps">Eleanor</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="right">[<i>Holding her father by the hand, to prevent his<br /> +going forward.</i></td></tr> +<tr><td align="left"><p>Oh, my father! whither are you going? Turn<br /> +back—turn back.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="right">[<i>To his father.</i></td></tr> +<tr><td align="left"><p>This is your benefactor—the man whose benevolence<br /> +has put an end to your sufferings.</p></td></tr> +<tr><td align="right">[<span class="smallcaps">Eleanor</span> <i>bursts into tears and retires up the stage</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>How, sir, can I ever repay what I owe to you?<br /> +—or how describe those emotions, which your<br /> +goodness at this moment makes me feel?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="right">[<i>In confusion.</i></td></tr> +<tr><td align="left"><p>Very well—very well—'tis all very well.<br /> +(<i>Aside</i>) I wish it was.—(<i>To him</i>) I am glad I<br /> +have been of service to you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide"><ins title="original has WILLORD">WILLFORD</ins>.</span></td></tr> +<tr><td align="left"><p>You have been like mercy to us all. My<br /> +daughter's gratitude overflows in tears.—But why,<br /> +my child, do you keep apart from us? Can you<br /> +be too timid to confess your obligation?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Let her alone—let her indulge her humour.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>Speak, Eleanor.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>No, I had rather she would be silent.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>You offend me by this obstinacy.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="right">[<i>Going to</i> <span class="smallcaps">Willford</span> <i>and taking his hand</i>.</td></tr> +<tr><td align="left"><p>Oh, my father!—Oh! I cannot——I cannot<br /> +speak.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>Wherefore?—Explain this moment, what<br /> +agitates you thus.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>You must return to confinement again.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>How?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>The money that has set you free, was given<br /> +for the basest purposes—and by a man as far beneath<br /> +you in principle, as you are beneath him<br /> +in fortune. Disdain the obligation—and come<br /> +my father, return to prison.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>Yes.—And with more joy than I left it. (<i>To</i><br /> +<span class="smallcaps">Sir George</span>) Joy, in my daughter's virtuous<br /> +contempt of thee. (<i>To his children</i>) Leave the<br /> +house instantly.</p></td></tr> +<tr><td align="right">[<i>Exit</i> <span class="smallcaps">Henry</span> <i>and</i> <span class="smallcaps">Eleanor</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="right">[<i>Addressing himself to</i> <span class="smallcaps">Sir George</span>.</td></tr> +<tr><td align="left"><p>Your present is but deposited in a lawyer's<br /> +hands, whose word gained me my liberty—<br /> +he shall immediately return it to you, while I return<br /> +to imprisonment.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>If the money is in a lawyer's hands, my good<br /> +friend, it may be some time before you get it<br /> +returned.</p></td></tr> +<tr><td align="right">[<i>Going.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>Stay, Sir George—(<i>he returns</i>) And look me<br /> +in the face while you insult me. (<span class="smallcaps">Sir George</span><br /> +<i>looks on the floor</i>.) You cannot.—I therefore triumph,<br /> +while you stand before me abashed like<br /> +a culprit.—Yet be assured, unthinking, dissipated<br /> +man, that with all your insolence and<br /> +cruelty towards me and mine, I have still the<br /> +charity to rejoice, even for your sake, at seeing<br /> +you thus confounded. This shame is at least one<br /> +trait in your favour; and while it revenges my<br /> +wrongs, gives me joy to find, you are not a<br /> +<i>hardened</i> libertine.</p></td></tr> +<tr><td align="right">[<i>Exeunt.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"></td></tr> +<tr><td align="left"></td></tr> +<tr><td> </td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="small">END OF THE SECOND ACT.</span></td></tr> +</table> +</div> +<p> </p> +<hr class="minimal" /> +<p> </p> +<h2><span class="wide">ACT III.</span></h2> + +<div class="center"> +<p class="noindent">SCENE I. <i>The apartment at</i> <span class="smallcaps">Sir George<br /> +Splendorville's</span>, <i>where the night has<br /> +been passed at play—Several card-tables<br /> +with company playing</i>—<span class="smallcaps">Sir George</span> <i>and</i><br /> +<span class="smallcaps">Lady Caroline</span> <i>at the same table</i>. <span class="smallcaps">Sir<br /> +George</span> <i>rises furiously</i>.</p> +<p> </p> +<table style="margin: 0 auto" cellpadding="2" cellspacing="0" summary="ACT 3"> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Never was the whole train of misfortunes<br /> +so united to undo a man, as this night to<br /> +ruin me. The most obstinate round of ill<br /> +luck<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="right">[<i>Waking from a sleep.</i></td></tr> +<tr><td align="left"><p>What is all that? You have lost a great deal<br /> +of money, I suppose?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Every guinea I had about me, and fifteen<br /> +thousand besides, for which I have given my<br /> +word.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>Fifteen thousand guineas! and I have not<br /> +won one of them.—Oh, confusion upon every<br /> +thing that has prevented me.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="right">[<i>Taking</i> <span class="smallcaps">Lady Caroline</span> <i>aside</i>.</td></tr> +<tr><td align="left"><p>Lady Caroline, you are the sole person who<br /> +has profited by my loss.—Prove to me that your<br /> +design was not to ruin me; to sink me into the<br /> +abyss of misfortune,—prove to me, you love me<br /> +in return for all my tender love to you. And<br /> +(<i>taking up the cards</i>) give me my revenge in one<br /> +single cut.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>If this is the proof you require, I consent.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Thank you.—And it is for double or quit.—<br /> +Thank you.</p> </td></tr> +<tr><td align="right">[<i>She shuffles and cuts.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Ay, it will be mine—thank you.—I shall be<br /> +the winner—thank you. (<i>He cuts—then tears the<br /> +cards and throws them on the floor.</i>) Destraction!—<br /> +Furies of the blackest kind conspire against<br /> +me, and all their serpents are in my heart.—<br /> +Cruel, yet beloved woman! Could you thus<br /> +abuse and take advantage of the madness of my<br /> +situation?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>Your misfortunes, my dear Sir George—make<br /> +you blind.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="right">[<i>Taking her again aside.</i></td></tr> +<tr><td align="left"><p>No, they have rather opened my eyes, and<br /> +have shown me what you are.—Still an object I<br /> +adore; but I now perceive <ins title="original has your">you</ins> are one to my<br /> +ruin devoted.—If any other intention had directed<br /> +you, would you have thus decoyed me<br /> +to my folly?—You know my proneness to play,<br /> +your own likelihood of success, and have palpably<br /> +allured me to my destruction. Ungrateful<br /> +woman, you never loved me, but taught me to<br /> +believe so, in order to partake of my<br /> +prodigality.—Do not be suspicious, madam; the debt<br /> +shall be discharged within a week.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="right">[<i>With the utmost indifference.</i></td></tr> +<tr><td align="left"><p>That will do, sir—I depend upon your word;<br /> +and that will do.</p></td></tr> +<tr><td align="right">[<i>Exit curtsying.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Ungrateful—cruel—she is gone without giving<br /> +me one hope.—She even insults—despises<br /> +me.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="right">[<i>Coming forward.</i></td></tr> +<tr><td align="left"><p>Indeed, my dear friend, I compassionate your<br /> +ill luck most feelingly; and yet I am nearly as<br /> +great an object of compassion on this occasion as<br /> +yourself; for I have not won a single guinea of<br /> +all your losses: if I had, why I could have borne<br /> +your misfortune with some sort of patience.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY BRIDGET.</span></td></tr> +<tr><td align="left"><p>My dear Sir George, your situation affects me<br /> +so extremely, I cannot stay a moment longer in<br /> +your presence. [<i>Goes to the door, and returns.</i>]<br /> +But you may depend upon my prayers.</p> </td></tr> +<tr><td align="right">[<i>Exit.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LORD HAZARD.</span></td></tr> +<tr><td align="left"><p>Sir George, if I had any consolation to offer,<br /> +it should be at your service—but you know—you<br /> +are convinced—I have merely a sufficiency<br /> +of consolation—that is, of friends and of money<br /> +to support myself in the rank of life I hold in the<br /> +world. For without that—without that rank—<br /> +I sincerely wish you a good morning.</p></td></tr> +<tr><td align="right">[<i>Exit</i> <span class="smallcaps">Lord Hazard</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Good morning.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="right">[<i>The company by degrees all steal out of the room,<br /> +except</i> Mr. <span class="smallcaps">Lucre</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="right">[<i>Looking around.</i></td></tr> +<tr><td align="left"><p>Where are all my guests?—the greatest part<br /> +gone without a word in condolence, and the rest<br /> +torturing me with insulting wishes. Here! behold!<br /> +here is the sole reliance which I have prepared<br /> +for the hour of misfortune; and what is it?<br /> +—words—compliments—desertion—and<br /> +from those, whose ingratitude makes their neglect still<br /> +more poignant. [<i>Turns and perceives</i> Mr. <span class="smallcaps">Lucre</span>.]<br /> +Lucre, my dear Lucre, are not you amazed <ins title="original has at at">at</ins><br /> +what you see?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>No, not at all—'tis the way of the world—<br /> +we caress our acquaintances whilst they are happy<br /> +and in power, but if they fall into misfortune,<br /> +we think we do enough if we have the good nature<br /> +to pity them.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>And are you, one of these friends?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>I am like the rest of the world.—I was in the<br /> +number of your flatterers; but at present you<br /> +have none—for you may already perceive, we are<br /> +grown sincere.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>But have not you a thousand times desired me,<br /> +in any distress, to prove you?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>And you do prove me now, do you not?—<br /> +Heaven bless you. [<i>Shaking hands with him</i>] I<br /> +shall always have a regard for you—but for any<br /> +thing farther—I scorn professions which I do not<br /> +mean to keep.</p></td></tr> +<tr><td align="right">[<i>Going.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Nay, but Lucre! consider the anguish in<br /> +which you leave me!—consider, that to be forsaken<br /> +by my friends is more affecting than the<br /> +loss of all my fortune. Though you have nothing<br /> +else to give me, yet give me your company.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. LUCRE.</span></td></tr> +<tr><td align="left"><p>My dear friend I <i>cannot</i>. Reflect that I am<br /> +under obligations to you—so many indeed that<br /> +I am ashamed to see you.<span class="nowrap">——</span>I am naturally bashful;<br /> +and do not be surprised if I should never<br /> +have the confidence to look you in the face<br /> +again.</p></td></tr> +<tr><td align="right">[<i>Exit.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>This is the world, such as I have heard it<br /> +described, but not such as I could ever believe<br /> +it to be.—But I forgive—I forget all the world<br /> +except Lady Caroline—her ingratitude fastens<br /> +to my heart and drives me to despair. She, on<br /> +whom I have squandered so much—she, whom I<br /> +loved—and whom I still love, spite of her perfidy!</p></td></tr> +<tr><td align="center">(<i>Enter</i> <span class="smallcaps">Bluntly</span>.)</td></tr> +<tr><td align="left"><p>Well, Bluntly—behold the friendship of the<br /> +friends I loved! This morning I was in prosperity<br /> +and had many—this night I am ruined,<br /> +and I have not one.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Ruined, sir?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Totally: and shall be forced to part with every<br /> +thing I possess to pay the sums I owe.——Of<br /> +course, I shall part with all my servants—and<br /> +do you endeavour to find some other place.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>But first, sir,—permit me to ask a favour of<br /> +you?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>A favour of me? I have no favours now<br /> +to grant.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>I beg your pardon, sir—you have one—and<br /> +I entreat it on my knees.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>What would you ask of me?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>To remain along with you still.—I will never<br /> +quit you; but serve you for nothing, to the last<br /> +moment of my life.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I have then one friend left. (<i>Embracing him.</i>)<br /> +And never will I forget to acknowledge the<br /> +obligation.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Blackman</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Pardon me—sir—I beg ten thousand pardons<br /> +—pray excuse me, (<i>In the most servile manner,</i>)<br /> +for entering before I sent to know if you were<br /> +at leisure—but your attendants are all fast asleep<br /> +on the chairs of your antichamber.—I could<br /> +not wake a soul—and I imagined you yourself<br /> +were not yet up.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>On the contrary, I have not yet been in bed.<br /> +And when I do go there, I wish never to rise<br /> +from it again.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Has any thing unexpected happened?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Yes.—That I am ruined—inevitably ruined<br /> +—Behold (<i>Shewing the cards</i>) the only wreck<br /> +of my fortune.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>(<i>Starting.</i>) Lost all your fortune?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>All I am worth—and as much more as I am<br /> +worth.</p></td></tr> +<tr><td align="right">[<span class="smallcaps">Blackman</span> <i>draws a chair, sits down with<br /> +great familiarity, and stares</i> <span class="smallcaps">Sir George</span><br /> +<i>rudely in the face</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Lost all you are worth? He, he, he, he!<br /> +(<i>Laughs maliciously.</i>) Pretty news, truly! Why<br /> +then I suppose I have lost great part of what I<br /> +am worth? all which you are indebted to me?<br /> +—However there is a way yet to retrieve you.<br /> +But—please to desire your servant to leave the<br /> +room.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Bluntly, leave us a moment. (<i>Exit</i> <span class="smallcaps">Bluntly</span>.)<br /> +Well, Mr. Blackman, what is this grand secret?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Why, in the state to which you have reduced<br /> +yourself, there is certainly no one hope<br /> +for you, but in that portion, that half of your<br /> +fortune, which the will of your father keeps<br /> +you out of.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>But how am I to obtain it? The lawyer in<br /> +whose hands it is placed, will not give it up,<br /> +without being insured from any future <ins title="original has emand">demand</ins><br /> +by some certain proofs.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>And suppose I should search, and find proofs?<br /> +Suppose I have them already by me?—But upon<br /> +this occasion, you must not only rely implicitly<br /> +on what I say, but it is necessary you should say<br /> +the same yourself.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>If you advance no falsehood, I cannot have<br /> +any objection.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Falsehood!—falsehood!—I apprehend, Sir<br /> +George, you do not consider, that there is a<br /> +particular construction put upon words and<br /> +phrases in the practice of the law, which the<br /> +rest of the world, out of that study, are not<br /> +clearly acquainted with. For instance, <i>falsehood</i><br /> +with <i>us</i>, is not <i>exactly</i> what it is with other<br /> +people.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>How! Is truth, immutable truth, to be corrupted<br /> +and confounded by men of the law?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>I was not speaking of truth—that, we have<br /> +nothing to do with.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I, must not say so, however, sir.—And in this<br /> +crisis of my sufferings, it is the only comfort,<br /> +the only consolatory reflection left me, that<br /> +truth and I, will never separate.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Stick to your truth—but confide in me as<br /> +usual.—You will go with me, then, to Mr.<br /> +Manly, your father's lawyer, and corroborate<br /> +all that I shall say?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Tell me, but what you intend to say?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>I can't do that. In the practice of the law,<br /> +we never know what we intend to say—and<br /> +therefore our blunders, when we make them,<br /> +are in some measure excusable—and if I should<br /> +chance to make a blunder or two, I mean any<br /> +trivial mistake, when we come before this lawyer,<br /> +you must promise not to interfere, or in any<br /> +shape contradict me.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>A mere lapse of memory, I have nothing to<br /> +do with.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>And my memory grows very bad; therefore<br /> +you must not disconcert me.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Come, let us begone—I am ready to go with<br /> +you this moment.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>I must first go home, and prepare a few<br /> +writings.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>But call to mind that I rely upon your honour.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Do you think Bluntly, your servant, is an<br /> +honest man?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I am sure he is.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Then, to quiet your fears, I will take him<br /> +along with us; and you will depend on what<br /> +he shall say, I make no doubt?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I would stake my being upon his veracity.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Call him in, then, and bid him do as I command<br /> +him.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Here, Bluntly. (<i>Enter</i> <span class="smallcaps">Bluntly</span>.) Mr.<br /> +Blackman has some business with you—listen to<br /> +him with attention, and follow his directions.</p></td></tr> +<tr><td align="right">[<i>Exit.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>You know, I suppose, the perilous situation<br /> +of your master?</p></td></tr> +<tr><td align="right">[<span class="smallcaps">Bluntly</span> <i>shakes his head, and wipes his eyes.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Good fellow! good fellow!—and you would,<br /> +I dare say, do any thing to rescue him from the<br /> +misery with which he is surrounded?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>I would lay down my life.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>You can do it for less. Only put on a black<br /> +coat, and the business is done.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>What's that all? Oh! if I can save him by<br /> +putting on a black coat, I'll go buy mourning,<br /> +and wear it all my life.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>There's a good fellow. I sincerely thank<br /> +you for this attachment to your master.</p></td></tr> +<tr><td align="right">[<i>Shaking him by the hand.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>My dear Blackman, I beg your pardon for<br /> +what I am going to say; but as you behave<br /> +thus friendly on this unfortunate occasion, I<br /> +must confess to you—that till now I always hated<br /> +you.—I could not bear the sight of you.—For<br /> +I thought you (I wish I may die if I did not)<br /> +one of the greatest rogues in the world. I fancied<br /> +you only waited on, and advised my master<br /> +to make your market of him.—But now your<br /> +attention to him in his distress, when all his<br /> +friends have forsaken him, is so kind—Heaven<br /> +bless you—Heaven bless you—I'll go buy a<br /> +black coat.</p></td></tr> +<tr><td align="right">[<i>Going.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>I have something more to say to you.—When<br /> +you have put on this coat, you must meet your<br /> +master and me at Mr. Manly's, the lawyer; and<br /> +when we are all there, you must mind and say,<br /> +exactly what I say.</p> +</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>And what will that be?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Oh! something.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>I have no objection to say something—but I<br /> +hope you won't make me say any thing.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>You seem to doubt me once more, sir?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>No, I am doubting you now for the first time;<br /> +for I always thought I was <i>certain</i> before.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>And will you not venture to say yes, and no,<br /> +to what I shall advance?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Why—I think I may venture to say yes to<br /> +your no, and no to your yes, with a safe conscience.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>If you do not instantly follow me and do<br /> +all that I shall propose, your master is ruined.—<br /> +Would you see him dragged to prison?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>No, I would sooner go myself.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Then why do you stand talking about a safe<br /> +conscience. Half my clients would have been<br /> +ruined if I had shewn my zeal as you do.<br /> +Conscience indeed! Why, this is a matter of law,<br /> +to serve your master in his necessity.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>I have heard necessity has no law—but if it<br /> +has no conscience, it is a much worse thing than<br /> +I took it for.—No matter for that—come along.<br /> +—Oh my poor master!—I would even tell a <i>lie</i><br /> +to save him.</p></td></tr> +<tr><td align="right">[<i>Exeunt.</i></td></tr> +<tr><td> </td></tr> +<tr><td> </td></tr> +<tr><td align="center">SCENE II. <i>A lawyer's study.</i><br /> +<br /><span class="smallcaps">Mr. Manly</span> <i>discovered at his writing-desk—a<br /> +Servant attending</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Who do you say wants to speak with me?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SERVANT.</span></td></tr> +<tr><td align="left"><p>Mr. Lucre, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>And who else?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SERVANT.</span></td></tr> +<tr><td align="left"><p>A person who says his name is Willford, he<br /> +looks as if he came from the country, and seems<br /> +in mean circumstances.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Show him to me directly. And take Mr.<br /> +Lucre, or any other person of fashion that may<br /> +call, to my clerks. [<i>Exit Servant.</i>] But for the<br /> +poor, let them be under <i>my</i> protection.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Willford</span> <i>and</i> <span class="smallcaps">Eleanor</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Come in—walk in, and let me know what I<br /> +can do to serve you.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>I deposited, sir, in your clerk's hands, a sum<br /> +of money to set me free from confinement for debt.<br /> +—On his word, I was discharged—he owns he has<br /> +not yet paid away this money, still he refuses to<br /> +restore it to me, though in return I again render<br /> +up my person.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>And why would you do this?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>Because my honour—I mean my conscience—<br /> +for that's the poor man's honour—is concerned.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Explain yourself.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>A son of mine, received this sum I speak of,<br /> +and thought it <i>given</i> him; while it was only<br /> +meant as a purchase—a purchase of what we<br /> +had no right to sell—and therefore it must be<br /> +restored to the owner.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>And who is he?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>Sir George Splendorville—I suppose you have<br /> +heard of him?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>He, you mean, who by the desire of his father's<br /> +will, lately changed his name from Blandford?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>Sir!</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>The name, which some part of the family,<br /> +while reduced, had taken.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>Good Heaven! Is there such a circumstance<br /> +in his story?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Why do you ask with such emotion?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>Because he is the man, in search of whom I<br /> +left my habitation in the country, to present before<br /> +him a destitute young woman, a near relation.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>What relation?—Be particular in your answer.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>A sister.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>I thank you for your intelligence. You have<br /> +named a person who for these three years past, I<br /> +have in vain endeavoured to find.—But did you<br /> +say she was in poverty?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>I did.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>I give you joy then—for I have in my possession<br /> +a deed which conveys to a lost daughter of Sir<br /> +George's father, the other half of the fortune he<br /> +bequeathed his son—but as yet, all my endeavours<br /> +have been in vain to find where she, and<br /> +an uncle, to whose care she was entrusted in her<br /> +infancy, are retired.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="right">[<i>Turning to</i> <span class="smallcaps">Eleanor</span>.</td></tr> +<tr><td align="left"><p>Now, Eleanor, arm yourself with fortitude—<br /> +with fortitude to bear not the frowns, but the<br /> +smiles of fortune. Be humble, collected, and<br /> +the same you have ever been, while I for the<br /> +first time inform you—you are not my daughter.<br /> +—And from this gentleman's intelligence<br /> +add, you are rich—you are the deceased Blandford's<br /> +child, and Splendorville's sister.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>Oh! Heavens! Do I lose a father such as you,<br /> +to gain a brother such as he is?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="right">[<i>To</i> <span class="smallcaps">Willford</span>.</td></tr> +<tr><td align="left"><p>There can be no mistake on this occasion—<br /> +And you, if I am not deceived, are the brother<br /> +of the late Mr. Blandford. Your looks, your<br /> +person, your very voice confirms it.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>I have writings in my care, shall prove it beyond<br /> +a doubt; with the whole narrative of our<br /> +separation when he with his son, then a youth,<br /> +embarked for India; where I suppose, riches, soon<br /> +succeeded poverty.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Servant</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SERVANT.</span></td></tr> +<tr><td align="left"><p>Lady Caroline Seymour, sir, is at the door in<br /> +her carriage, and will not be denied admittance.<br /> +She says she must see you upon some very urgent<br /> +business.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="right">[<i>To</i> <span class="smallcaps">Willford</span> <i>and</i> <span class="smallcaps">Eleanor</span>.</td></tr> +<tr><td align="left"><p>Will you do me the favour to step for a moment<br /> +into this room? Lady Caroline will not<br /> +stay long. I'll not detain you.</p></td></tr> +<tr><td align="right">[<i>Exit</i> <span class="smallcaps">Willford</span> <i>and</i> <span class="smallcaps">Eleanor</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Lady Caroline</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>Dear Mr. Manly, I have a thousand apologies<br /> +to make—And yet I am sure you will excuse<br /> +the subject of my visit, when you consider<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Your ladyship will please to sit down.</p></td></tr> +<tr><td align="right">[<i>He draws chairs and they sit.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>You cannot be ignorant, Mr. Manly—you<br /> +must know, the terms of acquaintance on which<br /> +Sir George Splendorville and I have been, for<br /> +some time past?—you were his father's agent;<br /> +his chief solicitor; and although you are not<br /> +employed by Sir George, yet the state of his<br /> +affairs cannot be concealed from you—Has he,<br /> +or has he not, any inheritance yet to come?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Pardon me, madam—though not entrusted by<br /> +Sir George, I will, nevertheless, keep his secrets.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>That is plainly telling me he is worth nothing.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>By no means—Sir George, in spite of his<br /> +profusion, must still be rich. He has preserved<br /> +his large estate in Wales; and as to money, I<br /> +do not doubt but he has a considerable sum.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>Not a guinea. I won it all from him last<br /> +night.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>You? You, who are to become his wife?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>I might, had I not been thus fortunate. But<br /> +why should I marry him, when his riches are<br /> +mine, without that ceremony.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Inconsiderate man!—what will be the end<br /> +of his imprudence! Yet, Heaven be praised!<br /> +he has still that fine estate, I just now mentioned.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>Indeed he has not—that has belonged to me<br /> +these three months.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>To you!</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>Yes—Bought for me under another name by<br /> +agents; and for half its value.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Madman!—Yet your ladyship must excuse<br /> +me. I know your income stinted, and till the<br /> +death of the Earl, your father, where could you<br /> +raise sufficient to make even half the purchase.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>From Splendorville's own prodigality—from<br /> +lavish presents made to me by him.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Servant</span>.<br /> +<br /> +<span class="wide">SERVANT.</span></td></tr> +<tr><td align="left"><p>Sir George Splendorville, sir, desires to speak<br /> +with you—he is at the door with Mr. Blackman.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>Oh Heavens! do not let him see me here.</p></td></tr> +<tr><td align="right">[<i>She is hastening to the room where</i> <span class="smallcaps">Willford</span><br /> +<i>and his daughter are.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>I have company there—walk in here, if you<br /> +Please.</p></td></tr> +<tr><td align="right">[<i>Shows her another door and she enters.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="right">[<i>To the servant.</i></td></tr> +<tr><td align="left"><p>Desire Sir George to walk in.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Sir George</span> <i>and</i> <span class="smallcaps">Blackman</span>.<br /> +<br /> +<span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Sir George, do me the favour to sit down.</p></td></tr> +<tr><td align="center">[<i>He looks coolly on</i> <span class="smallcaps">Blackman</span>, <i>and pointing to<br /> +a chair says</i> Good morning. <i>They sit.</i></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Mr. Manly, my attorney will let you know<br /> +the business on which I am come.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Why yes, Mr. Manly, it is extremely hard<br /> +that Sir George has for so long a time been kept<br /> +out of a very large part of his fortune; particularly,<br /> +as he has had occasion for it.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I have had occasion for it I assure you Mr.<br /> +Manly; and I have occasion for it at this very<br /> +time.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MR. MANLY.</span></td></tr> +<tr><td align="left"><p>But so may the person, sir, from whom you<br /> +would take it. In a word, Sir George, neither<br /> +your lawyer nor you, shall prevail on me to give<br /> +up the trust reposed in me by your father, without<br /> +certain evidence, that your sister will never<br /> +come to make her claim.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>You are not afraid of ghosts, are you?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>No, nor of robbers either:<span class="nowrap">——</span>you cannot<br /> +frighten me, Mr. Blackman.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Then depend upon it, the sister of Sir George<br /> +can never appear in any other manner than as a<br /> +spirit. For, here, sir, (<i>taking from his pocket a<br /> +parcel of papers</i>) here are authentic letters to prove<br /> +her death. (<span class="smallcaps">Sir George</span> <i>looks confused</i>.)</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Her death!</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Yes, her death. Here is a certificate from<br /> +the curate of the parish in which she was buried.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Buried too!</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Yes, sir, buried. Here is also an affidavit<br /> +from the sexton of the said village, signed by<br /> +the overseer and churchwardens, testifying the<br /> +same.—You see, (<i>shewing him the paper, and reading<br /> +at the same time</i>) "Died Anno Domini, one<br /> +thousand seven hundred and eighty nine, the<br /> +seventeenth of June<span class="nowrap">——</span>"</p></td></tr> +<tr><td align="right">[<i>Mr.</i> <span class="smallcaps">Manly</span> <i>takes the paper, and while he is<br /> +reading</i>, <span class="smallcaps">Sir George</span> <i>says apart</i>——</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>How near to the brink of infamy has my<br /> +imprudence led me! And s'death, my<br /> +confusion takes from me the power to explain, and<br /> +expose the scoundrel.</p> + +<p>Mr. Manly, I will leave you for the present;<br /> +but you shall hear from me shortly,—when this<br /> +matter shall be accounted for clearly—perfectly<br /> +to your satisfaction, you may depend upon it.—(<i>Going.</i>)</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Stay, Sir George, and<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Aye, Sir George, stay and see Mr. Manly's<br /> +objections wholly removed. He seems to doubt<br /> +the evidence of paper; I must, therefore, beg<br /> +leave to produce a living witness—the gentleman<br /> +whom I appointed to meet me here.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>And who is he?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>The apothecary, who attended Sir George's<br /> +sister in her dying illness.</p> </td></tr> +<tr><td align="right">[<span class="smallcaps">Sir George</span> <i>starts</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Desire him to walk in by all means. What is<br /> +the matter, Sir George, you look discomposed?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Sir George is something nervous, Mr. Manly;<br /> +and you know the very name of a medical gentleman,<br /> +will affect the nerves of some people.</p></td></tr> +<tr><td align="right">[<span class="smallcaps">Blackman</span> <i>goes to the door, and leads on</i><br /> +<span class="smallcaps">Bluntly</span>, <i>dressed in mourning</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="right">[<i>Aside.</i></td></tr> +<tr><td align="left"><p>Bluntly!—But I will see the end of this.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>(<i>Bowing to him</i>). You are an apothecary, I<br /> +think, sir?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center">[<span class="smallcaps">Bluntly</span> <i>looks at</i> <span class="smallcaps">Blackman</span>]<br /> +<br /> +<span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Yes, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>(<i>After seeming inclined to say</i>, No). Yes, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Pray sir, what disorder took the young lady,<br /> +on whose account you have been brought hither,<br /> +out of the world?</p></td></tr> +<tr><td align="center">[<span class="smallcaps">Bluntly</span> <i>looks at</i> <span class="smallcaps">Blackman</span>.]</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Oh! the old disorder, I suppose.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>The old disorder.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>And pray what may that be, sir? (<span class="smallcaps">Blackman</span><br /> +<i>offers to reply</i>). Mr. Blackman, Please to let this<br /> +gentleman speak for himself.—What is it you<br /> +mean, pray sir, by the old disorder?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>I—I—mean—Love, sir.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>You will not pretend to say, that love, was the<br /> +cause of her death?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>(<i>Confused and hesitating</i>). That—and a few fits<br /> +of the gout.<br /> +</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>I fear, sir, you are not in perfect health yourself<br /> +—you tremble and look very pale.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>That is because the subject affects him.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Do you then never mention the young lady<br /> +without being affected?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Never, sir—for had you seen her as I did—<br /> +um—Had you seen her.<span class="nowrap">——</span>She was in very<br /> +great danger from the first; but after I attended<br /> +her, she was in greater danger still.—I<br /> +advised a physician to be called in; on which she<br /> +grew worse.—We had next a consultation of<br /> +physicians; and then it was all over with her.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>(<i>Rising from his chair</i>). Blackman, this is too<br /> +much—all my calamities are inferior to this—<br /> +Desist, therefore, or<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>(<i>To</i> <span class="smallcaps">Bluntly</span>.) Desist—He cannot bear to hear<br /> +the pathetic description. Consider the lady was<br /> +his sister—and though he had not the pleasure of<br /> +knowing her—yet, poor thing—(<i>affecting to<br /> +weep</i>)—poor young woman! he cannot help lamenting<br /> +her loss.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>No more can I—for though she was not my<br /> +relation—yet she was my Patient. (<i>pretending to<br /> +weep also</i>).</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I can bear no more.—Mr. Manly, you are imposed<br /> +upon. But think not, however appearances<br /> +may be against me, that I came here as the<br /> +tool of so infamous a deceit.—Thoughtlessness,<br /> +Mr. Manly, has embarrassed my circumstances;<br /> +and thoughtlessness alone, has made me employ a<br /> +villain to retrieve them.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Mighty fine!</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I have no authority, sir, to affirm, that my<br /> +sister is not alive; and I am confident the account<br /> +you have just now heard, of her death, is<br /> +but an artifice. My indiscretions have reduced<br /> +me nearly to beggary; but I will perish in confinement<br /> +—cheerfully perish—rather than owe<br /> +my affluence to one dishonourable action.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Grief has turned his brain.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Sir George, I honour your feelings; and as for<br /> +the feelings of these gentlemen, I am extremely<br /> +happy, that it is in my power to dry up their<br /> +tears, and calm all their sorrows.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Sir!</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>How? In what way?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>(<i>Going to the door where</i> <span class="smallcaps">Willford</span> <i>and his<br /> +niece are</i>.) Come forth, young lady, to the arms<br /> +of a brother, and relieve the anguish of these<br /> +mourners, who are lamenting your decease.<br /> +(<span class="smallcaps">Eleanor</span> <i>and</i> <span class="smallcaps">Willford</span> <i>enter</i>)—Yes, Sir<br /> +George, here is that sister, whom those gentlemen<br /> +assure us, is dead;—and this is the brother<br /> +of your father.—These are proofs, as convincing,<br /> +I hope, as any Mr. Blackman can produce.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>She, my sister! Her pretended father my<br /> +uncle too! (<i>Aside</i>) Blackman, you would have<br /> +plunged me into an anguish I never knew before;<br /> +you would have plunged me into shame.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>And so you <i>have</i> me.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Pshaw.—Mr. Manly, notwithstanding you<br /> +are these people's voucher, this appears but a<br /> +scheme.—These persons are but adventurers,<br /> +and may possibly have about them forgeries, such<br /> +as an honest man, like myself, would shudder at.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="right">[<i>Going to the door.</i></td></tr> +<tr><td align="left"><p>Who's there? [<i>Enter Servant.</i>] Shew that—<br /> +that Mr. Blackman, out of my house instantly;<br /> +and take care you never admit him again.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Sir George, will you suffer this?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Aye, and a great deal more.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLUNTLY.</span></td></tr> +<tr><td align="left"><p>Look'ee Blackman.—If you don't fall<br /> +down upon your knees, and beg my pardon at<br /> +the street door, for the trick you have put upon<br /> +me, in assuring me my master's sister was really<br /> +dead, and that I could do her no injury, by doing<br /> +him a service—if you don't beg my pardon<br /> +for this, I'll give you such an assault and battery<br /> +as you never had to do with in your life.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">BLACKMAN.</span></td></tr> +<tr><td align="left"><p>Beat me—do, beat me—I'll thank you for<br /> +beating me—I'd be beat every hour of the day,<br /> +to recover damages.</p></td></tr> +<tr><td align="right">[<i>Exit with</i> <span class="smallcaps">Bluntly</span>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>My sister—with the sincerest joy I call you<br /> +by that name—and while I thus embrace you,<br /> +offer you a heart, that beats with all the pure<br /> +and tender affection, which our kindred to<br /> +each other claims.—In you (<i>embracing his uncle</i>)<br /> +I behold my father; and experience an awful<br /> +fear, mingled with my regard.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>Continue still that regard, and even that fear<br /> +—these filial sentiments may prove important;<br /> +and they shall ever be repaid with my paternal<br /> +watchings, friendship, and love.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>My brother<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>I have been unworthy of you—I will be so<br /> +no more, but imitate your excellence. Yet,<br /> +when I reflect<span class="nowrap">——</span></p></td></tr> +<tr><td align="right">[<span class="smallcaps">Lady Caroline</span> <i>comes softly from the<br /> +inner apartment, and attends to the discourse</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>My brother, do not imagine<span class="nowrap">——</span></p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Leave me, leave me to all the agonies of my<br /> +misconduct.—Where is my fortune? Now <i>all</i><br /> +irrecoverably gone—My last, my only resource<br /> +is now to be paid to another—I have lost every<br /> +thing.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="right">[<i>Coming forward.</i></td></tr> +<tr><td align="left"><p>No, Sir George, <i>nothing</i>—since I possess all<br /> +that was yours.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>How!</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">LADY CAROLINE.</span></td></tr> +<tr><td align="left"><p>Behold a friend in your necessities—a mistress<br /> +whom your misfortunes cannot drive away—<br /> +but who, experiencing much of your unkindness,<br /> +still loves you; and knowing your every folly,<br /> +will still submit to honour, and obey you.</p> + +<p>I received your lavish presents, but to hoard<br /> +them for you—made myself mistress of your<br /> +fortune, but to return it to you—and with it,<br /> +all my own.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Can this be real? Can I be raised in one<br /> +moment, from the depths of misery to unbounded<br /> +happiness?</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Servant</span>.<br /> +<br /> +<span class="wide">SERVANT.</span></td></tr> +<tr><td align="left"><p>A young man, who says he is Mr. Willford's<br /> +son, is called to enquire for him.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Shew him in.</p></td></tr> +<tr><td align="right">[<span class="smallcaps">Sir George</span> <i>and</i> <span class="smallcaps">Lady Caroline</span><br /> +<i>retire to the back part of the stage</i>.</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><i>Enter</i> <span class="smallcaps">Henry</span>.<br /> +<br /> +<span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>Come, Henry, and take leave of your sister<br /> +for ever.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>How so, sir?—What do you mean? To be<br /> +parted from her, would be the utmost rigour of<br /> +fortune.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>The affection with which you speak, young<br /> +gentleman, seems to convey something beyond<br /> +mere brotherly love.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">WILLFORD.</span></td></tr> +<tr><td align="left"><p>I some years since revealed to him she was<br /> +<i>not</i> his sister.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">ELEANOR.</span></td></tr> +<tr><td align="left"><p>And he, some years since, implied it to me.<br /> +Yet, in such doubtful terms, I knew not which<br /> +of us had the sorrow not to be your child.—<br /> +I now find it is myself—and I aver it to be a<br /> +sorrow, for which, all the fortune I am going<br /> +to possess will not repay me.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>Then, my dearest sister, indulge the hope you<br /> +may yet be his daughter. This young man's<br /> +merit deserves a reward, and in <i>time</i> he may<br /> +learn to love you by a still nearer tie than that,<br /> +you have so long known to exist between you;<br /> +nay, even by a nearer tie than that of brother.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">HENRY.</span></td></tr> +<tr><td align="left"><p>I am in doubt of what I hear—Eleanor, since<br /> +our short separation, there cannot surely have<br /> +been any important discovery—</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">MANLY.</span></td></tr> +<tr><td align="left"><p>Be not surprised—great discoveries, which we<br /> +labour in vain for years to make, are frequently<br /> +brought about in one lucky moment, without<br /> +any labour at all.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">SIR GEORGE.</span></td></tr> +<tr><td align="left"><p>True—for till this day arose, I had passed<br /> +every hour since my birth, without making one<br /> +discovery to my advantage—while this short,<br /> +but propitious morning, has discovered to me<br /> +all my former folly—and discovered to me—<br /> +how to be in future happy.</p></td></tr> +<tr><td> </td></tr> +<tr><td align="center"><span class="wide">THE END.</span></td></tr> +</table> +</div> +<p> </p> +<hr class="minimal" /> +<p> </p> + +<h3><span class="wide"><i>EPILOGUE,</i></span></h3> +<div class="center"> +<p class="noindent"><b><span class="wsc">By T. VAUGHAN, Esq.</span></b></p> +</div> +<h5><span class="wide">SPOKEN BY MRS. KEMBLE.</span></h5> + +<div class="center"> + <table style="margin: 0 auto" border="0" cellpadding="0" cellspacing="0" summary="epilogue"> + <tr><td align="left" valign="top"><span class="ind2">"Long before the beginning of this Play,"</span></td></tr> + <tr><td align="left" valign="top">I heard some <span class="smallcaps">deep</span> ones in the Green-Room, say,</td></tr> + <tr><td align="left" valign="top">They had their fears and doubts—whilst some did <br /> +<span class="ind3">quake—</span></td></tr> + <tr><td align="left" valign="top">And others wish'd it bed-time for her sake.</td></tr> + <tr><td align="left" valign="top">Do you, our best Physicians, ever kind,</td><td align="right" rowspan="3"><span class="bmouch"> }</span></td></tr> + <tr><td align="left" valign="top">Prescribe our true Cephalic for the Mind,</td></tr> + <tr><td align="left" valign="top">Of these our Neighbours, and <i>kind Friends</i>—behind,</td></tr> + <tr><td align="left" valign="top">And with it, give a cordial of the best,</td></tr> + <tr><td align="left" valign="top">To one, with deepest Gratitude imprest.</td></tr> + <tr><td align="left" valign="top">For some there are—I have them in my eye—</td></tr> + <tr><td align="left" valign="top">Will sicken and turn pale with jealousy,</td></tr> + <tr><td align="left" valign="top">Whene'er we scribbling Women wield the Pen,</td></tr> + <tr><td align="left" valign="top">Or dare invade the Rights of scribbling Men;</td></tr> + <tr><td align="left" valign="top">And fir'd with zeal, in dread array appear—</td></tr> + <tr><td align="left" valign="top">With Tenets from the <i>learned</i> Hemisphere;</td></tr> + <tr><td align="left" valign="top">Thence cry (<i>kind Souls</i>) "Invention is the only Art,</td></tr> + <tr><td align="left" valign="top">And mere Translation but a second Part;</td></tr> + <tr><td align="left" valign="top">Besides—<i>we Men of Taste</i>—can ne'er withstand</td></tr> + <tr><td align="left" valign="top">E'en Nature's <span class="smallcaps">Garrick</span> thus at second Hand!</td></tr> + <tr><td align="left" valign="top">Then why do Comic Writers live on Theft,</td></tr> + <tr><td align="left" valign="top">When such Ragouts and Dainties still are left?</td></tr> + <tr><td align="left" valign="top">Not richer were, in <span class="smallcaps">Congreve's</span> days or <span class="smallcaps">Behn</span>,</td></tr> + <tr><td align="left" valign="top">For now, the Males are Females—Women, Men—</td></tr> + <tr><td align="left" valign="top">Nay some so <i>manly</i>, and so orthodox,</td></tr> + <tr><td align="left" valign="top">Will drive you four in Hand—or hold the Box;</td></tr> + <tr><td align="left" valign="top">And if perchance the fatal Die is thrown,</td></tr> + <tr><td align="left" valign="top">Will storm and swear, like any Lord in Town."</td></tr> + <tr><td align="left" valign="top"><p>But might I whisper in this Censor's ear,<br /> +I'd prove his observations too severe—<br /> +And urge—"Translation to hit off with skill,<br /> +Is not the province of each common Quill;<br /> +But by improving what was writ before,<br /> +Tho' Genius may be less, our Judgment's more;<br /> +And whilst we paint with energy from Life,<br /> +The gallant Husband, or <i>more gallant Wife</i>,<br /> +With Tints from living Portraits from the Spot,<br /> +It matters not by whom related—or begot;<br /> +And thus, much surer shall we reach the Heart,<br /> +Than all the <i>lifeless</i> pomp of <i>boasted</i> Art."<br /> +As such, deny her not—at least the merit<br /> +Of giving <i>Gallic Froth</i>—true <span class="smallcaps">British Spirit</span>.</p></td></tr> + <tr><td align="left" valign="top"><p>And as for you, ye Fair, how blooms the Cheek,<br /> +How sweet the Temper which those eyes bespeak?<br /> +No Midnight Oil has e'er destroy'd a Grace,<br /> +Or Gaming's Horrors found with you a place;<br /> +But Cupid lent you all those winning Arts,<br /> +Which at a glance—can warm the coldest Hearts.</p></td></tr> + <tr><td align="left" valign="top"><p>Check then with me these Censors as unjust,<br /> +Who form their judgments—<i>as they live</i>—on Trust.<br /> +Nor ever credit what they dare to say,<br /> +Unless with you they join, and like our Play.</p></td></tr> + <tr><td align="left" valign="top"><p>Use for a signal then—your Magic Fan,<br /> +And all the House will follow to a Man;<br /> +Or should there be a disaffected few—<br /> +<i>A Counter Revolution</i>—rests with you.</p></td></tr> +</table> +</div> + +<p> </p> +<hr class="minimal" /> +<p> </p> + +<table class="sm" border="0" style="background-color: #E6F6FA; margin: 0 auto" cellpadding="6" summary="NOTES"> +<tr> +<td colspan="2"> + <div class="center">TRANSCRIBER'S NOTE</div> + +<p class="noindent" style="background-color: #E6F6FA"> +Contemporary spellings and hyphenation have been retained even where +inconsistent. The following changes have been made and can be identified +in the body of the text by a grey dotted underline:</p></td> +</tr> +<tr> + <td class="w50" align="left" valign="top">return to town and dress for your receptiou</td> +<td align="left" valign="top">return to town and dress for your <b>reception</b></td> +</tr> +<tr> + <td class="w50" align="left" valign="top">I know no other way to shew my humility, then to accept your present</td> +<td align="left" valign="top">I know no other way to shew my humility, <b>than</b> to accept your present</td> +</tr> +<tr> + <td align="left" valign="top">You were giving me an an account, Bluntly</td> +<td align="left" valign="top">You were giving me <b>an</b> account, Bluntly</td> +</tr> +<tr> + <td align="left" valign="top">WILLORD</td> +<td align="left" valign="top"><b>WILLFORD</b></td> +</tr> +<tr> + <td align="left" valign="top">Still an object I adore; but I now perceive your are one to my ruin devoted.</td> +<td align="left" valign="top">Still an object I adore; but I now perceive <b>you</b> are one to my ruin devoted.</td> +</tr> + + +<tr> + <td align="left" valign="top">Lucre, my dear Lucre, are not you amazed at at what you see?</td> +<td align="left" valign="top">Lucre, my dear Lucre, are not you amazed <b>at</b> what you see?</td> +</tr> +<tr> + <td align="left" valign="top">(…) being insured from any future emand by some certain proofs.</td> +<td align="left" valign="top">(…) being insured from any future <b>demand</b> by some certain proofs.</td> +</tr> +</table> + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's Next Door Neighbours, by Elizabeth Inchbald + +*** END OF THIS PROJECT GUTENBERG EBOOK NEXT DOOR NEIGHBOURS *** + +***** This file should be named 38759-h.htm or 38759-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/8/7/5/38759/ + +Produced by Delphine Lettau and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/38759.txt b/38759.txt new file mode 100644 index 0000000..6290dc2 --- /dev/null +++ b/38759.txt @@ -0,0 +1,2936 @@ +The Project Gutenberg EBook of Next Door Neighbours, by Elizabeth Inchbald + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Next Door Neighbours + A Comedy in Three Acts + +Author: Elizabeth Inchbald + +Release Date: February 4, 2012 [EBook #38759] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK NEXT DOOR NEIGHBOURS *** + + + + +Produced by Delphine Lettau and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + + + + + + + + + NEXT DOOR NEIGHBOURS; + + + _A COMEDY_; + IN + THREE ACTS. + + + FROM THE + French Dramas _L'Indigent_ & _Le Dissipateur_. + AS PERFORMED AT THE + THEATRE-ROYAL, HAY-MARKET. + + + BY + MRS. INCHBALD. + + + LONDON: + PRINTED FOR G. G. J. AND J. ROBINSON, + PATER-NOSTER-ROW. + M,DCC,XCI. + + + + +_PROLOGUE_, + +BY T. VAUGHAN, ESQ. + +SPOKEN BY MR. BANNISTER, JUN. + + + To PUFF, or not to Puff--that is the Question-- + Puff by all means, say I, it helps digestion. + To prove my maxim true, pray read the Papers-- + From _Quacks of State_, to those who cure the Vapours. + + You'll find them, one and all, puff high their skill, + Tho' nine in ten, are oft'ner found to kill.-- + Yet Puff's the word, which gives at least a name, + And oftener gains the _undeserving_ Fame: + Or wherefore read we of _Lord Fanny's_ Taste, + Of _me_--an Actor--_wonderfully chaste_! + And yet so squeamish is our Lady elf, + She'd rather die--than paragraph herself; + So fix'd on me--the _Prologue speaking Hack_, + To stop, with _Puff-direct_, the Critic Pack, + Who yelp, and foaming, bark from morn to night, } + And when run hard--turn tail--then snap and bite; } + Putting the timid Hare-like-Bard to flight. } + To such, the best and only Puff to hit, } + Is that which honest CANDOUR must admit, } + A Female Scribbler is an harmless Wit; } + And who so harmless as our present Bard, + Claiming no greater or distinct reward, + Than what from free Translation is her due, + Which here in fullest trust she leaves to you: + With this remark--Who own their Debts with pride, + Are well entitled to the Credit Side. + And as for those with whom she makes so free + They'll ne'er complain of English Liberty; + But glory to behold their Tinsel shine, + Through the rich Bullion of the English Line. + + Fear then avaunt! Trust to a BRITISH JURY-- + With them, an honest Verdict I'll ensure you: + Let Echo catch the sound--'Tis PRATT[1] enacts, + You're _Judges of the Law, as well as Facts_. + On this she rests her Cause, and hopes to find, + As Friends, and _Next Door Neighbours_, you'll be kind; + At least, this only punishment ensue, + _A Frown_--and that's severe enough, from you. + + _Thus puff'd_--I freely to the Court commit her, + Not doubting, as a Woman, you'll acquit her-- + And now join issue, Sirs, without delay-- } + Judging from _written Evidence_ our Play, } + And--_send her a good Deliverance_, I pray. } + +[1: Vide, Earl CAMDEN'S celebrated and Constitutional Speech and +Opinion on the subject of Libels.] + + + + +_DRAMATIS PERSONAE._ + + + _MEN._ + + Sir George Splendorville Mr. PALMER. + Mr. Manly Mr. KEMBLE. + Mr. Blackman Mr. BADDELEY. + Mr. Lucre Mr. R. PALMER. + Lord Hazard Mr. EVATT. + Willford Mr. AICKIN. + Henry Mr. PALMER, Jun. + Bluntly Mr. BANNISTER, Jun. + + _WOMEN._ + + Lady Caroline Seymour Mrs. BROOKS. + Lady Bridget Squander Miss HEARD. + Evans Mrs. EDWARDS. + Eleanor Mrs. KEMBLE. + + Other Ladies, Gentlemen, Servants, &c. + + SCENE----LONDON. + + + + +NEXT DOOR NEIGHBOURS. + +_A COMEDY._ + + + + +ACT I. + + +SCENE I. _An Antichamber at Sir_ GEORGE SPLENDORVILLE'_s_, _adjoining +a Ball-room_. + +_Enter_ BLUNTLY, _meeting a Servant in Livery_. + + + BLUNTLY. + Come, come, is not every thing ready? Is not the ball-room prepared + yet? It is past ten o'clock. + + SERVANT. + We have only to fix up the new chandelier. + + BLUNTLY. + I'll have no new chandelier. + + SERVANT. + My master said the last ball he gave, the company were in the dark. + + BLUNTLY. + And if you blind them with too much light, they will be in the dark + still. + + SERVANT. + The musicians, sir, wish for some wine. + + BLUNTLY. + What, before the ball begins? No, tell them if they are tipsy at the + end of it, it will be quite soon enough. + + SERVANT. + You are always so cross, Mr. Bluntly, when my master is going to have + company. + + BLUNTLY. + Have not I a right to be cross? For while the whole house is in good + humour, if there was not one person cross enough to take a little + care, every thing would be wasted and ruined through extreme good + temper. (_A man crosses the stage._) Here, you--Mister----Pray are you + the person who was sent with the chandelier? + + SHOPMAN. + Yes, sir. + + BLUNTLY. + Then please to take it back again--We don't want it. + + SHOPMAN. + What is your objection to it, sir? + + BLUNTLY. + It will cost too much. + + SHOPMAN. + Mr. Bluntly, all the trades-people are more frightened at you than at + your master.--Sir George, Heaven bless him! never cares how much a + thing costs. + + BLUNTLY. + That is, because he never cares whether he pays for it or not----but + if he did, depend upon it he would be very particular. Tradesmen all + wish to be paid for their ware, don't they? + + SHOPMAN. + Certainly, sir. + + BLUNTLY. + Then why will they force so many unnecessary things, and make so many + extravagant charges as to put all power of payment out of the + question? + + _Enter_ EVANS:----_The Tradesman goes off at the opposite + Door._ + + BLUNTLY. + How do you do, Mrs. Evans? [_Sullenly._ + + EVANS. + What makes you sigh, Mr. Bluntly? + + BLUNTLY. + What makes you smile? + + EVANS. + To see all the grand preparations for the ball this evening. I + anticipate the joy my lady will take here, and I smile for _her_. + + BLUNTLY. + And I sigh for my master.--I foresee all the bills that will be + brought in, for this evening's expence, and I anticipate the sorrow + it will one day be to _him_. + + EVANS. + But consider, Mr. Bluntly, your master has my lady's fortune to take. + + BLUNTLY. + Yes, but I consider he has your lady to take along with it; and I + prophecy one will stick by him some time after the other is gone. + + EVANS. + For shame.--My lady, I have no doubt, will soon cure Sir George of his + extravagance. + + BLUNTLY. + It will then be by taking away the means.--Why, Lady Caroline is as + extravagant as himself. + + EVANS. + You are mistaken.--She never gives routs, masquerades, balls, or + entertainments of any kind. + + BLUNTLY. + But she constantly goes to them whenever she is invited. + + EVANS. + That, I call but a slight imprudence.--She has no wasteful + indiscretions like Sir George. For instance, she never makes a lavish + present. + + BLUNTLY. + No, but she _takes_ a lavish present, as readily as if she did. + + EVANS. + And surely you cannot call that imprudence? + + BLUNTLY. + No, I call it something worse. + + EVANS. + Then, although she loves gaming to distraction, and plays deep, yet + she never loses. + + BLUNTLY. + No, but she always wins--and _that_ I call something worse. + + [_A loud rapping at the street-door._ + + EVANS. + Here's the company. Will you permit me, Mr. Bluntly, to stand in one + corner, and have a peep at them? + + BLUNTLY. + If you please. (_Rapping again._) What spirit there is in that, Rat, + tat, tat, tat.--And what life, frolic, and joy, the whole house is + going to experience except myself. As for me, I am ready to cry at the + thoughts of it all. [_Exit._ + + _Enter_ LADY CAROLINE. + + LADY CAROLINE. + Here, the first of the company. I am sorry for it. (EVANS _comes + forward_.) Evans, what has brought you hither? + + EVANS. + I came, my lady, to see the preparations making on _your_ account--for + it is upon your account alone, that Sir George gives this grand + _fete_. + + LADY CAROLINE. + Why, I do flatter myself it is.--But where is he? What is it + o'clock?--It was impossible to stay at the stupid opera.--How do I + look? I once did intend to wear those set of diamonds Sir George + presented me with the other morning--but then, I reflected again, + that if---- + + EVANS. + Ah, my lady, what a charming thing to have such a lover--Sir George + prevents every wish--he must make the best of husbands. + + LADY CAROLINE. + And yet my father wishes to break off the marriage--he talks of his + prodigality--and, certainly, Sir George lives above his income. + + EVANS. + But then, Madam, so does every body else. + + LADY CAROLINE. + But Sir George ought undoubtedly to change his conduct, and not be + thus continually giving balls and entertainments--and inviting to his + table acquaintance, that not only come to devour his dinners and + suppers, but him. + + EVANS. + And there are people malicious enough to call your ladyship one of his + devourers too. + + LADY CAROLINE. + As a treaty of marriage is so nearly concluded between us, I think, + Mrs. Evans, I am at liberty to visit Sir George, or to receive his + presents, without having my character, or my delicacy called in + question. (_A loud rapping._) The company are coming: is it not + strange he is not here to receive them. [_Exit_ EVANS. + + + _Enter two Ladies and a Gentleman, who curtsy and bow to_ + LADY CAROLINE.--SIR GEORGE _enters at the opposite door, + magnificently dressed_. + + SIR GEORGE. + Ladies, I entreat your pardon; dear Lady Caroline excuse me. I have + been in the country all the morning, and have had scarce time to + return to town and dress for your reception. [_Another rapping._ + + _Enter_ MR. LUCRE, LORD HAZARD, LADY BRIDGET SQUANDER, &C. + + SIR GEORGE. + Dear Lucre, I am glad to see you. + + MR. LUCRE. + My dear Sir George, I had above ten engagements this evening, but they + all gave place to your invitation. + + SIR GEORGE. + Thank you.--My dear Lady Bridget-- + + LADY BRIDGET. + It is impossible to resist an invitation from the most polished man + alive. (_Sir_ GEORGE _bows_.) What a superb dress! (_in his hearing, + as he turns away_) and what an elegant deportment. + + MR. LUCRE. [_After speaking apart with_ SIR GEORGE. + No, I am not in a state to take any part at Pharo--I am ruin'd.--Would + you believe it Sir George, I am not worth a farthing in the world. + + SIR GEORGE. + Yes, I believed it long ago. + + MR. LUCRE. + Now we are on that subject--could you lend me a hundred pounds? + + SIR GEORGE. [_Taking out his pocket-book._ + I have about me, only this bill for two hundred. + + MR. LUCRE. + That will do as well--I am not circumstantial. (_Takes it._) And my + dear Sir George command my purse at any time--all it contains, will + ever be at your service. + + SIR GEORGE. + I thank you. + + MR. LUCRE. + Nay, though I have no money of my own, yet you know I can always raise + friends--and by heaven! my dear Sir George, I often wish to see you + reduced to my circumstances, merely to prove how much I could, and + _would_, do to serve you. + + SIR GEORGE. + I sincerely thank you. + + MR. LUCRE. + And one can better ask a favour for one's friend than for one's-self, + you know: for when one wants to borrow money on one's own account, + there are so many little delicacies to get the better of--such as I + felt just now.--I was as pale as death, I dare say, when I asked you + for this money--did not you perceive I was? + + SIR GEORGE. + I can't say I did. + + MR. LUCRE. + But you must have observed I hesitated, and looked very foolish. + + SIR GEORGE. + I thought for my part, that I looked as foolish.--But I hope I did not + hesitate. + + MR. LUCRE. + Nor ever will, when a friend applys to you, I'll answer for it--Nor + ever shall a friend hesitate when you apply. + + LORD HAZARD. [_Taking_ SIR GEORGE _aside_. + The obligations I am under to you for extricating me from that + dangerous business-- + + SIR GEORGE. + Never name it. + + LORD HAZARD. + Not only name it, Sir George, but shortly I hope to return the + kindness; and, if I do but live---- + + SIR GEORGE. [_To the company._ + Permit me to conduct you to the next apartment. + + LADY CAROLINE. + Most willingly, Sir George. I was the first who arrived; which proves + my eagerness to dance. + + SIR GEORGE. [_Aside to her._ + But let me hope, passion for dancing was not the only one, that caused + your impatience. + + [_As the company move towards the ball-room_, Mr. LUCRE + _and_ LORD HAZARD _come forward_. + + MR. LUCRE. + Oh! there never was such a man in the world as the master of this + house; there never was such a friendly, generous, noble heart; he has + the best heart in the world, and the best taste in dress. + + [_The company Exeunt, and the music is heard to begin._ + + +SCENE II. _An Apartment, which denotes the Poverty of the +Inhabitants._ HENRY _and_ ELEANOR _discovered_. + + + ELEANOR. + It is very late and very cold too, brother; and yet we have neither of + us heart to bid each other good night. + + HENRY. + No--beds were made for rest. + + ELEANOR. + And that noise of carriages and link-boys at Sir George + Splendorville's, next door, would keep us awake, if our sorrows did + not. + + HENRY. + The poor have still more to complain of, when chance throws them thus + near the rich,--it forces upon their minds a comparison might drive + them to despair, if-- + + ELEANOR. + --If they should not have good sense enough to reflect, that all this + bustle and show of pleasure, may fall very short of happiness; as all + the distress _we_ feel, has not yet, thank Heaven, reached to misery. + + HENRY. + What do you call it then? + + ELEANOR. + A trial; sent to make us patient. + + HENRY. + It may make you so, but cannot me. Good morning to you. [_Going._ + + ELEANOR. + Nay, it is night yet. Where are you going? + + HENRY. + I don't know.--To take a walk.--The streets are not more uncomfortable + than this place, and scarcely colder. + + ELEANOR. + Oh, my dear brother! I cannot express half the uneasiness I feel when + you part from me, though but for the shortest space. + + HENRY. + Why? + + ELEANOR. + Because I know your temper; you are impatient under adversity; you + rashly think providence is unkind; and you would snatch those favours, + which are only valuable when bestowed. + + HENRY. + What do you mean? + + ELEANOR. + Nay, do not be angry; but every time you go out into this tempting + town, where superfluous riches continually meet the eye of the poor, I + tremble lest you should forfeit your honesty for that, which Heaven + decreed should not belong to you. + + HENRY. + And if I did, you would despise and desert me? + + ELEANOR. + No: not desert you; for I am convinced you would only take, to bring + to me; but this is to assure you, I do not want for any thing. + + HENRY. + Not want?--Nor does my father? + + ELEANOR. + Scarcely, while we visit him. Every time he sees us we make him happy; + but he would never behold us again if we behaved unworthy of him. + + HENRY. + What! banish us from a prison? + + ELEANOR. + And although it is a prison, you could not be happy under such a + restriction. + + HENRY. + Happy!--When was I happy last? + + ELEANOR. + Yesterday, when your father thanked you for your kindness to him. Did + we not all three weep with affection for each other? and was not that + happiness? + + HENRY. + It was--nor will I give up such satisfaction, for any enticement that + can offer.----Be contented, Eleanor,--for your sake and my father's, I + will be honest.--Nay, more,--I will be scrupulously proud--and that + line of conduct which my own honour could not force me to follow, my + love to _you_ and _him_, shall compel me to.--When, through necessity, + I am tempted to plunder, your blushes and my father's anguish shall + hold my hand.--And when I am urged through impatience, to take away my + own life, your lingering death and his, shall check the horrid + suggestion, and I will live for you. + + ELEANOR. + Then do not ever trust yourself away, at least from one of us. + + HENRY. + Dear sister! do you imagine that your power is less when separated + from me? Do you suppose I think less frequently on my father and his + dismal prison, because we are not always together? Oh! no! he comes + even more forcibly to my thoughts in his absence--and then, more + bitterly do I feel his misery, than while the patient old man, before + my eyes, talks to me of his consolations; his internal comforts from a + conscience pure, a mind without malice, and a heart, where every + virtue occupy a place.--Therefore, do not fear that I shall forget + either him or you, though I might possibly forget myself. [_Exit._ + + ELEANOR. + If before him I am cheerful, yet to myself I must complain. [_Weeps_] + And that sound of festivity at the house adjoining is insupportable! + especially when I reflect that a very small portion of what will be + wasted there only this one night, would be sufficient to give my dear + father liberty. + + [_A rapping at the door of her chamber, on the opposite + entrance._] + + ELEANOR. + Who's there? + + MR. BLACKMAN. + Open the door. [_Without._ + + ELEANOR. + The voice of our landlord. [_Goes to the door._ + Is it you, Mr. Blackman? + + BLACKMAN. + Yes, open the door. [_Rapping louder._ + + + [_She opens it:_ BLACKMAN _enters, followed by_ BLUNTLY.] + + BLACKMAN. + What a time have you made me wait!--And in the name of wonder, why do + you lock your door? Have you any thing to lose? Have not you already + sold all the furniture you brought hither? And are you afraid of being + stolen yourself? + + [ELEANOR _retires to the back of the Stage_. + + BLUNTLY. + Is this the chamber? + + BLACKMAN. + Yes, Sir, yes, Mr. Bluntly, this is it. + + [BLACKMAN _assumes a very different tone of voice in + speaking to_ BLUNTLY _and_ ELEANOR; _to the one he is all + submissive humility, to the other all harshness._] + + BLUNTLY. + This! [_Contemptuously._ + + BLACKMAN. + Why yes, sir,--this is the only place I have left in my own house, + since your master has been pleased to occupy that next door, while his + own magnificent one has been repairing.--Lock yourself up, indeed! + (_Looking at_ ELEANOR.)--You have been continually asking me for more + rooms, Mr. Bluntly, and have not I made near half a dozen doors + already from one house to the other, on purpose to accommodate your + good family.--Upon my honour, I have not now a single chamber but what + I have let to these lodgers, and what I have absolute occasion for + myself. + + BLUNTLY. + And if you do put yourself to a little inconvenience, Mr. Blackman, + surely my master-- + + BLACKMAN. + Your master, Mr. Bluntly, is a very good man--a very generous man--and + I hope at least he has found me a very lucky one; for good luck is all + the recommendation which I, in my humble station, aspire to--and since + I have been Sir George's attorney, I have gained him no less than two + law-suits. + + BLUNTLY. + I know it. I know also that you have lost him four. + + BLACKMAN. + We'll drop the subject.--And in regard to this room, sir, it does not + suit, you say? + + BLUNTLY. + No, for I feel the cold wind blow through every crevice. + + BLACKMAN. + But suppose I was to have it put a little into repair? That window, + for instance, shall have a pane or two of glass put in; the cracks of + the door shall be stopt up; and then every thing will have a very + different appearance. + + BLUNTLY. + And why has not this been done before? + + BLACKMAN. + Would you have me be laying out my money, while I only let the place + at a paltry price, to people who I am obliged to threaten to turn + into the streets every quarter, before I can get my rent from them? + + BLUNTLY. + Is that the situation of your lodgers at present? + + BLACKMAN. + Yes.--But they made a better appearance when they first came, or I had + not taken such persons to live thus near to your master. + + BLUNTLY. + That girl (_looking at_ ELEANOR) seems very pretty--and I dare say my + master would not care if he was nearer to her. + + BLACKMAN. + Pshaw, pshaw--she is a poor creature--she is in great distress. She is + misery itself. + + BLUNTLY. + I feel quite charmed with misery.--Who belongs to her? + + BLACKMAN. + A young man who says he is her brother--very likely he is not--but + that I should not enquire about, if they could pay my rent. If people + will pay me, I don't care what they are. (_Addressing himself to_ + ELEANOR) I desire you will tell your brother when he comes in, that I + have occasion for the money which will be due to me to-morrow--and if + I don't receive it before to-morrow night, he must seek some other + habitation. + + BLUNTLY. + Hush, Mr. Blackman--if you speak so loud, you will have our company in + the next house hear you. + + BLACKMAN. + And if they did, do you think it would spoil their dancing? No, Mr. + Bluntly.--And in that respect, I am a person of fashion.--I never + suffer any distress to interfere with my enjoyments. + + ELEANOR. [_Coming to him._ + Dear sir, have but patience a little while longer.--Indeed, I hope you + will lose nothing. + + BLACKMAN. + I _won't_ lose any thing. [_Going._ + + ELEANOR. [_Following him._ + Sir, I would speak a single word to you, if you will be so good as to + hear me? + + BLUNTLY. + Ay, stay and hear her. + + ELEANOR. [_Looking at_ BLUNTLY. + But I wish to speak to him by ourselves. + + BLUNTLY. + Then I'll withdraw. + + BLACKMAN. + What have you to say? [_In anger._ + + BLUNTLY. + Hear her, Mr. Blackman--or may none of her sex ever listen to you. + [_Exit._ + + BLACKMAN. + If it is only to entreat me to let you continue here, I am gone in an + instant.----Come, speak quickly, for I have no time to lose.--Come, + speak, speak. + + ELEANOR. + But are you resolved to have no pity? You know in what a helpless + situation we are--and the deplorable state of my poor father. + [_Weeping._ + + BLACKMAN. + Ay, I thought what you had to say--farewel, farewel. + + ELEANOR. [_Laying hold of him._ + Oh! do not plunge us into more distress than we can bear; but open + your heart to compassion. + + BLACKMAN. + I can't----'tis a thing I never did in my life. + + [_Going, he meets_ BLUNTLY, _who stops him_. + + BLUNTLY. + Well, have you granted her request? + + BLACKMAN. + I would do a great deal to oblige you, Mr. Bluntly--and if you will + only give your word for the trifle of rent owing, why, I am not so + hard-hearted but I will suffer her to stay. + + BLUNTLY. + Well, well,--I will give my word. + + BLACKMAN. + But remember, it is not to be put down to your master's account, but + to your own.--I am not to give credit. + + ELEANOR. + Nor am I to lay my brother under an obligation of this nature. (_To_ + BLUNTLY) I thank you for your offer, sir, but I cannot accept it. + + BLACKMAN. [_In extreme anger._ + What do you mean by that? + + BLUNTLY. + Perhaps she is right. + + ELEANOR. + My brother would resent my acceptance of a favour from a stranger. + + BLACKMAN. + Your brother resent! A poor man resent! Did you ever hear of any + body's regarding a poor man's resentment? + + ELEANOR. + No--nor a poor woman's prayers. + + BLACKMAN. + Yes, I will regard your prayers, if you will suffer this gentleman to + be your friend. + + ELEANOR. + Any acquaintance of your's, Mr. Blackman, I must distrust. + + BLACKMAN. + Do you hear with what contempt she treats us both? + + BLUNTLY. + But perhaps she is right--at least, in treating one of us so, I am + sure she is--and I will forgive her wronging the one, for the sake of + her doing justice to the other. + + _Enter_ HENRY: _he starts at seeing_ BLACKMAN _and_ BLUNTLY. + + HENRY. + Who are these? + + BLACKMAN. + "Who are these?" Did you ever hear such impertinence? (_Going up to + him_) Pray who are you, sir? + + HENRY. + I am a man. + + BLACKMAN. + Yes--but I am a lawyer. + + HENRY. + Whatever you are, this apartment is mine, not your's--and I desire you + to leave it. + + BLACKMAN. + But to-morrow it will be mine, and then I shall desire _you_ to leave + it, and force you to leave it. + + HENRY. + Eleanor, retire to the other chamber; I am sorry I left you. [_Leads + her off._ + + BLACKMAN. + And I am sorry that I and my friend should come here to be affronted. + + BLUNTLY. + Mr. Blackman, I won't be called names. + + BLACKMAN. + Names, sir! What names did I call you? + + BLUNTLY. + Did not you call me your friend? I assure you, sir, I am not used to + be called names. I am but a servant whose character is every + thing--and I'll let you know that I am _not_ your friend. + + BLACKMAN. + Why, you blockhead, does not your master call himself my friend? + + BLUNTLY. + Yes, my master is a great man, and he can get a place without a + character,--but if I lose mine, I am ruined; therefore take care how + you miscal me for the future, for I assure you I won't bear it. I am + not your friend, and you shall find I am not. + + [_Exit (in great anger)_, BLACKMAN _following_. + +END OF THE FIRST ACT. + + + + +ACT II. + + +SCENE I. _An Apartment at_ SIR GEORGE SPLENDORVILLE'S. + +_Enter_ SIR GEORGE, _followed by_ BLUNTLY. + + + SIR GEORGE. + What's o'clock? [_Rubbing his eyes._ + + BLUNTLY. + Just noon, sir. + + SIR GEORGE. + Why was I waked so early? + + BLUNTLY. + You were not waked, sir--You rung. + + SIR GEORGE. + Then it was in my sleep--and could not you suppose so?----After going + to bed at five, to make me rise at noon! (_in a violent passion_) What + am I to do with myself, sir, till it is time to go out for the + evening? + + BLUNTLY. + You have company to dinner you know, sir. + + SIR GEORGE. + No, it is to supper--and what am I to do with myself till that time? + + BLUNTLY. + Company again to supper, Sir? + + SIR GEORGE. + Yes, and the self-same company I had last night--I invited them upon + Lady Caroline's account--to give her an opportunity of revenge, for + the money she lost here yesterday evening--and I am all weariness--I + am all lassitude and fretfulness till the time arrives.--But now I + call to mind, I have an affair that may engage my attention a few + hours. You were giving me an account, Bluntly, of that beautiful girl + I saw enter at Blackman's? + + BLUNTLY. + Yes, sir, I saw her late last night in Mr. Blackman's house--she + lodges there. + + SIR GEORGE. + Indeed? In Blackman's house? I am glad to hear it. + + BLUNTLY. + And he has assured me, sir, that she and her family are in the + greatest poverty imaginable. + + SIR GEORGE. + I am glad to hear it. + + BLUNTLY. + They have been it seems above a twelvemonth in London, in search of + some rich relations; but instead of meeting with them, the father was + seen and remembered by an old creditor who has thrown him into prison. + + SIR GEORGE. + I am very glad to hear it. + + BLUNTLY. + But the young woman, Sir, has been so short a time in town, she has, + seemingly, a great deal of modesty and virtue. + + SIR GEORGE. + And I am very glad to hear of that too--I like her the better--you + know I do--for I am weary of that ready compliance I meet with from + the sex. + + BLUNTLY. + But if I might presume to advise, sir--as you are so soon to be + married to her ladyship, whom you love with sincere affection, you + should give up this pursuit. + + SIR GEORGE. + And I _shall_ give it up, Bluntly, before my marriage takes + place--for, short as that time may be, I expect this passion will be + over and forgotten, long before the interval has passed away.--But + that brother you were mentioning---- + + BLUNTLY. + I have some reason to think, that with all his poverty, he has a + notion of honour. + + SIR GEORGE. [_Laughing._ + Oh! I have often tried the effect of a purse of gold with people of + honour.--Have you desired them to be sent for as I ordered. + + BLUNTLY. + I have, Sir. + + SIR GEORGE. + See if they are come. [_Exit_ BLUNTLY.] Ah! my dear Lady Caroline, it + is you, and only you, whom I love with a sincere passion! but in + waiting this long expected event of our marriage, permit me to indulge + some less exalted wishes. + + _Enter_ BLUNTLY. + + SIR GEORGE. + Are they come? + + BLUNTLY. + The young man is in the anti-chamber, sir, but his sister is not with + him. (_Speaking to_ HENRY _who is without_) Please to walk this + way--my master desires to see you. + + SIR GEORGE. + No, no, no--I do not desire to see him, if his sister is not + there.--Zounds you scoundrel what did you call him in for? + + _Enter_ HENRY, _and bows_. + + [SIR GEORGE _looks at him with a careless familiarity_--BLUNTLY + _leaves the room_.] + + SIR GEORGE. + Young man, I am told you are very poor--you may have heard that I am + very rich--and I suppose you are acquainted with the extensive meaning + of the word--generosity. + + HENRY. [_After an hesitation._] + Perhaps not, sir. + + SIR GEORGE. + The meaning of it, as I comprehend, is, for the rich to give to the + poor.--Have you any thing to ask of me in which I can serve you? + + HENRY. + Your proposal is so general, I am at a loss what to answer--but you + are no doubt acquainted with the extensive meaning of the word, + _pride_,--and that will apologize for the seeming indifference with + which I receive your offer. + + SIR GEORGE. + Your pride seems extensive indeed.--I heard your father was in prison, + and I pitied him. + + HENRY. + Did you, Sir?--Did you pity my father:--I beg your pardon--if I have + said any thing to offend you pray forgive it--nor let my rudeness turn + your companion away from him, to any other object. + + SIR GEORGE. + Would a small sum release him from confinement? Would about a hundred + pounds---- + + HENRY. + I have no doubt but it would. + + SIR GEORGE. + Then take that note.----Be not surprised--I mean to dispose of a + thousand guineas this way, instead of fitting up a theatre in my own + house.--That (_giving him the note_) is a mere trifle; my box at the + opera, or my dinner; I mean to dine alone to morrow, instead of + inviting company. + + HENRY. + Sir George, I spoke so rudely to you at first, that I know no other + way to shew my humility, than to accept your present without + reluctance.--I do therefore, as the gift of benevolence, not as the + insult of better fortune. + + SIR GEORGE. + You have a brother, have not you? + + HENRY. + No, Sir--and only one sister. + + SIR GEORGE. + A sister is it? well, let me see your father and your brother--your + sister I mean--did not you say?--you said a sister, did not you? + + HENRY. + Yes, Sir. + + SIR GEORGE. + Well, let me see your father and her; they will rejoice at their good + fortune I imagine, and I wish to be a witness of their joy. + + HENRY. + I will this moment go to our lawyer, extricate my father, and we will + all return and make you the spectator of the happiness you have + bestowed. + + Forgive my eagerness to disclose your bounty, sir, if, before I have + said half I feel, I fly to reveal it to my father; to whom I can more + powerfully express my sensations--than in your presence. [_Exit._ + + SIR GEORGE. + That bait has taken--and now, if the sister will only be as grateful. + + _Enter_ BLUNTLY. + + BLUNTLY. + Dear sir, what can you have said to the young man? I never saw a + person so much affected! + + SIR GEORGE. + In what manner? + + BLUNTLY. + The tears ran down his cheeks as he passed along, and he held + something in his hand which he pressed to his lips, and then to his + heart, as if it was a treasure. + + SIR GEORGE. + It is a treasure, Bluntly--a hundred Guineas. + + BLUNTLY. + But for which, I believe, you expect a greater treasure in return. + + SIR GEORGE. + Dost think so Bluntly?--dost think the girl is worth a hundred pounds? + + BLUNTLY. + If she refuses, she is worth a thousand--but if she complies, you have + thrown away your money. + + SIR GEORGE. + Just the reverse. + + BLUNTLY. + But I hope, sir, you do not mean to throw away any more thus--for + although this sum, by way of charity, may be well applied, yet indeed, + sir, I know some of your creditors as much in want as this poor + family. + + SIR GEORGE. + How!--You are in pay by some of my creditors I suppose? + + BLUNTLY. + No, Sir, you must pay them, before they can pay any body. + + SIR GEORGE. + You are impertinent--leave the room instantly, and go in search of + this sister; now, while the son is gone to release his father.--Tell + her, her brother is here, and bring her hither immediately. + + BLUNTLY. + But, sir, if you will only give me leave to speak one word-- + + SIR GEORGE. + Do, speak; [_Goes to the chimney-piece and takes down a pistol_] only + speak a single syllable, and I'll send a ball instantly through your + head. + + BLUNTLY. + I am dumb, Sir--I don't speak indeed, Sir--upon my life I don't. I + wish I may die if I speak a word. + + SIR GEORGE. + Go on the errand I told you; and if you dare to return without the + girl this is your fate. [_Holding up the pistol._ + + BLUNTLY. + Yes, Sir. [_Exit._ + + SIR GEORGE. [_Laying the pistol on the table._ + Impertinent puppy; to ruffle the temper of a man of fashion with hints + of prudence and morality, and paying his debts--all this from a + servant too. The insolent, chattering---- + + _Enter_ BLUNTLY. + + BLUNTLY. + May I speak now, sir? + + SIR GEORGE. + What have you to say? + + BLUNTLY. + Mr. Blackman, sir. + + SIR GEORGE. + Bid him come in. + + _Enter_ BLACKMAN. _Exit_ BLUNTLY. + + SIR GEORGE. + Good morning, Mr. Blackman; come, sit down. + + BLACKMAN. [_Bowing respectfully._ + I am glad, Sir George, I have found you alone, for I come to speak to + you on important business. + + SIR GEORGE. + Business!----no--not now if you please. + + BLACKMAN. + But I must, sir--I have been here ten times before, and have been put + off, but now you must hear what I have to say. + + SIR GEORGE. + Don't be long then--don't be tedious, Mr. Blackman--for I expect a, + a--in short, I expect a pretty woman. + + BLACKMAN. + When she comes, I will go. + + SIR GEORGE. + Very well, speak quickly then. What have you to say? + + BLACKMAN. + I come to speak upon the subject of your father's will; by which you + know, you run the hazard of losing great part of what he left behind. + + SIR GEORGE. + But what am I to do? + + BLACKMAN. + There is no time to be lost. Consider, that Mr. Manly, the lawyer, + whom your father employed, is a man who pretends to a great deal of + morality; and it was he who, when your father found himself dying, + alarmed his conscience, and persuaded him to make this Will in favour + of a second person. Now, I think that you and I both together, ought + to have a meeting with this conscientious lawyer. + + SIR GEORGE. + But I should imagine, Mr. Blackman, that if he is really a + conscientious man, you and he will not be upon good terms. + + BLACKMAN. + Oh! people of our avocation differ in respect to conscience. Puzzle, + confound, and abuse each other, and yet are upon good terms. + + SIR GEORGE. + But I fear---- + + BLACKMAN. + Fear nothing.--There are a vast number of resources in our art.--It is + so spacious, and yet so confined--so sublime, and yet so profound--so + distinct, and yet so complicated--that if ever this person with whom + your fortune is divided should be found, I know how to envelope her + in a labyrinth, where she shall be lost again in a hurry.----But your + father's lawyer being a very honest--I mean a very particular man in + his profession,--I have reason to fear we cannot gain him over to our + purpose.--If, therefore,-- + + _Enter_ BLUNTLY. + + SIR GEORGE. + My visitor is come, as I told you. + + BLACKMAN. [_Rising._ + And I am gone, as I told you. [_Going._ + + _Enter_ ELEANOR. + + BLACKMAN. [_Aside._ + My lodger! ah! ah! (_To her in a whisper_) You may stay another + quarter. [_Exit._ + + SIR GEORGE. + (_To_ Eleanor) I am glad to see you.--Bluntly-- + + [_Makes a sign to him to leave the room._ + + BLUNTLY. + Sir? + [SIR GEORGE _waves his hand and nods his head a second + time_. + + BLUNTLY. + Sir?---- + + [_Still affecting not to understand him._ + + SIR GEORGE. + I bid you go. [_Angrily._ + + BLUNTLY. + + You bid me go, sir?--Oh yes, sir.--Very well, sir.--But indeed, sir, I + did not hear you before, sir.--Indeed I did not. + + [_Bows, and exit with reluctance, which_ ELEANOR _observes_. + + ELEANOR. + Pardon me, sir.--I understood my brother was here, but I find he is + not. + + SIR GEORGE. + He is but this instant gone, and will return immediately.--Stay then + with me till he comes. (_Takes her hand._) Surely you cannot refuse to + remain with me a few moments; especially as I have a great deal to say + to you that may tend to your advantage. + + Why do you cast your eyes with such impatience on that door? (_Goes + and locks it._) There, now you may look at it in vain. + + ELEANOR. + For heaven sake, why am I locked in? + + SIR GEORGE. + Because you should not escape. + + ELEANOR. + That makes me resolve I will--Open the door, sir. [_Going to it._ + + SIR GEORGE. + Nay, listen to me. Your sentiments, I make no doubt, are formed from + books. + + ELEANOR. + No, from misfortunes--yet more instructive. + + SIR GEORGE. + You shall never know misfortune more--you, nor your relations.--But + this moment I presented your brother with a sum of money, and he left + me with professions of the deepest gratitude. + + ELEANOR. + My brother!--Has he received money from you? Ah! he promised me he'd + not disgrace his family. + + SIR GEORGE. + How! Family, indeed! + + ELEANOR. + I cannot remain here a moment longer. Open the door, sir--open it + immediately. [_Raising her voice._ + + BLUNTLY. [_Without._ + Sir, sir, sir,--open the door, if you please--you are wanted, sir. + + SIR GEORGE. + S'death! who can want me in such haste? [_Opens the door, and appears + confounded._ + + _Enter_ BLUNTLY. + + SIR GEORGE. + Well, sir! + + BLUNTLY. + ----Did you call, sir? + + SIR GEORGE. + It was _you_ who called, sir. + + BLUNTLY. + Who, I, sir? + + SIR GEORGE. + Yes, sir, you--Who wants me? + + BLUNTLY. [_Looking at_ ELEANOR. + Perhaps it was _you_ that called, Ma'am. + + ELEANOR. + It _was_ I that called: and pray be so kind as to conduct me to my own + lodgings. + + [BLUNTLY _offers her his hand_. + + SIR GEORGE. + Dare not to touch her--or to stay another moment in the room.--Begone. + + [BLUNTLY _looks at_ ELEANOR _aside, and points to the + pistol; then bows humbly, and retires_. + + SIR GEORGE. + And now, my fair Lucretia---- + + [_He is going to seize her--she takes up the pistol and + presents it._ + + ELEANOR. + No, it's not _myself_ I'll kill--'Tis you. + + SIR GEORGE. [_Starting._ + Nay, nay, nay, lay it down.--Lay that foolish thing down; I beg you + will. (_Trembling._) It is charged--it may go off. + + ELEANOR. + I mean it to go off. + + SIR GEORGE. + But no jesting--I never liked jesting in my life. + + ELEANOR. + Nor I--but am always serious.--Dare not, therefore, insult me again, + but let me go to my wretched apartments. + + [_Passes by him, presenting the pistol._ + + SIR GEORGE. + Go to the---- + + [_She turns short at the door, and presents it again._ + + SIR GEORGE. + What would you do?--Here Bluntly! Bluntly! [_Exit_ ELEANOR. + + _Enter_ BLUNTLY. + + BLUNTLY. + Did you call or no, sir? + + SIR GEORGE. + Yes, sir, I did call now. (_In a threatening accent._) Don't you think + you have behaved very well this morning? + + BLUNTLY. + Yes, sir, I think I have. + + SIR GEORGE. + I am not joking. + + BLUNTLY. + Nor am I, sir. + + SIR GEORGE. + And do not you think I should behave very well, if I was to discharge + you my service? + + BLUNTLY. + As well as can be expected, sir. + + SIR GEORGE. + Why did you break in upon me just now? Did you think I was going to + murder the girl? + + BLUNTLY. + No, sir, I suspected neither love nor murder. + + SIR GEORGE. + What then did you suspect? + + BLUNTLY. + Why, sir, if I may make bold to speak--I was afraid the poor girl + might be robbed: and of all she is worth in the world. + + SIR GEORGE. + Blockhead! I suppose you mean her virtue? [_Smiling with contempt._ + + BLUNTLY. + Why, to say the truth, sir, virtue is a currency that grows scarce in + the world now-a-days--and some men are so much in need of it, that + they think nothing of stopping a harmless female passenger in her road + through life, and plundering her of it without remorse, though its + loss, embitters every hour she must afterwards pass in her journey. + + _Enter_ HENRY. + + HENRY. + Sir George, my father, liberated from prison by your bounty, is come + gratefully to offer---- + + _Enter_ WILLFORD _and_ ELEANOR. + + ELEANOR. + [_Holding her father by the hand, to prevent his going forward._ + Oh, my father! whither are you going? Turn back--turn back. + + HENRY. [_To his father._ + This is your benefactor--the man whose benevolence has put an end to + your sufferings. + + [ELEANOR _bursts into tears and retires up the stage_. + + WILLFORD. + How, sir, can I ever repay what I owe to you?--or how describe those + emotions, which your goodness at this moment makes me feel? + + SIR GEORGE. [_In confusion._ + Very well--very well--'tis all very well. (_Aside_) I wish it + was.--(_To him_) I am glad I have been of service to you. + + WILLFORD. + You have been like mercy to us all. My daughter's gratitude overflows + in tears.--But why, my child, do you keep apart from us? Can you be + too timid to confess your obligation? + + SIR GEORGE. + Let her alone--let her indulge her humour. + + WILLFORD. + Speak, Eleanor. + + SIR GEORGE. + No, I had rather she would be silent. + + WILLFORD. + You offend me by this obstinacy. + + ELEANOR. [_Going to_ WILLFORD _and taking his hand_. + Oh, my father!--Oh! I cannot----I cannot speak. + + WILLFORD. + Wherefore?--Explain this moment, what agitates you thus. + + ELEANOR. + You must return to confinement again. + + WILLFORD. + How? + + ELEANOR. + The money that has set you free, was given for the basest + purposes--and by a man as far beneath you in principle, as you are + beneath him in fortune. Disdain the obligation--and come my father, + return to prison. + + WILLFORD. + Yes.--And with more joy than I left it. (_To_ SIR GEORGE) Joy, in my + daughter's virtuous contempt of thee. (_To his children_) Leave the + house instantly. + + [_Exit_ HENRY _and_ ELEANOR. + + WILLFORD. [_Addressing himself to_ SIR GEORGE. + Your present is but deposited in a lawyer's hands, whose word gained + me my liberty--he shall immediately return it to you, while I return + to imprisonment. + + SIR GEORGE. + If the money is in a lawyer's hands, my good friend, it may be some + time before you get it returned. [_Going._ + + WILLFORD. + Stay, Sir George--(_he returns_) And look me in the face while you + insult me. (SIR GEORGE _looks on the floor_.) You cannot.--I therefore + triumph, while you stand before me abashed like a culprit.--Yet be + assured, unthinking, dissipated man, that with all your insolence and + cruelty towards me and mine, I have still the charity to rejoice, even + for your sake, at seeing you thus confounded. This shame is at least + one trait in your favour; and while it revenges my wrongs, gives me + joy to find, you are not a _hardened_ libertine. [_Exeunt._ + +END OF THE SECOND ACT. + + + + +ACT III. + + +SCENE I. _The apartment at_ SIR GEORGE SPLENDORVILLE'S, _where the +night has been passed at play--Several card-tables with company +playing_--SIR GEORGE _and_ LADY CAROLINE _at the same table_. SIR +GEORGE _rises furiously_. + + + SIR GEORGE. + Never was the whole train of misfortunes so united to undo a man, as + this night to ruin me. The most obstinate round of ill luck---- + + MR. LUCRE. [_Waking from a sleep._ + What is all that? You have lost a great deal of money, I suppose? + + SIR GEORGE. + Every guinea I had about me, and fifteen thousand besides, for which I + have given my word. + + MR. LUCRE. + Fifteen thousand guineas! and I have not won one of them.--Oh, + confusion upon every thing that has prevented me. + + SIR GEORGE. [_Taking_ LADY CAROLINE _aside_. + Lady Caroline, you are the sole person who has profited by my + loss.--Prove to me that your design was not to ruin me; to sink me + into the abyss of misfortune,--prove to me, you love me in return for + all my tender love to you. And (_taking up the cards_) give me my + revenge in one single cut. + + LADY CAROLINE. + If this is the proof you require, I consent. + + SIR GEORGE. + Thank you.--And it is for double or quit.--Thank you. [_She shuffles + and cuts._ + + SIR GEORGE. + Ay, it will be mine--thank you.--I shall be the winner--thank you. + (_He cuts--then tears the cards and throws them on the floor._) + Destraction!--Furies of the blackest kind conspire against me, and all + their serpents are in my heart.--Cruel, yet beloved woman! Could you + thus abuse and take advantage of the madness of my situation? + + LADY CAROLINE. + Your misfortunes, my dear Sir George--make you blind. + + SIR GEORGE. [_Taking her again aside._ + No, they have rather opened my eyes, and have shown me what you + are.--Still an object I adore; but I now perceive your are one to my + ruin devoted.--If any other intention had directed you, would you have + thus decoyed me to my folly?--You know my proneness to play, your own + likelihood of success, and have palpably allured me to my destruction. + Ungrateful woman, you never loved me, but taught me to believe so, in + order to partake of my prodigality.--Do not be suspicious, madam; the + debt shall be discharged within a week. + + LADY CAROLINE. [_With the utmost indifference._ + That will do, sir--I depend upon your word; and that will do. [_Exit + curtsying._ + + SIR GEORGE. + Ungrateful--cruel--she is gone without giving me one hope.--She even + insults--despises me. + + MR. LUCRE. [_Coming forward._ + Indeed, my dear friend, I compassionate your ill luck most feelingly; + and yet I am nearly as great an object of compassion on this occasion + as yourself; for I have not won a single guinea of all your losses: if + I had, why I could have borne your misfortune with some sort of + patience. + + LADY BRIDGET. + My dear Sir George, your situation affects me so extremely, I cannot + stay a moment longer in your presence. [_Goes to the door, and + returns._] But you may depend upon my prayers. [_Exit._ + + LORD HAZARD. + Sir George, if I had any consolation to offer, it should be at your + service--but you know--you are convinced--I have merely a sufficiency + of consolation--that is, of friends and of money to support myself in + the rank of life I hold in the world. For without that--without that + rank--I sincerely wish you a good morning. + + [_Exit_ LORD HAZARD. + + SIR GEORGE. + Good morning. + + [_The company by degrees all steal out of the room, except_ + Mr. LUCRE. + + SIR GEORGE. [_Looking around._ + Where are all my guests?--the greatest part gone without a word in + condolence, and the rest torturing me with insulting wishes. Here! + behold! here is the sole reliance which I have prepared for the hour + of misfortune; and what is it?--words--compliments--desertion--and + from those, whose ingratitude makes their neglect still more poignant. + [_Turns and perceives_ Mr. LUCRE.] Lucre, my dear Lucre, are not you + amazed at what you see? + + MR. LUCRE. + No, not at all--'tis the way of the world--we caress our acquaintances + whilst they are happy and in power, but if they fall into misfortune, + we think we do enough if we have the good nature to pity them. + + SIR GEORGE. + And are you, one of these friends? + + MR. LUCRE. + I am like the rest of the world.--I was in the number of your + flatterers; but at present you have none--for you may already + perceive, we are grown sincere. + + SIR GEORGE. + But have not you a thousand times desired me, in any distress, to + prove you? + + MR. LUCRE. + And you do prove me now, do you not?--Heaven bless you. [_Shaking + hands with him_] I shall always have a regard for you--but for any + thing farther--I scorn professions which I do not mean to keep. + [_Going._ + + SIR GEORGE. + Nay, but Lucre! consider the anguish in which you leave me!--consider, + that to be forsaken by my friends is more affecting than the loss of + all my fortune. Though you have nothing else to give me, yet give me + your company. + + MR. LUCRE. + My dear friend I _cannot_. Reflect that I am under obligations to + you--so many indeed that I am ashamed to see you.----I am naturally + bashful; and do not be surprised if I should never have the confidence + to look you in the face again. [_Exit._ + + SIR GEORGE. + This is the world, such as I have heard it described, but not such as + I could ever believe it to be.--But I forgive--I forget all the world + except Lady Caroline--her ingratitude fastens to my heart and drives + me to despair. She, on whom I have squandered so much--she, whom I + loved--and whom I still love, spite of her perfidy! + + (_Enter_ BLUNTLY.) + + Well, Bluntly--behold the friendship of the friends I loved! This + morning I was in prosperity and had many--this night I am ruined, and + I have not one. + + BLUNTLY. + Ruined, sir? + + SIR GEORGE. + Totally: and shall be forced to part with every thing I possess to pay + the sums I owe.----Of course, I shall part with all my servants--and + do you endeavour to find some other place. + + BLUNTLY. + But first, sir,--permit me to ask a favour of you? + + SIR GEORGE. + A favour of me? I have no favours now to grant. + + BLUNTLY. + I beg your pardon, sir--you have one--and I entreat it on my knees. + + SIR GEORGE. + What would you ask of me? + + BLUNTLY. + To remain along with you still.--I will never quit you; but serve you + for nothing, to the last moment of my life. + + SIR GEORGE. + I have then one friend left. (_Embracing him._) And never will I + forget to acknowledge the obligation. + + _Enter_ BLACKMAN. + + BLACKMAN. + Pardon me--sir--I beg ten thousand pardons--pray excuse me, (_In the + most servile manner_,) for entering before I sent to know if you were + at leisure--but your attendants are all fast asleep on the chairs of + your antichamber.--I could not wake a soul--and I imagined you + yourself were not yet up. + + SIR GEORGE. + On the contrary, I have not yet been in bed. And when I do go there, I + wish never to rise from it again. + + BLACKMAN. + Has any thing unexpected happened? + + SIR GEORGE. + Yes.--That I am ruined--inevitably ruined--Behold (_Shewing the + cards_) the only wreck of my fortune. + + BLACKMAN. + (_Starting._) Lost all your fortune? + + SIR GEORGE. + All I am worth--and as much more as I am worth. + + [BLACKMAN _draws a chair, sits down with great familiarity, + and stares_ SIR GEORGE _rudely in the face_. + + BLACKMAN. + Lost all you are worth? He, he, he, he! (_Laughs maliciously._) Pretty + news, truly! Why then I suppose I have lost great part of what I am + worth? all which you are indebted to me?--However there is a way yet + to retrieve you. But--please to desire your servant to leave the room. + + SIR GEORGE. + Bluntly, leave us a moment. (_Exit_ BLUNTLY.) Well, Mr. Blackman, what + is this grand secret? + + BLACKMAN. + Why, in the state to which you have reduced yourself, there is + certainly no one hope for you, but in that portion, that half of your + fortune, which the will of your father keeps you out of. + + SIR GEORGE. + But how am I to obtain it? The lawyer in whose hands it is placed, + will not give it up, without being insured from any future demand by + some certain proofs. + + BLACKMAN. + And suppose I should search, and find proofs? Suppose I have them + already by me?--But upon this occasion, you must not only rely + implicitly on what I say, but it is necessary you should say the same + yourself. + + SIR GEORGE. + If you advance no falsehood, I cannot have any objection. + + BLACKMAN. + Falsehood!--falsehood!--I apprehend, Sir George, you do not consider, + that there is a particular construction put upon words and phrases in + the practice of the law, which the rest of the world, out of that + study, are not clearly acquainted with. For instance, _falsehood_ with + _us_, is not _exactly_ what it is with other people. + + SIR GEORGE. + How! Is truth, immutable truth, to be corrupted and confounded by men + of the law? + + BLACKMAN. + I was not speaking of truth--that, we have nothing to do with. + + SIR GEORGE. + I, must not say so, however, sir.--And in this crisis of my + sufferings, it is the only comfort, the only consolatory reflection + left me, that truth and I, will never separate. + + BLACKMAN. + Stick to your truth--but confide in me as usual.--You will go with me, + then, to Mr. Manly, your father's lawyer, and corroborate all that I + shall say? + + SIR GEORGE. + Tell me, but what you intend to say? + + BLACKMAN. + I can't do that. In the practice of the law, we never know what we + intend to say--and therefore our blunders, when we make them, are in + some measure excusable--and if I should chance to make a blunder or + two, I mean any trivial mistake, when we come before this lawyer, you + must promise not to interfere, or in any shape contradict me. + + SIR GEORGE. + A mere lapse of memory, I have nothing to do with. + + BLACKMAN. + And my memory grows very bad; therefore you must not disconcert me. + + SIR GEORGE. + Come, let us begone--I am ready to go with you this moment. + + BLACKMAN. + I must first go home, and prepare a few writings. + + SIR GEORGE. + But call to mind that I rely upon your honour. + + BLACKMAN. + Do you think Bluntly, your servant, is an honest man? + + SIR GEORGE. + I am sure he is. + + BLACKMAN. + Then, to quiet your fears, I will take him along with us; and you will + depend on what he shall say, I make no doubt? + + SIR GEORGE. + I would stake my being upon his veracity. + + BLACKMAN. + Call him in, then, and bid him do as I command him. + + SIR GEORGE. + Here, Bluntly. (_Enter_ BLUNTLY.) Mr. Blackman has some business with + you--listen to him with attention, and follow his directions. [_Exit._ + + BLACKMAN. + You know, I suppose, the perilous situation of your master? + + [BLUNTLY _shakes his head, and wipes his eyes._ + + BLACKMAN. + Good fellow! good fellow!--and you would, I dare say, do any thing to + rescue him from the misery with which he is surrounded? + + BLUNTLY. + I would lay down my life. + + BLACKMAN. + You can do it for less. Only put on a black coat, and the business is + done. + + BLUNTLY. + What's that all? Oh! if I can save him by putting on a black coat, + I'll go buy mourning, and wear it all my life. + + BLACKMAN. + There's a good fellow. I sincerely thank you for this attachment to + your master. + + [_Shaking him by the hand._ + + BLUNTLY. + My dear Blackman, I beg your pardon for what I am going to say; but as + you behave thus friendly on this unfortunate occasion, I must confess + to you--that till now I always hated you.--I could not bear the sight + of you.--For I thought you (I wish I may die if I did not) one of the + greatest rogues in the world. I fancied you only waited on, and + advised my master to make your market of him.--But now your attention + to him in his distress, when all his friends have forsaken him, is so + kind--Heaven bless you--Heaven bless you--I'll go buy a black coat. + [_Going._ + + BLACKMAN. + I have something more to say to you.--When you have put on this coat, + you must meet your master and me at Mr. Manly's, the lawyer; and when + we are all there, you must mind and say, exactly what I say. + + BLUNTLY. + And what will that be? + + BLACKMAN. + Oh! something. + + BLUNTLY. + I have no objection to say something--but I hope you won't make me say + any thing. + + BLACKMAN. + You seem to doubt me once more, sir? + + BLUNTLY. + No, I am doubting you now for the first time; for I always thought I + was _certain_ before. + + BLACKMAN. + And will you not venture to say yes, and no, to what I shall advance? + + BLUNTLY. + Why--I think I may venture to say yes to your no, and no to your yes, + with a safe conscience. + + BLACKMAN. + If you do not instantly follow me and do all that I shall propose, + your master is ruined.--Would you see him dragged to prison? + + BLUNTLY. + No, I would sooner go myself. + + BLACKMAN. + Then why do you stand talking about a safe conscience. Half my clients + would have been ruined if I had shewn my zeal as you do. Conscience + indeed! Why, this is a matter of law, to serve your master in his + necessity. + + BLUNTLY. + I have heard necessity has no law--but if it has no conscience, it is + a much worse thing than I took it for.--No matter for that--come + along.--Oh my poor master!--I would even tell a _lie_ to save him. + [_Exeunt._ + + +SCENE II. _A lawyer's study._ + +MR. MANLY _discovered at his writing-desk--a Servant attending_. + + + MANLY. + Who do you say wants to speak with me? + + SERVANT. + Mr. Lucre, sir. + + MANLY. + And who else? + + SERVANT. + A person who says his name is Willford, he looks as if he came from + the country, and seems in mean circumstances. + + MANLY. + Show him to me directly. And take Mr. Lucre, or any other person of + fashion that may call, to my clerks. [_Exit Servant._] But for the + poor, let them be under _my_ protection. + + _Enter_ WILLFORD _and_ ELEANOR. + + MANLY. + Come in--walk in, and let me know what I can do to serve you. + + WILLFORD. + I deposited, sir, in your clerk's hands, a sum of money to set me free + from confinement for debt.--On his word, I was discharged--he owns he + has not yet paid away this money, still he refuses to restore it to + me, though in return I again render up my person. + + MANLY. + And why would you do this? + + WILLFORD. + Because my honour--I mean my conscience--for that's the poor man's + honour--is concerned. + + MANLY. + Explain yourself. + + WILLFORD. + A son of mine, received this sum I speak of, and thought it _given_ + him; while it was only meant as a purchase--a purchase of what we had + no right to sell--and therefore it must be restored to the owner. + + MANLY. + And who is he? + + WILLFORD. + Sir George Splendorville--I suppose you have heard of him? + + MANLY. + He, you mean, who by the desire of his father's will, lately changed + his name from Blandford? + + WILLFORD. + Sir! + + MANLY. + The name, which some part of the family, while reduced, had taken. + + WILLFORD. + Good Heaven! Is there such a circumstance in his story? + + MANLY. + Why do you ask with such emotion? + + WILLFORD. + Because he is the man, in search of whom I left my habitation in + the country, to present before him a destitute young woman, a near + relation. + + MANLY. + What relation?--Be particular in your answer. + + WILLFORD. + A sister. + + MANLY. + I thank you for your intelligence. You have named a person who for + these three years past, I have in vain endeavoured to find.--But did + you say she was in poverty? + + WILLFORD. + I did. + + MANLY. + I give you joy then--for I have in my possession a deed which conveys + to a lost daughter of Sir George's father, the other half of the + fortune he bequeathed his son--but as yet, all my endeavours have been + in vain to find where she, and an uncle, to whose care she was + entrusted in her infancy, are retired. + + WILLFORD. [_Turning to_ ELEANOR. + Now, Eleanor, arm yourself with fortitude--with fortitude to bear not + the frowns, but the smiles of fortune. Be humble, collected, and the + same you have ever been, while I for the first time inform you--you + are not my daughter.--And from this gentleman's intelligence add, you + are rich--you are the deceased Blandford's child, and Splendorville's + sister. + + ELEANOR. + Oh! Heavens! Do I lose a father such as you, to gain a brother such as + he is? + + MANLY. [_To_ WILLFORD. + There can be no mistake on this occasion--And you, if I am not + deceived, are the brother of the late Mr. Blandford. Your looks, your + person, your very voice confirms it. + + WILLFORD. + I have writings in my care, shall prove it beyond a doubt; with the + whole narrative of our separation when he with his son, then a youth, + embarked for India; where I suppose, riches, soon succeeded poverty. + + _Enter_ SERVANT. + + SERVANT. + Lady Caroline Seymour, sir, is at the door in her carriage, and will + not be denied admittance. She says she must see you upon some very + urgent business. + + MANLY. [_To_ WILLFORD _and_ ELEANOR. + Will you do me the favour to step for a moment into this room? Lady + Caroline will not stay long. I'll not detain you. + + [_Exit_ WILLFORD _and_ ELEANOR. + + _Enter_ LADY CAROLINE. + + LADY CAROLINE. + Dear Mr. Manly, I have a thousand apologies to make--And yet I am sure + you will excuse the subject of my visit, when you consider---- + + MANLY. + Your ladyship will please to sit down. + + [_He draws chairs and they sit._ + + LADY CAROLINE. + You cannot be ignorant, Mr. Manly--you must know, the terms of + acquaintance on which Sir George Splendorville and I have been, for + some time past?--you were his father's agent; his chief solicitor; and + although you are not employed by Sir George, yet the state of his + affairs cannot be concealed from you--Has he, or has he not, any + inheritance yet to come? + + MANLY. + Pardon me, madam--though not entrusted by Sir George, I will, + nevertheless, keep his secrets. + + LADY CAROLINE. + That is plainly telling me he is worth nothing. + + MANLY. + By no means--Sir George, in spite of his profusion, must still be + rich. He has preserved his large estate in Wales; and as to money, I + do not doubt but he has a considerable sum. + + LADY CAROLINE. + Not a guinea. I won it all from him last night. + + MANLY. + You? You, who are to become his wife? + + LADY CAROLINE. + I might, had I not been thus fortunate. But why should I marry him, + when his riches are mine, without that ceremony. + + MANLY. + Inconsiderate man!--what will be the end of his imprudence! Yet, + Heaven be praised! he has still that fine estate, I just now + mentioned. + + LADY CAROLINE. + Indeed he has not--that has belonged to me these three months. + + MANLY. + To you! + + LADY CAROLINE. + Yes--Bought for me under another name by agents; and for half its + value. + + MANLY. + Madman!--Yet your ladyship must excuse me. I know your income stinted, + and till the death of the Earl, your father, where could you raise + sufficient to make even half the purchase. + + LADY CAROLINE. + From Splendorville's own prodigality--from lavish presents made to me + by him. + + _Enter_ SERVANT. + + SERVANT. + Sir George Splendorville, sir, desires to speak with you--he is at the + door with Mr. Blackman. + + LADY CAROLINE. + Oh Heavens! do not let him see me here. + + [_She is hastening to the room where_ WILLFORD _and his + daughter are._ + + MANLY. + I have company there--walk in here, if you Please. + + [_Shows her another door and she enters._ + + MANLY. [_To the servant._ + Desire Sir George to walk in. + + _Enter_ SIR GEORGE _and_ BLACKMAN. + + MANLY. + Sir George, do me the favour to sit down. + + [_He looks coolly on_ BLACKMAN, _and pointing to a chair + says_ Good morning. _They sit._ + + SIR GEORGE. + Mr. Manly, my attorney will let you know the business on which I am + come. + + BLACKMAN. + Why yes, Mr. Manly, it is extremely hard that Sir George has for so + long a time been kept out of a very large part of his fortune; + particularly, as he has had occasion for it. + + SIR GEORGE. + I have had occasion for it I assure you Mr. Manly; and I have occasion + for it at this very time. + + MR. MANLY. + But so may the person, sir, from whom you would take it. In a word, + Sir George, neither your lawyer nor you, shall prevail on me to give + up the trust reposed in me by your father, without certain evidence, + that your sister will never come to make her claim. + + BLACKMAN. + You are not afraid of ghosts, are you? + + MANLY. + No, nor of robbers either:----you cannot frighten me, Mr. Blackman. + + BLACKMAN. + Then depend upon it, the sister of Sir George can never appear in any + other manner than as a spirit. For, here, sir, (_taking from his + pocket a parcel of papers_) here are authentic letters to prove her + death. (SIR GEORGE _looks confused_.) + + MANLY. + Her death! + + BLACKMAN. + Yes, her death. Here is a certificate from the curate of the parish in + which she was buried. + + MANLY. + Buried too! + + BLACKMAN. + Yes, sir, buried. Here is also an affidavit from the sexton of the + said village, signed by the overseer and churchwardens, testifying the + same.--You see, (_shewing him the paper, and reading at the fame + time_) "Died Anno Domini, one thousand seven hundred and eighty nine, + the seventeenth of June----" + + [_Mr._ MANLY _takes the paper, and while he is reading_, + SIR GEORGE _says apart_---- + + SIR GEORGE. + How near to the brink of infamy has my imprudence led me! And s'death, + my confusion takes from me the power to explain, and expose the + scoundrel. + + Mr. Manly, I will leave you for the present; but you shall hear from me + shortly,--when this matter shall be accounted for clearly--perfectly + to your satisfaction, you may depend upon it.--(_Going._) + + MANLY. + Stay, Sir George, and---- + + BLACKMAN. + Aye, Sir George, stay and see Mr. Manly's objections wholly removed. + He seems to doubt the evidence of paper; I must, therefore, beg leave + to produce a living witness--the gentleman whom I appointed to meet me + here. + + MANLY. + And who is he? + + BLACKMAN. + The apothecary, who attended Sir George's sister in her dying illness. + [SIR GEORGE _starts_. + + MANLY. + Desire him to walk in by all means. What is the matter, Sir George, + you look discomposed? + + BLACKMAN. + Sir George is something nervous, Mr. Manly; and you know the very name + of a medical gentleman, will affect the nerves of some people. + + [BLACKMAN _goes to the door, and leads on_ BLUNTLY, + _dressed in mourning_. + + SIR GEORGE. [_Aside._ + Bluntly!--But I will see the end of this. + + MANLY. + (_Bowing to him_). You are an apothecary, I think, sir? + + [BLUNTLY _looks at_ BLACKMAN] + + BLACKMAN. + Yes, sir. + + BLUNTLY. + (_After seeming inclined to say_, No). Yes, sir. + + MANLY. + Pray sir, what disorder took the young lady, on whose account you have + been brought hither, out of the world? + + [BLUNTLY _looks at_ BLACKMAN.] + + BLACKMAN. + Oh! the old disorder, I suppose. + + BLUNTLY. + The old disorder. + + MANLY. + And pray what may that be, sir? (BLACKMAN _offers to reply_). Mr. + Blackman, Please to let this gentleman speak for himself.--What is it + you mean, pray sir, by the old disorder? + + BLUNTLY. + I--I--mean--Love, sir. + + MANLY. + You will not pretend to say, that love, was the cause of her death? + + BLUNTLY. (_Confused and hesitating_). + That--and a few fits of the gout. + + MANLY. + I fear, sir, you are not in perfect health yourself--you tremble and + look very pale. + + BLACKMAN. + That is because the subject affects him. + + MANLY. + Do you then never mention the young lady without being affected? + + BLUNTLY. + Never, sir--for had you seen her as I did--um--Had you seen + her.----She was in very great danger from the first; but after I + attended her, she was in greater danger still.--I advised a physician + to be called in; on which she grew worse.--We had next a consultation + of physicians; and then it was all over with her. + + SIR GEORGE. + (_Rising from his chair_). Blackman, this is too much--all my + calamities are inferior to this--Desist, therefore, or---- + + BLACKMAN. + (_To_ BLUNTLY.) Desist--He cannot bear to hear the pathetic + description. Consider the lady was his sister--and though he had not + the pleasure of knowing her--yet, poor thing--(_affecting to + weep_)--poor young woman! he cannot help lamenting her loss. + + BLUNTLY. + No more can I--for though she was not my relation--yet she was my + Patient. (_pretending to weep also_). + + SIR GEORGE. + I can bear no more.--Mr. Manly, you are imposed upon. But think not, + however appearances may be against me, that I came here as the tool of + so infamous a deceit.--Thoughtlessness, Mr. Manly, has embarrassed my + circumstances; and thoughtlessness alone, has made me employ a villain + to retrieve them. + + BLACKMAN. + Mighty fine! + + SIR GEORGE. + I have no authority, sir, to affirm, that my sister is not alive; and + I am confident the account you have just now heard, of her death, is + but an artifice. My indiscretions have reduced me nearly to beggary; + but I will perish in confinement--cheerfully perish--rather than owe + my affluence to one dishonourable action. + + BLACKMAN. + Grief has turned his brain. + + MANLY. + Sir George, I honour your feelings; and as for the feelings of these + gentlemen, I am extremely happy, that it is in my power to dry up + their tears, and calm all their sorrows. + + SIR GEORGE. + Sir! + + BLACKMAN. + How? In what way? + + MANLY. + (_Going to the door where_ WILLFORD _and his niece are_.) Come forth, + young lady, to the arms of a brother, and relieve the anguish of + these mourners, who are lamenting your decease. (ELEANOR _and_ + WILLFORD _enter_)--Yes, Sir George, here is that sister, whom those + gentlemen assure us, is dead;--and this is the brother of your + father.--These are proofs, as convincing, I hope, as any Mr. Blackman + can produce. + + SIR GEORGE. + She, my sister! Her pretended father my uncle too! (_Aside_) Blackman, + you would have plunged me into an anguish I never knew before; you + would have plunged me into shame. + + BLUNTLY. + And so you _have_ me. + + BLACKMAN. + Pshaw.--Mr. Manly, notwithstanding you are these people's voucher, + this appears but a scheme.--These persons are but adventurers, and may + possibly have about them forgeries, such as an honest man, like + myself, would shudder at. + + MANLY. [_Going to the door._ + Who's there? [_Enter Servant._] Shew that--that Mr. Blackman, out of + my house instantly; and take care you never admit him again. + + BLACKMAN. + Sir George, will you suffer this? + + SIR GEORGE. + Aye, and a great deal more. + + BLUNTLY. + Look'ee Blackman.--If you don't fall down upon your knees, and beg my + pardon at the street door, for the trick you have put upon me, in + assuring me my master's sister was really dead, and that I could do + her no injury, by doing him a service--if you don't beg my pardon for + this, I'll give you such an assault and battery as you never had to do + with in your life. + + BLACKMAN. + Beat me--do, beat me--I'll thank you for beating me--I'd be beat every + hour of the day, to recover damages. [_Exit with_ BLUNTLY. + + SIR GEORGE. + My sister--with the sincerest joy I call you by that name--and while I + thus embrace you, offer you a heart, that beats with all the pure and + tender affection, which our kindred to each other claims.--In you + (_embracing his uncle_) I behold my father; and experience an awful + fear, mingled with my regard. + + WILLFORD. + Continue still that regard, and even that fear--these filial + sentiments may prove important; and they shall ever be repaid with my + paternal watchings, friendship, and love. + + ELEANOR. + My brother---- + + SIR GEORGE. + I have been unworthy of you--I will be so no more, but imitate your + excellence. Yet, when I reflect---- + + [LADY CAROLINE _comes softly from the inner apartment, and + attends to the discourse_. + + ELEANOR. + My brother, do not imagine---- + + SIR GEORGE. + Leave me, leave me to all the agonies of my misconduct.--Where is my + fortune? Now _all_ irrecoverably gone--My last, my only resource is + now to be paid to another--I have lost every thing. + + LADY CAROLINE. [_Coming forward._ + No, Sir George, _nothing_--since I possess all that was yours. + + SIR GEORGE. + How! + + LADY CAROLINE. + Behold a friend in your necessities--a mistress whom your misfortunes + cannot drive away--but who, experiencing much of your unkindness, + still loves you; and knowing your every folly, will still submit to + honour, and obey you. + + I received your lavish presents, but to hoard them for you--made + myself mistress of your fortune, but to return it to you--and with it, + all my own. + + SIR GEORGE. + Can this be real? Can I be raised in one moment, from the depths of + misery to unbounded happiness? + + _Enter_ SERVANT. + + SERVANT. + A young man, who says he is Mr. Willford's son, is called to enquire + for him. + + MANLY. + Shew him in. + + [SIR GEORGE _and_ LADY CAROLINE _retire to the back part of + the stage_. + + _Enter_ HENRY. + + WILLFORD. + Come, Henry, and take leave of your sister for ever. + + HENRY. + How so, sir?--What do you mean? To be parted from her, would be the + utmost rigour of fortune. + + MANLY. + The affection with which you speak, young gentleman, seems to convey + something beyond mere brotherly love. + + WILLFORD. + I some years since revealed to him she was _not_ his sister. + + ELEANOR. + And he, some years since, implied it to me. Yet, in such doubtful + terms, I knew not which of us had the sorrow not to be your child.--I + now find it is myself--and I aver it to be a sorrow, for which, all + the fortune I am going to possess will not repay me. + + SIR GEORGE. + Then, my dearest sister, indulge the hope you may yet be his daughter. + This young man's merit deserves a reward, and in _time_ he may learn + to love you by a still nearer tie than that, you have so long known to + exist between you; nay, even by a nearer tie than that of brother. + + HENRY. + I am in doubt of what I hear--Eleanor, since our short separation, + there cannot surely have been any important discovery-- + + MANLY. + Be not surprised--great discoveries, which we labour in vain for years + to make, are frequently brought about in one lucky moment, without any + labour at all. + + SIR GEORGE. + True--for till this day arose, I had passed every hour since my birth, + without making one discovery to my advantage--while this short, but + propitious morning, has discovered to me all my former folly--and + discovered to me--how to be in future happy. + +THE END. + + + + +EPILOGUE, + +BY T. VAUGHAN, ESQ. + +SPOKEN BY MRS. KEMBLE. + + + "Long before the beginning of this Play," + I heard some DEEP ones in the Green-Room, say, + They had their fears and doubts--whilst some did quake-- + And others wish'd it bed-time for her sake. + Do you, our best Physicians, ever kind, } + Prescribe our true Cephalic for the Mind, } + Of these our Neighbours, and _kind Friends_--behind, } + And with it, give a cordial of the best, + To one, with deepest Gratitude imprest. + For some there are--I have them in my eye-- + Will sicken and turn pale with jealousy, + Whene'er we scribbling Women wield the Pen, + Or dare invade the Rights of scribbling Men; + And fir'd with zeal, in dread array appear-- + With Tenets from the _learned_ Hemisphere; + Thence cry (_kind Souls_) "Invention is the only Art, + And mere Translation but a second Part; + Besides--_we Men of Taste_--can ne'er withstand + E'en Nature's GARRICK thus at second Hand! + Then why do Comic Writers live on Theft, + When such Ragouts and Dainties still are left? + Not richer were, in CONGREVE'S days or BEHN, + For now, the Males are Females--Women, Men-- + Nay some so _manly_, and so orthodox, + Will drive you four in Hand--or hold the Box; + And if perchance the fatal Die is thrown, + Will storm and swear, like any Lord in Town." + + But might I whisper in this Censor's ear, + I'd prove his observations too severe-- + And urge--"Translation to hit off with skill, + Is not the province of each common Quill; + But by improving what was writ before, + Tho' Genius may be less, our Judgment's more; + And whilst we paint with energy from Life, + The gallant Husband, or _more gallant Wife_, + With Tints from living Portraits from the Spot, + It matters not by whom related--or begot; + And thus, much surer shall we reach the Heart, + Than all the _lifeless_ pomp of _boasted_ Art." + As such, deny her not--at least the merit + Of giving _Gallic Froth_--true BRITISH SPIRIT. + + And as for you, ye Fair, how blooms the Cheek, + How sweet the Temper which those eyes bespeak? + No Midnight Oil has e'er destroy'd a Grace, + Or Gaming's Horrors found with you a place; + But Cupid lent you all those winning Arts, + Which at a glance--can warm the coldest Hearts. + + Check then with me these Censors as unjust, + Who form their judgments--_as they live_--on Trust. + Nor ever credit what they dare to say, + Unless with you they join, and like our Play. + + Use for a signal then--your Magic Fan, + And all the House will follow to a Man; + Or should there be a disaffected few-- + _A Counter Revolution_--rests with you. + + + + +TRANSCRIBER'S NOTE + +Contemporary spellings and hyphenation have been retained even where +inconsistent. Two obvious spelling errors were corrected (reception +for receptiou; demand for emand). + +A single misspelling of WILLFORD as WILLORD was corrected. + +In ACT 2, Scene 1, "then" was changed to "than" in Henry's sentence: + + I know no other way to shew my humility, than to accept your + present + +In ACT 3, Scene 1, "your" was changed to "you" in Sir George's sentence: + + Still an object I adore; but I now perceive you are one to my + ruin devoted. + +On two occasions where the same word appeared at the end of one line +and the beginning of the next, the superfluous word was deleted. They +were: + + ACT 2, Scene 1, Sir George: + + You were giving me an + an account, Bluntly (...) + + ACT 3, Scene 1, Sir George: + + Lucre, my dear Lucre, are not you amazed at + at what you see? + + + + + +End of Project Gutenberg's Next Door Neighbours, by Elizabeth Inchbald + +*** END OF THIS PROJECT GUTENBERG EBOOK NEXT DOOR NEIGHBOURS *** + +***** This file should be named 38759.txt or 38759.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/8/7/5/38759/ + +Produced by Delphine Lettau and the Online Distributed +Proofreading Canada Team at http://www.pgdpcanada.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/38759.zip b/38759.zip Binary files differnew file mode 100644 index 0000000..91f7d73 --- /dev/null +++ b/38759.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..d3713ca --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #38759 (https://www.gutenberg.org/ebooks/38759) |