diff options
Diffstat (limited to '38597.txt')
| -rw-r--r-- | 38597.txt | 2767 |
1 files changed, 2767 insertions, 0 deletions
diff --git a/38597.txt b/38597.txt new file mode 100644 index 0000000..ea97f0b --- /dev/null +++ b/38597.txt @@ -0,0 +1,2767 @@ +Project Gutenberg's Martha, by W. Friedrich and Friedrich von Flotow + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Martha + or, The Fair at Richmond + +Author: W. Friedrich + Friedrich von Flotow + +Editor: Glen Carle + +Translator: M. Louise Baum + +Release Date: January 17, 2012 [EBook #38597] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK MARTHA *** + + + + +Produced by Tor Martin Kristiansen, Dianne Nolan, Joseph +Cooper and the Online Distributed Proofreading Team at +http://www.pgdp.net + + + + + + + + The Laurel Octavo Edition + Of Famous Operas + + MARTHA + + LIBRETTO + + C. C. BIRCHARD & COMPANY + BOSTON MASSACHUSETTS + + + + + HIAWATHA'S + CHILDHOOD + + OPERETTA IN ONE ACT + FOR UNCHANGED VOICES + + _60 cents_ + + TEXT BY HENRY WADSWORTH LONGFELLOW + MUSIC BY BESSIE M. WHITELEY + + FOR PERFORMANCE IN GRAMMAR AND HIGH SCHOOLS + TIME OF PERFORMANCE 40 MINUTES + + _Awarded the Prize by "The National Federation + of Music Clubs' Competition," closing September 1, + 1912, in the Operetta Class (Unchanged Voices)_ + + _Performed before the_ + NATIONAL FEDERATION OF MUSIC CLUBS' CONVENTION, + _Chicago, Illinois, April 25, 1913;_ + + _under the direction of_ + M. TERESA ARMITAGE + _who writes as follows:_ + + "Hiawatha's Childhood is an inspired little work and the best + thus far composed for education purposes. In fact if is worthy of + presentation as a curtain raiser in the leading Opera Houses. It is a + fine piece of musical art, and entirely practicable for schools (Grammar + and High Schools). The children love it, and the work, whether + given with or without action, makes a delightful impression." + + C. C. BIRCHARD & COMPANY :: BOSTON, MASS. + + + + + LAUREL OCTAVO + + MARTHA + + OR + + The Fair at Richmond + + Text by + W. FRIEDRICH + + Music by + FRIEDRICH VON FLOTOW + + THE ENGLISH EDITED BY + M. LOUISE BAUM + + THE MUSIC EDITED BY + GLEN CARLE + + C. C. BIRCHARD & COMPANY + BOSTON MASS. + + GEORGE E. LASK + MUSIC COLLECTION + + COPYRIGHT, 1913 + BY + C. C. BIRCHARD & COMPANY + + Stanhope Press + F. H. GILSON COMPANY + BOSTON, U.S.A. + + + + +The Laurel Octavo Edition of Martha + + +is the outcome of extended and careful work, having for its aim +the presentation of a version of this opera which shall be adapted +primarily for use in schools. + +It is suitable for performance in concert form as well as on the +stage with scenery and in costume. + +Everything of value in the musical score has been retained in +the present edition. All dull and uninteresting numbers and tedious +unnecessary repetitions have been left out, while the valuable +music of the opera has been retained and the same has been +brought together into a harmonious whole. + +The text has been revised and, where necessary, rewritten, and +is superior to the editions now current both in literary excellence +and in the valuable desideratum of "accents" and other adaptabilities +to musical utterance. + +The Laurel Octavo Libretto of MARTHA supplies the dialogue, +stage directions and everything in which the copy for concert +purposes is lacking to make the Opera suitable for stage +representation. + +Costumes may be obtained through the publishers. + +Orchestration of this edition may be obtained from the publishers. + +C. C. BIRCHARD & COMPANY + + + + +CONTENTS + + + NO. PAGE + + 1. "Bright as are the stars of heaven." Chorus, Nancy and + Lady Harriet 1 + + 2. "Every heart with love inflaming." Nancy, Lady Harriet. + Duet 8 + + 3. "Lovely cousin, I implore you." Sir Tristan, Lady Harriet, + Nancy and Chorus 13 + + 3a. "Hither come, linger not." Chorus of servants 16 + + 4. "Come, O maidens fair." Chorus 30 + + 5. "O'er my life from boyhood tender." Lionel and Plunket. + Duet 44 + + 6. "We Anne, Queen of England." Sheriff, Chorus of servants + and farmers 49 + + 7. "See what grace they show." Lady Harriet, Nancy, Lionel, + Plunket. Quartet 60 + + 8. "Come in, my pretty maidens." Lionel, Plunket, Lady + Harriet and Nancy 65 + + 9. "That's the room I mean to give her." Plunket, Lionel, Lady + Harriet and Nancy. Quartet 73 + + 10. "Come, your tasks await." Plunket, Nancy, Lionel and Lady + Harriet 84 + + 11. "'Tis the Last Rose of Summer." Lady Harriet and Lionel. + Romance 98 + + 11a. "Midnight chimes sound afar." Lady Harriet, Nancy, Lionel + and Plunket. Quartet 103 + + 12. "Let's be off then, in a hurry." Lady Harriet, Nancy, + Sir Tristan. Trio 109 + + 13. "Come, can you tell me." Tristan and Chorus of Courtiers 112 + + 14. "All we ladies of the court." Ladies' Hunting Chorus 116 + + 15. "Gay of heart, I have not known how to weep." Nancy. Aria 120 + + 16. "O when she rose fair on my sight." Lionel and Chorus 125 + + 17. "How audacious, rude and daring." Chorus and principals 129 + + 18. "Heaven forgive this cruel scorning." Lionel, Lady + Harriet, Nancy, Plunket and Chorus 137 + + 19. "When I first that hand did claim." Lionel and Lady + Harriet. Duet 145 + + 20. "Now the April days returning." Lady Harriet and Lionel. + Duet and Chorus 152 + + + + +MARTHA + + + + +ACT ONE. + + +(LADY HARRIET, _maid of honor to the queen, has grown listless and + pale, refusing to join in the court revels._ SIR TRISTAN, _an old + knight, makes love to her; she will have nothing to say to him, + and only asks to be let alone. She is tired of her conventional + life, and longs for some new and strange adventure. The curtain + rises on her richly furnished boudoir._ LADY HARRIET _is lying + listlessly on a couch or arm chair, before her dressing table._ + NANCY _is putting finishing touches on her mistress' toilet. The + ladies in attendance are grouped near the door in center._) + + +NO. 1. + + CHORUS. Bright as are the stars of heaven, + Sweet as any April flow'r, + Gay of heart, of gentle bearing, + Bless'd with beauty's radiant dower, + Why so sad and pale with languor + Grows thy face, O lovely maid? + Why our friendly circle shunning, + Dost thou sigh alone, + As were some dawning joy delayed? + Every splendid gift of fortune, + All that riches can impart, + Waits upon the maiden's pleasure, + Nothing wins her heart. + +(NANCY _takes a bouquet of flowers from one of the ladies and offers + it to_ LADY H.) + + NANCY. See these flowers Sir Tristan sent. + + LADY HARRIET (_pushing flowers away_). + I've no heart for lovers' folly, + Every pleasure is at end. + + CHO. Bright as are the stars of heaven, etc. + + NANCY. Every splendid gift of fortune, etc. + + LADY H. Ah, there's naught can win my sad and weary heart. + All your words are vain. + +(_Ladies in waiting leave stage._) + +(NANCY _holds hand mirror before_ LADY H.) + + +NO. 2. + + NAN. Every heart with love inflaming, + You the Queen's gay court adorn, + Tho' from all a tribute claiming, + Think not love alone to scorn. + Pastimes for your pleasure framing, + We all labor night and day, + Sorrow still your soul is weighing, + All your thoughts to sadness bend, + If I fail in grief allaying, + In its spring your life will end. + + LADY H. On my heart 'tis preying, (_she sits up_) + Love, wealth, fame, not weighing, + In its spring time my life will end. + There's naught that charm to life can lend. + +(LADY H. _lies back languidly_.) + +FOOTMAN (_enters, speaks_). Sir Tristan of Mickleford, + Member of the House of Lords, Knight honored-- + +LADY H. (_interrupting_). We'll spare you the rest. + +(_Enter_ SIR TRISTAN _with flowers. Bows to the ladies, presents + flowers, which_ LADY H. _looks at carelessly and drops on table + beside her. He is an elderly beau very precise in manner. A few of + the ladies return, stealing on the stage to watch the scene, + remaining at rear._) + + +NO. 3. + + TRISTAN (_sings_). Lovely cousin, I implore you, + Hear my suit and do not chaff. + I would say that I adore you-- + + LADIES (_near door_). He's too civil, though, by half, + He would make a mummy laugh. + +(LADIES _leave stage again one by one_.) + + TRISTAN. Dare I ask you-- + + LADY H. Don't be foolish. + + TRIS. Dare I ask it you--O dear! + Would you deign--disdain--an offer-- + + LADY H. For my hand-- + + NANCY (_aside_). To box his ear! + +(LADY H. _laughs aside with_ NAN.) + + LADY H. Ah, Sir Tristan, he at least can make me smile! + + NAN. Ah, Sir Tristan, he at least can make her smile. + + TRIS. O, see already she is smiling, + Happy omen, well I know, + O, if mine could be this treasure, + Happy man were I, that's so! + + LADY H. Ah, he can all my woe beguile. + What a funny old beau, Ah! + A funny beau. + +TRIS. (_speaks_). Fair Cousin, may I ah--dare hope that you--er--will + so far condescend to me--uh--uh--as to go for a walk in the park? + +LADY H (_indifferently_). Go fetch my fan! + +TRIS. (_brings it._ LADY H. _fans violently_). Would it amuse you + to--er--er--let us say--go out for a row on the river? + +LADY H. (_ignoring him, glances round_). It seems very chilly here. + Shut the window--there's a good man! + +(TRISTAN _shuts it, trots back to her._) + +TRIS. (_rubbing his hands_). Shall we go hunting, perhaps? It's a + capital day for it. + +LADY H. (_fans herself violently again_). O, how close it is! + Air--give me air! Open the window. + +TRIS. Why, I just closed it, at your command. (_Stands with + hands spread out in comical dismay._) + +LADY H. (_impatiently_). Open it, open it--don't you hear? + Quick, air! (_very affectedly_). + +(TRIS. _runs, trottingly, to open the window._) + +NAN. (_aside_). My lord is running for the prize. + +(_Here the song of the servants bound for Richmond fair is heard outside._) + + +NO. 3a. + + CHO. (_singing_). Hither come, linger not, + Fate a home shall allot; + She who works and not shirks, + Finds her fun, when 'tis done. + + LADY H. Hear them sing! + + CHO. Hither come, take your pick, + We will serve through thin and thick, + Masters kind, come and bind, + If we find you to our mind. + + NAN. It's quite amusing! + + TRIS. Nonsense! you must be mad. + + NAN. You do not find them funny? + + TRIS. Servants ignorant and bad. + + LADY H. Ah, but they are gay and happy! + + NAN. O, the bound girls, I now remember! + This is Richmond market day. + Where the servants, flocking yearly, + Seek new masters, better pay. + + TRIS. Stupid custom! + + NAN. But 'tis an old one. + + LADY H. (_goes to window_). I might join them. + What a thought! + How I'd like to go among them, + See such curious prizes bought! + + TRIS. What a notion! What folly's this? + + LADY H. Nancy, get the peasant costumes ready + That we wore at the fancy dress ball. + +(NANCY _is busy at chiffonier at one side. Tosses bright colored + kerchief out._ LADY H. _picks it up and throws it over her head as + the singing goes on._) + + TRIS. You'd degrade yourself like this? + + LADY H. Just amuse myself, that's all. + Hurry Nancy, we must run, + Now at last I'll have some fun! + Martha (_curtseys_), Nancy (_curtseys_) and--old John! + +(_Tosses her kerchief over_ TRISTAN'S _head, blinding him._ TRIS. _is + bewildered, kerchief hanging over one eye._) + + TRIS. Who is John? What old John? + + LADY H. Who but you? + You are old John! + + TRIS. I? I old John? + No that's too much. + +(_Snatches off kerchief and throws it down._) + + LADY H. Sir Tristan, whene'er the fair we woo, sir, + With caprices we comply, + Else we see tears fall in showers, + See, dear John, these charming flowers-- + +(_Gives him flowers from his own nosegay. He kisses her hand, puts + flowers in coat._) + + LADY H. Take them, nor my prayer deny! + (_lifts skirt at side and dances a step_). + With the village people dancing, + Nancy's partner you're enroll'd. + + TRIS. No, in sooth I'm far too old. + + LADY H. Stuff! In spite of years advancing, + Man can do all, if he's bold. + + NAN. (_drags him about stage dancing_). + This way, that way, loosely hopping, + Each one jigging as he can, + Lumb'ring, stumbling, never stopping, + Mighty maze without a plan. + + TRIS. Then, I must-- + + LADY H. I command it! + + TRIS. But no, I can't. + + LADY H. Your paces show! + + TRIS. But my rank,-- + + NAN. How well you stand it! + That's well I vow. + +(_They all dance and the ladies sing la-la-la._) + + LADY H. Danced superbly! + + NAN. What a figure. + + TRIS. I shall soon be out of breath. + + NAN. Come, more vigor! come, more vigor! + + TRIS. This I'm sure will be my death. + + LADY H. AND NAN. Come, old John, come, old John, + 'Tis we who ask, so come along. + + TRIS. This is too much! I, old John? What I? + +(_All run off stage dancing_, TRISTAN _between the two ladies, who + drag him._) + +_Curtain._ + + + + +ACT TWO. + + +(_Curtain rises on Richmond market place. Stall around sides of stage + and back. In foreground, tables and benches; side show of some + funny sort. Tents at one side. Country folk walking about, + farmers and wives._) + + +NO. 4. + + CHO. Come, O maidens fair, + Yes, come, but come with cheerful looks! + Handsome is as handsome does, + The rule that suits our books. + Hasten, hasten, cheerful maidens, + Do not linger on the way, + Soon the Hiring Fair will open + And advancing is the day. + Done! once the bargain is agreed to + Neither can undo it. + Done! faithful servants, kindly masters, + Neither then will rue it. + Neatness is the best of graces, + Smooth of hair come every one; + In a row all take your places, + Soon the choosing will be done. + If you'll be but quick and neat + And try to do your best, + You will find a happy home, + And the pay of your deserving. Come! + Find a home, yes, come. + +(_Enter serving maids, arm in arm. Farmers go to meet them._) + + SERVANTS' CHO. Hither come, linger not, + Fate a home will allot, etc. + + FARMERS AND WIVES. Come this way, don't delay, + We have waited you many a day. + + SERV. Oh, not now, but tomorrow, + We are tired, we are shy. + + FARMERS. Handsome is that handsome does, + The best rule that ever was. + +(_Farmers and wives try to bring servants into a line forward on + stage. The servants hold back._) + + SERV. Since the day how we have run, + Now we shall know, + Just where each girl is going to go. + Now our journey's o'er and here we rest with you at last, + After many a mile so long and lone is over past. + +(_Servants scatter about stage, some lying down as if to rest, as_ + LIONEL _and_ PLUNKET _enter. They come on talking._ PLUNKET _is + dressed as a peasant farmer and carries a whip. Lionel is dressed + as a gentleman, but plainly._) + +PLUNKET. Here is a jolly howdoyoudo. What a clatter they make! + The farmers are all going to engage servants for the coming year + out of this crowd of chattering hussies. It is a good thing to + take your time to choose, though, for once the bargain is made + you have to stick to it for at least a year. What do you say, + Lionel? Have you picked out your Betsy Ann? + +LIONEL. Betsy Ann--what do you mean? (_He speaks absently, + slowly, and his demeanor throughout is one of dreamy abstraction. + He is very grave and pensive, altogether a young man who would + be likely to take a love affair very seriously and perhaps lose + his mental balance temporarily over it._) + +PLUN. I mean our serving girl. You know mother put it in her will + that we must keep up the farm together. So now like two good + housewives we must fly around and choose a maid. Her name may + be Sally or Katy or Jane, but I shall call her Betsy Ann! + (_Laughs._) + +LIO. I shall always remember your dear mother and be grateful. + +PLUN. Yes, she was a good woman and a good mother, aye, a good + manager, too. She knew how to make the maids attend to their + work. + +LIO. But she was kind. She was always so kind to me. + +PLUN. Yes, she loved you. If you had been her own child she could + not have tended you more anxiously. You were a mere baby when + your father died and left you in our care. No one could help + trying to make up your loss to you, somehow. If I'd a mind I + might have been jealous of you. I was always the one who got + the scoldings. I suppose mother owed them to me, for I was her + own naughty boy! + +LIO. You have always been a real brother to me, Plunket. No + helpless child could have had a happier fate than to find home + with you. + +PLUN. You had no one but mother and me, old chap, don't you see? + What else could a fellow do but try to keep you heartened up a + little? (_Laughs with some embarrassment._) + +LIO. And yet even now we do not know who I really am. We shall + never know, unless some day my father's ring (_lifts his hand_) + may serve to clear up the mystery at last. (_Sings._) + + +NO. 5. + + LIO. O'er my life from boyhood tender, + You have watched with sheltering care, + You your all would fain surrender, + With the orphan child to share. + You fulfilled a father's duty, + When he left me to your love, + Ah, he heard my mother calling, + Heard her call from heaven above. + + PLUN. Nor his rank nor name he told us, + Nor the secret dar'd unseal (_touches_ LIONEL'S _hand_), + This his ring one day shall tell it, + All the mystery yet reveal. + On your finger when he placed it, + "This may change his fate," he sighed, + "This my ring the Queen will honor + Should misfortune e'er betide." + + LIO. Brother mine, 'mid courtly splendors + My vain longings ne'er shall rove, + Ah, no light on earth allures me, + Save the tender glow of love. + No strange joys I'd earn for yonder, + Peace and sweet content are here, + 'Mid the fields are simple pleasures, + Calm affection, tried and dear. + +(_A bell from the village church gives the signal for the fair to + begin. Sheriff enters pompously, the farmers and wives and + servants flock after him. He is dressed in wig, hat and robe. + He has a staff of office. A girl is pushed against him in the + crowd. He waves her back majestically, at arm's length and + speaks._) + +SHERIFF (_speaks_) Let the rabble stand back. Room for the majesty + of the law. Ahem! + +GIRL (_speaks pertly_). My, ain't he the big wig, though! (_Tweaks + at his wig from behind and pulls it partly off. His hat falls + off. She picks it up and runs._) + +SHERIFF. Ouch! (_Grabs at wig with one hand and runs after the girl, + shaking his staff at her. Another girl gets in his way; they + dodge back and forth, till she puts her two hands, one each side + of his face and tries to kiss him._) + +GIRL (_speaks_). There, there, old gentleman, don't feel so bad + over a bit of our fun! + +(SHERIFF _ducks to avoid kiss and leaves wig in her hands_. _He runs + wildly about stage, clutching alternately at his bald head, and + at the wig, which the girls toss back and forth, while he tries + to snatch it. Finally one of the farmers catches it and restores + it to sheriff. He puts it on and some one brings him his hat._) + +FARMER (_speaks_). Young hussies, you must do better than this when + you get to working for us. Behave yourselves, now! + +SHERIFF (_much distressed, almost weeping with rage_). I bind you all + over to keep the peace on penalty of 10 shillings fine. (_Pounds + with his staff._) Does the majesty of the law mean naught to ye? + Silence (_they laugh_), you low bred populace. But what can one + expect from populace? Pah! They are beneath my notice. (_Looks + scornfully at them while music begins. A girl laughingly sticks + out her tongue at him. He glares at her. She does it again. He + looks hastily away and then back. She throws him a kiss, and all + the rest follow suit. He scowls, but his face gradually softens + into a smirk. The farmers drag the girls back into a line. + Sheriff unrolls a parchment, that he takes from pocket of his + big gown. He sings._) + + +NO. 6. + + SHERIFF. We, Anne, Queen of England, greet ye! + (_Snatches off his hat, farmers do the same._) + Bonnets off, and mine likewise. + I no ceremony spare! + We hereby do recognize + Ev'ry contract good and sound + Made in Richmond market bound; + Every lass who here is hired, + Dating from this very day, + Till the year is full expired, + Must with her new master stay. + If he pay the money down + The bargain cannot be undone. + Have you heard? + + CHO. We know, sir, it is so, sir. + + SHER. Now you stand up in a row. + +(_Servants stand in line; he arranges them._) + + Tell us, Moll, what you can do. + +(_One maid steps forward a little, bobs a curtsey._) + + 1ST MAID. I can darn, sir, I can sew, sir, + I can milk and I can mow, sir. + I can bake and mend and make + And garden beds I can weed and rake. + + 1ST FARMER (_steps forward_). All for just four pounds a year. + Well, at that she is not dear. (_Takes girl one side._) + + SHER. (_to next girl_). Now, my lass, what can you do? + + 2D MAID (_curtseys_). I can mend, sir, sew a button, + On old socks new feet can put on, + I can roast and boil and stew, + Can churn and chop and also brew. + + SHER. Five pounds a year, + 'Tis for a song, now! + + 2D FARMER (_steps up and leads her aside_). + Here's my hand, done! Come along! + + Sher. Come, it's your turn now to speak. + + 3D MAID (_curtseys_). I can clean, sir, I can scrub, sir, + I'm a good one at a tub, sir, + Yes, to every sort of work, + My hand I turn and never shirk. + + SHER. Kitty Bell and Johnny Snell, + And Nelly Browne and Sally Towne. + + CHO. OF SERVANTS. How to care for babes I know, sir, + Bless 'em, I do love 'em so, sir, + I can take the cows to graze, sir, + And of poultry know the ways, sir; + I can bake and boil and brew, sir, + I can sew on buttons, too. + + MEN. I'm accustomed pigs to keep, sir, + Also, horses, cows and sheep, sir, + Pork and beef in brine I steep, sir, + Yes, and do the mowing cheap, sir; + I can dig a garden bed + And make a cabbage grow a head. + Ha, if you pay the cash, + We'll work just like a flash. + Ho, it's very clear, + All settled for a year. + Ho, now the deed is done, + We'll work like fun! + +(_The servants flock around him as they sing and gather closer and + closer till he puts his hands over his ears and tries to get away + from them. They crowd around and sing into his face and over his + shoulders._) + +SHER. _(with hands at ears_). Stop your cackling! You'll make me + deaf! + +FARMERS. We are ready to choose, but one at a time, please. + +(_Girls drop back into line; farmers move about among them_, + LIONEL _and_ PLUNKET _also, as if bargaining with them_. _Enter_ + LADY HARRIET, NANCY _and_ TRISTAN _in peasant costume_.) + +LADY H. Come on, John! Courage man! Nobody's going to hurt you! + +NAN. Come, friend John! Don't look so scared. We'll take care of you! + +TRIS. John? O, im-pos-si-ble! O, pre-pos-ter-ous! I don't like this + one bit. It is most unseemly. Yet--where beauty leads, love fain + must follow. + +LADY H. How gay they all seem! They at least are happy. + +TRIS. I know I am not! I never felt less jolly before (_plaintively_) + in all my life. (_Aside._) I feel as if I were going to cry. + (_Face works._) + +(PLUNKET _and_ LIONEL _approach the three and stand at a short + distance, gazing at_ LADY H. _and_ NANCY.) + +PLUN. Jove! There's a brace of darlings! + +LIO. Yes, they are very pretty girls. + +PLUN. Rather slim built for hard work, though. + +LIO. They might do house work? + +PLUN. Yes, they might serve indoors. I don't know--(_pauses_) + +TRIS. See those clodhoppers! How they stare at you. O, do be + persuaded to leave this horrid, horrid place. + +LADY H. _and_ NAN (_together_). No, indeed. We like it and we are + going to stay. + +TRIS. I think those fellows are very suspicious looking characters. + A pair of rogues. Let's go (_urging them by taking their arms_). + +LADY H. I'm not under your orders, sir. It is my pleasure to stay. + I'll do exactly as I choose! + +TRIS. Well, I wash my hands of all responsibility. Don't say I + didn't warn you. + +NAN (_sees that_ PLUNKET _and_ LIONEL _are watching her_). Those + lads have an eye for a good thing, though. (_To_ TRISTAN.) + We'll take all the blame. No one shall say that you led us + into mischief, poor dear! + +LADY H. Yes, cousin, you are exonerated. Whatever happens, be it + upon my own rash head. But I will not go! (_Emphatically._) + +PLUN. (_overhears last words_). You hear, sir? She will not go + with you. Don't annoy the girls any further. (_To girls._) + Call on us if he bothers you. (_To_ TRIS., _who looks daggers_.) + But cheer up! There are plenty more maids yonder. Hi, girls + (_turns to the servants_). Here's a chap wants a good maid, + and he looks as if he could pay well, too. + +TRIS. Oh! what a beastly joke! He's taking liberties with me! + (_He looks scared and affronted._) + +(LADY H. _and_ NANCY _laugh together over_ TRISTAN'S _plight as the + girls come forward and surround him_.) + +ALL (_chattering_). I can mow, I can sew, I can reap, I can sweep, + I can bake and make, I can boil and stew, I can churn and + brew! (_All speak different lines from the part just sung and + make a great clatter and confusion._ TRISTAN _dodges among + them and runs off, the girls following him_.) + +LADY H. He has taken refuge in flight! + +NAN. Let's hope he won't forget us. + +LADY H. (_nervously_). See those men. They are still looking at us. + +NAN. They seem to have taken a fancy to us, that's plain. + +PLUN. (_to_ LIONEL). One of them would be just what we want, I + think--the younger one, now. (_Nods at_ NANCY.) + +LIONEL. It would never do to separate them. See how shy they are. + +LADY H. (_to_ NANCY). That one seems quite bashful, doesn't he? + I wonder how such peasants talk? + +NAN. Bad grammar, for one thing. + +PLUN. (_to_ LIONEL). What are you afraid of? Go speak to them. + +LIO. I'm afraid to. + +PLUN. Silly noodle! Just watch me. (_Advances boldly as if to speak + to the ladies, stops suddenly and goes back._) + +NAN. The big one is dumb, too; aren't they stupid! Let's go. + +LADY H. (_turns to follow_ TRISTAN). I suppose we'd better-- + (_Hesitates and looks back at the two men._) + +PLUN. We must not let such a chance slip. Servant girls like those + are not found every day. I have taken a fancy to that big one + and I don't mean to let her get away. Courage, Plunket! (_He + advances again, again hesitates, and snapping his fingers at + himself, advances and speaks._) Wait a moment, girls! We've + decided we like you. If you're as smart as you look you can + have a good place with us for years. + +LIO. Yes, for years and years! + +LADY H. You mean as your servants? + +PLUN. Of course! What else? + +NAN. (_laughing_). Ha! ha! ha! what a joke! + +LIO. What is there to laugh at? + +PLUN. So long as they do their work, the more they laugh, the + better. + +LADY H. _and_ NAN. Work! We! + +PLUN. (_to_ NAN.). I'll give you the care of the geese and pigs and + chickens. (_To_ LADY H.) You shall have charge of the + garden--weed it, and gather potatoes and corn. + +LIO. O come! that's too hard for her. Let her do housework-- + +PLUN. And darn our socks and mend our shirts? Very well. We'll + pay you fifty crowns a year. For extras there'll be a pint of + ale on Sundays and plum pudding on New Years. + +LADY H. Who could refuse such a tempting offer? (_Laughs._) + +NAN. Now I know what I am worth, at last! (_Laughs._) + +PLUN. _and_ LIO. (_eagerly_). You agree? + +LADY H. _and_ NAN. Yes! yes! We agree! (_They shake hands._) + +PLUN. It's a bargain! Here's the money down! + +(LADY H. _and_ NAN. _each put the money in their purse, laughing + together_.) + + +NO. 7. + + LADY H. _and_ NAN. (_sing_). + + See what grace they show in mien and bearing, + Of our sport, I'm bound, I say, to see the end; + Money's paid and we must keep our bargain, + Men so courteous never will offend. + + LIO. _and_ PLUN. + + Two young maids so well set up and charming, + Ne'er was city girl that equalled these of mine; + They are jewels, pretty, kind and cheerful, + Faith, I'll tell them so, and lose no time. + +(_At close of quartette_ TRISTAN _comes back to stage, evidently + exhausted and much dishevelled; the servants follow him and + again surround him_.) + +TRIS. Oh, I thought I had eluded them! Leave off! Here's money! + ( _Throws a purse._) Plague on your crazy pack! (_The girls run + to divide the money._) Ho! what is this? (_He advances toward_ + PLUNKET, _who has hold of_ NANCY'S _arm_.) You forget yourself! + Forbear! + +PLUN. Who are you? What do you want? (_A tussel threatens between + the two men._ TRISTAN _backs down, afraid_.) + +LADY H. There, there! it's all right! (_To_ TRISTAN.) We are ready + to go now. (_Takes his arm._) + +PLUN. I'd like to see you! With my money in your purse! You stay + with us! + +TRIS. Fellow! do you know who this is? + +LADY H. (_aside to_ TRIS.) No! no! don't betray me! Think what a + scandal if this got to court! Don't you dare to tell them who + I am! + +NAN. (_aside_). We should be disgraced forever. Rather die than + that! + +TRIS. Well, come, then. It is time for me to insist. I require you + to come with me. (_Tries to lead them off._) + +PLUN. (_interferes_). Not so fast! You belong here. These are my + maids, hired and cash paid in advance! Ask the sheriff! + +SHERIFF (_who has approached during the altercation, after a long + confab with one of the other girls at one side_). Have you taken + the money? + +LADY H. (_draws it out of her purse and flings it at_ LIONEL). Yes. + But there it is; I had forgotten it. + +(LIONEL _picks it up and offers it back_. _She refuses it. He + insists._) + +SHERIFF. You took it of your own free will and now it is a bargain. + You are bound to serve for one year. Highty, tighty! Do you + think you can play fast and loose with a master in that fashion? + No, no! Bound you are to him and with him you must go! + +(_During final chorus_ PLUN. _drives up his horse and cart and the + two girls are handed into the cart_. _They drive away._ TRISTAN + _tries to follow, but is restrained by the crowd. If the horse + and cart cannot be had, the two girls may dodge about among the + crowd, the men following them, and run off at last, the men + chasing them_.) + + +NO. 7a. FINALE. + + CHORUS. + + Now our journey's o'er and here we rest with you at last, + After many a mile so long and lone is over past. + + +(_Curtain._) + + + + +ACT THREE. + + +(_The third act opens in the great hall of the farmhouse of_ LIONEL + _and_ PLUNKET. _At one side of stage at back is an outside door; + on the other side, a window with bench in front of it. Another + door is on the left. There are several chairs. A flight of stairs + goes up from the right side, back corner. Two spinning wheels + stand at rear, and farm tools hang about the walls._ + +_During the instrumental prelude the outside door opens and the two + men_, LIONEL _and_ PLUNKET, _enter, inviting the girls_, LADY H. + _and_ NANCY, _who are behind, to come in. They come in slowly, + hesitatingly, half afraid._) + + +NO. 8. + + PLUN. _and_ LIO. (_sing_). + Come in, my pretty maidens, + We've reached our home, you see. + + LADY H. _and_ NAN. O, we are in a pretty fix, + We only long to flee. + How safely to escape them + We'll seek from morn till mirk. + + (_Girls sit down_). O, what a shabby dwelling, + O, how they'll make us work. + + LIO. _and_ PLUN. Now, look alive! + Of work don't be afraid. + + LADY H. _and_ NAN. There's no hope, I'm afraid. + We've come to the end of our jest at last. + + +NO. 9. + + PLUN. (_points to door at left_). + + That's the room I mean to give them. + + LADY H. _and_ NAN. (_rising_). + Then good night, then good night. + +(_Starting toward door._) + + PLUN. What's that you say? + First put everything aright. + + LADY H. O, with cold I'm all a-shiver! + + NAN. O, I quake in every member. + + LIO. Both to fainting, seem inclined. + + PLUN. Why, to spoil them you've a mind. + + NAN. This denouement is provoking. + + PLUN. You've not told us your names yet, my maids. + + LADY H. _and_ NAN. We! + + LIO. Yes, obey! + + PLUN. Obey at once, no joking. + + LADY H. Martha is my name. + + LIO. Martha? + + LADY H. (_looks at him_). Yes. + + PLUN. Now, tell yours. + + NAN. (_aside_). Mad masquerading! + + PLUN. Don't you know it? + + NAN. Betsy Ann! + + PLUN. Betsy Ann? I rather like it! + Come here, my girl: lend a hand then, will you, Betsy? + +(_Pulls off his coat and offers it to her._) + + Take my coat and hang it up. + + NAN. Do't yourself! + + PLUN. You lazy hussy! + + LIO. Come, you frighten her by scolding. + Speak more gently, say like that-- + Martha, take away my hat. + +(_Holds it toward her._ MARTHA _stamps her foot, slaps hat out of his + hand and walks up stage_. _He, bewildered, hangs up his own hat._) + + LIO. O, how have I offended? I cannot understand. + Yes, I'm awfully perplexed. + Why should she act so grand? + + PLUN. Ah, what can be the matter? + I do not understand. + Some secret she is screening, + Her manner is so grand. + + NAN. Ah, on my dignity I stand. + They give an order quite off hand! + + LADY H. To tyranny I'll ne'er give in, + We'll fight them now, to win. + He thinks me strange and haughty + But on my right I stand, + Commanding I must withstand him, + Resist his harsh demand. + + +NO. 10. + + PLUN. (_draws spinning wheels to center of stage_). + Come, your task awaits, the whirring wheel and spindle! + + LADY H. _and_ NAN. Set us spinning? We're to spin? + + LIO. Yes, of course. + + PLUN. So begin. + How your claims to skill do dwindle. + + LADY H. and NAN. Ha, ha, ha, spin, sir? + + PLUN. (_imitating her laughter in anger_). + Ha, ha, ha, so set to work and spin your task! + What you here for, may I ask? + Just to hold your hands and chatter? + What's the matter? + + NAN. What a clatter. + + LIO. Pray be calm, now, they're afraid. + + PLUN. Peace! Come, spin! we won't be cheated. + + LADY H. _and_ NAN. How, sir? + + LIO. What? + + PLUN. Come, come. + +(_Places chairs at spinning wheels._) + + PLUN. Be seated. (_They sit._) + + LADY H. _and_ NAN. 'Tis done. + + PLUN. Good! Now then, proceed. + +(_Imitating sound of spinning wheel._) + + Thrum, thrum, thrum. + + NAN. I can't, indeed. + + LIO. Here's the distaff, firmly grasp it (_To_ LADY H.), + 'Twixt your fingers seize the skein. + + LADY H. Must we with wet fingers clasp it? + Turn it? No, I won't! + How so? In vain. + I cannot, I cannot. + Place yourself then at the wheel. + +(_The two girls rise and the men sit one at each wheel._) + + PLUN. We'll make it reel. + + ALL. While the wheel is swiftly spinning + Round it thus the flax is roll'd, + But moistened just at the beginning, + That more firmly it may hold. + See the wheel so swiftly spinning, + To thread the flax is thinning. + +(NANCY _suddenly throws_ PLUNKET'S _wheel over and runs off stage + by back door_, PLUNKET _after her_.) + +(LADY H. _turns to follow_ NANCY. _Speaks._) + +LADY H. Nan--Betsy Ann! O stay with me! Heavens, she's left me! + +LIO. Martha, why are you going? Are you afraid to stay alone with me? + +LADY H. Afraid? Of you? Oh, no. (_Smiles, but still hesitates._) + +LIO. (_aside_). How could I ever have spoken harshly to her? + +LADY H. (_aside_). Where _has_ Nancy gone? + +LIO. Martha, I will never again ask any toil of you, or any service + that you dislike. Martha, I never saw any one before that seemed + to me so pretty and so sweet! Are all girls as lovely as you? + +LADY H. Don't you know? + +LIO. I never noticed a girl before. + +LADY H. (_archly_). Where have your eyes been? + +LIO. Dreaming, I guess. I feel as if I had just awakened to all the + beauty and joy there is in the world! + +LADY H. Alas! and I feel as if I have already learned how shallow + are all earthly joys! (_Pensively._) + +LIO. Poor little maid! You have had too hard a life. Such service + has burdened you with care too soon. Here you will never again + have to labor beyond your strength. I would myself do all + disagreeable tasks rather than require them of you. + +LADY H. Oh, I am a good-for-nothing. I never did a real day's work + in all my life. + +LIO. You must not scold yourself. Martha is my servant now, and I + would not exchange her for a dozen others. + +LADY H. But can you not see that I am not worth my salt? I shall + only be an expense to you. I cannot earn a shilling a week. See + my hands. (_Shows them._) Do they look like useful members? + +LIO. (_takes them in his hands_). So white and soft! Surely never + servant before had such pretty fingers. Not a spot of toil! + +LADY H. And so of course they are of no use to you, and you will + not keep me here any longer. You will let them go--this useless + pair of hands? + +LIO. I cannot let them go! + +LADY H. (_tries to withdraw her hands_). But if I work they will + become hard and stained. I have never been taught-- + +LIO. Never worked before? Then I will teach you and share your every + task. What _can_ you do? + +LADY H. I can sing a little. + +LIO. And you can smile. (_He looks at her; her eyes fall._) + +LADY H. Sing and smile! A working maid must do something more than + that. + +LIO. If you will stay with me here and smile and sing, you shall + see how pleasant you will find it. You shall have no rough + tasks. You shall have only kindness and happiness. You shall + be like a sister in this house. These little hands will dispense + blessing and peace. (_Kisses them._) + +LADY H. (_draws her hands away and walks to the door. He follows._) + Is it thus that masters treat a servant? (_With dignity._) + +LIO. Forgive me! I have forgotten everything. O, would that your + station were different--or mine! + +LADY H. (_turns back_). My station?--(_recollects herself_). But I + am only a serving lass! (_She laughs and returns down stage._) + +LIO. And so you must do what I bid you. I require of you a song. + +LADY H. Oh, I am too shy to sing. + +LIO. (_takes the flowers from her dress_). I'll exchange this nosegay + for a song. (_Music of "Last Rose of Summer" may be played + softly here._) + +LADY H. Ah! you jest. + +LIO. No, I command! + +LADY H. (_coldly_). Command, sir? + +LIO. Nay, I entreat (_kneels, laughingly_). + +(LADY H. _takes one of the flowers he offers, and plays with it as + she sings_. _He puts the other flowers presently into the breast + of his coat._) + +LADY H. Ah, your entreaty I cannot withstand. (_Sings._) + + +NO. 11. + + LADY H. (_sings_). 'Tis the last rose of summer, + Left blooming alone; + All her lovely companions + Are faded and gone. + No flower of her kindred, + No rosebud is nigh, + To reflect back her blushes + Or give sigh for sigh. + I'll not leave thee, thou lone one, + To pine on the stem, + Since the lovely are faded, + Go sleep thou with them. + Thus kindly I'll scatter + Thy leaves o'er the bed, + Where thy mates of the garden + Lie scentless and dead. + + (_Aside._) His eyes betray he loves me, + Spite my lowly seeming lot, + My rank I must remember, + Ah, would 'twere all forgot. + His heart is true and loyal, + Tie me her loves alone, + O, would I were the lowly maid + He longs to make his own. + + + LIO. All my proud rank forgetting + For the maid I love alone, + I'd lift her from her low estate, + And make her all my own. + +LIO. (_speaks_). Martha! + +LADY H. Master! + +LIO. My heart can no longer be denied. I have loved you from + the first moment I saw you yonder at Richmond market. Martha + (_takes her hand again_). + +LADY H. Ah, no, no! (_Turns her face away._) + +LIO. Love at first sight! First love at first sight! + +LADY H. No more, no more! Oh, be silent! + +LIO. Martha, I shall never love woman but you. (_Puts his arm + around her._) + +LADY H. (_tries to escape_). Oh, I must go, I must go! (_Pulls + away._) + +LIO. Stay and hear me. Stay--and be my wife!-- + +LADY H. Oh, what is he saying? + +LIO. See, I am at your feet--in earnest now! (_Kneels._) + +LADY H. (_aside_). Oh, how can I elude him? (_Begins to laugh._) + Don't think me heartless, but really (_affectedly_) to see you + kneeling there is so funny! + +LIO. But when we are married all difference of birth and station + will be wiped out; you will forget that you were once my + servant; you will have in me forever a slave! + +LADY H. (_is touched, and then begins to laugh hysterically again_). + Ha! ha! ha! This is ridiculous! If you only knew how funny you + are! + +(PLUNKET _runs on dragging_ NANCY. LIONEL _rises and_ LADY H. + _runs toward_ NANCY _whom_ PLUNKET _swings on to the stage_.) + +PLUN. There, my girl! Don't you try that game again! Where do you + suppose she was? the vixen! In the kitchen, smashing dishes, + bottles, glasses, everything she could lay her hands on! She + made me look lively, too, before I caught her. My eye! + +NAN. If you don't let me go, I'll scratch it out! + +PLUN. (_releasing her_). Jupiter! I believe you would! She has + spirit. I confess I like to see it. + +NAN. Martha, Martha, what are we going to do? (_Twelve o'clock + strikes slowly as they speak._) + +PLUN. Pooh! What ails you now? My patience is worn out! Get to bed, + you idle baggage! You are a hard case, that's easy to see. + +(_Quartet follows._) + +LADY H., NAN., PLUN. _and_ LIO. Midnight chimes sound afar! + + LIO. If the maid her love refuse me, + Yet I pledge my faithful heart, + In her glance faint hope is smiling, + Bringing comfort ere here we part. + + NAN. Of our foolish prank I'm weary, + Tho' in play 'twas fain begun; + Yet our childish trick is working + Pain and sorrow to every one. + So good night! + + PLUN. Now good night and sleep in quiet, + Tho' you're fractious I am kind, + Naughty girls to work must settle, + Learn to mind. + Now good night, good night. + + LADY H. That to wound his heart I'm fated + Fills my heart with pity and pain, + Ah, our mad caprice is working + Pain and sorrow, all in vain. + + LIO. Though her love she refuse me, + Yet I pledge my faithful heart, + So good night, good night! + +(_Girls go out and close door, before orchestral ending. Then the men + retire after locking the outer door. Girls open their door again, + peep out, run back, and shut door, etc.; then come out again, + watching with finger on lips for interruptions. They speak._) + +LADY H. Nancy! + +NANCY. My lady. + +LADY H. This is our chance. + +NANCY. What shall we do? + +LADY H. What do _you_ say? + +NAN. Can we escape so--all alone? + +LADY H. We are locked in, besides. + +NAN. What an awful time we are having! + +LADY H. Awful day--aw-ful-ler night--the day was bad, but this is + worse. We _are_ in a scrape! + +NAN. Still--those fellows might be worse! (_Looks at_ LADY H. + _slyly_.) + +LADY H. (_with dignity_). They are well meaning. + +NAN. (_archly_). And polite. + +LADY H. If the Queen should hear of it! + +NAN. Good bye us! + +(_A noise is heard outside at window._) + +LADY H. (_grasps_ NANCY _and they run across stage to their door_). + What is it? O who is coming? + +NAN. Steps--a voice--help is near! + +TRISTAN (_outside whispers loudly_). Cousin, cousin! + +LADY H. Tristan! O joy! O horrors! + +NAN. What will he think? + +LADY H. He will scold us--and we deserve it. But he will save us! + +(TRISTAN _enters through the window which girls help him open_.) + +TRIS. Yes, here I am, faithful still. Cousin. (_Looks around._) + What a vulgar habitation! That I should live to see you in a + place like this. (_Shudders._) + +NAN. Hush! You'll wake everybody up. + +LADY H. Don't stop to preach. Just go. + +TRIS. I have a carriage at the corner. Come, make haste. + +(_They tiptoe about and sing._) + + +NO. 12. + + LADY H. _and_ NAN. Hasten then, to fortune trust our lot, + Fare thee well, thou humble cot. + 'Tis our only chance to fly, + We'll not stop to say good bye. + + TRIS. Let's be off now in a hurry, + For their anger we'll not worry, + 'Tis your only chance to fly, + We'll not stop to say good bye. + +(_As the curtain falls they have all three climbed out of window._) + + +_Curtain._ + + + + +ACT FOUR. + + +(_A forest. A small inn at left._ PLUNKET _and several of his farm + hands discovered sitting at table_. PLUNKET _rises and sings his + song, the men joining in chorus_.) + + +NO. 13. + + PLUN. Come, can you tell me, read me the riddle, + What to our lordly British name + Gives power and fame--Come, say? + Ha, 'tis old porter, brown and stout, + None that is like it round about, + The Briton's pride, he'll aye confide, + In porter's power, whatever betide. + + Yes, hurrah, hurrah for old English ale, + The friend in need who can never fail, + Hurrah,--tra, la, la, la, la, la! + + Listen my lads and tell me truly + What in our land you most do prize? + What's worth your eyes? Come, say? + Ho! 'tis your nut-brown foaming beer, + See how it heaps the beaker here-- + The Briton's pride, he'll aye confide, in porter's power, + whatever betide. + +CHO. Yes, hurrah! hurrah for the old English ale, etc. + +(_At close of chorus after_ PLUNKET'S _song, horns are heard + outside,--the opening strains of the next number. When it stops, + at end of second brace, he speaks._) + +PLUN. Aha! the hunt is up. They told me the Queen would hunt today. + +ONE OF MEN. Yes, with all her ladies. No doubt the men-folk will + follow, too! + +PLUN. Start along, you, then. I'll go in and pay the score. + +(_Men leave stage_, PLUNKET _enters the inn_.) + +(_As music begins again the court ladies run on in hunting costume. + They wear short walking skirts, caps and high boots, perhaps, and + all carry long spears._ NANCY _is with them_. _She carries a + whip instead of a spear, and wears a long riding habit draped + up over high boots._) + + +NO. 14. + + CHORUS. All we ladies of the court + Are lovers of sport of every sort; + Every hunting cry we know, + As hark tally ho, view tally ho! + We can handle dart and bow, + O yes, we can dart after a beau; + We can shoot and ride and row, + Can play at ball, dance at them all; + With rings and things we prancing go, + Ho ho! and tally ho! we know, + And how to catch a beau! + +(_Girls stroll about stage and sit at table._ NANCY _comes forward + alone_.) + + +NO. 15. + + NAN. (_sings_). Gay of heart, I have not known how to weep, + How to be sorry and wan; + Vigil to keep. + Yet alas, sighs are my portion and pain, + Tears that flow ever in vain, + Hindering sleep. + There's a voice speaks in my heart night and day, + What is the word soft it would say? + Ah, voice of love so true and deep, + Ah, soul of faith my answer keep. + Memory still calls one face to my heart, + O light of my life forever thou art; + O voice of love so true and deep, + Face so dear, light of my heart + Forever thou art. + +(_She turns to the others who gather round her._) + + NAN. Hunters fair, now beware, + Lest you fall into a snare. + Haste away, don't delay, + Lest you lose your pretty prey. + Love's a sprite soon takes flight, + Chance and change are his delight; + Use your eyes, win the prize, + Ere too soon he flies. + Love's a hunter, too, they say, + Draws his bow, alackaday! + Hit, we're fain to bear the pain, + Flight is vain. + + CHORUS. Yes, Cupid blind, + Thy darts are swifter far than wind. + +(_At end of chorus_ PLUNKET _re-enters from the inn_.) + +PLUNKET. Halloo! There seems to be good game afoot here. I'll see + if I have any luck at the chase myself! (_Walks towards the + ladies._) + +NAN. (_looking around_). Where can Lady Harriet be? She seems to + avoid society more than ever. She is very unhappy, and has been + so ever since--(_addresses_ PLUNKET) My good man, can you tell + me--(_stops in agitation_) + +PLUN. What, Betsy Ann! You? In these togs! + +NAN. (_distantly_). Well, my good man, what is it? + +PLUN. I am not your good man! But you are my bad maid! Just you + wait! I'll make you pay for all the trouble you've given me. + What are you doing here in this masquerade? + +NAN. Are you crazy? + +PLUN. No use to pretend! I know you. Come along home with me! + +NAN. (_shrieks as he seizes her wrist_). Help! Help! + +PLUN. What a wicked little hussy you are! + +NAN. What an impudent big clodhopper you are! + +(_The ladies turn back towards_ NANCY.) + +NAN. Here is game for you, girls. Let's see how he will like your + spears! + +(_Ladies surround_ PLUNKET _and threaten him_.) + +CHORUS (_speaking all together_). We'll give him a taste of our + spear points! He won't bother her long! At him, now! There's + safety in numbers! (_Repeating._) + +PLUN. Gently, gently--Hold on! This is turning the tables in good + earnest. Ouch!!! Those remarks are a little too pointed for me. + (_Dodges._) I never expected to see myself run from a woman, but + here goes! (_He runs off, the ladies after him, shouting + incoherently, as above._ NANCY _enters inn_.) + +(_Enter_ LIONEL. _He looks more absent-minded and dreamy than ever. + He seems dejected and ill. Murmurs to himself._) + +LIO. I will detach thee from thy frail trembling stem. O thou + lovely rose of summer, thou shalt lie upon my heart, forever + more! (_Takes withered flower from his breast and kisses it, + then looks around him._) + +Where am I? I feel that I am near her. Martha, Martha! thou + star of my heart! I see her before me, with her beautiful pure + smile, radiant in youth and sweetness. O Martha, I feel thee + near! (_Sings._) + + +NO. 16. + + LIO. O, when she rose fair on my sight, + Radiant, lovely, like dawning light, + Flow'd all my heart forth to her own, + Tribute to beauty bright. + Joy reviv'd and my thought + Sang like woodlands after rain, + Hope for me shone again, + Lighting all my hours of pain. + Gladness made all my heart + Bright as meadows pearl'd with dew, + For I dream'd love's sweet dream + Ever old, yet young like dawn + And ever new! + + O, when she rose, fair on my sight, etc. + Martha, Martha, must I lose thee, + Life has naught can peace restore! + Thou, my comfort, peace and pleasure, + Reft of thy sweet looks I die! + +(_At the close of his song_ LIONEL _goes to the back of stage and + stands alone_. SIR TRISTAN _and_ LADY HARRIET _enter_.) + +TRIS. The ladies are all out of sight. Why did you leave their + company, fair cousin? + +LADY H. (_pointedly_). Because I wished to be alone! + +TRISTAN. To remain alone--with me? + +LADY H. With you?--(_laughs a little_) Alone or with you--it's + quite the same thing!--I am low-spirited, that is what I mean. + I don't want to see anybody. + +TRIS. What should make you so sad? + +LADY H. I am sure I know no more than you about it. It is a mystery + even to myself. + +TRIS. But to remain alone in this secluded spot--is it quite--er--you + know-- + +LADY H. But it is exactly what I want. Good bye! + +TRIS. But I will soon return--soon--soon--(_looks back anxiously + as he goes_) + +LADY H. Oh, it is so good to be alone, with only my sad memories + for company! But if _he_ were only here--this loneliness were + sweet. + +LIO. (_wanders down stage and sees her_). Ah! that voice! + +LADY H. Oh, heaven--what do I see?-- + +LIONEL. A lady?-- + +LADY H. He is here, then--even as I said! + +LIO. 'Tis she--even as I said--Martha, Martha! + +LADY H. O, what shall I do now? How shall I elude him?-- + +LIO. O, Martha, you have come back to me--O, thank heaven, thank + heaven! It is Martha, her very self--Martha, who ran away from + me! + +LADY H. O, how can I bear it! what a tragedy is this! To + find--again--and to lose! + +LIO. Before mine eyes beheld thee, my heart recognized thee-- + +LADY H. Recognized me? Surely you are mistaken, sir! + +LIO. No! Every line of your face is graven on my heart. I cannot + be wrong. It is Martha's voice that I hear. There can be no + mistake. + +LADY H. You are dreaming! + +LIO. If this be a dream, O let me never awake from it! Ah, I + would dream thus forever. Disturb not so sweet a slumber! + +LADY H. O go, I beg you go! + +LIO. No, no. In my dream let me take your hand, as I did once--do + you remember? Let me kiss it--thus--to tell my love. + +LADY H. I can no longer tolerate such gross impertinence. Will + you go, sir? + +LIO. Wherefore this pretence? Why do you disown me? + +LADY H. Hence, peasant clown--begone! + +LIO. I, a peasant? I, your master? Patience is thrown away on you! + I have been too gentle. Now I _command_ you to come instantly + with me! (_Takes her arm._) + +LADY H. Tristan--help, help! + +(TRISTAN _comes hurrying in, afterward followed by the others_.) + +TRIS. What has alarmed you? Speak! + +LADY H. Help me--save me from that fellow! + +TRIS. Who dares to-- + +LIO. My lord, this is my servant, and I have a right to take her + hence. + +TRIS. Listen to the brazen impudence of the fellow! It is really + too horrid, don't you know? It fairly makes me shudder. The + most unheard of audacity--Come here--all of you. (_Summoning + the rest. They sing._) + + +NO. 17. + + CHO. How audacious, rude and daring, + To insult a lady so, + 'Tis a scandal past declaring, + Off to jail the clown must go. + + LADY H. Ah, 'tis agony and rapture, + That he loves me is too true, + I'm consenting to his capture, + O my heart, what can I do? + + CHO. Insolent beyond expression + Thus upon our sports to break, + For his terrible transgression + Signal vengeance let us take. + + LIO. Ah, 'tis agony and rapture, + Thus once more her face to view, + She's consenting to my capture, + Break, then, heart, what else canst do? + +(PLUNKET _enters at close of chorus and sees_ LIONEL _held by men_. + _Sings._) + + PLUN. Hold! Pray tell me what this means? + + LIO. Come, defend me! + +(NANCY _enters from inn_.) + + NAN. What's occur'd? + + LIO. Betsy, too? + + PLUN. Betsy, too. + + NAN. Don't be afraid, my lady. + + LIO. Lady? Now all is clear. + All her charm, her kindly manner + Were caprice and cruel sport + To amuse a lady's leisure hour-- + O, just heaven, how harsh thou art. + + LADY H. Pity for this fellow asking + His free pardon let me crave; + In his brain is madness masking, + That is why his fancies rave. + + CHO. (_starting back_). Madness? Madness? + + LIO. O, what falseness! + + NAN. O, poor creature! + + PLUN. List, I pray. + + TRIS. No, no, away. + +TRIS. (_speaks_). Arrest that madman! + +PLUN. _and_ LIO. Arrest him? Arrest me? (_He is seized._) + +LADY H. O, this is agony! (_Aside._) + +NAN. O, this is too hard! (_Aside._) + +LIO. But she agreed to it--she pledged herself. + +LADY H. (_aside_ to LIONEL). In the name of pity, be silent! + +LIO. She accepted the earnest money. She bound herself to serve me + for a year. + +CHO. (_laughing and chattering suddenly_). How absurd! Ha! ha! ha! + It really is too funny! (_Repeating._) + +LADY H. O, but let him be treated kindly. It is plain that the poor + man is distraught. He is out of his senses. He does not know + what he is saying. + +LIO. O cruel, O false! + +NAN. (_aside_). Poor fellow. + +PLUN. (_to_ LIONEL). A word with you. + +TRIS. Away, varlet! (_Trumpets are heard outside._) The Queen is + approaching! + +LIO. The Queen! Ah! her coming brings me hope! (_Takes ring from his + finger and gives it to_ PLUNKET.) This is the ring which my + father left for me. He told you that if I ever should be in + trouble this ring must be presented to the Queen. She will + recognize it and will send me aid at once. Now is the hour + which my father foresaw--O, unhappy day! Now is the hour to + redeem the pledge he left with us, the pledge of his honor + and mine. (_Turns to_ LADY H. _and gazes at her longingly_.) + As for you, how shall I bear the memory of your treachery? + (_Sings._) + + +NO. 18. FINALE. + + LIO. Heav'n forgive this cruel scorning, + All my anguish pardon you, + You, my life's one best beloved, + Teach me hearts can prove untrue. + + LADY H. Heav'n forgive my faithless heart, + Forgive my scorning, + All his anguish pardon me. + + LIO. Cruel girl, does it add to your joy + To wound the heart that loves you well? + My wild grief, my deep despairing, + Must my love and madness tell. + + CHO. Just rebuke of his offences, + Shall not cause so much dismay. + Off to prison let's despatch him, + So our sport no longer delay. + + LADY H. Ah, I wound a heart that loves me well. + +(_Curtain falls as_ LIONEL _is led off under arrest, and_ LADY H. + _steps into a sedan chair which has been brought on. Tableau._) + + + + +ACT FIVE. + +(_Curtain rises on Richmond fair scene, set as before. The courtiers, + all dressed as farmers and maid servants, are standing about._) + + +NO. 18a. + + CHO. I can sew, sir, I can scrub, sir, + I'm a good one at a tub, sir, + Yes, to every sort of work + My hand I turn and never shirk, etc. (_as before_). + +(LADY HARRIET, NANCY _and_ PLUNKET _enter and come down front while + chorus sings_. LIONEL _enters from the other side and wanders + about among the booths, not looking at anything or anyone, + wrapped in a deep reverie. He is plainly distraught, utterly + unbalanced by the sad experience he has had._ LADY H. _and_ + NAN. _are in their hunting costumes_.) + +PLUN. Poor Lionel! He seems quite lost to me! He avoids me, seeks + solitude, or if he does approach his fellow men he utterly + ignores their presence, as now. + +NANCY. Does he seem to have no moments when he knows you? + +PLUN. Not so far. Ever since the Queen recognized the ring I gave + her and restored him to his rightful place and name as Earl of + Derby he seems to think he is no more himself. All the past is + wiped away from his thought and he wanders about in a daze or + dream. + +LADY H. And I am the one who is to blame! + +PLUN. Yes--and no. Nancy here did by me much what you did by Lionel, + but it did not drive me crazy. So after all it is partly Lionel's + strange nature that is to blame. He was always a queer lad, + sensitive to a fault. + +NAN. Did you really think I meant the girls to stick their spears + into you? I was furious with them! + +LADY H. It was my hope that if Lionel found himself again in the + midst of this familiar scene where first we met he might + recognize me and come to himself again. + +NANCY. But not when you are in those clothes. This is the costume you + wore when you were so cruel to him. + +LADY H. That is true. I had forgotten, in my zeal to get all the + rest of them ready. But here he comes. O, Lionel, don't you + know me? (_He repulses her._) + + +NO. 19. + + LIO. When I first that hand did claim, + Was I not repulsed with laughter? + Did that hand not heavy chains + Heap upon me, heedless after? + No, this hand which yesterday, + But yesterday did drive me forth, + Though today 'tis kind again + Ah, to me 'tis nothing worth! + + LADY H. O, he is cruel! + + LIO. Love is turned to hate! + I thought her sent by heav'n to bless, + To shed around her happiness; + What deep and glowing ecstasy + Filled all my heart + When first she smiled on me! + + LADY H. Oh, can these eyes, grown dim with grief, + And wan with tears, seek to betray you? + Oh, doubt me not, for I am thine. + + LIO. I ne'er again can call thee mine! + Dead for aye my trust in thee + Hateful art thou grown to me! + +(LIONEL _rushes off the stage_. LADY H. _sinks weeping into the arms + of_ NANCY.) + +PLUN. Courage, my lady! I see in this very frenzy a hopeful change. + His apathy and indifference were far worse. At least you waked + him up. Better luck next time. + +NAN. Go, my lady, and come back again in the simple little dress + of Martha. When he sees you so it will call up the old memories + and then--if you sing to him--surely his strange hallucination + will not continue. (LADY H. _goes off_.) + +PLUN. Poor lass, my heart aches for her--or it would, if it were + not so busy aching for itself. + +NAN. Yes, it is hardest of all for you--you have loved Lord Lionel + so long. + +PLUN. To tell the truth I was not thinking wholly of Lionel, either! + +NAN. (_demurely_). You have troubles of your own? + +PLUN. You know very well what I mean!--I shall be so lonely when he + leaves me to go and live on his grand estates.--Will you think + of me sometimes, Miss Nancy, sitting all alone in my poor + farmhouse? + +NAN. Ye-es, perhaps--I don't know. I shall think how you sit and + si-i-igh--like that. (_Sighs in mock-serious fashion._) Ah-h-h! + +PLUN. You needn't laugh. It is a serious matter. I am very much + to be pitied. + +NAN. If you could only--(_hesitates_) + +PLUN. What is she going to say now, the witch? (_Aside._) + +NAN. If you could--couldn't you get some one to come and live with + you--a friend, perhaps--or even--a wife--now! Just let your + imagination work a little. + +PLUN. That's so, I _might_ get somebody to marry me! That would + be a good idea. I have a pretty neighbor--a farmer's daughter-- + +NAN. O, indeed! A farmer's daughter? A good steady girl, I've no + doubt, who would always do exactly what you told her. That's an + excellent idea. Marry her by all means! + +PLUN. Will you dance at the wedding? + +NAN. Certainly--and who with a lighter heart? Remember to send me an + invitation. + +PLUN. No, I won't, you little minx! + +NAN. Won't invite me? + +PLUN. Won't marry her. + +NAN. Why not? + +PLUN. I am not in love with her. + +NAN. But you will find plenty of other handsome lasses. + +PLUN. The more I search, the less I find. + +NAN. O, indeed. How unfortunate--for the girls! + +PLUN. None of them suit me. You see, I had a maid once--a little + serving maid--the gayest, prettiest creature--but she ran away + from me-- + +NAN. Perhaps you were not kind to her? + +PLUN. Kind, I? I was kindness itself! I was _too_ kind! I _killed_ + her with kindness! + +NAN. Well, that's the trouble, then. A girl needs a good firm + upstanding sort of a way, to keep her in her place. Don't be + too easy,--take my advice. But tell me about your servant. + +PLUN. O, I don't know as she was so much, after all. But I found + her amusing. She was a well-meaning sort of creature, and + rather good looking, but she couldn't do a thing! She could + not knit or spin, she could only laugh and joke.--But ignorant + as she was, she knew one thing. + +NAN. What was that? + +PLUN. How to make me miss her! + +NAN. Perhaps she misses you! + +PLUN. (_starts toward her_). Nancy--my little Betsy Ann! + +NAN. And though she does not know the things you say, though she is + a poor silly creature who never did a useful thing in all her + life--could she not learn? + +PLUN. Don't torment me, girl. Do you mean what you say? + +NAN. (_laughing at him_). Certainly I mean it. What clever girl + could not learn those things--if she really-- + +PLUN. Really--what?-- + +NAN. O, if it were worth while! + +PLUN. O Nancy, is it worth while?--But no, we must not think of + ourselves while Lionel is in such a state--my poor Lionel! + Until he is right again my home is his. + +NAN. (_walking off a little stiffly_). O, keep your old home! Nobody + wants it! + +PLUN. (_goes after her and speaks in her ear_). I mean to keep + it--and you! + +NAN. If you can! + +PLUN. I can. A voice whispers in my heart! + +NAN. What is the voice that whispers in your heart? + +PLUN. It is the voice of love. + +(LADY H. _returns in peasant costume. She goes up to the groups of + farmers and begins to arrange them in the old order. Speaks._) + +LADY H. Arrange everything just as it was before. Bring the big + chair for the sheriff. Don't look at Lionel. Pretend to be all + occupied with the business of the day. + +NAN. (_looking off_). Here he comes, with his sad and gentle look. + Sing to him, my lady. + +(_Music begins with_ NANCY'S _speech_. LADY H. _sings_.) + + +NO. 20. + + LADY H. Now the April day returning + Girds the earth with living green; + As the moon shines clearer, fairer, + Spring's new loveliness is seen. + Laughing flowers that gem the meadows, + With the stars in beauty vie, + While the nightingale with singing, + Tells his love to earth and sky. + + LIO. Heaven! Martha's singing! + + LADY H. (_approaches him timidly_). See, 'tis Martha. + + CHO. See, he knows her! Sadly, but mildly + Meets her glances + And our advances. + +(LIONEL _moves about among the supposed servants in wonderment_.) + +(NANCY _steps from among them_.) + + NAN. Now hither troop both young and old + The village clock the hour has told! + I can darn, sir, I can sew, sir, + I can milk and I can mow, sir, + I can bake and mend and make, + And garden beds can hoe and rake. + + CHO. Yes, I can clean, sir, I can scrub, sir, + I'm a good one at the tub, sir (_etc., as before_). + + PLUN. (_to_ LIONEL). Come, this way, + We'll choose a servant; + Come with me. + + LIO. (_passes his hand over his brow in bewilderment_). + O, what is it? + + PLUN. Why, the servants + Who at Richmond market gather. + Come, then, choose which one you'd rather. + +(_They approach_ LADY HARRIET _and_ NANCY. LIONEL _stands and + gazes at_ LADY H. _He speaks._) + +LIO. (_perplexed_). Martha, Martha! Is it you? Tell me that this + is indeed you! Tell me that it is no dream. We are together + at last! + +LADY H. Lionel, I am Martha, and your humble, loving servant. You + know what has come to you, fortune and a splendid name. But + before I knew of this, my heart repented. I was ready to go to + you in your prison and claim you as my love. Then you were set + free without my aid--O wretched, cruel girl that I was! Lionel, + I am fairly punished for my worldly pride, my cruel impulse. + But life is hard for girls. Think how they might all have scorned + me if I confessed to having been a servant! But now I care for + nothing--only you. + +LIO. Let all the past be forgotten. Joy smiles at last. At last + my dreams have all come true. + +PLUN. (_to_ NANCY). And what can you do, you useless bit of baggage? + +NANCY (_hums_). I can cook, sir, I can bake, sir,-- + +PLUN. (_laughing_). You are jesting. You are my own little + good-for-nothing. + +NAN. If my master is obstinate--I can bring him to reason. + +PLUN. You will suit me, after all. You will make an excellent + farmer's wife. Come along. + +NAN. There! (_She boxes his ear._) Take that as an earnest. + + LADY H. _sings_. + + +NO. 21. FINALE. + + LADY H. Now the April days returning + Gird the Spring in living green. + + LIO. As the moon shines clearer, fairer, + Spring's new loveliness is seen. + + LADY H. _and_ LIO. While the nightingale with singing, + Tells his love to earth and sky, + Sounds at last love's hour of promise, + Hour of hope and nuptial joy. + + CHO. Sounds at last love's hour of promise, + Hour of hope and nuptial joy. + + +_Curtain._ + + +END. + + + + +_LOVE'S SACRIFICE_ + + _A Pastoral Opera In One Act + For Mixed or Unchanged Voices_ + +_Libretto by DAVID STEVENS_ + +_Music by GEORGE W. CHADWICK_ + +_Time of Performance, Thirty Minutes_ + +PRICE $1.00 + +_"I have been over 'Love's Sacrifice' with much interest. It is a +truly beautiful work and I am prepared to believe that, as you said, +it was written under inspiration. It is Chadwick in a new vein, a +little grand opera, and, so far as I am aware, the first of its kind +in the country. Please congratulate Mr. Chadwick on the truly +inspirational quality of the work." From a leading American +Composer._ + +_C. C. BIRCHARD & COMPANY_ + +_BOSTON_ + + + + +SCHOOL AND COMMUNITY MUSIC + +H-High; G-Grammar; L-Lower + +THE LAUREL OCTAVO (Sheet Music) G &-- + +ASSEMBLY PRAISE BOOK (_Non-sectarian hymns_) + Lewis and Maxwell $0.35 + +JUNIOR LAUREL SONGS Armitage + _Students' Edition_ .55 + _Special Edition_ .55 + _Teachers' Edition_ 2.00 + +LAUREL MUSIC READER Tomlins G &-- + _Students' Edition_ .60 + _Regular Edition_ .70 + _Teachers' Edition_ 2.00 + +LAUREL SONG BOOK Tomlins 1.00 + +LAUREL SONGS FOR GIRLS Armitage + _Students' Edition_ .80 + _Teachers' Edition_ 2.00 + +LAUREL UNISON BOOK FOR BOYS Armitage + _Students' Edition_ .60 + _Teachers' Edition_ 2.00 + +ONE HUNDRED FOLK SONGS Gilbert .60 + +SCHOOL SONG BOOK McConathy G &-- + _Students' Edition_ .65 + _Teachers' Edition_ 2.00 + +STANDARD SONGS SERIES (Pamphlets) viz: + No. 1 Popular Songs, _Vocal Edition_ .15 G &-- + _Piano Edition_ .50 + No. 2 18 Community Songs, _Vocal Edition_ .05 L G &-- + _Piano Edition_ .30 + No. 3 20 Best Hymns .05 G &-- + No. 4 Christmas Songs and Carols .20 G &-- + No. 5 Oratorio Choruses .20 + No. 6 Opera Choruses, _Vocal Edition_ .15 + _Piano Edition_ .50 + No. 7 Hymns and Patriotic Songs .12 G &-- + No. 8 Part Songs for Girls' Voices .15 + No. 9 Part Songs for Boys' Voices .20 + No. 10 Standard Songs for Community Singing .25 + +55 SONGS AND CHORUSES FOR COMMUNITY SINGING, + _Vocal Edition_ .10 G &-- + _Piano Edition_ .25 + + +CANTATAS, OPERETTAS, ETC. + +CONTEST OF THE NATIONS (Operetta) Page 1.00 + +HIAWATHA'S CHILDHOOD (Operetta) Whiteley L G &-- + _Vocal Edition_ .20 + _Piano Edition_ .60 + +LOVE'S SACRIFICE (Pastoral Opera) Chadwick 1.00 G &-- + +MELILOTTE (Operetta) Stevens .60 L G &-- + +MOTHER GOOSE ARABESQUE (Cantata) Tukey L &-- + _Vocal Edition_ .15 + _Piano Edition_ .50 + +PEACE PIPE (Cantata) Converse 1.00 + +PIED PIPER (Operetta) Whiteley H &-- + +QUEEN OF THE GARDEN (Operetta) Bullard .60 L G &-- + +SPRING RAPTURE (Cantata) + _Vocal Edition_ Gaul .20 G &-- + _Piano Edition_ .65 + +WRECK OF THE HESPERUS (Cantata) Mills .50 +School editions of Carmen, Tannhauser, Martha, Bohemian Girl, Aida, + Il Trovatore. + +MASTER MUSICIAN SERIES Earhart and Birge .20 + +MASTERPIECES OF DRAMATIC MUSIC (Selections from Standard Operas) + + +C. C. BIRCHARD & COMPANY, Boston, Mass. + + * * * * * + +Transcriber's Notes: + +Punctuation corrected without comment. Archaic spellings retained. + +The "Page" numbers in the Table of Contents do not refer to actual +pages but rather lines of dialog. + +In Advertisment on last page, the right side of page was cut off, +last letter not discernible, replaced with em-dash. + + + + + +End of Project Gutenberg's Martha, by W. Friedrich and Friedrich von Flotow + +*** END OF THIS PROJECT GUTENBERG EBOOK MARTHA *** + +***** This file should be named 38597.txt or 38597.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/8/5/9/38597/ + +Produced by Tor Martin Kristiansen, Dianne Nolan, Joseph +Cooper and the Online Distributed Proofreading Team at +http://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |