diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:10:38 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:10:38 -0700 |
| commit | 4d0397996906ba68c103fa332ed1ac81fe96dfb6 (patch) | |
| tree | 2b775dc6be5e542c964299d72e3d0ce9b42a63d7 /38574.txt | |
Diffstat (limited to '38574.txt')
| -rw-r--r-- | 38574.txt | 2587 |
1 files changed, 2587 insertions, 0 deletions
diff --git a/38574.txt b/38574.txt new file mode 100644 index 0000000..f7694c3 --- /dev/null +++ b/38574.txt @@ -0,0 +1,2587 @@ +The Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 99, +September 20, 1851, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Notes and Queries, Vol. IV, Number 99, September 20, 1851 + A Medium of Inter-communication for Literary Men, Artists, + Antiquaries, Genealogists, etc. + +Author: Various + +Editor: George Bell + +Release Date: January 15, 2012 [EBook #38574] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 20, 1851 *** + + + + +Produced by Charlene Taylor, Jonathan Ingram and the Online +Distributed Proofreading Team at https://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/American Libraries.) + + + + + +[Transcriber's note: Original spelling varieties have not been +standardized. Characters with macrons have been marked in brackets with +an equal sign, as [=e] for a letter e with a macron on top; [th] was +used for the letter thorn, [dh] for eth, and [gh] for yogh. Saxon +characters have been marked in braces, as in {Eafel}. Underscores have +been used to indicate _italic_ fonts (or emphasis in Greek). A list of +volumes and pages in "Notes and Queries" has been added at the end.] + + + + +NOTES and QUERIES: + +A MEDIUM OF INTER-COMMUNICATION + +FOR + +LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC. + +"When found, make a note of."--CAPTAIN CUTTLE. + +VOL. IV.--No. 99 SATURDAY, SEPTEMBER 20. 1851. + +Price Threepence. Stamped Edition, 4_d._ + + + + +CONTENTS. + + Page + + + NOTES:-- + + Venerable Bede's Mental Arithmetic 201 + + Hyphenism, Hyphenic, Hyphenization 203 + + Gray and Cowley 204 + + Minor Notes:--[Greek: Hypopiazo]--Meaning of + Whitsunday--Anagrammatic Pun by William Oldys--Ballad of + Chevy Chase: Ovid--Horace Walpole at Eton 205 + + QUERIES:-- + + Continental Watchmen and their Songs 206 + + Minor Queries:--Quotation from Bacon--Carmagnoles--The + Use of Tobacco by the Elizabethan Ladies--Covines--Story + referred to by Jeremy Taylor--Plant in Texas--Discount + --Sacre Cheveux--"Mad as a March Hare"--Payments for + Destruction of Vermin--Fire unknown--Matthew Paris's + Historia Minor--Mother Bunche's Fairy Tales--Monumental + Symbolism--Meaning of "Stickle" and "Dray"--Son of the + Morning--Gild Book 208 + + REPLIES:-- + + Pope and Flatman 209 + + Test of the Strength of a Bow 210 + + Baskerville the Printer 211 + + Replies to Minor Queries:--Mazer Wood and Sin-eaters--"A + Posie of other Men's Flowers"--Table Book--Briwingable + --Simnels--A Ship's Berth--Suicides buried in Cross-roads + --A Sword-blade Note--Domesday Book of Scotland--Dole-bank + --The Letter "V"--Cardinal Wolsey--Nervous--Coleridge's + Essays on Beauty--"Nao" or "Naw," a Ship--Unde derivatur + Stonehenge--Nick Nack--Meaning of Carfax--Hand giving the + Benediction--Unlucky for Pregnant Women to take an + Oath--Borough-English--Date of a Charter 211 + + MISCELLANEOUS:-- + + Notes on Books, Sales, Catalogues, &c. 215 + + Books and Odd Volumes wanted 215 + + Notices to Correspondents 215 + + Advertisements 216 + + + + +Notes. + + +VENERABLE BEDE'S MENTAL ALMANAC. + +If our own ancient British sage, the Venerable Bede, could rise up from +the dust of eleven centuries, he might find us, notwithstanding all our +astounding improvements, in a worse position, in one respect at least, +than when he left us; and as the subject would be one in which he was +well versed, it would indubitably attract his attention. + +He might then set about teaching us from his own writings a mental +resource, far superior to any similar device practised by ourselves, by +which the day of the week belonging to any day of the month, in any year +of the Christian era, might easily and speedily be found. + +And when the few, who would give themselves the trouble of thoroughly +understanding it, came to perceive its easiness of acquirement, its +simplicity in practice, and its firm hold upon the memory, they might +well marvel how so admirable a facility should have been so entirely +forgotten, or by what perversion of judgment it could have been +superseded by the comparatively clumsy and impracticable method of the +Dominical letters. + +Let us hear his description of it in his own words: + + "QUAE SIT FERIA IN CALENDIS. + + "Simile autem huic tradunt argumentum ad inveniendam diem + Calendarum promptissimum. + + "Habet ergo regulares Januarius II, Februarius V, Martius V, + Apriles I, Maius III, Junius VI, Julius I, Augustus IIII, + September VII, October II, November V, December VII. Qui videlicet + regulares hoc specialiter indicant, quota sit feria per Calendas, + eo anno quo septem concurrentes adscripti sunt dies: caeteris vero + annis addes concurrentes quotquot in praesenti fuerunt adnotati ad + regulares mensium singulorum, et ita diem calendarum sine errore + semper invenies. Hoc tantum memor esto, ut cum imminente anno + bisextili unus concurrentium intermittendus est dies, eo tamen + numero quem intermissurus es in Januario Februarioque utaris: ac + in calendis primum Martiis per illum qui circulo centinetur solis + computare incipias. Cum ergo diem calendarum, verbi gratia, + Januarium, quaerere vis; dicis Januarius II, adde concurrentes + septimanae dies qui fuerunt anno quo computas, utpote III, fiunt + quinque; quinta feria intrant calendae Januariae. Item anno qui sex + habet concurrentes, sume v regulares mensis Martii, adde + concurrentes sex, fiunt undecim, tolle septem, remanent quatuor, + quarta feria sunt Calendae Martiae."--Bedae Venerabilis, _De Temporum + Ratione_, caput xxi. + +The meaning of this may be expressed as follows:--Attached to the twelve +months of the year are certain fixed numbers called regulars, ranging +from I to VII, denoting the days of the week in their usual order. These +regulars, in any year whereof the concurrent, or solar epact, is 0 or 7, +express, of themselves, the commencing day of each month: but in other +years, whatever the solar epact of the year may be, that epact must be +added to the regular of any month to indicate, in a similar manner, the +commencing day of that month. + +It follows, therefore, that the only burthen the memory need be charged +with is the distribution of the regulars among the several months; +because the other element, the solar epact (which also ranges from 1 to +7), may either be obtained from a short mental calculation, or, should +the system come into general use, it would soon become a matter of +public notoriety during the continuance of each current year. + +Now, these solar epacts have several practical advantages over the +Dominical letters. 1. They are numerical in themselves, and therefore +they are found at once, and used directly, without the complication of +converting figures into letters and letters into figures. 2. They +increase progressively in every year; whereas the Dominical letters have +a crab-like retrogressive progress, which impedes facility of practice. +3. The _rationale_ of the solar epacts is more easily explained and more +readily understood: they are the accumulated odd days short of a +complete week; consequently the accumulation must increase by 1 in every +year, except in leap years, when it increases by 2; because in leap +years there are 2 odd days over 52 complete weeks. But this irregularity +in the epact of leap year does not come into operation until the +additional day has actually been added to the year; that is, not until +after the 29th of February. Or, as Bede describes it, "_in leap years +one of the concurrent days is intermitted, but the number so intermitted +must be used for January and February; after which, the epact obtained +from cyclical tables_ (or from calculation) _must be used for the +remaining months_." By which he means, that the epacts increase in +arithmetical succession, except in leap years, when the series is +interrupted by one number being passed over; the number so passed over +being used for January and February only. Thus, 2 being the epact of +1851, 3 would be its natural successor for 1852; but, in consequence of +this latter being leap year, 3 is intermitted (except for January and +February), and 4 becomes the real epact, as obtained from calculation. + +To calculate the solar epact for any year, Bede in another place gives +the following rule: + + "Si vis scire concurrentes septimanae dies, sume annos Domini et + eorum quartum partem adjice: his quoque quatuor adde, (quia) + quinque concurrentes fuerunt anno Nativitatis Domini: hos partire + per septem et remanent Epactae Solis." + +That is: take the given year, add to it its fourth part, and also the +constant number 4 (which was the epact preceding the first year of the +Christian era), divide the sum by 7, and what remains is the solar +epact. (If there be no remainder, the epact may be called either 0 or +7.) + +This is an excellent rule; the same, I believe, that is to this day +prescribed for arriving at the Dominical letter of the Old Style. Let it +be applied, for example, to find upon what day of the week the battle of +Agincourt was fought (Oct. 25, 1415). Here we have 1415, and its fourth +353, and the constant 4, which together make 1772, divided by 7 leaves 1 +as the solar epact; and this, added to 2, the _regular_ for the month of +October, informs us that 3, or Tuesday, was the first day of that month; +consequently it was the 22nd, and Friday, the 25th, was Saint Crispin's +day. + +But this rule of Bede's, in consequence of the addition, since his time, +of a thousand years to the number to be operated upon, is no longer so +convenient as a _mental_ resource. + +It may be greatly simplified by separating the centuries from the odd +years, by which the operation is reduced to two places of figures +instead of four. Such a method, moreover, has the very great advantage +of assimilating the operation of finding the solar epact, in both +styles, the Old and the New; the only remaining difference between them +being in the rules for finding the _constant number_ to be added in each +century. These rules are as follow:-- + +_For the Old Style._--In any date, divide the number of centuries by 7, +and deduct the remainder from 4 (or 11); the result is the constant for +that century. + +_For the New Style._--In any date, divide the number of centuries by 4, +double the remainder, and deduct it from 6: the result is the constant +for that century. + +_For the Solar Epact, in either Style._--To the odd years of any date +(rejecting the centuries) add their fourth part, and also the constant +number found by the preceding rules; divide the sum by 7, and what +remains is the solar epact. + +As an example of these rules in _Old Style_, let the former example be +repeated, viz. A.D. 1415: + +First, since the centuries (14), divided by 7, leave no remainder, 4 is +the constant number. Therefore 15, and 3 (the fourth), and 4 (the +constant), amount to 22, from which eliminating the sevens, remains 1 as +the solar epact. + +For an example in _New Style_, let the present year be taken. In the +first place, 18 divided by 4 leaves 2, which doubled is 4, deducted from +6 results 2, the constant number for the present century. Therefore 51, +and 12 (the fourth), and 2 (the constant), together make 65, from which +the sevens being eliminated, remains 2, the solar epact for this year. + +But in appreciating the practical facility of this method, we must bear +in mind that _the constant_, when once ascertained for any century, +remains unchanged throughout the whole of that century; and that _the +solar epact_, when once ascertained for any year, can scarcely require +recalculation during the remainder of that year: furthermore, that +although the rule for calculating the epact, as just recited, is so +extremely simple, yet even that slight mental exertion may be spared to +the mass of those who might benefit by its application to current +purposes; because it might become an object of general notoriety in each +current year. And I am not without hope that "NOTES AND QUERIES" will +next year set the example to other publications, by making the current +solar epact for 1852 a portion of its "heading," and by suffering it to +remain, incorporated with the date of each impression, throughout the +year. + +Let us now recur to the allotment of _the regulars_ at the beginning of +Bede's description. Placed in succession their order is as follows:-- + + April and July I, or Sunday + January and October II, or Monday + May III, or Tuesday + August IIII, or Wednesday + March, Feb., and November V, or Thursday + June VI, or Friday + September and December VII, or Saturday + +There is no great difficulty in retaining this in the memory; but should +uncertainty arise at any time, it may be immediately corrected by a +mental reference to the following lines, the alliterative jingle of +which is designed to house them as securely in the brain as the immortal +and never-failing, "Thirty days hath September." The order of the +allotment is preserved by appropriating as nearly as possible a line to +each day of the week; while the absolute connexion here and there of +certain days, by name, with certain months, forms a sort of interweaving +that renders mistake or misplacement almost impossible. + + "April loveth to link with July, + And the merry new year with October comes by, + August for Wednesday, Tuesday for May, + March and November and Valentine's Day, + Friday is June day, and lastly we seek + September and Christmas to finish the week." + +Now, since we have ascertained, from the short calculation before +recited, that the solar epact of this present year of 1851 is 2, and +since the regular of October is also 2, we have but to add them together +to obtain 4 (or Wednesday) as the commencing day of this next coming +month of October. And, if we wish to know the day of the month belonging +to any other day of the week in October, we have but to subtract the +commencing day, which is 4, from 8, and to the result add the required +day. Let the latter, for example, be Sunday; then 4 from 8 leaves 4, +which added to 1 (or Sunday), shows that Sunday, in the month of October +1851, is either 5th, 12th, 19th, or 26th. + +This additional application is here introduced merely to illustrate the +great facilities afforded by the purely numerical form of Bede's +"_argumentum_,"--such as must gradually present themselves to any person +who will take the trouble to become thoroughly and practically familiar +with it. + + A. E. B. + + Leeds, September, 1851. + + +HYPHENISM, HYPHENIC, HYPHENIZATION. + +Where our ancestors wanted words, they made them, or imported them ready +made. But we are become so particular about the etymological force of +newly coined words, that we can never please ourselves, but rather +choose to do without than to tolerate anything exceptionable. We have to +learn again that a word cannot be like Burleigh's nod, but must be +content to indicate the whole by the expression of some prominent part, +or of some convenient part, prominent or not. + +Among the uses to which the "NOTES AND QUERIES" might be put, is the +suggestion of words. It very often happens that one who is apt at +finding the want is not equally good for the remedy, and _vice versa_. +By the aid of this journal the blade might find a handle, or the handle +a blade, as wanted, with the advantage of criticism at the formation; +while an author who coins a word, must commit himself before he can have +much advice. + +The above remarks were immediately suggested by my happening to think of +a word for a thing which gives much trouble, and requires more attention +than it has received, but not more than it may receive if it can be +fitly designated by a single word. A _clause_ of a sentence, both by +etymology and usage, means any part of it of which the component words +cannot be separated, but must all go together, or all remain together: +it is then a component of the sentence which has a finished meaning in +itself. The proper mode of indicating the clauses takes its name from +the means, and not from the end: we say _punctuation_, not +_clausification_. This may have been a misfortune, for it is possible +that punctuation might have been better studied, if its name had +imported its object. But there is another and a greater misfortune, +arising from the total want of a name. In a sentence, not only do +collections of words form minor sentences, but they also form compound +words: sometimes eight or ten words are really only one. When two words +are thus compounded, we use a hyphen: but those who have attempted to +use more than one hyphen have been laughed out of the field; though +perspicuity, logic, and algebra were all on their side. The _Morning +Post_ adopted this practice in former days; and Horace Smith (or James, +as the case may be,) ridiculed them in a parody which speaks of "the +not-a-bit-the-less-on-that-account-to-be-universally-detested monster +Buonaparte." It is, I think, much to be regretted that the use of the +hyphen is so restricted: for though, like the comma, it might be +abused, yet the abuse would rather tend to clearness. + +But, without introducing a further use of the hyphen, it +would be desirable to have a distinct name for a combination +of words; which, without being such a recognised and permanent +compound as _apple-tree_ or _man in the moon_, is nevertheless +one word in the particular sentence in hand. And the name is +easily found. The word hyphen being Greek ([Greek: hyph' hen]), +and being made a substantive, we might join Greek suffixes to it, +and speak of _hyphenisms_ and _hyphenic_ phrases. For example, +the following I should call a hyphenic error. When the British +Museum recently published _A Short Guide to that Portion of +the Library of printed Books now open to the Public_, a review +pronounced the title a misnomer; because the _books_ are not +open to the public, but are in locked glass cases. The reviewer +read it "library of printed-books-now-open-to-the-public," instead +of "library-of-printed-books now open to the public." And though in +this case the reviewer was very palpably wrong, yet there are many +cases in which a real ambiguity exists. + +A neglect of mental hyphenization often leads to mistake as to an +author's meaning, particularly in this age of morbid implication. For +instance, a person writes something about "a Sunday or other +day-for-which-there-is-a-special-service;" and is taken as meaning "a +Sunday-or-other-day for which," &c. The odds are that some readers will +suppose him, by speak of Sundays _with_ special service, to imply that +some are _without_. + + M. + + +GRAY AND COWLEY. + +Some spirited publisher would confer a serious obligation on the +classical world by bringing out an edition of Gray's _Poems_, with the +parallel passages annexed. "Taking him for all in all," he is one of our +most perfect poets: and though Collins might have rivalled him (under +circumstances equally auspicious), he could have been surpassed by +Milton alone. In 1786, Gilbert Wakefield attempted to do for Gray what +Newton and Warton had done for Milton (and, for one, I thank him for +it); but his illustrations, though almost all good and to the point, are +generally from books which every ordinary reader knows off by heart. +Besides, Wakefield is so very egotistical, and at times so very puerile, +that he is too much for most people. However, his volume, _The Poems of +Mr. Gray, with Notes_, by Gilbert Wakefield, B.A., late Fellow of Jesus +College, Cambridge: London, 1786, would furnish a good substratum for +the volume I am now recommending. + +Not to speak of Milton's English poems and the great masterpieces of +ancient times, with which so learned a scholar as Gray was, of course, +familiar, he draws largely from the Greek anthology, from Nonnus, from +Milton's Latin poems, from Cowley, and I had almost said from the prose +works of Bishop Jeremy Taylor. His admiration of the great "Shakspeare +of Divinity" is proved from a portion of one of his letters to Mason; +and some other day I may furnish an illustration or two. Indeed, were +any publisher to undertake the generous office I mention, I dare say +that many a secret treasure would be unlocked, and many an "orient pearl +at random strung" be forthcoming for his use. Let me first mention +Gray's opinion of Cowley, and then add in confirmation one or two +passages out of many. He says in a note to his "Ode on the Progress of +Poesy:" + + "We have had in our language not other odes of the sublime kind + than that of Dryden 'On St. Cecilia's Day:' for _Cowley (who had + his merit) yet wanted judgment, style, and harmony for such a + task_. That of Pope is not worthy of so great a man." + +We must submit to Gray's oracular sentence, for he himself was +pre-eminently gifted in the three great qualities in which he declares +the deficiency of Cowley (at least if we are to judge from his English +poems; for the prosody of his Latin efforts seems sadly deficient). At +times Cowley's "harmony" is not first-rate, and his "style" is deeply +impregnated with the fantastic conceits of the day; but he is still a +poet, and a great one too. And I think that in some of his writings Gray +had Cowley evidently in mind; _e.g._ in the _epitaph_ to his "Elegy in a +Country Churchyard:" + + "Large was his bounty, and his soul sincere, + Heaven did a recompence as largely send: + He gave to mis'ry (all he had) a tear; + He gained from Heav'n ('twas all he wish'd) a friend." + +Cowley had previously written: + + "Large was his soul; as large a soul as e'er + Submitted to _inform_ a _body_ here. + High as the place 'twas shortly in _Heav'n_ to have, + But low, and humble as his _grave_. + So _high_ that all the _virtues_ there did come, + As to their chiefest seat, + Conspicuous, and great; + So _low_ that for _me_ too it made a room." + + _On the Death of Mr. William Hervey._ + _Miscellanies_, page 18. London, 1669. + +Again-- + + "The attick warbler pours her _throat_ + Responsive to the cuckoo's note, + The _untaught_ harmony of spring." + + Gray, Ode I. _On the Spring._ + + "Hadst thou all the charming notes + Of the wood's poetic _throats_." + + Cowley, _Ode to the Swallow_. + + "Teaching their Maker in their _untaught_ lays." + + Cowley, _Davideis_ lib. i. sect 63. p. 20. + +Again: + + "Where'er the oak's thick branches stretch + A broader browner shade, + Where'er the rude and moss-grown beech + O'ercanopies the glade, + Beside some water's rushy brink, + With me the Muse shall sit, and think," &c. + + Gray, Ode I. _On the Spring._ + + "O magnum Isacidum decus! O pulcherrima castra! + O arma ingentes olim paritura triumphos! + Non sic herbarum vario subridet Amictu, + Planities pictae vallis, montisque supini + Clivus, perpetuis Cedrorum versibus altus. + Non sic aestivo quondam nitet hortus in anno, + Frondusque, fructusque ferens, formosa secundum + Flumina, mollis ubi viridisque supernatat umbra." + + Cowley, _Davideidos_ lib. i. ad finem. + +I do not mean that Gray may not have had other poets in his mind when +writing these lines (for there is nothing new or uncommon about them); +but rather a careful going over of Cowley's poems convinces me that Gray +was sensible of his "merits," and often corrects his want of "judgment" +by his own refined and most exquisite taste. I must give one more +instance; and I think that Bishop Hall's allusion to his life at +Emmanuel College, and Bishop Ridley's "Farewell to Pembroke Hall," must +every one fall into the background before Cowley. Gray's poem ought to +be too well known to require quoting: + + "Ye distant spires, ye antique towers, + That crown the wat'ry glade, + Where grateful Science still adores + Her Henry's holy shade; + And ye that from the stately brow + Of Windsor's heights th' expanse below + Of grove, of lawn, of mead survey, + Whose turf, whose shade, whose flowers among + Wanders the hoary Thames along + His silver winding way. + + "Ah, happy hills! ah, pleasing shade! + Ah, fields beloved in vain! + Where once my careless childhood stray'd, + A stranger yet to pain. + I feel the gales that from ye blow, + A momentary bliss bestow, + As waving fresh their gladsome wing, + My weary soul they seem to soothe, + And, redolent of joy and youth, + To breathe a second spring." + + Ode III. _On a distant Prospect of Eton College._ + +Cowley was educated at Trinity College, Cambridge; and if I rightly +remember Bonney's _Life of Bishop Middleton_, his affecting allusions to +Cambridge had the highest praise of that accomplished scholar and +divine: + + "O mihi jucundum Grantae super omnia nomen! + O penitus toto corde receptus amor! + O pulchrae sine luxu aedes, vitaeque beatae, + Splendida paupertas, ingenuusque decor! + O chara ante alias, magnorum nomine Regum + Digna domus! Trini nomine digna Dei + O nimium Cereris cumulati munere campi, + Posthabitis Ennae quos colit illa jugis! + O sacri fontes! et sacrae vatibus umbrae + Quas recreant avium Pieridumque chori! + O Camus! Phoebo multus quo gratior amnis + Amnibus auriferis invidiosus inops! + Ah mihi si vestrae reddat bona gaudia sedis, + Detque Deus docta posse quiete frui! + Qualis eram cum me tranquilla mente sedentem + Vidisti in ripa, Came serene, tua; + Mulcentem audisti puerili flumina cantu; + Ille quidem immerito, sed tibi gratus erat. + Nam, memini ripa cum tu dignatus utraque + Dignatum est totum verba referre nemus. + Tunc liquidis tacitisque simul mea vita diebus, + Et similis vestra candida fluxit aqua. + At nunc coenosa luces, atque obice multo + Rumpitur atatis turbidus ordo mea. + Quid mihi Sequana opus, Tamesisve aut Thybridis unda? + Tu potis es nostram tollere, Came, sitim." + + _Elegia dedicatoria, ad illustrissimam Academiam + Cantabrigiensem_, prefixed to Cowley's Works, + Lond. 1669, folio. + + RT. + + Warmington, Sept. 8. 1851. + + +Minor Notes. + +[Greek: _Hypopiazo_]--I "keep under my body," &c. 1 Cor. ix. 27. One can +scarcely allude to this passage without remembering the sarcastic +observations of Dr. South upon a too literal interpretation of it. +(_Sermons_, vol. i. p. 12. Dublin, 1720.) And yet deeper and more +spiritual writers by no means pass the literal interpretation by with +indifference. Bishop Andrewes distinctly mentions [Greek: hypopiasmos], +or _suggillatio_, amongst the "circumstantiae orationis;" as also +[Greek: ekdikesis], _vindicta_, or _revenge_, 2 Cor. vii. II. (_Preces +Privatae_, pag. 14. Londini, 1828.) Bishop J. Taylor is equally explicit +in a well-known and remarkable passage: + + "If the lust be upon us, and sharply tempting, by inflicting any + smart to overthrow the strongest passion by the most violent pain, + we shall find great ease for the present, and the resolution and + apt sufferance against the future danger; and this was St. Paul's + remedy: 'I bring my body under;' he used some rudeness towards + it."--_Holy Living_, sect. iii. _Of Chastity. Remedies against + Uncleanness_, 4. + +The word [Greek: hypopia] occurs only once in the LXX, but that seems in +a peculiarly apposite way: "[Greek: _hypopia kai syntrimmata synanta +kakois_, plegai de eis tamieia koilias.]" As our English version +translates it: "The blueness of a wound cleanseth away evil (or, is a +purging medicine against evil, margin), so do stripes the inward parts +of the belly." (Proverbs xx. 30.) If it were not absolute presumption to +differ from the great Dr. Jackson, one would feel inclined to question, +or at least to require further proof of some observations of his. He +says, in treating of our present passage: + + "The very literal importance of those three words in the + original--[Greek: hypopiazo], [Greek: keryxas], and + [Greek: adokimos]--cannot be so well learned from any Dictionary + or Lexicon, as from such as write of the Olympic Games, or of that + kind of tryal of masteries, which in his time or before was in + use. The word [Greek: hypopiazo] is proper (I take it) unto + wrestlers, whose practice it was to keep under other men's bodies, + not their own, or to keep their antagonists from all advantage of + hold, either gotten or aimed at. But our apostle did imitate their + practice upon his own body, not on any others; for his own body + was his chief antagonist."--_Works_, vol. ii. p. 644. Lond. 1673. + +Suidas makes some remarks upon the word, but they are not very much to +our purpose. + + RT. + + Warmington. + +_Meaning of Whitsunday._--I long ago suggested in your pages that +Whitsun Day, or, as it was anciently written, Witson Day, meant Wisdom +Day, or the day of the outpouring of Divine wisdom; and I requested the +attention of your learned correspondents to this subject. I cannot +refrain from thanking C. H. for his fourth quotation from Richard Rolle +(Vol. iv., p. 50.) in confirmation of this view. + + "This day _witsonday_ is cald, + For _wisdom & wit_ seuene fald + Was youen to [th]'e apostles as [th]is day + For _wise_ in alle [th]ingis wer thay, + To spek w't outen mannes lore + Al maner langage eueri whore." + + H. T. G. + +_Anagrammatic Pun by William Oldys._--Your correspondent's Query +concerning Oldys's _Account of London Libraries_ (Vol. iv., p. 176.), +reminded me of the following punning anagram on the name of that +celebrated bibliographer, which may claim a place among the first +productions of its class. It was Oldys himself, and is attached to one +of his own transcripts in the British Museum: + + "In word and _Will I am_ a friend to you, + And one friend _Old is_ worth a hundred new." + + BLOWEN. + +_Ballad of Chevy Chase: Ovid._--Addison, in his critique on the ballad +of "Chevy Chase," after quoting the stanza-- + + "Against Sir Hugh Montgomery, + So right his shaft he set, + The grey goose wing that was thereon + In his heart's blood was wet," + +says that "the thought" in that stanza "was never touched by any other +poet, and is such a one as would have shined in Homer or Virgil." It is +perhaps true that there is no passage in any other writer exactly +resembling this, but it is not quite true that the thought has not been +_touched_; for there is something approaching to it in Ovid's +_Metamorphoses_, where the slaughter of Niobe's children by the arrows +of Apollo is described: + + "Altera per jugulum _pennis tenus_ acta sagitta est: + _Expulit hanc sanguis_; seque ejaculatus in altum + Emicat."--VI. 260. + +The author of this ballad would appear, from the passages cited by +Addison, to have been well read in the Latin poets. Had Addison +recollected the above passage of Ovid, he would doubtless have adduced +it. + + J. S. W. + + Stockwell. + +_Horace Walpole at Eton._--The following anecdote of Horace Walpole +while at Eton was related by the learned Jacob Bryant, one of his +school-fellows, and has not, I believe, been printed; it is at all +events very much at your service. + +In those days the Etonians were in the habit of acting plays, and +amongst others _Tamerlane_ was selected for representation. The cast of +parts has unluckily not been preserved, but it is sufficient for us to +know that the lower boys were put into requisition to personate the +mutes. After the performance the wine, which had been provided for the +actors, had disappeared, and a strong suspicion arose that the lower +boys behind the scenes had made free with it, and Horace Walpole +exclaimed, "The mutes have swallowed the liquids!" + + BRAYBROOKE. + + + + +Queries. + + +CONTINENTAL WATCHMEN AND THEIR SONGS. + +The inquiries I made in Vol. iii., p. 324., respecting the Bellman and +his Songs, have been answered by most interesting information (pp. 377. +451. 485.); and the references made by the Editor to V. Bourne's +translation was most acceptable. The interest of this subject is +increased by finding that the Custos Nocturnus exists at the present day +in other countries, resembling very much in duties, costume, and chants +the Westminster Bellman. I venture to send you extracts from W. Hurton's +_Voyage from Leith to Lapland_, and Dr. Forbes's _Physician's Holiday_. + + "During the past year of 1849 it has been my lot to reside at four + of the most remarkable capitals of Europe, and successively to + experience what spring is in London, what summer is in Paris, what + autumn is in Edinburgh, and what winter is in Copenhagen. Vividly, + indeed, can I dwell on the marvellous contrast of the night aspect + of each: but one of the most interesting peculiarities I have + noticed in any of them, is that presented by the watchmen of the + last-named. When I first looked on these guardians of the night, I + involuntarily thought of Shakspeare's Dogberry and Verges. The + sturdy watchers are muffled in uniform great coats, and also wear + fur caps. In their hand they carry a staff of office, on which + they screw, when occasion requires, that fearful weapon the + 'morning star.' They also sometimes may be seen with a lanthorn at + their belt: the candle contained in the lanthorn they place at the + top of their staff, to relight any street-lamps which require + trimming. In case of fire, the watchmen give signals from the + church towers, by striking a number of strokes, varying with the + quarter of the city in which the fire occurs; and they also put + from the tower flags and lights pointed in the direction where the + destructive element is raging. From eight o'clock in the evening, + until four (Query, until five) o'clock in the morning, all the + year round, they chant a fresh verse at the expiration of each + hour, as they go their rounds. The cadence is generally deep and + guttural, but with a peculiar emphasis and tone; and from a + distance it floats on the still night air with a pleasing and + impressive effect, especially to the ear of a stranger. The verses + in question are of great antiquity, and were written, I am told, + by one of the Danish bishops. They are printed on a large sheet of + paper, with an emblematical border, rudely engraved in the old + style; and in the centre is a large engraving exactly representing + one of the ancient watchmen, in the now obsolete costume, with his + staff and 'morning star' in hand, a lanthorn at his belt, and his + dog at his feet. + + "A copy of the broadside has been procured me, and my friend Mr. + Charles Beckwith has expressly made for me a verbatim translation + of the verses; and his version I will now give at length. I am + induced to do this, because, not only are the chants most + interesting in themselves, as a fine old relic of Scandinavian + customs, but there seems to me a powerful poetical spirit + pervading them. At the top of the sheet are the lines which in the + translation are-- + + 'Watch and pray, + For time goes; + Think and directly, + You know not when.' + + "In large letters over the engraving of the watchman are the words + (translated): + + 'Praised be God! our Lord, to whom + Be love, praise, and honour.' + + "I will now give the literal version, printed exactly in the same + arrangement of lines, letters, and punctuation, as the original: + + '_Copenhagen Watchman's Song._ + + Eight o'clock, + When darkness blinds the earth + And the day declines, + That time then us reminds + Of death's dark grave; + Shine on us, Jesus sweet, + At every step + To the grave-place, + And grant a blissful death.' + + "Every hour between eight and five o'clock inclusive has its own + chant. The last is-- + + 'Five o'clock. + O Jesu! morning star! + Our King unto thy care + We so willingly commend, + Be Thou his sun and shield! + Our clock it has struck five + Come mild Sun, + From mercy's pale, + Light up our house and home.'" + + _Voyage from Leith to Lapland in 1850_, + by W. Hurton, vol. i. p. 104. + +Dr. Forbes writes: + + "We had very indifferent rest in our inn, owing to the over-zeal + of the Chur watchmen, whose practice it is to perambulate the town + through the whole night, twelve in number, and who on the present + occasion displayed a most energetic state of vigilance. They not + only called, but sung out, every hour, in the most sonorous + strains, and even chanted a long string of verses on the striking + of some.... I suppose the good people of Chur think nothing of + these chantings, or from habit hear them not; but a tired + traveller would rather run the risk of being robbed in + tranquillity, than be thus sung from his propriety during all the + watches of the night."--_A Physician's Holiday_, pp. 80, 81. + +Dr. Forbes gives a copy of a "Watch Chant at Chur," with a translation, +pp. 81, 82. At p. 116. he says: + + "In our hotel at Altorf we were again saluted, during the vigils + of the night, but in a very mitigated degree, with some of the + same patriotic and pious strains which had so disturbed us at + Chur. As chanted here, however, they were far from unwelcome. The + only other place, I think, where we heard these Waechterrufe was + Neufchatel. These calls are very interesting relics of the old + times, and must be considered indicative as well of the simple + habits of the old time, as of the pious feelings of the people of + old." + +He then gives the Evening and Morning Chants in the town of Glarus, and +the chant in use in some places in the canton of Zurich; but in Zurich +itself the chant is no longer heard. + +Dr. Forbes concludes the twelfth chapter with the following observation: + + "The same antiquity, and also the inveteracy of old customs to + persist, is strikingly shown by the fact that in some parts of the + canton of Tessino, where the common language of the people is + Italian, the night watch-call is still in old German." + +The apparent universality of the Bellman throughout Europe gives rise to +questions that would, I apprehend, extend beyond the object of "NOTES +AND QUERIES;" such as, Is pure religion benefited by the engrafting of +it upon stocks so familiar as the bellman or watchman? What are the +causes that the old ecclesiastic bellman is no longer heard in some +countries, whilst in others he continues with little or no variation? +Has religion lost or gained by the change? + +Dr. Forbes's notice of the Tessino watchman calls up the public crier in +England, another class of bellmen, asking for a hearing, with his "O +yes! O yes!" Little does he think that he is speaking French. + + F. W. J. + + +Minor Queries. + +151. _Quotation from Bacon._--In Lord Campbell's Life of Lord Bacon +(_Lives of the Lord Chancellors_, vol. ii. p. 314.) he gives an extract +from Lord Bacon's speech in the House of Commons, on his proposed bill +for "Suppressing Abuses in Weights and Measures." In the following +sentence there is a word which seems to require explanation: + + "The fault of using false weights and measures is grown so + intolerable and common, that if you would build churches you shall + not need for battlements and _halls_, other than false weights of + lead and brass." + +The use of lead for the battlements of churches seems obvious enough: +but what can _halls_ mean, unless it be a misprint for _bells_, for +which brass would be required? + + PEREGRINUS. + +152. _Carmagnoles._--Can any of your readers tell me the exact meaning +of the _Carmagnoles_ of the French Revolution? Is the "Marseillaise" a +Carmagnole song? If the word be derived from Carmagnuola in Piedmont, +what is the story of its origin? + + W. B. H. + +153. _The Use of Tobacco by the Elizabethan Ladies._--In _An +Introduction to English Antiquities, by James Eccleston, B.A._, 8vo. +1847, p. 306., the author, speaking of the ladies of the reign of +Elizabeth, has the following passage: + + "It is with regret we add, that their teeth were at this time + generally black and rotten, a defect which foreigners attributed + to their inordinate love for sugar, but which may, perhaps, be + quite as reasonably ascribed to their frequent habit of taking the + Nicotian weed to excess." + +Does the author mean to insinuate by the above, that the Elizabethan +ladies indulged in the "filthy weed" by "smoaking" or "chewing?" I have +always understood that the "Nicotian weed" _whitened_ the teeth rather +than _blackened_ them, but should be glad to be enlightened upon the +subject by some of your scientific readers. + + EDWARD F. RIMBAULT. + +154. _Covines_ (Vol. iii., p. 477.).--Remembering to have seen it stated +by one of your correspondents, that witches or sorcerers were formerly +divided into classes or companies of twelve, called _covines_, I should +feel obliged by a reference to the authorities from which this statement +is derived. They were not alleged at the time. + + A. N. + +155. _Story referred to by Jeremy Taylor._--Jeremy Taylor (_Duct. +Dubit._, book iii. chap. ii. rule 5. quaest. 2.) states: + + "The Greek that denied the depositum of his friend, and offered to + swear at the altar that he had restored it already, did not + preserve his conscience and his oath by desiring his friend to + hold the staff in which he had secretly conveyed the money. It is + true, he delivered it into his hand, desiring that he would hold + it till he had sworn; but that artifice was a plain cozenage, and + it was prettily discovered. For the injured person, in indignation + at the perjury, smote the staff upon the ground, and broke it, and + espied the money." + +Whence is the above incident derived? + + A TR. + +156. _Plant in Texas._--I shall be glad to learn the scientific name of +the plant to which the following extract from the _Athenaeum_ (1847, p. +210.) refers:-- + + "It is a well-known fact that in the vast prairies of Texas a + little plant is always to be found which, under all circumstances + of climate, changes of weather, rain, frost, or sunshine, + invariably turns its leaves and flowers to the north," &c. + + [Hebrew: A. T.] + +157. _Discount._--Can any of your readers inform me how discount +originated, and where first made use of? + + JAMES C. + +158. _Sacre Cheveux._--The motto of the arms of the family of _Halifax_ +of Chadacre in Suffolk, and of Lombard Street, is-- + + "SACRE CHEVEUX." + +It does not seem to bear allusion to the crest, a griffin, nor to any of +the charges in the coat, which I do not at the moment accurately +remember. If you will enlighten me as to the meaning and origin of the +motto, I shall be obliged. + + S. A. + +159. "_Mad as a March Hare._"--In Mr. Mayhew's very interesting work, +_London Labour and the London Poor_, Part xxxiii. p. 112., a collector +of hareskins, in giving an account of his calling, says: + + "Hareskins is in--leastways I c'lects them--from September to the + end of March, when hares, they says, goes mad." + +Perhaps the allusion to the well-known saying, "as mad as a March hare," +on this occasion was made without the collector of hareskins being aware +of the existence of such a saying. Is anything known of its origin? I +imagine that Mr. Mayhew's work will bring many such sayings to light. + + L. L. L. + +160. _Vermin, Payments for Destruction of, and Ancient Names._--Can you +afford me any information as to the authority (act of parliament, or +otherwise,) by which churchwardens in old times paid sums of money for +the destruction of vermin in the several parishes in England; and by +what process of reasoning, animals now deemed innocuous were then +thought to merit so rigorous an extirpation? + +In some old volumes of churchwardens' accounts to which I have access, I +find names which it is impossible to associate with any description of +vermin now known. Perhaps some of your correspondents may be able to +identify them: such as _glead_, _ringteal_, _greas'head_, _baggar_. My +own impression as to the latter name was, that it was only another way +of spelling badger; but as, in the volume to which I refer, the word +_bowson_ occurs, which the historian Dr. Whitaker pronounces to be +identical with that species of vermin, my surmise can scarcely be +correct. + + J. B. (Manchester). + +161. _Fire unknown._--Leibnitz (_Sur l'Entendement humain_, liv. i. +[section] 4.) speaks of certain islanders to whom fire was unknown. Is +there any authentic account of savages destitute of this essential +knowledge? + + C. W. G. + +162. _Matthew Paris's Historia Minor._--During the last few years I have +made occasional, but unsuccessful, inquiries after the _Historia Minor_ +of Matthew Paris. It is quoted at some length by Archbishop Parker +(_Antiquit. Eccles. Brit._, ed. Hanov. 1605, p. 158.). It is also +referred to, apparently upon Parker's authority, by several divines of +the succeeding age; by one or more of whom (as well as by Watt) the MS. +is spoken of as deposited in the Royal Library at St. James's. The words +produced by Parker do not occur in Matthew Paris's _Major History_; +though the editor of the second edition of the larger work would appear +to have consulted the _Hist. Minor_, either in the _Biblioth. Reg._, or +the Cottonian Library, or else in the Library of Corpus Coll., +Cambridge. Can any one gratify my curiosity by saying whether this MS. +is known to exist, and (if so) where? + + J. SANSOM. + +163. _Mother Bunche's Fairy Tales._--Who wrote _Mother Bunche's Fairy +Tales_? + + DALSTONIA. + +164. _Monumental Symbolism._--In the south aisle of Tylehurst church, +Berks, is a beautiful monument to the memory of Sir Peter Vanlore, +Knight, and his lady, in recumbent positions, at whose feet is the +statue of their eldest son in armour kneeling. In the front of the tomb +are the figures of ten of their children in processional form--first, +two daughters singly; the rest two and two, four of which have skulls in +their right hands, and a book in their left, probably to denote their +being deceased at the time the monument was erected. At the feet of one +of the youngest children is represented a very small figure of a child +lying in a shroud, the date 1627. + +Query, What do the books symbolise? + + JULIA R. BOCKETT. + + Southcote Lodge. + +165. _Meaning of "Stickle" and "Dray."_--In Wm. Browne's _Pastoral_, +"The Squirrel Hunt," we read of-- + + "Patient anglers, standing all the day + Near to some shallow _stickle_, or deep bay." + +The word _stickle_ appears to me to be used here for a pool. Is it ever +so used now, or has that meaning become obsolete? I do not find it in +Richardson's _Dictionary_. + +In the Lake District, in the Langdales, is Harrison's Stickle or Stickle +Tarn, which I think confirms my view of the meaning. + + * * * * * + + "Whilst he from tree to tree, from spray to spray, + Gets to the wood, and hides him in his _dray_." + +Cowper uses the word _dray_ with reference to the same animal: + + "Chined like a squirrel to his _dray_." + + "A Fable," Southey's _Edit._ viii. 312. + +What is the correct meaning of this word? Richardson, from Barrett, +says, "a _dray_ or _sledde_, which goeth without wheels." And adds, +"also applied to a carriage with low, heavy wheels, dragged heavily +along, as a brewer's _dray_." + +He then quotes the passage from Cowper, containing the above line. + + F. B. RELTON. + +166. _Son of the Morning._-- + + "Son of the morning, rise! approach you here! + Come--but molest not yon defenceless urn: + Look on this spot--a nation's sepulchre! + Abode of gods, whose shrines no longer burn. + Even gods must yield--religions take their turn: + 'Twas Jove's--'tis Mahomet's--and other creeds + Will rise with other years, till man shall learn + Vainly his incense soars, his victim bleeds; + Poor child of Doubt and Death, whose hope is built on reeds." + +How many read the above beautiful stanza from _Childe Harold_, Canto II. +Stanza 3., without asking themselves who the "Son of the morning" is. +Perhaps some of your literary correspondents and admirers of Byron may +be able to tell us. I enclose my own solution for your information. + + AN OLD BENGAL CIVILIAN. + +167. _Gild Book._--The Gild-Book of the "Holy Trinity Brotherhood" of +St. Botolph's without Aldersgate, London, once belonged to Mr. W. Hone, +by whom it is quoted in his _Ancient Mysteries_, p. 79. If any of the +readers of "NOTES AND QUERIES" would be so kind as to let me know where +this MS. is to be found, I should be very thankful. + + D. ROCK. + + Buckland, Faringdon. + + + + +Replies. + + +POPE AND FLATMAN. + +(Vol. iv., p. 132.) + +In the edition of Pope's _Works_ published by Knapton, Lintot, and +others, 1753, 9 vols., I find the following note to the Ode entitled +"The Dying Christian to his Soul:"-- + + "This Ode was written in imitation of the famous Sonnet of Hadrian + to his departing Soul, but as much superior to his original in + sense and sublimity as the Christian religion is to the pagan." + +This is confirmed by the correspondence of Pope with Steele, vol. vii. +pp. 185, 188, 189, 190. Letters 4, 7, 8, and 9. + +That Pope also derived some hints at least from Flatman's Ode is, I +think, certain, from the following extract from a bookseller's catalogue +of a few years' date: + + "Flatman, Thos., Poems and Songs. Portrait slightly damaged. 8vo., + new, cf. gt. back, 8s. With autograph of Alex. Pope. + + "MS. Note at p. 55.--'This next piece, _A Thought on Death_, is + remarkable as being the verses from which Pope borrowed some of + the thoughts in his Ode of The Dying Christian to his Soul.'" + + F. B. RELTON. + +The question whether Flatman borrowed from Pope or Pope from Flatman +(the former seems far more probable) may perhaps be decided by the date +of Flatman's composition, if that can be ascertained. Pope's ode was +composed in November, 1712, as recorded in the interesting series of +letters in the correspondence between Pope and Steele (_Letters_ iv. to +ix.) and in the 532nd number of the _Spectator_. From Steele's letter it +appears that the stanzas were composed for music: is any setting of them +known, anterior to that by Harwood, which has obtained such universal +popularity, in spite of its many undeniable errors in harmony? Is +anything known of this composer? he certainly was not deficient either +in invention or taste, and must have written other pieces worthy to be +remembered. + + E. V. + +It seems probable that the coincidence between the passages of Thomas +Flatman and Pope, indicated at p. 132., arises from both imitating the +_alliteration_ of the original: + + "_Animula, vagula, blandula,_ + Hospes, comesque corporis, + Quae nunc abibis in loca, + _Pullidula, rigida, undula_? + Nec, ut soles, dabis jocos." + +Casaubon (_Hist. Ang. Script._, t. i. p. 210. ed. Lug. Bat.) has totally +lost sight of this in his Greek translation. + + THEODORE BUCKLEY. + + +TEST OF STRENGTH OF A BOW. + +(Vol. iv., p. 56.) + +Although unable to answer all the Queries of TOXOPHILUS, the subjoined +information may possibly advantage him. His Queries of course have +reference to the long bow, and not to the arbalest, or cross-bow. The +length of this bow appears to have varied according to the height and +strength of the bowman; for in the 12th year of the reign of Edward IV. +an act was passed ordaining that every Englishman should be possessed of +a bow of his own height. Bishop Latimer also, in one of his sermons, +preached before Edward VI., and published in 1549, wherein he enforces +the practice of archery, has the following passage: + + "In my time my father taught me how to draw, how to lay my body in + my bow, and not to draw with strength of arms, as other nations + do, but with strength of body. I had my bows brought me according + to my age and strength: as I increased in them, so my bows were + made bigger and bigger." + +The length of the full-sized bow appears to have been about six feet: +the arrow, three. + +The distance to which an arrow could be shot from the long bow of course +depended, in a great measure, upon the quality and toughness of the +wood, as well as upon the skill and strength of the archer; but I +believe it will be found that the tougher and more unyielding the bow, +the greater the strength required in bending it, and consequently the +greater the force imparted to the arrow. The general distance to which +an arrow could be shot from the long bow seems to have been from eleven +to twelve score yards; although there are instances on record of +individuals shooting from 400 to 500 yards. + +The best bows used by our ancestors were made of yew, as it appears from +a statute made in the thirty-third year of the reign of Henry VIII., by +which it was enacted-- + + "That none under the age of seventeen should shoot with a bow of + yew, except his parents were worth 10_l._ per annum in lands, or + 40 marks in goods: and for every bow made of yew, the bowyer not + inhabiting London or the suburbs should make four, and the + inhabitant there two, bows of other wood." + +These restrictions were doubtless owing to the great scarcity of yew. +The other woods most in request were elm, witch-hazel, and ash. By the +statute 8th of Elizabeth, cap. 3., it was ordained that every bowyer +residing in London should have always ready fifty bows of either of the +before-mentioned woods. By this statute also the prices at which the +bows were to be sold were regulated. + +I believe the ancient bows were made of one piece; whether there is any +advantage to be derived in having a bow of more than two pieces, I leave +for some one better qualified than myself to determine. + +As regards arrows, Ascham, in his _Toxophilus_, has enumerated fifteen +sorts of wood of which arrows were made in his time, viz. brasell, +turkie-wood, fusticke, sugercheste, hard-beam, byrche, ash, oak, +service-tree, alder, blackthorn, elder, beach, aspe, and sallow; of +these aspe and ash were accounted the best; the one for target-shooting, +the other for war. The author of _The Field Book_ says: + + "That an arrow weighing from twenty to four-and-twenty + pennyweights, made of yew, was considered by archers the best that + could be used." + + DAVID STEVENS. + + Godalming. + +The method of trying and proving a bow is stated by Ascham to be thus: + + "By shooting it in the fields, and _sinking_ it with _dead heavy_ + shafts; looking where it _comes_ most, and providing for that + place betimes, lest it pinch and so fret. When the bow has thus + been shot in, and appears to contain good shooting wood, it must + be taken to a skilful workman, to be cut shorter, scraped, and + dressed fitter, and made to come circularly round; and it should + be whipped at the ends, lest it snap in sunder or fret sooner than + the archer is aware of." + +It is calculated that an arrow may be shot 110 yards for every 20 lbs. +weight of the bow. + +As regards the length of the old English bow, the statute 5th of Edward +IV. cap. 4., runs thus: + + "That every Englishman, and Irishmen that dwell with Englishmen + and speak English, that be between sixteen and sixty in age, shall + have an English bow of his own length." + +Ascham recommended for men of average strength arrows made of birch, +hornbeam, oak, and ash. + +The foregoing is extracted from a work entitled _The English Bowman_, by +T. Roberts, 1801. + + PHILOSOPHUS. + + +BASKERVILLE THE PRINTER. + +(Vol. iv., pp. 40. 123.) + +Hansard's _Typographia_, i. 8vo. 1825, Preface, p. xii--xiii.: + + "Of the more modern portraits something remains to be said, and + particularly of that of Baskerville. It has been hitherto supposed + that no likeness is extant of this first promoter of fine + printing, and author of various improvements in the Typographic + Art, as well as in the arts connected with it. At the time when I + was collecting information for that part of my work in which Mr. + Baskerville is particularly mentioned (p. 310. _et seq._), I + thought it a good opportunity to make inquiry at Birmingham + whether any portrait or likeness of him remained; for a long time + the inquiry was constantly answered in the negative, but at last + it occurred to a friend to make a search among the family of the + late Mrs. Baskerville, and he was successful. Mr. Baskerville + married the widow of a Mr. Eaves; her maiden name was Ruston; she + had two children by her former husband, a son and a daughter: the + latter married her first cousin, Mr. Josiah Ruston, formerly a + respectable druggist at Birmingham, and she survived her husband. + At the sale of some effects after her decease, portraits of her + mother and her father-in-law, Mr. Baskerville, were purchased by + Mr. Knott of Birmingham. Some of Mr. Ruston's family and friends + who are still living, consider this likeness of Mr. Baskerville as + a most excellent and faithful resemblance. It was taken by one + Miller, an artist of considerable eminence in the latter part of + Baskerville's time. The inquiries of my friend Mr. Grafton, of + Park Grove, near Birmingham, at once brought this painting into + notice: and at his solicitation Mr. Knott kindly permitted Mr. + Raven of Birmingham, an artist of much celebrity, to copy it for + my use and the embellishment of this work; to which, I think, the + united talents of Mr. Craig and Mr. Lee have done ample justice." + +The portrait faces p. 310. of Mr. Hansard's book, and there may be found +an account, though somewhat different, of the exhumation alluded to by +MR. ST. JOHNS (Vol. iv., p. 123.), which took place in May, 1821. + + CRANMORE. + +In answer to an inquirer I beg respectfully to state that the body of +the eminent printer now reposes, as it has for some years, in the vaults +of Christ Church in our town. + + WILLIAM CORNISH. + + New Street, Birmingham. + + +Replies to Minor Queries. + +_Mazer Wood and Sin-eaters_ (Vol. iii., pp. 239. 288.).--The following +extract from Hone's _Year Book_, p. 858., will add to the explanation +furnished by S. S. S., and will also give an instance of the singular +practices which prevailed among our ancestors:-- + + "Among the Lansdowne MSS. in the British Museum are statements in + Aubrey's own handwriting to this purport. In the county of + Hereford, was an old custom at funerals, to hire poor people, who + were to take upon them the sins of the party deceased. One of them + (he was a long, lean, ugly, lamentable, poor rascal), I remember, + lived in a cottage on Rosse highway. The manner was, that when the + corpse was brought out of the house, and laid on the bier, a loaf + of bread was brought out, and delivered to the sin eater, over the + corpse, as also a _mazard bowl_ of maple, full of beer (which he + was to drink up), and sixpence in money, in consideration whereof + he took upon him, _ipso facto_, all the sins of the defunct, and + freed him or her from walking after they were dead." + +Perhaps some of your readers may be able to throw some light on this +curious practice of _sin-eating_, or on the existence of regular +_sin-eaters_. + + E. H. B. + + Demerary. + + [Mr. Ellis, in his edition of Brande's _Popular Antiquities_, vol. + ii. p. 155. 4to. has given a curious passage from the Lansdowne + MSS. concerning a sin-eater who lived in Herefordshire, which has + been quoted in the _Gentleman's Magazine_, vol. xcii. pt. i. p. + 222.] + +"_A Posie of other Men's Flowers_" (Vol. iv., pp. 58. 125.).--If D. Q. +should succeed in finding this saying in Montaigne's Works, I hope he +will be kind enough to send an "Eureka!" to "NOTES AND QUERIES," as by +referring to pp. 278. 451. of your second volume he will see that I am +interested in the question. + +I am still inclined to think that the metaphor, _in its present concise +form_ at all events, does _not_ belong to Montaigne, though it may owe +its origin to some passage in the _Essays_. See, for example, one in +book i. chap. 24.; another in book ii. chap. 10., in Hazlitt's second +edition, 1845, pp. 54. 186. + +But I have not forgotten Montaigne's motto, "Que scais-je?" The chances +are that I am wrong. I should certainly like to see his right to the +saying satisfactorily proved by reference to book, chapter, and page. + + C. FORBES. + + Temple. + +At the conclusion of the preface to the thick 8vo. edition of the +_Elegant Extracts, Verse_, published by C. Dilly, 1796, you will find +these words:-- + + "I will conclude my preface with the _ideas of Montaigne_. 'I have + here only made a nosegay of culled flowers, and have brought + nothing of my own but the thread that ties them.'" + + R. S. S. + + 56. Fenchurch Street. + +_Table Book_ (Vol. i., p. 215.).--See _Transactions of the Royal Irish +Academy_, vol. xxi., Antiq. pp. 3-15, and some specimens in the museum +of the Academy. (_Proceedings_, vol. iii. p. 74.) + + R. H. + +_Briwingable_ (Vol. iv., p. 22.).--I cannot find this word in any +authority to which I have access. I derive it from Sax. {bri[th]an}, to +brew, and {Eafel}, a tax; and think it the same as _tolsester_, a duty +payable to the lord of the manor by ale-brewers, mentioned in Charta 55 +Hen. III.: "Tolsester cerevisie, hec est pro quolibet braccino per annum +unam lagenam cerevisie." + + F. J. + +_Simnels_ (Vol. iii., pp. 390. 506.).--T. very sensibly suggests that +Lambert _Simnel_ is a nickname derived from a kind of cake still common +in the north of England, and eaten in Lent. I have never met with +_Simnel_ as a surname, and have actually been told, as a child, that the +Simnels were called after Lambert; which is so far worthy of note as +that it connects the two together in tradition, though, no doubt, as T. +suggests, it is Lambert who was called after the Simnels. As a child I +took the liberty to infer, in consequence, that Parkins (gingerbread of +oatmeal instead of flour, and also common in the north of England) were +called after Perkin Warbeck. I am aware of the superior claim of +Peterkin now; but the coincidence may perhaps amuse your correspondents. + + [Dagger symbol] + +_A Ship's Berth_ (Vol. iv., p. 83.).--I would suggest to your +correspondents S. S. S. (2) another derivation for our word _berth_. + +The present French _berceau_, a cradle, was in the Norman age written +_ber[gh]_, as appears in a MSS. _Life of St. Nicholas_ in +the Bodleian Library. This Life has been printed at Bonn by Dr. Nicolaus +Delius, 1850; but in the print the character [gh] has been +represented by the ordinary z. This is a pity, because, as all know who +are familiar with our MSS. of the twelfth and thirteenth centuries, this +figure [gh] took not unfrequently the place of [dh] +(th); and on this account it is a character which ought to be +scrupulously preserved in editing. _Ber[gh]_ then was +probably pronounced _berth_, or possibly with a little more of the +sibilant than is now found in the latter. How easily the _sibilant_ and +the _th_ run into one another may be seen by the third person singular +of our present Indicative: + + saith says. + doth does. + hopeth hopes. + + J. E. + + Oxford, August 2. 1851. + +_Suicides buried in Cross-roads_ (Vol. iv., p. 116.).--P. M. M. makes +inquiry respecting a practice formerly observed of _burying murderers in +cross-roads_. I have often heard that _suicides_ were formerly interred +in such places, and that a stake used to be driven through the body. I +know of two places in the neighbourhood of _Boston_ in Lincolnshire, +where such burials are stated to have taken place. One of these is about +a mile and a half south of Boston, on what is called the _low_ road to +Freiston; a very ancient _hawthorn tree_ marks the spot, and the tree +itself is said to have sprung from the stake which was driven through +the body of the self-murderer. The tradition was told me sixty years +since, and the interment was _then_ said to have occurred _a hundred +years ago_; the suicide's name was at that time traditionally +remembered, and was told to me, but I cannot recall it. The tree +exhibits marks of great age, and is preserved with care; it still bears +"may," as the flower of the whitethorn is called, and _haws_ in their +season. + +The second grave (as it is reported) of this kind is on the high road +from Boston to Wainfleet, at the intersection of a road leading to +Butterwick, at a place called _Spittal Hill_; near the site of the +ancient hospital or infirmary, which was attached to the Priory of St. +James at Freiston. This spot is famous in the traditions of the +neighbourhood as the scene of the appearance of a sprite or hobgoblin, +called the "_Spittal Hill_ TUT;" which takes, in the language of the +district, the shape of a SHAG _foal_, and is said to be connected with +the history of the suicide buried there. + +TUT is a very general term applied in Lincolnshire to any fancied +supernatural appearance. Children are frightened by being told of _Tom +Tut_; and persons in a state of panic, or unreasonable trepidation, are +said to be _Tut-gotten_. + + P. T. + + Stoke Newington, Aug. 30. + +_A Sword-blade Note_ (Vol. iv., p. 176.).--The sword-blade note, to +which R. J. refers, was doubtless a note of the Sword-blade Company, +which was intimately connected with the South Sea Company. In the +narrative respecting the latter company, given in _The Historical +Register_ for 1720, is an account of a conference between the South Sea +Directors and those of the Bank of England: therein is the following +passage: + + "And when it was urg'd that the _Sword Blade_ Company should come + into the Treaty; _By no means_, reply'd _Sir Gilbert_ [Heathcote]; + _for if the_ South Sea _Company be wedded to the Bank, he ought + not to be allow'd to keep a Mistress_. The Event show'd that the + Bank acted with their usual Prudence, in not admitting the _Sword + Blade_ Company into a Partnership."--_Historical Register_ for + 1720, p. 368. + +At p. 377. of the same work it is stated, that on the 24th of September +the Sword-blade Company, "who hitherto had been the chief cash keepers +to the South Sea Company," stopped payment, "being almost drain'd of +their ready money." + +Perhaps some of your correspondents may be able to elucidate the rise, +transactions, and "winding up" of the Sword-blade Company. + + C. H. COOPER. + + Cambridge, Sept. 6. 1851. + +_Domesday Book of Scotland_ (Vol. iv., p. 7.).--Your correspondent +ABERDONIENSIS is informed that what he is in quest of was published by +the "Bannatyne Club," under the name of the "Ragman Rolls," in 1834, +4to. It is entitled, _Instrumenta Publica sive Processus super +Fidelitatibus et Homagiis Scotorum Domino Regi Angliae factis_, A.D. +M.CC.XCI.--M.CC.XCVI. + + "The documents contained in this volume have not been selected in + the view of reviving or illustrating the ancient National + Controversy as to the feudal dependence of Scotland on the English + Crown. It has been long known that in these Records may be found + the largest and most authentic enumerations now extant of the + Nobility, Barons, Landholders and Burgesses, as well as of the + Clergy of Scotland, prior to the fourteenth century. No part of + the public Records of Scotland prior to that era has been + preserved, and whatever may have been their fate, certain it is, + that to these English Records of our temporary national + degradation, are we now indebted for the only genuine Statistical + Notices of the Kingdom towards the close of the thirteenth + century." + + [Star symbol] "This singular document, so often quoted and + referred to, was never printed _in extenso_." + + T. G. S. + + Edinburgh. + +_Dole-bank_ (Vol. iv., p. 162.).--In processions on Holy Thursday, it +was usual to _deal_ cakes and bread to the children and the poor of the +parish at boundary-banks, that they might be duly remembered. Hence the +name. + + R. S. H. + + Morwenstow. + +_The Letter "V"_ (Vol. iv., p. 164.).--If S. S. will turn again to my +remarks on this letter, he will see that I did not state that _Tiverton_ +was ever pronounced _Terton_. I accede to what he has said of +_Twiverton_; Devonshire was inadvertently written for Somersetshire. +With regard to the observations of A. N. (p. 162.), he will find those +remarks were confined to the _v_ between two vowels, _i.e._ without any +other consonant intervening; and, therefore, other forms of contraction +did not fall within the scope of them. I refrained from adverting to any +such words as Elvedon and Kelvedon (pronounced respectively Eldon and +Keldon), because the abbreviation of these may be referable to another +cause. In passing I would mention that I think there can be no +reasonable doubt that the word _dool_, about which he inquires, is no +other than the Ang.-Sax. _d[=a]l_, a division, from _daelan_, to divide; +and whence our words _deal_ and _dole_. But to return to the letter _v_, +if MR. SINGER be correct as to _devenisch_ in the MS. of the _Hermit of +Hampole_ being written for Danish (p. 159.), it seems an example of the +peculiar use of this letter to which I have invited attention, for the +writer hardly intended it to be pronounced as three syllables if he +meant Danish. However, if that MS. be a transcript, may not the supposed +_v_ have been originally an _n_, which was first mis-read _u_, and then +copied as a _v_? + + W. S. W. + +_Cardinal Wolsey_ (Vol. iv., p. 176.).--The following anecdote, taken +from a common-place book of Sir Roger Wilbraham, who was Master of the +Requests in the time of Queen Elizabeth, appears to have some bearing on +the subject referred to in the page of your publication which I have +quoted above:-- + + "Cooke, attorney, at diner Whitsunday[1] ista protulit. + + "Wolsey, a prelate, was flagrante crimine taken in fornication by + S'r Anthony Pagett of y'e West, and put in y'e stokes. After being + made Cardinall, S'r Anthony sett up his armes on y'e middle Temple + gate: y'e Cardinall passing in pontificalibus, and spying his owne + armes, asked who sett them up. Answare was made y't y'e said Mr. + Pagett. He smiled saying, he is now well reclaymed; for wher + before he saw him in disgrace, now he honoured him." + + [Footnote 1: This was probably in 1598.] + + W. L. + +_Nervous_ (Vol. iv., p. 7.).--_Nervous_ has unquestionably the double +meaning assigned to it in MR. BANNEL'S Query. The propriety of the +English practice, in this respect, may be doubted. _Nervous_ is +correctly equivalent to Lat. _nervosus_; Fr. _nerveux_, strong, +vigorous. In the sense of _nervous weakness_, or, perhaps more +correctly, _nervine weakness_, the word should probably be _nervish_, +analogous to _qualmish_, _squeamish_, _aguish_, _feverish_, &c. In +Scotland, though the English may regard it as a vulgarism, I have heard +the word used in this form. + + F. S. Q. + +_Coleridge's Essays on Beauty_ (Vol. iv., p. 175.).--I have copies of +the _Essays_ referred to. They were republished about 1836 in Fraser's +_Literary Chronicle_. + + MORTIMER COLLINS. + + Guernsey. + +_"Nao" or "Naw," a Ship_ (Vol. iv., p. 28.).--I have already answered +GOMER upon the imaginary word _naw_, a ship: I beg now to remark on MR. +FENTON'S _nav_. If _nav_ was a ship at all, I am at a loss to know why +it should be "a much older term." It would probably be subsequent to the +introduction of the Latin noun, which it docks of its final _is_. The +word or name is quoted from a Triad, the ninety-seventh of that series +which contains the mention of Llewelyn ap Griffith, the last prince of +Wales; and what makes it "one of the oldest" Triads, I have no idea. Nor +do I know what ascertains the date of any of them; or removes the date +of the composition of any one of them beyond the middle ages. + +But _Nevydd_ is no very uncommon proper name of men and women, derived +from _nev_, heaven; and _nav neivion_ is simply "lord of lords." It +forms the plural like _mab_, _meibion_, and _march_, _meirchion_. Mr. +Walters gives _nav_ under no words but _lord_. David ap Gwelyn either +mentions the navigation of the lords, the Trojan chieftains, to Britain; +or else that of Nevydd Nav Neivion, cutting short his title. But the +former is the plain sense of the thing. If MR. FENTON will only turn to +Owen's _Dictionary_ (from which _naw_, a ship, is very properly +excluded) he will there find the quotation from Gwalchmai; in which the +three Persons of the Trinity are styled the _Undonion Neivion_, +"harmonizing or consentaneous Lords." He will scarcely make bold to turn +them into ships. + + A. N. + +_Unde derivatur Stonehenge_ (Vol. iv., p. 57.).--Your correspondent P. +P. proposes to interpret this word, _horse-stones_, from _hengst_, the +Saxon for a horse; and to understand thereby large stones, as the words +_horse-chesnut_, _horse-daisy_, _horse-mushroom_, &c., mean large ones. +But, if he had duly considered the arguments contained in Mr. Herbert's +_Cyclops Christianus_, pp. 162-4., he would have seen the necessity of +showing, that in Anglo-Saxon and English the description can follow, in +composition, the thing described; which it seems it can do in neither. +In support of his stone-horse, he should have produced a chesnut-horse +in the vegetable sense; a daisy-horse, or a mushroom-horse. Till he does +that, the grammatical canon appealed to by that author, will remain in +as full force against the stone-horse as against the stone-hanging. + + E. A. M. + +_Nick Nack_ (Vol. iii., p. 179.).--A rude species of music very common +amongst the boys in Sheffield, called by them _nick-a-nacks_. It is made +by two pieces of bone, sometimes two pieces of wood, placed between the +fingers, and beaten in time by a rapid motion of the hand and fingers. +It is one of the periodical amusements of the boys going along the +streets. + + "And with his right drew forth a truncheon of a white ox rib, and + two pieces of wood of a like form; one of black Eben, and the + other of incarnation Brazile; and put them betwixt the fingers of + that hand, in good symmetry. Then knocking them together, made + such a noise, as the lepers of Britany use to do with their + clappering clickets; yet better resounding, and far more + harmonious."--_Rabelais_, book ii. c. 19. + + H. J. + +_Meaning of Carfax_ (Vol. iii., p. 508.).--E. J. S. says "Carfoix +reminds me of Carfax in Oxford. Are the names akin to each other?" When +at Oxford I used to hear that Carfax was properly Quarfax, a contraction +for _quatuor facies_, four faces. The church, it will be remembered, +looks one way to High Street, another to Queen Street, a third to the +Cornmarket, and the fourth to St. Aldates's. + + H. T. G. + +_Hand giving the Benediction_ (Vol. iii., p. 477.).--Rabbi Bechai tells +us of the solemn blessing in Numbers vi. 25, 26, 27., in which the name +Jehovah is thrice repeated, that, when the high priest pronounced it on +the people, "elevatione manuum _sic digitos composuit ut_ TRIADA +_exprimerent_." + + W. FRASER. + +_Unlucky for Pregnant Women to take an Oath_ (Vol. iv., p. 151.).--I beg +to inform COWGILL that Irishwomen of the lower order almost invariably +refuse to be sworn while pregnant. Having frequently had to administer +oaths to heads of families applying for relief during the famine in +Ireland in 1847-8-9, I can speak with certainty as to the fact, though I +am unable to account for the origin of the superstition. + + BARTANUS. + + Dublin. + +_Borough-English_ (Vol. iv., p. 133.).--_Burgh_ or _Borough-English_ is +a custom appendant to _ancient_ boroughs, such as existed in the days of +Edward the Confessor and William the Conqueror, and are contained in the +Book of Domesday. Taylor, in his _History of Gavelkind_, p. 102., +states, that in the villages round the city of Hereford, the lands are +all held in the tenure of Borough-English. There appears also to be a +customary descent of lands and tenements in some places called +_Borow-English_, as in Edmunton: vid. _Kitchin of Courts_, fol. 102. The +custom of _Borough-English_, like that of gavelkind, and those of London +and York, is still extant; and although it may have been in a great +measure superseded by _deed_ or _will_, yet, doubtless, instances occur +in the present day of its vitality and consequent operation. + + FRANCISCUS. + +_Date of a Charter_ (Vol. iv., p. 152.).--I suspect that the charter to +which MR. HAND refers, is one of the time of Henry II., and not of Henry +III. The latter sent no daughter to Sicily; but Joan, the daughter of +the former, was married to William, king of Sicily, in the year 1176, 22 +Henry II. In the Great Roll of that year (Rot. 13 b.) are entries of +payments for hangings in the king's chamber on that occasion, and of +fifty marks given to Walter de Constantiis, Archdeacon of Oxford, for +entertaining the Sicilian ambassadors. See Madox's _Exchequer_, i. 367., +who also in p. 18. refers to Hoveden, P. 2. p. 548. This may perhaps +assist in the discovery of the precise date, which I cannot at present +fix. + + [Greek: Ph.] + + + + +Miscellaneous. + + +NOTES ON BOOKS, SALES, CATALOGUES, ETC. + +_The Jansenists: their Rise, Persecutions by the Jesuits, and existing +Remnant; a Chapter in Church History_: by S. P. Tregelles, LL.D., is an +interesting little monograph, reprinted with additions from Dr. Kitto's +_Journal of Biblical Literature_, and enriched with portraits of +Jansenius, St. Cyran, and the Mere Angelique. The history of the +Jansenist Church lingering in separate existence at Utrecht affords a +new instance of Catholicity of doctrine apart from the Papal communion; +and as such cannot fail to have a peculiar interest for many of our +readers. + +The long, brilliant, and important reign of Louis XIV. has had many +chroniclers. The _Memoires_ written by those who figured in its busy +scenes are almost innumerable; many, as may be supposed from the +character of the monarch and the laxity of the court, being little +calculated for general perusal. Mr. James therefore did good service +when he presented the reading world with his historical view of _The +Life and Times of Louis XIV._, a work in which, while he has done full +justice to the talents and genius of the monarch, and the brilliancy of +the circle by which he was surrounded, he has not allowed that splendour +so to dazzle the eyes of the spectator as to blind him to the real +infamy and heartlessness with which it was surrounded. We are therefore +well pleased to see Mr. James's history reprinted as the two new volumes +of Bohn's _Standard Library_. + +Mr. L. A. Lewis of 125. Fleet Street will sell on Friday next two +extraordinary Collections of Tracts on Trade, Coinage, Commerce, Banks, +Public Institutions, and Trade generally. The First, in 167 Vols., in +fol., 4to., and 8vo., commences with Milles' _Customer's Replie_, 1604. +The Second, in 20 Vols., collected upwards of a century since, commences +with H. Gilbert's _Discourse of a Discoverie for a New Passage to +Cataia_, 1576. Both series should be secured for a Public Library. + +CATALOGUE RECEIVED.--J. Millers' (43. Chandos Street) Catalogue No. 28 +of Cheap Books for Ready Money. + + +BOOKS AND ODD VOLUMES + +WANTED TO PURCHASE. + +OTHONIS LEXICON RABBINICUM. + +PLATO. Vols. VIII. X. XI. of the Bipont Edition. + +PARKINSON'S SERMONS. Vol. I. + +ATHENAEUM. Oct. and Nov. 1848. Parts CCL., CCLI. + +WILLIS' PRICE CURRENT. Nos. I. III. V. XXIV. XXVI. XXVII.--XLV. + +RABBI SALEMO JACOBES COMMENTAR UEBER DEN PENTATEUCH VON L. HAYMANN. Bonn, +1833. + +RABBI SALEMO JACOBES UEBER DAS ERSTE BUCH MOSIS VON L. HAYMANN. Bonn, +1833. + +No. 3. of SUMMER PRODUCTIONS, or PROGRESSIVE MISCELLANIES, by Thomas +Johnson. London, 1790. + +HISTORY OF VIRGINIA. Folio. London, 1624. + +THE APOLOGETICS OF ATHENAGORAS, Englished by D. Humphreys. London, 1714. +8vo. + +BOVILLUS DE ANIMAE IMMORTALITATE, ETC. Lugduni, 1522. 4to. + +KUINOEL'S NOV. TEST. Tom. I. + +THE FRIEND, by Coleridge. Vol. III. Pickering. + + [Star symbol] Letters, stating particulars and lowest price, + _carriage free_, to be sent to MR. BELL, Publisher of "NOTES AND + QUERIES," 186. Fleet Street. + + +Notices to Correspondents. + +F. R. A. _The lines referred to by_ DR. RIMBAULT (Vol. iv., p. 181.) +_are not those quoted in that page by_ A TEMPLAR _from the_ Cobleriana, +_but those beginning_-- + + "As by the Templars' holds you go," + +_respecting which a Query appeared in our_ 3rd Vol. p. 450. + +J. VARLEY, Jun. _The lines are quoted by Washington Irving, from +Shakspeare's_ Winter's Tale, Act IV. Sc. 3. + +RT. _will perceive that his communications reach us in a very available +form._ + +O. T. D. _is thanked for his suggestions, which shall be adopted as far +as practical. He will find that his communication respecting_ +Pallavicino _has been anticipated in our_ 3rd Vol., pp. 478. 523. + +PHILO, _whose Query appeared in our Number of July 19th, will find a +letter at our Publisher's._ + +ALTRON. _There is no Agent for the sale of_ "NOTES AND QUERIES" _in +Dublin. It will however no doubt be supplied by any bookseller there +from whom it may be ordered._ + +REPLIES RECEIVED.--_Dr. M. Sutcliffe--Description of a +Dimple--Carli the Economist--Decretorum Doctor--Versicle--Querelle +d'Allemand--Ellrake--Sir W. Raleigh in Virginia--M. Lominus +Theologus--Pope's Translations--Wyle Cop--Collar of SS.--What +constitutes a Proverb--Visiting Cards--Going the whole Hog--Lord +Mayor a Privy Councillor--Inscription on a Claymore--Queen +Brunehaut--Cagots--Written Sermons--Tale of a Tub--Cowper Law--Murderers +buried in Cross-roads--Thread the Needle--Borough English--Gooseberry +Fool--Darby and Joan--Print Cleaning--Serpent with a Human Head._ + +_Copies of our Prospectus, according to the suggestion of_ T. E. H._, +will be forwarded to any correspondent willing to assist us by +circulating them._ + +VOLS. I., II., _and_ III., _with very copious Indices, may still be had, +price 9s. 6d. each, neatly bound in cloth._ + +NOTES AND QUERIES _is published at noon on Friday, so that our country +Subscribers may receive it on Saturday. The subscription for the Stamped +Edition is 10s. 2d. for Six Months, which may be paid by Post-office +Order drawn in favour of our Publisher,_ MR. GEORGE BELL, 186. Fleet +Street; _to whose care all communications for the Editor should be +addressed._ + + + + +London Library, 12. St. James's Square.--Patron--His Royal Highness +Prince ALBERT. + + This Institution now offers to its members a collection of 60,000 + volumes, to which additions are constantly making, both in English + and foreign literature. A reading room is also open for the use of + the members, supplied with the best English and foreign + periodicals. + + Terms of admission--entrance fee, 6_l._; annual subscription, + 2_l._; or entrance fee and life subscription, 26_l._ + + By order of the Committee. + + September, 1851. J. G. COCHRANE, Secretary and Librarian. + + +Now ready, Price 25_s._, Second Edition, revised and corrected. +Dedicated by Special Permission to + + THE (LATE) ARCHBISHOP OF CANTERBURY. + + PSALMS AND HYMNS FOR THE SERVICE OF THE CHURCH. The words selected + by the Very Rev. H. H. MILMAN, D.D., Dean of St. Paul's. The Music + arranged for Four Voices, but applicable also to Two or One, + including Chants for the Services, Responses to the Commandments, + and a Concise SYSTEM of CHANTING, by J. B. SALE, Musical + Instructor and Organist to Her Majesty. 4to., neat, in morocco + cloth, price 25_s._ To be had of Mr. J. B. SALE, 21. Holywell + Street, Millbank, Westminster, on the receipt of a Post Office + Order for that amount; and by order, of the principal Booksellers + and Music Warehouses. + + "A great advance on the works we have hitherto had, connected with + our Church and Cathedral Service."--_Times._ + + "A collection of Psalm Tunes certainly unequalled in this + country."--_Literary Gazette._ + + "One of the best collections of tunes which we have yet seen. Well + merits the distinguished patronage under which it + appears."--_Musical World._ + + "A collection of Psalms and Hymns, together with a system of + Chanting of a very superior character to any which has hitherto + appeared."--_John Bull._ + + London: GEORGE BELL, 186. Fleet Street. + + Also, lately published, + + J. B. SALE'S SANCTUS, COMMANDMENTS and CHANTS as performed at the + Chapel Royal St. James, price 2_s._ + + C. LONSDALE, 26. Old Bond Street. + + +Price 2_s._ 6_d._; by Post 3_s._ + + ILLUSTRATIONS AND ENQUIRIES RELATING TO MESMERISM. Part I. By the + Rev. S. R. MAITLAND, DD. F.R.S. F.S.A. Sometime Librarian to the + late Archbishop of Canterbury, and Keeper of the MSS. at Lambeth. + + "One of the most valuable and interesting pamphlets we ever + read."--_Morning Herald._ + + "This publication, which promises to be the commencement of a + larger work, will well repay serious perusal."--_Ir. Eccl. Journ._ + + "A small pamphlet in which he throws a startling light on the + practice of modern Mesmerism."--_Nottingham Journal._ + + "Dr. Maitland, we consider, has here brought Mesmerism to the + 'touchstone of truth,' to the test of the standard of right or + wrong. We thank him for this first instalment of his inquiry, and + hope that he will not long delay the remaining portions."--_London + Medical Gazette._ + + "The Enquiries are extremely curious, we should indeed say + important. That relating to the Witch of Endor is one of the most + successful we ever read. We cannot enter into particulars in this + brief notice; but we would strongly recommend the pamphlet even to + those who care nothing about Mesmerism, or _angry_ (for it has + come to this at the last) with the subject."--_Dublin Evening + Post._ + + "We recommend its general perusal as being really an endeavour, by + one whose position gives him the best facilities, to ascertain the + genuine character of Mesmerism, which is so much + disputed."--_Woolmer's Exeter Gazette._ + + "Dr. Maitland has bestowed a vast deal of attention on the subject + for many years past, and the present pamphlet is in part the + result of his thoughts and inquiries. There is a good deal in it + which we should have been glad to quote ... but we content + ourselves with referring our readers to the pamphlet + itself."--_Brit. Mag._ + + PIPER, BROTHERS, & CO., 23. Paternoster Row. + + +PROFIT AND DISCOUNT TABLES, + + In One Volume, just published, bound in roan, price 3_s._ 6_d._, + or 4_s._ free by post, + + SHOWING the Prices at which Articles must be Sold, to obtain a + Profit at a certain Per Centage upon their invoiced Cost. And + also, the Net Cost of Articles, when Discounts are allowed on the + invoiced Prices. Adapted for the assistance of Traders in their + Purchases, Sales, and taking Stock. The Calculations are upon + Prices from 1_d._ to 20_s._, and at the Rates from 1-1/2 per Cent. + to 75 per Cent. + + _The following Example will show the Application of the + Tables._--The invoiced Price of Silk is 2_s._ 4_d._ per yard, + which it is proposed to sell at 15 per Cent. profit. + + Refer to the page showing that rate of per centage, find the cost + price in the first column, and, by looking to the same line of the + second, the price to be asked is shown to be 2_s._ 8-1/4_d._ + + By CHARLES ODY ROOKS, ACCOUNTANT. + + London: WILLIAM TEGG & CO., 85. Queen Street, Cheapside. + + +Just published, fcap. 8vo., price 6_s._ 6_d._ in cloth, + + THE COMPLETE ANGLER; or the Contemplative Man's Recreation, by + IZAAC WALTON and CHARLES COTTON: with a new Biographical + Introduction and Notes, and embellished with eighty-five + Engravings on Copper and Wood. + + London: HENRY KENT CAUSTON, Gracechurch Street. + + +Extremely Rare Tracts. + + MR. L. A. LEWIS will SELL, at his HOUSE, 125. Fleet Street, on + Friday, 26th, some BOOKS, from an old family library, including an + extraordinary assemblage of Tracts on trade, coinage, commerce, + banks, public institutions, &c., in 187 vols., collected more than + one hundred years ago, containing numerous articles of excessive + rarity: Acta Eruditorum ab anno 1682 ad 1727, 57 vols.; Valpy's + edition of the Delphin and Variorum Classics, 141 vols.; some + curious Manuscripts; early printed Books: to which is added, the + Library of the late George Watkinson, Esq., many years of the Bank + of England; in which will be found a series of Books relating to + Catholics, Black Letter, Theology, &c. + + +Mr. Noble's Stereotype Plates. + + MR. L. A. LEWIS is preparing to SELL, shortly, at his House, 125. + Fleet Street, the important assemblage of STEREOTYPE PLATES, the + property of the late Theophilus Noble, of Fleet Street and + Chancery Lane: comprising upwards of Twenty Tons weight, and + including that popular series of Novels, Tales, and Romances + published under the title of _Novel Newspaper_, in 680 sheets. + Catalogues are preparing, and will be forwarded on application on + receipt of four postage stamps. + + +Literary Sale Rooms, 125. Fleet Street. + + MR. L. A. LEWIS will have SALES by AUCTION of Libraries, small + parcels of Books, Prints, Pictures, and Miscellaneous Effects + every Friday. Property sent in on the previous Saturday will be + certain to be sold (if required) in the following week. + + +2 vols., sold separately, 8_s._ each. + + SERMONS. By the Rev. ALFRED GATTY, M.A., Vicar of Ecclesfield. + + "In the effective simplicity with which Mr. Gatty applies the + incidents and precepts of the Gospel to the every-day concerns of + life, he has no superior. His faith is that of a sincere and + genuine scriptural Churchman."--_Britannia._ + + "Of all sermons I have ever seen, they are by far the best adapted + to such congregations as I have had to preach to; at any rate, in + my opinion. And as a further proof of their adaptation to the + people's wants (and indeed the best proof that could be given), I + have been requested by some of my parishioners to lend them + sermons, which were almost _verbatim et literatim_ transcripts of + yours. That you may judge of the extent to which I have been + indebted to you, I may mention that out of about seventy sermons + which I preached at W----, five or six were Paley's and fifteen or + sixteen yours. For my own credit's sake, I must add, that all the + rest were entirely my own."--_Extracted from the letter of a + stranger to the Author._ + + London: GEORGE BELL, 186. Fleet Street. + + + + +Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New +Street Square, in the Parish of St. Bride in the City of London; and +published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St. +Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet +Street aforesaid.--Saturday, September 20. 1851. + + + + + [List of volumes and pages in "Notes and Queries", Vol. I-IV] + + +---------------+-------------------+-----------+-------------+ + | Notes and Queries Vol. I. | + +---------------+-------------------+-----------+-------------+ + | Vol., No. | Date, Year | Pages | PG # xxxxx | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 1 | November 3, 1849 | 1 - 17 | PG # 8603 | + | Vol. I No. 2 | November 10, 1849 | 18 - 32 | PG # 11265 | + | Vol. I No. 3 | November 17, 1849 | 33 - 46 | PG # 11577 | + | Vol. I No. 4 | November 24, 1849 | 49 - 63 | PG # 13513 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 5 | December 1, 1849 | 65 - 80 | PG # 11636 | + | Vol. I No. 6 | December 8, 1849 | 81 - 95 | PG # 13550 | + | Vol. I No. 7 | December 15, 1849 | 97 - 112 | PG # 11651 | + | Vol. I No. 8 | December 22, 1849 | 113 - 128 | PG # 11652 | + | Vol. I No. 9 | December 29, 1849 | 130 - 144 | PG # 13521 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 10 | January 5, 1850 | 145 - 160 | PG # | + | Vol. I No. 11 | January 12, 1850 | 161 - 176 | PG # 11653 | + | Vol. I No. 12 | January 19, 1850 | 177 - 192 | PG # 11575 | + | Vol. I No. 13 | January 26, 1850 | 193 - 208 | PG # 11707 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 14 | February 2, 1850 | 209 - 224 | PG # 13558 | + | Vol. I No. 15 | February 9, 1850 | 225 - 238 | PG # 11929 | + | Vol. I No. 16 | February 16, 1850 | 241 - 256 | PG # 16193 | + | Vol. I No. 17 | February 23, 1850 | 257 - 271 | PG # 12018 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 18 | March 2, 1850 | 273 - 288 | PG # 13544 | + | Vol. I No. 19 | March 9, 1850 | 289 - 309 | PG # 13638 | + | Vol. I No. 20 | March 16, 1850 | 313 - 328 | PG # 16409 | + | Vol. I No. 21 | March 23, 1850 | 329 - 343 | PG # 11958 | + | Vol. I No. 22 | March 30, 1850 | 345 - 359 | PG # 12198 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 23 | April 6, 1850 | 361 - 376 | PG # 12505 | + | Vol. I No. 24 | April 13, 1850 | 377 - 392 | PG # 13925 | + | Vol. I No. 25 | April 20, 1850 | 393 - 408 | PG # 13747 | + | Vol. I No. 26 | April 27, 1850 | 409 - 423 | PG # 13822 | + +---------------+-------------------+-----------+-------------+ + | Vol. I No. 27 | May 4, 1850 | 425 - 447 | PG # 13712 | + | Vol. I No. 28 | May 11, 1850 | 449 - 463 | PG # 13684 | + | Vol. I No. 29 | May 18, 1850 | 465 - 479 | PG # 15197 | + | Vol. I No. 30 | May 25, 1850 | 481 - 495 | PG # 13713 | + +---------------+-------------------+-----------+-------------+ + | Notes and Queries Vol. II. | + +----------------+--------------------+---------+-------------+ + | Vol., No. | Date, Year | Pages | PG # xxxxx | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 31 | June 1, 1850 | 1- 15 | PG # 12589 | + | Vol. II No. 32 | June 8, 1850 | 17- 32 | PG # 15996 | + | Vol. II No. 33 | June 15, 1850 | 33- 48 | PG # 26121 | + | Vol. II No. 34 | June 22, 1850 | 49- 64 | PG # 22127 | + | Vol. II No. 35 | June 29, 1850 | 65- 79 | PG # 22126 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 36 | July 6, 1850 | 81- 96 | PG # 13361 | + | Vol. II No. 37 | July 13, 1850 | 97-112 | PG # 13729 | + | Vol. II No. 38 | July 20, 1850 | 113-128 | PG # 13362 | + | Vol. II No. 39 | July 27, 1850 | 129-143 | PG # 13736 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 40 | August 3, 1850 | 145-159 | PG # 13389 | + | Vol. II No. 41 | August 10, 1850 | 161-176 | PG # 13393 | + | Vol. II No. 42 | August 17, 1850 | 177-191 | PG # 13411 | + | Vol. II No. 43 | August 24, 1850 | 193-207 | PG # 13406 | + | Vol. II No. 44 | August 31, 1850 | 209-223 | PG # 13426 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 45 | September 7, 1850 | 225-240 | PG # 13427 | + | Vol. II No. 46 | September 14, 1850 | 241-256 | PG # 13462 | + | Vol. II No. 47 | September 21, 1850 | 257-272 | PG # 13936 | + | Vol. II No. 48 | September 28, 1850 | 273-288 | PG # 13463 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 49 | October 5, 1850 | 289-304 | PG # 13480 | + | Vol. II No. 50 | October 12, 1850 | 305-320 | PG # 13551 | + | Vol. II No. 51 | October 19, 1850 | 321-351 | PG # 15232 | + | Vol. II No. 52 | October 26, 1850 | 353-367 | PG # 22624 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 53 | November 2, 1850 | 369-383 | PG # 13540 | + | Vol. II No. 54 | November 9, 1850 | 385-399 | PG # 22138 | + | Vol. II No. 55 | November 16, 1850 | 401-415 | PG # 15216 | + | Vol. II No. 56 | November 23, 1850 | 417-431 | PG # 15354 | + | Vol. II No. 57 | November 30, 1850 | 433-454 | PG # 15405 | + +----------------+--------------------+---------+-------------+ + | Vol. II No. 58 | December 7, 1850 | 457-470 | PG # 21503 | + | Vol. II No. 59 | December 14, 1850 | 473-486 | PG # 15427 | + | Vol. II No. 60 | December 21, 1850 | 489-502 | PG # 24803 | + | Vol. II No. 61 | December 28, 1850 | 505-524 | PG # 16404 | + +----------------+--------------------+---------+-------------+ + | Notes and Queries Vol. III. | + +-----------------+-------------------+---------+-------------+ + | Vol., No. | Date, Year | Pages | PG # xxxxx | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 62 | January 4, 1851 | 1- 15 | PG # 15638 | + | Vol. III No. 63 | January 11, 1851 | 17- 31 | PG # 15639 | + | Vol. III No. 64 | January 18, 1851 | 33- 47 | PG # 15640 | + | Vol. III No. 65 | January 25, 1851 | 49- 78 | PG # 15641 | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 66 | February 1, 1851 | 81- 95 | PG # 22339 | + | Vol. III No. 67 | February 8, 1851 | 97-111 | PG # 22625 | + | Vol. III No. 68 | February 15, 1851 | 113-127 | PG # 22639 | + | Vol. III No. 69 | February 22, 1851 | 129-159 | PG # 23027 | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 70 | March 1, 1851 | 161-174 | PG # 23204 | + | Vol. III No. 71 | March 8, 1851 | 177-200 | PG # 23205 | + | Vol. III No. 72 | March 15, 1851 | 201-215 | PG # 23212 | + | Vol. III No. 73 | March 22, 1851 | 217-231 | PG # 23225 | + | Vol. III No. 74 | March 29, 1851 | 233-255 | PG # 23282 | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 75 | April 5, 1851 | 257-271 | PG # 23402 | + | Vol. III No. 76 | April 12, 1851 | 273-294 | PG # 26896 | + | Vol. III No. 77 | April 19, 1851 | 297-311 | PG # 26897 | + | Vol. III No. 78 | April 26, 1851 | 313-342 | PG # 26898 | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 79 | May 3, 1851 | 345-359 | PG # 26899 | + | Vol. III No. 80 | May 10, 1851 | 361-382 | PG # 32495 | + | Vol. III No. 81 | May 17, 1851 | 385-399 | PG # 29318 | + | Vol. III No. 82 | May 24, 1851 | 401-415 | PG # 28311 | + | Vol. III No. 83 | May 31, 1851 | 417-440 | PG # 36835 | + +-----------------+-------------------+---------+-------------+ + | Vol. III No. 84 | June 7, 1851 | 441-472 | PG # 37379 | + | Vol. III No. 85 | June 14, 1851 | 473-488 | PG # 37403 | + | Vol. III No. 86 | June 21, 1851 | 489-511 | PG # 37496 | + | Vol. III No. 87 | June 28, 1851 | 513-528 | PG # 37516 | + +-----------------+-------------------+---------+-------------+ + | Notes and Queries Vol. IV. | + +-----------------+--------------------+---------+------------+ + | Vol., No. | Date, Year | Pages | PG # xxxxx | + +-----------------+--------------------+---------+------------+ + | Vol. IV No. 88 | July 5, 1851 | 1- 15 | PG # 37548 | + | Vol. IV No. 89 | July 12, 1851 | 17- 31 | PG # 37568 | + | Vol. IV No. 90 | July 19, 1851 | 33- 47 | PG # 37593 | + | Vol. IV No. 91 | July 26, 1851 | 49- 79 | PG # 37778 | + +-----------------+--------------------+---------+------------+ + | Vol. IV No. 92 | August 2, 1851 | 81- 94 | PG # 38324 | + | Vol. IV No. 93 | August 9, 1851 | 97-112 | PG # 38337 | + | Vol. IV No. 94 | August 16, 1851 | 113-127 | PG # 38350 | + | Vol. IV No. 95 | August 23, 1851 | 129-144 | PG # 38386 | + | Vol. IV No. 96 | August 30, 1851 | 145-167 | PG # 38405 | + +-----------------+--------------------+---------+------------+ + | Vol. IV No. 97 | Sept. 6, 1851 | 169-183 | PG # 38433 | + | Vol. IV No. 98 | Sept. 13, 1851 | 185-200 | PG # 38491 | + +-----------------+--------------------+---------+------------+ + | Vol I. Index. [Nov. 1849-May 1850] | PG # 13536 | + | INDEX TO THE SECOND VOLUME. MAY-DEC., 1850 | PG # 13571 | + | INDEX TO THE THIRD VOLUME. JAN.-JUNE, 1851 | PG # 26770 | + +------------------------------------------------+------------+ + + + + + +End of the Project Gutenberg EBook of Notes and Queries, Vol. IV, Number 99, +September 20, 1851, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, SEPT 20, 1851 *** + +***** This file should be named 38574.txt or 38574.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/3/8/5/7/38574/ + +Produced by Charlene Taylor, Jonathan Ingram and the Online +Distributed Proofreading Team at https://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive/American Libraries.) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
